Speaker 1: Yeah, y'all you already know what it is.
Speaker 2: Back with another exclusive yours truly M Greasey myth bleak
Speaker 2: here with Rock Solid Podcast Live at the Vote, And
Speaker 2: this one is a real special special ed this year
Speaker 2: episode for me for y'all, I got one of my guys,
Speaker 2: my brother. It's a Rockefeller affiliate. My first record I
Speaker 2: ever recorded without Jay being in the studio with me.
Speaker 2: He gave me the opportunity with thugdout Ship. Were gonna
Speaker 2: get into all that. It's my guy. Let's welcome clue
Speaker 2: to the motherfucking building. Hell yeah, man, same grind, different time.
Speaker 2: What's up man, working man, you know, get into it.
Speaker 2: Word up long time, yo. Before we get into the history.
Speaker 2: I always wanted to say to you, yo, I thank
Speaker 2: you number one because Dug daun Ship was the first
Speaker 2: record without the tutelage, like I felt like it's all
Speaker 2: right coming to age. No nigga still had the training
Speaker 2: wheels on, you know what I'm saying. When I went
Speaker 2: to the studio with you in Durow, it was just us,
Speaker 2: you know what I'm saying, And I appreciate that opportunity.
Speaker 2: Then we turned around your highway robbed me for mine
Speaker 2: right how.
Speaker 1: How I don't even know it? Just that was that
Speaker 1: was a that was a Dame dash jay Z.
Speaker 2: You can't even put the when you search my right
Speaker 2: on on Memphis Bleek, my catalog on any platform, it
Speaker 2: just come up the remix.
Speaker 1: To get the original, you have to put DJ klu
Speaker 1: Man crazy crazy. You ain't even know that, yo?
Speaker 2: What but two of my biggest records man, and I
Speaker 2: appreciate that. Bro, like your platform. You helped a lot
Speaker 2: of niggas out and I want to say thank you.
Speaker 2: None of these other artists have said thank you.
Speaker 1: You know what I mean.
Speaker 2: But Yo, let's go back. I want to know you know,
Speaker 2: like I said, I'm a fan, bro. First take me
Speaker 2: back the Queens man, like, what made what was this
Speaker 2: spot that made you like?
Speaker 1: Fuck it? I'm a DJ nigga, I could do this ship.
Speaker 2: Well.
Speaker 3: Well, first I was rapping a little bit. First, you
Speaker 3: know what I'm saying, what was just MC drama.
Speaker 2: Yo, l DJ dramas all versus let's go you know
Speaker 2: what I'm saying?
Speaker 1: That was it?
Speaker 3: And then from there like my uncle my uncle and
Speaker 3: then used to always DJ like when I was like
Speaker 3: super small around the house. They used to have like
Speaker 3: house parties and shit. That's when niggas had the house
Speaker 3: and ship. So my uncle used to DJ. So I
Speaker 3: seen that from an early age. And then when I
Speaker 3: started first like kind of like driving when I was
Speaker 3: driving when I was young. You know when people think
Speaker 3: I'm lying when I said I was driving when I
Speaker 3: was nine anything, I'm lying, bro Ya.
Speaker 2: I was still in the card nine, Oh I stealing
Speaker 2: cards at now?
Speaker 1: No, I was still in my parents' card.
Speaker 2: Not even better. You wasn't going to jail, you know
Speaker 2: what I'm saying now, that's dope. So when I was driving,
Speaker 2: I used to always want music and shit. So I
Speaker 2: used to go to Jamaica AV and get mixtastes. But
Speaker 2: it always used to be like a couple joints in there.
Speaker 3: I liked, and I was like, Yo, if I do
Speaker 3: my own tape, it's gonna be lit, you know what.
Speaker 3: So I started walking around with the mixtape, shit and shit.
Speaker 3: The rest is history. Like you changed the game with
Speaker 3: the mixtapes. Man, like in the early days New York
Speaker 3: sing like the music sing back then.
Speaker 1: You know, I got in in the late nineties.
Speaker 2: You got in the early night right, you know what
Speaker 2: I'm saying, So what was the music sing like then
Speaker 2: for you?
Speaker 3: I mean, listen, that's when like and no point intended.
Speaker 3: That's when I feel like the music was coming of age,
Speaker 3: you know what I'm saying. So it's like hip hop
Speaker 3: started getting played on the radio, you know, all the time,
Speaker 3: because it wasn't like that before.
Speaker 1: Like you know what I'm saying.
Speaker 3: Like, so when hip hop was getting you know, more
Speaker 3: popular and more lit.
Speaker 1: You know what I'm saying, it was fire. That's a fact.
Speaker 1: You remember.
Speaker 2: Was it the first tape or moment party or anything
Speaker 2: when you was like, oh, ship, like my name, they
Speaker 2: know me now?
Speaker 1: In the city.
Speaker 3: I dropped the mixtape with this is when I was
Speaker 3: going to school. I was going to school in downtown
Speaker 3: Brooklyn at the time. I was going to New York Tech.
Speaker 3: Oh to New York Tech.
Speaker 2: So it had you trooping it and with the goons.
Speaker 2: That was decepts. Yeah, I was about to say dodging
Speaker 2: the deces. Yeah, that was decept.
Speaker 3: I think the train sometimes I had to learn the
Speaker 3: hallway to the trains out the way to go word,
Speaker 3: you know what I'm saying. I watched I watched a
Speaker 3: whole and I don't know why they skipped me. But
Speaker 3: I watched a whole train of people get robbed. They
Speaker 3: robbed everyone in the car.
Speaker 1: Sato.
Speaker 2: I'm telling you it used to be like that, especially
Speaker 2: the last car of the train. You had to be
Speaker 2: you had to be certified to ride the last car.
Speaker 2: Any train that a train train f L one two
Speaker 2: four didn't maz, Yeah, you better be certified. I remember
Speaker 2: when I felt that s train. I thought I found
Speaker 2: something no one knew about. The shuttle. That ship took
Speaker 2: you straight the Prospect Park. I was like, oh, this
Speaker 2: is lit the little shuttle word. So yeah, like I said,
Speaker 2: like was it the moment, Like it was like.
Speaker 3: Oh so yeah, Like I was saying, I went to
Speaker 3: uh to B Street on on on Fulton and I
Speaker 3: had on my mixtape. I had the this and this
Speaker 3: is when Wu Tang was on fire. I had the
Speaker 3: Method Man remix to h All I Need, and I
Speaker 3: had a live nigga rat with Nads and Mob Deep.
Speaker 3: So like this is when you know you couldn't even
Speaker 3: download music.
Speaker 1: Yes, right, this is exclusive.
Speaker 3: So I bought a couple mix taps in there and
Speaker 3: they sold out man quick because I put them on
Speaker 3: their consignmentcause they don't really know me in Brooklyn yet.
Speaker 1: Yo, I'm like, yes, sold out ready.
Speaker 3: So that happened for like two weeks straight, Like I
Speaker 3: just kept selling more amals, so I had to keep
Speaker 3: giving them more mixtapes.
Speaker 1: And then.
Speaker 2: They had stores in the Bronx any Queens so that
Speaker 2: so that's how the ripple effect happened. Like is it
Speaker 2: true because they say, you know, it's always been rumors.
Speaker 2: You know, New York City were the city of rumors. Baby,
Speaker 2: there's a lot of ship you hear. I want to
Speaker 2: know is it true they said you the first mixtape
Speaker 2: DJ to put an m in the crib or for mixtape.
Speaker 1: Is that true?
Speaker 3: At the end of the day, I don't know how
Speaker 3: much it was. I mean, it was a lot. It was,
Speaker 3: it was it was definitely. It was definitely saves full
Speaker 3: of money for sure.
Speaker 2: That's like niggas was singing blocks of bricks and a
Speaker 2: block and it was just mixtape game. My question I
Speaker 2: wanted to always ask, like was it ever a struggle
Speaker 2: to get music from labels.
Speaker 1: The artist?
Speaker 3: I mean, the labels used to give me music, the
Speaker 3: artists used to give me music. And then you know
Speaker 3: what I'm saying, Like you know, people used to just
Speaker 3: have like you know, exclusives name just give them to me.
Speaker 1: That's a fact.
Speaker 3: You always always I used to your clue go to
Speaker 3: the studio, steal, never stole on life.
Speaker 2: I was gonna ask you that, did you have ever
Speaker 2: had to take a record out of the stew because
Speaker 2: I remember when when the clue tapes when Bro, when
Speaker 2: I got in the music game, niggas knew if you
Speaker 2: wasn't one through ten, it was.
Speaker 1: A problem, Like that's that that meant that if you
Speaker 1: was number one.
Speaker 2: First of all, I think Jada kiss in the locks,
Speaker 2: they had to pay for that slot every clue tape
Speaker 2: them niggas is number one or number two, like how
Speaker 2: even though they was murdering. Yeah, I mean I was.
Speaker 2: I was mad that it's a right had it's all right.
Speaker 2: Had to really started on the on the B side
Speaker 2: of the tape because the tape was really already done
Speaker 2: and it was the only place I could actually put
Speaker 2: it on the tape.
Speaker 1: So what happened was earth God. He calls me.
Speaker 3: And I'm telling him, He's like, yo, when you're doing
Speaker 3: your tape. I'm like, yo, I'm really done. Like what
Speaker 3: you got He's like y'all got this this j record
Speaker 3: I need to put on there. You know what I'm saying.
Speaker 3: So I was like yo, I was like, so he
Speaker 3: like came and met me in the snowstorm Rest Peace
Speaker 3: Earth got Rest of Peace, got it, came in me
Speaker 3: a snowstorm and gave me a joint. And I had
Speaker 3: to like figure out and this is you know, you
Speaker 3: recording on on on that's so you had to figure
Speaker 3: out how to spice the.
Speaker 1: Song on it feel me?
Speaker 3: So I had to I had to figure out a
Speaker 3: place where I could actually add the song.
Speaker 1: I remember you probably don't remember this. I'm breaking back
Speaker 1: in the day.
Speaker 2: This might have been Jay and Source Money first freestyle
Speaker 2: on your mixtape.
Speaker 1: Oh you're not I remember that for sure. You remember
Speaker 1: me being in the studio that day. Nah, I don't see.
Speaker 2: I was just when Jay is Sauce rap he was.
Speaker 2: Remember we was in the studio on Queen somewhere.
Speaker 1: Now in the city.
Speaker 2: I was a young nigga in there and Jay and
Speaker 2: Sauce murdered the record and Jay was like, go ahead, bleak,
Speaker 2: I know you got something for it. And I'm looking
Speaker 2: I'm looking at that clue. I'm just thinking of the impact,
Speaker 2: and I'm like, the.
Speaker 3: Crazy part is I had to because I was I
Speaker 3: was recording the Locks freestyle for Chess. For Chess, Jay
Speaker 3: was shooting the video with Foxy. I think it was
Speaker 3: for our b so he had so I had to
Speaker 3: stop the Lock session and quickly have J and sau record.
Speaker 3: They parted, so the Locks were still writing at the time,
Speaker 3: so they were still so I just gave him.
Speaker 1: I didn't even know they was in the studio there.
Speaker 2: Yeah, and Sauce and J murdered this shit so crazy
Speaker 2: the way I'm looking at Jay like, nah, I'm not
Speaker 2: rapping on that fucked no. And then I remember when
Speaker 2: the tape dropped and niggas in the hood was blasting
Speaker 2: that record and I'm sitting there like I had.
Speaker 1: The opportunity to be on Yo. Bro.
Speaker 2: That day fueled me to be like, Yo, I'm never
Speaker 2: missing an opportunity like that again. I was a little
Speaker 2: nervous because that's that's the presence you held in the
Speaker 2: street in New York, Bro, Like your tape was like
Speaker 2: these young boys probably you know, to them now today,
Speaker 2: that's probably what DJ Khalien getting on the DJ Khalier
Speaker 2: album to them probably feel like if Kali called me
Speaker 2: for a verse, yo, I'm that Nigga.
Speaker 1: I made it. You know what I'm saying, Bro, you
Speaker 1: was equivalent to.
Speaker 2: That's like Hove and Drake hit you and be like, Yo,
Speaker 2: we just recorded a record, but we need you. On
Speaker 2: the third verse, you like Nigga, of course I got it.
Speaker 2: That's what a clue tape was in New York. Sure,
Speaker 2: Like so I was nervous, like, fuck, no, I ain't ready.
Speaker 2: I gotta go back and study some more. So did
Speaker 2: you ever feel like it was a time when you
Speaker 2: just knew, man, I run this shit.
Speaker 1: They I mean, the demand was so crazy man.
Speaker 3: So it's you know what I'm saying, Like when I
Speaker 3: was dropping, if I felt like everybody would stop what
Speaker 3: they're doing and just thrown in, like you know what
Speaker 3: I mean, Because especially if you're dropping on like a
Speaker 3: Friday night, like everyone's sharing it, go out and hopping
Speaker 3: their cars like they wanted that.
Speaker 1: They wanted that clue take for sure?
Speaker 2: Do you I feel like they don't give you the
Speaker 2: credit for the album rollouts now today? You like you
Speaker 2: changed the game with the way to make the Like
Speaker 2: you said, if you dropped on that Friday, you had
Speaker 2: a problem.
Speaker 1: When that Clue tape dropped.
Speaker 2: Now, for sure, I feel like labels started catering to
Speaker 2: how you used to roll your tapes.
Speaker 3: Out because now because albums really used to drop on Tuesdays.
Speaker 3: You know what I'm saying, I dropped. I made sure
Speaker 3: I dropped on Fridays when.
Speaker 2: We give everybody the week in the wild out, all
Speaker 2: the cookouts, pool parties, everything the clubs is rocking Tuesday,
Speaker 2: you still got work school.
Speaker 1: Nigga can't really dose that now.
Speaker 2: Niggas, don't you know they could dose music whenever, But
Speaker 2: back then you had to.
Speaker 1: It was a schedule for that radio. No, yeah, not
Speaker 1: for sure. So you have to be in tune and shit, man.
Speaker 3: So it's a blessing man to even be able to,
Speaker 3: you know, still be in a game doing what I
Speaker 3: do at the love I do with that, you know
Speaker 3: what I'm saying. So still doing records, still doing radio,
Speaker 3: you know what I'm saying.
Speaker 1: So just blessed.
Speaker 2: It's a blessing, yo. Niggas don't know. I was there
Speaker 2: when you said I just deal with Jay and Dame too, y'all.
Speaker 2: Niggas did that ship in the middle of the street
Speaker 2: like a drug yeah. Yeah, biggas pulled up in the
Speaker 2: middle of the street like a drug deal talking between
Speaker 2: the cars and Jay, I remember Day was saying, made
Speaker 2: you go roll with us or what It was like, Nah, man,
Speaker 2: I'm family, I'm with y'all. Jay was like, they let
Speaker 2: me got this sign because because that was that was
Speaker 2: the whole the whole situation with because Sony was trying
Speaker 2: to Sony and Steezed Out was trying to match the deal.
Speaker 3: So so Dame and Jay and Big japt pissed. They
Speaker 3: came off. Yeah, this is before they was cool. They
Speaker 3: was and they was like, yo, now he's signing with
Speaker 3: us because they because at the time I think they
Speaker 3: was giving me like fifty thousand more to sign to Sony.
Speaker 3: But I was like, I was listen, I'm a man
Speaker 3: of my word. So I told them, I'm like, listen,
Speaker 3: I'm honored, I'm honored. It ain't really about the money,
Speaker 3: you know what I'm saying, I'm honor a man of
Speaker 3: my word. If y'all, if y'all niggas is serious, because
Speaker 3: I felt like it was in limbo for a little minute,
Speaker 3: you know what I'm saying. I was like, if I
Speaker 3: seriou if you're serious, I'm If not, I'm doing this
Speaker 3: other deal. So y'all let me know that was my neck.
Speaker 2: Did you feel like you had grew to a point
Speaker 2: where you had to become bigger than mixtapes? You wanted
Speaker 2: to take it to the mainstream now for sure, because
Speaker 2: like you know, it's like being an artist or being
Speaker 2: a creator. It's like you have a like a bucket list.
Speaker 3: So it's like, you know what I'm saying, it's like
Speaker 3: your mixtapes and now you know you want to be
Speaker 3: on the radio, then you want to do that, you
Speaker 3: know what I'm saying. So it's like you want to
Speaker 3: you want to level up. You don't want to stay
Speaker 3: the same.
Speaker 1: So it's like, you know what I mean, that's a fact.
Speaker 2: So like then you crossed over, like you you dropped
Speaker 2: the albums my g I like I said, that first album,
Speaker 2: The Professional, I got the plaque in my crib tails
Speaker 2: to this day, that's one of my first plaques that
Speaker 2: reasonable doubt coming to age them three plaques in the
Speaker 2: crib and never going nowhere, because those are the ones
Speaker 2: that did it for me. So like but then after that, bro,
Speaker 2: you went to radio, and then like I feel like
Speaker 2: your era, that time when you was on Hot ninety seven.
Speaker 2: That was the best time and music era of New
Speaker 2: York City that we have. I mean, the Monday Night
Speaker 2: mixtape was legendary, That's what I'm saying. People come up
Speaker 2: the free style like it was really like it was
Speaker 2: really like a mixtape show but on the radio. So
Speaker 2: like every every Monday Night from ten to twelve, everybody,
Speaker 2: the whole city was tuned in.
Speaker 3: See who's going to freestyle? See what exlusive records I had,
Speaker 3: you know what I'm saying. So it was it was
Speaker 3: a time man, for sure.
Speaker 1: That's right.
Speaker 2: And like, Yo, I was just telling because my dog,
Speaker 2: you know, we when I told him I'm interviewing you,
Speaker 2: he was like, Yo, you're gonna bring up the backstage
Speaker 2: And I'm like what you mean?
Speaker 1: He's like you and him at Beans, And I'm like, Yo,
Speaker 1: you know what's crazy?
Speaker 2: You see how perception is in the world, bro that
Speaker 2: people think Beans ran down on you. Niggas don't even
Speaker 2: know that it's the whole accident. Like yeah, the crazy part.
Speaker 2: Crazy part is it was, like you know what I'm saying.
Speaker 2: First of all, we was all drinking, was all crazy,
Speaker 2: and we was backstage slack boxing books. Yeah, and we
Speaker 2: was playing and that's how that shop. And I told
Speaker 2: my man. He like, yo, Bleak, you lying thought niggas
Speaker 2: ran down no clue, like you know, you know, the
Speaker 2: crazy part is the crazy party.
Speaker 3: Someone said that, Bleak said, damn. Someone said that, Bleak said,
Speaker 3: I pulled a weapon out on Beans and something like that.
Speaker 2: Oh no, that's what someone said. I was like, what
Speaker 2: I said, you pulled the web. Don'try no weapon.
Speaker 1: My nigga.
Speaker 3: I mean, I do care weapons now, but legally talk
Speaker 3: that smoke. Who want that smoke?
Speaker 1: Pull it out, y'all ain't that but.
Speaker 2: Nah? But people were saying that, I'm like, you pulled
Speaker 2: out a weapon on him. No, it wasn't no weapon.
Speaker 2: I think what it was you had the black jack
Speaker 2: ship had black and Beans with you. Was like, yo, nigga,
Speaker 2: front on me in the club, I'm gonna hit him
Speaker 2: in his head beams, like, man, that ship don't work.
Speaker 1: And you're like what Rember Beans was like, watch.
Speaker 2: This happened the show. I'm gonna show you how, nigger.
Speaker 2: And remember we was playing, so not like you pulled
Speaker 2: out a weapon on Beans and he went that it
Speaker 2: was a whole member.
Speaker 1: That tour was the illest toll of life for me.
Speaker 2: Bro, Like that's crazy, Like we had battles thing we
Speaker 2: was kidnapped rough ride of niggas they was kidnapping.
Speaker 3: That's that's when Recipe DMX DMX would come in the
Speaker 3: venue like before sound like during sound check and he
Speaker 3: was coming in with the pippoles crazy. He would release
Speaker 3: the pipulls off their leashes and everybody would.
Speaker 1: Running their room like Yo, niggas bugging.
Speaker 2: Bugging niggas, Like Yo, we gotta get them niggas back.
Speaker 2: We gonna kidnap one of them niggas. We had paintball
Speaker 2: competition like that was ill And like I said, it
Speaker 2: was a lot of misconscrewed misconceptions on that tape because
Speaker 2: niggas thought Dang was barking or Lindy on the bus
Speaker 2: go by crazy. A lot of ship on that tape. Boy,
Speaker 2: But what was that like for you? Like, have you
Speaker 2: been on tour before before?
Speaker 1: Back?
Speaker 3: Say, nah, that was my first time. I was crazy,
Speaker 3: So that was all not for that was that was
Speaker 3: my first tour. On my last tour, I mean, like
Speaker 3: the only either tour went on. I did Mariah carry
Speaker 3: tour I did, but I did, like, I only wanted
Speaker 3: to do the major city certain cities, you know what
Speaker 3: I'm saying. So the other ones I had, that's when
Speaker 3: I had put That's how such one actually got with Mariots.
Speaker 3: I put him on the tour because I had you know,
Speaker 3: I had radio and I had other stuff I was doing,
Speaker 3: So I put him on the tour when I wasn't there,
Speaker 3: he would be.
Speaker 1: He's right in my place, you know what I'm saying,
Speaker 1: So shout out. That's the fan.
Speaker 2: Like, let's talk about my guy Fab too, man, because
Speaker 2: not for sure, you don't. I feel like people look
Speaker 2: at you as a DJ, mixtape DJ, but they forget
Speaker 2: to give you your credit for producing because you put
Speaker 2: out a lot of smoke in this in.
Speaker 1: This for you got a lot of records out there,
Speaker 1: for sure.
Speaker 2: And then come on, man, you got one of the
Speaker 2: most lirical artists out of New York City and then
Speaker 2: that had thirty forty.
Speaker 1: Years bro, Like, Fab is a problem, you know what
Speaker 1: I'm saying, And he's saying.
Speaker 2: For y'all both to still be at the top of
Speaker 2: your y'all y'all class right now is a test of
Speaker 2: time and respect, like you got to show you like,
Speaker 2: you know what I mean? So what was that like
Speaker 2: for you? Looking at Fab back then as a young
Speaker 2: nigga from Brooklyn? Did you see all of this happening?
Speaker 1: Well?
Speaker 3: I know he had what it took because I mean
Speaker 3: obviously I seen and how all these other niggas was
Speaker 3: getting signed off from being on the mixtapes. You know
Speaker 3: what I'm saying, Like the first person, the first place
Speaker 3: they heard, like Joel's and you know Jim, Like Jim
Speaker 3: came in with records and he was like, Yo, I'm
Speaker 3: trying to do my own thing, Like you know what
Speaker 3: I'm saying, Like, but whatever, he and he had his records.
Speaker 1: He had Joel's records. You know what I'm saying. I've
Speaker 1: seen them blow up.
Speaker 3: I mean, don Pooh put Foxy on on on the
Speaker 3: mixtapes before people knew, Like I remember Earth and defroent
Speaker 3: Rough Riders, you know what I'm saying.
Speaker 1: Called me.
Speaker 3: I was like, Yo, was like, yo, I got this artist,
Speaker 3: you know DMX, he come home like two three weeks.
Speaker 1: I want to put them on. I want to do
Speaker 1: a freestyle, put them on a mixtape.
Speaker 3: So I spoke that I actually spoke the DMX when
Speaker 3: he was in jail, Like he's like, yo, Yo, want
Speaker 3: to come home.
Speaker 1: But I was like, all right, fucking let's get it.
Speaker 1: So so we did the.
Speaker 3: So when he came home, we did to get at
Speaker 3: Me Dog freestyle with the locks in DMX, and it
Speaker 3: actually ended up it blew up so crazy ended up
Speaker 3: being his first single.
Speaker 1: He did the solo version, did it made it into
Speaker 1: a single.
Speaker 2: It's crazy. I ain't even realize that started on a
Speaker 2: clue tape. That's what I'm telling you. The fucking impact
Speaker 2: of your clue tape was crazy, my g Like the
Speaker 2: Desert Storm movement, Duro Skang Dollar came on, they all like,
Speaker 2: you know what I'm saying, Like, Yo, bro, y'all definitely
Speaker 2: had a wave. And I feel like y'all don't get
Speaker 2: enough credit as a movement in this game, like they
Speaker 2: try to. You know, people skip chapters in the book.
Speaker 2: I always feel like people never look at the beginning
Speaker 2: of the book. They want to skip to the end.
Speaker 2: So in that process of going to the end to
Speaker 2: see if everybody is successful at the end of the story,
Speaker 2: they skip chapters and forget who was part of that success.
Speaker 1: You know what I'm saying and desert storm y'all niggas.
Speaker 2: Man.
Speaker 1: You know, even though me and.
Speaker 2: Fab never got a record, I still respect the bigger back.
Speaker 2: And then you let me tell niggas too because you
Speaker 2: hit me the other day. You was like, Yo, how
Speaker 2: are you gonna tell niggas? How fuck with you?
Speaker 1: Bleak? Let me telling you right, man, Listen, it ain't
Speaker 1: that you don't fuck with me. You my brother. I
Speaker 1: love you. We grew our up with y'all niggas.
Speaker 2: Bro, It's never no like yo, Clue, don't fuck with
Speaker 2: me like fuck that nigga here, bitchasz Nigga's Like I
Speaker 2: just always felt I never got the support from you
Speaker 2: on radio. But then I heard something. I'm not gonna
Speaker 2: snitch on you and tell who.
Speaker 1: Told me this.
Speaker 2: But then it made sense when I heard this or why,
Speaker 2: because I was like, I was talking to somebody from
Speaker 2: your crew. I'm not gonna tell who because I want
Speaker 2: you to go back and hang a nigga off the balcony.
Speaker 2: And I'm like, Yo, why Clue never showed me love
Speaker 2: like that nigga Like Yo, Bleak.
Speaker 1: You probably don't know.
Speaker 2: But back in the day, man Dang made a bet
Speaker 2: with clue, and I'm like, what he said that, dang,
Speaker 2: bet you that me because me and FAB albums dropped.
Speaker 1: Around the same time, and that he was saying that
Speaker 1: I was.
Speaker 2: Gonna outsell like you was your Fab gonna sell more
Speaker 2: than Bleak Dang like bleek On sell more than Fab
Speaker 2: and y'all bet And he was like, yo, that's why.
Speaker 2: And I'm like, it makes sense if you got money
Speaker 2: on the line of nigga, like I promise that record
Speaker 2: put that, I promise you just be talking about this absolutely.
Speaker 2: We might we might have, we might have had like
Speaker 2: a playful bet, but I would never I would never
Speaker 2: but not play your record to like that first of all,
Speaker 2: in my mind, a situation like that, it wouldn't even
Speaker 2: be fair because it's like if I didn't help you
Speaker 2: all the same, how I would I even be able
Speaker 2: to know who who did what? Yeah, Like, how would
Speaker 2: I be able to know like what the reel is.
Speaker 3: I'd rather know what the rail is and fail so
Speaker 3: I can fix so I can fix it, rather than
Speaker 3: you know what I'm saying, like, yeah, I ain't on that,
Speaker 3: you know what I'm saying, Like I remember a FABS
Speaker 3: debut album and j album dropped on the same day.
Speaker 1: Yeah, nine to eleven.
Speaker 3: Yeah, that's a fact, because because I was telling people.
Speaker 3: I always tell people like yo, like, there's a real
Speaker 3: good chance that I could have been on that first
Speaker 3: flight going to LA because we would shooting anytime we
Speaker 3: would shot a video on the West, I would always
Speaker 3: fly out, and I would always fly I had my
Speaker 3: I had my I had my radio show on Monday,
Speaker 3: so I had to beat it from the radio show
Speaker 3: and I would leave right after and hop on the
Speaker 3: first flight to LA to whatever video were shooting. Because
Speaker 3: you know, album dropped on Tuesday, and we always shoot
Speaker 3: videos on Tuesdays. So the reason I stayed in New
Speaker 3: York and was home was because FABS albums dropped when
Speaker 3: we were doing promo.
Speaker 1: It's crazy, Yeah.
Speaker 2: Bro insane, the music business saving niggas lives. Man, I
Speaker 2: tell people all the time, man made. I always tell
Speaker 2: people how like, you know, even like during the during
Speaker 2: the the East Coast West Coast Beef, when we used
Speaker 2: to have to go to LA. I've seen Kevin, Kevin
Speaker 2: Lows and Leo, they used to they used to always
Speaker 2: make sure we had twenty four hours sec armed security
Speaker 2: with us in front of the hotel had we had.
Speaker 2: We had drivers twenty four hours a day all day.
Speaker 2: I remember, Yo, That's why La. I got a love
Speaker 2: and the hate for La because I remember when I
Speaker 2: first went to La.
Speaker 1: La was like going over seas.
Speaker 2: There was like foreign objects to them where they was
Speaker 2: like you from New York, I fucking love you. Then
Speaker 2: it became you're from New York, Hey dog get over here.
Speaker 2: Come It's like who you with black?
Speaker 1: Like oh shot?
Speaker 3: I remember in front of my hotel door, I had
Speaker 3: a fucking I had a secrety guard with shotgun front
Speaker 3: in front of my door.
Speaker 1: That's how you know that.
Speaker 2: That's why I gotta love and hate because at the
Speaker 2: end of the day, you gotta respect niggas that could
Speaker 2: Holy City down to put anybody under pressure that get
Speaker 2: off that plane. You gotta get We wasn't under pressure.
Speaker 2: It's just like being better be safe than sorry. But respect.
Speaker 2: I ain't never seen niggas have security.
Speaker 3: You always got respect with someone else's territory the city,
Speaker 3: you always got respect better.
Speaker 1: But La is a different level, bro, It's different.
Speaker 2: We be in a lot of cities, man, course is
Speaker 2: a different like you're being sacked or men know nigga
Speaker 2: like I ain't come my cousin in l a little
Speaker 2: mall in them, like like what the fuck I thought?
Speaker 3: I just had beef in Yeah, and LA is one
Speaker 3: of the seas because you can't you can't like legally
Speaker 3: carry out this. So it's like, I mean, now they
Speaker 3: open it up so you can. But Paul, you know
Speaker 3: what I'm saying. But yeah, like you know what I mean.
Speaker 1: He had to give us what he had to give us.
Speaker 1: What Paus what yo?
Speaker 2: So in my eyes, you probably feel the same way
Speaker 2: though the music industry changed dramatically, like how you feel
Speaker 2: about the direction the digital access and everything, like how
Speaker 2: accessible music is today.
Speaker 3: I sent out a tweet like maybe like a month
Speaker 3: ago and the month and it said hip hop was
Speaker 3: really doomed. That was that was what I sent up.
Speaker 3: And I said that because I feel like I feel
Speaker 3: like if she continues to go away, it is going now,
Speaker 3: it's it's it's gonna go backwards because I feel like
Speaker 3: a lot of the efforts not there. If you listen
Speaker 3: to some of a lot of the music, like before
Speaker 3: a lot of the music was good, like the production
Speaker 3: was good. Now it's like a lot of this shit
Speaker 3: sounds the same these rappers, Like some of the rappers,
Speaker 3: they just like it's okay to sample an old song,
Speaker 3: you're supposed to make it better. Yeah, you can't sample
Speaker 3: the old song and fucking and use the same lyrics
Speaker 3: that someone.
Speaker 2: Else already used it. But oh bro, these be three
Speaker 2: five years old. You'd be like, nigga, I just heard
Speaker 2: this record, Like, how you sampling this?
Speaker 3: I mean listen, like I said when we were coming up,
Speaker 3: we sampled. So you can't handle a sampling askment. But
Speaker 3: if you're gonna do a song, at least make the
Speaker 3: song yours, Like, don't use the same hooks and phrases
Speaker 3: that for your hook that the other people use. Like
Speaker 3: that don't make no sense to me personally, you know.
Speaker 3: And the on top of that, niggas is not really
Speaker 3: niggas is not really putting that lyrical pain down.
Speaker 1: It's like it's like a lot of swag wrap by car.
Speaker 1: I call a swag rap.
Speaker 3: Because it's like I feel like niggas just talking about
Speaker 3: Yeah they swag and and bitches and cars, and like
Speaker 3: when niggas, when I had niggas in the song, say
Speaker 3: they got pushed the start my nigga know how long
Speaker 3: I had fucking pushed the start, calling my nigga.
Speaker 1: Like like nigga was being born. Hell, push the start game?
Speaker 2: Is that right?
Speaker 1: Is that really a punchline? Like no disrespect, but come
Speaker 1: on man.
Speaker 2: Like, like yo, I feel like these kids just don't
Speaker 2: think legacy rap. They think today because the money is
Speaker 2: great microwaves.
Speaker 1: But the money is.
Speaker 2: Great now, remember back then it was really no money.
Speaker 2: It was no example of billionaires that you could like, oh,
Speaker 2: I could get this bag and be like them, So
Speaker 2: it was more of just trying to build your legacy
Speaker 2: for us, I think where it was like, yo, I'm
Speaker 2: just making the music I love and trying to cough
Speaker 2: something out maybe twenty thirty years from now this shit
Speaker 2: it Remember, they don't have to wait that long. Today,
Speaker 2: thirty minutes from now, that shit downloaded twenty million times
Speaker 2: stream like and they getting the check. So it's like, yo, bro,
Speaker 2: if I made one hundred thousand off this record in
Speaker 2: thirty minutes, oh, I'm gonna make thirty more records than
Speaker 2: thirty minutes.
Speaker 1: Just just like that. So you can't be mad at
Speaker 1: that fact either. But it's not sustainable and a.
Speaker 3: Lot of I always say like a lot of the
Speaker 3: streaming shit. First of all, they got the you know,
Speaker 3: they got the.
Speaker 1: Phone farms on that shit, fake streams like the bous
Speaker 1: this and that.
Speaker 3: Third, it's different when you have to go to the
Speaker 3: store and buy a Memphis Meg album and you have
Speaker 3: to take your heart of the money and put eight
Speaker 3: dollars on the counter to.
Speaker 2: Get this album or whatever what thirteen or twelve hours,
Speaker 2: whatever it was. It's different, a different type of love
Speaker 2: and respect for like the culture.
Speaker 1: Like you got to go in the store and put
Speaker 1: your heart. Now you put twelve hours.
Speaker 3: Now you can listen to everybody album before you had
Speaker 3: to go in the store and buy that and Fizky
Speaker 3: put that money on count going platinum like that is
Speaker 3: a different level.
Speaker 2: Yeah, that's super different thing about it. I think, what
Speaker 2: is it you need a record to be listened to
Speaker 2: eleven hundred times to be considered a purchase. It's insane
Speaker 2: eleven hundred times to be one one sound?
Speaker 1: And who made that? Math? Yo? Straight?
Speaker 2: Like do you feel like mixtapes helped create the rollout
Speaker 2: back then for artists? That that's an element that's missing
Speaker 2: to No, for sure. I remember like they used to
Speaker 2: call me to do they call them sampleo tape.
Speaker 3: So they were like they'll put like four snippers from
Speaker 3: the album and then whatever and whatever the single was,
Speaker 3: Like I did Usher's first samplo tape.
Speaker 1: They can't going for that.
Speaker 3: I did ta first samplo tape obviously, like you know,
Speaker 3: a couple of artists hand in Nori and Fab so
Speaker 3: we so we did.
Speaker 2: Like like that was like a thing back then to
Speaker 2: help promote the albums. I feel like that's definitely missing.
Speaker 2: If a lot of these guys got into the mixtape vibe,
Speaker 2: then they would have to dig pause deeper in their
Speaker 2: bag for the album because you couldn't drop a mixtape
Speaker 2: and then drop the album sound the same.
Speaker 1: You gotta go a.
Speaker 2: Level up or a level down wherever the fucking music
Speaker 2: gonna take you, for sure, like today's rap bus. Because
Speaker 2: back in the day when I came up, the appreciation
Speaker 2: for DJ I felt like if you didn't have a
Speaker 2: right DJ, your show was whacked, your set was whacked,
Speaker 2: your party was whacked. I feel like these kids today,
Speaker 2: like you said, it's just microwave music. Do you feel
Speaker 2: like the appreciation for DJs is a lost.
Speaker 1: Art in this game now?
Speaker 3: I mean I feel like you know, a lot a
Speaker 3: lot of they try to say, like I heard rumors
Speaker 3: like your radio matter and it's all about streaming and functorating.
Speaker 1: But yo, like it's like if you don't if you
Speaker 1: don't get your your.
Speaker 2: Song on.
Speaker 1: Radio to do good and you don't get the.
Speaker 3: Visuals on TV, Like TV and radio is like still
Speaker 3: a bitiggas platforms, right, they don't hate the most.
Speaker 1: Don't get it twisted. They's still the biggest platforms.
Speaker 3: So it's like when I had people say that, I'm like, yo,
Speaker 3: it's just you know, eight name is being passed around
Speaker 3: like it's obviously it's a business. And they put and
Speaker 3: they put that out of the old streaming and streaming
Speaker 3: that streaming is cool, but it ain't the same effect.
Speaker 1: It ain't the same.
Speaker 3: It ain't the same respect Like you know what I mean, Like,
Speaker 3: if you can get your record played in New York
Speaker 3: City on the radio, that's a big win.
Speaker 2: Trust me, it's not easy. I'm from New York. These
Speaker 2: DJ niggas did not play me. I'm gonna tell y'all
Speaker 2: every time Jay that song ninety nine problems come on radio,
Speaker 2: don't play my song. If I don't play they show
Speaker 2: he really meant they don't play Bleak song.
Speaker 1: If I don't play that show, I'm gonna rewrite it, y'all.
Speaker 1: We're gonna get the real version of how it's supposed
Speaker 1: to have when you're gonna get Jay back in the studio. Hell, Yo, I.
Speaker 2: Tried, bro, I send this nigga records that nigga hit
Speaker 2: me one day and was like, Yo, Bleak, I'm not no.
Speaker 2: This is a really good record, but I'm not rapping
Speaker 2: on it. I'm cool, I'm not rapping no more. I'm chilling.
Speaker 2: I don't got nothing to say. Maybe you could do it.
Speaker 3: I mean, I'll be trying. I send them some joints too,
Speaker 3: I sent. I sent him some fire to that I
Speaker 3: throw his vibe.
Speaker 1: But he just if I thought the clips was gonna
Speaker 1: get him out the crib. I tried to get him
Speaker 1: out the crib. I told him to you, I said, Yo,
Speaker 1: you ain't gonta do an album, just.
Speaker 2: Do like versus one verse, one verse, but it gotta
Speaker 2: be on one of my joints, one of my thongs,
Speaker 2: nobody else and we could put it on clue tape though, Yo.
Speaker 2: So yeah, when people here DJ clue what you want
Speaker 2: them to associate your name with the contributions you gave.
Speaker 1: To the game.
Speaker 3: I mean, shit, just the obvious man, Like you know
Speaker 3: what I'm saying, Like you know, I mean, we did
Speaker 3: a lot of legendary shit, man.
Speaker 1: So I feel like, you know what I mean, Like
Speaker 1: I feel like.
Speaker 3: We made the mixtape a global thing because it was,
Speaker 3: like you know what I'm saying, the first platinum mixtape album.
Speaker 1: You know what I'm saying, Like you said the tone to.
Speaker 2: Right this nigga won the Mixtape Awards like fifteen years
Speaker 2: in a row.
Speaker 3: They had they had to, they had to actually, like
Speaker 3: you know what I'm saying, like make it seem like
Speaker 3: my ship wasn't doing what we were doing to actually
Speaker 3: let other need DJs through the gate.
Speaker 1: So I mean, I ain't mad at that though. You
Speaker 1: know what I'm saying.
Speaker 2: You paved the way man, and that's a big deal,
Speaker 2: my ge. Beyond the tapes in the radio, what you're
Speaker 2: most proud of creating or building in.
Speaker 3: This well for one that you know, like the production
Speaker 3: side of it, because I think I feel the production
Speaker 3: side was like it was like a level up, you
Speaker 3: know what I'm saying.
Speaker 1: Talk about it something tell them, man, because I know something.
Speaker 2: Well like the Mariah carry Jones like Heartbreaker, Heartbreaker remix,
Speaker 2: talk about it, uh we Belong Together remix with the Locks.
Speaker 2: You know, I'm saying I had a lot of.
Speaker 3: Joint Superwoman little Mo like you know what I'm saying,
Speaker 3: Like there is a lot of records I did, Like
Speaker 3: you know what I'm saying, that's still like you know
Speaker 3: if you could play a record twenty years after you
Speaker 3: did it and it's still rock and still did Yeah,
Speaker 3: you did your thing, Like you know what I'm saying.
Speaker 3: So like you know when I still hear records on
Speaker 3: the radio that like like they play so much you
Speaker 3: with Fab and to me a lot, so like listen,
Speaker 3: I still hear them records on the radio.
Speaker 1: I'm like, damn, that shit still come on. You know,
Speaker 1: I'm in Florida.
Speaker 2: That should come on like it just dropped, right, And
Speaker 2: you know that's that type of that's that type of
Speaker 2: b drop, you know what I mean, that shit come
Speaker 2: on like it just dropped.
Speaker 3: Even like even like with the we Can't Let You
Speaker 3: Go with Fab, like I had just pulled the studio
Speaker 3: because I needed a joint, and I'm like and you know,
Speaker 3: you know how you got to pull up on just
Speaker 3: I just pulled the studio And that's actually when I'm
Speaker 3: at EBAs that day. E bas just playing the guitar
Speaker 3: and just had the drugs playing and he wasn't done.
Speaker 1: I'm like, nig I'm taking it. So I just I
Speaker 1: really like just took the idea.
Speaker 2: I took the files, like I took the guitar and
Speaker 2: took the drump ship and actually took it to the
Speaker 2: studio and me and Daryl put it together and like
Speaker 2: and like, you know, format at it and you know
Speaker 2: what I'm saying, and justin give me no credit, but
Speaker 2: just need my credit, so you know, actually format this
Speaker 2: ship and put it together to make it sound like.
Speaker 1: A real song. And I brought him back to just
Speaker 1: he had it a little more, you know what I'm
Speaker 1: saying stuff to it. And that was crazy.
Speaker 3: Yeah, man, it was one of them things like even
Speaker 3: like but I was I was talking to my boy
Speaker 3: Freedom because we was we went to dinner yesterday and
Speaker 3: we were just talking about music and even make me better.
Speaker 3: So the story with that would make me better. So
Speaker 3: so we had met with Tata. Tata had you know
Speaker 3: the beat with Neo on the hook, I'm like, yeah,
Speaker 3: we need to get fab on that. So but when
Speaker 3: we get fab on, it ships fire. So now I
Speaker 3: got to call Tima on the boy the Beat, because
Speaker 3: first of all, you know, Timbo back then was charging.
Speaker 1: Fifty.
Speaker 3: But I was like, nah, tell my man, he gonna
Speaker 3: he gonna look out. So he was like, so you
Speaker 3: know he charges something regularly, he ain't charge just nohing crazy,
Speaker 3: but the beat, he told me the beat was sold.
Speaker 3: So he sold the Beat to Eve. So yeah, so
Speaker 3: so you know, me and Eve was man cool because
Speaker 3: we was on tour together and you know, like you
Speaker 3: know back then, like we were just starting. So you
Speaker 3: know remember Rockefeller or with death Chair and you couldn't
Speaker 3: even fly first class until you went platting.
Speaker 1: That's right.
Speaker 2: Couldn't get that nice hotel either until he was platting.
Speaker 2: So me and Eve, like we was on tour, we
Speaker 2: was flying coach together. Let me have going back to
Speaker 2: the East coast whatever, So we was man cool. So
Speaker 2: I called her and I'm like, yo, I need to
Speaker 2: high let you when you're gonna be in town.
Speaker 1: So I took it.
Speaker 3: At dinner, we was talking, you know, chopping it up.
Speaker 3: I'm like, y'all got this song. You got the beat
Speaker 3: I need to beat? And she was like, she was like,
Speaker 3: what song is this? I told to Tim and she's
Speaker 3: like damn. She's like I'm like yeah, she's like, yo,
Speaker 3: play with me. So I played it for her and
Speaker 3: she was like, Yo, she is fire.
Speaker 1: You can have it.
Speaker 2: Crazy, that's dope, shout out Eve. She is one of
Speaker 2: the people's man, even real one. So like what the
Speaker 2: next chapter for Clue looked like, Man, what's next? After
Speaker 2: all said and done? Moving to Italy.
Speaker 3: Nah, I just came back. I just came back to
Speaker 3: me doing it. I did a I did a party
Speaker 3: in France. Man, it's good to go back there. France
Speaker 3: did a party for Supreme. You know what we need
Speaker 3: that we need that plug? Plug us got you.
Speaker 1: I gotcha, they gave They gave me cart blanche when
Speaker 1: shopping out there at the store.
Speaker 2: They you know, you got to see the line at
Speaker 2: the Supreme store in Miami. I still in the store,
Speaker 2: crazy down the block.
Speaker 1: That's what I like. I need the plug and I
Speaker 1: got you. I can tap in. That's easy, yo, yo. Yeah,
Speaker 1: not so like ship man, Like you're just trying to
Speaker 1: what I'm saying.
Speaker 3: You know, I got the I got the podcast as
Speaker 3: well with my boy Heineken Backfield, got Dad of course,
Speaker 3: you know what I'm saying.
Speaker 1: Me and Rose got to moving with the bell Air.
Speaker 1: You know what I'm saying. We got ship You involved
Speaker 1: with the bell at too. I ain't know that. Yeah, bro,
Speaker 1: you know snipers out here. I introduced rods to the situation.
Speaker 2: Man, So like you know what I'm saying, silent snipers
Speaker 2: out here watching watch it.
Speaker 1: They on the roof.
Speaker 3: So now so now we got the We got the
Speaker 3: the bell Air. We got Villon, which is the cognac.
Speaker 3: You know what I'm saying. We got DK which is
Speaker 3: the whiskey. We got you know, the MC queen, Violet
Speaker 3: fog Jin.
Speaker 1: So we got We're moving.
Speaker 2: Fucking around you in the Spirits game for real, moveing man.
Speaker 2: That's a nigga clue minati a fucking around man. Well,
Speaker 2: I appreciate you pulling up my guy. Man.
Speaker 1: Word up, man, this is this is This means a
Speaker 1: lot to me.
Speaker 3: Me and Memphis Beat don't have no big say that.
Speaker 2: But I got one question before what we know? Because
Speaker 2: you know j thirty baby, what what you want to
Speaker 2: say to Jay thirty? Man?
Speaker 1: It's thirty years of this ship, Yo jay Yo.
Speaker 3: First of all, Jay Is people don't know he really
Speaker 3: is a funny ass nigga.
Speaker 1: He's tried funny project baby.
Speaker 2: I tried to He the only nigga who will saying no,
Speaker 2: me know and start laughing and let look at you
Speaker 2: in your face while.
Speaker 1: You yeah laugh and tell you damn you mad. I
Speaker 1: said no, Like, yeah, funny nigga.
Speaker 2: He like now he was like, he'd be like he'll
Speaker 2: say no and you think he's joking me, dead ass serious.
Speaker 1: He's like, nah, they give you then.
Speaker 2: Yeah, man, thirty years exactulations, old man, you know I'm
Speaker 2: saying thirty years, like just just to know from I'll
Speaker 2: be telling him like from where we started from to
Speaker 2: where the whole team has got to is it's crazy,
Speaker 2: like from like I remember, Earth bought jade of my
Speaker 2: mom's cribbing queens.
Speaker 1: We make the mixtap back in the basement. So he
Speaker 1: practice for his first show, bro Yo chill words, Chi
Speaker 1: Chi words, and then from that to going on promo
Speaker 1: tour in a mini van y'all.
Speaker 2: I remember, Yeah, it's crazy, bro passenger vans and them
Speaker 2: Turtle was in there for real stealing pillows out the hotel.
Speaker 1: It'll be comfy. The next morning we was riding was
Speaker 1: you was you in Virginia When we went to the
Speaker 1: we did the in store and the limo and they
Speaker 1: brought they did limos. So yeah, so let me tell you.
Speaker 1: Let me tell you how this story. I was there.
Speaker 3: So so we go to Virginia when Jay was dropped
Speaker 3: his first album. He on a promo, whateverever, and we
Speaker 3: go to instore, this store and back then niggas ride
Speaker 3: the limos in New York limo. So so we went
Speaker 3: to the limo for him to go to the in store.
Speaker 3: We leave an in store. They surround the whole car.
Speaker 3: They like when we was leaving, they was jay Z
Speaker 3: jay Z count on the car, boobs.
Speaker 1: Out, putting them on the window.
Speaker 2: Remember, by time we get the hotel and we get
Speaker 2: out and the and the the dude who owns the
Speaker 2: limo look at the car.
Speaker 1: This about him ninety dents and this o his limo
Speaker 1: fucked up. It was not one part of the car
Speaker 1: that had them straight up.
Speaker 2: Someone got up paved with my car. Like I don't
Speaker 2: know who, YO know, but that ship was finished. I
Speaker 2: think that was the if I'm not mistaken. I think
Speaker 2: that was the first day I realized like, oh it
Speaker 2: was real, this ship really real, Like we hear now
Speaker 2: we arrived, Like that's crazy. I forgot you was there
Speaker 2: for that clue she was in these streets, Marvin Man,
Speaker 2: Like I said, Man, I appreciate you coming through. I'm
Speaker 2: gonna definitely pull up to the podcast talk about these
Speaker 2: spirits because you know this.
Speaker 1: Is yeah, yeah, I already know what you whatever, you need,
Speaker 1: what you need. Listen, dude, listen, du dude. You know
Speaker 1: Bret Brett is the family. That's that's like fair, that's
Speaker 1: like this, this is like you know what I'm saying,
Speaker 1: This is like cousins. That's right.
Speaker 2: You know what it is, man, It's rock solid fucking DJ.
Speaker 2: Clue best mixtape DJ in the motherfucking world. And if
Speaker 2: you ain't tap in, you better motherfucking tap in rock solid.
Speaker 1: We here. Yeah.
Speaker 2: For more podcasts from iHeart Radio, visit iHeartRadio app, Apple Podcasts,
Speaker 2: or wherever you listen to your favorite shows at and
Speaker 2: you can follow me on any social media platform under
Speaker 2: the name Memphis Bleach.
Speaker 1: You see anybody fraud and flag the