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Speaker 1: Big Bank. You don't be on nothing. I be on okay.

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Speaker 1: So let me ask you bring you big big facts

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Speaker 1: right now.

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Speaker 2: Visit the new website today, Big factspod dot com along.

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Speaker 3: From the Culture labage.

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Speaker 4: Time for big Facts, Big Bank, Baby j d J

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Speaker 4: Screen Welcome today the one and only pleasure from.

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Speaker 1: What's What's up with you?

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Speaker 3: How you feeling? How you feel is that I feel great?

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Speaker 3: I feel good?

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Speaker 1: You feel great.

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Speaker 2: It's a beautiful day in the Hey, there you go. Traffic, Yeah,

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Speaker 2: minus the traffic. It was like a little rainy yesterday.

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Speaker 2: I had to cancel my pool party, but I got

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Speaker 2: another one coming up this Sunday at the Thompson Hotel.

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Speaker 2: So next y'all pull up, y'all in body. It's gonna

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Speaker 2: be crazy. The pleasure pool, my boy k Bachi and

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Speaker 2: all of that.

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Speaker 1: So you live in Atlanta, now, Yes, where were you

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Speaker 1: before Atlanta?

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Speaker 3: Miami?

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Speaker 1: Miami in l.

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Speaker 3: A prior to that, but yeah, Miami in l A.

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Speaker 4: I lived what's the big difend? Thinking and just lifestyle

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Speaker 4: between living out there living up here.

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Speaker 2: Well, I think Atlanta is more for blacks. I've never

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Speaker 2: seen the city with so many black people striving. I mean,

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Speaker 2: whether you got a three hundred thousand dollars house, fifty

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Speaker 2: thousand dollars house.

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Speaker 3: You got a nice house. You know what I'm saying.

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Speaker 2: Everybody got their own businesses, and this is a place

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Speaker 2: where you can do shit like you can you can

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Speaker 2: get Like if I'm dreaming.

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Speaker 3: Something, somebody know how to make it happen.

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Speaker 2: I dreamed the podcasts, they gonna say, oh shit, I

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Speaker 2: know somebody the microphones.

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Speaker 3: Just like Atlanta, it's just a beautiful place.

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Speaker 2: And Miami is kind of like Cubans, Jews, you know, everybody,

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Speaker 2: kind of Hastians, Jamaica's everybody's spread out to their own

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Speaker 2: little world.

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Speaker 3: Yeah, but here you can just make it happen. So

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Speaker 3: I love it here for that.

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Speaker 5: So what was it like growing up in Miami?

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Speaker 2: Man?

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Speaker 3: For me, it was like anybody else, well or not,

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Speaker 3: I want to say, like anybody else.

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Speaker 2: Uh, you got Haitian freens, make friends, Cuban friends.

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Speaker 5: That means you probably had a lot of different food.

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Speaker 2: While you were absolutely so I'm a foodie, yeah, because

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Speaker 2: I'm used to like just different you know, coaches and

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Speaker 2: stuff like that. But you know, for the most part,

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Speaker 2: growing up there, it's like you know, you know, Uh,

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Speaker 2: grandmama raised me them there, you know my mama at work,

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Speaker 2: go to the park. Everybody in your community becomes your friends,

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Speaker 2: you know, your child of friends. You fight every day. Yeah,

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Speaker 2: I got a brother and a sister and a lot

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Speaker 2: of them, you know what I'm saying. But you fight

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Speaker 2: every day after school. If you lose, you fight again

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Speaker 2: the next day. You know, say the same old ship.

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Speaker 1: So what's what's up?

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Speaker 4: We're pretty ricky, man. We see like talks of reunions,

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Speaker 4: then we see division, and we see maybe.

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Speaker 1: Like where where are y'all at?

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Speaker 2: Like you've seen the reunion and then you've seen woman

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Speaker 2: go to jail for PPP long fraudt So that put

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Speaker 2: a hold on what we gotta do because it takes

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Speaker 2: full God. And then you got another guy who's, you know,

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Speaker 2: battling addiction to drugs and he's overcoming.

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Speaker 3: That, you know what I'm saying. So some things just

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Speaker 3: take time.

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Speaker 2: Got another guy is good in tech and internet marketing,

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Speaker 2: and I'm just gonna keep sticking to the music.

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Speaker 3: I'm a songwriter.

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Speaker 2: I'm a singer, and I got solo hits and I

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Speaker 2: perform every day. So when we all get together, it's special.

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Speaker 2: But with this thing shit, like people don't understand that.

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Speaker 2: It takes a toll on everybody, you know what I'm saying,

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Speaker 2: and everybody deal with it in a different way. And

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Speaker 2: mental health is bro. You got some artists they stay

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Speaker 2: in character the whole time. They don't know how to

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Speaker 2: separate the stage. Like on the stage, I'm fucking pleasure people.

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Speaker 2: When I get off the stage, I'm markets you know

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Speaker 2: what I'm saying, And I roll like that every day,

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Speaker 2: like I don't require much, you know what I mean.

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Speaker 2: I understand walks to life. But that's the problem with

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Speaker 2: a lot of people. They just stay in character the

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Speaker 2: two they don't and then because of what's expected, and

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Speaker 2: everybody take it a certain kind of way. Maybe you

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Speaker 2: were supposed to buy you mama house, but you got

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Speaker 2: fucked over.

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Speaker 3: You couldn't do that.

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Speaker 2: So guess what, you're gonna go to the next thing,

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Speaker 2: drugs or you're gonna go to the next thing like

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Speaker 2: I gotta do this or you know what I'm saying.

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Speaker 2: And nobody's perfect in life, so we're not judging. We're

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Speaker 2: just praying for them, and you know, when the time comes,

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Speaker 2: we're gonna do what we gotta do.

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Speaker 3: What would you say the biggest obstacle is being in

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Speaker 3: a group, Like.

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Speaker 2: The biggest obstacle for me is the work ethic, you know,

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Speaker 2: seeing how it was when we started versus too, when

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Speaker 2: once we made it, and then how it you know,

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Speaker 2: how everybody became somebody different based on the success. You

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Speaker 2: know that, Like seeing that you saying, like staying hongry

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Speaker 2: basically for niggas to stay hungry, say they didn't stay home, no,

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Speaker 2: meaning like you get at some point in school, you

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Speaker 2: get to see who was the A students and then

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Speaker 2: you get to see who's.

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Speaker 3: The F students. You know what I'm saying.

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Speaker 2: So if I'm a nigga in the studio twenty four

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Speaker 2: hours a day, sixteen hours a day doing the students

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Speaker 2: doing that, and the other niggas is just whatever.

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Speaker 3: You know, I'm saying, I'll just come and do my

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Speaker 3: verse and.

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Speaker 2: You gotta track me down to do their verse, or

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Speaker 2: they don't take the niche shift to want to record,

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Speaker 2: or you know what I'm saying, they don't want to

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Speaker 2: do it. You just kind of carrying into the process.

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Speaker 2: It makes you look at it in a different perspective.

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Speaker 5: And a slow process frustrates the.

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Speaker 2: Entire It frustrates me because I'm the creative and you know,

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Speaker 2: this is what I do.

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Speaker 3: Baby blew and me. We was in the studio recording

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Speaker 3: ground on me for four days. You know what I'm saying.

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Speaker 3: Slick them came in, did his part.

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Speaker 2: We worked on this park spectacular come through Spectacul don't

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Speaker 2: even like the rap he's you know, he likes to

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Speaker 2: dance and he does the entertainment part of the group.

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Speaker 2: So we had play to where everybody know what they're

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Speaker 2: good at and then once it once it, once it starts,

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Speaker 2: then it's like, damn niggas forget who do what?

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Speaker 3: And you know, things like that.

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Speaker 2: So that's the most frustrating part to see that we

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Speaker 2: built McDonald's and niggas not taking the serious like bro,

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Speaker 2: we running out of time. I'm telling them be too,

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Speaker 2: k the same thing like, oh MARII fuck, what happened?

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Speaker 2: Y'all built McDonald's. Y'all these rock groups and things like that.

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Speaker 2: They don't have to they don't have to be friends.

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Speaker 2: You'll have to go to work and have you don't

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Speaker 2: have to go after work and have drinks with your coworking.

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Speaker 3: But this is what y'all build. Y'all Build McDonald's, y'all

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Speaker 3: Bill McDonald's.

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Speaker 5: Are you still king machine?

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Speaker 2: Yeah, when we're when we're Burger king So ship that's

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Speaker 2: Bill McDonald's and Burger Kington together. Let's let's go on

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Speaker 2: tour together. You know what I'm saying. And you know

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Speaker 2: ship like that.

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Speaker 5: So what happened?

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Speaker 6: Okay, speaking of like other groups and you know, working

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Speaker 6: with other.

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Speaker 5: People and getting stuff together. What the fuck happened at

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Speaker 5: the verses?

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Speaker 3: Not what you mean?

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Speaker 2: What I think happened is at the verses. I feel

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Speaker 2: like it was a little unorganized. Some people have other advantages,

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Speaker 2: Like when we got there, we just thought it was

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Speaker 2: gonna be a DJ.

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Speaker 3: These niggas had a whole dancers and all.

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Speaker 2: Kinds of you know who went against So it was

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Speaker 2: it was me and Samy against Bobby V and Ray

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Speaker 2: j oh that and.

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Speaker 3: Then there was Marion against Mario. What kind of ship.

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Speaker 1: Is that.

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Speaker 4: Saying you got more hiss than all of them? You

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Speaker 4: put a comment of saying you have more hits than

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Speaker 4: all of them or something like that.

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Speaker 2: You've seen the verses, right, you know we can go

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Speaker 2: hit for I'll go hit fit with anybody in that genre.

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Speaker 2: But some people just kind of bring it theyselves better

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Speaker 2: because they've.

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Speaker 3: Been they've been so little artists longer than me.

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Speaker 2: But they don't respect me coming to the game as

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Speaker 2: a solo artist because I didn't have.

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Speaker 3: A you know, a long run. But I had a

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Speaker 3: good run and not done.

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Speaker 2: I'm about to come out with new music and all

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Speaker 2: kinds of stuff that connect with the people.

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Speaker 3: I never had my.

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Speaker 2: Fair shake when it comes to this business, based on

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Speaker 2: my childs and tribulations of what I've been through.

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Speaker 3: But I'm still here.

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Speaker 2: I'm still standing, I'm still connected to the streets, I'm

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Speaker 2: still selling out shows.

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Speaker 3: I'm still who I am. You know what I'm saying.

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Speaker 4: I saw a tweet that said, if Pretty it was

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Speaker 4: a it was a I guess like a female fan.

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Speaker 4: If Pretty Ricky didn't break up, they would have been

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Speaker 4: the greatest R and B group of all time.

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Speaker 1: Do you agree or disagree with that?

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Speaker 2: Well, I'm the only guy that sings in the group,

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Speaker 2: so how can they That don't even make sense?

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Speaker 3: The three of them are rappers. I'm the only singer,

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Speaker 3: so that shit gonna make sense.

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Speaker 4: So you disagree, Like how you said, I got you

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Speaker 4: all right? That was just the female super fan.

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Speaker 2: Anybody else in the group singing no, I'm only I

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Speaker 2: bring the R and B to the group and finding

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Speaker 2: the sound for that. There was a rap group before

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Speaker 2: I was even got in the group. I was a

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Speaker 2: solo artist. Grind on Me was our first record we recorded.

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Speaker 2: Eight months later we got a record there.

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Speaker 3: MHM wrote that song. We all wrote the song. We

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Speaker 3: wrote it together.

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Speaker 2: I never want to ever make sure or make it

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Speaker 2: look like I'm bigger than anybody that's in my group

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Speaker 2: because we put the grind in bro, you know that

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Speaker 2: who they were saying like the star of the group

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Speaker 2: was like off the rips when y'all dropped who the

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Speaker 2: people we got there and plocking to I think everybody

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Speaker 2: had their own fans, that's the that's the thing, because

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Speaker 2: we had We called it pretty ricky, right, who Michael,

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Speaker 2: We called it pretty ricky.

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Speaker 3: That's that's they thought it was, you know, one person.

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Speaker 2: Yeah, right, So then you find out that there's four

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Speaker 2: different individuals.

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Speaker 3: We're one group that you know, everybody name in the group.

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Speaker 2: If you followed us because you thought it was one person,

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Speaker 2: and then Travis Porter followed you know, kind of in

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Speaker 2: the same way.

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Speaker 3: But yeah, like our marketing was pretty cool when it

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Speaker 3: comes to that.

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Speaker 2: But you like a light skinned nigga with a six

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Speaker 2: pack that spec if you like a nigga with dreads

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Speaker 2: that slick, if you like the short, fast wrapping.

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Speaker 3: Nigga that's baby blue, you like the singing nigga that'll

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Speaker 3: be me. You know what I'm saying. So I think

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Speaker 3: it was spread it out, like you know, and that's

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Speaker 3: what make a group.

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Speaker 6: So how hard was it being that they were kind

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Speaker 6: of already in their own situation before they added your

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Speaker 6: R and B element to it. I guess my question

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Speaker 6: is how hard was it to mesh all of that

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Speaker 6: together and to get accustomed into inserting yourself into the group.

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Speaker 2: It wasn't hard because the first song kind of gave

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Speaker 2: us like an idea, the.

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Speaker 3: Momentum of what we should be doing.

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Speaker 5: Yeah, and then.

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Speaker 3: As we did more like I had my own songs

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Speaker 3: before I got in the group. Okay, so sure.

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Speaker 2: It would you be My age ain't up, but a

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Speaker 2: number certain records I had before I got in group.

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Speaker 2: So when we got with Jim Johnson, shouts out to

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Speaker 2: Jim Johnson and Big D and Lucis Charles and everybody

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Speaker 2: that was a part of the project Static Major I

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Speaker 2: gotta get. But you know before, you know, before we

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Speaker 2: got with them and stuff like that, or when we

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Speaker 2: got with them, the song was already done.

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Speaker 3: So I just sang the hook, Kid, that's out of verse.

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Speaker 3: You know what I'm saying.

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Speaker 2: I was in a different room from them recording hooks

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Speaker 2: with Static and stuff like that. And then sometimes we

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Speaker 2: all get together on our way to the studio and

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Speaker 2: we writing songs and you know, on the way to

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Speaker 2: the studio, playing the beating, come up with a melody.

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Speaker 3: When we get to the studio, you know, put it

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Speaker 3: down like that.

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Speaker 4: Okay, So do you do you have you always sung

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Speaker 4: about like real like real life ship, like ship that

259
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Speaker 4: you go through or the ship that you I'm going

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Speaker 4: somewhere with this question, but this is the first part

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Speaker 4: of it.

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Speaker 3: Yeah.

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Speaker 2: I mean during that time, I was a teenager fucking

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Speaker 2: bitches all the time. So that's what we rapped. That's

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Speaker 2: what we rap and singing about. So that's my said

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Speaker 2: way to ask you. So you're still on the boyfriend

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Speaker 2: number two ship that you was on when you made

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Speaker 2: boyfriend number two. That's probably one of your most I

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Speaker 2: wouldn't say, well controversial.

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Speaker 3: Absolutely still still boyfriend number two.

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Speaker 2: Okay, I ain't. I'm single, gotcha, I'm single. But you know,

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Speaker 2: obviously you grow with the the things you write about.

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Speaker 2: For me, I have several different projects. So when you

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Speaker 2: do different genres of music, people be like.

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Speaker 3: I want this from that. It's kind of like you're

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Speaker 3: in the box.

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Speaker 2: Because you got a brand. And when you think pleasure,

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Speaker 2: people just think sex. Right, So after stay in that box.

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Speaker 2: But I wrote wild One for Florider, I wrote Lollipop

280
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Speaker 2: Flow Wayne, I write outside of the box.

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Speaker 3: You know what I'm saying for other people.

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Speaker 2: But and I have like different layers and different albums

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Speaker 2: that's just sitting and it's about to come out thanks

284
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Speaker 2: to my brother our Brunch and you know the team

285
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Speaker 2: that I got Melinda and everybody else with Keith Sweat

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Speaker 2: and you know boy Williams and everybody else that I

287
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Speaker 2: fuck with.

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Speaker 1: So yeah, that's what it is. Would you ever go

289
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Speaker 1: like far out there?

290
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Speaker 4: Like I don't know, you say you wrote some pop records,

291
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Speaker 4: but like would you go like a gospel or Caribbean

292
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Speaker 4: or afrobeast, Like would you go far away from Caribbean?

293
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Speaker 2: I have I have a whole reggae album I lived

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Speaker 2: in Jamaica for three years Kingston. Yeah, and I just

295
00:14:03,720 --> 00:14:05,960
Speaker 2: got to learn the culture there and I love it

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Speaker 2: there by the way. I lived there and worked with

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Speaker 2: Don Corleone and Isca and Stephen McGregor and you know,

298
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Speaker 2: just a few other cool face and you know Nikki

299
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Speaker 2: b It was. It's a few people that are shaggy,

300
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Speaker 2: a few people I work with out there. Sean paul

301
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Speaker 2: Ovado shouts out to all my Jamaicans, big up, very

302
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Speaker 2: all my Jamaicans.

303
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Speaker 3: But I lived there for three years and I worked

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Speaker 3: on the album.

305
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Speaker 2: And yeah, oh ship, I forgot about Saruni and t

306
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Speaker 2: O K and all those guys, Jazzy t everybody, Renaissance,

307
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Speaker 2: everybody that I messed with in Jamaica. But yeah, I

308
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Speaker 2: lived there for three years and worked and worked on

309
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Speaker 2: the album there.

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Speaker 3: Then I went to Australia.

311
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Speaker 2: In London and I worked on like house music there

312
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Speaker 2: and I created this group me and my brother Sonny

313
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Speaker 2: Mason and my brother Jermaine, all black sync.

314
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Speaker 3: So we got a song called could You Love Me?

315
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Speaker 3: And it went crazy over there. House song. If you

316
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Speaker 3: look it up, it's called could You Love Me?

317
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Speaker 2: And I actually released it in the US It's featured

318
00:15:11,160 --> 00:15:14,960
Speaker 2: in Florida too, But y'all do all genres and music. Man,

319
00:15:15,520 --> 00:15:18,760
Speaker 2: who'd just say the goat from Florida is the goat

320
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Speaker 2: from Florida. Yeah, like Uncle Luke that it wouldn't be

321
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Speaker 2: no music if he didn't go to jail for parental

322
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Speaker 2: advisory rights and things like that. So I'm always gonna

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Speaker 2: go with Uncle Luke coming up. That's what Joab listen

324
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Speaker 2: to coming up there with Joa listen to listen to

325
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Speaker 2: Uncle Luke. We listened to Trick Daddy, We listened to Man.

326
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Speaker 2: I listened to some of Everybody though too short, JD

327
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Speaker 2: you know what I mean, eight Ball, m J g Outcast, Uh,

328
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Speaker 2: some of Eir Piccolo some you know how you knew

329
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Speaker 2: you want to do music though, So.

330
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Speaker 3: I come from a musical background.

331
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Speaker 2: My mother was in a band called the raptor the

332
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Speaker 2: Rappers when she was younger, and my dad was in

333
00:16:09,960 --> 00:16:12,480
Speaker 2: the same band, so that's how they got together, and

334
00:16:12,520 --> 00:16:16,040
Speaker 2: then my dad grew on to start a group called

335
00:16:16,080 --> 00:16:19,880
Speaker 2: Civil Platinum with Michael Sterling. Michael Sterling is a guy

336
00:16:19,880 --> 00:16:25,800
Speaker 2: that made Doug Holiday lovers and friends at Usher Sample.

337
00:16:26,120 --> 00:16:28,440
Speaker 2: They always simple his records and stuff like that, so

338
00:16:28,720 --> 00:16:30,680
Speaker 2: that's like an uncle of mine. But I came up

339
00:16:30,680 --> 00:16:33,479
Speaker 2: around it, like my living room was filled with instruments

340
00:16:33,480 --> 00:16:36,280
Speaker 2: and stuff like that, so I ain't have no other

341
00:16:36,360 --> 00:16:37,640
Speaker 2: way but to pick it up, you know.

342
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Speaker 3: I started singing when I was nine years old.

343
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Speaker 2: And before that, I would be in talent shows with

344
00:16:42,840 --> 00:16:45,320
Speaker 2: my brother and them acting like we another bad creation,

345
00:16:46,080 --> 00:16:50,120
Speaker 2: and you know, doing playground and talent shows and stuff

346
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Speaker 2: like that.

347
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Speaker 3: Me and my cousins and all us.

348
00:16:52,200 --> 00:16:55,200
Speaker 2: We just danced at the parties and wear cross colors

349
00:16:55,240 --> 00:16:56,520
Speaker 2: and that kind of thing.

350
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Speaker 3: And then Immature came.

351
00:16:58,800 --> 00:17:01,320
Speaker 2: Out with a song called I Would Never Lie, and

352
00:17:01,400 --> 00:17:05,239
Speaker 2: I sing that song in the shower, you know, And

353
00:17:05,320 --> 00:17:07,800
Speaker 2: I looked up to them and my uncle heard be.

354
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Speaker 3: Singing the song. He was like, YO, singing for your mom,

355
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Speaker 3: and I sing it for my mom.

356
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Speaker 2: My mom made me rehearse, and I ended the Talents

357
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Speaker 2: show at Dixie Park. Benji Brown was the host on

358
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Speaker 2: the comedian Benji. He was the host of the Talent show.

359
00:17:23,520 --> 00:17:27,000
Speaker 2: He'll tell you this. I won first place, and ever

360
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Speaker 2: since then I became an artist.

361
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Speaker 1: So culture talk not just interview courses on big facts.

362
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Speaker 4: Right, Why does it seem like every r and b

363
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Speaker 4: nigga want to rap, and every rapper.

364
00:17:38,600 --> 00:17:42,000
Speaker 1: Now I want to sing. I don't want to rap,

365
00:17:42,359 --> 00:17:44,399
Speaker 1: not you. I was saying, why does it seem like

366
00:17:44,600 --> 00:17:47,680
Speaker 1: most I should say every Why do you think that is?

367
00:17:48,880 --> 00:17:50,680
Speaker 3: I don't know why rappers want to sing?

368
00:17:52,040 --> 00:17:56,840
Speaker 1: But hmmm, I don't know.

369
00:17:57,560 --> 00:17:57,919
Speaker 3: I don't know.

370
00:17:57,960 --> 00:17:58,760
Speaker 1: I can't figure it out.

371
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Speaker 5: Do you think it's the same reason or parallel to why.

372
00:18:03,560 --> 00:18:05,760
Speaker 3: Because a rap there got to be hard, he can't

373
00:18:05,840 --> 00:18:11,000
Speaker 3: do this? Yeah, we can do that.

374
00:18:11,240 --> 00:18:14,520
Speaker 6: But I'm thinking, like about the parallel of how we've seen,

375
00:18:14,960 --> 00:18:19,480
Speaker 6: like some successful athletes try to go back to the

376
00:18:19,480 --> 00:18:22,120
Speaker 6: streets and sell drugs or you know, try to get

377
00:18:22,160 --> 00:18:24,879
Speaker 6: involved in like if it's a nigga that gets drafted

378
00:18:24,920 --> 00:18:25,480
Speaker 6: to the NBA.

379
00:18:27,080 --> 00:18:28,240
Speaker 5: It's been a few of them.

380
00:18:28,320 --> 00:18:30,000
Speaker 6: I don't I can't remember their names right all, but

381
00:18:30,000 --> 00:18:32,280
Speaker 6: you know how like they might get caught like with

382
00:18:32,440 --> 00:18:35,119
Speaker 6: a whole bunch of weed or some ship like, but

383
00:18:35,160 --> 00:18:37,800
Speaker 6: they just signed a multimillion.

384
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Speaker 5: Dollar contract for the NBA.

385
00:18:39,480 --> 00:18:41,440
Speaker 6: Shit, But they still go back to the streets and

386
00:18:41,440 --> 00:18:43,800
Speaker 6: they've never done street ship before ever in life, and

387
00:18:43,840 --> 00:18:46,080
Speaker 6: they choose to do it after they've become successful.

388
00:18:47,800 --> 00:18:52,920
Speaker 2: I got a son like that, tell Wow.

389
00:18:53,560 --> 00:18:57,080
Speaker 3: Yeah, my son grew up you know, in in in

390
00:18:57,280 --> 00:18:58,480
Speaker 3: in the suburbs.

391
00:18:59,440 --> 00:19:02,200
Speaker 2: You work hard to change your kid life and get

392
00:19:02,240 --> 00:19:05,399
Speaker 2: around the wrong people, and he don't understand who he

393
00:19:05,560 --> 00:19:09,560
Speaker 2: is based off of who I am right and he,

394
00:19:10,040 --> 00:19:13,000
Speaker 2: you know, goes down the wrong cap and you gotta

395
00:19:13,480 --> 00:19:16,600
Speaker 2: fight and fight and fight and fight to figure him

396
00:19:16,640 --> 00:19:20,359
Speaker 2: out and get him back to a reality. I'm him

397
00:19:20,400 --> 00:19:21,240
Speaker 2: locked up right now.

398
00:19:21,800 --> 00:19:22,159
Speaker 1: Hmhmm.

399
00:19:22,960 --> 00:19:25,520
Speaker 2: While I was on tour, they try to charge my

400
00:19:25,600 --> 00:19:29,960
Speaker 2: son for murder in the case and my face all over.

401
00:19:29,840 --> 00:19:33,480
Speaker 3: The news, the whole nine and just dealing with that.

402
00:19:33,400 --> 00:19:35,920
Speaker 2: While you're on tour, like, oh, ship, that's a lot.

403
00:19:36,800 --> 00:19:40,000
Speaker 2: You know, obviously he's innocent, but.

404
00:19:41,800 --> 00:19:42,480
Speaker 1: You're still there.

405
00:19:42,480 --> 00:19:43,760
Speaker 3: You can only do what you can do.

406
00:19:44,000 --> 00:19:47,080
Speaker 4: You think all the fame and just life and just

407
00:19:47,160 --> 00:19:49,400
Speaker 4: all of that that that can that can affect you.

408
00:19:49,480 --> 00:19:52,560
Speaker 4: Maybe having a time or the quality time to instill

409
00:19:52,640 --> 00:19:53,880
Speaker 4: some of that in children.

410
00:19:53,960 --> 00:19:56,119
Speaker 2: No, No, I don't think it's that. I think that we

411
00:19:56,240 --> 00:20:01,040
Speaker 2: spend quality time, but we we we we as entertainers

412
00:20:01,040 --> 00:20:05,320
Speaker 2: and people the other first generation we put our allmer

413
00:20:05,359 --> 00:20:06,960
Speaker 2: taking care of our family and making sure that the

414
00:20:07,000 --> 00:20:08,240
Speaker 2: next generation is straight.

415
00:20:08,960 --> 00:20:13,240
Speaker 3: So it's about what goes on when you're not there, because.

416
00:20:13,080 --> 00:20:15,320
Speaker 2: You can teach him everything, right, I could teach him

417
00:20:15,640 --> 00:20:17,200
Speaker 2: the more I could teach him how to be, how

418
00:20:17,200 --> 00:20:19,360
Speaker 2: to save his money, tell him everything in the part

419
00:20:19,480 --> 00:20:20,560
Speaker 2: that the father supposed to do.

420
00:20:21,000 --> 00:20:22,920
Speaker 3: When he get back home, What does the mother say,

421
00:20:22,960 --> 00:20:27,480
Speaker 3: now we share everything. I was just trying to teach

422
00:20:27,560 --> 00:20:28,520
Speaker 3: him responsibility.

423
00:20:28,960 --> 00:20:31,880
Speaker 2: I was trying to you know, it has to respect

424
00:20:31,880 --> 00:20:34,920
Speaker 2: what the man is trying to teach to his kids.

425
00:20:34,920 --> 00:20:38,760
Speaker 2: So I think sometimes we can get caught up in

426
00:20:38,800 --> 00:20:42,760
Speaker 2: our feelings and emotions and things like that. And I

427
00:20:42,800 --> 00:20:46,280
Speaker 2: appreciate my son's mother. I would never diss my son's mother,

428
00:20:46,560 --> 00:20:50,280
Speaker 2: but I just wish that it could be you know,

429
00:20:50,440 --> 00:20:52,960
Speaker 2: I wish it could have been different. But we were young,

430
00:20:53,280 --> 00:20:56,520
Speaker 2: trying to you know, I'm adapting to the music business.

431
00:20:56,560 --> 00:20:59,040
Speaker 2: She young, trying to just figure out her life. Like

432
00:20:59,080 --> 00:21:00,200
Speaker 2: you know, she didn't even get the live of my

433
00:21:00,280 --> 00:21:03,240
Speaker 2: life yet because this situation.

434
00:21:03,480 --> 00:21:07,800
Speaker 1: So they said anything else when I got.

435
00:21:07,720 --> 00:21:13,800
Speaker 2: Big, what's weird ship you don't seem like in the musicum,

436
00:21:14,160 --> 00:21:16,040
Speaker 2: like all this ship that they be talking about going on,

437
00:21:17,080 --> 00:21:19,840
Speaker 2: you know, like coughing all that ship, Like, what's some

438
00:21:19,880 --> 00:21:21,080
Speaker 2: weird ass ship you don't seen?

439
00:21:21,200 --> 00:21:21,240
Speaker 4: This.

440
00:21:21,720 --> 00:21:24,320
Speaker 2: I don't be around weird ono ship, So I can't

441
00:21:24,359 --> 00:21:26,840
Speaker 2: tell you that I go to strip clubs.

442
00:21:27,480 --> 00:21:31,800
Speaker 3: I got damned be around real niggas. I don't. I

443
00:21:31,840 --> 00:21:36,560
Speaker 3: don't be around them. What you heard, then, it's like nigga,

444
00:21:36,600 --> 00:21:37,080
Speaker 3: I don't hear.

445
00:21:37,200 --> 00:21:40,560
Speaker 2: I don't heard. I don't hear nothing but everywhere what

446
00:21:40,640 --> 00:21:44,320
Speaker 2: a nigga business is that between them? I just respect everybody.

447
00:21:44,920 --> 00:21:48,119
Speaker 2: I don't care what genre, whatever you is, I respect everybody,

448
00:21:48,400 --> 00:21:49,679
Speaker 2: and I stay in my own land.

449
00:21:52,400 --> 00:21:52,760
Speaker 7: Genre.

450
00:21:55,119 --> 00:21:58,439
Speaker 8: It's a lot of different genres people. It's kind of

451
00:21:58,640 --> 00:22:02,840
Speaker 8: like country rock. You know, where are you at? Who

452
00:22:02,880 --> 00:22:05,320
Speaker 8: they are right now?

453
00:22:05,520 --> 00:22:07,040
Speaker 3: You get what I'm saying. I just dout.

454
00:22:07,160 --> 00:22:09,600
Speaker 2: I just dout the way dog and my own business

455
00:22:09,680 --> 00:22:12,720
Speaker 2: man because you know, but I don't judge people, bro.

456
00:22:13,240 --> 00:22:17,879
Speaker 2: I think that we're the biggest culture to judge somebody

457
00:22:17,880 --> 00:22:20,280
Speaker 2: else of what they heard or this or this or

458
00:22:20,320 --> 00:22:23,960
Speaker 2: that or that versus to just seeing what the truth is.

459
00:22:24,800 --> 00:22:28,840
Speaker 2: And what about the forgiveness process. You know what I'm saying,

460
00:22:29,400 --> 00:22:34,280
Speaker 2: You damn be forgiven, forget not everything, but ship some things.

461
00:22:35,359 --> 00:22:35,960
Speaker 3: You know what I'm saying.

462
00:22:35,960 --> 00:22:39,920
Speaker 2: Because the man I was when I was fifteen, not

463
00:22:40,160 --> 00:22:41,040
Speaker 2: no about to be forty.

464
00:22:41,119 --> 00:22:42,119
Speaker 3: That's two different people.

465
00:22:42,440 --> 00:22:45,960
Speaker 2: What you feel like some unforgivable shit is though I'm

466
00:22:46,040 --> 00:22:48,760
Speaker 2: a teacher, you couldn't come back from from a free

467
00:22:48,800 --> 00:22:51,440
Speaker 2: and family member of anybody death.

468
00:22:53,480 --> 00:22:57,000
Speaker 4: So you say murder, Yeah, yeah, if you kill mine

469
00:22:57,160 --> 00:23:00,000
Speaker 4: from the brother m hm. So when you see it,

470
00:23:00,000 --> 00:23:02,119
Speaker 4: I ain't trying to really even be messing. When you

471
00:23:02,160 --> 00:23:06,880
Speaker 4: see that those parents that say we forgive the police

472
00:23:06,920 --> 00:23:11,919
Speaker 4: that killed that kid, you know, I feel being the

473
00:23:11,960 --> 00:23:16,200
Speaker 4: bigger people is that that test.

474
00:23:16,240 --> 00:23:20,399
Speaker 3: Is probably some people wored like that, you know.

475
00:23:20,720 --> 00:23:22,800
Speaker 2: But I'm gonna tell you some ship though for real,

476
00:23:23,520 --> 00:23:28,280
Speaker 2: me forgiving a lot of people in the business.

477
00:23:26,640 --> 00:23:28,640
Speaker 3: Made me be like a lot happier.

478
00:23:28,840 --> 00:23:30,720
Speaker 2: And I don't live with I don't be I don't

479
00:23:30,760 --> 00:23:34,440
Speaker 2: become that ship because at one point you get around

480
00:23:34,440 --> 00:23:37,080
Speaker 2: some people that already talk about is they past. They

481
00:23:37,080 --> 00:23:39,360
Speaker 2: can never talk about the future. They just you'll get

482
00:23:39,359 --> 00:23:41,480
Speaker 2: with them and they just talk about the past. Man,

483
00:23:41,760 --> 00:23:44,680
Speaker 2: when I was and they still hurt from the past.

484
00:23:44,720 --> 00:23:48,440
Speaker 2: They never forget the past. So I will say that

485
00:23:48,600 --> 00:23:51,440
Speaker 2: me being forgiven to a lot of ship that happened,

486
00:23:52,800 --> 00:23:56,400
Speaker 2: you know, make me a better person. So you believe

487
00:23:56,440 --> 00:24:00,800
Speaker 2: in forgiveness, Yeah, in certain you've you believe in letting

488
00:24:00,840 --> 00:24:02,920
Speaker 2: it go, like you true ain't forgive me because you

489
00:24:02,960 --> 00:24:03,560
Speaker 2: ain't gonna let it.

490
00:24:03,680 --> 00:24:06,280
Speaker 3: They can't do what they did again, right, Yeah, not.

491
00:24:06,640 --> 00:24:09,480
Speaker 2: A giving like when you forgive somebody, you really open

492
00:24:09,520 --> 00:24:11,120
Speaker 2: the door for them today to do the same ship

493
00:24:11,160 --> 00:24:17,480
Speaker 2: you again. That's forgiving. That's forgiven. Forgive the reader, look

494
00:24:17,480 --> 00:24:19,639
Speaker 2: at it. Look when we look at it.

495
00:24:19,720 --> 00:24:22,320
Speaker 1: That's supposed because a lot, a lot happened.

496
00:24:22,760 --> 00:24:25,679
Speaker 4: If a woman keep forgiving her man or whatever in

497
00:24:25,680 --> 00:24:28,520
Speaker 4: any situation for cheating, and they keep doing it, if

498
00:24:28,520 --> 00:24:30,600
Speaker 4: they keep if they keep allowing them to do it,

499
00:24:30,880 --> 00:24:32,040
Speaker 4: they repeatedly forgiving it.

500
00:24:32,160 --> 00:24:36,680
Speaker 2: Like it's like, you know, what's what's there saying shamey once,

501
00:24:36,760 --> 00:24:38,840
Speaker 2: shame me twice for me once?

502
00:24:39,200 --> 00:24:42,399
Speaker 3: What what's the saying on you for on me?

503
00:24:42,680 --> 00:24:45,639
Speaker 5: Same on you bite me twice, shame on me.

504
00:24:46,640 --> 00:24:49,320
Speaker 3: It's like that, like you got away with it. I

505
00:24:49,359 --> 00:24:49,960
Speaker 3: know your thief.

506
00:24:50,280 --> 00:24:53,600
Speaker 2: You know, life is like my my grandmama says, life

507
00:24:53,640 --> 00:24:55,960
Speaker 2: is like a long handed spoon. You learn how to

508
00:24:56,000 --> 00:24:59,119
Speaker 2: deal with people. You know, some people you deal with

509
00:24:59,160 --> 00:25:01,200
Speaker 2: them from this level, and some people you don't at all.

510
00:25:01,560 --> 00:25:04,560
Speaker 2: That's just what the industry is. It's like you know,

511
00:25:04,600 --> 00:25:06,199
Speaker 2: every time you see nigga, this isn't gonna be like

512
00:25:06,400 --> 00:25:08,199
Speaker 2: just do record mand fuck with me. You know, you

513
00:25:08,240 --> 00:25:10,479
Speaker 2: hit them, here can re respond. So when you see them,

514
00:25:10,600 --> 00:25:12,200
Speaker 2: we don't even got to do that. Bro, How you

515
00:25:12,320 --> 00:25:16,200
Speaker 2: doing see how to deal with it? You know who

516
00:25:16,240 --> 00:25:16,520
Speaker 2: is who?

517
00:25:16,560 --> 00:25:17,160
Speaker 3: And what is what?

518
00:25:18,440 --> 00:25:21,719
Speaker 1: Yeah, you're saying, accepted for what it is. It is

519
00:25:21,720 --> 00:25:22,159
Speaker 1: what it is.

520
00:25:22,200 --> 00:25:22,919
Speaker 3: It is what it is.

521
00:25:22,960 --> 00:25:26,919
Speaker 2: Like if you're fuck nigga, you're fucking I can't, well

522
00:25:26,920 --> 00:25:29,520
Speaker 2: I beat your ass. You're still fucking you, So why

523
00:25:29,520 --> 00:25:32,840
Speaker 2: should I beat your ass? You got some childhood morals

524
00:25:32,880 --> 00:25:35,480
Speaker 2: and values and all kind of cities you gotta deal with.

525
00:25:35,840 --> 00:25:38,359
Speaker 2: But the people that I deal with, we understand what

526
00:25:38,359 --> 00:25:41,480
Speaker 2: it's like to do good business. And you know, you know,

527
00:25:41,760 --> 00:25:42,800
Speaker 2: and that's just what it is.

528
00:25:45,680 --> 00:25:48,479
Speaker 4: You think you think you think like the industry like

529
00:25:48,720 --> 00:25:51,199
Speaker 4: so you become comfortable in yourself. But you think that

530
00:25:51,280 --> 00:25:58,120
Speaker 4: this industry like drives certain people like mentally crazy, Absolutely.

531
00:25:57,600 --> 00:25:59,240
Speaker 3: I from are crazy.

532
00:25:59,280 --> 00:26:02,040
Speaker 2: They like think about living as a character that you

533
00:26:02,080 --> 00:26:06,399
Speaker 2: didn't you, you was not born to be you. Okay,

534
00:26:06,440 --> 00:26:11,199
Speaker 2: I'm Marcus. It's almost like I don't know, I don't

535
00:26:11,480 --> 00:26:11,760
Speaker 2: I'm not.

536
00:26:11,720 --> 00:26:14,280
Speaker 4: Even gonna say that please do, please say no, I'm

537
00:26:14,280 --> 00:26:15,080
Speaker 4: not please do.

538
00:26:15,400 --> 00:26:17,920
Speaker 3: I'm not say that. I don't know that back then.

539
00:26:18,520 --> 00:26:22,240
Speaker 3: But it's like the same person, you know what I'm saying.

540
00:26:22,040 --> 00:26:25,159
Speaker 2: Like you really think you're this because somebody told you

541
00:26:25,200 --> 00:26:27,280
Speaker 2: that you're this, But when you grew up, you was

542
00:26:27,359 --> 00:26:31,480
Speaker 2: not this bro you gotta hit record, So you think

543
00:26:31,480 --> 00:26:36,159
Speaker 2: of this now, Right, people are whether you got a

544
00:26:36,240 --> 00:26:40,920
Speaker 2: hit movie, whether you gotta whatever, right you're saying, you're

545
00:26:40,960 --> 00:26:44,520
Speaker 2: saying they start who they is off for what they've accomplished.

546
00:26:44,520 --> 00:26:46,520
Speaker 2: Like if they do some shit and everybody know now

547
00:26:46,840 --> 00:26:49,840
Speaker 2: they trying to fit who they think that person should

548
00:26:49,880 --> 00:26:53,640
Speaker 2: be instead of being themself. Right, Like think about it,

549
00:26:53,800 --> 00:26:55,680
Speaker 2: celebrities dating celebrities and ship.

550
00:26:56,480 --> 00:26:59,040
Speaker 3: It's like some girls will date you because that's a look.

551
00:26:59,560 --> 00:27:02,159
Speaker 2: That's a look to the image. And what kind of

552
00:27:02,200 --> 00:27:05,480
Speaker 2: shit is that? What kind of love is love?

553
00:27:05,560 --> 00:27:06,280
Speaker 5: Right?

554
00:27:06,320 --> 00:27:07,680
Speaker 3: So then what kind of shit is that?

555
00:27:08,520 --> 00:27:12,480
Speaker 2: So then if you don't have real love and real

556
00:27:12,560 --> 00:27:15,720
Speaker 2: affection and real feelings towards people and real.

557
00:27:16,040 --> 00:27:19,560
Speaker 3: Like them, that's fucked up. Then you're becoming this character.

558
00:27:19,680 --> 00:27:23,600
Speaker 2: So I've watched people become a character and they stay

559
00:27:23,640 --> 00:27:29,959
Speaker 2: inside this character. To me, they mentally ill bro, no

560
00:27:30,080 --> 00:27:32,840
Speaker 2: fact they talk about this seven third person bro.

561
00:27:33,320 --> 00:27:35,960
Speaker 1: Yeah, I've seen that in real time they become.

562
00:27:35,760 --> 00:27:39,119
Speaker 2: This like you'll be like, damn, bro, we all got money,

563
00:27:39,920 --> 00:27:41,960
Speaker 2: we all you know, no matter what, long as you

564
00:27:42,000 --> 00:27:43,840
Speaker 2: got a roof of your head, some people got more

565
00:27:43,880 --> 00:27:46,639
Speaker 2: than others. Cool, but long as you're happy, it's all

566
00:27:46,640 --> 00:27:48,960
Speaker 2: the matter. I don't seen people in forty million dollar

567
00:27:49,000 --> 00:27:53,240
Speaker 2: mansions fucking miserable living in LA and.

568
00:27:53,200 --> 00:27:55,119
Speaker 6: Then this nigga's sleeping up under the bridge in the

569
00:27:55,160 --> 00:27:57,480
Speaker 6: box that are living a life.

570
00:27:58,040 --> 00:28:00,960
Speaker 2: No, it's people that's in Jamaica who work with nine

571
00:28:00,960 --> 00:28:04,639
Speaker 2: to five, who's selling water in the streets, who you know,

572
00:28:04,920 --> 00:28:08,440
Speaker 2: we'll share a Q room with you and give you

573
00:28:08,440 --> 00:28:09,359
Speaker 2: a piece of They fished.

574
00:28:09,359 --> 00:28:11,600
Speaker 3: They just fried and just want.

575
00:28:11,440 --> 00:28:14,320
Speaker 2: To hear some music and happen because they understand what

576
00:28:14,400 --> 00:28:15,280
Speaker 2: living is about.

577
00:28:16,000 --> 00:28:20,960
Speaker 4: Hit you think, you think to a certain extent, though,

578
00:28:21,000 --> 00:28:24,439
Speaker 4: that's what it may take to be great, Like you

579
00:28:24,440 --> 00:28:27,240
Speaker 4: could be really good, but like the greats all seem

580
00:28:27,280 --> 00:28:30,760
Speaker 4: to have this distorted story, like it's never just black

581
00:28:30,760 --> 00:28:31,160
Speaker 4: and white.

582
00:28:31,480 --> 00:28:36,240
Speaker 3: I think that the way this ship is now, it ain't.

583
00:28:36,080 --> 00:28:40,920
Speaker 2: Its it's politics, bro, it's hand chosen. It's not like

584
00:28:41,720 --> 00:28:46,680
Speaker 2: it's no more great. It's hand it's hand picked, it's

585
00:28:46,800 --> 00:28:49,040
Speaker 2: it's it's it's rigged like an election.

586
00:28:49,760 --> 00:28:52,000
Speaker 3: Damn, you said the music industry rigged like a lection.

587
00:28:52,200 --> 00:28:56,840
Speaker 2: Yeah, Like it don't depend like basically saying, it don't

588
00:28:56,840 --> 00:28:59,080
Speaker 2: matter how talenty you are, how much you work, if

589
00:28:59,120 --> 00:29:01,320
Speaker 2: you got to get that look and went from being

590
00:29:01,360 --> 00:29:04,840
Speaker 2: talented too popular, you know what I'm saying. So if

591
00:29:04,840 --> 00:29:07,880
Speaker 2: I'm on Instagram getting views and do whatever I gotta

592
00:29:07,880 --> 00:29:09,680
Speaker 2: do to get views and this this and that, that

593
00:29:09,560 --> 00:29:11,920
Speaker 2: and that, it ain't about talent no more. It's about

594
00:29:12,000 --> 00:29:14,280
Speaker 2: how many harmonies I can stack, or the fact that

595
00:29:14,280 --> 00:29:16,680
Speaker 2: I number theory of music, or the time that I

596
00:29:16,720 --> 00:29:19,560
Speaker 2: put into learning how to make music, or the years

597
00:29:19,600 --> 00:29:25,480
Speaker 2: that I speak. It's about popularity. You got the girls

598
00:29:25,480 --> 00:29:29,480
Speaker 2: on Love and hip Hop making music now, damn, and

599
00:29:29,520 --> 00:29:30,760
Speaker 2: it's like, Okay, she's popular.

600
00:29:31,640 --> 00:29:33,240
Speaker 3: That's that. Come on, Who is.

601
00:29:33,200 --> 00:29:34,160
Speaker 1: The last great? Though?

602
00:29:34,800 --> 00:29:36,320
Speaker 4: I'm trying to think who was great? Who was the

603
00:29:36,400 --> 00:29:40,080
Speaker 4: last great? And this is all opinionated the last great

604
00:29:40,280 --> 00:29:43,440
Speaker 4: great artists in terms of what like what you just

605
00:29:43,520 --> 00:29:44,440
Speaker 4: telling Swift great?

606
00:29:47,840 --> 00:29:53,320
Speaker 2: It's Drake great. Drake is definitely great. Telling Swift is

607
00:29:53,360 --> 00:29:53,960
Speaker 2: definitely great.

608
00:29:55,800 --> 00:30:00,000
Speaker 4: But you're saying, like posts, but if it wasn't for

609
00:30:00,080 --> 00:30:03,680
Speaker 4: Wayne and going through what he'd been through, Drake wouldn't

610
00:30:03,720 --> 00:30:04,280
Speaker 4: have been Drake.

611
00:30:04,800 --> 00:30:05,120
Speaker 2: M M.

612
00:30:06,400 --> 00:30:08,360
Speaker 3: You know what I'm saying, Like they.

613
00:30:08,400 --> 00:30:11,760
Speaker 2: Like Nikki and all of them, you know, with with

614
00:30:11,840 --> 00:30:14,800
Speaker 2: Wayne what he had going get like being under the

615
00:30:14,840 --> 00:30:18,920
Speaker 2: hardest artists. They started off on two buses. They have

616
00:30:19,000 --> 00:30:21,360
Speaker 2: to take the minivans and go to radio.

617
00:30:21,200 --> 00:30:24,000
Speaker 3: Stations one by one by one night we did. You

618
00:30:24,040 --> 00:30:24,440
Speaker 3: know what I'm saying.

619
00:30:24,440 --> 00:30:28,080
Speaker 2: The next thing they getting bottles of Don Perry on

620
00:30:28,240 --> 00:30:30,160
Speaker 2: and you know what I'm saying, they have to go

621
00:30:30,240 --> 00:30:34,240
Speaker 2: through the private jets they like, you know, somebody paid

622
00:30:34,240 --> 00:30:36,120
Speaker 2: the way for them to do that, and Wayne was one.

623
00:30:36,040 --> 00:30:41,680
Speaker 1: Of the hmm. That's an interesting perspective, you feel.

624
00:30:41,880 --> 00:30:43,479
Speaker 2: Look at the look at the look at the college

625
00:30:43,480 --> 00:30:45,040
Speaker 2: players now they getting paid.

626
00:30:45,120 --> 00:30:49,120
Speaker 3: Now who paid the way for that? So you're saying

627
00:30:49,120 --> 00:30:50,200
Speaker 3: that they may not be great.

628
00:30:51,040 --> 00:30:53,880
Speaker 2: I'm just saying, like everything was done down for them

629
00:30:54,360 --> 00:31:00,360
Speaker 2: for you know, each generation gets worse. I feel, I'm saying,

630
00:31:00,440 --> 00:31:06,120
Speaker 2: has the music industry which way they rigging it? Well,

631
00:31:07,000 --> 00:31:10,640
Speaker 2: before you had radio, that was a system. You got

632
00:31:10,720 --> 00:31:11,440
Speaker 2: BT on the.

633
00:31:11,400 --> 00:31:15,120
Speaker 3: Sixth and Park, that was a system.

634
00:31:14,360 --> 00:31:17,240
Speaker 2: You got Spotify, You're all these different somebody's ahead of

635
00:31:17,240 --> 00:31:19,760
Speaker 2: these things and saying when you look at these playlists,

636
00:31:19,760 --> 00:31:22,200
Speaker 2: you'll be like, damn, that's the R and B playlist.

637
00:31:22,480 --> 00:31:26,360
Speaker 2: That ain't no fucking R and B. Bro, You'd be like,

638
00:31:26,400 --> 00:31:29,520
Speaker 2: who put this playlist together? Not a person that lived

639
00:31:29,640 --> 00:31:31,800
Speaker 2: R and B. Not a person that's going to all

640
00:31:31,840 --> 00:31:34,840
Speaker 2: the R and B parties and living this lifestyle and

641
00:31:35,240 --> 00:31:37,960
Speaker 2: grew up, you know what I'm saying, Like, you know,

642
00:31:38,520 --> 00:31:42,440
Speaker 2: it's somebody that is not a part of the culture.

643
00:31:43,000 --> 00:31:44,200
Speaker 3: Since we're talking about culture.

644
00:31:45,400 --> 00:31:49,800
Speaker 6: Damn, the curators are really far removed from the reality

645
00:31:49,800 --> 00:31:50,320
Speaker 6: of R and B.

646
00:31:50,520 --> 00:31:55,479
Speaker 2: Yeah, And it's like, okay, how many how many how

647
00:31:55,520 --> 00:31:57,200
Speaker 2: many okay, how many.

648
00:31:57,080 --> 00:31:59,440
Speaker 3: Jewish R and B artists are there versus how many

649
00:31:59,520 --> 00:32:01,360
Speaker 3: like black kids are there?

650
00:32:02,560 --> 00:32:05,480
Speaker 5: You know, I need the Jews are out numbered? Huh,

651
00:32:05,840 --> 00:32:07,040
Speaker 5: the Jews are out numbered.

652
00:32:07,080 --> 00:32:10,040
Speaker 3: You know what I'm saying, how many? How many? How

653
00:32:10,040 --> 00:32:11,440
Speaker 3: many Jewish R and B artists?

654
00:32:11,480 --> 00:32:13,240
Speaker 5: You know, I can't name one?

655
00:32:13,960 --> 00:32:19,720
Speaker 3: Okay, that's my point. And not against nothing against Jewish people.

656
00:32:20,320 --> 00:32:24,320
Speaker 2: I love everybody, but just think about that little black

657
00:32:24,360 --> 00:32:26,760
Speaker 2: boys and little black girls. They take from the hood

658
00:32:27,320 --> 00:32:31,480
Speaker 2: and they don't make you a brand. These people ain't

659
00:32:31,560 --> 00:32:35,720
Speaker 2: never had nothing go crazy. Yeah, they staying character. They're

660
00:32:35,760 --> 00:32:39,560
Speaker 2: not mentally saying. Think about in the past, generations and

661
00:32:39,600 --> 00:32:43,840
Speaker 2: generations before what those artists that now some of them

662
00:32:44,240 --> 00:32:48,280
Speaker 2: do shows still and people celebrate them because R and

663
00:32:48,320 --> 00:32:50,440
Speaker 2: B is a celebration and we have our own parties

664
00:32:50,440 --> 00:33:02,120
Speaker 2: and ship now. But just think about that, brom mhould.

665
00:32:57,920 --> 00:33:02,080
Speaker 4: You would you tell some you advise people to get

666
00:33:02,120 --> 00:33:06,200
Speaker 4: in this ship or do something else young young people.

667
00:33:06,520 --> 00:33:08,440
Speaker 2: I would advise anybody to do what they want to do,

668
00:33:08,520 --> 00:33:10,080
Speaker 2: because you can do what you want to do.

669
00:33:10,200 --> 00:33:12,320
Speaker 3: Like this, this world and this earth is.

670
00:33:13,960 --> 00:33:16,200
Speaker 2: For the taking, bro, you know what I'm saying, Like,

671
00:33:16,760 --> 00:33:19,120
Speaker 2: if you put your mind to go after it, you

672
00:33:19,160 --> 00:33:24,360
Speaker 2: know what I mean, just look at the history before beforehand.

673
00:33:24,240 --> 00:33:25,840
Speaker 3: And and see how you can make your mark. I'm

674
00:33:25,840 --> 00:33:26,880
Speaker 3: pretty sure Drake did it.

675
00:33:27,160 --> 00:33:29,000
Speaker 2: I'm pretty sure a lot of people look at the

676
00:33:29,080 --> 00:33:32,160
Speaker 2: history and Okay, that's how this person messed up, and

677
00:33:32,200 --> 00:33:33,200
Speaker 2: that's what this person did.

678
00:33:33,800 --> 00:33:36,200
Speaker 3: So I'm gonna do just just be smart about it,

679
00:33:36,320 --> 00:33:38,600
Speaker 3: that's all. Mhmm.

680
00:33:39,720 --> 00:33:48,920
Speaker 1: What you think, Easier Rapper singer, I don't, I don't,

681
00:33:49,320 --> 00:33:49,680
Speaker 1: I don't.

682
00:33:50,120 --> 00:33:53,360
Speaker 2: I don't want to say either, because it's hard being

683
00:33:53,360 --> 00:33:57,640
Speaker 2: a creative be right, rap though I can't, But it's

684
00:33:57,640 --> 00:33:59,880
Speaker 2: hard being the creator based on what you're going through,

685
00:33:59,880 --> 00:34:02,360
Speaker 2: you know what I'm saying. Singing, obviously you gotta get

686
00:34:02,480 --> 00:34:06,400
Speaker 2: notes and ship right, but rapping you gotta rap on

687
00:34:06,440 --> 00:34:10,680
Speaker 2: the same frequency and be able to deliver, you know

688
00:34:10,760 --> 00:34:13,319
Speaker 2: what I'm saying what people want to hear.

689
00:34:13,480 --> 00:34:15,120
Speaker 3: So at the end of the day, it's the same

690
00:34:15,160 --> 00:34:16,640
Speaker 3: thing if you got to music.

691
00:34:18,480 --> 00:34:21,319
Speaker 6: So outside of music and R and B and all

692
00:34:21,320 --> 00:34:23,160
Speaker 6: of that kind of stuff, I know you said that

693
00:34:23,200 --> 00:34:24,000
Speaker 6: you were a foodie.

694
00:34:24,120 --> 00:34:26,799
Speaker 5: So what do you like to cook?

695
00:34:28,719 --> 00:34:30,520
Speaker 3: Or can I can cook?

696
00:34:31,200 --> 00:34:35,120
Speaker 5: I can cook like basic Cameron or hot dog cook.

697
00:34:35,080 --> 00:34:37,880
Speaker 3: Or like, yeah, I can I can cook everything.

698
00:34:38,360 --> 00:34:40,200
Speaker 5: Spanish squad outfreid I'll cook.

699
00:34:41,840 --> 00:34:44,000
Speaker 2: I can cook. Everybody can cook our freid on. That's

700
00:34:44,040 --> 00:34:46,400
Speaker 2: that's y'all go to like women, y'all be getting lazy.

701
00:34:46,520 --> 00:34:53,200
Speaker 5: But can you properly? Yes, that's easy.

702
00:34:53,360 --> 00:34:55,560
Speaker 3: If you can fry conk, you can fry fish, you

703
00:34:55,600 --> 00:34:57,080
Speaker 3: can fry kelamara. If you will cook, you.

704
00:34:57,120 --> 00:34:58,840
Speaker 5: Know that, but you know you can overcook it and

705
00:34:58,880 --> 00:34:59,600
Speaker 5: it can be tough.

706
00:35:00,239 --> 00:35:03,560
Speaker 3: Yeah you can't. You can overcook anything. Ye gotta be

707
00:35:03,600 --> 00:35:04,279
Speaker 3: just kind of mar.

708
00:35:10,640 --> 00:35:14,359
Speaker 5: Yes. Okay, So outside of the cooking.

709
00:35:14,080 --> 00:35:15,400
Speaker 6: What else do you like to do, Like, what are

710
00:35:15,440 --> 00:35:17,200
Speaker 6: some of your hobbies or favorite actippies.

711
00:35:17,440 --> 00:35:20,200
Speaker 3: I like to go hunting. I like to kill things.

712
00:35:21,719 --> 00:35:24,879
Speaker 5: Like game or like duck hunting, like what.

713
00:35:25,120 --> 00:35:27,359
Speaker 3: I like to kill things like animals and ship.

714
00:35:27,840 --> 00:35:31,360
Speaker 5: So game.

715
00:35:33,600 --> 00:35:40,279
Speaker 2: Now, I'm more so like a game night type of dude.

716
00:35:40,320 --> 00:35:40,799
Speaker 3: You know what I'm saying.

717
00:35:40,840 --> 00:35:46,400
Speaker 2: I like to play cards like tongue, roll dice, play twister.

718
00:35:47,160 --> 00:35:48,240
Speaker 3: Nah, I don't play twister.

719
00:35:48,680 --> 00:35:54,239
Speaker 2: I play I play say, I shoot se low, I

720
00:35:54,320 --> 00:35:59,319
Speaker 2: play tongue, I play spades, I play you know the

721
00:35:59,360 --> 00:36:08,320
Speaker 2: real nigga you're talking about the rapper twister. That's my dog.

722
00:36:08,440 --> 00:36:11,080
Speaker 2: But outside of that, we ain't playing. I'm gonna watch

723
00:36:11,120 --> 00:36:14,040
Speaker 2: the girls play Twisted Down. I'll pay you to that

724
00:36:15,320 --> 00:36:16,279
Speaker 2: Twisted You know.

725
00:36:18,640 --> 00:36:20,759
Speaker 6: A lot of people like we played. I used to

726
00:36:20,800 --> 00:36:24,640
Speaker 6: be in college drunk game night. You gotta spin the

727
00:36:24,719 --> 00:36:26,759
Speaker 6: thing and then you gotta put like your left hand

728
00:36:26,760 --> 00:36:29,480
Speaker 6: on the red dot and then your right leg on

729
00:36:29,520 --> 00:36:32,040
Speaker 6: the blue dot, and you gotta try not to fall.

730
00:36:32,120 --> 00:36:34,399
Speaker 6: You gotta twist yourself and like not the fall.

731
00:36:34,800 --> 00:36:40,160
Speaker 1: You see that commercial before. Yeah, you seen that ship

732
00:36:40,160 --> 00:36:42,600
Speaker 1: before playing pistol.

733
00:36:44,640 --> 00:36:54,160
Speaker 3: That's not the three fourth shot.

734
00:36:54,520 --> 00:36:56,080
Speaker 1: You know what I mean?

735
00:36:56,120 --> 00:36:57,400
Speaker 5: I always shoot. I'm a shooter.

736
00:36:58,920 --> 00:37:00,279
Speaker 3: So rock is rock?

737
00:37:00,600 --> 00:37:03,560
Speaker 5: No, but I played that, but I'm always shoot.

738
00:37:05,000 --> 00:37:12,600
Speaker 7: Rock paper scissors. She gotta pick one. Okay, three rocks rock?

739
00:37:14,800 --> 00:37:18,280
Speaker 7: See so I beat you? Did you cut the paper?

740
00:37:18,960 --> 00:37:21,040
Speaker 7: But normally the paper can crumple.

741
00:37:20,800 --> 00:37:25,160
Speaker 3: Up the lost that's what is it? Okay, rock paper,

742
00:37:25,520 --> 00:37:30,280
Speaker 3: shoot some paper couple. She noint gotta take the shot.

743
00:37:31,960 --> 00:37:35,160
Speaker 5: Oh, shoot the shot, not to shoot the game. Shoot

744
00:37:35,280 --> 00:37:35,560
Speaker 5: the gun.

745
00:37:37,440 --> 00:37:39,920
Speaker 3: I didn't know, like, oh, I want to play? Huh?

746
00:37:40,040 --> 00:37:40,760
Speaker 1: Got crazy?

747
00:37:40,800 --> 00:37:43,399
Speaker 3: Okay? Drinking or nothing? Now object with you doing.

748
00:37:43,440 --> 00:37:46,040
Speaker 5: I'm gonna you gotta make a hangout for the niggas

749
00:37:46,040 --> 00:37:46,520
Speaker 5: that ain't here.

750
00:37:48,800 --> 00:37:50,120
Speaker 3: What made you move out to city?

751
00:37:52,000 --> 00:37:52,560
Speaker 7: What like?

752
00:37:52,600 --> 00:37:54,560
Speaker 3: What made you move away from home? White? US State?

753
00:37:54,719 --> 00:37:56,040
Speaker 3: Like what I feel like?

754
00:37:56,640 --> 00:38:00,080
Speaker 2: So my whole career, I'm a living in Miami. You

755
00:38:00,160 --> 00:38:02,560
Speaker 2: I'm limited to I can to who I can work with.

756
00:38:03,200 --> 00:38:06,080
Speaker 2: So my whole career I worked with just Jim Johnson

757
00:38:06,239 --> 00:38:09,399
Speaker 2: and Big Dye and then of course you got Cool

758
00:38:09,440 --> 00:38:10,319
Speaker 2: and Dre down there.

759
00:38:11,320 --> 00:38:18,360
Speaker 3: You got Rico Love. That's my brother and ship. You know,

760
00:38:18,400 --> 00:38:18,960
Speaker 3: what I'm saying.

761
00:38:19,320 --> 00:38:21,920
Speaker 2: There's a few other people down there, but people go

762
00:38:21,960 --> 00:38:24,759
Speaker 2: to Miamy and be on vacation. You said, basically, you

763
00:38:24,800 --> 00:38:27,719
Speaker 2: need to be inspired. Way wait where you can be here,

764
00:38:27,840 --> 00:38:29,239
Speaker 2: be there, be here. You know what I'm saying, get

765
00:38:29,239 --> 00:38:32,239
Speaker 2: some work, work done. So so no, my whole career,

766
00:38:32,280 --> 00:38:34,920
Speaker 2: I was against it because I didn't understand it. And

767
00:38:34,600 --> 00:38:37,160
Speaker 2: and then my men talk, he sweat. He was like, Yo,

768
00:38:37,440 --> 00:38:41,440
Speaker 2: come on out here and just you know, try Leonard,

769
00:38:41,840 --> 00:38:44,680
Speaker 2: you know. And I got the opportunity to work with

770
00:38:44,680 --> 00:38:52,160
Speaker 2: Brian Mickael Cox, JD fucking you know, Zatoven fucking like

771
00:38:52,719 --> 00:38:59,319
Speaker 2: I got the Sean Gary Uh, Damien Thomas, like I

772
00:38:59,360 --> 00:39:01,719
Speaker 2: got the little Like I got to work with so

773
00:39:01,840 --> 00:39:04,759
Speaker 2: many different people, and it's like, well damn, this is

774
00:39:05,040 --> 00:39:07,600
Speaker 2: behind down here. Like everybody got a restaurant in Atlanta,

775
00:39:08,080 --> 00:39:10,320
Speaker 2: A black person get a restaurant in Miami's.

776
00:39:09,880 --> 00:39:14,239
Speaker 3: Like, oh shit, you got a fucking restaurant. You like,

777
00:39:14,880 --> 00:39:16,680
Speaker 3: go to my home with shit down the street. I'm

778
00:39:16,680 --> 00:39:18,200
Speaker 3: gonna go to you know.

779
00:39:18,760 --> 00:39:22,279
Speaker 2: I just I just love to see black excellence and

780
00:39:22,320 --> 00:39:25,000
Speaker 2: I love to see black people doing their thing. Like

781
00:39:25,160 --> 00:39:29,959
Speaker 2: look at everybody here, Maron, it's us. You know, and

782
00:39:30,160 --> 00:39:33,120
Speaker 2: in Miami, we don't. We don't have that, So you

783
00:39:33,239 --> 00:39:35,840
Speaker 2: limit it to what you can do and what you

784
00:39:35,880 --> 00:39:39,080
Speaker 2: can accomplish. So for me to have all these albums,

785
00:39:39,520 --> 00:39:41,440
Speaker 2: you know, ready with and I don't work with all

786
00:39:41,440 --> 00:39:44,719
Speaker 2: these great people and the fact that Boosy on my

787
00:39:44,760 --> 00:39:49,359
Speaker 2: first single, you know, birthday sex, I can go to Boosy,

788
00:39:49,400 --> 00:39:52,080
Speaker 2: got a pool, come to my pool party, pull on

789
00:39:52,120 --> 00:39:53,759
Speaker 2: a do like everybody's here.

790
00:39:54,680 --> 00:39:56,719
Speaker 3: I just loved it about the city, like I love that.

791
00:39:58,480 --> 00:39:59,759
Speaker 5: So do you think you ever want to leave and

792
00:39:59,800 --> 00:40:00,520
Speaker 5: go somewhere else?

793
00:40:01,840 --> 00:40:03,400
Speaker 3: This is the first place I ever moved to.

794
00:40:04,200 --> 00:40:06,319
Speaker 2: When I go to other places like l A, I'll

795
00:40:06,360 --> 00:40:08,600
Speaker 2: be like I lived there for three years too, but

796
00:40:09,920 --> 00:40:14,080
Speaker 2: you know it was like, eh, people here just so

797
00:40:14,239 --> 00:40:18,799
Speaker 2: genuine and so cool, and it's just a place I

798
00:40:18,840 --> 00:40:21,600
Speaker 2: just feel like home. Every time I leave too long,

799
00:40:21,640 --> 00:40:24,759
Speaker 2: I gotta I gotta get back. Today they charging too

800
00:40:24,840 --> 00:40:26,880
Speaker 2: much for bottle prices. They acting like that, give me

801
00:40:27,040 --> 00:40:30,320
Speaker 2: give me back to Atlanta. They doing this, they fucking

802
00:40:30,400 --> 00:40:33,600
Speaker 2: were going back. I gotta get back home. Yeah, yeah,

803
00:40:34,239 --> 00:40:37,800
Speaker 2: feel me, Yeah, nigga, Like you know, I'm everywhere.

804
00:40:37,800 --> 00:40:40,279
Speaker 3: I'm on the South, I'm merrywell, I'm on the South Side.

805
00:40:40,280 --> 00:40:43,879
Speaker 3: I'm everywhere. But yeah, I'm a strip club king.

806
00:40:44,160 --> 00:40:47,320
Speaker 2: Ask anybody any R and B nigga at they't outside,

807
00:40:47,360 --> 00:40:48,160
Speaker 2: I'm outside.

808
00:40:49,160 --> 00:40:51,000
Speaker 3: You're gonna You're gonna see me at Magic City. You're

809
00:40:51,000 --> 00:40:52,800
Speaker 3: gonna see me as.

810
00:40:52,520 --> 00:40:55,120
Speaker 2: You're gonna see me out and about doing my thing,

811
00:40:55,200 --> 00:40:57,399
Speaker 2: you know what I'm saying, minding my business, you feel me?

812
00:40:57,960 --> 00:41:00,160
Speaker 5: So let me ask you this. Are you into politics

813
00:41:00,200 --> 00:41:00,560
Speaker 5: at all?

814
00:41:01,880 --> 00:41:02,359
Speaker 1: Mm hmm.

815
00:41:02,920 --> 00:41:05,880
Speaker 6: Okay, So you don't have any kind of like opinion

816
00:41:05,960 --> 00:41:07,799
Speaker 6: on what's going on with Trump or anything like that.

817
00:41:10,160 --> 00:41:14,239
Speaker 1: Nope, Okay, You're a voter, not a voter.

818
00:41:16,920 --> 00:41:20,759
Speaker 2: I think everybody should vote, you know, based on what

819
00:41:20,800 --> 00:41:22,759
Speaker 2: they believe in and who they think.

820
00:41:22,840 --> 00:41:25,719
Speaker 3: You know, But I just don't get into that kind

821
00:41:25,760 --> 00:41:26,239
Speaker 3: of stuff. Bro.

822
00:41:27,440 --> 00:41:29,160
Speaker 5: Do you understand the importance of it?

823
00:41:30,719 --> 00:41:32,920
Speaker 3: But I just don't. I'm an R and B singer,

824
00:41:34,000 --> 00:41:34,960
Speaker 3: and my job is to.

825
00:41:36,680 --> 00:41:38,080
Speaker 5: Make people move and groove.

826
00:41:38,040 --> 00:41:42,120
Speaker 2: Make people fall in love again, make people, you know,

827
00:41:42,239 --> 00:41:45,759
Speaker 2: make babies, make people when they break up and ship

828
00:41:45,800 --> 00:41:49,279
Speaker 2: get them back together, you know, you know, set the

829
00:41:49,360 --> 00:41:57,480
Speaker 2: mood for a good evening, good vibes. I'm not in that, okay, man.

830
00:41:57,520 --> 00:42:01,719
Speaker 4: A long lasting narrative is the one of like, uh,

831
00:42:02,160 --> 00:42:05,000
Speaker 4: you know, artists getting into bad contracts and shit. And

832
00:42:05,040 --> 00:42:07,880
Speaker 4: I think I read somewhere where there was some some

833
00:42:07,880 --> 00:42:10,560
Speaker 4: some some business stuff that you went through as well,

834
00:42:10,640 --> 00:42:13,120
Speaker 4: like how do you think artists can avoid that bad

835
00:42:13,200 --> 00:42:13,959
Speaker 4: contract shit?

836
00:42:14,480 --> 00:42:16,279
Speaker 1: And who do you think is that fault?

837
00:42:16,280 --> 00:42:18,000
Speaker 4: Because they always kind of want to blame I guess,

838
00:42:18,080 --> 00:42:19,920
Speaker 4: like the labels and all that type of stuff. And

839
00:42:19,960 --> 00:42:22,560
Speaker 4: in the same respect, the labels, labels and managers might

840
00:42:22,560 --> 00:42:24,279
Speaker 4: say the artists should have had a lawyer, like what's

841
00:42:24,280 --> 00:42:25,600
Speaker 4: your what's your take on all that?

842
00:42:25,840 --> 00:42:31,399
Speaker 2: When I got in the game, my father figure, who

843
00:42:31,480 --> 00:42:36,160
Speaker 2: was an investor who invested in our career as a group.

844
00:42:36,960 --> 00:42:40,960
Speaker 3: He made us sign a contract. No lawyer, no nothing.

845
00:42:41,600 --> 00:42:44,359
Speaker 2: He said, sorry, man, you know I gotta make y'all

846
00:42:44,360 --> 00:42:48,000
Speaker 2: sign this contract because Atlantic making me do it and whatever.

847
00:42:48,280 --> 00:42:50,960
Speaker 2: I'm a kid from the streets, you know what I'm saying.

848
00:42:51,360 --> 00:42:55,400
Speaker 2: So my mother wasn't there to look over the contract.

849
00:42:55,440 --> 00:42:57,360
Speaker 2: My father was in there to look over the contract.

850
00:42:57,880 --> 00:43:01,719
Speaker 2: I signed off the loyalty storm. Coming from nothing, you

851
00:43:01,719 --> 00:43:03,360
Speaker 2: know what I'm saying. This then got a big house,

852
00:43:03,960 --> 00:43:04,760
Speaker 2: he got everything.

853
00:43:05,040 --> 00:43:06,759
Speaker 3: He know, you know what I'm saying. He know the

854
00:43:06,760 --> 00:43:08,399
Speaker 3: way I was thinking.

855
00:43:08,080 --> 00:43:11,040
Speaker 2: That he got my best interest int heart, but he

856
00:43:11,120 --> 00:43:13,360
Speaker 2: know he doing the whole damn time, you know what

857
00:43:13,400 --> 00:43:16,960
Speaker 2: I'm saying. So then when time's come to where he

858
00:43:17,000 --> 00:43:19,720
Speaker 2: feel like he owned you, because when that comes to ego,

859
00:43:20,600 --> 00:43:22,799
Speaker 2: like he owned you, like I own this nigga man,

860
00:43:23,320 --> 00:43:26,120
Speaker 2: Like y'all just want my own house and my own car, bro,

861
00:43:26,200 --> 00:43:29,399
Speaker 2: because we know we're plottingum now and you ain't got

862
00:43:29,440 --> 00:43:33,320
Speaker 2: no money what and that's when all hell break loose,

863
00:43:33,400 --> 00:43:34,000
Speaker 2: you know what I'm saying.

864
00:43:34,080 --> 00:43:36,600
Speaker 3: Then, what the what the people that the labeled do?

865
00:43:36,880 --> 00:43:38,359
Speaker 1: How do you say he was plating on y'all? Didn't

866
00:43:38,400 --> 00:43:39,160
Speaker 1: have a car in the house?

867
00:43:40,320 --> 00:43:41,319
Speaker 3: No, I didn't.

868
00:43:41,880 --> 00:43:45,399
Speaker 2: We stayed in his house. Okay, you know what I'm saying.

869
00:43:45,400 --> 00:43:47,040
Speaker 2: I stayed in his house for like eight months before

870
00:43:47,040 --> 00:43:49,120
Speaker 2: we got a deal. Then after that we'll be on

871
00:43:49,160 --> 00:43:52,760
Speaker 2: the road twenty four seven, twenty four seven, you know, performing,

872
00:43:52,800 --> 00:43:55,080
Speaker 2: performing performance, So you ain't got time.

873
00:43:54,840 --> 00:43:56,440
Speaker 3: To spend money because you were in four cities in

874
00:43:56,520 --> 00:43:56,879
Speaker 3: one day.

875
00:43:57,480 --> 00:43:59,920
Speaker 2: So you finally get home and you get a real

876
00:44:00,320 --> 00:44:02,640
Speaker 2: checked like okay, I got a son at this time,

877
00:44:02,719 --> 00:44:06,040
Speaker 2: all kind of shit like yo, man, like I just

878
00:44:06,080 --> 00:44:09,800
Speaker 2: want to Yeah, I'm a Brown these niggas twenty four seven.

879
00:44:10,400 --> 00:44:12,160
Speaker 2: I need my own space kind of shit for.

880
00:44:12,280 --> 00:44:13,360
Speaker 5: My fucking family.

881
00:44:13,760 --> 00:44:15,880
Speaker 3: Yeah, you know what I'm saying. I say, nigga, you

882
00:44:15,880 --> 00:44:18,040
Speaker 3: ain't nigga, you ain't got no money.

883
00:44:18,200 --> 00:44:20,160
Speaker 2: I charged you for the forts and the knife and

884
00:44:20,160 --> 00:44:23,240
Speaker 2: the pillow that you set on it, the cup people

885
00:44:23,320 --> 00:44:25,319
Speaker 2: that itemized list of everything in this house, and say,

886
00:44:25,320 --> 00:44:27,719
Speaker 2: I spent my money on that. And I was like, well,

887
00:44:28,600 --> 00:44:32,359
Speaker 2: Jez had a solo deal with Boys in the Hood. Yeah,

888
00:44:32,400 --> 00:44:33,560
Speaker 2: it was in Boys in the Hood, but he had

889
00:44:33,560 --> 00:44:35,840
Speaker 2: a soldo. So I said, well, I ain't understand the

890
00:44:35,840 --> 00:44:38,160
Speaker 2: business understood. Why can't I get a solo deal like

891
00:44:38,200 --> 00:44:41,120
Speaker 2: Jesus to get some money there? Right, don't you ever

892
00:44:41,160 --> 00:44:42,240
Speaker 2: think about going solo?

893
00:44:42,360 --> 00:44:42,640
Speaker 1: Nigga?

894
00:44:42,800 --> 00:44:44,239
Speaker 2: I own you, I said, but I don't need to

895
00:44:44,280 --> 00:44:46,359
Speaker 2: sell a contract to be in the group. And then

896
00:44:46,440 --> 00:44:48,560
Speaker 2: he was like, I owned you. And that's when I

897
00:44:48,600 --> 00:44:51,480
Speaker 2: was like, hold on and all hell broke loose. You

898
00:44:51,520 --> 00:44:52,640
Speaker 2: know what I'm saying. I want and have got my

899
00:44:52,640 --> 00:44:56,920
Speaker 2: own lawyer, my own manager. Jimmy Henchman was my manager

900
00:44:56,960 --> 00:45:00,799
Speaker 2: at the time. And you know, I worked my way

901
00:45:00,840 --> 00:45:04,640
Speaker 2: out of that situation thanks to Brian McKinney. He gave

902
00:45:04,680 --> 00:45:08,400
Speaker 2: me like seventy thousand at one point to fight the

903
00:45:08,480 --> 00:45:12,279
Speaker 2: case and and was, you know, a part of my

904
00:45:12,320 --> 00:45:15,080
Speaker 2: whole process and the starting the label and all that

905
00:45:15,160 --> 00:45:19,200
Speaker 2: kind of stuff. And you know, after a while, I

906
00:45:19,280 --> 00:45:23,920
Speaker 2: kept putting out songs replies, Yo, Gotti, little Wayne, all

907
00:45:23,960 --> 00:45:26,080
Speaker 2: those guys help me. Thank y'all got so much, all

908
00:45:26,120 --> 00:45:31,560
Speaker 2: of y'all and ship. I forced their hand to let

909
00:45:31,600 --> 00:45:33,720
Speaker 2: me out of my contract. I gave him five hundred

910
00:45:33,760 --> 00:45:34,959
Speaker 2: thousand and never look back.

911
00:45:36,680 --> 00:45:41,040
Speaker 1: They said, else when I got big.

912
00:45:42,080 --> 00:45:44,799
Speaker 3: What was you the first one to like? I was

913
00:45:45,480 --> 00:45:47,680
Speaker 3: if it was if this is n w A, I

914
00:45:47,760 --> 00:45:49,800
Speaker 3: was ice cube And the same thing.

915
00:45:49,760 --> 00:45:53,799
Speaker 2: Happened, because it happens over and over and over and

916
00:45:53,840 --> 00:45:59,560
Speaker 2: over and over again. Yeah, and they divide and conquer.

917
00:46:00,040 --> 00:46:02,960
Speaker 2: They see us fighting each other, they getting between. They

918
00:46:03,000 --> 00:46:06,319
Speaker 2: gained the power because we're too ignorant to come together

919
00:46:06,360 --> 00:46:08,200
Speaker 2: and say, now you know what, I ain't like this,

920
00:46:08,360 --> 00:46:11,399
Speaker 2: so we communicator. You know what I'm saying. And then

921
00:46:11,960 --> 00:46:13,439
Speaker 2: at the end of the day you get the Hot

922
00:46:13,480 --> 00:46:16,640
Speaker 2: Boys reunion. So was you trying to tell them the

923
00:46:16,680 --> 00:46:20,560
Speaker 2: other one? Yes, what they were saying, that's their father,

924
00:46:20,719 --> 00:46:21,959
Speaker 2: So they can't go against their father.

925
00:46:22,560 --> 00:46:23,400
Speaker 1: That their blood.

926
00:46:23,440 --> 00:46:25,239
Speaker 3: But as time going, the nigga.

927
00:46:24,960 --> 00:46:26,880
Speaker 6: That was telling you that you owed for forks and

928
00:46:26,960 --> 00:46:28,280
Speaker 6: spoons was their father.

929
00:46:28,680 --> 00:46:32,880
Speaker 3: Yeah, that was all y'all father, right, basically blood. That

930
00:46:33,040 --> 00:46:33,919
Speaker 3: was their blood father.

931
00:46:34,000 --> 00:46:36,359
Speaker 2: But because because the way I came up, I looked

932
00:46:36,360 --> 00:46:38,280
Speaker 2: at him like a father, thinking, yeah.

933
00:46:38,160 --> 00:46:38,799
Speaker 3: That's what I'm saying.

934
00:46:38,800 --> 00:46:41,520
Speaker 6: Oh okay, okay, yeah, I thought you were speaking like

935
00:46:41,920 --> 00:46:43,280
Speaker 6: figuratively not literally.

936
00:46:43,440 --> 00:46:46,319
Speaker 3: No, that was their father, two of them, bare baby

937
00:46:46,320 --> 00:46:47,919
Speaker 3: blueing spectacle. That was their father.

938
00:46:48,880 --> 00:46:49,240
Speaker 1: Damn.

939
00:46:50,320 --> 00:46:52,520
Speaker 2: But I still, you know, I still appreciate him to

940
00:46:52,520 --> 00:46:54,920
Speaker 2: this day because it wasn't for him, I wouldn't be

941
00:46:54,920 --> 00:46:55,480
Speaker 2: where I'm at.

942
00:46:55,520 --> 00:46:58,400
Speaker 3: But ship got fucked up. Ben niggas.

943
00:46:58,400 --> 00:47:01,919
Speaker 2: They had the business the right way, and shit's all good.

944
00:47:01,920 --> 00:47:05,279
Speaker 2: I'll never discredit anybody because we're still here and we

945
00:47:05,360 --> 00:47:08,279
Speaker 2: still got yeah, we still his money and everything he

946
00:47:08,320 --> 00:47:09,560
Speaker 2: did still help me get here.

947
00:47:09,560 --> 00:47:16,680
Speaker 1: So sure you damn So how can it be avoided?

948
00:47:17,080 --> 00:47:18,040
Speaker 3: Should it be avoided?

949
00:47:18,040 --> 00:47:20,480
Speaker 4: Do you think you're kind of giving the credit to

950
00:47:21,320 --> 00:47:22,560
Speaker 4: bringing you to where you are?

951
00:47:22,840 --> 00:47:22,960
Speaker 3: Right?

952
00:47:23,000 --> 00:47:25,200
Speaker 4: It's your journey, it's your story. How can it be

953
00:47:25,239 --> 00:47:26,920
Speaker 4: avoided or should it be avoided?

954
00:47:27,800 --> 00:47:30,520
Speaker 2: I don't know, man, because sometimes you got to go

955
00:47:30,560 --> 00:47:33,879
Speaker 2: through things and learn things, bro, And I will never

956
00:47:33,920 --> 00:47:34,680
Speaker 2: take back anything.

957
00:47:34,680 --> 00:47:37,360
Speaker 3: And I've been through because I'm happy as fuck. Like

958
00:47:37,400 --> 00:47:38,319
Speaker 3: I learned.

959
00:47:39,040 --> 00:47:44,000
Speaker 2: Everything from the you know, from from growing up, telemarketing job,

960
00:47:44,200 --> 00:47:46,839
Speaker 2: fucking selling dope, whatever the fuck I did when I

961
00:47:46,880 --> 00:47:49,560
Speaker 2: was growing up, locked up at a young age.

962
00:47:49,760 --> 00:47:50,359
Speaker 3: I did it.

963
00:47:50,280 --> 00:47:53,880
Speaker 2: All, you know what I'm saying, and coming, you know,

964
00:47:54,040 --> 00:47:56,279
Speaker 2: to to.

965
00:47:56,280 --> 00:47:59,480
Speaker 3: This, to this level. And I done been through the irs,

966
00:48:00,160 --> 00:48:00,800
Speaker 3: you know what I'm saying.

967
00:48:01,280 --> 00:48:05,880
Speaker 2: For him, him him not reporting money and ship like

968
00:48:05,920 --> 00:48:07,400
Speaker 2: that and me having to pay it back as a

969
00:48:07,400 --> 00:48:10,680
Speaker 2: solo artist. Nigga, that was the crazy ship, nigga, having

970
00:48:10,719 --> 00:48:12,959
Speaker 2: all your ship taken. I've been through it all ups

971
00:48:12,960 --> 00:48:17,279
Speaker 2: and downs, but I'm still up and the people that

972
00:48:17,360 --> 00:48:20,920
Speaker 2: still rocking me, they still rocking me. And that's just life.

973
00:48:21,120 --> 00:48:21,800
Speaker 3: You know what I'm saying.

974
00:48:25,120 --> 00:48:28,200
Speaker 1: It's a pleasure feece story, man, It's a pleasure fee story.

975
00:48:28,280 --> 00:48:30,880
Speaker 1: So you already kind of talked about you about to

976
00:48:30,920 --> 00:48:33,439
Speaker 1: drop some new music. You're kind of telling us off

977
00:48:33,440 --> 00:48:35,880
Speaker 1: the off the off the line about what is it

978
00:48:36,600 --> 00:48:38,719
Speaker 1: when it's two thousand and two, explain that break all

979
00:48:38,760 --> 00:48:40,600
Speaker 1: that down. So it's just.

980
00:48:40,600 --> 00:48:43,080
Speaker 2: Everything that goes On and Pinouts two thousand and two,

981
00:48:44,200 --> 00:48:49,680
Speaker 2: just different relationships and stories and different nights and just

982
00:48:50,719 --> 00:48:52,040
Speaker 2: what goes on is a lifestyle.

983
00:48:52,120 --> 00:48:53,120
Speaker 3: R and B is a lifestyle.

984
00:48:53,200 --> 00:48:57,319
Speaker 2: So what me and Al are doing now is our

985
00:48:57,360 --> 00:49:02,640
Speaker 2: brunch where pretty much branding.

986
00:49:03,320 --> 00:49:04,319
Speaker 3: That particular thing.

987
00:49:04,520 --> 00:49:12,520
Speaker 2: So we're gonna start with products, sex toys, sex enhancement products,

988
00:49:12,560 --> 00:49:15,040
Speaker 2: you know, things like that, under the pleasure of my

989
00:49:15,080 --> 00:49:19,480
Speaker 2: PE brand. And I'm doing everything like when I come

990
00:49:19,480 --> 00:49:24,400
Speaker 2: to cities, I'm doing happy hours, you know, I'm doing

991
00:49:25,320 --> 00:49:27,680
Speaker 2: but less kind of strip club nights. So I'm gonna

992
00:49:27,680 --> 00:49:32,640
Speaker 2: be doing Monday nights at ONYX Happy Hour from three

993
00:49:32,680 --> 00:49:35,000
Speaker 2: to eight. But I'm gona put on the for Less

994
00:49:35,040 --> 00:49:38,359
Speaker 2: show and let people know, like you know, and it's

995
00:49:38,440 --> 00:49:39,480
Speaker 2: like a trapping bee.

996
00:49:41,560 --> 00:49:45,600
Speaker 3: Yeah exactly. So it's like a trapping b type of thing,

997
00:49:46,000 --> 00:49:46,239
Speaker 3: like to.

998
00:49:46,239 --> 00:49:51,720
Speaker 2: Where you're gonna see Lisa Ray, you know, dancing the scenes,

999
00:49:51,760 --> 00:49:53,279
Speaker 2: like you know, you're gonna see that kind of thing

1000
00:49:53,280 --> 00:49:56,840
Speaker 2: that you're gonna see like a real show. So shouts

1001
00:49:56,840 --> 00:50:00,759
Speaker 2: out to everybody, franking everybody at Onyx. We about to

1002
00:50:00,800 --> 00:50:03,279
Speaker 2: do that. Then I got the pleasure pool at the

1003
00:50:03,320 --> 00:50:06,800
Speaker 2: Thompson Hotel on Sundays, So y'all pull up on me.

1004
00:50:06,920 --> 00:50:11,000
Speaker 2: It's gonna be crazy everything every Sunday. So come here Sunday,

1005
00:50:11,880 --> 00:50:14,719
Speaker 2: next Sunday. Every Sunday is gonna be lit right on

1006
00:50:14,760 --> 00:50:18,080
Speaker 2: East faces. Yeah, right there, So y'all pull up. It's

1007
00:50:18,080 --> 00:50:21,320
Speaker 2: gonna be plenty of ladies there. And we just branding

1008
00:50:21,360 --> 00:50:22,320
Speaker 2: the product now.

1009
00:50:22,800 --> 00:50:23,759
Speaker 3: Okay, m hm.

1010
00:50:24,320 --> 00:50:27,759
Speaker 1: And what about signing other artists? Not your thing?

1011
00:50:28,400 --> 00:50:30,879
Speaker 3: We're gonna get to that.

1012
00:50:30,920 --> 00:50:34,400
Speaker 2: I've been working with so many different artists and throughout

1013
00:50:34,440 --> 00:50:38,640
Speaker 2: the time because I'm a songwriter. But first it's just,

1014
00:50:38,920 --> 00:50:43,000
Speaker 2: you know, some artists are unappreciative. I understand. My managers

1015
00:50:43,000 --> 00:50:46,960
Speaker 2: go through they disloyal you can get a free studio

1016
00:50:47,080 --> 00:50:50,400
Speaker 2: time and whatever the fuck record songs with him, and

1017
00:50:50,480 --> 00:50:54,400
Speaker 2: now just go to somebody like it's no loyalty in

1018
00:50:54,480 --> 00:50:57,440
Speaker 2: the game and sweat say, don't work with nobody that

1019
00:50:57,560 --> 00:50:59,839
Speaker 2: you signed him. And I didn't listen to him at first.

1020
00:51:00,120 --> 00:51:02,520
Speaker 2: I was like, you know what, I don't just try

1021
00:51:02,600 --> 00:51:04,399
Speaker 2: to do it differently than how you did it when

1022
00:51:04,400 --> 00:51:08,720
Speaker 2: you were you know, young. And some of these artists

1023
00:51:08,719 --> 00:51:12,200
Speaker 2: they disappointed me because it got hit records and they

1024
00:51:12,280 --> 00:51:16,160
Speaker 2: still just looking for a wave instead of wanting to

1025
00:51:16,160 --> 00:51:21,280
Speaker 2: do the work, and social media makes it, you know, different,

1026
00:51:21,360 --> 00:51:23,040
Speaker 2: because they don't want to put the work in.

1027
00:51:23,160 --> 00:51:25,359
Speaker 3: I knew how to put the work in, and we

1028
00:51:25,400 --> 00:51:26,479
Speaker 3: was our own street team.

1029
00:51:26,719 --> 00:51:29,200
Speaker 2: We had to go to every city and touch a

1030
00:51:29,239 --> 00:51:32,239
Speaker 2: million hands, to sell a million records. We had to

1031
00:51:32,239 --> 00:51:35,120
Speaker 2: perform and make a person a fan every single night.

1032
00:51:35,400 --> 00:51:39,120
Speaker 2: We had to have a relationship with the DJs, be respectful,

1033
00:51:40,440 --> 00:51:43,960
Speaker 2: respectful to the people before us. Like that was a

1034
00:51:43,960 --> 00:51:48,280
Speaker 2: different code in this shit. Now it's like the adults

1035
00:51:48,280 --> 00:51:52,439
Speaker 2: are trying to follow the kids. They'll be cool. When

1036
00:51:52,480 --> 00:51:54,520
Speaker 2: I rode with you know, I rode to school with

1037
00:51:54,560 --> 00:51:57,400
Speaker 2: my mama. Shit, I listened to what she listened to.

1038
00:51:58,480 --> 00:52:01,600
Speaker 2: I wasn't listening to. I couldn't cuss around my mama

1039
00:52:02,719 --> 00:52:06,080
Speaker 2: certain things. Is I'll do windo bro yah.

1040
00:52:07,120 --> 00:52:09,440
Speaker 1: Yeah, you could.

1041
00:52:09,280 --> 00:52:13,520
Speaker 3: Cuss around your grandmama and your mama play certain ship.

1042
00:52:13,560 --> 00:52:15,479
Speaker 3: You couldn't. You might get around your.

1043
00:52:15,360 --> 00:52:21,160
Speaker 2: Friends because but ship, all right, knock your tea pat right,

1044
00:52:21,320 --> 00:52:23,239
Speaker 2: and you then not tell you how your tea got nothing.

1045
00:52:24,440 --> 00:52:27,839
Speaker 2: We come from drinking drinking water out of the water

1046
00:52:27,880 --> 00:52:30,920
Speaker 2: fountain in the in the in the water holes. You know,

1047
00:52:31,160 --> 00:52:36,200
Speaker 2: like we're different, these kids different in the iPad all day.

1048
00:52:36,280 --> 00:52:42,520
Speaker 2: My boy, they getting the same information as adults. You

1049
00:52:42,560 --> 00:52:45,279
Speaker 2: can see your teacher in a bikini.

1050
00:52:44,840 --> 00:52:48,799
Speaker 1: Nigga, I saw that, how, but.

1051
00:52:48,840 --> 00:52:50,279
Speaker 3: She don't look at it that way because she like,

1052
00:52:50,920 --> 00:52:52,359
Speaker 3: I'm just living my life.

1053
00:52:53,560 --> 00:52:53,920
Speaker 2: Damn.

1054
00:52:54,440 --> 00:52:59,880
Speaker 3: There's no discretion anymore. Yeah, I never looked at like that.

1055
00:53:00,080 --> 00:53:03,560
Speaker 3: You're right, there's no like and nobody sees it.

1056
00:53:03,640 --> 00:53:05,840
Speaker 1: Bro Well, I think people see it.

1057
00:53:05,880 --> 00:53:10,560
Speaker 2: They just they don't because they continuously think about it, you.

1058
00:53:10,480 --> 00:53:13,799
Speaker 4: Know how you say you just find like ignore it

1059
00:53:13,800 --> 00:53:16,160
Speaker 4: and people see what's going on. They just try to ship.

1060
00:53:16,239 --> 00:53:17,960
Speaker 3: I've been in strip club and I'll be like, I

1061
00:53:18,000 --> 00:53:18,880
Speaker 3: can't post that.

1062
00:53:20,640 --> 00:53:21,160
Speaker 1: Mm hmm.

1063
00:53:22,560 --> 00:53:26,200
Speaker 2: Because damn, my niece might be watching because she watches

1064
00:53:26,239 --> 00:53:26,799
Speaker 2: my you know.

1065
00:53:27,360 --> 00:53:33,080
Speaker 3: Or I can't post that, but ship nobody else care.

1066
00:53:35,000 --> 00:53:37,200
Speaker 1: Damn hm.

1067
00:53:37,640 --> 00:53:41,319
Speaker 2: And that's the hardest part about putting together Penhouse two

1068
00:53:41,360 --> 00:53:43,840
Speaker 2: thousand and two, because we gotta find a platform to

1069
00:53:43,880 --> 00:53:49,719
Speaker 2: where we can do the BT uncut, you know, to

1070
00:53:49,760 --> 00:53:52,000
Speaker 2: where it don't But it's hard.

1071
00:53:53,480 --> 00:53:55,920
Speaker 4: Kids want to get up in Pinhouse two two thousand however,

1072
00:53:55,960 --> 00:53:57,200
Speaker 4: they got to tell.

1073
00:53:57,040 --> 00:53:59,880
Speaker 3: Me that they get up here. Nah, we don't need

1074
00:53:59,920 --> 00:54:04,000
Speaker 3: to in there. There just adults on h what you

1075
00:54:04,040 --> 00:54:05,800
Speaker 3: do with the phones. You gotta leave your phone in

1076
00:54:05,840 --> 00:54:06,120
Speaker 3: the car.

1077
00:54:06,560 --> 00:54:08,600
Speaker 2: H They got a lot their phone up when they

1078
00:54:08,680 --> 00:54:11,200
Speaker 2: come in to come through the thought.

1079
00:54:12,160 --> 00:54:14,759
Speaker 3: Nah, no, no, ain't. I don't deal with a lot

1080
00:54:14,760 --> 00:54:15,600
Speaker 3: of people. They ain't.

1081
00:54:16,080 --> 00:54:18,759
Speaker 2: Ain't that ain't no freak off coming at that kind

1082
00:54:18,800 --> 00:54:23,680
Speaker 2: of ship. They's just saying to keep it out the

1083
00:54:23,680 --> 00:54:26,160
Speaker 2: way up though. No recording, no recording.

1084
00:54:26,480 --> 00:54:26,520
Speaker 4: No.

1085
00:54:27,320 --> 00:54:29,000
Speaker 2: What I want to do is I want to take

1086
00:54:29,239 --> 00:54:34,040
Speaker 2: the art of dancing, bro, and I want to really

1087
00:54:34,239 --> 00:54:38,840
Speaker 2: highlight some of the best dancers to dance to R

1088
00:54:38,920 --> 00:54:39,120
Speaker 2: and B.

1089
00:54:40,239 --> 00:54:43,239
Speaker 3: Because when you go to the strip club, you get some.

1090
00:54:43,160 --> 00:54:45,960
Speaker 2: Girls they didn't even experience. They just do this, do this,

1091
00:54:46,000 --> 00:54:47,799
Speaker 2: and it's like that they ain't no experience, bro.

1092
00:54:48,120 --> 00:54:50,560
Speaker 3: You know what I'm saying. They don't know how to

1093
00:54:50,680 --> 00:54:51,400
Speaker 3: like entertain.

1094
00:54:52,120 --> 00:54:54,560
Speaker 2: So this is really for the entertainers, but like the

1095
00:54:54,600 --> 00:54:59,319
Speaker 2: girls that really like to entertain, not just been over

1096
00:54:59,480 --> 00:55:02,120
Speaker 2: and look, I got you every song, right, bro, And

1097
00:55:02,200 --> 00:55:05,800
Speaker 2: I'm spending like five thousand dollars that I just made

1098
00:55:05,880 --> 00:55:08,120
Speaker 2: working hard for just throwing it for.

1099
00:55:08,040 --> 00:55:09,400
Speaker 3: No reason, like you know what I'm saying.

1100
00:55:09,600 --> 00:55:11,799
Speaker 2: The real thing is like it's twenty dollars a song,

1101
00:55:12,400 --> 00:55:14,560
Speaker 2: so you probably just deserve twenty dollars because you ain't

1102
00:55:14,560 --> 00:55:18,120
Speaker 2: even putting no effort and to make me feel.

1103
00:55:17,880 --> 00:55:21,000
Speaker 3: Like I want to spend you know what I'm saying.

1104
00:55:21,239 --> 00:55:26,440
Speaker 1: Yeah, you think a lot of strippers lay stripping. They've

1105
00:55:26,440 --> 00:55:26,960
Speaker 1: gotten lazy.

1106
00:55:27,080 --> 00:55:32,239
Speaker 3: Especially they're lazy, bro, They're fucking lazy. And we work

1107
00:55:32,320 --> 00:55:38,400
Speaker 3: so hard for our money right to they entitled and lazy.

1108
00:55:39,840 --> 00:55:42,360
Speaker 3: I don't you know. We're trying to change that narrative.

1109
00:55:43,400 --> 00:55:44,480
Speaker 1: Make strippers again.

1110
00:55:44,560 --> 00:55:45,280
Speaker 3: We're trying to.

1111
00:55:45,360 --> 00:55:47,560
Speaker 2: Much like this is what I do. I test all

1112
00:55:47,560 --> 00:55:50,200
Speaker 2: my records in the strip club. If you can't break

1113
00:55:50,200 --> 00:55:51,879
Speaker 2: an R and B record in the strip club, then

1114
00:55:52,680 --> 00:55:55,760
Speaker 2: you ain't got to hit, you know what I'm saying.

1115
00:55:56,040 --> 00:55:57,839
Speaker 2: So I test them and that you know, over time,

1116
00:55:57,960 --> 00:56:00,440
Speaker 2: and I tip a lot of girls and you know.

1117
00:56:00,840 --> 00:56:03,279
Speaker 3: Ship like that. But yeah, they're lazy, man.

1118
00:56:04,080 --> 00:56:07,880
Speaker 1: Mhm. It was one thing you'll bring back the R

1119
00:56:07,920 --> 00:56:08,800
Speaker 1: and B if you could.

1120
00:56:09,520 --> 00:56:14,120
Speaker 3: Slow dancing mm hmmm, slow dancing in the club.

1121
00:56:16,040 --> 00:56:19,560
Speaker 2: And just appreciating the music, because that's what the slow

1122
00:56:19,640 --> 00:56:22,280
Speaker 2: dance was about. It's about the end of this song,

1123
00:56:23,080 --> 00:56:25,239
Speaker 2: and this song is so good that we connect to

1124
00:56:25,280 --> 00:56:28,960
Speaker 2: this song and we're gonna rub up and fill them

1125
00:56:29,080 --> 00:56:29,719
Speaker 2: up on each other.

1126
00:56:29,719 --> 00:56:32,560
Speaker 4: Oh we're gonna fuck after, but before ever be slow

1127
00:56:32,600 --> 00:56:34,520
Speaker 4: dancing on. Somebody gotta make some slow music.

1128
00:56:35,440 --> 00:56:38,800
Speaker 2: Yeah. So what I'm saying is they're they're they're category

1129
00:56:38,800 --> 00:56:41,759
Speaker 2: guys that they're saying that rapping niggas that's singing is

1130
00:56:41,920 --> 00:56:44,880
Speaker 2: R and B now, and that's not the case, you

1131
00:56:44,880 --> 00:56:46,920
Speaker 2: know what I'm saying, because they got it to the

1132
00:56:46,920 --> 00:56:51,240
Speaker 2: point where the niggas microphone ain't on dog they singing

1133
00:56:51,239 --> 00:56:51,879
Speaker 2: through auto tune.

1134
00:56:51,920 --> 00:56:53,120
Speaker 3: They thinking through auto tune.

1135
00:56:53,120 --> 00:56:53,319
Speaker 1: Now.

1136
00:56:53,640 --> 00:56:55,800
Speaker 4: So if you're singing out of the box, if you

1137
00:56:55,920 --> 00:57:00,600
Speaker 4: a future, love you better, how do you catch I

1138
00:57:00,640 --> 00:57:01,520
Speaker 4: just think it's good.

1139
00:57:01,719 --> 00:57:03,279
Speaker 1: I kind of be on it. Just good music and

1140
00:57:03,360 --> 00:57:05,160
Speaker 1: music that I don't care for. I think it's good music.

1141
00:57:05,239 --> 00:57:06,640
Speaker 1: How do you categorize something like that?

1142
00:57:06,800 --> 00:57:08,600
Speaker 3: New leaking them how to sing and ship?

1143
00:57:08,719 --> 00:57:09,919
Speaker 1: Go? Yeah?

1144
00:57:10,760 --> 00:57:15,080
Speaker 3: You know so Future is a goat. I love Future,

1145
00:57:15,600 --> 00:57:16,560
Speaker 3: you know what I'm saying.

1146
00:57:16,920 --> 00:57:20,520
Speaker 2: But sometimes Future you can get somebody to sing your

1147
00:57:20,520 --> 00:57:23,000
Speaker 2: hooks for you, bro, because not every note you sing

1148
00:57:23,080 --> 00:57:23,560
Speaker 2: sound good.

1149
00:57:26,320 --> 00:57:28,440
Speaker 3: You've got a part of his art though, That's what

1150
00:57:28,520 --> 00:57:28,840
Speaker 3: I'm saying.

1151
00:57:29,280 --> 00:57:31,400
Speaker 2: Ain't trying to see you. You're looking at it from

1152
00:57:31,400 --> 00:57:34,880
Speaker 2: the technical point because you really know music. But sometimes

1153
00:57:35,040 --> 00:57:36,800
Speaker 2: niggas feel like I ain't trying to hit it. No,

1154
00:57:36,880 --> 00:57:38,920
Speaker 2: I'm just trying to make you feel the pain in

1155
00:57:39,000 --> 00:57:40,840
Speaker 2: this shit. I you know what I'm saying.

1156
00:57:40,960 --> 00:57:44,040
Speaker 3: I'm looking at it from a nigga. You just took

1157
00:57:44,080 --> 00:57:47,200
Speaker 3: my job type of shit. Let me do that, yeah,

1158
00:57:47,320 --> 00:57:50,560
Speaker 3: let me do me sing that pain. That's what I do.

1159
00:57:50,600 --> 00:57:54,960
Speaker 2: So if it's a team nigga, right, yeah, the quarterback,

1160
00:57:55,000 --> 00:57:55,800
Speaker 2: I'm the running back.

1161
00:57:55,840 --> 00:57:57,720
Speaker 3: You know what I'm saying. We're gonna get this touchdown.

1162
00:57:58,120 --> 00:58:00,920
Speaker 3: But y'all just put me out of business. It survives

1163
00:58:01,000 --> 00:58:05,439
Speaker 3: us because y'all y'all. So the way to take my job.

1164
00:58:05,600 --> 00:58:07,080
Speaker 1: But I think.

1165
00:58:09,280 --> 00:58:10,600
Speaker 5: About like the whole.

1166
00:58:10,360 --> 00:58:12,400
Speaker 2: Clubs not saying it ain't five brother, let me do

1167
00:58:12,480 --> 00:58:16,720
Speaker 2: this bro, you know yeah.

1168
00:58:16,800 --> 00:58:16,880
Speaker 4: No.

1169
00:58:17,000 --> 00:58:20,200
Speaker 6: Another thing that that I think is an issue too,

1170
00:58:20,520 --> 00:58:22,960
Speaker 6: is is like the way that a lot of these

1171
00:58:23,000 --> 00:58:25,960
Speaker 6: clubs are set up now because most clubs don't have

1172
00:58:26,040 --> 00:58:26,600
Speaker 6: a dance board.

1173
00:58:26,640 --> 00:58:30,600
Speaker 5: They're just all sections. So it's like it's hard to

1174
00:58:30,760 --> 00:58:32,240
Speaker 5: it'll be kind of hard to like.

1175
00:58:32,600 --> 00:58:35,560
Speaker 6: Encourage getting back to dancing and you know how it

1176
00:58:35,720 --> 00:58:38,800
Speaker 6: used to be because it's not really a space to

1177
00:58:38,880 --> 00:58:39,640
Speaker 6: properly do that.

1178
00:58:40,880 --> 00:58:43,720
Speaker 2: Yeah, so that's why we move in the chairs that

1179
00:58:43,760 --> 00:58:45,840
Speaker 2: are or were move into sections.

1180
00:58:46,440 --> 00:58:48,600
Speaker 3: Oh really, the section is going to be on the side.

1181
00:58:48,640 --> 00:58:52,320
Speaker 2: We're moving the sections and we're gonna make it a

1182
00:58:52,360 --> 00:58:53,720
Speaker 2: different kind of feel.

1183
00:58:54,000 --> 00:58:57,000
Speaker 3: For real, for people that come.

1184
00:58:57,640 --> 00:58:58,040
Speaker 1: Hmm.

1185
00:58:58,200 --> 00:59:03,800
Speaker 2: I'm handpicking all the waitresses, all of the dances and

1186
00:59:03,920 --> 00:59:04,640
Speaker 2: all of the stuff.

1187
00:59:06,440 --> 00:59:09,360
Speaker 5: Mm hmm. I'm there. I want to see that.

1188
00:59:11,240 --> 00:59:11,600
Speaker 3: I'm there.

1189
00:59:14,680 --> 00:59:14,880
Speaker 1: Yeah.

1190
00:59:14,960 --> 00:59:21,040
Speaker 3: So, so so you're gonna see, You're gonna see uh ah,

1191
00:59:21,080 --> 00:59:21,440
Speaker 3: come on.

1192
00:59:25,320 --> 00:59:30,040
Speaker 2: Yeah, So you're about to make it a different kind

1193
00:59:30,040 --> 00:59:33,200
Speaker 2: of field, different kind of experience. It's gonna be an

1194
00:59:33,240 --> 00:59:37,640
Speaker 2: experience during the happy hour, something different for Atlanta.

1195
00:59:38,320 --> 00:59:39,120
Speaker 1: Okay, hmm.

1196
00:59:41,760 --> 00:59:45,120
Speaker 3: It's ten dollars parking and it's affordable for everybody.

1197
00:59:45,160 --> 00:59:48,760
Speaker 2: It's affordable, like you got drink specials, we got you know,

1198
00:59:49,000 --> 00:59:51,640
Speaker 2: just different things that we're going to make it play

1199
00:59:51,800 --> 00:59:54,080
Speaker 2: for everybody to just come pull up on us. You

1200
00:59:54,120 --> 00:59:58,200
Speaker 2: know what I'm saying, because you know, one hundred dollars

1201
00:59:58,280 --> 01:00:01,960
Speaker 2: park and all the crazy nigga we ain't doing, especially

1202
01:00:02,200 --> 01:00:03,080
Speaker 2: during traffic time.

1203
01:00:03,120 --> 01:00:05,040
Speaker 3: You know what traffic, you know what traffic. I got

1204
01:00:05,840 --> 01:00:06,320
Speaker 3: to get here.

1205
01:00:08,000 --> 01:00:11,720
Speaker 2: I'm stopping somewhere, I'm stopping at on behind l a

1206
01:00:12,880 --> 01:00:16,240
Speaker 2: Living people that don't point everything the menu is on point.

1207
01:00:16,880 --> 01:00:19,080
Speaker 5: They got good mashed potatoes.

1208
01:00:18,480 --> 01:00:20,120
Speaker 3: Too, We got good everything.

1209
01:00:20,920 --> 01:00:24,080
Speaker 5: We got.

1210
01:00:24,200 --> 01:00:24,400
Speaker 3: Chop.

1211
01:00:25,240 --> 01:00:29,520
Speaker 2: You doing Sunday the pool party, Monday match Sundays and Mondays,

1212
01:00:29,760 --> 01:00:30,760
Speaker 2: Sunday money.

1213
01:00:32,640 --> 01:00:33,520
Speaker 3: Sundays and Monday.

1214
01:00:34,360 --> 01:00:37,479
Speaker 2: You're gonna bring the girl from the pool party. I'm

1215
01:00:37,520 --> 01:00:40,640
Speaker 2: bringing the whole city the hot because you know, well.

1216
01:00:40,640 --> 01:00:41,960
Speaker 1: You know where to go during to the other than

1217
01:00:42,840 --> 01:00:45,680
Speaker 1: you said, it's a day party on Monday. Yeah, okay,

1218
01:00:46,120 --> 01:00:51,440
Speaker 1: Sunday Sunday. You know what I'm saying, Onyx is Monday day. Yeah, okay,

1219
01:00:52,400 --> 01:00:56,400
Speaker 1: you get that's perfect. You can go to Magic to

1220
01:00:56,400 --> 01:00:58,600
Speaker 1: get it started to Magic.

1221
01:00:59,000 --> 01:01:02,440
Speaker 3: Yeah, you get off work. Come on if you just board.

1222
01:01:02,560 --> 01:01:07,480
Speaker 2: You know how Platinum used to be like during the day.

1223
01:01:07,800 --> 01:01:13,120
Speaker 2: What yeah, this is during everybody like we need that

1224
01:01:13,240 --> 01:01:13,840
Speaker 2: energy back.

1225
01:01:14,080 --> 01:01:19,200
Speaker 5: So it's nowhere to go during the day except baby.

1226
01:01:18,640 --> 01:01:20,080
Speaker 3: Yeah closed down?

1227
01:01:21,440 --> 01:01:28,120
Speaker 1: What is it? Go go rush go It was right here.

1228
01:01:28,160 --> 01:01:31,240
Speaker 3: What what's what's not? Cheatadh, Cheatadh? They just closed up.

1229
01:01:31,320 --> 01:01:32,000
Speaker 3: Go something.

1230
01:01:33,760 --> 01:01:36,720
Speaker 1: You got to go room? Oh go room, We'll go rooms,

1231
01:01:36,720 --> 01:01:39,120
Speaker 1: the club club and no, you.

1232
01:01:39,200 --> 01:01:42,840
Speaker 2: Just had a day ship here bro where it's right

1233
01:01:42,920 --> 01:01:45,920
Speaker 2: off of Damn. I'm just learning the streets here.

1234
01:01:45,960 --> 01:01:46,040
Speaker 4: Bro.

1235
01:01:49,480 --> 01:01:52,640
Speaker 3: It's about like a gas station in the court about

1236
01:01:52,640 --> 01:01:53,080
Speaker 3: the highway?

1237
01:01:53,880 --> 01:01:58,240
Speaker 1: Are you talking about did yeah.

1238
01:02:00,080 --> 01:02:02,160
Speaker 5: The day open it up?

1239
01:02:02,720 --> 01:02:03,520
Speaker 1: Back up? Yeah?

1240
01:02:03,560 --> 01:02:05,080
Speaker 3: But they closed that one down? Yeah?

1241
01:02:05,120 --> 01:02:06,760
Speaker 5: But is he got some bigger and better ship on

1242
01:02:06,800 --> 01:02:07,040
Speaker 5: the way.

1243
01:02:07,080 --> 01:02:13,160
Speaker 2: Oh yeah that I go to the flame and girl,

1244
01:02:14,000 --> 01:02:18,120
Speaker 2: that's listen. I don't go nowhere but strip clubs because

1245
01:02:19,600 --> 01:02:23,360
Speaker 2: that's my that's my bile what I'm saying. And if

1246
01:02:23,360 --> 01:02:25,360
Speaker 2: an R and B song came playing the strip club,

1247
01:02:25,560 --> 01:02:27,440
Speaker 2: then you ain't got to hit, you know what I'm saying.

1248
01:02:28,000 --> 01:02:31,640
Speaker 2: And these R and B niggas don't be outside, they

1249
01:02:31,680 --> 01:02:35,040
Speaker 2: don't they don't be outside. I'll be outside, bro. Yeah,

1250
01:02:35,560 --> 01:02:38,200
Speaker 2: I'll bet I go to all the day ship nights.

1251
01:02:38,560 --> 01:02:39,280
Speaker 2: That's all I do.

1252
01:02:39,840 --> 01:02:39,960
Speaker 3: Now.

1253
01:02:39,960 --> 01:02:42,600
Speaker 2: The army parties gotta pay me to pull up, But

1254
01:02:42,720 --> 01:02:44,360
Speaker 2: sometimes I go through and show love. I went to

1255
01:02:45,080 --> 01:02:47,840
Speaker 2: Sweet Lounges last night and just you know, pull up

1256
01:02:47,840 --> 01:02:49,600
Speaker 2: on my boy Tory and show him some love.

1257
01:02:50,280 --> 01:02:50,600
Speaker 3: You know.

1258
01:02:52,040 --> 01:02:54,160
Speaker 2: Me, let me grab the mic and you know, me

1259
01:02:54,200 --> 01:02:57,360
Speaker 2: and the twin Brian from Jacket Edge, you know, we're

1260
01:02:57,400 --> 01:02:59,000
Speaker 2: just gonna pull up some time and day.

1261
01:02:59,160 --> 01:03:01,160
Speaker 3: You know what I'm saying that's hard.

1262
01:03:01,640 --> 01:03:05,080
Speaker 5: Yeah, yeah, but I'm ensured about this urban burlesque. I

1263
01:03:05,080 --> 01:03:06,000
Speaker 5: can't wait to see that.

1264
01:03:06,120 --> 01:03:09,000
Speaker 2: It's gonna be crazy. And then me and Candy about

1265
01:03:09,000 --> 01:03:10,240
Speaker 2: to link up and do some ship.

1266
01:03:10,880 --> 01:03:14,280
Speaker 5: Yeah she got she got that ship already, like that ship.

1267
01:03:14,080 --> 01:03:14,520
Speaker 1: Would it be?

1268
01:03:14,680 --> 01:03:18,760
Speaker 3: Like I'm thinking ahead, you know what I'm saying. So okay,

1269
01:03:19,480 --> 01:03:21,160
Speaker 3: and I did I did her Actually I did her

1270
01:03:21,200 --> 01:03:21,920
Speaker 3: Dungeon party.

1271
01:03:22,520 --> 01:03:26,040
Speaker 2: Oh really, Yeah, performed that, you know, Candy' dungeon bouns

1272
01:03:26,120 --> 01:03:26,960
Speaker 2: shot the candy.

1273
01:03:27,680 --> 01:03:31,479
Speaker 3: Yeah, yeah, she's doing that like she did Fox in Atlanta. Right, Nah,

1274
01:03:31,480 --> 01:03:35,320
Speaker 3: we did it? Was it is it called the Battery

1275
01:03:35,680 --> 01:03:37,960
Speaker 3: some some oh yeah yeah yeah. It was the Battery

1276
01:03:37,960 --> 01:03:41,000
Speaker 3: of Mariella by the ball park. Yeah it was some Yeah.

1277
01:03:41,040 --> 01:03:43,640
Speaker 3: It was over there the Rocks and Colah exactly that

1278
01:03:43,640 --> 01:03:46,000
Speaker 3: that's what the rocks. It was crazy, It was crazy.

1279
01:03:46,320 --> 01:03:48,480
Speaker 3: It was that. So we're about to take over that,

1280
01:03:49,400 --> 01:03:51,240
Speaker 3: you know. Yeah, that kind of thing.

1281
01:03:52,240 --> 01:03:54,520
Speaker 5: But that's a whole other world of people.

1282
01:03:55,160 --> 01:03:58,640
Speaker 3: Absolutely, no, nah, everybody in that kind of ship. They

1283
01:03:58,680 --> 01:03:59,320
Speaker 3: just don't say it.

1284
01:03:59,320 --> 01:04:02,280
Speaker 2: But yeah, the end of that going to their little

1285
01:04:02,320 --> 01:04:09,479
Speaker 2: search web all everybody watched pooring this ship. What porn

1286
01:04:09,520 --> 01:04:16,600
Speaker 2: did you watch today, today.

1287
01:04:16,680 --> 01:04:17,600
Speaker 3: Today, yesterday.

1288
01:04:18,840 --> 01:04:21,760
Speaker 2: So you're all telling me everybody and nobody watched porn

1289
01:04:21,800 --> 01:04:22,240
Speaker 2: this week.

1290
01:04:22,800 --> 01:04:23,480
Speaker 1: I stopped.

1291
01:04:23,880 --> 01:04:27,360
Speaker 2: I stopped a long time watching for nobody. I stopped

1292
01:04:27,480 --> 01:04:31,800
Speaker 2: long term today, yesterday. Okay, within the last ten days,

1293
01:04:31,800 --> 01:04:32,520
Speaker 2: did you watch porn?

1294
01:04:32,520 --> 01:04:41,440
Speaker 3: Motherfucker? Be honest.

1295
01:04:42,160 --> 01:04:42,960
Speaker 5: Just what I'm trying to.

1296
01:04:42,920 --> 01:04:44,920
Speaker 3: Tell y'all, Like you feel me this week, that's what

1297
01:04:44,960 --> 01:04:45,640
Speaker 3: we're going.

1298
01:04:45,480 --> 01:04:51,440
Speaker 2: To so magic a magic coming to magic, coming to Onyx. Right,

1299
01:04:52,240 --> 01:04:53,880
Speaker 2: and you can see something that you saw on the

1300
01:04:53,920 --> 01:04:59,360
Speaker 2: porn in the show. You're gonna pull up for that, right,

1301
01:05:00,440 --> 01:05:03,720
Speaker 2: You're tired of the same dancing and chop music, and

1302
01:05:03,840 --> 01:05:06,120
Speaker 2: we're gonna do trapping be you know what I'm saying.

1303
01:05:06,360 --> 01:05:08,439
Speaker 3: Guys shaking and looking back now we're from the put

1304
01:05:08,440 --> 01:05:08,840
Speaker 3: on the show.

1305
01:05:09,520 --> 01:05:12,040
Speaker 5: You're like, they're really gonna have to perform.

1306
01:05:12,280 --> 01:05:16,800
Speaker 2: It's really it's gonna be real show. Yeah, you might

1307
01:05:16,840 --> 01:05:18,800
Speaker 2: see a girls strapping a girl on in my shoes.

1308
01:05:18,920 --> 01:05:20,600
Speaker 2: You don't know what you're gonna see in my shop,

1309
01:05:22,280 --> 01:05:24,000
Speaker 2: but we're gonna make it very interesting.

1310
01:05:24,560 --> 01:05:24,920
Speaker 1: Mm hmm.

1311
01:05:26,360 --> 01:05:27,520
Speaker 5: That's what's gonna keep it going on.

1312
01:05:28,360 --> 01:05:29,520
Speaker 1: Sean j will be there.

1313
01:05:31,800 --> 01:05:34,160
Speaker 2: You might see you might see two girls in the

1314
01:05:34,200 --> 01:05:37,880
Speaker 2: shower like whatever. We I'm thinking out the box with this,

1315
01:05:38,240 --> 01:05:40,400
Speaker 2: you know what I'm saying, because it's just needed, and

1316
01:05:40,480 --> 01:05:42,760
Speaker 2: you get to do it before after hours, you get

1317
01:05:42,760 --> 01:05:44,040
Speaker 2: to do it before you go home.

1318
01:05:44,200 --> 01:05:46,760
Speaker 5: So so you're doing it still go home and get

1319
01:05:46,840 --> 01:05:47,240
Speaker 5: up before.

1320
01:05:48,040 --> 01:05:51,440
Speaker 2: Yeah, it's from three to nine.

1321
01:05:51,320 --> 01:06:09,080
Speaker 9: Yeah, yeah, yes, y'all.

1322
01:06:09,080 --> 01:06:10,800
Speaker 3: When y'all pull up, I got y'allm gonna take care

1323
01:06:10,800 --> 01:06:12,520
Speaker 3: of y'all. Y'all good to go. I'm gonna get y'all

1324
01:06:12,800 --> 01:06:13,480
Speaker 3: whatever y'all need.

1325
01:06:13,520 --> 01:06:17,760
Speaker 2: I got y'all, and hopefully y'all can talk about experience

1326
01:06:17,880 --> 01:06:19,960
Speaker 2: after y'all experienced the experience.

1327
01:06:19,560 --> 01:06:20,080
Speaker 3: You know what I'm saying.

1328
01:06:20,080 --> 01:06:22,520
Speaker 2: But it's gonna be up and running in about two weeks,

1329
01:06:22,680 --> 01:06:25,720
Speaker 2: so let's get ready for that pleasure.

1330
01:06:25,760 --> 01:06:28,400
Speaker 1: Please salute man. We appreciate you coming to chopping with us.

1331
01:06:28,400 --> 01:06:30,280
Speaker 3: Man, you know what I'm saying this, man, Thank y'all

1332
01:06:30,320 --> 01:06:30,800
Speaker 3: for having it.

1333
01:06:32,960 --> 01:06:34,800
Speaker 1: Sure y'all check us out at Triple.

1334
01:06:34,560 --> 01:06:38,000
Speaker 4: W dot Big faxpod dot com.

1335
01:06:39,960 --> 01:06:42,720
Speaker 3: It's Big Fact Captain bit