WEBVTT - S2E3 - Parabatai Lost

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<v Speaker 1>Catherine. How are you? It's good to see. How are you, Dominic, Jesus, great, fantastic.

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<v Speaker 1>I don't think I've ever actually called you Dominic. I

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<v Speaker 1>know it's weird, isn't it. It's weird in trouble when

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<v Speaker 1>I get called Dominic. Yeah, well, you're not in trouble today.

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<v Speaker 1>But Jason is clearly Jason's poor Jasons. This is a slow,

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<v Speaker 1>steady decline into a whole Like I forgot what happened

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<v Speaker 1>in episode four, and then I was just reading the

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<v Speaker 1>notes on it, and I'm like, that's right. There's a

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<v Speaker 1>bad episode for me. It's rough. Night before is a

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<v Speaker 1>bad episode for everyone. Yeah, yeah, yeah, um, and three

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<v Speaker 1>is not great for me the or Alec bless him

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<v Speaker 1>or Magnus bless him, his poor heart. Anyway, we'll get

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<v Speaker 1>into that. Stop rushing me. Goodness gracious, So today, Tom,

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<v Speaker 1>we are rewatching season two episode three, parabt I lost.

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<v Speaker 1>The original air date was January Seen, written by the

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<v Speaker 1>lovely Peter Binswanger, who we just adore, and directed by

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<v Speaker 1>the also lovely Gregory Smith, who we really really enjoyed

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<v Speaker 1>having on the who I also worked with again in

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<v Speaker 1>the Arrow Verse. Oddly enough, he bounces, Yeah, yeah, yeah,

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<v Speaker 1>I worked at him on Arrow A couple of years later.

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<v Speaker 1>I was like, hey, it's nice. It's nice when you

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<v Speaker 1>get to run into people again. But this episode, as

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<v Speaker 1>one may know, is starring myself as Clarie Fray, You

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<v Speaker 1>dum As, Jays Wlan, Alberta Rozuende, Matthew Didario, emarad Tobia

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<v Speaker 1>Asama Stafa, Harry Sham Jr. With guest stars Alan and Sprang,

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<v Speaker 1>Alicia Wainwright in her first series Welcome, Alicia Woo, Christina Cox,

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<v Speaker 1>David castro A, Maxim Roy, Next Segar and Stephanie Bennett.

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<v Speaker 1>All the hits tell us, Oh my goodness. Let me

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<v Speaker 1>tell you, god, I forgot about this episode. There's so

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<v Speaker 1>much just getting my ass kicked, and I'm so looking

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<v Speaker 1>forward to it the time. The time is running out

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<v Speaker 1>for Jason. Already cut off from the Institute and his friends,

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<v Speaker 1>Jason finds his situation worsening when he becomes the target

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<v Speaker 1>for the New York Wolfpack, who believed Jason to be

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<v Speaker 1>a killer and don't forget about Older Tree and the

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<v Speaker 1>shadow Hunters, who continue their own hunt for Jason. With

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<v Speaker 1>Ja's becoming the most wanted man in New York. Can

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<v Speaker 1>his friends find him before everyone else does? There was

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<v Speaker 1>a lot of jas's in that sentence. I don't want

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<v Speaker 1>to monopolize this episode, although do I know? I would

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<v Speaker 1>never um. Meanwhile, Simon is on a search of his

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<v Speaker 1>own as Raphael puts pressure on him to find Camille.

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<v Speaker 1>Oh my goodness, so much, so much, so much that

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<v Speaker 1>we're in for I'm so excited so much. I am

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<v Speaker 1>as well. We also get to meet baby Jason, baby

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<v Speaker 1>Alec in this one. Yeah, oh yeah, we should get

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<v Speaker 1>all those folks, baby Jay's baby Alec and teenage Jay's

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<v Speaker 1>teenage Alic, teenage Isabel. Oh that's right, Yeah, they're all

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<v Speaker 1>in it as well. Yeah, we should try and get

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<v Speaker 1>them because they were all fantastic and poor baby and

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<v Speaker 1>teenage Jays had to wear a single brown contact lens,

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<v Speaker 1>which I can tell you from experiences wildly uncomfortable. So

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<v Speaker 1>credit to you guys for being so amazing. Did they

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<v Speaker 1>both have blue eyes? Naturally? And then yes? I believe

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<v Speaker 1>so yeah nice? See, yeah for just this one? Wait

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<v Speaker 1>is that one? I don't know why I'm looking into

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<v Speaker 1>the distance like somehow I'm gonna be able to see

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<v Speaker 1>the color of my own eyes. I don't know. I

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<v Speaker 1>don't know what's happening. Oh well, although that's not uncommon

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<v Speaker 1>on TV shows. I know there's several shows that folks

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<v Speaker 1>have to wear contact even on Arrow. Um Ben Lewis,

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<v Speaker 1>who played my brother, I believe he had to wear

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<v Speaker 1>blue contacts because the kid who played the youngers of

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<v Speaker 1>him for the several seasons of Arrow, who was Anna

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<v Speaker 1>hopkins son. By the way, on that show, it's another

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<v Speaker 1>weird Arrow son. Yeah, Anna Hopkins plays my son. She

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<v Speaker 1>played this kid played Anna Anna Hopkins son. I see.

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<v Speaker 1>I was like, how much happens between fishing. Sure she

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<v Speaker 1>had a corgy, but not children. I'm pretty sure. No

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<v Speaker 1>no No played her son, her fictional so um the

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<v Speaker 1>ad old version of Anna Hopkins fictional son and Arrow

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<v Speaker 1>also had to wear contacts. It's a long, convoluted genealogy,

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<v Speaker 1>you know, I see it. I get it. I'm so

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<v Speaker 1>excited to get Anna on the show. But that's a

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<v Speaker 1>that's another conversation for another day. We gotta get the

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<v Speaker 1>season three first, come on. I know, I just watched

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<v Speaker 1>this YouTube thing. I was doing my research about this

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<v Speaker 1>episode and it popped up and it was like, shout

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<v Speaker 1>out into season four, and I was like, I don't

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<v Speaker 1>think so, because nobody's asked me about that, So I

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<v Speaker 1>don't think so. But I watched it and it was

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<v Speaker 1>like a recap and worst season four, mic go and whatever, um,

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<v Speaker 1>And then it reminded me of all this stuff we

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<v Speaker 1>didn't see season three, because it's it all seems like

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<v Speaker 1>such a long time ago now, and especially doing a recap,

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<v Speaker 1>I'm hyper aware of the stuff we did in season

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<v Speaker 1>one because we just run through it or now starting

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<v Speaker 1>to get more aware of season two. But I completely

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<v Speaker 1>forgotten about season three and even the fact that we

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<v Speaker 1>made it season three. Wow, how special? Any who HUNI

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<v Speaker 1>Filming began on you Are. Filming began on August and

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<v Speaker 1>wrapped on September t two thousand, sixteen sixteen. You had

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<v Speaker 1>your mind Jason was originally going to be hiding out

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<v Speaker 1>in a college in this episode. I didn't know that.

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<v Speaker 1>Where did that information come from? I didn't know that

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<v Speaker 1>I was originally hiding out in college. Interesting, Maybe it's

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<v Speaker 1>a book thing, Maybe maybe it's a I don't know.

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<v Speaker 1>You want to weigh in there? Do you know where

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<v Speaker 1>this came from? I don't think we've ever had our

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<v Speaker 1>producers voices actually on the podcast. Yet right to our

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<v Speaker 1>amazing producing team, I'm actually ashamed of myself that we've

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<v Speaker 1>done twenty plus episodes and we haven't said hello to

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<v Speaker 1>our incredible are hiding from do all of the work?

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<v Speaker 1>Is the reality? No, you don't want to say, I

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<v Speaker 1>don't want to come out of the shadows. That's okay.

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<v Speaker 1>They're hiding at the shadows. They're glamored. It turns out

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<v Speaker 1>our producers are not being recorded. So even we just

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<v Speaker 1>had a little conversation that canna sound very strange because

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<v Speaker 1>it sounds like we're talking to nobody, But we had

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<v Speaker 1>a conversation and basically they said they really dislike cat

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<v Speaker 1>and refused to be on voice on the show. Even

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<v Speaker 1>deny it, sure absolutely not. They they are going to

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<v Speaker 1>be our voiceless partners in this. But I promise you

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<v Speaker 1>that they do all the work, make us a little fantastic.

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<v Speaker 1>So thank you, as always guys for that. Yet I

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<v Speaker 1>was talking for a long time. Just then I'm gonna

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<v Speaker 1>have a sip of my not beer and you talk

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<v Speaker 1>about you're not beer beer. Absolutely well, look you're I'm

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<v Speaker 1>in Santa Fe. It's appropriate beer time for you. I'm

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<v Speaker 1>drinking tea because it's seven. It's eight in the morning here,

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<v Speaker 1>so you know, we're doing our thing and you who, uh,

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<v Speaker 1>there's a few book things that I really enjoy. I

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<v Speaker 1>love something And I don't know if we get to

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<v Speaker 1>see much of this in the third season because Luke

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<v Speaker 1>kind of steps away from the Police Force, but in

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<v Speaker 1>season two we get to see a lot of this

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<v Speaker 1>crossover of police force and werewolf head of Pack and

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<v Speaker 1>shadow Hunter work. You really get to see how this

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<v Speaker 1>world works behind the scenes. Um, and unfortunately we have

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<v Speaker 1>you know, Gretel has an unfortunate fate. In the beginning

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<v Speaker 1>of this episode, we get to see the werewolf funeral

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<v Speaker 1>practices just a little bit. You get to see the

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<v Speaker 1>first the first glimmer of them. We see more later

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<v Speaker 1>on in season three. Um, we we're not talking about

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<v Speaker 1>it again. I refuse to acknowledge it. But we do

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<v Speaker 1>get to see Luke put Gretel to rest with the

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<v Speaker 1>Batti Belicoci, which is the equivalent to the aviat Valle

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<v Speaker 1>in the shadow Hunters world. We get to see a

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<v Speaker 1>lot of Latin in this episode. We do say Lucas

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<v Speaker 1>speak in Latin. Wasn't the translation here somewhere something about

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<v Speaker 1>warriors like lay my warriors rest or something. Yeah, I

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<v Speaker 1>feel like I just read this somewhere. Oh that's right,

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<v Speaker 1>I forgot. It was the motto of the praetor Lupus.

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<v Speaker 1>The Prator Lupus is something we didn't really get into

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<v Speaker 1>too much in the series. And it's so unfortunate because

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<v Speaker 1>in the books it's got such a cool did you

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<v Speaker 1>ever anyway in the books that has a really cool mythology,

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<v Speaker 1>and it's it's sort of like the Jedi of the

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<v Speaker 1>Shadow World. We see them like right at the end,

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<v Speaker 1>right like right at the end of season three, we

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<v Speaker 1>see them pop out. It's all coming back to me.

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<v Speaker 1>Now we don't talk about season three though yet. That

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<v Speaker 1>was a trash Where is the translation for this? I

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<v Speaker 1>just read it somewhere, didn't I we'll find it while

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<v Speaker 1>you're looking for that. Let's get into the beginnings of

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<v Speaker 1>this episode. Um, you know at the so the end

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<v Speaker 1>of last week's episode, we dot tore through the wards

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<v Speaker 1>on Valentine's ship and we ran and jumped over the edge.

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<v Speaker 1>Or rather, yeah, we didn't do it. They didn't let us.

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<v Speaker 1>In fact, it's very funny. I just had a similar

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<v Speaker 1>situation on set this week where there was water and

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<v Speaker 1>jumping and they didn't let us do it again, and

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<v Speaker 1>I was so frustrated. Water in Santa Fe, I mean

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<v Speaker 1>there's ponds. I thought it was all like desert find

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<v Speaker 1>water somewhere. I mean, it's a lot of dessert. But

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<v Speaker 1>it's so green this year. There must have been a

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<v Speaker 1>ton of rain over the winter because it's inordinately green here.

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<v Speaker 1>It's definitely different than the pilot. But hey, sure the

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<v Speaker 1>Google translation for BT Belicosi is not correct. Well, maybe

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<v Speaker 1>it is correct, and we just stretched it. This just

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<v Speaker 1>says happy Warriors, And I don't think that was the case.

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<v Speaker 1>I don't think that's something aware happy Warriors. It's around.

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<v Speaker 1>I don't think that's the case. So I think we

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<v Speaker 1>did something else. I'm sure it is um all right.

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<v Speaker 1>So we started this episode with babies do the little babies?

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<v Speaker 1>Oh my god. These guys were awesome. These guys were

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<v Speaker 1>so good and they we talked about this all the

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<v Speaker 1>time with with guest stars coming in and having just

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<v Speaker 1>entirely immersed themselves in this world that has existed before them,

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<v Speaker 1>and especially when we get to season two, it's existed

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<v Speaker 1>before them for a year or so and it's been

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<v Speaker 1>successful enough to bring it back for a season two.

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<v Speaker 1>So there's a lot of pressure coming in. And these

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<v Speaker 1>guys are like twelve thirteen years old and they had

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<v Speaker 1>to come in with that same mindset. And not only that,

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<v Speaker 1>but I don't know about you can't necessarily, but for

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<v Speaker 1>for me and my experience playing someone who's existed, like

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<v Speaker 1>I did a movie where I played Jagger and there

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<v Speaker 1>was Mick Jagger, and there was a huge amount of

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<v Speaker 1>pressure to get everything right because it's already happened. It's

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<v Speaker 1>there isn't any creative like nuance to it. It's like this,

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<v Speaker 1>this has done a certain way, and these guys really

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<v Speaker 1>threw themselves into it. And I remember him talking to

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<v Speaker 1>me and wanting to get into Jason's mindset, and I

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<v Speaker 1>thought that was the coolest thing, especially for a young actor.

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<v Speaker 1>So these guys had had the right mindset to do

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<v Speaker 1>very well in this in this industry, and I hope

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<v Speaker 1>they do. Anyway, we see Jason Alec Bond for the

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<v Speaker 1>first time, and we see them, we see them sort

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<v Speaker 1>of meld for the first time. We get to see

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<v Speaker 1>a tiny little bit of of Jason's little traumatic past,

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<v Speaker 1>just tiny bit. Yeah. One thing, I think it's really

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<v Speaker 1>interesting just about this first scene. Um, you know, we

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<v Speaker 1>are training room. This set, which is used so much

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<v Speaker 1>in this episode, was still really new, and I remember that,

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<v Speaker 1>you know, we were still kind of breaking it and

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<v Speaker 1>these kids got to break it in for us basically,

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<v Speaker 1>you know, we get to every time, and all of

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<v Speaker 1>these sets were so new. These bedrooms sat you might

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<v Speaker 1>have been the second thing that was shot there. You guys,

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<v Speaker 1>you and m shot your fight scene there and then

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<v Speaker 1>and then it was this and it might have been

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<v Speaker 1>the second thing we ever shot there. I think so well.

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<v Speaker 1>And then even this next scene with Magnus and Alec

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<v Speaker 1>and Isabelle, this was one of the first times we

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<v Speaker 1>did to see alex bedroom. And this is the first

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<v Speaker 1>kind of you know, we had the in season one.

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<v Speaker 1>The bedrooms were the upper level of the It was

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<v Speaker 1>our training room basically the original training room that had

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<v Speaker 1>been transformed converted whatever word you want to use, um

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<v Speaker 1>into the bedrooms. And now we actually had these hall

0:12:03.600 --> 0:12:06.200
<v Speaker 1>ways to explore. And I remember you sued always get lost,

0:12:06.200 --> 0:12:08.920
<v Speaker 1>even though it was like a whole way and a half. Yeah,

0:12:09.240 --> 0:12:11.160
<v Speaker 1>well it wasn't though it was a whole it was

0:12:11.200 --> 0:12:12.599
<v Speaker 1>a whole like by the end of season two, it

0:12:12.640 --> 0:12:16.280
<v Speaker 1>was a whole functioning institute like it was there was

0:12:16.520 --> 0:12:18.959
<v Speaker 1>from You could literally walk from the entrance all the

0:12:19.000 --> 0:12:21.800
<v Speaker 1>way through past everyone's bedrooms. The bedrooms were that corridor

0:12:21.840 --> 0:12:23.800
<v Speaker 1>on the right hand side, and you could walk out

0:12:23.800 --> 0:12:25.839
<v Speaker 1>to the left hand side and Older Trees office or

0:12:25.880 --> 0:12:28.520
<v Speaker 1>the head of the Institute's office, whoever it was, was

0:12:28.640 --> 0:12:30.720
<v Speaker 1>there with the balcony, and then you could keep walking

0:12:30.840 --> 0:12:33.040
<v Speaker 1>through to sort of the outside area. Like it was

0:12:33.120 --> 0:12:35.880
<v Speaker 1>all a functioning space at that point and they could

0:12:35.960 --> 0:12:37.920
<v Speaker 1>use it however they wanted, and that was really cool.

0:12:38.040 --> 0:12:40.079
<v Speaker 1>And I don't know if we'd quite reached that stage yet,

0:12:40.240 --> 0:12:43.240
<v Speaker 1>but by the end of season two we had a

0:12:43.320 --> 0:12:46.400
<v Speaker 1>fully functioning institute. I know at that point we had

0:12:46.480 --> 0:12:49.040
<v Speaker 1>two rooms. After we had the two rooms in a hallway.

0:12:49.080 --> 0:12:51.079
<v Speaker 1>We had one room that was Alex bedroom and Alder

0:12:51.160 --> 0:12:54.360
<v Speaker 1>Trees office, and then another room that was Clary's bedroom

0:12:54.360 --> 0:12:56.120
<v Speaker 1>because we were in close bedroom a lot in the

0:12:56.160 --> 0:12:57.839
<v Speaker 1>first part of this season, so they just kind of

0:12:57.960 --> 0:13:00.600
<v Speaker 1>left it set up. Let's talk about Look, so we've

0:13:00.679 --> 0:13:06.359
<v Speaker 1>got Madness trying to bring Alec back from his parapetite,

0:13:06.720 --> 0:13:09.160
<v Speaker 1>the brink of death. Yeah, the brink of death. You

0:13:09.240 --> 0:13:11.600
<v Speaker 1>know happened. The brink of death. As as we often

0:13:11.679 --> 0:13:15.000
<v Speaker 1>are in this UM format, I forget that because this

0:13:15.160 --> 0:13:17.080
<v Speaker 1>is one of my absolute favorite episodes that we did,

0:13:17.200 --> 0:13:19.520
<v Speaker 1>especially that last scene, and Greg did such a good

0:13:19.600 --> 0:13:22.800
<v Speaker 1>job directing it was. I think we only did it

0:13:23.240 --> 0:13:26.559
<v Speaker 1>two times really because it was really quite harrowing to do.

0:13:27.120 --> 0:13:28.640
<v Speaker 1>I think we already did two or three times. And

0:13:28.679 --> 0:13:33.800
<v Speaker 1>Greg is a really cool like sort of direction. It's

0:13:33.800 --> 0:13:37.120
<v Speaker 1>not even a direction, it's a really cool it's a

0:13:37.200 --> 0:13:39.080
<v Speaker 1>cool connection to get with your director when they come

0:13:39.120 --> 0:13:40.920
<v Speaker 1>in and go, that was on the money. Let's just

0:13:40.960 --> 0:13:42.880
<v Speaker 1>do it again. Let's just do another one of those,

0:13:42.920 --> 0:13:45.319
<v Speaker 1>and like, amazing, dude, that's great. I love that. And

0:13:45.640 --> 0:13:49.479
<v Speaker 1>it's not that we're necessarily adverse to taking these notes necessarily,

0:13:49.600 --> 0:13:52.839
<v Speaker 1>but just sort of is like that scene in in

0:13:53.360 --> 0:13:55.839
<v Speaker 1>the mid season finale of season two. It's one of

0:13:55.920 --> 0:13:58.000
<v Speaker 1>those things where you like, we checked the boxes there,

0:13:58.000 --> 0:14:00.840
<v Speaker 1>like everyone knows they did a good job, and like, great, cool,

0:14:00.920 --> 0:14:02.800
<v Speaker 1>everyone's happy. We just do it one more time. We

0:14:02.880 --> 0:14:04.959
<v Speaker 1>get it in the back. Yeah. But by this point too,

0:14:05.040 --> 0:14:07.480
<v Speaker 1>we were so kind of in tune with these characters

0:14:07.559 --> 0:14:09.599
<v Speaker 1>and these character relationships, and we were I think we

0:14:09.679 --> 0:14:12.599
<v Speaker 1>were just starting to really hit our stride with the

0:14:12.760 --> 0:14:16.120
<v Speaker 1>world and the family of the characters, and it was

0:14:16.240 --> 0:14:19.920
<v Speaker 1>nice to see directors come in and people like Greg

0:14:20.360 --> 0:14:23.240
<v Speaker 1>come in. Sally Whitfield was another one who just dove

0:14:23.320 --> 0:14:27.400
<v Speaker 1>in and understood the world from day dot and trusted us.

0:14:27.760 --> 0:14:30.360
<v Speaker 1>And it became this kind of partnership with these new directors.

0:14:30.560 --> 0:14:33.880
<v Speaker 1>As we got more comfortable owning these characters, these directors

0:14:33.920 --> 0:14:36.640
<v Speaker 1>would come in, recognize that and then play with us

0:14:36.960 --> 0:14:38.880
<v Speaker 1>and it became such a cool given take and it

0:14:38.960 --> 0:14:41.280
<v Speaker 1>really taught me a lot about you know, this, this

0:14:42.040 --> 0:14:45.840
<v Speaker 1>format of of what we do. Yeah, definitely. I was

0:14:45.840 --> 0:14:47.880
<v Speaker 1>actually very sad that we didn't get Greg back at

0:14:47.920 --> 0:14:50.760
<v Speaker 1>any point, but obviously he's a busy man. Um Sally

0:14:50.840 --> 0:14:52.680
<v Speaker 1>we were very fortunate to get back a few times,

0:14:52.760 --> 0:14:55.520
<v Speaker 1>I think, and we have Sally direct four episodes, three

0:14:55.600 --> 0:14:58.440
<v Speaker 1>or four episodes and Sally everything like that. Yeah, I

0:14:58.520 --> 0:15:01.160
<v Speaker 1>know I've been trying to trying to steal her over here,

0:15:01.240 --> 0:15:04.520
<v Speaker 1>but she's a busy woman too. They're all busy, I'm sure,

0:15:04.680 --> 0:15:06.760
<v Speaker 1>good at what they do, and they're appreciated in their field.

0:15:06.800 --> 0:15:29.920
<v Speaker 1>Of course, that's the best problem to have. Back to

0:15:29.960 --> 0:15:32.480
<v Speaker 1>the story, Alex dying, Magnus is trying to help. That's

0:15:32.520 --> 0:15:35.360
<v Speaker 1>a very a very lucid way of saying it, but

0:15:35.440 --> 0:15:39.680
<v Speaker 1>that's basically exactly what's happening. Um. And then my least

0:15:39.880 --> 0:15:42.280
<v Speaker 1>favorite shot, arguably that we ever did on the show.

0:15:42.880 --> 0:15:44.520
<v Speaker 1>Do you want to tell us a little bit about

0:15:44.560 --> 0:15:47.800
<v Speaker 1>the dreaded this so much going on? Let's start with

0:15:47.880 --> 0:15:51.000
<v Speaker 1>the sweater. The sweater was horrendous, and I was promised

0:15:51.040 --> 0:15:52.600
<v Speaker 1>that I would only wear it for one episode that

0:15:52.880 --> 0:15:54.240
<v Speaker 1>it turned out to be a lie. I wear it

0:15:54.280 --> 0:15:57.040
<v Speaker 1>for like three or four episodes. Absolutely hated the thing.

0:15:57.120 --> 0:15:59.520
<v Speaker 1>It was super richy when you put blood on it,

0:15:59.600 --> 0:16:02.440
<v Speaker 1>it got sticky. When you put it in water, the

0:16:02.520 --> 0:16:06.080
<v Speaker 1>whole thing like extended somehow. So, like there's the scene

0:16:06.080 --> 0:16:07.840
<v Speaker 1>that's coming up now where I come out of the water.

0:16:08.000 --> 0:16:10.080
<v Speaker 1>You'll see that one of my sleeves is like three

0:16:10.160 --> 0:16:11.920
<v Speaker 1>sizes too long. All of a sudden, it's just because

0:16:11.960 --> 0:16:14.200
<v Speaker 1>you added water to it and expanded like the fucking

0:16:14.240 --> 0:16:16.600
<v Speaker 1>sea monkeys or some ship. I don't know how it happened,

0:16:16.680 --> 0:16:19.240
<v Speaker 1>but that's this is what happened here. And then on

0:16:19.320 --> 0:16:21.080
<v Speaker 1>top of all of that, it is firstly, in the morning,

0:16:21.120 --> 0:16:23.480
<v Speaker 1>the water is freezing ass cold, and I don't care

0:16:23.480 --> 0:16:25.880
<v Speaker 1>about being in the water at all, but it's dirty,

0:16:26.120 --> 0:16:29.520
<v Speaker 1>it's like full of stuff. Before each take, I would

0:16:29.560 --> 0:16:31.800
<v Speaker 1>sort of try and push it all to the sides.

0:16:31.920 --> 0:16:35.360
<v Speaker 1>They wanted me to wake up underwater because the cameras

0:16:35.440 --> 0:16:38.400
<v Speaker 1>underwater with me, which ends up being on screen for

0:16:38.960 --> 0:16:41.360
<v Speaker 1>a blink of an eye. But I remember sort of

0:16:41.400 --> 0:16:42.840
<v Speaker 1>being on my hands and knees being like, yeah, we're

0:16:42.840 --> 0:16:45.680
<v Speaker 1>ready because the tide's gonna change and we're ready. Okay, great,

0:16:45.680 --> 0:16:47.040
<v Speaker 1>And I would just sort of move as much ship

0:16:47.160 --> 0:16:48.840
<v Speaker 1>to one side as I can and put myself under

0:16:48.840 --> 0:16:50.960
<v Speaker 1>water and then wake up and do this whole thing.

0:16:51.680 --> 0:16:54.520
<v Speaker 1>This isn't fun. To make it look like you're like

0:16:54.640 --> 0:16:57.240
<v Speaker 1>you've been underwater, like you're choking. You kind of have

0:16:57.360 --> 0:17:00.080
<v Speaker 1>to choke, like you have to put the weight to

0:17:00.160 --> 0:17:01.520
<v Speaker 1>the back of your throat and make it feel like

0:17:01.600 --> 0:17:04.399
<v Speaker 1>you're actually sort of coughing up water. Are You actually

0:17:04.400 --> 0:17:07.000
<v Speaker 1>do an amazing job of this. In season two when

0:17:07.040 --> 0:17:12.440
<v Speaker 1>we go to address the first are frozen, freezing cold,

0:17:12.680 --> 0:17:14.359
<v Speaker 1>you do an amazing job of this. I remember I

0:17:14.480 --> 0:17:16.560
<v Speaker 1>remember watching you drink and send it to the back

0:17:16.640 --> 0:17:18.200
<v Speaker 1>of your throat and then cough it back up. And

0:17:18.240 --> 0:17:21.760
<v Speaker 1>it was very very, very um accurate depiction of what

0:17:21.880 --> 0:17:24.359
<v Speaker 1>happens here is very good. But it's not comfortable. It's

0:17:24.400 --> 0:17:26.919
<v Speaker 1>not a comfortable thing to do, is what I'm saying. Anyway.

0:17:27.320 --> 0:17:29.280
<v Speaker 1>But we had a great medic, so we can trust

0:17:30.160 --> 0:17:33.359
<v Speaker 1>and Drew are seth medic to save us. Always trust

0:17:33.440 --> 0:17:37.359
<v Speaker 1>and Drew always. Um. Anyway, Jason wakes up in the water.

0:17:37.880 --> 0:17:40.200
<v Speaker 1>He's not feeling so good, and he finds dead quit

0:17:40.200 --> 0:17:43.560
<v Speaker 1>at all. Although there's something I don't something I love

0:17:43.600 --> 0:17:46.800
<v Speaker 1>about this is his first thought as Stelle. His second

0:17:46.840 --> 0:17:49.439
<v Speaker 1>thought is Clary, and then he figures it, and then

0:17:49.480 --> 0:17:51.120
<v Speaker 1>he kind of comes to and figures it out. It's

0:17:51.200 --> 0:17:55.160
<v Speaker 1>it's it's such a very jace. It's such a great

0:17:55.240 --> 0:17:58.560
<v Speaker 1>marrying of very much. It happens again later, Actually it

0:17:58.680 --> 0:18:00.800
<v Speaker 1>happens again when he get on the phone to Izzy.

0:18:00.920 --> 0:18:05.600
<v Speaker 1>I noticed the exact same thing. Um. And then this jogger,

0:18:05.880 --> 0:18:08.320
<v Speaker 1>some psycho jogger who's jogging at seven o'clock in the

0:18:08.359 --> 0:18:10.600
<v Speaker 1>morning by the lake, is wrong with you, Lady's nobody

0:18:10.640 --> 0:18:12.400
<v Speaker 1>else on this beach. Come on, I mean, I used

0:18:12.440 --> 0:18:14.240
<v Speaker 1>to jog at seven am by the lake in Toronto,

0:18:14.440 --> 0:18:17.040
<v Speaker 1>and I think you're a psycho for it because it's insane.

0:18:17.240 --> 0:18:20.119
<v Speaker 1>It's an insane thing to do. But why does she

0:18:20.200 --> 0:18:22.639
<v Speaker 1>think you killed her? Why doesn't she think you saved her?

0:18:22.760 --> 0:18:25.320
<v Speaker 1>This is my thing. She immediately goes like, oh my god,

0:18:25.400 --> 0:18:27.719
<v Speaker 1>he's a serial killer. I don't get that. There's been

0:18:27.720 --> 0:18:29.560
<v Speaker 1>like a demonic killer on the loose in New York

0:18:29.680 --> 0:18:32.720
<v Speaker 1>or whatever. And maybe she's on edge, but you can happen.

0:18:32.760 --> 0:18:34.560
<v Speaker 1>Oh yeah, that has happened. Yeah, you're right, you're right,

0:18:34.560 --> 0:18:38.239
<v Speaker 1>you right. Um. What I didn't understand is how can

0:18:38.320 --> 0:18:42.440
<v Speaker 1>she see me? Well, you don't have your celle, you

0:18:42.520 --> 0:18:46.960
<v Speaker 1>don't know about your other thing yet and established the

0:18:47.160 --> 0:18:49.840
<v Speaker 1>golden eye thing yet maybe yeah, no, no, no, no,

0:18:50.080 --> 0:18:52.320
<v Speaker 1>that's yeah, that's a way the way. Yeah. I think

0:18:52.320 --> 0:18:56.680
<v Speaker 1>you're glamoured actively Okay. Yeah. So you see like a bloodied,

0:18:57.080 --> 0:19:01.199
<v Speaker 1>like wet tattooed man cradling a dead lady's body, you're

0:19:01.240 --> 0:19:04.040
<v Speaker 1>gonna start thinking some ship. I get it. I understand that.

0:19:04.080 --> 0:19:06.040
<v Speaker 1>I think my response would be the same, like a man,

0:19:06.240 --> 0:19:09.240
<v Speaker 1>I don't know what's going on here. But you saying no,

0:19:09.359 --> 0:19:11.840
<v Speaker 1>it's not what you think is not an appropriate rest

0:19:11.840 --> 0:19:13.560
<v Speaker 1>it's not enough for me to be like, okay, fair enough,

0:19:13.560 --> 0:19:16.160
<v Speaker 1>I'll continue with my job. That's I'm gonna call the cops.

0:19:17.000 --> 0:19:19.840
<v Speaker 1>What's going to happen there? Even that, I don't know

0:19:19.920 --> 0:19:23.880
<v Speaker 1>why Jason's response was like, oh yeah, you should absolutely

0:19:23.920 --> 0:19:25.280
<v Speaker 1>call the cops. That's going to end up back with

0:19:25.400 --> 0:19:27.520
<v Speaker 1>Luke and I'm gonna end up back with my people.

0:19:27.640 --> 0:19:29.800
<v Speaker 1>Like that was the whole sort of aim with jumping

0:19:29.840 --> 0:19:31.240
<v Speaker 1>off his But I don't really know what the issue

0:19:31.280 --> 0:19:33.879
<v Speaker 1>with that is. There you go, it adds to the drama.

0:19:33.960 --> 0:19:38.439
<v Speaker 1>Waterlogged brain. You know, you hit your head, you straight

0:19:38.960 --> 0:19:42.000
<v Speaker 1>I get it. But this next shot was one of

0:19:42.040 --> 0:19:45.919
<v Speaker 1>my I've seen. You know how much are the Shadow

0:19:45.960 --> 0:19:48.760
<v Speaker 1>family is to give things. There are several moments where

0:19:48.840 --> 0:19:52.560
<v Speaker 1>Clary storms into the institute in various states of distress,

0:19:52.920 --> 0:19:55.560
<v Speaker 1>and this one is always gift. And I really, I

0:19:55.760 --> 0:19:58.280
<v Speaker 1>just I got a huge kick out of the fact

0:19:58.359 --> 0:20:01.119
<v Speaker 1>that she has no shoes. She's looks like a drowned

0:20:01.200 --> 0:20:05.600
<v Speaker 1>rat and her face, by the way, no shoes or socks.

0:20:05.680 --> 0:20:08.760
<v Speaker 1>At some point in the in the water swimming through

0:20:08.800 --> 0:20:11.159
<v Speaker 1>the Hudson back to the Bay of New York, you

0:20:11.840 --> 0:20:13.840
<v Speaker 1>figured that not only the boots were slowing you down.

0:20:13.920 --> 0:20:18.359
<v Speaker 1>But also these Adidas ankle socks. That's enough of you,

0:20:18.640 --> 0:20:21.879
<v Speaker 1>and off they went food for fishes. I love that

0:20:21.960 --> 0:20:23.600
<v Speaker 1>you think I was cool enough to wear Adidas ankle

0:20:23.640 --> 0:20:26.280
<v Speaker 1>socks under my boots. I was always in unicorn socks

0:20:26.400 --> 0:20:30.520
<v Speaker 1>or some kind of animal sillyness. We also get to

0:20:30.560 --> 0:20:33.240
<v Speaker 1>see our first example of and I want this to

0:20:33.400 --> 0:20:35.600
<v Speaker 1>end up like as a as a hashtag that runs

0:20:35.640 --> 0:20:37.880
<v Speaker 1>through because it happened so often. We get our first

0:20:38.000 --> 0:20:40.920
<v Speaker 1>like poor ray Ray's just trying to do his job. Man,

0:20:41.600 --> 0:20:52.119
<v Speaker 1>sorry Raj Raymond whom Raymond plays rush Yeah, poor twice

0:20:52.160 --> 0:20:56.320
<v Speaker 1>in this episode. In this episode he gets He gets

0:20:56.320 --> 0:20:58.800
<v Speaker 1>a lot of happening to him in a lot of

0:20:59.080 --> 0:21:00.600
<v Speaker 1>He has a lot of stuff trying to him in

0:21:00.640 --> 0:21:04.480
<v Speaker 1>this episode because he he gets you know, you know,

0:21:04.600 --> 0:21:08.880
<v Speaker 1>there's there's there are events and and I think Stephanie

0:21:08.920 --> 0:21:12.720
<v Speaker 1>and he have a heart to heart as it were

0:21:13.160 --> 0:21:16.240
<v Speaker 1>later in the day. I was thinking about the Magnus

0:21:16.400 --> 0:21:21.360
<v Speaker 1>rage deal heart later in the episode, I see, I see, yeah,

0:21:21.440 --> 0:21:23.920
<v Speaker 1>I I get it. But you know, we also have

0:21:24.560 --> 0:21:27.800
<v Speaker 1>I love that Clary is finally seeing through Joscelyn's kind

0:21:27.840 --> 0:21:36.160
<v Speaker 1>of were It's a manipulation like it's very very it's

0:21:36.160 --> 0:21:38.639
<v Speaker 1>not quite this bad. But what's her name? Gypsy the

0:21:38.800 --> 0:21:43.600
<v Speaker 1>character that Joey played that whole thing rocket. It's an

0:21:43.600 --> 0:21:46.240
<v Speaker 1>amazing show if you should if you haven't seen it, um,

0:21:47.119 --> 0:21:50.080
<v Speaker 1>but yeah, it is. And actually Magnus calls her out

0:21:50.119 --> 0:21:52.480
<v Speaker 1>on it later on, because it's she is manipulating the

0:21:52.520 --> 0:21:55.119
<v Speaker 1>people around her to just sort of fit into this

0:21:55.240 --> 0:21:57.720
<v Speaker 1>highly filtered world that she's existed for herself. And that's

0:21:57.760 --> 0:21:59.760
<v Speaker 1>just not how it works. You can't, you can't. Really.

0:22:00.640 --> 0:22:02.840
<v Speaker 1>We actually touched on it a little, and not a little,

0:22:02.880 --> 0:22:04.920
<v Speaker 1>we touched it quite a lot. In Partner Track, we

0:22:05.080 --> 0:22:10.840
<v Speaker 1>touch on people dealing with problems in a very filtered way,

0:22:11.000 --> 0:22:12.879
<v Speaker 1>in a very like well, if this doesn't affect me,

0:22:13.000 --> 0:22:15.320
<v Speaker 1>then what's the issue? This is how it is, and

0:22:15.400 --> 0:22:18.840
<v Speaker 1>that's not the case. The world and and society in

0:22:18.920 --> 0:22:22.359
<v Speaker 1>general is a success because we sort of, whether it's

0:22:22.400 --> 0:22:24.840
<v Speaker 1>conscious or unconscious, look out for each other. However it is,

0:22:24.920 --> 0:22:28.800
<v Speaker 1>whether it's you know, anyway, that's enough existentialism from me.

0:22:29.400 --> 0:22:33.800
<v Speaker 1>Evidently have had too much beer. But's case, it's slightly understandable.

0:22:33.840 --> 0:22:36.000
<v Speaker 1>You know, she was manipulated by Valentine for so long

0:22:36.119 --> 0:22:38.639
<v Speaker 1>and then just had to survive and protect Clary. So

0:22:38.800 --> 0:22:41.560
<v Speaker 1>she's had to shut herself off to thinking about anyone

0:22:41.760 --> 0:22:45.600
<v Speaker 1>but her and keep alive, keep you safe. I think,

0:22:45.640 --> 0:22:48.280
<v Speaker 1>I guess what I'm saying is when you're trying to

0:22:48.359 --> 0:22:52.320
<v Speaker 1>protect someone on your own, but also rely on other

0:22:52.400 --> 0:22:55.960
<v Speaker 1>people for that. So Magnus, the other shadow unters whatever,

0:22:56.080 --> 0:22:57.720
<v Speaker 1>she's sort of relied on these people to come in.

0:22:58.840 --> 0:23:03.240
<v Speaker 1>It's unfair to rely on those people but entirely negate

0:23:03.320 --> 0:23:07.760
<v Speaker 1>their opinion on what is within this world. Right, Like,

0:23:07.800 --> 0:23:10.560
<v Speaker 1>if it's someone who doesn't understand the world, then fair enough.

0:23:10.680 --> 0:23:13.120
<v Speaker 1>Like she's not going to a mundane therapist and being

0:23:13.160 --> 0:23:14.879
<v Speaker 1>like what do you think and she's like, you're insane,

0:23:14.920 --> 0:23:18.320
<v Speaker 1>You're going to a fucking looney bin. That fair enough.

0:23:18.359 --> 0:23:20.880
<v Speaker 1>I understand that. But Magnus is a very experienced man,

0:23:21.119 --> 0:23:23.639
<v Speaker 1>and he understands this world and understands some of the choices.

0:23:23.680 --> 0:23:27.200
<v Speaker 1>And I think that's where the manipulation comes. That's why

0:23:27.200 --> 0:23:30.800
<v Speaker 1>I would use the word manipulation, because manipulating someone in

0:23:30.960 --> 0:23:34.080
<v Speaker 1>my head, very often, more often than not, is very selfish,

0:23:34.600 --> 0:23:38.040
<v Speaker 1>and in this case, this seems it was. It was

0:23:38.160 --> 0:23:43.040
<v Speaker 1>selflessness mask gerading as selfishness because she could have used

0:23:43.160 --> 0:23:46.960
<v Speaker 1>these sources right, well, manipulates Alec, which is why he's

0:23:46.960 --> 0:23:49.560
<v Speaker 1>in the situation he's in right now. It's it's it

0:23:49.760 --> 0:23:53.560
<v Speaker 1>compounds in many ways. But she's going to get hers

0:23:53.720 --> 0:23:57.800
<v Speaker 1>in a couple of episodes. Not well, that's that's the

0:23:57.840 --> 0:24:03.160
<v Speaker 1>next episode. I do um you know. So we have Clarion,

0:24:03.320 --> 0:24:06.119
<v Speaker 1>Jocelyn butting Heads and Alder Tree and Jocelyn apparently on

0:24:06.200 --> 0:24:09.360
<v Speaker 1>the same side. This is a badass shot. It's right

0:24:09.480 --> 0:24:12.159
<v Speaker 1>after the after the credits. I'm just watching it now.

0:24:12.160 --> 0:24:15.160
<v Speaker 1>I have my iPad up here. This like the symmetry

0:24:15.240 --> 0:24:17.800
<v Speaker 1>of you coming in you've got no shoes, and poor

0:24:17.960 --> 0:24:19.680
<v Speaker 1>Raj like, hey let me help, and you're like, fuck

0:24:19.720 --> 0:24:22.520
<v Speaker 1>you get away from me. That's straight in. So good,

0:24:23.200 --> 0:24:26.879
<v Speaker 1>so good. Also, the makeup team, I noticed this earlier.

0:24:27.359 --> 0:24:30.320
<v Speaker 1>The makeup team, especially the one in your chin, the

0:24:30.400 --> 0:24:34.320
<v Speaker 1>scratch slash bruise, is so good, like so good. I

0:24:34.480 --> 0:24:36.639
<v Speaker 1>was actually like, I rewatched this episode and I was like,

0:24:36.760 --> 0:24:38.760
<v Speaker 1>did she fall out a trader again? Because that's what

0:24:38.880 --> 0:24:41.920
<v Speaker 1>it looks like. It looks that good. Well, this is

0:24:41.920 --> 0:24:44.560
<v Speaker 1>when we had Randy Dardlin as our head of makeup,

0:24:44.800 --> 0:24:46.520
<v Speaker 1>so he was able to just do because he had

0:24:46.560 --> 0:24:49.400
<v Speaker 1>been our special effects makeup season one and he came

0:24:49.440 --> 0:24:51.560
<v Speaker 1>in and just was able to, you know, beat us up,

0:24:51.760 --> 0:24:54.040
<v Speaker 1>which was amazing. We had to we had to fight

0:24:54.119 --> 0:24:55.639
<v Speaker 1>for that too, because this was a new thing for

0:24:55.760 --> 0:24:58.480
<v Speaker 1>free Form. It was a new sort of step for

0:24:58.640 --> 0:25:03.240
<v Speaker 1>them to allow characters to look bloody or destroyed or

0:25:03.520 --> 0:25:06.560
<v Speaker 1>you know, disheveled in any way, which I still stand.

0:25:06.800 --> 0:25:09.280
<v Speaker 1>I think that's the best. Characters look always like a

0:25:09.359 --> 0:25:12.399
<v Speaker 1>little beaten up, I think is the coolest you ever look,

0:25:12.560 --> 0:25:16.480
<v Speaker 1>especially in well not especially only in like an action

0:25:16.680 --> 0:25:19.560
<v Speaker 1>based show or movie. I think that's the coolest you

0:25:19.640 --> 0:25:22.240
<v Speaker 1>look like. The coolest I think Tom Cruise looks is

0:25:22.240 --> 0:25:24.280
<v Speaker 1>when I think he's gonna lose, you know what I mean,

0:25:24.400 --> 0:25:26.440
<v Speaker 1>Like right on that precipice, I know he's not it's

0:25:26.480 --> 0:25:28.680
<v Speaker 1>Tom Cruise, Like, I know he's not gonna he's not

0:25:28.800 --> 0:25:31.960
<v Speaker 1>gonna not complete this impossible mission, of course, but the

0:25:32.080 --> 0:25:34.840
<v Speaker 1>best ones are the ones where I'm like, I don't know, Yeah,

0:25:34.880 --> 0:25:36.760
<v Speaker 1>I don't know. And that's when I think we look

0:25:36.800 --> 0:25:38.320
<v Speaker 1>the coolest in this as well as when you're like

0:25:38.720 --> 0:25:42.040
<v Speaker 1>I don't know, I don't know. If you I don't know, yeah,

0:25:42.880 --> 0:25:46.720
<v Speaker 1>we're usually also damp. Whenever we're the most beat up,

0:25:46.760 --> 0:25:49.120
<v Speaker 1>we're always damp. They love to throw in one more

0:25:49.400 --> 0:25:52.480
<v Speaker 1>than I wanted to be, honestly wet. Anyway, we gotta

0:25:52.600 --> 0:25:55.000
<v Speaker 1>we gotta start through this. I'm aware that it's me

0:25:55.160 --> 0:26:02.879
<v Speaker 1>digressive basin Simon, Simon a mom, Alberto and Christina always

0:26:02.920 --> 0:26:05.920
<v Speaker 1>break my heart. Oh my god, because I know what's coming.

0:26:06.359 --> 0:26:08.560
<v Speaker 1>I know what's going to happen, and so many of

0:26:09.200 --> 0:26:11.600
<v Speaker 1>know what's going to happen that one season three, it's

0:26:11.640 --> 0:26:15.320
<v Speaker 1>season three, Oh it is, You're right, it is. So

0:26:15.400 --> 0:26:20.960
<v Speaker 1>I'm devastated, absolutely devastates horses Sherwood nor more words for me,

0:26:21.520 --> 0:26:24.200
<v Speaker 1>thank you. But but we get to see him in

0:26:24.200 --> 0:26:26.200
<v Speaker 1>the boat base and we get to see him. You know,

0:26:26.600 --> 0:26:30.520
<v Speaker 1>I love seeing Simon take ownership of his vampire nous

0:26:31.000 --> 0:26:33.240
<v Speaker 1>and really become you know, for lack of a better word,

0:26:33.320 --> 0:26:36.960
<v Speaker 1>kind of the the Peter Parker of our world. And

0:26:37.080 --> 0:26:39.080
<v Speaker 1>he really, you know, he gets he sticks the landing,

0:26:39.200 --> 0:26:41.840
<v Speaker 1>and he's you know, he's really starting to it's becoming

0:26:41.880 --> 0:26:43.960
<v Speaker 1>a part of who he is, and he's owning it

0:26:44.119 --> 0:26:46.920
<v Speaker 1>and it's making the best of a bad situation. But

0:26:47.720 --> 0:26:52.879
<v Speaker 1>you know, it's turning tomatoes into into platter juice, right,

0:26:53.280 --> 0:26:55.840
<v Speaker 1>I don't know. I was trying to turn commegrant at

0:26:55.880 --> 0:26:58.240
<v Speaker 1>juice into vampire. Oh I see, I see, okay, I

0:26:58.320 --> 0:26:59.840
<v Speaker 1>see you see what you were trying to do. That

0:27:00.000 --> 0:27:03.480
<v Speaker 1>really bad metaphor you went. You went a ways away

0:27:03.480 --> 0:27:04.960
<v Speaker 1>from what I was thinking. But that you know what,

0:27:05.119 --> 0:27:07.200
<v Speaker 1>This is why we love you, cat because sometimes you're

0:27:07.200 --> 0:27:09.600
<v Speaker 1>a fucking idiot. You're one of the smartest idiots of

0:27:09.640 --> 0:27:13.560
<v Speaker 1>them my entire life, and that's great. I'm just a idiot.

0:27:14.080 --> 0:27:19.120
<v Speaker 1>I don't have the smarts I try. Sometimes my brain

0:27:19.240 --> 0:27:22.520
<v Speaker 1>makes too many leaps that I can't explain anyway, get

0:27:22.560 --> 0:27:24.480
<v Speaker 1>it um. Now we're back on the beach and we

0:27:24.640 --> 0:27:28.600
<v Speaker 1>get the lovely Biati Belicosi moment um. I love how

0:27:28.680 --> 0:27:31.760
<v Speaker 1>Luke or how Isaiah plays this character because he has

0:27:31.840 --> 0:27:34.720
<v Speaker 1>such a commanding authority, but also this sort of care

0:27:35.320 --> 0:27:38.240
<v Speaker 1>and this tenderness with his pack that is, to me,

0:27:38.680 --> 0:27:41.640
<v Speaker 1>exemplifies what the werewolves are. You know, they are a family,

0:27:42.040 --> 0:27:46.120
<v Speaker 1>and they are there's this sort of an animalistic side

0:27:46.200 --> 0:27:48.560
<v Speaker 1>on both aspects, both the heart and the soft. They

0:27:48.640 --> 0:27:52.840
<v Speaker 1>have this undying kind of love and care and loyalty

0:27:52.960 --> 0:27:56.320
<v Speaker 1>to each other, but they're also hard. It's it it's

0:27:56.320 --> 0:27:58.240
<v Speaker 1>almost akin to the laws hard, but it's the law

0:27:58.280 --> 0:28:00.520
<v Speaker 1>when it comes to the Shadow Hunters, but it's you know,

0:28:00.640 --> 0:28:02.920
<v Speaker 1>the laws of nature as it were for them. Totally,

0:28:02.960 --> 0:28:06.760
<v Speaker 1>it's instinctual. Yeah, I I completely agree. And we get Joel,

0:28:06.880 --> 0:28:09.280
<v Speaker 1>who we love, and we had Joel um and now

0:28:09.440 --> 0:28:12.440
<v Speaker 1>we get the moment that you mentioned earlier where Jocelyn

0:28:12.640 --> 0:28:16.720
<v Speaker 1>calls Magnus calls Jocelyn out, and you know, I think

0:28:17.680 --> 0:28:20.080
<v Speaker 1>I love that they continue to develop the quote unquote

0:28:20.119 --> 0:28:24.439
<v Speaker 1>grown ups on the show as well. And and they're flawed,

0:28:24.600 --> 0:28:27.080
<v Speaker 1>they're not perfect. The parents are not without faults of

0:28:27.119 --> 0:28:29.440
<v Speaker 1>their own. The parents are not without you know, we

0:28:29.480 --> 0:28:33.040
<v Speaker 1>see us with Maris especially, and I mean really with Valentine,

0:28:33.920 --> 0:28:41.200
<v Speaker 1>he's kind of yeas a great know, all of the

0:28:41.280 --> 0:28:43.280
<v Speaker 1>parents kind of stuck. I don't think there's a parent

0:28:43.320 --> 0:28:44.880
<v Speaker 1>that it's just like, yeah, you did it, you did

0:28:44.920 --> 0:28:47.200
<v Speaker 1>a great job. That's great, because that doesn't makepend in

0:28:47.280 --> 0:28:51.840
<v Speaker 1>fantasy a lot. Yeah, exactly, although Magnus arguably as a parent, isn't.

0:28:52.160 --> 0:28:54.400
<v Speaker 1>He's probably the best parent, even though he's not really

0:28:54.440 --> 0:28:57.520
<v Speaker 1>a parent. Yeah, with you know, Madzie, and even in

0:28:57.560 --> 0:29:00.680
<v Speaker 1>the second time he talks about his his the downloads

0:29:00.720 --> 0:29:03.560
<v Speaker 1>he takes in, or his children, the Rafael's and the

0:29:03.680 --> 0:29:07.320
<v Speaker 1>Simons and the you know, of the world fair enough,

0:29:07.400 --> 0:29:08.880
<v Speaker 1>and he does do a very good job. You're right.

0:29:10.080 --> 0:29:11.960
<v Speaker 1>And then next we have one of my favorite scenes

0:29:12.160 --> 0:29:13.720
<v Speaker 1>because it was the first one I really got to

0:29:13.760 --> 0:29:17.200
<v Speaker 1>be one on one with Nick Sagar, whom we he's

0:29:17.600 --> 0:29:23.200
<v Speaker 1>so gloriously manipulative and evil and wonderful in this, but

0:29:23.360 --> 0:29:27.840
<v Speaker 1>we get to see Alder Treaty, who I don't understand.

0:29:27.960 --> 0:29:31.480
<v Speaker 1>I always wondered if from alder Treats side of things,

0:29:31.680 --> 0:29:35.560
<v Speaker 1>if recording these interviews was actually legitimate in that he

0:29:35.760 --> 0:29:37.920
<v Speaker 1>was turning these tapes into the Clave, or it was

0:29:38.000 --> 0:29:41.000
<v Speaker 1>just a way for him to create an atmosphere that

0:29:41.040 --> 0:29:44.720
<v Speaker 1>seemed official but was really manipulative. See this is why

0:29:44.760 --> 0:29:48.000
<v Speaker 1>I don't really necessarily think he's a bad guy. I

0:29:48.080 --> 0:29:50.600
<v Speaker 1>think he just is another one. Like he's that sort

0:29:50.640 --> 0:29:54.640
<v Speaker 1>of integer period between like us as the shadow Wunters,

0:29:54.960 --> 0:29:58.640
<v Speaker 1>Jace Clary Alec is he the new breed of shadow Unters,

0:29:58.920 --> 0:30:03.160
<v Speaker 1>and then like Mariss, Jocelyn, Robert, those guys the old

0:30:03.200 --> 0:30:06.000
<v Speaker 1>breed of shadow Hunters. He's that like interim where he's

0:30:06.080 --> 0:30:08.440
<v Speaker 1>like there are still rules, Like there are rules that

0:30:08.520 --> 0:30:11.080
<v Speaker 1>we follow in those rules are in place for a reason. Um,

0:30:12.200 --> 0:30:14.280
<v Speaker 1>And that's why I don't really think that he's a

0:30:14.320 --> 0:30:16.360
<v Speaker 1>bad guy. And actually, very often I think that we're

0:30:16.440 --> 0:30:20.240
<v Speaker 1>just useless shadow Hunters because we don't follow the rules

0:30:20.320 --> 0:30:23.000
<v Speaker 1>and get into trouble all the time. Constantly we get

0:30:23.000 --> 0:30:27.040
<v Speaker 1>into trouble. But then it's this existential question of you know,

0:30:27.120 --> 0:30:28.960
<v Speaker 1>you have the law which is black and white and

0:30:29.000 --> 0:30:31.920
<v Speaker 1>it is meant to protect, but often the situations that

0:30:31.960 --> 0:30:33.920
<v Speaker 1>the shadow Hunters end up in the field are never

0:30:34.040 --> 0:30:36.760
<v Speaker 1>black and white, and so you can't apply these beliefs

0:30:36.800 --> 0:30:39.600
<v Speaker 1>of the Clave to what the shadow Hunters are doing. Also,

0:30:39.720 --> 0:30:41.680
<v Speaker 1>I love that in this scene you have clearlyus sort

0:30:41.680 --> 0:30:44.680
<v Speaker 1>of mundane Spidey senses kicking in and going, I don't

0:30:44.720 --> 0:30:46.600
<v Speaker 1>represent rust this guy. So I'm not going to be

0:30:47.360 --> 0:30:49.440
<v Speaker 1>under present, honest, and I'm going to play the dumb

0:30:49.600 --> 0:30:53.640
<v Speaker 1>half shadow Hunter and make a story here. Also, I

0:30:53.680 --> 0:30:56.480
<v Speaker 1>don't know if it was me or wardrobe or fashion

0:30:56.560 --> 0:30:59.280
<v Speaker 1>in ten, but I went through a real choker phase

0:30:59.320 --> 0:31:02.800
<v Speaker 1>at the beginning this season. It makes me laugh soon

0:31:03.560 --> 0:31:06.360
<v Speaker 1>it's so funny. It's so like early two thousand's. It's

0:31:06.400 --> 0:31:09.200
<v Speaker 1>such an interesting I remember walking on set and being like,

0:31:09.400 --> 0:31:12.520
<v Speaker 1>that's such a that's such a weird fucking choice right now,

0:31:12.640 --> 0:31:14.800
<v Speaker 1>that's awesome. So I think there were a lot of

0:31:14.880 --> 0:31:17.120
<v Speaker 1>there's a lot of book references that because the books

0:31:17.160 --> 0:31:19.680
<v Speaker 1>came out in like two thousand seven, so there's a

0:31:19.720 --> 0:31:21.440
<v Speaker 1>lot of references in the books when it comes to

0:31:21.520 --> 0:31:23.600
<v Speaker 1>fashion and things like that to that world. And I

0:31:23.680 --> 0:31:26.040
<v Speaker 1>think I was just in that headspace, um, and there

0:31:26.120 --> 0:31:28.440
<v Speaker 1>was a big resurgence of early two thousand stuff in

0:31:29.440 --> 0:31:33.240
<v Speaker 1>chokers were like clical. Fashion is so cyclical. Like I

0:31:33.560 --> 0:31:37.440
<v Speaker 1>just spoke with a stylist for the Partner Track sort

0:31:37.440 --> 0:31:40.080
<v Speaker 1>of screening event that we're doing, and so much of

0:31:40.160 --> 0:31:43.040
<v Speaker 1>it is like they were like, do you like pocket watches?

0:31:43.080 --> 0:31:46.120
<v Speaker 1>And I was like, like from the twenties, Hell yeah,

0:31:46.200 --> 0:31:50.120
<v Speaker 1>I like pocket watches. That sounds awesome. It's all such

0:31:50.120 --> 0:31:53.120
<v Speaker 1>a weirdly cyclical what's that pocket watches? I have to

0:31:53.520 --> 0:31:55.719
<v Speaker 1>have the one that you got me from Arden's collection.

0:31:55.760 --> 0:31:59.280
<v Speaker 1>Actually still it's upstairs my like a little watch box.

0:31:59.320 --> 0:32:00.640
<v Speaker 1>I have that one in the My mom got me

0:32:00.760 --> 0:32:06.480
<v Speaker 1>this gorgeous antique gold like I think eighteen twenties, eighteen thirties,

0:32:07.200 --> 0:32:13.040
<v Speaker 1>like handwound, pocket watch one Christmas. Okay, Mom, I know

0:32:13.320 --> 0:32:15.720
<v Speaker 1>mom does a good job with gifts. Anyway, that's not

0:32:15.760 --> 0:32:17.719
<v Speaker 1>what we're here to talk about. Although I love you, Mom,

0:32:18.800 --> 0:32:21.360
<v Speaker 1>I love your mom too. But here we are back

0:32:21.440 --> 0:32:25.560
<v Speaker 1>with Izzy and Clary consorting against alder Tree, which is

0:32:25.640 --> 0:32:28.560
<v Speaker 1>an interesting height dynamic that they obviously haven't given you

0:32:28.680 --> 0:32:30.040
<v Speaker 1>your heels because I think you and em are the

0:32:30.120 --> 0:32:34.040
<v Speaker 1>same height, right, like very very just a little taller

0:32:34.120 --> 0:32:36.520
<v Speaker 1>than her. But yeah, so but she they've obviously not

0:32:36.640 --> 0:32:39.320
<v Speaker 1>given you your heels, and they've given m her heels,

0:32:39.360 --> 0:32:41.520
<v Speaker 1>and there's a huge disparity and height there. All of

0:32:41.520 --> 0:32:43.600
<v Speaker 1>a sudden, I've just seen it, Like right as you

0:32:43.680 --> 0:32:45.760
<v Speaker 1>come in the scene, there's a shot from behind Emerald,

0:32:45.880 --> 0:32:47.800
<v Speaker 1>like a big wide shot from behind him, and I'm like,

0:32:47.920 --> 0:32:51.480
<v Speaker 1>hold on, look quite right because she looks massive. She

0:32:51.600 --> 0:32:55.200
<v Speaker 1>looks so much taller than you. All. This episode was

0:32:55.240 --> 0:32:57.840
<v Speaker 1>interesting because I was with, oh no, sorry, it's next

0:32:57.880 --> 0:33:00.960
<v Speaker 1>episode that I'm with both of them, and so trying

0:33:01.000 --> 0:33:04.160
<v Speaker 1>to figure out what shoes to put Clarion, because normally

0:33:04.200 --> 0:33:05.600
<v Speaker 1>when I was with Emorrad, they would put me in

0:33:05.640 --> 0:33:07.840
<v Speaker 1>flatter shoes, and then when I was with you and Math,

0:33:07.880 --> 0:33:10.840
<v Speaker 1>they put me in giant shoes. That wasn't the same shot.

0:33:12.080 --> 0:33:17.880
<v Speaker 1>But you know, we made at work film tricks of film. Okay,

0:33:17.920 --> 0:33:20.640
<v Speaker 1>there's one shot here of you walking down the street.

0:33:21.000 --> 0:33:23.400
<v Speaker 1>Was it on green screen? Not? It was on green

0:33:23.480 --> 0:33:25.760
<v Speaker 1>screen because we didn't have Chinatown yet. I was going

0:33:25.800 --> 0:33:28.480
<v Speaker 1>to say we didn't. But then we get to see

0:33:29.400 --> 0:33:32.360
<v Speaker 1>Hunter's Moon for the first moon, and Maya for the

0:33:32.400 --> 0:33:34.479
<v Speaker 1>first time. So, as some of you will remember from

0:33:34.520 --> 0:33:38.680
<v Speaker 1>a previous episode, Cat very miraculously remembered that the Hunter's

0:33:38.760 --> 0:33:42.560
<v Speaker 1>Moon set is actually a reused version of the boat

0:33:42.760 --> 0:33:47.400
<v Speaker 1>of Valentine's original cargo ship UM, and that we took

0:33:47.440 --> 0:33:49.520
<v Speaker 1>that apart. So if you look closely at these scenes,

0:33:49.800 --> 0:33:52.000
<v Speaker 1>you can see that the walls are actually slightly slanted

0:33:52.440 --> 0:33:55.960
<v Speaker 1>and they look like ship's walls that metal and sort

0:33:55.960 --> 0:33:59.080
<v Speaker 1>of corrugate corrugated, and you can see it in this UM.

0:33:59.160 --> 0:34:00.959
<v Speaker 1>There are a couple of mistakes in this. We were

0:34:00.960 --> 0:34:05.040
<v Speaker 1>in a hair process throughout and you can see but yeah,

0:34:05.040 --> 0:34:06.840
<v Speaker 1>you can see bobby pins in my hair holding it

0:34:06.920 --> 0:34:11.120
<v Speaker 1>out of my face. Stop it. Yeah, Yeah, this is

0:34:11.160 --> 0:34:12.799
<v Speaker 1>a cool scene. This was a cool entrance, and at

0:34:12.880 --> 0:34:15.600
<v Speaker 1>least she did a really good job here again another

0:34:16.360 --> 0:34:19.000
<v Speaker 1>UM guest star coming in. She ended up being a

0:34:19.080 --> 0:34:21.000
<v Speaker 1>series regular, but another guest star coming in in a

0:34:21.080 --> 0:34:24.680
<v Speaker 1>world that already exists, UM in a slightly daunting stage,

0:34:24.680 --> 0:34:27.719
<v Speaker 1>and she did a very good job of of initiating

0:34:27.800 --> 0:34:29.440
<v Speaker 1>who Myer is and what her place is going to

0:34:29.520 --> 0:34:31.560
<v Speaker 1>be in this world. Well, it's such a big task too,

0:34:31.600 --> 0:34:35.000
<v Speaker 1>because she's such a highly anticipated character, given how many

0:34:35.120 --> 0:34:38.080
<v Speaker 1>ties she has to so many different characters in the world,

0:34:38.200 --> 0:34:42.120
<v Speaker 1>and what other characters she brings with her eventually. UM,

0:34:42.560 --> 0:34:46.680
<v Speaker 1>but you know, we get another badass female in this world,

0:34:46.840 --> 0:34:49.880
<v Speaker 1>and it's it's who is entirely different than all the

0:34:49.880 --> 0:34:52.040
<v Speaker 1>other ones we have, and it's it's really fantastic to see.

0:34:52.280 --> 0:34:54.600
<v Speaker 1>But I do love this arc that you have with

0:34:54.719 --> 0:34:58.000
<v Speaker 1>her in this episode because it establishes again something we

0:34:58.040 --> 0:34:59.800
<v Speaker 1>don't get to see a lot of because we're so

0:35:00.200 --> 0:35:02.719
<v Speaker 1>insular in the world of the shadow Hunters. You get

0:35:02.800 --> 0:35:07.320
<v Speaker 1>to see not only the outside world of Mundanes and

0:35:08.080 --> 0:35:09.960
<v Speaker 1>New York, but you get to see a little bit

0:35:10.040 --> 0:35:14.440
<v Speaker 1>of the werewolf shadow Hunter dynamic outside of Luke and

0:35:14.920 --> 0:35:19.560
<v Speaker 1>and Alaric, which is, you know, not always um the

0:35:19.680 --> 0:35:43.880
<v Speaker 1>smoothest sure isn't. So we're back at the Institute and

0:35:44.920 --> 0:35:50.080
<v Speaker 1>we see Isabelle and Clary scheming once again trying to

0:35:50.239 --> 0:35:53.080
<v Speaker 1>figure out how to get to Jason. They can't track him,

0:35:53.160 --> 0:35:56.680
<v Speaker 1>they can't do anything, and they the only thing that

0:35:56.760 --> 0:35:59.839
<v Speaker 1>they know is that you know, he's not dead, which

0:36:00.080 --> 0:36:02.319
<v Speaker 1>is it's good news that they know James isn't dead,

0:36:02.360 --> 0:36:05.520
<v Speaker 1>but it doesn't help them much. Then suddenly, fortuitously, is

0:36:05.600 --> 0:36:09.440
<v Speaker 1>Bell's phone rings and it's Jace, and the first thing

0:36:09.520 --> 0:36:13.279
<v Speaker 1>he asked about is Clary, which I absolutely love. Yes,

0:36:13.360 --> 0:36:15.600
<v Speaker 1>shadow hunting is the first thing on Jason's mind, but

0:36:15.680 --> 0:36:18.440
<v Speaker 1>then right after that is Clary because not only you know,

0:36:18.600 --> 0:36:21.440
<v Speaker 1>it's his sister and we we want to keep her

0:36:21.480 --> 0:36:24.400
<v Speaker 1>safe and and he's really taking that brotherly roll on

0:36:24.480 --> 0:36:27.160
<v Speaker 1>and looking out for her. But they have a mission,

0:36:27.680 --> 0:36:29.799
<v Speaker 1>and they fill each other in on the information as

0:36:29.800 --> 0:36:32.719
<v Speaker 1>shadow hunters can only do on the phone, filled him

0:36:32.760 --> 0:36:36.000
<v Speaker 1>in on how Alec is doing, which worries him very

0:36:36.080 --> 0:36:39.719
<v Speaker 1>very much. Obviously, Jace didn't know that Alec had tried

0:36:39.760 --> 0:36:41.919
<v Speaker 1>to track him, didn't know that Alec was in this state,

0:36:42.520 --> 0:36:44.839
<v Speaker 1>knows the Claves after him, But now is even more

0:36:44.960 --> 0:36:49.440
<v Speaker 1>torn than ever because his brother in arms, his parabitae,

0:36:49.680 --> 0:36:54.000
<v Speaker 1>his his one and only partner is in trouble and

0:36:54.800 --> 0:36:58.600
<v Speaker 1>is about to die for all intons and purposes. But

0:36:58.719 --> 0:37:01.040
<v Speaker 1>even beyond that, you know Jason, Jason's torn in so

0:37:01.080 --> 0:37:02.920
<v Speaker 1>many different directions right now, and this is this is

0:37:03.040 --> 0:37:06.920
<v Speaker 1>tough for him because not only see torn between his sister,

0:37:07.560 --> 0:37:12.160
<v Speaker 1>his duty as a shadow hunter, his mission to stop Valentine,

0:37:12.840 --> 0:37:16.279
<v Speaker 1>knowing the Claves after him now alec neates him and

0:37:16.400 --> 0:37:18.480
<v Speaker 1>the werewolves are asking things of him, and it's it's

0:37:18.480 --> 0:37:20.080
<v Speaker 1>one of those moments where you go, yes, I would

0:37:20.120 --> 0:37:22.640
<v Speaker 1>do my job normally from having a really bad day

0:37:22.800 --> 0:37:24.440
<v Speaker 1>and I just need a second. I just need a

0:37:24.480 --> 0:37:26.680
<v Speaker 1>second to sort my life out and sort my brother up.

0:37:27.160 --> 0:37:29.160
<v Speaker 1>They don't know who they're dealing with, and all they

0:37:29.200 --> 0:37:31.200
<v Speaker 1>say is a shadow hunter who's not doing their duty,

0:37:31.440 --> 0:37:35.640
<v Speaker 1>who's abandoning them once again to the inequalities and the

0:37:35.680 --> 0:37:40.000
<v Speaker 1>inequities that exist in this world. Um and unfortunately Jasons

0:37:40.000 --> 0:37:44.320
<v Speaker 1>stumbled into werewolf territory and is not in a situation

0:37:44.400 --> 0:37:47.920
<v Speaker 1>where he can explain himself and gets his butt handed

0:37:47.960 --> 0:37:52.359
<v Speaker 1>to him and goes through a glass window. I believe

0:37:52.400 --> 0:37:54.080
<v Speaker 1>this is the first plate glass window we get to

0:37:54.120 --> 0:37:55.960
<v Speaker 1>see Jays go through. In the series, we have a

0:37:56.000 --> 0:37:58.200
<v Speaker 1>lot of people go through plate glass windows and it's

0:37:59.080 --> 0:38:02.280
<v Speaker 1>it's not great. It's not great. Um, that was Aaron.

0:38:02.560 --> 0:38:04.279
<v Speaker 1>That was Aaron through the plate glass windows. One they

0:38:04.280 --> 0:38:07.240
<v Speaker 1>wouldn't let me do. Um. And Aaron does an amazing job. Honestly,

0:38:07.239 --> 0:38:09.560
<v Speaker 1>I was honored to be able to be doubled by him.

0:38:09.600 --> 0:38:12.120
<v Speaker 1>He does such an incredible job as great. As much

0:38:12.120 --> 0:38:13.680
<v Speaker 1>as I wanted to do all of the stunts that

0:38:13.719 --> 0:38:16.240
<v Speaker 1>I possibly could, in this case, I was not allowed.

0:38:16.920 --> 0:38:19.200
<v Speaker 1>I will say we have a lot of in this

0:38:19.400 --> 0:38:23.000
<v Speaker 1>episode and next the fights look so good. You really

0:38:23.040 --> 0:38:26.040
<v Speaker 1>get to see the Maguire brothers, Darren and team hit

0:38:26.120 --> 0:38:29.200
<v Speaker 1>their stride in this because they got into the world

0:38:29.360 --> 0:38:31.719
<v Speaker 1>and you know, they really came through in the first

0:38:31.760 --> 0:38:34.840
<v Speaker 1>couple episodes and really get to shine in the next several.

0:38:35.520 --> 0:38:40.479
<v Speaker 1>But in this next scene, we have Rafael coming back

0:38:41.000 --> 0:38:46.720
<v Speaker 1>to haunt Simon literally and figuratively. I'm still doing with Camille.

0:38:46.760 --> 0:38:50.080
<v Speaker 1>Camille is still on the loose, Vampire Den's causing a ruckus.

0:38:50.320 --> 0:38:53.040
<v Speaker 1>Everyone's upset, and MPD is upset. The claim is upset.

0:38:53.520 --> 0:38:56.600
<v Speaker 1>Everyone wants to is after Raphael because they think it's

0:38:56.640 --> 0:38:58.480
<v Speaker 1>him because he's now the facto ahead of the clan,

0:38:58.880 --> 0:39:01.600
<v Speaker 1>but it's really Camille. But again, as often happens in

0:39:01.640 --> 0:39:04.440
<v Speaker 1>the Shadow world, nobody wants to listen to explanations. They

0:39:04.560 --> 0:39:08.840
<v Speaker 1>just want to punish people. Go. I will say that

0:39:08.960 --> 0:39:12.560
<v Speaker 1>these two an incredible charisma together. They did such a

0:39:12.640 --> 0:39:15.880
<v Speaker 1>good job developing this relationship, and I know that Alberto

0:39:15.920 --> 0:39:17.800
<v Speaker 1>and David got quite close over the course of filming,

0:39:17.840 --> 0:39:20.000
<v Speaker 1>and it really shows they do they do. They do

0:39:20.120 --> 0:39:23.520
<v Speaker 1>a very very good job. It does. I always feel,

0:39:23.840 --> 0:39:26.920
<v Speaker 1>you know, there's like many glimpses of the Godfather, you know,

0:39:27.440 --> 0:39:29.000
<v Speaker 1>these scenes between the two of them, but it's a

0:39:29.080 --> 0:39:33.520
<v Speaker 1>slightly slightly New York mafios kind of totally. Also, if

0:39:33.560 --> 0:39:36.399
<v Speaker 1>Alberto doesn't end up playing a young Brando at some point,

0:39:36.520 --> 0:39:39.600
<v Speaker 1>I will eat my hat like that photo, like you

0:39:39.640 --> 0:39:44.200
<v Speaker 1>remember when Brando did that? Yeah, he he absolutely needs

0:39:44.200 --> 0:39:46.000
<v Speaker 1>to play a young Brando and I know Alberto would

0:39:46.000 --> 0:39:49.440
<v Speaker 1>absolutely crush it. So if nobody's writing that, then one

0:39:49.480 --> 0:39:52.280
<v Speaker 1>of our listeners please get on writing a Brando biopic

0:39:52.400 --> 0:39:55.320
<v Speaker 1>and cast Alberto in it. All I ask is that

0:39:55.320 --> 0:39:57.319
<v Speaker 1>I get to play Aline Stretch in the biopic. I'll

0:39:57.400 --> 0:39:59.440
<v Speaker 1>just just want to do that. I'm happy just to

0:39:59.520 --> 0:40:03.320
<v Speaker 1>watch it honestly viewed from a distance and watch this

0:40:03.480 --> 0:40:08.600
<v Speaker 1>mastery unfold. I know Alberta would absolutely slay it too. Uh.

0:40:08.719 --> 0:40:12.719
<v Speaker 1>And then Simon goes home and sees his room still

0:40:12.800 --> 0:40:15.840
<v Speaker 1>in disarray, still in disarray because he destroyed it. I

0:40:15.920 --> 0:40:18.880
<v Speaker 1>don't know how much would be interesting to ask Alberto

0:40:19.120 --> 0:40:21.480
<v Speaker 1>how much you know, because when he was in that

0:40:21.680 --> 0:40:24.960
<v Speaker 1>state of vamposm does he remember doing that? How much

0:40:25.040 --> 0:40:27.120
<v Speaker 1>does he remember was it sort of a fugue state

0:40:27.280 --> 0:40:30.480
<v Speaker 1>or not? We don't know. That finds a bottle of vodka,

0:40:30.600 --> 0:40:32.800
<v Speaker 1>and then we're back with Clary and Izzy. Simon calls

0:40:32.880 --> 0:40:37.520
<v Speaker 1>Clary to ask for help because hey, my mom's missing

0:40:37.840 --> 0:40:42.400
<v Speaker 1>and there's a bottle of vodka and this is not good. Yeah. Um,

0:40:43.440 --> 0:40:45.520
<v Speaker 1>this is again where the mundane world creeps into the

0:40:45.560 --> 0:40:50.800
<v Speaker 1>shadow world, with often worse consequences. Yeah, very much. The

0:40:50.880 --> 0:40:58.240
<v Speaker 1>world can exhibit um and unfortunately, well fortunately, Clary actually

0:40:58.360 --> 0:41:00.719
<v Speaker 1>is a good friend this time and goes off to

0:41:00.760 --> 0:41:03.799
<v Speaker 1>help Simon, which I appreciate because she has not she's

0:41:03.840 --> 0:41:05.239
<v Speaker 1>not been there for Simon in the way that she

0:41:05.280 --> 0:41:07.640
<v Speaker 1>should be. In a lot of ways going on. I

0:41:07.760 --> 0:41:10.799
<v Speaker 1>get it. There's a lot going on. Yeah. Then we're

0:41:10.840 --> 0:41:14.680
<v Speaker 1>back with Luke with his other daughter Maya. Would we

0:41:14.760 --> 0:41:18.120
<v Speaker 1>get to see he's just the dad of everyone, and

0:41:18.320 --> 0:41:21.200
<v Speaker 1>it's the best. He's the good dad. He's the good

0:41:21.640 --> 0:41:24.040
<v Speaker 1>good dad. He's the best parent. How did we not

0:41:24.600 --> 0:41:28.680
<v Speaker 1>talk about obviously Luke is the best parent? Wow? I

0:41:28.760 --> 0:41:34.279
<v Speaker 1>feel Wow, he's obviously the best parent. Yeah. Well, to

0:41:34.360 --> 0:41:36.600
<v Speaker 1>be fair, we were in the institute thinking of all

0:41:36.680 --> 0:41:39.000
<v Speaker 1>the parents that aren't good and trying to make excuses

0:41:39.040 --> 0:41:42.160
<v Speaker 1>for them. So you know, he just slipped under the

0:41:42.280 --> 0:41:45.799
<v Speaker 1>radar because he only does his job, his mundane job,

0:41:46.120 --> 0:41:50.680
<v Speaker 1>his shadow world job, and his familial job. Yeah, he's

0:41:50.880 --> 0:41:53.120
<v Speaker 1>a lot going on. He's the most capable character I

0:41:53.200 --> 0:41:57.359
<v Speaker 1>think of all of them by the longest way. Yeah,

0:41:58.280 --> 0:42:01.919
<v Speaker 1>he did just threaten Jace, which I love. But fair enough,

0:42:02.000 --> 0:42:04.680
<v Speaker 1>I understand. I mean he's going to keep up appearances

0:42:04.760 --> 0:42:06.759
<v Speaker 1>of nothing else. Yeah, I get it, I get it,

0:42:06.880 --> 0:42:13.000
<v Speaker 1>and follow through? Would he know? Fair but dad? And yeah,

0:42:13.200 --> 0:42:16.120
<v Speaker 1>that's possible. Clar But but daddy, I love him. Yeah,

0:42:16.440 --> 0:42:18.400
<v Speaker 1>And he is my brother kind of sort of, so

0:42:18.520 --> 0:42:20.920
<v Speaker 1>he's like kind of my stepdad at this point in

0:42:20.960 --> 0:42:24.360
<v Speaker 1>a weird ways kind of my stepdad. Yeah, links are

0:42:24.360 --> 0:42:27.920
<v Speaker 1>all there? Really becomes your stepdad later. Yeah, Um, I

0:42:28.000 --> 0:42:30.959
<v Speaker 1>think poor Roger is about to get smacked in the chest. Yeah,

0:42:31.480 --> 0:42:34.040
<v Speaker 1>that was about to happen. Oh no, he gets assigned.

0:42:34.280 --> 0:42:37.959
<v Speaker 1>Raj is just kind of being a butt right now, Yeah,

0:42:38.160 --> 0:42:43.520
<v Speaker 1>because he comes into Sorry, it's just do st orders. Sorry,

0:42:44.600 --> 0:42:46.480
<v Speaker 1>it is just orders, though I kind of get it.

0:42:47.560 --> 0:42:51.640
<v Speaker 1>I kind of like, but if this was a real

0:42:51.760 --> 0:42:54.960
<v Speaker 1>military service, like if this was a real branch of

0:42:55.040 --> 0:42:58.960
<v Speaker 1>the military, like, what are you doing, you psychos? He

0:42:59.560 --> 0:43:01.560
<v Speaker 1>the guy that we're looking for just ran off with

0:43:01.680 --> 0:43:03.960
<v Speaker 1>their enemy, like he's got he's dead to us, like

0:43:04.120 --> 0:43:06.600
<v Speaker 1>this this is a he's a traitor, Like that's absolutely

0:43:06.680 --> 0:43:09.919
<v Speaker 1>what it is. Um, But we love these people, so listen,

0:43:09.960 --> 0:43:11.600
<v Speaker 1>We're gonna bend the rules for them. That's what's going

0:43:11.640 --> 0:43:14.919
<v Speaker 1>to happen. I still I'm still so interested to see

0:43:15.000 --> 0:43:17.000
<v Speaker 1>what you know. I want to follow Raj and alder

0:43:17.080 --> 0:43:20.319
<v Speaker 1>tree story and Lydia. I just sent them off having

0:43:20.360 --> 0:43:21.560
<v Speaker 1>a beer at the end of the day and be like,

0:43:21.640 --> 0:43:24.120
<v Speaker 1>what are we gonna do with these guys? Yeah, honestly,

0:43:24.280 --> 0:43:27.719
<v Speaker 1>these we Alberto and I had an idea that was

0:43:27.880 --> 0:43:30.840
<v Speaker 1>just like the just basically just the background, like the

0:43:31.800 --> 0:43:35.120
<v Speaker 1>supporting artists of our show, and it was just their story.

0:43:35.600 --> 0:43:37.880
<v Speaker 1>So like we'd walk past them in a scene and

0:43:37.960 --> 0:43:40.040
<v Speaker 1>then you would instead of following us, you would follow

0:43:40.120 --> 0:43:43.360
<v Speaker 1>the supporting artists, and they'd be like, these fucking guys, honestly,

0:43:43.400 --> 0:43:46.600
<v Speaker 1>we're constantly cleaning up their messages, like it's such a nightmare,

0:43:46.680 --> 0:43:48.680
<v Speaker 1>Like nobody really likes them. That's why they kind of

0:43:48.719 --> 0:43:51.680
<v Speaker 1>hang out on their own, like the sort of emo

0:43:51.800 --> 0:43:55.040
<v Speaker 1>e kids of the New York Institute where it's like

0:43:55.160 --> 0:43:56.560
<v Speaker 1>you just kind of let them do their thing and

0:43:56.600 --> 0:43:59.200
<v Speaker 1>then we clean up after they're done. Did you hear

0:43:59.280 --> 0:44:02.040
<v Speaker 1>Jas and the Hoppy Machine last week? Yeah, like that

0:44:03.600 --> 0:44:05.800
<v Speaker 1>he thought it was hilarious, but like it's a nightmare

0:44:05.840 --> 0:44:08.880
<v Speaker 1>for us. Why did this happen? And then like later on,

0:44:08.960 --> 0:44:12.680
<v Speaker 1>when Jason's cleaning weapons, everyone's just like, yeah, you've got yours, buddy.

0:44:13.120 --> 0:44:17.799
<v Speaker 1>About time. Speaking of time, we go back in time

0:44:17.880 --> 0:44:21.239
<v Speaker 1>once again to see Jason Alec and I find it

0:44:21.280 --> 0:44:23.400
<v Speaker 1>interesting because again this is another time we get to

0:44:23.480 --> 0:44:26.000
<v Speaker 1>utilize so much of our sound stage. This was back

0:44:26.080 --> 0:44:31.200
<v Speaker 1>up where we did the Shacks Demons, where where Clari

0:44:31.280 --> 0:44:34.000
<v Speaker 1>stabbed Jason season one, but they sort of redressed it, ReLit,

0:44:34.080 --> 0:44:39.879
<v Speaker 1>it shot up from a different angle and created this VR. Yes,

0:44:40.640 --> 0:44:45.799
<v Speaker 1>this hologram fighting test space in our again. Shout out

0:44:45.840 --> 0:44:50.919
<v Speaker 1>to folks VFX for just so similar. To the two guys,

0:44:50.960 --> 0:44:52.600
<v Speaker 1>We've got to look up their names. I feel terrible

0:44:52.640 --> 0:44:54.239
<v Speaker 1>that I don't remember them. But to the two guys

0:44:54.280 --> 0:44:57.800
<v Speaker 1>who play Young Jason Young Alec again, do such a

0:44:57.840 --> 0:45:00.680
<v Speaker 1>fantastic job. And again it's difficult to come into these

0:45:00.719 --> 0:45:03.560
<v Speaker 1>things and just throw yourself into it. So real. Credits

0:45:03.560 --> 0:45:07.600
<v Speaker 1>to those guys. Yeah, that's just Toronto, man. They had

0:45:07.680 --> 0:45:11.520
<v Speaker 1>so many amazing folks. Just they're so much talent in

0:45:11.600 --> 0:45:15.239
<v Speaker 1>front of and behind the camera. And then off we

0:45:15.320 --> 0:45:19.040
<v Speaker 1>are again to Alec having a fever dream of all

0:45:19.080 --> 0:45:22.279
<v Speaker 1>of this. Please don't die, Alec, please don't. I do

0:45:22.440 --> 0:45:24.640
<v Speaker 1>remember though Matt had a good time written this episode.

0:45:24.640 --> 0:45:26.239
<v Speaker 1>He'd come up to me every day and go, I

0:45:26.320 --> 0:45:29.239
<v Speaker 1>spent this much on Amazon today, I did this much

0:45:31.120 --> 0:45:34.239
<v Speaker 1>at not had to be passed out the whole episode.

0:45:34.840 --> 0:45:37.160
<v Speaker 1>It was bad. We all had those days. Tricky thing

0:45:37.200 --> 0:45:39.480
<v Speaker 1>with being asleep or passed out on set is to

0:45:39.600 --> 0:45:42.480
<v Speaker 1>not actually fall asleep. You have to do like get

0:45:42.520 --> 0:45:44.440
<v Speaker 1>into this sort of weird zend place we are like

0:45:44.600 --> 0:45:47.320
<v Speaker 1>I'm awake and I'm focused on what's going on, but

0:45:47.400 --> 0:45:50.200
<v Speaker 1>I'm also really comfortable and supposed to be asleep, because like,

0:45:50.800 --> 0:45:52.480
<v Speaker 1>that's how you fall asleep in real life, as you

0:45:52.560 --> 0:45:54.960
<v Speaker 1>pretend to be asleep, that's how you actually would go

0:45:55.080 --> 0:45:58.480
<v Speaker 1>about it. And the trick here is to not actually

0:45:58.560 --> 0:46:01.399
<v Speaker 1>do it, sort of do the opposite. Um. This takes

0:46:01.520 --> 0:46:05.440
<v Speaker 1>us to the dreaded alleyway with my fake belly at

0:46:05.520 --> 0:46:08.399
<v Speaker 1>a full prosthetic belly, so a shod of glass could

0:46:08.400 --> 0:46:11.480
<v Speaker 1>be put into it, which turned out to be entirely

0:46:11.640 --> 0:46:14.520
<v Speaker 1>useless because the shot of glass doesn't come out of

0:46:14.600 --> 0:46:17.239
<v Speaker 1>me in this scene, so that was just a bit

0:46:17.280 --> 0:46:19.680
<v Speaker 1>of a waste, unfortunately. But it comes out in the

0:46:19.719 --> 0:46:21.600
<v Speaker 1>next one and I use the same belly, so everything's fine.

0:46:21.760 --> 0:46:25.520
<v Speaker 1>Well there, But Jason, look our subway station the first

0:46:25.719 --> 0:46:27.160
<v Speaker 1>this might be one of the first times we got

0:46:27.200 --> 0:46:29.759
<v Speaker 1>to see Oh no, this was actually outside, this was

0:46:30.040 --> 0:46:32.920
<v Speaker 1>out on the street. UM, so it was a real

0:46:33.080 --> 0:46:35.760
<v Speaker 1>But they had the subway stop that they would move

0:46:36.080 --> 0:46:38.000
<v Speaker 1>to every set we went to because the subway stops

0:46:38.000 --> 0:46:40.360
<v Speaker 1>in Toronto did not look like this, um, and so

0:46:40.440 --> 0:46:43.080
<v Speaker 1>they bought. They bought it in pieces, and every episode

0:46:43.120 --> 0:46:45.000
<v Speaker 1>we would get a new side to it. Because it

0:46:45.080 --> 0:46:47.360
<v Speaker 1>was so expensive. They had to peeter it out for

0:46:47.440 --> 0:46:50.279
<v Speaker 1>several episodes, um, and then eventually we had the whole

0:46:50.360 --> 0:46:52.080
<v Speaker 1>one and they would just change the sign on it

0:46:52.160 --> 0:46:57.440
<v Speaker 1>and move it around. Yeah. Very interesting, which takes us

0:46:57.480 --> 0:47:00.680
<v Speaker 1>to Jason in a mundane hospital. Are the mundane is

0:47:00.680 --> 0:47:02.200
<v Speaker 1>going to do? How are they going to treat it?

0:47:02.320 --> 0:47:04.160
<v Speaker 1>Who knows? What's his blood going to turn up? Like?

0:47:04.360 --> 0:47:08.640
<v Speaker 1>Not good? Probably to a to a mundane um. These

0:47:08.680 --> 0:47:11.640
<v Speaker 1>guys are all very good as well. The medical prowess

0:47:11.800 --> 0:47:14.560
<v Speaker 1>of these guys was fantastic. They all did a very

0:47:14.719 --> 0:47:16.960
<v Speaker 1>very good job. See I didn't get to go. I

0:47:17.360 --> 0:47:20.279
<v Speaker 1>was never on this hospital set. But actually I was

0:47:20.400 --> 0:47:22.240
<v Speaker 1>never on the You guys went back to the hospital

0:47:22.280 --> 0:47:24.520
<v Speaker 1>a few, very few times and you and I don't

0:47:24.560 --> 0:47:27.160
<v Speaker 1>think you ever came with us. No, I never did.

0:47:27.840 --> 0:47:30.640
<v Speaker 1>But you know I was off with with the vampires

0:47:30.880 --> 0:47:36.360
<v Speaker 1>doing tracking and stuff. Come out of the coffin. That's funny,

0:47:37.400 --> 0:47:40.759
<v Speaker 1>that's great though, right, Yeah, but this is again it's

0:47:40.800 --> 0:47:43.920
<v Speaker 1>one of those moments where I love this friendship between

0:47:43.960 --> 0:47:45.880
<v Speaker 1>Clarion set. A minute. Yes, we're starting to see sparks,

0:47:45.920 --> 0:47:48.560
<v Speaker 1>and yes, we're starting to see other things, but it

0:47:48.640 --> 0:47:52.480
<v Speaker 1>really establishes how much they need the mundane world and

0:47:52.560 --> 0:47:56.319
<v Speaker 1>how much they need this friendship. And they're not they

0:47:56.400 --> 0:47:58.239
<v Speaker 1>guess they're fully immersed in the shadow world, but they're

0:47:58.239 --> 0:48:01.320
<v Speaker 1>still tethered to all the past in their childhood and

0:48:01.400 --> 0:48:04.080
<v Speaker 1>all these things and all these people, including Simon's mom,

0:48:04.200 --> 0:48:07.600
<v Speaker 1>that made them who they are. And just because Simon

0:48:07.800 --> 0:48:12.000
<v Speaker 1>is this thing now, it's nice that he has a

0:48:12.040 --> 0:48:14.040
<v Speaker 1>moment where he can be reminded that he's still, you know,

0:48:14.200 --> 0:48:16.520
<v Speaker 1>a person. In a lot of ways, He's still Simon.

0:48:16.760 --> 0:48:18.719
<v Speaker 1>He's not the person. He's not a monster, he's not

0:48:18.840 --> 0:48:22.240
<v Speaker 1>this thing that everybody's telling him he is. He's still Simon.

0:48:22.719 --> 0:48:26.080
<v Speaker 1>He's still Simon. And again with Clary, we see we

0:48:26.160 --> 0:48:28.360
<v Speaker 1>see this more later. This is the first glimmer that

0:48:28.440 --> 0:48:34.719
<v Speaker 1>we see of Clary and the Morgan Sterns being sort

0:48:34.760 --> 0:48:38.680
<v Speaker 1>of the opposite of the emotions, cloud judgment realm of

0:48:38.880 --> 0:48:41.000
<v Speaker 1>the shadow world. You know, that's such a staunch shadow

0:48:41.040 --> 0:48:43.280
<v Speaker 1>Hunter's principle, but when it comes to the Morgan Sterns,

0:48:43.760 --> 0:48:47.400
<v Speaker 1>their emotions fuel their power, and their emotions allow them

0:48:47.440 --> 0:48:51.640
<v Speaker 1>to kind of release what makes them special, which is dangerous,

0:48:51.719 --> 0:48:55.120
<v Speaker 1>which is probably why the emotions cloud judgment element exists

0:48:55.239 --> 0:48:58.560
<v Speaker 1>for the shadow Hunters. Absolutely, but it's it's through this

0:48:58.680 --> 0:49:01.440
<v Speaker 1>kind of connection that she's able to do it. As

0:49:01.480 --> 0:49:04.759
<v Speaker 1>he says, and let go and track a lane. And

0:49:04.920 --> 0:49:06.920
<v Speaker 1>here we are back with Harry Sham Jr. Doing what

0:49:07.040 --> 0:49:10.080
<v Speaker 1>he does best. In a couple of little twitches from Matt.

0:49:10.120 --> 0:49:13.120
<v Speaker 1>They're very well done, really earned his fee this episode.

0:49:15.040 --> 0:49:17.920
<v Speaker 1>Good job is this? This is where Raj gets slammed

0:49:17.960 --> 0:49:22.160
<v Speaker 1>in the wall, isn't it? Yeah? Poor rage hashtag poorage,

0:49:22.719 --> 0:49:26.479
<v Speaker 1>hashtag poor rage. I don't love that Raj really tries

0:49:26.560 --> 0:49:29.799
<v Speaker 1>to do with job. I have to say though, Poor Raj. Yes,

0:49:30.080 --> 0:49:33.319
<v Speaker 1>but Magnus doing the dark Darth Vader choke hold, Yeah,

0:49:34.120 --> 0:49:37.960
<v Speaker 1>I was a huge fan of that. It's me that's like, ye,

0:49:39.000 --> 0:49:41.080
<v Speaker 1>the Force be with you, Magnus. Yeah. And he's not

0:49:41.200 --> 0:49:43.680
<v Speaker 1>even looking either when he starts it, which is really cool.

0:49:43.800 --> 0:49:46.320
<v Speaker 1>It's just like and he's looking away. There's something so

0:49:46.480 --> 0:49:48.200
<v Speaker 1>cool about that. And yeah, he just gets slammed into

0:49:48.200 --> 0:49:51.520
<v Speaker 1>the wall. Poor buddy. Oh bless his heart again. Yes,

0:49:52.000 --> 0:49:55.000
<v Speaker 1>way to go folks VFX. Yeah, and the stunt team

0:49:55.000 --> 0:49:58.239
<v Speaker 1>would have had to. Yeah, this is the thing. This

0:49:58.400 --> 0:50:01.000
<v Speaker 1>show would not have worked the way it did if

0:50:01.080 --> 0:50:04.080
<v Speaker 1>all of these departments, between VFX and stunts and the

0:50:04.200 --> 0:50:07.360
<v Speaker 1>actors and the direction and the camera folks and everyone

0:50:08.000 --> 0:50:12.080
<v Speaker 1>really being on the same page and working together synergy

0:50:12.160 --> 0:50:17.040
<v Speaker 1>with for sure. Yeah, Shadow ondress magic, Yeah, Shadow onto

0:50:17.080 --> 0:50:39.959
<v Speaker 1>his team. We're back in the hospital Luke a Meyer

0:50:40.200 --> 0:50:44.080
<v Speaker 1>gunning for Jay's but he's gone. He's gone. He's lowing

0:50:44.200 --> 0:50:47.360
<v Speaker 1>down Um and being hunted down by Maya. Where we

0:50:47.480 --> 0:50:51.520
<v Speaker 1>get to see our new and improved werewolf transformations, which

0:50:51.560 --> 0:50:55.000
<v Speaker 1>I'm very excited about. The change from the sort of

0:50:55.080 --> 0:50:57.240
<v Speaker 1>flash of light and all of a sudden you're awarewolf

0:50:57.360 --> 0:51:02.120
<v Speaker 1>to the actual contortionist like breaking of the bones, the

0:51:02.400 --> 0:51:07.000
<v Speaker 1>body growing into whatever it is. And again, Atlicia does

0:51:07.040 --> 0:51:08.520
<v Speaker 1>a really good job with this, like she was very

0:51:08.560 --> 0:51:10.799
<v Speaker 1>new to set and had to sort of do these

0:51:10.880 --> 0:51:12.759
<v Speaker 1>motions for the first time and tell us how we

0:51:12.840 --> 0:51:14.200
<v Speaker 1>were going to see this for the rest of ever

0:51:14.920 --> 0:51:17.759
<v Speaker 1>Um and she does a fantastic job. And I love

0:51:17.880 --> 0:51:20.600
<v Speaker 1>the new animation of the wolves too in this season,

0:51:20.640 --> 0:51:22.600
<v Speaker 1>now that we have folks the effects, they're so good

0:51:22.960 --> 0:51:25.279
<v Speaker 1>and these wolves is a little bit different. Yeah, they

0:51:25.400 --> 0:51:28.120
<v Speaker 1>got a personality. But I will say it's a shame

0:51:28.280 --> 0:51:30.120
<v Speaker 1>that that jacket got destroyed because that was a really

0:51:30.160 --> 0:51:32.320
<v Speaker 1>good It was a good jacket, that was a solid jacket.

0:51:32.440 --> 0:51:34.360
<v Speaker 1>It is a real shame And good as you for

0:51:34.480 --> 0:51:37.040
<v Speaker 1>running up the stairs. How many times you do that?

0:51:37.400 --> 0:51:41.640
<v Speaker 1>A few? Yeah? Yeah, yeah, yeah, yeah, yeah yeah yeah yeah.

0:51:42.080 --> 0:51:45.560
<v Speaker 1>This whole thing wasn't super fun and I wanted to

0:51:45.600 --> 0:51:47.080
<v Speaker 1>be able to do the stunt at the end of

0:51:47.120 --> 0:51:50.200
<v Speaker 1>this as a jump sort of off the roof, and unfortunately,

0:51:50.280 --> 0:51:52.680
<v Speaker 1>again this was the stunt I was not allowed to do,

0:51:53.480 --> 0:51:56.959
<v Speaker 1>which I later trained for and and was actually able

0:51:57.000 --> 0:51:58.480
<v Speaker 1>to do. But this is another one that aren't took

0:51:58.560 --> 0:52:01.320
<v Speaker 1>off my shoulders and does a fantastic job and it

0:52:01.400 --> 0:52:04.320
<v Speaker 1>looks incredible and were very proud of him. Little jealous,

0:52:05.719 --> 0:52:09.960
<v Speaker 1>jealous mom saves you, Mom saves me kind of kind

0:52:10.440 --> 0:52:13.480
<v Speaker 1>and then pulls your heart strengths a little bit. Yeah,

0:52:13.760 --> 0:52:16.040
<v Speaker 1>she's trying to apologize, and I get that. That's cool.

0:52:16.440 --> 0:52:18.839
<v Speaker 1>Josin doesn't apologie as well. Maybe that's why Clary doesn't

0:52:18.840 --> 0:52:22.080
<v Speaker 1>apologie as well. She didn't have a great example. Yeah, yeah,

0:52:22.239 --> 0:52:25.120
<v Speaker 1>like you only learn from those people, right, Like, Yeah,

0:52:25.480 --> 0:52:29.320
<v Speaker 1>She's like, I'm sorry, but you know it's hard, but sorry,

0:52:29.440 --> 0:52:32.560
<v Speaker 1>but it is not an apology. That's not an apology

0:52:32.680 --> 0:52:34.879
<v Speaker 1>in my book. If you follow that with anything, I'm

0:52:34.960 --> 0:52:38.200
<v Speaker 1>sorry is an apology. I'm sorry, I'm taking responsibility for

0:52:38.239 --> 0:52:41.000
<v Speaker 1>what I've done. I'm sorry, but it's not an apology

0:52:41.200 --> 0:52:43.600
<v Speaker 1>in my book. So maybe I'm just piste off because

0:52:43.640 --> 0:52:46.040
<v Speaker 1>I'm having a witness this sweater again. Yeah, I think so.

0:52:46.280 --> 0:52:48.600
<v Speaker 1>I think that's affecting your your judgment. And then we

0:52:48.680 --> 0:52:53.360
<v Speaker 1>have older Tree again. I do love that we have

0:52:53.480 --> 0:52:55.759
<v Speaker 1>a smart bad guy though, you know, it's it's one

0:52:55.800 --> 0:52:57.960
<v Speaker 1>of the I say bad guy age is not really

0:52:58.000 --> 0:53:02.360
<v Speaker 1>that as smart obstacle as it were. He against that

0:53:02.400 --> 0:53:05.120
<v Speaker 1>we try and pull. Yeah, he does. He sees the

0:53:05.239 --> 0:53:08.200
<v Speaker 1>Shenanigans over and over and over again and again. Poor

0:53:08.320 --> 0:53:11.080
<v Speaker 1>Raj knocked out on the bed. But I mean it

0:53:11.200 --> 0:53:13.520
<v Speaker 1>was a smart way to cover the fact that they

0:53:13.880 --> 0:53:18.359
<v Speaker 1>beat up the bodyguard. Yep, yep, yep, poor Rage, Oh

0:53:18.480 --> 0:53:20.000
<v Speaker 1>bless him. And he's just trying to do his job.

0:53:20.120 --> 0:53:22.360
<v Speaker 1>He's just trying to climb the ladder. Yeah, but we

0:53:22.440 --> 0:53:24.919
<v Speaker 1>do get to see the first glimmer of Isabelle being

0:53:25.000 --> 0:53:27.960
<v Speaker 1>put in the middle of the plays and her family

0:53:28.480 --> 0:53:30.480
<v Speaker 1>and having to make these hard choices and having to

0:53:30.520 --> 0:53:33.920
<v Speaker 1>make these sacrifices, and really, if anyone has to make

0:53:33.960 --> 0:53:35.680
<v Speaker 1>a deal with the devil in this episode is her.

0:53:36.320 --> 0:53:39.319
<v Speaker 1>And it happens more and more throughout that she sort

0:53:39.320 --> 0:53:42.360
<v Speaker 1>of ends up in the middle of our unkempt shenanigans.

0:53:42.920 --> 0:53:45.520
<v Speaker 1>I have to say, we are we are a Disney show,

0:53:46.120 --> 0:53:49.000
<v Speaker 1>you know, And so having this whole moment where Alec is,

0:53:50.280 --> 0:53:52.799
<v Speaker 1>where Magnus is begging Alec to come back, and goes,

0:53:53.080 --> 0:53:57.000
<v Speaker 1>I've tried everything except and then kisses him and it

0:53:57.120 --> 0:53:59.839
<v Speaker 1>doesn't work. I love the fact that we go there,

0:54:00.120 --> 0:54:02.400
<v Speaker 1>love the fact that, you know, we we don't use

0:54:02.520 --> 0:54:05.760
<v Speaker 1>that excuse, we don't use that trope, but it still exists,

0:54:05.920 --> 0:54:10.880
<v Speaker 1>which is nice. Kids again do such a fantastic I

0:54:10.960 --> 0:54:12.960
<v Speaker 1>say kids, they're all teenagers, they're not really kids, but

0:54:13.040 --> 0:54:17.960
<v Speaker 1>they do such a fantastic job. And they Yeah, they

0:54:18.040 --> 0:54:22.040
<v Speaker 1>really do encapsulate everything that this story is about. And

0:54:22.120 --> 0:54:26.840
<v Speaker 1>I remember being very, very pleased with this because they

0:54:26.880 --> 0:54:28.520
<v Speaker 1>would have been able to watch season one, but they

0:54:28.560 --> 0:54:30.880
<v Speaker 1>wouldn't have been able to see how much it's changed

0:54:30.920 --> 0:54:32.680
<v Speaker 1>from season one season two. They would have gotten a

0:54:32.680 --> 0:54:35.239
<v Speaker 1>little like snippets of things, but they wouldn't have seen

0:54:35.280 --> 0:54:37.759
<v Speaker 1>the real drastic changes. So they do a very very

0:54:37.840 --> 0:54:43.200
<v Speaker 1>good job with this and very pleased with it, absolutely well.

0:54:43.239 --> 0:54:44.880
<v Speaker 1>And I love the parallels to that we get to

0:54:44.920 --> 0:54:47.960
<v Speaker 1>see between Aleg and Izzy in this scene and the

0:54:48.040 --> 0:54:51.120
<v Speaker 1>Simon and Clary scene we saw earlier, of having this

0:54:51.360 --> 0:54:55.160
<v Speaker 1>person go, you are loved for who you are. Doesn't

0:54:55.239 --> 0:54:58.879
<v Speaker 1>matter what you are or who you love or any

0:54:58.960 --> 0:55:02.080
<v Speaker 1>of that. It's you're you, and that's where your value lies.

0:55:02.160 --> 0:55:03.640
<v Speaker 1>And that's kind of the under current of the entire

0:55:03.680 --> 0:55:06.759
<v Speaker 1>show kind of gets established over and over again. And

0:55:06.800 --> 0:55:10.239
<v Speaker 1>then we're back with Malick very briefly. Then we're back

0:55:10.280 --> 0:55:13.440
<v Speaker 1>to Simon and Izzy, not Simon and Izzy, Simon and Clary,

0:55:13.880 --> 0:55:17.080
<v Speaker 1>and you give them a very elongated kiss on the cheek,

0:55:17.320 --> 0:55:19.880
<v Speaker 1>a very temptuous kiss on the cheek. I would have

0:55:20.200 --> 0:55:22.400
<v Speaker 1>like if this was a first date for me and

0:55:22.480 --> 0:55:24.120
<v Speaker 1>I got a kiss on the cheek that lasted for

0:55:24.200 --> 0:55:26.839
<v Speaker 1>like two or three seconds, rather than just like a peck,

0:55:27.239 --> 0:55:30.000
<v Speaker 1>like a brief touching of skin, I would be like,

0:55:31.640 --> 0:55:33.640
<v Speaker 1>I want to I would love to see that person again,

0:55:33.840 --> 0:55:35.560
<v Speaker 1>and I hope that she would like to see me again,

0:55:36.000 --> 0:55:38.080
<v Speaker 1>because that's what that felt like to me. So you're

0:55:38.360 --> 0:55:41.399
<v Speaker 1>you told Simon a little something there, you told him

0:55:41.400 --> 0:55:44.000
<v Speaker 1>a little something, You gave him a little a little

0:55:44.080 --> 0:55:47.000
<v Speaker 1>like maybe a little nudge. Well, this is the thing

0:55:47.160 --> 0:55:50.600
<v Speaker 1>is Clary's in this weird space where she knew how

0:55:50.680 --> 0:55:53.439
<v Speaker 1>she felt about Simon and knew how she felt about Jace,

0:55:53.880 --> 0:55:56.239
<v Speaker 1>and then when Valentine throws the monkey ranjem oh, by

0:55:56.280 --> 0:55:58.360
<v Speaker 1>the way, who's your brother into it, she starts to

0:55:58.440 --> 0:56:01.840
<v Speaker 1>reevaluate what what love is in her mind and how

0:56:01.920 --> 0:56:04.840
<v Speaker 1>she's always defined love. She's going, well, maybe if this

0:56:04.920 --> 0:56:06.239
<v Speaker 1>is how I felt about this person, and this is

0:56:06.239 --> 0:56:08.000
<v Speaker 1>how I felt about this person, maybe I was wrong

0:56:08.120 --> 0:56:10.360
<v Speaker 1>my entire life. Maybe the thing right in front of

0:56:10.440 --> 0:56:13.680
<v Speaker 1>me is something I should explore, something that's always been there,

0:56:13.840 --> 0:56:16.279
<v Speaker 1>something that's you know, this person that's been there for

0:56:16.360 --> 0:56:19.480
<v Speaker 1>me my entire life, who's always been my support system,

0:56:19.600 --> 0:56:21.879
<v Speaker 1>always been the thing that makes me happy, always been

0:56:22.640 --> 0:56:25.160
<v Speaker 1>right there, and I've kind of ignored and taken for granted.

0:56:25.600 --> 0:56:27.880
<v Speaker 1>So you know, there's there's there's a little hesitation on

0:56:27.960 --> 0:56:30.360
<v Speaker 1>both parts, but they're they're dipping their toe in the

0:56:30.480 --> 0:56:34.560
<v Speaker 1>proverbial waters. Yeah, we'll just figuring it out, which brings

0:56:34.640 --> 0:56:39.480
<v Speaker 1>us to Simon a mom having what seems like it's

0:56:39.520 --> 0:56:41.759
<v Speaker 1>going to be the conversation that is my hands down

0:56:41.840 --> 0:56:44.480
<v Speaker 1>favorite scene in the show, but ends up not being

0:56:44.520 --> 0:56:49.520
<v Speaker 1>that conversation because of Raphael. Another proverbiable monkey wrench comes

0:56:49.560 --> 0:56:53.560
<v Speaker 1>in and sort of quasi saves the day. But I

0:56:53.600 --> 0:56:57.120
<v Speaker 1>think if the whole story kind of makes it worse. Um,

0:56:58.200 --> 0:57:02.960
<v Speaker 1>but yeah, tricky, tricky style, that's subtle. That's subtle, overlying

0:57:03.120 --> 0:57:06.400
<v Speaker 1>threat of I can infiltrate your life. And then she

0:57:06.600 --> 0:57:09.680
<v Speaker 1>invites him into their home. I mean, just sitting there,

0:57:09.920 --> 0:57:14.000
<v Speaker 1>I was rewatching this screaming at the TV. Did we

0:57:14.120 --> 0:57:17.160
<v Speaker 1>ever say in our show that vampires need to be

0:57:17.280 --> 0:57:22.560
<v Speaker 1>invited in? I believe it's either addressed or understood there's

0:57:22.640 --> 0:57:27.040
<v Speaker 1>some kind of there was some some reference to it previously,

0:57:27.480 --> 0:57:29.360
<v Speaker 1>or we see it later one of the two. I

0:57:29.440 --> 0:57:32.200
<v Speaker 1>think it might even be with Heidi. I think Heidi

0:57:32.320 --> 0:57:35.360
<v Speaker 1>has to be invited into the Lewis house as well.

0:57:36.320 --> 0:57:38.640
<v Speaker 1>But the fact that Raphael is it's an even bigger

0:57:38.720 --> 0:57:42.840
<v Speaker 1>threat for Simon and an even bigger moment of Holy moly,

0:57:42.920 --> 0:57:45.640
<v Speaker 1>what am I gonna do? Now? My home isn't even

0:57:45.760 --> 0:57:49.760
<v Speaker 1>safe from the people I love Aren't Safe anywhere. It

0:57:49.880 --> 0:57:51.800
<v Speaker 1>just feels like The Godfather we get to keep going

0:57:51.880 --> 0:57:54.720
<v Speaker 1>to in this episode. I absolutely love it. Yeah, very much,

0:57:54.920 --> 0:57:57.920
<v Speaker 1>think between Mission Impossible and The Godfather. But you know,

0:57:58.000 --> 0:57:59.880
<v Speaker 1>we get to see all the world's colliding, which we

0:58:00.160 --> 0:58:02.240
<v Speaker 1>rarely get to see so often in this series, were

0:58:02.480 --> 0:58:04.800
<v Speaker 1>either in the Werewolf world with the shadow Hunter world

0:58:04.960 --> 0:58:08.960
<v Speaker 1>or you know, the Clave world or Valentine's realm or something.

0:58:09.440 --> 0:58:11.480
<v Speaker 1>We really get to see the mundane, the down Rollers,

0:58:11.560 --> 0:58:13.880
<v Speaker 1>and the shadow Hunters all coming to a head in

0:58:13.920 --> 0:58:16.480
<v Speaker 1>this episode. Yeah, and I we're back at Jade Wolfe.

0:58:17.640 --> 0:58:23.240
<v Speaker 1>Larry's yelling at Luke boy, oh boy. Other people have

0:58:23.320 --> 0:58:27.240
<v Speaker 1>other responsibilities in this world. Yeah, Like, and it's tricky,

0:58:27.400 --> 0:58:29.560
<v Speaker 1>like Jason is about to have this exact same conversation

0:58:29.600 --> 0:58:32.480
<v Speaker 1>with Maya, like you have responsibilities to your people and

0:58:32.560 --> 0:58:34.880
<v Speaker 1>your family and your pack. I understand that, but like,

0:58:35.080 --> 0:58:37.520
<v Speaker 1>my responsibility is my brother's in there. I gotta say it,

0:58:37.760 --> 0:58:39.560
<v Speaker 1>like that's all it is. But Claire is going about,

0:58:39.600 --> 0:58:41.680
<v Speaker 1>Claire is going about, Claire is going about for Jayce.

0:58:41.720 --> 0:58:45.040
<v Speaker 1>Whether that's correct or incorrect, who knows, because we haven't

0:58:45.120 --> 0:58:48.720
<v Speaker 1>really interacted that much since I was just like peace out.

0:58:48.760 --> 0:58:50.840
<v Speaker 1>I'm going with bad guy. We've had like a couple

0:58:50.880 --> 0:58:54.240
<v Speaker 1>of scenes, but not any real actual Clary Jason like

0:58:54.440 --> 0:58:58.560
<v Speaker 1>proper decompressing scenes. But she's going about we the next

0:58:58.640 --> 0:59:04.360
<v Speaker 1>scene more episodes. Yeah, the next scene the Maya j

0:59:04.560 --> 0:59:07.000
<v Speaker 1>S face off. To pay attention to the background in that,

0:59:07.280 --> 0:59:09.920
<v Speaker 1>because we filmed this where the raccoons used to live

0:59:09.960 --> 0:59:12.600
<v Speaker 1>in the back where the hard Tale was. So the

0:59:12.760 --> 0:59:15.800
<v Speaker 1>first the first shot of Maya's sort of p o

0:59:15.880 --> 0:59:18.440
<v Speaker 1>V of Jace with New York in the background is

0:59:18.480 --> 0:59:20.480
<v Speaker 1>all fake. All of New York in the background is

0:59:20.480 --> 0:59:23.880
<v Speaker 1>completely fake because obviously we weren't there. Um and folks again,

0:59:23.960 --> 0:59:26.840
<v Speaker 1>did the folks beffex did an amazing, amazing job. I

0:59:26.920 --> 0:59:29.320
<v Speaker 1>do love how Maya has a completely new outfit here.

0:59:30.000 --> 0:59:32.240
<v Speaker 1>It's so great because we sort of established the fact

0:59:32.280 --> 0:59:34.280
<v Speaker 1>that the world wolves have bags of clothes hidden all

0:59:34.280 --> 0:59:36.440
<v Speaker 1>over New York. Not yeah, but she does, and the

0:59:36.680 --> 0:59:40.080
<v Speaker 1>awkward date episode she mentions it. But yeah, it's it's

0:59:40.200 --> 0:59:42.880
<v Speaker 1>they're like dotted around. They have like little stashes of

0:59:42.960 --> 0:59:45.320
<v Speaker 1>clothes everywhere, which I think is genius. You would have

0:59:45.400 --> 0:59:48.800
<v Speaker 1>to with New York is a good place to do that. Yeah,

0:59:49.720 --> 0:59:51.760
<v Speaker 1>and then see we we do come in for the

0:59:52.000 --> 0:59:56.800
<v Speaker 1>for the same everyone does. Everyone is there, all of

0:59:56.880 --> 0:59:59.439
<v Speaker 1>them get it. I'm super into it. This is it's

1:00:00.240 --> 1:00:03.320
<v Speaker 1>it's actually. This is why the culmination of this episode

1:00:03.400 --> 1:00:05.720
<v Speaker 1>is why it's one of my absolute favorites, because so

1:00:05.960 --> 1:00:08.560
<v Speaker 1>much comes together to work. We all sort of end

1:00:08.640 --> 1:00:12.440
<v Speaker 1>up together in this like last sequence of scenes, and

1:00:12.520 --> 1:00:14.160
<v Speaker 1>I think it's really cool. I think it's a really

1:00:14.240 --> 1:00:18.160
<v Speaker 1>cool episode. I just remember the feeling of this all

1:00:18.240 --> 1:00:21.480
<v Speaker 1>being cool whilst we were doing it. Yeah, it was again,

1:00:21.560 --> 1:00:24.160
<v Speaker 1>it's it's like that other episode with the werewolf fight.

1:00:24.800 --> 1:00:27.800
<v Speaker 1>We really get to establish the world or the episode

1:00:27.800 --> 1:00:30.360
<v Speaker 1>where we went in to save Meliorn and when we

1:00:30.480 --> 1:00:32.920
<v Speaker 1>brought all the worlds together. It you really get to

1:00:33.160 --> 1:00:36.680
<v Speaker 1>feel that energy and that kind of epic nature of

1:00:36.760 --> 1:00:40.440
<v Speaker 1>a show in scenes like you know, like this, and

1:00:40.560 --> 1:00:43.840
<v Speaker 1>then we get to the culmination of the entire episode

1:00:44.280 --> 1:00:47.360
<v Speaker 1>in Magnet's department. I love these scenes again because we

1:00:47.440 --> 1:00:49.720
<v Speaker 1>get to see all these character relationships and there's so

1:00:49.840 --> 1:00:53.600
<v Speaker 1>many little details that play into it. And you and

1:00:53.760 --> 1:00:58.160
<v Speaker 1>Matt did such a beautiful job on this scene. Fun scene,

1:00:58.400 --> 1:01:02.880
<v Speaker 1>and I am again Greg gave us a little freedom

1:01:02.920 --> 1:01:05.440
<v Speaker 1>in the edit with this, so that the Parabti oath

1:01:05.520 --> 1:01:08.640
<v Speaker 1>had to be verbatim. Obviously, it's what was in the books.

1:01:08.720 --> 1:01:10.440
<v Speaker 1>It is the oath. The oath is the oath. That's

1:01:10.480 --> 1:01:12.800
<v Speaker 1>how you say it. But I remember leaning into Matt

1:01:12.840 --> 1:01:14.680
<v Speaker 1>at one point and just saying give me a little,

1:01:14.960 --> 1:01:18.280
<v Speaker 1>just give me, just give me a little second after

1:01:18.360 --> 1:01:21.160
<v Speaker 1>the oath and please don't leave me was not in

1:01:21.560 --> 1:01:25.439
<v Speaker 1>the script originally, but I remember feeling the first take.

1:01:25.480 --> 1:01:27.360
<v Speaker 1>I remember feeling like, that's what I need to say

1:01:27.400 --> 1:01:29.280
<v Speaker 1>to this person, That's what needs to come out of me,

1:01:29.920 --> 1:01:32.840
<v Speaker 1>because I can't live my life without you, and I

1:01:33.040 --> 1:01:35.720
<v Speaker 1>am in a completely lost situation and the only way

1:01:35.760 --> 1:01:37.680
<v Speaker 1>I can express it is please don't leave me on

1:01:37.760 --> 1:01:40.320
<v Speaker 1>my own. And that was like yeah, and we did it,

1:01:40.400 --> 1:01:42.720
<v Speaker 1>and Greg came out and said that was great and

1:01:43.440 --> 1:01:45.840
<v Speaker 1>ends up in the show. And it is again one

1:01:45.880 --> 1:01:48.000
<v Speaker 1>of those culbinations where the writing was fantastic and the

1:01:48.080 --> 1:01:52.680
<v Speaker 1>direction was fantastic, the cast around us fantastic, and the

1:01:52.920 --> 1:01:57.760
<v Speaker 1>edit was fantastic. That everything just worked in this situation

1:01:58.040 --> 1:02:00.080
<v Speaker 1>and getting a little emotional even talking about it. It

1:02:00.160 --> 1:02:03.080
<v Speaker 1>was such an emotional day for for everyone and it

1:02:03.200 --> 1:02:05.440
<v Speaker 1>just it just worked. I remember being really proud of this,

1:02:05.760 --> 1:02:11.320
<v Speaker 1>really really proud of this because everything except for one

1:02:11.400 --> 1:02:14.760
<v Speaker 1>little c g II blip that I just noticed. The

1:02:15.560 --> 1:02:18.760
<v Speaker 1>parab a tyron on Young Alec when we're doing the

1:02:18.840 --> 1:02:23.600
<v Speaker 1>oath is the next parab a tyroon. So later on

1:02:23.880 --> 1:02:26.840
<v Speaker 1>in the season when they when they do the thing

1:02:26.920 --> 1:02:29.240
<v Speaker 1>to like cut it out, that's the room that's glowing

1:02:29.320 --> 1:02:31.720
<v Speaker 1>through his shirt, not the para a tyron. It's the

1:02:31.760 --> 1:02:33.800
<v Speaker 1>one with the little thing that cuts it out. But

1:02:33.840 --> 1:02:39.000
<v Speaker 1>everything else was incredible, Everything else is everything else great again.

1:02:39.120 --> 1:02:40.720
<v Speaker 1>I love these scenes where you have so many of

1:02:40.800 --> 1:02:43.440
<v Speaker 1>these characters come together. You get to see little glimpses

1:02:43.480 --> 1:02:46.120
<v Speaker 1>at all the relationships, Like even even the way Greg

1:02:46.240 --> 1:02:48.280
<v Speaker 1>blocked it. He put Harry and I next to each other,

1:02:48.600 --> 1:02:52.000
<v Speaker 1>which you rarely get to see Magnus and Clary interact

1:02:52.120 --> 1:02:53.640
<v Speaker 1>up to this point, and you get to see that

1:02:53.720 --> 1:02:57.440
<v Speaker 1>sort of godfatherly relationship. You know, Claire, I grab his

1:02:57.520 --> 1:02:59.920
<v Speaker 1>hand because it's all we can do. We're just literally

1:03:00.160 --> 1:03:02.960
<v Speaker 1>holding on to each other for dear life, hoping, praying

1:03:03.600 --> 1:03:06.120
<v Speaker 1>in any any way that we can that you both

1:03:06.160 --> 1:03:08.120
<v Speaker 1>are going to pull through, because we don't know what's

1:03:08.120 --> 1:03:09.600
<v Speaker 1>going to happen to either of you. If one of

1:03:09.680 --> 1:03:13.400
<v Speaker 1>our eyes. Yeah, I know, so there really isn't impressident

1:03:13.480 --> 1:03:15.720
<v Speaker 1>for it, like we don't know what happens here, and

1:03:15.840 --> 1:03:18.360
<v Speaker 1>he does he like goes at one point, and again

1:03:18.400 --> 1:03:21.040
<v Speaker 1>I think that was Matt more than anything, Like, I

1:03:21.120 --> 1:03:22.920
<v Speaker 1>don't really remember that being in the script, but I

1:03:23.000 --> 1:03:26.400
<v Speaker 1>remember his face moving away from my hand and feeling

1:03:26.560 --> 1:03:28.200
<v Speaker 1>like in my chest. I was like, oh my god,

1:03:28.280 --> 1:03:30.800
<v Speaker 1>he's just he's just died. He just died in my arms.

1:03:31.280 --> 1:03:33.520
<v Speaker 1>And then bringing him in was part of the blocking.

1:03:34.160 --> 1:03:36.840
<v Speaker 1>And I remember hearing because I obviously can't see his

1:03:36.920 --> 1:03:38.960
<v Speaker 1>face while it's happening with the camera, can I remember

1:03:39.040 --> 1:03:41.400
<v Speaker 1>hearing that first like and actually kind of feeling it

1:03:41.520 --> 1:03:43.439
<v Speaker 1>on my chest because his chest is next to my chest,

1:03:43.920 --> 1:03:47.480
<v Speaker 1>feeling that like first inhale for the first time, and

1:03:47.880 --> 1:03:52.120
<v Speaker 1>just remembering that like sense of relief that washed over me.

1:03:52.680 --> 1:03:55.080
<v Speaker 1>I guess as the actor it was it was really

1:03:55.280 --> 1:03:57.520
<v Speaker 1>it was really something special this scene. It was really great.

1:03:58.840 --> 1:04:00.920
<v Speaker 1>And then, as always happened in the shadow World, just

1:04:01.080 --> 1:04:03.440
<v Speaker 1>as quickly as we get that wash of relief and

1:04:03.600 --> 1:04:08.880
<v Speaker 1>joy and togetherness, Alder Tree snatched away from us comes

1:04:09.040 --> 1:04:12.240
<v Speaker 1>storming in. It's that heartbreaking moment where Alec gets you

1:04:12.400 --> 1:04:14.360
<v Speaker 1>for just a moment and then before he can even

1:04:14.440 --> 1:04:17.200
<v Speaker 1>understand what's going on, And really, Isabelle, I think, is

1:04:17.200 --> 1:04:19.440
<v Speaker 1>the only one who understands, because even Clary is going with,

1:04:19.600 --> 1:04:22.080
<v Speaker 1>what's what's happening? We got him, we saved him. He's okay,

1:04:22.120 --> 1:04:23.680
<v Speaker 1>he did the good thing. What's going on? And you

1:04:23.800 --> 1:04:26.919
<v Speaker 1>just get torn away from us? And Jake's understands because

1:04:26.920 --> 1:04:29.240
<v Speaker 1>I think from the moment you correct me if I'm wrong,

1:04:29.600 --> 1:04:32.400
<v Speaker 1>from the moment that isabel says by order of the clave,

1:04:33.200 --> 1:04:36.880
<v Speaker 1>you sort of get the picture. He knows, he knows

1:04:36.920 --> 1:04:39.400
<v Speaker 1>what's going on, and he I think, deep down he

1:04:39.520 --> 1:04:42.680
<v Speaker 1>knew that any of these are eventualities throughout the proceeds

1:04:42.720 --> 1:04:46.680
<v Speaker 1>of the episode, you know, from asking Maya like you

1:04:46.960 --> 1:04:48.840
<v Speaker 1>you can kill me, but please just let me save

1:04:48.960 --> 1:04:52.400
<v Speaker 1>him first. That's that's it's not a it's not a

1:04:52.520 --> 1:04:54.560
<v Speaker 1>vailed threat. That's like a real thing, like I don't

1:04:54.640 --> 1:04:56.400
<v Speaker 1>I don't mind if this is the end of my

1:04:56.480 --> 1:04:58.760
<v Speaker 1>life tonight, that's fine, but please let me sort him out.

1:04:58.960 --> 1:05:00.800
<v Speaker 1>Please let me take care of my brother. And the

1:05:00.920 --> 1:05:03.120
<v Speaker 1>same when he sees everyone when the shadow Unser has

1:05:03.120 --> 1:05:05.280
<v Speaker 1>turned up, like okay, there are consequences that are going

1:05:05.320 --> 1:05:06.640
<v Speaker 1>to come with this, and that's okay, but let me

1:05:06.720 --> 1:05:09.440
<v Speaker 1>do this first. Let me take care of this thing first. Um.

1:05:09.600 --> 1:05:11.080
<v Speaker 1>And it's probably one of the things I admire the

1:05:11.120 --> 1:05:13.240
<v Speaker 1>most about Jason's It does have this sort of self

1:05:13.280 --> 1:05:17.800
<v Speaker 1>sacrificial nature. Unfortunately largely because of how he was raised

1:05:17.840 --> 1:05:20.080
<v Speaker 1>and how little he values himself and how much he

1:05:20.160 --> 1:05:22.360
<v Speaker 1>hides that and this, that and the other. But it

1:05:22.520 --> 1:05:24.320
<v Speaker 1>is something I admire about him, is that he cares

1:05:24.320 --> 1:05:27.240
<v Speaker 1>about everyone else kind of more than himself. But it's

1:05:27.320 --> 1:05:31.560
<v Speaker 1>duty and family before self and that's I mean, that's

1:05:31.600 --> 1:05:34.480
<v Speaker 1>the way the shadow Hunters. But tricky one. Duty and

1:05:34.560 --> 1:05:36.440
<v Speaker 1>family can be. It can mean different things to different

1:05:36.440 --> 1:05:41.000
<v Speaker 1>shadow Hunters. Absolutely absolutely, um. And that brings us to

1:05:41.040 --> 1:05:44.000
<v Speaker 1>the end, nearly to the end of our episode. I

1:05:44.080 --> 1:05:46.360
<v Speaker 1>have to say, well done, Sherwood. This was a beautiful

1:05:46.400 --> 1:05:48.720
<v Speaker 1>episode for you. And I know you and Matt talked

1:05:48.720 --> 1:05:51.360
<v Speaker 1>about this episode quite often, but it needs to be

1:05:51.440 --> 1:05:55.000
<v Speaker 1>said you too. Really, this is why people love the

1:05:55.040 --> 1:05:57.919
<v Speaker 1>Parabatite Bond so much is because of this episode, because

1:05:57.960 --> 1:05:59.640
<v Speaker 1>of the work that you two did on this episode

1:05:59.680 --> 1:06:02.880
<v Speaker 1>to make get as significant as it was. So that's kudos.

1:06:03.000 --> 1:06:06.440
<v Speaker 1>Very sweet, Thank you very much. I actually happenstance happened

1:06:06.480 --> 1:06:09.200
<v Speaker 1>to have paused on a series of names here. Um,

1:06:09.400 --> 1:06:11.000
<v Speaker 1>so we would like to give a huge amount of

1:06:11.040 --> 1:06:13.480
<v Speaker 1>credit to Leonardus. If I say any of this incorrectly,

1:06:13.520 --> 1:06:20.400
<v Speaker 1>I really apologize. Leonidas Castrounis to Marsu's Sally Sinelli, Alex

1:06:20.600 --> 1:06:24.960
<v Speaker 1>elling Dale, Whitby Dale was teen Jason, and Romi Weltman,

1:06:25.080 --> 1:06:27.320
<v Speaker 1>who played ten year old Alec in order ten year

1:06:27.320 --> 1:06:29.760
<v Speaker 1>old Alec, eleven year old Jon, teen Aleck, teen Jason,

1:06:29.800 --> 1:06:31.320
<v Speaker 1>Tina as well. So thank you guys so much for

1:06:31.640 --> 1:06:33.640
<v Speaker 1>doing such an incredible job. We know how difficult it

1:06:33.680 --> 1:06:35.920
<v Speaker 1>can be, and thank you for really questioning the well

1:06:36.000 --> 1:06:39.320
<v Speaker 1>done folks, and thank you Shadow fan for listening with

1:06:39.520 --> 1:06:50.840
<v Speaker 1>Dorio Angels and we'll see you next time. Returned to

1:06:50.880 --> 1:06:53.760
<v Speaker 1>the Shadows is hosted an executive produced by Me, Katherine

1:06:53.840 --> 1:06:57.680
<v Speaker 1>McNamara and Dominic Sherwood. Our executive producer is Lingley. Our

1:06:57.720 --> 1:07:01.240
<v Speaker 1>senior producers are Liz Hayes and Diego Tapia. Our producers

1:07:01.280 --> 1:07:03.920
<v Speaker 1>are Hannah Harris and Kristin Vermilia, and our intern is

1:07:04.000 --> 1:07:07.480
<v Speaker 1>Sam Kat's. Original music by Alex Kinsey and performed by

1:07:07.520 --> 1:07:09.160
<v Speaker 1>Alex Kinsey and Katherine McNamara,