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Speaker 1: So I'm teaching Pharaoh Monch how to queep with his hands?

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Speaker 2: Is it mounch or monk? Is it pheral monk? Yeah,

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Speaker 2: I say monk, You say monk.

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Speaker 3: Huh.

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Speaker 2: So I'm teaching him how to queep with his hands.

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Speaker 1: And I get obviously very scared when I see a

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Speaker 1: bunch of yellow cream shooting out, because I'm thinking, yeah,

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Speaker 1: oh no, he exploded like some sort of sack in

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Speaker 1: his hand, like a.

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Speaker 2: Well, no, not a twinkie.

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Speaker 1: I'm thinking like a part of his anatomy, like maybe

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Speaker 1: like one of his knuckle sacks. Yeah, you know, has

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Speaker 1: somehow exploded. That's what I call twinkies. It's like pinky,

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Speaker 1: it goes pinky twinkie hither and yon.

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Speaker 2: Yeah, so so.

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Speaker 1: That how But what I was gonna but you know

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Speaker 1: what I wound up learning is.

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Speaker 2: This guy's holding mustard.

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Speaker 4: Oh okay, so you know, so my original thing that

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Speaker 4: there was food in there was not.

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Speaker 1: Step down the end of the story. Well it wasn't

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Speaker 1: that far off or what ended up?

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Speaker 2: Oh yeah, this twinkie filled with yellow cream. It's yellowish somehow.

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Speaker 2: It's a yellow cake with a white crib.

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Speaker 4: Time to mix you with the cake. If it's all squashy,

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Speaker 4: it's all squashed up.

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Speaker 1: Please, Hey, you can't mix it with the cake. Please,

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Speaker 1: it's a clear division. They're two different substances. Why one's

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Speaker 1: a gas and one's a liquid?

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Speaker 2: Why do you?

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Speaker 4: Why will you teach everyone else everyone else except me?

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Speaker 1: Why do I practice patients with the engineers, with Kevin,

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Speaker 1: with the guests, and with you.

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Speaker 2: I'm so short tempered, I'm so quick to scold. Yes,

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Speaker 2: why is that?

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Speaker 1: Well, let's practice the Socratic method. How come do you

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Speaker 1: think that's why I do that?

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Speaker 2: Well?

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Speaker 4: What I like to think is because it's like we're brothers.

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Speaker 2: That we can be We're like the four Brothers.

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Speaker 1: No, no, that's not right. I mean we are like

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Speaker 1: the four brothers. But that's not why. That's not why, okay,

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Speaker 1: we'd be honest with each other. It's because it's not

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Speaker 1: It's because not only do I expect more from you

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Speaker 1: than from the engineers and from the guests and from Kevin,

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Speaker 1: it's because I actually freaking look up to you as

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Speaker 1: somebody who I like to be. You're like a hero

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Speaker 1: of mine. So then when I'm looking at my hero

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Speaker 1: and he's goofing around, underperforming, not asking himself if a

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Speaker 1: Twiggies filled with yellow cream before he asks me, I go, Jesus,

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Speaker 1: guy's better than that. What's the world going to be like?

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Speaker 1: If I let this dude do this?

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Speaker 2: Did this? Dude? Just did this? Okay, let me try

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Speaker 2: use this a crawtic method on please.

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Speaker 1: Yeah, And that's his hands doing that sound.

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Speaker 2: You were right? Yeah? Hey, welcome to Hollywood.

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Speaker 4: Have book an entire s Guy tore kicking button, dripping

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Speaker 4: in in the red carpe line back always of this

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Speaker 4: industry we call showbiz.

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Speaker 2: Sam.

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Speaker 4: I know we told you we were going to do

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Speaker 4: it intro about candles. Wait, that is not what we

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Speaker 4: are here to do today.

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Speaker 1: No, even though we could, and it would be very

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Speaker 1: good and maybe we should.

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Speaker 4: No, let's not what we want to do with Sam today.

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Speaker 4: It's been you a lot. You know, I've been am lately.

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Speaker 4: It has I walk it. It's always a little thing

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Speaker 4: where I walk in here, I'm like, ohho's going to be?

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Speaker 4: I think a little bit like what's what's it gonna be?

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Speaker 4: When I walk in today?

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Speaker 2: I think, you know what, I think, how's it gonna be?

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Speaker 2: And when I say I'm gonna get and so and Wanda,

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Speaker 2: we find him for and sad but tastes salt of all.

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Speaker 4: Blind.

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Speaker 2: I hate that.

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Speaker 4: And so this is what I'm talking about, Sam, This

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Speaker 4: is actually what I'm talking about. If Brett weren't here,

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Speaker 4: is it gonna Because Brett pretends to love music, Brett

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Speaker 4: would be like, oh, yes, that's Third Eye Blind and

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Speaker 4: that's oh that's some of the music that I liked

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Speaker 4: two weekends ago. So then why did you ask if

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Speaker 4: that was I wasn't sure if that was their song?

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Speaker 2: Why did they not play this?

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Speaker 1: They didn't play this From when Dawson's having a heart

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Speaker 1: to heart with Paissy he just found out Paicey sleeping

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Speaker 1: with his teacher and they're in the freaking supply closet

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Speaker 1: of the school.

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Speaker 2: It's maybe the fourth episode, seventh grade, and he's like,

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Speaker 2: how's it going to be? Dawson. It doesn't doesn't know

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Speaker 2: they're kids.

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Speaker 4: So this is what sort of I want to say. Yes,

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Speaker 4: Bread has pretending to enjoy music and being from Germany,

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Speaker 4: Cody has.

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Speaker 1: Being covered in all kinds of scabs and bruises and

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Speaker 1: his brands in backwards.

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Speaker 2: Yeah, that's right, you have what motorcycle tattoos, motors.

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Speaker 1: I guess he's got motorcycle tattoo. But he's wearing a

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Speaker 1: cart again today. Yes, and his brand is very confused

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Speaker 1: and it's starting to just get very yellow messy. Yes,

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Speaker 1: it's the I mean the cream is mixing with the cake. Yes,

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Speaker 1: your cream is mixing with your cake. And what physically

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Speaker 1: we want to do is try to stream your brand

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Speaker 1: and come up with something simple that's hooky that we

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Speaker 1: can all grasp onto and enjoy the ride.

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Speaker 2: Yes, I would really like that. Yeah.

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Speaker 1: And now, if you'll notice when you came in, I

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Speaker 1: sort of spontaneously came up with sort of a theme

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Speaker 1: song for you. Hayes will be hearing it for the

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Speaker 1: first time right now, and maybe this will give Hayes

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Speaker 1: some ideas.

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Speaker 2: This is just what I did when Sam walked in.

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Speaker 2: This is true. This is when I got off the elevator,

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Speaker 2: I went.

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Speaker 1: Sam, dut dotta, dut dotta.

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Speaker 5: He's an engineer. Okay, that's a really good start. I

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Speaker 5: know there's a lot of detail there.

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Speaker 4: There's a lot for me to play off of, which

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Speaker 4: is great and sort of what I in this exercise.

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Speaker 4: It sort of sounds like uptown funk. No, oh, what

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Speaker 4: does it sound like? Sam dut dotta dout dotta. He's

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Speaker 4: an engineer.

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Speaker 2: I don't know the song that's Brett's saying, slam Bionics.

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Speaker 2: I know that song. Yeah, Sam, you knew what it was, right.

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Speaker 4: It's like a jock jam slam dotata.

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Speaker 2: Let the boys be boys. Sticky Fingers and Fredro Star.

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Speaker 2: I remember Fredro Star he was You don't remember Sticky Fingers. No,

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Speaker 2: I just remember. Please give me a break. So, but

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Speaker 2: so this is a great so that you can be

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Speaker 2: a guy. Sticky fingers, I better voice.

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Speaker 6: Who slams Let's think of Sam Slam and Sam Slam

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Speaker 6: and Sammy Sosa. Well, hold on Chicago stuff sting you already.

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Speaker 1: He kind of likes that because he wears a Milwaukee

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Speaker 1: Brewers hat. It is like kind of like trying to

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Speaker 1: pretend like our hat and like, yeah, I used to

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Speaker 1: live in their apartment.

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Speaker 4: Oh that's right. That is what happens a lot in here.

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Speaker 4: I guess will come in and then Sam will say

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Speaker 4: do you live at fill in address? And then the

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Speaker 4: guess will be like, yeah, I do, and Sam will

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Speaker 4: be like I live there now, But he does it.

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Speaker 4: He just like he looks up there address so he

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Speaker 4: can like have that to say.

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Speaker 2: That's like a power play. When they come in, he

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Speaker 2: can say that he currently lives.

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Speaker 1: In is his brand, that he's a psychological terrorist, you know.

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Speaker 1: I mean that might be interesting.

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Speaker 4: And it's very He gets all the information he needs

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Speaker 4: after that, because the guy will be like, oh, like

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Speaker 4: is Stuart still living there?

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Speaker 2: And Sam will either be like yeah or no. Well.

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Speaker 1: Sam also was recently arrested for calling people saying that

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Speaker 1: the I R S Is investigating them for tax fraud.

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Speaker 1: He'd call and he'd sort of go like, hey, you know,

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Speaker 1: like you're currently being INVESTIGATD for tax rod You'll be

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Speaker 1: arrested unless you transfer this amount of money of the

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Speaker 1: bank right now. Yeah, And that was working out pretty well.

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Speaker 1: I'm pretty lucrative, right, Yeah, it's going pretty well. It

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Speaker 1: is is your thing like fish is your thing? Like catfishing.

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Speaker 4: I like a little fun scam mm hmm oh scam

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Speaker 4: and Sam, Yeah, scamm scam and samama data.

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Speaker 2: He's an engineer.

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Speaker 4: Another thing I saw him do is kiss his girlfriend

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Speaker 4: outside the earwolf gate.

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Speaker 2: Uh maybe two weeks ago.

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Speaker 1: Seems like you could do it inside the gate so

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Speaker 1: that Hayes doesn't have to watch. But maybe that wasn't

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Speaker 1: the point of so.

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Speaker 4: I don't get gate stuff all over my face as

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Speaker 4: I'm trying to see what kind of if it's a real,

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Speaker 4: real kiss.

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Speaker 2: Yeah, so I don't even think it wrong. Yeah, but

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Speaker 2: so we was.

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Speaker 1: I think it was sort of a death perception trick,

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Speaker 1: where like his face is in front, her face is

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Speaker 1: going past him, but it looks like they're doing a kiss.

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Speaker 2: Like when I pretend I eat a broom, mmm, yum,

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Speaker 2: hungry for it? Is I mean to me broom? Yeah? Yeah, yeah, it.

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Speaker 4: Was sort of would you sort of have an idea

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Speaker 4: of what Harry Potter was? It was something you thought

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Speaker 4: Harry Potter did?

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Speaker 1: Yes, that was when I was like being Harry Potter

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Speaker 1: and I was considering going as him for all hollows

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Speaker 1: E and I. So what I did was I got

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Speaker 1: some arkle glasses and uh, some miracle suspenders. Yeah, and

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Speaker 1: I my pants up all high, like urkle, you tattooed

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Speaker 1: a yin ye on your forehead.

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Speaker 2: I put a yin yeg up there.

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Speaker 1: And uh, and I would walk in and I'd go

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Speaker 1: like I'm hungry for brooms, and then I'd sort of

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Speaker 1: pretend to eat it and be like Harry Potter in

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Speaker 1: the house.

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Speaker 2: Oh hope you don't do the bird.

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Speaker 1: And then I would sort of do this like bird

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Speaker 1: dance I was working on at the time.

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Speaker 2: Uh, and then.

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Speaker 1: I'd bob for ask because what I had seen was

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Speaker 1: my friend who had read Harry Potter.

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Speaker 4: Yeah, and he saw the cover of the book, which

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Speaker 4: has a bird. It has him holding a broom that Yeah,

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Speaker 4: he's maybe about to eat.

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Speaker 1: To me, it looks like he's looking at that thing

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Speaker 1: like it's for lunch. So because he's like seems to

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Speaker 1: be friends with the bird or maybe jealous of the bird,

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Speaker 1: wishing he could dance like it does, which is what

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Speaker 1: I assume the story was. And he's look at the

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Speaker 1: broom like, oh man, I'm going to tuck into this

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Speaker 1: later on.

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Speaker 2: But this is a Sam. I mean, that's your thing.

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Speaker 4: Yeah, we can't give that, Sam, you can't do that.

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Speaker 4: I mean, so, you know, he likes to he likes

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Speaker 4: the Sam Sam Sam. He likes a scam. He likes

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Speaker 4: to kiss whenever he can. He's obsessed with kissing.

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Speaker 1: He's Sam Sam. He likes a scam. He likes to kiss.

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Speaker 1: Oh goddamn, would you look at that. He's pushing a

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Speaker 1: pram mm hmm.

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Speaker 4: He should have a baby. Sam, you have to have

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Speaker 4: a baby. You give birth to the dad. Yes, Sam, Daddy,

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Speaker 4: you're the dad engineer. You're the engineer who's like all

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Speaker 4: about b to dad. And you're always like, I didn't

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Speaker 4: get that much sleep. My kid was keeping me yup.

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Speaker 2: But I love him. It's rewarding, yeah, man.

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Speaker 1: And you do have sort of playful jokes where you

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Speaker 1: go like do you have kids and if somebody goes no,

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Speaker 1: you go don't.

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Speaker 4: And with the tattoos and people will flip, people will

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Speaker 4: flip the.

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Speaker 2: Hot dadga tattoos. Yeah, Dadga tattoos. Yeah.

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Speaker 4: At Disneyland, do I comb his hair in the little mosawks?

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Speaker 2: Since you're a tumbler, you're a tumbler, you're the high engine.

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Speaker 2: You're Dad with the tattoos, with the kid and the

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Speaker 2: mohawk kid. Oh, Sam, I like this. I'm no kidding.

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Speaker 2: Everybody likes it. We just saved your life. You were

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Speaker 2: going down a dark path. Friend. I haven't been doing well. No,

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Speaker 2: I know. That's what we're That's what the meeting's about. Yes,

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Speaker 2: it's for a big reason. Thank god.

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Speaker 1: I came up with that song. That's very recognizable. I

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Speaker 1: can't believe he doesn't know that's one of the biggest songs.

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Speaker 4: Bra It's not touching that territory. Can I still do

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Speaker 4: like dad jokes?

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Speaker 2: What are you give me? An example, like.

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Speaker 4: If I'm paying a bill somewhere and there's a tip,

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Speaker 4: and I like, oh, here's a tip, but you know,

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Speaker 4: and I say, I say a funny joke.

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Speaker 1: Well, you'd have to have the joke. I can't just

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Speaker 1: imagine that part of it.

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Speaker 4: Don't don't like don't eat yellow Snow's a tip of what?

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Speaker 2: No, No, like the waitress I would have him. You're

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Speaker 2: a father.

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Speaker 1: You can't be taking the tip of your penis out

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Speaker 1: of your pants and going showing.

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Speaker 2: Them the tip. That's tough. I'm at a sandwich shop

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Speaker 2: last week.

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Speaker 1: We're just a sandwich called just the Tip, and it's like

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Speaker 1: roasted try tip or whatever.

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Speaker 2: Sam likes it. Now I know who orders that. Didn't

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Speaker 2: even let me guess I how to watch a guy

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Speaker 2: order it. We have a gas to you guys. No,

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Speaker 2: I don't know these guys. What's their name?

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Speaker 4: Keith and Jesse on Hollywood Hairbook.

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Speaker 2: So I'm throwing out pitch one. I don't I don't

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Speaker 2: know number that either. I say original throw.

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Speaker 4: Yes, I'm doing the original throw for the game, the

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Speaker 4: Big Game, whichever, whatever those guys are. But as just

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Speaker 4: as I'm like about to go and tight trousers, then

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Speaker 4: I've practiced hmmmm, throwing a rock at a barn. But

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Speaker 4: as right as I'm going out, they say they want

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Speaker 4: me to do it as Stewie. Oh hayes, and so

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Speaker 4: I don't want a dream, but at this I thought

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Speaker 4: it was.

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Speaker 2: I thought it was a dream. Well, because you're the

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Speaker 2: perfect guy for that. I mean, you're Stewie. Fuck you're Stewie.

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Speaker 2: I know. But how do I do? Like I haven't

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Speaker 2: practiced ever throwing the pitch.

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Speaker 1: As doing because he hasn't done that.

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Speaker 2: So I sort of like waddle out there.

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Speaker 1: You and Brian never gotten into some sort of old

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Speaker 1: timey baseball thing with all their misshapen I don't know.

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Speaker 2: The show, that's right, I forgot.

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Speaker 4: I watched this other guy that does all the voices,

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Speaker 4: and I do his voices better than he does to.

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Speaker 2: You know, much to his sugar can make him upset.

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Speaker 4: So I sort of do like sort of a baby

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Speaker 4: thing out there. I've never really seen him walk because

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Speaker 4: I have through the show. So I crawl whatever do

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Speaker 4: like sort of a baby.

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Speaker 2: Thing out to the mountain. Takes a long time, and

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Speaker 2: then I'm throwing a pitcheon.

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Speaker 4: I'm like, ooh the hoop, Uh this is baseball hits

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Speaker 4: mother in the head, right, yeah, kills mother, your mother

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Speaker 4: Stewie's I guess okay. I know when I was saying it,

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Speaker 4: I was like, is this my mother?

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Speaker 2: Yeah, well that's pretty sick stuff.

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Speaker 1: Because I'm saying it's me. It's so funny. I only

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Speaker 1: know the show through you, I know. So as I'm

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Speaker 1: sort of realizing like, oh, yeah, you don't really know

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Speaker 1: the show, I'm going like, I don't know if this

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Speaker 1: story is you doing well or doing poorly.

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Speaker 2: And so then they're like, now do Peter, Oh hey,

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Speaker 2: what a dream for you? Well, because I've been wanted

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Speaker 2: to try Peter. Yes, well you've got stewing down so good.

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Speaker 2: You were like, I bet I could do all of them.

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Speaker 2: I could probably really try Peter. So I'm like, yeah,

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Speaker 2: got him. What's race for?

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Speaker 3: Yeah?

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Speaker 4: Kind of like that because he's like he doesn't know

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Speaker 4: what different things is.

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Speaker 1: He's oh, yeah, no, you've told me before that you

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Speaker 1: think he might not know what some stuff.

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Speaker 2: Is until we keep doing it with the alien.

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Speaker 4: Uh huh Roger the alien. Yeah, and then we just

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Speaker 4: then we do the show. Hey, welcome to Hollywood Handbook.

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Speaker 1: Sorry, before we get into it, were you being Roger

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Speaker 1: just being right?

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Speaker 2: Or are you being Roger in one of his disguise?

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Speaker 2: I was being Roger as a disco man. Thank you. Hey,

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Speaker 2: welcome to Hollywood. And bois guy kicking butt, dropping names.

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Speaker 2: And this industry we.

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Speaker 4: Call showbiz showbiz, si kind up here. You need to

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Speaker 4: be up here show biz. Here's an exciting thing that

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Speaker 4: we do today. We're doing something fun and it's the show,

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Speaker 4: a show from a different place for you to listen to.

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Speaker 4: We had Sam bring the table to a place where

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Speaker 4: they already I don't know really how to get into this.

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Speaker 2: We gotta tables and another place has tables. Let me

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Speaker 2: figure this out. Uh what has tables?

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Speaker 1: Well, we're in a building that is a TV watching place.

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Speaker 2: Yeah. We you look up, see the TV. You look down, see.

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Speaker 1: The table, but a table and there's sometimes laminated paper around, yes,

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Speaker 1: cursive writing, and you have to say, excuse me, sir,

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Speaker 1: what is this?

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Speaker 4: So give me one that's not cursive, please, yeah, No,

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Speaker 4: I'm not talking to you right now, no, fool, I'm

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Speaker 4: just re enacting a conversation from earlier.

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Speaker 2: And he's waiting.

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Speaker 1: So what we had them do at this place, which

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Speaker 1: is a place for.

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Speaker 2: Doing eating food.

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Speaker 1: And we said, can we get a table there? And

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Speaker 1: then we realized we wanted our own table, and then

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Speaker 1: we said can we get a private room there? And

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Speaker 1: then we realized we wanted the room to be soundproof,

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Speaker 1: much like the era Will studio, and so we did

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Speaker 1: recreate the Eerwal studio, which you'll see in the photographs.

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Speaker 1: But please do know that we are actually inside a

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Speaker 1: fancy food spot.

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Speaker 2: And there's a can sham com yes, ye guess so. Yeah.

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Speaker 1: So a lot of people uh around the world and

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Speaker 1: in the country.

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Speaker 2: And this is interesting, this is interesting. Go ahead and

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00:18:59,160 --> 00:19:02,359
Speaker 2: and the you know, this is really interesting and this

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00:19:02,440 --> 00:19:06,679
Speaker 2: is my favorite thing about it. Have not known really

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Speaker 2: about all the foods, yes, that you could eat. We

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Speaker 2: like to explore food.

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Speaker 4: We don't talk about on the show that much because

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Speaker 4: food is not Hollywood, it's not movies, it's not TV.

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Speaker 2: But what if it is?

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Speaker 1: Yeah, and some of the people that do make food

359
00:19:25,080 --> 00:19:27,320
Speaker 1: from John Fouv wrote me to movie Chef, I hope

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Speaker 1: you all go see it theaters.

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Speaker 4: Right then, the movie was food, and we'd also talked

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Speaker 4: about burnt that one time. So remember when I said

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Speaker 4: we don't talk about that, we did?

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Speaker 2: We do.

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Speaker 4: Please see that we like to explore food. We like

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Speaker 4: to food in many ways. Is the new music.

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00:19:45,480 --> 00:19:49,280
Speaker 1: Yeah, chefs are like famous rock stars. Yes, only you

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Speaker 1: get to eat the music.

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Speaker 4: Yes, And it's more expensive and once you eat it,

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Speaker 4: it is gone.

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00:19:55,800 --> 00:19:58,000
Speaker 2: Once you have it one type, it's gone forever. You

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Speaker 2: have to get it again. And you're busy. So people

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00:20:03,920 --> 00:20:11,200
Speaker 2: like rock stars aren't busy. They're not. We don't have to.

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Speaker 2: I just want to explain to people that you they're busy.

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00:20:14,400 --> 00:20:17,720
Speaker 2: Oh I'm busy right now. Ding ding ding ding. I

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00:20:17,800 --> 00:20:23,639
Speaker 2: just played a freaking whole concert. So he likes food.

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00:20:24,760 --> 00:20:27,200
Speaker 4: He has friends who like food or where him and

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00:20:27,240 --> 00:20:28,480
Speaker 4: all these guys like food?

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Speaker 2: And can we be famous people who like food? Yeah?

380
00:20:31,560 --> 00:20:34,240
Speaker 2: We can't, actually can? We already are so and we're

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Speaker 2: friends with the chefs.

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00:20:35,560 --> 00:20:39,280
Speaker 4: So we brought along some god like for a long

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00:20:39,320 --> 00:20:41,960
Speaker 4: time too, until we suddenly start stop talking about it all.

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Speaker 2: Together because.

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00:20:45,240 --> 00:20:51,600
Speaker 1: Because we have friends who are guys who are cool guys.

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00:20:51,880 --> 00:20:55,920
Speaker 2: And we're not eating alone. It's not sad, and it's

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00:20:55,960 --> 00:20:57,240
Speaker 2: not just us and Sam either.

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00:20:57,520 --> 00:21:02,920
Speaker 1: We have these guests who we have discovered, uh comedy

389
00:21:03,000 --> 00:21:06,879
Speaker 1: guys who we found and they're just gonna be so

390
00:21:07,080 --> 00:21:11,320
Speaker 1: funny soon. And their names are Keith and Jesse. It's

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Speaker 1: Keith Kingbay and Jesse. Go ahead and tell me your

392
00:21:13,880 --> 00:21:14,440
Speaker 1: last name.

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00:21:14,600 --> 00:21:20,840
Speaker 2: It's Neil Jesse. Well your last name, mm hmm, yeah, Jesse,

394
00:21:20,960 --> 00:21:22,800
Speaker 2: I need your last name, I know, and it's Neil.

395
00:21:23,160 --> 00:21:26,800
Speaker 1: And this is like the two men then this is

396
00:21:26,840 --> 00:21:28,600
Speaker 1: sort of the who's on first kind of thing that

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Speaker 1: they do.

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00:21:29,520 --> 00:21:31,239
Speaker 2: So guys, go ahead and launch into it and just

399
00:21:31,280 --> 00:21:35,800
Speaker 2: make us laugh really quick with the who's on first? Bit? No, no,

400
00:21:37,160 --> 00:21:39,439
Speaker 2: because we can do that. Who's good luck triggering me

401
00:21:39,520 --> 00:21:39,920
Speaker 2: with that one?

402
00:21:39,920 --> 00:21:40,080
Speaker 7: Ago?

403
00:21:40,320 --> 00:21:42,920
Speaker 2: Yeah, yeah, right, Okay, we're gonna do a bit that's

404
00:21:42,920 --> 00:21:47,040
Speaker 2: not who's on first? Okay, who's on second? What? Who's

405
00:21:47,080 --> 00:21:50,520
Speaker 2: on second? I don't know?

406
00:21:50,760 --> 00:21:59,280
Speaker 1: Okay, So okay, so that was really strong. Who Vane's

407
00:21:59,320 --> 00:21:59,840
Speaker 1: on first?

408
00:22:00,160 --> 00:22:02,200
Speaker 2: You know? That's what? Yeah?

409
00:22:02,280 --> 00:22:05,520
Speaker 4: Again, I don't think that reference is gonna Kevin who Bay?

410
00:22:05,720 --> 00:22:07,399
Speaker 4: I don't think it's gonna land again.

411
00:22:08,440 --> 00:22:10,879
Speaker 8: You know, you guys were talking about movies with food?

412
00:22:10,960 --> 00:22:13,359
Speaker 8: Did you guys ever see Spanglish? I feel that Adam

413
00:22:13,480 --> 00:22:15,440
Speaker 8: sandler connection to Hollywood is.

414
00:22:15,400 --> 00:22:16,400
Speaker 2: Really a big thing.

415
00:22:16,560 --> 00:22:19,720
Speaker 4: That it's becoming that starting to be that connection is

416
00:22:19,760 --> 00:22:20,640
Speaker 4: really becoming.

417
00:22:20,400 --> 00:22:25,280
Speaker 1: Huge, starting to be one of Hollywood's premiere people who

418
00:22:25,520 --> 00:22:27,960
Speaker 1: is actually part of connected to it.

419
00:22:28,640 --> 00:22:32,960
Speaker 2: Even though he's not officially there yet. We need to

420
00:22:33,000 --> 00:22:33,840
Speaker 2: see a couple.

421
00:22:33,560 --> 00:22:35,639
Speaker 4: Of movies out of him. And what was the food

422
00:22:35,680 --> 00:22:37,359
Speaker 4: from Spanglish? Spanglish muffin?

423
00:22:42,600 --> 00:22:46,000
Speaker 2: A lot of sandwiches, a lot of sexual tension with

424
00:22:46,160 --> 00:22:49,840
Speaker 2: food and who is a lot of food playing? That

425
00:22:50,280 --> 00:22:53,639
Speaker 2: was passing that? Which one? Who was in that past?

426
00:22:53,720 --> 00:23:00,760
Speaker 2: Which past past? Pas Vegas? Yeah, yeah, both of them.

427
00:23:01,200 --> 00:23:02,919
Speaker 2: They both did the same movie.

428
00:23:03,080 --> 00:23:08,160
Speaker 1: Ooh, I'd hate to make the call sheet for them.

429
00:23:08,400 --> 00:23:15,480
Speaker 2: Is Paz here in the restaurant? See see what? And

430
00:23:15,480 --> 00:23:17,720
Speaker 2: Hayes is kind of showing you how good, how easy

431
00:23:17,800 --> 00:23:21,160
Speaker 2: I get you was just myself. He could do your job,

432
00:23:21,200 --> 00:23:23,320
Speaker 2: but you can't do hits. And there's only one of me.

433
00:23:23,520 --> 00:23:26,000
Speaker 1: So yeah, and I'm doing both of the guys, and

434
00:23:26,040 --> 00:23:30,000
Speaker 1: that shit fucking rocked. So let's talk a little bit

435
00:23:30,000 --> 00:23:32,160
Speaker 1: about the food we're eating, and guys, if you want

436
00:23:32,160 --> 00:23:39,080
Speaker 1: to start talking about mouth feel aro mercher uh, spice

437
00:23:39,119 --> 00:23:44,719
Speaker 1: smells and different sort of uh. How crunchy it is

438
00:23:44,720 --> 00:23:49,040
Speaker 1: on the most scale of hardness. If you could compare

439
00:23:49,080 --> 00:23:52,440
Speaker 1: it to things that people our listeners will understand, like

440
00:23:52,760 --> 00:23:55,399
Speaker 1: rocks and sticks and bugs and dogs.

441
00:23:56,760 --> 00:24:01,600
Speaker 2: Gotcha, I don't know what this is, dive right in

442
00:24:02,040 --> 00:24:02,359
Speaker 2: what that is?

443
00:24:02,440 --> 00:24:05,119
Speaker 1: We should say first, this is a super exotic place

444
00:24:05,160 --> 00:24:09,960
Speaker 1: we've gone, this food is from. I mean, what's the

445
00:24:10,480 --> 00:24:12,040
Speaker 1: politically correct way to say this?

446
00:24:13,359 --> 00:24:15,960
Speaker 2: It changing every day?

447
00:24:16,080 --> 00:24:19,680
Speaker 4: Okay, yeah, opposite of America.

448
00:24:20,280 --> 00:24:24,400
Speaker 1: The safe way I'll say it is there alphabets, mostly symbols,

449
00:24:25,520 --> 00:24:26,720
Speaker 1: yeah right.

450
00:24:27,480 --> 00:24:29,680
Speaker 2: And they also use symbols.

451
00:24:29,840 --> 00:24:36,359
Speaker 4: They acknowledge the music sometimes when they're appearing in a room.

452
00:24:36,600 --> 00:24:39,840
Speaker 2: Is that crazy? Okay? No, that seems really fair.

453
00:24:40,200 --> 00:24:42,040
Speaker 1: Do you guys have any other ways to describe some

454
00:24:42,080 --> 00:24:42,679
Speaker 1: of these guys?

455
00:24:42,760 --> 00:24:44,720
Speaker 8: Probably not crazy. I feel like we don't want to

456
00:24:44,720 --> 00:24:46,640
Speaker 8: offend anyone. Probably wouldn't suse the words crazy.

457
00:24:46,840 --> 00:24:48,800
Speaker 2: But I'm not saying that the guys is crazy, but

458
00:24:48,920 --> 00:24:51,760
Speaker 2: like different, but you're saying different. One of them might

459
00:24:51,800 --> 00:24:53,959
Speaker 2: be crazy. They could act crazy, yeah, one of them.

460
00:24:54,040 --> 00:25:00,240
Speaker 2: Could we like to touch this at all? This food

461
00:25:00,520 --> 00:25:03,840
Speaker 2: that's Jesse Neil. Sorry, I'm just looking at I'm just

462
00:25:03,880 --> 00:25:08,119
Speaker 2: looking at large chunks of garlic, don't I'm wondering what

463
00:25:08,200 --> 00:25:11,439
Speaker 2: this dishes. I guess is where I'm at. Okay.

464
00:25:11,560 --> 00:25:14,320
Speaker 1: So one thing that if you're really into food is

465
00:25:14,359 --> 00:25:17,000
Speaker 1: you sometimes want to be so adventurous and surprised that

466
00:25:17,040 --> 00:25:18,960
Speaker 1: you order something that you just wonder what it is.

467
00:25:19,760 --> 00:25:24,000
Speaker 4: And this is what Anthony Bourdain was doing and continued

468
00:25:24,080 --> 00:25:27,480
Speaker 4: to do. He'll go into the restaurant and he doesn't

469
00:25:27,480 --> 00:25:29,280
Speaker 4: even know what kind of food is in there. All

470
00:25:29,280 --> 00:25:31,160
Speaker 4: he knows is that his location, Scott's what it ahead

471
00:25:31,160 --> 00:25:32,439
Speaker 4: of time. I made sure that there was room for

472
00:25:32,440 --> 00:25:34,159
Speaker 4: the cameras to be set up and that you know,

473
00:25:34,320 --> 00:25:35,640
Speaker 4: none of the food was gonna taste bad.

474
00:25:36,320 --> 00:25:39,239
Speaker 2: Hm. But he's going in completely.

475
00:25:40,240 --> 00:25:45,600
Speaker 4: Doesn't He doesn't care if it's the for poor people mostly.

476
00:25:45,400 --> 00:25:48,760
Speaker 2: Now, Yeah, this is Anthony Bourdain. He's like, guy fiertti is?

477
00:25:48,760 --> 00:25:49,360
Speaker 2: He like that?

478
00:25:49,680 --> 00:25:49,879
Speaker 5: Is it?

479
00:25:50,200 --> 00:25:51,560
Speaker 2: Is it? Fietti FIEI?

480
00:25:51,920 --> 00:25:59,720
Speaker 9: He's like, yeah, guy, confected, they kunk fiery the Fiat

481
00:26:00,000 --> 00:26:02,520
Speaker 9: Should you a car with this guy?

482
00:26:04,119 --> 00:26:06,760
Speaker 2: And it's got sort of a yellow top and big

483
00:26:06,880 --> 00:26:08,760
Speaker 2: spiky hair on the top. For no reason like, that's

484
00:26:08,800 --> 00:26:09,959
Speaker 2: that's kind of what I was saying. I mean, that's

485
00:26:10,000 --> 00:26:15,639
Speaker 2: obviously I said, Spiky you said, and as if it

486
00:26:15,720 --> 00:26:17,400
Speaker 2: was a separate thing.

487
00:26:17,520 --> 00:26:21,800
Speaker 1: It's like, we really want to make you guys pop,

488
00:26:21,960 --> 00:26:23,920
Speaker 1: and we've been waiting for the right time to sort

489
00:26:23,920 --> 00:26:26,520
Speaker 1: of release you guys onto the world. These guys are

490
00:26:26,600 --> 00:26:31,160
Speaker 1: so funny. They do these who's really good stuff? There's

491
00:26:31,160 --> 00:26:37,400
Speaker 1: stuff is really good? No, no, so, And what we've

492
00:26:37,600 --> 00:26:40,320
Speaker 1: been doing because we're sort of managing them right now

493
00:26:40,760 --> 00:26:42,160
Speaker 1: as part of our shingle.

494
00:26:44,560 --> 00:26:47,560
Speaker 4: What's the single this management shingle called this one's called

495
00:26:48,760 --> 00:26:56,040
Speaker 4: Funny Managers because unlike the other ones, the manager client

496
00:26:57,040 --> 00:26:57,640
Speaker 4: way better.

497
00:26:58,000 --> 00:27:01,000
Speaker 1: Yeah, the managers are actually funnier even than most of

498
00:27:01,080 --> 00:27:06,640
Speaker 1: our clients. So so what we've been doing is sort

499
00:27:06,680 --> 00:27:09,360
Speaker 1: of managing these guys and getting them ready and grooming them.

500
00:27:09,920 --> 00:27:12,040
Speaker 1: And you're going like, wow, these guys are guests on

501
00:27:12,160 --> 00:27:16,600
Speaker 1: this huge show. Yeah, but I don't necessarily know them.

502
00:27:16,720 --> 00:27:19,760
Speaker 1: How that happened, And it's very intentional that this is

503
00:27:19,800 --> 00:27:21,040
Speaker 1: when we're sort of springing them.

504
00:27:21,080 --> 00:27:22,280
Speaker 2: So it's their moment to shine.

505
00:27:22,640 --> 00:27:24,080
Speaker 1: And if they could come up with a funny way

506
00:27:24,119 --> 00:27:27,720
Speaker 1: to describe the food or anything, that would go a

507
00:27:27,840 --> 00:27:29,040
Speaker 1: long way cool cool.

508
00:27:29,560 --> 00:27:35,760
Speaker 4: For example, speaking of guys piskeetti, this over here is

509
00:27:35,920 --> 00:27:38,680
Speaker 4: like spashetti, but it's not red.

510
00:27:40,280 --> 00:27:42,440
Speaker 2: So what's a name for something like that? Is that

511
00:27:42,640 --> 00:27:45,040
Speaker 2: chicken elfredo? Is that what we're talking about? No?

512
00:27:45,600 --> 00:27:49,960
Speaker 4: Oh okay, No, it doesn't describe chicken elfreda okay. It's

513
00:27:50,000 --> 00:27:54,800
Speaker 4: sort of like yellow yellower spisketti. Oh like, well, what

514
00:27:54,920 --> 00:27:55,919
Speaker 4: it really is is it's in.

515
00:27:55,920 --> 00:28:01,040
Speaker 1: The Spashetti family, and it lacks the redness of traditional spisketti.

516
00:28:01,040 --> 00:28:03,520
Speaker 2: But you know you wouldn't call it yellow sketty. I

517
00:28:03,600 --> 00:28:07,280
Speaker 2: don't know whether to Can you say China anymore? Can

518
00:28:07,320 --> 00:28:09,040
Speaker 2: you say? See?

519
00:28:09,160 --> 00:28:11,159
Speaker 4: This is what I was worried about, is like I

520
00:28:11,240 --> 00:28:15,440
Speaker 4: think you're like not, I want to call it China's basketti.

521
00:28:16,800 --> 00:28:18,080
Speaker 2: Chinas pasketty.

522
00:28:18,440 --> 00:28:22,480
Speaker 1: I mean, that is definitely what it is. It's just

523
00:28:22,560 --> 00:28:24,560
Speaker 1: a matter of are we allowed to tell people that.

524
00:28:24,960 --> 00:28:25,399
Speaker 2: Here's the thing.

525
00:28:25,440 --> 00:28:27,880
Speaker 8: If I get confused, I just take a picture, put online,

526
00:28:28,000 --> 00:28:30,040
Speaker 8: ask people make sure it's right sort of thing.

527
00:28:30,720 --> 00:28:31,040
Speaker 2: What's this?

528
00:28:31,560 --> 00:28:31,679
Speaker 1: Well?

529
00:28:31,760 --> 00:28:33,920
Speaker 2: What some stuff you've taken a picture? I did take

530
00:28:33,960 --> 00:28:36,240
Speaker 2: a picture, put it on line. What's this? What's some

531
00:28:36,359 --> 00:28:38,000
Speaker 2: things you've found out? What it is by taking a

532
00:28:38,040 --> 00:28:40,440
Speaker 2: picture of and putting it online. Mostly not food. It's

533
00:28:40,480 --> 00:28:43,080
Speaker 2: like animals or creatures. I don't understand. And what are

534
00:28:43,160 --> 00:28:44,920
Speaker 2: some of the creatures that it turned out to be?

535
00:28:45,200 --> 00:28:45,960
Speaker 2: Like a dead dog?

536
00:28:46,200 --> 00:28:49,440
Speaker 1: Okay, right, because you were like, this looks like a dog,

537
00:28:49,480 --> 00:28:51,880
Speaker 1: but it's not moving, like missing part of its head,

538
00:28:52,080 --> 00:28:52,520
Speaker 1: which was.

539
00:28:52,600 --> 00:28:54,400
Speaker 2: Very hard to tell from me still frame picture, but

540
00:28:54,440 --> 00:28:56,560
Speaker 2: they figured it out. But just tell me what it is. Yeah,

541
00:28:56,560 --> 00:28:57,400
Speaker 2: that's all I want to know.

542
00:28:57,960 --> 00:29:01,640
Speaker 4: Now, people at home our listening to you are getting hungry. Yeah,

543
00:29:02,480 --> 00:29:04,360
Speaker 4: the mail maybe a he loaded up the stomach with

544
00:29:04,400 --> 00:29:06,840
Speaker 4: a bunch of bugs. And please throw that out the

545
00:29:06,880 --> 00:29:07,440
Speaker 4: hood of my car.

546
00:29:07,680 --> 00:29:10,280
Speaker 1: Please, nobody try to acquaint my dead dog and the

547
00:29:10,360 --> 00:29:13,040
Speaker 1: fact they're eating food that is from a different country.

548
00:29:13,160 --> 00:29:17,160
Speaker 2: No, I'm talking about this. Please nobody do that.

549
00:29:17,760 --> 00:29:20,400
Speaker 1: No, I know what you're saying, and I'm saying, but

550
00:29:20,560 --> 00:29:22,280
Speaker 1: don't do the other thing because they'll get in a

551
00:29:22,320 --> 00:29:22,800
Speaker 1: lot of trouble.

552
00:29:23,800 --> 00:29:29,400
Speaker 2: Actually, no, right for me, that's good. What is good?

553
00:29:29,440 --> 00:29:33,800
Speaker 2: They eat that stuff? Good for them, it's great. Honestly,

554
00:29:34,080 --> 00:29:36,760
Speaker 2: more power to you. Stop biting the mail man. I

555
00:29:36,960 --> 00:29:42,240
Speaker 2: don't like that dogs do that. Okay, Hey, please don't

556
00:29:42,240 --> 00:29:45,800
Speaker 2: get off. They stop biting the mail bad Please don't

557
00:29:45,840 --> 00:29:51,360
Speaker 2: get off on a ramp. Marmaduke, somebody eat Marmaduke for once,

558
00:29:53,560 --> 00:30:00,280
Speaker 2: just the one time I would eat Marmaduke. I see

559
00:30:00,320 --> 00:30:07,000
Speaker 2: you have any upcoming projects? Remember Mama, June? I remember

560
00:30:07,080 --> 00:30:09,960
Speaker 2: Benny in June? Just so you remember Benny and June.

561
00:30:09,960 --> 00:30:13,000
Speaker 2: You got any upcoming projects? I don't know what Benny

562
00:30:13,040 --> 00:30:16,240
Speaker 2: in June is. I'm gonna start there. Jesus, you guys

563
00:30:16,280 --> 00:30:18,600
Speaker 2: are making me feel old today. How old are you? Guys?

564
00:30:20,800 --> 00:30:27,560
Speaker 2: We don't really know. Of course, was found in them farm?

565
00:30:28,200 --> 00:30:30,680
Speaker 2: Found in a farm? How old are you when you

566
00:30:30,720 --> 00:30:33,840
Speaker 2: were found? I had to be sixteen seventeenth because I

567
00:30:34,000 --> 00:30:39,960
Speaker 2: was carrying big bills of Hey, but no older than that.

568
00:30:40,400 --> 00:30:42,640
Speaker 2: That's like, those are the two years where you could

569
00:30:42,680 --> 00:30:44,040
Speaker 2: be carrying big bills a Hey.

570
00:30:45,040 --> 00:30:47,280
Speaker 1: I mean, I don't know, man, why did you carry

571
00:30:47,320 --> 00:30:49,160
Speaker 1: Hey at a different age. You're gonna fucking blow up

572
00:30:49,200 --> 00:30:49,520
Speaker 1: my spot.

573
00:30:50,160 --> 00:30:52,239
Speaker 2: I'm gonna say I think you could carry Hey right now.

574
00:30:54,640 --> 00:30:57,480
Speaker 1: That's very sweet. I mean, that was really sweet. I

575
00:30:57,520 --> 00:30:59,240
Speaker 1: didn't see it taking a sweet turn like that. That

576
00:30:59,400 --> 00:31:00,520
Speaker 1: was really really nice.

577
00:31:00,600 --> 00:31:03,520
Speaker 4: And Messie, that's really nice you're you're being a really

578
00:31:03,560 --> 00:31:04,360
Speaker 4: big sweet.

579
00:31:04,560 --> 00:31:07,760
Speaker 2: Such a sweetie. Well, it's a cute little sweet mom

580
00:31:07,920 --> 00:31:10,520
Speaker 2: turned out to be. Come on, did you guys get

581
00:31:10,560 --> 00:31:14,760
Speaker 2: way too many peanuts in your dish? Oh god, Keith,

582
00:31:14,920 --> 00:31:16,920
Speaker 2: we're gonna get it freaking arrested.

583
00:31:17,880 --> 00:31:22,520
Speaker 1: Check your privilege, Keith. Check it at the door man

584
00:31:22,680 --> 00:31:24,520
Speaker 1: when we come here. The coke girl have it for

585
00:31:24,640 --> 00:31:27,000
Speaker 1: you when you leave? Oh no, A cold person, cold person.

586
00:31:27,960 --> 00:31:30,520
Speaker 4: One of the reasons we come here is to explore

587
00:31:30,600 --> 00:31:33,360
Speaker 4: other cultures, okay, and then just eat a little food

588
00:31:33,400 --> 00:31:34,760
Speaker 4: and then leave forever.

589
00:31:34,960 --> 00:31:37,080
Speaker 1: Mm hmm, to sort of poke at some of the

590
00:31:37,120 --> 00:31:38,920
Speaker 1: stuff that we think is weird, try some of the

591
00:31:38,960 --> 00:31:41,080
Speaker 1: stuff and go like I can't believe this is and

592
00:31:41,160 --> 00:31:41,440
Speaker 1: then we.

593
00:31:41,800 --> 00:31:45,360
Speaker 2: And then later be like I had that, and so

594
00:31:45,520 --> 00:31:48,040
Speaker 2: I know those guys and they're friends with me. Now

595
00:31:48,280 --> 00:31:52,200
Speaker 2: it's just checking it off a list, right, and talking.

596
00:31:52,000 --> 00:31:53,360
Speaker 4: To the owner a little bit and being like that

597
00:31:53,520 --> 00:31:55,440
Speaker 4: was good. So when then when you talk to your friends,

598
00:31:55,480 --> 00:31:57,080
Speaker 4: you can be like, oh, I actually am friends with

599
00:31:57,120 --> 00:31:57,640
Speaker 4: the owner there.

600
00:31:57,880 --> 00:32:01,440
Speaker 2: Yeah, can we settle something? Do you guys know what

601
00:32:01,560 --> 00:32:02,080
Speaker 2: song I'm doing?

602
00:32:02,160 --> 00:32:04,080
Speaker 1: This is? Engineer Sam I wrote a theme song for

603
00:32:04,160 --> 00:32:06,960
Speaker 1: him today Hayes did not recognize the theme song. Okay,

604
00:32:07,160 --> 00:32:09,760
Speaker 1: so I'm going to do this song right now and

605
00:32:09,920 --> 00:32:16,120
Speaker 1: try not to necessarily make me feel old. Sam dot

606
00:32:16,240 --> 00:32:21,560
Speaker 1: Dotta dot dotta, he's an engineer. Does that remind you

607
00:32:21,640 --> 00:32:23,160
Speaker 1: of any songs that you've heard before?

608
00:32:24,760 --> 00:32:27,520
Speaker 2: It was like a statement reminds me of statements? Okay,

609
00:32:27,520 --> 00:32:36,680
Speaker 2: it reminds me of like a full no no, no no, okay, right,

610
00:32:36,840 --> 00:32:39,560
Speaker 2: that's right. Are you guys doing real with me? You

611
00:32:39,600 --> 00:32:42,960
Speaker 2: don't remember sticky fingers who I don't even know?

612
00:32:45,840 --> 00:32:45,880
Speaker 5: So?

613
00:32:46,480 --> 00:32:48,520
Speaker 1: Was this before or after the barn? I want to

614
00:32:48,600 --> 00:32:52,840
Speaker 1: feel old hang out with me. These guys are be

615
00:32:53,480 --> 00:32:57,320
Speaker 1: like b Sean Yeah, I do be Sean.

616
00:32:58,360 --> 00:33:00,160
Speaker 2: Yeah. I'm even too old to do them. I want

617
00:33:00,200 --> 00:33:01,600
Speaker 2: to feel a little joke about myself.

618
00:33:01,720 --> 00:33:01,840
Speaker 5: Right.

619
00:33:02,880 --> 00:33:05,320
Speaker 2: Should we teach people how to eat the food? That's

620
00:33:05,520 --> 00:33:08,360
Speaker 2: such a smart idea. Let's do that. The way you

621
00:33:08,480 --> 00:33:11,680
Speaker 2: eat it it is with sticks. Now you're gonna want

622
00:33:11,680 --> 00:33:14,760
Speaker 2: to eat the sticks. Please don't do it that the

623
00:33:14,840 --> 00:33:17,120
Speaker 2: meal is finished. That's dessert. Do it after.

624
00:33:17,440 --> 00:33:21,880
Speaker 1: The sticks are not traditionally sweet, but the inside can

625
00:33:22,000 --> 00:33:24,520
Speaker 1: be very stick delectable.

626
00:33:25,200 --> 00:33:28,120
Speaker 2: Not sticky, I'm saying you tand to help you with

627
00:33:28,200 --> 00:33:30,719
Speaker 2: your sticky thing like that. You like sticky stuff thing,

628
00:33:32,280 --> 00:33:35,520
Speaker 2: it's sticky fingers, Yeah, finger sticky sticks fing.

629
00:33:35,440 --> 00:33:40,920
Speaker 4: Guys, you make the sticks so your hand look like

630
00:33:40,960 --> 00:33:43,680
Speaker 4: a stork like the movie Storks.

631
00:33:43,840 --> 00:33:45,200
Speaker 2: Your hand looks like the movie stick.

632
00:33:45,080 --> 00:33:47,120
Speaker 4: Your hand from the movie Storks, and make the stick

633
00:33:47,240 --> 00:33:50,200
Speaker 4: like a tp. You are going to want to talk

634
00:33:50,280 --> 00:33:55,840
Speaker 4: to the stork. When you turn the stork's mouth to

635
00:33:56,040 --> 00:33:58,800
Speaker 4: your face to talk to you. Do not do it

636
00:33:58,880 --> 00:34:01,520
Speaker 4: too fast. You will soword your eye.

637
00:34:04,000 --> 00:34:07,480
Speaker 1: Let me back up a little bit. Your hands should

638
00:34:07,560 --> 00:34:11,320
Speaker 1: have five fingers and five toes.

639
00:34:11,640 --> 00:34:14,680
Speaker 2: That's I feel like that might be presumptuous. What do

640
00:34:14,719 --> 00:34:16,879
Speaker 2: you mean that might be presumptuous? There are people who

641
00:34:16,880 --> 00:34:19,160
Speaker 2: don't have privilege.

642
00:34:19,640 --> 00:34:20,000
Speaker 8: No, you're not.

643
00:34:20,400 --> 00:34:21,120
Speaker 2: You should check your toe.

644
00:34:21,280 --> 00:34:22,960
Speaker 1: I should check my privilege on the way and so

645
00:34:23,280 --> 00:34:25,520
Speaker 1: the coke girl could give it to me the comb person.

646
00:34:27,880 --> 00:34:31,040
Speaker 2: The World's movie so fast for me, I feel so old.

647
00:34:31,880 --> 00:34:35,440
Speaker 1: It just changes what's allowed every day, and I just

648
00:34:35,520 --> 00:34:37,960
Speaker 1: can't keep track, and I don't I'm not a bad guy.

649
00:34:38,080 --> 00:34:40,399
Speaker 2: I don't think I'm a bad guy in my heart. Yeah,

650
00:34:40,560 --> 00:34:42,480
Speaker 2: what happened? I can't get it right. You don't think

651
00:34:42,480 --> 00:34:44,319
Speaker 2: you're a bad guy, but everyone else in the world

652
00:34:44,440 --> 00:34:46,640
Speaker 2: is telling you that you are. And I believe that

653
00:34:46,960 --> 00:34:52,040
Speaker 2: is the uh the advertisement for Storks. I feel weigh

654
00:34:52,080 --> 00:34:54,160
Speaker 2: too many peanuts in my dish. I really don't want

655
00:34:54,160 --> 00:34:55,960
Speaker 2: to make a big deal out of it. I don't

656
00:34:55,960 --> 00:34:58,000
Speaker 2: want to make a big deal out of it. You

657
00:34:58,200 --> 00:35:01,320
Speaker 2: be peanut one to be fair, or you ordered a

658
00:35:01,800 --> 00:35:03,880
Speaker 2: bowl of peanuts. I don't see anyone want to make

659
00:35:03,920 --> 00:35:05,600
Speaker 2: a big deal out of this. I don't see any

660
00:35:05,719 --> 00:35:10,120
Speaker 2: any peanuts. Okay, I don't think there were enough.

661
00:35:10,200 --> 00:35:13,480
Speaker 4: Hey, hey, I have something. Oh okay, okay, think of peanuts.

662
00:35:13,880 --> 00:35:16,560
Speaker 4: But what if with without the tea, without the letter

663
00:35:16,640 --> 00:35:20,000
Speaker 4: t oh no? And I woke up this morning and

664
00:35:20,120 --> 00:35:22,200
Speaker 4: I do I said, I'm gonna be a little bit

665
00:35:22,239 --> 00:35:22,839
Speaker 4: dirty today.

666
00:35:23,040 --> 00:35:27,960
Speaker 2: Can we have that? Can we have that? Can you

667
00:35:28,000 --> 00:35:31,080
Speaker 2: guys have that for your show? Yeah? Yeah, Well let

668
00:35:31,080 --> 00:35:33,200
Speaker 2: me see how it would work in like a two

669
00:35:33,640 --> 00:35:37,560
Speaker 2: man let's see man version. Yeah, okay, get on us.

670
00:35:37,600 --> 00:35:39,200
Speaker 2: But it's out a seed. Do you guys have to

671
00:35:39,280 --> 00:35:41,880
Speaker 2: be like playing characters, So there has to be a

672
00:35:41,920 --> 00:35:42,279
Speaker 2: little like.

673
00:35:42,320 --> 00:35:44,520
Speaker 4: Chuff a leading into it, and it has to be

674
00:35:44,640 --> 00:35:48,160
Speaker 4: like a realistic, like kind of dramatic got it?

675
00:35:48,560 --> 00:35:51,040
Speaker 2: Okay, down to earth, real characters.

676
00:35:51,920 --> 00:35:54,919
Speaker 1: Real characters, relatable, a little bit of chuff a leading

677
00:35:55,000 --> 00:35:55,400
Speaker 1: into it.

678
00:35:55,680 --> 00:35:58,799
Speaker 2: Who are these guys? Okay, tell me who they are?

679
00:35:59,440 --> 00:36:01,640
Speaker 2: You want to you don't want us to naturally just

680
00:36:01,760 --> 00:36:02,400
Speaker 2: slip it into the.

681
00:36:02,520 --> 00:36:05,120
Speaker 1: People don't want that. People don't want that. People want exposition.

682
00:36:05,320 --> 00:36:07,160
Speaker 1: They want to know a lot about you, guys. How

683
00:36:07,239 --> 00:36:09,320
Speaker 1: long have you known each other? Who are you to

684
00:36:09,440 --> 00:36:11,520
Speaker 1: each other? Can you tell me why today? Why am

685
00:36:11,520 --> 00:36:12,560
Speaker 1: I meeting these guys today?

686
00:36:13,440 --> 00:36:16,800
Speaker 2: Today is the day that we get married. It's a

687
00:36:16,840 --> 00:36:20,000
Speaker 2: big It's like, it's a real big thing. Keith, But

688
00:36:20,160 --> 00:36:22,200
Speaker 2: did I think you weren't going to get married? You

689
00:36:22,280 --> 00:36:26,240
Speaker 2: had your doubts? Okay, yeah, that's good. Yeah, okay, go ahead,

690
00:36:26,239 --> 00:36:33,480
Speaker 2: and then who are you? Guys? Keith is w'ith? I'm

691
00:36:33,520 --> 00:36:36,239
Speaker 2: sorry sorry, Keith will be playing the role of Angela

692
00:36:36,800 --> 00:36:43,080
Speaker 2: Angela Angela because he's Angela. Yeah, Keith is Angela. Uh

693
00:36:43,320 --> 00:36:46,640
Speaker 2: kind of like you know, I don't want to say

694
00:36:46,719 --> 00:36:49,320
Speaker 2: corn fed, but kind of like you know, Middle America. Okay,

695
00:36:49,800 --> 00:36:53,759
Speaker 2: maybe maybe we let Angela speak first. Okay, but is

696
00:36:53,840 --> 00:36:55,600
Speaker 2: she that kind of person or is she a little

697
00:36:55,640 --> 00:36:56,000
Speaker 2: bit shy?

698
00:36:56,320 --> 00:36:56,440
Speaker 7: Oh?

699
00:36:56,560 --> 00:36:59,440
Speaker 2: Wow, Well, let's answer is. She's not shy, so she'll

700
00:36:59,480 --> 00:37:03,479
Speaker 2: speak first. Okay, go ahead, Andela, Yeah, what what he said?

701
00:37:03,560 --> 00:37:07,400
Speaker 2: I'm from middle of America. I'm kind of corn fed. Okay, okay,

702
00:37:07,880 --> 00:37:15,759
Speaker 2: I'm not really liking this. Yeah, that's all he's said

703
00:37:15,840 --> 00:37:21,600
Speaker 2: so far. Okay. And then I am a dead dog. Okay, okay,

704
00:37:22,239 --> 00:37:24,800
Speaker 2: So and do you have a little extra you know,

705
00:37:25,680 --> 00:37:27,440
Speaker 2: the juice aure you as well? Oh no, I'm a

706
00:37:27,520 --> 00:37:28,239
Speaker 2: I'm a dead dog.

707
00:37:29,080 --> 00:37:31,759
Speaker 4: Yeah, okay, but I mean a little you got a

708
00:37:31,800 --> 00:37:33,960
Speaker 4: little bit of a you know, just a little you know,

709
00:37:34,239 --> 00:37:37,080
Speaker 4: just a little extra like carrying cargo.

710
00:37:38,400 --> 00:37:42,440
Speaker 2: Okay, Yeah, I'm a I'm a dead Boston terrier. Okay,

711
00:37:42,840 --> 00:37:46,040
Speaker 2: all right? But are you also? Do you got a

712
00:37:46,200 --> 00:37:49,520
Speaker 2: book with you got a butt back there? Yeah? Is

713
00:37:49,560 --> 00:37:51,040
Speaker 2: there is that in Boston?

714
00:37:53,640 --> 00:37:56,800
Speaker 1: Maybe? Maybe it's maybe you're the Boston Terrier with the

715
00:37:57,120 --> 00:37:58,120
Speaker 1: sweet dairy er.

716
00:38:00,440 --> 00:38:02,279
Speaker 2: And that's sort of your claim to fame, you know.

717
00:38:02,960 --> 00:38:05,320
Speaker 2: And then that now I can market this because I

718
00:38:05,400 --> 00:38:08,600
Speaker 2: know what the poster is. Okay, so I'll just jerk

719
00:38:08,640 --> 00:38:16,400
Speaker 2: it off. So the poster is you watching the movie?

720
00:38:18,280 --> 00:38:20,560
Speaker 2: We don't ever see the movie? Well, come on, and

721
00:38:20,719 --> 00:38:23,279
Speaker 2: I'm having that much fun. People gotta feel like, wow,

722
00:38:23,360 --> 00:38:25,759
Speaker 2: I gotta see this. The poster is you, and it's

723
00:38:25,840 --> 00:38:27,960
Speaker 2: just blurred out like the entire middle, and it just

724
00:38:28,000 --> 00:38:29,400
Speaker 2: says you want to see what caused this?

725
00:38:30,640 --> 00:38:33,920
Speaker 1: I'm thinking, I mean, I didn't say the tagline for that.

726
00:38:34,080 --> 00:38:37,600
Speaker 1: I mean that could work. It could I'm thinking from

727
00:38:37,640 --> 00:38:40,880
Speaker 1: the side. So we see the light is definitely projecting

728
00:38:40,920 --> 00:38:44,879
Speaker 1: off the TV onto you, and then it'll look extra

729
00:38:45,000 --> 00:38:47,440
Speaker 1: good that way. And there's a blur going sort of

730
00:38:47,640 --> 00:38:51,239
Speaker 1: forward and down and then back up from this.

731
00:38:52,320 --> 00:38:56,399
Speaker 2: So it is an animated poster. No, no, no, I'm

732
00:38:56,440 --> 00:38:58,040
Speaker 2: just describing the line of the blur.

733
00:38:58,480 --> 00:39:01,239
Speaker 1: Oh okay, but it is like a hologram like it

734
00:39:01,280 --> 00:39:04,600
Speaker 1: seems like it's a billboard that's gonna, okay, kind of wiggle.

735
00:39:04,360 --> 00:39:07,320
Speaker 2: Back and forth, a billboard that on an access of

736
00:39:07,360 --> 00:39:08,759
Speaker 2: its own turns while you're driving.

737
00:39:09,600 --> 00:39:12,120
Speaker 8: Does this team of waiters need to be standing near

738
00:39:12,239 --> 00:39:14,759
Speaker 8: us the whole time or do we acknowledge them at

739
00:39:14,760 --> 00:39:15,320
Speaker 8: any point?

740
00:39:16,040 --> 00:39:18,200
Speaker 2: I'm trying very hard not to make eye contents. This

741
00:39:18,280 --> 00:39:19,200
Speaker 2: place is very great.

742
00:39:19,640 --> 00:39:24,759
Speaker 4: We were sort of in cases didn't go well. If

743
00:39:24,840 --> 00:39:28,800
Speaker 4: we could swap them, potentially.

744
00:39:28,520 --> 00:39:30,520
Speaker 2: We manage all of these waiters.

745
00:39:30,640 --> 00:39:35,040
Speaker 1: They are all clients of funny managers, and some of

746
00:39:35,080 --> 00:39:38,880
Speaker 1: them have a lot of potential. You guys, obviously you

747
00:39:38,960 --> 00:39:43,080
Speaker 1: know today your name came out of the choosing hat.

748
00:39:43,680 --> 00:39:46,080
Speaker 2: Yes, yes, so.

749
00:39:47,560 --> 00:39:49,880
Speaker 1: It's lucky for you. But we have to always be

750
00:39:49,920 --> 00:39:52,120
Speaker 1: ready because ultimately the quality of the show is what's

751
00:39:52,200 --> 00:39:57,680
Speaker 1: really important, right right, right right? So okay, so the

752
00:39:57,760 --> 00:39:59,680
Speaker 1: dead dog and the dude are going to do the

753
00:40:00,239 --> 00:40:04,440
Speaker 1: Angela but she is a dude? Yeah, Angela, Angela and

754
00:40:05,400 --> 00:40:06,960
Speaker 1: Boston Terrier with a darrier?

755
00:40:07,080 --> 00:40:08,000
Speaker 2: Can I say Angela?

756
00:40:08,120 --> 00:40:08,239
Speaker 1: Is that?

757
00:40:08,320 --> 00:40:14,080
Speaker 2: Okay? That's her name? Now? Is Tangla a Pokemon? Tangla?

758
00:40:14,280 --> 00:40:19,920
Speaker 2: It's not a Pokemon? Does that soundthing? Caution? It's something

759
00:40:22,239 --> 00:40:24,840
Speaker 2: are now? I kind of want to add through, like

760
00:40:25,000 --> 00:40:31,239
Speaker 2: is Angela one sam yeah type? Yeah? Online? Okay? Please

761
00:40:31,280 --> 00:40:40,680
Speaker 2: hold okay, start typing. Is Tangla Pokemon?

762
00:40:41,360 --> 00:40:41,720
Speaker 5: Okay?

763
00:40:42,719 --> 00:40:46,040
Speaker 2: Yeah? And maybe check yu gi oh as well? Is

764
00:40:46,160 --> 00:40:48,400
Speaker 2: Tangla or is Pokemon?

765
00:40:48,480 --> 00:40:48,640
Speaker 4: Yeah?

766
00:40:48,760 --> 00:40:55,440
Speaker 2: Is Tangla Pokemon? Is Pokemon? Yeah, it's like a a

767
00:40:55,520 --> 00:41:02,400
Speaker 2: grass type Pokemon Pokemon. So you guys should like that

768
00:41:02,800 --> 00:41:05,000
Speaker 2: or I don't know. Yeah. The waiters like, uh huh,

769
00:41:05,800 --> 00:41:08,239
Speaker 2: could I I'm sorry, could I also ask a question?

770
00:41:08,640 --> 00:41:12,520
Speaker 2: Ask something to be tight huh oh yeah, could you

771
00:41:12,800 --> 00:41:22,360
Speaker 2: could you type tangela evolution next? Yes? And we can't. Okay,

772
00:41:22,600 --> 00:41:25,000
Speaker 2: I'm sorry. I'm gonna one of these guys in for

773
00:41:25,280 --> 00:41:28,160
Speaker 2: Jesse that was bound to have question. I was going

774
00:41:28,239 --> 00:41:31,040
Speaker 2: to suggest that very sick even if something. Jesse just

775
00:41:31,080 --> 00:41:33,520
Speaker 2: switched chairs. Okay, no, no, this is what I want.

776
00:41:33,600 --> 00:41:34,239
Speaker 2: This is what I want.

777
00:41:34,320 --> 00:41:37,360
Speaker 4: Okay, I want the most americanized one of you. I

778
00:41:37,440 --> 00:41:40,400
Speaker 4: don't want anyone with any kind of accent. Jesse up,

779
00:41:40,600 --> 00:41:43,040
Speaker 4: thank you, you are up? You sit down?

780
00:41:43,360 --> 00:41:47,240
Speaker 1: Okay and then now then waiters sitting back down? Okay, okay,

781
00:41:47,600 --> 00:41:48,920
Speaker 1: what is who are you?

782
00:41:49,120 --> 00:41:51,160
Speaker 2: What is your to meet? Your new writing comedy?

783
00:41:51,320 --> 00:41:51,520
Speaker 4: Hello?

784
00:41:51,680 --> 00:41:52,359
Speaker 2: Hey, how's it going?

785
00:41:53,040 --> 00:41:53,080
Speaker 1: So?

786
00:41:53,320 --> 00:41:53,839
Speaker 2: Sound so much?

787
00:41:53,880 --> 00:41:54,080
Speaker 1: Nice?

788
00:41:54,120 --> 00:41:54,200
Speaker 7: Oh?

789
00:41:54,280 --> 00:41:54,360
Speaker 1: Hi?

790
00:41:54,640 --> 00:41:55,080
Speaker 2: How are you?

791
00:41:55,360 --> 00:41:55,440
Speaker 9: Hi?

792
00:41:55,719 --> 00:42:00,319
Speaker 2: My name is Neil? Okay, okay, what's your last name? Keith? Oh?

793
00:42:03,480 --> 00:42:04,160
Speaker 2: This could work.

794
00:42:05,480 --> 00:42:08,279
Speaker 1: Keith and Keith worked for you talking you two to me?

795
00:42:08,840 --> 00:42:16,239
Speaker 1: That could be good, the Scots, the Keiths. Okay, so

796
00:42:16,560 --> 00:42:17,920
Speaker 1: off the chain what you are?

797
00:42:18,080 --> 00:42:20,200
Speaker 4: You'll just snap right into this. But you are and

798
00:42:20,600 --> 00:42:24,120
Speaker 4: playing a scene where you are a dead boss and terrier.

799
00:42:24,040 --> 00:42:26,759
Speaker 1: With the terrier with the I like that and then

800
00:42:26,960 --> 00:42:29,880
Speaker 1: uh yeah, good and fucking Jesse should have gotten that.

801
00:42:29,960 --> 00:42:33,560
Speaker 2: Yeah, and you are marrying uhla Angela.

802
00:42:36,160 --> 00:42:38,680
Speaker 1: Man, okay and uh and then you're gonna do some

803
00:42:38,800 --> 00:42:40,720
Speaker 1: chuff up top and then you will get and you will.

804
00:42:40,560 --> 00:42:46,040
Speaker 2: Get in nuts joke about peanuts if you drop the tea. Gotcha, gotcha.

805
00:42:48,640 --> 00:42:51,200
Speaker 2: I didn't. I didn't think we'd ever get married. I

806
00:42:51,239 --> 00:42:54,160
Speaker 2: didn't think this would ever happen. I can't believe this

807
00:42:54,239 --> 00:42:58,040
Speaker 2: is happening to us, Tangela. You've made me the happiest

808
00:42:58,080 --> 00:43:01,759
Speaker 2: dog in the world. I can't wait to spend the

809
00:43:01,800 --> 00:43:02,680
Speaker 2: rest of my life with you.

810
00:43:04,120 --> 00:43:08,719
Speaker 3: I look into your eyes, and I see decades of joy,

811
00:43:10,239 --> 00:43:17,720
Speaker 3: poke stuff, t shopman. Maybe maybe throw like a freaking

812
00:43:17,800 --> 00:43:19,080
Speaker 3: Pokemon egg or something.

813
00:43:23,040 --> 00:43:27,080
Speaker 2: When I look into your dairy air, this part's pretty good.

814
00:43:28,880 --> 00:43:30,040
Speaker 2: I look into your dairy.

815
00:43:29,880 --> 00:43:35,440
Speaker 8: Air, I only see stars and happiness and rainbows and rainbows.

816
00:43:35,480 --> 00:43:41,840
Speaker 2: That's that's random. That's freaking random. That's skittle stuff. I

817
00:43:41,960 --> 00:43:44,960
Speaker 2: want to catch you with the Pokemon ball all day,

818
00:43:45,120 --> 00:43:52,680
Speaker 2: every day. Pokemons, don't do that, Pokemon tangile. There's one

819
00:43:52,760 --> 00:43:55,759
Speaker 2: thing I know about you, Gio, it is that it

820
00:43:55,960 --> 00:43:59,160
Speaker 2: leads to a lifetime of joy and happiness. I will

821
00:43:59,239 --> 00:44:02,560
Speaker 2: let you catch me in your Pokemon at all times. Okay,

822
00:44:02,680 --> 00:44:04,520
Speaker 2: well a little dead dog would I'm being a book.

823
00:44:04,680 --> 00:44:09,719
Speaker 2: Oh that's just a hug. I love you. People are

824
00:44:09,760 --> 00:44:13,080
Speaker 2: gonna hate this. Are you aware that I'm a dead dog?

825
00:44:14,880 --> 00:44:16,680
Speaker 2: I want to be clear about that before we move forward.

826
00:44:18,360 --> 00:44:21,960
Speaker 2: How do I feel about this? I guess I was wondering, like,

827
00:44:23,840 --> 00:44:37,680
Speaker 2: do they know? I'll see what Tangelus says? What you're

828
00:44:38,160 --> 00:44:42,560
Speaker 2: I'm a I'm a dead dog. It's I know it's convincing.

829
00:44:42,960 --> 00:44:44,920
Speaker 2: I'm dressed in a tuxedo for our wedding day, but

830
00:44:44,960 --> 00:44:54,640
Speaker 2: I am, in fact a dead Boston terror. The fuck

831
00:44:54,760 --> 00:44:59,160
Speaker 2: is wrong with you? Wait? Wait? I invited my family

832
00:44:59,280 --> 00:45:03,080
Speaker 2: all this. Don't know his friends, no other dead dogs?

833
00:45:04,440 --> 00:45:05,960
Speaker 2: Wait you knew the other dead.

834
00:45:07,480 --> 00:45:07,719
Speaker 5: Dogs?

835
00:45:07,760 --> 00:45:10,320
Speaker 2: But going there one? Well, I can relate to that

836
00:45:11,080 --> 00:45:16,400
Speaker 2: Angela Before you go away, think about like if the

837
00:45:16,480 --> 00:45:20,200
Speaker 2: word peanuts didn't have the tea in it, it's not earned.

838
00:45:20,360 --> 00:45:25,879
Speaker 1: Okay, yeah, if there was a little more, maybe you're

839
00:45:25,920 --> 00:45:27,319
Speaker 1: not convincing me with that laugh.

840
00:45:27,520 --> 00:45:29,000
Speaker 2: You guys would not earn the joke.

841
00:45:29,080 --> 00:45:30,480
Speaker 4: Do you guys want to hear it should be the

842
00:45:30,520 --> 00:45:32,920
Speaker 4: wedding menu. We're looking at the wedding menu. Oh, it's

843
00:45:32,920 --> 00:45:37,000
Speaker 4: supposed to be peanuts. Where's the tea? Here's my joke,

844
00:45:37,400 --> 00:45:41,279
Speaker 4: advertisers supposed to be peanuts. Hey, here's my joke of

845
00:45:41,400 --> 00:45:44,600
Speaker 4: peanuts without the tea. Snoopy and wood sock.

846
00:45:49,520 --> 00:45:53,600
Speaker 2: That's good, kill zone. I was very smart. You have

847
00:45:53,640 --> 00:45:54,400
Speaker 2: to be very smart.

848
00:45:54,680 --> 00:45:57,200
Speaker 1: Oh yeah, no, And that's my thing. Is a lot

849
00:45:57,239 --> 00:45:59,160
Speaker 1: of my stuff's very cerebro.

850
00:46:00,640 --> 00:46:04,880
Speaker 2: Do you guys I want to talk at all about

851
00:46:06,400 --> 00:46:07,360
Speaker 2: comic book culture?

852
00:46:08,040 --> 00:46:08,160
Speaker 1: Uh?

853
00:46:08,320 --> 00:46:10,720
Speaker 2: Suicide Squad the Magnificent seven remake.

854
00:46:13,120 --> 00:46:13,239
Speaker 3: Uh?

855
00:46:14,280 --> 00:46:17,319
Speaker 1: Oh, how thankful we are that Trump hasn't figured out

856
00:46:17,400 --> 00:46:19,040
Speaker 1: that he could that he could.

857
00:46:18,960 --> 00:46:23,680
Speaker 2: Call her sillery. God damn, I never even thought that election.

858
00:46:24,600 --> 00:46:26,640
Speaker 1: Yeah, because it sort of sounds like silly, and it

859
00:46:26,800 --> 00:46:29,160
Speaker 1: sort of sounds like accelary, which nobody likes. She could

860
00:46:29,200 --> 00:46:33,880
Speaker 1: call him Toronto dump. Oh no, you gotta email Obama

861
00:46:34,000 --> 00:46:39,040
Speaker 1: that I try. You gotta email Obama that Sam get

862
00:46:39,080 --> 00:46:42,640
Speaker 1: the computer. Yeah, get to typing.

863
00:46:45,080 --> 00:46:47,880
Speaker 2: Do you have it ready? It's on email? So all right,

864
00:46:48,000 --> 00:46:56,800
Speaker 2: So open the email and write this is Tangila a

865
00:46:56,960 --> 00:46:58,160
Speaker 2: strong Pokemon.

866
00:47:00,000 --> 00:47:02,920
Speaker 4: It's the title of the front part of the email.

867
00:47:03,080 --> 00:47:08,520
Speaker 4: It's the address is at okay at President's House.

868
00:47:10,960 --> 00:47:15,640
Speaker 2: Dot biz. Isn't that a funny end of a freaking thing.

869
00:47:18,239 --> 00:47:22,840
Speaker 2: You're doing some really funny ones. Now yeah that skiing.

870
00:47:26,960 --> 00:47:33,839
Speaker 4: Okay, that just about ruined me anyway, finished your What's

871
00:47:33,920 --> 00:47:35,239
Speaker 4: what do you want me to type for the front?

872
00:47:35,360 --> 00:47:35,480
Speaker 2: Uh?

873
00:47:35,600 --> 00:47:35,759
Speaker 5: Huh?

874
00:47:36,040 --> 00:47:41,279
Speaker 2: Say this is not Jesse's idea or even to some

875
00:47:41,560 --> 00:47:42,279
Speaker 2: Chinese waiter.

876
00:47:43,080 --> 00:47:46,359
Speaker 1: This idea is from Sean Clements, and please do pay

877
00:47:46,440 --> 00:47:47,120
Speaker 1: him accordingly.

878
00:47:47,280 --> 00:47:50,440
Speaker 2: Wait, do you guys think that I'm Jesse? Do you

879
00:47:50,480 --> 00:47:53,279
Speaker 2: think that I'm I'm Neil Keith? Yeah, no, I know

880
00:47:53,360 --> 00:47:56,319
Speaker 2: you're Neil Keith. You know who Jesse is. He's right there.

881
00:47:56,360 --> 00:48:00,239
Speaker 2: What do you know of pro Literally nothing? He has

882
00:48:00,320 --> 00:48:07,280
Speaker 2: done nothing. Does he have any projects coming up? No? Okay, Keith,

883
00:48:07,760 --> 00:48:09,120
Speaker 2: do you want to talk about some of the projects

884
00:48:09,160 --> 00:48:10,239
Speaker 2: you have coming up? Sure?

885
00:48:10,440 --> 00:48:15,440
Speaker 8: Yeah, I'm shooting a movie in December, shooting a second

886
00:48:15,520 --> 00:48:16,959
Speaker 8: movie probably a month after.

887
00:48:17,560 --> 00:48:21,399
Speaker 2: Okay, to movies. That's a little double more than Jesse,

888
00:48:22,040 --> 00:48:22,839
Speaker 2: just a little bit more.

889
00:48:23,120 --> 00:48:25,320
Speaker 8: Is it awkward for Jesse to be standing on a

890
00:48:25,440 --> 00:48:27,560
Speaker 8: group of waiters while I'm still sitting here.

891
00:48:27,640 --> 00:48:30,440
Speaker 2: Standing on a group of waiters? He does? Yeah, he

892
00:48:30,600 --> 00:48:32,400
Speaker 2: is on their shoulders at the moment. New cultural all

893
00:48:32,440 --> 00:48:35,399
Speaker 2: the time. Oh right, They can't let his feet touch

894
00:48:35,480 --> 00:48:35,840
Speaker 2: the ground.

895
00:48:39,680 --> 00:48:41,600
Speaker 1: That's so weird that every time when you go to

896
00:48:41,680 --> 00:48:43,759
Speaker 1: their house, like they have to pick you up by

897
00:48:43,800 --> 00:48:45,360
Speaker 1: your shoes their house.

898
00:48:46,080 --> 00:48:47,759
Speaker 2: Huh their house, Yeah, trying it.

899
00:48:48,520 --> 00:48:57,640
Speaker 1: Yeah, what is wrong with this tea? It's some kind

900
00:48:57,640 --> 00:48:59,680
Speaker 1: of crazy color, doesn't have a lot of beet out

901
00:48:59,719 --> 00:48:59,880
Speaker 1: to it.

902
00:49:00,560 --> 00:49:05,920
Speaker 2: It's full of peanuts. I'm thinking, I'm thinking, you guys

903
00:49:06,000 --> 00:49:08,440
Speaker 2: got each other's orders, right.

904
00:49:10,440 --> 00:49:14,480
Speaker 4: I also said no green eminem's at the Oh no

905
00:49:14,800 --> 00:49:17,879
Speaker 4: at the beginning. Oh that's in your ride or my bread.

906
00:49:18,719 --> 00:49:20,520
Speaker 1: Yeah, but it's actually just because you have a lot

907
00:49:20,560 --> 00:49:22,719
Speaker 1: of technical aspects to you eating dinner that you want

908
00:49:22,719 --> 00:49:24,400
Speaker 1: to make sure I want to make sure they're paying attention.

909
00:49:24,600 --> 00:49:26,600
Speaker 2: I want to apologize to you all because as I

910
00:49:26,880 --> 00:49:29,080
Speaker 2: was a waiter up until very recently, I was the

911
00:49:29,120 --> 00:49:32,120
Speaker 2: person who served you a lot of this food. Oh yeah,

912
00:49:32,160 --> 00:49:33,960
Speaker 2: that's right. I guess we could ask you what's with

913
00:49:34,080 --> 00:49:38,400
Speaker 2: the peanuts? Peanuts? Okay, So a lot of people have

914
00:49:38,480 --> 00:49:43,719
Speaker 2: peanut allergies, and this restaurant kind of seeks to get

915
00:49:43,840 --> 00:49:46,040
Speaker 2: rid of the peanut aalergy by getting rid of the

916
00:49:46,120 --> 00:49:50,480
Speaker 2: genes for the peanut allergy. Follow that's so sick. It's

917
00:49:50,520 --> 00:49:52,960
Speaker 2: a little messed up. Oh god, But like, if you

918
00:49:53,040 --> 00:49:54,839
Speaker 2: tell us you have an allergy of any kind, we'll

919
00:49:54,920 --> 00:49:55,640
Speaker 2: just load it up.

920
00:49:55,719 --> 00:49:58,520
Speaker 1: Because Keith, I wouldn't want to spend five minutes inside

921
00:49:58,560 --> 00:49:59,360
Speaker 1: that head of years.

922
00:49:59,600 --> 00:50:06,200
Speaker 2: My name Neil, right, Neil, Keith? Is this nothing? Do

923
00:50:06,239 --> 00:50:07,880
Speaker 2: you want me to get one of the other waiters?

924
00:50:08,120 --> 00:50:08,160
Speaker 1: No?

925
00:50:08,560 --> 00:50:09,080
Speaker 2: Are you sure?

926
00:50:09,239 --> 00:50:09,279
Speaker 4: No?

927
00:50:09,680 --> 00:50:11,640
Speaker 2: I don't feel like I'm vibing here. Do you guys

928
00:50:11,680 --> 00:50:13,200
Speaker 2: ever feel like you go to a food truck and

929
00:50:13,239 --> 00:50:14,239
Speaker 2: it's just not that good?

930
00:50:14,520 --> 00:50:20,600
Speaker 1: Oh god, hello, let's get it. This fucking dude rocks.

931
00:50:21,280 --> 00:50:24,760
Speaker 2: Yeah, man, what's with that? There's a line around the block.

932
00:50:25,120 --> 00:50:27,920
Speaker 1: They're cooking in this little metal box and and it

933
00:50:28,080 --> 00:50:31,440
Speaker 1: smells like heaven right up until you take the first bite.

934
00:50:31,600 --> 00:50:35,560
Speaker 2: And oh oh, it's freaking ding dong dumb dough.

935
00:50:35,800 --> 00:50:39,720
Speaker 1: It's freaking doodoo baby, and it's closed, and it's closed

936
00:50:39,719 --> 00:50:44,040
Speaker 1: and there's nobody there. I mean, the most frustrating experience.

937
00:50:45,040 --> 00:50:49,320
Speaker 1: And you're eating a tire. It's unbelievable how they do

938
00:50:49,480 --> 00:50:55,840
Speaker 1: that to you. But Kogi changed the game. Kogi eventually

939
00:50:55,960 --> 00:50:57,080
Speaker 1: did change ko.

940
00:50:58,760 --> 00:51:04,480
Speaker 2: Yeah. Yeah, what do you guys think about? Like when

941
00:51:04,520 --> 00:51:11,960
Speaker 2: you're like, well, how do I say this China, No, no, no,

942
00:51:14,920 --> 00:51:16,200
Speaker 2: when you're if you have.

943
00:51:17,840 --> 00:51:20,440
Speaker 1: Like a kid that you find in like a farm

944
00:51:21,000 --> 00:51:27,239
Speaker 1: in Hey, do you think he's like a good guy

945
00:51:27,440 --> 00:51:29,480
Speaker 1: even if people kind of think maybe he's like a

946
00:51:29,600 --> 00:51:30,080
Speaker 1: bad guy.

947
00:51:31,760 --> 00:51:33,120
Speaker 2: What do people think it's a bad guy? I think

948
00:51:33,239 --> 00:51:37,520
Speaker 2: is a big part of that equation. Didn't really check

949
00:51:37,560 --> 00:51:38,960
Speaker 2: his privilege with the cokecral or.

950
00:51:39,640 --> 00:51:42,680
Speaker 8: I'd consider you a good guy if you say repeatedly

951
00:51:42,800 --> 00:51:43,959
Speaker 8: that you're not a bad guy.

952
00:51:46,520 --> 00:51:49,759
Speaker 2: It's just like, yeah, yeah, most of things in life,

953
00:51:49,800 --> 00:51:51,759
Speaker 2: you are. If you just do that enough to say

954
00:51:51,760 --> 00:51:55,279
Speaker 2: I'm actually really good. Yeah, people do people need to

955
00:51:55,320 --> 00:51:55,960
Speaker 2: do it good ways?

956
00:51:57,440 --> 00:52:00,799
Speaker 1: Okay, can you guys launch into some kind of two

957
00:52:00,920 --> 00:52:02,160
Speaker 1: man riff about that?

958
00:52:02,520 --> 00:52:02,840
Speaker 4: Yeah?

959
00:52:03,320 --> 00:52:06,759
Speaker 2: Yeah, do you want like who's on first kind of thing?

960
00:52:06,880 --> 00:52:10,880
Speaker 2: Or uh yeah, okay, who are the characters?

961
00:52:11,080 --> 00:52:14,480
Speaker 4: He do it for him but not for me. I

962
00:52:14,560 --> 00:52:17,040
Speaker 4: don't want you not like this kind of stuff, but

963
00:52:17,160 --> 00:52:19,480
Speaker 4: he does. So maybe take some of that stuff to him.

964
00:52:20,120 --> 00:52:23,360
Speaker 2: And then what do you want how I like stuff

965
00:52:23,400 --> 00:52:30,680
Speaker 2: that is very absurd? Okay, Okay, so we'll get we'll

966
00:52:30,680 --> 00:52:33,600
Speaker 2: get a classic Avenue castell a bit for Sean. Uh

967
00:52:34,239 --> 00:52:34,719
Speaker 2: oh you know what?

968
00:52:34,800 --> 00:52:36,960
Speaker 1: I changed my mind though he wants something absurd. I

969
00:52:37,080 --> 00:52:41,640
Speaker 1: want something that's very sort of precious, like the movie No, No,

970
00:52:43,440 --> 00:52:48,280
Speaker 1: like a lot of movies though, uh it's like please

971
00:52:48,360 --> 00:52:51,440
Speaker 1: with itself. Yeah, it likes itself a lot. It likes

972
00:52:51,480 --> 00:52:52,400
Speaker 1: itself more than I do.

973
00:52:52,640 --> 00:52:58,160
Speaker 2: Smarty you want smarty? No, I'm getting plenty of that,

974
00:53:00,400 --> 00:53:05,319
Speaker 2: more like sort of like wish I was here.

975
00:53:05,840 --> 00:53:07,920
Speaker 4: This is yeah, this is what this This is the

976
00:53:08,000 --> 00:53:12,000
Speaker 4: director okay. And being the director, people just they work

977
00:53:12,040 --> 00:53:14,480
Speaker 4: along day at their job. They just want to come, like,

978
00:53:14,760 --> 00:53:16,840
Speaker 4: you know, go to the movies and just like have

979
00:53:16,920 --> 00:53:20,080
Speaker 4: a nice time and like just to enjoy themselves, you.

980
00:53:20,120 --> 00:53:22,760
Speaker 2: Know what I mean. Yeah, And then also the director's

981
00:53:22,800 --> 00:53:25,879
Speaker 2: doing this, people want to see themselves up there. Yeah.

982
00:53:26,160 --> 00:53:28,920
Speaker 7: They don't want to see some muscle man holding the

983
00:53:28,960 --> 00:53:33,120
Speaker 7: helicopter off a building that's not their experience. Could I

984
00:53:33,160 --> 00:53:35,680
Speaker 7: do that kind of stuff? Sure of course I could

985
00:53:35,719 --> 00:53:39,680
Speaker 7: do that, But like what about real life? Is that

986
00:53:39,840 --> 00:53:40,880
Speaker 7: interesting to anyone?

987
00:53:43,200 --> 00:53:47,200
Speaker 8: So a two man bit I have a Costello style yep,

988
00:53:47,320 --> 00:53:50,640
Speaker 8: but like anyone can do that sort of move absurd

989
00:53:50,920 --> 00:53:54,600
Speaker 8: and like precious, but like precious precious.

990
00:53:55,080 --> 00:54:01,360
Speaker 2: Okay, Okay, who are these guys? I'm a dead I

991
00:54:01,520 --> 00:54:08,279
Speaker 2: like the diverse seeing it. My name is Precious, but

992
00:54:08,360 --> 00:54:10,600
Speaker 2: not from the movie, right, got it? That is the name,

993
00:54:10,680 --> 00:54:13,279
Speaker 2: it's not the descriptor. The full name is Precious, but

994
00:54:13,400 --> 00:54:16,839
Speaker 2: not from the movie. Got it is all hyphenated. I'm

995
00:54:16,920 --> 00:54:19,520
Speaker 2: twenty three, but one of your names is butt not

996
00:54:20,520 --> 00:54:24,920
Speaker 2: but not. M hm. That's that's a slight dirty this

997
00:54:25,080 --> 00:54:27,759
Speaker 2: to be. Yeah, Hayes is a little dirty, so I

998
00:54:27,840 --> 00:54:30,320
Speaker 2: do have to apologize. He's not always dirty. Okay. So

999
00:54:30,400 --> 00:54:33,040
Speaker 2: you want something that's absurdist dirty, precious aving.

1000
00:54:32,840 --> 00:54:35,440
Speaker 1: Customs when the it's when the boys are here, Okay,

1001
00:54:36,920 --> 00:54:39,600
Speaker 1: all right, so uh yeah, a little bit dirty for

1002
00:54:39,719 --> 00:54:41,160
Speaker 1: his hold on one.

1003
00:54:41,480 --> 00:54:45,160
Speaker 2: You got a real butt not going on? Okay, Okay,

1004
00:54:45,480 --> 00:54:49,399
Speaker 2: we haven't even established Mike. Yeah, I just wanted you guy.

1005
00:54:50,000 --> 00:54:53,480
Speaker 2: My character is a man named Joel who is deeply

1006
00:54:53,840 --> 00:54:58,760
Speaker 2: offended by the word but not just years and years

1007
00:54:58,880 --> 00:55:01,160
Speaker 2: of abuse without war and so it brings up a

1008
00:55:01,239 --> 00:55:05,719
Speaker 2: lot of negative emotion. But also he like he isn't

1009
00:55:05,719 --> 00:55:07,400
Speaker 2: good with anger, so he just bottles it all up.

1010
00:55:13,480 --> 00:55:15,640
Speaker 2: Oh does he have like a little uh a little

1011
00:55:15,640 --> 00:55:21,279
Speaker 2: in the back is he packing? No, he's not not

1012
00:55:21,480 --> 00:55:23,680
Speaker 2: at all. Nothing. That's really all there is to him

1013
00:55:25,040 --> 00:55:33,040
Speaker 2: Joel with just a hole you sir?

1014
00:55:33,360 --> 00:55:40,160
Speaker 8: Yeah, okay, man, would you just call me? I'm sorry

1015
00:55:41,000 --> 00:55:43,279
Speaker 8: you just said something. Oh no, no, no, that wasn't

1016
00:55:43,360 --> 00:55:45,799
Speaker 8: That wasn't me, I I that must have been somebody else.

1017
00:55:48,200 --> 00:55:52,520
Speaker 1: That was really good. That was really I mean, that

1018
00:55:52,640 --> 00:55:56,359
Speaker 1: was basically everything we asked for. Calling someone a button,

1019
00:55:56,400 --> 00:56:00,719
Speaker 1: that's pretty absurd. I having this story kind of be

1020
00:56:00,760 --> 00:56:03,839
Speaker 1: a lack of confrontation is really a reflection of real life.

1021
00:56:06,320 --> 00:56:07,920
Speaker 1: And this is sort of a precious thing to do.

1022
00:56:09,280 --> 00:56:14,680
Speaker 1: The patter that back and forth felt sort of like callo, yeah,

1023
00:56:15,760 --> 00:56:16,520
Speaker 1: one of them's mad.

1024
00:56:17,080 --> 00:56:20,759
Speaker 2: Yeah, the kind of yes, that is what they did.

1025
00:56:22,239 --> 00:56:28,040
Speaker 2: Holy shit, welcome Neil Keith. You just crush this. Well,

1026
00:56:28,280 --> 00:56:32,160
Speaker 2: it's not just me, it's also Keith king Day. Or

1027
00:56:32,200 --> 00:56:34,000
Speaker 2: were you saying Neil Keith is the name of the duo?

1028
00:56:34,360 --> 00:56:34,400
Speaker 1: No?

1029
00:56:34,680 --> 00:56:39,440
Speaker 2: No, no, okay, Now do we swap out? Do we

1030
00:56:39,480 --> 00:56:42,400
Speaker 2: swap out King? We try to find someone who matches.

1031
00:56:42,840 --> 00:56:45,560
Speaker 2: Is there something I could have done better if you

1032
00:56:45,840 --> 00:56:50,239
Speaker 2: just took the spot? Did the day? He's asking me

1033
00:56:51,280 --> 00:56:54,439
Speaker 2: so comfortable? Oh, this is so awkward. He's asking he's

1034
00:56:54,480 --> 00:56:57,840
Speaker 2: looking right at me. I think he's doing something. I

1035
00:56:57,880 --> 00:57:03,239
Speaker 2: think he's serious. God, this is mortifying. He's actually asking me,

1036
00:57:03,400 --> 00:57:10,360
Speaker 2: Oh my god, is he serious? He's and this is

1037
00:57:10,400 --> 00:57:10,799
Speaker 2: what we do.

1038
00:57:12,480 --> 00:57:12,640
Speaker 1: Here.

1039
00:57:15,520 --> 00:57:18,160
Speaker 2: Keith King Bay any relation to Keith Glacier Bay.

1040
00:57:20,800 --> 00:57:30,440
Speaker 1: Bye. This has been an ear Wolf production executive produced

1041
00:57:30,480 --> 00:57:32,240
Speaker 1: by Scott Ackerman and Chris Bannon.

1042
00:57:32,480 --> 00:57:35,360
Speaker 2: For more information and content, visit earwolf dot com