1
00:00:03,080 --> 00:00:03,960
Speaker 1: So I don't know.

2
00:00:04,720 --> 00:00:09,440
Speaker 2: For me, I'm like, I guess I want to say, like,

3
00:00:09,800 --> 00:00:13,480
Speaker 2: if I knew everyone was gonna be this mad, I

4
00:00:13,520 --> 00:00:18,360
Speaker 2: wouldn't have gone. But then I go, it was a

5
00:00:18,480 --> 00:00:20,640
Speaker 2: chance to be in space with my five best friends,

6
00:00:22,480 --> 00:00:25,040
Speaker 2: and like, when is that going to come around again?

7
00:00:25,120 --> 00:00:28,600
Speaker 1: And are people really mad or are they just fucking jealous?

8
00:00:29,200 --> 00:00:30,880
Speaker 1: Like they're jealous.

9
00:00:31,200 --> 00:00:34,199
Speaker 2: I think they have as I slayed, well because I

10
00:00:34,320 --> 00:00:36,800
Speaker 2: slayed in space for the first time and no one

11
00:00:36,840 --> 00:00:37,440
Speaker 2: has done that.

12
00:00:37,560 --> 00:00:40,240
Speaker 3: And now all of a sudden, I'm the villain something.

13
00:00:40,320 --> 00:00:42,800
Speaker 3: I just from seeing how people talk about it. I'm

14
00:00:42,840 --> 00:00:45,320
Speaker 3: reading some of these comments and I actually think they

15
00:00:45,360 --> 00:00:47,120
Speaker 3: have never been to space.

16
00:00:47,640 --> 00:00:51,479
Speaker 2: That is just it, and I'm not allowed to say it.

17
00:00:52,000 --> 00:00:54,200
Speaker 2: I'm not allowed to say it. It's like, that's my privilege.

18
00:00:54,200 --> 00:00:56,840
Speaker 2: All of a sudden, it's a privilege to slay. It's

19
00:00:56,840 --> 00:00:59,720
Speaker 2: like that's available to you if you actually just fucking

20
00:00:59,760 --> 00:01:00,480
Speaker 2: put the time.

21
00:01:00,560 --> 00:01:04,720
Speaker 4: And I just love that that. In that capsule were

22
00:01:05,640 --> 00:01:10,720
Speaker 4: like six of my favorites in their field. Katy Perry,

23
00:01:10,959 --> 00:01:18,400
Speaker 4: my favorite singer, Gail King, favorite talk show host, favorite wife.

24
00:01:18,200 --> 00:01:21,120
Speaker 1: Favorite, the best wife of bab.

25
00:01:22,920 --> 00:01:25,360
Speaker 4: Yeah, I don't like her, but and the other three ladies,

26
00:01:25,400 --> 00:01:28,040
Speaker 4: I don't know, but I'm sure they're my favorite.

27
00:01:28,080 --> 00:01:32,000
Speaker 2: All of them rock and whatever they're doing, and the

28
00:01:32,200 --> 00:01:37,160
Speaker 2: vibe was so fucking good the photos. Yeah yeah, I

29
00:01:37,200 --> 00:01:40,040
Speaker 2: think like they're all really tall.

30
00:01:41,000 --> 00:01:42,000
Speaker 5: So I'm in the back.

31
00:01:42,200 --> 00:01:44,800
Speaker 2: I kind of got my hands on the small of

32
00:01:44,959 --> 00:01:49,520
Speaker 2: each of their backs, just kind of rested light fingers

33
00:01:49,560 --> 00:01:52,040
Speaker 2: like spider spider push up fingers, you know what I mean.

34
00:01:52,080 --> 00:01:54,160
Speaker 1: I'm not getting a full palm in there because I'm

35
00:01:54,160 --> 00:01:57,360
Speaker 1: a married man as well. Yeah you know, but I

36
00:01:57,440 --> 00:01:58,040
Speaker 1: but I am.

37
00:01:58,360 --> 00:02:02,480
Speaker 2: I'm sort of tickling just you know, beneath their shoulder

38
00:02:02,520 --> 00:02:05,800
Speaker 2: blades and just kind of like making them feel supported

39
00:02:05,880 --> 00:02:08,560
Speaker 2: because it was I wanted them in front because it

40
00:02:08,639 --> 00:02:12,880
Speaker 2: is about women in space, which has been an issue

41
00:02:13,280 --> 00:02:17,160
Speaker 2: for our country. We can face it now. We we

42
00:02:17,240 --> 00:02:22,160
Speaker 2: haven't put that many in there, but only like but

43
00:02:22,280 --> 00:02:23,560
Speaker 2: to be safe.

44
00:02:23,320 --> 00:02:25,040
Speaker 1: Like yeah, we're gonna have a guy up there too,

45
00:02:25,240 --> 00:02:26,440
Speaker 1: you know what I mean, We're gonna.

46
00:02:26,760 --> 00:02:30,560
Speaker 4: Up there and heywire ladies don't work.

47
00:02:30,880 --> 00:02:32,160
Speaker 1: The thing breaks.

48
00:02:32,160 --> 00:02:34,200
Speaker 2: You got to move the thing, you know what I mean,

49
00:02:34,440 --> 00:02:37,800
Speaker 2: or the wheel like it's like just like to be careful,

50
00:02:38,520 --> 00:02:38,760
Speaker 2: you know.

51
00:02:38,960 --> 00:02:41,799
Speaker 1: And so I'm not a story but it was fun.

52
00:02:41,880 --> 00:02:42,680
Speaker 1: It was fun.

53
00:02:43,080 --> 00:02:46,000
Speaker 4: I'm glad you are you made it back safely, although

54
00:02:46,040 --> 00:02:50,600
Speaker 4: I did think we were robbed of probably the funniest

55
00:02:50,639 --> 00:02:54,640
Speaker 4: news story ever if the capsule just got lost into space.

56
00:02:54,880 --> 00:02:59,799
Speaker 3: Not yes, thank you, Yes, people, I don't want to

57
00:02:59,800 --> 00:03:03,120
Speaker 3: watch that horrible we just can't.

58
00:03:02,880 --> 00:03:07,359
Speaker 5: Find just got lost. No, they have a credible adventure.

59
00:03:08,200 --> 00:03:12,000
Speaker 4: Yes, we could have been on day four, wolf Blitzer

60
00:03:12,040 --> 00:03:16,360
Speaker 4: being like, still no contact with the capsule. Uh, you know,

61
00:03:16,840 --> 00:03:19,560
Speaker 4: the oxygen levels are seemed to be fine, and they

62
00:03:19,600 --> 00:03:22,320
Speaker 4: had enough food for a while, but we expect of

63
00:03:22,639 --> 00:03:24,160
Speaker 4: losing full contact.

64
00:03:24,720 --> 00:03:27,760
Speaker 3: Time is passing differently for them than it is for us.

65
00:03:27,800 --> 00:03:33,880
Speaker 3: They in two million years aged one hour.

66
00:03:34,080 --> 00:03:36,640
Speaker 2: We joked about that up there, and I was going,

67
00:03:36,840 --> 00:03:39,280
Speaker 2: They weren't laughing, but I kept going. Everybody else getting

68
00:03:39,280 --> 00:03:44,720
Speaker 2: Titanic submersible vibes.

69
00:03:45,280 --> 00:03:50,400
Speaker 4: Ladies says, anyone's seen the film Event Horizon. But I'm

70
00:03:50,400 --> 00:03:52,400
Speaker 4: glad you guys are back safely, and I'm glad you

71
00:03:52,440 --> 00:03:54,080
Speaker 4: got to spend a little time with your girls.

72
00:03:54,840 --> 00:03:59,240
Speaker 2: Yeah, it's just like, I don't know, the media doesn't

73
00:03:59,240 --> 00:04:03,480
Speaker 2: always portray like, yeah, it was eleven minutes of bliss.

74
00:04:03,520 --> 00:04:05,840
Speaker 1: We laughed so much of bet.

75
00:04:05,880 --> 00:04:09,200
Speaker 2: Like they don't really show and it's just it's for

76
00:04:09,280 --> 00:04:12,120
Speaker 2: science and it's for you know, progress, and it's for

77
00:04:12,240 --> 00:04:17,360
Speaker 2: gender but it's but it's it's also they're just funny katies.

78
00:04:17,960 --> 00:04:22,479
Speaker 1: So she's funny, hilarious, She's so funny.

79
00:04:22,760 --> 00:04:25,520
Speaker 2: Her music videos actually sometimes will have a little bit

80
00:04:25,560 --> 00:04:27,000
Speaker 2: of a comedic bent, and.

81
00:04:26,880 --> 00:04:29,719
Speaker 1: It's like some of her personality.

82
00:04:29,440 --> 00:04:31,640
Speaker 4: You mean, like a lot of a comedic bent, right,

83
00:04:31,839 --> 00:04:35,080
Speaker 4: like nose.

84
00:04:33,680 --> 00:04:37,279
Speaker 2: Of course, but but I you know how like that's

85
00:04:37,320 --> 00:04:40,520
Speaker 2: also packaged in a way that like everyone's gonna get it,

86
00:04:40,600 --> 00:04:46,839
Speaker 2: but how out there and like subversive and avant garde

87
00:04:47,560 --> 00:04:48,280
Speaker 2: can be not.

88
00:04:48,320 --> 00:04:51,640
Speaker 5: Just kissing a girl but act like particularly you actually.

89
00:04:51,320 --> 00:04:55,080
Speaker 2: Like pretending to enjoy it. Yes, and she's you've done that.

90
00:04:55,200 --> 00:04:58,479
Speaker 2: It's like, no, you didn't, well.

91
00:04:58,360 --> 00:05:00,839
Speaker 1: You did not, you did not like that.

92
00:05:00,839 --> 00:05:01,520
Speaker 5: That is so.

93
00:05:03,880 --> 00:05:06,960
Speaker 4: Hilarious. And be married to Russell Brandt, like if you're.

94
00:05:06,920 --> 00:05:09,000
Speaker 5: That's just like you're gonna pick up something.

95
00:05:09,080 --> 00:05:11,560
Speaker 1: She's the funny one. She was the funny She was

96
00:05:11,560 --> 00:05:12,160
Speaker 1: the funny one.

97
00:05:12,200 --> 00:05:13,920
Speaker 2: If you went to dinner with them, you would walk

98
00:05:13,920 --> 00:05:18,600
Speaker 2: away laughing at her even funnier than him.

99
00:05:19,240 --> 00:05:22,120
Speaker 4: Number two funniest couple of all time Jerry Stiller and

100
00:05:22,200 --> 00:05:25,000
Speaker 4: and Mira number one, Katie Perry Russell Brand.

101
00:05:25,360 --> 00:05:30,440
Speaker 2: That was so yes, that was so fun to be

102
00:05:30,680 --> 00:05:32,440
Speaker 2: hanging out and laughing.

103
00:05:32,360 --> 00:05:33,760
Speaker 5: And like they're still friends.

104
00:05:34,080 --> 00:05:35,960
Speaker 3: Like I don't know if this happened, but I kind

105
00:05:35,960 --> 00:05:37,640
Speaker 3: of heard that, like they're still close enough that he

106
00:05:37,760 --> 00:05:39,280
Speaker 3: was like, Oh, if you can sneak me up there

107
00:05:39,279 --> 00:05:43,640
Speaker 3: a bit so I could get way, we can get Schwalker's.

108
00:05:43,120 --> 00:05:47,120
Speaker 5: Skype, be a forward Diace skype into Powell.

109
00:05:47,760 --> 00:05:49,000
Speaker 1: I didn't see anything.

110
00:05:49,640 --> 00:05:50,680
Speaker 5: I didn't see anything.

111
00:05:50,800 --> 00:05:54,920
Speaker 4: Yeah, sits with the get Space Love.

112
00:05:55,640 --> 00:06:05,480
Speaker 6: Did space falce happen? Want to meet you to General

113
00:06:05,600 --> 00:06:08,840
Speaker 6: Mark Ned? Is Mark ned gonna nib me?

114
00:06:10,560 --> 00:06:10,920
Speaker 4: Fucker?

115
00:06:12,040 --> 00:06:13,599
Speaker 1: General Mark Nerd.

116
00:06:13,960 --> 00:06:17,479
Speaker 2: Arrested Russell Brand after he slipped out the side of

117
00:06:17,480 --> 00:06:18,760
Speaker 2: the blue Origin chip.

118
00:06:19,720 --> 00:06:20,960
Speaker 5: That's we got I.

119
00:06:20,920 --> 00:06:24,039
Speaker 2: Got a season three at that point, Oh my god,

120
00:06:24,160 --> 00:06:25,680
Speaker 2: we have no choice.

121
00:06:26,000 --> 00:06:27,200
Speaker 5: Ike called Greg D.

122
00:06:29,120 --> 00:06:33,000
Speaker 1: Go him, call the man.

123
00:06:33,760 --> 00:06:34,360
Speaker 5: He's running.

124
00:06:34,360 --> 00:06:35,920
Speaker 3: We got a new office. We don't got a new

125
00:06:35,920 --> 00:06:42,320
Speaker 3: Space Force. He lives in the studio. Ike Barnholtz, the

126
00:06:42,440 --> 00:06:47,000
Speaker 3: damn the credits. I'm getting caught in an avalanche.

127
00:06:47,160 --> 00:06:51,440
Speaker 1: I talk about your character on the studio. Tell me

128
00:06:51,440 --> 00:06:53,400
Speaker 1: a little bit about who he is. He's a little

129
00:06:53,400 --> 00:06:55,120
Speaker 1: bit of a scamp. But I don't want to put

130
00:06:55,120 --> 00:06:56,960
Speaker 1: words in your mouth, but he's a little bit.

131
00:06:58,279 --> 00:06:59,680
Speaker 4: This guy is freaking epic.

132
00:06:59,800 --> 00:07:03,120
Speaker 2: He's a business professional, but there's also like a little

133
00:07:03,160 --> 00:07:08,200
Speaker 2: bit of like a a mischievous bent.

134
00:07:09,000 --> 00:07:09,160
Speaker 3: Well.

135
00:07:09,240 --> 00:07:11,360
Speaker 4: I don't know if his business is show business or

136
00:07:11,400 --> 00:07:14,120
Speaker 4: monkey business, but this guy is all about the business.

137
00:07:14,760 --> 00:07:17,880
Speaker 5: He said, you came up with it.

138
00:07:19,240 --> 00:07:21,160
Speaker 4: It's just a guy who, quite frankly, should have been

139
00:07:21,200 --> 00:07:23,840
Speaker 4: freaking canceled for whatever the heck's going on in his

140
00:07:23,840 --> 00:07:24,920
Speaker 4: head a long time ago.

141
00:07:24,960 --> 00:07:27,840
Speaker 5: I know these guys are real.

142
00:07:28,160 --> 00:07:30,520
Speaker 3: Some of them are actually a little weird. They're out

143
00:07:30,520 --> 00:07:32,360
Speaker 3: here running around getting into scrapes.

144
00:07:33,320 --> 00:07:36,280
Speaker 4: Yeah, and I mean he will say whatever the heck

145
00:07:36,360 --> 00:07:39,640
Speaker 4: he wants. He doesn't care. But he's also got heart.

146
00:07:40,280 --> 00:07:41,040
Speaker 4: He got heart.

147
00:07:41,160 --> 00:07:43,400
Speaker 1: He left your filter at home when you went to

148
00:07:43,720 --> 00:07:44,360
Speaker 1: this one.

149
00:07:46,360 --> 00:07:48,360
Speaker 4: Filter go back by a long time ago.

150
00:07:48,760 --> 00:07:49,560
Speaker 5: No, no, no, no.

151
00:07:49,920 --> 00:07:52,679
Speaker 3: Yeah, yeah, no, honey, he's at your wife calls from him. Honey,

152
00:07:52,680 --> 00:07:55,160
Speaker 3: you're filter sitting on the on the kitchen counter.

153
00:07:55,280 --> 00:07:56,120
Speaker 5: That's my design.

154
00:07:57,720 --> 00:08:01,000
Speaker 4: In fact, don't fatch it. Throw out, you dang bitch.

155
00:08:01,920 --> 00:08:02,880
Speaker 4: That's the kind of stuff.

156
00:08:03,040 --> 00:08:05,240
Speaker 2: Yeah, when you put it on you wouldn't say that,

157
00:08:05,320 --> 00:08:07,280
Speaker 2: but when you have it off, you would you would

158
00:08:07,280 --> 00:08:08,200
Speaker 2: call your wife that.

159
00:08:09,160 --> 00:08:11,480
Speaker 4: Yeah, no, but yeah, and we we have a really

160
00:08:11,520 --> 00:08:12,400
Speaker 4: good relationship.

161
00:08:12,440 --> 00:08:14,440
Speaker 3: I'm already at work when I'm in the car, I'm

162
00:08:14,480 --> 00:08:15,320
Speaker 3: already at work.

163
00:08:16,000 --> 00:08:17,200
Speaker 5: I'm portal to portal.

164
00:08:20,320 --> 00:08:24,480
Speaker 4: But in reality, he is a guy who there used

165
00:08:24,480 --> 00:08:26,800
Speaker 4: to be a lot of guys like him in this town.

166
00:08:27,080 --> 00:08:28,640
Speaker 1: What's his name, John or something?

167
00:08:29,400 --> 00:08:34,040
Speaker 4: Sal Salastine. Yes, he's the grandson of Abe Sapristeine, the

168
00:08:34,080 --> 00:08:38,640
Speaker 4: founder of the harle Hamld. Yeah, but there was there

169
00:08:38,720 --> 00:08:41,800
Speaker 4: was a bunch of town this time used to be

170
00:08:41,880 --> 00:08:44,880
Speaker 4: run by guys like Sal and they all got thrown

171
00:08:44,920 --> 00:08:47,880
Speaker 4: out and kicked out. But that was what Hollywood actually

172
00:08:47,920 --> 00:08:48,440
Speaker 4: made ship.

173
00:08:48,600 --> 00:08:52,520
Speaker 1: So yeah, he is a marginalized voice.

174
00:08:53,440 --> 00:08:55,640
Speaker 4: Oh there's not a lot of guys like him anymore

175
00:08:55,679 --> 00:08:58,320
Speaker 4: running around.

176
00:08:57,600 --> 00:08:59,440
Speaker 5: Heard endangered species.

177
00:09:00,520 --> 00:09:03,840
Speaker 4: Yeah yeah, and people are trying to hunt him and

178
00:09:04,040 --> 00:09:05,120
Speaker 4: he's not gonna let him.

179
00:09:05,160 --> 00:09:07,720
Speaker 5: And the show is the kind of horny like species as well.

180
00:09:07,800 --> 00:09:11,040
Speaker 2: You ever see that speci species was having some species.

181
00:09:11,600 --> 00:09:14,800
Speaker 4: I was fully sprung when I saw species. I remember

182
00:09:14,920 --> 00:09:17,600
Speaker 4: like at that time being like even though I know

183
00:09:17,679 --> 00:09:21,760
Speaker 4: it would almost certainly lead to my gruesome death. I'd

184
00:09:21,840 --> 00:09:22,440
Speaker 4: hit that ship.

185
00:09:23,040 --> 00:09:26,240
Speaker 2: I remember, yes, I remember having that exact thought while

186
00:09:26,400 --> 00:09:30,800
Speaker 2: masturbating when I was watching the film. I remember being

187
00:09:31,200 --> 00:09:33,960
Speaker 2: at that time I didn't need hims by the way

188
00:09:34,440 --> 00:09:36,280
Speaker 2: use hymns everyone.

189
00:09:36,800 --> 00:09:41,320
Speaker 1: But at that time, uh it was.

190
00:09:41,320 --> 00:09:45,720
Speaker 3: It was again species, Yes, because like hymns would never

191
00:09:45,800 --> 00:09:46,880
Speaker 3: let species come back.

192
00:09:46,920 --> 00:09:49,920
Speaker 2: Now they can't make a new species because the hymns

193
00:09:49,920 --> 00:09:54,880
Speaker 2: industry is so powerful now and has such influence on

194
00:09:55,000 --> 00:09:58,240
Speaker 2: the content, because you wouldn't No one would be using

195
00:09:58,360 --> 00:09:59,920
Speaker 2: hymns of species was in theater.

196
00:10:00,760 --> 00:10:03,719
Speaker 4: No, no, no, no, that's not happening. Also, hymns real

197
00:10:03,840 --> 00:10:06,520
Speaker 4: quick about hymns. They say it's it's free, you know

198
00:10:07,480 --> 00:10:12,560
Speaker 4: you're a boner. But it's also hair loss. And I've

199
00:10:12,640 --> 00:10:15,760
Speaker 4: since I've been taking it, I don't know what's going on,

200
00:10:15,840 --> 00:10:20,800
Speaker 4: but my actual penis has become taste in hair in.

201
00:10:22,200 --> 00:10:24,160
Speaker 5: It's not just it's not just.

202
00:10:24,240 --> 00:10:29,120
Speaker 2: Growing, No, it's the root doesn't appear to be in there.

203
00:10:29,920 --> 00:10:31,040
Speaker 4: You can't see.

204
00:10:30,840 --> 00:10:33,800
Speaker 1: It's actually yes, it's actually a cover.

205
00:10:33,840 --> 00:10:36,280
Speaker 5: And your hair it's like a koozy and your hair

206
00:10:36,400 --> 00:10:37,959
Speaker 5: is getting boned down.

207
00:10:38,520 --> 00:10:41,760
Speaker 4: It's straight, it's straight up. I put some relaxer in it,

208
00:10:41,800 --> 00:10:43,840
Speaker 4: so it's dropped, but it's like it's it's like done

209
00:10:43,880 --> 00:10:46,160
Speaker 4: the opposite thing. It's supposed to make my penis hard

210
00:10:46,520 --> 00:10:49,319
Speaker 4: and my hair full, and it's made my penis full

211
00:10:49,480 --> 00:10:52,680
Speaker 4: and my hair rock hard normally. So I don't know

212
00:10:52,679 --> 00:10:53,679
Speaker 4: who to talk to you about that.

213
00:10:55,080 --> 00:10:59,880
Speaker 3: They have doctors that you can text from hymns. Yes,

214
00:11:00,200 --> 00:11:03,560
Speaker 3: oh yeah, they have the best text doctors in the

215
00:11:03,720 --> 00:11:08,640
Speaker 3: entire Their text game is so on point.

216
00:11:09,000 --> 00:11:11,480
Speaker 4: And it's the what I like about it in Mojo, it's.

217
00:11:11,320 --> 00:11:12,240
Speaker 1: A chat, you know.

218
00:11:12,480 --> 00:11:14,840
Speaker 2: I think it's called a chat because it's it is

219
00:11:14,960 --> 00:11:17,760
Speaker 2: like talking to your friends, even though they're professional doctors.

220
00:11:18,120 --> 00:11:19,920
Speaker 1: Yeah, kind of like just hanging out with your friends.

221
00:11:20,520 --> 00:11:23,960
Speaker 4: And they're definitely real doctors. It's not like a man

222
00:11:24,040 --> 00:11:30,280
Speaker 4: running an AI out of a center in Bangalore. It's yeah,

223
00:11:30,320 --> 00:11:32,680
Speaker 4: it's the doctor in this country who I feel like

224
00:11:32,760 --> 00:11:33,240
Speaker 4: is a bro.

225
00:11:33,440 --> 00:11:37,720
Speaker 2: It's a good old fashioned American doctor.

226
00:11:39,000 --> 00:11:41,800
Speaker 4: What happened to those guys? What happened to them? Bring

227
00:11:41,840 --> 00:11:42,600
Speaker 4: those guys back?

228
00:11:43,280 --> 00:11:46,440
Speaker 1: What I say, we're getting them back?

229
00:11:51,600 --> 00:11:53,080
Speaker 5: Are those a meta? Ray bands?

230
00:11:55,080 --> 00:11:55,760
Speaker 4: These right here?

231
00:11:55,880 --> 00:11:56,559
Speaker 5: Yeah?

232
00:11:56,800 --> 00:11:58,600
Speaker 4: No, no, no no, But it's funny you said that

233
00:11:58,640 --> 00:12:00,559
Speaker 4: because I got ray bands right here and I think

234
00:12:00,600 --> 00:12:02,480
Speaker 4: I might kick this up a little not right now?

235
00:12:03,480 --> 00:12:07,640
Speaker 2: Wow, Now we're podcasting, okay, and this and this, and

236
00:12:07,800 --> 00:12:10,880
Speaker 2: now I might be talking to Sal rather than.

237
00:12:11,760 --> 00:12:13,560
Speaker 4: Uh, now this you want to talk to Sell? Let

238
00:12:13,559 --> 00:12:14,240
Speaker 4: me see if he's here.

239
00:12:14,280 --> 00:12:16,160
Speaker 1: Hold on one second, can you get him for me?

240
00:12:19,240 --> 00:12:19,840
Speaker 4: You got Sal?

241
00:12:20,520 --> 00:12:25,319
Speaker 1: Wow? Whoa like? I'm inside the studio?

242
00:12:25,480 --> 00:12:26,400
Speaker 5: What would your like?

243
00:12:26,440 --> 00:12:30,199
Speaker 2: I'm a Continental Pictures trying to pitch my movie.

244
00:12:30,280 --> 00:12:32,280
Speaker 4: If I was a pilot at Top Gun. But would

245
00:12:32,360 --> 00:12:34,080
Speaker 4: my my Top Gun name be?

246
00:12:34,320 --> 00:12:34,680
Speaker 5: Yeah?

247
00:12:35,640 --> 00:12:41,800
Speaker 4: Giggles, giggs, giggles, he's too far left, break left, giggles.

248
00:12:42,920 --> 00:12:45,280
Speaker 4: You got it, and I'll give a little and he'd

249
00:12:45,320 --> 00:12:46,640
Speaker 4: be always a little.

250
00:12:46,400 --> 00:12:49,840
Speaker 2: Laugh because it's it's funny to you that we're it's

251
00:12:49,840 --> 00:12:51,440
Speaker 2: so dangerous.

252
00:12:50,920 --> 00:12:53,960
Speaker 4: All the names they all represent, like Maverick is always

253
00:12:54,440 --> 00:12:58,440
Speaker 4: not playing by his own rules. Icelanders. He was so

254
00:12:58,640 --> 00:13:02,120
Speaker 4: cold to the touch his hand, he would almost burn

255
00:13:02,160 --> 00:13:02,640
Speaker 4: your hand.

256
00:13:02,840 --> 00:13:05,760
Speaker 5: Goose's poop is white, goose.

257
00:13:05,520 --> 00:13:09,120
Speaker 4: Is poop is white, goose poop is white.

258
00:13:09,240 --> 00:13:11,640
Speaker 3: He will actually fuck you up if you get close

259
00:13:11,720 --> 00:13:13,640
Speaker 3: to his young Yeah.

260
00:13:13,520 --> 00:13:16,480
Speaker 4: Yeah, no, he's very protective. Merlin was always doing little

261
00:13:16,960 --> 00:13:19,600
Speaker 4: slight of hand close up magic and then the jet

262
00:13:19,679 --> 00:13:21,240
Speaker 4: you never could see, and they cut a lot of that.

263
00:13:22,520 --> 00:13:30,200
Speaker 4: Uh gesture would kind of uh he would hockey and stuff,

264
00:13:30,600 --> 00:13:31,640
Speaker 4: but they all all their.

265
00:13:31,600 --> 00:13:32,800
Speaker 5: Nails are in his helmet.

266
00:13:33,440 --> 00:13:35,400
Speaker 4: Oh yeah, yeah, he was like a court gesture.

267
00:13:36,040 --> 00:13:38,960
Speaker 5: They all was okay, he was a cordjester.

268
00:13:39,200 --> 00:13:44,360
Speaker 3: Okay, yeah, yeah yeah. I looked at those meta ray bands.

269
00:13:45,440 --> 00:13:48,200
Speaker 3: First of all, I put him on, and I'm like,

270
00:13:48,280 --> 00:13:50,959
Speaker 3: this is normal to me. And then they're like, oh,

271
00:13:51,000 --> 00:13:54,760
Speaker 3: I guess your reality is already naturally augmented, which I

272
00:13:54,840 --> 00:13:59,880
Speaker 3: never knew. Right, I am identifying all the like birds

273
00:13:59,880 --> 00:14:02,680
Speaker 3: and bugs and plants that I'm seeing, and like my

274
00:14:02,800 --> 00:14:06,400
Speaker 3: brain does give me like a readout for what they

275
00:14:06,400 --> 00:14:06,720
Speaker 3: each are.

276
00:14:06,840 --> 00:14:08,600
Speaker 5: I didn't know that no one else could see that.

277
00:14:09,800 --> 00:14:10,880
Speaker 1: I wouldn't say no one else.

278
00:14:11,440 --> 00:14:13,760
Speaker 4: So is it like you have like the Terminator vision

279
00:14:13,840 --> 00:14:15,240
Speaker 4: and it's like you look at a bird and it's

280
00:14:15,240 --> 00:14:16,480
Speaker 4: like do not kill this?

281
00:14:16,559 --> 00:14:18,559
Speaker 5: Is it gives me a threat level for sure?

282
00:14:18,800 --> 00:14:21,720
Speaker 4: Yea yeah yeah.

283
00:14:21,760 --> 00:14:26,040
Speaker 3: But then I so it does have tactical apps, and

284
00:14:26,080 --> 00:14:28,840
Speaker 3: so I'm like, okay, this is interesting, Okay talk to

285
00:14:28,880 --> 00:14:34,920
Speaker 3: me like I can't like my six is completely exposed

286
00:14:34,960 --> 00:14:37,320
Speaker 3: at all times, and it also like I need a

287
00:14:37,360 --> 00:14:39,720
Speaker 3: lot of time to turn around if my six is

288
00:14:40,600 --> 00:14:42,400
Speaker 3: uh is threatened.

289
00:14:43,280 --> 00:14:44,640
Speaker 4: Yeah, you have a wide gate.

290
00:14:44,840 --> 00:14:48,640
Speaker 3: Yeah, and so they have apps. Yeah, yeah, I have

291
00:14:48,720 --> 00:14:50,480
Speaker 3: to do like a big turn.

292
00:14:50,640 --> 00:14:52,360
Speaker 1: It's like it's like a walk all the way around

293
00:14:52,360 --> 00:14:52,720
Speaker 1: the room.

294
00:14:52,800 --> 00:14:56,920
Speaker 5: It's like at nine point for me to get all you.

295
00:14:56,840 --> 00:14:59,840
Speaker 1: Have to go outside the room to actually get turned around.

296
00:15:00,120 --> 00:15:03,360
Speaker 4: Yes, it's bad op sect, that's bad op set. It's

297
00:15:03,400 --> 00:15:04,680
Speaker 4: it's it's dangerous.

298
00:15:04,880 --> 00:15:06,600
Speaker 5: And so you the apps.

299
00:15:06,640 --> 00:15:10,560
Speaker 3: I just have to wear like a big backpack with

300
00:15:10,720 --> 00:15:14,280
Speaker 3: a that like connects with a hose to the glasses

301
00:15:14,320 --> 00:15:16,440
Speaker 3: and it and and it gives me my six and

302
00:15:16,440 --> 00:15:19,680
Speaker 3: it and if someone is behind me and they're holding anything,

303
00:15:20,920 --> 00:15:23,240
Speaker 3: or if there's a car behind me or something, they'll

304
00:15:23,280 --> 00:15:25,560
Speaker 3: be like watch your six Ranger and then I can

305
00:15:26,440 --> 00:15:27,480
Speaker 3: start to turn around.

306
00:15:28,000 --> 00:15:31,680
Speaker 4: Can you use the glasses in the metaverse? Because I'm

307
00:15:31,680 --> 00:15:34,520
Speaker 4: constantly in the metaverse, I don't know if y'all are.

308
00:15:34,480 --> 00:15:37,520
Speaker 2: That that was actually but yeah, that was that was

309
00:15:37,600 --> 00:15:41,120
Speaker 2: what turned me off. And I haven't gotten a straight answer.

310
00:15:41,240 --> 00:15:44,680
Speaker 2: Is like, well, I'm already in the metaverse. Are the glasses.

311
00:15:44,680 --> 00:15:46,080
Speaker 1: Only you know?

312
00:15:46,200 --> 00:15:49,080
Speaker 2: Are they only available to me? In what I guess

313
00:15:49,160 --> 00:15:53,600
Speaker 2: other people think of as the main reality right right right,

314
00:15:56,240 --> 00:15:59,480
Speaker 2: because I don't want to wear them if it means

315
00:15:59,480 --> 00:16:02,479
Speaker 2: that I have to spend one second less in the metaverse.

316
00:16:03,120 --> 00:16:03,920
Speaker 1: I tried him on.

317
00:16:03,920 --> 00:16:06,640
Speaker 2: As well, and I started like I was just looking

318
00:16:06,680 --> 00:16:09,000
Speaker 2: at stuff and going like that's a brick, you know,

319
00:16:09,120 --> 00:16:10,960
Speaker 2: like that's a take, like and it was like it

320
00:16:11,040 --> 00:16:13,520
Speaker 2: was awesome, Like it was so fast, and I was

321
00:16:13,560 --> 00:16:17,240
Speaker 2: like and people were like freaking out how smart it was.

322
00:16:17,520 --> 00:16:19,080
Speaker 2: And then all of a sudden, one of the salespeople

323
00:16:19,080 --> 00:16:21,520
Speaker 2: you never think, go, oh wait, maybe we should turn

324
00:16:21,560 --> 00:16:25,920
Speaker 2: them on, and that's when they knew that's you know,

325
00:16:26,480 --> 00:16:30,000
Speaker 2: this guy is identifying objects material.

326
00:16:31,200 --> 00:16:35,160
Speaker 3: Yeah, like just like use his vision for the glasses now.

327
00:16:35,880 --> 00:16:37,960
Speaker 2: And I don't have to terminateor read out. I don't

328
00:16:37,960 --> 00:16:43,280
Speaker 2: have that, Like it's not tactical. It's all like, just

329
00:16:43,600 --> 00:16:46,560
Speaker 2: have you thought about this? Like I this is like, god,

330
00:16:46,600 --> 00:16:49,640
Speaker 2: this is so off topic, but I almost want to

331
00:16:49,680 --> 00:16:52,520
Speaker 2: talk about it, even though it's what what's that cup?

332
00:16:54,320 --> 00:16:54,480
Speaker 6: Oh?

333
00:16:54,560 --> 00:16:57,400
Speaker 4: This right here? This cup right here? The world card two?

334
00:16:57,960 --> 00:17:00,880
Speaker 5: And you see how he saw that.

335
00:17:00,440 --> 00:17:04,080
Speaker 2: I knew it was a cup without even and not

336
00:17:04,119 --> 00:17:05,760
Speaker 2: everyone will watch the video of this, but I knew

337
00:17:05,760 --> 00:17:07,400
Speaker 2: it was a cup without even having to.

338
00:17:07,359 --> 00:17:10,840
Speaker 4: Be told so that is that is incredible.

339
00:17:11,240 --> 00:17:15,720
Speaker 3: How did you get now to like how did you

340
00:17:15,760 --> 00:17:18,320
Speaker 3: put him in his place? I guess we're working on that,

341
00:17:18,480 --> 00:17:20,520
Speaker 3: Like how do you communicate to someone like that to

342
00:17:20,640 --> 00:17:21,920
Speaker 3: like shut the upc off?

343
00:17:21,960 --> 00:17:22,120
Speaker 5: Yeah?

344
00:17:22,160 --> 00:17:24,679
Speaker 1: How do you really stomp on his bones?

345
00:17:25,240 --> 00:17:28,239
Speaker 4: It's tough. It's tough because you you, you really do

346
00:17:28,320 --> 00:17:31,800
Speaker 4: idolize someone and they're like a hero to you.

347
00:17:32,080 --> 00:17:35,600
Speaker 1: And but you need to keep status alpha status of.

348
00:17:35,520 --> 00:17:40,120
Speaker 4: Course, of course, but you want to be respectful Thos

349
00:17:40,160 --> 00:17:42,480
Speaker 4: a World War two veteran we're talking about.

350
00:17:42,600 --> 00:17:44,560
Speaker 1: But you want to fuck him up, You want to fucking.

351
00:17:44,480 --> 00:17:46,960
Speaker 4: Well, I just wanted to know that you're You're not

352
00:17:47,200 --> 00:17:51,639
Speaker 4: the boss now, okay. And so what I would do is,

353
00:17:51,680 --> 00:17:55,399
Speaker 4: like if we're if there's a moment where mel is

354
00:17:55,480 --> 00:17:59,920
Speaker 4: kind of telling a story about him and Carl Reiner

355
00:18:00,240 --> 00:18:07,040
Speaker 4: and Neil Simon, I know, and and it's like it's

356
00:18:07,080 --> 00:18:09,200
Speaker 4: I can see all the other people on zoom are listening,

357
00:18:09,359 --> 00:18:12,320
Speaker 4: and and they're they're really making it look like he's

358
00:18:12,320 --> 00:18:17,520
Speaker 4: telling an amazing, sweet, beautiful story. But I can't let

359
00:18:17,520 --> 00:18:19,480
Speaker 4: it happen. So what I would do is I would

360
00:18:19,520 --> 00:18:22,280
Speaker 4: just I would just kind of mute him his box

361
00:18:23,119 --> 00:18:26,480
Speaker 4: and I would just keep pitching we can sketch it. Yeah,

362
00:18:26,840 --> 00:18:29,359
Speaker 4: so he was like then Neil Simon looked at me,

363
00:18:29,560 --> 00:18:32,080
Speaker 4: and I'll never forget what he said. And I'd be like,

364
00:18:32,080 --> 00:18:38,159
Speaker 4: all right, let's get back to Gay Hitler and just

365
00:18:38,240 --> 00:18:42,080
Speaker 4: kind of minimized. I made his box smaller and smaller

366
00:18:42,240 --> 00:18:47,240
Speaker 4: in the screen and that way, I'm we're not affecting productivity.

367
00:18:47,880 --> 00:18:50,520
Speaker 4: But I'm also not going to be out alphed by

368
00:18:50,560 --> 00:18:55,600
Speaker 4: this fucking guy, you know what I mean? And again respectful, idol, god, god, king.

369
00:18:56,080 --> 00:19:00,760
Speaker 1: But incredible, but him, know, everything you have is because

370
00:19:00,800 --> 00:19:01,200
Speaker 1: of me.

371
00:19:02,200 --> 00:19:04,760
Speaker 4: I mean in a weird way, like I like if

372
00:19:05,000 --> 00:19:09,560
Speaker 4: I if people like me don't buy tickets to like

373
00:19:09,760 --> 00:19:13,679
Speaker 4: you know, the Producers or Robert hood Ben and tights, like,

374
00:19:13,720 --> 00:19:15,560
Speaker 4: then what do you have? Like really?

375
00:19:15,640 --> 00:19:16,879
Speaker 5: What you exist?

376
00:19:17,680 --> 00:19:22,080
Speaker 4: It doesn't it's like he never happened so so but

377
00:19:22,080 --> 00:19:25,040
Speaker 4: but I loved working with him and he made this cup,

378
00:19:25,080 --> 00:19:29,120
Speaker 4: he actually made the His hobby is he makes knockoff yetties.

379
00:19:29,720 --> 00:19:33,600
Speaker 3: Wow, and yeah, thing with like Nick Offerman's ship, it's

380
00:19:33,640 --> 00:19:34,680
Speaker 3: all like wood.

381
00:19:36,119 --> 00:19:38,439
Speaker 5: It's like I what am I using with? What? Like

382
00:19:38,600 --> 00:19:40,520
Speaker 5: I'm just looking around like I see.

383
00:19:41,200 --> 00:19:46,240
Speaker 1: If I want wood, I'll go watch species again. Yeah.

384
00:19:46,560 --> 00:19:49,520
Speaker 4: Well it all likes to work with steel and alloys

385
00:19:49,720 --> 00:19:56,120
Speaker 4: and and metal something actually high high heat process all

386
00:19:56,160 --> 00:19:59,360
Speaker 4: that stuff. It's really it's what separates the mel from

387
00:19:59,400 --> 00:19:59,800
Speaker 4: the boys.

388
00:20:00,040 --> 00:20:00,560
Speaker 5: M hmmm.

389
00:20:01,160 --> 00:20:05,640
Speaker 3: He's really gonna like take advantage of this this tariff stuff.

390
00:20:06,240 --> 00:20:06,440
Speaker 5: Wow.

391
00:20:06,720 --> 00:20:08,879
Speaker 3: Yeah, he's the one man band when it comes to

392
00:20:09,160 --> 00:20:12,480
Speaker 3: like full is gonna be good.

393
00:20:12,640 --> 00:20:15,160
Speaker 4: But he's licking. He's been licking his chops ever since

394
00:20:15,200 --> 00:20:17,560
Speaker 4: he heard the news. He's gonna be making some what

395
00:20:17,600 --> 00:20:19,600
Speaker 4: we call in Chicago real money.

396
00:20:19,600 --> 00:20:23,840
Speaker 1: Now he's gonna be doing some Brooks wheeling and dealing

397
00:20:25,720 --> 00:20:31,720
Speaker 1: because his name smelled Brooks. I like s n L fifty.

398
00:20:31,760 --> 00:20:36,760
Speaker 1: Did you do anything I couldn't see, I couldn't watch it.

399
00:20:37,000 --> 00:20:38,480
Speaker 1: Were you in the concert or something?

400
00:20:39,160 --> 00:20:42,640
Speaker 4: I had a piece that was cut at dress rehearsal.

401
00:20:42,920 --> 00:20:45,960
Speaker 4: The best ones always the best.

402
00:20:46,080 --> 00:20:48,040
Speaker 1: It's always that actually funny ship.

403
00:20:48,880 --> 00:20:52,760
Speaker 5: Yeah, it was funny for me, and I don't get it.

404
00:20:53,560 --> 00:20:58,640
Speaker 4: Yeah, it was a my whole my like entire family came.

405
00:21:00,119 --> 00:21:02,840
Speaker 2: I'm not even going to disguise it.

406
00:21:03,359 --> 00:21:04,200
Speaker 4: Yeah, well I'm.

407
00:21:04,080 --> 00:21:07,600
Speaker 5: Not even gonna make your wives like, no.

408
00:21:07,600 --> 00:21:09,720
Speaker 4: We're laughing about it now was my It was me

409
00:21:09,920 --> 00:21:11,760
Speaker 4: and my wives and all their families.

410
00:21:11,840 --> 00:21:12,960
Speaker 1: Uh huh.

411
00:21:13,000 --> 00:21:16,720
Speaker 4: They we had like I said, like I basically, I'll

412
00:21:16,760 --> 00:21:19,960
Speaker 4: tell you what I said to Lauren the following day.

413
00:21:20,000 --> 00:21:23,880
Speaker 4: I said, I appreciate you giving us fifty six tickets,

414
00:21:24,920 --> 00:21:28,600
Speaker 4: but what is the point of me schlipping them all

415
00:21:28,640 --> 00:21:34,840
Speaker 4: out here and getting hotels and figuring out lifts and stuff.

416
00:21:34,640 --> 00:21:37,280
Speaker 2: And making your schedule to be with one wife until

417
00:21:37,320 --> 00:21:38,840
Speaker 2: like two am? Then you got to slip out of

418
00:21:38,880 --> 00:21:40,639
Speaker 2: the room being there the other way. She wakes up,

419
00:21:40,680 --> 00:21:42,159
Speaker 2: she thinks you were there all that, you know what

420
00:21:42,200 --> 00:21:42,479
Speaker 2: I mean.

421
00:21:42,520 --> 00:21:45,480
Speaker 4: And they all looked so beautiful. They were so excited

422
00:21:45,480 --> 00:21:48,240
Speaker 4: to see just what it has been up to. And

423
00:21:48,280 --> 00:21:53,280
Speaker 4: then it just went from Eddie Murphy and then straight

424
00:21:53,359 --> 00:21:55,600
Speaker 4: to Jimmy Fallon like I.

425
00:21:55,600 --> 00:21:56,679
Speaker 1: Never existed something.

426
00:21:56,800 --> 00:22:00,040
Speaker 4: Yeah, and I had one of my wife, my third wife.

427
00:21:59,880 --> 00:22:02,399
Speaker 2: Went we went from the appetizer to the dessert, and

428
00:22:02,440 --> 00:22:05,800
Speaker 2: it felt like something was missing the main course.

429
00:22:06,000 --> 00:22:08,520
Speaker 4: This in a little bit of filet mignon perhaps, And

430
00:22:08,720 --> 00:22:12,919
Speaker 4: I turned to my third wife's uh Sarah Beeth, and

431
00:22:13,000 --> 00:22:19,280
Speaker 4: I said, uh, I'm fucking fuming right now, fuming. I'm

432
00:22:19,359 --> 00:22:20,639
Speaker 4: really upset. I'm really upset.

433
00:22:20,720 --> 00:22:24,960
Speaker 2: I'm so vulnerable to tell her that, Wow, you know,

434
00:22:25,040 --> 00:22:27,000
Speaker 2: men don't talk about their feelings and of it and

435
00:22:27,119 --> 00:22:29,879
Speaker 2: and and I think it's so for you even to

436
00:22:29,880 --> 00:22:31,600
Speaker 2: share this here that you were willing to say to

437
00:22:31,640 --> 00:22:32,040
Speaker 2: your wife.

438
00:22:32,119 --> 00:22:33,639
Speaker 1: I'm fucking furious.

439
00:22:33,840 --> 00:22:37,720
Speaker 2: I'm fuming, like, like, that's so vulnerable.

440
00:22:37,720 --> 00:22:39,080
Speaker 1: I think you're gonna help a lot of people.

441
00:22:39,160 --> 00:22:42,720
Speaker 4: Like I always tell people, make sure one of your

442
00:22:42,760 --> 00:22:45,679
Speaker 4: wives is someone that you could get vulnerable with, that

443
00:22:45,720 --> 00:22:46,840
Speaker 4: you can be honest.

444
00:22:46,520 --> 00:22:48,840
Speaker 1: With and say how mad you are?

445
00:22:48,920 --> 00:22:52,280
Speaker 4: Yeah yeah, yeah, yeah, yeah yeah, but but it was

446
00:22:52,320 --> 00:22:53,000
Speaker 4: a great night.

447
00:22:53,359 --> 00:22:58,159
Speaker 2: Uh if you can tell one wife how annoying wives.

448
00:22:57,800 --> 00:23:02,199
Speaker 4: Are, Yeah, you don't. You don't want to, like, you

449
00:23:02,200 --> 00:23:05,040
Speaker 4: don't want to get in a situation where you're like

450
00:23:05,160 --> 00:23:07,639
Speaker 4: playing the wives against each other too much.

451
00:23:07,960 --> 00:23:12,320
Speaker 1: That's no, that's topic. That's manipula that I.

452
00:23:12,520 --> 00:23:14,560
Speaker 4: Took a big risk in having them all come because

453
00:23:14,560 --> 00:23:15,080
Speaker 4: we were at.

454
00:23:15,320 --> 00:23:19,920
Speaker 2: Sitting fifty like it only comes along every fifty years

455
00:23:20,000 --> 00:23:20,280
Speaker 2: or so.

456
00:23:20,359 --> 00:23:23,280
Speaker 4: I think one of them and her parents and her

457
00:23:23,440 --> 00:23:26,199
Speaker 4: kids from her first marriage, they were sitting kind of

458
00:23:26,200 --> 00:23:29,520
Speaker 4: by John Hamm and then my other wife and her

459
00:23:29,600 --> 00:23:33,840
Speaker 4: father and his girlfriend. They were kind of sitting down

460
00:23:33,920 --> 00:23:37,560
Speaker 4: by Sarah Silverman. I'm not gonna like do the seating chart,

461
00:23:37,600 --> 00:23:41,440
Speaker 4: but we were like, it's not necessarily want Yeah, yeah,

462
00:23:41,600 --> 00:23:41,960
Speaker 4: can you.

463
00:23:41,920 --> 00:23:42,600
Speaker 1: Give us a taste?

464
00:23:42,640 --> 00:23:45,320
Speaker 2: I mean just because like we actually do love comedy, Like,

465
00:23:45,400 --> 00:23:47,640
Speaker 2: can you give us a taste of a whole sketch?

466
00:23:47,800 --> 00:23:49,960
Speaker 3: But just yeah, I don't know how this plays into it,

467
00:23:50,000 --> 00:23:52,840
Speaker 3: but that you've gotten into like hole on like Rex

468
00:23:52,920 --> 00:23:56,679
Speaker 3: Tillerson makeup because like you had been saying, God that

469
00:23:56,840 --> 00:23:59,320
Speaker 3: I mean, it was like a fairly traditional cold open

470
00:23:59,560 --> 00:24:04,399
Speaker 3: from like twenty seventeen, Yeah, that they had thought about

471
00:24:04,400 --> 00:24:08,040
Speaker 3: doing then, but it was like kind of like too

472
00:24:08,200 --> 00:24:10,159
Speaker 3: good for the show then, so they're like, should we

473
00:24:10,240 --> 00:24:11,119
Speaker 3: do this at SNL?

474
00:24:11,280 --> 00:24:13,159
Speaker 1: It was what I heard, was it?

475
00:24:13,160 --> 00:24:17,080
Speaker 2: It was a traditional gold open from that era, but

476
00:24:17,119 --> 00:24:19,240
Speaker 2: then it got a little bit icified.

477
00:24:20,400 --> 00:24:23,000
Speaker 5: Yeah, well I don't.

478
00:24:24,200 --> 00:24:26,960
Speaker 4: It's basically like the basic premise you probably know this

479
00:24:27,000 --> 00:24:30,120
Speaker 4: already was Rex Tillerson, as we all know, was fired

480
00:24:30,160 --> 00:24:31,960
Speaker 4: by Donald Trump in his first term when he was

481
00:24:31,960 --> 00:24:37,600
Speaker 4: on the toilet, and so basically the whole sketch is

482
00:24:37,920 --> 00:24:41,960
Speaker 4: it's Rex Tillerson. He gets up and he's like, honey,

483
00:24:42,040 --> 00:24:45,479
Speaker 4: I'm gonna have a great day today. And he goes

484
00:24:45,560 --> 00:24:47,360
Speaker 4: and he sits down and do it on the toilet

485
00:24:47,520 --> 00:24:50,159
Speaker 4: or morning business. He's not a freaking toilet. So already

486
00:24:50,160 --> 00:24:50,680
Speaker 4: I'm laughing.

487
00:24:51,400 --> 00:24:56,080
Speaker 1: And the toilet's normal. I don't, it doesn't. That's not

488
00:24:56,160 --> 00:24:56,520
Speaker 1: the joke.

489
00:24:56,600 --> 00:24:59,199
Speaker 2: I'm just curious that the toilet, no toilet look like

490
00:24:59,240 --> 00:25:02,760
Speaker 2: it was, doesn't looks like, I don't know, cookie bouncer

491
00:25:02,880 --> 00:25:03,240
Speaker 2: or something.

492
00:25:03,760 --> 00:25:05,720
Speaker 4: Well, well, I mean no, no, no, no no no

493
00:25:05,720 --> 00:25:07,720
Speaker 4: no no no, no no no. The art director kind

494
00:25:07,720 --> 00:25:09,680
Speaker 4: of threw that out there. He's like, do we want

495
00:25:09,720 --> 00:25:11,920
Speaker 4: to make the toilet wacky? Do you want to have

496
00:25:12,280 --> 00:25:14,880
Speaker 4: poop everywhere on the floor like you.

497
00:25:14,440 --> 00:25:15,399
Speaker 1: You're so subtle.

498
00:25:16,960 --> 00:25:21,439
Speaker 2: Your toilet work is so subtle and so real that

499
00:25:21,600 --> 00:25:23,639
Speaker 2: I think that's why you really do.

500
00:25:23,840 --> 00:25:26,000
Speaker 1: Let like the comedy of it shine.

501
00:25:26,000 --> 00:25:30,479
Speaker 2: And it's never like reaching for the laugh, You're always

502
00:25:30,560 --> 00:25:32,320
Speaker 2: reaching for the like flush handle.

503
00:25:32,560 --> 00:25:35,120
Speaker 4: I always say like, I'm not trying to show you

504
00:25:35,160 --> 00:25:37,240
Speaker 4: what it's like when you're on a toilet. I'm trying

505
00:25:37,240 --> 00:25:39,640
Speaker 4: to show you what it's like when this character I'm

506
00:25:39,680 --> 00:25:42,520
Speaker 4: playing is on the toilet. So I take it seriously

507
00:25:42,720 --> 00:25:45,000
Speaker 4: and I try to keep it, you know, normal. So anyways,

508
00:25:45,040 --> 00:25:50,200
Speaker 4: the phone rings and Uh, it's it's uh the toilet

509
00:25:50,240 --> 00:25:52,639
Speaker 4: phone rings is kind of connect to the toilet and

510
00:25:53,040 --> 00:25:59,240
Speaker 4: Im I'm like, hello, hello Tellerson here and it's freaking

511
00:25:59,600 --> 00:26:01,280
Speaker 4: Kim car dash it Wow.

512
00:26:02,080 --> 00:26:09,040
Speaker 2: But already I'm like just completely like where am I?

513
00:26:09,040 --> 00:26:11,080
Speaker 1: I thought I knew where it.

514
00:26:11,160 --> 00:26:13,960
Speaker 2: Was going, and now I meaning on the palm of

515
00:26:14,000 --> 00:26:17,600
Speaker 2: your fucking hand, because it's like you're completely in control.

516
00:26:18,080 --> 00:26:20,679
Speaker 2: You've got the strings. I'm the puppet and I'm like, well,

517
00:26:20,960 --> 00:26:23,400
Speaker 2: what dance would you like to see? Because I have

518
00:26:24,040 --> 00:26:28,639
Speaker 2: no idea why Kim's calling? She's friends with Red on

519
00:26:28,760 --> 00:26:29,800
Speaker 2: the toilet.

520
00:26:29,640 --> 00:26:32,880
Speaker 4: What the hell? Yeah, we have a beat with her

521
00:26:33,040 --> 00:26:38,040
Speaker 4: where we talk and then uh, the call doesn't go

522
00:26:38,119 --> 00:26:39,000
Speaker 4: well and I hang up.

523
00:26:39,119 --> 00:26:44,760
Speaker 3: Oh god man, and the writers figure out the writers

524
00:26:45,760 --> 00:26:48,200
Speaker 3: what happens in that she's not at him?

525
00:26:48,600 --> 00:26:50,800
Speaker 1: But you never called me back after our date.

526
00:26:51,000 --> 00:26:54,000
Speaker 2: And I'm pitching this like a crazy thing where it's like, wait,

527
00:26:54,080 --> 00:26:56,320
Speaker 2: Rex is dating are We wouldn't do that?

528
00:26:56,520 --> 00:26:57,360
Speaker 5: But that's like.

529
00:26:57,680 --> 00:27:00,479
Speaker 2: This is at the table, at the table with jealous

530
00:27:00,480 --> 00:27:02,080
Speaker 2: of there's I want to be dating Kim?

531
00:27:02,320 --> 00:27:04,720
Speaker 3: Yeah, and like and you pitched something on that where

532
00:27:04,720 --> 00:27:06,800
Speaker 3: you're like, hey, he has a call with Kim Kardashian

533
00:27:06,880 --> 00:27:07,879
Speaker 3: and like something happened.

534
00:27:07,880 --> 00:27:10,080
Speaker 5: They're like, well, what is it? What happens? It's like, well,

535
00:27:10,080 --> 00:27:14,760
Speaker 5: what's your fun Jesus Christ. Here there's like fifty.

536
00:27:14,240 --> 00:27:16,840
Speaker 4: Yeah, I didn't go to Harvard. You all found it out.

537
00:27:17,080 --> 00:27:17,720
Speaker 4: You know what I mean?

538
00:27:17,760 --> 00:27:20,040
Speaker 2: What shape should the gold be in? And it's like,

539
00:27:20,119 --> 00:27:22,399
Speaker 2: I don't know. I just give you all the gold.

540
00:27:22,880 --> 00:27:25,240
Speaker 2: You guys can mold it however you want.

541
00:27:25,560 --> 00:27:28,400
Speaker 4: I'm holding the map and saying that the hills are

542
00:27:28,480 --> 00:27:31,880
Speaker 4: that way. I'm not being like, oh, here's a statue. Now,

543
00:27:31,920 --> 00:27:35,520
Speaker 4: come on, guys. Anyways, the sketch was a progression of

544
00:27:35,600 --> 00:27:38,639
Speaker 4: worse and worst phone calls, and finally the end, I'm like, honey,

545
00:27:38,880 --> 00:27:39,960
Speaker 4: no more phone calls.

546
00:27:39,960 --> 00:27:42,160
Speaker 1: And there's a more phone call.

547
00:27:42,359 --> 00:27:45,160
Speaker 4: Yeah you know who it is, right, it's uh yeah,

548
00:27:45,200 --> 00:27:49,960
Speaker 4: it's Baldwin and uh.

549
00:27:50,440 --> 00:27:56,280
Speaker 5: A pitch and we have ale.

550
00:27:56,240 --> 00:27:59,119
Speaker 4: And then he gives me the old your fire.

551
00:27:59,520 --> 00:27:59,720
Speaker 5: Yeah.

552
00:28:00,160 --> 00:28:01,920
Speaker 4: Yeah, we didn't make it.

553
00:28:01,920 --> 00:28:04,600
Speaker 1: It didn't make it a little southern huh.

554
00:28:04,680 --> 00:28:07,800
Speaker 4: Yeah, he does it. He did it different, Like, yeah,

555
00:28:07,960 --> 00:28:10,840
Speaker 4: that's that's the beauty of the impression. Though. Yeah, we

556
00:28:10,920 --> 00:28:14,040
Speaker 4: did this. We did this when I when this went

557
00:28:14,080 --> 00:28:17,360
Speaker 4: to dress, when I hosted in twenty seventeen got the acts.

558
00:28:16,880 --> 00:28:17,080
Speaker 5: Yeah.

559
00:28:17,600 --> 00:28:22,280
Speaker 4: And then so for the fiftieth, Lauren the whole episode, right, yeah, yeah,

560
00:28:22,320 --> 00:28:24,639
Speaker 4: and it was there was just every sketch had a

561
00:28:24,680 --> 00:28:30,240
Speaker 4: different kind of problem and they just that night like

562
00:28:30,240 --> 00:28:32,639
Speaker 4: like it was the only show that ever aired on

563
00:28:32,720 --> 00:28:37,840
Speaker 4: the East Coast. And then Laurence so it never really

564
00:28:37,920 --> 00:28:40,600
Speaker 4: got on there. So when the fiftieth is happening, Lauren

565
00:28:40,640 --> 00:28:43,560
Speaker 4: called me and goes, whatever you want, Baron Holtz, and

566
00:28:43,600 --> 00:28:45,160
Speaker 4: I said to him, I want to do the tres

567
00:28:45,240 --> 00:28:48,440
Speaker 4: o you Yeah. Yeah, So we did it. We did it,

568
00:28:48,600 --> 00:28:51,960
Speaker 4: and it I thought it was funny. But then five

569
00:28:52,000 --> 00:28:55,120
Speaker 4: minutes beforehand, I'm I'm just sitting there, I'm talking to

570
00:28:55,960 --> 00:29:00,760
Speaker 4: I'm talking to freaking Mick Jagger, and arm Michaels comes

571
00:29:00,760 --> 00:29:02,200
Speaker 4: over and he just looks at me and just goes

572
00:29:04,000 --> 00:29:08,160
Speaker 4: and I was like, and then a little bit later, yeah,

573
00:29:08,400 --> 00:29:08,840
Speaker 4: it just.

574
00:29:08,800 --> 00:29:13,200
Speaker 1: It was it was like a no headshake, yeah yeah, And.

575
00:29:13,160 --> 00:29:17,560
Speaker 4: So it was. Was it an amazing night for comedy

576
00:29:17,600 --> 00:29:21,880
Speaker 4: and SNL and America. Yes, for me and my wives

577
00:29:21,920 --> 00:29:23,040
Speaker 4: and their families.

578
00:29:23,040 --> 00:29:25,600
Speaker 5: It was. It was bittersweet, bittersweet.

579
00:29:26,160 --> 00:29:28,480
Speaker 1: Yeah, yeah, I didn't mean to cut you off, but it.

580
00:29:28,480 --> 00:29:31,040
Speaker 4: Was like, no, No, that was felt like I was

581
00:29:31,040 --> 00:29:33,080
Speaker 4: gonna say, yeah, so.

582
00:29:33,120 --> 00:29:35,920
Speaker 2: Yeah, nobody's people listening at home is something that you

583
00:29:36,160 --> 00:29:38,320
Speaker 2: go Sehn's interrupting the guest all.

584
00:29:38,200 --> 00:29:40,080
Speaker 1: The time, and it's like, well, I'm helping him, you know,

585
00:29:40,560 --> 00:29:41,280
Speaker 1: I'm helping.

586
00:29:41,360 --> 00:29:42,120
Speaker 5: It was going to better.

587
00:29:42,160 --> 00:29:45,800
Speaker 4: I couldn't. I couldn't get there and you.

588
00:29:44,840 --> 00:29:47,920
Speaker 2: I could see you were getting emotional, especially remembering your wives,

589
00:29:48,000 --> 00:29:50,680
Speaker 2: you know, having that bittersweet experience. And so.

590
00:29:56,000 --> 00:30:00,120
Speaker 3: We talk about inhabiting these characters, right, and like, and

591
00:30:00,160 --> 00:30:02,800
Speaker 3: I want to come back to sal a little bit.

592
00:30:03,760 --> 00:30:07,280
Speaker 5: The studio executives as you are.

593
00:30:08,680 --> 00:30:12,760
Speaker 3: Playing them, you're sort of you're taking on this identity,

594
00:30:12,760 --> 00:30:15,200
Speaker 3: you're understanding them in new ways, and you now come

595
00:30:15,200 --> 00:30:19,520
Speaker 3: back to us and tell us a little bit about

596
00:30:19,680 --> 00:30:20,920
Speaker 3: what it's like in that mind.

597
00:30:20,960 --> 00:30:23,880
Speaker 5: Do they smarter than that the show?

598
00:30:24,000 --> 00:30:28,880
Speaker 2: Yes, it's it's it's a risk, yeah, you're taking because

599
00:30:28,880 --> 00:30:32,920
Speaker 2: this is your livelihood, you know. And it's also though

600
00:30:34,080 --> 00:30:36,840
Speaker 2: a very valuable experience that you could share with people

601
00:30:37,000 --> 00:30:39,720
Speaker 2: like us. As Hayes is saying, where it's like when

602
00:30:39,800 --> 00:30:41,840
Speaker 2: I go in to talk to a studio executive, I

603
00:30:41,920 --> 00:30:50,240
Speaker 2: sometimes am trying to say inside their head, do they

604
00:30:50,280 --> 00:30:52,440
Speaker 2: know how much fucking smarter I am than they are?

605
00:30:52,680 --> 00:30:55,000
Speaker 3: And do they know that I should just be doing

606
00:30:55,440 --> 00:30:58,560
Speaker 3: what I'm doing and what they're doing, both of that

607
00:30:58,680 --> 00:31:01,080
Speaker 3: should be deciding like what and I'm getting paid and

608
00:31:01,080 --> 00:31:03,320
Speaker 3: stuff and like what MYA is?

609
00:31:04,240 --> 00:31:04,520
Speaker 1: Yeah?

610
00:31:04,680 --> 00:31:08,960
Speaker 2: Do they do they know that? And is that affecting

611
00:31:08,960 --> 00:31:11,880
Speaker 2: their behavior in some way? Or are they actually like

612
00:31:12,280 --> 00:31:18,480
Speaker 2: sometimes it looks like they're so fucking stupid they can't

613
00:31:18,480 --> 00:31:19,320
Speaker 2: even see that.

614
00:31:22,240 --> 00:31:22,680
Speaker 5: Ahead?

615
00:31:22,920 --> 00:31:27,120
Speaker 4: Can I shock you guys? I have never spoken to

616
00:31:27,160 --> 00:31:30,360
Speaker 4: a studio executive, Okay, I I I.

617
00:31:30,760 --> 00:31:33,960
Speaker 1: I had a suspicion when I got this part.

618
00:31:34,240 --> 00:31:36,120
Speaker 4: A lot of times people are like, I'm playing a cop.

619
00:31:36,240 --> 00:31:38,720
Speaker 4: I'm gonna go go and ride a cop. I'm gonna

620
00:31:38,720 --> 00:31:41,520
Speaker 4: go and ride along. I'm playing account. My cousin's an account,

621
00:31:41,520 --> 00:31:42,480
Speaker 4: and I'm gonna ask questions.

622
00:31:42,480 --> 00:31:45,400
Speaker 1: You're doing a ride along with the studio executives.

623
00:31:45,880 --> 00:31:50,200
Speaker 4: I I wanted I didn't know what it meant. I

624
00:31:50,200 --> 00:31:53,720
Speaker 4: didn't know really what they did. I didn't know who

625
00:31:53,760 --> 00:31:55,960
Speaker 4: they were, and I did not want to know. I

626
00:31:56,000 --> 00:31:58,560
Speaker 4: wanted to go into a completely blind.

627
00:31:59,080 --> 00:32:02,040
Speaker 3: And this is when I'm saying, you have all these credits,

628
00:32:02,080 --> 00:32:04,560
Speaker 3: You're doing all this amazing work, you have shows on

629
00:32:04,680 --> 00:32:07,760
Speaker 3: the air. Could it be that, like, oh, just because

630
00:32:07,800 --> 00:32:12,000
Speaker 3: no studio executive ever found out about this stuff, Like, oh,

631
00:32:12,040 --> 00:32:14,920
Speaker 3: maybe that's the problem that they're saying, hey, don't do

632
00:32:15,000 --> 00:32:15,720
Speaker 3: these shows.

633
00:32:16,040 --> 00:32:16,440
Speaker 5: Yeah.

634
00:32:16,560 --> 00:32:20,480
Speaker 4: I've managed to exist completely outside the system while working

635
00:32:20,520 --> 00:32:22,400
Speaker 4: in it. And when I made this.

636
00:32:22,360 --> 00:32:23,800
Speaker 1: I've always admired that.

637
00:32:23,920 --> 00:32:26,960
Speaker 2: I've always you are an industry outsider who happens to

638
00:32:27,000 --> 00:32:27,760
Speaker 2: work in the business.

639
00:32:28,000 --> 00:32:32,040
Speaker 5: I've seeing you from inside the system, you know, my

640
00:32:32,040 --> 00:32:33,760
Speaker 5: my paws on the glass.

641
00:32:33,920 --> 00:32:37,120
Speaker 1: Yeah, right, yeah, I get through there somehow. You know.

642
00:32:37,840 --> 00:32:39,520
Speaker 4: Well, I mean that's the thing is you want to

643
00:32:39,520 --> 00:32:42,800
Speaker 4: be in, but you also want, like you want a

644
00:32:42,840 --> 00:32:44,680
Speaker 4: healthy detachment, which is why I said, I don't want

645
00:32:44,680 --> 00:32:46,680
Speaker 4: to know these guys wanting it.

646
00:32:46,800 --> 00:32:52,560
Speaker 2: Do you remember the Ewok movie?

647
00:32:52,880 --> 00:32:55,000
Speaker 3: I want to be straddling the more just thinking about

648
00:32:55,000 --> 00:32:56,280
Speaker 3: this a little more. I do want to get to

649
00:32:56,280 --> 00:32:58,800
Speaker 3: the Ewok movie, but I want to be like sort

650
00:32:58,840 --> 00:33:02,440
Speaker 3: of riding on it and just sort of like scooting

651
00:33:02,480 --> 00:33:03,120
Speaker 3: back and forth.

652
00:33:03,320 --> 00:33:05,200
Speaker 2: Well, right, well, you could be riding on a star

653
00:33:05,320 --> 00:33:08,200
Speaker 2: cruiser like in the Ewalk movie their stars crashes on

654
00:33:08,280 --> 00:33:08,880
Speaker 2: the planet.

655
00:33:09,080 --> 00:33:10,680
Speaker 4: Oh no, I saw the Walk movie.

656
00:33:10,720 --> 00:33:12,719
Speaker 1: My friend Do you remember he got he guts.

657
00:33:13,640 --> 00:33:17,960
Speaker 2: There's the everyone's getting a special gift, right, and the

658
00:33:18,000 --> 00:33:20,200
Speaker 2: gift is gonna somehow come into play later in the movie.

659
00:33:20,200 --> 00:33:22,440
Speaker 2: But some of them seem really exciting, you know, like

660
00:33:22,720 --> 00:33:25,000
Speaker 2: it's like this person's got like this, like, you know,

661
00:33:25,160 --> 00:33:29,080
Speaker 2: very fancy special gift. But then like one person gets

662
00:33:29,120 --> 00:33:30,000
Speaker 2: just a stick.

663
00:33:29,760 --> 00:33:31,479
Speaker 1: And they go, then I just got a stick.

664
00:33:32,080 --> 00:33:32,960
Speaker 4: Yeah, this sucks.

665
00:33:33,440 --> 00:33:37,040
Speaker 2: But then someone gets trapped under the water. They touch

666
00:33:37,080 --> 00:33:39,200
Speaker 2: the water and immediately they're under and the water has

667
00:33:39,240 --> 00:33:41,840
Speaker 2: a hard surface like glass, and they're drowning and no

668
00:33:41,880 --> 00:33:43,960
Speaker 2: one can get them out. And what's the only thing

669
00:33:43,960 --> 00:33:45,000
Speaker 2: that can reach the surface?

670
00:33:46,440 --> 00:33:46,760
Speaker 4: Stick?

671
00:33:46,840 --> 00:33:50,720
Speaker 1: The stick YEP, where's my stick?

672
00:33:50,920 --> 00:33:55,000
Speaker 2: I reach through there and be able to communicate with you.

673
00:33:56,000 --> 00:33:57,600
Speaker 1: I'm drowning on this side.

674
00:33:58,000 --> 00:34:01,760
Speaker 2: Can you pull me over to where the executives aren't

675
00:34:01,840 --> 00:34:05,600
Speaker 2: because they're so cruel to me, like they don't like me,

676
00:34:05,880 --> 00:34:09,200
Speaker 2: and I don't understand them.

677
00:34:09,440 --> 00:34:11,800
Speaker 4: I want to pull you in as I'm pulling myself

678
00:34:11,840 --> 00:34:17,600
Speaker 4: out basically, and they they do understand you. I I

679
00:34:17,680 --> 00:34:20,800
Speaker 4: want to drown. I want to drown, and I want

680
00:34:20,840 --> 00:34:25,360
Speaker 4: you money on the insight and money and and and

681
00:34:25,480 --> 00:34:30,560
Speaker 4: wis and but I mean, I don't know any of

682
00:34:30,600 --> 00:34:33,879
Speaker 4: these people. I don't and I don't want to and

683
00:34:33,880 --> 00:34:38,200
Speaker 4: and and Rogan said to me, Joe Rogan, he said,

684
00:34:38,880 --> 00:34:41,839
Speaker 4: you should do a little bit of prep for your show.

685
00:34:41,880 --> 00:34:47,280
Speaker 4: And I said, hey, and past, pass me the blunt, shut.

686
00:34:47,120 --> 00:34:49,399
Speaker 1: Up, let me have some more.

687
00:34:49,440 --> 00:34:52,440
Speaker 3: Weeds said prep is also a drug that he was

688
00:34:52,480 --> 00:34:53,600
Speaker 3: maybe saying, you.

689
00:34:53,600 --> 00:34:58,680
Speaker 1: Know, with all with all guys, drugs, with.

690
00:34:58,719 --> 00:35:01,720
Speaker 3: All the with all the strange coming your.

691
00:35:01,560 --> 00:35:04,240
Speaker 1: Way, the guy likes drugs and have kids.

692
00:35:04,400 --> 00:35:06,120
Speaker 5: Yeah, yeah, because he.

693
00:35:06,120 --> 00:35:09,080
Speaker 4: Does not want children. He does not want.

694
00:35:09,040 --> 00:35:11,440
Speaker 1: Children to do it, and he wants weed.

695
00:35:12,560 --> 00:35:15,520
Speaker 4: I gave him. I thought it was nice. Catherine Han

696
00:35:15,600 --> 00:35:18,440
Speaker 4: and I for a rap gift. Gave Seth a child.

697
00:35:19,200 --> 00:35:22,879
Speaker 2: That's interesting, just to try it, because he actually does.

698
00:35:23,280 --> 00:35:26,680
Speaker 4: He's got, you know what I mean, things like you

699
00:35:27,160 --> 00:35:27,600
Speaker 4: do want.

700
00:35:27,719 --> 00:35:29,319
Speaker 1: I've never brought up if I want them or not.

701
00:35:29,440 --> 00:35:30,760
Speaker 5: I just have them. Yes.

702
00:35:31,320 --> 00:35:33,680
Speaker 4: My wife for years was like, I'm just not a

703
00:35:33,719 --> 00:35:36,319
Speaker 4: dog person. I brought home a dog and get a dog.

704
00:35:36,880 --> 00:35:37,440
Speaker 4: She loves it.

705
00:35:39,400 --> 00:35:43,280
Speaker 5: Of course, she had no idea what she wanted.

706
00:35:43,680 --> 00:35:47,440
Speaker 1: Nobody knows what they want. You just we can tell them.

707
00:35:47,800 --> 00:35:51,560
Speaker 4: We figured, hey, this could be a fun thing for Seth.

708
00:35:51,600 --> 00:35:54,840
Speaker 4: A friend of ours had a baby recently, didn't didn't.

709
00:35:54,640 --> 00:35:56,120
Speaker 1: Want it, probably had too many, you know.

710
00:35:56,480 --> 00:35:58,560
Speaker 4: So at the rap party, I gave him like a

711
00:35:58,960 --> 00:36:02,479
Speaker 4: like a perfectly swaddowed two and a half month old

712
00:36:02,600 --> 00:36:06,879
Speaker 4: todd like little baby. And if you saw the look

713
00:36:06,920 --> 00:36:10,839
Speaker 4: on his face, he was like he looked horrified.

714
00:36:11,120 --> 00:36:15,399
Speaker 5: Yeah, but I'll tell you there's a little bit little

715
00:36:15,600 --> 00:36:17,640
Speaker 5: seed of he's actually kind of into.

716
00:36:18,880 --> 00:36:20,680
Speaker 1: Yeah, but am I doing this?

717
00:36:22,160 --> 00:36:22,360
Speaker 5: You know?

718
00:36:22,520 --> 00:36:25,760
Speaker 4: I can't. What the fuck is this ship? Baby?

719
00:36:26,480 --> 00:36:28,880
Speaker 5: A baby? Yeah?

720
00:36:28,920 --> 00:36:31,640
Speaker 2: But then you know they then the baby laughs back

721
00:36:31,680 --> 00:36:35,719
Speaker 2: at him and it's like wow, connection right movie.

722
00:36:36,400 --> 00:36:37,200
Speaker 5: And the baby's like.

723
00:36:38,680 --> 00:36:41,799
Speaker 1: A baby with the same laugh that possible.

724
00:36:43,560 --> 00:36:47,840
Speaker 2: He's just baby, did this baby get into my stash?

725
00:36:48,120 --> 00:36:50,680
Speaker 1: And this said the baby? The baby can smoke weed,

726
00:36:51,120 --> 00:36:52,320
Speaker 1: you know, but it's.

727
00:36:52,880 --> 00:36:56,439
Speaker 3: The baby like ceramic and they do that just kind

728
00:36:56,440 --> 00:37:00,319
Speaker 3: of as a self defense thing like so that like

729
00:37:00,360 --> 00:37:02,759
Speaker 3: so the fathers will like.

730
00:37:02,840 --> 00:37:03,640
Speaker 5: Not the.

731
00:37:05,160 --> 00:37:07,719
Speaker 3: Usually the same, they have some of the same get

732
00:37:07,719 --> 00:37:09,400
Speaker 3: into hot hobbies that the.

733
00:37:09,200 --> 00:37:11,680
Speaker 4: Same hobbies that's been going on for a long time

734
00:37:11,719 --> 00:37:12,560
Speaker 4: for thousands of you.

735
00:37:14,239 --> 00:37:14,560
Speaker 1: Bias.

736
00:37:14,960 --> 00:37:17,319
Speaker 4: I mean, it's not it's not just weed over there,

737
00:37:17,400 --> 00:37:21,200
Speaker 4: it's ceramics, ashtrays, all kinds of collective for the house.

738
00:37:21,360 --> 00:37:24,560
Speaker 4: It's art. It's art, and you know, and it's I'm

739
00:37:24,600 --> 00:37:26,200
Speaker 4: not just saying that because he gave everyone in the

740
00:37:26,200 --> 00:37:30,520
Speaker 4: studio a half a percentage of house plants. It is

741
00:37:30,560 --> 00:37:32,960
Speaker 4: a great shop at ye.

742
00:37:33,160 --> 00:37:35,759
Speaker 3: And you have to take on the risk as well, right,

743
00:37:35,880 --> 00:37:37,440
Speaker 3: I mean that comes with the upside.

744
00:37:37,520 --> 00:37:41,040
Speaker 4: But oh no, Pam, Pam Bombing not so happy with me,

745
00:37:42,360 --> 00:37:44,360
Speaker 4: not so happy with me, and a lot of trouble

746
00:37:44,440 --> 00:37:47,200
Speaker 4: right now with the US government. But it's I'm not

747
00:37:47,200 --> 00:37:49,920
Speaker 4: gonna let that affect my friendship with Seth or with

748
00:37:50,120 --> 00:37:54,000
Speaker 4: or Joe Rode, with Pam or with Pam who I started.

749
00:37:54,200 --> 00:37:57,400
Speaker 2: Work is work, but then you have obviously your Chicago

750
00:37:57,520 --> 00:37:59,160
Speaker 2: roots and your friendship there.

751
00:38:00,120 --> 00:38:02,440
Speaker 4: Yeah. I wish people could have known her when she

752
00:38:02,600 --> 00:38:04,680
Speaker 4: was just kind of like a sweet old improv nerd.

753
00:38:05,160 --> 00:38:08,440
Speaker 3: I wish people knew her when she was sashing around

754
00:38:08,480 --> 00:38:10,640
Speaker 3: the house and teasing al bond beat.

755
00:38:13,560 --> 00:38:16,680
Speaker 4: It's crazy he's still yet never wanted to sleep with her.

756
00:38:17,000 --> 00:38:19,960
Speaker 5: It's so crazy. That is why she's so mad.

757
00:38:21,440 --> 00:38:27,520
Speaker 2: Running point, talk to me about your decision to fudge

758
00:38:27,600 --> 00:38:30,800
Speaker 2: the timeline a little bit in terms of like, obviously

759
00:38:30,840 --> 00:38:34,960
Speaker 2: we're both big fans of La with Waves, you know.

760
00:38:36,719 --> 00:38:45,040
Speaker 2: So you know, obviously, uh, Travis, Bug and Marcus were

761
00:38:45,719 --> 00:38:49,120
Speaker 2: never actually on the team at the same time. To

762
00:38:50,320 --> 00:38:54,600
Speaker 2: interesting character, you know, two interesting characters, to to big personalities,

763
00:38:55,239 --> 00:38:56,120
Speaker 2: and I like the.

764
00:38:56,120 --> 00:39:00,719
Speaker 5: Kind of Sowary to actually get market well.

765
00:39:01,280 --> 00:39:04,200
Speaker 2: Yeah, and so like the fact that he was drafted

766
00:39:04,320 --> 00:39:08,120
Speaker 2: later in the life of the show, just like I

767
00:39:08,800 --> 00:39:11,200
Speaker 2: love that there's you know, there's artistic license and all

768
00:39:11,239 --> 00:39:13,520
Speaker 2: of that. But you know, it took me a while

769
00:39:13,560 --> 00:39:16,000
Speaker 2: to find my footing and just talk to me about

770
00:39:16,040 --> 00:39:19,480
Speaker 2: some of these decisions and kind of the sandbox that

771
00:39:19,520 --> 00:39:22,319
Speaker 2: you were in and what made you kind of go

772
00:39:22,520 --> 00:39:23,520
Speaker 2: rogue as it were.

773
00:39:24,320 --> 00:39:26,840
Speaker 4: There was a real there's a lot of discussion in

774
00:39:26,880 --> 00:39:29,400
Speaker 4: the writer's room because and I would say it was

775
00:39:29,400 --> 00:39:31,840
Speaker 4: split fifty to fifty people who wanted to kind of

776
00:39:31,880 --> 00:39:38,160
Speaker 4: really stay true to the waves, like actual like mythology industry.

777
00:39:37,960 --> 00:39:41,480
Speaker 2: Which is inherently interesting in itself, and I put its anser,

778
00:39:41,600 --> 00:39:42,719
Speaker 2: I get its dance.

779
00:39:42,560 --> 00:39:44,440
Speaker 4: I get it, Yeah, I get it, I get it.

780
00:39:44,520 --> 00:39:45,000
Speaker 1: Yeah, I get it.

781
00:39:45,840 --> 00:39:49,400
Speaker 4: I took the other position. Yeah, And even though I

782
00:39:49,480 --> 00:39:52,480
Speaker 4: knew that meant we could never like there would never

783
00:39:52,520 --> 00:39:56,560
Speaker 4: be a character like Ross bomb Gardner. You know, we

784
00:39:56,640 --> 00:40:01,600
Speaker 4: would probably like never dip into the Chile Ramos trade.

785
00:40:02,080 --> 00:40:04,759
Speaker 4: All that stuff would never come to light. But to me,

786
00:40:05,719 --> 00:40:11,840
Speaker 4: to have the freedom to kind of be anachronistic, it

787
00:40:12,280 --> 00:40:15,360
Speaker 4: really it really just made for better story.

788
00:40:15,960 --> 00:40:18,719
Speaker 2: It's a you know, it's what's the best story?

789
00:40:18,880 --> 00:40:21,320
Speaker 1: And how do we talk about what's happening right now?

790
00:40:22,600 --> 00:40:28,560
Speaker 2: Because because because it is, it is a commentary on society.

791
00:40:28,760 --> 00:40:30,800
Speaker 2: I mean, we talk all the time on this show

792
00:40:30,880 --> 00:40:33,600
Speaker 2: because it's about the industry, and you know, we say

793
00:40:33,680 --> 00:40:39,880
Speaker 2: that nippletism is real, you know, but that but that

794
00:40:40,000 --> 00:40:41,320
Speaker 2: nipple babies are.

795
00:40:42,880 --> 00:40:44,000
Speaker 1: People and they.

796
00:40:43,840 --> 00:40:46,960
Speaker 2: Often are passionate about what they do and should be

797
00:40:47,000 --> 00:40:51,560
Speaker 2: given a fair shake. And like there's you know, gonna

798
00:40:51,560 --> 00:40:54,000
Speaker 2: have some bumps, gonna have some you know, there's a

799
00:40:54,080 --> 00:40:57,440
Speaker 2: learning curve. But like, but I mean, let's not let's

800
00:40:57,480 --> 00:40:59,800
Speaker 2: not get in their way before they even have a

801
00:41:00,080 --> 00:41:00,920
Speaker 2: chance to succeed.

802
00:41:01,160 --> 00:41:02,520
Speaker 5: But the choice.

803
00:41:03,680 --> 00:41:06,560
Speaker 3: Instead of you know, to depart from the reality of

804
00:41:06,600 --> 00:41:11,240
Speaker 3: the Waves and have Isla Gordon be a substitute for

805
00:41:11,560 --> 00:41:15,319
Speaker 3: the real life owner of the Waves, Paul Allen, and

806
00:41:15,360 --> 00:41:19,560
Speaker 3: for her to adopt so much of Paul Allen's.

807
00:41:21,600 --> 00:41:24,759
Speaker 5: Style, yes, life.

808
00:41:24,600 --> 00:41:28,000
Speaker 4: History, sexual proclivity.

809
00:41:27,600 --> 00:41:32,719
Speaker 2: Sexual proclivity obviously, the yes, the Paul Allen sexual proclivity.

810
00:41:32,760 --> 00:41:36,399
Speaker 4: The thing you guys have to understand that you're you're

811
00:41:36,440 --> 00:41:39,240
Speaker 4: you're you're when you're dealing with a team like the Waves,

812
00:41:39,280 --> 00:41:43,719
Speaker 4: like waves fandom is real, and those people as you know,

813
00:41:43,920 --> 00:41:48,880
Speaker 4: like the like the Waivers, the Wave, the Wave Crave. Yeah,

814
00:41:49,400 --> 00:41:51,880
Speaker 4: if you if you mess up something that really happened,

815
00:41:52,200 --> 00:41:57,160
Speaker 4: they will blast your ass online, They'll harass you. And

816
00:41:57,160 --> 00:41:59,160
Speaker 4: and so we really wanted to make sure we were

817
00:41:59,160 --> 00:41:59,680
Speaker 4: true to them.

818
00:42:00,120 --> 00:42:03,319
Speaker 3: Why so Kate do a Paul Allen impression instead of

819
00:42:03,640 --> 00:42:06,400
Speaker 3: having just have it beat Paul Allen. I know you

820
00:42:06,440 --> 00:42:08,279
Speaker 3: can't Paul himself, but.

821
00:42:09,960 --> 00:42:11,360
Speaker 1: Well I knew, yeah no.

822
00:42:12,080 --> 00:42:13,920
Speaker 4: But also because if we had Kate come in and

823
00:42:13,960 --> 00:42:16,600
Speaker 4: do like a different character, people wouldn't get it. So

824
00:42:16,640 --> 00:42:20,600
Speaker 4: we had her. We sent her like basically every speech,

825
00:42:20,719 --> 00:42:23,719
Speaker 4: every Ted x talk he's ever done. We had her

826
00:42:23,920 --> 00:42:25,480
Speaker 4: really like study.

827
00:42:25,400 --> 00:42:27,960
Speaker 1: Let him do this, should do the main Ted. I

828
00:42:27,960 --> 00:42:29,279
Speaker 1: don't know why it was only Ted.

829
00:42:29,480 --> 00:42:35,799
Speaker 2: He owned pretty big deal in tech, just like like.

830
00:42:35,880 --> 00:42:37,480
Speaker 5: Ted x TuS.

831
00:42:37,880 --> 00:42:39,240
Speaker 1: But it's you at SNL fifty.

832
00:42:39,320 --> 00:42:41,359
Speaker 2: I mean, you gotta feel a kinship where it's just

833
00:42:41,480 --> 00:42:47,239
Speaker 2: like obviously the main squad, right, and is like it's

834
00:42:47,280 --> 00:42:50,880
Speaker 2: a zero sum game, and and and you would have

835
00:42:50,880 --> 00:42:51,520
Speaker 2: been getting some.

836
00:42:53,080 --> 00:42:56,280
Speaker 4: I would have had a real different night. Yeah, listen, listen.

837
00:42:56,360 --> 00:42:58,960
Speaker 4: I know people were mad, and I know that there

838
00:42:59,000 --> 00:43:02,200
Speaker 4: was that they wrote that thing in People magazine that

839
00:43:02,400 --> 00:43:08,440
Speaker 4: just really blasted us. But his widow it was just

840
00:43:08,680 --> 00:43:12,960
Speaker 4: she wrote an op ed for People magazine and we

841
00:43:13,040 --> 00:43:16,759
Speaker 4: obviously read that and we're not not affected by it.

842
00:43:16,880 --> 00:43:19,840
Speaker 2: But you're the man in the arena, I you know

843
00:43:19,920 --> 00:43:23,520
Speaker 2: what I mean. Like, ultimately, she's his widow. She has

844
00:43:23,520 --> 00:43:28,040
Speaker 2: a right to her opinion, but she's she's in the stands, like, yeah,

845
00:43:28,080 --> 00:43:31,080
Speaker 2: you're gonna get bloody, You're gonna you're gonna have some

846
00:43:31,160 --> 00:43:32,319
Speaker 2: bumps and bruises.

847
00:43:32,400 --> 00:43:34,520
Speaker 1: So I just want to say, I know you're affected

848
00:43:34,520 --> 00:43:35,960
Speaker 1: by it, and I feel it when you talk about it.

849
00:43:36,000 --> 00:43:37,520
Speaker 1: I feel it.

850
00:43:37,960 --> 00:43:40,719
Speaker 4: Yeah, It's like I'm not a heartless monster. And like

851
00:43:40,960 --> 00:43:44,640
Speaker 4: I know everyone reads the People op eds and like,

852
00:43:44,640 --> 00:43:47,880
Speaker 4: like I get it. Yeah, yeah, what's it's the you know.

853
00:43:48,480 --> 00:43:50,759
Speaker 4: But but I just at the end of the day, boys,

854
00:43:51,320 --> 00:43:53,919
Speaker 4: I gotta do what I think is right for not

855
00:43:54,040 --> 00:43:55,560
Speaker 4: just the show, but for for.

856
00:43:56,280 --> 00:43:57,520
Speaker 5: You're helping people.

857
00:43:57,719 --> 00:43:58,759
Speaker 1: Yeah, you're helping out.

858
00:43:58,840 --> 00:44:02,120
Speaker 4: Yeah, and so so, uh, you know, to hell with her.

859
00:44:03,040 --> 00:44:05,640
Speaker 2: Executives won't be mad that you said. We said all

860
00:44:05,680 --> 00:44:08,040
Speaker 2: the stuff about the executives, right have you? Have you

861
00:44:08,120 --> 00:44:11,120
Speaker 2: encountered actually from the real studios. Now, I guess he's

862
00:44:11,120 --> 00:44:12,400
Speaker 2: like an executive.

863
00:44:13,800 --> 00:44:17,680
Speaker 4: No, no, no, that was before. Before now that the

864
00:44:17,760 --> 00:44:18,680
Speaker 4: show has come.

865
00:44:18,520 --> 00:44:23,040
Speaker 5: Out, they've been saying that's me. Was that me?

866
00:44:24,480 --> 00:44:27,760
Speaker 4: I was? I was, I'm driving up Gower the other day.

867
00:44:28,360 --> 00:44:32,000
Speaker 5: And following wherever it takes me.

868
00:44:32,280 --> 00:44:35,600
Speaker 4: Yeah, I'm just I'm driving up Gower and his car

869
00:44:35,600 --> 00:44:37,080
Speaker 4: pulls up next to me and it was like a

870
00:44:37,160 --> 00:44:40,600
Speaker 4: rickety old like a like an old super or something.

871
00:44:40,960 --> 00:44:41,839
Speaker 4: And that's the guy.

872
00:44:42,040 --> 00:44:44,320
Speaker 5: One lane each way, so that's an oncoming.

873
00:44:44,400 --> 00:44:47,400
Speaker 4: He came around and and and and through like a

874
00:44:47,560 --> 00:44:50,960
Speaker 4: like a like a soda from Wendy's that I think,

875
00:44:52,680 --> 00:44:55,280
Speaker 4: and it makes the motion to roll down the windows.

876
00:44:55,320 --> 00:44:57,240
Speaker 4: I rolled down my window and I look out the window.

877
00:44:57,680 --> 00:45:02,479
Speaker 4: It's freaking David's aslov Yeah, and he's like a big

878
00:45:02,520 --> 00:45:05,440
Speaker 4: super guy. He's a big classic super guy. And he

879
00:45:05,480 --> 00:45:08,400
Speaker 4: looks at me and he goes it was it was

880
00:45:08,640 --> 00:45:13,040
Speaker 4: right on man. Oh wow, yeah. Yeah. I was like,

881
00:45:13,080 --> 00:45:13,600
Speaker 4: oh my god.

882
00:45:13,640 --> 00:45:16,040
Speaker 1: When he threw the soda. I thought he was mad, but.

883
00:45:16,000 --> 00:45:16,680
Speaker 4: I thought he was mad.

884
00:45:16,760 --> 00:45:19,640
Speaker 5: He was just trying trying to give you a so yeah, yeah.

885
00:45:19,200 --> 00:45:21,640
Speaker 4: Yeah I got something.

886
00:45:20,719 --> 00:45:21,680
Speaker 1: Man, you earned it.

887
00:45:22,280 --> 00:45:26,440
Speaker 4: Yeah he he He seemed probably ninety percent sure it

888
00:45:26,480 --> 00:45:28,920
Speaker 4: was David's as Love. I've never seen him, but like,

889
00:45:29,000 --> 00:45:32,360
Speaker 4: I think it was him. And so so that's just

890
00:45:32,440 --> 00:45:35,600
Speaker 4: one example of a studio head who's reached out and

891
00:45:35,680 --> 00:45:36,160
Speaker 4: been like.

892
00:45:36,960 --> 00:45:39,120
Speaker 5: Hey, brother, got us, you got us.

893
00:45:39,200 --> 00:45:41,200
Speaker 4: Yeah, you freaking nailed my ass.

894
00:45:42,480 --> 00:45:45,920
Speaker 5: They do sort of a jive thing, you know.

895
00:45:46,000 --> 00:45:49,360
Speaker 1: I guess it's like everything is Jack, Yes.

896
00:45:50,080 --> 00:45:50,319
Speaker 5: It was.

897
00:45:50,440 --> 00:45:53,080
Speaker 4: Yeah, it's also it's like a.

898
00:45:52,160 --> 00:45:53,600
Speaker 5: God idea for me. Jack.

899
00:45:53,880 --> 00:45:59,000
Speaker 4: I'm always bill if Scatman Carruthers was in The Sons

900
00:45:59,000 --> 00:46:02,160
Speaker 4: of Anarchy. It is the under the way. It feels

901
00:46:02,200 --> 00:46:04,520
Speaker 4: like they sound in my mind, at least, that's how

902
00:46:04,560 --> 00:46:07,360
Speaker 4: every studio executive that's reached out is sounded.

903
00:46:07,400 --> 00:46:10,279
Speaker 1: Though they are actually they're really They have a really

904
00:46:10,320 --> 00:46:10,759
Speaker 1: hard job.

905
00:46:11,280 --> 00:46:14,000
Speaker 4: They have a hard job, and I respect them and

906
00:46:14,040 --> 00:46:17,640
Speaker 4: I love them, and I hope the show that's a

907
00:46:17,680 --> 00:46:19,440
Speaker 4: hard job, I know tickles them a little bit.

908
00:46:20,600 --> 00:46:23,719
Speaker 1: Yeah, they could do some ribbing, but it's a hard job.

909
00:46:24,320 --> 00:46:27,200
Speaker 4: It's a hard job. And listen, it's like they are

910
00:46:27,200 --> 00:46:31,959
Speaker 4: they perfect? No? Do they make a lot of mistakes? Yes?

911
00:46:32,040 --> 00:46:35,520
Speaker 4: Does those mistakes lead to people getting fired and their

912
00:46:35,560 --> 00:46:39,120
Speaker 4: lives ruined? Sure, but it's a hard job.

913
00:46:39,640 --> 00:46:44,560
Speaker 1: And like I like nobody, nobody's batting a thousand.

914
00:46:45,880 --> 00:46:47,640
Speaker 5: I'm doing this and they're doing that. You know what

915
00:46:47,719 --> 00:46:48,040
Speaker 5: I mean?

916
00:46:48,600 --> 00:46:51,720
Speaker 4: I would love to they would let me. Here's here's

917
00:46:51,760 --> 00:46:54,880
Speaker 4: my pitch. You two run a freaking studio and have

918
00:46:55,000 --> 00:46:57,840
Speaker 4: two studio heads run this podcast. Let's see what happens.

919
00:46:57,920 --> 00:47:01,160
Speaker 1: Let's see Yeah, try switching with me and mean what happens.

920
00:47:01,480 --> 00:47:04,480
Speaker 1: I don't think. I don't know if it would go well.

921
00:47:04,719 --> 00:47:06,960
Speaker 4: I think it would be a real bad podcast, and

922
00:47:06,960 --> 00:47:10,320
Speaker 4: we'd have some pretty freaking wacky movies coming out in

923
00:47:10,320 --> 00:47:13,200
Speaker 4: the next couple of years with YouTube nutballs.

924
00:47:13,560 --> 00:47:20,799
Speaker 2: The ideas that I have from movies are so crazy,

925
00:47:21,719 --> 00:47:25,600
Speaker 2: and like, if I were to tell you fin one idea.

926
00:47:26,120 --> 00:47:28,279
Speaker 4: You know, but you got you gotta give you gotta

927
00:47:28,320 --> 00:47:29,680
Speaker 4: give me a little taste. Now, you gotta give me

928
00:47:29,680 --> 00:47:31,960
Speaker 4: at least one.

929
00:47:31,520 --> 00:47:38,560
Speaker 5: Harry Potter Bright, we would Ham