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Speaker 1: Hey, this is Annie and Samantha and welcome to Stephane.

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Speaker 1: Never told You Abduction, I Heart Radio.

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Speaker 2: And y'all, we're celebrating today because not only are we

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Speaker 2: here for another amazing happy hour, we're joined again by

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Speaker 2: super executive producer Maya.

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Speaker 3: Welcome back, Thank you.

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Speaker 1: For having me.

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Speaker 4: Yes, also, y'all, we're actually at the studio.

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Speaker 5: A little bit of drama, oh no, but we're excited

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Speaker 5: to be together because we're also coming into season three

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Speaker 5: of watching Sex and the City.

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Speaker 1: Yeah, yeah, we had a little break. I think it

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Speaker 1: was December was our last one. It's been a minute.

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Speaker 4: It's been a long minute. And of course, because it

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Speaker 4: is the first episode.

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Speaker 2: Of season three, we have to have an amazing guest. Yes,

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Speaker 2: I'm here, and Amaya is here because we've been talking

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Speaker 2: about having her on for a while and she even

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Speaker 2: brought us because it is technically a happy hour, she

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Speaker 2: brought us a non alcoholic hazy ipa from Best Day Brewing,

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Speaker 2: which I'm gonna open on Mike. So if you don't

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Speaker 2: want to hear this, pop open, you know, skip over. Yeah, okay,

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Speaker 2: I'm gonna take it my sip here.

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Speaker 6: That was good.

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Speaker 1: Yeah, it's tasty.

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Speaker 4: It's tasty.

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Speaker 2: It's been minutes as I've had to be here because yeah,

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Speaker 2: I've been staying away from alcoholics, but this is not

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Speaker 2: an alcoholic, so I'll be fully awake.

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Speaker 1: I hope. I hope.

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Speaker 6: Well, let's not retell what happened after the last thing.

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Speaker 2: We're not going to talk about it. I was not

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Speaker 2: prepared though. That's the answer to all of that. And yes,

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Speaker 2: we are back and we're doing something different. I'm so excited.

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Speaker 2: We are in the studio watching, actually in studio while

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Speaker 2: we're recording. I was like, how are we going to

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Speaker 2: do this? Because I don't understand technology. That's what I've discovered.

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Speaker 2: It's ready for us, and this is pretty pretty sweet.

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Speaker 4: And it's all because of super producer Christina.

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Speaker 2: Of course, it's always making the magic happen for us

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Speaker 2: and making us sound much better than we actually do.

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Speaker 2: But as we have said, this is a happy hour,

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Speaker 2: So if you are partaking of anything.

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Speaker 4: Please do it responsibly.

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Speaker 3: One.

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Speaker 4: Two we are not currently sponsored by any other things

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Speaker 4: that we're talking about. Of course, things change. Maybe one

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Speaker 4: day people will see the potential and decide they want

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Speaker 4: to sponsor us. So that's that's the you know, hope right,

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Speaker 4: Oh for sure, always.

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Speaker 6: Here for the dollars.

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Speaker 1: I need to feed my dogs literally, yeah yeah, yeah, yeah,

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Speaker 1: yeah yeah, I need to feed my dog y'all.

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Speaker 4: Yeah.

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Speaker 2: So we are in a season three, so maya tell

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Speaker 2: us your experience with Sex and the City. I laugh

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Speaker 2: because you are significantly younger than me and that you

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Speaker 2: love this, uh just as much as I do. But

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Speaker 2: it is so outdated, shocked.

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Speaker 7: I think there's a lot of discourse right now actually

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Speaker 7: about Sex and the City being on Netflix and gen

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Speaker 7: Z being exposed to it for the first time. Yeah,

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Speaker 7: it's very interesting because Sex and the City was on

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Speaker 7: Bravo in the early two thousands like all the time.

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Speaker 7: Really before like Housewives was on all the time, it

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Speaker 7: was Sex and the City all the time. So that's

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Speaker 7: how I was introduced to Sex and the City. And

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Speaker 7: so I never watched it in like successive order, but

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Speaker 7: I pretty much saw all the episodes throughout the years,

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Speaker 7: and I definitely specifically remember my mom being like Sex

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Speaker 7: and the City.

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Speaker 4: What do you know about that? I mean, that is

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Speaker 4: the question that I have, What do you know about?

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Speaker 7: My mom is also like a boomer, so like she

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Speaker 7: was like pre Sex in the City, and like. But

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Speaker 7: she knew about it obviously because it was so big

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Speaker 7: on HBO.

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Speaker 6: But she was like, what are you watching this?

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Speaker 7: Obviously Bravo didn't have all of the uncuts, you know,

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Speaker 7: so it was like a little bit tamer than the original,

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Speaker 7: but it was still, you know, pretty provocative at the

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Speaker 7: time as well.

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Speaker 6: Yeah, so I loved it. I mean I fell in

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Speaker 6: love with the characters. You know.

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Speaker 7: I feel like I'm a Charlotte Okay, okay, in my heart,

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Speaker 7: in your heart, I think I'm more of a Charlotte.

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Speaker 7: I'm like a mix of like a Charlotte in a

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Speaker 7: carry Yeah, a little bit.

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Speaker 2: I think I keep forgetting h I try to usually

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Speaker 2: get our guests to do quick quiz o. Soll you

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Speaker 2: know what, We're gonna do it as a later I'm

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Speaker 2: gonna send it to you and then we'll have that

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Speaker 2: as a result later time.

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Speaker 1: Okay. Fun.

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Speaker 2: One of the things I think it's hilarious because I

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Speaker 2: also was introduced to it originally, even though it wasn't

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Speaker 2: my time timeline, but I was very conservative, was through TBS.

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Speaker 4: It came through TVs. Wow, yeah, yes, ma'am.

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Speaker 2: But you can imagine how edited it was, so like

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Speaker 2: the thirty minute episode was like fifteen.

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Speaker 4: With lots and lots of ads.

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Speaker 1: Do it feel like there was like a lot of plot?

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Speaker 2: Well, no, because I don't know if it was just

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Speaker 2: easy to catch on, or maybe they did an amazing

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Speaker 2: job in the editing, or maybe it's because after that,

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Speaker 2: after watching it, I would buy my own copy. So yes,

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Speaker 2: I have every single DVD, even including the first movie.

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Speaker 2: I had to stop after the first, but he was

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Speaker 2: pretty good. Yeah, yeah, least it tracked.

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Speaker 7: Jennifer Hudson's character was that second movie the first first movie?

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Speaker 2: Yeah, so she it was so bad. She was trying

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Speaker 2: so hard. This was her like acting debut, so bless

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Speaker 2: her heart. We still love her character. But yeah, yeah,

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Speaker 2: so I got that later. So maybe because I have

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Speaker 2: watched it so much since then, I've forgotten what the

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Speaker 2: TVs version was and understood it.

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Speaker 6: I feel like the sex was not that integral.

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Speaker 4: To the No, really, it was just like like throwaway sea.

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Speaker 1: Yeah that's true. I guess it's more of a maybe

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Speaker 1: you don't understand when you're younger. Certainly for me, for

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Speaker 1: the few episodes I saw, I didn't really get what

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Speaker 1: was going on, and if I had, so, how was

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Speaker 1: it on TVs.

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Speaker 4: I think it's quite funny.

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Speaker 2: But I will say for this one, as I was

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Speaker 2: trying to remember where we were, I'm like, okay, season three,

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Speaker 2: episode one, I can't remember what that episode is.

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Speaker 4: I'm like, oh, so there are some scenes here.

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Speaker 2: So the fact that we get to gather this together

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Speaker 2: because Samantha is Samantha and she makes it delightfully hilarious.

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Speaker 4: But yeah, just a heads up, y'all. If any of

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Speaker 4: y'all are watching, like, come to watch it and then

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Speaker 4: come back, just so you know, don't watch it around

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Speaker 4: children prepared. Yeah, there's some things.

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Speaker 2: But yes, with that, we are in season three before

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Speaker 2: we start Annie, which I did call. I did email

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Speaker 2: you to remind you, Oh, can you give us a

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Speaker 2: recap of what has happened up until now.

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Speaker 1: I'm very glad you let me know because I was

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Speaker 1: racking my brain trying to remember. So Carrie broke up

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Speaker 1: with Big and then was like out in the field again,

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Speaker 1: and then got back together with him, and then and

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Speaker 1: they had a lot of conversations around like him moving

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Speaker 1: and she wanted to leave stuff at his place and

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Speaker 1: he was like no, and then they like had an

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Speaker 1: I Love you fight and then they broke up again,

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Speaker 1: and then she started dating other people and then she

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Speaker 1: finds out he's engaged I think two a younger women.

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Speaker 1: And then Miranda met Steve and they broke up over

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Speaker 1: money I think, but then they had sex later after

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Speaker 1: they broke Oh my goodness. She also got an apartment.

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Speaker 1: I remember that. Yes, she got an apartment. Charlotte continued

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Speaker 1: to date like guys that I was like, Wow, you

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Speaker 1: met him at a funeral. Yeah, And then she met

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Speaker 1: she fell in with some power lesbians or something. Yeah. Yeah.

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Speaker 1: And then Samantha did a bunch of stuff. She was

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Speaker 1: at the like SNN club and then all kinds of guys.

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Speaker 1: She had kind of a fight with her like assistant

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Speaker 1: over a Rolodex or something.

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Speaker 2: Yes, the assistant stole the rolodex that had all the

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Speaker 2: important contacts.

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Speaker 1: So yes, and then she got like kicked out of

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Speaker 1: some society and then some bloody helped her get back.

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Speaker 1: I knew it was a famous person.

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Speaker 4: It wasn't at all like you just had to imagine him.

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Speaker 1: He was there and spirit and speaking of I remember

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Speaker 1: John bon Jovi showed up.

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Speaker 4: Yeah yeah.

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Speaker 1: And then yeah, there's a lot of talk about all

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Speaker 1: the kinds of things they always talk about. But one

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Speaker 1: thing that stuck out to me is I remember Miranda

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Speaker 1: having that whole I'm tired of talking about guys all

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Speaker 1: the time. Yes, and she had a lazy ovary. Yes, whoa.

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Speaker 4: Memories.

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Speaker 2: Good job, good job. Those are all very important things

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Speaker 2: later down the road. But yeah, so very good.

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Speaker 4: He did a great job.

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Speaker 2: So we're coming back with season three, and that's pretty usual.

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Speaker 2: I usually give Annie the title and get her to

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Speaker 2: predict what she thinks this episode is about. And we

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Speaker 2: do have a famous guy start coming in f y I,

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Speaker 2: but not everybody in my I don't know, Like I say,

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Speaker 2: he's famous. But then like people are going to go

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Speaker 2: back and forth because he was up there for like

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Speaker 2: a like a split second and then he kind of

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Speaker 2: went away. Oh okay, I know you're welcome. So the

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Speaker 2: first episode is titled where There's Smoke? So what do

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Speaker 2: you think this is about?

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Speaker 1: Oh?

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Speaker 4: No predictions, please, Where there's.

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Speaker 1: Smoke there is a fire. See. Christina taught me such

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Speaker 1: a valuable lesson when she came on, which is it's

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Speaker 1: like the obvious thing, but I can't think where there's smoke,

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Speaker 1: there's fire. Huh. Something is wrong. I think something's wrong

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Speaker 1: in multiple cases, and perhaps in one case an STI wow.

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Speaker 4: That's not a mean I could see where you get.

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Speaker 4: I could see I can see where we get that.

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Speaker 1: It's good. This something. Yeah, I think all of them

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Speaker 1: are going through a crisis of some sort, and one

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Speaker 1: of them it might more literal than I'm grasping.

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Speaker 4: Okay, okay, we're gonna go with that.

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Speaker 2: And because of the beginning of season three, do you

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Speaker 2: have any predictions for season three?

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Speaker 1: I feel like somehow they can care gonna end up

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Speaker 1: back together. Wait, is this what Aiden shows? I've been

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Speaker 1: waiting for Aiden?

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Speaker 6: Noiler.

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Speaker 4: We all love it. I think we're all team Aiden,

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Speaker 4: aren't we.

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Speaker 1: Yeah? Well I don't like Big.

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Speaker 4: Well yeah, that's big.

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Speaker 2: He dies, So whatever'll not not anytime soon?

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Speaker 4: Just okay, anyway, all right, I like the predictions.

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Speaker 1: I mean it's very simple.

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Speaker 4: Let's get into it.

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Speaker 8: Okay, Well, this is good. We're actually crossing water to

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Speaker 8: meet men.

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Speaker 9: Reminder, I am not going to Staten Island to meet men.

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Speaker 9: I am going to judge them.

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Speaker 4: One of the island.

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Speaker 6: Have anybody ever been there?

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Speaker 2: No?

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Speaker 1: Yes, the fairies free I'm like too proud.

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Speaker 4: You knew something you're excited.

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Speaker 1: It's about time I knew something.

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Speaker 2: Oh, I think this is the beginning where Sarahjusica Parker

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Speaker 2: gets credited as producer and getting more money because it's

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Speaker 2: becoming more and more successful. I'm all right, this is

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Speaker 2: where I laugh about like iconic like male and female gaze.

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Speaker 7: Yes that's the guest. Maybe it's just the time and

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Speaker 7: like that was attractive, right, but the firefighters.

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Speaker 4: Not my appeal that like all of them are thick shoulder.

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Speaker 2: The cutest guy and she gave him five and a

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Speaker 2: half five and a half. That's rough all the halfs.

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Speaker 4: But I think it has something to do with like

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Speaker 4: or think about the romance covers wave.

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Speaker 10: Point with like Fabio and such like he would he

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Speaker 10: would be that level, like even though like yeah, they

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Speaker 10: were as defined like today, like we've now acknowledged that

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Speaker 10: a lot of women are all good with the dad bods.

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Speaker 4: We are all good with the.

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Speaker 2: Dad bods, but like the six pack is more impressive

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Speaker 2: with the lean leaner.

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Speaker 7: Yes, yeah, what's with all those half points?

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Speaker 4: Six and a half, eight and a half.

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Speaker 1: What can I say?

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Speaker 8: Sometimes a girl needs a.

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Speaker 4: Half, Sometimes a girl needs that.

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Speaker 6: Means I have no idea what that means?

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Speaker 2: You know, you don't want to make a full decision.

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Speaker 2: You can't give him the high so the in between

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Speaker 2: can't quite decide.

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Speaker 1: Very cious, that was much less sexual than I was thinking.

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Speaker 6: That's a very carey answer.

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Speaker 1: Officially real.

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Speaker 8: Seventy third Street.

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Speaker 4: She's giving out her address, Willie Nilly.

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Speaker 2: Yeah, I don't know you, bro, You're not getting my address,

259
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Speaker 2: even though that you can google me, you.

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Speaker 3: Have to work for at least yourself.

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00:13:21,400 --> 00:13:22,520
Speaker 4: How can I get your phone number?

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Speaker 8: Government?

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Speaker 6: Purpose is only he already has her address?

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Speaker 4: I mean, what does he need a number for to

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Speaker 4: show up?

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Speaker 5: Man?

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Speaker 1: That address comes out first?

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Speaker 9: You know what?

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Speaker 4: Though?

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Speaker 2: There it's not quite the can I get your email

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Speaker 2: or Instagram level, which is the new right?

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Speaker 6: I hate that. Yeah, no, I don't like.

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Speaker 4: So your boo didn't pick you up that way? Oh

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Speaker 4: what's your Instagram's?

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Speaker 7: Oh my god, this is pre pre Instagram?

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Speaker 4: Really yeah? Really?

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Speaker 1: M hmm.

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Speaker 10: I'm Samana went home with that firefighter to two b Bee.

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Speaker 3: I'm Charlotte's around here somewhere.

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Speaker 4: Okay, Sam went home with the with the firefighter.

281
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Speaker 3: How many cocktails did she have a couple?

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Speaker 8: I love this.

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Speaker 1: I mean, she's having a great time.

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Speaker 6: She's let loose.

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Speaker 2: You know when you hear that song and you just

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00:14:20,920 --> 00:14:23,240
Speaker 2: feel it, it's like it's like a theme and anthem

287
00:14:23,280 --> 00:14:24,720
Speaker 2: and you just got to get into it and play

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Speaker 2: it out in your head.

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Speaker 4: With a SATINYLI He's a strong that white jacket. I

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00:14:32,000 --> 00:14:34,960
Speaker 4: love it, tub Top getting it.

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Speaker 1: I have to say I understand the appeal of this

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Speaker 1: show in terms of, like, by the time I was

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Speaker 1: their age, which is not that old, I wasn't doing

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Speaker 1: this stuff.

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Speaker 2: But like it was this lively show of them not

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Speaker 2: being moms, yeah, girlfriends, and just living life, like having

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Speaker 2: that moment outside of college.

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Speaker 6: I feel like most young thirties are now.

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Speaker 2: Yeah you know, yeah forties for some said we're not going.

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00:15:02,640 --> 00:15:06,960
Speaker 2: But it's more acceptable at their age than it was then.

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Speaker 1: I think yes.

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00:15:12,640 --> 00:15:17,040
Speaker 9: And uptown on dry Land, Samantha and mister July the.

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Speaker 4: Miracle again, unrealistic scene.

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00:15:21,120 --> 00:15:24,520
Speaker 2: Look, how do you not get panicked about having live

305
00:15:24,720 --> 00:15:25,640
Speaker 2: flames near you?

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Speaker 1: Who does that?

307
00:15:28,200 --> 00:15:36,200
Speaker 6: W was that even like sexy?

308
00:15:36,400 --> 00:15:37,160
Speaker 8: Like? What was that?

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00:15:37,840 --> 00:15:38,720
Speaker 1: She was losing it?

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Speaker 4: At one point You're like, are you okay to stop?

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Speaker 9: And the guy was just like, would snow white have

312
00:15:51,800 --> 00:15:54,840
Speaker 9: slept in that glass? Coffin forever, or would she have

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00:15:55,000 --> 00:15:58,360
Speaker 9: eventually woken up, spit out the apple, gotten a job,

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Speaker 9: a healthcare package, and a baby from our local neighborhood

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Speaker 9: sperm bank.

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Speaker 4: I couldn't help, but wonder not anymore. No, No, it

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Speaker 4: is reality.

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Speaker 1: Ye.

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Speaker 9: Do women just want to be rescued?

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00:16:19,600 --> 00:16:20,520
Speaker 4: Just want to be rescued?

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Speaker 7: I think people want to be rescued, like everybody wants

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Speaker 7: to have someone take care of their worst burdens.

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Speaker 2: I don't know if I want to be rescued as

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Speaker 2: much as I want you to get me food.

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Speaker 8: That's it.

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00:16:35,080 --> 00:16:35,960
Speaker 1: Yeah, that's it.

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Speaker 2: I don't necessarily need you to take me anywhere. I

328
00:16:38,640 --> 00:16:40,880
Speaker 2: don't necessarily need you to make sure I'm healthy.

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Speaker 4: Just give me food.

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Speaker 1: Yeah. I think it's nice to have someone to depend on.

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Speaker 1: I guess the question is more like the stereotypes, but

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Speaker 1: I think it's nice to have someone to depend on. It. Also,

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00:16:51,040 --> 00:16:52,800
Speaker 1: sometimes you don't want to be in control all the time.

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Speaker 7: Yeah, sometimes you just want to like turn your brain off. Yeah,

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00:16:56,160 --> 00:16:58,560
Speaker 7: you know, I think that's the yeah thing.

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00:16:59,240 --> 00:17:05,399
Speaker 8: Yeah, I'm fine.

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Speaker 4: I did not need anyone to hold my hand.

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Speaker 6: I love I think he's so like decil most of

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Speaker 6: the time.

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Speaker 2: Oh yeah, he made a mistake and try to try

341
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Speaker 2: to gaslight her. Yeah, we won't talk about that later

342
00:17:21,119 --> 00:17:25,159
Speaker 2: till till later, But yeah he is the Yeah, I

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00:17:25,240 --> 00:17:28,120
Speaker 2: think I would be with Steve. Yeah, I've always.

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Speaker 1: Loved and.

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00:17:30,240 --> 00:17:32,360
Speaker 2: Well we haven't exactly established that yet.

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00:17:32,560 --> 00:17:33,600
Speaker 4: No d t R yet.

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00:17:34,040 --> 00:17:36,120
Speaker 1: Nought what that means.

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Speaker 8: Do you know what d t R is?

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Speaker 3: I don't think.

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Speaker 4: Oh my god, I don't know defining the relationship.

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Speaker 6: Like I said, my relationship is pre internet like.

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Speaker 1: Before.

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Speaker 2: So like because this was like online duty thousand and five,

354
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Speaker 2: having a d t R girl, you got to remember, bro,

355
00:18:00,240 --> 00:18:11,160
Speaker 2: I'm yeah good several years Like this is old schools okay, okay,

356
00:18:11,480 --> 00:18:14,920
Speaker 2: So I think this came around like twenty two thousand

357
00:18:14,920 --> 00:18:17,000
Speaker 2: and five. It's like when people talking about the DTR.

358
00:18:17,280 --> 00:18:20,920
Speaker 2: You know, you gotta put initials to everything, especially time.

359
00:18:21,000 --> 00:18:30,960
Speaker 9: Yeah. I one cab ride and two potent sleeping pills later,

360
00:18:31,160 --> 00:18:32,840
Speaker 9: Steve put Miranda to bed.

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Speaker 3: All right, okay, give me give me your leg No.

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00:18:36,119 --> 00:18:40,320
Speaker 7: Yeah, this, like Miranda is like her level of wanting

363
00:18:40,359 --> 00:18:43,520
Speaker 7: to be independent is like an actual detriment to her. Yeah,

364
00:18:43,800 --> 00:18:49,040
Speaker 7: like thinking that you're gonna leave Lasik eye surgery alone. Yeah, crazy.

365
00:18:49,760 --> 00:18:52,359
Speaker 1: I used to jokingly call this the single Lady Olympics,

366
00:18:52,680 --> 00:18:53,800
Speaker 1: or I'd be like, I have.

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00:18:53,880 --> 00:18:55,119
Speaker 4: To do this by myself.

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Speaker 6: What more can I do alone?

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Speaker 2: At least you have to do it one time. I'm

370
00:19:00,320 --> 00:19:02,240
Speaker 2: to prove to yourself and then after that, okay, you

371
00:19:02,240 --> 00:19:04,639
Speaker 2: can help me. Yeah, it's one of those levels. Actually,

372
00:19:04,720 --> 00:19:07,600
Speaker 2: this couch is really heavy. My stairs are very dodging.

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Speaker 7: What I can't stop thinking about now is that there's

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00:19:11,000 --> 00:19:15,600
Speaker 7: this discourse about like lasick being like terrible. Yeah, people

375
00:19:15,640 --> 00:19:19,920
Speaker 7: are havings who never get lasick but give lasick to

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00:19:20,000 --> 00:19:20,480
Speaker 7: other people.

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00:19:20,920 --> 00:19:23,200
Speaker 1: Yeah, so that made me think about that. Yeah.

378
00:19:23,240 --> 00:19:24,840
Speaker 2: I mean I've heard people talking about the fact that

379
00:19:25,040 --> 00:19:26,399
Speaker 2: they've had a lot of problems.

380
00:19:26,480 --> 00:19:30,240
Speaker 4: It doesn't work. It was reversed later on always yeah.

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00:19:30,359 --> 00:19:33,000
Speaker 1: Yeah, well I had it and it's been a long

382
00:19:33,080 --> 00:19:35,320
Speaker 1: time and I think it's good. I loved it.

383
00:19:35,640 --> 00:19:36,800
Speaker 4: Yeah, I still love it.

384
00:19:37,400 --> 00:19:40,480
Speaker 2: I've been told by several that my stigmatism is way

385
00:19:40,480 --> 00:19:43,480
Speaker 2: too intense, and they gave me alternatives. It's like, you're

386
00:19:43,520 --> 00:19:45,520
Speaker 2: never going to have I'm like, well, then, what's the point.

387
00:19:49,040 --> 00:19:50,280
Speaker 4: I am.

388
00:19:53,720 --> 00:19:54,600
Speaker 3: I don't know what I'm doing.

389
00:19:55,480 --> 00:19:59,760
Speaker 4: Okay, I'm standing here all the cordless phones. Watching that,

390
00:20:00,040 --> 00:20:01,600
Speaker 4: I kind of love it.

391
00:20:02,160 --> 00:20:04,320
Speaker 7: Yeah, I feel like we should bring back home phone

392
00:20:04,400 --> 00:20:06,200
Speaker 7: so you don't have to give out your cell phone

393
00:20:06,320 --> 00:20:06,840
Speaker 7: all the time.

394
00:20:07,720 --> 00:20:10,879
Speaker 2: Yeah, what's so funny to me? I laughed because there

395
00:20:10,960 --> 00:20:12,760
Speaker 2: was a TikTok video of like we need to do

396
00:20:12,880 --> 00:20:15,000
Speaker 2: something where you just have a phone that's a central

397
00:20:15,040 --> 00:20:17,359
Speaker 2: phone for everyone at home, and everybody's like it's called

398
00:20:17,640 --> 00:20:18,280
Speaker 2: the hell.

399
00:20:20,440 --> 00:20:20,640
Speaker 9: Line.

400
00:20:23,480 --> 00:20:28,480
Speaker 2: Bring back corded phones, the ones that were on the wall.

401
00:20:28,680 --> 00:20:33,880
Speaker 2: My grandparents, Yes, my parents still have one parents.

402
00:20:40,000 --> 00:20:42,200
Speaker 3: Nice pole. I want to see it again.

403
00:20:43,080 --> 00:20:43,280
Speaker 5: Yeah.

404
00:20:46,320 --> 00:20:50,479
Speaker 9: Oh, Samantha rode the poll a couple of times that night.

405
00:20:51,200 --> 00:20:55,520
Speaker 2: There's other firefighters in the other room exactly like they're

406
00:20:55,640 --> 00:20:57,040
Speaker 2: in a public transport.

407
00:20:56,680 --> 00:20:58,320
Speaker 6: And she's not even trying to be discreet.

408
00:20:58,840 --> 00:21:02,840
Speaker 4: This is hubble, you don't care. I should be a

409
00:21:02,920 --> 00:21:11,960
Speaker 4: fireman because I'm always ready to go. Yeah, she's on duty,

410
00:21:15,240 --> 00:21:17,400
Speaker 4: like she's fully in someone's clothing.

411
00:21:20,680 --> 00:21:22,879
Speaker 1: Why she she's like, wait, what's happening?

412
00:21:23,359 --> 00:21:26,040
Speaker 4: Like I'm at a fire station, what is happening?

413
00:21:29,880 --> 00:21:34,720
Speaker 2: Obviously they were already set up for emergency situations.

414
00:21:40,160 --> 00:21:41,520
Speaker 1: She's a pretty good job.

415
00:21:41,600 --> 00:21:46,880
Speaker 2: It's like man herself pretty well, She's done this before Yeah,

416
00:21:47,960 --> 00:21:48,960
Speaker 2: not her first row.

417
00:21:50,080 --> 00:22:12,320
Speaker 3: You can tell, so you are pretty much wrong.

418
00:22:13,040 --> 00:22:15,560
Speaker 4: You definitely get like an you.

419
00:22:15,640 --> 00:22:19,320
Speaker 7: Did say something about their dealing with their own crisis,

420
00:22:19,480 --> 00:22:20,680
Speaker 7: maybe literal or not.

421
00:22:20,960 --> 00:22:24,400
Speaker 2: All right, that's how throwing answer. Well, the one as

422
00:22:24,440 --> 00:22:27,000
Speaker 2: that you typically give is the whole they go to

423
00:22:27,119 --> 00:22:29,760
Speaker 2: a party or they go to a p which I

424
00:22:29,840 --> 00:22:31,680
Speaker 2: was waiting for that because that's also true.

425
00:22:32,359 --> 00:22:33,000
Speaker 3: I'll give you a D.

426
00:22:33,200 --> 00:22:38,240
Speaker 2: Then I'll give you a D. The s C, even

427
00:22:38,240 --> 00:22:40,080
Speaker 2: though it was an s C, I, even though it

428
00:22:40,160 --> 00:22:42,920
Speaker 2: was a good guess, was way off. And the fact

429
00:22:42,920 --> 00:22:46,320
Speaker 2: that there was no mention of fire or firefighters, the firefighters,

430
00:22:46,320 --> 00:22:47,240
Speaker 2: I don't think you would have gotten.

431
00:22:47,480 --> 00:22:48,639
Speaker 4: That's that's a big stretch.

432
00:22:49,080 --> 00:22:50,320
Speaker 6: You're sure saying fire.

433
00:22:51,080 --> 00:22:53,480
Speaker 1: You miss the like big piece of Chris.

434
00:22:57,960 --> 00:23:02,240
Speaker 2: Christina's episode was fairly uh more on topic because I

435
00:23:02,280 --> 00:23:05,560
Speaker 2: think that this was a little more like em there's

436
00:23:05,600 --> 00:23:09,040
Speaker 2: no actual fire, there's no smoke as where because Christina's

437
00:23:09,119 --> 00:23:12,280
Speaker 2: was about the batter up or she was the opening

438
00:23:12,320 --> 00:23:14,960
Speaker 2: of season two right in which they go to a

439
00:23:15,040 --> 00:23:18,680
Speaker 2: baseball game, okay, and so she's like, did they mentioned balls?

440
00:23:18,720 --> 00:23:20,920
Speaker 2: And she's like, they're going to talk about baseball or ball?

441
00:23:21,040 --> 00:23:25,280
Speaker 2: It's like her Christina, but like it also mentioning of

442
00:23:25,440 --> 00:23:30,520
Speaker 2: like the balls and there was so like she was

443
00:23:30,560 --> 00:23:30,760
Speaker 2: on it.

444
00:23:30,880 --> 00:23:33,960
Speaker 4: But this one is a little more I guess, metaphorical

445
00:23:34,200 --> 00:23:35,800
Speaker 4: than the other. So i'll give you that.

446
00:23:36,000 --> 00:23:37,000
Speaker 6: Which there's smoke.

447
00:23:37,040 --> 00:23:40,280
Speaker 7: What do we think the title was referring to specifically,

448
00:23:40,600 --> 00:23:42,000
Speaker 7: other than the fire, maybe.

449
00:23:41,880 --> 00:23:43,000
Speaker 4: The rescuing.

450
00:23:44,119 --> 00:23:46,000
Speaker 6: Where there's smoke, there's like distress.

451
00:23:46,359 --> 00:23:49,200
Speaker 2: Yeah, in general, Like that's what because like there was

452
00:23:49,240 --> 00:23:51,159
Speaker 2: a lot of conversation of rescuing, so you would have

453
00:23:51,320 --> 00:23:55,200
Speaker 2: thought that would have been like something different in that level.

454
00:23:55,600 --> 00:23:58,040
Speaker 7: Yeah, I mean, I guess all the men in this

455
00:23:58,200 --> 00:24:02,600
Speaker 7: episode at some point where attempting to enact some sort

456
00:24:02,680 --> 00:24:07,840
Speaker 7: of rescuing or idea of what rescuing looks like. We're

457
00:24:07,880 --> 00:24:12,399
Speaker 7: playing into a fantasy and some point yeah, yeah, and

458
00:24:12,560 --> 00:24:13,159
Speaker 7: the thing is like.

459
00:24:13,720 --> 00:24:20,399
Speaker 2: Okay, in this point, we do see where there's a

460
00:24:20,520 --> 00:24:23,080
Speaker 2: fear of not having a rescuer and then there's a

461
00:24:23,119 --> 00:24:24,400
Speaker 2: fear of having a rescuer.

462
00:24:24,480 --> 00:24:29,720
Speaker 4: You have that two very distinct complicated crisis.

463
00:24:29,800 --> 00:24:32,720
Speaker 7: As you would say, Yeah, yeah, I mean, I would

464
00:24:32,760 --> 00:24:35,000
Speaker 7: say I think a lot of the conversations that they

465
00:24:35,040 --> 00:24:37,760
Speaker 7: were having in this specific episode are pretty relevant to

466
00:24:37,800 --> 00:24:39,920
Speaker 7: you today. You know, I think a lot of women

467
00:24:40,000 --> 00:24:45,480
Speaker 7: are in this particular place where, you know, it is

468
00:24:45,760 --> 00:24:48,600
Speaker 7: more we've gotten to a point where it is more

469
00:24:48,640 --> 00:24:50,919
Speaker 7: acceptable to be an independent woman. But then you get

470
00:24:50,960 --> 00:24:53,760
Speaker 7: to a point where you're like, oh wait, like if

471
00:24:53,800 --> 00:25:00,200
Speaker 7: I want these things companionship or friendship or family with

472
00:25:00,280 --> 00:25:03,160
Speaker 7: another person, whatever, it is, like, how am I gonna

473
00:25:03,160 --> 00:25:05,080
Speaker 7: get that? Does that mean I have to sacrifice on

474
00:25:05,240 --> 00:25:08,080
Speaker 7: my independence or you know, I think this was a

475
00:25:08,240 --> 00:25:11,040
Speaker 7: very relevant episode. I would say as far as most

476
00:25:11,080 --> 00:25:11,480
Speaker 7: of them go.

477
00:25:12,080 --> 00:25:15,920
Speaker 2: I think we're also having that conversation because the trad

478
00:25:16,000 --> 00:25:18,520
Speaker 2: wife thing is coming back really quickly. So you've had

479
00:25:18,600 --> 00:25:22,520
Speaker 2: the two extremes because for a minute, for a split second,

480
00:25:23,040 --> 00:25:26,679
Speaker 2: there was this understanding that you do want it all

481
00:25:26,760 --> 00:25:29,639
Speaker 2: and what does that mean? And it's okay to be

482
00:25:29,800 --> 00:25:32,239
Speaker 2: a stay at home mom. That's not a problem. That's

483
00:25:32,320 --> 00:25:34,200
Speaker 2: not the problem at all. It's the choices of whether

484
00:25:34,240 --> 00:25:36,840
Speaker 2: or not you can and whether you want to. Both

485
00:25:36,880 --> 00:25:39,240
Speaker 2: of those are in conversation, and now it's kind of

486
00:25:39,320 --> 00:25:41,119
Speaker 2: like back into the extreme of like, well, we have

487
00:25:41,200 --> 00:25:44,040
Speaker 2: to combat what tradwives are doing in that level of

488
00:25:44,160 --> 00:25:46,760
Speaker 2: like you are telling us that we are wrong for

489
00:25:46,960 --> 00:25:50,239
Speaker 2: not wanting to be a mom afore making bread at

490
00:25:50,280 --> 00:25:54,000
Speaker 2: home and telling everybody I listened to my husband type

491
00:25:54,000 --> 00:25:58,360
Speaker 2: of conversation in a very heteronormative conversation. So like it's

492
00:25:58,480 --> 00:26:01,440
Speaker 2: it feels like this was in the moment of like

493
00:26:01,760 --> 00:26:04,840
Speaker 2: starting to understand that it's not a bad thing to

494
00:26:05,040 --> 00:26:06,680
Speaker 2: want to be a stay at home mom. It's not

495
00:26:06,800 --> 00:26:08,680
Speaker 2: a bad thing to not want to be a stay

496
00:26:08,720 --> 00:26:10,760
Speaker 2: at home mom, to want to be married, to not

497
00:26:10,920 --> 00:26:12,879
Speaker 2: want to be married, to take a last name, to

498
00:26:13,040 --> 00:26:16,000
Speaker 2: not take you know, like all these like complicated conversations,

499
00:26:16,359 --> 00:26:19,480
Speaker 2: and like the understanding that feminism, or especially when it

500
00:26:19,480 --> 00:26:21,919
Speaker 2: comes to intersectionality, is the choice.

501
00:26:22,119 --> 00:26:23,440
Speaker 4: That's that's the conversation.

502
00:26:23,760 --> 00:26:26,240
Speaker 7: Yeah, I mean, I think to your point about trad wives,

503
00:26:26,240 --> 00:26:28,440
Speaker 7: I think it's very interesting, especially when you bring in

504
00:26:28,480 --> 00:26:32,440
Speaker 7: the intersectional pieces that you know, there's some people who

505
00:26:32,520 --> 00:26:36,439
Speaker 7: are being pointed to is like this epitome of tradwife culture,

506
00:26:36,480 --> 00:26:39,520
Speaker 7: but they're actually kind of the antithesis because they don't

507
00:26:39,600 --> 00:26:42,800
Speaker 7: fall into the white, you know, Anglo saxon, you know,

508
00:26:42,960 --> 00:26:45,560
Speaker 7: stereotype of what a trad wife would be. So in

509
00:26:45,720 --> 00:26:49,440
Speaker 7: some sense, it is kind of like a rebellion of

510
00:26:49,640 --> 00:26:54,080
Speaker 7: sorts to be able to occupy this you know, visual

511
00:26:54,440 --> 00:26:56,720
Speaker 7: of what a tradwife might look like, but in a

512
00:26:56,800 --> 00:26:59,840
Speaker 7: body that doesn't represent what it would have been. So

513
00:27:00,040 --> 00:27:03,639
Speaker 7: it's like they're all of these different rethinking like what

514
00:27:03,960 --> 00:27:06,040
Speaker 7: is possible and what that means and what's okay and

515
00:27:06,119 --> 00:27:09,600
Speaker 7: what's not. Like I think sometimes we are so in

516
00:27:09,680 --> 00:27:12,119
Speaker 7: the point of like we want women to be independent

517
00:27:12,280 --> 00:27:14,280
Speaker 7: and be able to take care of themselves that like

518
00:27:14,800 --> 00:27:20,399
Speaker 7: seeing someone be reliant on a partner feels aggressive in

519
00:27:20,480 --> 00:27:23,520
Speaker 7: the other sense of like you're pushing against my freedom

520
00:27:23,600 --> 00:27:24,160
Speaker 7: in some way.

521
00:27:25,600 --> 00:27:27,280
Speaker 4: Yeah, yeah, and definitely.

522
00:27:26,960 --> 00:27:29,359
Speaker 2: The conversation I think again it comes back to like, no,

523
00:27:29,560 --> 00:27:34,040
Speaker 2: the bottom line is choosing. Do they have the freedom

524
00:27:34,080 --> 00:27:36,640
Speaker 2: to choose in either way. It's like the other conversation

525
00:27:36,840 --> 00:27:41,040
Speaker 2: is that with this whole, especially when CIS men come

526
00:27:41,080 --> 00:27:43,040
Speaker 2: into play, and having this conversation of like you're not

527
00:27:43,080 --> 00:27:45,400
Speaker 2: gonna get married and you're gonna you're gonna regret these things,

528
00:27:45,440 --> 00:27:47,239
Speaker 2: and you're not gonna have children, You're gonna regret these things.

529
00:27:47,240 --> 00:27:48,920
Speaker 2: No one's gonna want you after this point in time,

530
00:27:49,359 --> 00:27:51,480
Speaker 2: and telling women they have a timeline. But then like

531
00:27:51,800 --> 00:27:54,240
Speaker 2: having that aloud conversation like yeah, I would love to

532
00:27:54,280 --> 00:27:57,600
Speaker 2: be the housewife as you would call it, which is

533
00:27:57,640 --> 00:28:00,960
Speaker 2: really outdated. Yeah, in that I say, you actually do

534
00:28:01,200 --> 00:28:03,720
Speaker 2: bring all of the money, and then I will be

535
00:28:03,800 --> 00:28:07,960
Speaker 2: that you do whatever I want. Like that is that

536
00:28:08,160 --> 00:28:10,800
Speaker 2: is a great ideal, but that's no longer what like

537
00:28:11,040 --> 00:28:12,760
Speaker 2: is expected. It's like, no, we do fifty to fifty

538
00:28:12,840 --> 00:28:15,040
Speaker 2: and then I do eighty percent of the housework, and like.

539
00:28:15,040 --> 00:28:16,120
Speaker 6: That's one hundred.

540
00:28:18,720 --> 00:28:20,160
Speaker 4: Because at the veriliest at least.

541
00:28:20,040 --> 00:28:21,440
Speaker 2: You need to go bow of the yard, like some

542
00:28:22,920 --> 00:28:26,440
Speaker 2: ideas in that level. Yeah, but like that's that conversation

543
00:28:26,560 --> 00:28:29,520
Speaker 2: of like, okay, but what does this look like? Because

544
00:28:29,640 --> 00:28:32,880
Speaker 2: in the end, like for a lot of women who

545
00:28:33,119 --> 00:28:35,880
Speaker 2: have and I'm putting this and when I say women,

546
00:28:35,920 --> 00:28:41,160
Speaker 2: I'm including all women people marginalized communities, knowing that they

547
00:28:41,360 --> 00:28:45,080
Speaker 2: can't rely on anyone else because they've been told or

548
00:28:45,160 --> 00:28:48,080
Speaker 2: they've seen an evidence in their life that it's not

549
00:28:48,240 --> 00:28:51,000
Speaker 2: going to be that way. And so part of the

550
00:28:51,080 --> 00:28:53,160
Speaker 2: thing of not relying is not because they don't want to,

551
00:28:53,560 --> 00:28:56,000
Speaker 2: is because they can't they don't trust it, or they've

552
00:28:56,040 --> 00:28:56,520
Speaker 2: been burned.

553
00:28:56,680 --> 00:28:58,720
Speaker 4: Yeah, that's a whole different conversation.

554
00:28:58,480 --> 00:29:01,120
Speaker 2: Right in this because like Miranda has that level of

555
00:29:01,600 --> 00:29:03,960
Speaker 2: both of those things, and like, I don't completely trust

556
00:29:04,040 --> 00:29:07,000
Speaker 2: you because to be fair, Steve walked away because he

557
00:29:07,200 --> 00:29:10,760
Speaker 2: was very insecure about not making as much money than her,

558
00:29:10,840 --> 00:29:14,400
Speaker 2: because she was all in round one, you know, and

559
00:29:14,480 --> 00:29:17,680
Speaker 2: he's the one that left. He felt emasculated when she's like,

560
00:29:17,680 --> 00:29:20,560
Speaker 2: I'll just buy you the suit, yeah, to an event,

561
00:29:20,840 --> 00:29:22,880
Speaker 2: you know, like this is like that level of like okay,

562
00:29:22,920 --> 00:29:24,840
Speaker 2: and then coming back in so she's not fully gonna

563
00:29:25,160 --> 00:29:27,760
Speaker 2: invest I wouldn't either. I am one of those two,

564
00:29:27,920 --> 00:29:30,040
Speaker 2: like in that I'm a Miranda level, which for the

565
00:29:30,120 --> 00:29:32,240
Speaker 2: long time I thought this is not a good thing.

566
00:29:32,280 --> 00:29:35,240
Speaker 2: I don't want to be Miranda. I am in Miranda

567
00:29:35,280 --> 00:29:38,600
Speaker 2: in that like if you burn me, I'm gonna be

568
00:29:38,720 --> 00:29:43,080
Speaker 2: very cautious. I'm gonna be that's very cautious. I'm still

569
00:29:43,080 --> 00:29:44,560
Speaker 2: a Libra. So I'll give you a chance until you

570
00:29:44,880 --> 00:29:48,440
Speaker 2: until you get her too. So I know, I'll give

571
00:29:48,480 --> 00:29:50,520
Speaker 2: you some leeway for a while, but if it gets

572
00:29:50,560 --> 00:29:53,240
Speaker 2: too then I shut down.

573
00:29:55,320 --> 00:29:58,240
Speaker 1: I do think it's interesting. One of the things in

574
00:29:58,360 --> 00:30:02,320
Speaker 1: watching this show now, so many times things that were

575
00:30:02,440 --> 00:30:05,800
Speaker 1: romanticized then are not. Yeah, and so in this case,

576
00:30:05,880 --> 00:30:09,600
Speaker 1: like I do feel like Charlotte's violent fellow, Well, at

577
00:30:09,600 --> 00:30:11,320
Speaker 1: the end she realized he was bad, but that was

578
00:30:11,440 --> 00:30:13,640
Speaker 1: kind of like a romanticize all the guy's gonna protect you,

579
00:30:13,720 --> 00:30:16,320
Speaker 1: he's gonna step in. You've got this stalker guy, which

580
00:30:16,400 --> 00:30:20,360
Speaker 1: was romanticized for all time. And then like, yeah, Miranda,

581
00:30:20,400 --> 00:30:23,600
Speaker 1: on the other side, I did that too, because like

582
00:30:23,720 --> 00:30:28,080
Speaker 1: literally with the I thing, because I was afraid, like

583
00:30:28,200 --> 00:30:32,160
Speaker 1: saying yes would mean more to him than it meant

584
00:30:32,160 --> 00:30:35,360
Speaker 1: to me, even if I was very clear like that's

585
00:30:35,440 --> 00:30:38,000
Speaker 1: not what this is about, true that he'd be like, oh, yeah,

586
00:30:38,120 --> 00:30:39,760
Speaker 1: to get you. And then they get home and it's like,

587
00:30:39,760 --> 00:30:41,200
Speaker 1: can I guess you're not You're like, no.

588
00:30:42,560 --> 00:30:45,760
Speaker 4: What I told you?

589
00:30:45,920 --> 00:30:46,400
Speaker 1: And she did.

590
00:30:46,440 --> 00:30:48,320
Speaker 2: She was like, we don't know what we are the

591
00:30:48,480 --> 00:30:53,440
Speaker 2: dt D never forget the DTR because she was like,

592
00:30:53,480 --> 00:30:56,120
Speaker 2: you know, we haven't established and she's also saying that

593
00:30:56,200 --> 00:30:58,040
Speaker 2: to the front. She was like, there's no having of

594
00:30:58,120 --> 00:31:01,280
Speaker 2: the thieve, which is line in that like.

595
00:31:01,560 --> 00:31:03,480
Speaker 6: Yeah, he literally slept in her bed.

596
00:31:03,680 --> 00:31:05,640
Speaker 1: Yeah yeah, but we know.

597
00:31:05,880 --> 00:31:08,120
Speaker 2: And that's the other part in that conversation, like we've

598
00:31:08,160 --> 00:31:10,040
Speaker 2: come a long way with women being able to be

599
00:31:10,120 --> 00:31:12,120
Speaker 2: sexually free and being like that doesn't mean I have

600
00:31:12,200 --> 00:31:14,680
Speaker 2: to commit to you, just like you might not commit

601
00:31:14,720 --> 00:31:14,840
Speaker 2: to me.

602
00:31:15,040 --> 00:31:15,200
Speaker 8: Yeah.

603
00:31:15,360 --> 00:31:17,360
Speaker 1: I mean with Stamantha that was nice where she was like,

604
00:31:18,560 --> 00:31:20,800
Speaker 1: you know, this is my fantasy, dudes do it all

605
00:31:20,800 --> 00:31:23,320
Speaker 1: the time, and the let's go she did.

606
00:31:23,640 --> 00:31:26,840
Speaker 7: Also, that guy was like very like he had nothing

607
00:31:26,920 --> 00:31:30,680
Speaker 7: going on, so I don't think he would have caught

608
00:31:30,720 --> 00:31:31,320
Speaker 7: on anyway.

609
00:31:32,120 --> 00:31:32,960
Speaker 4: I don't think he cared.

610
00:31:33,120 --> 00:31:40,040
Speaker 2: He was nice, but he's like, hey, all right, so Annie,

611
00:31:41,160 --> 00:31:43,760
Speaker 2: we have had what just happened? Do you have any

612
00:31:43,960 --> 00:31:46,360
Speaker 2: now do you have any predictions of maybe things to come?

613
00:31:48,480 --> 00:31:48,680
Speaker 8: Well?

614
00:31:49,320 --> 00:31:51,480
Speaker 1: Oh, I don't know. I don't know how long the

615
00:31:51,560 --> 00:31:54,840
Speaker 1: slattery you guys gonna stay around. I think Steve is

616
00:31:54,880 --> 00:31:57,760
Speaker 1: gonna I think Steve is gonna get back into the picture.

617
00:31:58,520 --> 00:32:02,440
Speaker 1: I'm now convinced a and will show up, but I

618
00:32:02,560 --> 00:32:05,760
Speaker 1: don't know when that might be a mid season reveal.

619
00:32:06,720 --> 00:32:08,800
Speaker 1: I do feel bad because I'm doing the thing that

620
00:32:08,880 --> 00:32:11,560
Speaker 1: bready complain about, Like I'm assuming guys are going to

621
00:32:11,640 --> 00:32:12,480
Speaker 1: come to the fiction.

622
00:32:13,960 --> 00:32:17,440
Speaker 7: I mean fair like the show is kind of a

623
00:32:18,440 --> 00:32:21,840
Speaker 7: you know, friendship of course, but also the relationships that

624
00:32:21,920 --> 00:32:22,520
Speaker 7: they're right.

625
00:32:22,880 --> 00:32:26,760
Speaker 4: But it's like it's also very heteronormous, like very like

626
00:32:28,000 --> 00:32:28,720
Speaker 4: that level.

627
00:32:28,720 --> 00:32:32,880
Speaker 2: Except for one episode that is coming through that's ridiculously problematic,

628
00:32:33,000 --> 00:32:34,560
Speaker 2: like you're you're going to be offended.

629
00:32:34,920 --> 00:32:35,320
Speaker 1: It's bad.

630
00:32:35,560 --> 00:32:36,800
Speaker 4: It's like like one of the.

631
00:32:39,680 --> 00:32:44,040
Speaker 2: Yeah, like it'sn't that level, like they're trying to be open,

632
00:32:44,200 --> 00:32:46,400
Speaker 2: you can like it is one of those badly placed like.

633
00:32:47,080 --> 00:32:51,520
Speaker 7: Like season three, the critics were probably yeah, I don't know,

634
00:32:51,600 --> 00:32:55,400
Speaker 7: maybe not at the time, maybe they weren't like representation.

635
00:32:55,120 --> 00:32:57,960
Speaker 2: No, it wasn't they wanted representation, but it was all

636
00:32:58,160 --> 00:33:01,160
Speaker 2: kit cheek, token ish, yeah, citation, and then they were

637
00:33:01,160 --> 00:33:04,040
Speaker 2: trying to make it a joke, which is why we've

638
00:33:04,040 --> 00:33:06,040
Speaker 2: seen a lot. Like one of the big problematic episodes

639
00:33:06,040 --> 00:33:08,760
Speaker 2: I remember from thirty Rock, it's similar to this in

640
00:33:08,880 --> 00:33:11,680
Speaker 2: which she talks about like she's giving out love advice

641
00:33:12,240 --> 00:33:14,840
Speaker 2: and then they're like, you know he's bisexual.

642
00:33:14,920 --> 00:33:16,800
Speaker 4: She's like, there's no such thing. It's just a layover

643
00:33:16,960 --> 00:33:21,040
Speaker 4: to gay town or whatever. That's what she says.

644
00:33:22,000 --> 00:33:25,240
Speaker 2: But like, but like it's so problematic, you're like, oh,

645
00:33:25,480 --> 00:33:28,960
Speaker 2: but they're trying to be funny. Yeah, And that's kind

646
00:33:28,960 --> 00:33:30,920
Speaker 2: of what Sex and the City does too, from a

647
00:33:31,040 --> 00:33:33,560
Speaker 2: very queer from very queer staff, Like we know that

648
00:33:33,680 --> 00:33:36,680
Speaker 2: the creator is a queer man, and so it's.

649
00:33:36,600 --> 00:33:39,080
Speaker 4: Kind of like oh you didn't think that went through.

650
00:33:39,640 --> 00:33:41,400
Speaker 7: But also at the time, I think like in the

651
00:33:41,440 --> 00:33:43,680
Speaker 7: community there was probably just more acceptance of that as well.

652
00:33:43,960 --> 00:33:49,360
Speaker 2: Right, So there's so many things, But yes, I think

653
00:33:49,680 --> 00:33:51,760
Speaker 2: we got the predictions put it in my head.

654
00:33:52,120 --> 00:33:55,360
Speaker 4: Did not forget you had it? What did you think?

655
00:33:56,040 --> 00:33:57,360
Speaker 6: I really liked this episode.

656
00:33:57,440 --> 00:34:00,800
Speaker 7: I think it was kind of it was a soft launch,

657
00:34:01,120 --> 00:34:04,080
Speaker 7: is how I feel about for a season opener. It

658
00:34:04,240 --> 00:34:08,240
Speaker 7: was like a nice easing in, you know, nothing too crazy,

659
00:34:08,320 --> 00:34:10,520
Speaker 7: but I felt like, you know, we really got a

660
00:34:10,560 --> 00:34:13,279
Speaker 7: good sense of where everybody is currently, like where there

661
00:34:13,840 --> 00:34:17,160
Speaker 7: their consciousness is, where everybody's thinking, and like that lays

662
00:34:17,200 --> 00:34:18,720
Speaker 7: the groundwork for the rest of the season.

663
00:34:19,880 --> 00:34:20,759
Speaker 6: Yeah, I mean I loved it.

664
00:34:20,840 --> 00:34:22,799
Speaker 7: I mean I haven't watched the show in so long,

665
00:34:22,920 --> 00:34:25,279
Speaker 7: so it was fun to bring it back. Yeah, to

666
00:34:25,360 --> 00:34:27,359
Speaker 7: get back in and like maybe I'll watch the rest

667
00:34:27,360 --> 00:34:28,280
Speaker 7: of the season.

668
00:34:28,719 --> 00:34:29,200
Speaker 1: I don't know.

669
00:34:30,120 --> 00:34:33,880
Speaker 2: So I do eventually think it's now that we have

670
00:34:34,000 --> 00:34:37,680
Speaker 2: had the entire team in at least one episode, we

671
00:34:37,800 --> 00:34:40,480
Speaker 2: need to come together maybe the season for Alley or something,

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00:34:40,640 --> 00:34:42,440
Speaker 2: and have a whole like viewing.

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00:34:42,239 --> 00:34:42,960
Speaker 4: With all of us.

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00:34:43,480 --> 00:34:44,520
Speaker 1: That would be so good.

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00:34:44,760 --> 00:34:46,640
Speaker 2: And this is what we've already talked with like trying

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00:34:46,680 --> 00:34:48,799
Speaker 2: to get Joey in on it too, because we were

677
00:34:48,840 --> 00:34:52,279
Speaker 2: talking about them bringing bringing them in to watch the

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00:34:52,440 --> 00:34:53,760
Speaker 2: final Twilight.

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00:34:54,200 --> 00:34:56,719
Speaker 7: Oh oh my god, Okay, I need to I need

680
00:34:56,840 --> 00:35:00,400
Speaker 7: to brush up on Twilight because I specifically you recall

681
00:35:00,480 --> 00:35:03,480
Speaker 7: falling asleep in the second movie. I was dragged to

682
00:35:03,560 --> 00:35:09,240
Speaker 7: the midnight showing, right, so I do not remember anything,

683
00:35:10,280 --> 00:35:11,879
Speaker 7: but yeah, that might be even better though.

684
00:35:12,040 --> 00:35:14,319
Speaker 1: Yeah, to have the reaction to be like oh yeah,

685
00:35:14,760 --> 00:35:17,680
Speaker 1: oh no, oh yeah, yeah, good mix.

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00:35:18,000 --> 00:35:20,319
Speaker 2: Well, thank you so much for sitting in with us,

687
00:35:20,520 --> 00:35:24,120
Speaker 2: for providing this lovely beverage has allowed me to stay awake.

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00:35:24,719 --> 00:35:28,000
Speaker 6: Thank you for having me again. Yes for welcoming me back.

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00:35:28,200 --> 00:35:29,399
Speaker 1: Yes, it was so fun.

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00:35:29,560 --> 00:35:29,759
Speaker 2: Yeah.

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00:35:29,960 --> 00:35:32,839
Speaker 1: I have missed these, so I'm excited to get through

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00:35:32,880 --> 00:35:37,959
Speaker 1: the season and see where it goes. Yes, listeners, welcome back.

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00:35:38,280 --> 00:35:41,000
Speaker 1: If you have any thoughts about this, you can let

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00:35:41,120 --> 00:35:43,279
Speaker 1: us know. You can email us a Stephani your mom

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00:35:43,320 --> 00:35:45,160
Speaker 1: Stuff at iHeartMedia dot com. You can find us on

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00:35:45,160 --> 00:35:47,720
Speaker 1: Twitter at mom Stuff podcast, or on Instagram and TikTok

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00:35:47,760 --> 00:35:49,400
Speaker 1: at stuff We never told you. I also forget. We

698
00:35:49,480 --> 00:35:51,600
Speaker 1: have YouTube you want if you want to go over there,

699
00:35:51,600 --> 00:35:54,360
Speaker 1: you can. We have a tea public store, at a

700
00:35:54,400 --> 00:35:56,520
Speaker 1: book you can get wherever you get your books. Thanks,

701
00:35:56,560 --> 00:36:00,799
Speaker 1: as always too, our super executive producer a ma Ya

702
00:36:01,280 --> 00:36:07,319
Speaker 1: Yes in studio, our super producer Christina Yes Joey who

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00:36:07,400 --> 00:36:10,840
Speaker 1: hopefully will be here eventually into Yes Eventually in studio,

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00:36:10,960 --> 00:36:14,040
Speaker 1: our excellent contributor, And thanks to you for listening. Steffe

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00:36:14,120 --> 00:36:15,520
Speaker 1: never told you, a production of My Heart Radio. For

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00:36:15,560 --> 00:36:17,200
Speaker 1: more podcasts from My Heart Radio, you can check out

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Speaker 1: favorite shows,