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Speaker 1: Writer, Has Indie started school? Oh? Yeah, ok? Week two? Okay,

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Speaker 1: so you started on the twelve? Yeah, so soon everyone

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Speaker 1: starts school in August? Now, wasn't it early? Laborde? It's

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Speaker 1: such a thing.

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Speaker 2: I mean, the amount of conversations I have with parents

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Speaker 2: about this fact.

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Speaker 1: It's so annoying. It's so dumb. We should just start.

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Speaker 2: We should have year round school really and just take

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Speaker 2: like four week breaks in between quarters or whatever.

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Speaker 1: It's so weird. Well, yeah, it wasn't it. All this

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Speaker 1: was based on being able to farm, wasn't it. No, Like,

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Speaker 1: no joke. And I think that's where the school year

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Speaker 1: was set up, is so that the kids work. They

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Speaker 1: could work, Yeah, they could work the fields ridiculously early.

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Speaker 1: And it's stupid because it actually costs.

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Speaker 2: The the district a lot of money because of air

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Speaker 2: conditioning costs because we have to air condition all through August.

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Speaker 2: If we started at your labor day, it'd be so

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Speaker 2: much cooler. But then we have four weeks off for Christmas,

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Speaker 2: which makes no sense. We come back from like New

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Speaker 2: Year's and we end up having like twelve days before.

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Speaker 1: You know, are you honestly sitting here and saying something?

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Speaker 1: In California isn't run efficiently. Can I don't buy that rider?

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Speaker 1: I don't buy it. By the way, let's get on

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Speaker 1: that new train.

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Speaker 3: Adler had his first day of kindergarten today. We dropped

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Speaker 3: him off and he made a friend. First of all,

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Speaker 3: the friend he made is a basketball phenom.

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Speaker 1: So in kindergarten, he's.

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Speaker 3: So he's two years older than either I think he's

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Speaker 3: in or maybe he's just one year. He's in first grade.

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Speaker 3: We get there and nobody. Of course I'm early, you

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Speaker 3: know me, what time do we need to be there?

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Speaker 3: Seven thirty? We'll be there at seven twenty two. So

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Speaker 3: we get there at seven twenty two, nobody's there and owl.

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Speaker 3: Immediately we're on a basketball court and now there goes,

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Speaker 3: I want a bask Let's go get a basketball.

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Speaker 4: So he does.

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Speaker 3: He goes and he gets a basketball and he starts

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Speaker 3: shooting baskets, and all of a sudden, this kid comes

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Speaker 3: up and he's like, can I play? And others like yeah,

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Speaker 3: and he other shoots the like passes the basketball to

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Speaker 3: him and the kid starts dribbling in between his leg

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Speaker 3: just like yeah, like a pro.

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Speaker 1: And like.

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Speaker 3: Aler can barely throw the ball over his head. He

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Speaker 3: tries to throw, He's like, I'm not very good, and

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Speaker 3: I'm like, oh no, this is Odler, who's already a perfectionist,

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Speaker 3: who we have to tell him you're not going to

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Speaker 3: be good at everything you try right away. That's what

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Speaker 3: practice is for, Like we already have to work on that.

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Speaker 1: Now. The first kid he plays.

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Speaker 3: With is like an abim and now there's like, I

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Speaker 3: don't want to do this anymore.

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Speaker 1: I'm not going to come out. Thankfully, the kid was

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Speaker 1: so sweet. I was worried he was.

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Speaker 4: Going to be like I'm better than you, I'm.

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Speaker 1: Olderbody, exactly exactly. He was so nice. He was like,

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Speaker 1: why don't you come here?

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Speaker 4: And he shot.

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Speaker 3: He told him like how to get under the basket

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Speaker 3: kind of close toward like a layup, and how.

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Speaker 1: To shoot it.

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Speaker 3: And within two little tips from the kid, Adler made

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Speaker 3: two baskets back to back after not even being able

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Speaker 3: to get the basketball up high enough to touch the rim.

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Speaker 1: So it was great because we felt.

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Speaker 2: It's a really ultimately very sweet one on one. If

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Speaker 2: they're in a group, it's death, then it's on.

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Speaker 1: And you can also say I think adults are like

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Speaker 1: that too, and giant groups of people that's true. I

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Speaker 1: have a question, Danielle what I mean. I know it's

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Speaker 1: his first day, but what what do you what are

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Speaker 1: the significant differences between like nursery, school or where he

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Speaker 1: came and kindergarten. I mean, longer nap time. They still

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Speaker 1: do nap time, because that's.

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Speaker 3: That's times gone, that's we now know where it happens.

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Speaker 3: At five is where it starts to go wrong. No

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Speaker 3: more naps. It's also that now his kindergarten is with

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Speaker 3: all the same the grades up through five. The preschool

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Speaker 3: is the only part that's separated, so he is now

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Speaker 3: officially a very small fish in a bigger pond. And yeah,

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Speaker 3: no naps, more structure, so definitely more learning going on

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Speaker 3: every day, although at his preschool there was some significant

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Speaker 3: learning too, like either did learn to read in his preschool,

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Speaker 3: but now they're going to really be focusing in on

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Speaker 3: math and some reading. There's still no homework, which is good. Yeah,

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Speaker 3: and just yeah, we had a meeting with the teachers

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Speaker 3: beforehand and they were like, what do you want him

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Speaker 3: to focus on this year? And I said, I really

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Speaker 3: would just want him to focus on like learning to

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Speaker 3: be a really good friend and spotting other kids that

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Speaker 3: may need a little help and knowing how to go

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Speaker 3: to them and be a kind kid.

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Speaker 4: I just that's for kindergarten, that's what I want.

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Speaker 1: Of course.

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Speaker 4: Sure, if he can.

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Speaker 3: Really solidify the reading that he's learned a little bit

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Speaker 3: in preschool, great, But that's essentially it. I mostly want

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Speaker 3: him to focus on. Like my hope for my kids

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Speaker 3: are that they are the kind of kids that see

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Speaker 3: another kid who's maybe struggling and aren't a kid that

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Speaker 3: piles on or makes it worse for that kid, but

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Speaker 3: instead is like, can I help you?

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Speaker 4: Do you need a friend?

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Speaker 1: Like he's an emotional support addler. Correct, that's exactly what

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Speaker 1: I want. I want Does he need a little vest?

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Speaker 1: Mean to get him a little veast?

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Speaker 4: And that's that we'd be able to bring him on

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Speaker 4: planes exactly, I have.

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Speaker 1: To bring into restaurants and stuff like that, Like he's

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Speaker 1: allowed in Costco. He's an emotional support addler.

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Speaker 3: I mean it.

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Speaker 4: I want him to be that way just for me.

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Speaker 1: I think that's great, that would work. Like now, I've

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Speaker 1: been watching obviously a lot of Disney Channel original movies. Yes,

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Speaker 1: at what age do they start teaching them all the

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Speaker 1: singing and dancing routines for high choreography. How do they like,

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Speaker 1: does that start now like early? Or he goes straight

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Speaker 1: from karate into Broadway musical? Perfect? Perfect? Okay, good. I

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Speaker 1: just want to make sure that we're all on board.

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Speaker 1: Good God. Kindergarten is all about socializing. That's the whole point.

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Speaker 2: It's just and just learning to like sit still for

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Speaker 2: longer than you know two minutes.

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Speaker 1: Do you remember your kindergarten teacher? Can you remember like

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Speaker 1: even names? Yeah, missus Parker, she sucked, man, so honest,

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Speaker 1: the kindergarten teacher suck. I had a horrible kindergarten here. Yeah,

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Speaker 1: what happened to you in kindergarten? I got kicked out.

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Speaker 1: It was bad, Like I got kicked out of kindergarten.

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Speaker 1: What did you do?

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Speaker 2: Were you correcting the turble's office multiple times?

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Speaker 3: I was Were they trying to do astrology or something?

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Speaker 3: But as they're talking to somebody, make you say the

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Speaker 3: pledge of allegiance. It wasn't grappling hook making day.

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Speaker 1: I was just a trouble maker. I was were you

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Speaker 1: just were you like, uh, the class clown kind of thing,

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Speaker 1: and that's what was getting you kicked out? No, I

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Speaker 1: was just you know, I was just a monster.

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Speaker 2: I was in love with girls already, so I was

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Speaker 2: just like, I don't know, I just care about my

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Speaker 2: social life more than following the rules or doing anything.

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Speaker 2: And you know, the joke is like it was the

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Speaker 2: best thing for me to get in trouble because I

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Speaker 2: had so much like guilt and shame about getting suspended

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Speaker 2: from kindergarten that like, you know, and by the third

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Speaker 2: time I got in trouble, like well, at the second

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Speaker 2: time I got in trouble, I got sent to the

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Speaker 2: principal's office.

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Speaker 1: Was always just so terrifying.

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Speaker 2: It's like, oh, my parents were like, right, or what

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Speaker 2: are we gonna do? You decide the punishment if you

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Speaker 2: if you, you know, get in trouble again, I said, well,

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Speaker 2: I'd have to go into my room and not come

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Speaker 2: out all day. And so of course when I got

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Speaker 2: in trouble again, it was like I had to go.

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Speaker 2: And I remember it was like, right, I did this

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Speaker 2: to myself, and it was like such a good lesson.

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Speaker 2: And then I never really I mean first grade, I

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Speaker 2: would get benched sometimes, but I was so terrified of

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Speaker 2: getting in trouble that I became like a super rule

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Speaker 2: follower still to this day. Yeah, I get nervous going

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Speaker 2: through security at the airport, Like I always feel like

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Speaker 2: I'm guilty and I've done nothing wrong, so I'm like

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Speaker 2: and I you know, so it ended up being good

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Speaker 2: for me to like experiment in kindergarten. But my teacher

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Speaker 2: was just not very patient, and you know whatever, I.

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Speaker 1: Was probably such a little paid in the ass. You're

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Speaker 1: the only person I know to get kicked out of

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Speaker 1: kindergarten ever, and the last person I would have picked

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Speaker 1: to have that happened. I know, but it was out

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Speaker 1: of Kindergary. It put me in line. It got me

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Speaker 1: in line. How about you, Danielle, who's your teacher? I

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Speaker 1: don't remember. You can't remember the name?

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Speaker 4: Huh No, I don't remember. I have no memories, Yeah,

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Speaker 4: memories at all. I don't know.

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Speaker 1: We had the same one. My both my brothers and

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Speaker 1: I all had missus Mullins. And in my head, she

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Speaker 1: was eighty five years old, and I'm sure she was

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Speaker 1: probably like late twenties.

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Speaker 3: I'm so glad you said that. I do remember that.

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Speaker 3: I think she was eighty five years old. I don't

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Speaker 3: remember her name, but she was a thousand years old.

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Speaker 4: And my mom.

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Speaker 3: My mom said to me, Danielle, she was in her forties.

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Speaker 3: My mom actually said, I don't even think she was

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Speaker 3: in her forties.

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Speaker 1: Yep.

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Speaker 3: But then I saw a picture. My mom was like, here,

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Speaker 3: here's the lady who thought was eighty five. And I

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Speaker 3: saw the picture of her and I was like, I'm

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Speaker 3: definitely not thinking forties.

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Speaker 1: Still, I still think she was older than that, but

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Speaker 1: I do.

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Speaker 3: That's where I met my best friend, Jessica, my best

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Speaker 3: friend throughout my whole childhood. Jessica and I heard the

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Speaker 3: story so much I feel like I have a memory

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Speaker 3: of it, but I don't really. But we got dropped

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Speaker 3: off and we were in front of each other in

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Speaker 3: line up, and Jessica started to cry and she turned

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Speaker 3: around and I said, please do not cry, because if

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Speaker 3: you cry, then I'm crying. And so we just kind

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Speaker 3: of like held lands together and made it through kindergarten together,

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Speaker 3: and we were best friends all through elementary school.

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Speaker 2: So I have a very vivid memory that just came

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Speaker 2: back to me. We were waiting in line to go

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Speaker 2: outside and we were handed jump ropes and told, of course,

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Speaker 2: don't jump rope inside.

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Speaker 1: Well, I threw back jump rope.

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Speaker 2: And all the paint cans and pulled it down, and

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Speaker 2: so I was I just remember getting pounded by you know,

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Speaker 2: all these like paint cants and just covered in paint

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Speaker 2: head to toe sitting there and I'm like in pain.

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Speaker 2: I immediately start bawling, and the teacher grabs me by

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Speaker 2: the shoulder and turns to everybody and says.

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Speaker 1: You see, this is why we don't jump. And I

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Speaker 1: just remember being like loved pain. I'm covered in paint.

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Speaker 2: Like and she just immediately made an example out of

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Speaker 2: me and just further humiliated me in front of the

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Speaker 2: whole class. And I just remember my dad had to

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Speaker 2: come bring me clothes and I was like changing in

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Speaker 2: the bathroom, still crying, just feeling awful. So like there was.

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Speaker 1: No sympathy for a missus Parker, No like, hey, how

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Speaker 1: are you doing? Are you okay? Did you hurt yourself?

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Speaker 1: Who's just let's make an example of writer. The troubles

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Speaker 1: so much fun, these stories, it's just so much fun.

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Speaker 4: I'm so sorry, writer, are you okay?

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Speaker 1: I got through it. You need an emotional support, Adler,

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Speaker 1: so you can get you. You can't get you one.

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Speaker 2: Great because Indy is not an emotional support, like say

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Speaker 2: at nine, it's just drain, It's just how can I

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Speaker 2: stress you out?

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Speaker 1: Why are you not feeling what I'm feeling? Let me

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Speaker 1: make you feel it. Oh, welcome to pod Meets World.

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Speaker 1: I'm Danielle Fischel, I'm Rider Strong, and I'm wil Fredell. Oh.

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Speaker 3: Today we are here to recap season five, episode twelve,

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Speaker 3: Raging Cory. It originally aired January ninth, nineteen ninety eight.

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Speaker 3: I cannot believe we are now recapping episodes that aired

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Speaker 3: in ninety eight.

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Speaker 1: Yeah. Crazy.

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Speaker 4: The synopsis.

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Speaker 3: Alan is forced to reevaluate himself as a father when

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Speaker 3: he notices that his relationship with his sons is lacking. Also,

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Speaker 3: Sean and Jack have to share a room. It was

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Speaker 3: directed by David Kendall. It was written by Barbie Feldman.

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Speaker 1: Yeah, Barbie, Yeah.

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Speaker 3: Before we jump into our guest stars, did you guys

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Speaker 3: have any overall thoughts?

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Speaker 1: Perfect episode. I loved it, top five loved it, Top

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Speaker 1: five episode of all time for me. I so it's

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Speaker 1: so good season five starting to come along.

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Speaker 2: I just thought this was by far the best episode

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Speaker 2: of season five. Yeah, and like I said, top five

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Speaker 2: episode of the.

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Speaker 1: Show for me. You think it's better than the per episode. Yes,

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Speaker 1: I do.

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Speaker 2: Wow, really, yeah, I think it was really well balanced height,

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Speaker 2: it's well balanced. Yep, it's all based in character. It's

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Speaker 2: just everything, and then it has all the boy meets

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Speaker 2: world heart at the end.

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Speaker 1: It's clever. It's a story is great. The B story's great.

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Speaker 1: They fins Bill perfectly like it is so good. I

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Speaker 1: loved this episode.

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Speaker 3: I really liked it too. I don't think I loved

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Speaker 3: it quite as much as you guys did. And my

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Speaker 3: only real complaint about it is the B storyline. I loved,

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Speaker 3: But I'm just not sure why they had to be

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Speaker 3: trapped in.

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Speaker 4: That one room.

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Speaker 3: Why couldn't Why couldn't we see your differences come into

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Speaker 3: play in the kitchen as well, the way you cook

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Speaker 3: differently or the like. I felt like we were seeing

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Speaker 3: kind of the same scene again because we were in

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Speaker 3: the same room and it was still so my issue

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Speaker 3: was like just a set issue. It was like, I

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Speaker 3: know the living room exists this week because we see

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Speaker 3: you guys.

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Speaker 1: Yeah, so was it different? We'll get into that, Okay.

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Speaker 1: Did it seem like it was painted? I think the

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Speaker 1: whole apartment seemed lighter. Was it a different color something?

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Speaker 1: It seemed like it went from tan to white, and

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Speaker 1: I could totally be wrong, but it looked more cluttered

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Speaker 1: and a different color, and all of that might be incorrect.

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Speaker 2: I think it's just that the solution was the wrestling,

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Speaker 2: and in order to create the wrestling, you just have

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Speaker 2: to have the mattress on the floor.

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Speaker 1: And I thought it was great. Too little core. Okay,

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Speaker 1: we'll get in there. Okay, yeah, good, all right.

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Speaker 3: So guest starring Steve Park, who is sometimes credited as

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Speaker 3: Steven Park is the jump Master. He's a comedy vet

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Speaker 3: with a resume full of impressive projects. His first role

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Speaker 3: was as Sonny in Spike Lee's Do the Right Thing,

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Speaker 3: which led to becoming a cast member on the legendary

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Speaker 3: sketch show in Living Color. Yep, and this is going

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Speaker 3: to sound odd, but back in nineteen ninety one, he

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Speaker 3: was one of the only Asian actors ever to star

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Speaker 3: on a major television show.

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Speaker 1: That's really impressing.

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Speaker 4: Yes, is that not the most impressed ninety one?

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Speaker 1: It was that late Oh my god.

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Speaker 3: He'd appear in movies like Kindergarten, Cop Toys, and Falling Down,

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Speaker 3: but he's best known as the scene stealing Possible psychopath

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Speaker 3: Mike Yanagita in the nineteen ninety six Fargo from the

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Speaker 3: Cohen Brothers.

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Speaker 1: It's so good. It's Mike Keigia. Oh god, it was

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Speaker 1: so good.

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Speaker 3: If you've ever seen the movie, it would be almost

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Speaker 3: impossible to forget his surreal scene that is truly unhinged.

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Speaker 3: Steven would also appear on TV shows like Martin Friends,

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Speaker 3: Matt About You, and Lawn Order, and recently joined the

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Speaker 3: Wes Anderson Company of frequent collaborators, appearing in both The

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Speaker 3: French Dispatch and Asteroid City.

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Speaker 2: Now hold on because that Fargo scene is just legendary, legendary,

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Speaker 2: and it's legendary because it is so bizarre. It comes

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Speaker 2: out of like completely left field.

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Speaker 1: But it does.

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Speaker 2: I'm trying to remember, Will can you remember? How does

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Speaker 2: that actually connect it? Actually, no, it does.

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Speaker 1: It helps her solve the crime.

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Speaker 3: No, she realizes she was lied to in that scene.

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Speaker 1: Yeah, no, he well, I mean I guess kind of.

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Speaker 1: But what it is?

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Speaker 3: She goes back, if I had been lied to by him? Yes,

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Speaker 3: maybe I have been lied to other people.

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Speaker 1: Yeah, that's what I remember.

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Speaker 2: I remember thinking it was like, this is a completely

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Speaker 2: random scene that you could pull out and then be

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Speaker 2: realizing like, oh no, it's essential to her solving.

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Speaker 1: The crime and this bizarre like circuitous path but it

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Speaker 1: was it was again, she doesn't learn anything in that scene.

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Speaker 1: She gets a call from her friend afterwards who's like, no,

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Speaker 1: she's fine. He was really harassing her for a while.

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Speaker 1: You should you should call her. She's great because he says,

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Speaker 1: my wife died of leukemia. You know, she thought she

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Speaker 1: hard Margie and and then it was you know, you

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Speaker 1: realize that none of that had actually happened, right, But

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Speaker 1: she hears that that was a lie, and that's what

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Speaker 1: makes her to turn back to the criminals.

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Speaker 2: Nice people might also lying, which makes her think that, yeah,

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Speaker 2: what's his name?

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Speaker 1: And I remember talking to him specifically about this scene,

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Speaker 1: and because he obviously I was a huge Fargo fan,

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Speaker 1: so I was like, hey, man can and we just

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Speaker 1: started talking about it, and he's like, I was amazed

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Speaker 1: at how many people, he said, when I went to

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Speaker 1: the screening and saw the film later, how many people

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Speaker 1: thought it was funny. He's like, I was playing it

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Speaker 1: as this guy is completely unhinged, playing it straight, and

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Speaker 1: he said it just somehow became a comedy. Said I

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Speaker 1: still don't understand that the magic that is so hard

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Speaker 1: to nail down.

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Speaker 2: Yea, And everybody plays it straight, even when it's a

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Speaker 2: very funny scene, they commit as if it's deadly serious.

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Speaker 1: And that's why. And you just saw he was unhinged.

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Speaker 1: And every time when he gets up and goes to

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Speaker 1: try to sit next to her and she's like no, no, no,

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Speaker 1: please go. Yeah, just he was great.

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Speaker 3: Yeah, So jumping into our recap, we are back in

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Speaker 3: the Matthews driveway. I don't remember being here more than

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Speaker 3: once I did.

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Speaker 1: But it was a different set than the last garage,

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Speaker 1: wasn't it. Yeah? I think I didn't. I don't remember

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Speaker 1: that little wall that was I remember a little wall.

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Speaker 1: Oh really, I thought it was just you saw the

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Speaker 1: garage door and the hoop that was it, and I

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Speaker 1: thought they expanded it more this time.

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Speaker 3: It does seem like maybe it was a different angle

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Speaker 3: where we saw more, like it was a bigger set

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Speaker 3: this time. Oh yeah, yeah, I think the thing maybe

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Speaker 3: there was a different angle to it where we saw

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Speaker 3: more of it this time.

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Speaker 4: But but yeah.

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Speaker 3: I was like, oh, we get to hang out on

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Speaker 3: the driveway quite a bit every episode.

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Speaker 1: Now we're in multiple sets. We've never seen before. It is, so,

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Speaker 1: I said to Sue halfway through, I'm like, when's the

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Speaker 1: last time we were at the school? I know, I

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Speaker 1: mean it's been a while.

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Speaker 2: That always yuckson wants to do that.

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Speaker 1: We it's not, well, yeah, it's I missed the old hall.

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Speaker 3: Well, Eric and Allen are playing an intense game of

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Speaker 3: one on one basketball. Corey walks out to find them playing. Okay,

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Speaker 3: I got next, Alan explains there is no next score.

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Speaker 3: This is for the Matthews Championship. Corey emphasizes that he's

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Speaker 3: a Matthews too, and that Eric shoots and scores. Well, yeah,

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Speaker 3: you've got good basket ball for him.

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Speaker 1: Thank you. I grew up my mom taught us how

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Speaker 1: to play basketball. My mom played basketball all through high

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Speaker 1: school and everything, so she taught all the boys how

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Speaker 1: to play. We all played. I mean, you look, you

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Speaker 1: look great, thank you.

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Speaker 2: But beyond looking great, this celebratory dance moment, Oh, it's

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Speaker 2: the best.

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Speaker 1: It's great. It's absolutely great.

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Speaker 2: And it was one of those moments I was like,

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Speaker 2: I just want to I watched it like three times.

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Speaker 1: I was like, this is so will just.

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Speaker 2: Being funny again, Like, what did it say in the script?

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Speaker 2: I can we find a copy of the script. I

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Speaker 2: want to know what it said? Like, was that a

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Speaker 2: line that was written where you just had to say?

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Speaker 1: What? Like I did it? I'm the king? But it

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Speaker 1: doesn't matter. You just have such joy. Eric is the King?

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Speaker 1: Is that what it is? You're so funny?

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Speaker 2: And I was like, oh my god, I just want

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Speaker 2: to go back and see how this came together.

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Speaker 1: Like is that just Will being Will? Like I wish

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Speaker 1: I remember? Don't so fun Oh.

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Speaker 3: I'm sure, it says, and he celebrates and I want

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Speaker 3: to celebrate.

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Speaker 4: And then that's what Will did.

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Speaker 1: So he scores.

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00:19:03,000 --> 00:19:07,040
Speaker 3: Alan yells no in defeat, Eric does a little celebration dance.

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Speaker 2: Eric is the King.

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Speaker 3: Alan laughs he'll need a rematch, but Eric reminds him

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Speaker 3: the new season starts tomorrow. They give each other some

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Speaker 3: playful punches, and Eric tells his dad not to get

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Speaker 3: fat in the off season. He runs off to hit

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Speaker 3: the showers, leaving Corey and Allan alone.

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Speaker 1: Advice, well, wait wait till we come back, Wait till

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Speaker 1: we come back. I'm not gonna allow you to talk

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Speaker 1: about yourself like that. Well, you're right, I'm sorry. I

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Speaker 1: was too fat not to.

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Speaker 4: Hear you that's blocking your ears.

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Speaker 1: That's the problem.

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Speaker 3: Yet, Corey challenges his dad to a game, but Alan

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Speaker 3: says he's wiped. He just played two hours of racketball

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Speaker 3: with Eric this morning. Corey points out that he was

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Speaker 3: willing to play with Eric again, and Alan argues that's

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Speaker 3: because it was for the championship. Corey tells him this

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Speaker 3: game can be for their championship. He begins to dribble,

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Speaker 3: but Alan stays put. He tells Corey he's got nothing.

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Speaker 3: Corey aggressively passes the ball to his dad and Alan

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Speaker 3: catches it with a tired huff. Maybe tomorrow, all right,

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Speaker 3: Corey pushes back, what if Eric's not around? Alan's confused,

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Speaker 3: but Corey won't elaborate. He tells his dad to just

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Speaker 3: give him the ball. Alan refuses, why so you can

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Speaker 3: throw it at me again. Corey reaches for the ball

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Speaker 3: and tells him to forget it.

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Speaker 1: Now.

440
00:20:12,080 --> 00:20:13,480
Speaker 3: They're in a bit of a tug of war, both

441
00:20:13,560 --> 00:20:16,000
Speaker 3: pulling for the ball and neither letting go, until Corey

442
00:20:16,040 --> 00:20:18,919
Speaker 3: gives up and sends Alan flying backwards, falling to the

443
00:20:18,920 --> 00:20:22,080
Speaker 3: ground on his back. He angrily asks Cory, what's wrong

444
00:20:22,119 --> 00:20:24,680
Speaker 3: with you? Corey begins to apologize, and then Amy and

445
00:20:24,800 --> 00:20:25,880
Speaker 3: Eric come walking outside.

446
00:20:25,920 --> 00:20:26,400
Speaker 4: Concerned.

447
00:20:26,880 --> 00:20:29,080
Speaker 3: Amy asks what happened and Alan throws his arms in

448
00:20:29,119 --> 00:20:32,200
Speaker 3: the air. Ask your son. Alan walks away and everyone

449
00:20:32,240 --> 00:20:34,679
Speaker 3: is silent until a shocked Eric tells his mom. I

450
00:20:34,760 --> 00:20:36,000
Speaker 3: swear I don't know anything.

451
00:20:38,440 --> 00:20:41,680
Speaker 1: Did anybody else find? And again it yeah, completely works

452
00:20:41,680 --> 00:20:44,760
Speaker 1: for the story. But Alan was really tone deaf and

453
00:20:44,840 --> 00:20:47,960
Speaker 1: harsh to Corey. See, you were waiting for him to

454
00:20:47,960 --> 00:20:50,879
Speaker 1: be like, look, I'm exhausted now, but we'll play, you know,

455
00:20:50,960 --> 00:20:53,760
Speaker 1: give me tomorrow, you and me. It was just like, no,

456
00:20:54,440 --> 00:20:57,920
Speaker 1: I got nothing, I know, And so it was like, wow, No,

457
00:20:59,000 --> 00:21:00,560
Speaker 1: it wasn't in a bad way. Again, I think that's

458
00:21:00,560 --> 00:21:01,280
Speaker 1: what they're supposed to.

459
00:21:01,280 --> 00:21:03,880
Speaker 2: Being the father to a son who always wants my attention,

460
00:21:04,200 --> 00:21:06,160
Speaker 2: you just reach a point where you're like.

461
00:21:06,840 --> 00:21:09,280
Speaker 1: Dude, I've said, I mean, he's he says all the things.

462
00:21:09,280 --> 00:21:12,040
Speaker 2: He's like, I'm just tired, not now, and it's like

463
00:21:12,560 --> 00:21:14,560
Speaker 2: and he just doesn't Corey doesn't take the hint. I mean,

464
00:21:14,640 --> 00:21:17,400
Speaker 2: you know, yeah, it's it's it's it's understandable from both sides.

465
00:21:17,440 --> 00:21:18,880
Speaker 1: I think, Oh, no, I agree, but.

466
00:21:18,840 --> 00:21:22,359
Speaker 2: I wish ball had been a little bigger. I actually

467
00:21:22,400 --> 00:21:25,520
Speaker 2: think because like, there's no sound that would have brought amy.

468
00:21:26,119 --> 00:21:27,040
Speaker 4: I know.

469
00:21:27,160 --> 00:21:28,240
Speaker 1: So if he had.

470
00:21:28,400 --> 00:21:31,520
Speaker 2: Gone back and pounded against the garage door like right

471
00:21:31,760 --> 00:21:34,040
Speaker 2: that and then fallen, it would have made money.

472
00:21:34,040 --> 00:21:34,960
Speaker 1: On that makes it as it was.

473
00:21:35,000 --> 00:21:35,199
Speaker 3: It was.

474
00:21:35,240 --> 00:21:37,879
Speaker 2: It's kind of like it's this is a silent, weird,

475
00:21:37,920 --> 00:21:39,879
Speaker 2: awkward fall, and you're like, did Corey really do that?

476
00:21:40,200 --> 00:21:40,399
Speaker 1: You know?

477
00:21:40,600 --> 00:21:41,879
Speaker 2: So I wish I could go back and do a

478
00:21:41,920 --> 00:21:44,479
Speaker 2: little more stunt work or you know, choreograph that a

479
00:21:44,560 --> 00:21:45,160
Speaker 2: little better.

480
00:21:45,200 --> 00:21:47,080
Speaker 1: But other than that, I have no complaints.

481
00:21:47,080 --> 00:21:48,880
Speaker 4: Matt thought, Yeah, I do agree.

482
00:21:49,240 --> 00:21:51,680
Speaker 3: I know. I I like you said, writer, I see

483
00:21:51,680 --> 00:21:54,320
Speaker 3: it from both sides, and as the parent of two sons,

484
00:21:54,880 --> 00:21:57,920
Speaker 3: I regularly have to remind myself that even if I'm

485
00:21:57,960 --> 00:22:00,520
Speaker 3: totally exhausted from the thing I just did with one kid,

486
00:22:00,600 --> 00:22:02,959
Speaker 3: if the other kid also now wants to do that

487
00:22:03,040 --> 00:22:06,199
Speaker 3: same thing with me, I probably need to do it

488
00:22:06,240 --> 00:22:09,080
Speaker 3: at least for a little bit, because it does they

489
00:22:09,200 --> 00:22:12,440
Speaker 3: They do internalize a lot of well, you're doing this

490
00:22:12,560 --> 00:22:15,040
Speaker 3: with them, and you're and what are you doing with him?

491
00:22:15,040 --> 00:22:15,760
Speaker 1: And what about me?

492
00:22:16,280 --> 00:22:17,760
Speaker 3: And they take a lot of that on and so

493
00:22:17,960 --> 00:22:20,120
Speaker 3: even if you just say like all right, man, I'm

494
00:22:20,119 --> 00:22:21,440
Speaker 3: real quick I'm real tired.

495
00:22:21,520 --> 00:22:22,720
Speaker 1: Let's play Best to seven.

496
00:22:22,960 --> 00:22:25,679
Speaker 3: Yeah, And it's not even exactly or horse or something

497
00:22:25,720 --> 00:22:27,640
Speaker 3: where you're like, I want to I want to spend

498
00:22:27,680 --> 00:22:29,320
Speaker 3: the time with you, but I don't have the energy

499
00:22:29,359 --> 00:22:29,600
Speaker 3: to do.

500
00:22:29,520 --> 00:22:30,000
Speaker 4: A full game.

501
00:22:30,240 --> 00:22:33,000
Speaker 3: Because his point that he makes you were just ready

502
00:22:33,000 --> 00:22:36,919
Speaker 3: to play again with Eric is so valid that you

503
00:22:37,000 --> 00:22:38,879
Speaker 3: were like, come on, let's go again and you're like,

504
00:22:38,920 --> 00:22:42,000
Speaker 3: no way, man, it starts tomorrow. And then when you're like,

505
00:22:42,040 --> 00:22:45,520
Speaker 3: what about me, no, not you? Yeah, that part's hard.

506
00:22:45,560 --> 00:22:48,520
Speaker 1: You know what. The parenting trick that I've learned is

507
00:22:48,640 --> 00:22:49,399
Speaker 1: when Indy.

508
00:22:49,200 --> 00:22:52,040
Speaker 2: Says like, Dad, let's go blah blah blah, do whatever,

509
00:22:52,160 --> 00:22:55,040
Speaker 2: and I really don't feel like it. I just say sure,

510
00:22:55,920 --> 00:22:59,080
Speaker 2: and then whether we do or not, it might not

511
00:22:59,160 --> 00:23:01,080
Speaker 2: end up happening. And it's but if I say, you

512
00:23:01,119 --> 00:23:02,480
Speaker 2: know what, man, I'm not going to do it, then

513
00:23:02,480 --> 00:23:03,120
Speaker 2: it's on a fight.

514
00:23:03,440 --> 00:23:03,840
Speaker 3: Why not?

515
00:23:04,600 --> 00:23:06,080
Speaker 1: So I just kind of habit.

516
00:23:06,280 --> 00:23:09,440
Speaker 2: Like okay, and then like we walk outside to go

517
00:23:09,640 --> 00:23:12,000
Speaker 2: swimming or do whatever, and then he kind of loses

518
00:23:12,000 --> 00:23:16,720
Speaker 2: interest and changes his mind during notes, does okay, and

519
00:23:16,760 --> 00:23:17,840
Speaker 2: then you do it you want.

520
00:23:17,960 --> 00:23:23,560
Speaker 1: It works like a charm.

521
00:23:21,480 --> 00:23:23,440
Speaker 2: But yeah, it's a fight. It's like when everybody starts

522
00:23:23,440 --> 00:23:25,159
Speaker 2: digging it, and that's what I thought. Here is like,

523
00:23:25,880 --> 00:23:27,680
Speaker 2: you know, Alan didn't feel like playing with Corey. He

524
00:23:27,760 --> 00:23:29,360
Speaker 2: just said no, hoping that they would.

525
00:23:29,119 --> 00:23:31,240
Speaker 1: Just go away. But Corey's like why not? Why not?

526
00:23:31,280 --> 00:23:33,080
Speaker 2: You know, and then it becomes a thing and then

527
00:23:33,160 --> 00:23:34,560
Speaker 2: everybody has to dig their heels in.

528
00:23:34,760 --> 00:23:34,920
Speaker 1: Yep.

529
00:23:35,000 --> 00:23:36,400
Speaker 4: Yeah, I'm not going.

530
00:23:36,400 --> 00:23:38,080
Speaker 1: To mention this again because we've talked about it eight

531
00:23:38,119 --> 00:23:42,240
Speaker 1: thousand times. But Rusty's so good, it's ridiculously He's just

532
00:23:42,320 --> 00:23:45,680
Speaker 1: such a good actor that every moment is so.

533
00:23:45,720 --> 00:23:48,280
Speaker 3: I'm so happy to have a family episode. It's so

534
00:23:48,440 --> 00:23:51,000
Speaker 3: nice to not have it be focused on on kid

535
00:23:51,040 --> 00:23:54,080
Speaker 3: relationship like love relationships. It's so nice to have it

536
00:23:54,080 --> 00:23:54,840
Speaker 3: be about the family.

537
00:23:54,960 --> 00:23:55,399
Speaker 1: Nice. Ye.

538
00:23:55,880 --> 00:23:57,080
Speaker 4: So then we're in the guy's apartment.

539
00:23:57,080 --> 00:23:59,080
Speaker 3: Seawan's lying on the couch reading a magazine when we

540
00:23:59,080 --> 00:24:01,120
Speaker 3: hear a terrified scream in a crash.

541
00:24:00,840 --> 00:24:03,119
Speaker 4: Coming from Jack's room. He casually yells.

542
00:24:02,880 --> 00:24:05,359
Speaker 3: Out, oh yeah, the super told me to tell you

543
00:24:05,400 --> 00:24:07,760
Speaker 3: that the people above us let their bathtub overflow, and

544
00:24:07,800 --> 00:24:08,680
Speaker 3: whatever you do.

545
00:24:09,200 --> 00:24:11,119
Speaker 4: Jack walks out of his room, not.

546
00:24:11,119 --> 00:24:13,120
Speaker 1: See what magazine I was reading. Could you guys figure

547
00:24:13,119 --> 00:24:15,320
Speaker 1: it out? I didn't know I didn't look. To be honest,

548
00:24:16,280 --> 00:24:20,280
Speaker 1: it's like that it's gonna be one of ours. What

549
00:24:20,400 --> 00:24:22,480
Speaker 1: kind of magazine was Sean reading. I don't know what

550
00:24:23,359 --> 00:24:26,680
Speaker 1: curious like, didn't they have couples? Was a couples one

551
00:24:26,680 --> 00:24:29,440
Speaker 1: of them that we had. There wasn't a wedding one. Yeah,

552
00:24:29,480 --> 00:24:31,600
Speaker 1: it was a wedding one, and there was one called Couples. Yeah.

553
00:24:31,680 --> 00:24:32,800
Speaker 1: It was very strange.

554
00:24:33,119 --> 00:24:36,120
Speaker 4: Yeah, there was. There was a couple of fun little see,

555
00:24:36,400 --> 00:24:37,400
Speaker 4: we gotta go back.

556
00:24:37,720 --> 00:24:40,879
Speaker 3: So he angrily finishes the sentence, don't poke at the

557
00:24:40,880 --> 00:24:43,639
Speaker 3: big bubble on my ceiling. Sean wonders, Oh, so you

558
00:24:43,680 --> 00:24:47,200
Speaker 3: got the message, Jack says, yeah. Just now whole room

559
00:24:47,280 --> 00:24:49,360
Speaker 3: is flooded and I have half a bathtub hanging over

560
00:24:49,400 --> 00:24:52,919
Speaker 3: my head sewn shrugs, So stay in my room, and

561
00:24:52,960 --> 00:24:55,800
Speaker 3: then we optical flip to Sean's rooms.

562
00:24:56,480 --> 00:25:02,360
Speaker 1: Sean's room. Oh my god, just look at that room.

563
00:25:03,600 --> 00:25:06,840
Speaker 1: It has anxiety filled that room. It's like, oh geez, But.

564
00:25:06,800 --> 00:25:09,880
Speaker 2: I guess I probably lived like this myself. I'm trying

565
00:25:09,920 --> 00:25:12,639
Speaker 2: to think, like I did not become person no, I

566
00:25:12,640 --> 00:25:14,800
Speaker 2: mean this is really gross, but yeah, I used to

567
00:25:14,880 --> 00:25:17,200
Speaker 2: just you know, throw stuff around like I wouldn't care

568
00:25:17,280 --> 00:25:18,000
Speaker 2: like at that age.

569
00:25:18,680 --> 00:25:21,240
Speaker 1: There's also a big difference between dirty and messy.

570
00:25:21,640 --> 00:25:26,359
Speaker 2: Yeah, so it both freaked me out, but yeah, stress, yeah,

571
00:25:26,359 --> 00:25:27,120
Speaker 2: stuff everywhere.

572
00:25:28,720 --> 00:25:31,560
Speaker 3: Oh there are clothes and food piled on the floor

573
00:25:31,600 --> 00:25:34,159
Speaker 3: and a mattress. Sean's standing happily in the middle of it,

574
00:25:34,200 --> 00:25:35,800
Speaker 3: while Jack looks around in horror.

575
00:25:36,080 --> 00:25:37,440
Speaker 4: Jack wonders if this is where.

576
00:25:37,240 --> 00:25:39,359
Speaker 3: All the trash tenants put down the shoote ends up,

577
00:25:39,440 --> 00:25:42,320
Speaker 3: which is a very funny, very funny joke. Sean asks

578
00:25:42,359 --> 00:25:44,600
Speaker 3: if he's calling him a pig, but Jack argues a

579
00:25:44,680 --> 00:25:48,159
Speaker 3: pig would never live in here. Sean scoffs, oh yeah,

580
00:25:48,240 --> 00:25:50,840
Speaker 3: and he pulls back a curtain to reveal a giant pig.

581
00:25:51,400 --> 00:25:54,800
Speaker 1: Do you remember the pig barely? I don't mean I

582
00:25:54,800 --> 00:25:58,199
Speaker 1: didn't remember this at all, really, Cory, Oh yeah, no,

583
00:25:58,240 --> 00:25:58,840
Speaker 1: it's so great.

584
00:25:58,880 --> 00:26:02,160
Speaker 2: And by the way, this is exactly what happens when

585
00:26:02,200 --> 00:26:03,840
Speaker 2: you buy a little pig. Because you know, we got

586
00:26:03,880 --> 00:26:07,080
Speaker 2: a pay for our backyard school when we were doing

587
00:26:07,080 --> 00:26:11,760
Speaker 2: that during the pandemic, and man Tosino got bigger and

588
00:26:11,880 --> 00:26:17,800
Speaker 2: bigger Spanish for bacon, huh yeah, and yeah, and like

589
00:26:18,080 --> 00:26:20,000
Speaker 2: you know, we don't have the school going anymore. But

590
00:26:20,080 --> 00:26:22,640
Speaker 2: after two and a half three years of the school going,

591
00:26:23,119 --> 00:26:26,600
Speaker 2: that pig was getting tusks and getting bigger. It didn't

592
00:26:26,640 --> 00:26:29,040
Speaker 2: get this dark like you know, but it went from

593
00:26:29,080 --> 00:26:32,120
Speaker 2: being a cute little pink baby pig too real.

594
00:26:33,119 --> 00:26:33,600
Speaker 1: Yeah, I know.

595
00:26:34,000 --> 00:26:36,120
Speaker 3: I was going to ask, do we do we think

596
00:26:36,160 --> 00:26:39,000
Speaker 3: they're trying to imply that this this whole time you've

597
00:26:39,040 --> 00:26:40,040
Speaker 3: had little course.

598
00:26:39,880 --> 00:26:42,960
Speaker 1: Yes, I think that's exactly what they're saying so much.

599
00:26:43,600 --> 00:26:44,480
Speaker 4: I love it.

600
00:26:44,560 --> 00:26:46,080
Speaker 1: By the way, this was I think.

601
00:26:45,880 --> 00:26:48,320
Speaker 4: Things for them to keep continuity on.

602
00:26:49,920 --> 00:26:52,560
Speaker 1: Right. They finally get one right and it's little gory,

603
00:26:52,760 --> 00:26:57,640
Speaker 1: which means that's the best episode. Oh yeah, that's amazing episode,

604
00:26:57,680 --> 00:27:01,840
Speaker 1: So comfortable feeling. I mean, his beats is great too.

605
00:27:01,960 --> 00:27:04,280
Speaker 1: Some of his comedy beats are just spot on in this.

606
00:27:04,480 --> 00:27:05,320
Speaker 1: And I feel like they've.

607
00:27:05,160 --> 00:27:08,000
Speaker 2: Built on what happened in the last episode, the Christmas episode,

608
00:27:08,040 --> 00:27:10,679
Speaker 2: where it was like the tension between us, the differences,

609
00:27:10,760 --> 00:27:13,200
Speaker 2: the France stuff. It's like, oh, finally, this is all

610
00:27:13,440 --> 00:27:14,600
Speaker 2: what should have been in those.

611
00:27:14,400 --> 00:27:16,040
Speaker 1: First few episodes. That's great.

612
00:27:16,240 --> 00:27:18,920
Speaker 2: Absolutely not played for drama, played for comedy too.

613
00:27:18,920 --> 00:27:19,760
Speaker 1: It's really helpful.

614
00:27:19,960 --> 00:27:21,200
Speaker 4: Where's your bacon Pig now?

615
00:27:23,000 --> 00:27:25,320
Speaker 2: With the teacher started the school on his own property,

616
00:27:25,480 --> 00:27:28,040
Speaker 2: so he brought the pig to lives with him.

617
00:27:28,280 --> 00:27:30,680
Speaker 1: Yeah, I haven't seen him for about a year now.

618
00:27:32,200 --> 00:27:34,439
Speaker 3: Jack is terrified and decides he's going to sleep on

619
00:27:34,480 --> 00:27:37,080
Speaker 3: the couch and on que Corey rushes in, he needs

620
00:27:37,080 --> 00:27:38,720
Speaker 3: to sleep on their couch because he got into a

621
00:27:38,760 --> 00:27:41,560
Speaker 3: fight with his dad. Jack says, everyone gets into fights

622
00:27:41,560 --> 00:27:44,240
Speaker 3: with their dad. Then Corey clarifies that he knocked his

623
00:27:44,359 --> 00:27:44,920
Speaker 3: dad down.

624
00:27:46,119 --> 00:27:46,440
Speaker 5: Did he?

625
00:27:47,440 --> 00:27:50,560
Speaker 1: I think that's how he feels good. He did.

626
00:27:50,640 --> 00:27:51,480
Speaker 5: Yeah.

627
00:27:51,600 --> 00:27:55,000
Speaker 3: Jack admits that's not quite as common. Again, great read

628
00:27:55,080 --> 00:27:56,359
Speaker 3: from Matt and he walks on.

629
00:27:56,520 --> 00:28:02,480
Speaker 2: It's definitely a line rate though, Oh, Michael Jacobs, that's

630
00:28:02,520 --> 00:28:04,760
Speaker 2: not as common because it's not as common, that's not

631
00:28:04,800 --> 00:28:07,639
Speaker 2: as combat. It's just like I'm just gonna throw this

632
00:28:07,680 --> 00:28:09,679
Speaker 2: out there and walk away. I was like that was

633
00:28:10,040 --> 00:28:11,560
Speaker 2: such a linery yep.

634
00:28:12,040 --> 00:28:14,440
Speaker 3: Corey explains he wanted to play basketball with his dad

635
00:28:14,480 --> 00:28:16,760
Speaker 3: like Eric does. Sean wants more, wants to know more

636
00:28:16,760 --> 00:28:18,760
Speaker 3: about this fight, so does he have to leave the

637
00:28:18,800 --> 00:28:22,560
Speaker 3: house in shamee? Do you get his womaning?

638
00:28:22,640 --> 00:28:25,919
Speaker 2: I just like the everything about this, the fact that

639
00:28:26,040 --> 00:28:29,880
Speaker 2: like I sit down and start eating crackers. It's like

640
00:28:30,080 --> 00:28:33,199
Speaker 2: close crackers out of nowhere, and yet it feels like

641
00:28:33,240 --> 00:28:35,960
Speaker 2: a great Corey Sean scene. But we're not, like, I

642
00:28:35,960 --> 00:28:37,920
Speaker 2: don't know, we're finally like located somewhere.

643
00:28:37,920 --> 00:28:38,600
Speaker 1: Like we're so.

644
00:28:38,640 --> 00:28:42,239
Speaker 2: Often just standing facing each other in hallways or in

645
00:28:42,640 --> 00:28:44,560
Speaker 2: and so it was so nice to have us just

646
00:28:44,600 --> 00:28:47,160
Speaker 2: like actually listening to each other, talking to each other,

647
00:28:47,320 --> 00:28:50,920
Speaker 2: giving good advice, bad advice, and it's just it's just

648
00:28:50,960 --> 00:28:55,280
Speaker 2: like amazing. And I don't know, like I just it

649
00:28:55,360 --> 00:28:58,320
Speaker 2: just felt like I felt relaxed. I felt like everything

650
00:28:58,320 --> 00:29:00,480
Speaker 2: about it was just this is one of the best

651
00:29:00,480 --> 00:29:02,080
Speaker 2: scenes I've seen in a long time.

652
00:29:02,360 --> 00:29:05,520
Speaker 1: Yeah, you definitely felt relaxed and in a great way.

653
00:29:05,640 --> 00:29:09,880
Speaker 1: Liked what was it? I mean you talk about there's

654
00:29:09,880 --> 00:29:12,080
Speaker 1: certain people that are like, well, you know, when a

655
00:29:12,120 --> 00:29:13,760
Speaker 1: show's been on this long or whatever, you guys are

656
00:29:13,760 --> 00:29:16,080
Speaker 1: on autopilot, you do this. But you notice the difference

657
00:29:16,120 --> 00:29:18,920
Speaker 1: with directors. I mean, we've seen it from the beginning,

658
00:29:19,440 --> 00:29:22,680
Speaker 1: so it's there's some comfortability that with Kendall when he

659
00:29:22,720 --> 00:29:23,320
Speaker 1: comes in.

660
00:29:23,240 --> 00:29:26,480
Speaker 2: That just it just makes us all sing. It makes

661
00:29:26,560 --> 00:29:27,200
Speaker 2: us all sing.

662
00:29:27,640 --> 00:29:30,400
Speaker 3: Yes, So Corey explains that he didn't hit him, he

663
00:29:30,520 --> 00:29:33,240
Speaker 3: shoved him. He doesn't understand why his dad does all

664
00:29:33,240 --> 00:29:35,240
Speaker 3: these things with Eric, but he won't do them with him.

665
00:29:35,560 --> 00:29:37,800
Speaker 3: Sean jokes and one of my favorite jokes of the show,

666
00:29:37,920 --> 00:29:39,120
Speaker 3: why is it afraid You're gonna hit him?

667
00:29:39,120 --> 00:29:39,360
Speaker 1: Again?

668
00:29:43,400 --> 00:29:46,120
Speaker 3: Corey dives into Eric and his dad's relationship. They do

669
00:29:46,200 --> 00:29:48,720
Speaker 3: everything together. They're even planning to jump out of a plane,

670
00:29:49,000 --> 00:29:51,240
Speaker 3: while on the other hand, all Corey and his dad

671
00:29:51,280 --> 00:29:53,520
Speaker 3: do are talk. Shawn as shows Corey that he has

672
00:29:53,560 --> 00:29:56,120
Speaker 3: a great relationship with his dad. Corey doesn't want to

673
00:29:56,160 --> 00:29:59,120
Speaker 3: be the guy his dad simply talked to. Great conversations

674
00:29:59,160 --> 00:30:02,640
Speaker 3: aren't memories to back on. Sean insists they have good memories,

675
00:30:03,120 --> 00:30:03,800
Speaker 3: like that time you.

676
00:30:03,720 --> 00:30:09,080
Speaker 1: Beat them up. You're going to talk about that for years.

677
00:30:07,320 --> 00:30:07,520
Speaker 5: Good.

678
00:30:09,960 --> 00:30:15,240
Speaker 1: It is so good. We're going to talk about that

679
00:30:15,280 --> 00:30:15,760
Speaker 1: for years.

680
00:30:16,320 --> 00:30:17,080
Speaker 4: Let's just love it.

681
00:30:28,720 --> 00:30:30,800
Speaker 3: And then we're in the Matthew's kitchen now in a robe.

682
00:30:30,840 --> 00:30:33,480
Speaker 3: Alan still looks angry while making a sandwich. There's a

683
00:30:33,520 --> 00:30:35,640
Speaker 3: loud knock on the door, causing Alan to jump and

684
00:30:35,680 --> 00:30:36,640
Speaker 3: throw bread in the air.

685
00:30:36,840 --> 00:30:37,400
Speaker 1: It's Phoenie.

686
00:30:37,480 --> 00:30:38,440
Speaker 4: He's also in a robe.

687
00:30:38,920 --> 00:30:40,880
Speaker 1: A couple of things, sorry, a couple of things, very

688
00:30:41,040 --> 00:30:43,440
Speaker 1: very well. We'll be brief about this because it's Rider's

689
00:30:43,480 --> 00:30:47,560
Speaker 1: favorite subject. Which is food off brand mayonnaise. I understand

690
00:30:47,560 --> 00:30:50,720
Speaker 1: they can't do a regular brand, but come on, okay,

691
00:30:51,280 --> 00:30:54,600
Speaker 1: there's no pickles in the pickle jar. It's literally just

692
00:30:54,720 --> 00:30:58,080
Speaker 1: pickled juice. There's not a single pickle in the entire jar,

693
00:30:58,160 --> 00:31:00,080
Speaker 1: So why do you have that out? And then he

694
00:31:00,120 --> 00:31:02,600
Speaker 1: spills the bread everywhere and then Phoenie comes in. Bread's gone,

695
00:31:02,600 --> 00:31:05,280
Speaker 1: it's not on the floor anymore. So just we can

696
00:31:05,320 --> 00:31:07,760
Speaker 1: move on. But just then, what does Phoene do? He

697
00:31:07,880 --> 00:31:10,040
Speaker 1: just mayonnaises, mayonnaises some bread.

698
00:31:10,080 --> 00:31:12,200
Speaker 3: But the other half of the sandwich is already made

699
00:31:12,240 --> 00:31:16,320
Speaker 3: because he just puts that on top and there's already meat. Yeah,

700
00:31:16,360 --> 00:31:18,720
Speaker 3: that's a good director move, though, we've all had to

701
00:31:18,800 --> 00:31:21,760
Speaker 3: make that move. So you're gonna mayonnaise the bread, the

702
00:31:21,840 --> 00:31:23,400
Speaker 3: other stuff's already prepped.

703
00:31:23,680 --> 00:31:26,160
Speaker 2: Yes, Because he takes alan they don't want to have

704
00:31:26,240 --> 00:31:30,840
Speaker 2: to watch him actually make us build the business is perfect.

705
00:31:30,440 --> 00:31:32,640
Speaker 1: Because exactly you have to see him do something. Oh

706
00:31:32,680 --> 00:31:33,240
Speaker 1: it's so good.

707
00:31:33,400 --> 00:31:35,840
Speaker 3: Yeah yeah, and then that's all you have to replace

708
00:31:35,880 --> 00:31:38,920
Speaker 3: the next time. Just take off the mayonnaise piece, throw

709
00:31:38,960 --> 00:31:39,960
Speaker 3: that away, get a new one.

710
00:31:40,080 --> 00:31:42,800
Speaker 1: I want Phoenie's robe too, Oh do I want? It's

711
00:31:42,800 --> 00:31:45,160
Speaker 1: like kind of smoking jacket. Can I tell you that

712
00:31:45,360 --> 00:31:46,920
Speaker 1: phoenees fits our fire?

713
00:31:47,400 --> 00:31:53,240
Speaker 3: It's the three as phoenees fits her fire, I fits waits.

714
00:31:55,040 --> 00:31:58,160
Speaker 4: Our foot apostrophe, oh fits.

715
00:31:57,720 --> 00:32:00,880
Speaker 1: Oh again, we're just taking fits is out of words?

716
00:32:00,880 --> 00:32:01,560
Speaker 4: Okay, exactly.

717
00:32:01,840 --> 00:32:05,240
Speaker 1: I thought it was gray. Yeah they're gray. Is that

718
00:32:05,320 --> 00:32:06,280
Speaker 1: srure for gray? Yeah?

719
00:32:06,320 --> 00:32:06,520
Speaker 4: Sure?

720
00:32:06,560 --> 00:32:06,880
Speaker 1: For great.

721
00:32:10,720 --> 00:32:12,680
Speaker 3: Alan asks what he's doing there at two o'clock in

722
00:32:12,680 --> 00:32:14,720
Speaker 3: the morning, and Phoene remarks, I know what happened this

723
00:32:14,760 --> 00:32:17,080
Speaker 3: afternoon between you and Corey. I've waited for you. I've

724
00:32:17,080 --> 00:32:20,840
Speaker 3: waited for Corey. Nothing so nobody came over. Something like

725
00:32:20,880 --> 00:32:22,720
Speaker 3: this happens. Somebody should come over.

726
00:32:23,520 --> 00:32:27,160
Speaker 1: Oh it's perfect. It's a person meta. It's the best

727
00:32:27,160 --> 00:32:30,280
Speaker 1: way to comment on their roles. Like they've tried this before.

728
00:32:30,320 --> 00:32:32,760
Speaker 2: Remember when Amy goes to Phoene and it just didn't

729
00:32:32,840 --> 00:32:36,360
Speaker 2: quite work. Whereas like this where Phoene's like stressed out

730
00:32:36,440 --> 00:32:39,200
Speaker 2: because he can't oh so solid.

731
00:32:39,040 --> 00:32:40,640
Speaker 1: Just saw me. He was pacing in his house like

732
00:32:40,680 --> 00:32:43,840
Speaker 1: he started slow and then it got worse and worse

733
00:32:43,840 --> 00:32:44,840
Speaker 1: and worse, and then fight.

734
00:32:44,880 --> 00:32:46,320
Speaker 2: He just couldn't take it any more to go over

735
00:32:46,560 --> 00:32:49,200
Speaker 2: o'clock in the morning, And you know, Bill plays it perfectly,

736
00:32:49,240 --> 00:32:54,280
Speaker 2: which is not angry, just anxious, stressed out, worried he's

737
00:32:54,400 --> 00:32:56,680
Speaker 2: going to be able to sleep tonight because of this.

738
00:32:57,320 --> 00:32:59,680
Speaker 1: If you nobody's thinking of him, like, how does nobody

739
00:32:59,720 --> 00:33:00,200
Speaker 1: think of me?

740
00:33:00,760 --> 00:33:02,880
Speaker 4: It's so good, It's just unbelievable.

741
00:33:02,920 --> 00:33:05,440
Speaker 1: It's one of my favorite Phoene moments of the entire series.

742
00:33:05,480 --> 00:33:10,080
Speaker 1: Agree really is so completely agree. Alan stares at him, confused.

743
00:33:10,160 --> 00:33:13,160
Speaker 1: Phoene reminds him, he knocked you on your keyster man.

744
00:33:15,800 --> 00:33:18,400
Speaker 3: You're obviously upset, so can we please talk about it

745
00:33:18,440 --> 00:33:20,720
Speaker 3: so I can get some sleep. Alan lets him in

746
00:33:20,800 --> 00:33:23,040
Speaker 3: and offers a late night snack, and Phoene helps himself

747
00:33:23,080 --> 00:33:26,280
Speaker 3: to the sandwich ingredients. Alan says, it's one thing for

748
00:33:26,320 --> 00:33:28,560
Speaker 3: the boys to ask for your help, but I am

749
00:33:28,600 --> 00:33:30,840
Speaker 3: a capable adult and I can handle this on my own.

750
00:33:31,240 --> 00:33:34,520
Speaker 3: Phoene stops the sandwich making. You're right, and I am

751
00:33:34,560 --> 00:33:37,200
Speaker 3: sorry that I intrude it on your privacy. He takes

752
00:33:37,240 --> 00:33:39,360
Speaker 3: one step toward the door and Alan blurts out, he

753
00:33:39,440 --> 00:33:42,400
Speaker 3: pushed me down, George. Phoene does a quick one eighty

754
00:33:42,440 --> 00:33:44,000
Speaker 3: and starts making his sandwich again.

755
00:33:44,080 --> 00:33:46,080
Speaker 1: Can'ts turn It's just perfect.

756
00:33:46,560 --> 00:33:52,360
Speaker 2: That is actor factor blockage actor, turn around.

757
00:33:52,680 --> 00:33:57,440
Speaker 3: God, just absolutely beautiful everything about it, and he says, right,

758
00:33:57,560 --> 00:34:01,040
Speaker 3: it doesn't sound like Cory. Alan agreed, he knows if

759
00:34:01,040 --> 00:34:03,160
Speaker 3: anything's wrong, he can come and talk to me. Talking

760
00:34:03,200 --> 00:34:06,480
Speaker 3: is the basis of our relationship. Phoene doesn't hesitate. Maybe

761
00:34:06,520 --> 00:34:09,879
Speaker 3: that's what's bothering him. Alan takes that in You never

762
00:34:09,920 --> 00:34:12,880
Speaker 3: stop teaching, do you, George. Phoene points a sandwich in

763
00:34:12,960 --> 00:34:15,839
Speaker 3: Alan's face, saying, next time, don't keep me up all night,

764
00:34:16,239 --> 00:34:17,560
Speaker 3: and he walks out to think.

765
00:34:17,400 --> 00:34:20,239
Speaker 2: About how efficient that scene is. Like he actually gives

766
00:34:20,280 --> 00:34:22,800
Speaker 2: Phoene advice. But it's not too many words, it's not

767
00:34:22,920 --> 00:34:26,640
Speaker 2: it's just it's literally two lines. Yes, Gory, we always talk.

768
00:34:26,800 --> 00:34:27,800
Speaker 2: Maybe that's the problem.

769
00:34:27,880 --> 00:34:29,960
Speaker 1: Boom boom, I'm out of here. I'm out of here.

770
00:34:30,000 --> 00:34:30,600
Speaker 1: Oh my god.

771
00:34:30,880 --> 00:34:31,800
Speaker 4: Thanks for the sandwich.

772
00:34:32,160 --> 00:34:34,399
Speaker 3: Also now and now he can go to sleep because

773
00:34:34,440 --> 00:34:37,600
Speaker 3: he's given the advice. He feels he knows he's going

774
00:34:37,640 --> 00:34:39,880
Speaker 3: to be on It's just it's anything about it's beautifulfect.

775
00:34:40,680 --> 00:34:42,879
Speaker 3: Back at the guy's apartment, we are now in Shawn's room.

776
00:34:42,960 --> 00:34:45,279
Speaker 3: Sean is fast asleep, although all the lights on the

777
00:34:45,360 --> 00:34:47,439
Speaker 3: room are on. Jack is next to him in bed,

778
00:34:47,440 --> 00:34:50,000
Speaker 3: but his eyes are wide open the audience, you.

779
00:34:50,080 --> 00:34:58,279
Speaker 5: Get a woman who yeah, I was like, okay, like

780
00:34:58,400 --> 00:35:00,560
Speaker 5: maybe there's some homeo about it, but.

781
00:35:04,280 --> 00:35:08,279
Speaker 1: That's disgusting. It was just two good looking young men

782
00:35:09,080 --> 00:35:09,600
Speaker 1: in bed.

783
00:35:10,239 --> 00:35:11,880
Speaker 2: I would have I would have taken out the woos

784
00:35:11,960 --> 00:35:13,560
Speaker 2: if I was in charge of the show too, if

785
00:35:13,560 --> 00:35:15,480
Speaker 2: I directed this episode, I'd be like, even if the

786
00:35:15,520 --> 00:35:18,360
Speaker 2: audience did that, we're not gonna leave that in because.

787
00:35:18,120 --> 00:35:19,800
Speaker 4: It's it is a little strength, it's starring.

788
00:35:20,200 --> 00:35:23,640
Speaker 1: Now I have a question, how do you do that

789
00:35:24,120 --> 00:35:26,760
Speaker 1: if it's if it's WU, if the WU is live

790
00:35:26,920 --> 00:35:30,080
Speaker 1: on the day. Isn't that on any track though? But

791
00:35:30,160 --> 00:35:32,080
Speaker 1: isn't it also not picked up by the booms that

792
00:35:32,080 --> 00:35:35,399
Speaker 1: we would have on our I don't think. Maybe way

793
00:35:35,440 --> 00:35:36,840
Speaker 1: in the distance, but you'd be able to bring that.

794
00:35:37,040 --> 00:35:37,880
Speaker 4: Let me tell you something.

795
00:35:37,960 --> 00:35:41,759
Speaker 3: If those microphones can pick up the audience, then there's

796
00:35:41,840 --> 00:35:44,840
Speaker 3: no reason for boom mic ever to be in the shop.

797
00:35:45,000 --> 00:35:48,120
Speaker 2: The super directional direction, that's what they have to tilt.

798
00:35:48,480 --> 00:35:50,359
Speaker 2: They have to rotate from one actor to the other.

799
00:35:50,400 --> 00:35:53,359
Speaker 2: Because yeah, so you could isolate just one of those

800
00:35:53,440 --> 00:35:56,080
Speaker 2: mics and be fine. You also usually have enough room

801
00:35:56,160 --> 00:35:57,960
Speaker 2: tone that even if you eliminate.

802
00:35:58,000 --> 00:36:04,480
Speaker 1: It wasn't of silence to insert there. Yeah, gotcha, Yeah, yeah,

803
00:36:04,520 --> 00:36:07,800
Speaker 1: it was a little weird. Also, Jack has an astronaut pillow.

804
00:36:07,840 --> 00:36:11,799
Speaker 1: Did you notice that he's got a space pillow going?

805
00:36:12,080 --> 00:36:12,760
Speaker 1: Which is great.

806
00:36:13,719 --> 00:36:16,040
Speaker 3: Jack decides to turn off the lights and Sean wakes

807
00:36:16,160 --> 00:36:19,720
Speaker 3: up immediately. Are you insane? He quickly turns the lights

808
00:36:19,719 --> 00:36:21,759
Speaker 3: back on. Our trailer park was right next to an

809
00:36:21,800 --> 00:36:24,480
Speaker 3: off ramp. All night long, truck headlights shone through the window.

810
00:36:24,719 --> 00:36:28,160
Speaker 3: The light comfort me, comforts me. Jack jokes, that's a

811
00:36:28,200 --> 00:36:30,959
Speaker 3: really lovely story and make a great children's book. Here's

812
00:36:30,960 --> 00:36:33,880
Speaker 3: another great children's book. Good night light, and he turns

813
00:36:33,920 --> 00:36:36,200
Speaker 3: the light back off, wishing a good night to Sean.

814
00:36:36,400 --> 00:36:39,560
Speaker 3: And then the pig, Shawn immediately turns the light back on,

815
00:36:39,640 --> 00:36:41,520
Speaker 3: reminding Jack that he's a guest in this room, so

816
00:36:41,560 --> 00:36:43,080
Speaker 3: he needs to start acting like it.

817
00:36:43,400 --> 00:36:46,600
Speaker 1: And the pig has a name. It's little Little Cory.

818
00:36:46,960 --> 00:36:48,320
Speaker 1: Yeah the reveal.

819
00:36:49,880 --> 00:36:53,360
Speaker 3: Jack restlessly moves around, Fine, good night, little Corey. He

820
00:36:53,400 --> 00:36:59,239
Speaker 3: looks at Sean, good night pig. Sean smiles at the

821
00:36:59,280 --> 00:37:02,600
Speaker 3: improvement and says good night. Just as things have calmed down,

822
00:37:02,680 --> 00:37:05,840
Speaker 3: Sean presses play on a bedside boom box and crickets

823
00:37:05,880 --> 00:37:10,200
Speaker 3: begin to chirp. I can't believe it crickets, Sean explains,

824
00:37:10,239 --> 00:37:10,840
Speaker 3: it's a tape.

825
00:37:11,000 --> 00:37:13,360
Speaker 4: Sounds of the trailer park helps me sleep.

826
00:37:14,040 --> 00:37:18,160
Speaker 1: I knew instantly where this joke was going, and I

827
00:37:18,200 --> 00:37:20,880
Speaker 1: loved every second, Like I know what's gonna happen, and

828
00:37:20,920 --> 00:37:22,839
Speaker 1: I can't wait to see what they did with this.

829
00:37:23,000 --> 00:37:24,920
Speaker 1: But oh god, it's such a good setup.

830
00:37:25,600 --> 00:37:26,400
Speaker 4: Jack shrugs.

831
00:37:26,520 --> 00:37:28,640
Speaker 3: It actually is kind of soothing, and with that he

832
00:37:28,719 --> 00:37:31,240
Speaker 3: begins to doze off. But then we hear a semi

833
00:37:31,320 --> 00:37:32,239
Speaker 3: truck honking and.

834
00:37:32,200 --> 00:37:37,040
Speaker 1: A woman yelling as dogs bark in the distance. A

835
00:37:37,120 --> 00:37:39,120
Speaker 1: man yells drop the weapon.

836
00:37:38,760 --> 00:37:43,319
Speaker 3: And come out, yes, and then there's a loud gunshot.

837
00:37:44,320 --> 00:37:48,120
Speaker 3: Jack good, it's hysterical. Jack has heard enough and he

838
00:37:48,200 --> 00:37:50,480
Speaker 3: turns off the tape. He grabs his brother's shirt and

839
00:37:50,480 --> 00:37:53,399
Speaker 3: shakes him, get up, Get up. Sean doesn't budge, so

840
00:37:53,640 --> 00:37:56,120
Speaker 3: Jack turns off the light switch, which it wakes Shan

841
00:37:56,239 --> 00:37:59,800
Speaker 3: up immediately. He tells Jack, I wouldn't have asked you

842
00:37:59,840 --> 00:38:01,080
Speaker 3: to they here if I knew you were going to

843
00:38:01,120 --> 00:38:01,920
Speaker 3: be so weird.

844
00:38:02,719 --> 00:38:05,200
Speaker 1: Jack is furious, I'm weird. You know what puts me

845
00:38:05,239 --> 00:38:05,600
Speaker 1: to sleep?

846
00:38:05,600 --> 00:38:08,160
Speaker 3: A glass of milk, not the truck that delivers the milk.

847
00:38:08,760 --> 00:38:10,799
Speaker 3: He goes for the low blow. But you'll have to

848
00:38:10,840 --> 00:38:13,879
Speaker 3: excuse me. I was raised in an actual house.

849
00:38:15,640 --> 00:38:16,640
Speaker 4: And the audience.

850
00:38:16,960 --> 00:38:19,560
Speaker 1: Oh yeah, that's a shot across the bow.

851
00:38:19,640 --> 00:38:23,920
Speaker 3: My friends fighting words yep. Sean gives his brother a

852
00:38:23,960 --> 00:38:26,240
Speaker 3: death stare. As long as you put it that way,

853
00:38:26,440 --> 00:38:29,360
Speaker 3: I'd be happy to turn out your lights. Sean throws

854
00:38:29,360 --> 00:38:32,319
Speaker 3: a punch, but missus Jack's face completely. They both now

855
00:38:32,320 --> 00:38:34,839
Speaker 3: have their arms raised, ready to fight. Jack warns him,

856
00:38:34,960 --> 00:38:39,439
Speaker 3: I wouldn't man Piedmont Prep Boxing Team.

857
00:38:40,040 --> 00:38:45,319
Speaker 1: Little dance. Yeah, Matt's best performance. It is. It is.

858
00:38:46,800 --> 00:38:50,040
Speaker 1: He's hysterical, he gets it, just builds the laugh with

859
00:38:50,120 --> 00:38:55,799
Speaker 1: that dance. It's like his legs.

860
00:38:54,719 --> 00:38:59,560
Speaker 3: Oh, it's unbelievable. It is so funny. He swivels his

861
00:38:59,640 --> 00:39:02,240
Speaker 3: hips and dances around, trying to scare off Sean. Sean

862
00:39:02,280 --> 00:39:04,279
Speaker 3: lowers his arms. You know, if I really wanted to

863
00:39:04,360 --> 00:39:05,160
Speaker 3: hit you, I would have.

864
00:39:05,560 --> 00:39:06,080
Speaker 1: Yeah, I will.

865
00:39:06,320 --> 00:39:08,160
Speaker 2: I wish, I wish I could go back, because we

866
00:39:08,239 --> 00:39:09,840
Speaker 2: could have just made more of a bill out of that,

867
00:39:09,920 --> 00:39:12,359
Speaker 2: like me being like what are you doing? And then

868
00:39:12,440 --> 00:39:14,480
Speaker 2: him like doubly down doing it again, like you know

869
00:39:14,520 --> 00:39:16,680
Speaker 2: what I mean, Like, we could have gotten probably two

870
00:39:16,719 --> 00:39:19,040
Speaker 2: more lives out of just my reaction of being like,

871
00:39:19,560 --> 00:39:23,160
Speaker 2: is this weird dance that's not fighting? There's another beat there,

872
00:39:23,280 --> 00:39:25,840
Speaker 2: just in the physical comedy that we I wish.

873
00:39:25,840 --> 00:39:28,920
Speaker 4: You could have been done your hands day there.

874
00:39:29,680 --> 00:39:32,080
Speaker 1: Yeah, that's how we're gonna play it right. Oh my god,

875
00:39:32,200 --> 00:39:34,319
Speaker 1: I see how you want to fight? Shut this out?

876
00:39:35,520 --> 00:39:36,360
Speaker 1: So funny.

877
00:39:37,040 --> 00:39:39,640
Speaker 3: So Jack, still in a fighting stance, responds, when you

878
00:39:39,680 --> 00:39:42,520
Speaker 3: want to, I'll be right here. He plops it back

879
00:39:42,560 --> 00:39:44,560
Speaker 3: down on the bed, pulls the covers over his head,

880
00:39:44,760 --> 00:39:48,240
Speaker 3: asleep in the dark like normal people. Sean seems hurt.

881
00:39:48,520 --> 00:39:50,880
Speaker 3: And then it's the next morning at the guy's apartment.

882
00:39:51,120 --> 00:39:53,160
Speaker 3: Corey is fast asleep on the couch and Tapanga is

883
00:39:53,200 --> 00:39:55,359
Speaker 3: trying to wake him up. He refuses, I don't want

884
00:39:55,360 --> 00:39:57,120
Speaker 3: to get up. I hit my father. That's got to

885
00:39:57,160 --> 00:39:59,919
Speaker 3: be a bad sin. If this were the Bible, I'd

886
00:40:00,040 --> 00:40:03,120
Speaker 3: be a father, Smider, I'd be Cory, son of Alan

887
00:40:03,280 --> 00:40:04,000
Speaker 3: the bruised.

888
00:40:04,920 --> 00:40:08,960
Speaker 2: This dialogue is so smart, it's so funny, like all

889
00:40:09,000 --> 00:40:13,200
Speaker 2: these biblical references and like it's the first time for us.

890
00:40:13,239 --> 00:40:19,120
Speaker 1: Barbie yes, and she's so great. It's so strange and

891
00:40:19,640 --> 00:40:23,359
Speaker 1: funny and just off the I love dialogue. That's just

892
00:40:23,360 --> 00:40:26,360
Speaker 1: off the beaten path. It's just completely different. It's great.

893
00:40:27,600 --> 00:40:29,080
Speaker 3: Ta Pega tries to tell him that he has a

894
00:40:29,080 --> 00:40:31,439
Speaker 3: great relationship with his father, but Corey cuts her off.

895
00:40:31,520 --> 00:40:33,400
Speaker 1: You shouldn't be here. If they find you with me,

896
00:40:33,440 --> 00:40:38,320
Speaker 1: they'll stone you. Save yourself to Panga, daughter of Miriam. Miriam.

897
00:40:38,360 --> 00:40:40,480
Speaker 1: But that's not her name. Is it?

898
00:40:40,560 --> 00:40:41,040
Speaker 4: My mom?

899
00:40:41,320 --> 00:40:45,680
Speaker 3: You know it's it's it's a biblical name, because he

900
00:40:45,760 --> 00:40:47,759
Speaker 3: says son of Alan, right he does.

901
00:40:47,840 --> 00:40:49,400
Speaker 1: He says, you're right. I didn't know if he was

902
00:40:49,440 --> 00:40:52,000
Speaker 1: trying to set that up where she's now. It's that

903
00:40:52,160 --> 00:40:53,960
Speaker 1: was they were going to make her Miriam, because I

904
00:40:54,000 --> 00:40:58,320
Speaker 1: don't think we've have we said Chloe yet, Isn't it Chloe?

905
00:40:58,360 --> 00:40:59,879
Speaker 1: Isn't Jed and jedda guy and Chloe.

906
00:41:00,040 --> 00:41:03,560
Speaker 2: He said that a long time, Jeded Diane. Chloe's saying, right,

907
00:41:03,719 --> 00:41:08,239
Speaker 2: that's first couple of lines. Yeah, okay, yeah, No, I

908
00:41:08,320 --> 00:41:10,160
Speaker 2: think Miriam is just a better biblical name.

909
00:41:10,239 --> 00:41:13,399
Speaker 1: It's yeah. Tapega insists that he go home and talk

910
00:41:13,440 --> 00:41:14,239
Speaker 1: it through with his dad.

911
00:41:14,400 --> 00:41:16,880
Speaker 3: Corey says that's all their relationship is, which is nothing

912
00:41:17,000 --> 00:41:19,680
Speaker 3: like his dad's relationship with Eric. He screams, I want

913
00:41:19,719 --> 00:41:21,680
Speaker 3: to do stuff too. I never want to talk to

914
00:41:21,800 --> 00:41:24,799
Speaker 3: him again. Just then Alan opens the door and Eric

915
00:41:24,880 --> 00:41:27,359
Speaker 3: stands behind him. He grabs Corey by the shirt. You're

916
00:41:27,400 --> 00:41:30,520
Speaker 3: coming with us, Cory sheepishly asks, can we talk about this?

917
00:41:31,120 --> 00:41:33,800
Speaker 3: Alan yanks him outside and closes the door, as Topanga

918
00:41:33,920 --> 00:41:38,520
Speaker 3: watches and laughs. Give a big I really wanted the

919
00:41:38,560 --> 00:41:42,319
Speaker 3: audience to know it was okay, it was big.

920
00:41:42,520 --> 00:41:44,840
Speaker 1: It was a big, kind of almost like Mom said, Tommy,

921
00:41:44,960 --> 00:41:46,920
Speaker 1: kind of like a hundred percent of blast.

922
00:41:50,160 --> 00:41:53,480
Speaker 3: Everything's fine, We're fine, and it's fun and funny, and

923
00:41:53,600 --> 00:41:54,800
Speaker 3: you can also laugh and smile.

924
00:41:54,960 --> 00:41:55,719
Speaker 1: Yes, it was.

925
00:41:56,000 --> 00:41:57,720
Speaker 4: It was not my finest moment, okay.

926
00:41:57,840 --> 00:42:01,719
Speaker 1: And then we are skydiving quite an escalation.

927
00:42:02,360 --> 00:42:04,800
Speaker 3: Coury, Allen and Eric are sitting in the plane dressed

928
00:42:04,840 --> 00:42:06,680
Speaker 3: in jumpsuits and wearing helmets.

929
00:42:07,000 --> 00:42:07,839
Speaker 1: How was this shot?

930
00:42:07,960 --> 00:42:09,480
Speaker 4: Will uh?

931
00:42:10,040 --> 00:42:13,160
Speaker 1: I mean we had the half fuselage of an airplane

932
00:42:13,239 --> 00:42:16,440
Speaker 1: kind of opened up and and it was just a stage.

933
00:42:16,520 --> 00:42:17,840
Speaker 1: It was essentially just a big.

934
00:42:19,040 --> 00:42:21,160
Speaker 2: Must have been like when you guys are actually jumping

935
00:42:21,160 --> 00:42:24,680
Speaker 2: out and you show the like the reverse, Yeah, was that?

936
00:42:25,080 --> 00:42:28,560
Speaker 1: Like? Did you did they turn the whole few had

937
00:42:28,600 --> 00:42:30,320
Speaker 1: the whole thing turned around and then and then we

938
00:42:30,400 --> 00:42:32,640
Speaker 1: had giant matts, you know, pads, and then it was

939
00:42:32,719 --> 00:42:34,680
Speaker 1: up in the air. It was up. It was probably

940
00:42:34,719 --> 00:42:37,560
Speaker 1: raised by about five feet, maybe five or six feet.

941
00:42:38,920 --> 00:42:41,439
Speaker 1: So much fun shooting it. But the thing I remember

942
00:42:41,480 --> 00:42:43,600
Speaker 1: the most, and you can see Ben reacting to it,

943
00:42:44,360 --> 00:42:47,440
Speaker 1: is that we're all yelling yes, and because it was

944
00:42:47,520 --> 00:42:51,160
Speaker 1: super funny, Rusty was yelling right in our ears and

945
00:42:51,320 --> 00:42:56,080
Speaker 1: it hurt so badly, and you can see Ben going

946
00:42:56,160 --> 00:42:58,320
Speaker 1: like like he's kind of wincy because and then you

947
00:42:58,400 --> 00:43:00,520
Speaker 1: see Rusty even pushing it far or where he is

948
00:43:00,719 --> 00:43:04,560
Speaker 1: just screaming right into our ears, and I distinctly remember

949
00:43:04,640 --> 00:43:06,799
Speaker 1: being like he's gonna shatter my ear drum, Like he's

950
00:43:06,920 --> 00:43:08,279
Speaker 1: literally going to shatter my ear drum.

951
00:43:08,920 --> 00:43:09,040
Speaker 3: Oh.

952
00:43:09,120 --> 00:43:10,399
Speaker 1: We had so much fun shooting this scene.

953
00:43:10,440 --> 00:43:12,480
Speaker 2: I have such a profound memory of the first run

954
00:43:12,560 --> 00:43:15,200
Speaker 2: through when you guys did this, and really, oh my god,

955
00:43:15,320 --> 00:43:18,360
Speaker 2: I remember dying like we were sitting there because you know,

956
00:43:18,440 --> 00:43:20,520
Speaker 2: of course I hadn't seen the rehearsals for these scenes

957
00:43:20,960 --> 00:43:23,640
Speaker 2: until the run through, and I remember all of us

958
00:43:23,880 --> 00:43:27,160
Speaker 2: just like crying with laughter because because of course there's

959
00:43:27,200 --> 00:43:29,680
Speaker 2: no actual engine sound there's no noise, so when you're

960
00:43:29,719 --> 00:43:32,839
Speaker 2: doing the run through, you guys were just yelling at

961
00:43:32,920 --> 00:43:35,279
Speaker 2: this level that was like what is happening? But it

962
00:43:35,400 --> 00:43:37,640
Speaker 2: made all these lines, which I think at the table

963
00:43:37,640 --> 00:43:40,279
Speaker 2: whead had been okay, kind of fun. But when you

964
00:43:40,360 --> 00:43:42,960
Speaker 2: guys committed to the like the fact that you're screaming

965
00:43:43,040 --> 00:43:45,279
Speaker 2: these things. How come we don't have the relationship you

966
00:43:45,400 --> 00:43:49,080
Speaker 2: and Corey have. I just remember crying, laughing and being like,

967
00:43:49,200 --> 00:43:51,320
Speaker 2: this is the funniest Our show has ever been, And

968
00:43:51,640 --> 00:43:53,759
Speaker 2: watching it again, I'm like, this is a perfect scene.

969
00:43:53,880 --> 00:43:55,720
Speaker 1: This is a perfect great scene.

970
00:43:55,840 --> 00:43:58,800
Speaker 2: The turns, the way that it's like resolving one story

971
00:43:58,840 --> 00:44:01,480
Speaker 2: but then just opening up another one with Eric, It's

972
00:44:01,680 --> 00:44:04,120
Speaker 2: so freaking good and you guys are amazing.

973
00:44:04,160 --> 00:44:06,560
Speaker 1: I just want to watch the three over and over

974
00:44:06,600 --> 00:44:09,120
Speaker 1: again and so far because Steve Parker, Steven park is

975
00:44:09,200 --> 00:44:10,680
Speaker 1: so good as well. I mean he comes in and

976
00:44:10,760 --> 00:44:13,320
Speaker 1: kind of sets the tone too. Yeah, but it is.

977
00:44:13,480 --> 00:44:16,120
Speaker 1: We just had so much fun shooting this scene. I

978
00:44:16,560 --> 00:44:19,640
Speaker 1: distinctly remember just enjoying each other as actors and like,

979
00:44:19,960 --> 00:44:22,880
Speaker 1: you can't it's cartoonish. You can't go too big, I know.

980
00:44:23,120 --> 00:44:25,320
Speaker 1: So when you get that kind of like all the

981
00:44:25,400 --> 00:44:27,320
Speaker 1: parameters are off. It's like, as big as you go,

982
00:44:27,480 --> 00:44:28,480
Speaker 1: the funnier it's going to get.

983
00:44:28,520 --> 00:44:30,520
Speaker 3: And the other thing that made it so great is

984
00:44:30,560 --> 00:44:34,880
Speaker 3: that the dialogue is so grounded, yes, in the absurd,

985
00:44:35,000 --> 00:44:39,839
Speaker 3: that it's perfect because it's very earnest, grounded dialogue about

986
00:44:39,920 --> 00:44:43,160
Speaker 3: real relationships in such an absurd setting.

987
00:44:43,560 --> 00:44:47,040
Speaker 1: Exactly, so so funny, you might as well be having that, yeah,

988
00:44:47,120 --> 00:44:49,920
Speaker 1: a deep heartfelt conversation on a merry go round or

989
00:44:50,320 --> 00:44:52,399
Speaker 1: you know, on a slide or something.

990
00:44:52,440 --> 00:44:54,880
Speaker 2: But it was, Yeah, we had absolutely beautiful And it

991
00:44:55,000 --> 00:44:59,400
Speaker 2: also made me think about the fact that Rusting was

992
00:44:59,440 --> 00:44:59,880
Speaker 2: a hanng li.

993
00:45:00,480 --> 00:45:02,759
Speaker 1: Yeah, while we were doing it right, Yeah, and you

994
00:45:03,040 --> 00:45:04,000
Speaker 1: actually went with him.

995
00:45:04,120 --> 00:45:06,440
Speaker 2: You drove him one time, right, a couple of times.

996
00:45:06,239 --> 00:45:07,920
Speaker 1: So I had to drive his truck back. You have

997
00:45:08,000 --> 00:45:10,440
Speaker 1: to drive, Yeah, you drive, so you take I'd never

998
00:45:10,560 --> 00:45:12,400
Speaker 1: driven his truck before, which I ended up buying by

999
00:45:12,440 --> 00:45:14,239
Speaker 1: the way off of him and then was stolen from

1000
00:45:14,280 --> 00:45:14,600
Speaker 1: my house.

1001
00:45:15,000 --> 00:45:15,120
Speaker 2: Uh.

1002
00:45:15,719 --> 00:45:19,320
Speaker 1: He had no die, Like there wasn't a gauge that

1003
00:45:19,440 --> 00:45:21,200
Speaker 1: worked anywhere in the truck, so you didn't know how

1004
00:45:21,280 --> 00:45:23,759
Speaker 1: fast you were going, if there was gas, if you

1005
00:45:23,800 --> 00:45:26,239
Speaker 1: were turning left or right. Nothing worked. And the first

1006
00:45:26,280 --> 00:45:28,400
Speaker 1: time I ever drove it. We drove up this tiny

1007
00:45:28,480 --> 00:45:32,440
Speaker 1: little path to this huge hill and parked on a cliff,

1008
00:45:32,960 --> 00:45:35,480
Speaker 1: and he takes out his hang glider, jumps in. He's

1009
00:45:35,520 --> 00:45:38,640
Speaker 1: like bye, and take jumps off the cliff, just by himself.

1010
00:45:38,680 --> 00:45:38,880
Speaker 1: No one.

1011
00:45:39,800 --> 00:45:41,960
Speaker 2: He literally just drive him up a mountain and he

1012
00:45:42,120 --> 00:45:44,680
Speaker 2: jumps jumps off it, jumping and down. Have you planned

1013
00:45:44,680 --> 00:45:46,520
Speaker 2: where to pick him? Then he says yeah, And then

1014
00:45:46,920 --> 00:45:48,520
Speaker 2: well no, I don't pick him up. I where we

1015
00:45:48,680 --> 00:45:51,840
Speaker 2: left he drove. He drove us to where I parked

1016
00:45:51,880 --> 00:45:55,439
Speaker 2: my car, and so we leave from there. I drop

1017
00:45:55,520 --> 00:45:56,760
Speaker 2: him off. He jumps off a cliff.

1018
00:45:56,880 --> 00:45:58,719
Speaker 1: I drive back to where that is like seven or

1019
00:45:58,719 --> 00:46:00,239
Speaker 1: eight miles away, which is where he's going to land,

1020
00:46:00,280 --> 00:46:03,839
Speaker 1: and I take my car and I go is it's bananas,

1021
00:46:04,040 --> 00:46:07,240
Speaker 1: but his bananas. What he was doing, it's so cool.

1022
00:46:07,840 --> 00:46:10,360
Speaker 1: What a cool dude like that is like what he

1023
00:46:10,480 --> 00:46:12,520
Speaker 1: did on a weekend. And he's like he will you

1024
00:46:12,560 --> 00:46:13,320
Speaker 1: want to drive for me?

1025
00:46:13,680 --> 00:46:13,879
Speaker 3: Yeah?

1026
00:46:14,000 --> 00:46:16,480
Speaker 1: But the thing is amazing. He runs you you I've

1027
00:46:16,520 --> 00:46:19,239
Speaker 1: never seen anybody do this up close, and he you know,

1028
00:46:19,360 --> 00:46:21,800
Speaker 1: he runs the hang glider, the giant thing up. He

1029
00:46:21,960 --> 00:46:24,279
Speaker 1: jumps off and then in one kind of move, he

1030
00:46:24,440 --> 00:46:27,080
Speaker 1: lifts up his legs and zips himself into this thing.

1031
00:46:27,280 --> 00:46:33,799
Speaker 1: So now he's in like a You're also like there's

1032
00:46:33,800 --> 00:46:36,040
Speaker 1: a wire behind you, I think, holding your back up.

1033
00:46:36,120 --> 00:46:38,360
Speaker 1: So he's like zipping himself into this thing as he

1034
00:46:38,840 --> 00:46:41,400
Speaker 1: Then they try to catch thermals, so you just like

1035
00:46:41,480 --> 00:46:43,480
Speaker 1: a bird, You're in this thermal and you're just watching

1036
00:46:43,560 --> 00:46:45,440
Speaker 1: him just go up and up and up, and it's

1037
00:46:45,640 --> 00:46:47,439
Speaker 1: just I also remember.

1038
00:46:47,400 --> 00:46:49,040
Speaker 2: There's like one day a year, I don't know if

1039
00:46:49,040 --> 00:46:50,520
Speaker 2: they still do this one day a year where they

1040
00:46:50,560 --> 00:46:54,000
Speaker 2: open up Yosemite Valley to hang gliders and Rusty got

1041
00:46:54,200 --> 00:46:55,640
Speaker 2: He was like one of the you know, he won

1042
00:46:55,719 --> 00:46:57,640
Speaker 2: the lottery like they did a lottery for like who

1043
00:46:57,719 --> 00:47:00,319
Speaker 2: got it, and so he got to fly. We use

1044
00:47:00,360 --> 00:47:02,600
Speaker 2: Smity valleys like one of you know, a few hundred

1045
00:47:02,800 --> 00:47:04,960
Speaker 2: hang gliders who got released one And I remember him

1046
00:47:05,000 --> 00:47:07,200
Speaker 2: telling me this and just be like you're in saved.

1047
00:47:07,400 --> 00:47:09,480
Speaker 1: Should we go hang gliding? Should we go hang gliding?

1048
00:47:09,760 --> 00:47:10,560
Speaker 1: I really want to go.

1049
00:47:10,960 --> 00:47:13,239
Speaker 2: Yes, I'm totally al tandem. I'm not going to go

1050
00:47:13,280 --> 00:47:15,239
Speaker 2: by myself, but you can go tandem. We're strapped to

1051
00:47:15,280 --> 00:47:17,960
Speaker 2: somebody who knows how to do it. But then do

1052
00:47:17,960 --> 00:47:21,399
Speaker 2: you also remember when he wrecked. Yes, he came back.

1053
00:47:21,719 --> 00:47:24,719
Speaker 2: He came back to work one time, all screwed up

1054
00:47:24,719 --> 00:47:26,160
Speaker 2: because he had crash landed.

1055
00:47:26,520 --> 00:47:29,920
Speaker 3: How come we weren't allowed to like the same thing.

1056
00:47:29,920 --> 00:47:33,080
Speaker 3: You couldn't anything, We couldn't roller blade or do anything.

1057
00:47:33,239 --> 00:47:35,480
Speaker 3: And Rusty's out there jumping off mountains.

1058
00:47:35,120 --> 00:47:37,000
Speaker 1: Because he didn't care. What are they going to do?

1059
00:47:37,200 --> 00:47:39,640
Speaker 1: Fire him? We were like rule of biting kids. You know,

1060
00:47:39,719 --> 00:47:41,560
Speaker 1: if I hadn't gotten kicked out of kindergarten, I probably

1061
00:47:41,560 --> 00:47:44,920
Speaker 1: would have. You've been there too. I would go bungee

1062
00:47:44,960 --> 00:47:47,640
Speaker 1: jumping first season, so I know, I remember, Well, that'll

1063
00:47:47,680 --> 00:47:48,240
Speaker 1: be an episode.

1064
00:47:48,760 --> 00:47:51,400
Speaker 2: I was skydiving this at eighteen, so I was skydiving

1065
00:47:51,440 --> 00:47:53,359
Speaker 2: within this year ninety eight.

1066
00:47:53,600 --> 00:47:55,239
Speaker 1: Well this will, but hang gliding will be one of

1067
00:47:55,280 --> 00:47:56,440
Speaker 1: the segments, and you're going to hate this.

1068
00:47:56,960 --> 00:47:59,960
Speaker 3: Yes, an instructor screams over the loud engine. You've said,

1069
00:48:00,040 --> 00:48:03,359
Speaker 3: cessfully completed the ground course. Welcome to your first jump.

1070
00:48:03,680 --> 00:48:06,640
Speaker 3: Alan and Eric are enthused, while Corey's wide eyed, unable

1071
00:48:06,680 --> 00:48:09,320
Speaker 3: to hide his nervousness. He raises his hand and shouts,

1072
00:48:09,440 --> 00:48:12,360
Speaker 3: I actually wasn't paying attention on the ground and I

1073
00:48:12,480 --> 00:48:16,160
Speaker 3: feel I shouldn't be allowed up here, Eric explains, and

1074
00:48:16,520 --> 00:48:20,120
Speaker 3: everything in this entire scene is screaming, which is great.

1075
00:48:20,800 --> 00:48:21,560
Speaker 1: You know what I love.

1076
00:48:21,719 --> 00:48:24,560
Speaker 3: It's the drama, like will the shoot open or not.

1077
00:48:25,000 --> 00:48:27,440
Speaker 3: Corey complains to his dad, this isn't fair. When you

1078
00:48:27,520 --> 00:48:29,800
Speaker 3: hit the ground, you were not ten thousand feet above it.

1079
00:48:30,200 --> 00:48:31,960
Speaker 3: Alan tells him this is something Eric and I have

1080
00:48:32,040 --> 00:48:34,239
Speaker 3: been talking about doing. There's no reason you shouldn't be

1081
00:48:34,280 --> 00:48:36,800
Speaker 3: a part of it. Corey asks, So this isn't because

1082
00:48:36,840 --> 00:48:39,680
Speaker 3: I pushed you down. Alan admits, well, yes it is.

1083
00:48:39,840 --> 00:48:41,759
Speaker 3: If you're that upset about something, I have to take

1084
00:48:41,800 --> 00:48:44,319
Speaker 3: a hard look at what I'm doing wrong. Corey says,

1085
00:48:44,480 --> 00:48:46,160
Speaker 3: I just feel like I want to do things with you,

1086
00:48:46,400 --> 00:48:49,040
Speaker 3: not just talk about stuff. Alan assures him that he

1087
00:48:49,080 --> 00:48:51,520
Speaker 3: doesn't do stuff with Eric because he doesn't want to

1088
00:48:51,600 --> 00:48:52,320
Speaker 3: do them with Corey.

1089
00:48:52,560 --> 00:48:54,040
Speaker 4: It's just the way he and Eric relate.

1090
00:48:54,560 --> 00:48:56,799
Speaker 3: Eric shouts back, Dad just doesn't see you as much

1091
00:48:56,840 --> 00:48:59,239
Speaker 3: of an action adventure guy like he sees me. But

1092
00:48:59,320 --> 00:49:01,319
Speaker 3: it takes guts to get up here in the first place.

1093
00:49:01,520 --> 00:49:02,399
Speaker 3: You don't have to jump.

1094
00:49:02,719 --> 00:49:04,800
Speaker 4: Corey argues, No, no, no. If this is what you

1095
00:49:04,880 --> 00:49:08,239
Speaker 4: guys do, I'm with you, guys. Alan tells him.

1096
00:49:08,320 --> 00:49:10,440
Speaker 3: If you want to jump, you jump, or if you

1097
00:49:10,480 --> 00:49:13,560
Speaker 3: want to play basketball or baseball or whatever, I'll be there.

1098
00:49:13,920 --> 00:49:16,239
Speaker 3: Just promise me one thing. I don't want to lose

1099
00:49:16,280 --> 00:49:19,000
Speaker 3: that part of our relationship that I consider most special.

1100
00:49:19,400 --> 00:49:24,160
Speaker 3: Here's where it turns for everyone. Corey yells what and

1101
00:49:24,400 --> 00:49:28,680
Speaker 3: Eric screens back what, and Alan does the same what.

1102
00:49:29,680 --> 00:49:32,160
Speaker 3: Corey and Eric want to know what is most special?

1103
00:49:33,200 --> 00:49:36,279
Speaker 3: Alan reveals I love when we talk. Cory and Eric

1104
00:49:36,320 --> 00:49:36,840
Speaker 3: are surprised.

1105
00:49:37,120 --> 00:49:41,040
Speaker 2: If our writers had known how legendary a certain line

1106
00:49:41,080 --> 00:49:43,040
Speaker 2: would have been, this would have been a great time

1107
00:49:43,160 --> 00:49:44,440
Speaker 2: for Russy to just say.

1108
00:49:44,400 --> 00:49:49,719
Speaker 1: They want you to take the roles right what who

1109
00:49:50,080 --> 00:49:53,239
Speaker 1: they want, and then move on. It would have been

1110
00:49:53,320 --> 00:49:54,480
Speaker 1: like the nowadays.

1111
00:49:54,520 --> 00:49:56,000
Speaker 2: We would have done that, but at the time we

1112
00:49:56,080 --> 00:49:59,040
Speaker 2: didn't realize how much that was, like the most quarterble line.

1113
00:50:00,000 --> 00:50:01,040
Speaker 4: That's so funny.

1114
00:50:02,239 --> 00:50:05,399
Speaker 3: Corey and Eric are surprised, you do. Alan tells Corey

1115
00:50:05,520 --> 00:50:08,120
Speaker 3: he loves his opinions and views on things. He wouldn't

1116
00:50:08,120 --> 00:50:11,520
Speaker 3: trade their talks for anything. Corey yells back, you tell

1117
00:50:11,640 --> 00:50:15,360
Speaker 3: me this now, Eric asks, while replaying the entire relationship

1118
00:50:15,400 --> 00:50:18,279
Speaker 3: with his dad in his head. Yeah, what good is

1119
00:50:18,320 --> 00:50:20,480
Speaker 3: it to play basketball or throw a football if you

1120
00:50:20,520 --> 00:50:24,719
Speaker 3: don't have good conversation, right dad, The instructor yells, they're

1121
00:50:24,760 --> 00:50:27,759
Speaker 3: at the jump point in the rare but not impossible.

1122
00:50:27,800 --> 00:50:30,879
Speaker 3: Event that your shoot fails to deploy, you just pull

1123
00:50:30,960 --> 00:50:33,720
Speaker 3: on your red ripcord, which will engage your backup shoot.

1124
00:50:34,000 --> 00:50:36,720
Speaker 3: Alan's eyes widen, What do you mean fail to open?

1125
00:50:37,160 --> 00:50:39,120
Speaker 3: Eric adds, what do you mean deploy?

1126
00:50:42,680 --> 00:50:46,000
Speaker 1: Eric is still Erica.

1127
00:50:46,520 --> 00:50:49,520
Speaker 3: The instructor ignores their questions, Ready to go. Corey is

1128
00:50:49,560 --> 00:50:51,839
Speaker 3: the first to stand up, but Alan stops him. Now

1129
00:50:51,880 --> 00:50:54,040
Speaker 3: that our relationship is back on track, why don't we

1130
00:50:54,160 --> 00:50:57,839
Speaker 3: just go home basketball or something. Cory is fired up.

1131
00:50:58,080 --> 00:50:58,919
Speaker 4: Why because you're.

1132
00:50:58,840 --> 00:51:01,560
Speaker 1: Afraid I can't keep up with you? Guys will watch this.

1133
00:51:02,239 --> 00:51:04,440
Speaker 3: And then we get a shot from outside the plane.

1134
00:51:04,640 --> 00:51:07,280
Speaker 3: Corey is standing in the doorway and then he jumps

1135
00:51:07,320 --> 00:51:10,480
Speaker 3: without hesitation. Alan and Eric are shocked. He did it.

1136
00:51:10,880 --> 00:51:13,200
Speaker 1: Alan tells Eric to go get him, but Eric has

1137
00:51:13,239 --> 00:51:14,000
Speaker 1: something on his mind.

1138
00:51:15,680 --> 00:51:20,680
Speaker 3: Get him. I love it, He wonders, how come I

1139
00:51:20,760 --> 00:51:23,200
Speaker 3: don't have that special relationship like you have with Corey.

1140
00:51:23,480 --> 00:51:25,920
Speaker 4: Alan doesn't get it. What Eric asks?

1141
00:51:26,120 --> 00:51:28,919
Speaker 3: Do you value my views and opinions on things? Alan

1142
00:51:29,040 --> 00:51:32,440
Speaker 3: stares out the plane and notices. Oh his shoot open good.

1143
00:51:33,080 --> 00:51:33,880
Speaker 4: Eric brushes it off.

1144
00:51:33,960 --> 00:51:36,960
Speaker 1: That's great. Listen, all we ever do is buddy stuff.

1145
00:51:37,120 --> 00:51:37,880
Speaker 4: We have nothing.

1146
00:51:38,239 --> 00:51:39,839
Speaker 1: I want more, he says.

1147
00:51:39,880 --> 00:51:42,800
Speaker 3: Alan has to listen to his views on philosophy, politics,

1148
00:51:42,840 --> 00:51:44,279
Speaker 3: and what makes the world go round.

1149
00:51:45,080 --> 00:51:46,200
Speaker 4: Alan has heard enough.

1150
00:51:46,480 --> 00:51:51,640
Speaker 1: Jail looks at him and then tumbles out, and.

1151
00:51:57,760 --> 00:52:00,680
Speaker 3: Eric puts his goggles on in shrieks talking to you

1152
00:52:01,440 --> 00:52:02,520
Speaker 3: before jumping.

1153
00:52:02,320 --> 00:52:03,560
Speaker 4: Out after his dad.

1154
00:52:04,719 --> 00:52:11,000
Speaker 2: Perfect scene, Yeah, perfect scene. Every character is true to themselves,

1155
00:52:11,760 --> 00:52:12,560
Speaker 2: the jokes are there.

1156
00:52:12,920 --> 00:52:15,200
Speaker 1: I just love it so much. Yeah, it was great.

1157
00:52:15,280 --> 00:52:16,400
Speaker 4: It really was so beautiful.

1158
00:52:16,640 --> 00:52:18,600
Speaker 2: Hold on, before we move on, can we take a

1159
00:52:18,800 --> 00:52:22,320
Speaker 2: break for a second because I just got a text

1160
00:52:22,440 --> 00:52:25,480
Speaker 2: that I want to share. It's from my friend Letty

1161
00:52:26,120 --> 00:52:29,320
Speaker 2: up in Seattle. She said, Hey, guys, Letty here is

1162
00:52:29,360 --> 00:52:32,520
Speaker 2: she texted me and Alex just saw on front page

1163
00:52:32,600 --> 00:52:34,920
Speaker 2: news ari E Danielle's breast cancer diagnosis.

1164
00:52:35,080 --> 00:52:35,800
Speaker 1: Hope she's okay.

1165
00:52:36,360 --> 00:52:38,200
Speaker 2: Just so you know, I've been putting off my exam

1166
00:52:38,320 --> 00:52:41,480
Speaker 2: for years because I'm scared my grandmother had it. Because

1167
00:52:41,520 --> 00:52:43,120
Speaker 2: of her story, I'm going to bite the bullet and

1168
00:52:43,160 --> 00:52:45,400
Speaker 2: schedule my check up. Please know that she influenced at

1169
00:52:45,480 --> 00:52:47,680
Speaker 2: least one person to action by speaking up about it.

1170
00:52:48,000 --> 00:52:50,759
Speaker 2: Obviously many more too. Hugs do you both and Andy

1171
00:52:50,800 --> 00:52:51,640
Speaker 2: hope we can hang again.

1172
00:52:51,760 --> 00:52:53,239
Speaker 1: Suit. So I just wanted to let you know I

1173
00:52:53,360 --> 00:52:56,120
Speaker 1: just got that text well because the news just broke today.

1174
00:52:56,239 --> 00:52:57,160
Speaker 4: So that's so sweet.

1175
00:52:57,200 --> 00:53:00,840
Speaker 1: Thank you, that's aw thank you should be proud of yourself.

1176
00:53:01,000 --> 00:53:02,320
Speaker 1: Definitely thanks.

1177
00:53:02,600 --> 00:53:05,680
Speaker 3: I actually am two of my best friends who I

1178
00:53:05,800 --> 00:53:09,040
Speaker 3: had been avoid avoiding telling because truthfully, it seems like

1179
00:53:09,200 --> 00:53:11,960
Speaker 3: every every one of their friends in the last year

1180
00:53:12,040 --> 00:53:14,360
Speaker 3: has somehow been diagnosed with cancer.

1181
00:53:15,280 --> 00:53:16,759
Speaker 4: And I know how hard it's been on her.

1182
00:53:16,880 --> 00:53:18,680
Speaker 3: She's been confiding in me about like, oh, it just

1183
00:53:18,719 --> 00:53:22,160
Speaker 3: seems like everywhere I turned, my friends are getting cancer.

1184
00:53:22,280 --> 00:53:24,040
Speaker 3: And so when I found out, I truly was like,

1185
00:53:24,160 --> 00:53:26,200
Speaker 3: I'm gonna I want to protect her from this, and

1186
00:53:26,280 --> 00:53:28,640
Speaker 3: so I didn't tell her, and my intention was always

1187
00:53:28,680 --> 00:53:30,239
Speaker 3: to tell her before the news broke, but then all

1188
00:53:30,280 --> 00:53:33,520
Speaker 3: of a sudden, it was like newsbroke because didn't tell her,

1189
00:53:34,719 --> 00:53:37,120
Speaker 3: And she texted me this morning and was like, first

1190
00:53:37,160 --> 00:53:38,840
Speaker 3: of all, I'm so mad at me, mad at you.

1191
00:53:38,960 --> 00:53:40,520
Speaker 3: You don't need to protect me. I wish you would

1192
00:53:40,520 --> 00:53:43,959
Speaker 3: have told me, and she said, but more importantly, both

1193
00:53:44,120 --> 00:53:46,560
Speaker 3: her and her girlfriend have been putting off their mammograms.

1194
00:53:46,840 --> 00:53:48,560
Speaker 3: They've just been too busy and they're just putting it off.

1195
00:53:48,600 --> 00:53:50,759
Speaker 3: And she said, and today we're making our appointments and.

1196
00:53:51,400 --> 00:53:52,919
Speaker 1: Good changing lives.

1197
00:53:53,440 --> 00:53:56,439
Speaker 3: Yeah, that's that is truly world. You know, we've talked

1198
00:53:56,440 --> 00:53:59,000
Speaker 3: about it before. None of us like being in the news,

1199
00:53:59,160 --> 00:54:00,920
Speaker 3: even when it's something and that's like kind of out

1200
00:54:00,960 --> 00:54:03,480
Speaker 3: of your control. It gives me major agua to know

1201
00:54:03,640 --> 00:54:04,200
Speaker 3: I'm in the news.

1202
00:54:04,280 --> 00:54:05,799
Speaker 4: I don't like it. I don't like to do things

1203
00:54:05,880 --> 00:54:08,120
Speaker 4: I don't We are not a click baity show, we don't.

1204
00:54:08,200 --> 00:54:11,000
Speaker 3: We just so I it has been like a little

1205
00:54:11,440 --> 00:54:13,799
Speaker 3: agit like I feel, I feel the anxiety of knowing

1206
00:54:13,880 --> 00:54:17,560
Speaker 3: everyone's talking about me today. But I know for sure

1207
00:54:17,920 --> 00:54:20,240
Speaker 3: that text you just shared with me writer is exactly

1208
00:54:20,680 --> 00:54:23,360
Speaker 3: It's exactly the reason I did it, and I'm so

1209
00:54:23,440 --> 00:54:25,560
Speaker 3: happy to hear that it's making a difference in people,

1210
00:54:25,600 --> 00:54:28,040
Speaker 3: and I hope it continues to do that.

1211
00:54:28,120 --> 00:54:29,880
Speaker 4: So thank you for sharing that with me.

1212
00:54:30,160 --> 00:54:43,920
Speaker 3: All right, So then we're back on the Matthews driveway.

1213
00:54:44,000 --> 00:54:46,520
Speaker 3: Corey and Alan are playing one on one. Eric barges

1214
00:54:46,560 --> 00:54:48,520
Speaker 3: into their game and stands right in front of Alan.

1215
00:54:48,719 --> 00:54:50,520
Speaker 3: You jumped out of a plane rather than talk to me.

1216
00:54:50,920 --> 00:54:54,879
Speaker 3: Alan laughs, No, you're exaggerating. The wind sucked me out

1217
00:54:55,040 --> 00:54:58,120
Speaker 3: like a vacuum. Eric gets in his face. You hit

1218
00:54:58,200 --> 00:55:06,719
Speaker 3: the ground and started running, Alan retorts momentum. Eric says

1219
00:55:06,840 --> 00:55:09,360
Speaker 3: he wants to talk like he does with Corey. Alan

1220
00:55:09,440 --> 00:55:11,120
Speaker 3: reminds him they're in the middle of a game here.

1221
00:55:11,440 --> 00:55:13,400
Speaker 3: Then Eric grabs the ball and begs his dad to

1222
00:55:13,480 --> 00:55:15,359
Speaker 3: talk to him. They yank the ball back and forth

1223
00:55:15,440 --> 00:55:18,640
Speaker 3: until Eric pushes Alan down, sending him falling onto the

1224
00:55:18,719 --> 00:55:22,160
Speaker 3: ground again. Amy and Morgan rush out, and Amy asks

1225
00:55:22,200 --> 00:55:24,520
Speaker 3: if Corey pushed him again. Corey just points to Eric,

1226
00:55:24,520 --> 00:55:27,080
Speaker 3: who's staring at his dad in shock. Morgan leans down

1227
00:55:27,120 --> 00:55:29,000
Speaker 3: to help her dad up. He quickly puts his arm

1228
00:55:29,080 --> 00:55:29,600
Speaker 3: up in terror.

1229
00:55:29,640 --> 00:55:30,440
Speaker 1: Stay away from me.

1230
00:55:32,680 --> 00:55:34,839
Speaker 2: The kids are turning so good.

1231
00:55:35,600 --> 00:55:39,080
Speaker 3: The family is once again in turmoil, and we're back

1232
00:55:39,120 --> 00:55:41,279
Speaker 3: at the guy's apartment. We're in Shawn's room. Jack and

1233
00:55:41,360 --> 00:55:43,919
Speaker 3: Sean are sitting silently on the bed, now back to back,

1234
00:55:44,040 --> 00:55:47,360
Speaker 3: which also I did love this. Why are they sitting

1235
00:55:47,400 --> 00:55:49,000
Speaker 3: back to back? They just need to get away from

1236
00:55:49,040 --> 00:55:50,120
Speaker 3: each other and there's nowhere to go.

1237
00:55:50,480 --> 00:55:52,440
Speaker 1: But it's the next line that sells the whole thing.

1238
00:55:52,960 --> 00:55:53,160
Speaker 5: To me.

1239
00:55:53,680 --> 00:55:56,800
Speaker 3: Jack asks if Sean's awake, and he answers, oh, what

1240
00:55:56,960 --> 00:55:58,040
Speaker 3: kind of moron are you?

1241
00:55:59,000 --> 00:56:00,880
Speaker 1: Are you just sitting back to back you awake? What

1242
00:56:01,040 --> 00:56:02,080
Speaker 1: kind of moron are you?

1243
00:56:02,640 --> 00:56:04,840
Speaker 3: Jack exclaims, I can't take this. You live like a

1244
00:56:04,960 --> 00:56:07,279
Speaker 3: pig and you do weird things during the night. Sean

1245
00:56:07,360 --> 00:56:10,160
Speaker 3: asks weird things? And Jack reveals you talk in your

1246
00:56:10,200 --> 00:56:14,040
Speaker 3: sleep and you snore. Sean laughs, that's impossible. Either he

1247
00:56:14,160 --> 00:56:17,080
Speaker 3: talks or he snores. You can't do both. Jack Prest's

1248
00:56:17,120 --> 00:56:19,880
Speaker 3: play on the bedside boom box. We hear Sean snoring

1249
00:56:20,080 --> 00:56:22,439
Speaker 3: and then saying I'm going to the market to pick

1250
00:56:22,520 --> 00:56:25,359
Speaker 3: up some eggs. He snores again, and then he talks

1251
00:56:25,360 --> 00:56:26,920
Speaker 3: about eggs and rubbing them together to.

1252
00:56:26,960 --> 00:56:27,600
Speaker 4: Start a fire.

1253
00:56:29,000 --> 00:56:30,440
Speaker 2: How many times do you think the writers were just

1254
00:56:30,560 --> 00:56:33,319
Speaker 2: riffing on how can we make this? But I also,

1255
00:56:33,719 --> 00:56:38,360
Speaker 2: isn't there a no clown, no recurring joke with have

1256
00:56:38,480 --> 00:56:39,279
Speaker 2: we already done that?

1257
00:56:39,680 --> 00:56:39,839
Speaker 1: Yeah?

1258
00:56:40,600 --> 00:56:40,680
Speaker 2: Right?

1259
00:56:40,880 --> 00:56:43,480
Speaker 1: Would have been nice to have a little little absolutely

1260
00:56:43,600 --> 00:56:44,600
Speaker 1: right clown.

1261
00:56:44,360 --> 00:56:47,120
Speaker 2: Reference where I'm like, hello, clown, or I don't know,

1262
00:56:47,280 --> 00:56:49,200
Speaker 2: like I'm doing some version of no clown.

1263
00:56:49,239 --> 00:56:49,279
Speaker 1: No.

1264
00:56:49,560 --> 00:56:52,719
Speaker 4: Yes, that would have been cute.

1265
00:56:53,800 --> 00:56:55,800
Speaker 3: So he takes the tape out, only to realize that

1266
00:56:55,960 --> 00:56:58,439
Speaker 3: Jack has recorded over his sounds of the trailer part.

1267
00:56:58,719 --> 00:57:01,320
Speaker 3: Jack sarcastically says, yeah, go to the car wash and

1268
00:57:01,360 --> 00:57:04,080
Speaker 3: buy a new one. Sean says, knowing well that Jack

1269
00:57:04,200 --> 00:57:07,040
Speaker 3: knows this, I don't own a car, and if I did,

1270
00:57:07,320 --> 00:57:10,320
Speaker 3: I would have the pride to wash it myself. He

1271
00:57:10,480 --> 00:57:13,600
Speaker 3: calls his brother a hoity toity, stuck up middle class

1272
00:57:13,800 --> 00:57:16,200
Speaker 3: snot And I thought it was interesting that they chose

1273
00:57:16,200 --> 00:57:16,840
Speaker 3: middle class.

1274
00:57:16,720 --> 00:57:21,080
Speaker 1: Middle class, Yes, upper middle class or upper class upper class, yeah, Jack,

1275
00:57:21,160 --> 00:57:21,760
Speaker 1: collar or something?

1276
00:57:21,880 --> 00:57:22,120
Speaker 5: Yeah.

1277
00:57:22,200 --> 00:57:22,400
Speaker 1: Yeah.

1278
00:57:23,080 --> 00:57:24,320
Speaker 4: Jack starts cleaning up the room.

1279
00:57:24,640 --> 00:57:26,360
Speaker 3: Just because you live like a pig doesn't mean I

1280
00:57:26,560 --> 00:57:29,000
Speaker 3: have to, and Sean tells him he must because this

1281
00:57:29,200 --> 00:57:32,040
Speaker 3: is his room, and he dumps a garbage can on

1282
00:57:32,200 --> 00:57:35,680
Speaker 3: Jack's head. Jack retaliates by throwing dirty laundry at Sean

1283
00:57:35,760 --> 00:57:38,160
Speaker 3: and the pig lets out a squeal from behind the curtain.

1284
00:57:39,040 --> 00:57:41,400
Speaker 3: Jack jumps in fear and Sean yells at him, you're

1285
00:57:41,480 --> 00:57:52,200
Speaker 3: upsetting my pig. Now again another great directing use of

1286
00:57:52,400 --> 00:57:55,280
Speaker 3: the pig, like even though you don't see the pig. Ever, again,

1287
00:57:55,720 --> 00:57:57,960
Speaker 3: they got a nice close shot of the pig behind

1288
00:57:58,000 --> 00:57:59,640
Speaker 3: that curtain, And now we're gonna buy.

1289
00:57:59,840 --> 00:58:02,240
Speaker 1: Anytime we hear it, we buy. It's there. You just

1290
00:58:02,440 --> 00:58:03,200
Speaker 1: know it is great.

1291
00:58:03,400 --> 00:58:06,960
Speaker 3: Yeah, it's really good. So Jack antagonizes him make me.

1292
00:58:07,400 --> 00:58:09,960
Speaker 3: Sean does not stand down. Then the two jump on

1293
00:58:10,040 --> 00:58:12,600
Speaker 3: each other and they fall to the ground. This is

1294
00:58:12,640 --> 00:58:14,280
Speaker 3: the moment where I was like, why can't we see

1295
00:58:14,320 --> 00:58:16,800
Speaker 3: this in another part of the house because I do yeah,

1296
00:58:17,200 --> 00:58:20,600
Speaker 3: I do love that you guys are just so different

1297
00:58:20,640 --> 00:58:22,360
Speaker 3: and you're forced to come to terms with it. But

1298
00:58:22,920 --> 00:58:25,000
Speaker 3: I feel like we could have seen this in the

1299
00:58:25,120 --> 00:58:26,760
Speaker 3: kitchen with cooking, or it could have been in the

1300
00:58:26,840 --> 00:58:27,360
Speaker 3: living room.

1301
00:58:27,920 --> 00:58:29,440
Speaker 1: I think what they were going for is the thing

1302
00:58:29,440 --> 00:58:31,120
Speaker 1: you're supposed to do when you get two cats that

1303
00:58:31,160 --> 00:58:33,320
Speaker 1: don't get along, is you literally throw them together in

1304
00:58:33,360 --> 00:58:35,880
Speaker 1: a bathroom and you make them get along. It's like

1305
00:58:35,880 --> 00:58:38,400
Speaker 1: you cover them with tuna and you throw them in

1306
00:58:38,480 --> 00:58:40,880
Speaker 1: there until they become friends. And I think, just to

1307
00:58:40,920 --> 00:58:42,360
Speaker 1: sen you what they were trying to do, they were

1308
00:58:42,400 --> 00:58:44,120
Speaker 1: just trying to be economical, like they knew they were

1309
00:58:44,160 --> 00:58:46,280
Speaker 1: one of us wrestling. But you're right, it would have been.

1310
00:58:46,560 --> 00:58:48,360
Speaker 1: I mean, even the start of the scene is weird,

1311
00:58:48,440 --> 00:58:50,440
Speaker 1: like what's happening. We're both being so stubborn that We're

1312
00:58:50,480 --> 00:58:52,680
Speaker 1: sitting back to back and not going to sleep. It's

1313
00:58:52,720 --> 00:58:55,600
Speaker 1: like just you know, picking up where the last scene

1314
00:58:55,720 --> 00:58:58,080
Speaker 1: kind of already kind of resolved it. So it's a weird,

1315
00:58:58,120 --> 00:58:59,920
Speaker 1: awkward start. It would have been better to have a

1316
00:59:00,320 --> 00:59:02,920
Speaker 1: conflict in the kitchen that then leads it, but it would.

1317
00:59:02,760 --> 00:59:03,080
Speaker 2: Have take.

1318
00:59:04,880 --> 00:59:07,360
Speaker 1: Let's just get right to it. Yeah. I also can

1319
00:59:07,440 --> 00:59:11,600
Speaker 1: never get over sleeping without some sort of a cover,

1320
00:59:11,760 --> 00:59:14,320
Speaker 1: a sheet or a cover like just blank mattress to

1321
00:59:14,360 --> 00:59:16,640
Speaker 1: me is one of my creepiest feels. It's like, I know,

1322
00:59:16,800 --> 00:59:19,360
Speaker 1: it gives me such the yuck just even thinking about that.

1323
00:59:19,600 --> 00:59:22,160
Speaker 3: I could never sleep without a thing. No on top

1324
00:59:22,240 --> 00:59:24,440
Speaker 3: of me, No, you need, you need a thing, at

1325
00:59:24,520 --> 00:59:26,720
Speaker 3: least a sheet. And even that, I'd like something a

1326
00:59:26,760 --> 00:59:29,880
Speaker 3: little heavier, but sure, yeah something So then we're in

1327
00:59:29,920 --> 00:59:32,600
Speaker 3: the guy's apartment. Later, Eric's pacing on the phone. Hello,

1328
00:59:32,800 --> 00:59:35,440
Speaker 3: Philly General, have any middle aged men been admitted this

1329
00:59:35,520 --> 00:59:39,160
Speaker 3: afternoon with basketball injuries? He pauses, then asks that many.

1330
00:59:39,280 --> 00:59:39,480
Speaker 1: Huh.

1331
00:59:42,480 --> 00:59:44,800
Speaker 3: Then Corey walks in the front door. Eric throws down

1332
00:59:44,840 --> 00:59:46,160
Speaker 3: the phone and nervously checks the hall.

1333
00:59:46,240 --> 00:59:48,960
Speaker 4: How'd you find me? Corey stares at him, perplexed.

1334
00:59:49,280 --> 00:59:51,960
Speaker 1: You live here? Eric, shakes his head. Not anymore.

1335
00:59:52,240 --> 00:59:55,680
Speaker 3: I'm volunteering for the Witness Protection program. Corey tells him

1336
00:59:55,720 --> 00:59:57,960
Speaker 3: he didn't witness a crime, but Eric thinks he did.

1337
00:59:58,280 --> 01:00:00,240
Speaker 3: I hit my father and I saw the whole thing.

1338
01:00:00,680 --> 01:00:03,240
Speaker 3: By this time tomorrow, I'll no longer be your brother.

1339
01:00:03,560 --> 01:00:08,640
Speaker 3: I'll be doctor Abraham Shapiro of Pasi Passaic, New Jersey, cardiologist.

1340
01:00:09,720 --> 01:00:14,240
Speaker 4: This whole runner will just perfect will for them.

1341
01:00:14,520 --> 01:00:16,440
Speaker 1: Yes, and I love the way that you know.

1342
01:00:16,640 --> 01:00:19,880
Speaker 2: Corey overreacts but makes it all this like anxiety, and

1343
01:00:20,240 --> 01:00:22,200
Speaker 2: Eric overreacts and is just like I got to plan

1344
01:00:22,320 --> 01:00:25,200
Speaker 2: amount of and it's like so big and completely different directions.

1345
01:00:25,280 --> 01:00:27,920
Speaker 2: They both overreact, but Corey makes it all about him,

1346
01:00:28,280 --> 01:00:29,760
Speaker 2: and Eric is like, well, now I just got to

1347
01:00:29,840 --> 01:00:30,360
Speaker 2: change my life.

1348
01:00:30,440 --> 01:00:31,640
Speaker 1: That's just what I am. That's it.

1349
01:00:32,800 --> 01:00:35,600
Speaker 3: I'm a violent offender and I must go elsewhere to

1350
01:00:35,640 --> 01:00:38,560
Speaker 3: become a surgeon, have to leave Eric Matthews behind and

1351
01:00:38,640 --> 01:00:42,680
Speaker 3: become someone new. Yes, Corey tries to ease his mind.

1352
01:00:42,800 --> 01:00:45,439
Speaker 3: Their dad is fine, but what's gotten into him? Eric says,

1353
01:00:45,480 --> 01:00:47,240
Speaker 3: all we ever do is pala a round. You know,

1354
01:00:47,440 --> 01:00:49,680
Speaker 3: That's what our relationship is. I want to talk to

1355
01:00:49,760 --> 01:00:51,440
Speaker 3: him too, Corey assures him.

1356
01:00:51,520 --> 01:00:52,360
Speaker 4: You and Dad talk.

1357
01:00:52,880 --> 01:00:55,640
Speaker 3: Eric siys, we talk about the Sixers and the Flyers

1358
01:00:55,720 --> 01:00:58,000
Speaker 3: and the bay Watch chicks. I want to talk about

1359
01:00:58,040 --> 01:01:01,120
Speaker 3: important stuff like you guys do. It's time people learned

1360
01:01:01,160 --> 01:01:04,000
Speaker 3: who the real Eric was. Then the phone rings, Eric

1361
01:01:04,480 --> 01:01:10,000
Speaker 3: answers it without missing a beat, Doctor Shapiro, Sobby and

1362
01:01:10,120 --> 01:01:12,320
Speaker 3: the business you do afterwhere you look at Corey like, sorry,

1363
01:01:12,320 --> 01:01:13,960
Speaker 3: you got to take this real quick.

1364
01:01:14,240 --> 01:01:14,960
Speaker 4: Sorry, it's important.

1365
01:01:15,960 --> 01:01:17,400
Speaker 1: Was just trying to make Ben laugh at that point.

1366
01:01:19,120 --> 01:01:21,520
Speaker 3: Then we're back in Sean's room. Sean has Jack in

1367
01:01:21,560 --> 01:01:23,720
Speaker 3: a headlock, shouting at him. You come in here, you

1368
01:01:23,880 --> 01:01:26,960
Speaker 3: criticize my room, you spook my pig, and you turn

1369
01:01:27,040 --> 01:01:30,240
Speaker 3: out my light. Jack breaks free and grab Sean, so

1370
01:01:30,880 --> 01:01:33,720
Speaker 3: Sean flips him back around. I like the way I live.

1371
01:01:33,920 --> 01:01:36,440
Speaker 3: Maybe I wasn't born with my life on a silver spoon.

1372
01:01:36,800 --> 01:01:38,680
Speaker 3: Jack says he likes the way he was brought up too.

1373
01:01:39,080 --> 01:01:40,840
Speaker 3: The only thing he didn't like was that he didn't

1374
01:01:40,920 --> 01:01:43,800
Speaker 3: know his brother. Then he pushes Sean down. He pins

1375
01:01:43,880 --> 01:01:46,840
Speaker 3: him on the mattress. Say uncle, Sean pleads, I don't

1376
01:01:46,880 --> 01:01:47,960
Speaker 3: know who my uncle is.

1377
01:01:49,000 --> 01:01:52,480
Speaker 1: To know him too. Oh this whole thing is so funny. Now,

1378
01:01:52,680 --> 01:01:55,120
Speaker 1: this I remember from the run through because this was

1379
01:01:55,160 --> 01:01:58,960
Speaker 1: also killing it. And when you'd finally got to Uncle

1380
01:01:59,080 --> 01:02:02,280
Speaker 1: Dave in the bar business, brought the house down. It

1381
01:02:02,680 --> 01:02:04,560
Speaker 1: brought the house down. It was so good.

1382
01:02:05,120 --> 01:02:08,520
Speaker 3: It's just so funny. Sean gets up and pins Jack's

1383
01:02:08,600 --> 01:02:11,880
Speaker 3: arm behind his back. Jack screams, his name's Dave. He's

1384
01:02:11,920 --> 01:02:16,520
Speaker 3: in the corrugated box business. I can't breathe. Sean releases

1385
01:02:16,560 --> 01:02:19,880
Speaker 3: his grip. We weren't fighting about the messy room, were we, Jack?

1386
01:02:20,000 --> 01:02:20,320
Speaker 4: Laughs?

1387
01:02:20,840 --> 01:02:22,960
Speaker 3: Just think all those years we didn't know each other.

1388
01:02:23,080 --> 01:02:24,800
Speaker 3: We could have been beaten the crap out of each other.

1389
01:02:25,320 --> 01:02:28,280
Speaker 3: Sean smiles too. I've waited seventeen years to do this,

1390
01:02:28,880 --> 01:02:31,880
Speaker 3: and then he rock bottoms Jack back onto the mattress.

1391
01:02:32,040 --> 01:02:34,000
Speaker 3: Jack reverses the move and quickly pins him down.

1392
01:02:34,240 --> 01:02:38,800
Speaker 1: Say uncle to your big brother. Sean screams, uncle uncle Dave.

1393
01:02:38,720 --> 01:02:39,680
Speaker 4: In the box business.

1394
01:02:39,960 --> 01:02:45,160
Speaker 1: Oh. Jack raises his armory. It's just wonder all the

1395
01:02:45,200 --> 01:02:48,960
Speaker 1: boy meets world heart. Yeah, a great set piece of wrestling.

1396
01:02:49,200 --> 01:02:52,600
Speaker 1: I mean it's just perfect. And after this you buy

1397
01:02:52,680 --> 01:02:56,000
Speaker 1: them as brothers. Yep, Oh, this is it's about time.

1398
01:02:56,600 --> 01:02:58,280
Speaker 1: You're right. It should have been done in episode one,

1399
01:02:58,440 --> 01:03:02,000
Speaker 1: something like this but Jack is Jack, Sean is Sean,

1400
01:03:02,240 --> 01:03:04,120
Speaker 1: and you buy that they have some sort of relationship

1401
01:03:04,200 --> 01:03:04,600
Speaker 1: moving forward.

1402
01:03:04,640 --> 01:03:07,280
Speaker 4: It's great, Yeah, it's it's really nice.

1403
01:03:07,360 --> 01:03:10,840
Speaker 3: It's like a comforting It's like a nice comforting feeling

1404
01:03:11,000 --> 01:03:12,800
Speaker 3: to see you guys go through this.

1405
01:03:13,200 --> 01:03:15,520
Speaker 1: And to have that relationship with Jean clearly didn't have

1406
01:03:15,840 --> 01:03:20,960
Speaker 1: with either Eddie or Stacy. Yes. Yeah, it's nighttime.

1407
01:03:21,040 --> 01:03:24,080
Speaker 3: In the Matthews family driveway, Alan is playing basketball all

1408
01:03:24,160 --> 01:03:27,880
Speaker 3: by himself. He shoots and Amy catches his airball. She

1409
01:03:28,040 --> 01:03:30,960
Speaker 3: asks what the score is in Alan sihs sons two

1410
01:03:31,400 --> 01:03:34,959
Speaker 3: Dad nothing. He wonders what he's doing wrong. Amy asks

1411
01:03:35,000 --> 01:03:38,000
Speaker 3: if he really wants to know, and Alan immediately defends himself.

1412
01:03:38,080 --> 01:03:41,120
Speaker 3: I'm not doing anything wrong. I am a very good father.

1413
01:03:41,720 --> 01:03:44,600
Speaker 3: Amy agrees, you're a very good father to your son

1414
01:03:45,040 --> 01:03:48,280
Speaker 3: and your daughter. Alan reminds her they have two sons,

1415
01:03:48,600 --> 01:03:51,720
Speaker 3: and Amy smirks, she's made her point. Remember how we

1416
01:03:51,800 --> 01:03:53,920
Speaker 3: always wanted a boy and a girl. He nods, and

1417
01:03:54,000 --> 01:03:56,360
Speaker 3: she continues on the way to getting there. We got

1418
01:03:56,440 --> 01:04:00,000
Speaker 3: two boys, two complete boys that want a complete relationship

1419
01:04:00,000 --> 01:04:02,440
Speaker 3: and ship with their dad, and now they're calling you

1420
01:04:02,560 --> 01:04:05,880
Speaker 3: on it. Alan insists they do have complete relationships with him.

1421
01:04:06,040 --> 01:04:09,680
Speaker 3: Amy shakes her head, no they don't. Alan immediately agrees, no,

1422
01:04:09,920 --> 01:04:10,320
Speaker 3: they don't.

1423
01:04:11,800 --> 01:04:15,400
Speaker 2: Gets a great scene, Morgan gets a good scene, Amy

1424
01:04:15,520 --> 01:04:16,440
Speaker 2: gets a good scene.

1425
01:04:16,880 --> 01:04:22,160
Speaker 1: Every single character to Panga maybe not smile and.

1426
01:04:23,640 --> 01:04:25,120
Speaker 2: I thought it was well written in all the biblic

1427
01:04:25,320 --> 01:04:28,640
Speaker 2: But yeah, but I mean, think about how many characters

1428
01:04:28,720 --> 01:04:30,840
Speaker 2: we have on the show, and this is an episode

1429
01:04:30,920 --> 01:04:36,040
Speaker 2: that strings them all together. Dean character perfectly uses them.

1430
01:04:36,480 --> 01:04:39,000
Speaker 2: It's just it's magnificent, it is.

1431
01:04:39,240 --> 01:04:44,000
Speaker 3: It's really a great episode. Amy emphasizes that Corey gets

1432
01:04:44,040 --> 01:04:46,880
Speaker 3: his mind and Eric gets the wide world of sports.

1433
01:04:47,360 --> 01:04:49,560
Speaker 3: Alan says that's just the way they are together, but

1434
01:04:49,680 --> 01:04:52,720
Speaker 3: Amy explains that he is the father. He has defined

1435
01:04:52,800 --> 01:04:56,000
Speaker 3: the relationships. He should be proud. They want more. Alan

1436
01:04:56,080 --> 01:04:59,720
Speaker 3: gets it, we have two boys. Well that's even better.

1437
01:05:00,160 --> 01:05:02,200
Speaker 3: She smiles, Yeah it is.

1438
01:05:03,200 --> 01:05:03,640
Speaker 1: I love that.

1439
01:05:03,760 --> 01:05:06,120
Speaker 3: It isn't about that he's a better dad to one

1440
01:05:06,200 --> 01:05:09,040
Speaker 3: or the other. It's that he's he's a great dad.

1441
01:05:09,160 --> 01:05:12,080
Speaker 3: If they were only one kid one, yes, exactly. And

1442
01:05:12,240 --> 01:05:14,120
Speaker 3: so I loved that because when he said your son

1443
01:05:14,160 --> 01:05:15,880
Speaker 3: and your daughter, I was like, are they trying to say,

1444
01:05:16,040 --> 01:05:16,520
Speaker 3: like which one?

1445
01:05:16,600 --> 01:05:17,320
Speaker 4: But it isn't about that.

1446
01:05:17,600 --> 01:05:18,080
Speaker 3: I love it.

1447
01:05:18,520 --> 01:05:20,200
Speaker 4: I absolutely thought.

1448
01:05:20,000 --> 01:05:22,240
Speaker 1: There would be like a one size fits all dad.

1449
01:05:22,400 --> 01:05:25,600
Speaker 3: Yeah for son right well, And it is a really

1450
01:05:25,920 --> 01:05:30,280
Speaker 3: smart thing. As a parent, you do naturally cater to

1451
01:05:30,400 --> 01:05:33,800
Speaker 3: whatever your kid's strengths are. That's kind of what you

1452
01:05:34,040 --> 01:05:38,680
Speaker 3: default to. Like, Oh, Adler is definitely super athletic, and

1453
01:05:38,840 --> 01:05:41,640
Speaker 3: so Adler is going to have that automatic bond with

1454
01:05:41,760 --> 01:05:44,480
Speaker 3: both Jensen and I, who are both athletic and competitive.

1455
01:05:44,840 --> 01:05:46,480
Speaker 3: We're going to be able to bond with him about

1456
01:05:46,520 --> 01:05:50,440
Speaker 3: that very easily. But if we don't also focus on

1457
01:05:50,840 --> 01:05:54,240
Speaker 3: the other side of that, the more emotional needing to

1458
01:05:54,320 --> 01:05:57,400
Speaker 3: talk things outside, it would be totally one sided. So

1459
01:05:58,120 --> 01:06:00,720
Speaker 3: it's something that if you don't actively think about it

1460
01:06:00,840 --> 01:06:03,200
Speaker 3: and make sure you're part, you're making sure you're making

1461
01:06:03,240 --> 01:06:05,480
Speaker 3: a well rounded person, you could easily default too.

1462
01:06:05,640 --> 01:06:08,400
Speaker 1: So there's also love the message. There's also something very

1463
01:06:08,640 --> 01:06:11,040
Speaker 1: interesting in and you've I've heard this from a number

1464
01:06:11,080 --> 01:06:13,919
Speaker 1: of people that didn't necessarily get along with their dad,

1465
01:06:14,760 --> 01:06:18,040
Speaker 1: that something like sports is a language they can always

1466
01:06:18,120 --> 01:06:21,360
Speaker 1: speak where it's just oh, if we just sit down

1467
01:06:21,480 --> 01:06:23,240
Speaker 1: and we just talk about the Mets, or we just

1468
01:06:23,320 --> 01:06:25,720
Speaker 1: talk about you know, the Philly whatever it is, then

1469
01:06:25,800 --> 01:06:28,840
Speaker 1: there's a bond there that forms over this shared interest

1470
01:06:29,560 --> 01:06:33,000
Speaker 1: and that becomes the relationship is just we talk through sports.

1471
01:06:33,040 --> 01:06:36,160
Speaker 1: It's like, oh, okay, I got it. Yeah. Well, we're

1472
01:06:36,160 --> 01:06:37,600
Speaker 1: in the hallway of the guy's apartment.

1473
01:06:37,720 --> 01:06:40,160
Speaker 3: Eric's waiting for the elevator, wearing a fake mustache and

1474
01:06:40,240 --> 01:06:42,880
Speaker 3: a steposcope around his neck. Oh, he's also holding a

1475
01:06:42,960 --> 01:06:46,800
Speaker 3: doctor's bag. He nervously looks around. A neighbor walks past him,

1476
01:06:46,800 --> 01:06:49,000
Speaker 3: and Eric shoots him an awkward thumbs up. Right then

1477
01:06:49,080 --> 01:06:51,680
Speaker 3: the elevator opens and Alan and Corey are standing inside.

1478
01:06:52,120 --> 01:06:54,680
Speaker 3: Eric slowly backs into the elevator, never seeing his dad

1479
01:06:54,720 --> 01:06:58,400
Speaker 3: and his brother. Alan greets him doctor Shapiro. Eric tries

1480
01:06:58,440 --> 01:06:59,880
Speaker 3: to run, but they grab him and pull him in

1481
01:07:00,000 --> 01:07:01,080
Speaker 3: deeper into the elevator.

1482
01:07:01,240 --> 01:07:02,960
Speaker 1: And then you see what I do right before it closes,

1483
01:07:03,280 --> 01:07:05,280
Speaker 1: no right but to make Rusty laugh. And you saw

1484
01:07:05,320 --> 01:07:07,320
Speaker 1: him kind of break. I take the stethoscope and I

1485
01:07:07,400 --> 01:07:08,200
Speaker 1: just put it on his heart.

1486
01:07:08,600 --> 01:07:08,760
Speaker 2: Oh.

1487
01:07:09,040 --> 01:07:10,840
Speaker 1: So it's like it was like trying to.

1488
01:07:10,840 --> 01:07:14,560
Speaker 4: Read so funny.

1489
01:07:15,560 --> 01:07:20,320
Speaker 1: And then we were at the museum News sets, Baby Man, Maney, Money, Money.

1490
01:07:21,200 --> 01:07:23,120
Speaker 1: This is where I was like, is this why we

1491
01:07:23,200 --> 01:07:26,200
Speaker 1: were stuck in Sean's bedroom? We had we had museum money.

1492
01:07:26,640 --> 01:07:29,400
Speaker 1: Maybe that's what it was. Gougenheim money to burn my

1493
01:07:29,600 --> 01:07:30,400
Speaker 1: friend exactly.

1494
01:07:30,960 --> 01:07:33,520
Speaker 3: Corey, Eric and Alan walk in together, and Eric asks

1495
01:07:33,560 --> 01:07:35,920
Speaker 3: why they brought him here. Alan explains, I wanted to

1496
01:07:35,960 --> 01:07:38,000
Speaker 3: do something with you that I've done on occasion with Corey.

1497
01:07:38,440 --> 01:07:40,160
Speaker 3: Corey says he came here on a field trip once

1498
01:07:40,200 --> 01:07:42,480
Speaker 3: and he really liked it, so he decided to take dad.

1499
01:07:42,880 --> 01:07:45,400
Speaker 3: Alan fills in Eric what we like to do is

1500
01:07:45,560 --> 01:07:47,480
Speaker 3: we pick out a piece and then we guess what

1501
01:07:47,560 --> 01:07:50,440
Speaker 3: the artist is trying to say. Eric points to a

1502
01:07:50,480 --> 01:07:53,160
Speaker 3: nearby sculpture, asking what they think about that one. It

1503
01:07:53,240 --> 01:07:55,800
Speaker 3: looks like two metal beams connected to another board with

1504
01:07:55,880 --> 01:07:58,680
Speaker 3: like a ringed planet inside it. The three men place

1505
01:07:58,760 --> 01:08:00,600
Speaker 3: their hands under their chins, deep in thought.

1506
01:08:00,880 --> 01:08:04,240
Speaker 2: Okay, I remember this well, do you. Isn't this the

1507
01:08:04,400 --> 01:08:07,280
Speaker 2: episode where Rusty just said gibberish because he couldn't remember

1508
01:08:07,320 --> 01:08:11,400
Speaker 2: his line. I'm pretty sure you guys were all had

1509
01:08:11,480 --> 01:08:13,520
Speaker 2: your hands into your chin and it was his line

1510
01:08:13,760 --> 01:08:14,200
Speaker 2: and it was like.

1511
01:08:14,280 --> 01:08:17,479
Speaker 1: Beat and he just went you remember this moment.

1512
01:08:17,960 --> 01:08:19,920
Speaker 2: He didn't know his lie, but he just said something

1513
01:08:20,000 --> 01:08:23,599
Speaker 2: and you guys were like whoa, And then you couldn't

1514
01:08:23,680 --> 01:08:24,920
Speaker 2: keep it together for the rest of.

1515
01:08:24,960 --> 01:08:28,120
Speaker 1: The taping because Rusty just forgot his line and he

1516
01:08:28,320 --> 01:08:32,640
Speaker 1: just said like, you're damn what, Oh my god, that's

1517
01:08:32,800 --> 01:08:36,200
Speaker 1: tot hilarious about that. Oh my god, that's right he did.

1518
01:08:36,360 --> 01:08:41,240
Speaker 1: He just went like, yeah, what is what you bed

1519
01:08:41,400 --> 01:08:43,599
Speaker 1: just couldn't keep it together. You're like, what are you doing?

1520
01:08:43,720 --> 01:08:45,639
Speaker 1: He's like, let me look at the pages.

1521
01:08:47,120 --> 01:08:47,559
Speaker 4: That's right.

1522
01:08:48,160 --> 01:08:49,960
Speaker 1: Oh man, Oh my gosh.

1523
01:08:50,680 --> 01:08:53,120
Speaker 3: So Alan asks Eric what do you think the artist

1524
01:08:53,200 --> 01:08:55,439
Speaker 3: is trying to say? And Eric has no idea. He

1525
01:08:55,520 --> 01:08:57,960
Speaker 3: walks around the piece, trying to observe it from every angle.

1526
01:08:58,280 --> 01:09:01,080
Speaker 3: Corey reminds him it's abstract, and Alan adds there's no

1527
01:09:01,200 --> 01:09:06,240
Speaker 3: right or wrong answer. Eric eventually answers monkey unkey. Corey

1528
01:09:06,320 --> 01:09:08,880
Speaker 3: and Allan give each other a confused glance, but Eric

1529
01:09:08,920 --> 01:09:12,880
Speaker 3: continues two monkeys. They're fighting over a coconut, which symbolizes

1530
01:09:12,920 --> 01:09:16,080
Speaker 3: the father monkey's attention. Alan says this may not have

1531
01:09:16,120 --> 01:09:20,920
Speaker 3: been a good idea, Eric keeps going. My interpretation is

1532
01:09:20,960 --> 01:09:23,639
Speaker 3: that the artist is illustrating a very painful situation where

1533
01:09:23,640 --> 01:09:26,439
Speaker 3: the father monkey has two sons but only one coconut.

1534
01:09:26,640 --> 01:09:28,800
Speaker 3: So he splits the coca ut in half, but only

1535
01:09:28,960 --> 01:09:32,639
Speaker 3: half a coconut isn't enough for either son. Alan agrees

1536
01:09:32,680 --> 01:09:34,559
Speaker 3: with Eric, and Eric snaps out of his deep thought.

1537
01:09:35,000 --> 01:09:38,480
Speaker 3: What kind of artist do you want to talk about now? Neoclassism, Impressionism,

1538
01:09:38,560 --> 01:09:41,719
Speaker 3: photographic art as Aladam's American Landscape. He's probably my favorite.

1539
01:09:41,760 --> 01:09:45,000
Speaker 3: But you didn't know that, Alan admits, no, I didn't.

1540
01:09:45,479 --> 01:09:47,840
Speaker 3: How does Eric know about all this? Eric shrugs, I

1541
01:09:47,920 --> 01:09:50,040
Speaker 3: learned about it at school. We just never talked about it.

1542
01:09:50,400 --> 01:09:52,839
Speaker 3: Didn't think you'd want to hear it from me. Alan's

1543
01:09:52,880 --> 01:09:56,200
Speaker 3: clearly surprised, and Eric continues, I just always tried to

1544
01:09:56,240 --> 01:09:57,760
Speaker 3: be the person I thought you wanted me to be.

1545
01:09:58,160 --> 01:10:01,080
Speaker 3: Alan pat's Eric shoulder and smiles. He'd really like to

1546
01:10:01,120 --> 01:10:02,800
Speaker 3: hear what he has to say about another piece, and

1547
01:10:02,920 --> 01:10:05,680
Speaker 3: they walk off. Ry stays behind, watching his dad and

1548
01:10:05,760 --> 01:10:08,040
Speaker 3: brother with a big smile on his face. He takes

1549
01:10:08,080 --> 01:10:09,919
Speaker 3: one last look at the piece they all just analyzed

1550
01:10:09,960 --> 01:10:12,559
Speaker 3: and notices a placard right next to it. It reads

1551
01:10:12,960 --> 01:10:18,800
Speaker 3: Monkeys with Coconut dom Eric's a gainess. Corey can't believe it.

1552
01:10:19,120 --> 01:10:22,240
Speaker 3: He laughs and walks toward his family. So then we

1553
01:10:22,360 --> 01:10:25,320
Speaker 3: are in the tag in the Matthews driveway. Alan's taking

1554
01:10:25,400 --> 01:10:28,559
Speaker 3: down the basketball hoop. As Morgan walks out dribbling a basketball,

1555
01:10:28,920 --> 01:10:30,960
Speaker 3: she asks what he's doing, and he declares.

1556
01:10:30,640 --> 01:10:32,760
Speaker 1: Taking down this hoop. No good can come from it.

1557
01:10:33,360 --> 01:10:35,519
Speaker 3: He sits down and asks her. We have a pretty

1558
01:10:35,520 --> 01:10:39,200
Speaker 3: good relationship, right, Morgan shrugs. I guess, so, he continues,

1559
01:10:39,439 --> 01:10:44,080
Speaker 3: We talk right, She nods, he asks, and we have fun, right. Morgan,

1560
01:10:44,160 --> 01:10:48,479
Speaker 3: who looks mildly concerned, now responds yeah. Alan chuckles, I

1561
01:10:48,479 --> 01:10:49,679
Speaker 3: should have had all girls.

1562
01:10:50,040 --> 01:10:50,639
Speaker 4: She smiles.

1563
01:10:50,680 --> 01:10:52,840
Speaker 3: They give each other a high five and a loving hug,

1564
01:10:53,439 --> 01:10:55,800
Speaker 3: and that's our perfect little episode.

1565
01:10:56,360 --> 01:10:59,639
Speaker 4: Great, so great, so good.

1566
01:11:00,560 --> 01:11:03,080
Speaker 3: So join us for our next episode recap, which will

1567
01:11:03,120 --> 01:11:08,040
Speaker 3: be season five, episode thirteen, The Eskimo, aired January sixteenth,

1568
01:11:08,360 --> 01:11:09,800
Speaker 3: nineteen ninety eight.

1569
01:11:10,520 --> 01:11:13,400
Speaker 1: Gosh, I don't think I'm in that literally, I think

1570
01:11:13,439 --> 01:11:15,360
Speaker 1: this is one of my one of the episodes. I

1571
01:11:15,360 --> 01:11:16,560
Speaker 1: thinkhere Michael came out to me and it was like

1572
01:11:16,600 --> 01:11:18,960
Speaker 1: you got the week off, go home, like okay. Yeah,

1573
01:11:19,040 --> 01:11:20,400
Speaker 1: I don't think I could be wrong. This is a

1574
01:11:20,439 --> 01:11:23,360
Speaker 1: classic episode. A lot of people love this. Next episode.

1575
01:11:23,560 --> 01:11:25,880
Speaker 2: Yeah, I remember not liking it that much, but I

1576
01:11:25,960 --> 01:11:28,879
Speaker 2: think it was just because we didn't have our normal directors.

1577
01:11:28,920 --> 01:11:31,639
Speaker 2: A new director, even though I liked her, I think

1578
01:11:31,640 --> 01:11:33,200
Speaker 2: it felt off, but I don't I can't wait to

1579
01:11:33,240 --> 01:11:33,479
Speaker 2: see it.

1580
01:11:33,960 --> 01:11:35,400
Speaker 3: I know, I don't remember a single thing about it.

1581
01:11:35,439 --> 01:11:37,519
Speaker 3: It's a super Bowl episode, okay, yeah?

1582
01:11:37,760 --> 01:11:40,679
Speaker 1: Oh good? Yeah yeah, I kind of remember that week,

1583
01:11:40,800 --> 01:11:42,360
Speaker 1: so I yeah, okay, good.

1584
01:11:42,760 --> 01:11:42,920
Speaker 2: Well.

1585
01:11:44,040 --> 01:11:45,560
Speaker 3: Thank you all for joining us for this episode of

1586
01:11:45,560 --> 01:11:47,200
Speaker 3: Pod Meets World. As always, you can follow us on

1587
01:11:47,280 --> 01:11:49,760
Speaker 3: Instagram pod Meets World Show. You can send us your

1588
01:11:49,800 --> 01:11:52,559
Speaker 3: emails at Pod Meets World Show at gmail dot com,

1589
01:11:53,000 --> 01:11:54,040
Speaker 3: and we have.

1590
01:11:54,120 --> 01:12:01,160
Speaker 1: Merch merched that makes the world go round. Godmates worldshow

1591
01:12:01,520 --> 01:12:05,680
Speaker 1: dot com will send us out. We love you all,

1592
01:12:06,000 --> 01:12:10,519
Speaker 1: pod dismissed. Podmets World is nheart podcast producer and hosted

1593
01:12:10,560 --> 01:12:14,639
Speaker 1: by Danielle Fischel, Wilfredell and Ryder Strong executive producers Jensen

1594
01:12:14,680 --> 01:12:18,200
Speaker 1: Carp and Amy Sugarman, Executive in charge of production, Danielle Romo,

1595
01:12:18,560 --> 01:12:22,800
Speaker 1: producer and editor, Tara Sudbaksh producer, Maddie Moore, engineer and

1596
01:12:22,840 --> 01:12:25,600
Speaker 1: Boy Meets World superfan Easton Allen. Our theme song is

1597
01:12:25,640 --> 01:12:27,760
Speaker 1: by Kyle Morton of Typhoon, and you can follow us

1598
01:12:27,800 --> 01:12:30,519
Speaker 1: on Instagram at Podmets World Show or email us at

1599
01:12:30,560 --> 01:12:32,559
Speaker 1: Podmets Worldshow at gmail dot com.