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Speaker 1: I listen to The Black Guy Who Tips Podcast because

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Speaker 1: Rod and Karen.

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Speaker 2: Or huck Hey, Welcome to another episode of The Black

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Speaker 2: Guy Who Took Podcast.

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Speaker 1: I'm your host Rod, joined as always by my co.

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Speaker 3: Host Karen, and we're live on.

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Speaker 2: What appears to be a Wednesday, Walking Dead Wednesday.

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Speaker 1: It's Walking Dad time, y'all.

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Speaker 2: It's the episode that no one wants to listen to

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Speaker 2: except like seven people.

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Speaker 3: And that's fine, that's fine.

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Speaker 1: We don't give a fuck.

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Speaker 3: We don't care.

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Speaker 2: We got what thirteen episodes left of The Walking Dead ever?

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Speaker 1: And I don't give a fuck.

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Speaker 2: If it's just me and Karen at the end of

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Speaker 2: this bait and there's never a person in the chat

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Speaker 2: room and the download say zero listens. I don't give

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Speaker 2: a fuck. We're going down with the ship.

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Speaker 3: Were gonna still cover that, bitch.

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Speaker 1: We own our podcast and we can do whatever.

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Speaker 3: We want, come on whatever we want.

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Speaker 2: And nobody can ever change that. But yeah, it's Walking

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Speaker 2: Day recap time. This is episode three. Oh we got

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Speaker 2: twenty okay, somebody said we got twenty one episodes left.

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Speaker 1: Okay, it's twenty four the season, all right, that's fine.

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Speaker 2: Whatever, We're going down with ship, say less that ain't

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Speaker 2: changed nothing.

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Speaker 3: Say let's say more. We don't care.

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Speaker 1: Yeah, We'll be here the whole way.

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Speaker 3: We'll be here until they be like, you know what,

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Speaker 3: it's time to go, guys, it's time to go. We

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Speaker 3: have a doc, the last.

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Speaker 2: Doc, episode three, which is episode one hundred and fifty

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Speaker 2: six overall, it's called Hunted, episode three of season eleven.

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Speaker 2: And we'll start the way we always start. Karen, what

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Speaker 2: do you think about this episode?

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Speaker 3: I enjoyed this episode. This episode was really good. A

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Speaker 3: lot of action in it, which is what I like.

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Speaker 3: I was actually here for this episode.

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Speaker 1: I enjoyed it. Yeah.

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Speaker 2: I enjoyed the episode because of the action. The hypocrisy

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Speaker 2: just jumped out all over the place.

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Speaker 1: The b story was cool.

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Speaker 2: At first I thought it was like, this is the

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Speaker 2: most opposite storyline I've ever seen in this show.

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Speaker 1: And then the way it ended, I was like, do

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Speaker 1: it's not so looked forward to that.

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Speaker 2: And we got a lot of deaths, which I'm always

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Speaker 2: a big fan of. It's the final season. Call these

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Speaker 2: motherfuckers kill them, yes, bugget.

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Speaker 3: I was like, Maggie bought her group. It's a lot

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Speaker 3: of niggas floating around here.

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Speaker 1: What are we waiting on?

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Speaker 2: And then we finally got to see a bunch of

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Speaker 2: the represent action as opposed to just that one.

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Speaker 1: That one was hard enough to take out.

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Speaker 2: But apparently, you know they that's the the whole crew

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Speaker 2: is truck spade tight.

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Speaker 3: Come on.

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Speaker 1: So that was interesting. All right, Well, you know how

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Speaker 1: we do.

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Speaker 2: We're gonna get into this nice breakdown. Let's get to it.

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Speaker 1: So I broke it down.

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Speaker 2: There's only two locations this week, but this might be

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Speaker 2: a bit of a longer show because there was so

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Speaker 2: much action to describe.

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Speaker 1: The episode is called Hunted.

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Speaker 2: The two locations are basically on the road to Meridian,

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Speaker 2: which is where Maggie says all these supplies are gonna

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Speaker 2: be or some shit. And you know that crew was

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Speaker 2: attacked by the reapers last week. And then there's Alexandria,

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Speaker 2: which is this a nice peaceful story about horses and

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Speaker 2: how much we love them.

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Speaker 1: Let's get to it.

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Speaker 3: It did not any well.

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Speaker 2: Alexandria, Kelly and Carrol apparently head out together looking for

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Speaker 2: supplies and stuff. They go out every day looking because

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Speaker 2: times are hal art.

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Speaker 1: It's scarce with supplies around there. Apparently the walls have

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Speaker 1: been broken down the horses have escaped.

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Speaker 2: All this happened when the whisperers basically ran over the

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Speaker 2: Alexandria with that herd.

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Speaker 3: Yes and they literally they tore everything the pieces like

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Speaker 3: you understood, and you could see like the broken down

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Speaker 3: builders and ship. But once you seen like what was

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Speaker 3: really happen, I was like, oh, like it is worse

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Speaker 3: than our thought.

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Speaker 2: Yeah, it's a pretty bad They're in pretty bad shape

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Speaker 2: out there.

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Speaker 3: Yeah, it's just like no crops, no nothing.

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Speaker 2: Yeah, so it makes sense that they would have the struggle, yes.

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Speaker 1: Ghetto.

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Speaker 2: Yeah, when they were out looking for supplies to say,

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Speaker 2: for the sun, things should have just started playing.

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Speaker 1: Yeah.

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Speaker 2: So then Magna, not minding her business, sees Kelly and

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Speaker 2: Carol about the head out and she's on lookout duty

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Speaker 2: at the wall. She comes down and asked Kelly about

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Speaker 2: missing their shift together, like you were supposed to be

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Speaker 2: here on lookout duty with me this morning, but you

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Speaker 2: did you know you missed?

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Speaker 1: It? Is everything okay?

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Speaker 2: And she asked Kelly she wants to talk about it,

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Speaker 2: and Kelly says, it's nothing to talk about, is it me?

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Speaker 1: Am?

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Speaker 2: I picking up vibes of maybe like a romance between

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Speaker 2: Magne and Kelly or no, just friendship, just a friendship, okay,

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Speaker 2: all right?

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Speaker 1: Interested I don't know.

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Speaker 2: Something about that conversation, and then something they did later

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Speaker 2: where she put her head on her shoulder and stuff,

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Speaker 2: it just felt like maybe they're trying to maybe do

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Speaker 2: a little will they won't they think, you know, Magna

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Speaker 2: just broke up with you, mic O truth who you

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Speaker 2: know left? I think Magna's a messy as want girl.

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Speaker 2: So I don't really want Kelly to get with Magnet.

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Speaker 3: But she's too much.

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Speaker 2: Yeah, she's such a debbie downer ass, like you know,

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Speaker 2: insecure person about certain shit, you know, But I don't know.

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Speaker 2: I mean, look, it's the z pocket. Ain't a lot

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Speaker 2: of choices. It's not like she's ugly or nothing. Right anyway,

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Speaker 2: In the background, we see Aaron and them trying to

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Speaker 2: fix the walls and Carroll as Carol is going into

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Speaker 2: the supply store supply area to get some some stuff,

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Speaker 2: and he has Carol like as there because they're raising

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Speaker 2: these walls like by hand and it's a lot of work.

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Speaker 2: And he basically asked where she's going, and she's like,

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Speaker 2: I'm going after the horses. He was like, you're supposed

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Speaker 2: to be on wall duty, helping us fix the walls,

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Speaker 2: and if we don't.

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Speaker 1: Get these walls up, we're basically gonna.

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Speaker 2: Be defenseless, so you know, and she's like, if we

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Speaker 2: don't get the horses, we won't even be able to

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Speaker 2: move anything heavier than a fucking like bag of brain.

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Speaker 3: Right, need these horses, right, And it was one of

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Speaker 3: those things, but I understand, I understood broth points. Her

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Speaker 3: thing was like, somebody has to go after these horses

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Speaker 3: because it's gonna be a problem when we need to

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Speaker 3: move like really really heavy shit that we physically, no

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Speaker 3: matter how many of us help, can't move.

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Speaker 2: Yeah, and it's interesting because you know, she's basically like,

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Speaker 2: we're starving, we.

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Speaker 1: Can't move shit, and the horses would make raising the

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Speaker 1: walls easier. He would probably just tie some.

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Speaker 2: Shit to them and be like, go ahead and and

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Speaker 2: will help us lift these walls. But yeah, so she's like,

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Speaker 2: I'm going to get the horses. And you know how

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Speaker 2: Carol is once she get her mind to something and

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Speaker 2: nobody could change it.

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Speaker 1: And Daryl's not there, no, but.

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Speaker 2: Aaron does bring up that him and Daryl once went

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Speaker 2: after Buttons, that horse, and they remember they spent a

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Speaker 2: half an episode doing that shit, and then the horse

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Speaker 2: got eighting by walkers anyway, so he.

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Speaker 1: Was like, you know when, like it might not even

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Speaker 1: be worth going after the horses, and she was like, yeah, whatever.

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Speaker 3: I don't care, I'm going anyway.

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Speaker 2: Apparently in daycare we have Judith Rick Junior and Herschel

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Speaker 2: and Gracie.

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Speaker 1: I didn't see Adam, which is what's his name? All

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Speaker 1: this little kid Adam.

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Speaker 2: I didn't see Adam, but maybe I missed him or something,

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Speaker 2: or maybe it's not old enough to talk, and of

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Speaker 2: course Rosita's baby is so young it wasn't so anyway.

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Speaker 2: The kids are all playing space or talk of bid

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Speaker 2: wets or some shit, playing something. I think it was slapjack.

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Speaker 2: I'm not jugged. I think that's what it's caused. They

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Speaker 2: were playing like slapjack or some shit, and they had

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Speaker 2: a super dark conversation about how the parents are always

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Speaker 2: leaving and they say they gonna come back, even though

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Speaker 2: they can't really promise that because it's z pop, and

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Speaker 2: it was just kind of a dark conversation for kids

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Speaker 2: to have. You know, I think I like when we

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Speaker 2: get the little glimpses intil like this is what kids

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Speaker 2: are like in the epoch.

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Speaker 3: Yeah, and they're just quicker than humans because to them,

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Speaker 3: this ship is normal. Like parents say that, but we

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Speaker 3: you know, they can't guarantee they come back. And you know,

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Speaker 3: basically conversations like they say that ship to make us

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Speaker 3: feel better than someone say no, they say that shit

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Speaker 3: to make themselves feel better.

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Speaker 2: Right, and the kids are all like they're well, they're

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Speaker 2: adjusted to the epoch, but by our standards, the kids

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Speaker 2: are fucked up because the kids are like, I don't know,

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Speaker 2: so you got kill a nigga and they just you know,

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Speaker 2: don't play tag and then they just move on, you know,

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Speaker 2: Like so it's is they've had to do so much

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Speaker 2: hard ship to survive, kill their loved ones and shit,

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Speaker 2: you know.

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Speaker 3: It's easy to flip that switch mm hm. Versus adults,

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Speaker 3: we've kind of most of the adults have lived life

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Speaker 3: longer prior to breaking down versus these children. A lot

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Speaker 3: of them are raised up in this.

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Speaker 1: They've been abducted before we saw it.

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Speaker 2: You know, these kids are lived some tough live, so

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Speaker 2: you know, you know, that's why they end up playing space,

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Speaker 2: smoking cigarette cigarettes and shit drinking for this, right, Like

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Speaker 2: Herschel licked the queen on this and looked it to

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Speaker 2: his forehead and was like, this a bad bitch right here,

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Speaker 2: I'm cutting.

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Speaker 3: Hearts about the dice. What's happening in the woods?

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Speaker 2: Kelly, Magna, and Carol run into Rosita because somehow, I guess,

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Speaker 2: Magna decided to go on the expedition with them, even

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Speaker 2: though she was saying how.

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Speaker 3: It was important to be up on the building.

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Speaker 1: Right, Yeah, what was her? That's why I think she

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Speaker 1: likes Kelly.

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Speaker 2: I think something like she was so concerned with Kelly

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Speaker 2: this week, and it was in a way that was

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Speaker 2: like different than just being friends in my opinion, but

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Speaker 2: you know, I don't know.

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Speaker 3: Yeah, I looked it as a way of being more

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Speaker 3: like concerned, like, hey, like everybody else is gone, it's

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Speaker 3: just me and.

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Speaker 1: Hr I guess.

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Speaker 2: So, yeah, because the music teacher moved up the ultra

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Speaker 2: side to be with his lady, h you, Mikah was

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Speaker 2: out on that ex addition, Connie's missing, right, so I

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Speaker 2: guess it is so maybe maybe that is what it is.

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Speaker 1: I don't know. I don't know.

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Speaker 2: It gave me vibes of something a little more clingy

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Speaker 2: than that, but yeah, so they run into Rosita, who's

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Speaker 2: out in the woods picking mushrooms so they can get high,

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Speaker 2: and yeah.

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Speaker 3: It's like, uh, I hope you don't think you're about

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Speaker 3: to feed somebody, but the bitches not not not unless

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Speaker 3: you want. Everybody's high as a kite, right, She's like, we're.

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Speaker 1: Gonna be tripping balls.

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Speaker 2: I don't know how we're gonna.

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Speaker 3: Yeah, that's that's why that'd have been me, because I

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Speaker 3: don't know what the fuck is a good mushroom and

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Speaker 3: a bad mushroom.

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Speaker 2: That would have been funny if at the end of

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Speaker 2: the episode they never caught any horses.

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Speaker 1: They just was all hot the whole time.

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Speaker 2: I was like, oh, you see the horses, and then

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Speaker 2: they cut to them and it's a field and they

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Speaker 2: just out there running around.

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Speaker 1: Lost this ship, not a horse in sight, just like, yeah,

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Speaker 1: they're making horse sounds. But yeah, So.

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Speaker 2: Rosita's like, listen, all my men is gone, Sadik is dead.

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Speaker 2: Eugene off chasing titties, and because I don't want him

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Speaker 2: in the what he called the compound or whatever the

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Speaker 2: fuck that, uh, the Commonwealth, He's off tasing chasing titties. Uh,

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Speaker 2: my man, Gabe out there on the expedition to get

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Speaker 2: supplies and kill some fucking reapers, so you know, I

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Speaker 2: ain't got ship to do. And uh, they go horse

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Speaker 2: hunting together and they get some lassos the horse. They

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Speaker 2: see a horse in the field, they get spooked and

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Speaker 2: run off last ship.

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Speaker 1: Yeah they yeah, they you know.

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Speaker 2: And Rosita confidsing Carol after they don't catch the horse

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Speaker 2: that she's been having dreams about Abraham in which he

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Speaker 2: is about to tell her something but then he gets

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Speaker 2: shot in the head and dies before he could tell her,

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Speaker 2: and she doesn't know what the dream means. That is

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Speaker 2: how Abraham died in the comics though, mm hmmm, So

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Speaker 2: that's interesting because Abraham died. So I want to say

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Speaker 2: her name was like Dana something that died in the

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Speaker 2: season where they were fighting the Saviors and Dwight accidentally

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Speaker 2: shot her with his crossbow with Darrel's crossbow or somebody's

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Speaker 2: crossed like he shot an arrow thrower eye. She died,

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Speaker 2: and she was Terror's love interest at the time. Yes,

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Speaker 2: and so Dana, oh Denise, Yeah, so Denise that was

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Speaker 2: her name, Thank you chatter. So Denise died how Abraham

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Speaker 2: died in the comics, because that was how Abraham died

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Speaker 2: in the comics and.

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Speaker 3: He was just talking and just went down.

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Speaker 2: Yeah, so I don't know what exactly that was like

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Speaker 2: and why she felt the need, Like, is that gonna

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Speaker 2: come up later, We're gonna have an episode where maybe

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Speaker 2: we get into Rosita's dream sequences.

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Speaker 3: I don't know, yes, yes, something, because she didn't bring

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Speaker 3: it up for no reason.

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Speaker 2: Yeah, so I don't know if if that's like a

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Speaker 2: hint or if, like, you know, maybe like if the

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Speaker 2: actress exits, the show will have some type of dreamy

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Speaker 2: goodbye episode. I don't know anyway, but it didn't feel

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Speaker 2: like it came out for no reason, right. They walk

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Speaker 2: up on some dismembered horses in the woods by creek

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Speaker 2: and Carroll starts crying. But then it's like, we gotta

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Speaker 2: keep looking. Everybody basically says we need to turn back.

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Speaker 2: Carol says, I'm going after the horses. We need to

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Speaker 2: keep going. The fucking town won't last and we don't

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Speaker 2: have these horses. And then Magnet just walks up and

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Speaker 2: hugs Carol, and Carol softens for a second and says,

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Speaker 2: let's go home now.

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Speaker 1: I wonder if.

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Speaker 2: The reason the hug worked on Carol is because as

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Speaker 2: much as people think, you know, Carol's a piece of

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Speaker 2: shit now or whatever, I wonder if Carol feels that

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Speaker 2: burden and like I need to make up to everybody

294
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Speaker 2: what I hurt when I went on my single handed

295
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Speaker 2: crusade against Alpha and Kanyie ends up getting, you know,

296
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Speaker 2: presumably dead. I wonder if Carol's like, this is all

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Speaker 2: Carol's pettance, like I'm going.

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Speaker 1: To make it up to everyone.

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Speaker 2: Yes, yes, because if you look at it that way,

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Speaker 2: it's not as selfish and pig headed as like last season,

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Speaker 2: where it felt kind of selfish and stupid. This feels more,

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Speaker 2: I don't know, like she's trying to balance her ledger

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Speaker 2: of fucking everything up last year.

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Speaker 3: Yeah. And it was also one of those things where Magna,

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Speaker 3: I think Magne seeing herself in Carol, was like, you

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Speaker 3: know what, you need a hug, because that's what I

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Speaker 3: needed when I felt like this, because you know, Magna

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Speaker 3: used to be like that too. She didn't go to

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Speaker 3: the extent of Carol, but just hard headed and just

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Speaker 3: I'm gonna do what I want to do and f hitting,

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Speaker 3: you know, and she was like, come on, now, you

312
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Speaker 3: can't really be like this.

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Speaker 2: So after the hug, Carol says, let's go home. And

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Speaker 2: on the way home, Kelly says they'll try again, to

315
00:16:02,760 --> 00:16:06,480
Speaker 2: Carol like, we'll try to find the horses again. But

316
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Speaker 2: before they can say that, Broz He was like, we

317
00:16:08,840 --> 00:16:11,200
Speaker 2: might not have to try again. They hear some horses

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Speaker 2: running around in the field, and they go to the

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00:16:14,040 --> 00:16:17,800
Speaker 2: field and there's four horses running and so they basically

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Speaker 2: see the horses. I headed towards a dairy farm. The

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00:16:21,000 --> 00:16:24,120
Speaker 2: dairy farm has a pin where you can like seal

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Speaker 2: the horses in. So they basically lead the horses into

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Speaker 2: the pin and close it, close the pin on.

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Speaker 1: Them, and.

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Speaker 2: They actually dropped. Kelly tells them to drop the lassos

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Speaker 2: and like just go up to the horses, and the

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Speaker 2: horses I guess they'll trust you and you can like

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Speaker 2: just chill on the horses because she said they want

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Speaker 2: to come home.

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Speaker 1: Yeah.

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Speaker 3: And also I don't remember who said it.

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Speaker 1: I want to say it was Magna. It was talking

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Speaker 1: about touching the air. Yes, yeah, Magne said if.

334
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Speaker 2: The horse lets you touch it touches air, it trust you.

335
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Speaker 2: And nobody got you know, horse kicked to death like

336
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Speaker 2: John Wick.

337
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Speaker 1: So I assume and.

338
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Speaker 3: Horses will fuck you up. You get behind them and

339
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Speaker 3: they scared.

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00:17:13,720 --> 00:17:18,399
Speaker 2: Uh, they bring no horses back to Alexandria. Magna tells

341
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Speaker 2: Carol stop giving Kelly hope, that they're gonna find Connie,

342
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Speaker 2: which Magne's like, I said, I don't like Magna. She's

343
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Speaker 2: always been a Debbie downer as motherfucker, and she just

344
00:17:32,320 --> 00:17:37,240
Speaker 2: needs sometimes she is just so needlessly fucking insecure, and

345
00:17:37,400 --> 00:17:41,359
Speaker 2: this felt weird to me, like if you give Kelly hope,

346
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Speaker 2: then what will she have or what, Like You're gonna

347
00:17:44,800 --> 00:17:47,440
Speaker 2: hurt her more than help. And I'm like, I don't

348
00:17:47,640 --> 00:17:51,640
Speaker 2: understand what's wrong with in this fucking zpoch. I don't

349
00:17:51,720 --> 00:17:55,320
Speaker 2: understand what the harm is. And Kelly hoping her sister

350
00:17:55,440 --> 00:17:58,440
Speaker 2: is alive and looking for her sister because stranger things

351
00:17:58,440 --> 00:18:01,480
Speaker 2: have happened where you know, you think somebody's dead and

352
00:18:01,480 --> 00:18:02,880
Speaker 2: they're not right.

353
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Speaker 1: So I don't know. I'm not a big fan of Magna.

354
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Speaker 3: I never have been, and she's kind of always has

355
00:18:09,720 --> 00:18:11,520
Speaker 3: been like that. It's like, whatever it is, she goes

356
00:18:11,640 --> 00:18:15,040
Speaker 3: like almost to the negative extreme. And my thing is,

357
00:18:15,560 --> 00:18:18,040
Speaker 3: how do you know what they was talking about? And

358
00:18:18,080 --> 00:18:20,240
Speaker 3: how do you know this is not just something within

359
00:18:20,359 --> 00:18:24,080
Speaker 3: her that you can't stamp that out. I mean, that's

360
00:18:24,080 --> 00:18:26,560
Speaker 3: a fucking sister. She's probably never gonna give up. Even

361
00:18:26,560 --> 00:18:29,240
Speaker 3: if Carol didn't need to talk to her, this would

362
00:18:29,240 --> 00:18:31,320
Speaker 3: be something that probably until the day she does, she like,

363
00:18:31,320 --> 00:18:33,840
Speaker 3: I'm gonna look for my sister, Like why would I

364
00:18:33,920 --> 00:18:35,840
Speaker 3: not look for my sister or I believe she was alive.

365
00:18:36,119 --> 00:18:38,960
Speaker 1: Yeah, So then.

366
00:18:41,240 --> 00:18:45,760
Speaker 2: We see that Carol took a horse to the stable,

367
00:18:46,119 --> 00:18:48,879
Speaker 2: laid it down, and killed it.

368
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Speaker 3: Once they got back.

369
00:18:50,680 --> 00:18:53,520
Speaker 2: Yeah, I already said they got back to Alexandria, keep

370
00:18:53,600 --> 00:18:56,440
Speaker 2: up caring. Okay, I'm over here doing a professional podcast,

371
00:18:56,480 --> 00:18:56,840
Speaker 2: all right.

372
00:18:59,680 --> 00:19:02,280
Speaker 1: They so if they get she goes takes this course

373
00:19:02,320 --> 00:19:02,720
Speaker 1: into the.

374
00:19:02,640 --> 00:19:07,560
Speaker 2: Stable and cuts the horse's throat and bleeds it into

375
00:19:07,920 --> 00:19:11,239
Speaker 2: like a bucket or something. And Aaron comes in and

376
00:19:11,280 --> 00:19:13,720
Speaker 2: sees her doing this, and she sheds a couple of tears.

377
00:19:13,760 --> 00:19:15,280
Speaker 1: Because white people love horses.

378
00:19:15,760 --> 00:19:16,960
Speaker 3: I did not see that coming.

379
00:19:17,480 --> 00:19:22,399
Speaker 2: I made a joke on Twitter, like it'll be funny

380
00:19:22,440 --> 00:19:25,240
Speaker 2: if they going after these horses, because they basically gonna

381
00:19:25,240 --> 00:19:26,760
Speaker 2: eat them because they've.

382
00:19:26,560 --> 00:19:28,600
Speaker 1: Been talking about how they starving and don't got supplies.

383
00:19:29,400 --> 00:19:31,280
Speaker 2: But I was like, they won't do that because horses

384
00:19:31,320 --> 00:19:32,920
Speaker 2: have other uses, you know, like.

385
00:19:34,440 --> 00:19:36,320
Speaker 1: Helping you carry heavy things and shit.

386
00:19:36,200 --> 00:19:37,679
Speaker 3: And you can breed them and shit like that.

387
00:19:37,720 --> 00:19:39,480
Speaker 2: And they said they had at least like a week

388
00:19:39,560 --> 00:19:42,360
Speaker 2: or two words for food left for the mr Rais

389
00:19:42,400 --> 00:19:44,080
Speaker 2: and shit. So I was like, okay, so they won't

390
00:19:44,119 --> 00:19:49,920
Speaker 2: be horse killing. Wrong, they horse killing. So I mean

391
00:19:49,960 --> 00:19:53,520
Speaker 2: the good news is they they needed the avermct it.

392
00:19:53,520 --> 00:19:54,919
Speaker 1: Anyway, you know.

393
00:19:55,080 --> 00:20:00,480
Speaker 2: Ah, that's one rational horse ivermecting that everybody can share

394
00:20:00,480 --> 00:20:05,560
Speaker 2: it now and get the pairs they can get. They

395
00:20:05,560 --> 00:20:07,120
Speaker 2: could get cured from any.

396
00:20:06,960 --> 00:20:08,600
Speaker 1: Other viruses and diseases.

397
00:20:10,960 --> 00:20:13,320
Speaker 2: And the good and the other good news is everybody's

398
00:20:13,359 --> 00:20:14,119
Speaker 2: eating good tonight.

399
00:20:14,119 --> 00:20:18,000
Speaker 1: We're getting horse y'all. Everybody, we're getting some horse Saroni.

400
00:20:20,520 --> 00:20:24,560
Speaker 2: It's like you're getting the horses.

401
00:20:24,960 --> 00:20:27,400
Speaker 1: You're getting the horse and horse mac and cheese.

402
00:20:27,720 --> 00:20:32,040
Speaker 2: No, it can be good, you know, mix it up

403
00:20:32,280 --> 00:20:36,400
Speaker 2: with some of the mushrooms, or make horseburgers, horse tacos.

404
00:20:36,440 --> 00:20:38,200
Speaker 3: Come over here, get some of this horse salad.

405
00:20:38,400 --> 00:20:40,400
Speaker 1: I was a little disappointed in them eating a horse

406
00:20:40,440 --> 00:20:46,239
Speaker 1: because the horse was just chopped up meat. And I

407
00:20:46,320 --> 00:20:48,199
Speaker 1: was like, they must not have a butcher.

408
00:20:48,320 --> 00:20:51,080
Speaker 2: How you not gonna How you not gonna like make

409
00:20:51,119 --> 00:20:54,440
Speaker 2: it in the horse burgers or something familiar, like they

410
00:20:54,440 --> 00:20:58,000
Speaker 2: fed them kids little pieces of horse. No, it didn't

411
00:20:58,040 --> 00:21:00,000
Speaker 2: look like it was no salt and pepper on it either,

412
00:21:00,720 --> 00:21:01,560
Speaker 2: you know it wasn't.

413
00:21:01,800 --> 00:21:07,240
Speaker 1: Yeah, look that horse looked dry, like come on, you.

414
00:21:07,240 --> 00:21:09,520
Speaker 3: Know y'all didn't marinated or nothing.

415
00:21:10,119 --> 00:21:11,080
Speaker 1: I mean, that's the thing.

416
00:21:11,119 --> 00:21:13,240
Speaker 2: They don't have enough black people, Alexandra for me to

417
00:21:13,240 --> 00:21:14,440
Speaker 2: believe that horse was good.

418
00:21:15,119 --> 00:21:17,000
Speaker 3: You know. That was as.

419
00:21:16,840 --> 00:21:20,359
Speaker 2: If they would have had a duncan Aka roadblock and

420
00:21:20,440 --> 00:21:22,199
Speaker 2: he would have been in there on the grill on

421
00:21:22,240 --> 00:21:25,720
Speaker 2: that horse. Come on, Okay, I would have felt differently

422
00:21:25,960 --> 00:21:28,160
Speaker 2: they'd had horse legs.

423
00:21:27,880 --> 00:21:30,680
Speaker 1: If rode, if they would have if they would have

424
00:21:30,720 --> 00:21:31,280
Speaker 1: cut over.

425
00:21:31,160 --> 00:21:33,840
Speaker 2: The road to road block on that grill, and he

426
00:21:33,840 --> 00:21:38,640
Speaker 2: would have been wearing some sandals, listening to some Frankie Beverly.

427
00:21:38,359 --> 00:21:39,040
Speaker 1: And made.

428
00:21:41,600 --> 00:21:44,360
Speaker 2: With a shirt that was button down to his navel,

429
00:21:45,280 --> 00:21:49,359
Speaker 2: just open button. He was just over there, whint w

430
00:21:50,680 --> 00:21:52,440
Speaker 2: If he was just over there getting it, I think

431
00:21:52,480 --> 00:21:54,040
Speaker 2: I'll be like, you know what, I bet that horse

432
00:21:54,080 --> 00:21:54,560
Speaker 2: good as ship.

433
00:21:54,640 --> 00:21:56,920
Speaker 3: Though he'd have had that horse over open.

434
00:21:56,720 --> 00:21:59,639
Speaker 2: Flame, right, he would have just been over there before

435
00:21:59,800 --> 00:22:04,360
Speaker 2: out let go just jamming holding holding one, holding one

436
00:22:04,359 --> 00:22:08,480
Speaker 2: bottle of beer in his hands all day, holding one

437
00:22:08,880 --> 00:22:12,880
Speaker 2: hold warm, holding one glass of Crown Royal. That that

438
00:22:12,880 --> 00:22:16,080
Speaker 2: that's about. That's been halfway for the whole the whole cookout.

439
00:22:16,480 --> 00:22:18,639
Speaker 1: Yeah, he would have been over there getting down on

440
00:22:18,640 --> 00:22:21,120
Speaker 1: that horseman she is I don't know now.

441
00:22:21,359 --> 00:22:23,560
Speaker 3: Would have had an apple on his mouth rotating over there.

442
00:22:23,640 --> 00:22:25,960
Speaker 2: If they were, that scene would have made me be like,

443
00:22:26,040 --> 00:22:28,359
Speaker 2: you know what, horse might be some good eating, come on,

444
00:22:28,840 --> 00:22:32,520
Speaker 2: never too much, never too much anyway.

445
00:22:33,200 --> 00:22:34,359
Speaker 1: But that's not what happened.

446
00:22:34,400 --> 00:22:40,080
Speaker 2: They saw a horse to taste yep, and uh, it

447
00:22:40,119 --> 00:22:43,400
Speaker 2: was not intriguing. It did not make look delicious or advertising.

448
00:22:44,000 --> 00:22:47,520
Speaker 2: And then they cut to the kids eating horse. And

449
00:22:47,520 --> 00:22:49,439
Speaker 2: this is when we found out some things about herschel

450
00:22:49,480 --> 00:22:50,320
Speaker 2: that I didn't want to know.

451
00:22:51,440 --> 00:22:53,480
Speaker 3: Just tick Reilly's small bites.

452
00:22:58,280 --> 00:23:01,560
Speaker 1: He's eating that before. Yeah, on the road.

453
00:23:01,440 --> 00:23:03,720
Speaker 2: With my mom, Jennifer, you could tell was raised by

454
00:23:03,760 --> 00:23:06,159
Speaker 2: a black woman. She was like, smell it from she

455
00:23:06,200 --> 00:23:07,119
Speaker 2: smelled the horse.

456
00:23:07,320 --> 00:23:08,640
Speaker 1: She was like, I'm not eating.

457
00:23:08,440 --> 00:23:13,320
Speaker 3: Horse, yes, And that goes back to what his mama

458
00:23:13,440 --> 00:23:15,440
Speaker 3: was saying, like she was like, oh, we've seen shit,

459
00:23:15,600 --> 00:23:18,600
Speaker 3: like me and my son, we have seen some shit,

460
00:23:18,840 --> 00:23:21,600
Speaker 3: and so the story that he's about to tell lets

461
00:23:21,600 --> 00:23:24,680
Speaker 3: you know that they have like really been to the

462
00:23:24,760 --> 00:23:29,280
Speaker 3: verge of starving to death. Yeah, on the road with

463
00:23:29,400 --> 00:23:37,960
Speaker 3: my mom. Do you eat what your fine? Have you

464
00:23:38,040 --> 00:23:42,560
Speaker 3: ever been on the road? Not like that. A lot

465
00:23:42,600 --> 00:23:50,160
Speaker 3: of different people just true at fast. It's not that bad,

466
00:23:51,520 --> 00:23:53,119
Speaker 3: not like the spiders.

467
00:23:54,080 --> 00:23:54,760
Speaker 1: Spiders.

468
00:23:56,800 --> 00:23:58,720
Speaker 2: And that's when I realized that her show was to

469
00:23:58,760 --> 00:24:00,119
Speaker 2: beat pe boy.

470
00:24:00,520 --> 00:24:03,639
Speaker 1: Mm hmmm. Mike Hershel is the kid with the snop

471
00:24:03,640 --> 00:24:06,000
Speaker 1: bubbles at school. It's sad to see.

472
00:24:07,520 --> 00:24:11,000
Speaker 3: And not like the spiders. Nigga seen some things.

473
00:24:14,400 --> 00:24:18,240
Speaker 1: So yep, horse horses and spiders.

474
00:24:19,720 --> 00:24:24,040
Speaker 2: And then Rosita takes baby Coco to see the horses.

475
00:24:24,280 --> 00:24:27,280
Speaker 2: The three that's left as Carol is watching blood off

476
00:24:27,280 --> 00:24:30,080
Speaker 2: her head and she was like, wait a minute, there

477
00:24:30,280 --> 00:24:34,639
Speaker 2: was And Magnet is joined by Kelly while she's eating

478
00:24:34,640 --> 00:24:38,520
Speaker 2: some horse and she puts her Kelly puts her head

479
00:24:38,560 --> 00:24:42,040
Speaker 2: on Magnet's shoulder for a second, and then Carol comes

480
00:24:42,080 --> 00:24:46,000
Speaker 2: and gets Kelly and says, let's go, and I'm assuming.

481
00:24:46,320 --> 00:24:48,280
Speaker 1: Carol basically said, fuck what you're talking about.

482
00:24:48,359 --> 00:24:51,080
Speaker 2: I'm going out looking for Connie and I'm taking Kelly

483
00:24:51,119 --> 00:24:51,399
Speaker 2: with me.

484
00:24:52,119 --> 00:24:55,119
Speaker 3: Be mad, Yeah, because what you're gonna do, but then

485
00:24:55,240 --> 00:24:57,119
Speaker 3: be mad. I mean, you're not gonna stop her. And

486
00:24:57,440 --> 00:24:59,679
Speaker 3: who knows what the conversation has been, and it been

487
00:24:59,760 --> 00:25:02,280
Speaker 3: might be one of them things where she's like, because

488
00:25:02,359 --> 00:25:05,640
Speaker 3: Carol is not gonna stump out the hope that she has.

489
00:25:05,680 --> 00:25:08,160
Speaker 3: That like Carol has kind is almost to another level.

490
00:25:08,320 --> 00:25:09,840
Speaker 1: I think Carol feels like she owes her.

491
00:25:09,760 --> 00:25:12,000
Speaker 3: Too, yes, because she feels like, it's my FoST your

492
00:25:12,000 --> 00:25:14,920
Speaker 3: sister's going in the first place, if you want to

493
00:25:14,960 --> 00:25:17,000
Speaker 3: go find her. Because the thing is, Carol would have

494
00:25:17,000 --> 00:25:19,160
Speaker 3: went by herself if she wouldn't gon go, but since

495
00:25:19,200 --> 00:25:21,960
Speaker 3: she she probably wanted and probably asked her to go

496
00:25:22,080 --> 00:25:24,320
Speaker 3: with her, you know, because you don't want her out

497
00:25:24,320 --> 00:25:26,439
Speaker 3: there by herself, knowing that her hearing is not the

498
00:25:26,480 --> 00:25:28,120
Speaker 3: best said you don't want her out there, Loan.

499
00:25:29,119 --> 00:25:31,440
Speaker 1: All right, that's it for the Alexandria portion.

500
00:25:31,560 --> 00:25:35,800
Speaker 2: A very sad uh just you know, kind of sad

501
00:25:35,960 --> 00:25:37,760
Speaker 2: horse horse episode.

502
00:25:37,880 --> 00:25:43,520
Speaker 1: It was kind of like a bo Jack Horseman, uh

503
00:25:43,960 --> 00:25:45,080
Speaker 1: apocalypse episode.

504
00:25:45,960 --> 00:25:50,320
Speaker 2: Uh. Let's get to the interesting, more action driven part.

505
00:25:50,880 --> 00:25:54,400
Speaker 2: On the road to Meridian. Okay, our crew just got

506
00:25:54,400 --> 00:25:57,480
Speaker 2: ambushed by the hunter group called the Reapers or the

507
00:25:57,520 --> 00:26:01,960
Speaker 2: insurrectionists on their way to d C, which is the

508
00:26:02,000 --> 00:26:04,720
Speaker 2: second time they've been going to DC for supplies. I

509
00:26:04,760 --> 00:26:08,600
Speaker 2: remember that other time they had broken that museum uh

510
00:26:08,640 --> 00:26:11,280
Speaker 2: in d C. So you know, it just made me

511
00:26:11,320 --> 00:26:13,840
Speaker 2: think back to that and need to stay with from DC. Apparently,

512
00:26:13,880 --> 00:26:17,080
Speaker 2: apparently the insurrection inside the Capitol building in this in

513
00:26:17,160 --> 00:26:19,960
Speaker 2: the epoch, they done took it over, and they don't

514
00:26:20,000 --> 00:26:23,320
Speaker 2: like visitors, so they ambushed our crew in the woods

515
00:26:23,640 --> 00:26:29,000
Speaker 2: and oh my god, oh my god.

516
00:26:29,119 --> 00:26:32,120
Speaker 3: They came in and gave everybody the business.

517
00:26:32,600 --> 00:26:36,160
Speaker 2: Cole who had just lost his hand last week at

518
00:26:36,160 --> 00:26:40,120
Speaker 2: the wrist and got cut in the leg immediately gets

519
00:26:40,119 --> 00:26:43,439
Speaker 2: his throat slip man bun down.

520
00:26:43,640 --> 00:26:46,240
Speaker 3: He is gone, He is gone. They loved him. What

521
00:26:46,280 --> 00:26:48,080
Speaker 3: you call him sickles cycles.

522
00:26:47,680 --> 00:26:55,040
Speaker 2: Circles, Uh my man, roadblock turns around immediately gets hit

523
00:26:55,080 --> 00:26:58,920
Speaker 2: with several bladed objects to the chest. Who like four

524
00:26:59,040 --> 00:27:02,160
Speaker 2: or five like enough to you, Like, how would anyone

525
00:27:02,160 --> 00:27:02,639
Speaker 2: survive that?

526
00:27:02,920 --> 00:27:07,600
Speaker 3: Right? He was like, oh, that's not good. That's never good.

527
00:27:07,720 --> 00:27:10,800
Speaker 2: Like he's strong as hell, but there's no way, like

528
00:27:11,040 --> 00:27:14,840
Speaker 2: four five bladed objects strike you dead in your motherfucker chest,

529
00:27:14,960 --> 00:27:16,720
Speaker 2: Like that's a you're gonna at least have to sit

530
00:27:16,760 --> 00:27:17,560
Speaker 2: down and think about it.

531
00:27:17,560 --> 00:27:19,320
Speaker 3: And it's in the middle of the night, so everybody

532
00:27:19,400 --> 00:27:20,840
Speaker 3: running and everybody scrambling.

533
00:27:21,680 --> 00:27:21,880
Speaker 1: Right.

534
00:27:22,960 --> 00:27:24,439
Speaker 2: Uh, you would have thought he would have been the

535
00:27:24,440 --> 00:27:28,000
Speaker 2: first one to get everybody out of there, but apparently

536
00:27:28,080 --> 00:27:30,479
Speaker 2: road block Wasn't you know, he didn't have no bars

537
00:27:30,480 --> 00:27:30,960
Speaker 2: for this part.

538
00:27:31,000 --> 00:27:33,320
Speaker 1: He should have been like, yo, yo, yo, we got

539
00:27:33,359 --> 00:27:33,720
Speaker 1: stick go.

540
00:27:35,000 --> 00:27:39,040
Speaker 3: I know, and also I think too with and I

541
00:27:39,160 --> 00:27:42,120
Speaker 3: know it's my sound ridiculous, but with him being such

542
00:27:42,119 --> 00:27:44,680
Speaker 3: a large person, it's probably easier target. It's like, Oh,

543
00:27:44,720 --> 00:27:47,919
Speaker 3: you're the biggest thing out there, let's hit you.

544
00:27:47,960 --> 00:27:49,240
Speaker 1: Gabe gets sliced.

545
00:27:49,480 --> 00:27:52,919
Speaker 2: Niagan gets hitting the leg, but not fatally, just like

546
00:27:53,000 --> 00:27:56,800
Speaker 2: a not a glancing blow, but like it didn't kill him.

547
00:27:56,840 --> 00:27:58,840
Speaker 2: It just stuck stuck him in the leg and he

548
00:27:58,920 --> 00:28:02,320
Speaker 2: starts running. Gave sliced in the throat, but not deep

549
00:28:02,480 --> 00:28:04,200
Speaker 2: and kind of a glancing blow.

550
00:28:05,760 --> 00:28:06,960
Speaker 1: Darryl and Dog leave.

551
00:28:08,160 --> 00:28:12,119
Speaker 2: Maggie gets ready to like throw something at one of

552
00:28:12,119 --> 00:28:16,240
Speaker 2: the reapers, but a rope around comes around her neck

553
00:28:16,240 --> 00:28:19,800
Speaker 2: and someone lassos her pulls her to the ground. The

554
00:28:19,960 --> 00:28:25,280
Speaker 2: Black Ninja dude Elijah Snake Eyes runs over to her

555
00:28:25,760 --> 00:28:29,320
Speaker 2: and cuts the rope that somebody has, you know, tied

556
00:28:29,359 --> 00:28:32,000
Speaker 2: around her neck. Right then he gets lifted off the

557
00:28:32,040 --> 00:28:33,959
Speaker 2: ground and pulled away by something.

558
00:28:34,040 --> 00:28:35,879
Speaker 3: Yeah, we don't know what happened. He just disappeared off

559
00:28:35,920 --> 00:28:36,320
Speaker 3: the screen.

560
00:28:36,400 --> 00:28:38,960
Speaker 2: It was like some fucking horror movie. Shit you don't

561
00:28:39,000 --> 00:28:41,480
Speaker 2: even really get to see. It's just like, yank, he's gone.

562
00:28:41,560 --> 00:28:45,080
Speaker 2: The fucking polter guy's got him, Yes, it did. And

563
00:28:45,120 --> 00:28:50,120
Speaker 2: then Maggie looks around and in her peripheral vision behind her,

564
00:28:50,160 --> 00:28:53,200
Speaker 2: she sees one of the reapers behind her and she

565
00:28:53,320 --> 00:28:55,600
Speaker 2: just turns and like kind of blindly throws the.

566
00:28:55,560 --> 00:28:57,000
Speaker 1: Pickaxe at the reaper.

567
00:28:57,280 --> 00:28:59,880
Speaker 2: She almost got him too, and it lands in a tree,

568
00:29:00,480 --> 00:29:02,920
Speaker 2: and the reaper turns to look at the at the

569
00:29:02,960 --> 00:29:05,200
Speaker 2: tree and it looks back where Maggie was, and Maggie

570
00:29:05,320 --> 00:29:10,520
Speaker 2: is gone. And that was when I realized the reapers

571
00:29:11,320 --> 00:29:12,640
Speaker 2: they're not insurrectionists.

572
00:29:13,920 --> 00:29:16,440
Speaker 1: The reapers are from the Leaf Village.

573
00:29:16,640 --> 00:29:20,400
Speaker 3: Yes, they I'll be black ops.

574
00:29:20,720 --> 00:29:26,160
Speaker 2: These are ninjas. These are not human beings. These motherfuckers

575
00:29:26,200 --> 00:29:31,360
Speaker 2: are shanobi. Oh my godbody, that opening was less than

576
00:29:31,440 --> 00:29:33,880
Speaker 2: like two minutes. Like I want to say that opening

577
00:29:33,960 --> 00:29:35,880
Speaker 2: might have been a minute and a half. And that

578
00:29:36,040 --> 00:29:38,520
Speaker 2: was something the scariest shit. That was scarier than that

579
00:29:38,520 --> 00:29:40,880
Speaker 2: that when the Reapers, when the Walk, when the Whispers

580
00:29:40,920 --> 00:29:43,480
Speaker 2: attacked Jesus Y, which was scariest shit too.

581
00:29:43,920 --> 00:29:47,120
Speaker 1: This was scarier than that. These niggas are so proficient

582
00:29:47,160 --> 00:29:48,000
Speaker 1: and killing people.

583
00:29:48,800 --> 00:29:51,840
Speaker 3: They like they got to reform a military or something,

584
00:29:51,880 --> 00:29:53,080
Speaker 3: because that doesn't make sense.

585
00:29:53,200 --> 00:29:56,400
Speaker 2: I honestly thought the show was exaggerating and they wouldn't

586
00:29:56,400 --> 00:29:58,680
Speaker 2: live up to the height. When they was like, yeah,

587
00:29:58,920 --> 00:30:01,400
Speaker 2: the Reapers, you don't even know him to till they.

588
00:30:01,360 --> 00:30:02,240
Speaker 1: Are already killing you.

589
00:30:02,280 --> 00:30:03,800
Speaker 3: A mega kept saying yeah.

590
00:30:03,840 --> 00:30:07,000
Speaker 2: I was like, okay, yeah, you.

591
00:30:07,280 --> 00:30:09,520
Speaker 3: Megan's like, by the time you see him, it's too late.

592
00:30:09,880 --> 00:30:12,600
Speaker 2: Right, Like, we know that you can't fucking do that

593
00:30:12,720 --> 00:30:15,720
Speaker 2: on the TV show because we've gotten to know these

594
00:30:15,800 --> 00:30:17,880
Speaker 2: characters and he can't just be killing every fucking body

595
00:30:17,920 --> 00:30:22,120
Speaker 2: and fucking everybody up every week. So obviously they're gonna

596
00:30:22,240 --> 00:30:24,360
Speaker 2: there's gonna be something to them. It's like the Whispers,

597
00:30:24,360 --> 00:30:27,680
Speaker 2: where yes, the Whispers are scary, but at the same time,

598
00:30:27,720 --> 00:30:29,640
Speaker 2: our crew is gonna figure something out because they have to.

599
00:30:30,480 --> 00:30:32,560
Speaker 1: Oh nigga, this was scary as fuck.

600
00:30:33,920 --> 00:30:36,560
Speaker 3: Yep, yep, because they was like oh no, no, no, no,

601
00:30:36,840 --> 00:30:39,480
Speaker 3: we're coming for you. You gonna know we here and

602
00:30:39,520 --> 00:30:41,720
Speaker 3: we're gonna fuck you up. And you know what, I

603
00:30:41,760 --> 00:30:43,680
Speaker 3: think they should know me to these niggas waited and

604
00:30:43,800 --> 00:30:45,760
Speaker 3: wear a mask and ship. Yes they I told you

605
00:30:45,800 --> 00:30:46,840
Speaker 3: they I'll be black ops.

606
00:30:47,160 --> 00:30:50,320
Speaker 1: Yes exactly, it was. It was crazy.

607
00:30:50,480 --> 00:30:53,880
Speaker 2: So then it's now daytime and Maggie walks across a

608
00:30:54,000 --> 00:30:58,120
Speaker 2: parking lot into a small into a mall like loading dock,

609
00:30:58,240 --> 00:31:00,280
Speaker 2: and before she can go in the doors, someone rolls

610
00:31:00,280 --> 00:31:03,240
Speaker 2: a knife at her that lodges in the wall, and she.

611
00:31:03,240 --> 00:31:04,880
Speaker 1: Ducks down and runs into a different door.

612
00:31:04,960 --> 00:31:06,440
Speaker 3: I was like, oh, nigga, have been following you all

613
00:31:06,520 --> 00:31:08,560
Speaker 3: night because it's turn the daytime now.

614
00:31:08,720 --> 00:31:12,160
Speaker 2: Right, And then she pulls out her flashlight, goes down

615
00:31:12,200 --> 00:31:14,320
Speaker 2: the stairs. She puts a couple bottles on her door

616
00:31:14,400 --> 00:31:17,240
Speaker 2: she goes through, which is smart because then you can

617
00:31:17,320 --> 00:31:19,160
Speaker 2: hear if anyone comes in behind you.

618
00:31:19,360 --> 00:31:19,959
Speaker 3: I was thinking.

619
00:31:20,520 --> 00:31:22,960
Speaker 1: She goes into a stairwell, starts heading.

620
00:31:22,720 --> 00:31:26,000
Speaker 2: To the top, and as she's heading up the stairs,

621
00:31:26,000 --> 00:31:30,440
Speaker 2: a convenient walker grabs her on the stairs, knocking her

622
00:31:30,480 --> 00:31:33,680
Speaker 2: flashlight loose. She pushes the walker to the bottom of

623
00:31:33,720 --> 00:31:37,560
Speaker 2: the stairs and it obviously dies. Yeah, and there was

624
00:31:37,600 --> 00:31:38,479
Speaker 2: a missing railing.

625
00:31:38,960 --> 00:31:42,840
Speaker 3: Yeah, and apparently this mam hadn't been up for inspection

626
00:31:42,960 --> 00:31:44,960
Speaker 3: in years. I was like, oh, kind of railing is this?

627
00:31:45,520 --> 00:31:47,200
Speaker 1: Yeah? Things are gone to shit.

628
00:31:47,400 --> 00:31:47,840
Speaker 3: And so.

629
00:31:49,640 --> 00:31:51,960
Speaker 2: She goes up to the top of the stairs and

630
00:31:52,120 --> 00:31:55,120
Speaker 2: lights her lighter so she can kind of see, and

631
00:31:55,160 --> 00:31:58,040
Speaker 2: then we see it. She lights her lighter behind her one.

632
00:31:57,920 --> 00:31:58,560
Speaker 1: Of the reapers.

633
00:31:58,560 --> 00:32:00,200
Speaker 2: It looks like the same one from the woods, but

634
00:32:00,240 --> 00:32:03,000
Speaker 2: they all wear a mask, so who knows one of

635
00:32:03,000 --> 00:32:06,360
Speaker 2: the reapers is actually behind her and't about to attack her.

636
00:32:06,800 --> 00:32:11,040
Speaker 2: But lucky for her, one of those bottles breaks on

637
00:32:11,200 --> 00:32:13,800
Speaker 2: the door and that sound startled her enough to look

638
00:32:13,840 --> 00:32:17,160
Speaker 2: behind her, and she saw the reaper right before he

639
00:32:17,240 --> 00:32:21,240
Speaker 2: was going to kill her. They struggled, he falls down

640
00:32:21,720 --> 00:32:27,520
Speaker 2: the stairwell, and then we hear some steps coming coming

641
00:32:27,600 --> 00:32:31,240
Speaker 2: up towards her. So I assume it was a different reaper,

642
00:32:31,280 --> 00:32:33,520
Speaker 2: because I don't know how anything could have survived that

643
00:32:33,640 --> 00:32:37,320
Speaker 2: long ass fall. But these motherfuckers with the mask and

644
00:32:38,000 --> 00:32:39,400
Speaker 2: all this shit is just so scary.

645
00:32:39,880 --> 00:32:40,960
Speaker 1: She just runs away.

646
00:32:41,400 --> 00:32:45,240
Speaker 2: Yes, And in the woods, Gabe is sitting on the

647
00:32:45,280 --> 00:32:47,280
Speaker 2: stump with a knife lodge to his thigh.

648
00:32:47,320 --> 00:32:49,640
Speaker 1: Apparently he never made it out the woods. He just

649
00:32:49,800 --> 00:32:53,880
Speaker 1: sat down and took a break. He was like, oh,

650
00:32:53,960 --> 00:32:55,480
Speaker 1: these niggas stamb me again.

651
00:32:55,880 --> 00:32:57,840
Speaker 2: So he's got a knife in his thigh and he's

652
00:32:57,880 --> 00:33:03,160
Speaker 2: just sitting on a log and he starts praying, and

653
00:33:03,200 --> 00:33:04,280
Speaker 2: you know what that means?

654
00:33:05,600 --> 00:33:10,200
Speaker 1: Some killing is about to happen. This nigga game.

655
00:33:10,320 --> 00:33:13,440
Speaker 2: Start praying, Boy, it's never good for the people on

656
00:33:13,480 --> 00:33:14,720
Speaker 2: the other side of the gun.

657
00:33:16,000 --> 00:33:16,320
Speaker 1: Like that.

658
00:33:17,840 --> 00:33:20,400
Speaker 2: Like, I can't think of the last time we see

659
00:33:20,480 --> 00:33:22,560
Speaker 2: him pray and do anything other than kill people.

660
00:33:24,320 --> 00:33:27,240
Speaker 1: I don't know if I see him. I don't think

661
00:33:27,280 --> 00:33:27,920
Speaker 1: I see him.

662
00:33:27,840 --> 00:33:30,800
Speaker 3: Do a wedding because it had been happy back tires

663
00:33:30,840 --> 00:33:31,400
Speaker 3: the baby.

664
00:33:32,400 --> 00:33:35,200
Speaker 2: This man prays for one reason, and that is to

665
00:33:35,320 --> 00:33:39,680
Speaker 2: steal himself for the killing to come. He was doing

666
00:33:39,720 --> 00:33:42,200
Speaker 2: that like, hey, do I walk through the valley type shit?

667
00:33:42,800 --> 00:33:45,320
Speaker 2: And then he pulls the knife out and goes limping

668
00:33:45,440 --> 00:33:49,120
Speaker 2: after an injured reaper and he has a shotgun and

669
00:33:49,160 --> 00:33:50,120
Speaker 2: a machine gun.

670
00:33:51,320 --> 00:33:53,840
Speaker 1: I was like, boy, he has come a long way.

671
00:33:55,040 --> 00:33:57,960
Speaker 1: That was a time back to the mall.

672
00:33:58,040 --> 00:34:01,240
Speaker 2: On the upper floor of Tomorrow Man, and there's mannequins

673
00:34:01,240 --> 00:34:04,600
Speaker 2: and shells in this one floor. Maggie walks through something

674
00:34:04,600 --> 00:34:07,000
Speaker 2: fall she gets scared like it was almost kind of

675
00:34:07,000 --> 00:34:09,400
Speaker 2: a hard movie, yes, because she was like scared the

676
00:34:09,440 --> 00:34:10,520
Speaker 2: shit of these motherfuckers.

677
00:34:10,600 --> 00:34:13,600
Speaker 1: Yes, and rightfully so, right.

678
00:34:13,480 --> 00:34:16,120
Speaker 3: Because the fucked up where she lived before.

679
00:34:16,480 --> 00:34:19,319
Speaker 2: Right, so she like flinches looking behind her and all

680
00:34:19,360 --> 00:34:23,399
Speaker 2: this shit. And then she finds Alden, but then they

681
00:34:23,480 --> 00:34:25,440
Speaker 2: immediately get attacked by.

682
00:34:25,320 --> 00:34:27,600
Speaker 1: Reapers, Like as.

683
00:34:27,400 --> 00:34:30,200
Speaker 2: Soon as he's like, like he comes from behind the cots, Oh,

684
00:34:30,200 --> 00:34:33,480
Speaker 2: it's just you, Maggie, and then she's like, yeah, all

685
00:34:33,520 --> 00:34:35,239
Speaker 2: the you know, I'm glad you say it. And then

686
00:34:35,360 --> 00:34:38,520
Speaker 2: just immediately they both get speared by reapers and I

687
00:34:38,560 --> 00:34:39,600
Speaker 2: don't need spired.

688
00:34:39,360 --> 00:34:40,719
Speaker 1: Like like they lunge at them.

689
00:34:40,719 --> 00:34:43,120
Speaker 2: They lunge at them and tackle them, and they're fighting

690
00:34:43,120 --> 00:34:44,400
Speaker 2: for their lives.

691
00:34:44,400 --> 00:34:47,160
Speaker 1: Maggie, the reaper is getting the best of her.

692
00:34:47,200 --> 00:34:49,560
Speaker 2: He's on top and he's trying to like stab her

693
00:34:49,640 --> 00:34:52,799
Speaker 2: with a pick axe, and then she's reaching.

694
00:34:52,520 --> 00:34:55,840
Speaker 1: For a bottle he's in her leg to like hold.

695
00:34:55,719 --> 00:34:58,440
Speaker 2: Him off of her, and then she gets the bottle,

696
00:34:58,480 --> 00:35:00,960
Speaker 2: breaks it, stabs him in the face, but it doesn't

697
00:35:01,040 --> 00:35:03,640
Speaker 2: kill them because I guess the mask or something. And

698
00:35:03,680 --> 00:35:07,560
Speaker 2: then Meagan comes over and kills him because apparently Megan

699
00:35:07,719 --> 00:35:08,359
Speaker 2: was up there too.

700
00:35:09,640 --> 00:35:14,839
Speaker 1: And then after that, she throws a pick axe at

701
00:35:15,200 --> 00:35:17,040
Speaker 1: or knife. She throws a knife in the back of

702
00:35:17,120 --> 00:35:20,720
Speaker 1: the attacker that is attacking Alden.

703
00:35:20,760 --> 00:35:27,800
Speaker 2: Who's who's losing and Olden? Yeah, and it has cut Alden.

704
00:35:28,400 --> 00:35:30,640
Speaker 2: And then y'all have to see this next part and

705
00:35:30,680 --> 00:35:31,640
Speaker 2: then I'll describe it.

706
00:35:31,719 --> 00:35:41,479
Speaker 1: And so she stabs them, and she throws a knife

707
00:35:41,520 --> 00:35:42,680
Speaker 1: in the back of this attacker.

708
00:35:43,239 --> 00:35:49,000
Speaker 2: The attacker immediately pulls out two paper bomb.

709
00:35:49,080 --> 00:35:52,360
Speaker 1: Uh too, yes.

710
00:35:51,880 --> 00:35:56,240
Speaker 2: Two paper bombs, fills out two paper bomb, smoke scrolls,

711
00:35:56,840 --> 00:36:01,360
Speaker 2: does a hand signal? Does a substitution JUDICSU Gast would

712
00:36:02,080 --> 00:36:05,240
Speaker 2: And so when they come back, when they can finally

713
00:36:05,280 --> 00:36:08,720
Speaker 2: see again, Niaghan and Maggie looked down.

714
00:36:09,960 --> 00:36:13,279
Speaker 1: The reapers are gone, not just not just.

715
00:36:13,200 --> 00:36:15,799
Speaker 2: The one that was attacking on it, but even the

716
00:36:15,800 --> 00:36:19,960
Speaker 2: one that Maggie had Niagan had killed all of.

717
00:36:19,960 --> 00:36:21,000
Speaker 3: Them with disappeared.

718
00:36:21,040 --> 00:36:23,279
Speaker 2: So I assume it looked like it was dragged off,

719
00:36:23,320 --> 00:36:26,440
Speaker 2: not like it didn't walk off like the other reaper

720
00:36:26,760 --> 00:36:30,000
Speaker 2: blinded them with the substitution, with the smoke bomb and

721
00:36:30,080 --> 00:36:33,320
Speaker 2: the substitution JUICEU and then dragged this motherfucker off.

722
00:36:34,719 --> 00:36:36,120
Speaker 1: And all then is fucked up.

723
00:36:36,320 --> 00:36:39,920
Speaker 2: He is just laying with cuts on the stomach and

724
00:36:39,960 --> 00:36:41,160
Speaker 2: the wounds look real bad.

725
00:36:43,360 --> 00:36:45,480
Speaker 3: You see it, Shuit sing boy.

726
00:36:52,120 --> 00:36:55,399
Speaker 2: Like, they're not fatal wounds, but they're very inconvenient.

727
00:36:55,560 --> 00:36:56,959
Speaker 1: You should lay down for a while.

728
00:36:57,040 --> 00:37:00,840
Speaker 2: Rules like you need to be disinfected, we need to

729
00:37:00,920 --> 00:37:04,120
Speaker 2: stitch this up. And of course they have no none

730
00:37:04,160 --> 00:37:06,319
Speaker 2: of those options, because these motherfuckers are still out there

731
00:37:06,320 --> 00:37:09,840
Speaker 2: and they're still after them. Yes, Niagan, being the reasonable

732
00:37:09,840 --> 00:37:13,720
Speaker 2: person that he is, says, well, clearly, we need to

733
00:37:13,760 --> 00:37:17,520
Speaker 2: figure out a way to head back, and Maggie's like, nah,

734
00:37:17,520 --> 00:37:20,360
Speaker 2: we need to keep going, gotta get those supplies.

735
00:37:21,800 --> 00:37:23,680
Speaker 1: And Nigga's like, I don't know if you know this,

736
00:37:24,920 --> 00:37:25,879
Speaker 1: but this ain't good.

737
00:37:26,719 --> 00:37:27,040
Speaker 4: M m.

738
00:37:28,680 --> 00:37:30,520
Speaker 3: If we're trying to save him, this ain't good.

739
00:37:30,800 --> 00:37:32,200
Speaker 1: Your people are fucking.

740
00:37:32,000 --> 00:37:35,200
Speaker 3: Dead, Like, yes, no people dead.

741
00:37:35,120 --> 00:37:39,400
Speaker 2: Awden's Alden's got fucking cuts all over his stomach, Like

742
00:37:39,560 --> 00:37:42,520
Speaker 2: what do we I mean, what's the what do you

743
00:37:42,600 --> 00:37:43,280
Speaker 2: mean playing?

744
00:37:44,600 --> 00:37:45,799
Speaker 1: And what if the others are dead?

745
00:37:47,520 --> 00:37:49,640
Speaker 4: Listen, I know theatrics.

746
00:37:49,840 --> 00:37:52,640
Speaker 3: Those people they just told us exactly how it's seen

747
00:37:52,719 --> 00:37:54,640
Speaker 3: they are. We can't be on a road.

748
00:37:54,880 --> 00:37:57,520
Speaker 1: We can't be on any road that they could use.

749
00:37:57,600 --> 00:37:58,560
Speaker 1: It's a ship plan.

750
00:37:59,120 --> 00:38:07,359
Speaker 5: Tell me what one stare of us all. Then he

751
00:38:07,360 --> 00:38:18,960
Speaker 5: helped me with him.

752
00:38:13,880 --> 00:38:16,760
Speaker 1: Man, so he.

753
00:38:15,560 --> 00:38:18,600
Speaker 2: Helps add all into his feet and they're gonna carry

754
00:38:18,640 --> 00:38:20,640
Speaker 2: him off down the road to the meridian.

755
00:38:20,719 --> 00:38:21,240
Speaker 1: As the plan.

756
00:38:21,640 --> 00:38:24,600
Speaker 3: My thing, Nigga is right because because his thing was, like,

757
00:38:25,160 --> 00:38:27,400
Speaker 3: they showed us that they will go to the extreme.

758
00:38:27,800 --> 00:38:30,440
Speaker 3: We don't need to be walking on out in the open,

759
00:38:30,560 --> 00:38:33,440
Speaker 3: on any public road anything where we could easily be

760
00:38:33,560 --> 00:38:36,760
Speaker 3: tracked in or surrounded. This makes no sense.

761
00:38:36,840 --> 00:38:39,560
Speaker 2: And you know how Nigga would know, because that's how

762
00:38:39,600 --> 00:38:40,640
Speaker 2: what that's what he did.

763
00:38:41,040 --> 00:38:42,520
Speaker 3: Say. Yes, that's the bullshit he done.

764
00:38:42,600 --> 00:38:46,480
Speaker 2: Him and the Saviors blocked all those roads, they cornered them.

765
00:38:46,360 --> 00:38:48,360
Speaker 3: They squared them in cause chaos.

766
00:38:48,520 --> 00:38:49,560
Speaker 1: They did all that shit.

767
00:38:49,640 --> 00:38:54,200
Speaker 2: And like he's like, clearly I know about sending signals

768
00:38:54,239 --> 00:38:56,799
Speaker 2: to people that you crazy and don't and you better

769
00:38:56,880 --> 00:39:01,200
Speaker 2: not fuck with us. I am the blueprint makup when

770
00:39:01,239 --> 00:39:02,040
Speaker 2: it comes to that shit.

771
00:39:02,880 --> 00:39:06,480
Speaker 3: So what I'm saying actually might have value.

772
00:39:05,640 --> 00:39:09,279
Speaker 2: And Maggie don't want to hear that shit, you know.

773
00:39:09,360 --> 00:39:11,920
Speaker 2: And at this point I could not help but go

774
00:39:12,000 --> 00:39:16,359
Speaker 2: down to Tally. He told her ass they didn't need

775
00:39:16,400 --> 00:39:20,759
Speaker 2: to go down that subway. In an alternate universe, they

776
00:39:20,800 --> 00:39:24,520
Speaker 2: wait out that storm in the subway a couple hours past.

777
00:39:25,000 --> 00:39:27,560
Speaker 2: They get all the girl on their back and they

778
00:39:27,600 --> 00:39:31,800
Speaker 2: go back out in full force with everybody together, walking

779
00:39:31,840 --> 00:39:34,680
Speaker 2: towards Marinia as opposed to this kind of janky ass.

780
00:39:34,719 --> 00:39:36,120
Speaker 1: We lost gauge.

781
00:39:36,320 --> 00:39:39,600
Speaker 2: Every you know, all the people got ambushed and all

782
00:39:39,640 --> 00:39:42,200
Speaker 2: that stuff, and you know what, and they still have

783
00:39:42,360 --> 00:39:44,400
Speaker 2: guns and they still have bullets. By the way, this

784
00:39:44,480 --> 00:39:45,840
Speaker 2: is important what I'm saying.

785
00:39:45,719 --> 00:39:47,520
Speaker 3: Right, and you know what else they would have been

786
00:39:47,560 --> 00:39:49,520
Speaker 3: doing walking through that bitch in the daytime where they

787
00:39:49,560 --> 00:39:50,440
Speaker 3: could have seen shit too.

788
00:39:50,600 --> 00:39:53,760
Speaker 1: Yeah, but then you also have bullets and guns.

789
00:39:53,480 --> 00:39:54,080
Speaker 3: Yes you do.

790
00:39:54,280 --> 00:39:56,640
Speaker 2: So like these niggas start shooting shit that you was like, okay,

791
00:39:56,640 --> 00:39:59,080
Speaker 2: Papa Papa pile but like a AKA cat.

792
00:40:00,120 --> 00:40:00,879
Speaker 1: Gonna kill you.

793
00:40:01,400 --> 00:40:05,320
Speaker 3: Yes, but now you bleedy.

794
00:40:05,520 --> 00:40:10,040
Speaker 1: They're lucky that Nigan just didn't pull onto these I've

795
00:40:10,040 --> 00:40:11,840
Speaker 1: been right about all of that.

796
00:40:13,760 --> 00:40:15,919
Speaker 6: We've been right about all of that.

797
00:40:18,960 --> 00:40:25,719
Speaker 1: Yes, yes, he deserves to be able to say that shit.

798
00:40:25,840 --> 00:40:29,480
Speaker 2: But alone he won't be because that's another thing with Meagan,

799
00:40:29,600 --> 00:40:33,239
Speaker 2: the way that he's been playing it, he has been

800
00:40:33,280 --> 00:40:36,359
Speaker 2: on their side. He hit right, he has like he

801
00:40:36,440 --> 00:40:40,520
Speaker 2: has been like I'm I'm noting my objection. But if

802
00:40:40,600 --> 00:40:43,479
Speaker 2: y'all want to do this bullshit plan that's not gonna

803
00:40:43,480 --> 00:40:46,919
Speaker 2: work and get all these people killed, I'll I'll do it.

804
00:40:47,000 --> 00:40:48,879
Speaker 2: But just understand, get this.

805
00:40:49,719 --> 00:40:53,080
Speaker 3: Right, Understand it is stupid. So when stupid shit start

806
00:40:53,160 --> 00:40:56,560
Speaker 3: happening and I'm telling you that it's stupid, you can't

807
00:40:56,640 --> 00:40:58,880
Speaker 3: really look at me and call me crazy.

808
00:40:59,360 --> 00:41:02,160
Speaker 2: Maggie when they get outside, looks at the map, it

809
00:41:02,200 --> 00:41:05,720
Speaker 2: realizes it's actually ten miles to Meridian, which is longer

810
00:41:05,719 --> 00:41:07,919
Speaker 2: than she thought it would be because what the fuck

811
00:41:07,960 --> 00:41:08,839
Speaker 2: else is gonna go wrong?

812
00:41:10,160 --> 00:41:13,400
Speaker 1: In the middle of the night, Alden obviously can't make it.

813
00:41:14,560 --> 00:41:17,799
Speaker 2: They hear some screaming and they go towards it and

814
00:41:17,840 --> 00:41:21,439
Speaker 2: they find Agatha, who's another woman from from Maggie's crew,

815
00:41:21,960 --> 00:41:22,920
Speaker 2: killing Walker.

816
00:41:22,920 --> 00:41:25,560
Speaker 3: And Nigga was like, oh, so we're going towards.

817
00:41:25,320 --> 00:41:29,120
Speaker 2: The screams, right, He's like, we're going towards the screams, okay.

818
00:41:29,600 --> 00:41:34,880
Speaker 2: So when they find Agatha, she's, you know, she's like,

819
00:41:35,560 --> 00:41:39,520
Speaker 2: y'all gotta come. Duncan is bad. Duncan's in this room

820
00:41:39,600 --> 00:41:41,359
Speaker 2: and he's dying, and.

821
00:41:41,400 --> 00:41:42,960
Speaker 1: So Maggie's fins.

822
00:41:43,200 --> 00:42:03,799
Speaker 7: Duncan's last moments with them.

823
00:42:03,960 --> 00:42:04,640
Speaker 1: Oh, I'll mad.

824
00:42:04,640 --> 00:42:06,560
Speaker 2: I thought I just gonna have to talking. Well anyway,

825
00:42:06,600 --> 00:42:09,640
Speaker 2: he says they were lucky and you know, they were

826
00:42:09,640 --> 00:42:13,200
Speaker 2: good together, and to take care of Agata, make sure

827
00:42:13,239 --> 00:42:17,960
Speaker 2: she gets home because apparently Agata is his woman.

828
00:42:18,080 --> 00:42:20,720
Speaker 1: It seems like like his girlfriend or whatever.

829
00:42:21,400 --> 00:42:27,560
Speaker 7: So I guess he got me because there's some hot white.

830
00:42:30,160 --> 00:42:33,919
Speaker 6: I'm gonna say, listen, I have been known to some

831
00:42:34,000 --> 00:42:40,440
Speaker 6: white girls in my lifetime. Okay, now, I have spent

832
00:42:40,600 --> 00:42:45,000
Speaker 6: my life on some TMC and every time you see

833
00:42:45,080 --> 00:42:47,879
Speaker 6: me in the club, just who I walk out with.

834
00:42:50,960 --> 00:42:51,680
Speaker 3: On wait?

835
00:42:51,840 --> 00:42:58,640
Speaker 2: Shit, So I guess he had a tight mm hmmmg.

836
00:42:59,000 --> 00:42:59,840
Speaker 4: He the.

837
00:43:01,560 --> 00:43:02,520
Speaker 3: That's what girl.

838
00:43:05,120 --> 00:43:05,520
Speaker 1: Two.

839
00:43:05,800 --> 00:43:09,239
Speaker 2: So then I was like, good riddings, brother, we don't

840
00:43:09,280 --> 00:43:11,799
Speaker 2: need you in our z pop. It was funny too

841
00:43:11,840 --> 00:43:14,680
Speaker 2: because he died and it reminded me of that scene

842
00:43:14,680 --> 00:43:17,839
Speaker 2: in Dave Chapelle season three, the season that doesn't exist,

843
00:43:18,120 --> 00:43:18,640
Speaker 2: when't the.

844
00:43:18,560 --> 00:43:22,000
Speaker 1: Black Dude exist, When the black dude dies and he goes,

845
00:43:22,200 --> 00:43:27,560
Speaker 1: I'm dead. Yes, that was hilarious because that's how he died.

846
00:43:27,680 --> 00:43:32,080
Speaker 2: Like he literally was like, we was good, Maggie, we

847
00:43:32,080 --> 00:43:34,200
Speaker 2: were lucky to take care of take care of him,

848
00:43:34,239 --> 00:43:35,560
Speaker 2: make sure the acta gets home.

849
00:43:36,400 --> 00:43:37,560
Speaker 1: Okay, I'm gonna die now.

850
00:43:38,200 --> 00:43:40,239
Speaker 2: And then he just died, and then she did the

851
00:43:40,280 --> 00:43:42,000
Speaker 2: thing to his brain, so he won't come back as

852
00:43:42,000 --> 00:43:43,080
Speaker 2: a walker.

853
00:43:42,960 --> 00:43:44,600
Speaker 3: Right, because we know what happened. When you're don't, you're

854
00:43:44,600 --> 00:43:46,719
Speaker 3: gonna turn around two miles he's gonna show up.

855
00:43:47,080 --> 00:43:51,200
Speaker 2: Then Gabe finally catches up with that reaper who had

856
00:43:51,280 --> 00:43:54,880
Speaker 2: been injured and Gabe had limped, you know, once he

857
00:43:54,920 --> 00:43:57,399
Speaker 2: gets it in his mind, gave lipped his ass all

858
00:43:57,440 --> 00:43:59,320
Speaker 2: the way behind this man.

859
00:44:04,680 --> 00:44:11,160
Speaker 1: He tried to kill my friends and they tried to

860
00:44:11,239 --> 00:44:17,640
Speaker 1: kill me. Pray for me. Even your enemies.

861
00:44:17,320 --> 00:44:18,160
Speaker 3: Deserve that much.

862
00:44:19,320 --> 00:44:22,680
Speaker 2: So I think somehow he recognizes Gabe as a preacher

863
00:44:23,600 --> 00:44:25,840
Speaker 2: his collar, which is interesting because I don't think Gaye's

864
00:44:25,880 --> 00:44:29,840
Speaker 2: wearing a collar necessarily like that preacher color.

865
00:44:30,160 --> 00:44:31,200
Speaker 1: Anyway, it don't matter.

866
00:44:31,440 --> 00:44:35,360
Speaker 2: He recognized Gabe as the preacher somehow, which, like I said,

867
00:44:35,440 --> 00:44:38,080
Speaker 2: could maybe they were tracking one know more about him

868
00:44:38,080 --> 00:44:41,239
Speaker 2: than they think. I don't know, correct, but he basically like,

869
00:44:41,560 --> 00:44:44,560
Speaker 2: you gotta pray for me. You're a priest, you know

870
00:44:44,880 --> 00:44:46,879
Speaker 2: God and Jesus, and turned the other chicken shit.

871
00:44:51,719 --> 00:44:53,040
Speaker 1: I thought you were a man of God.

872
00:45:00,040 --> 00:45:02,320
Speaker 2: Okay, he does have a Colard on it's just underneath

873
00:45:02,400 --> 00:45:03,839
Speaker 2: his hoodie or.

874
00:45:04,000 --> 00:45:05,279
Speaker 3: Okay, guess im about to say there had to be

875
00:45:05,320 --> 00:45:06,239
Speaker 3: something to let him know that.

876
00:45:06,400 --> 00:45:07,520
Speaker 1: I'm like, how do you know that.

877
00:45:09,880 --> 00:45:11,080
Speaker 3: God isn't here anymore?

878
00:45:12,800 --> 00:45:15,839
Speaker 1: That's not what you want to do. So these killed.

879
00:45:15,960 --> 00:45:18,839
Speaker 3: That's never what you want to hear. When the when

880
00:45:18,920 --> 00:45:22,040
Speaker 3: the people to God say God ain't here like this,

881
00:45:22,280 --> 00:45:23,600
Speaker 3: that's one time you better run.

882
00:45:24,160 --> 00:45:29,320
Speaker 2: Yeah, And we saw in the vignettes how Gabe gets down.

883
00:45:29,680 --> 00:45:31,480
Speaker 1: He'll say what he needs to to survive.

884
00:45:32,239 --> 00:45:33,120
Speaker 3: But just like that.

885
00:45:33,040 --> 00:45:35,680
Speaker 2: Dude that had the twin that was tied up upstairs

886
00:45:35,760 --> 00:45:39,600
Speaker 2: and ship and him and Aaron was on that mission

887
00:45:39,719 --> 00:45:42,600
Speaker 2: and he was like, yeah, you know God, God, this

888
00:45:42,760 --> 00:45:46,280
Speaker 2: God Daddy was all like, yes, Jesus can forgive, Jesus

889
00:45:46,280 --> 00:45:49,560
Speaker 2: saved whatever you need to do, you know, until I

890
00:45:49,600 --> 00:45:50,120
Speaker 2: get loose.

891
00:45:50,160 --> 00:45:51,359
Speaker 1: You motherfucker you dead?

892
00:45:51,520 --> 00:45:53,840
Speaker 3: Yeah gave you are dead? You crazy?

893
00:45:54,120 --> 00:45:56,440
Speaker 1: And no he can't come home with us. Aaron, stop

894
00:45:56,520 --> 00:45:57,480
Speaker 1: looking at me like that.

895
00:45:57,840 --> 00:46:01,000
Speaker 3: And guess what he was right when they went up there.

896
00:46:01,040 --> 00:46:02,800
Speaker 3: You Oh, this motherfucker's insane.

897
00:46:03,040 --> 00:46:06,120
Speaker 2: Yeah, Gabe was right, but it's just you know, I

898
00:46:06,200 --> 00:46:09,520
Speaker 2: love the consistency they are like Nope, he does not

899
00:46:09,600 --> 00:46:14,799
Speaker 2: do second chances, unlike Maggie, whose consistency is terrible. Uh

900
00:46:15,000 --> 00:46:17,400
Speaker 2: Niga and Maggie see a lot of walkers in the woods.

901
00:46:17,640 --> 00:46:21,640
Speaker 2: He says they need to replay, rethink the plan. She says,

902
00:46:21,719 --> 00:46:25,760
Speaker 2: basically he can leave if he wants to, but fuck.

903
00:46:25,640 --> 00:46:27,680
Speaker 1: Him and then go back on your own.

904
00:46:28,239 --> 00:46:31,080
Speaker 2: And then they have an argument where she basically blames

905
00:46:31,120 --> 00:46:32,640
Speaker 2: him on everything, for everything.

906
00:46:32,680 --> 00:46:39,640
Speaker 3: You don't want take responsibility.

907
00:46:36,719 --> 00:46:38,040
Speaker 4: Twice as many as before.

908
00:46:39,360 --> 00:46:41,360
Speaker 3: We need to rethink you're playing, Maggie.

909
00:46:43,080 --> 00:46:46,080
Speaker 4: You're a free man, Nick, and you want to go go.

910
00:46:47,840 --> 00:46:50,600
Speaker 3: I can help you. You and your friends.

911
00:46:50,640 --> 00:46:51,400
Speaker 7: They trusted me.

912
00:46:51,880 --> 00:46:55,640
Speaker 3: You were gone for a long time, right, Things change,

913
00:46:55,760 --> 00:46:59,240
Speaker 3: People change.

914
00:46:58,080 --> 00:47:05,719
Speaker 4: No, got them fool but not me. Stop pretending you're

915
00:47:05,800 --> 00:47:09,279
Speaker 4: one of us sneaking. Maybe I don't even believe it.

916
00:47:10,320 --> 00:47:12,879
Speaker 4: You're probably as good at lunch yourself as everybody else.

917
00:47:16,040 --> 00:47:20,200
Speaker 2: So it's all his faults somehow, Maggie is completely in

918
00:47:20,239 --> 00:47:20,520
Speaker 2: the right.

919
00:47:20,560 --> 00:47:23,000
Speaker 1: He's completely in the wrong. Yeah, because she got playing

920
00:47:23,040 --> 00:47:23,800
Speaker 1: as her fault.

921
00:47:24,160 --> 00:47:25,560
Speaker 3: She got to have a villain, and he got to

922
00:47:25,560 --> 00:47:28,080
Speaker 3: be the villain. Like she can't take responsibility for any

923
00:47:28,080 --> 00:47:31,000
Speaker 3: of her actions. She can't take responsibility of how fucked

924
00:47:31,080 --> 00:47:33,560
Speaker 3: up them taking this rowdy as of any of that,

925
00:47:33,680 --> 00:47:36,239
Speaker 3: Like she doesn't want to take responsibility for anything.

926
00:47:36,760 --> 00:47:37,720
Speaker 1: Yeah, And the thing.

927
00:47:37,600 --> 00:47:39,720
Speaker 2: That's wild is like your people are on a death

928
00:47:39,800 --> 00:47:42,160
Speaker 2: march and these are your people.

929
00:47:42,160 --> 00:47:46,360
Speaker 1: These aren't even Alexandrians. M I mean, he I would.

930
00:47:46,080 --> 00:47:49,920
Speaker 2: Even argue out and from Hilltop is one of her people. Correct,

931
00:47:50,080 --> 00:47:53,680
Speaker 2: he left needing to be with her, Like you know that.

932
00:47:53,960 --> 00:47:57,120
Speaker 2: So to me, I'm like, you're leader, You're watching your

933
00:47:57,160 --> 00:48:00,799
Speaker 2: people get fucked up and killed for what? How you

934
00:48:00,840 --> 00:48:02,760
Speaker 2: even getting the supplies back at this point?

935
00:48:03,120 --> 00:48:05,680
Speaker 1: Right? At any rate?

936
00:48:05,880 --> 00:48:09,680
Speaker 2: All didn't ask Maggot she's okay, and she's like dealing

937
00:48:09,719 --> 00:48:10,800
Speaker 2: with Meigan, Yeah, I'm fine.

938
00:48:10,880 --> 00:48:13,960
Speaker 1: He's like, no, I mean because Nigga's in her head.

939
00:48:14,640 --> 00:48:18,520
Speaker 3: But he's like, she told her, you're not making good

940
00:48:18,600 --> 00:48:20,799
Speaker 3: decisions because you're fucking worried about me. Don't worry about me.

941
00:48:22,840 --> 00:48:25,759
Speaker 2: Which Alden says, I'm not talking about that. Just you

942
00:48:25,840 --> 00:48:28,880
Speaker 2: got back to Hilltops burned to the ground. Alexandra's overrun.

943
00:48:29,480 --> 00:48:31,600
Speaker 2: This can't be what you thought you were returning to.

944
00:48:31,920 --> 00:48:34,360
Speaker 2: And she basically says, not much disappoints me anymore, and

945
00:48:34,440 --> 00:48:35,279
Speaker 2: not much surprise me.

946
00:48:35,320 --> 00:48:39,400
Speaker 1: Anymore. They talk about their kids. She says not. She's like,

947
00:48:39,520 --> 00:48:40,600
Speaker 1: not much surprises her.

948
00:48:40,600 --> 00:48:43,239
Speaker 2: Shel because he's had to eat spiders, so you know,

949
00:48:43,360 --> 00:48:46,640
Speaker 2: he ain't got high expectations either. And he talks about Adam,

950
00:48:46,840 --> 00:48:50,759
Speaker 2: his baby, and he starts to say something about, you know,

951
00:48:51,360 --> 00:48:54,160
Speaker 2: if I died and tell Adam, and she cuts them off, like,

952
00:48:54,239 --> 00:48:55,880
Speaker 2: you're gonna get back and we'll tell them when we

953
00:48:55,920 --> 00:48:56,279
Speaker 2: get back.

954
00:48:56,400 --> 00:48:57,040
Speaker 1: We'll be fine.

955
00:48:57,520 --> 00:49:00,720
Speaker 2: And then Megan walks up to a dead, burned body

956
00:49:00,800 --> 00:49:03,320
Speaker 2: that's now a zombie, which means it was burned alive,

957
00:49:04,800 --> 00:49:06,040
Speaker 2: with a sign above it that.

958
00:49:06,040 --> 00:49:09,120
Speaker 1: Reads judas that's yeah, I.

959
00:49:09,040 --> 00:49:12,239
Speaker 2: Don't know if there's something the reapers did or somebody betrayed.

960
00:49:11,760 --> 00:49:14,680
Speaker 3: Somebody somebody did because then the y'all almost like it

961
00:49:14,760 --> 00:49:15,680
Speaker 3: was about to fall off.

962
00:49:15,960 --> 00:49:18,080
Speaker 1: Yeah, so something it got fucked up.

963
00:49:18,160 --> 00:49:23,440
Speaker 2: And then convenient zombies, you know, just doing whatever convenience

964
00:49:23,480 --> 00:49:24,279
Speaker 2: zombies need to do.

965
00:49:25,760 --> 00:49:26,959
Speaker 1: Y'all know how they get down.

966
00:49:27,760 --> 00:49:32,080
Speaker 2: But the convenience zombies that were in the woods suddenly

967
00:49:32,080 --> 00:49:34,960
Speaker 2: decide to all group up together and attack at the

968
00:49:35,000 --> 00:49:40,080
Speaker 2: same time. And and and this is when Agatha gets

969
00:49:40,120 --> 00:49:44,040
Speaker 2: bitten and Maggie tries to run back and save Agatha,

970
00:49:44,840 --> 00:49:49,239
Speaker 2: and Agatha has to push Maggie away because it's too

971
00:49:49,280 --> 00:49:52,120
Speaker 2: late and she's just basically like go Nigga has to

972
00:49:52,239 --> 00:49:55,719
Speaker 2: drag Maggie away, and then they take all the and

973
00:49:56,000 --> 00:50:02,160
Speaker 2: help him limp off the toward away.

974
00:50:00,200 --> 00:50:01,960
Speaker 3: Almost like no way she's gonna survive that.

975
00:50:02,280 --> 00:50:05,120
Speaker 2: And honestly, I have been hot with Maggie since last week,

976
00:50:05,680 --> 00:50:09,000
Speaker 2: but this was the height of my pistivity with Maggie

977
00:50:09,040 --> 00:50:14,200
Speaker 2: because that shit she did with Gage was so quick

978
00:50:14,520 --> 00:50:17,760
Speaker 2: and calculated and cold and was like the logic says,

979
00:50:18,160 --> 00:50:19,920
Speaker 2: she turned into a motherfucking vocing.

980
00:50:20,360 --> 00:50:23,040
Speaker 1: The logic dictates that we cannot save them and.

981
00:50:22,920 --> 00:50:26,759
Speaker 2: Then just move the fuck on right, And then when

982
00:50:26,800 --> 00:50:30,400
Speaker 2: it comes to her folk, though she been trying to

983
00:50:30,440 --> 00:50:35,960
Speaker 2: save everybody inconvenient as fuck, Alden should have been left

984
00:50:35,960 --> 00:50:38,879
Speaker 2: behind that maybe they could have stashed them somewhere and.

985
00:50:38,840 --> 00:50:41,560
Speaker 1: Said, look, if we survived this.

986
00:50:41,560 --> 00:50:44,680
Speaker 2: Shit, we'll confind you in this mall and you know,

987
00:50:45,000 --> 00:50:47,440
Speaker 2: and try to save you. No, we gonna limp this

988
00:50:47,520 --> 00:50:53,840
Speaker 2: Nigga ten miles. Agatha gets bitten. It's over all the

989
00:50:53,960 --> 00:50:56,279
Speaker 2: walkers and shit is a wrap for Agatha.

990
00:50:56,719 --> 00:50:58,160
Speaker 1: No I gotta try to say.

991
00:50:58,239 --> 00:51:01,839
Speaker 2: She's literally yelling at me to let her go so

992
00:51:01,880 --> 00:51:04,040
Speaker 2: she could get bit trying to save this girl's already

993
00:51:04,040 --> 00:51:04,560
Speaker 2: been bitten.

994
00:51:05,280 --> 00:51:07,360
Speaker 1: It was just illogical as fuck.

995
00:51:08,080 --> 00:51:10,160
Speaker 2: And then for somebody to be like, we need to

996
00:51:10,160 --> 00:51:13,040
Speaker 2: do the logical thing, she just was like, let's walk

997
00:51:13,080 --> 00:51:16,640
Speaker 2: on the road and keep dying to war of attrition

998
00:51:16,719 --> 00:51:19,480
Speaker 2: no matter what the fuck happens, no matter how crazy

999
00:51:19,640 --> 00:51:20,360
Speaker 2: opposition is.

1000
00:51:20,680 --> 00:51:23,080
Speaker 3: She don't care about the sacrifices of other people's lives.

1001
00:51:23,960 --> 00:51:26,080
Speaker 2: I don't know what she do because she then will

1002
00:51:26,080 --> 00:51:28,160
Speaker 2: try to save her people.

1003
00:51:28,000 --> 00:51:30,240
Speaker 3: Unless they're her people, right, anybody else.

1004
00:51:30,040 --> 00:51:32,920
Speaker 2: And these are her people, these are her people care,

1005
00:51:33,040 --> 00:51:34,520
Speaker 2: So I don't I don't.

1006
00:51:34,400 --> 00:51:37,279
Speaker 1: Just say she don't care about their lives. Some is

1007
00:51:37,760 --> 00:51:40,480
Speaker 1: some is off with her, agreed, this is shit. Don't

1008
00:51:40,480 --> 00:51:43,920
Speaker 1: make no fucking sense. And what I really think the.

1009
00:51:43,880 --> 00:51:50,560
Speaker 2: Truth is Maggie only cares about getting her way and

1010
00:51:50,640 --> 00:51:53,799
Speaker 2: her and her folks as far and her folks really

1011
00:51:53,800 --> 00:51:58,200
Speaker 2: means hershel yes, and I think everybody else she will

1012
00:51:58,280 --> 00:51:59,360
Speaker 2: fucking let them die.

1013
00:52:00,960 --> 00:52:01,919
Speaker 1: But it's all her.

1014
00:52:02,120 --> 00:52:05,360
Speaker 2: Her ego against Inigan is what drives some of the

1015
00:52:05,360 --> 00:52:09,680
Speaker 2: more illogical moments. And what was what's funny is the

1016
00:52:09,760 --> 00:52:12,359
Speaker 2: way the ship was working out girl, You're gonna end

1017
00:52:12,400 --> 00:52:14,359
Speaker 2: up with just you and Nigan after all that shit

1018
00:52:14,440 --> 00:52:17,680
Speaker 2: you did. If you if you hated Nigan, it didn't

1019
00:52:17,680 --> 00:52:19,080
Speaker 2: want to be along with them where you got a

1020
00:52:19,080 --> 00:52:21,880
Speaker 2: funny way of showing it because you keep putting yourself

1021
00:52:21,880 --> 00:52:25,239
Speaker 2: in situations where your people getting fucked up, and so

1022
00:52:25,360 --> 00:52:31,800
Speaker 2: then they uh get back there. So they leave and

1023
00:52:32,640 --> 00:52:33,840
Speaker 2: it's Niagan.

1024
00:52:35,280 --> 00:52:36,600
Speaker 1: All and Maggie.

1025
00:52:36,640 --> 00:52:39,759
Speaker 2: They're on the road, but Niga's like, we need to

1026
00:52:39,760 --> 00:52:40,960
Speaker 2: get the fuck off the road.

1027
00:52:41,320 --> 00:52:42,720
Speaker 1: We need to get into the woods.

1028
00:52:42,760 --> 00:52:43,719
Speaker 3: We got targets.

1029
00:52:44,040 --> 00:52:46,759
Speaker 2: And she's like, no, the road is faster, and it

1030
00:52:46,920 --> 00:52:48,960
Speaker 2: just makes no sense and all this like I can't

1031
00:52:49,000 --> 00:52:51,399
Speaker 2: even fucking make it. They see a little they see

1032
00:52:51,400 --> 00:52:54,279
Speaker 2: a church to the side that's an abandoned church, and

1033
00:52:54,320 --> 00:52:56,560
Speaker 2: they and and He's like, we need to go in

1034
00:52:56,600 --> 00:52:57,360
Speaker 2: there for a second.

1035
00:52:57,440 --> 00:52:59,759
Speaker 1: Let's get in there. They get in there and all

1036
00:52:59,800 --> 00:53:03,200
Speaker 1: the basically like so fucked up.

1037
00:53:03,239 --> 00:53:06,920
Speaker 2: He just is laying down on a pew and Meagan

1038
00:53:07,600 --> 00:53:09,880
Speaker 2: doesn't say anything. Before you can say anything, Maggie's like,

1039
00:53:09,920 --> 00:53:13,520
Speaker 2: don't you say it, And then Auden is like, he's right,

1040
00:53:14,200 --> 00:53:15,520
Speaker 2: leave me behind.

1041
00:53:15,880 --> 00:53:18,279
Speaker 3: I'm slowing you down and there's no way I can

1042
00:53:18,320 --> 00:53:20,480
Speaker 3: make this trip with you, and even if I make it,

1043
00:53:20,520 --> 00:53:21,799
Speaker 3: how the fuck am I making back?

1044
00:53:22,040 --> 00:53:24,520
Speaker 2: And all that talks about how like, you know, the

1045
00:53:24,560 --> 00:53:27,279
Speaker 2: reason I left Megan to be on team Maggie at

1046
00:53:27,320 --> 00:53:29,960
Speaker 2: Hilltop is because I knew you would do the right thing,

1047
00:53:31,840 --> 00:53:35,959
Speaker 2: and you doing all this shit to save me and

1048
00:53:36,520 --> 00:53:41,759
Speaker 2: sacrificing time and endangering yourself is not the right fucking thing.

1049
00:53:42,760 --> 00:53:46,200
Speaker 1: Leave me behind. So she gives she.

1050
00:53:45,440 --> 00:53:47,880
Speaker 2: She needs to get these supplies and leave them behind,

1051
00:53:48,320 --> 00:53:51,399
Speaker 2: she says, and he goes, you left Gage, And then

1052
00:53:51,480 --> 00:53:53,640
Speaker 2: this is when I said, I knew it. She goes,

1053
00:53:53,840 --> 00:53:57,640
Speaker 2: he made his choice. How he make his choice because

1054
00:53:57,680 --> 00:54:01,600
Speaker 2: he backed Meagan. It's all her fucking ego, because Gage

1055
00:54:01,760 --> 00:54:04,720
Speaker 2: and that old man said Neigha made some good points,

1056
00:54:05,040 --> 00:54:07,240
Speaker 2: and basically in her mind, she was like, then fucking

1057
00:54:07,320 --> 00:54:09,680
Speaker 2: go die, fuck y'all, fuck him.

1058
00:54:09,920 --> 00:54:10,640
Speaker 3: Okay, I came.

1059
00:54:11,200 --> 00:54:13,800
Speaker 1: And that's why she was so casual, like we I

1060
00:54:13,840 --> 00:54:16,960
Speaker 1: don't know, crazy to me too, I don't think you

1061
00:54:16,960 --> 00:54:17,680
Speaker 1: could save them.

1062
00:54:18,040 --> 00:54:20,360
Speaker 2: And but then whenever it's one of her people, she

1063
00:54:20,600 --> 00:54:24,399
Speaker 2: fucking is dragging niggas in the woods, you know, one

1064
00:54:24,560 --> 00:54:28,000
Speaker 2: one step at a time and getting everybody killed.

1065
00:54:28,840 --> 00:54:29,879
Speaker 3: Okay, that makes sense.

1066
00:54:29,920 --> 00:54:32,799
Speaker 2: Then it's gotta be that's I don't imagine what the

1067
00:54:32,800 --> 00:54:35,640
Speaker 2: fucking else could be mean is in her head. I

1068
00:54:35,719 --> 00:54:38,040
Speaker 2: really do think she planned at some point in this

1069
00:54:38,200 --> 00:54:42,360
Speaker 2: mission to kill him or her. In her fantasy, he

1070
00:54:42,400 --> 00:54:44,759
Speaker 2: would need her help and she would say no, and

1071
00:54:44,800 --> 00:54:47,239
Speaker 2: now you paid for Glenn's death or some shit, and

1072
00:54:47,480 --> 00:54:48,600
Speaker 2: it just didn't happen.

1073
00:54:48,880 --> 00:54:49,839
Speaker 3: He caught her on that.

1074
00:54:50,360 --> 00:54:54,880
Speaker 2: Yeah, So I don't know, man, just I get the emotions,

1075
00:54:54,880 --> 00:54:57,240
Speaker 2: and it does feel, to be honest, it feels realistic.

1076
00:54:57,280 --> 00:54:59,680
Speaker 2: I think people are artists, Patty, Yes they are. I

1077
00:54:59,719 --> 00:55:02,560
Speaker 2: don't it's not that this doesn't feel real, but it's

1078
00:55:02,600 --> 00:55:05,480
Speaker 2: just so all these people died because.

1079
00:55:05,120 --> 00:55:12,200
Speaker 1: Of her hate of this man. So then she blames

1080
00:55:12,239 --> 00:55:16,279
Speaker 1: me in for everything again. This time. First she said

1081
00:55:16,320 --> 00:55:18,520
Speaker 1: he couldn't change. Now she's gonna say.

1082
00:55:18,840 --> 00:55:21,399
Speaker 2: And to some you know tomorrow in some in some

1083
00:55:21,440 --> 00:55:23,440
Speaker 2: ways valid, but I'll go back and point out why.

1084
00:55:23,480 --> 00:55:25,520
Speaker 1: I think this is kind of flow logic, but she

1085
00:55:25,560 --> 00:55:28,120
Speaker 1: blames him. You have to make a decision.

1086
00:55:30,680 --> 00:55:32,320
Speaker 5: It's easy for you, isn't it.

1087
00:55:36,760 --> 00:55:45,359
Speaker 4: Reckless with somebody else's life, But.

1088
00:55:45,360 --> 00:55:48,880
Speaker 5: You don't get to decide who lives and who dies anymore.

1089
00:55:53,560 --> 00:55:54,560
Speaker 1: It's your fault.

1090
00:55:56,360 --> 00:56:01,520
Speaker 3: That were here. It's your fault.

1091
00:56:03,640 --> 00:56:05,920
Speaker 4: Because you destroyed everything that we built.

1092
00:56:12,360 --> 00:56:14,160
Speaker 1: You still have to decide.

1093
00:56:14,760 --> 00:56:17,960
Speaker 2: That was a bar that part right there, You're like,

1094
00:56:18,160 --> 00:56:19,560
Speaker 2: you could be mad if you want to.

1095
00:56:20,440 --> 00:56:22,480
Speaker 1: You the one in charge. What would you gonna do?

1096
00:56:23,080 --> 00:56:24,960
Speaker 3: Right when he said you still got to decide, I

1097
00:56:25,000 --> 00:56:26,719
Speaker 3: was like, Yeah, I don't matter what the fuck you say,

1098
00:56:26,920 --> 00:56:28,080
Speaker 3: make a decision.

1099
00:56:28,520 --> 00:56:30,880
Speaker 2: I love that that moment Jeffrey de Morgan and the

1100
00:56:30,880 --> 00:56:35,000
Speaker 2: delivery of that, that that pause, and then yeah, be

1101
00:56:35,160 --> 00:56:35,799
Speaker 2: that as it may.

1102
00:56:35,920 --> 00:56:36,960
Speaker 1: You still need to decide.

1103
00:56:37,239 --> 00:56:39,560
Speaker 2: The other thing, too, is that you can tell niggas

1104
00:56:39,600 --> 00:56:41,680
Speaker 2: not even interested in arguing with her.

1105
00:56:41,680 --> 00:56:43,640
Speaker 1: And he never has been right.

1106
00:56:43,880 --> 00:56:45,160
Speaker 3: But you don't understand that.

1107
00:56:45,280 --> 00:56:47,640
Speaker 2: If I'm meaning the first thing, I'm like, y'all niggas

1108
00:56:47,640 --> 00:56:51,520
Speaker 2: snuck in my compound, kill people and they fucking sleep right,

1109
00:56:51,640 --> 00:56:54,520
Speaker 2: and I won't we have ever done anything to your ass.

1110
00:56:55,440 --> 00:56:57,680
Speaker 1: We came looking for you because of what you did

1111
00:56:57,719 --> 00:56:58,440
Speaker 1: to us.

1112
00:56:58,719 --> 00:57:01,560
Speaker 2: You fucked with the bulls and got the horns, and

1113
00:57:01,600 --> 00:57:03,879
Speaker 2: then now you're talking about I can't believe you did

1114
00:57:03,920 --> 00:57:06,520
Speaker 2: that when you was killing my people in they sleep

1115
00:57:06,560 --> 00:57:09,480
Speaker 2: with the burning my compound to the ground along with

1116
00:57:09,520 --> 00:57:12,160
Speaker 2: that delicious weed, what the fuck was we supposed to do?

1117
00:57:12,600 --> 00:57:12,880
Speaker 3: Right?

1118
00:57:13,400 --> 00:57:13,839
Speaker 1: That shit?

1119
00:57:13,920 --> 00:57:14,560
Speaker 3: Got that part?

1120
00:57:14,719 --> 00:57:17,120
Speaker 2: They always skip over that shit when they act like, oh,

1121
00:57:17,160 --> 00:57:19,320
Speaker 2: the Saviors just came for no reason. And it's the

1122
00:57:19,360 --> 00:57:22,080
Speaker 2: reason I liked the comic book version. I mean, I

1123
00:57:22,160 --> 00:57:24,280
Speaker 2: like this version better than the comic book because in

1124
00:57:24,320 --> 00:57:26,160
Speaker 2: the comic book, the Saves is just kind of assholes

1125
00:57:26,160 --> 00:57:28,560
Speaker 2: and evil for no reason, right, and not that they're

1126
00:57:28,600 --> 00:57:30,840
Speaker 2: not assholes in evil, but in this one, it was

1127
00:57:30,920 --> 00:57:35,240
Speaker 2: like our group went and came at them, and they

1128
00:57:35,360 --> 00:57:37,120
Speaker 2: had the nerve to be like, I can't believe y'all

1129
00:57:37,120 --> 00:57:38,959
Speaker 2: did this to us. It's like, well, what the fuck?

1130
00:57:40,360 --> 00:57:41,960
Speaker 2: Then you should have then you should have just fucking

1131
00:57:42,000 --> 00:57:46,600
Speaker 2: stayed in Alexandria and left us alone. At any rate,

1132
00:57:46,680 --> 00:57:48,880
Speaker 2: though he's not even interested in fighting about it, He's

1133
00:57:48,920 --> 00:57:51,040
Speaker 2: just like, you still need to decide.

1134
00:57:51,120 --> 00:57:53,080
Speaker 3: I don't care what you say. A decision needs to

1135
00:57:53,120 --> 00:57:53,520
Speaker 3: be made.

1136
00:57:54,040 --> 00:57:57,960
Speaker 2: So basically, they leave Alden in the church, they give

1137
00:57:58,000 --> 00:58:00,600
Speaker 2: them some supplies she makes me and give them his knife,

1138
00:58:01,040 --> 00:58:04,280
Speaker 2: and then they Maggie and Meagan leave all the stays

1139
00:58:04,280 --> 00:58:08,880
Speaker 2: behind with the food and knife. So hopefully you know

1140
00:58:09,240 --> 00:58:13,000
Speaker 2: enough to protect himself in the hill. She says, you

1141
00:58:13,080 --> 00:58:14,960
Speaker 2: better be here when we return, he says, and you

1142
00:58:15,040 --> 00:58:16,000
Speaker 2: better come back.

1143
00:58:17,760 --> 00:58:21,760
Speaker 1: Nagan. And I'm still reminded that Alten and Maggie.

1144
00:58:21,800 --> 00:58:24,080
Speaker 2: I felt like there could have been like some chemistry

1145
00:58:24,080 --> 00:58:27,040
Speaker 2: there before she left. And I think the reason that

1146
00:58:27,120 --> 00:58:29,720
Speaker 2: she left, you know the TV show she got as

1147
00:58:29,720 --> 00:58:32,360
Speaker 2: an actress, because I think they would have had some

1148
00:58:32,480 --> 00:58:35,360
Speaker 2: plans to make those characters almost get together at some.

1149
00:58:35,240 --> 00:58:38,320
Speaker 1: Point at any rate.

1150
00:58:39,240 --> 00:58:42,760
Speaker 2: Niagan and her are walking out on their own and

1151
00:58:42,800 --> 00:58:45,080
Speaker 2: he kills a walker with a crowbars. Maggie looks on,

1152
00:58:45,720 --> 00:58:49,640
Speaker 2: and they do this perfect shot of the angle of

1153
00:58:49,720 --> 00:58:53,320
Speaker 2: the crowbar dripping blood and Maggie looking on in the distance,

1154
00:58:53,360 --> 00:58:55,680
Speaker 2: and it really does remind you of when he killed Glenn,

1155
00:58:56,760 --> 00:59:00,320
Speaker 2: and of course she'll never be on over that. And

1156
00:59:00,360 --> 00:59:01,880
Speaker 2: then they walk off together and that's the end of

1157
00:59:01,920 --> 00:59:04,760
Speaker 2: the episode. So that recap didn't take as long as

1158
00:59:04,800 --> 00:59:07,160
Speaker 2: I thought I thought I thought might take a little longer,

1159
00:59:07,200 --> 00:59:11,880
Speaker 2: But man, it was an action packed episode with lots

1160
00:59:11,920 --> 00:59:17,240
Speaker 2: of kills and spiels and thrills. Man, we lost Roadblock,

1161
00:59:18,320 --> 00:59:24,760
Speaker 2: we lost Cole, we don't know what happened to Elijah, and.

1162
00:59:24,720 --> 00:59:27,400
Speaker 3: We lost Agatha, and you just gotta pulled off the screen.

1163
00:59:27,760 --> 00:59:30,080
Speaker 3: I mean, they don't know what Gabe is, they don't

1164
00:59:30,080 --> 00:59:31,720
Speaker 3: know where Darryl and the dog went to.

1165
00:59:32,120 --> 00:59:34,920
Speaker 2: The amount of deaths that happened in this episode, it was.

1166
00:59:35,040 --> 00:59:36,720
Speaker 2: It was a big ol' l It was one of

1167
00:59:36,800 --> 00:59:41,040
Speaker 2: my favorite episodes just because of all that, and people

1168
00:59:41,080 --> 00:59:43,440
Speaker 2: will I'm sure people will say, well, it doesn't make

1169
00:59:43,440 --> 00:59:45,919
Speaker 2: any sense how Maggie is acting, But I think that's

1170
00:59:45,920 --> 00:59:48,840
Speaker 2: if you take her at her word, which obviously you shouldn't,

1171
00:59:49,600 --> 00:59:51,760
Speaker 2: like if you if you just go with my reasoning,

1172
00:59:51,800 --> 00:59:55,680
Speaker 2: which is Kneegan's in her head and she's basically trying

1173
00:59:55,720 --> 00:59:58,200
Speaker 2: to do the opposite of everything he says, and that's

1174
00:59:58,240 --> 01:00:01,200
Speaker 2: what's getting everybody killed, because he's like, maybe we should

1175
01:00:01,200 --> 01:00:04,360
Speaker 2: be careful, and then she'd be like, no, extra uncareful, bitch,

1176
01:00:04,600 --> 01:00:06,080
Speaker 2: we gonna go out here and get killed.

1177
01:00:07,440 --> 01:00:09,120
Speaker 3: He was like, well, I guess.

1178
01:00:08,880 --> 01:00:11,280
Speaker 2: Maybe, like, if anything, maybe Nigan should have did the

1179
01:00:11,400 --> 01:00:13,560
Speaker 2: reverse psychology and be like, you know, we definitely need

1180
01:00:13,600 --> 01:00:15,920
Speaker 2: to do stay on this road in the middle of

1181
01:00:15,960 --> 01:00:17,240
Speaker 2: every so everybody can.

1182
01:00:17,120 --> 01:00:17,960
Speaker 1: See us and kill us.

1183
01:00:18,120 --> 01:00:19,320
Speaker 3: Like we're gonna go in the woods.

1184
01:00:19,360 --> 01:00:21,240
Speaker 2: Yeah you know what, nigga, fuck you were going in

1185
01:00:21,240 --> 01:00:24,440
Speaker 2: the woods. We're gonna be careful, you know, guys. Occurs

1186
01:00:24,440 --> 01:00:27,480
Speaker 2: to me that we should take the trains and just

1187
01:00:27,560 --> 01:00:30,320
Speaker 2: walk through the tunnel and save ourselves some time. No,

1188
01:00:30,560 --> 01:00:33,120
Speaker 2: Nagan will wait it out in the storm and then

1189
01:00:33,120 --> 01:00:36,000
Speaker 2: we'll keep all our guns and AMMO and bullets, thank

1190
01:00:36,040 --> 01:00:39,040
Speaker 2: you very much. Shut the fuck up like he's that's

1191
01:00:39,080 --> 01:00:41,600
Speaker 2: really where he fucked up. That's the only way he

1192
01:00:41,680 --> 01:00:44,600
Speaker 2: is to blame for it is that he talked. He

1193
01:00:44,880 --> 01:00:47,440
Speaker 2: tried to make reasonable points, and he should have just

1194
01:00:47,680 --> 01:00:50,040
Speaker 2: no knowing this woman hates him, so.

1195
01:00:49,960 --> 01:00:51,320
Speaker 1: He should have been doing the opposite. What are you

1196
01:00:51,360 --> 01:00:52,480
Speaker 1: looking forward to next week?

1197
01:00:53,000 --> 01:00:53,160
Speaker 4: Mm?

1198
01:00:54,000 --> 01:00:56,080
Speaker 3: To see what's happening with the rest of their crew,

1199
01:00:56,160 --> 01:01:00,560
Speaker 3: to see about Darryl and the dog Gabe, you know,

1200
01:01:00,720 --> 01:01:03,240
Speaker 3: are they gonna join their's crew? Are they gonna try

1201
01:01:03,240 --> 01:01:04,240
Speaker 3: to make their way back home?

1202
01:01:04,840 --> 01:01:05,080
Speaker 1: You know?

1203
01:01:05,640 --> 01:01:09,800
Speaker 3: Uh, you know with the Reapers, uh, the Reapers themselves. Like,

1204
01:01:09,840 --> 01:01:13,440
Speaker 3: it's gonna be really interesting to see that and what

1205
01:01:13,520 --> 01:01:18,360
Speaker 3: happens when Maggie and Megan make it there, if they

1206
01:01:18,440 --> 01:01:18,959
Speaker 3: make it there.

1207
01:01:19,680 --> 01:01:22,600
Speaker 2: Yeah, Elijah is what I He gotta be alive because

1208
01:01:22,560 --> 01:01:26,959
Speaker 2: they never show him get killed. But what's interesting about

1209
01:01:26,960 --> 01:01:30,920
Speaker 2: Elijah with the mask and the pick Axes.

1210
01:01:31,520 --> 01:01:33,560
Speaker 1: It almost makes you wonder if he used to be

1211
01:01:33,640 --> 01:01:35,080
Speaker 1: a Reaper to be on.

1212
01:01:35,080 --> 01:01:38,520
Speaker 2: Their side or something. Not saying that that's gonna happen,

1213
01:01:38,560 --> 01:01:39,440
Speaker 2: but it just made.

1214
01:01:39,280 --> 01:01:40,880
Speaker 3: Me and he may have been like, I can't do

1215
01:01:40,920 --> 01:01:42,080
Speaker 3: this no more or something like that.

1216
01:01:42,120 --> 01:01:42,640
Speaker 1: I don't know.

1217
01:01:42,720 --> 01:01:46,400
Speaker 2: It just felt weird the whole Like once we've seen

1218
01:01:46,600 --> 01:01:50,520
Speaker 2: the Reapers and what they look like, I mean, it's uncanny,

1219
01:01:50,760 --> 01:01:51,520
Speaker 2: this motherfucker.

1220
01:01:51,640 --> 01:01:54,120
Speaker 3: It wouldn't be surprised that some period of time, yep.

1221
01:01:54,560 --> 01:01:57,600
Speaker 1: But I definitely want to see that. I want to see.

1222
01:01:57,720 --> 01:01:59,960
Speaker 2: I think we're gonna meet the leader of the Reapers,

1223
01:02:00,480 --> 01:02:02,760
Speaker 2: because the previews from next week seem like it's a

1224
01:02:02,800 --> 01:02:06,280
Speaker 2: big bag talking about stuff. And so I'm always interested

1225
01:02:06,320 --> 01:02:08,400
Speaker 2: in groups in their philosophies and how they get to

1226
01:02:08,880 --> 01:02:12,760
Speaker 2: where they're at this epoch and what makes killing seem

1227
01:02:12,840 --> 01:02:16,240
Speaker 2: so reasonable to them and why they kill all these

1228
01:02:16,240 --> 01:02:18,439
Speaker 2: people and all that. I love to see that kind

1229
01:02:18,440 --> 01:02:24,200
Speaker 2: of reasoning, that logic. Darryl and Dog, we never caught

1230
01:02:24,280 --> 01:02:26,800
Speaker 2: up with them. They weren't with everybody.

1231
01:02:27,680 --> 01:02:29,600
Speaker 1: So I would like to see what's.

1232
01:02:29,400 --> 01:02:33,840
Speaker 2: Gonna happen if maybe, like Gabe the Lojah, Darryl and

1233
01:02:34,000 --> 01:02:38,040
Speaker 2: Dog all kind of like, I don't know if that

1234
01:02:38,120 --> 01:02:40,040
Speaker 2: old man, Yeah, that old man died.

1235
01:02:39,800 --> 01:02:42,400
Speaker 3: With the one he got, he got an arrow to die.

1236
01:02:42,880 --> 01:02:45,280
Speaker 1: Yeah, So I would like to I would like to

1237
01:02:45,280 --> 01:02:47,400
Speaker 1: see if maybe they're gonna be the cavalry for Nigga

1238
01:02:47,480 --> 01:02:52,000
Speaker 1: and Maggie at some point. And how do you defeat

1239
01:02:52,040 --> 01:02:54,320
Speaker 1: these guys? How do you even fight back when you

1240
01:02:54,360 --> 01:02:57,280
Speaker 1: can't see them? And these niggas got a substitution.

1241
01:02:57,000 --> 01:02:59,160
Speaker 3: Juice suit and they flashed up and the ship what

1242
01:02:59,720 --> 01:03:00,320
Speaker 3: you got? It's that?

1243
01:03:01,040 --> 01:03:04,400
Speaker 1: Yeah. And then i'd like to see whatever recipes Carol

1244
01:03:04,440 --> 01:03:05,040
Speaker 1: got for horse.

1245
01:03:06,840 --> 01:03:08,800
Speaker 2: We're gonna come back to Alexander next week, is only

1246
01:03:08,800 --> 01:03:10,160
Speaker 2: gonna be like two horses left.

1247
01:03:10,920 --> 01:03:13,280
Speaker 1: You know, they'll be like, all right, guys, looks like

1248
01:03:13,280 --> 01:03:22,160
Speaker 1: we're having Are we having horse horse burritos? Today? We

1249
01:03:22,280 --> 01:03:23,560
Speaker 1: having horse burritos?

1250
01:03:23,600 --> 01:03:29,200
Speaker 2: Everybody to Horselay, to Horselay. All right, y'all, that's it.

1251
01:03:29,440 --> 01:03:34,480
Speaker 2: We'll be back Saturday with feedback. I hope y'all enjoy

1252
01:03:34,560 --> 01:03:38,919
Speaker 2: these recaps. If not, you know what, twenty twenty one

1253
01:03:39,120 --> 01:03:42,080
Speaker 2: more left. If not, you know, why are you listening?

1254
01:03:42,480 --> 01:03:44,800
Speaker 1: We'll talk to you later. Until then, I love you.

1255
01:03:44,840 --> 01:03:45,360
Speaker 3: I love you too,