1 00:00:02,279 --> 00:00:04,720 Speaker 1: I'm a homegirl that knows a little bit about everything 2 00:00:04,800 --> 00:00:05,640 Speaker 1: and everybody. 3 00:00:05,640 --> 00:00:08,080 Speaker 2: You know, if you don't lie about that, right la. 4 00:00:09,520 --> 00:00:12,320 Speaker 1: Hello guys, it's Lauren Rosa and this is the Latest 5 00:00:12,320 --> 00:00:15,160 Speaker 1: with Lauren the Rosa. I am the homegirl that knows 6 00:00:15,200 --> 00:00:18,680 Speaker 1: a bit about everything and everybody. And as always, the 7 00:00:18,760 --> 00:00:21,200 Speaker 1: Latest with Laurena Rosa is your dig on everything pop 8 00:00:21,239 --> 00:00:24,880 Speaker 1: culture and those conversations that are going to shake the room. 9 00:00:25,360 --> 00:00:29,760 Speaker 1: Now today we are back with another episode. I'm here, Brandon's. 10 00:00:29,280 --> 00:00:31,680 Speaker 2: Here, Yep, yep, I'm we are here. 11 00:00:31,760 --> 00:00:33,040 Speaker 3: I'm in Sunday clothes. 12 00:00:33,280 --> 00:00:36,400 Speaker 1: It's raining here in New York, and I actually like, 13 00:00:36,440 --> 00:00:38,440 Speaker 1: we gotta get through this because I'm headed to a 14 00:00:38,479 --> 00:00:41,040 Speaker 1: fitting with Romeo Hunt from Youo is going to be 15 00:00:41,120 --> 00:00:44,559 Speaker 1: dressing me for the met Gala after activities invites. Just 16 00:00:44,640 --> 00:00:46,920 Speaker 1: keep coming, keep coming, you know what I'm saying, Like different, 17 00:00:46,920 --> 00:00:47,279 Speaker 1: I know how. 18 00:00:47,280 --> 00:00:50,000 Speaker 2: Much you like your fashion, So watching things happen for 19 00:00:50,040 --> 00:00:53,360 Speaker 2: you is inspiring as well just watching it. So that's dope. 20 00:00:53,760 --> 00:00:54,120 Speaker 3: Thank you. 21 00:00:54,240 --> 00:00:56,400 Speaker 1: I'm in a really good space, like I'm feeling like 22 00:00:56,440 --> 00:00:59,320 Speaker 1: the seeds that I've been planting are starting to grow, 23 00:00:59,440 --> 00:01:00,880 Speaker 1: and that's a good feeling. 24 00:01:01,400 --> 00:01:02,680 Speaker 3: You hung over from the Strip Club. 25 00:01:03,200 --> 00:01:06,040 Speaker 2: I was not at the Strip Club, though I was 26 00:01:06,080 --> 00:01:08,199 Speaker 2: hung over. I feel like Alergi is kicking my ass. 27 00:01:08,200 --> 00:01:10,360 Speaker 2: But I'm I'm happy, y'all. 28 00:01:10,760 --> 00:01:14,360 Speaker 3: So let's get on into the latest. So Beyonce. 29 00:01:14,520 --> 00:01:16,160 Speaker 1: We had talked a bit on the Breakfast Club and 30 00:01:16,160 --> 00:01:19,000 Speaker 1: here on the podcast about Beyonce and the Cowboy Carter 31 00:01:19,120 --> 00:01:22,480 Speaker 1: tour and you know, just things happening. But now Beyonce 32 00:01:22,600 --> 00:01:25,680 Speaker 1: has been hit with a cease and desist. So earlier 33 00:01:25,720 --> 00:01:27,480 Speaker 1: this week, Beyonce was hit with a cease and desist 34 00:01:27,800 --> 00:01:31,800 Speaker 1: lawsuit because the Las Vegas Fear Sphere, the owners of 35 00:01:31,840 --> 00:01:34,760 Speaker 1: the Sphere that were just kicking my ass, claim that 36 00:01:34,800 --> 00:01:37,679 Speaker 1: Beyonce's production team used an image of the Sphere without 37 00:01:37,680 --> 00:01:41,839 Speaker 1: their permission, which is crazy because legally it's like, yes, 38 00:01:42,040 --> 00:01:45,480 Speaker 1: I get it, and they have an argument, but it's Beyonce. 39 00:01:46,319 --> 00:01:48,000 Speaker 1: Like I feel like you just like be happy that 40 00:01:48,000 --> 00:01:50,160 Speaker 1: Beyonce used anything in relation to you, Like, what do 41 00:01:50,200 --> 00:01:50,520 Speaker 1: you mean? 42 00:01:50,800 --> 00:01:52,600 Speaker 2: No, I mean, looking into the story, it seemed a 43 00:01:52,600 --> 00:01:55,160 Speaker 2: little petty because you know, they wanted her to perform 44 00:01:55,240 --> 00:01:57,520 Speaker 2: at the Sphere and she didn't reply to oz it 45 00:01:57,600 --> 00:02:01,080 Speaker 2: James Dolan, They said, the CEO of the sphere. He 46 00:02:01,160 --> 00:02:03,280 Speaker 2: wanted her to perform, and she never applied to him. 47 00:02:03,280 --> 00:02:05,800 Speaker 2: So it seems like you can't use nothing about the 48 00:02:05,840 --> 00:02:08,240 Speaker 2: sphere and none of your productions don't even acknowledge us 49 00:02:08,280 --> 00:02:10,160 Speaker 2: anymore since you're not. But that's what it felt like, 50 00:02:10,240 --> 00:02:11,760 Speaker 2: you know, reading up on the story, So you. 51 00:02:11,760 --> 00:02:14,800 Speaker 1: Feel like without that whole background information or the background 52 00:02:16,120 --> 00:02:18,360 Speaker 1: her not performing there, they wouldn't have dropped this lawsuit. 53 00:02:18,760 --> 00:02:20,880 Speaker 2: Yeah, I feel like you know things about relationships if 54 00:02:20,880 --> 00:02:23,440 Speaker 2: they have built that relationship of you know, you just 55 00:02:23,520 --> 00:02:24,760 Speaker 2: do this for me, I'll do this for you. And 56 00:02:24,800 --> 00:02:26,600 Speaker 2: I don't think it's that First of all. I want 57 00:02:26,600 --> 00:02:29,320 Speaker 2: to know if it's can do does he have a 58 00:02:29,360 --> 00:02:33,600 Speaker 2: case because it's just an image of a building, right, Yeah, 59 00:02:33,760 --> 00:02:36,200 Speaker 2: she used in the video. She used the Eiffel Tower, 60 00:02:36,320 --> 00:02:40,160 Speaker 2: she used the Statue of Liberty. She just used monuments 61 00:02:40,160 --> 00:02:42,079 Speaker 2: that are recognizable in cities. 62 00:02:42,280 --> 00:02:42,640 Speaker 3: Gotcha. 63 00:02:42,720 --> 00:02:44,480 Speaker 2: Oh, I don't see what the issue is here. 64 00:02:44,960 --> 00:02:47,960 Speaker 1: So for context, So, during the opening night of Beyonce's 65 00:02:48,000 --> 00:02:50,880 Speaker 1: Cowboy Carter tour, so that was back on April twenty eighth, 66 00:02:51,080 --> 00:02:54,520 Speaker 1: Beyonce used the Las Vegas Sphere in one of the 67 00:02:54,840 --> 00:02:57,840 Speaker 1: visuals that're like one of the interlude visuals now in 68 00:02:57,919 --> 00:03:00,840 Speaker 1: the video. So it's the two to Heaven song, the 69 00:03:00,880 --> 00:03:05,960 Speaker 1: one of R Kelly's ex wife Drea. She depicted so 70 00:03:06,160 --> 00:03:09,160 Speaker 1: Beyonce has depicted as one hundred feet tall and she's 71 00:03:09,200 --> 00:03:12,200 Speaker 1: striding through Las Vegas before she stops at the Sphere. 72 00:03:12,480 --> 00:03:15,320 Speaker 1: Then she lowers down before picking the venue up, tapping 73 00:03:15,360 --> 00:03:16,920 Speaker 1: it with one of the with one of her fingers 74 00:03:16,919 --> 00:03:19,520 Speaker 1: and walking away with in her hand. For those of 75 00:03:19,560 --> 00:03:23,120 Speaker 1: you guys who are watching the video here on YouTube, 76 00:03:23,320 --> 00:03:25,720 Speaker 1: you can take a look here for all all your listeners. 77 00:03:25,720 --> 00:03:27,400 Speaker 1: I'm describing it because I know that you can't see it, 78 00:03:27,440 --> 00:03:29,320 Speaker 1: but please go check it out. It'll be posted to 79 00:03:29,720 --> 00:03:32,799 Speaker 1: the bron Gar Grinding Instagram into my Instagram, Lauren la Rosa. 80 00:03:33,200 --> 00:03:34,760 Speaker 3: Now, the clip went. 81 00:03:34,600 --> 00:03:37,520 Speaker 1: Crazy because people are always hype to see Beyonce visuals. 82 00:03:37,720 --> 00:03:41,120 Speaker 1: But who you're talking about Madison Square Garden Bass James Dolan. 83 00:03:41,520 --> 00:03:44,840 Speaker 1: He was upset about this and people were actually tweeting like, imagine, 84 00:03:44,880 --> 00:03:46,800 Speaker 1: you can't get booked Beyonce, So now you mad and 85 00:03:46,800 --> 00:03:47,680 Speaker 1: you send a lawsuit? 86 00:03:47,760 --> 00:03:47,920 Speaker 3: Right. 87 00:03:48,240 --> 00:03:51,800 Speaker 1: The biggest issue that he had here was that because 88 00:03:52,240 --> 00:03:55,880 Speaker 1: you saw her in the with the Sphere in Las Vegas, 89 00:03:56,080 --> 00:03:58,880 Speaker 1: there was big speculation that her tour would be hitting there, 90 00:03:59,280 --> 00:04:02,000 Speaker 1: So basically they feel like they were wrongly depicted or 91 00:04:02,000 --> 00:04:03,880 Speaker 1: like it was almost like a false advertisement that could 92 00:04:03,880 --> 00:04:05,800 Speaker 1: have fell back on them to people that would have 93 00:04:05,840 --> 00:04:08,640 Speaker 1: wanted to come and see her in Las Vegas. McCarthy 94 00:04:08,680 --> 00:04:11,040 Speaker 1: went on to say that bees interlude has caused significant 95 00:04:11,120 --> 00:04:15,840 Speaker 1: speculation that she would end her tour with the Sphere residency, 96 00:04:16,160 --> 00:04:19,400 Speaker 1: because you remember some time ago, there's been right now 97 00:04:19,440 --> 00:04:21,440 Speaker 1: even though right now still there's rumors that Beyonce supposed 98 00:04:21,440 --> 00:04:23,880 Speaker 1: to do a Las Vegas residency, So people thought that 99 00:04:23,920 --> 00:04:26,800 Speaker 1: this was her saying and signally because she does this 100 00:04:26,920 --> 00:04:28,880 Speaker 1: in a lot of her art. Taylor Swift does it 101 00:04:28,880 --> 00:04:30,680 Speaker 1: as well, where they dropped these easter eggs, so people 102 00:04:30,720 --> 00:04:34,839 Speaker 1: thought it was an easter egg. So the letter the 103 00:04:34,880 --> 00:04:37,200 Speaker 1: Season Assists that was sent to her company, Beyonce's company, 104 00:04:37,200 --> 00:04:40,320 Speaker 1: park Or Entertainment, asked her to stop using the venue 105 00:04:40,440 --> 00:04:43,400 Speaker 1: Sphere without permission in the interlude so that it wouldn't 106 00:04:43,440 --> 00:04:46,599 Speaker 1: cause any confusion. It has recently comes to SEG's attention. 107 00:04:46,640 --> 00:04:48,680 Speaker 1: This is what the letter said that a Cowboy Carter 108 00:04:48,760 --> 00:04:53,200 Speaker 1: Tour interlude video contains an unauthorized use of SEG's intellectual property. 109 00:04:53,560 --> 00:04:56,599 Speaker 1: The letter states SEG is sure that multiple aspects of 110 00:04:56,600 --> 00:04:59,520 Speaker 1: the Interluw video, including other brands, clips, and music, were 111 00:04:59,600 --> 00:05:04,480 Speaker 1: duly cleared by the tour with rights permissions from stakeholders 112 00:05:04,480 --> 00:05:08,320 Speaker 1: whose works were used in the video, as it's common practice. Seg, however, 113 00:05:08,760 --> 00:05:12,279 Speaker 1: was never asked if the prominent appearance and manipulation of 114 00:05:12,440 --> 00:05:16,920 Speaker 1: SEG's sphere venue could be authorized. So basically what they're 115 00:05:16,920 --> 00:05:18,560 Speaker 1: saying is is, y'all asks us to use a lot 116 00:05:18,600 --> 00:05:20,280 Speaker 1: of other stuff and other people in this. So when 117 00:05:20,279 --> 00:05:22,920 Speaker 1: it comes to music, other you know, images or whatever. 118 00:05:22,920 --> 00:05:25,200 Speaker 1: And in Las Vegas, you know that those buildings and 119 00:05:25,279 --> 00:05:26,520 Speaker 1: the way that they look it's. 120 00:05:26,400 --> 00:05:27,279 Speaker 3: All a part of the brand. 121 00:05:27,440 --> 00:05:30,120 Speaker 1: And they do a lot of that, like architecture on purpose, right, 122 00:05:30,160 --> 00:05:32,559 Speaker 1: and they make up staples like you can think about 123 00:05:32,600 --> 00:05:35,360 Speaker 1: like how certain places like playing Hollywood and stuff like 124 00:05:35,400 --> 00:05:37,960 Speaker 1: that look in Vegas. So from what I'm reading here, 125 00:05:38,000 --> 00:05:40,279 Speaker 1: I think that they would have a case if she 126 00:05:40,360 --> 00:05:42,599 Speaker 1: didn't go about this the right way, which confuses me 127 00:05:42,680 --> 00:05:45,919 Speaker 1: because it's Beyonce, so it's like, why wouldn't she? But 128 00:05:45,960 --> 00:05:48,000 Speaker 1: it does seem a bit petty, it does. It does 129 00:05:48,080 --> 00:05:48,880 Speaker 1: seem a bit petty. 130 00:05:49,160 --> 00:05:49,400 Speaker 3: Now. 131 00:05:49,520 --> 00:05:52,920 Speaker 1: I brought all that up because this lawsuit dropped and 132 00:05:53,000 --> 00:05:57,359 Speaker 1: then there was more Beyonce tour news. So people have 133 00:05:57,400 --> 00:05:58,960 Speaker 1: been talking about the tickets, and I thought with the 134 00:05:58,960 --> 00:06:01,520 Speaker 1: tour going viral, more people were going to just start 135 00:06:01,520 --> 00:06:02,680 Speaker 1: buying the tickets. 136 00:06:02,440 --> 00:06:03,600 Speaker 3: Even though you know you don't got the money. 137 00:06:03,600 --> 00:06:05,760 Speaker 1: But you know, it's like fomo, yeah did you Like, 138 00:06:05,880 --> 00:06:07,320 Speaker 1: I know, I don't know how much of a Beyonce 139 00:06:07,640 --> 00:06:09,160 Speaker 1: you are, but didn't make you want to go and 140 00:06:09,200 --> 00:06:11,440 Speaker 1: see the tour when you were seeing like Roomy and 141 00:06:11,640 --> 00:06:13,520 Speaker 1: like you know, blue performing on stage and stuff. 142 00:06:13,560 --> 00:06:16,400 Speaker 2: I've been hurt by a lot of Beyonce bands, so 143 00:06:17,480 --> 00:06:19,120 Speaker 2: it's a weird little thing on on. 144 00:06:19,040 --> 00:06:23,000 Speaker 1: You mean, like excess or like no, let's explore you 145 00:06:23,080 --> 00:06:29,159 Speaker 1: are no no no, but I replaceable different. No. 146 00:06:30,040 --> 00:06:33,840 Speaker 2: I thought it was more about the album. I think 147 00:06:33,839 --> 00:06:36,000 Speaker 2: a lot of people weren't big fans of the actual. 148 00:06:35,960 --> 00:06:37,400 Speaker 3: You're the second person to tell me that. 149 00:06:37,600 --> 00:06:39,960 Speaker 2: Yeah, So I think that's more of like Renaissance had 150 00:06:40,000 --> 00:06:41,680 Speaker 2: like great, and then I think it's that, and then 151 00:06:41,760 --> 00:06:44,719 Speaker 2: I think it's just money the economy. I feel like 152 00:06:44,720 --> 00:06:47,200 Speaker 2: the tickets are expensive and like you are real selective 153 00:06:47,200 --> 00:06:49,560 Speaker 2: nowadays with who they see a lot like the big arts, 154 00:06:50,080 --> 00:06:51,800 Speaker 2: So I hearing like if you're if they're going to 155 00:06:51,839 --> 00:06:56,680 Speaker 2: Kendrick or Chris Brown, you probably don't got the bandwidth 156 00:06:56,680 --> 00:06:58,560 Speaker 2: to be paying for Beyonce as well like those are. 157 00:06:58,800 --> 00:07:02,240 Speaker 2: That's probably two start there between. 158 00:07:01,960 --> 00:07:05,480 Speaker 1: The two between including outfits and travel, and I get it, 159 00:07:05,680 --> 00:07:07,159 Speaker 1: but I don't know. I just feel like there's always 160 00:07:07,160 --> 00:07:10,120 Speaker 1: like the foumo thing, especially like with us, like we're 161 00:07:10,120 --> 00:07:12,480 Speaker 1: gonna we're gonna spend a dollar on to spend, we 162 00:07:12,520 --> 00:07:14,960 Speaker 1: feel like we're missing something or whatever. And I think, 163 00:07:15,000 --> 00:07:16,960 Speaker 1: I don't know, maybe it's because Beyonce kind of just 164 00:07:17,040 --> 00:07:19,760 Speaker 1: recently came off of the Renaissance tour. Because normally with 165 00:07:19,840 --> 00:07:22,080 Speaker 1: Beyonce tours, for me, the hype is is like, oh 166 00:07:22,120 --> 00:07:23,480 Speaker 1: my god, I gotta get the ticket. I gotta get 167 00:07:23,480 --> 00:07:25,000 Speaker 1: the ticket because I don't know when she's going back 168 00:07:25,000 --> 00:07:27,080 Speaker 1: on tour. She just came off of a tour, so 169 00:07:27,120 --> 00:07:30,120 Speaker 1: a lot of those fans did Renaissance. Now Cowboy Carter 170 00:07:30,240 --> 00:07:34,360 Speaker 1: is here, there's rumors of Vegas residency, so it's like, 171 00:07:34,560 --> 00:07:38,040 Speaker 1: maybe you feel like I'm gonna see her again a lot. 172 00:07:37,960 --> 00:07:40,760 Speaker 2: Like she's not Like I feel like people aren't necessarily 173 00:07:40,840 --> 00:07:41,400 Speaker 2: like missing her. 174 00:07:41,480 --> 00:07:43,960 Speaker 1: Yet people have been saying though that a lot of 175 00:07:44,000 --> 00:07:45,840 Speaker 1: people felt like Renaissance was her last tour, but a 176 00:07:45,840 --> 00:07:47,880 Speaker 1: lot of people felt like Cowboy Carter might be her last. 177 00:07:48,080 --> 00:07:49,680 Speaker 1: They said that every tour though, but a lot of 178 00:07:49,720 --> 00:07:52,720 Speaker 1: people feel like that. But she's had some issues that 179 00:07:52,840 --> 00:07:55,160 Speaker 1: you know this last week a couple of hiccups on stage, 180 00:07:55,160 --> 00:07:56,880 Speaker 1: which I know somebody getting fined. 181 00:07:57,360 --> 00:07:58,360 Speaker 3: You don't play it to be. 182 00:07:59,120 --> 00:08:01,840 Speaker 2: I saw you yo. 183 00:08:01,920 --> 00:08:02,240 Speaker 3: Okay. 184 00:08:02,320 --> 00:08:04,120 Speaker 1: So there was one of them where she couldn't find 185 00:08:04,120 --> 00:08:06,000 Speaker 1: her mark on stage, like her X on stage, and 186 00:08:06,040 --> 00:08:07,320 Speaker 1: she's like visibly looking. 187 00:08:08,160 --> 00:08:12,480 Speaker 3: Then there was another one where, uh, she had the. 188 00:08:13,000 --> 00:08:14,640 Speaker 1: Like there was she was trying to take There was 189 00:08:14,640 --> 00:08:15,840 Speaker 1: like a stunt that she was going with like a 190 00:08:15,880 --> 00:08:18,440 Speaker 1: glove and she's holding her mic and like people are 191 00:08:18,440 --> 00:08:20,800 Speaker 1: trying to take that off of her while she's on 192 00:08:20,840 --> 00:08:24,640 Speaker 1: safe and she visibly looks pissed. And she's normally really 193 00:08:24,640 --> 00:08:27,560 Speaker 1: good about handling like when things are not going right, 194 00:08:27,600 --> 00:08:29,040 Speaker 1: like this is not she just not a first ROADI 195 00:08:29,120 --> 00:08:33,200 Speaker 1: of course they'd be like who taught Laura? No pun intended? 196 00:08:33,280 --> 00:08:35,400 Speaker 1: She always saying it like I swear I'm a rapper, 197 00:08:35,720 --> 00:08:39,040 Speaker 1: like double Antandra don't play with me. But yeah, so 198 00:08:39,480 --> 00:08:41,559 Speaker 1: the fact that she looked visibly upset and we all 199 00:08:41,559 --> 00:08:44,600 Speaker 1: know is Beyonce. She's the queen of live performance. It's like, oh, 200 00:08:44,920 --> 00:08:47,720 Speaker 1: somebody ain't gonna have a job, somebody family ain't getting 201 00:08:47,720 --> 00:08:51,400 Speaker 1: no more free Cowboy Carter tickets, and yeah, so people, 202 00:08:51,880 --> 00:08:53,800 Speaker 1: I think people right now are still trying to figure 203 00:08:53,880 --> 00:08:57,640 Speaker 1: out if it's worth going to not worth it because 204 00:08:57,640 --> 00:08:59,839 Speaker 1: it's Beyonce, but basically, if it's like if I'm spending 205 00:08:59,880 --> 00:09:03,800 Speaker 1: my last dollar, is the show, like, you know, monumental 206 00:09:04,000 --> 00:09:06,080 Speaker 1: enough that I want to spend my last. 207 00:09:05,880 --> 00:09:07,640 Speaker 3: Dollar if I got to chew, pick and choose. 208 00:09:08,000 --> 00:09:11,080 Speaker 1: And then you got these moments going viral, countering the 209 00:09:11,120 --> 00:09:13,000 Speaker 1: other big moments where everybody was like, oh my god, 210 00:09:13,040 --> 00:09:15,400 Speaker 1: you know, she got her babies out there, Blue is dancing, 211 00:09:15,559 --> 00:09:18,480 Speaker 1: We're meeting roomy. Now she just thinks her mom Tina 212 00:09:18,520 --> 00:09:21,000 Speaker 1: Nose on stage for you know, New York Times bestseller 213 00:09:21,360 --> 00:09:24,040 Speaker 1: for her Matriarch book, and then all this, you know, 214 00:09:24,040 --> 00:09:26,480 Speaker 1: these little hiccups happened, and people not centered on it. 215 00:09:26,679 --> 00:09:28,400 Speaker 1: I don't feel like you said you didn't even see it. 216 00:09:28,720 --> 00:09:31,080 Speaker 2: That I didn't see that specifically, but yeah, I've been 217 00:09:31,120 --> 00:09:33,840 Speaker 2: seeing clips and the the biggest thing I've been seeing 218 00:09:33,960 --> 00:09:38,120 Speaker 2: is blues improvement and dancing, Like I almost couldn't believe it. Yeah, 219 00:09:38,120 --> 00:09:41,040 Speaker 2: who is like who? And she looked I think she 220 00:09:42,840 --> 00:09:45,959 Speaker 2: who is that? Like she cooking? Yo? I really love 221 00:09:46,040 --> 00:09:50,040 Speaker 2: that because I remember an article came out that the 222 00:09:50,120 --> 00:09:52,440 Speaker 2: slander she was getting from the first like videos that 223 00:09:52,480 --> 00:09:55,120 Speaker 2: came out of her on tour motivated her to do better. 224 00:09:55,200 --> 00:09:57,760 Speaker 2: And now she's like, oh, she's a dancer now, Yeah, 225 00:09:57,760 --> 00:09:59,160 Speaker 2: I wonder if that's what she wants to do, like 226 00:09:59,200 --> 00:10:01,120 Speaker 2: if she wants to going to that path, and like 227 00:10:01,200 --> 00:10:04,160 Speaker 2: it looked like you could keep up like in Beyonce Shadow. 228 00:10:04,840 --> 00:10:07,360 Speaker 2: All right, it's a wild take, But was Beyonce dancing 229 00:10:07,480 --> 00:10:07,720 Speaker 2: like that? 230 00:10:07,800 --> 00:10:11,240 Speaker 1: And her No Beyonce, No no, no, no, no baby no 231 00:10:11,880 --> 00:10:14,280 Speaker 1: in the beginning of and the behive and y'all can 232 00:10:14,320 --> 00:10:15,600 Speaker 1: come and get me off y'all want because we will 233 00:10:15,600 --> 00:10:18,440 Speaker 1: be upset when you dissect anything Beyonce and don't just 234 00:10:18,480 --> 00:10:20,840 Speaker 1: like give it to her all the way the beginning, 235 00:10:20,920 --> 00:10:24,480 Speaker 1: No Beyonce developed as I mean, the Destiny's Child had 236 00:10:24,480 --> 00:10:26,400 Speaker 1: to stage presence. They were moving, they were dancing, but 237 00:10:26,760 --> 00:10:30,800 Speaker 1: the vehicle in the machine of Beyonce, like the whole 238 00:10:30,840 --> 00:10:33,400 Speaker 1: Beyonce versus Sasha Fierce air Like it was really cute 239 00:10:33,400 --> 00:10:35,240 Speaker 1: and she was doing her thing before that, but she 240 00:10:35,840 --> 00:10:37,240 Speaker 1: evolved into this like. 241 00:10:38,160 --> 00:10:42,120 Speaker 3: Machine of like, yeah, who the hell is that? Blue 242 00:10:42,160 --> 00:10:44,040 Speaker 3: Ivy did that so fast? 243 00:10:44,120 --> 00:10:46,480 Speaker 1: I would say faster or maybe we just start paying 244 00:10:46,480 --> 00:10:49,360 Speaker 1: attention a lot more because it's social media. Yeah, but baby, 245 00:10:49,400 --> 00:10:51,200 Speaker 1: when I saw Blue Ivy walk out the day Javou 246 00:10:51,280 --> 00:10:56,760 Speaker 1: that opening night, I said, oh, Blue Ivy is tea yeah. 247 00:10:56,880 --> 00:10:58,360 Speaker 2: And then I'm trying to like compare it to the 248 00:10:58,400 --> 00:11:02,959 Speaker 2: professional dances behind it and see if like, but she's 249 00:11:01,840 --> 00:11:05,120 Speaker 2: like nepotism, Like I just want to put my daughter. 250 00:11:05,840 --> 00:11:08,840 Speaker 2: She's keeping up with the dam I'm like, I'm eating them. 251 00:11:08,840 --> 00:11:20,720 Speaker 1: Up like crazy, like even her faces too, like. 252 00:11:16,760 --> 00:11:18,319 Speaker 3: Okay, that's why I'm not dancing. 253 00:11:18,400 --> 00:11:20,600 Speaker 1: Well, I don't know if we if we do get 254 00:11:20,600 --> 00:11:23,080 Speaker 1: that Las Vegas residency and we get to see Blue 255 00:11:23,120 --> 00:11:25,120 Speaker 1: on stage, and you know what I mean, it's probably 256 00:11:25,160 --> 00:11:27,600 Speaker 1: not gonna happen at this sphere now because of this 257 00:11:27,720 --> 00:11:30,280 Speaker 1: cease and desist that was saying and they you know 258 00:11:30,400 --> 00:11:31,880 Speaker 1: before when it was reported that she was doing the 259 00:11:31,920 --> 00:11:33,320 Speaker 1: residency and that it was going to happen there. 260 00:11:33,559 --> 00:11:34,800 Speaker 3: The negotiations fell through. 261 00:11:34,840 --> 00:11:37,960 Speaker 1: So for some reason, I don't know, beyond Beyonce in 262 00:11:38,040 --> 00:11:40,160 Speaker 1: that Sphere team, they just can't figure it out, Like 263 00:11:40,200 --> 00:11:41,760 Speaker 1: they just can't get it together. So we'll have to 264 00:11:42,120 --> 00:11:43,040 Speaker 1: you know, it's the first. 265 00:11:42,880 --> 00:11:44,679 Speaker 2: Few days star, right, they got time to get this 266 00:11:44,760 --> 00:11:45,280 Speaker 2: ship together. 267 00:11:45,840 --> 00:11:48,199 Speaker 1: Well, Beyonce is doing her the tourter she's doing now 268 00:11:48,240 --> 00:11:50,960 Speaker 1: doesn't have anything to do with the Sphere, but because 269 00:11:51,080 --> 00:11:54,800 Speaker 1: when the Las Vegas residency rumors dropped, and then news 270 00:11:54,800 --> 00:11:56,760 Speaker 1: had came out that if she did do the residency, 271 00:11:56,800 --> 00:11:59,520 Speaker 1: it was going to be there. But then news came 272 00:11:59,559 --> 00:12:03,080 Speaker 1: out that the those negotiations fell through, like they couldn't. 273 00:12:03,120 --> 00:12:03,400 Speaker 3: I don't know. 274 00:12:03,440 --> 00:12:05,000 Speaker 1: It was like demands from both sides that like I 275 00:12:05,000 --> 00:12:08,040 Speaker 1: guess they just weren't meeting in the middle correctly, and 276 00:12:08,080 --> 00:12:09,680 Speaker 1: then she was looking at other locations and then it 277 00:12:09,760 --> 00:12:12,800 Speaker 1: just never happened. So that's why they're like, Yo, you 278 00:12:12,880 --> 00:12:14,640 Speaker 1: can't just throw us in your promo, Like now you 279 00:12:14,760 --> 00:12:16,840 Speaker 1: got your fans thinking you bring in something here that's 280 00:12:16,880 --> 00:12:18,800 Speaker 1: probably not it's nothing on paper. 281 00:12:19,120 --> 00:12:21,520 Speaker 2: So there was negotiations. I thought there was, she wasn't. 282 00:12:21,520 --> 00:12:22,320 Speaker 2: She didn't reach back out. 283 00:12:22,360 --> 00:12:24,800 Speaker 1: No, no, no, no, no, So Beyonce had a loss. 284 00:12:24,880 --> 00:12:26,400 Speaker 1: So the New York Post, actually I put up an 285 00:12:26,440 --> 00:12:30,520 Speaker 1: article Beyonce had a Las Vegas show scheduled at Allegiance 286 00:12:30,559 --> 00:12:32,800 Speaker 1: Stadium on July twenty fifth, twenty twenty five. Initially there 287 00:12:32,800 --> 00:12:35,880 Speaker 1: were reports of a potential residency at the Sphere, but 288 00:12:35,920 --> 00:12:37,760 Speaker 1: those negotiations fell through. 289 00:12:38,760 --> 00:12:39,520 Speaker 3: Then Yeah, so. 290 00:12:39,880 --> 00:12:41,560 Speaker 2: Okay, I thought she ignored them completely. 291 00:12:41,920 --> 00:12:43,719 Speaker 1: No no, no, no, no, so it just didn't work out. No, 292 00:12:43,840 --> 00:12:48,960 Speaker 1: it didn't work out that time. Yes, yeah, gota. So 293 00:12:49,080 --> 00:12:50,959 Speaker 1: moving on what I'm excited about because this is the 294 00:12:50,960 --> 00:12:52,280 Speaker 1: reason why I got to get on up out of 295 00:12:52,280 --> 00:12:56,640 Speaker 1: here and go to a fitting mecgala. The met Gala 296 00:12:56,640 --> 00:13:00,200 Speaker 1: of the twenty twenty five met Gala is taking place. 297 00:13:00,200 --> 00:13:00,839 Speaker 3: In New York. 298 00:13:01,240 --> 00:13:04,680 Speaker 1: The theme this year is super fine Tailoring, Black Style. 299 00:13:05,040 --> 00:13:08,040 Speaker 1: Now this is an ode to black dandyism, and all 300 00:13:08,080 --> 00:13:10,920 Speaker 1: of us were fine and sophisticated. Glory Brandon, do you 301 00:13:10,920 --> 00:13:13,520 Speaker 1: know anything that I just said? 302 00:13:12,760 --> 00:13:16,160 Speaker 2: No words go. I started looking around the room. I 303 00:13:16,200 --> 00:13:19,160 Speaker 2: was like, yes, you got it. You got fashion girl. 304 00:13:19,600 --> 00:13:21,680 Speaker 1: Have you been seeing anything from the meggalo on your timeline? 305 00:13:21,679 --> 00:13:24,000 Speaker 1: I like to ask people outside of fashion how they 306 00:13:24,120 --> 00:13:25,199 Speaker 1: view what's happening in fashion. 307 00:13:25,280 --> 00:13:29,000 Speaker 2: I saw the theme mostly I forgot the day of 308 00:13:29,040 --> 00:13:31,800 Speaker 2: it was said around black sat. 309 00:13:31,600 --> 00:13:34,360 Speaker 1: Around black people. Most people are just excited about that. 310 00:13:34,800 --> 00:13:37,000 Speaker 1: A lot of people were like, you know what this is. 311 00:13:37,240 --> 00:13:40,520 Speaker 1: I saw an interview when June Ambrose sat down a 312 00:13:40,520 --> 00:13:42,400 Speaker 1: complex and they talked about the Megala a couple months 313 00:13:42,400 --> 00:13:43,400 Speaker 1: ago or a month or so ago. 314 00:13:45,000 --> 00:13:47,079 Speaker 3: A lot of people feel like this is in. 315 00:13:47,080 --> 00:13:49,280 Speaker 1: A Winter Tours because they put together the medic you know, 316 00:13:49,360 --> 00:13:52,319 Speaker 1: I think this is their this is their home. They 317 00:13:52,320 --> 00:13:54,960 Speaker 1: feel like this is in a win tours. Thank you 318 00:13:55,000 --> 00:13:58,959 Speaker 1: to to Andre Leon Tally. So Andre Leon Tally big 319 00:13:59,040 --> 00:14:02,000 Speaker 1: force in fashion. He was an editor. He was like 320 00:14:02,040 --> 00:14:04,600 Speaker 1: a lot of like the major black not even just 321 00:14:04,640 --> 00:14:07,320 Speaker 1: black celebrities, because he had his hands in everything with 322 00:14:07,400 --> 00:14:09,840 Speaker 1: everybody and a lot of the big fashion houses, but 323 00:14:09,920 --> 00:14:13,640 Speaker 1: a lot of the big h you know us black 324 00:14:13,679 --> 00:14:17,160 Speaker 1: people in fashion. He would he helped to like kind 325 00:14:17,160 --> 00:14:19,600 Speaker 1: of bring them to the forefront, to develop them, to say, 326 00:14:19,840 --> 00:14:21,960 Speaker 1: to allow the coature world to meet them for the 327 00:14:21,960 --> 00:14:24,040 Speaker 1: first time because it wasn't a place where we were welcomed. 328 00:14:24,080 --> 00:14:26,120 Speaker 1: And he was always one of, you know, if not 329 00:14:26,200 --> 00:14:28,920 Speaker 1: the only Black people that you would see front row 330 00:14:28,960 --> 00:14:31,040 Speaker 1: at a lot of these colture shows and these couature houses, 331 00:14:31,080 --> 00:14:34,160 Speaker 1: Like he did so much just by his presence and 332 00:14:34,520 --> 00:14:36,520 Speaker 1: you know, doing everything that he did behind the scenes 333 00:14:36,680 --> 00:14:38,920 Speaker 1: in front of the camera for black people in fashion, 334 00:14:39,160 --> 00:14:41,520 Speaker 1: but for people in fashion in general. But he was 335 00:14:41,560 --> 00:14:43,080 Speaker 1: a black man, you know what I mean. And then 336 00:14:43,120 --> 00:14:45,680 Speaker 1: he passed away, and people felt like at the time 337 00:14:45,720 --> 00:14:49,000 Speaker 1: when he passed away that in a winterur and you know, 338 00:14:49,160 --> 00:14:51,400 Speaker 1: Vogue and you know, just that whole couture world didn't 339 00:14:51,400 --> 00:14:53,360 Speaker 1: do enough for him, like he was. Even like at 340 00:14:53,400 --> 00:14:55,840 Speaker 1: the time when he passed away, there was conversations about, like, 341 00:14:55,840 --> 00:14:57,880 Speaker 1: you know, his family struggling to pay for his funeral 342 00:14:57,920 --> 00:15:00,200 Speaker 1: and just like which was crazy because when you think 343 00:15:00,240 --> 00:15:04,840 Speaker 1: about who he was as a journalist, as a editor 344 00:15:04,880 --> 00:15:08,120 Speaker 1: at large for Vogue, creative director, stylist, like just an 345 00:15:08,160 --> 00:15:12,520 Speaker 1: American fashion hero. He there have been reports of him 346 00:15:12,600 --> 00:15:14,720 Speaker 1: going through money things for some time before his passing, 347 00:15:15,040 --> 00:15:18,440 Speaker 1: but I think people just he gave so much. He 348 00:15:18,480 --> 00:15:22,640 Speaker 1: gave so much artist wise, uh, you know, just he 349 00:15:23,080 --> 00:15:25,080 Speaker 1: was radical renaissance. You know some of the things he 350 00:15:25,080 --> 00:15:28,040 Speaker 1: did and said, showing up with the big capes, just 351 00:15:28,080 --> 00:15:30,560 Speaker 1: his looks, people just expected more. So I think some 352 00:15:30,600 --> 00:15:32,880 Speaker 1: people feel like this is her thank you to him 353 00:15:32,920 --> 00:15:35,600 Speaker 1: for everything he contributed while being an editor at large 354 00:15:35,600 --> 00:15:37,840 Speaker 1: and Vogue and all that stuff. But yeah, so the theme, 355 00:15:37,840 --> 00:15:40,760 Speaker 1: the theme is tailoring, black style, super fine tailor, and 356 00:15:40,800 --> 00:15:44,760 Speaker 1: black style. Dandyism is a sub conversation that is happening 357 00:15:45,080 --> 00:15:49,080 Speaker 1: around the theme because it's people are taking it real 358 00:15:49,160 --> 00:15:53,080 Speaker 1: black black dandyism is looked at as like stylish, elegant. 359 00:15:53,960 --> 00:15:56,400 Speaker 1: Think about you know, dapper Dan in the suits. Think 360 00:15:56,440 --> 00:15:58,440 Speaker 1: about I'm trying to think who else I would describe 361 00:15:58,480 --> 00:16:05,320 Speaker 1: as dandy, Coman Domingo, like you know, like suited booted. 362 00:16:05,400 --> 00:16:07,200 Speaker 1: There's a lot of origins and a lot of history 363 00:16:07,240 --> 00:16:09,640 Speaker 1: to it. Like at one point in time, people, you know, 364 00:16:09,720 --> 00:16:12,400 Speaker 1: we're having conversation about dandyism in a way of like, okay, 365 00:16:12,720 --> 00:16:14,960 Speaker 1: it's connected to slavery, and it was a way for 366 00:16:15,080 --> 00:16:19,320 Speaker 1: us to assimulate, like kind of get away from the 367 00:16:19,400 --> 00:16:22,200 Speaker 1: idea of slavery and to be looked at as like something. 368 00:16:22,720 --> 00:16:24,720 Speaker 1: There's two sides of that. So that was our take 369 00:16:24,760 --> 00:16:28,280 Speaker 1: on it. But on the other side, you know, white 370 00:16:28,320 --> 00:16:32,200 Speaker 1: people and their take on dandyism during that time where 371 00:16:32,200 --> 00:16:34,000 Speaker 1: we were trying to simulate and let people know, like 372 00:16:34,240 --> 00:16:37,080 Speaker 1: we are more than how our slave masters presented us. 373 00:16:37,400 --> 00:16:38,600 Speaker 3: Not to get too deep, but I think that this 374 00:16:38,720 --> 00:16:39,240 Speaker 3: is important. 375 00:16:39,800 --> 00:16:41,520 Speaker 1: White people would use it as a way to like 376 00:16:41,600 --> 00:16:43,920 Speaker 1: almost you know, how you stage your home when you're 377 00:16:43,920 --> 00:16:45,880 Speaker 1: trying to sell it. Yeah, they would dress up their 378 00:16:45,920 --> 00:16:48,040 Speaker 1: slaves like that and sell them as luxury goods. 379 00:16:48,800 --> 00:16:49,000 Speaker 3: Yes. 380 00:16:49,240 --> 00:16:51,600 Speaker 1: Now the Megala is actually outside of just getting flying 381 00:16:51,600 --> 00:16:53,960 Speaker 1: people having a good time. It's connected to the actual 382 00:16:54,120 --> 00:16:57,280 Speaker 1: museum itself, and it brings attention to like, you know, 383 00:16:57,360 --> 00:17:01,280 Speaker 1: different like the curated exhibit that they do within that 384 00:17:01,320 --> 00:17:03,160 Speaker 1: museum that you remember that one year they put Rihanna 385 00:17:03,240 --> 00:17:06,320 Speaker 1: in the museum. Yeah, and then you know it on 386 00:17:06,359 --> 00:17:08,479 Speaker 1: the back end, it raises money for different things, and 387 00:17:08,680 --> 00:17:11,040 Speaker 1: you know there's actual substance to it. 388 00:17:11,320 --> 00:17:12,920 Speaker 3: But we like to see people get fly. 389 00:17:13,200 --> 00:17:15,600 Speaker 1: So a lot of people are looking out for a 390 00:17:15,720 --> 00:17:18,600 Speaker 1: sat Rocky who's one of the co chairs, Colman Domingo 391 00:17:18,720 --> 00:17:23,480 Speaker 1: because he's always in the suit, so why not Lewis Hamilton, 392 00:17:23,520 --> 00:17:26,959 Speaker 1: former Little One Driver, he'd be fly for real Williams 393 00:17:26,960 --> 00:17:27,920 Speaker 1: who's also a co chair. 394 00:17:28,240 --> 00:17:30,080 Speaker 3: Lebron James is a co chair this year. 395 00:17:30,760 --> 00:17:34,080 Speaker 1: Celebrities though that people are really looking forward to Doci 396 00:17:34,640 --> 00:17:36,560 Speaker 1: and I am so excited for Dochi because number one, 397 00:17:36,640 --> 00:17:42,720 Speaker 1: this is so on brand for her. Huh No, I 398 00:17:42,720 --> 00:17:44,440 Speaker 1: think she's actually gonna have on clothes. 399 00:17:45,640 --> 00:17:47,800 Speaker 3: You can't tell her your ass snagget. 400 00:17:49,760 --> 00:17:51,080 Speaker 2: Haynes matches. 401 00:17:51,760 --> 00:17:54,639 Speaker 1: Listen, the people are excited for Dochi. Do She actually 402 00:17:54,640 --> 00:17:56,439 Speaker 1: posted this picture on if you saw it, but she 403 00:17:56,560 --> 00:17:58,760 Speaker 1: did this tribute to Andre Leon tally like when she 404 00:17:58,840 --> 00:18:01,120 Speaker 1: first like hers fly, she the beginning of the weekend, 405 00:18:01,119 --> 00:18:04,160 Speaker 1: when she started stepping out for the events, And when 406 00:18:04,200 --> 00:18:06,520 Speaker 1: I saw this picture of Delchi, I was like, Okay, 407 00:18:06,600 --> 00:18:10,879 Speaker 1: this year, maybe people won't be so off theme and 408 00:18:11,000 --> 00:18:13,480 Speaker 1: so off of understanding the nature and the history of 409 00:18:13,480 --> 00:18:15,479 Speaker 1: the theme that like we're gonna be like what the 410 00:18:15,520 --> 00:18:17,439 Speaker 1: heck is going on? You know, a lot of people 411 00:18:17,720 --> 00:18:19,960 Speaker 1: are just kind of nervous. And the name of that book, 412 00:18:19,960 --> 00:18:23,960 Speaker 1: Monica Miller, who's also helping to plan, you know, and like, 413 00:18:24,000 --> 00:18:25,760 Speaker 1: you know, she's just helping to curate a bit when 414 00:18:25,760 --> 00:18:28,480 Speaker 1: it comes to the Megala. Monica Miller, who is the 415 00:18:28,560 --> 00:18:30,800 Speaker 1: author of two thousand and nine, a two thousand and 416 00:18:30,840 --> 00:18:33,399 Speaker 1: nine book called Slaves to Fashion Black Dandyism in the 417 00:18:33,440 --> 00:18:37,160 Speaker 1: Styling of Black in the Styling of the Black that'sper identity. 418 00:18:37,560 --> 00:18:40,320 Speaker 1: They're gonna draw from different things in her book. So 419 00:18:40,400 --> 00:18:43,280 Speaker 1: the different literature from her book that talks about, you know, 420 00:18:43,400 --> 00:18:47,640 Speaker 1: just performance and how performance translates into fashion and dress 421 00:18:47,680 --> 00:18:50,399 Speaker 1: when it comes to black dandyism, so it's supposed to 422 00:18:50,400 --> 00:18:52,119 Speaker 1: be like a like I feel like we might leave 423 00:18:52,160 --> 00:18:53,840 Speaker 1: off feeling like we just left church, Like it's gonna 424 00:18:53,840 --> 00:18:55,000 Speaker 1: be real deeps. 425 00:18:54,720 --> 00:18:57,680 Speaker 2: When you're describing I'm thinking like maybe like Baptist Sunday's 426 00:18:57,680 --> 00:18:58,520 Speaker 2: fine is kind of. 427 00:18:59,119 --> 00:19:01,240 Speaker 1: See, but even that, I feel like you can lean 428 00:19:01,280 --> 00:19:03,960 Speaker 1: into dandyism there because it's like the hats, it's you 429 00:19:04,000 --> 00:19:05,200 Speaker 1: know what I mean, you gotta come to church a 430 00:19:05,240 --> 00:19:07,119 Speaker 1: certain way. We have we have Black people have always 431 00:19:07,160 --> 00:19:10,840 Speaker 1: used fashion to uh assimilate or to tell a story, 432 00:19:11,040 --> 00:19:12,720 Speaker 1: you know what I'm saying. So like I love when 433 00:19:12,720 --> 00:19:14,080 Speaker 1: we have a chance to kind of like put that 434 00:19:14,119 --> 00:19:17,919 Speaker 1: on display. I hate that it doesn't happen as often 435 00:19:18,080 --> 00:19:19,320 Speaker 1: at this level as it should. 436 00:19:19,359 --> 00:19:23,080 Speaker 3: Steal, but you know what I'm saying, Like we do 437 00:19:23,160 --> 00:19:24,080 Speaker 3: what we do when we do it. 438 00:19:24,760 --> 00:19:27,320 Speaker 1: I do think though some people are nervous because people 439 00:19:27,359 --> 00:19:29,360 Speaker 1: be off brand with it. People could be it could 440 00:19:29,720 --> 00:19:31,200 Speaker 1: give a little racist depending on who you are and 441 00:19:31,240 --> 00:19:35,480 Speaker 1: what you wear, so be careful. Yeah, so taking it 442 00:19:35,520 --> 00:19:41,320 Speaker 1: to the streets to be outside. We outside, we outside outside. 443 00:19:41,960 --> 00:19:43,960 Speaker 1: The Met gall of twenty twenty five, anticipation has been 444 00:19:43,960 --> 00:19:47,200 Speaker 1: the biggest thing that I've seen on x so tempting. 445 00:19:47,240 --> 00:19:51,639 Speaker 1: Tony Underscore tweeted, everybody's hashed, everybody's teasing the Met Gala looks. 446 00:19:52,000 --> 00:19:55,040 Speaker 1: Why is nothing good? Like they look nice, but nothing 447 00:19:55,080 --> 00:19:58,040 Speaker 1: has moved me. All of us so cerebral and I 448 00:19:58,080 --> 00:20:00,399 Speaker 1: guess it's to the point, but I'm tired of archive pools, 449 00:20:00,560 --> 00:20:02,040 Speaker 1: archive pools all the time. 450 00:20:02,359 --> 00:20:03,639 Speaker 3: Do you know what the archive pool is? 451 00:20:04,480 --> 00:20:06,439 Speaker 2: I know what the archive is and where the pool is. 452 00:20:06,480 --> 00:20:08,200 Speaker 2: But when you put them words together, is so. 453 00:20:08,160 --> 00:20:09,960 Speaker 3: It's the same thing. It's like you pulling from like 454 00:20:10,000 --> 00:20:10,800 Speaker 3: a vintage brand. 455 00:20:10,840 --> 00:20:13,680 Speaker 1: So basically like a lot of times with the Met Gala, 456 00:20:13,760 --> 00:20:16,399 Speaker 1: people feel like, oh, these celebrities get their stylace to 457 00:20:16,440 --> 00:20:20,520 Speaker 1: go pull these like ancient, like vintage luxury pieces. But 458 00:20:20,560 --> 00:20:22,920 Speaker 1: you still look like nothing, like it ain't given nothing. 459 00:20:22,960 --> 00:20:24,359 Speaker 1: And that's the biggest say. Have you ever watched the 460 00:20:24,440 --> 00:20:26,239 Speaker 1: Met Gala carpet and been like, what the hell are 461 00:20:26,280 --> 00:20:26,800 Speaker 1: people wearing? 462 00:20:27,359 --> 00:20:29,200 Speaker 3: That's what people are scared of. That's what this sweet 463 00:20:29,240 --> 00:20:31,600 Speaker 3: is seeing. Okay, gotcha, And then. 464 00:20:34,800 --> 00:20:38,240 Speaker 1: Somebody else tweeted it, says MoMA Yola, I'm so nervous 465 00:20:38,280 --> 00:20:40,320 Speaker 1: for the meggalaft to see his themed like we could 466 00:20:40,320 --> 00:20:44,000 Speaker 1: probably witness the most offensive shit ever with the way 467 00:20:44,040 --> 00:20:46,399 Speaker 1: twenty twenty five has been going dot dot dot. I 468 00:20:46,520 --> 00:20:50,800 Speaker 1: don't know dot dot dot not the Maga Mommy's that 469 00:20:50,880 --> 00:20:53,280 Speaker 1: the Meggala is Tommy Lawren. 470 00:20:53,359 --> 00:20:54,080 Speaker 3: Please just stay home. 471 00:20:54,119 --> 00:20:56,639 Speaker 1: I don't even feel like it, Like I really, I 472 00:20:56,680 --> 00:20:58,840 Speaker 1: don't know, canus owens like whoever? 473 00:20:59,000 --> 00:21:01,320 Speaker 3: Whatever? One of y'all girls, please just not please. 474 00:21:02,520 --> 00:21:06,840 Speaker 2: I can see it. Yes, Trump said you're not running 475 00:21:06,840 --> 00:21:08,440 Speaker 2: for a third term, so I feel like he's gonna 476 00:21:09,080 --> 00:21:09,880 Speaker 2: start showing up. 477 00:21:11,359 --> 00:21:14,200 Speaker 1: Trump came to this met gala, I would just instantly 478 00:21:14,240 --> 00:21:15,320 Speaker 1: be offended because I feel. 479 00:21:15,160 --> 00:21:17,440 Speaker 2: Like I'm fly or what if he had the best 480 00:21:17,440 --> 00:21:17,960 Speaker 2: fit on there. 481 00:21:18,080 --> 00:21:20,320 Speaker 3: Leave it to black men that always just have room 482 00:21:20,359 --> 00:21:21,040 Speaker 3: and hope for Trump. 483 00:21:24,040 --> 00:21:24,879 Speaker 2: It's crazy. 484 00:21:24,960 --> 00:21:27,920 Speaker 3: All right, all right, y'all, we're gonna wrap it up here. 485 00:21:28,640 --> 00:21:30,680 Speaker 1: So I've given y'all a lot of the background this 486 00:21:30,840 --> 00:21:33,120 Speaker 1: met gala talk for anybody who did not know what. 487 00:21:33,080 --> 00:21:33,520 Speaker 3: Was going on. 488 00:21:34,359 --> 00:21:36,240 Speaker 2: Now, I feel like in my heart, Jason really gonna 489 00:21:36,240 --> 00:21:39,720 Speaker 2: be there myself up at what you're trying to bet. 490 00:21:39,800 --> 00:21:41,920 Speaker 1: If he's gonna go number one, and then if he's 491 00:21:41,960 --> 00:21:45,639 Speaker 1: gonna fall again this yere or not fall allegedly whatever, 492 00:21:46,200 --> 00:21:50,959 Speaker 1: I'll bet it all, all right, we bet ten dollars. Okay, 493 00:21:51,119 --> 00:21:52,919 Speaker 1: I'm betting that. You bet he's gonna go. 494 00:21:54,440 --> 00:21:55,960 Speaker 2: Yeah, I think he's gonna be there. 495 00:21:56,040 --> 00:21:57,520 Speaker 1: I feel like he's tired of all of the like 496 00:21:57,680 --> 00:21:59,480 Speaker 1: I did not fall. I did not fall. But if 497 00:21:59,600 --> 00:22:01,120 Speaker 1: you know what, maybe I should try to run into 498 00:22:01,160 --> 00:22:06,560 Speaker 1: Jason Derulo and get him falling just one time for. 499 00:22:05,280 --> 00:22:07,400 Speaker 3: Pinky promise that you're gonna pay the bet when I win. 500 00:22:07,640 --> 00:22:11,520 Speaker 2: Yeah, all right, right. 501 00:22:11,440 --> 00:22:14,080 Speaker 1: Yeah, I don't trust you, date white woman. 502 00:22:14,080 --> 00:22:14,720 Speaker 3: I don't trust you. 503 00:22:14,760 --> 00:22:15,080 Speaker 2: I do not. 504 00:22:17,000 --> 00:22:19,359 Speaker 1: So we'll see if Jason Gulo shows up, if he 505 00:22:19,440 --> 00:22:21,600 Speaker 1: falls or not, If Rihanna shows up and just all 506 00:22:21,640 --> 00:22:23,560 Speaker 1: of the dandism that is going to hit the carpet, 507 00:22:23,600 --> 00:22:25,240 Speaker 1: I'll be running out and about. Make sure you guys 508 00:22:25,280 --> 00:22:28,320 Speaker 1: are following me at Lornda Rosa everywhere. This has been 509 00:22:28,359 --> 00:22:30,160 Speaker 1: the latest with Lorena Rosa, and I tell you guys 510 00:22:30,200 --> 00:22:32,800 Speaker 1: every single time, if you're right here with me talking 511 00:22:32,840 --> 00:22:35,560 Speaker 1: about these topics. I appreciate you because at the end 512 00:22:35,560 --> 00:22:37,959 Speaker 1: of the day, y'all could be anywhere, but y'all are 513 00:22:38,040 --> 00:22:38,840 Speaker 1: right here. 514 00:22:39,160 --> 00:22:39,480 Speaker 3: Thank you.