WEBVTT - The Lobster Shift

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<v Speaker 1>Family Secrets is a production of I Heart Radio Icarus. Sons.

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<v Speaker 1>Sons are roped to fathers. Fathers. Well, are we sure

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<v Speaker 1>they're tied to sons? Sons need fathers fathers. Sons take

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<v Speaker 1>years from fathers. Honest fathers. Know this picture an hourglass,

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<v Speaker 1>two globes, one filled, the other empty. Now in your mind,

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<v Speaker 1>turn it over. The top of the globe, the father,

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<v Speaker 1>the grains of sand, his years. The bottom of the globe.

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<v Speaker 1>That's the son. See the years slipping away from the father,

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<v Speaker 1>filling up the son. Father's flow into sons. Think of Icarus.

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<v Speaker 1>Father and son exist on an isle. At some point.

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<v Speaker 1>The father longs to escape and the son he doesn't

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<v Speaker 1>want to be left behind, abandoned. And fathers they always

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<v Speaker 1>have plans. What sons should remember that the plans of

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<v Speaker 1>their fathers often have holes. A father is no shield

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<v Speaker 1>for a son. That's Michael Haney reading a passage from

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<v Speaker 1>his Beautiful book after visiting Friends. A Son's story. What

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<v Speaker 1>happens when a boy loses his father at a tender age,

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<v Speaker 1>an age so young that he hardly remembers him, and

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<v Speaker 1>that boy grows up to become a journalist digging for

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<v Speaker 1>answers to questions he's always had about the nature of

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<v Speaker 1>his father's death, questions that have formed him, questions that

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<v Speaker 1>beg for answers. I'm Danny Shapiro, and this is family secrets,

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<v Speaker 1>the secrets that are kept from us, the secrets we

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<v Speaker 1>keep from others, and the secrets we keep from ourselves.

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<v Speaker 1>I feel like I remember nothing before a and that

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<v Speaker 1>was the morning, shortly after I turned six years old,

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<v Speaker 1>that I learned my father was dead, and h up

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<v Speaker 1>until then, I think. I mean as I say, I

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<v Speaker 1>don't remember much, but I don't have reason to remember

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<v Speaker 1>anything bad. It was a pretty pleasant childhood, I think

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<v Speaker 1>I was. I just turned six. I have had an

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<v Speaker 1>older brother, Chris, who was eight. My mother was thirty

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<v Speaker 1>three at the time, my father was thirty five, and

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<v Speaker 1>we were living in a suburb of Chicago, right on

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<v Speaker 1>the border of Chicago, out near the Airport O'Hare. And

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<v Speaker 1>it was I think, probably pleasant by all accounts and um,

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<v Speaker 1>but you know, it was that formative moment which I

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<v Speaker 1>think has defined my life, when that was my father's death.

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<v Speaker 1>When you say that you have no memories before that moment,

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<v Speaker 1>do you really mean no memories like I would say,

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<v Speaker 1>in the excavation and looking back over my life, I

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<v Speaker 1>would see when I was when I was working on

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<v Speaker 1>searching for this story. I would remember moments where I

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<v Speaker 1>would be sort of flipping through photo album from you

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<v Speaker 1>know that my mother had kept and I could remember, Oh,

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<v Speaker 1>that was Christmas when I was four, or that I

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<v Speaker 1>think I remember taking that trip. But you know, I

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<v Speaker 1>think also developmentally from what I've known in my time

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<v Speaker 1>spending a lot of time on the couch, is children

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<v Speaker 1>often don't remember much until age five. Really there's a reason,

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<v Speaker 1>and they sort of developed and sort of that's when

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<v Speaker 1>kindergarten begins, and that's when one sort of memory sort

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<v Speaker 1>of locks in. And so um, I shouldn't certainly don't

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<v Speaker 1>mean to be dramatic and say I don't remember much,

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<v Speaker 1>but I really it's was as though that was when,

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<v Speaker 1>you know, the curtain went up on my life. So

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<v Speaker 1>tell me about that moment, what you remember. My brother

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<v Speaker 1>and I shared a small bedroom in a small house

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<v Speaker 1>sort of row house townhouse, and my father was a

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<v Speaker 1>newspaper editor. He worked what was called the lobster shift,

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<v Speaker 1>which meant you worked from six pm until three am

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<v Speaker 1>closing the morning edition. And my brother and I shared

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<v Speaker 1>this room, and I was in kindergarten and my brother

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<v Speaker 1>was in second grade. So it was very common that

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<v Speaker 1>we would wake up and come downstairs for breakfast, and

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<v Speaker 1>my father would be there already, having just come home,

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<v Speaker 1>and he would wait up for us at breakfast and

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<v Speaker 1>then usually sort of go to sleep. But it was

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<v Speaker 1>a beautiful sunny morning. I remember it because the sun

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<v Speaker 1>was kind of searing the edges of the shade that

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<v Speaker 1>was drawn in our bedroom. And our mother came in

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<v Speaker 1>to wake us up, and I always remember she was

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<v Speaker 1>just very happy. And as she was waking us up,

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<v Speaker 1>we slept in these twin beds side by side. The

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<v Speaker 1>doorbell rang, which was unusual. My mother went to the

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<v Speaker 1>shade and in our bedroom and she raised the shade,

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<v Speaker 1>and she remember standing on my brother's bed with him

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<v Speaker 1>with my mother and looking down and seeing my grandparents,

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<v Speaker 1>my mother's parents, and my father's brother on the back porch.

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<v Speaker 1>And the next thing I remember is my mother had

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<v Speaker 1>gone downstairs, and my brother and I standing on the

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<v Speaker 1>top of the staircase and we could hear her crying,

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<v Speaker 1>and my brother and I went downstairs, stood on the

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<v Speaker 1>edge of the kitchen and I and my uncle turning

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<v Speaker 1>to my mother, who was sitting on the chair and saying,

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<v Speaker 1>the boys are here. And at that point she pulled

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<v Speaker 1>us together and said, your father's dead. And that was

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<v Speaker 1>the morning. Describe your father for me. Describe him as

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<v Speaker 1>you remember him in you know, in the brief time

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<v Speaker 1>that you had with him. I don't think you answer

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<v Speaker 1>for asked me that question. I have two memories. One

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<v Speaker 1>is I remember he loved to wrestle with my brother

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<v Speaker 1>and me, And by that I mean I can remember

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<v Speaker 1>after dinner on the living room floor just doing what

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<v Speaker 1>a father does, who's letting two boys sort of crawl

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<v Speaker 1>over him and, you know, sort of test your strength

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<v Speaker 1>against him. And I also remember, you know, after dinner,

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<v Speaker 1>he would be at the table and he'd usually often

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<v Speaker 1>have happen some of him holding up a palm for

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<v Speaker 1>each of us, my brother and myself, sitting in his

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<v Speaker 1>kitchen chair. Yeah, and one poem in front of my brother,

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<v Speaker 1>one palm in front of me, and each of us

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<v Speaker 1>making little fists and sort of punching at his open palm,

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<v Speaker 1>and him sort of exaggerated like, oh, it's so strong,

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<v Speaker 1>you guys are so strong. I also remember him teaching

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<v Speaker 1>me to write a two wheel blake. So I remember

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<v Speaker 1>those things, small moments like that, vivid, you know, concrete,

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<v Speaker 1>But I don't remember any words. And how about your

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<v Speaker 1>mother from that time? I mean with your mother, you

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<v Speaker 1>have a before and you haven't after your father, you

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<v Speaker 1>only have a before. Two memories, I'd say have ur

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<v Speaker 1>I was. I was also a boy who seems to

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<v Speaker 1>have gotten into a number of scrapes. By that, I

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<v Speaker 1>mean I once knocks to teeth out. They had to

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<v Speaker 1>take me to a hospital for stitches. I once fell

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<v Speaker 1>and sort of cut my head open. And it seems

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<v Speaker 1>like my my memories of my mother were always kind

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<v Speaker 1>of scooping me up and take me to the hospital

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<v Speaker 1>for stitches and um. But I again, I don't really

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<v Speaker 1>I don't remember words. I couldn't tell you anything that

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<v Speaker 1>they ever really said to me until that morning. And

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<v Speaker 1>you do remember the words from that morning. But it's

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<v Speaker 1>interesting too that what have you remember the weather? Because

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<v Speaker 1>I have this theory about trauma and the weather and memory,

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<v Speaker 1>and there's just something about or even I mean for me,

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<v Speaker 1>like what I was wearing in woman's like that, or

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<v Speaker 1>everything becomes very very vivid in a in a kind

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<v Speaker 1>of sensory way and just becomes sort of imprinted. You're

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<v Speaker 1>exactly right, and and forever I've not like the Spring

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<v Speaker 1>and which is married now, but when I used to date,

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<v Speaker 1>and I'll be like, oh my god, Spring, it's so fun.

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<v Speaker 1>It's as I could never pinpoint why I would sink

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<v Speaker 1>into some kind of depression worse than usual in springtime.

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<v Speaker 1>And I think it's some deep vibration that it's just there.

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<v Speaker 1>You then you and your brother and your mother go

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<v Speaker 1>on with your lives and she's now a single mom,

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<v Speaker 1>and you and your brother are growing up without a dad.

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<v Speaker 1>What did you as you were growing up understand about

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<v Speaker 1>your father's death? We were told that he had been

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<v Speaker 1>working late, as he always does, and that he when

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<v Speaker 1>he had left the office of the newspaper was walking

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<v Speaker 1>to his car and had a heart attack and died

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<v Speaker 1>on the street and some police found him, and that's

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<v Speaker 1>what happened to him. And in those years of your

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<v Speaker 1>childhood and being a teenager, how did that sit with you?

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<v Speaker 1>Did you question that story at all? All the time?

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<v Speaker 1>And I think this is what if you've had traum,

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<v Speaker 1>you will understand it. If and if you haven't, maybe

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<v Speaker 1>you will too. But seven, eight nine years old idea

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<v Speaker 1>and I just you know, you will tell me again, mom,

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<v Speaker 1>what happened? Right? And I think this is even informed

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<v Speaker 1>by the basic watching TV shows when you're a kid

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<v Speaker 1>and you see how the police work, and beginning with

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<v Speaker 1>i'd say, but I don't understand why did Uncle Dick

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<v Speaker 1>come and tell us? Why didn't the police come and

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<v Speaker 1>tell us? Because that's what happens in the TV shows.

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<v Speaker 1>My mom would say, Oh, I don't know, that's just

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<v Speaker 1>the way it was. I mean, I you know, she

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<v Speaker 1>was not I think, actively deceiving me. It's just like, well,

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<v Speaker 1>that's just she didn't think either, But it was it

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<v Speaker 1>just I think part of it was I would hear like, well,

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<v Speaker 1>he died on the street, and I would just, being

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<v Speaker 1>like I said, eight nine, ten years old, I would

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<v Speaker 1>just lay in bed a night and picture him dead

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<v Speaker 1>on a street in Chicago and the police finding him,

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<v Speaker 1>and then okay, so then why do they call Uncle Dick?

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<v Speaker 1>Why wouldn't they call the house? And beginning at that age,

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<v Speaker 1>it's just then square with me. I think about it

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<v Speaker 1>all the time, and yet my house was a house

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<v Speaker 1>of enormous silence, and so I never really asked my

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<v Speaker 1>mother that much whim. Every so often I'd find the

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<v Speaker 1>courage to ask her, why do you think? Or why

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<v Speaker 1>what about this? But I lived in such through the

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<v Speaker 1>mind of a child I see now who suffered trauma.

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<v Speaker 1>I lived with great fear that if I upset her,

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<v Speaker 1>I could lose her too. I would believe it. So

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<v Speaker 1>I kept a lot of these questions to myself, and

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<v Speaker 1>I would just work them over in my own mind,

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<v Speaker 1>even though I was desperate to ask her. Someone what

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<v Speaker 1>they might know what I never did. We'll be right back.

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<v Speaker 1>In that enormous silence that so often surrounds trauma, a

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<v Speaker 1>child's mind plays tricks. I think this happens to all

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<v Speaker 1>of us who have experienced a cleaving loss, but particularly

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<v Speaker 1>a young child who has no tools, no way to deal.

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<v Speaker 1>And so Michael is ever vigilant. His magical thinking tells

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<v Speaker 1>him that loss begets loss, tragedy, tragedy. He can control

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<v Speaker 1>the world and keep his mother, his brother, and himself

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<v Speaker 1>safe if he stays watchful but silent. You grow up

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<v Speaker 1>and become a journalist. In a way, even the questions

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<v Speaker 1>the wise that you were asking as a child were

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<v Speaker 1>the questions of someone who might grow up and become

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<v Speaker 1>a journalist. Need to drill down, need to know, need

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<v Speaker 1>to get to the bottom of the story. I know

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<v Speaker 1>there's a part of me that made the decision to

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<v Speaker 1>live out his life. Because what you have to understand

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<v Speaker 1>is my father kept these meticulous scrap books from the

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<v Speaker 1>time he was probably in kindergarten, and they go from

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<v Speaker 1>kindergarten through college through grad school. And they were really

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<v Speaker 1>all I had of him. And they were kept in

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<v Speaker 1>the bottom of this bookcase. And I discovered them when

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<v Speaker 1>I was a boy, and I would always wait until

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<v Speaker 1>my mother was out of the house and then I

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<v Speaker 1>would go to them, and to me, they were this

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<v Speaker 1>almost like I hope I'm using this story away with

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<v Speaker 1>like this talmudic kind of documented to all these evidence

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<v Speaker 1>to piece together a life. I would see this boy

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<v Speaker 1>growing up, everything from report cards to mother's day cards

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<v Speaker 1>he made for his mother when he was eight, to

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<v Speaker 1>seeing him writing stories for the high school newspaper and

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<v Speaker 1>reading them. And I thought, and so when you ask

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<v Speaker 1>earlier about what was his voice, I don't. I never

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<v Speaker 1>heard his voice, but I could see this voice being

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<v Speaker 1>made manifest and watching and grow. In Grimar school, I

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<v Speaker 1>had teachers who recognized my ability to write, so you know,

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<v Speaker 1>as I got older and well, I know how to write.

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<v Speaker 1>And so I think it's sort of my sense of

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<v Speaker 1>self was meeting this what I thought was an unrealized

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<v Speaker 1>self of his life, and I thought, well, maybe I

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<v Speaker 1>can remember thinking I'm going to fulfill his unfulfilled life

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<v Speaker 1>and I'm going to make myself known as the son

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<v Speaker 1>of Bob Hainey. So there's a large part of that

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<v Speaker 1>that I see. But I also wonder maybe I was

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<v Speaker 1>supposed to do something else. Well, I was shaped by

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<v Speaker 1>our experiences. I mean, that's and we're shaped by our losses.

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<v Speaker 1>And you know, I often say, you know, you change

0:15:00.320 --> 0:15:04.120
<v Speaker 1>one thing, then everything changes. It's so unusual that he

0:15:04.280 --> 0:15:07.480
<v Speaker 1>kept these scrap books for a man, first of all,

0:15:08.200 --> 0:15:10.920
<v Speaker 1>and he strikes me as something much more common that

0:15:11.040 --> 0:15:14.040
<v Speaker 1>girls would do. Then boys are also the parents would

0:15:14.040 --> 0:15:19.400
<v Speaker 1>do for their children, as opposed to actually documenting his life,

0:15:19.800 --> 0:15:23.840
<v Speaker 1>you know, piecing that together. I mean, it's it's sentimental

0:15:23.960 --> 0:15:27.600
<v Speaker 1>to say as if he almost knew that, you know,

0:15:27.640 --> 0:15:29.800
<v Speaker 1>that he was leaving something behind so that you could

0:15:29.880 --> 0:15:33.320
<v Speaker 1>understand or track him through his own life up until

0:15:33.360 --> 0:15:35.680
<v Speaker 1>that point. What did it look like? What did the

0:15:35.760 --> 0:15:38.360
<v Speaker 1>what did the scrap books look like? They're you know,

0:15:38.800 --> 0:15:43.040
<v Speaker 1>Depression era and sort of big portfolios with string holding

0:15:43.080 --> 0:15:46.800
<v Speaker 1>them together. And the pages are that thick rough almost

0:15:46.880 --> 0:15:50.520
<v Speaker 1>like now it's all faded rough paper and hoot of

0:15:50.520 --> 0:15:53.360
<v Speaker 1>glue down. And you know, you can see them being

0:15:53.400 --> 0:15:57.040
<v Speaker 1>bought at the five and dime store and um out

0:15:57.040 --> 0:16:00.160
<v Speaker 1>in Nebraska where he grew up. And and you know,

0:16:00.360 --> 0:16:03.200
<v Speaker 1>I wonder what he was thinking, this, this desire to

0:16:03.320 --> 0:16:08.920
<v Speaker 1>document his life, you know, to preserve his life. One

0:16:08.960 --> 0:16:13.000
<v Speaker 1>thing that's really interesting is there are some letters that

0:16:13.440 --> 0:16:18.560
<v Speaker 1>he wrote two girl friends or a girl, a girl

0:16:18.680 --> 0:16:21.160
<v Speaker 1>or two that he had a crush on in high school.

0:16:22.600 --> 0:16:25.320
<v Speaker 1>And I don't know why I have had them, but

0:16:26.040 --> 0:16:29.320
<v Speaker 1>I remember reading them, and I remember they were filled

0:16:29.320 --> 0:16:34.600
<v Speaker 1>with such yearning and also such vulnerability and even self doubt.

0:16:34.760 --> 0:16:38.040
<v Speaker 1>And I'm just thinking that when you're ask again about voice,

0:16:38.040 --> 0:16:41.480
<v Speaker 1>I remember his voice. No, but I remember that voice,

0:16:41.520 --> 0:16:45.800
<v Speaker 1>and that voice voice, remember imitating it. I'm imitating it

0:16:45.840 --> 0:16:50.120
<v Speaker 1>with when I started to be fifteen sixteen, and he

0:16:50.160 --> 0:16:54.240
<v Speaker 1>was very vulnerable and kind and very like me. He

0:16:54.320 --> 0:16:57.040
<v Speaker 1>was over sensitive. And you know this one someone told

0:16:57.040 --> 0:17:00.440
<v Speaker 1>me when I was reporting the story, is he was

0:17:00.480 --> 0:17:05.080
<v Speaker 1>so hard on himself and but wait a minute, that's me,

0:17:05.280 --> 0:17:09.480
<v Speaker 1>you know, And again is it did I have that

0:17:09.720 --> 0:17:11.679
<v Speaker 1>in me? Or did I see his voice and start

0:17:11.720 --> 0:17:14.520
<v Speaker 1>to then invalidate it. I don't know, but he was.

0:17:14.960 --> 0:17:20.679
<v Speaker 1>He was a very vulnerable boy, teenager and yet very smart.

0:17:20.720 --> 0:17:24.359
<v Speaker 1>But I think, very hard on himself. Interesting because you

0:17:24.359 --> 0:17:27.160
<v Speaker 1>you spent your life, most of your life not knowing him,

0:17:27.240 --> 0:17:29.639
<v Speaker 1>and yet what you're describing as something that many people

0:17:29.720 --> 0:17:35.359
<v Speaker 1>never know about their parents. So how old were you

0:17:35.400 --> 0:17:40.840
<v Speaker 1>when you've found the obituaries of your father. I was

0:17:41.680 --> 0:17:44.960
<v Speaker 1>seventeen eighteen in high school and I had to write

0:17:44.960 --> 0:17:50.120
<v Speaker 1>a term paper and I was doing research on microfilm,

0:17:51.000 --> 0:17:53.280
<v Speaker 1>and I just had the thought that, you know, he

0:17:53.359 --> 0:17:58.199
<v Speaker 1>was a journalist and he was prominent. I wonder what

0:17:58.320 --> 0:18:00.640
<v Speaker 1>the newspapers wrote about him, what the open where he said.

0:18:01.160 --> 0:18:04.880
<v Speaker 1>There were four newspapers that wrote up the obituary about him.

0:18:05.080 --> 0:18:09.320
<v Speaker 1>Two had just a story that he, you know, had

0:18:09.359 --> 0:18:11.760
<v Speaker 1>died and there was but then two of them had

0:18:11.800 --> 0:18:14.399
<v Speaker 1>this detail in them and said he had died after

0:18:14.520 --> 0:18:18.560
<v Speaker 1>visiting friends on the thirty block of North Pine Grove

0:18:18.600 --> 0:18:22.600
<v Speaker 1>in Chicago. And I can remember sitting there reading, well,

0:18:22.640 --> 0:18:27.200
<v Speaker 1>that's weird. Number one, come if I he has friends

0:18:27.280 --> 0:18:29.800
<v Speaker 1>up there there and he was visiting them. That none

0:18:29.800 --> 0:18:32.000
<v Speaker 1>of these friends ever said to me, G Mike, I

0:18:32.040 --> 0:18:34.399
<v Speaker 1>saw your dad just before he died. I want you

0:18:34.440 --> 0:18:37.680
<v Speaker 1>to know he said this about you, or like there

0:18:37.720 --> 0:18:41.080
<v Speaker 1>was never any friends who raised their hand for that night.

0:18:41.520 --> 0:18:43.560
<v Speaker 1>Number Two, that we knew, no one as far as

0:18:43.600 --> 0:18:46.400
<v Speaker 1>I knew, who lived in that area of Chicago. Number three,

0:18:46.760 --> 0:18:50.520
<v Speaker 1>that area Chicago is nowhere even remotely island the way home,

0:18:50.760 --> 0:18:54.640
<v Speaker 1>that he wouldn't have him taken. But this sugar went

0:18:54.680 --> 0:18:58.720
<v Speaker 1>down my spine that I had found something forbidden that

0:18:58.880 --> 0:19:02.800
<v Speaker 1>I probably should not be reading. And though I wanted

0:19:02.840 --> 0:19:05.920
<v Speaker 1>to ask my mother and show her what I just found,

0:19:06.600 --> 0:19:11.160
<v Speaker 1>I made copies of the micro film and I took

0:19:11.240 --> 0:19:13.720
<v Speaker 1>him home and I just hid them in a box

0:19:13.840 --> 0:19:16.840
<v Speaker 1>under my bed. And that was when I was seventeen

0:19:16.880 --> 0:19:20.800
<v Speaker 1>eighteen and kind of moved on. But still there was

0:19:20.840 --> 0:19:24.200
<v Speaker 1>that knock on the door all the time when you're

0:19:24.880 --> 0:19:28.439
<v Speaker 1>sitting there thinking, and that knoxing you really should be

0:19:28.440 --> 0:19:32.239
<v Speaker 1>looking at me, Yeah, I mean it's for forbidden, and

0:19:32.320 --> 0:19:37.960
<v Speaker 1>also confirming of something, yeah, and confirming ten twelve years

0:19:38.000 --> 0:19:42.679
<v Speaker 1>of suspicion. So then you go off to college and

0:19:42.760 --> 0:19:46.760
<v Speaker 1>you start living your life, and at what point does

0:19:46.880 --> 0:19:51.760
<v Speaker 1>that knocking get louder? The knocking gets louder. Just about

0:19:51.800 --> 0:19:54.879
<v Speaker 1>the time I was thirty three thirty four, starting to

0:19:54.960 --> 0:19:58.480
<v Speaker 1>crest towards the age my father was when he died,

0:19:59.280 --> 0:20:04.280
<v Speaker 1>and I had again. It might not sound believable to

0:20:04.359 --> 0:20:06.960
<v Speaker 1>some people, but if you've had trauma, you would understand.

0:20:07.600 --> 0:20:09.960
<v Speaker 1>From the time I was seven eight nine, I really

0:20:10.880 --> 0:20:15.760
<v Speaker 1>was confirmed in my belief that I would not outlive him,

0:20:15.800 --> 0:20:19.360
<v Speaker 1>and that it was even a reason why I did

0:20:19.400 --> 0:20:22.920
<v Speaker 1>not I want to get married, and if I did

0:20:22.960 --> 0:20:24.800
<v Speaker 1>get married, I was not going to have children because

0:20:24.800 --> 0:20:26.439
<v Speaker 1>I did not want to die on them, and what

0:20:26.560 --> 0:20:30.240
<v Speaker 1>was the point. So really, as I m started to

0:20:30.320 --> 0:20:35.040
<v Speaker 1>cress towards the age he died, which was thirty five,

0:20:35.760 --> 0:20:40.440
<v Speaker 1>I sort of really went into a an emotional crisis.

0:20:40.720 --> 0:20:45.080
<v Speaker 1>And I was seeing a doctor, you know, intensive kind

0:20:45.119 --> 0:20:49.159
<v Speaker 1>of analysis. And when I sort of started seeing I

0:20:49.160 --> 0:20:53.639
<v Speaker 1>mean she said, well, you're basically having a functioning breakdown.

0:20:54.640 --> 0:20:58.360
<v Speaker 1>I was able to go on with things Monday through Friday,

0:20:58.359 --> 0:21:01.480
<v Speaker 1>but you know, and at nights and then at home.

0:21:01.520 --> 0:21:04.560
<v Speaker 1>I sort of really that that year, So leading up

0:21:04.560 --> 0:21:08.359
<v Speaker 1>to it was really very difficult, and I think what

0:21:08.960 --> 0:21:11.240
<v Speaker 1>made me think is I just have to find this answer,

0:21:11.760 --> 0:21:14.800
<v Speaker 1>and that's what really traveled me toward it. It should

0:21:14.840 --> 0:21:19.000
<v Speaker 1>be said too, that you were a very successful working

0:21:19.000 --> 0:21:22.880
<v Speaker 1>writer and journalist during this time that you were functioning

0:21:23.440 --> 0:21:26.160
<v Speaker 1>in that, you know, nine to five during the week way,

0:21:26.760 --> 0:21:30.520
<v Speaker 1>which I think that really bears saying and also talking

0:21:30.560 --> 0:21:32.600
<v Speaker 1>about a little bit, because I think it's true of

0:21:32.680 --> 0:21:36.439
<v Speaker 1>so many people, um that there is a way in

0:21:36.480 --> 0:21:40.720
<v Speaker 1>which you can kind of have a place in the

0:21:40.760 --> 0:21:43.479
<v Speaker 1>world in which, you know, for many people into their

0:21:43.480 --> 0:21:47.480
<v Speaker 1>work lives where outwardly everything seems perfectly fine. I would

0:21:47.520 --> 0:21:49.840
<v Speaker 1>imagine that your colleagues and the people that you were

0:21:49.880 --> 0:21:52.399
<v Speaker 1>working with had no idea that you were having this

0:21:52.520 --> 0:21:55.840
<v Speaker 1>kind of functioning breakdown. Yeah, and I think you know,

0:21:55.960 --> 0:21:58.320
<v Speaker 1>from what we know about trauma, I mean that people

0:21:58.400 --> 0:22:02.080
<v Speaker 1>survived trauma and you have no idea whether it's something

0:22:02.840 --> 0:22:07.080
<v Speaker 1>some PTSD in combat or you know, we've read about

0:22:07.880 --> 0:22:12.119
<v Speaker 1>people who survived Nazi camps, or you know, people who

0:22:12.160 --> 0:22:15.920
<v Speaker 1>survived horrible sexual trauma. You know, you you you learn

0:22:16.000 --> 0:22:19.600
<v Speaker 1>to compartmentalize, right, You learned to get on with your

0:22:19.640 --> 0:22:21.800
<v Speaker 1>life and you you want you that is all part

0:22:21.800 --> 0:22:25.200
<v Speaker 1>of the moving forward or not letting this thing define

0:22:25.280 --> 0:22:29.160
<v Speaker 1>you or destroy you. However, it's going to always keep

0:22:29.840 --> 0:22:34.280
<v Speaker 1>knocking on that door unless one sits down with it

0:22:34.359 --> 0:22:37.600
<v Speaker 1>and really answers to it and ask it asked for answers.

0:22:37.840 --> 0:22:41.800
<v Speaker 1>So I think it did. As I've said. It's I've

0:22:41.840 --> 0:22:45.800
<v Speaker 1>been not confronting those suspicions and going in search of

0:22:46.640 --> 0:22:49.560
<v Speaker 1>the answers that I needed to at least make a

0:22:49.640 --> 0:22:53.399
<v Speaker 1>run for if I was going to be complete. I

0:22:53.520 --> 0:22:58.119
<v Speaker 1>was incomplete. So Michael commences the search he's been putting

0:22:58.160 --> 0:23:02.040
<v Speaker 1>off in some ways all his life. He begins with

0:23:02.080 --> 0:23:05.520
<v Speaker 1>his mother. He tells her he wants to write about

0:23:05.560 --> 0:23:08.080
<v Speaker 1>his dad and get in touch with the old circle

0:23:08.119 --> 0:23:10.720
<v Speaker 1>of newspaper guys who would have known him and worked

0:23:10.760 --> 0:23:14.240
<v Speaker 1>with him. It wasn't only about getting to the bottom

0:23:14.280 --> 0:23:17.440
<v Speaker 1>of what had happened on that April night in nineteen seventy.

0:23:18.240 --> 0:23:21.040
<v Speaker 1>He wanted to know the man he had lost. He

0:23:21.080 --> 0:23:24.480
<v Speaker 1>wanted to learn more about Bob Hainey's boyhood and how

0:23:24.480 --> 0:23:27.159
<v Speaker 1>he left the small dustbowl town in Nebraska where he

0:23:27.200 --> 0:23:30.320
<v Speaker 1>had been raised and found the means and ambition to

0:23:30.359 --> 0:23:34.840
<v Speaker 1>get himself to Chicago. Fundamentally, Michael was asking the questions

0:23:34.880 --> 0:23:37.560
<v Speaker 1>that lead to the answer of how he came to be.

0:23:38.840 --> 0:23:42.720
<v Speaker 1>Imagine a world of older, perhaps now retired, newspaper men.

0:23:43.480 --> 0:23:46.560
<v Speaker 1>A tough breed, these men, and they were mostly men

0:23:47.160 --> 0:23:50.320
<v Speaker 1>who reported on the streets of Chicago then drank away

0:23:50.359 --> 0:23:53.600
<v Speaker 1>their cares at the local watering hole. There's a tight

0:23:53.720 --> 0:23:56.359
<v Speaker 1>bond among journalists who work shoulder to shoulder at the

0:23:56.400 --> 0:24:00.000
<v Speaker 1>same paper. They stick together, look out for one another

0:24:00.000 --> 0:24:04.960
<v Speaker 1>her So when Michael begins to report the story, he's

0:24:05.000 --> 0:24:09.280
<v Speaker 1>met with a range of reactions. Mostly he's being stonewalled.

0:24:10.119 --> 0:24:12.040
<v Speaker 1>Some of these guys are willing to meet up with him,

0:24:12.359 --> 0:24:14.560
<v Speaker 1>talk with him, but when it comes to the night

0:24:14.600 --> 0:24:20.280
<v Speaker 1>of his father's death, he gets nothing. And remember Michael

0:24:20.400 --> 0:24:24.000
<v Speaker 1>is a seasoned reporter himself, one of the best. He

0:24:24.080 --> 0:24:27.840
<v Speaker 1>has all these skills, this background as a journalist, but

0:24:27.920 --> 0:24:31.359
<v Speaker 1>he's not getting answers. This goes on for a good

0:24:31.520 --> 0:24:35.439
<v Speaker 1>solid year, but eventually he gets a couple of breaks

0:24:35.640 --> 0:24:40.440
<v Speaker 1>he never could have imagined. In the essential basic reporting

0:24:40.480 --> 0:24:43.520
<v Speaker 1>of what I was doing, I was led to two

0:24:43.520 --> 0:24:47.879
<v Speaker 1>women who changed my life and change the trajectory of

0:24:47.920 --> 0:24:51.840
<v Speaker 1>my life and made my story possible. One was a

0:24:51.840 --> 0:24:56.280
<v Speaker 1>woman named jan who worked at the Morgue in Chicago,

0:24:57.119 --> 0:25:00.240
<v Speaker 1>and another was Lynn, who worked at the hospital my

0:25:00.280 --> 0:25:04.840
<v Speaker 1>father was body was taken after he died, and they

0:25:04.840 --> 0:25:08.000
<v Speaker 1>were both working at two of the grimmest places you

0:25:08.040 --> 0:25:12.840
<v Speaker 1>might imagine. Jan in the Morgue. Literally, like when I

0:25:12.880 --> 0:25:15.200
<v Speaker 1>first met her, I always say, like, there she was

0:25:15.560 --> 0:25:20.120
<v Speaker 1>in this sort of behind this plexiglass window where she's

0:25:20.160 --> 0:25:24.040
<v Speaker 1>got her whole job is to encounter people who were

0:25:24.080 --> 0:25:28.040
<v Speaker 1>coming to claim bodies of loved ones. That was her

0:25:28.560 --> 0:25:31.199
<v Speaker 1>eight hour day job. And I walked up to her

0:25:31.240 --> 0:25:33.840
<v Speaker 1>and talked through a little hole and looked down, and

0:25:33.880 --> 0:25:37.560
<v Speaker 1>she's got two bibles open, side by side, And I said,

0:25:38.560 --> 0:25:40.679
<v Speaker 1>the journalist to me, I said, that's interesting. Why do

0:25:40.720 --> 0:25:44.760
<v Speaker 1>you have two bibles? And she said, Old Testament, New Testament.

0:25:44.880 --> 0:25:47.800
<v Speaker 1>You've got to know what was fore told and what

0:25:47.920 --> 0:25:52.280
<v Speaker 1>was delivered. And she was, as I said, worked in

0:25:52.320 --> 0:25:55.760
<v Speaker 1>one of the grimmest places in the world, but filled

0:25:55.800 --> 0:25:59.919
<v Speaker 1>me with such life and optimism and made a profound

0:26:00.000 --> 0:26:02.800
<v Speaker 1>difference in my life. And she's the one who then suggested,

0:26:03.520 --> 0:26:05.959
<v Speaker 1>so do you need to go to the hospital. You

0:26:06.000 --> 0:26:08.399
<v Speaker 1>need to find the records. But I went to the

0:26:08.480 --> 0:26:11.560
<v Speaker 1>hospital where he was taken, and I went down to

0:26:11.600 --> 0:26:14.760
<v Speaker 1>the records room, which is as I say, paper is

0:26:14.800 --> 0:26:17.119
<v Speaker 1>like water. It seeks its own level, which is usually

0:26:17.119 --> 0:26:22.080
<v Speaker 1>in a basement. And I found this woman Lynn, and

0:26:22.160 --> 0:26:24.920
<v Speaker 1>I just told her what I needed. She looked, shouldn't

0:26:24.960 --> 0:26:27.480
<v Speaker 1>have it. And about a year and a half went

0:26:27.520 --> 0:26:29.639
<v Speaker 1>by where I had I didn't have any answers, and

0:26:29.680 --> 0:26:31.920
<v Speaker 1>I just sort of put aside the search. I got

0:26:31.960 --> 0:26:34.520
<v Speaker 1>a call one day from Lynn and she said, is

0:26:34.520 --> 0:26:36.520
<v Speaker 1>this Michael. I said yeah, She said, this is Lynn.

0:26:37.160 --> 0:26:38.919
<v Speaker 1>Do you remember me. I said yes, I do, and

0:26:38.960 --> 0:26:42.520
<v Speaker 1>she said, you know, I just couldn't stop thinking about you.

0:26:43.560 --> 0:26:47.280
<v Speaker 1>And I thought, it's a terrible thing that you don't

0:26:47.320 --> 0:26:50.440
<v Speaker 1>have answers. And she said, you know, I always felt

0:26:50.440 --> 0:26:53.040
<v Speaker 1>bad I couldn't find those records because I knew they

0:26:53.040 --> 0:26:55.480
<v Speaker 1>had to be here. And she said, so today I

0:26:55.520 --> 0:26:57.880
<v Speaker 1>went to the cabinet. I pulled out the filing cabinet,

0:26:58.240 --> 0:27:01.080
<v Speaker 1>pulled every drawer out, and there was your father's record

0:27:01.119 --> 0:27:03.480
<v Speaker 1>that had fallen on the bottom, and they have it.

0:27:04.800 --> 0:27:10.320
<v Speaker 1>I can't make that up. These two women, Jan and

0:27:10.440 --> 0:27:16.040
<v Speaker 1>Lynn appear almost as angels in Michael's search. What's remarkable

0:27:16.119 --> 0:27:18.840
<v Speaker 1>is that each of them, instead of just doing their jobs,

0:27:18.840 --> 0:27:22.600
<v Speaker 1>and saying nope, sorry, no information available here. Each of

0:27:22.640 --> 0:27:27.320
<v Speaker 1>them keeps thinking about his story. Years go by from

0:27:27.320 --> 0:27:30.000
<v Speaker 1>the time Michael first meets them in the morgue, in

0:27:30.040 --> 0:27:33.560
<v Speaker 1>the hospital, places where people are often inured to the

0:27:33.600 --> 0:27:38.240
<v Speaker 1>suffering of others simply by overexposure, but each of them

0:27:38.320 --> 0:27:43.160
<v Speaker 1>keeps thinking, or in Jan's case, praying. She called me,

0:27:43.960 --> 0:27:47.040
<v Speaker 1>how is at work? As in my office? And this

0:27:47.240 --> 0:27:50.560
<v Speaker 1>is you know, four or five years into this search

0:27:50.640 --> 0:27:54.919
<v Speaker 1>and I was working on the story, had discovered certain

0:27:54.920 --> 0:27:57.960
<v Speaker 1>truth that I was afraid to then bring to my mother.

0:27:58.800 --> 0:28:01.600
<v Speaker 1>And I got a phone called day and I hadn't

0:28:01.600 --> 0:28:03.959
<v Speaker 1>talked to Jan probably in three or four years, and

0:28:04.000 --> 0:28:06.359
<v Speaker 1>she and she said, I was hearing you in my

0:28:06.480 --> 0:28:10.840
<v Speaker 1>prayers and you need help. And again people think I'm

0:28:10.840 --> 0:28:14.040
<v Speaker 1>making this up, but I'm not. And this is what

0:28:14.240 --> 0:28:17.000
<v Speaker 1>life will bring to you if you put yourself in

0:28:17.320 --> 0:28:20.720
<v Speaker 1>on a path sometimes and she said, you have a choice,

0:28:20.720 --> 0:28:24.600
<v Speaker 1>She said, I can you have seen you. You've just

0:28:24.720 --> 0:28:27.240
<v Speaker 1>kind of popped open the lid. You're coming out of

0:28:27.240 --> 0:28:30.000
<v Speaker 1>the box, I mean, and to me, it's it's it

0:28:30.119 --> 0:28:32.000
<v Speaker 1>was almost like I was coming out of a coffin.

0:28:32.680 --> 0:28:36.080
<v Speaker 1>And she said, now, what's your choice? You're gonna throw

0:28:36.119 --> 0:28:37.919
<v Speaker 1>that lid off, or you're gonna let a close on you.

0:28:39.600 --> 0:28:41.640
<v Speaker 1>How she divined that and knew that at the time,

0:28:42.200 --> 0:28:47.200
<v Speaker 1>but it was this exhortation, this, and I can't account

0:28:47.200 --> 0:28:51.640
<v Speaker 1>for it, but there it is. Right. So when Lynn

0:28:51.760 --> 0:28:57.880
<v Speaker 1>found the hospital records, there was a name associated with

0:28:58.520 --> 0:29:00.880
<v Speaker 1>your father's hospital records, which was a name that you

0:29:00.920 --> 0:29:04.000
<v Speaker 1>didn't know. It was no friend I've ever heard of,

0:29:05.120 --> 0:29:08.200
<v Speaker 1>so the name of a woman and gave her address.

0:29:09.360 --> 0:29:13.640
<v Speaker 1>I quickly looked her up on Google, and I had

0:29:13.680 --> 0:29:18.040
<v Speaker 1>discovered that she had died about a year before. So

0:29:18.080 --> 0:29:20.520
<v Speaker 1>I was personally for my own search crest fall and

0:29:20.600 --> 0:29:24.320
<v Speaker 1>I was, but also just wondering what was this woman's life.

0:29:24.320 --> 0:29:26.760
<v Speaker 1>I found some obituary. She had been working at a

0:29:26.800 --> 0:29:30.120
<v Speaker 1>paper with my father and then left shortly there after

0:29:30.160 --> 0:29:33.480
<v Speaker 1>and moved to San Francisco. She was young at the time.

0:29:33.480 --> 0:29:37.480
<v Speaker 1>My father was thirty four or five. She was in

0:29:37.520 --> 0:29:43.440
<v Speaker 1>her late twenties. And then I found another person another,

0:29:44.480 --> 0:29:47.880
<v Speaker 1>a person that my mother didn't know. It had been

0:29:47.880 --> 0:29:50.800
<v Speaker 1>a colleague of my father's, guy named Tom Moffatt. I

0:29:50.880 --> 0:29:54.520
<v Speaker 1>called him up one night and he said, oh, let

0:29:54.520 --> 0:29:57.320
<v Speaker 1>me call you tomorrow. Called them back and the reason

0:29:57.360 --> 0:30:00.040
<v Speaker 1>he put me off, as he told me later, he

0:30:00.200 --> 0:30:02.040
<v Speaker 1>just had a couple of beers and he was afraid

0:30:02.080 --> 0:30:04.880
<v Speaker 1>he was going to spill something. But I guess the

0:30:05.000 --> 0:30:07.000
<v Speaker 1>night gave him a time, a chance to reflect. And

0:30:07.120 --> 0:30:10.280
<v Speaker 1>what he said to me, he said, I'm going to

0:30:10.520 --> 0:30:13.440
<v Speaker 1>tell you something, and I'm gonna tell you this because

0:30:14.120 --> 0:30:17.200
<v Speaker 1>when I was a kid growing up, he said, my

0:30:17.240 --> 0:30:21.080
<v Speaker 1>mother went away. And he said I was about fourteen,

0:30:22.040 --> 0:30:26.120
<v Speaker 1>and he said, when she went away, you know in

0:30:26.200 --> 0:30:30.600
<v Speaker 1>quotation marks, he said, I always thought she didn't love me.

0:30:31.360 --> 0:30:34.200
<v Speaker 1>And when I found out later was she had suffered

0:30:34.240 --> 0:30:39.440
<v Speaker 1>a nervous breakdown, going to various facilities. And he said,

0:30:39.440 --> 0:30:41.600
<v Speaker 1>with my father, and tell me the truth. And he said,

0:30:41.640 --> 0:30:45.240
<v Speaker 1>lo and bold. Decades later, I had my own bouts

0:30:45.280 --> 0:30:49.280
<v Speaker 1>with you know, and who knows again, like again, now

0:30:49.320 --> 0:30:52.880
<v Speaker 1>these echoes happened in our lives. Was it because it

0:30:53.000 --> 0:30:56.280
<v Speaker 1>was in him or was it just echoing off of her?

0:30:56.400 --> 0:30:59.000
<v Speaker 1>And he said, so, I think he deserved to know

0:30:59.040 --> 0:31:04.880
<v Speaker 1>the truth. And he said, I was the guy who

0:31:04.960 --> 0:31:08.800
<v Speaker 1>is your dad's alibi, And he told me the truth

0:31:08.840 --> 0:31:13.480
<v Speaker 1>of what happened that night. My father was seeing this woman,

0:31:13.840 --> 0:31:18.640
<v Speaker 1>her name is Bobby, was Bobby, and he died in

0:31:18.720 --> 0:31:25.120
<v Speaker 1>bed at her apartment, and she was young. She was

0:31:25.600 --> 0:31:30.760
<v Speaker 1>clearly that's a horrible situation to be in. She called

0:31:30.840 --> 0:31:35.600
<v Speaker 1>my uncle, who was a newspaper editor and at another

0:31:35.600 --> 0:31:38.440
<v Speaker 1>paper in town. He was a very executive veditor of

0:31:38.480 --> 0:31:43.920
<v Speaker 1>the Chicago Today slash Chicago American. So she called him

0:31:44.000 --> 0:31:47.840
<v Speaker 1>just as she was also calling the police, and he

0:31:48.720 --> 0:31:52.720
<v Speaker 1>showed up with the police. From what I understand, he

0:31:52.840 --> 0:31:56.560
<v Speaker 1>basically got the cops to agree. Listen, this guy had

0:31:56.600 --> 0:31:59.920
<v Speaker 1>two young boys at home, a young wife, can't wait.

0:32:00.160 --> 0:32:03.280
<v Speaker 1>Degree that he died on the street, and that can

0:32:03.360 --> 0:32:06.960
<v Speaker 1>be our story, which my uncle was very close to

0:32:07.000 --> 0:32:09.840
<v Speaker 1>pulling that off. He comes over, he knocks on the door,

0:32:10.760 --> 0:32:13.959
<v Speaker 1>He gets to the newspapers not to print that story.

0:32:14.000 --> 0:32:17.360
<v Speaker 1>But two of the newspapers whoever was writing that obituary

0:32:17.480 --> 0:32:20.400
<v Speaker 1>didn't get the phone call to take that out, so

0:32:20.480 --> 0:32:24.360
<v Speaker 1>that's how it slipped in. Otherwise he would have had

0:32:24.400 --> 0:32:27.400
<v Speaker 1>the perfect cover up, and you know, he would have

0:32:27.720 --> 0:32:31.400
<v Speaker 1>protected quote unquote all of us. But you've got a

0:32:31.440 --> 0:32:34.719
<v Speaker 1>six year old boy saying that doesn't add up, and

0:32:34.760 --> 0:32:37.240
<v Speaker 1>then when you're thirty five thirty six years going in

0:32:37.240 --> 0:32:40.880
<v Speaker 1>search of that, there's a moment in your conversation with

0:32:40.960 --> 0:32:45.520
<v Speaker 1>Tom Moffitt where you're you're saying to him, you know,

0:32:45.560 --> 0:32:48.320
<v Speaker 1>sort of incredulously, like that was altering the scene of

0:32:48.320 --> 0:32:51.360
<v Speaker 1>a crime, I mean, and he says to you, it

0:32:51.480 --> 0:32:54.800
<v Speaker 1>wasn't a crime, it was a tragedy. I found this

0:32:54.840 --> 0:32:57.160
<v Speaker 1>one of the most powerful parts of your book. The

0:32:57.320 --> 0:33:03.880
<v Speaker 1>idea that you know when things happen is at least

0:33:03.920 --> 0:33:10.200
<v Speaker 1>as important as what happens or changes alters what happens. Right, So, Um,

0:33:10.320 --> 0:33:13.360
<v Speaker 1>you know the idea that just a minute in either

0:33:13.440 --> 0:33:18.040
<v Speaker 1>direction and it would have been the simple tragedy. If

0:33:18.480 --> 0:33:20.800
<v Speaker 1>he had been having a drink in the bar before

0:33:20.800 --> 0:33:22.960
<v Speaker 1>he went over to Bobby's, and he had had his

0:33:23.120 --> 0:33:26.960
<v Speaker 1>massive coronary, then then it would have been that would

0:33:26.960 --> 0:33:28.920
<v Speaker 1>have been the story, and you would never have known

0:33:28.920 --> 0:33:32.960
<v Speaker 1>about Bobby. Um. He could have spent the evening with

0:33:33.000 --> 0:33:35.480
<v Speaker 1>Bobby as he had done many times before, and then

0:33:35.760 --> 0:33:38.440
<v Speaker 1>left and started to go home, and then once again

0:33:38.480 --> 0:33:42.160
<v Speaker 1>it would have been the quote unquote simple tragedy. And

0:33:42.240 --> 0:33:44.400
<v Speaker 1>yet all that still would have been the case. Your father,

0:33:44.600 --> 0:33:49.120
<v Speaker 1>your young father was having a long affair with with

0:33:49.160 --> 0:33:51.520
<v Speaker 1>a young woman that he worked with, and that would

0:33:51.520 --> 0:33:55.080
<v Speaker 1>still have been the case um, and so that would

0:33:55.080 --> 0:33:59.800
<v Speaker 1>also have been somehow woven into the sort of d

0:34:00.000 --> 0:34:03.280
<v Speaker 1>in a of you know, the fabric of of his absence,

0:34:03.720 --> 0:34:07.400
<v Speaker 1>that it would have been even more elusive. Yeah, those

0:34:07.480 --> 0:34:11.439
<v Speaker 1>vibrations I call them those ripples across the years. That's

0:34:11.440 --> 0:34:15.279
<v Speaker 1>why these stories resonated, because there whether the cheers or

0:34:15.320 --> 0:34:18.160
<v Speaker 1>mine or other people that have written stories or just

0:34:18.840 --> 0:34:22.319
<v Speaker 1>live these stories, it's something in your soul picks up

0:34:22.360 --> 0:34:26.319
<v Speaker 1>those vibrations and says, MS isn't And if you're tuned

0:34:26.360 --> 0:34:30.440
<v Speaker 1>to it, there it is. But yeah, well amenute. Either way,

0:34:30.920 --> 0:34:35.440
<v Speaker 1>it's a different life, right, it's a different story. So

0:34:35.520 --> 0:34:39.440
<v Speaker 1>now Michael knows he has the answer to the question

0:34:39.480 --> 0:34:43.719
<v Speaker 1>that's been haunting him. So now there's knowledge. But with

0:34:43.760 --> 0:34:48.360
<v Speaker 1>this knowledge comes a whole new layer of complexity. So

0:34:48.560 --> 0:34:52.600
<v Speaker 1>often when we finally discover a secret, we then feel

0:34:52.640 --> 0:34:56.080
<v Speaker 1>the burden of that secret. In effect, we become the

0:34:56.120 --> 0:35:01.640
<v Speaker 1>secret keepers, because now what does Michael do about his mom?

0:35:01.719 --> 0:35:06.080
<v Speaker 1>It was a great relief obviously that I had hunch

0:35:06.239 --> 0:35:10.960
<v Speaker 1>or that feeling was confirmed and that I wasn't wrong

0:35:11.080 --> 0:35:15.200
<v Speaker 1>for feeling all those thoughts and suspicions, But it was

0:35:15.640 --> 0:35:22.880
<v Speaker 1>a horrible burden immediately. And as I said earlier, if

0:35:22.920 --> 0:35:27.280
<v Speaker 1>I looked at my childhood, one thing I always lived

0:35:27.280 --> 0:35:32.280
<v Speaker 1>in fear of was being either cast out or made

0:35:32.880 --> 0:35:36.560
<v Speaker 1>an orphan. And by that I mean losing my mother's love,

0:35:37.719 --> 0:35:41.480
<v Speaker 1>either through something I did to anger her, which I

0:35:41.800 --> 0:35:43.719
<v Speaker 1>know as her childlike you're going to be cast out,

0:35:43.719 --> 0:35:47.800
<v Speaker 1>You're gonna lose that love, or you know, I would

0:35:47.800 --> 0:35:55.799
<v Speaker 1>lose her. And so when I come into ownership of

0:35:55.880 --> 0:36:00.880
<v Speaker 1>this secret my father is a secret I've basically froze.

0:36:01.040 --> 0:36:04.239
<v Speaker 1>And for a good year I just thought, I can't

0:36:04.280 --> 0:36:06.560
<v Speaker 1>write this story. I can't share it. I don't know

0:36:06.600 --> 0:36:09.560
<v Speaker 1>what I'm gonna do now. Because I couldn't bring it

0:36:09.600 --> 0:36:13.400
<v Speaker 1>to her. I knew if I, you know, to complete

0:36:13.400 --> 0:36:15.040
<v Speaker 1>the story, I need to tell her what I have

0:36:15.120 --> 0:36:19.960
<v Speaker 1>found at least have her permission to share our family story.

0:36:20.040 --> 0:36:23.680
<v Speaker 1>And it's the story that involves her is our tragedy.

0:36:23.960 --> 0:36:27.279
<v Speaker 1>And this was where you received the call from jam

0:36:27.440 --> 0:36:30.320
<v Speaker 1>saying I've been I've been praying, even in my prayers,

0:36:30.360 --> 0:36:32.880
<v Speaker 1>and are you going to just close this. I can

0:36:32.920 --> 0:36:35.600
<v Speaker 1>see your I can feel your distress. I can feel

0:36:35.719 --> 0:36:39.120
<v Speaker 1>that something stopped you wort on this book almost ten years.

0:36:39.120 --> 0:36:41.200
<v Speaker 1>And when I started it. I was a single man.

0:36:42.040 --> 0:36:45.600
<v Speaker 1>By the time this period had come, I was with

0:36:45.640 --> 0:36:48.879
<v Speaker 1>my now wife Brook and I'd have would have long

0:36:48.920 --> 0:36:50.880
<v Speaker 1>discussions with her and she would say, you have to

0:36:50.920 --> 0:36:53.680
<v Speaker 1>tell her. I said, what I'm going to destroy her life?

0:36:53.680 --> 0:36:57.640
<v Speaker 1>And she said, all women know, they know. I said,

0:36:58.080 --> 0:37:00.920
<v Speaker 1>what happens if you know? I just said, it's not

0:37:01.000 --> 0:37:06.359
<v Speaker 1>just trusted. When I was on this search, I came

0:37:06.360 --> 0:37:10.360
<v Speaker 1>to everyone and every encounter with not with anger, but

0:37:10.400 --> 0:37:13.960
<v Speaker 1>with love and being like whatever this person says that

0:37:13.960 --> 0:37:17.880
<v Speaker 1>I'm gonna learn something, and my anger about what happened

0:37:17.920 --> 0:37:21.239
<v Speaker 1>is that's past. But if I can navigate my love

0:37:21.280 --> 0:37:25.800
<v Speaker 1>and navigate with you know, the search for the truth

0:37:26.560 --> 0:37:30.640
<v Speaker 1>and not hurting some people, that's what I always tried

0:37:30.680 --> 0:37:32.560
<v Speaker 1>to do, and especially then bringing it to my mother,

0:37:32.600 --> 0:37:35.720
<v Speaker 1>that's what I had to do. So tell me about

0:37:36.239 --> 0:37:40.160
<v Speaker 1>going to pizza with your mother, went home and it's

0:37:40.160 --> 0:37:43.600
<v Speaker 1>just Chicago and one to her favorite Italian place, and

0:37:44.640 --> 0:37:47.239
<v Speaker 1>you know, that's when I said, I have to tell

0:37:47.280 --> 0:37:52.240
<v Speaker 1>you what I found. And and it was a very stoic.

0:37:52.400 --> 0:37:56.520
<v Speaker 1>So I keep saying silent, stoic and unemotional. And you

0:37:56.560 --> 0:37:59.239
<v Speaker 1>can't underestimate her strength. As I've said, before actually is

0:37:59.320 --> 0:38:03.640
<v Speaker 1>thirty three, h no husband, two young children, no money,

0:38:03.760 --> 0:38:08.359
<v Speaker 1>and she did it. So I told her, and she

0:38:08.600 --> 0:38:12.160
<v Speaker 1>really didn't flinch. You know, you're not a flinching person.

0:38:13.080 --> 0:38:15.120
<v Speaker 1>I was so concerned that she was going to think

0:38:15.160 --> 0:38:19.439
<v Speaker 1>I was tearing him down. Instead, she listened and did

0:38:19.440 --> 0:38:24.640
<v Speaker 1>not argue with me. You write something really beautiful at

0:38:24.640 --> 0:38:28.919
<v Speaker 1>the very end of your book, which is your mother

0:38:29.040 --> 0:38:32.080
<v Speaker 1>is recounting something that a friend of hers said about

0:38:32.120 --> 0:38:35.080
<v Speaker 1>your father. She said she felt Dad always was of

0:38:35.120 --> 0:38:39.000
<v Speaker 1>two worlds. He was smart and funny and sensitive and kind,

0:38:39.480 --> 0:38:42.719
<v Speaker 1>but there was a dark, melancholic side. She said, I

0:38:42.760 --> 0:38:45.160
<v Speaker 1>don't think living in this world was easy for your father.

0:38:46.120 --> 0:38:48.520
<v Speaker 1>My mother says, well, this world is all we have.

0:38:49.880 --> 0:38:52.320
<v Speaker 1>She goes silence, and in that moment I see her anew.

0:38:52.719 --> 0:38:55.520
<v Speaker 1>I realized, here I am a son who went looking

0:38:55.520 --> 0:39:01.800
<v Speaker 1>for his father and found his mother. After I finished

0:39:01.800 --> 0:39:04.160
<v Speaker 1>writing a draft of the book and sold it, you know,

0:39:04.239 --> 0:39:06.680
<v Speaker 1>I went home and gave my mother a draft of

0:39:06.680 --> 0:39:10.680
<v Speaker 1>the book because I wanted her to read it before

0:39:10.719 --> 0:39:16.640
<v Speaker 1>I published it, and flew home on a Saturday, put

0:39:16.680 --> 0:39:20.319
<v Speaker 1>the manuscript on the kitchen table. My mother, being my mother,

0:39:20.320 --> 0:39:21.960
<v Speaker 1>said well, I'm not going to read it while you're here,

0:39:23.080 --> 0:39:24.399
<v Speaker 1>and I said, well, I don't want you to read

0:39:24.400 --> 0:39:27.760
<v Speaker 1>it while I'm here. So we spent the day together.

0:39:28.520 --> 0:39:31.239
<v Speaker 1>Flew back home to New York. Two days later, as

0:39:31.239 --> 0:39:34.839
<v Speaker 1>at work, the phone rang, Ah, it is my mother,

0:39:35.160 --> 0:39:39.200
<v Speaker 1>and she said, I just finished reading the book and

0:39:39.239 --> 0:39:43.839
<v Speaker 1>then she started to cry. My heart sank. I was convinced,

0:39:44.800 --> 0:39:47.440
<v Speaker 1>this is the moment I'm cast out, this is the

0:39:47.480 --> 0:39:53.719
<v Speaker 1>moment I've actually broken it. And I said, why are

0:39:53.719 --> 0:39:57.560
<v Speaker 1>you crying? And she said, because it's the most beautiful

0:39:57.560 --> 0:40:00.960
<v Speaker 1>gift you could have ever given me. I said, what

0:40:01.000 --> 0:40:04.160
<v Speaker 1>do you mean? She said, you know, for forty years,

0:40:04.200 --> 0:40:09.200
<v Speaker 1>I've pushed these questions down, so far down that I

0:40:09.200 --> 0:40:11.560
<v Speaker 1>had forgotten about them. But they were always there, and

0:40:11.600 --> 0:40:15.800
<v Speaker 1>now I see that you've These are the answers I

0:40:16.040 --> 0:40:19.200
<v Speaker 1>needed and I should have looked for. And I'm sorry

0:40:19.280 --> 0:40:23.400
<v Speaker 1>that that I wasn't there. Some weeks after this, and

0:40:23.480 --> 0:40:25.919
<v Speaker 1>this is after the manuscript, she would call me every

0:40:25.920 --> 0:40:29.920
<v Speaker 1>so often with something she had just remembered or the

0:40:30.120 --> 0:40:32.120
<v Speaker 1>question she had. For instance, she called me one day

0:40:32.160 --> 0:40:34.239
<v Speaker 1>and she said, you know, I was doing the wash

0:40:34.400 --> 0:40:37.200
<v Speaker 1>this morning, and I know you're gonna think this is strange.

0:40:37.239 --> 0:40:40.680
<v Speaker 1>But I just had this flash of something I remembered.

0:40:40.719 --> 0:40:43.560
<v Speaker 1>I said, what's that actually? Like, I remember one morning

0:40:44.000 --> 0:40:47.840
<v Speaker 1>doing the wash and putting Dad's shirt into the machine

0:40:48.520 --> 0:40:51.839
<v Speaker 1>and I saw lipstick on his collar and I said, well,

0:40:51.880 --> 0:40:56.120
<v Speaker 1>what did you do? And she said, I pushed it under,

0:40:57.520 --> 0:41:00.319
<v Speaker 1>just put it in there, close the lid. I said,

0:41:00.360 --> 0:41:04.760
<v Speaker 1>you did, She said, Michael, you were four or five

0:41:05.200 --> 0:41:09.080
<v Speaker 1>Christmas six or eight. I said, like, if I had

0:41:09.160 --> 0:41:13.280
<v Speaker 1>contemplated that, my world would have fallen apart. I couldn't

0:41:13.320 --> 0:41:15.080
<v Speaker 1>do it. I just had to go on, and I

0:41:15.120 --> 0:41:18.279
<v Speaker 1>made that decision. A few weeks later, she called me

0:41:18.360 --> 0:41:20.880
<v Speaker 1>up and she said, can I ask you a question?

0:41:21.400 --> 0:41:26.920
<v Speaker 1>I said what she said? Do you think if I

0:41:26.920 --> 0:41:31.080
<v Speaker 1>had been a better wife, he would still be here?

0:41:32.520 --> 0:41:37.840
<v Speaker 1>This wouldn't have happened. And again my heart just sank

0:41:39.040 --> 0:41:43.120
<v Speaker 1>because I can only imagine the sadness of that and

0:41:43.160 --> 0:41:47.759
<v Speaker 1>where that's coming from. But I also saw who I

0:41:47.880 --> 0:41:50.800
<v Speaker 1>was as a son decades later on the other side,

0:41:50.840 --> 0:41:53.640
<v Speaker 1>and I could do something that I could do now,

0:41:53.680 --> 0:41:55.879
<v Speaker 1>which was to put my arms around her. And I said,

0:41:56.880 --> 0:41:59.719
<v Speaker 1>I'm glad you said that, because I can tell you no,

0:42:00.120 --> 0:42:02.839
<v Speaker 1>I said, Mom, that's like saying if I had been

0:42:02.880 --> 0:42:06.200
<v Speaker 1>a better son, maybe he wouldn't have done that. They said,

0:42:06.239 --> 0:42:11.839
<v Speaker 1>you know what, he made his choices, and they make

0:42:11.920 --> 0:42:15.480
<v Speaker 1>me sad. We'll never know why he made those choices,

0:42:15.480 --> 0:42:19.600
<v Speaker 1>but it's not a comment on who you are, and

0:42:19.640 --> 0:42:22.920
<v Speaker 1>I wasn't what we are still as a family and

0:42:22.920 --> 0:42:25.960
<v Speaker 1>that we remain as a family, and I think the

0:42:26.040 --> 0:42:29.480
<v Speaker 1>journey brought us closer together the way we hadn't been.

0:42:40.320 --> 0:42:43.200
<v Speaker 1>Many thanks to Michael Haney for trusting me with his story.

0:42:44.120 --> 0:42:47.040
<v Speaker 1>You can find out more about his book after visiting

0:42:47.080 --> 0:42:51.560
<v Speaker 1>Friends a Son's Story by following him on Twitter at

0:42:51.840 --> 0:42:56.359
<v Speaker 1>Michael Haney. That's at Michael Haney. Family Secrets is an

0:42:56.360 --> 0:43:00.000
<v Speaker 1>I Heart Media production. Dylan Fagin is a supervising producer.

0:43:00.040 --> 0:43:03.400
<v Speaker 1>Sir and Julie Douglas and beth Ann Macaluso are the

0:43:03.440 --> 0:43:07.040
<v Speaker 1>executive producers. If you have a family secret you'd like

0:43:07.120 --> 0:43:09.399
<v Speaker 1>to share, you can get in touch with us at

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<v Speaker 1>listener mail at Family Secrets Podcast dot com. You can

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<v Speaker 1>also find me on Instagram at Danny Ryder and Facebook

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<v Speaker 1>at Family Secrets Pod and Twitter at Family Secrets Pod.

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<v Speaker 1>For more about my book Inheritance, visit Danny Shapiro dot

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<v Speaker 1>com for more podcasts. For my heart radio, visit the

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<v Speaker 1>I heart Radio app, Apple podcast, or wherever you listen

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<v Speaker 1>to your favorite shows.