WEBVTT - TGI – Episode 512 “Raging Cory”

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<v Speaker 1>Writer, Has Indie started school? Oh? Yeah, ok? Week two? Okay,

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<v Speaker 1>so you started on the twelve? Yeah, so soon everyone

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<v Speaker 1>starts school in August? Now, wasn't it early? Laborde? It's

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<v Speaker 1>such a thing.

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<v Speaker 2>I mean, the amount of conversations I have with parents

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<v Speaker 2>about this fact.

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<v Speaker 1>It's so annoying. It's so dumb. We should just start.

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<v Speaker 2>We should have year round school really and just take

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<v Speaker 2>like four week breaks in between quarters or whatever.

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<v Speaker 1>It's so weird. Well, yeah, it wasn't it. All this

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<v Speaker 1>was based on being able to farm, wasn't it. No, Like,

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<v Speaker 1>no joke. And I think that's where the school year

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<v Speaker 1>was set up, is so that the kids work. They

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<v Speaker 1>could work, Yeah, they could work the fields ridiculously early.

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<v Speaker 1>And it's stupid because it actually costs.

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<v Speaker 2>The the district a lot of money because of air

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<v Speaker 2>conditioning costs because we have to air condition all through August.

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<v Speaker 2>If we started at your labor day, it'd be so

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<v Speaker 2>much cooler. But then we have four weeks off for Christmas,

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<v Speaker 2>which makes no sense. We come back from like New

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<v Speaker 2>Year's and we end up having like twelve days before.

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<v Speaker 1>You know, are you honestly sitting here and saying something?

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<v Speaker 1>In California isn't run efficiently. Can I don't buy that rider?

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<v Speaker 1>I don't buy it. By the way, let's get on

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<v Speaker 1>that new train.

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<v Speaker 3>Adler had his first day of kindergarten today. We dropped

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<v Speaker 3>him off and he made a friend. First of all,

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<v Speaker 3>the friend he made is a basketball phenom.

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<v Speaker 1>So in kindergarten, he's.

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<v Speaker 3>So he's two years older than either I think he's

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<v Speaker 3>in or maybe he's just one year. He's in first grade.

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<v Speaker 3>We get there and nobody. Of course I'm early, you

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<v Speaker 3>know me, what time do we need to be there?

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<v Speaker 3>Seven thirty? We'll be there at seven twenty two. So

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<v Speaker 3>we get there at seven twenty two, nobody's there and owl.

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<v Speaker 3>Immediately we're on a basketball court and now there goes,

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<v Speaker 3>I want a bask Let's go get a basketball.

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<v Speaker 4>So he does.

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<v Speaker 3>He goes and he gets a basketball and he starts

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<v Speaker 3>shooting baskets, and all of a sudden, this kid comes

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<v Speaker 3>up and he's like, can I play? And others like yeah,

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<v Speaker 3>and he other shoots the like passes the basketball to

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<v Speaker 3>him and the kid starts dribbling in between his leg

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<v Speaker 3>just like yeah, like a pro.

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<v Speaker 1>And like.

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<v Speaker 3>Aler can barely throw the ball over his head. He

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<v Speaker 3>tries to throw, He's like, I'm not very good, and

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<v Speaker 3>I'm like, oh no, this is Odler, who's already a perfectionist,

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<v Speaker 3>who we have to tell him you're not going to

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<v Speaker 3>be good at everything you try right away. That's what

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<v Speaker 3>practice is for, Like we already have to work on that.

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<v Speaker 1>Now. The first kid he plays.

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<v Speaker 3>With is like an abim and now there's like, I

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<v Speaker 3>don't want to do this anymore.

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<v Speaker 1>I'm not going to come out. Thankfully, the kid was

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<v Speaker 1>so sweet. I was worried he was.

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<v Speaker 4>Going to be like I'm better than you, I'm.

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<v Speaker 1>Olderbody, exactly exactly. He was so nice. He was like,

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<v Speaker 1>why don't you come here?

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<v Speaker 4>And he shot.

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<v Speaker 3>He told him like how to get under the basket

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<v Speaker 3>kind of close toward like a layup, and how.

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<v Speaker 1>To shoot it.

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<v Speaker 3>And within two little tips from the kid, Adler made

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<v Speaker 3>two baskets back to back after not even being able

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<v Speaker 3>to get the basketball up high enough to touch the rim.

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<v Speaker 1>So it was great because we felt.

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<v Speaker 2>It's a really ultimately very sweet one on one. If

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<v Speaker 2>they're in a group, it's death, then it's on.

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<v Speaker 1>And you can also say I think adults are like

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<v Speaker 1>that too, and giant groups of people that's true. I

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<v Speaker 1>have a question, Danielle what I mean. I know it's

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<v Speaker 1>his first day, but what what do you what are

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<v Speaker 1>the significant differences between like nursery, school or where he

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<v Speaker 1>came and kindergarten. I mean, longer nap time. They still

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<v Speaker 1>do nap time, because that's.

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<v Speaker 3>That's times gone, that's we now know where it happens.

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<v Speaker 3>At five is where it starts to go wrong. No

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<v Speaker 3>more naps. It's also that now his kindergarten is with

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<v Speaker 3>all the same the grades up through five. The preschool

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<v Speaker 3>is the only part that's separated, so he is now

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<v Speaker 3>officially a very small fish in a bigger pond. And yeah,

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<v Speaker 3>no naps, more structure, so definitely more learning going on

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<v Speaker 3>every day, although at his preschool there was some significant

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<v Speaker 3>learning too, like either did learn to read in his preschool,

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<v Speaker 3>but now they're going to really be focusing in on

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<v Speaker 3>math and some reading. There's still no homework, which is good. Yeah,

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<v Speaker 3>and just yeah, we had a meeting with the teachers

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<v Speaker 3>beforehand and they were like, what do you want him

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<v Speaker 3>to focus on this year? And I said, I really

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<v Speaker 3>would just want him to focus on like learning to

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<v Speaker 3>be a really good friend and spotting other kids that

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<v Speaker 3>may need a little help and knowing how to go

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<v Speaker 3>to them and be a kind kid.

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<v Speaker 4>I just that's for kindergarten, that's what I want.

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<v Speaker 1>Of course.

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<v Speaker 4>Sure, if he can.

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<v Speaker 3>Really solidify the reading that he's learned a little bit

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<v Speaker 3>in preschool, great, But that's essentially it. I mostly want

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<v Speaker 3>him to focus on. Like my hope for my kids

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<v Speaker 3>are that they are the kind of kids that see

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<v Speaker 3>another kid who's maybe struggling and aren't a kid that

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<v Speaker 3>piles on or makes it worse for that kid, but

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<v Speaker 3>instead is like, can I help you?

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<v Speaker 4>Do you need a friend?

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<v Speaker 1>Like he's an emotional support addler. Correct, that's exactly what

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<v Speaker 1>I want. I want Does he need a little vest?

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<v Speaker 1>Mean to get him a little veast?

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<v Speaker 4>And that's that we'd be able to bring him on

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<v Speaker 4>planes exactly, I have.

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<v Speaker 1>To bring into restaurants and stuff like that, Like he's

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<v Speaker 1>allowed in Costco. He's an emotional support addler.

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<v Speaker 3>I mean it.

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<v Speaker 4>I want him to be that way just for me.

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<v Speaker 1>I think that's great, that would work. Like now, I've

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<v Speaker 1>been watching obviously a lot of Disney Channel original movies. Yes,

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<v Speaker 1>at what age do they start teaching them all the

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<v Speaker 1>singing and dancing routines for high choreography. How do they like,

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<v Speaker 1>does that start now like early? Or he goes straight

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<v Speaker 1>from karate into Broadway musical? Perfect? Perfect? Okay, good. I

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<v Speaker 1>just want to make sure that we're all on board.

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<v Speaker 1>Good God. Kindergarten is all about socializing. That's the whole point.

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<v Speaker 2>It's just and just learning to like sit still for

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<v Speaker 2>longer than you know two minutes.

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<v Speaker 1>Do you remember your kindergarten teacher? Can you remember like

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<v Speaker 1>even names? Yeah, missus Parker, she sucked, man, so honest,

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<v Speaker 1>the kindergarten teacher suck. I had a horrible kindergarten here. Yeah,

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<v Speaker 1>what happened to you in kindergarten? I got kicked out.

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<v Speaker 1>It was bad, Like I got kicked out of kindergarten.

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<v Speaker 1>What did you do?

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<v Speaker 2>Were you correcting the turble's office multiple times?

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<v Speaker 3>I was Were they trying to do astrology or something?

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<v Speaker 3>But as they're talking to somebody, make you say the

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<v Speaker 3>pledge of allegiance. It wasn't grappling hook making day.

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<v Speaker 1>I was just a trouble maker. I was were you

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<v Speaker 1>just were you like, uh, the class clown kind of thing,

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<v Speaker 1>and that's what was getting you kicked out? No, I

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<v Speaker 1>was just you know, I was just a monster.

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<v Speaker 2>I was in love with girls already, so I was

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<v Speaker 2>just like, I don't know, I just care about my

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<v Speaker 2>social life more than following the rules or doing anything.

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<v Speaker 2>And you know, the joke is like it was the

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<v Speaker 2>best thing for me to get in trouble because I

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<v Speaker 2>had so much like guilt and shame about getting suspended

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<v Speaker 2>from kindergarten that like, you know, and by the third

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<v Speaker 2>time I got in trouble, like well, at the second

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<v Speaker 2>time I got in trouble, I got sent to the

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<v Speaker 2>principal's office.

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<v Speaker 1>Was always just so terrifying.

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<v Speaker 2>It's like, oh, my parents were like, right, or what

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<v Speaker 2>are we gonna do? You decide the punishment if you

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<v Speaker 2>if you, you know, get in trouble again, I said, well,

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<v Speaker 2>I'd have to go into my room and not come

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<v Speaker 2>out all day. And so of course when I got

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<v Speaker 2>in trouble again, it was like I had to go.

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<v Speaker 2>And I remember it was like, right, I did this

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<v Speaker 2>to myself, and it was like such a good lesson.

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<v Speaker 2>And then I never really I mean first grade, I

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<v Speaker 2>would get benched sometimes, but I was so terrified of

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<v Speaker 2>getting in trouble that I became like a super rule

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<v Speaker 2>follower still to this day. Yeah, I get nervous going

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<v Speaker 2>through security at the airport, Like I always feel like

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<v Speaker 2>I'm guilty and I've done nothing wrong, so I'm like

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<v Speaker 2>and I you know, so it ended up being good

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<v Speaker 2>for me to like experiment in kindergarten. But my teacher

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<v Speaker 2>was just not very patient, and you know whatever, I.

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<v Speaker 1>Was probably such a little paid in the ass. You're

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<v Speaker 1>the only person I know to get kicked out of

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<v Speaker 1>kindergarten ever, and the last person I would have picked

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<v Speaker 1>to have that happened. I know, but it was out

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<v Speaker 1>of Kindergary. It put me in line. It got me

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<v Speaker 1>in line. How about you, Danielle, who's your teacher? I

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<v Speaker 1>don't remember. You can't remember the name?

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<v Speaker 4>Huh No, I don't remember. I have no memories, Yeah,

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<v Speaker 4>memories at all. I don't know.

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<v Speaker 1>We had the same one. My both my brothers and

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<v Speaker 1>I all had missus Mullins. And in my head, she

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<v Speaker 1>was eighty five years old, and I'm sure she was

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<v Speaker 1>probably like late twenties.

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<v Speaker 3>I'm so glad you said that. I do remember that.

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<v Speaker 3>I think she was eighty five years old. I don't

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<v Speaker 3>remember her name, but she was a thousand years old.

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<v Speaker 4>And my mom.

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<v Speaker 3>My mom said to me, Danielle, she was in her forties.

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<v Speaker 3>My mom actually said, I don't even think she was

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<v Speaker 3>in her forties.

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<v Speaker 1>Yep.

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<v Speaker 3>But then I saw a picture. My mom was like, here,

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<v Speaker 3>here's the lady who thought was eighty five. And I

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<v Speaker 3>saw the picture of her and I was like, I'm

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<v Speaker 3>definitely not thinking forties.

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<v Speaker 1>Still, I still think she was older than that, but

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<v Speaker 1>I do.

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<v Speaker 3>That's where I met my best friend, Jessica, my best

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<v Speaker 3>friend throughout my whole childhood. Jessica and I heard the

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<v Speaker 3>story so much I feel like I have a memory

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<v Speaker 3>of it, but I don't really. But we got dropped

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<v Speaker 3>off and we were in front of each other in

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<v Speaker 3>line up, and Jessica started to cry and she turned

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<v Speaker 3>around and I said, please do not cry, because if

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<v Speaker 3>you cry, then I'm crying. And so we just kind

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<v Speaker 3>of like held lands together and made it through kindergarten together,

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<v Speaker 3>and we were best friends all through elementary school.

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<v Speaker 2>So I have a very vivid memory that just came

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<v Speaker 2>back to me. We were waiting in line to go

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<v Speaker 2>outside and we were handed jump ropes and told, of course,

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<v Speaker 2>don't jump rope inside.

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<v Speaker 1>Well, I threw back jump rope.

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<v Speaker 2>And all the paint cans and pulled it down, and

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<v Speaker 2>so I was I just remember getting pounded by you know,

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<v Speaker 2>all these like paint cants and just covered in paint

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<v Speaker 2>head to toe sitting there and I'm like in pain.

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<v Speaker 2>I immediately start bawling, and the teacher grabs me by

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<v Speaker 2>the shoulder and turns to everybody and says.

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<v Speaker 1>You see, this is why we don't jump. And I

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<v Speaker 1>just remember being like loved pain. I'm covered in paint.

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<v Speaker 2>Like and she just immediately made an example out of

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<v Speaker 2>me and just further humiliated me in front of the

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<v Speaker 2>whole class. And I just remember my dad had to

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<v Speaker 2>come bring me clothes and I was like changing in

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<v Speaker 2>the bathroom, still crying, just feeling awful. So like there was.

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<v Speaker 1>No sympathy for a missus Parker, No like, hey, how

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<v Speaker 1>are you doing? Are you okay? Did you hurt yourself?

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<v Speaker 1>Who's just let's make an example of writer. The troubles

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<v Speaker 1>so much fun, these stories, it's just so much fun.

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<v Speaker 4>I'm so sorry, writer, are you okay?

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<v Speaker 1>I got through it. You need an emotional support, Adler,

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<v Speaker 1>so you can get you. You can't get you one.

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<v Speaker 2>Great because Indy is not an emotional support, like say

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<v Speaker 2>at nine, it's just drain, It's just how can I

0:10:52.000 --> 0:10:53.040
<v Speaker 2>stress you out?

0:10:53.280 --> 0:10:55.280
<v Speaker 1>Why are you not feeling what I'm feeling? Let me

0:10:55.400 --> 0:11:00.000
<v Speaker 1>make you feel it. Oh, welcome to pod Meets World.

0:11:00.120 --> 0:11:15.199
<v Speaker 1>I'm Danielle Fischel, I'm Rider Strong, and I'm wil Fredell. Oh.

0:11:15.280 --> 0:11:19.040
<v Speaker 3>Today we are here to recap season five, episode twelve,

0:11:19.520 --> 0:11:24.280
<v Speaker 3>Raging Cory. It originally aired January ninth, nineteen ninety eight.

0:11:24.600 --> 0:11:29.480
<v Speaker 3>I cannot believe we are now recapping episodes that aired

0:11:29.559 --> 0:11:30.800
<v Speaker 3>in ninety eight.

0:11:31.400 --> 0:11:32.840
<v Speaker 1>Yeah. Crazy.

0:11:33.400 --> 0:11:34.239
<v Speaker 4>The synopsis.

0:11:34.280 --> 0:11:37.240
<v Speaker 3>Alan is forced to reevaluate himself as a father when

0:11:37.240 --> 0:11:41.240
<v Speaker 3>he notices that his relationship with his sons is lacking. Also,

0:11:41.559 --> 0:11:44.040
<v Speaker 3>Sean and Jack have to share a room. It was

0:11:44.080 --> 0:11:47.360
<v Speaker 3>directed by David Kendall. It was written by Barbie Feldman.

0:11:47.800 --> 0:11:49.760
<v Speaker 1>Yeah, Barbie, Yeah.

0:11:49.880 --> 0:11:53.960
<v Speaker 3>Before we jump into our guest stars, did you guys

0:11:54.040 --> 0:11:55.600
<v Speaker 3>have any overall thoughts?

0:11:56.080 --> 0:11:58.760
<v Speaker 1>Perfect episode. I loved it, top five loved it, Top

0:11:58.840 --> 0:12:02.680
<v Speaker 1>five episode of all time for me. I so it's

0:12:02.920 --> 0:12:05.600
<v Speaker 1>so good season five starting to come along.

0:12:05.760 --> 0:12:09.240
<v Speaker 2>I just thought this was by far the best episode

0:12:09.240 --> 0:12:11.559
<v Speaker 2>of season five. Yeah, and like I said, top five

0:12:11.559 --> 0:12:12.040
<v Speaker 2>episode of the.

0:12:12.040 --> 0:12:14.800
<v Speaker 1>Show for me. You think it's better than the per episode. Yes,

0:12:14.920 --> 0:12:15.120
<v Speaker 1>I do.

0:12:15.559 --> 0:12:18.640
<v Speaker 2>Wow, really, yeah, I think it was really well balanced height,

0:12:18.720 --> 0:12:21.880
<v Speaker 2>it's well balanced. Yep, it's all based in character. It's

0:12:21.960 --> 0:12:23.680
<v Speaker 2>just everything, and then it has all the boy meets

0:12:23.720 --> 0:12:24.800
<v Speaker 2>world heart at the end.

0:12:25.280 --> 0:12:28.679
<v Speaker 1>It's clever. It's a story is great. The B story's great.

0:12:28.760 --> 0:12:32.840
<v Speaker 1>They fins Bill perfectly like it is so good. I

0:12:32.880 --> 0:12:33.920
<v Speaker 1>loved this episode.

0:12:34.280 --> 0:12:36.560
<v Speaker 3>I really liked it too. I don't think I loved

0:12:36.559 --> 0:12:39.040
<v Speaker 3>it quite as much as you guys did. And my

0:12:39.240 --> 0:12:43.360
<v Speaker 3>only real complaint about it is the B storyline. I loved,

0:12:43.440 --> 0:12:45.040
<v Speaker 3>But I'm just not sure why they had to be

0:12:45.120 --> 0:12:45.679
<v Speaker 3>trapped in.

0:12:45.640 --> 0:12:46.400
<v Speaker 4>That one room.

0:12:47.240 --> 0:12:50.600
<v Speaker 3>Why couldn't Why couldn't we see your differences come into

0:12:50.679 --> 0:12:53.360
<v Speaker 3>play in the kitchen as well, the way you cook

0:12:53.440 --> 0:12:56.800
<v Speaker 3>differently or the like. I felt like we were seeing

0:12:57.760 --> 0:13:00.880
<v Speaker 3>kind of the same scene again because we were in

0:13:00.960 --> 0:13:03.720
<v Speaker 3>the same room and it was still so my issue

0:13:03.760 --> 0:13:05.760
<v Speaker 3>was like just a set issue. It was like, I

0:13:06.559 --> 0:13:09.320
<v Speaker 3>know the living room exists this week because we see

0:13:09.400 --> 0:13:09.720
<v Speaker 3>you guys.

0:13:10.120 --> 0:13:13.160
<v Speaker 1>Yeah, so was it different? We'll get into that, Okay.

0:13:13.160 --> 0:13:15.320
<v Speaker 1>Did it seem like it was painted? I think the

0:13:15.360 --> 0:13:19.600
<v Speaker 1>whole apartment seemed lighter. Was it a different color something?

0:13:19.760 --> 0:13:21.400
<v Speaker 1>It seemed like it went from tan to white, and

0:13:21.400 --> 0:13:24.760
<v Speaker 1>I could totally be wrong, but it looked more cluttered

0:13:24.880 --> 0:13:27.360
<v Speaker 1>and a different color, and all of that might be incorrect.

0:13:27.520 --> 0:13:29.640
<v Speaker 2>I think it's just that the solution was the wrestling,

0:13:29.840 --> 0:13:31.640
<v Speaker 2>and in order to create the wrestling, you just have

0:13:31.640 --> 0:13:32.760
<v Speaker 2>to have the mattress on the floor.

0:13:33.160 --> 0:13:36.840
<v Speaker 1>And I thought it was great. Too little core. Okay,

0:13:36.880 --> 0:13:39.040
<v Speaker 1>we'll get in there. Okay, yeah, good, all right.

0:13:39.200 --> 0:13:42.160
<v Speaker 3>So guest starring Steve Park, who is sometimes credited as

0:13:42.200 --> 0:13:45.760
<v Speaker 3>Steven Park is the jump Master. He's a comedy vet

0:13:45.800 --> 0:13:48.960
<v Speaker 3>with a resume full of impressive projects. His first role

0:13:49.080 --> 0:13:51.520
<v Speaker 3>was as Sonny in Spike Lee's Do the Right Thing,

0:13:51.760 --> 0:13:54.280
<v Speaker 3>which led to becoming a cast member on the legendary

0:13:54.320 --> 0:13:57.120
<v Speaker 3>sketch show in Living Color. Yep, and this is going

0:13:57.200 --> 0:13:59.520
<v Speaker 3>to sound odd, but back in nineteen ninety one, he

0:13:59.640 --> 0:14:02.800
<v Speaker 3>was one of the only Asian actors ever to star

0:14:03.280 --> 0:14:04.720
<v Speaker 3>on a major television show.

0:14:05.200 --> 0:14:06.800
<v Speaker 1>That's really impressing.

0:14:06.920 --> 0:14:09.280
<v Speaker 4>Yes, is that not the most impressed ninety one?

0:14:09.400 --> 0:14:11.360
<v Speaker 1>It was that late Oh my god.

0:14:12.240 --> 0:14:15.560
<v Speaker 3>He'd appear in movies like Kindergarten, Cop Toys, and Falling Down,

0:14:15.640 --> 0:14:19.120
<v Speaker 3>but he's best known as the scene stealing Possible psychopath

0:14:19.600 --> 0:14:23.840
<v Speaker 3>Mike Yanagita in the nineteen ninety six Fargo from the

0:14:23.960 --> 0:14:24.840
<v Speaker 3>Cohen Brothers.

0:14:24.920 --> 0:14:28.040
<v Speaker 1>It's so good. It's Mike Keigia. Oh god, it was

0:14:28.200 --> 0:14:28.800
<v Speaker 1>so good.

0:14:29.240 --> 0:14:31.360
<v Speaker 3>If you've ever seen the movie, it would be almost

0:14:31.440 --> 0:14:35.040
<v Speaker 3>impossible to forget his surreal scene that is truly unhinged.

0:14:35.320 --> 0:14:38.080
<v Speaker 3>Steven would also appear on TV shows like Martin Friends,

0:14:38.120 --> 0:14:41.160
<v Speaker 3>Matt About You, and Lawn Order, and recently joined the

0:14:41.160 --> 0:14:44.920
<v Speaker 3>Wes Anderson Company of frequent collaborators, appearing in both The

0:14:44.920 --> 0:14:47.240
<v Speaker 3>French Dispatch and Asteroid City.

0:14:47.600 --> 0:14:51.360
<v Speaker 2>Now hold on because that Fargo scene is just legendary, legendary,

0:14:51.480 --> 0:14:54.480
<v Speaker 2>and it's legendary because it is so bizarre. It comes

0:14:54.480 --> 0:14:56.040
<v Speaker 2>out of like completely left field.

0:14:56.200 --> 0:14:56.640
<v Speaker 1>But it does.

0:14:56.680 --> 0:14:58.960
<v Speaker 2>I'm trying to remember, Will can you remember? How does

0:14:58.960 --> 0:15:01.800
<v Speaker 2>that actually connect it? Actually, no, it does.

0:15:01.880 --> 0:15:03.160
<v Speaker 1>It helps her solve the crime.

0:15:03.400 --> 0:15:08.360
<v Speaker 3>No, she realizes she was lied to in that scene.

0:15:08.800 --> 0:15:11.400
<v Speaker 1>Yeah, no, he well, I mean I guess kind of.

0:15:11.440 --> 0:15:12.000
<v Speaker 1>But what it is?

0:15:12.080 --> 0:15:14.720
<v Speaker 3>She goes back, if I had been lied to by him? Yes,

0:15:14.880 --> 0:15:17.760
<v Speaker 3>maybe I have been lied to other people.

0:15:18.120 --> 0:15:19.000
<v Speaker 1>Yeah, that's what I remember.

0:15:19.040 --> 0:15:20.760
<v Speaker 2>I remember thinking it was like, this is a completely

0:15:20.840 --> 0:15:22.840
<v Speaker 2>random scene that you could pull out and then be

0:15:22.960 --> 0:15:25.760
<v Speaker 2>realizing like, oh no, it's essential to her solving.

0:15:25.520 --> 0:15:29.560
<v Speaker 1>The crime and this bizarre like circuitous path but it

0:15:29.640 --> 0:15:32.400
<v Speaker 1>was it was again, she doesn't learn anything in that scene.

0:15:32.400 --> 0:15:34.760
<v Speaker 1>She gets a call from her friend afterwards who's like, no,

0:15:35.480 --> 0:15:37.840
<v Speaker 1>she's fine. He was really harassing her for a while.

0:15:37.840 --> 0:15:40.400
<v Speaker 1>You should you should call her. She's great because he says,

0:15:40.440 --> 0:15:43.360
<v Speaker 1>my wife died of leukemia. You know, she thought she

0:15:43.560 --> 0:15:45.680
<v Speaker 1>hard Margie and and then it was you know, you

0:15:45.760 --> 0:15:48.320
<v Speaker 1>realize that none of that had actually happened, right, But

0:15:48.400 --> 0:15:50.840
<v Speaker 1>she hears that that was a lie, and that's what

0:15:50.880 --> 0:15:52.360
<v Speaker 1>makes her to turn back to the criminals.

0:15:52.480 --> 0:15:56.440
<v Speaker 2>Nice people might also lying, which makes her think that, yeah,

0:15:56.800 --> 0:15:57.320
<v Speaker 2>what's his name?

0:15:57.440 --> 0:16:00.720
<v Speaker 1>And I remember talking to him specifically about this scene,

0:16:01.680 --> 0:16:04.120
<v Speaker 1>and because he obviously I was a huge Fargo fan,

0:16:04.160 --> 0:16:05.560
<v Speaker 1>so I was like, hey, man can and we just

0:16:05.600 --> 0:16:08.560
<v Speaker 1>started talking about it, and he's like, I was amazed

0:16:08.560 --> 0:16:10.040
<v Speaker 1>at how many people, he said, when I went to

0:16:10.040 --> 0:16:12.280
<v Speaker 1>the screening and saw the film later, how many people

0:16:12.280 --> 0:16:15.040
<v Speaker 1>thought it was funny. He's like, I was playing it

0:16:15.160 --> 0:16:19.640
<v Speaker 1>as this guy is completely unhinged, playing it straight, and

0:16:19.680 --> 0:16:22.080
<v Speaker 1>he said it just somehow became a comedy. Said I

0:16:22.120 --> 0:16:25.920
<v Speaker 1>still don't understand that the magic that is so hard

0:16:25.960 --> 0:16:26.640
<v Speaker 1>to nail down.

0:16:26.880 --> 0:16:29.520
<v Speaker 2>Yea, And everybody plays it straight, even when it's a

0:16:29.640 --> 0:16:33.160
<v Speaker 2>very funny scene, they commit as if it's deadly serious.

0:16:33.200 --> 0:16:35.360
<v Speaker 1>And that's why. And you just saw he was unhinged.

0:16:35.360 --> 0:16:36.880
<v Speaker 1>And every time when he gets up and goes to

0:16:36.920 --> 0:16:38.640
<v Speaker 1>try to sit next to her and she's like no, no, no,

0:16:38.720 --> 0:16:43.640
<v Speaker 1>please go. Yeah, just he was great.

0:16:43.800 --> 0:16:47.720
<v Speaker 3>Yeah, So jumping into our recap, we are back in

0:16:47.800 --> 0:16:51.960
<v Speaker 3>the Matthews driveway. I don't remember being here more than

0:16:52.040 --> 0:16:53.240
<v Speaker 3>once I did.

0:16:53.280 --> 0:16:55.720
<v Speaker 1>But it was a different set than the last garage,

0:16:56.000 --> 0:16:58.480
<v Speaker 1>wasn't it. Yeah? I think I didn't. I don't remember

0:16:58.520 --> 0:17:02.080
<v Speaker 1>that little wall that was I remember a little wall.

0:17:02.200 --> 0:17:04.199
<v Speaker 1>Oh really, I thought it was just you saw the

0:17:04.240 --> 0:17:06.439
<v Speaker 1>garage door and the hoop that was it, and I

0:17:06.440 --> 0:17:08.560
<v Speaker 1>thought they expanded it more this time.

0:17:08.760 --> 0:17:10.800
<v Speaker 3>It does seem like maybe it was a different angle

0:17:10.840 --> 0:17:13.000
<v Speaker 3>where we saw more, like it was a bigger set

0:17:13.000 --> 0:17:14.880
<v Speaker 3>this time. Oh yeah, yeah, I think the thing maybe

0:17:14.920 --> 0:17:16.840
<v Speaker 3>there was a different angle to it where we saw

0:17:16.880 --> 0:17:17.840
<v Speaker 3>more of it this time.

0:17:18.000 --> 0:17:19.480
<v Speaker 4>But but yeah.

0:17:19.320 --> 0:17:21.879
<v Speaker 3>I was like, oh, we get to hang out on

0:17:21.920 --> 0:17:24.359
<v Speaker 3>the driveway quite a bit every episode.

0:17:24.400 --> 0:17:28.199
<v Speaker 1>Now we're in multiple sets. We've never seen before. It is, so,

0:17:28.280 --> 0:17:29.879
<v Speaker 1>I said to Sue halfway through, I'm like, when's the

0:17:29.920 --> 0:17:32.280
<v Speaker 1>last time we were at the school? I know, I

0:17:32.320 --> 0:17:33.480
<v Speaker 1>mean it's been a while.

0:17:33.560 --> 0:17:38.479
<v Speaker 2>That always yuckson wants to do that.

0:17:38.840 --> 0:17:41.440
<v Speaker 1>We it's not, well, yeah, it's I missed the old hall.

0:17:42.760 --> 0:17:44.960
<v Speaker 3>Well, Eric and Allen are playing an intense game of

0:17:45.000 --> 0:17:48.159
<v Speaker 3>one on one basketball. Corey walks out to find them playing. Okay,

0:17:48.240 --> 0:17:50.960
<v Speaker 3>I got next, Alan explains there is no next score.

0:17:51.080 --> 0:17:54.840
<v Speaker 3>This is for the Matthews Championship. Corey emphasizes that he's

0:17:54.840 --> 0:17:59.120
<v Speaker 3>a Matthews too, and that Eric shoots and scores. Well, yeah,

0:17:59.160 --> 0:18:00.560
<v Speaker 3>you've got good basket ball for him.

0:18:00.760 --> 0:18:02.320
<v Speaker 1>Thank you. I grew up my mom taught us how

0:18:02.320 --> 0:18:04.760
<v Speaker 1>to play basketball. My mom played basketball all through high

0:18:04.800 --> 0:18:06.359
<v Speaker 1>school and everything, so she taught all the boys how

0:18:06.400 --> 0:18:08.679
<v Speaker 1>to play. We all played. I mean, you look, you

0:18:08.720 --> 0:18:09.840
<v Speaker 1>look great, thank you.

0:18:09.880 --> 0:18:15.680
<v Speaker 2>But beyond looking great, this celebratory dance moment, Oh, it's

0:18:15.720 --> 0:18:16.119
<v Speaker 2>the best.

0:18:16.240 --> 0:18:17.720
<v Speaker 1>It's great. It's absolutely great.

0:18:17.880 --> 0:18:19.440
<v Speaker 2>And it was one of those moments I was like,

0:18:19.760 --> 0:18:21.760
<v Speaker 2>I just want to I watched it like three times.

0:18:21.800 --> 0:18:24.040
<v Speaker 1>I was like, this is so will just.

0:18:23.960 --> 0:18:27.880
<v Speaker 2>Being funny again, Like, what did it say in the script?

0:18:28.040 --> 0:18:30.320
<v Speaker 2>I can we find a copy of the script. I

0:18:30.320 --> 0:18:32.439
<v Speaker 2>want to know what it said? Like, was that a

0:18:32.520 --> 0:18:34.320
<v Speaker 2>line that was written where you just had to say?

0:18:34.320 --> 0:18:38.000
<v Speaker 1>What? Like I did it? I'm the king? But it

0:18:38.040 --> 0:18:42.360
<v Speaker 1>doesn't matter. You just have such joy. Eric is the King?

0:18:42.440 --> 0:18:45.080
<v Speaker 1>Is that what it is? You're so funny?

0:18:45.119 --> 0:18:46.880
<v Speaker 2>And I was like, oh my god, I just want

0:18:46.880 --> 0:18:49.040
<v Speaker 2>to go back and see how this came together.

0:18:49.240 --> 0:18:52.240
<v Speaker 1>Like is that just Will being Will? Like I wish

0:18:52.320 --> 0:18:54.480
<v Speaker 1>I remember? Don't so fun Oh.

0:18:54.640 --> 0:18:58.479
<v Speaker 3>I'm sure, it says, and he celebrates and I want

0:18:58.560 --> 0:18:59.120
<v Speaker 3>to celebrate.

0:18:59.720 --> 0:19:01.160
<v Speaker 4>And then that's what Will did.

0:19:01.240 --> 0:19:02.800
<v Speaker 1>So he scores.

0:19:03.000 --> 0:19:07.040
<v Speaker 3>Alan yells no in defeat, Eric does a little celebration dance.

0:19:07.280 --> 0:19:08.120
<v Speaker 2>Eric is the King.

0:19:08.520 --> 0:19:11.159
<v Speaker 3>Alan laughs he'll need a rematch, but Eric reminds him

0:19:11.160 --> 0:19:13.760
<v Speaker 3>the new season starts tomorrow. They give each other some

0:19:13.800 --> 0:19:16.000
<v Speaker 3>playful punches, and Eric tells his dad not to get

0:19:16.000 --> 0:19:18.080
<v Speaker 3>fat in the off season. He runs off to hit

0:19:18.119 --> 0:19:19.920
<v Speaker 3>the showers, leaving Corey and Allan alone.

0:19:20.960 --> 0:19:25.280
<v Speaker 1>Advice, well, wait wait till we come back, Wait till

0:19:25.320 --> 0:19:28.439
<v Speaker 1>we come back. I'm not gonna allow you to talk

0:19:28.440 --> 0:19:31.040
<v Speaker 1>about yourself like that. Well, you're right, I'm sorry. I

0:19:31.080 --> 0:19:31.800
<v Speaker 1>was too fat not to.

0:19:31.840 --> 0:19:34.520
<v Speaker 4>Hear you that's blocking your ears.

0:19:35.040 --> 0:19:35.679
<v Speaker 1>That's the problem.

0:19:35.800 --> 0:19:38.720
<v Speaker 3>Yet, Corey challenges his dad to a game, but Alan

0:19:38.840 --> 0:19:41.400
<v Speaker 3>says he's wiped. He just played two hours of racketball

0:19:41.400 --> 0:19:43.720
<v Speaker 3>with Eric this morning. Corey points out that he was

0:19:43.720 --> 0:19:46.120
<v Speaker 3>willing to play with Eric again, and Alan argues that's

0:19:46.119 --> 0:19:48.399
<v Speaker 3>because it was for the championship. Corey tells him this

0:19:48.480 --> 0:19:51.320
<v Speaker 3>game can be for their championship. He begins to dribble,

0:19:51.320 --> 0:19:53.800
<v Speaker 3>but Alan stays put. He tells Corey he's got nothing.

0:19:54.240 --> 0:19:56.800
<v Speaker 3>Corey aggressively passes the ball to his dad and Alan

0:19:56.920 --> 0:19:59.800
<v Speaker 3>catches it with a tired huff. Maybe tomorrow, all right,

0:20:00.160 --> 0:20:03.440
<v Speaker 3>Corey pushes back, what if Eric's not around? Alan's confused,

0:20:03.440 --> 0:20:05.560
<v Speaker 3>but Corey won't elaborate. He tells his dad to just

0:20:05.560 --> 0:20:08.359
<v Speaker 3>give him the ball. Alan refuses, why so you can

0:20:08.400 --> 0:20:10.680
<v Speaker 3>throw it at me again. Corey reaches for the ball

0:20:10.720 --> 0:20:11.719
<v Speaker 3>and tells him to forget it.

0:20:11.960 --> 0:20:12.040
<v Speaker 1>Now.

0:20:12.080 --> 0:20:13.480
<v Speaker 3>They're in a bit of a tug of war, both

0:20:13.560 --> 0:20:16.000
<v Speaker 3>pulling for the ball and neither letting go, until Corey

0:20:16.040 --> 0:20:18.919
<v Speaker 3>gives up and sends Alan flying backwards, falling to the

0:20:18.920 --> 0:20:22.080
<v Speaker 3>ground on his back. He angrily asks Cory, what's wrong

0:20:22.119 --> 0:20:24.680
<v Speaker 3>with you? Corey begins to apologize, and then Amy and

0:20:24.800 --> 0:20:25.880
<v Speaker 3>Eric come walking outside.

0:20:25.920 --> 0:20:26.400
<v Speaker 4>Concerned.

0:20:26.880 --> 0:20:29.080
<v Speaker 3>Amy asks what happened and Alan throws his arms in

0:20:29.119 --> 0:20:32.200
<v Speaker 3>the air. Ask your son. Alan walks away and everyone

0:20:32.240 --> 0:20:34.679
<v Speaker 3>is silent until a shocked Eric tells his mom. I

0:20:34.760 --> 0:20:36.000
<v Speaker 3>swear I don't know anything.

0:20:38.440 --> 0:20:41.680
<v Speaker 1>Did anybody else find? And again it yeah, completely works

0:20:41.680 --> 0:20:44.760
<v Speaker 1>for the story. But Alan was really tone deaf and

0:20:44.840 --> 0:20:47.960
<v Speaker 1>harsh to Corey. See, you were waiting for him to

0:20:47.960 --> 0:20:50.879
<v Speaker 1>be like, look, I'm exhausted now, but we'll play, you know,

0:20:50.960 --> 0:20:53.760
<v Speaker 1>give me tomorrow, you and me. It was just like, no,

0:20:54.440 --> 0:20:57.920
<v Speaker 1>I got nothing, I know, And so it was like, wow, No,

0:20:59.000 --> 0:21:00.560
<v Speaker 1>it wasn't in a bad way. Again, I think that's

0:21:00.560 --> 0:21:01.280
<v Speaker 1>what they're supposed to.

0:21:01.280 --> 0:21:03.880
<v Speaker 2>Being the father to a son who always wants my attention,

0:21:04.200 --> 0:21:06.160
<v Speaker 2>you just reach a point where you're like.

0:21:06.840 --> 0:21:09.280
<v Speaker 1>Dude, I've said, I mean, he's he says all the things.

0:21:09.280 --> 0:21:12.040
<v Speaker 2>He's like, I'm just tired, not now, and it's like

0:21:12.560 --> 0:21:14.560
<v Speaker 2>and he just doesn't Corey doesn't take the hint. I mean,

0:21:14.640 --> 0:21:17.400
<v Speaker 2>you know, yeah, it's it's it's it's understandable from both sides.

0:21:17.440 --> 0:21:18.880
<v Speaker 1>I think, Oh, no, I agree, but.

0:21:18.840 --> 0:21:22.359
<v Speaker 2>I wish ball had been a little bigger. I actually

0:21:22.400 --> 0:21:25.520
<v Speaker 2>think because like, there's no sound that would have brought amy.

0:21:26.119 --> 0:21:27.040
<v Speaker 4>I know.

0:21:27.160 --> 0:21:28.240
<v Speaker 1>So if he had.

0:21:28.400 --> 0:21:31.520
<v Speaker 2>Gone back and pounded against the garage door like right

0:21:31.760 --> 0:21:34.040
<v Speaker 2>that and then fallen, it would have made money.

0:21:34.040 --> 0:21:34.960
<v Speaker 1>On that makes it as it was.

0:21:35.000 --> 0:21:35.199
<v Speaker 3>It was.

0:21:35.240 --> 0:21:37.879
<v Speaker 2>It's kind of like it's this is a silent, weird,

0:21:37.920 --> 0:21:39.879
<v Speaker 2>awkward fall, and you're like, did Corey really do that?

0:21:40.200 --> 0:21:40.399
<v Speaker 1>You know?

0:21:40.600 --> 0:21:41.879
<v Speaker 2>So I wish I could go back and do a

0:21:41.920 --> 0:21:44.479
<v Speaker 2>little more stunt work or you know, choreograph that a

0:21:44.560 --> 0:21:45.160
<v Speaker 2>little better.

0:21:45.200 --> 0:21:47.080
<v Speaker 1>But other than that, I have no complaints.

0:21:47.080 --> 0:21:48.880
<v Speaker 4>Matt thought, Yeah, I do agree.

0:21:49.240 --> 0:21:51.680
<v Speaker 3>I know. I I like you said, writer, I see

0:21:51.680 --> 0:21:54.320
<v Speaker 3>it from both sides, and as the parent of two sons,

0:21:54.880 --> 0:21:57.920
<v Speaker 3>I regularly have to remind myself that even if I'm

0:21:57.960 --> 0:22:00.520
<v Speaker 3>totally exhausted from the thing I just did with one kid,

0:22:00.600 --> 0:22:02.959
<v Speaker 3>if the other kid also now wants to do that

0:22:03.040 --> 0:22:06.199
<v Speaker 3>same thing with me, I probably need to do it

0:22:06.240 --> 0:22:09.080
<v Speaker 3>at least for a little bit, because it does they

0:22:09.200 --> 0:22:12.440
<v Speaker 3>They do internalize a lot of well, you're doing this

0:22:12.560 --> 0:22:15.040
<v Speaker 3>with them, and you're and what are you doing with him?

0:22:15.040 --> 0:22:15.760
<v Speaker 1>And what about me?

0:22:16.280 --> 0:22:17.760
<v Speaker 3>And they take a lot of that on and so

0:22:17.960 --> 0:22:20.120
<v Speaker 3>even if you just say like all right, man, I'm

0:22:20.119 --> 0:22:21.440
<v Speaker 3>real quick I'm real tired.

0:22:21.520 --> 0:22:22.720
<v Speaker 1>Let's play Best to seven.

0:22:22.960 --> 0:22:25.679
<v Speaker 3>Yeah, And it's not even exactly or horse or something

0:22:25.720 --> 0:22:27.640
<v Speaker 3>where you're like, I want to I want to spend

0:22:27.680 --> 0:22:29.320
<v Speaker 3>the time with you, but I don't have the energy

0:22:29.359 --> 0:22:29.600
<v Speaker 3>to do.

0:22:29.520 --> 0:22:30.000
<v Speaker 4>A full game.

0:22:30.240 --> 0:22:33.000
<v Speaker 3>Because his point that he makes you were just ready

0:22:33.000 --> 0:22:36.919
<v Speaker 3>to play again with Eric is so valid that you

0:22:37.000 --> 0:22:38.879
<v Speaker 3>were like, come on, let's go again and you're like,

0:22:38.920 --> 0:22:42.000
<v Speaker 3>no way, man, it starts tomorrow. And then when you're like,

0:22:42.040 --> 0:22:45.520
<v Speaker 3>what about me, no, not you? Yeah, that part's hard.

0:22:45.560 --> 0:22:48.520
<v Speaker 1>You know what. The parenting trick that I've learned is

0:22:48.640 --> 0:22:49.399
<v Speaker 1>when Indy.

0:22:49.200 --> 0:22:52.040
<v Speaker 2>Says like, Dad, let's go blah blah blah, do whatever,

0:22:52.160 --> 0:22:55.040
<v Speaker 2>and I really don't feel like it. I just say sure,

0:22:55.920 --> 0:22:59.080
<v Speaker 2>and then whether we do or not, it might not

0:22:59.160 --> 0:23:01.080
<v Speaker 2>end up happening. And it's but if I say, you

0:23:01.119 --> 0:23:02.480
<v Speaker 2>know what, man, I'm not going to do it, then

0:23:02.480 --> 0:23:03.120
<v Speaker 2>it's on a fight.

0:23:03.440 --> 0:23:03.840
<v Speaker 3>Why not?

0:23:04.600 --> 0:23:06.080
<v Speaker 1>So I just kind of habit.

0:23:06.280 --> 0:23:09.440
<v Speaker 2>Like okay, and then like we walk outside to go

0:23:09.640 --> 0:23:12.000
<v Speaker 2>swimming or do whatever, and then he kind of loses

0:23:12.000 --> 0:23:16.720
<v Speaker 2>interest and changes his mind during notes, does okay, and

0:23:16.760 --> 0:23:17.840
<v Speaker 2>then you do it you want.

0:23:17.960 --> 0:23:23.560
<v Speaker 1>It works like a charm.

0:23:21.480 --> 0:23:23.440
<v Speaker 2>But yeah, it's a fight. It's like when everybody starts

0:23:23.440 --> 0:23:25.159
<v Speaker 2>digging it, and that's what I thought. Here is like,

0:23:25.880 --> 0:23:27.680
<v Speaker 2>you know, Alan didn't feel like playing with Corey. He

0:23:27.760 --> 0:23:29.360
<v Speaker 2>just said no, hoping that they would.

0:23:29.119 --> 0:23:31.240
<v Speaker 1>Just go away. But Corey's like why not? Why not?

0:23:31.280 --> 0:23:33.080
<v Speaker 2>You know, and then it becomes a thing and then

0:23:33.160 --> 0:23:34.560
<v Speaker 2>everybody has to dig their heels in.

0:23:34.760 --> 0:23:34.920
<v Speaker 1>Yep.

0:23:35.000 --> 0:23:36.400
<v Speaker 4>Yeah, I'm not going.

0:23:36.400 --> 0:23:38.080
<v Speaker 1>To mention this again because we've talked about it eight

0:23:38.119 --> 0:23:42.240
<v Speaker 1>thousand times. But Rusty's so good, it's ridiculously He's just

0:23:42.320 --> 0:23:45.680
<v Speaker 1>such a good actor that every moment is so.

0:23:45.720 --> 0:23:48.280
<v Speaker 3>I'm so happy to have a family episode. It's so

0:23:48.440 --> 0:23:51.000
<v Speaker 3>nice to not have it be focused on on kid

0:23:51.040 --> 0:23:54.080
<v Speaker 3>relationship like love relationships. It's so nice to have it

0:23:54.080 --> 0:23:54.840
<v Speaker 3>be about the family.

0:23:54.960 --> 0:23:55.399
<v Speaker 1>Nice. Ye.

0:23:55.880 --> 0:23:57.080
<v Speaker 4>So then we're in the guy's apartment.

0:23:57.080 --> 0:23:59.080
<v Speaker 3>Seawan's lying on the couch reading a magazine when we

0:23:59.080 --> 0:24:01.120
<v Speaker 3>hear a terrified scream in a crash.

0:24:00.840 --> 0:24:03.119
<v Speaker 4>Coming from Jack's room. He casually yells.

0:24:02.880 --> 0:24:05.359
<v Speaker 3>Out, oh yeah, the super told me to tell you

0:24:05.400 --> 0:24:07.760
<v Speaker 3>that the people above us let their bathtub overflow, and

0:24:07.800 --> 0:24:08.680
<v Speaker 3>whatever you do.

0:24:09.200 --> 0:24:11.119
<v Speaker 4>Jack walks out of his room, not.

0:24:11.119 --> 0:24:13.120
<v Speaker 1>See what magazine I was reading. Could you guys figure

0:24:13.119 --> 0:24:15.320
<v Speaker 1>it out? I didn't know I didn't look. To be honest,

0:24:16.280 --> 0:24:20.280
<v Speaker 1>it's like that it's gonna be one of ours. What

0:24:20.400 --> 0:24:22.480
<v Speaker 1>kind of magazine was Sean reading. I don't know what

0:24:23.359 --> 0:24:26.680
<v Speaker 1>curious like, didn't they have couples? Was a couples one

0:24:26.680 --> 0:24:29.440
<v Speaker 1>of them that we had. There wasn't a wedding one. Yeah,

0:24:29.480 --> 0:24:31.600
<v Speaker 1>it was a wedding one, and there was one called Couples. Yeah.

0:24:31.680 --> 0:24:32.800
<v Speaker 1>It was very strange.

0:24:33.119 --> 0:24:36.120
<v Speaker 4>Yeah, there was. There was a couple of fun little see,

0:24:36.400 --> 0:24:37.400
<v Speaker 4>we gotta go back.

0:24:37.720 --> 0:24:40.879
<v Speaker 3>So he angrily finishes the sentence, don't poke at the

0:24:40.880 --> 0:24:43.639
<v Speaker 3>big bubble on my ceiling. Sean wonders, Oh, so you

0:24:43.680 --> 0:24:47.200
<v Speaker 3>got the message, Jack says, yeah. Just now whole room

0:24:47.280 --> 0:24:49.360
<v Speaker 3>is flooded and I have half a bathtub hanging over

0:24:49.400 --> 0:24:52.919
<v Speaker 3>my head sewn shrugs, So stay in my room, and

0:24:52.960 --> 0:24:55.800
<v Speaker 3>then we optical flip to Sean's rooms.

0:24:56.480 --> 0:25:02.360
<v Speaker 1>Sean's room. Oh my god, just look at that room.

0:25:03.600 --> 0:25:06.840
<v Speaker 1>It has anxiety filled that room. It's like, oh geez, But.

0:25:06.800 --> 0:25:09.880
<v Speaker 2>I guess I probably lived like this myself. I'm trying

0:25:09.920 --> 0:25:12.639
<v Speaker 2>to think, like I did not become person no, I

0:25:12.640 --> 0:25:14.800
<v Speaker 2>mean this is really gross, but yeah, I used to

0:25:14.880 --> 0:25:17.200
<v Speaker 2>just you know, throw stuff around like I wouldn't care

0:25:17.280 --> 0:25:18.000
<v Speaker 2>like at that age.

0:25:18.680 --> 0:25:21.240
<v Speaker 1>There's also a big difference between dirty and messy.

0:25:21.640 --> 0:25:26.359
<v Speaker 2>Yeah, so it both freaked me out, but yeah, stress, yeah,

0:25:26.359 --> 0:25:27.120
<v Speaker 2>stuff everywhere.

0:25:28.720 --> 0:25:31.560
<v Speaker 3>Oh there are clothes and food piled on the floor

0:25:31.600 --> 0:25:34.159
<v Speaker 3>and a mattress. Sean's standing happily in the middle of it,

0:25:34.200 --> 0:25:35.800
<v Speaker 3>while Jack looks around in horror.

0:25:36.080 --> 0:25:37.440
<v Speaker 4>Jack wonders if this is where.

0:25:37.240 --> 0:25:39.359
<v Speaker 3>All the trash tenants put down the shoote ends up,

0:25:39.440 --> 0:25:42.320
<v Speaker 3>which is a very funny, very funny joke. Sean asks

0:25:42.359 --> 0:25:44.600
<v Speaker 3>if he's calling him a pig, but Jack argues a

0:25:44.680 --> 0:25:48.159
<v Speaker 3>pig would never live in here. Sean scoffs, oh yeah,

0:25:48.240 --> 0:25:50.840
<v Speaker 3>and he pulls back a curtain to reveal a giant pig.

0:25:51.400 --> 0:25:54.800
<v Speaker 1>Do you remember the pig barely? I don't mean I

0:25:54.800 --> 0:25:58.199
<v Speaker 1>didn't remember this at all, really, Cory, Oh yeah, no,

0:25:58.240 --> 0:25:58.840
<v Speaker 1>it's so great.

0:25:58.880 --> 0:26:02.160
<v Speaker 2>And by the way, this is exactly what happens when

0:26:02.200 --> 0:26:03.840
<v Speaker 2>you buy a little pig. Because you know, we got

0:26:03.880 --> 0:26:07.080
<v Speaker 2>a pay for our backyard school when we were doing

0:26:07.080 --> 0:26:11.760
<v Speaker 2>that during the pandemic, and man Tosino got bigger and

0:26:11.880 --> 0:26:17.800
<v Speaker 2>bigger Spanish for bacon, huh yeah, and yeah, and like

0:26:18.080 --> 0:26:20.000
<v Speaker 2>you know, we don't have the school going anymore. But

0:26:20.080 --> 0:26:22.640
<v Speaker 2>after two and a half three years of the school going,

0:26:23.119 --> 0:26:26.600
<v Speaker 2>that pig was getting tusks and getting bigger. It didn't

0:26:26.640 --> 0:26:29.040
<v Speaker 2>get this dark like you know, but it went from

0:26:29.080 --> 0:26:32.120
<v Speaker 2>being a cute little pink baby pig too real.

0:26:33.119 --> 0:26:33.600
<v Speaker 1>Yeah, I know.

0:26:34.000 --> 0:26:36.120
<v Speaker 3>I was going to ask, do we do we think

0:26:36.160 --> 0:26:39.000
<v Speaker 3>they're trying to imply that this this whole time you've

0:26:39.040 --> 0:26:40.040
<v Speaker 3>had little course.

0:26:39.880 --> 0:26:42.960
<v Speaker 1>Yes, I think that's exactly what they're saying so much.

0:26:43.600 --> 0:26:44.480
<v Speaker 4>I love it.

0:26:44.560 --> 0:26:46.080
<v Speaker 1>By the way, this was I think.

0:26:45.880 --> 0:26:48.320
<v Speaker 4>Things for them to keep continuity on.

0:26:49.920 --> 0:26:52.560
<v Speaker 1>Right. They finally get one right and it's little gory,

0:26:52.760 --> 0:26:57.640
<v Speaker 1>which means that's the best episode. Oh yeah, that's amazing episode,

0:26:57.680 --> 0:27:01.840
<v Speaker 1>So comfortable feeling. I mean, his beats is great too.

0:27:01.960 --> 0:27:04.280
<v Speaker 1>Some of his comedy beats are just spot on in this.

0:27:04.480 --> 0:27:05.320
<v Speaker 1>And I feel like they've.

0:27:05.160 --> 0:27:08.000
<v Speaker 2>Built on what happened in the last episode, the Christmas episode,

0:27:08.040 --> 0:27:10.679
<v Speaker 2>where it was like the tension between us, the differences,

0:27:10.760 --> 0:27:13.200
<v Speaker 2>the France stuff. It's like, oh, finally, this is all

0:27:13.440 --> 0:27:14.600
<v Speaker 2>what should have been in those.

0:27:14.400 --> 0:27:16.040
<v Speaker 1>First few episodes. That's great.

0:27:16.240 --> 0:27:18.920
<v Speaker 2>Absolutely not played for drama, played for comedy too.

0:27:18.920 --> 0:27:19.760
<v Speaker 1>It's really helpful.

0:27:19.960 --> 0:27:21.200
<v Speaker 4>Where's your bacon Pig now?

0:27:23.000 --> 0:27:25.320
<v Speaker 2>With the teacher started the school on his own property,

0:27:25.480 --> 0:27:28.040
<v Speaker 2>so he brought the pig to lives with him.

0:27:28.280 --> 0:27:30.680
<v Speaker 1>Yeah, I haven't seen him for about a year now.

0:27:32.200 --> 0:27:34.439
<v Speaker 3>Jack is terrified and decides he's going to sleep on

0:27:34.480 --> 0:27:37.080
<v Speaker 3>the couch and on que Corey rushes in, he needs

0:27:37.080 --> 0:27:38.720
<v Speaker 3>to sleep on their couch because he got into a

0:27:38.760 --> 0:27:41.560
<v Speaker 3>fight with his dad. Jack says, everyone gets into fights

0:27:41.560 --> 0:27:44.240
<v Speaker 3>with their dad. Then Corey clarifies that he knocked his

0:27:44.359 --> 0:27:44.920
<v Speaker 3>dad down.

0:27:46.119 --> 0:27:46.440
<v Speaker 5>Did he?

0:27:47.440 --> 0:27:50.560
<v Speaker 1>I think that's how he feels good. He did.

0:27:50.640 --> 0:27:51.480
<v Speaker 5>Yeah.

0:27:51.600 --> 0:27:55.000
<v Speaker 3>Jack admits that's not quite as common. Again, great read

0:27:55.080 --> 0:27:56.359
<v Speaker 3>from Matt and he walks on.

0:27:56.520 --> 0:28:02.480
<v Speaker 2>It's definitely a line rate though, Oh, Michael Jacobs, that's

0:28:02.520 --> 0:28:04.760
<v Speaker 2>not as common because it's not as common, that's not

0:28:04.800 --> 0:28:07.639
<v Speaker 2>as combat. It's just like I'm just gonna throw this

0:28:07.680 --> 0:28:09.679
<v Speaker 2>out there and walk away. I was like that was

0:28:10.040 --> 0:28:11.560
<v Speaker 2>such a linery yep.

0:28:12.040 --> 0:28:14.440
<v Speaker 3>Corey explains he wanted to play basketball with his dad

0:28:14.480 --> 0:28:16.760
<v Speaker 3>like Eric does. Sean wants more, wants to know more

0:28:16.760 --> 0:28:18.760
<v Speaker 3>about this fight, so does he have to leave the

0:28:18.800 --> 0:28:22.560
<v Speaker 3>house in shamee? Do you get his womaning?

0:28:22.640 --> 0:28:25.919
<v Speaker 2>I just like the everything about this, the fact that

0:28:26.040 --> 0:28:29.880
<v Speaker 2>like I sit down and start eating crackers. It's like

0:28:30.080 --> 0:28:33.199
<v Speaker 2>close crackers out of nowhere, and yet it feels like

0:28:33.240 --> 0:28:35.960
<v Speaker 2>a great Corey Sean scene. But we're not, like, I

0:28:35.960 --> 0:28:37.920
<v Speaker 2>don't know, we're finally like located somewhere.

0:28:37.920 --> 0:28:38.600
<v Speaker 1>Like we're so.

0:28:38.640 --> 0:28:42.239
<v Speaker 2>Often just standing facing each other in hallways or in

0:28:42.640 --> 0:28:44.560
<v Speaker 2>and so it was so nice to have us just

0:28:44.600 --> 0:28:47.160
<v Speaker 2>like actually listening to each other, talking to each other,

0:28:47.320 --> 0:28:50.920
<v Speaker 2>giving good advice, bad advice, and it's just it's just

0:28:50.960 --> 0:28:55.280
<v Speaker 2>like amazing. And I don't know, like I just it

0:28:55.360 --> 0:28:58.320
<v Speaker 2>just felt like I felt relaxed. I felt like everything

0:28:58.320 --> 0:29:00.480
<v Speaker 2>about it was just this is one of the best

0:29:00.480 --> 0:29:02.080
<v Speaker 2>scenes I've seen in a long time.

0:29:02.360 --> 0:29:05.520
<v Speaker 1>Yeah, you definitely felt relaxed and in a great way.

0:29:05.640 --> 0:29:09.880
<v Speaker 1>Liked what was it? I mean you talk about there's

0:29:09.880 --> 0:29:12.080
<v Speaker 1>certain people that are like, well, you know, when a

0:29:12.120 --> 0:29:13.760
<v Speaker 1>show's been on this long or whatever, you guys are

0:29:13.760 --> 0:29:16.080
<v Speaker 1>on autopilot, you do this. But you notice the difference

0:29:16.120 --> 0:29:18.920
<v Speaker 1>with directors. I mean, we've seen it from the beginning,

0:29:19.440 --> 0:29:22.680
<v Speaker 1>so it's there's some comfortability that with Kendall when he

0:29:22.720 --> 0:29:23.320
<v Speaker 1>comes in.

0:29:23.240 --> 0:29:26.480
<v Speaker 2>That just it just makes us all sing. It makes

0:29:26.560 --> 0:29:27.200
<v Speaker 2>us all sing.

0:29:27.640 --> 0:29:30.400
<v Speaker 3>Yes, So Corey explains that he didn't hit him, he

0:29:30.520 --> 0:29:33.240
<v Speaker 3>shoved him. He doesn't understand why his dad does all

0:29:33.240 --> 0:29:35.240
<v Speaker 3>these things with Eric, but he won't do them with him.

0:29:35.560 --> 0:29:37.800
<v Speaker 3>Sean jokes and one of my favorite jokes of the show,

0:29:37.920 --> 0:29:39.120
<v Speaker 3>why is it afraid You're gonna hit him?

0:29:39.120 --> 0:29:39.360
<v Speaker 1>Again?

0:29:43.400 --> 0:29:46.120
<v Speaker 3>Corey dives into Eric and his dad's relationship. They do

0:29:46.200 --> 0:29:48.720
<v Speaker 3>everything together. They're even planning to jump out of a plane,

0:29:49.000 --> 0:29:51.240
<v Speaker 3>while on the other hand, all Corey and his dad

0:29:51.280 --> 0:29:53.520
<v Speaker 3>do are talk. Shawn as shows Corey that he has

0:29:53.560 --> 0:29:56.120
<v Speaker 3>a great relationship with his dad. Corey doesn't want to

0:29:56.160 --> 0:29:59.120
<v Speaker 3>be the guy his dad simply talked to. Great conversations

0:29:59.160 --> 0:30:02.640
<v Speaker 3>aren't memories to back on. Sean insists they have good memories,

0:30:03.120 --> 0:30:03.800
<v Speaker 3>like that time you.

0:30:03.720 --> 0:30:09.080
<v Speaker 1>Beat them up. You're going to talk about that for years.

0:30:07.320 --> 0:30:07.520
<v Speaker 5>Good.

0:30:09.960 --> 0:30:15.240
<v Speaker 1>It is so good. We're going to talk about that

0:30:15.280 --> 0:30:15.760
<v Speaker 1>for years.

0:30:16.320 --> 0:30:17.080
<v Speaker 4>Let's just love it.

0:30:28.720 --> 0:30:30.800
<v Speaker 3>And then we're in the Matthew's kitchen now in a robe.

0:30:30.840 --> 0:30:33.480
<v Speaker 3>Alan still looks angry while making a sandwich. There's a

0:30:33.520 --> 0:30:35.640
<v Speaker 3>loud knock on the door, causing Alan to jump and

0:30:35.680 --> 0:30:36.640
<v Speaker 3>throw bread in the air.

0:30:36.840 --> 0:30:37.400
<v Speaker 1>It's Phoenie.

0:30:37.480 --> 0:30:38.440
<v Speaker 4>He's also in a robe.

0:30:38.920 --> 0:30:40.880
<v Speaker 1>A couple of things, sorry, a couple of things, very

0:30:41.040 --> 0:30:43.440
<v Speaker 1>very well. We'll be brief about this because it's Rider's

0:30:43.480 --> 0:30:47.560
<v Speaker 1>favorite subject. Which is food off brand mayonnaise. I understand

0:30:47.560 --> 0:30:50.720
<v Speaker 1>they can't do a regular brand, but come on, okay,

0:30:51.280 --> 0:30:54.600
<v Speaker 1>there's no pickles in the pickle jar. It's literally just

0:30:54.720 --> 0:30:58.080
<v Speaker 1>pickled juice. There's not a single pickle in the entire jar,

0:30:58.160 --> 0:31:00.080
<v Speaker 1>So why do you have that out? And then he

0:31:00.120 --> 0:31:02.600
<v Speaker 1>spills the bread everywhere and then Phoenie comes in. Bread's gone,

0:31:02.600 --> 0:31:05.280
<v Speaker 1>it's not on the floor anymore. So just we can

0:31:05.320 --> 0:31:07.760
<v Speaker 1>move on. But just then, what does Phoene do? He

0:31:07.880 --> 0:31:10.040
<v Speaker 1>just mayonnaises, mayonnaises some bread.

0:31:10.080 --> 0:31:12.200
<v Speaker 3>But the other half of the sandwich is already made

0:31:12.240 --> 0:31:16.320
<v Speaker 3>because he just puts that on top and there's already meat. Yeah,

0:31:16.360 --> 0:31:18.720
<v Speaker 3>that's a good director move, though, we've all had to

0:31:18.800 --> 0:31:21.760
<v Speaker 3>make that move. So you're gonna mayonnaise the bread, the

0:31:21.840 --> 0:31:23.400
<v Speaker 3>other stuff's already prepped.

0:31:23.680 --> 0:31:26.160
<v Speaker 2>Yes, Because he takes alan they don't want to have

0:31:26.240 --> 0:31:30.840
<v Speaker 2>to watch him actually make us build the business is perfect.

0:31:30.440 --> 0:31:32.640
<v Speaker 1>Because exactly you have to see him do something. Oh

0:31:32.680 --> 0:31:33.240
<v Speaker 1>it's so good.

0:31:33.400 --> 0:31:35.840
<v Speaker 3>Yeah yeah, and then that's all you have to replace

0:31:35.880 --> 0:31:38.920
<v Speaker 3>the next time. Just take off the mayonnaise piece, throw

0:31:38.960 --> 0:31:39.960
<v Speaker 3>that away, get a new one.

0:31:40.080 --> 0:31:42.800
<v Speaker 1>I want Phoenie's robe too, Oh do I want? It's

0:31:42.800 --> 0:31:45.160
<v Speaker 1>like kind of smoking jacket. Can I tell you that

0:31:45.360 --> 0:31:46.920
<v Speaker 1>phoenees fits our fire?

0:31:47.400 --> 0:31:53.240
<v Speaker 3>It's the three as phoenees fits her fire, I fits waits.

0:31:55.040 --> 0:31:58.160
<v Speaker 4>Our foot apostrophe, oh fits.

0:31:57.720 --> 0:32:00.880
<v Speaker 1>Oh again, we're just taking fits is out of words?

0:32:00.880 --> 0:32:01.560
<v Speaker 4>Okay, exactly.

0:32:01.840 --> 0:32:05.240
<v Speaker 1>I thought it was gray. Yeah they're gray. Is that

0:32:05.320 --> 0:32:06.280
<v Speaker 1>srure for gray? Yeah?

0:32:06.320 --> 0:32:06.520
<v Speaker 4>Sure?

0:32:06.560 --> 0:32:06.880
<v Speaker 1>For great.

0:32:10.720 --> 0:32:12.680
<v Speaker 3>Alan asks what he's doing there at two o'clock in

0:32:12.680 --> 0:32:14.720
<v Speaker 3>the morning, and Phoene remarks, I know what happened this

0:32:14.760 --> 0:32:17.080
<v Speaker 3>afternoon between you and Corey. I've waited for you. I've

0:32:17.080 --> 0:32:20.840
<v Speaker 3>waited for Corey. Nothing so nobody came over. Something like

0:32:20.880 --> 0:32:22.720
<v Speaker 3>this happens. Somebody should come over.

0:32:23.520 --> 0:32:27.160
<v Speaker 1>Oh it's perfect. It's a person meta. It's the best

0:32:27.160 --> 0:32:30.280
<v Speaker 1>way to comment on their roles. Like they've tried this before.

0:32:30.320 --> 0:32:32.760
<v Speaker 2>Remember when Amy goes to Phoene and it just didn't

0:32:32.840 --> 0:32:36.360
<v Speaker 2>quite work. Whereas like this where Phoene's like stressed out

0:32:36.440 --> 0:32:39.200
<v Speaker 2>because he can't oh so solid.

0:32:39.040 --> 0:32:40.640
<v Speaker 1>Just saw me. He was pacing in his house like

0:32:40.680 --> 0:32:43.840
<v Speaker 1>he started slow and then it got worse and worse

0:32:43.840 --> 0:32:44.840
<v Speaker 1>and worse, and then fight.

0:32:44.880 --> 0:32:46.320
<v Speaker 2>He just couldn't take it any more to go over

0:32:46.560 --> 0:32:49.200
<v Speaker 2>o'clock in the morning, And you know, Bill plays it perfectly,

0:32:49.240 --> 0:32:54.280
<v Speaker 2>which is not angry, just anxious, stressed out, worried he's

0:32:54.400 --> 0:32:56.680
<v Speaker 2>going to be able to sleep tonight because of this.

0:32:57.320 --> 0:32:59.680
<v Speaker 1>If you nobody's thinking of him, like, how does nobody

0:32:59.720 --> 0:33:00.200
<v Speaker 1>think of me?

0:33:00.760 --> 0:33:02.880
<v Speaker 4>It's so good, It's just unbelievable.

0:33:02.920 --> 0:33:05.440
<v Speaker 1>It's one of my favorite Phoene moments of the entire series.

0:33:05.480 --> 0:33:10.080
<v Speaker 1>Agree really is so completely agree. Alan stares at him, confused.

0:33:10.160 --> 0:33:13.160
<v Speaker 1>Phoene reminds him, he knocked you on your keyster man.

0:33:15.800 --> 0:33:18.400
<v Speaker 3>You're obviously upset, so can we please talk about it

0:33:18.440 --> 0:33:20.720
<v Speaker 3>so I can get some sleep. Alan lets him in

0:33:20.800 --> 0:33:23.040
<v Speaker 3>and offers a late night snack, and Phoene helps himself

0:33:23.080 --> 0:33:26.280
<v Speaker 3>to the sandwich ingredients. Alan says, it's one thing for

0:33:26.320 --> 0:33:28.560
<v Speaker 3>the boys to ask for your help, but I am

0:33:28.600 --> 0:33:30.840
<v Speaker 3>a capable adult and I can handle this on my own.

0:33:31.240 --> 0:33:34.520
<v Speaker 3>Phoene stops the sandwich making. You're right, and I am

0:33:34.560 --> 0:33:37.200
<v Speaker 3>sorry that I intrude it on your privacy. He takes

0:33:37.240 --> 0:33:39.360
<v Speaker 3>one step toward the door and Alan blurts out, he

0:33:39.440 --> 0:33:42.400
<v Speaker 3>pushed me down, George. Phoene does a quick one eighty

0:33:42.440 --> 0:33:44.000
<v Speaker 3>and starts making his sandwich again.

0:33:44.080 --> 0:33:46.080
<v Speaker 1>Can'ts turn It's just perfect.

0:33:46.560 --> 0:33:52.360
<v Speaker 2>That is actor factor blockage actor, turn around.

0:33:52.680 --> 0:33:57.440
<v Speaker 3>God, just absolutely beautiful everything about it, and he says, right,

0:33:57.560 --> 0:34:01.040
<v Speaker 3>it doesn't sound like Cory. Alan agreed, he knows if

0:34:01.040 --> 0:34:03.160
<v Speaker 3>anything's wrong, he can come and talk to me. Talking

0:34:03.200 --> 0:34:06.480
<v Speaker 3>is the basis of our relationship. Phoene doesn't hesitate. Maybe

0:34:06.520 --> 0:34:09.879
<v Speaker 3>that's what's bothering him. Alan takes that in You never

0:34:09.920 --> 0:34:12.880
<v Speaker 3>stop teaching, do you, George. Phoene points a sandwich in

0:34:12.960 --> 0:34:15.839
<v Speaker 3>Alan's face, saying, next time, don't keep me up all night,

0:34:16.239 --> 0:34:17.560
<v Speaker 3>and he walks out to think.

0:34:17.400 --> 0:34:20.239
<v Speaker 2>About how efficient that scene is. Like he actually gives

0:34:20.280 --> 0:34:22.800
<v Speaker 2>Phoene advice. But it's not too many words, it's not

0:34:22.920 --> 0:34:26.640
<v Speaker 2>it's just it's literally two lines. Yes, Gory, we always talk.

0:34:26.800 --> 0:34:27.800
<v Speaker 2>Maybe that's the problem.

0:34:27.880 --> 0:34:29.960
<v Speaker 1>Boom boom, I'm out of here. I'm out of here.

0:34:30.000 --> 0:34:30.600
<v Speaker 1>Oh my god.

0:34:30.880 --> 0:34:31.800
<v Speaker 4>Thanks for the sandwich.

0:34:32.160 --> 0:34:34.399
<v Speaker 3>Also now and now he can go to sleep because

0:34:34.440 --> 0:34:37.600
<v Speaker 3>he's given the advice. He feels he knows he's going

0:34:37.640 --> 0:34:39.880
<v Speaker 3>to be on It's just it's anything about it's beautifulfect.

0:34:40.680 --> 0:34:42.879
<v Speaker 3>Back at the guy's apartment, we are now in Shawn's room.

0:34:42.960 --> 0:34:45.279
<v Speaker 3>Sean is fast asleep, although all the lights on the

0:34:45.360 --> 0:34:47.439
<v Speaker 3>room are on. Jack is next to him in bed,

0:34:47.440 --> 0:34:50.000
<v Speaker 3>but his eyes are wide open the audience, you.

0:34:50.080 --> 0:34:58.279
<v Speaker 5>Get a woman who yeah, I was like, okay, like

0:34:58.400 --> 0:35:00.560
<v Speaker 5>maybe there's some homeo about it, but.

0:35:04.280 --> 0:35:08.279
<v Speaker 1>That's disgusting. It was just two good looking young men

0:35:09.080 --> 0:35:09.600
<v Speaker 1>in bed.

0:35:10.239 --> 0:35:11.880
<v Speaker 2>I would have I would have taken out the woos

0:35:11.960 --> 0:35:13.560
<v Speaker 2>if I was in charge of the show too, if

0:35:13.560 --> 0:35:15.480
<v Speaker 2>I directed this episode, I'd be like, even if the

0:35:15.520 --> 0:35:18.360
<v Speaker 2>audience did that, we're not gonna leave that in because.

0:35:18.120 --> 0:35:19.800
<v Speaker 4>It's it is a little strength, it's starring.

0:35:20.200 --> 0:35:23.640
<v Speaker 1>Now I have a question, how do you do that

0:35:24.120 --> 0:35:26.760
<v Speaker 1>if it's if it's WU, if the WU is live

0:35:26.920 --> 0:35:30.080
<v Speaker 1>on the day. Isn't that on any track though? But

0:35:30.160 --> 0:35:32.080
<v Speaker 1>isn't it also not picked up by the booms that

0:35:32.080 --> 0:35:35.399
<v Speaker 1>we would have on our I don't think. Maybe way

0:35:35.440 --> 0:35:36.840
<v Speaker 1>in the distance, but you'd be able to bring that.

0:35:37.040 --> 0:35:37.880
<v Speaker 4>Let me tell you something.

0:35:37.960 --> 0:35:41.759
<v Speaker 3>If those microphones can pick up the audience, then there's

0:35:41.840 --> 0:35:44.840
<v Speaker 3>no reason for boom mic ever to be in the shop.

0:35:45.000 --> 0:35:48.120
<v Speaker 2>The super directional direction, that's what they have to tilt.

0:35:48.480 --> 0:35:50.359
<v Speaker 2>They have to rotate from one actor to the other.

0:35:50.400 --> 0:35:53.359
<v Speaker 2>Because yeah, so you could isolate just one of those

0:35:53.440 --> 0:35:56.080
<v Speaker 2>mics and be fine. You also usually have enough room

0:35:56.160 --> 0:35:57.960
<v Speaker 2>tone that even if you eliminate.

0:35:58.000 --> 0:36:04.480
<v Speaker 1>It wasn't of silence to insert there. Yeah, gotcha, Yeah, yeah,

0:36:04.520 --> 0:36:07.800
<v Speaker 1>it was a little weird. Also, Jack has an astronaut pillow.

0:36:07.840 --> 0:36:11.799
<v Speaker 1>Did you notice that he's got a space pillow going?

0:36:12.080 --> 0:36:12.760
<v Speaker 1>Which is great.

0:36:13.719 --> 0:36:16.040
<v Speaker 3>Jack decides to turn off the lights and Sean wakes

0:36:16.160 --> 0:36:19.720
<v Speaker 3>up immediately. Are you insane? He quickly turns the lights

0:36:19.719 --> 0:36:21.759
<v Speaker 3>back on. Our trailer park was right next to an

0:36:21.800 --> 0:36:24.480
<v Speaker 3>off ramp. All night long, truck headlights shone through the window.

0:36:24.719 --> 0:36:28.160
<v Speaker 3>The light comfort me, comforts me. Jack jokes, that's a

0:36:28.200 --> 0:36:30.959
<v Speaker 3>really lovely story and make a great children's book. Here's

0:36:30.960 --> 0:36:33.880
<v Speaker 3>another great children's book. Good night light, and he turns

0:36:33.920 --> 0:36:36.200
<v Speaker 3>the light back off, wishing a good night to Sean.

0:36:36.400 --> 0:36:39.560
<v Speaker 3>And then the pig, Shawn immediately turns the light back on,

0:36:39.640 --> 0:36:41.520
<v Speaker 3>reminding Jack that he's a guest in this room, so

0:36:41.560 --> 0:36:43.080
<v Speaker 3>he needs to start acting like it.

0:36:43.400 --> 0:36:46.600
<v Speaker 1>And the pig has a name. It's little Little Cory.

0:36:46.960 --> 0:36:48.320
<v Speaker 1>Yeah the reveal.

0:36:49.880 --> 0:36:53.360
<v Speaker 3>Jack restlessly moves around, Fine, good night, little Corey. He

0:36:53.400 --> 0:36:59.239
<v Speaker 3>looks at Sean, good night pig. Sean smiles at the

0:36:59.280 --> 0:37:02.600
<v Speaker 3>improvement and says good night. Just as things have calmed down,

0:37:02.680 --> 0:37:05.840
<v Speaker 3>Sean presses play on a bedside boom box and crickets

0:37:05.880 --> 0:37:10.200
<v Speaker 3>begin to chirp. I can't believe it crickets, Sean explains,

0:37:10.239 --> 0:37:10.840
<v Speaker 3>it's a tape.

0:37:11.000 --> 0:37:13.360
<v Speaker 4>Sounds of the trailer park helps me sleep.

0:37:14.040 --> 0:37:18.160
<v Speaker 1>I knew instantly where this joke was going, and I

0:37:18.200 --> 0:37:20.880
<v Speaker 1>loved every second, Like I know what's gonna happen, and

0:37:20.920 --> 0:37:22.839
<v Speaker 1>I can't wait to see what they did with this.

0:37:23.000 --> 0:37:24.920
<v Speaker 1>But oh god, it's such a good setup.

0:37:25.600 --> 0:37:26.400
<v Speaker 4>Jack shrugs.

0:37:26.520 --> 0:37:28.640
<v Speaker 3>It actually is kind of soothing, and with that he

0:37:28.719 --> 0:37:31.240
<v Speaker 3>begins to doze off. But then we hear a semi

0:37:31.320 --> 0:37:32.239
<v Speaker 3>truck honking and.

0:37:32.200 --> 0:37:37.040
<v Speaker 1>A woman yelling as dogs bark in the distance. A

0:37:37.120 --> 0:37:39.120
<v Speaker 1>man yells drop the weapon.

0:37:38.760 --> 0:37:43.319
<v Speaker 3>And come out, yes, and then there's a loud gunshot.

0:37:44.320 --> 0:37:48.120
<v Speaker 3>Jack good, it's hysterical. Jack has heard enough and he

0:37:48.200 --> 0:37:50.480
<v Speaker 3>turns off the tape. He grabs his brother's shirt and

0:37:50.480 --> 0:37:53.399
<v Speaker 3>shakes him, get up, Get up. Sean doesn't budge, so

0:37:53.640 --> 0:37:56.120
<v Speaker 3>Jack turns off the light switch, which it wakes Shan

0:37:56.239 --> 0:37:59.800
<v Speaker 3>up immediately. He tells Jack, I wouldn't have asked you

0:37:59.840 --> 0:38:01.080
<v Speaker 3>to they here if I knew you were going to

0:38:01.120 --> 0:38:01.920
<v Speaker 3>be so weird.

0:38:02.719 --> 0:38:05.200
<v Speaker 1>Jack is furious, I'm weird. You know what puts me

0:38:05.239 --> 0:38:05.600
<v Speaker 1>to sleep?

0:38:05.600 --> 0:38:08.160
<v Speaker 3>A glass of milk, not the truck that delivers the milk.

0:38:08.760 --> 0:38:10.799
<v Speaker 3>He goes for the low blow. But you'll have to

0:38:10.840 --> 0:38:13.879
<v Speaker 3>excuse me. I was raised in an actual house.

0:38:15.640 --> 0:38:16.640
<v Speaker 4>And the audience.

0:38:16.960 --> 0:38:19.560
<v Speaker 1>Oh yeah, that's a shot across the bow.

0:38:19.640 --> 0:38:23.920
<v Speaker 3>My friends fighting words yep. Sean gives his brother a

0:38:23.960 --> 0:38:26.240
<v Speaker 3>death stare. As long as you put it that way,

0:38:26.440 --> 0:38:29.360
<v Speaker 3>I'd be happy to turn out your lights. Sean throws

0:38:29.360 --> 0:38:32.319
<v Speaker 3>a punch, but missus Jack's face completely. They both now

0:38:32.320 --> 0:38:34.839
<v Speaker 3>have their arms raised, ready to fight. Jack warns him,

0:38:34.960 --> 0:38:39.439
<v Speaker 3>I wouldn't man Piedmont Prep Boxing Team.

0:38:40.040 --> 0:38:45.319
<v Speaker 1>Little dance. Yeah, Matt's best performance. It is. It is.

0:38:46.800 --> 0:38:50.040
<v Speaker 1>He's hysterical, he gets it, just builds the laugh with

0:38:50.120 --> 0:38:55.799
<v Speaker 1>that dance. It's like his legs.

0:38:54.719 --> 0:38:59.560
<v Speaker 3>Oh, it's unbelievable. It is so funny. He swivels his

0:38:59.640 --> 0:39:02.240
<v Speaker 3>hips and dances around, trying to scare off Sean. Sean

0:39:02.280 --> 0:39:04.279
<v Speaker 3>lowers his arms. You know, if I really wanted to

0:39:04.360 --> 0:39:05.160
<v Speaker 3>hit you, I would have.

0:39:05.560 --> 0:39:06.080
<v Speaker 1>Yeah, I will.

0:39:06.320 --> 0:39:08.160
<v Speaker 2>I wish, I wish I could go back, because we

0:39:08.239 --> 0:39:09.840
<v Speaker 2>could have just made more of a bill out of that,

0:39:09.920 --> 0:39:12.359
<v Speaker 2>like me being like what are you doing? And then

0:39:12.440 --> 0:39:14.480
<v Speaker 2>him like doubly down doing it again, like you know

0:39:14.520 --> 0:39:16.680
<v Speaker 2>what I mean, Like, we could have gotten probably two

0:39:16.719 --> 0:39:19.040
<v Speaker 2>more lives out of just my reaction of being like,

0:39:19.560 --> 0:39:23.160
<v Speaker 2>is this weird dance that's not fighting? There's another beat there,

0:39:23.280 --> 0:39:25.840
<v Speaker 2>just in the physical comedy that we I wish.

0:39:25.840 --> 0:39:28.920
<v Speaker 4>You could have been done your hands day there.

0:39:29.680 --> 0:39:32.080
<v Speaker 1>Yeah, that's how we're gonna play it right. Oh my god,

0:39:32.200 --> 0:39:34.319
<v Speaker 1>I see how you want to fight? Shut this out?

0:39:35.520 --> 0:39:36.360
<v Speaker 1>So funny.

0:39:37.040 --> 0:39:39.640
<v Speaker 3>So Jack, still in a fighting stance, responds, when you

0:39:39.680 --> 0:39:42.520
<v Speaker 3>want to, I'll be right here. He plops it back

0:39:42.560 --> 0:39:44.560
<v Speaker 3>down on the bed, pulls the covers over his head,

0:39:44.760 --> 0:39:48.240
<v Speaker 3>asleep in the dark like normal people. Sean seems hurt.

0:39:48.520 --> 0:39:50.880
<v Speaker 3>And then it's the next morning at the guy's apartment.

0:39:51.120 --> 0:39:53.160
<v Speaker 3>Corey is fast asleep on the couch and Tapanga is

0:39:53.200 --> 0:39:55.359
<v Speaker 3>trying to wake him up. He refuses, I don't want

0:39:55.360 --> 0:39:57.120
<v Speaker 3>to get up. I hit my father. That's got to

0:39:57.160 --> 0:39:59.919
<v Speaker 3>be a bad sin. If this were the Bible, I'd

0:40:00.040 --> 0:40:03.120
<v Speaker 3>be a father, Smider, I'd be Cory, son of Alan

0:40:03.280 --> 0:40:04.000
<v Speaker 3>the bruised.

0:40:04.920 --> 0:40:08.960
<v Speaker 2>This dialogue is so smart, it's so funny, like all

0:40:09.000 --> 0:40:13.200
<v Speaker 2>these biblical references and like it's the first time for us.

0:40:13.239 --> 0:40:19.120
<v Speaker 1>Barbie yes, and she's so great. It's so strange and

0:40:19.640 --> 0:40:23.359
<v Speaker 1>funny and just off the I love dialogue. That's just

0:40:23.360 --> 0:40:26.360
<v Speaker 1>off the beaten path. It's just completely different. It's great.

0:40:27.600 --> 0:40:29.080
<v Speaker 3>Ta Pega tries to tell him that he has a

0:40:29.080 --> 0:40:31.439
<v Speaker 3>great relationship with his father, but Corey cuts her off.

0:40:31.520 --> 0:40:33.400
<v Speaker 1>You shouldn't be here. If they find you with me,

0:40:33.440 --> 0:40:38.320
<v Speaker 1>they'll stone you. Save yourself to Panga, daughter of Miriam. Miriam.

0:40:38.360 --> 0:40:40.480
<v Speaker 1>But that's not her name. Is it?

0:40:40.560 --> 0:40:41.040
<v Speaker 4>My mom?

0:40:41.320 --> 0:40:45.680
<v Speaker 3>You know it's it's it's a biblical name, because he

0:40:45.760 --> 0:40:47.759
<v Speaker 3>says son of Alan, right he does.

0:40:47.840 --> 0:40:49.400
<v Speaker 1>He says, you're right. I didn't know if he was

0:40:49.440 --> 0:40:52.000
<v Speaker 1>trying to set that up where she's now. It's that

0:40:52.160 --> 0:40:53.960
<v Speaker 1>was they were going to make her Miriam, because I

0:40:54.000 --> 0:40:58.320
<v Speaker 1>don't think we've have we said Chloe yet, Isn't it Chloe?

0:40:58.360 --> 0:40:59.879
<v Speaker 1>Isn't Jed and jedda guy and Chloe.

0:41:00.040 --> 0:41:03.560
<v Speaker 2>He said that a long time, Jeded Diane. Chloe's saying, right,

0:41:03.719 --> 0:41:08.239
<v Speaker 2>that's first couple of lines. Yeah, okay, yeah, No, I

0:41:08.320 --> 0:41:10.160
<v Speaker 2>think Miriam is just a better biblical name.

0:41:10.239 --> 0:41:13.399
<v Speaker 1>It's yeah. Tapega insists that he go home and talk

0:41:13.440 --> 0:41:14.239
<v Speaker 1>it through with his dad.

0:41:14.400 --> 0:41:16.880
<v Speaker 3>Corey says that's all their relationship is, which is nothing

0:41:17.000 --> 0:41:19.680
<v Speaker 3>like his dad's relationship with Eric. He screams, I want

0:41:19.719 --> 0:41:21.680
<v Speaker 3>to do stuff too. I never want to talk to

0:41:21.800 --> 0:41:24.799
<v Speaker 3>him again. Just then Alan opens the door and Eric

0:41:24.880 --> 0:41:27.359
<v Speaker 3>stands behind him. He grabs Corey by the shirt. You're

0:41:27.400 --> 0:41:30.520
<v Speaker 3>coming with us, Cory sheepishly asks, can we talk about this?

0:41:31.120 --> 0:41:33.800
<v Speaker 3>Alan yanks him outside and closes the door, as Topanga

0:41:33.920 --> 0:41:38.520
<v Speaker 3>watches and laughs. Give a big I really wanted the

0:41:38.560 --> 0:41:42.319
<v Speaker 3>audience to know it was okay, it was big.

0:41:42.520 --> 0:41:44.840
<v Speaker 1>It was a big, kind of almost like Mom said, Tommy,

0:41:44.960 --> 0:41:46.920
<v Speaker 1>kind of like a hundred percent of blast.

0:41:50.160 --> 0:41:53.480
<v Speaker 3>Everything's fine, We're fine, and it's fun and funny, and

0:41:53.600 --> 0:41:54.800
<v Speaker 3>you can also laugh and smile.

0:41:54.960 --> 0:41:55.719
<v Speaker 1>Yes, it was.

0:41:56.000 --> 0:41:57.720
<v Speaker 4>It was not my finest moment, okay.

0:41:57.840 --> 0:42:01.719
<v Speaker 1>And then we are skydiving quite an escalation.

0:42:02.360 --> 0:42:04.800
<v Speaker 3>Coury, Allen and Eric are sitting in the plane dressed

0:42:04.840 --> 0:42:06.680
<v Speaker 3>in jumpsuits and wearing helmets.

0:42:07.000 --> 0:42:07.839
<v Speaker 1>How was this shot?

0:42:07.960 --> 0:42:09.480
<v Speaker 4>Will uh?

0:42:10.040 --> 0:42:13.160
<v Speaker 1>I mean we had the half fuselage of an airplane

0:42:13.239 --> 0:42:16.440
<v Speaker 1>kind of opened up and and it was just a stage.

0:42:16.520 --> 0:42:17.840
<v Speaker 1>It was essentially just a big.

0:42:19.040 --> 0:42:21.160
<v Speaker 2>Must have been like when you guys are actually jumping

0:42:21.160 --> 0:42:24.680
<v Speaker 2>out and you show the like the reverse, Yeah, was that?

0:42:25.080 --> 0:42:28.560
<v Speaker 1>Like? Did you did they turn the whole few had

0:42:28.600 --> 0:42:30.320
<v Speaker 1>the whole thing turned around and then and then we

0:42:30.400 --> 0:42:32.640
<v Speaker 1>had giant matts, you know, pads, and then it was

0:42:32.719 --> 0:42:34.680
<v Speaker 1>up in the air. It was up. It was probably

0:42:34.719 --> 0:42:37.560
<v Speaker 1>raised by about five feet, maybe five or six feet.

0:42:38.920 --> 0:42:41.439
<v Speaker 1>So much fun shooting it. But the thing I remember

0:42:41.480 --> 0:42:43.600
<v Speaker 1>the most, and you can see Ben reacting to it,

0:42:44.360 --> 0:42:47.440
<v Speaker 1>is that we're all yelling yes, and because it was

0:42:47.520 --> 0:42:51.160
<v Speaker 1>super funny, Rusty was yelling right in our ears and

0:42:51.320 --> 0:42:56.080
<v Speaker 1>it hurt so badly, and you can see Ben going

0:42:56.160 --> 0:42:58.320
<v Speaker 1>like like he's kind of wincy because and then you

0:42:58.400 --> 0:43:00.520
<v Speaker 1>see Rusty even pushing it far or where he is

0:43:00.719 --> 0:43:04.560
<v Speaker 1>just screaming right into our ears, and I distinctly remember

0:43:04.640 --> 0:43:06.799
<v Speaker 1>being like he's gonna shatter my ear drum, Like he's

0:43:06.920 --> 0:43:08.279
<v Speaker 1>literally going to shatter my ear drum.

0:43:08.920 --> 0:43:09.040
<v Speaker 3>Oh.

0:43:09.120 --> 0:43:10.399
<v Speaker 1>We had so much fun shooting this scene.

0:43:10.440 --> 0:43:12.480
<v Speaker 2>I have such a profound memory of the first run

0:43:12.560 --> 0:43:15.200
<v Speaker 2>through when you guys did this, and really, oh my god,

0:43:15.320 --> 0:43:18.360
<v Speaker 2>I remember dying like we were sitting there because you know,

0:43:18.440 --> 0:43:20.520
<v Speaker 2>of course I hadn't seen the rehearsals for these scenes

0:43:20.960 --> 0:43:23.640
<v Speaker 2>until the run through, and I remember all of us

0:43:23.880 --> 0:43:27.160
<v Speaker 2>just like crying with laughter because because of course there's

0:43:27.200 --> 0:43:29.680
<v Speaker 2>no actual engine sound there's no noise, so when you're

0:43:29.719 --> 0:43:32.839
<v Speaker 2>doing the run through, you guys were just yelling at

0:43:32.920 --> 0:43:35.279
<v Speaker 2>this level that was like what is happening? But it

0:43:35.400 --> 0:43:37.640
<v Speaker 2>made all these lines, which I think at the table

0:43:37.640 --> 0:43:40.279
<v Speaker 2>whead had been okay, kind of fun. But when you

0:43:40.360 --> 0:43:42.960
<v Speaker 2>guys committed to the like the fact that you're screaming

0:43:43.040 --> 0:43:45.279
<v Speaker 2>these things. How come we don't have the relationship you

0:43:45.400 --> 0:43:49.080
<v Speaker 2>and Corey have. I just remember crying, laughing and being like,

0:43:49.200 --> 0:43:51.320
<v Speaker 2>this is the funniest Our show has ever been, And

0:43:51.640 --> 0:43:53.759
<v Speaker 2>watching it again, I'm like, this is a perfect scene.

0:43:53.880 --> 0:43:55.720
<v Speaker 1>This is a perfect great scene.

0:43:55.840 --> 0:43:58.800
<v Speaker 2>The turns, the way that it's like resolving one story

0:43:58.840 --> 0:44:01.480
<v Speaker 2>but then just opening up another one with Eric, It's

0:44:01.680 --> 0:44:04.120
<v Speaker 2>so freaking good and you guys are amazing.

0:44:04.160 --> 0:44:06.560
<v Speaker 1>I just want to watch the three over and over

0:44:06.600 --> 0:44:09.120
<v Speaker 1>again and so far because Steve Parker, Steven park is

0:44:09.200 --> 0:44:10.680
<v Speaker 1>so good as well. I mean he comes in and

0:44:10.760 --> 0:44:13.320
<v Speaker 1>kind of sets the tone too. Yeah, but it is.

0:44:13.480 --> 0:44:16.120
<v Speaker 1>We just had so much fun shooting this scene. I

0:44:16.560 --> 0:44:19.640
<v Speaker 1>distinctly remember just enjoying each other as actors and like,

0:44:19.960 --> 0:44:22.880
<v Speaker 1>you can't it's cartoonish. You can't go too big, I know.

0:44:23.120 --> 0:44:25.320
<v Speaker 1>So when you get that kind of like all the

0:44:25.400 --> 0:44:27.320
<v Speaker 1>parameters are off. It's like, as big as you go,

0:44:27.480 --> 0:44:28.480
<v Speaker 1>the funnier it's going to get.

0:44:28.520 --> 0:44:30.520
<v Speaker 3>And the other thing that made it so great is

0:44:30.560 --> 0:44:34.880
<v Speaker 3>that the dialogue is so grounded, yes, in the absurd,

0:44:35.000 --> 0:44:39.839
<v Speaker 3>that it's perfect because it's very earnest, grounded dialogue about

0:44:39.920 --> 0:44:43.160
<v Speaker 3>real relationships in such an absurd setting.

0:44:43.560 --> 0:44:47.040
<v Speaker 1>Exactly, so so funny, you might as well be having that, yeah,

0:44:47.120 --> 0:44:49.920
<v Speaker 1>a deep heartfelt conversation on a merry go round or

0:44:50.320 --> 0:44:52.399
<v Speaker 1>you know, on a slide or something.

0:44:52.440 --> 0:44:54.880
<v Speaker 2>But it was, Yeah, we had absolutely beautiful And it

0:44:55.000 --> 0:44:59.400
<v Speaker 2>also made me think about the fact that Rusting was

0:44:59.440 --> 0:44:59.880
<v Speaker 2>a hanng li.

0:45:00.480 --> 0:45:02.759
<v Speaker 1>Yeah, while we were doing it right, Yeah, and you

0:45:03.040 --> 0:45:04.000
<v Speaker 1>actually went with him.

0:45:04.120 --> 0:45:06.440
<v Speaker 2>You drove him one time, right, a couple of times.

0:45:06.239 --> 0:45:07.920
<v Speaker 1>So I had to drive his truck back. You have

0:45:08.000 --> 0:45:10.440
<v Speaker 1>to drive, Yeah, you drive, so you take I'd never

0:45:10.560 --> 0:45:12.400
<v Speaker 1>driven his truck before, which I ended up buying by

0:45:12.440 --> 0:45:14.239
<v Speaker 1>the way off of him and then was stolen from

0:45:14.280 --> 0:45:14.600
<v Speaker 1>my house.

0:45:15.000 --> 0:45:15.120
<v Speaker 2>Uh.

0:45:15.719 --> 0:45:19.320
<v Speaker 1>He had no die, Like there wasn't a gauge that

0:45:19.440 --> 0:45:21.200
<v Speaker 1>worked anywhere in the truck, so you didn't know how

0:45:21.280 --> 0:45:23.759
<v Speaker 1>fast you were going, if there was gas, if you

0:45:23.800 --> 0:45:26.239
<v Speaker 1>were turning left or right. Nothing worked. And the first

0:45:26.280 --> 0:45:28.400
<v Speaker 1>time I ever drove it. We drove up this tiny

0:45:28.480 --> 0:45:32.440
<v Speaker 1>little path to this huge hill and parked on a cliff,

0:45:32.960 --> 0:45:35.480
<v Speaker 1>and he takes out his hang glider, jumps in. He's

0:45:35.520 --> 0:45:38.640
<v Speaker 1>like bye, and take jumps off the cliff, just by himself.

0:45:38.680 --> 0:45:38.880
<v Speaker 1>No one.

0:45:39.800 --> 0:45:41.960
<v Speaker 2>He literally just drive him up a mountain and he

0:45:42.120 --> 0:45:44.680
<v Speaker 2>jumps jumps off it, jumping and down. Have you planned

0:45:44.680 --> 0:45:46.520
<v Speaker 2>where to pick him? Then he says yeah, And then

0:45:46.920 --> 0:45:48.520
<v Speaker 2>well no, I don't pick him up. I where we

0:45:48.680 --> 0:45:51.840
<v Speaker 2>left he drove. He drove us to where I parked

0:45:51.880 --> 0:45:55.439
<v Speaker 2>my car, and so we leave from there. I drop

0:45:55.520 --> 0:45:56.760
<v Speaker 2>him off. He jumps off a cliff.

0:45:56.880 --> 0:45:58.719
<v Speaker 1>I drive back to where that is like seven or

0:45:58.719 --> 0:46:00.239
<v Speaker 1>eight miles away, which is where he's going to land,

0:46:00.280 --> 0:46:03.839
<v Speaker 1>and I take my car and I go is it's bananas,

0:46:04.040 --> 0:46:07.240
<v Speaker 1>but his bananas. What he was doing, it's so cool.

0:46:07.840 --> 0:46:10.360
<v Speaker 1>What a cool dude like that is like what he

0:46:10.480 --> 0:46:12.520
<v Speaker 1>did on a weekend. And he's like he will you

0:46:12.560 --> 0:46:13.320
<v Speaker 1>want to drive for me?

0:46:13.680 --> 0:46:13.879
<v Speaker 3>Yeah?

0:46:14.000 --> 0:46:16.480
<v Speaker 1>But the thing is amazing. He runs you you I've

0:46:16.520 --> 0:46:19.239
<v Speaker 1>never seen anybody do this up close, and he you know,

0:46:19.360 --> 0:46:21.800
<v Speaker 1>he runs the hang glider, the giant thing up. He

0:46:21.960 --> 0:46:24.279
<v Speaker 1>jumps off and then in one kind of move, he

0:46:24.440 --> 0:46:27.080
<v Speaker 1>lifts up his legs and zips himself into this thing.

0:46:27.280 --> 0:46:33.799
<v Speaker 1>So now he's in like a You're also like there's

0:46:33.800 --> 0:46:36.040
<v Speaker 1>a wire behind you, I think, holding your back up.

0:46:36.120 --> 0:46:38.360
<v Speaker 1>So he's like zipping himself into this thing as he

0:46:38.840 --> 0:46:41.400
<v Speaker 1>Then they try to catch thermals, so you just like

0:46:41.480 --> 0:46:43.480
<v Speaker 1>a bird, You're in this thermal and you're just watching

0:46:43.560 --> 0:46:45.440
<v Speaker 1>him just go up and up and up, and it's

0:46:45.640 --> 0:46:47.439
<v Speaker 1>just I also remember.

0:46:47.400 --> 0:46:49.040
<v Speaker 2>There's like one day a year, I don't know if

0:46:49.040 --> 0:46:50.520
<v Speaker 2>they still do this one day a year where they

0:46:50.560 --> 0:46:54.000
<v Speaker 2>open up Yosemite Valley to hang gliders and Rusty got

0:46:54.200 --> 0:46:55.640
<v Speaker 2>He was like one of the you know, he won

0:46:55.719 --> 0:46:57.640
<v Speaker 2>the lottery like they did a lottery for like who

0:46:57.719 --> 0:47:00.319
<v Speaker 2>got it, and so he got to fly. We use

0:47:00.360 --> 0:47:02.600
<v Speaker 2>Smity valleys like one of you know, a few hundred

0:47:02.800 --> 0:47:04.960
<v Speaker 2>hang gliders who got released one And I remember him

0:47:05.000 --> 0:47:07.200
<v Speaker 2>telling me this and just be like you're in saved.

0:47:07.400 --> 0:47:09.480
<v Speaker 1>Should we go hang gliding? Should we go hang gliding?

0:47:09.760 --> 0:47:10.560
<v Speaker 1>I really want to go.

0:47:10.960 --> 0:47:13.239
<v Speaker 2>Yes, I'm totally al tandem. I'm not going to go

0:47:13.280 --> 0:47:15.239
<v Speaker 2>by myself, but you can go tandem. We're strapped to

0:47:15.280 --> 0:47:17.960
<v Speaker 2>somebody who knows how to do it. But then do

0:47:17.960 --> 0:47:21.399
<v Speaker 2>you also remember when he wrecked. Yes, he came back.

0:47:21.719 --> 0:47:24.719
<v Speaker 2>He came back to work one time, all screwed up

0:47:24.719 --> 0:47:26.160
<v Speaker 2>because he had crash landed.

0:47:26.520 --> 0:47:29.920
<v Speaker 3>How come we weren't allowed to like the same thing.

0:47:29.920 --> 0:47:33.080
<v Speaker 3>You couldn't anything, We couldn't roller blade or do anything.

0:47:33.239 --> 0:47:35.480
<v Speaker 3>And Rusty's out there jumping off mountains.

0:47:35.120 --> 0:47:37.000
<v Speaker 1>Because he didn't care. What are they going to do?

0:47:37.200 --> 0:47:39.640
<v Speaker 1>Fire him? We were like rule of biting kids. You know,

0:47:39.719 --> 0:47:41.560
<v Speaker 1>if I hadn't gotten kicked out of kindergarten, I probably

0:47:41.560 --> 0:47:44.920
<v Speaker 1>would have. You've been there too. I would go bungee

0:47:44.960 --> 0:47:47.640
<v Speaker 1>jumping first season, so I know, I remember, Well, that'll

0:47:47.680 --> 0:47:48.240
<v Speaker 1>be an episode.

0:47:48.760 --> 0:47:51.400
<v Speaker 2>I was skydiving this at eighteen, so I was skydiving

0:47:51.440 --> 0:47:53.359
<v Speaker 2>within this year ninety eight.

0:47:53.600 --> 0:47:55.239
<v Speaker 1>Well this will, but hang gliding will be one of

0:47:55.280 --> 0:47:56.440
<v Speaker 1>the segments, and you're going to hate this.

0:47:56.960 --> 0:47:59.960
<v Speaker 3>Yes, an instructor screams over the loud engine. You've said,

0:48:00.040 --> 0:48:03.359
<v Speaker 3>cessfully completed the ground course. Welcome to your first jump.

0:48:03.680 --> 0:48:06.640
<v Speaker 3>Alan and Eric are enthused, while Corey's wide eyed, unable

0:48:06.680 --> 0:48:09.320
<v Speaker 3>to hide his nervousness. He raises his hand and shouts,

0:48:09.440 --> 0:48:12.360
<v Speaker 3>I actually wasn't paying attention on the ground and I

0:48:12.480 --> 0:48:16.160
<v Speaker 3>feel I shouldn't be allowed up here, Eric explains, and

0:48:16.520 --> 0:48:20.120
<v Speaker 3>everything in this entire scene is screaming, which is great.

0:48:20.800 --> 0:48:21.560
<v Speaker 1>You know what I love.

0:48:21.719 --> 0:48:24.560
<v Speaker 3>It's the drama, like will the shoot open or not.

0:48:25.000 --> 0:48:27.440
<v Speaker 3>Corey complains to his dad, this isn't fair. When you

0:48:27.520 --> 0:48:29.800
<v Speaker 3>hit the ground, you were not ten thousand feet above it.

0:48:30.200 --> 0:48:31.960
<v Speaker 3>Alan tells him this is something Eric and I have

0:48:32.040 --> 0:48:34.239
<v Speaker 3>been talking about doing. There's no reason you shouldn't be

0:48:34.280 --> 0:48:36.800
<v Speaker 3>a part of it. Corey asks, So this isn't because

0:48:36.840 --> 0:48:39.680
<v Speaker 3>I pushed you down. Alan admits, well, yes it is.

0:48:39.840 --> 0:48:41.759
<v Speaker 3>If you're that upset about something, I have to take

0:48:41.800 --> 0:48:44.319
<v Speaker 3>a hard look at what I'm doing wrong. Corey says,

0:48:44.480 --> 0:48:46.160
<v Speaker 3>I just feel like I want to do things with you,

0:48:46.400 --> 0:48:49.040
<v Speaker 3>not just talk about stuff. Alan assures him that he

0:48:49.080 --> 0:48:51.520
<v Speaker 3>doesn't do stuff with Eric because he doesn't want to

0:48:51.600 --> 0:48:52.320
<v Speaker 3>do them with Corey.

0:48:52.560 --> 0:48:54.040
<v Speaker 4>It's just the way he and Eric relate.

0:48:54.560 --> 0:48:56.799
<v Speaker 3>Eric shouts back, Dad just doesn't see you as much

0:48:56.840 --> 0:48:59.239
<v Speaker 3>of an action adventure guy like he sees me. But

0:48:59.320 --> 0:49:01.319
<v Speaker 3>it takes guts to get up here in the first place.

0:49:01.520 --> 0:49:02.399
<v Speaker 3>You don't have to jump.

0:49:02.719 --> 0:49:04.800
<v Speaker 4>Corey argues, No, no, no. If this is what you

0:49:04.880 --> 0:49:08.239
<v Speaker 4>guys do, I'm with you, guys. Alan tells him.

0:49:08.320 --> 0:49:10.440
<v Speaker 3>If you want to jump, you jump, or if you

0:49:10.480 --> 0:49:13.560
<v Speaker 3>want to play basketball or baseball or whatever, I'll be there.

0:49:13.920 --> 0:49:16.239
<v Speaker 3>Just promise me one thing. I don't want to lose

0:49:16.280 --> 0:49:19.000
<v Speaker 3>that part of our relationship that I consider most special.

0:49:19.400 --> 0:49:24.160
<v Speaker 3>Here's where it turns for everyone. Corey yells what and

0:49:24.400 --> 0:49:28.680
<v Speaker 3>Eric screens back what, and Alan does the same what.

0:49:29.680 --> 0:49:32.160
<v Speaker 3>Corey and Eric want to know what is most special?

0:49:33.200 --> 0:49:36.279
<v Speaker 3>Alan reveals I love when we talk. Cory and Eric

0:49:36.320 --> 0:49:36.840
<v Speaker 3>are surprised.

0:49:37.120 --> 0:49:41.040
<v Speaker 2>If our writers had known how legendary a certain line

0:49:41.080 --> 0:49:43.040
<v Speaker 2>would have been, this would have been a great time

0:49:43.160 --> 0:49:44.440
<v Speaker 2>for Russy to just say.

0:49:44.400 --> 0:49:49.719
<v Speaker 1>They want you to take the roles right what who

0:49:50.080 --> 0:49:53.239
<v Speaker 1>they want, and then move on. It would have been

0:49:53.320 --> 0:49:54.480
<v Speaker 1>like the nowadays.

0:49:54.520 --> 0:49:56.000
<v Speaker 2>We would have done that, but at the time we

0:49:56.080 --> 0:49:59.040
<v Speaker 2>didn't realize how much that was, like the most quarterble line.

0:50:00.000 --> 0:50:01.040
<v Speaker 4>That's so funny.

0:50:02.239 --> 0:50:05.399
<v Speaker 3>Corey and Eric are surprised, you do. Alan tells Corey

0:50:05.520 --> 0:50:08.120
<v Speaker 3>he loves his opinions and views on things. He wouldn't

0:50:08.120 --> 0:50:11.520
<v Speaker 3>trade their talks for anything. Corey yells back, you tell

0:50:11.640 --> 0:50:15.360
<v Speaker 3>me this now, Eric asks, while replaying the entire relationship

0:50:15.400 --> 0:50:18.279
<v Speaker 3>with his dad in his head. Yeah, what good is

0:50:18.320 --> 0:50:20.480
<v Speaker 3>it to play basketball or throw a football if you

0:50:20.520 --> 0:50:24.719
<v Speaker 3>don't have good conversation, right dad, The instructor yells, they're

0:50:24.760 --> 0:50:27.759
<v Speaker 3>at the jump point in the rare but not impossible.

0:50:27.800 --> 0:50:30.879
<v Speaker 3>Event that your shoot fails to deploy, you just pull

0:50:30.960 --> 0:50:33.720
<v Speaker 3>on your red ripcord, which will engage your backup shoot.

0:50:34.000 --> 0:50:36.720
<v Speaker 3>Alan's eyes widen, What do you mean fail to open?

0:50:37.160 --> 0:50:39.120
<v Speaker 3>Eric adds, what do you mean deploy?

0:50:42.680 --> 0:50:46.000
<v Speaker 1>Eric is still Erica.

0:50:46.520 --> 0:50:49.520
<v Speaker 3>The instructor ignores their questions, Ready to go. Corey is

0:50:49.560 --> 0:50:51.839
<v Speaker 3>the first to stand up, but Alan stops him. Now

0:50:51.880 --> 0:50:54.040
<v Speaker 3>that our relationship is back on track, why don't we

0:50:54.160 --> 0:50:57.839
<v Speaker 3>just go home basketball or something. Cory is fired up.

0:50:58.080 --> 0:50:58.919
<v Speaker 4>Why because you're.

0:50:58.840 --> 0:51:01.560
<v Speaker 1>Afraid I can't keep up with you? Guys will watch this.

0:51:02.239 --> 0:51:04.440
<v Speaker 3>And then we get a shot from outside the plane.

0:51:04.640 --> 0:51:07.280
<v Speaker 3>Corey is standing in the doorway and then he jumps

0:51:07.320 --> 0:51:10.480
<v Speaker 3>without hesitation. Alan and Eric are shocked. He did it.

0:51:10.880 --> 0:51:13.200
<v Speaker 1>Alan tells Eric to go get him, but Eric has

0:51:13.239 --> 0:51:14.000
<v Speaker 1>something on his mind.

0:51:15.680 --> 0:51:20.680
<v Speaker 3>Get him. I love it, He wonders, how come I

0:51:20.760 --> 0:51:23.200
<v Speaker 3>don't have that special relationship like you have with Corey.

0:51:23.480 --> 0:51:25.920
<v Speaker 4>Alan doesn't get it. What Eric asks?

0:51:26.120 --> 0:51:28.919
<v Speaker 3>Do you value my views and opinions on things? Alan

0:51:29.040 --> 0:51:32.440
<v Speaker 3>stares out the plane and notices. Oh his shoot open good.

0:51:33.080 --> 0:51:33.880
<v Speaker 4>Eric brushes it off.

0:51:33.960 --> 0:51:36.960
<v Speaker 1>That's great. Listen, all we ever do is buddy stuff.

0:51:37.120 --> 0:51:37.880
<v Speaker 4>We have nothing.

0:51:38.239 --> 0:51:39.839
<v Speaker 1>I want more, he says.

0:51:39.880 --> 0:51:42.800
<v Speaker 3>Alan has to listen to his views on philosophy, politics,

0:51:42.840 --> 0:51:44.279
<v Speaker 3>and what makes the world go round.

0:51:45.080 --> 0:51:46.200
<v Speaker 4>Alan has heard enough.

0:51:46.480 --> 0:51:51.640
<v Speaker 1>Jail looks at him and then tumbles out, and.

0:51:57.760 --> 0:52:00.680
<v Speaker 3>Eric puts his goggles on in shrieks talking to you

0:52:01.440 --> 0:52:02.520
<v Speaker 3>before jumping.

0:52:02.320 --> 0:52:03.560
<v Speaker 4>Out after his dad.

0:52:04.719 --> 0:52:11.000
<v Speaker 2>Perfect scene, Yeah, perfect scene. Every character is true to themselves,

0:52:11.760 --> 0:52:12.560
<v Speaker 2>the jokes are there.

0:52:12.920 --> 0:52:15.200
<v Speaker 1>I just love it so much. Yeah, it was great.

0:52:15.280 --> 0:52:16.400
<v Speaker 4>It really was so beautiful.

0:52:16.640 --> 0:52:18.600
<v Speaker 2>Hold on, before we move on, can we take a

0:52:18.800 --> 0:52:22.320
<v Speaker 2>break for a second because I just got a text

0:52:22.440 --> 0:52:25.480
<v Speaker 2>that I want to share. It's from my friend Letty

0:52:26.120 --> 0:52:29.320
<v Speaker 2>up in Seattle. She said, Hey, guys, Letty here is

0:52:29.360 --> 0:52:32.520
<v Speaker 2>she texted me and Alex just saw on front page

0:52:32.600 --> 0:52:34.920
<v Speaker 2>news ari E Danielle's breast cancer diagnosis.

0:52:35.080 --> 0:52:35.800
<v Speaker 1>Hope she's okay.

0:52:36.360 --> 0:52:38.200
<v Speaker 2>Just so you know, I've been putting off my exam

0:52:38.320 --> 0:52:41.480
<v Speaker 2>for years because I'm scared my grandmother had it. Because

0:52:41.520 --> 0:52:43.120
<v Speaker 2>of her story, I'm going to bite the bullet and

0:52:43.160 --> 0:52:45.400
<v Speaker 2>schedule my check up. Please know that she influenced at

0:52:45.480 --> 0:52:47.680
<v Speaker 2>least one person to action by speaking up about it.

0:52:48.000 --> 0:52:50.759
<v Speaker 2>Obviously many more too. Hugs do you both and Andy

0:52:50.800 --> 0:52:51.640
<v Speaker 2>hope we can hang again.

0:52:51.760 --> 0:52:53.239
<v Speaker 1>Suit. So I just wanted to let you know I

0:52:53.360 --> 0:52:56.120
<v Speaker 1>just got that text well because the news just broke today.

0:52:56.239 --> 0:52:57.160
<v Speaker 4>So that's so sweet.

0:52:57.200 --> 0:53:00.840
<v Speaker 1>Thank you, that's aw thank you should be proud of yourself.

0:53:01.000 --> 0:53:02.320
<v Speaker 1>Definitely thanks.

0:53:02.600 --> 0:53:05.680
<v Speaker 3>I actually am two of my best friends who I

0:53:05.800 --> 0:53:09.040
<v Speaker 3>had been avoid avoiding telling because truthfully, it seems like

0:53:09.200 --> 0:53:11.960
<v Speaker 3>every every one of their friends in the last year

0:53:12.040 --> 0:53:14.360
<v Speaker 3>has somehow been diagnosed with cancer.

0:53:15.280 --> 0:53:16.759
<v Speaker 4>And I know how hard it's been on her.

0:53:16.880 --> 0:53:18.680
<v Speaker 3>She's been confiding in me about like, oh, it just

0:53:18.719 --> 0:53:22.160
<v Speaker 3>seems like everywhere I turned, my friends are getting cancer.

0:53:22.280 --> 0:53:24.040
<v Speaker 3>And so when I found out, I truly was like,

0:53:24.160 --> 0:53:26.200
<v Speaker 3>I'm gonna I want to protect her from this, and

0:53:26.280 --> 0:53:28.640
<v Speaker 3>so I didn't tell her, and my intention was always

0:53:28.680 --> 0:53:30.239
<v Speaker 3>to tell her before the news broke, but then all

0:53:30.280 --> 0:53:33.520
<v Speaker 3>of a sudden, it was like newsbroke because didn't tell her,

0:53:34.719 --> 0:53:37.120
<v Speaker 3>And she texted me this morning and was like, first

0:53:37.160 --> 0:53:38.840
<v Speaker 3>of all, I'm so mad at me, mad at you.

0:53:38.960 --> 0:53:40.520
<v Speaker 3>You don't need to protect me. I wish you would

0:53:40.520 --> 0:53:43.959
<v Speaker 3>have told me, and she said, but more importantly, both

0:53:44.120 --> 0:53:46.560
<v Speaker 3>her and her girlfriend have been putting off their mammograms.

0:53:46.840 --> 0:53:48.560
<v Speaker 3>They've just been too busy and they're just putting it off.

0:53:48.600 --> 0:53:50.759
<v Speaker 3>And she said, and today we're making our appointments and.

0:53:51.400 --> 0:53:52.919
<v Speaker 1>Good changing lives.

0:53:53.440 --> 0:53:56.439
<v Speaker 3>Yeah, that's that is truly world. You know, we've talked

0:53:56.440 --> 0:53:59.000
<v Speaker 3>about it before. None of us like being in the news,

0:53:59.160 --> 0:54:00.920
<v Speaker 3>even when it's something and that's like kind of out

0:54:00.960 --> 0:54:03.480
<v Speaker 3>of your control. It gives me major agua to know

0:54:03.640 --> 0:54:04.200
<v Speaker 3>I'm in the news.

0:54:04.280 --> 0:54:05.799
<v Speaker 4>I don't like it. I don't like to do things

0:54:05.880 --> 0:54:08.120
<v Speaker 4>I don't We are not a click baity show, we don't.

0:54:08.200 --> 0:54:11.000
<v Speaker 3>We just so I it has been like a little

0:54:11.440 --> 0:54:13.799
<v Speaker 3>agit like I feel, I feel the anxiety of knowing

0:54:13.880 --> 0:54:17.560
<v Speaker 3>everyone's talking about me today. But I know for sure

0:54:17.920 --> 0:54:20.240
<v Speaker 3>that text you just shared with me writer is exactly

0:54:20.680 --> 0:54:23.360
<v Speaker 3>It's exactly the reason I did it, and I'm so

0:54:23.440 --> 0:54:25.560
<v Speaker 3>happy to hear that it's making a difference in people,

0:54:25.600 --> 0:54:28.040
<v Speaker 3>and I hope it continues to do that.

0:54:28.120 --> 0:54:29.880
<v Speaker 4>So thank you for sharing that with me.

0:54:30.160 --> 0:54:43.920
<v Speaker 3>All right, So then we're back on the Matthews driveway.

0:54:44.000 --> 0:54:46.520
<v Speaker 3>Corey and Alan are playing one on one. Eric barges

0:54:46.560 --> 0:54:48.520
<v Speaker 3>into their game and stands right in front of Alan.

0:54:48.719 --> 0:54:50.520
<v Speaker 3>You jumped out of a plane rather than talk to me.

0:54:50.920 --> 0:54:54.879
<v Speaker 3>Alan laughs, No, you're exaggerating. The wind sucked me out

0:54:55.040 --> 0:54:58.120
<v Speaker 3>like a vacuum. Eric gets in his face. You hit

0:54:58.200 --> 0:55:06.719
<v Speaker 3>the ground and started running, Alan retorts momentum. Eric says

0:55:06.840 --> 0:55:09.360
<v Speaker 3>he wants to talk like he does with Corey. Alan

0:55:09.440 --> 0:55:11.120
<v Speaker 3>reminds him they're in the middle of a game here.

0:55:11.440 --> 0:55:13.400
<v Speaker 3>Then Eric grabs the ball and begs his dad to

0:55:13.480 --> 0:55:15.359
<v Speaker 3>talk to him. They yank the ball back and forth

0:55:15.440 --> 0:55:18.640
<v Speaker 3>until Eric pushes Alan down, sending him falling onto the

0:55:18.719 --> 0:55:22.160
<v Speaker 3>ground again. Amy and Morgan rush out, and Amy asks

0:55:22.200 --> 0:55:24.520
<v Speaker 3>if Corey pushed him again. Corey just points to Eric,

0:55:24.520 --> 0:55:27.080
<v Speaker 3>who's staring at his dad in shock. Morgan leans down

0:55:27.120 --> 0:55:29.000
<v Speaker 3>to help her dad up. He quickly puts his arm

0:55:29.080 --> 0:55:29.600
<v Speaker 3>up in terror.

0:55:29.640 --> 0:55:30.440
<v Speaker 1>Stay away from me.

0:55:32.680 --> 0:55:34.839
<v Speaker 2>The kids are turning so good.

0:55:35.600 --> 0:55:39.080
<v Speaker 3>The family is once again in turmoil, and we're back

0:55:39.120 --> 0:55:41.279
<v Speaker 3>at the guy's apartment. We're in Shawn's room. Jack and

0:55:41.360 --> 0:55:43.919
<v Speaker 3>Sean are sitting silently on the bed, now back to back,

0:55:44.040 --> 0:55:47.360
<v Speaker 3>which also I did love this. Why are they sitting

0:55:47.400 --> 0:55:49.000
<v Speaker 3>back to back? They just need to get away from

0:55:49.040 --> 0:55:50.120
<v Speaker 3>each other and there's nowhere to go.

0:55:50.480 --> 0:55:52.440
<v Speaker 1>But it's the next line that sells the whole thing.

0:55:52.960 --> 0:55:53.160
<v Speaker 5>To me.

0:55:53.680 --> 0:55:56.800
<v Speaker 3>Jack asks if Sean's awake, and he answers, oh, what

0:55:56.960 --> 0:55:58.040
<v Speaker 3>kind of moron are you?

0:55:59.000 --> 0:56:00.880
<v Speaker 1>Are you just sitting back to back you awake? What

0:56:01.040 --> 0:56:02.080
<v Speaker 1>kind of moron are you?

0:56:02.640 --> 0:56:04.840
<v Speaker 3>Jack exclaims, I can't take this. You live like a

0:56:04.960 --> 0:56:07.279
<v Speaker 3>pig and you do weird things during the night. Sean

0:56:07.360 --> 0:56:10.160
<v Speaker 3>asks weird things? And Jack reveals you talk in your

0:56:10.200 --> 0:56:14.040
<v Speaker 3>sleep and you snore. Sean laughs, that's impossible. Either he

0:56:14.160 --> 0:56:17.080
<v Speaker 3>talks or he snores. You can't do both. Jack Prest's

0:56:17.120 --> 0:56:19.880
<v Speaker 3>play on the bedside boom box. We hear Sean snoring

0:56:20.080 --> 0:56:22.439
<v Speaker 3>and then saying I'm going to the market to pick

0:56:22.520 --> 0:56:25.359
<v Speaker 3>up some eggs. He snores again, and then he talks

0:56:25.360 --> 0:56:26.920
<v Speaker 3>about eggs and rubbing them together to.

0:56:26.960 --> 0:56:27.600
<v Speaker 4>Start a fire.

0:56:29.000 --> 0:56:30.440
<v Speaker 2>How many times do you think the writers were just

0:56:30.560 --> 0:56:33.319
<v Speaker 2>riffing on how can we make this? But I also,

0:56:33.719 --> 0:56:38.360
<v Speaker 2>isn't there a no clown, no recurring joke with have

0:56:38.480 --> 0:56:39.279
<v Speaker 2>we already done that?

0:56:39.680 --> 0:56:39.839
<v Speaker 1>Yeah?

0:56:40.600 --> 0:56:40.680
<v Speaker 2>Right?

0:56:40.880 --> 0:56:43.480
<v Speaker 1>Would have been nice to have a little little absolutely

0:56:43.600 --> 0:56:44.600
<v Speaker 1>right clown.

0:56:44.360 --> 0:56:47.120
<v Speaker 2>Reference where I'm like, hello, clown, or I don't know,

0:56:47.280 --> 0:56:49.200
<v Speaker 2>like I'm doing some version of no clown.

0:56:49.239 --> 0:56:49.279
<v Speaker 1>No.

0:56:49.560 --> 0:56:52.719
<v Speaker 4>Yes, that would have been cute.

0:56:53.800 --> 0:56:55.800
<v Speaker 3>So he takes the tape out, only to realize that

0:56:55.960 --> 0:56:58.439
<v Speaker 3>Jack has recorded over his sounds of the trailer part.

0:56:58.719 --> 0:57:01.320
<v Speaker 3>Jack sarcastically says, yeah, go to the car wash and

0:57:01.360 --> 0:57:04.080
<v Speaker 3>buy a new one. Sean says, knowing well that Jack

0:57:04.200 --> 0:57:07.040
<v Speaker 3>knows this, I don't own a car, and if I did,

0:57:07.320 --> 0:57:10.320
<v Speaker 3>I would have the pride to wash it myself. He

0:57:10.480 --> 0:57:13.600
<v Speaker 3>calls his brother a hoity toity, stuck up middle class

0:57:13.800 --> 0:57:16.200
<v Speaker 3>snot And I thought it was interesting that they chose

0:57:16.200 --> 0:57:16.840
<v Speaker 3>middle class.

0:57:16.720 --> 0:57:21.080
<v Speaker 1>Middle class, Yes, upper middle class or upper class upper class, yeah, Jack,

0:57:21.160 --> 0:57:21.760
<v Speaker 1>collar or something?

0:57:21.880 --> 0:57:22.120
<v Speaker 5>Yeah.

0:57:22.200 --> 0:57:22.400
<v Speaker 1>Yeah.

0:57:23.080 --> 0:57:24.320
<v Speaker 4>Jack starts cleaning up the room.

0:57:24.640 --> 0:57:26.360
<v Speaker 3>Just because you live like a pig doesn't mean I

0:57:26.560 --> 0:57:29.000
<v Speaker 3>have to, and Sean tells him he must because this

0:57:29.200 --> 0:57:32.040
<v Speaker 3>is his room, and he dumps a garbage can on

0:57:32.200 --> 0:57:35.680
<v Speaker 3>Jack's head. Jack retaliates by throwing dirty laundry at Sean

0:57:35.760 --> 0:57:38.160
<v Speaker 3>and the pig lets out a squeal from behind the curtain.

0:57:39.040 --> 0:57:41.400
<v Speaker 3>Jack jumps in fear and Sean yells at him, you're

0:57:41.480 --> 0:57:52.200
<v Speaker 3>upsetting my pig. Now again another great directing use of

0:57:52.400 --> 0:57:55.280
<v Speaker 3>the pig, like even though you don't see the pig. Ever, again,

0:57:55.720 --> 0:57:57.960
<v Speaker 3>they got a nice close shot of the pig behind

0:57:58.000 --> 0:57:59.640
<v Speaker 3>that curtain, And now we're gonna buy.

0:57:59.840 --> 0:58:02.240
<v Speaker 1>Anytime we hear it, we buy. It's there. You just

0:58:02.440 --> 0:58:03.200
<v Speaker 1>know it is great.

0:58:03.400 --> 0:58:06.960
<v Speaker 3>Yeah, it's really good. So Jack antagonizes him make me.

0:58:07.400 --> 0:58:09.960
<v Speaker 3>Sean does not stand down. Then the two jump on

0:58:10.040 --> 0:58:12.600
<v Speaker 3>each other and they fall to the ground. This is

0:58:12.640 --> 0:58:14.280
<v Speaker 3>the moment where I was like, why can't we see

0:58:14.320 --> 0:58:16.800
<v Speaker 3>this in another part of the house because I do yeah,

0:58:17.200 --> 0:58:20.600
<v Speaker 3>I do love that you guys are just so different

0:58:20.640 --> 0:58:22.360
<v Speaker 3>and you're forced to come to terms with it. But

0:58:22.920 --> 0:58:25.000
<v Speaker 3>I feel like we could have seen this in the

0:58:25.120 --> 0:58:26.760
<v Speaker 3>kitchen with cooking, or it could have been in the

0:58:26.840 --> 0:58:27.360
<v Speaker 3>living room.

0:58:27.920 --> 0:58:29.440
<v Speaker 1>I think what they were going for is the thing

0:58:29.440 --> 0:58:31.120
<v Speaker 1>you're supposed to do when you get two cats that

0:58:31.160 --> 0:58:33.320
<v Speaker 1>don't get along, is you literally throw them together in

0:58:33.360 --> 0:58:35.880
<v Speaker 1>a bathroom and you make them get along. It's like

0:58:35.880 --> 0:58:38.400
<v Speaker 1>you cover them with tuna and you throw them in

0:58:38.480 --> 0:58:40.880
<v Speaker 1>there until they become friends. And I think, just to

0:58:40.920 --> 0:58:42.360
<v Speaker 1>sen you what they were trying to do, they were

0:58:42.400 --> 0:58:44.120
<v Speaker 1>just trying to be economical, like they knew they were

0:58:44.160 --> 0:58:46.280
<v Speaker 1>one of us wrestling. But you're right, it would have been.

0:58:46.560 --> 0:58:48.360
<v Speaker 1>I mean, even the start of the scene is weird,

0:58:48.440 --> 0:58:50.440
<v Speaker 1>like what's happening. We're both being so stubborn that We're

0:58:50.480 --> 0:58:52.680
<v Speaker 1>sitting back to back and not going to sleep. It's

0:58:52.720 --> 0:58:55.600
<v Speaker 1>like just you know, picking up where the last scene

0:58:55.720 --> 0:58:58.080
<v Speaker 1>kind of already kind of resolved it. So it's a weird,

0:58:58.120 --> 0:58:59.920
<v Speaker 1>awkward start. It would have been better to have a

0:59:00.320 --> 0:59:02.920
<v Speaker 1>conflict in the kitchen that then leads it, but it would.

0:59:02.760 --> 0:59:03.080
<v Speaker 2>Have take.

0:59:04.880 --> 0:59:07.360
<v Speaker 1>Let's just get right to it. Yeah. I also can

0:59:07.440 --> 0:59:11.600
<v Speaker 1>never get over sleeping without some sort of a cover,

0:59:11.760 --> 0:59:14.320
<v Speaker 1>a sheet or a cover like just blank mattress to

0:59:14.360 --> 0:59:16.640
<v Speaker 1>me is one of my creepiest feels. It's like, I know,

0:59:16.800 --> 0:59:19.360
<v Speaker 1>it gives me such the yuck just even thinking about that.

0:59:19.600 --> 0:59:22.160
<v Speaker 3>I could never sleep without a thing. No on top

0:59:22.240 --> 0:59:24.440
<v Speaker 3>of me, No, you need, you need a thing, at

0:59:24.520 --> 0:59:26.720
<v Speaker 3>least a sheet. And even that, I'd like something a

0:59:26.760 --> 0:59:29.880
<v Speaker 3>little heavier, but sure, yeah something So then we're in

0:59:29.920 --> 0:59:32.600
<v Speaker 3>the guy's apartment. Later, Eric's pacing on the phone. Hello,

0:59:32.800 --> 0:59:35.440
<v Speaker 3>Philly General, have any middle aged men been admitted this

0:59:35.520 --> 0:59:39.160
<v Speaker 3>afternoon with basketball injuries? He pauses, then asks that many.

0:59:39.280 --> 0:59:39.480
<v Speaker 1>Huh.

0:59:42.480 --> 0:59:44.800
<v Speaker 3>Then Corey walks in the front door. Eric throws down

0:59:44.840 --> 0:59:46.160
<v Speaker 3>the phone and nervously checks the hall.

0:59:46.240 --> 0:59:48.960
<v Speaker 4>How'd you find me? Corey stares at him, perplexed.

0:59:49.280 --> 0:59:51.960
<v Speaker 1>You live here? Eric, shakes his head. Not anymore.

0:59:52.240 --> 0:59:55.680
<v Speaker 3>I'm volunteering for the Witness Protection program. Corey tells him

0:59:55.720 --> 0:59:57.960
<v Speaker 3>he didn't witness a crime, but Eric thinks he did.

0:59:58.280 --> 1:00:00.240
<v Speaker 3>I hit my father and I saw the whole thing.

1:00:00.680 --> 1:00:03.240
<v Speaker 3>By this time tomorrow, I'll no longer be your brother.

1:00:03.560 --> 1:00:08.640
<v Speaker 3>I'll be doctor Abraham Shapiro of Pasi Passaic, New Jersey, cardiologist.

1:00:09.720 --> 1:00:14.240
<v Speaker 4>This whole runner will just perfect will for them.

1:00:14.520 --> 1:00:16.440
<v Speaker 1>Yes, and I love the way that you know.

1:00:16.640 --> 1:00:19.880
<v Speaker 2>Corey overreacts but makes it all this like anxiety, and

1:00:20.240 --> 1:00:22.200
<v Speaker 2>Eric overreacts and is just like I got to plan

1:00:22.320 --> 1:00:25.200
<v Speaker 2>amount of and it's like so big and completely different directions.

1:00:25.280 --> 1:00:27.920
<v Speaker 2>They both overreact, but Corey makes it all about him,

1:00:28.280 --> 1:00:29.760
<v Speaker 2>and Eric is like, well, now I just got to

1:00:29.840 --> 1:00:30.360
<v Speaker 2>change my life.

1:00:30.440 --> 1:00:31.640
<v Speaker 1>That's just what I am. That's it.

1:00:32.800 --> 1:00:35.600
<v Speaker 3>I'm a violent offender and I must go elsewhere to

1:00:35.640 --> 1:00:38.560
<v Speaker 3>become a surgeon, have to leave Eric Matthews behind and

1:00:38.640 --> 1:00:42.680
<v Speaker 3>become someone new. Yes, Corey tries to ease his mind.

1:00:42.800 --> 1:00:45.439
<v Speaker 3>Their dad is fine, but what's gotten into him? Eric says,

1:00:45.480 --> 1:00:47.240
<v Speaker 3>all we ever do is pala a round. You know,

1:00:47.440 --> 1:00:49.680
<v Speaker 3>That's what our relationship is. I want to talk to

1:00:49.760 --> 1:00:51.440
<v Speaker 3>him too, Corey assures him.

1:00:51.520 --> 1:00:52.360
<v Speaker 4>You and Dad talk.

1:00:52.880 --> 1:00:55.640
<v Speaker 3>Eric siys, we talk about the Sixers and the Flyers

1:00:55.720 --> 1:00:58.000
<v Speaker 3>and the bay Watch chicks. I want to talk about

1:00:58.040 --> 1:01:01.120
<v Speaker 3>important stuff like you guys do. It's time people learned

1:01:01.160 --> 1:01:04.000
<v Speaker 3>who the real Eric was. Then the phone rings, Eric

1:01:04.480 --> 1:01:10.000
<v Speaker 3>answers it without missing a beat, Doctor Shapiro, Sobby and

1:01:10.120 --> 1:01:12.320
<v Speaker 3>the business you do afterwhere you look at Corey like, sorry,

1:01:12.320 --> 1:01:13.960
<v Speaker 3>you got to take this real quick.

1:01:14.240 --> 1:01:14.960
<v Speaker 4>Sorry, it's important.

1:01:15.960 --> 1:01:17.400
<v Speaker 1>Was just trying to make Ben laugh at that point.

1:01:19.120 --> 1:01:21.520
<v Speaker 3>Then we're back in Sean's room. Sean has Jack in

1:01:21.560 --> 1:01:23.720
<v Speaker 3>a headlock, shouting at him. You come in here, you

1:01:23.880 --> 1:01:26.960
<v Speaker 3>criticize my room, you spook my pig, and you turn

1:01:27.040 --> 1:01:30.240
<v Speaker 3>out my light. Jack breaks free and grab Sean, so

1:01:30.880 --> 1:01:33.720
<v Speaker 3>Sean flips him back around. I like the way I live.

1:01:33.920 --> 1:01:36.440
<v Speaker 3>Maybe I wasn't born with my life on a silver spoon.

1:01:36.800 --> 1:01:38.680
<v Speaker 3>Jack says he likes the way he was brought up too.

1:01:39.080 --> 1:01:40.840
<v Speaker 3>The only thing he didn't like was that he didn't

1:01:40.920 --> 1:01:43.800
<v Speaker 3>know his brother. Then he pushes Sean down. He pins

1:01:43.880 --> 1:01:46.840
<v Speaker 3>him on the mattress. Say uncle, Sean pleads, I don't

1:01:46.880 --> 1:01:47.960
<v Speaker 3>know who my uncle is.

1:01:49.000 --> 1:01:52.480
<v Speaker 1>To know him too. Oh this whole thing is so funny. Now,

1:01:52.680 --> 1:01:55.120
<v Speaker 1>this I remember from the run through because this was

1:01:55.160 --> 1:01:58.960
<v Speaker 1>also killing it. And when you'd finally got to Uncle

1:01:59.080 --> 1:02:02.280
<v Speaker 1>Dave in the bar business, brought the house down. It

1:02:02.680 --> 1:02:04.560
<v Speaker 1>brought the house down. It was so good.

1:02:05.120 --> 1:02:08.520
<v Speaker 3>It's just so funny. Sean gets up and pins Jack's

1:02:08.600 --> 1:02:11.880
<v Speaker 3>arm behind his back. Jack screams, his name's Dave. He's

1:02:11.920 --> 1:02:16.520
<v Speaker 3>in the corrugated box business. I can't breathe. Sean releases

1:02:16.560 --> 1:02:19.880
<v Speaker 3>his grip. We weren't fighting about the messy room, were we, Jack?

1:02:20.000 --> 1:02:20.320
<v Speaker 4>Laughs?

1:02:20.840 --> 1:02:22.960
<v Speaker 3>Just think all those years we didn't know each other.

1:02:23.080 --> 1:02:24.800
<v Speaker 3>We could have been beaten the crap out of each other.

1:02:25.320 --> 1:02:28.280
<v Speaker 3>Sean smiles too. I've waited seventeen years to do this,

1:02:28.880 --> 1:02:31.880
<v Speaker 3>and then he rock bottoms Jack back onto the mattress.

1:02:32.040 --> 1:02:34.000
<v Speaker 3>Jack reverses the move and quickly pins him down.

1:02:34.240 --> 1:02:38.800
<v Speaker 1>Say uncle to your big brother. Sean screams, uncle uncle Dave.

1:02:38.720 --> 1:02:39.680
<v Speaker 4>In the box business.

1:02:39.960 --> 1:02:45.160
<v Speaker 1>Oh. Jack raises his armory. It's just wonder all the

1:02:45.200 --> 1:02:48.960
<v Speaker 1>boy meets world heart. Yeah, a great set piece of wrestling.

1:02:49.200 --> 1:02:52.600
<v Speaker 1>I mean it's just perfect. And after this you buy

1:02:52.680 --> 1:02:56.000
<v Speaker 1>them as brothers. Yep, Oh, this is it's about time.

1:02:56.600 --> 1:02:58.280
<v Speaker 1>You're right. It should have been done in episode one,

1:02:58.440 --> 1:03:02.000
<v Speaker 1>something like this but Jack is Jack, Sean is Sean,

1:03:02.240 --> 1:03:04.120
<v Speaker 1>and you buy that they have some sort of relationship

1:03:04.200 --> 1:03:04.600
<v Speaker 1>moving forward.

1:03:04.640 --> 1:03:07.280
<v Speaker 4>It's great, Yeah, it's it's really nice.

1:03:07.360 --> 1:03:10.840
<v Speaker 3>It's like a comforting It's like a nice comforting feeling

1:03:11.000 --> 1:03:12.800
<v Speaker 3>to see you guys go through this.

1:03:13.200 --> 1:03:15.520
<v Speaker 1>And to have that relationship with Jean clearly didn't have

1:03:15.840 --> 1:03:20.960
<v Speaker 1>with either Eddie or Stacy. Yes. Yeah, it's nighttime.

1:03:21.040 --> 1:03:24.080
<v Speaker 3>In the Matthews family driveway, Alan is playing basketball all

1:03:24.160 --> 1:03:27.880
<v Speaker 3>by himself. He shoots and Amy catches his airball. She

1:03:28.040 --> 1:03:30.960
<v Speaker 3>asks what the score is in Alan sihs sons two

1:03:31.400 --> 1:03:34.959
<v Speaker 3>Dad nothing. He wonders what he's doing wrong. Amy asks

1:03:35.000 --> 1:03:38.000
<v Speaker 3>if he really wants to know, and Alan immediately defends himself.

1:03:38.080 --> 1:03:41.120
<v Speaker 3>I'm not doing anything wrong. I am a very good father.

1:03:41.720 --> 1:03:44.600
<v Speaker 3>Amy agrees, you're a very good father to your son

1:03:45.040 --> 1:03:48.280
<v Speaker 3>and your daughter. Alan reminds her they have two sons,

1:03:48.600 --> 1:03:51.720
<v Speaker 3>and Amy smirks, she's made her point. Remember how we

1:03:51.800 --> 1:03:53.920
<v Speaker 3>always wanted a boy and a girl. He nods, and

1:03:54.000 --> 1:03:56.360
<v Speaker 3>she continues on the way to getting there. We got

1:03:56.440 --> 1:04:00.000
<v Speaker 3>two boys, two complete boys that want a complete relationship

1:04:00.000 --> 1:04:02.440
<v Speaker 3>and ship with their dad, and now they're calling you

1:04:02.560 --> 1:04:05.880
<v Speaker 3>on it. Alan insists they do have complete relationships with him.

1:04:06.040 --> 1:04:09.680
<v Speaker 3>Amy shakes her head, no they don't. Alan immediately agrees, no,

1:04:09.920 --> 1:04:10.320
<v Speaker 3>they don't.

1:04:11.800 --> 1:04:15.400
<v Speaker 2>Gets a great scene, Morgan gets a good scene, Amy

1:04:15.520 --> 1:04:16.440
<v Speaker 2>gets a good scene.

1:04:16.880 --> 1:04:22.160
<v Speaker 1>Every single character to Panga maybe not smile and.

1:04:23.640 --> 1:04:25.120
<v Speaker 2>I thought it was well written in all the biblic

1:04:25.320 --> 1:04:28.640
<v Speaker 2>But yeah, but I mean, think about how many characters

1:04:28.720 --> 1:04:30.840
<v Speaker 2>we have on the show, and this is an episode

1:04:30.920 --> 1:04:36.040
<v Speaker 2>that strings them all together. Dean character perfectly uses them.

1:04:36.480 --> 1:04:39.000
<v Speaker 2>It's just it's magnificent, it is.

1:04:39.240 --> 1:04:44.000
<v Speaker 3>It's really a great episode. Amy emphasizes that Corey gets

1:04:44.040 --> 1:04:46.880
<v Speaker 3>his mind and Eric gets the wide world of sports.

1:04:47.360 --> 1:04:49.560
<v Speaker 3>Alan says that's just the way they are together, but

1:04:49.680 --> 1:04:52.720
<v Speaker 3>Amy explains that he is the father. He has defined

1:04:52.800 --> 1:04:56.000
<v Speaker 3>the relationships. He should be proud. They want more. Alan

1:04:56.080 --> 1:04:59.720
<v Speaker 3>gets it, we have two boys. Well that's even better.

1:05:00.160 --> 1:05:02.200
<v Speaker 3>She smiles, Yeah it is.

1:05:03.200 --> 1:05:03.640
<v Speaker 1>I love that.

1:05:03.760 --> 1:05:06.120
<v Speaker 3>It isn't about that he's a better dad to one

1:05:06.200 --> 1:05:09.040
<v Speaker 3>or the other. It's that he's he's a great dad.

1:05:09.160 --> 1:05:12.080
<v Speaker 3>If they were only one kid one, yes, exactly. And

1:05:12.240 --> 1:05:14.120
<v Speaker 3>so I loved that because when he said your son

1:05:14.160 --> 1:05:15.880
<v Speaker 3>and your daughter, I was like, are they trying to say,

1:05:16.040 --> 1:05:16.520
<v Speaker 3>like which one?

1:05:16.600 --> 1:05:17.320
<v Speaker 4>But it isn't about that.

1:05:17.600 --> 1:05:18.080
<v Speaker 3>I love it.

1:05:18.520 --> 1:05:20.200
<v Speaker 4>I absolutely thought.

1:05:20.000 --> 1:05:22.240
<v Speaker 1>There would be like a one size fits all dad.

1:05:22.400 --> 1:05:25.600
<v Speaker 3>Yeah for son right well, And it is a really

1:05:25.920 --> 1:05:30.280
<v Speaker 3>smart thing. As a parent, you do naturally cater to

1:05:30.400 --> 1:05:33.800
<v Speaker 3>whatever your kid's strengths are. That's kind of what you

1:05:34.040 --> 1:05:38.680
<v Speaker 3>default to. Like, Oh, Adler is definitely super athletic, and

1:05:38.840 --> 1:05:41.640
<v Speaker 3>so Adler is going to have that automatic bond with

1:05:41.760 --> 1:05:44.480
<v Speaker 3>both Jensen and I, who are both athletic and competitive.

1:05:44.840 --> 1:05:46.480
<v Speaker 3>We're going to be able to bond with him about

1:05:46.520 --> 1:05:50.440
<v Speaker 3>that very easily. But if we don't also focus on

1:05:50.840 --> 1:05:54.240
<v Speaker 3>the other side of that, the more emotional needing to

1:05:54.320 --> 1:05:57.400
<v Speaker 3>talk things outside, it would be totally one sided. So

1:05:58.120 --> 1:06:00.720
<v Speaker 3>it's something that if you don't actively think about it

1:06:00.840 --> 1:06:03.200
<v Speaker 3>and make sure you're part, you're making sure you're making

1:06:03.240 --> 1:06:05.480
<v Speaker 3>a well rounded person, you could easily default too.

1:06:05.640 --> 1:06:08.400
<v Speaker 1>So there's also love the message. There's also something very

1:06:08.640 --> 1:06:11.040
<v Speaker 1>interesting in and you've I've heard this from a number

1:06:11.080 --> 1:06:13.919
<v Speaker 1>of people that didn't necessarily get along with their dad,

1:06:14.760 --> 1:06:18.040
<v Speaker 1>that something like sports is a language they can always

1:06:18.120 --> 1:06:21.360
<v Speaker 1>speak where it's just oh, if we just sit down

1:06:21.480 --> 1:06:23.240
<v Speaker 1>and we just talk about the Mets, or we just

1:06:23.320 --> 1:06:25.720
<v Speaker 1>talk about you know, the Philly whatever it is, then

1:06:25.800 --> 1:06:28.840
<v Speaker 1>there's a bond there that forms over this shared interest

1:06:29.560 --> 1:06:33.000
<v Speaker 1>and that becomes the relationship is just we talk through sports.

1:06:33.040 --> 1:06:36.160
<v Speaker 1>It's like, oh, okay, I got it. Yeah. Well, we're

1:06:36.160 --> 1:06:37.600
<v Speaker 1>in the hallway of the guy's apartment.

1:06:37.720 --> 1:06:40.160
<v Speaker 3>Eric's waiting for the elevator, wearing a fake mustache and

1:06:40.240 --> 1:06:42.880
<v Speaker 3>a steposcope around his neck. Oh, he's also holding a

1:06:42.960 --> 1:06:46.800
<v Speaker 3>doctor's bag. He nervously looks around. A neighbor walks past him,

1:06:46.800 --> 1:06:49.000
<v Speaker 3>and Eric shoots him an awkward thumbs up. Right then

1:06:49.080 --> 1:06:51.680
<v Speaker 3>the elevator opens and Alan and Corey are standing inside.

1:06:52.120 --> 1:06:54.680
<v Speaker 3>Eric slowly backs into the elevator, never seeing his dad

1:06:54.720 --> 1:06:58.400
<v Speaker 3>and his brother. Alan greets him doctor Shapiro. Eric tries

1:06:58.440 --> 1:06:59.880
<v Speaker 3>to run, but they grab him and pull him in

1:07:00.000 --> 1:07:01.080
<v Speaker 3>deeper into the elevator.

1:07:01.240 --> 1:07:02.960
<v Speaker 1>And then you see what I do right before it closes,

1:07:03.280 --> 1:07:05.280
<v Speaker 1>no right but to make Rusty laugh. And you saw

1:07:05.320 --> 1:07:07.320
<v Speaker 1>him kind of break. I take the stethoscope and I

1:07:07.400 --> 1:07:08.200
<v Speaker 1>just put it on his heart.

1:07:08.600 --> 1:07:08.760
<v Speaker 2>Oh.

1:07:09.040 --> 1:07:10.840
<v Speaker 1>So it's like it was like trying to.

1:07:10.840 --> 1:07:14.560
<v Speaker 4>Read so funny.

1:07:15.560 --> 1:07:20.320
<v Speaker 1>And then we were at the museum News sets, Baby Man, Maney, Money, Money.

1:07:21.200 --> 1:07:23.120
<v Speaker 1>This is where I was like, is this why we

1:07:23.200 --> 1:07:26.200
<v Speaker 1>were stuck in Sean's bedroom? We had we had museum money.

1:07:26.640 --> 1:07:29.400
<v Speaker 1>Maybe that's what it was. Gougenheim money to burn my

1:07:29.600 --> 1:07:30.400
<v Speaker 1>friend exactly.

1:07:30.960 --> 1:07:33.520
<v Speaker 3>Corey, Eric and Alan walk in together, and Eric asks

1:07:33.560 --> 1:07:35.920
<v Speaker 3>why they brought him here. Alan explains, I wanted to

1:07:35.960 --> 1:07:38.000
<v Speaker 3>do something with you that I've done on occasion with Corey.

1:07:38.440 --> 1:07:40.160
<v Speaker 3>Corey says he came here on a field trip once

1:07:40.200 --> 1:07:42.480
<v Speaker 3>and he really liked it, so he decided to take dad.

1:07:42.880 --> 1:07:45.400
<v Speaker 3>Alan fills in Eric what we like to do is

1:07:45.560 --> 1:07:47.480
<v Speaker 3>we pick out a piece and then we guess what

1:07:47.560 --> 1:07:50.440
<v Speaker 3>the artist is trying to say. Eric points to a

1:07:50.480 --> 1:07:53.160
<v Speaker 3>nearby sculpture, asking what they think about that one. It

1:07:53.240 --> 1:07:55.800
<v Speaker 3>looks like two metal beams connected to another board with

1:07:55.880 --> 1:07:58.680
<v Speaker 3>like a ringed planet inside it. The three men place

1:07:58.760 --> 1:08:00.600
<v Speaker 3>their hands under their chins, deep in thought.

1:08:00.880 --> 1:08:04.240
<v Speaker 2>Okay, I remember this well, do you. Isn't this the

1:08:04.400 --> 1:08:07.280
<v Speaker 2>episode where Rusty just said gibberish because he couldn't remember

1:08:07.320 --> 1:08:11.400
<v Speaker 2>his line. I'm pretty sure you guys were all had

1:08:11.480 --> 1:08:13.520
<v Speaker 2>your hands into your chin and it was his line

1:08:13.760 --> 1:08:14.200
<v Speaker 2>and it was like.

1:08:14.280 --> 1:08:17.479
<v Speaker 1>Beat and he just went you remember this moment.

1:08:17.960 --> 1:08:19.920
<v Speaker 2>He didn't know his lie, but he just said something

1:08:20.000 --> 1:08:23.599
<v Speaker 2>and you guys were like whoa, And then you couldn't

1:08:23.680 --> 1:08:24.920
<v Speaker 2>keep it together for the rest of.

1:08:24.960 --> 1:08:28.120
<v Speaker 1>The taping because Rusty just forgot his line and he

1:08:28.320 --> 1:08:32.640
<v Speaker 1>just said like, you're damn what, Oh my god, that's

1:08:32.800 --> 1:08:36.200
<v Speaker 1>tot hilarious about that. Oh my god, that's right he did.

1:08:36.360 --> 1:08:41.240
<v Speaker 1>He just went like, yeah, what is what you bed

1:08:41.400 --> 1:08:43.599
<v Speaker 1>just couldn't keep it together. You're like, what are you doing?

1:08:43.720 --> 1:08:45.639
<v Speaker 1>He's like, let me look at the pages.

1:08:47.120 --> 1:08:47.559
<v Speaker 4>That's right.

1:08:48.160 --> 1:08:49.960
<v Speaker 1>Oh man, Oh my gosh.

1:08:50.680 --> 1:08:53.120
<v Speaker 3>So Alan asks Eric what do you think the artist

1:08:53.200 --> 1:08:55.439
<v Speaker 3>is trying to say? And Eric has no idea. He

1:08:55.520 --> 1:08:57.960
<v Speaker 3>walks around the piece, trying to observe it from every angle.

1:08:58.280 --> 1:09:01.080
<v Speaker 3>Corey reminds him it's abstract, and Alan adds there's no

1:09:01.200 --> 1:09:06.240
<v Speaker 3>right or wrong answer. Eric eventually answers monkey unkey. Corey

1:09:06.320 --> 1:09:08.880
<v Speaker 3>and Allan give each other a confused glance, but Eric

1:09:08.920 --> 1:09:12.880
<v Speaker 3>continues two monkeys. They're fighting over a coconut, which symbolizes

1:09:12.920 --> 1:09:16.080
<v Speaker 3>the father monkey's attention. Alan says this may not have

1:09:16.120 --> 1:09:20.920
<v Speaker 3>been a good idea, Eric keeps going. My interpretation is

1:09:20.960 --> 1:09:23.639
<v Speaker 3>that the artist is illustrating a very painful situation where

1:09:23.640 --> 1:09:26.439
<v Speaker 3>the father monkey has two sons but only one coconut.

1:09:26.640 --> 1:09:28.800
<v Speaker 3>So he splits the coca ut in half, but only

1:09:28.960 --> 1:09:32.639
<v Speaker 3>half a coconut isn't enough for either son. Alan agrees

1:09:32.680 --> 1:09:34.559
<v Speaker 3>with Eric, and Eric snaps out of his deep thought.

1:09:35.000 --> 1:09:38.480
<v Speaker 3>What kind of artist do you want to talk about now? Neoclassism, Impressionism,

1:09:38.560 --> 1:09:41.719
<v Speaker 3>photographic art as Aladam's American Landscape. He's probably my favorite.

1:09:41.760 --> 1:09:45.000
<v Speaker 3>But you didn't know that, Alan admits, no, I didn't.

1:09:45.479 --> 1:09:47.840
<v Speaker 3>How does Eric know about all this? Eric shrugs, I

1:09:47.920 --> 1:09:50.040
<v Speaker 3>learned about it at school. We just never talked about it.

1:09:50.400 --> 1:09:52.839
<v Speaker 3>Didn't think you'd want to hear it from me. Alan's

1:09:52.880 --> 1:09:56.200
<v Speaker 3>clearly surprised, and Eric continues, I just always tried to

1:09:56.240 --> 1:09:57.760
<v Speaker 3>be the person I thought you wanted me to be.

1:09:58.160 --> 1:10:01.080
<v Speaker 3>Alan pat's Eric shoulder and smiles. He'd really like to

1:10:01.120 --> 1:10:02.800
<v Speaker 3>hear what he has to say about another piece, and

1:10:02.920 --> 1:10:05.680
<v Speaker 3>they walk off. Ry stays behind, watching his dad and

1:10:05.760 --> 1:10:08.040
<v Speaker 3>brother with a big smile on his face. He takes

1:10:08.080 --> 1:10:09.919
<v Speaker 3>one last look at the piece they all just analyzed

1:10:09.960 --> 1:10:12.559
<v Speaker 3>and notices a placard right next to it. It reads

1:10:12.960 --> 1:10:18.800
<v Speaker 3>Monkeys with Coconut dom Eric's a gainess. Corey can't believe it.

1:10:19.120 --> 1:10:22.240
<v Speaker 3>He laughs and walks toward his family. So then we

1:10:22.360 --> 1:10:25.320
<v Speaker 3>are in the tag in the Matthews driveway. Alan's taking

1:10:25.400 --> 1:10:28.559
<v Speaker 3>down the basketball hoop. As Morgan walks out dribbling a basketball,

1:10:28.920 --> 1:10:30.960
<v Speaker 3>she asks what he's doing, and he declares.

1:10:30.640 --> 1:10:32.760
<v Speaker 1>Taking down this hoop. No good can come from it.

1:10:33.360 --> 1:10:35.519
<v Speaker 3>He sits down and asks her. We have a pretty

1:10:35.520 --> 1:10:39.200
<v Speaker 3>good relationship, right, Morgan shrugs. I guess, so, he continues,

1:10:39.439 --> 1:10:44.080
<v Speaker 3>We talk right, She nods, he asks, and we have fun, right. Morgan,

1:10:44.160 --> 1:10:48.479
<v Speaker 3>who looks mildly concerned, now responds yeah. Alan chuckles, I

1:10:48.479 --> 1:10:49.679
<v Speaker 3>should have had all girls.

1:10:50.040 --> 1:10:50.639
<v Speaker 4>She smiles.

1:10:50.680 --> 1:10:52.840
<v Speaker 3>They give each other a high five and a loving hug,

1:10:53.439 --> 1:10:55.800
<v Speaker 3>and that's our perfect little episode.

1:10:56.360 --> 1:10:59.639
<v Speaker 4>Great, so great, so good.

1:11:00.560 --> 1:11:03.080
<v Speaker 3>So join us for our next episode recap, which will

1:11:03.120 --> 1:11:08.040
<v Speaker 3>be season five, episode thirteen, The Eskimo, aired January sixteenth,

1:11:08.360 --> 1:11:09.800
<v Speaker 3>nineteen ninety eight.

1:11:10.520 --> 1:11:13.400
<v Speaker 1>Gosh, I don't think I'm in that literally, I think

1:11:13.439 --> 1:11:15.360
<v Speaker 1>this is one of my one of the episodes. I

1:11:15.360 --> 1:11:16.560
<v Speaker 1>thinkhere Michael came out to me and it was like

1:11:16.600 --> 1:11:18.960
<v Speaker 1>you got the week off, go home, like okay. Yeah,

1:11:19.040 --> 1:11:20.400
<v Speaker 1>I don't think I could be wrong. This is a

1:11:20.439 --> 1:11:23.360
<v Speaker 1>classic episode. A lot of people love this. Next episode.

1:11:23.560 --> 1:11:25.880
<v Speaker 2>Yeah, I remember not liking it that much, but I

1:11:25.960 --> 1:11:28.879
<v Speaker 2>think it was just because we didn't have our normal directors.

1:11:28.920 --> 1:11:31.639
<v Speaker 2>A new director, even though I liked her, I think

1:11:31.640 --> 1:11:33.200
<v Speaker 2>it felt off, but I don't I can't wait to

1:11:33.240 --> 1:11:33.479
<v Speaker 2>see it.

1:11:33.960 --> 1:11:35.400
<v Speaker 3>I know, I don't remember a single thing about it.

1:11:35.439 --> 1:11:37.519
<v Speaker 3>It's a super Bowl episode, okay, yeah?

1:11:37.760 --> 1:11:40.679
<v Speaker 1>Oh good? Yeah yeah, I kind of remember that week,

1:11:40.800 --> 1:11:42.360
<v Speaker 1>so I yeah, okay, good.

1:11:42.760 --> 1:11:42.920
<v Speaker 2>Well.

1:11:44.040 --> 1:11:45.560
<v Speaker 3>Thank you all for joining us for this episode of

1:11:45.560 --> 1:11:47.200
<v Speaker 3>Pod Meets World. As always, you can follow us on

1:11:47.280 --> 1:11:49.760
<v Speaker 3>Instagram pod Meets World Show. You can send us your

1:11:49.800 --> 1:11:52.559
<v Speaker 3>emails at Pod Meets World Show at gmail dot com,

1:11:53.000 --> 1:11:54.040
<v Speaker 3>and we have.

1:11:54.120 --> 1:12:01.160
<v Speaker 1>Merch merched that makes the world go round. Godmates worldshow

1:12:01.520 --> 1:12:05.680
<v Speaker 1>dot com will send us out. We love you all,

1:12:06.000 --> 1:12:10.519
<v Speaker 1>pod dismissed. Podmets World is nheart podcast producer and hosted

1:12:10.560 --> 1:12:14.639
<v Speaker 1>by Danielle Fischel, Wilfredell and Ryder Strong executive producers Jensen

1:12:14.680 --> 1:12:18.200
<v Speaker 1>Carp and Amy Sugarman, Executive in charge of production, Danielle Romo,

1:12:18.560 --> 1:12:22.800
<v Speaker 1>producer and editor, Tara Sudbaksh producer, Maddie Moore, engineer and

1:12:22.840 --> 1:12:25.600
<v Speaker 1>Boy Meets World superfan Easton Allen. Our theme song is

1:12:25.640 --> 1:12:27.760
<v Speaker 1>by Kyle Morton of Typhoon, and you can follow us

1:12:27.800 --> 1:12:30.519
<v Speaker 1>on Instagram at Podmets World Show or email us at

1:12:30.560 --> 1:12:32.559
<v Speaker 1>Podmets Worldshow at gmail dot com.