WEBVTT - Vagabon: Fresh Find

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<v Speaker 1>Pushkin like her, Moniker suggests Leticia Tamco, who records under

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<v Speaker 1>the name Vagabond, is trying to find a musical place

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<v Speaker 1>to call her own. When Vagabond was thirteen, she and

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<v Speaker 1>her family moved from Cameroon in West Africa to Harlem.

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<v Speaker 1>She learned English in part by watching reruns of The

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<v Speaker 1>Fresh Prince of bel Air and identified with the outsider

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<v Speaker 1>sentiment heard and the emo and pop punk on the

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<v Speaker 1>radio and TV in their early two thousands. Like many

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<v Speaker 1>children of immigrants, Vagabond was encouraged by her parents to

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<v Speaker 1>become something practical, like an engineer, but by seventeen she

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<v Speaker 1>was writing songs and teaching herself to play guitar, and

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<v Speaker 1>would sneak out at night to play shows at DIY

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<v Speaker 1>punk spaces in Brooklyn, and only a few years later

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<v Speaker 1>was recording and putting out songs. She's been completely immersed

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<v Speaker 1>in music ever since. Her newest release, the self titled Vagabond,

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<v Speaker 1>has been praised by critics at The New Yorker and Pitchfork.

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<v Speaker 1>She's also toured with Courtney Barnett, Angel Olsen, and Brittany Howard.

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<v Speaker 1>I did this interview recently in La with My Right

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<v Speaker 1>hand producer Leah Rose, who's been working on Broken Records

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<v Speaker 1>since the beginning of the year. She's a DJ music

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<v Speaker 1>journalist who spent almost a decade as an editor at

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<v Speaker 1>Double Xcel. When Lee and I sat down with Vagabond

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<v Speaker 1>in La she was in the throes of writing songs

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<v Speaker 1>for her third album and talked to us about some

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<v Speaker 1>of the writer's blocks she was experiencing. Plus, she talked

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<v Speaker 1>about her early experiences with music and Cameroon and why

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<v Speaker 1>she sometimes wants to give it all up to write

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<v Speaker 1>code instead. This is Broken Record liner notes for the

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<v Speaker 1>digital Age. I'm justin Richmondon. Just a quick note here.

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<v Speaker 1>You can listen to all of the music mentioned in

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<v Speaker 1>this episode on our playlist, which you can find a

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<v Speaker 1>link to in the show notes for licensing reasons, each

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<v Speaker 1>time a song it's referenced in this episode, you'll hear

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<v Speaker 1>this sound effect. All right, enjoyed the episode. Here's Leah

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<v Speaker 1>Rose and myself in conversation with Vagabond. What type of

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<v Speaker 1>music do you remember playing in your house when you

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<v Speaker 1>were growing up. We played a lot of Michael Jackson.

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<v Speaker 1>My parents were obsessed with Michael Jackson, and so was

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<v Speaker 1>everyone you know where we lived, which was in Yellow

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<v Speaker 1>and Day at the time, like everyone all over the

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<v Speaker 1>world was obsessed with Michael Jackson, so we listened to

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<v Speaker 1>a lot of him, and I would say that that's

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<v Speaker 1>the most like contemporary like Western music that we listened to.

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<v Speaker 1>We did listen to a lot of more like traditional

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<v Speaker 1>West African music. Mani Diebungo was a huge one, like

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<v Speaker 1>he's so beloved in our in our like all over

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<v Speaker 1>but really like he's a star in our country. We

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<v Speaker 1>listened to a lot of that. But most of the

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<v Speaker 1>music that I listened to is like gospel music. My

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<v Speaker 1>grandmother's a choir director, so a lot of the my like,

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<v Speaker 1>my relationship to music was like at church, and so

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<v Speaker 1>we'd listen to a lot of that and a lot

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<v Speaker 1>of like passed down like traditional folk stuff that my

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<v Speaker 1>grandmother would sing around. And then what was the first

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<v Speaker 1>time that you really remember connecting to music. I don't

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<v Speaker 1>really know how to tell kids ages, so I don't

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<v Speaker 1>even know how old I was. But there there's this

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<v Speaker 1>like photo of me that exists in my parents' house.

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<v Speaker 1>That's me in the middle of like a group of

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<v Speaker 1>maybe like fifteen adult women that were all my mom's

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<v Speaker 1>friends and they would get together every Sunday. They would say,

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<v Speaker 1>they would wear the same like traditional like African dresses

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<v Speaker 1>and they would just sing and play music and I

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<v Speaker 1>would get in this circle. So this photo is me

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<v Speaker 1>getting in the circle and just like taking my go

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<v Speaker 1>at it. I mean the photo helped me. Remember. I

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<v Speaker 1>don't actually like remember, but I was so young that

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<v Speaker 1>I think that's the first time that I really had

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<v Speaker 1>a connection with music. Was it a church thing or

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<v Speaker 1>what was the group about it? It It was like, you

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<v Speaker 1>know in French you call it like a reunion, um,

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<v Speaker 1>but I don't really know. It was almost like the

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<v Speaker 1>only thing I could equit it to is like sorority,

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<v Speaker 1>but they are all They were all like women with kids,

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<v Speaker 1>you know, so it was more of like a like

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<v Speaker 1>a community thing. And maybe they all went to church.

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<v Speaker 1>I have no idea. How did all the kids come

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<v Speaker 1>together too with that? No, no, it was only the parents, Yeah,

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<v Speaker 1>kids at home. But since my mom was hosting, I

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<v Speaker 1>was I was like able to like peek into into

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<v Speaker 1>their world. And you were singing and dancing. Yeah, yeah,

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<v Speaker 1>which is wild. So how do you think about that now?

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<v Speaker 1>Seeing that photo? Are you like, I'm destined to be performing. Yeah.

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<v Speaker 1>I mean my mom brought it up to me and

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<v Speaker 1>was like, you know because she she, like everyone was

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<v Speaker 1>a skeptic, including myself, Like what like, I like, what

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<v Speaker 1>is like that's not a thing? Um? So yeah, like

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<v Speaker 1>what does that mean? Even though when I think about it,

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<v Speaker 1>that's that's what they were doing. They just weren't calling

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<v Speaker 1>it that. Like there was harmonies going on, there were

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<v Speaker 1>there were like drums going on, but they never called

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<v Speaker 1>it playing music. They never called it like we are musicians.

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<v Speaker 1>They were just like doing you know, like harmonizing is

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<v Speaker 1>not something that everybody's doing in their household, you know,

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<v Speaker 1>but no one really saw it as that. So I

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<v Speaker 1>think my mom kind of connected the dots in the

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<v Speaker 1>last like year, Like I think this has been something

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<v Speaker 1>you've been interested in a long time. Is anybody else

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<v Speaker 1>in your family music all at all? Not that I

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<v Speaker 1>know of, but they must be like was your dad

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<v Speaker 1>doing like was your dad singing and stuff around the house?

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<v Speaker 1>Also no, my but my dad has bragged about like

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<v Speaker 1>singing on some jazz albums that coincidentally no one knows

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<v Speaker 1>the name too. So I don't know. Yeah, I don't

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<v Speaker 1>know if it actually happened or if he was like

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<v Speaker 1>I used to dabble. I don't know, but my dad

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<v Speaker 1>was a dancer when he was younger. Um, but they

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<v Speaker 1>don't really like they rarely talk about that, you know,

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<v Speaker 1>they rarely bring that up as like anything artistic. So

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<v Speaker 1>to me, I have to kind of dig really hard

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<v Speaker 1>in my memory to kind of to like to see

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<v Speaker 1>the threads of music because it's not a thing that

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<v Speaker 1>they ever really took on as a as an identity. Yes,

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<v Speaker 1>are they musical people now or not so much? No,

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<v Speaker 1>they like music, but not not really. Like my mom

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<v Speaker 1>thinks that I make country music. So that's kind of

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<v Speaker 1>like like like that's that's that's where we're at, Like

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<v Speaker 1>why country because I play guitar? Oh, that's it. That's

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<v Speaker 1>just she's like guitar country Okay, So you know, and

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<v Speaker 1>that's kind of cool for me that they have no

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<v Speaker 1>idea and they don't you know, they don't like go

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<v Speaker 1>to shows on their own or any or buy albums

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<v Speaker 1>or anything. How did it become the thing for you then?

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<v Speaker 1>I mean I've always been I've always been pretty obsessed

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<v Speaker 1>with it. I used to be like eleven, twelve years old.

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<v Speaker 1>I used to be online like looking up like studios

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<v Speaker 1>and calling people like and my mom was like, you

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<v Speaker 1>need to stop calling strangers, but I would like call studios.

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<v Speaker 1>I would call whoever's phone number I can find. That

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<v Speaker 1>was like like attached to a music thing and be like,

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<v Speaker 1>I want to play music, how do I submit a demo?

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<v Speaker 1>Like just being weird. So I've just kind of been

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<v Speaker 1>like always interested, but no one around me had accessor

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<v Speaker 1>or like the knowledge to guide me in any direction

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<v Speaker 1>or to like even know what to tell me. You know,

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<v Speaker 1>did you ever meet like a musical mentor at any point,

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<v Speaker 1>or someone who you knew was a musician and just

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<v Speaker 1>sort of like just got as much knowledge as you

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<v Speaker 1>could out of that person. No, I've I literally did

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<v Speaker 1>not have anyone that I can talk to about this

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<v Speaker 1>stuff until I started doing it. Like there was no

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<v Speaker 1>one around me. You know, I'm a kid, so like

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<v Speaker 1>everywhere I'm around there is everywhere my parents want me

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<v Speaker 1>to be around, And so I wasn't I wasn't really

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<v Speaker 1>around anyone who played music or who listened to music

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<v Speaker 1>in a way. Just this was like so not a

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<v Speaker 1>part of my life. What was your exposure to live

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<v Speaker 1>music when you were a kid? Um? I mean apart

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<v Speaker 1>from church. There there was nothing. It was church and

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<v Speaker 1>that was it. I used to love going to church.

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<v Speaker 1>When when we moved to the US, like my mom

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<v Speaker 1>started taking us to a church in Harlem Um called

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<v Speaker 1>Abyssinian Church, and I used to I mean, that is

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<v Speaker 1>my favorite place to see a show to this day.

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<v Speaker 1>Like that choir made me feel like music is the

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<v Speaker 1>single greatest thing in the world. And I would go

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<v Speaker 1>to church like really like religiously no point intended um

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<v Speaker 1>to see that choir and to see to see them,

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<v Speaker 1>and that church is so important in my life. Like

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<v Speaker 1>that's where I like found my scholarship to go to

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<v Speaker 1>engineering school. That's where like that church was kind of

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<v Speaker 1>like I was. I was a very much like a

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<v Speaker 1>viewer of the church. Like I wasn't like a part

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<v Speaker 1>of it in any way. I wasn't. I just like

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<v Speaker 1>went and I sat in the back and I just

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<v Speaker 1>like listened and um, So that is my relationship to

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<v Speaker 1>live music. And until I hadn't seen a live show

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<v Speaker 1>other than going to church and seeing choirs until I

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<v Speaker 1>played a live show. So and then when you moved

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<v Speaker 1>to the US and you went to that church, how

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<v Speaker 1>is the service different than the services you were used to.

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<v Speaker 1>It wasn't that different. Actually, you know, it was a

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<v Speaker 1>Abyssinian's a Baptist church, so it's you know, mostly black people,

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<v Speaker 1>and it's like the music is so like alive and

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<v Speaker 1>it's so rich, and it's so I went to Catholic

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<v Speaker 1>school for high school, so like I know what Catholic,

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<v Speaker 1>I know what Mass is like, and I know what

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<v Speaker 1>like a Baptist church is like. And I know what

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<v Speaker 1>a church in Cameroon is like. And I would say

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<v Speaker 1>that the church I went to in Cameroon is more

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<v Speaker 1>similar to a Baptist church than it is to a

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<v Speaker 1>Catholic church. You know, you get up, you like are interacting,

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<v Speaker 1>You're like letting it take you. Well, I's curious because

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<v Speaker 1>I was wondering if you know, if you started because

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<v Speaker 1>you got a guitar, you're sort of get interested in music,

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<v Speaker 1>playing music and you got a guitar. Well, I guess

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<v Speaker 1>not till seventeen, but I mean we're writing songs in

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<v Speaker 1>French early on, or I was writing already in English

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<v Speaker 1>because I was listening to music in English. So I

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<v Speaker 1>was listening to like, um, whatever was on the radio

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<v Speaker 1>at that time. Um. When I first started kind of

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<v Speaker 1>like wanting to write music. It was like pop punk

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<v Speaker 1>on the radio and like like alternative like Levine, not

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<v Speaker 1>even Avril Levine, um Blink one eighty two, but but

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<v Speaker 1>even like like less of the stuff that has even

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<v Speaker 1>held up no shade to these bands, but like like

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<v Speaker 1>may Day Parade, like yeah, that sounds very like Warped

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<v Speaker 1>Tour kind of bands. I was obsessed and I was

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<v Speaker 1>like so um, I was like really into All Time

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<v Speaker 1>Low and like Forever the Sickest Kids. I don't know,

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<v Speaker 1>but I was very into. I was very into those bands.

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<v Speaker 1>Um do you remember? Can you put yourself back into

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<v Speaker 1>that mindset? What was it about that particular kind of

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<v Speaker 1>music that you loved? It was the screaming, like it

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<v Speaker 1>was the It was like, you know, you're like a

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<v Speaker 1>teenager and you're angry, and no one had told me

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<v Speaker 1>about like Rage against the Machine. Ione told me that

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<v Speaker 1>there was like cool cool shit out there like mentor Yeah,

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<v Speaker 1>I know, no one told me this stuff was happening.

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<v Speaker 1>So I was listening to the to the stuff that

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<v Speaker 1>was closest to that, but on the radio, because that's

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<v Speaker 1>what I had access to. Like when you don't know

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<v Speaker 1>anyone who's going to tell you about the like the

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<v Speaker 1>record store or like um or rage or system of

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<v Speaker 1>a Down or whatever. Like before anyone could tell me

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<v Speaker 1>about that, Like there was All Time Alow on the radio,

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<v Speaker 1>there was Avril Levine on the There's Fiefie Dobson who

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<v Speaker 1>kind of changed my life. Who's that? Who was? Like

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<v Speaker 1>she was like the black woman who was on MTV

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<v Speaker 1>like like playing guitar and like singing that kind of music.

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<v Speaker 1>And there was really no I was really not seeing

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<v Speaker 1>any black girls or any black women doing that kind

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<v Speaker 1>of music like on TRL or on MTV or and

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<v Speaker 1>she she was that and so like that's kind of

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<v Speaker 1>what I that was like the first time that I

0:13:11.400 --> 0:13:13.000
<v Speaker 1>was like, oh my god, music is so cool. I

0:13:13.040 --> 0:13:15.840
<v Speaker 1>want to play guitar. So did you start dressing differently

0:13:15.880 --> 0:13:19.200
<v Speaker 1>at that point? Um? Yeah, I mean I definitely had

0:13:19.280 --> 0:13:25.160
<v Speaker 1>like the swoop over bangs and like the dark eye makeup. Yeah,

0:13:25.200 --> 0:13:29.319
<v Speaker 1>like you know I did that for sure. It's fine.

0:13:30.400 --> 0:13:39.439
<v Speaker 1>I survived. I had I had a phase. Man, it's

0:13:39.520 --> 0:13:42.679
<v Speaker 1>so funny. Yeah, when was the first time you actually

0:13:42.720 --> 0:13:46.160
<v Speaker 1>went to a live show? Uh? The first time I

0:13:46.160 --> 0:13:48.840
<v Speaker 1>went to a live show, I guess technically my first

0:13:48.840 --> 0:13:52.439
<v Speaker 1>one was the first show that I played, which was

0:13:52.480 --> 0:13:56.880
<v Speaker 1>in twenty fourteen at the Silent Barn in Brooklyn, New York.

0:13:57.400 --> 0:13:59.199
<v Speaker 1>I knew that the Silent Barn was a place that

0:13:59.320 --> 0:14:02.280
<v Speaker 1>had like like community built in and that was the

0:14:02.280 --> 0:14:04.560
<v Speaker 1>place that I can start learning how to play. And

0:14:04.600 --> 0:14:07.680
<v Speaker 1>so I was like looking at their calendar and I

0:14:07.760 --> 0:14:09.840
<v Speaker 1>was like, Okay, Like, I wonder if I can hit

0:14:09.920 --> 0:14:11.920
<v Speaker 1>up the bands instead of hitting up Silent Barn because

0:14:11.920 --> 0:14:14.040
<v Speaker 1>they don't know who I am, Like, I'm not, I'm

0:14:14.080 --> 0:14:17.160
<v Speaker 1>not like anything or anyone. So I'm going to hit

0:14:17.240 --> 0:14:19.000
<v Speaker 1>up the bands and send them my song. So that's

0:14:19.000 --> 0:14:23.040
<v Speaker 1>what I did. I hit up the the band out

0:14:23.080 --> 0:14:25.960
<v Speaker 1>of Massachusetts and I said, Hey, I just put out

0:14:26.000 --> 0:14:28.840
<v Speaker 1>this song. Can I open the show? And they were

0:14:28.880 --> 0:14:33.800
<v Speaker 1>like yeah, whatever, And had you been to the venue before? No? No, no,

0:14:34.440 --> 0:14:38.720
<v Speaker 1>how terrified? How terrified? I'm scared? Just scaring that story. Yeah.

0:14:38.760 --> 0:14:40.920
<v Speaker 1>I mean, I think I'm more afraid now of things

0:14:40.920 --> 0:14:42.600
<v Speaker 1>than I was back then. I was just like, what

0:14:42.720 --> 0:14:45.160
<v Speaker 1>do I You know, I had written maybe like a

0:14:45.240 --> 0:14:48.000
<v Speaker 1>handful of songs by then, and I knew that I

0:14:48.040 --> 0:14:50.800
<v Speaker 1>was practicing them. So I was just going to do

0:14:50.880 --> 0:14:54.880
<v Speaker 1>what I did to practice. I don't know I just

0:14:54.960 --> 0:14:57.240
<v Speaker 1>did it. Did it feel different? Because I mean, I

0:14:57.400 --> 0:15:00.000
<v Speaker 1>imagine at home, you weren't practicing with like a microphone, right,

0:15:01.080 --> 0:15:04.880
<v Speaker 1>that must have felt really different when you get up. Yeah,

0:15:04.920 --> 0:15:09.000
<v Speaker 1>I mean it's it was very different. It was very jarring. Um,

0:15:10.360 --> 0:15:16.160
<v Speaker 1>but I mostly wanted to be good enough that the

0:15:16.280 --> 0:15:18.400
<v Speaker 1>other musicians thought that I was good enough. Like that's

0:15:18.400 --> 0:15:21.040
<v Speaker 1>who want to impress them? Yeah, that's like kind of

0:15:21.080 --> 0:15:24.040
<v Speaker 1>what the the objective was. Like, I wasn't even thinking

0:15:24.080 --> 0:15:27.240
<v Speaker 1>that other people would be listening. I'm just like, but

0:15:27.280 --> 0:15:31.080
<v Speaker 1>if the other people think that I am doing something

0:15:31.160 --> 0:15:33.840
<v Speaker 1>that like maybe i'm doing like maybe you'll fit in

0:15:33.960 --> 0:15:36.080
<v Speaker 1>or you're one of them, yeah, or like or like

0:15:36.560 --> 0:15:39.120
<v Speaker 1>or I'm on the right path or like this makes

0:15:39.160 --> 0:15:41.680
<v Speaker 1>sense that I'm here. Like maybe if if no one

0:15:41.720 --> 0:15:44.280
<v Speaker 1>could tell that I've never done this before, I think

0:15:44.280 --> 0:15:48.320
<v Speaker 1>I'll be Okay. You know, did you feel powerful? I did?

0:15:48.760 --> 0:15:51.720
<v Speaker 1>I did. Yeah, it's weird. It's it was a it

0:15:51.760 --> 0:15:55.960
<v Speaker 1>was a weird show. But one thing I have never

0:15:56.040 --> 0:16:02.000
<v Speaker 1>been was afraid. And that includes being afraid of embarrassing myself,

0:16:02.040 --> 0:16:05.280
<v Speaker 1>Like that includes being afraid of like being bad or

0:16:06.120 --> 0:16:10.080
<v Speaker 1>because at that point I had I had like I

0:16:10.080 --> 0:16:12.320
<v Speaker 1>had given up a lot to even be there, So

0:16:12.360 --> 0:16:15.200
<v Speaker 1>I was like, who in the same I wanted to

0:16:15.240 --> 0:16:18.920
<v Speaker 1>impress these people, but I also didn't care because I

0:16:18.960 --> 0:16:21.880
<v Speaker 1>had to way different life than everybody else. So I

0:16:22.600 --> 0:16:26.800
<v Speaker 1>was just very like I meet some validation that like

0:16:26.920 --> 0:16:30.040
<v Speaker 1>I could do this, but I also am going to

0:16:30.120 --> 0:16:32.920
<v Speaker 1>do it regardless, if that makes sense. Yeah, so have

0:16:33.080 --> 0:16:36.960
<v Speaker 1>you given up maybe a path in life that you

0:16:37.040 --> 0:16:38.920
<v Speaker 1>thought you were going to take At that point, you

0:16:38.920 --> 0:16:41.000
<v Speaker 1>had already made up your mind that this is what

0:16:41.040 --> 0:16:43.080
<v Speaker 1>I'm gonna do. Yeah, I had made up my mind

0:16:43.080 --> 0:16:46.720
<v Speaker 1>to myself. I hadn't to hold my parents that had

0:16:46.800 --> 0:16:49.960
<v Speaker 1>I hadn't told anybody else in my life that because

0:16:49.960 --> 0:16:53.080
<v Speaker 1>I understood that it would sound crazy. Like, you know,

0:16:53.240 --> 0:16:57.360
<v Speaker 1>I'm an engineering student. That is clearly a path that

0:16:57.680 --> 0:17:00.920
<v Speaker 1>is pretty much guaranteed. Like you know, they say that

0:17:01.440 --> 0:17:03.240
<v Speaker 1>you don't know if you get out of school and

0:17:03.280 --> 0:17:06.560
<v Speaker 1>you have a job. But like in technology and like engineering,

0:17:06.680 --> 0:17:09.639
<v Speaker 1>you have a job, like you can you can go

0:17:09.680 --> 0:17:13.320
<v Speaker 1>get a job that pays you like seventy thousand dollars

0:17:13.320 --> 0:17:15.760
<v Speaker 1>when you're twenty two, and you could be all right,

0:17:16.000 --> 0:17:19.960
<v Speaker 1>you're very stable. It's very stable, and it sounds really good. Yes,

0:17:20.000 --> 0:17:22.040
<v Speaker 1>it's very impressive. Yeah, and your parents want to tell

0:17:22.080 --> 0:17:24.919
<v Speaker 1>everybody that you can what you're doing. Yeah, especially I

0:17:24.960 --> 0:17:27.320
<v Speaker 1>mean especially you know parents who came here and work

0:17:27.400 --> 0:17:32.000
<v Speaker 1>to give you an education exactly right, exactly. So I

0:17:32.119 --> 0:17:36.840
<v Speaker 1>was like already knew that I would be doing that,

0:17:37.080 --> 0:17:38.960
<v Speaker 1>but I was like, let me make sure I have

0:17:39.080 --> 0:17:42.359
<v Speaker 1>something to show before I blow my whole life. And

0:17:42.359 --> 0:17:45.360
<v Speaker 1>then who were you collaborating with back then? Was there

0:17:45.359 --> 0:17:47.359
<v Speaker 1>anyone who you would sort of like play stuff for

0:17:48.000 --> 0:17:52.520
<v Speaker 1>get feedback from? Yeah, I had very early on before

0:17:52.560 --> 0:17:55.760
<v Speaker 1>Infinite World, I had a friend who was also an

0:17:55.760 --> 0:18:00.840
<v Speaker 1>engineering student, and he had like an emo emo band,

0:18:01.480 --> 0:18:03.919
<v Speaker 1>and he was the only one that was around me

0:18:04.000 --> 0:18:06.760
<v Speaker 1>that like played guitar and like played loudly and like

0:18:06.960 --> 0:18:10.840
<v Speaker 1>screamed and stuff, and so I would I would play

0:18:10.920 --> 0:18:14.000
<v Speaker 1>him early on my songs and in the very very

0:18:14.040 --> 0:18:16.640
<v Speaker 1>early iterations, like that first show, he played it with

0:18:16.680 --> 0:18:23.320
<v Speaker 1>me um, and I wouldn't really get feedback. I wasn't

0:18:23.359 --> 0:18:27.119
<v Speaker 1>really interested in because I didn't really even know. I

0:18:27.400 --> 0:18:32.240
<v Speaker 1>didn't want. I've been really adamant about people shaping me

0:18:32.440 --> 0:18:35.800
<v Speaker 1>and like into early of a stage. There were so

0:18:35.840 --> 0:18:38.679
<v Speaker 1>many things that I that that I knew that I

0:18:38.680 --> 0:18:42.360
<v Speaker 1>would become better at that, like only I have insight

0:18:42.480 --> 0:18:46.359
<v Speaker 1>on the vision. Like so, so there was like a

0:18:46.400 --> 0:18:49.520
<v Speaker 1>lot if the notes were based on like my current self.

0:18:49.560 --> 0:18:51.840
<v Speaker 1>I didn't really I knew that I was so new

0:18:51.840 --> 0:18:54.680
<v Speaker 1>to it that there was bound to be progressed. So

0:18:55.400 --> 0:18:57.879
<v Speaker 1>and what songs were you playing then? Um? I was

0:18:57.960 --> 0:19:00.760
<v Speaker 1>playing just a lot of songs ended up on my

0:19:00.800 --> 0:19:03.800
<v Speaker 1>first album. A lot of the songs from Infinite Worlds

0:19:03.840 --> 0:19:07.760
<v Speaker 1>are from like twenty fourteen. Wow, um, they're some of

0:19:07.760 --> 0:19:10.159
<v Speaker 1>the Some of them are the first songs that I've written,

0:19:10.200 --> 0:19:15.160
<v Speaker 1>songs like Cold Department, Um, Sharks aka them the Embers,

0:19:15.560 --> 0:19:17.840
<v Speaker 1>And then there are a few that that, um we're

0:19:17.840 --> 0:19:21.000
<v Speaker 1>on the EP before Infinite Worlds that I was playing too.

0:19:21.359 --> 0:19:29.520
<v Speaker 1>Would you mind playing Sharks? Would you mind playing the Embers? Oh? Sure, Yeah,

0:19:29.560 --> 0:19:35.040
<v Speaker 1>I was waiting for that next. Sorry, sorry I haven't

0:19:35.160 --> 0:19:37.520
<v Speaker 1>I haven't practiced them in a long time. It sounds

0:19:37.560 --> 0:19:41.479
<v Speaker 1>so good. But that's that's that. We'll be back with

0:19:41.480 --> 0:19:49.160
<v Speaker 1>our conversation with Vagabond. After a quick break, we're back

0:19:49.200 --> 0:19:52.760
<v Speaker 1>with more from Vagabond. Just incredible. That's so early on

0:19:52.960 --> 0:19:56.159
<v Speaker 1>that you know, that's so early on you had a vision. Yeah,

0:19:56.200 --> 0:19:59.560
<v Speaker 1>and that you were so confident. Yeah, yeah, I mean

0:19:59.560 --> 0:20:03.360
<v Speaker 1>it seems like you're still sort of have that same philosophy.

0:20:03.920 --> 0:20:07.040
<v Speaker 1>With the new album, you did pretty much everything completely

0:20:07.119 --> 0:20:10.320
<v Speaker 1>on your own, made almost every single instrument, produced every song.

0:20:11.080 --> 0:20:14.080
<v Speaker 1>Now it seems like that was very intentional. Yeah. I

0:20:14.080 --> 0:20:17.600
<v Speaker 1>would say everything that I do is intentional, maybe even

0:20:17.680 --> 0:20:21.320
<v Speaker 1>sometimes to a fault. Like I just want to be

0:20:22.000 --> 0:20:26.680
<v Speaker 1>really good, and I want to be respected and and

0:20:27.080 --> 0:20:30.320
<v Speaker 1>I have this like urge to earn it, you know

0:20:30.320 --> 0:20:32.679
<v Speaker 1>what I mean, Like like I don't want to just

0:20:32.720 --> 0:20:35.199
<v Speaker 1>like put my name on something. I want to like

0:20:35.520 --> 0:20:38.320
<v Speaker 1>have it be like real. I want to know that

0:20:38.359 --> 0:20:41.240
<v Speaker 1>I could produce a record. But at the end of

0:20:41.280 --> 0:20:43.520
<v Speaker 1>the day, like I'm really glad that I did that.

0:20:43.600 --> 0:20:45.720
<v Speaker 1>I'm really glad that I know how to do that,

0:20:45.840 --> 0:20:51.919
<v Speaker 1>and that whatever whatever this album means now or later,

0:20:52.119 --> 0:20:56.080
<v Speaker 1>like I know that it's important for like my trajectory

0:20:56.119 --> 0:20:59.399
<v Speaker 1>as as a musician. Would you ever consider working with

0:20:59.400 --> 0:21:01.760
<v Speaker 1>a producer? Do you do you like do you like

0:21:01.960 --> 0:21:03.760
<v Speaker 1>being your own producer and kind of the pressure that

0:21:03.800 --> 0:21:07.159
<v Speaker 1>comes with that also, I mean I like it, but

0:21:07.240 --> 0:21:08.760
<v Speaker 1>I don't know if I could do this shit again.

0:21:09.480 --> 0:21:14.320
<v Speaker 1>Like I I think that you know, this last self

0:21:14.320 --> 0:21:17.200
<v Speaker 1>titled record is my second album, and it's not just

0:21:17.240 --> 0:21:19.520
<v Speaker 1>like my second album on a label. It's not just

0:21:19.600 --> 0:21:23.960
<v Speaker 1>like my second album as Vagabond. It's my second album period.

0:21:24.200 --> 0:21:27.520
<v Speaker 1>Like it's the second body of work I've made, and

0:21:27.560 --> 0:21:30.159
<v Speaker 1>so it's still really early on for me, and I

0:21:30.200 --> 0:21:32.719
<v Speaker 1>still want it to be like, like to know what

0:21:32.760 --> 0:21:36.720
<v Speaker 1>I was doing, even if I have access to hire anybody, like,

0:21:37.119 --> 0:21:42.120
<v Speaker 1>I want to have that knowledge and then I can

0:21:42.480 --> 0:21:44.719
<v Speaker 1>kind of like open it up a little bit. So

0:21:44.800 --> 0:21:46.439
<v Speaker 1>now I feel like I'm in a stage where I

0:21:46.440 --> 0:21:48.919
<v Speaker 1>can like go as far as like co producing. How

0:21:48.920 --> 0:21:50.680
<v Speaker 1>do you think about the second one? I mean, it's

0:21:50.520 --> 0:21:52.719
<v Speaker 1>it's like your newest record, but it's been it's been

0:21:52.760 --> 0:21:54.479
<v Speaker 1>a couple of years and you're writing the new one now,

0:21:54.560 --> 0:21:57.119
<v Speaker 1>so it kind of it's behind you in a way. Yeah,

0:21:57.160 --> 0:22:00.720
<v Speaker 1>it's a little bit more people discovering it still, right, Yeah,

0:22:00.760 --> 0:22:04.199
<v Speaker 1>I think I'm like I honestly, I go in and

0:22:04.200 --> 0:22:06.480
<v Speaker 1>out if I'm like going to be all the way

0:22:06.520 --> 0:22:09.880
<v Speaker 1>honest sometimes I'm like I used to when it first

0:22:09.880 --> 0:22:11.560
<v Speaker 1>came out, I was like I killed that shit. That

0:22:11.680 --> 0:22:16.400
<v Speaker 1>was so good, And now I'm kind of like did

0:22:16.440 --> 0:22:20.480
<v Speaker 1>I Like, I don't know, thank you, it is really good.

0:22:20.520 --> 0:22:25.119
<v Speaker 1>I just I think it's weird. I think I'm still

0:22:25.240 --> 0:22:27.159
<v Speaker 1>kind of coming to terms with doing something that was

0:22:27.200 --> 0:22:31.520
<v Speaker 1>that different from from what I was doing before. And

0:22:32.320 --> 0:22:37.080
<v Speaker 1>I'm not sure if it's I think it's part of

0:22:37.119 --> 0:22:40.120
<v Speaker 1>a larger story and it's kind of like dot dot dot,

0:22:40.240 --> 0:22:43.240
<v Speaker 1>like it's part of a larger thing which will be

0:22:43.320 --> 0:22:47.720
<v Speaker 1>my career, um, but like on its own. So I'm

0:22:47.720 --> 0:22:50.760
<v Speaker 1>pretty confused about it. You know, do you feel like

0:22:50.760 --> 0:22:52.560
<v Speaker 1>you want to go back to the kind of more

0:22:52.600 --> 0:22:55.800
<v Speaker 1>the sounds of the first one or um continue sort

0:22:55.800 --> 0:22:57.760
<v Speaker 1>of is there going to be like a when the

0:22:57.760 --> 0:22:59.359
<v Speaker 1>third one comes it will be like, oh wow, there

0:22:59.440 --> 0:23:04.280
<v Speaker 1>is a sort of yea. Honestly, I feel like the

0:23:04.280 --> 0:23:05.960
<v Speaker 1>third one is where I need to like pick a

0:23:06.040 --> 0:23:09.199
<v Speaker 1>lane essentially, which may not be true, but I'm just

0:23:09.200 --> 0:23:11.119
<v Speaker 1>gonna be real, like this is what's going on in

0:23:11.160 --> 0:23:14.840
<v Speaker 1>my head about like, Okay, I made an indie rock record,

0:23:14.880 --> 0:23:17.160
<v Speaker 1>and I made a record that's not that, and now

0:23:17.280 --> 0:23:21.320
<v Speaker 1>I don't really know. I'm now trying not to think

0:23:21.359 --> 0:23:23.720
<v Speaker 1>about what kind of a record I'm making. I'm just

0:23:23.960 --> 0:23:26.440
<v Speaker 1>I just want to write songs and I just want

0:23:26.440 --> 0:23:30.080
<v Speaker 1>to like put those songs on an album, So I'm

0:23:30.119 --> 0:23:33.040
<v Speaker 1>just kind of like, I'm a little confused. Do you

0:23:33.040 --> 0:23:36.560
<v Speaker 1>think that's more for you so you can classify yourself. No,

0:23:37.080 --> 0:23:40.400
<v Speaker 1>it's fully because like outside sources are in my head,

0:23:41.080 --> 0:23:46.800
<v Speaker 1>like not like or when people write about your music. Yeah,

0:23:46.840 --> 0:23:50.359
<v Speaker 1>it's like it's like I don't really I don't really

0:23:50.400 --> 0:23:53.080
<v Speaker 1>read my press unless it's like the New Yorker, thank

0:23:53.080 --> 0:23:59.880
<v Speaker 1>you very much, but but like im what a black

0:24:02.880 --> 0:24:05.320
<v Speaker 1>I'm like, I'm still confused. But the New Yorker has

0:24:05.320 --> 0:24:11.280
<v Speaker 1>approved um. But I think that I get pretty confused

0:24:11.359 --> 0:24:13.480
<v Speaker 1>once it goes out there and it's like seen in

0:24:13.480 --> 0:24:16.399
<v Speaker 1>a certain way, and I'm like what wait. I was

0:24:16.440 --> 0:24:19.480
<v Speaker 1>looking at the comments on YouTube for the water Me

0:24:19.600 --> 0:24:23.800
<v Speaker 1>Down video. Lord are they bad? They are so great? Okay,

0:24:23.960 --> 0:24:27.199
<v Speaker 1>it's like overwhelmingly positive. Okay, good, you should read them

0:24:27.240 --> 0:24:35.520
<v Speaker 1>if you're ever feeling that I'm scared. I can't anything negative.

0:24:35.520 --> 0:24:38.040
<v Speaker 1>I was like, oh, it is so encouraging as it

0:24:38.040 --> 0:24:42.360
<v Speaker 1>goes down in the YouTube comments, people are vicious, but

0:24:42.840 --> 0:24:45.199
<v Speaker 1>it's the only I will say. The times where I

0:24:45.240 --> 0:24:48.560
<v Speaker 1>feel the most sure of what I've made is when

0:24:48.600 --> 0:24:51.520
<v Speaker 1>I'm performing, because that is the only time that I'm

0:24:51.560 --> 0:24:55.240
<v Speaker 1>interacting with people who are um, they don't even have

0:24:55.280 --> 0:24:59.040
<v Speaker 1>to say anything to me, but just energetically they're letting

0:24:59.080 --> 0:25:01.520
<v Speaker 1>me know where in this together. And I don't feel

0:25:01.560 --> 0:25:06.159
<v Speaker 1>like I just have like press and like numbers in

0:25:06.240 --> 0:25:10.000
<v Speaker 1>my inbox and like, you know, like but when I'm

0:25:10.000 --> 0:25:13.480
<v Speaker 1>sitting at home writing, like that's my thread to what

0:25:13.760 --> 0:25:18.400
<v Speaker 1>is going on with my records. So it's like it's

0:25:18.440 --> 0:25:22.000
<v Speaker 1>it's very different when I'm on tour and I'm like

0:25:22.440 --> 0:25:25.000
<v Speaker 1>going to I'm like going to places and seeing people

0:25:25.000 --> 0:25:28.200
<v Speaker 1>and be like holy crap, like what And that's when

0:25:28.200 --> 0:25:32.000
<v Speaker 1>it feels like, Okay, we're all right. Yeah. What does

0:25:32.000 --> 0:25:34.200
<v Speaker 1>it feel like to when you're performing life to look

0:25:34.240 --> 0:25:36.959
<v Speaker 1>down and have people just like looking at you with

0:25:37.000 --> 0:25:42.840
<v Speaker 1>love in their eyes? Uh? I don't know. It's pretty embarrassing.

0:25:43.600 --> 0:25:46.960
<v Speaker 1>I have this thing where if I open my eyes

0:25:47.000 --> 0:25:49.800
<v Speaker 1>for too long while performing, I will like sing a

0:25:49.840 --> 0:25:54.280
<v Speaker 1>bad note like like it gets too real, Like it

0:25:54.280 --> 0:25:57.000
<v Speaker 1>gets so like, so I have to like look when

0:25:57.000 --> 0:25:59.320
<v Speaker 1>my eyes are open, I have to look right past everybody.

0:25:59.720 --> 0:26:02.320
<v Speaker 1>So you know, I don't I don't spend much time

0:26:02.359 --> 0:26:04.320
<v Speaker 1>at the merch table anymore, but that's really where I

0:26:04.359 --> 0:26:06.280
<v Speaker 1>got to talk to people and that's where I got

0:26:06.280 --> 0:26:08.000
<v Speaker 1>to like hang out with people in a way that

0:26:08.160 --> 0:26:11.040
<v Speaker 1>was like, you know, we're on the same level because

0:26:11.040 --> 0:26:13.280
<v Speaker 1>I think, I don't know, I don't know if I'm

0:26:13.280 --> 0:26:16.720
<v Speaker 1>supposed to be into the whole, Like I'm more elevated

0:26:16.760 --> 0:26:18.400
<v Speaker 1>than you think. But it kind of freaks me out

0:26:19.119 --> 0:26:21.080
<v Speaker 1>a little bit. So my favorite line on the last

0:26:21.119 --> 0:26:24.160
<v Speaker 1>album from every Woman is all the women I meet

0:26:24.200 --> 0:26:29.320
<v Speaker 1>are tired? Where did that come from? Um? It's like

0:26:29.440 --> 0:26:34.840
<v Speaker 1>loosely referencing a poem by Naira Wahid And it's in

0:26:34.840 --> 0:26:38.879
<v Speaker 1>this book called Njema that I really enjoyed, And it's

0:26:38.920 --> 0:26:44.080
<v Speaker 1>just a it's just a a like a line that

0:26:45.000 --> 0:26:49.160
<v Speaker 1>I think like unites a lot of people. It's it's

0:26:49.240 --> 0:26:52.320
<v Speaker 1>one that a lot of people can understand. So do

0:26:52.359 --> 0:26:53.880
<v Speaker 1>you want to play a little bit of that, Let's

0:26:53.880 --> 0:26:57.920
<v Speaker 1>do it. We'll be back with more from Vagabond after

0:26:57.960 --> 0:27:04.360
<v Speaker 1>the break. We're back with the rest of our interview

0:27:04.600 --> 0:27:07.760
<v Speaker 1>with Vagabond. What part of your music are you enjoying

0:27:07.800 --> 0:27:10.560
<v Speaker 1>the most so far? Is it the songwriting, between the songwriting,

0:27:10.600 --> 0:27:15.760
<v Speaker 1>the recording, the performing. Right now, I'm enjoying I think

0:27:15.800 --> 0:27:21.000
<v Speaker 1>performing is number one, and then recording has become number two.

0:27:21.560 --> 0:27:25.399
<v Speaker 1>Songwriting is just kicking my ass lately. But if you

0:27:25.480 --> 0:27:28.840
<v Speaker 1>asked me like last year, I would have said I

0:27:28.960 --> 0:27:34.080
<v Speaker 1>enjoy songwriting. But that's I'm I'm writing now, So I'm

0:27:34.119 --> 0:27:38.679
<v Speaker 1>that's like where I'm like emotionally like getting a beating

0:27:38.680 --> 0:27:41.720
<v Speaker 1>all the time. So is it hard because you're running

0:27:41.720 --> 0:27:43.960
<v Speaker 1>out of things to talk about or you can't find

0:27:44.000 --> 0:27:49.800
<v Speaker 1>ways to express things? No, I it's hard because more

0:27:49.800 --> 0:27:53.439
<v Speaker 1>people are watching, so the pressure is on. Yeah, and

0:27:53.560 --> 0:27:55.920
<v Speaker 1>I'm trying, and I'm like I had this thought. I

0:27:55.960 --> 0:27:58.120
<v Speaker 1>was like, what if I just like got a job

0:27:58.240 --> 0:28:00.600
<v Speaker 1>somewhere and I didn't think about music all the time.

0:28:02.600 --> 0:28:04.840
<v Speaker 1>I don't know, but I was like, what if I

0:28:04.960 --> 0:28:07.960
<v Speaker 1>just like, what if I just like was a coder

0:28:08.440 --> 0:28:12.919
<v Speaker 1>like and then just it's like but it's almost like

0:28:12.960 --> 0:28:14.800
<v Speaker 1>self protect. It's like I want to go back to

0:28:14.840 --> 0:28:18.800
<v Speaker 1>the time and again. This is so I feel like

0:28:18.800 --> 0:28:21.080
<v Speaker 1>I'm in therapy right now. This is not this is

0:28:21.119 --> 0:28:23.359
<v Speaker 1>not a real thing. This is me freaking out. Like

0:28:23.400 --> 0:28:25.680
<v Speaker 1>this is me like writing an album and freaking out

0:28:25.720 --> 0:28:29.320
<v Speaker 1>like that's when we're talking. But it's I want to

0:28:29.359 --> 0:28:32.040
<v Speaker 1>like not think about music twenty four seven to a

0:28:32.040 --> 0:28:35.280
<v Speaker 1>point where it's like insane, you know. Yeah, like maybe

0:28:35.320 --> 0:28:39.120
<v Speaker 1>I'll go volunteer somewhere and like do that for like

0:28:39.400 --> 0:28:42.680
<v Speaker 1>four days a week so that something else is occupying

0:28:42.720 --> 0:28:45.320
<v Speaker 1>my time besides me and my music, because you just

0:28:45.320 --> 0:28:47.920
<v Speaker 1>don't want you don't want music to feel like work. Yeah,

0:28:47.960 --> 0:28:50.640
<v Speaker 1>I don't want it to feel like it's the only

0:28:51.160 --> 0:28:53.520
<v Speaker 1>thing that I know how to do and it's the

0:28:53.600 --> 0:28:57.280
<v Speaker 1>only place that I hold my like all my eggs,

0:28:57.360 --> 0:29:00.360
<v Speaker 1>you know. I want to like yeah, yeah, that that

0:29:00.400 --> 0:29:03.800
<v Speaker 1>seems a little dangerous, and so I want to like

0:29:04.560 --> 0:29:08.080
<v Speaker 1>I want to, Yeah, I think I'm just gonna volunteer somewhere,

0:29:08.240 --> 0:29:11.160
<v Speaker 1>like yeah, like play with Kenny, yeah, like like yeah,

0:29:11.200 --> 0:29:13.840
<v Speaker 1>like please like right now, there are so many things

0:29:13.840 --> 0:29:16.000
<v Speaker 1>that I could do with my time instead of sitting

0:29:16.000 --> 0:29:19.200
<v Speaker 1>there and being like, oh, like I never feel like,

0:29:19.360 --> 0:29:24.360
<v Speaker 1>you know, it doesn't matter what you do, so don't stop,

0:29:24.400 --> 0:29:30.360
<v Speaker 1>like that will matter. No, I don't plan to do.

0:29:30.440 --> 0:29:33.440
<v Speaker 1>What do you feel naturally drawn sort of like writing

0:29:33.480 --> 0:29:39.080
<v Speaker 1>about mostly mostly it's sad, and I think that's because

0:29:39.160 --> 0:29:43.160
<v Speaker 1>of how I like started writing songs, and like, you know,

0:29:43.480 --> 0:29:45.640
<v Speaker 1>a lot of people write from that space, a lot

0:29:45.680 --> 0:29:48.320
<v Speaker 1>of people, but like I can't write a song about

0:29:48.840 --> 0:29:50.960
<v Speaker 1>I haven't been able to write a song about being

0:29:51.160 --> 0:29:54.080
<v Speaker 1>happy or like so happy I had to write a

0:29:54.080 --> 0:29:58.160
<v Speaker 1>song Like it's usually like so mad or so sad

0:29:58.280 --> 0:30:01.320
<v Speaker 1>that I have to write a song. Um, And that's

0:30:01.360 --> 0:30:03.360
<v Speaker 1>just kind of like what my first songs were about

0:30:03.400 --> 0:30:07.000
<v Speaker 1>was like all like grappling all this stuff that was confusing.

0:30:07.520 --> 0:30:12.280
<v Speaker 1>So I think that that's like currently and up until now,

0:30:12.360 --> 0:30:17.560
<v Speaker 1>has been where where I draw the most like emotion from.

0:30:18.200 --> 0:30:23.680
<v Speaker 1>I think songs about hardship, suffering, heartbreak might be more

0:30:23.720 --> 0:30:28.120
<v Speaker 1>interesting than happy songs hot take. Yeah, no, I mean

0:30:28.280 --> 0:30:32.720
<v Speaker 1>I I'm biased, but you know I'm away. I'm always

0:30:32.800 --> 0:30:36.440
<v Speaker 1>drawn to like super sad songs. Yeah, I mean me too, Yeah,

0:30:36.800 --> 0:30:40.640
<v Speaker 1>I have, I have been in the past, Like those

0:30:40.640 --> 0:30:44.640
<v Speaker 1>are the songs that I like. And it's weird because

0:30:44.640 --> 0:30:46.680
<v Speaker 1>I also listened to a lot of pop music that

0:30:46.840 --> 0:30:53.320
<v Speaker 1>I'm that is not like devastating, you know. Um, But

0:30:53.360 --> 0:30:55.920
<v Speaker 1>I think because I've just like, oh, like I had

0:30:55.960 --> 0:31:01.400
<v Speaker 1>a very sad time like when I was a teenager.

0:31:01.440 --> 0:31:03.600
<v Speaker 1>That that's you know when we're talking about like listening

0:31:03.640 --> 0:31:07.680
<v Speaker 1>to pop punk and yeah, exactly an emo and like

0:31:07.800 --> 0:31:10.720
<v Speaker 1>all that stuff like that's it's not so much that

0:31:10.760 --> 0:31:13.120
<v Speaker 1>I related to the content of their lyrics, but it

0:31:13.200 --> 0:31:17.000
<v Speaker 1>was like the emotion um so, like even if it's

0:31:17.040 --> 0:31:19.480
<v Speaker 1>a happy song, like how it emotes has to kind

0:31:19.480 --> 0:31:25.440
<v Speaker 1>of be like forceful and your great. Yeah you know. So,

0:31:26.120 --> 0:31:28.120
<v Speaker 1>is there anybody that you consider to be just a

0:31:28.240 --> 0:31:32.840
<v Speaker 1>musical genius m who you're just completely in awe of.

0:31:33.400 --> 0:31:36.040
<v Speaker 1>Well it changes all the time, obviously, but right now

0:31:36.080 --> 0:31:41.400
<v Speaker 1>I'm pretty obsessed with Roy Orbison. Yeah, Like, look what

0:31:41.560 --> 0:31:45.080
<v Speaker 1>is it about him? I mean just the drama, the

0:31:45.280 --> 0:31:51.040
<v Speaker 1>like the it's grand and it's like really incredible vocalist

0:31:51.280 --> 0:31:55.440
<v Speaker 1>and the songs are great, and it's just kind of

0:31:55.480 --> 0:31:59.880
<v Speaker 1>this this like type of singing that makes me like

0:32:00.000 --> 0:32:03.920
<v Speaker 1>I'm just super um interested and impressed and like I

0:32:03.960 --> 0:32:07.600
<v Speaker 1>want to know everything about him these days. I heard

0:32:07.600 --> 0:32:10.200
<v Speaker 1>a story about him that when he sang, he barely

0:32:10.240 --> 0:32:14.480
<v Speaker 1>opened his mouth. That see that's classic crooner. I love it.

0:32:14.960 --> 0:32:17.400
<v Speaker 1>I love it. I'm so jealous. I don't get what

0:32:17.480 --> 0:32:21.680
<v Speaker 1>people talk about. Oh it's my royal orbits, Yeah beautiful,

0:32:22.640 --> 0:32:26.320
<v Speaker 1>Oh my god, And I like it's so I've been

0:32:26.520 --> 0:32:30.800
<v Speaker 1>playing um that song crying like can you do that?

0:32:31.040 --> 0:32:35.280
<v Speaker 1>So good? I wish I let me not embarrassed myself.

0:32:37.320 --> 0:32:41.959
<v Speaker 1>It's so it's so good. It's a dramatic song. I'm

0:32:42.000 --> 0:32:44.920
<v Speaker 1>saying the sad drama like that's what makes a good song.

0:32:45.120 --> 0:32:47.120
<v Speaker 1>I'm here for it. And that's the thing. It's like

0:32:47.200 --> 0:32:50.120
<v Speaker 1>it's sad, but it still makes you feel good. Yeah.

0:32:50.440 --> 0:32:52.600
<v Speaker 1>Is there a song that you're trying to write now

0:32:52.640 --> 0:32:58.640
<v Speaker 1>that you just can't articulate yet? Um, like a feeling

0:32:58.680 --> 0:33:01.360
<v Speaker 1>you're trying to get at or an experience you're trying

0:33:01.360 --> 0:33:05.160
<v Speaker 1>to work through. Yeah, I mean they are like a lot,

0:33:05.200 --> 0:33:08.080
<v Speaker 1>There are a lot of them, But that's usually that

0:33:08.840 --> 0:33:13.880
<v Speaker 1>writing songs have gotten harder for me. It's I'm definitely

0:33:14.160 --> 0:33:17.880
<v Speaker 1>thinking more. One thing I'm obsessed with right now is

0:33:17.880 --> 0:33:22.600
<v Speaker 1>like my songs sounding, my songs reading well without the music,

0:33:22.720 --> 0:33:26.880
<v Speaker 1>because I've been so I've been so like obsessed with

0:33:26.960 --> 0:33:31.880
<v Speaker 1>production and arrangement and those things are super important. But

0:33:32.120 --> 0:33:36.480
<v Speaker 1>like some of my favorite like like mostly folk music,

0:33:36.600 --> 0:33:40.640
<v Speaker 1>but like are all they just read so beautifully when

0:33:40.680 --> 0:33:43.800
<v Speaker 1>you just read the lyrics? And what's an example of

0:33:43.880 --> 0:33:46.280
<v Speaker 1>a song you're thinking of? I mean everything on Joni

0:33:46.360 --> 0:33:51.160
<v Speaker 1>Mitchell's Blue Um, like Joanna Newsom's lyric. Have you ever

0:33:51.240 --> 0:33:56.560
<v Speaker 1>read that like without music? Dance right, dance as fuck

0:33:56.840 --> 0:34:01.160
<v Speaker 1>it is, and and it's masterful actually when you read

0:34:01.200 --> 0:34:04.240
<v Speaker 1>it and you see all the way I mean, I

0:34:04.280 --> 0:34:08.479
<v Speaker 1>don't know if she was like an English person, but

0:34:10.239 --> 0:34:12.560
<v Speaker 1>it's just it kind of just reads like a like

0:34:12.600 --> 0:34:15.960
<v Speaker 1>a book and it's impressive. And English, being my second language,

0:34:16.320 --> 0:34:21.560
<v Speaker 1>I just have never really like felt precious about saying

0:34:21.640 --> 0:34:25.759
<v Speaker 1>something in the most poetic way, like and I'm trying to.

0:34:27.680 --> 0:34:30.120
<v Speaker 1>I'm trying to just like see what that world is

0:34:30.160 --> 0:34:34.240
<v Speaker 1>about see see. And Julie Byrne. Do y'all know Julie Byrne.

0:34:35.960 --> 0:34:39.600
<v Speaker 1>She's amazing. She had a record called Not Even Happiness,

0:34:40.040 --> 0:34:43.759
<v Speaker 1>and there's a song she had that she has on

0:34:43.800 --> 0:34:48.080
<v Speaker 1>there called I Live Now as a Singer and it's

0:34:48.120 --> 0:34:51.440
<v Speaker 1>just like it's just poetry, but it also is an

0:34:51.480 --> 0:34:54.600
<v Speaker 1>incredible song. So that's been kind of what I've been

0:34:54.640 --> 0:34:57.960
<v Speaker 1>going through my songwriting. That's wonder if before we got

0:34:57.960 --> 0:35:00.840
<v Speaker 1>I Know you were going to do like a Joanna Newsom. Yeah,

0:35:00.960 --> 0:35:03.200
<v Speaker 1>I think you switched it up, right, I think I

0:35:03.280 --> 0:35:07.000
<v Speaker 1>switched it up. And yeah, I've been kind of obsessing

0:35:07.120 --> 0:35:11.640
<v Speaker 1>over this song called Reason to Believe by Karen Dalton. Yeah, reason,

0:35:11.680 --> 0:35:12.879
<v Speaker 1>but I think it goes I think it's a Tim

0:35:12.920 --> 0:35:16.880
<v Speaker 1>Hardens it is right earlier, it is. It's so good.

0:35:17.080 --> 0:35:19.960
<v Speaker 1>Um and Corney Barnett and I just recorded a cover

0:35:20.040 --> 0:35:21.759
<v Speaker 1>of it like two days ago, and so it's like

0:35:21.800 --> 0:35:24.799
<v Speaker 1>in my head. Yeah, I haven't played the Journeys Win

0:35:24.800 --> 0:35:27.279
<v Speaker 1>in a while, so should we play that new game

0:35:27.320 --> 0:35:32.239
<v Speaker 1>to play it? Yeah? That was awesome. Thank you, Yeah,

0:35:32.320 --> 0:35:34.799
<v Speaker 1>thank you, thank you, Thank you so much for coming by. Yeah,

0:35:34.840 --> 0:35:39.840
<v Speaker 1>thanks for having me. This was really fun. Thanks to

0:35:39.880 --> 0:35:41.879
<v Speaker 1>Vagabond for sitting down with me and Leah. I'm playing

0:35:41.920 --> 0:35:44.440
<v Speaker 1>some music for us. She was all set to head

0:35:44.480 --> 0:35:47.160
<v Speaker 1>out on the headlining tour across the country, but that's

0:35:47.160 --> 0:35:49.680
<v Speaker 1>been postponed for the time being. In the meantime, you

0:35:49.680 --> 0:35:52.160
<v Speaker 1>can hear all of our favorite Vagabond songs by heading

0:35:52.200 --> 0:35:55.920
<v Speaker 1>to broken record podcast dot com. Broken Record is produced

0:35:56.040 --> 0:35:59.640
<v Speaker 1>help from Jason Gambrel, Mia Bell, Leo Rose, Matt Leboza,

0:35:59.760 --> 0:36:03.319
<v Speaker 1>and my Ten Gonzalez for Pushkin Industries. Our theme musics

0:36:03.360 --> 0:36:06.400
<v Speaker 1>by Kenny Beats. I'm justin Richmond. Thanks for listening.