WEBVTT - DJ Clue | ROC Solid w/ Memphis Bleek

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<v Speaker 1>Yeah, y'all you already know what it is.

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<v Speaker 2>Back with another exclusive yours truly M Greasey myth bleak

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<v Speaker 2>here with Rock Solid Podcast Live at the Vote, And

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<v Speaker 2>this one is a real special special ed this year

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<v Speaker 2>episode for me for y'all, I got one of my guys,

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<v Speaker 2>my brother. It's a Rockefeller affiliate. My first record I

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<v Speaker 2>ever recorded without Jay being in the studio with me.

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<v Speaker 2>He gave me the opportunity with thugdout Ship. Were gonna

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<v Speaker 2>get into all that. It's my guy. Let's welcome clue

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<v Speaker 2>to the motherfucking building. Hell yeah, man, same grind, different time.

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<v Speaker 2>What's up man, working man, you know, get into it.

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<v Speaker 2>Word up long time, yo. Before we get into the history.

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<v Speaker 2>I always wanted to say to you, yo, I thank

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<v Speaker 2>you number one because Dug daun Ship was the first

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<v Speaker 2>record without the tutelage, like I felt like it's all

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<v Speaker 2>right coming to age. No nigga still had the training

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<v Speaker 2>wheels on, you know what I'm saying. When I went

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<v Speaker 2>to the studio with you in Durow, it was just us,

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<v Speaker 2>you know what I'm saying, And I appreciate that opportunity.

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<v Speaker 2>Then we turned around your highway robbed me for mine

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<v Speaker 2>right how.

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<v Speaker 1>How I don't even know it? Just that was that

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<v Speaker 1>was a that was a Dame dash jay Z.

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<v Speaker 2>You can't even put the when you search my right

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<v Speaker 2>on on Memphis Bleek, my catalog on any platform, it

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<v Speaker 2>just come up the remix.

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<v Speaker 1>To get the original, you have to put DJ klu

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<v Speaker 1>Man crazy crazy. You ain't even know that, yo?

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<v Speaker 2>What but two of my biggest records man, and I

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<v Speaker 2>appreciate that. Bro, like your platform. You helped a lot

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<v Speaker 2>of niggas out and I want to say thank you.

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<v Speaker 2>None of these other artists have said thank you.

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<v Speaker 1>You know what I mean.

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<v Speaker 2>But Yo, let's go back. I want to know you know,

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<v Speaker 2>like I said, I'm a fan, bro. First take me

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<v Speaker 2>back the Queens man, like, what made what was this

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<v Speaker 2>spot that made you like?

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<v Speaker 1>Fuck it? I'm a DJ nigga, I could do this ship.

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<v Speaker 2>Well.

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<v Speaker 3>Well, first I was rapping a little bit. First, you

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<v Speaker 3>know what I'm saying, what was just MC drama.

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<v Speaker 2>Yo, l DJ dramas all versus let's go you know

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<v Speaker 2>what I'm saying?

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<v Speaker 1>That was it?

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<v Speaker 3>And then from there like my uncle my uncle and

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<v Speaker 3>then used to always DJ like when I was like

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<v Speaker 3>super small around the house. They used to have like

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<v Speaker 3>house parties and shit. That's when niggas had the house

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<v Speaker 3>and ship. So my uncle used to DJ. So I

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<v Speaker 3>seen that from an early age. And then when I

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<v Speaker 3>started first like kind of like driving when I was

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<v Speaker 3>driving when I was young. You know when people think

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<v Speaker 3>I'm lying when I said I was driving when I

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<v Speaker 3>was nine anything, I'm lying, bro Ya.

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<v Speaker 2>I was still in the card nine, Oh I stealing

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<v Speaker 2>cards at now?

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<v Speaker 1>No, I was still in my parents' card.

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<v Speaker 2>Not even better. You wasn't going to jail, you know

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<v Speaker 2>what I'm saying now, that's dope. So when I was driving,

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<v Speaker 2>I used to always want music and shit. So I

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<v Speaker 2>used to go to Jamaica AV and get mixtastes. But

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<v Speaker 2>it always used to be like a couple joints in there.

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<v Speaker 3>I liked, and I was like, Yo, if I do

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<v Speaker 3>my own tape, it's gonna be lit, you know what.

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<v Speaker 3>So I started walking around with the mixtape, shit and shit.

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<v Speaker 3>The rest is history. Like you changed the game with

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<v Speaker 3>the mixtapes. Man, like in the early days New York

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<v Speaker 3>sing like the music sing back then.

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<v Speaker 1>You know, I got in in the late nineties.

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<v Speaker 2>You got in the early night right, you know what

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<v Speaker 2>I'm saying, So what was the music sing like then

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<v Speaker 2>for you?

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<v Speaker 3>I mean, listen, that's when like and no point intended.

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<v Speaker 3>That's when I feel like the music was coming of age,

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<v Speaker 3>you know what I'm saying. So it's like hip hop

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<v Speaker 3>started getting played on the radio, you know, all the time,

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<v Speaker 3>because it wasn't like that before.

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<v Speaker 1>Like you know what I'm saying.

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<v Speaker 3>Like, so when hip hop was getting you know, more

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<v Speaker 3>popular and more lit.

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<v Speaker 1>You know what I'm saying, it was fire. That's a fact.

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<v Speaker 1>You remember.

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<v Speaker 2>Was it the first tape or moment party or anything

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<v Speaker 2>when you was like, oh, ship, like my name, they

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<v Speaker 2>know me now?

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<v Speaker 1>In the city.

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<v Speaker 3>I dropped the mixtape with this is when I was

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<v Speaker 3>going to school. I was going to school in downtown

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<v Speaker 3>Brooklyn at the time. I was going to New York Tech.

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<v Speaker 3>Oh to New York Tech.

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<v Speaker 2>So it had you trooping it and with the goons.

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<v Speaker 2>That was decepts. Yeah, I was about to say dodging

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<v Speaker 2>the deces. Yeah, that was decept.

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<v Speaker 3>I think the train sometimes I had to learn the

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<v Speaker 3>hallway to the trains out the way to go word,

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<v Speaker 3>you know what I'm saying. I watched I watched a

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<v Speaker 3>whole and I don't know why they skipped me. But

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<v Speaker 3>I watched a whole train of people get robbed. They

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<v Speaker 3>robbed everyone in the car.

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<v Speaker 1>Sato.

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<v Speaker 2>I'm telling you it used to be like that, especially

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<v Speaker 2>the last car of the train. You had to be

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<v Speaker 2>you had to be certified to ride the last car.

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<v Speaker 2>Any train that a train train f L one two

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<v Speaker 2>four didn't maz, Yeah, you better be certified. I remember

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<v Speaker 2>when I felt that s train. I thought I found

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<v Speaker 2>something no one knew about. The shuttle. That ship took

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<v Speaker 2>you straight the Prospect Park. I was like, oh, this

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<v Speaker 2>is lit the little shuttle word. So yeah, like I said,

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<v Speaker 2>like was it the moment, Like it was like.

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<v Speaker 3>Oh so yeah, Like I was saying, I went to

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<v Speaker 3>uh to B Street on on on Fulton and I

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<v Speaker 3>had on my mixtape. I had the this and this

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<v Speaker 3>is when Wu Tang was on fire. I had the

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<v Speaker 3>Method Man remix to h All I Need, and I

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<v Speaker 3>had a live nigga rat with Nads and Mob Deep.

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<v Speaker 3>So like this is when you know you couldn't even

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<v Speaker 3>download music.

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<v Speaker 1>Yes, right, this is exclusive.

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<v Speaker 3>So I bought a couple mix taps in there and

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<v Speaker 3>they sold out man quick because I put them on

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<v Speaker 3>their consignmentcause they don't really know me in Brooklyn yet.

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<v Speaker 1>Yo, I'm like, yes, sold out ready.

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<v Speaker 3>So that happened for like two weeks straight, Like I

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<v Speaker 3>just kept selling more amals, so I had to keep

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<v Speaker 3>giving them more mixtapes.

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<v Speaker 1>And then.

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<v Speaker 2>They had stores in the Bronx any Queens so that

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<v Speaker 2>so that's how the ripple effect happened. Like is it

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<v Speaker 2>true because they say, you know, it's always been rumors.

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<v Speaker 2>You know, New York City were the city of rumors. Baby,

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<v Speaker 2>there's a lot of ship you hear. I want to

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<v Speaker 2>know is it true they said you the first mixtape

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<v Speaker 2>DJ to put an m in the crib or for mixtape.

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<v Speaker 1>Is that true?

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<v Speaker 3>At the end of the day, I don't know how

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<v Speaker 3>much it was. I mean, it was a lot. It was,

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<v Speaker 3>it was it was definitely. It was definitely saves full

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<v Speaker 3>of money for sure.

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<v Speaker 2>That's like niggas was singing blocks of bricks and a

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<v Speaker 2>block and it was just mixtape game. My question I

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<v Speaker 2>wanted to always ask, like was it ever a struggle

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<v Speaker 2>to get music from labels.

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<v Speaker 1>The artist?

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<v Speaker 3>I mean, the labels used to give me music, the

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<v Speaker 3>artists used to give me music. And then you know

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<v Speaker 3>what I'm saying, Like you know, people used to just

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<v Speaker 3>have like you know, exclusives name just give them to me.

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<v Speaker 1>That's a fact.

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<v Speaker 3>You always always I used to your clue go to

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<v Speaker 3>the studio, steal, never stole on life.

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<v Speaker 2>I was gonna ask you that, did you have ever

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<v Speaker 2>had to take a record out of the stew because

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<v Speaker 2>I remember when when the clue tapes when Bro, when

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<v Speaker 2>I got in the music game, niggas knew if you

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<v Speaker 2>wasn't one through ten, it was.

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<v Speaker 1>A problem, Like that's that that meant that if you

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<v Speaker 1>was number one.

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<v Speaker 2>First of all, I think Jada kiss in the locks,

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<v Speaker 2>they had to pay for that slot every clue tape

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<v Speaker 2>them niggas is number one or number two, like how

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<v Speaker 2>even though they was murdering. Yeah, I mean I was.

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<v Speaker 2>I was mad that it's a right had it's all right.

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<v Speaker 2>Had to really started on the on the B side

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<v Speaker 2>of the tape because the tape was really already done

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<v Speaker 2>and it was the only place I could actually put

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<v Speaker 2>it on the tape.

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<v Speaker 1>So what happened was earth God. He calls me.

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<v Speaker 3>And I'm telling him, He's like, yo, when you're doing

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<v Speaker 3>your tape. I'm like, yo, I'm really done. Like what

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<v Speaker 3>you got He's like y'all got this this j record

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<v Speaker 3>I need to put on there. You know what I'm saying.

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<v Speaker 3>So I was like yo, I was like, so he

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<v Speaker 3>like came and met me in the snowstorm Rest Peace

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<v Speaker 3>Earth got Rest of Peace, got it, came in me

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<v Speaker 3>a snowstorm and gave me a joint. And I had

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<v Speaker 3>to like figure out and this is you know, you

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<v Speaker 3>recording on on on that's so you had to figure

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<v Speaker 3>out how to spice the.

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<v Speaker 1>Song on it feel me?

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<v Speaker 3>So I had to I had to figure out a

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<v Speaker 3>place where I could actually add the song.

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<v Speaker 1>I remember you probably don't remember this. I'm breaking back

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<v Speaker 1>in the day.

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<v Speaker 2>This might have been Jay and Source Money first freestyle

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<v Speaker 2>on your mixtape.

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<v Speaker 1>Oh you're not I remember that for sure. You remember

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<v Speaker 1>me being in the studio that day. Nah, I don't see.

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<v Speaker 2>I was just when Jay is Sauce rap he was.

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<v Speaker 2>Remember we was in the studio on Queen somewhere.

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<v Speaker 1>Now in the city.

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<v Speaker 2>I was a young nigga in there and Jay and

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<v Speaker 2>Sauce murdered the record and Jay was like, go ahead, bleak,

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<v Speaker 2>I know you got something for it. And I'm looking

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<v Speaker 2>I'm looking at that clue. I'm just thinking of the impact,

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<v Speaker 2>and I'm like, the.

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<v Speaker 3>Crazy part is I had to because I was I

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<v Speaker 3>was recording the Locks freestyle for Chess. For Chess, Jay

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<v Speaker 3>was shooting the video with Foxy. I think it was

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<v Speaker 3>for our b so he had so I had to

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<v Speaker 3>stop the Lock session and quickly have J and sau record.

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<v Speaker 3>They parted, so the Locks were still writing at the time,

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<v Speaker 3>so they were still so I just gave him.

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<v Speaker 1>I didn't even know they was in the studio there.

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<v Speaker 2>Yeah, and Sauce and J murdered this shit so crazy

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<v Speaker 2>the way I'm looking at Jay like, nah, I'm not

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<v Speaker 2>rapping on that fucked no. And then I remember when

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<v Speaker 2>the tape dropped and niggas in the hood was blasting

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<v Speaker 2>that record and I'm sitting there like I had.

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<v Speaker 1>The opportunity to be on Yo. Bro.

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<v Speaker 2>That day fueled me to be like, Yo, I'm never

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<v Speaker 2>missing an opportunity like that again. I was a little

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<v Speaker 2>nervous because that's that's the presence you held in the

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<v Speaker 2>street in New York, Bro, Like your tape was like

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<v Speaker 2>these young boys probably you know, to them now today,

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<v Speaker 2>that's probably what DJ Khalien getting on the DJ Khalier

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<v Speaker 2>album to them probably feel like if Kali called me

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<v Speaker 2>for a verse, yo, I'm that Nigga.

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<v Speaker 1>I made it. You know what I'm saying, Bro, you

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<v Speaker 1>was equivalent to.

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<v Speaker 2>That's like Hove and Drake hit you and be like, Yo,

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<v Speaker 2>we just recorded a record, but we need you. On

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<v Speaker 2>the third verse, you like Nigga, of course I got it.

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<v Speaker 2>That's what a clue tape was in New York. Sure,

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<v Speaker 2>Like so I was nervous, like, fuck, no, I ain't ready.

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<v Speaker 2>I gotta go back and study some more. So did

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<v Speaker 2>you ever feel like it was a time when you

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<v Speaker 2>just knew, man, I run this shit.

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<v Speaker 1>They I mean, the demand was so crazy man.

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<v Speaker 3>So it's you know what I'm saying, Like when I

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<v Speaker 3>was dropping, if I felt like everybody would stop what

0:10:48.720 --> 0:10:51.240
<v Speaker 3>they're doing and just thrown in, like you know what

0:10:51.280 --> 0:10:54.400
<v Speaker 3>I mean, Because especially if you're dropping on like a

0:10:54.440 --> 0:10:57.480
<v Speaker 3>Friday night, like everyone's sharing it, go out and hopping

0:10:57.520 --> 0:10:58.840
<v Speaker 3>their cars like they wanted that.

0:10:58.880 --> 0:11:00.480
<v Speaker 1>They wanted that clue take for sure?

0:11:00.800 --> 0:11:02.840
<v Speaker 2>Do you I feel like they don't give you the

0:11:02.880 --> 0:11:05.920
<v Speaker 2>credit for the album rollouts now today? You like you

0:11:06.120 --> 0:11:08.000
<v Speaker 2>changed the game with the way to make the Like

0:11:08.040 --> 0:11:10.959
<v Speaker 2>you said, if you dropped on that Friday, you had

0:11:11.000 --> 0:11:12.200
<v Speaker 2>a problem.

0:11:11.800 --> 0:11:13.120
<v Speaker 1>When that Clue tape dropped.

0:11:13.120 --> 0:11:16.000
<v Speaker 2>Now, for sure, I feel like labels started catering to

0:11:16.200 --> 0:11:18.400
<v Speaker 2>how you used to roll your tapes.

0:11:18.200 --> 0:11:22.079
<v Speaker 3>Out because now because albums really used to drop on Tuesdays.

0:11:22.800 --> 0:11:24.240
<v Speaker 3>You know what I'm saying, I dropped. I made sure

0:11:24.280 --> 0:11:25.520
<v Speaker 3>I dropped on Fridays when.

0:11:25.440 --> 0:11:27.600
<v Speaker 2>We give everybody the week in the wild out, all

0:11:27.600 --> 0:11:31.720
<v Speaker 2>the cookouts, pool parties, everything the clubs is rocking Tuesday,

0:11:31.760 --> 0:11:33.040
<v Speaker 2>you still got work school.

0:11:33.120 --> 0:11:34.880
<v Speaker 1>Nigga can't really dose that now.

0:11:34.960 --> 0:11:37.400
<v Speaker 2>Niggas, don't you know they could dose music whenever, But

0:11:37.440 --> 0:11:38.440
<v Speaker 2>back then you had to.

0:11:38.520 --> 0:11:40.719
<v Speaker 1>It was a schedule for that radio. No, yeah, not

0:11:40.880 --> 0:11:43.360
<v Speaker 1>for sure. So you have to be in tune and shit, man.

0:11:43.440 --> 0:11:46.440
<v Speaker 3>So it's a blessing man to even be able to,

0:11:47.000 --> 0:11:49.280
<v Speaker 3>you know, still be in a game doing what I

0:11:49.360 --> 0:11:50.679
<v Speaker 3>do at the love I do with that, you know

0:11:50.720 --> 0:11:53.800
<v Speaker 3>what I'm saying. So still doing records, still doing radio,

0:11:54.600 --> 0:11:55.160
<v Speaker 3>you know what I'm saying.

0:11:55.200 --> 0:11:56.000
<v Speaker 1>So just blessed.

0:11:56.040 --> 0:11:59.439
<v Speaker 2>It's a blessing, yo. Niggas don't know. I was there

0:11:59.480 --> 0:12:01.800
<v Speaker 2>when you said I just deal with Jay and Dame too, y'all.

0:12:01.880 --> 0:12:03.400
<v Speaker 2>Niggas did that ship in the middle of the street

0:12:03.400 --> 0:12:05.840
<v Speaker 2>like a drug yeah. Yeah, biggas pulled up in the

0:12:05.880 --> 0:12:08.400
<v Speaker 2>middle of the street like a drug deal talking between

0:12:08.440 --> 0:12:10.680
<v Speaker 2>the cars and Jay, I remember Day was saying, made

0:12:10.679 --> 0:12:13.280
<v Speaker 2>you go roll with us or what It was like, Nah, man,

0:12:13.520 --> 0:12:15.880
<v Speaker 2>I'm family, I'm with y'all. Jay was like, they let

0:12:15.920 --> 0:12:18.920
<v Speaker 2>me got this sign because because that was that was

0:12:18.960 --> 0:12:23.640
<v Speaker 2>the whole the whole situation with because Sony was trying

0:12:23.640 --> 0:12:26.040
<v Speaker 2>to Sony and Steezed Out was trying to match the deal.

0:12:26.200 --> 0:12:29.240
<v Speaker 3>So so Dame and Jay and Big japt pissed. They

0:12:29.320 --> 0:12:32.800
<v Speaker 3>came off. Yeah, this is before they was cool. They

0:12:32.920 --> 0:12:35.360
<v Speaker 3>was and they was like, yo, now he's signing with

0:12:35.440 --> 0:12:37.480
<v Speaker 3>us because they because at the time I think they

0:12:37.520 --> 0:12:41.240
<v Speaker 3>was giving me like fifty thousand more to sign to Sony.

0:12:42.280 --> 0:12:45.959
<v Speaker 3>But I was like, I was listen, I'm a man

0:12:46.000 --> 0:12:47.680
<v Speaker 3>of my word. So I told them, I'm like, listen,

0:12:47.760 --> 0:12:50.319
<v Speaker 3>I'm honored, I'm honored. It ain't really about the money,

0:12:50.760 --> 0:12:52.400
<v Speaker 3>you know what I'm saying, I'm honor a man of

0:12:52.400 --> 0:12:55.320
<v Speaker 3>my word. If y'all, if y'all niggas is serious, because

0:12:55.360 --> 0:12:57.160
<v Speaker 3>I felt like it was in limbo for a little minute,

0:12:57.200 --> 0:12:58.960
<v Speaker 3>you know what I'm saying. I was like, if I

0:12:59.000 --> 0:13:00.800
<v Speaker 3>seriou if you're serious, I'm If not, I'm doing this

0:13:00.840 --> 0:13:03.240
<v Speaker 3>other deal. So y'all let me know that was my neck.

0:13:03.320 --> 0:13:05.559
<v Speaker 2>Did you feel like you had grew to a point

0:13:05.559 --> 0:13:08.880
<v Speaker 2>where you had to become bigger than mixtapes? You wanted

0:13:08.880 --> 0:13:11.120
<v Speaker 2>to take it to the mainstream now for sure, because

0:13:11.160 --> 0:13:15.520
<v Speaker 2>like you know, it's like being an artist or being

0:13:15.679 --> 0:13:17.680
<v Speaker 2>a creator. It's like you have a like a bucket list.

0:13:17.679 --> 0:13:19.560
<v Speaker 3>So it's like, you know what I'm saying, it's like

0:13:19.640 --> 0:13:22.680
<v Speaker 3>your mixtapes and now you know you want to be

0:13:22.720 --> 0:13:25.120
<v Speaker 3>on the radio, then you want to do that, you

0:13:25.120 --> 0:13:27.160
<v Speaker 3>know what I'm saying. So it's like you want to

0:13:27.160 --> 0:13:28.760
<v Speaker 3>you want to level up. You don't want to stay

0:13:28.760 --> 0:13:29.080
<v Speaker 3>the same.

0:13:29.160 --> 0:13:31.440
<v Speaker 1>So it's like, you know what I mean, that's a fact.

0:13:31.559 --> 0:13:34.199
<v Speaker 2>So like then you crossed over, like you you dropped

0:13:34.240 --> 0:13:37.040
<v Speaker 2>the albums my g I like I said, that first album,

0:13:37.080 --> 0:13:39.680
<v Speaker 2>The Professional, I got the plaque in my crib tails

0:13:40.000 --> 0:13:42.240
<v Speaker 2>to this day, that's one of my first plaques that

0:13:42.360 --> 0:13:44.920
<v Speaker 2>reasonable doubt coming to age them three plaques in the

0:13:45.000 --> 0:13:47.920
<v Speaker 2>crib and never going nowhere, because those are the ones

0:13:47.960 --> 0:13:51.640
<v Speaker 2>that did it for me. So like but then after that, bro,

0:13:51.760 --> 0:13:54.360
<v Speaker 2>you went to radio, and then like I feel like

0:13:54.480 --> 0:13:57.600
<v Speaker 2>your era, that time when you was on Hot ninety seven.

0:13:58.200 --> 0:14:03.160
<v Speaker 2>That was the best time and music era of New

0:14:03.280 --> 0:14:05.120
<v Speaker 2>York City that we have. I mean, the Monday Night

0:14:05.160 --> 0:14:07.920
<v Speaker 2>mixtape was legendary, That's what I'm saying. People come up

0:14:07.960 --> 0:14:10.000
<v Speaker 2>the free style like it was really like it was

0:14:10.040 --> 0:14:13.600
<v Speaker 2>really like a mixtape show but on the radio. So

0:14:13.679 --> 0:14:16.240
<v Speaker 2>like every every Monday Night from ten to twelve, everybody,

0:14:16.240 --> 0:14:17.400
<v Speaker 2>the whole city was tuned in.

0:14:17.440 --> 0:14:20.680
<v Speaker 3>See who's going to freestyle? See what exlusive records I had,

0:14:20.720 --> 0:14:22.120
<v Speaker 3>you know what I'm saying. So it was it was

0:14:22.120 --> 0:14:23.320
<v Speaker 3>a time man, for sure.

0:14:23.200 --> 0:14:23.720
<v Speaker 1>That's right.

0:14:23.760 --> 0:14:26.560
<v Speaker 2>And like, Yo, I was just telling because my dog,

0:14:26.640 --> 0:14:28.920
<v Speaker 2>you know, we when I told him I'm interviewing you,

0:14:29.240 --> 0:14:31.440
<v Speaker 2>he was like, Yo, you're gonna bring up the backstage

0:14:31.640 --> 0:14:32.560
<v Speaker 2>And I'm like what you mean?

0:14:32.600 --> 0:14:34.480
<v Speaker 1>He's like you and him at Beans, And I'm like, Yo,

0:14:34.520 --> 0:14:36.160
<v Speaker 1>you know what's crazy?

0:14:36.280 --> 0:14:38.800
<v Speaker 2>You see how perception is in the world, bro that

0:14:38.920 --> 0:14:43.400
<v Speaker 2>people think Beans ran down on you. Niggas don't even

0:14:43.440 --> 0:14:47.160
<v Speaker 2>know that it's the whole accident. Like yeah, the crazy part.

0:14:47.480 --> 0:14:49.760
<v Speaker 2>Crazy part is it was, like you know what I'm saying.

0:14:49.800 --> 0:14:52.360
<v Speaker 2>First of all, we was all drinking, was all crazy,

0:14:52.440 --> 0:14:55.720
<v Speaker 2>and we was backstage slack boxing books. Yeah, and we

0:14:55.760 --> 0:14:58.200
<v Speaker 2>was playing and that's how that shop. And I told

0:14:58.240 --> 0:15:01.520
<v Speaker 2>my man. He like, yo, Bleak, you lying thought niggas

0:15:01.560 --> 0:15:03.680
<v Speaker 2>ran down no clue, like you know, you know, the

0:15:03.720 --> 0:15:05.400
<v Speaker 2>crazy part is the crazy party.

0:15:05.560 --> 0:15:10.560
<v Speaker 3>Someone said that, Bleak said, damn. Someone said that, Bleak said,

0:15:11.600 --> 0:15:13.480
<v Speaker 3>I pulled a weapon out on Beans and something like that.

0:15:13.560 --> 0:15:16.240
<v Speaker 2>Oh no, that's what someone said. I was like, what

0:15:16.360 --> 0:15:19.520
<v Speaker 2>I said, you pulled the web. Don'try no weapon.

0:15:19.240 --> 0:15:19.640
<v Speaker 1>My nigga.

0:15:19.680 --> 0:15:22.520
<v Speaker 3>I mean, I do care weapons now, but legally talk

0:15:22.640 --> 0:15:24.160
<v Speaker 3>that smoke. Who want that smoke?

0:15:24.240 --> 0:15:27.760
<v Speaker 1>Pull it out, y'all ain't that but.

0:15:29.200 --> 0:15:31.240
<v Speaker 2>Nah? But people were saying that, I'm like, you pulled

0:15:31.240 --> 0:15:33.440
<v Speaker 2>out a weapon on him. No, it wasn't no weapon.

0:15:33.480 --> 0:15:35.360
<v Speaker 2>I think what it was you had the black jack

0:15:35.400 --> 0:15:38.520
<v Speaker 2>ship had black and Beans with you. Was like, yo, nigga,

0:15:38.560 --> 0:15:40.120
<v Speaker 2>front on me in the club, I'm gonna hit him

0:15:40.120 --> 0:15:41.920
<v Speaker 2>in his head beams, like, man, that ship don't work.

0:15:41.960 --> 0:15:44.560
<v Speaker 1>And you're like what Rember Beans was like, watch.

0:15:44.360 --> 0:15:46.240
<v Speaker 2>This happened the show. I'm gonna show you how, nigger.

0:15:46.320 --> 0:15:49.240
<v Speaker 2>And remember we was playing, so not like you pulled

0:15:49.240 --> 0:15:51.720
<v Speaker 2>out a weapon on Beans and he went that it

0:15:51.760 --> 0:15:52.640
<v Speaker 2>was a whole member.

0:15:52.960 --> 0:15:56.320
<v Speaker 1>That tour was the illest toll of life for me.

0:15:56.360 --> 0:15:59.320
<v Speaker 2>Bro, Like that's crazy, Like we had battles thing we

0:15:59.360 --> 0:16:02.040
<v Speaker 2>was kidnapped rough ride of niggas they was kidnapping.

0:16:02.160 --> 0:16:05.320
<v Speaker 3>That's that's when Recipe DMX DMX would come in the

0:16:05.400 --> 0:16:09.440
<v Speaker 3>venue like before sound like during sound check and he

0:16:09.600 --> 0:16:12.560
<v Speaker 3>was coming in with the pippoles crazy. He would release

0:16:12.640 --> 0:16:15.080
<v Speaker 3>the pipulls off their leashes and everybody would.

0:16:14.920 --> 0:16:17.520
<v Speaker 1>Running their room like Yo, niggas bugging.

0:16:17.320 --> 0:16:19.560
<v Speaker 2>Bugging niggas, Like Yo, we gotta get them niggas back.

0:16:19.560 --> 0:16:22.400
<v Speaker 2>We gonna kidnap one of them niggas. We had paintball

0:16:22.520 --> 0:16:26.160
<v Speaker 2>competition like that was ill And like I said, it

0:16:26.280 --> 0:16:31.000
<v Speaker 2>was a lot of misconscrewed misconceptions on that tape because

0:16:31.080 --> 0:16:35.320
<v Speaker 2>niggas thought Dang was barking or Lindy on the bus

0:16:35.440 --> 0:16:38.520
<v Speaker 2>go by crazy. A lot of ship on that tape. Boy,

0:16:38.600 --> 0:16:41.080
<v Speaker 2>But what was that like for you? Like, have you

0:16:41.160 --> 0:16:42.480
<v Speaker 2>been on tour before before?

0:16:42.520 --> 0:16:42.680
<v Speaker 1>Back?

0:16:42.720 --> 0:16:44.640
<v Speaker 3>Say, nah, that was my first time. I was crazy,

0:16:44.880 --> 0:16:46.880
<v Speaker 3>So that was all not for that was that was

0:16:46.920 --> 0:16:48.720
<v Speaker 3>my first tour. On my last tour, I mean, like

0:16:49.080 --> 0:16:51.880
<v Speaker 3>the only either tour went on. I did Mariah carry

0:16:51.920 --> 0:16:54.360
<v Speaker 3>tour I did, but I did, like, I only wanted

0:16:54.400 --> 0:16:56.280
<v Speaker 3>to do the major city certain cities, you know what

0:16:56.280 --> 0:16:57.800
<v Speaker 3>I'm saying. So the other ones I had, that's when

0:16:57.840 --> 0:17:01.600
<v Speaker 3>I had put That's how such one actually got with Mariots.

0:17:01.680 --> 0:17:03.640
<v Speaker 3>I put him on the tour because I had you know,

0:17:03.800 --> 0:17:05.680
<v Speaker 3>I had radio and I had other stuff I was doing,

0:17:05.760 --> 0:17:08.560
<v Speaker 3>So I put him on the tour when I wasn't there,

0:17:08.600 --> 0:17:09.080
<v Speaker 3>he would be.

0:17:09.520 --> 0:17:10.920
<v Speaker 1>He's right in my place, you know what I'm saying,

0:17:10.960 --> 0:17:12.880
<v Speaker 1>So shout out. That's the fan.

0:17:14.480 --> 0:17:17.280
<v Speaker 2>Like, let's talk about my guy Fab too, man, because

0:17:17.520 --> 0:17:20.400
<v Speaker 2>not for sure, you don't. I feel like people look

0:17:20.440 --> 0:17:23.720
<v Speaker 2>at you as a DJ, mixtape DJ, but they forget

0:17:23.760 --> 0:17:25.920
<v Speaker 2>to give you your credit for producing because you put

0:17:25.920 --> 0:17:27.440
<v Speaker 2>out a lot of smoke in this in.

0:17:27.400 --> 0:17:29.680
<v Speaker 1>This for you got a lot of records out there,

0:17:31.040 --> 0:17:31.480
<v Speaker 1>for sure.

0:17:31.800 --> 0:17:33.719
<v Speaker 2>And then come on, man, you got one of the

0:17:33.720 --> 0:17:35.919
<v Speaker 2>most lirical artists out of New York City and then

0:17:36.000 --> 0:17:37.280
<v Speaker 2>that had thirty forty.

0:17:37.119 --> 0:17:39.040
<v Speaker 1>Years bro, Like, Fab is a problem, you know what

0:17:39.119 --> 0:17:40.200
<v Speaker 1>I'm saying, And he's saying.

0:17:40.240 --> 0:17:42.320
<v Speaker 2>For y'all both to still be at the top of

0:17:42.359 --> 0:17:45.359
<v Speaker 2>your y'all y'all class right now is a test of

0:17:45.440 --> 0:17:47.440
<v Speaker 2>time and respect, like you got to show you like,

0:17:47.520 --> 0:17:49.280
<v Speaker 2>you know what I mean? So what was that like

0:17:49.359 --> 0:17:52.440
<v Speaker 2>for you? Looking at Fab back then as a young

0:17:52.520 --> 0:17:55.120
<v Speaker 2>nigga from Brooklyn? Did you see all of this happening?

0:17:55.720 --> 0:17:56.080
<v Speaker 1>Well?

0:17:56.560 --> 0:17:58.880
<v Speaker 3>I know he had what it took because I mean

0:17:58.920 --> 0:18:01.399
<v Speaker 3>obviously I seen and how all these other niggas was

0:18:01.440 --> 0:18:04.159
<v Speaker 3>getting signed off from being on the mixtapes. You know

0:18:04.160 --> 0:18:06.960
<v Speaker 3>what I'm saying, Like the first person, the first place

0:18:07.000 --> 0:18:10.080
<v Speaker 3>they heard, like Joel's and you know Jim, Like Jim

0:18:10.119 --> 0:18:11.960
<v Speaker 3>came in with records and he was like, Yo, I'm

0:18:11.960 --> 0:18:13.280
<v Speaker 3>trying to do my own thing, Like you know what

0:18:13.320 --> 0:18:15.840
<v Speaker 3>I'm saying, Like, but whatever, he and he had his records.

0:18:15.880 --> 0:18:18.080
<v Speaker 1>He had Joel's records. You know what I'm saying. I've

0:18:18.080 --> 0:18:19.240
<v Speaker 1>seen them blow up.

0:18:20.000 --> 0:18:23.520
<v Speaker 3>I mean, don Pooh put Foxy on on on the

0:18:23.560 --> 0:18:28.159
<v Speaker 3>mixtapes before people knew, Like I remember Earth and defroent

0:18:28.200 --> 0:18:29.320
<v Speaker 3>Rough Riders, you know what I'm saying.

0:18:30.840 --> 0:18:31.159
<v Speaker 1>Called me.

0:18:31.200 --> 0:18:33.159
<v Speaker 3>I was like, Yo, was like, yo, I got this artist,

0:18:33.680 --> 0:18:35.760
<v Speaker 3>you know DMX, he come home like two three weeks.

0:18:35.760 --> 0:18:37.159
<v Speaker 1>I want to put them on. I want to do

0:18:37.200 --> 0:18:38.560
<v Speaker 1>a freestyle, put them on a mixtape.

0:18:38.560 --> 0:18:40.400
<v Speaker 3>So I spoke that I actually spoke the DMX when

0:18:40.400 --> 0:18:42.880
<v Speaker 3>he was in jail, Like he's like, yo, Yo, want

0:18:42.920 --> 0:18:43.280
<v Speaker 3>to come home.

0:18:43.359 --> 0:18:45.600
<v Speaker 1>But I was like, all right, fucking let's get it.

0:18:45.640 --> 0:18:46.680
<v Speaker 1>So so we did the.

0:18:48.119 --> 0:18:50.680
<v Speaker 3>So when he came home, we did to get at

0:18:50.680 --> 0:18:54.440
<v Speaker 3>Me Dog freestyle with the locks in DMX, and it

0:18:54.480 --> 0:18:57.760
<v Speaker 3>actually ended up it blew up so crazy ended up

0:18:57.760 --> 0:18:58.560
<v Speaker 3>being his first single.

0:18:58.600 --> 0:19:00.560
<v Speaker 1>He did the solo version, did it made it into

0:19:00.600 --> 0:19:01.000
<v Speaker 1>a single.

0:19:01.520 --> 0:19:04.080
<v Speaker 2>It's crazy. I ain't even realize that started on a

0:19:04.200 --> 0:19:06.800
<v Speaker 2>clue tape. That's what I'm telling you. The fucking impact

0:19:06.880 --> 0:19:10.800
<v Speaker 2>of your clue tape was crazy, my g Like the

0:19:10.920 --> 0:19:15.960
<v Speaker 2>Desert Storm movement, Duro Skang Dollar came on, they all like,

0:19:16.040 --> 0:19:19.520
<v Speaker 2>you know what I'm saying, Like, Yo, bro, y'all definitely

0:19:20.119 --> 0:19:21.960
<v Speaker 2>had a wave. And I feel like y'all don't get

0:19:22.040 --> 0:19:24.480
<v Speaker 2>enough credit as a movement in this game, like they

0:19:24.480 --> 0:19:27.120
<v Speaker 2>try to. You know, people skip chapters in the book.

0:19:27.119 --> 0:19:29.400
<v Speaker 2>I always feel like people never look at the beginning

0:19:29.440 --> 0:19:31.040
<v Speaker 2>of the book. They want to skip to the end.

0:19:31.359 --> 0:19:33.359
<v Speaker 2>So in that process of going to the end to

0:19:33.359 --> 0:19:35.840
<v Speaker 2>see if everybody is successful at the end of the story,

0:19:36.080 --> 0:19:39.280
<v Speaker 2>they skip chapters and forget who was part of that success.

0:19:39.880 --> 0:19:42.000
<v Speaker 1>You know what I'm saying and desert storm y'all niggas.

0:19:42.000 --> 0:19:42.160
<v Speaker 2>Man.

0:19:42.200 --> 0:19:43.680
<v Speaker 1>You know, even though me and.

0:19:43.680 --> 0:19:47.600
<v Speaker 2>Fab never got a record, I still respect the bigger back.

0:19:47.920 --> 0:19:50.879
<v Speaker 2>And then you let me tell niggas too because you

0:19:50.960 --> 0:19:52.480
<v Speaker 2>hit me the other day. You was like, Yo, how

0:19:52.480 --> 0:19:53.960
<v Speaker 2>are you gonna tell niggas? How fuck with you?

0:19:54.080 --> 0:19:57.000
<v Speaker 1>Bleak? Let me telling you right, man, Listen, it ain't

0:19:57.040 --> 0:19:59.080
<v Speaker 1>that you don't fuck with me. You my brother. I

0:19:59.119 --> 0:20:00.959
<v Speaker 1>love you. We grew our up with y'all niggas.

0:20:00.960 --> 0:20:03.719
<v Speaker 2>Bro, It's never no like yo, Clue, don't fuck with

0:20:03.760 --> 0:20:07.159
<v Speaker 2>me like fuck that nigga here, bitchasz Nigga's Like I

0:20:07.320 --> 0:20:10.840
<v Speaker 2>just always felt I never got the support from you

0:20:11.160 --> 0:20:14.480
<v Speaker 2>on radio. But then I heard something. I'm not gonna

0:20:14.520 --> 0:20:16.520
<v Speaker 2>snitch on you and tell who.

0:20:16.200 --> 0:20:16.840
<v Speaker 1>Told me this.

0:20:17.359 --> 0:20:20.600
<v Speaker 2>But then it made sense when I heard this or why,

0:20:21.040 --> 0:20:23.480
<v Speaker 2>because I was like, I was talking to somebody from

0:20:23.520 --> 0:20:25.640
<v Speaker 2>your crew. I'm not gonna tell who because I want

0:20:25.680 --> 0:20:27.960
<v Speaker 2>you to go back and hang a nigga off the balcony.

0:20:28.720 --> 0:20:31.280
<v Speaker 2>And I'm like, Yo, why Clue never showed me love

0:20:31.400 --> 0:20:32.600
<v Speaker 2>like that nigga Like Yo, Bleak.

0:20:32.680 --> 0:20:33.479
<v Speaker 1>You probably don't know.

0:20:33.560 --> 0:20:36.600
<v Speaker 2>But back in the day, man Dang made a bet

0:20:36.640 --> 0:20:40.439
<v Speaker 2>with clue, and I'm like, what he said that, dang,

0:20:40.560 --> 0:20:44.360
<v Speaker 2>bet you that me because me and FAB albums dropped.

0:20:44.040 --> 0:20:46.639
<v Speaker 1>Around the same time, and that he was saying that

0:20:46.760 --> 0:20:47.120
<v Speaker 1>I was.

0:20:47.080 --> 0:20:50.800
<v Speaker 2>Gonna outsell like you was your Fab gonna sell more

0:20:50.800 --> 0:20:53.120
<v Speaker 2>than Bleak Dang like bleek On sell more than Fab

0:20:53.480 --> 0:20:56.680
<v Speaker 2>and y'all bet And he was like, yo, that's why.

0:20:56.680 --> 0:20:58.879
<v Speaker 2>And I'm like, it makes sense if you got money

0:20:58.880 --> 0:21:01.119
<v Speaker 2>on the line of nigga, like I promise that record

0:21:01.320 --> 0:21:05.480
<v Speaker 2>put that, I promise you just be talking about this absolutely.

0:21:06.400 --> 0:21:08.240
<v Speaker 2>We might we might have, we might have had like

0:21:08.280 --> 0:21:11.280
<v Speaker 2>a playful bet, but I would never I would never

0:21:11.440 --> 0:21:16.280
<v Speaker 2>but not play your record to like that first of all,

0:21:16.600 --> 0:21:19.800
<v Speaker 2>in my mind, a situation like that, it wouldn't even

0:21:19.840 --> 0:21:22.200
<v Speaker 2>be fair because it's like if I didn't help you

0:21:22.240 --> 0:21:24.120
<v Speaker 2>all the same, how I would I even be able

0:21:24.160 --> 0:21:27.000
<v Speaker 2>to know who who did what? Yeah, Like, how would

0:21:27.000 --> 0:21:29.520
<v Speaker 2>I be able to know like what the reel is.

0:21:29.520 --> 0:21:33.119
<v Speaker 3>I'd rather know what the rail is and fail so

0:21:33.160 --> 0:21:35.840
<v Speaker 3>I can fix so I can fix it, rather than

0:21:36.040 --> 0:21:38.520
<v Speaker 3>you know what I'm saying, like, yeah, I ain't on that,

0:21:38.560 --> 0:21:41.320
<v Speaker 3>you know what I'm saying, Like I remember a FABS

0:21:41.400 --> 0:21:43.800
<v Speaker 3>debut album and j album dropped on the same day.

0:21:44.240 --> 0:21:45.159
<v Speaker 1>Yeah, nine to eleven.

0:21:45.280 --> 0:21:48.520
<v Speaker 3>Yeah, that's a fact, because because I was telling people.

0:21:48.560 --> 0:21:52.000
<v Speaker 3>I always tell people like yo, like, there's a real

0:21:52.359 --> 0:21:54.400
<v Speaker 3>good chance that I could have been on that first

0:21:54.480 --> 0:21:58.680
<v Speaker 3>flight going to LA because we would shooting anytime we

0:21:58.680 --> 0:22:01.439
<v Speaker 3>would shot a video on the West, I would always

0:22:01.440 --> 0:22:03.280
<v Speaker 3>fly out, and I would always fly I had my

0:22:03.720 --> 0:22:07.560
<v Speaker 3>I had my I had my radio show on Monday,

0:22:07.920 --> 0:22:09.240
<v Speaker 3>so I had to beat it from the radio show

0:22:09.240 --> 0:22:11.800
<v Speaker 3>and I would leave right after and hop on the

0:22:11.840 --> 0:22:14.440
<v Speaker 3>first flight to LA to whatever video were shooting. Because

0:22:14.560 --> 0:22:16.600
<v Speaker 3>you know, album dropped on Tuesday, and we always shoot

0:22:16.640 --> 0:22:20.560
<v Speaker 3>videos on Tuesdays. So the reason I stayed in New

0:22:20.640 --> 0:22:23.320
<v Speaker 3>York and was home was because FABS albums dropped when

0:22:23.320 --> 0:22:23.960
<v Speaker 3>we were doing promo.

0:22:24.359 --> 0:22:25.680
<v Speaker 1>It's crazy, Yeah.

0:22:25.560 --> 0:22:29.000
<v Speaker 2>Bro insane, the music business saving niggas lives. Man, I

0:22:29.040 --> 0:22:32.439
<v Speaker 2>tell people all the time, man made. I always tell

0:22:32.480 --> 0:22:34.560
<v Speaker 2>people how like, you know, even like during the during

0:22:34.600 --> 0:22:37.479
<v Speaker 2>the the East Coast West Coast Beef, when we used

0:22:37.520 --> 0:22:40.600
<v Speaker 2>to have to go to LA. I've seen Kevin, Kevin

0:22:40.640 --> 0:22:42.400
<v Speaker 2>Lows and Leo, they used to they used to always

0:22:42.400 --> 0:22:45.320
<v Speaker 2>make sure we had twenty four hours sec armed security

0:22:45.320 --> 0:22:48.400
<v Speaker 2>with us in front of the hotel had we had.

0:22:48.680 --> 0:22:51.640
<v Speaker 2>We had drivers twenty four hours a day all day.

0:22:51.760 --> 0:22:54.800
<v Speaker 2>I remember, Yo, That's why La. I got a love

0:22:54.880 --> 0:22:57.679
<v Speaker 2>and the hate for La because I remember when I

0:22:57.680 --> 0:22:58.480
<v Speaker 2>first went to La.

0:22:58.640 --> 0:23:00.399
<v Speaker 1>La was like going over seas.

0:23:00.840 --> 0:23:03.240
<v Speaker 2>There was like foreign objects to them where they was

0:23:03.400 --> 0:23:05.879
<v Speaker 2>like you from New York, I fucking love you. Then

0:23:05.960 --> 0:23:08.920
<v Speaker 2>it became you're from New York, Hey dog get over here.

0:23:09.080 --> 0:23:11.359
<v Speaker 2>Come It's like who you with black?

0:23:11.600 --> 0:23:12.400
<v Speaker 1>Like oh shot?

0:23:12.520 --> 0:23:15.159
<v Speaker 3>I remember in front of my hotel door, I had

0:23:15.200 --> 0:23:18.480
<v Speaker 3>a fucking I had a secrety guard with shotgun front

0:23:18.760 --> 0:23:19.360
<v Speaker 3>in front of my door.

0:23:19.560 --> 0:23:20.280
<v Speaker 1>That's how you know that.

0:23:20.920 --> 0:23:22.639
<v Speaker 2>That's why I gotta love and hate because at the

0:23:22.720 --> 0:23:25.600
<v Speaker 2>end of the day, you gotta respect niggas that could

0:23:25.640 --> 0:23:30.360
<v Speaker 2>Holy City down to put anybody under pressure that get

0:23:30.440 --> 0:23:34.760
<v Speaker 2>off that plane. You gotta get We wasn't under pressure.

0:23:34.800 --> 0:23:38.800
<v Speaker 2>It's just like being better be safe than sorry. But respect.

0:23:38.880 --> 0:23:40.720
<v Speaker 2>I ain't never seen niggas have security.

0:23:41.280 --> 0:23:44.400
<v Speaker 3>You always got respect with someone else's territory the city,

0:23:44.440 --> 0:23:45.600
<v Speaker 3>you always got respect better.

0:23:45.640 --> 0:23:48.280
<v Speaker 1>But La is a different level, bro, It's different.

0:23:48.400 --> 0:23:52.040
<v Speaker 2>We be in a lot of cities, man, course is

0:23:52.080 --> 0:23:55.240
<v Speaker 2>a different like you're being sacked or men know nigga

0:23:55.320 --> 0:23:57.600
<v Speaker 2>like I ain't come my cousin in l a little

0:23:57.680 --> 0:24:00.400
<v Speaker 2>mall in them, like like what the fuck I thought?

0:24:00.400 --> 0:24:04.040
<v Speaker 3>I just had beef in Yeah, and LA is one

0:24:04.040 --> 0:24:06.439
<v Speaker 3>of the seas because you can't you can't like legally

0:24:06.560 --> 0:24:08.800
<v Speaker 3>carry out this. So it's like, I mean, now they

0:24:08.840 --> 0:24:11.080
<v Speaker 3>open it up so you can. But Paul, you know

0:24:11.119 --> 0:24:13.719
<v Speaker 3>what I'm saying. But yeah, like you know what I mean.

0:24:13.840 --> 0:24:17.280
<v Speaker 1>He had to give us what he had to give us.

0:24:17.359 --> 0:24:20.280
<v Speaker 1>What Paus what yo?

0:24:20.520 --> 0:24:23.720
<v Speaker 2>So in my eyes, you probably feel the same way

0:24:23.760 --> 0:24:28.040
<v Speaker 2>though the music industry changed dramatically, like how you feel

0:24:28.119 --> 0:24:32.080
<v Speaker 2>about the direction the digital access and everything, like how

0:24:32.200 --> 0:24:33.879
<v Speaker 2>accessible music is today.

0:24:34.000 --> 0:24:36.520
<v Speaker 3>I sent out a tweet like maybe like a month

0:24:36.560 --> 0:24:39.600
<v Speaker 3>ago and the month and it said hip hop was

0:24:39.680 --> 0:24:43.199
<v Speaker 3>really doomed. That was that was what I sent up.

0:24:43.400 --> 0:24:47.080
<v Speaker 3>And I said that because I feel like I feel

0:24:47.119 --> 0:24:49.919
<v Speaker 3>like if she continues to go away, it is going now,

0:24:51.760 --> 0:24:55.359
<v Speaker 3>it's it's it's gonna go backwards because I feel like

0:24:55.640 --> 0:24:58.440
<v Speaker 3>a lot of the efforts not there. If you listen

0:24:58.520 --> 0:25:02.040
<v Speaker 3>to some of a lot of the music, like before

0:25:02.119 --> 0:25:04.000
<v Speaker 3>a lot of the music was good, like the production

0:25:04.200 --> 0:25:06.400
<v Speaker 3>was good. Now it's like a lot of this shit

0:25:06.520 --> 0:25:10.760
<v Speaker 3>sounds the same these rappers, Like some of the rappers,

0:25:10.800 --> 0:25:14.040
<v Speaker 3>they just like it's okay to sample an old song,

0:25:14.920 --> 0:25:18.639
<v Speaker 3>you're supposed to make it better. Yeah, you can't sample

0:25:18.680 --> 0:25:23.080
<v Speaker 3>the old song and fucking and use the same lyrics

0:25:23.119 --> 0:25:24.360
<v Speaker 3>that someone.

0:25:24.200 --> 0:25:28.400
<v Speaker 2>Else already used it. But oh bro, these be three

0:25:28.600 --> 0:25:31.040
<v Speaker 2>five years old. You'd be like, nigga, I just heard

0:25:31.119 --> 0:25:33.080
<v Speaker 2>this record, Like, how you sampling this?

0:25:33.920 --> 0:25:37.080
<v Speaker 3>I mean listen, like I said when we were coming up,

0:25:37.080 --> 0:25:39.760
<v Speaker 3>we sampled. So you can't handle a sampling askment. But

0:25:39.800 --> 0:25:42.119
<v Speaker 3>if you're gonna do a song, at least make the

0:25:42.240 --> 0:25:46.080
<v Speaker 3>song yours, Like, don't use the same hooks and phrases

0:25:46.160 --> 0:25:49.560
<v Speaker 3>that for your hook that the other people use. Like

0:25:49.600 --> 0:25:52.080
<v Speaker 3>that don't make no sense to me personally, you know.

0:25:52.720 --> 0:25:54.320
<v Speaker 3>And the on top of that, niggas is not really

0:25:54.840 --> 0:25:57.800
<v Speaker 3>niggas is not really putting that lyrical pain down.

0:25:57.840 --> 0:25:59.919
<v Speaker 1>It's like it's like a lot of swag wrap by car.

0:26:00.080 --> 0:26:01.119
<v Speaker 1>I call a swag rap.

0:26:01.000 --> 0:26:03.080
<v Speaker 3>Because it's like I feel like niggas just talking about

0:26:03.160 --> 0:26:07.520
<v Speaker 3>Yeah they swag and and bitches and cars, and like

0:26:07.560 --> 0:26:09.840
<v Speaker 3>when niggas, when I had niggas in the song, say

0:26:10.560 --> 0:26:12.680
<v Speaker 3>they got pushed the start my nigga know how long

0:26:12.720 --> 0:26:16.240
<v Speaker 3>I had fucking pushed the start, calling my nigga.

0:26:16.040 --> 0:26:22.080
<v Speaker 1>Like like nigga was being born. Hell, push the start game?

0:26:23.520 --> 0:26:24.000
<v Speaker 2>Is that right?

0:26:24.680 --> 0:26:28.280
<v Speaker 1>Is that really a punchline? Like no disrespect, but come

0:26:28.320 --> 0:26:29.080
<v Speaker 1>on man.

0:26:29.000 --> 0:26:32.240
<v Speaker 2>Like, like yo, I feel like these kids just don't

0:26:32.280 --> 0:26:36.440
<v Speaker 2>think legacy rap. They think today because the money is

0:26:36.520 --> 0:26:37.959
<v Speaker 2>great microwaves.

0:26:38.359 --> 0:26:39.199
<v Speaker 1>But the money is.

0:26:39.280 --> 0:26:42.040
<v Speaker 2>Great now, remember back then it was really no money.

0:26:42.119 --> 0:26:44.920
<v Speaker 2>It was no example of billionaires that you could like, oh,

0:26:45.000 --> 0:26:46.800
<v Speaker 2>I could get this bag and be like them, So

0:26:46.920 --> 0:26:50.520
<v Speaker 2>it was more of just trying to build your legacy

0:26:50.760 --> 0:26:54.000
<v Speaker 2>for us, I think where it was like, yo, I'm

0:26:54.119 --> 0:26:56.600
<v Speaker 2>just making the music I love and trying to cough

0:26:56.680 --> 0:26:59.520
<v Speaker 2>something out maybe twenty thirty years from now this shit

0:26:59.600 --> 0:27:02.280
<v Speaker 2>it Remember, they don't have to wait that long. Today,

0:27:02.640 --> 0:27:06.040
<v Speaker 2>thirty minutes from now, that shit downloaded twenty million times

0:27:06.119 --> 0:27:09.119
<v Speaker 2>stream like and they getting the check. So it's like, yo, bro,

0:27:09.240 --> 0:27:11.520
<v Speaker 2>if I made one hundred thousand off this record in

0:27:11.640 --> 0:27:14.639
<v Speaker 2>thirty minutes, oh, I'm gonna make thirty more records than

0:27:14.760 --> 0:27:15.960
<v Speaker 2>thirty minutes.

0:27:15.760 --> 0:27:18.280
<v Speaker 1>Just just like that. So you can't be mad at

0:27:18.359 --> 0:27:22.320
<v Speaker 1>that fact either. But it's not sustainable and a.

0:27:22.359 --> 0:27:24.840
<v Speaker 3>Lot of I always say like a lot of the

0:27:24.920 --> 0:27:26.639
<v Speaker 3>streaming shit. First of all, they got the you know,

0:27:26.680 --> 0:27:27.080
<v Speaker 3>they got the.

0:27:27.160 --> 0:27:30.320
<v Speaker 1>Phone farms on that shit, fake streams like the bous

0:27:30.359 --> 0:27:30.560
<v Speaker 1>this and that.

0:27:30.720 --> 0:27:33.080
<v Speaker 3>Third, it's different when you have to go to the

0:27:33.200 --> 0:27:35.720
<v Speaker 3>store and buy a Memphis Meg album and you have

0:27:35.800 --> 0:27:37.280
<v Speaker 3>to take your heart of the money and put eight

0:27:37.400 --> 0:27:38.840
<v Speaker 3>dollars on the counter to.

0:27:38.920 --> 0:27:42.480
<v Speaker 2>Get this album or whatever what thirteen or twelve hours,

0:27:42.560 --> 0:27:46.160
<v Speaker 2>whatever it was. It's different, a different type of love

0:27:46.480 --> 0:27:49.800
<v Speaker 2>and respect for like the culture.

0:27:49.880 --> 0:27:51.199
<v Speaker 1>Like you got to go in the store and put

0:27:51.240 --> 0:27:52.920
<v Speaker 1>your heart. Now you put twelve hours.

0:27:53.200 --> 0:27:56.520
<v Speaker 3>Now you can listen to everybody album before you had

0:27:56.560 --> 0:27:59.040
<v Speaker 3>to go in the store and buy that and Fizky

0:27:59.119 --> 0:28:01.639
<v Speaker 3>put that money on count going platinum like that is

0:28:01.640 --> 0:28:02.440
<v Speaker 3>a different level.

0:28:02.680 --> 0:28:05.399
<v Speaker 2>Yeah, that's super different thing about it. I think, what

0:28:05.640 --> 0:28:08.399
<v Speaker 2>is it you need a record to be listened to

0:28:08.680 --> 0:28:13.280
<v Speaker 2>eleven hundred times to be considered a purchase. It's insane

0:28:14.320 --> 0:28:18.200
<v Speaker 2>eleven hundred times to be one one sound?

0:28:18.240 --> 0:28:20.480
<v Speaker 1>And who made that? Math? Yo? Straight?

0:28:21.640 --> 0:28:26.000
<v Speaker 2>Like do you feel like mixtapes helped create the rollout

0:28:26.160 --> 0:28:29.440
<v Speaker 2>back then for artists? That that's an element that's missing

0:28:29.480 --> 0:28:32.760
<v Speaker 2>to No, for sure. I remember like they used to

0:28:32.800 --> 0:28:35.360
<v Speaker 2>call me to do they call them sampleo tape.

0:28:35.400 --> 0:28:39.080
<v Speaker 3>So they were like they'll put like four snippers from

0:28:39.120 --> 0:28:42.000
<v Speaker 3>the album and then whatever and whatever the single was,

0:28:43.120 --> 0:28:44.920
<v Speaker 3>Like I did Usher's first samplo tape.

0:28:45.360 --> 0:28:46.160
<v Speaker 1>They can't going for that.

0:28:46.240 --> 0:28:49.400
<v Speaker 3>I did ta first samplo tape obviously, like you know,

0:28:49.440 --> 0:28:52.080
<v Speaker 3>a couple of artists hand in Nori and Fab so

0:28:52.160 --> 0:28:52.880
<v Speaker 3>we so we did.

0:28:53.000 --> 0:28:55.240
<v Speaker 2>Like like that was like a thing back then to

0:28:55.440 --> 0:28:58.720
<v Speaker 2>help promote the albums. I feel like that's definitely missing.

0:28:58.800 --> 0:29:02.040
<v Speaker 2>If a lot of these guys got into the mixtape vibe,

0:29:02.080 --> 0:29:05.280
<v Speaker 2>then they would have to dig pause deeper in their

0:29:05.400 --> 0:29:08.000
<v Speaker 2>bag for the album because you couldn't drop a mixtape

0:29:08.000 --> 0:29:09.520
<v Speaker 2>and then drop the album sound the same.

0:29:10.120 --> 0:29:11.680
<v Speaker 1>You gotta go a.

0:29:11.800 --> 0:29:15.240
<v Speaker 2>Level up or a level down wherever the fucking music

0:29:15.320 --> 0:29:20.560
<v Speaker 2>gonna take you, for sure, like today's rap bus. Because

0:29:20.680 --> 0:29:23.160
<v Speaker 2>back in the day when I came up, the appreciation

0:29:23.320 --> 0:29:26.000
<v Speaker 2>for DJ I felt like if you didn't have a

0:29:26.120 --> 0:29:29.000
<v Speaker 2>right DJ, your show was whacked, your set was whacked,

0:29:29.000 --> 0:29:31.720
<v Speaker 2>your party was whacked. I feel like these kids today,

0:29:31.800 --> 0:29:34.400
<v Speaker 2>like you said, it's just microwave music. Do you feel

0:29:34.480 --> 0:29:37.520
<v Speaker 2>like the appreciation for DJs is a lost.

0:29:37.440 --> 0:29:38.600
<v Speaker 1>Art in this game now?

0:29:38.920 --> 0:29:43.160
<v Speaker 3>I mean I feel like you know, a lot a

0:29:43.240 --> 0:29:46.080
<v Speaker 3>lot of they try to say, like I heard rumors

0:29:46.160 --> 0:29:49.320
<v Speaker 3>like your radio matter and it's all about streaming and functorating.

0:29:49.560 --> 0:29:52.080
<v Speaker 1>But yo, like it's like if you don't if you

0:29:52.120 --> 0:29:53.000
<v Speaker 1>don't get your your.

0:29:52.960 --> 0:29:53.400
<v Speaker 2>Song on.

0:29:54.920 --> 0:29:57.280
<v Speaker 1>Radio to do good and you don't get the.

0:29:57.360 --> 0:29:59.720
<v Speaker 3>Visuals on TV, Like TV and radio is like still

0:29:59.760 --> 0:30:01.920
<v Speaker 3>a bitiggas platforms, right, they don't hate the most.

0:30:02.000 --> 0:30:04.840
<v Speaker 1>Don't get it twisted. They's still the biggest platforms.

0:30:05.120 --> 0:30:08.040
<v Speaker 3>So it's like when I had people say that, I'm like, yo,

0:30:08.080 --> 0:30:10.320
<v Speaker 3>it's just you know, eight name is being passed around

0:30:10.440 --> 0:30:12.840
<v Speaker 3>like it's obviously it's a business. And they put and

0:30:12.880 --> 0:30:14.600
<v Speaker 3>they put that out of the old streaming and streaming

0:30:14.600 --> 0:30:16.719
<v Speaker 3>that streaming is cool, but it ain't the same effect.

0:30:16.760 --> 0:30:17.400
<v Speaker 1>It ain't the same.

0:30:18.640 --> 0:30:20.680
<v Speaker 3>It ain't the same respect Like you know what I mean, Like,

0:30:21.040 --> 0:30:22.960
<v Speaker 3>if you can get your record played in New York

0:30:23.040 --> 0:30:26.280
<v Speaker 3>City on the radio, that's a big win.

0:30:27.720 --> 0:30:29.880
<v Speaker 2>Trust me, it's not easy. I'm from New York. These

0:30:29.960 --> 0:30:32.400
<v Speaker 2>DJ niggas did not play me. I'm gonna tell y'all

0:30:32.560 --> 0:30:36.120
<v Speaker 2>every time Jay that song ninety nine problems come on radio,

0:30:36.280 --> 0:30:38.480
<v Speaker 2>don't play my song. If I don't play they show

0:30:38.920 --> 0:30:41.880
<v Speaker 2>he really meant they don't play Bleak song.

0:30:42.080 --> 0:30:45.680
<v Speaker 1>If I don't play that show, I'm gonna rewrite it, y'all.

0:30:45.760 --> 0:30:48.320
<v Speaker 1>We're gonna get the real version of how it's supposed

0:30:48.360 --> 0:30:51.640
<v Speaker 1>to have when you're gonna get Jay back in the studio. Hell, Yo, I.

0:30:51.760 --> 0:30:54.719
<v Speaker 2>Tried, bro, I send this nigga records that nigga hit

0:30:54.800 --> 0:30:57.400
<v Speaker 2>me one day and was like, Yo, Bleak, I'm not no.

0:30:57.760 --> 0:30:59.960
<v Speaker 2>This is a really good record, but I'm not rapping

0:31:00.200 --> 0:31:02.720
<v Speaker 2>on it. I'm cool, I'm not rapping no more. I'm chilling.

0:31:02.760 --> 0:31:06.720
<v Speaker 2>I don't got nothing to say. Maybe you could do it.

0:31:07.800 --> 0:31:09.600
<v Speaker 3>I mean, I'll be trying. I send them some joints too,

0:31:09.640 --> 0:31:11.320
<v Speaker 3>I sent. I sent him some fire to that I

0:31:11.400 --> 0:31:12.080
<v Speaker 3>throw his vibe.

0:31:12.120 --> 0:31:15.000
<v Speaker 1>But he just if I thought the clips was gonna

0:31:15.000 --> 0:31:17.360
<v Speaker 1>get him out the crib. I tried to get him

0:31:17.400 --> 0:31:19.200
<v Speaker 1>out the crib. I told him to you, I said, Yo,

0:31:19.240 --> 0:31:20.400
<v Speaker 1>you ain't gonta do an album, just.

0:31:20.400 --> 0:31:23.520
<v Speaker 2>Do like versus one verse, one verse, but it gotta

0:31:23.560 --> 0:31:26.000
<v Speaker 2>be on one of my joints, one of my thongs,

0:31:26.040 --> 0:31:31.160
<v Speaker 2>nobody else and we could put it on clue tape though, Yo.

0:31:32.840 --> 0:31:36.160
<v Speaker 2>So yeah, when people here DJ clue what you want

0:31:36.200 --> 0:31:39.840
<v Speaker 2>them to associate your name with the contributions you gave.

0:31:39.760 --> 0:31:40.240
<v Speaker 1>To the game.

0:31:41.560 --> 0:31:43.560
<v Speaker 3>I mean, shit, just the obvious man, Like you know

0:31:43.600 --> 0:31:48.120
<v Speaker 3>what I'm saying, Like you know, I mean, we did

0:31:48.160 --> 0:31:49.520
<v Speaker 3>a lot of legendary shit, man.

0:31:49.600 --> 0:31:51.000
<v Speaker 1>So I feel like, you know what I mean, Like

0:31:52.080 --> 0:31:52.640
<v Speaker 1>I feel like.

0:31:54.200 --> 0:31:58.440
<v Speaker 3>We made the mixtape a global thing because it was,

0:31:58.480 --> 0:32:03.360
<v Speaker 3>like you know what I'm saying, the first platinum mixtape album.

0:32:04.480 --> 0:32:06.160
<v Speaker 1>You know what I'm saying, Like you said the tone to.

0:32:06.240 --> 0:32:09.360
<v Speaker 2>Right this nigga won the Mixtape Awards like fifteen years

0:32:09.400 --> 0:32:09.880
<v Speaker 2>in a row.

0:32:11.720 --> 0:32:13.560
<v Speaker 3>They had they had to, they had to actually, like

0:32:13.680 --> 0:32:16.600
<v Speaker 3>you know what I'm saying, like make it seem like

0:32:16.840 --> 0:32:19.160
<v Speaker 3>my ship wasn't doing what we were doing to actually

0:32:20.160 --> 0:32:21.920
<v Speaker 3>let other need DJs through the gate.

0:32:22.000 --> 0:32:23.440
<v Speaker 1>So I mean, I ain't mad at that though. You

0:32:23.480 --> 0:32:23.960
<v Speaker 1>know what I'm saying.

0:32:24.080 --> 0:32:26.040
<v Speaker 2>You paved the way man, and that's a big deal,

0:32:26.160 --> 0:32:29.400
<v Speaker 2>my ge. Beyond the tapes in the radio, what you're

0:32:29.440 --> 0:32:33.160
<v Speaker 2>most proud of creating or building in.

0:32:33.240 --> 0:32:41.400
<v Speaker 3>This well for one that you know, like the production

0:32:41.520 --> 0:32:43.000
<v Speaker 3>side of it, because I think I feel the production

0:32:43.080 --> 0:32:45.400
<v Speaker 3>side was like it was like a level up, you

0:32:45.440 --> 0:32:45.920
<v Speaker 3>know what I'm saying.

0:32:46.120 --> 0:32:50.320
<v Speaker 1>Talk about it something tell them, man, because I know something.

0:32:51.560 --> 0:32:54.920
<v Speaker 2>Well like the Mariah carry Jones like Heartbreaker, Heartbreaker remix,

0:32:55.640 --> 0:32:59.040
<v Speaker 2>talk about it, uh we Belong Together remix with the Locks.

0:32:59.760 --> 0:33:00.800
<v Speaker 2>You know, I'm saying I had a lot of.

0:33:00.840 --> 0:33:04.040
<v Speaker 3>Joint Superwoman little Mo like you know what I'm saying,

0:33:04.120 --> 0:33:05.600
<v Speaker 3>Like there is a lot of records I did, Like

0:33:05.640 --> 0:33:07.600
<v Speaker 3>you know what I'm saying, that's still like you know

0:33:08.520 --> 0:33:10.440
<v Speaker 3>if you could play a record twenty years after you

0:33:10.560 --> 0:33:13.600
<v Speaker 3>did it and it's still rock and still did Yeah,

0:33:13.920 --> 0:33:15.240
<v Speaker 3>you did your thing, Like you know what I'm saying.

0:33:15.440 --> 0:33:18.240
<v Speaker 3>So like you know when I still hear records on

0:33:18.360 --> 0:33:22.640
<v Speaker 3>the radio that like like they play so much you

0:33:23.520 --> 0:33:26.240
<v Speaker 3>with Fab and to me a lot, so like listen,

0:33:26.320 --> 0:33:27.560
<v Speaker 3>I still hear them records on the radio.

0:33:27.560 --> 0:33:29.920
<v Speaker 1>I'm like, damn, that shit still come on. You know,

0:33:30.000 --> 0:33:30.719
<v Speaker 1>I'm in Florida.

0:33:30.760 --> 0:33:33.760
<v Speaker 2>That should come on like it just dropped, right, And

0:33:33.880 --> 0:33:35.920
<v Speaker 2>you know that's that type of that's that type of

0:33:36.000 --> 0:33:37.959
<v Speaker 2>b drop, you know what I mean, that shit come

0:33:38.000 --> 0:33:39.320
<v Speaker 2>on like it just dropped.

0:33:39.040 --> 0:33:40.760
<v Speaker 3>Even like even like with the we Can't Let You

0:33:40.840 --> 0:33:43.840
<v Speaker 3>Go with Fab, like I had just pulled the studio

0:33:43.840 --> 0:33:46.640
<v Speaker 3>because I needed a joint, and I'm like and you know,

0:33:46.960 --> 0:33:48.240
<v Speaker 3>you know how you got to pull up on just

0:33:48.360 --> 0:33:50.480
<v Speaker 3>I just pulled the studio And that's actually when I'm

0:33:50.480 --> 0:33:54.840
<v Speaker 3>at EBAs that day. E bas just playing the guitar

0:33:55.800 --> 0:33:59.400
<v Speaker 3>and just had the drugs playing and he wasn't done.

0:33:59.440 --> 0:34:02.520
<v Speaker 1>I'm like, nig I'm taking it. So I just I

0:34:03.120 --> 0:34:05.760
<v Speaker 1>really like just took the idea.

0:34:05.880 --> 0:34:07.800
<v Speaker 2>I took the files, like I took the guitar and

0:34:07.880 --> 0:34:09.880
<v Speaker 2>took the drump ship and actually took it to the

0:34:09.920 --> 0:34:12.400
<v Speaker 2>studio and me and Daryl put it together and like

0:34:12.880 --> 0:34:15.560
<v Speaker 2>and like, you know, format at it and you know

0:34:15.560 --> 0:34:17.360
<v Speaker 2>what I'm saying, and justin give me no credit, but

0:34:17.640 --> 0:34:22.279
<v Speaker 2>just need my credit, so you know, actually format this

0:34:22.360 --> 0:34:24.160
<v Speaker 2>ship and put it together to make it sound like.

0:34:24.200 --> 0:34:25.680
<v Speaker 1>A real song. And I brought him back to just

0:34:25.800 --> 0:34:27.319
<v Speaker 1>he had it a little more, you know what I'm

0:34:27.320 --> 0:34:29.560
<v Speaker 1>saying stuff to it. And that was crazy.

0:34:29.640 --> 0:34:31.359
<v Speaker 3>Yeah, man, it was one of them things like even

0:34:31.480 --> 0:34:34.560
<v Speaker 3>like but I was I was talking to my boy

0:34:34.600 --> 0:34:37.239
<v Speaker 3>Freedom because we was we went to dinner yesterday and

0:34:37.360 --> 0:34:41.120
<v Speaker 3>we were just talking about music and even make me better.

0:34:42.480 --> 0:34:45.440
<v Speaker 3>So the story with that would make me better. So

0:34:45.719 --> 0:34:48.880
<v Speaker 3>so we had met with Tata. Tata had you know

0:34:49.200 --> 0:34:53.759
<v Speaker 3>the beat with Neo on the hook, I'm like, yeah,

0:34:53.800 --> 0:34:56.759
<v Speaker 3>we need to get fab on that. So but when

0:34:56.800 --> 0:35:00.600
<v Speaker 3>we get fab on, it ships fire. So now I

0:35:00.680 --> 0:35:02.279
<v Speaker 3>got to call Tima on the boy the Beat, because

0:35:02.560 --> 0:35:04.719
<v Speaker 3>first of all, you know, Timbo back then was charging.

0:35:06.400 --> 0:35:06.680
<v Speaker 1>Fifty.

0:35:08.239 --> 0:35:10.359
<v Speaker 3>But I was like, nah, tell my man, he gonna

0:35:10.480 --> 0:35:13.560
<v Speaker 3>he gonna look out. So he was like, so you

0:35:13.600 --> 0:35:16.280
<v Speaker 3>know he charges something regularly, he ain't charge just nohing crazy,

0:35:17.000 --> 0:35:19.240
<v Speaker 3>but the beat, he told me the beat was sold.

0:35:21.200 --> 0:35:24.880
<v Speaker 3>So he sold the Beat to Eve. So yeah, so

0:35:25.400 --> 0:35:27.279
<v Speaker 3>so you know, me and Eve was man cool because

0:35:27.280 --> 0:35:29.279
<v Speaker 3>we was on tour together and you know, like you

0:35:29.320 --> 0:35:31.279
<v Speaker 3>know back then, like we were just starting. So you

0:35:31.360 --> 0:35:34.240
<v Speaker 3>know remember Rockefeller or with death Chair and you couldn't

0:35:34.239 --> 0:35:36.280
<v Speaker 3>even fly first class until you went platting.

0:35:36.360 --> 0:35:36.839
<v Speaker 1>That's right.

0:35:37.000 --> 0:35:39.800
<v Speaker 2>Couldn't get that nice hotel either until he was platting.

0:35:39.840 --> 0:35:41.960
<v Speaker 2>So me and Eve, like we was on tour, we

0:35:42.040 --> 0:35:44.160
<v Speaker 2>was flying coach together. Let me have going back to

0:35:44.239 --> 0:35:46.960
<v Speaker 2>the East coast whatever, So we was man cool. So

0:35:47.080 --> 0:35:48.600
<v Speaker 2>I called her and I'm like, yo, I need to

0:35:48.640 --> 0:35:49.919
<v Speaker 2>high let you when you're gonna be in town.

0:35:49.960 --> 0:35:50.440
<v Speaker 1>So I took it.

0:35:50.480 --> 0:35:53.200
<v Speaker 3>At dinner, we was talking, you know, chopping it up.

0:35:53.239 --> 0:35:56.680
<v Speaker 3>I'm like, y'all got this song. You got the beat

0:35:56.760 --> 0:36:00.360
<v Speaker 3>I need to beat? And she was like, she was like,

0:36:00.719 --> 0:36:02.600
<v Speaker 3>what song is this? I told to Tim and she's

0:36:02.640 --> 0:36:04.400
<v Speaker 3>like damn. She's like I'm like yeah, she's like, yo,

0:36:04.480 --> 0:36:06.920
<v Speaker 3>play with me. So I played it for her and

0:36:07.040 --> 0:36:08.080
<v Speaker 3>she was like, Yo, she is fire.

0:36:08.080 --> 0:36:08.560
<v Speaker 1>You can have it.

0:36:10.360 --> 0:36:13.000
<v Speaker 2>Crazy, that's dope, shout out Eve. She is one of

0:36:13.080 --> 0:36:16.680
<v Speaker 2>the people's man, even real one. So like what the

0:36:16.800 --> 0:36:19.680
<v Speaker 2>next chapter for Clue looked like, Man, what's next? After

0:36:19.840 --> 0:36:24.360
<v Speaker 2>all said and done? Moving to Italy.

0:36:25.040 --> 0:36:26.560
<v Speaker 3>Nah, I just came back. I just came back to

0:36:26.600 --> 0:36:28.080
<v Speaker 3>me doing it. I did a I did a party

0:36:28.120 --> 0:36:30.840
<v Speaker 3>in France. Man, it's good to go back there. France

0:36:30.880 --> 0:36:34.480
<v Speaker 3>did a party for Supreme. You know what we need

0:36:34.560 --> 0:36:36.640
<v Speaker 3>that we need that plug? Plug us got you.

0:36:36.760 --> 0:36:40.160
<v Speaker 1>I gotcha, they gave They gave me cart blanche when

0:36:40.200 --> 0:36:41.359
<v Speaker 1>shopping out there at the store.

0:36:41.560 --> 0:36:43.880
<v Speaker 2>They you know, you got to see the line at

0:36:43.920 --> 0:36:46.840
<v Speaker 2>the Supreme store in Miami. I still in the store,

0:36:47.719 --> 0:36:49.200
<v Speaker 2>crazy down the block.

0:36:49.239 --> 0:36:51.320
<v Speaker 1>That's what I like. I need the plug and I

0:36:51.440 --> 0:36:57.759
<v Speaker 1>got you. I can tap in. That's easy, yo, yo. Yeah,

0:36:57.880 --> 0:36:59.759
<v Speaker 1>not so like ship man, Like you're just trying to

0:37:00.040 --> 0:37:00.399
<v Speaker 1>what I'm saying.

0:37:00.680 --> 0:37:02.080
<v Speaker 3>You know, I got the I got the podcast as

0:37:02.120 --> 0:37:05.920
<v Speaker 3>well with my boy Heineken Backfield, got Dad of course,

0:37:06.320 --> 0:37:06.919
<v Speaker 3>you know what I'm saying.

0:37:07.760 --> 0:37:09.640
<v Speaker 1>Me and Rose got to moving with the bell Air.

0:37:10.440 --> 0:37:12.280
<v Speaker 1>You know what I'm saying. We got ship You involved

0:37:12.280 --> 0:37:14.560
<v Speaker 1>with the bell at too. I ain't know that. Yeah, bro,

0:37:15.160 --> 0:37:20.720
<v Speaker 1>you know snipers out here. I introduced rods to the situation.

0:37:20.880 --> 0:37:24.000
<v Speaker 2>Man, So like you know what I'm saying, silent snipers

0:37:24.040 --> 0:37:25.440
<v Speaker 2>out here watching watch it.

0:37:25.680 --> 0:37:26.520
<v Speaker 1>They on the roof.

0:37:27.280 --> 0:37:28.960
<v Speaker 3>So now so now we got the We got the

0:37:29.840 --> 0:37:33.160
<v Speaker 3>the bell Air. We got Villon, which is the cognac.

0:37:33.719 --> 0:37:35.120
<v Speaker 3>You know what I'm saying. We got DK which is

0:37:35.200 --> 0:37:39.280
<v Speaker 3>the whiskey. We got you know, the MC queen, Violet

0:37:39.600 --> 0:37:41.239
<v Speaker 3>fog Jin.

0:37:41.360 --> 0:37:42.600
<v Speaker 1>So we got We're moving.

0:37:42.520 --> 0:37:45.839
<v Speaker 2>Fucking around you in the Spirits game for real, moveing man.

0:37:46.239 --> 0:37:49.080
<v Speaker 2>That's a nigga clue minati a fucking around man. Well,

0:37:49.120 --> 0:37:51.160
<v Speaker 2>I appreciate you pulling up my guy. Man.

0:37:51.640 --> 0:37:53.960
<v Speaker 1>Word up, man, this is this is This means a

0:37:54.040 --> 0:37:54.440
<v Speaker 1>lot to me.

0:37:54.640 --> 0:37:58.520
<v Speaker 3>Me and Memphis Beat don't have no big say that.

0:37:58.719 --> 0:38:00.840
<v Speaker 2>But I got one question before what we know? Because

0:38:00.880 --> 0:38:03.440
<v Speaker 2>you know j thirty baby, what what you want to

0:38:03.440 --> 0:38:04.640
<v Speaker 2>say to Jay thirty? Man?

0:38:04.680 --> 0:38:08.480
<v Speaker 1>It's thirty years of this ship, Yo jay Yo.

0:38:08.600 --> 0:38:12.200
<v Speaker 3>First of all, Jay Is people don't know he really

0:38:12.320 --> 0:38:13.680
<v Speaker 3>is a funny ass nigga.

0:38:13.719 --> 0:38:15.960
<v Speaker 1>He's tried funny project baby.

0:38:16.040 --> 0:38:18.480
<v Speaker 2>I tried to He the only nigga who will saying no,

0:38:20.440 --> 0:38:23.040
<v Speaker 2>me know and start laughing and let look at you

0:38:23.320 --> 0:38:24.400
<v Speaker 2>in your face while.

0:38:24.239 --> 0:38:27.960
<v Speaker 1>You yeah laugh and tell you damn you mad. I

0:38:28.080 --> 0:38:30.480
<v Speaker 1>said no, Like, yeah, funny nigga.

0:38:30.600 --> 0:38:32.359
<v Speaker 2>He like now he was like, he'd be like he'll

0:38:32.400 --> 0:38:35.080
<v Speaker 2>say no and you think he's joking me, dead ass serious.

0:38:35.239 --> 0:38:37.800
<v Speaker 1>He's like, nah, they give you then.

0:38:38.920 --> 0:38:41.960
<v Speaker 2>Yeah, man, thirty years exactulations, old man, you know I'm

0:38:41.960 --> 0:38:45.879
<v Speaker 2>saying thirty years, like just just to know from I'll

0:38:45.920 --> 0:38:48.560
<v Speaker 2>be telling him like from where we started from to

0:38:48.640 --> 0:38:51.520
<v Speaker 2>where the whole team has got to is it's crazy,

0:38:51.680 --> 0:38:55.600
<v Speaker 2>like from like I remember, Earth bought jade of my

0:38:55.719 --> 0:38:57.080
<v Speaker 2>mom's cribbing queens.

0:38:58.400 --> 0:38:59.920
<v Speaker 1>We make the mixtap back in the basement. So he

0:39:00.120 --> 0:39:05.160
<v Speaker 1>practice for his first show, bro Yo chill words, Chi

0:39:05.760 --> 0:39:10.120
<v Speaker 1>Chi words, and then from that to going on promo

0:39:10.280 --> 0:39:12.359
<v Speaker 1>tour in a mini van y'all.

0:39:12.440 --> 0:39:17.120
<v Speaker 2>I remember, Yeah, it's crazy, bro passenger vans and them

0:39:17.160 --> 0:39:21.080
<v Speaker 2>Turtle was in there for real stealing pillows out the hotel.

0:39:21.640 --> 0:39:24.600
<v Speaker 1>It'll be comfy. The next morning we was riding was

0:39:24.719 --> 0:39:27.600
<v Speaker 1>you was you in Virginia When we went to the

0:39:27.840 --> 0:39:29.759
<v Speaker 1>we did the in store and the limo and they

0:39:29.800 --> 0:39:32.520
<v Speaker 1>brought they did limos. So yeah, so let me tell you.

0:39:32.640 --> 0:39:34.480
<v Speaker 1>Let me tell you how this story. I was there.

0:39:34.680 --> 0:39:37.640
<v Speaker 3>So so we go to Virginia when Jay was dropped

0:39:37.680 --> 0:39:41.480
<v Speaker 3>his first album. He on a promo, whateverever, and we

0:39:41.600 --> 0:39:45.080
<v Speaker 3>go to instore, this store and back then niggas ride

0:39:45.080 --> 0:39:48.440
<v Speaker 3>the limos in New York limo. So so we went

0:39:48.520 --> 0:39:50.799
<v Speaker 3>to the limo for him to go to the in store.

0:39:52.440 --> 0:39:54.520
<v Speaker 3>We leave an in store. They surround the whole car.

0:39:55.719 --> 0:39:58.400
<v Speaker 3>They like when we was leaving, they was jay Z

0:39:58.719 --> 0:40:01.080
<v Speaker 3>jay Z count on the car, boobs.

0:40:00.719 --> 0:40:02.040
<v Speaker 1>Out, putting them on the window.

0:40:02.200 --> 0:40:04.640
<v Speaker 2>Remember, by time we get the hotel and we get

0:40:04.680 --> 0:40:07.120
<v Speaker 2>out and the and the the dude who owns the

0:40:07.160 --> 0:40:08.279
<v Speaker 2>limo look at the car.

0:40:08.719 --> 0:40:12.160
<v Speaker 1>This about him ninety dents and this o his limo

0:40:12.760 --> 0:40:15.080
<v Speaker 1>fucked up. It was not one part of the car

0:40:15.200 --> 0:40:16.880
<v Speaker 1>that had them straight up.

0:40:17.640 --> 0:40:20.359
<v Speaker 2>Someone got up paved with my car. Like I don't

0:40:20.400 --> 0:40:24.120
<v Speaker 2>know who, YO know, but that ship was finished. I

0:40:24.239 --> 0:40:26.839
<v Speaker 2>think that was the if I'm not mistaken. I think

0:40:26.920 --> 0:40:30.320
<v Speaker 2>that was the first day I realized like, oh it

0:40:30.520 --> 0:40:34.640
<v Speaker 2>was real, this ship really real, Like we hear now

0:40:34.760 --> 0:40:38.319
<v Speaker 2>we arrived, Like that's crazy. I forgot you was there

0:40:38.400 --> 0:40:42.319
<v Speaker 2>for that clue she was in these streets, Marvin Man,

0:40:42.400 --> 0:40:44.799
<v Speaker 2>Like I said, Man, I appreciate you coming through. I'm

0:40:44.800 --> 0:40:48.040
<v Speaker 2>gonna definitely pull up to the podcast talk about these

0:40:48.080 --> 0:40:49.040
<v Speaker 2>spirits because you know this.

0:40:49.160 --> 0:40:53.680
<v Speaker 1>Is yeah, yeah, I already know what you whatever, you need,

0:40:53.760 --> 0:40:56.480
<v Speaker 1>what you need. Listen, dude, listen, du dude. You know

0:40:57.120 --> 0:40:59.920
<v Speaker 1>Bret Brett is the family. That's that's like fair, that's

0:41:00.120 --> 0:41:03.759
<v Speaker 1>like this, this is like you know what I'm saying,

0:41:03.920 --> 0:41:06.520
<v Speaker 1>This is like cousins. That's right.

0:41:07.320 --> 0:41:10.400
<v Speaker 2>You know what it is, man, It's rock solid fucking DJ.

0:41:10.600 --> 0:41:14.000
<v Speaker 2>Clue best mixtape DJ in the motherfucking world. And if

0:41:14.040 --> 0:41:17.400
<v Speaker 2>you ain't tap in, you better motherfucking tap in rock solid.

0:41:17.440 --> 0:41:18.200
<v Speaker 1>We here. Yeah.

0:41:21.960 --> 0:41:27.160
<v Speaker 2>For more podcasts from iHeart Radio, visit iHeartRadio app, Apple Podcasts,

0:41:27.239 --> 0:41:29.640
<v Speaker 2>or wherever you listen to your favorite shows at and

0:41:29.760 --> 0:41:32.839
<v Speaker 2>you can follow me on any social media platform under

0:41:32.880 --> 0:41:34.000
<v Speaker 2>the name Memphis Bleach.

0:41:34.160 --> 0:41:36.279
<v Speaker 1>You see anybody fraud and flag the