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Speaker 1: Welcome to Stupidity, home of the greatest media mind ever

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Speaker 1: to walk the planet.

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Speaker 2: I tell you what, man, He's a literal titan across

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Speaker 2: the entire media landscape. Okay, shoot, here's a deal. He's

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Speaker 2: a true icon in every sense of the word. He's

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Speaker 2: loved and feared more than any being. To Grace's planet, there.

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Speaker 3: Got a bed with a voice that sounds like Verry White,

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Speaker 3: and be got to say, Hey, let's do it, baby.

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Speaker 1: God himself would pay thirty nine ninety nine for a cameo.

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Speaker 1: Fact of the matter is you are about to embark

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Speaker 1: on a transcendent experience that can only be described as

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Speaker 1: psychological nudity.

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Speaker 2: This is Stu Box and this is Stupidity. Here we go,

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Speaker 2: Jim Hody, Welcome in to another episode of Stupidity, the

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Speaker 2: biggest podcast in the world. Thanks to you. Please subscribe, rate,

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Speaker 2: ever review, unsubscribed, resubscribe, rerate, re review, do all that

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Speaker 2: good stuff because you have made us the biggest podcast

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Speaker 2: in the world. Mikey, we are in a tear right now.

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Speaker 2: We have gone three episodes, two episodes, three episodes. That's

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Speaker 2: eight episodes. I believe my math is correct. Over the

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Speaker 2: last three weeks and I'm pretty certain I botched all

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Speaker 2: of that. It was three to three too, I believe stupoity. Yeah,

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Speaker 2: I don't think you nailed that. Thanks Mike, Thanks Mike.

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Speaker 2: I am very excited. Mike, we are going to have

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Speaker 2: Kenny G on. Kenny G is a friend of mine.

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Speaker 2: He is a friend of the show. And this is

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Speaker 2: the first time though, I'm gonna talk to him Like

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Speaker 2: usually he comes on Mike and he just plays the

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Speaker 2: saxophone and doesn't really say much else. And this is

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Speaker 2: the first time I'm gonna let the audience gonna get

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Speaker 2: to know Kenny G a little bit. I'm very excited.

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Speaker 2: The reason I'm having him on Huge Golf Fan and

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Speaker 2: he's Kenny J. The only reasons.

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Speaker 4: Are you excited? I have to tell you my mother

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Speaker 4: in law is super excited. My mother in law super excited?

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Speaker 4: Is she really like overly excited? She had she had

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Speaker 4: to move and the one CD she had to grab

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Speaker 4: from her house was the Kenny G. Christmas Album because

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Speaker 4: it's the only thing that she plays at that time. Well,

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Speaker 4: I got so she is like over the I got

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Speaker 4: news for you.

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Speaker 2: If our demographic was mother in law's ages sixty and above,

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Speaker 2: we the ide Grant Slam Today Women's twenty five to ninety.

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Speaker 2: Listen before Kenny comes on, quick quick game of athletes

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Speaker 2: like anodea instrument. How about that? What do you got?

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Speaker 2: Let's do it, Let's do it. You go for really, Mike,

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Speaker 2: I own this game, Steve Sachs. How about that second

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Speaker 2: basement Dodge flutes, Doug Fluty, that's pretty good. Joe Horn,

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Speaker 2: how about that? Andre Drummond? Oh my god, Andre drumming

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Speaker 2: now a member of the Lakers. I don't know why

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Speaker 2: they need to throw that in, but I did. Okay,

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Speaker 2: So we have horn, we have drum we have sacks. Uh,

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Speaker 2: Frank Faiola, I mean sweet, Yeah, that is such a

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Speaker 2: good wikey be sweet music. H look at you, your

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Speaker 2: crestfallen friend. Oh man, that's a good one.

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Speaker 4: I can't even be. I thought I was going to

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Speaker 4: crush you with Drummond. Uh, I thought I was gonna

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Speaker 4: crush you with sacks. Tommy Tubberville. That's excellent, Mike. That

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Speaker 4: is I am not easily impressed. And you have never

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Speaker 4: looked sexier to me, Holy ship.

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Speaker 2: That was good. You haven't looked this sexy since you.

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Speaker 2: We did Athletes like an o golf and you pulled

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Speaker 2: out chip back to Kelly. Kelly, and it could have

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Speaker 2: been chipped back, could have been I was laughing on

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Speaker 2: today's show that my dad the Apple doesn't Fall far

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Speaker 2: from the tree, Okay. In this week's episode of The

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Speaker 2: Apple Doesn't Fall Far from the Tree, was calling that

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Speaker 2: zalad boris guy the German. I got dad, he's American.

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Speaker 2: He was born in California, Germany. No, he's not the German.

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Speaker 2: He looks like Bernhard Langer. By the way, gets Zaladors

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Speaker 2: on the podcast you got it, Matsuyama, get him on

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Speaker 2: the podcast with the interpreter. Okay, I'm serious because Billy

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Speaker 2: got a request and Billy said yes for zaladturs for

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Speaker 2: both guys for the champion ed Xaladoris. Billy said yes

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Speaker 2: to both. Okay, so I'm excited about that. Are you excited?

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Speaker 2: Are you excited? How? I don't care about what your

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Speaker 2: mother in law thinks as it relates to Kenny g Okay,

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Speaker 2: I want to know if mikey a he's excited about Kenny.

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Speaker 2: I am.

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Speaker 4: I am very excited, Okay, I just can't match her

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Speaker 4: level of excitement, like she's she's sending me questions and

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Speaker 4: the woman has yet never taken an interest in anything

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Speaker 4: I've ever done.

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Speaker 2: Professional would she liked to was zoom in and ask

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Speaker 2: Kenny G a question speaking.

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Speaker 4: Of my in laws, I gotta tell you a quick

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Speaker 4: thirty second thing before before Kenny G comes on. So

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Speaker 4: I was talking to my father in law and I

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Speaker 4: was mentioning how you would love to play Augusta. And

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Speaker 4: I was saying, you know, I'd probably take my father

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Speaker 4: in law first to play Augusta if I ever got asked,

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Speaker 4: and you second. And my father in law drops this

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Speaker 4: nugget on me. He's been asked to play several times.

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Speaker 4: He knows one of the big wigs up at Augusta,

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Speaker 4: and he has never gone.

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Speaker 2: The hell out of here.

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Speaker 4: He's he's been asked, like, yearly, get your father to

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Speaker 4: come down and play it Augusta.

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Speaker 2: Listen, forget about your fucking mother in law. Okay, get

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Speaker 2: your father in law on this goddamn podcast. Okay, and

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Speaker 2: ask him A why is he saying no? And B

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Speaker 2: why is he not kind of passed that gift alaw

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Speaker 2: to me. I'm seriously, I'm not saying I pay you

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Speaker 2: a lot, but I'm certainly giving you more than your

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Speaker 2: fucking father in law.

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Speaker 4: I mean, I'm gonna Stu Gots this thing, ste Gotts.

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Speaker 4: What do you give me to get you?

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Speaker 2: Okay now, okay, Thista, that's a heavy flying mikey A.

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Speaker 2: But listen, you are sexier now than you were four

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Speaker 2: minutes ago. Holy shit, you are?

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Speaker 4: You think about it and I'll ask you at the

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Speaker 4: end of the podcast.

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Speaker 2: Do you think, Kenny Kenny, do you think Kenny g

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Speaker 2: has ever played Augusta. I can't wait to ask him.

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Speaker 2: Just seeing you makes me happy. Kenny. I know you're busy,

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Speaker 2: and we'll try to rip through this. Kenny. So, mikey

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Speaker 2: A was just informing me that his father in law

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Speaker 2: has been invited to Augusta to play the course many

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Speaker 2: many times, says no every single time, and he was

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Speaker 2: asking me, okay, hey, now, this is very Stegatzian of him.

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Speaker 2: He asked me, Kenny, how much I would pay for

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Speaker 2: him to put me in touch with his father in

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Speaker 2: law and his father in law to get me on Augusta.

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Speaker 2: So I asked you, have you played Augusta? Kenny? You have?

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Speaker 3: I have you?

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Speaker 2: Motherfucker Jesus, he got that hair you got the sacks,

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Speaker 2: you got the money, you got the looks, and you

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Speaker 2: played Augusta. So, Kenny, since you play Augusta, and you

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Speaker 2: know how much I love golf, how much should I

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Speaker 2: be willing to pay Mikey a for access to his

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Speaker 2: father in law's friends at Augusta? Wow?

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Speaker 3: I mean, if is it a guarantee that when you

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Speaker 3: have access, you're going to be able to play?

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Speaker 2: Yes, yes, it's a guarantee.

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Speaker 3: Okay, okay, you know at least one thousand bucks.

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Speaker 2: One thousand dollars, Mikey, Will that get it done? I say,

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Speaker 2: as that will not get it done? You want more?

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Speaker 5: It's wrong you of course I want one. Listen, I'll

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Speaker 5: go play with Kenny for free. Mike, I mean, jesus,

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Speaker 5: I didn't hear Kenny. By the way, Kenny had to

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Speaker 5: shoot at Augusta.

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Speaker 3: Well, you know, listen at Augusta when you play there usually,

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Speaker 3: well I would played there once many us. So you

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Speaker 3: played for the members teas. The members teas are very

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Speaker 3: very short compared to what we just saw. So I

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Speaker 3: was one under on the front and I was like

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Speaker 3: three or four over on the back. So I think

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Speaker 3: I probably shot about a seventy four.

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Speaker 2: Kenny, here scratch golfer man.

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Speaker 3: Well, uh hey, speaking of Augusta, can I brag right

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Speaker 3: now to you? So and this is not name dropping,

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Speaker 3: but since we're since we're talking sports, my very good friend,

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Speaker 3: and I say this for real, Sergio Garcia is a

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Speaker 3: very good friend of mine. And I don't know it's

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Speaker 3: going to be next year or the year after. He

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Speaker 3: says that he's going to invite me to the day

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Speaker 3: when the when the champion can bring one guest to

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Speaker 3: play Augusta, and I think it's that week of the Masters.

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Speaker 3: So I think either next year or the year after,

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Speaker 3: I'm going to be his guest and the two of

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Speaker 3: us are going to play the Master Augusta again.

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Speaker 2: Oh my god. So you'll play Augusta with a Master's

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Speaker 2: champion that is Kenny?

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Speaker 3: How good?

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Speaker 2: How cool is your life? Kenny? I mean very cool?

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Speaker 2: Sergio Garcia and Kenny a couple of g's cutting it

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Speaker 2: up and Augusta.

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Speaker 3: It's going to be so much fun. I the problem is,

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Speaker 3: I'm I'm going to play the championship teas with him

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Speaker 3: because I got I just want to see what I

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Speaker 3: cheer and I just want to break a hundred. I

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Speaker 3: want to break a hundred from there. I think I can,

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Speaker 3: but you never know.

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Speaker 2: Oh, Kenny, I know you can. I mean you play

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Speaker 2: you played from the tips. You you probably usually play

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Speaker 2: from the tips, don't you?

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Speaker 3: Not in Augusta.

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Speaker 2: Not in Augusta.

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Speaker 3: That is, so you know how long whole number eleven is?

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Speaker 3: I don't know if I could reach the green in

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Speaker 3: two those guys are hitting the driver and then like

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Speaker 3: you know, wait.

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Speaker 2: So how far is it from the from where they play?

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Speaker 2: From where the members play? Do you remember?

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Speaker 3: I don't remember that particular hole, but I remember it

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Speaker 3: being really short and really easy to get like the

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Speaker 3: par fives were easy to get on into, and I

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Speaker 3: look that far compared to those guys. But there's eleven

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Speaker 3: is a really long hole. Ten is not easy? You

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Speaker 3: know that downhill? Why is not easy? It's very I

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Speaker 3: know everything about that.

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Speaker 2: It's very hilly and surprisingly hilly for a lot of people.

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Speaker 2: So you played it once and so that the time

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Speaker 2: you play with Sergio coming up in the future will

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Speaker 2: be your second time play in that course.

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Speaker 3: Well, I played it three times over a weekend, so

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Speaker 3: it'll be my fourth time.

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Speaker 2: Jesus Christ rating Kenny right, out by the way, can

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Speaker 2: you shove me in your bag? Or can I be

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Speaker 2: your caddy when you play with Guardcia?

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Speaker 3: But you know, I'm not sure it's going to work out. Bro,

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Speaker 3: I don't know.

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Speaker 4: My father in law is looking pretty good right about men.

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Speaker 4: HiT's up to five? Pass all right, Kenny? G with

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Speaker 4: us on see potty Kenny. I'm excited because I was

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Speaker 4: telling mikey A.

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Speaker 2: We've had you on your friend. You're a friend of

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Speaker 2: our show of course as well, but I've never really

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Speaker 2: had a real in depth, serious discussion with you. You've

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Speaker 2: come on, you play the Sacks. I asked you dumb

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Speaker 2: super Bowl question, and then we get you out of there.

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Speaker 2: And so I'm going to kind of I want our

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Speaker 2: audience to kind of get to know you a little bit.

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Speaker 2: So let's start here, Kenny, Why the Sacks? How'd you

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Speaker 2: fall in love with the saxophone? Okay?

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Speaker 3: Yeah, Well, when I was ten years old, I'd already

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Speaker 3: started piano lessons, which I did not like. My mother

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Speaker 3: was very much behind music lessons, and so I just

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Speaker 3: I quit piano. So that wasn't that wasn't like well received.

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Speaker 3: And so when I was ten, I was sitting there

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Speaker 3: watching TV and I saw a guy play a sax

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Speaker 3: solo and I told my mom, Hey, I think I

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Speaker 3: like to play that instrument, and so she goes, well,

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Speaker 3: you know, maybe we'll just ran it because you know,

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Speaker 3: with your history. She didn't say it like this in

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Speaker 3: these many words, but basically, you have a history of quitting.

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Speaker 3: So let's rent one and see what happens. But I

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Speaker 3: loved it the second I took that sax out of

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Speaker 3: the box. So that's how it started. Yeah, just I'm

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Speaker 3: seeing somebody on TV play a solo and I thought, wow,

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Speaker 3: that looks like fun.

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Speaker 2: So, Kenny, when did you know that you were so

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Speaker 2: good at playing that instrument that you could make a

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Speaker 2: living off of playing that instrument. Was there a moment

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Speaker 2: for you?

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Speaker 3: I think the moment was in high school when I

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Speaker 3: played with Barry White and the Love Unlimited Orchestra. So

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Speaker 3: picture the little white Jewish guy from Seattle with Barry

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Speaker 3: White's Love Unlimited Orchestra, Like, how and why would I

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Speaker 3: ever get that gig? But I got the gig.

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Speaker 2: Were you nervous? Now?

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Speaker 3: You know what? I think I was too young to

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Speaker 3: be and I need to be nervous. I'd be nervous.

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Speaker 2: Today young and dumb. Right, it's better being young and dumb. Kenny.

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Speaker 2: If I told you, I mean, you were one of

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Speaker 2: the best selling recording artist of all time. So if

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Speaker 2: I told you way back when, okay, back in high

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Speaker 2: school what your life would eventually turn into by playing

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Speaker 2: the saxophone, you would have told me what.

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Speaker 3: I would say that that's that doesn't sound like there's

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Speaker 3: much of a chance of that happening. I mean, honestly,

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Speaker 3: I never thought about it that way. It was really

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Speaker 3: and even today, the quest for me is just to

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Speaker 3: play this thing and get better and better. That's all

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Speaker 3: it's ever been. And for whatever reason, and I think

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Speaker 3: the reason is because it's so genuine that things have

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Speaker 3: opened up for me, because all I care about is

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Speaker 3: becoming really good at this thing and working hard at it.

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Speaker 3: And then the doors open and I go, okay, let

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Speaker 3: me try that. Let me go there. You know, Hey,

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Speaker 3: do you want a record contract? Oh? Sure, Clive Davis,

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Speaker 3: you want to sign me? Oh okay, I'll try that.

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Speaker 3: Hey you want to play on the Grammys, Sure, you

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Speaker 3: want to make an album? Okay, let's try that. And

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Speaker 3: it's just like keep going about.

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Speaker 2: The national anthem for Super Bowl let's go get it.

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Speaker 3: That's that's the thing that he should have had me

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Speaker 3: play it like at the at the super Bowl.

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Speaker 2: They should I think you should be playing at every

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Speaker 2: super Bowl. Where's the strangest place that saxophone has ever been, Kenny,

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Speaker 2: Let's see.

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Speaker 3: This guy. I wish your Creyah. Well, I can tell

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Speaker 3: you this when I first got it in nineteen seventy four,

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Speaker 3: I got this saxophone because I put an ad in

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Speaker 3: the paper, and I'll say, this is the old days.

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Speaker 3: So you're you're youngster's there. This was this is the

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Speaker 3: only way you could communicate it. You put an ad

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Speaker 3: in the paper and somebody saw the ad. Maybe they

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Speaker 3: saw it and maybe they was fined, which says wanted

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Speaker 3: soprano saxophone and my number, or actually my parents' home

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Speaker 3: home phone number. So this guy calls up and says, yeah,

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Speaker 3: I got a soprano saxophone three hundred bucks. I said great.

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Speaker 3: So I drove from Seattle down to Olympia, Washington, and

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Speaker 3: I gave the guy three hundred bucks. It was in

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Speaker 3: a green case. It was this saxophone. And I had

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Speaker 3: no idea that this was going to be like such

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Speaker 3: a prized kind of sex, because this is this is

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Speaker 3: a Selmer Mark six saxophone, and today if you found

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Speaker 3: anything like this on on online or anything, it's like

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Speaker 3: twenty grand.

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Speaker 2: Wow ish wow. So is that the one?

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Speaker 3: Nothing I care about that, right?

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Speaker 2: But is that the one you're still playing? You're using that? Really? Yeah?

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Speaker 3: Same one.

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Speaker 2: I feel like I feel like it's kind of like

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Speaker 2: my tailor made burner five wood that I have that

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Speaker 2: I just won't part with because I hit it so well.

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Speaker 3: No, no, bro, bro, get the sim too, get really

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Speaker 3: oh absolutely with golf clubs, if you're sentimental about a

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Speaker 3: golf club, you are definitely not maximizing your potential.

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Speaker 2: So you're telling me this is different.

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Speaker 3: This is like an old pair of genes that fits

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Speaker 3: perfectly that you don't need to get a new pair,

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Speaker 3: that's what.

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Speaker 2: But I only have that one five. That's it. It's

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Speaker 2: just the five when everything else here, He goes, go ahead,

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Speaker 2: play it, go ahead, you can do that.

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Speaker 3: But I just I just got the new tailor made

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Speaker 3: stuff and I'm super loving.

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Speaker 2: Yeah, I got the six that I love him. Go ahead.

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Speaker 3: Yeah, M six is I had the M six and

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Speaker 3: now I've got the SIM two. And with my SIM

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Speaker 3: two the other day on whole number two at where

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Speaker 3: I play, which is I never reach in two, I

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Speaker 3: reached into and I made an ego.

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Speaker 2: Wow.

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Speaker 3: Wow, yeah, God, after years and years and years, so

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Speaker 3: that the technology is it's real. I mean, I'm I'm

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Speaker 3: not any stronger than I was years ago, and I'm

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Speaker 3: not and I'm not any faster. So the technology allowed

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Speaker 3: me to do it.

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Speaker 2: Kenny, was there ever a time where you considered going

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Speaker 2: golf instead of the saxophone? Like you? I think you

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Speaker 2: could have been good enough to play on tour. No no,

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Speaker 2: you're shaking your head. No no, no, no, no no, no, no, no, no, no, listen,

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Speaker 2: I'm good. I'm not that good.

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Speaker 3: I was the captain of my high school golf tem

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Speaker 3: but we were the worst golf team. Work for worst

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Speaker 3: golf team in Seattle, in Seattle school disitor.

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Speaker 2: All right, Kenny, besides me asking you to perform for

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Speaker 2: my wife on a Valentine's Day episode of Stupodity, what's

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Speaker 2: the coolest celebrity request you've ever received?

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Speaker 3: Well, this one's okay, Well, this one's super easy.

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Speaker 2: You know.

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Speaker 3: It's that famous thing I did for Kanye West when

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Speaker 3: he asked me to play for for Kim with the

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Speaker 3: roses and the whole thing. That was, uh, that was

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Speaker 3: pretty great. And by the way, so I had never

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Speaker 3: met him before, that didn't I didn't know him. So

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Speaker 3: when I got the message, it was actually through a

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Speaker 3: couple of people, and then David Foster, the famous producer.

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Speaker 3: He then chimes in. He goes, hey, you know, Kanye's

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Speaker 3: trying to get ahold of you to do this, and

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Speaker 3: so I said, well, what should I do? He goes,

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Speaker 3: you know, you should do it. So that's when I

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Speaker 3: did it. I went over to his house, met him

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Speaker 3: for the very first time, and it was so much fun.

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Speaker 3: When they asked me for a bill, I told him

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Speaker 3: this is this is on the house, no charge.

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Speaker 2: And what would that bill have been?

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Speaker 3: I mean, I don't want to tell I don't want

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Speaker 3: to tell you. You know, if you need by the way, anyone,

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Speaker 3: if you need me, just go to cameo dot com.

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Speaker 2: He does have something to promote I do do you play?

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Speaker 2: Do you take saxophone? Request on Cameo?

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Speaker 3: I take any request on Cameo. So the last request

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Speaker 3: was I got was from the Canadian the Montreal Canadians,

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Speaker 3: the hockey team, and they said that they're playing like

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Speaker 3: celebrity things before they show the game, because it's all

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Speaker 3: virtual now as far as far as I think. And

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Speaker 3: they said, hey, can you play like the Canadian national anthem?

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Speaker 3: I said yeah, I just got to learn it.

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Speaker 4: So I learned it and play Send me the sheet music, Mike, No,

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Speaker 4: I'm going to buy a cameo for your music.

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Speaker 3: No, No, I remember every cameo I do. I memorize.

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Speaker 3: I never read. You know, cameo is great. It's got

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Speaker 3: a great app where you could actually see the words

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Speaker 3: on the screen. It's like a teleprompter.

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Speaker 2: Fantastic.

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Speaker 3: I never do that, though, I always have. I always

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Speaker 3: memorize it. So when I'm looking at the camera and

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Speaker 3: I'm doing my cameos, I'm saying it from from here

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Speaker 3: rather than reading, like Hello Mary, how are you?

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Speaker 2: I'm also on cameo, I get a ton of requests.

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Speaker 2: How do you think I do it? Kenny? Knowing me

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Speaker 2: the way you know me, you memorize it. You know,

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Speaker 2: I'm reading that thing word for word as I'm recording.

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Speaker 3: Yeah, well, I don't know how much How much do

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Speaker 3: you charge for your camera? You?

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Speaker 2: So I started like forty five dollars and they were

381
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Speaker 2: coming in so fast and furious because you know our audience, Ketty,

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00:18:14,480 --> 00:18:17,200
Speaker 2: like they're crazy people, right, I say that lovingly about

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Speaker 2: then then I raised it to one hundred and fifty

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Speaker 2: and it has slowed down a little bit, just a

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Speaker 2: little bit good. But I left it one hundred and fifty.

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Speaker 2: Where's your Is it like one hundred thousand?

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Speaker 5: No?

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Speaker 3: No, no, I started. I started at two hundred, right,

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Speaker 3: and I raised it to two ninety five, and I

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Speaker 3: think I'll just leave it there because I don't want

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Speaker 3: it to be too expensive. I see some of these

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Speaker 3: other guys that are like five hundred and six hundred

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Speaker 3: four fifty. I just think that for people, they really

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Speaker 3: want it, and it's a lot of money, you know.

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Speaker 3: So I think two ninety five seems about right for me.

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Speaker 3: And usually what I do is, you know, whatever they want.

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Speaker 3: If they asked me, can you play? Like somebody said

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Speaker 3: La Villon Rose, you know that famous song. I don't

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Speaker 3: know that song, so I had to go on. I

400
00:18:56,840 --> 00:18:59,040
Speaker 3: go on on YouTube. I see somebody sing it. I

401
00:18:59,080 --> 00:19:01,119
Speaker 3: write the notes down, rise a song, and then I

402
00:19:01,160 --> 00:19:02,720
Speaker 3: give it to him and I think it's I think

403
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Speaker 3: it's great.

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Speaker 2: I like doing it well worth the two R. I

405
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Speaker 2: know you are the best. I think so, Kenny. So

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Speaker 2: mikey A, his mother in law is like your biggest fan.

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Speaker 2: So I am gonna go to cameo when we're done.

408
00:19:13,280 --> 00:19:15,600
Speaker 2: I'm mikey A figure out what she wants, what song

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Speaker 2: she wants Kenny G to play? Okay, whatever message, I'm

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Speaker 2: gonna spend two ninety five on your cameo. Okay, you

411
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Speaker 2: have done so much for me an hour show. It's

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Speaker 2: the least I could do for you.

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Speaker 3: Okay, Yeah, but you know, you know, bro, you can

414
00:19:27,480 --> 00:19:29,199
Speaker 3: just text. Since you got my number, you could just

415
00:19:29,240 --> 00:19:31,240
Speaker 3: text me and I could just text you back to

416
00:19:31,280 --> 00:19:35,359
Speaker 3: the video at no charge. So that's okay. Well, you

417
00:19:35,359 --> 00:19:37,200
Speaker 3: can give that money to somebody that needs Okay.

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Speaker 2: Well, the beautiful thing about Kanye and Kim is they

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Speaker 2: were about to pay you a lot of money for

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Speaker 2: something you did for free on this podcast for me.

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Speaker 2: I mean, that was amazing by you. What was it?

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Speaker 2: Let be fun.

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Speaker 3: I'll look forward to doing it. You know, just just

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Speaker 3: make sure if you're gonna give me, give me lots

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Speaker 3: of good info so I can make the cameo really

426
00:19:54,480 --> 00:19:57,520
Speaker 3: good nicknames, things that have happened only that I would know.

427
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Speaker 3: Somebody told me. He goes, yeah, I want you to

428
00:19:59,720 --> 00:20:03,320
Speaker 3: give my father inlawt some some shit because he's got

429
00:20:03,320 --> 00:20:07,360
Speaker 3: a bikini picture of his wife that he shows to everybody,

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Speaker 3: and for fifty years she's been telling him not to

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Speaker 3: show it. So on the video, I go, hey, you

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Speaker 3: know Joe, listen, bro, you gotta shop stop showing that

433
00:20:15,080 --> 00:20:17,960
Speaker 3: bikini picture. But show it to me first, but after me, no,

434
00:20:18,240 --> 00:20:21,040
Speaker 3: don't show it ever again. And boys, she looks good.

435
00:20:21,240 --> 00:20:23,960
Speaker 3: You're like that kind of thing and this very personal

436
00:20:24,040 --> 00:20:24,320
Speaker 3: that way.

437
00:20:24,840 --> 00:20:27,600
Speaker 2: Use it for the cover of your next album. Exactly right. Oh,

438
00:20:28,080 --> 00:20:31,159
Speaker 2: that's what I would do, Kenny. What was Kim's reaction

439
00:20:31,240 --> 00:20:33,000
Speaker 2: when you started playing in that house? What was Kim

440
00:20:33,040 --> 00:20:34,280
Speaker 2: Kardashian's reaction to this?

441
00:20:36,040 --> 00:20:39,320
Speaker 3: The reaction was the immediate whipping out of the iPhone

442
00:20:39,440 --> 00:20:45,199
Speaker 3: and film. That's how things do. That's how things are

443
00:20:45,240 --> 00:20:48,480
Speaker 3: in the younger world. When there's something great happens, it's immediate,

444
00:20:48,560 --> 00:20:51,040
Speaker 3: let's film this. And so she just was walking around

445
00:20:51,040 --> 00:20:53,600
Speaker 3: filming me as I was looking, and I was watching

446
00:20:53,640 --> 00:20:55,320
Speaker 3: Kanye and he had this big grin on his face

447
00:20:55,359 --> 00:20:57,720
Speaker 3: and he was kind of looking like, hey, I set

448
00:20:57,760 --> 00:20:59,959
Speaker 3: this thing up. Isn't this cool? And she's just filming

449
00:21:00,080 --> 00:21:01,960
Speaker 3: and she's just enjoying. It was really fun.

450
00:21:03,400 --> 00:21:06,200
Speaker 2: I'm going to throw out I'm going to throw out

451
00:21:06,240 --> 00:21:08,000
Speaker 2: some u some names for you, and if you have

452
00:21:08,000 --> 00:21:09,639
Speaker 2: a quick story for each, that'd be great. And if

453
00:21:09,680 --> 00:21:11,480
Speaker 2: you don't, just pass it, we'll let do it out. Okay,

454
00:21:12,400 --> 00:21:15,160
Speaker 2: all right, Frank Sinatra, these are people you work with, obviously,

455
00:21:15,160 --> 00:21:15,880
Speaker 2: Frank Sinatra.

456
00:21:15,960 --> 00:21:19,280
Speaker 3: Yeah, Frank Frank Sinatra played on his first Duets album.

457
00:21:20,000 --> 00:21:23,199
Speaker 3: They sent me the tape. It was tape back then

458
00:21:23,240 --> 00:21:25,480
Speaker 3: sent me the tape. I listened to it. I called

459
00:21:25,480 --> 00:21:28,800
Speaker 3: Phil Ramone, the producer. I said, hey, Phil, when is

460
00:21:28,800 --> 00:21:31,199
Speaker 3: he going to do the final vocal? He goes, that

461
00:21:31,359 --> 00:21:36,480
Speaker 3: is the final vocal? I said, oh, I said, it

462
00:21:36,520 --> 00:21:39,960
Speaker 3: sounds great. It sounds great. Okay, Uh, where do you

463
00:21:39,960 --> 00:21:41,560
Speaker 3: want me to fill in the gaps? So, because like

464
00:21:41,560 --> 00:21:43,920
Speaker 3: I was thinking, because it honestly didn't sound that good

465
00:21:43,920 --> 00:21:45,960
Speaker 3: to me, honestly, and I say that with all the

466
00:21:45,960 --> 00:21:48,080
Speaker 3: respect in the world, but you know, it didn't sound

467
00:21:48,080 --> 00:21:50,200
Speaker 3: that great. And I thought, well, I don't want to

468
00:21:50,200 --> 00:21:52,680
Speaker 3: play on it unless I can get the final because

469
00:21:53,040 --> 00:21:56,480
Speaker 3: when I play something with a vocalist, i'm I'm really

470
00:21:56,720 --> 00:21:59,440
Speaker 3: like mixing my notes in just perfectly to where the

471
00:21:59,520 --> 00:22:02,000
Speaker 3: vocal is. So if he's going to sing something different,

472
00:22:02,080 --> 00:22:03,720
Speaker 3: I didn't want to pay unless I knew the final,

473
00:22:03,920 --> 00:22:05,320
Speaker 3: but that turned out to be the final, and I

474
00:22:05,400 --> 00:22:06,680
Speaker 3: just kind of had my foot in my mouth.

475
00:22:06,840 --> 00:22:09,800
Speaker 2: All right. That's that's a funny and good story. Whitney Houston.

476
00:22:11,040 --> 00:22:13,760
Speaker 3: Whitney Houston. Okay, there you go, Whitney Houston.

477
00:22:13,800 --> 00:22:16,080
Speaker 2: Here you did some research, Kenny, I did some research

478
00:22:16,119 --> 00:22:16,679
Speaker 2: your FRESD.

479
00:22:18,960 --> 00:22:22,240
Speaker 3: So, so nineteen eighty seven, Whitney's doing her first world

480
00:22:22,240 --> 00:22:26,400
Speaker 3: tour right because she's on Arista Records. I'm on Arister Records.

481
00:22:26,400 --> 00:22:29,600
Speaker 3: They're they're going crazy. They got their two big artists

482
00:22:29,960 --> 00:22:33,119
Speaker 3: and so they so I'm going to be your opening act. Okay,

483
00:22:33,280 --> 00:22:36,119
Speaker 3: So if you ever ever come to my show, I start.

484
00:22:36,160 --> 00:22:38,920
Speaker 3: My show's in the audience. I start, and I walk

485
00:22:38,920 --> 00:22:41,760
Speaker 3: in the audience and I play, and we get that

486
00:22:41,880 --> 00:22:44,320
Speaker 3: wall broken down, and then I got back on stage

487
00:22:44,359 --> 00:22:47,280
Speaker 3: and everybody's happy and went on a good show. So

488
00:22:47,720 --> 00:22:49,719
Speaker 3: they saw me do this, and they say, say, they

489
00:22:49,760 --> 00:22:51,920
Speaker 3: came to me the first date. They said, listen, we

490
00:22:51,960 --> 00:22:53,880
Speaker 3: know you walk in the audience. Can't do that with Whitney.

491
00:22:54,040 --> 00:22:56,359
Speaker 3: I said, why can't I do that with Whitney? Insurance

492
00:22:56,600 --> 00:23:00,919
Speaker 3: can't have you in the audience. Another thing, when Whitney

493
00:23:00,920 --> 00:23:02,600
Speaker 3: comes out of her dressing room, none of you guys

494
00:23:02,640 --> 00:23:04,000
Speaker 3: can be in the in the hallway. You have to

495
00:23:04,000 --> 00:23:07,480
Speaker 3: be she needs she can't see anybody. I said, oh, okay.

496
00:23:07,160 --> 00:23:07,879
Speaker 2: Cool, all right.

497
00:23:07,920 --> 00:23:10,119
Speaker 3: So I went back to my band and I said, guys,

498
00:23:10,200 --> 00:23:16,600
Speaker 3: we're gonna get fired tonight. This is gonna be our

499
00:23:16,680 --> 00:23:21,080
Speaker 3: first and last gig with Whitney Houston. I said, So

500
00:23:21,840 --> 00:23:24,360
Speaker 3: the opening thing comes out, I'm in the audience, and

501
00:23:24,400 --> 00:23:26,320
Speaker 3: I'm milk, and I'm in the audience longer than I've

502
00:23:26,320 --> 00:23:29,200
Speaker 3: been in the audience ever. And I finished my set

503
00:23:29,359 --> 00:23:31,480
Speaker 3: and the guy comes back to me, goes his her

504
00:23:31,480 --> 00:23:35,200
Speaker 3: tour manager, big big, big guy named Tony, goes, listen, bro,

505
00:23:35,560 --> 00:23:37,560
Speaker 3: we're gonna have a talk after this. So I'm gonna

506
00:23:37,560 --> 00:23:39,240
Speaker 3: get her on stage and that's it. You know, you're

507
00:23:39,359 --> 00:23:41,960
Speaker 3: out of here. I said, okay. And then so and

508
00:23:42,000 --> 00:23:44,000
Speaker 3: I said, guys, listen, Whitney's about to come out of

509
00:23:44,000 --> 00:23:45,919
Speaker 3: her address room. That's all. Get out in the hallway

510
00:23:45,960 --> 00:23:49,840
Speaker 3: and tell her good show. He comes out of her

511
00:23:49,920 --> 00:23:52,440
Speaker 3: dressing room and We're all standing there and the guys

512
00:23:52,440 --> 00:23:54,360
Speaker 3: are giving me this look like I thought, I told

513
00:23:54,400 --> 00:23:56,399
Speaker 3: you not to be in the in the hallway, and

514
00:23:56,440 --> 00:23:58,800
Speaker 3: I go, hey, Whitney, Hey, it's great being on tour

515
00:23:58,840 --> 00:24:00,720
Speaker 3: with you. Have fun. It's great, and bah blah blas

516
00:24:00,840 --> 00:24:02,720
Speaker 3: we do all that, and then I get taken into

517
00:24:02,760 --> 00:24:06,160
Speaker 3: the office and chewed out like nobody's been chewed out before.

518
00:24:07,520 --> 00:24:10,320
Speaker 3: You're proud of that story, geddy, I am, and so,

519
00:24:10,600 --> 00:24:13,399
Speaker 3: and I said, I said, listen, here's the thing. Fire

520
00:24:13,480 --> 00:24:16,480
Speaker 3: me now, or let me do the show that I

521
00:24:16,520 --> 00:24:18,679
Speaker 3: want to do, and don't treat us like we're like

522
00:24:18,720 --> 00:24:21,480
Speaker 3: second class citizen. So you figure that out. I'm happy

523
00:24:21,520 --> 00:24:23,959
Speaker 3: for this to be our last gig. And then they

524
00:24:24,320 --> 00:24:26,280
Speaker 3: came back to me like an how and they go,

525
00:24:26,440 --> 00:24:28,800
Speaker 3: it's all right. We worked out with the insurance Company's cool.

526
00:24:29,680 --> 00:24:34,679
Speaker 2: You're fucking Kenny, yeah, DG.

527
00:24:34,840 --> 00:24:38,120
Speaker 3: And then we did like sixty shows together. And by

528
00:24:38,160 --> 00:24:40,800
Speaker 3: the way, on her record, I had played a saxe

529
00:24:40,960 --> 00:24:43,160
Speaker 3: on one of her songs that she plays every night,

530
00:24:43,359 --> 00:24:45,800
Speaker 3: and she's got her sax player playing it and he's

531
00:24:45,800 --> 00:24:47,880
Speaker 3: not playing it anywhere near the way I played it

532
00:24:48,119 --> 00:24:51,199
Speaker 3: from the first night, he said, Whitney I will be

533
00:24:51,240 --> 00:24:53,359
Speaker 3: glad to wait around and come and sit in with

534
00:24:53,440 --> 00:24:56,920
Speaker 3: you and play that song. It'll be great, man, great.

535
00:24:56,920 --> 00:25:01,080
Speaker 3: We're gonna do it sixty shows later at Madison Square

536
00:25:01,119 --> 00:25:03,520
Speaker 3: Garden because Clive Davis was going to be there in

537
00:25:03,560 --> 00:25:06,160
Speaker 3: all the eras of people. Then I get the chance

538
00:25:06,200 --> 00:25:07,959
Speaker 3: to do it. And I got to tell you this,

539
00:25:08,320 --> 00:25:11,560
Speaker 3: being on stage with her, having her like inches from me,

540
00:25:12,040 --> 00:25:14,920
Speaker 3: singing to me for it was that song that goes

541
00:25:15,520 --> 00:25:19,600
Speaker 3: live for the love of You, Da Da Da Da Da,

542
00:25:20,200 --> 00:25:22,920
Speaker 3: that Issy Brothers song. I'm telling you, bro, I could

543
00:25:23,000 --> 00:25:25,959
Speaker 3: not even play my sacks. I was melting. It was

544
00:25:26,080 --> 00:25:30,800
Speaker 3: She's so good, she was so amazing, And I thought, God,

545
00:25:30,920 --> 00:25:33,159
Speaker 3: darn it, why can't we do this more often? But

546
00:25:33,280 --> 00:25:35,560
Speaker 3: it was once it You've.

547
00:25:35,280 --> 00:25:38,480
Speaker 2: You've played with Sinatra, You've played with Aretha Franklin. I

548
00:25:38,560 --> 00:25:41,199
Speaker 2: know it was brief Whitney, so many people, it was

549
00:25:41,760 --> 00:25:44,240
Speaker 2: playing with Whitney the most in awe you've ever been

550
00:25:44,359 --> 00:25:45,640
Speaker 2: playing with someone on stage.

551
00:25:46,720 --> 00:25:51,240
Speaker 3: It was that moment. Yeah, she she that voice of

552
00:25:51,280 --> 00:25:55,639
Speaker 3: hers incredible, she's she was unbelievable and just and that

553
00:25:55,720 --> 00:25:57,879
Speaker 3: face she had such a beautiful face, just having that

554
00:25:57,960 --> 00:25:59,440
Speaker 3: like she was looking at me and I thought, Okay,

555
00:25:59,760 --> 00:26:02,680
Speaker 3: we're to make love later for sure.

556
00:26:05,080 --> 00:26:09,680
Speaker 2: Unfortunately she wasn't thinking the same, right, Yeah, she wasn't

557
00:26:09,680 --> 00:26:13,280
Speaker 2: thinking do you have a good Tiger Woods story?

558
00:26:13,320 --> 00:26:16,160
Speaker 3: And yet oh, okay, tiger Woods.

559
00:26:17,000 --> 00:26:21,200
Speaker 2: Every time you're about to he was about to play something.

560
00:26:22,280 --> 00:26:25,040
Speaker 3: No, no, I'm I'm just keeping the red wet just

561
00:26:25,040 --> 00:26:26,560
Speaker 3: in case he asked me to play something if the

562
00:26:26,640 --> 00:26:32,160
Speaker 3: reeds drives this out. Crap. Okay, So Tiger Woods. I've

563
00:26:32,160 --> 00:26:36,399
Speaker 3: played golf for them five times, and every time he's

564
00:26:36,440 --> 00:26:38,840
Speaker 3: been great. He is so great to play with because

565
00:26:39,440 --> 00:26:42,960
Speaker 3: he is the ultimate smart ass. He really is. Let's

566
00:26:42,960 --> 00:26:45,040
Speaker 3: see what happened with Tiger Woods. Tiger Woods.

567
00:26:45,160 --> 00:26:45,600
Speaker 2: He's ok.

568
00:26:45,680 --> 00:26:48,960
Speaker 3: He's a wise sho. He's a wise ass. So we're

569
00:26:49,000 --> 00:26:52,800
Speaker 3: playing h first hole. I've got a birdie putt. He's

570
00:26:52,800 --> 00:26:55,160
Speaker 3: got a birdie putt. I missed mine. He makes his.

571
00:26:55,400 --> 00:26:57,240
Speaker 3: He looks up at me and goes, you know why

572
00:26:57,240 --> 00:27:00,200
Speaker 3: I made my pot? I go no, I go, well,

573
00:27:00,200 --> 00:27:02,040
Speaker 3: you only got one letter. I said, what do you mean?

574
00:27:02,040 --> 00:27:04,760
Speaker 3: Were you g I said yeah, and what about you?

575
00:27:04,760 --> 00:27:07,000
Speaker 3: He goes, I'm three letters? He goes what I go?

576
00:27:07,080 --> 00:27:07,240
Speaker 4: Why?

577
00:27:07,320 --> 00:27:14,200
Speaker 3: He goes, p r O BRO I said, I said,

578
00:27:14,359 --> 00:27:18,000
Speaker 3: is that supposed to be funny, right?

579
00:27:18,920 --> 00:27:20,480
Speaker 2: Because it was my ondly funny. But you got to

580
00:27:20,520 --> 00:27:22,160
Speaker 2: give a little extra laugh for Tiger, right.

581
00:27:22,640 --> 00:27:26,520
Speaker 3: He's no, No, he's he's great. He's you know, he's

582
00:27:26,560 --> 00:27:30,159
Speaker 3: generous with like golf tips, and he's easy to talk to. Uh,

583
00:27:30,280 --> 00:27:32,080
Speaker 3: you just can't be intimidated by him, because if you're

584
00:27:32,080 --> 00:27:36,120
Speaker 3: intimidated by him, he he doesn't like it. So for example,

585
00:27:36,119 --> 00:27:37,679
Speaker 3: we up at the AT and T when I used

586
00:27:37,720 --> 00:27:40,000
Speaker 3: to play in the In that tournament, I'm putting like

587
00:27:40,000 --> 00:27:42,760
Speaker 3: I'm practicing my putting and I'm concentrating. All of a sudden,

588
00:27:43,040 --> 00:27:46,640
Speaker 3: I feel somebody's hand on my head and he says,

589
00:27:46,680 --> 00:27:48,439
Speaker 3: don't move your head. And I look up its Tiger

590
00:27:48,840 --> 00:27:51,080
Speaker 3: and go, don't you have something better to do than

591
00:27:51,119 --> 00:27:54,080
Speaker 3: to pay attention to my putting? He goes, no, I'm

592
00:27:54,080 --> 00:27:56,199
Speaker 3: trying to help you out. Don't move your head like

593
00:27:56,240 --> 00:27:59,080
Speaker 3: I said. I said, Hey, that feels good. I go, hey,

594
00:27:59,119 --> 00:28:01,080
Speaker 3: why don't you and I have a contest? He goes, great,

595
00:28:01,119 --> 00:28:04,600
Speaker 3: ten dollars a hole. I said sure, So nine holes later,

596
00:28:05,040 --> 00:28:07,520
Speaker 3: I only lost twenty bucks. I'm thinking this is the

597
00:28:07,520 --> 00:28:09,800
Speaker 3: big best thing of all time. So I go to

598
00:28:09,800 --> 00:28:12,560
Speaker 3: give him the twenty, and he goes, that's okay, just

599
00:28:12,680 --> 00:28:13,960
Speaker 3: you can know it to me, no problem, and so

600
00:28:14,119 --> 00:28:17,240
Speaker 3: I'm really proud of that. Later on, I'm walking around

601
00:28:17,240 --> 00:28:19,520
Speaker 3: and I see his coach, Butch harmon and I tell

602
00:28:19,560 --> 00:28:22,159
Speaker 3: him the story and he goes, Tiger loves everybody to

603
00:28:22,200 --> 00:28:25,160
Speaker 3: ow him money. He just wants it over the money.

604
00:28:25,359 --> 00:28:27,560
Speaker 3: I said, ah, man, he goes. He goes, here's what

605
00:28:27,600 --> 00:28:30,880
Speaker 3: you do tomorrow. When you see him, run up to him,

606
00:28:31,080 --> 00:28:33,959
Speaker 3: take the twenty, stick it in his pocket, look him

607
00:28:33,960 --> 00:28:34,680
Speaker 3: in the eyes and go.

608
00:28:34,880 --> 00:28:38,720
Speaker 2: Tiger, fuck you, Please tell me you did it.

609
00:28:38,920 --> 00:28:42,200
Speaker 3: I go I go, come on, man, I can't do that.

610
00:28:43,040 --> 00:28:44,880
Speaker 3: I'm nervous thinking by. He goes, now, you got to

611
00:28:44,880 --> 00:28:46,440
Speaker 3: do it. I said, okay, I'll do it. So the

612
00:28:46,480 --> 00:28:49,280
Speaker 3: next day I'm putting and then I see Tiger coming

613
00:28:49,360 --> 00:28:51,520
Speaker 3: walking by. Goes hey, Kenny. I go hey, Tiger. He goes, hey,

614
00:28:51,560 --> 00:28:53,760
Speaker 3: how's a putting coming? I said, oh, thanks for the tips,

615
00:28:53,840 --> 00:28:56,560
Speaker 3: it's been great. And he walks away. Now Butch Harmonist

616
00:28:56,920 --> 00:28:58,719
Speaker 3: coach is going do it.

617
00:28:58,760 --> 00:28:59,000
Speaker 2: Do it.

618
00:28:59,120 --> 00:29:02,560
Speaker 3: So I'm I'm nervous telling you the story. So I

619
00:29:02,760 --> 00:29:05,800
Speaker 3: run behind him. I'm behind him. I stick my hand

620
00:29:05,840 --> 00:29:08,840
Speaker 3: in his bugget with the twenty. I said, here's your twenty, Tiger,

621
00:29:09,160 --> 00:29:13,400
Speaker 3: fuck you, and he turns around and he goes, that

622
00:29:13,520 --> 00:29:14,040
Speaker 3: was awesome.

623
00:29:17,280 --> 00:29:20,640
Speaker 2: I love the tiger cares more about you owing him

624
00:29:20,680 --> 00:29:23,720
Speaker 2: money than actually collecting. That is so h that is fantastic.

625
00:29:23,760 --> 00:29:28,479
Speaker 2: He's great. He's very Yes, do you have is there

626
00:29:28,480 --> 00:29:30,520
Speaker 2: a Phil Micholson story that you have? Because Phil would

627
00:29:30,520 --> 00:29:33,480
Speaker 2: have taken that twenty Phil.

628
00:29:33,680 --> 00:29:36,960
Speaker 3: Okay, So Phil and I we're we're partnered together at

629
00:29:36,960 --> 00:29:39,240
Speaker 3: the AT and T and by the way, we won

630
00:29:39,920 --> 00:29:43,400
Speaker 3: that tournament we have so my name's on the plaque

631
00:29:43,400 --> 00:29:46,400
Speaker 3: there with Phil. So he's just he's fantastic. What a

632
00:29:46,400 --> 00:29:49,680
Speaker 3: great part of what a great golfer. But yes, he

633
00:29:49,880 --> 00:29:53,360
Speaker 3: is all about betting, like he'll he'll bet anything about anything,

634
00:29:53,440 --> 00:29:55,840
Speaker 3: like we're on the whole number seven and he goes

635
00:29:56,880 --> 00:29:59,640
Speaker 3: see who can throw the ball closer to the to

636
00:29:59,720 --> 00:30:01,800
Speaker 3: the of the thing for one hundred dollars and I going, bro,

637
00:30:01,920 --> 00:30:05,400
Speaker 3: I'm just gonna lose a hundred bucks anyway. He loves

638
00:30:05,400 --> 00:30:07,640
Speaker 3: to bet. But boy, he's a really really nice guy.

639
00:30:08,040 --> 00:30:10,560
Speaker 3: I'm friends with him and his family. What a good guy.

640
00:30:11,520 --> 00:30:14,640
Speaker 3: I can't say anything any more nice things about about Phil.

641
00:30:14,840 --> 00:30:15,640
Speaker 3: I love film film.

642
00:30:15,960 --> 00:30:18,320
Speaker 2: Yeah, we had we had his caddy Bones on last

643
00:30:18,360 --> 00:30:20,440
Speaker 2: week and he was fantastic, just told some great stories,

644
00:30:20,520 --> 00:30:22,560
Speaker 2: legendary stories about him, gambling.

645
00:30:22,240 --> 00:30:25,120
Speaker 3: Bones and Bones was there. We would go out to

646
00:30:25,160 --> 00:30:27,280
Speaker 3: dinner and we talk about what we're gonna do the

647
00:30:27,320 --> 00:30:31,200
Speaker 3: next day, and Bones was there. Here's my only grite

648
00:30:31,240 --> 00:30:33,840
Speaker 3: with good film, my only grit. Okay, whole number seven

649
00:30:33,920 --> 00:30:37,520
Speaker 3: at Pebble, that famous hole, par three. Okay, I have

650
00:30:37,560 --> 00:30:39,520
Speaker 3: a two and a half through a three foot putt

651
00:30:39,560 --> 00:30:42,680
Speaker 3: for par he's got a two. Uh, he's got a

652
00:30:43,920 --> 00:30:48,640
Speaker 3: three foot like eight inch putt for Birdie, same exact line.

653
00:30:48,680 --> 00:30:50,760
Speaker 3: And I go up to Bones. I, hey, Bones, let

654
00:30:50,800 --> 00:30:53,040
Speaker 3: me putt first. I'll show you the line. He goes,

655
00:30:53,160 --> 00:31:01,800
Speaker 3: that's okay. We're good. We're good film misses. Yeah. No, no, no,

656
00:31:02,040 --> 00:31:02,640
Speaker 3: we're a team.

657
00:31:02,760 --> 00:31:08,200
Speaker 2: We want a movie. We don't want the I said.

658
00:31:08,360 --> 00:31:11,920
Speaker 3: I said, like, come on, it can't do anything but

659
00:31:12,080 --> 00:31:14,160
Speaker 3: help you. Why wouldn't you want to take me up

660
00:31:14,160 --> 00:31:15,920
Speaker 3: on that? I didn't like that. That was that was

661
00:31:16,040 --> 00:31:19,040
Speaker 3: I didn't like that that one, that one stroke would

662
00:31:19,040 --> 00:31:22,360
Speaker 3: have caught us into first place all by ourselves, rather

663
00:31:22,440 --> 00:31:25,520
Speaker 3: than time with Tiger Woods and his partner.

664
00:31:25,720 --> 00:31:31,160
Speaker 2: You'll forget about that. Please say no, no, I trust me.

665
00:31:31,440 --> 00:31:34,719
Speaker 3: He phil forgot about that the second the second aft.

666
00:31:35,680 --> 00:31:38,080
Speaker 3: But that I mean, nobody's thinking about that I'm doing.

667
00:31:38,320 --> 00:31:40,360
Speaker 2: But like seriously feels so good that he doesn't want

668
00:31:40,400 --> 00:31:42,680
Speaker 2: your lying Like that's absurd.

669
00:31:42,880 --> 00:31:46,320
Speaker 3: You know, honestly, I get it. It's like if you

670
00:31:46,400 --> 00:31:49,880
Speaker 3: see an amateur putt and maybe they maybe they hit

671
00:31:49,920 --> 00:31:52,400
Speaker 3: the putt with a little slice or a little little

672
00:31:52,480 --> 00:31:55,800
Speaker 3: draw or something and the ball rolls. Sometimes you can't

673
00:31:55,840 --> 00:31:58,400
Speaker 3: tell me what's really gonna happen. So I can understand that.

674
00:31:58,440 --> 00:32:01,240
Speaker 3: But I would think after three days and watching me putt,

675
00:32:01,440 --> 00:32:04,000
Speaker 3: since I was putting so well, you're gonna know I'm

676
00:32:04,040 --> 00:32:05,800
Speaker 3: gonna put a good role on it. I'm gonna show

677
00:32:05,800 --> 00:32:06,920
Speaker 3: you the line anyway.

678
00:32:06,960 --> 00:32:10,760
Speaker 2: I like that. I can know I am wondering, and

679
00:32:10,800 --> 00:32:11,880
Speaker 2: we'll get you out of here in a minute. You've

680
00:32:11,880 --> 00:32:15,280
Speaker 2: been very gracious with your time, as usual, being from Washington.

681
00:32:15,320 --> 00:32:17,880
Speaker 2: Have you ever played, uh or done anything with any better?

682
00:32:17,960 --> 00:32:23,320
Speaker 2: Pearl Jamo Okay, never met him. Is there someone you

683
00:32:23,360 --> 00:32:26,960
Speaker 2: haven't worked with that you're dying to work with? Paul McCartney,

684
00:32:27,080 --> 00:32:29,720
Speaker 2: Really I want I.

685
00:32:29,640 --> 00:32:32,200
Speaker 3: Want him to call me and just say, hey, let's

686
00:32:32,600 --> 00:32:34,760
Speaker 3: play a solo on this new song that I did,

687
00:32:35,120 --> 00:32:37,880
Speaker 3: come come to England and record it in my studio,

688
00:32:38,040 --> 00:32:40,360
Speaker 3: or even better yet, just send me the send me

689
00:32:40,400 --> 00:32:43,600
Speaker 3: the tape. I'll do it like strength.

690
00:32:44,800 --> 00:32:46,560
Speaker 2: Have you tried, like how does this work with you? Kenny?

691
00:32:46,560 --> 00:32:50,520
Speaker 2: Have you tried to get in touch with McCartney as that? No? Nothing, No,

692
00:32:50,720 --> 00:32:51,120
Speaker 2: I haven't.

693
00:32:51,160 --> 00:32:53,160
Speaker 3: I should, I should actually try to reach out. But

694
00:32:54,280 --> 00:32:56,640
Speaker 3: you know in the studio here, it's really I can

695
00:32:56,640 --> 00:32:59,120
Speaker 3: do anything, uh, and it's easy and it's better for

696
00:32:59,160 --> 00:33:00,920
Speaker 3: me if I if no one's I can, I can

697
00:33:00,960 --> 00:33:02,800
Speaker 3: fine tune all my partsy like I did with the

698
00:33:02,800 --> 00:33:05,160
Speaker 3: Weekend when he asked me to play on on his song,

699
00:33:06,000 --> 00:33:09,680
Speaker 3: like I said, okay, send me the tracks and let

700
00:33:09,680 --> 00:33:11,719
Speaker 3: me let me see. And so I I was in

701
00:33:11,760 --> 00:33:13,920
Speaker 3: here and I spent a few hours figuring out what

702
00:33:13,960 --> 00:33:15,440
Speaker 3: I wanted to do, and I sent it to him

703
00:33:15,800 --> 00:33:18,400
Speaker 3: and he only had like a little tiny comment about

704
00:33:18,400 --> 00:33:21,520
Speaker 3: fixing something. And it was really easier, much better than

705
00:33:21,560 --> 00:33:24,320
Speaker 3: if I would have went and worked with somebody, only

706
00:33:24,400 --> 00:33:25,400
Speaker 3: I would have taken away long.

707
00:33:26,240 --> 00:33:28,760
Speaker 2: If I get Paul McCartney, if I get you in

708
00:33:28,800 --> 00:33:31,719
Speaker 2: touch with Paul McCartney. Will you get Tiger Woods and

709
00:33:31,760 --> 00:33:32,880
Speaker 2: Phil on this podcast?

710
00:33:35,880 --> 00:33:40,360
Speaker 3: Okay? I could probably get Phil on, but Tiger I don't.

711
00:33:40,520 --> 00:33:42,719
Speaker 3: I don't have Tiger's number, but I have Phil, but

712
00:33:42,760 --> 00:33:43,320
Speaker 3: not Tigers.

713
00:33:43,320 --> 00:33:47,560
Speaker 4: Okay, all right, fine Phil and Augusta.

714
00:33:48,200 --> 00:33:51,200
Speaker 3: Hey, I can get you Sergio for sure, don I

715
00:33:51,200 --> 00:33:51,760
Speaker 3: would love that.

716
00:33:51,760 --> 00:33:53,320
Speaker 2: That would be you want to co host this goddamn

717
00:33:53,400 --> 00:33:55,440
Speaker 2: thing with Oh yeah.

718
00:33:55,280 --> 00:33:59,440
Speaker 3: I would. By the way, Sergio is so funny. By

719
00:33:59,440 --> 00:34:02,480
Speaker 3: the way, he is a really good joke teller. Okay,

720
00:34:02,920 --> 00:34:04,960
Speaker 3: you wouldn't know that about it. He's a great joke.

721
00:34:05,000 --> 00:34:06,920
Speaker 2: Tell Kenny, if you were down, I will have you

722
00:34:06,960 --> 00:34:08,640
Speaker 2: co host this thing once a month, if you have

723
00:34:08,680 --> 00:34:10,440
Speaker 2: the time, once a month, me and you will co

724
00:34:10,520 --> 00:34:12,600
Speaker 2: host this thing together and bring guest on. Okay, and

725
00:34:12,680 --> 00:34:13,640
Speaker 2: I'll get you McCartney.

726
00:34:13,680 --> 00:34:16,920
Speaker 3: All right, I'll do that, and I'll ask questions that

727
00:34:16,920 --> 00:34:18,640
Speaker 3: will be so much better than yours.

728
00:34:19,840 --> 00:34:24,239
Speaker 2: That's not hard, that's not hard. The Grateful Dead. Have

729
00:34:24,280 --> 00:34:26,000
Speaker 2: you ever played any done anything with a dead Are

730
00:34:26,000 --> 00:34:28,200
Speaker 2: you a Dead fan? No?

731
00:34:28,200 --> 00:34:30,840
Speaker 3: No, I mean I'm not. I'm not anti Dad, but

732
00:34:30,880 --> 00:34:32,359
Speaker 3: I just don't. I'm not pro debt.

733
00:34:32,400 --> 00:34:33,799
Speaker 2: So how long would it take you to learn like

734
00:34:33,840 --> 00:34:35,799
Speaker 2: a dead song, like if I if I, because I

735
00:34:35,800 --> 00:34:37,279
Speaker 2: love the debt. It's the only band that I love.

736
00:34:37,360 --> 00:34:38,960
Speaker 2: So I'm just like, how long would that take you?

737
00:34:40,880 --> 00:34:42,880
Speaker 3: I mean, I don't know, Okay, ten minutes.

738
00:34:43,160 --> 00:34:48,600
Speaker 2: Get come on genius, all right? Next time, I'm gonna

739
00:34:48,600 --> 00:34:51,360
Speaker 2: do next time. Next time you co host with me,

740
00:34:51,480 --> 00:34:53,719
Speaker 2: I am going to uh. I am going to give

741
00:34:53,719 --> 00:34:55,360
Speaker 2: you some Dead songs to try to to try to

742
00:34:55,360 --> 00:34:56,919
Speaker 2: play on the air because it's my favorite band.

743
00:34:57,719 --> 00:34:59,200
Speaker 3: As long as they as long as they have some

744
00:34:59,520 --> 00:35:01,440
Speaker 3: sort of a melody that I can actually hear a

745
00:35:01,520 --> 00:35:03,400
Speaker 3: melody line, I can I can learn it.

746
00:35:03,440 --> 00:35:05,480
Speaker 2: And you see, we're gonna get you out here. We

747
00:35:05,480 --> 00:35:07,680
Speaker 2: have a quick game to G or not to g

748
00:35:08,160 --> 00:35:13,160
Speaker 2: that is that is the question to G or G yes?

749
00:35:13,239 --> 00:35:15,960
Speaker 2: And then we will and then we and then Mike,

750
00:35:16,040 --> 00:35:17,640
Speaker 2: think of the song that you would like Kenny to

751
00:35:17,640 --> 00:35:19,879
Speaker 2: play because he has that saxon and and I don't

752
00:35:20,000 --> 00:35:21,719
Speaker 2: waste the opportunity. I don't know if it's taken me

753
00:35:21,719 --> 00:35:23,000
Speaker 2: out to the I don't know what it is, Mike,

754
00:35:23,040 --> 00:35:24,200
Speaker 2: but just think of something, all right.

755
00:35:24,880 --> 00:35:27,680
Speaker 3: Yeah, by the way, yeah, if you if I don't

756
00:35:27,719 --> 00:35:29,080
Speaker 3: know what I can take, I can take it. The

757
00:35:29,120 --> 00:35:29,920
Speaker 3: best I can, but.

758
00:35:30,000 --> 00:35:32,960
Speaker 4: I might want to hear that Levon Rose there you go.

759
00:35:33,480 --> 00:35:36,080
Speaker 3: Oh gosh, But I only memorize it for the fact

760
00:35:36,200 --> 00:35:36,800
Speaker 3: that cameo.

761
00:35:37,400 --> 00:35:38,200
Speaker 2: I'll think of something.

762
00:35:51,280 --> 00:35:52,919
Speaker 3: Wait, let me let me make it sound better.

763
00:35:52,960 --> 00:35:56,600
Speaker 2: Okay, God, he is the best. Oh my Jesus Christy's

764
00:35:56,600 --> 00:36:20,240
Speaker 2: in the studio right after the audience there, I can't remember.

765
00:36:22,000 --> 00:36:24,480
Speaker 2: That was pretty awesome, pretty damn good. All right, to

766
00:36:24,760 --> 00:36:29,000
Speaker 2: G or not to G. Go ahead, Mike, to G

767
00:36:29,239 --> 00:36:33,720
Speaker 2: or not to G. Peeing in the shower. I feel

768
00:36:33,800 --> 00:36:37,480
Speaker 2: terrible as gen. Yeah, that's because you're a G. We

769
00:36:37,600 --> 00:36:38,600
Speaker 2: know the answer to this one.

770
00:36:38,600 --> 00:36:43,000
Speaker 6: Cutting your hair short to G or not to gene?

771
00:36:43,600 --> 00:36:47,919
Speaker 6: Never G never gene, breakfast balls and golf to G

772
00:36:48,320 --> 00:36:55,120
Speaker 6: or not to g. G.

773
00:36:55,120 --> 00:36:59,200
Speaker 2: Guy who's stretching, acting like he has an injury walking

774
00:36:59,280 --> 00:37:05,600
Speaker 2: onto the first G or not to G. I feel

775
00:37:05,640 --> 00:37:08,920
Speaker 2: bad asking is like royalty. I feel bad asking him

776
00:37:08,960 --> 00:37:11,680
Speaker 2: some of these, all right, I don't ask him farting

777
00:37:11,719 --> 00:37:14,719
Speaker 2: under the covers to G or not to.

778
00:37:14,719 --> 00:37:17,480
Speaker 3: G under.

779
00:37:19,840 --> 00:37:24,960
Speaker 2: Everywhere everywhere, anywhere, Just let him fly anywhere, being in

780
00:37:25,000 --> 00:37:27,080
Speaker 2: the pool to G or not to G. That is

781
00:37:27,120 --> 00:37:35,720
Speaker 2: the question. Really, Not playing the tuba. How about picking

782
00:37:35,719 --> 00:37:39,040
Speaker 2: your nose to G or not to G, not to

783
00:37:39,600 --> 00:37:42,279
Speaker 2: singing in the shower, to G or not of course.

784
00:37:42,040 --> 00:37:45,239
Speaker 3: To G of course to G. Of course, I said,

785
00:37:45,400 --> 00:37:47,360
Speaker 3: I sound like Michael Baldwin. I'm in the shower.

786
00:37:48,320 --> 00:37:49,440
Speaker 2: Let me hear, let me hear.

787
00:37:51,560 --> 00:37:53,919
Speaker 3: Hey, I need Woody Allen to set up the scene

788
00:37:54,040 --> 00:37:57,160
Speaker 3: like in that movie. Then I'll do it eating.

789
00:37:56,840 --> 00:37:58,799
Speaker 2: Food after you dropped it on the floor to G

790
00:37:59,000 --> 00:37:59,480
Speaker 2: or not the G?

791
00:38:00,280 --> 00:38:02,960
Speaker 3: Oh to G. For sure, I'm not wasting shit.

792
00:38:03,440 --> 00:38:05,839
Speaker 2: Nice Kenny. How long does it have to sit there

793
00:38:05,880 --> 00:38:08,600
Speaker 2: before you won't eat it?

794
00:38:08,719 --> 00:38:10,800
Speaker 3: Maybe a minute?

795
00:38:11,080 --> 00:38:14,520
Speaker 2: A full minute? Seconds, And it.

796
00:38:14,440 --> 00:38:17,640
Speaker 3: Also depends on whether it's carpet or hard floor, hardwood,

797
00:38:17,640 --> 00:38:20,279
Speaker 3: it may go longer than on a carpet. It's got

798
00:38:20,280 --> 00:38:23,040
Speaker 3: to be like thirty seconds. Max. All right, you know,

799
00:38:23,120 --> 00:38:25,480
Speaker 3: I'm I'm not that I'm promoting this now, but I'm

800
00:38:25,520 --> 00:38:27,520
Speaker 3: actually going to do a book. Really, I'm doing a book.

801
00:38:28,000 --> 00:38:30,400
Speaker 3: It's going to happen. I'm working out the deal. But

802
00:38:30,480 --> 00:38:32,480
Speaker 3: I'm kind of thinking of a title. If I use

803
00:38:32,560 --> 00:38:34,360
Speaker 3: to G or not to G as the title of

804
00:38:34,400 --> 00:38:37,200
Speaker 3: the book, Yes, would be. Would that be something that

805
00:38:37,239 --> 00:38:39,680
Speaker 3: you guys are going to send? You know, your attorney's

806
00:38:40,600 --> 00:38:43,280
Speaker 3: mister Spiegel, mister Spiegel and Speagel and spiegel at.

807
00:38:43,080 --> 00:38:45,319
Speaker 2: For me, mikey A would never do that, but yes

808
00:38:45,440 --> 00:38:46,759
Speaker 2: for me, A big yes for me.

809
00:38:50,360 --> 00:38:52,720
Speaker 3: Okay, I won't use it.

810
00:38:53,480 --> 00:38:56,640
Speaker 2: Listen, this whole thing is, this whole podcast is a negotiation. Kenny,

811
00:38:56,719 --> 00:38:59,800
Speaker 2: you use it. Okay, you use it free of charge? Okay,

812
00:39:00,000 --> 00:39:04,200
Speaker 2: I just co host Michelson and perhaps Augusta went tay, Okay,

813
00:39:05,280 --> 00:39:05,839
Speaker 2: I love it.

814
00:39:05,880 --> 00:39:07,719
Speaker 3: I love it. Do you are you a golfer by

815
00:39:07,719 --> 00:39:09,520
Speaker 3: any chap? I mean, do you play? What's your handicap?

816
00:39:09,560 --> 00:39:11,640
Speaker 2: So I'm like a ten handicap right now? So I'll

817
00:39:11,640 --> 00:39:14,240
Speaker 2: go out there. I'll be you know, anywhere between seventy

818
00:39:14,280 --> 00:39:16,280
Speaker 2: eight and eighty three, somewhere in that rage.

819
00:39:16,560 --> 00:39:20,280
Speaker 3: That's okay, that's fine. Yeah, yeah, you'll do well, Augusta.

820
00:39:20,280 --> 00:39:20,600
Speaker 2: It's not.

821
00:39:21,080 --> 00:39:23,319
Speaker 3: Honestly, it's not that hard from the members teas and

822
00:39:23,360 --> 00:39:26,280
Speaker 3: they don't you know, when we would play, the Greens

823
00:39:26,320 --> 00:39:29,080
Speaker 3: wouldn't be all souped up like they are right by

824
00:39:29,120 --> 00:39:30,960
Speaker 3: the way, How great was the yes?

825
00:39:31,400 --> 00:39:31,960
Speaker 2: Did you enjoin it?

826
00:39:32,360 --> 00:39:32,480
Speaker 6: So?

827
00:39:32,560 --> 00:39:35,200
Speaker 2: I like what I want. I don't really root for

828
00:39:35,239 --> 00:39:39,239
Speaker 2: a particular golfer. Occasionally Phil, sometimes Tiger. I just root

829
00:39:39,280 --> 00:39:41,319
Speaker 2: for an exciting end. Augusta is my favorite event of

830
00:39:41,320 --> 00:39:43,440
Speaker 2: the year, the Masters. Yeah, so I just root and

831
00:39:43,480 --> 00:39:45,000
Speaker 2: it's weird. I was explaining to the guys on the

832
00:39:45,000 --> 00:39:47,560
Speaker 2: show today, Dan, he does not watch golf. I love

833
00:39:47,760 --> 00:39:50,080
Speaker 2: Justin Rose. In fact, you can call me a fan

834
00:39:50,160 --> 00:39:52,920
Speaker 2: of Justin Rose. But when he goes seven under first round,

835
00:39:53,040 --> 00:39:54,920
Speaker 2: the way your conditioned to root for golf is you

836
00:39:54,920 --> 00:39:57,279
Speaker 2: want Justin Rose maybe June to plus two, come back

837
00:39:57,320 --> 00:39:59,000
Speaker 2: to the field a little bit, because you want to

838
00:39:59,000 --> 00:40:01,759
Speaker 2: have an exciting sun. So I was happy for a

839
00:40:01,800 --> 00:40:06,600
Speaker 2: decie deserving winner, but I was unhappy because selfishly, I

840
00:40:06,640 --> 00:40:08,879
Speaker 2: want one of those endings where there's three or four

841
00:40:08,920 --> 00:40:10,600
Speaker 2: or five guys who have a shot. We didn't really

842
00:40:10,600 --> 00:40:13,480
Speaker 2: get that till the very end with Shaffley yesterday. But

843
00:40:13,680 --> 00:40:15,600
Speaker 2: I did enjoy it. I always enjoyed. It's hard not to.

844
00:40:15,640 --> 00:40:16,239
Speaker 2: Did you like it?

845
00:40:16,360 --> 00:40:19,479
Speaker 3: Yeah, yeah, yeah, I really loved it. But I felt

846
00:40:19,520 --> 00:40:21,960
Speaker 3: bad for his Shoffley because I actually played golf with

847
00:40:22,040 --> 00:40:24,000
Speaker 3: him a few months ago. She did here in La

848
00:40:24,200 --> 00:40:26,640
Speaker 3: and what a great guy. So I was, you know,

849
00:40:26,640 --> 00:40:29,680
Speaker 3: when he caught him on the fifteenth hole, almost caught him.

850
00:40:29,880 --> 00:40:32,120
Speaker 3: I thought, Wow, this is gonna be this is going

851
00:40:32,200 --> 00:40:34,360
Speaker 3: to be great. So I was just I like that

852
00:40:34,440 --> 00:40:37,400
Speaker 3: kind of finish too. I was happy for Hideki. I really,

853
00:40:37,440 --> 00:40:39,239
Speaker 3: I mean I go to Japan all the time, so

854
00:40:39,360 --> 00:40:43,080
Speaker 3: I'm glad. I'm sure the Japanese are so extatinating.

855
00:40:42,440 --> 00:40:46,200
Speaker 2: They're having a party today. Did you have anything was

856
00:40:46,200 --> 00:40:48,560
Speaker 2: there was there any objection to Shaffley going forward on

857
00:40:48,560 --> 00:40:51,080
Speaker 2: the sixteenth there because I was thinking, like Adeci was

858
00:40:51,120 --> 00:40:53,600
Speaker 2: reeling at that point, Kenny, and if your Shaffley just

859
00:40:53,600 --> 00:40:55,319
Speaker 2: put one in the middle of the green and make

860
00:40:55,360 --> 00:40:57,080
Speaker 2: a DECI hit one to the middle of the green

861
00:40:57,239 --> 00:41:00,080
Speaker 2: because he was so nervous coming off of fifteen to

862
00:41:00,160 --> 00:41:00,640
Speaker 2: the sixteen.

863
00:41:00,840 --> 00:41:04,439
Speaker 3: Oh yeah, I think no. I but did you see

864
00:41:04,440 --> 00:41:09,320
Speaker 3: the shot that Shockley hit on thirteen, fourteen, and fifteen.

865
00:41:09,360 --> 00:41:12,359
Speaker 3: They were all so close. If I'm Shockley, I'm thinking,

866
00:41:12,400 --> 00:41:15,200
Speaker 3: I'm so dialed in, I've got the exact yardist, I'm

867
00:41:15,200 --> 00:41:17,399
Speaker 3: just gonna hit this perfect golf shot, and I think

868
00:41:17,960 --> 00:41:20,560
Speaker 3: according to him on his interview, he said he just

869
00:41:20,600 --> 00:41:22,239
Speaker 3: miscalculated the wind, but he hit the shot.

870
00:41:22,280 --> 00:41:24,640
Speaker 2: Well. Yeah, so yeah, Sander's gonna win one of those

871
00:41:24,680 --> 00:41:26,680
Speaker 2: soon though, because he's top five, like four in the

872
00:41:26,760 --> 00:41:27,439
Speaker 2: last five years.

873
00:41:27,440 --> 00:41:30,440
Speaker 3: I think, Wow, he's so good. I loved it. I

874
00:41:30,480 --> 00:41:32,560
Speaker 3: just in fact, I just got through finish watching it

875
00:41:32,600 --> 00:41:34,960
Speaker 3: like this morning, because I I was falling to sleep

876
00:41:35,040 --> 00:41:37,680
Speaker 3: last night, so I paused it and I go, okay,

877
00:41:38,160 --> 00:41:40,200
Speaker 3: So I could not look at my phone, I couldn't

878
00:41:40,280 --> 00:41:41,040
Speaker 3: look at the computer.

879
00:41:41,480 --> 00:41:41,880
Speaker 2: I didn't.

880
00:41:42,120 --> 00:41:45,440
Speaker 3: I didn't answer anything until about like eleven o'clock this

881
00:41:45,480 --> 00:41:48,040
Speaker 3: morning until I watched because watch the emphaside. Somebody can

882
00:41:48,160 --> 00:41:50,560
Speaker 3: spoil it. Hey, what about you know hit deck? He's like,

883
00:41:50,560 --> 00:41:51,360
Speaker 3: I don't want to read.

884
00:41:51,239 --> 00:41:53,439
Speaker 2: That, right, Kenny. He went a whole like you went

885
00:41:53,840 --> 00:41:56,440
Speaker 2: half a day essentially without social media or phoney. Like

886
00:41:56,480 --> 00:41:58,920
Speaker 2: that's that seems impossible in twenty twenty one.

887
00:41:59,640 --> 00:42:02,680
Speaker 3: No, since like yesterday at like three in the afternoon,

888
00:42:02,680 --> 00:42:05,600
Speaker 3: because it was four it was over at four o'clock,

889
00:42:05,640 --> 00:42:08,200
Speaker 3: So four o'clock yesterday till I didn't care. I was

890
00:42:08,239 --> 00:42:10,600
Speaker 3: great return phone.

891
00:42:10,400 --> 00:42:12,359
Speaker 2: Calls exactly right back in the day when we were

892
00:42:12,360 --> 00:42:14,839
Speaker 2: growing up. That was simple. I did that for the

893
00:42:14,880 --> 00:42:17,160
Speaker 2: horse that just I think three or four years ago

894
00:42:17,200 --> 00:42:19,560
Speaker 2: when the Triple Crown, so the final leg of the

895
00:42:19,600 --> 00:42:22,759
Speaker 2: Belmont Stays, I went an entire day with my daughter

896
00:42:22,800 --> 00:42:25,480
Speaker 2: trying to not see the results of that, and it

897
00:42:25,560 --> 00:42:27,760
Speaker 2: was the hardest thing I've ever done. Kenny.

898
00:42:28,000 --> 00:42:29,839
Speaker 3: Yes, yeah, you got a cuff your eyes, you got

899
00:42:29,880 --> 00:42:30,760
Speaker 3: a cup of your ears.

900
00:42:30,920 --> 00:42:33,400
Speaker 2: All right, key, Kenny, I love it. Let's get you

901
00:42:33,440 --> 00:42:34,799
Speaker 2: out of here on this note. Thank you for the time.

902
00:42:34,840 --> 00:42:37,520
Speaker 2: We love this. You've been gracious as owe Kenny. Get

903
00:42:37,520 --> 00:42:39,719
Speaker 2: the hell out of here. You're fantastic. How can I

904
00:42:39,760 --> 00:42:41,800
Speaker 2: ask you a question? This is this might be insensitive.

905
00:42:41,840 --> 00:42:42,720
Speaker 2: How old are you? Kenny?

906
00:42:43,760 --> 00:42:44,279
Speaker 3: Sixty four?

907
00:42:44,440 --> 00:42:48,920
Speaker 2: Jesus fucking Christ, Kenny, I'll never look as good as

908
00:42:48,920 --> 00:42:51,239
Speaker 2: you do right now in my entire life. I've been

909
00:42:51,280 --> 00:42:54,400
Speaker 2: seriously how old are you? How old? How old do

910
00:42:54,400 --> 00:42:55,240
Speaker 2: you think I am? Kenny?

911
00:42:55,320 --> 00:42:59,000
Speaker 3: Let's try that, no idea zero?

912
00:42:59,239 --> 00:43:05,279
Speaker 2: Sixty eight? Okay, forty seven, forty seven, forty seven?

913
00:43:05,320 --> 00:43:07,040
Speaker 3: Oh yeah, and you see when you said sixty eight,

914
00:43:07,040 --> 00:43:08,719
Speaker 3: I went, yeah, looks he looks sixty eight.

915
00:43:10,600 --> 00:43:12,799
Speaker 2: When I said forty seven, you're like Jesus Christ, he's

916
00:43:12,800 --> 00:43:16,759
Speaker 2: in trouble. Kenny. I love you, Thank you?

917
00:43:17,880 --> 00:43:18,799
Speaker 3: Okay, man, all right.

918
00:43:18,760 --> 00:43:20,600
Speaker 2: Check him out? O, thank you, Kenny. Check him out

919
00:43:20,600 --> 00:43:23,080
Speaker 2: on Cameo and Kenny. I look forward to co hosting

920
00:43:23,080 --> 00:43:23,719
Speaker 2: with you down the road.

921
00:43:23,760 --> 00:43:25,680
Speaker 3: Okay, same here, bye guy, Bye Mike.

922
00:43:26,840 --> 00:43:29,880
Speaker 2: Holy shit, Mike, I am swooning like I am swooting.

923
00:43:29,880 --> 00:43:31,719
Speaker 2: Where is mikey C When you need him? I need

924
00:43:31,760 --> 00:43:36,919
Speaker 2: a pack of heaters. Jesus Christ, bring me down. Oh

925
00:43:37,000 --> 00:43:38,680
Speaker 2: my god, I don't know what to do with myself

926
00:43:38,719 --> 00:43:40,320
Speaker 2: the rest of the day. Mike, what was your favorite

927
00:43:40,320 --> 00:43:40,640
Speaker 2: part of that?

928
00:43:41,600 --> 00:43:44,440
Speaker 4: Just he was carrying the saxophone the whole time and

929
00:43:44,480 --> 00:43:46,799
Speaker 4: then just occasionally he just pick it up and just dune,

930
00:43:46,880 --> 00:43:48,799
Speaker 4: and I just I loved it.

931
00:43:48,880 --> 00:43:51,239
Speaker 2: What was your favorite that he's getting filmed for us

932
00:43:52,440 --> 00:43:54,399
Speaker 2: and co hosting with me? Stupidity