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Speaker 1: Hi everyone, George here. Since we recorded this episode with

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Speaker 1: Cola Scola, there have been some very exciting updates for

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Speaker 1: Cole show Oh Mary, and we wanted to mention them here.

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Speaker 2: Oh Mary.

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Speaker 1: We'll play off Broadway at the Lucille Ortel Theater through

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Speaker 1: May twelfth, and then beginning June twenty sixth, Oh Mary

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Speaker 1: will play on Broadway at the Lyceum Theater for twelve

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Speaker 1: weeks only. For more information on tickets, you can go

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Speaker 1: to ohmaryplay dot com. And I just want to stay

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Speaker 1: on behalf of me and Sam. We are so so

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Speaker 1: happy for our brilliant friend Cole, and no one deserves

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Speaker 1: us more than them. And while I have you here,

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Speaker 1: I George Savers will be doing my Hour of stand

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Speaker 1: up at Littlefield in Brooklyn on May twenty second, and

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Speaker 1: you can find tickets for that at LITTLEFIELDNYC dot com

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Speaker 1: or at the link in my Instagram bio. All right,

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Speaker 1: enjoy the show.

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Speaker 3: Podcast starts now.

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Speaker 1: I already have a thought, which is I'm gonna bring

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Speaker 1: back Zippit.

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Speaker 3: You're bringing back zippit.

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Speaker 1: Yeah, you brought back methinks, which I think, first of

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Speaker 1: all worked one.

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Speaker 3: It swept away by storm.

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Speaker 1: People think we might people might think we're joking if

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Speaker 1: they were not up to date with our Instagram stories.

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Speaker 1: Let's say, but literally a week after you said we're

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Speaker 1: bringing back me thinks, none other than Taylor Swift posted

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Speaker 1: me things methinks.

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Speaker 3: The methinks movement was a huge success.

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Speaker 1: I do think the meathinks movement, well, you know, now

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Speaker 1: with the benefit of hindsight, did.

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Speaker 3: It go too far? Maybe it did get too big

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Speaker 3: where it started as sort of a you know, alt community,

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Speaker 3: and then it became so mainstream so fast that even

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Speaker 3: I found myself being like, no, I don't even like

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Speaker 3: me thinks.

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Speaker 1: You know, the methinks movement started as people telling their stories,

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Speaker 1: and they were necessary, but at some point you start thinking,

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Speaker 1: do they just want attention?

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Speaker 3: Yeah, so you're gonna do that with Zippit.

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Speaker 1: I'm gonna do that with Zippit. By the way, I

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Speaker 1: don't actually believe what I just said. That was a

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Speaker 1: sort of harmless bit.

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Speaker 3: We play characters on it. We play characters on this podcast.

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Speaker 1: I'm a huge feminist, and everyone knows that. I do

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Speaker 1: think I'm gonna I think zip it is such a

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Speaker 1: fun way to say shut up.

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Speaker 3: I mean, it's so nineties yeah, and even like the

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Speaker 3: bit like the zip like.

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Speaker 1: Yes, so have a word that starts with a Z

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Speaker 1: is so rare? So rarely am I getting rare logical?

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Speaker 3: Yes, Zelda, well I said that a fairmountain my day.

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Speaker 1: Okay, well, I'm not a gamer like you.

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Speaker 4: You know.

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Speaker 1: I had a friend who had a launched a bottled

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Speaker 1: cocktail company called Zuzu. I said, that is the best

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Speaker 1: name for this is not a joke, actually a very

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Speaker 1: good friend of mine, And I was like, that is

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Speaker 1: such a genius name because everyone wants to say more z's.

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Speaker 3: Everyone's craving more z's in their life. So I think

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Speaker 3: zip it could be could be big. I think zip

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Speaker 3: it could be huge. And I told you this last night. Yeah,

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Speaker 3: but I'm actually loving the semi irony of exclaiming make

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Speaker 3: it make sense?

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Speaker 1: Oh you love make it make sense?

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Speaker 3: I think make it make sense is so funny. It's

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Speaker 3: like just vintage enough where it's like some people still

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Speaker 3: say it for real and.

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Speaker 1: It's rooted in truth. Sometimes you are like, make it

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Speaker 1: make sense?

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Speaker 3: Why? But it's such a stupid internet phrase that is

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Speaker 3: like saying it out in the wild as if it's

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Speaker 3: normal is very like blurg cored.

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Speaker 2: It's so true.

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Speaker 3: Do you think does everyone understand blurg A is shorthand.

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Speaker 1: Wait, hold on, you mean blurg as a medine is

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Speaker 1: of the right word. Blurg is a categorategorization of specific

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Speaker 1: Internet language and like and type of humor that's very

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Speaker 1: sort of like on the spectrum of love. These beautiful humans. Yeah,

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Speaker 1: I love these beautiful humans is one end, and the

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Speaker 1: other end is the interwebs, yes, exactly, and Blurg is

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Speaker 1: in the middle.

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Speaker 3: Blurg is center.

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Speaker 1: To be clear, the entire spectrum is morally bankrupt, of.

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Speaker 3: Course, but it's important to recognize that there are differences

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Speaker 3: within the culture.

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Speaker 1: I sort of God, someone needs to write an essay

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Speaker 1: about how I've been saying this for years. It's the

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Speaker 1: it's it's my term that I coin half humor, which

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Speaker 1: is when something gestures at being funny but is not

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Speaker 1: actually funny.

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Speaker 3: Is blurgcore different than half human?

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Speaker 1: No, it's I would say, Blurg, interwebs and these beautiful

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Speaker 1: humans are all part of like the initial wave of

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Speaker 1: half humor. And I think currently half humor is like

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Speaker 1: Joe Biden posting Dark Brandon memes. We do have to

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Speaker 1: bring in our guests, but I want to I want

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Speaker 1: to torture them even further by talking about something that

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Speaker 1: I know they want to comment on while they're not

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Speaker 1: allowed to speak.

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Speaker 3: Chastity play.

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Speaker 1: We were talking about how our guest and again they

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Speaker 1: will say this themselves, but they were saying that they

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Speaker 1: liked being part of a friend group of three. And

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Speaker 1: MY response was that is the worst number for a

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Speaker 1: friend group because inevitably someone gets left out. There are

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Speaker 1: two best friends and one sort of like flop third.

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Speaker 3: I completely disagree. I think a three group of friends

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Speaker 3: is like there's checks and balances there.

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Speaker 1: From a social justice perspective, undoubtedly it's the right choice,

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Speaker 1: but I'm saying, like, in practice, listen, it's like how,

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Speaker 1: of course communism would work, but show me where it

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Speaker 1: works in practice.

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Speaker 3: I also like that, you know, it sort of has

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Speaker 3: an engine churning to a three, like when someone's out

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Speaker 3: and they're like, okay, well then I'll do something to

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Speaker 3: get back in, and then and then and then they're like, okay,

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Speaker 3: well now we need to catch up to this, and

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Speaker 3: there's just sort of a progress.

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Speaker 1: You're thinking as an improv comedian, and I think for

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Speaker 1: you and potentially for me, like for us, a three

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Speaker 1: way friend group would work because we all have a

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Speaker 1: sense of play within us. I think the average person

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Speaker 1: wants to be on top and the average person wants

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Speaker 1: to win. And when the average person is in a

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Speaker 1: group of three.

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Speaker 3: Our guest is vigorously shaking their head.

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Speaker 1: It is also not to state the obvious, very meta

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Speaker 1: so to speak, that we are currently banning the third

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Speaker 1: person in this friend group of speaking, we know the

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Speaker 1: bottom right now. Talking about the benefits slash drawbacks.

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Speaker 3: Of groups of three, well, and this came up, I

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Speaker 3: will say, because you know, we were talking and saying,

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Speaker 3: you know, we were are potentially going to do an

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Speaker 3: episode with just the two of us, and we were like,

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Speaker 3: neither of us seemed like like jumping at the at

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Speaker 3: that and I felt like it was sort of like

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Speaker 3: we were a couple that needed a third at all

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Speaker 3: times and to be engaged with each other.

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Speaker 2: It is a crutch, I guess, but it doesn't have

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Speaker 2: to be.

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Speaker 1: It doesn't have to be. Maybe we don't even bring

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Speaker 1: in our guests.

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Speaker 3: Ever, I would celebrate.

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Speaker 1: It and just sort of do an episode just the

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Speaker 1: two of us. Now, why wait until the next session?

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Speaker 3: Why wait? I mean their time is flexible.

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Speaker 1: Yeah, they are free voting anything. They're not promoting anything.

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Speaker 1: This is a favorite of them, honestly, Yeah, what I

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Speaker 1: don't even.

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Speaker 2: Like them that much?

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Speaker 3: No, no, no, what else would we like to say that?

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Speaker 3: They would just would love to jump in on?

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Speaker 1: You know, what's the deal with Abraham Lincoln?

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Speaker 2: Say that?

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Speaker 1: I've always it's always a big question mark.

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Speaker 3: I pretty much get.

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Speaker 2: Is he married?

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Speaker 3: Okay, let's do it. Our guest has steam coming out

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Speaker 3: of their damn ears at this point. Please welcome cold

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Speaker 3: a school. Well, Hi, Hi.

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Speaker 2: First of all, half humor is the lifeblood of work.

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Speaker 1: Yes, half humor is very much like icebreakers, corporate retreat, latitudes, aphorisms,

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Speaker 1: badass culture. It's you are a Badass, like the book

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Speaker 1: You Are a bad Ass? Have you seen that? In airport?

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Speaker 1: There's a book called I'm pretty sure it's called You

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Speaker 1: are a Badass. And it's like a self help book

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Speaker 1: with like a punchy humor.

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Speaker 2: And and okay, that was one thing. The other thing

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Speaker 2: is in in groups of three, the pressure is off

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Speaker 2: to be the pressure is off, I see because it's

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Speaker 2: just two people and like it's silent. It's like I

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Speaker 2: like I like being like, you know what, they've got this.

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Speaker 3: I like that actually, And do you feel that way

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Speaker 3: in sex as well?

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Speaker 2: I do I feel that way in sex. No, it's

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Speaker 2: a threesomes feel confusing, you know, because maybe you don't

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Speaker 2: want to lay back.

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Speaker 1: Well, well there's more. Sometimes sometimes you do want a

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Speaker 1: way back, but there's there's more. There's more.

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Speaker 3: If you're a.

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Speaker 1: Little silent in a three way conversation for a bit

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Speaker 1: and you're taking a sip of water, you're not thinking, wait,

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Speaker 1: do they hate me? You just think I'm taking a break.

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Speaker 3: Sometimes I'm not thinking they hate me, But sometimes I

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Speaker 3: am thinking like they're boring. Oh, Like I'm thinking, like

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Speaker 3: this conversation is not that good because I'm not okay

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Speaker 3: during a conversation.

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Speaker 2: Like oh during a conversation or during a three way

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Speaker 2: during a conversation, okay, okay, yeah, well and that's fine

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Speaker 2: because they've got it. They've got it, they've got it.

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Speaker 2: You're like, okay, they're having their boring conversation, right exactly.

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Speaker 2: I don't have to engage.

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Speaker 3: Yeah.

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Speaker 1: Yeah, sometimes I'll do a performative yawn.

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Speaker 2: I'll just be like.

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Speaker 3: That's a key role that a friend can play.

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Speaker 2: But I think more people want to be cocks than

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Speaker 2: they cosy cocks.

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Speaker 1: Okay, okay, I miss I missed the start of this.

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Speaker 3: No you didn't, I didn't. That's pretty much pretty much it.

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Speaker 1: Okay, So do you think so you think there are

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Speaker 1: more people than are willing to admit it that want.

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Speaker 2: To be cocked. Yes, yeah, I think the fear of

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Speaker 2: being like cheated on is actually a desire to be

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Speaker 2: yes cheated on? You know. And the last topic that

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Speaker 2: I brought when I was on cheating Yeah, this is

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Speaker 2: very straight.

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Speaker 3: I do think you're so right. Well, of course, everything.

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Speaker 1: Everything's I'm speaking of course, every big fear we have,

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Speaker 1: including like nuclear war, is a desire for that.

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Speaker 2: Sure.

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Speaker 3: Ye, well that's the whole thing. I hate when people

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Speaker 3: are like we're living in the end time. I'm talking

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Speaker 3: about blurs, okay, Aadie and I. But people, it's like,

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Speaker 3: clearly you're just like a narcissist, like you kind of

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Speaker 3: want it to end. Like I was there, Yeah, I

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Speaker 3: actually was there when it ended. Yeah, so my story matters.

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Speaker 1: Well, that's also it's everyone thinks to living in the

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Speaker 1: worst possible time, and it's not because they have this

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Speaker 1: like incredible capacity for emphitheaic critique.

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Speaker 2: It's because they.

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Speaker 1: Have literally main character syndrome and think they are in

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Speaker 1: the most what is called drive for death, yes, death

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Speaker 1: drive Yeah, yes, huh hmm.

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Speaker 3: Okay, right down right, that's really smart.

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Speaker 1: Thank you.

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Speaker 3: I have a question regarding you brought up half humor

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Speaker 3: in the workplace specifically, would you rather there be half

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Speaker 3: humor or no humor? Because one thing.

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Speaker 1: This is interesting.

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Speaker 3: One thing that's tough about the workplace is I get

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Speaker 3: the utility of half humor. Oh, absolutely, because you want

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Speaker 3: to be able to like it's like we're friendly.

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Speaker 2: How how like Europeans are like either complain or are

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Speaker 2: are happy about how fake nice? Americans are like say,

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Speaker 2: everyone asking how's your day, but they don't really care.

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Speaker 1: You know, my grandma used to do this is going

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Speaker 1: to be a visual thing, so.

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Speaker 3: Okay, close your eyes everybody on YouTube if you're driving.

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Speaker 1: Episodes full episodes available on our YouTube channel. My grandmother

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Speaker 1: used to do this. This is her impression of an

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Speaker 1: American and this is she to do this when we

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Speaker 1: were kids.

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Speaker 2: She would go, uh.

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Speaker 1: Huh, she would like, nice to meet you. Yeah, she

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Speaker 1: would like do a smile and then immediately retract the

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Speaker 1: smile because it's so fake.

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Speaker 3: Yeah, yeah, wow. Impressions queen.

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Speaker 2: Yeah, she was an impressions queen. She is actually still alive, so.

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Speaker 3: Is it, but she lost her talent?

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Speaker 2: Yeah, would you rather have have not?

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Speaker 3: Not? That?

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Speaker 2: The absence?

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Speaker 3: Well this is you know, some would argue yes, yes that.

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Speaker 3: You know, that's sort of a New York versus l

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Speaker 3: a question.

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Speaker 1: Would those people's name be Sam Dagger?

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Speaker 3: Look, I don't I wish it would. Well, it's just

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Speaker 3: like that is like, would you rather people be like

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Speaker 3: overly polite but you don't know what they're thinking? Or

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Speaker 3: would overly kurt and but like honest? But yeah, and

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Speaker 3: I prefer Kurt be honest.

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Speaker 2: I agree.

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Speaker 3: And I also think, like when I think you do

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Speaker 3: the Sandra who like, no, I was so curt and honest.

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Speaker 3: I feel like the Sandra Huler interview cycle where she's

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Speaker 3: being like like cold and they're like, do you love

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Speaker 3: MESSI the dog and she's like it is a dog,

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Speaker 3: like yeah, yeah, I love that actually yeah.

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Speaker 1: Well my favorite bird of sore Huler world is how

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Speaker 1: they people keep trying to make jokes about the fact

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Speaker 1: that she plays a literal Nazi and zone of interest and.

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Speaker 2: She refuses to laugh along.

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Speaker 1: She's just like that is not funny, and.

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Speaker 3: Would you rather that's true?

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Speaker 1: It's not funny by the way, She's like wait, she's

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Speaker 1: literally like, oh my god, I'm just not realizing it.

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Speaker 3: Wa talk about Blurg. I guess I'm a Nazi now,

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Speaker 3: So that's normal. Make it make safe, make it make sense.

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Speaker 2: Mke it makes sense safe.

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Speaker 1: So here's my thing with half humor in the workplace,

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Speaker 1: is it is keeping people just well behaved enough that

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Speaker 1: they don't like it's very.

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Speaker 3: I'm so sorry. Yeah, yes, it's like it's.

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Speaker 1: In fact, Neil, yes, because if because that is literally

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Speaker 1: what like the difference is between cube exactly, between cubicle

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Speaker 1: culture and bouncy balls.

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Speaker 3: What sorry, what was so funny? Well, I'm not trying

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Speaker 3: to make fun of you, but you said it weird.

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Speaker 2: Weird cubicle.

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Speaker 3: Yeah, what did I say? You said, like cubical cubacal Like,

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Speaker 3: it's very cub It's it's more like cube, Condra, you

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Speaker 3: work in a cubicle.

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Speaker 1: Oh, yes, that's not funny.

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Speaker 3: Cubical cubicle.

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Speaker 2: Yeah, it's I wouldn't prefer fake fake half humor.

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Speaker 1: Recently, I said to someone, so I was talking about, like, uh,

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Speaker 1: going to high school in Greeces, and I was like, yeah,

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Speaker 1: but you know, I lived here in my early childhood's

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Speaker 1: I don't have an accent, and they go, I think

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Speaker 1: you have a slight accent. I was like, WHOA. First

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Speaker 1: of all, that's that's for me to decide, not you. Yeah,

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Speaker 1: but I guess I said the word cubical. Yeah, I

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Speaker 1: think that was it.

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Speaker 5: That was such a deep Greek accent where we're all like,

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Speaker 5: ask George George to say cubicle. Wait before I got distracted, Yes,

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Speaker 5: care just about half humor in the.

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Speaker 1: Humor in the workplace. Now I'm worried that I'm not I.

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Speaker 1: I have to be the one to write this essay,

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Speaker 1: and now that I've said it publicly, someone else is

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Speaker 1: gonna write it. Gia Tolantino is going to step in

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Speaker 1: and write the essay.

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Speaker 2: About half humor.

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Speaker 3: Well, you know what, it'll be a good essay.

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Speaker 2: Yeah, hell yeah, Like I can do it.

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Speaker 3: Well, but but do you have but you can't do it?

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Speaker 3: Put your mind into it, right exactly, yeah, Ga puts

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Speaker 3: pen to paper. Well, that's just true. That's anyone else.

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Speaker 1: Okay, Well, I'm okay, I'm committing that in the next

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Speaker 1: calendar year. I will publish my essay on half Humor,

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Speaker 1: and I don't care if it's in Barry Whis's substack.

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Speaker 3: It's going to get published.

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Speaker 2: Wow.

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Speaker 1: Wow, that's I'm gonna go right wings.

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Speaker 3: I'm like, no one else will publish you.

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Speaker 2: I don't know, so col Okay, let's.

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Speaker 3: Cut the ship.

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Speaker 2: The ship. So you have a show at Union Hall

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Speaker 2: or something. Yes, it's called Justus Gals, And it's sort

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Speaker 2: of like it's all like the like your funny friends,

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Speaker 2: Like it's just like listening to your funny friends totally.

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Speaker 3: Yeah, and this is a spin off of your previous

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Speaker 3: show LGBT l O L Right, yeah, yeah, I love

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Speaker 3: that show. Thank you. That was a huge hit.

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Speaker 1: Yeah, I mean it was a different time.

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Speaker 3: It was. It was a different time.

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Speaker 2: I feel bad about like a lot of the stuff

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Speaker 2: that we said.

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Speaker 1: But yeah, well the time I can't publicly talk about

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Speaker 1: a lot of it because of the lawsuit.

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Speaker 3: No exactly exactly.

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Speaker 2: Which is a blessing and a curse?

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Speaker 3: Yeah, monetarily a curse, but like public relations, why is

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Speaker 3: a blessing? I don't have a show at Union Hall.

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Speaker 3: I'm sorry. So you want to tell you we are

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Speaker 3: like some we're playing this weird game where we're like

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Speaker 3: not saying your show, and also that's fine.

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Speaker 1: It's funny because we of course, to us it's obvious

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Speaker 1: what the show is. But I realized that the not

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Speaker 1: the whole point, part of the point of us talking.

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Speaker 2: Is to promote the show.

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Speaker 3: Well, not that it needs.

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Speaker 1: Not that it needs. Well, that's the thing.

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Speaker 3: It is sold out.

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Speaker 2: It is sold out, but we just added one more week.

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Speaker 1: Oh well, this is going to make all the difference

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Speaker 1: because I heard that one.

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Speaker 2: That extra week actually is not so.

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Speaker 3: Yeah, that one the last week last week it sold up.

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Speaker 3: Until that last week you thought.

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Speaker 1: You were like, you got really cocky, and you were like, wow,

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Speaker 1: it sold out extra week. Yeah, but it's everyone that

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Speaker 1: wanted tickets.

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Speaker 3: They got up, they got them.

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Speaker 2: They're good. Yeah.

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Speaker 1: But yeah, oh Mary, if we're gonna be honest, for say.

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Speaker 3: If we can be honest, if we can cut the bullshit.

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Speaker 1: And got the bullshit and be kurt and honest like

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Speaker 1: New Yorkers rather than the Los Angeles Los Angeles sort

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Speaker 1: of like talking.

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Speaker 2: Yep, yep, yeap without.

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Speaker 3: Thank you.

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Speaker 1: And we've both seen it.

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Speaker 2: Obviously.

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Speaker 3: Of course, here's the thing, here's my thing.

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Speaker 1: With the show with with this show is like every

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00:18:07,119 --> 00:18:09,080
Speaker 1: superlative about it has been said and agree with all

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Speaker 1: of them, and I'm like, what original thing can I say.

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Speaker 2: That will add to it?

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Speaker 1: Yeah, And also I know Cole can see through fake praise.

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Speaker 1: It's like so I'm like there's another layer where I'm like, Okay,

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Speaker 1: I think the.

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Speaker 2: Best thing you could say is enough has been said

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Speaker 2: about it.

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Speaker 3: Oh that's really smart.

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Speaker 2: And it's fine, and.

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Speaker 3: Enough's been said about it. It's good.

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Speaker 1: No, no, but let's not no, but it is actually

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Speaker 1: it is one of those rare things that is in

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Speaker 1: fact as good as everyone says it is. And then

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Speaker 1: you're like, well, it sort of sucks that we used

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Speaker 1: up all the superlatives to talk about.

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Speaker 2: Like su salt burn, Yeah, soup and salt super and

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Speaker 2: salt burn.

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Speaker 3: Yeah. No, it's an incredible show, absolutely groundbreaking. Yeah it really.

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Speaker 3: It just is You're one of the greatest we've got

399
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Speaker 3: and you know it, and you know it, and this

400
00:19:00,720 --> 00:19:06,720
Speaker 3: is such a perfect encapsulation at all and taste and performance.

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Speaker 1: And you know, I say this as someone who gives

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Speaker 1: a lot of theater coal.

403
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Speaker 3: And I go to very little.

404
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Speaker 1: I'm always I'm always this is a I get both.

405
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Speaker 3: And yeah, and I'll tell you something.

406
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Speaker 1: A lot of it is not good theater.

407
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Speaker 2: Theaters.

408
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Speaker 3: Theater is a lot of gorgeous theater.

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Speaker 2: A lot of it is also good.

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Speaker 1: Yeah, but would you not agree that a lot of

411
00:19:25,160 --> 00:19:25,720
Speaker 1: it is not good.

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00:19:25,720 --> 00:19:28,520
Speaker 2: I'm trying to You're trying to rewards right now.

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Speaker 3: Okay, so please campaign and campaign.

414
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Speaker 2: You know, I got it.

415
00:19:31,160 --> 00:19:32,159
Speaker 3: I can't burn any bridges.

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Speaker 1: Right, here's a question for you. So in this play,

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Speaker 1: oh Mary, you play Mary Todd Lincoln. Yes, if let's

418
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Speaker 1: say suddenly you're cast in a Marvel movie as bat girl, yes,

419
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Speaker 1: you have to leave the show. Who would you cast

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Speaker 1: to play Mary?

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Speaker 2: Well, I am, I am already like a thousand steps ahead,

422
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Speaker 2: like I can't wait for other people to play Really, yes,

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Speaker 2: I would prefer not.

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Speaker 1: You don't want to say yeah to be No, I

425
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Speaker 1: would for not to be.

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Speaker 3: Oh really, yeah, that's that's shocking to me. No, No,

427
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Speaker 3: it's exhausting. Well, I mean it's it's the most fun

428
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Speaker 3: I've ever known, Like hell, to be honest, I mean, yeah,

429
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Speaker 3: eight shows a week, it shows a week.

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Speaker 2: I mean that's what theater people do, you know, that's

431
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Speaker 2: what we do. Oh, we do that's what we do.

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Speaker 3: I mean, I have one podcast in a day and

433
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Speaker 3: I say, oh, yeah, I can't do this anymore. I

434
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Speaker 3: would love.

435
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Speaker 2: I've fantasized about Titus Burgess playing that is Mary Todd Lincoln,

436
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Speaker 2: Donna Murphy, Oh my god, should be amazing. The two

437
00:20:36,080 --> 00:20:40,159
Speaker 2: of them together sort of like every other word, you know,

438
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Speaker 2: like arms linked, like looking at each other instead of

439
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Speaker 2: like I mean you say something, yeah.

440
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Speaker 3: Any but like I would love.

441
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Speaker 2: When I was in auditions for the understudy, I was like, oh.

442
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Speaker 3: This is a good role for someone.

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Speaker 2: Oh, it absolutely is.

444
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Speaker 3: That's so shocking to me really, just because it was like,

445
00:21:01,840 --> 00:21:05,359
Speaker 3: it's so you and it's so like you don't trust

446
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Speaker 3: my writing. What are you trying to say here? No,

447
00:21:12,640 --> 00:21:15,200
Speaker 3: it's it's hard to imagine. I'm sure it would be possible, but.

448
00:21:15,200 --> 00:21:17,080
Speaker 1: Yeah, yeah, yeah, I think this is something people have

449
00:21:17,080 --> 00:21:19,600
Speaker 1: been surprised or not surprised by. But you know, you

450
00:21:19,640 --> 00:21:23,160
Speaker 1: hear Cola Scola doing a let's say. I initially thought

451
00:21:23,160 --> 00:21:24,680
Speaker 1: it was like a solo show, like the one person.

452
00:21:24,720 --> 00:21:25,600
Speaker 3: That's what I was hoping.

453
00:21:25,800 --> 00:21:29,719
Speaker 2: Like Now I'm sort of like, I'm sad that the

454
00:21:29,720 --> 00:21:32,520
Speaker 2: moment's over where everyone was like, oh, this is going

455
00:21:32,600 --> 00:21:35,400
Speaker 2: to be Cole throwing on a wig on a stage alone. Yes,

456
00:21:35,760 --> 00:21:38,920
Speaker 2: and then the surprise of it being a capital.

457
00:21:39,000 --> 00:21:41,800
Speaker 1: That was planned, the surprise of it like you well.

458
00:21:41,680 --> 00:21:45,280
Speaker 2: Yes, I mean I knew that's what people's expectators might be.

459
00:21:45,200 --> 00:21:48,399
Speaker 1: But I do think that is yeah, I mean that

460
00:21:48,520 --> 00:21:50,560
Speaker 1: is the big surprise where you're like, oh, this is

461
00:21:50,640 --> 00:21:52,160
Speaker 1: like full on a play.

462
00:21:52,359 --> 00:21:56,840
Speaker 3: Yeah. Yeah. But the cast, the gorgeous of an actors.

463
00:21:57,119 --> 00:21:59,000
Speaker 3: I wish I could tell you any of their names

464
00:21:59,040 --> 00:21:59,440
Speaker 3: right now.

465
00:22:00,440 --> 00:22:04,040
Speaker 2: Sweet people, sweet sweet people. They smile at me every day.

466
00:22:04,720 --> 00:22:05,800
Speaker 2: I just love them all.

467
00:22:05,880 --> 00:22:08,480
Speaker 3: They respect all my boundaries, don't make icon tag, I

468
00:22:08,880 --> 00:22:09,840
Speaker 3: don't ask me how I'm doing.

469
00:22:10,040 --> 00:22:13,159
Speaker 2: Yeah, and that's really. Have any of them been like

470
00:22:13,280 --> 00:22:17,960
Speaker 2: James Scully or Conras No, we haven't had unkly, none

471
00:22:17,960 --> 00:22:18,200
Speaker 2: of them.

472
00:22:18,560 --> 00:22:21,280
Speaker 3: Nobody so funny. Yeah, she's so funny.

473
00:22:21,359 --> 00:22:24,720
Speaker 2: Great. I saw her when I was eighteen, my first

474
00:22:24,800 --> 00:22:27,720
Speaker 2: year in New York, my first Christmas alone in New York.

475
00:22:27,760 --> 00:22:31,680
Speaker 2: I saw trans America and she that movie with She's

476
00:22:31,680 --> 00:22:34,000
Speaker 2: in Transamerica. Yeah, do you remember she goes I don't

477
00:22:34,000 --> 00:22:36,040
Speaker 2: even remember what it was, like a sex way party

478
00:22:36,119 --> 00:22:40,679
Speaker 2: or a Tupperware party. She's like the hostess of that party.

479
00:22:40,800 --> 00:22:43,920
Speaker 2: And then I saw her in Taylor Max five Hour

480
00:22:44,320 --> 00:22:47,159
Speaker 2: The Lilies Revenge at Your Art Center. I was like,

481
00:22:47,280 --> 00:22:50,560
Speaker 2: she played a cuckoo clock and I was like, who

482
00:22:50,720 --> 00:22:53,040
Speaker 2: is she? Diva?

483
00:22:53,480 --> 00:22:55,440
Speaker 3: Dibbs DIBs mine?

484
00:22:57,440 --> 00:22:57,720
Speaker 4: Wow?

485
00:22:58,280 --> 00:23:01,040
Speaker 3: I sorry to ask the most base No, I have

486
00:23:01,200 --> 00:23:01,880
Speaker 3: only baseball?

487
00:23:01,960 --> 00:23:03,639
Speaker 1: Please why Mary Todd?

488
00:23:04,680 --> 00:23:10,040
Speaker 2: I just really feel like women like I don't know,

489
00:23:11,240 --> 00:23:14,400
Speaker 2: I don't know, I don't know. I really don't remember

490
00:23:14,480 --> 00:23:16,760
Speaker 2: because I had the idea in two thousand and nine.

491
00:23:16,800 --> 00:23:21,960
Speaker 1: Really whoa And it was basically like an idea that

492
00:23:22,200 --> 00:23:24,720
Speaker 1: was born out of just the humor of it, not

493
00:23:25,040 --> 00:23:26,600
Speaker 1: using like a history buff.

494
00:23:26,440 --> 00:23:31,199
Speaker 2: No, no, no no. I just thought, like the idea

495
00:23:31,200 --> 00:23:35,560
Speaker 2: of me playing a historical figure like that, yeah was fun.

496
00:23:36,080 --> 00:23:41,560
Speaker 3: Yeah. And then all those years later we finally got

497
00:23:41,600 --> 00:23:46,439
Speaker 3: to the Lord Tel. Are you like, are you like

498
00:23:46,520 --> 00:23:49,560
Speaker 3: super regimented right now? Like if you have to perform

499
00:23:49,880 --> 00:23:50,680
Speaker 3: eight times a week?

500
00:23:50,720 --> 00:23:54,320
Speaker 2: Are you like I really don't do anything besides like

501
00:23:55,240 --> 00:23:59,040
Speaker 2: uh yeah, I mean like sleep and then go to

502
00:23:59,080 --> 00:24:03,639
Speaker 2: the theater stretch stretch. I try to eat at four thirty.

503
00:24:04,119 --> 00:24:06,040
Speaker 3: See this is after the show.

504
00:24:07,040 --> 00:24:09,919
Speaker 2: I try to eat two yeah yeah, yeah, but if

505
00:24:09,960 --> 00:24:12,040
Speaker 2: I'm not up early enough. I only get the one meal.

506
00:24:12,720 --> 00:24:15,720
Speaker 2: It's a difficult life. Here's a question, Bays, I don't

507
00:24:15,760 --> 00:24:16,480
Speaker 2: recommend it.

508
00:24:16,560 --> 00:24:20,359
Speaker 1: Do you feel are the endorphins such that after the show,

509
00:24:21,000 --> 00:24:22,120
Speaker 1: that's how i'd want to go out?

510
00:24:22,480 --> 00:24:23,040
Speaker 3: Oh I know?

511
00:24:23,440 --> 00:24:25,200
Speaker 1: No, no, never want to go right home?

512
00:24:25,440 --> 00:24:29,760
Speaker 2: Really yeah? Right to bed, hot creamy meal, right to bed.

513
00:24:29,760 --> 00:24:34,919
Speaker 1: Hot creamy meal. No, all dairy meal, right to bed.

514
00:24:34,960 --> 00:24:36,720
Speaker 2: But I do need a life outside of it, because

515
00:24:36,720 --> 00:24:40,960
Speaker 2: otherwise the play can't be my only reason for existing.

516
00:24:41,040 --> 00:24:43,560
Speaker 2: So now I'm trying to find things to do. If

517
00:24:43,560 --> 00:24:47,159
Speaker 2: you have any suggestions at home, comment below on this

518
00:24:47,280 --> 00:24:51,400
Speaker 2: video and like it and subscribe and just send us

519
00:24:51,480 --> 00:24:55,720
Speaker 2: email and vote and vote and vote, please vote, vote

520
00:24:55,720 --> 00:24:58,680
Speaker 2: for living in your local city elections.

521
00:24:58,880 --> 00:24:59,960
Speaker 3: They matter, y'all.

522
00:25:03,080 --> 00:25:06,800
Speaker 2: Should we do it for a segment? Yeah?

523
00:25:06,880 --> 00:25:09,320
Speaker 1: Right, I think we have yeah, yeah, if anything, yes,

524
00:25:09,359 --> 00:25:11,560
Speaker 1: you please, please please? I have anything to get it

525
00:25:11,600 --> 00:25:13,560
Speaker 1: out of the way that we can keep talking.

526
00:25:13,320 --> 00:25:25,760
Speaker 4: For you, of course, Okay, Cole.

527
00:25:25,840 --> 00:25:28,280
Speaker 3: Our first segment is called straight Shooters, and in this segment,

528
00:25:28,280 --> 00:25:29,800
Speaker 3: we're going to ask you a series of rapid fire

529
00:25:29,880 --> 00:25:32,320
Speaker 3: questions es. Basically, this thing or this other thing to

530
00:25:32,440 --> 00:25:35,600
Speaker 3: gage you're familiarity with and complicity and straight culture. The

531
00:25:35,640 --> 00:25:37,800
Speaker 3: only rule is you can't ask any follow up questions

532
00:25:37,880 --> 00:25:39,479
Speaker 3: or will scream at you.

533
00:25:39,920 --> 00:25:42,440
Speaker 2: Okay, that reminds me of a story I've heard about

534
00:25:42,480 --> 00:25:43,240
Speaker 2: Shirley McLain.

535
00:25:43,920 --> 00:25:46,280
Speaker 3: Later later, okay, So.

536
00:25:49,720 --> 00:25:53,119
Speaker 1: I love these beautiful humans or I hate that ugly

537
00:25:53,160 --> 00:25:53,920
Speaker 1: ass tunic.

538
00:25:54,800 --> 00:25:59,000
Speaker 3: I love these beautiful humans. Cole curling up with a

539
00:25:59,040 --> 00:26:02,719
Speaker 3: good book or curling up with succession Zone Sarah Snook

540
00:26:03,520 --> 00:26:04,720
Speaker 3: curling up with a good book.

541
00:26:05,600 --> 00:26:08,440
Speaker 1: Tap water is fine or fap every day at nine

542
00:26:08,600 --> 00:26:09,320
Speaker 1: bap every day.

543
00:26:09,200 --> 00:26:13,439
Speaker 3: At night after your all dairy meal. Yeah okay. A

544
00:26:13,480 --> 00:26:16,520
Speaker 3: body shaped like an hour glass or a potty molded

545
00:26:16,560 --> 00:26:17,520
Speaker 3: perfect to your ass?

546
00:26:17,560 --> 00:26:19,399
Speaker 2: Oh, body shaped like an hourglass?

547
00:26:19,440 --> 00:26:20,840
Speaker 3: Omm respectable?

548
00:26:22,920 --> 00:26:25,040
Speaker 1: Giving it up for your next comic, or living it

549
00:26:25,119 --> 00:26:26,840
Speaker 1: up before we all get hit by a comet.

550
00:26:27,680 --> 00:26:30,680
Speaker 2: Giving it up for your next comic, you have.

551
00:26:30,560 --> 00:26:36,119
Speaker 3: To, okay, white gold or black mold, white gold.

552
00:26:37,280 --> 00:26:40,440
Speaker 1: I demand an appeal, or I don't understand her whole deal.

553
00:26:41,400 --> 00:26:46,000
Speaker 3: I demand an appeal. Being on the list or lancing officist,

554
00:26:46,440 --> 00:26:49,200
Speaker 3: lancing officist, Yeah, yeah.

555
00:26:48,800 --> 00:26:51,560
Speaker 2: Yeah, I have an idea. What this is crazy?

556
00:26:51,600 --> 00:26:54,120
Speaker 1: I'm like, you know, Usually we rate our guest performance

557
00:26:54,160 --> 00:26:56,400
Speaker 1: on a scale of zero to one thousand doves. Here's

558
00:26:56,440 --> 00:26:57,399
Speaker 1: what I've been feeling recently.

559
00:26:57,440 --> 00:26:58,280
Speaker 3: What have you been feeling?

560
00:26:58,680 --> 00:27:01,960
Speaker 1: Maybe that scale is over, Maybe we need to figure

561
00:27:01,960 --> 00:27:03,720
Speaker 1: out like a new way to rank I've been feeling.

562
00:27:04,480 --> 00:27:07,679
Speaker 1: I think, don't you feel like we've been sort of like, okay,

563
00:27:07,680 --> 00:27:09,640
Speaker 1: we've done every version of that answer.

564
00:27:11,600 --> 00:27:13,920
Speaker 3: I guess I like you, but you.

565
00:27:13,560 --> 00:27:17,439
Speaker 2: You see, this is what's great about But by the way, threes, Yeah, now,

566
00:27:17,960 --> 00:27:21,920
Speaker 2: I just I can I'm engaged, yes, but I don't

567
00:27:21,920 --> 00:27:24,159
Speaker 2: have to worry about having an answer right anyway?

568
00:27:24,800 --> 00:27:29,000
Speaker 3: Keep okay, so you just like directed us? Now I

569
00:27:29,040 --> 00:27:30,720
Speaker 3: feel like now not keep going?

570
00:27:31,320 --> 00:27:34,760
Speaker 2: Yeah no, no, I'm watching and listening and just talk naturally.

571
00:27:35,119 --> 00:27:36,879
Speaker 1: You know, I did the number one thing you shouldn't do,

572
00:27:36,880 --> 00:27:39,879
Speaker 1: which is critique, but not come up with an alternative.

573
00:27:40,040 --> 00:27:43,800
Speaker 1: It's actually one of my life I am not and

574
00:27:43,960 --> 00:27:45,040
Speaker 1: I very much think.

575
00:27:45,320 --> 00:27:49,040
Speaker 3: Are you a younger sibling? I'm an older sibling. That's interesting.

576
00:27:49,960 --> 00:27:52,919
Speaker 3: Orse just like most things about maybe I feel like

577
00:27:52,960 --> 00:27:54,680
Speaker 3: that's a younger sibling thing you think?

578
00:27:54,720 --> 00:27:57,479
Speaker 1: So, yes, I feel like at some point in my

579
00:27:57,520 --> 00:28:03,119
Speaker 1: life I was like criticizing. Criticism is a sign of intelligence,

580
00:28:03,119 --> 00:28:06,040
Speaker 1: and the more you criticize the more intelligent you are. Yeah,

581
00:28:06,080 --> 00:28:09,040
Speaker 1: and so you know, you go into and I think

582
00:28:09,040 --> 00:28:09,920
Speaker 1: it's a very childish.

583
00:28:09,920 --> 00:28:11,000
Speaker 3: Where in your body is that?

584
00:28:11,520 --> 00:28:13,879
Speaker 2: Sorry, this is only my therapist asked all the time.

585
00:28:14,200 --> 00:28:16,040
Speaker 2: And where in the body in your body do you

586
00:28:16,040 --> 00:28:16,639
Speaker 2: feel that.

587
00:28:18,440 --> 00:28:19,600
Speaker 3: It's coming out of my head?

588
00:28:19,880 --> 00:28:20,200
Speaker 1: Right?

589
00:28:20,760 --> 00:28:25,840
Speaker 3: What do you mean? I always say my stomach, my stomach.

590
00:28:26,400 --> 00:28:29,520
Speaker 1: Well, it's all those creamy meals, creamy meals both show.

591
00:28:29,880 --> 00:28:32,440
Speaker 2: Yeah, I'm sorry I cut you. You were going you

592
00:28:32,680 --> 00:28:36,320
Speaker 2: you were talking about renovating the scale.

593
00:28:36,600 --> 00:28:45,520
Speaker 1: Yes, right, book Alert, Renovating Scale, Weight Loss Journeys, Journey

594
00:28:45,600 --> 00:28:51,960
Speaker 1: on the Stage, Chapter one, Creamy Meals, Creamy Meals question mark.

595
00:28:53,600 --> 00:28:57,600
Speaker 3: Yeah, well I just wanted for the scale. I do

596
00:28:57,920 --> 00:29:02,600
Speaker 3: like that it is something that is truly from twenty twenty.

597
00:29:02,720 --> 00:29:02,880
Speaker 2: Yeah.

598
00:29:02,960 --> 00:29:05,200
Speaker 3: Yeah, and is like that we have stuck with for

599
00:29:05,280 --> 00:29:06,400
Speaker 3: seemingly no that sense.

600
00:29:06,400 --> 00:29:07,720
Speaker 1: It gets funnier as it goes.

601
00:29:07,560 --> 00:29:10,120
Speaker 3: And I think it's funny to think about literally being

602
00:29:10,160 --> 00:29:12,960
Speaker 3: like four years from now and still doing that and

603
00:29:12,960 --> 00:29:14,080
Speaker 3: people are like, what is.

604
00:29:14,040 --> 00:29:14,680
Speaker 2: That even care?

605
00:29:14,800 --> 00:29:16,080
Speaker 3: Yeah, yeah, you've won it over.

606
00:29:16,760 --> 00:29:18,400
Speaker 1: You've already won me over.

607
00:29:19,280 --> 00:29:22,440
Speaker 3: Beautiful. Wow, Wow, could Georgia get cast in?

608
00:29:23,360 --> 00:29:24,680
Speaker 2: Well it's not musical?

609
00:29:24,960 --> 00:29:26,840
Speaker 3: Well, we still need to know you have range. I

610
00:29:26,880 --> 00:29:27,880
Speaker 3: guess it's musical.

611
00:29:28,640 --> 00:29:29,400
Speaker 2: No spoilers, but.

612
00:29:29,480 --> 00:29:31,280
Speaker 3: That was a spoiler. That was a huge spoiler.

613
00:29:31,640 --> 00:29:32,520
Speaker 2: How do you feel.

614
00:29:33,840 --> 00:29:35,840
Speaker 3: You can't just say you no spoilers after your spoiler.

615
00:29:38,720 --> 00:29:42,920
Speaker 3: That's not how it works. Do you think of yourself

616
00:29:42,920 --> 00:29:45,760
Speaker 3: as solutions oriented? Yeah? I actually like that.

617
00:29:45,840 --> 00:29:51,280
Speaker 2: Yeah, me too. Yeah, no, no, no, no, I'm a complainer.

618
00:29:51,560 --> 00:29:54,600
Speaker 2: You're well, but you are a creator. And I don't

619
00:29:54,640 --> 00:29:57,520
Speaker 2: mean that in the sense of being an LGBTQ creator

620
00:29:57,760 --> 00:29:59,880
Speaker 2: making their voice heard. I mean that in the sense

621
00:30:00,120 --> 00:30:03,520
Speaker 2: you do. You're not someone who's like, oh, they don't

622
00:30:03,560 --> 00:30:06,400
Speaker 2: want me here, I'm going to cry about it. You're like,

623
00:30:06,400 --> 00:30:08,640
Speaker 2: they don't want me here, I'm going to go I'm

624
00:30:08,640 --> 00:30:11,320
Speaker 2: going to make a better I'm going to make him better. Yeah,

625
00:30:11,480 --> 00:30:13,320
Speaker 2: I guess in that way, Yeah, I guess.

626
00:30:13,400 --> 00:30:15,280
Speaker 3: I I'm kind of like solutions bass.

627
00:30:17,720 --> 00:30:22,239
Speaker 2: No I am, yeah, yeah, I think. Well, okay, so

628
00:30:22,280 --> 00:30:24,480
Speaker 2: it's sort of like fight flight or freeze, right.

629
00:30:24,400 --> 00:30:27,160
Speaker 3: Yeah, like, oh, I had never heard of the love

630
00:30:27,520 --> 00:30:31,600
Speaker 3: You've never heard of freeze. I've heard fight a million times.

631
00:30:32,640 --> 00:30:33,640
Speaker 3: You need to get back in.

632
00:30:37,200 --> 00:30:38,840
Speaker 2: Fight flight or freeze.

633
00:30:39,680 --> 00:30:42,960
Speaker 3: I love this. I might be freezingly Freeze. I'm freeze.

634
00:30:43,000 --> 00:30:47,480
Speaker 1: Oh God, to freeze identified gay cancers running a small

635
00:30:47,520 --> 00:30:50,400
Speaker 1: business together. Good luck, good luck making proper.

636
00:30:50,480 --> 00:30:52,960
Speaker 3: I think a lot of people are are freeze. I

637
00:30:53,000 --> 00:30:55,360
Speaker 3: think freeze. It just to me it makes the most

638
00:30:55,400 --> 00:30:57,440
Speaker 3: sense because I'm like, well, I'm not gonna run away,

639
00:30:57,640 --> 00:30:59,040
Speaker 3: but I'm also not going to start a fight. But

640
00:30:59,120 --> 00:31:00,960
Speaker 3: you don't know what to do. You're like, I can't

641
00:31:01,240 --> 00:31:01,800
Speaker 3: fight back.

642
00:31:01,880 --> 00:31:04,320
Speaker 1: I'm putting my body on the line by doing nothing.

643
00:31:04,520 --> 00:31:09,280
Speaker 3: Yes, I will say to you know, if there's multiple

644
00:31:09,320 --> 00:31:11,520
Speaker 3: freezes in a room, I think it's sort of you know,

645
00:31:11,560 --> 00:31:14,640
Speaker 3: it's like you might both be bottoms, but eventually, when

646
00:31:14,680 --> 00:31:17,800
Speaker 3: you're penetrating, someone's going to be topping. Does this make sense? Yes, yes, yes,

647
00:31:18,440 --> 00:31:21,800
Speaker 3: but if you aren't. But I feel like if we're

648
00:31:21,800 --> 00:31:24,040
Speaker 3: both freezes, there have been many times in our relationship

649
00:31:24,240 --> 00:31:27,320
Speaker 3: where you have been the one that is ready to fight.

650
00:31:27,640 --> 00:31:28,920
Speaker 2: That's true in a good way.

651
00:31:29,560 --> 00:31:33,840
Speaker 3: That's true, and I've gotten to keep my freeze privilege.

652
00:31:34,160 --> 00:31:34,480
Speaker 2: Freeze.

653
00:31:34,680 --> 00:31:41,480
Speaker 3: Wait, but this was related to be solutions? Yeah yeah, yeah, yeah.

654
00:31:41,160 --> 00:31:47,080
Speaker 2: Where like rather like there's complain, there's offer a solution,

655
00:31:47,600 --> 00:31:51,120
Speaker 2: and then there's leave. Right, I'm I'm more apt to leave.

656
00:31:51,600 --> 00:31:53,760
Speaker 3: Oh interesting, I'm more apt to leave as well.

657
00:31:53,880 --> 00:31:57,920
Speaker 1: Yeah, complain, yeah, solution or leap. I'm complain. I'm sorry.

658
00:31:58,520 --> 00:32:00,880
Speaker 2: There's just so if you're like, you're you're waiting for

659
00:32:00,920 --> 00:32:02,680
Speaker 2: a table for a really long time.

660
00:32:03,320 --> 00:32:06,800
Speaker 1: Oh yeah, I'm giving everyone dirty looks. I'm sighing dramatically,

661
00:32:07,440 --> 00:32:10,520
Speaker 1: looking at my phone, sort of going over to people's table,

662
00:32:10,640 --> 00:32:14,640
Speaker 1: knocking over all their food, calling them really offensive slurs.

663
00:32:14,720 --> 00:32:17,960
Speaker 3: Yes, yeah yeah. And then and you I'm sort of

664
00:32:18,000 --> 00:32:21,920
Speaker 3: like let's go, yeah yeah, Or I'm like it's like

665
00:32:21,920 --> 00:32:22,920
Speaker 3: like it's fine, let's wait.

666
00:32:23,000 --> 00:32:25,080
Speaker 1: It's not worth it, it's not worth it. Yeah, And

667
00:32:25,160 --> 00:32:32,680
Speaker 1: I oh, you're less, You're generally less like willing to wait.

668
00:32:32,080 --> 00:32:33,440
Speaker 3: For you prioritize comfort.

669
00:32:33,440 --> 00:32:34,960
Speaker 1: I guess what I'm trying to say, Like you pise

670
00:32:35,040 --> 00:32:37,160
Speaker 1: comfort over like waiting for the exclusive thing.

671
00:32:37,200 --> 00:32:37,720
Speaker 2: Would you say that?

672
00:32:37,800 --> 00:32:38,960
Speaker 3: Yeah? I think that is true.

673
00:32:39,040 --> 00:32:41,120
Speaker 1: Whereas I'm like, let's say, I really want to go.

674
00:32:41,120 --> 00:32:44,200
Speaker 3: It's humiliating to wait. Oh my god, I'm.

675
00:32:44,080 --> 00:32:46,120
Speaker 1: So sad, but you know what the reward is then

676
00:32:46,200 --> 00:32:48,480
Speaker 1: getting the table and watching other people wait and feeling

677
00:32:48,520 --> 00:32:49,680
Speaker 1: superior to them.

678
00:32:50,280 --> 00:32:51,680
Speaker 3: You bring up a very good.

679
00:32:51,720 --> 00:32:53,040
Speaker 2: That's up from my stomach.

680
00:32:54,880 --> 00:32:56,920
Speaker 3: I Also, I feel like the nice things are like

681
00:32:57,080 --> 00:33:01,080
Speaker 3: rarely worth it, like the pain of discomfort waiting and.

682
00:33:01,360 --> 00:33:03,120
Speaker 2: Waiting and pushed around.

683
00:33:03,280 --> 00:33:04,720
Speaker 3: And what was the last thing.

684
00:33:04,600 --> 00:33:06,600
Speaker 2: You waited for that you were glad.

685
00:33:06,720 --> 00:33:12,760
Speaker 3: That I was glad? Hmm, God, I have no idea,

686
00:33:13,120 --> 00:33:17,040
Speaker 3: to be completely honest, it's been a long time I

687
00:33:17,080 --> 00:33:18,720
Speaker 3: had to wait in a line for anything.

688
00:33:21,200 --> 00:33:23,360
Speaker 2: What's the last thing you waited for that was worth it?

689
00:33:23,560 --> 00:33:26,960
Speaker 3: This is the most riveting segment. Let's yeah, let's really

690
00:33:27,040 --> 00:33:28,720
Speaker 3: no one has the thing they waited for.

691
00:33:28,800 --> 00:33:30,600
Speaker 2: Yeah, I guess I just usually get things for free.

692
00:33:31,000 --> 00:33:33,600
Speaker 3: Yeah, olive oil gelato? Is that true?

693
00:33:34,520 --> 00:33:38,200
Speaker 2: I did wait for it. I was happy they waited.

694
00:33:38,840 --> 00:33:42,760
Speaker 2: Did you really have to humble yourself to wait for something?

695
00:33:43,000 --> 00:33:43,240
Speaker 4: You know?

696
00:33:43,600 --> 00:33:46,600
Speaker 3: I also see, you know, in Los Angeles, California. Oh

697
00:33:46,680 --> 00:33:49,520
Speaker 3: my god, to be able to be right back. I

698
00:33:49,560 --> 00:33:51,880
Speaker 3: feel that I see a lot of people waiting in

699
00:33:51,960 --> 00:33:54,720
Speaker 3: line for random, random stuff. They sort of have like

700
00:33:54,800 --> 00:33:56,400
Speaker 3: cronut culture all the time.

701
00:33:57,640 --> 00:33:58,600
Speaker 2: Hey, that's sort of all they have.

702
00:33:59,000 --> 00:34:02,000
Speaker 3: Yeah, And so I'm when it's see some people waiting

703
00:34:02,000 --> 00:34:04,160
Speaker 3: in line, I'm like, Okay, well that's what I don't want, Like,

704
00:34:04,200 --> 00:34:07,160
Speaker 3: I'll never go to that place. It like almost looks

705
00:34:07,240 --> 00:34:11,040
Speaker 3: more unappealing because it's like probably just some gimmick or

706
00:34:11,160 --> 00:34:13,160
Speaker 3: was like written on some blog or something.

707
00:34:14,239 --> 00:34:15,200
Speaker 2: You're not going to trick me.

708
00:34:15,800 --> 00:34:21,560
Speaker 3: Yeah, I'm like, I'm actually a free thinker. Yeah, that's no.

709
00:34:21,680 --> 00:34:22,040
Speaker 2: You're right.

710
00:34:22,080 --> 00:34:24,920
Speaker 1: Well, there's two kinds of waiting, and one is like.

711
00:34:25,680 --> 00:34:28,800
Speaker 2: There's only two, yes, male or female.

712
00:34:28,480 --> 00:34:32,640
Speaker 3: Exactly, So what's male waiting?

713
00:34:32,800 --> 00:34:38,640
Speaker 1: Male waiting? Oh god, okay, So I think one is

714
00:34:39,000 --> 00:34:42,640
Speaker 1: what you're describing cronut culture of like waiting for the

715
00:34:42,719 --> 00:34:49,480
Speaker 1: latest trend yourself. But it's also like it's also like blogger,

716
00:34:50,239 --> 00:34:51,080
Speaker 1: blonde blogger.

717
00:34:51,200 --> 00:34:53,040
Speaker 3: Sure, you know, big hat.

718
00:34:52,920 --> 00:34:55,840
Speaker 1: Big hat blonde blogger, waiting for the next trend. You

719
00:34:55,880 --> 00:34:59,400
Speaker 1: are so trend chasing, you have no personality. Your entire

720
00:34:59,440 --> 00:35:01,120
Speaker 1: life is changed sing things that other people are doing.

721
00:35:01,120 --> 00:35:03,600
Speaker 1: That's one second kind of waiting is that if you know,

722
00:35:03,760 --> 00:35:05,880
Speaker 1: you know, kind of waiting where you're in the know

723
00:35:06,360 --> 00:35:09,600
Speaker 1: and you're and you're part of this like exclusive you've

724
00:35:09,640 --> 00:35:12,560
Speaker 1: read the paywaald blog that's telling you the new thing.

725
00:35:13,160 --> 00:35:15,160
Speaker 2: Yeah yeah, well they're both the same thing.

726
00:35:15,040 --> 00:35:17,040
Speaker 3: Though you think so, and yeah one of them, one

727
00:35:17,080 --> 00:35:17,560
Speaker 3: of them.

728
00:35:17,440 --> 00:35:20,799
Speaker 2: You think you're better then, right, that's it.

729
00:35:20,960 --> 00:35:24,560
Speaker 1: That's not a bad point, you know, So I'll tell

730
00:35:24,560 --> 00:35:26,880
Speaker 1: you which one I prefer to be in of course,

731
00:35:27,320 --> 00:35:28,600
Speaker 1: but it's the same thing.

732
00:35:30,120 --> 00:35:30,759
Speaker 3: We all just.

733
00:35:30,719 --> 00:35:34,080
Speaker 2: Want to be at the at the front of the line, right,

734
00:35:34,520 --> 00:35:36,400
Speaker 2: We all want to cut in line, don't we.

735
00:35:36,400 --> 00:35:43,040
Speaker 3: We'll be right back and we're back. And that was

736
00:35:43,080 --> 00:35:45,600
Speaker 3: such a convincing we'll be right back. That was actually

737
00:35:45,719 --> 00:35:46,719
Speaker 3: terrifying because it.

738
00:35:46,680 --> 00:35:47,560
Speaker 4: Felt so real.

739
00:35:47,920 --> 00:35:51,120
Speaker 3: Yeah. I actually was like, we need to throw to commercial. Yeah,

740
00:35:51,239 --> 00:35:54,480
Speaker 3: that's so fun. I could feel we don't even have

741
00:35:54,520 --> 00:35:56,799
Speaker 3: headphones on it. I was like, oh, yeah, anyway, how

742
00:35:56,800 --> 00:35:58,759
Speaker 3: are you really hot?

743
00:35:58,800 --> 00:35:59,960
Speaker 2: Creamy meals? When we return?

744
00:36:00,480 --> 00:36:04,920
Speaker 1: Yeah, you were telling me about all starts crying hyaterically.

745
00:36:05,040 --> 00:36:07,880
Speaker 3: Yeah, They're like, it's just been really hard. Wait, I

746
00:36:08,160 --> 00:36:09,960
Speaker 3: wanted to bring I have some topic.

747
00:36:10,040 --> 00:36:11,080
Speaker 2: Yes, yes, yes, topic.

748
00:36:12,200 --> 00:36:15,480
Speaker 3: You are like in charge of us, Okay.

749
00:36:15,600 --> 00:36:19,359
Speaker 2: It is is like, so I was trying to think

750
00:36:19,400 --> 00:36:22,160
Speaker 2: of straight things, like straight culture things. Right. The phone

751
00:36:22,160 --> 00:36:25,759
Speaker 2: has like five cameras. Oh it's a Samsung Galaxy.

752
00:36:26,080 --> 00:36:27,200
Speaker 3: It literally does have five.

753
00:36:28,160 --> 00:36:30,960
Speaker 2: Them are flashes. I'm just like that is too many.

754
00:36:31,160 --> 00:36:32,160
Speaker 2: You don't know what I'm up to.

755
00:36:32,320 --> 00:36:34,360
Speaker 3: It looks like you don't know what about You're filming.

756
00:36:34,360 --> 00:36:36,600
Speaker 3: You don't know what I'm up with independent films. Three day,

757
00:36:36,680 --> 00:36:39,840
Speaker 3: there's there's a poll at JFK Airport that has truly

758
00:36:39,920 --> 00:36:42,880
Speaker 3: like fourteen surveillance cameras on it, and it looks like

759
00:36:42,920 --> 00:36:44,840
Speaker 3: a commentary on the surveillance state. That's kind of what

760
00:36:44,880 --> 00:36:45,440
Speaker 3: your phone is.

761
00:36:45,600 --> 00:36:48,720
Speaker 2: Yeah, stop surveilling us. Well, uh, do you have anything

762
00:36:48,719 --> 00:36:52,040
Speaker 2: else to say? You mentioned Taylor Swift earlier.

763
00:36:52,120 --> 00:36:53,799
Speaker 3: Do you want to say you're bad? Oh?

764
00:36:54,440 --> 00:36:57,399
Speaker 2: Okay? What I was thinking, Well, I was thinking about

765
00:36:57,480 --> 00:37:01,640
Speaker 2: straight culture things, right, but I could only really think

766
00:37:01,680 --> 00:37:09,160
Speaker 2: of examples of things that are like straight trying to

767
00:37:09,200 --> 00:37:13,000
Speaker 2: be gay, like straight things that are influenced by gay culture,

768
00:37:13,920 --> 00:37:20,600
Speaker 2: like hotels, yeah, based on cruising, but based on based

769
00:37:20,600 --> 00:37:24,279
Speaker 2: on cruising, based on piet tears. Yes, it's like, well

770
00:37:24,320 --> 00:37:25,080
Speaker 2: this is better.

771
00:37:24,840 --> 00:37:26,040
Speaker 3: Because then you can just leave.

772
00:37:26,560 --> 00:37:29,000
Speaker 2: And it's like, well that's the you took the fun

773
00:37:29,000 --> 00:37:32,600
Speaker 2: out of a Pieta tar, Like it's straight people, you know. Okay,

774
00:37:32,640 --> 00:37:38,280
Speaker 2: so hotels, salad bar because salad's gay culture.

775
00:37:38,120 --> 00:37:38,960
Speaker 1: But salad bar.

776
00:37:39,120 --> 00:37:40,560
Speaker 3: The salad bar is like but.

777
00:37:40,560 --> 00:37:42,200
Speaker 2: You can pick what you want, and you're like, you're

778
00:37:42,239 --> 00:37:44,799
Speaker 2: not improving on you wouldn't. I mean whatever, I go on,

779
00:37:44,880 --> 00:37:49,360
Speaker 2: ye baby carrots. Right, It's like, isn't it so funny

780
00:37:49,360 --> 00:37:53,480
Speaker 2: that they're like little? And you're like, oh, that's almost.

781
00:37:53,080 --> 00:37:54,880
Speaker 1: Like you've never experienced happiness.

782
00:37:55,880 --> 00:38:00,000
Speaker 3: Yeah. My favorite thing on earth is to buy baby carrots.

783
00:38:00,200 --> 00:38:02,800
Speaker 3: Never ever open the bag. I'm like, oh, this is

784
00:38:02,800 --> 00:38:05,040
Speaker 3: gonna be such a perfect snack with hummus. Yeah, and

785
00:38:05,040 --> 00:38:07,680
Speaker 3: then I just leave it there for until they get slimy. Yeah,

786
00:38:07,680 --> 00:38:10,279
Speaker 3: and then I'm I'm moving seven years later and I'm like, oh,

787
00:38:10,360 --> 00:38:13,640
Speaker 3: I have to throw these away now. Yeah, that's such a.

788
00:38:13,239 --> 00:38:16,040
Speaker 1: What are people afraid of with just buying normal carrots?

789
00:38:16,160 --> 00:38:18,439
Speaker 1: I would really love to know. Is it the little

790
00:38:18,440 --> 00:38:19,080
Speaker 1: hairs that they have?

791
00:38:19,400 --> 00:38:21,719
Speaker 3: It's the little hairs. It's sort of the like, well,

792
00:38:21,760 --> 00:38:23,280
Speaker 3: what am I gonna do? Eat a whole carrot?

793
00:38:23,400 --> 00:38:23,600
Speaker 2: Yes?

794
00:38:24,360 --> 00:38:26,799
Speaker 3: Yeah, who has the time? What if I just.

795
00:38:26,680 --> 00:38:29,279
Speaker 1: Want to say, you want twenty five baby carrots, Well, you.

796
00:38:29,239 --> 00:38:30,520
Speaker 3: Can take as many as you want, and you can

797
00:38:30,520 --> 00:38:33,680
Speaker 3: put it back the big carrot. You gotta chop it up.

798
00:38:34,120 --> 00:38:36,520
Speaker 1: Oh my god. I mean there's nothing better than feeling

799
00:38:37,560 --> 00:38:39,680
Speaker 1: chopping up a carrot and then putting the leftovers in

800
00:38:39,680 --> 00:38:41,799
Speaker 1: a little zip bloc bag. Suddenly you feel like you're cooking,

801
00:38:41,840 --> 00:38:43,359
Speaker 1: you feel like you're doing cottage core.

802
00:38:43,880 --> 00:38:46,600
Speaker 3: No. The way that I want every single thing I

803
00:38:46,680 --> 00:38:50,600
Speaker 3: eat to be pre cut into many of this.

804
00:38:50,760 --> 00:38:56,359
Speaker 2: Is like being a well I I hate doing dishes, Yes,

805
00:38:56,760 --> 00:38:58,160
Speaker 2: so I will buy.

806
00:38:58,040 --> 00:39:05,920
Speaker 1: A pre chopped Everyone hates doing that. That's true, Yes, exactly.

807
00:39:05,880 --> 00:39:08,719
Speaker 3: Wait wait wait wait sorry, George, this is crazy. This

808
00:39:08,760 --> 00:39:10,279
Speaker 3: is crazy because I've never been able to talk to

809
00:39:10,360 --> 00:39:11,040
Speaker 3: this with anyone.

810
00:39:11,680 --> 00:39:14,759
Speaker 2: But I hate doing dishes so much that I I

811
00:39:14,800 --> 00:39:15,279
Speaker 2: will buy the.

812
00:39:15,280 --> 00:39:18,000
Speaker 3: Pre chopped done Oh much. Wow.

813
00:39:18,400 --> 00:39:21,480
Speaker 2: And David Sidaris has this thing in a book like that,

814
00:39:22,000 --> 00:39:26,840
Speaker 2: like his husband Hugh will will make like himself a

815
00:39:26,960 --> 00:39:30,880
Speaker 2: dinner like for one while he's alone, but he hates

816
00:39:32,200 --> 00:39:34,960
Speaker 2: going through. He would rather like use his finger than

817
00:39:35,040 --> 00:39:38,880
Speaker 2: like dirty a spoon, you know, and I feel the same.

818
00:39:39,200 --> 00:39:42,360
Speaker 3: Well, we've I've gotten in some hot water before with

819
00:39:42,560 --> 00:39:46,120
Speaker 3: our listeners because I talked about how I used the

820
00:39:46,160 --> 00:39:47,040
Speaker 3: same cup for.

821
00:39:47,200 --> 00:39:48,839
Speaker 2: This was actually at a live show. I don't think

822
00:39:48,840 --> 00:39:50,000
Speaker 2: you've ever thought, wait, what do you mean?

823
00:39:50,320 --> 00:39:51,720
Speaker 3: Like I have a water glass?

824
00:39:51,920 --> 00:39:53,759
Speaker 2: Yes, and you keep it by the sink.

825
00:39:54,239 --> 00:39:56,840
Speaker 1: I just did it. Gasps from the audience because you

826
00:39:56,880 --> 00:39:58,719
Speaker 1: said something. You said a phrase, an adjective, that I

827
00:39:58,760 --> 00:39:59,840
Speaker 1: will never forget.

828
00:40:00,800 --> 00:40:08,680
Speaker 3: Glass gets cloudy eventually cloudy. Yeah, but it's my glass

829
00:40:09,000 --> 00:40:12,000
Speaker 3: and it's fine. How many days do you think I'm

830
00:40:12,040 --> 00:40:16,480
Speaker 3: not go see? I I probably use the water glass

831
00:40:16,560 --> 00:40:19,319
Speaker 3: like two days. I'll go a little longer.

832
00:40:22,040 --> 00:40:26,040
Speaker 1: I probably used three water glasses a day.

833
00:40:26,160 --> 00:40:28,920
Speaker 3: My immune system is so strong, and yeah, I use

834
00:40:28,960 --> 00:40:31,040
Speaker 3: one glass. Like, were you just in the hospital for

835
00:40:31,080 --> 00:40:35,520
Speaker 3: the that's not from immunity, that's not from an action.

836
00:40:36,160 --> 00:40:38,160
Speaker 1: Maybe out my god, I would love it if you've

837
00:40:38,160 --> 00:40:39,520
Speaker 1: got to beeB out and showed.

838
00:40:39,239 --> 00:40:39,960
Speaker 2: After the studio.

839
00:40:40,080 --> 00:40:45,680
Speaker 3: That would be incredible. But yeah, I literally like like

840
00:40:46,239 --> 00:40:48,920
Speaker 3: especially when we were in our apartment here and like

841
00:40:49,320 --> 00:40:51,440
Speaker 3: I would go, I would like, never wash it. And

842
00:40:51,480 --> 00:40:53,160
Speaker 3: then I would just like one day my cup would

843
00:40:53,160 --> 00:40:54,640
Speaker 3: be missing and I'd be like we should where the

844
00:40:54,680 --> 00:40:56,400
Speaker 3: hell is my cup? And he'd be like, well, I

845
00:40:56,480 --> 00:40:58,600
Speaker 3: washed it and then drying rag and I'd be like

846
00:40:59,480 --> 00:41:02,879
Speaker 3: I've been looking everywhere for it. He just surprise washes it.

847
00:41:03,320 --> 00:41:07,960
Speaker 2: That's that's okay, that's okay.

848
00:41:07,800 --> 00:41:10,759
Speaker 3: My shock is like, wait, but it.

849
00:41:10,680 --> 00:41:14,160
Speaker 2: Gets cloudy because it's smudged and like lip and fingerprints.

850
00:41:13,520 --> 00:41:16,080
Speaker 3: Allever it you know, my nightly fiber.

851
00:41:17,360 --> 00:41:20,000
Speaker 1: Wait, this is the other thing that wait, you literally

852
00:41:20,040 --> 00:41:22,800
Speaker 1: put fiber in it, mix it, and then keep drinking

853
00:41:22,880 --> 00:41:23,960
Speaker 1: water out of it without re.

854
00:41:24,160 --> 00:41:31,120
Speaker 3: Yeah, it's water soluble, it gets it dissolves. You guys

855
00:41:31,120 --> 00:41:32,399
Speaker 3: are being so messed up.

856
00:41:33,000 --> 00:41:35,759
Speaker 1: This is an audience of three hundred and fifty people

857
00:41:35,760 --> 00:41:37,440
Speaker 1: at the Mellhouse all walked out.

858
00:41:37,560 --> 00:41:41,000
Speaker 3: Well, George, it was in San Francisco. Yeah, yeah, so

859
00:41:41,120 --> 00:41:43,520
Speaker 3: get your facts right because facts matter.

860
00:41:44,160 --> 00:41:48,800
Speaker 1: Well, I'm sorry for making you feel insecure again, although

861
00:41:48,840 --> 00:41:51,840
Speaker 1: it actually feels like you've never been more proud of yourself.

862
00:41:52,120 --> 00:41:53,959
Speaker 3: Well, I just you know, I know how the media

863
00:41:54,000 --> 00:41:54,719
Speaker 3: is gonna run with this.

864
00:41:55,800 --> 00:41:59,960
Speaker 2: How how often do you do dish it?

865
00:42:01,680 --> 00:42:05,480
Speaker 3: Oh? Once a week? Same if I'm when I'm like

866
00:42:05,520 --> 00:42:08,879
Speaker 3: living alone, Yeah I once a week. Do them quite rarely? Yeah,

867
00:42:08,920 --> 00:42:09,239
Speaker 3: me too.

868
00:42:09,719 --> 00:42:12,080
Speaker 2: Sometimes things really start to small bad in my sink.

869
00:42:13,040 --> 00:42:15,680
Speaker 3: Yeah. I'll also like, if I'm doing like takeout lifestyle,

870
00:42:15,840 --> 00:42:18,239
Speaker 3: I like, I'm like, well, I didn't use a dish.

871
00:42:18,840 --> 00:42:19,359
Speaker 3: We'll take out.

872
00:42:19,880 --> 00:42:23,160
Speaker 2: But then but then I you know, a little cereal dessert.

873
00:42:23,840 --> 00:42:26,399
Speaker 1: Oh of course, I'm literally turning into like Trey's mom

874
00:42:26,440 --> 00:42:28,480
Speaker 1: from Sex and the City. I'm about to send both

875
00:42:28,520 --> 00:42:32,520
Speaker 1: of you to what is it called manners, manners, manners

876
00:42:32,920 --> 00:42:38,560
Speaker 1: Academy manner, Yeah, Manner's manner. Okay, so we have baby carrots,

877
00:42:38,600 --> 00:42:40,279
Speaker 1: we have hotels, and what was the third one?

878
00:42:41,960 --> 00:42:44,600
Speaker 2: Hold please salad bar salad bar salad.

879
00:42:44,280 --> 00:42:47,680
Speaker 3: Bar okay to me, I would like to unpack hotels

880
00:42:47,719 --> 00:42:48,120
Speaker 3: a little bit.

881
00:42:48,160 --> 00:42:52,360
Speaker 1: Yeah, okay, okay, because you're staying in one now, actually

882
00:42:52,719 --> 00:42:53,360
Speaker 1: that's true.

883
00:42:53,520 --> 00:42:54,120
Speaker 2: Oh my god.

884
00:42:54,640 --> 00:42:57,040
Speaker 3: Because I have a sub letter now yeah, yeah, shout

885
00:42:57,040 --> 00:43:02,359
Speaker 3: out to my beautiful subletters. And I'm staying in the

886
00:43:02,400 --> 00:43:07,000
Speaker 3: Pod hotel in Eliasburg. There's not a blind on one

887
00:43:07,040 --> 00:43:10,520
Speaker 3: of the windows, and it's like facing the street. This

888
00:43:10,640 --> 00:43:12,080
Speaker 3: is not part of the point. I'm just sort of

889
00:43:12,080 --> 00:43:12,840
Speaker 3: painting a picture.

890
00:43:13,000 --> 00:43:13,920
Speaker 2: Okay, I'll see it.

891
00:43:14,760 --> 00:43:16,680
Speaker 3: And it's also like the rooms like whatever. I'm just

892
00:43:16,680 --> 00:43:19,560
Speaker 3: like people in the street are seeming naked anyway, who cares?

893
00:43:19,600 --> 00:43:25,959
Speaker 3: Who cares? Whatever? Lower East Side nineteen seventy nine.

894
00:43:26,280 --> 00:43:27,560
Speaker 2: Don't tell people where it is.

895
00:43:27,800 --> 00:43:31,960
Speaker 3: Oh well it's on Metropolitan and okay.

896
00:43:31,760 --> 00:43:33,440
Speaker 1: Yeah, I guess. I mean, yeah, you won't be there anyway.

897
00:43:33,560 --> 00:43:36,120
Speaker 3: I'll be gone by the time this comes out. You'll

898
00:43:36,160 --> 00:43:37,440
Speaker 3: be back, that's right.

899
00:43:37,640 --> 00:43:41,719
Speaker 2: So you don't think hotels are I think they're I

900
00:43:41,760 --> 00:43:44,279
Speaker 2: think they're straight inspired by gay.

901
00:43:44,640 --> 00:43:49,120
Speaker 3: I think the straightness comes from the like sanitization of them.

902
00:43:49,200 --> 00:43:51,120
Speaker 3: Sure where it's like every room is the same, but

903
00:43:51,160 --> 00:43:53,880
Speaker 3: there's convenient. It's convenience that you can come and then

904
00:43:53,920 --> 00:43:58,520
Speaker 3: you can you can leaves offend like everything's like this

905
00:43:58,640 --> 00:44:01,480
Speaker 3: is technically a decoration, but it's not.

906
00:44:01,560 --> 00:44:03,960
Speaker 2: You can on your wife here exactly.

907
00:44:04,239 --> 00:44:07,160
Speaker 1: Well, it's based on gay because it's like a straight

908
00:44:07,200 --> 00:44:09,719
Speaker 1: structure is a family home, a family suburban home, and

909
00:44:09,960 --> 00:44:12,919
Speaker 1: anything the farther away from that you get the gay

910
00:44:13,000 --> 00:44:15,640
Speaker 1: or you get so a hotel, you are unmoored from

911
00:44:15,640 --> 00:44:20,000
Speaker 1: your biological family. You are in fact not in your hometown.

912
00:44:21,000 --> 00:44:23,120
Speaker 1: You are a visitor transience.

913
00:44:25,239 --> 00:44:30,600
Speaker 2: And then also like concierge, like that's being like we

914
00:44:30,640 --> 00:44:32,680
Speaker 2: need a gay guy to tell us where to go

915
00:44:32,880 --> 00:44:34,640
Speaker 2: totally where.

916
00:44:34,480 --> 00:44:35,480
Speaker 3: It's good to get Italian?

917
00:44:35,800 --> 00:44:39,240
Speaker 1: A little queer, Yeah, where should were good to get Italian?

918
00:44:39,239 --> 00:44:41,640
Speaker 1: He's like they have the best catchup down the street.

919
00:44:42,040 --> 00:44:42,560
Speaker 3: Exactly.

920
00:44:42,680 --> 00:44:44,719
Speaker 2: Oh, here's what you're going to want to do. You're

921
00:44:44,760 --> 00:44:47,880
Speaker 2: going to want to go uptown by yourself.

922
00:44:48,000 --> 00:44:49,440
Speaker 3: And then they like walk out the door and the

923
00:44:49,520 --> 00:44:50,919
Speaker 3: dad's like you hear that, boy?

924
00:44:51,200 --> 00:44:57,040
Speaker 2: Yeah, Like we do not have that at our house

925
00:44:57,160 --> 00:45:06,760
Speaker 2: back in Batesville, Batesville's small town next to goon Town.

926
00:45:07,200 --> 00:45:12,920
Speaker 1: Great girl. So yes. And then I also think the

927
00:45:12,920 --> 00:45:17,880
Speaker 1: thing that makes me tell straight is business conference culture

928
00:45:18,120 --> 00:45:22,000
Speaker 1: kind of because conferences and business trips are sort of

929
00:45:22,040 --> 00:45:27,920
Speaker 1: like the the life cruising of straight. Yes, yeah, like

930
00:45:28,000 --> 00:45:31,680
Speaker 1: there is something. It's sort of like, take sexual liberation

931
00:45:31,760 --> 00:45:34,520
Speaker 1: and make it depressing, and it's like two people wearing

932
00:45:34,880 --> 00:45:36,720
Speaker 1: like a woman in a skirt suit and a man

933
00:45:37,160 --> 00:45:40,600
Speaker 1: who has like untucked get this his dress shirt and

934
00:45:40,719 --> 00:45:44,879
Speaker 1: they are flirting at the little open bar. And when

935
00:45:44,920 --> 00:45:47,160
Speaker 1: I say open, you got one drink for fan after that.

936
00:45:47,640 --> 00:45:49,640
Speaker 3: And you have to present like your little ticket to go.

937
00:45:50,160 --> 00:45:52,000
Speaker 3: We're talking lanyard, lanyard.

938
00:45:52,000 --> 00:45:55,480
Speaker 2: We're talking lanyard. We're talking salad bar. We're talking baby

939
00:45:55,520 --> 00:45:58,360
Speaker 2: carrots on dispaby carrots wow.

940
00:45:58,400 --> 00:46:05,279
Speaker 3: Display. Yeah, that type of environment, unfortunately still speaks to me. Well,

941
00:46:05,520 --> 00:46:08,279
Speaker 3: so I'm sure wish I could be. I love hotel. Look,

942
00:46:08,520 --> 00:46:12,440
Speaker 3: I love hotels. You're more than anyone, more than anyone.

943
00:46:13,040 --> 00:46:13,760
Speaker 2: I love hotels.

944
00:46:13,760 --> 00:46:16,080
Speaker 3: The amount you hate dishes is the amount you love.

945
00:46:16,680 --> 00:46:18,840
Speaker 1: I mean, of course, the dream is like not paying,

946
00:46:18,960 --> 00:46:21,000
Speaker 1: like if someone could pay for me to stay at

947
00:46:21,040 --> 00:46:24,840
Speaker 1: a hotel. Yes, and I got room serve everything for free.

948
00:46:25,120 --> 00:46:26,920
Speaker 1: You just you don't have to you don't have any

949
00:46:26,920 --> 00:46:28,680
Speaker 1: of the responsibilities of your normal life.

950
00:46:28,719 --> 00:46:34,040
Speaker 3: Yeah, do our boutique hotels LGBTQ plus.

951
00:46:34,120 --> 00:46:36,520
Speaker 1: I mean this is complicated because boutik hotels are sort

952
00:46:36,520 --> 00:46:40,200
Speaker 1: of like anything that is kind of like gentrification adjacent.

953
00:46:40,280 --> 00:46:42,320
Speaker 1: It's like it starts how gay and then it becomes straight.

954
00:46:42,360 --> 00:46:45,200
Speaker 1: That's just for the circle of life. Yeah, it's like

955
00:46:45,280 --> 00:46:47,280
Speaker 1: saying like our I don't know.

956
00:46:47,600 --> 00:46:51,640
Speaker 2: Boutique hotels were like gay people trying to pull it back. Yeah, exactly,

957
00:46:51,840 --> 00:46:54,160
Speaker 2: and then straight people were like this is sorry.

958
00:46:54,440 --> 00:46:54,640
Speaker 4: Yeah.

959
00:46:54,640 --> 00:46:59,359
Speaker 3: They were like, sorry, you're putting a jar here. Yeah. Yeah.

960
00:46:59,560 --> 00:47:00,960
Speaker 2: And also I'm secretly Mormon.

961
00:47:02,680 --> 00:47:03,040
Speaker 3: Maybe not.

962
00:47:03,160 --> 00:47:06,319
Speaker 1: Don't you think that is like a circle. It's like

963
00:47:06,480 --> 00:47:08,200
Speaker 1: that you get gay gay gay gay gay, and then

964
00:47:08,239 --> 00:47:09,600
Speaker 1: you go right back to mommy blogger.

965
00:47:09,760 --> 00:47:12,839
Speaker 3: Yes, but aesthetically yeah, so what do.

966
00:47:12,800 --> 00:47:18,600
Speaker 2: You think the next hm mommy is mommy blogger?

967
00:47:19,280 --> 00:47:20,040
Speaker 3: The new aesthetic?

968
00:47:21,440 --> 00:47:24,360
Speaker 2: I mean I sort of think are you going to

969
00:47:24,400 --> 00:47:29,120
Speaker 2: be seeing that on the runway? Are let's talk let's

970
00:47:29,440 --> 00:47:31,840
Speaker 2: let's talk fashion, let's talk fall fashion.

971
00:47:31,920 --> 00:47:34,640
Speaker 3: Finally, what are we going to be seeing, We're seeing,

972
00:47:34,800 --> 00:47:43,120
Speaker 3: we're singing mommy baby carrot, baby vehicle, hybrid vehicles, les,

973
00:47:43,880 --> 00:47:44,600
Speaker 3: salad bar.

974
00:47:47,960 --> 00:47:50,600
Speaker 2: We're seeing tongs from the salad bar.

975
00:47:52,440 --> 00:47:55,400
Speaker 3: We are cameras everywhere.

976
00:47:54,680 --> 00:47:59,399
Speaker 1: Everywhere where. It's commentary on surveillance, baby carrot earrings.

977
00:47:59,200 --> 00:48:03,160
Speaker 3: No clothes, walk, walk and read this kindle.

978
00:48:04,960 --> 00:48:07,280
Speaker 2: And a big make it makes sense in the sign

979
00:48:07,760 --> 00:48:09,000
Speaker 2: that Yeah, everyone.

980
00:48:08,760 --> 00:48:10,000
Speaker 3: In America makes sense again.

981
00:48:10,520 --> 00:48:13,360
Speaker 1: Everyone holding fake protest signs like in the Kendle commercial,

982
00:48:13,400 --> 00:48:16,840
Speaker 1: but they all say different internet slang terms. Someone's holding

983
00:48:16,840 --> 00:48:21,280
Speaker 1: a science as blur. Someone holding a sign says the interwebs.

984
00:48:20,719 --> 00:48:25,200
Speaker 2: Huh wow yeah hashtag me thinks.

985
00:48:24,400 --> 00:48:29,040
Speaker 1: Thinks someone uh painted in blood the methinks movement is

986
00:48:29,120 --> 00:48:31,240
Speaker 1: over on their bare chest.

987
00:48:32,840 --> 00:48:35,719
Speaker 3: Yeah, so what's something? Yeah, what what we're gonna see

988
00:48:35,719 --> 00:48:36,000
Speaker 3: on the run?

989
00:48:36,320 --> 00:48:39,120
Speaker 2: Well, like this, for example, what's so straight it's going.

990
00:48:38,960 --> 00:48:39,719
Speaker 3: To be attacking me?

991
00:48:40,800 --> 00:48:45,319
Speaker 2: No, I'm not attacking you. I'm merely suggesting maybe it's

992
00:48:45,360 --> 00:48:47,400
Speaker 2: time for you to be attacked.

993
00:48:49,800 --> 00:48:56,520
Speaker 3: That. So, yeah, what's not what's to appropriate from straight people?

994
00:48:56,600 --> 00:48:59,560
Speaker 1: Yes, Corla is playing into Sam's camo.

995
00:48:59,680 --> 00:49:01,520
Speaker 3: You know what I think it is Actually what old

996
00:49:01,600 --> 00:49:03,640
Speaker 3: Navy Core, Old Navy Core.

997
00:49:03,760 --> 00:49:06,440
Speaker 1: Is going to be now gay. Yeah, so you mean

998
00:49:06,480 --> 00:49:08,040
Speaker 1: ill fitting jeans.

999
00:49:07,920 --> 00:49:11,839
Speaker 2: And like polar fleas best do you remember that, yes

1000
00:49:11,920 --> 00:49:14,120
Speaker 2: performance Old Navy performance.

1001
00:49:14,400 --> 00:49:18,400
Speaker 3: And god the ninetieth could you see the like little

1002
00:49:18,760 --> 00:49:22,120
Speaker 3: like a fourth of July T shirt that's like too small?

1003
00:49:23,640 --> 00:49:25,520
Speaker 1: Hmm, wait, what do you mean fourth of July T shirt?

1004
00:49:25,600 --> 00:49:28,040
Speaker 3: Like America Old Navy always would put out like a

1005
00:49:28,160 --> 00:49:29,399
Speaker 3: yearly fourth of July.

1006
00:49:29,680 --> 00:49:30,440
Speaker 1: Oh, I've never.

1007
00:49:30,400 --> 00:49:32,839
Speaker 2: Oh, I would wait every day on the third of July.

1008
00:49:33,040 --> 00:49:34,120
Speaker 3: Just it was.

1009
00:49:34,160 --> 00:49:37,280
Speaker 1: It's like when they announced the met Golliff, I was like.

1010
00:49:37,400 --> 00:49:40,320
Speaker 2: What's this year's Old Navy fourth of July t o?

1011
00:49:40,440 --> 00:49:43,480
Speaker 3: My god, a little like plastic flip flop? Oh put

1012
00:49:43,480 --> 00:49:47,520
Speaker 3: that on the right, baby, beanie babbies. I don't know

1013
00:49:47,960 --> 00:49:49,680
Speaker 3: what do you think straight people are gonna or gave

1014
00:49:49,680 --> 00:49:50,239
Speaker 3: people are gonna?

1015
00:49:50,480 --> 00:49:55,440
Speaker 1: Okay, no, this is actually a really good question. I mean,

1016
00:49:55,719 --> 00:49:57,560
Speaker 1: do you think it's been long enough flip flop wise

1017
00:49:57,600 --> 00:49:59,440
Speaker 1: that Havayana's are gonna make an.

1018
00:49:59,280 --> 00:50:00,960
Speaker 3: Iron What the hell is that?

1019
00:50:01,320 --> 00:50:04,200
Speaker 1: The plastic rubber flip flops with the Brazilian flag on them?

1020
00:50:04,200 --> 00:50:04,400
Speaker 3: You know?

1021
00:50:04,600 --> 00:50:08,480
Speaker 2: Oh? Sure, wait with the Brazilian flag. Yeah, that's the

1022
00:50:08,520 --> 00:50:12,480
Speaker 2: one with the X. And then yeah, wait is this

1023
00:50:12,560 --> 00:50:15,640
Speaker 2: not Have I never heard of this? Well, then I'm

1024
00:50:15,800 --> 00:50:18,759
Speaker 2: showing everyone maybe in Greece. Yeah, maybe it didn't make

1025
00:50:18,760 --> 00:50:19,279
Speaker 2: it over here.

1026
00:50:19,400 --> 00:50:22,080
Speaker 1: Yeah, oh this is crazy.

1027
00:50:22,400 --> 00:50:25,600
Speaker 3: It's so amazing that we're different differently. Wait, but what

1028
00:50:25,680 --> 00:50:28,120
Speaker 3: I love that, George is like talking with yourselves. And

1029
00:50:28,120 --> 00:50:28,680
Speaker 3: then we got.

1030
00:50:28,600 --> 00:50:32,080
Speaker 1: Completely these No, these mean nothing to you.

1031
00:50:32,760 --> 00:50:36,239
Speaker 3: They mean absolutely nothing to me. I mean nothing to me.

1032
00:50:36,400 --> 00:50:38,239
Speaker 2: This is I've never I've never seen that woman in

1033
00:50:38,280 --> 00:50:38,840
Speaker 2: my life.

1034
00:50:39,120 --> 00:50:41,279
Speaker 3: I don't know her and I don't claim to know her.

1035
00:50:42,560 --> 00:50:46,239
Speaker 1: Well, maybe they were completely euro and now Americans are

1036
00:50:46,280 --> 00:50:48,000
Speaker 1: going to discover them warehouse.

1037
00:50:48,800 --> 00:50:51,120
Speaker 3: Are we going to start going there? I actually, I

1038
00:50:51,120 --> 00:50:54,200
Speaker 3: mean I think there's a world in which, like sort

1039
00:50:54,200 --> 00:50:58,439
Speaker 3: of a nineties businessman's suit comes back.

1040
00:50:59,200 --> 00:51:00,560
Speaker 2: I think that's all right already back.

1041
00:51:00,560 --> 00:51:04,000
Speaker 1: I think, in fact, the issue is, at some point

1042
00:51:04,000 --> 00:51:07,400
Speaker 1: it's gonna go back to skinny pant and.

1043
00:51:07,440 --> 00:51:09,399
Speaker 3: I, oh, are we? Are we going back?

1044
00:51:10,000 --> 00:51:13,040
Speaker 1: Because trends are so quick. Now you know, you think

1045
00:51:13,080 --> 00:51:14,880
Speaker 1: you're safe. You think you're safe The.

1046
00:51:15,120 --> 00:51:18,240
Speaker 2: Second I buy a pair of shoes, their last season.

1047
00:51:18,320 --> 00:51:19,320
Speaker 3: Tossed them right in the garbage.

1048
00:51:19,400 --> 00:51:22,120
Speaker 1: The moment I get home, I remember how legally blonde

1049
00:51:22,160 --> 00:51:24,799
Speaker 1: it literally it hinges on the gay guy being like,

1050
00:51:24,920 --> 00:51:28,000
Speaker 1: don't you you know tap your last season prodat shoes

1051
00:51:28,040 --> 00:51:30,200
Speaker 1: at me, and then she's like, last season product, last

1052
00:51:30,200 --> 00:51:30,920
Speaker 1: season product.

1053
00:51:31,160 --> 00:51:33,880
Speaker 3: He's gay. Yeah yeah, yeah, yeah.

1054
00:51:33,920 --> 00:51:37,560
Speaker 2: It's a very my cousin Vinnie. Yeah yeah yeah, but

1055
00:51:37,600 --> 00:51:39,840
Speaker 2: they're queering of that.

1056
00:51:42,480 --> 00:51:44,799
Speaker 3: We've we've been through the Sopranos.

1057
00:51:45,040 --> 00:51:47,720
Speaker 2: Yeah, what's the girls?

1058
00:51:48,440 --> 00:51:49,760
Speaker 3: Okay, here's something.

1059
00:51:50,000 --> 00:51:53,800
Speaker 1: What if it is like guy news radio gay guys

1060
00:51:53,840 --> 00:51:58,640
Speaker 1: growing out their hair and having big blowouts growing out there. Yeah,

1061
00:51:58,719 --> 00:52:02,640
Speaker 1: like they literally have Christian woman at the blowout.

1062
00:52:02,719 --> 00:52:05,279
Speaker 2: This is what's something that John really calls TV hair

1063
00:52:05,360 --> 00:52:10,920
Speaker 2: where it's like it goes down, then it's Deborah mess

1064
00:52:11,200 --> 00:52:15,840
Speaker 2: down and then like five curls in front and every

1065
00:52:16,480 --> 00:52:20,240
Speaker 2: woman on television has that hair. So maybe the issue

1066
00:52:20,440 --> 00:52:23,279
Speaker 2: maybe like next year are the three of us going

1067
00:52:23,320 --> 00:52:25,879
Speaker 2: to be here with that?

1068
00:52:26,440 --> 00:52:27,400
Speaker 3: What if? I don't know.

1069
00:52:27,440 --> 00:52:29,399
Speaker 1: I do think that is kind of the last friend.

1070
00:52:29,440 --> 00:52:32,319
Speaker 2: Here is more when we return, sorry and we're back,

1071
00:52:32,360 --> 00:52:35,400
Speaker 2: and we're back and more when we return, these.

1072
00:52:35,320 --> 00:52:36,680
Speaker 3: Gay guys welcome back.

1073
00:52:36,719 --> 00:52:39,760
Speaker 1: It's the only hairstyle gay guys haven't tried is long

1074
00:52:39,880 --> 00:52:41,000
Speaker 1: beach waves.

1075
00:52:40,880 --> 00:52:45,759
Speaker 3: Long beachways. Yeah, that could be something I don't think

1076
00:52:45,800 --> 00:52:48,520
Speaker 3: that could be. No, no, I can't. I can't follow.

1077
00:52:49,239 --> 00:52:53,319
Speaker 2: Well, that's why it's so, that's why this is, this

1078
00:52:53,719 --> 00:52:56,200
Speaker 2: is where innovation is born. Is you think, oh, I

1079
00:52:56,200 --> 00:52:59,000
Speaker 2: can't picture that at all, and then lo and behold

1080
00:52:59,400 --> 00:53:01,480
Speaker 2: all of a sudden, Oh crocs.

1081
00:53:01,600 --> 00:53:05,200
Speaker 3: I get it, it's ironic. But they're like, I think

1082
00:53:05,239 --> 00:53:08,320
Speaker 3: it's just going to be too hard for the upkeep,

1083
00:53:08,840 --> 00:53:13,240
Speaker 3: the upkeep to commit to growing your hair out. I think,

1084
00:53:13,719 --> 00:53:17,080
Speaker 3: you know, you know the gay guy lifestyle, so go go, go,

1085
00:53:17,239 --> 00:53:21,600
Speaker 3: you know, And they just want something that's easy, messy bun.

1086
00:53:22,320 --> 00:53:22,799
Speaker 3: They could do.

1087
00:53:22,800 --> 00:53:26,440
Speaker 1: As we've we've already done, done, messy bun. Oh, it's

1088
00:53:26,440 --> 00:53:28,239
Speaker 1: crazy that we can't think of a single thing that's

1089
00:53:28,280 --> 00:53:29,720
Speaker 1: going to be a new gay gay trend.

1090
00:53:30,160 --> 00:53:31,359
Speaker 3: Somebody's got to think of one.

1091
00:53:31,560 --> 00:53:36,600
Speaker 1: Cole, Well, my prediction. My prediction what sideburns. Remember I said,

1092
00:53:36,640 --> 00:53:39,799
Speaker 1: the new facial hair trend. It's the only one we have.

1093
00:53:41,960 --> 00:53:42,359
Speaker 3: For a wig.

1094
00:53:42,440 --> 00:53:47,040
Speaker 2: But yeah, I had I had huge sideburns in high school.

1095
00:53:47,239 --> 00:53:48,919
Speaker 2: Oh yeah, and blue black hair.

1096
00:53:49,400 --> 00:53:52,320
Speaker 3: Oh that must have been pretty.

1097
00:53:52,760 --> 00:53:53,919
Speaker 1: I was pretty out there.

1098
00:53:55,080 --> 00:53:57,440
Speaker 2: I was willing to go there as a kid, you know,

1099
00:53:57,760 --> 00:53:59,440
Speaker 2: Like I took those risks.

1100
00:54:00,239 --> 00:54:03,400
Speaker 1: Do you find yourself slipping into that at as you're

1101
00:54:03,719 --> 00:54:05,680
Speaker 1: like doing promo for the show?

1102
00:54:07,040 --> 00:54:11,600
Speaker 2: No, no, no, only like that character and.

1103
00:54:11,560 --> 00:54:14,799
Speaker 1: Generally like the cliches of being interviewed, just being like,

1104
00:54:15,160 --> 00:54:15,440
Speaker 1: you know.

1105
00:54:15,520 --> 00:54:18,000
Speaker 2: I knew I was spun No, because no one else

1106
00:54:18,200 --> 00:54:22,399
Speaker 2: would would know that I was kidding. I see here

1107
00:54:22,520 --> 00:54:23,640
Speaker 2: amongst family.

1108
00:54:24,000 --> 00:54:25,400
Speaker 1: Dare I say, and you don't want to take the

1109
00:54:25,480 --> 00:54:27,280
Speaker 1: risk of someone thinking or being arnest?

1110
00:54:27,440 --> 00:54:27,640
Speaker 3: No?

1111
00:54:28,160 --> 00:54:32,120
Speaker 2: Absolutely, Wait, I just realized I went to the Sistine

1112
00:54:32,160 --> 00:54:37,280
Speaker 2: Chapel a year ago. Okay, to pray more on that later,

1113
00:54:38,080 --> 00:54:42,839
Speaker 2: but it was I thought it was so ugly really, oh, because.

1114
00:54:42,560 --> 00:54:47,319
Speaker 3: They you know, they take they cleaned it in the nineties. Yeah.

1115
00:54:47,360 --> 00:54:51,680
Speaker 2: Oh, and the colors it's entury modern. Well, no, it's

1116
00:54:51,719 --> 00:54:55,600
Speaker 2: like nineties Italian, like New Jersey Italian restaurant. Because it's

1117
00:54:55,640 --> 00:54:58,960
Speaker 2: too right. It's so bright and like and.

1118
00:54:58,880 --> 00:55:01,479
Speaker 3: That's why I never watched my car and this is why.

1119
00:55:03,560 --> 00:55:06,399
Speaker 2: And I realized, like, oh, that's where that aesthetic came

1120
00:55:06,480 --> 00:55:09,680
Speaker 2: from from, like nineties Italian restaurants, because the Sistine Chapel

1121
00:55:09,719 --> 00:55:13,520
Speaker 2: had just been cleaned and it was like exciting, and

1122
00:55:13,560 --> 00:55:17,600
Speaker 2: so then everyone was like, let's do that in our restaurant.

1123
00:55:17,800 --> 00:55:20,920
Speaker 3: Nineties Italian restaurants are based on the Sistine Chapel. That

1124
00:55:20,960 --> 00:55:22,560
Speaker 3: makes sense to me. That makes sense.

1125
00:55:22,600 --> 00:55:26,960
Speaker 1: It certainly is based on good morning, Wake wake up, America.

1126
00:55:27,120 --> 00:55:32,680
Speaker 2: I hope you're listening. Take notes, take notes. Okay, wow, wow,

1127
00:55:32,840 --> 00:55:34,320
Speaker 2: this is what happens when you sleep.

1128
00:55:34,520 --> 00:55:37,320
Speaker 3: So when you go there and you're like, this is ugly,

1129
00:55:37,560 --> 00:55:39,359
Speaker 3: you know what did that feel like for you? Were

1130
00:55:39,400 --> 00:55:41,560
Speaker 3: you like, you know what, good because the church has

1131
00:55:41,640 --> 00:55:43,000
Speaker 3: enough as it is, or were you like, damn, I

1132
00:55:43,040 --> 00:55:44,839
Speaker 3: was really hoping to be moved today. I was really

1133
00:55:44,920 --> 00:55:46,720
Speaker 3: hoping to be moved. And I'll be honest.

1134
00:55:47,320 --> 00:55:51,040
Speaker 2: My friend Claudia Odaugherty, who I was there with, fell

1135
00:55:51,080 --> 00:55:53,240
Speaker 2: asleep in the Sistine Chapel.

1136
00:55:53,280 --> 00:55:54,720
Speaker 3: I fell asleep in the Sistine Chapel.

1137
00:55:54,880 --> 00:55:57,399
Speaker 2: It was it was a long you just like, sit sure,

1138
00:55:57,520 --> 00:56:00,160
Speaker 2: you sit down, you can sit down, you can sit down.

1139
00:56:00,320 --> 00:56:03,120
Speaker 2: And it was this long, hours long tour. It was

1140
00:56:03,160 --> 00:56:05,520
Speaker 2: so hot, and we were just like okay, okay, yes,

1141
00:56:05,560 --> 00:56:07,080
Speaker 2: all this stuff, all this stuff, we just want to

1142
00:56:07,080 --> 00:56:09,320
Speaker 2: see that damn roof ceiling.

1143
00:56:09,400 --> 00:56:11,920
Speaker 3: Okay. And we got there and it was so like

1144
00:56:12,239 --> 00:56:15,600
Speaker 3: warm and sleep and.

1145
00:56:15,520 --> 00:56:19,400
Speaker 2: Then you're like okay, yeah, literally we had eaten like

1146
00:56:19,480 --> 00:56:24,200
Speaker 2: six hot creamy meals and just like full of cheese.

1147
00:56:24,440 --> 00:56:27,600
Speaker 3: It's like a marathon. People were just handing you cups

1148
00:56:27,600 --> 00:56:33,920
Speaker 3: of warm. Yeah, well that's too bad. Yeah it's okay.

1149
00:56:34,080 --> 00:56:35,360
Speaker 2: I just wanted it, and.

1150
00:56:35,760 --> 00:56:38,319
Speaker 1: It is tough. That is something when you build something

1151
00:56:38,400 --> 00:56:40,080
Speaker 1: up and then you're disappointed.

1152
00:56:39,480 --> 00:56:42,840
Speaker 3: By it, you know, any notes for the Sistine Chapel workers.

1153
00:56:42,480 --> 00:56:47,000
Speaker 2: Keep it dirty. Stop scrubbing it, because they left a

1154
00:56:47,120 --> 00:56:51,040
Speaker 2: little patch dirty to show you. And this is what

1155
00:56:51,080 --> 00:56:54,080
Speaker 2: it looked like. And I was like, yes, the aging,

1156
00:56:54,160 --> 00:56:57,800
Speaker 2: it was the filter that it needed. Yeah, a Valencia filter, Yes,

1157
00:56:57,920 --> 00:56:58,239
Speaker 2: it was.

1158
00:56:59,080 --> 00:57:00,120
Speaker 3: Which filter would I say it?

1159
00:57:01,040 --> 00:57:03,280
Speaker 2: Oh my god, Okay, I would say New York. Honestly,

1160
00:57:06,520 --> 00:57:09,280
Speaker 2: put the New York filter on this chapel.

1161
00:57:09,520 --> 00:57:12,200
Speaker 3: It'll really really be better. I know it sounds crazy,

1162
00:57:12,800 --> 00:57:13,480
Speaker 3: but it's time.

1163
00:57:14,040 --> 00:57:15,640
Speaker 1: I've only lived here for three years, but I do

1164
00:57:15,680 --> 00:57:19,720
Speaker 1: actually feel like a New York like to get a

1165
00:57:19,800 --> 00:57:24,280
Speaker 1: ninety nine cents slice. I'm like, okay, to be fair,

1166
00:57:24,400 --> 00:57:26,880
Speaker 1: she's right, Yeah.

1167
00:57:26,960 --> 00:57:31,040
Speaker 2: I feel my family has never visited, and I don't

1168
00:57:31,840 --> 00:57:35,680
Speaker 2: ever want them to because when I see people with

1169
00:57:35,720 --> 00:57:39,600
Speaker 2: their families, like on the train or like walking around,

1170
00:57:40,760 --> 00:57:43,320
Speaker 2: it's painful, no, it makes me so angry actually, or

1171
00:57:43,440 --> 00:57:46,200
Speaker 2: it makes me it makes my heart hurt. Yeah, because

1172
00:57:46,760 --> 00:57:50,000
Speaker 2: the you're immediately a child when you're showing your parents

1173
00:57:50,040 --> 00:57:52,280
Speaker 2: the city and you're like, this is my city, mom,

1174
00:57:52,400 --> 00:57:54,840
Speaker 2: look like we like I just like eat here every day.

1175
00:57:55,880 --> 00:57:59,520
Speaker 1: And it's really Also it makes you to show your

1176
00:57:59,560 --> 00:58:05,120
Speaker 1: surround to anyone really puts into focus how like uninteresting

1177
00:58:05,200 --> 00:58:07,720
Speaker 1: most daily lives are. It's like you're showing.

1178
00:58:07,400 --> 00:58:09,960
Speaker 2: Someone the coffee shop where you get your coffee.

1179
00:58:10,040 --> 00:58:15,040
Speaker 1: Yeah, like they have a really good cortado here, I.

1180
00:58:14,200 --> 00:58:17,280
Speaker 2: Like, and your mom's like, my niece, can I can

1181
00:58:17,320 --> 00:58:17,880
Speaker 2: I sit here?

1182
00:58:18,240 --> 00:58:19,440
Speaker 3: My knees backed an up?

1183
00:58:20,080 --> 00:58:20,960
Speaker 2: They're like, oh.

1184
00:58:22,600 --> 00:58:26,520
Speaker 3: Like, mom, me and my friends never sit. Never sit.

1185
00:58:26,640 --> 00:58:28,200
Speaker 2: You don't sit in New York, Mama.

1186
00:58:29,120 --> 00:58:32,560
Speaker 3: I like my parents. The first time they visited was

1187
00:58:32,600 --> 00:58:37,080
Speaker 3: like I was maybe twenty five or something, and I like,

1188
00:58:37,200 --> 00:58:39,760
Speaker 3: in retrospect, I am so embarrassed by the places that

1189
00:58:39,800 --> 00:58:42,200
Speaker 3: I was like, you have to see this, yeah, because

1190
00:58:42,200 --> 00:58:43,120
Speaker 3: it was just like smack.

1191
00:58:43,200 --> 00:58:47,560
Speaker 2: It's like all macaroni and cheese restaurant.

1192
00:58:46,840 --> 00:58:50,240
Speaker 3: And like being like, no, this bar is really cool. Yeah,

1193
00:58:50,280 --> 00:58:52,360
Speaker 3: And it's like why would they ever want a bar?

1194
00:58:52,520 --> 00:58:55,720
Speaker 2: They like dive it just has the same feeling of

1195
00:58:55,760 --> 00:59:00,720
Speaker 2: like parents weekend. I mean, there's a specif I went

1196
00:59:00,760 --> 00:59:05,560
Speaker 2: to college, but I understand the there's still time, There's

1197
00:59:05,560 --> 00:59:08,800
Speaker 2: still there's still time. I didn't get that degree.

1198
00:59:08,880 --> 00:59:09,560
Speaker 3: How woud you cancel? That?

1199
00:59:10,160 --> 00:59:13,560
Speaker 1: Shows there is, of course, nothing more moving in terms

1200
00:59:13,560 --> 00:59:16,040
Speaker 1: of storylines than older women going back.

1201
00:59:16,560 --> 00:59:20,920
Speaker 2: Oh my god, I mean this is not the same thing.

1202
00:59:20,920 --> 00:59:24,640
Speaker 2: But Margot Martindale in Paris, Tom you know, going on

1203
00:59:24,640 --> 00:59:26,520
Speaker 2: that trip to Paris by herself. Oh my god, I

1204
00:59:26,520 --> 00:59:27,320
Speaker 2: don't remember that one.

1205
00:59:27,320 --> 00:59:28,080
Speaker 1: I have seen.

1206
00:59:32,120 --> 00:59:33,520
Speaker 3: She's an older woman.

1207
00:59:33,800 --> 00:59:35,840
Speaker 2: Well, she's a woman of a certain age, she's a

1208
00:59:35,840 --> 00:59:38,400
Speaker 2: male carrier at home, and she's started taking French classes

1209
00:59:38,440 --> 00:59:40,840
Speaker 2: late in life. And then she goes she's always wanted

1210
00:59:40,880 --> 00:59:41,840
Speaker 2: to go to Paris.

1211
00:59:42,680 --> 00:59:47,480
Speaker 3: I'm gonna cry, you know what, I George, I feel

1212
00:59:47,520 --> 00:59:51,240
Speaker 3: that you an apology for what because when Cole says,

1213
00:59:52,160 --> 00:59:58,120
Speaker 3: you know in whatever, I say, beautiful, But if you

1214
00:59:58,160 --> 01:00:01,880
Speaker 3: were to bring it up first, I would go, okay, okay, genius.

1215
01:00:03,360 --> 01:00:06,600
Speaker 1: And that time is like to me, it's such a

1216
01:00:06,640 --> 01:00:09,000
Speaker 1: sort of like almost embarrassing part of like it's.

1217
01:00:08,800 --> 01:00:12,360
Speaker 2: Like I only know Margot Martindale's part. Yeah, I've only

1218
01:00:12,360 --> 01:00:16,800
Speaker 2: seen that one clip. Yeah, okay, I've only seen that

1219
01:00:16,800 --> 01:00:18,680
Speaker 2: one clip. I don't love it, Like I'm not like

1220
01:00:18,800 --> 01:00:20,680
Speaker 2: watching it, like I've never watched like.

1221
01:00:21,560 --> 01:00:26,160
Speaker 1: Time Is, Like, mommy blogger, I think it's that movie.

1222
01:00:26,280 --> 01:00:27,520
Speaker 3: Yeah, that's why I think it's.

1223
01:00:27,640 --> 01:00:33,440
Speaker 1: That's part in Parisia Town, which we don't like, but

1224
01:00:33,480 --> 01:00:35,920
Speaker 1: we do know that like John Galliano being like it

1225
01:00:36,040 --> 01:00:37,840
Speaker 1: was inspired by Margot Mark.

1226
01:00:39,440 --> 01:00:39,680
Speaker 4: Yeah.

1227
01:00:40,280 --> 01:00:47,440
Speaker 2: Yeah, well yeah, so Carrot Baby, carrots, carrots or hotel

1228
01:00:47,520 --> 01:00:48,000
Speaker 2: or hotels.

1229
01:00:48,000 --> 01:00:48,720
Speaker 1: No, we're doing hotels.

1230
01:00:48,720 --> 01:00:49,600
Speaker 2: We're doing hotels.

1231
01:00:50,240 --> 01:00:50,959
Speaker 3: Okay, so.

1232
01:00:52,480 --> 01:00:53,880
Speaker 2: All right, we've.

1233
01:00:53,560 --> 01:00:57,600
Speaker 1: Covered conferences, we've covered cruising, we've covered home away from home,

1234
01:00:57,680 --> 01:01:00,000
Speaker 1: get a tear. We haven't a gay guy telling you

1235
01:01:00,040 --> 01:01:01,400
Speaker 1: where to go, the guy telling.

1236
01:01:01,160 --> 01:01:05,480
Speaker 3: You the literal straight couple going to a hotel and

1237
01:01:05,680 --> 01:01:10,000
Speaker 3: instantly feeling like they're being sorted and kinky because they're

1238
01:01:10,040 --> 01:01:10,760
Speaker 3: not in their house.

1239
01:01:11,120 --> 01:01:13,160
Speaker 1: Well, and then of course the disappointment that comes after

1240
01:01:13,240 --> 01:01:16,800
Speaker 1: that of wherever you go there you are wow looking around.

1241
01:01:16,880 --> 01:01:19,560
Speaker 2: Wow, I guess we're actually not having By the way,

1242
01:01:19,560 --> 01:01:23,000
Speaker 2: can we talk about the Bible lit the Bible in

1243
01:01:23,040 --> 01:01:24,360
Speaker 2: every room? Yeah?

1244
01:01:24,360 --> 01:01:25,480
Speaker 3: Wait? Why is that?

1245
01:01:25,480 --> 01:01:27,440
Speaker 1: That's why they started Bautique Hotel so they could put

1246
01:01:27,480 --> 01:01:32,040
Speaker 1: in a different but they were like, yeah, Sally Rooney, Yeah,

1247
01:01:32,080 --> 01:01:34,680
Speaker 1: the Bible is I always think it's sort of charming

1248
01:01:34,680 --> 01:01:38,200
Speaker 1: that there are these leftover like Bible in a hotel room.

1249
01:01:38,840 --> 01:01:41,120
Speaker 1: To me is very like left over from a different

1250
01:01:41,280 --> 01:01:43,800
Speaker 1: era in a way that I do when men held

1251
01:01:43,840 --> 01:01:45,600
Speaker 1: the door, men help.

1252
01:01:46,840 --> 01:01:48,560
Speaker 2: I think we're going to be seeing men holding the

1253
01:01:48,560 --> 01:01:50,400
Speaker 2: door open for you on the runway this season.

1254
01:01:50,760 --> 01:01:51,640
Speaker 3: We're going to see men.

1255
01:01:53,840 --> 01:01:56,800
Speaker 1: Door open around the corner.

1256
01:01:58,000 --> 01:02:01,160
Speaker 2: Clean chapel, celings.

1257
01:02:01,040 --> 01:02:05,040
Speaker 1: Clean, just guys being guys being guys, falling asleep in

1258
01:02:05,120 --> 01:02:06,680
Speaker 1: a stunning tourist destination.

1259
01:02:08,720 --> 01:02:13,680
Speaker 3: Yeah, I think this is obvious. I feel the the

1260
01:02:13,720 --> 01:02:17,200
Speaker 3: thing that gay people are gonna appropriate is Bible chain

1261
01:02:17,800 --> 01:02:23,840
Speaker 3: hotel Hilton. I think boutique hotels as like a fantasy

1262
01:02:24,400 --> 01:02:28,480
Speaker 3: is dead. It's like we are post Instagram. This goes

1263
01:02:28,520 --> 01:02:29,920
Speaker 3: along with the now.

1264
01:02:29,920 --> 01:02:31,840
Speaker 2: I'm like, if I'm ever on a red carpet, I'm

1265
01:02:31,840 --> 01:02:33,800
Speaker 2: gonna wear a dress made up you know that credit

1266
01:02:33,840 --> 01:02:36,720
Speaker 2: card dress. Yes, Hilton honors.

1267
01:02:36,360 --> 01:02:40,040
Speaker 1: Car also gig chic gay guys like that work in fashion,

1268
01:02:40,120 --> 01:02:41,560
Speaker 1: getting married ironically in.

1269
01:02:41,520 --> 01:02:45,840
Speaker 3: A Hilton, I mean, I mean like overhead lighting Hilton.

1270
01:02:46,360 --> 01:02:48,280
Speaker 3: There's something chic about that.

1271
01:02:48,400 --> 01:02:51,240
Speaker 2: Yeah, terrible carpet, Like the carpet is so old.

1272
01:02:51,320 --> 01:02:52,280
Speaker 3: Yeah, what are those called?

1273
01:02:52,320 --> 01:02:57,120
Speaker 2: The like the buffet, like the hot hot bar, the

1274
01:02:57,160 --> 01:02:59,520
Speaker 2: hot bars, like those little torches.

1275
01:02:59,760 --> 01:03:04,600
Speaker 1: Yeah, it's like she gay guy wedding and the food

1276
01:03:04,880 --> 01:03:07,320
Speaker 1: is a hot bar with like little sausage.

1277
01:03:06,960 --> 01:03:08,000
Speaker 2: Links, sausage links.

1278
01:03:08,320 --> 01:03:10,920
Speaker 3: Me, it's breakfast, it's breakfast for dinner.

1279
01:03:11,000 --> 01:03:15,960
Speaker 1: It's breakfast for breakfast for dinner, hard scrambled eggs, sausage links.

1280
01:03:15,960 --> 01:03:20,880
Speaker 2: Wedding wedding donuts, meal meal with all the fixes, raisins,

1281
01:03:20,960 --> 01:03:23,680
Speaker 2: brown sugar, almonds.

1282
01:03:23,720 --> 01:03:27,080
Speaker 1: One serving fruit loops that you take off the little cover.

1283
01:03:26,960 --> 01:03:34,080
Speaker 2: And but but instead of fruit loops, it's like the couples,

1284
01:03:34,120 --> 01:03:36,640
Speaker 2: like you know, like the little wedding rings, Jared and

1285
01:03:36,640 --> 01:03:38,680
Speaker 2: and Emery or whatever their name is.

1286
01:03:39,160 --> 01:03:41,080
Speaker 3: And it's it's funny because it's like fruit loops.

1287
01:03:41,120 --> 01:03:43,800
Speaker 2: Yeah, and it's that's hilarious.

1288
01:03:44,000 --> 01:03:44,560
Speaker 3: I'm laughing.

1289
01:03:45,080 --> 01:03:48,000
Speaker 2: They talk about blur. It's bring your kids, bring your kids,

1290
01:03:48,000 --> 01:03:52,360
Speaker 2: which is which is Yeah, that's bold, that's bold. I

1291
01:03:52,360 --> 01:03:54,880
Speaker 2: think that we're going to be this season on the right,

1292
01:03:54,880 --> 01:03:56,720
Speaker 2: We're going to see bring.

1293
01:03:56,520 --> 01:03:57,760
Speaker 3: Kids fruit loops.

1294
01:03:57,920 --> 01:03:58,479
Speaker 1: But they're gay.

1295
01:03:58,640 --> 01:03:58,920
Speaker 3: Yes.

1296
01:04:00,040 --> 01:04:01,360
Speaker 1: The name Emory, Yeah.

1297
01:04:01,200 --> 01:04:02,600
Speaker 3: The name memory is everywhere.

1298
01:04:02,920 --> 01:04:05,800
Speaker 1: Yeah, Hailton honors dirty carpet.

1299
01:04:05,880 --> 01:04:08,400
Speaker 3: But I do think there's something to this because, like,

1300
01:04:08,800 --> 01:04:11,040
Speaker 3: you know, we've talked about the how we're in the

1301
01:04:11,080 --> 01:04:15,160
Speaker 3: Martini and mush peas era, and I think the next

1302
01:04:15,160 --> 01:04:17,400
Speaker 3: step of like what is gross that we can just

1303
01:04:17,560 --> 01:04:18,880
Speaker 3: pretend isn't anymore?

1304
01:04:19,720 --> 01:04:21,920
Speaker 2: It's because I tell food culture.

1305
01:04:22,120 --> 01:04:26,000
Speaker 1: Yes, I think that's definitely one direction for the modern man.

1306
01:04:26,560 --> 01:04:29,840
Speaker 1: I almost think we've now gone so far into like

1307
01:04:30,000 --> 01:04:34,880
Speaker 1: appropriating trashy stuff direction that being a full on pretentious,

1308
01:04:35,440 --> 01:04:38,680
Speaker 1: little pinky finger up gay guy is gonna come back.

1309
01:04:38,880 --> 01:04:44,600
Speaker 2: But I think with with a with a with an

1310
01:04:44,680 --> 01:04:48,439
Speaker 2: eye towards like like remember those commercial I keep seeing

1311
01:04:48,480 --> 01:04:52,120
Speaker 2: these on the algorithm, the like Vienna coffee, like the

1312
01:04:52,160 --> 01:04:54,240
Speaker 2: little powdered Do you know what I'm talking about?

1313
01:04:54,280 --> 01:04:55,360
Speaker 3: The little coffee that.

1314
01:04:55,320 --> 01:05:02,080
Speaker 2: Comes in like instinct coffee.

1315
01:05:02,400 --> 01:05:04,840
Speaker 3: No, wait, hold on, is this your version of whatever

1316
01:05:04,880 --> 01:05:05,560
Speaker 3: that sandal was?

1317
01:05:05,640 --> 01:05:09,480
Speaker 1: Oh my god, Oh I'm not. You know, we're all

1318
01:05:09,480 --> 01:05:11,440
Speaker 1: living in our social media bubbles.

1319
01:05:11,480 --> 01:05:16,760
Speaker 2: Yeah, I'm thinking like, uh, like stuff that was marketed

1320
01:05:16,800 --> 01:05:17,880
Speaker 2: as fancy that.

1321
01:05:19,280 --> 01:05:21,160
Speaker 3: You know, like the you know what. You know.

1322
01:05:21,200 --> 01:05:24,480
Speaker 1: What's a great example of this is the cheese like

1323
01:05:24,520 --> 01:05:28,160
Speaker 1: the you know those round red.

1324
01:05:28,080 --> 01:05:30,439
Speaker 3: Cheeses, Baby Bill is that yeah?

1325
01:05:30,560 --> 01:05:32,480
Speaker 1: Yeah yeah, don't you feel like that was at some

1326
01:05:32,520 --> 01:05:35,439
Speaker 1: point market it is like fancy yeah yeah yeah yeah,

1327
01:05:35,520 --> 01:05:36,080
Speaker 1: or now we.

1328
01:05:36,040 --> 01:05:39,720
Speaker 2: Know it's like Briars ice Cream was very like like

1329
01:05:39,760 --> 01:05:41,840
Speaker 2: Bernadette Peters and the commercials, like.

1330
01:05:41,920 --> 01:05:45,400
Speaker 1: I guess basically it's sort of it's sort of Wasp

1331
01:05:45,600 --> 01:05:48,440
Speaker 1: Upper East Side Wasp culture.

1332
01:05:48,120 --> 01:05:49,560
Speaker 2: That you can get at the super you can get

1333
01:05:49,560 --> 01:05:50,280
Speaker 2: at the supermarket.

1334
01:05:50,320 --> 01:05:53,960
Speaker 3: Yeah, sure, like v like what was that ice cream cake?

1335
01:05:54,080 --> 01:05:54,680
Speaker 3: Do you know what I mean?

1336
01:05:54,680 --> 01:05:58,640
Speaker 2: That had like ribbons? It was like ribbons of ice cream. God,

1337
01:05:58,960 --> 01:06:02,840
Speaker 2: now aging myself here, No, I'm aging myself here. We're

1338
01:06:02,840 --> 01:06:05,800
Speaker 2: gonna this season on the Runway, aging yourself yourself.

1339
01:06:06,360 --> 01:06:12,080
Speaker 1: I also think no more minimal minimalist flatwear, and uh, I.

1340
01:06:12,080 --> 01:06:15,320
Speaker 3: See what you're saying. You're it's sort of Capodi Swans.

1341
01:06:15,440 --> 01:06:20,120
Speaker 1: Yes, it's this season on the runway Swans, no flat

1342
01:06:20,240 --> 01:06:23,760
Speaker 1: no simples at the supermarket, Cappodi.

1343
01:06:23,840 --> 01:06:28,120
Speaker 3: This one's at the supermarket in your ice creaming y yeah,

1344
01:06:28,480 --> 01:06:33,800
Speaker 3: or like the fancy like TV Dinners was like you.

1345
01:06:33,960 --> 01:06:37,000
Speaker 2: Want you know, no, I know, like like that was

1346
01:06:37,560 --> 01:06:41,320
Speaker 2: like uh like that's what that's what we're gonna see

1347
01:06:41,360 --> 01:06:41,640
Speaker 2: on the right.

1348
01:06:41,680 --> 01:06:43,520
Speaker 1: I mean, it's them from a conservatism because it's literally

1349
01:06:43,600 --> 01:06:46,160
Speaker 1: like when America you know, in the public imagination when

1350
01:06:46,200 --> 01:06:48,439
Speaker 1: America was great was mad Men era.

1351
01:06:49,560 --> 01:06:51,640
Speaker 2: Well, but this is I'm even thinking of the nineties

1352
01:06:51,680 --> 01:06:52,320
Speaker 2: when those things.

1353
01:06:53,680 --> 01:06:57,800
Speaker 1: Jealous. That's sort of They've tried that so many times

1354
01:06:57,800 --> 01:06:58,160
Speaker 1: and it's not.

1355
01:06:58,520 --> 01:07:00,920
Speaker 2: I love jello salad though, I love it, love it,

1356
01:07:01,080 --> 01:07:02,160
Speaker 2: love the taste. Is that true?

1357
01:07:02,320 --> 01:07:07,000
Speaker 3: Yes, it's just jello and is one of your characters.

1358
01:07:07,080 --> 01:07:08,120
Speaker 3: It's jello and cool whip.

1359
01:07:08,440 --> 01:07:13,400
Speaker 2: I have a disgusting sweet tooth. Really, I love ambrosia salad. Oh,

1360
01:07:13,440 --> 01:07:16,120
Speaker 2: this is on the run. We have bronia fruit cocktail

1361
01:07:16,320 --> 01:07:21,720
Speaker 2: with uh cool whip basically whoa and uh and sometimes

1362
01:07:21,720 --> 01:07:28,600
Speaker 2: marshmallows and shredded coconut. Some people would do like pistachio

1363
01:07:28,640 --> 01:07:32,120
Speaker 2: pudding packet, like the powder from the pat putting packet.

1364
01:07:32,480 --> 01:07:33,000
Speaker 3: Mix it in.

1365
01:07:33,520 --> 01:07:35,400
Speaker 2: You know what's always in pustachios.

1366
01:07:38,320 --> 01:07:39,200
Speaker 3: These foods are giving.

1367
01:07:39,240 --> 01:07:41,000
Speaker 2: You've got me there, they're giving Grandma.

1368
01:07:41,680 --> 01:07:44,520
Speaker 3: I love Grandma. Shout out to Grandma.

1369
01:07:44,760 --> 01:07:53,680
Speaker 2: Yeah, well look yeah, we've figured it out so pretty much.

1370
01:07:53,680 --> 01:07:55,640
Speaker 1: Co Where can people buy tickets to your play?

1371
01:07:56,040 --> 01:08:01,680
Speaker 3: Well? Oh Mary, ohmaryplay dot com for the last week.

1372
01:08:02,240 --> 01:08:04,520
Speaker 2: Yeah, May fifth through twelfth.

1373
01:08:05,360 --> 01:08:08,640
Speaker 3: And May twelfth, must and must and May twelfth.

1374
01:08:08,960 --> 01:08:11,040
Speaker 2: To be candid, this episode will come out when it's

1375
01:08:11,040 --> 01:08:12,240
Speaker 2: already sold out most likely.

1376
01:08:12,560 --> 01:08:15,640
Speaker 3: Well that's true, and that you don't know. Okay, that's okay,

1377
01:08:16,400 --> 01:08:19,360
Speaker 3: that's okay. But maybe there will be one ticket.

1378
01:08:19,160 --> 01:08:20,880
Speaker 1: There will be one ticket left. D m us No,

1379
01:08:21,000 --> 01:08:23,639
Speaker 1: please don't know. Just DM me. I can text call

1380
01:08:23,680 --> 01:08:25,760
Speaker 1: We'll figure it out. We'll figure it text call, we'll

1381
01:08:25,760 --> 01:08:26,240
Speaker 1: figure it out.

1382
01:08:26,320 --> 01:08:28,280
Speaker 3: If you listen to this podcasts, you can get it getting.

1383
01:08:28,120 --> 01:08:28,760
Speaker 1: There for free.

1384
01:08:28,920 --> 01:08:32,880
Speaker 3: Yeah. Absolutely, and that's a stradio promise call.

1385
01:08:32,960 --> 01:08:37,120
Speaker 2: Do you think theater is too expensive? Yes, but say that,

1386
01:08:37,960 --> 01:08:43,679
Speaker 2: but it's also expensive to make. Oh okay, all right, okay,

1387
01:08:43,680 --> 01:08:45,840
Speaker 2: well considered, I don't know how yeah, how they do

1388
01:08:45,880 --> 01:08:50,360
Speaker 2: it in London? Then they don't pay people. Well do

1389
01:08:50,400 --> 01:08:51,479
Speaker 2: they pay people in New York?

1390
01:08:52,600 --> 01:08:53,280
Speaker 3: They not?

1391
01:08:53,280 --> 01:08:56,120
Speaker 2: From what I've heard, it depends on these damn unions.

1392
01:08:56,160 --> 01:08:58,200
Speaker 3: Oh my god, don't get me started.

1393
01:09:00,479 --> 01:09:03,599
Speaker 2: Help Well, I do think Well, the government subsidize in

1394
01:09:03,600 --> 01:09:07,040
Speaker 2: in in more in Europe, and.

1395
01:09:06,840 --> 01:09:08,640
Speaker 1: It was funded by the Trump administration.

1396
01:09:08,720 --> 01:09:10,800
Speaker 2: Correct are we talking about that?

1397
01:09:14,000 --> 01:09:16,520
Speaker 1: Because like from what I remember, it was a government.

1398
01:09:16,880 --> 01:09:20,599
Speaker 3: Why is it wrong? Like it's not okay?

1399
01:09:20,640 --> 01:09:23,000
Speaker 1: And you said you wanted to change it from the inside.

1400
01:09:23,120 --> 01:09:23,879
Speaker 3: What I understand?

1401
01:09:23,920 --> 01:09:27,480
Speaker 1: Yeah, Like, how's that like?

1402
01:09:27,479 --> 01:09:30,479
Speaker 3: Like she's willing to listen. She gave you a lot

1403
01:09:30,520 --> 01:09:33,800
Speaker 3: of notes on the early versions of the show. Yeah,

1404
01:09:34,000 --> 01:09:36,160
Speaker 3: she did. It was she has a great eye. She

1405
01:09:36,200 --> 01:09:38,120
Speaker 3: has a great eye. She's like she doesn't no matter

1406
01:09:38,120 --> 01:09:40,800
Speaker 3: what your politics are, honey, yeahnny.

1407
01:09:40,880 --> 01:09:42,960
Speaker 2: People forget that about Evanka.

1408
01:09:43,320 --> 01:09:44,000
Speaker 3: She's funny.

1409
01:09:44,200 --> 01:09:47,680
Speaker 2: She'll always she's like Burg, Like between every scene she's

1410
01:09:47,720 --> 01:09:52,680
Speaker 2: like Burg and like okay, Yes, yeah.

1411
01:09:52,360 --> 01:09:54,960
Speaker 3: I did notice the blurg in your play, and I

1412
01:09:55,000 --> 01:09:57,400
Speaker 3: thought it felt it fell out of place, but it

1413
01:09:57,400 --> 01:09:58,120
Speaker 3: also felt.

1414
01:09:58,000 --> 01:10:00,200
Speaker 2: That that was an Avanka note.

1415
01:10:00,080 --> 01:10:03,240
Speaker 1: Yeah, the rest of it had a very specific tone

1416
01:10:03,360 --> 01:10:07,000
Speaker 1: I recognize as quintessentially coal. Then there was a.

1417
01:10:06,920 --> 01:10:10,400
Speaker 3: Big monologue that so I guess I'm an adult.

1418
01:10:14,080 --> 01:10:17,439
Speaker 1: Yeah, there was a sort of you kept saying, should

1419
01:10:17,479 --> 01:10:18,240
Speaker 1: I get bangs?

1420
01:10:19,000 --> 01:10:21,719
Speaker 3: That was the punch that was okay, maybe that's a premise. Yeah,

1421
01:10:21,760 --> 01:10:23,960
Speaker 3: I mean, I'll never forget when Abe got shot in

1422
01:10:24,000 --> 01:10:26,160
Speaker 3: your play and you.

1423
01:10:25,479 --> 01:10:27,880
Speaker 2: Make it make it makes sense, It makes sense.

1424
01:10:28,000 --> 01:10:30,200
Speaker 1: Yeah, And then and then you're like, all right, well

1425
01:10:30,240 --> 01:10:32,559
Speaker 1: the moment's landed, next scene starts, you go, so I

1426
01:10:32,560 --> 01:10:33,519
Speaker 1: guess that happened.

1427
01:10:35,840 --> 01:10:37,400
Speaker 3: I said, okay, like.

1428
01:10:37,400 --> 01:10:39,639
Speaker 1: Some of this could have been very long.

1429
01:10:39,600 --> 01:10:43,479
Speaker 3: But it gets laughs every look the audience doesn't isn't wrong.

1430
01:10:43,520 --> 01:10:44,200
Speaker 3: They eat it up.

1431
01:10:45,400 --> 01:10:50,960
Speaker 2: Oh look, I wish it were much much cheaper to

1432
01:10:51,040 --> 01:10:54,680
Speaker 2: see theater. But I didn't understand the economics of like

1433
01:10:54,760 --> 01:10:58,600
Speaker 2: if a show costs something and there are only so

1434
01:10:58,680 --> 01:11:03,519
Speaker 2: many seats, well, of course I didn't realize, like, no, for.

1435
01:11:04,000 --> 01:11:08,000
Speaker 1: The issue is not, yes, the issue is that none

1436
01:11:08,040 --> 01:11:10,559
Speaker 1: of it is subsidized by the government. And yes, like

1437
01:11:10,560 --> 01:11:12,719
Speaker 1: in other countries, it's not that like people are evil

1438
01:11:12,760 --> 01:11:14,720
Speaker 1: and want to rob you blind.

1439
01:11:14,680 --> 01:11:18,320
Speaker 2: Right, although I do you know, this is my first

1440
01:11:19,040 --> 01:11:21,000
Speaker 2: ten million that I'm making right from.

1441
01:11:20,800 --> 01:11:22,719
Speaker 3: This, right right. Congrats on that, by the way.

1442
01:11:22,680 --> 01:11:24,720
Speaker 2: Yeah yeah, yeah, Well Off Broadway is where you go

1443
01:11:24,840 --> 01:11:28,320
Speaker 2: to like cash in, cash in, like I've worked hard,

1444
01:11:28,479 --> 01:11:30,360
Speaker 2: you put in the time, I've put in the time.

1445
01:11:30,800 --> 01:11:34,240
Speaker 2: I'm ready for that summer house. I'm ready for like

1446
01:11:34,240 --> 01:11:36,920
Speaker 2: like first class tickets and like knowing that.

1447
01:11:36,880 --> 01:11:38,960
Speaker 3: About yourself is like a huge part.

1448
01:11:39,080 --> 01:11:41,360
Speaker 2: It's a huge part of Off Broadway.

1449
01:11:41,120 --> 01:11:43,400
Speaker 3: Because like a lot of people like just don't even

1450
01:11:43,439 --> 01:11:44,320
Speaker 3: have the like they're like.

1451
01:11:44,320 --> 01:11:46,720
Speaker 2: Afraid of that success absolutely.

1452
01:11:46,280 --> 01:11:48,759
Speaker 3: And you're just like running towards these people go to Broadway,

1453
01:11:49,240 --> 01:11:53,919
Speaker 3: so sad. Yeah, I feel bad for them. I do too. Losers.

1454
01:11:54,800 --> 01:11:56,680
Speaker 3: Who's the biggest loser on Broadway? Go?

1455
01:11:56,800 --> 01:12:02,200
Speaker 2: Yeah, who's the biggest loser on probably audiences?

1456
01:12:01,760 --> 01:12:06,479
Speaker 1: Tim Tim Tim Tim Gun is.

1457
01:12:06,479 --> 01:12:08,800
Speaker 2: The biggest loser on broad Oh my god, yeah, like

1458
01:12:09,200 --> 01:12:15,479
Speaker 2: so wrong as Roxy, Like just yeah, the name on

1459
01:12:15,720 --> 01:12:21,280
Speaker 2: everybody's lips, the name on everybody's lips is gonna be Rocky.

1460
01:12:21,920 --> 01:12:22,960
Speaker 3: It's really good.

1461
01:12:23,400 --> 01:12:26,200
Speaker 2: Okay, this season on the Runway, we're seeing Tim Gun.

1462
01:12:26,160 --> 01:12:27,519
Speaker 3: Tim, we're seeing walking.

1463
01:12:29,680 --> 01:12:33,160
Speaker 1: This season on the Runway, we're seeing Tim gunn walking

1464
01:12:33,280 --> 01:12:35,480
Speaker 1: as Roxy.

1465
01:12:36,320 --> 01:12:37,320
Speaker 3: I'm giddy about that.

1466
01:12:37,560 --> 01:12:39,599
Speaker 1: I'm giddy about that's a great well.

1467
01:12:40,080 --> 01:12:40,600
Speaker 4: I love that.

1468
01:12:41,080 --> 01:12:44,240
Speaker 1: Maybe this is my oh Mary, oh Tim Tim.

1469
01:12:45,400 --> 01:12:47,480
Speaker 2: That would actually bekes sort of a good idea.

1470
01:12:47,520 --> 01:12:51,120
Speaker 1: Tim Gun. You know, everyone loves him America's most beloved

1471
01:12:51,240 --> 01:12:53,759
Speaker 1: sort of father figure. But then there's so much happening

1472
01:12:53,760 --> 01:12:54,800
Speaker 1: behind the scenes.

1473
01:12:54,840 --> 01:12:57,719
Speaker 2: Are we Yeah, where's that phantom thread? Yeah? Exactly.

1474
01:12:58,880 --> 01:13:00,519
Speaker 1: You know I have to say about Tim Gun to

1475
01:13:00,520 --> 01:13:02,679
Speaker 1: be serious for a second, with all these gay guys

1476
01:13:02,680 --> 01:13:06,600
Speaker 1: that sort of transcended and became you know, almost like

1477
01:13:07,640 --> 01:13:11,320
Speaker 1: symbols from Middle America. He really has it, more so

1478
01:13:11,360 --> 01:13:13,519
Speaker 1: than any of the queer eye guys. More like, I

1479
01:13:13,600 --> 01:13:16,160
Speaker 1: really do have a deep respect for Tim Gunn.

1480
01:13:16,560 --> 01:13:18,519
Speaker 3: Do you do you not? No? I think you're right.

1481
01:13:18,720 --> 01:13:21,400
Speaker 1: You like, there's something actually very dignified about him.

1482
01:13:21,680 --> 01:13:24,879
Speaker 3: Well, he has a he knows when to pull away, yes.

1483
01:13:24,840 --> 01:13:27,760
Speaker 1: And he's also you can tell he's actually he knows

1484
01:13:27,760 --> 01:13:41,120
Speaker 1: when to pull out, which is before you heard.

1485
01:13:35,680 --> 01:13:42,759
Speaker 2: It here first. This worries me after he comes.

1486
01:13:44,479 --> 01:13:46,639
Speaker 1: This is my presion of Tim gun after he comes.

1487
01:13:47,439 --> 01:13:56,240
Speaker 2: This words more Grandma.

1488
01:13:56,360 --> 01:13:58,639
Speaker 1: Yeah, this season on the run Way, pulling Out.

1489
01:13:59,520 --> 01:14:01,400
Speaker 2: We're gonna see pulling Out. We're going to see Tim

1490
01:14:01,400 --> 01:14:05,480
Speaker 2: gun is Roxy. We're going to see Tim Gunn Hilton Honors.

1491
01:14:05,680 --> 01:14:09,640
Speaker 1: Okay, Oh Mary is a huge No no, this is

1492
01:14:09,680 --> 01:14:12,479
Speaker 1: a no no, No, it's not it's not it's not barely

1493
01:14:12,520 --> 01:14:15,920
Speaker 1: a one person show, oh Mary. Okay, Tom Broadway for

1494
01:14:15,920 --> 01:14:18,160
Speaker 1: twenty five years. At this point, you're long, you know,

1495
01:14:18,240 --> 01:14:21,280
Speaker 1: you're you're living in Malibu, whatever. If they've started stunt

1496
01:14:21,320 --> 01:14:25,559
Speaker 1: casting it, like Roxy, who is your ideal? Like like

1497
01:14:25,720 --> 01:14:29,240
Speaker 1: reality star trashy star stunt cast for it.

1498
01:14:29,240 --> 01:14:31,120
Speaker 2: I don't watch, but but.

1499
01:14:31,160 --> 01:14:32,719
Speaker 1: You know it can be understand, it can.

1500
01:14:32,640 --> 01:14:36,439
Speaker 2: Be like okay, okay, okay, okay, Rachel Ray. That was

1501
01:14:36,439 --> 01:14:37,080
Speaker 2: the first thing that.

1502
01:14:37,040 --> 01:14:37,519
Speaker 3: Came to mind.

1503
01:14:38,479 --> 01:14:45,040
Speaker 2: Wouldn't she perfect like a voice like Abraham? You know, wow,

1504
01:14:45,240 --> 01:14:45,880
Speaker 2: Rachel Ray.

1505
01:14:46,000 --> 01:14:47,160
Speaker 3: That would be so amazing.

1506
01:14:47,200 --> 01:14:48,640
Speaker 2: She would do it in those curls.

1507
01:14:48,760 --> 01:14:50,600
Speaker 3: Yeah.

1508
01:14:50,680 --> 01:14:53,880
Speaker 2: Did you see her episode of the Curse, Yeah, The Curse.

1509
01:14:54,240 --> 01:14:57,280
Speaker 3: She's literally she plays herself in a very like no no,

1510
01:14:57,320 --> 01:15:00,160
Speaker 3: this before Yeah, no, I think it is this in

1511
01:15:00,200 --> 01:15:02,280
Speaker 3: on the runway. We're seeing Rachel Ray Ray.

1512
01:15:02,200 --> 01:15:09,040
Speaker 1: As herself on HBO's The Curse. Showtime Showtime, Yeah, Showtime. Sorry,

1513
01:15:09,120 --> 01:15:09,840
Speaker 1: excuse me.

1514
01:15:09,920 --> 01:15:13,639
Speaker 2: Sorry, it's okay, it's Showtime back.

1515
01:15:15,640 --> 01:15:19,120
Speaker 3: I don't know, I don't know if any of them

1516
01:15:19,160 --> 01:15:20,320
Speaker 3: about its Showtime back.

1517
01:15:21,760 --> 01:15:22,680
Speaker 1: Yeah, are any of them back?

1518
01:15:22,680 --> 01:15:24,719
Speaker 3: I'm talking to the exact right. Oh.

1519
01:15:24,880 --> 01:15:28,280
Speaker 2: Sorry, I think Showtime's definitely back. I would love to

1520
01:15:28,320 --> 01:15:30,760
Speaker 2: work with them. Oh, we would love to work with

1521
01:15:30,800 --> 01:15:31,839
Speaker 2: Showtime of course.

1522
01:15:32,280 --> 01:15:34,120
Speaker 3: However, only if they're back.

1523
01:15:34,280 --> 01:15:37,400
Speaker 1: Only if they're back. I want we go into pitch.

1524
01:15:37,680 --> 01:15:39,479
Speaker 1: We're like, I want you to prove that you're back

1525
01:15:39,720 --> 01:15:42,760
Speaker 1: before you hear this pitch. Are you guys back, because

1526
01:15:42,800 --> 01:15:45,160
Speaker 1: I'm not saying the numbers don't really speak for themselves.

1527
01:15:45,840 --> 01:15:54,840
Speaker 2: Tim Gunn and Rachel Ray, Grace Green like that should

1528
01:15:54,880 --> 01:15:57,599
Speaker 2: have been what it was. It should have been, Tim

1529
01:15:57,680 --> 01:15:59,160
Speaker 2: Gunn and Rachel.

1530
01:15:59,000 --> 01:16:02,240
Speaker 1: You actually are so in the sense that it should

1531
01:16:02,240 --> 01:16:05,800
Speaker 1: have been a loud like party girl, loud party girl,

1532
01:16:06,240 --> 01:16:09,240
Speaker 1: raspy voice, and then like an a guy with trauma.

1533
01:16:09,439 --> 01:16:13,960
Speaker 2: Yeah, like Tim Gunn, is who the character of Will is?

1534
01:16:14,160 --> 01:16:14,840
Speaker 3: You know what I mean?

1535
01:16:15,120 --> 01:16:17,839
Speaker 2: But then you know NBC got involved and said.

1536
01:16:17,640 --> 01:16:20,280
Speaker 3: Well, let's not make it too let's make him a lawyer.

1537
01:16:20,439 --> 01:16:29,000
Speaker 2: Yeah, exactly, designers Rachel Ray. Now, Rachel, what exactly is this?

1538
01:16:31,800 --> 01:16:33,280
Speaker 3: Well, Tim, it's a jealous Hoalen.

1539
01:16:34,880 --> 01:16:39,080
Speaker 2: I mean the pilot writes a yeah, he last me.

1540
01:16:39,080 --> 01:16:40,280
Speaker 1: What do you mean extra virgin?

1541
01:16:40,720 --> 01:16:41,320
Speaker 3: Yeah?

1542
01:16:41,439 --> 01:16:44,799
Speaker 1: Tim is like, honey, I'm an extra virgin. Wait, no,

1543
01:16:44,800 --> 01:16:48,960
Speaker 1: I'm becoming Samantha.

1544
01:16:50,000 --> 01:16:51,320
Speaker 2: Should we do our final segment?

1545
01:16:51,720 --> 01:16:51,920
Speaker 3: Wait?

1546
01:16:52,000 --> 01:16:53,280
Speaker 1: Call any last thoughts on.

1547
01:16:53,439 --> 01:16:57,240
Speaker 3: Hotels or baby carrots.

1548
01:16:59,520 --> 01:17:05,480
Speaker 2: I just I really appreciate you filling out why hotels

1549
01:17:05,520 --> 01:17:08,840
Speaker 2: are straight. I appreciate it because I came in with

1550
01:17:08,920 --> 01:17:10,559
Speaker 2: an idea and I didn't know.

1551
01:17:11,280 --> 01:17:18,880
Speaker 3: I just didn't hold water yeah. Yeah, that's so hard.

1552
01:17:18,439 --> 01:17:21,800
Speaker 3: It's really hard, and we put our guests through hell,

1553
01:17:23,000 --> 01:17:25,320
Speaker 3: but we do it for you. Thank you, thank you,

1554
01:17:25,439 --> 01:17:27,400
Speaker 3: So you can promote that last week.

1555
01:17:27,160 --> 01:17:29,840
Speaker 2: Of Oh Mary of Mary oh Mary play dot com.

1556
01:17:29,880 --> 01:17:32,200
Speaker 2: I just checked zero tickets out for that week.

1557
01:17:32,760 --> 01:17:33,040
Speaker 3: Zero.

1558
01:17:33,680 --> 01:17:37,439
Speaker 2: Well, there's student rush or not student rush, just rush rush.

1559
01:17:37,479 --> 01:17:40,639
Speaker 3: We took the student out because anyone can rush.

1560
01:17:40,680 --> 01:17:43,760
Speaker 2: Anyone can rush, not just students, not just This is

1561
01:17:43,760 --> 01:17:45,439
Speaker 2: what I tell people all the time.

1562
01:17:45,880 --> 01:17:51,800
Speaker 3: It's like you never stop learning and you never stop rushing. Yeah, exactly, exactly.

1563
01:17:53,000 --> 01:17:55,799
Speaker 3: We're always on our phones, so true, Rachel.

1564
01:17:57,680 --> 01:17:59,960
Speaker 2: Okay, well you true.

1565
01:18:09,040 --> 01:18:12,120
Speaker 1: Our final segment is called shout Outs, and in this

1566
01:18:12,160 --> 01:18:15,519
Speaker 1: segment we pay homage to the classic straight tradition of

1567
01:18:15,520 --> 01:18:18,479
Speaker 1: the radio shout out. Think Z one hundred. You're shouting

1568
01:18:18,479 --> 01:18:23,360
Speaker 1: out to your squad back home, think TRL and you

1569
01:18:23,400 --> 01:18:25,439
Speaker 1: know it's in the great tradition of this podcast. We

1570
01:18:25,439 --> 01:18:27,080
Speaker 1: think of them on the spot. So I'm trying to

1571
01:18:27,120 --> 01:18:27,639
Speaker 1: think of mine.

1572
01:18:27,640 --> 01:18:32,519
Speaker 3: Now I have one. Okay, oh okay, what's up preak

1573
01:18:32,600 --> 01:18:34,559
Speaker 3: losers and perverts around the globe. I want to give

1574
01:18:34,600 --> 01:18:39,200
Speaker 3: a huge shout out to Hotel TV. I love the

1575
01:18:39,320 --> 01:18:42,200
Speaker 3: lack of choice and a Hotel TV offers me. I

1576
01:18:42,240 --> 01:18:44,280
Speaker 3: think there's too much choice in the world, and sometimes

1577
01:18:44,320 --> 01:18:46,880
Speaker 3: I just want something to be like watch this because

1578
01:18:46,920 --> 01:18:49,880
Speaker 3: you have to you. That's talk about the only way

1579
01:18:49,880 --> 01:18:54,160
Speaker 3: I'll find something randomly and without having it perfectly curated

1580
01:18:54,200 --> 01:18:57,519
Speaker 3: to my likes and wants. Last night, I, for the

1581
01:18:57,520 --> 01:19:00,280
Speaker 3: first time in my entire life, watch an episode of

1582
01:19:00,439 --> 01:19:03,160
Speaker 3: King of Queens. I would never seek the show out,

1583
01:19:03,200 --> 01:19:05,720
Speaker 3: no matter how much Robbie Hoffman says it's good. I

1584
01:19:05,840 --> 01:19:11,080
Speaker 3: don't care. And I watched one episode and I said, yeah,

1585
01:19:11,120 --> 01:19:13,960
Speaker 3: I mean, I'm not gonna watch more. But I enjoyed

1586
01:19:14,000 --> 01:19:17,400
Speaker 3: this twenty minutes. And sometimes that's all you need when

1587
01:19:17,439 --> 01:19:21,679
Speaker 3: you are traveling. So Hotel TV you make me feel

1588
01:19:21,960 --> 01:19:25,240
Speaker 3: like it's the nineties. You make me feel like I'm

1589
01:19:25,760 --> 01:19:27,920
Speaker 3: being tied down and forced to watch something I don't

1590
01:19:27,960 --> 01:19:31,280
Speaker 3: necessarily want to, and you make me feel free through

1591
01:19:31,640 --> 01:19:32,519
Speaker 3: that restriction.

1592
01:19:32,640 --> 01:19:34,839
Speaker 2: Wow, that's beautiful.

1593
01:19:35,160 --> 01:19:35,479
Speaker 4: Thank you.

1594
01:19:35,600 --> 01:19:37,960
Speaker 2: How was King of Queens really good?

1595
01:19:38,160 --> 01:19:38,800
Speaker 3: Really? Well?

1596
01:19:38,800 --> 01:19:40,680
Speaker 1: It was fine, right, I mean it was like Lea

1597
01:19:40,760 --> 01:19:44,880
Speaker 1: REMONI I guess right, Well, yeah, for of the best

1598
01:19:44,880 --> 01:19:45,400
Speaker 1: you can hope for.

1599
01:19:48,160 --> 01:19:49,960
Speaker 3: I was friends with JL. I was pretty good.

1600
01:19:50,040 --> 01:19:53,920
Speaker 2: Yes she is she is but close. Oh you didn't

1601
01:19:53,960 --> 01:19:55,240
Speaker 2: know that. They're like like.

1602
01:19:55,160 --> 01:19:57,000
Speaker 1: Oh, yeah, I know, they're like the thing, a whole

1603
01:19:57,320 --> 01:19:57,720
Speaker 1: yeah thing.

1604
01:19:57,960 --> 01:20:00,439
Speaker 2: Oh, it's kind of like, isn't there a one more

1605
01:20:00,479 --> 01:20:01,400
Speaker 2: that's like in the group?

1606
01:20:01,560 --> 01:20:02,080
Speaker 3: Who is it?

1607
01:20:03,680 --> 01:20:05,519
Speaker 1: Yes, but I don't remember. I was about to say

1608
01:20:05,520 --> 01:20:05,720
Speaker 1: it's like.

1609
01:20:05,840 --> 01:20:08,840
Speaker 3: Donna Michelle Michelle? Yes? Is that true?

1610
01:20:08,920 --> 01:20:09,120
Speaker 4: Yes?

1611
01:20:09,200 --> 01:20:11,880
Speaker 1: Yes, yes, yes, But it's like how Madonna and Debbie

1612
01:20:11,880 --> 01:20:14,080
Speaker 1: Mays are are really close friends?

1613
01:20:14,320 --> 01:20:16,080
Speaker 3: Yeah meaning.

1614
01:20:17,240 --> 01:20:20,719
Speaker 1: No meaning no, no, no, no meaning yeah, they're huge lesbian.

1615
01:20:21,520 --> 01:20:27,080
Speaker 1: Oh no, they're not saphic saffic in it? So they are,

1616
01:20:27,160 --> 01:20:30,479
Speaker 1: aren't They're not sappic. No, she has a hot Italian husband,

1617
01:20:30,479 --> 01:20:32,960
Speaker 1: Debbie does. And Madonna, you know, she's working through a

1618
01:20:33,040 --> 01:20:35,880
Speaker 1: lot of issues that she's doing great on and we

1619
01:20:35,880 --> 01:20:38,599
Speaker 1: support her, and we support her. I would die supporting her.

1620
01:20:39,800 --> 01:20:43,880
Speaker 3: Okay, y'all yeah I can't.

1621
01:20:43,920 --> 01:20:47,040
Speaker 1: Okay, Okay, I'm gonna do mine. I've actually already mentioned

1622
01:20:47,040 --> 01:20:48,800
Speaker 1: this on a Patroon episode. But you know what this,

1623
01:20:49,040 --> 01:20:53,400
Speaker 1: I'm gonna unpay wallet for this episode exclusively. What's up

1624
01:20:53,560 --> 01:20:58,000
Speaker 1: frequent travelers, any Delta sky Miles members, Hilton rewards. You're

1625
01:20:58,000 --> 01:20:59,760
Speaker 1: gonna want to hear this if you're ever on a

1626
01:20:59,800 --> 01:21:02,120
Speaker 1: del the flight. I have the plane movie for you.

1627
01:21:02,200 --> 01:21:04,400
Speaker 1: It's called She Came to Me, and it is starring

1628
01:21:04,439 --> 01:21:07,160
Speaker 1: Marissa to May as a tugboat captain with a sex addiction.

1629
01:21:07,280 --> 01:21:10,320
Speaker 1: I repeat, a tugboat captain with a sex addiction. You're wondering,

1630
01:21:10,600 --> 01:21:11,920
Speaker 1: is that like a comedic bit?

1631
01:21:12,080 --> 01:21:12,200
Speaker 2: Like?

1632
01:21:12,280 --> 01:21:15,879
Speaker 1: Is it ironic? Nope, tug boat captain. I repeat, tugboat

1633
01:21:15,880 --> 01:21:18,120
Speaker 1: captain with a sex addiction. And if you think it

1634
01:21:18,160 --> 01:21:20,599
Speaker 1: stops there, you better believe. It also stars Anne Hathaway

1635
01:21:20,600 --> 01:21:22,599
Speaker 1: as a therapist who wants to be a nun, and

1636
01:21:22,680 --> 01:21:24,840
Speaker 1: one of her patients is Chris Gethert. Now this movie

1637
01:21:24,840 --> 01:21:26,880
Speaker 1: came out, I would say last year. Not a single

1638
01:21:26,960 --> 01:21:29,760
Speaker 1: soul has talked about it. Written and directed by Rebeca Miller,

1639
01:21:29,920 --> 01:21:33,759
Speaker 1: Arthur Miller's daughter. I am telling you, get on a plane, now,

1640
01:21:34,000 --> 01:21:37,200
Speaker 1: book a flight, impressed, play on She Came to Me.

1641
01:21:37,560 --> 01:21:39,320
Speaker 1: The message of the film is love wins. And by

1642
01:21:39,320 --> 01:21:42,599
Speaker 1: the end I was moved. Shout out to everyone involved.

1643
01:21:42,680 --> 01:21:45,320
Speaker 3: Who Wow, they only let you watch it on a plane.

1644
01:21:45,400 --> 01:21:47,840
Speaker 1: Yes, I don't. I haven't seen it available anywhere else.

1645
01:21:48,479 --> 01:21:51,120
Speaker 1: I think the Millerists Arthur Miller estate has a special

1646
01:21:51,600 --> 01:21:54,519
Speaker 1: contract with Delta Airlines where his daughter makes movies for

1647
01:21:54,800 --> 01:21:56,640
Speaker 1: the Delta plus a platform.

1648
01:21:56,720 --> 01:21:59,960
Speaker 3: Actually wow, yeah, well that's huge.

1649
01:22:00,160 --> 01:22:01,799
Speaker 1: Yes, nothing I said is a line.

1650
01:22:01,680 --> 01:22:03,240
Speaker 3: I'll watch on the Delta flight back to Alert.

1651
01:22:03,320 --> 01:22:05,080
Speaker 1: I think it's crazy that that movie exists, as I

1652
01:22:05,200 --> 01:22:07,759
Speaker 1: just describe it, and like it hasn't become like a meme.

1653
01:22:08,880 --> 01:22:11,160
Speaker 3: I mean, but there's so much. It's actually so sad

1654
01:22:11,200 --> 01:22:14,200
Speaker 3: because you know that, like that's what they were almost

1655
01:22:14,240 --> 01:22:16,519
Speaker 3: hoping for. Yeah, or maybe they weren't.

1656
01:22:16,680 --> 01:22:17,519
Speaker 1: No, I don't think they were.

1657
01:22:18,520 --> 01:22:21,080
Speaker 2: Yeah, when they should have, because then it would have

1658
01:22:21,120 --> 01:22:22,360
Speaker 2: gotten been bigger.

1659
01:22:22,600 --> 01:22:22,840
Speaker 4: You know.

1660
01:22:23,160 --> 01:22:26,480
Speaker 2: Yes, they needed a gay guy. They needed a concierge.

1661
01:22:27,960 --> 01:22:33,280
Speaker 2: Oh is he a concierge, baby boy? Gay baby boy.

1662
01:22:35,120 --> 01:22:37,120
Speaker 3: Yeah. He recommended a few restaurants to me.

1663
01:22:37,200 --> 01:22:41,959
Speaker 2: Let's just say, let's just say he got us a reservation.

1664
01:22:43,320 --> 01:22:44,679
Speaker 1: He recommended the Fennel Cellar.

1665
01:22:46,600 --> 01:22:54,519
Speaker 2: Okay, I think, okay, what's up, moms and dads. It's

1666
01:22:54,560 --> 01:22:57,799
Speaker 2: your girl here who sets her alarm clock for six am?

1667
01:22:58,000 --> 01:23:03,040
Speaker 2: And I'm would like to shout out Dove Chocolate. Dove Chocolate,

1668
01:23:03,120 --> 01:23:06,559
Speaker 2: a little treat. It's it's a little more expensive then

1669
01:23:06,600 --> 01:23:09,320
Speaker 2: you're gonna but then you're Hershey Bar, but when you

1670
01:23:09,320 --> 01:23:13,800
Speaker 2: want to treat yourself, go for Dove chocolate. Wow.

1671
01:23:13,920 --> 01:23:14,440
Speaker 4: Wow?

1672
01:23:14,520 --> 01:23:17,320
Speaker 1: Is that the one that has little inspirational like little quotes?

1673
01:23:17,400 --> 01:23:17,639
Speaker 2: Yeah?

1674
01:23:17,680 --> 01:23:18,880
Speaker 3: Do you feel it helps you in your day to

1675
01:23:18,920 --> 01:23:21,880
Speaker 3: day life to be well?

1676
01:23:21,920 --> 01:23:24,200
Speaker 2: When I was a kid, that was one of those

1677
01:23:24,240 --> 01:23:27,240
Speaker 2: things that I thought was fancy when I was like,

1678
01:23:28,120 --> 01:23:30,679
Speaker 2: because it's not hers, Because it's not Hershey's. And also

1679
01:23:30,720 --> 01:23:33,479
Speaker 2: the commercials worked so well. The commercials were very like

1680
01:23:33,920 --> 01:23:37,920
Speaker 2: the woman like rewarding herself, Like.

1681
01:23:39,600 --> 01:23:42,800
Speaker 3: Yeah, you know, yeah, no that makes sense. Okay. The

1682
01:23:42,840 --> 01:23:46,880
Speaker 3: way that women eat chocolate and media is it's I

1683
01:23:46,880 --> 01:23:47,760
Speaker 3: feel like I'm missing out.

1684
01:23:47,840 --> 01:23:49,520
Speaker 1: It's done harm for generations.

1685
01:23:49,760 --> 01:23:51,800
Speaker 2: Yeah yeah, it's literally why we will never have a

1686
01:23:51,840 --> 01:23:58,519
Speaker 2: living president. Yeah yeah, Like she could only come.

1687
01:23:59,280 --> 01:24:02,160
Speaker 3: She has a little a little cube.

1688
01:24:01,800 --> 01:24:07,600
Speaker 2: Of chocolate in her mouth, and it's just because.

1689
01:24:07,400 --> 01:24:09,479
Speaker 1: This season on the Runway, a woman with a little

1690
01:24:09,520 --> 01:24:10,800
Speaker 1: cube of chocolate.

1691
01:24:11,200 --> 01:24:13,240
Speaker 2: And it's just because straight men want to see women

1692
01:24:13,320 --> 01:24:17,280
Speaker 2: come totally, and they're just like, what if the chocolate

1693
01:24:17,360 --> 01:24:18,200
Speaker 2: did it for her?

1694
01:24:18,360 --> 01:24:19,800
Speaker 3: Because she likes the taste so much.

1695
01:24:22,680 --> 01:24:25,000
Speaker 2: Yeah, she's such a bitch all day and then she

1696
01:24:25,080 --> 01:24:27,280
Speaker 2: puts that little square chocolate in her mouth and she

1697
01:24:27,520 --> 01:24:30,800
Speaker 2: just fucking combs like, yeah, how about that.

1698
01:24:30,920 --> 01:24:33,880
Speaker 1: I feel like it's almost like the opposite, where it's

1699
01:24:33,920 --> 01:24:35,720
Speaker 1: women being like, well, he's not gonna make me come,

1700
01:24:35,760 --> 01:24:36,680
Speaker 1: so I need something to.

1701
01:24:36,680 --> 01:24:37,439
Speaker 2: Make me Yeah.

1702
01:24:37,680 --> 01:24:40,920
Speaker 3: So is it a female empowerment or disempowerment? Yeah? Question

1703
01:24:41,040 --> 01:24:41,840
Speaker 3: more when we return.

1704
01:24:42,320 --> 01:24:43,519
Speaker 2: Yeah, all right, and.

1705
01:24:43,479 --> 01:24:44,439
Speaker 1: We'll see you next time.

1706
01:24:44,479 --> 01:24:47,719
Speaker 3: I see you next time after the break. That could

1707
01:24:47,720 --> 01:24:51,439
Speaker 3: be many years. All right, Well, thanks for doing the pod.

1708
01:24:51,760 --> 01:24:54,080
Speaker 2: Please, thank you for promoting the last week of Oh

1709
01:24:54,120 --> 01:24:54,799
Speaker 2: Mary playing.

1710
01:24:55,120 --> 01:24:58,880
Speaker 1: Yeah So go on dot com and Rachel Ray get

1711
01:24:58,920 --> 01:24:59,799
Speaker 1: in Touch girl.

1712
01:24:59,760 --> 01:25:03,639
Speaker 2: Yeah bye podcast and now want more?

1713
01:25:04,080 --> 01:25:07,160
Speaker 1: Subscribe to our Patreon for two extra episodes a month,

1714
01:25:07,400 --> 01:25:11,160
Speaker 1: discord access and more by heading to patreon dot com,

1715
01:25:11,200 --> 01:25:12,679
Speaker 1: slash Stradio lab.

1716
01:25:12,720 --> 01:25:15,320
Speaker 3: And for all our visual earners, free full length video

1717
01:25:15,360 --> 01:25:17,200
Speaker 3: episodes are available on our YouTube.

1718
01:25:17,400 --> 01:25:31,559
Speaker 1: Now get back to work,