1
00:00:00,040 --> 00:00:03,040
Speaker 1: Hey everyone, We're very excited to share the first episode

2
00:00:03,080 --> 00:00:06,280
Speaker 1: of season three of Hollywood Masterclass. We're going to be

3
00:00:06,360 --> 00:00:09,639
Speaker 1: releasing the rest of the season on our Patreon and

4
00:00:10,080 --> 00:00:12,600
Speaker 1: stitch a Premium. If you'd like to support us through

5
00:00:12,600 --> 00:00:15,319
Speaker 1: the Patreon, you can do that at Patreon dot com,

6
00:00:15,360 --> 00:00:18,320
Speaker 1: slash the Flagrant Ones and sign up for the Hollywood

7
00:00:18,320 --> 00:00:21,960
Speaker 1: Masterclass Tier or any of those bundle tiers, which we

8
00:00:22,120 --> 00:00:26,440
Speaker 1: highly recommend. Right now. We have six episodes a week

9
00:00:26,560 --> 00:00:30,760
Speaker 1: on those bundle tiers that includes the pro Version Hollywood

10
00:00:30,800 --> 00:00:36,080
Speaker 1: Masterclass Handbook with the ads edited into the episodes, Carl

11
00:00:36,120 --> 00:00:38,960
Speaker 1: Calls his cousin twice a week, and the Flagrant Ones.

12
00:00:39,440 --> 00:00:42,000
Speaker 1: You can also listen to the show on Stitcher Premium

13
00:00:42,159 --> 00:00:45,040
Speaker 1: for a free month of premium. Go to Stitcherpremium dot

14
00:00:45,080 --> 00:00:49,839
Speaker 1: com slash Masterclass, click start free trial, select the monthly

15
00:00:49,920 --> 00:00:54,600
Speaker 1: plan and enter Code Masterclass. That's Stitcherpremium dot com Slash

16
00:00:54,640 --> 00:00:58,960
Speaker 1: Masterclass promo Code Masterclass. Thank you so much for listening

17
00:00:59,160 --> 00:01:00,520
Speaker 1: and enjoy at the show.

18
00:01:02,880 --> 00:01:08,800
Speaker 2: Bang roger Man, Yes, good to see you, guys. Up,

19
00:01:08,880 --> 00:01:12,560
Speaker 2: good to see you, Good to see you. Yeah, he's here,

20
00:01:12,840 --> 00:01:16,320
Speaker 2: Brett told he come. Yeah. When do the rest of

21
00:01:16,360 --> 00:01:19,480
Speaker 2: the guys show up the uh yeah, the other guys

22
00:01:19,600 --> 00:01:25,440
Speaker 2: yeah yeah, any minute now, I think they'll they'll be here, right.

23
00:01:25,560 --> 00:01:28,880
Speaker 3: Brett, Yeah, yeah, I got a couple couple of great

24
00:01:28,920 --> 00:01:29,840
Speaker 3: guys coming.

25
00:01:29,600 --> 00:01:33,040
Speaker 2: Man the whole all right, cool crew, Yeah, ready, ready

26
00:01:33,080 --> 00:01:36,840
Speaker 2: to play little cards. I just downloaded Donk House. I

27
00:01:36,880 --> 00:01:40,240
Speaker 2: haven't used it before, but Donk House. Yeah. Such an

28
00:01:40,240 --> 00:01:42,039
Speaker 2: app Yeah, and you've got your account and you've got

29
00:01:42,040 --> 00:01:44,800
Speaker 2: your invite and everything, right, yeah, yeah, it all came through.

30
00:01:45,280 --> 00:01:47,039
Speaker 2: And do you see the room. The room is open

31
00:01:47,120 --> 00:01:51,400
Speaker 2: now for you to Yeah. Yeah, I'm ready. Man, Who

32
00:01:51,440 --> 00:01:53,400
Speaker 2: do I do I have to like? Venmo or? Is

33
00:01:53,400 --> 00:01:55,320
Speaker 2: that at the end of the night. We will deal Yeah,

34
00:01:55,440 --> 00:01:57,040
Speaker 2: we'll deal with that at the end of the night.

35
00:01:57,600 --> 00:02:00,760
Speaker 2: I'm just so thrilled. You know that you're that you're

36
00:02:00,760 --> 00:02:05,240
Speaker 2: in here yet. Wait, this is fun. Yeah yeah so

37
00:02:05,680 --> 00:02:08,520
Speaker 2: uh man, poker night with the boys and then this

38
00:02:08,560 --> 00:02:11,800
Speaker 2: is the you know, I was starting to think you

39
00:02:11,840 --> 00:02:13,680
Speaker 2: weren't gonna make it to the Zoom Yeah I was.

40
00:02:13,760 --> 00:02:17,240
Speaker 2: I was. I appreciate the invite. I was surprised. I

41
00:02:17,280 --> 00:02:19,760
Speaker 2: was curious, who's gonna be here because you bc ced

42
00:02:19,800 --> 00:02:21,000
Speaker 2: the the invite list.

43
00:02:21,639 --> 00:02:24,280
Speaker 3: But yeah, well there's famous people on that list.

44
00:02:24,720 --> 00:02:27,200
Speaker 2: Yeah, that's the thing is some heavy hitters, you know,

45
00:02:27,240 --> 00:02:30,640
Speaker 2: some of Brett's fret. Brett is in some pretty wild circles,

46
00:02:30,720 --> 00:02:33,400
Speaker 2: you know, some A listers. So cool, man, I'm excited

47
00:02:33,400 --> 00:02:35,320
Speaker 2: to see who's gonna show up. He can't just give

48
00:02:35,360 --> 00:02:38,960
Speaker 2: you their email, begs like, I want the emails, give

49
00:02:39,000 --> 00:02:42,959
Speaker 2: me the emails I have. You know, I'm gonna see

50
00:02:42,960 --> 00:02:47,680
Speaker 2: if John Hamm will be in my my short, yeah,

51
00:02:47,720 --> 00:02:49,040
Speaker 2: my son Dade's short.

52
00:02:49,480 --> 00:02:51,560
Speaker 4: I mean no, I wouldn't. I'm not that kind of

53
00:02:51,600 --> 00:02:53,120
Speaker 4: person who would email other people.

54
00:02:53,160 --> 00:02:58,880
Speaker 2: I'm fucking teasing bag with you, dude, all right, Yeah

55
00:02:58,960 --> 00:03:03,040
Speaker 2: it's a joke and no, seriously, I'm happier here and

56
00:03:03,080 --> 00:03:07,040
Speaker 2: I'm happy to uh, you know, start the card game

57
00:03:07,280 --> 00:03:12,000
Speaker 2: so you know the other the other people might not

58
00:03:12,080 --> 00:03:14,359
Speaker 2: be in the zoom yet, but we can just uh

59
00:03:15,000 --> 00:03:17,360
Speaker 2: shuffle up and deal. You just want to get started,

60
00:03:17,400 --> 00:03:21,280
Speaker 2: the three of us, just uh just maybe warm up,

61
00:03:21,760 --> 00:03:25,720
Speaker 2: just go What's up with your tone? Right now? It's

62
00:03:25,760 --> 00:03:29,040
Speaker 2: like real, like is there a joke or something? Who me?

63
00:03:30,639 --> 00:03:35,040
Speaker 4: Yeah, yeah, you sound like a little kid with a secret.

64
00:03:35,360 --> 00:03:37,160
Speaker 4: Is it is he talking to me?

65
00:03:37,480 --> 00:03:41,960
Speaker 2: Brett? I think he is. Yeah, he's talking to me.

66
00:03:42,200 --> 00:03:44,960
Speaker 3: Have you done this zoom thing before? Sometimes?

67
00:03:45,000 --> 00:03:47,400
Speaker 2: Like for I have done zoom. Yeah.

68
00:03:47,520 --> 00:03:49,760
Speaker 4: I mean we've been in a pandemic for over a year.

69
00:03:49,800 --> 00:03:51,760
Speaker 4: I have done we have.

70
00:03:51,960 --> 00:03:56,480
Speaker 2: Yeah, it's really really hurt our relationship on the three

71
00:03:56,480 --> 00:04:01,760
Speaker 2: of us haven't been I haven't been together. Yeah. Turned

72
00:04:01,800 --> 00:04:03,800
Speaker 2: out this is the only way to get us together, huh,

73
00:04:03,840 --> 00:04:09,960
Speaker 2: was to get get the old poker game going. Well.

74
00:04:10,040 --> 00:04:12,360
Speaker 4: Yeah, I mean I've been super busy, and I mean

75
00:04:12,640 --> 00:04:15,000
Speaker 4: I'm glad we're able to just finally catch up.

76
00:04:15,280 --> 00:04:16,640
Speaker 2: He's the only one that's busy, Britt.

77
00:04:16,839 --> 00:04:18,000
Speaker 3: Yeah, like, I'm not busy.

78
00:04:18,640 --> 00:04:21,960
Speaker 2: I didn't mean it like that. Bangs busier than we are.

79
00:04:22,000 --> 00:04:24,800
Speaker 3: I mean I had to cancel a ton of parties

80
00:04:25,120 --> 00:04:26,680
Speaker 3: to come to this poker because I thought it was

81
00:04:26,720 --> 00:04:27,200
Speaker 3: worth it.

82
00:04:27,240 --> 00:04:31,120
Speaker 2: But well, i'll tell you what you were throwing.

83
00:04:31,279 --> 00:04:35,200
Speaker 4: You were throwing parties that you were throwing multiple parties,

84
00:04:35,240 --> 00:04:36,760
Speaker 4: and you canceled those parties.

85
00:04:37,240 --> 00:04:42,520
Speaker 3: I canceled a bunch. Yeah, I mean there's an eleven thirty.

86
00:04:42,800 --> 00:04:46,520
Speaker 3: Then I got it like a three pm start up

87
00:04:46,560 --> 00:04:48,720
Speaker 3: the grill around five, you know.

88
00:04:48,880 --> 00:04:52,240
Speaker 2: Yeah, it's two parties, no grill first, two parties, no

89
00:04:52,360 --> 00:04:55,880
Speaker 2: grill activated grill is for the five o'clock party only.

90
00:04:56,520 --> 00:04:58,600
Speaker 2: So you come to the eleven thirty party and you go, well,

91
00:04:58,600 --> 00:05:01,479
Speaker 2: I'm gonna look for a Berg. No, you're the wrong one.

92
00:05:01,600 --> 00:05:03,520
Speaker 2: Come back at five, because he will kick up the

93
00:05:03,520 --> 00:05:05,640
Speaker 2: grill at five. And I've learned that about Brett's parties.

94
00:05:05,839 --> 00:05:09,160
Speaker 2: I eat before if I'm going, Yeah, I mean, I'm

95
00:05:09,200 --> 00:05:11,680
Speaker 2: excited to play poker, but like, I do have a

96
00:05:11,720 --> 00:05:15,640
Speaker 2: lot of questions about the parties, and like, if you're

97
00:05:15,680 --> 00:05:17,800
Speaker 2: only invited to one of the earlier parties, do you

98
00:05:17,839 --> 00:05:20,680
Speaker 2: have to leave before the next party starts up?

99
00:05:21,720 --> 00:05:23,359
Speaker 3: It would be a little awkward if you didn't.

100
00:05:24,320 --> 00:05:26,680
Speaker 2: You know, That's it. I mean, it depends on the

101
00:05:26,720 --> 00:05:29,799
Speaker 2: ins that's overstaying. You're welcome, Bang, Yeah, there's a limit.

102
00:05:29,839 --> 00:05:31,680
Speaker 3: And if you again, you want to know the guest

103
00:05:31,760 --> 00:05:35,000
Speaker 3: list so bad, And I totally get that, you're like

104
00:05:35,200 --> 00:05:38,640
Speaker 3: dying to know. I brought who my friends are coming?

105
00:05:38,760 --> 00:05:41,160
Speaker 2: Exactly who? And then he's like, and can I get

106
00:05:41,440 --> 00:05:44,240
Speaker 2: should we text with each other? This is Bang talking.

107
00:05:43,920 --> 00:05:46,080
Speaker 3: To Hank's coming.

108
00:05:46,440 --> 00:05:47,000
Speaker 2: Yeah.

109
00:05:47,040 --> 00:05:49,400
Speaker 4: I mean if these are really high profile people, you

110
00:05:49,440 --> 00:05:52,400
Speaker 4: would think like they would they would be very offended

111
00:05:52,440 --> 00:05:53,840
Speaker 4: if you were, like you have to get out of here.

112
00:05:53,920 --> 00:05:55,120
Speaker 2: I have new guests coming.

113
00:05:55,960 --> 00:05:59,320
Speaker 3: Oh. I mean it's kind of a known thing around town.

114
00:06:00,080 --> 00:06:03,120
Speaker 3: It's like a double header, a triple header in this case.

115
00:06:03,040 --> 00:06:06,440
Speaker 2: This is bang at the three o'clock party. Hey, Danny DeVito,

116
00:06:06,520 --> 00:06:13,280
Speaker 2: will you leave my outgoing voicemail? So your friends are

117
00:06:13,360 --> 00:06:20,200
Speaker 2: Danny DeVito, Colin Hanks, and and uh I can't even

118
00:06:20,200 --> 00:06:22,240
Speaker 2: remember who else? I mean, you can't remember. And it

119
00:06:22,240 --> 00:06:23,720
Speaker 2: was John hamm and you asked them to be in

120
00:06:23,760 --> 00:06:24,680
Speaker 2: your Sun Dance short.

121
00:06:24,680 --> 00:06:28,760
Speaker 4: It was John ham Yeah. I mean, these don't seem

122
00:06:28,920 --> 00:06:32,520
Speaker 4: like the biggest names out there, no offense to them,

123
00:06:32,640 --> 00:06:35,920
Speaker 4: but I won't be like starstruck seeing these guys.

124
00:06:36,120 --> 00:06:40,200
Speaker 2: Okay, more famous than you? Yeah, they're more fast. I

125
00:06:40,240 --> 00:06:43,440
Speaker 2: never said I was famous a lot more. No, but

126
00:06:43,480 --> 00:06:46,440
Speaker 2: you're somehow in a position to judge how famous they are.

127
00:06:46,600 --> 00:06:50,160
Speaker 2: You know, listen, should we just deal? I'm I think

128
00:06:50,200 --> 00:06:53,719
Speaker 2: maybe we should. Hey Brett, Yeah, shuffle up and deal.

129
00:06:54,279 --> 00:06:55,159
Speaker 3: Don't mind if I do.

130
00:06:57,120 --> 00:06:59,920
Speaker 2: And you hear that sound everyone, and that music means,

131
00:07:00,040 --> 00:07:06,000
Speaker 2: of course that it's time for yet another masterclass. Wait,

132
00:07:06,040 --> 00:07:09,960
Speaker 2: what do you doing? I'm Sean Clemmons, and this man

133
00:07:10,080 --> 00:07:30,160
Speaker 2: welcome to my mister, club. That felt clean. That was good. Okay,

134
00:07:29,920 --> 00:07:32,880
Speaker 2: So bang, what are we doing? I thought we were

135
00:07:32,880 --> 00:07:35,800
Speaker 2: just playing poker? What I thought we were just playing?

136
00:07:35,800 --> 00:07:37,560
Speaker 2: I thought you were done with this? I mean, Bang,

137
00:07:38,480 --> 00:07:41,560
Speaker 2: this is an intervention. This is an intervention. You are

138
00:07:41,800 --> 00:07:47,280
Speaker 2: atrophying creatively. We have been terrified watching you during this pandemic.

139
00:07:48,000 --> 00:07:52,200
Speaker 2: Your creative muscles have shriveled up into a little tiny

140
00:07:52,280 --> 00:07:56,400
Speaker 2: They look like little just old shoot up slim gems now.

141
00:07:57,160 --> 00:07:59,480
Speaker 2: And when you were working with us, when Brett and

142
00:07:59,560 --> 00:08:03,960
Speaker 2: I were molding you and massaging those creative muscles, really

143
00:08:04,000 --> 00:08:07,440
Speaker 2: digging in there and giving little electric jolts to them,

144
00:08:07,520 --> 00:08:10,360
Speaker 2: and you haven't you feel like we're fine? I mean

145
00:08:10,800 --> 00:08:14,440
Speaker 2: they were big bulbous. You what you sold? What? What'd

146
00:08:14,440 --> 00:08:19,320
Speaker 2: you sell? I sold three screenplays to Apple Plus? Oh please,

147
00:08:20,120 --> 00:08:24,480
Speaker 2: Apple Minus? Oh well, Apple Minus. I mean, I just

148
00:08:24,480 --> 00:08:26,240
Speaker 2: feel like I've been paying. Let me go through all

149
00:08:26,240 --> 00:08:28,800
Speaker 2: the shows that people watch on Apple Plus. Let me

150
00:08:28,840 --> 00:08:31,000
Speaker 2: look at all the screenplays that have been successful on there.

151
00:08:31,160 --> 00:08:34,720
Speaker 2: Banng God, I'm looking, I'm looking. Oh yeah, Jason Momoa

152
00:08:34,960 --> 00:08:39,439
Speaker 2: goes his eyes fell out, fuck off TV show?

153
00:08:40,120 --> 00:08:42,000
Speaker 3: Fuck? Is that your idea?

154
00:08:43,000 --> 00:08:43,080
Speaker 2: No?

155
00:08:43,200 --> 00:08:47,160
Speaker 4: It wasn't that that wasn't my idea. I haven't watched it,

156
00:08:47,240 --> 00:08:47,640
Speaker 4: but it was.

157
00:08:47,679 --> 00:08:49,880
Speaker 2: It was. It wasn't a movie. I mean, I don't know.

158
00:08:49,920 --> 00:08:53,640
Speaker 2: I think people liked the Greyhound on the Rocks. Let's see.

159
00:08:53,679 --> 00:08:56,280
Speaker 2: Oh yeah, this looks pretty good. Actually, what is this?

160
00:08:58,440 --> 00:09:02,440
Speaker 2: Bil Murray? Yeah, I haven't seen. Are you just scanning

161
00:09:02,520 --> 00:09:05,120
Speaker 2: what's on Apple Plus right now? Yeah? Well you force

162
00:09:05,200 --> 00:09:07,520
Speaker 2: my hand here, bang, because you're the one who's bringing

163
00:09:07,559 --> 00:09:10,280
Speaker 2: it up like it's some big hotshot deal. I've literally

164
00:09:10,360 --> 00:09:13,840
Speaker 2: never heard of it before this listen. So yeah, you

165
00:09:13,880 --> 00:09:17,720
Speaker 2: sold three screenplays to him, big whoop. The fact is, bang,

166
00:09:18,960 --> 00:09:22,440
Speaker 2: we went scared. We had to trick you to get

167
00:09:22,480 --> 00:09:25,440
Speaker 2: in here, and we take your creativity more seriously than

168
00:09:25,480 --> 00:09:27,920
Speaker 2: you do. Apparently I got out of line for the

169
00:09:28,000 --> 00:09:31,679
Speaker 2: vaccine to come to this. WHOA, Why did you do that?

170
00:09:31,840 --> 00:09:34,800
Speaker 2: I was next in line for the vaccine. I had

171
00:09:34,840 --> 00:09:40,240
Speaker 2: been there for hours hours. You should have definitely stayed.

172
00:09:40,320 --> 00:09:41,640
Speaker 2: I slept there overnight.

173
00:09:41,920 --> 00:09:43,959
Speaker 3: How did you qualify shock.

174
00:09:45,360 --> 00:09:49,040
Speaker 2: Some bullshit, some fucking the medical thing. Well he is,

175
00:09:49,480 --> 00:09:55,920
Speaker 2: he seems very susceptical. Susceptible to susceptical. You know what,

176
00:09:56,040 --> 00:09:58,560
Speaker 2: just get the vaccine. Why don't we call it today. Yes,

177
00:09:58,640 --> 00:10:01,040
Speaker 2: I misspokes. Oh yeah, I'll just go. I'll just walk

178
00:10:01,120 --> 00:10:02,520
Speaker 2: right back up to the front of the line. They'll

179
00:10:02,520 --> 00:10:06,440
Speaker 2: love that. I don't even have the scrubs I stole anymore. Wait,

180
00:10:06,480 --> 00:10:09,040
Speaker 2: were you pretending to be a medical professional. Oh my god,

181
00:10:09,080 --> 00:10:13,160
Speaker 2: I'm pretending, pretending, pretending. I'm an actor. I'm a performer.

182
00:10:13,280 --> 00:10:16,640
Speaker 2: I'm an artist. So you're acting. The line between what's

183
00:10:16,679 --> 00:10:20,320
Speaker 2: imaginary and real doesn't exist for me. I am an artist.

184
00:10:20,360 --> 00:10:27,440
Speaker 2: I was doing art as a fake orderly for Kaiser Permanene. Okay,

185
00:10:27,480 --> 00:10:31,960
Speaker 2: so yeah, okay, I mean your Twitter bio says, I play,

186
00:10:32,040 --> 00:10:35,640
Speaker 2: pretend I do, and it is play for me, and

187
00:10:35,720 --> 00:10:41,480
Speaker 2: it is work. And when you play for work, you'll

188
00:10:41,520 --> 00:10:43,760
Speaker 2: never you'll work. You're you are.

189
00:10:44,160 --> 00:10:49,200
Speaker 4: That's it's not that's not an aphorism of any kind.

190
00:10:49,760 --> 00:10:53,839
Speaker 2: Yeah, not yet, because it keeps getting interrupted. Oh wait,

191
00:10:53,960 --> 00:11:01,640
Speaker 2: go ahead, yeah, so so went Now, So when your

192
00:11:01,920 --> 00:11:09,320
Speaker 2: when your work is your play your pa that's that's

193
00:11:09,360 --> 00:11:17,240
Speaker 2: playing for keeps. That's playing for keeps. But you know,

194
00:11:17,400 --> 00:11:21,160
Speaker 2: you know what, it's it's not my master class. It

195
00:11:21,160 --> 00:11:22,959
Speaker 2: it is my master class. It's not your mass, it's

196
00:11:23,679 --> 00:11:26,760
Speaker 2: you're you're taking the class. And by the way. You're

197
00:11:26,800 --> 00:11:29,360
Speaker 2: on the hook now, pal, because you promised at the

198
00:11:29,440 --> 00:11:31,760
Speaker 2: end of the last one that and I told you

199
00:11:31,760 --> 00:11:35,040
Speaker 2: you would, that you would come crawling back that after

200
00:11:35,640 --> 00:11:38,280
Speaker 2: uh if the last one, which was free, but if

201
00:11:38,280 --> 00:11:39,880
Speaker 2: you take the next one, got to pay for both

202
00:11:39,880 --> 00:11:42,000
Speaker 2: of them, right, And I paid you. I thought that,

203
00:11:42,080 --> 00:11:44,599
Speaker 2: I thought you did. Yes, we settled that. I I

204
00:11:45,160 --> 00:11:47,160
Speaker 2: paid you more than what you were charging for the

205
00:11:47,200 --> 00:11:49,720
Speaker 2: class because I thought you could use You got so

206
00:11:49,800 --> 00:11:53,040
Speaker 2: much out of it. Sure, and I did use it.

207
00:11:53,080 --> 00:11:55,280
Speaker 2: I used it for a lot of the equipment and

208
00:11:55,360 --> 00:11:57,000
Speaker 2: things that we're going to be using for this class.

209
00:11:57,040 --> 00:12:01,079
Speaker 2: And I'm actually really excited to see you throw Because

210
00:12:02,080 --> 00:12:06,800
Speaker 2: we tried acting total bus. You fucked up, you sucked.

211
00:12:07,559 --> 00:12:11,240
Speaker 2: We tried writing right a little better. He had a

212
00:12:11,360 --> 00:12:15,400
Speaker 2: sort of a jud complex. But other than that, I

213
00:12:15,400 --> 00:12:18,120
Speaker 2: think we made some progress. But ultimately, like now, we're

214
00:12:18,320 --> 00:12:21,640
Speaker 2: hanging out in the gutter selling screenplays to Apple Plus.

215
00:12:22,400 --> 00:12:26,560
Speaker 2: And what I realized is it's time to change course.

216
00:12:27,280 --> 00:12:31,360
Speaker 2: What do you mean, I mean music, That's what I

217
00:12:31,440 --> 00:12:37,720
Speaker 2: mean music. Music.

218
00:12:37,880 --> 00:12:42,000
Speaker 4: I mean, why why would we do that? I'm either

219
00:12:42,040 --> 00:12:46,559
Speaker 4: one of us has any real musical skill.

220
00:12:46,840 --> 00:12:50,360
Speaker 2: Exactly, And that's why I think in the past. Part

221
00:12:50,400 --> 00:12:54,800
Speaker 2: of what weighed us down, right was all these bad

222
00:12:54,920 --> 00:12:57,720
Speaker 2: habits you developed, and all these ways in which you

223
00:12:57,880 --> 00:13:00,840
Speaker 2: thought you had experience with acting and you thought you

224
00:13:00,960 --> 00:13:07,439
Speaker 2: knew what it meant to write. And I ultimately am

225
00:13:07,480 --> 00:13:11,040
Speaker 2: admitting and was my failure as a teacher. I couldn't

226
00:13:11,080 --> 00:13:15,880
Speaker 2: break those habits. You were chained up and calcified and

227
00:13:16,320 --> 00:13:20,400
Speaker 2: in this shell of just dumb shit you were like

228
00:13:20,840 --> 00:13:26,760
Speaker 2: doing that sucked. And I thought, oh, well, I'm strong enough,

229
00:13:26,800 --> 00:13:29,240
Speaker 2: I'm brave enough, I'm going to get my you know,

230
00:13:29,720 --> 00:13:32,840
Speaker 2: teaching sword, and I'm going to slay the dragons of

231
00:13:32,880 --> 00:13:36,520
Speaker 2: all bangs, bad habits. And ultimately I wasn't able to

232
00:13:36,559 --> 00:13:39,280
Speaker 2: do that. And I'm and I'm embarrassed to admit that.

233
00:13:39,360 --> 00:13:43,000
Speaker 2: But there I said it. You were too shitty, You sucked,

234
00:13:43,040 --> 00:13:46,760
Speaker 2: and I couldn't fix it. But now to start with

235
00:13:46,800 --> 00:13:50,160
Speaker 2: a clean slate where not only do you not have

236
00:13:50,200 --> 00:13:53,240
Speaker 2: any bad habits when it relates to music, I don't

237
00:13:54,040 --> 00:13:56,800
Speaker 2: have any knowledge or experience at all. Right, That's why

238
00:13:56,880 --> 00:13:59,480
Speaker 2: I'm thinking this is a bad idea. I mean, even

239
00:13:59,600 --> 00:14:04,240
Speaker 2: just most teachers don't tell their students that they're shitty

240
00:14:04,280 --> 00:14:10,360
Speaker 2: and they suck, period At acting and writing. And this

241
00:14:10,400 --> 00:14:11,719
Speaker 2: is after the fact. I didn't tell you that during

242
00:14:11,720 --> 00:14:13,320
Speaker 2: the class when I still had hope for you. But

243
00:14:13,400 --> 00:14:16,280
Speaker 2: let's face it, man, I mean, what was the screenplay

244
00:14:16,320 --> 00:14:20,800
Speaker 2: you sold to Apple? Plus it was actually based on

245
00:14:20,840 --> 00:14:22,840
Speaker 2: some of the stuff we talked about in the class

246
00:14:22,920 --> 00:14:27,760
Speaker 2: that that you weren't crazy about. Oh my god, and

247
00:14:27,760 --> 00:14:30,640
Speaker 2: they bought that, they did. Yeah, I sold it in

248
00:14:30,720 --> 00:14:33,680
Speaker 2: the room. How much? I mean, I don't want to

249
00:14:33,680 --> 00:14:37,640
Speaker 2: get into money, n me, neither me neither more more

250
00:14:37,720 --> 00:14:42,240
Speaker 2: like six figures yeah, yeah, okay, And the decimal point

251
00:14:42,280 --> 00:14:48,440
Speaker 2: is the decimal point is after after the change, Yeah,

252
00:14:48,560 --> 00:14:54,640
Speaker 2: after the sets? Yeah, docpal points after the sets or before.

253
00:14:55,440 --> 00:14:57,680
Speaker 2: I don't know, I don't know. I'm just saying six figures.

254
00:14:57,720 --> 00:15:03,440
Speaker 2: So like, if I have like two thousand dollars two

255
00:15:03,680 --> 00:15:08,600
Speaker 2: zero zero zero decimal point, does that count as a figure?

256
00:15:08,640 --> 00:15:10,680
Speaker 2: Not really, but that's four. And then if it was

257
00:15:10,720 --> 00:15:14,480
Speaker 2: like twenty five cents, that's six figures. I mean that's yeah.

258
00:15:14,520 --> 00:15:18,120
Speaker 4: They usually they don't count the sense as part of

259
00:15:18,120 --> 00:15:21,040
Speaker 4: the which is which is why I asked, right, and

260
00:15:21,160 --> 00:15:23,320
Speaker 4: you you know your your answer was clear. Is I

261
00:15:23,360 --> 00:15:25,600
Speaker 4: was so confused. I was so confused by the question

262
00:15:25,840 --> 00:15:27,240
Speaker 4: I couldn't give you a great answer.

263
00:15:27,040 --> 00:15:29,880
Speaker 2: He was. He was confused, Brett, should this be a

264
00:15:29,920 --> 00:15:35,360
Speaker 2: math class? Yeah, welcome to my math to class. I

265
00:15:35,360 --> 00:15:37,640
Speaker 2: mean it would even make sense if Brett was Brett

266
00:15:37,680 --> 00:15:40,840
Speaker 2: has a music background at the very least, thank you,

267
00:15:40,960 --> 00:15:44,200
Speaker 2: and we're going to try not to let that hinder us. Obviously,

268
00:15:44,320 --> 00:15:47,720
Speaker 2: there will be some moments where, yes, Brett can use

269
00:15:47,760 --> 00:15:50,640
Speaker 2: some of the old style. But I think what's so

270
00:15:51,200 --> 00:15:55,920
Speaker 2: beautiful and exciting about this is you're right, Bank, You're

271
00:15:56,000 --> 00:16:01,120
Speaker 2: right for once, you're right. I have literally no formal training,

272
00:16:02,560 --> 00:16:09,040
Speaker 2: and it's a challenge, but it's also an opportunity because no,

273
00:16:09,840 --> 00:16:16,480
Speaker 2: I'm not a musician, but I'm quite musical. I'm naturally musical,

274
00:16:17,000 --> 00:16:22,520
Speaker 2: and that I think gives us an enormous advantage because,

275
00:16:23,160 --> 00:16:28,040
Speaker 2: just based on instinct and my internal musicality, I'm going

276
00:16:28,040 --> 00:16:33,200
Speaker 2: to be able to draw out of you the artist,

277
00:16:33,440 --> 00:16:37,560
Speaker 2: the musical artist that lives inside you. Listen, your zoom

278
00:16:37,600 --> 00:16:38,560
Speaker 2: is filled with.

279
00:16:40,600 --> 00:16:47,040
Speaker 4: What looks like food from TGI Fridays, and I'm getting

280
00:16:47,080 --> 00:16:50,880
Speaker 4: me looks like or Is or Is Yeah, I mean

281
00:16:50,920 --> 00:16:56,520
Speaker 4: it's rappers and novelty bottles and stuff. It's making me.

282
00:16:56,560 --> 00:17:00,280
Speaker 2: Worried about how you're going about your days, and you're

283
00:17:00,280 --> 00:17:02,760
Speaker 2: putting yourself in some at risk because it's not Friday.

284
00:17:03,720 --> 00:17:07,280
Speaker 4: No, it's more you're going to crowded restaurants and stuff.

285
00:17:07,640 --> 00:17:10,360
Speaker 2: Oh well, you want to wait in a vaccine long

286
00:17:10,720 --> 00:17:12,480
Speaker 2: line as long as I did. You're gonna watch some

287
00:17:12,560 --> 00:17:17,320
Speaker 2: snacks with you. Actually, because I mean, and believe me,

288
00:17:17,480 --> 00:17:21,719
Speaker 2: people are some of these assholes, these mask psychos, who

289
00:17:21,760 --> 00:17:24,640
Speaker 2: are like, don't take off your mask to eat potato

290
00:17:24,680 --> 00:17:28,080
Speaker 2: skins around me, And I'm like, first of all, it's

291
00:17:28,080 --> 00:17:32,919
Speaker 2: a loaded potato skin. So the idea, yes, if it

292
00:17:33,000 --> 00:17:35,679
Speaker 2: had no toppings on it, maybe I could slide it

293
00:17:35,680 --> 00:17:41,200
Speaker 2: in under my mask. But the way this thing is constructed,

294
00:17:42,240 --> 00:17:45,000
Speaker 2: I'm gonna be getting sour cream, chives, bacon, and cheddar

295
00:17:45,080 --> 00:17:46,879
Speaker 2: cheese all up on the bottom of my mask. No,

296
00:17:47,040 --> 00:17:49,639
Speaker 2: thank you. I'm doing the polate thing. I'm doing the

297
00:17:49,680 --> 00:17:54,040
Speaker 2: respectful thing. And by the way, I must have been it.

298
00:17:54,640 --> 00:17:57,880
Speaker 2: I must have been practically six feet away from this guy.

299
00:17:58,160 --> 00:18:01,080
Speaker 2: I mean not literally, but you know, yeah, you're supposed

300
00:18:01,080 --> 00:18:06,720
Speaker 2: to be literally six feet and he's getting a vaccine maybe.

301
00:18:06,960 --> 00:18:09,720
Speaker 2: I mean, Plus, I think I don't think he was

302
00:18:11,119 --> 00:18:15,480
Speaker 2: factoring in you sliding the potato skin under your mask.

303
00:18:15,640 --> 00:18:17,800
Speaker 2: I think he was saying, like, you shouldn't be eating

304
00:18:17,840 --> 00:18:20,720
Speaker 2: here at all, be a loaded potato skin or not,

305
00:18:20,960 --> 00:18:23,680
Speaker 2: or just a plain potato skin. Bang. I was there

306
00:18:23,760 --> 00:18:30,280
Speaker 2: for two hours almost. That's not that's not that long, Okay, Yeah,

307
00:18:30,400 --> 00:18:32,840
Speaker 2: I'd love to see you not eat for two hours.

308
00:18:33,240 --> 00:18:36,560
Speaker 2: You'd be crying for your mommy, pounding on the ground,

309
00:18:36,600 --> 00:18:38,000
Speaker 2: throwing a little hissy fit.

310
00:18:38,160 --> 00:18:41,560
Speaker 4: I don't eat for two hours every single day probably

311
00:18:41,600 --> 00:18:42,240
Speaker 4: of my life.

312
00:18:42,520 --> 00:18:46,240
Speaker 2: Oh my god, this guy's showing off. I love when

313
00:18:46,280 --> 00:18:51,400
Speaker 2: you have to like you're so embarrassed that I'm naturally

314
00:18:51,480 --> 00:18:56,080
Speaker 2: musical and have proven it and you're not naturally musical

315
00:18:56,520 --> 00:18:58,480
Speaker 2: that now you have to like change the subject and

316
00:18:58,480 --> 00:19:01,120
Speaker 2: make it about like I cannot eat longer than anyone,

317
00:19:01,440 --> 00:19:03,760
Speaker 2: when if you went two hours without eating, you'd be

318
00:19:03,840 --> 00:19:06,000
Speaker 2: pounding on the ground, calling for your mommy, like the

319
00:19:06,080 --> 00:19:08,640
Speaker 2: kid whose truck I took at the playground last week.

320
00:19:09,000 --> 00:19:13,040
Speaker 4: I also, I'm going to bring it up now while

321
00:19:13,040 --> 00:19:17,600
Speaker 4: we're talking about mask. Your mask disturbs me. It's of

322
00:19:17,640 --> 00:19:23,800
Speaker 4: my face, so it's, yes, like a mirror, the sincerest

323
00:19:23,880 --> 00:19:25,160
Speaker 4: form of flattery.

324
00:19:25,240 --> 00:19:29,760
Speaker 2: It's tribute. Yeah, but don't you think it. You're going around,

325
00:19:29,920 --> 00:19:34,080
Speaker 2: you're doing you're doing kind of reckless behavior with my

326
00:19:34,280 --> 00:19:37,200
Speaker 2: face on. But the face you're making on the mask

327
00:19:37,320 --> 00:19:39,480
Speaker 2: is not the face that you're making in the zoom

328
00:19:39,560 --> 00:19:42,879
Speaker 2: right now. No, it's like it's it's kind of like

329
00:19:42,960 --> 00:19:50,000
Speaker 2: a cocky Yeah, it's contorted into something of a rakish smirk. Yeah. Yeah,

330
00:19:50,119 --> 00:19:54,159
Speaker 2: it adds to one eyebrow cocked and just like the

331
00:19:54,320 --> 00:19:58,720
Speaker 2: little little dimple in the one cheek. And yeah, it's

332
00:19:58,720 --> 00:20:01,560
Speaker 2: not a face I make normal, No, I had it

333
00:20:01,600 --> 00:20:03,040
Speaker 2: designed well.

334
00:20:02,840 --> 00:20:05,120
Speaker 3: Listen, wouldn't hurt you to smile more?

335
00:20:05,920 --> 00:20:10,080
Speaker 2: The famous masked prankster of the vaccine line. But you

336
00:20:10,320 --> 00:20:13,800
Speaker 2: if I take this class, would you just wait longer

337
00:20:13,840 --> 00:20:18,119
Speaker 2: in the line, get vaccinated and maybe stop going to

338
00:20:18,960 --> 00:20:22,719
Speaker 2: Now he wants to negotiate. I'm talking to Bang the lawyer.

339
00:20:22,880 --> 00:20:26,800
Speaker 2: I guess maybe I'll take your law master class after

340
00:20:26,840 --> 00:20:27,520
Speaker 2: you take the music.

341
00:20:27,760 --> 00:20:28,919
Speaker 3: He's in the bargaining phase.

342
00:20:29,880 --> 00:20:31,760
Speaker 2: Yes, First he was in denial. Thought it was a

343
00:20:31,760 --> 00:20:35,120
Speaker 2: poker game. Yeah, then it was anger wanted to be

344
00:20:35,320 --> 00:20:39,359
Speaker 2: naturally musical like me. But he's not. Now we're in bargaining.

345
00:20:40,240 --> 00:20:44,280
Speaker 2: Soon comes depression, which is actually probably where he should be.

346
00:20:44,720 --> 00:20:47,959
Speaker 4: I did think it was a poker game and I

347
00:20:48,080 --> 00:20:49,160
Speaker 4: was angry.

348
00:20:49,320 --> 00:21:00,920
Speaker 2: Yeah, let's talk about what it means to be musical. Brett, God,

349
00:21:01,320 --> 00:21:07,200
Speaker 2: tell a little story, not too funny, but just don't

350
00:21:07,200 --> 00:21:09,000
Speaker 2: make it too funny. You But Brett, just tell a

351
00:21:09,040 --> 00:21:11,000
Speaker 2: little story so we can just we can hear the

352
00:21:11,080 --> 00:21:15,400
Speaker 2: rhythm of how you speak. Brett, who buy Bang's own admission.

353
00:21:16,440 --> 00:21:21,520
Speaker 2: It's somewhat musical. Yeah, yeah, he's he's a musician. He

354
00:21:21,560 --> 00:21:21,959
Speaker 2: should be.

355
00:21:22,040 --> 00:21:24,280
Speaker 4: He should be teaching this to both of us.

356
00:21:24,520 --> 00:21:28,399
Speaker 2: Brett, Just tell a quick story and not too funny.

357
00:21:28,480 --> 00:21:31,040
Speaker 2: That's not what we're doing. But just a little story.

358
00:21:31,080 --> 00:21:33,639
Speaker 2: Something from your day, whatever you want.

359
00:21:33,720 --> 00:21:39,119
Speaker 3: Okay, something from my day. So I took out my

360
00:21:39,200 --> 00:21:42,560
Speaker 3: phone iPhone, Max, go.

361
00:21:42,720 --> 00:21:48,880
Speaker 2: To the Okay, what did I say? Go ahead? You're

362
00:21:49,480 --> 00:21:52,119
Speaker 2: you're unnoticed, counselor you're on the you can't help? Is

363
00:21:52,160 --> 00:21:55,560
Speaker 2: there an inside joke here? I vote Max? So it's

364
00:21:55,640 --> 00:21:58,240
Speaker 2: like it's funny.

365
00:21:58,520 --> 00:22:02,600
Speaker 3: I mean you said Apple play before, yes, iPhone mask right.

366
00:22:03,119 --> 00:22:06,879
Speaker 2: Then he's sort of huh, all right, so you know

367
00:22:07,000 --> 00:22:11,200
Speaker 2: pardying you you know satirical. They're both what the products

368
00:22:11,200 --> 00:22:13,120
Speaker 2: are called brand.

369
00:22:13,680 --> 00:22:18,640
Speaker 3: Swipe through go to a little door dash decide, Hey,

370
00:22:18,640 --> 00:22:19,960
Speaker 3: I want a sandwich.

371
00:22:21,680 --> 00:22:28,280
Speaker 2: So Brett, it's so perfect this was today, Yes, no, no,

372
00:22:29,200 --> 00:22:29,800
Speaker 2: quite clear?

373
00:22:30,000 --> 00:22:37,360
Speaker 3: Yeah, I look I type in sandwich and oh dozens

374
00:22:37,400 --> 00:22:38,119
Speaker 3: of options.

375
00:22:39,760 --> 00:22:43,800
Speaker 2: No, okay, yeah, I know where going? But yeah, I

376
00:22:43,880 --> 00:22:47,720
Speaker 2: don't know where this is going. It just sounds like

377
00:22:47,800 --> 00:22:50,720
Speaker 2: you're just no. And Brett's cheating a little. I did

378
00:22:50,760 --> 00:22:53,560
Speaker 2: tell him, hey, you know it's not it's not supposed

379
00:22:53,600 --> 00:22:56,080
Speaker 2: to be funny. But isn't this a story about music

380
00:22:56,240 --> 00:23:01,240
Speaker 2: or No, it's listen, a story about being musical, which

381
00:23:01,280 --> 00:23:05,560
Speaker 2: is Brett starts talking and I can basically fucking dance

382
00:23:05,680 --> 00:23:09,359
Speaker 2: to it. Man, I mean to put it in your parlance. Bang,

383
00:23:09,400 --> 00:23:15,000
Speaker 2: it's it's got that rhythm. Jack, Come on, Jack, you

384
00:23:15,080 --> 00:23:18,199
Speaker 2: can dance to this stuff. Brett starts talking and I

385
00:23:18,280 --> 00:23:21,080
Speaker 2: hear the melody. It's so fluid. I mean, you start

386
00:23:21,119 --> 00:23:25,560
Speaker 2: talking it oh the good boo, big good Bread starts

387
00:23:25,600 --> 00:23:28,680
Speaker 2: talking and it's ooh skip it, Bob Sabbit is how

388
00:23:29,200 --> 00:23:33,120
Speaker 2: you feel that it's skipping a zabit a season boo.

389
00:23:33,560 --> 00:23:36,679
Speaker 2: You feel that rhythm? Jack, you talk, it's fud blop

390
00:23:36,920 --> 00:23:40,600
Speaker 2: blop sounds like fucking shit, sounds like a fucking giant

391
00:23:40,680 --> 00:23:41,520
Speaker 2: taking ship.

392
00:23:41,720 --> 00:23:44,760
Speaker 3: It sounds like a toddler banging on a piano.

393
00:23:45,200 --> 00:23:47,880
Speaker 2: Sounds like the damn goddamn kid, I stole the truck

394
00:23:47,920 --> 00:23:48,959
Speaker 2: from the playground.

395
00:23:49,720 --> 00:23:54,680
Speaker 4: Just because you realize you're you're you're translating in my

396
00:23:54,840 --> 00:23:58,480
Speaker 4: voice in two different ways. You think I talk like

397
00:23:58,720 --> 00:24:01,320
Speaker 4: I feel that rhythm, Jack, but then I also talk

398
00:24:01,440 --> 00:24:02,520
Speaker 4: with bloom blasts.

399
00:24:02,600 --> 00:24:04,320
Speaker 2: This is the vocabulary you use.

400
00:24:05,800 --> 00:24:10,240
Speaker 4: Okay, sure, is this an actual story or is this

401
00:24:10,480 --> 00:24:12,040
Speaker 4: just something that happened in your day.

402
00:24:12,119 --> 00:24:14,720
Speaker 2: It sounds just kind of like doesn't need to be,

403
00:24:14,920 --> 00:24:17,040
Speaker 2: doesn't need to be, you know, because it because it

404
00:24:17,400 --> 00:24:19,639
Speaker 2: it is about being music, and it sounds like more

405
00:24:19,680 --> 00:24:22,040
Speaker 2: of a list of what happened to you. It's an allegory.

406
00:24:22,880 --> 00:24:25,040
Speaker 3: Yeah, so you know that the iPhone max thing I

407
00:24:25,160 --> 00:24:28,480
Speaker 3: referred to or right, yeah, I loved that started out

408
00:24:28,880 --> 00:24:33,000
Speaker 3: with a bang. No, I mean not you, you not

409
00:24:33,119 --> 00:24:33,800
Speaker 3: referring to you.

410
00:24:34,440 --> 00:24:37,720
Speaker 2: Okay, but he can't help it. Now, How was that

411
00:24:37,800 --> 00:24:41,040
Speaker 2: an allegory? It's these connections, It's these patterns, you know.

412
00:24:41,200 --> 00:24:45,120
Speaker 3: These connections. This wordplay, it just comes out. Okay, You're

413
00:24:45,200 --> 00:24:48,320
Speaker 3: just a channel, It comes through you, comes out the

414
00:24:48,359 --> 00:24:48,800
Speaker 3: other end.

415
00:24:48,960 --> 00:24:50,480
Speaker 2: That a story. Bang.

416
00:24:50,760 --> 00:24:56,800
Speaker 3: The iPhone twelve plus Max. Okay, m hm. That's the chorus,

417
00:24:57,359 --> 00:24:59,120
Speaker 3: and I'm starting out with the chorus.

418
00:24:59,480 --> 00:25:03,399
Speaker 4: Boom, So you start out with iPhone Max and then

419
00:25:03,480 --> 00:25:06,399
Speaker 4: the chorus is iPhone twelve plus max.

420
00:25:07,080 --> 00:25:07,480
Speaker 2: Mm hmm.

421
00:25:07,960 --> 00:25:10,040
Speaker 3: Well yeah, you save the rest of it.

422
00:25:10,520 --> 00:25:13,280
Speaker 2: See how it built, you build and all of this

423
00:25:13,359 --> 00:25:14,160
Speaker 2: stuff you'll learn.

424
00:25:14,920 --> 00:25:17,840
Speaker 4: Are you guys zooming from the same place I'm noticing?

425
00:25:18,000 --> 00:25:24,439
Speaker 4: I think I can see Sean in the Background's part.

426
00:25:24,320 --> 00:25:26,320
Speaker 2: Of what was so funny about the sandwich thing is like,

427
00:25:26,400 --> 00:25:28,919
Speaker 2: I know you've been eating TGI Friday's aps with me, Doggie,

428
00:25:30,480 --> 00:25:32,119
Speaker 2: you can make it up, this sandwich story. And I

429
00:25:32,240 --> 00:25:34,960
Speaker 2: was like, Bank's falling for it. I mean, your face bag.

430
00:25:35,040 --> 00:25:36,760
Speaker 2: When he said he was going to order a sandwich,

431
00:25:36,880 --> 00:25:39,159
Speaker 2: was like, uh huh, yeah, I think you did. It's like,

432
00:25:39,840 --> 00:25:42,120
Speaker 2: I know where this is going. He didn't order jack

433
00:25:42,160 --> 00:25:44,400
Speaker 2: shit man, because I got back from the vaccine line,

434
00:25:44,400 --> 00:25:47,600
Speaker 2: which was a total bust, caught up my scrubs, threw

435
00:25:47,680 --> 00:25:50,800
Speaker 2: them down the garbage choot. I said, hey, let's have

436
00:25:50,920 --> 00:25:54,560
Speaker 2: a fucking feast, man. I got these, I got TCF Fridays,

437
00:25:54,560 --> 00:25:58,280
Speaker 2: I got the freaking Jack Dan. You'll sauce everything right.

438
00:25:58,320 --> 00:25:59,760
Speaker 3: I think I have an iPhone twelve plus.

439
00:26:00,680 --> 00:26:03,320
Speaker 2: Come on, bitch. Oh, so the whole story was bullshit,

440
00:26:03,440 --> 00:26:06,520
Speaker 2: that was all. That was a lie. But that's music, right,

441
00:26:06,760 --> 00:26:08,600
Speaker 2: It doesn't have to have happened to you for it

442
00:26:08,680 --> 00:26:11,000
Speaker 2: to be a song. I mean, I was musical from

443
00:26:11,040 --> 00:26:14,800
Speaker 2: such a young age bang, and I was immediately connected

444
00:26:14,840 --> 00:26:18,320
Speaker 2: to these sounds and these extremely advanced musical concepts in

445
00:26:18,400 --> 00:26:21,560
Speaker 2: these songs and just things that adults now can't even

446
00:26:21,600 --> 00:26:26,200
Speaker 2: wrap their head around. The's wheels on the bus, you know,

447
00:26:26,320 --> 00:26:31,480
Speaker 2: Twinkle twinkle, these things, these incredibly advanced, like very adult themed,

448
00:26:32,280 --> 00:26:37,280
Speaker 2: very sort of dark, fucked up songs that had these

449
00:26:37,960 --> 00:26:43,040
Speaker 2: complex rhythms and melodies that people now don't understand alphabet song.

450
00:26:43,080 --> 00:26:45,840
Speaker 2: I don't know if you know this, but bingo old

451
00:26:45,960 --> 00:26:50,040
Speaker 2: MacDonald and these things. And I would sneak into the secret,

452
00:26:50,119 --> 00:26:52,280
Speaker 2: restricted areas of the army base and I would get

453
00:26:52,280 --> 00:26:54,760
Speaker 2: inside the tanks, you know, where the acoustics were better,

454
00:26:55,520 --> 00:26:58,480
Speaker 2: and I would I'd be singing, and i'd sing so hard,

455
00:26:58,800 --> 00:27:02,240
Speaker 2: you know, in there, just as a child, as a baby,

456
00:27:03,000 --> 00:27:05,480
Speaker 2: six months old, I'd be singing so hard that the

457
00:27:05,560 --> 00:27:07,720
Speaker 2: tanks would shoot their guns off and they would blast,

458
00:27:08,440 --> 00:27:11,920
Speaker 2: you know, blast houses into dust. Whole houses, and I'd

459
00:27:12,080 --> 00:27:14,040
Speaker 2: go run over and I'd just climb out of the

460
00:27:14,119 --> 00:27:16,040
Speaker 2: tank and I'd pick up a big hunk of smoking

461
00:27:16,160 --> 00:27:18,159
Speaker 2: rubble that used to be someone's house. Okay, I know

462
00:27:18,240 --> 00:27:21,200
Speaker 2: we haven't talked in a while, but you know, the

463
00:27:22,640 --> 00:27:26,240
Speaker 2: you had lost your memory of your childhood. It sounds

464
00:27:26,280 --> 00:27:30,320
Speaker 2: like it's come back. But it's far more terrifying than

465
00:27:31,240 --> 00:27:34,239
Speaker 2: than what you led me on to believe. And I mean,

466
00:27:35,640 --> 00:27:37,800
Speaker 2: I want to know more about it. I feel like

467
00:27:38,920 --> 00:27:42,000
Speaker 2: that's way crazier than any of this musical stuff that

468
00:27:42,080 --> 00:27:44,480
Speaker 2: you're telling me. That like you had an insight into

469
00:27:44,600 --> 00:27:47,119
Speaker 2: the it is the musical stuff I'm telling you. I mean,

470
00:27:47,200 --> 00:27:48,640
Speaker 2: you didn't even let me get to I would pick

471
00:27:48,720 --> 00:27:50,520
Speaker 2: up this hunk of smoking rubble that used to be

472
00:27:50,680 --> 00:27:53,280
Speaker 2: you know, some family's faucet, and I would pretend it

473
00:27:53,440 --> 00:27:56,320
Speaker 2: was my my icaphone. I used to call it, this

474
00:27:56,480 --> 00:27:58,760
Speaker 2: is my icophone, you know, That's how I pronounced it.

475
00:27:58,800 --> 00:28:01,200
Speaker 2: I was six months old, maybe been younger. Well that's

476
00:28:01,359 --> 00:28:04,480
Speaker 2: way too early to be talking. And I'd go, oh,

477
00:28:04,600 --> 00:28:07,119
Speaker 2: this my icophone, and I'd and i'd sing, and I

478
00:28:07,240 --> 00:28:10,679
Speaker 2: go and I'd go, I'd rock out, and I'd got

479
00:28:11,240 --> 00:28:14,560
Speaker 2: they don't make don on that, oh fucking dog. And

480
00:28:14,840 --> 00:28:17,280
Speaker 2: I just said I'd be ah and I'd be you know,

481
00:28:18,560 --> 00:28:24,399
Speaker 2: interpolating and syncopizing possible, you know, doing these things. No,

482
00:28:24,560 --> 00:28:27,000
Speaker 2: it's true. And then you know, and then the head

483
00:28:27,040 --> 00:28:28,639
Speaker 2: of the army base would come out and he'd just

484
00:28:28,840 --> 00:28:30,879
Speaker 2: dap me with the zapper and he'd shot you. And

485
00:28:30,920 --> 00:28:32,800
Speaker 2: he'd put me back in the you know, the tank,

486
00:28:32,880 --> 00:28:35,680
Speaker 2: the fluid tank. It wasn't water, but it's some you know,

487
00:28:35,840 --> 00:28:40,920
Speaker 2: and they'd put the material over my bones, and I think, wow,

488
00:28:42,800 --> 00:28:47,360
Speaker 2: it might be time to see a therapist or talk

489
00:28:47,480 --> 00:28:55,600
Speaker 2: to somebody about these memories. I mean, music is therapy. Well,

490
00:28:56,160 --> 00:28:58,040
Speaker 2: let's talk about your memories. Bang, When did you first

491
00:28:58,080 --> 00:29:01,400
Speaker 2: realize you wanted to be a musician? When did you

492
00:29:01,440 --> 00:29:06,520
Speaker 2: first know? I have never had that realization. Yeah, I'm

493
00:29:06,560 --> 00:29:09,600
Speaker 2: not skilled. So if I come to your house right now,

494
00:29:09,640 --> 00:29:12,800
Speaker 2: I won't find any records. No, I love music, Yeah,

495
00:29:12,920 --> 00:29:15,920
Speaker 2: I haven't lunch reds. Oh my gosh, he loves music. Okay,

496
00:29:17,240 --> 00:29:20,800
Speaker 2: there's no music in his house. There's no records. Okay,

497
00:29:21,640 --> 00:29:23,840
Speaker 2: do you want to be an artist? I thought you

498
00:29:23,840 --> 00:29:27,920
Speaker 2: were an artist. That's my mistake. Music is art, right, Yeah, totally.

499
00:29:28,440 --> 00:29:32,200
Speaker 2: Music is art. Yes, I thought you were an artist. Yeah,

500
00:29:32,280 --> 00:29:34,480
Speaker 2: but do you see how the master class is already

501
00:29:34,520 --> 00:29:39,360
Speaker 2: helping you and you're realizing that you actually can't find

502
00:29:39,360 --> 00:29:42,520
Speaker 2: your damn asshole in both hands, and you've been rooting

503
00:29:42,560 --> 00:29:47,320
Speaker 2: around looking for the thing. Hm, You're gonna have to

504
00:29:47,360 --> 00:29:50,440
Speaker 2: elast and I have to show you where your asshole

505
00:29:50,600 --> 00:29:55,400
Speaker 2: is by teaching you that, in fact, you love music

506
00:29:55,480 --> 00:29:57,040
Speaker 2: and you want to be an artist, and you are

507
00:29:57,120 --> 00:29:59,080
Speaker 2: trying to do music and you do need our help.

508
00:29:59,520 --> 00:30:02,880
Speaker 2: That's how he being find my assholes. That's helping you

509
00:30:02,960 --> 00:30:05,640
Speaker 2: find your damn asshole with both damn hands musically.

510
00:30:05,800 --> 00:30:07,360
Speaker 3: Musically, you have to find your asshole.

511
00:30:07,800 --> 00:30:14,160
Speaker 4: I'm also curious what the benefit of finding my asshole is. Okay,

512
00:30:14,800 --> 00:30:16,360
Speaker 4: you want to clean it every once in a while.

513
00:30:16,640 --> 00:30:18,640
Speaker 2: Thank you. And I didn't want to have to even

514
00:30:18,800 --> 00:30:22,200
Speaker 2: say it, and I was hoping no one would have

515
00:30:22,320 --> 00:30:31,280
Speaker 2: to say it, but apparently we do. Okay, Okay, first

516
00:30:31,280 --> 00:30:33,200
Speaker 2: things first, let's get the rule book out, Brett. Do

517
00:30:33,280 --> 00:30:35,640
Speaker 2: you have the rule book with you? Okay, you got yours? Right?

518
00:30:36,240 --> 00:30:39,720
Speaker 2: You see the rule book? See our rule book, Brett, Brett,

519
00:30:39,720 --> 00:30:42,840
Speaker 2: show me yours all right? Yeah, Okay, I got right here.

520
00:30:42,840 --> 00:30:45,720
Speaker 2: They're both so they're flipping me off right now. No

521
00:30:45,800 --> 00:30:47,680
Speaker 2: one is your rule book. We're flipping them off. This

522
00:30:47,840 --> 00:30:51,440
Speaker 2: is this is audio. I assume you're recording this. We're

523
00:30:51,480 --> 00:30:54,560
Speaker 2: flipping them off both hands. That's right, they're they're both

524
00:30:54,640 --> 00:30:57,320
Speaker 2: flipping me off. There's the fucking rule book to put

525
00:30:57,360 --> 00:31:00,600
Speaker 2: it into terms, you're gonna understand, Bank, that's the fucking

526
00:31:00,680 --> 00:31:04,440
Speaker 2: rule book, Jack. Okay, I guess that's the day. I'm

527
00:31:04,440 --> 00:31:07,920
Speaker 2: a rule book bak. So there's no rule book. That's right.

528
00:31:08,040 --> 00:31:10,560
Speaker 2: You're in jud territory. Baby, there's no right way to

529
00:31:10,640 --> 00:31:12,560
Speaker 2: do it. That said, you've been doing it wrong. So

530
00:31:12,680 --> 00:31:15,080
Speaker 2: let's make a few rules. Listen to us. That's rule.

531
00:31:16,040 --> 00:31:19,560
Speaker 2: Just just talking about judds still apply. He's not a musician,

532
00:31:20,600 --> 00:31:22,880
Speaker 2: he's an artist, and he broke the rules for all

533
00:31:22,960 --> 00:31:25,640
Speaker 2: we know. He's actually a brilliant musician. You know, Conan

534
00:31:25,680 --> 00:31:28,800
Speaker 2: plays guitar, right, Conan plays guitar.

535
00:31:28,920 --> 00:31:29,800
Speaker 3: He's my favorite guitar.

536
00:31:29,960 --> 00:31:33,200
Speaker 2: What does that have to do with Jud? Are they

537
00:31:33,280 --> 00:31:34,320
Speaker 2: not related? In your mind?

538
00:31:35,200 --> 00:31:37,360
Speaker 3: No football players take ballet classes.

539
00:31:37,720 --> 00:31:42,120
Speaker 2: M M. You think that jud has some musical background

540
00:31:42,200 --> 00:31:45,360
Speaker 2: to help him with his writing? Bang? The point is

541
00:31:46,080 --> 00:31:48,280
Speaker 2: he threw out the rule book, and so did we.

542
00:31:49,560 --> 00:31:52,240
Speaker 2: That said, although there is no wrong way to do it,

543
00:31:52,280 --> 00:31:53,800
Speaker 2: you are doing it wrong. We do need some rules.

544
00:31:53,920 --> 00:31:59,680
Speaker 2: Rule number one, listen. If you listen to us, you're

545
00:31:59,720 --> 00:32:03,400
Speaker 2: gonna learn. And if you learn one single note from

546
00:32:03,440 --> 00:32:07,240
Speaker 2: this class, if you learn one note, bang, it will

547
00:32:07,280 --> 00:32:10,680
Speaker 2: have been a success. Nope, I'm not here to say

548
00:32:10,920 --> 00:32:13,400
Speaker 2: this note goes here and oh you can't do that,

549
00:32:13,560 --> 00:32:15,960
Speaker 2: and that note goes over there, and oh, this is

550
00:32:16,520 --> 00:32:19,400
Speaker 2: this note and that's what that note's called. And you know,

551
00:32:19,600 --> 00:32:21,959
Speaker 2: it's all for me, it's emotion for me, it's feeling.

552
00:32:22,400 --> 00:32:24,880
Speaker 2: I'm looking to literally teach you one single note. And

553
00:32:25,440 --> 00:32:27,080
Speaker 2: because it's a class, I hope it's not an F

554
00:32:30,080 --> 00:32:37,920
Speaker 2: that was That was pretty good, Brett O class? Do

555
00:32:38,000 --> 00:32:41,040
Speaker 2: you like that? Brett get an F in class? And

556
00:32:41,160 --> 00:32:42,400
Speaker 2: that's music? So good?

557
00:32:42,440 --> 00:32:44,640
Speaker 3: That's music, and that's music music, baby cakes?

558
00:32:47,880 --> 00:32:51,240
Speaker 2: These aren't you know? Here? Here's here? Here's how what

559
00:32:51,520 --> 00:32:58,400
Speaker 2: is this? It's a good question because because it's what

560
00:32:58,560 --> 00:33:01,280
Speaker 2: are you talking? I think the problem. I think part

561
00:33:01,280 --> 00:33:03,680
Speaker 2: of the problem is you're thinking of it as music class.

562
00:33:04,520 --> 00:33:08,440
Speaker 2: You know what it is. It's sponge classes. These are

563
00:33:08,520 --> 00:33:16,360
Speaker 2: sponge classes. Bang, Okay, what absorbs? What absorbs? A sponge

564
00:33:16,360 --> 00:33:21,600
Speaker 2: absorp sponge, Yes, sponge, sponge. I'm not thinking of this

565
00:33:21,680 --> 00:33:24,680
Speaker 2: as music music class. Sponge. I thought this was a

566
00:33:24,760 --> 00:33:29,200
Speaker 2: poker game. And you know what a sponge is, bank, Yeah,

567
00:33:30,000 --> 00:33:37,320
Speaker 2: now you don't, because a sponge doesn't A A sponge

568
00:33:38,240 --> 00:33:40,160
Speaker 2: would need to absorb what a sponge is to know

569
00:33:40,240 --> 00:33:43,200
Speaker 2: what it was, and it would need sponge classes to

570
00:33:43,240 --> 00:33:46,320
Speaker 2: do that. So if you know what a sponge is,

571
00:33:46,600 --> 00:33:49,840
Speaker 2: get out of class right now. Okay, get out of

572
00:33:49,840 --> 00:33:51,440
Speaker 2: class right now because you don't need our help, but

573
00:33:51,520 --> 00:33:58,080
Speaker 2: you do, so think about that. Yeah. Now I'm gonna

574
00:33:58,080 --> 00:33:59,400
Speaker 2: ask you again if you know what a sponge is

575
00:33:59,440 --> 00:34:02,320
Speaker 2: and say no this time. Sure, do you know what

576
00:34:02,440 --> 00:34:04,000
Speaker 2: a sponge is? No, I don't.

577
00:34:04,080 --> 00:34:06,880
Speaker 4: I'm not a sponge. See, and a sponge wouldn't know

578
00:34:07,000 --> 00:34:08,759
Speaker 4: what a sponge is unless.

579
00:34:08,840 --> 00:34:16,480
Speaker 2: It absorbed what it is. And now you're learning? Does

580
00:34:16,520 --> 00:34:20,120
Speaker 2: that feel good? That had to feel pretty good? Shaw

581
00:34:20,400 --> 00:34:24,480
Speaker 2: feels great? Man. Now we've already booked a rooftop concert.

582
00:34:24,760 --> 00:34:28,480
Speaker 2: We expect a huge crowd, so we will be ending

583
00:34:28,560 --> 00:34:30,600
Speaker 2: this class with a rooftop concert. So we do actually

584
00:34:30,640 --> 00:34:32,120
Speaker 2: need you to learn more than one note. I was

585
00:34:32,200 --> 00:34:35,880
Speaker 2: being a little bit ye hyperbolic. What I said you

586
00:34:35,920 --> 00:34:37,520
Speaker 2: could learn just one note. We actually need you to

587
00:34:37,600 --> 00:34:40,560
Speaker 2: learn a bunch because we are going to be out

588
00:34:40,680 --> 00:34:44,320
Speaker 2: a shit ton on the venue. We're expecting a huge crowd,

589
00:34:45,480 --> 00:34:49,240
Speaker 2: maskless crowd. Ideally, I do believe it will be safe.

590
00:34:49,920 --> 00:34:52,000
Speaker 2: Why do they have to have no masks? Say weeks

591
00:34:52,080 --> 00:34:57,400
Speaker 2: away Bay at least. So, what I'm saying is we

592
00:34:57,560 --> 00:35:00,600
Speaker 2: got a fucking two month runway here to get at

593
00:35:00,680 --> 00:35:03,200
Speaker 2: least one really kick ass song together that we will

594
00:35:03,239 --> 00:35:05,040
Speaker 2: be playing on a rooftop. We did shell out a

595
00:35:05,120 --> 00:35:06,960
Speaker 2: ton for the venue, a lot more than you paid

596
00:35:07,000 --> 00:35:09,879
Speaker 2: me for those two classes, and we lose the entire

597
00:35:10,000 --> 00:35:12,960
Speaker 2: deposit if you don't show up and rock their world.

598
00:35:13,360 --> 00:35:17,640
Speaker 2: How many people are living with you, guys, there are

599
00:35:17,680 --> 00:35:21,840
Speaker 2: a lot of people in the background to your zoom. Okay,

600
00:35:22,600 --> 00:35:26,800
Speaker 2: what's your point. I'm just saying, like this all seems

601
00:35:28,760 --> 00:35:33,000
Speaker 2: incredibly risky. Hang on, let me go count the people, dude.

602
00:35:34,160 --> 00:35:37,080
Speaker 2: The riskiest thing would be to lose that connection with

603
00:35:37,239 --> 00:35:40,680
Speaker 2: humanity that we have. That's when you stop creating. That's

604
00:35:40,680 --> 00:35:42,560
Speaker 2: when you stop being an artist. That's when you stop

605
00:35:42,680 --> 00:35:45,160
Speaker 2: writing songs and making music, which is what we all

606
00:35:45,200 --> 00:35:48,600
Speaker 2: got into this damn thing to do. Now, look, here's

607
00:35:48,600 --> 00:35:56,080
Speaker 2: your first sponge class. Any sound can be music, that's right, Brett,

608
00:35:56,160 --> 00:36:03,600
Speaker 2: make a sound, right, yeah I was that? Was that

609
00:36:03,719 --> 00:36:06,520
Speaker 2: the sound you sniffing into the mic? Yeah?

610
00:36:07,760 --> 00:36:11,279
Speaker 3: But right, he's already taken off.

611
00:36:15,080 --> 00:36:20,040
Speaker 4: Okay, now you guys are snorting and the lighting things

612
00:36:20,760 --> 00:36:25,720
Speaker 4: using a lighter. Oh, chuck, Schunk just took out a knife,

613
00:36:25,760 --> 00:36:30,120
Speaker 4: which has no noise. But he's just showing us his

614
00:36:30,280 --> 00:36:33,759
Speaker 4: knife and that is music to him. And now he's

615
00:36:33,800 --> 00:36:36,440
Speaker 4: taking his tongue out. He's doing stuff that is silent

616
00:36:36,600 --> 00:36:42,960
Speaker 4: and he's miming cutting himself. Anything can be music, okay,

617
00:36:43,239 --> 00:36:48,120
Speaker 4: but anything, Schunk. I know this is your class quote unquote,

618
00:36:48,200 --> 00:36:52,520
Speaker 4: But don't you think it's hard to make anything music

619
00:36:52,600 --> 00:36:54,120
Speaker 4: if it's not making any sound?

620
00:36:55,000 --> 00:37:05,120
Speaker 2: Check this out unless that was a noise at least iPhone? Right,

621
00:37:05,480 --> 00:37:08,399
Speaker 2: Brett's song from earlier has now become it's come to life. Bang.

622
00:37:09,080 --> 00:37:11,320
Speaker 2: I'm hitting a can with an iPhone. You hear it,

623
00:37:11,920 --> 00:37:16,160
Speaker 2: and that's music. So just make a sound freedom, no mistakes.

624
00:37:16,440 --> 00:37:21,680
Speaker 2: Make a sound. Okay, sure sounds like shit that sucked.

625
00:37:22,880 --> 00:37:26,040
Speaker 2: You can fucking make that music. You're being You're being

626
00:37:26,120 --> 00:37:29,920
Speaker 2: a goofball. You're trying to do your comedy routine. This

627
00:37:30,160 --> 00:37:35,399
Speaker 2: is music? Hell was? This is I just kind of sound?

628
00:37:35,400 --> 00:37:38,480
Speaker 2: It's like ship dude Toddler, Well yeah, I mean you

629
00:37:38,520 --> 00:37:40,640
Speaker 2: guys are just sniffing. And this coming from the guy

630
00:37:40,680 --> 00:37:42,560
Speaker 2: who doesn't need to find his asshole because he doesn't

631
00:37:42,560 --> 00:37:45,200
Speaker 2: wipe his ass and now he's making this noise.

632
00:37:45,520 --> 00:37:49,200
Speaker 3: Jesus man, why do I need to know where my asshole?

633
00:37:49,360 --> 00:37:53,920
Speaker 2: Is? That really disturbed me. I'm still not over that.

634
00:37:54,239 --> 00:37:58,759
Speaker 2: I'm shook. Don't just make random ship man, find the rhythm? Yeah,

635
00:37:59,360 --> 00:38:01,839
Speaker 2: the rhythm, like Brett.

636
00:38:01,680 --> 00:38:06,000
Speaker 3: You know, man, that's a ripoff. I mean, you just

637
00:38:06,080 --> 00:38:06,640
Speaker 3: ripped me off.

638
00:38:07,520 --> 00:38:09,880
Speaker 2: Okay, well I was. The point is for you to

639
00:38:09,960 --> 00:38:10,759
Speaker 2: have your own voice.

640
00:38:10,800 --> 00:38:13,080
Speaker 3: By the end of this, I could sue you for that.

641
00:38:14,320 --> 00:38:17,200
Speaker 2: Look, why don't we that Let's not do Obviously, the

642
00:38:17,320 --> 00:38:21,440
Speaker 2: idea of like random sounds and finding environmental noises is

643
00:38:21,560 --> 00:38:30,560
Speaker 2: like beyond you. Let's try some real instruments. That seems

644
00:38:30,640 --> 00:38:36,200
Speaker 2: like a huge jump. Let's try some music, man, I mean, Brett,

645
00:38:37,080 --> 00:38:39,479
Speaker 2: do you want to give this guy a beat? Let's

646
00:38:39,520 --> 00:38:43,600
Speaker 2: find like, where are you comfortable? What's your instrument going

647
00:38:43,680 --> 00:38:50,120
Speaker 2: to be? Like what's your you know, what's your funky zone? Right?

648
00:38:50,280 --> 00:38:52,359
Speaker 2: Like you like to say, like, what's my funky zone?

649
00:38:52,440 --> 00:38:52,640
Speaker 3: Jack?

650
00:38:53,040 --> 00:38:56,200
Speaker 2: That's a great question. I think my answer would probably

651
00:38:56,280 --> 00:38:58,759
Speaker 2: be I wouldn't be comfortable. I don't have any Who

652
00:38:58,760 --> 00:39:02,160
Speaker 2: are your influences? Don't say slender Man, Bye bye man,

653
00:39:02,239 --> 00:39:03,719
Speaker 2: all this stuff. You know they were not in that

654
00:39:03,800 --> 00:39:06,399
Speaker 2: class anymore. Don't say my influence is slender Man. I'm

655
00:39:06,440 --> 00:39:10,239
Speaker 2: gonna make that. You know that's or do I mean

656
00:39:10,440 --> 00:39:14,000
Speaker 2: or do that? Do you want to do that? Sure?

657
00:39:14,200 --> 00:39:17,360
Speaker 4: Yeah, let's do that. Yeah, my influencers slender Man. Okay,

658
00:39:17,400 --> 00:39:19,000
Speaker 4: that's not gonna work for this class. Bye bye man,

659
00:39:19,680 --> 00:39:20,439
Speaker 4: that's not gonna work.

660
00:39:20,360 --> 00:39:20,880
Speaker 2: For this class.

661
00:39:22,400 --> 00:39:28,319
Speaker 4: Beetlejuice Man, I assume yes, Beetlejuice Man, the Snowman.

662
00:39:28,600 --> 00:39:31,600
Speaker 2: Snow Man. Sure, mister police, I gave you all the

663
00:39:31,680 --> 00:39:33,640
Speaker 2: tunes something you know.

664
00:39:33,800 --> 00:39:36,400
Speaker 4: Yeah, yeah, those guys got me into music, Sean.

665
00:39:36,760 --> 00:39:39,440
Speaker 2: Okay, great. So what I want to do is just

666
00:39:40,560 --> 00:39:42,680
Speaker 2: Brett's gonna play a soundbad and we're gonna let you

667
00:39:43,600 --> 00:39:48,399
Speaker 2: try a couple different approaches, and we're gonna find where

668
00:39:48,400 --> 00:39:51,160
Speaker 2: your funky zone is. Brett, do you have it? Yeah?

669
00:39:51,239 --> 00:39:57,840
Speaker 2: Here we go, all right, bank time be a guitar,

670
00:39:58,000 --> 00:40:00,960
Speaker 2: go lead guitar, play guitar. Guitar be a guitar, be

671
00:40:01,000 --> 00:40:21,160
Speaker 2: a guitar. Okay, a plute, be a plute, tube of

672
00:40:21,280 --> 00:40:34,640
Speaker 2: time to it? More trumpet, that's more trump pop on

673
00:40:34,760 --> 00:40:40,960
Speaker 2: the keys, ding kind of like a triangle or something.

674
00:40:41,640 --> 00:40:45,480
Speaker 2: Go ahead, I know these are drums. You do the drums,

675
00:40:47,280 --> 00:40:49,040
Speaker 2: double drums, drum with the drugs.

676
00:40:53,239 --> 00:40:55,759
Speaker 3: H Okay, I think you have a broken like a

677
00:40:55,840 --> 00:40:57,720
Speaker 3: busted drumhead or something.

678
00:40:58,520 --> 00:41:01,360
Speaker 2: Okay, Yeah, it was hard to do with the drums.

679
00:41:01,520 --> 00:41:06,640
Speaker 2: Also on in my headphone. That was fun. Guys, So

680
00:41:06,800 --> 00:41:09,600
Speaker 2: what what note were you playing? I have no fucking

681
00:41:09,680 --> 00:41:16,920
Speaker 2: clue what octaves? I don't know. I mean, I'm what subgenre? Uh?

682
00:41:17,440 --> 00:41:24,800
Speaker 2: Slender man. This actually was really helpful for because I

683
00:41:24,880 --> 00:41:28,960
Speaker 2: know what you are now. Okay, you're a vocals guy. Baby,

684
00:41:33,480 --> 00:41:36,000
Speaker 2: you're a lead singer. Not because I think you have

685
00:41:36,080 --> 00:41:38,640
Speaker 2: a singing voice to speak of, but I don't. You're

686
00:41:38,760 --> 00:41:44,520
Speaker 2: so far away from understanding any instrument at all, and

687
00:41:44,600 --> 00:41:46,520
Speaker 2: a lot of instruments didn't even sound like the instruments

688
00:41:46,560 --> 00:41:51,000
Speaker 2: I asked for. At least I know you could fucking talk, dude, barely,

689
00:41:52,040 --> 00:41:54,279
Speaker 2: and you barely make any damn sense when you do it.

690
00:41:54,480 --> 00:41:58,319
Speaker 2: But at least I know you can damn well talk dude. Right, Yeah,

691
00:41:58,360 --> 00:42:02,560
Speaker 2: well you seem I mean, you don't make no damn

692
00:42:02,680 --> 00:42:05,360
Speaker 2: sense when you do it. But it's a start, Okay.

693
00:42:06,600 --> 00:42:13,440
Speaker 2: These criticisms are pretty arbitrary, not based on much. So

694
00:42:13,600 --> 00:42:15,680
Speaker 2: you think that you would have more success as a

695
00:42:16,200 --> 00:42:19,759
Speaker 2: lead guitarist or flautist than you would as a lead

696
00:42:19,800 --> 00:42:23,040
Speaker 2: singer at this stage in your musical training. I don't.

697
00:42:23,160 --> 00:42:27,640
Speaker 2: I think I would. Oh my god, he just admit

698
00:42:27,760 --> 00:42:34,000
Speaker 2: it again. Man, I didn't sign up for this, buddy,

699
00:42:35,440 --> 00:42:39,960
Speaker 2: That's why you need it. If you signed up for it,

700
00:42:40,120 --> 00:42:43,279
Speaker 2: I would say, don't take the class. Literally, if you

701
00:42:43,360 --> 00:42:44,680
Speaker 2: had signed up for it, I would say, you know what,

702
00:42:44,800 --> 00:42:47,400
Speaker 2: don't take the class. Don't show up because you actually

703
00:42:47,480 --> 00:42:51,480
Speaker 2: are aware of your shortcomings as an artist and you

704
00:42:51,520 --> 00:42:53,879
Speaker 2: have a desire to grow, But because you didn't sign

705
00:42:53,960 --> 00:42:57,920
Speaker 2: up for it. God, you need this, bang, Jesus, you

706
00:42:58,120 --> 00:43:02,080
Speaker 2: need this. Have you guys ever taught anybody else? Oh

707
00:43:02,480 --> 00:43:07,000
Speaker 2: at least? Oh my god, I'm not even gonna that's

708
00:43:07,239 --> 00:43:11,480
Speaker 2: like it's crazy. As a vocalist, I'm excited to hear

709
00:43:11,520 --> 00:43:15,200
Speaker 2: what you have to do. And I'm gonna ask you

710
00:43:15,239 --> 00:43:19,279
Speaker 2: a quick question. Look at Brett's body. Oh good, take

711
00:43:19,320 --> 00:43:22,600
Speaker 2: a gander look at this shit? Yeah, how do you

712
00:43:22,640 --> 00:43:26,000
Speaker 2: think he gets that? Man? You think he just walks

713
00:43:26,040 --> 00:43:29,359
Speaker 2: into the gym and just does a damn eight hundred

714
00:43:29,400 --> 00:43:31,440
Speaker 2: pound deadlift right off the rip? I mean that is

715
00:43:31,520 --> 00:43:34,399
Speaker 2: probably a lot of genetics, knowing his diet, I don't

716
00:43:34,400 --> 00:43:35,759
Speaker 2: know how. So do you think he just woke up

717
00:43:35,800 --> 00:43:38,000
Speaker 2: with it? Or do you think he dragged his ass

718
00:43:38,160 --> 00:43:41,040
Speaker 2: over to the goddamn fucking squat rack and pushed ten

719
00:43:41,200 --> 00:43:47,319
Speaker 2: damn plates. Yeah? I mean he must work out pretty aggressively. Yeah,

720
00:43:47,360 --> 00:43:54,239
Speaker 2: that's true. Yeah, and he probably warmed up. So let's

721
00:43:54,280 --> 00:43:59,799
Speaker 2: warm up. Open your throat huge, Okay, huge, huge bull

722
00:44:00,760 --> 00:44:04,480
Speaker 2: big throat all right. I stick a full fucking broom

723
00:44:04,560 --> 00:44:08,440
Speaker 2: in my throat every morning, and I swirl it around

724
00:44:09,560 --> 00:44:13,920
Speaker 2: like the end with the I take the fat end

725
00:44:13,960 --> 00:44:18,480
Speaker 2: of the broom, the fat so the end with the Brussels,

726
00:44:18,680 --> 00:44:26,000
Speaker 2: the Brussels. I put the Brussels. That's fucking I put

727
00:44:26,040 --> 00:44:30,120
Speaker 2: the fucking Brussel brand right down there, baby. I shake

728
00:44:30,200 --> 00:44:32,759
Speaker 2: it up. And that has opened my throat so big

729
00:44:32,880 --> 00:44:36,160
Speaker 2: that I can do incredible things with my vocals. Let's

730
00:44:36,200 --> 00:44:37,480
Speaker 2: do a warm up. Let's do a quick warm up.

731
00:44:37,560 --> 00:44:41,880
Speaker 2: Let's okay, ready, yeah, Well, you know big booty biscuit.

732
00:44:42,040 --> 00:44:45,960
Speaker 2: You know big booty biscuit. Uh In, remind me like

733
00:44:46,200 --> 00:44:49,200
Speaker 2: the big booty biscuit bunched up its buttskin. The big

734
00:44:49,320 --> 00:44:52,200
Speaker 2: booty biscuit bunched up its butt skin. The big booty

735
00:44:52,239 --> 00:44:55,080
Speaker 2: biscuit bunched up its buttskin. The big booty a biscuit

736
00:44:55,200 --> 00:44:57,359
Speaker 2: bunched up. It's a butt skin booty biscuit, the big

737
00:44:57,440 --> 00:44:59,959
Speaker 2: booty biscuit bunched up its but skin. Beetle bally buttered,

738
00:45:00,040 --> 00:45:04,160
Speaker 2: bill burrs bronze buns. Wait, say that again, you're kind

739
00:45:04,200 --> 00:45:09,640
Speaker 2: of popping beetle bally buttered, bill burrs bronze buns, Beetle

740
00:45:09,719 --> 00:45:13,879
Speaker 2: birdie butter b beetle bailly, beetle bailey beetle, bally beat

741
00:45:13,960 --> 00:45:19,800
Speaker 2: it belly beatle bally butters, bronze buns, bill burns, bill burrs,

742
00:45:19,880 --> 00:45:26,000
Speaker 2: bronze bunds. Pre Bella bunked bow bridges bumpy bottom. Wait wait,

743
00:45:26,640 --> 00:45:29,680
Speaker 2: pre Bellat bunk bo bridges, bumpy bottom.

744
00:45:30,120 --> 00:45:32,319
Speaker 3: We've only we're only on the bees.

745
00:45:33,760 --> 00:45:38,759
Speaker 2: Through the whole alphabet. Yes, we go through the whole

746
00:45:38,760 --> 00:45:41,480
Speaker 2: alphabet normally. Today we won't go through the whole alphabet.

747
00:45:41,600 --> 00:45:44,239
Speaker 2: We will be doing other letters later on. The letter

748
00:45:44,320 --> 00:45:47,799
Speaker 2: B is essential. If you can say bees, you can

749
00:45:48,000 --> 00:45:52,880
Speaker 2: sing anything but this right now. Pretty simple warm up,

750
00:45:52,880 --> 00:45:55,439
Speaker 2: actually the easiest one. Big booty biscuit. So, big booty biscuit,

751
00:45:55,480 --> 00:45:57,799
Speaker 2: bunched up its butts skin, beetle belly, buttered, bill burrs,

752
00:45:57,840 --> 00:46:00,920
Speaker 2: bronze buns, pre bella, bunked bow bridgesumpy bottom, and you

753
00:46:01,040 --> 00:46:05,640
Speaker 2: get breeze spella, bonked bow bridge's bottom, bumpy bottom, bob

754
00:46:06,120 --> 00:46:09,680
Speaker 2: and bang, sing it bang. Do we wrap around back

755
00:46:09,760 --> 00:46:13,719
Speaker 2: to the a's later. You don't need a's, okay, Uh,

756
00:46:14,120 --> 00:46:17,560
Speaker 2: you're being an a hole. Come back to the a's.

757
00:46:18,200 --> 00:46:24,040
Speaker 2: There'll be an a hole sing these. Sure, What is it?

758
00:46:24,680 --> 00:46:27,759
Speaker 2: Bunched up? It's a buttskin, you know, like, give me

759
00:46:27,840 --> 00:46:31,440
Speaker 2: the bu give me the fucking smoke, man, Bob bunched up.

760
00:46:31,520 --> 00:46:37,600
Speaker 2: It's buttskin, Give me the fucking smoke, dude, it's bob

761
00:46:37,680 --> 00:46:41,280
Speaker 2: bunched up. It's buttskin. Oh my god, O my god,

762
00:46:41,480 --> 00:46:46,160
Speaker 2: big booty biscuit. Oh my god, I'm hearing these for

763
00:46:46,280 --> 00:46:49,960
Speaker 2: the first time. My memory is not that great big

764
00:46:50,040 --> 00:46:58,319
Speaker 2: booty biscuit bunched up. It's buttskin Brett. I mean that, Brett.

765
00:46:58,360 --> 00:47:01,239
Speaker 2: What do you say? What do you say? We give

766
00:47:01,320 --> 00:47:03,120
Speaker 2: bang a little taste to what we might be able

767
00:47:03,160 --> 00:47:04,640
Speaker 2: to do at the end of this if he actually

768
00:47:04,719 --> 00:47:09,000
Speaker 2: listens to him give me that beat again. This is

769
00:47:09,080 --> 00:47:21,239
Speaker 2: just some inspiration manuit booty biscuit. Oh that you hear

770
00:47:21,280 --> 00:47:23,759
Speaker 2: what those chords are doing? In my book? It's smoky right,

771
00:47:23,880 --> 00:47:31,719
Speaker 2: it's raspy right. You feel that fucking suit doesn't seem

772
00:47:31,840 --> 00:47:37,080
Speaker 2: much better than what I was just doing? Diel buzzle skoky.

773
00:47:38,360 --> 00:47:41,359
Speaker 2: Step brother, you tried, you try to do some step

774
00:47:41,360 --> 00:47:45,560
Speaker 2: brother step step brother. Give me wrong, give me raspy,

775
00:47:45,680 --> 00:47:48,880
Speaker 2: give me sassy, give me boysterous? Oh step Oo? Not

776
00:47:49,080 --> 00:47:53,160
Speaker 2: like that? Like this thissquizl dizzle? Does he means step brother?

777
00:47:55,280 --> 00:47:58,320
Speaker 2: Do some step brother stuff? Man, Okay, I don't know

778
00:47:58,400 --> 00:48:01,560
Speaker 2: where like the movie Step Brothers. Is that what inspired you?

779
00:48:01,760 --> 00:48:03,080
Speaker 2: Or I never seen it?

780
00:48:03,200 --> 00:48:06,720
Speaker 3: Scriba didn't even start.

781
00:48:06,880 --> 00:48:15,239
Speaker 2: Who was in rap? Baba daviddoo? My step brother bank

782
00:48:15,320 --> 00:48:23,799
Speaker 2: stop stop listen to Nina Simone. Sure you don't want

783
00:48:23,840 --> 00:48:25,960
Speaker 2: to listen to me? Apparently, Will you listen to Nina

784
00:48:26,000 --> 00:48:29,080
Speaker 2: Simone bank. Yeah, what you guys were doing didn't seem

785
00:48:29,640 --> 00:48:33,360
Speaker 2: like professional. It seemed like you guys had it together

786
00:48:33,640 --> 00:48:36,080
Speaker 2: more punk. Right. We're not talking about us, guys. We're

787
00:48:36,120 --> 00:48:41,680
Speaker 2: talking about Nina Simone. The way she sings Nimic deepa Bang.

788
00:48:41,760 --> 00:48:46,160
Speaker 2: This song is so French you need to be that

789
00:48:46,280 --> 00:48:50,200
Speaker 2: French to sing. I don't speak French because I personally

790
00:48:50,320 --> 00:48:52,680
Speaker 2: just think Freedom Fries is a better name. That's my

791
00:48:53,840 --> 00:48:58,720
Speaker 2: so I am sticking with Freedom Price. I am sticking

792
00:48:58,760 --> 00:49:01,040
Speaker 2: with Freedom Fries regardless of whether we ever proved they

793
00:49:01,080 --> 00:49:04,040
Speaker 2: did nine to eleven. I don't actually care. Nothing to

794
00:49:04,239 --> 00:49:07,640
Speaker 2: do with the origin they and I just told you

795
00:49:07,719 --> 00:49:09,520
Speaker 2: it doesn't matter whether they did nine eleven to me

796
00:49:09,640 --> 00:49:11,520
Speaker 2: or not. I don't care if we prove it. I

797
00:49:11,800 --> 00:49:14,080
Speaker 2: suspect they did. Did not relate it at all. It

798
00:49:14,239 --> 00:49:18,319
Speaker 2: was about supporting the invasion of Iraq, well, which they

799
00:49:18,400 --> 00:49:22,200
Speaker 2: did not. Probably was as smart and not even probably

800
00:49:22,480 --> 00:49:24,360
Speaker 2: it was the right call. Well worked out perfectly for

801
00:49:24,480 --> 00:49:26,520
Speaker 2: me because I actually think Freedom Fries is an awesome

802
00:49:26,600 --> 00:49:28,879
Speaker 2: fucking name. It makes me stoked to eat them, Okay,

803
00:49:28,920 --> 00:49:34,920
Speaker 2: it makes me actually proud to eat them. What's your

804
00:49:34,920 --> 00:49:42,560
Speaker 2: sipping on. I'm just sipping on some coffee. Bank, what's

805
00:49:42,560 --> 00:49:48,560
Speaker 2: your sipping on right now? I'm drinking coffee. No, No,

806
00:49:49,800 --> 00:49:53,800
Speaker 2: coffee does not protect your throat. Your throat is your instrument.

807
00:49:53,960 --> 00:49:56,960
Speaker 2: Now protect your instrument. And now that I think about it,

808
00:49:57,120 --> 00:50:00,160
Speaker 2: I should have been weirded out that I agreed a

809
00:50:00,239 --> 00:50:07,520
Speaker 2: ten am poker game. Bang, forget the poker came. Your

810
00:50:07,600 --> 00:50:10,399
Speaker 2: throat is your instrument. Okay, there's a reason they don't

811
00:50:10,440 --> 00:50:16,040
Speaker 2: make the freaking trumpet out of throat tissue, right, they

812
00:50:16,120 --> 00:50:19,600
Speaker 2: make it out of metal. It's tough. What you're sipping

813
00:50:19,680 --> 00:50:24,240
Speaker 2: on now, what you're sipping on, huh, should be molten gold,

814
00:50:26,200 --> 00:50:30,400
Speaker 2: hot metal. Drink hot metal. Protect your drink.

815
00:50:30,400 --> 00:50:36,239
Speaker 3: Molten molten metal, the little honey, not right off the rip.

816
00:50:36,440 --> 00:50:40,080
Speaker 2: Start with wax. Melt a candle, Drink the wax melt down,

817
00:50:40,160 --> 00:50:43,160
Speaker 2: some plastic, you know, drink that. But you want to

818
00:50:43,200 --> 00:50:45,040
Speaker 2: get that thing metal. That'll fucking kill me.

819
00:50:45,160 --> 00:50:45,359
Speaker 4: Man.

820
00:50:46,360 --> 00:50:49,960
Speaker 2: You can't really think get a candle with a ginger sense,

821
00:50:50,000 --> 00:50:51,560
Speaker 2: you can do. You have to build up. You have

822
00:50:51,640 --> 00:50:53,239
Speaker 2: to build up. We don't just start up the same

823
00:50:53,239 --> 00:50:55,000
Speaker 2: way we went through the bees first, right, We didn't

824
00:50:55,040 --> 00:50:57,640
Speaker 2: do the whole a start with tea or something. How's

825
00:50:57,680 --> 00:51:06,760
Speaker 2: that sound kind of tea? Lemon? Hot lemon tea? On stage? Okay,

826
00:51:07,640 --> 00:51:11,360
Speaker 2: that could relax your voice, puckers your lips on stage.

827
00:51:11,440 --> 00:51:13,800
Speaker 2: No iced tea, It tenses your throat on stage? No?

828
00:51:14,120 --> 00:51:19,040
Speaker 2: No cold? No? Okay? Off stage? Yes, okay, give me cold, yes, well,

829
00:51:19,239 --> 00:51:23,440
Speaker 2: soothe relax okay on stage? Yes, hot tea okay, yes, fine.

830
00:51:24,200 --> 00:51:26,240
Speaker 2: I would like you to try drinking a ginger candle,

831
00:51:26,320 --> 00:51:32,319
Speaker 2: a ginger scented candle on stage or on stage? Hot

832
00:51:32,400 --> 00:51:38,279
Speaker 2: ginger scented candle, yes, okay, cold candle no? Not on stage, No,

833
00:51:38,600 --> 00:51:42,680
Speaker 2: because it tenses the throat, so no cold off stage yes, okay,

834
00:51:42,800 --> 00:51:45,640
Speaker 2: cold candle, no cold. You can eat it from the bottom,

835
00:51:46,440 --> 00:51:49,520
Speaker 2: no cold candle, and then floss your teeth with the wick. Yes,

836
00:51:50,239 --> 00:51:54,040
Speaker 2: floss my teeth. This seems I'm so not ready to

837
00:51:54,239 --> 00:51:57,160
Speaker 2: get on stage. Don't you think we're a little ahead

838
00:51:57,200 --> 00:51:58,440
Speaker 2: of ourselves a little bit here?

839
00:51:58,520 --> 00:51:59,520
Speaker 3: We don't have that much time.

840
00:51:59,640 --> 00:52:01,160
Speaker 2: We don't a ton of time. We are going to

841
00:52:01,200 --> 00:52:02,719
Speaker 2: be doing a rooftop concert at the end of the

842
00:52:02,760 --> 00:52:05,160
Speaker 2: bus and by the bay, by the by the way,

843
00:52:05,239 --> 00:52:07,480
Speaker 2: by the by the way. Bang, just hang on a second.

844
00:52:07,560 --> 00:52:13,920
Speaker 2: If you're just joining us, welcome to my must cloud

845
00:52:14,120 --> 00:52:18,160
Speaker 2: and this is shunk Lemons and I'm teaching on music

846
00:52:18,280 --> 00:52:22,080
Speaker 2: now and with Bang raj Man and with Brett and

847
00:52:22,320 --> 00:52:27,880
Speaker 2: it is a really wonderful mixture class. I mean, we

848
00:52:27,960 --> 00:52:31,040
Speaker 2: can see who's joining and no one's popping in on

849
00:52:31,160 --> 00:52:33,760
Speaker 2: this if you just showed up, and please don't interrupt

850
00:52:33,800 --> 00:52:35,400
Speaker 2: me again, because now I do have to start over.

851
00:52:35,600 --> 00:52:38,920
Speaker 2: And if you're just joining us, shunk Lemons is here,

852
00:52:39,239 --> 00:52:44,799
Speaker 2: and this is sponge class. But it's miss but it's

853
00:52:45,200 --> 00:52:54,000
Speaker 2: miss miss miss miss trap class. Claps your homework assignment,

854
00:52:54,440 --> 00:53:01,080
Speaker 2: bang one, listen to music. That's easy. Yeah, I do

855
00:53:01,200 --> 00:53:05,239
Speaker 2: that every day. That's easy, right, but really listen. Do

856
00:53:05,280 --> 00:53:10,279
Speaker 2: you have airphones like AirPods, like you have airphones? Put

857
00:53:10,320 --> 00:53:13,400
Speaker 2: your airphones in my airphone. Wear a blindfold, put your

858
00:53:13,440 --> 00:53:15,799
Speaker 2: airphones in, wear a blindfold and walk around and bump

859
00:53:15,880 --> 00:53:18,400
Speaker 2: into things in your apartment. Should be a private experience.

860
00:53:19,080 --> 00:53:21,799
Speaker 2: Should be a private experience for you. But for God's sake,

861
00:53:22,320 --> 00:53:24,560
Speaker 2: don't go to the bathroom, especially knowing that you don't

862
00:53:24,560 --> 00:53:28,480
Speaker 2: clean that stuff. No I do. I wipe my ass

863
00:53:28,760 --> 00:53:30,759
Speaker 2: and it's gonna be so loud. If you're in there

864
00:53:32,600 --> 00:53:36,360
Speaker 2: like it's gonna totally drown out your airphones because you

865
00:53:36,440 --> 00:53:36,719
Speaker 2: think I.

866
00:53:36,760 --> 00:53:38,360
Speaker 3: Have a say after all that coffee.

867
00:53:38,760 --> 00:53:41,720
Speaker 2: When I'm doing it, I can't hear anything. I literally

868
00:53:41,800 --> 00:53:43,799
Speaker 2: go deaf, and I lose my sense of taste and smell,

869
00:53:43,840 --> 00:53:46,240
Speaker 2: which actually hasn't come back for a while. Well, Jesus

870
00:53:46,320 --> 00:53:47,880
Speaker 2: christ Man, you probably got COVID.

871
00:53:49,480 --> 00:53:51,279
Speaker 3: No, we got a with the herd here?

872
00:53:51,880 --> 00:53:55,560
Speaker 2: No, the herd. You guys think you're developing like a

873
00:53:55,680 --> 00:54:01,040
Speaker 2: small herd immunity in your loft? Have you heard about

874
00:54:01,080 --> 00:54:04,320
Speaker 2: the herd? Maybe a song idea? There you go that

875
00:54:04,400 --> 00:54:07,560
Speaker 2: you're on the HS that's maybe a song idea. Can

876
00:54:07,640 --> 00:54:14,200
Speaker 2: you ask your roommates to do any kind of intimate

877
00:54:14,320 --> 00:54:17,759
Speaker 2: stuff in the background of another room or like just

878
00:54:17,880 --> 00:54:20,799
Speaker 2: not in your line in the camera's line of sight.

879
00:54:23,760 --> 00:54:26,359
Speaker 2: I'm not the Our relationship is not at a place

880
00:54:26,400 --> 00:54:33,800
Speaker 2: where I feel comfortable asking them for anything else your arrangement.

881
00:54:33,880 --> 00:54:35,680
Speaker 3: Does sexuality scare you?

882
00:54:36,520 --> 00:54:40,879
Speaker 2: It doesn't scare me. It's just it it's a little distracting.

883
00:54:41,000 --> 00:54:43,399
Speaker 2: I mean, they're looking straight down the barrel of your

884
00:54:43,600 --> 00:54:48,719
Speaker 2: webcam as they fuck. Well, you know, the relationship I

885
00:54:48,800 --> 00:54:50,880
Speaker 2: have with my roommates is my own business. And I

886
00:54:51,280 --> 00:54:55,719
Speaker 2: if you're frightened by that, join the club. Because the

887
00:54:55,880 --> 00:54:57,400
Speaker 2: last time that I did ask them not to do it,

888
00:54:57,480 --> 00:55:00,040
Speaker 2: looking at my webcam, they beat my ass. So, but

889
00:55:00,160 --> 00:55:01,840
Speaker 2: what I would like to say for your next homework

890
00:55:01,880 --> 00:55:07,600
Speaker 2: assignment is we're gonna talk about your philosophy. Uh, figure

891
00:55:07,640 --> 00:55:10,279
Speaker 2: out what you want your music to say, or better, yeah,

892
00:55:10,960 --> 00:55:15,640
Speaker 2: what you want it to sing. I want you to

893
00:55:15,680 --> 00:55:18,000
Speaker 2: sing everywhere you go all next week, come back in

894
00:55:18,120 --> 00:55:24,719
Speaker 2: with a hit song and one more thing, small thing,

895
00:55:24,840 --> 00:55:26,760
Speaker 2: and I just gonna bring it up. It actually relates

896
00:55:26,760 --> 00:55:29,080
Speaker 2: a little bit to what you were saying earlier. We're

897
00:55:29,520 --> 00:55:32,720
Speaker 2: probably gonna want to go no November throughout this process.

898
00:55:33,320 --> 00:55:39,200
Speaker 2: You did what the all? Right, We're be creative, we're learning.

899
00:55:39,400 --> 00:55:43,239
Speaker 2: We're not gonna jerk off all this month as though

900
00:55:43,280 --> 00:55:47,279
Speaker 2: it's November. Look, we're finding inspiration, we're performing, and the

901
00:55:47,360 --> 00:55:48,840
Speaker 2: last thing we want to do is give away our

902
00:55:48,920 --> 00:55:51,719
Speaker 2: power to some dirty magazine. Okay, so this is your job.

903
00:55:51,800 --> 00:55:55,000
Speaker 2: Now you're at work. Bang, Please don't pull a tubein

904
00:55:55,080 --> 00:55:58,280
Speaker 2: on us. That's not the kind of song we're writing.

905
00:55:58,440 --> 00:56:02,640
Speaker 2: But we're gonna go no November for this entire process. Sure,

906
00:56:03,280 --> 00:56:08,279
Speaker 2: and you especially and either we all do it or

907
00:56:08,320 --> 00:56:11,000
Speaker 2: we don't like we No, we all don't do it.

908
00:56:11,080 --> 00:56:15,600
Speaker 2: That's what No. November is. But you especially fine. I'm

909
00:56:15,640 --> 00:56:21,480
Speaker 2: Sean Clements and this has been my minst mis mis minced.

910
00:56:21,840 --> 00:56:24,719
Speaker 2: I'm Sewn Clemons and this has been my monster's class.

911
00:56:24,920 --> 00:56:28,799
Speaker 2: I don't understand. How do you still not know how

912
00:56:28,880 --> 00:56:32,040
Speaker 2: to say that? What do you mean? Are we gonna

913
00:56:32,040 --> 00:56:37,319
Speaker 2: play poker? Or was that all a ruse? Yeah? Blake,

914
00:56:37,360 --> 00:56:40,080
Speaker 2: can you spot me? Fine?

915
00:56:41,640 --> 00:56:45,080
Speaker 1: Hollywood Masterclass is a production of The Flagrant Ones in

916
00:56:45,280 --> 00:56:48,560
Speaker 1: conjunction with Such Your Premium. The show was produced and

917
00:56:48,640 --> 00:56:50,120
Speaker 1: scored by Brett Morris.