WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the Best Bits of the Week with Morgan. Number two.

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<v Speaker 1>Welcome y'all to the Best Bits. This is Just the

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<v Speaker 1>Bits Part two. In case you haven't heard Part one

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<v Speaker 1>with Amy, make sure you go check that out. It's

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<v Speaker 1>a fun interview. All the part ones are my favorite

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<v Speaker 1>part of doing the Best Bits because I get to

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<v Speaker 1>talk to a show member behind the scenes and talk

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<v Speaker 1>about life. Sometimes we talk about these bits, but most

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<v Speaker 1>of the time we just get caught up on what's

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<v Speaker 1>going on in their lives and I like to ask

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<v Speaker 1>random questions. So definitely check out Part one Best Bits.

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<v Speaker 1>But this is just a bit, so let's get going.

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<v Speaker 1>Coming in at number seven, Bobby, Ray, Mundo and myself

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<v Speaker 1>all talked about being catfish. Now these were stories from

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<v Speaker 1>years ago, but we all admitted it did happen when

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<v Speaker 1>we did get catfish. So if you want a good

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<v Speaker 1>laugh or maybe you can relate to some of these stories, well,

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<v Speaker 1>here you go. Number seven. In a new poll, a

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<v Speaker 1>third of people say they know someone who has been catfished.

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<v Speaker 1>Catfishing is where you get online and you talk to

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<v Speaker 1>a girl and she said she's a guest Jean's model

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<v Speaker 1>and you fall for it. Oh that's me specifically. Sorry, Yeah,

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<v Speaker 1>that's me specifically, and it ends up being a dude.

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<v Speaker 1>So thirty three percent of people know someboe who's been catfished,

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<v Speaker 1>you guys, Yes, the only person. Really, I'm the only

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<v Speaker 1>person you guys know that's been catfished. Unless I just

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<v Speaker 1>had no people that they don't admit it, that maybe it.

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<v Speaker 1>I think that's probably more likely. You know me, I'll

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<v Speaker 1>share it. I got no problem with telling you, guys.

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<v Speaker 1>I got no problem being humiliated and front of millions

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<v Speaker 1>of people. Ray you have been catfished. You seem like

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<v Speaker 1>a prime yeh, I'm person to be catfish. It's funny.

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<v Speaker 1>I just talked to my wife about this and I said,

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<v Speaker 1>there was a girl in college that just messaged me

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<v Speaker 1>on Facebook. I talked to her for probably two years,

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<v Speaker 1>never met her, talked to her on the phone all

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<v Speaker 1>the time, saw pictures over Eventually, I believe she just

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<v Speaker 1>deleted her Facebook. But I mean I never really knew

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<v Speaker 1>who she was. You talked to her on the phone

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<v Speaker 1>for years, because I talked to the guest James the

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<v Speaker 1>model a little bit too, and I haven't put her

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<v Speaker 1>on the show, but she didn't tell him. She doesn't

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<v Speaker 1>like that. She's like very such, so like this, why

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<v Speaker 1>I was giving more of a sensual that was sent?

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<v Speaker 1>Oh my goodness, Ray, So what do you think did

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<v Speaker 1>you ever send her a gift to anything? No, I

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<v Speaker 1>believe I was catfished. It was definitely a maybe a

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<v Speaker 1>girl that didn't look like the pictures I thought. And

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<v Speaker 1>for two years she talked to me, and you talked

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<v Speaker 1>to her, Yeah, would you call her? Yeah? My buddies

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<v Speaker 1>would talk to her. And she always made this Southern

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<v Speaker 1>girl accent. But her pictures always did seem like they

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<v Speaker 1>were kind of a little blurry. They weren't perfect pictures.

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<v Speaker 1>Do you think it was a dude or do you

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<v Speaker 1>think it was a girl? It was a girl. They

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<v Speaker 1>didn't look like that. Probably dang. I wish they wish

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<v Speaker 1>there was a story like mine. Ain't no chance it's

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<v Speaker 1>gonna been a dude. Definitely a girl, just blurry pictures. Yeah,

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<v Speaker 1>I could have been a dude. The only spot that

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<v Speaker 1>was blurred was Adams Apple. For some reason, the Adams

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<v Speaker 1>Apple was always so my. The quick story about mine

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<v Speaker 1>is this guest Jean's model reached down social media. She

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<v Speaker 1>was like a big fan. We had messaged a few times.

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<v Speaker 1>This is fifteen years ago. She flew to town every

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<v Speaker 1>time we tried to FaceTime because FaceTime was maybe Skype,

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<v Speaker 1>maybe FaceTime was the early stages. Camera was broken, and

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<v Speaker 1>I told the show. I was like, guys, I can't

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<v Speaker 1>believe it. Either's a Guesteans model that thinks likes me,

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<v Speaker 1>a big fan. And they're like, no, Amy, let's but no,

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<v Speaker 1>you're an idiot. And I was like, I'll show you, guys.

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<v Speaker 1>She came on the show, sounded drunk but still kind

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<v Speaker 1>of sounded like drunk, but I was like, I told you,

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<v Speaker 1>and they're like, you told us what? And then turns

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<v Speaker 1>out it was a dude, a skinny dude who got

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<v Speaker 1>arrested in a hotel and he was on and he

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<v Speaker 1>was like taking all kinds of old men were sending

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<v Speaker 1>him stuff like tons of gifts, money, and I always

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<v Speaker 1>say I'd never send a single gift. Did you did you?

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<v Speaker 1>Did you? Did you send again? I said, I never

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<v Speaker 1>send gifts. Okay, okay, gifts, he said, poor. I didn't

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<v Speaker 1>send gifts on money. I didn't think gifts on money.

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<v Speaker 1>But it was embarrassing and it had gone away, and

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<v Speaker 1>a listener like months later went, hey, I think this

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<v Speaker 1>was the person. Yeah, January twenty first, twenty and ten

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<v Speaker 1>is when that was Wow. Man accused him a person,

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<v Speaker 1>a model swindling wealthy men online, posing his model brecond

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<v Speaker 1>and fraudster allegedly duped wealthy men on the internet. I

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<v Speaker 1>wasn't even wealthy, so that's how you know it was

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<v Speaker 1>me and yours. Yeah, yours happened before, way before the

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<v Speaker 1>news story and before even catfishing was a thing. Yes,

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<v Speaker 1>I was. I was ahead of the trend. Yeah. Were

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<v Speaker 1>you before the Notre Dame football player, Yeah, same time,

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<v Speaker 1>round the same time, because that was two thousand. Yeah,

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<v Speaker 1>I think he was thirteen. Maybe, well, whatever the case is.

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<v Speaker 1>I was country for country was cool, saying don't be

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<v Speaker 1>proud of that doing it for everybody's doing it. So yeah,

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<v Speaker 1>I was. I was vulnerable. I got got um. So

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<v Speaker 1>that happened, and I'm the only person, like Rays admitted

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<v Speaker 1>Morgan catfish. It sounds like you have your eyes, like,

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<v Speaker 1>come on. I didn't remember this until I was talking

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<v Speaker 1>to Scuba and he uncovered it. But back when aim

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<v Speaker 1>was a thing, I had a guy online that I

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<v Speaker 1>was talking to for at least a year who I

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<v Speaker 1>fully believed was Brandon Yuri from Panic of the Disco,

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<v Speaker 1>the lead singer. He had me convinced he'd send me

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<v Speaker 1>pictures of him. I sent him pictures of myself not

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<v Speaker 1>not crazy, why no, no winkin. And I fully believed

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<v Speaker 1>it was him. We would get on sky. It sounded

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<v Speaker 1>like him, but he never showed me his phone. Oh man,

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<v Speaker 1>And I fully believed it. And we were supposed to

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<v Speaker 1>meet up. He was supposed to have a concert in town.

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<v Speaker 1>And I was young. I mean I was in middle

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<v Speaker 1>school when this happened, and I was so excited catfished

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<v Speaker 1>and then he like last minute. I was like, oh no,

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<v Speaker 1>I won't be able to meet up or whatever. And

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<v Speaker 1>then at that point I started to realize it is

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<v Speaker 1>probably not actually him. Welcome to the club, Yeah, we

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<v Speaker 1>welcome all. Heck, we're happy new members. Come about being

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<v Speaker 1>honest the Catfish Club, Yeah yeah, catfish. We guys have fun.

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<v Speaker 1>We went, we got has we just catfishes on. We

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<v Speaker 1>don't say what it is, but if you say it's

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<v Speaker 1>wearing a catfish, you know what's up. But that Brandon

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<v Speaker 1>jury he does. How about you people? Ever heard of

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<v Speaker 1>a much engine? How's it going people? I just did

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<v Speaker 1>that part. How's the chorus go? How I know what

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<v Speaker 1>that is? What's how's the chorus go? I thought that

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<v Speaker 1>was the chorus? That is? What else do they have?

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<v Speaker 1>Because I pretty much niled it? Then you guys just

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<v Speaker 1>did whatever I'm doing After that, I guess we all

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<v Speaker 1>know the same party. Even worse? What's the what's the

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<v Speaker 1>one he did for the magician? One about he got

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<v Speaker 1>to ha had it? What? He has another song called

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<v Speaker 1>middle Schooler in Wichita. It's about you, It's about me.

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<v Speaker 1>I did it. I got catfish on the end. That's

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<v Speaker 1>not a real thing. That's all okay, Well there's that.

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<v Speaker 1>Anybody else want to miss it? Mike, you look like

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<v Speaker 1>you mean catfish mine? Oh? Are you sure he knows it?

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<v Speaker 1>He would probably first image he reversed Google images. He

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<v Speaker 1>was catfishing people. Oh, Mike, it's the best Bits of

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<v Speaker 1>the week with Morgan number two and at the number

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<v Speaker 1>six spot, Kathie Lee Gifford stuffed by our show. She

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<v Speaker 1>talked all about her career She's been on TV for years,

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<v Speaker 1>but not only that, she also shared some fun stories

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<v Speaker 1>about how she wrote a letter to Walt Disney when

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<v Speaker 1>she was a kid and he wrote her back also

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<v Speaker 1>she had a crazy awkward interaction with a massive celebrity.

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<v Speaker 1>So super fun interview, Just fun to hear her perspective

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<v Speaker 1>and a side of her career that we don't normally

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<v Speaker 1>get to hear about. So here it is number six.

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<v Speaker 1>Kathy Lee Gifford. She is a legend. I'm very excited

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<v Speaker 1>about this. Kathy Lee is best known for a fifteen

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<v Speaker 1>year run is cost on Live with Regis and Kathy Lee,

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<v Speaker 1>and more recently, her eleven year run is cost of

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<v Speaker 1>The Today Show with Hoda. She was born in France

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<v Speaker 1>because her mom was a singer and a dad was

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<v Speaker 1>a musician. She sang a name that tune way way

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<v Speaker 1>back in the day. She's won Emmy's. She's good friends

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<v Speaker 1>with Caitlin and Chris Jenner. She got a new book

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<v Speaker 1>out called The God of the Way. A new film,

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<v Speaker 1>The Way coming out soon. Kathy Lee Gifford the legend

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<v Speaker 1>right now on the Bobby Bones Show. Now, Kathy Lee Gifford,

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<v Speaker 1>how you been? Who's asking me specifically? I've been fantastic.

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<v Speaker 1>Thank you? You look great. Oh, I've had a lot

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<v Speaker 1>of work done. No, no, like you're like you come in,

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<v Speaker 1>you're happy, You're always happy. I am happy woman. I'm happy.

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<v Speaker 1>I'm very happy living here now. All right, So you're

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<v Speaker 1>in Nashville now, No, I'm in the outskirts with the

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<v Speaker 1>other people. That's Nashville. Yeah, yeah, you're of course, yeah, yeah, yeah,

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<v Speaker 1>you're forty minutes or I'm not in Crane City, correct,

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<v Speaker 1>which I wanted to be. I tried to buy my

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<v Speaker 1>friend's place in the Gulch and she wouldn't sell smart.

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<v Speaker 1>But I'm real happy here. Well, we went up to

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<v Speaker 1>do I did the Today Show a couple of weeks ago,

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<v Speaker 1>and we walked out of the building, walked about a

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<v Speaker 1>block and a half down, and a homeless man it

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<v Speaker 1>spit on my wife. Thank you well and have a

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<v Speaker 1>nice day, he said, Cat said, Hi, that's how it ended.

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<v Speaker 1>So when you look back at your career, because it's

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<v Speaker 1>like you were having your prime multiple times, which is

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<v Speaker 1>rare for anybody, because you killed it in all these

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<v Speaker 1>different seasons of your professional life, like professionally, like when

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<v Speaker 1>do you look at and go that those few years

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<v Speaker 1>were the good old days. My good old days are

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<v Speaker 1>right now. And that's what's so unbelievable about the life

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<v Speaker 1>that I have now. People have always said to me

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<v Speaker 1>since I left the show with Regis in two thousand

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<v Speaker 1>and left the show with Hoda three years ago. They go,

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<v Speaker 1>how could you leave your your dream job twice at

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<v Speaker 1>the heights of success? And I said, well, you're just

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<v Speaker 1>assuming that those were my dream jobs. When I was

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<v Speaker 1>growing up, there were no talk show hosts, especially no

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<v Speaker 1>female ones. You know, it wasn't even in the realm

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<v Speaker 1>of possibility. I wanted to be in Nette Funicello or

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<v Speaker 1>Hailey Mills. I wanted to be in Disney movies, and

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<v Speaker 1>I wanted to write music, and I wanted to be

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<v Speaker 1>on Broadway, and I wanted to write books. And now

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<v Speaker 1>I get to do all those things, Bobby, but be

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<v Speaker 1>my own boss. And well, I think a turning point

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<v Speaker 1>for me was three and a half years ago. I

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<v Speaker 1>was in Israel and I was shooting the amazing Nicole

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<v Speaker 1>se Mullen. I was directing for the first time. I've

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<v Speaker 1>been in front of the camera for fifty five years,

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<v Speaker 1>and I've watched and I've learned, and I've grown in

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<v Speaker 1>so many different ways. But I were on the cut

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<v Speaker 1>the top of a beautiful mountain called Mount our Belle

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<v Speaker 1>in Galilee, all right on the Sea of Galilee, and

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<v Speaker 1>she was up there and she was singing her brains

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<v Speaker 1>out a song she and I had written called The

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<v Speaker 1>God Who Sees, and she's this magnificent woman just I

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<v Speaker 1>couldn't wait to shoot her on you know, in cinematography,

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<v Speaker 1>and she's just that that gorgeous, and she just just

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<v Speaker 1>exudes God's love so much. And she was up there

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<v Speaker 1>singing her brains out, and I felt like the Lord

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<v Speaker 1>said so specifically and clearly to me, Kathy, everything I've

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<v Speaker 1>ever taken you through in your life, from your mother's

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<v Speaker 1>womb to this moment was for right now. Every gift

0:10:23.960 --> 0:10:25.760
<v Speaker 1>I've given you, but you had to hone, you had

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<v Speaker 1>to learn, You had to, you know, refine. Everybody wants

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<v Speaker 1>everything instantly in our world today. But I'm telling you,

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<v Speaker 1>when you've worked for something as long as I have,

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<v Speaker 1>and then you have a moment like that, and it

0:10:38.040 --> 0:10:40.200
<v Speaker 1>changed my life and I knew. I said, that's what

0:10:40.200 --> 0:10:42.000
<v Speaker 1>I'm gonna do. I'm gonna spend the rest of my

0:10:42.040 --> 0:10:45.560
<v Speaker 1>life bringing these unbelievable epic stories in the Bible to

0:10:45.720 --> 0:10:52.320
<v Speaker 1>life through original songs and through with symphonic u magnificence.

0:10:52.559 --> 0:10:56.319
<v Speaker 1>They're called oratorios, just like Tcheikowski's Peter and the Wolf

0:10:56.320 --> 0:10:59.559
<v Speaker 1>was an oratorio. It's basically an old, ancient concept of

0:11:00.000 --> 0:11:02.520
<v Speaker 1>a retelling but in a symphonic bed of music that

0:11:02.600 --> 0:11:05.120
<v Speaker 1>just moves you, and then a narrator takes you through

0:11:05.120 --> 0:11:08.200
<v Speaker 1>the story and then somebody say, and I've always loved that.

0:11:08.920 --> 0:11:11.880
<v Speaker 1>And so that's what this new movie The Way is about.

0:11:11.920 --> 0:11:15.440
<v Speaker 1>Its four oratorios. The first one I wrote with Brett

0:11:15.520 --> 0:11:18.680
<v Speaker 1>James and my friend, our friend sal OLIVERI. Second one

0:11:18.760 --> 0:11:20.560
<v Speaker 1>was with a Great Great Right. I remember the song

0:11:21.240 --> 0:11:25.880
<v Speaker 1>Barry Manilow had the hit and doctor Mullman remember trying

0:11:25.880 --> 0:11:27.959
<v Speaker 1>to get the feeling again. Wrote the second one the

0:11:28.000 --> 0:11:30.120
<v Speaker 1>God of His Word with him. Third one was with

0:11:30.200 --> 0:11:32.640
<v Speaker 1>Nicole God who Sees. And the fourth one is these

0:11:32.720 --> 0:11:36.160
<v Speaker 1>amazing musicians named Lewis York. If you haven't had him

0:11:36.160 --> 0:11:39.520
<v Speaker 1>on yet, Bobby, these guys are responsible for more hits

0:11:39.520 --> 0:11:44.360
<v Speaker 1>with like you go back to Michael Jackson, Bruno, Mars Whitney, Madonna.

0:11:45.480 --> 0:11:49.679
<v Speaker 1>Party in the usays that those guys left that world

0:11:50.080 --> 0:11:53.800
<v Speaker 1>independently found each other as as writing and producing partners.

0:11:54.200 --> 0:11:56.600
<v Speaker 1>Ones from Saint Louis, ones from New York. So they

0:11:56.600 --> 0:11:59.840
<v Speaker 1>call themselves Lewis York. They are about the most genius

0:11:59.840 --> 0:12:02.400
<v Speaker 1>guy in the music industry. And so we wrote the

0:12:02.400 --> 0:12:05.040
<v Speaker 1>fourth Oratorial Code, the God on the other side. So

0:12:05.080 --> 0:12:08.800
<v Speaker 1>it's all kinds of music, but some set in ancient times,

0:12:08.800 --> 0:12:11.560
<v Speaker 1>some set I have I have for the retelling and

0:12:11.600 --> 0:12:15.160
<v Speaker 1>a modern day retelling of the Prodigal Son's story. But

0:12:15.280 --> 0:12:18.880
<v Speaker 1>I shot it in Franklin at a friend's farm, and

0:12:19.000 --> 0:12:22.280
<v Speaker 1>I shot it with b bb Weinen's place. The father.

0:12:23.160 --> 0:12:27.160
<v Speaker 1>You know, Jimmy Allen is the son and Claude Kelly

0:12:27.200 --> 0:12:30.600
<v Speaker 1>from Lewis York is a brother, and and I just thought,

0:12:30.840 --> 0:12:33.680
<v Speaker 1>I am in I am in hog Heaven now. And

0:12:34.000 --> 0:12:36.040
<v Speaker 1>so I mean, when you're the when you're the boss,

0:12:36.720 --> 0:12:38.880
<v Speaker 1>you get to see your vision through to the end.

0:12:39.000 --> 0:12:42.280
<v Speaker 1>You know. Then if it's a success, you know, you

0:12:42.360 --> 0:12:44.800
<v Speaker 1>thank God. You don't take a value, just thank him.

0:12:44.880 --> 0:12:47.760
<v Speaker 1>If it's a disaster, it's just because something I have

0:12:47.880 --> 0:12:49.920
<v Speaker 1>more to learn. And you can go to the Way

0:12:50.000 --> 0:12:52.679
<v Speaker 1>Music dot com because it September one, it's out right

0:12:52.720 --> 0:12:55.000
<v Speaker 1>September one, the movie comes out. What I'm saying, that's

0:12:55.200 --> 0:12:57.920
<v Speaker 1>we're talking about the movie. First. You can go to

0:12:57.960 --> 0:13:00.520
<v Speaker 1>Fathom Events dot Com. You know those fathom things that

0:13:00.600 --> 0:13:03.360
<v Speaker 1>a movie comes out for one day's usually to qualify

0:13:03.440 --> 0:13:05.400
<v Speaker 1>for some sort of awards thing or something like that,

0:13:05.720 --> 0:13:08.200
<v Speaker 1>and that's not what we're looking for. We're if somebody

0:13:08.200 --> 0:13:10.160
<v Speaker 1>wants to give me an oscar, it's fine, you'll take it.

0:13:10.200 --> 0:13:13.240
<v Speaker 1>You're saying, you know what, at this point in my life,

0:13:13.240 --> 0:13:16.080
<v Speaker 1>I'll say, you know what, I freaking deserve that after

0:13:16.120 --> 0:13:18.920
<v Speaker 1>all these years. So the book, The God of the Way,

0:13:19.280 --> 0:13:22.439
<v Speaker 1>that's the companion to the film. Yeah, the movie was

0:13:22.440 --> 0:13:25.000
<v Speaker 1>supposed to come out last Easter, and it was I

0:13:25.040 --> 0:13:28.080
<v Speaker 1>had to get three hundred thousand dollars more to finish it,

0:13:28.440 --> 0:13:31.080
<v Speaker 1>so they weren't supposed to come out at the same time,

0:13:31.080 --> 0:13:33.199
<v Speaker 1>but it worked out that way. So the book comes

0:13:33.200 --> 0:13:36.360
<v Speaker 1>out August thirtieth. It's available for pre order now. But

0:13:36.440 --> 0:13:39.440
<v Speaker 1>like if if I show you Abraham and Sarah and

0:13:39.480 --> 0:13:41.480
<v Speaker 1>what they went through when God called them from the

0:13:41.559 --> 0:13:43.800
<v Speaker 1>land of Er Nobod, who knows where the land of

0:13:43.880 --> 0:13:45.720
<v Speaker 1>Er is? You read the Bible. If you read still

0:13:45.800 --> 0:13:48.280
<v Speaker 1>the Bible and you think all the land of Er, no,

0:13:48.520 --> 0:13:51.280
<v Speaker 1>the land of her is modern day I rock. You know.

0:13:51.400 --> 0:13:53.280
<v Speaker 1>These are the things you learn when you when you

0:13:53.360 --> 0:13:55.760
<v Speaker 1>study rabbinically, the Bible, like I do you learn what

0:13:55.880 --> 0:14:00.760
<v Speaker 1>all those kinds of things that give things texture and context?

0:14:00.840 --> 0:14:03.560
<v Speaker 1>And I want to It's the details, you know, So

0:14:03.600 --> 0:14:05.840
<v Speaker 1>you can only tell so much about a song that

0:14:05.880 --> 0:14:08.760
<v Speaker 1>I write. It's about Abraham and Sarah called the God

0:14:08.760 --> 0:14:10.880
<v Speaker 1>of the how and when, and if people want to

0:14:10.920 --> 0:14:12.720
<v Speaker 1>know more about them, read the book that goes along

0:14:12.760 --> 0:14:15.120
<v Speaker 1>with It's almost like a study guide to go along

0:14:15.120 --> 0:14:17.200
<v Speaker 1>with it. I'm sure you'll be spending many a weekend

0:14:17.240 --> 0:14:20.320
<v Speaker 1>with this, every weekend. Actually, I've already got it coundared out.

0:14:20.360 --> 0:14:23.040
<v Speaker 1>I'm ready to go. Well, you're more than welcome to

0:14:23.080 --> 0:14:25.520
<v Speaker 1>come to our Fathom event. It's it's a full fledged

0:14:25.520 --> 0:14:30.960
<v Speaker 1>motion pictures it looks. Thank God for drones. Oh, I

0:14:30.960 --> 0:14:33.800
<v Speaker 1>could have never afford to be a director of films

0:14:34.040 --> 0:14:35.880
<v Speaker 1>in the days when you need to hire a plane

0:14:36.160 --> 0:14:38.120
<v Speaker 1>and a cinematographer to go up in the plane or

0:14:38.120 --> 0:14:40.800
<v Speaker 1>a helicopter and shoot that stuff. You know, Now you

0:14:40.840 --> 0:14:43.840
<v Speaker 1>send up your drone and you get the most unbelievable shots.

0:14:43.960 --> 0:14:46.080
<v Speaker 1>How many times have you seen it back? Oh? I

0:14:46.080 --> 0:14:48.240
<v Speaker 1>had to edit the whole thing so many many times,

0:14:48.280 --> 0:14:51.840
<v Speaker 1>many many many times. Yeah, and so do you editing

0:14:51.880 --> 0:14:54.480
<v Speaker 1>it so many times? Do you start to go, Okay,

0:14:54.480 --> 0:14:56.440
<v Speaker 1>I've been doing it so much, I'm kind of lost

0:14:56.440 --> 0:14:59.320
<v Speaker 1>as to exactly what I'm doing. You know, what you

0:14:59.720 --> 0:15:01.800
<v Speaker 1>do one of two things. You either fall in love

0:15:01.840 --> 0:15:04.680
<v Speaker 1>all the more with your baby, you know. I just

0:15:04.720 --> 0:15:06.880
<v Speaker 1>became a grandmother the other day for the two and

0:15:06.880 --> 0:15:09.080
<v Speaker 1>a half months ago. And you every time I see him,

0:15:09.080 --> 0:15:11.640
<v Speaker 1>I fall more in love with him because I get

0:15:11.680 --> 0:15:14.120
<v Speaker 1>to know him better. And then the other good thing

0:15:14.120 --> 0:15:16.160
<v Speaker 1>about editing is you find little things that you know

0:15:16.280 --> 0:15:19.240
<v Speaker 1>could could be better. But it's like anything in life,

0:15:19.280 --> 0:15:22.680
<v Speaker 1>eventually your time is up and then you just have

0:15:22.760 --> 0:15:26.040
<v Speaker 1>to you just have to die to that, you know,

0:15:26.080 --> 0:15:29.040
<v Speaker 1>in a sense, and just let it be because it is.

0:15:29.160 --> 0:15:31.840
<v Speaker 1>It is what it is, and just rejoice in it

0:15:31.960 --> 0:15:33.560
<v Speaker 1>and see what God has for it. I just wanted

0:15:33.600 --> 0:15:37.160
<v Speaker 1>to change people's lives, Bobby. I'm not a churchgoer. I'm

0:15:37.280 --> 0:15:40.720
<v Speaker 1>I'm a Jesus lover. And you know, the first people

0:15:40.800 --> 0:15:44.560
<v Speaker 1>who believed in Jesus were called the followers of the Way.

0:15:44.440 --> 0:15:47.640
<v Speaker 1>They weren't called Christians till many, many years later. That's

0:15:47.840 --> 0:15:50.440
<v Speaker 1>that's not a Jewish term, that's a Greek term. Christos

0:15:50.760 --> 0:15:54.320
<v Speaker 1>for Messiah. He was a Jewish man, I have people

0:15:54.360 --> 0:15:56.680
<v Speaker 1>say to me, well, now, let me get this right.

0:15:56.760 --> 0:16:01.840
<v Speaker 1>Jesus was Jesus was Catholic, right, I go, are you crazy? No?

0:16:02.320 --> 0:16:06.240
<v Speaker 1>The Biblical illiteracy is frustrating to me because it's the

0:16:06.280 --> 0:16:10.520
<v Speaker 1>most fascinating book that the world has ever experienced, and

0:16:10.560 --> 0:16:13.840
<v Speaker 1>the stories from it are ripped from the headlines today.

0:16:14.160 --> 0:16:16.720
<v Speaker 1>Ripped from the headlines. I mean, if you read the Bible,

0:16:16.760 --> 0:16:18.920
<v Speaker 1>you'll oh, my gosh, this isn't the real housewives of

0:16:18.960 --> 0:16:22.920
<v Speaker 1>the Old Testament. This stuff's unbelievable. I write those stories

0:16:22.920 --> 0:16:25.040
<v Speaker 1>and I bring them to life in a modern day way,

0:16:25.240 --> 0:16:28.800
<v Speaker 1>and I get the sixty five best musicians I know

0:16:29.120 --> 0:16:31.880
<v Speaker 1>in this town, and orchestrated by two of the finest

0:16:31.960 --> 0:16:34.240
<v Speaker 1>orchestrators and anywhere in the world. I put them up

0:16:34.240 --> 0:16:36.640
<v Speaker 1>against anyone, right with the best writers that are in

0:16:36.640 --> 0:16:39.680
<v Speaker 1>the world, because they make me look good. And put

0:16:39.720 --> 0:16:42.080
<v Speaker 1>it out there, and I hope people find it, and

0:16:42.120 --> 0:16:44.160
<v Speaker 1>I hope it blesses them in a way that changes

0:16:44.200 --> 0:16:46.320
<v Speaker 1>their heart so that it can change their life and

0:16:46.320 --> 0:16:48.560
<v Speaker 1>give them hope. The book is the God of the

0:16:48.600 --> 0:16:52.400
<v Speaker 1>way out. August thirtieth, and you mentioned the orchestra. You're

0:16:52.440 --> 0:16:55.600
<v Speaker 1>still seeing wonderfully. Oh you're still seeing just as beautiful

0:16:55.600 --> 0:16:57.200
<v Speaker 1>as I've ever heard you, saying when did you hear

0:16:57.280 --> 0:17:00.880
<v Speaker 1>musics the other morning? Yeah? Well I was in the

0:17:00.880 --> 0:17:06.000
<v Speaker 1>other room when you were a child, and your mom

0:17:06.200 --> 0:17:07.960
<v Speaker 1>saying that was a musician from right, he was a

0:17:08.040 --> 0:17:11.800
<v Speaker 1>jazz saxophonist. So with that, I mean, do you get

0:17:11.840 --> 0:17:16.240
<v Speaker 1>an ear? And are you genetically blessed because you're like

0:17:16.320 --> 0:17:19.119
<v Speaker 1>how because again, you were so good so early on. No,

0:17:19.240 --> 0:17:22.200
<v Speaker 1>I wasn't, you weren't. But I wanted to be a singer.

0:17:22.359 --> 0:17:23.600
<v Speaker 1>I wanted to be a singer. I want to be

0:17:23.600 --> 0:17:26.880
<v Speaker 1>Barbara Streison. That didn't work out. She changed my life

0:17:26.880 --> 0:17:31.320
<v Speaker 1>the first time I heard people people who need people,

0:17:31.640 --> 0:17:33.240
<v Speaker 1>you know, you just want to what I wanted to

0:17:33.320 --> 0:17:36.320
<v Speaker 1>drop to my jaw and I just I just wanted

0:17:36.320 --> 0:17:39.080
<v Speaker 1>to move people like that. And I spent years in

0:17:39.080 --> 0:17:41.439
<v Speaker 1>front of a mirror trying to hit those notes. But

0:17:41.520 --> 0:17:43.399
<v Speaker 1>then I realized how important it was just to be

0:17:43.440 --> 0:17:45.600
<v Speaker 1>the best of me I could be. The world is

0:17:45.640 --> 0:17:47.959
<v Speaker 1>full of people who try to admire other people so

0:17:48.040 --> 0:17:51.200
<v Speaker 1>much they try to exactly that way. The world does

0:17:51.240 --> 0:17:55.000
<v Speaker 1>not need any more copycats. We need more original, authentic people.

0:17:55.600 --> 0:17:59.440
<v Speaker 1>And I came to understand how important that was. That's

0:17:59.440 --> 0:18:01.919
<v Speaker 1>why I can't and all this culture, this canceling in

0:18:01.960 --> 0:18:05.000
<v Speaker 1>our culture of people, because we're not all alike. We

0:18:05.000 --> 0:18:07.680
<v Speaker 1>were never meant to be all alike. God went a great,

0:18:07.800 --> 0:18:10.560
<v Speaker 1>great trouble to make us all so completely unique, down

0:18:10.560 --> 0:18:13.360
<v Speaker 1>to our down to our fingerprints, you know. And then

0:18:13.359 --> 0:18:15.320
<v Speaker 1>we as a culture say, if you don't believe the

0:18:15.320 --> 0:18:16.800
<v Speaker 1>way I believe, you don't think the way I think,

0:18:16.840 --> 0:18:18.760
<v Speaker 1>you don't worship the way I think, you don't vote

0:18:18.760 --> 0:18:20.679
<v Speaker 1>the way I think, you can't be on this planet.

0:18:20.680 --> 0:18:22.399
<v Speaker 1>And I want to go, wait a minute, this planet

0:18:22.400 --> 0:18:25.840
<v Speaker 1>that God made for us, every one of us. Where'd

0:18:25.880 --> 0:18:28.760
<v Speaker 1>you get that theology? That's really really screwed up theology.

0:18:29.400 --> 0:18:30.840
<v Speaker 1>I like it that more people were like me, I'll

0:18:30.840 --> 0:18:32.959
<v Speaker 1>be honest with you, more people like me, I think

0:18:32.960 --> 0:18:35.119
<v Speaker 1>that I would take a few more boneses in the world.

0:18:35.240 --> 0:18:37.360
<v Speaker 1>Me too. So other than just I'm the only one

0:18:37.359 --> 0:18:40.720
<v Speaker 1>to wish a copy. Well, how about Jesus before you

0:18:40.880 --> 0:18:44.800
<v Speaker 1>Jesus right now though in this room I'm the only one.

0:18:45.240 --> 0:18:49.840
<v Speaker 1>So but back to you being a child, my personal feeling,

0:18:49.880 --> 0:18:52.480
<v Speaker 1>as you could sing, but maybe your sister was better

0:18:52.520 --> 0:18:54.240
<v Speaker 1>and you were in such an advanced family that you

0:18:54.280 --> 0:18:56.720
<v Speaker 1>didn't know. No, you know what, I thought I could sing,

0:18:56.720 --> 0:18:59.119
<v Speaker 1>and I went to my sister's vocal coach, because my

0:18:59.119 --> 0:19:03.080
<v Speaker 1>sister could have been a I'm a child wonder. I

0:19:03.119 --> 0:19:04.959
<v Speaker 1>went and I sang a little song, and I think

0:19:05.119 --> 0:19:08.000
<v Speaker 1>I did a few chords for her, and everything stretches,

0:19:08.000 --> 0:19:10.959
<v Speaker 1>you know, whatever, our peggios, whatever. And she looked at me,

0:19:11.040 --> 0:19:15.960
<v Speaker 1>very very lovingly, and she goes, oh, Kathy, stick to harmony, honey.

0:19:16.040 --> 0:19:18.840
<v Speaker 1>And it made me so mad that I went out

0:19:18.840 --> 0:19:21.120
<v Speaker 1>and learned how to be a singer. So when you're sixteen,

0:19:21.200 --> 0:19:22.280
<v Speaker 1>what do you want to be when you grow up?

0:19:22.600 --> 0:19:24.560
<v Speaker 1>When I'm sixteen, I want to be um. I want

0:19:24.560 --> 0:19:29.040
<v Speaker 1>to be writing and producing movies with some of the

0:19:29.040 --> 0:19:31.520
<v Speaker 1>most brilliant producers in the world. I want to be

0:19:31.560 --> 0:19:35.439
<v Speaker 1>on a mountaintop with my cinematographer and my creative director

0:19:35.440 --> 0:19:37.719
<v Speaker 1>and my team that I do everything with now I

0:19:37.760 --> 0:19:39.360
<v Speaker 1>want to I can't want that at sixteen. You don't

0:19:39.400 --> 0:19:41.680
<v Speaker 1>know them yet. Oh you mean if I worked you

0:19:41.760 --> 0:19:43.960
<v Speaker 1>speak out? I know sixteen. Yeah, when you were sixteen,

0:19:44.000 --> 0:19:46.040
<v Speaker 1>what did you want to be? Exactly what I am now?

0:19:46.200 --> 0:19:48.760
<v Speaker 1>But but you don't know that cinematographer when you're six. No,

0:19:48.840 --> 0:19:50.840
<v Speaker 1>I know I wanted to make movies. I want to

0:19:52.040 --> 0:19:54.920
<v Speaker 1>I said that. No, you said you're cinematographer. No, I

0:19:55.160 --> 0:19:57.520
<v Speaker 1>want to be making movies. You know I called. I

0:19:57.680 --> 0:19:59.239
<v Speaker 1>didn't call it. I didn't have a phone back then.

0:19:59.280 --> 0:20:02.600
<v Speaker 1>They were I wrote when I was about eight years old,

0:20:02.600 --> 0:20:05.119
<v Speaker 1>I wrote a movie. I saw a movie, and I

0:20:05.160 --> 0:20:09.439
<v Speaker 1>wrote Walt Disney a letter, you wrote, Walt Disney, Yes,

0:20:09.520 --> 0:20:12.760
<v Speaker 1>I did. It's called kutzpah in Yiddish. And it's like,

0:20:12.800 --> 0:20:15.119
<v Speaker 1>you know, it's like I knew what I wanted to do.

0:20:15.160 --> 0:20:16.480
<v Speaker 1>And I wrote him a letter and I said, my

0:20:16.560 --> 0:20:19.000
<v Speaker 1>name is Kathy Epstein. And I thought that time and

0:20:19.040 --> 0:20:22.080
<v Speaker 1>you need to meet me. And I think back on

0:20:22.119 --> 0:20:25.120
<v Speaker 1>it now, like what kind of audacity is that? I said,

0:20:25.280 --> 0:20:26.720
<v Speaker 1>I want to make movies. I want to be in

0:20:26.760 --> 0:20:28.880
<v Speaker 1>your movies, and you should meet me because I'm known

0:20:28.880 --> 0:20:32.320
<v Speaker 1>for my expressions. And I got a letter back from him.

0:20:32.760 --> 0:20:34.560
<v Speaker 1>It was a foreign letter, but an eight year old

0:20:34.640 --> 0:20:37.920
<v Speaker 1>kid doesn't know. Signed Walt Disney, and he said, maybe

0:20:37.960 --> 0:20:40.560
<v Speaker 1>someday you and I will work together. Kathy. I hope

0:20:40.560 --> 0:20:42.439
<v Speaker 1>we will, and I think it's gonna happen. It was

0:20:42.480 --> 0:20:45.560
<v Speaker 1>really very I know he didn't write it now, but

0:20:45.560 --> 0:20:47.880
<v Speaker 1>back then I thought he did. I thought tinker Bell

0:20:48.040 --> 0:20:51.880
<v Speaker 1>wrote it or somebody did. And it was just amazing

0:20:51.920 --> 0:20:55.439
<v Speaker 1>because years later I worked with Regis and we worked

0:20:56.160 --> 0:20:58.480
<v Speaker 1>Regis on my own half our show and Disney on

0:20:58.560 --> 0:21:00.920
<v Speaker 1>the other. I ended up doing like five Disney films.

0:21:01.480 --> 0:21:04.600
<v Speaker 1>My son made his debut along with Justin Timberlake, in

0:21:04.600 --> 0:21:07.399
<v Speaker 1>a movie called you Know Model Behavior. You know I

0:21:07.440 --> 0:21:09.879
<v Speaker 1>did make movies with Walt Disney. That's pretty cool. Do

0:21:09.920 --> 0:21:11.960
<v Speaker 1>you think Walt Disney signed it himself? Though? No, I

0:21:12.040 --> 0:21:15.200
<v Speaker 1>don't know. No, I'm not. I did it at the time,

0:21:15.240 --> 0:21:18.880
<v Speaker 1>though I'd never seen a form letter either. So when

0:21:18.920 --> 0:21:22.400
<v Speaker 1>did your TV career start? I had my big break,

0:21:22.440 --> 0:21:24.800
<v Speaker 1>believe it or not, in nineteen seventy seven, at the

0:21:24.800 --> 0:21:27.760
<v Speaker 1>age of twenty two years old, doing what the singer

0:21:27.840 --> 0:21:29.760
<v Speaker 1>the lead singer on a show called Name That Tune?

0:21:30.080 --> 0:21:32.040
<v Speaker 1>I knew. I know it well, Yeah, I had to.

0:21:32.359 --> 0:21:34.679
<v Speaker 1>I had to learn two hundred songs in five days,

0:21:34.720 --> 0:21:37.160
<v Speaker 1>singing yes, but the only little portion of it. Again,

0:21:37.200 --> 0:21:39.959
<v Speaker 1>you're La La La. Life is worth living. You're a

0:21:39.960 --> 0:21:43.439
<v Speaker 1>great scene, only worth living if you're Laala, Right. I

0:21:43.440 --> 0:21:45.520
<v Speaker 1>had to just Lalla out the title and then somebody

0:21:45.520 --> 0:21:49.159
<v Speaker 1>else go buzz Born Free. They'd win one hundred thousand

0:21:49.160 --> 0:21:51.959
<v Speaker 1>dollars and I went home with being paid scale. I

0:21:52.000 --> 0:21:55.760
<v Speaker 1>didn't care. It made me. People knew me. I was.

0:21:56.240 --> 0:21:58.760
<v Speaker 1>It was my big break. And then I came here

0:21:58.920 --> 0:22:02.240
<v Speaker 1>to Nashville for a year and I shot something called Heha,

0:22:02.320 --> 0:22:05.240
<v Speaker 1>Honeys spin off from Heha. That's where I met Dolly

0:22:05.320 --> 0:22:08.400
<v Speaker 1>and the Gatlins and Barbara Vandrell and so many other

0:22:08.400 --> 0:22:11.879
<v Speaker 1>people that became my friends and still are. Larry Gatlin

0:22:11.960 --> 0:22:15.119
<v Speaker 1>plays Joshua in my movie The Way from All the

0:22:15.119 --> 0:22:17.879
<v Speaker 1>Way Back Then, From all the way back then. You know,

0:22:18.359 --> 0:22:22.760
<v Speaker 1>kids today people want everything overnight. They don't know the

0:22:22.880 --> 0:22:25.800
<v Speaker 1>value of hard work. My daddy had three jobs. My

0:22:25.880 --> 0:22:29.080
<v Speaker 1>mom's sold eggs door to door. You know, I was taught.

0:22:29.680 --> 0:22:33.240
<v Speaker 1>I was taught such a good work ethic. My daddy

0:22:33.280 --> 0:22:35.000
<v Speaker 1>used to say, you don't know. I love you too much,

0:22:35.040 --> 0:22:38.560
<v Speaker 1>honey to deny you the privilege of making mistakes, just

0:22:38.960 --> 0:22:40.800
<v Speaker 1>but be willing to, because that's why you're going to

0:22:40.880 --> 0:22:44.040
<v Speaker 1>learn almost everything you need to know. And I never

0:22:44.080 --> 0:22:45.600
<v Speaker 1>forgot that. And then when I was going in for

0:22:45.640 --> 0:22:47.680
<v Speaker 1>an audition or something to say just be the best

0:22:47.720 --> 0:22:51.040
<v Speaker 1>they ever had. Honey, that's all. That's awesome. Your dad

0:22:51.040 --> 0:22:53.480
<v Speaker 1>sound awesome. And he was a jazz saxophonist and I've

0:22:53.480 --> 0:22:56.120
<v Speaker 1>had a thing for those guys ever since. Well, so

0:22:56.280 --> 0:22:58.679
<v Speaker 1>the book The God of the Way, and then the

0:22:58.800 --> 0:23:04.280
<v Speaker 1>next day the movie is our days later is the book,

0:23:04.320 --> 0:23:07.120
<v Speaker 1>but it's available now. That's that's The God of the Way,

0:23:07.160 --> 0:23:08.880
<v Speaker 1>and the film is called The Way, and you're so

0:23:08.920 --> 0:23:11.160
<v Speaker 1>sweet to let me talk about it. It comes out

0:23:11.200 --> 0:23:13.800
<v Speaker 1>as a Fathom event on September first, the first seat.

0:23:14.000 --> 0:23:15.680
<v Speaker 1>I would assume there were thirty days in this month,

0:23:15.680 --> 0:23:17.639
<v Speaker 1>but I never mastered that Knuckles thing where it's like,

0:23:17.680 --> 0:23:20.880
<v Speaker 1>oh yeah January if yeah, yeah, yeah, but you start

0:23:20.920 --> 0:23:22.159
<v Speaker 1>on the up now. Wait a minute, it is the

0:23:22.200 --> 0:23:24.679
<v Speaker 1>next day. No, I don't know. I'm just going no,

0:23:24.800 --> 0:23:28.320
<v Speaker 1>there's a thirty first Okay, well yes, I'm spending circles

0:23:28.320 --> 0:23:32.800
<v Speaker 1>now anyway for it marches up. April is down, May up,

0:23:32.920 --> 0:23:36.800
<v Speaker 1>June down, July up, and August is up because they

0:23:36.800 --> 0:23:39.120
<v Speaker 1>both have thirty one. And then it goes. I got

0:23:39.119 --> 0:23:41.639
<v Speaker 1>got by the Knuckles game. Guys didn't remember it, um

0:23:41.880 --> 0:23:44.200
<v Speaker 1>cassually you are a real, real treat and I hope

0:23:44.200 --> 0:23:46.240
<v Speaker 1>this thing is everything you want it to be. I

0:23:46.280 --> 0:23:48.040
<v Speaker 1>hope it fills your cup in all the ways, because

0:23:48.080 --> 0:23:50.000
<v Speaker 1>it doesn't sound like your cup will be filled with

0:23:50.400 --> 0:23:52.320
<v Speaker 1>money or prestige or fame. It sounds like you're going

0:23:52.400 --> 0:23:55.639
<v Speaker 1>to change people's lives. And I really think that's really fantastic. Well,

0:23:55.720 --> 0:23:57.840
<v Speaker 1>I've always been a huge fan of yours. Thank you

0:23:57.920 --> 0:24:00.240
<v Speaker 1>so much for having me, and boy, you didn't marry

0:24:00.240 --> 0:24:04.639
<v Speaker 1>a beautiful woman? Yeah, I am. Is there something I'm missing?

0:24:04.720 --> 0:24:08.440
<v Speaker 1>Are you guys broken up? What happened? No? Can you imagine?

0:24:08.440 --> 0:24:10.400
<v Speaker 1>It reminded the worst thing that ever happened. I've got

0:24:10.400 --> 0:24:12.720
<v Speaker 1>to learn to stop doing what happened, Oh, the worst

0:24:12.760 --> 0:24:14.800
<v Speaker 1>thing ever. The first time it happened, it was with James,

0:24:14.840 --> 0:24:17.439
<v Speaker 1>Taylor and Sting. I like to throw them them around.

0:24:17.680 --> 0:24:20.879
<v Speaker 1>I'm interviewing them on the show with them with Hoda,

0:24:21.280 --> 0:24:23.720
<v Speaker 1>and I say to James because I followed the whole

0:24:23.720 --> 0:24:27.320
<v Speaker 1>Taylor family since forever, right, how's Alex? Because I've known

0:24:27.359 --> 0:24:30.200
<v Speaker 1>he was sick, and James looks at me, goes, he's dead.

0:24:30.800 --> 0:24:33.920
<v Speaker 1>I swear I'm going, Oh, dear God, Oh dear Jesus.

0:24:34.320 --> 0:24:37.280
<v Speaker 1>I'm so sorry. I'm so sorry. Now here's the worst one.

0:24:37.400 --> 0:24:39.920
<v Speaker 1>If there's a worst one, it's this one about two

0:24:40.000 --> 0:24:42.160
<v Speaker 1>years ago. Three years. I don't know, No, it's more

0:24:42.160 --> 0:24:44.160
<v Speaker 1>than that, because I was on with Hoda and I've

0:24:44.160 --> 0:24:46.720
<v Speaker 1>been gone three years. One of my favorite people in

0:24:46.760 --> 0:24:49.960
<v Speaker 1>the entire world is Marty Short, right, who's greater than

0:24:50.000 --> 0:24:53.800
<v Speaker 1>Marty Short? There's nobody love him, and I've always admired

0:24:53.960 --> 0:24:55.760
<v Speaker 1>everything about him. But you don't hear about a lot

0:24:55.760 --> 0:24:58.680
<v Speaker 1>about Marty in the rags or anything. He just does

0:24:58.680 --> 0:25:00.800
<v Speaker 1>his work and he makes you laughing, makes you happy.

0:25:00.960 --> 0:25:03.880
<v Speaker 1>I always loved him and his wife, Nancy, adored them,

0:25:04.119 --> 0:25:07.280
<v Speaker 1>and so I'm gone on and on about how did

0:25:07.280 --> 0:25:09.240
<v Speaker 1>you do it? Marty? You guys have one of the

0:25:09.320 --> 0:25:14.080
<v Speaker 1>most incredible marriages I've you know, in Hollywood these nobody

0:25:14.200 --> 0:25:17.560
<v Speaker 1>is wedding marriages like that, you know, and you're never

0:25:17.600 --> 0:25:20.960
<v Speaker 1>in the trade, You're never in the all of that stuff. Well,

0:25:21.000 --> 0:25:23.440
<v Speaker 1>the show ends, and Marty, because he didn't want to

0:25:23.440 --> 0:25:26.400
<v Speaker 1>embarrass me, comes up to me so kindly, because Kathy,

0:25:26.440 --> 0:25:29.960
<v Speaker 1>it was obvious you had no idea. But Nancy died

0:25:29.960 --> 0:25:33.480
<v Speaker 1>of cancer last year, and I you know, I went,

0:25:33.520 --> 0:25:37.119
<v Speaker 1>oh my god, Marty, I've got to stop asking people

0:25:37.160 --> 0:25:40.800
<v Speaker 1>how somebody is because there's a chance these days, the

0:25:40.800 --> 0:25:43.600
<v Speaker 1>older I get, there's a chance they're not around anymore.

0:25:44.000 --> 0:25:48.360
<v Speaker 1>And I I just I mean, well, well, rest assured,

0:25:48.640 --> 0:25:51.919
<v Speaker 1>we're doing wonderfully. I just always feel weird taking like

0:25:51.960 --> 0:25:53.600
<v Speaker 1>people are surprised I have a pretty wife all the

0:25:53.600 --> 0:25:56.560
<v Speaker 1>time because no, no, but they're like, congratulations on that,

0:25:56.600 --> 0:25:59.960
<v Speaker 1>when I'm like, I don't know how to respond to that,

0:26:00.080 --> 0:26:01.879
<v Speaker 1>but I will say, thank you. That's very kind to

0:26:02.000 --> 0:26:04.280
<v Speaker 1>say that she got a hunk of burning love is

0:26:04.280 --> 0:26:08.160
<v Speaker 1>what she got. You're the only one we walk into places, Kathy,

0:26:08.200 --> 0:26:10.600
<v Speaker 1>and they look at they look at us, and they'll

0:26:10.640 --> 0:26:12.560
<v Speaker 1>look at her and go oh, they look at me,

0:26:12.920 --> 0:26:14.360
<v Speaker 1>and then they look back at her to make sure

0:26:14.640 --> 0:26:17.320
<v Speaker 1>that she's kind of all right, and they just don't understand. No,

0:26:17.440 --> 0:26:20.199
<v Speaker 1>here's the thing. You know what your secret is? You

0:26:20.240 --> 0:26:23.800
<v Speaker 1>are Clark Kent. I take my glasses all I still

0:26:23.840 --> 0:26:27.359
<v Speaker 1>saw a Clok. No, you are one hot, Okay you

0:26:27.440 --> 0:26:32.080
<v Speaker 1>always okay, yeah, No, I'm not gonna take that. I'd say, well,

0:26:32.280 --> 0:26:35.480
<v Speaker 1>you're right, I believe. I'd say, yeah, you're you're better

0:26:35.520 --> 0:26:38.520
<v Speaker 1>than average, but no, I think you're unbelievably attractive. Well,

0:26:38.560 --> 0:26:41.200
<v Speaker 1>I appreciate that my son or grandson. But that's what

0:26:41.440 --> 0:26:44.480
<v Speaker 1>makes me feel well that listen, here's what we're gonna do.

0:26:45.440 --> 0:26:49.000
<v Speaker 1>They got of the way, Let's get back to God book. Yes.

0:26:49.160 --> 0:26:52.119
<v Speaker 1>And then two days later every everyone should check out

0:26:52.160 --> 0:26:56.359
<v Speaker 1>your knuckles, folks, Joe I in August. Those knuckles are

0:26:56.359 --> 0:27:00.800
<v Speaker 1>both ups right, and then followed by the movie Listen,

0:27:00.800 --> 0:27:03.120
<v Speaker 1>I love you. I love to see you so happy

0:27:03.240 --> 0:27:05.760
<v Speaker 1>and so fulfilled. I think that's all. Thank you. I

0:27:05.840 --> 0:27:08.600
<v Speaker 1>want to thank Nashville and all of Tennessee for welcoming

0:27:08.680 --> 0:27:11.080
<v Speaker 1>me the way they have. People have just been makes

0:27:11.080 --> 0:27:14.120
<v Speaker 1>me cry to think of it. They've been unbelievably kind

0:27:14.480 --> 0:27:17.280
<v Speaker 1>and great. I'm so grateful for it. Well, thank you,

0:27:17.400 --> 0:27:23.600
<v Speaker 1>thank you, Thanks, thank you. That was awesome. It's the

0:27:23.640 --> 0:27:31.480
<v Speaker 1>best bits of the week with Morgan. Number two, good

0:27:31.480 --> 0:27:34.280
<v Speaker 1>old Scoopa Steve and his crazy stories. This week, he

0:27:34.359 --> 0:27:37.440
<v Speaker 1>shared with us that he took the opportunity with our

0:27:37.480 --> 0:27:40.520
<v Speaker 1>show based on a coin flip. I know, and you

0:27:40.560 --> 0:27:42.359
<v Speaker 1>may not believe me, but you got to hear this

0:27:42.400 --> 0:27:44.840
<v Speaker 1>segment or you're just not going to believe him. So

0:27:45.080 --> 0:27:48.600
<v Speaker 1>let's go. Time to listen to Scoopa Steve's crazy reasoning

0:27:48.720 --> 0:27:51.200
<v Speaker 1>for why he flipped a coin and came to the

0:27:51.240 --> 0:27:54.920
<v Speaker 1>show number five. Hey, Ray, would you play Joey Evessena

0:27:54.960 --> 0:28:00.360
<v Speaker 1>real quick jam? Right? Yeah, of course, Dan, and he's

0:28:00.400 --> 0:28:05.359
<v Speaker 1>on Danny. You moved thousands of miles away because of

0:28:05.400 --> 0:28:09.399
<v Speaker 1>this song because of a coin flip? Right, Well, it

0:28:09.520 --> 0:28:13.120
<v Speaker 1>wasn't because of the song. Come on, just say this, blon,

0:28:13.160 --> 0:28:16.360
<v Speaker 1>say it this pretty cool? Go ahead, Yeah, this song

0:28:16.440 --> 0:28:20.359
<v Speaker 1>makes it pretty cool. So I was I grew up

0:28:20.520 --> 0:28:24.760
<v Speaker 1>in um Rochester, New York, and I was working for

0:28:24.800 --> 0:28:28.120
<v Speaker 1>this company. I was only twenty one years old and

0:28:28.359 --> 0:28:31.800
<v Speaker 1>I was offered a pretty big promotion, and but the

0:28:31.800 --> 0:28:34.879
<v Speaker 1>promotion was not available in New York. So my boss

0:28:35.000 --> 0:28:38.240
<v Speaker 1>was like, you would need to relocate to either Wilmington,

0:28:38.320 --> 0:28:41.840
<v Speaker 1>North Carolina, or or Ryan, California. And I said, okay,

0:28:41.920 --> 0:28:44.240
<v Speaker 1>let's flip a coin. He's like, I can let you

0:28:44.280 --> 0:28:46.480
<v Speaker 1>make a decision that big based on a coin flip.

0:28:46.520 --> 0:28:49.200
<v Speaker 1>I'm like, I've never been to either place. Let's just

0:28:49.280 --> 0:28:53.720
<v Speaker 1>flib a coin. And I don't remember what at landed on,

0:28:53.880 --> 0:28:57.360
<v Speaker 1>but I know a landers on Carolina. So I moved

0:28:57.400 --> 0:29:01.880
<v Speaker 1>to Carolina the next week met my husband. My dad

0:29:02.040 --> 0:29:04.760
<v Speaker 1>ended up moving down there. He got married down there.

0:29:05.240 --> 0:29:07.840
<v Speaker 1>My sister moved down there, she got beared, he'd had

0:29:07.880 --> 0:29:12.320
<v Speaker 1>some kids. So a single coin flip just like affected

0:29:12.480 --> 0:29:15.040
<v Speaker 1>so many things in that moment. And then the song

0:29:15.120 --> 0:29:17.160
<v Speaker 1>came out a few years later, and I'm like, that's

0:29:17.240 --> 0:29:20.040
<v Speaker 1>my life story. So I thought when I saw this,

0:29:20.560 --> 0:29:23.640
<v Speaker 1>she said, literally she had to move to Carolina or California.

0:29:23.720 --> 0:29:25.920
<v Speaker 1>That's why I said, it's the song, right. No, it

0:29:25.960 --> 0:29:29.400
<v Speaker 1>just happened to the exact same places. Wow, yeah, that's crazy.

0:29:29.680 --> 0:29:33.320
<v Speaker 1>I hear she wrote out about you and you should sue.

0:29:34.080 --> 0:29:36.800
<v Speaker 1>So Raymundo had mentioned, so you were hanging out with

0:29:36.840 --> 0:29:39.120
<v Speaker 1>Scuba Steve listened to that Col Swindell version, Yeah, and

0:29:39.240 --> 0:29:41.200
<v Speaker 1>he was saying Scooba was saying him and his wife

0:29:41.240 --> 0:29:43.160
<v Speaker 1>did the exact same thing with a coin flip. I

0:29:43.200 --> 0:29:45.920
<v Speaker 1>cannot believe that you're just flipping a coin and following it.

0:29:45.920 --> 0:29:47.880
<v Speaker 1>That's great, yes, because one time we didn't follow the

0:29:47.920 --> 0:29:49.719
<v Speaker 1>coin and it was a terrible day, so we followed

0:29:49.720 --> 0:29:51.800
<v Speaker 1>the coin. I didn't know that Scuba Steve ended up

0:29:51.840 --> 0:29:54.000
<v Speaker 1>here because of a coin flip. That's pretty cool. I remember.

0:29:54.000 --> 0:29:55.600
<v Speaker 1>And if you guys are new to the show, Scuba

0:29:55.600 --> 0:29:57.840
<v Speaker 1>Steve is our executive producer, like he is the guy

0:29:58.040 --> 0:30:01.560
<v Speaker 1>making all the decisions here behind the scenes. Um is

0:30:01.600 --> 0:30:04.040
<v Speaker 1>as important to this show and as I am in

0:30:04.080 --> 0:30:06.840
<v Speaker 1>many ways. And so him and I meet all the time.

0:30:06.920 --> 0:30:09.160
<v Speaker 1>He's just running it. But I remember when he showed

0:30:09.200 --> 0:30:10.360
<v Speaker 1>up and I interviewed him, and I was like, this

0:30:10.400 --> 0:30:12.120
<v Speaker 1>dude's bald with a huge beard, looks like a death

0:30:12.160 --> 0:30:16.360
<v Speaker 1>metal singer. And he's the gentlest guy. He's the kindest,

0:30:17.000 --> 0:30:19.760
<v Speaker 1>always a big smile on his face, like that Scuba Steve.

0:30:19.960 --> 0:30:22.440
<v Speaker 1>But he looks like he's going to rob you and

0:30:22.480 --> 0:30:24.320
<v Speaker 1>then decide after he's done robbing you if he's gonna

0:30:24.320 --> 0:30:26.840
<v Speaker 1>stab you or not. Like he's flipping a coin, all right,

0:30:26.880 --> 0:30:28.520
<v Speaker 1>heads a stab him tells I just leave him beat

0:30:28.560 --> 0:30:31.600
<v Speaker 1>up in the alley. That's what he looks like. And

0:30:31.680 --> 0:30:33.280
<v Speaker 1>so you would see him and I remember him coming

0:30:33.320 --> 0:30:34.840
<v Speaker 1>in and I'll be like Eddie Amy and lets you

0:30:34.880 --> 0:30:38.160
<v Speaker 1>gotta meet Steve, and you guys will look at him

0:30:38.160 --> 0:30:40.160
<v Speaker 1>be like, what is he one one of these programs

0:30:40.200 --> 0:30:46.920
<v Speaker 1>like we hire somebody prison every Yeah, yeah, yeah, well

0:30:46.600 --> 0:30:50.280
<v Speaker 1>you look kind of tough, and yeah it's the beard thing,

0:30:51.240 --> 0:30:54.760
<v Speaker 1>Like yeah, no, it's not. It's not an insult at all. Yeah, yeah,

0:30:54.800 --> 0:30:57.640
<v Speaker 1>but I'm glad you're here. I'm glad you flipped a coin,

0:30:57.680 --> 0:30:59.880
<v Speaker 1>and I'm glad. I'm very lucky that that thing landed

0:30:59.920 --> 0:31:03.920
<v Speaker 1>on heads. And I always picked heels always because tells

0:31:03.920 --> 0:31:08.560
<v Speaker 1>ever fails. That's right, excepting the sign. All right, scoopa,

0:31:08.560 --> 0:31:12.920
<v Speaker 1>thank you buddy here, Welcome on, Greg and Wisconsin. You know, yeah,

0:31:13.120 --> 0:31:15.600
<v Speaker 1>there's a lot about moving, but I I've never heard

0:31:15.640 --> 0:31:18.440
<v Speaker 1>about one deciding to divorce by a coin flat. Oh my, Greg,

0:31:18.440 --> 0:31:23.440
<v Speaker 1>go ahead, yeah. I Uh, I was out up over

0:31:23.480 --> 0:31:25.440
<v Speaker 1>the road and I was out in New York City

0:31:25.440 --> 0:31:28.160
<v Speaker 1>and Arrest area, and I was missing my wife, and

0:31:28.200 --> 0:31:31.080
<v Speaker 1>I just pushed up on the phone. Uh so many

0:31:31.120 --> 0:31:35.480
<v Speaker 1>pictures of so and so and below the Wisconsin, and

0:31:35.480 --> 0:31:38.440
<v Speaker 1>it came up. Three daily naps come up, but she

0:31:38.600 --> 0:31:42.000
<v Speaker 1>was on. We've been together for forty three years and

0:31:42.240 --> 0:31:44.720
<v Speaker 1>married for thirty years, and I found her on these

0:31:44.720 --> 0:31:48.239
<v Speaker 1>three dating naps. So I went home and confronted her

0:31:48.280 --> 0:31:50.480
<v Speaker 1>and she said she wasn't on him, and I showed

0:31:50.480 --> 0:31:53.920
<v Speaker 1>her the pictures that I've seen on the phone. And

0:31:54.640 --> 0:31:58.240
<v Speaker 1>I talked to my oldest son about it and he said, well,

0:31:58.760 --> 0:32:01.360
<v Speaker 1>Daddy said, we get all the grandkids. He said, you

0:32:01.400 --> 0:32:04.200
<v Speaker 1>can't just sweep them. I said, well, I'm gonna flip

0:32:04.200 --> 0:32:05.840
<v Speaker 1>a coin. I said, if it comes up to head,

0:32:06.000 --> 0:32:09.000
<v Speaker 1>I'm gonna stay. Whatever comes up, Tails, I'm going to divorce.

0:32:09.040 --> 0:32:14.760
<v Speaker 1>There the game up, Tails. I cannot believe this. Never fail, Yeah,

0:32:14.840 --> 0:32:20.840
<v Speaker 1>Tales never fails. And next Sweets, she moved in with

0:32:20.840 --> 0:32:23.840
<v Speaker 1>this guy that she'd been more or less living with

0:32:24.000 --> 0:32:26.720
<v Speaker 1>for the last two years. She come home on Friday

0:32:26.720 --> 0:32:29.200
<v Speaker 1>and I give her money, and then Sunday I'd leave

0:32:29.240 --> 0:32:30.920
<v Speaker 1>out and she would go to his house and stay

0:32:30.960 --> 0:32:34.480
<v Speaker 1>until Thursday night, a Friday morning. Then I couldn't believe

0:32:34.520 --> 0:32:37.120
<v Speaker 1>it. It It freaked me out. This story makes me sad,

0:32:37.560 --> 0:32:39.000
<v Speaker 1>but I'm also kind of blown away that there was

0:32:39.800 --> 0:32:41.400
<v Speaker 1>that coin did the right thing, the landed on the

0:32:41.480 --> 0:32:44.080
<v Speaker 1>right one. Coins. All right, here we go, make a

0:32:44.080 --> 0:32:46.640
<v Speaker 1>big decision right now, right now. Yeah, okay, do not

0:32:46.680 --> 0:32:50.080
<v Speaker 1>the divorce. No, don't, don't worry. Don't do that, don't worry.

0:32:50.320 --> 0:32:55.440
<v Speaker 1>All right, Heads, I stay doing the show today. I

0:32:55.520 --> 0:32:59.239
<v Speaker 1>like it. Oh yeah, Tails, I go home. I'll come

0:32:59.240 --> 0:33:01.560
<v Speaker 1>back for three weeks. I don't even know where I am.

0:33:01.800 --> 0:33:08.160
<v Speaker 1>Well this is great. Yeah, so Tails three weeks away? Yeah, Heads, No, wait,

0:33:08.960 --> 0:33:12.720
<v Speaker 1>I lost my track. Heads, I finished the show. Okay, No,

0:33:12.840 --> 0:33:15.800
<v Speaker 1>I'm gonna flip it, Heads, I leave for three weeks

0:33:16.080 --> 0:33:18.720
<v Speaker 1>and donate all my paid a lunchbox. Oh I I'm

0:33:18.720 --> 0:33:21.200
<v Speaker 1>Heads all the way. Let's go, boy, Yeah for three weeks.

0:33:21.280 --> 0:33:24.720
<v Speaker 1>Three weeks, yeah, three week vacation. I could use it. Tails,

0:33:24.880 --> 0:33:32.800
<v Speaker 1>I finished the show, Come on, Heads, don't Oh my gosh,

0:33:32.960 --> 0:33:36.680
<v Speaker 1>every time? Okay, different calling it again. Here we go.

0:33:37.680 --> 0:33:40.680
<v Speaker 1>I need heads. It is tang it. I'm standing here

0:33:40.680 --> 0:33:42.720
<v Speaker 1>in the show. The world hates me. All right. He

0:33:42.800 --> 0:33:48.120
<v Speaker 1>did the right thing again. It's the best bits of

0:33:48.200 --> 0:33:53.400
<v Speaker 1>the week with Morgan. Number two, everybody's favorite segment. We've

0:33:53.440 --> 0:33:55.520
<v Speaker 1>been doing it a lot lately, and you guys are

0:33:55.680 --> 0:33:58.520
<v Speaker 1>loving every minute of it. This week we did blind

0:33:58.680 --> 0:34:03.080
<v Speaker 1>Karaoke two thousands Country edition, and it was a fun one.

0:34:03.120 --> 0:34:05.240
<v Speaker 1>I'm just gonna leave that there. It was a good time.

0:34:05.360 --> 0:34:07.920
<v Speaker 1>Here you go, let's listen to it. Number four, What

0:34:07.960 --> 0:34:10.359
<v Speaker 1>are you guys complaining about? I'm not sure I know anything.

0:34:10.400 --> 0:34:12.319
<v Speaker 1>I don't know. You don't know Big and Rich, save

0:34:12.360 --> 0:34:17.440
<v Speaker 1>a horse, Riddy cowboy. Really, it's not knowing the words,

0:34:17.560 --> 0:34:19.400
<v Speaker 1>it's knowing the melody and just singing words to it.

0:34:19.480 --> 0:34:23.480
<v Speaker 1>You know that. Yeah, playing blind karaoke and you can't

0:34:23.520 --> 0:34:25.560
<v Speaker 1>see any words. There are no words on the screen anywhere,

0:34:25.800 --> 0:34:28.200
<v Speaker 1>but you have to sing along with the track. Whoever

0:34:28.239 --> 0:34:31.839
<v Speaker 1>does the best wins. We're gonna say lunchbox nothing to lose. Yeah,

0:34:31.840 --> 0:34:37.160
<v Speaker 1>I never heard of is that Matt No nothing to lose?

0:34:38.920 --> 0:34:44.279
<v Speaker 1>That is Josh Grayson. I like that one. Yeah, yeah,

0:34:44.320 --> 0:34:46.640
<v Speaker 1>I like that one. Okay, here we go, we roll

0:34:46.719 --> 0:34:50.720
<v Speaker 1>the dice. Abby, you go first. You're a defending champion.

0:34:50.719 --> 0:34:52.400
<v Speaker 1>We're gonna spin the will whatever lands on. You have

0:34:52.480 --> 0:34:55.040
<v Speaker 1>to sing yes, Are you ready? Champ I think I am.

0:34:55.120 --> 0:35:05.400
<v Speaker 1>Here we go, let's I'm thinking the same day we

0:35:05.480 --> 0:35:10.200
<v Speaker 1>spoke my mind? Abby, you get redneck woman? Can we

0:35:10.239 --> 0:35:12.160
<v Speaker 1>play a little with the real song for audience? Please

0:35:12.440 --> 0:35:29.560
<v Speaker 1>call zimby red neck Man. I ain't ready, yo, I

0:35:29.680 --> 0:35:35.720
<v Speaker 1>ain't never man the Barbie doll time. No. I can't

0:35:35.719 --> 0:35:39.239
<v Speaker 1>swig that cheap champagne. I'd rather drink beer on that

0:35:39.840 --> 0:35:42.840
<v Speaker 1>in a tavern, orr in a honey tongue, or on

0:35:42.920 --> 0:35:47.120
<v Speaker 1>a four wheel draytail game. I have posters on my

0:35:47.360 --> 0:35:52.279
<v Speaker 1>wall skinner can't and straight. Some people live down on me,

0:35:53.160 --> 0:35:58.120
<v Speaker 1>but I don't give a rip. I stamp them with

0:35:58.360 --> 0:36:02.040
<v Speaker 1>a baby on my head a piszom me rest nick

0:36:02.560 --> 0:36:08.080
<v Speaker 1>mining past run. I'm just so product togs and not

0:36:08.320 --> 0:36:12.520
<v Speaker 1>say hey y'all. Ye huh, and I came by Christmas

0:36:12.640 --> 0:36:17.399
<v Speaker 1>last no on my from yeah young no no all

0:36:17.480 --> 0:36:22.040
<v Speaker 1>the words you will be Charlie Daniel song. So here's

0:36:22.160 --> 0:36:27.640
<v Speaker 1>all my sisters that they're keeping a country. You're beIN

0:36:27.840 --> 0:36:33.439
<v Speaker 1>a bag hair yeah from the Red Niggers on me. Yeah, yeah,

0:36:34.200 --> 0:36:36.840
<v Speaker 1>nice job. I tried to do last dancing because you

0:36:37.480 --> 0:36:39.480
<v Speaker 1>can I show? Can I can I say something? Can

0:36:39.520 --> 0:36:42.680
<v Speaker 1>I give you a note? Yes? I saw growth there,

0:36:42.960 --> 0:36:45.320
<v Speaker 1>not just for the game. I saw you forget words

0:36:45.400 --> 0:36:46.800
<v Speaker 1>and you started the lower your head and go like

0:36:46.840 --> 0:36:49.040
<v Speaker 1>I suck and you I gotta keep going. Okay, good.

0:36:49.239 --> 0:36:52.160
<v Speaker 1>I noticed you check yourself and go don't do that,

0:36:52.320 --> 0:36:55.359
<v Speaker 1>just keep going and you did. Okay, keep going as

0:36:55.520 --> 0:36:59.360
<v Speaker 1>your career. You want to sing, you did wonderfuleet, not

0:36:59.440 --> 0:37:01.239
<v Speaker 1>even in this game, in that and that's what you

0:37:01.280 --> 0:37:03.360
<v Speaker 1>have to do out there. Just keep going, okay, Judges,

0:37:03.520 --> 0:37:05.920
<v Speaker 1>Mike d Scuba steamiself right. Your scored down one through

0:37:06.000 --> 0:37:07.879
<v Speaker 1>ten for Abby. We'll check back in with you guys

0:37:07.920 --> 0:37:13.600
<v Speaker 1>in a second. She was good. Redneck woman got her score. Guys,

0:37:13.640 --> 0:37:15.680
<v Speaker 1>I don't think we can compete with that. Okay, you

0:37:15.760 --> 0:37:17.880
<v Speaker 1>can think that you want to be unch, don't you

0:37:17.920 --> 0:37:20.440
<v Speaker 1>have no chance? Next step? You never know what I'm

0:37:20.440 --> 0:37:23.320
<v Speaker 1>gonna get. Yeah, I've been pretty consistent when your scores

0:37:23.320 --> 0:37:27.600
<v Speaker 1>and be honest. Yeah yeah. Next up is producer Eddie.

0:37:28.680 --> 0:37:31.440
<v Speaker 1>Let's go. We've only played this game twice in last year,

0:37:31.480 --> 0:37:36.120
<v Speaker 1>and Eddie one one and Abbey won one. I know, Eddie,

0:37:36.160 --> 0:37:38.799
<v Speaker 1>what's your emotion right now? What are you feeling? Um?

0:37:39.160 --> 0:37:42.160
<v Speaker 1>You know? Two thousands country not really my strength. Here,

0:37:42.239 --> 0:37:43.959
<v Speaker 1>I'm looking at a couple of songs on the board.

0:37:44.160 --> 0:37:46.080
<v Speaker 1>I like Chicken Fried by Zach Brown. If I can

0:37:46.120 --> 0:37:48.279
<v Speaker 1>get that, dude, I will dominate. Oh okay, other than that,

0:37:48.600 --> 0:37:50.240
<v Speaker 1>good luck. I haven't been last time I said, ive

0:37:50.239 --> 0:37:54.160
<v Speaker 1>been dominant single word? Trust me, Chicken Fried? I got it,

0:37:54.239 --> 0:37:56.839
<v Speaker 1>chrowes me. Okay, here we go. Here's Eddie. We're gonna

0:37:56.840 --> 0:37:59.480
<v Speaker 1>spin the wheel and let's see what you get. What's spend?

0:38:02.000 --> 0:38:09.839
<v Speaker 1>Nothing to lose? Oh? God, flirt, there it is Eddie. Eddie,

0:38:09.880 --> 0:38:18.520
<v Speaker 1>you got chicken You know that? Let's I don't understand

0:38:19.280 --> 0:38:23.040
<v Speaker 1>like whenever he says it it lands on it. There's

0:38:23.120 --> 0:38:25.640
<v Speaker 1>any things suspicious, but I manifest things like give me

0:38:25.680 --> 0:38:28.400
<v Speaker 1>the lottery numbers and it doesn't happen yet. And it's amazing.

0:38:29.160 --> 0:38:31.160
<v Speaker 1>Five songs. It's like Eddie's got a one and it's

0:38:31.200 --> 0:38:33.439
<v Speaker 1>only ten percent. There's like ten lefs. That's so I'm saying.

0:38:33.480 --> 0:38:35.480
<v Speaker 1>But every time he does it, he hits it every time.

0:38:35.560 --> 0:38:38.240
<v Speaker 1>It's so stupid. You know that I'm a chicken friar. Okay,

0:38:38.320 --> 0:38:40.720
<v Speaker 1>are you ready? Yeah? Can I wait for an audience?

0:38:40.760 --> 0:38:42.879
<v Speaker 1>Can they please hear the song? And a little bit

0:38:42.960 --> 0:38:50.960
<v Speaker 1>of chicken Friday night? And three two one oh? This

0:38:51.080 --> 0:38:55.440
<v Speaker 1>is for Georgia out there, the land of the pine.

0:38:57.360 --> 0:39:02.000
<v Speaker 1>Is that all right? You know that I'm a chicken

0:39:02.080 --> 0:39:07.200
<v Speaker 1>fry cold beer on a Friday night. Hair jeans A

0:39:07.320 --> 0:39:12.839
<v Speaker 1>fit just right, and the radio. I like to see

0:39:12.880 --> 0:39:18.320
<v Speaker 1>the sun and fresh Hello my lover's eyes. Hair jeans

0:39:18.400 --> 0:39:23.520
<v Speaker 1>it fit just right, and the radio. Here we go.

0:39:24.160 --> 0:39:28.960
<v Speaker 1>I knew I grew up along the Georgia pines. That's home,

0:39:29.200 --> 0:39:33.080
<v Speaker 1>you know, me on signs and girls and homemade wine

0:39:33.800 --> 0:39:37.360
<v Speaker 1>where the peaches grow. There ain't not much to talk

0:39:37.480 --> 0:39:41.920
<v Speaker 1>about all night. That's what I call home. None, you know,

0:39:42.280 --> 0:39:46.800
<v Speaker 1>what's growing on southern ground with a little bit of

0:39:46.920 --> 0:39:50.880
<v Speaker 1>chicken Friday? Whoa cold beer on a Friday night, A

0:39:51.040 --> 0:39:56.840
<v Speaker 1>pair jeans, it fit just right, and the radio. I

0:39:57.000 --> 0:40:00.440
<v Speaker 1>like to see the sun rise, see the little my

0:40:00.560 --> 0:40:06.439
<v Speaker 1>woman's eye of a precious child and a mother's love.

0:40:09.120 --> 0:40:14.160
<v Speaker 1>There is I'm a chicken friar, Eddie had Well. First

0:40:14.200 --> 0:40:16.040
<v Speaker 1>of all, it's not You're not a chicken fry. I'm not.

0:40:16.320 --> 0:40:18.480
<v Speaker 1>I'm chicken. Hold on, what were you saying? You know

0:40:18.600 --> 0:40:20.680
<v Speaker 1>that I'm a chicken friar. You're out of your mind.

0:40:21.320 --> 0:40:24.000
<v Speaker 1>That's how it starts. No, because the song is called

0:40:24.080 --> 0:40:26.399
<v Speaker 1>chicken fried. Right's the words I've said it. I've saying

0:40:26.400 --> 0:40:28.239
<v Speaker 1>it wrong my whole life. Before I make fun of him,

0:40:28.239 --> 0:40:30.000
<v Speaker 1>I've been wrong in so many words. Ray, would you

0:40:30.040 --> 0:40:32.560
<v Speaker 1>pull up the zach round version I thought had started off?

0:40:33.160 --> 0:40:35.160
<v Speaker 1>You know I like my chicken fried? No no, no, no, no,

0:40:35.239 --> 0:40:37.479
<v Speaker 1>no no no no. You say you know I'm a chicken,

0:40:37.600 --> 0:40:39.680
<v Speaker 1>So it's zac right. He's the dude. You know I'm

0:40:39.680 --> 0:40:44.120
<v Speaker 1>a chicken friar. That's right. I'm gonna be shocked and

0:40:44.239 --> 0:40:46.520
<v Speaker 1>now I will take any punishment you get me for

0:40:46.800 --> 0:40:49.800
<v Speaker 1>judging you. Humh Okay, can we hear it please? You

0:40:49.920 --> 0:40:53.440
<v Speaker 1>know what, I'm a chicken friar. He's not a chicken friar, bro,

0:40:53.680 --> 0:40:55.520
<v Speaker 1>That's why did you not hear him? He said? You

0:40:55.560 --> 0:40:57.520
<v Speaker 1>know that I'm a chicken friar walking a Charlie chicken.

0:40:57.600 --> 0:40:59.239
<v Speaker 1>He's not frying out the chicken when you drive through.

0:40:59.560 --> 0:41:01.560
<v Speaker 1>What are you saying? I like my chicken fried? No?

0:41:01.800 --> 0:41:05.239
<v Speaker 1>Like No, I like my chicken fry. Wow. I thought

0:41:05.280 --> 0:41:06.960
<v Speaker 1>you just messed up. I don't know. I thought that's

0:41:07.000 --> 0:41:09.799
<v Speaker 1>what it said the whole time, my chicken fryar. Wow,

0:41:09.920 --> 0:41:12.200
<v Speaker 1>you're telling me I've been singing this wrong the whole time. Yes,

0:41:12.400 --> 0:41:16.400
<v Speaker 1>that's funny. You know that I'm not on purpose? Huh. Okay,

0:41:16.440 --> 0:41:18.279
<v Speaker 1>so he did pretty good. What do you feel about

0:41:18.280 --> 0:41:20.160
<v Speaker 1>the performance? Well? I missed words. I mean once that

0:41:20.320 --> 0:41:21.880
<v Speaker 1>verse started, I was kind of like, I didn't know

0:41:21.880 --> 0:41:25.440
<v Speaker 1>where it's going on. You went into that way early?

0:41:25.560 --> 0:41:30.000
<v Speaker 1>Oh are you talking crapping right? Always risking me in

0:41:30.040 --> 0:41:33.640
<v Speaker 1>the competition. I will say, I will say energy very low. Yeah,

0:41:33.719 --> 0:41:36.560
<v Speaker 1>that's an upbeat song. You're like, Oh, have you ever

0:41:36.719 --> 0:41:39.479
<v Speaker 1>seen Zach singing? He just stands there. I will say

0:41:39.960 --> 0:41:44.279
<v Speaker 1>that he's not chicken's wrong. You didn'ts up. It's gonna

0:41:44.280 --> 0:41:45.880
<v Speaker 1>miss up there, all right, And I don't judge as

0:41:46.000 --> 0:41:48.879
<v Speaker 1>much on that. Like you committed, you stayed on. It's

0:41:48.880 --> 0:41:50.560
<v Speaker 1>pretty good. It wasn't as good as you said, so

0:41:50.640 --> 0:41:52.080
<v Speaker 1>that kind of makes me go, well, he didn't love

0:41:52.160 --> 0:41:54.200
<v Speaker 1>up to expectations. But it's still pretty good. Yeah. I

0:41:54.320 --> 0:41:56.160
<v Speaker 1>was expecting to get volved. Okay, but Amy is really

0:41:56.239 --> 0:42:00.880
<v Speaker 1>killing herself for her performance. All this okay, karaoke, this

0:42:01.040 --> 0:42:03.279
<v Speaker 1>is the second half? Amy, are you ready ready? You

0:42:03.360 --> 0:42:06.920
<v Speaker 1>have a preference? Nope, of all these, no preference? You know,

0:42:07.040 --> 0:42:10.239
<v Speaker 1>a preference for life is a highway song. It's a

0:42:10.280 --> 0:42:14.200
<v Speaker 1>great day to be alive. Well, I used to cry

0:42:14.239 --> 0:42:15.560
<v Speaker 1>in the shower to that one. You can sit on

0:42:15.600 --> 0:42:17.600
<v Speaker 1>the ground if you get sit on the old water

0:42:17.640 --> 0:42:20.359
<v Speaker 1>on it's good direction. All right, here we go. Let's

0:42:29.000 --> 0:42:35.239
<v Speaker 1>our song. You're welcome. Yeah, don't miss and don't mess

0:42:36.200 --> 0:42:39.719
<v Speaker 1>this one. That's right, Taylor's the you critique Daddy's so hard,

0:42:39.760 --> 0:42:42.120
<v Speaker 1>And that's the song you wanted. Our song is your girl?

0:42:42.280 --> 0:42:44.360
<v Speaker 1>Come on, Taylor, you're a girl you and I wouldn't

0:42:44.360 --> 0:42:46.600
<v Speaker 1>care about you critiqu Daddy's so hard, he said, I'm

0:42:46.600 --> 0:42:50.960
<v Speaker 1>a chicken friar. I know that, okay, okay, um right.

0:42:51.000 --> 0:42:56.799
<v Speaker 1>Can we hear the original please? And he says song out.

0:42:58.480 --> 0:43:02.400
<v Speaker 1>Can we hear the instrumental? Please? Can you hear that?

0:43:02.440 --> 0:43:06.880
<v Speaker 1>Pretty good? Ammy? Amy? Yeah, I can hear him? Hear me?

0:43:07.400 --> 0:43:11.919
<v Speaker 1>Hello into a zone like she was like, not here,

0:43:12.560 --> 0:43:15.880
<v Speaker 1>Okayrvis go Ray? Are you ready to start it from scratch?

0:43:15.920 --> 0:43:22.000
<v Speaker 1>Here we go? Three to go, let's go Taylor Swift

0:43:22.520 --> 0:43:30.160
<v Speaker 1>two thousands, Okay, here we go. I was riding Shotgun

0:43:30.280 --> 0:43:33.439
<v Speaker 1>with my hair undone in the front seat of his car.

0:43:34.200 --> 0:43:37.080
<v Speaker 1>He had one hand here, the other on the steering wheel,

0:43:37.280 --> 0:43:41.920
<v Speaker 1>the other on my h turned down, turned the radio

0:43:42.239 --> 0:43:46.160
<v Speaker 1>up and then down the suthing on. She said, hey, baby,

0:43:46.440 --> 0:43:51.200
<v Speaker 1>are you good looking? Yeah? Listen, that's our song. And

0:43:51.440 --> 0:43:55.839
<v Speaker 1>he said, our song is the sascreen door sneaking up late,

0:43:55.920 --> 0:43:59.320
<v Speaker 1>tapping on your window when we're on the phone and

0:43:59.440 --> 0:44:02.600
<v Speaker 1>you talk real slow because it's late and your mama

0:44:02.680 --> 0:44:06.160
<v Speaker 1>don't know. Our song is a salmon door stream, a

0:44:06.360 --> 0:44:13.839
<v Speaker 1>bit like nomen enough and come home for I said, amen,

0:44:14.520 --> 0:44:20.799
<v Speaker 1>asking God if she wouldn't play it again? Pretty good?

0:44:22.640 --> 0:44:25.319
<v Speaker 1>That was good, okay, Lutch, what would you like to say?

0:44:25.320 --> 0:44:27.399
<v Speaker 1>About that. Oh man, I'll tell you what. I thought

0:44:27.440 --> 0:44:29.120
<v Speaker 1>she was gonna do terrible, but she did better. Not

0:44:29.239 --> 0:44:32.520
<v Speaker 1>thought it's between okay, it's a two person race right now.

0:44:32.600 --> 0:44:34.799
<v Speaker 1>I thought you would do better than that. I thought

0:44:34.800 --> 0:44:35.920
<v Speaker 1>you would know the words. He's saying that song on

0:44:35.920 --> 0:44:37.759
<v Speaker 1>ten thousand times, and then you asked for it specifically?

0:44:38.040 --> 0:44:39.960
<v Speaker 1>Did she not another one? I got most of the world.

0:44:40.360 --> 0:44:42.000
<v Speaker 1>To me, it sound like she was the words, So

0:44:42.160 --> 0:44:43.879
<v Speaker 1>I don't know the song then, and then the final

0:44:43.920 --> 0:44:47.640
<v Speaker 1>part of the whole course was and that was a remix. Oh,

0:44:47.680 --> 0:44:49.680
<v Speaker 1>I didn't know. You didn't know that. I got off

0:44:49.760 --> 0:44:52.000
<v Speaker 1>a little bit. Yeah, it's okay, okay, you forgot to

0:44:52.000 --> 0:44:55.520
<v Speaker 1>say remix my I could. I said, when you talk

0:44:55.600 --> 0:44:58.439
<v Speaker 1>real slow and DUT's talk real low because your mama

0:44:58.480 --> 0:45:01.160
<v Speaker 1>don't know. Oh, And then I was thinking about how

0:45:01.200 --> 0:45:02.560
<v Speaker 1>I messed that up in my head, and then it

0:45:02.640 --> 0:45:04.800
<v Speaker 1>derailed me. Did you I just have scored all have

0:45:04.920 --> 0:45:08.880
<v Speaker 1>one more performance? Get John Tommy as good as you

0:45:09.000 --> 0:45:11.880
<v Speaker 1>call lunchbox? Which what song would you like if we

0:45:11.960 --> 0:45:14.920
<v Speaker 1>were to spin it? Let's be honest, and none of

0:45:15.000 --> 0:45:17.360
<v Speaker 1>them I know that. Do you know? Life is a highway?

0:45:18.440 --> 0:45:23.239
<v Speaker 1>Life is a highway? Do it my way? That no, okay,

0:45:23.280 --> 0:45:24.960
<v Speaker 1>where's gonna spin it? All? Right? Here we go, let's go,

0:45:25.440 --> 0:45:28.680
<v Speaker 1>I know, uh you go laugh to the interstate all right?

0:45:28.840 --> 0:45:31.960
<v Speaker 1>Brings you right back to me? Carrington get directions only words,

0:45:31.960 --> 0:45:38.560
<v Speaker 1>I know though, So let's spine. What's it gonna be?

0:45:39.040 --> 0:45:42.120
<v Speaker 1>Headlining the show is Lunchbox and he'll be singing life

0:45:42.200 --> 0:45:45.759
<v Speaker 1>is a highway? Here is that song, Lunchbox? Can you

0:45:45.800 --> 0:45:47.200
<v Speaker 1>hear it all done? Can you hear? Yeah? It was

0:45:47.239 --> 0:45:48.919
<v Speaker 1>just really loud. I don't know how you guys listen

0:45:48.960 --> 0:45:55.239
<v Speaker 1>that loud? Okay, here we go blow my way. Oh,

0:45:57.400 --> 0:45:58.440
<v Speaker 1>I don't know how to get to that part, but

0:45:58.520 --> 0:46:00.800
<v Speaker 1>we're gonna go. Ray, can you play the instrumental for

0:46:00.840 --> 0:46:06.360
<v Speaker 1>a second? You want me to quell you? Okay? What

0:46:06.560 --> 0:46:09.480
<v Speaker 1>is he doing? If to que you? And when at

0:46:09.480 --> 0:46:11.239
<v Speaker 1>your turn to go? Yeah? Tell me when I say

0:46:11.320 --> 0:46:13.680
<v Speaker 1>life is a hole? And I telling you there is

0:46:13.680 --> 0:46:15.799
<v Speaker 1>a first before that there? Do you want to go here?

0:46:15.880 --> 0:46:16.920
<v Speaker 1>You want to just go? Here? We go? Want to

0:46:16.960 --> 0:46:18.879
<v Speaker 1>bunch in? Here we go? Boom boom, come on lunch

0:46:19.160 --> 0:46:25.080
<v Speaker 1>what what and go? I live my way gonna go,

0:46:25.320 --> 0:46:26.960
<v Speaker 1>it's coming, take a break? You keep it going? Yeah?

0:46:26.960 --> 0:46:29.600
<v Speaker 1>When I go wait, wait, wait, I'm starting again. Here

0:46:29.640 --> 0:46:33.439
<v Speaker 1>we go. And now when I go my way, it's

0:46:33.520 --> 0:46:39.560
<v Speaker 1>on the high way. Highway thirty five live in downtown

0:46:39.719 --> 0:46:45.279
<v Speaker 1>because it's my way or the highway. It's a nice view.

0:46:45.600 --> 0:46:48.680
<v Speaker 1>When you're on the high way. You take a run

0:46:48.880 --> 0:46:53.200
<v Speaker 1>trip back to Fa bas and you say, oh God,

0:46:53.480 --> 0:46:57.640
<v Speaker 1>bless the broken roll because life is a high way.

0:46:58.000 --> 0:47:02.239
<v Speaker 1>Oh no, he's a high way. We're gonna go my way.

0:47:02.640 --> 0:47:07.080
<v Speaker 1>But one day we're all gonna die. Oh no, no, no,

0:47:07.360 --> 0:47:10.880
<v Speaker 1>yeah no, but hopefully it's not on the highway. Hopefully

0:47:10.920 --> 0:47:22.600
<v Speaker 1>it's in your bed my way. Expect Oh we're all

0:47:22.640 --> 0:47:24.840
<v Speaker 1>gonna die. I'm sad. I feel sadday. That song had

0:47:24.880 --> 0:47:27.520
<v Speaker 1>a sad song, but hopefully not the high way. Yeah,

0:47:27.520 --> 0:47:29.960
<v Speaker 1>you don't want to die in the highway. No, okay, okay,

0:47:30.480 --> 0:47:34.000
<v Speaker 1>let's gift scores here trying to loved ones on the

0:47:34.040 --> 0:47:36.880
<v Speaker 1>bed like I love the energy. Yeah, you had more energy.

0:47:37.200 --> 0:47:39.360
<v Speaker 1>They can even think to bring as much energy, but

0:47:39.480 --> 0:47:41.239
<v Speaker 1>they don't know how to bring a candi visualize. They're

0:47:41.280 --> 0:47:43.839
<v Speaker 1>trying to hit vocal notes and we're trying to actually sing.

0:47:43.920 --> 0:47:45.920
<v Speaker 1>It's weird, right, what are you trying to do exactly? Me.

0:47:46.040 --> 0:47:47.440
<v Speaker 1>I was trying to sing, but I just don't know

0:47:47.520 --> 0:47:49.799
<v Speaker 1>that song, man, I don't think. Yeah, I know life

0:47:49.880 --> 0:47:53.520
<v Speaker 1>is Highway. Okay, that's it. Um okay, you try me

0:47:53.560 --> 0:47:55.160
<v Speaker 1>the first line of that song. Then it goes the

0:47:55.280 --> 0:47:58.759
<v Speaker 1>times of games and the times. Yeah, I would have

0:47:58.800 --> 0:48:00.920
<v Speaker 1>struggled with that on it had to make stuf. Thomas

0:48:00.960 --> 0:48:03.799
<v Speaker 1>was dancing, and Thomas was sad. Hey, everybody just don't

0:48:03.880 --> 0:48:05.920
<v Speaker 1>be mad. Here we go. We're going to dance and

0:48:06.000 --> 0:48:09.120
<v Speaker 1>show because everybody knows all about I just had stuff

0:48:09.120 --> 0:48:11.680
<v Speaker 1>like that, like very grey doc stuff. Yeah, I mean,

0:48:11.880 --> 0:48:14.000
<v Speaker 1>you wouldn't say we're all gonna die, but hopefully not.

0:48:14.719 --> 0:48:18.359
<v Speaker 1>I did, like, hopefully we're signing about with our loved wins.

0:48:18.360 --> 0:48:20.560
<v Speaker 1>I liked that one too. That was nice, little, very peaceful.

0:48:20.800 --> 0:48:26.319
<v Speaker 1>Um okay, wow, okay, I'm looking at the scores here. Wow,

0:48:26.840 --> 0:48:28.319
<v Speaker 1>I got a feeling I did not win that one.

0:48:28.560 --> 0:48:30.560
<v Speaker 1>That was That was my worst performance. Yeah, that was

0:48:30.640 --> 0:48:34.360
<v Speaker 1>the worst. Okay, I think I haven't got this, Amy,

0:48:34.400 --> 0:48:38.319
<v Speaker 1>you did not win. You got eighteen points eighteen. That's big.

0:48:38.520 --> 0:48:41.279
<v Speaker 1>That's a big that means. No, what are you calculating there, Amy,

0:48:41.560 --> 0:48:43.800
<v Speaker 1>I'm writing down eighteen? Why are we gonna put that

0:48:43.800 --> 0:48:46.279
<v Speaker 1>into your scrapbook. You didn't win, he said, you didn't win.

0:48:46.880 --> 0:48:49.000
<v Speaker 1>But last time you got sixteen, you got better. And

0:48:49.080 --> 0:48:51.080
<v Speaker 1>that's that's what I mean. The scores are higher than

0:48:51.160 --> 0:48:55.680
<v Speaker 1>last guy like hype Man. One of the judges gave

0:48:55.760 --> 0:49:00.759
<v Speaker 1>lunchboxes zero, the first ever zero. You're oh, yeah, how's

0:49:00.760 --> 0:49:03.480
<v Speaker 1>that possible? Scoopa gave me a zero, saying your job

0:49:03.600 --> 0:49:06.840
<v Speaker 1>gave me a zero, but lunchbox was given a zero

0:49:06.960 --> 0:49:09.279
<v Speaker 1>by the guy to his room gave me a zero.

0:49:09.320 --> 0:49:14.600
<v Speaker 1>I was a highwayman. Lunch total score of twelve. I

0:49:14.640 --> 0:49:16.600
<v Speaker 1>would have won. Mike, you want to give me some point?

0:49:16.719 --> 0:49:19.879
<v Speaker 1>You know you wouldn't have No, you wouldn't have no. Okay,

0:49:20.480 --> 0:49:22.879
<v Speaker 1>that's one point game between so I got a six

0:49:22.960 --> 0:49:27.040
<v Speaker 1>and the six. There's a one point difference here. Yeah, yeah, yeah,

0:49:27.680 --> 0:49:31.120
<v Speaker 1>So it's not Eddie or Abbey. I'll tell you this, Eddie, Eddie,

0:49:31.160 --> 0:49:35.560
<v Speaker 1>you got a twenty twenty. I mean, Amy, did you

0:49:35.640 --> 0:49:37.480
<v Speaker 1>not see my performance? It was so feel like I

0:49:37.640 --> 0:49:41.120
<v Speaker 1>were very similar. Really, yes, and Abby you got a

0:49:41.160 --> 0:49:51.520
<v Speaker 1>twenty one one na Finni champion, be back next time.

0:49:52.680 --> 0:49:56.239
<v Speaker 1>It's the best Bits of the week with Morgan number

0:49:56.239 --> 0:50:00.800
<v Speaker 1>two now This was a controversial one because Eddie charged

0:50:00.880 --> 0:50:03.520
<v Speaker 1>phone screen or Abbey. She needed some help in making

0:50:03.560 --> 0:50:05.960
<v Speaker 1>a reel and he charged her for it. Listen, this

0:50:06.080 --> 0:50:08.080
<v Speaker 1>segment just makes me angry in a lot of ways

0:50:08.160 --> 0:50:11.480
<v Speaker 1>because Eddie isn't even the digital director. One he shouldn't

0:50:11.480 --> 0:50:13.840
<v Speaker 1>be charging, but two he's not even one that should

0:50:13.840 --> 0:50:16.200
<v Speaker 1>be giving advice or helping on reels. He may know

0:50:16.280 --> 0:50:18.200
<v Speaker 1>how to edit videos and he's very good at that.

0:50:18.360 --> 0:50:20.560
<v Speaker 1>I give him that credit, but he's had to ask

0:50:20.800 --> 0:50:23.600
<v Speaker 1>for my help in making reels. So um, I guess

0:50:23.640 --> 0:50:26.600
<v Speaker 1>where's like my five hundred dollars that Eddie should have

0:50:26.719 --> 0:50:28.719
<v Speaker 1>probably paid me by now, if this is what we're

0:50:28.719 --> 0:50:31.640
<v Speaker 1>going with. Number three, these are a few questions on

0:50:31.760 --> 0:50:35.080
<v Speaker 1>the b team facebook page. Number one, did Bobby say

0:50:35.200 --> 0:50:38.160
<v Speaker 1>quote lay down refrigerator that people took meat out of?

0:50:39.040 --> 0:50:42.759
<v Speaker 1>I'm laughing out loud of that hillbilly, you did say that.

0:50:42.880 --> 0:50:45.320
<v Speaker 1>I don't what is it? The freezer in the garage?

0:50:45.480 --> 0:50:48.680
<v Speaker 1>People that have extra refrigerators in the garage and age

0:50:49.360 --> 0:50:52.080
<v Speaker 1>that's a freezers? I mean, that makes me a hillbilly.

0:50:52.120 --> 0:50:54.000
<v Speaker 1>Got to know that there are other things? Ain't mean

0:50:54.000 --> 0:50:55.680
<v Speaker 1>a hillbilly. I didn't know that was it, and I

0:50:55.760 --> 0:50:58.000
<v Speaker 1>think it's the fact that you called it a laidown refrigerator.

0:50:58.160 --> 0:50:59.759
<v Speaker 1>That's what it was in my mind. But it looks

0:50:59.760 --> 0:51:01.719
<v Speaker 1>like we could barely afford to stand out refrigerator, much

0:51:01.760 --> 0:51:04.160
<v Speaker 1>less a laid down one a second one. So that

0:51:04.320 --> 0:51:06.960
<v Speaker 1>was a freeze where I saw things coming out of

0:51:06.960 --> 0:51:09.160
<v Speaker 1>there was the real name of it, though, the lay

0:51:09.200 --> 0:51:11.920
<v Speaker 1>down deep freezer. Deep freezer. That's yeah, dude, not lay

0:51:11.960 --> 0:51:20.799
<v Speaker 1>down fridge. Chuckles. Hey, chuckles, he liked that. I'm an idiot. Okay,

0:51:20.920 --> 0:51:23.279
<v Speaker 1>this is from Christy. Hey, I'd like to think of

0:51:23.360 --> 0:51:26.160
<v Speaker 1>myself as a big show fan. I listened consistently for

0:51:26.200 --> 0:51:28.960
<v Speaker 1>about a decade, maybe longer. I know they obviously have

0:51:29.080 --> 0:51:30.759
<v Speaker 1>other tech and men people who worked for the show,

0:51:30.800 --> 0:51:32.839
<v Speaker 1>but I was listening to a podcast. I literally found

0:51:32.880 --> 0:51:34.919
<v Speaker 1>myself out lout and say, who the blank is Kevin?

0:51:35.920 --> 0:51:37.560
<v Speaker 1>When Bobby asked him who his team was he put

0:51:37.600 --> 0:51:40.200
<v Speaker 1>in the draft? Anyone else react like me, Yes, Kevin

0:51:40.239 --> 0:51:42.200
<v Speaker 1>works behind the scenes, and I guess I just referred

0:51:42.200 --> 0:51:44.719
<v Speaker 1>to him, and someone's like, who's that. It's like a

0:51:44.760 --> 0:51:47.840
<v Speaker 1>new character just showing up and they don't address It's true, Yeah, character,

0:51:48.400 --> 0:51:50.239
<v Speaker 1>Kevin works behind the scenes on the show, and he's

0:51:50.239 --> 0:51:53.399
<v Speaker 1>also on my sports podcast, So that is you're sorry

0:51:53.400 --> 0:51:55.480
<v Speaker 1>about that. I should have set it up. Here's another one.

0:51:55.719 --> 0:51:58.200
<v Speaker 1>Is it just me or have there been more artist

0:51:58.239 --> 0:52:01.799
<v Speaker 1>interviews lately? That's a good question. Maybe so. I think

0:52:01.840 --> 0:52:04.480
<v Speaker 1>we do interviews in seasons, meaning sometimes there's just a

0:52:04.560 --> 0:52:07.000
<v Speaker 1>lot of good ones. We turn a lot down, but

0:52:07.080 --> 0:52:10.879
<v Speaker 1>we never go, let's do more interviews. For example, Richard Marks,

0:52:10.960 --> 0:52:12.640
<v Speaker 1>that wasn't an interview we had planned. That was just

0:52:12.760 --> 0:52:14.680
<v Speaker 1>him reposting Abby and we went, let's see if we

0:52:14.680 --> 0:52:16.680
<v Speaker 1>can get him on to talk to him. So sometimes

0:52:16.719 --> 0:52:19.840
<v Speaker 1>I was organic things happen, But I don't know, Scooby,

0:52:19.960 --> 0:52:21.840
<v Speaker 1>there's been a lot more interviews lately. I feel like

0:52:22.080 --> 0:52:24.680
<v Speaker 1>summer is always busier with artists as they're doing their

0:52:24.680 --> 0:52:26.919
<v Speaker 1>albums and they're getting for tours. Yeah, so I feel like, yeah,

0:52:26.920 --> 0:52:28.440
<v Speaker 1>they are right, we have a lot, had a lot

0:52:28.480 --> 0:52:31.200
<v Speaker 1>more last few months. I'm not disagreeing at all, but

0:52:31.320 --> 0:52:32.759
<v Speaker 1>we purposely, I'm not sat in the room and said

0:52:32.840 --> 0:52:34.440
<v Speaker 1>let's get all more interviews. Yeah, it wasn't on purpose. No.

0:52:35.120 --> 0:52:37.719
<v Speaker 1>One final question from the B team is Eddie still

0:52:37.800 --> 0:52:41.359
<v Speaker 1>doing reels? Eddie? Yeah, I'm still doing reels making money?

0:52:42.440 --> 0:52:46.759
<v Speaker 1>Dang right, why do you He's gone, yes, I am,

0:52:46.840 --> 0:52:49.799
<v Speaker 1>I'm making good money doing reels. So also, the bonuses

0:52:49.840 --> 0:52:53.040
<v Speaker 1>aren't for ongoing forever? What do you mean? Every month?

0:52:53.120 --> 0:52:54.680
<v Speaker 1>It says do you want to renew your bonus? And

0:52:54.760 --> 0:52:57.600
<v Speaker 1>I say yes, absolutely, Instagram keeps paying you. Yeah, have

0:52:57.719 --> 0:53:00.080
<v Speaker 1>you got the money? Oh? Yeah? My wife says, I

0:53:00.200 --> 0:53:02.440
<v Speaker 1>keep getting checks from Instagram, Like what is it. I'm like, oh,

0:53:02.480 --> 0:53:05.440
<v Speaker 1>it's my reels. Pretty good? Huh. Are you proud of daddy?

0:53:06.239 --> 0:53:09.000
<v Speaker 1>So I say that to her, yeah, sometimes because she

0:53:09.120 --> 0:53:11.200
<v Speaker 1>likes that. She's like, that's funny. When when you say that,

0:53:11.520 --> 0:53:14.560
<v Speaker 1>how much money? I can't thank you guys, that's the

0:53:14.600 --> 0:53:17.320
<v Speaker 1>biggest check you ever got. I can't. I can't. I

0:53:17.400 --> 0:53:19.080
<v Speaker 1>can't ask an artist and ever again, like when are

0:53:19.080 --> 0:53:21.239
<v Speaker 1>we talking about money? And like, okay, what's the song

0:53:21.280 --> 0:53:22.800
<v Speaker 1>on the page of the most? If I don't answer

0:53:22.840 --> 0:53:25.200
<v Speaker 1>my question, I can't in good faith asking an artist

0:53:25.239 --> 0:53:26.879
<v Speaker 1>that question. I can tell you what real has paid

0:53:26.920 --> 0:53:28.920
<v Speaker 1>me the most. No, I don't care in that in

0:53:29.040 --> 0:53:30.799
<v Speaker 1>that kind of format, and I take it. I'll take

0:53:30.840 --> 0:53:33.080
<v Speaker 1>it go. Yeah, Dirk's Bentley riding a bike. Yeah, because

0:53:33.080 --> 0:53:35.600
<v Speaker 1>he's got the most course. I mean I got that

0:53:35.719 --> 0:53:38.600
<v Speaker 1>was a good paycheck. Really, Yeah, dude, you can tell

0:53:38.600 --> 0:53:40.400
<v Speaker 1>any of us. No, I can't tell you guys. By

0:53:40.440 --> 0:53:42.239
<v Speaker 1>the way, Abby says, Eddie wants to charge her to

0:53:42.320 --> 0:53:45.200
<v Speaker 1>make reels. Eddie's been charging people. I've already charged her.

0:53:45.719 --> 0:53:49.000
<v Speaker 1>What all sales are final? Yes, Eddie charged you money?

0:53:49.080 --> 0:53:51.080
<v Speaker 1>Who did? Yeah? He helped me with my last real

0:53:51.360 --> 0:53:54.480
<v Speaker 1>what happened? Um? So I had what I wanted to

0:53:54.520 --> 0:53:57.040
<v Speaker 1>make one about Richard Marks and act like I'm like

0:53:57.120 --> 0:53:59.040
<v Speaker 1>waiting for him to call, Like I'm right here waiting,

0:53:59.440 --> 0:54:02.640
<v Speaker 1>have you right? Yeah? Yes, I wanted to have the

0:54:02.760 --> 0:54:05.200
<v Speaker 1>music of his song actually like playing in the background

0:54:05.280 --> 0:54:07.480
<v Speaker 1>while I'm sitting there like waiting for the call. But

0:54:07.560 --> 0:54:09.520
<v Speaker 1>I didn't know how to do that, like on Instagram,

0:54:09.640 --> 0:54:11.879
<v Speaker 1>how you can just like put the charge you Yes,

0:54:12.520 --> 0:54:15.040
<v Speaker 1>you paid him? Hear me out the Morgan number twenties

0:54:15.120 --> 0:54:18.040
<v Speaker 1>start charging Eddie? Wow, let me you want to hear

0:54:18.080 --> 0:54:21.320
<v Speaker 1>my side of the story. Mind blown? You got fifteen seconds?

0:54:21.400 --> 0:54:22.759
<v Speaker 1>She came to me and said, hey, can you help

0:54:22.800 --> 0:54:24.239
<v Speaker 1>me with this? I said, yeah, and do that or

0:54:24.320 --> 0:54:26.000
<v Speaker 1>if you need to just download an app and there's

0:54:26.000 --> 0:54:27.839
<v Speaker 1>apps for that, And she goes Okay, she spent about

0:54:27.880 --> 0:54:29.680
<v Speaker 1>thirty minutes. I can't do it. And I was like, well,

0:54:29.840 --> 0:54:31.520
<v Speaker 1>I guess I can do it on my system, but

0:54:31.600 --> 0:54:32.960
<v Speaker 1>I'll have to charge you for that. How much you

0:54:33.120 --> 0:54:36.160
<v Speaker 1>charge her? Five dollars? That's so dumb. Five dollars. She

0:54:36.360 --> 0:54:40.840
<v Speaker 1>probably makes Nobody help Eddie do anything, and less you

0:54:41.000 --> 0:54:44.840
<v Speaker 1>charge him? Yep, that's right, she's making money on Really

0:54:45.480 --> 0:54:48.759
<v Speaker 1>help me get me on a reel. Have you ever

0:54:48.800 --> 0:54:51.520
<v Speaker 1>helped Eddie with anything? Yes? I have multiple times, So

0:54:51.760 --> 0:54:54.960
<v Speaker 1>like one hundred and fifty bucks now, probably no help Eddie.

0:54:55.040 --> 0:54:57.319
<v Speaker 1>Eddie's on probation. Don't help him. What if I give

0:54:57.360 --> 0:54:59.560
<v Speaker 1>her five bucks? About right now? You're in there, you're

0:54:59.600 --> 0:55:01.240
<v Speaker 1>in the doll Does that mean he has to pass

0:55:01.400 --> 0:55:03.239
<v Speaker 1>if he uses in? Is real too? No, that's not

0:55:03.400 --> 0:55:06.000
<v Speaker 1>the case. We already had that. Yes, that's said and done. Wow,

0:55:06.000 --> 0:55:07.799
<v Speaker 1>I can't believe you charged your act and he told

0:55:07.840 --> 0:55:10.480
<v Speaker 1>me no refunds. He's like, there's no whole refinal. That's

0:55:10.480 --> 0:55:13.319
<v Speaker 1>what I said. How did you pay him? Casca? Because

0:55:13.320 --> 0:55:15.200
<v Speaker 1>I knew her the Dollar store? No listen, because I

0:55:15.280 --> 0:55:17.200
<v Speaker 1>knew when she was gonna use Richard Mark's music. There

0:55:17.280 --> 0:55:19.719
<v Speaker 1>was a big, good chance they'll get flagged and not

0:55:19.800 --> 0:55:21.200
<v Speaker 1>and be pulled. So I was like, Hey, all sales

0:55:21.239 --> 0:55:22.719
<v Speaker 1>are final. I can't believe this. I'm a little bit

0:55:22.760 --> 0:55:24.960
<v Speaker 1>in shock. What do you mean? Hey, that's real. That's

0:55:25.000 --> 0:55:27.399
<v Speaker 1>a business and I'm in the business and making money.

0:55:27.480 --> 0:55:30.000
<v Speaker 1>It took him like two minutes. Also, Okay, I'm over this.

0:55:30.560 --> 0:55:32.560
<v Speaker 1>Kane Brown like I love country music. We're gonna play this.

0:55:32.719 --> 0:55:35.840
<v Speaker 1>Nobody helped Eddie? Okay for how long? If he's on

0:55:35.840 --> 0:55:37.440
<v Speaker 1>the side of a broken leg, needs to ride? Don't

0:55:37.480 --> 0:55:43.040
<v Speaker 1>whoa broken leg unless he pays you? All right? It's

0:55:43.120 --> 0:55:46.600
<v Speaker 1>the best bits of the week with Morgan. Number two

0:55:50.160 --> 0:55:53.040
<v Speaker 1>definitely a segment you all loved this week. In hearing,

0:55:53.239 --> 0:55:56.960
<v Speaker 1>Amy talked about her daughter who is newly in high

0:55:57.040 --> 0:56:00.839
<v Speaker 1>school and she had a fun speech assignment. She had

0:56:00.880 --> 0:56:02.800
<v Speaker 1>to answer the question who would she like to have

0:56:02.960 --> 0:56:06.760
<v Speaker 1>dinner with? And her answer was not something that Amy

0:56:07.000 --> 0:56:09.360
<v Speaker 1>or any of us expected for her to say, but

0:56:09.560 --> 0:56:12.560
<v Speaker 1>it was a really sweet and really mature response, and

0:56:12.640 --> 0:56:16.960
<v Speaker 1>Amy shared that entire story. So here it is. Number two.

0:56:17.960 --> 0:56:21.839
<v Speaker 1>Kids are back at school. Yes, yeah, I mean we're

0:56:22.719 --> 0:56:24.959
<v Speaker 1>both kids are doing so great. And I'm so proud

0:56:25.000 --> 0:56:27.560
<v Speaker 1>of my daughter because one of the classes she's enrolled

0:56:27.640 --> 0:56:30.680
<v Speaker 1>in is a speech class, and her first speech was

0:56:30.840 --> 0:56:34.080
<v Speaker 1>last week and she was super nervous. Amy's daughter, by

0:56:34.120 --> 0:56:37.279
<v Speaker 1>the way, if you're new, was adopted from Haiti and

0:56:38.239 --> 0:56:40.839
<v Speaker 1>has a very thick accent. Still she still does yeah,

0:56:41.080 --> 0:56:44.319
<v Speaker 1>and it's still learning English, but she's pretty good. Yeah. Oh,

0:56:44.400 --> 0:56:48.719
<v Speaker 1>she texts me like a businessman. Are all of your

0:56:49.600 --> 0:56:52.560
<v Speaker 1>things going well? Any objectives you need to help? I'm

0:56:52.560 --> 0:56:55.279
<v Speaker 1>like to share. You're like fifteen. I look forward to that. Yes,

0:56:55.840 --> 0:56:58.120
<v Speaker 1>I look forward to seeing you soon. So she's in

0:56:58.200 --> 0:57:01.120
<v Speaker 1>a speech class with other English speaking kids, like normal,

0:57:01.160 --> 0:57:04.359
<v Speaker 1>straight up yeah awesome. So she has to get up

0:57:04.400 --> 0:57:07.480
<v Speaker 1>in front of the class and deliver the speech. Last week,

0:57:07.520 --> 0:57:09.920
<v Speaker 1>I think the speech was about communication, and then this

0:57:10.160 --> 0:57:13.560
<v Speaker 1>week they took it a little deeper and they had

0:57:13.600 --> 0:57:16.919
<v Speaker 1>to write about who they would have dinner with. Debt

0:57:17.000 --> 0:57:19.200
<v Speaker 1>or alive. The person could be opening it up to

0:57:19.280 --> 0:57:22.560
<v Speaker 1>dead people. I don't know that. I like that though.

0:57:22.640 --> 0:57:26.360
<v Speaker 1>Is the game? It just Jesus is always the answer, right,

0:57:26.360 --> 0:57:30.680
<v Speaker 1>of course? She debated that or Abe Lincoln. Sure, I

0:57:30.800 --> 0:57:34.600
<v Speaker 1>like just doing alive because it limits your options of

0:57:34.720 --> 0:57:39.520
<v Speaker 1>I mean, George Washington anyone? Yeah? Real cool? Yeah, like

0:57:39.600 --> 0:57:41.400
<v Speaker 1>if you don't pick them, you're always a bad guy.

0:57:42.360 --> 0:57:45.040
<v Speaker 1>So what did she say? So all on her own,

0:57:45.560 --> 0:57:47.400
<v Speaker 1>she brought it to me because she needed help printing

0:57:47.440 --> 0:57:49.400
<v Speaker 1>it out, and she likes to review and go over it.

0:57:50.080 --> 0:57:51.960
<v Speaker 1>So I pull it up, I print it out, and

0:57:52.080 --> 0:57:55.400
<v Speaker 1>she starts reading it, and she said, if I could

0:57:55.440 --> 0:57:58.360
<v Speaker 1>have dinner with anybody debt or alive, it would be

0:57:58.520 --> 0:58:03.360
<v Speaker 1>my biological parents. And then she went into I would

0:58:03.360 --> 0:58:06.160
<v Speaker 1>ask my mom, you know, And I got her permission

0:58:06.160 --> 0:58:07.960
<v Speaker 1>to share this, by the way, and she's delivering it

0:58:08.000 --> 0:58:09.520
<v Speaker 1>in front of her whole class, but she said that

0:58:09.560 --> 0:58:11.160
<v Speaker 1>we could talk about it here because I was just

0:58:11.280 --> 0:58:13.800
<v Speaker 1>so proud of who she's turning into. But she said

0:58:14.560 --> 0:58:17.640
<v Speaker 1>she would like to ask her mom why she dropped

0:58:17.680 --> 0:58:19.640
<v Speaker 1>her off at the orphanage at five and a half

0:58:19.720 --> 0:58:22.280
<v Speaker 1>years old. And then she said, also, I would like

0:58:22.400 --> 0:58:24.520
<v Speaker 1>to know if my dad is alive or dead, because

0:58:24.560 --> 0:58:27.760
<v Speaker 1>I don't know. The last time she remembers seeing him,

0:58:27.800 --> 0:58:30.720
<v Speaker 1>he dropped her off at school and she burned her

0:58:31.280 --> 0:58:33.760
<v Speaker 1>left leg on his motorcycle and she still has a

0:58:33.800 --> 0:58:36.000
<v Speaker 1>scar on her leg, and she's like, that's why I

0:58:36.120 --> 0:58:40.200
<v Speaker 1>remember that day. But she has no idea where he

0:58:40.480 --> 0:58:44.240
<v Speaker 1>is but she remembers her mom, and then that is

0:58:44.320 --> 0:58:46.840
<v Speaker 1>her speech. I mean, she has some other words in there,

0:58:46.880 --> 0:58:51.320
<v Speaker 1>and then the last sentence is her understanding the need

0:58:51.440 --> 0:58:54.680
<v Speaker 1>for this separation. She called it from them, and that

0:58:54.840 --> 0:58:59.160
<v Speaker 1>she forgives them. That is a lot. I know she

0:58:59.200 --> 0:59:02.200
<v Speaker 1>would just pick up piece of paper and stumble into yeah.

0:59:02.360 --> 0:59:06.040
<v Speaker 1>And I mean, I'm sure she's delivering it well. She

0:59:06.240 --> 0:59:08.520
<v Speaker 1>is today or you know, after lunch or something is

0:59:08.520 --> 0:59:11.400
<v Speaker 1>when she has that class. And she stood before me

0:59:11.480 --> 0:59:14.440
<v Speaker 1>and my sister and practiced over and over, and she's

0:59:14.440 --> 0:59:16.520
<v Speaker 1>already getting so much better from last week. She could

0:59:16.520 --> 0:59:18.920
<v Speaker 1>barely deliver the speech without fidgeting and moving around, and

0:59:19.000 --> 0:59:22.000
<v Speaker 1>she was so nervous, and then this one being so personal.

0:59:22.480 --> 0:59:24.600
<v Speaker 1>I was just proud of her and the delivery. And

0:59:24.760 --> 0:59:27.320
<v Speaker 1>I'm just sending her all the good vibes for today.

0:59:27.440 --> 0:59:29.320
<v Speaker 1>I can understand why you'd be proud. I can also

0:59:29.440 --> 0:59:33.720
<v Speaker 1>understand why that would hurt a little bit, even though

0:59:33.760 --> 0:59:35.919
<v Speaker 1>you know it shouldn't hurt, and it when you think

0:59:36.040 --> 0:59:39.040
<v Speaker 1>through it, you can probably think yourself into it not hurting,

0:59:39.600 --> 0:59:43.480
<v Speaker 1>because right she has oh, I logical parents. Yes, I

0:59:44.360 --> 0:59:48.560
<v Speaker 1>know I am her second mom and that I hope

0:59:48.640 --> 0:59:52.560
<v Speaker 1>she gets to reunite with her birth mom one day. Unfortunately,

0:59:52.640 --> 0:59:54.720
<v Speaker 1>Haiti is just not in a position. I thought we

0:59:54.760 --> 0:59:56.680
<v Speaker 1>would have gone back there by now, but it's just

0:59:56.880 --> 0:59:59.000
<v Speaker 1>in such turmoil it's not safe for us to go.

0:59:59.560 --> 1:00:02.000
<v Speaker 1>And she did ask that a couple of weeks ago,

1:00:02.040 --> 1:00:03.400
<v Speaker 1>when do you think we're going to be able to go?

1:00:04.120 --> 1:00:06.200
<v Speaker 1>And I just was honest with her and I said, oh, yeah,

1:00:06.320 --> 1:00:10.920
<v Speaker 1>I don't know that hurt you a little bit. I don't, no,

1:00:11.120 --> 1:00:12.800
<v Speaker 1>I mean, I just want to make sure. I think

1:00:12.840 --> 1:00:17.600
<v Speaker 1>it makes me question am I doing the role that

1:00:17.760 --> 1:00:21.040
<v Speaker 1>she needs? Like is she trying to go find her parents?

1:00:21.080 --> 1:00:24.200
<v Speaker 1>Because I'm not fulfilling that role for her. But that's

1:00:24.240 --> 1:00:26.040
<v Speaker 1>just a I know, that's a lie that pops up

1:00:26.040 --> 1:00:29.120
<v Speaker 1>into my head real quick. And I'm glad that yes,

1:00:29.320 --> 1:00:31.520
<v Speaker 1>and I'm glad I can reset and know the truth

1:00:31.720 --> 1:00:35.000
<v Speaker 1>and that I am. She does see me as mom,

1:00:35.360 --> 1:00:37.760
<v Speaker 1>and I'm reminded that every time, you know, I call

1:00:37.840 --> 1:00:40.800
<v Speaker 1>her and she answers the phone hello mother, and that

1:00:41.000 --> 1:00:48.600
<v Speaker 1>hello mother. But anytime my kids call me mom, I

1:00:48.760 --> 1:00:52.280
<v Speaker 1>am reminded, well, they see me as that because their

1:00:52.360 --> 1:00:55.440
<v Speaker 1>first year here, sometimes it was mom and then sometimes

1:00:55.480 --> 1:01:00.720
<v Speaker 1>it was Amy. So there was some growing pains. Good here,

1:01:00.760 --> 1:01:02.520
<v Speaker 1>we are good. I'm proud of her for doing that,

1:01:02.760 --> 1:01:04.560
<v Speaker 1>for being comfortable enough to do that in front of you,

1:01:05.080 --> 1:01:07.600
<v Speaker 1>in front of her class. No, no, no, oh, yes,

1:01:08.040 --> 1:01:10.160
<v Speaker 1>in front of me. Yes. Yeah, I've been able to

1:01:10.200 --> 1:01:11.320
<v Speaker 1>write that and do it in front of you and

1:01:11.440 --> 1:01:13.520
<v Speaker 1>at the end to say and I forgive them right.

1:01:13.520 --> 1:01:16.600
<v Speaker 1>It's a complicated thing. It's very complicated. And I imagine

1:01:16.640 --> 1:01:19.640
<v Speaker 1>as she's fifteen sixteen, as she grows into an adult,

1:01:19.920 --> 1:01:22.800
<v Speaker 1>there's going to be more curiosity and more questions, and

1:01:22.960 --> 1:01:25.120
<v Speaker 1>I just want to be there for her in the process.

1:01:25.480 --> 1:01:29.160
<v Speaker 1>I would imagine her curiosity and appreciation fluctuates like the

1:01:29.200 --> 1:01:32.920
<v Speaker 1>stock market as the years go by, because I think

1:01:32.960 --> 1:01:37.080
<v Speaker 1>as she gets older, the appreciation for you will grow,

1:01:38.040 --> 1:01:40.880
<v Speaker 1>but her curiosity will as well. You know, as I

1:01:41.040 --> 1:01:43.640
<v Speaker 1>got older and I wasn't adopted in the same way.

1:01:43.680 --> 1:01:45.680
<v Speaker 1>I was adopted a bit by my grandmother and didn't

1:01:45.720 --> 1:01:49.160
<v Speaker 1>have a dad and all that story. But my appreciation

1:01:49.240 --> 1:01:50.560
<v Speaker 1>for the people that stepped in for me on a

1:01:50.680 --> 1:01:56.040
<v Speaker 1>much lower level rose so much from my friend Evans dad,

1:01:56.120 --> 1:01:58.680
<v Speaker 1>who took me on vacations for the first time. My

1:01:58.960 --> 1:02:01.560
<v Speaker 1>high school football coach, too, was like the guy who

1:02:01.720 --> 1:02:04.760
<v Speaker 1>instill discipline in me, And so as I got older,

1:02:05.360 --> 1:02:08.760
<v Speaker 1>I was like, man like, I really appreciate those men

1:02:08.880 --> 1:02:10.840
<v Speaker 1>that gave me that influence when they did not have to,

1:02:10.960 --> 1:02:12.320
<v Speaker 1>which I did when I was young. And saying, thing's

1:02:12.320 --> 1:02:14.200
<v Speaker 1>gonna happen with you. She's gonna get older and see

1:02:14.240 --> 1:02:17.680
<v Speaker 1>the sacrifices that you went through. But she's also going

1:02:17.760 --> 1:02:19.280
<v Speaker 1>to get older and wonder who she is and where

1:02:19.280 --> 1:02:23.800
<v Speaker 1>she comes from and what her human parents look like.

1:02:24.160 --> 1:02:27.200
<v Speaker 1>You know what, five years ago, it's really the first

1:02:27.200 --> 1:02:30.160
<v Speaker 1>time that i'd met my biological father and that me

1:02:30.320 --> 1:02:31.720
<v Speaker 1>being able to sit at the table and see him

1:02:31.760 --> 1:02:35.000
<v Speaker 1>in human form was wild because I never sat and

1:02:35.080 --> 1:02:37.280
<v Speaker 1>had dinner or had a conversation with a parent ever,

1:02:37.960 --> 1:02:40.520
<v Speaker 1>and so that was weird for me, and that's gonna

1:02:40.520 --> 1:02:42.240
<v Speaker 1>be weird for her. But that's something she's probably going

1:02:42.320 --> 1:02:45.040
<v Speaker 1>to want to pursue, and I hope she gets to

1:02:45.200 --> 1:02:47.560
<v Speaker 1>do that one day. And whether I'm a part of

1:02:47.600 --> 1:02:49.480
<v Speaker 1>it with her or not, that's okay, because I don't

1:02:49.520 --> 1:02:51.680
<v Speaker 1>know what age it will happen. But you'll always be

1:02:51.760 --> 1:02:54.400
<v Speaker 1>a part of it with her, Yes, even if you're

1:02:54.480 --> 1:02:57.080
<v Speaker 1>not there, Yeah, you will always be a part of

1:02:57.160 --> 1:03:00.240
<v Speaker 1>it because you enabled her to have a life where

1:03:00.280 --> 1:03:05.400
<v Speaker 1>she could actually go back or be curious from a

1:03:05.480 --> 1:03:08.320
<v Speaker 1>healthy place. Yeah. I hope so. Because another weird lie

1:03:08.400 --> 1:03:11.400
<v Speaker 1>that pops into my head is because we adopted older

1:03:11.520 --> 1:03:14.520
<v Speaker 1>kids and she was ten almost eleven when she first

1:03:14.600 --> 1:03:17.120
<v Speaker 1>got here, and I mean, it's happening quick. She's going

1:03:17.200 --> 1:03:19.240
<v Speaker 1>to graduate and move out. I feel like the next

1:03:19.320 --> 1:03:21.360
<v Speaker 1>four years are going to go so fast, And I'm like,

1:03:21.440 --> 1:03:23.640
<v Speaker 1>what if we don't What if she moves out? And

1:03:23.720 --> 1:03:26.760
<v Speaker 1>then it's like, Oh, I have this whole life to pursue,

1:03:26.840 --> 1:03:29.880
<v Speaker 1>and this wasn't really my family family. So I'm just

1:03:29.960 --> 1:03:32.200
<v Speaker 1>gonna move on, and I can't be like, hey, are

1:03:32.240 --> 1:03:35.960
<v Speaker 1>you coming home for Thanksgiving? You know? There's let's be

1:03:36.040 --> 1:03:37.560
<v Speaker 1>honest and you can correct me if I'm wrong here.

1:03:37.800 --> 1:03:40.520
<v Speaker 1>Let's be honest about something. Kids in that orphanage I've

1:03:40.560 --> 1:03:43.200
<v Speaker 1>been there. It ain't good if they age out of it.

1:03:44.520 --> 1:03:47.440
<v Speaker 1>That's why we adopted older Here. Am I good? I

1:03:47.440 --> 1:03:50.040
<v Speaker 1>would imagine most kids that come out of the orphanagees

1:03:50.040 --> 1:03:51.600
<v Speaker 1>that are told you're too old to live here now,

1:03:51.960 --> 1:03:54.400
<v Speaker 1>things don't turn out well for them, right. I would

1:03:54.400 --> 1:03:57.040
<v Speaker 1>imagine that's a very significant number that don't turn out well.

1:03:57.640 --> 1:04:01.360
<v Speaker 1>So regardless of if she is what you just described,

1:04:02.000 --> 1:04:04.640
<v Speaker 1>if she's totally that way or not, it doesn't matter.

1:04:04.880 --> 1:04:10.800
<v Speaker 1>It doesn't matter, It doesn't affect how we everyone should

1:04:10.840 --> 1:04:13.680
<v Speaker 1>feel about people that are doing things like you're doing

1:04:13.840 --> 1:04:17.480
<v Speaker 1>to change kids' lives. And so I'm sure there is

1:04:17.560 --> 1:04:20.439
<v Speaker 1>some resentment there. You're a kid. You're supposed to resent

1:04:21.520 --> 1:04:25.080
<v Speaker 1>your parents anyway, much less parents that took you from

1:04:25.080 --> 1:04:26.760
<v Speaker 1>a place where you don't understand why you were taken

1:04:26.800 --> 1:04:30.000
<v Speaker 1>out of right yet, which she has expressed that because

1:04:30.040 --> 1:04:33.200
<v Speaker 1>at ten she told me, nobody asked me if I

1:04:33.280 --> 1:04:35.160
<v Speaker 1>wanted to come to America. Y'all just took me. And

1:04:35.280 --> 1:04:38.400
<v Speaker 1>she has a point so valid, and I was thankful

1:04:38.520 --> 1:04:40.240
<v Speaker 1>that she could use her voice at such a young

1:04:40.320 --> 1:04:42.720
<v Speaker 1>age and put that into words, because she was clearly

1:04:42.800 --> 1:04:45.840
<v Speaker 1>feeling it. And it's not something you think about when

1:04:45.880 --> 1:04:47.680
<v Speaker 1>you're in the process of it. You're like, oh my gosh,

1:04:47.680 --> 1:04:49.480
<v Speaker 1>we're gonna bring them here and be a family and

1:04:49.600 --> 1:04:52.440
<v Speaker 1>give them this life. And her life was in Haiti

1:04:52.520 --> 1:04:54.000
<v Speaker 1>with all her friends that though she was having a

1:04:54.040 --> 1:04:57.800
<v Speaker 1>good time every day. But yeah, I think ultimately once, yeah,

1:04:57.880 --> 1:05:00.640
<v Speaker 1>she's older, she'll see it all she can probably see

1:05:00.680 --> 1:05:03.040
<v Speaker 1>it now, but I just had that fear of when

1:05:03.120 --> 1:05:06.280
<v Speaker 1>she moves out, will she want to come back. If

1:05:06.320 --> 1:05:08.320
<v Speaker 1>she does, or if she doesn't know, it's still then

1:05:08.680 --> 1:05:11.360
<v Speaker 1>and it will always be her decision. But I have

1:05:11.440 --> 1:05:12.800
<v Speaker 1>a feeling that she will want to come back at

1:05:12.880 --> 1:05:15.920
<v Speaker 1>least to see me, because at least at least to

1:05:15.960 --> 1:05:18.240
<v Speaker 1>see me, she looks forward to it, because I look

1:05:18.320 --> 1:05:22.720
<v Speaker 1>very forward to our next commitment. Yes, well, that is

1:05:22.760 --> 1:05:27.240
<v Speaker 1>a complicated story, Yeah, that it is, but it's awesome

1:05:27.280 --> 1:05:29.760
<v Speaker 1>at the same time, complicated and awesome. Absolute that she's

1:05:29.800 --> 1:05:33.200
<v Speaker 1>mature enough to even communicate that and then on the

1:05:33.280 --> 1:05:35.760
<v Speaker 1>back end to go, you know, and say what she

1:05:35.800 --> 1:05:38.360
<v Speaker 1>said about and she forgives them. That's awesome. She's so smart.

1:05:38.680 --> 1:05:40.240
<v Speaker 1>I mean, you can just hear the scheme she's up to.

1:05:40.600 --> 1:05:43.040
<v Speaker 1>She can the massage gun to school was charging people

1:05:43.040 --> 1:05:46.120
<v Speaker 1>to that's whole. That's something I would have done. That's awesome.

1:05:46.160 --> 1:05:50.320
<v Speaker 1>She's so smart. That's super cool. It's the best bits

1:05:50.400 --> 1:05:54.960
<v Speaker 1>of the week with Morgan number two, then in at

1:05:55.000 --> 1:05:58.200
<v Speaker 1>the number one spot this week, A lunchbox made it

1:05:58.400 --> 1:06:01.560
<v Speaker 1>on the news finally, but not for anything he did. No,

1:06:01.760 --> 1:06:04.800
<v Speaker 1>In fact, it was more of his back inside profile

1:06:04.880 --> 1:06:06.560
<v Speaker 1>that made it on the news. But he made it

1:06:06.640 --> 1:06:09.680
<v Speaker 1>on the news regardless, and he was so stoked about it. So,

1:06:10.400 --> 1:06:13.720
<v Speaker 1>without further ado, this is Lunchbox making it on the

1:06:13.840 --> 1:06:17.560
<v Speaker 1>news for a protest, though he was not actually involved

1:06:17.600 --> 1:06:21.080
<v Speaker 1>in number one. I did see a story two about

1:06:21.120 --> 1:06:24.680
<v Speaker 1>a protest yesterday here where we live, and these people

1:06:24.720 --> 1:06:28.200
<v Speaker 1>were protesting the fact that vegan milk, like an almond milk,

1:06:28.480 --> 1:06:30.959
<v Speaker 1>costs more than if you were to get a cow milk.

1:06:31.440 --> 1:06:33.640
<v Speaker 1>And they're like, it shouldn't cost more, it should be

1:06:33.720 --> 1:06:38.200
<v Speaker 1>the same prize free vegans whatever. And they concrete their

1:06:38.280 --> 1:06:40.840
<v Speaker 1>feet into these different things so they can't move them.

1:06:41.080 --> 1:06:45.840
<v Speaker 1>The road is shut down again at Starbucks, protesting that

1:06:46.040 --> 1:06:48.880
<v Speaker 1>vegan milk be the same as normal cow milk. Okay,

1:06:49.200 --> 1:06:51.240
<v Speaker 1>And then I see that Lunchbox has joined the protest

1:06:51.320 --> 1:06:53.760
<v Speaker 1>just to get on TV. Oh my god, he's in

1:06:53.800 --> 1:06:56.720
<v Speaker 1>the news story. Yeah, it's very free, it's very brief.

1:06:56.800 --> 1:06:59.760
<v Speaker 1>He made the news. It's very made the news guy.

1:07:00.520 --> 1:07:03.040
<v Speaker 1>I mean, I saw this going down. I was like, man,

1:07:03.080 --> 1:07:05.960
<v Speaker 1>I gotta get in on the action. So I went

1:07:06.000 --> 1:07:12.000
<v Speaker 1>and protested. He did, And so here's clip. How awesome.

1:07:12.280 --> 1:07:15.840
<v Speaker 1>I mean, these people are crazy. I mean they put

1:07:16.160 --> 1:07:19.640
<v Speaker 1>cement around their feet as a protest. One of them

1:07:19.680 --> 1:07:21.040
<v Speaker 1>had to go to the hospital too because he was

1:07:21.240 --> 1:07:23.880
<v Speaker 1>playing his feet hurt. Oh my god, submit yourself in.

1:07:25.040 --> 1:07:27.720
<v Speaker 1>I think it's gonna feel good. Here is clip number

1:07:27.760 --> 1:07:31.440
<v Speaker 1>one that this Lunchbox intros himself and finds out protesters

1:07:31.480 --> 1:07:33.320
<v Speaker 1>cementing themselves to the ground. Yeah. I was talking to

1:07:33.400 --> 1:07:35.720
<v Speaker 1>the head protester. I guess you call her the head

1:07:36.040 --> 1:07:38.040
<v Speaker 1>or the leader of the pack. I don't know what

1:07:38.160 --> 1:07:41.400
<v Speaker 1>she is. Ahead. Hey, you don't remem I'm Lunchboch from

1:07:41.400 --> 1:07:43.040
<v Speaker 1>the Boby Mole Show. And I see you guys are

1:07:43.080 --> 1:07:44.800
<v Speaker 1>going out here, So what's going on? Tell me what's

1:07:44.840 --> 1:07:50.920
<v Speaker 1>going down? Yeah, no, I don't. We are here in Nashville.

1:07:51.000 --> 1:07:54.440
<v Speaker 1>Our activists have cemented themselves to the floor. Here. The

1:07:54.560 --> 1:07:58.240
<v Speaker 1>police came and removed several of our acts with the activists.

1:07:58.280 --> 1:08:00.600
<v Speaker 1>They drilled one of them. Well, you actually put semen

1:08:00.680 --> 1:08:03.360
<v Speaker 1>around your leg? Yeah, he cemented on in there in

1:08:03.440 --> 1:08:05.840
<v Speaker 1>the news story, you see Lunchbox for like point three seconds,

1:08:06.080 --> 1:08:08.040
<v Speaker 1>but you do see him. I mean, I am there,

1:08:08.240 --> 1:08:09.919
<v Speaker 1>I am Mark. You can see your face, you see

1:08:09.960 --> 1:08:11.560
<v Speaker 1>the back of your starts like he's in the background

1:08:11.600 --> 1:08:13.160
<v Speaker 1>of a camera shot or something. No, no, I'm right

1:08:13.200 --> 1:08:15.840
<v Speaker 1>there with the protesters. Man, I am standing strong with them.

1:08:15.920 --> 1:08:18.599
<v Speaker 1>But you never see your face. I know they see

1:08:18.600 --> 1:08:21.800
<v Speaker 1>the back of his now, yeah it is him. Here

1:08:21.880 --> 1:08:24.240
<v Speaker 1>is clip number two. I'm talking to them. But anyway,

1:08:24.280 --> 1:08:28.240
<v Speaker 1>we're here protesting. Starbucks is unjust up charge on vegan mills.

1:08:28.720 --> 1:08:34.120
<v Speaker 1>So despite paying lip service to sustainability, Starbucks is continuing

1:08:34.160 --> 1:08:38.479
<v Speaker 1>to charge customers up to ninety cents extra to have

1:08:38.840 --> 1:08:41.680
<v Speaker 1>vegan milk instead of dairy in their costs. So wait

1:08:41.720 --> 1:08:43.679
<v Speaker 1>a minute. You're trying to save the planet and they're

1:08:43.720 --> 1:08:45.960
<v Speaker 1>trying to charge you more for saving the planet. Absolutely,

1:08:46.040 --> 1:08:48.920
<v Speaker 1>it's it's insane, it's not makes sense. So we should

1:08:48.960 --> 1:08:51.719
<v Speaker 1>say no more meeting our mouth or no more Starbucks.

1:08:51.840 --> 1:08:56.600
<v Speaker 1>Remember save the planets, save the cow's, no more in

1:08:56.720 --> 1:08:59.880
<v Speaker 1>the vegan Yes that's charged now. Yeah, you know we're

1:09:00.000 --> 1:09:02.479
<v Speaker 1>here for a reason. So do we come back tomorrow

1:09:02.560 --> 1:09:04.679
<v Speaker 1>in the tomorrow or right? What do we do? Well,

1:09:04.880 --> 1:09:07.720
<v Speaker 1>you know we're Starbucks. Doesn't know where we'll show up now,

1:09:07.840 --> 1:09:09.560
<v Speaker 1>got it? That's the whole key. Gotta keep them on

1:09:09.640 --> 1:09:13.439
<v Speaker 1>their toes, all right, thank you? Wow, this is crazy.

1:09:13.640 --> 1:09:16.000
<v Speaker 1>They travel around the country to different Starbucks. They were

1:09:16.040 --> 1:09:18.400
<v Speaker 1>from different states. Yeah, oh, I thought they were just

1:09:19.040 --> 1:09:21.120
<v Speaker 1>whacky doodles from here. No. No, they said, you never

1:09:21.200 --> 1:09:23.880
<v Speaker 1>know where we're gonna be next, and so they travel

1:09:24.000 --> 1:09:26.320
<v Speaker 1>in a U haul. Guys, I talked to an eyewitness.

1:09:26.439 --> 1:09:29.880
<v Speaker 1>Don't listen the eyewitness or an eyewitness, No I can't.

1:09:29.880 --> 1:09:32.080
<v Speaker 1>You need to talk to yourself. This guy saw it

1:09:32.160 --> 1:09:34.760
<v Speaker 1>all start like he was there when it went down,

1:09:34.960 --> 1:09:38.360
<v Speaker 1>and he was incredible. So tell me what you saw.

1:09:38.760 --> 1:09:41.120
<v Speaker 1>I was here at the beginning. Then next thing I know,

1:09:41.200 --> 1:09:43.439
<v Speaker 1>I'll see a U haul trump pull up right here.

1:09:43.720 --> 1:09:46.639
<v Speaker 1>They lifted up and they all jump out, and then

1:09:46.720 --> 1:09:50.560
<v Speaker 1>they get there's kind of like a SWAT takeover. You

1:09:50.600 --> 1:09:52.760
<v Speaker 1>were like, oh my god, Swat team. But it was

1:09:52.880 --> 1:09:58.000
<v Speaker 1>protesters and they pulled out the cement like that. Believe me,

1:09:58.120 --> 1:10:01.360
<v Speaker 1>they ain't done. I love image as it is. They

1:10:01.479 --> 1:10:03.960
<v Speaker 1>shut down one of the largest growth in Starbucks in

1:10:04.080 --> 1:10:08.320
<v Speaker 1>Daveson County. There's only six of them and all of

1:10:08.320 --> 1:10:10.840
<v Speaker 1>them did that. Yeah. Now does it inspire you to

1:10:10.880 --> 1:10:18.160
<v Speaker 1>get in the concrete? Okay? I love a good peaceful protest.

1:10:18.280 --> 1:10:21.439
<v Speaker 1>I do. It was hilarious. There's no need to stop

1:10:21.479 --> 1:10:23.880
<v Speaker 1>all that traffic. I saw people that were trying to

1:10:23.880 --> 1:10:26.040
<v Speaker 1>do their jobs at the hair salon next door, and

1:10:26.120 --> 1:10:27.720
<v Speaker 1>they were like, our clients can't even get here. We

1:10:27.800 --> 1:10:30.400
<v Speaker 1>just send them like a backway, concreting their feet in.

1:10:30.760 --> 1:10:32.920
<v Speaker 1>The rules should be, if you choose to conquerte yourself in,

1:10:33.200 --> 1:10:34.920
<v Speaker 1>you can't go to the hospital because your toe hurts,

1:10:35.040 --> 1:10:38.360
<v Speaker 1>you gotta stay in there. You're never committed. You committed.

1:10:38.920 --> 1:10:41.320
<v Speaker 1>I mean they blocked the entrance to Starbucks, the exit,

1:10:41.360 --> 1:10:43.760
<v Speaker 1>and they concrete it and they put caution tape up

1:10:44.200 --> 1:10:46.439
<v Speaker 1>like you can't get past. And I was like, this

1:10:47.040 --> 1:10:50.080
<v Speaker 1>is awesome. Where you disappointed the news didn't interview you.

1:10:50.240 --> 1:10:52.000
<v Speaker 1>I was so mad because I'm in I was doing

1:10:52.040 --> 1:10:55.320
<v Speaker 1>the chant with them in the protest, in the Vegan

1:10:55.439 --> 1:11:01.880
<v Speaker 1>up the up chart. I don't even say the cows now, yeah,

1:11:02.040 --> 1:11:05.679
<v Speaker 1>that's it. You don't have me in your mouth. Yeah,

1:11:05.960 --> 1:11:07.960
<v Speaker 1>but it was awesome. And then I go home and

1:11:08.000 --> 1:11:09.560
<v Speaker 1>I'm like, I'm gonna be on the news, gonna be

1:11:09.600 --> 1:11:12.240
<v Speaker 1>on the news. Why would I sit down? Let's show

1:11:12.280 --> 1:11:13.800
<v Speaker 1>him my back the back of its head for like

1:11:14.120 --> 1:11:16.960
<v Speaker 1>a split second. But you didn't have a haircut, yes

1:11:17.040 --> 1:11:19.760
<v Speaker 1>it did, well, why did you stop there? Did you

1:11:19.800 --> 1:11:21.240
<v Speaker 1>just We're just driving down the road and just driving

1:11:21.240 --> 1:11:23.560
<v Speaker 1>down the road and saw it pulled over. He's like,

1:11:23.640 --> 1:11:26.200
<v Speaker 1>my lucky day. And I even I mean, I just

1:11:26.280 --> 1:11:27.600
<v Speaker 1>happened to be there when the news was there, and

1:11:27.640 --> 1:11:29.040
<v Speaker 1>I was like, this is great. I was your wife

1:11:29.080 --> 1:11:31.840
<v Speaker 1>with you. No, so you were just driving. I was

1:11:31.880 --> 1:11:34.000
<v Speaker 1>just driving for your kids. No, I was going to

1:11:34.040 --> 1:11:36.320
<v Speaker 1>pick the kids up. And so you were delayed and

1:11:36.360 --> 1:11:39.080
<v Speaker 1>picking the kids up because you were because I hopped

1:11:39.120 --> 1:11:41.400
<v Speaker 1>an approach. It's important. It was great that the news

1:11:41.479 --> 1:11:43.400
<v Speaker 1>was there at the same time. And I mean they

1:11:43.439 --> 1:11:45.479
<v Speaker 1>could have included me in the news story a little bit,

1:11:45.520 --> 1:11:47.240
<v Speaker 1>but you weren't wearing matching clothes and what I know

1:11:47.400 --> 1:11:49.880
<v Speaker 1>that's all of them were concreted in in black shirts.

1:11:49.920 --> 1:11:52.559
<v Speaker 1>That set a message and you were not conquered it. Andy,

1:11:52.640 --> 1:11:53.800
<v Speaker 1>we're in the same hood. You were on this show

1:11:53.800 --> 1:11:56.040
<v Speaker 1>every day. Yeah pretty much. Yeah, same Yeah. But it

1:11:56.160 --> 1:11:59.040
<v Speaker 1>was awesome. Man. I am all for the in the

1:11:59.200 --> 1:12:03.680
<v Speaker 1>up chart looking say the cow go vegan. Now there

1:12:03.680 --> 1:12:07.160
<v Speaker 1>it is. Yeah, Hey, you're making a difference. It made

1:12:07.200 --> 1:12:10.720
<v Speaker 1>the news. Not really, you don't count that. I don't.

1:12:11.640 --> 1:12:13.680
<v Speaker 1>I mean, I got not your name on here there,

1:12:13.760 --> 1:12:18.240
<v Speaker 1>I got text from people saying through draw on the news. People,

1:12:18.240 --> 1:12:22.960
<v Speaker 1>I mean people I know Brian Tide does he hit

1:12:23.000 --> 1:12:24.479
<v Speaker 1>me up? He was like, hey, man, is this shoe

1:12:24.520 --> 1:12:26.680
<v Speaker 1>on the news? I was like, that's me. Is that

1:12:26.800 --> 1:12:29.479
<v Speaker 1>your back on the news? He recognized my back. That's

1:12:29.520 --> 1:12:32.120
<v Speaker 1>how famous I am. Okay, good job, lunch Bike. Make

1:12:32.240 --> 1:12:33.960
<v Speaker 1>a funny story that you went and covered, not so

1:12:34.080 --> 1:12:35.720
<v Speaker 1>much at getting on the news. We'll put the clip

1:12:36.000 --> 1:12:37.559
<v Speaker 1>up on our facebooks so people can see it. Yeah,

1:12:37.560 --> 1:12:41.600
<v Speaker 1>all right, it's the Best Bits of the Week with

1:12:41.840 --> 1:12:45.479
<v Speaker 1>Morgan number two. And that's it for the best Bits

1:12:45.680 --> 1:12:48.200
<v Speaker 1>this week. I hope you enjoyed all of these segments,

1:12:48.320 --> 1:12:50.720
<v Speaker 1>either reliving them or hearing them for the first time.

1:12:50.840 --> 1:12:53.120
<v Speaker 1>Make sure to check out Bobby Bones dot com. There's

1:12:53.200 --> 1:12:55.599
<v Speaker 1>so much content up there for you guys to consume,

1:12:55.720 --> 1:12:57.920
<v Speaker 1>not just these seven bits, but so much more, and

1:12:58.040 --> 1:13:00.720
<v Speaker 1>of course bits from many, many years ago. I mean

1:13:00.840 --> 1:13:02.800
<v Speaker 1>there's at least five years worth of content up there

1:13:02.880 --> 1:13:04.920
<v Speaker 1>since I've been with the show. So there's a lot

1:13:05.040 --> 1:13:06.840
<v Speaker 1>up there, and you can follow the show at Bobby

1:13:06.880 --> 1:13:08.320
<v Speaker 1>Bones Show. If you want to come hang out with

1:13:08.439 --> 1:13:10.960
<v Speaker 1>me on social media. I'm at web girl Morgan on

1:13:11.240 --> 1:13:13.600
<v Speaker 1>all the things as always. I hope you guys have

1:13:13.760 --> 1:13:16.479
<v Speaker 1>a fabulous weekend. Thank you again for joining me on

1:13:16.600 --> 1:13:20.360
<v Speaker 1>the Best Bits. Check out Part one Best Bits with Amy.

1:13:20.479 --> 1:13:22.360
<v Speaker 1>It's a good time. Also, if you want to go

1:13:22.520 --> 1:13:24.680
<v Speaker 1>listen to more Part ones. There's so many interviews up

1:13:24.720 --> 1:13:27.200
<v Speaker 1>with the show members and every week we somehow find

1:13:27.320 --> 1:13:29.600
<v Speaker 1>some new things to talk about, so I encourage you.

1:13:29.600 --> 1:13:32.479
<v Speaker 1>If you haven't heard them, go check them out. Love y'all,

1:13:32.760 --> 1:13:35.479
<v Speaker 1>Bye es, Bobby Boss.