WEBVTT - Iman: Fashion Stories and Breaking Boundaries

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<v Speaker 1>Hi everyone, I'm Rachel Zoe and you're listening to Climbing

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<v Speaker 1>in Heels for your weekly dose of glamour, inspiration and

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<v Speaker 1>of course fun. In honor fashion Month coming to an end,

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<v Speaker 1>I'm throwing it back and paying tribute to one of

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<v Speaker 1>my all time favorite fashion icons.

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<v Speaker 2>Emon.

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<v Speaker 1>Emon has truly pushed the boundaries of the fashion industry

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<v Speaker 1>by staying true to herself and what she believes in.

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<v Speaker 1>She is just the most iconic and gorgeous woman, and

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<v Speaker 1>I am so lucky to call her a friend. So

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<v Speaker 1>let's jump right in.

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<v Speaker 2>Hi darling, Oh my god, I miss you so much.

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<v Speaker 3>How are you? How are you?

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<v Speaker 2>I'm so good? How are you?

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<v Speaker 4>I'm okay, I'm how's the kids?

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<v Speaker 1>They're so good? They're so bad. I mean there are

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<v Speaker 1>eleven and eight. I can't believe it. How are yours?

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<v Speaker 2>Big? Old?

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<v Speaker 4>Yeah, I'm My kids are.

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<v Speaker 3>Old and they are older, and I have three grandchildren.

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<v Speaker 2>I cannot believe you have grandchildren?

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<v Speaker 3>Yes?

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<v Speaker 2>Do they call you grandma or do you have another name?

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<v Speaker 3>Nana?

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<v Speaker 1>I'm so happy to see you. You look stunning.

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<v Speaker 3>Oh thank you?

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<v Speaker 2>I do not Oh my.

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<v Speaker 1>God, you so I started this podcast Climbing in Heels

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<v Speaker 1>because there are so many incredible superwomen in my life

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<v Speaker 1>that I've met along my journey, in my life and

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<v Speaker 1>in my career, and you have always stood out as

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<v Speaker 1>just one of the most elegant, beautiful souls, just beyond

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<v Speaker 1>your actual physical beauty. You've just always been this ray

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<v Speaker 1>of light in those crazy rooms in my life. And

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<v Speaker 1>you know what I'm taught talking about when you walk

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<v Speaker 1>into those rooms and it's crazy, and I would always

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<v Speaker 1>feel very lost and very small and very you know, intimidated,

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<v Speaker 1>And you were just always this strikingly tall, beautiful but

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<v Speaker 1>kind and friendly and still funny, always funny person in

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<v Speaker 1>my life. And so before I was getting on, I

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<v Speaker 1>was I was thinking about your journey and what an

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<v Speaker 1>incredible journey it's been. And I mean, it would take

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<v Speaker 1>us years to get through that, but I do want

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<v Speaker 1>to talk about because everybody knows who you are. Everybody

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<v Speaker 1>knows Emon the Queen, and so for my listeners, I

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<v Speaker 1>think it's very important to know, you know. I call

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<v Speaker 1>this podcast Climbing and Heels because I think that so

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<v Speaker 1>many of the women I know that get to where

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<v Speaker 1>they are, they don't sacrifice being a woman for it.

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<v Speaker 1>They don't sacrifice embracing their beauty and femininity as a

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<v Speaker 1>woman and using their superpowers in various ways. And you're

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<v Speaker 1>such a good example of that. And so what I

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<v Speaker 1>want to go to is just a little bit from

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<v Speaker 1>the beginning of like who were you as this child?

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<v Speaker 1>Were you always this person that was like I want

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<v Speaker 1>to do a million things in my life, I need

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<v Speaker 1>to do this, this is or were you just like chill?

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<v Speaker 1>I can't imagine that you were, but please tell me yes,

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<v Speaker 1>person of.

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<v Speaker 4>All, as you said, I never would have thought of

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<v Speaker 4>you when you walk into a room that you were small.

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<v Speaker 4>You are not a small personality. That's a bad way.

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<v Speaker 4>So I don't know what you're talking about. Bed, you

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<v Speaker 4>own the room, money you walk in regards regardless of

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<v Speaker 4>how high your heels were, my journey, really it was

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<v Speaker 4>I never I've never envisioned myself of where my trajectory

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<v Speaker 4>or journey took me. I was always intending to major

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<v Speaker 4>in political science and follow the footsteps of my father,

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<v Speaker 4>who was an ambassador, so I was more into politics.

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<v Speaker 4>I've never seen fashion magazines, never board heels or make

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<v Speaker 4>up way before I came to the United States, So

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<v Speaker 4>I was an ambassador's daughter for many years, and then

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<v Speaker 4>in nineteen sixty nine, my country, Somalia, had had a

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<v Speaker 4>military regime took over and all the embassies were closed

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<v Speaker 4>and we all came back home and a lot of

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<v Speaker 4>people would either put in prison or execute it.

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<v Speaker 3>So my parents decided in the middle of the nineteen.

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<v Speaker 4>Nineteen seventy two that we were going to flee the country,

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<v Speaker 4>and so they put us in a vain and just

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<v Speaker 4>drove to the border of Kenya and then we crossed

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<v Speaker 4>over by vote, just with the clothes on our back

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<v Speaker 4>and instantly became refugees. So when I I arrived in

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<v Speaker 4>any of that was my.

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<v Speaker 3>Lot in life. All I was trying to do was

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<v Speaker 3>actually trying to get a.

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<v Speaker 4>Scholarship to finish the university. And so I had no

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<v Speaker 4>no recollection of ever seeing a fashion.

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<v Speaker 3>Magazine in my life.

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<v Speaker 4>And one day while I was walking down the street

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<v Speaker 4>on my.

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<v Speaker 3>Way from one job to another.

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<v Speaker 4>And Peter beer to the photographer, stopped me in the

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<v Speaker 4>street and asked me if I had ever been photographed.

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<v Speaker 4>So I had no idea what he was trying to

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<v Speaker 4>talk about. I thought he was trying to pick.

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<v Speaker 1>Me up, and I said, you're probably like, huh, handsome

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<v Speaker 1>man asking to take my picture.

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<v Speaker 2>Interesting.

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<v Speaker 4>Yeah, and so he he said to me the magic word.

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<v Speaker 4>He said, I will pay you and I said, well

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<v Speaker 4>how much? He said, well, how much do you need?

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<v Speaker 4>And I said it's eight thousand dollars. That was the

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<v Speaker 4>question for one year and he said, okay, I'll pay you.

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<v Speaker 3>And he took pictures of me just and.

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<v Speaker 4>I had a friend with me, and so he took

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<v Speaker 4>these pictures of me and then I thought I'll never

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<v Speaker 4>see him again. And three months later I didn't have

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<v Speaker 4>our staying at the in campus at the university, I

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<v Speaker 4>didn't have a phone.

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<v Speaker 3>So he had a friend of mine who worked at Pannan.

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<v Speaker 3>This is how.

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<v Speaker 2>My god.

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<v Speaker 4>He called her and told her to let me know

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<v Speaker 4>that he wants to talk to me. So I went

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<v Speaker 4>there to her office the next day and it was Wilhelmina,

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<v Speaker 4>who owned Wilhelmina agency agency and him on the phone

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<v Speaker 4>and they both said, me saw the pictures. She said,

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<v Speaker 4>she saw the pictures. She's going to send me a ticket.

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<v Speaker 4>I could become a big model. And I had no

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<v Speaker 4>idea what they were talking about. And the only thing

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<v Speaker 4>I asked for was a return ticket back home if

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<v Speaker 4>I didn't have if I didn't want to stay, and

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<v Speaker 4>I still have the ticket.

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<v Speaker 2>Oh my god, I bet you do.

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<v Speaker 4>Yes, I do, I do, And so I give into

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<v Speaker 4>the United States and.

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<v Speaker 3>On my Thursday in New York, I was working for vote.

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<v Speaker 1>That's the sickest thing ever. Yeah, but it just, honestly,

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<v Speaker 1>it just shows that you were just so smart and

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<v Speaker 1>clever about how you conducted yourself in life, no matter

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<v Speaker 1>what like meaning you were. You were living in a

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<v Speaker 1>not ideal situation, right, I mean you left with nothing

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<v Speaker 1>but the clothes in your back, basically starting your life.

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<v Speaker 2>So how old were you when you came to New York.

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<v Speaker 1>I was barely nineteen, barely nineteen, barely nineteen.

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<v Speaker 4>Yeah, but I thought I was just really checking out

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<v Speaker 4>what they were talking about the industry. I had no

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<v Speaker 4>intention of actually staying. And then when things happened for me,

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<v Speaker 4>it was an opportunity for me to be able to

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<v Speaker 4>send my brothers and sisters so they can finish their education, yeah,

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<v Speaker 4>and take care of my parents.

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<v Speaker 3>So that's what really the industry has, you know, was

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<v Speaker 3>helpful to me, sure.

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<v Speaker 4>But objectory of my life completely changed, you know, in

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<v Speaker 4>just one instant of being photographed by.

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<v Speaker 1>Peter, and I think you know, to some extent that

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<v Speaker 1>still happens now. I feel like, right, I mean it's

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<v Speaker 1>such a massive conversation, but I mean you broke down endless,

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<v Speaker 1>countless walls in the modeling industry.

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<v Speaker 2>You were so.

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<v Speaker 1>Much more than like a beautiful model. It was sort

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<v Speaker 1>of like emon, right, It was sort of like the

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<v Speaker 1>one word, the one name, the like that, and you

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<v Speaker 1>really just stood out because I what's funny is what

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<v Speaker 1>I remember so well, of course, is what you wore.

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<v Speaker 1>You know, you know, this sort of like model off

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<v Speaker 1>duty look of like the jeans and T shirts and

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<v Speaker 1>sneakers and whatever.

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<v Speaker 2>I don't have any image of you in that.

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<v Speaker 1>I have images of you and like Halston, Bob Mackie,

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<v Speaker 1>like I guess one of my questions is to you

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<v Speaker 1>is like were you obsessed with it?

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<v Speaker 2>Were you loving it? Were you living for the sort

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<v Speaker 2>of fashion of it? Were you like?

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<v Speaker 1>It just seems to me that you had such a

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<v Speaker 1>deep love and still do to this day. And look

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<v Speaker 1>at you right now, You're not in jeans and a

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<v Speaker 1>T shirt.

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<v Speaker 4>But no, I was not obsessed with it because I

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<v Speaker 4>was learning on the job.

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<v Speaker 3>But what what it opened the doors for me?

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<v Speaker 4>It is things that regular people are not don't experience.

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<v Speaker 4>I mean, my first walk on the runway was for Halston, right,

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<v Speaker 4>and I've never.

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<v Speaker 3>Forget when I went to see him in his.

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<v Speaker 4>Massive Olympic Tower studio with all the mirrors everywhere, and

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<v Speaker 4>he had an ever present cigarette in his hand and

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<v Speaker 4>a hand in his pocket.

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<v Speaker 1>And a turtlekneck and turtlet, but a hand in his pocket,

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<v Speaker 1>even although he was in his office.

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<v Speaker 4>He was almost posy, exactly exactly, and he said to me, Darling,

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<v Speaker 4>can you walk? I said, how the f do you

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<v Speaker 4>think I got here? But he said, Okay, I know

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<v Speaker 4>you just came from Africa, but walking here is different

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<v Speaker 4>than walking out the street. So and that was the

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<v Speaker 4>first time I even learned about the world walking in

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<v Speaker 4>our industry, what it means that it doesn't.

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<v Speaker 3>Mean just walking down the street.

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<v Speaker 4>Yeah, so yeah, and so you're exposed to that. But

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<v Speaker 4>really the level of understanding the fashion industry and its

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<v Speaker 4>designers came to me when one season some Lavan asked

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<v Speaker 4>me to be his muse for Thekuturu collection.

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<v Speaker 1>You realize that my whole insights are collapsing as you

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<v Speaker 1>say this, right, this is literally like it's it's almost

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<v Speaker 1>like you're singing this song to me of dreams. Okay,

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<v Speaker 1>it was like Halston walking into a studio and then

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<v Speaker 1>and it.

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<v Speaker 4>Was really first of all, I was clueless what amuse meant?

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<v Speaker 4>So I thought there were like, there would be lots

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<v Speaker 4>of girls, other girls, but it was only me. And

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<v Speaker 4>he literally had bolts of fabric that he cut on

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<v Speaker 4>my body. He was creating the collection as.

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<v Speaker 3>I was standing right there. And when he.

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<v Speaker 4>Finished, the collection was called The African Queen and David

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<v Speaker 4>Bailey took the pictures and you know that, So you

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<v Speaker 4>had that level of couture collections and understanding these colorless

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<v Speaker 4>and things and you know, jewelry.

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<v Speaker 3>And amazing, amazing hyper environment.

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<v Speaker 4>And then cut to Terry Mugler and Claude Montana and

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<v Speaker 4>John Cabot here who was the three Los von in Paris,

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<v Speaker 4>and then he.

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<v Speaker 3>Became the muse of Terry Mugler, who was like an.

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<v Speaker 4>Ng M film director because all his shows looked like.

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<v Speaker 3>Like scenes from Seems exactly exactly. So you know, so

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<v Speaker 3>there is.

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<v Speaker 4>That experience and what you have in fashion is that

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<v Speaker 4>we literally I used to call it literally the circus

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<v Speaker 4>because you know, we'll go to Paris and the tents

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<v Speaker 4>will blow up.

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<v Speaker 2>Yeah, yes it's true.

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<v Speaker 4>And we will be there and doing all kinds of

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<v Speaker 4>crazy fashions and the tents come back down and we

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<v Speaker 4>moved onto another city. So it's like really running away

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<v Speaker 4>with the circles being with fashion.

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<v Speaker 2>I need to put that on a T shirt.

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<v Speaker 1>So, I mean, you know, I always like to know

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<v Speaker 1>what that moment that changed your life and your career was.

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<v Speaker 1>I mean, it would obviously be the Peter Bard moment, right,

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<v Speaker 1>I mean, but there was probably many.

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<v Speaker 4>Yes, there were many, but that was really you know,

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<v Speaker 4>that that opened the door. And then there were like

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<v Speaker 4>the designers obviously who from the Givangis to the ifs

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<v Speaker 4>on alone who used lots of sixty percent of their

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<v Speaker 4>cabine on runway with black models of Asian models. So

0:12:57.480 --> 0:13:04.360
<v Speaker 4>you had really at that time, really had through inclusivity. Yeah,

0:13:04.559 --> 0:13:08.199
<v Speaker 4>not by world, but really existed, right. But for me

0:13:08.280 --> 0:13:09.920
<v Speaker 4>as my trajectory.

0:13:09.400 --> 0:13:12.959
<v Speaker 3>What changes was really becoming used to uh to Terry.

0:13:12.760 --> 0:13:16.920
<v Speaker 4>Mugler, because I remember every shows that I would go

0:13:17.200 --> 0:13:19.280
<v Speaker 4>and you know, as a black model, most of the

0:13:19.320 --> 0:13:21.720
<v Speaker 4>design most of the hairdressers didn't know how.

0:13:21.600 --> 0:13:23.480
<v Speaker 3>To do with our hair.

0:13:23.600 --> 0:13:27.680
<v Speaker 4>So immediately they just just pull it back in a shoon, right.

0:13:28.080 --> 0:13:31.120
<v Speaker 4>So Terry Mugler was the first person who said, you know,

0:13:31.440 --> 0:13:34.199
<v Speaker 4>think of your craziest dreams and we'll go for it.

0:13:34.760 --> 0:13:39.160
<v Speaker 4>And it's for the first time where I met a hairdresser,

0:13:39.160 --> 0:13:42.080
<v Speaker 4>a black hairdresser in New York who did hair extensions,

0:13:42.280 --> 0:13:45.520
<v Speaker 4>and she did the hair extensions, and I arrived in Paris,

0:13:45.559 --> 0:13:48.240
<v Speaker 4>and you would think that they have so seen me

0:13:48.480 --> 0:13:51.720
<v Speaker 4>in a different light because now, all of a sudden,

0:13:51.800 --> 0:13:54.240
<v Speaker 4>my head could be straight, it would be curly, it could.

0:13:54.120 --> 0:13:58.120
<v Speaker 3>Be an afroc, you know. So that completely changed.

0:13:57.760 --> 0:14:00.960
<v Speaker 4>The trajectory of my real bresiness because all of a

0:14:00.960 --> 0:14:03.360
<v Speaker 4>sudden we were seen in a different blood.

0:14:03.920 --> 0:14:08.360
<v Speaker 1>That's so interesting. And then I imagine that the same

0:14:08.640 --> 0:14:12.880
<v Speaker 1>thing probably happened with makeup, yep, because that's something you

0:14:12.960 --> 0:14:15.560
<v Speaker 1>and I have talked about that And I remember when

0:14:15.559 --> 0:14:18.880
<v Speaker 1>you launched your makeup and you said, I needed to

0:14:19.000 --> 0:14:22.520
<v Speaker 1>make a line of makeup for us because nobody at

0:14:22.520 --> 0:14:25.760
<v Speaker 1>the shows was able to match your skin tone to

0:14:25.800 --> 0:14:28.520
<v Speaker 1>the foundation and da da da, And so tell me

0:14:28.560 --> 0:14:32.200
<v Speaker 1>about that, because I think that is so incredibly important

0:14:32.280 --> 0:14:34.720
<v Speaker 1>to know and I think for everyone to really understand.

0:14:35.280 --> 0:14:37.720
<v Speaker 4>Yeah, exactly because nowa there's a lot of young people

0:14:37.800 --> 0:14:41.800
<v Speaker 4>are really letting in an environment where fency exists, you know,

0:14:42.280 --> 0:14:45.840
<v Speaker 4>so they don't know where actually this could have come from. Yes,

0:14:47.040 --> 0:14:49.320
<v Speaker 4>and as lovely as Lehanna has invented that, there were

0:14:49.360 --> 0:14:53.239
<v Speaker 4>other smaller companies before I started that they were trying

0:14:53.280 --> 0:14:56.840
<v Speaker 4>to do, but there was not really a marketplace for us.

0:14:56.880 --> 0:14:59.560
<v Speaker 4>But in nineteen seventy five, my first job when I

0:14:59.640 --> 0:15:04.080
<v Speaker 4>arrived was American Vogue, and the shoot there was a

0:15:04.440 --> 0:15:08.040
<v Speaker 4>Caucasian model and I and it was with Arthur Elbert,

0:15:08.240 --> 0:15:11.520
<v Speaker 4>and there was a makeup artist and he started doing

0:15:11.280 --> 0:15:16.240
<v Speaker 4>the white girl's makeup, and then when he came to

0:15:16.360 --> 0:15:20.040
<v Speaker 4>my turn, he asked me a very perplexing question because

0:15:20.400 --> 0:15:22.200
<v Speaker 4>I knew it was not lost on me that he

0:15:22.280 --> 0:15:24.360
<v Speaker 4>did not ask that question to the other girl, And

0:15:24.400 --> 0:15:26.000
<v Speaker 4>he said, did you bring your own foundation?

0:15:26.640 --> 0:15:27.920
<v Speaker 3>Because he had nothing for me.

0:15:28.400 --> 0:15:31.560
<v Speaker 4>So he started mixing products and put it on my face,

0:15:31.760 --> 0:15:34.640
<v Speaker 4>and when I looked in the mirror, I looked gray.

0:15:35.880 --> 0:15:38.320
<v Speaker 3>And so I thought after that shoot, I thought, if

0:15:38.360 --> 0:15:40.560
<v Speaker 3>I survived this shoot, I'm going to find out some

0:15:40.800 --> 0:15:42.000
<v Speaker 3>kind of a way that I.

0:15:41.920 --> 0:15:45.600
<v Speaker 4>Can get something in the marketplace and mix a product

0:15:45.600 --> 0:15:47.560
<v Speaker 4>that I can use and take it.

0:15:47.480 --> 0:15:49.960
<v Speaker 3>With me to the shoots because they don't have it.

0:15:50.680 --> 0:15:55.200
<v Speaker 4>And just the gods of fashion was looking after me.

0:15:55.600 --> 0:16:00.320
<v Speaker 4>Pictures in black and white, and black and white. It's

0:16:00.720 --> 0:16:01.960
<v Speaker 4>multitude of sins.

0:16:05.560 --> 0:16:07.160
<v Speaker 2>Oh my god. Okay.

0:16:06.800 --> 0:16:10.400
<v Speaker 4>So I went and bought all these foundations that I found,

0:16:10.560 --> 0:16:12.120
<v Speaker 4>things that have a little bit of a tent, and

0:16:12.160 --> 0:16:15.200
<v Speaker 4>I mixed it and I had the original selfish the

0:16:15.240 --> 0:16:19.760
<v Speaker 4>polaroid and I'll put the makeup on and I'll take

0:16:19.960 --> 0:16:22.080
<v Speaker 4>I'll take a picture of myself just to see it.

0:16:22.120 --> 0:16:24.800
<v Speaker 3>How will it translate it into photography?

0:16:25.160 --> 0:16:27.200
<v Speaker 4>Because at the end of the day, as a model,

0:16:27.360 --> 0:16:28.640
<v Speaker 4>image is my parents.

0:16:29.000 --> 0:16:31.480
<v Speaker 3>Nobody cares about how I really is. How do I

0:16:31.640 --> 0:16:35.480
<v Speaker 3>do I translate into photographs? And I wanted to have

0:16:35.560 --> 0:16:37.160
<v Speaker 3>some kind of a control of that.

0:16:37.440 --> 0:16:41.320
<v Speaker 4>So I never went to a job without having something

0:16:41.320 --> 0:16:45.119
<v Speaker 4>in my pocket. And when I started doing the runways

0:16:45.160 --> 0:16:49.080
<v Speaker 4>and I would be doing my makeup, every black marble

0:16:49.320 --> 0:16:51.960
<v Speaker 4>would come to me and she says, let me see

0:16:52.000 --> 0:16:53.680
<v Speaker 4>what you have? Can I use some of yous?

0:16:54.120 --> 0:16:56.680
<v Speaker 3>Wow? And so from there the.

0:16:57.400 --> 0:17:01.600
<v Speaker 4>Seed of creating Imaan Cosmetics was in my head. And

0:17:01.640 --> 0:17:04.800
<v Speaker 4>when I stopped modeling in nineteen eighty nine I created

0:17:04.960 --> 0:17:06.119
<v Speaker 4>in nineteen ninety forty nine.

0:17:06.160 --> 0:17:06.680
<v Speaker 3>Pluses.

0:17:07.640 --> 0:17:11.119
<v Speaker 1>Wow, Yes, it's weird, though I don't I feel like

0:17:11.160 --> 0:17:15.200
<v Speaker 1>you still model? Yes, I mean I feel like you're

0:17:15.200 --> 0:17:17.240
<v Speaker 1>still modeled. Like, what do you mean you're still modeling?

0:17:17.240 --> 0:17:18.760
<v Speaker 1>You did not stop in eighty nine?

0:17:18.840 --> 0:17:21.520
<v Speaker 3>What? Let me tell you. In nineteen eighty nine, my

0:17:21.720 --> 0:17:23.159
<v Speaker 3>last show was for.

0:17:23.280 --> 0:17:28.240
<v Speaker 4>Thierry Millblair, his first Cotol collection, and I said bye,

0:17:29.200 --> 0:17:30.640
<v Speaker 4>and I told everybody.

0:17:30.200 --> 0:17:31.760
<v Speaker 3>That was that was my last show.

0:17:31.800 --> 0:17:35.040
<v Speaker 4>And I remember because it was very poignant and very sweet.

0:17:35.440 --> 0:17:38.480
<v Speaker 4>All the photographers in the marsh pat came on the

0:17:38.600 --> 0:17:41.879
<v Speaker 4>stage and took the last picture with me. I have

0:17:41.960 --> 0:17:44.840
<v Speaker 4>to tell you, I have not been to a fashion

0:17:45.000 --> 0:17:46.800
<v Speaker 4>show since nineteen eighty nine.

0:17:46.920 --> 0:17:50.760
<v Speaker 2>No, you haven't been to one, or you haven't walked

0:17:50.760 --> 0:17:51.120
<v Speaker 2>in one.

0:17:51.520 --> 0:17:53.199
<v Speaker 4>I have not walked in one, and I have not

0:17:53.320 --> 0:17:56.160
<v Speaker 4>been in what well, if you think.

0:17:56.000 --> 0:17:59.160
<v Speaker 3>About it, I've worked with mostly all the designers and

0:17:59.240 --> 0:18:02.879
<v Speaker 3>so who So I'm I'm going to go to go.

0:18:03.320 --> 0:18:05.720
<v Speaker 1>There's no way that you have not been asked four

0:18:05.800 --> 0:18:07.639
<v Speaker 1>hundred times to walk a show, not.

0:18:07.640 --> 0:18:09.400
<v Speaker 4>Like as recent as last.

0:18:10.359 --> 0:18:13.480
<v Speaker 3>I was gonna say, but I don't.

0:18:19.240 --> 0:18:23.360
<v Speaker 2>Now a word from our sponsor that is real. It's

0:18:23.400 --> 0:18:24.720
<v Speaker 2>actually really.

0:18:24.680 --> 0:18:30.080
<v Speaker 1>Incredible because how many times do icons retire and then

0:18:30.160 --> 0:18:33.000
<v Speaker 1>like a month later they're like, just kidding, just kidding,

0:18:33.040 --> 0:18:35.159
<v Speaker 1>I'm coming back. And I feel like I've seen it

0:18:35.200 --> 0:18:39.680
<v Speaker 1>with countless like singers and actors, and everyone's like, I'm done,

0:18:39.680 --> 0:18:40.000
<v Speaker 1>I'm done.

0:18:40.000 --> 0:18:43.480
<v Speaker 2>I'm quitting. I'm quitting, even like Tom Brady quitting. Just kidding.

0:18:43.560 --> 0:18:45.919
<v Speaker 4>But but he's going to be in trouble with if

0:18:45.920 --> 0:18:46.719
<v Speaker 4>he doesn't keep up.

0:18:47.000 --> 0:18:47.400
<v Speaker 3>I know it.

0:18:48.920 --> 0:18:55.920
<v Speaker 1>Yeah, it's listen, yes, okay, Emon Cosmetics.

0:18:56.480 --> 0:18:58.040
<v Speaker 2>It's amazing, it's beautiful.

0:18:58.440 --> 0:19:01.920
<v Speaker 1>You've done I feel like hundreds of thousands of things

0:19:01.920 --> 0:19:04.280
<v Speaker 1>because I just feel like you're such this large presence

0:19:05.400 --> 0:19:08.119
<v Speaker 1>and you're you have so much to say about things.

0:19:09.040 --> 0:19:13.800
<v Speaker 4>You know. I've written two books, you know, very successful books.

0:19:13.880 --> 0:19:17.119
<v Speaker 4>One was on beauty and was called The Beauty of Color,

0:19:17.520 --> 0:19:19.600
<v Speaker 4>and it was the ultimate guy for skin of color.

0:19:19.680 --> 0:19:22.040
<v Speaker 4>And and it was not just for black women, it

0:19:22.080 --> 0:19:25.600
<v Speaker 4>was also for latinis because I built my forward and

0:19:25.600 --> 0:19:25.960
<v Speaker 4>I had.

0:19:25.880 --> 0:19:29.080
<v Speaker 3>Aba Mendez and you know Jay Jagg and you know.

0:19:29.080 --> 0:19:33.680
<v Speaker 4>Everybody under this under that umbrella as a global community

0:19:33.720 --> 0:19:36.120
<v Speaker 4>and as beauty that is not the.

0:19:36.000 --> 0:19:37.320
<v Speaker 3>Standard of just white.

0:19:37.840 --> 0:19:40.040
<v Speaker 4>And then I wrote a book called I Am in Man,

0:19:40.080 --> 0:19:44.120
<v Speaker 4>which was photography and and and my story about how

0:19:44.200 --> 0:19:46.000
<v Speaker 4>I from my where I came.

0:19:45.840 --> 0:19:47.280
<v Speaker 3>From doing this industry.

0:19:47.880 --> 0:19:50.760
<v Speaker 4>Uh and you know, and then during COVID, I was

0:19:50.800 --> 0:19:55.480
<v Speaker 4>contacted by YouTube and these directors with them and they.

0:19:55.359 --> 0:19:57.960
<v Speaker 3>Were going to They wanted to talk to me about.

0:19:57.760 --> 0:20:01.679
<v Speaker 4>A doggy series that called Supreme Models, which was based

0:20:01.720 --> 0:20:05.240
<v Speaker 4>on a book called Supreme Models, which is black models

0:20:05.240 --> 0:20:09.800
<v Speaker 4>who revolutionized fashion industry. So I said to them, you know,

0:20:10.040 --> 0:20:12.240
<v Speaker 4>I said to them, what are you bringing to the

0:20:12.280 --> 0:20:13.640
<v Speaker 4>table that has not been.

0:20:13.560 --> 0:20:16.760
<v Speaker 3>Said about black beauty and black models?

0:20:17.119 --> 0:20:20.280
<v Speaker 4>And they said, are you aware that there has never

0:20:20.320 --> 0:20:23.680
<v Speaker 4>been a documentary on black beauty or black marbles, which

0:20:23.800 --> 0:20:26.280
<v Speaker 4>was surprising to me at twenty twenty one that there

0:20:26.280 --> 0:20:29.119
<v Speaker 4>has nothing else existence. So that's how I came on

0:20:29.280 --> 0:20:32.520
<v Speaker 4>board and we did the dog series and it is

0:20:33.240 --> 0:20:36.520
<v Speaker 4>really beautiful and it is not more about the trials

0:20:36.520 --> 0:20:40.120
<v Speaker 4>and tribulations, although we do talk about that, but it's

0:20:40.119 --> 0:20:44.280
<v Speaker 4>more about the joy and celebration of black beauty and

0:20:44.359 --> 0:20:50.240
<v Speaker 4>what that singularly black fashion model, or how she was

0:20:50.320 --> 0:20:54.959
<v Speaker 4>responsible for cultural changes that has been going through in

0:20:55.040 --> 0:20:57.160
<v Speaker 4>our industry from black is beautiful in.

0:20:57.080 --> 0:20:58.800
<v Speaker 3>The nineteen sixties till now.

0:20:58.920 --> 0:21:01.399
<v Speaker 4>So that's the whole all history of black mons and

0:21:01.440 --> 0:21:04.240
<v Speaker 4>black culture and black beauty till now.

0:21:04.800 --> 0:21:05.399
<v Speaker 3>What's going on?

0:21:05.720 --> 0:21:07.920
<v Speaker 2>And Zendia is in there? Who I.

0:21:09.640 --> 0:21:10.400
<v Speaker 3>She is?

0:21:10.920 --> 0:21:12.400
<v Speaker 2>How impressed are you with her?

0:21:13.080 --> 0:21:14.840
<v Speaker 3>I'm beyond she is.

0:21:15.080 --> 0:21:16.240
<v Speaker 2>She's mind boggling.

0:21:16.520 --> 0:21:19.480
<v Speaker 3>Yeah, more important than how young she is.

0:21:19.800 --> 0:21:21.199
<v Speaker 2>It's actually unreal.

0:21:21.640 --> 0:21:28.320
<v Speaker 1>She's so she's so young, and she's so gifted, and

0:21:28.359 --> 0:21:35.600
<v Speaker 1>she's so she's so clear, like even just when I've

0:21:35.640 --> 0:21:39.439
<v Speaker 1>seen her win countless awards in person and from afar,

0:21:39.640 --> 0:21:42.359
<v Speaker 1>and I have to say, like the way that she

0:21:42.640 --> 0:21:48.119
<v Speaker 1>speaks with conviction and at such a young age, she's

0:21:48.440 --> 0:21:50.360
<v Speaker 1>just she's really special.

0:21:50.560 --> 0:21:52.040
<v Speaker 2>I mean, she's so impressive.

0:21:52.480 --> 0:21:56.360
<v Speaker 4>Absolutely, absolutely, you know That's what I'm usually I'm impressed

0:21:56.400 --> 0:21:59.560
<v Speaker 4>with is young, how young she is, and how to

0:21:59.720 --> 0:22:03.160
<v Speaker 4>get though she is, which is yeah, No.

0:22:03.200 --> 0:22:04.320
<v Speaker 3>She's lovely, She's lovely.

0:22:04.600 --> 0:22:07.800
<v Speaker 4>I have the pleasure of she asked me to award

0:22:07.920 --> 0:22:12.240
<v Speaker 4>how to give her the award as a fashion icon.

0:22:12.119 --> 0:22:15.720
<v Speaker 1>Award, as it should be, but both deserved by the way.

0:22:15.720 --> 0:22:18.200
<v Speaker 2>I loved watching you get that award. That was the best.

0:22:18.960 --> 0:22:19.800
<v Speaker 2>That was the best.

0:22:19.880 --> 0:22:25.240
<v Speaker 1>So okay, so you've had obviously quite a journey. In

0:22:25.359 --> 0:22:29.399
<v Speaker 1>any journey, there's so many adversities, there's so many challenges,

0:22:29.880 --> 0:22:32.119
<v Speaker 1>and you know the thing is, I think you've broken

0:22:32.200 --> 0:22:37.800
<v Speaker 1>down so many walls, ceilings, doors for people. On the

0:22:37.840 --> 0:22:40.840
<v Speaker 1>one hand, you know, it was a different time than

0:22:40.880 --> 0:22:42.920
<v Speaker 1>it is now. Now, I feel like there's so much

0:22:42.920 --> 0:22:45.440
<v Speaker 1>more inclusivity and everything like that, and there's so much

0:22:45.480 --> 0:22:50.080
<v Speaker 1>less tolerance for such terrible treatment to any model. Honestly,

0:22:50.800 --> 0:22:55.080
<v Speaker 1>what strikes you as something that you'll like never forget,

0:22:55.440 --> 0:22:57.960
<v Speaker 1>something that really knocked you down where you were, like,

0:22:58.960 --> 0:23:01.760
<v Speaker 1>I cannot believe if this's just happened, and I cannot

0:23:01.800 --> 0:23:04.280
<v Speaker 1>believe how angry I am. But guess what this is

0:23:04.280 --> 0:23:07.119
<v Speaker 1>going to passed me off so much that now I

0:23:07.200 --> 0:23:09.520
<v Speaker 1>have to like do more. I have to change this

0:23:09.800 --> 0:23:13.200
<v Speaker 1>or I have to you know, I imagine there's been some triggers.

0:23:13.520 --> 0:23:13.760
<v Speaker 3>Yes.

0:23:14.920 --> 0:23:18.080
<v Speaker 4>The first one was when I arrived in New York

0:23:18.920 --> 0:23:21.360
<v Speaker 4>in nineteen seventy five and I started working.

0:23:21.520 --> 0:23:22.960
<v Speaker 3>I found out.

0:23:22.840 --> 0:23:26.520
<v Speaker 4>That that the pay between.

0:23:25.960 --> 0:23:28.520
<v Speaker 3>Black modles and white models was not the same.

0:23:28.560 --> 0:23:31.880
<v Speaker 4>Black mouths chold were being paid less for the same job.

0:23:32.280 --> 0:23:36.439
<v Speaker 4>So I said to Wilhelmina, I said, listen, definitely this

0:23:36.520 --> 0:23:40.000
<v Speaker 4>is and places act, but let's take place even out

0:23:40.040 --> 0:23:43.560
<v Speaker 4>of the equation. I said, what I want, what I'm

0:23:43.600 --> 0:23:48.720
<v Speaker 4>demanding is for services winter if somebody is doing the

0:23:48.840 --> 0:23:51.800
<v Speaker 4>same job like I am, I want to be paying

0:23:51.800 --> 0:23:55.760
<v Speaker 4>the same amount. And it was like then the clients

0:23:55.800 --> 0:23:57.760
<v Speaker 4>will not go for it, blah bla blah blah, And

0:23:57.800 --> 0:24:00.240
<v Speaker 4>I said, Okay, you know I'm gonna I'm not going

0:24:00.280 --> 0:24:02.200
<v Speaker 4>to be working. I just want to tell you I'm

0:24:02.240 --> 0:24:04.879
<v Speaker 4>not going to be working till all these changes. It

0:24:04.920 --> 0:24:08.440
<v Speaker 4>took three months, but the first client did make that

0:24:08.560 --> 0:24:11.960
<v Speaker 4>change and that became that change. But that was in

0:24:12.080 --> 0:24:18.280
<v Speaker 4>nineteen seventy five. So forward to twenty thirty. I'm not

0:24:18.400 --> 0:24:22.639
<v Speaker 4>modeling anymore. I'm only doing in man cosmetics. A friend

0:24:22.640 --> 0:24:26.760
<v Speaker 4>of mine contacts me by the name of the fan Hardison.

0:24:27.080 --> 0:24:29.680
<v Speaker 2>I was just going to ask you about that, queen.

0:24:29.880 --> 0:24:32.600
<v Speaker 4>And she said, I'm going to send you an article

0:24:32.640 --> 0:24:33.560
<v Speaker 4>in the New York Times.

0:24:33.560 --> 0:24:36.399
<v Speaker 3>This is twenty thirteen, and the article said.

0:24:36.880 --> 0:24:41.280
<v Speaker 4>The blonde leading the blonde, And it was what was

0:24:41.280 --> 0:24:44.439
<v Speaker 4>happening on the runways across Europe and now in the

0:24:44.520 --> 0:24:45.400
<v Speaker 4>United States.

0:24:46.040 --> 0:24:49.360
<v Speaker 3>There was a black out of black marbles. There was

0:24:49.520 --> 0:24:52.640
<v Speaker 3>not one single black Mardel.

0:24:52.440 --> 0:24:55.520
<v Speaker 4>Used to that season, right, but we're talking about now

0:24:55.920 --> 0:24:57.359
<v Speaker 4>we're going to a three year period.

0:24:57.720 --> 0:24:59.280
<v Speaker 3>I had no idea because I was not in the

0:24:59.320 --> 0:25:00.760
<v Speaker 3>industry right right.

0:25:00.880 --> 0:25:04.960
<v Speaker 4>And so that Anne I and ao A Cambell have

0:25:05.119 --> 0:25:08.240
<v Speaker 4>sat together and looked through all the collections that there's

0:25:08.520 --> 0:25:11.440
<v Speaker 4>and there was absence of black mantains across the board.

0:25:11.600 --> 0:25:15.679
<v Speaker 4>We've never seen anything like and so we decided to

0:25:15.680 --> 0:25:16.120
<v Speaker 4>write to.

0:25:16.080 --> 0:25:18.960
<v Speaker 3>The CFDA and then we disp We wrote.

0:25:18.680 --> 0:25:22.560
<v Speaker 4>To the to the equivalent in Paris, in London and

0:25:22.600 --> 0:25:27.760
<v Speaker 4>in Milan. And what was really happening was the designers

0:25:28.200 --> 0:25:30.920
<v Speaker 4>said that they were having too many shows per year

0:25:31.359 --> 0:25:35.160
<v Speaker 4>that they have started hiring casting agents. And the casting

0:25:35.240 --> 0:25:38.800
<v Speaker 4>agent decides he talks to the designer and they come

0:25:38.880 --> 0:25:40.720
<v Speaker 4>up with the look of what the show is about.

0:25:40.920 --> 0:25:45.399
<v Speaker 4>The casting agents decided to tell the modeling agents, we

0:25:45.480 --> 0:25:49.000
<v Speaker 4>have not seen black models in this couple of coming seasons,

0:25:49.640 --> 0:25:54.280
<v Speaker 4>so don't send us any black mans. And literally there

0:25:54.359 --> 0:25:56.520
<v Speaker 4>was the absence of black mantins. And that's what it

0:25:56.560 --> 0:25:57.560
<v Speaker 4>was called the blackout.

0:25:57.880 --> 0:25:59.360
<v Speaker 2>That's the craziest thing I've ever heard.

0:26:00.480 --> 0:26:04.359
<v Speaker 4>And so so what it what it really was transpired

0:26:04.400 --> 0:26:06.480
<v Speaker 4>because I was I was trying to find out what

0:26:06.680 --> 0:26:09.679
<v Speaker 4>what happened, How did this come about? And what was

0:26:09.720 --> 0:26:14.000
<v Speaker 4>transpiring was that there was an influx of the Eastern.

0:26:13.600 --> 0:26:15.640
<v Speaker 3>European marbles coming into the.

0:26:15.600 --> 0:26:20.679
<v Speaker 4>Sea, and the big designers, specifically like Program, decided that

0:26:20.720 --> 0:26:24.399
<v Speaker 4>they were head enough of the coat of personality of

0:26:24.440 --> 0:26:27.199
<v Speaker 4>a marble like we don't want to show to be

0:26:27.560 --> 0:26:30.000
<v Speaker 4>naomic amble at least.

0:26:29.760 --> 0:26:32.680
<v Speaker 3>That Christie turned the names right, So.

0:26:33.640 --> 0:26:36.760
<v Speaker 4>Democratized or the design and the focus is on the design.

0:26:37.200 --> 0:26:39.200
<v Speaker 3>So they democratized that, and.

0:26:39.119 --> 0:26:43.720
<v Speaker 4>So they have all these white Eastern European marbels, all

0:26:43.760 --> 0:26:47.199
<v Speaker 4>white or skinny, and so there was no reason to

0:26:47.240 --> 0:26:49.359
<v Speaker 4>have a black marble because it does not look this is.

0:26:49.240 --> 0:26:51.360
<v Speaker 3>Not fit this category anymore.

0:26:51.560 --> 0:26:56.800
<v Speaker 4>And once Brother started, every designer followed that out, and

0:26:56.880 --> 0:26:58.800
<v Speaker 4>in within three four years.

0:26:58.840 --> 0:27:02.560
<v Speaker 3>There was no model on them. And so that was

0:27:02.600 --> 0:27:04.879
<v Speaker 3>the change that we were trying to make. And the

0:27:05.000 --> 0:27:08.240
<v Speaker 3>change was instant, and it came actually from people like

0:27:08.320 --> 0:27:08.880
<v Speaker 3>Product that.

0:27:09.040 --> 0:27:11.159
<v Speaker 4>All of a sudden when they realized that what was

0:27:11.160 --> 0:27:15.919
<v Speaker 4>going on, and they've corrected themselves. Not only that they

0:27:16.040 --> 0:27:18.400
<v Speaker 4>started hiring black models on the runway, but the more

0:27:18.480 --> 0:27:22.560
<v Speaker 4>importantly they started using black models in their advertisement.

0:27:22.960 --> 0:27:24.960
<v Speaker 3>So there was a palpable change.

0:27:25.080 --> 0:27:29.600
<v Speaker 4>And that's also what brought up the inclusivity part of

0:27:29.640 --> 0:27:31.000
<v Speaker 4>the conversation that we.

0:27:30.840 --> 0:27:31.679
<v Speaker 3>Were talking about.

0:27:32.000 --> 0:27:35.520
<v Speaker 4>This was not saying that the designers are racist, but

0:27:35.640 --> 0:27:40.760
<v Speaker 4>their actions and the actions of their casting agent is racist.

0:27:40.880 --> 0:27:45.200
<v Speaker 4>Act specifically said, I mean, who's more busier than.

0:27:45.080 --> 0:27:48.920
<v Speaker 3>Tom for no designers busier than Tom Ford. And he

0:27:48.960 --> 0:27:52.399
<v Speaker 3>does his own custody. Of course he looks.

0:27:52.119 --> 0:27:57.679
<v Speaker 4>He knows exactly who's in his STRATEGI you know, the black, Asian,

0:27:57.760 --> 0:27:58.280
<v Speaker 4>the white.

0:27:58.520 --> 0:27:59.199
<v Speaker 3>He knows that.

0:27:59.760 --> 0:28:02.879
<v Speaker 4>So that's what we were trying to bring to the forefront,

0:28:03.160 --> 0:28:05.600
<v Speaker 4>that you can't give the power to a casting agent

0:28:05.800 --> 0:28:09.199
<v Speaker 4>to be able to say that on your behalf, because

0:28:09.240 --> 0:28:11.359
<v Speaker 4>at the end of the day, is your name, the

0:28:11.400 --> 0:28:13.080
<v Speaker 4>designer's name is being tainted.

0:28:13.359 --> 0:28:15.760
<v Speaker 1>Oh my god, I'm like, I'm literally like my jaws

0:28:15.800 --> 0:28:17.960
<v Speaker 1>to the floor because i was like in this whole

0:28:17.960 --> 0:28:21.119
<v Speaker 1>world very heavily at that time, and I'm literally running

0:28:21.160 --> 0:28:23.679
<v Speaker 1>through my head of like what was going on in

0:28:23.680 --> 0:28:26.679
<v Speaker 1>that moment, And I feel like, right now we're in

0:28:26.720 --> 0:28:29.720
<v Speaker 1>a beautiful time and modeling I do. I think we're finally,

0:28:29.760 --> 0:28:31.959
<v Speaker 1>I think we're at a great place where I'm seeing

0:28:32.040 --> 0:28:36.399
<v Speaker 1>so much diversity and everywhere, which I'm I'm personally loving

0:28:36.440 --> 0:28:39.640
<v Speaker 1>so so much, and I think it's only taken what

0:28:39.800 --> 0:28:40.920
<v Speaker 1>fifty years, but we're here.

0:28:41.320 --> 0:28:43.720
<v Speaker 3>Yeah, you know, beauty is beauty, you know.

0:28:43.800 --> 0:28:44.760
<v Speaker 2>Of course I.

0:28:44.680 --> 0:28:48.520
<v Speaker 4>Feel that the idea like a girl like preciously or

0:28:48.600 --> 0:28:52.640
<v Speaker 4>actually great is not beautiful. It goes over my head.

0:28:52.720 --> 0:28:57.880
<v Speaker 4>I'm like that mentality. It's a d class. It's old

0:28:57.920 --> 0:29:01.400
<v Speaker 4>fashioned and young people. So that's what's so great, you know.

0:29:02.400 --> 0:29:04.640
<v Speaker 4>I mean, I'm sure you'll see it in your voice.

0:29:04.840 --> 0:29:07.480
<v Speaker 4>It's like they don't see that because those are things

0:29:07.480 --> 0:29:09.800
<v Speaker 4>that are taught, yes, the family.

0:29:09.880 --> 0:29:12.240
<v Speaker 3>Yeah, they don't see that. They see it everybody.

0:29:12.480 --> 0:29:16.360
<v Speaker 4>I mean, my daughter who's now twenty two has never

0:29:16.480 --> 0:29:18.480
<v Speaker 4>called one of her friends white.

0:29:18.240 --> 0:29:18.920
<v Speaker 3>Or black now.

0:29:19.240 --> 0:29:23.520
<v Speaker 4>So it's that idea and the young generation are much

0:29:23.640 --> 0:29:28.120
<v Speaker 4>aware and they are demystifying it and breaking it down

0:29:28.760 --> 0:29:31.200
<v Speaker 4>that they are they're not going to be part of that.

0:29:31.360 --> 0:29:33.640
<v Speaker 4>So that's what good news is that there is a

0:29:34.280 --> 0:29:36.800
<v Speaker 4>hopefully young generation that comes up that's going to be

0:29:36.800 --> 0:29:38.240
<v Speaker 4>the change of what we need.

0:29:38.800 --> 0:29:41.320
<v Speaker 1>And I imagine I want to talk about bath Anne

0:29:41.440 --> 0:29:44.800
<v Speaker 1>because bathanne Is She's one of my all time favorite

0:29:44.840 --> 0:29:47.640
<v Speaker 1>people and I actually was fortunate enough to literally see

0:29:47.680 --> 0:29:49.560
<v Speaker 1>her in the last month. I think I saw it

0:29:49.640 --> 0:29:51.880
<v Speaker 1>in a event and I ran over and gave her

0:29:51.880 --> 0:29:54.959
<v Speaker 1>the biggest hug, and she hadn't seen her in probably

0:29:55.000 --> 0:29:56.000
<v Speaker 1>two years or more.

0:29:56.040 --> 0:29:58.160
<v Speaker 2>And she is such a force.

0:29:58.440 --> 0:30:01.640
<v Speaker 1>And I think that Bathanne is someone that I want

0:30:01.800 --> 0:30:04.960
<v Speaker 1>my listeners to know about because she when I talk

0:30:04.960 --> 0:30:09.520
<v Speaker 1>about game changers, game changing forces in an industry.

0:30:10.040 --> 0:30:11.840
<v Speaker 2>I've known her my entire.

0:30:12.200 --> 0:30:15.200
<v Speaker 1>Career and she always felt like this sort of like

0:30:15.400 --> 0:30:18.920
<v Speaker 1>this mother figure in fashion and looking after everyone, to

0:30:18.920 --> 0:30:22.680
<v Speaker 1>taking care of everybody. But she is just extraordinary and

0:30:22.800 --> 0:30:25.760
<v Speaker 1>I feel like she's been a mentor in everything for you.

0:30:25.800 --> 0:30:28.720
<v Speaker 3>I imagine, oh absolutely been my closest friends.

0:30:28.720 --> 0:30:31.440
<v Speaker 4>Who was my maid of honor when I'm married my

0:30:31.520 --> 0:30:35.239
<v Speaker 4>husband David. But I met her on my probably the

0:30:35.240 --> 0:30:39.640
<v Speaker 4>first peak in New York, and I walked in into

0:30:39.720 --> 0:30:43.520
<v Speaker 4>Stephen Burrough's studio and she was his assistant.

0:30:44.080 --> 0:30:46.800
<v Speaker 3>And everybody assumed at that time.

0:30:46.560 --> 0:30:49.120
<v Speaker 4>That I didn't speak a word of English, right, and

0:30:49.160 --> 0:30:50.800
<v Speaker 4>so people will talk around me.

0:30:51.040 --> 0:30:54.040
<v Speaker 1>And how many languages did you speak? Let me correct

0:30:54.040 --> 0:30:55.760
<v Speaker 1>that notion five.

0:30:57.000 --> 0:30:57.440
<v Speaker 2>Casual.

0:30:58.000 --> 0:31:00.720
<v Speaker 4>So that Ann was there and they gave me the

0:31:00.800 --> 0:31:02.719
<v Speaker 4>trust to try or put on the dress, and they

0:31:02.720 --> 0:31:07.200
<v Speaker 4>gave me heels, and I've had a terrible time putting one.

0:31:07.080 --> 0:31:08.760
<v Speaker 3>Heel on and trying to put the other one.

0:31:08.760 --> 0:31:11.719
<v Speaker 1>While I was saying, because you're so tall, I have

0:31:11.840 --> 0:31:12.880
<v Speaker 1>no problem with that.

0:31:15.240 --> 0:31:19.440
<v Speaker 4>I know friends of mine sleep in AELs.

0:31:22.000 --> 0:31:22.560
<v Speaker 3>Yeah.

0:31:22.600 --> 0:31:26.120
<v Speaker 5>So no, he got on her knees to tie the shoes,

0:31:26.120 --> 0:31:29.960
<v Speaker 5>to help me with the shoes, and I've never forgot

0:31:30.000 --> 0:31:32.600
<v Speaker 5>that act of kindness and we've been friends since then.

0:31:33.360 --> 0:31:36.240
<v Speaker 2>She's the greatest. So I have a question.

0:31:36.360 --> 0:31:41.440
<v Speaker 1>So do you ever sit back and say, Okay, I've

0:31:41.480 --> 0:31:44.920
<v Speaker 1>done I don't know ten thousand amazing things in my life.

0:31:45.560 --> 0:31:48.200
<v Speaker 2>I'm good. I can just chill out now. Or do

0:31:48.240 --> 0:31:50.120
<v Speaker 2>you just go what's next?

0:31:50.160 --> 0:31:53.440
<v Speaker 1>I haven't even scratched the surface, Like when do you

0:31:53.520 --> 0:31:56.000
<v Speaker 1>pat yourself on the back and say, okay, I can

0:31:56.040 --> 0:31:56.760
<v Speaker 1>take a break.

0:31:56.880 --> 0:31:57.680
<v Speaker 2>Because I don't.

0:31:57.800 --> 0:32:01.040
<v Speaker 1>I'm guilty of never doing that, so I'm curious if

0:32:01.080 --> 0:32:01.320
<v Speaker 1>you do.

0:32:01.960 --> 0:32:02.960
<v Speaker 3>No, I don't bet.

0:32:02.880 --> 0:32:07.000
<v Speaker 4>Myself in the back because I love to see how

0:32:07.880 --> 0:32:11.920
<v Speaker 4>young girls who are getting into starting this this business,

0:32:12.000 --> 0:32:16.080
<v Speaker 4>especially fashion business, how they are much aware of who

0:32:16.080 --> 0:32:19.560
<v Speaker 4>came before them and who help them in this journey

0:32:19.560 --> 0:32:22.440
<v Speaker 4>and who opened those doors that they are now easily

0:32:22.480 --> 0:32:26.040
<v Speaker 4>walking into right, but then that they decide also then

0:32:26.120 --> 0:32:30.680
<v Speaker 4>then it's upon them to move that needle forward or

0:32:30.720 --> 0:32:33.800
<v Speaker 4>that we did right. So that to me, it's a

0:32:33.840 --> 0:32:36.960
<v Speaker 4>comfort because you know that whatever you've done, you've touched

0:32:36.960 --> 0:32:38.600
<v Speaker 4>some lives.

0:32:38.920 --> 0:32:40.800
<v Speaker 3>But no, I think I'm better than you.

0:32:40.920 --> 0:32:50.840
<v Speaker 4>I can just lie down and see I'm not doing anything.

0:32:46.480 --> 0:32:52.160
<v Speaker 1>You And do you have any more specific like dreams

0:32:52.160 --> 0:32:54.719
<v Speaker 1>where you're like, Okay, I'm not done, I still have

0:32:54.800 --> 0:32:57.480
<v Speaker 1>to do this, or do you just say like life

0:32:57.520 --> 0:32:58.800
<v Speaker 1>is going to be as it comes now?

0:32:59.320 --> 0:33:02.000
<v Speaker 3>I think like is as it comes now because I've learned.

0:33:02.080 --> 0:33:05.080
<v Speaker 4>For one thing if I've learned is that you know,

0:33:05.240 --> 0:33:06.880
<v Speaker 4>man plans and God lefts.

0:33:08.760 --> 0:33:11.680
<v Speaker 2>I lived by that. I just don't plan anything.

0:33:11.960 --> 0:33:15.600
<v Speaker 3>Yeah, I think if I was in my twenties, definitely

0:33:15.640 --> 0:33:16.480
<v Speaker 3>I would be planning.

0:33:16.760 --> 0:33:21.720
<v Speaker 4>But now I know things as they unfold themselves, you

0:33:21.760 --> 0:33:24.640
<v Speaker 4>know what I mean, Things come and fold themselves. But

0:33:24.720 --> 0:33:27.840
<v Speaker 4>I don't know. I mean, listen, I'm sixty seven, so

0:33:28.960 --> 0:33:30.040
<v Speaker 4>anything is possible.

0:33:30.440 --> 0:33:33.360
<v Speaker 3>One thing I'd like to do, which COVID stopped it.

0:33:33.480 --> 0:33:35.960
<v Speaker 4>For me, was that I'd like to travel around the

0:33:35.960 --> 0:33:37.720
<v Speaker 4>world in a lot of places that I have moved

0:33:37.760 --> 0:33:39.000
<v Speaker 4>me so that.

0:33:39.080 --> 0:33:40.680
<v Speaker 3>Is that's my life's journey.

0:33:40.720 --> 0:33:43.520
<v Speaker 4>I really really want to go to all the places that.

0:33:43.480 --> 0:33:44.000
<v Speaker 3>I have mod me.

0:33:44.360 --> 0:33:47.840
<v Speaker 1>Well, you have earned that, and I could talk to

0:33:47.880 --> 0:33:50.200
<v Speaker 1>you for another twenty six hours, but I'm not going

0:33:50.240 --> 0:33:52.480
<v Speaker 1>to because I know you don't have that kind of time.

0:33:52.880 --> 0:33:57.480
<v Speaker 4>Yeah, I'm going to mention the Dobey series. It's Supreme Mardels.

0:33:57.840 --> 0:34:02.280
<v Speaker 4>It's a six part dogy series and it's started yesterday and.

0:34:02.240 --> 0:34:05.680
<v Speaker 3>It would be exclusive on YouTube every Monday.

0:34:06.080 --> 0:34:10.640
<v Speaker 1>I have to say to everyone listening, you have to

0:34:10.920 --> 0:34:16.120
<v Speaker 1>watch this. I have only seen bits of beginnings and

0:34:16.160 --> 0:34:19.600
<v Speaker 1>I can tell you I cannot stop watching it. That

0:34:19.760 --> 0:34:23.480
<v Speaker 1>the clothes, the Halston, and then Zandia and Tommy and listen.

0:34:24.000 --> 0:34:26.799
<v Speaker 1>You are the Queen of Queen of Queen's. You have

0:34:26.840 --> 0:34:30.480
<v Speaker 1>been such an advocate for women. I think that you

0:34:30.680 --> 0:34:35.480
<v Speaker 1>have been such a game changer in this industry in

0:34:35.600 --> 0:34:39.440
<v Speaker 1>so many ways. You know, as someone who has been

0:34:39.480 --> 0:34:43.120
<v Speaker 1>in the industry is my entire adult life, you know

0:34:43.239 --> 0:34:46.280
<v Speaker 1>that very often women cannot be that nice in this business.

0:34:46.280 --> 0:34:49.680
<v Speaker 1>Certainly many were not to me, and I think many

0:34:49.719 --> 0:34:52.319
<v Speaker 1>people honestly weren't. But I have to say, you have

0:34:52.480 --> 0:34:58.319
<v Speaker 1>just always been the kindest classiest, amazing human being to

0:34:58.360 --> 0:35:01.560
<v Speaker 1>me always as a friend, as men. You were literally

0:35:01.560 --> 0:35:03.960
<v Speaker 1>the first one to hold my very first collaboration that

0:35:04.000 --> 0:35:06.040
<v Speaker 1>I ever did in my whole life with Judith Leeber.

0:35:06.560 --> 0:35:09.720
<v Speaker 4>Yes, and I have still have bad, bad but also

0:35:09.840 --> 0:35:14.880
<v Speaker 4>I have in my artifives and Rachel Zhol's all taxedus,

0:35:15.040 --> 0:35:19.960
<v Speaker 4>all of your taxedos I had, like white belvets.

0:35:19.520 --> 0:35:20.160
<v Speaker 3>I have all.

0:35:20.360 --> 0:35:22.000
<v Speaker 2>I love you. I love you.

0:35:22.480 --> 0:35:24.640
<v Speaker 1>I can't I can't ever thank you enough for your

0:35:24.640 --> 0:35:27.040
<v Speaker 1>support because I think you know better than anybody that

0:35:27.080 --> 0:35:29.560
<v Speaker 1>when you're a designer, especially starting out, when you see

0:35:29.600 --> 0:35:32.640
<v Speaker 1>someone in your clothes, there's just really nothing like it

0:35:32.760 --> 0:35:34.600
<v Speaker 1>when it's emon. I'm not going to lie, it's a

0:35:34.600 --> 0:35:39.000
<v Speaker 1>bit of a surreal moment. But I do love you madly.

0:35:39.280 --> 0:35:39.560
<v Speaker 2>Imon.

0:35:39.680 --> 0:35:42.360
<v Speaker 1>I think you because you've just made such a profound

0:35:42.400 --> 0:35:45.440
<v Speaker 1>impact on me, on so many people in the industry,

0:35:45.560 --> 0:35:47.920
<v Speaker 1>on so many young women coming up in it who

0:35:47.960 --> 0:35:50.840
<v Speaker 1>are lost, and you have, like you said, open the

0:35:50.840 --> 0:35:55.719
<v Speaker 1>door for so many. And also I just want to say,

0:35:55.760 --> 0:35:58.040
<v Speaker 1>I mean you were amused to Celauran like can we

0:35:58.080 --> 0:36:01.560
<v Speaker 1>just close on that moment? And Terry Buglaire, thank you,

0:36:01.680 --> 0:36:04.719
<v Speaker 1>Loving my dream, my friend, living my Dream. If you

0:36:04.760 --> 0:36:07.839
<v Speaker 1>want more climbing and hails content, follow me on at

0:36:07.920 --> 0:36:10.880
<v Speaker 1>Rachel Zo and at Climbing in hals pod on Instagram

0:36:10.880 --> 0:36:14.520
<v Speaker 1>for more updates on upcoming guests, episodes, and of course,

0:36:14.680 --> 0:36:15.880
<v Speaker 1>all things cure Ator