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Speaker 1: I listened to the Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen are a hot one.

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Speaker 2: Love the thing that hasn't changed. My parents lost their job.

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Speaker 2: It's so cold in the a now that I'm one percent,

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Speaker 2: said most of it home. I want a stump, but

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Speaker 2: she needs to pay off her student loans. And everybody

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Speaker 2: saying get it while you hitting man, we want that

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Speaker 2: hard up. He said, Hey, no way, you slipping man.

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Speaker 2: Doe us so stupid popping anything they hand me all

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Speaker 2: the parking lot pipping politicket in Miami at the Home

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Speaker 2: and the d where they sell their cake batter heard

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Speaker 2: a voice in the back hate that all the fake

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Speaker 2: rappers that I.

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Speaker 3: Shit it on, Shit it on, I shot it on,

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Speaker 3: shit it on. Wrap your soul, dude.

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Speaker 2: Let the mic blaze show them a town east Side

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Speaker 2: all day.

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Speaker 3: I put it on. I put it on, I put

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Speaker 3: it on. I put it on.

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Speaker 2: Hey, welcome to the Blackouts podcast, y'all. Was Rod and

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Speaker 2: Eric and we're in the house on Monday after the

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Speaker 2: BT Awards.

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Speaker 3: One of my favorite favorite events of the year.

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Speaker 1: Yes, the only award show I actually look forward to.

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Speaker 3: Only when I watched the entire who is entire?

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Speaker 2: I don't be changing channel. I'll be watching commercials. I

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Speaker 2: don't be seeing what else is own. All the people

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Speaker 2: I think should win end up fucking winning because it's

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Speaker 2: black people picking.

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Speaker 1: It.

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Speaker 2: Ain't no white people out here to looting the pot

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Speaker 2: trying to pick.

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Speaker 3: They phase like that matter.

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Speaker 2: Uh So, yeah, I absolutely was here for all of it,

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Speaker 2: and we're gonna talk about it today. Yes, you know,

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Speaker 2: I'll try to if I can. We'll talk about as

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Speaker 2: much as we can remember, you know, we try to

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Speaker 2: do a pretty third breakdown. But first of all of courses,

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Speaker 2: the Blackout Tips find us on iTunes, Stitcher, Potomatics, search

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Speaker 2: Blackout Tips dot com. Leave us a five star, I mean,

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Speaker 2: search for the Blackout Tips on iTunes and Stitcher. Leave

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Speaker 2: us five star reviews, and if we like them, we'll

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Speaker 2: read them on the air as long as they're nice.

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Speaker 2: The official weapon of the show is the unofficial sport

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Speaker 2: all extreme. That is correct, guys. It is bulletball extreme time.

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Speaker 2: Because we all know that life can get a little

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Speaker 2: you through extreme life? Bullet ball mm hmm, that's what

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Speaker 2: we use here at the black Out Hips. We got

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Speaker 2: all kinds of stuff to talk about. Like I said,

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Speaker 2: I guess, you know, first things first, I guess we

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Speaker 2: should kind of get to the sponsors. I haven't played

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Speaker 3: All right, let's get into some some other stuff, guys. Okay, okay,

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Speaker 3: all right, so much stuff is happening.

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Speaker 2: I guess uh hmm, what's the best way to talk

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Speaker 2: about the bt awars? Don't Yeah, I guess I can

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Speaker 2: do that. But one thing I did want to address

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Speaker 2: before we got here. It's almost in fucking with Black

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Speaker 2: people news, but I won't call it that exactly, but

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Speaker 2: this is like a preface to the bt awars. Okay, so, oh,

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Speaker 2: Sunday morning, I got up, and you know, Sunday morning

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Speaker 2: we do the show with my dad. But Sunday morning

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Speaker 2: Twitter is by far the litters that Twitter will get

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Speaker 2: in the most animosity, the most for the whole I don't.

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Speaker 1: Know what it is about under moaning.

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Speaker 2: The Hottest takes the like everybody should be in church,

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Speaker 2: and I guess the Heathens don't go, so they just tweet.

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Speaker 2: And then that's when the Hottest takes the biggest arguments.

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Speaker 4: The y'all to say, five folks going they going to

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Speaker 4: Bible stud in Sunday school.

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Speaker 3: Right, So.

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Speaker 2: I noticed, but didn't really, uh didn't necessarily care that

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Speaker 2: much because there's an argument about appropriation, and y'all know

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Speaker 2: how I feel about that. It's somewhat confusing, confusing to

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Speaker 2: me unless it's blatantly over the top disrespectful, I don't

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Speaker 2: really even care about it, to be.

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Speaker 3: Honest, Like it's gotta be damn near.

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Speaker 2: Like fake plastic booty is on people that's working with

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Speaker 2: black face before.

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Speaker 3: I'm like, oh, don't do that.

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Speaker 2: Before I'm like, you know, like everyone so like it's

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Speaker 2: gonna happen. I'm just kind of like, hey, I don't

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Speaker 2: really care that much. But at the same time, I

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Speaker 2: also know that I don't care enough to be telling

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Speaker 2: people that they shouldn't care, right, you know, I think

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Speaker 2: that you know that's kind of whack. But yeah, there

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Speaker 2: was this huge argument about appropriation Sunday morning, and you know,

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Speaker 2: it was one of those things where I didn't know

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Speaker 2: where it came from or whatever exactly. I knew it

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Speaker 2: was like a whole it was gonna be a whole thing,

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Speaker 2: and it was about Bruno Mars.

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Speaker 1: Okay, I don't know what that was about. All I

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Speaker 1: know is I woke up and I just seen him trending.

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Speaker 3: Yeah, he was trending on Twitter. Now here's the thing.

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Speaker 2: I don't think he was trending because you know, so

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Speaker 2: many people agree with this take and they had to

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Speaker 2: start spreading it around. It seemed that he was trending

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Speaker 2: because people were defending him, and people were just talking

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Speaker 2: about it in general, and people were fussing about it,

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Speaker 2: making jokes. It's kind of like Bernie So Black, where

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Speaker 2: people assumed that it trended because black people were so mad,

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Speaker 2: but it's like, actually, it trended because white people got

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Speaker 2: so fucking offended that they.

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Speaker 3: Started tweeting about it. I had to take over that.

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Speaker 2: They did all kinds of crazy shit, and I'm like,

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Speaker 2: I didn't think this will be a national trend or

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Speaker 2: a global trend, but apparently it is because y'all couldn't

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Speaker 2: just take the jokes and leave it at that, you know.

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Speaker 3: Anyway, So this.

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Speaker 2: Woman, and I'm friends with her on social media, I

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Speaker 2: don't know, like I don't know if we've really interacted

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Speaker 2: that much, but I mean it's always been cool between us,

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Speaker 2: you know. But she said, I really need y'all to

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Speaker 2: stop with the Bruno Mars praise and be more critical

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Speaker 2: about the ways we understand appropriation. By the way, the

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Speaker 2: only reason I'm not saying her Twitter handles because I mean, obviously,

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Speaker 2: if you know, you know already. But I'm not trying

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Speaker 2: to send nobody trolling her way. I'm not trying to

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Speaker 2: send people because I know I've been in that situation

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Speaker 2: where I tweet some and then fucking weeks later, people

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Speaker 2: are still being like, listen, your stupid ass motherfucking I'm like, really, dog,

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Speaker 2: I'm actually talking about cereal today, Like today, I'm just

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Speaker 2: talking about I like Captain Crunch, and I gotta get

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Speaker 2: called out my name and all kinds of coons and

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Speaker 2: shit it. And you know, I'm sure she went through

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Speaker 2: it yesterday because anytime you have an opinion that people

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Speaker 2: disagree with or even if they agree with it, but

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Speaker 2: it goes viral. That means a bunch of people will

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Speaker 2: see it who disagree. You end up in the center

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Speaker 2: of a shit storing where everybody talking shit about you,

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Speaker 2: whether they know you are not, assuming all kinds of

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Speaker 2: motives and all kinds of shit. Now, I think it's

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Speaker 2: only fair here to add that I'm not a huge

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Speaker 2: Bruno Mars fan.

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Speaker 3: Now that doesn't mean I dislike him.

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Speaker 2: Actually, when I see him perform, I always think he's dope,

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Speaker 2: consummate performer. I think his super Bowl halftime performance, he

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Speaker 2: stole the show. Every time I've seen him, Like, I've

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Speaker 2: never been bothered by that dude. I've never thought twice

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Speaker 2: about him in a negative light. He seemed like a

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Speaker 2: cool dude just from a little bit that I know.

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Speaker 2: But I very surface knowledge of this dude. You know,

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Speaker 2: I know a couple of his songs. You know, That's

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Speaker 2: about it. So all right, So she said, I really

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Speaker 2: need y'all to stop with just Bruno Mars praise and

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Speaker 2: be more critical about the ways we understand appropriation. Now,

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Speaker 2: I will say, the framing and the phrasing there is

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Speaker 2: completely argumentative. Whether you want to, you know, you get

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Speaker 2: to say, well, I was just speaking for myself or whatever,

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Speaker 2: but you're clearly anytime it kind of passively aggressively tells people.

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Speaker 1: What they gotta do, it becomes a problem.

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Speaker 2: People take it personal, you know, because you're now giving

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Speaker 2: instructions and essentially to black people to say that we

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Speaker 2: y'all not me, y'all. Y'all Black people need to stop

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Speaker 2: praising Bruno Mars, like that's you're not gonna have people

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Speaker 2: that think that he's talented not praise his talent for whatever,

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Speaker 2: Like that's kind of an unreasonable expectation. But also it's

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Speaker 2: people read that are fans of Bruno Mars. They're immediately

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Speaker 2: or ready to fight about it.

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Speaker 3: You're not.

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Speaker 2: You know, it's a confrontational way to frame it, uh

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Speaker 2: and be more critical about the ways we understand appropriation.

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Speaker 2: So obviously then it's kind of people probably took it personal,

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Speaker 2: like are you trying to say I don't understand what

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Speaker 2: appropriation is? Then she had like a thread. Bruno Mars

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Speaker 2: is not identified as black. Let's get that clear. At

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Speaker 2: the outset, he is a non black person. He's a

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Speaker 2: non black person of color of POC who has recently

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Speaker 2: decided that singing funk music is economically productive.

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Speaker 1: Now.

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Speaker 2: From my understanding, the people that are fans of him

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Speaker 2: are like, he's been doing that shit his whole life.

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Speaker 1: And constantly shout out all the black people.

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Speaker 2: And pay the people that he was inspired by, even

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Speaker 2: like he tell.

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Speaker 1: You, I wouldn't be here if it wasn't for these people.

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Speaker 4: So it's not like he's coming in stripping for the

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Speaker 4: culture and just not acknowledging anything.

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Speaker 2: Yeah, And I don't know how you can frame it

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Speaker 2: as he just recently decided that it's gonna make him

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Speaker 2: money like that.

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Speaker 3: I don't know. It sounds like he's put in a

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Speaker 3: lifetime of fucking work.

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Speaker 2: To do this, not like I think sometimes in these

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Speaker 2: discussions there's people like Justin Timber, like Miley Cyrus, where

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Speaker 2: they haven't been doing this shit their whole career, and

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Speaker 2: they get to a point where they're like, I need

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Speaker 2: to do something new, and they put on blackness as

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Speaker 2: like a cloak for a couple of years, and then

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Speaker 2: they go back to whiteness after that runs its course.

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Speaker 3: There's that where.

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Speaker 2: I kind of get the like, oh, you just decided

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Speaker 2: it was economically feasible for you to just pretend that

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Speaker 2: you are down with black people, but you really aren't

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Speaker 2: down with us like that. This doesn't seem to be

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Speaker 2: that to me. But like I said, I'm a service

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Speaker 2: level fan. I saw other people that were fans of

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Speaker 2: him being like, yeah, he's not that. That's definitely not

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Speaker 2: his career path. These claims that Bruno was bringing funk

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Speaker 2: back are erase of black funk artists who pioneered the tradition.

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Speaker 2: Funk never left. Yes, he gives credit to funk artists

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Speaker 2: on occasion. He also has a primarily white audience which

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Speaker 2: has no memory or care for black artists. Well, there's

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Speaker 2: two parts of that. One the bringing funk back thing, well,

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Speaker 2: you know, I'll say that for the end cuz you

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Speaker 2: know that's on some other shit. But the part about

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Speaker 2: white people not caring I think as black people or no,

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Speaker 2: I'll speak for myself. I don't give a fuck with

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Speaker 2: white people fake and it's very important that to me

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Speaker 2: that that that is my number one operating procedure because

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Speaker 2: white people are never gonna be okay with us, They're

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Speaker 2: never gonna be fair to us, they're never gonna be

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Speaker 2: considered to us. It wouldn't matter if Bruno Mars is

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Speaker 2: black and just as famous. They still don't give a

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Speaker 2: fuck about our culture that way. And it's not his fault,

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Speaker 2: it's not your fault, it's not black people's fault. It's

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Speaker 2: just white people don't give a.

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Speaker 1: Fuck and we'll buy entertainment.

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Speaker 2: Yeah, the whole appropriation thing in many cases just comes

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Speaker 2: down to the idea that it's white supremacy and there's

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Speaker 2: no one artist or any group of fans that control

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Speaker 2: white supremacy. We can't stop it, and we you know,

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Speaker 2: like for example, it's just bigger than us. It's just

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Speaker 2: bigger than black people. To be honest, it's not our problem.

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Speaker 2: We didn't do it. We have to deal with the

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Speaker 2: results of it. But it's not even an artists. It's

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Speaker 2: the same thing like when I said with Tanhae Coats,

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Speaker 2: where people get mad at Tanahasi Coats because white people

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Speaker 2: read Coats well. I mean, there's plenty of other black

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Speaker 2: scholars and academics they're write about race, but for some reason,

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Speaker 2: the one that they want.

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Speaker 3: To hear is Tanahassee Coats.

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Speaker 2: People might even be more He'll say people are more

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Speaker 2: eligant than me. He'll say people are more knowledgeable to me.

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Speaker 2: He will cite people and be like, they should also

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Speaker 2: talk to this person in his book.

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Speaker 3: He will give you a list of books that.

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Speaker 1: You should read that.

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Speaker 3: That inform his work.

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Speaker 2: And people still white people, for the most part, still go,

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Speaker 2: I don't want to read that.

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Speaker 1: And you can't make them know it. Can you force them?

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Speaker 3: It doesn't matter what he says.

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Speaker 2: And so in that case, it's not really anything Bruno

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Speaker 2: Mars can do about it. It's not really his fault.

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Speaker 2: The problem is white supremacy. So it's almost like you're

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Speaker 2: judging the symptom of white supremacy.

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Speaker 3: As if it's the disease. But the disease is white supremacy.

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Speaker 2: It's we will buy something black if it's not a

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Speaker 2: black person attached to it. That's just them, that's there,

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Speaker 2: That's what they do. That's the evil of them. It's

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Speaker 2: not his fault. It's a world he's navigating as well,

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Speaker 2: and in my opinion, doing an admirable job of coping

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Speaker 2: with it as much as he can, if not even

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Speaker 2: overcompensating to a certain extent, you know, because he does

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Speaker 2: have talent. He is out there performing, even if it's

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Speaker 2: not his culture necessarily. You know, culture is one of

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Speaker 2: those things where in many cases it is made to

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Speaker 2: be consumed and spread across the world. It is infectious,

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Speaker 2: it is intoxicating. People do share cultures with each other

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Speaker 2: and stuff like, there's parts of it like that. But

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Speaker 2: I feel like everyone started treating cultures, well, I shouldn't

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Speaker 2: say started, but a lot of people start have been

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Speaker 2: treating culture as if it's like sacred pass down traditions

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Speaker 2: between like a For example, they treat music as if

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Speaker 2: music is like bar mitzvah, Like a bar mitzvah is

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Speaker 2: a Jewish tradition that Jewish people do for Jewish people.

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Speaker 2: It's not meant for just me to have a bar mitzvah.

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Speaker 2: I'm not you know about mitzvah whatever. I'm not Jewish

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Speaker 2: like you know, but people treat everything like everything's not

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Speaker 2: like that.

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Speaker 1: No, it's not.

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Speaker 2: You know, many of these artists, you know, in addition

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Speaker 2: to appreciating this dude for looking out for them, but

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Speaker 2: they also appreciate somebody carrying the torch. They appreciate other

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Speaker 2: artists carrying the torch. They they love seeing the influence

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Speaker 2: they have on people. They don't you know what I mean.

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Speaker 3: So it's like.

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Speaker 2: I feel like we've lost sight of that, or sometimes

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Speaker 2: it feels like people lose sight of that too, Like

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Speaker 2: that is tradition as well, the blending of sounds, the

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Speaker 2: creating of new sounds.

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Speaker 3: You know, the way that.

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Speaker 2: The G funk informs you know, funk informs of G

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Speaker 2: funk and you get the chronic and all this shit,

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Speaker 2: and the way that you know funk also informed you know,

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Speaker 2: organized noise and we get all the southern you know,

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Speaker 2: playlistic Cadillacs music sound like, we get this, you know,

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Speaker 2: these these originals, but they all got it from somebody somewhere,

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Speaker 2: Like no one invented any of this shit by themselves.

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Speaker 2: And I always feel like it's kind of made to

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Speaker 2: be spread, and it just sucks that it goes out

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Speaker 2: into this world where people really will be like, well,

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Speaker 2: now that I heard so and so do it, I'm

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Speaker 2: gonna just not even care that.

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Speaker 3: Black people started this. Like it sucks, it really does.

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Speaker 2: But there's also nothing that can be done about that,

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Speaker 2: you know, because I always feel like, what's the end

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Speaker 2: result of this? Should no one that's not of that

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Speaker 2: culture be able to do that music right.

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Speaker 1: A bye A purchase it or enjoy it? That makes no.

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Speaker 2: Sense like, should is the right quote unquote way that

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Speaker 2: an audience should look a black audience doing black music

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Speaker 2: for black people and nobody else is in the room.

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Speaker 3: Is that what it should be? I don't know. I

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Speaker 3: don't have the answer. I like, I legitimately.

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Speaker 2: Wonder sometimes like what is the end result of the argument?

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Speaker 2: You know, because it's always you know, I do kind

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Speaker 2: of go like, okay, so let's look at the solution,

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Speaker 2: because I understand what the problem is.

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Speaker 3: Where do we go from here?

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Speaker 4: You know, right, and everybody've used this different But in

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Speaker 4: my mind, there is no solution because that's not realistic.

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Speaker 1: If that that, right, there cannot happen.

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Speaker 4: And the thing about people that create you create shit

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Speaker 4: and you put it out into the world, and whoever.

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Speaker 1: Consumes it consumes it, and you.

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Speaker 4: Have no control. Sometimes they look like you, sometimes they don't.

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Speaker 4: Sometimes they speak your same language, sometimes they don't. I

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Speaker 4: personally don't have a problem.

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Speaker 3: With that at all.

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Speaker 1: You know.

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Speaker 3: The other thing, too, is if like, okay, cause I

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Speaker 3: I you know, I'll say that for the end too.

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Speaker 2: Let me write that down because I'm gonna go into

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Speaker 2: why black people are the shit about this, and we'll

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Speaker 2: get into that in a second. But yeah, so I

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Speaker 2: do think think the problem is basically white people consuming

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Speaker 2: shit just don't give a fuck. Also, Bruno is just

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Speaker 2: an example of somebody who does put back into the community.

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Speaker 3: So it's like this.

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Speaker 2: Is more of a like if like if it's you

366
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Speaker 2: know what this is like when Dan Levatard said Magic

367
00:18:15,440 --> 00:18:18,080
Speaker 2: Johnson shouldn't just go get a job as a GM

368
00:18:18,200 --> 00:18:20,360
Speaker 2: or the Lakers, and it's like, well, if you say

369
00:18:20,359 --> 00:18:23,240
Speaker 2: that about Magic Johnson, essentially people are gonna call you racist,

370
00:18:23,400 --> 00:18:24,879
Speaker 2: and they go, well, why are you calling them racist?

371
00:18:24,880 --> 00:18:27,800
Speaker 2: He just said Magic Johnson shouldn't because if it's not Magic,

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Speaker 2: then no black player meets the qualifications because Magic is

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Speaker 2: the is the player, he's the best business acumen, he's

374
00:18:35,840 --> 00:18:41,040
Speaker 2: the most publicly relatable, he's the most well liked, he

375
00:18:41,119 --> 00:18:45,960
Speaker 2: has the most storied history, you know, basketball wise, and

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Speaker 2: stuff like this is all this shit where it's like,

377
00:18:48,040 --> 00:18:50,919
Speaker 2: if you don't fuck with him, then nobody like. So

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00:18:50,960 --> 00:18:53,440
Speaker 2: that's essentially to me, it's like Bruno is the line

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00:18:53,440 --> 00:18:55,080
Speaker 2: for a lot of people where it's like, so if

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Speaker 2: not Bruno didn't, nobody right, right, Just black people can

381
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Speaker 2: only do black music, and black people can only listen

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Speaker 2: the black music and never be tweins your mixed right.

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Speaker 4: So for most people, they just go, Okay, I got

384
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Speaker 4: to dismiss what you're saying because you sound fucking crazy

385
00:19:09,160 --> 00:19:11,760
Speaker 4: and what you're saying it's not realistic. And I do

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00:19:11,880 --> 00:19:15,000
Speaker 4: understand you might not like Bruno Mars. Bruno Moms might

387
00:19:15,080 --> 00:19:16,560
Speaker 4: not be your cup of tea. And I don't have

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00:19:16,600 --> 00:19:18,440
Speaker 4: a problem with you not like a Bruno Mos. Most

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00:19:18,440 --> 00:19:20,119
Speaker 4: people that love Bruno Mas don't give a fuck if

390
00:19:20,119 --> 00:19:20,800
Speaker 4: you like him or not.

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Speaker 1: That's not the problem.

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Speaker 4: But when you put out, when you put out something public,

393
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Speaker 4: you're gonna have a public response.

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Speaker 2: Yeah, I mean, you know, yeah, it's definitely a controversial

395
00:19:32,280 --> 00:19:34,399
Speaker 2: thing to stay and most people are going to just

396
00:19:34,840 --> 00:19:36,439
Speaker 2: mock you for it. I'm not trying to mock her

397
00:19:36,520 --> 00:19:41,040
Speaker 2: for it, to be honest, because like, like you know,

398
00:19:41,080 --> 00:19:44,159
Speaker 2: it's that thing I'll talk about where there's slight degrees

399
00:19:44,320 --> 00:19:47,880
Speaker 2: of variation and opinion where we both kind of agree

400
00:19:47,960 --> 00:19:51,560
Speaker 2: that there's a problem, and then people kind of attack

401
00:19:52,040 --> 00:19:56,280
Speaker 2: the person for disagreeing slightly, Like I don't feel like

402
00:19:56,320 --> 00:19:58,720
Speaker 2: what she's saying is so like people are really acting

403
00:19:58,800 --> 00:20:02,560
Speaker 2: like like you damn coon, uncle, Tom like that type

404
00:20:02,560 --> 00:20:05,720
Speaker 2: of shit, and I'm like, I mean, other than that

405
00:20:05,800 --> 00:20:08,479
Speaker 2: first tweet, which I do feel like comes off as

406
00:20:08,600 --> 00:20:12,800
Speaker 2: very judgment or of black people, like y'all black people

407
00:20:13,119 --> 00:20:16,280
Speaker 2: are letting Bruno get a pass and it's y'all fault,

408
00:20:16,359 --> 00:20:18,320
Speaker 2: and like it kind of comes off a little like that.

409
00:20:18,920 --> 00:20:20,639
Speaker 2: I don't know that she necessarily meant it like that

410
00:20:20,800 --> 00:20:24,160
Speaker 2: or not, but as a way to start, Like, that's

411
00:20:24,200 --> 00:20:27,920
Speaker 2: why that one tweet got everybody mad because they immediately

412
00:20:27,960 --> 00:20:30,760
Speaker 2: took offense because like, I feel like you, as a

413
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Speaker 2: black woman, are judging all us other black people.

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Speaker 3: Right, and maybe she is, I don't know, you know,

415
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Speaker 3: I don't.

416
00:20:36,280 --> 00:20:40,800
Speaker 2: Know, but it's like you're blaming us basically for white supremacy, right,

417
00:20:40,840 --> 00:20:41,640
Speaker 2: which is something we.

418
00:20:41,640 --> 00:20:44,640
Speaker 4: Have no control over, something that we didn't create, so's

419
00:20:44,760 --> 00:20:45,800
Speaker 4: not our problem.

420
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Speaker 1: To fix it. And it's one of those things where.

421
00:20:48,600 --> 00:20:50,679
Speaker 4: Black people are constantly judging. No matter what you do,

422
00:20:50,720 --> 00:20:52,240
Speaker 4: we get judging from black people. We can judge, we

423
00:20:52,240 --> 00:20:54,840
Speaker 4: get judged all across the board, and so black people

424
00:20:54,880 --> 00:20:57,120
Speaker 4: are very sensitive to that and I don't blame them

425
00:20:57,160 --> 00:21:00,200
Speaker 4: for But what you ain't gonna do is to tell

426
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Speaker 4: me what the fuck I'm gonna like and not like

427
00:21:01,960 --> 00:21:03,879
Speaker 4: and love and not love. That's what you're not gonna

428
00:21:03,880 --> 00:21:06,399
Speaker 4: do today. And that's what because it's like you came.

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Speaker 1: The tone matters.

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00:21:09,080 --> 00:21:13,919
Speaker 2: The tone, Yeah, I hear you, Yeah, and she says,

431
00:21:14,040 --> 00:21:16,280
Speaker 2: uh yes. He gives credit to funk artists on occasion,

432
00:21:16,320 --> 00:21:18,800
Speaker 2: he also has a primarily white audience with no memory

433
00:21:18,840 --> 00:21:21,120
Speaker 2: or care for black artists, and Bruno's case, bringing funk

434
00:21:21,160 --> 00:21:23,159
Speaker 2: back essentially means funk was a black thing and now

435
00:21:23,160 --> 00:21:24,240
Speaker 2: I'm giving it to white people.

436
00:21:24,240 --> 00:21:24,960
Speaker 3: That's appropriation.

437
00:21:25,640 --> 00:21:27,840
Speaker 2: I need us to stop relaxing our critical lean on

438
00:21:27,880 --> 00:21:31,520
Speaker 2: anti blackness and appropriation when it's non black poc harming us.

439
00:21:33,359 --> 00:21:37,560
Speaker 2: The Bruno mar uh, But that's always a conflicting thought

440
00:21:37,640 --> 00:21:42,919
Speaker 2: to me because it's like it if you're judging the

441
00:21:43,000 --> 00:21:46,480
Speaker 2: majority of blackness that gives him the quote unquote past,

442
00:21:47,320 --> 00:21:50,960
Speaker 2: is that also to not anti black to then be

443
00:21:51,080 --> 00:21:53,520
Speaker 2: like the majority of y'all niggas, y'all are a problem

444
00:21:53,640 --> 00:21:56,040
Speaker 2: for letting this dude. I need y'all to stop letting

445
00:21:56,040 --> 00:21:58,640
Speaker 2: this dude work, you know what I mean?

446
00:21:59,040 --> 00:22:00,919
Speaker 1: And also, I'm gonna tell you the truth.

447
00:22:01,359 --> 00:22:03,960
Speaker 4: I thought he was just a high yellow, light skinned

448
00:22:03,960 --> 00:22:05,400
Speaker 4: black man for a very long time.

449
00:22:05,440 --> 00:22:07,280
Speaker 1: I'm not gonna lie. I don't know who'll stop that.

450
00:22:07,600 --> 00:22:09,280
Speaker 3: But a lot of people did that.

451
00:22:09,280 --> 00:22:10,760
Speaker 1: That's a cool light skin black dude.

452
00:22:11,000 --> 00:22:14,760
Speaker 2: Yeah he's Filipino, I believe something like that. So yeah,

453
00:22:14,800 --> 00:22:17,600
Speaker 2: it's he's not black, you know, and he doesn't he

454
00:22:17,640 --> 00:22:20,000
Speaker 2: doesn't identify as black, and he's not trying to pass

455
00:22:20,040 --> 00:22:20,440
Speaker 2: as black.

456
00:22:21,800 --> 00:22:23,840
Speaker 3: Uh so he said, she said, she says.

457
00:22:23,960 --> 00:22:24,080
Speaker 1: Uh.

458
00:22:24,160 --> 00:22:28,399
Speaker 2: The Bruno Mars praise is also patriarchal because some of

459
00:22:28,480 --> 00:22:30,840
Speaker 2: y'all were giving Eminem, Justin tim Blake and Robin Thick

460
00:22:30,880 --> 00:22:35,600
Speaker 2: passes to stop it. That's a little weird too, because

461
00:22:35,640 --> 00:22:38,760
Speaker 2: I don't think Eminem should really be grouped with Justin

462
00:22:38,840 --> 00:22:43,119
Speaker 2: Timberlake and Robin Thinck in my opinion. And also I

463
00:22:43,160 --> 00:22:47,800
Speaker 2: think Justin Timberlake and Robin Thick, we literally watched them

464
00:22:47,840 --> 00:22:52,040
Speaker 2: have a career that was very white, put on blackness

465
00:22:52,080 --> 00:22:55,520
Speaker 2: for some years, and then be like and I'm.

466
00:22:55,320 --> 00:22:56,200
Speaker 3: Done with blackness.

467
00:22:56,200 --> 00:22:59,919
Speaker 2: I think it's different for those people because they're like interlopers,

468
00:23:00,560 --> 00:23:03,560
Speaker 2: you know, like unless some unless there's just some secret

469
00:23:03,600 --> 00:23:07,199
Speaker 2: Bruno Mars shit where he was just out here, you know, uh,

470
00:23:08,200 --> 00:23:11,320
Speaker 2: doing all this like super white music. I don't know,

471
00:23:11,400 --> 00:23:15,480
Speaker 2: where how he would get grouped with them.

472
00:23:16,080 --> 00:23:16,199
Speaker 4: Uh.

473
00:23:16,560 --> 00:23:19,439
Speaker 2: And also there are white women that have come into

474
00:23:20,040 --> 00:23:22,640
Speaker 2: blackness and shown appreciation for it and gotten that quote

475
00:23:22,720 --> 00:23:26,119
Speaker 2: unquote past, whether it be like pink, whether.

476
00:23:25,880 --> 00:23:27,639
Speaker 3: It be what's there a.

477
00:23:29,200 --> 00:23:32,639
Speaker 2: Tina Marie like there's white there's women that have gotten

478
00:23:32,640 --> 00:23:36,399
Speaker 2: that past too that we've let, you know, slide because

479
00:23:37,600 --> 00:23:40,720
Speaker 2: we feel like they appreciate the culture, not just take

480
00:23:40,760 --> 00:23:44,199
Speaker 2: from the culture. And the reason that people came from

481
00:23:44,200 --> 00:23:46,000
Speaker 2: Timberlake and think is that they don't think they appreciate

482
00:23:46,000 --> 00:23:49,480
Speaker 2: the culture that I mean, it's seems simple. Uh, taking

483
00:23:49,480 --> 00:23:51,640
Speaker 2: our ship, repacging it for white people is not innovation,

484
00:23:51,800 --> 00:23:54,439
Speaker 2: even if those these non black people seeing, well, it's

485
00:23:54,440 --> 00:23:55,520
Speaker 2: appropriation period.

486
00:23:56,040 --> 00:23:56,800
Speaker 3: Listen, you can like.

487
00:23:56,720 --> 00:23:58,879
Speaker 2: Bruno Mars's music can still be critical about how his

488
00:23:59,000 --> 00:24:01,720
Speaker 2: role in the industry racist black people then and now.

489
00:24:03,359 --> 00:24:06,840
Speaker 2: I always think that's interesting because it's his role e

490
00:24:06,960 --> 00:24:10,640
Speaker 2: rasing black people or is are black people just gonna

491
00:24:10,640 --> 00:24:12,640
Speaker 2: be a race? Whether br you could kill Bruno Mars

492
00:24:12,680 --> 00:24:15,320
Speaker 2: tomorrow and white people aren't gonna come over to the

493
00:24:15,359 --> 00:24:18,720
Speaker 2: black people no matter what, right, you know, Like, it's

494
00:24:18,720 --> 00:24:21,000
Speaker 2: like it feels like focusing on like I said, it's

495
00:24:21,000 --> 00:24:23,639
Speaker 2: like saying Tin of Hoseey Coast a racist black women?

496
00:24:23,920 --> 00:24:26,400
Speaker 2: Does he erase the black women or do they never

497
00:24:26,440 --> 00:24:28,160
Speaker 2: come over to black women no matter who the fuck

498
00:24:28,200 --> 00:24:30,480
Speaker 2: standing there. If it's not him, then it's gonna be

499
00:24:30,480 --> 00:24:33,199
Speaker 2: another nigga, because they never ever ever gonna fuck with

500
00:24:33,359 --> 00:24:34,040
Speaker 2: us directly.

501
00:24:34,080 --> 00:24:36,400
Speaker 3: They're never gonna fuck with black people directly.

502
00:24:36,400 --> 00:24:40,280
Speaker 2: There always there's always gotta be some fucking intermediary between

503
00:24:40,320 --> 00:24:42,520
Speaker 2: the blackness, and it's been that way forever and Bruno

504
00:24:42,560 --> 00:24:46,119
Speaker 2: Mars is just it for some people today, but it

505
00:24:46,160 --> 00:24:49,280
Speaker 2: would always be something. You know, Iggy is a good

506
00:24:49,320 --> 00:24:51,680
Speaker 2: example of somebody that white people let cook that black

507
00:24:51,720 --> 00:24:54,159
Speaker 2: people never did and it didn't matter right like you

508
00:24:54,280 --> 00:24:54,720
Speaker 2: got that she.

509
00:24:54,760 --> 00:24:56,679
Speaker 3: Got rich to the tunes of millions, because it just

510
00:24:57,000 --> 00:24:59,480
Speaker 3: they don't. They don't. They never coming over to all

511
00:24:59,520 --> 00:25:04,320
Speaker 3: the way to the black side anyway. She says, uh,

512
00:25:04,440 --> 00:25:05,040
Speaker 3: be made.

513
00:25:04,920 --> 00:25:07,880
Speaker 2: A legit country song. That's that's that's that is lit

514
00:25:08,240 --> 00:25:12,040
Speaker 2: country folks. Nah, Bruno sings funk music, y'all. He brought

515
00:25:12,040 --> 00:25:15,480
Speaker 2: it back well one of the things too. Didn't Beyonce

516
00:25:15,720 --> 00:25:19,600
Speaker 2: get nominated for award for that at the Country Music Awards,

517
00:25:20,240 --> 00:25:22,520
Speaker 2: So I don't know if that's nah, I wouldn't call

518
00:25:22,560 --> 00:25:25,560
Speaker 2: that nah. It got played on the country music radio too,

519
00:25:26,080 --> 00:25:30,720
Speaker 2: so I wouldn't call that nah, you know, uh, matter

520
00:25:30,760 --> 00:25:32,360
Speaker 2: of fact, Then the Dixie Chicks.

521
00:25:32,040 --> 00:25:35,480
Speaker 3: Performed her song video on the show.

522
00:25:35,760 --> 00:25:37,879
Speaker 2: Yeah, so yeah, I wouldn't. That's not a nah. I

523
00:25:37,880 --> 00:25:43,480
Speaker 2: think nah is she can't perform or you know, like

524
00:25:43,560 --> 00:25:44,160
Speaker 2: she can't.

525
00:25:43,960 --> 00:25:45,960
Speaker 3: Even get nominated. I think that would be more of

526
00:25:46,000 --> 00:25:47,440
Speaker 3: a nah. Uh.

527
00:25:47,560 --> 00:25:50,920
Speaker 2: White folks having an attitude about black music though, that's

528
00:25:50,960 --> 00:25:53,800
Speaker 2: not something that needs to be imitated. And that's kind

529
00:25:53,840 --> 00:25:55,320
Speaker 2: of where I'm getting to at the end of this,

530
00:25:55,480 --> 00:25:57,760
Speaker 2: but we'll get to it. The irony is Bruno Mars

531
00:25:57,800 --> 00:26:00,160
Speaker 2: did Elvis Presley imprecious as a child, the man who

532
00:26:00,160 --> 00:26:07,840
Speaker 2: stole blues, and now he appropriates funk y'all Bruno's first album.

533
00:26:08,119 --> 00:26:12,120
Speaker 2: Oh man, that's funny because like as a child, we're

534
00:26:12,160 --> 00:26:15,520
Speaker 2: going that far back on people, because all right, going

535
00:26:15,520 --> 00:26:18,800
Speaker 2: all the way back to childhood, Bruno's first album, Do

536
00:26:18,880 --> 00:26:22,520
Speaker 2: Wopping Hooligans appropriated do Wop funk is the music that's

537
00:26:22,560 --> 00:26:26,280
Speaker 2: so central to his life growing up, which is it? Okay,

538
00:26:26,359 --> 00:26:28,240
Speaker 2: you know what, that's a good point. I never heard

539
00:26:28,320 --> 00:26:32,479
Speaker 2: do Wopping Hooligans. Maybe that shit is uh, maybe that's trash.

540
00:26:32,520 --> 00:26:37,640
Speaker 2: I don't know who invented duop, you know. Also him

541
00:26:37,680 --> 00:26:40,480
Speaker 2: making a dup album, does that mean he didn't listen

542
00:26:40,480 --> 00:26:41,840
Speaker 2: to any funk as a kid either.

543
00:26:42,760 --> 00:26:43,240
Speaker 3: I don't know.

544
00:26:43,560 --> 00:26:45,400
Speaker 2: I do have personal films about this guy. The whole

545
00:26:45,400 --> 00:26:47,840
Speaker 2: industry is a race of inappropriate to black people. But

546
00:26:48,040 --> 00:26:51,040
Speaker 2: let's be honest about it. I don't have personal feelings,

547
00:26:51,040 --> 00:26:53,560
Speaker 2: she says. I guarantee if Bruno Mars was fem or

548
00:26:53,600 --> 00:26:55,960
Speaker 2: identify as a woman, we wouldn't be having this conversation, y'all.

549
00:26:56,040 --> 00:26:58,359
Speaker 2: Let me get away with it a lot, y'all. Once again,

550
00:26:59,160 --> 00:27:02,120
Speaker 2: like Bruno Mars. If you want people still like Timberlake,

551
00:27:02,200 --> 00:27:04,720
Speaker 2: R Kelly, Robin Thick, dre Eminem a lot of other

552
00:27:04,760 --> 00:27:07,719
Speaker 2: men too, that's on you. I hope More's day at

553
00:27:07,720 --> 00:27:10,040
Speaker 2: the time, see some sustained coins from Bruno Mars giving

554
00:27:10,080 --> 00:27:12,800
Speaker 2: them quote unquote credit. I hope Sha Kakhana earth win

555
00:27:12,840 --> 00:27:14,760
Speaker 2: a fire gets some bags from all this Bruno Mars

556
00:27:14,880 --> 00:27:15,640
Speaker 2: quote unquote credit.

557
00:27:15,720 --> 00:27:18,000
Speaker 3: Y'all stay hollering about Okay.

558
00:27:18,000 --> 00:27:20,399
Speaker 2: At this point, it sounded like, in my opinion, she

559
00:27:20,440 --> 00:27:24,040
Speaker 2: probably was getting roasted, so she started kind of responding

560
00:27:24,240 --> 00:27:28,639
Speaker 2: pejoratively to the responses, you know, which happens because you

561
00:27:28,680 --> 00:27:31,520
Speaker 2: know you're human, Like, you're not gonna have somebody call

562
00:27:31,600 --> 00:27:33,760
Speaker 2: you out your name fifty seven times and then be like,

563
00:27:34,000 --> 00:27:35,800
Speaker 2: but I'm gonna hold it together and I'm gonna stay

564
00:27:35,800 --> 00:27:39,159
Speaker 2: above the like nah, fuck y'all niggas. Uh, you know

565
00:27:39,280 --> 00:27:41,680
Speaker 2: I'm gonna add to my argument if you petty with it.

566
00:27:42,080 --> 00:27:44,040
Speaker 2: I hope Rick James of State and George Clinton gets

567
00:27:44,040 --> 00:27:45,120
Speaker 2: some dollars from all this credit.

568
00:27:45,200 --> 00:27:46,320
Speaker 3: Bruno Mars gives them.

569
00:27:46,480 --> 00:27:48,439
Speaker 2: Hope cooling the Game gets some cheese off all these

570
00:27:48,480 --> 00:27:51,520
Speaker 2: credits Bruno Mars give them. Bruno Mars's dad and the

571
00:27:51,520 --> 00:27:54,040
Speaker 2: one who apparently loves funk, had a fifties music review

572
00:27:54,080 --> 00:27:56,600
Speaker 2: with Elvis Presley, music prominent in the show.

573
00:27:56,680 --> 00:27:57,520
Speaker 3: Mars was in it.

574
00:27:59,280 --> 00:28:02,520
Speaker 2: I don't really and so one said, and I'm truly

575
00:28:02,560 --> 00:28:05,280
Speaker 2: genuine asking You're not attacking personally, You're making a valid critique,

576
00:28:05,320 --> 00:28:07,000
Speaker 2: just asking how can you be better? And she says,

577
00:28:07,119 --> 00:28:09,399
Speaker 2: I don't think it's about being better per se, but

578
00:28:09,520 --> 00:28:11,800
Speaker 2: I do think he can speak more candidly about highest

579
00:28:11,840 --> 00:28:15,400
Speaker 2: role effects black funk artists that person. I think that's fair.

580
00:28:15,400 --> 00:28:17,000
Speaker 2: I don't think it's too much to ask either. I

581
00:28:17,000 --> 00:28:18,720
Speaker 2: wonder if it occurred to him to do that same

582
00:28:18,800 --> 00:28:21,440
Speaker 2: with the others. I don't think fans asking him to

583
00:28:21,840 --> 00:28:24,800
Speaker 2: him to be asking him to honestly, as a business model,

584
00:28:25,160 --> 00:28:26,600
Speaker 2: what he's doing is quite profitable.

585
00:28:26,680 --> 00:28:28,160
Speaker 3: Uncritical fans or why.

586
00:28:28,359 --> 00:28:32,359
Speaker 2: So she is blaming it on the fans and it

587
00:28:32,520 --> 00:28:35,320
Speaker 2: seems specifically like the black fans.

588
00:28:35,800 --> 00:28:39,400
Speaker 4: Yeah, and I might be wrong, and like, this is

589
00:28:39,480 --> 00:28:45,640
Speaker 4: just my perspective. A lot of this, basically, in my opinion,

590
00:28:45,640 --> 00:28:48,480
Speaker 4: this whole argument was I'm tired of your fath like.

591
00:28:49,000 --> 00:28:52,120
Speaker 4: This is basically like if somebody came at Beyonce like

592
00:28:52,160 --> 00:28:54,920
Speaker 4: you was like, well, y'all faith, and the rest of

593
00:28:54,960 --> 00:28:57,800
Speaker 4: your argument was based off of that. You know, I'm

594
00:28:57,800 --> 00:28:59,880
Speaker 4: tired of white supremacy. So let me find a way

595
00:28:59,880 --> 00:29:01,840
Speaker 4: to get that dogument out there and use your favor

596
00:29:01,840 --> 00:29:05,200
Speaker 4: as an example, because I don't like your fath right,

597
00:29:05,800 --> 00:29:07,840
Speaker 4: And when you do that, yes, you're gonna get pushed back.

598
00:29:07,880 --> 00:29:09,960
Speaker 1: No, nobody's gonna a lot of people are going to

599
00:29:11,480 --> 00:29:12,560
Speaker 1: disagree with you.

600
00:29:12,560 --> 00:29:15,680
Speaker 4: You know, there's no personal attax on my part, But

601
00:29:15,720 --> 00:29:19,040
Speaker 4: that's all I heard from her whole conversation. You know,

602
00:29:19,400 --> 00:29:25,400
Speaker 4: because it didn't really sound like, in my opinion, you're

603
00:29:26,360 --> 00:29:31,520
Speaker 4: demanding us as fans to not support anybody that's not black,

604
00:29:31,560 --> 00:29:34,800
Speaker 4: and you're blaming us for white supremacy, and you're blaming

605
00:29:34,960 --> 00:29:40,560
Speaker 4: us for loving somebody making music that's black bass.

606
00:29:40,600 --> 00:29:43,240
Speaker 1: It's not black. We're the problem, not the white.

607
00:29:43,080 --> 00:29:49,720
Speaker 4: Supremacy, not the industry, not not everything else surrounded about it.

608
00:29:49,760 --> 00:29:52,080
Speaker 4: And so what you're trying, you want us to correct

609
00:29:52,120 --> 00:29:56,120
Speaker 4: something that was never our problem to fix. And yes,

610
00:29:56,120 --> 00:29:58,040
Speaker 4: people are gonna get mad, Yes, people gonna get upset.

611
00:29:58,440 --> 00:30:03,680
Speaker 4: Yes people are gonna tell you that they disagree. And

612
00:30:03,720 --> 00:30:08,080
Speaker 4: in my personal opinion, you started off with the handclapp

613
00:30:08,120 --> 00:30:10,280
Speaker 4: emotions in most people's minds, so that like, oh you

614
00:30:10,360 --> 00:30:11,440
Speaker 4: want to fight, let's fight.

615
00:30:11,600 --> 00:30:15,120
Speaker 1: That's that's where it with Tom Matters. You started off

616
00:30:15,160 --> 00:30:17,640
Speaker 1: on ten and people came at ten and it was

617
00:30:17,720 --> 00:30:18,880
Speaker 1: like that for hours.

618
00:30:19,360 --> 00:30:23,320
Speaker 2: Yeah, I think, like you said, the framing of that first,

619
00:30:23,520 --> 00:30:28,160
Speaker 2: like y'all and we like, I think that ship always

620
00:30:28,280 --> 00:30:31,719
Speaker 2: is gonna stir up people because you're definitely fraving yourself

621
00:30:31,760 --> 00:30:33,160
Speaker 2: as above everybody else.

622
00:30:33,320 --> 00:30:35,840
Speaker 1: No, I'm one of the special ones. I'm not the ones.

623
00:30:35,920 --> 00:30:38,560
Speaker 1: I don't follow the clique. I don't like y'all fave

624
00:30:38,760 --> 00:30:40,160
Speaker 1: whoever the fave is.

625
00:30:40,200 --> 00:30:42,479
Speaker 4: People love that shit, and it's one of the people go, well,

626
00:30:42,480 --> 00:30:44,280
Speaker 4: he's my face, so what you ain't.

627
00:30:44,120 --> 00:30:46,600
Speaker 1: Gonna do is talk about him, and then the war starts.

628
00:30:46,280 --> 00:30:49,600
Speaker 2: Well also born Portland, then you're not gonna talk about

629
00:30:49,640 --> 00:30:53,040
Speaker 2: him a lot. She wasn't she was talking about you.

630
00:30:53,440 --> 00:30:55,640
Speaker 2: She was talking about but she was talking about black

631
00:30:55,680 --> 00:30:58,200
Speaker 2: people that are fans of this dude. Like, if you're

632
00:30:58,240 --> 00:31:01,320
Speaker 2: being honest, like it would matter who it is. Is

633
00:31:01,360 --> 00:31:04,840
Speaker 2: Basically you're saying, you black people are fucking it up

634
00:31:04,960 --> 00:31:06,000
Speaker 2: because y'all.

635
00:31:05,800 --> 00:31:10,480
Speaker 3: Are fans of him. So I think.

636
00:31:11,840 --> 00:31:14,920
Speaker 2: That matters, you know, the things I would say because

637
00:31:14,920 --> 00:31:16,840
Speaker 2: I don't really give a fuck to be honest about

638
00:31:16,920 --> 00:31:20,200
Speaker 2: Bruno marsh And that's not a disrespect to him. I

639
00:31:20,240 --> 00:31:22,720
Speaker 2: don't really know what that man thinks, so what he

640
00:31:22,760 --> 00:31:25,440
Speaker 2: does that it's always what I do care about is

641
00:31:25,480 --> 00:31:26,000
Speaker 2: black people.

642
00:31:26,440 --> 00:31:26,800
Speaker 3: Okay.

643
00:31:27,840 --> 00:31:30,440
Speaker 2: One of the things she caited was this the country

644
00:31:30,680 --> 00:31:35,080
Speaker 2: people not fucking with Beyonce right now in our fairness.

645
00:31:35,520 --> 00:31:37,800
Speaker 2: You know, that's a little bit that that depends on

646
00:31:37,840 --> 00:31:40,400
Speaker 2: how you view it, right, Like, it's not like she

647
00:31:40,440 --> 00:31:42,920
Speaker 2: didn't get nominated. It's not like they didn't her song

648
00:31:43,040 --> 00:31:46,160
Speaker 2: wasn't performed there and all that shit. But what I'll

649
00:31:46,200 --> 00:31:49,480
Speaker 2: say is this, white people are not the bar we

650
00:31:49,480 --> 00:31:54,880
Speaker 2: should measure blackness by. We cannot replace black shit with

651
00:31:54,960 --> 00:31:59,000
Speaker 2: the way white people operate. That's that will never work,

652
00:31:59,080 --> 00:32:00,960
Speaker 2: and I don't want to be a part of that.

653
00:32:01,560 --> 00:32:05,239
Speaker 2: We are better than that as black people. We the

654
00:32:05,280 --> 00:32:08,560
Speaker 2: way we currently operate is better than the fucking shit

655
00:32:08,600 --> 00:32:11,920
Speaker 2: white people do. Like us having the heart to let

656
00:32:11,960 --> 00:32:14,960
Speaker 2: people in, us, having the heart to take all of

657
00:32:15,000 --> 00:32:17,400
Speaker 2: the quote unquote.

658
00:32:17,080 --> 00:32:19,920
Speaker 3: Stragglers, and all the people that.

659
00:32:21,560 --> 00:32:25,600
Speaker 2: You know, uh, all the people that we look at

660
00:32:25,640 --> 00:32:29,719
Speaker 2: and we go that that like that person is not

661
00:32:29,760 --> 00:32:32,480
Speaker 2: one of us, but they love us and they show

662
00:32:32,480 --> 00:32:36,120
Speaker 2: appreciation for us, and they don't disrespect us. So we're

663
00:32:36,120 --> 00:32:39,840
Speaker 2: gonna let them rock with us. That is some black shit.

664
00:32:39,880 --> 00:32:42,000
Speaker 2: And I'm so that's the best part of black shit.

665
00:32:42,480 --> 00:32:45,240
Speaker 2: It's the best part of blackness. Like I'm not taking

666
00:32:45,280 --> 00:32:49,520
Speaker 2: that away from anybody, you know, And I mean, it's

667
00:32:49,600 --> 00:32:52,840
Speaker 2: unrealistic to expect us to stop because of whoever the

668
00:32:52,920 --> 00:32:53,360
Speaker 2: artist is.

669
00:32:53,720 --> 00:32:56,400
Speaker 3: But that's the best shit.

670
00:32:56,560 --> 00:33:00,800
Speaker 2: It's why we are so fucking resilient, Like we have

671
00:33:00,960 --> 00:33:04,040
Speaker 2: no reason to still be that way. After everything we've

672
00:33:04,040 --> 00:33:07,480
Speaker 2: been through in this country, we have no reason to

673
00:33:07,640 --> 00:33:13,440
Speaker 2: ever feel like someone can come into our culture and

674
00:33:13,560 --> 00:33:18,200
Speaker 2: kick it with us and we accept them. We've been

675
00:33:18,280 --> 00:33:21,479
Speaker 2: betrayed so many times, we've been backstad, we've had our

676
00:33:21,520 --> 00:33:27,120
Speaker 2: shit like abuse, we've been systematically destroyed so many times.

677
00:33:27,600 --> 00:33:33,120
Speaker 2: But I'm like, that's not That's not a culture I

678
00:33:33,160 --> 00:33:37,800
Speaker 2: want to be a part of. I like, I love

679
00:33:38,800 --> 00:33:40,600
Speaker 2: love that we're like that.

680
00:33:40,600 --> 00:33:43,960
Speaker 3: White boy can rap. That is fucking beautiful, you know

681
00:33:44,040 --> 00:33:44,440
Speaker 3: what I mean?

682
00:33:44,480 --> 00:33:47,800
Speaker 2: Because when you join white culture and you're a person

683
00:33:47,800 --> 00:33:49,920
Speaker 2: of color, you're not a white person, not a white

684
00:33:49,920 --> 00:33:52,400
Speaker 2: male or whatever. You always have to give up something

685
00:33:52,400 --> 00:33:54,600
Speaker 2: in your identity. You always have to give something up.

686
00:33:54,640 --> 00:33:57,280
Speaker 2: You always have to be like, I'm gonna go over here. Well,

687
00:33:57,280 --> 00:33:59,520
Speaker 2: now let me adopt your anti blackness too. So I

688
00:33:59,520 --> 00:34:01,720
Speaker 2: gotta be a black person that doesn't like black people,

689
00:34:01,760 --> 00:34:03,160
Speaker 2: then I can hang out with white people.

690
00:34:03,440 --> 00:34:07,680
Speaker 3: I gotta be a I'm half If I'm half black.

691
00:34:07,400 --> 00:34:09,840
Speaker 2: Half white and I want to kick it with white people,

692
00:34:10,000 --> 00:34:12,640
Speaker 2: I have to accept that they will forever be like, well,

693
00:34:12,680 --> 00:34:14,800
Speaker 2: you know, you're really black, and we're just allowing you

694
00:34:14,880 --> 00:34:15,520
Speaker 2: to be over here.

695
00:34:15,880 --> 00:34:18,520
Speaker 3: Like I gotta always accept that I'm never in there.

696
00:34:18,560 --> 00:34:20,480
Speaker 2: You know, we look at the people that go to

697
00:34:20,560 --> 00:34:23,680
Speaker 2: whiteness and flourish and get propped up. They always have

698
00:34:23,800 --> 00:34:26,239
Speaker 2: some fucked up political agenda where they have to like

699
00:34:26,360 --> 00:34:29,279
Speaker 2: hate everybody else in order to do It's always like

700
00:34:29,760 --> 00:34:33,120
Speaker 2: Sage still it's seen as like the acceptable black woman,

701
00:34:33,360 --> 00:34:35,440
Speaker 2: but the Sage still gotta hate black people to be

702
00:34:35,880 --> 00:34:39,560
Speaker 2: accepted by white people, you know. So it to me,

703
00:34:39,640 --> 00:34:46,400
Speaker 2: I always felt like that's so, that's what's wrong with whiteness,

704
00:34:47,160 --> 00:34:51,359
Speaker 2: and that's why, and that's why I don't think they're

705
00:34:51,400 --> 00:34:54,839
Speaker 2: any level of a litmus test, because they wouldn't let

706
00:34:55,360 --> 00:34:58,120
Speaker 2: somebody come over there and do that shit unless they

707
00:34:58,200 --> 00:35:01,359
Speaker 2: had political beliefs and shit that were anti Like, you

708
00:35:01,400 --> 00:35:04,080
Speaker 2: can be a black country singer, but your ass better

709
00:35:04,120 --> 00:35:06,279
Speaker 2: never talk about politics, and if you do, you better

710
00:35:06,280 --> 00:35:08,640
Speaker 2: not be on some Black Lives Matter shit. You better

711
00:35:08,680 --> 00:35:12,440
Speaker 2: not be on some uh you know, police violence is

712
00:35:12,480 --> 00:35:15,160
Speaker 2: fuck you better all your songs better be about we just.

713
00:35:15,040 --> 00:35:17,000
Speaker 3: Go out drink and hang out with my friends. I

714
00:35:17,080 --> 00:35:19,879
Speaker 3: love America. You better be like that.

715
00:35:19,880 --> 00:35:22,440
Speaker 2: That's all you can do, you know what I mean? Like,

716
00:35:22,760 --> 00:35:25,120
Speaker 2: or they will fucking get rid of your ass. You know,

717
00:35:26,360 --> 00:35:29,759
Speaker 2: that's not a good thing, you know, like so, so

718
00:35:29,800 --> 00:35:31,440
Speaker 2: that was one of the things I was thinking about.

719
00:35:31,840 --> 00:35:39,240
Speaker 2: The Other thing is we really have this melting pot

720
00:35:39,320 --> 00:35:46,200
Speaker 2: in America quote unquote that black people we bond with

721
00:35:46,280 --> 00:35:48,759
Speaker 2: other people of color in a way that no other

722
00:35:48,880 --> 00:35:49,399
Speaker 2: race does.

723
00:35:49,600 --> 00:35:50,040
Speaker 1: Correct.

724
00:35:50,600 --> 00:35:53,720
Speaker 2: You know, think about how much hip hop and kung

725
00:35:53,840 --> 00:35:57,959
Speaker 2: fu influence each other. You know, think about how much

726
00:35:58,080 --> 00:36:01,160
Speaker 2: kung fu influenced the seventies and eighties for black people,

727
00:36:02,040 --> 00:36:06,280
Speaker 2: you know, like Black Belt Jones, you know, Jim Kelly,

728
00:36:06,760 --> 00:36:11,720
Speaker 2: where you're looking at you know, the Wu Tang clan

729
00:36:12,800 --> 00:36:16,040
Speaker 2: and ship like that, where it's like we're you know,

730
00:36:16,120 --> 00:36:18,240
Speaker 2: and then look at how much hip hop has influenced

731
00:36:18,280 --> 00:36:22,880
Speaker 2: the world and influence other cultures of color. You know,

732
00:36:22,920 --> 00:36:25,840
Speaker 2: when I hear like Japanese rap, when we go to

733
00:36:27,280 --> 00:36:28,440
Speaker 2: when we see k pop.

734
00:36:28,960 --> 00:36:30,320
Speaker 3: We've talked about.

735
00:36:30,080 --> 00:36:34,000
Speaker 2: That fow We've gone to, uh to uh what's the

736
00:36:34,080 --> 00:36:36,960
Speaker 2: name of that place we go, you know, but you

737
00:36:37,000 --> 00:36:40,680
Speaker 2: know that restaurant we go to and they'll play K

738
00:36:40,760 --> 00:36:43,080
Speaker 2: pop and there's rap and they're like rap videos and

739
00:36:43,080 --> 00:36:46,359
Speaker 2: there's like Asian people and they're like, you know, some

740
00:36:46,440 --> 00:36:49,040
Speaker 2: of them sound like like Drake. Some of them sound

741
00:36:49,200 --> 00:36:52,440
Speaker 2: like Kendrick. Some of them sound like some fucking gangster

742
00:36:52,480 --> 00:36:57,200
Speaker 2: ass niggas, Like I love that we we are the

743
00:36:57,280 --> 00:36:59,160
Speaker 2: coolest we are.

744
00:37:00,440 --> 00:37:01,840
Speaker 3: Our cool is.

745
00:37:02,960 --> 00:37:08,640
Speaker 2: Our most enviable trade and also our most intangible trade.

746
00:37:08,680 --> 00:37:10,359
Speaker 3: They can never take it from us. I'm not.

747
00:37:10,760 --> 00:37:12,959
Speaker 2: I don't worry about them taking shit because they can't

748
00:37:12,960 --> 00:37:15,799
Speaker 2: take it from us. You know, it's impossible for no

749
00:37:15,840 --> 00:37:18,920
Speaker 2: one's ever gonna be cooler than us. They can just

750
00:37:18,960 --> 00:37:21,080
Speaker 2: look like trying. They just look like they're trying to

751
00:37:21,120 --> 00:37:23,960
Speaker 2: be us anyway. But there's some people that show so

752
00:37:24,080 --> 00:37:27,640
Speaker 2: much appreciation for the culture that I always feel like

753
00:37:28,080 --> 00:37:30,200
Speaker 2: that's why they get a quote unquote past. It's not

754
00:37:30,239 --> 00:37:34,160
Speaker 2: because we just giving out passes. It's like nobody gave

755
00:37:34,160 --> 00:37:36,040
Speaker 2: it past the iggy. How come nobody gave it past

756
00:37:36,040 --> 00:37:37,760
Speaker 2: the iggy. You think it's just because she's a woman.

757
00:37:38,320 --> 00:37:41,239
Speaker 2: Nobody gave a past the check Hanks either, you know

758
00:37:41,239 --> 00:37:43,960
Speaker 2: what I mean, Like, like it takes something to get

759
00:37:43,960 --> 00:37:47,520
Speaker 2: that quote unquote passed where people like you better be

760
00:37:47,600 --> 00:37:51,840
Speaker 2: supremely fucking talented. Eminem got by on pure fucking talent.

761
00:37:52,000 --> 00:37:55,319
Speaker 2: Like people was just like this fucking white boy can rap,

762
00:37:55,360 --> 00:37:56,920
Speaker 2: Like even when you hate them. You sitting up there

763
00:37:57,000 --> 00:38:00,160
Speaker 2: like motherfucking rap though, bet you won't dis them, you

764
00:38:00,160 --> 00:38:03,600
Speaker 2: won't catch that disc verse back and end up having an.

765
00:38:03,480 --> 00:38:04,200
Speaker 3: In your career.

766
00:38:05,120 --> 00:38:09,880
Speaker 2: You know, like we influence people, you know, we we

767
00:38:10,000 --> 00:38:14,600
Speaker 2: don't like and obviously we're not a monolith. There's some

768
00:38:14,600 --> 00:38:16,200
Speaker 2: black people that are gonna be like, fuck that shit,

769
00:38:16,880 --> 00:38:20,080
Speaker 2: that's fine, but they honestly they're such a minority and

770
00:38:20,200 --> 00:38:22,640
Speaker 2: more importantly, it ain't shit we can do about it.

771
00:38:23,480 --> 00:38:25,680
Speaker 2: So that's the like, ultimately, that's why I can't even

772
00:38:25,719 --> 00:38:27,680
Speaker 2: be mad at people and they're like, well fuck that.

773
00:38:27,840 --> 00:38:30,240
Speaker 2: I don't think nobody not black should make them okay

774
00:38:30,239 --> 00:38:34,279
Speaker 2: cool are then I guess just be mad all the

775
00:38:34,320 --> 00:38:38,400
Speaker 2: time because it's never gonna stop. It's literally impossible to stop,

776
00:38:38,480 --> 00:38:40,040
Speaker 2: and it's not your fault and it's not up to

777
00:38:40,040 --> 00:38:42,400
Speaker 2: black people to stop it. It has nothing to do

778
00:38:42,480 --> 00:38:46,200
Speaker 2: with us, to be honest, you know, if motherfuckers, and

779
00:38:46,239 --> 00:38:48,759
Speaker 2: like I said, Bruno seems to be doing the quote

780
00:38:48,840 --> 00:38:53,680
Speaker 2: unquote best job possible of that of the impossible task

781
00:38:53,719 --> 00:38:56,000
Speaker 2: that people always give of, Like, well, if you're gonna

782
00:38:56,040 --> 00:38:59,080
Speaker 2: appropriate in this culture, you better you gotta pass this

783
00:38:59,200 --> 00:39:01,799
Speaker 2: bar us is a progation well he's doing all the shit.

784
00:39:01,880 --> 00:39:03,839
Speaker 2: People swear that that's what you gotta do, and they

785
00:39:03,920 --> 00:39:06,239
Speaker 2: still don't and some people still not gonna fuck with them.

786
00:39:06,280 --> 00:39:08,719
Speaker 2: It just is what it is, right, you know, you

787
00:39:08,760 --> 00:39:11,040
Speaker 2: get that popular, you get that famous, some people are

788
00:39:11,040 --> 00:39:13,960
Speaker 2: not gonna ever fuck with you and what you do.

789
00:39:13,840 --> 00:39:17,920
Speaker 4: And I have and I and sometimes just being a

790
00:39:18,000 --> 00:39:19,799
Speaker 4: human being that's very hard to.

791
00:39:21,400 --> 00:39:21,880
Speaker 1: Swallow.

792
00:39:22,640 --> 00:39:24,520
Speaker 4: But yeah, you get to the point where you go, Okay,

793
00:39:25,080 --> 00:39:27,360
Speaker 4: some people, no matter what you do, is gonna be

794
00:39:27,400 --> 00:39:30,360
Speaker 4: fuck you. I've never met, you don't know nothing about you,

795
00:39:30,360 --> 00:39:30,720
Speaker 4: you don't.

796
00:39:30,600 --> 00:39:32,839
Speaker 1: Know nothing about me. It's just what the fact that

797
00:39:33,040 --> 00:39:35,839
Speaker 1: you tied a hand by me, it's what's fucked me. Yeah.

798
00:39:35,920 --> 00:39:39,680
Speaker 2: And also like we definitely just like I said, when

799
00:39:39,680 --> 00:39:42,279
Speaker 2: Beyonce was dancing in that cold Play video and she

800
00:39:42,360 --> 00:39:46,040
Speaker 2: had on the like Indian goddess guard, you know what

801
00:39:46,040 --> 00:39:48,360
Speaker 2: I mean, Black people I saw defending her right to

802
00:39:48,400 --> 00:39:48,680
Speaker 2: do that.

803
00:39:48,680 --> 00:39:48,919
Speaker 1: Shit.

804
00:39:50,080 --> 00:39:52,160
Speaker 2: That was straight up like, y'all will not come for

805
00:39:52,280 --> 00:39:56,320
Speaker 2: my queen. Y'all motherfucker is gonna you know. And even

806
00:39:56,440 --> 00:39:59,640
Speaker 2: Indian people were like, y'all need to leave Beyonce alone.

807
00:39:59,719 --> 00:40:02,760
Speaker 2: Y'all know that that is not something that only Indian

808
00:40:02,800 --> 00:40:03,279
Speaker 2: people do.

809
00:40:03,239 --> 00:40:05,000
Speaker 3: Blah blah blah.

810
00:40:05,040 --> 00:40:08,320
Speaker 2: We've had other Bollywood actresses that aren't you know, from

811
00:40:08,360 --> 00:40:11,160
Speaker 2: here that come and do that and sell all this.

812
00:40:11,480 --> 00:40:13,920
Speaker 2: Like I remember that big ass discussion and I said

813
00:40:13,960 --> 00:40:15,960
Speaker 2: the same thing then that I'm saying now, which is

814
00:40:16,760 --> 00:40:21,400
Speaker 2: ultimately I don't know that I understand the appropriation arguments,

815
00:40:21,600 --> 00:40:24,960
Speaker 2: but more importantly, even to the fullest extent of the argument,

816
00:40:25,040 --> 00:40:26,520
Speaker 2: I don't know that it matters.

817
00:40:26,920 --> 00:40:29,799
Speaker 3: Like I just don't think you can stop it. I

818
00:40:29,800 --> 00:40:32,839
Speaker 3: think you can only voice your displeasure of it, and

819
00:40:32,880 --> 00:40:34,239
Speaker 3: then what right.

820
00:40:34,320 --> 00:40:38,360
Speaker 4: And in my opinion, a lot of it is almost

821
00:40:38,719 --> 00:40:42,960
Speaker 4: similar to feminism. Everybody got their lines and that's like

822
00:40:43,280 --> 00:40:45,960
Speaker 4: and that's you know, and that's where the quote unquote

823
00:40:46,000 --> 00:40:47,439
Speaker 4: sometimes of confusion comes in.

824
00:40:48,000 --> 00:40:50,480
Speaker 1: I'm okay with this, but I'm not all right with this.

825
00:40:50,480 --> 00:40:52,759
Speaker 4: This person could do anything they want to, but not

826
00:40:52,880 --> 00:40:56,160
Speaker 4: this person. So it and not that shit varies across

827
00:40:56,200 --> 00:40:58,319
Speaker 4: the board. When at the end of the day, all

828
00:40:58,400 --> 00:41:02,120
Speaker 4: cross all cultures as far as like entertainment, all that

829
00:41:02,120 --> 00:41:04,200
Speaker 4: stuff in some way shape from a fashion, it's all

830
00:41:04,239 --> 00:41:05,000
Speaker 4: gonna cross.

831
00:41:05,200 --> 00:41:07,319
Speaker 2: Yeah, And I don't think this sister needed to be

832
00:41:07,400 --> 00:41:10,439
Speaker 2: attacked because of her opinion. Like I said, I saw

833
00:41:10,640 --> 00:41:13,440
Speaker 2: people talking about it and it was like, yeah.

834
00:41:13,680 --> 00:41:16,280
Speaker 3: Whatever, moved on. Yeah.

835
00:41:16,280 --> 00:41:19,719
Speaker 2: So I feel like I wish more people would do

836
00:41:19,760 --> 00:41:21,760
Speaker 2: stuff like that where it's just like I don't agree,

837
00:41:21,840 --> 00:41:25,920
Speaker 2: but you know, like this person has an opinion that

838
00:41:26,080 --> 00:41:29,960
Speaker 2: it didn't change the world. It's not gonna break the internet.

839
00:41:30,080 --> 00:41:33,880
Speaker 2: It's like it's just y'all being mad that's making it trend,

840
00:41:34,120 --> 00:41:36,560
Speaker 2: you know what I mean, Like she's gonna you know,

841
00:41:36,800 --> 00:41:39,160
Speaker 2: she has a right to her opinion, and it's the

842
00:41:39,480 --> 00:41:43,960
Speaker 2: fucking string together her thoughts that way. And if that's

843
00:41:43,960 --> 00:41:47,479
Speaker 2: the you know, sometimes, and I think this is true

844
00:41:47,480 --> 00:41:52,160
Speaker 2: of almost everybody, you can always string together the worst

845
00:41:52,360 --> 00:41:56,239
Speaker 2: possible motivations on a person, and if that's what you

846
00:41:56,320 --> 00:41:58,200
Speaker 2: choose to believe, then that's your truth.

847
00:41:58,520 --> 00:42:00,319
Speaker 1: Right, regardless of if it's you than not.

848
00:42:00,480 --> 00:42:03,319
Speaker 2: And yeah, sometimes but if you But I'm saying like, look,

849
00:42:03,360 --> 00:42:04,799
Speaker 2: I'm not saying if it's the truth or not.

850
00:42:04,880 --> 00:42:05,680
Speaker 3: Here's what I'm saying.

851
00:42:05,719 --> 00:42:10,799
Speaker 2: Like, for example, what people say stuff like oh, that

852
00:42:10,880 --> 00:42:13,640
Speaker 2: dude's just a feminist cause he trying to get pussy

853
00:42:13,800 --> 00:42:16,279
Speaker 2: or he just want to get clicks, or you can

854
00:42:16,680 --> 00:42:20,040
Speaker 2: I can't disprove that, No, one can disprove that if

855
00:42:20,120 --> 00:42:21,719
Speaker 2: you know, oh, they just say that shit because they

856
00:42:21,760 --> 00:42:24,160
Speaker 2: won't make money off of woke Twitter. They just or

857
00:42:24,160 --> 00:42:26,920
Speaker 2: you just say that shit because you don't believe it,

858
00:42:27,120 --> 00:42:29,200
Speaker 2: but you just act like you like gay people because

859
00:42:29,239 --> 00:42:29,960
Speaker 2: da da da da.

860
00:42:30,480 --> 00:42:32,920
Speaker 3: No one can disprove you saying that.

861
00:42:32,960 --> 00:42:36,360
Speaker 2: So if you decided that's my mentality, all I gotta

862
00:42:36,400 --> 00:42:38,120
Speaker 2: do is just like the only thing I can do

863
00:42:38,200 --> 00:42:40,319
Speaker 2: is just eat it, just like, Okay, that's what you think.

864
00:42:40,360 --> 00:42:43,000
Speaker 2: I gotta live my life regardless of what you think anyway.

865
00:42:43,640 --> 00:42:46,960
Speaker 2: To me, that's kind of what's up with this? Like

866
00:42:47,000 --> 00:42:50,920
Speaker 2: what's he supposed to do? You know, what is anybody

867
00:42:50,960 --> 00:42:53,759
Speaker 2: supposed to do? What if all black people decide we're

868
00:42:53,840 --> 00:42:56,440
Speaker 2: not listening to Bruno mars No more with that in

869
00:42:56,719 --> 00:42:58,040
Speaker 2: all appropriation, is.

870
00:42:58,000 --> 00:43:00,480
Speaker 3: That gonna end his career? Is that?

871
00:43:00,719 --> 00:43:00,879
Speaker 1: Like?

872
00:43:00,960 --> 00:43:01,759
Speaker 3: What is the goal?

873
00:43:02,840 --> 00:43:03,040
Speaker 5: You know?

874
00:43:03,320 --> 00:43:05,200
Speaker 2: And like I said, sometimes I think about this shit

875
00:43:05,280 --> 00:43:11,160
Speaker 2: with black people because I'm like, I I don't know's

876
00:43:11,200 --> 00:43:13,640
Speaker 2: I'm always wary of these type of judgments of black

877
00:43:13,680 --> 00:43:15,800
Speaker 2: people and these critiques of black people because it's always

878
00:43:15,840 --> 00:43:19,799
Speaker 2: kind of positions this other black person as better than

879
00:43:21,040 --> 00:43:24,080
Speaker 2: you know, like and it triggers the special snowflake thing

880
00:43:24,400 --> 00:43:26,480
Speaker 2: in so many people. Then that's why the backlash is

881
00:43:26,520 --> 00:43:29,160
Speaker 2: so harsh, because they're like, oh, you think you're better

882
00:43:29,200 --> 00:43:30,520
Speaker 2: than us, you know.

883
00:43:30,800 --> 00:43:31,640
Speaker 3: Who your phase?

884
00:43:31,680 --> 00:43:33,800
Speaker 2: And how come you ain't say nothing when that's happening

885
00:43:33,840 --> 00:43:35,520
Speaker 2: and all that kind of shit that that, you know,

886
00:43:36,360 --> 00:43:37,760
Speaker 2: really doesn't matter to her point.

887
00:43:37,840 --> 00:43:38,040
Speaker 3: You know.

888
00:43:38,120 --> 00:43:41,400
Speaker 2: The other problem is I don't necessarily disagree with her point,

889
00:43:42,160 --> 00:43:44,359
Speaker 2: you know, if it's a the puestion is and then

890
00:43:44,440 --> 00:43:47,839
Speaker 2: what and at the end, even she's like, it's really

891
00:43:47,840 --> 00:43:51,359
Speaker 2: not much he can do, you know, maybe mention those

892
00:43:51,400 --> 00:43:53,680
Speaker 2: people a little bit more, like, well then we kind

893
00:43:53,719 --> 00:43:55,480
Speaker 2: of went through this whole exercise.

894
00:43:55,000 --> 00:43:59,759
Speaker 3: For nothing, you know, that's my point, you know.

895
00:44:00,160 --> 00:44:02,520
Speaker 2: But yeah, it's interesting because, like I said, black people

896
00:44:02,520 --> 00:44:05,920
Speaker 2: do that shit too, and I just you know, it's

897
00:44:05,960 --> 00:44:11,120
Speaker 2: always like, are we the parts of culture that are shared,

898
00:44:12,000 --> 00:44:14,640
Speaker 2: that are sitting out into the world and that change

899
00:44:14,719 --> 00:44:16,480
Speaker 2: lives and find people.

900
00:44:17,680 --> 00:44:20,920
Speaker 3: Are we done with that? Is that supposed to be over?

901
00:44:22,400 --> 00:44:26,719
Speaker 1: I don't know, you know, like let's take.

902
00:44:28,160 --> 00:44:30,000
Speaker 4: And I know a lot of people don't like her,

903
00:44:30,040 --> 00:44:32,799
Speaker 4: but let's take Adell for instance, Like it's a lot

904
00:44:32,880 --> 00:44:34,759
Speaker 4: of black people that's stand for a deal and they

905
00:44:34,960 --> 00:44:39,279
Speaker 4: love for Adel. Then it's some black people that criticizes

906
00:44:39,320 --> 00:44:40,919
Speaker 4: her for singing, and you go, well, you know, that's

907
00:44:40,920 --> 00:44:43,120
Speaker 4: just how her voice sang. Like she purposely didn't go

908
00:44:43,120 --> 00:44:44,920
Speaker 4: out and be like, I'm gonna get the black chick boys,

909
00:44:44,960 --> 00:44:47,480
Speaker 4: like that's something that naturally comes out of her. But

910
00:44:47,520 --> 00:44:51,160
Speaker 4: it's one of those things where people just have their

911
00:44:51,239 --> 00:44:53,920
Speaker 4: minds made up. Some people, some black people have their

912
00:44:53,920 --> 00:44:57,080
Speaker 4: minds made up to anything white people do is just evil,

913
00:44:57,120 --> 00:44:58,839
Speaker 4: and that's that right.

914
00:44:58,920 --> 00:45:01,680
Speaker 2: Also, you know, the other reason I don't get into

915
00:45:01,680 --> 00:45:05,359
Speaker 2: this ship a lot of this ship is there's other

916
00:45:05,400 --> 00:45:07,960
Speaker 2: motivations behind it, yes, And I don't like.

917
00:45:07,960 --> 00:45:10,359
Speaker 3: To suppose other people's motivations.

918
00:45:09,760 --> 00:45:12,040
Speaker 2: So I stay out of it for that reason because

919
00:45:12,760 --> 00:45:14,120
Speaker 2: I really don't know what the fuck people.

920
00:45:14,320 --> 00:45:15,480
Speaker 3: I try to take people.

921
00:45:15,200 --> 00:45:18,760
Speaker 2: At their value and their word, but you you honestly

922
00:45:18,840 --> 00:45:21,879
Speaker 2: never know. Like y'all know what people always talk about

923
00:45:21,880 --> 00:45:24,440
Speaker 2: they missed nineties music and eighties and shit, y'all know

924
00:45:24,480 --> 00:45:27,080
Speaker 2: what I missed the most from from the old school era.

925
00:45:28,080 --> 00:45:30,879
Speaker 2: I miss when you could say you didn't like a.

926
00:45:30,840 --> 00:45:34,000
Speaker 3: Motherfucker and then you didn't need.

927
00:45:33,800 --> 00:45:37,560
Speaker 2: To make an academic argument out of it, like pieces.

928
00:45:38,520 --> 00:45:41,120
Speaker 3: Yeah, like that seems to be have gone away.

929
00:45:41,200 --> 00:45:42,680
Speaker 1: Didn't have to write a report.

930
00:45:44,960 --> 00:45:47,919
Speaker 3: Like it used to be. A I just don't like Christian.

931
00:45:47,560 --> 00:45:50,160
Speaker 1: Beale d n you had to write no bullet points.

932
00:45:51,040 --> 00:45:54,719
Speaker 3: Yeah, I just don't like public Enemy, Well why not?

933
00:45:54,960 --> 00:45:55,879
Speaker 3: I just don't like them.

934
00:45:56,400 --> 00:45:58,680
Speaker 4: I don't. I don't And that's that's me when it

935
00:45:58,719 --> 00:46:01,680
Speaker 4: comes to shit, like like if you know, I'm I'm

936
00:46:01,719 --> 00:46:03,680
Speaker 4: straightforward and I ain't got to blame shit till you

937
00:46:03,800 --> 00:46:04,440
Speaker 4: that's how I want to.

938
00:46:04,840 --> 00:46:07,520
Speaker 3: Yeah, we used to have like you didn't have those

939
00:46:07,560 --> 00:46:09,640
Speaker 3: blackademic words.

940
00:46:10,960 --> 00:46:11,160
Speaker 1: You know.

941
00:46:11,560 --> 00:46:15,839
Speaker 4: Yeah, and some shit does need explanation and ship like that,

942
00:46:15,880 --> 00:46:18,719
Speaker 4: but some shit it's just your opinion and that's the end.

943
00:46:20,920 --> 00:46:23,120
Speaker 3: I betted that it was a great time, y'all.

944
00:46:24,120 --> 00:46:27,160
Speaker 2: I mean when you could just be like, uh, you know,

945
00:46:27,800 --> 00:46:33,120
Speaker 2: fuck uh Vanilla Ice, and it wasn't like, let's break

946
00:46:33,120 --> 00:46:35,239
Speaker 2: down all the ways that Vanilla Ice is problematic. It

947
00:46:35,360 --> 00:46:39,480
Speaker 2: was literally just like fuck this nigga, because Vanilla Ice

948
00:46:39,560 --> 00:46:42,520
Speaker 2: wasn't allowed to cook. No, he was not like he

949
00:46:42,640 --> 00:46:45,280
Speaker 2: that motherfucker got that that hot, that hot one song

950
00:46:45,360 --> 00:46:48,759
Speaker 2: off and motherfucker's heard that album and it was like, oh,

951
00:46:48,800 --> 00:46:52,400
Speaker 2: this white boy is white as fuck By you know

952
00:46:52,440 --> 00:46:52,879
Speaker 2: what I mean.

953
00:46:53,000 --> 00:46:55,040
Speaker 1: Like they still fuck with that one song. That's it.

954
00:46:55,160 --> 00:46:58,040
Speaker 2: I mean that one song was jamming though you know,

955
00:46:58,200 --> 00:47:00,239
Speaker 2: I say the baby is the jam. Don't people try

956
00:47:00,280 --> 00:47:03,040
Speaker 2: to revise history with that. Even them was a top

957
00:47:03,080 --> 00:47:05,440
Speaker 2: five rapper for a long time. People try to revise

958
00:47:05,520 --> 00:47:08,920
Speaker 2: history on shit. But uh, yeah it was you know

959
00:47:09,080 --> 00:47:12,000
Speaker 2: snow the in former. Somebody brought him up in the chat.

960
00:47:12,040 --> 00:47:14,960
Speaker 2: He had that one song. He was like this white Okay,

961
00:47:15,000 --> 00:47:15,960
Speaker 2: fuck this white.

962
00:47:15,680 --> 00:47:17,040
Speaker 3: Boy and moved out.

963
00:47:17,120 --> 00:47:20,320
Speaker 2: And it wasn't twenty seven think pieces. I think times

964
00:47:20,320 --> 00:47:23,359
Speaker 2: have changed. So now it's like people start rolling their

965
00:47:23,360 --> 00:47:25,440
Speaker 2: eyes before it even starts. It's like, here we go

966
00:47:25,480 --> 00:47:28,360
Speaker 2: with a long grand on what's wrong with him and

967
00:47:28,400 --> 00:47:32,160
Speaker 2: why I'm a bad person for existing and letting this

968
00:47:32,280 --> 00:47:35,319
Speaker 2: dude make music and shit, And I think motherfuckers lose

969
00:47:35,360 --> 00:47:38,000
Speaker 2: it that way. But yeah, I just think the way

970
00:47:38,040 --> 00:47:41,279
Speaker 2: this was framed, like this is some shit for black

971
00:47:41,280 --> 00:47:43,400
Speaker 2: people to do, it just bothered people.

972
00:47:45,360 --> 00:47:46,240
Speaker 1: So I agreed.

973
00:47:46,760 --> 00:47:51,800
Speaker 3: All right, Actually I actually need to use a bathroom.

974
00:47:52,000 --> 00:47:53,560
Speaker 3: Hold on, let me pause this real quick. I'll be

975
00:47:53,640 --> 00:47:54,000
Speaker 3: right back.

976
00:47:54,360 --> 00:47:54,640
Speaker 1: All right.

977
00:47:54,680 --> 00:47:56,840
Speaker 2: I see all y'all in the chat room trying to

978
00:47:57,200 --> 00:48:01,600
Speaker 2: tell can delete my white people news music that I

979
00:48:01,600 --> 00:48:03,319
Speaker 2: have it hidden in a photo that she could never

980
00:48:03,320 --> 00:48:05,240
Speaker 2: get to, so it's password protected.

981
00:48:05,640 --> 00:48:10,279
Speaker 3: Y'all will never be safe. I was gonna take that

982
00:48:10,320 --> 00:48:14,000
Speaker 3: part out. I'm leaving in now. All right, let's get

983
00:48:14,040 --> 00:48:15,240
Speaker 3: into the b T awars.

984
00:48:15,280 --> 00:48:21,040
Speaker 2: But yeah, like I said to me, I'm never gonna

985
00:48:21,040 --> 00:48:22,480
Speaker 2: be mad at black people for the fact that we

986
00:48:22,480 --> 00:48:23,200
Speaker 2: share our culture.

987
00:48:23,239 --> 00:48:23,719
Speaker 3: Man m h.

988
00:48:24,480 --> 00:48:26,959
Speaker 2: The fact that that that's gonna be exploited, that's gonna

989
00:48:26,960 --> 00:48:27,759
Speaker 2: happen no matter what.

990
00:48:27,800 --> 00:48:28,960
Speaker 3: But I'm never gonna be mad.

991
00:48:28,840 --> 00:48:31,640
Speaker 2: At us because we we should be the example that

992
00:48:31,719 --> 00:48:36,239
Speaker 2: more cultures go by, especially black people in America. We

993
00:48:36,239 --> 00:48:38,440
Speaker 2: were people that had our culture mostly stripped from us,

994
00:48:38,800 --> 00:48:42,480
Speaker 2: had to rebuild our culture from fucking scratch basically, and

995
00:48:43,680 --> 00:48:46,280
Speaker 2: we still end up getting the burden on this ship.

996
00:48:46,360 --> 00:48:48,960
Speaker 2: It's somehow our fault, Like the way that that was framed,

997
00:48:49,800 --> 00:48:51,080
Speaker 2: it's somehow some shit we.

998
00:48:51,239 --> 00:48:54,399
Speaker 3: Not doing that can't be that can't be.

999
00:48:54,400 --> 00:48:58,080
Speaker 2: The result of It just doesn't seem like that's right

1000
00:48:58,520 --> 00:49:00,920
Speaker 2: in my opinion, and turn it on us.

1001
00:49:00,960 --> 00:49:06,799
Speaker 3: It feels unfair. It just feels wrong. You know.

1002
00:49:07,880 --> 00:49:11,480
Speaker 2: Obviously everybody's alliwed to their opinions and shit, but I

1003
00:49:11,480 --> 00:49:13,719
Speaker 2: don't know, man. Sometimes I just look at the way

1004
00:49:13,760 --> 00:49:16,879
Speaker 2: the world is and it's like, man, how much shit

1005
00:49:16,960 --> 00:49:20,120
Speaker 2: gotta be my fault as a black person? Like how

1006
00:49:20,200 --> 00:49:23,400
Speaker 2: much shit gotta be black people fault? Like, because sometimes

1007
00:49:23,440 --> 00:49:25,640
Speaker 2: it's like you catch it on both sides where it's

1008
00:49:25,680 --> 00:49:28,880
Speaker 2: like the most woke people think everything it's black people's fault,

1009
00:49:29,560 --> 00:49:31,640
Speaker 2: and they don't look at it as us navigating the

1010
00:49:31,680 --> 00:49:34,520
Speaker 2: system that's already against us and dismantling us that has

1011
00:49:34,520 --> 00:49:37,720
Speaker 2: oppressed us. That every single time we try to raise

1012
00:49:37,840 --> 00:49:40,960
Speaker 2: up there's always some new obstacle, and yet it's still

1013
00:49:41,040 --> 00:49:43,680
Speaker 2: kind of our fault at the end of the day,

1014
00:49:43,760 --> 00:49:46,239
Speaker 2: Like it still comes back down to why y'all doing

1015
00:49:46,320 --> 00:49:46,919
Speaker 2: this and shit?

1016
00:49:47,000 --> 00:49:51,320
Speaker 3: And I don't know, man, It's like I try not.

1017
00:49:51,200 --> 00:49:53,120
Speaker 2: To get angry about that because I know that that's

1018
00:49:53,160 --> 00:49:54,880
Speaker 2: coming from a place of people just trying to look

1019
00:49:54,920 --> 00:50:00,879
Speaker 2: for solutions. But it's also like your solution is kind

1020
00:50:00,880 --> 00:50:05,000
Speaker 2: of still putting it on us, right and dissolution.

1021
00:50:05,320 --> 00:50:11,520
Speaker 4: Sometimes even though you love your people, it's still the

1022
00:50:11,600 --> 00:50:15,520
Speaker 4: foundation sounds anti black, you know, because like I love

1023
00:50:15,560 --> 00:50:16,959
Speaker 4: my people, but it's still your fault.

1024
00:50:17,000 --> 00:50:18,319
Speaker 1: You're like, well, do you love me?

1025
00:50:18,480 --> 00:50:21,400
Speaker 4: Do you really love me because you're telling me everything

1026
00:50:21,520 --> 00:50:22,879
Speaker 4: my fault and truth be told.

1027
00:50:22,880 --> 00:50:25,840
Speaker 1: We all try to navigate this fucked up world.

1028
00:50:25,920 --> 00:50:28,440
Speaker 2: Dog like, right, black people find it a little bit

1029
00:50:28,440 --> 00:50:32,000
Speaker 2: of fucking joy and some music by this Filipino dude.

1030
00:50:32,560 --> 00:50:34,600
Speaker 3: That and this is why I started to show with this.

1031
00:50:35,719 --> 00:50:39,040
Speaker 2: He opened the show, Yes he did, and showed the

1032
00:50:39,120 --> 00:50:44,880
Speaker 2: fuck out like it wasn't just oh the novelty of

1033
00:50:45,440 --> 00:50:48,040
Speaker 2: Justin Timberlake being white and he got and he don't

1034
00:50:48,040 --> 00:50:49,719
Speaker 2: got to make this black music. But look at him,

1035
00:50:49,760 --> 00:50:52,319
Speaker 2: he's doing it, y'all. He dancing like usher Like it

1036
00:50:52,400 --> 00:50:56,359
Speaker 2: wasn't that, you know what I mean. And also, man,

1037
00:50:56,440 --> 00:51:00,960
Speaker 2: there's this thing about shared culture that to me, it

1038
00:51:01,080 --> 00:51:05,879
Speaker 2: is beautiful because it's the height of humanity to see

1039
00:51:06,000 --> 00:51:09,400
Speaker 2: people share and enjoy other people's culture. You know, it

1040
00:51:09,440 --> 00:51:13,040
Speaker 2: was something beautiful about the wuk Tang clan, Like it's

1041
00:51:13,080 --> 00:51:17,200
Speaker 2: something beautiful about that, Like look at this oppressed people,

1042
00:51:17,520 --> 00:51:21,640
Speaker 2: this oppressed people coming together to make some beautiful music

1043
00:51:21,680 --> 00:51:24,840
Speaker 2: and art and being influenced by each other, not being afraid,

1044
00:51:24,920 --> 00:51:26,719
Speaker 2: like because that's the other thing this whole Like it

1045
00:51:26,719 --> 00:51:29,120
Speaker 2: don't matter if you give credit and shit, it does matter, come,

1046
00:51:29,560 --> 00:51:32,560
Speaker 2: it absolutely does matter. And yes, those people did see

1047
00:51:32,600 --> 00:51:35,359
Speaker 2: album sales off of that. Yes, they absolutely did. Yes,

1048
00:51:35,400 --> 00:51:37,960
Speaker 2: some fans I don't know, don't. We can never quantify

1049
00:51:38,000 --> 00:51:40,400
Speaker 2: the number, but absolutely there are people that listen to

1050
00:51:40,400 --> 00:51:44,200
Speaker 2: Bruno Mars heard him in the interview talk about earth

1051
00:51:44,239 --> 00:51:45,840
Speaker 2: Wind and Fire and picked up an earth Wind and

1052
00:51:45,880 --> 00:51:46,480
Speaker 2: Fire album.

1053
00:51:47,280 --> 00:51:48,720
Speaker 3: You know how I know that shit happens.

1054
00:51:49,120 --> 00:51:53,919
Speaker 2: It is because when we talk about other podcasts, even

1055
00:51:53,920 --> 00:51:56,759
Speaker 2: if they've never been on this show, they'll be like, yo,

1056
00:51:57,000 --> 00:51:58,840
Speaker 2: thank you for talking about us. People wouldn't listen to

1057
00:51:58,880 --> 00:52:01,400
Speaker 2: our show, right, So I know it happens with music.

1058
00:52:02,280 --> 00:52:05,480
Speaker 2: I know it does. Hell, we've probably all done it

1059
00:52:05,520 --> 00:52:09,880
Speaker 2: at some point. Well, we didn't know that Child's Gambino

1060
00:52:10,080 --> 00:52:13,640
Speaker 2: was influenced by the g Funk And then somebody told

1061
00:52:13,719 --> 00:52:16,000
Speaker 2: some kid like, yeah, you know, if you really want

1062
00:52:16,040 --> 00:52:17,839
Speaker 2: to hear that, you need to actually go check out

1063
00:52:18,640 --> 00:52:19,640
Speaker 2: Parliament Funkadelic.

1064
00:52:19,719 --> 00:52:21,520
Speaker 3: And they go here and they're like, oh god, damn,

1065
00:52:21,520 --> 00:52:21,680
Speaker 3: I do.

1066
00:52:21,840 --> 00:52:23,920
Speaker 1: That's the whole genre of music, right.

1067
00:52:24,040 --> 00:52:28,560
Speaker 2: I remember buying an earth Winding for our album because

1068
00:52:28,640 --> 00:52:32,680
Speaker 2: I heard their sample in Something Else. Now my daddy

1069
00:52:32,680 --> 00:52:34,560
Speaker 2: played earth Went and find my whole fucking life. I

1070
00:52:34,680 --> 00:52:37,280
Speaker 2: just oh, that's old man music. I heard the sample

1071
00:52:37,320 --> 00:52:38,839
Speaker 2: and something else. I'm like, let me go check out.

1072
00:52:38,880 --> 00:52:39,839
Speaker 3: My dad was on some shit.

1073
00:52:39,920 --> 00:52:42,839
Speaker 2: He was onto something, you know, so you know, and

1074
00:52:42,880 --> 00:52:46,200
Speaker 2: this is not I just want to make me one

1075
00:52:46,280 --> 00:52:50,600
Speaker 2: hundred per cent clear, This isn't even us being saying

1076
00:52:50,600 --> 00:52:51,440
Speaker 2: that ignorant shit.

1077
00:52:51,360 --> 00:52:54,440
Speaker 3: About black people appropriate white people. Y'all playing y'all out

1078
00:52:54,440 --> 00:52:55,680
Speaker 3: here playing guitar is stupid.

1079
00:52:55,680 --> 00:52:58,759
Speaker 2: The stupid ignorant arguments that are easy to shoot down.

1080
00:52:59,719 --> 00:53:01,919
Speaker 3: I have no I don't have no tolerance for those either.

1081
00:53:01,960 --> 00:53:04,560
Speaker 2: Those Oh so you could well blind we like fuck

1082
00:53:04,640 --> 00:53:08,480
Speaker 2: those people to fuck them. But I'm saying, even within

1083
00:53:08,560 --> 00:53:12,000
Speaker 2: the side of we all agree that white supremacy is

1084
00:53:12,000 --> 00:53:13,960
Speaker 2: fucked up and it's and it's fucking shit up, and

1085
00:53:15,239 --> 00:53:18,040
Speaker 2: cultural appropriation can be can make us feel a certain

1086
00:53:18,080 --> 00:53:21,439
Speaker 2: way and our emotions are valid. Even in the frame

1087
00:53:21,480 --> 00:53:24,160
Speaker 2: of that, I still feel a little bit like, okay,

1088
00:53:24,200 --> 00:53:26,400
Speaker 2: but do we have to frame it for all y'all black.

1089
00:53:26,239 --> 00:53:28,959
Speaker 3: People are the problem.

1090
00:53:28,200 --> 00:53:30,719
Speaker 2: Because it is difficult to look at that center structure

1091
00:53:31,160 --> 00:53:35,480
Speaker 2: with the y'all and we gotta stop. It's difficult to

1092
00:53:35,480 --> 00:53:39,279
Speaker 2: look at that and not go you're putting it on us, right, and.

1093
00:53:39,239 --> 00:53:40,960
Speaker 1: You're separating yourself out of the.

1094
00:53:40,960 --> 00:53:44,680
Speaker 2: Group, right, so you know it is what it is, man, Like,

1095
00:53:44,719 --> 00:53:46,880
Speaker 2: I said, the beauty of this and why I wouldn't

1096
00:53:46,880 --> 00:53:48,440
Speaker 2: attack somebody for having this opinion?

1097
00:53:48,760 --> 00:53:50,160
Speaker 3: Why you know, I don't, I don't.

1098
00:53:50,160 --> 00:53:52,440
Speaker 2: I don't even understand how the shit really trended, if

1099
00:53:52,440 --> 00:53:54,880
Speaker 2: we're being honest, is because.

1100
00:53:54,560 --> 00:53:56,600
Speaker 3: It's just her opinion, man, correct.

1101
00:53:56,680 --> 00:53:59,120
Speaker 2: She was tweeting mob the BET Awards later that night.

1102
00:53:59,239 --> 00:54:02,040
Speaker 2: She like, I said, we follow each other. She we've

1103
00:54:02,040 --> 00:54:04,719
Speaker 2: been I've never had an issue with this lady like

1104
00:54:06,440 --> 00:54:09,239
Speaker 2: she's allowed to have her opinion without having to fit

1105
00:54:09,320 --> 00:54:12,800
Speaker 2: into the monolith that we claim not to have. And

1106
00:54:13,200 --> 00:54:15,320
Speaker 2: she don't need to be attacked for I saw people

1107
00:54:15,440 --> 00:54:20,839
Speaker 2: like insulting her and ship and I'm just like, dog,

1108
00:54:20,920 --> 00:54:23,480
Speaker 2: it don't even have to be that, you know. And

1109
00:54:23,520 --> 00:54:25,080
Speaker 2: I and keep in mind, I didn't even know who

1110
00:54:25,120 --> 00:54:27,640
Speaker 2: it was for the vast majority of the day. I

1111
00:54:27,680 --> 00:54:29,440
Speaker 2: was just like, yeah, okay, I can see how that

1112
00:54:29,440 --> 00:54:29,759
Speaker 2: would be.

1113
00:54:29,719 --> 00:54:33,359
Speaker 3: A silly argument, or I can see right, I can

1114
00:54:33,360 --> 00:54:35,200
Speaker 3: see our people would disagree with this that or other,

1115
00:54:35,239 --> 00:54:37,200
Speaker 3: and then like by who When I saw who it was,

1116
00:54:37,280 --> 00:54:40,959
Speaker 3: I was like, yeah, I mean she Because people were also

1117
00:54:40,960 --> 00:54:41,480
Speaker 3: attacking her.

1118
00:54:41,880 --> 00:54:43,560
Speaker 2: You just want a trend, you just and I'm like,

1119
00:54:43,600 --> 00:54:46,520
Speaker 2: I don't. She probably just really feel that way. We

1120
00:54:46,560 --> 00:54:49,960
Speaker 2: should always start with. That's probably how somebody feels whenever

1121
00:54:50,000 --> 00:54:52,239
Speaker 2: it so much expresses an opinion that you disagree with.

1122
00:54:52,880 --> 00:54:54,640
Speaker 2: I wish we would start there more often, because it

1123
00:54:54,680 --> 00:54:57,759
Speaker 2: also saves a lot of steps. You just said that,

1124
00:54:57,840 --> 00:55:00,000
Speaker 2: because no, maybe they feel that way. Okay, so they

1125
00:55:00,160 --> 00:55:02,560
Speaker 2: I feel that Way's let's address it now, you know.

1126
00:55:02,760 --> 00:55:09,200
Speaker 2: But yeah, man, I just felt felt like Bruno totally

1127
00:55:09,280 --> 00:55:12,880
Speaker 2: sort of acquitted himself and that performance because anybody that

1128
00:55:12,960 --> 00:55:16,439
Speaker 2: had been having this surface level argument about the shit

1129
00:55:16,640 --> 00:55:20,919
Speaker 2: when you saw that performance, you're like, oh, speaking of emotions,

1130
00:55:21,760 --> 00:55:24,640
Speaker 2: people feel a certain way emotionally when they feel like

1131
00:55:24,680 --> 00:55:29,120
Speaker 2: something's inappropriated, right, Like there's no reason that. Like, like

1132
00:55:29,160 --> 00:55:31,840
Speaker 2: I said, I don't understand how we make an argument

1133
00:55:31,880 --> 00:55:35,279
Speaker 2: about appropriation without essentially coming to the point where it's

1134
00:55:35,280 --> 00:55:39,280
Speaker 2: like nobody should do anybody else's shit. But we all

1135
00:55:39,840 --> 00:55:46,600
Speaker 2: know that feeling. We all have that moment where it's like, yeah, dog,

1136
00:55:48,600 --> 00:55:52,440
Speaker 2: you out here with the fake butt twerking dummies and

1137
00:55:52,480 --> 00:55:57,480
Speaker 2: the inflatable titties and shit, we know that you're really

1138
00:55:57,560 --> 00:56:00,759
Speaker 2: just picking at our culture and you shouldn't be here

1139
00:56:00,840 --> 00:56:01,600
Speaker 2: and allowed.

1140
00:56:01,320 --> 00:56:04,160
Speaker 3: To do this. We know that. It's one of the

1141
00:56:04,160 --> 00:56:06,839
Speaker 3: reasons I love to be T Awards because y'all ever.

1142
00:56:06,760 --> 00:56:09,280
Speaker 2: Noticed the motherfuckers never really get to get to shine

1143
00:56:09,440 --> 00:56:14,040
Speaker 2: at the BET Awards, Like has Eggy ever performed? And

1144
00:56:14,160 --> 00:56:16,239
Speaker 2: if she has, like it must have been twenty seven

1145
00:56:16,280 --> 00:56:18,120
Speaker 2: niggas on stage and then Eggy came in and did

1146
00:56:18,160 --> 00:56:19,640
Speaker 2: a verse, you.

1147
00:56:19,600 --> 00:56:20,120
Speaker 1: Know what I mean.

1148
00:56:20,600 --> 00:56:23,160
Speaker 2: She ain't never won an award, even when she was

1149
00:56:23,200 --> 00:56:27,040
Speaker 2: the number one selling hip hop female artist. Yep, she

1150
00:56:27,200 --> 00:56:31,200
Speaker 2: never won an award any of the years, Like when

1151
00:56:31,200 --> 00:56:33,040
Speaker 2: she was sweeping at the Grammys and all this, other

1152
00:56:33,160 --> 00:56:35,520
Speaker 2: people was like she better not bring her white ass

1153
00:56:35,560 --> 00:56:35,960
Speaker 2: over here.

1154
00:56:36,719 --> 00:56:38,000
Speaker 1: She showed up, right.

1155
00:56:39,360 --> 00:56:43,279
Speaker 2: So it's that kind of shit too, when it's uh,

1156
00:56:44,160 --> 00:56:47,839
Speaker 2: Robin thick is, you know, doing blurred lines and shit,

1157
00:56:47,920 --> 00:56:50,480
Speaker 2: and we're also kind of like, yeah, nigga, don't get

1158
00:56:50,520 --> 00:56:53,880
Speaker 2: too comfortable, you can be the juice suit, like take that

1159
00:56:53,880 --> 00:56:56,239
Speaker 2: shit down TV Awards and you and Miley danced together

1160
00:56:56,280 --> 00:57:00,560
Speaker 2: because we know, we know, real recognized, real Robin, you know.

1161
00:57:00,560 --> 00:57:00,960
Speaker 3: What I mean.

1162
00:57:01,000 --> 00:57:03,680
Speaker 2: So it's that kind of shit too. And it's also

1163
00:57:03,680 --> 00:57:05,320
Speaker 2: why Eminem got a seat a the table with a

1164
00:57:05,320 --> 00:57:08,759
Speaker 2: lot of people because Eminem wasn't and your son what

1165
00:57:08,840 --> 00:57:11,239
Speaker 2: a dog, you know, like it wasn't an impression of

1166
00:57:11,239 --> 00:57:12,480
Speaker 2: a black person he was doing.

1167
00:57:14,160 --> 00:57:17,520
Speaker 3: So Yeah, man, like I said, I feel empathy, and

1168
00:57:17,560 --> 00:57:18,360
Speaker 3: I also.

1169
00:57:19,760 --> 00:57:23,680
Speaker 2: Understand where the impetus comes from in her in her argument,

1170
00:57:23,800 --> 00:57:26,880
Speaker 2: even with me being like, Bruno's not gonna be the

1171
00:57:26,920 --> 00:57:30,200
Speaker 2: hell to die on and most people aren't gonna have

1172
00:57:30,280 --> 00:57:31,960
Speaker 2: a problem with Bruno, you know.

1173
00:57:32,280 --> 00:57:34,080
Speaker 3: Even with that, I'm still like I feel you know,

1174
00:57:34,680 --> 00:57:35,000
Speaker 3: and I.

1175
00:57:34,960 --> 00:57:37,120
Speaker 2: Definitely don't feel like she need to be taking down

1176
00:57:37,120 --> 00:57:39,920
Speaker 2: a peg a disc or called out her name and shit.

1177
00:57:39,960 --> 00:57:43,120
Speaker 2: I always feel like that's just it's just fucked up

1178
00:57:43,120 --> 00:57:45,560
Speaker 2: in the world has already got enough anti blackness and

1179
00:57:45,560 --> 00:57:49,280
Speaker 2: shit in it, and enough people at each other's throat

1180
00:57:49,320 --> 00:57:52,960
Speaker 2: that really don't have that big of a difference. Motherfucker's

1181
00:57:52,960 --> 00:57:54,640
Speaker 2: about to lose friends over shit like this.

1182
00:57:57,280 --> 00:58:01,400
Speaker 3: Yeah. But the thing about Bruno, after I saw him perform.

1183
00:58:01,680 --> 00:58:05,840
Speaker 2: I was like, this is why black people, This is

1184
00:58:05,840 --> 00:58:09,080
Speaker 2: not about Bruno Marts. This is why black people are

1185
00:58:09,120 --> 00:58:12,240
Speaker 2: the greatest of all time, because if you love our

1186
00:58:12,280 --> 00:58:15,720
Speaker 2: ship and you love us, we will always love you back.

1187
00:58:16,200 --> 00:58:21,720
Speaker 3: Yes, sir, always you. That's a fucking guarantee if.

1188
00:58:21,520 --> 00:58:23,600
Speaker 1: You and that.

1189
00:58:23,640 --> 00:58:26,760
Speaker 4: People aren't stupid, they can tell if it's real and genuine.

1190
00:58:27,200 --> 00:58:28,840
Speaker 4: That's why a lot of times when people are faking

1191
00:58:28,920 --> 00:58:32,720
Speaker 4: and they not real, they're not accepted and they don't.

1192
00:58:32,560 --> 00:58:35,680
Speaker 3: Come around like you know, it's a reason Mainley gonna

1193
00:58:35,720 --> 00:58:36,280
Speaker 3: come and be to.

1194
00:58:36,280 --> 00:58:40,280
Speaker 4: Awards, black people not giving her past.

1195
00:58:40,400 --> 00:58:44,480
Speaker 2: It's the reason that you know, Uh, Justin Timberlake came

1196
00:58:44,600 --> 00:58:48,280
Speaker 2: to perform and got showed the fuck out by Charlie.

1197
00:58:48,560 --> 00:58:50,480
Speaker 2: Uncle Charlie came through and was like, if you're gonna

1198
00:58:50,480 --> 00:58:52,560
Speaker 2: get your little white boys ship out of here, and

1199
00:58:52,640 --> 00:58:56,959
Speaker 2: everybody sweated, lost their mind, talked about it all year.

1200
00:58:57,520 --> 00:59:00,240
Speaker 2: It's like Justin Timberlake was never there because we know

1201
00:59:00,280 --> 00:59:04,360
Speaker 2: when the interlopers are about dogs, you know, just some

1202
00:59:04,400 --> 00:59:07,720
Speaker 2: people just draw the line at different places. She draws

1203
00:59:07,720 --> 00:59:10,200
Speaker 2: her line that and like I said, if it's Bruno,

1204
00:59:10,480 --> 00:59:12,960
Speaker 2: then that means everybody. So she draw her line that

1205
00:59:13,120 --> 00:59:15,800
Speaker 2: anybody not black making money doing this shit.

1206
00:59:16,440 --> 00:59:20,040
Speaker 4: Okay, it doesn't mean anybody's gonna agree with you. But

1207
00:59:20,640 --> 00:59:23,640
Speaker 4: going back to Uncle Charlie, Yeah, and the thing that

1208
00:59:23,880 --> 00:59:27,840
Speaker 4: was so beautiful about.

1209
00:59:27,880 --> 00:59:31,320
Speaker 1: Uncle Charlie and something that I maybe it's just me.

1210
00:59:31,440 --> 00:59:35,480
Speaker 4: I think it's a shame it is that I've never

1211
00:59:35,520 --> 00:59:38,480
Speaker 4: seen him perform at these larger award shows.

1212
00:59:38,560 --> 00:59:39,640
Speaker 1: Or he may have.

1213
00:59:39,520 --> 00:59:41,480
Speaker 2: And it may be in a collaboration with Yeah, I

1214
00:59:41,480 --> 00:59:44,120
Speaker 2: haven't seen it, or if it's in a collaboration.

1215
00:59:43,960 --> 00:59:46,800
Speaker 1: With the GAD it's not like that.

1216
00:59:47,440 --> 00:59:50,040
Speaker 3: No, it's a black appreciation because a black award show.

1217
00:59:50,040 --> 00:59:50,520
Speaker 3: And it's why.

1218
00:59:51,160 --> 00:59:53,520
Speaker 2: Look, we have been on the forefront of this ship

1219
00:59:53,960 --> 00:59:57,200
Speaker 2: ever since motherfuckers called it the EBT Awards, Like I

1220
00:59:57,200 --> 00:59:59,760
Speaker 2: think we even named the episode the EBT Awards. Like

1221
01:00:00,600 --> 01:00:03,000
Speaker 2: we've been on the forefront of Like y'all do realize

1222
01:00:03,040 --> 01:00:07,600
Speaker 2: that this is the only award show that's that matters,

1223
01:00:07,640 --> 01:00:10,160
Speaker 2: Like back when people was clowning BT, calling it cheap

1224
01:00:10,240 --> 01:00:14,280
Speaker 2: and all this shit. Now, meanwhile, every other award show

1225
01:00:14,360 --> 01:00:18,800
Speaker 2: this year fucked up. The sound, fucked up, the getting

1226
01:00:18,840 --> 01:00:22,120
Speaker 2: a who wanted to write award fucked up. Uh you know,

1227
01:00:22,160 --> 01:00:24,720
Speaker 2: Adele had to start over her song and shit, every

1228
01:00:24,800 --> 01:00:27,520
Speaker 2: other show has some fuck ups. But let BET fuck

1229
01:00:27,600 --> 01:00:30,520
Speaker 2: up and it's all black people ain't shit, Like it's

1230
01:00:30,560 --> 01:00:33,440
Speaker 2: always been that double standard, like gotta be twice as

1231
01:00:33,440 --> 01:00:36,320
Speaker 2: good for half the money, but uh no, I love

1232
01:00:36,320 --> 01:00:37,040
Speaker 2: the BET Awards.

1233
01:00:37,040 --> 01:00:39,160
Speaker 3: It's the only show, the only award show.

1234
01:00:39,200 --> 01:00:43,280
Speaker 2: You need to watch it you're black anyway, Like I

1235
01:00:43,280 --> 01:00:47,480
Speaker 2: said that that intro with Bruno could not have highlighted

1236
01:00:47,520 --> 01:00:49,440
Speaker 2: the day. Better to start it off because I was like,

1237
01:00:49,560 --> 01:00:52,080
Speaker 2: and because it's not about him, like I said, that's

1238
01:00:52,080 --> 01:00:52,800
Speaker 2: why we better.

1239
01:00:53,600 --> 01:00:57,880
Speaker 3: That's why we better because we're not like uh you know,

1240
01:00:58,400 --> 01:01:02,160
Speaker 3: uh the Country Music Awards where people are like I

1241
01:01:02,200 --> 01:01:05,640
Speaker 3: hate Beyonce and shit because she said black lives matter.

1242
01:01:06,000 --> 01:01:08,640
Speaker 2: We're not like that, you know what I mean. Like

1243
01:01:08,720 --> 01:01:11,840
Speaker 2: we are like, oh cool, you got some appreciation for

1244
01:01:11,880 --> 01:01:14,480
Speaker 2: us and our coat. You come through man, like, please

1245
01:01:14,520 --> 01:01:16,800
Speaker 2: sit up front, won't give a fuck like you partying

1246
01:01:16,840 --> 01:01:20,959
Speaker 2: with us tonight, you know. Anyway, That's why we better.

1247
01:01:21,000 --> 01:01:23,760
Speaker 2: And I'm not trying to be like white people. You know,

1248
01:01:23,960 --> 01:01:24,959
Speaker 2: they are not the goal.

1249
01:01:25,600 --> 01:01:28,440
Speaker 4: They are not the goal. And I understand some niggas

1250
01:01:28,480 --> 01:01:30,840
Speaker 4: goals is to be white. That's fine, but that's not

1251
01:01:31,000 --> 01:01:31,479
Speaker 4: my goal.

1252
01:01:31,640 --> 01:01:33,439
Speaker 2: They are not the goal to didn't take black people

1253
01:01:33,600 --> 01:01:35,560
Speaker 2: just put us on top of the pile of the pyramid.

1254
01:01:35,680 --> 01:01:37,680
Speaker 2: That's not the goal for me. I know that's some

1255
01:01:37,720 --> 01:01:38,680
Speaker 2: people's version of.

1256
01:01:38,600 --> 01:01:40,640
Speaker 3: What this shit is gonna be.

1257
01:01:40,720 --> 01:01:43,760
Speaker 2: But my goal is not it'll just be racism, but

1258
01:01:43,800 --> 01:01:46,240
Speaker 2: black people winning. No no, no, no, no no, keep it off,

1259
01:01:46,360 --> 01:01:46,960
Speaker 2: keep it all.

1260
01:01:48,840 --> 01:01:54,600
Speaker 3: Anyway. So of course the Leslie Jones' Houston, and she

1261
01:01:54,920 --> 01:01:57,240
Speaker 3: enjoyed it. She's just a ball of energy. Like I

1262
01:01:57,240 --> 01:02:01,440
Speaker 3: don't even know. I feel like Leslie wrote three jokes

1263
01:02:02,160 --> 01:02:02,800
Speaker 3: the whole night.

1264
01:02:03,160 --> 01:02:05,600
Speaker 2: But everything was just her coming out being a battle energy,

1265
01:02:05,760 --> 01:02:08,600
Speaker 2: Like she just came out with everybody's cheerleader.

1266
01:02:09,120 --> 01:02:09,320
Speaker 3: You know.

1267
01:02:09,440 --> 01:02:14,120
Speaker 2: It was almost like her Olympics coverage. Yes, but she's

1268
01:02:14,200 --> 01:02:17,720
Speaker 2: just like yelling at that, like the crowd, like James Fox,

1269
01:02:18,320 --> 01:02:19,600
Speaker 2: Jamie Fox here, whoa.

1270
01:02:20,480 --> 01:02:23,600
Speaker 3: I felt like that was her whole way of hosting.

1271
01:02:23,800 --> 01:02:23,960
Speaker 1: Yeah.

1272
01:02:24,000 --> 01:02:26,920
Speaker 4: And also I think too, she was just excited, you know,

1273
01:02:27,080 --> 01:02:29,280
Speaker 4: and you could feel her happiness and her excitement.

1274
01:02:29,360 --> 01:02:31,240
Speaker 1: And I love the energy.

1275
01:02:32,120 --> 01:02:35,360
Speaker 3: Well she's excited ball, Yes she is. I will say

1276
01:02:35,400 --> 01:02:35,840
Speaker 3: this too.

1277
01:02:36,240 --> 01:02:41,479
Speaker 2: I appreciated the timeline because a lot of people, even

1278
01:02:41,520 --> 01:02:44,880
Speaker 2: in Black people, some of their first introduction to Leslie

1279
01:02:44,920 --> 01:02:47,480
Speaker 2: Jones is this, or they haven't seen her in a

1280
01:02:47,480 --> 01:02:49,960
Speaker 2: long time they or their first introduction was S and L.

1281
01:02:50,720 --> 01:02:54,040
Speaker 2: And I've always kind of been a little warre of

1282
01:02:54,040 --> 01:02:56,400
Speaker 2: people that go in on Leslie Jones too hard, because

1283
01:02:56,440 --> 01:02:59,560
Speaker 2: it's like, are you going in on Leslie Jones because

1284
01:02:59,600 --> 01:03:03,320
Speaker 2: you really think she just just sellout coon uncle Tom

1285
01:03:03,360 --> 01:03:05,280
Speaker 2: blah blah blah. Are you going in on Leslie Jones

1286
01:03:05,280 --> 01:03:07,360
Speaker 2: because white people saw her comedy on S and L

1287
01:03:07,720 --> 01:03:10,200
Speaker 2: and you don't feel comfortable with white people laughing at her?

1288
01:03:10,240 --> 01:03:12,280
Speaker 3: Come on, like, is that what it is?

1289
01:03:12,520 --> 01:03:16,000
Speaker 2: Because be honest with yourself because the critique matters, you know,

1290
01:03:16,080 --> 01:03:17,800
Speaker 2: because if you just don't like it because what white

1291
01:03:17,840 --> 01:03:19,720
Speaker 2: people think, I'm gonna go.

1292
01:03:19,720 --> 01:03:22,360
Speaker 3: I'm gonna help you out. Stop worrying about it.

1293
01:03:22,400 --> 01:03:25,160
Speaker 2: White people never gonna think the right thing, so you

1294
01:03:25,200 --> 01:03:27,479
Speaker 2: gotta stop worrying about that shit like white people.

1295
01:03:27,560 --> 01:03:29,479
Speaker 3: It's like when people say we should stop saying nigga

1296
01:03:29,480 --> 01:03:31,240
Speaker 3: because white people get confused and they say it.

1297
01:03:31,360 --> 01:03:34,240
Speaker 2: White people invented the word, y'all. If that's if that's

1298
01:03:34,240 --> 01:03:35,840
Speaker 2: your only hang up, you might as well start saying

1299
01:03:35,920 --> 01:03:38,240
Speaker 2: nigga all the time because white people are never gonna

1300
01:03:38,240 --> 01:03:40,640
Speaker 2: stop calling us niggas yep, So just.

1301
01:03:40,720 --> 01:03:41,240
Speaker 3: Keep it up.

1302
01:03:41,400 --> 01:03:43,680
Speaker 2: Just fuck them, don't worry about them. They ain't got

1303
01:03:43,680 --> 01:03:46,680
Speaker 2: shit to do with how we love each other. But

1304
01:03:46,760 --> 01:03:49,600
Speaker 2: it felt like the timeline was a little more relaxed

1305
01:03:49,640 --> 01:03:51,600
Speaker 2: than they are when she's on sn L because it's

1306
01:03:51,600 --> 01:03:56,200
Speaker 2: a black room, black setting, you know, uh, you know,

1307
01:03:56,440 --> 01:04:00,479
Speaker 2: black woman that is hosting this event that's very black

1308
01:04:00,520 --> 01:04:04,720
Speaker 2: woman centric, and you know, she could make those same

1309
01:04:04,840 --> 01:04:08,440
Speaker 2: jokes and act outs without people then turn around to

1310
01:04:08,440 --> 01:04:11,080
Speaker 2: go she cuning for these white folks, because I like,

1311
01:04:11,120 --> 01:04:12,920
Speaker 2: that's the thing about Satura Night Live that I notice

1312
01:04:12,920 --> 01:04:15,680
Speaker 2: is like, oh, you guys just never heard of Lezzie Jones, Okay.

1313
01:04:15,480 --> 01:04:17,960
Speaker 1: Right, because she's been around for years, y'all.

1314
01:04:18,040 --> 01:04:19,160
Speaker 3: Yeah, y'all, that's all of this.

1315
01:04:19,320 --> 01:04:23,600
Speaker 2: Y'all just literally want her to get on through being

1316
01:04:23,640 --> 01:04:28,520
Speaker 2: one of the blackest acts in fucking in comedy for

1317
01:04:28,640 --> 01:04:31,480
Speaker 2: thirty plus years. Y'all want her to get on doing

1318
01:04:31,520 --> 01:04:34,360
Speaker 2: that and then change it up and act respectable for

1319
01:04:34,400 --> 01:04:35,080
Speaker 2: these white people.

1320
01:04:35,440 --> 01:04:38,480
Speaker 3: And I'm like, yeah, I know, fuck that shit.

1321
01:04:38,840 --> 01:04:42,960
Speaker 2: Do what you've been doing, you know. And then also

1322
01:04:43,080 --> 01:04:44,800
Speaker 2: some people just don't like a comedy and that's fine too.

1323
01:04:44,840 --> 01:04:47,920
Speaker 2: I'm not saying I can't like her, but yeah, you know,

1324
01:04:48,000 --> 01:04:50,520
Speaker 2: I felt like it was more relaxed, That's what I'm saying,

1325
01:04:50,520 --> 01:04:54,280
Speaker 2: because she was home, right, people that normally sending the

1326
01:04:54,520 --> 01:04:57,400
Speaker 2: psychoanalyze every fucking move from her was kind of like,

1327
01:04:58,200 --> 01:04:59,680
Speaker 2: you know, if they do, you could tell when they

1328
01:04:59,680 --> 01:05:00,560
Speaker 2: didn't joy a set.

1329
01:05:00,600 --> 01:05:02,800
Speaker 3: They just be like, oh, yeah, well this.

1330
01:05:02,720 --> 01:05:04,800
Speaker 2: One joke was funny, or you know, I like what

1331
01:05:04,880 --> 01:05:07,160
Speaker 2: she said this, or oh you know, oh here comes

1332
01:05:07,240 --> 01:05:09,960
Speaker 2: on like it wasn't just a roaster Leslie Jones. Plus,

1333
01:05:09,960 --> 01:05:11,880
Speaker 2: I think also we all saw what happened to her

1334
01:05:12,040 --> 01:05:16,479
Speaker 2: during that Ghostbuster shit m So it's like, yeah, after

1335
01:05:16,520 --> 01:05:21,800
Speaker 2: we see you get attacked for just being a black

1336
01:05:21,800 --> 01:05:25,760
Speaker 2: woman in a film, we you know, if motherfucker's calling

1337
01:05:25,800 --> 01:05:26,680
Speaker 2: you gorilla.

1338
01:05:26,320 --> 01:05:28,000
Speaker 3: And shit they hacked your phone.

1339
01:05:28,640 --> 01:05:30,760
Speaker 2: Yeah, man, we're not about to sit up here and

1340
01:05:30,760 --> 01:05:32,880
Speaker 2: participate in that and add to it. And I actually

1341
01:05:32,880 --> 01:05:34,720
Speaker 2: appreciate people taking the time out and not to add

1342
01:05:34,720 --> 01:05:35,160
Speaker 2: to that shit.

1343
01:05:37,120 --> 01:05:38,520
Speaker 3: So yeah, she came out and to let in the

1344
01:05:38,600 --> 01:05:41,520
Speaker 3: knee brace mom. She said she was old.

1345
01:05:41,600 --> 01:05:43,440
Speaker 2: She was like, old, I'm wearing on the outside of

1346
01:05:43,440 --> 01:05:46,640
Speaker 2: my pants. U trying to be cool, trying to be cool.

1347
01:05:49,360 --> 01:05:49,520
Speaker 1: Uh.

1348
01:05:50,920 --> 01:05:56,959
Speaker 2: She's also like she was talking about how she looked young.

1349
01:05:57,080 --> 01:05:59,600
Speaker 2: She's like, I look thirty in my mind, I feel

1350
01:05:59,640 --> 01:06:02,360
Speaker 2: like but then my mind got to remind me I'm old,

1351
01:06:02,800 --> 01:06:06,160
Speaker 2: and she was like, you need to sit your ass down.

1352
01:06:06,200 --> 01:06:09,680
Speaker 2: You are fifty bitch. If you fall one more time,

1353
01:06:09,800 --> 01:06:10,600
Speaker 2: you are done.

1354
01:06:12,160 --> 01:06:14,120
Speaker 1: That's about your body speak to you for real.

1355
01:06:14,600 --> 01:06:16,200
Speaker 2: It was so old school too, because she had a

1356
01:06:16,240 --> 01:06:20,240
Speaker 2: sweat tile come on, like it really don't keep you know,

1357
01:06:20,520 --> 01:06:22,360
Speaker 2: it really don't get no better than that sweat tile.

1358
01:06:23,120 --> 01:06:23,440
Speaker 1: Uh.

1359
01:06:23,480 --> 01:06:24,760
Speaker 3: And then she had to choke.

1360
01:06:24,640 --> 01:06:27,800
Speaker 2: About the young girls and they get ready hat they

1361
01:06:27,800 --> 01:06:30,160
Speaker 2: take out their pants like an angel floats out. Yeah,

1362
01:06:30,800 --> 01:06:33,560
Speaker 2: like when you're older, She's like, I'll flep my pants down,

1363
01:06:33,640 --> 01:06:34,600
Speaker 2: hold dragon.

1364
01:06:34,240 --> 01:06:36,960
Speaker 3: To come out and keep your meat warm, right.

1365
01:06:38,760 --> 01:06:38,880
Speaker 4: Uh.

1366
01:06:39,000 --> 01:06:41,000
Speaker 3: Then the Migos on a war for like best Hip

1367
01:06:41,040 --> 01:06:41,600
Speaker 3: Hop Act.

1368
01:06:42,400 --> 01:06:43,880
Speaker 1: I was proud I knew the sound.

1369
01:06:44,120 --> 01:06:46,680
Speaker 3: Yeah, best group was Migosh.

1370
01:06:46,960 --> 01:06:50,080
Speaker 2: It was like two chains and Lil Wayne was nominated,

1371
01:06:50,120 --> 01:06:52,880
Speaker 2: which I'm like, that's just two solo artists. Same thing

1372
01:06:52,880 --> 01:06:54,880
Speaker 2: with me mind fact Joe, no offense, But y'all just

1373
01:06:54,880 --> 01:06:55,600
Speaker 2: too solo artists.

1374
01:06:55,640 --> 01:06:58,960
Speaker 3: Y'all can't be the rap group of the year. Y'all

1375
01:06:59,040 --> 01:07:01,560
Speaker 3: not a group and did an album together.

1376
01:07:01,560 --> 01:07:04,080
Speaker 2: That's like making jay Z and r Kelly the best

1377
01:07:04,120 --> 01:07:05,760
Speaker 2: of both worlds a group of the year, Like, no,

1378
01:07:05,920 --> 01:07:08,440
Speaker 2: you're not a group trycoll Quest got nominated.

1379
01:07:08,480 --> 01:07:09,800
Speaker 3: Though the album was dope.

1380
01:07:09,960 --> 01:07:10,680
Speaker 1: It was.

1381
01:07:12,120 --> 01:07:14,200
Speaker 2: Migos gave a great acceptance speech where they think they

1382
01:07:14,240 --> 01:07:19,160
Speaker 2: Mama and the culture and DiPT French Montana came out

1383
01:07:19,200 --> 01:07:20,959
Speaker 2: and performed with a bunch of little dark skinned black

1384
01:07:21,000 --> 01:07:26,800
Speaker 2: girls to deflect from him tweets by the way, people

1385
01:07:26,840 --> 01:07:29,200
Speaker 2: took so much offense by the way, humorless Twitter was

1386
01:07:29,240 --> 01:07:33,400
Speaker 2: in my mentions all night, and boy did the French

1387
01:07:33,400 --> 01:07:37,200
Speaker 2: Montana high take offense to that joke right there. I

1388
01:07:37,280 --> 01:07:39,440
Speaker 2: was like, yeah, he went full hey, guys, don't forget

1389
01:07:39,480 --> 01:07:44,520
Speaker 2: I'm from Africa, Kanda, and they was like, no, he

1390
01:07:44,600 --> 01:07:47,640
Speaker 2: did this video before he made those tweets. I was like,

1391
01:07:47,800 --> 01:07:50,440
Speaker 2: I was about to respond to be like, well, so

1392
01:07:50,520 --> 01:07:52,200
Speaker 2: you said he was faking the whole time.

1393
01:07:52,320 --> 01:07:55,439
Speaker 3: Damn he always hated black women. But uh I did

1394
01:07:55,480 --> 01:07:59,480
Speaker 3: I let it go. Solange performed yes.

1395
01:08:02,680 --> 01:08:06,000
Speaker 2: And uh oh, and then Solange one an award too,

1396
01:08:06,640 --> 01:08:07,360
Speaker 2: which was dope.

1397
01:08:07,600 --> 01:08:14,439
Speaker 3: You know, m she gave a great speech. Uh.

1398
01:08:14,480 --> 01:08:16,720
Speaker 2: I did notice in the audience Tyres was there with

1399
01:08:16,760 --> 01:08:19,080
Speaker 2: his wife and I didn't even make a joke about

1400
01:08:19,120 --> 01:08:21,200
Speaker 2: it because I'm grown.

1401
01:08:21,240 --> 01:08:25,040
Speaker 3: I'm mature now, y'all. I thought about it a lot,

1402
01:08:25,560 --> 01:08:26,280
Speaker 3: a lot.

1403
01:08:26,080 --> 01:08:28,360
Speaker 2: Of ways I could have made nothing, but I said, no,

1404
01:08:29,000 --> 01:08:30,639
Speaker 2: not even gonna rose like that.

1405
01:08:30,880 --> 01:08:35,080
Speaker 3: No, it's a good night. We all family. Uh.

1406
01:08:35,360 --> 01:08:38,719
Speaker 2: Vince Staples had a great Spike commercial. If you guys

1407
01:08:38,720 --> 01:08:41,000
Speaker 2: don't get a chance to see it, Yes.

1408
01:08:40,960 --> 01:08:44,720
Speaker 4: Right, commercial was the best. He walked in and like

1409
01:08:44,800 --> 01:08:47,080
Speaker 4: they was playing like the carnival games. He knocked out

1410
01:08:47,080 --> 01:08:48,559
Speaker 4: out his fight, told him they won.

1411
01:08:49,320 --> 01:08:52,519
Speaker 2: Yeah, that was awesome. That was a funny person, man,

1412
01:08:52,560 --> 01:08:54,360
Speaker 2: he said. He did an interview on the Daily Show

1413
01:08:54,360 --> 01:08:56,960
Speaker 2: at Trevor Noah. I'm like, he's just a funny dude.

1414
01:08:57,000 --> 01:08:57,160
Speaker 1: Man.

1415
01:08:57,360 --> 01:08:59,840
Speaker 2: He had got a he might can do something with acting,

1416
01:09:00,120 --> 01:09:03,160
Speaker 2: something a comedy outside of just music, if he ever

1417
01:09:03,200 --> 01:09:07,880
Speaker 2: decides to, in addition to being a talented rapper. They

1418
01:09:07,920 --> 01:09:10,760
Speaker 2: showed the trailer for that Detroit movie that shit like

1419
01:09:10,800 --> 01:09:11,599
Speaker 2: a horror movie.

1420
01:09:12,600 --> 01:09:14,280
Speaker 1: Yeah, it sure did.

1421
01:09:14,479 --> 01:09:16,680
Speaker 3: I almost like and the monster is racism.

1422
01:09:16,800 --> 01:09:20,200
Speaker 4: Come on, that man running for the police and all

1423
01:09:20,200 --> 01:09:22,200
Speaker 4: he got is gross as she trying to take his baby.

1424
01:09:22,240 --> 01:09:23,479
Speaker 1: I was like, I might be out.

1425
01:09:23,800 --> 01:09:25,439
Speaker 2: I knew it was gonna get fifty that night because

1426
01:09:25,439 --> 01:09:29,160
Speaker 2: they gave a Gospel Awards right away early.

1427
01:09:28,760 --> 01:09:30,839
Speaker 1: And they didn't even perform. They ain't have no gospel

1428
01:09:30,880 --> 01:09:31,760
Speaker 1: people performed this year.

1429
01:09:31,800 --> 01:09:35,479
Speaker 4: They no, they have like a smooth fifteen minute section

1430
01:09:35,520 --> 01:09:37,240
Speaker 4: that was like, Nope, not this year, y'all.

1431
01:09:37,840 --> 01:09:39,280
Speaker 3: Look was for the Heathens, y'all.

1432
01:09:40,400 --> 01:09:44,040
Speaker 2: Tamala man I know that she got nominated, but she

1433
01:09:44,040 --> 01:09:47,240
Speaker 2: didn't win La Craye one, but uh, Temala man Man,

1434
01:09:47,280 --> 01:09:48,439
Speaker 2: I say this every time I see her.

1435
01:09:48,479 --> 01:09:49,960
Speaker 3: She looked like the grapefruit lady to me.

1436
01:09:50,640 --> 01:09:51,920
Speaker 1: Don't she don't she's so deep?

1437
01:09:52,280 --> 01:09:54,400
Speaker 2: Yeah, but I just meaning like when they showed her picture,

1438
01:09:54,400 --> 01:09:55,920
Speaker 2: I always think of a grapefruit lady.

1439
01:09:56,800 --> 01:09:58,519
Speaker 3: So anyway, just like her.

1440
01:09:58,439 --> 01:10:04,240
Speaker 4: Too, And Leslie made jokes about yeah.

1441
01:10:03,280 --> 01:10:06,440
Speaker 3: Little boat. M h uh.

1442
01:10:06,720 --> 01:10:09,720
Speaker 2: Post Malone was there performing. I didn't even know post

1443
01:10:09,800 --> 01:10:12,840
Speaker 2: Malone was white. Like he was performing in some prim

1444
01:10:13,360 --> 01:10:17,280
Speaker 2: Tucks bottoms like from the seventies, you like, or.

1445
01:10:17,320 --> 01:10:19,760
Speaker 3: Doing some bone thuzz cosplay or some shit. I don't.

1446
01:10:20,240 --> 01:10:22,120
Speaker 2: I was like, all right, I guess they let him cook.

1447
01:10:22,280 --> 01:10:24,559
Speaker 2: I don't know that anything about that dude.

1448
01:10:27,320 --> 01:10:33,400
Speaker 3: Uh. Also, who else is there? Oh? And then he

1449
01:10:33,560 --> 01:10:34,439
Speaker 3: performed with like.

1450
01:10:34,400 --> 01:10:37,760
Speaker 2: I think he performed with the Migos if I'm not mistaken,

1451
01:10:38,080 --> 01:10:40,840
Speaker 2: and everybody went crazy, like and I was like this

1452
01:10:40,920 --> 01:10:46,760
Speaker 2: also was dope. Even the audience at our shit is better, right,

1453
01:10:47,240 --> 01:10:50,680
Speaker 2: The audience was absolutely they actually be dancing knowing the

1454
01:10:50,720 --> 01:10:54,000
Speaker 2: words the song, like they're not too cool for the show.

1455
01:10:54,920 --> 01:10:56,760
Speaker 2: Like it don't matter what level star you are, if

1456
01:10:56,800 --> 01:10:59,280
Speaker 2: you're in the audience, your asking there like oh rain

1457
01:10:59,400 --> 01:11:02,759
Speaker 2: drop drop top, Like yeah, that shit.

1458
01:11:02,720 --> 01:11:04,400
Speaker 3: Was dope, man, you know what I mean.

1459
01:11:05,000 --> 01:11:06,840
Speaker 1: We're a fan of were fans.

1460
01:11:06,520 --> 01:11:10,760
Speaker 2: Of each other, right, just sat that shared bonds of

1461
01:11:10,800 --> 01:11:13,559
Speaker 2: blackness and commonality. When you come through and you're like,

1462
01:11:13,640 --> 01:11:15,639
Speaker 2: oh yeah, we all know this song.

1463
01:11:15,640 --> 01:11:18,000
Speaker 3: Don't matter. Be a fucking dignitary.

1464
01:11:18,280 --> 01:11:20,680
Speaker 2: Like I saw, you know, like I saw Debra Lee

1465
01:11:20,760 --> 01:11:22,719
Speaker 2: in there, and I was like, deveritely, look like everybody

1466
01:11:22,760 --> 01:11:24,120
Speaker 2: mama when you play this song.

1467
01:11:23,960 --> 01:11:26,000
Speaker 1: In the car, She's like, I just want to be

1468
01:11:26,080 --> 01:11:28,000
Speaker 1: sure to send the man and is doing his job.

1469
01:11:28,040 --> 01:11:29,880
Speaker 3: Like I don't know the words, but this is jailing.

1470
01:11:29,920 --> 01:11:31,080
Speaker 3: She was getting a little jam on.

1471
01:11:31,160 --> 01:11:32,920
Speaker 1: I can move a little bit. Uh.

1472
01:11:32,960 --> 01:11:35,360
Speaker 2: Tiffany Hattis was still in character from Girls Trip and

1473
01:11:35,400 --> 01:11:35,840
Speaker 2: I loved it.

1474
01:11:35,880 --> 01:11:37,080
Speaker 3: She was dancing ass off.

1475
01:11:37,120 --> 01:11:38,080
Speaker 1: Oh she was everything.

1476
01:11:40,120 --> 01:11:44,920
Speaker 3: Let's see who else performed? Oh yeah, remy Ma gave

1477
01:11:45,000 --> 01:11:48,720
Speaker 3: an award and it was funny because I was like,

1478
01:11:48,800 --> 01:11:51,040
Speaker 3: remy Ma is the reason we won't be seeing Anika

1479
01:11:51,080 --> 01:11:55,920
Speaker 3: the night because Nigma Minaj didn't show up. Mm hmmm. Uh,

1480
01:11:56,040 --> 01:11:57,400
Speaker 3: remy Ma was looking so good.

1481
01:11:58,160 --> 01:12:02,680
Speaker 2: Oh my god, Papoo's Black Love you won Broat. He

1482
01:12:02,800 --> 01:12:06,200
Speaker 2: sat on that investment with the whole bit because he

1483
01:12:06,280 --> 01:12:06,800
Speaker 2: knew what he was.

1484
01:12:06,800 --> 01:12:08,800
Speaker 3: Getting on here. She got out. He said it's worth it,

1485
01:12:09,439 --> 01:12:10,360
Speaker 3: and I don't blame him.

1486
01:12:11,680 --> 01:12:11,960
Speaker 1: Uh.

1487
01:12:12,000 --> 01:12:14,160
Speaker 2: The trailer for the Gun Slinger movie looks great with

1488
01:12:14,360 --> 01:12:15,800
Speaker 2: it ever, can't wait to see that.

1489
01:12:17,200 --> 01:12:17,320
Speaker 1: Uh.

1490
01:12:17,479 --> 01:12:19,840
Speaker 2: Netflix got so many black shows. They actually had a

1491
01:12:19,840 --> 01:12:22,759
Speaker 2: commercial on the BT Awards. Step your game up. Amazon

1492
01:12:22,800 --> 01:12:23,320
Speaker 2: and Hulu?

1493
01:12:23,640 --> 01:12:26,800
Speaker 1: Netflix? No, Netflix be knowing. They're like, we know our

1494
01:12:26,840 --> 01:12:31,679
Speaker 1: audience is, we know why? Uh who was it? Luke

1495
01:12:31,720 --> 01:12:34,080
Speaker 1: Cage was like the number one rated.

1496
01:12:33,960 --> 01:12:37,200
Speaker 3: But it's like Luke Cage to get down, dear white people.

1497
01:12:37,800 --> 01:12:40,320
Speaker 3: All the black ship the.

1498
01:12:40,320 --> 01:12:42,439
Speaker 1: Niggas over there. Yeah yeah, we want that money.

1499
01:12:42,560 --> 01:12:46,679
Speaker 3: I'm like, Uh, can't Amazon what you doing over there?

1500
01:12:47,280 --> 01:12:50,800
Speaker 3: People give you all this credit where y'all black shit at?

1501
01:12:51,040 --> 01:12:54,759
Speaker 3: You know what I mean? Like Hulu, y'all getting more shows?

1502
01:12:55,520 --> 01:12:59,280
Speaker 3: What a black ship? Bro gotta give him gotta I mean,

1503
01:12:59,320 --> 01:13:03,599
Speaker 3: I gotta give credit where let's do man. Also, broy Wood,

1504
01:13:03,640 --> 01:13:07,440
Speaker 3: Juan said, the most gangster ship Netflix does is advertised

1505
01:13:07,439 --> 01:13:08,720
Speaker 3: on cable networks.

1506
01:13:10,360 --> 01:13:14,600
Speaker 2: He's like, cause, essentially, but he's right because it's like,

1507
01:13:15,240 --> 01:13:18,200
Speaker 2: that's the competition, and y'all letting them advertise on your

1508
01:13:18,240 --> 01:13:19,080
Speaker 2: ship right.

1509
01:13:18,920 --> 01:13:21,559
Speaker 4: There, They're like, we'll take your money because they're taking

1510
01:13:21,560 --> 01:13:22,840
Speaker 4: the money right.

1511
01:13:25,439 --> 01:13:28,120
Speaker 2: Uh So then I was and I remember thinking, I

1512
01:13:28,160 --> 01:13:30,120
Speaker 2: wonder if Remy Michael perform Sheath of the Night.

1513
01:13:30,600 --> 01:13:32,800
Speaker 3: Uh. I was like, I don't know none of her.

1514
01:13:32,840 --> 01:13:35,000
Speaker 2: In fact, Joe songs together other than all the Way Up,

1515
01:13:35,479 --> 01:13:38,040
Speaker 2: and I think they did that. Last year, they got

1516
01:13:38,040 --> 01:13:40,560
Speaker 2: a new TV show about comedians on the Road that

1517
01:13:40,600 --> 01:13:44,120
Speaker 2: George Lopez is in it, and I was like.

1518
01:13:44,000 --> 01:13:44,400
Speaker 3: Oh, oh.

1519
01:13:46,000 --> 01:13:49,320
Speaker 1: I seen him. I was like, eh, I don't know. Uh.

1520
01:13:49,560 --> 01:13:53,720
Speaker 2: Carry Champion came out to introduce an award for the

1521
01:13:53,720 --> 01:13:57,280
Speaker 2: the Bennett Brothers. Uh these two NFL dudes that are

1522
01:13:57,320 --> 01:14:00,880
Speaker 2: super woke, super pro black. They had a charity where

1523
01:14:00,920 --> 01:14:06,160
Speaker 2: they're gonna give all their money to black women, and uh,

1524
01:14:06,280 --> 01:14:10,559
Speaker 2: I thought it was interested one Car Champion's legs are unfair.

1525
01:14:12,040 --> 01:14:13,839
Speaker 2: I don't know if y'all haven't seen Home just regularly.

1526
01:14:14,040 --> 01:14:18,639
Speaker 2: She her legs are bioluminescent. I'm convinced like them joints

1527
01:14:18,640 --> 01:14:22,599
Speaker 2: shine like they glow in the dark. But then too, ah,

1528
01:14:23,120 --> 01:14:25,599
Speaker 2: these dudes got the got this award, you know, got

1529
01:14:25,720 --> 01:14:28,120
Speaker 2: you know, the spotlight on them, and I was like,

1530
01:14:28,800 --> 01:14:31,720
Speaker 2: they so woke. The NFL gonna have to black ball

1531
01:14:31,760 --> 01:14:34,439
Speaker 2: them after the night. Oh lord, Like, there's no way

1532
01:14:34,439 --> 01:14:36,840
Speaker 2: they can go back to work Monday. So hopefully those

1533
01:14:36,840 --> 01:14:39,360
Speaker 2: brothers can find another job, because I don't think if

1534
01:14:39,360 --> 01:14:39,920
Speaker 2: they all knew they.

1535
01:14:39,880 --> 01:14:42,720
Speaker 3: Were doing it. Trey songs perform.

1536
01:14:44,320 --> 01:14:48,160
Speaker 2: Steal your Girl, mister, steal your Girl, and he started

1537
01:14:48,280 --> 01:14:49,760
Speaker 2: with a song that was talking about I only need

1538
01:14:49,760 --> 01:14:51,720
Speaker 2: one girl and shit and how much he love her,

1539
01:14:52,120 --> 01:14:53,479
Speaker 2: and then he ended that shit.

1540
01:14:53,400 --> 01:14:55,560
Speaker 3: With some ghetto commosout.

1541
01:14:55,600 --> 01:14:58,160
Speaker 2: So I was like, Okay, now that's seventeen women dancing

1542
01:14:58,200 --> 01:15:00,160
Speaker 2: on your couch grinding. I don't know what you want up.

1543
01:15:20,520 --> 01:15:21,960
Speaker 2: All right, let me go to the next segment. I

1544
01:15:21,960 --> 01:15:23,599
Speaker 2: see what up at one twenty. Give me a second,

1545
01:15:23,600 --> 01:15:28,640
Speaker 2: guys will be right back. But yeah, he uh, his

1546
01:15:28,760 --> 01:15:31,320
Speaker 2: performance went from classy the raunchia. It was this one

1547
01:15:31,360 --> 01:15:33,800
Speaker 2: girl dancing in the dress and ship. Then all of

1548
01:15:33,800 --> 01:15:36,519
Speaker 2: a sudden, that the screen went dark came back. It

1549
01:15:36,680 --> 01:15:39,960
Speaker 2: was a bunch of girls in lingerie grinding on each

1550
01:15:39,960 --> 01:15:42,040
Speaker 2: other and ship and I was like, okay, well this

1551
01:15:42,080 --> 01:15:43,559
Speaker 2: is more like the Trey songs I.

1552
01:15:43,479 --> 01:15:48,280
Speaker 1: Know, right, And did we miss she yet?

1553
01:15:48,920 --> 01:15:52,759
Speaker 3: I don't think we got to that yet. Uh, we'll get.

1554
01:15:52,880 --> 01:15:54,519
Speaker 1: My stuff must be out of order, my bag?

1555
01:15:55,200 --> 01:15:57,280
Speaker 2: Did you put it in the latest at the top

1556
01:15:57,360 --> 01:16:00,120
Speaker 2: when you organize it at the top and say latest.

1557
01:16:00,080 --> 01:16:02,040
Speaker 3: And that's how you get it in the sequential order?

1558
01:16:02,160 --> 01:16:04,599
Speaker 1: Okay, okay, are you at the actually Twitter dot com?

1559
01:16:04,640 --> 01:16:05,960
Speaker 3: Oh yeah, I went to Twitter to do it.

1560
01:16:06,280 --> 01:16:07,479
Speaker 1: I need to get the out of this.

1561
01:16:07,680 --> 01:16:10,720
Speaker 3: What are you at? Oh no, that's fine too. I

1562
01:16:10,720 --> 01:16:12,960
Speaker 3: mean it should be in order. If it's if you

1563
01:16:13,040 --> 01:16:14,800
Speaker 3: got it in there should be in order. Well, I

1564
01:16:14,800 --> 01:16:16,639
Speaker 3: mean it looks feel free to chime in. You don't

1565
01:16:16,680 --> 01:16:19,519
Speaker 3: gonna wait on me, okay, yeah, I.

1566
01:16:19,479 --> 01:16:23,240
Speaker 2: Ain't telling you what to do. Just Yeahla was looking good.

1567
01:16:23,760 --> 01:16:25,599
Speaker 2: I don't remember when she came out, as I'm not

1568
01:16:25,640 --> 01:16:26,479
Speaker 2: doing exact order.

1569
01:16:26,520 --> 01:16:28,240
Speaker 3: I think came out I had.

1570
01:16:28,320 --> 01:16:29,880
Speaker 2: I mean I was gonna bring it up because Lola

1571
01:16:30,000 --> 01:16:34,799
Speaker 2: was looking so good. Uh fucking Carmelo was all social

1572
01:16:34,840 --> 01:16:36,920
Speaker 2: media celebrating her birthday, calling her his Earth.

1573
01:16:39,560 --> 01:16:43,120
Speaker 1: That's when you know ship was she looks she was.

1574
01:16:43,080 --> 01:16:45,120
Speaker 3: The Earth and all the constellations in that dress.

1575
01:16:45,600 --> 01:16:46,519
Speaker 1: And she was so.

1576
01:16:46,479 --> 01:16:50,080
Speaker 4: Fine and the Gifts was off the chain of the

1577
01:16:50,600 --> 01:16:53,519
Speaker 4: timeline lit up with Calmelo Anthony Gifts.

1578
01:16:53,720 --> 01:16:55,160
Speaker 3: Yes, and I'll tell you something else.

1579
01:16:57,720 --> 01:17:00,840
Speaker 2: Derek Fisher was there, so I'm like, I hope you

1580
01:17:00,880 --> 01:17:03,160
Speaker 2: don't crash Carmelo car coming back.

1581
01:17:02,960 --> 01:17:07,680
Speaker 3: Home tonight, you know, get another d u I and

1582
01:17:07,760 --> 01:17:09,880
Speaker 3: Carmelo whip this time. Uh.

1583
01:17:09,920 --> 01:17:12,960
Speaker 2: But yeah, No, Lola was Uh, she was looking fine

1584
01:17:13,000 --> 01:17:16,200
Speaker 2: as fuck. I think she went up there with Kofe

1585
01:17:16,840 --> 01:17:18,679
Speaker 2: or was the sisters called him Coffee?

1586
01:17:19,560 --> 01:17:21,440
Speaker 1: Uh yes, coffee.

1587
01:17:22,040 --> 01:17:22,240
Speaker 3: Yeah.

1588
01:17:22,240 --> 01:17:24,240
Speaker 2: She went up there with a dude from Ralph Angel

1589
01:17:24,240 --> 01:17:25,400
Speaker 2: basically from Queen Sugar.

1590
01:17:25,600 --> 01:17:27,120
Speaker 3: Yes, And I.

1591
01:17:27,120 --> 01:17:30,040
Speaker 1: Was like, man, that chocolate man is everything.

1592
01:17:30,360 --> 01:17:34,120
Speaker 2: And I love how they essentially was roasting Mellow even

1593
01:17:34,120 --> 01:17:38,080
Speaker 2: though he wasn't there. Everybody was like, Mellow looking, Hey, La,

1594
01:17:38,240 --> 01:17:41,360
Speaker 2: you looking good? Look at Loo you've been in the gym,

1595
01:17:41,439 --> 01:17:44,640
Speaker 2: woo girl you Oh this is Lola looking like she

1596
01:17:45,160 --> 01:17:45,880
Speaker 2: ready to you.

1597
01:17:45,840 --> 01:17:49,719
Speaker 3: Know, like everybody had the same jokes. I was like, damn, Mellow,

1598
01:17:49,760 --> 01:17:52,320
Speaker 3: you know you fucked up. Bad. Sometimes you got to

1599
01:17:52,320 --> 01:17:54,880
Speaker 3: see other people appreciating a woman for you to but

1600
01:17:55,000 --> 01:17:57,320
Speaker 3: uh yeah, she can. Don't move on now.

1601
01:17:57,960 --> 01:18:02,200
Speaker 1: Uh oh. And also they had a boys to Men commercial.

1602
01:18:02,560 --> 01:18:04,000
Speaker 3: Yeah about the pharmacy.

1603
01:18:04,200 --> 01:18:06,120
Speaker 1: That was I wasn't ready for that one.

1604
01:18:06,240 --> 01:18:07,920
Speaker 2: Yeah, that was a good when they sang about the

1605
01:18:08,240 --> 01:18:09,920
Speaker 2: symptoms of being gassy and stuff.

1606
01:18:10,080 --> 01:18:12,880
Speaker 3: Yes, yeah, that was that was a good one.

1607
01:18:12,960 --> 01:18:15,599
Speaker 4: I don't know if I could handle them singing behind

1608
01:18:15,600 --> 01:18:18,479
Speaker 4: the counter when they're trying to tell me about give

1609
01:18:18,520 --> 01:18:19,200
Speaker 4: me the scription.

1610
01:18:19,840 --> 01:18:23,439
Speaker 3: Yeah, it was out laughing. Yeah, it was good.

1611
01:18:23,479 --> 01:18:26,600
Speaker 2: It was a Geico commercial about it was you know

1612
01:18:26,600 --> 01:18:30,920
Speaker 2: how they do like the guy go do insurance? Was

1613
01:18:30,960 --> 01:18:33,040
Speaker 2: boys and Men know how to do such and such

1614
01:18:33,080 --> 01:18:35,760
Speaker 2: and then it's like they have a commercial after that.

1615
01:18:35,760 --> 01:18:39,880
Speaker 2: That's basically what this ad was. And they were in

1616
01:18:39,920 --> 01:18:42,800
Speaker 2: a pharmacy as a woman was getting her prescription. There

1617
01:18:42,880 --> 01:18:44,160
Speaker 2: was like I think it was like, can boys and

1618
01:18:44,240 --> 01:18:45,800
Speaker 2: men make anything sound good?

1619
01:18:46,520 --> 01:18:49,600
Speaker 3: And uh they did so new prescription does have a

1620
01:18:49,600 --> 01:18:57,880
Speaker 3: few side effects, what you're gonna have and sweaty and

1621
01:18:57,920 --> 01:19:05,080
Speaker 3: the cases crun so gussie, girl.

1622
01:19:05,720 --> 01:19:06,479
Speaker 1: So gussy.

1623
01:19:06,800 --> 01:19:09,200
Speaker 3: If you're boys to men, you make anything sound good.

1624
01:19:09,439 --> 01:19:11,360
Speaker 3: It's what you do. If you want to say, fifteen

1625
01:19:11,360 --> 01:19:13,599
Speaker 3: percent of more in car insurance, you switch to Geico.

1626
01:19:13,800 --> 01:19:17,600
Speaker 3: It's what you do next. Next, and welcome to the

1627
01:19:17,640 --> 01:19:21,680
Speaker 3: guy Code YouTube channel. There you guys, go subscribe now

1628
01:19:21,760 --> 01:19:24,439
Speaker 3: to find funny commercials. All right, that's enough. Voice man.

1629
01:19:26,760 --> 01:19:30,200
Speaker 2: They had a great video about Leslie John's basketball count

1630
01:19:30,240 --> 01:19:30,880
Speaker 2: that was funny.

1631
01:19:31,640 --> 01:19:36,120
Speaker 4: Yes, yeah, that was so hilarious. Then the technique she

1632
01:19:36,240 --> 01:19:39,439
Speaker 4: was using us that was so hilarious, the Devil's elbow

1633
01:19:40,400 --> 01:19:41,479
Speaker 4: and it was five k.

1634
01:19:41,560 --> 01:19:43,879
Speaker 3: Five thousand dollars cash only know what website?

1635
01:19:43,920 --> 01:19:45,439
Speaker 1: No? Right, she was like, look.

1636
01:19:45,240 --> 01:19:48,000
Speaker 4: Cash, Yeah, it was funny.

1637
01:19:48,040 --> 01:19:51,519
Speaker 1: Oh no credit, no travelers chicks. Uh.

1638
01:19:52,320 --> 01:19:54,839
Speaker 2: Chris Brown performed and I'm like, how was he legally

1639
01:19:54,880 --> 01:19:56,360
Speaker 2: allowed to be in the building tonight?

1640
01:19:57,000 --> 01:19:59,280
Speaker 1: Right? I was like, I might give punts. You're just

1641
01:19:59,280 --> 01:20:00,000
Speaker 1: sitting at my house.

1642
01:20:00,840 --> 01:20:04,120
Speaker 2: Yeah, Like, look, putting on an award show is hard,

1643
01:20:04,720 --> 01:20:10,320
Speaker 2: and I do understand that it is morally and just

1644
01:20:10,439 --> 01:20:14,760
Speaker 2: it's hard to be in a war show that's gonna

1645
01:20:14,760 --> 01:20:18,000
Speaker 2: shun one of the most popular acts apparently in America. Right,

1646
01:20:18,360 --> 01:20:20,800
Speaker 2: But it's I don't give a fuck how many times

1647
01:20:20,800 --> 01:20:22,760
Speaker 2: it happens. It's always gonna be awkward to see Chris

1648
01:20:22,760 --> 01:20:26,280
Speaker 2: Brown perform knowing that this dude is been accused of

1649
01:20:26,320 --> 01:20:32,080
Speaker 2: abusing women multiple times chronically in trouble and shit, and

1650
01:20:32,600 --> 01:20:35,760
Speaker 2: still has a throng of fans that support him no

1651
01:20:35,760 --> 01:20:39,000
Speaker 2: matter what, and many of those fans being black women

1652
01:20:39,040 --> 01:20:39,879
Speaker 2: and black girls.

1653
01:20:40,680 --> 01:20:42,800
Speaker 3: It's always gonna be awkward and fucked up.

1654
01:20:42,920 --> 01:20:46,320
Speaker 2: I mean the amount of people that responded to my tweet,

1655
01:20:46,400 --> 01:20:48,599
Speaker 2: which was house Chris Brown legally allowed to be here

1656
01:20:48,600 --> 01:20:51,840
Speaker 2: tonight because I know Caruci has a straight restraining.

1657
01:20:51,560 --> 01:20:52,280
Speaker 3: Order against him.

1658
01:20:52,439 --> 01:20:54,000
Speaker 1: So I guess she didn't come.

1659
01:20:54,680 --> 01:20:55,240
Speaker 3: She was there.

1660
01:20:55,320 --> 01:20:57,559
Speaker 2: I'm guessing she had to sit in the back during

1661
01:20:57,560 --> 01:21:00,880
Speaker 2: his part. I don't know, but I just remember being like, yeah,

1662
01:21:00,920 --> 01:21:05,639
Speaker 2: houses possible. Also, this is the second time somebody's having

1663
01:21:05,640 --> 01:21:08,160
Speaker 2: straining orders against this dude and came to the awards

1664
01:21:08,160 --> 01:21:09,760
Speaker 2: show that he was at.

1665
01:21:09,840 --> 01:21:11,880
Speaker 3: So I don't know. Maybe it's different when you're working.

1666
01:21:12,160 --> 01:21:12,680
Speaker 3: I don't know.

1667
01:21:13,400 --> 01:21:14,479
Speaker 1: Yeah, the rules might be different.

1668
01:21:14,960 --> 01:21:17,760
Speaker 2: Yeah, I don't know how it's legally possible. But you

1669
01:21:17,760 --> 01:21:21,040
Speaker 2: know the point being like, it's reprehensible to this dude.

1670
01:21:21,840 --> 01:21:24,920
Speaker 2: It's still out here getting the past. You know, I'd

1671
01:21:25,000 --> 01:21:28,240
Speaker 2: rather have a thousand Bruno Mars than one Chris Brown.

1672
01:21:29,920 --> 01:21:31,519
Speaker 3: When it comes to this shit, but it is what

1673
01:21:31,600 --> 01:21:32,000
Speaker 3: it is.

1674
01:21:32,080 --> 01:21:35,720
Speaker 2: He's there, he performed the other part is and I

1675
01:21:35,720 --> 01:21:39,840
Speaker 2: think it's just obviously music is subjective, right, I don't.

1676
01:21:40,000 --> 01:21:42,080
Speaker 3: I'm not a fan of his, and I never really

1677
01:21:42,240 --> 01:21:44,120
Speaker 3: was a fan of his. I initially was, but not

1678
01:21:44,240 --> 01:21:46,559
Speaker 3: now Okay, so I never was a fan.

1679
01:21:46,960 --> 01:21:49,120
Speaker 2: So for me, it's always kind of been like, what's

1680
01:21:49,120 --> 01:21:50,000
Speaker 2: the point.

1681
01:21:50,200 --> 01:21:53,519
Speaker 1: Yeah, now, I'm not gonna lie. I think when Chris

1682
01:21:53,560 --> 01:21:56,120
Speaker 1: Brown came out, he was really young. I was in

1683
01:21:56,200 --> 01:21:58,920
Speaker 1: my twenty somethings when like he initially came out.

1684
01:21:59,200 --> 01:22:01,799
Speaker 4: Now, his first album, I you know, this is before

1685
01:22:01,880 --> 01:22:03,920
Speaker 4: all the other ship with Rihanna and all that stuff.

1686
01:22:04,000 --> 01:22:05,880
Speaker 1: His first album was Flames.

1687
01:22:06,080 --> 01:22:07,040
Speaker 3: Once his stuff.

1688
01:22:06,800 --> 01:22:09,000
Speaker 4: Started coming out, I started finding things, I was like this,

1689
01:22:09,320 --> 01:22:11,280
Speaker 4: I almost like our killer. There's no way I can

1690
01:22:11,320 --> 01:22:14,280
Speaker 4: listen to your music not and associate anything positive and

1691
01:22:14,720 --> 01:22:16,360
Speaker 4: me personally anything positive with it.

1692
01:22:16,400 --> 01:22:17,320
Speaker 1: So I can stop listening.

1693
01:22:17,520 --> 01:22:19,880
Speaker 3: Just he just seemed to be a fucked up individual. Man.

1694
01:22:19,920 --> 01:22:22,200
Speaker 3: He just and he don't care, like it is what

1695
01:22:22,240 --> 01:22:23,600
Speaker 3: it is. He don't have to care. I mean, he

1696
01:22:24,200 --> 01:22:24,840
Speaker 3: rich as fuck.

1697
01:22:25,000 --> 01:22:28,280
Speaker 2: He goes what he wants, does what he wants. I mean,

1698
01:22:28,439 --> 01:22:30,160
Speaker 2: all the ship that he has done. He ain't never

1699
01:22:30,240 --> 01:22:32,639
Speaker 2: go to jail for it. I mean, it is what

1700
01:22:32,680 --> 01:22:33,080
Speaker 2: it is.

1701
01:22:33,280 --> 01:22:34,839
Speaker 3: Society has decided that he's.

1702
01:22:34,680 --> 01:22:38,040
Speaker 2: Gonna get away with that shit, and he's a rich, famous,

1703
01:22:38,120 --> 01:22:41,240
Speaker 2: attractive man. Uh, it just is what it is. But

1704
01:22:43,120 --> 01:22:45,120
Speaker 2: for me, I never really was a fan of his.

1705
01:22:45,360 --> 01:22:47,160
Speaker 2: It's so it's like an extra layer to.

1706
01:22:47,160 --> 01:22:49,719
Speaker 3: Me, being like, why is he still around?

1707
01:22:49,920 --> 01:22:53,960
Speaker 2: He can't sing, and the every year passes he stops

1708
01:22:54,000 --> 01:22:56,360
Speaker 2: being able to dance more and more. So now it's like,

1709
01:22:56,360 --> 01:22:58,280
Speaker 2: what are y'all even inviting him for? But it's just

1710
01:22:58,320 --> 01:23:01,320
Speaker 2: he's that popular and it's not like the like people

1711
01:23:01,360 --> 01:23:04,920
Speaker 2: blame the fans, but also the industry ain't shut him out,

1712
01:23:05,040 --> 01:23:07,559
Speaker 2: you know, whether it's award shows or just artists. Other

1713
01:23:07,640 --> 01:23:11,439
Speaker 2: artists keep working with the dude. So I guess it

1714
01:23:11,520 --> 01:23:15,920
Speaker 2: just doesn't matter Chance one or rapper the y'all, I believe.

1715
01:23:16,800 --> 01:23:16,960
Speaker 3: Yeah.

1716
01:23:17,040 --> 01:23:19,400
Speaker 1: And the thing with Chance, it was.

1717
01:23:19,439 --> 01:23:22,439
Speaker 3: So now this isn't when he got his Humanitarian.

1718
01:23:21,840 --> 01:23:26,840
Speaker 4: Award, Okay, And even before that, I've always put like this,

1719
01:23:28,000 --> 01:23:31,120
Speaker 4: I've heard of Chance, but I didn't really listen to

1720
01:23:31,240 --> 01:23:34,800
Speaker 4: Chance until his like latest album. And he's such a

1721
01:23:34,840 --> 01:23:38,200
Speaker 4: positive dude and he's so positive that I was like,

1722
01:23:38,400 --> 01:23:41,320
Speaker 4: I've always cheered him on, Like for me, it didn't

1723
01:23:41,360 --> 01:23:44,439
Speaker 4: mauth Okay, he's a positive dude, keep doing positive things.

1724
01:23:45,280 --> 01:23:46,439
Speaker 3: Yeah, I like Chance.

1725
01:23:47,160 --> 01:23:50,479
Speaker 2: What The thing that's funny to me is watching people

1726
01:23:50,520 --> 01:23:54,920
Speaker 2: come on to him because he's such an infectious positive dude.

1727
01:23:56,600 --> 01:24:00,439
Speaker 2: They stumbled onto some with his marketing because when it

1728
01:24:00,479 --> 01:24:05,000
Speaker 2: was ten Day, the ten Day album, which still dope,

1729
01:24:05,160 --> 01:24:07,160
Speaker 2: you know, y'all, people ask, well, I got that Coco

1730
01:24:07,200 --> 01:24:09,240
Speaker 2: butter kissing song from the shit that's from the.

1731
01:24:09,200 --> 01:24:10,280
Speaker 3: Ten Day album?

1732
01:24:10,280 --> 01:24:15,400
Speaker 2: I believe maybe it's from his first anyway, you know,

1733
01:24:15,479 --> 01:24:18,000
Speaker 2: I fuck with Chance heavy, especially the fact that he

1734
01:24:18,080 --> 01:24:20,200
Speaker 2: kind of came into industry and was able to get

1735
01:24:20,240 --> 01:24:22,879
Speaker 2: in without no label and shit and all that stuff.

1736
01:24:23,200 --> 01:24:24,160
Speaker 3: Super power move.

1737
01:24:24,479 --> 01:24:27,519
Speaker 2: But he's also a marketing genius, and I think that

1738
01:24:27,560 --> 01:24:31,360
Speaker 2: doesn't get enough recognition. Like that positivity shit that's all

1739
01:24:31,400 --> 01:24:34,160
Speaker 2: branding too. It doesn't mean he's not a positive person,

1740
01:24:34,200 --> 01:24:36,400
Speaker 2: but there's other positive people that don't have a rep

1741
01:24:36,439 --> 01:24:40,360
Speaker 2: he has, which is like Lee Chance along. When he

1742
01:24:40,400 --> 01:24:43,760
Speaker 2: gets on, he just represents a guy that loves his

1743
01:24:43,880 --> 01:24:46,639
Speaker 2: God and all the shit. And I've always been kind

1744
01:24:46,640 --> 01:24:50,040
Speaker 2: of amazed by that because you know who else loves God, Kendrick.

1745
01:24:50,680 --> 01:24:53,920
Speaker 2: You know who else loved God Kanye? But it's not

1746
01:24:54,000 --> 01:24:56,840
Speaker 2: received with the same joy, Like he celebrates his joy

1747
01:24:56,840 --> 01:24:59,800
Speaker 2: and love of his religion in a way that these

1748
01:24:59,840 --> 01:25:02,760
Speaker 2: other the cats really haven't found a way to tap into.

1749
01:25:02,880 --> 01:25:06,720
Speaker 2: Kendrick scare to God, and uh, Kanye is just comforted

1750
01:25:07,080 --> 01:25:10,200
Speaker 2: by the fact that God forgives our sins. But but

1751
01:25:10,200 --> 01:25:12,320
Speaker 2: but Chance is the only one that seems to be

1752
01:25:12,600 --> 01:25:17,519
Speaker 2: wanting to celebrate and spread the joy and the charity of.

1753
01:25:17,479 --> 01:25:18,639
Speaker 3: God to other people.

1754
01:25:20,120 --> 01:25:23,040
Speaker 2: You know, So I like, I think that is just

1755
01:25:23,080 --> 01:25:25,040
Speaker 2: smart marketing and I like his marketing.

1756
01:25:26,960 --> 01:25:30,639
Speaker 3: And anyway, uh did he got up and.

1757
01:25:31,680 --> 01:25:34,240
Speaker 2: Uh got got I think he presented in the ard

1758
01:25:34,320 --> 01:25:37,000
Speaker 2: or something, and they told everybody his documentary is coming out.

1759
01:25:37,040 --> 01:25:39,040
Speaker 2: Can't stop, won't stop? Because you know, he always grinding,

1760
01:25:39,120 --> 01:25:41,760
Speaker 2: always promoted something. And I was thinking about it, man,

1761
01:25:41,840 --> 01:25:45,280
Speaker 2: like all them years ago, Sugar Night was talking about

1762
01:25:45,280 --> 01:25:48,040
Speaker 2: did hey all up in the videos? But now did

1763
01:25:48,080 --> 01:25:50,439
Speaker 2: he got enough video footage to put out documentary about

1764
01:25:50,439 --> 01:25:51,080
Speaker 2: his life?

1765
01:25:51,560 --> 01:25:54,600
Speaker 3: And you all up into GM pop? So I feel like,

1766
01:25:54,640 --> 01:25:56,160
Speaker 3: did he want one.

1767
01:25:56,080 --> 01:25:56,800
Speaker 1: Of these days too?

1768
01:25:56,880 --> 01:26:02,080
Speaker 4: Where Kim and Beyonce and some of these other people.

1769
01:26:02,880 --> 01:26:05,720
Speaker 4: They actually did a lot of video recording of their

1770
01:26:05,800 --> 01:26:08,600
Speaker 4: life before. A lot of this ship was before a

1771
01:26:08,600 --> 01:26:11,280
Speaker 4: lot of people started recording their lives like they are now,

1772
01:26:12,000 --> 01:26:15,640
Speaker 4: and so like, he literally has found footage of himself

1773
01:26:15,920 --> 01:26:18,960
Speaker 4: that literally nobody else got. Of course, so it's one

1774
01:26:19,000 --> 01:26:21,240
Speaker 4: of these things where, like you said, you can joke

1775
01:26:21,280 --> 01:26:25,360
Speaker 4: about it, but hey, like like you say, he got

1776
01:26:25,360 --> 01:26:27,800
Speaker 4: probably hundreds of thousands of hours just a footage.

1777
01:26:27,880 --> 01:26:29,720
Speaker 1: Did they get read a chop and he getting ready

1778
01:26:29,760 --> 01:26:31,120
Speaker 1: to make that gwop?

1779
01:26:31,840 --> 01:26:39,040
Speaker 2: Came trash that they are and uh, there was Leslie

1780
01:26:39,040 --> 01:26:42,960
Speaker 2: between like one of the one of the performances.

1781
01:26:43,439 --> 01:26:45,800
Speaker 4: Leslie was down talking to a young dude. She pat

1782
01:26:45,880 --> 01:26:49,920
Speaker 4: that during the butt Yes she did, rapped their hands together.

1783
01:26:50,080 --> 01:26:51,800
Speaker 3: It was right before Mary Jay.

1784
01:26:51,960 --> 01:26:54,599
Speaker 2: I definitely didn't tweet that ship stuff. That sounded like

1785
01:26:54,800 --> 01:26:57,840
Speaker 2: just what I would have tweeted. Blige come and she

1786
01:26:57,960 --> 01:26:58,799
Speaker 2: before listen.

1787
01:27:00,479 --> 01:27:02,000
Speaker 1: Yep, she performed Angry.

1788
01:27:02,280 --> 01:27:04,280
Speaker 3: She came out there and sang the fuck can do

1789
01:27:04,360 --> 01:27:05,040
Speaker 3: Isaac song.

1790
01:27:05,320 --> 01:27:07,800
Speaker 1: Yeah, she's a I' not gonna play with you hoes.

1791
01:27:07,880 --> 01:27:10,599
Speaker 3: Right, and it was so good. Can Do? Isaac fucking

1792
01:27:10,640 --> 01:27:14,360
Speaker 3: went on Instagram during the show and to and posted something.

1793
01:27:15,800 --> 01:27:18,120
Speaker 3: Oh I didn't know that because she was talking. Shit.

1794
01:27:18,360 --> 01:27:21,040
Speaker 4: Man, I don't know what song it was, but Ghanna,

1795
01:27:21,160 --> 01:27:22,880
Speaker 4: she was singing angry.

1796
01:27:23,240 --> 01:27:26,240
Speaker 3: Whatever song that was. It's like it seemed like she.

1797
01:27:26,240 --> 01:27:29,320
Speaker 2: Had waited all the years of that marriage to sing

1798
01:27:29,439 --> 01:27:31,120
Speaker 2: whatever the name of that song was.

1799
01:27:31,320 --> 01:27:31,519
Speaker 3: You know.

1800
01:27:32,080 --> 01:27:35,360
Speaker 4: Yeah, because because one thing about Mary, I'm gonna tell

1801
01:27:35,360 --> 01:27:37,320
Speaker 4: you right now, I don't care if you think Mary

1802
01:27:37,360 --> 01:27:43,200
Speaker 4: can sing, Mary can't sing, that's irrelevant. You feel whatever

1803
01:27:43,320 --> 01:27:47,120
Speaker 4: emotion she's going through, And that's a lot of Black

1804
01:27:47,120 --> 01:27:51,040
Speaker 4: women's connection and pain is something that woman in anger

1805
01:27:51,360 --> 01:27:54,519
Speaker 4: is something that woman can can sing. Yeah, Like too

1806
01:27:54,560 --> 01:27:57,880
Speaker 4: many people I think get caught up in the well.

1807
01:27:57,920 --> 01:28:00,360
Speaker 4: I mean, well, now, it's just we've always no.

1808
01:28:00,400 --> 01:28:03,839
Speaker 3: Mary ain't the strongest vocalist or the strongest dancer.

1809
01:28:04,080 --> 01:28:06,160
Speaker 2: We've all known that, but it's always been about the

1810
01:28:06,200 --> 01:28:10,559
Speaker 2: fact that she, like her emotions on the mic, is

1811
01:28:10,640 --> 01:28:14,040
Speaker 2: always fucking amazing and no.

1812
01:28:14,080 --> 01:28:16,200
Speaker 1: Price, there's no price you can put on how she

1813
01:28:16,280 --> 01:28:17,000
Speaker 1: makes you feel.

1814
01:28:17,400 --> 01:28:21,360
Speaker 2: Right Like, I understand y'all might want Adele to sing

1815
01:28:21,400 --> 01:28:23,320
Speaker 2: at your wedding or something, but I won't marry Jay

1816
01:28:23,320 --> 01:28:24,559
Speaker 2: Bline to singing my divorce.

1817
01:28:25,400 --> 01:28:28,280
Speaker 1: Come on my divorce party. She's gonna be there like she.

1818
01:28:28,479 --> 01:28:33,480
Speaker 2: She know how to sing the bitter, angry side, chick's eye.

1819
01:28:33,360 --> 01:28:37,400
Speaker 1: Sack gruffice, and you can leave me out a drop

1820
01:28:37,439 --> 01:28:40,160
Speaker 1: of a dime. I'm like, yes, Mary.

1821
01:28:40,680 --> 01:28:42,880
Speaker 2: Somebody said she didn't do it to step, but she

1822
01:28:42,920 --> 01:28:43,759
Speaker 2: did do it to step.

1823
01:28:43,800 --> 01:28:47,080
Speaker 3: It just it was a little slower. Okay, not we're

1824
01:28:47,080 --> 01:28:49,599
Speaker 3: not gonna, We're not, We're not We're not roasted, aren't

1825
01:28:49,600 --> 01:28:50,080
Speaker 3: married tonight.

1826
01:28:50,120 --> 01:28:53,720
Speaker 2: Okay, it's not happening, guys. But Ken do Isaacs was

1827
01:28:53,760 --> 01:28:56,800
Speaker 2: so taking them back from by that ship. He went

1828
01:28:56,840 --> 01:29:01,679
Speaker 2: on on the ground and said, uh, put a picture

1829
01:29:01,720 --> 01:29:03,400
Speaker 2: of Mary and said, I love you to death, Mary

1830
01:29:03,479 --> 01:29:05,920
Speaker 2: J Blige. I can't even begin to understand why you

1831
01:29:05,960 --> 01:29:08,760
Speaker 2: are going on about this way, the way you're being.

1832
01:29:09,240 --> 01:29:11,679
Speaker 2: I never wanted to discuss our life, Aaron the laundry.

1833
01:29:12,080 --> 01:29:14,439
Speaker 2: You know me better than that. You and I really

1834
01:29:14,520 --> 01:29:16,640
Speaker 2: need to talk and stop out this negative nonsense. I

1835
01:29:16,680 --> 01:29:19,400
Speaker 2: love you and I was always regardless of your actions.

1836
01:29:19,520 --> 01:29:21,799
Speaker 2: Shout out to the BT Awards for making that happen.

1837
01:29:24,200 --> 01:29:27,960
Speaker 2: Like because Ken dow black Ass was watching. She been

1838
01:29:28,000 --> 01:29:30,080
Speaker 2: singing that song and performing all over the place.

1839
01:29:30,160 --> 01:29:31,920
Speaker 1: Yes she had, but Ken dou couldn't miss.

1840
01:29:31,800 --> 01:29:34,000
Speaker 3: It because you know, his phone blew the fuck up

1841
01:29:34,320 --> 01:29:35,320
Speaker 3: all all.

1842
01:29:35,160 --> 01:29:38,680
Speaker 4: His Twitter on Instagram and Snapchat was was.

1843
01:29:38,760 --> 01:29:40,200
Speaker 1: It was cracking.

1844
01:29:40,280 --> 01:29:42,960
Speaker 4: After when Mary went up there and like you said,

1845
01:29:42,960 --> 01:29:44,679
Speaker 4: she she doesn't slim down.

1846
01:29:44,800 --> 01:29:47,360
Speaker 1: She done got fine, honey, She's up there sparkling and shit.

1847
01:29:47,880 --> 01:29:48,200
Speaker 3: Mm hm.

1848
01:29:48,520 --> 01:29:52,800
Speaker 2: She did Love Yourself, which, oh, love Yourself is my shit.

1849
01:29:53,240 --> 01:29:55,280
Speaker 2: And I love that she got the version with ASoP

1850
01:29:55,400 --> 01:29:58,960
Speaker 2: rocky now because the Kanye verse is whack as fuck

1851
01:29:59,040 --> 01:30:04,040
Speaker 2: on there. Like I tried, y'all, but Kanye sometimes Kanye

1852
01:30:04,120 --> 01:30:05,960
Speaker 2: just be on some other ship and he started that ship.

1853
01:30:06,120 --> 01:30:08,840
Speaker 2: Like I decided to stop using my race says a

1854
01:30:08,920 --> 01:30:12,599
Speaker 2: handicap or some shit. I was like, nope, your break song,

1855
01:30:12,840 --> 01:30:14,639
Speaker 2: get the fuck off here, Kanye, what you doing?

1856
01:30:16,720 --> 01:30:20,200
Speaker 1: B Et gave us a meanwhile on Instagram.

1857
01:30:20,640 --> 01:30:21,960
Speaker 3: Yeah, if I knew the name of the song, I

1858
01:30:22,080 --> 01:30:25,120
Speaker 3: play it right, y'all. Right now, y yeah, I.

1859
01:30:25,080 --> 01:30:27,000
Speaker 1: Don't know the name of the song. Find it? What

1860
01:30:27,120 --> 01:30:28,040
Speaker 1: is on Apple Music?

1861
01:30:28,080 --> 01:30:29,600
Speaker 2: I mean, I'm on title right now. I got the

1862
01:30:29,600 --> 01:30:32,160
Speaker 2: whole album. I haven't listened to it yet. I still

1863
01:30:32,160 --> 01:30:34,680
Speaker 2: gotta go through it because I know I've been saving it.

1864
01:30:34,720 --> 01:30:37,120
Speaker 3: But yeah, if y'all got the title of the song,

1865
01:30:37,120 --> 01:30:37,799
Speaker 3: I don't play.

1866
01:30:37,600 --> 01:30:39,360
Speaker 1: The ship cuz what's the title of that song?

1867
01:30:39,439 --> 01:30:40,360
Speaker 3: That song started off.

1868
01:30:40,600 --> 01:30:42,640
Speaker 2: I mean it literally was just like you took my

1869
01:30:42,760 --> 01:30:45,439
Speaker 2: money and gave it to that bitch. I was like, God, damn,

1870
01:30:46,600 --> 01:30:48,719
Speaker 2: it ain't even no subtext of this. You didn't even

1871
01:30:48,720 --> 01:30:51,839
Speaker 2: try to she did. Everything would be like can do Isaac?

1872
01:30:52,000 --> 01:30:54,400
Speaker 2: Fuck you is your fault?

1873
01:30:54,760 --> 01:30:58,439
Speaker 3: So anyway, because I don't know name of the song?

1874
01:30:59,360 --> 01:31:01,479
Speaker 2: Uh, but she was looking so good, I said, she

1875
01:31:01,560 --> 01:31:03,040
Speaker 2: making me want to be the next dude to try

1876
01:31:03,040 --> 01:31:03,920
Speaker 2: to get half.

1877
01:31:03,760 --> 01:31:04,559
Speaker 3: You know what I'm saying.

1878
01:31:04,640 --> 01:31:04,920
Speaker 1: Ah?

1879
01:31:05,240 --> 01:31:07,640
Speaker 3: Who she like she had been in the gym, didn't she?

1880
01:31:10,320 --> 01:31:13,000
Speaker 2: So yeah, she was out there looking good, like like

1881
01:31:13,080 --> 01:31:17,120
Speaker 2: my big Mama's house to beat at curtain to the kitchen,

1882
01:31:17,240 --> 01:31:18,760
Speaker 2: ah outfit that she had.

1883
01:31:19,880 --> 01:31:20,040
Speaker 1: Uh.

1884
01:31:20,120 --> 01:31:22,920
Speaker 3: Jamie Jamie Fox came out and he was funny as fuck. Yes,

1885
01:31:24,120 --> 01:31:24,880
Speaker 3: Like it.

1886
01:31:24,920 --> 01:31:28,160
Speaker 2: Definitely made me wish that like he would come back

1887
01:31:28,160 --> 01:31:31,200
Speaker 2: and host another year, because I always forget how much

1888
01:31:31,320 --> 01:31:34,640
Speaker 2: I liked Jamie Fox because he's so irreverent, like he

1889
01:31:34,680 --> 01:31:36,960
Speaker 2: don't really give a fuck about nobody's feelings and he

1890
01:31:37,000 --> 01:31:40,040
Speaker 2: even roasted his own self and that horrible movie he

1891
01:31:40,080 --> 01:31:44,599
Speaker 2: did called sleep called Sleepless like oh set me Free

1892
01:31:44,600 --> 01:31:45,720
Speaker 2: as the name of the song. All right, let me

1893
01:31:45,720 --> 01:31:49,280
Speaker 2: see if I can play it. But yeah, he roasted

1894
01:31:49,280 --> 01:31:51,400
Speaker 2: his own movie. It was like, I had to promote it, man,

1895
01:31:51,560 --> 01:31:53,439
Speaker 2: but you knew the movie is terrible. When you're promoting it.

1896
01:31:53,439 --> 01:31:56,000
Speaker 2: It's just what could I say? I was like, damn,

1897
01:31:56,080 --> 01:32:01,920
Speaker 2: this is so good. It's so true too, but yeah,

1898
01:32:02,000 --> 01:32:02,800
Speaker 2: that movie was terrible.

1899
01:32:02,800 --> 01:32:04,000
Speaker 3: I'll go see Sleepless, yob.

1900
01:32:08,160 --> 01:32:10,640
Speaker 5: Tell me how you figure that's your namey and you

1901
01:32:10,800 --> 01:32:13,599
Speaker 5: gave me what I have before I mentioned and gonna

1902
01:32:13,600 --> 01:32:14,960
Speaker 5: have it when you're gone?

1903
01:32:15,080 --> 01:32:17,160
Speaker 1: And how you fix your mouth to say I owe

1904
01:32:17,240 --> 01:32:18,840
Speaker 1: you when you had another bit?

1905
01:32:18,960 --> 01:32:21,679
Speaker 5: You're taking trips and ship with my money for so long,

1906
01:32:21,880 --> 01:32:22,640
Speaker 5: husband lost it.

1907
01:32:22,880 --> 01:32:23,920
Speaker 3: If you won't get it.

1908
01:32:24,080 --> 01:32:26,519
Speaker 5: Done, But all you're gonna get too bad.

1909
01:32:26,600 --> 01:32:30,439
Speaker 1: I can't get back my time with it all the time.

1910
01:32:32,439 --> 01:32:36,479
Speaker 1: I'm gonna be all right, be just FINEO.

1911
01:32:38,400 --> 01:32:42,679
Speaker 3: Yes, very that's so special places how.

1912
01:32:42,720 --> 01:32:48,879
Speaker 6: For you you'll go pay for watching?

1913
01:32:49,240 --> 01:32:50,000
Speaker 3: Did it true?

1914
01:32:53,240 --> 01:32:56,800
Speaker 1: I'm telling you because the trouble set be.

1915
01:32:57,400 --> 01:33:09,840
Speaker 5: Break that conack to Custins was run that room, my bris.

1916
01:33:11,280 --> 01:33:15,680
Speaker 1: What I'm found out bout she wasn't enough to go

1917
01:33:16,120 --> 01:33:20,839
Speaker 1: inside time to think daddy.

1918
01:33:20,960 --> 01:33:23,760
Speaker 4: You was just can't fall my name?

1919
01:33:26,160 --> 01:33:29,920
Speaker 1: Love me you logging you hold me name?

1920
01:33:35,680 --> 01:33:37,679
Speaker 3: So yeah, she dropped that hot fire.

1921
01:33:37,840 --> 01:33:37,960
Speaker 4: Oh.

1922
01:33:38,080 --> 01:33:41,679
Speaker 1: She was like, you gonna get all these flame emojis, all.

1923
01:33:41,640 --> 01:33:46,960
Speaker 3: The pettiness was. She let all the rage inside that's

1924
01:33:47,040 --> 01:33:47,639
Speaker 3: on start.

1925
01:33:47,800 --> 01:33:50,320
Speaker 1: They're like, you mad, go tell them about your ass son,

1926
01:33:51,960 --> 01:33:54,839
Speaker 1: and she was like, I'm gonna sing it right soon.

1927
01:33:54,760 --> 01:33:59,040
Speaker 3: She started, uh performing, I could feel the evil just

1928
01:33:59,200 --> 01:34:03,200
Speaker 3: inside the angle. It was coming out of her. Y'all,

1929
01:34:03,400 --> 01:34:04,120
Speaker 3: it was coming out.

1930
01:34:06,800 --> 01:34:07,720
Speaker 1: It's coming out of her.

1931
01:34:09,040 --> 01:34:12,599
Speaker 3: I can call my father Jesus. It was coming out

1932
01:34:12,600 --> 01:34:13,080
Speaker 3: of Mary j.

1933
01:34:15,280 --> 01:34:18,280
Speaker 2: Bruno Mars won an award, which means he's if you

1934
01:34:18,360 --> 01:34:22,240
Speaker 2: guys all know the rules, he's officially black now it counts.

1935
01:34:22,280 --> 01:34:25,200
Speaker 2: Look it up in the rules for blackness. If you

1936
01:34:25,320 --> 01:34:28,240
Speaker 2: do win a bat awards a non black person, uh,

1937
01:34:28,800 --> 01:34:30,920
Speaker 2: you do officially get some blackness. It does have to

1938
01:34:30,960 --> 01:34:34,720
Speaker 2: be renewed every ten years like a passport.

1939
01:34:34,280 --> 01:34:36,679
Speaker 1: But still valid.

1940
01:34:36,840 --> 01:34:41,080
Speaker 2: Bruno Mars, we will be trading. We'll be we will

1941
01:34:41,120 --> 01:34:44,920
Speaker 2: be trading hermy Kane for Bruno Mars, the rights to him.

1942
01:34:45,680 --> 01:34:49,559
Speaker 3: Uh and yep uh.

1943
01:34:50,280 --> 01:34:54,639
Speaker 2: Then Jamie had to promote his new movie Baby Driver,

1944
01:34:54,880 --> 01:34:55,800
Speaker 2: which I think looks good.

1945
01:34:55,800 --> 01:34:57,960
Speaker 3: I want to see it. But it was also funny

1946
01:34:57,960 --> 01:34:59,640
Speaker 3: because he had to talk about that shitty movie he

1947
01:34:59,760 --> 01:34:59,920
Speaker 3: was in.

1948
01:35:01,040 --> 01:35:03,680
Speaker 2: The hard part from Got for Jami's barber has to

1949
01:35:03,720 --> 01:35:06,880
Speaker 2: be remembering where to draw his hairline. Well, he's promoting

1950
01:35:06,920 --> 01:35:10,160
Speaker 2: the film so that it matches that current film. You know,

1951
01:35:10,320 --> 01:35:12,280
Speaker 2: when he's doing promotion, it's like, oh, man, hold on,

1952
01:35:12,360 --> 01:35:15,360
Speaker 2: where we what we do this during the movie. Uh,

1953
01:35:16,280 --> 01:35:17,200
Speaker 2: but yeah, I'm into it.

1954
01:35:17,320 --> 01:35:17,479
Speaker 1: Man.

1955
01:35:19,840 --> 01:35:25,320
Speaker 2: Big Sean performed in the most monotone but able to

1956
01:35:25,439 --> 01:35:29,759
Speaker 2: rap ass performance that was long as fuck. But Kanye

1957
01:35:29,920 --> 01:35:32,680
Speaker 2: was right about Big Sean. He lasted away longer than

1958
01:35:32,720 --> 01:35:33,200
Speaker 2: people thought.

1959
01:35:33,840 --> 01:35:37,679
Speaker 3: I did think his little background dancers doing rap hands

1960
01:35:37,720 --> 01:35:41,639
Speaker 3: in the sweater was kind of like we're matching clothes.

1961
01:35:41,760 --> 01:35:45,120
Speaker 3: That was kind of dope. I don't know Beyonce did

1962
01:35:45,160 --> 01:35:48,479
Speaker 3: it better before anyway, uh he but he he was

1963
01:35:48,560 --> 01:35:49,960
Speaker 3: kind of dope with that ship. And I thought it

1964
01:35:50,040 --> 01:35:53,559
Speaker 3: was also funny because my man three carry on Itel

1965
01:35:53,720 --> 01:35:56,080
Speaker 3: was like, why the fuck is he just wearing that

1966
01:35:57,120 --> 01:35:59,240
Speaker 3: like fucking sweater, that gap sweater.

1967
01:35:59,320 --> 01:36:01,760
Speaker 2: Wherever the fuck you got it from? And I was like, well,

1968
01:36:01,760 --> 01:36:03,200
Speaker 2: he had to get that sweater. He had to get

1969
01:36:03,240 --> 01:36:06,080
Speaker 2: it nine times for all them background dancers. He had

1970
01:36:06,120 --> 01:36:08,479
Speaker 2: to go find a sweater that he could buy nine times.

1971
01:36:08,960 --> 01:36:10,639
Speaker 2: Them niggas all dance anyway.

1972
01:36:11,160 --> 01:36:13,040
Speaker 1: Oh uh.

1973
01:36:14,640 --> 01:36:14,680
Speaker 4: What?

1974
01:36:14,880 --> 01:36:18,760
Speaker 2: Khali performed The Dude that Made American Team. That's a

1975
01:36:18,800 --> 01:36:20,559
Speaker 2: dope album if you guys get a chance to.

1976
01:36:20,600 --> 01:36:24,240
Speaker 4: Hit because he performed live and he was really he's

1977
01:36:24,320 --> 01:36:24,960
Speaker 4: really smooth.

1978
01:36:25,040 --> 01:36:26,160
Speaker 1: I might go check that out.

1979
01:36:26,360 --> 01:36:30,720
Speaker 2: He went to the Duayle school of close enough, where

1980
01:36:30,800 --> 01:36:33,719
Speaker 2: you skip full syllables and words while singing, so you might.

1981
01:36:33,680 --> 01:36:35,479
Speaker 3: Not make out all the words of the live performance,

1982
01:36:35,520 --> 01:36:36,200
Speaker 3: but you get the gist.

1983
01:36:37,680 --> 01:36:39,600
Speaker 2: They had a conveyor belt that everybody was using to

1984
01:36:39,640 --> 01:36:41,240
Speaker 2: get on the stage, and I swear to god, somebody

1985
01:36:41,320 --> 01:36:45,120
Speaker 2: was gonna fall. It's a miracle that like Cardi b

1986
01:36:45,360 --> 01:36:47,360
Speaker 2: or somebody didn't fall and suit the fuck out of bet.

1987
01:36:47,439 --> 01:36:48,800
Speaker 3: And they need to do that. They did that last

1988
01:36:48,880 --> 01:36:50,160
Speaker 3: year too. They get rid of that shit.

1989
01:36:50,200 --> 01:36:52,880
Speaker 4: I was somebody gonna bust the ass hitting that thing

1990
01:36:53,000 --> 01:36:55,400
Speaker 4: and not realize it. Because the things like an escalator,

1991
01:36:55,520 --> 01:36:58,000
Speaker 4: you got to be prepared for it right well. Either

1992
01:36:58,400 --> 01:37:00,760
Speaker 4: sometimes even if you off prepare well, you might step

1993
01:37:00,800 --> 01:37:02,559
Speaker 4: on it. Wrong because it's it's a it's a it's

1994
01:37:02,640 --> 01:37:03,880
Speaker 4: moving right.

1995
01:37:05,080 --> 01:37:07,760
Speaker 2: Cardy B came up there and she was everything right,

1996
01:37:10,560 --> 01:37:15,840
Speaker 2: So yeah, that was that was cool, Uh, y'all.

1997
01:37:15,880 --> 01:37:19,960
Speaker 3: Shahidi got introduced. Uh she she won an award. I

1998
01:37:20,040 --> 01:37:20,800
Speaker 3: forget what it was.

1999
01:37:21,280 --> 01:37:24,200
Speaker 2: But d Ray Davis was up there with Cardi V

2000
01:37:25,120 --> 01:37:27,160
Speaker 2: And uh, I forget who the other woman was he

2001
01:37:27,280 --> 01:37:28,840
Speaker 2: was up there with he was.

2002
01:37:29,520 --> 01:37:32,479
Speaker 3: He was like, well, they said, y'all said he she

2003
01:37:32,600 --> 01:37:34,120
Speaker 3: said she going to college?

2004
01:37:34,200 --> 01:37:34,400
Speaker 1: Y'all.

2005
01:37:36,040 --> 01:37:39,040
Speaker 3: I said, that's the blackiest ship, cause you everybody know

2006
01:37:40,280 --> 01:37:42,120
Speaker 3: they got an uncle or somebody like that.

2007
01:37:42,479 --> 01:37:44,840
Speaker 1: He was like, oh, this sounds like he was so proud.

2008
01:37:44,600 --> 01:37:47,920
Speaker 2: Of her Son't be somebody, y'all? Should everybody daughter going

2009
01:37:47,960 --> 01:37:48,479
Speaker 2: to college?

2010
01:37:50,040 --> 01:37:52,800
Speaker 6: Escape came out and performed a reunion show, Yes and

2011
01:37:52,960 --> 01:37:54,040
Speaker 6: everybody thirty and.

2012
01:37:54,080 --> 01:37:57,160
Speaker 3: Over with guy as I Live and Breathe.

2013
01:37:56,920 --> 01:38:00,280
Speaker 1: Right and everybody twenty five? Why tiny up there singing all.

2014
01:38:00,560 --> 01:38:02,840
Speaker 2: It was so good because it was first of all,

2015
01:38:03,280 --> 01:38:05,760
Speaker 2: everybody on the skate now is a thick snack. And

2016
01:38:06,520 --> 01:38:09,000
Speaker 2: come on, if I had known I just had to

2017
01:38:09,040 --> 01:38:11,479
Speaker 2: wait seventeen years, I would have been a fan of

2018
01:38:11,600 --> 01:38:12,920
Speaker 2: Escape even more back then.

2019
01:38:13,080 --> 01:38:15,120
Speaker 3: But uh, you know, yes.

2020
01:38:15,800 --> 01:38:17,840
Speaker 2: Now I'm looking for groupon tour tickets because I know

2021
01:38:17,880 --> 01:38:18,919
Speaker 2: it's gonna be on groupon.

2022
01:38:19,800 --> 01:38:21,600
Speaker 3: I might have to go see my base.

2023
01:38:22,920 --> 01:38:25,760
Speaker 1: The stars when you didn't even know people was like.

2024
01:38:25,760 --> 01:38:29,639
Speaker 2: What candy, Candy was out there, everybody was out there,

2025
01:38:30,880 --> 01:38:33,280
Speaker 2: but yeah it was it was cool. I enjoyed their

2026
01:38:33,400 --> 01:38:38,760
Speaker 2: performance and everybody's getting their life and uh tiny next year'

2027
01:38:38,800 --> 01:38:39,960
Speaker 2: gonna probably go to the Mary J.

2028
01:38:40,080 --> 01:38:42,280
Speaker 3: Blige just got dogged out gym and flourished.

2029
01:38:42,720 --> 01:38:45,439
Speaker 6: Come on, and she was looking good and she was

2030
01:38:45,760 --> 01:38:50,760
Speaker 6: all them legs right. I was like, what about total though, uh,

2031
01:38:51,080 --> 01:38:56,360
Speaker 6: come on the next one. Yeah, but yeah, everybody was having.

2032
01:38:56,160 --> 01:38:58,480
Speaker 3: A good time. I was in the house just kick.

2033
01:39:01,560 --> 01:39:01,720
Speaker 6: Man.

2034
01:39:01,800 --> 01:39:02,559
Speaker 1: I was like yeah.

2035
01:39:06,040 --> 01:39:08,799
Speaker 2: Then they had another good skit that was Leslie Jones

2036
01:39:08,920 --> 01:39:11,960
Speaker 2: visiting herself when thirty years ago she worked at the

2037
01:39:12,400 --> 01:39:13,320
Speaker 2: Roskill Chicken.

2038
01:39:13,160 --> 01:39:15,800
Speaker 1: While for that ship was hilarious, right.

2039
01:39:15,920 --> 01:39:18,040
Speaker 2: My favorite part was at the end she was like, uh,

2040
01:39:18,240 --> 01:39:19,960
Speaker 2: well she had to go back to the futures, like, yeah,

2041
01:39:19,960 --> 01:39:21,680
Speaker 2: you're gonna have to beat two us and she's like

2042
01:39:21,720 --> 01:39:22,000
Speaker 2: what's that.

2043
01:39:22,479 --> 01:39:25,680
Speaker 3: She's like, Uh, it's a channel for black people. It's

2044
01:39:25,720 --> 01:39:27,600
Speaker 3: like it's like the Oscars. She's like yeah, but for

2045
01:39:27,680 --> 01:39:28,200
Speaker 3: black people.

2046
01:39:28,720 --> 01:39:28,840
Speaker 4: Uh.

2047
01:39:29,479 --> 01:39:32,439
Speaker 3: She was like, uh, you're gonna be on Saturday Night

2048
01:39:32,520 --> 01:39:33,800
Speaker 3: Live for real?

2049
01:39:33,880 --> 01:39:34,200
Speaker 1: What's that?

2050
01:39:35,160 --> 01:39:38,160
Speaker 2: White people living color? But yeah, the last farther she

2051
01:39:38,320 --> 01:39:40,400
Speaker 2: was like, oh yeah, before I leave, don't get on

2052
01:39:40,439 --> 01:39:40,800
Speaker 2: Twitter and.

2053
01:39:40,800 --> 01:39:42,080
Speaker 3: Stop taking the naked pictures.

2054
01:39:43,640 --> 01:39:46,400
Speaker 1: And then she like went did the Future.

2055
01:39:46,439 --> 01:39:47,240
Speaker 3: That was hilarious.

2056
01:39:47,479 --> 01:39:50,000
Speaker 2: Then mask Off got performed by Future, who came on

2057
01:39:50,200 --> 01:39:55,760
Speaker 2: stage with a with a diamondingt crusted mask. A mask right,

2058
01:39:56,280 --> 01:40:01,960
Speaker 2: somebody somebody said, you you adopted the lean I was

2059
01:40:02,040 --> 01:40:02,640
Speaker 2: born in it.

2060
01:40:03,479 --> 01:40:05,920
Speaker 3: Uh at any rate. I was like, man, I like

2061
01:40:06,080 --> 01:40:08,200
Speaker 3: mask Off a little bit. I like, but what I

2062
01:40:08,320 --> 01:40:10,799
Speaker 3: really like is Kendrick. I was like, I wish Kendrick

2063
01:40:10,920 --> 01:40:11,200
Speaker 3: was there.

2064
01:40:12,200 --> 01:40:14,439
Speaker 1: He was damn came out of nowhere.

2065
01:40:14,760 --> 01:40:18,200
Speaker 2: He did that that fucking Kendrick verse from mask Off. Oh,

2066
01:40:18,320 --> 01:40:20,040
Speaker 2: I was getting my motherfucking life.

2067
01:40:20,960 --> 01:40:23,800
Speaker 3: All love being black? Oh, I just I love it

2068
01:40:23,960 --> 01:40:25,800
Speaker 3: so much because it's like there was reading my mind

2069
01:40:25,840 --> 01:40:28,240
Speaker 3: all night, all the people I said, should win one,

2070
01:40:28,960 --> 01:40:31,240
Speaker 3: all the performances. I was like, man, this would be

2071
01:40:31,320 --> 01:40:33,479
Speaker 3: so much dope if they did. Oh, they did it.

2072
01:40:33,720 --> 01:40:36,120
Speaker 3: They thought of everything, you know.

2073
01:40:36,439 --> 01:40:36,640
Speaker 1: I was.

2074
01:40:37,240 --> 01:40:40,080
Speaker 3: I was bitch my hair down. Prince lived through me.

2075
01:40:41,640 --> 01:40:45,720
Speaker 3: Get your ass up and being spired o god, all

2076
01:40:45,760 --> 01:40:46,200
Speaker 3: of that shit.

2077
01:40:46,320 --> 01:40:51,160
Speaker 2: Anyway, the Women for Girls Trip came out and presented

2078
01:40:51,200 --> 01:40:55,360
Speaker 2: the award to a new addition, the Lifetime Achievement Award

2079
01:40:55,479 --> 01:41:01,240
Speaker 2: or whatnot, and of course uh uh Debora Lee came

2080
01:41:01,320 --> 01:41:07,639
Speaker 2: out as well, which means it was the annual shading

2081
01:41:07,680 --> 01:41:09,719
Speaker 2: of Debora Lee time. But I want to say something,

2082
01:41:10,920 --> 01:41:14,680
Speaker 2: you guys black, you blacks, let me speak to you,

2083
01:41:15,240 --> 01:41:17,920
Speaker 2: like the tweet you blacks did a greater job this year,

2084
01:41:18,800 --> 01:41:21,519
Speaker 2: and y'all like, honestly, though, black people have consistently gotten

2085
01:41:21,600 --> 01:41:24,360
Speaker 2: better with stopping the shade of dever Lee because I

2086
01:41:24,439 --> 01:41:27,080
Speaker 2: always felt it was a little unfair, right. I always

2087
01:41:27,120 --> 01:41:29,360
Speaker 2: felt like they came at her like she wasn't a

2088
01:41:29,400 --> 01:41:32,560
Speaker 2: black woman. They came at her like the changes she

2089
01:41:32,720 --> 01:41:35,960
Speaker 2: made gradually to that network weren't for the best. Some

2090
01:41:36,080 --> 01:41:38,000
Speaker 2: of that stuff, like some of that stuff had to

2091
01:41:38,160 --> 01:41:40,719
Speaker 2: go it did, you know, Like I remember people getting

2092
01:41:40,720 --> 01:41:42,760
Speaker 2: mad at her for getting rid of Uncut. But it's like, dog,

2093
01:41:42,960 --> 01:41:46,360
Speaker 2: she want a serious network, you know, like MTV ain't

2094
01:41:46,360 --> 01:41:47,360
Speaker 2: got no version of Uncut.

2095
01:41:47,439 --> 01:41:48,479
Speaker 3: They come on three in the one.

2096
01:41:48,520 --> 01:41:50,360
Speaker 2: I know it's some black shit, but you know, like

2097
01:41:51,040 --> 01:41:54,960
Speaker 2: at some point this show, this network had to make

2098
01:41:55,040 --> 01:41:58,679
Speaker 2: some moves, you know. And she's been there for fucking

2099
01:41:58,800 --> 01:42:03,760
Speaker 2: twenty years, major corporation, and I'm glad to see people

2100
01:42:03,800 --> 01:42:07,040
Speaker 2: starting to give her some credit because black people were

2101
01:42:07,080 --> 01:42:09,479
Speaker 2: also blaming her for everything.

2102
01:42:09,080 --> 01:42:11,640
Speaker 1: Man beyond her control.

2103
01:42:11,520 --> 01:42:14,080
Speaker 3: Right, like, just shit, it's not like y'all got bought

2104
01:42:14,120 --> 01:42:16,519
Speaker 3: by vollkom yo dog. You gotta pay for something somehow.

2105
01:42:18,080 --> 01:42:20,120
Speaker 2: Even with this Award Show, man, I didn't even get

2106
01:42:20,200 --> 01:42:22,800
Speaker 2: into it for people being like, so, y'all give a

2107
01:42:22,920 --> 01:42:24,200
Speaker 2: chance of humanitarian the war, but.

2108
01:42:24,200 --> 01:42:25,320
Speaker 3: It's brought to you by Walmart.

2109
01:42:25,880 --> 01:42:28,200
Speaker 2: If Walmart got to put up some money for the charity,

2110
01:42:28,240 --> 01:42:31,080
Speaker 2: then yeah, it's brought to you by Walmart. If it's

2111
01:42:31,200 --> 01:42:33,120
Speaker 2: you know what I mean, like if because normally it's

2112
01:42:33,200 --> 01:42:34,760
Speaker 2: some money attached to that kind of shit.

2113
01:42:34,840 --> 01:42:37,439
Speaker 3: It's not like you know, people I wish they wouldn't

2114
01:42:37,439 --> 01:42:38,160
Speaker 3: have commercials.

2115
01:42:38,360 --> 01:42:42,640
Speaker 2: Well, it's not a free thing and it's not the Oscars,

2116
01:42:42,680 --> 01:42:45,880
Speaker 2: and it's not like they can't go into a fucking

2117
01:42:45,960 --> 01:42:49,559
Speaker 2: serious debt like that like fucking ABC or NBC does

2118
01:42:49,600 --> 01:42:52,240
Speaker 2: every year, Like the Award Show is gonna be the

2119
01:42:52,240 --> 01:42:53,800
Speaker 2: one of the most watch shows, and they do need

2120
01:42:53,840 --> 01:42:55,720
Speaker 2: to make a profit, and most of the commercials off

2121
01:42:55,760 --> 01:42:58,439
Speaker 2: of black shit, right, I know why shave Morsture ain't

2122
01:42:58,680 --> 01:43:04,479
Speaker 2: ad a what's going onf shut anyway, But yeah, man,

2123
01:43:04,560 --> 01:43:06,920
Speaker 2: it was like, you know, I was so happy to

2124
01:43:06,960 --> 01:43:08,240
Speaker 2: see her and not get shaded this year.

2125
01:43:09,720 --> 01:43:13,200
Speaker 3: And I'm sorry. This was for Chances award his Humanitarian Award.

2126
01:43:13,280 --> 01:43:13,799
Speaker 4: And then.

2127
01:43:17,760 --> 01:43:26,719
Speaker 3: The real floats came on the screen. Forever Lady gave

2128
01:43:27,280 --> 01:43:34,639
Speaker 3: a Chance the Rapper his award. She had one shoulder

2129
01:43:34,920 --> 01:43:35,599
Speaker 3: of her dress.

2130
01:43:35,600 --> 01:43:38,120
Speaker 2: Was hanging out like Barry had just walked up behind

2131
01:43:38,160 --> 01:43:43,320
Speaker 2: and kissed on the neck of her neck. And then

2132
01:43:43,400 --> 01:43:45,240
Speaker 2: Chance got up with his award and he preached and

2133
01:43:45,479 --> 01:43:48,320
Speaker 2: talked about how he's only twenty four. And I love

2134
01:43:48,400 --> 01:43:51,479
Speaker 2: what he said because two things out that struck me

2135
01:43:51,520 --> 01:43:53,320
Speaker 2: about speech. One he was talking about what he could

2136
01:43:53,320 --> 01:43:57,559
Speaker 2: have said, like we need the boycott. I forget which

2137
01:43:57,640 --> 01:44:01,800
Speaker 2: corporation it was because they didn't give money to the

2138
01:44:01,920 --> 01:44:02,960
Speaker 2: Chicago schools or.

2139
01:44:02,960 --> 01:44:05,000
Speaker 3: Something like that. Or he said, I could have got up.

2140
01:44:04,920 --> 01:44:07,920
Speaker 2: Here and said, you know this other political thing, but

2141
01:44:08,000 --> 01:44:12,240
Speaker 2: he said, actually, what I'm here, I'm here to say

2142
01:44:12,320 --> 01:44:15,000
Speaker 2: that I want to be a better person. I need to,

2143
01:44:15,040 --> 01:44:16,840
Speaker 2: he said, because we need to work on ourselves first.

2144
01:44:16,840 --> 01:44:18,720
Speaker 3: And at first I was like, don't say black on

2145
01:44:18,800 --> 01:44:20,320
Speaker 3: black ground, Like I thought he's gonna say something like that,

2146
01:44:20,400 --> 01:44:22,120
Speaker 3: but he was like, no, I want to be a

2147
01:44:22,200 --> 01:44:25,240
Speaker 3: better father. I want to be a better uncle to

2148
01:44:25,360 --> 01:44:28,040
Speaker 3: my nephews, a better cousin to my family members.

2149
01:44:28,400 --> 01:44:30,760
Speaker 2: I want to be a better man. I'm only twenty four.

2150
01:44:31,240 --> 01:44:33,000
Speaker 2: I don't know that I necessarily deserve this. He was

2151
01:44:33,040 --> 01:44:34,760
Speaker 2: the youngest person ever win. But he was like, I

2152
01:44:34,840 --> 01:44:37,000
Speaker 2: want to be worthy of this. I want to take

2153
01:44:37,520 --> 01:44:39,600
Speaker 2: the love that I've spread so far to just my

2154
01:44:39,760 --> 01:44:43,000
Speaker 2: city and make it global. I want to help everybody.

2155
01:44:43,320 --> 01:44:46,840
Speaker 4: And I was just like, he's such a pos right person.

2156
01:44:47,200 --> 01:44:51,120
Speaker 4: And the thing about Chance, like I said, I just

2157
01:44:51,520 --> 01:44:53,479
Speaker 4: I'm want of them people. But I just recently got

2158
01:44:53,560 --> 01:44:55,920
Speaker 4: introduced to Chance. I was like, like I said before,

2159
01:44:55,960 --> 01:44:58,840
Speaker 4: he's such a positive person, such a happy person.

2160
01:44:59,120 --> 01:45:01,280
Speaker 1: His album will lift your spirits.

2161
01:45:01,439 --> 01:45:06,760
Speaker 4: Like it's just happiness all around that dude, and not

2162
01:45:06,920 --> 01:45:09,000
Speaker 4: trying to be funny. For him to be twenty four,

2163
01:45:09,360 --> 01:45:12,760
Speaker 4: he has accomplished more than some people have in their lifetime.

2164
01:45:13,160 --> 01:45:16,439
Speaker 4: He gave a million dollars to the Chicago school systems

2165
01:45:16,520 --> 01:45:18,640
Speaker 4: and told them I want your shit to go to

2166
01:45:18,880 --> 01:45:21,120
Speaker 4: here here, here, I want your shit to go after school.

2167
01:45:21,640 --> 01:45:24,840
Speaker 4: He's actually doing tools. He's getting back to the community,

2168
01:45:25,400 --> 01:45:27,880
Speaker 4: like he start a nonprofit. This shit that I did

2169
01:45:27,960 --> 01:45:30,120
Speaker 4: not try funny. I know he did a lot, but

2170
01:45:30,280 --> 01:45:30,760
Speaker 4: I didn't know.

2171
01:45:30,840 --> 01:45:34,479
Speaker 1: He did this much. And he's one of those people

2172
01:45:34,520 --> 01:45:35,800
Speaker 1: where he's not just.

2173
01:45:35,920 --> 01:45:39,840
Speaker 4: Talking, he's doing and his actions behind what he does.

2174
01:45:40,040 --> 01:45:42,280
Speaker 4: And you have to you kind of have to give

2175
01:45:42,320 --> 01:45:44,000
Speaker 4: people praise when praise is due.

2176
01:45:43,880 --> 01:45:46,439
Speaker 1: To them and this and he deserved this in my

2177
01:45:46,600 --> 01:45:47,280
Speaker 1: personal opinion.

2178
01:45:47,600 --> 01:45:49,439
Speaker 3: Now I thought it was dope man. Yes, he just

2179
01:45:49,640 --> 01:45:52,720
Speaker 3: got good energy, man, Yes he does so. Yeah, he

2180
01:45:52,760 --> 01:45:54,719
Speaker 3: gave his speech. He was dope.

2181
01:45:56,560 --> 01:45:56,640
Speaker 1: Uh.

2182
01:45:56,800 --> 01:45:58,600
Speaker 2: And of course all the black people kept looking at

2183
01:45:58,640 --> 01:46:01,000
Speaker 2: the screen like he's was looking at that best by

2184
01:46:01,080 --> 01:46:05,360
Speaker 2: shirt waiting for Michelle to come back. But Maxwell performed,

2185
01:46:05,760 --> 01:46:09,040
Speaker 2: and I'm sorry, can't take Maxwell serious no more. After

2186
01:46:09,160 --> 01:46:12,519
Speaker 2: check the numbers, bitch g DM that he's saying, oh girl,

2187
01:46:12,680 --> 01:46:16,240
Speaker 2: like hey man, it's just it is what I can't stop.

2188
01:46:16,360 --> 01:46:18,600
Speaker 2: I can't ever think of Hell without being like you

2189
01:46:18,840 --> 01:46:23,120
Speaker 2: fucking phony, Like you know, it's one of his work

2190
01:46:23,120 --> 01:46:25,280
Speaker 2: because he sings so soft and cruder, and then it's

2191
01:46:25,400 --> 01:46:28,880
Speaker 2: just like he also set somebody idea talking about check

2192
01:46:28,920 --> 01:46:29,320
Speaker 2: the numbers.

2193
01:46:29,400 --> 01:46:31,560
Speaker 3: Bitch. I just can't take him seriously.

2194
01:46:31,200 --> 01:46:35,840
Speaker 1: Man, and my up with Maxwell Gifts mm hmmm.

2195
01:46:36,680 --> 01:46:39,759
Speaker 2: Uh Tyres got up and tried to do some religious

2196
01:46:39,800 --> 01:46:41,200
Speaker 2: stuff but he ain't no chance.

2197
01:46:42,400 --> 01:46:45,160
Speaker 3: I was just happy he didn't start off with lateis so.

2198
01:46:46,800 --> 01:46:46,920
Speaker 1: Uh.

2199
01:46:47,160 --> 01:46:51,360
Speaker 3: Then they did a tribute to George Michael. It was

2200
01:46:51,479 --> 01:46:51,880
Speaker 3: really good.

2201
01:46:51,920 --> 01:46:54,080
Speaker 2: Elder Barge came out and sang and I said, yes,

2202
01:46:54,280 --> 01:47:01,920
Speaker 2: another year sober. And then uh, that's when they did

2203
01:47:02,000 --> 01:47:05,320
Speaker 2: a dope ass tribute to New Audition where they had

2204
01:47:05,360 --> 01:47:07,200
Speaker 2: all the kids from the movie come out saying both

2205
01:47:07,280 --> 01:47:11,760
Speaker 2: generations and then actually like it was a long ass

2206
01:47:11,920 --> 01:47:14,880
Speaker 2: delayed where everybody was like because New Auditions accepted the award,

2207
01:47:15,280 --> 01:47:17,320
Speaker 2: they were like, what the what's taking so long? And

2208
01:47:17,439 --> 01:47:20,880
Speaker 2: Leslie Jones wasn't out there and it was just quiet

2209
01:47:20,920 --> 01:47:22,400
Speaker 2: and silent. I think it was supposed to take a

2210
01:47:22,400 --> 01:47:25,639
Speaker 2: lot shorter than it did, but uh yeah, New Audition

2211
01:47:25,720 --> 01:47:27,960
Speaker 2: got up and then they performed, and then they performed

2212
01:47:28,000 --> 01:47:30,800
Speaker 2: with all three generations, with the kids and the and

2213
01:47:31,160 --> 01:47:35,320
Speaker 2: with the kids, the middle age, New Audition from the

2214
01:47:35,640 --> 01:47:39,160
Speaker 2: from the from the mini series, and then the actual

2215
01:47:39,280 --> 01:47:41,920
Speaker 2: new audition like the old dudes.

2216
01:47:42,080 --> 01:47:47,560
Speaker 3: And let me tell you something, Ralph treansvant.

2217
01:47:50,200 --> 01:47:53,919
Speaker 2: Ralph looked like I was rooting for Ralph like Pookie

2218
01:47:54,400 --> 01:47:56,080
Speaker 2: doing jumping jacks in the carter.

2219
01:47:56,720 --> 01:48:04,400
Speaker 3: Because he looked he uh, he like I don't want

2220
01:48:04,439 --> 01:48:06,920
Speaker 3: to hang with old Eddie Kane. Like he looked like that, y'all.

2221
01:48:07,200 --> 01:48:08,920
Speaker 1: It was not.

2222
01:48:10,760 --> 01:48:15,240
Speaker 3: It was not good. I mean he had a hat on.

2223
01:48:15,720 --> 01:48:19,320
Speaker 1: He had I didn't even that was him at first.

2224
01:48:19,479 --> 01:48:22,880
Speaker 3: Right, I was like, I hope everything okay with him.

2225
01:48:23,040 --> 01:48:26,719
Speaker 1: You know, right, And the thing is normally everybody's about Bobby.

2226
01:48:26,920 --> 01:48:29,040
Speaker 4: But the thing about Bobby, Bobby knew his spot because

2227
01:48:29,240 --> 01:48:31,160
Speaker 4: I don't know if people knew on the low when

2228
01:48:31,200 --> 01:48:32,320
Speaker 4: they did certain things.

2229
01:48:32,600 --> 01:48:35,320
Speaker 1: Bobby took his ass off stage and was like, okay,

2230
01:48:35,560 --> 01:48:38,080
Speaker 1: now I can do this. The rest of that shit.

2231
01:48:37,920 --> 01:48:40,080
Speaker 2: Wins me out, yeah, because last time we saw we

2232
01:48:40,200 --> 01:48:41,960
Speaker 2: passed out. And I'm like, we all just rooting for

2233
01:48:42,040 --> 01:48:43,000
Speaker 2: Bobby not to pass out.

2234
01:48:43,000 --> 01:48:44,320
Speaker 3: At this point, I was like, no, I.

2235
01:48:44,400 --> 01:48:47,120
Speaker 4: Know my cue here, Okay, I do it hot five minutes,

2236
01:48:47,479 --> 01:48:49,320
Speaker 4: take a ten minute break, all right, I'm back for

2237
01:48:49,400 --> 01:48:50,000
Speaker 4: the two steps.

2238
01:48:50,040 --> 01:48:52,200
Speaker 2: And then after they had everybody on stage, they reminded

2239
01:48:52,240 --> 01:48:54,280
Speaker 2: me of the greatest R and B group of all time.

2240
01:48:54,360 --> 01:48:55,680
Speaker 3: Of course Boys twelve.

2241
01:48:56,800 --> 01:48:58,360
Speaker 1: Yes, Boys twelve.

2242
01:48:58,880 --> 01:49:01,920
Speaker 4: And it was was so beautiful to see them at all,

2243
01:49:02,160 --> 01:49:05,120
Speaker 4: that it was literally white across the stage and it

2244
01:49:05,240 --> 01:49:07,840
Speaker 4: was choreographed that it was.

2245
01:49:08,000 --> 01:49:08,959
Speaker 1: Really really beautiful.

2246
01:49:09,280 --> 01:49:13,040
Speaker 3: Kendrick won an award. Then east Ray came out looking delicious.

2247
01:49:14,240 --> 01:49:16,840
Speaker 2: Mc light introduced her as Yard Saedi at first, and

2248
01:49:16,960 --> 01:49:26,040
Speaker 2: I'm like, oh, but oh man Ray, so I.

2249
01:49:26,120 --> 01:49:28,519
Speaker 3: Remember I said I thought she was fine last year.

2250
01:49:28,640 --> 01:49:30,760
Speaker 2: Some dude I had to block him on Twitter because

2251
01:49:30,960 --> 01:49:32,680
Speaker 2: I don't think so she looked like nigga, get the

2252
01:49:32,720 --> 01:49:33,760
Speaker 2: fuck out, don't care what you think.

2253
01:49:33,840 --> 01:49:37,479
Speaker 3: Her skin is motherfucking flawless number one, ain't she?

2254
01:49:37,920 --> 01:49:41,560
Speaker 2: Oh my god, she find as fuck Anyway, Uh, she

2255
01:49:41,760 --> 01:49:44,320
Speaker 2: was up there representing the or looking like a snack

2256
01:49:44,400 --> 01:49:49,639
Speaker 2: of course, and uh they went from like I want

2257
01:49:49,680 --> 01:49:55,799
Speaker 2: to say they honored, Uh I forget who they honored,

2258
01:49:56,000 --> 01:50:01,519
Speaker 2: but I forget they honored. But it was like another

2259
01:50:02,479 --> 01:50:05,439
Speaker 2: another jam, which it was funny because it's like I

2260
01:50:05,520 --> 01:50:10,160
Speaker 2: remember earlier they had honored women and then went to like, uh, who.

2261
01:50:10,120 --> 01:50:11,120
Speaker 3: Was it was the future?

2262
01:50:11,360 --> 01:50:13,599
Speaker 2: It was somebody where we was like Chris Brown, maybe

2263
01:50:13,760 --> 01:50:15,200
Speaker 2: was like, I think that's what. Maybe it was Chris

2264
01:50:15,280 --> 01:50:19,320
Speaker 2: Brown Reform, whatever it was. It was like whatever, Oh, anyway,

2265
01:50:20,280 --> 01:50:24,360
Speaker 2: Beyonce won an award and then she sent her twins

2266
01:50:24,439 --> 01:50:26,759
Speaker 2: from the future to accept the water on her behalf.

2267
01:50:26,840 --> 01:50:29,680
Speaker 3: It was amazing, you just like her. I said, Oh

2268
01:50:29,760 --> 01:50:33,519
Speaker 3: my god, she's she time. She has a time machine.

2269
01:50:34,200 --> 01:50:36,439
Speaker 2: It explained so much about her, how she's able to

2270
01:50:36,479 --> 01:50:38,480
Speaker 2: handle her business so efficiently.

2271
01:50:38,760 --> 01:50:42,320
Speaker 3: She's been making her albums in the future. That's why

2272
01:50:42,560 --> 01:50:44,799
Speaker 3: you never hear it, never leaks and drops.

2273
01:50:45,120 --> 01:50:47,400
Speaker 2: She already made that, she made the album years from now,

2274
01:50:47,920 --> 01:50:49,800
Speaker 2: and then she bring the album back to the past.

2275
01:50:49,800 --> 01:50:53,519
Speaker 2: It's a full proof way to handle the ship. It's amazing.

2276
01:50:53,640 --> 01:50:56,280
Speaker 2: It's anyway they came out. Actually, I think it was

2277
01:50:56,400 --> 01:50:59,280
Speaker 2: like those uh, those two girls that she that she

2278
01:50:59,360 --> 01:51:03,439
Speaker 2: has on her labe, which I can't remember the names right.

2279
01:51:03,400 --> 01:51:06,320
Speaker 4: Now, but and I feel like beyonceply y'all speaking on

2280
01:51:06,400 --> 01:51:06,880
Speaker 4: her behalf.

2281
01:51:07,120 --> 01:51:08,920
Speaker 3: Yeah. Well, you know what I thought was cool was

2282
01:51:09,800 --> 01:51:12,200
Speaker 3: they didn't get to perform this year. She found a

2283
01:51:12,200 --> 01:51:13,080
Speaker 3: way to get him on stage.

2284
01:51:14,200 --> 01:51:16,439
Speaker 2: Remy My won an award and she came up and

2285
01:51:16,880 --> 01:51:20,160
Speaker 2: her first words were, are you dumb? And then she

2286
01:51:20,640 --> 01:51:25,000
Speaker 2: uh rapped for all of the Bronx and then dropped

2287
01:51:25,360 --> 01:51:28,920
Speaker 2: several lines of Sheitha and I was like, so she

2288
01:51:29,000 --> 01:51:29,840
Speaker 2: didn't get to perform it.

2289
01:51:29,960 --> 01:51:35,200
Speaker 3: I was right. Then dj Kla performed. He had earmups

2290
01:51:35,240 --> 01:51:36,000
Speaker 3: on this little baby.

2291
01:51:36,920 --> 01:51:41,960
Speaker 1: I don't his baby is so precious, Like.

2292
01:51:43,600 --> 01:51:47,960
Speaker 4: I love the way niggas get their kids on because

2293
01:51:48,000 --> 01:51:50,240
Speaker 4: he was like, oh, my baby going to executive produce

2294
01:51:50,320 --> 01:51:53,320
Speaker 4: this shiit, My my baby gonna make money before he

2295
01:51:53,479 --> 01:51:54,080
Speaker 4: turned one.

2296
01:51:55,840 --> 01:51:58,080
Speaker 1: And it's one of those things where.

2297
01:51:58,479 --> 01:52:01,920
Speaker 4: And he had no baby powder blue suit and they

2298
01:52:02,000 --> 01:52:03,360
Speaker 4: had like a picture of him and his dad in

2299
01:52:03,439 --> 01:52:04,120
Speaker 4: the same outfit.

2300
01:52:04,600 --> 01:52:06,880
Speaker 3: No, it wasn't his daddy, it was him and Gucci

2301
01:52:06,960 --> 01:52:07,840
Speaker 3: man had the same outfit.

2302
01:52:08,600 --> 01:52:10,519
Speaker 1: Oh no, he had one with his baby in him.

2303
01:52:11,000 --> 01:52:12,680
Speaker 1: Well it might not have been for the award show, but.

2304
01:52:12,680 --> 01:52:15,680
Speaker 2: I see, yeah, I was gonna say, because that cal

2305
01:52:15,760 --> 01:52:16,800
Speaker 2: It didn't wear tucks.

2306
01:52:16,840 --> 01:52:18,320
Speaker 3: He had jacking suits on all night.

2307
01:52:18,640 --> 01:52:20,960
Speaker 4: Yeah, so this picture might have been taken like beforehand,

2308
01:52:21,040 --> 01:52:23,200
Speaker 4: but the baby had that same outfit on, and he

2309
01:52:23,320 --> 01:52:25,479
Speaker 4: had an outfit on just like it.

2310
01:52:25,520 --> 01:52:27,400
Speaker 1: The name matched, and it was so.

2311
01:52:29,240 --> 01:52:32,560
Speaker 4: It was so precious and that little baby was everything.

2312
01:52:33,080 --> 01:52:35,559
Speaker 4: And I was like, how can you hate on this dude.

2313
01:52:35,600 --> 01:52:37,760
Speaker 4: This dude is just so happy and just green DJ

2314
01:52:37,920 --> 01:52:39,439
Speaker 4: called Yeah, I.

2315
01:52:39,479 --> 01:52:41,799
Speaker 3: Thought it was dope, the performance and everything.

2316
01:52:43,200 --> 01:52:45,720
Speaker 2: You know, another non black person fucking with us that

2317
01:52:46,439 --> 01:52:49,120
Speaker 2: you know, we give him love back, you know.

2318
01:52:50,840 --> 01:52:51,960
Speaker 3: Chad Hanks was there.

2319
01:52:53,400 --> 01:52:56,240
Speaker 2: And Erv Gotti was promoting some type of movie, some

2320
01:52:56,400 --> 01:53:00,400
Speaker 2: type of show called Tails where I guess they tell

2321
01:53:00,520 --> 01:53:04,400
Speaker 2: stories from hip hop's but hip hop songs but making

2322
01:53:04,400 --> 01:53:06,840
Speaker 2: it in the whole lass shows or whatever.

2323
01:53:07,800 --> 01:53:08,320
Speaker 1: Confused.

2324
01:53:08,880 --> 01:53:10,120
Speaker 3: I was also so confused.

2325
01:53:10,400 --> 01:53:14,600
Speaker 2: I wanted to be uh, but yeah, he also had

2326
01:53:14,680 --> 01:53:16,920
Speaker 2: chat Hayks up there, but he also had Tammy Rivera

2327
01:53:17,040 --> 01:53:20,439
Speaker 2: up there with a fine ass. Oh Walker, you fool

2328
01:53:20,760 --> 01:53:25,360
Speaker 2: you poor food anyway she is, but you know what,

2329
01:53:25,479 --> 01:53:26,880
Speaker 2: she stayed, So maybe I'm stupid.

2330
01:53:26,920 --> 01:53:29,280
Speaker 3: Maybe Walker new this doing. I don't know. Anyway, So

2331
01:53:29,920 --> 01:53:35,360
Speaker 3: that happened, and then what else happened. Scissor performed. She

2332
01:53:35,520 --> 01:53:39,880
Speaker 3: got to perform two songs, and uh, she was.

2333
01:53:39,960 --> 01:53:42,000
Speaker 1: That was my first time actually ever hearing her and

2334
01:53:42,479 --> 01:53:43,439
Speaker 1: she was so smooth.

2335
01:53:43,840 --> 01:53:47,559
Speaker 3: Yeah, she got compared to Erica Badu. By the way.

2336
01:53:47,640 --> 01:53:49,240
Speaker 3: This is when it was going in the overtime, like

2337
01:53:49,400 --> 01:53:53,280
Speaker 3: we was over the eleven thirty deadline. Yeah, quite some time.

2338
01:53:53,439 --> 01:53:55,920
Speaker 4: This shit was happening on the West coast. Were on

2339
01:53:56,040 --> 01:53:58,400
Speaker 4: East coast time, so you know their time. It's like

2340
01:53:58,520 --> 01:53:59,120
Speaker 4: nine o'clock.

2341
01:54:00,040 --> 01:54:01,400
Speaker 1: Niggas put Midnight over Hill.

2342
01:54:01,600 --> 01:54:04,639
Speaker 3: Right, but she performed. Uh, she was dope.

2343
01:54:05,280 --> 01:54:05,360
Speaker 4: Uh.

2344
01:54:05,560 --> 01:54:06,840
Speaker 3: My favorite thing about.

2345
01:54:08,720 --> 01:54:11,599
Speaker 2: Her was her hair was just like her was so huge.

2346
01:54:11,920 --> 01:54:14,400
Speaker 2: But yeah, somebody compared her to Mary J.

2347
01:54:14,600 --> 01:54:15,040
Speaker 3: Blige.

2348
01:54:15,320 --> 01:54:18,960
Speaker 2: I mean no to Ericabadu, and Ericabadu retweeted it was

2349
01:54:19,000 --> 01:54:19,639
Speaker 2: like sow down.

2350
01:54:19,920 --> 01:54:23,400
Speaker 3: I was like, Eric's so shady for no reason. Everybody

2351
01:54:23,560 --> 01:54:30,479
Speaker 3: love that girl. Let's see what else happened. I wanna

2352
01:54:30,479 --> 01:54:32,640
Speaker 3: say that was pretty much the end. I can't remember if.

2353
01:54:32,560 --> 01:54:35,960
Speaker 2: Anybody performed after her, but it was basically trying to

2354
01:54:36,000 --> 01:54:40,080
Speaker 2: wrap up and uh get I think Chance performed with

2355
01:54:40,200 --> 01:54:42,720
Speaker 2: Kyle It so yeah, that was about it.

2356
01:54:42,880 --> 01:54:43,080
Speaker 4: Man.

2357
01:54:43,960 --> 01:54:46,440
Speaker 3: Then they had the after part and apparently niggas was fighting.

2358
01:54:47,120 --> 01:54:48,080
Speaker 1: Oh I didn't see none of this.

2359
01:54:49,000 --> 01:54:51,240
Speaker 2: Yeah, well, I mean they didn't show I don't think

2360
01:54:51,280 --> 01:54:55,840
Speaker 2: they showed it on TV. Oh, Chris Brown and Amigos

2361
01:54:56,080 --> 01:54:59,520
Speaker 2: allegedly fault. Joe Budden allegedly got beat up out of Migos,

2362
01:54:59,520 --> 01:55:00,720
Speaker 2: So I guess the Migos.

2363
01:55:00,560 --> 01:55:02,080
Speaker 3: Just came to hand out fades.

2364
01:55:03,000 --> 01:55:07,720
Speaker 2: Oh lord, right, it was like, I guess it's out

2365
01:55:07,720 --> 01:55:15,960
Speaker 2: there like uh rain rain drop, elbow drop hitting on

2366
01:55:16,000 --> 01:55:18,080
Speaker 2: the two pieces in the top top.

2367
01:55:19,960 --> 01:55:24,840
Speaker 1: Uh you went ready with the pop pop. Yeah.

2368
01:55:24,920 --> 01:55:28,040
Speaker 2: They they fucked. Apparently they beat up. I didn't even

2369
01:55:28,080 --> 01:55:30,280
Speaker 2: see the videos or whatever. I don't even know what happened,

2370
01:55:30,280 --> 01:55:32,880
Speaker 2: to be honest, I know this is horrible reporting. I

2371
01:55:32,920 --> 01:55:35,200
Speaker 2: wouldn't watch Legends of Chamber of Heights after this ship,

2372
01:55:35,280 --> 01:55:35,920
Speaker 2: so I missed it.

2373
01:55:36,040 --> 01:55:37,960
Speaker 3: If it was live, I didn't see it.

2374
01:55:38,480 --> 01:55:40,760
Speaker 4: It was just stuff coming out of our camps and

2375
01:55:41,080 --> 01:55:43,280
Speaker 4: Legends of Chamber of Height day Twitter was lit.

2376
01:55:43,400 --> 01:55:46,960
Speaker 1: Whoever runs that candle is black because.

2377
01:55:46,680 --> 01:55:48,840
Speaker 4: They had their best gifts and they between right along

2378
01:55:48,880 --> 01:55:49,560
Speaker 4: with everybody else.

2379
01:55:50,120 --> 01:55:52,920
Speaker 3: Mm hm they had the net turn up. Anyway, it

2380
01:55:53,000 --> 01:55:53,200
Speaker 3: was good.

2381
01:55:53,280 --> 01:55:53,440
Speaker 1: Y'all.

2382
01:55:53,480 --> 01:55:55,280
Speaker 2: Should all be watching Legends Chamber on Heights if you

2383
01:55:56,480 --> 01:55:59,840
Speaker 2: aren't too easily offended, you know, uh at any rate man.

2384
01:56:01,200 --> 01:56:01,440
Speaker 1: Yeah.

2385
01:56:01,600 --> 01:56:11,160
Speaker 2: Allegedly after this joint, Chris Brown recently ordered to go

2386
01:56:11,440 --> 01:56:14,440
Speaker 2: that way whenever Carucci is around. It's seen obviously what

2387
01:56:14,560 --> 01:56:16,760
Speaker 2: that tensions wild bubble over between him and her new

2388
01:56:16,800 --> 01:56:19,040
Speaker 2: book Quevo and his Migo's crew, and that's exactly what

2389
01:56:19,120 --> 01:56:21,400
Speaker 2: happened at the BET Awards at the event, according to

2390
01:56:21,440 --> 01:56:23,560
Speaker 2: TMZ reports that Outlie spoke the guests at the event,

2391
01:56:23,640 --> 01:56:25,520
Speaker 2: who say Breezy was just finishing the premiere of his

2392
01:56:25,640 --> 01:56:28,720
Speaker 2: video with Future at the party hell near Microsoft Theater

2393
01:56:28,880 --> 01:56:30,920
Speaker 2: with when Migos entered the event at the same time.

2394
01:56:31,120 --> 01:56:34,160
Speaker 2: At as a group near Chriss entage, folks got a

2395
01:56:34,200 --> 01:56:37,480
Speaker 2: little testy. Things escalated after sources say someone in Chris's

2396
01:56:37,560 --> 01:56:41,320
Speaker 2: crew pushed Quavo. Another group member reportedly jumped in before

2397
01:56:41,400 --> 01:56:44,920
Speaker 2: catching the fist from someone else. Chris Brown stayed cool

2398
01:56:45,080 --> 01:56:48,200
Speaker 2: throughout it all, continue walking, but witnesses claimed the Migos

2399
01:56:48,240 --> 01:56:50,080
Speaker 2: and their crew follow him to his car, where he

2400
01:56:50,240 --> 01:56:53,800
Speaker 2: was surrounded. Chris eventually left, but things were decided definitely heated.

2401
01:56:54,160 --> 01:56:59,080
Speaker 2: By the time police arrived, both crews had departed. Yeah,

2402
01:56:59,160 --> 01:57:01,560
Speaker 2: I'll say this, man, and I saw people talking about

2403
01:57:01,600 --> 01:57:04,680
Speaker 2: this and this morning and whatever the fuck happened with

2404
01:57:04,800 --> 01:57:07,800
Speaker 2: Joe Budden this morning and shit, and they was just

2405
01:57:07,880 --> 01:57:11,120
Speaker 2: all these big words and talking about you know, toxic

2406
01:57:11,240 --> 01:57:16,720
Speaker 2: masculinity and you know, just like I'm not saying they

2407
01:57:16,720 --> 01:57:20,760
Speaker 2: were wrong or nothing, but I'm not wasting my big

2408
01:57:20,880 --> 01:57:25,040
Speaker 2: words on these niggas, like them niggas was fighting okay,

2409
01:57:26,680 --> 01:57:28,960
Speaker 2: Like you know, I'm sure it's emblematic of a lot

2410
01:57:29,000 --> 01:57:30,040
Speaker 2: of shit and it's.

2411
01:57:29,960 --> 01:57:32,640
Speaker 3: Deep on some level, but I'm not getting deep for

2412
01:57:32,680 --> 01:57:33,200
Speaker 3: them niggas.

2413
01:57:33,280 --> 01:57:37,360
Speaker 2: Them niggas are not worth dissecting all that shit because

2414
01:57:37,640 --> 01:57:40,560
Speaker 2: all of the motherfuckers got some type of problematic shit

2415
01:57:40,640 --> 01:57:43,840
Speaker 2: going on with them in some way. So I was

2416
01:57:43,920 --> 01:57:46,440
Speaker 2: just like, yeah, I get it, y'all can write the

2417
01:57:46,560 --> 01:57:49,840
Speaker 2: long gas pieces and threads and shit. I was like,

2418
01:57:50,080 --> 01:57:53,960
Speaker 2: I'm I'm checking out at fades will handed out and

2419
01:57:54,480 --> 01:57:56,080
Speaker 2: that's about as funny as it's gonna get.

2420
01:57:56,920 --> 01:57:57,120
Speaker 1: You know.

2421
01:57:58,440 --> 01:58:02,240
Speaker 2: Glad nobody got killed or anything behind them. Glad everybody's safe.

2422
01:58:03,080 --> 01:58:05,440
Speaker 3: Uh, but that's it for me.

2423
01:58:05,760 --> 01:58:09,880
Speaker 2: You won't catch me out here. Uh, Caping for anybody involved.

2424
01:58:09,920 --> 01:58:13,640
Speaker 2: I've seen people caving, you know, for Joe Budden, caving

2425
01:58:13,760 --> 01:58:17,320
Speaker 2: for Chris Brown, was like, none of this shit matters,

2426
01:58:17,440 --> 01:58:18,200
Speaker 2: is that important?

2427
01:58:18,400 --> 01:58:21,200
Speaker 3: So uh but yeah, sorry to not have all the

2428
01:58:21,280 --> 01:58:25,400
Speaker 3: detailed y'all, but I really just laughed and moved the

2429
01:58:25,440 --> 01:58:29,000
Speaker 3: fuck on, like you know. And that's the thing.

2430
01:58:29,120 --> 01:58:32,960
Speaker 2: You know, Joe and them do that podcast and they

2431
01:58:33,080 --> 01:58:36,640
Speaker 2: talk a lot of shit, you know, that's his brandy.

2432
01:58:36,720 --> 01:58:39,520
Speaker 2: You never know when the fuck like these these niggas

2433
01:58:39,520 --> 01:58:42,840
Speaker 2: who they talking about probably listening to them shows and

2434
01:58:42,920 --> 01:58:46,240
Speaker 2: they probably you know, rappers and it's all.

2435
01:58:46,160 --> 01:58:46,880
Speaker 1: That e on shit.

2436
01:58:46,960 --> 01:58:49,440
Speaker 3: Man, they probably it's probably a few people.

2437
01:58:49,240 --> 01:58:51,480
Speaker 2: That got fade on site orders for that dude or

2438
01:58:51,520 --> 01:58:54,760
Speaker 2: because offer some shit that he said. Because as much

2439
01:58:54,800 --> 01:58:57,120
Speaker 2: as men try to claim to be above it, niggas

2440
01:58:57,160 --> 01:58:58,120
Speaker 2: are very emotional.

2441
01:58:58,600 --> 01:59:01,000
Speaker 3: They are very easily moved with the violence and shit,

2442
01:59:02,520 --> 01:59:02,720
Speaker 3: you know.

2443
01:59:03,000 --> 01:59:05,960
Speaker 2: So I'm surprised I mostly took that long for somebody

2444
01:59:06,000 --> 01:59:09,040
Speaker 2: to try to to to put hands on him or

2445
01:59:09,160 --> 01:59:12,560
Speaker 2: academics of any of them dudes, because all the motherfuckers

2446
01:59:12,640 --> 01:59:15,200
Speaker 2: are super fucking sensitive while trying to pretend to be

2447
01:59:15,320 --> 01:59:18,640
Speaker 2: the most macho, brave motherfuckers on the earth, and they

2448
01:59:18,800 --> 01:59:22,280
Speaker 2: all step over the line and talk shit about each

2449
01:59:22,280 --> 01:59:25,240
Speaker 2: other all the time. So it was just a matter

2450
01:59:25,280 --> 01:59:27,400
Speaker 2: of time that somebody was just like, man, I'm willing

2451
01:59:27,480 --> 01:59:32,600
Speaker 2: to catch a case for this shit. So yeah, all right,

2452
01:59:33,120 --> 01:59:36,920
Speaker 2: let's see what else we can do, because that's that's

2453
01:59:36,960 --> 01:59:41,360
Speaker 2: pretty much all I wanted to do today, was anything else. Uh,

2454
01:59:42,600 --> 01:59:44,840
Speaker 2: I guess we can do a little bit of because

2455
01:59:44,880 --> 01:59:46,320
Speaker 2: I feel like I don't feel like doing any more

2456
01:59:46,320 --> 01:59:50,640
Speaker 2: fucker with black people think that Bruno Mars didn't counts. Yeah,

2457
01:59:50,640 --> 01:59:52,879
Speaker 2: I'll say one hundred, but only because of the phrasing

2458
01:59:54,880 --> 01:59:57,080
Speaker 2: of the first like the way that it was praised,

2459
01:59:57,080 --> 01:59:59,080
Speaker 2: Because I really feel like there's a way to express

2460
01:59:59,120 --> 02:00:03,160
Speaker 2: exactly what that lady was saying, and people would not

2461
02:00:03,400 --> 02:00:07,280
Speaker 2: take a fits to it as much because it wouldn't

2462
02:00:07,360 --> 02:00:11,440
Speaker 2: indict and point at them as like the problem. And

2463
02:00:12,240 --> 02:00:15,080
Speaker 2: I think we can all agree at least that white

2464
02:00:15,080 --> 02:00:16,440
Speaker 2: people's consumption of our.

2465
02:00:16,320 --> 02:00:19,240
Speaker 3: Ship is always gonna be filled with problems.

2466
02:00:19,480 --> 02:00:19,640
Speaker 4: You know.

2467
02:00:20,160 --> 02:00:23,600
Speaker 2: That's why we really can't look at them to validate shit. Uh,

2468
02:00:24,120 --> 02:00:25,920
Speaker 2: all right, So maybe we'll do some guests the race.

2469
02:00:26,080 --> 02:00:26,560
Speaker 2: How about that?

2470
02:00:26,720 --> 02:00:32,040
Speaker 3: Guys? Uh, here we go, Now that it is time

2471
02:00:32,160 --> 02:00:36,000
Speaker 3: for some guests the race. That's right, it's guests the

2472
02:00:36,280 --> 02:00:40,680
Speaker 3: race time. Now that it is time for some guests

2473
02:00:40,760 --> 02:00:47,080
Speaker 3: the race. That's right, it's guess the race time. That's right.

2474
02:00:47,160 --> 02:00:51,160
Speaker 3: It's gus, it's time or guess the race the only game.

2475
02:00:52,040 --> 02:00:54,720
Speaker 2: And we go around and we find differs all over

2476
02:00:54,760 --> 02:00:57,680
Speaker 2: the globe, and we asked our contest its day Canon

2477
02:00:57,760 --> 02:01:00,560
Speaker 2: chat Real to guess the race. Other people in and

2478
02:01:01,480 --> 02:01:05,480
Speaker 2: they're all racists. All right, let's get into this. A

2479
02:01:05,600 --> 02:01:09,360
Speaker 2: woman was paralyzed after ergaism during sex cause of brain hemorrhage.

2480
02:01:10,200 --> 02:01:13,880
Speaker 2: What yeah, this is a y'all always get on us

2481
02:01:14,000 --> 02:01:16,560
Speaker 2: men for you know, you didn't make me come. Well,

2482
02:01:16,600 --> 02:01:17,880
Speaker 2: maybe we're trying to save your life.

2483
02:01:17,920 --> 02:01:20,600
Speaker 3: Okay. Maybe we're trying to keep you from getting hurt.

2484
02:01:20,680 --> 02:01:24,000
Speaker 2: Okay, maybe that's why we're only taking two three minutes,

2485
02:01:24,600 --> 02:01:26,480
Speaker 2: you know, a couple of strokes and we just like,

2486
02:01:26,640 --> 02:01:28,280
Speaker 2: let me stop because I don't want nothing to happen

2487
02:01:28,360 --> 02:01:31,200
Speaker 2: to you, you know, So we got the We got

2488
02:01:31,280 --> 02:01:35,320
Speaker 2: to ease up, right, Fellas, next time your woman said something,

2489
02:01:35,440 --> 02:01:40,000
Speaker 2: just make sure y'all tell about this cautionary tale before

2490
02:01:40,040 --> 02:01:41,320
Speaker 2: you ask her to make you a sandwich.

2491
02:01:43,880 --> 02:01:46,360
Speaker 3: This is what we need to do. Think uh, I

2492
02:01:46,440 --> 02:01:47,800
Speaker 3: think we can all agree, can right?

2493
02:01:49,120 --> 02:01:49,600
Speaker 1: Mm hmmm.

2494
02:01:50,560 --> 02:01:52,720
Speaker 3: So you're a risk you're gonna make daddy sand So

2495
02:01:52,880 --> 02:01:55,080
Speaker 3: you make daddy your sandwich. Daddy want a sandwich, I'm

2496
02:01:55,080 --> 02:01:58,040
Speaker 3: gonna make daddy your sandwich. You're gonna risk permanent injury

2497
02:01:58,720 --> 02:02:01,920
Speaker 3: for a damn or gas really caring?

2498
02:02:02,240 --> 02:02:02,520
Speaker 1: Wow?

2499
02:02:03,080 --> 02:02:07,520
Speaker 3: I well, I will take no parts of it. I'll

2500
02:02:07,920 --> 02:02:10,040
Speaker 3: never again, never again.

2501
02:02:11,080 --> 02:02:13,360
Speaker 2: Well, it's only gonna be one person coming in this

2502
02:02:13,440 --> 02:02:17,320
Speaker 2: house from now on because I have to worry about

2503
02:02:17,360 --> 02:02:20,440
Speaker 2: you and keep you safe. Fellas, let's all take a

2504
02:02:20,560 --> 02:02:24,680
Speaker 2: vow to keep the women in our lives safe. Everyone

2505
02:02:24,720 --> 02:02:28,200
Speaker 2: who has sex with women leads with everybody you're having

2506
02:02:28,240 --> 02:02:31,680
Speaker 2: sex with women. It's time to make a vow. No

2507
02:02:31,880 --> 02:02:37,240
Speaker 2: more orgasms, ladies, put the clutors down. No more orgasms

2508
02:02:37,280 --> 02:02:42,280
Speaker 2: for y'all. Lissenda Allen from Sturbridge is now confined to

2509
02:02:42,320 --> 02:02:44,840
Speaker 2: a wheelchair to become paralyzed down the left hand side

2510
02:02:44,840 --> 02:02:47,320
Speaker 2: of her body after headache during sex left her agony.

2511
02:02:48,240 --> 02:02:50,280
Speaker 2: Oh so this is one of those not tonight, I

2512
02:02:50,360 --> 02:02:51,880
Speaker 2: have a headache and he was like, I don't give

2513
02:02:51,920 --> 02:02:53,880
Speaker 2: a fuck, and now look what y'all did.

2514
02:02:54,600 --> 02:02:55,520
Speaker 3: Take it serious, y'all.

2515
02:02:56,240 --> 02:02:58,160
Speaker 2: The forty three year old, who was pregnant at the time,

2516
02:02:58,360 --> 02:03:00,480
Speaker 2: was rushed at the hospital, putt in a coma while

2517
02:03:00,560 --> 02:03:04,000
Speaker 2: doctors performed a craneatomy to leave pressure on her brain.

2518
02:03:04,080 --> 02:03:05,760
Speaker 2: Six days later, she was working from the coma to

2519
02:03:05,800 --> 02:03:08,080
Speaker 2: find out her baby was unharmed. Three months later, she

2520
02:03:08,120 --> 02:03:10,760
Speaker 2: gave birth to Mary Alice. She helps the still cell

2521
02:03:10,880 --> 02:03:13,920
Speaker 2: therapy may one day help a regame movement, but in

2522
02:03:14,000 --> 02:03:16,440
Speaker 2: the meantime, she wants to raise awareness about the potential

2523
02:03:16,480 --> 02:03:18,240
Speaker 2: warning signs of headaches during sex.

2524
02:03:19,360 --> 02:03:21,520
Speaker 3: Nobody talks about post orgasm head pains.

2525
02:03:21,600 --> 02:03:24,320
Speaker 2: She said, that's understandable, but I want to raise awareness

2526
02:03:24,400 --> 02:03:26,480
Speaker 2: of how it could be a warning sign. Because of it,

2527
02:03:26,760 --> 02:03:29,480
Speaker 2: I've lost a huge part of me, my career, any

2528
02:03:29,520 --> 02:03:32,240
Speaker 2: siblings my daughter may have had. Lucinda had five strokes

2529
02:03:32,280 --> 02:03:35,400
Speaker 2: in total that doctors believe were caused by congenital abnorm

2530
02:03:36,080 --> 02:03:39,480
Speaker 2: abnormality and blood vessel that also caused her to have

2531
02:03:39,560 --> 02:03:41,800
Speaker 2: headaches at the climaxing during sex. Headaches at the sex

2532
02:03:41,840 --> 02:03:43,840
Speaker 2: of a leader to be caused by leaking spinal fluid

2533
02:03:44,160 --> 02:03:47,840
Speaker 2: from the skull into the spine, alleviated by lying down.

2534
02:03:48,120 --> 02:03:53,640
Speaker 2: Some neurologists believe sha headache associated sexual activity can be

2535
02:03:53,760 --> 02:03:58,840
Speaker 2: caused by increased pleasure through exertion. Lucinda's neurosurgeon, Alessandro Pulozzi,

2536
02:03:59,600 --> 02:04:01,800
Speaker 2: said her condition was unusual in cause her the bleed

2537
02:04:01,880 --> 02:04:03,480
Speaker 2: inside the brain instead of on the surface.

2538
02:04:03,800 --> 02:04:10,200
Speaker 3: Oh guess the race. Wow white, Karen's going white. Let's

2539
02:04:10,280 --> 02:04:12,080
Speaker 3: check the chat room. See what you guys will leave.

2540
02:04:12,360 --> 02:04:14,000
Speaker 1: Got some scary shit.

2541
02:04:14,200 --> 02:04:16,680
Speaker 2: That's what I'm saying. I would never put you in

2542
02:04:16,760 --> 02:04:21,920
Speaker 2: that position care never again. I mean, in the words

2543
02:04:21,960 --> 02:04:26,840
Speaker 2: of Clarence called her, she'd be stroking white, a poor snowflake. White, white,

2544
02:04:27,440 --> 02:04:31,120
Speaker 2: whiter than the nut that nearly killed her. All white

2545
02:04:33,160 --> 02:04:36,080
Speaker 2: could meet the g to kill me white. Uh, the

2546
02:04:36,200 --> 02:04:37,280
Speaker 2: correct answer is.

2547
02:04:39,280 --> 02:04:57,240
Speaker 3: White. But you know, for la point, for like ten

2548
02:04:57,360 --> 02:04:58,840
Speaker 3: minutes he thought he put it down.

2549
02:05:00,080 --> 02:05:03,880
Speaker 2: You're like, listen, man, I after I get up in there, man,

2550
02:05:04,160 --> 02:05:06,680
Speaker 2: she just got the laid down like her whole left

2551
02:05:06,760 --> 02:05:10,240
Speaker 2: side went none for the way I was knocking ship down.

2552
02:05:10,360 --> 02:05:12,880
Speaker 3: You know what I'm saying. I was you know when

2553
02:05:12,920 --> 02:05:15,200
Speaker 3: I get up, when I get up in there, you

2554
02:05:15,280 --> 02:05:17,080
Speaker 3: know when I say, you won't be able to walk

2555
02:05:17,440 --> 02:05:20,280
Speaker 3: right when I get done, then it's like, no, this

2556
02:05:20,480 --> 02:05:22,000
Speaker 3: is serious and you need to go to the hospital.

2557
02:05:22,280 --> 02:05:24,200
Speaker 3: Oh so it was had nothing to do with me, okay.

2558
02:05:25,920 --> 02:05:26,040
Speaker 1: Uh.

2559
02:05:26,360 --> 02:05:28,480
Speaker 3: This is also they will be horrible advertising to other.

2560
02:05:28,400 --> 02:05:31,240
Speaker 4: Women right right, because you know the thing is, no

2561
02:05:31,320 --> 02:05:35,520
Speaker 4: matter how much people think they put they dick down,

2562
02:05:35,600 --> 02:05:39,160
Speaker 4: you know something, uh, seven eight pounds to come out

2563
02:05:39,160 --> 02:05:41,280
Speaker 4: of that thing, that same hole poking.

2564
02:05:41,040 --> 02:05:44,000
Speaker 3: In Yeah somebody, Yeah he a man, so he probably

2565
02:05:44,000 --> 02:05:49,120
Speaker 3: still brag about it anyway, Joe's face you right, Uh, cops,

2566
02:05:49,320 --> 02:05:52,720
Speaker 3: son killed father with a bat on Father's Day? Well,

2567
02:05:52,800 --> 02:05:53,720
Speaker 3: damn right.

2568
02:05:55,320 --> 02:05:57,800
Speaker 1: Uh anything start with cops or police.

2569
02:05:58,480 --> 02:06:00,960
Speaker 2: It's normally a fuck upright after that, I hope he

2570
02:06:01,000 --> 02:06:05,880
Speaker 2: covered all his basis. Authorities in Pennsylvania searching for a

2571
02:06:06,000 --> 02:06:08,000
Speaker 2: man suspected of beating his father to death with a

2572
02:06:08,080 --> 02:06:10,120
Speaker 2: baseball bat on Father's Day.

2573
02:06:10,280 --> 02:06:15,040
Speaker 3: Oh, that's apropos. Think he was hitting his dad. Take

2574
02:06:15,360 --> 02:06:17,840
Speaker 3: me up to the ball came.

2575
02:06:21,160 --> 02:06:21,360
Speaker 1: Oh.

2576
02:06:22,280 --> 02:06:26,080
Speaker 2: Michael Malchalk thirty seven is charged with a criminal homicide

2577
02:06:26,120 --> 02:06:30,000
Speaker 2: and the death of Gary Marchalk, sixty stay. Police say

2578
02:06:30,080 --> 02:06:34,520
Speaker 2: Michael Marchalk maybe driving his father's goal for fusion.

2579
02:06:34,240 --> 02:06:36,000
Speaker 3: With pennsylvani O, so they ain't caught him yet.

2580
02:06:36,320 --> 02:06:39,680
Speaker 2: Trooper David Bohm says that while they do not know

2581
02:06:39,760 --> 02:06:42,040
Speaker 2: if the suspect is on he should be considered dangerous

2582
02:06:42,080 --> 02:06:45,200
Speaker 2: according to the criminal complaint. Another family member, Matthew Marchwark,

2583
02:06:45,280 --> 02:06:47,120
Speaker 2: called the police when he found his father's body on

2584
02:06:47,240 --> 02:06:47,920
Speaker 2: June nineteenth.

2585
02:06:48,240 --> 02:06:51,560
Speaker 3: Gary mar Chalk was lying face down the bedroom.

2586
02:06:51,240 --> 02:06:54,360
Speaker 2: Surrounded by blood, with an illuminum baseball bat at his feet.

2587
02:06:56,400 --> 02:07:01,800
Speaker 2: Matthew Ball marchalkh police my brother did this. I know it,

2588
02:07:01,880 --> 02:07:03,320
Speaker 2: and went on to say to his brother, Michael have

2589
02:07:03,400 --> 02:07:06,560
Speaker 2: repeatedly threatened that father and has a heroin problem. According

2590
02:07:06,560 --> 02:07:08,600
Speaker 2: to the criminal complaint, the father know the suspicious bank

2591
02:07:08,640 --> 02:07:09,440
Speaker 2: activities in the.

2592
02:07:09,480 --> 02:07:12,280
Speaker 3: Hours before the ledged murder, including multiple test would.

2593
02:07:12,120 --> 02:07:15,440
Speaker 2: Draw cash, and the ADT home security system allegedly indicated

2594
02:07:15,480 --> 02:07:17,200
Speaker 2: that Michael was the only person with it or out

2595
02:07:17,240 --> 02:07:19,040
Speaker 2: of the home on the night of his father's death.

2596
02:07:19,440 --> 02:07:22,960
Speaker 2: Gary Marchalk was it strained, husband of Linda Marchalk, the

2597
02:07:23,040 --> 02:07:24,440
Speaker 2: treasurer of Pennsylvania County.

2598
02:07:24,680 --> 02:07:30,160
Speaker 3: Wow, I guess the race care. I'm all right.

2599
02:07:30,240 --> 02:07:31,800
Speaker 2: We'll see if you hit a home run or if

2600
02:07:31,800 --> 02:07:37,920
Speaker 2: you strike out. Matthew Gary White a real dead beat

2601
02:07:38,040 --> 02:07:39,200
Speaker 2: Dad White.

2602
02:07:42,120 --> 02:07:45,200
Speaker 3: Oh man, he did it like this. He did it

2603
02:07:45,400 --> 02:07:47,480
Speaker 3: like that. He did it with a baseball bat.

2604
02:07:47,720 --> 02:07:50,960
Speaker 2: White, heroin and baseball is about as white as you

2605
02:07:51,000 --> 02:07:51,880
Speaker 2: can get, says Black.

2606
02:07:51,920 --> 02:07:59,720
Speaker 3: Crop. Definitely walked. Uh, definitely called Dad by his first name, White.

2607
02:08:00,240 --> 02:08:02,520
Speaker 3: Take me out to the ball game. White? So white.

2608
02:08:02,560 --> 02:08:05,960
Speaker 2: Gotta say White, Yo, never played enough? You never played

2609
02:08:06,080 --> 02:08:09,120
Speaker 2: enough ball with me, Dad White. The correct answer is white.

2610
02:08:20,760 --> 02:08:27,080
Speaker 3: Mm hmmm. That's some bullshit right there. That's why you

2611
02:08:27,160 --> 02:08:32,360
Speaker 3: gotta be careful. Uh deal with these kids, man, you

2612
02:08:32,480 --> 02:08:39,120
Speaker 3: never know where they're gonna go rotting on you. Oh yep, Uh,

2613
02:08:39,320 --> 02:08:43,760
Speaker 3: there he is on the screen. That what you look like?

2614
02:08:44,680 --> 02:08:51,080
Speaker 1: Oh m hmm, kind of got a fading hairdline now yep.

2615
02:08:53,800 --> 02:08:57,040
Speaker 3: I just feel like the whole thing was foul. Duh,

2616
02:08:58,560 --> 02:09:00,840
Speaker 3: all right, let's go to the bonus round.

2617
02:09:00,960 --> 02:09:18,120
Speaker 2: Guys, do it up, saying the race, double up, saying

2618
02:09:18,280 --> 02:09:21,000
Speaker 2: the race, sorry, double the points, double the race, and

2619
02:09:21,000 --> 02:09:22,880
Speaker 2: the bonus. Find a guest the race so far, caring

2620
02:09:22,960 --> 02:09:25,360
Speaker 2: is two for two, but will she be able to

2621
02:09:25,440 --> 02:09:29,080
Speaker 2: finish on Top'd to see. We'll see if it's fair

2622
02:09:29,160 --> 02:09:36,000
Speaker 2: or foul guys in the bonus round. Sorry, guys, that

2623
02:09:36,160 --> 02:09:37,400
Speaker 2: was coming away out of left field.

2624
02:09:37,960 --> 02:09:38,080
Speaker 4: Uh.

2625
02:09:38,240 --> 02:09:42,760
Speaker 2: Cleveland woman is accused of attacking daughter's boyfriend with a

2626
02:09:42,840 --> 02:09:47,880
Speaker 2: cue ball. A Cleveland woman is accused of hitting the

2627
02:09:47,920 --> 02:09:49,920
Speaker 2: man over the head with a cue ball. Says she

2628
02:09:50,040 --> 02:09:53,920
Speaker 2: attacked him to protect her pregnant daughter. Regina Williams, forty eight,

2629
02:09:54,120 --> 02:09:56,360
Speaker 2: is charged with first degree for lonius assault. Her bond

2630
02:09:56,440 --> 02:09:59,240
Speaker 2: was set at five thousand dollars during her Monday arraiment,

2631
02:09:59,480 --> 02:10:02,760
Speaker 2: and the case this was bound over the Cyohoga County

2632
02:10:02,960 --> 02:10:06,520
Speaker 2: grand jury called to court documents. The incident began Saturday

2633
02:10:06,560 --> 02:10:11,840
Speaker 2: afternoon at williams home and continued at her daughter's home

2634
02:10:11,880 --> 02:10:15,800
Speaker 2: a couple of blocks away. Williams and her daughter, who

2635
02:10:15,920 --> 02:10:18,480
Speaker 2: was eight months pregnant, got into an argument with the

2636
02:10:18,560 --> 02:10:21,640
Speaker 2: daughter's twenty two year old boyfriend. The report says Williams

2637
02:10:21,640 --> 02:10:23,520
Speaker 2: told the police that the boyfriend ripped off her screen

2638
02:10:23,600 --> 02:10:27,080
Speaker 2: door and struck her with a small charcoal grill. Cleveland

2639
02:10:27,120 --> 02:10:29,000
Speaker 2: police were called, but no one was arrested and the

2640
02:10:29,040 --> 02:10:32,920
Speaker 2: man was sent away. CMHA police were called to the

2641
02:10:33,400 --> 02:10:35,800
Speaker 2: daughter in victim's home later around two thirty pm. After

2642
02:10:35,920 --> 02:10:38,280
Speaker 2: second dispute broke out. The woman told the boyfriend to

2643
02:10:38,360 --> 02:10:39,960
Speaker 2: lead the house, but he refused and went inside to

2644
02:10:40,000 --> 02:10:43,320
Speaker 2: retrieve his things. As he headed outside, Williams struck the

2645
02:10:43,400 --> 02:10:45,520
Speaker 2: boyfriend over the head with an object in a sock

2646
02:10:46,200 --> 02:10:48,760
Speaker 2: damn a cue ball in a sock.

2647
02:10:49,200 --> 02:10:52,560
Speaker 3: Calling the clown ash it was this according to this.

2648
02:10:52,640 --> 02:10:55,440
Speaker 2: Statement to police, Williams later admitted the item was a

2649
02:10:55,480 --> 02:10:58,600
Speaker 2: cue ball. The boyfriend's seven year old son witness to attack.

2650
02:10:59,240 --> 02:11:01,440
Speaker 2: They treated the boyfrien friend for last race to his head.

2651
02:11:01,560 --> 02:11:06,480
Speaker 2: Williams has no felony convictions in Cuyahoga County Court record show.

2652
02:11:06,520 --> 02:11:10,760
Speaker 2: Guess the race black. Karen's going black for Regina Williams.

2653
02:11:10,840 --> 02:11:12,800
Speaker 2: Let's check the chat room and see what you guys believe.

2654
02:11:14,280 --> 02:11:16,400
Speaker 3: Black eight ball ha.

2655
02:11:17,960 --> 02:11:20,760
Speaker 2: Here you cast. Let's see what else you got. Mama,

2656
02:11:20,840 --> 02:11:27,400
Speaker 2: don't play that black, all right, full metal jacket black.

2657
02:11:30,360 --> 02:11:30,680
Speaker 1: Black.

2658
02:11:30,920 --> 02:11:33,680
Speaker 2: He lucky she didn't have time to cook Gritz black

2659
02:11:34,360 --> 02:11:37,280
Speaker 2: damn Regina black administer in the cole red black.

2660
02:11:37,520 --> 02:11:39,840
Speaker 3: The boyfriend wasn't arrested. It was free to leave.

2661
02:11:40,080 --> 02:11:41,840
Speaker 2: He had to be white. Well, we got to her, right,

2662
02:11:41,920 --> 02:11:45,240
Speaker 2: she the one that got arrested. Inspire inspiration for Bruno

2663
02:11:45,360 --> 02:11:51,520
Speaker 2: Mars music. Oh my god, y'all can make a joke

2664
02:11:51,560 --> 02:11:54,320
Speaker 2: out of anything. The correct answer is black.

2665
02:11:54,480 --> 02:12:12,400
Speaker 3: She was black. You got it, Karen, there you go.

2666
02:12:13,120 --> 02:12:14,080
Speaker 1: Uh, you got it right.

2667
02:12:14,680 --> 02:12:15,640
Speaker 3: She was very black.

2668
02:12:17,200 --> 02:12:17,320
Speaker 1: Uh.

2669
02:12:17,520 --> 02:12:20,200
Speaker 2: She also got a Lebron James headline going on. Must

2670
02:12:20,240 --> 02:12:25,320
Speaker 2: be something in Cleveland. I know what's going on with that. Yeah,

2671
02:12:27,600 --> 02:12:30,760
Speaker 2: all right, let's go this. I think someone said white,

2672
02:12:30,800 --> 02:12:32,640
Speaker 2: but I think they were guessing the boyfriend, So I

2673
02:12:32,680 --> 02:12:34,200
Speaker 2: don't know what the race of the boyfriend was.

2674
02:12:35,600 --> 02:12:35,880
Speaker 1: All right.

2675
02:12:36,080 --> 02:12:39,560
Speaker 2: Uh, let's go into soword ratting this guys, all right,

2676
02:13:01,600 --> 02:13:06,920
Speaker 2: mm hmmmm, let's see here. Sword willing duo escapes with

2677
02:13:07,320 --> 02:13:14,240
Speaker 2: cash and hand phones from the Sandacan Hotel. Two mass men,

2678
02:13:14,400 --> 02:13:16,480
Speaker 2: one of them armed with a sword, robbed the hotel

2679
02:13:17,200 --> 02:13:19,960
Speaker 2: of Rm one thousand.

2680
02:13:21,160 --> 02:13:22,360
Speaker 3: Whatever measurement of.

2681
02:13:23,960 --> 02:13:29,880
Speaker 2: Local currency that is, and four handphones hand phones or

2682
02:13:29,920 --> 02:13:33,520
Speaker 2: those cell phones. The hotel's twenty four year old receptionist,

2683
02:13:33,560 --> 02:13:35,320
Speaker 2: who was with her younger sister, heard a loud sound

2684
02:13:35,320 --> 02:13:38,160
Speaker 2: outside the hotel just at the midnight on Sunday. Sunday

2685
02:13:38,200 --> 02:13:43,560
Speaker 2: con Police Chief Assistant Commander Izhar Hamen said when when

2686
02:13:43,600 --> 02:13:45,360
Speaker 2: the woman went outside to check, a man arm with a.

2687
02:13:45,360 --> 02:13:46,800
Speaker 3: Sever I saw a rushed in and threatener.

2688
02:13:47,120 --> 02:13:49,480
Speaker 2: He forced her head over the cash box containing the

2689
02:13:49,520 --> 02:13:52,640
Speaker 2: money and they head hand phones as an accomplished enterger

2690
02:13:52,720 --> 02:13:55,480
Speaker 2: recepsion era era. The receptionists and their sistant managed to

2691
02:13:55,520 --> 02:13:57,920
Speaker 2: run into a toilet where they locked themselves in. After

2692
02:13:57,960 --> 02:13:59,880
Speaker 2: the robbers had left, the women came out to me

2693
02:14:00,160 --> 02:14:01,960
Speaker 2: the cow security guards who are behind the building as

2694
02:14:02,000 --> 02:14:02,720
Speaker 2: well as the police.

2695
02:14:03,720 --> 02:14:07,160
Speaker 3: I hope they find those sons of guns. Uh, we'll

2696
02:14:07,200 --> 02:14:09,520
Speaker 3: be back tomorrow, guys. Thank you so much for listening.

2697
02:14:09,720 --> 02:14:14,360
Speaker 3: I'm glad y'all see and enjoy our BT Awards recap

2698
02:14:14,640 --> 02:14:15,440
Speaker 3: my favorite day.

2699
02:14:15,800 --> 02:14:19,360
Speaker 2: Yes, you know, I guess we'll talk to y'all tomorrow.

2700
02:14:19,440 --> 02:14:22,280
Speaker 2: See what you guys, what what other ship is happening

2701
02:14:22,320 --> 02:14:25,000
Speaker 2: in the world. I know what other takes we can

2702
02:14:25,080 --> 02:14:28,800
Speaker 2: discuss and all that stuff. Until then, I love you

2703
02:14:29,960 --> 02:14:30,000
Speaker 2: w