1 00:00:01,280 --> 00:00:01,840 Speaker 1: The volume. 2 00:00:08,320 --> 00:00:12,360 Speaker 2: So what you're saying is more that most men's type 3 00:00:12,560 --> 00:00:18,640 Speaker 2: is trash. That's our rolling start say it again, we 4 00:00:18,840 --> 00:00:23,600 Speaker 2: say it off, Mike. Most men's type is pretty trash. 5 00:00:23,840 --> 00:00:26,560 Speaker 2: I think a lot of people have bad taste. I agree, 6 00:00:26,600 --> 00:00:29,200 Speaker 2: And taste is taste, don't get me wrong. It's like food. 7 00:00:29,240 --> 00:00:32,879 Speaker 2: But recently, when I went out to dinner with somebody 8 00:00:32,880 --> 00:00:37,000 Speaker 2: that I feel should have had, like the stereotypical like 9 00:00:37,040 --> 00:00:41,400 Speaker 2: pretty women, he had the stereotypical bbo bottom of the barrel, 10 00:00:42,760 --> 00:00:46,200 Speaker 2: million likes on Instagram. Just trash, just utter fucking trash 11 00:00:46,240 --> 00:00:48,320 Speaker 2: sitting across from me. And mind you, they weren't interested 12 00:00:48,360 --> 00:00:51,479 Speaker 2: in me. So it's not like I care, and nor 13 00:00:51,520 --> 00:00:53,720 Speaker 2: did those women care. But I don't know. Is it 14 00:00:53,760 --> 00:00:56,760 Speaker 2: gay that, like I put a certain type of taste 15 00:00:56,800 --> 00:01:00,480 Speaker 2: on a man. No, I don't think kind of gay. 16 00:01:00,600 --> 00:01:02,600 Speaker 2: But like when I went out with my homide, just 17 00:01:02,640 --> 00:01:05,320 Speaker 2: for for what he does and the type of product 18 00:01:05,319 --> 00:01:09,400 Speaker 2: he creates, I assume it a different caliber of women 19 00:01:09,480 --> 00:01:11,960 Speaker 2: that would be at that table, and it was just 20 00:01:12,000 --> 00:01:13,920 Speaker 2: a bunch of chicks. If you have a thousand dollars 21 00:01:13,959 --> 00:01:15,320 Speaker 2: in your pocket, you could pry back. 22 00:01:16,160 --> 00:01:22,160 Speaker 3: Yeah, but that's not that's not just because somebody is talented. 23 00:01:22,319 --> 00:01:25,160 Speaker 3: What I've learned, talent and fame and money and things 24 00:01:25,200 --> 00:01:26,039 Speaker 3: like that, taste his. 25 00:01:26,120 --> 00:01:29,640 Speaker 2: Taste down to earth. Yeah, good personality and I'm just 26 00:01:29,720 --> 00:01:31,039 Speaker 2: ripping the man. That's why I said this kind. 27 00:01:30,920 --> 00:01:34,240 Speaker 3: Of taste though. That's that's that's one thing people understand. 28 00:01:34,280 --> 00:01:36,640 Speaker 3: Just because you're talented and you run it told its 29 00:01:36,720 --> 00:01:38,560 Speaker 3: fame and money, and that doesn't mean you. 30 00:01:38,560 --> 00:01:40,080 Speaker 2: Taste you know what I think it is with a 31 00:01:40,080 --> 00:01:45,320 Speaker 2: lot of the super like really talented nerds in well, 32 00:01:45,319 --> 00:01:47,360 Speaker 2: we'll just say the music world for what we're talking about. 33 00:01:48,560 --> 00:01:51,400 Speaker 2: I think they've been locked in the studio their entire 34 00:01:51,480 --> 00:01:54,640 Speaker 2: lives that they never even got to develop a taste, 35 00:01:54,920 --> 00:01:56,520 Speaker 2: so they just go after what they think they should 36 00:01:56,560 --> 00:01:59,960 Speaker 2: go after. I don't think. I don't think Zion Wallnam 37 00:02:00,160 --> 00:02:03,520 Speaker 2: like that girl, guessual do. I don't think that's his type. 38 00:02:04,600 --> 00:02:07,720 Speaker 2: Think that he was told tolight, No, that's just type 39 00:02:07,760 --> 00:02:08,080 Speaker 2: for sure. 40 00:02:08,800 --> 00:02:10,960 Speaker 3: I'm sorry to hear that, Yeah, taste this taste, bro, 41 00:02:11,400 --> 00:02:13,720 Speaker 3: Just because you got money don't mean your taste. 42 00:02:13,760 --> 00:02:15,640 Speaker 2: I know, but you don't think that's like some of 43 00:02:15,880 --> 00:02:17,760 Speaker 2: the nerdier people. I'm not saying just because they got 44 00:02:17,800 --> 00:02:20,280 Speaker 2: money and access, it happened. I just think they never 45 00:02:20,360 --> 00:02:22,600 Speaker 2: got time to develop a taste because they were working 46 00:02:22,639 --> 00:02:25,000 Speaker 2: on their craft for so long that just like women, 47 00:02:25,160 --> 00:02:25,640 Speaker 2: wasn't there. 48 00:02:25,919 --> 00:02:27,720 Speaker 3: Nah. I know a lot of dudes that worked on 49 00:02:27,760 --> 00:02:32,080 Speaker 3: their craft and they got impeccable taste. I mean, yeah, 50 00:02:32,160 --> 00:02:33,880 Speaker 3: so we're not gonna do We're not gonnattribute that to 51 00:02:34,000 --> 00:02:36,360 Speaker 3: just always he was working on his craft all these years, 52 00:02:36,400 --> 00:02:39,079 Speaker 3: and his taste level is you know what I'm saying, Like, no, 53 00:02:39,440 --> 00:02:40,320 Speaker 3: he just don't have taste. 54 00:02:40,360 --> 00:02:42,120 Speaker 2: His taste level was that's what he likes. 55 00:02:42,160 --> 00:02:43,920 Speaker 3: Like a lot of people like yo, damn, Surety could 56 00:02:43,919 --> 00:02:45,799 Speaker 3: cook and then his girl cooked for you. 57 00:02:45,919 --> 00:02:46,200 Speaker 2: Ef. 58 00:02:46,280 --> 00:02:49,119 Speaker 3: We were like, yo, what that was terrible? That play 59 00:02:49,240 --> 00:02:49,959 Speaker 3: was mid as fuck. 60 00:02:50,400 --> 00:02:52,320 Speaker 2: But I think and this isn't like a slight on 61 00:02:52,400 --> 00:02:54,760 Speaker 2: any like OnlyFans girls or anything like that. But you 62 00:02:54,760 --> 00:02:56,920 Speaker 2: see some of these streamers that have like admitted that 63 00:02:56,960 --> 00:02:59,480 Speaker 2: they were like nerds, and I mean nerds in a 64 00:02:59,480 --> 00:03:01,680 Speaker 2: cool way, like they was just nerds their whole fucking life, 65 00:03:02,120 --> 00:03:05,000 Speaker 2: and then when they got money and attention, they went 66 00:03:05,080 --> 00:03:07,440 Speaker 2: after those girls because that's the girls that the rappers liked. 67 00:03:08,120 --> 00:03:10,800 Speaker 2: And it's like, oh, you don't even know your own tastes. 68 00:03:11,120 --> 00:03:12,560 Speaker 2: Your taste is another man's taste. 69 00:03:12,840 --> 00:03:15,840 Speaker 3: Oh well whatever. Now more than ever, there's more followers 70 00:03:15,880 --> 00:03:16,600 Speaker 3: than it's ever been. 71 00:03:16,840 --> 00:03:19,760 Speaker 2: I think. I think, I mean, you years ago coined 72 00:03:19,760 --> 00:03:22,120 Speaker 2: the greatest term of all time that men are groupies 73 00:03:22,120 --> 00:03:25,200 Speaker 2: for groupies. Oh yeah, but I think that comes with 74 00:03:25,200 --> 00:03:27,400 Speaker 2: with the taste level of men at this point as well, 75 00:03:27,440 --> 00:03:29,960 Speaker 2: if they're not exposed to like talking to women since 76 00:03:30,000 --> 00:03:30,680 Speaker 2: high school. 77 00:03:31,240 --> 00:03:35,720 Speaker 3: Yeah, but I mean again that that speaks to your upbringing, 78 00:03:36,840 --> 00:03:39,040 Speaker 3: how you were raised, who was around you, who was 79 00:03:39,080 --> 00:03:41,440 Speaker 3: you know, the people that you kind of had in 80 00:03:41,720 --> 00:03:44,000 Speaker 3: your life early that just kind of you know, helped 81 00:03:44,000 --> 00:03:47,200 Speaker 3: mold you to become the adult that you are. Like 82 00:03:47,640 --> 00:03:50,720 Speaker 3: your taste level was built, you know, from a young age, 83 00:03:50,760 --> 00:03:53,800 Speaker 3: like you exposed to certain things, and when you become 84 00:03:53,840 --> 00:03:56,160 Speaker 3: an adult, you still like have those type of things 85 00:03:56,240 --> 00:03:57,520 Speaker 3: in the back of your mind, like, yeah, no, this 86 00:03:57,600 --> 00:03:59,440 Speaker 3: is the things that I like, this is what I 87 00:03:59,520 --> 00:03:59,800 Speaker 3: like to do. 88 00:03:59,880 --> 00:04:01,080 Speaker 2: Is has to be at a certain level. 89 00:04:01,600 --> 00:04:03,160 Speaker 3: Just because you know, a lot of people now they 90 00:04:03,200 --> 00:04:05,080 Speaker 3: have money, they have you know, people get rich from 91 00:04:05,080 --> 00:04:06,440 Speaker 3: their basement now, Like you know what I'm saying, They 92 00:04:06,480 --> 00:04:08,880 Speaker 3: won't even come outside so what taste level does that 93 00:04:08,920 --> 00:04:10,800 Speaker 3: person have if they never even been outside. 94 00:04:10,800 --> 00:04:13,000 Speaker 2: I just want better for my friends. Sometimes sometimes I 95 00:04:13,040 --> 00:04:15,560 Speaker 2: don't think we need to be sitting at this restaurant 96 00:04:15,560 --> 00:04:17,120 Speaker 2: where the food isn't even good, it just has a 97 00:04:17,200 --> 00:04:19,960 Speaker 2: neon sign and you're sitting across from some just just 98 00:04:19,960 --> 00:04:26,120 Speaker 2: a rat, just a vanilla rat. It's like, don't care 99 00:04:26,160 --> 00:04:28,800 Speaker 2: to match your kneecap, Like, what are we doing right now? Yeah, 100 00:04:28,839 --> 00:04:31,640 Speaker 2: but this is growth. Her ankles cannot even support what 101 00:04:31,720 --> 00:04:33,400 Speaker 2: she added to her backside. 102 00:04:33,520 --> 00:04:35,640 Speaker 3: Yeah, but you know that's that's what they like. 103 00:04:36,480 --> 00:04:39,000 Speaker 2: That's I know. I know that can't feel good hitting 104 00:04:39,000 --> 00:04:41,719 Speaker 2: from the back. There's no way it feels good. 105 00:04:42,720 --> 00:04:45,480 Speaker 3: I've learned to just you know, understand that some guys, Yo, 106 00:04:45,560 --> 00:04:46,200 Speaker 3: that's what you like. 107 00:04:47,160 --> 00:04:51,279 Speaker 2: Cool. Couldn't be me. That's good. Be me, that's all. 108 00:04:51,600 --> 00:04:53,520 Speaker 2: But you know, it's it's taste levels. I understand it. 109 00:04:53,560 --> 00:04:56,240 Speaker 3: So I'm not knocking nobody, but it is disappointed sometimes 110 00:04:56,279 --> 00:04:58,120 Speaker 3: because you expect certain people to have a certain. 111 00:04:57,880 --> 00:05:01,000 Speaker 2: Taste level, different strokes for different folks. It's just crazy 112 00:05:01,080 --> 00:05:03,760 Speaker 2: that the high taste level you have and everything else 113 00:05:03,800 --> 00:05:06,080 Speaker 2: in your entire life, the attention to detail you have 114 00:05:06,160 --> 00:05:08,360 Speaker 2: every last thing that you do in your life except 115 00:05:08,440 --> 00:05:09,520 Speaker 2: and then you're with this whole. 116 00:05:09,640 --> 00:05:12,480 Speaker 3: Yeah, it happens. It happens, man, now more than ever. 117 00:05:12,720 --> 00:05:16,680 Speaker 2: Sorry, did I go to boost that you boo entire 118 00:05:17,720 --> 00:05:20,200 Speaker 2: just for Boots and Daddy. You gotta text boost your 119 00:05:20,200 --> 00:05:21,360 Speaker 2: ass if it does not match. 120 00:05:21,440 --> 00:05:24,040 Speaker 3: If you got bad taste, don't worry about it. Boost 121 00:05:24,080 --> 00:05:26,800 Speaker 3: Mobile will give you unlimited talk text, some data. You 122 00:05:26,800 --> 00:05:30,320 Speaker 3: can talk about all your bad taste. Your taste levels 123 00:05:30,360 --> 00:05:33,000 Speaker 3: is trash, but at least your data can be unlimited. 124 00:05:33,240 --> 00:05:37,360 Speaker 2: With Boost Mobile. Your taste may be limited, but your 125 00:05:37,440 --> 00:05:39,120 Speaker 2: data doesn't have to And that was an ad they 126 00:05:39,120 --> 00:05:43,760 Speaker 2: said to read verbatim exactly. That was their words. Not listen, 127 00:05:43,839 --> 00:05:47,600 Speaker 2: Ma'll be fine. It's all good. Man to mars, what's up? 128 00:05:47,960 --> 00:05:52,480 Speaker 2: It's popping that maybe when you jump out like what happened? 129 00:05:52,480 --> 00:05:52,640 Speaker 3: Man? 130 00:05:52,760 --> 00:05:57,480 Speaker 2: Let's what's up? How are you feeling? You good? 131 00:05:58,120 --> 00:06:00,200 Speaker 3: I'm saying I'm just checking in on you. Bamboo it 132 00:06:00,320 --> 00:06:03,120 Speaker 3: rings at least two pid. Yeah you feel me? I 133 00:06:03,240 --> 00:06:06,760 Speaker 3: see you, baby, d giving them ninety five vibes. I said, 134 00:06:06,760 --> 00:06:07,479 Speaker 3: he maxis on what. 135 00:06:07,520 --> 00:06:09,080 Speaker 2: You got on your feet? Let me see now balance 136 00:06:09,200 --> 00:06:11,200 Speaker 2: new balance, Okay, I'm not mad at that nb's on 137 00:06:11,240 --> 00:06:16,240 Speaker 2: your feet. Yeah, I'm chilling powder blue. Yeah, regular regular ship. 138 00:06:16,760 --> 00:06:20,120 Speaker 2: After work? Where are you going home? It was just 139 00:06:20,160 --> 00:06:20,840 Speaker 2: in double house. 140 00:06:20,880 --> 00:06:22,520 Speaker 3: Stand up and stand up and show your outfit and 141 00:06:22,560 --> 00:06:31,000 Speaker 3: let them think you going home with that. I'm going Oh, 142 00:06:30,560 --> 00:06:31,720 Speaker 3: how zip it? 143 00:06:31,839 --> 00:06:32,080 Speaker 4: Where? 144 00:06:34,960 --> 00:06:35,720 Speaker 2: I'm so tired. 145 00:06:37,440 --> 00:06:40,400 Speaker 1: Oh I'm tired. I have no social battery. I've been 146 00:06:40,400 --> 00:06:42,880 Speaker 1: socializing too fucking much. I'm tired of been running them 147 00:06:42,880 --> 00:06:45,840 Speaker 1: streets baby d Yeah, no, want you at them thirties. 148 00:06:45,960 --> 00:06:47,839 Speaker 2: I'm telling you, it's just one day you wake up, 149 00:06:47,839 --> 00:06:49,400 Speaker 2: you'll be like, yo, I don't even go out. 150 00:06:49,600 --> 00:06:52,760 Speaker 1: But I'm tired and having people at your house, like 151 00:06:52,800 --> 00:06:55,280 Speaker 1: hosting people, it's just like a whole other thing. 152 00:06:55,360 --> 00:06:57,120 Speaker 2: Niggas asking you where's this? Where is that? 153 00:06:57,320 --> 00:06:59,360 Speaker 3: Everything irritates you when you have people over the crib. 154 00:06:59,400 --> 00:07:01,880 Speaker 3: It's like your wife put that cup right there. Yeah, 155 00:07:02,040 --> 00:07:02,719 Speaker 3: I'll turn it to that. 156 00:07:03,120 --> 00:07:05,240 Speaker 1: Why would you letting people shut up, putting coasters under 157 00:07:05,240 --> 00:07:06,080 Speaker 1: the taste level? 158 00:07:06,120 --> 00:07:08,120 Speaker 3: Why would you put that cup right there? Why just 159 00:07:08,160 --> 00:07:10,280 Speaker 3: tell me what part of your braid said put this 160 00:07:10,320 --> 00:07:12,600 Speaker 3: cup right here? Like, yeah, man, that's what you got. 161 00:07:12,640 --> 00:07:14,280 Speaker 3: Everybody can't come to the crib, man, That's it. 162 00:07:14,520 --> 00:07:16,000 Speaker 2: I'm going to a pool party this weekend. 163 00:07:16,040 --> 00:07:18,760 Speaker 1: Th that's my last little hoo rah yeah, and then 164 00:07:18,800 --> 00:07:22,000 Speaker 1: I'm locking in New York for the summer. Yet here, Okay, 165 00:07:22,000 --> 00:07:24,840 Speaker 1: what day Saturday, the trapping R and B pool party. 166 00:07:24,840 --> 00:07:27,239 Speaker 2: I'll be there, trapping R and B people. I cannot 167 00:07:27,320 --> 00:07:31,800 Speaker 2: keep up with every trapping burners and bottles being bees 168 00:07:31,880 --> 00:07:37,400 Speaker 2: shout out to the burns. Yeah like it is bees 169 00:07:37,440 --> 00:07:38,680 Speaker 2: and bees like ya. 170 00:07:38,680 --> 00:07:40,920 Speaker 1: Sorry, yeah, this summer, but this is my last, my 171 00:07:41,000 --> 00:07:42,960 Speaker 1: last who rode and then I'm locking myself in the house, 172 00:07:43,080 --> 00:07:43,440 Speaker 1: is it really? 173 00:07:44,120 --> 00:07:44,320 Speaker 2: See? 174 00:07:44,320 --> 00:07:47,400 Speaker 3: Hold on, hold on because I'm not gonna go Yeah. 175 00:07:47,480 --> 00:07:49,680 Speaker 2: Yeah, like we're not going to let you. And by 176 00:07:49,720 --> 00:07:51,760 Speaker 2: the way, summer is going, you have until October. 177 00:07:51,920 --> 00:07:54,160 Speaker 3: Yeah, like you're not just in the house after this week. 178 00:07:54,520 --> 00:07:55,680 Speaker 2: I didn't say I was gonna be in a hot 179 00:07:55,680 --> 00:07:58,000 Speaker 2: I'm I'm yeah, me moving around. 180 00:07:58,600 --> 00:07:58,760 Speaker 4: Yo. 181 00:07:58,880 --> 00:08:01,880 Speaker 3: Baby's even pissing me, bro because she talked all this 182 00:08:01,960 --> 00:08:03,720 Speaker 3: ship and then next week and she can be like yeah, 183 00:08:03,760 --> 00:08:04,600 Speaker 3: you know because. 184 00:08:06,040 --> 00:08:07,640 Speaker 2: On the way she be moving. Yeah, we're going now, 185 00:08:07,680 --> 00:08:08,160 Speaker 2: you know what I'm saying. 186 00:08:08,160 --> 00:08:10,000 Speaker 3: We hit our little runs around the city, Like you're 187 00:08:10,080 --> 00:08:11,200 Speaker 3: not staying in the house after this. 188 00:08:11,200 --> 00:08:13,600 Speaker 2: Week and cut ship. I mean he is going to 189 00:08:13,640 --> 00:08:13,960 Speaker 2: see her. 190 00:08:16,880 --> 00:08:18,760 Speaker 3: Don't say that to her. The city is going to 191 00:08:18,800 --> 00:08:19,840 Speaker 3: see her in the city. 192 00:08:19,840 --> 00:08:22,880 Speaker 2: They noticed that. She just agreed with me and stopped herself. 193 00:08:23,280 --> 00:08:26,920 Speaker 2: I'm going to Mississippi next week. So miss Tippy, who 194 00:08:27,000 --> 00:08:30,200 Speaker 2: says spell that m I S S I S S 195 00:08:30,240 --> 00:08:34,000 Speaker 2: I P P I crook cool? I got it? Great? 196 00:08:34,600 --> 00:08:42,319 Speaker 2: Why family? Family? It's always family and mid sister and hey, 197 00:08:42,400 --> 00:08:47,760 Speaker 2: that's the white So I apologize that. Yo, it's always 198 00:08:47,840 --> 00:08:52,120 Speaker 2: family Mississippi. Any baby, the family union? Right? What you cook? 199 00:08:54,240 --> 00:08:58,480 Speaker 2: I never said it was my family. See you me 200 00:08:58,600 --> 00:09:08,280 Speaker 2: and mom baby in Mississippi. 201 00:09:08,480 --> 00:09:11,360 Speaker 3: In Mississippi, Yo, Yeah, you going down there to the reunion. 202 00:09:11,440 --> 00:09:13,880 Speaker 2: What are you wearing? But what's the what's the family colors? Yellow? 203 00:09:13,880 --> 00:09:17,880 Speaker 1: They got the yellow T shirt? Your baby bring me 204 00:09:17,880 --> 00:09:21,720 Speaker 1: a T shirt. I'm gonna let your pod like what you. 205 00:09:21,920 --> 00:09:26,680 Speaker 2: Meet in the fam. That's heavy in the summer daying. 206 00:09:27,320 --> 00:09:31,120 Speaker 1: I ain't see the CEO at the cold Play concert. 207 00:09:32,200 --> 00:09:34,240 Speaker 3: Don't throw it on the ceo. Don't don't do that. 208 00:09:34,480 --> 00:09:35,760 Speaker 3: Don't throw on the CEO at. 209 00:09:35,640 --> 00:09:38,480 Speaker 1: The Coldlake cheat at the cold Play concert. 210 00:09:38,600 --> 00:09:43,760 Speaker 2: Being caught sheet in Mississippi? Which one is worse? Like, nah, 211 00:09:43,880 --> 00:09:44,800 Speaker 2: that's exactly where she's. 212 00:09:44,679 --> 00:09:48,640 Speaker 3: Supposed to be in Mississippi. Yeah, oh man, I've never 213 00:09:48,679 --> 00:09:50,840 Speaker 3: been in Mississippi. Now, not thinking about it, I don't 214 00:09:50,840 --> 00:09:52,040 Speaker 3: think I've ever been in Mississippi. 215 00:09:52,400 --> 00:09:56,040 Speaker 2: Uh. I only only meet with Peach. That's the only 216 00:09:56,040 --> 00:09:58,440 Speaker 2: time I've been in Mississippi. For what. We flew into 217 00:09:58,520 --> 00:10:01,960 Speaker 2: Jacksonssissippi together. No, don't tell me. You set the airport. 218 00:10:01,960 --> 00:10:04,640 Speaker 2: I'm trying. You chilled in Mississippi. We drove for four 219 00:10:04,640 --> 00:10:07,199 Speaker 2: hours through Mississippi to Louisiana. That don't count. Now he 220 00:10:07,280 --> 00:10:09,840 Speaker 2: stopped at rest stops that don't count. We wait outside 221 00:10:09,920 --> 00:10:13,199 Speaker 2: until the airport was open. It's only in Jackson, Mississippi. 222 00:10:13,160 --> 00:10:14,480 Speaker 2: You have to wait to the airport to be Oh, 223 00:10:15,160 --> 00:10:17,920 Speaker 2: I didn't know airport's closed. Yeah, no, they had working hours. Baby, 224 00:10:17,920 --> 00:10:18,320 Speaker 2: do you got a. 225 00:10:18,320 --> 00:10:19,880 Speaker 3: Vlog out there? Like show me some ship, Like show 226 00:10:19,920 --> 00:10:22,560 Speaker 3: me what's popping in Mississippi? Like show me, like what 227 00:10:22,600 --> 00:10:23,199 Speaker 3: they be doing? 228 00:10:23,320 --> 00:10:27,319 Speaker 2: Are you flying into Jackson? Do you the flairport? Uh? No, 229 00:10:27,440 --> 00:10:31,199 Speaker 2: I'm flying in Atlanta and driving. Oh okay, one of 230 00:10:31,280 --> 00:10:34,880 Speaker 2: those gotcha Greater Atlanta. 231 00:10:34,880 --> 00:10:40,280 Speaker 1: So the CEO of Astana Astraana Astraana something at right, Yeah. 232 00:10:40,200 --> 00:10:47,640 Speaker 2: Coca Cola in Atlanta. 233 00:10:44,440 --> 00:10:53,360 Speaker 1: Yod like the road, big crazygg time, like fucking producing 234 00:10:53,400 --> 00:10:55,360 Speaker 1: this episode and y'all not paying attention. 235 00:10:55,120 --> 00:10:57,720 Speaker 2: To what Johnson You know, Dumars going on the Johnson 236 00:10:57,760 --> 00:11:00,240 Speaker 2: family vacation, baby d. 237 00:11:00,480 --> 00:11:06,479 Speaker 3: Is so funny to me, y'all don't. 238 00:11:05,960 --> 00:11:10,480 Speaker 2: Alright, baby, I let you live the craziest place that 239 00:11:10,520 --> 00:11:12,400 Speaker 2: you've you've met the family at before. 240 00:11:12,480 --> 00:11:17,360 Speaker 3: The craziest place I met family, not your family, her 241 00:11:17,440 --> 00:11:21,480 Speaker 3: family by accident. It might be the craziest, but it 242 00:11:21,520 --> 00:11:24,000 Speaker 3: was here, like I didn't know what chance he was. 243 00:11:24,040 --> 00:11:24,400 Speaker 2: Just like on. 244 00:11:24,640 --> 00:11:26,720 Speaker 3: I didn't know it was a family. He was on Houston, No, 245 00:11:26,760 --> 00:11:28,400 Speaker 3: I was, I was. I was meeting up with this 246 00:11:28,400 --> 00:11:30,720 Speaker 3: girl I was. I was dating at the time, and 247 00:11:30,880 --> 00:11:33,080 Speaker 3: but I didn't know it was a family thing. And 248 00:11:33,120 --> 00:11:35,120 Speaker 3: I get there and it was like granny. I was like, yo, 249 00:11:35,160 --> 00:11:37,840 Speaker 3: I didn't know this was You told me to meet 250 00:11:37,880 --> 00:11:39,719 Speaker 3: you somewhere. I didn't know this was like family though. 251 00:11:39,760 --> 00:11:42,439 Speaker 3: This was like your whole lineage just sitting there right 252 00:11:42,440 --> 00:11:45,200 Speaker 3: in front of me. I'm about to meet your lineage, 253 00:11:45,200 --> 00:11:48,439 Speaker 3: just like y'all. I didn't wasn't expecting that I had 254 00:11:48,480 --> 00:11:50,120 Speaker 3: smoke too. I was I don't want to meet your 255 00:11:50,120 --> 00:11:54,160 Speaker 3: family would set me up like that. 256 00:11:54,160 --> 00:11:55,040 Speaker 2: That was crazy. 257 00:11:55,400 --> 00:11:57,840 Speaker 3: They got a new one of those like top golf 258 00:11:57,880 --> 00:12:00,760 Speaker 3: things coming. I think they was under development, but it 259 00:12:00,840 --> 00:12:03,679 Speaker 3: was basketball. I said, oh man, oh yeah I did 260 00:12:03,679 --> 00:12:06,800 Speaker 3: see that. I said, you's going that's gonna be grand opening. 261 00:12:06,920 --> 00:12:11,080 Speaker 1: Yeah, there's a baseball one. 262 00:12:12,320 --> 00:12:14,880 Speaker 2: For real, like people love the baseballs up or it's 263 00:12:14,920 --> 00:12:17,360 Speaker 2: like the pitching machine. I want to go to that. 264 00:12:17,360 --> 00:12:18,199 Speaker 2: That sounds fun. 265 00:12:19,400 --> 00:12:22,480 Speaker 3: Jump shot live. Where's the where's the first one that 266 00:12:22,480 --> 00:12:23,280 Speaker 3: I'm betting? 267 00:12:23,320 --> 00:12:27,320 Speaker 2: Georgia? Of course is in Atlanta, of course it is. 268 00:12:27,600 --> 00:12:32,439 Speaker 1: I went to Walk W Fraser shut up Walk Fraser's 269 00:12:32,440 --> 00:12:35,000 Speaker 1: restaurant here right in New York. I think my twenty 270 00:12:35,000 --> 00:12:36,520 Speaker 1: first birthday. That's where my birthday dinner. O. 271 00:12:36,559 --> 00:12:38,120 Speaker 3: Every girl was doing that for one time to get 272 00:12:38,160 --> 00:12:40,160 Speaker 3: pictures though, get their pictures off, like you can't even 273 00:12:40,160 --> 00:12:41,240 Speaker 3: hold it. You don't even know what you're doing. 274 00:12:41,480 --> 00:12:43,200 Speaker 2: Get off the room. After the games though, that place 275 00:12:43,280 --> 00:12:45,160 Speaker 2: used to be lit. Oh yeah, that was a spot 276 00:12:45,160 --> 00:12:45,720 Speaker 2: for a little while. 277 00:12:45,760 --> 00:12:48,080 Speaker 3: Absolutely, I gotta check that spot out though I never 278 00:12:48,120 --> 00:12:49,160 Speaker 3: I've never even seen nobody. 279 00:12:49,200 --> 00:12:52,079 Speaker 2: Is it open? Okay, I've never even seen nobody did 280 00:12:52,200 --> 00:12:54,520 Speaker 2: like but they like announced it a year ago or 281 00:12:54,559 --> 00:12:56,560 Speaker 2: some ship, and they just haven't gotten around that. They'll 282 00:12:56,600 --> 00:12:59,640 Speaker 2: come soon. They'll coming soon. But that's a great idea, though, 283 00:13:00,400 --> 00:13:02,400 Speaker 2: that's a great idea. What's the one with all the 284 00:13:02,440 --> 00:13:06,600 Speaker 2: trampolines sky sky Zone? Is it called sky Zone with 285 00:13:06,600 --> 00:13:08,760 Speaker 2: the basketball hoops and everything? Do they have like an 286 00:13:08,800 --> 00:13:11,040 Speaker 2: adult night for that where it's not like a bunch 287 00:13:11,080 --> 00:13:13,280 Speaker 2: of kids. That would be cool if they did, like 288 00:13:13,280 --> 00:13:16,200 Speaker 2: an open bar after eight pm and you could just 289 00:13:16,200 --> 00:13:20,840 Speaker 2: have sky Zone to yourself as adults. Josh had his 290 00:13:20,840 --> 00:13:23,960 Speaker 2: twenty six birthday there. Every I always say I know 291 00:13:24,040 --> 00:13:25,760 Speaker 2: too much about him. I want to know less. 292 00:13:26,240 --> 00:13:28,640 Speaker 3: Yo, I ain't gonna lie. If I didn't know better, 293 00:13:28,640 --> 00:13:30,240 Speaker 3: I would think Josh was a tist to get. 294 00:13:32,080 --> 00:13:34,160 Speaker 2: Like who the fuck's but was like a make a 295 00:13:34,160 --> 00:13:36,320 Speaker 2: wish thing? Think you no better? 296 00:13:36,440 --> 00:13:38,440 Speaker 3: At twenty six, I had my birthday party in sky 297 00:13:38,520 --> 00:13:39,520 Speaker 3: Zone twenty six. 298 00:13:39,600 --> 00:13:42,240 Speaker 2: Twenty six is a wild age to have that. Oh no, 299 00:13:42,280 --> 00:13:43,840 Speaker 2: I bet it was. Sure you had a black I'm 300 00:13:43,880 --> 00:13:44,640 Speaker 2: sure you had a great time. 301 00:13:44,640 --> 00:13:46,439 Speaker 3: But you don't just throw that out there, like if 302 00:13:46,440 --> 00:13:48,360 Speaker 3: we didn't get the invite, just let us not even. 303 00:13:50,559 --> 00:13:51,080 Speaker 1: My six. 304 00:13:51,360 --> 00:13:52,520 Speaker 2: I would do that for my thirty six. 305 00:13:53,000 --> 00:13:55,280 Speaker 3: That would be fun sky zone Like now you can't 306 00:13:55,320 --> 00:13:57,080 Speaker 3: do no jumping like that in thirty six. 307 00:13:57,200 --> 00:13:59,000 Speaker 2: Yeah, fucking me gonna go out on that trimp. I've 308 00:13:59,000 --> 00:14:01,240 Speaker 2: been back to back gym days. I'm spry, I feel alright. 309 00:14:01,480 --> 00:14:02,360 Speaker 2: I'm spry. 310 00:14:02,880 --> 00:14:05,840 Speaker 3: I used to say the same ship, spry until you 311 00:14:05,840 --> 00:14:07,480 Speaker 3: wake up in that motherfucking. 312 00:14:07,240 --> 00:14:12,200 Speaker 2: Foot go numb yo? What that rumor? I caught a 313 00:14:12,200 --> 00:14:14,440 Speaker 2: flat tire? What happened? Speaking of which, what I'm so 314 00:14:14,480 --> 00:14:17,360 Speaker 2: excited about this weekend is on Saturday, my new bed 315 00:14:17,400 --> 00:14:19,760 Speaker 2: frame gets delivered. Look at what you get excited? No, 316 00:14:19,920 --> 00:14:23,360 Speaker 2: Like I'm ecstatic like you should. You should look in 317 00:14:23,400 --> 00:14:26,000 Speaker 2: my group chat with Leoyon and Angela of like, how 318 00:14:26,040 --> 00:14:28,000 Speaker 2: excited I am for this bed frame to finally come. 319 00:14:28,800 --> 00:14:30,280 Speaker 2: But why I had to get it because my bed 320 00:14:30,360 --> 00:14:33,480 Speaker 2: is very low. I'm getting too old, man, I can't 321 00:14:33,800 --> 00:14:36,600 Speaker 2: get out of that bed. It's it's like damn near 322 00:14:36,680 --> 00:14:38,400 Speaker 2: on the ground. I need something that I can. 323 00:14:38,520 --> 00:14:40,160 Speaker 3: You got one of those like a like a like 324 00:14:40,200 --> 00:14:41,720 Speaker 3: a Japanese Yeah exactly. 325 00:14:41,760 --> 00:14:45,360 Speaker 2: He has a hippie platform bed for sure. And yeah, 326 00:14:45,640 --> 00:14:47,280 Speaker 2: I mean I'm not that old, but I can feel 327 00:14:47,280 --> 00:14:49,120 Speaker 2: it in my knees on certain mornings where I'm like, 328 00:14:50,160 --> 00:14:52,400 Speaker 2: I need it's a little low higher. My bed is 329 00:14:52,480 --> 00:14:55,720 Speaker 2: high as ship. I hate high asspeds, I hate. I 330 00:14:55,760 --> 00:14:58,280 Speaker 2: love it. I love a high bed, But how you 331 00:14:58,440 --> 00:15:01,080 Speaker 2: like really getting your your stroke that way though, Like 332 00:15:01,120 --> 00:15:03,400 Speaker 2: are you that tall? Like as far as your waiste to. 333 00:15:03,480 --> 00:15:06,200 Speaker 3: Bed ratio the fall she's on the edge of the bed. 334 00:15:06,280 --> 00:15:07,840 Speaker 2: That's just like, yeah, you want to get you want 335 00:15:07,840 --> 00:15:08,440 Speaker 2: to get into. 336 00:15:08,240 --> 00:15:10,840 Speaker 3: That that's not that high, Like I still it's still 337 00:15:10,880 --> 00:15:13,040 Speaker 3: right there. It's the perfect you know what I'm saying, 338 00:15:13,080 --> 00:15:14,800 Speaker 3: But it's like it's high enough to where it's like 339 00:15:15,000 --> 00:15:15,640 Speaker 3: you gotta Like. 340 00:15:15,640 --> 00:15:17,680 Speaker 2: That's what I used to hate about college dorms. Well, 341 00:15:17,680 --> 00:15:20,160 Speaker 2: at least when I was after you, they was like, super, 342 00:15:20,400 --> 00:15:21,680 Speaker 2: I can't even get into my ship. 343 00:15:21,680 --> 00:15:23,840 Speaker 3: Like those story y'all just store ship under the bed exact, 344 00:15:24,720 --> 00:15:25,440 Speaker 3: could never get me. 345 00:15:25,440 --> 00:15:26,480 Speaker 2: Ask underneath that bitch. 346 00:15:26,640 --> 00:15:29,800 Speaker 3: Yeah, put a whole motherfucking ikeia two plastic bins under 347 00:15:29,800 --> 00:15:30,120 Speaker 3: that ship. 348 00:15:30,320 --> 00:15:32,080 Speaker 2: We used to put someone on my track team one 349 00:15:32,120 --> 00:15:34,800 Speaker 2: of there. He not enough money to stay on campus, 350 00:15:34,800 --> 00:15:37,840 Speaker 2: so he slept under the bed for real. He has 351 00:15:37,880 --> 00:15:42,480 Speaker 2: His name is Junr. His name would be Ju only 352 00:15:42,560 --> 00:15:45,480 Speaker 2: Jamaica can remember only Junior could sleep under the fucking bed. 353 00:15:45,520 --> 00:15:47,240 Speaker 2: That's not a bunker. He used to wrap himself in 354 00:15:47,280 --> 00:15:49,560 Speaker 2: one of my sheets, like you know, the elastic sheet ship. 355 00:15:49,640 --> 00:15:54,120 Speaker 2: He would wrap his entire body and go under it. Listen, man, Jamaican, 356 00:15:54,160 --> 00:15:55,280 Speaker 2: I don't know what to tell you. He had to 357 00:15:55,280 --> 00:15:58,560 Speaker 2: make it happen. Listen, it is what it is, all right? Well, 358 00:15:58,720 --> 00:16:01,760 Speaker 2: the CEO of at is that the name of the company. 359 00:16:02,240 --> 00:16:04,520 Speaker 2: What company is that? Is that like one of the 360 00:16:04,520 --> 00:16:05,880 Speaker 2: apps that tells you about your birthday? 361 00:16:06,040 --> 00:16:08,480 Speaker 3: I'm not sure what company that is, but the CEO 362 00:16:08,680 --> 00:16:12,200 Speaker 3: of Astronomer was caught at a Coldplay concert on the 363 00:16:12,200 --> 00:16:12,800 Speaker 3: big screen. 364 00:16:12,920 --> 00:16:15,920 Speaker 2: I don't want to hear anything from any astrology chick, 365 00:16:16,000 --> 00:16:18,640 Speaker 2: any chick that's obsessed with the moon. If your CEO 366 00:16:18,760 --> 00:16:21,520 Speaker 2: and God is already cheating, it's how come you couldn't 367 00:16:21,520 --> 00:16:24,200 Speaker 2: predict that from that. It's a New York he's got 368 00:16:24,280 --> 00:16:25,040 Speaker 2: he's got to be cheating. 369 00:16:25,080 --> 00:16:27,280 Speaker 3: It's a New York AI firm, AI firm. 370 00:16:28,120 --> 00:16:30,760 Speaker 2: He's the illuminati. Oh wow, is it owned by black Rock? 371 00:16:31,520 --> 00:16:31,680 Speaker 1: No? 372 00:16:32,000 --> 00:16:34,240 Speaker 3: Okay, damn, that's that's a tough way to get. 373 00:16:34,120 --> 00:16:37,720 Speaker 2: On by Pfizer, and you look like you look better 374 00:16:37,800 --> 00:16:38,040 Speaker 2: than me. 375 00:16:38,760 --> 00:16:40,760 Speaker 1: That you know, the only reason why this went viral, 376 00:16:40,840 --> 00:16:42,560 Speaker 1: or they would have just been regular white people at 377 00:16:42,600 --> 00:16:44,560 Speaker 1: a concert if they didn't act so guilty. 378 00:16:44,960 --> 00:16:46,960 Speaker 2: Yeah, like we all kind of look alike. But he 379 00:16:47,440 --> 00:16:48,480 Speaker 2: knows that he got. 380 00:16:48,280 --> 00:16:50,560 Speaker 3: A name out there, and he's like, oh shit. 381 00:16:50,600 --> 00:16:52,240 Speaker 2: But like you should have just held it down and 382 00:16:52,320 --> 00:16:55,960 Speaker 2: just just stayed what she was doing. Yeah, Duckan was 383 00:16:56,000 --> 00:16:58,920 Speaker 2: crazy yealty. That made it go viral. That made it 384 00:16:58,920 --> 00:16:59,280 Speaker 2: go viral. 385 00:16:59,360 --> 00:17:02,640 Speaker 1: Yeah, of course that nigga. He disappeared into thin air. 386 00:17:02,720 --> 00:17:05,000 Speaker 2: Who is this guy? The guy in the background looks 387 00:17:05,040 --> 00:17:08,080 Speaker 2: like he set it up afterwards. He's from a rival company, 388 00:17:08,119 --> 00:17:09,720 Speaker 2: for sure. Watch this this kid that looks like a 389 00:17:09,760 --> 00:17:14,160 Speaker 2: school shooter come in the frame. That guy, Yeah, he's 390 00:17:14,160 --> 00:17:18,920 Speaker 2: a static. It's the it's the person shooter right there. 391 00:17:19,560 --> 00:17:20,560 Speaker 2: The crazy ship is. 392 00:17:20,600 --> 00:17:23,159 Speaker 1: I think that was like a company skybox because the 393 00:17:23,200 --> 00:17:26,120 Speaker 1: person next to them is one of their coworkers, So 394 00:17:26,160 --> 00:17:29,439 Speaker 1: like the whole company just know they fucking you got 395 00:17:29,560 --> 00:17:29,880 Speaker 1: to die. 396 00:17:30,680 --> 00:17:33,800 Speaker 3: I mean. But while my thing is, why even be 397 00:17:33,880 --> 00:17:35,160 Speaker 3: doing all of that at a concert? 398 00:17:36,440 --> 00:17:38,200 Speaker 2: You got that much money, just go fuck her in 399 00:17:38,240 --> 00:17:42,399 Speaker 2: a penthouse. He loved her, that he loved her. He 400 00:17:42,440 --> 00:17:45,320 Speaker 2: took her play, but the whole office went to go 401 00:17:45,359 --> 00:17:46,720 Speaker 2: see Cole play. That's what I'm saying. 402 00:17:46,800 --> 00:17:49,840 Speaker 1: Like, that's not just them alone, Like that's the company skybox. 403 00:17:49,920 --> 00:17:51,639 Speaker 3: Yeah, the the girl right next that you could tell 404 00:17:51,720 --> 00:17:54,360 Speaker 3: she was like, oh man, like they caught y'all. Yeah, 405 00:17:54,760 --> 00:17:56,280 Speaker 3: like that's her friend, you know what, that's her friend. 406 00:17:56,400 --> 00:17:57,560 Speaker 3: She's like, oh my god. 407 00:17:59,760 --> 00:18:01,960 Speaker 1: Yeah, she just got promote a promotion, the one that's 408 00:18:01,960 --> 00:18:02,880 Speaker 1: like turning red. 409 00:18:02,960 --> 00:18:06,280 Speaker 2: She just got a promotion swelled. That promotion is five. 410 00:18:06,280 --> 00:18:08,160 Speaker 3: Because he was like, while where was your intendance when 411 00:18:08,160 --> 00:18:09,639 Speaker 3: that camera was panning around. 412 00:18:09,359 --> 00:18:11,520 Speaker 2: The room, you were down? 413 00:18:11,560 --> 00:18:13,080 Speaker 3: Yeah, you supld to hit me Like yo, listen, the 414 00:18:13,119 --> 00:18:15,520 Speaker 3: camera is about to catch out, Like how do. 415 00:18:15,480 --> 00:18:16,520 Speaker 2: You when you go home? 416 00:18:17,880 --> 00:18:19,879 Speaker 1: What's the conversation you have when you go home? How 417 00:18:19,880 --> 00:18:21,480 Speaker 1: do you explain? Like what do you do? 418 00:18:21,480 --> 00:18:23,959 Speaker 2: Do you cry? Do you don't? You see over? 419 00:18:23,960 --> 00:18:26,000 Speaker 3: Astronomer, you just go home, Like listen, the lawyers got 420 00:18:26,040 --> 00:18:30,240 Speaker 3: everything divided already ahead and just we just get this thing. 421 00:18:31,080 --> 00:18:33,239 Speaker 2: Fuck that. You got to come up with something like 422 00:18:33,520 --> 00:18:35,720 Speaker 2: me and Chris Martin put that together for a viral moment. 423 00:18:36,640 --> 00:18:42,800 Speaker 3: Astronomer CEO Andy Andy Duframe Andy Duframe Andy brot Byron's 424 00:18:42,920 --> 00:18:44,960 Speaker 3: networth made range from twenty million. 425 00:18:44,720 --> 00:18:47,040 Speaker 2: To seventy minutes. That's a wild range. By yeah, you 426 00:18:47,119 --> 00:18:49,760 Speaker 2: just make fifty million. Fifteen million, just did questionable. 427 00:18:50,160 --> 00:18:53,119 Speaker 3: The astronomy executive has gained everyone's attention on social media. 428 00:18:53,800 --> 00:18:55,800 Speaker 3: So this, oh, this is that Gellete stadium? Oh man, 429 00:18:55,800 --> 00:18:57,280 Speaker 3: you know where's Robert Kraft? 430 00:18:57,359 --> 00:18:59,520 Speaker 2: Definitely crafty? Where's Crafty? Yeah? 431 00:19:00,440 --> 00:19:03,919 Speaker 3: But I mean, is it a big deal? Well, if 432 00:19:03,960 --> 00:19:05,160 Speaker 3: you're married, yes, it's a big deal. 433 00:19:05,200 --> 00:19:05,560 Speaker 2: You're right. 434 00:19:05,680 --> 00:19:07,440 Speaker 3: I'm sorry, it's a very big deal. 435 00:19:07,640 --> 00:19:11,000 Speaker 2: All right, I'll go that route that people always go. 436 00:19:11,080 --> 00:19:14,560 Speaker 2: We don't know that their arrangement. Maybe his wife is 437 00:19:14,600 --> 00:19:17,560 Speaker 2: into that. She and not the way that niggas dropped. 438 00:19:17,880 --> 00:19:21,119 Speaker 2: He dropped down like his wife loyal. They role playing 439 00:19:21,160 --> 00:19:21,480 Speaker 2: or something. 440 00:19:21,880 --> 00:19:22,680 Speaker 4: Nah bru. 441 00:19:23,080 --> 00:19:23,760 Speaker 2: He dropped down like. 442 00:19:23,960 --> 00:19:28,600 Speaker 1: People wanted to disappear like he and she just turned around. 443 00:19:28,600 --> 00:19:30,639 Speaker 2: She ain't no where to go. What she gonna do? 444 00:19:30,880 --> 00:19:33,040 Speaker 2: We caught. But like you said, they made it hot. 445 00:19:33,080 --> 00:19:35,600 Speaker 2: They made it hot. I've never seen a grown man 446 00:19:35,720 --> 00:19:39,119 Speaker 2: like really get down to his knees in the fetal 447 00:19:39,119 --> 00:19:40,800 Speaker 2: position that he crawled away. 448 00:19:40,840 --> 00:19:42,639 Speaker 3: He was trying to crawl out of he went like 449 00:19:42,680 --> 00:19:47,280 Speaker 3: this afterwards, like, damn, I mean, but you know it 450 00:19:47,359 --> 00:19:50,960 Speaker 3: is what it is, man, he dropped a statement. 451 00:19:51,119 --> 00:19:53,000 Speaker 2: Oh you know I need the statement. Pull that up. 452 00:19:53,320 --> 00:19:55,600 Speaker 2: It's also you figure there'd be some type of NBA 453 00:19:55,720 --> 00:19:57,720 Speaker 2: when you have a skybox like that, of like, don't 454 00:19:57,720 --> 00:19:58,520 Speaker 2: put a camera near me. 455 00:19:58,760 --> 00:20:01,640 Speaker 1: Let me start by apologize into my family, my wife, 456 00:20:01,680 --> 00:20:04,800 Speaker 1: and our wonderful employees. My behavior is inexcusable and the 457 00:20:04,880 --> 00:20:07,600 Speaker 1: shame I am receiving is well deserved. I tried to 458 00:20:07,680 --> 00:20:09,600 Speaker 1: hide my actions, but the truth has fighting. 459 00:20:11,080 --> 00:20:14,159 Speaker 3: I am a cold Play fan, and not just of 460 00:20:14,200 --> 00:20:16,560 Speaker 3: the first two albums. I don't feel like the loose 461 00:20:16,600 --> 00:20:19,399 Speaker 3: and stuff. I am going to take some time to 462 00:20:19,440 --> 00:20:23,400 Speaker 3: contemplate my future. Please respect our families privacy at this, Wow. 463 00:20:23,240 --> 00:20:25,320 Speaker 1: Josh, I thought this was a real fucking statement. 464 00:20:26,119 --> 00:20:31,640 Speaker 2: You got God, Yeah, that's hilarious. I am a cold 465 00:20:31,680 --> 00:20:34,560 Speaker 2: Play fan, and not just of the first two, not 466 00:20:34,600 --> 00:20:38,800 Speaker 2: just the first nobody likes. I'm a big fan like 467 00:20:38,960 --> 00:20:43,840 Speaker 2: Chris Martin solo project. Holy shit. Yeah, I don't know, man, 468 00:20:43,840 --> 00:20:44,200 Speaker 2: you can't. 469 00:20:44,240 --> 00:20:46,120 Speaker 1: I feel like concerts are a good place to take 470 00:20:46,240 --> 00:20:49,720 Speaker 1: like maybe not a cold Play concert though, Like if 471 00:20:49,720 --> 00:20:51,840 Speaker 1: you white and you cheating on your white wife with 472 00:20:51,920 --> 00:20:52,680 Speaker 1: another white woman. 473 00:20:52,720 --> 00:20:54,520 Speaker 2: I don't think Coldplay is the concert to be at. 474 00:20:54,560 --> 00:20:56,520 Speaker 2: That's kind of like you do all blend in. 475 00:20:56,800 --> 00:20:58,439 Speaker 1: Nah, I'm not no because I'm not gonna take my 476 00:20:58,800 --> 00:21:00,200 Speaker 1: like I'm not gonna take my side nigg to the 477 00:21:00,280 --> 00:21:02,240 Speaker 1: Drake Show, like I'm not gonna we ain't gonna go 478 00:21:02,320 --> 00:21:04,680 Speaker 1: to the hotspot. We can go to some low shit. Yeah, 479 00:21:04,840 --> 00:21:06,440 Speaker 1: you know what I'm saying. A girl I was dating 480 00:21:06,440 --> 00:21:07,160 Speaker 1: in l A one time. 481 00:21:07,200 --> 00:21:09,360 Speaker 3: I caught it at the Laker game with somebody else 482 00:21:09,480 --> 00:21:12,080 Speaker 3: the Laker game and we was texting before the game, 483 00:21:12,320 --> 00:21:13,600 Speaker 3: Oh that's nasty. 484 00:21:13,320 --> 00:21:15,399 Speaker 1: Hand in hand and the Beverly Center like, man, not 485 00:21:15,520 --> 00:21:17,080 Speaker 1: give it to him who sees me. 486 00:21:17,520 --> 00:21:18,879 Speaker 3: But it was like it was so whack because it 487 00:21:18,960 --> 00:21:20,720 Speaker 3: was like it was like, yo, why would you even 488 00:21:21,000 --> 00:21:22,440 Speaker 3: you ain't got a lot, you know what I'm saying 489 00:21:22,440 --> 00:21:23,560 Speaker 3: Like that, It was just it was. 490 00:21:23,520 --> 00:21:25,600 Speaker 2: Just whacked that she lied, Like it was like, I mean, 491 00:21:25,960 --> 00:21:26,920 Speaker 2: but we're still cool though. 492 00:21:26,920 --> 00:21:28,720 Speaker 1: But I hate when people say that though, because it's 493 00:21:28,720 --> 00:21:31,439 Speaker 1: some some truths. I'm just not gonna volunteer to you 494 00:21:31,480 --> 00:21:33,560 Speaker 1: because like I'm you're not gonna ask me what I'm doing. 495 00:21:33,600 --> 00:21:35,280 Speaker 1: I'm gonna say I'm on a date at Beverly. I'm 496 00:21:35,280 --> 00:21:36,399 Speaker 1: not gonna do that, that's all right. 497 00:21:36,440 --> 00:21:38,600 Speaker 3: But if I tell you I'm headed to the Lakers game, 498 00:21:39,119 --> 00:21:42,119 Speaker 3: and you're headed to the Lakers game, that should probably 499 00:21:42,119 --> 00:21:43,800 Speaker 3: be the time where you should be Like, yo, friend 500 00:21:43,800 --> 00:21:46,480 Speaker 3: of mine, he also got some tickets tonight. I said 501 00:21:46,520 --> 00:21:47,480 Speaker 3: I would go with him. 502 00:21:47,640 --> 00:21:48,480 Speaker 2: Yeah something. 503 00:21:48,880 --> 00:21:50,520 Speaker 1: But I'm sure she didn't think because if we're runing 504 00:21:50,560 --> 00:21:52,520 Speaker 1: to you at the Beverly Center, that's huge, Like. 505 00:21:52,600 --> 00:21:55,120 Speaker 2: Yeah, but no, I mean, first of all, the first 506 00:21:55,119 --> 00:21:56,760 Speaker 2: time I went to the Staples Center, I said, Wow, 507 00:21:56,800 --> 00:21:59,560 Speaker 2: this place is smaller than I thought. Really, that shit 508 00:21:59,680 --> 00:22:01,880 Speaker 2: is not like the Garden. That place You're gonna run 509 00:22:01,880 --> 00:22:02,920 Speaker 2: into anybody that's there. 510 00:22:03,000 --> 00:22:05,879 Speaker 3: No, but it's it was bad because she literally walked 511 00:22:06,160 --> 00:22:09,080 Speaker 3: right past me with the dude did she did? 512 00:22:09,080 --> 00:22:10,920 Speaker 2: She she gotta speak, you gotta speak now. 513 00:22:10,920 --> 00:22:12,880 Speaker 3: She walked past me like Isaiah walked past Mike when 514 00:22:12,920 --> 00:22:16,359 Speaker 3: the Bulls beat the Detroit Pistons. Tried to duck and 515 00:22:16,440 --> 00:22:19,040 Speaker 3: hide like put her head down, and I just looked 516 00:22:19,080 --> 00:22:20,600 Speaker 3: at her and I just I just text the lo 517 00:22:20,640 --> 00:22:21,520 Speaker 3: O L was it? 518 00:22:21,640 --> 00:22:25,040 Speaker 2: Oh my heart, and just like give you a hugging, 519 00:22:25,119 --> 00:22:28,040 Speaker 2: like y, I'm gonna text you like, yeah, you gotta go. 520 00:22:28,920 --> 00:22:32,320 Speaker 2: You gotta be gotta be cool. Ignore this ship makes 521 00:22:32,400 --> 00:22:34,880 Speaker 2: yeah times worse. I'm like, yo, what you like what 522 00:22:34,920 --> 00:22:35,399 Speaker 2: you're doing? 523 00:22:35,520 --> 00:22:38,560 Speaker 3: Like Trevor Reees is standing, I'm with the Lakers, like 524 00:22:38,760 --> 00:22:42,159 Speaker 3: you walked right past. We're in the locker room together. 525 00:22:42,240 --> 00:22:44,440 Speaker 3: I'm with the Lakers right game over. Were standing in 526 00:22:44,440 --> 00:22:46,160 Speaker 3: the kicking and we were about to do She couldn't walk 527 00:22:46,200 --> 00:22:47,040 Speaker 3: it past with the nigga. 528 00:22:47,920 --> 00:22:50,919 Speaker 2: You can't duck behind all these niggas. Six eight. I 529 00:22:50,960 --> 00:22:52,359 Speaker 2: still see you. What you doing? 530 00:22:52,640 --> 00:22:52,840 Speaker 1: Yeah? 531 00:22:52,880 --> 00:22:54,760 Speaker 2: She should have just should have like, oh, I hugged you. 532 00:22:54,960 --> 00:22:57,080 Speaker 2: Hugged you like yo, I thought you meant tomorrow's game. Yeah, 533 00:22:57,200 --> 00:23:00,200 Speaker 2: I told you I was coming to this one the 534 00:23:00,200 --> 00:23:01,920 Speaker 2: way to the Lakers game. But she mustn't want to 535 00:23:01,920 --> 00:23:02,880 Speaker 2: fight with that nick in the car. 536 00:23:03,760 --> 00:23:05,520 Speaker 1: It was cool though, I know that fight. I wasn't 537 00:23:05,520 --> 00:23:06,840 Speaker 1: trip you get in the car. You don't fuck you 538 00:23:06,840 --> 00:23:07,800 Speaker 1: around adapt to hugged. 539 00:23:07,800 --> 00:23:10,640 Speaker 2: The Roe Law was the side dude in this situation. 540 00:23:10,920 --> 00:23:15,440 Speaker 3: I was definitely definitely I know my place, listen, That's 541 00:23:15,440 --> 00:23:18,199 Speaker 3: why I ain't trip out like I'm cool. It was 542 00:23:18,240 --> 00:23:20,200 Speaker 3: just wack because I thought you was cooler than that. 543 00:23:20,280 --> 00:23:21,600 Speaker 3: I thought you were smoother than that. 544 00:23:21,600 --> 00:23:22,000 Speaker 2: That's all. 545 00:23:22,280 --> 00:23:24,240 Speaker 3: So now I see you corny, Like, okay, you corny. 546 00:23:25,800 --> 00:23:28,359 Speaker 2: You're still cool, but you corny. That's not corny. That 547 00:23:28,480 --> 00:23:33,199 Speaker 2: is corny. I don't think that's because how was that 548 00:23:33,280 --> 00:23:35,840 Speaker 2: not corny? You don't have to I know, on the side, dude, 549 00:23:35,840 --> 00:23:38,120 Speaker 2: you don't have to lie about matter of fact. Tell 550 00:23:38,119 --> 00:23:39,800 Speaker 2: me what section you're in with your man so I 551 00:23:39,840 --> 00:23:41,000 Speaker 2: can avoid that. Okay. 552 00:23:41,040 --> 00:23:42,640 Speaker 1: So I didn't know it was that black and white. 553 00:23:42,680 --> 00:23:44,479 Speaker 1: I thought it was maybe she was talking to one 554 00:23:44,560 --> 00:23:47,000 Speaker 1: dude and he was her favorite and also talking to you, not. 555 00:23:47,080 --> 00:23:49,359 Speaker 2: Like I have a man and you're known as my 556 00:23:49,480 --> 00:23:51,960 Speaker 2: side nigga. Yeah, then that would be like I was 557 00:23:51,960 --> 00:23:53,680 Speaker 2: her man. It could have just been a date. 558 00:23:54,480 --> 00:23:56,840 Speaker 1: Okay, So trip, That's what I'm saying. Like, I don't 559 00:23:56,840 --> 00:23:58,800 Speaker 1: think is it's an awkward position to be in. 560 00:23:59,040 --> 00:24:00,919 Speaker 3: But my thing is, once I say I'm going to 561 00:24:00,920 --> 00:24:03,240 Speaker 3: the game, yeah, and you know you going to this 562 00:24:03,359 --> 00:24:05,240 Speaker 3: game tonight too, just say something. 563 00:24:05,280 --> 00:24:06,960 Speaker 1: I bitch probably ain't get up and go get a 564 00:24:07,080 --> 00:24:08,920 Speaker 1: drink or a hot dog all fucking game. 565 00:24:09,000 --> 00:24:10,040 Speaker 2: She sat in that seat. 566 00:24:10,160 --> 00:24:12,560 Speaker 3: Oh you know, listen, let me tell you something when 567 00:24:12,600 --> 00:24:14,439 Speaker 3: you know somebody you fuck with, it is at the 568 00:24:14,440 --> 00:24:16,840 Speaker 3: same event. You feel like no matter where you're sitting, 569 00:24:16,880 --> 00:24:19,720 Speaker 3: nigga see you. Yep, you feel like Yo, they can 570 00:24:19,760 --> 00:24:21,919 Speaker 3: see me right now with this Like she seen me 571 00:24:21,960 --> 00:24:23,800 Speaker 3: with this chick. I know she do like I know 572 00:24:23,920 --> 00:24:26,120 Speaker 3: her like oh, because the chick told me she was like, Yo, 573 00:24:26,119 --> 00:24:27,200 Speaker 3: you see your dick anywhere? 574 00:24:27,200 --> 00:24:28,160 Speaker 2: Like chick told me what. 575 00:24:28,160 --> 00:24:29,960 Speaker 3: Time she was like, you can be in a room 576 00:24:29,960 --> 00:24:32,200 Speaker 3: with fifty thousand people. If you fucking a nigga in there, 577 00:24:32,200 --> 00:24:32,879 Speaker 3: you gonna see him. 578 00:24:32,880 --> 00:24:33,800 Speaker 2: I'm gonna see my dime. 579 00:24:34,280 --> 00:24:36,560 Speaker 1: I'm gonna see my dime across the fucking you bugging 580 00:24:37,359 --> 00:24:40,120 Speaker 1: five thousand people. All I see is you. I gonna 581 00:24:40,119 --> 00:24:42,520 Speaker 1: see my dime. You bugged out. 582 00:24:44,040 --> 00:24:48,840 Speaker 2: I said, life is crazy highlight room, which is the 583 00:24:48,880 --> 00:24:51,919 Speaker 2: size of this fucking studio. And I say, I got 584 00:24:52,000 --> 00:24:53,080 Speaker 2: dragged here last minute. 585 00:24:53,720 --> 00:24:55,760 Speaker 3: Yeah, you gotta text that knew she was coming forgot 586 00:24:56,160 --> 00:24:56,920 Speaker 3: You gotta check. 587 00:24:56,760 --> 00:24:58,320 Speaker 2: What you gotta text before you get in there, Like 588 00:24:58,320 --> 00:25:00,439 Speaker 2: on your way up, y'all. 589 00:25:00,920 --> 00:25:05,840 Speaker 3: Sean dragged me here, you know much. I'm gonna yo 590 00:25:05,960 --> 00:25:07,200 Speaker 3: this nigga Sewan and. 591 00:25:07,200 --> 00:25:08,840 Speaker 2: Dragon because you said he was gonna be there. Sean 592 00:25:08,880 --> 00:25:10,960 Speaker 2: won't let me be in l A without coming to highlight. Man, 593 00:25:11,080 --> 00:25:14,040 Speaker 2: you definitely would be fine with me. He would be 594 00:25:14,040 --> 00:25:18,000 Speaker 2: to text him, ask can you get me in? 595 00:25:18,160 --> 00:25:20,439 Speaker 3: Like Sean wanted me to pull up. So ya, I'm here. 596 00:25:20,640 --> 00:25:22,199 Speaker 3: I just I just got here. Man, be here for 597 00:25:22,240 --> 00:25:24,640 Speaker 3: like twenty minutes, and I'm out to be there. 598 00:25:24,720 --> 00:25:29,959 Speaker 2: Hold my shirt, shirt off? Everything you ordered a nightcap? 599 00:25:30,160 --> 00:25:32,560 Speaker 2: You go to the after party that's downstairs. Yeah, yeah, yeah, 600 00:25:32,560 --> 00:25:35,479 Speaker 2: all that ship. Yeah, I'm outside today. You got I mean, 601 00:25:35,520 --> 00:25:36,840 Speaker 2: I'm out now like Sean. 602 00:25:36,920 --> 00:25:39,639 Speaker 3: Yo, Sean got me outside. Man, Sean is crazy. I 603 00:25:39,720 --> 00:25:41,320 Speaker 3: thought everything on Sean. I don't give a fuck. 604 00:25:41,680 --> 00:25:43,720 Speaker 1: Okay, that's what's up. Tell Sean to save me some room. 605 00:25:43,720 --> 00:25:45,600 Speaker 1: I'm coming over, coming over to the table right now 606 00:25:45,640 --> 00:25:46,200 Speaker 1: where y'all at. 607 00:25:46,359 --> 00:25:50,679 Speaker 3: Yeah, that's cool, pull up. I'm not I'm not that guy, like, 608 00:25:50,840 --> 00:25:52,080 Speaker 3: come on, come on over. 609 00:25:52,240 --> 00:25:52,640 Speaker 1: So good. 610 00:25:52,840 --> 00:25:54,400 Speaker 2: How many times do you think, as a friend you've 611 00:25:54,440 --> 00:25:56,720 Speaker 2: been thrown under the bus without your knowledge? Oh well 612 00:25:56,840 --> 00:25:57,600 Speaker 2: countless times. 613 00:25:57,680 --> 00:25:59,800 Speaker 3: And I hate that because I get into my acting 614 00:26:00,280 --> 00:26:01,399 Speaker 3: just to just give me the script. 615 00:26:01,480 --> 00:26:04,760 Speaker 2: Tell me what you told your girl. There's women, multiple 616 00:26:04,760 --> 00:26:07,800 Speaker 2: women walking around this earth right now that resent me 617 00:26:08,000 --> 00:26:10,480 Speaker 2: to the core and I don't know why because I 618 00:26:10,480 --> 00:26:12,680 Speaker 2: don't know what my friends have told them to throw 619 00:26:12,720 --> 00:26:15,240 Speaker 2: me under the bus, yeah, Like I can see the 620 00:26:15,280 --> 00:26:17,600 Speaker 2: glare in their fucking eyes of how much they hate me, 621 00:26:17,720 --> 00:26:21,240 Speaker 2: and I just sit there like, yeah, man, I'm the one. 622 00:26:22,040 --> 00:26:24,199 Speaker 3: We hadn't talked about that before. And it'll be like, Yo, 623 00:26:24,240 --> 00:26:26,480 Speaker 3: you be thinking, I get your nigga is the one that. 624 00:26:26,440 --> 00:26:27,360 Speaker 2: Got older girls. 625 00:26:27,680 --> 00:26:30,480 Speaker 3: Bruhn know these girls that be outside like I don't 626 00:26:30,520 --> 00:26:31,920 Speaker 3: know them, your men know them. 627 00:26:31,960 --> 00:26:36,400 Speaker 1: It's always my homegirls that have boyfriends and they boyfriends 628 00:26:36,440 --> 00:26:36,760 Speaker 1: hate me. 629 00:26:36,800 --> 00:26:38,359 Speaker 2: Like, Yo, demeris be having the niggas. 630 00:26:38,359 --> 00:26:43,080 Speaker 1: These ain't my homes right these day out, Yo, bitch introduced. 631 00:26:42,600 --> 00:26:44,160 Speaker 2: Me to these niggas. These ain't my. 632 00:26:44,200 --> 00:26:48,080 Speaker 1: Niggas, These ain't my dimes. I hate that shit. I 633 00:26:48,160 --> 00:26:49,920 Speaker 1: always tell my friends I'm not the friend of throwing. 634 00:26:50,000 --> 00:26:51,560 Speaker 1: Don't throw me under the bus. I don't like that. 635 00:26:51,560 --> 00:26:52,280 Speaker 1: Don't put that out there. 636 00:26:52,280 --> 00:26:53,800 Speaker 2: You call me. 637 00:26:53,800 --> 00:26:55,560 Speaker 1: No, don't throw it's I think I feel like it's 638 00:26:55,600 --> 00:26:59,639 Speaker 1: different for women because now your home now your man 639 00:27:00,160 --> 00:27:02,800 Speaker 1: out here with the idea that I'm a home because 640 00:27:02,800 --> 00:27:04,639 Speaker 1: you doing whole shit around me that I'm telling you 641 00:27:04,680 --> 00:27:07,119 Speaker 1: not to do. I don't want that because that gets around, like, 642 00:27:07,160 --> 00:27:08,879 Speaker 1: don't put that on my jacket, don't lie on me. 643 00:27:08,960 --> 00:27:12,440 Speaker 3: I forgot what comedian it was, but he was like, uh, 644 00:27:12,800 --> 00:27:16,280 Speaker 3: he said his homeboy told his wife like, yeah, you know, 645 00:27:16,320 --> 00:27:19,280 Speaker 3: we was out bowling and ship and didn't tell him. 646 00:27:19,880 --> 00:27:22,120 Speaker 3: So he was like, he bumps into his homeboy's wife 647 00:27:22,119 --> 00:27:24,280 Speaker 3: at the supermarket. So yeah, so let me ask you 648 00:27:24,320 --> 00:27:26,920 Speaker 3: some like what's your bowling game? Like, do you he's 649 00:27:27,040 --> 00:27:32,760 Speaker 3: I don't know how fucking bowl that fast? 650 00:27:35,440 --> 00:27:38,040 Speaker 2: You gotta tell. Let me know what you told your 651 00:27:38,119 --> 00:27:40,440 Speaker 2: girl man, cause she gonna ask me something. 652 00:27:40,480 --> 00:27:43,480 Speaker 3: I was like, I don't know, I don't not knowing 653 00:27:43,520 --> 00:27:45,640 Speaker 3: you done tell yo, we was just bowling last week. 654 00:27:46,240 --> 00:27:48,119 Speaker 3: Bo I'm fucking bowl what you're talking about? 655 00:27:48,320 --> 00:27:51,639 Speaker 2: Nah, I'll give you one better. Don't let one of 656 00:27:51,720 --> 00:27:56,840 Speaker 2: your homeboys girlfriends bust into your fucking the crib y'all 657 00:27:56,840 --> 00:27:59,920 Speaker 2: renting's door. Don't even know. Most of the time I 658 00:28:00,080 --> 00:28:01,560 Speaker 2: sleep but ass, but because there was a bunch of 659 00:28:01,560 --> 00:28:03,720 Speaker 2: people in that house, I slept with clothes on that time. 660 00:28:04,200 --> 00:28:06,399 Speaker 2: Bust into your room and ask where the fuck your 661 00:28:06,400 --> 00:28:08,880 Speaker 2: friend is at because you have his location. She trying 662 00:28:08,880 --> 00:28:10,520 Speaker 2: to grab your phone and you go, bitch, I met 663 00:28:10,560 --> 00:28:13,840 Speaker 2: you like an hour ago. That's crazy. You the first 664 00:28:13,840 --> 00:28:16,640 Speaker 2: of all you you mind you you alone in your bed, 665 00:28:16,880 --> 00:28:19,479 Speaker 2: asleep at eight o'clock in the morning. Have no idea 666 00:28:19,520 --> 00:28:21,240 Speaker 2: what was told on your name? Because I don't mind 667 00:28:21,280 --> 00:28:23,000 Speaker 2: getting thrown on the bus. My friends can throw me 668 00:28:23,000 --> 00:28:23,800 Speaker 2: on the but tell me. 669 00:28:24,880 --> 00:28:26,480 Speaker 3: Tell your homies, man, tell me when you got me 670 00:28:26,520 --> 00:28:28,480 Speaker 3: in your live man, that's all I can help you. 671 00:28:28,520 --> 00:28:29,080 Speaker 2: But you got to tell me. 672 00:28:29,119 --> 00:28:31,640 Speaker 1: I'm in the lit Keep me out, keep me out 673 00:28:31,720 --> 00:28:32,160 Speaker 1: your lies. 674 00:28:32,600 --> 00:28:34,760 Speaker 3: A lot of girlfriends hate me though, because I'm the 675 00:28:34,880 --> 00:28:39,640 Speaker 3: single guy. They just think everything that all girls I'm bringing. 676 00:28:39,720 --> 00:28:41,640 Speaker 3: They think I'm hype Williams, like I bring all the girls. 677 00:28:43,720 --> 00:28:46,760 Speaker 2: Women. As long as we've been friends, I've been in 678 00:28:46,760 --> 00:28:51,479 Speaker 2: two different relationships. I've been half single, fake single, super single. 679 00:28:52,480 --> 00:28:54,720 Speaker 2: Not one girl I've ever talked to would ever believe 680 00:28:54,760 --> 00:28:56,480 Speaker 2: me if I was like nah they was mall's host, 681 00:28:56,640 --> 00:28:58,360 Speaker 2: like not in that, Like no, no, no, I get you 682 00:28:58,400 --> 00:29:00,640 Speaker 2: get host. But they know you don't go outside at all. 683 00:29:00,960 --> 00:29:02,720 Speaker 2: They would be like, yeah, you're gonna blame something all 684 00:29:03,360 --> 00:29:03,680 Speaker 2: not me. 685 00:29:04,520 --> 00:29:07,760 Speaker 3: I don't care how many I don't know them. 686 00:29:07,760 --> 00:29:10,000 Speaker 1: Women and you niggas better not blame nothing. I mean 687 00:29:10,040 --> 00:29:11,720 Speaker 1: I'm not my friends, though, Blame. 688 00:29:13,000 --> 00:29:13,320 Speaker 2: Rory. 689 00:29:13,440 --> 00:29:16,080 Speaker 1: Every piece of jewelry that get found in his house 690 00:29:16,200 --> 00:29:18,640 Speaker 1: is mine valid, It'll be some name for. 691 00:29:21,560 --> 00:29:23,880 Speaker 2: But that's not valid. What you mean that's not valid? 692 00:29:23,880 --> 00:29:24,600 Speaker 2: Why you snitch on. 693 00:29:24,600 --> 00:29:26,480 Speaker 3: Nyl like as a homie. That's not valid. 694 00:29:26,800 --> 00:29:28,719 Speaker 2: Don't push it up. You the homegirl that's always at 695 00:29:28,720 --> 00:29:30,280 Speaker 2: the crib though, So. 696 00:29:30,320 --> 00:29:32,280 Speaker 1: I just automatically like I just got to take the 697 00:29:32,320 --> 00:29:33,480 Speaker 1: fall for everything. 698 00:29:33,560 --> 00:29:36,440 Speaker 2: Every piece of makeup, every every Why are you acting 699 00:29:36,440 --> 00:29:37,120 Speaker 2: like this is news? 700 00:29:37,200 --> 00:29:41,520 Speaker 3: Yes, crazy, that's the homegirl that's always at the crib. Yes, 701 00:29:41,560 --> 00:29:46,480 Speaker 3: anything that my girl may find as women paraphernalia, it's yours. 702 00:29:46,520 --> 00:29:50,640 Speaker 2: You and Britain had like draws at my crib. I 703 00:29:50,680 --> 00:29:55,360 Speaker 2: think he means drawers, I think, not not like underwear. Yeah, 704 00:29:55,880 --> 00:30:00,640 Speaker 2: I'm sure there was underwear. Like there was mad ship 705 00:30:00,680 --> 00:30:02,640 Speaker 2: in there, like I told I sent the ship to Bridge. 706 00:30:02,640 --> 00:30:05,560 Speaker 2: I said, you gotta claim this. It has been two years, yes, 707 00:30:05,800 --> 00:30:07,960 Speaker 2: because when we were just going to good Will or this. 708 00:30:07,840 --> 00:30:10,320 Speaker 1: Is going back to your recording at the office, and 709 00:30:10,400 --> 00:30:12,400 Speaker 1: I lived in Queen's and then me and Rory will 710 00:30:12,440 --> 00:30:13,960 Speaker 1: be going out and it was just easier for me 711 00:30:14,000 --> 00:30:16,160 Speaker 1: to always stay in the guest bedroom. But then he 712 00:30:16,240 --> 00:30:18,520 Speaker 1: had a wife and a family, and I was like, all. 713 00:30:18,520 --> 00:30:21,440 Speaker 3: Right, I'm go ahead home and take my drawers. 714 00:30:21,640 --> 00:30:25,840 Speaker 2: Yeah, get on out of drawers, drawers, but ye don't, 715 00:30:25,840 --> 00:30:26,800 Speaker 2: don't put no bitches on me. 716 00:30:26,880 --> 00:30:29,680 Speaker 1: I'm cool because now y'all, you know I ain't even 717 00:30:29,680 --> 00:30:31,120 Speaker 1: gonna get into never mind. 718 00:30:31,480 --> 00:30:33,040 Speaker 2: And matter of fact, don't you that because there's been 719 00:30:33,080 --> 00:30:34,680 Speaker 2: mad jewery that's been found in my house that has 720 00:30:34,760 --> 00:30:35,080 Speaker 2: been with. 721 00:30:35,400 --> 00:30:38,320 Speaker 1: Actually actually been mine. Yes, there has been, but not 722 00:30:38,400 --> 00:30:38,840 Speaker 1: all of it. 723 00:30:39,960 --> 00:30:41,680 Speaker 2: There you go. But I've been in the bullet a 724 00:30:41,680 --> 00:30:42,240 Speaker 2: couple of times. 725 00:30:42,240 --> 00:30:42,440 Speaker 3: For you. 726 00:30:43,120 --> 00:30:44,280 Speaker 2: I'm the vice versa. 727 00:30:44,600 --> 00:30:46,440 Speaker 3: I'll say, some ship that's in my house is baby 728 00:30:46,480 --> 00:30:49,800 Speaker 3: d shit and baby never even been to my house, the. 729 00:30:49,840 --> 00:30:55,320 Speaker 1: Marriage ship, and I'll call it baby. You left these, 730 00:30:56,320 --> 00:31:00,480 Speaker 1: I would allow it for you to baby. What you 731 00:31:00,480 --> 00:31:01,360 Speaker 1: tell these is yours? 732 00:31:01,440 --> 00:31:06,200 Speaker 2: Yo? Come on, she tripping me? Raise yo, doors she tripping. 733 00:31:05,960 --> 00:31:08,400 Speaker 1: Meanwhile, it's an extra small thong, comes up the bears? 734 00:31:08,400 --> 00:31:11,840 Speaker 2: These are what the fuck? Come on? Oh man, you 735 00:31:11,840 --> 00:31:14,040 Speaker 2: gotta love it, trying to say his hostone of ads. No, 736 00:31:16,800 --> 00:31:19,920 Speaker 2: this is a message that applies to ninety nine percent 737 00:31:20,000 --> 00:31:23,479 Speaker 2: of you listening right now, because that's how many of 738 00:31:23,520 --> 00:31:26,680 Speaker 2: you can be covered by fast and reliable service on 739 00:31:26,720 --> 00:31:32,080 Speaker 2: the boost Mobile network with ninety nine percent nation wide coverage. 740 00:31:32,160 --> 00:31:35,920 Speaker 2: And if you're thinking, Maul, no, I'm special, I'm the 741 00:31:36,000 --> 00:31:39,160 Speaker 2: one percent. Boost Mobile's amazing network doesn't apply to me. 742 00:31:39,640 --> 00:31:41,479 Speaker 2: I don't want to hear it because you're probably one 743 00:31:41,480 --> 00:31:43,760 Speaker 2: of those weirdos that keeps your phone on loud in 744 00:31:43,800 --> 00:31:46,600 Speaker 2: public spaces and I don't trust you either way. But 745 00:31:46,680 --> 00:31:49,240 Speaker 2: for the other ninety nine percent of you, listen up 746 00:31:49,600 --> 00:31:49,960 Speaker 2: right now. 747 00:31:49,960 --> 00:31:51,560 Speaker 3: When you switch to boost Mobile, you can get the 748 00:31:51,600 --> 00:31:55,720 Speaker 3: iPhone fifteen with Dynamic Island and a forty eight megapixel 749 00:31:55,720 --> 00:31:58,440 Speaker 3: main camera for ninety nine ninety nine. That's ninety nine 750 00:31:58,480 --> 00:32:01,360 Speaker 3: dollars and ninety nine cents the iPhone fifteen on the 751 00:32:01,480 --> 00:32:04,960 Speaker 3: nationwide network. I'm ninety nine percent positive. Boost Mobile just 752 00:32:04,960 --> 00:32:07,160 Speaker 3: gave all of us a really really good deal. 753 00:32:07,240 --> 00:32:07,520 Speaker 2: Wow. 754 00:32:08,120 --> 00:32:10,600 Speaker 3: Install off of only thirty five dollars device set up 755 00:32:10,640 --> 00:32:15,080 Speaker 3: female apply requires credit qualification, ID verification and activation on 756 00:32:15,400 --> 00:32:18,800 Speaker 3: sixty dollars plan taxes, extra five G speeds not available 757 00:32:18,800 --> 00:32:26,560 Speaker 3: in all areas. All right, Josh, what is this? Mall's 758 00:32:26,600 --> 00:32:27,840 Speaker 3: number two tweet what is this shit? 759 00:32:28,840 --> 00:32:32,760 Speaker 2: Why is my name? Yeah? Mall number two tweet is funny. 760 00:32:32,760 --> 00:32:35,239 Speaker 2: I didn't even click it. Oh number two, Yeah right, 761 00:32:36,280 --> 00:32:39,120 Speaker 2: it's about It was a double on tendre. He was 762 00:32:39,120 --> 00:32:43,960 Speaker 2: taking a shit. No thanks, pej. It was just double 763 00:32:44,160 --> 00:32:47,880 Speaker 2: entendre number two, all right, I know the first on 764 00:32:48,080 --> 00:32:51,800 Speaker 2: tendre that Drake is number two on the Billboard list 765 00:32:51,920 --> 00:32:54,360 Speaker 2: for what did I miss? Which I did apologize to 766 00:32:54,400 --> 00:32:58,520 Speaker 2: you via DM when it said it was on track 767 00:32:58,600 --> 00:33:02,360 Speaker 2: to be number one, and then you said thank you 768 00:33:02,400 --> 00:33:04,240 Speaker 2: for admitting you were wrong, and then I said, yo, 769 00:33:04,360 --> 00:33:07,040 Speaker 2: but this Clips album is slapping, and then you didn't 770 00:33:07,040 --> 00:33:09,040 Speaker 2: reply to my DM after that. I didn't hear. I 771 00:33:09,040 --> 00:33:10,560 Speaker 2: didn't listen. I didn't. I didn't hear the album yet. 772 00:33:10,560 --> 00:33:12,200 Speaker 2: I thought it was I thought I thought we were 773 00:33:12,200 --> 00:33:13,520 Speaker 2: finding like a good middle ground. 774 00:33:13,600 --> 00:33:16,680 Speaker 3: That was like Friday morning. You ship that I didn't 775 00:33:16,680 --> 00:33:19,320 Speaker 3: hear the Clips album yet. I was on the fourth play, 776 00:33:19,320 --> 00:33:21,560 Speaker 3: But yeah, no, I didn't. I hadn't heard the album yet. 777 00:33:21,560 --> 00:33:23,920 Speaker 3: But that was for that end the lebron so hot 778 00:33:23,960 --> 00:33:25,240 Speaker 3: one hundred NBA list. 779 00:33:26,280 --> 00:33:28,720 Speaker 2: Oh that's why I get it. 780 00:33:30,160 --> 00:33:33,080 Speaker 3: Don't even ask me how baby dude double tweeting on 781 00:33:33,200 --> 00:33:33,800 Speaker 3: I didn't ask you. 782 00:33:33,880 --> 00:33:35,760 Speaker 2: Niggas don't you shipping on them? 783 00:33:35,800 --> 00:33:38,640 Speaker 3: So I just yeah, niggas, don't trick on ya, don't 784 00:33:38,640 --> 00:33:45,440 Speaker 3: tweet on you know, doesn't tweet on Nicki Minaj. 785 00:33:45,720 --> 00:33:51,000 Speaker 2: That is straight straight. I've ever seen this metaphor in. 786 00:33:50,800 --> 00:33:53,920 Speaker 3: Sight if I've ever seen a straight tweeter. You don't 787 00:33:53,920 --> 00:33:58,000 Speaker 3: have to guess, Nikki Minaji. 788 00:33:59,000 --> 00:34:01,000 Speaker 2: I just want to call nick like, Yo, what happened? 789 00:34:01,880 --> 00:34:03,640 Speaker 2: What is going on? You don't need to call her. 790 00:34:03,680 --> 00:34:06,480 Speaker 2: It's all laid out there, yo, Nikki, you know I 791 00:34:06,600 --> 00:34:10,000 Speaker 2: love you? What is happening? Yo? She somebody tried to 792 00:34:10,000 --> 00:34:12,759 Speaker 2: screenshot like a long ass tweet and because of the 793 00:34:12,800 --> 00:34:15,520 Speaker 2: regular screenshot on Twitter, it looked like a CVS receipt 794 00:34:16,160 --> 00:34:18,840 Speaker 2: for how long it was, and somebody was like not 795 00:34:19,000 --> 00:34:22,200 Speaker 2: reading it, God, bless or whatever, and everyone under that 796 00:34:22,480 --> 00:34:26,200 Speaker 2: was Nicki Minaj fans saying, Okay, so you never wrote 797 00:34:26,239 --> 00:34:28,880 Speaker 2: an essay in high school, like you've never written a 798 00:34:28,920 --> 00:34:30,400 Speaker 2: five paragraph I say before, Yeah, but. 799 00:34:31,080 --> 00:34:33,479 Speaker 3: Not on Twitter though you don't. You don't write essay? 800 00:34:33,640 --> 00:34:37,160 Speaker 2: But no, seriously, all jokes aside, what what is this 801 00:34:37,239 --> 00:34:37,839 Speaker 2: stemming from? 802 00:34:37,920 --> 00:34:38,200 Speaker 1: With her? 803 00:34:38,280 --> 00:34:41,000 Speaker 3: And says with Nikki and says, what is this what's 804 00:34:41,080 --> 00:34:41,960 Speaker 3: the beginning of this thing? 805 00:34:42,200 --> 00:34:47,640 Speaker 2: What I know? Uh TDEs, what's the result? Punch? 806 00:34:47,960 --> 00:34:51,080 Speaker 1: Yes, he tweeted a song that had Barbie in it, 807 00:34:51,320 --> 00:34:54,680 Speaker 1: and she took it as a broken Broken Barbie, which 808 00:34:54,680 --> 00:34:55,759 Speaker 1: is a song that's coming out. 809 00:34:56,000 --> 00:34:57,759 Speaker 2: Well, no, it's it's out. It's from one of their 810 00:34:57,840 --> 00:35:00,439 Speaker 2: new artists. The video that came out it's called broken 811 00:35:00,480 --> 00:35:01,520 Speaker 2: barbiees a record. 812 00:35:01,680 --> 00:35:04,960 Speaker 1: And then she went and she started going off thinking 813 00:35:05,040 --> 00:35:07,600 Speaker 1: it was about her. Then Sissa tweeted Mercury retrograde, don't 814 00:35:07,640 --> 00:35:11,400 Speaker 1: take the bait, loll silly goose, and Nikki just went off, SA, 815 00:35:11,520 --> 00:35:14,520 Speaker 1: go draw your freckles back on bookie. She's still like 816 00:35:14,760 --> 00:35:17,920 Speaker 1: fighting with Desiree and it's literally still going on in 817 00:35:18,000 --> 00:35:21,040 Speaker 1: desert right now. It is July seventeenth, three or four pm. 818 00:35:21,360 --> 00:35:23,160 Speaker 1: You could hit refresh on Nicki's page and it is 819 00:35:23,360 --> 00:35:25,960 Speaker 1: still going. Yeah, and this is from three or four 820 00:35:26,000 --> 00:35:28,480 Speaker 1: days ago, yeah, maybe five days ago. 821 00:35:28,600 --> 00:35:29,760 Speaker 2: She keeps telling Sissa. 822 00:35:29,920 --> 00:35:32,680 Speaker 1: She Then Sissa had said something like you need to 823 00:35:32,719 --> 00:35:34,319 Speaker 1: get it together, and she was like, Sissy, you think 824 00:35:34,360 --> 00:35:36,200 Speaker 1: you're more famous than me or you think you're more 825 00:35:36,320 --> 00:35:39,120 Speaker 1: successful than me, and says it's like, I don't get 826 00:35:39,160 --> 00:35:39,719 Speaker 1: funk about none of that. 827 00:35:39,719 --> 00:35:42,399 Speaker 2: Where shit you popping like? It's just going back. 828 00:35:42,560 --> 00:35:44,640 Speaker 1: Sissa and Nicki Minaj going back and forth on Twitter 829 00:35:44,760 --> 00:35:45,640 Speaker 1: is something I never thought I. 830 00:35:45,640 --> 00:35:48,279 Speaker 2: Would see, but I'm not surprised and all right, So 831 00:35:48,360 --> 00:35:50,680 Speaker 2: I thought it was based off what Punch was tweeting 832 00:35:50,760 --> 00:35:54,080 Speaker 2: that had to do with the new song he's promoting. 833 00:35:54,640 --> 00:35:57,759 Speaker 2: But then Nicki had retweeted someone bringing that up, and 834 00:35:57,920 --> 00:36:01,200 Speaker 2: she was like, imagine if I ever went off like 835 00:36:01,320 --> 00:36:03,719 Speaker 2: this because of what Punch tweeted, It has nothing to 836 00:36:03,800 --> 00:36:06,600 Speaker 2: do with that. So now I am completely fucking lost. 837 00:36:06,640 --> 00:36:09,439 Speaker 2: I thought maybe she just misunderstood what Punch was saying, 838 00:36:10,160 --> 00:36:12,279 Speaker 2: and she's claiming it has absolutely nothing to do with that. 839 00:36:12,400 --> 00:36:15,719 Speaker 2: She didn't even see that, so I am completely lost. 840 00:36:15,760 --> 00:36:18,719 Speaker 2: I'm sorry. I don't have any journalistic things to bring 841 00:36:18,800 --> 00:36:22,160 Speaker 2: you here. I know the desiree jay Z Rock Nation 842 00:36:22,280 --> 00:36:25,239 Speaker 2: thing goes back to the title shit goes back to 843 00:36:26,120 --> 00:36:29,319 Speaker 2: them managing Meghan and Meghan and Nikki having a back 844 00:36:29,400 --> 00:36:34,680 Speaker 2: and forth and funding Meghan saying nasty things about Nicki. 845 00:36:34,719 --> 00:36:37,080 Speaker 2: According to her, which we covered two episodes. 846 00:36:36,680 --> 00:36:39,840 Speaker 3: Ago, I was trying to like follow it and read everything, 847 00:36:39,960 --> 00:36:42,759 Speaker 3: but I just, you know, sometimes I just be like this. 848 00:36:42,800 --> 00:36:45,120 Speaker 2: Same for me when the girls are fighting, I'm just like, 849 00:36:45,520 --> 00:36:47,200 Speaker 2: let me go at it. It's like when you see 850 00:36:47,400 --> 00:36:49,759 Speaker 2: Chris Brown put out sixty songs on one album and 851 00:36:49,840 --> 00:36:51,799 Speaker 2: you're like, I can't keep up with all this. Yeah, 852 00:36:52,160 --> 00:36:54,279 Speaker 2: I'll listen to the first five and that's as far 853 00:36:54,320 --> 00:36:56,120 Speaker 2: as I've gotten in the Nicki says the thing. 854 00:36:56,600 --> 00:36:59,840 Speaker 3: All right, so do we think that you know, because 855 00:37:00,040 --> 00:37:02,799 Speaker 3: I'm always music bars. 856 00:37:02,560 --> 00:37:05,680 Speaker 2: Coming, no sins. It's not taking since it is not 857 00:37:05,760 --> 00:37:08,040 Speaker 2: going to the studio to dis Nicki Minaj on rap. 858 00:37:08,160 --> 00:37:10,239 Speaker 3: No, it ain't gotta be dissing it, but it could 859 00:37:10,239 --> 00:37:12,759 Speaker 3: be a it could be a bar in between some 860 00:37:12,840 --> 00:37:14,879 Speaker 3: good melodies that's still directed at Nikki Mabe. 861 00:37:14,880 --> 00:37:16,759 Speaker 2: I don't know, but all right, so os the intro 862 00:37:17,160 --> 00:37:21,319 Speaker 2: on the Champagne Poetry Beat Sis was getting bars off. 863 00:37:21,400 --> 00:37:25,520 Speaker 2: Let's not act like Sizza hasn't halfway rapped before and 864 00:37:25,640 --> 00:37:27,440 Speaker 2: is a great run. Well, I definitely believe Nikki is 865 00:37:27,480 --> 00:37:29,839 Speaker 2: gonna have some bass and scissors. Here's my thing. When 866 00:37:30,160 --> 00:37:33,600 Speaker 2: Bigfoot came out, I said that if Megan doesn't reply, 867 00:37:33,680 --> 00:37:35,520 Speaker 2: it's an l to Meghan, and I still stand by that. 868 00:37:35,680 --> 00:37:37,200 Speaker 2: I think she should have replied to that even though 869 00:37:37,200 --> 00:37:39,440 Speaker 2: I didn't think it was the greatest diss record, you're 870 00:37:39,440 --> 00:37:43,239 Speaker 2: not about to diss me like that so directly after 871 00:37:43,320 --> 00:37:45,759 Speaker 2: I sent you subs and then just be quiet. So 872 00:37:45,960 --> 00:37:48,600 Speaker 2: I think personally, Meg did take an l with Nikki 873 00:37:48,680 --> 00:37:50,960 Speaker 2: in that back and forth, because Nikki showed up to 874 00:37:51,080 --> 00:37:52,600 Speaker 2: rap and did it even though I didn't think it 875 00:37:52,640 --> 00:37:55,880 Speaker 2: was a good diss record, you still gotta reply. I 876 00:37:55,960 --> 00:37:59,239 Speaker 2: don't think Sissa is gonna do the same route. If 877 00:37:59,320 --> 00:38:02,520 Speaker 2: Nicki comes out the record tomorrow towards Sissa. I think 878 00:38:02,600 --> 00:38:05,040 Speaker 2: Sissa during tour is going to reply. 879 00:38:05,280 --> 00:38:05,640 Speaker 4: I don't. 880 00:38:07,000 --> 00:38:07,360 Speaker 3: I do not. 881 00:38:09,480 --> 00:38:13,120 Speaker 1: I think Sissa's enjoying her stadium tour like I don't. 882 00:38:13,200 --> 00:38:15,640 Speaker 1: I don't think she's going to I think maybe a 883 00:38:15,719 --> 00:38:18,919 Speaker 1: couple of years ago, but I don't think. I think 884 00:38:19,000 --> 00:38:21,880 Speaker 1: that Nicki's rants the Barbers Arena kill me whatever, I 885 00:38:21,880 --> 00:38:25,680 Speaker 1: don't give fuck. I think that Nicky's rants have taken 886 00:38:25,880 --> 00:38:30,840 Speaker 1: her from that beloved everything she has and everything that 887 00:38:30,960 --> 00:38:33,439 Speaker 1: she's earned when it comes to her career, she's earned 888 00:38:33,480 --> 00:38:35,919 Speaker 1: it like she's stamped as the greatest fear My rapper 889 00:38:35,920 --> 00:38:40,920 Speaker 1: of all time, but her beyond say ish level of 890 00:38:41,120 --> 00:38:43,920 Speaker 1: like the way people looked up to her. She's taken 891 00:38:43,960 --> 00:38:46,400 Speaker 1: out away with the constant rants. People don't pay attention 892 00:38:46,480 --> 00:38:48,759 Speaker 1: to her rants anymore because there's been so many of them, 893 00:38:48,960 --> 00:38:50,960 Speaker 1: you know what I'm saying, Like if when jay Z 894 00:38:51,120 --> 00:38:53,320 Speaker 1: went on his one long rant on Twitter, it was 895 00:38:53,360 --> 00:38:56,120 Speaker 1: the biggest thing on Twitter, you know what I'm saying, because. 896 00:38:56,000 --> 00:38:58,719 Speaker 2: He never does that, this everybody up. 897 00:38:59,080 --> 00:39:03,239 Speaker 1: Well, yeah, but this is so regular Now, it's become 898 00:39:03,320 --> 00:39:05,239 Speaker 1: so regular that people just kind of brush it off. 899 00:39:05,280 --> 00:39:07,520 Speaker 2: Now it's not an important thing. It's just like Nicki 900 00:39:07,600 --> 00:39:10,080 Speaker 2: rinting it. This feels like an extra crashout. Even for Nicki. 901 00:39:10,120 --> 00:39:12,600 Speaker 2: We're going on four days right now of the same 902 00:39:12,680 --> 00:39:15,800 Speaker 2: shit over and over too. It's like it's new information. 903 00:39:15,960 --> 00:39:18,120 Speaker 3: The energy behind these tweets that I'm reading from Nicki. 904 00:39:18,280 --> 00:39:20,719 Speaker 3: It's definitely feels like she's been a lot of This 905 00:39:20,880 --> 00:39:23,480 Speaker 3: is shit that's been building up, and shit that she's 906 00:39:23,520 --> 00:39:25,760 Speaker 3: been holding in for some time, and she just finally 907 00:39:25,800 --> 00:39:27,480 Speaker 3: found the moment to just. 908 00:39:27,600 --> 00:39:28,799 Speaker 2: Like really go off. 909 00:39:28,880 --> 00:39:30,840 Speaker 3: But it's definitely a different energy behind this. 910 00:39:31,000 --> 00:39:31,880 Speaker 2: Seems more. 911 00:39:35,440 --> 00:39:38,440 Speaker 3: Like I've been waiting for this, for this moment because 912 00:39:38,480 --> 00:39:41,200 Speaker 3: like you know, yeah, like you know, I don't rock 913 00:39:41,280 --> 00:39:43,560 Speaker 3: with you. I think you phony. You've been mad phony 914 00:39:43,640 --> 00:39:46,840 Speaker 3: for years. Like it feels like that, like like I 915 00:39:46,920 --> 00:39:48,960 Speaker 3: tried to have respect for you because you know whatever, 916 00:39:49,160 --> 00:39:51,960 Speaker 3: but like I don't like the funny moves you've been 917 00:39:52,000 --> 00:39:53,880 Speaker 3: making throughout the years, Like you always move funny and 918 00:39:53,920 --> 00:39:54,400 Speaker 3: I don't like it. 919 00:39:54,480 --> 00:39:57,760 Speaker 2: I think, according to Scissor, the funny moves where Nicki 920 00:39:57,880 --> 00:40:02,440 Speaker 2: requested two features and she didn't do them. M is 921 00:40:02,520 --> 00:40:04,239 Speaker 2: that funny moves some people? 922 00:40:04,320 --> 00:40:06,160 Speaker 3: Yeah, if you don't do I mean, listen if Nicki 923 00:40:06,200 --> 00:40:08,120 Speaker 3: Minaj hit you for and I don't know if this 924 00:40:08,320 --> 00:40:08,920 Speaker 3: is factual. 925 00:40:09,000 --> 00:40:10,880 Speaker 2: Now we're just going off for what we're seeing. No, no, 926 00:40:11,160 --> 00:40:15,359 Speaker 2: it's factual because supposed it and Niki did co sign 927 00:40:15,440 --> 00:40:18,520 Speaker 2: that that happened down to her saying, Nikki your question 928 00:40:18,640 --> 00:40:20,200 Speaker 2: mark who nick Or? But of course it was. It 929 00:40:20,360 --> 00:40:23,440 Speaker 2: was that, So yeah, so that's valid. Yeah. I think 930 00:40:23,840 --> 00:40:26,520 Speaker 2: artist crashing out like this to me is not valient 931 00:40:26,600 --> 00:40:29,400 Speaker 2: because somebody wasn't to give you. No, no, no, no, 932 00:40:29,680 --> 00:40:31,840 Speaker 2: I'm not saying that's all. I'm not saying. That's the 933 00:40:32,160 --> 00:40:34,200 Speaker 2: sole reason I'm saying. I think that. 934 00:40:36,160 --> 00:40:38,160 Speaker 3: Your features not coming back and not responding to the 935 00:40:38,200 --> 00:40:41,359 Speaker 3: features or doing it whatever. I think that that may 936 00:40:41,600 --> 00:40:45,400 Speaker 3: add to it, like like you're gonna keep like you 937 00:40:45,440 --> 00:40:47,799 Speaker 3: ain't gonna do a feature with me, like like I'm 938 00:40:47,840 --> 00:40:49,880 Speaker 3: some struggling up and coming artists or something like that, 939 00:40:50,000 --> 00:40:54,000 Speaker 3: like like who who doesn't do a Nicki Minaj feature? 940 00:40:55,000 --> 00:40:57,560 Speaker 3: Now that's not something you see like often, you don't 941 00:40:57,640 --> 00:40:59,680 Speaker 3: you know, you don't hear that if Nicki Minaj reach 942 00:40:59,719 --> 00:41:01,960 Speaker 3: out just mighty for a feature nine times out of 943 00:41:02,040 --> 00:41:06,920 Speaker 3: ten that features coming back, especially when you're not At 944 00:41:07,000 --> 00:41:09,200 Speaker 3: the time, I don't think Scissor was as big as 945 00:41:09,239 --> 00:41:11,359 Speaker 3: she is now, so at that time, I'm sure Nicki 946 00:41:11,360 --> 00:41:13,680 Speaker 3: probably was like I just think you dope, like you 947 00:41:13,880 --> 00:41:16,440 Speaker 3: not to the level where you could just like not 948 00:41:16,600 --> 00:41:18,440 Speaker 3: respond or just not send a record back like or 949 00:41:18,440 --> 00:41:19,640 Speaker 3: if you don't want to do it, just say that, 950 00:41:21,000 --> 00:41:24,160 Speaker 3: but to not have no like back and forth you know, 951 00:41:24,320 --> 00:41:26,120 Speaker 3: on why the record why you don't want to do it. 952 00:41:26,440 --> 00:41:29,200 Speaker 3: I could see Nikki feeling away, like like, yo, who 953 00:41:29,280 --> 00:41:32,800 Speaker 3: is it? Like word shorty just curved my my feature. 954 00:41:32,880 --> 00:41:34,920 Speaker 3: I don't request like that's crazy, which I. 955 00:41:34,960 --> 00:41:37,440 Speaker 2: Didn't even see the bars put this one together because 956 00:41:37,440 --> 00:41:40,239 Speaker 2: I want to be fair and objective here, I see 957 00:41:40,280 --> 00:41:43,080 Speaker 2: your point, And she did a Cardi feature. She's on 958 00:41:43,239 --> 00:41:46,439 Speaker 2: Cardi's first album, so here we go, So now getting 959 00:41:46,440 --> 00:41:48,759 Speaker 2: in the train of Nikki. Even if I don't agree, 960 00:41:48,800 --> 00:41:51,200 Speaker 2: I'm like, Okay, maybe she's looking at it like I've 961 00:41:51,280 --> 00:41:53,680 Speaker 2: tried to do features with you. You didn't, but then 962 00:41:53,760 --> 00:41:57,200 Speaker 2: you did a whole fucking duet with Cardi B who's 963 00:41:57,280 --> 00:42:00,200 Speaker 2: my enemy, and felt like the entire industry was well 964 00:42:00,239 --> 00:42:02,640 Speaker 2: too against. But I still think this is corny and 965 00:42:02,760 --> 00:42:04,919 Speaker 2: weird too. You can also think two things are true. 966 00:42:05,120 --> 00:42:09,080 Speaker 1: I think this is a Cardi feature came before Nicki requested. 967 00:42:09,200 --> 00:42:11,160 Speaker 1: This is a I think the Nicki sayss A feature 968 00:42:11,280 --> 00:42:14,200 Speaker 1: was for Nicki's latest album, Pink Friend two, which was 969 00:42:14,280 --> 00:42:16,480 Speaker 1: like what last year, a year and a half ago, 970 00:42:16,520 --> 00:42:18,239 Speaker 1: where the Carti won was like six years ago? 971 00:42:18,320 --> 00:42:23,640 Speaker 2: Yeah, for sure. But also when Nicki was saying that 972 00:42:23,800 --> 00:42:25,719 Speaker 2: she doesn't even know Siss's music and this was like, 973 00:42:25,760 --> 00:42:28,680 Speaker 2: all right, well you use my bars on filling myself 974 00:42:28,719 --> 00:42:31,600 Speaker 2: with Beyonce, and so to me, I feel like there 975 00:42:31,640 --> 00:42:36,640 Speaker 2: has been talks six seven years ago of Nicki and 976 00:42:36,719 --> 00:42:39,600 Speaker 2: Siss of working together. Hm. I don't think it was 977 00:42:39,800 --> 00:42:41,360 Speaker 2: just for the last album, because they did say it 978 00:42:41,440 --> 00:42:44,239 Speaker 2: was two different times. M so yes, I think there 979 00:42:44,320 --> 00:42:48,279 Speaker 2: was a time early that Nicky was maybe not even 980 00:42:48,360 --> 00:42:50,200 Speaker 2: just a feature, just to work together, which is fine, 981 00:42:50,960 --> 00:42:53,840 Speaker 2: Like shit, Rihanna was seeking out siss A as a 982 00:42:53,880 --> 00:42:56,560 Speaker 2: writer to work together. This is a great writer. I 983 00:42:56,640 --> 00:43:00,040 Speaker 2: can see around that time when Invasion of Privacy he 984 00:43:00,160 --> 00:43:03,480 Speaker 2: was happening, that Nikki would have been like, Oh, that 985 00:43:03,560 --> 00:43:06,400 Speaker 2: girl's dope. She's a great writer. Let's let's work together. 986 00:43:07,560 --> 00:43:09,960 Speaker 2: I can see that that happening, not just with the 987 00:43:10,040 --> 00:43:14,400 Speaker 2: last album. But I don't I just man, give was 988 00:43:14,480 --> 00:43:19,040 Speaker 2: some music. Fuck it, don't tweet. I'm also some music. 989 00:43:19,280 --> 00:43:22,120 Speaker 2: This is this is the music industry, just the music business, and. 990 00:43:22,200 --> 00:43:22,880 Speaker 1: I know. 991 00:43:25,120 --> 00:43:27,040 Speaker 2: We have to pick a side because that's the world 992 00:43:27,120 --> 00:43:30,480 Speaker 2: we live in now. I think it's fine that Nicki 993 00:43:30,680 --> 00:43:33,440 Speaker 2: decided to be the villain just sometime. 994 00:43:33,760 --> 00:43:34,279 Speaker 3: Just go for it. 995 00:43:35,320 --> 00:43:37,560 Speaker 2: Some of the ship you say is full bullshit. Be 996 00:43:37,800 --> 00:43:40,839 Speaker 2: the villain, say some wild ship that nobody as an 997 00:43:40,840 --> 00:43:44,239 Speaker 2: a lister legend that Nicki Minajas would ever fucking say. 998 00:43:44,880 --> 00:43:45,279 Speaker 2: I like it. 999 00:43:45,400 --> 00:43:48,239 Speaker 3: But but we go back, Yeah, but we go back 1000 00:43:48,239 --> 00:43:50,719 Speaker 3: two years ago crash out when you were sitting right 1001 00:43:50,760 --> 00:43:53,160 Speaker 3: across from me, when that whole Nikki Carter should started, 1002 00:43:53,680 --> 00:43:55,920 Speaker 3: and I said, from the beginning of Nicki's career, she's 1003 00:43:55,960 --> 00:43:59,080 Speaker 3: always showed love to all female MC. I agree with 1004 00:43:59,120 --> 00:44:02,400 Speaker 3: that's so sometimes you're forced to become the villain. 1005 00:44:02,840 --> 00:44:05,520 Speaker 2: Sometimes we get too nice lean is. 1006 00:44:05,640 --> 00:44:07,960 Speaker 3: Sometimes sometimes you push into that villain mode where you 1007 00:44:08,040 --> 00:44:10,480 Speaker 3: start to be like, all right, I can't show love 1008 00:44:10,480 --> 00:44:11,600 Speaker 3: because you'll don't appreciate that. 1009 00:44:11,960 --> 00:44:13,879 Speaker 2: I mean, she with the last album and the album 1010 00:44:13,880 --> 00:44:17,399 Speaker 2: before that, has even done like skits in between songs. 1011 00:44:17,400 --> 00:44:20,160 Speaker 2: I'm welcome. I'm the fucking bad guy, like get Nicki 1012 00:44:20,200 --> 00:44:21,600 Speaker 2: has been this for quite some time. 1013 00:44:21,680 --> 00:44:24,239 Speaker 3: And when you're as successful as Nikki, you're you're gonna 1014 00:44:24,320 --> 00:44:26,680 Speaker 3: people are gonna not like you. They're gonna fucking, you know, 1015 00:44:26,760 --> 00:44:29,200 Speaker 3: fill the way towards your success and you being you know, 1016 00:44:29,320 --> 00:44:31,759 Speaker 3: the top dog like that. That's part that comes with it, 1017 00:44:31,880 --> 00:44:34,600 Speaker 3: which is which Nikki is very well aware of. So 1018 00:44:34,640 --> 00:44:36,200 Speaker 3: I think that's just a lot of this and it's 1019 00:44:36,239 --> 00:44:38,279 Speaker 3: just you know, fucking I got some ship on my mind. 1020 00:44:38,320 --> 00:44:39,719 Speaker 3: I'm gonna get it off and I'm gonna see how 1021 00:44:39,760 --> 00:44:40,040 Speaker 3: I feel. 1022 00:44:40,080 --> 00:44:43,400 Speaker 2: And that's that. Yeah, I understand it to get it. 1023 00:44:44,760 --> 00:44:47,000 Speaker 2: I just think there's more credence to crash outs when 1024 00:44:47,080 --> 00:44:49,880 Speaker 2: you stick to the actual facts rather than some of 1025 00:44:49,960 --> 00:44:52,360 Speaker 2: your feelings, because like, no, our feeling is part of 1026 00:44:52,440 --> 00:44:54,480 Speaker 2: the crash out. Now, when the crash out is starting 1027 00:44:54,480 --> 00:44:56,880 Speaker 2: to allude to the crashout and always got in the air, 1028 00:44:57,000 --> 00:45:01,000 Speaker 2: there comes hoe Venger. When the crash out starts alluding to, Oh, 1029 00:45:01,080 --> 00:45:04,960 Speaker 2: it's odd that Wayne got a gun charge when he 1030 00:45:05,040 --> 00:45:07,520 Speaker 2: was beefing Withehovah's like, all right, I was feeling some 1031 00:45:07,600 --> 00:45:09,080 Speaker 2: of the shit you were saying now, but now you've 1032 00:45:09,120 --> 00:45:11,600 Speaker 2: getting Now you get into a whole like weird. 1033 00:45:11,400 --> 00:45:13,640 Speaker 3: Little Yeah, that's a little like that's like the National 1034 00:45:13,680 --> 00:45:16,000 Speaker 3: inquiry on the checkout at the supermarket, Like you can't 1035 00:45:16,040 --> 00:45:16,880 Speaker 3: read that, Like that's just. 1036 00:45:16,920 --> 00:45:19,120 Speaker 2: Like all And that's why I'm saying I think there 1037 00:45:19,200 --> 00:45:21,760 Speaker 2: are some things that Nikki are saying that it's very valid. 1038 00:45:21,880 --> 00:45:24,239 Speaker 2: This woman has been in the music industry for twenty 1039 00:45:24,360 --> 00:45:26,759 Speaker 2: years and has seen a lot shit that none of 1040 00:45:26,880 --> 00:45:29,480 Speaker 2: us have seen, and says ups and downs, different labels, 1041 00:45:30,120 --> 00:45:32,399 Speaker 2: came up on the Come Up DVD, all the way 1042 00:45:32,520 --> 00:45:35,520 Speaker 2: to being an absolute legend, if not the greatest female 1043 00:45:35,560 --> 00:45:38,919 Speaker 2: rapper of all time. So yes, your crash outs could 1044 00:45:38,960 --> 00:45:41,440 Speaker 2: be very valid. When you start throwing in all this 1045 00:45:41,560 --> 00:45:44,400 Speaker 2: other weirdo shit and Dez and her daughter and all 1046 00:45:44,480 --> 00:45:48,239 Speaker 2: this other nonsense that it's just like, now, I can't 1047 00:45:48,360 --> 00:45:51,800 Speaker 2: follow you on this crash out, and not because I 1048 00:45:51,960 --> 00:45:53,959 Speaker 2: have any allegiance to them or I'm a whole venger. 1049 00:45:54,640 --> 00:45:58,160 Speaker 2: You're just saying nonsense in between saying facts. Stick to 1050 00:45:58,239 --> 00:46:01,040 Speaker 2: the fucking facts, Nikki, because that's who you have been 1051 00:46:01,120 --> 00:46:04,839 Speaker 2: this entire time. I think there may have been some weird, 1052 00:46:04,880 --> 00:46:08,040 Speaker 2: shady shit with with title, with what happened with you 1053 00:46:08,160 --> 00:46:09,719 Speaker 2: and if you didn't sign the paperwork this and that. 1054 00:46:09,840 --> 00:46:13,120 Speaker 2: Stick to the facts. We didn't look at Nicky as 1055 00:46:13,160 --> 00:46:15,400 Speaker 2: a liar forever. When you start throwing in all this 1056 00:46:15,480 --> 00:46:18,680 Speaker 2: odd shit, it makes you look like an emotional liar. 1057 00:46:19,320 --> 00:46:23,000 Speaker 2: M I mean, I get it. I understand that it's 1058 00:46:23,000 --> 00:46:27,439 Speaker 2: some facts of that. So you know, again, the crash 1059 00:46:27,480 --> 00:46:30,480 Speaker 2: outs are entertaining, but I can't keep up with four 1060 00:46:30,560 --> 00:46:32,480 Speaker 2: days of crashout is too much. I'm trying to get 1061 00:46:32,520 --> 00:46:35,359 Speaker 2: up to this Giveyon album like I can't also read 1062 00:46:35,600 --> 00:46:39,399 Speaker 2: Nicky's tweets. It's a lot. It's a lot. 1063 00:46:39,480 --> 00:46:41,520 Speaker 3: There's a lot going on right now. But either way, 1064 00:46:42,000 --> 00:46:44,279 Speaker 3: you know, listen, hopefully we get some bars out of it. 1065 00:46:44,400 --> 00:46:46,840 Speaker 3: This is this is hip hop, this is the music business. 1066 00:46:46,880 --> 00:46:48,960 Speaker 3: Hopefully we get some bars out of this. If she 1067 00:46:49,000 --> 00:46:53,000 Speaker 3: doesn't want to give us a beautiful melody, respond to give. 1068 00:46:52,920 --> 00:46:55,080 Speaker 2: Some bars if it happened. Listen, man, I don't know 1069 00:46:55,160 --> 00:46:56,719 Speaker 2: it's a fair fight when it comes to rap because 1070 00:46:56,760 --> 00:46:58,680 Speaker 2: NICKI is NII obviously, but that's not fair. 1071 00:46:58,840 --> 00:47:00,439 Speaker 3: So sis I gotta do it. But I mean, listen, 1072 00:47:00,600 --> 00:47:01,600 Speaker 3: we get some music out of it. 1073 00:47:02,920 --> 00:47:03,200 Speaker 2: I'm all. 1074 00:47:03,280 --> 00:47:05,000 Speaker 3: I'm all for it, man, Like, I'm all, I'm all 1075 00:47:05,040 --> 00:47:07,719 Speaker 3: here to just hear the music, you know, be entertained, 1076 00:47:07,800 --> 00:47:11,239 Speaker 3: and you know, hopefully business wise everybody lands in the 1077 00:47:11,480 --> 00:47:12,960 Speaker 3: in the in the right spot as far as their 1078 00:47:12,960 --> 00:47:15,960 Speaker 3: business is concerned, which is none of our business professionally. 1079 00:47:17,040 --> 00:47:19,160 Speaker 2: But yeah, man, I don't know. I just can't. I 1080 00:47:19,239 --> 00:47:20,480 Speaker 2: can't really dig into. 1081 00:47:20,560 --> 00:47:23,400 Speaker 3: And when when you know, women are going back and 1082 00:47:23,480 --> 00:47:25,280 Speaker 3: forth like this, like I just feel like I shouldn't 1083 00:47:25,560 --> 00:47:27,759 Speaker 3: really be reading all that as a man. I'm just like, 1084 00:47:27,840 --> 00:47:30,719 Speaker 3: oh shit, the girls was fighting, like, but I'm not 1085 00:47:30,760 --> 00:47:33,200 Speaker 3: gonna go over there and like, you know, egg it on, 1086 00:47:33,400 --> 00:47:35,719 Speaker 3: Like yeah, but if y'all want to wrap ship, I'll listen. 1087 00:47:37,000 --> 00:47:39,200 Speaker 2: I hear some balls, all right, do you do you 1088 00:47:39,320 --> 00:47:44,120 Speaker 2: think in the green room just as as jokesies, slow 1089 00:47:44,200 --> 00:47:49,279 Speaker 2: joky jokes. Do you think Kendrick has wrote anything and 1090 00:47:49,480 --> 00:47:51,840 Speaker 2: just setting out loud decision just as a joke in 1091 00:47:51,880 --> 00:47:56,120 Speaker 2: the green room? You love starrn ship. Sorry, Nicki Minaj 1092 00:47:56,200 --> 00:47:58,640 Speaker 2: has been ranting for four days and I'm starting ship. 1093 00:48:00,239 --> 00:48:01,640 Speaker 2: You don't think two people that have been on tour 1094 00:48:01,800 --> 00:48:04,200 Speaker 2: for half the year where you just get bored in 1095 00:48:04,280 --> 00:48:07,560 Speaker 2: green rooms. You don't think Kendrick, who we've known to 1096 00:48:07,640 --> 00:48:12,120 Speaker 2: be pretty funny, has not just put out an eight 1097 00:48:13,280 --> 00:48:15,320 Speaker 2: A four. I don't think Kendrick. 1098 00:48:15,360 --> 00:48:17,719 Speaker 1: I don't think Kendrick is dissing women in the green 1099 00:48:17,800 --> 00:48:19,480 Speaker 1: room in a legend free time. 1100 00:48:19,600 --> 00:48:22,279 Speaker 2: I don't think you guys are way too serious. You 1101 00:48:22,360 --> 00:48:24,439 Speaker 2: guys are way too I know for a fucking fact, 1102 00:48:24,560 --> 00:48:27,960 Speaker 2: Kendrick Lamar has made a joke in bar form during 1103 00:48:28,000 --> 00:48:29,960 Speaker 2: this entire thing. How you know that for a fact? 1104 00:48:30,440 --> 00:48:32,520 Speaker 2: You know that man? No, I do not know that man. 1105 00:48:33,960 --> 00:48:35,600 Speaker 2: Just say you would do it. Just say that's what 1106 00:48:35,719 --> 00:48:40,120 Speaker 2: you each other all the time. You don't know that 1107 00:48:40,280 --> 00:48:42,879 Speaker 2: man in any way. Home boy, you are grown ass man, 1108 00:48:48,520 --> 00:48:52,160 Speaker 2: just because you got in the tuck please, you know 1109 00:48:52,320 --> 00:48:54,720 Speaker 2: for a fact, They've been wrapping bars back and forth, laughing. 1110 00:48:55,280 --> 00:48:56,799 Speaker 3: Yeah, I just want to I want to call Nikki 1111 00:48:56,880 --> 00:48:59,399 Speaker 3: so bad. I just want to hit I just want 1112 00:48:59,440 --> 00:49:00,839 Speaker 3: to know. I don't know fucking air. 1113 00:49:00,920 --> 00:49:04,040 Speaker 2: I wouldn't do that, but she probably would appreciate you. 1114 00:49:04,120 --> 00:49:07,000 Speaker 2: Calling any rapper. She'd probably be like, yeah, I would 1115 00:49:07,160 --> 00:49:10,000 Speaker 2: not turn the mic up. I would never hell no, 1116 00:49:10,560 --> 00:49:13,200 Speaker 2: fuck no, why if you tell her, yo, we are 1117 00:49:13,320 --> 00:49:15,759 Speaker 2: mike right now. I would never do that. You think 1118 00:49:15,760 --> 00:49:17,319 Speaker 2: I would call Nicki Minaj and be like, Yo, we're 1119 00:49:17,360 --> 00:49:21,520 Speaker 2: on mic right now. I prefer that over her talking 1120 00:49:21,560 --> 00:49:23,080 Speaker 2: to Aiden Ross and getting to know him. 1121 00:49:24,280 --> 00:49:25,840 Speaker 3: No, no, no, I'm talking about on the personal like 1122 00:49:25,880 --> 00:49:28,279 Speaker 3: I want to have a like perfect No, No, I 1123 00:49:28,320 --> 00:49:30,120 Speaker 3: want to. I would like that personal conversation. 1124 00:49:30,160 --> 00:49:31,960 Speaker 2: I get that. And again, this is gonna come off 1125 00:49:32,040 --> 00:49:33,960 Speaker 2: like hate towards Aiden Ross, and I'm fine with that 1126 00:49:36,600 --> 00:49:38,800 Speaker 2: even seeing that call. And I don't care if it 1127 00:49:38,840 --> 00:49:40,719 Speaker 2: looks like hater shit. It's not hater shit. It's it's 1128 00:49:40,760 --> 00:49:45,040 Speaker 2: more protecting her and the culture that we fucking love. No, 1129 00:49:45,120 --> 00:49:47,080 Speaker 2: I don't think Nikki should go through Aiden Ross to 1130 00:49:47,239 --> 00:49:49,680 Speaker 2: talk about what's going on between her and says I 1131 00:49:49,719 --> 00:49:52,439 Speaker 2: don't think that should be the futilitator. Did that happen? 1132 00:49:52,600 --> 00:49:55,759 Speaker 2: There was a video of them. He was you know 1133 00:49:55,800 --> 00:49:58,439 Speaker 2: how you be on stream with the speaker talking and there. Yeah, 1134 00:49:58,440 --> 00:50:01,279 Speaker 2: they were getting to know each other. And I get it. 1135 00:50:02,239 --> 00:50:04,600 Speaker 2: The streamers are the number one thing right now and 1136 00:50:04,640 --> 00:50:07,160 Speaker 2: if you want to get to audiences, I fully understand that. 1137 00:50:07,440 --> 00:50:09,839 Speaker 2: But with this type of ship, No, I don't think 1138 00:50:09,960 --> 00:50:14,239 Speaker 2: Aiden Ross should be the Phara Cohn of this entire thing. Yeah, 1139 00:50:14,280 --> 00:50:17,400 Speaker 2: I agree with you. No, I just don't. But she 1140 00:50:17,520 --> 00:50:19,920 Speaker 2: kicked it with him, like about what she was tweeting. Now, 1141 00:50:20,440 --> 00:50:23,759 Speaker 2: somebody connected them and I could see the play of 1142 00:50:23,840 --> 00:50:26,279 Speaker 2: what was happening to go ahead. She was like calm, 1143 00:50:26,360 --> 00:50:30,360 Speaker 2: like streamers like which streaming? Yeah, because she wanted to 1144 00:50:30,600 --> 00:50:32,680 Speaker 2: get into the stream game. But I already saw the 1145 00:50:32,719 --> 00:50:33,680 Speaker 2: play of what that was going to be. 1146 00:50:35,239 --> 00:50:36,480 Speaker 3: I thought, you, I thought you meant like she was 1147 00:50:36,480 --> 00:50:37,960 Speaker 3: talking about her her rant. 1148 00:50:38,719 --> 00:50:42,160 Speaker 2: No, but I thought, I can guarantee you I could 1149 00:50:42,160 --> 00:50:44,640 Speaker 2: see a Aiden Ross Nikki stream happening within the next 1150 00:50:44,680 --> 00:50:47,000 Speaker 2: week and happen okay, which. 1151 00:50:48,320 --> 00:50:53,239 Speaker 3: Sure, we'll see, we shall see. It is what it is, man, 1152 00:50:53,880 --> 00:50:54,560 Speaker 3: I really don't. 1153 00:50:54,440 --> 00:50:58,840 Speaker 2: You know, speaking of Damarus and your close friends, did 1154 00:50:58,920 --> 00:51:02,080 Speaker 2: you post a backup playing lyrics which give you on song? 1155 00:51:02,160 --> 00:51:04,640 Speaker 2: Did you put put in the last two days? Let 1156 00:51:04,680 --> 00:51:05,960 Speaker 2: me Go look Out? I thought she was in a 1157 00:51:06,040 --> 00:51:08,480 Speaker 2: happy mood, and then I went listened to the Give album. 1158 00:51:08,280 --> 00:51:10,560 Speaker 1: And I was like, but you know what, That's how 1159 00:51:10,600 --> 00:51:12,520 Speaker 1: I know that it's good because like I could still 1160 00:51:12,640 --> 00:51:14,560 Speaker 1: like rock with it, like I'm happy, I'm not going 1161 00:51:14,640 --> 00:51:16,320 Speaker 1: through that, but I could still. 1162 00:51:16,239 --> 00:51:18,399 Speaker 2: Like, you know, well, you and I are similar there, 1163 00:51:18,480 --> 00:51:21,000 Speaker 2: like when we're in great moods, we like sad music 1164 00:51:21,360 --> 00:51:24,239 Speaker 2: rather than the opposite. No, I like happy music. 1165 00:51:24,280 --> 00:51:26,920 Speaker 1: It's actually really hard for me to listen to depressing 1166 00:51:27,040 --> 00:51:29,560 Speaker 1: music when I'm like and when I'm happy, because I 1167 00:51:29,600 --> 00:51:31,319 Speaker 1: can't really relate. If you would have played this shit 1168 00:51:31,360 --> 00:51:32,880 Speaker 1: for me about six months ago, i'd have been on 1169 00:51:32,960 --> 00:51:36,440 Speaker 1: the floor crying. But this is a good song back 1170 00:51:36,520 --> 00:51:38,600 Speaker 1: up playing. I thought about mal when I was listening 1171 00:51:38,640 --> 00:51:40,640 Speaker 1: to it, because I'm like, this sounds like a conversation 1172 00:51:41,120 --> 00:51:43,200 Speaker 1: that Maul would have like, oh, you ain't arguing with 1173 00:51:43,280 --> 00:51:43,600 Speaker 1: me no more? 1174 00:51:43,680 --> 00:51:44,560 Speaker 2: Year you got a new nigga? 1175 00:51:45,760 --> 00:51:48,200 Speaker 3: Yeah, facts, that's what give me on said, you get 1176 00:51:48,239 --> 00:51:49,560 Speaker 3: your shit off, give me one. 1177 00:51:50,480 --> 00:51:52,959 Speaker 2: You know it's funny when Demereus posted and her close friends. 1178 00:51:53,000 --> 00:51:54,880 Speaker 2: I was like, oh, she she was attracted to the 1179 00:51:54,920 --> 00:51:57,440 Speaker 2: same song. I was, yeah, that one spoke to me 1180 00:51:57,560 --> 00:51:59,920 Speaker 2: right away. He got he got that shit off even 1181 00:52:00,080 --> 00:52:04,439 Speaker 2: in the chorus. Something's different in the way you yell something. 1182 00:52:04,480 --> 00:52:08,160 Speaker 2: Listen lately, I can tell you can tell the different 1183 00:52:08,200 --> 00:52:12,560 Speaker 2: tone your ex has when she's starting to get off you, Like, 1184 00:52:12,600 --> 00:52:14,080 Speaker 2: you know, you don't even have the same passion when 1185 00:52:14,120 --> 00:52:14,399 Speaker 2: you argue. 1186 00:52:14,560 --> 00:52:16,640 Speaker 3: That mean that'd be because they don't close them portals. 1187 00:52:16,680 --> 00:52:19,000 Speaker 3: The girls are keeping them portals open with the mother niggas. 1188 00:52:19,160 --> 00:52:20,880 Speaker 2: Now we keep it port now we now we got 1189 00:52:20,960 --> 00:52:23,840 Speaker 2: the strange. Yeah, you always got them portals y'all have 1190 00:52:23,880 --> 00:52:26,360 Speaker 2: to jump in and out of and this this, I know, 1191 00:52:26,480 --> 00:52:28,040 Speaker 2: give on. I mean, we didn't need to tell you 1192 00:52:28,160 --> 00:52:30,880 Speaker 2: because it's on record with this Justine Sky relationship that 1193 00:52:30,960 --> 00:52:34,399 Speaker 2: he's a complete narcissist. When he added in not to mention, 1194 00:52:34,560 --> 00:52:36,520 Speaker 2: I've been treating you well, I said, oh, that's my 1195 00:52:36,600 --> 00:52:39,200 Speaker 2: bag too. Once you funk it like I'm finally treating 1196 00:52:39,239 --> 00:52:40,880 Speaker 2: you well. Now you don't even want to argue anymore. 1197 00:52:45,960 --> 00:52:48,840 Speaker 3: I mean he said not to mention, you know, like 1198 00:52:49,040 --> 00:52:50,920 Speaker 3: I don't want to mention it. But I've been treating 1199 00:52:50,960 --> 00:52:52,320 Speaker 3: you well, like we're not beef and we not. 1200 00:52:52,520 --> 00:52:56,200 Speaker 2: You know, I'm not. I'm not not fucking around with nobody. 1201 00:52:56,280 --> 00:52:58,400 Speaker 2: I've been you know for this time. I'm not. 1202 00:53:00,080 --> 00:53:00,200 Speaker 5: Man. 1203 00:53:00,200 --> 00:53:02,520 Speaker 3: I'm gonna make my mistakes, but I've been mistake free 1204 00:53:02,600 --> 00:53:05,279 Speaker 3: for a while, only getting it right. 1205 00:53:05,480 --> 00:53:10,080 Speaker 2: Like verse two is the definition of uh sobriety. If 1206 00:53:10,120 --> 00:53:13,800 Speaker 2: you will when everything, when the when the chickens finally 1207 00:53:13,880 --> 00:53:17,560 Speaker 2: come home to roost. You used to fight a little longer. 1208 00:53:19,440 --> 00:53:23,040 Speaker 2: Now you choose silence over war. You ever be in 1209 00:53:23,080 --> 00:53:26,400 Speaker 2: a argument and she just be ignoring the argument. I 1210 00:53:26,520 --> 00:53:28,239 Speaker 2: mean that nigga hit in the back of that ship. 1211 00:53:28,320 --> 00:53:29,520 Speaker 2: That's that other nigga. 1212 00:53:29,560 --> 00:53:32,399 Speaker 3: He and there drilling for motherfucking gold in that mother Yeah, 1213 00:53:32,920 --> 00:53:35,640 Speaker 3: he about to hit oil in your girl, nigga, he's striking. 1214 00:53:35,400 --> 00:53:40,200 Speaker 2: All your girl on squirre. Oh yeah she do yo? Yo? 1215 00:53:41,000 --> 00:53:43,960 Speaker 3: You know, baby, you because you because you're a woman, 1216 00:53:44,080 --> 00:53:45,759 Speaker 3: and you know when one nigga can make you score 1217 00:53:45,800 --> 00:53:46,200 Speaker 3: another one. 1218 00:53:46,280 --> 00:53:48,880 Speaker 2: Can't you know you didn't even know you could do that. 1219 00:53:49,120 --> 00:53:50,680 Speaker 2: You didn't even know you could do that. I don't 1220 00:53:51,840 --> 00:53:53,320 Speaker 2: they be mad when they didn't know they could do that? 1221 00:53:53,440 --> 00:53:53,560 Speaker 3: Right? 1222 00:53:56,719 --> 00:53:59,000 Speaker 2: Yeah? You ain't know you can do that. That's why 1223 00:53:59,040 --> 00:53:59,720 Speaker 2: you need the teammate. 1224 00:54:00,640 --> 00:54:02,759 Speaker 3: Hit that little almond in there underneath the hood. Hit 1225 00:54:02,840 --> 00:54:06,240 Speaker 3: the almend Kennedy, you know the almond that's underneath. 1226 00:54:07,600 --> 00:54:11,960 Speaker 1: Yeah, I felt, But sometimes the backup plan. Sometimes the 1227 00:54:12,000 --> 00:54:14,960 Speaker 1: backup playing ain't even hit yet. Sometimes sometimes you just 1228 00:54:15,040 --> 00:54:15,640 Speaker 1: know that's true. 1229 00:54:15,760 --> 00:54:19,200 Speaker 3: That's just the physical though. Mentally, he fucking ship out 1230 00:54:19,200 --> 00:54:22,960 Speaker 3: your girl. So y'all talking physical. Sometimes it ain't know 1231 00:54:22,960 --> 00:54:25,480 Speaker 3: what it's physical. She ain't just physical, all right, let's 1232 00:54:25,480 --> 00:54:27,359 Speaker 3: look at that under could check out. Mentally, she don't 1233 00:54:27,360 --> 00:54:28,520 Speaker 3: even hear what you're saying in the house. 1234 00:54:28,560 --> 00:54:29,960 Speaker 2: No, that's what Givian is saying. 1235 00:54:30,040 --> 00:54:30,120 Speaker 1: Right. 1236 00:54:30,160 --> 00:54:31,840 Speaker 2: You used to fight a little longer. We used to 1237 00:54:32,000 --> 00:54:34,160 Speaker 2: argue because we hate each other. 1238 00:54:34,239 --> 00:54:36,319 Speaker 3: But we just know when you lost your girl, bro, 1239 00:54:37,040 --> 00:54:39,879 Speaker 3: Your nervous system will tell you when your girls the fact. Yeah, 1240 00:54:39,880 --> 00:54:41,880 Speaker 3: you niggas don't have discerning y'all. Nigga don't feel your 1241 00:54:41,960 --> 00:54:44,239 Speaker 3: nervous system, y'all. Don't listen to y'all. I listened to 1242 00:54:44,320 --> 00:54:46,839 Speaker 3: my nervous system. That shit kept me alive all these years. 1243 00:54:47,239 --> 00:54:49,759 Speaker 3: Listen to your nervous You know when your girl checked out, 1244 00:54:50,239 --> 00:54:53,160 Speaker 3: you feel it that shit is in you like you know, 1245 00:54:53,360 --> 00:54:55,759 Speaker 3: like yo, she not even yo. She hasn't looked at 1246 00:54:55,800 --> 00:54:58,719 Speaker 3: me in three days. Listen, we were in the same 1247 00:54:58,800 --> 00:55:00,359 Speaker 3: house and she has not looked me my eyes. 1248 00:55:01,000 --> 00:55:04,000 Speaker 2: Something is missing lately, I can tell you then listening 1249 00:55:04,040 --> 00:55:06,520 Speaker 2: to what I have to feel, not to mention I've 1250 00:55:06,520 --> 00:55:09,799 Speaker 2: been treating you well. Musk got a backup plan. That's 1251 00:55:09,840 --> 00:55:12,360 Speaker 2: your nervous system. That's your nervous system speaking to you. 1252 00:55:12,760 --> 00:55:15,040 Speaker 1: He said, Never was it this easy for you? Was 1253 00:55:15,120 --> 00:55:18,239 Speaker 1: it to get mad at me? You know when when 1254 00:55:18,239 --> 00:55:18,840 Speaker 1: a nigga just. 1255 00:55:18,880 --> 00:55:21,040 Speaker 3: Doing little ship, you just be like, huh, why are 1256 00:55:21,040 --> 00:55:24,000 Speaker 3: you eating that cereal? Like I always eat my cereal 1257 00:55:24,160 --> 00:55:27,759 Speaker 3: like this my entire life. I eat cereal like this 1258 00:55:27,880 --> 00:55:28,400 Speaker 3: every morning. 1259 00:55:29,360 --> 00:55:31,760 Speaker 1: You find that backup playing and the way a nigga 1260 00:55:31,840 --> 00:55:34,719 Speaker 1: chew a the way a nigga do anything you Why 1261 00:55:34,719 --> 00:55:36,279 Speaker 1: are you breathing so hard going up and down the 1262 00:55:36,360 --> 00:55:38,279 Speaker 1: steps like you like damn, Like, what's wrong with you? 1263 00:55:38,480 --> 00:55:40,160 Speaker 2: See? The flip side of this, though, is when. 1264 00:55:41,920 --> 00:55:43,719 Speaker 3: You know they think they got the backup playing, and 1265 00:55:43,760 --> 00:55:45,680 Speaker 3: then they start investing more time in the backup plan, 1266 00:55:46,480 --> 00:55:49,520 Speaker 3: backup planing in the backup plan. And now I hear 1267 00:55:49,600 --> 00:55:53,359 Speaker 3: you come back to the original plan trying to make 1268 00:55:53,400 --> 00:55:53,600 Speaker 3: it right. 1269 00:55:54,160 --> 00:55:55,120 Speaker 2: They always come home. 1270 00:55:55,320 --> 00:55:58,680 Speaker 1: But sometimes the back not always, but sometimes the backup 1271 00:55:58,760 --> 00:56:01,560 Speaker 1: plan is just proof that I don't need to be 1272 00:56:01,640 --> 00:56:04,960 Speaker 1: with you. Sometimes the backup plan ain't playing B for sure, 1273 00:56:05,080 --> 00:56:06,839 Speaker 1: just playing A and a half like you're of the plan. 1274 00:56:06,920 --> 00:56:08,840 Speaker 1: That's like, sure, you know what. You just showed me 1275 00:56:08,960 --> 00:56:10,480 Speaker 1: just how much I don't want to be with this nighbor. 1276 00:56:10,600 --> 00:56:12,239 Speaker 1: You don't want to be with you either, Agree, you 1277 00:56:12,280 --> 00:56:13,560 Speaker 1: showed me how much I just don't want. 1278 00:56:13,440 --> 00:56:15,479 Speaker 2: To be reminded me. I got you guys all planned 1279 00:56:15,480 --> 00:56:18,840 Speaker 2: B from the right aid seventy percent off. It's all 1280 00:56:18,920 --> 00:56:21,240 Speaker 2: my bag. Thank you, appreciate you. You're such a thoughtful 1281 00:56:21,800 --> 00:56:23,920 Speaker 2: I'm just trying to think of the our group chat. 1282 00:56:24,040 --> 00:56:24,839 Speaker 2: Seventy percent off. 1283 00:56:24,840 --> 00:56:27,520 Speaker 1: I got plan B for everybody you want, need it. 1284 00:56:27,520 --> 00:56:30,759 Speaker 1: You don't want the kid, you fertile, the rest of 1285 00:56:30,800 --> 00:56:31,600 Speaker 1: we don't get no kids. 1286 00:56:32,360 --> 00:56:37,800 Speaker 2: Well, thank you. Yeah, I've never been told I was fertile, ferle, 1287 00:56:38,120 --> 00:56:43,640 Speaker 2: But have you ever been the backup plan that hasn't 1288 00:56:43,719 --> 00:56:47,759 Speaker 2: hit yet? And you're wondering why I think so? And 1289 00:56:47,840 --> 00:56:49,640 Speaker 2: how long am I going to be this backup plan 1290 00:56:49,719 --> 00:56:52,960 Speaker 2: for you? And I'm not beating, like, wrap it up 1291 00:56:52,960 --> 00:56:54,800 Speaker 2: with hold me over there. I'm not about to be 1292 00:56:54,880 --> 00:56:56,680 Speaker 2: here just doing the lo o ls with you for 1293 00:56:56,760 --> 00:56:58,319 Speaker 2: this fucking long. I'm not gonna be your pen pal. 1294 00:56:58,480 --> 00:57:00,880 Speaker 3: I'm like a I'm like a line and the African desert. 1295 00:57:00,920 --> 00:57:03,520 Speaker 2: I'll wait. I sit down and wait on my prey. 1296 00:57:04,520 --> 00:57:05,759 Speaker 2: I don't have that type of pace. I sit in 1297 00:57:05,840 --> 00:57:09,400 Speaker 2: the bush for two weeks, two weeks, law, I was 1298 00:57:09,480 --> 00:57:12,320 Speaker 2: thinking months here. You want to destroyed my marriage in 1299 00:57:12,400 --> 00:57:14,480 Speaker 2: two weeks. I have not known a girl's last name 1300 00:57:14,560 --> 00:57:16,520 Speaker 2: in two weeks. Come on, like what you're doing? You 1301 00:57:16,560 --> 00:57:19,600 Speaker 2: don't like him? You know you don't like him? He 1302 00:57:19,680 --> 00:57:21,640 Speaker 2: was dirty macking. No, I would never say it. 1303 00:57:21,720 --> 00:57:23,760 Speaker 3: In my mind. I'm saying, like, you don't like this dude, 1304 00:57:23,800 --> 00:57:26,280 Speaker 3: Like cut it out. Everything you're telling me you're going through. 1305 00:57:26,240 --> 00:57:28,280 Speaker 2: Like I've probably been a backup play for a month. 1306 00:57:28,360 --> 00:57:30,520 Speaker 2: Because that your man or your roommate? Like who is that? 1307 00:57:32,000 --> 00:57:34,680 Speaker 2: Sometimes it's both, sometimes it be your roommate. You got 1308 00:57:34,800 --> 00:57:36,440 Speaker 2: to ask some type of questions. Ask them. I ask 1309 00:57:36,520 --> 00:57:39,240 Speaker 2: some tough questions. Is that your man or your roommate? 1310 00:57:40,200 --> 00:57:42,520 Speaker 2: I mean, I don't even that's your man? Sad partner, 1311 00:57:42,600 --> 00:57:45,600 Speaker 2: like which on the first date, I would ask that 1312 00:57:45,680 --> 00:57:48,400 Speaker 2: if you still live with my ex, sorry your roommate. 1313 00:57:49,600 --> 00:57:51,480 Speaker 3: The woman can't tell me she still live with her ex. 1314 00:57:51,760 --> 00:57:54,800 Speaker 3: You know, MA, don't play that you still what what 1315 00:57:54,880 --> 00:57:55,439 Speaker 3: you're talking about? 1316 00:57:55,680 --> 00:57:56,160 Speaker 2: The first day? 1317 00:57:56,200 --> 00:57:58,560 Speaker 3: I'd appreciate that honesty. And now I know you could 1318 00:57:58,600 --> 00:57:59,960 Speaker 3: tell me on the first date. But it's going to 1319 00:58:00,040 --> 00:58:01,920 Speaker 3: the conversation great to go down. I'm like, why you 1320 00:58:01,960 --> 00:58:02,720 Speaker 3: still live with your ex? 1321 00:58:02,760 --> 00:58:05,800 Speaker 2: Like what happens? I can't. I would ask that I 1322 00:58:06,000 --> 00:58:09,120 Speaker 2: get a whole deep die, but I would switch to 1323 00:58:09,200 --> 00:58:11,920 Speaker 2: I'd probably just be I'm not thinking about a relationship 1324 00:58:11,960 --> 00:58:12,880 Speaker 2: now because we. 1325 00:58:12,960 --> 00:58:14,520 Speaker 3: Just got to like y'all like to say you can 1326 00:58:15,200 --> 00:58:19,160 Speaker 3: let's just be realistic. You cannot live with your ex, 1327 00:58:19,960 --> 00:58:22,000 Speaker 3: Like that's just not realistic. 1328 00:58:21,960 --> 00:58:26,360 Speaker 2: And they I don't get that long time. Yeah, it's 1329 00:58:26,400 --> 00:58:27,760 Speaker 2: just like, what do you talk What do you mean 1330 00:58:27,800 --> 00:58:29,560 Speaker 2: you still live with your EGX? What are you talking about? 1331 00:58:29,720 --> 00:58:31,960 Speaker 2: Doing that? And dating? Yes, is a very difficulty. 1332 00:58:32,000 --> 00:58:36,960 Speaker 3: I got one bathroom, one bedroom where this nigga sleeping 1333 00:58:37,040 --> 00:58:40,360 Speaker 3: at the couch. Cut it out, man, I'm not jacking. 1334 00:58:40,440 --> 00:58:42,880 Speaker 3: He's sleeping on the couch and you walking out the 1335 00:58:42,920 --> 00:58:47,200 Speaker 3: shop you would be surprised, would You're absolutely right, you 1336 00:58:47,240 --> 00:58:48,720 Speaker 3: really would be shout out to our friends. 1337 00:58:49,120 --> 00:58:51,880 Speaker 2: I would be very surprised. You would be surprised. That 1338 00:58:52,040 --> 00:58:54,200 Speaker 2: is fucking crazy. Surprise. How many people sleep on the 1339 00:58:54,240 --> 00:58:57,560 Speaker 2: couch if they have the financial means to sleep in 1340 00:58:57,600 --> 00:59:00,400 Speaker 2: the guest bed. You'd be surprised. How many people will 1341 00:59:00,440 --> 00:59:03,800 Speaker 2: literally live with their ex for financial reasons and they 1342 00:59:03,880 --> 00:59:07,480 Speaker 2: will not even see each other like that. That is crazy. 1343 00:59:07,800 --> 00:59:11,440 Speaker 2: I think that's very unhealthy to date that way. But 1344 00:59:11,840 --> 00:59:16,760 Speaker 2: you can date that. Some people try so you could 1345 00:59:16,800 --> 00:59:18,720 Speaker 2: fuckuld fuck, but you can't. You shouldn't be date like 1346 00:59:18,760 --> 00:59:23,440 Speaker 2: seriously dating now, that's and how do how do you? 1347 00:59:23,880 --> 00:59:25,720 Speaker 2: I just don't, I don't. I don't know. How do 1348 00:59:25,800 --> 00:59:26,840 Speaker 2: you fuck somebody else? 1349 00:59:28,040 --> 00:59:29,800 Speaker 3: Obviously you're not fucking in the house where you live 1350 00:59:29,840 --> 00:59:31,880 Speaker 3: because you still live with your ex and then you 1351 00:59:32,080 --> 00:59:34,480 Speaker 3: leave from where you was fucking at and then go 1352 00:59:34,680 --> 00:59:36,280 Speaker 3: back home to where your ex live at, and then 1353 00:59:36,360 --> 00:59:37,480 Speaker 3: y'are supposed to just be in there. 1354 00:59:37,680 --> 00:59:40,160 Speaker 2: Just like what I'm saying, there's really no communication between 1355 00:59:40,160 --> 00:59:42,000 Speaker 2: those people to begin who said you leave it? Yeah, 1356 00:59:42,320 --> 00:59:44,360 Speaker 2: I'm staying tonight, you know what I'm saying. 1357 00:59:44,400 --> 00:59:46,800 Speaker 3: At some point you're going back home to where your 1358 00:59:46,840 --> 00:59:48,960 Speaker 3: ex lives because y'all still live together. 1359 00:59:49,800 --> 00:59:50,240 Speaker 2: How do you. 1360 00:59:50,360 --> 00:59:54,760 Speaker 3: Navigate like that knowing that you're fucking somebody else and like, 1361 00:59:54,840 --> 00:59:55,680 Speaker 3: but you well, if. 1362 00:59:55,840 --> 00:59:58,960 Speaker 2: It's really over, then it doesn't matter. Like it's really over, 1363 00:59:59,040 --> 01:00:02,760 Speaker 2: get the fuck out of here. Yeah again, man, everybody 1364 01:00:02,840 --> 01:00:05,840 Speaker 2: has the financial means. You shouldn't be fucking. You should 1365 01:00:05,840 --> 01:00:10,720 Speaker 2: be working, Yep, you should be working. Should be night trading, yeah, 1366 01:00:10,800 --> 01:00:12,760 Speaker 2: you should be working, should. 1367 01:00:12,480 --> 01:00:16,080 Speaker 3: Be taking doubles, nigga over time, you should be doing 1368 01:00:16,120 --> 01:00:18,320 Speaker 3: a whole lot. Anything other than fucking is what you 1369 01:00:18,400 --> 01:00:20,320 Speaker 3: need to be doing. If that's your situation. 1370 01:00:20,480 --> 01:00:22,640 Speaker 1: Well, let's say you signed Let's say you signed the 1371 01:00:22,760 --> 01:00:26,280 Speaker 1: least with somebody right, and you're That means you're locked in. 1372 01:00:26,400 --> 01:00:27,560 Speaker 2: You guys are splitting this rent. 1373 01:00:27,640 --> 01:00:30,240 Speaker 1: Y'all are locked into split in this rent for you 1374 01:00:30,360 --> 01:00:33,080 Speaker 1: to go live somewhere else, get another apartment. You still 1375 01:00:33,200 --> 01:00:35,360 Speaker 1: locked into that rent that you promised you would pay 1376 01:00:35,400 --> 01:00:36,600 Speaker 1: for it, your half of the rent you would pay 1377 01:00:36,600 --> 01:00:37,840 Speaker 1: for the year. So now you're paying rent and a 1378 01:00:37,920 --> 01:00:39,720 Speaker 1: half for a place you're not even staying. 1379 01:00:41,040 --> 01:00:42,320 Speaker 2: That's a lot a lot of marriage. 1380 01:00:42,320 --> 01:00:44,080 Speaker 3: I'm gonna keep it real Okay, if I was in 1381 01:00:44,120 --> 01:00:46,320 Speaker 3: that situation and not like me and my ex, like 1382 01:00:46,360 --> 01:00:48,760 Speaker 3: it's over and like y'all cannot be around this woman. 1383 01:00:49,120 --> 01:00:51,160 Speaker 3: I would go sleep in a shelter before I live 1384 01:00:51,200 --> 01:00:51,560 Speaker 3: with my ex. 1385 01:00:51,680 --> 01:00:53,960 Speaker 1: But why why is it automatically I can't be around 1386 01:00:54,040 --> 01:00:56,600 Speaker 1: this woman just because it's over. Some people's relationship is 1387 01:00:56,680 --> 01:00:59,280 Speaker 1: just like okay, yeah, we're over. We don't hate each other, 1388 01:00:59,640 --> 01:01:00,520 Speaker 1: but we're Yeah. 1389 01:01:00,640 --> 01:01:02,800 Speaker 2: Some people don't end because there was some cheating or 1390 01:01:02,920 --> 01:01:05,040 Speaker 2: like domestic abust Some people just are like, yo, this 1391 01:01:05,080 --> 01:01:09,240 Speaker 2: doesn't work out. Yeah, but to still be living in 1392 01:01:09,320 --> 01:01:11,480 Speaker 2: the house with somebody you once had a home with. 1393 01:01:12,000 --> 01:01:15,680 Speaker 2: Damn people do that with they don't even feel. 1394 01:01:15,480 --> 01:01:17,480 Speaker 3: The same, Like I can't keep coming in this, I 1395 01:01:17,560 --> 01:01:20,960 Speaker 3: cannot keep coming here, Like I just don't mentally, how 1396 01:01:21,000 --> 01:01:23,280 Speaker 3: do you how does your body even like, how do 1397 01:01:23,320 --> 01:01:24,040 Speaker 3: you even relax? 1398 01:01:24,080 --> 01:01:25,560 Speaker 2: How do you even feel at home in a place 1399 01:01:25,640 --> 01:01:27,640 Speaker 2: like that? That's what I'm thinking. 1400 01:01:27,440 --> 01:01:29,920 Speaker 3: About, Like, just how do you really just be like 1401 01:01:30,360 --> 01:01:32,720 Speaker 3: after a long day, come oh, yes, I couldn't wait 1402 01:01:32,720 --> 01:01:34,480 Speaker 3: to get home. That's not even it don't even feel 1403 01:01:34,520 --> 01:01:38,840 Speaker 3: like that there no more, that's not home. That's where 1404 01:01:38,840 --> 01:01:41,920 Speaker 3: I'm that's where I'm speaking from like that's not home anymore. 1405 01:01:42,160 --> 01:01:45,000 Speaker 3: That's just like a roof over your head, which is like, 1406 01:01:45,840 --> 01:01:47,400 Speaker 3: and I get it financially. 1407 01:01:47,120 --> 01:01:49,000 Speaker 2: Feel do you feel the same way if you find 1408 01:01:49,040 --> 01:01:52,240 Speaker 2: your roommate on Craigslist? Because I don't know if I'd 1409 01:01:52,320 --> 01:01:55,880 Speaker 2: just be peaceful coming home to somebody that I met 1410 01:01:55,920 --> 01:01:56,440 Speaker 2: on craigslist. 1411 01:01:57,360 --> 01:01:59,840 Speaker 3: Yeah, I was never I was never the roommate fan. 1412 01:02:00,040 --> 01:02:02,479 Speaker 3: If I have a roommate, it's somebody that I've grown 1413 01:02:02,600 --> 01:02:04,400 Speaker 3: up with, I know, like it's my friend. 1414 01:02:04,280 --> 01:02:05,680 Speaker 2: Like Craigslist. 1415 01:02:06,080 --> 01:02:09,080 Speaker 3: Nah, thankfully I never had to had to make that 1416 01:02:09,160 --> 01:02:10,520 Speaker 3: type of move, but like, yeah I could. 1417 01:02:10,520 --> 01:02:11,000 Speaker 2: I couldn't do that. 1418 01:02:11,000 --> 01:02:13,240 Speaker 3: I wouldn't be comfortable, said, I wouldn't be I wouldn't 1419 01:02:13,240 --> 01:02:13,720 Speaker 3: be comfortable. 1420 01:02:13,800 --> 01:02:15,640 Speaker 2: You don't know this person. You don't think Tom Brady 1421 01:02:15,640 --> 01:02:17,360 Speaker 2: and Gazelle lived with each other for a little while. 1422 01:02:17,680 --> 01:02:20,120 Speaker 3: I can promise you Tom Brady and Gazelle did not 1423 01:02:20,200 --> 01:02:21,320 Speaker 3: live with each other for a little while. 1424 01:02:21,400 --> 01:02:23,400 Speaker 2: I'm sure they did. I'm sure even when she was 1425 01:02:23,480 --> 01:02:27,200 Speaker 2: banging the karate teacher. What you're talking about? Do y'all 1426 01:02:27,240 --> 01:02:28,520 Speaker 2: know how much money tom Brady got? 1427 01:02:28,840 --> 01:02:32,680 Speaker 3: Not much kids living there? You think Tom Brady would 1428 01:02:32,680 --> 01:02:34,840 Speaker 3: live across the street from his his wife before he 1429 01:02:34,920 --> 01:02:36,960 Speaker 3: lived in those of the houses available. Get the fuck 1430 01:02:37,000 --> 01:02:38,840 Speaker 3: out of he's talking about Tom Brady though, we're not 1431 01:02:38,840 --> 01:02:40,120 Speaker 3: talking about no nigga that struck. 1432 01:02:40,080 --> 01:02:43,600 Speaker 2: His kids live there. Niggas be staying people, be brad. Fact, 1433 01:02:43,680 --> 01:02:45,160 Speaker 2: he has a big enough house and he would't even 1434 01:02:45,200 --> 01:02:47,120 Speaker 2: need to see fucking Jozelle if he didn't want to 1435 01:02:48,120 --> 01:02:49,880 Speaker 2: go to Taekwon though not even know. 1436 01:02:50,000 --> 01:02:51,720 Speaker 3: And guess what, he has a big enough, big account 1437 01:02:51,720 --> 01:02:53,200 Speaker 3: where he don't have to sleep in the house no more, 1438 01:02:54,240 --> 01:02:54,800 Speaker 3: keep the house. 1439 01:02:54,960 --> 01:02:58,200 Speaker 2: This is your house, my kids. Convenience and money sometimes 1440 01:02:58,240 --> 01:03:00,400 Speaker 2: don't balance each other. I could promise you convenie money 1441 01:03:00,440 --> 01:03:02,680 Speaker 2: balance and sometimes this is my motherfucking house that I 1442 01:03:02,760 --> 01:03:04,520 Speaker 2: paid for with my six Super Bowl rings. 1443 01:03:04,520 --> 01:03:06,480 Speaker 3: Tom Brady ain't he ain't moving like all right, let's. 1444 01:03:06,440 --> 01:03:10,520 Speaker 2: Last Actually no bum Yeah no, I didn't say. Actually 1445 01:03:11,360 --> 01:03:13,040 Speaker 2: Zelle was probably sitting there like this is my run. 1446 01:03:13,960 --> 01:03:16,000 Speaker 2: These ain't the problems that tom Brady and Gazelle have 1447 01:03:16,080 --> 01:03:18,680 Speaker 2: to face. They say, money sometimes it's not the issue there. 1448 01:03:18,680 --> 01:03:21,320 Speaker 2: It's more, Hey, we have a family where separated, everyone's 1449 01:03:21,320 --> 01:03:23,120 Speaker 2: doing their own thing, but it's better for us to 1450 01:03:23,240 --> 01:03:26,520 Speaker 2: be here until we figure it out. We have children, 1451 01:03:27,280 --> 01:03:30,080 Speaker 2: that's all they don't have. They don't have him finding 1452 01:03:30,160 --> 01:03:33,320 Speaker 2: a condo in Tampa, like, yeah, of course he can 1453 01:03:33,360 --> 01:03:34,960 Speaker 2: afford it. But why the fuck am I doing that 1454 01:03:35,000 --> 01:03:36,800 Speaker 2: when I have a seven bedroom house and I could 1455 01:03:36,880 --> 01:03:38,680 Speaker 2: just go in the other bedroom. Because I don't want 1456 01:03:38,720 --> 01:03:40,160 Speaker 2: to and wake up to my kids in the morning, 1457 01:03:40,160 --> 01:03:41,000 Speaker 2: because I want drive them to. 1458 01:03:40,960 --> 01:03:42,440 Speaker 3: School, because I don't want it to be awkward when 1459 01:03:42,480 --> 01:03:43,880 Speaker 3: I'm walking around the house and have to see my 1460 01:03:43,960 --> 01:03:45,040 Speaker 3: wife that I'm divorcing. 1461 01:03:46,960 --> 01:03:48,480 Speaker 2: I don't have to live like he has. Sophia. Now 1462 01:03:49,320 --> 01:03:52,760 Speaker 2: he's dating Sofia Vighera. Well, they went they went to 1463 01:03:52,880 --> 01:03:56,760 Speaker 2: Jeff Bezos's wedding and then uh then from there they 1464 01:03:56,800 --> 01:03:59,240 Speaker 2: went to a Beza I believe, and we're a yacht together, 1465 01:04:00,920 --> 01:04:03,040 Speaker 2: like Sidney. He went on a date with Sidney Sweeney. 1466 01:04:03,560 --> 01:04:07,080 Speaker 2: Still young, My goat is still my goat. 1467 01:04:07,160 --> 01:04:10,240 Speaker 3: He's still throwing touchdowns eighty How many touchdowns is that now? 1468 01:04:10,640 --> 01:04:13,880 Speaker 3: Josh is yet now the past five hundred? 1469 01:04:14,280 --> 01:04:14,760 Speaker 2: For sure? 1470 01:04:15,080 --> 01:04:19,120 Speaker 3: Sidney Sweeney and Sophia same week. Sophia is a smoke show, 1471 01:04:19,200 --> 01:04:20,960 Speaker 3: fifty three years old, smoke show. 1472 01:04:21,120 --> 01:04:24,960 Speaker 2: She looks incredible. Oh my god, so that fifty three 1473 01:04:25,240 --> 01:04:27,440 Speaker 2: there was all right. So they went to Jeff Bezos's 1474 01:04:27,440 --> 01:04:29,760 Speaker 2: wedding and then after that they went having your after 1475 01:04:29,840 --> 01:04:33,400 Speaker 2: party in Abiza after like your weddings in Italy is hilarious, 1476 01:04:33,600 --> 01:04:35,760 Speaker 2: but it's Jeff Bezos, so I get it. They were 1477 01:04:35,800 --> 01:04:37,919 Speaker 2: on the yacht together and then someone said some rumor 1478 01:04:38,040 --> 01:04:40,640 Speaker 2: that Tom was like, I can't be dating or she's 1479 01:04:40,680 --> 01:04:44,440 Speaker 2: too old for me Sophia. Yeah, I don't believe Tom 1480 01:04:44,480 --> 01:04:48,200 Speaker 2: said that. Shitnah to Tom, Tom's not Bill. You don't 1481 01:04:48,240 --> 01:04:50,320 Speaker 2: even talk to nobody. Any time you see Tom Brady 1482 01:04:50,400 --> 01:04:54,120 Speaker 2: talk is that it's a game on. Yeah, and he's 1483 01:04:54,120 --> 01:04:56,560 Speaker 2: at the stadium. This one time you see Tom talk, Yeah, 1484 01:04:56,720 --> 01:04:59,200 Speaker 2: where he's screaming at an offensive coordinator. Yeah, it's really 1485 01:04:59,240 --> 01:05:01,600 Speaker 2: the only time. But I didn't know about the Sidney 1486 01:05:01,640 --> 01:05:03,320 Speaker 2: Sweeney things. How old a Sidney Sweeney. 1487 01:05:05,200 --> 01:05:06,000 Speaker 4: At the wedding. 1488 01:05:08,640 --> 01:05:10,200 Speaker 2: Having a little I wish there. 1489 01:05:10,120 --> 01:05:14,520 Speaker 3: Was an at Tom and Sidney Sweeney was having a spark. 1490 01:05:14,560 --> 01:05:16,640 Speaker 2: Don't do that, all right, that's still my go through 1491 01:05:16,680 --> 01:05:19,280 Speaker 2: that you gotta a spark with Sophia and Sydney in 1492 01:05:19,400 --> 01:05:20,560 Speaker 2: the same buffet line. 1493 01:05:21,120 --> 01:05:23,280 Speaker 3: Yeah, I mean that's Tom, that's top gun. Brady right there, 1494 01:05:23,320 --> 01:05:26,760 Speaker 3: Come on Top you know the lady. You know what 1495 01:05:26,920 --> 01:05:28,680 Speaker 3: Top Gun walk in the room. They know who Top 1496 01:05:28,720 --> 01:05:29,400 Speaker 3: Gun Brady is. 1497 01:05:29,520 --> 01:05:31,760 Speaker 2: He's guys. I tried to tell you it was a 1498 01:05:31,880 --> 01:05:35,040 Speaker 2: unit that is there. You had a spark at the 1499 01:05:35,080 --> 01:05:37,800 Speaker 2: forty forty together. Please stop. I don't know what you're 1500 01:05:37,840 --> 01:05:43,880 Speaker 2: talking about. It's Sophia, Sydney and Rory. You were went 1501 01:05:43,920 --> 01:05:47,480 Speaker 2: home with Tom. I didn't see any ding that is. 1502 01:05:48,000 --> 01:05:50,040 Speaker 2: Can you google any dating rumors between me and Tom? 1503 01:05:51,960 --> 01:05:53,360 Speaker 2: Why did I get brought up on any of this? 1504 01:05:55,160 --> 01:05:58,080 Speaker 2: We were had a fancy event together, like yeah, we 1505 01:05:58,200 --> 01:06:01,200 Speaker 2: hit it all was fucking hilario. That's fucked up, man, 1506 01:06:01,240 --> 01:06:03,280 Speaker 2: that I wasn't involved at any of this. They don't 1507 01:06:03,280 --> 01:06:03,960 Speaker 2: got your name in that. 1508 01:06:05,560 --> 01:06:06,240 Speaker 3: The man. 1509 01:06:07,160 --> 01:06:11,360 Speaker 2: Oh want to be attached? That is what you wouldn't 1510 01:06:11,360 --> 01:06:14,120 Speaker 2: want to be attached to be dating Tom Brady. I mean, 1511 01:06:14,240 --> 01:06:16,720 Speaker 2: we should be so lucky if I was attached to this, 1512 01:06:16,840 --> 01:06:17,760 Speaker 2: pod would be so much. 1513 01:06:17,880 --> 01:06:19,240 Speaker 3: Let me let me tell you something, baby d I 1514 01:06:19,360 --> 01:06:21,680 Speaker 3: woke up to them calling me gay on Twitter one time. 1515 01:06:21,920 --> 01:06:23,400 Speaker 3: If I woke up to them saying that I was 1516 01:06:23,480 --> 01:06:25,080 Speaker 3: dating Tom Brady. But you know what, life ain't that 1517 01:06:25,160 --> 01:06:28,000 Speaker 3: bad If they Me and Tom gun Brady. 1518 01:06:27,800 --> 01:06:30,400 Speaker 2: Is together like life. Faint that bad bud. Listen you 1519 01:06:30,960 --> 01:06:33,160 Speaker 2: volume is great now. Can you imagine if there was 1520 01:06:33,240 --> 01:06:37,160 Speaker 2: Tom Brady dating rumors between me and him? You think 1521 01:06:37,160 --> 01:06:41,919 Speaker 2: it'd just be better? Help? Nah, we beginning. Yeah, Tom 1522 01:06:41,960 --> 01:06:44,640 Speaker 2: would move us into Tampa. Incredible and we could keep 1523 01:06:44,640 --> 01:06:48,560 Speaker 2: our money. Speaking of sports, did you watch the SP's 1524 01:06:48,640 --> 01:06:48,960 Speaker 2: last night? 1525 01:06:49,880 --> 01:06:49,920 Speaker 3: No? 1526 01:06:50,080 --> 01:06:51,720 Speaker 2: I didn't even know the Speas was on last night. 1527 01:06:52,040 --> 01:06:53,760 Speaker 2: So before we get into that, can I ask do 1528 01:06:53,840 --> 01:06:57,200 Speaker 2: they do the Spies every decade every year? They did? 1529 01:06:57,360 --> 01:07:00,160 Speaker 2: No fucking way. Yes. The last time I thought they 1530 01:07:00,200 --> 01:07:02,320 Speaker 2: did the spis was when Drake hosted, and that was 1531 01:07:02,360 --> 01:07:05,560 Speaker 2: a year long thing. No, that they do every year. 1532 01:07:06,360 --> 01:07:09,480 Speaker 2: I just didn't know. It was last Live Shane Gillis 1533 01:07:10,280 --> 01:07:13,280 Speaker 2: and I have never seen someone bomb in such an 1534 01:07:13,320 --> 01:07:16,400 Speaker 2: amazing fucking way. They announced. You know how they usually 1535 01:07:16,440 --> 01:07:20,160 Speaker 2: put monologues out, whether it be the Oscars, Grammys, SNL 1536 01:07:20,320 --> 01:07:23,600 Speaker 2: what they put that shit out right away too. They 1537 01:07:23,720 --> 01:07:26,080 Speaker 2: put out his full monologue when I was walking into 1538 01:07:26,120 --> 01:07:28,360 Speaker 2: the studio today because I felt like they needed to 1539 01:07:28,480 --> 01:07:32,080 Speaker 2: just feel out the cancelation world. Yeah, because there was 1540 01:07:32,160 --> 01:07:35,000 Speaker 2: little clips that were bubbling on Twitter. I think they 1541 01:07:35,080 --> 01:07:37,880 Speaker 2: needed to just feel out, like what the world thought 1542 01:07:37,880 --> 01:07:42,560 Speaker 2: about Shane Shit. His monologue was fucking incredible to one 1543 01:07:42,600 --> 01:07:45,360 Speaker 2: of the worst crowds that's ever existed. And you know, 1544 01:07:45,480 --> 01:07:47,920 Speaker 2: the athlete crowd is a little different. They didn't know 1545 01:07:47,960 --> 01:07:50,200 Speaker 2: what they were supposed to laugh at. Yeah, he said, 1546 01:07:50,240 --> 01:07:52,640 Speaker 2: me and Kaitlyn Clark have a lot in common. We're 1547 01:07:52,640 --> 01:07:59,240 Speaker 2: both from the Midwest and have nailed a bunch of threes. Yeah. Please, 1548 01:08:07,760 --> 01:08:09,040 Speaker 2: nobody cares. 1549 01:08:09,920 --> 01:08:15,240 Speaker 3: You look like Rocky after you fought Drago. Why you 1550 01:08:15,280 --> 01:08:16,919 Speaker 3: gotta also looking. 1551 01:08:16,720 --> 01:08:22,320 Speaker 2: Like drag draped around you because nobody cares everything you're 1552 01:08:22,320 --> 01:08:23,599 Speaker 2: doing over there, nobody cares. 1553 01:08:23,800 --> 01:08:26,679 Speaker 3: Listen, man, we said Joined, it was gonna clas nobody cares. 1554 01:08:26,880 --> 01:08:32,280 Speaker 3: He clapped said, Join was going. We'll at least I 1555 01:08:32,520 --> 01:08:36,439 Speaker 3: know I can rhyme Skepta what you're doing. 1556 01:08:36,520 --> 01:08:40,040 Speaker 2: It's on you. It's on Skepta. Now, Joining did what 1557 01:08:40,120 --> 01:08:43,000 Speaker 2: you have to do? He cooked that was that was 1558 01:08:43,120 --> 01:08:47,439 Speaker 2: light as fuck? What do you rate it? By Joiner? 1559 01:08:47,880 --> 01:08:52,080 Speaker 2: Four point five? I don't even think the rounds have started. 1560 01:08:52,160 --> 01:08:54,839 Speaker 2: I think Skepta had a week shot in the beginning, 1561 01:08:54,920 --> 01:08:57,439 Speaker 2: but I've respected it because it started the battle. But 1562 01:08:57,600 --> 01:09:01,960 Speaker 2: joining ship is light. I'm still I'm still wrapped around corn. 1563 01:09:02,000 --> 01:09:05,880 Speaker 2: You know, I believe these colors. But that Joiner ship 1564 01:09:06,080 --> 01:09:09,040 Speaker 2: was light by Joiner standards. I think he kept it light. 1565 01:09:10,360 --> 01:09:12,960 Speaker 1: I hate when people say that he put it out 1566 01:09:13,040 --> 01:09:14,800 Speaker 1: as a disc. You don't get to say, it's not 1567 01:09:15,000 --> 01:09:15,920 Speaker 1: like it's light around. 1568 01:09:15,960 --> 01:09:16,720 Speaker 4: No, no, no no. 1569 01:09:17,400 --> 01:09:20,160 Speaker 2: The road is open to anything. The man's the road, 1570 01:09:20,200 --> 01:09:23,439 Speaker 2: them roadman, whatever all them guys are. He can go 1571 01:09:23,600 --> 01:09:27,200 Speaker 2: at this point. The road is open. But that was light. 1572 01:09:27,320 --> 01:09:29,360 Speaker 2: I think Joiner has a bunch in the tuck, and 1573 01:09:29,439 --> 01:09:31,960 Speaker 2: it's chilling to see what skept is gonna do. He 1574 01:09:31,960 --> 01:09:34,280 Speaker 2: didn't want to jump out. That was light. 1575 01:09:35,040 --> 01:09:37,519 Speaker 3: Joiner can he's one of the rapper rappers like he 1576 01:09:37,560 --> 01:09:43,080 Speaker 3: can rap. I don't know, man, what is this? Does 1577 01:09:43,120 --> 01:09:46,720 Speaker 3: this state Joiner? Joiner skeptic. There's somebody else from the 1578 01:09:46,840 --> 01:09:48,040 Speaker 3: UK jumping on this now. 1579 01:09:50,320 --> 01:09:54,160 Speaker 2: Here as much as much as I like, as much 1580 01:09:54,160 --> 01:09:58,599 Speaker 2: as I like as being jumped by the entire West coast. 1581 01:09:59,280 --> 01:10:01,320 Speaker 2: Let's keep it with the to to start now, everyone 1582 01:10:01,360 --> 01:10:03,559 Speaker 2: has to just jump in real quick. It's very light 1583 01:10:03,680 --> 01:10:07,320 Speaker 2: right now. Let these two do it out for a second, 1584 01:10:07,479 --> 01:10:09,519 Speaker 2: and then if somebody catches as stray, that can happen. 1585 01:10:09,920 --> 01:10:11,120 Speaker 2: But the rap Olympics. 1586 01:10:11,240 --> 01:10:13,160 Speaker 3: Yeah, but no, but that didn't happen, going country for 1587 01:10:13,240 --> 01:10:15,559 Speaker 3: country Now, that didn't happen when it was Joey versus 1588 01:10:15,640 --> 01:10:16,679 Speaker 3: the whole fucking West Coast. 1589 01:10:16,680 --> 01:10:17,840 Speaker 2: And I'm saying, I don't know if I want that 1590 01:10:17,920 --> 01:10:22,000 Speaker 2: for this one. Fuck that clap to you. It was 1591 01:10:22,040 --> 01:10:24,559 Speaker 2: the UK. But first of all, I'm trying to protect 1592 01:10:24,600 --> 01:10:26,599 Speaker 2: this one of our greatest allies. Joiner. 1593 01:10:27,360 --> 01:10:29,240 Speaker 1: Joiner bigged up the rest of the UK. He says, 1594 01:10:29,240 --> 01:10:31,000 Speaker 1: skeptic ain't even in the top ten from. 1595 01:10:31,280 --> 01:10:33,439 Speaker 2: Yeah, he said, we don't even know you. I get that, 1596 01:10:33,640 --> 01:10:36,600 Speaker 2: but you know still like your man get crazy, your 1597 01:10:36,640 --> 01:10:39,280 Speaker 2: man get popped on you pop back, nigga, ain't no 1598 01:10:39,400 --> 01:10:41,280 Speaker 2: fair one, no one on one again all, I am 1599 01:10:41,320 --> 01:10:44,080 Speaker 2: trying to protect one of our greatest allies. Where their 1600 01:10:44,160 --> 01:10:47,560 Speaker 2: children we come from them? Well, I do definitely you. 1601 01:10:47,840 --> 01:10:50,040 Speaker 2: I mean, yes, you got it was a different, different way, 1602 01:10:50,040 --> 01:10:52,280 Speaker 2: different in a different way. It was a middle passage 1603 01:10:52,360 --> 01:10:55,840 Speaker 2: or something. I don't know. It's a return. Yeah, we 1604 01:10:56,000 --> 01:10:58,600 Speaker 2: come from them. I'm trying to protect our father in 1605 01:10:58,680 --> 01:11:00,960 Speaker 2: this situation. If more people will get in, this is 1606 01:11:01,040 --> 01:11:03,800 Speaker 2: gonna get ugly. That's the same way your man, it's 1607 01:11:03,880 --> 01:11:06,439 Speaker 2: like I get it. He was in the UK. They're 1608 01:11:06,520 --> 01:11:09,040 Speaker 2: the best out. I love a lot of UK rappers. 1609 01:11:09,120 --> 01:11:11,080 Speaker 2: Dave is one of my favorite rappers. Yeah, of course 1610 01:11:11,080 --> 01:11:15,160 Speaker 2: I'm putting all the we will smoke y'all. This will 1611 01:11:15,240 --> 01:11:18,280 Speaker 2: get so fucking ugly. I want to see it. I 1612 01:11:18,400 --> 01:11:21,160 Speaker 2: just want to see it. Agree ugly. I'm not saying 1613 01:11:21,200 --> 01:11:22,439 Speaker 2: I don't agree, but I want to see it. Got 1614 01:11:22,560 --> 01:11:25,080 Speaker 2: the fire gigs, fire, Dave, fire, see fire. They they're 1615 01:11:25,200 --> 01:11:29,080 Speaker 2: all fire. But just the sheer volume, it would get 1616 01:11:29,200 --> 01:11:33,280 Speaker 2: so fucking it would be reverse World War One. Okay, 1617 01:11:34,360 --> 01:11:36,800 Speaker 2: we clean y'all up when we were thirteen colonies and 1618 01:11:36,880 --> 01:11:39,840 Speaker 2: y'all had all the money you think in hip hop 1619 01:11:39,880 --> 01:11:40,880 Speaker 2: it is about to be a battle. 1620 01:11:42,040 --> 01:11:43,679 Speaker 3: I just want to hear, man, I want to hear music. 1621 01:11:44,160 --> 01:11:45,880 Speaker 3: I love this type of shit, you know, I love 1622 01:11:45,960 --> 01:11:48,720 Speaker 3: this type of shit. Like, let the guys wrap, man, I. 1623 01:11:48,760 --> 01:11:51,640 Speaker 2: Just want to hit more balls. Heybody jump in fuck it, 1624 01:11:52,080 --> 01:11:54,120 Speaker 2: somebody got to. I fuck with you, but I don't know, man, 1625 01:11:55,600 --> 01:11:58,080 Speaker 2: Just maybe just be like yo, that that joint of ship, 1626 01:11:58,160 --> 01:12:00,200 Speaker 2: it wasn't all that so I much just chill like, 1627 01:12:00,280 --> 01:12:01,080 Speaker 2: go that route. 1628 01:12:00,960 --> 01:12:04,680 Speaker 3: Nah, go that route that skept got a clap back. 1629 01:12:05,080 --> 01:12:08,040 Speaker 3: He got a clap back. Fuck that, don't bow out. No, 1630 01:12:08,160 --> 01:12:09,360 Speaker 3: it's on now now it was. 1631 01:12:09,360 --> 01:12:11,840 Speaker 2: Lit when now all I'll speak with an in house. 1632 01:12:13,520 --> 01:12:15,720 Speaker 2: I'm fine with Joiner going light. I didn't like that 1633 01:12:15,800 --> 01:12:17,519 Speaker 2: he was a little timid in certain ship of like, 1634 01:12:17,600 --> 01:12:20,120 Speaker 2: oh I might lose my UK fans, but fuck them. 1635 01:12:20,880 --> 01:12:25,719 Speaker 2: It's America. Yo, all right, this is how it starts. 1636 01:12:27,280 --> 01:12:30,960 Speaker 2: You know what I'm saying, Pece is how it starts. No, 1637 01:12:31,040 --> 01:12:33,120 Speaker 2: I'm not saying go join up at Israel. I'm just saying, like, 1638 01:12:33,680 --> 01:12:37,799 Speaker 2: who cares? Gotcha? Yeah? Okay, I think I think skeptic 1639 01:12:37,800 --> 01:12:39,519 Speaker 2: going he going, he gonna clap back. I didn't like 1640 01:12:39,600 --> 01:12:42,240 Speaker 2: the timid ship on Joiners second verse of like, oh 1641 01:12:42,320 --> 01:12:45,639 Speaker 2: I told the line I may lose my UK fans. 1642 01:12:45,680 --> 01:12:48,160 Speaker 2: You ain't saying nothing while I've heard you say crazier ship. 1643 01:12:48,479 --> 01:12:50,920 Speaker 2: You had a white guy using the N word rap 1644 01:12:51,160 --> 01:12:52,800 Speaker 2: just like me, look just like me with the flag 1645 01:12:53,040 --> 01:12:55,320 Speaker 2: saying that word. You've you've crossed the line. On certain 1646 01:12:55,320 --> 01:12:58,040 Speaker 2: ship they're saying it go all the way Joiner. 1647 01:12:58,600 --> 01:13:00,000 Speaker 3: No, I think I think I think we all gonna 1648 01:13:00,080 --> 01:13:02,040 Speaker 3: get other UK rappers to jump in on this, on 1649 01:13:02,120 --> 01:13:04,519 Speaker 3: this stuff. I could see it happening. I can see 1650 01:13:04,520 --> 01:13:06,599 Speaker 3: it becoming and like I said, I like it because again, 1651 01:13:06,680 --> 01:13:09,200 Speaker 3: this is just a platform for for you know, people 1652 01:13:09,240 --> 01:13:11,880 Speaker 3: that's not hip to UK rap and how a lot 1653 01:13:11,920 --> 01:13:13,560 Speaker 3: of guys over there can really rap. Like it's just 1654 01:13:13,600 --> 01:13:15,960 Speaker 3: as a platform to expose that and show that the 1655 01:13:16,080 --> 01:13:16,920 Speaker 3: UK has rappers. 1656 01:13:16,960 --> 01:13:17,720 Speaker 2: So I'm here for it. Man. 1657 01:13:17,760 --> 01:13:19,599 Speaker 3: If it's sporting and it's just hip hop, of course, 1658 01:13:19,760 --> 01:13:20,200 Speaker 3: let's do it. 1659 01:13:20,400 --> 01:13:22,880 Speaker 2: I'm here for it, man. Skeptic on you though, join 1660 01:13:22,960 --> 01:13:25,599 Speaker 2: the clap, did what he had to do, got right 1661 01:13:25,680 --> 01:13:26,080 Speaker 2: back to you. 1662 01:13:27,120 --> 01:13:29,080 Speaker 3: It's on, skept it Now any of the other guys 1663 01:13:29,160 --> 01:13:31,760 Speaker 3: want to jump in and call names out, yo. 1664 01:13:31,800 --> 01:13:33,479 Speaker 2: Fuck it man, this is hip hop, man, let's do it. 1665 01:13:34,439 --> 01:13:36,479 Speaker 2: That was what two days ago. We're recording this on 1666 01:13:36,560 --> 01:13:40,479 Speaker 2: Thursday and there's six hours ahead of us. Skept it 1667 01:13:40,520 --> 01:13:43,920 Speaker 2: looks scared. How are you in the future too? 1668 01:13:46,320 --> 01:13:49,000 Speaker 3: You gotta wrap from that perspective, Yeah, Skept the matter 1669 01:13:49,000 --> 01:13:51,840 Speaker 3: of fact, you're you're new. Your response waking might be 1670 01:13:51,960 --> 01:13:55,200 Speaker 3: called back to the future Eastern standard. 1671 01:13:55,320 --> 01:14:03,519 Speaker 2: Yeah, est for sure, Skep. Skep without a doubt. That's 1672 01:14:03,560 --> 01:14:06,759 Speaker 2: the name of his next joint. Speaking of amazing raps 1673 01:14:07,320 --> 01:14:10,040 Speaker 2: SI did well, not leakers, because now it's just incredible. 1674 01:14:10,800 --> 01:14:13,200 Speaker 2: I hate when like a platform you love breaks up. 1675 01:14:13,280 --> 01:14:18,840 Speaker 2: Don't you hate that? I love it? Hey, man, question 1676 01:14:19,680 --> 01:14:22,720 Speaker 2: sour milk, just incredible. How could you break up such 1677 01:14:22,760 --> 01:14:25,080 Speaker 2: an amazing platform? You guys made history together. You guys 1678 01:14:25,120 --> 01:14:27,639 Speaker 2: couldn't work it out. That's fucking weird. That's so weird. 1679 01:14:28,240 --> 01:14:30,640 Speaker 2: It's so weird how that happened. Fucking nerve y'all to 1680 01:14:30,720 --> 01:14:33,920 Speaker 2: ruin the culture that way. Why couldn't you guys figure 1681 01:14:33,960 --> 01:14:34,599 Speaker 2: it out? Oh? 1682 01:14:34,920 --> 01:14:35,120 Speaker 1: Man? 1683 01:14:36,400 --> 01:14:39,599 Speaker 2: So yes, just incredible freestyles now, not the LA leakers 1684 01:14:39,640 --> 01:14:42,639 Speaker 2: the way we used to like it and forget about 1685 01:14:42,640 --> 01:14:45,920 Speaker 2: their personal lives. They should have stuck together. Yeah, sa 1686 01:14:46,040 --> 01:14:48,000 Speaker 2: I went on there and wrapped for six to eight 1687 01:14:48,120 --> 01:14:48,679 Speaker 2: minutes straight. 1688 01:14:50,280 --> 01:14:54,200 Speaker 3: I went, I'm better than everybody man like Siha is 1689 01:14:54,360 --> 01:14:59,120 Speaker 3: just he's, for me, one of the most incredible MC's 1690 01:14:59,240 --> 01:15:03,080 Speaker 3: rappers that I've ever heard. He is not even it's 1691 01:15:03,160 --> 01:15:06,200 Speaker 3: not even like a hidden thing anymore. And I think, 1692 01:15:06,280 --> 01:15:08,759 Speaker 3: and I know for a fact, the rappers that everyone 1693 01:15:08,880 --> 01:15:11,040 Speaker 3: respects and they look to, they look at Saha like 1694 01:15:11,400 --> 01:15:12,400 Speaker 3: one of those guys as well. 1695 01:15:12,439 --> 01:15:13,080 Speaker 2: So I'm just happy. 1696 01:15:13,439 --> 01:15:16,680 Speaker 3: I'm happy whenever Saha raps man because Sahai you know, 1697 01:15:16,800 --> 01:15:19,720 Speaker 3: he being then disappeared for two years writing for a 1698 01:15:19,760 --> 01:15:20,400 Speaker 3: bunch of people. 1699 01:15:21,520 --> 01:15:22,639 Speaker 2: Don't hear nothing from him. 1700 01:15:23,000 --> 01:15:26,320 Speaker 3: He'll pop up with a record, a freestyle, and then 1701 01:15:26,400 --> 01:15:30,280 Speaker 3: he'll disappear again. I need another Saha album. It's Tom 1702 01:15:30,400 --> 01:15:35,040 Speaker 3: no dope on Sunday's definite classic still getting without a. 1703 01:15:35,160 --> 01:15:36,599 Speaker 2: Doubt classic album. 1704 01:15:37,080 --> 01:15:41,760 Speaker 3: But that was twenty sixteen, Yeah, twenty seventeen, maybe that's 1705 01:15:41,880 --> 01:15:44,680 Speaker 3: I think it's time Saha is Tom. You know how 1706 01:15:44,720 --> 01:15:48,400 Speaker 3: I feel it is fucking time for a new Saha album. 1707 01:15:48,680 --> 01:15:51,360 Speaker 2: We need a new November twenty seventeen. 1708 01:15:51,120 --> 01:15:53,679 Speaker 3: November twenty seventh, Saha, Come on, man, we were pulling 1709 01:15:53,800 --> 01:15:56,920 Speaker 3: up on nine years, bro, No eight years, like, come on, 1710 01:15:57,360 --> 01:15:59,439 Speaker 3: like what we're doing? We need a new Saha album. 1711 01:16:00,040 --> 01:16:01,760 Speaker 3: Help Personally, I just I just need a new side. 1712 01:16:01,920 --> 01:16:04,439 Speaker 2: That he's rapping for six minutes straight. I assume that 1713 01:16:04,560 --> 01:16:08,000 Speaker 2: means that music is coming. But is a He's a labrad, 1714 01:16:08,280 --> 01:16:10,960 Speaker 2: he got songs, he got albums done. 1715 01:16:11,080 --> 01:16:14,160 Speaker 3: You know, he's just is very intentional though everything has 1716 01:16:14,240 --> 01:16:17,240 Speaker 3: to align and everything has to be right. He's not 1717 01:16:17,320 --> 01:16:18,840 Speaker 3: gonna just put out an album just to put out 1718 01:16:18,840 --> 01:16:22,280 Speaker 3: an album like, and I respect that, but yeah, man, 1719 01:16:22,360 --> 01:16:24,439 Speaker 3: it's time. Man. You can't give us no dope on 1720 01:16:24,560 --> 01:16:27,880 Speaker 3: Sundays and then disappear for eight years. Man, Like, come on, man, 1721 01:16:27,920 --> 01:16:29,320 Speaker 3: we need to We need a fucking album. 1722 01:16:29,400 --> 01:16:32,760 Speaker 2: Bro. You know he was doing ship, like writing number 1723 01:16:32,760 --> 01:16:37,840 Speaker 2: one Records, definitely writing. Definitely he got some ball. He 1724 01:16:37,960 --> 01:16:40,160 Speaker 2: was like doing shit in between. He was just chilling. 1725 01:16:40,760 --> 01:16:43,240 Speaker 3: He's been working. I didn't say he ain't working. I 1726 01:16:43,320 --> 01:16:45,639 Speaker 3: never I would never say that I was always working. 1727 01:16:46,120 --> 01:16:48,720 Speaker 3: But I'm just saying I me personally because I just 1728 01:16:48,880 --> 01:16:51,560 Speaker 3: you know, he's one of my favorite rappers and of 1729 01:16:51,840 --> 01:16:52,679 Speaker 3: you know, all time. 1730 01:16:53,000 --> 01:16:56,160 Speaker 2: And he did Blueleg Cav. I haven't watched the interview yet, 1731 01:16:56,240 --> 01:16:58,479 Speaker 2: but I assume music is coming. I saw he just 1732 01:16:58,560 --> 01:17:02,720 Speaker 2: ad Blue let Cav did just incredible. I think music's coming. Yeah, 1733 01:17:02,800 --> 01:17:05,680 Speaker 2: so I can't wait. But he went fucking nuts. Keeps 1734 01:17:05,720 --> 01:17:08,920 Speaker 2: somebody's attention for that long. Rapping is one of the 1735 01:17:08,960 --> 01:17:11,320 Speaker 2: most difficult things. Every time I listen to the to 1736 01:17:11,400 --> 01:17:15,760 Speaker 2: the to the freestyle, I catch another bar. Yeah. We 1737 01:17:15,960 --> 01:17:20,639 Speaker 2: have announced Freddy Gibbs Alchemist Alfredo two. 1738 01:17:20,760 --> 01:17:26,280 Speaker 3: Yes ninety five available now on week This way happy 1739 01:17:26,360 --> 01:17:26,840 Speaker 3: that that's coming. 1740 01:17:26,840 --> 01:17:28,320 Speaker 2: You know what I'm saying. It feels it's what I'm saying. 1741 01:17:28,360 --> 01:17:33,800 Speaker 3: This feels like the right time for Freddy and al back. Okay, 1742 01:17:33,880 --> 01:17:35,840 Speaker 3: I think they may have dropped the same time in 1743 01:17:35,920 --> 01:17:38,040 Speaker 3: twenty seventeen. I think Alfred came out around a time. 1744 01:17:38,280 --> 01:17:43,639 Speaker 2: No no, no afraid it was right before COVID COVID yeah, twenty. 1745 01:17:45,800 --> 01:17:48,240 Speaker 2: I appreciate that they announced it today and it comes 1746 01:17:48,280 --> 01:17:51,479 Speaker 2: out next Friday. But to just like lightly throw out 1747 01:17:51,560 --> 01:17:53,559 Speaker 2: part two to a classic album, it's kind of funny 1748 01:17:53,600 --> 01:17:57,120 Speaker 2: to me. That's just to remind like we're doing part 1749 01:17:57,120 --> 01:17:59,280 Speaker 2: two that's Friday. It's like wha wait, wait wait, But 1750 01:17:59,360 --> 01:18:02,120 Speaker 2: that's when you know they got some shit. You're about 1751 01:18:02,120 --> 01:18:05,840 Speaker 2: to put out Alfredo. Yeah, the second installment. This is 1752 01:18:05,880 --> 01:18:10,360 Speaker 2: gonna sound blasphemous to you hip hop old nerds for 1753 01:18:10,479 --> 01:18:12,479 Speaker 2: this era. That's like being like yo, Ellmatic two is 1754 01:18:12,520 --> 01:18:14,760 Speaker 2: next week. It's like, all right, slow down. Yeah, you 1755 01:18:14,840 --> 01:18:18,200 Speaker 2: can't just say that out of fucking nowhere. Alfredo two 1756 01:18:18,320 --> 01:18:22,400 Speaker 2: is in seven days and we need it. That's pressure. Listen, man, 1757 01:18:22,439 --> 01:18:23,920 Speaker 2: I just want to hear music. 1758 01:18:24,000 --> 01:18:24,160 Speaker 1: Man. 1759 01:18:24,240 --> 01:18:26,599 Speaker 3: Let the guys that make great music put out great music. 1760 01:18:26,680 --> 01:18:27,240 Speaker 2: That's what I like. 1761 01:18:27,320 --> 01:18:30,200 Speaker 3: Alfredo to next week. We need that summer Tom Butch 1762 01:18:30,600 --> 01:18:34,200 Speaker 3: been need a Butcher project out now. Yes, shout out 1763 01:18:34,240 --> 01:18:38,040 Speaker 3: to Butch. It's music out, man, we got music the clips. 1764 01:18:38,040 --> 01:18:42,360 Speaker 2: Still listening to that. That's out. Listen man, I like music. 1765 01:18:42,400 --> 01:18:42,800 Speaker 2: Listen man. 1766 01:18:42,800 --> 01:18:44,519 Speaker 3: As long as the guys that can make music is 1767 01:18:44,520 --> 01:18:47,000 Speaker 3: putting out music, I'm happy as a music connaisseur. 1768 01:18:47,120 --> 01:18:49,160 Speaker 2: You don't have to make everything about myself. Three hours ago, 1769 01:18:49,160 --> 01:18:51,360 Speaker 2: I get an email from Spotify, you know, just their 1770 01:18:51,600 --> 01:18:54,920 Speaker 2: regular mass email, Freddy Gibbs and the Alchemist made you 1771 01:18:55,040 --> 01:18:58,080 Speaker 2: something special. And then like has the pre savelingk a 1772 01:18:58,160 --> 01:19:01,560 Speaker 2: message from Freddy and al about the vinyl this and that. 1773 01:19:01,920 --> 01:19:04,280 Speaker 2: How come when I make something special, Freddy, Spotify is 1774 01:19:04,320 --> 01:19:05,639 Speaker 2: to send out a mass fucking email. 1775 01:19:07,840 --> 01:19:08,200 Speaker 4: I knew that. 1776 01:19:08,479 --> 01:19:10,040 Speaker 2: I knew that's what you was lining it up to go. 1777 01:19:10,720 --> 01:19:12,920 Speaker 2: I knew that's exactly when I got that email. Right 1778 01:19:12,920 --> 01:19:14,800 Speaker 2: before we started recording, I was like, wait, hold on, 1779 01:19:14,880 --> 01:19:17,840 Speaker 2: how come when someone else makes something special? Yeah, you 1780 01:19:17,880 --> 01:19:19,280 Speaker 2: don't get to eat the mask I got start some 1781 01:19:19,320 --> 01:19:20,200 Speaker 2: white and white crime with out. 1782 01:19:20,240 --> 01:19:22,400 Speaker 3: Yeah, there you go this out this owl on your 1783 01:19:22,439 --> 01:19:23,080 Speaker 3: next joint. 1784 01:19:23,280 --> 01:19:25,439 Speaker 2: Troy av That shit was goofy. I know, no one 1785 01:19:25,479 --> 01:19:27,120 Speaker 2: wants to talk about it, but I'll say it out loud. 1786 01:19:27,680 --> 01:19:30,519 Speaker 2: Oh the video, Yeah, I mean it looked fake. The 1787 01:19:30,560 --> 01:19:32,640 Speaker 2: first time I saw Whenever was calling a hero. 1788 01:19:32,720 --> 01:19:34,360 Speaker 3: I was like, but that's why I'm not really get 1789 01:19:34,400 --> 01:19:36,320 Speaker 3: into that because I knew it faced the first time 1790 01:19:36,400 --> 01:19:36,960 Speaker 3: I saw it, So. 1791 01:19:37,000 --> 01:19:39,599 Speaker 2: It's like, I don't I mean, it's weird. It's awkward 1792 01:19:39,640 --> 01:19:40,479 Speaker 2: to make a video like that. 1793 01:19:40,560 --> 01:19:42,800 Speaker 3: Now, if it's for music, it was a part of 1794 01:19:42,880 --> 01:19:45,240 Speaker 3: a music video and that's like the leak the rollout 1795 01:19:45,280 --> 01:19:46,800 Speaker 3: to the video, then I understand it. 1796 01:19:46,840 --> 01:19:49,320 Speaker 2: But what was this for? Nah, I don't understand it 1797 01:19:49,360 --> 01:19:51,800 Speaker 2: because Ava has been through some some real actual shit. 1798 01:19:52,320 --> 01:19:54,720 Speaker 3: If this is for a song in a video, and 1799 01:19:55,200 --> 01:19:57,280 Speaker 3: if the song he's talking about shit he's been through, 1800 01:19:57,520 --> 01:19:58,200 Speaker 3: it makes sense. 1801 01:19:58,720 --> 01:20:00,880 Speaker 2: But what is this for? What is this the thing 1802 01:20:00,960 --> 01:20:02,640 Speaker 2: that they put out with? I think it's weird for 1803 01:20:02,760 --> 01:20:05,880 Speaker 2: a rollout to a song when I'm saying AV respectfully 1804 01:20:05,960 --> 01:20:08,160 Speaker 2: has been through some actual real shit, and the way 1805 01:20:08,280 --> 01:20:10,080 Speaker 2: AV talked, he would never play with that corner shit. 1806 01:20:10,160 --> 01:20:12,240 Speaker 2: Matter of fact, AV has a podcast and if me 1807 01:20:12,320 --> 01:20:14,240 Speaker 2: and you did some shit like that, Troy, I would 1808 01:20:14,240 --> 01:20:16,680 Speaker 2: be sitting on his own couch going Rory and Maul 1809 01:20:16,760 --> 01:20:17,879 Speaker 2: are some fucking goofies. 1810 01:20:18,800 --> 01:20:21,920 Speaker 3: You're right, But what I'm saying himself would say that's 1811 01:20:21,920 --> 01:20:24,080 Speaker 3: some goofy ass shit. You're right, you know what I'm saying. 1812 01:20:24,080 --> 01:20:26,719 Speaker 3: I think it's weird if this is attached to music 1813 01:20:26,880 --> 01:20:28,519 Speaker 3: and a video is attached to a pod, and it 1814 01:20:28,560 --> 01:20:30,240 Speaker 3: may call us goofy. No no, no, no no no. 1815 01:20:30,840 --> 01:20:32,040 Speaker 2: If this I'm from what he did. 1816 01:20:32,120 --> 01:20:34,639 Speaker 3: If it's attached to a song in a video, if 1817 01:20:34,680 --> 01:20:37,360 Speaker 3: that's a part of a video, it makes sense still goofy. 1818 01:20:37,439 --> 01:20:39,639 Speaker 2: But if it's not weird as. 1819 01:20:39,560 --> 01:20:42,920 Speaker 3: Fun, like if this is just some random just click 1820 01:20:43,000 --> 01:20:45,040 Speaker 3: to put out, it's like, well what is that? But 1821 01:20:45,120 --> 01:20:47,519 Speaker 3: if next we gets goofy with a song, No, but 1822 01:20:47,640 --> 01:20:49,519 Speaker 3: you can't see a scene like that being in a video. 1823 01:20:50,160 --> 01:20:53,599 Speaker 2: I can, but as a rollout with somebody that all 1824 01:20:53,680 --> 01:20:55,920 Speaker 2: of us know that he knew that Pat like, come on, 1825 01:20:56,360 --> 01:21:00,360 Speaker 2: everything that he has been through, Like, come on, you 1826 01:21:00,439 --> 01:21:02,680 Speaker 2: think if fifty after that real shit that happened with 1827 01:21:02,760 --> 01:21:07,320 Speaker 2: him did a fake many men shit for the Massacre 1828 01:21:07,400 --> 01:21:09,720 Speaker 2: album of him getting sprayed up on Jamaica ad and 1829 01:21:09,800 --> 01:21:12,000 Speaker 2: all of us were like yo, what the fuck? We'd 1830 01:21:12,040 --> 01:21:14,280 Speaker 2: be like, oh, I was ill na like that was 1831 01:21:14,320 --> 01:21:17,560 Speaker 2: some actual, real situation that we know you for. But 1832 01:21:17,680 --> 01:21:19,920 Speaker 2: he was on camera in Irving Plaza doing this very thing. 1833 01:21:20,040 --> 01:21:22,760 Speaker 2: Like if he was some rapper that hadn't been through shit, 1834 01:21:22,800 --> 01:21:26,080 Speaker 2: I'd be like, that's just rappers doing goofy shit. You've 1835 01:21:26,160 --> 01:21:28,960 Speaker 2: been in situations like this that people have lost their 1836 01:21:29,040 --> 01:21:33,080 Speaker 2: lives in, and now you playing you not some goofy 1837 01:21:33,200 --> 01:21:36,080 Speaker 2: rapper that has not been through some shit. That's corny 1838 01:21:36,160 --> 01:21:38,720 Speaker 2: to me. Yeah, if it's not part of a video, 1839 01:21:39,240 --> 01:21:40,760 Speaker 2: I think it's even corner. If it's part of the video. 1840 01:21:40,800 --> 01:21:43,120 Speaker 3: Nah, if that's his life, you mean, that's the art. 1841 01:21:43,160 --> 01:21:44,760 Speaker 3: You turn your life into art. 1842 01:21:44,920 --> 01:21:48,519 Speaker 2: It's you could go find it. I don't need the replay. 1843 01:21:48,520 --> 01:21:50,679 Speaker 2: I've seen it for real. Yeah, but that's happened. 1844 01:21:50,720 --> 01:21:52,960 Speaker 3: That's rappers have shit like that in the videos all 1845 01:21:53,000 --> 01:21:55,200 Speaker 3: the time. If this has nothing to do with music, 1846 01:21:55,320 --> 01:21:56,240 Speaker 3: it's the weirdest fuck. 1847 01:21:56,280 --> 01:21:58,519 Speaker 2: Because then I was like, what is that for? I 1848 01:21:58,600 --> 01:21:59,479 Speaker 2: agree with you on that point. 1849 01:21:59,640 --> 01:22:01,000 Speaker 3: This has at nothing to do with a song or 1850 01:22:01,360 --> 01:22:03,479 Speaker 3: that's not what's a long roll a shot from a video. 1851 01:22:03,680 --> 01:22:07,840 Speaker 3: We did a video tonight, like to drop after he said, hey, 1852 01:22:07,920 --> 01:22:10,479 Speaker 3: this is fake? Yeah, the video shit came out. So 1853 01:22:10,560 --> 01:22:12,479 Speaker 3: if it's not yet, I just don't that's just what 1854 01:22:12,640 --> 01:22:13,160 Speaker 3: was the point of that. 1855 01:22:13,240 --> 01:22:16,160 Speaker 2: That's just very weird. I don't know. Maybe I'm just 1856 01:22:16,160 --> 01:22:17,760 Speaker 2: getting too old and I just don't like people playing 1857 01:22:17,800 --> 01:22:20,320 Speaker 2: with that ship when people have died in that same 1858 01:22:20,400 --> 01:22:22,960 Speaker 2: situation that you have been a part of. But maybe 1859 01:22:23,000 --> 01:22:25,080 Speaker 2: I'm getting too old. Well, do we have voicemails? 1860 01:22:25,320 --> 01:22:25,519 Speaker 3: Yeah? 1861 01:22:25,600 --> 01:22:26,160 Speaker 2: Got mail? 1862 01:22:27,040 --> 01:22:30,280 Speaker 3: We do and it's sponsored by Boost Mobile unlimited talk, 1863 01:22:30,360 --> 01:22:36,000 Speaker 3: texts and data for just twenty a month forever, y'all. 1864 01:22:36,160 --> 01:22:37,000 Speaker 2: What's good for here? 1865 01:22:37,080 --> 01:22:37,240 Speaker 1: Mam? 1866 01:22:38,000 --> 01:22:38,639 Speaker 2: This is manny. 1867 01:22:39,439 --> 01:22:42,280 Speaker 4: I got out of jail last year. President. I'll checking 1868 01:22:42,360 --> 01:22:45,240 Speaker 4: the store. I met this girl. We bobbed out really 1869 01:22:45,320 --> 01:22:48,400 Speaker 4: really well. Everything was really cool. This is real passive 1870 01:22:48,479 --> 01:22:48,840 Speaker 4: and cool. 1871 01:22:49,880 --> 01:22:51,160 Speaker 3: I'm more so outgoing. 1872 01:22:51,280 --> 01:22:51,439 Speaker 2: God. 1873 01:22:51,920 --> 01:22:54,320 Speaker 4: I meet up mother very early. Everything happens early, end 1874 01:22:54,360 --> 01:22:57,479 Speaker 4: up slash in the first night. No no, no, no, right. 1875 01:22:58,000 --> 01:22:59,479 Speaker 4: Everything moved relatively quickly. 1876 01:23:00,439 --> 01:23:04,040 Speaker 5: Point is, Mother ended up moving in about three months 1877 01:23:04,040 --> 01:23:06,920 Speaker 5: after we started dealing with each other. I told her 1878 01:23:06,960 --> 01:23:08,760 Speaker 5: when when she got to moving, baby, if you let 1879 01:23:08,800 --> 01:23:11,559 Speaker 5: her move in or no, no disrespect, but it won't 1880 01:23:11,640 --> 01:23:13,280 Speaker 5: change the dynamic of everything we got going on. 1881 01:23:13,600 --> 01:23:15,439 Speaker 4: And some of the tendencies I see from her find 1882 01:23:15,439 --> 01:23:15,800 Speaker 4: the tops. 1883 01:23:16,800 --> 01:23:20,120 Speaker 5: So therefore she didn't she didn't even heed that more interest, 1884 01:23:20,200 --> 01:23:21,439 Speaker 5: you know, the family's families. 1885 01:23:21,479 --> 01:23:23,200 Speaker 2: She moved in and then. 1886 01:23:23,400 --> 01:23:25,320 Speaker 4: Almost immediately she started treating me much shit. 1887 01:23:26,520 --> 01:23:29,000 Speaker 5: Well, come to Findancal did some googles and whatnot, and 1888 01:23:29,200 --> 01:23:30,360 Speaker 5: she found out in prison. 1889 01:23:30,680 --> 01:23:32,760 Speaker 4: And then I didn't have a conversation with her about 1890 01:23:32,800 --> 01:23:35,280 Speaker 4: me being in prison, and so she felt away. 1891 01:23:35,800 --> 01:23:37,760 Speaker 5: We tried to work through it. We got back, we 1892 01:23:37,840 --> 01:23:40,559 Speaker 5: felt with Rocky Park. We got back together, rocked out 1893 01:23:40,560 --> 01:23:42,240 Speaker 5: for a little while. Her mother felt away, so she 1894 01:23:42,320 --> 01:23:44,839 Speaker 5: made it a story that I was kind of arguing 1895 01:23:44,880 --> 01:23:45,200 Speaker 5: with her. 1896 01:23:45,160 --> 01:23:46,479 Speaker 4: In front of the child. But she lived in a 1897 01:23:46,560 --> 01:23:51,280 Speaker 4: two bedroom, two bedroom house. Now I'm in a position. 1898 01:23:51,000 --> 01:23:52,160 Speaker 5: Where the mother don't like me, and I. 1899 01:23:52,160 --> 01:23:54,400 Speaker 4: Don't know what to do to my girl skills. 1900 01:23:55,600 --> 01:23:58,040 Speaker 2: I mean, I've heard jail phones that sound better than 1901 01:23:58,080 --> 01:23:58,880 Speaker 2: what you did there. 1902 01:23:58,920 --> 01:24:02,000 Speaker 3: Amen, and I would love to give you perspective. I'm 1903 01:24:02,000 --> 01:24:06,240 Speaker 3: gonna try to hear you. But future reference, anybody leaving 1904 01:24:06,240 --> 01:24:09,600 Speaker 3: a voicemail, do not be on the AirPod, do not 1905 01:24:09,720 --> 01:24:12,760 Speaker 3: have your windows rolled down. Just talk directly into the phone. 1906 01:24:12,800 --> 01:24:15,320 Speaker 3: It just sounds better. It's a better listening experience for 1907 01:24:15,360 --> 01:24:15,760 Speaker 3: all of us. 1908 01:24:15,800 --> 01:24:19,000 Speaker 2: Please find a quiet area. Yeah, speak right into your 1909 01:24:19,040 --> 01:24:20,760 Speaker 2: iPhone whatever galaxy, I know what that is. 1910 01:24:20,840 --> 01:24:23,080 Speaker 3: That's the he was on the AirPod and then noise canceled. 1911 01:24:23,200 --> 01:24:24,519 Speaker 3: So it just sounds a little weird, all right. 1912 01:24:24,600 --> 01:24:27,719 Speaker 2: Yeah, Manny is in a predicament here, and I don't 1913 01:24:27,760 --> 01:24:33,719 Speaker 2: blame him for being so forward. Tomarson, I have talked about, 1914 01:24:33,760 --> 01:24:35,920 Speaker 2: you know, slash the first night you end up in 1915 01:24:35,920 --> 01:24:38,680 Speaker 2: a long term relationship, end up moving in together. Man 1916 01:24:39,120 --> 01:24:41,160 Speaker 2: pull them out to judge, understand that, and then you 1917 01:24:41,200 --> 01:24:43,080 Speaker 2: also have to deal with their family, mom moving in. 1918 01:24:44,040 --> 01:24:45,800 Speaker 2: He spoke up for himself like, hey, I think this 1919 01:24:45,960 --> 01:24:48,840 Speaker 2: may ruin our dynamic if moms comes in, but hey, 1920 01:24:49,640 --> 01:24:53,519 Speaker 2: we're together. This comes with family. Do you think Manny 1921 01:24:53,560 --> 01:24:55,160 Speaker 2: should have mentioned he was in jail, because I don't 1922 01:24:55,240 --> 01:24:58,360 Speaker 2: unless he did some like weirdo shit. Nah, I don't 1923 01:24:58,400 --> 01:25:00,920 Speaker 2: think he owes that to the mom. I mean the daughter. 1924 01:25:01,040 --> 01:25:03,560 Speaker 3: She can have that conversation with her mom if she 1925 01:25:03,680 --> 01:25:05,400 Speaker 3: wants to, but I don't think he needs to have 1926 01:25:05,520 --> 01:25:06,120 Speaker 3: that conversation. 1927 01:25:06,400 --> 01:25:09,919 Speaker 2: Yeah, I don't know if he's yeah, but I mean, listen. 1928 01:25:10,080 --> 01:25:12,280 Speaker 3: It is a weird dynamic now that the mom moved in, 1929 01:25:12,479 --> 01:25:14,840 Speaker 3: and you know, it's it changes things, you know, and 1930 01:25:14,880 --> 01:25:17,400 Speaker 3: then the mother obviously doesn't want her daughter with a 1931 01:25:17,520 --> 01:25:20,200 Speaker 3: guy that is you know, I don't know what his 1932 01:25:20,360 --> 01:25:21,880 Speaker 3: charges were, what he was in prison for. 1933 01:25:22,720 --> 01:25:24,960 Speaker 2: That changes that change, That leaves this kind of yeah, 1934 01:25:25,640 --> 01:25:30,080 Speaker 2: you conveniently kept that, but yeah, like what you was 1935 01:25:30,120 --> 01:25:30,560 Speaker 2: locked up for. 1936 01:25:30,640 --> 01:25:33,600 Speaker 3: If you was locked up for assault or like burglary 1937 01:25:33,720 --> 01:25:35,200 Speaker 3: or some shit, I can see why the moms don't 1938 01:25:35,200 --> 01:25:38,640 Speaker 3: want your little Yeah, like she's watching you. 1939 01:25:38,800 --> 01:25:42,280 Speaker 2: She she watching your little catburg glass. But yeah, I don't. 1940 01:25:42,400 --> 01:25:44,000 Speaker 2: I don't think that he should have had that conversation. 1941 01:25:44,040 --> 01:25:45,720 Speaker 3: That's not his place to have that conversation with the 1942 01:25:45,800 --> 01:25:47,960 Speaker 3: mother about him being incarcerated. 1943 01:25:48,000 --> 01:25:49,240 Speaker 2: I don't. I don't think he was supposed to have 1944 01:25:49,280 --> 01:25:51,320 Speaker 2: that com And again with the weird audio, daughter can 1945 01:25:51,800 --> 01:25:55,080 Speaker 2: from what I understand, because they had only been like 1946 01:25:55,200 --> 01:25:57,439 Speaker 2: dating for three months when they moved in, it seems 1947 01:25:57,479 --> 01:26:00,400 Speaker 2: like the girl he's dating has a child already. Because 1948 01:26:00,439 --> 01:26:02,160 Speaker 2: the mom was saying, oh, it's arguing in front of 1949 01:26:02,160 --> 01:26:04,599 Speaker 2: the kid. He kind of like conveniently left. 1950 01:26:04,479 --> 01:26:06,320 Speaker 3: That potan unless he got right to it. He said 1951 01:26:06,320 --> 01:26:07,519 Speaker 3: he slashed the first night. 1952 01:26:07,920 --> 01:26:10,200 Speaker 2: No, because he just got out three months of dating. 1953 01:26:11,160 --> 01:26:12,800 Speaker 2: I doubt that's his child, because I feel like he 1954 01:26:12,840 --> 01:26:14,240 Speaker 2: would have been like, then we had a kid together. 1955 01:26:14,400 --> 01:26:16,160 Speaker 3: No, because they remember he moved out, then he moved 1956 01:26:16,200 --> 01:26:17,280 Speaker 3: back in, so it's they got it. 1957 01:26:17,320 --> 01:26:19,920 Speaker 2: He had some time in. That's not his kid. Bro. Yeah, 1958 01:26:19,960 --> 01:26:21,479 Speaker 2: it's definitely nice. I feel like he would have said 1959 01:26:21,560 --> 01:26:22,479 Speaker 2: and we had a kid together. 1960 01:26:23,280 --> 01:26:27,640 Speaker 3: He might have said that we couldn't hear his ass. Yo, Man, 1961 01:26:27,840 --> 01:26:29,880 Speaker 3: we got we gotta see you to the zoom zoom room. Man, 1962 01:26:29,920 --> 01:26:32,960 Speaker 3: we gotta get you on the zooms. Absolutely call in, man, 1963 01:26:33,040 --> 01:26:34,680 Speaker 3: so we can figure this out. Man, we gotta have 1964 01:26:34,680 --> 01:26:37,880 Speaker 3: a conversation and really dig into this this debacle that 1965 01:26:37,920 --> 01:26:39,760 Speaker 3: you done found yourself. I mean, it's better than being 1966 01:26:39,800 --> 01:26:42,080 Speaker 3: in prison, but I mean the mother can start to 1967 01:26:42,080 --> 01:26:43,760 Speaker 3: feel like the ward and walking around the house though. 1968 01:26:44,320 --> 01:26:47,320 Speaker 2: Yeah, I mean I've never I mean, thank gosh, have 1969 01:26:47,479 --> 01:26:50,640 Speaker 2: never lived with a woman and her mom before, like 1970 01:26:50,800 --> 01:26:54,439 Speaker 2: lived lived that's never happened. I could imagine that being 1971 01:26:54,600 --> 01:26:57,560 Speaker 2: awkward every Thank god, I've never not gotten along with 1972 01:26:57,640 --> 01:26:59,720 Speaker 2: a girl I was dating Mom. I've not had like 1973 01:26:59,760 --> 01:27:02,720 Speaker 2: a relationship per se. But it wasn't like a negative one. 1974 01:27:03,000 --> 01:27:05,960 Speaker 2: We just didn't really have a relationship. But this sounds 1975 01:27:06,040 --> 01:27:08,799 Speaker 2: like hell, we were talking about Tom Brady and Giselle. 1976 01:27:09,720 --> 01:27:13,320 Speaker 2: To me, that's the dream, living with your girl, her 1977 01:27:13,400 --> 01:27:16,880 Speaker 2: mom and her baby and her mom hates you. Yeah, 1978 01:27:16,880 --> 01:27:20,639 Speaker 2: I'm gonna go sleep with a men's shelter. Yeah, maybe 1979 01:27:20,680 --> 01:27:22,679 Speaker 2: that's the advice, Manny, and go to a men's shelter. 1980 01:27:22,840 --> 01:27:24,639 Speaker 3: Now we're gonna get Manny in his zooms and room. Manny, 1981 01:27:24,760 --> 01:27:26,400 Speaker 3: We're gonna We're gonna definitely get you in the zoom 1982 01:27:26,479 --> 01:27:28,200 Speaker 3: zom room so we can dig through this and help 1983 01:27:28,280 --> 01:27:30,320 Speaker 3: you out and try to get to the bottom of 1984 01:27:30,360 --> 01:27:32,960 Speaker 3: your whole family dynamic right now, because we don't know 1985 01:27:33,000 --> 01:27:35,640 Speaker 3: if that's your kid. We don't know, Like it's just 1986 01:27:35,800 --> 01:27:38,120 Speaker 3: like we don't know what she was locked up for. 1987 01:27:38,360 --> 01:27:40,600 Speaker 3: Why would the mom be mad that you was, you know, 1988 01:27:40,760 --> 01:27:43,519 Speaker 3: spend some time in prison. Like, we got more questions for. 1989 01:27:43,560 --> 01:27:49,080 Speaker 2: You, Manny, leave your email address next time you call. 1990 01:27:49,560 --> 01:27:51,720 Speaker 2: We won't play that on the air, but yeah, we 1991 01:27:51,840 --> 01:27:53,320 Speaker 2: need that email address so we can send you the 1992 01:27:53,360 --> 01:27:55,160 Speaker 2: link for the zooms and room. All right, Even though 1993 01:27:55,200 --> 01:27:56,880 Speaker 2: I don't think that's his kid, let's say it is 1994 01:27:57,280 --> 01:28:01,760 Speaker 2: his kid. I'm on the side that mom slash mom 1995 01:28:01,800 --> 01:28:03,400 Speaker 2: in law. This ain't your kid, This ain't your house. 1996 01:28:04,560 --> 01:28:07,600 Speaker 2: You don't have any rights to anything in here. This 1997 01:28:07,800 --> 01:28:10,479 Speaker 2: is my house, is my family. But we don't know 1998 01:28:10,520 --> 01:28:12,680 Speaker 2: if that's his kid. I know, I'm saying hypothetically, I 1999 01:28:12,800 --> 01:28:16,280 Speaker 2: personally don't think it's his kid, but hypothetically, or let's 2000 01:28:16,280 --> 01:28:18,400 Speaker 2: say he's an amazing stepfather, let's say that really is 2001 01:28:18,479 --> 01:28:21,760 Speaker 2: his kid on some stepfather ship. Yeah, this ain't your house. 2002 01:28:23,600 --> 01:28:26,400 Speaker 2: Yeah it was still that's and don't pick arguments with 2003 01:28:26,520 --> 01:28:27,880 Speaker 2: me in front of the kids so you can go 2004 01:28:28,040 --> 01:28:30,800 Speaker 2: use it against me to to your daughter. Oh that's 2005 01:28:30,880 --> 01:28:32,679 Speaker 2: that's that's because that's what it sounds like. What happened. 2006 01:28:32,760 --> 01:28:32,960 Speaker 2: That's that. 2007 01:28:33,120 --> 01:28:35,920 Speaker 3: That's that grandma one on one text. Yeah, Yeah, were 2008 01:28:35,920 --> 01:28:36,920 Speaker 3: gonna get this nigga out of there. 2009 01:28:36,920 --> 01:28:40,080 Speaker 2: We're gonna collude clue to get this this this jailbird 2010 01:28:40,120 --> 01:28:41,880 Speaker 2: on this jail bird. It's funny. 2011 01:28:42,600 --> 01:28:45,320 Speaker 3: You know she called girl, this nigga that move the 2012 01:28:45,400 --> 01:28:47,240 Speaker 3: jail bird in, Like you know, she on the phone 2013 01:28:47,280 --> 01:28:48,320 Speaker 3: with the aunts and all of them. 2014 01:28:48,600 --> 01:28:50,760 Speaker 2: This nigga shes gonna move the jail bird in. We're 2015 01:28:50,760 --> 01:28:52,800 Speaker 2: gonna get you, right man, he don't trip. We're gonna 2016 01:28:52,800 --> 01:28:54,960 Speaker 2: get you right. We're gonna get you anything. 2017 01:28:56,479 --> 01:28:58,640 Speaker 3: We're gonna get you right. Bro, We're gonna get you right. 2018 01:28:58,760 --> 01:28:59,519 Speaker 3: Don't worry about it. 2019 01:28:59,560 --> 01:29:02,000 Speaker 2: We got you all right. Well, I feel for Manny. Yeah, 2020 01:29:02,200 --> 01:29:03,840 Speaker 2: I'd like to have a full conversation with him. Is 2021 01:29:03,880 --> 01:29:05,200 Speaker 2: that that our only voicemail to day? 2022 01:29:08,920 --> 01:29:12,120 Speaker 1: Josh, y'all left some trash ass voicemails. 2023 01:29:12,200 --> 01:29:15,080 Speaker 2: Do better and stop calling it with them trash voicemails. 2024 01:29:15,120 --> 01:29:19,160 Speaker 1: Man, Be more concise and get to the point, is 2025 01:29:19,200 --> 01:29:22,280 Speaker 1: what Josh is saying. Josh picks the voicemails, by the way. 2026 01:29:23,240 --> 01:29:26,320 Speaker 2: All right, well, it's been fun talking to you degenerates. Yeah, 2027 01:29:26,560 --> 01:29:33,040 Speaker 2: who's excited for the weekend? Me ready to shake ass? You? Am? 2028 01:29:33,080 --> 01:29:35,479 Speaker 2: I in the close friends, I'll put you back in there. 2029 01:29:35,920 --> 01:29:39,600 Speaker 3: Why I keep getting kicked baby, I ain't commented on 2030 01:29:39,680 --> 01:29:41,960 Speaker 3: a close friend, I ain't said ship on it. 2031 01:29:42,120 --> 01:29:44,800 Speaker 2: I haven't done nothing. Why do I keep getting kicked 2032 01:29:44,840 --> 01:29:45,599 Speaker 2: out of close friends? 2033 01:29:46,320 --> 01:29:50,840 Speaker 1: Because sometimes sometimes you my nigga, and sometimes you my boss. 2034 01:29:50,920 --> 01:29:54,360 Speaker 2: You can't Sometimes the boss can't be in close I 2035 01:29:54,439 --> 01:30:01,679 Speaker 2: hate America? Sometimes, how dare you? Those colors don't run? 2036 01:30:04,040 --> 01:30:06,240 Speaker 2: Sometimes your boss can't be your close friends. Sometimes you 2037 01:30:06,240 --> 01:30:06,960 Speaker 2: gotta get kicked. 2038 01:30:06,800 --> 01:30:09,200 Speaker 3: The funk out, nah man. But I don't be saying nothing. 2039 01:30:10,000 --> 01:30:11,120 Speaker 3: I don't observing. 2040 01:30:11,439 --> 01:30:11,920 Speaker 2: Yeah I have. 2041 01:30:12,200 --> 01:30:14,479 Speaker 3: I have not responded to anything or your close friends. 2042 01:30:14,720 --> 01:30:17,080 Speaker 3: I just look sometimes I laugh like they go, baby. 2043 01:30:16,920 --> 01:30:19,680 Speaker 2: D that's it. But I don't say nothing sometimes what 2044 01:30:19,760 --> 01:30:21,240 Speaker 2: I'm late to work. You don't need to know why 2045 01:30:22,800 --> 01:30:25,240 Speaker 2: you all beenion closer. You never posted on like the 2046 01:30:25,320 --> 01:30:26,240 Speaker 2: close friend's. 2047 01:30:26,000 --> 01:30:30,240 Speaker 1: Day Like that's because the night before and what you 2048 01:30:30,320 --> 01:30:31,920 Speaker 1: didn't need to see you weren't in there. 2049 01:30:33,479 --> 01:30:35,280 Speaker 3: Well, put me back in for the pool party. I'll 2050 01:30:35,280 --> 01:30:36,920 Speaker 3: put you back then after pool part. Doesn't take my 2051 01:30:37,040 --> 01:30:38,519 Speaker 3: ass out? Why are we not invited? 2052 01:30:38,560 --> 01:30:39,439 Speaker 2: It's kind of my question. 2053 01:30:40,160 --> 01:30:43,760 Speaker 1: Why would you You don't invite me places? I don't 2054 01:30:43,800 --> 01:30:46,200 Speaker 1: go anywhere y'all go to mad places together. First of all, 2055 01:30:46,360 --> 01:30:49,040 Speaker 1: no we go something. You niggas ain't invite me to Fanatics, fess, 2056 01:30:49,160 --> 01:30:51,519 Speaker 1: I would have loved to have been there whenever y'all 2057 01:30:51,560 --> 01:30:53,000 Speaker 1: hang with y'all rock nation friends. 2058 01:30:53,040 --> 01:30:55,400 Speaker 3: To invite me to be fear or wild. Tell you 2059 01:30:55,560 --> 01:30:57,679 Speaker 3: I didn't know I was going until thirty minutes before 2060 01:30:57,680 --> 01:30:58,120 Speaker 3: I got there. 2061 01:30:59,120 --> 01:30:59,640 Speaker 2: Like he hit me. 2062 01:30:59,760 --> 01:31:00,240 Speaker 4: He was like on me. 2063 01:31:00,360 --> 01:31:02,400 Speaker 2: I'm like, all right, I'll pull up. I didn't know 2064 01:31:02,439 --> 01:31:05,439 Speaker 2: I was going. No, you know, I don't me. You know, 2065 01:31:05,560 --> 01:31:09,280 Speaker 2: I don't go nowhere. He was with my man right Vaughan, 2066 01:31:09,520 --> 01:31:12,599 Speaker 2: and was like that nigga's not coming. Bro. He's like, nah, 2067 01:31:12,640 --> 01:31:14,000 Speaker 2: he said, he's only he pulling up right now. He 2068 01:31:14,080 --> 01:31:15,840 Speaker 2: was like, man, that nigga not coming. I was like 2069 01:31:15,880 --> 01:31:16,120 Speaker 2: all right. 2070 01:31:16,280 --> 01:31:17,400 Speaker 3: Once he told me, I was like, all right, I'm 2071 01:31:17,400 --> 01:31:18,760 Speaker 3: gonna show these niggas and I had to pull up. 2072 01:31:18,760 --> 01:31:21,280 Speaker 1: So when y'all get with y'all cool friends, rock Nations, 2073 01:31:21,360 --> 01:31:23,479 Speaker 1: Sean like, y'all get with y'all cool friends, y'all. 2074 01:31:23,320 --> 01:31:25,040 Speaker 2: Don't call me. Shown is in this office every time 2075 01:31:25,080 --> 01:31:27,439 Speaker 2: he's in the week and we've been in the party 2076 01:31:27,479 --> 01:31:30,800 Speaker 2: with Shawn together. Anyway, stop it, don't do that. I'll 2077 01:31:31,240 --> 01:31:35,200 Speaker 2: y'all be weird. So y'all ain't weirdest. I'll be weird. 2078 01:31:35,240 --> 01:31:36,120 Speaker 2: I'll be with my friends. 2079 01:31:36,160 --> 01:31:38,040 Speaker 1: When I'm with my friends with the fat asses, I 2080 01:31:38,080 --> 01:31:40,040 Speaker 1: don't call y'all chocolate. 2081 01:31:40,280 --> 01:31:42,240 Speaker 2: I'm gonna go to a wedding and find love Brownies. 2082 01:31:43,280 --> 01:31:45,000 Speaker 2: Brownies is out this weekend. I'm be with the light 2083 01:31:45,040 --> 01:31:46,120 Speaker 2: skin girls this weekend. 2084 01:31:47,040 --> 01:31:49,559 Speaker 3: Okay, I'm not mad at the liskin the lightskin queens. 2085 01:31:49,880 --> 01:31:51,519 Speaker 3: You know what I'm saying. We need variations, We need 2086 01:31:51,560 --> 01:31:54,320 Speaker 3: to you know, we need a whole spectrum shades and colors. 2087 01:31:54,360 --> 01:31:56,600 Speaker 2: We take them all. We don't discriminate who's out there 2088 01:31:56,600 --> 01:31:56,880 Speaker 2: from them. 2089 01:31:56,880 --> 01:31:59,360 Speaker 3: I said, we don't discriminate. We regulate every shaded ass. 2090 01:32:00,240 --> 01:32:01,920 Speaker 3: Punch said that in ninety it was at ninety eighty. 2091 01:32:02,479 --> 01:32:05,479 Speaker 2: Yeah, ninety seven. We don't discriminate. We regulate every shade 2092 01:32:05,520 --> 01:32:07,960 Speaker 2: of ass, period. That's a fact. All right, Well, we 2093 01:32:08,040 --> 01:32:10,120 Speaker 2: talked to y'all soon. Beef says, be blessed. I'm that nigga. 2094 01:32:10,120 --> 01:32:11,639 Speaker 2: He's just ginger. And this is America. 2095 01:32:12,000 --> 01:32:12,040 Speaker 1: W