1 00:00:00,080 --> 00:00:03,560 Speaker 1: The nephew is here with today's Frank phone call, nephew, 2 00:00:03,560 --> 00:00:04,400 Speaker 1: what you got for us? 3 00:00:05,240 --> 00:00:05,280 Speaker 2: What? 4 00:00:05,480 --> 00:00:09,040 Speaker 3: Surely the title is suitable for right now? You know 5 00:00:09,200 --> 00:00:12,879 Speaker 3: Frank has Frank has nothing to do with with with 6 00:00:12,880 --> 00:00:17,320 Speaker 3: with Let's just say the title is perfect for today? 7 00:00:17,480 --> 00:00:19,720 Speaker 3: How about that? The titles perfect? Can I say it 8 00:00:19,760 --> 00:00:19,959 Speaker 3: like that? 9 00:00:20,760 --> 00:00:22,840 Speaker 1: All right? You want to hear the title? You all 10 00:00:22,840 --> 00:00:23,400 Speaker 1: ready for it? 11 00:00:23,760 --> 00:00:24,080 Speaker 2: Yeah? 12 00:00:24,680 --> 00:00:25,960 Speaker 1: All right, tell me if it's perfect. 13 00:00:25,960 --> 00:00:34,519 Speaker 3: Don't let these white folks get your ass wore. 14 00:00:33,960 --> 00:00:38,519 Speaker 1: White folks. That's perfect. It's just perfect for right now. 15 00:00:38,520 --> 00:00:43,080 Speaker 3: I'm just saying, all right, don't let these white folks 16 00:00:43,080 --> 00:00:48,960 Speaker 3: get yours. I don't know, yeah, yeah, uh should I 17 00:00:49,040 --> 00:00:53,120 Speaker 3: dedicated to the to the preacher that was that the 18 00:00:54,560 --> 00:00:58,480 Speaker 3: man that dull me, that dedicated. 19 00:00:59,720 --> 00:01:02,920 Speaker 1: Yeah, what's the name of the prank again? To don't 20 00:01:03,000 --> 00:01:05,320 Speaker 1: let the white folk get your hand? 21 00:01:09,360 --> 00:01:20,000 Speaker 4: He was just and more here, come on, man, I 22 00:01:20,000 --> 00:01:21,640 Speaker 4: don't know. I don't know if he thought he could 23 00:01:21,680 --> 00:01:25,600 Speaker 4: do the speech better. Nobody can do it better. Yeah, 24 00:01:25,760 --> 00:01:28,760 Speaker 4: that's what that's what. Look man, I'm this drama, just 25 00:01:28,880 --> 00:01:32,800 Speaker 4: dramatization of it that you're doing is actually kind of offensive, 26 00:01:33,120 --> 00:01:35,680 Speaker 4: especially for the room. If you looked at the room. Man, 27 00:01:36,040 --> 00:01:39,400 Speaker 4: he should have just pulled up that room. Didn't appreciate 28 00:01:39,600 --> 00:01:43,039 Speaker 4: that moment at that wasn't one round of applause because 29 00:01:43,080 --> 00:01:44,720 Speaker 4: he was the only one. 30 00:01:44,959 --> 00:01:50,200 Speaker 1: That one day. Black boys, a little white girl boy 31 00:01:50,680 --> 00:01:55,320 Speaker 1: not in this room. No, they holding hands. 32 00:01:55,760 --> 00:01:59,040 Speaker 4: Holding hands, they finish. Let the proud boys out of prison. 33 00:02:02,440 --> 00:02:03,800 Speaker 4: What jog? 34 00:02:05,800 --> 00:02:08,160 Speaker 3: He did everything to pick cotton right, that didn't he did? 35 00:02:09,720 --> 00:02:12,160 Speaker 3: He did everything but pick a bale he did. 36 00:02:13,160 --> 00:02:15,080 Speaker 4: He's a pastor, man of God. 37 00:02:17,960 --> 00:02:21,239 Speaker 1: Understand that in the field. 38 00:02:21,360 --> 00:02:23,960 Speaker 3: Yes, I say he was a man of God because 39 00:02:23,960 --> 00:02:25,720 Speaker 3: that's what that God would have wanted him to do. 40 00:02:26,080 --> 00:02:26,800 Speaker 3: I can't see that. 41 00:02:28,040 --> 00:02:31,480 Speaker 1: You can't tell me his members is happy. You can't 42 00:02:31,480 --> 00:02:33,480 Speaker 1: tell some. 43 00:02:33,320 --> 00:02:36,160 Speaker 4: People take these moments, man, and think they can be 44 00:02:36,440 --> 00:02:37,639 Speaker 4: really impactful. 45 00:02:38,080 --> 00:02:41,160 Speaker 1: That that that hurt me, Man, that hurt me. 46 00:02:41,800 --> 00:02:45,200 Speaker 4: I don't care nothing about Snoop or Nelly, A soldier boy, 47 00:02:45,720 --> 00:02:55,160 Speaker 4: flock of flock of flock of whoever, shepherd boy. 48 00:02:55,200 --> 00:02:57,120 Speaker 1: I don't know who all was that I heard. 49 00:02:57,360 --> 00:03:01,040 Speaker 4: Boy he got a f so I was trying to 50 00:03:01,040 --> 00:03:05,359 Speaker 4: figure out. I don't care that that right there, that. 51 00:03:05,120 --> 00:03:08,600 Speaker 1: That turning on Snoop. But you know, I'm still gonna 52 00:03:08,639 --> 00:03:09,079 Speaker 1: like snoop. 53 00:03:09,120 --> 00:03:12,120 Speaker 4: I don't care. I don't care, but the pastor though. 54 00:03:13,080 --> 00:03:16,320 Speaker 4: Go ahead, Charley, I mean it. Get me here before 55 00:03:16,320 --> 00:03:17,239 Speaker 4: we play this prey. 56 00:03:17,520 --> 00:03:19,160 Speaker 1: Now, we'll talk about it later on. You get it, 57 00:03:19,880 --> 00:03:22,040 Speaker 1: I'll bring it up once again. Don't let these white 58 00:03:22,080 --> 00:03:24,919 Speaker 1: folk get your there we go. 59 00:03:28,600 --> 00:03:28,880 Speaker 2: Hello. 60 00:03:29,600 --> 00:03:30,760 Speaker 1: Hey, I'm trying to reach Terrell. 61 00:03:31,760 --> 00:03:32,440 Speaker 2: Yeah, it's Sorel. 62 00:03:32,480 --> 00:03:35,440 Speaker 1: Who is hey Terreal? This is Drake. Hey. You you 63 00:03:35,560 --> 00:03:38,440 Speaker 1: worked the You work the day shift, right, yeah? 64 00:03:38,480 --> 00:03:40,720 Speaker 2: I work at the day till. I'm last yere right now? 65 00:03:40,800 --> 00:03:41,240 Speaker 2: What's going on? 66 00:03:42,280 --> 00:03:44,960 Speaker 3: I'm on I'm on the night shift with h with 67 00:03:45,160 --> 00:03:47,760 Speaker 3: Deshaun and Jamal. I'm on the night shift. 68 00:03:48,160 --> 00:03:50,360 Speaker 2: I don't know them, but is it something like he man, 69 00:03:50,360 --> 00:03:51,880 Speaker 2: I'm at work, brother, what's going on? 70 00:03:52,440 --> 00:03:52,640 Speaker 1: Yeah? 71 00:03:52,800 --> 00:03:54,880 Speaker 3: Yeah, we got a problem. So listen for us on 72 00:03:55,000 --> 00:03:58,840 Speaker 3: the on the night shift. We hear that you supposed 73 00:03:58,880 --> 00:04:01,720 Speaker 3: to be telling everybody that we ain't doing something right. Listen, 74 00:04:01,760 --> 00:04:04,240 Speaker 3: When we get a load in at the dock, we 75 00:04:04,440 --> 00:04:06,520 Speaker 3: check that load in, We filed it like we're supposed 76 00:04:06,520 --> 00:04:08,080 Speaker 3: to file it, and then we put and then we 77 00:04:08,160 --> 00:04:10,240 Speaker 3: take the fore clip and put everything where it's supposed 78 00:04:10,240 --> 00:04:10,360 Speaker 3: to be. 79 00:04:10,760 --> 00:04:11,440 Speaker 1: That's what we do. 80 00:04:11,600 --> 00:04:14,600 Speaker 2: What got what they gotta do with he brother, because. 81 00:04:14,360 --> 00:04:17,479 Speaker 3: They saying they saying that, they saying that, you saying 82 00:04:17,839 --> 00:04:20,200 Speaker 3: that we ain't doing our job right on the night shift. 83 00:04:20,520 --> 00:04:22,640 Speaker 2: Who is they We got the wrong person? Brother? Who 84 00:04:22,720 --> 00:04:23,520 Speaker 2: is the one. 85 00:04:25,800 --> 00:04:27,440 Speaker 1: You you to you to rail? Right? 86 00:04:27,839 --> 00:04:28,560 Speaker 2: Yeah it's a rail? 87 00:04:28,640 --> 00:04:29,080 Speaker 3: But who is? 88 00:04:29,440 --> 00:04:30,600 Speaker 2: And I ain't say nothing like that? 89 00:04:31,400 --> 00:04:32,840 Speaker 3: Okay, So well let me let me let me go, 90 00:04:33,000 --> 00:04:34,960 Speaker 3: let me go clear up like this here though. Don't 91 00:04:35,040 --> 00:04:41,480 Speaker 3: let them white folks help you get your here. No, 92 00:04:41,680 --> 00:04:45,000 Speaker 3: I'm telling you right now, if we get one more complaint, 93 00:04:45,040 --> 00:04:47,480 Speaker 3: but they talking about the night shift ain't doing something right. 94 00:04:47,800 --> 00:04:49,520 Speaker 3: I'm gonna tell you right now, we're coming up there 95 00:04:49,640 --> 00:04:51,680 Speaker 3: to the day's shift and you're gonna get your We're 96 00:04:51,680 --> 00:04:54,000 Speaker 3: gonna let the white folks help you get your talking 97 00:04:54,000 --> 00:04:54,440 Speaker 3: about brother. 98 00:04:54,560 --> 00:04:56,840 Speaker 2: For one, I ain't making any complaints. You bring your 99 00:04:56,880 --> 00:05:00,160 Speaker 2: black down here and you're talking about what somebody on 100 00:05:00,279 --> 00:05:03,279 Speaker 2: down here. I'll put this pointless, right bro. 101 00:05:04,560 --> 00:05:06,520 Speaker 3: You can you can do all this wolfing you're doing 102 00:05:06,600 --> 00:05:08,680 Speaker 3: right now. You can do all this wolfing. What I'm 103 00:05:08,760 --> 00:05:12,039 Speaker 3: letting you know is one more complaint go down about 104 00:05:12,080 --> 00:05:13,839 Speaker 3: somebody saying something about the knight shift. 105 00:05:14,120 --> 00:05:15,279 Speaker 1: I'm coming up there. 106 00:05:15,200 --> 00:05:17,760 Speaker 2: Parson down here there, man, I ain't trying to hell 107 00:05:17,760 --> 00:05:20,600 Speaker 2: all this. Boys, I'm not work right now. You calls 108 00:05:20,640 --> 00:05:22,760 Speaker 2: you with this bullsh I don't even know who you 109 00:05:22,880 --> 00:05:25,520 Speaker 2: are talking about the knight shift. Matter of fact, don't 110 00:05:25,560 --> 00:05:27,720 Speaker 2: come down during the day shift. All wait for your 111 00:05:28,000 --> 00:05:29,120 Speaker 2: to come to the night shift. 112 00:05:29,200 --> 00:05:30,360 Speaker 1: Well, you could do what you want to do. 113 00:05:31,080 --> 00:05:33,640 Speaker 2: You do it the double and and what's that double? 114 00:05:34,000 --> 00:05:36,400 Speaker 3: Whatever you got to do, it don't matter to me, Terrell, 115 00:05:36,680 --> 00:05:37,360 Speaker 3: It don't matter me. 116 00:05:37,400 --> 00:05:41,359 Speaker 1: All I'm saying is you up there, don't. 117 00:05:42,920 --> 00:05:45,320 Speaker 3: Why why are you running your while you're running your mouth? 118 00:05:45,520 --> 00:05:49,200 Speaker 3: Why you're running your mouth? Why why are you running 119 00:05:49,200 --> 00:05:51,160 Speaker 3: your mouth to the white Foe's talking about we ain't 120 00:05:51,200 --> 00:05:52,760 Speaker 3: doing our job on the night ship. 121 00:05:53,880 --> 00:05:55,240 Speaker 2: You might have called somebody. 122 00:05:56,760 --> 00:05:59,640 Speaker 1: Now so so so what while your voice getting. 123 00:05:59,400 --> 00:06:05,520 Speaker 2: High because lying talking about we're calling with hey man, 124 00:06:05,560 --> 00:06:07,600 Speaker 2: you're working, you're working, okay. 125 00:06:07,560 --> 00:06:09,400 Speaker 3: I'm working to night. I'm working. 126 00:06:09,480 --> 00:06:11,760 Speaker 2: Now you get you to night. I'm gonna say, oh well, 127 00:06:11,760 --> 00:06:13,320 Speaker 2: I'm gonna work the double just to whoop you. 128 00:06:14,279 --> 00:06:17,640 Speaker 3: Okay, Well, come get this double whooping deep, Okay, come 129 00:06:17,720 --> 00:06:20,240 Speaker 3: get this double, because we already and found out you 130 00:06:20,400 --> 00:06:22,719 Speaker 3: the person running your mouth and the white folks talking 131 00:06:22,720 --> 00:06:25,760 Speaker 3: about the nice nice if I ain't doing nice, yip, 132 00:06:25,760 --> 00:06:27,360 Speaker 3: I ain't put this way it was supposed to go 133 00:06:27,720 --> 00:06:28,160 Speaker 3: nighte yip. 134 00:06:28,200 --> 00:06:31,320 Speaker 1: Ain't ain't checked this alady in right night shift? Nightshift? 135 00:06:31,480 --> 00:06:32,080 Speaker 1: You're blaming it. 136 00:06:33,160 --> 00:06:36,560 Speaker 2: Why don't you stop stopping? People stop saying you messed up? 137 00:06:36,920 --> 00:06:40,040 Speaker 2: Stop up, and people won't complaining on the day shift. 138 00:06:40,520 --> 00:06:41,120 Speaker 2: It sounds we. 139 00:06:41,279 --> 00:06:43,760 Speaker 3: Were messing up on the night shift. That's what I'm 140 00:06:43,800 --> 00:06:44,080 Speaker 3: telling you. 141 00:06:44,200 --> 00:06:44,440 Speaker 1: Boys. 142 00:06:45,360 --> 00:06:47,000 Speaker 2: Stop probably needs to fire you. 143 00:06:48,680 --> 00:06:51,280 Speaker 1: Okay, okay, okay, cool? You know what you know? 144 00:06:51,400 --> 00:06:51,440 Speaker 2: What? 145 00:06:51,760 --> 00:06:52,760 Speaker 1: How long for you get off? 146 00:06:52,839 --> 00:06:52,960 Speaker 3: Man? 147 00:06:53,040 --> 00:06:54,000 Speaker 1: How long for you get off? 148 00:06:54,440 --> 00:06:54,560 Speaker 4: All? 149 00:06:55,000 --> 00:06:56,120 Speaker 1: How long for you get off? 150 00:06:56,360 --> 00:06:58,960 Speaker 2: I'm working a double. I'm getting paid to you tonight, 151 00:07:00,080 --> 00:07:00,400 Speaker 2: a boy. 152 00:07:00,960 --> 00:07:05,359 Speaker 1: Alright, boy, cool, just say no more so? How your 153 00:07:05,400 --> 00:07:06,360 Speaker 1: wife Cynthia doing? 154 00:07:07,400 --> 00:07:08,240 Speaker 2: How do you know my wife? 155 00:07:09,000 --> 00:07:11,000 Speaker 1: How she doing? Do you know my wife? 156 00:07:12,480 --> 00:07:15,679 Speaker 2: Let me ask you a question, Bruce, you're really cooling 157 00:07:15,720 --> 00:07:17,320 Speaker 2: for a bun. You know my wife? 158 00:07:17,360 --> 00:07:17,520 Speaker 4: Man? 159 00:07:18,680 --> 00:07:19,640 Speaker 3: You want you know? 160 00:07:21,280 --> 00:07:22,880 Speaker 1: I'm finna. I'm finna tell you you want to know 161 00:07:22,920 --> 00:07:25,120 Speaker 1: how I know you? Why do you want to know? 162 00:07:25,160 --> 00:07:25,920 Speaker 1: How I know your wife? 163 00:07:26,400 --> 00:07:27,440 Speaker 2: Yeah? You know my wife? 164 00:07:29,320 --> 00:07:29,720 Speaker 1: Terrell. 165 00:07:30,240 --> 00:07:33,080 Speaker 3: This is nephew Tommy from the Steve Harvey Morning Show. 166 00:07:33,160 --> 00:07:35,320 Speaker 3: Your wife Cynthia got me to pray phone call. 167 00:07:35,440 --> 00:07:37,920 Speaker 1: Yo, what. 168 00:07:39,840 --> 00:07:44,880 Speaker 3: What slowdounse lowdowns lowdhouse load down. This is this nephew 169 00:07:45,040 --> 00:07:48,000 Speaker 3: Tommy from the Steve Harvey Morning To Show. Your wife, Cynthia, 170 00:07:49,200 --> 00:07:50,240 Speaker 3: you almost got your. 171 00:07:52,000 --> 00:07:54,120 Speaker 2: God, I was sixty nine. 172 00:07:54,480 --> 00:07:54,960 Speaker 1: Shout this. 173 00:07:56,960 --> 00:08:01,080 Speaker 2: Boy got you. Damn. I mean fight. It's the whole 174 00:08:01,160 --> 00:08:04,400 Speaker 2: factory looking at me right now. I'm gonna have to 175 00:08:04,520 --> 00:08:07,560 Speaker 2: kick your just this if I get fired. Hey, this 176 00:08:07,880 --> 00:08:14,000 Speaker 2: was nephew telling me sty show. Yes, nephew son, something 177 00:08:14,240 --> 00:08:14,560 Speaker 2: right now? 178 00:08:17,680 --> 00:08:19,040 Speaker 1: A'ter real? Do me a favorite? Man? 179 00:08:19,080 --> 00:08:20,960 Speaker 3: You got to tell me this baby. It's twenty twenty. 180 00:08:21,000 --> 00:08:24,200 Speaker 3: What is the baddest and I mean the baddest radio 181 00:08:24,400 --> 00:08:25,520 Speaker 3: show in the land. 182 00:08:26,240 --> 00:08:29,760 Speaker 2: The Steen Harvey Warning Shows. Oh man, y'all got. 183 00:08:29,680 --> 00:08:36,120 Speaker 1: Me and there you have it. 184 00:08:36,240 --> 00:08:39,400 Speaker 3: Let me thank everybody Milwaukee that came out with them 185 00:08:39,440 --> 00:08:41,719 Speaker 3: Soula shows up there. Man, I appreciate y'all coming to 186 00:08:41,760 --> 00:08:44,360 Speaker 3: see me in two below weather. I picinate that, I 187 00:08:44,440 --> 00:08:47,080 Speaker 3: really do. I probably was the only uncomfortable one because 188 00:08:47,120 --> 00:08:49,560 Speaker 3: y'all looked like y'all were real comfortable with that weather. 189 00:08:49,720 --> 00:08:50,000 Speaker 1: All right. 190 00:08:50,120 --> 00:08:53,439 Speaker 3: Up next Midphis City se Soundstage, Great Sland Baby, that 191 00:08:53,640 --> 00:08:55,080 Speaker 3: is February the eighth Saturday Night. 192 00:08:55,200 --> 00:08:58,080 Speaker 1: Tickets on sale right now, sir, Thank you nephew,