1 00:00:01,440 --> 00:00:05,200 Speaker 1: It's the Best Bits of the Week with Morgan. Number two. 2 00:00:06,559 --> 00:00:09,920 Speaker 1: Welcome y'all to the Best Bits. This is Just the 3 00:00:10,000 --> 00:00:13,480 Speaker 1: Bits Part two. In case you haven't heard Part one 4 00:00:13,520 --> 00:00:15,720 Speaker 1: with Amy, make sure you go check that out. It's 5 00:00:15,720 --> 00:00:18,320 Speaker 1: a fun interview. All the part ones are my favorite 6 00:00:18,320 --> 00:00:20,040 Speaker 1: part of doing the Best Bits because I get to 7 00:00:20,160 --> 00:00:23,239 Speaker 1: talk to a show member behind the scenes and talk 8 00:00:23,239 --> 00:00:25,759 Speaker 1: about life. Sometimes we talk about these bits, but most 9 00:00:25,760 --> 00:00:27,240 Speaker 1: of the time we just get caught up on what's 10 00:00:27,280 --> 00:00:29,120 Speaker 1: going on in their lives and I like to ask 11 00:00:29,200 --> 00:00:33,000 Speaker 1: random questions. So definitely check out Part one Best Bits. 12 00:00:33,040 --> 00:00:35,320 Speaker 1: But this is just a bit, so let's get going. 13 00:00:35,479 --> 00:00:39,519 Speaker 1: Coming in at number seven, Bobby, Ray, Mundo and myself 14 00:00:39,560 --> 00:00:43,040 Speaker 1: all talked about being catfish. Now these were stories from 15 00:00:43,120 --> 00:00:45,639 Speaker 1: years ago, but we all admitted it did happen when 16 00:00:45,640 --> 00:00:47,960 Speaker 1: we did get catfish. So if you want a good 17 00:00:48,040 --> 00:00:50,640 Speaker 1: laugh or maybe you can relate to some of these stories, well, 18 00:00:50,800 --> 00:00:53,559 Speaker 1: here you go. Number seven. In a new poll, a 19 00:00:53,680 --> 00:00:56,440 Speaker 1: third of people say they know someone who has been catfished. 20 00:00:56,760 --> 00:01:00,040 Speaker 1: Catfishing is where you get online and you talk to 21 00:01:00,040 --> 00:01:01,600 Speaker 1: a girl and she said she's a guest Jean's model 22 00:01:01,640 --> 00:01:05,319 Speaker 1: and you fall for it. Oh that's me specifically. Sorry, Yeah, 23 00:01:05,360 --> 00:01:07,399 Speaker 1: that's me specifically, and it ends up being a dude. 24 00:01:07,520 --> 00:01:10,680 Speaker 1: So thirty three percent of people know someboe who's been catfished, 25 00:01:10,680 --> 00:01:15,119 Speaker 1: you guys, Yes, the only person. Really, I'm the only 26 00:01:15,160 --> 00:01:17,720 Speaker 1: person you guys know that's been catfished. Unless I just 27 00:01:17,760 --> 00:01:20,200 Speaker 1: had no people that they don't admit it, that maybe it. 28 00:01:20,400 --> 00:01:23,240 Speaker 1: I think that's probably more likely. You know me, I'll 29 00:01:23,240 --> 00:01:25,080 Speaker 1: share it. I got no problem with telling you, guys. 30 00:01:25,080 --> 00:01:27,560 Speaker 1: I got no problem being humiliated and front of millions 31 00:01:27,560 --> 00:01:29,800 Speaker 1: of people. Ray you have been catfished. You seem like 32 00:01:29,800 --> 00:01:32,520 Speaker 1: a prime yeh, I'm person to be catfish. It's funny. 33 00:01:32,560 --> 00:01:34,160 Speaker 1: I just talked to my wife about this and I said, 34 00:01:34,200 --> 00:01:36,120 Speaker 1: there was a girl in college that just messaged me 35 00:01:36,120 --> 00:01:38,120 Speaker 1: on Facebook. I talked to her for probably two years, 36 00:01:38,280 --> 00:01:40,800 Speaker 1: never met her, talked to her on the phone all 37 00:01:40,800 --> 00:01:43,840 Speaker 1: the time, saw pictures over Eventually, I believe she just 38 00:01:43,880 --> 00:01:46,040 Speaker 1: deleted her Facebook. But I mean I never really knew 39 00:01:46,080 --> 00:01:47,640 Speaker 1: who she was. You talked to her on the phone 40 00:01:47,720 --> 00:01:49,640 Speaker 1: for years, because I talked to the guest James the 41 00:01:49,640 --> 00:01:52,120 Speaker 1: model a little bit too, and I haven't put her 42 00:01:52,160 --> 00:01:55,840 Speaker 1: on the show, but she didn't tell him. She doesn't 43 00:01:55,840 --> 00:01:58,360 Speaker 1: like that. She's like very such, so like this, why 44 00:01:58,360 --> 00:02:01,680 Speaker 1: I was giving more of a sensual that was sent? 45 00:02:04,720 --> 00:02:07,520 Speaker 1: Oh my goodness, Ray, So what do you think did 46 00:02:07,520 --> 00:02:09,560 Speaker 1: you ever send her a gift to anything? No, I 47 00:02:09,560 --> 00:02:11,720 Speaker 1: believe I was catfished. It was definitely a maybe a 48 00:02:11,760 --> 00:02:13,560 Speaker 1: girl that didn't look like the pictures I thought. And 49 00:02:13,760 --> 00:02:15,679 Speaker 1: for two years she talked to me, and you talked 50 00:02:15,680 --> 00:02:17,800 Speaker 1: to her, Yeah, would you call her? Yeah? My buddies 51 00:02:17,840 --> 00:02:19,800 Speaker 1: would talk to her. And she always made this Southern 52 00:02:19,840 --> 00:02:23,040 Speaker 1: girl accent. But her pictures always did seem like they 53 00:02:23,040 --> 00:02:25,520 Speaker 1: were kind of a little blurry. They weren't perfect pictures. 54 00:02:26,240 --> 00:02:27,320 Speaker 1: Do you think it was a dude or do you 55 00:02:27,320 --> 00:02:28,560 Speaker 1: think it was a girl? It was a girl. They 56 00:02:28,560 --> 00:02:31,119 Speaker 1: didn't look like that. Probably dang. I wish they wish 57 00:02:31,160 --> 00:02:33,600 Speaker 1: there was a story like mine. Ain't no chance it's 58 00:02:33,600 --> 00:02:36,800 Speaker 1: gonna been a dude. Definitely a girl, just blurry pictures. Yeah, 59 00:02:36,840 --> 00:02:38,680 Speaker 1: I could have been a dude. The only spot that 60 00:02:38,720 --> 00:02:40,960 Speaker 1: was blurred was Adams Apple. For some reason, the Adams 61 00:02:40,960 --> 00:02:45,080 Speaker 1: Apple was always so my. The quick story about mine 62 00:02:45,200 --> 00:02:48,000 Speaker 1: is this guest Jean's model reached down social media. She 63 00:02:48,080 --> 00:02:51,040 Speaker 1: was like a big fan. We had messaged a few times. 64 00:02:51,520 --> 00:02:54,720 Speaker 1: This is fifteen years ago. She flew to town every 65 00:02:54,760 --> 00:02:57,800 Speaker 1: time we tried to FaceTime because FaceTime was maybe Skype, 66 00:02:57,840 --> 00:03:01,160 Speaker 1: maybe FaceTime was the early stages. Camera was broken, and 67 00:03:01,200 --> 00:03:02,359 Speaker 1: I told the show. I was like, guys, I can't 68 00:03:02,360 --> 00:03:04,760 Speaker 1: believe it. Either's a Guesteans model that thinks likes me, 69 00:03:04,760 --> 00:03:06,480 Speaker 1: a big fan. And they're like, no, Amy, let's but no, 70 00:03:06,520 --> 00:03:08,160 Speaker 1: you're an idiot. And I was like, I'll show you, guys. 71 00:03:08,520 --> 00:03:11,960 Speaker 1: She came on the show, sounded drunk but still kind 72 00:03:11,960 --> 00:03:13,680 Speaker 1: of sounded like drunk, but I was like, I told you, 73 00:03:13,720 --> 00:03:16,119 Speaker 1: and they're like, you told us what? And then turns 74 00:03:16,120 --> 00:03:17,840 Speaker 1: out it was a dude, a skinny dude who got 75 00:03:17,880 --> 00:03:20,040 Speaker 1: arrested in a hotel and he was on and he 76 00:03:20,120 --> 00:03:21,960 Speaker 1: was like taking all kinds of old men were sending 77 00:03:22,000 --> 00:03:24,959 Speaker 1: him stuff like tons of gifts, money, and I always 78 00:03:24,960 --> 00:03:31,000 Speaker 1: say I'd never send a single gift. Did you did you? 79 00:03:30,360 --> 00:03:33,200 Speaker 1: Did you? Did you send again? I said, I never 80 00:03:33,200 --> 00:03:38,600 Speaker 1: send gifts. Okay, okay, gifts, he said, poor. I didn't 81 00:03:38,600 --> 00:03:40,360 Speaker 1: send gifts on money. I didn't think gifts on money. 82 00:03:40,680 --> 00:03:43,360 Speaker 1: But it was embarrassing and it had gone away, and 83 00:03:43,440 --> 00:03:46,000 Speaker 1: a listener like months later went, hey, I think this 84 00:03:46,080 --> 00:03:49,160 Speaker 1: was the person. Yeah, January twenty first, twenty and ten 85 00:03:49,280 --> 00:03:52,320 Speaker 1: is when that was Wow. Man accused him a person, 86 00:03:52,400 --> 00:03:55,440 Speaker 1: a model swindling wealthy men online, posing his model brecond 87 00:03:55,520 --> 00:03:58,160 Speaker 1: and fraudster allegedly duped wealthy men on the internet. I 88 00:03:58,200 --> 00:03:59,960 Speaker 1: wasn't even wealthy, so that's how you know it was 89 00:04:00,160 --> 00:04:03,480 Speaker 1: me and yours. Yeah, yours happened before, way before the 90 00:04:03,520 --> 00:04:06,000 Speaker 1: news story and before even catfishing was a thing. Yes, 91 00:04:06,040 --> 00:04:07,720 Speaker 1: I was. I was ahead of the trend. Yeah. Were 92 00:04:07,760 --> 00:04:10,520 Speaker 1: you before the Notre Dame football player, Yeah, same time, 93 00:04:11,040 --> 00:04:13,800 Speaker 1: round the same time, because that was two thousand. Yeah, 94 00:04:13,800 --> 00:04:17,120 Speaker 1: I think he was thirteen. Maybe, well, whatever the case is. 95 00:04:17,360 --> 00:04:20,320 Speaker 1: I was country for country was cool, saying don't be 96 00:04:20,360 --> 00:04:23,840 Speaker 1: proud of that doing it for everybody's doing it. So yeah, 97 00:04:23,880 --> 00:04:26,159 Speaker 1: I was. I was vulnerable. I got got um. So 98 00:04:26,279 --> 00:04:29,240 Speaker 1: that happened, and I'm the only person, like Rays admitted 99 00:04:29,240 --> 00:04:31,359 Speaker 1: Morgan catfish. It sounds like you have your eyes, like, 100 00:04:31,960 --> 00:04:35,520 Speaker 1: come on. I didn't remember this until I was talking 101 00:04:35,560 --> 00:04:38,680 Speaker 1: to Scuba and he uncovered it. But back when aim 102 00:04:38,839 --> 00:04:41,800 Speaker 1: was a thing, I had a guy online that I 103 00:04:41,839 --> 00:04:44,239 Speaker 1: was talking to for at least a year who I 104 00:04:44,279 --> 00:04:47,240 Speaker 1: fully believed was Brandon Yuri from Panic of the Disco, 105 00:04:47,520 --> 00:04:50,080 Speaker 1: the lead singer. He had me convinced he'd send me 106 00:04:50,120 --> 00:04:52,840 Speaker 1: pictures of him. I sent him pictures of myself not 107 00:04:53,240 --> 00:04:58,720 Speaker 1: not crazy, why no, no winkin. And I fully believed 108 00:04:58,720 --> 00:05:00,880 Speaker 1: it was him. We would get on sky. It sounded 109 00:05:00,920 --> 00:05:03,279 Speaker 1: like him, but he never showed me his phone. Oh man, 110 00:05:04,240 --> 00:05:06,440 Speaker 1: And I fully believed it. And we were supposed to 111 00:05:06,440 --> 00:05:08,520 Speaker 1: meet up. He was supposed to have a concert in town. 112 00:05:08,880 --> 00:05:10,840 Speaker 1: And I was young. I mean I was in middle 113 00:05:10,839 --> 00:05:13,719 Speaker 1: school when this happened, and I was so excited catfished 114 00:05:14,520 --> 00:05:16,480 Speaker 1: and then he like last minute. I was like, oh no, 115 00:05:16,520 --> 00:05:18,120 Speaker 1: I won't be able to meet up or whatever. And 116 00:05:18,120 --> 00:05:20,360 Speaker 1: then at that point I started to realize it is 117 00:05:20,440 --> 00:05:23,400 Speaker 1: probably not actually him. Welcome to the club, Yeah, we 118 00:05:23,520 --> 00:05:26,039 Speaker 1: welcome all. Heck, we're happy new members. Come about being 119 00:05:26,040 --> 00:05:29,480 Speaker 1: honest the Catfish Club, Yeah yeah, catfish. We guys have fun. 120 00:05:29,520 --> 00:05:31,200 Speaker 1: We went, we got has we just catfishes on. We 121 00:05:31,200 --> 00:05:32,760 Speaker 1: don't say what it is, but if you say it's 122 00:05:32,800 --> 00:05:35,080 Speaker 1: wearing a catfish, you know what's up. But that Brandon 123 00:05:35,160 --> 00:05:38,599 Speaker 1: jury he does. How about you people? Ever heard of 124 00:05:38,960 --> 00:05:44,279 Speaker 1: a much engine? How's it going people? I just did 125 00:05:44,320 --> 00:05:46,560 Speaker 1: that part. How's the chorus go? How I know what 126 00:05:46,560 --> 00:05:48,359 Speaker 1: that is? What's how's the chorus go? I thought that 127 00:05:48,400 --> 00:05:50,240 Speaker 1: was the chorus? That is? What else do they have? 128 00:05:50,880 --> 00:05:52,320 Speaker 1: Because I pretty much niled it? Then you guys just 129 00:05:52,360 --> 00:05:54,600 Speaker 1: did whatever I'm doing After that, I guess we all 130 00:05:54,600 --> 00:05:57,279 Speaker 1: know the same party. Even worse? What's the what's the 131 00:05:57,279 --> 00:05:59,560 Speaker 1: one he did for the magician? One about he got 132 00:05:59,600 --> 00:06:05,240 Speaker 1: to ha had it? What? He has another song called 133 00:06:06,120 --> 00:06:09,320 Speaker 1: middle Schooler in Wichita. It's about you, It's about me. 134 00:06:09,960 --> 00:06:12,520 Speaker 1: I did it. I got catfish on the end. That's 135 00:06:12,560 --> 00:06:15,440 Speaker 1: not a real thing. That's all okay, Well there's that. 136 00:06:15,600 --> 00:06:17,360 Speaker 1: Anybody else want to miss it? Mike, you look like 137 00:06:17,400 --> 00:06:21,040 Speaker 1: you mean catfish mine? Oh? Are you sure he knows it? 138 00:06:21,120 --> 00:06:24,760 Speaker 1: He would probably first image he reversed Google images. He 139 00:06:24,839 --> 00:06:32,400 Speaker 1: was catfishing people. Oh, Mike, it's the best Bits of 140 00:06:32,400 --> 00:06:36,680 Speaker 1: the week with Morgan number two and at the number 141 00:06:36,800 --> 00:06:39,719 Speaker 1: six spot, Kathie Lee Gifford stuffed by our show. She 142 00:06:39,760 --> 00:06:42,800 Speaker 1: talked all about her career She's been on TV for years, 143 00:06:42,880 --> 00:06:45,799 Speaker 1: but not only that, she also shared some fun stories 144 00:06:45,880 --> 00:06:48,600 Speaker 1: about how she wrote a letter to Walt Disney when 145 00:06:48,640 --> 00:06:51,120 Speaker 1: she was a kid and he wrote her back also 146 00:06:51,360 --> 00:06:55,240 Speaker 1: she had a crazy awkward interaction with a massive celebrity. 147 00:06:55,360 --> 00:06:58,200 Speaker 1: So super fun interview, Just fun to hear her perspective 148 00:06:58,279 --> 00:07:00,600 Speaker 1: and a side of her career that we don't normally 149 00:07:00,600 --> 00:07:03,719 Speaker 1: get to hear about. So here it is number six. 150 00:07:03,920 --> 00:07:06,400 Speaker 1: Kathy Lee Gifford. She is a legend. I'm very excited 151 00:07:06,400 --> 00:07:09,000 Speaker 1: about this. Kathy Lee is best known for a fifteen 152 00:07:09,080 --> 00:07:12,280 Speaker 1: year run is cost on Live with Regis and Kathy Lee, 153 00:07:12,680 --> 00:07:15,440 Speaker 1: and more recently, her eleven year run is cost of 154 00:07:15,480 --> 00:07:18,520 Speaker 1: The Today Show with Hoda. She was born in France 155 00:07:18,560 --> 00:07:20,120 Speaker 1: because her mom was a singer and a dad was 156 00:07:20,120 --> 00:07:23,080 Speaker 1: a musician. She sang a name that tune way way 157 00:07:23,120 --> 00:07:26,600 Speaker 1: back in the day. She's won Emmy's. She's good friends 158 00:07:26,600 --> 00:07:28,800 Speaker 1: with Caitlin and Chris Jenner. She got a new book 159 00:07:28,800 --> 00:07:31,240 Speaker 1: out called The God of the Way. A new film, 160 00:07:31,560 --> 00:07:35,200 Speaker 1: The Way coming out soon. Kathy Lee Gifford the legend 161 00:07:35,320 --> 00:07:39,880 Speaker 1: right now on the Bobby Bones Show. Now, Kathy Lee Gifford, 162 00:07:40,000 --> 00:07:44,360 Speaker 1: how you been? Who's asking me specifically? I've been fantastic. 163 00:07:44,440 --> 00:07:46,800 Speaker 1: Thank you? You look great. Oh, I've had a lot 164 00:07:46,840 --> 00:07:49,640 Speaker 1: of work done. No, no, like you're like you come in, 165 00:07:49,720 --> 00:07:52,720 Speaker 1: you're happy, You're always happy. I am happy woman. I'm happy. 166 00:07:52,800 --> 00:07:55,080 Speaker 1: I'm very happy living here now. All right, So you're 167 00:07:55,120 --> 00:07:58,240 Speaker 1: in Nashville now, No, I'm in the outskirts with the 168 00:07:58,320 --> 00:08:01,880 Speaker 1: other people. That's Nashville. Yeah, yeah, you're of course, yeah, yeah, yeah, 169 00:08:01,920 --> 00:08:04,680 Speaker 1: you're forty minutes or I'm not in Crane City, correct, 170 00:08:04,880 --> 00:08:06,840 Speaker 1: which I wanted to be. I tried to buy my 171 00:08:06,880 --> 00:08:09,600 Speaker 1: friend's place in the Gulch and she wouldn't sell smart. 172 00:08:09,680 --> 00:08:11,960 Speaker 1: But I'm real happy here. Well, we went up to 173 00:08:12,040 --> 00:08:13,840 Speaker 1: do I did the Today Show a couple of weeks ago, 174 00:08:13,880 --> 00:08:16,120 Speaker 1: and we walked out of the building, walked about a 175 00:08:16,160 --> 00:08:17,480 Speaker 1: block and a half down, and a homeless man it 176 00:08:17,520 --> 00:08:19,080 Speaker 1: spit on my wife. Thank you well and have a 177 00:08:19,160 --> 00:08:22,560 Speaker 1: nice day, he said, Cat said, Hi, that's how it ended. 178 00:08:23,160 --> 00:08:27,000 Speaker 1: So when you look back at your career, because it's 179 00:08:27,000 --> 00:08:31,080 Speaker 1: like you were having your prime multiple times, which is 180 00:08:31,200 --> 00:08:33,080 Speaker 1: rare for anybody, because you killed it in all these 181 00:08:33,160 --> 00:08:38,120 Speaker 1: different seasons of your professional life, like professionally, like when 182 00:08:38,120 --> 00:08:40,280 Speaker 1: do you look at and go that those few years 183 00:08:40,679 --> 00:08:43,440 Speaker 1: were the good old days. My good old days are 184 00:08:43,520 --> 00:08:48,320 Speaker 1: right now. And that's what's so unbelievable about the life 185 00:08:48,320 --> 00:08:50,360 Speaker 1: that I have now. People have always said to me 186 00:08:50,400 --> 00:08:52,240 Speaker 1: since I left the show with Regis in two thousand 187 00:08:52,240 --> 00:08:54,800 Speaker 1: and left the show with Hoda three years ago. They go, 188 00:08:54,880 --> 00:08:59,120 Speaker 1: how could you leave your your dream job twice at 189 00:08:59,160 --> 00:09:01,480 Speaker 1: the heights of success? And I said, well, you're just 190 00:09:01,520 --> 00:09:04,320 Speaker 1: assuming that those were my dream jobs. When I was 191 00:09:04,360 --> 00:09:08,400 Speaker 1: growing up, there were no talk show hosts, especially no 192 00:09:08,520 --> 00:09:11,920 Speaker 1: female ones. You know, it wasn't even in the realm 193 00:09:11,920 --> 00:09:14,840 Speaker 1: of possibility. I wanted to be in Nette Funicello or 194 00:09:14,840 --> 00:09:17,320 Speaker 1: Hailey Mills. I wanted to be in Disney movies, and 195 00:09:17,360 --> 00:09:19,040 Speaker 1: I wanted to write music, and I wanted to be 196 00:09:19,080 --> 00:09:22,280 Speaker 1: on Broadway, and I wanted to write books. And now 197 00:09:22,400 --> 00:09:25,360 Speaker 1: I get to do all those things, Bobby, but be 198 00:09:25,480 --> 00:09:28,920 Speaker 1: my own boss. And well, I think a turning point 199 00:09:29,240 --> 00:09:30,720 Speaker 1: for me was three and a half years ago. I 200 00:09:30,720 --> 00:09:33,560 Speaker 1: was in Israel and I was shooting the amazing Nicole 201 00:09:33,600 --> 00:09:36,520 Speaker 1: se Mullen. I was directing for the first time. I've 202 00:09:36,520 --> 00:09:38,559 Speaker 1: been in front of the camera for fifty five years, 203 00:09:38,880 --> 00:09:42,079 Speaker 1: and I've watched and I've learned, and I've grown in 204 00:09:42,480 --> 00:09:45,160 Speaker 1: so many different ways. But I were on the cut 205 00:09:45,200 --> 00:09:47,520 Speaker 1: the top of a beautiful mountain called Mount our Belle 206 00:09:47,960 --> 00:09:50,360 Speaker 1: in Galilee, all right on the Sea of Galilee, and 207 00:09:50,440 --> 00:09:53,040 Speaker 1: she was up there and she was singing her brains 208 00:09:53,040 --> 00:09:54,599 Speaker 1: out a song she and I had written called The 209 00:09:54,640 --> 00:09:59,000 Speaker 1: God Who Sees, and she's this magnificent woman just I 210 00:09:59,000 --> 00:10:03,199 Speaker 1: couldn't wait to shoot her on you know, in cinematography, 211 00:10:03,280 --> 00:10:07,280 Speaker 1: and she's just that that gorgeous, and she just just 212 00:10:07,559 --> 00:10:10,520 Speaker 1: exudes God's love so much. And she was up there 213 00:10:10,520 --> 00:10:13,720 Speaker 1: singing her brains out, and I felt like the Lord 214 00:10:13,880 --> 00:10:17,840 Speaker 1: said so specifically and clearly to me, Kathy, everything I've 215 00:10:17,880 --> 00:10:20,559 Speaker 1: ever taken you through in your life, from your mother's 216 00:10:20,559 --> 00:10:23,920 Speaker 1: womb to this moment was for right now. Every gift 217 00:10:23,960 --> 00:10:25,760 Speaker 1: I've given you, but you had to hone, you had 218 00:10:25,760 --> 00:10:29,960 Speaker 1: to learn, You had to, you know, refine. Everybody wants 219 00:10:30,000 --> 00:10:33,000 Speaker 1: everything instantly in our world today. But I'm telling you, 220 00:10:33,000 --> 00:10:35,240 Speaker 1: when you've worked for something as long as I have, 221 00:10:35,840 --> 00:10:37,920 Speaker 1: and then you have a moment like that, and it 222 00:10:38,040 --> 00:10:40,200 Speaker 1: changed my life and I knew. I said, that's what 223 00:10:40,200 --> 00:10:42,000 Speaker 1: I'm gonna do. I'm gonna spend the rest of my 224 00:10:42,040 --> 00:10:45,560 Speaker 1: life bringing these unbelievable epic stories in the Bible to 225 00:10:45,720 --> 00:10:52,320 Speaker 1: life through original songs and through with symphonic u magnificence. 226 00:10:52,559 --> 00:10:56,319 Speaker 1: They're called oratorios, just like Tcheikowski's Peter and the Wolf 227 00:10:56,320 --> 00:10:59,559 Speaker 1: was an oratorio. It's basically an old, ancient concept of 228 00:11:00,000 --> 00:11:02,520 Speaker 1: a retelling but in a symphonic bed of music that 229 00:11:02,600 --> 00:11:05,120 Speaker 1: just moves you, and then a narrator takes you through 230 00:11:05,120 --> 00:11:08,200 Speaker 1: the story and then somebody say, and I've always loved that. 231 00:11:08,920 --> 00:11:11,880 Speaker 1: And so that's what this new movie The Way is about. 232 00:11:11,920 --> 00:11:15,440 Speaker 1: Its four oratorios. The first one I wrote with Brett 233 00:11:15,520 --> 00:11:18,680 Speaker 1: James and my friend, our friend sal OLIVERI. Second one 234 00:11:18,760 --> 00:11:20,560 Speaker 1: was with a Great Great Right. I remember the song 235 00:11:21,240 --> 00:11:25,880 Speaker 1: Barry Manilow had the hit and doctor Mullman remember trying 236 00:11:25,880 --> 00:11:27,959 Speaker 1: to get the feeling again. Wrote the second one the 237 00:11:28,000 --> 00:11:30,120 Speaker 1: God of His Word with him. Third one was with 238 00:11:30,200 --> 00:11:32,640 Speaker 1: Nicole God who Sees. And the fourth one is these 239 00:11:32,720 --> 00:11:36,160 Speaker 1: amazing musicians named Lewis York. If you haven't had him 240 00:11:36,160 --> 00:11:39,520 Speaker 1: on yet, Bobby, these guys are responsible for more hits 241 00:11:39,520 --> 00:11:44,360 Speaker 1: with like you go back to Michael Jackson, Bruno, Mars Whitney, Madonna. 242 00:11:45,480 --> 00:11:49,679 Speaker 1: Party in the usays that those guys left that world 243 00:11:50,080 --> 00:11:53,800 Speaker 1: independently found each other as as writing and producing partners. 244 00:11:54,200 --> 00:11:56,600 Speaker 1: Ones from Saint Louis, ones from New York. So they 245 00:11:56,600 --> 00:11:59,840 Speaker 1: call themselves Lewis York. They are about the most genius 246 00:11:59,840 --> 00:12:02,400 Speaker 1: guy in the music industry. And so we wrote the 247 00:12:02,400 --> 00:12:05,040 Speaker 1: fourth Oratorial Code, the God on the other side. So 248 00:12:05,080 --> 00:12:08,800 Speaker 1: it's all kinds of music, but some set in ancient times, 249 00:12:08,800 --> 00:12:11,560 Speaker 1: some set I have I have for the retelling and 250 00:12:11,600 --> 00:12:15,160 Speaker 1: a modern day retelling of the Prodigal Son's story. But 251 00:12:15,280 --> 00:12:18,880 Speaker 1: I shot it in Franklin at a friend's farm, and 252 00:12:19,000 --> 00:12:22,280 Speaker 1: I shot it with b bb Weinen's place. The father. 253 00:12:23,160 --> 00:12:27,160 Speaker 1: You know, Jimmy Allen is the son and Claude Kelly 254 00:12:27,200 --> 00:12:30,600 Speaker 1: from Lewis York is a brother, and and I just thought, 255 00:12:30,840 --> 00:12:33,680 Speaker 1: I am in I am in hog Heaven now. And 256 00:12:34,000 --> 00:12:36,040 Speaker 1: so I mean, when you're the when you're the boss, 257 00:12:36,720 --> 00:12:38,880 Speaker 1: you get to see your vision through to the end. 258 00:12:39,000 --> 00:12:42,280 Speaker 1: You know. Then if it's a success, you know, you 259 00:12:42,360 --> 00:12:44,800 Speaker 1: thank God. You don't take a value, just thank him. 260 00:12:44,880 --> 00:12:47,760 Speaker 1: If it's a disaster, it's just because something I have 261 00:12:47,880 --> 00:12:49,920 Speaker 1: more to learn. And you can go to the Way 262 00:12:50,000 --> 00:12:52,679 Speaker 1: Music dot com because it September one, it's out right 263 00:12:52,720 --> 00:12:55,000 Speaker 1: September one, the movie comes out. What I'm saying, that's 264 00:12:55,200 --> 00:12:57,920 Speaker 1: we're talking about the movie. First. You can go to 265 00:12:57,960 --> 00:13:00,520 Speaker 1: Fathom Events dot Com. You know those fathom things that 266 00:13:00,600 --> 00:13:03,360 Speaker 1: a movie comes out for one day's usually to qualify 267 00:13:03,440 --> 00:13:05,400 Speaker 1: for some sort of awards thing or something like that, 268 00:13:05,720 --> 00:13:08,200 Speaker 1: and that's not what we're looking for. We're if somebody 269 00:13:08,200 --> 00:13:10,160 Speaker 1: wants to give me an oscar, it's fine, you'll take it. 270 00:13:10,200 --> 00:13:13,240 Speaker 1: You're saying, you know what, at this point in my life, 271 00:13:13,240 --> 00:13:16,080 Speaker 1: I'll say, you know what, I freaking deserve that after 272 00:13:16,120 --> 00:13:18,920 Speaker 1: all these years. So the book, The God of the Way, 273 00:13:19,280 --> 00:13:22,439 Speaker 1: that's the companion to the film. Yeah, the movie was 274 00:13:22,440 --> 00:13:25,000 Speaker 1: supposed to come out last Easter, and it was I 275 00:13:25,040 --> 00:13:28,080 Speaker 1: had to get three hundred thousand dollars more to finish it, 276 00:13:28,440 --> 00:13:31,080 Speaker 1: so they weren't supposed to come out at the same time, 277 00:13:31,080 --> 00:13:33,199 Speaker 1: but it worked out that way. So the book comes 278 00:13:33,200 --> 00:13:36,360 Speaker 1: out August thirtieth. It's available for pre order now. But 279 00:13:36,440 --> 00:13:39,440 Speaker 1: like if if I show you Abraham and Sarah and 280 00:13:39,480 --> 00:13:41,480 Speaker 1: what they went through when God called them from the 281 00:13:41,559 --> 00:13:43,800 Speaker 1: land of Er Nobod, who knows where the land of 282 00:13:43,880 --> 00:13:45,720 Speaker 1: Er is? You read the Bible. If you read still 283 00:13:45,800 --> 00:13:48,280 Speaker 1: the Bible and you think all the land of Er, no, 284 00:13:48,520 --> 00:13:51,280 Speaker 1: the land of her is modern day I rock. You know. 285 00:13:51,400 --> 00:13:53,280 Speaker 1: These are the things you learn when you when you 286 00:13:53,360 --> 00:13:55,760 Speaker 1: study rabbinically, the Bible, like I do you learn what 287 00:13:55,880 --> 00:14:00,760 Speaker 1: all those kinds of things that give things texture and context? 288 00:14:00,840 --> 00:14:03,560 Speaker 1: And I want to It's the details, you know, So 289 00:14:03,600 --> 00:14:05,840 Speaker 1: you can only tell so much about a song that 290 00:14:05,880 --> 00:14:08,760 Speaker 1: I write. It's about Abraham and Sarah called the God 291 00:14:08,760 --> 00:14:10,880 Speaker 1: of the how and when, and if people want to 292 00:14:10,920 --> 00:14:12,720 Speaker 1: know more about them, read the book that goes along 293 00:14:12,760 --> 00:14:15,120 Speaker 1: with It's almost like a study guide to go along 294 00:14:15,120 --> 00:14:17,200 Speaker 1: with it. I'm sure you'll be spending many a weekend 295 00:14:17,240 --> 00:14:20,320 Speaker 1: with this, every weekend. Actually, I've already got it coundared out. 296 00:14:20,360 --> 00:14:23,040 Speaker 1: I'm ready to go. Well, you're more than welcome to 297 00:14:23,080 --> 00:14:25,520 Speaker 1: come to our Fathom event. It's it's a full fledged 298 00:14:25,520 --> 00:14:30,960 Speaker 1: motion pictures it looks. Thank God for drones. Oh, I 299 00:14:30,960 --> 00:14:33,800 Speaker 1: could have never afford to be a director of films 300 00:14:34,040 --> 00:14:35,880 Speaker 1: in the days when you need to hire a plane 301 00:14:36,160 --> 00:14:38,120 Speaker 1: and a cinematographer to go up in the plane or 302 00:14:38,120 --> 00:14:40,800 Speaker 1: a helicopter and shoot that stuff. You know, Now you 303 00:14:40,840 --> 00:14:43,840 Speaker 1: send up your drone and you get the most unbelievable shots. 304 00:14:43,960 --> 00:14:46,080 Speaker 1: How many times have you seen it back? Oh? I 305 00:14:46,080 --> 00:14:48,240 Speaker 1: had to edit the whole thing so many many times, 306 00:14:48,280 --> 00:14:51,840 Speaker 1: many many many times. Yeah, and so do you editing 307 00:14:51,880 --> 00:14:54,480 Speaker 1: it so many times? Do you start to go, Okay, 308 00:14:54,480 --> 00:14:56,440 Speaker 1: I've been doing it so much, I'm kind of lost 309 00:14:56,440 --> 00:14:59,320 Speaker 1: as to exactly what I'm doing. You know, what you 310 00:14:59,720 --> 00:15:01,800 Speaker 1: do one of two things. You either fall in love 311 00:15:01,840 --> 00:15:04,680 Speaker 1: all the more with your baby, you know. I just 312 00:15:04,720 --> 00:15:06,880 Speaker 1: became a grandmother the other day for the two and 313 00:15:06,880 --> 00:15:09,080 Speaker 1: a half months ago. And you every time I see him, 314 00:15:09,080 --> 00:15:11,640 Speaker 1: I fall more in love with him because I get 315 00:15:11,680 --> 00:15:14,120 Speaker 1: to know him better. And then the other good thing 316 00:15:14,120 --> 00:15:16,160 Speaker 1: about editing is you find little things that you know 317 00:15:16,280 --> 00:15:19,240 Speaker 1: could could be better. But it's like anything in life, 318 00:15:19,280 --> 00:15:22,680 Speaker 1: eventually your time is up and then you just have 319 00:15:22,760 --> 00:15:26,040 Speaker 1: to you just have to die to that, you know, 320 00:15:26,080 --> 00:15:29,040 Speaker 1: in a sense, and just let it be because it is. 321 00:15:29,160 --> 00:15:31,840 Speaker 1: It is what it is, and just rejoice in it 322 00:15:31,960 --> 00:15:33,560 Speaker 1: and see what God has for it. I just wanted 323 00:15:33,600 --> 00:15:37,160 Speaker 1: to change people's lives, Bobby. I'm not a churchgoer. I'm 324 00:15:37,280 --> 00:15:40,720 Speaker 1: I'm a Jesus lover. And you know, the first people 325 00:15:40,800 --> 00:15:44,560 Speaker 1: who believed in Jesus were called the followers of the Way. 326 00:15:44,440 --> 00:15:47,640 Speaker 1: They weren't called Christians till many, many years later. That's 327 00:15:47,840 --> 00:15:50,440 Speaker 1: that's not a Jewish term, that's a Greek term. Christos 328 00:15:50,760 --> 00:15:54,320 Speaker 1: for Messiah. He was a Jewish man, I have people 329 00:15:54,360 --> 00:15:56,680 Speaker 1: say to me, well, now, let me get this right. 330 00:15:56,760 --> 00:16:01,840 Speaker 1: Jesus was Jesus was Catholic, right, I go, are you crazy? No? 331 00:16:02,320 --> 00:16:06,240 Speaker 1: The Biblical illiteracy is frustrating to me because it's the 332 00:16:06,280 --> 00:16:10,520 Speaker 1: most fascinating book that the world has ever experienced, and 333 00:16:10,560 --> 00:16:13,840 Speaker 1: the stories from it are ripped from the headlines today. 334 00:16:14,160 --> 00:16:16,720 Speaker 1: Ripped from the headlines. I mean, if you read the Bible, 335 00:16:16,760 --> 00:16:18,920 Speaker 1: you'll oh, my gosh, this isn't the real housewives of 336 00:16:18,960 --> 00:16:22,920 Speaker 1: the Old Testament. This stuff's unbelievable. I write those stories 337 00:16:22,920 --> 00:16:25,040 Speaker 1: and I bring them to life in a modern day way, 338 00:16:25,240 --> 00:16:28,800 Speaker 1: and I get the sixty five best musicians I know 339 00:16:29,120 --> 00:16:31,880 Speaker 1: in this town, and orchestrated by two of the finest 340 00:16:31,960 --> 00:16:34,240 Speaker 1: orchestrators and anywhere in the world. I put them up 341 00:16:34,240 --> 00:16:36,640 Speaker 1: against anyone, right with the best writers that are in 342 00:16:36,640 --> 00:16:39,680 Speaker 1: the world, because they make me look good. And put 343 00:16:39,720 --> 00:16:42,080 Speaker 1: it out there, and I hope people find it, and 344 00:16:42,120 --> 00:16:44,160 Speaker 1: I hope it blesses them in a way that changes 345 00:16:44,200 --> 00:16:46,320 Speaker 1: their heart so that it can change their life and 346 00:16:46,320 --> 00:16:48,560 Speaker 1: give them hope. The book is the God of the 347 00:16:48,600 --> 00:16:52,400 Speaker 1: way out. August thirtieth, and you mentioned the orchestra. You're 348 00:16:52,440 --> 00:16:55,600 Speaker 1: still seeing wonderfully. Oh you're still seeing just as beautiful 349 00:16:55,600 --> 00:16:57,200 Speaker 1: as I've ever heard you, saying when did you hear 350 00:16:57,280 --> 00:17:00,880 Speaker 1: musics the other morning? Yeah? Well I was in the 351 00:17:00,880 --> 00:17:06,000 Speaker 1: other room when you were a child, and your mom 352 00:17:06,200 --> 00:17:07,960 Speaker 1: saying that was a musician from right, he was a 353 00:17:08,040 --> 00:17:11,800 Speaker 1: jazz saxophonist. So with that, I mean, do you get 354 00:17:11,840 --> 00:17:16,240 Speaker 1: an ear? And are you genetically blessed because you're like 355 00:17:16,320 --> 00:17:19,119 Speaker 1: how because again, you were so good so early on. No, 356 00:17:19,240 --> 00:17:22,200 Speaker 1: I wasn't, you weren't. But I wanted to be a singer. 357 00:17:22,359 --> 00:17:23,600 Speaker 1: I wanted to be a singer. I want to be 358 00:17:23,600 --> 00:17:26,880 Speaker 1: Barbara Streison. That didn't work out. She changed my life 359 00:17:26,880 --> 00:17:31,320 Speaker 1: the first time I heard people people who need people, 360 00:17:31,640 --> 00:17:33,240 Speaker 1: you know, you just want to what I wanted to 361 00:17:33,320 --> 00:17:36,320 Speaker 1: drop to my jaw and I just I just wanted 362 00:17:36,320 --> 00:17:39,080 Speaker 1: to move people like that. And I spent years in 363 00:17:39,080 --> 00:17:41,439 Speaker 1: front of a mirror trying to hit those notes. But 364 00:17:41,520 --> 00:17:43,399 Speaker 1: then I realized how important it was just to be 365 00:17:43,440 --> 00:17:45,600 Speaker 1: the best of me I could be. The world is 366 00:17:45,640 --> 00:17:47,959 Speaker 1: full of people who try to admire other people so 367 00:17:48,040 --> 00:17:51,200 Speaker 1: much they try to exactly that way. The world does 368 00:17:51,240 --> 00:17:55,000 Speaker 1: not need any more copycats. We need more original, authentic people. 369 00:17:55,600 --> 00:17:59,440 Speaker 1: And I came to understand how important that was. That's 370 00:17:59,440 --> 00:18:01,919 Speaker 1: why I can't and all this culture, this canceling in 371 00:18:01,960 --> 00:18:05,000 Speaker 1: our culture of people, because we're not all alike. We 372 00:18:05,000 --> 00:18:07,680 Speaker 1: were never meant to be all alike. God went a great, 373 00:18:07,800 --> 00:18:10,560 Speaker 1: great trouble to make us all so completely unique, down 374 00:18:10,560 --> 00:18:13,360 Speaker 1: to our down to our fingerprints, you know. And then 375 00:18:13,359 --> 00:18:15,320 Speaker 1: we as a culture say, if you don't believe the 376 00:18:15,320 --> 00:18:16,800 Speaker 1: way I believe, you don't think the way I think, 377 00:18:16,840 --> 00:18:18,760 Speaker 1: you don't worship the way I think, you don't vote 378 00:18:18,760 --> 00:18:20,679 Speaker 1: the way I think, you can't be on this planet. 379 00:18:20,680 --> 00:18:22,399 Speaker 1: And I want to go, wait a minute, this planet 380 00:18:22,400 --> 00:18:25,840 Speaker 1: that God made for us, every one of us. Where'd 381 00:18:25,880 --> 00:18:28,760 Speaker 1: you get that theology? That's really really screwed up theology. 382 00:18:29,400 --> 00:18:30,840 Speaker 1: I like it that more people were like me, I'll 383 00:18:30,840 --> 00:18:32,959 Speaker 1: be honest with you, more people like me, I think 384 00:18:32,960 --> 00:18:35,119 Speaker 1: that I would take a few more boneses in the world. 385 00:18:35,240 --> 00:18:37,360 Speaker 1: Me too. So other than just I'm the only one 386 00:18:37,359 --> 00:18:40,720 Speaker 1: to wish a copy. Well, how about Jesus before you 387 00:18:40,880 --> 00:18:44,800 Speaker 1: Jesus right now though in this room I'm the only one. 388 00:18:45,240 --> 00:18:49,840 Speaker 1: So but back to you being a child, my personal feeling, 389 00:18:49,880 --> 00:18:52,480 Speaker 1: as you could sing, but maybe your sister was better 390 00:18:52,520 --> 00:18:54,240 Speaker 1: and you were in such an advanced family that you 391 00:18:54,280 --> 00:18:56,720 Speaker 1: didn't know. No, you know what, I thought I could sing, 392 00:18:56,720 --> 00:18:59,119 Speaker 1: and I went to my sister's vocal coach, because my 393 00:18:59,119 --> 00:19:03,080 Speaker 1: sister could have been a I'm a child wonder. I 394 00:19:03,119 --> 00:19:04,959 Speaker 1: went and I sang a little song, and I think 395 00:19:05,119 --> 00:19:08,000 Speaker 1: I did a few chords for her, and everything stretches, 396 00:19:08,000 --> 00:19:10,959 Speaker 1: you know, whatever, our peggios, whatever. And she looked at me, 397 00:19:11,040 --> 00:19:15,960 Speaker 1: very very lovingly, and she goes, oh, Kathy, stick to harmony, honey. 398 00:19:16,040 --> 00:19:18,840 Speaker 1: And it made me so mad that I went out 399 00:19:18,840 --> 00:19:21,120 Speaker 1: and learned how to be a singer. So when you're sixteen, 400 00:19:21,200 --> 00:19:22,280 Speaker 1: what do you want to be when you grow up? 401 00:19:22,600 --> 00:19:24,560 Speaker 1: When I'm sixteen, I want to be um. I want 402 00:19:24,560 --> 00:19:29,040 Speaker 1: to be writing and producing movies with some of the 403 00:19:29,040 --> 00:19:31,520 Speaker 1: most brilliant producers in the world. I want to be 404 00:19:31,560 --> 00:19:35,439 Speaker 1: on a mountaintop with my cinematographer and my creative director 405 00:19:35,440 --> 00:19:37,719 Speaker 1: and my team that I do everything with now I 406 00:19:37,760 --> 00:19:39,360 Speaker 1: want to I can't want that at sixteen. You don't 407 00:19:39,400 --> 00:19:41,680 Speaker 1: know them yet. Oh you mean if I worked you 408 00:19:41,760 --> 00:19:43,960 Speaker 1: speak out? I know sixteen. Yeah, when you were sixteen, 409 00:19:44,000 --> 00:19:46,040 Speaker 1: what did you want to be? Exactly what I am now? 410 00:19:46,200 --> 00:19:48,760 Speaker 1: But but you don't know that cinematographer when you're six. No, 411 00:19:48,840 --> 00:19:50,840 Speaker 1: I know I wanted to make movies. I want to 412 00:19:52,040 --> 00:19:54,920 Speaker 1: I said that. No, you said you're cinematographer. No, I 413 00:19:55,160 --> 00:19:57,520 Speaker 1: want to be making movies. You know I called. I 414 00:19:57,680 --> 00:19:59,239 Speaker 1: didn't call it. I didn't have a phone back then. 415 00:19:59,280 --> 00:20:02,600 Speaker 1: They were I wrote when I was about eight years old, 416 00:20:02,600 --> 00:20:05,119 Speaker 1: I wrote a movie. I saw a movie, and I 417 00:20:05,160 --> 00:20:09,439 Speaker 1: wrote Walt Disney a letter, you wrote, Walt Disney, Yes, 418 00:20:09,520 --> 00:20:12,760 Speaker 1: I did. It's called kutzpah in Yiddish. And it's like, 419 00:20:12,800 --> 00:20:15,119 Speaker 1: you know, it's like I knew what I wanted to do. 420 00:20:15,160 --> 00:20:16,480 Speaker 1: And I wrote him a letter and I said, my 421 00:20:16,560 --> 00:20:19,000 Speaker 1: name is Kathy Epstein. And I thought that time and 422 00:20:19,040 --> 00:20:22,080 Speaker 1: you need to meet me. And I think back on 423 00:20:22,119 --> 00:20:25,120 Speaker 1: it now, like what kind of audacity is that? I said, 424 00:20:25,280 --> 00:20:26,720 Speaker 1: I want to make movies. I want to be in 425 00:20:26,760 --> 00:20:28,880 Speaker 1: your movies, and you should meet me because I'm known 426 00:20:28,880 --> 00:20:32,320 Speaker 1: for my expressions. And I got a letter back from him. 427 00:20:32,760 --> 00:20:34,560 Speaker 1: It was a foreign letter, but an eight year old 428 00:20:34,640 --> 00:20:37,920 Speaker 1: kid doesn't know. Signed Walt Disney, and he said, maybe 429 00:20:37,960 --> 00:20:40,560 Speaker 1: someday you and I will work together. Kathy. I hope 430 00:20:40,560 --> 00:20:42,439 Speaker 1: we will, and I think it's gonna happen. It was 431 00:20:42,480 --> 00:20:45,560 Speaker 1: really very I know he didn't write it now, but 432 00:20:45,560 --> 00:20:47,880 Speaker 1: back then I thought he did. I thought tinker Bell 433 00:20:48,040 --> 00:20:51,880 Speaker 1: wrote it or somebody did. And it was just amazing 434 00:20:51,920 --> 00:20:55,439 Speaker 1: because years later I worked with Regis and we worked 435 00:20:56,160 --> 00:20:58,480 Speaker 1: Regis on my own half our show and Disney on 436 00:20:58,560 --> 00:21:00,920 Speaker 1: the other. I ended up doing like five Disney films. 437 00:21:01,480 --> 00:21:04,600 Speaker 1: My son made his debut along with Justin Timberlake, in 438 00:21:04,600 --> 00:21:07,399 Speaker 1: a movie called you Know Model Behavior. You know I 439 00:21:07,440 --> 00:21:09,879 Speaker 1: did make movies with Walt Disney. That's pretty cool. Do 440 00:21:09,920 --> 00:21:11,960 Speaker 1: you think Walt Disney signed it himself? Though? No, I 441 00:21:12,040 --> 00:21:15,200 Speaker 1: don't know. No, I'm not. I did it at the time, 442 00:21:15,240 --> 00:21:18,880 Speaker 1: though I'd never seen a form letter either. So when 443 00:21:18,920 --> 00:21:22,400 Speaker 1: did your TV career start? I had my big break, 444 00:21:22,440 --> 00:21:24,800 Speaker 1: believe it or not, in nineteen seventy seven, at the 445 00:21:24,800 --> 00:21:27,760 Speaker 1: age of twenty two years old, doing what the singer 446 00:21:27,840 --> 00:21:29,760 Speaker 1: the lead singer on a show called Name That Tune? 447 00:21:30,080 --> 00:21:32,040 Speaker 1: I knew. I know it well, Yeah, I had to. 448 00:21:32,359 --> 00:21:34,679 Speaker 1: I had to learn two hundred songs in five days, 449 00:21:34,720 --> 00:21:37,160 Speaker 1: singing yes, but the only little portion of it. Again, 450 00:21:37,200 --> 00:21:39,959 Speaker 1: you're La La La. Life is worth living. You're a 451 00:21:39,960 --> 00:21:43,439 Speaker 1: great scene, only worth living if you're Laala, Right. I 452 00:21:43,440 --> 00:21:45,520 Speaker 1: had to just Lalla out the title and then somebody 453 00:21:45,520 --> 00:21:49,159 Speaker 1: else go buzz Born Free. They'd win one hundred thousand 454 00:21:49,160 --> 00:21:51,959 Speaker 1: dollars and I went home with being paid scale. I 455 00:21:52,000 --> 00:21:55,760 Speaker 1: didn't care. It made me. People knew me. I was. 456 00:21:56,240 --> 00:21:58,760 Speaker 1: It was my big break. And then I came here 457 00:21:58,920 --> 00:22:02,240 Speaker 1: to Nashville for a year and I shot something called Heha, 458 00:22:02,320 --> 00:22:05,240 Speaker 1: Honeys spin off from Heha. That's where I met Dolly 459 00:22:05,320 --> 00:22:08,400 Speaker 1: and the Gatlins and Barbara Vandrell and so many other 460 00:22:08,400 --> 00:22:11,879 Speaker 1: people that became my friends and still are. Larry Gatlin 461 00:22:11,960 --> 00:22:15,119 Speaker 1: plays Joshua in my movie The Way from All the 462 00:22:15,119 --> 00:22:17,879 Speaker 1: Way Back Then, From all the way back then. You know, 463 00:22:18,359 --> 00:22:22,760 Speaker 1: kids today people want everything overnight. They don't know the 464 00:22:22,880 --> 00:22:25,800 Speaker 1: value of hard work. My daddy had three jobs. My 465 00:22:25,880 --> 00:22:29,080 Speaker 1: mom's sold eggs door to door. You know, I was taught. 466 00:22:29,680 --> 00:22:33,240 Speaker 1: I was taught such a good work ethic. My daddy 467 00:22:33,280 --> 00:22:35,000 Speaker 1: used to say, you don't know. I love you too much, 468 00:22:35,040 --> 00:22:38,560 Speaker 1: honey to deny you the privilege of making mistakes, just 469 00:22:38,960 --> 00:22:40,800 Speaker 1: but be willing to, because that's why you're going to 470 00:22:40,880 --> 00:22:44,040 Speaker 1: learn almost everything you need to know. And I never 471 00:22:44,080 --> 00:22:45,600 Speaker 1: forgot that. And then when I was going in for 472 00:22:45,640 --> 00:22:47,680 Speaker 1: an audition or something to say just be the best 473 00:22:47,720 --> 00:22:51,040 Speaker 1: they ever had. Honey, that's all. That's awesome. Your dad 474 00:22:51,040 --> 00:22:53,480 Speaker 1: sound awesome. And he was a jazz saxophonist and I've 475 00:22:53,480 --> 00:22:56,120 Speaker 1: had a thing for those guys ever since. Well, so 476 00:22:56,280 --> 00:22:58,679 Speaker 1: the book The God of the Way, and then the 477 00:22:58,800 --> 00:23:04,280 Speaker 1: next day the movie is our days later is the book, 478 00:23:04,320 --> 00:23:07,120 Speaker 1: but it's available now. That's that's The God of the Way, 479 00:23:07,160 --> 00:23:08,880 Speaker 1: and the film is called The Way, and you're so 480 00:23:08,920 --> 00:23:11,160 Speaker 1: sweet to let me talk about it. It comes out 481 00:23:11,200 --> 00:23:13,800 Speaker 1: as a Fathom event on September first, the first seat. 482 00:23:14,000 --> 00:23:15,680 Speaker 1: I would assume there were thirty days in this month, 483 00:23:15,680 --> 00:23:17,639 Speaker 1: but I never mastered that Knuckles thing where it's like, 484 00:23:17,680 --> 00:23:20,880 Speaker 1: oh yeah January if yeah, yeah, yeah, but you start 485 00:23:20,920 --> 00:23:22,159 Speaker 1: on the up now. Wait a minute, it is the 486 00:23:22,200 --> 00:23:24,679 Speaker 1: next day. No, I don't know. I'm just going no, 487 00:23:24,800 --> 00:23:28,320 Speaker 1: there's a thirty first Okay, well yes, I'm spending circles 488 00:23:28,320 --> 00:23:32,800 Speaker 1: now anyway for it marches up. April is down, May up, 489 00:23:32,920 --> 00:23:36,800 Speaker 1: June down, July up, and August is up because they 490 00:23:36,800 --> 00:23:39,120 Speaker 1: both have thirty one. And then it goes. I got 491 00:23:39,119 --> 00:23:41,639 Speaker 1: got by the Knuckles game. Guys didn't remember it, um 492 00:23:41,880 --> 00:23:44,200 Speaker 1: cassually you are a real, real treat and I hope 493 00:23:44,200 --> 00:23:46,240 Speaker 1: this thing is everything you want it to be. I 494 00:23:46,280 --> 00:23:48,040 Speaker 1: hope it fills your cup in all the ways, because 495 00:23:48,080 --> 00:23:50,000 Speaker 1: it doesn't sound like your cup will be filled with 496 00:23:50,400 --> 00:23:52,320 Speaker 1: money or prestige or fame. It sounds like you're going 497 00:23:52,400 --> 00:23:55,639 Speaker 1: to change people's lives. And I really think that's really fantastic. Well, 498 00:23:55,720 --> 00:23:57,840 Speaker 1: I've always been a huge fan of yours. Thank you 499 00:23:57,920 --> 00:24:00,240 Speaker 1: so much for having me, and boy, you didn't marry 500 00:24:00,240 --> 00:24:04,639 Speaker 1: a beautiful woman? Yeah, I am. Is there something I'm missing? 501 00:24:04,720 --> 00:24:08,440 Speaker 1: Are you guys broken up? What happened? No? Can you imagine? 502 00:24:08,440 --> 00:24:10,400 Speaker 1: It reminded the worst thing that ever happened. I've got 503 00:24:10,400 --> 00:24:12,720 Speaker 1: to learn to stop doing what happened, Oh, the worst 504 00:24:12,760 --> 00:24:14,800 Speaker 1: thing ever. The first time it happened, it was with James, 505 00:24:14,840 --> 00:24:17,439 Speaker 1: Taylor and Sting. I like to throw them them around. 506 00:24:17,680 --> 00:24:20,879 Speaker 1: I'm interviewing them on the show with them with Hoda, 507 00:24:21,280 --> 00:24:23,720 Speaker 1: and I say to James because I followed the whole 508 00:24:23,720 --> 00:24:27,320 Speaker 1: Taylor family since forever, right, how's Alex? Because I've known 509 00:24:27,359 --> 00:24:30,200 Speaker 1: he was sick, and James looks at me, goes, he's dead. 510 00:24:30,800 --> 00:24:33,920 Speaker 1: I swear I'm going, Oh, dear God, Oh dear Jesus. 511 00:24:34,320 --> 00:24:37,280 Speaker 1: I'm so sorry. I'm so sorry. Now here's the worst one. 512 00:24:37,400 --> 00:24:39,920 Speaker 1: If there's a worst one, it's this one about two 513 00:24:40,000 --> 00:24:42,160 Speaker 1: years ago. Three years. I don't know, No, it's more 514 00:24:42,160 --> 00:24:44,160 Speaker 1: than that, because I was on with Hoda and I've 515 00:24:44,160 --> 00:24:46,720 Speaker 1: been gone three years. One of my favorite people in 516 00:24:46,760 --> 00:24:49,960 Speaker 1: the entire world is Marty Short, right, who's greater than 517 00:24:50,000 --> 00:24:53,800 Speaker 1: Marty Short? There's nobody love him, and I've always admired 518 00:24:53,960 --> 00:24:55,760 Speaker 1: everything about him. But you don't hear about a lot 519 00:24:55,760 --> 00:24:58,680 Speaker 1: about Marty in the rags or anything. He just does 520 00:24:58,680 --> 00:25:00,800 Speaker 1: his work and he makes you laughing, makes you happy. 521 00:25:00,960 --> 00:25:03,880 Speaker 1: I always loved him and his wife, Nancy, adored them, 522 00:25:04,119 --> 00:25:07,280 Speaker 1: and so I'm gone on and on about how did 523 00:25:07,280 --> 00:25:09,240 Speaker 1: you do it? Marty? You guys have one of the 524 00:25:09,320 --> 00:25:14,080 Speaker 1: most incredible marriages I've you know, in Hollywood these nobody 525 00:25:14,200 --> 00:25:17,560 Speaker 1: is wedding marriages like that, you know, and you're never 526 00:25:17,600 --> 00:25:20,960 Speaker 1: in the trade, You're never in the all of that stuff. Well, 527 00:25:21,000 --> 00:25:23,440 Speaker 1: the show ends, and Marty, because he didn't want to 528 00:25:23,440 --> 00:25:26,400 Speaker 1: embarrass me, comes up to me so kindly, because Kathy, 529 00:25:26,440 --> 00:25:29,960 Speaker 1: it was obvious you had no idea. But Nancy died 530 00:25:29,960 --> 00:25:33,480 Speaker 1: of cancer last year, and I you know, I went, 531 00:25:33,520 --> 00:25:37,119 Speaker 1: oh my god, Marty, I've got to stop asking people 532 00:25:37,160 --> 00:25:40,800 Speaker 1: how somebody is because there's a chance these days, the 533 00:25:40,800 --> 00:25:43,600 Speaker 1: older I get, there's a chance they're not around anymore. 534 00:25:44,000 --> 00:25:48,360 Speaker 1: And I I just I mean, well, well, rest assured, 535 00:25:48,640 --> 00:25:51,919 Speaker 1: we're doing wonderfully. I just always feel weird taking like 536 00:25:51,960 --> 00:25:53,600 Speaker 1: people are surprised I have a pretty wife all the 537 00:25:53,600 --> 00:25:56,560 Speaker 1: time because no, no, but they're like, congratulations on that, 538 00:25:56,600 --> 00:25:59,960 Speaker 1: when I'm like, I don't know how to respond to that, 539 00:26:00,080 --> 00:26:01,879 Speaker 1: but I will say, thank you. That's very kind to 540 00:26:02,000 --> 00:26:04,280 Speaker 1: say that she got a hunk of burning love is 541 00:26:04,280 --> 00:26:08,160 Speaker 1: what she got. You're the only one we walk into places, Kathy, 542 00:26:08,200 --> 00:26:10,600 Speaker 1: and they look at they look at us, and they'll 543 00:26:10,640 --> 00:26:12,560 Speaker 1: look at her and go oh, they look at me, 544 00:26:12,920 --> 00:26:14,360 Speaker 1: and then they look back at her to make sure 545 00:26:14,640 --> 00:26:17,320 Speaker 1: that she's kind of all right, and they just don't understand. No, 546 00:26:17,440 --> 00:26:20,199 Speaker 1: here's the thing. You know what your secret is? You 547 00:26:20,240 --> 00:26:23,800 Speaker 1: are Clark Kent. I take my glasses all I still 548 00:26:23,840 --> 00:26:27,359 Speaker 1: saw a Clok. No, you are one hot, Okay you 549 00:26:27,440 --> 00:26:32,080 Speaker 1: always okay, yeah, No, I'm not gonna take that. I'd say, well, 550 00:26:32,280 --> 00:26:35,480 Speaker 1: you're right, I believe. I'd say, yeah, you're you're better 551 00:26:35,520 --> 00:26:38,520 Speaker 1: than average, but no, I think you're unbelievably attractive. Well, 552 00:26:38,560 --> 00:26:41,200 Speaker 1: I appreciate that my son or grandson. But that's what 553 00:26:41,440 --> 00:26:44,480 Speaker 1: makes me feel well that listen, here's what we're gonna do. 554 00:26:45,440 --> 00:26:49,000 Speaker 1: They got of the way, Let's get back to God book. Yes. 555 00:26:49,160 --> 00:26:52,119 Speaker 1: And then two days later every everyone should check out 556 00:26:52,160 --> 00:26:56,359 Speaker 1: your knuckles, folks, Joe I in August. Those knuckles are 557 00:26:56,359 --> 00:27:00,800 Speaker 1: both ups right, and then followed by the movie Listen, 558 00:27:00,800 --> 00:27:03,120 Speaker 1: I love you. I love to see you so happy 559 00:27:03,240 --> 00:27:05,760 Speaker 1: and so fulfilled. I think that's all. Thank you. I 560 00:27:05,840 --> 00:27:08,600 Speaker 1: want to thank Nashville and all of Tennessee for welcoming 561 00:27:08,680 --> 00:27:11,080 Speaker 1: me the way they have. People have just been makes 562 00:27:11,080 --> 00:27:14,120 Speaker 1: me cry to think of it. They've been unbelievably kind 563 00:27:14,480 --> 00:27:17,280 Speaker 1: and great. I'm so grateful for it. Well, thank you, 564 00:27:17,400 --> 00:27:23,600 Speaker 1: thank you, Thanks, thank you. That was awesome. It's the 565 00:27:23,640 --> 00:27:31,480 Speaker 1: best bits of the week with Morgan. Number two, good 566 00:27:31,480 --> 00:27:34,280 Speaker 1: old Scoopa Steve and his crazy stories. This week, he 567 00:27:34,359 --> 00:27:37,440 Speaker 1: shared with us that he took the opportunity with our 568 00:27:37,480 --> 00:27:40,520 Speaker 1: show based on a coin flip. I know, and you 569 00:27:40,560 --> 00:27:42,359 Speaker 1: may not believe me, but you got to hear this 570 00:27:42,400 --> 00:27:44,840 Speaker 1: segment or you're just not going to believe him. So 571 00:27:45,080 --> 00:27:48,600 Speaker 1: let's go. Time to listen to Scoopa Steve's crazy reasoning 572 00:27:48,720 --> 00:27:51,200 Speaker 1: for why he flipped a coin and came to the 573 00:27:51,240 --> 00:27:54,920 Speaker 1: show number five. Hey, Ray, would you play Joey Evessena 574 00:27:54,960 --> 00:28:00,360 Speaker 1: real quick jam? Right? Yeah, of course, Dan, and he's 575 00:28:00,400 --> 00:28:05,359 Speaker 1: on Danny. You moved thousands of miles away because of 576 00:28:05,400 --> 00:28:09,399 Speaker 1: this song because of a coin flip? Right, Well, it 577 00:28:09,520 --> 00:28:13,120 Speaker 1: wasn't because of the song. Come on, just say this, blon, 578 00:28:13,160 --> 00:28:16,360 Speaker 1: say it this pretty cool? Go ahead, Yeah, this song 579 00:28:16,440 --> 00:28:20,359 Speaker 1: makes it pretty cool. So I was I grew up 580 00:28:20,520 --> 00:28:24,760 Speaker 1: in um Rochester, New York, and I was working for 581 00:28:24,800 --> 00:28:28,120 Speaker 1: this company. I was only twenty one years old and 582 00:28:28,359 --> 00:28:31,800 Speaker 1: I was offered a pretty big promotion, and but the 583 00:28:31,800 --> 00:28:34,879 Speaker 1: promotion was not available in New York. So my boss 584 00:28:35,000 --> 00:28:38,240 Speaker 1: was like, you would need to relocate to either Wilmington, 585 00:28:38,320 --> 00:28:41,840 Speaker 1: North Carolina, or or Ryan, California. And I said, okay, 586 00:28:41,920 --> 00:28:44,240 Speaker 1: let's flip a coin. He's like, I can let you 587 00:28:44,280 --> 00:28:46,480 Speaker 1: make a decision that big based on a coin flip. 588 00:28:46,520 --> 00:28:49,200 Speaker 1: I'm like, I've never been to either place. Let's just 589 00:28:49,280 --> 00:28:53,720 Speaker 1: flib a coin. And I don't remember what at landed on, 590 00:28:53,880 --> 00:28:57,360 Speaker 1: but I know a landers on Carolina. So I moved 591 00:28:57,400 --> 00:29:01,880 Speaker 1: to Carolina the next week met my husband. My dad 592 00:29:02,040 --> 00:29:04,760 Speaker 1: ended up moving down there. He got married down there. 593 00:29:05,240 --> 00:29:07,840 Speaker 1: My sister moved down there, she got beared, he'd had 594 00:29:07,880 --> 00:29:12,320 Speaker 1: some kids. So a single coin flip just like affected 595 00:29:12,480 --> 00:29:15,040 Speaker 1: so many things in that moment. And then the song 596 00:29:15,120 --> 00:29:17,160 Speaker 1: came out a few years later, and I'm like, that's 597 00:29:17,240 --> 00:29:20,040 Speaker 1: my life story. So I thought when I saw this, 598 00:29:20,560 --> 00:29:23,640 Speaker 1: she said, literally she had to move to Carolina or California. 599 00:29:23,720 --> 00:29:25,920 Speaker 1: That's why I said, it's the song, right. No, it 600 00:29:25,960 --> 00:29:29,400 Speaker 1: just happened to the exact same places. Wow, yeah, that's crazy. 601 00:29:29,680 --> 00:29:33,320 Speaker 1: I hear she wrote out about you and you should sue. 602 00:29:34,080 --> 00:29:36,800 Speaker 1: So Raymundo had mentioned, so you were hanging out with 603 00:29:36,840 --> 00:29:39,120 Speaker 1: Scuba Steve listened to that Col Swindell version, Yeah, and 604 00:29:39,240 --> 00:29:41,200 Speaker 1: he was saying Scooba was saying him and his wife 605 00:29:41,240 --> 00:29:43,160 Speaker 1: did the exact same thing with a coin flip. I 606 00:29:43,200 --> 00:29:45,920 Speaker 1: cannot believe that you're just flipping a coin and following it. 607 00:29:45,920 --> 00:29:47,880 Speaker 1: That's great, yes, because one time we didn't follow the 608 00:29:47,920 --> 00:29:49,719 Speaker 1: coin and it was a terrible day, so we followed 609 00:29:49,720 --> 00:29:51,800 Speaker 1: the coin. I didn't know that Scuba Steve ended up 610 00:29:51,840 --> 00:29:54,000 Speaker 1: here because of a coin flip. That's pretty cool. I remember. 611 00:29:54,000 --> 00:29:55,600 Speaker 1: And if you guys are new to the show, Scuba 612 00:29:55,600 --> 00:29:57,840 Speaker 1: Steve is our executive producer, like he is the guy 613 00:29:58,040 --> 00:30:01,560 Speaker 1: making all the decisions here behind the scenes. Um is 614 00:30:01,600 --> 00:30:04,040 Speaker 1: as important to this show and as I am in 615 00:30:04,080 --> 00:30:06,840 Speaker 1: many ways. And so him and I meet all the time. 616 00:30:06,920 --> 00:30:09,160 Speaker 1: He's just running it. But I remember when he showed 617 00:30:09,200 --> 00:30:10,360 Speaker 1: up and I interviewed him, and I was like, this 618 00:30:10,400 --> 00:30:12,120 Speaker 1: dude's bald with a huge beard, looks like a death 619 00:30:12,160 --> 00:30:16,360 Speaker 1: metal singer. And he's the gentlest guy. He's the kindest, 620 00:30:17,000 --> 00:30:19,760 Speaker 1: always a big smile on his face, like that Scuba Steve. 621 00:30:19,960 --> 00:30:22,440 Speaker 1: But he looks like he's going to rob you and 622 00:30:22,480 --> 00:30:24,320 Speaker 1: then decide after he's done robbing you if he's gonna 623 00:30:24,320 --> 00:30:26,840 Speaker 1: stab you or not. Like he's flipping a coin, all right, 624 00:30:26,880 --> 00:30:28,520 Speaker 1: heads a stab him tells I just leave him beat 625 00:30:28,560 --> 00:30:31,600 Speaker 1: up in the alley. That's what he looks like. And 626 00:30:31,680 --> 00:30:33,280 Speaker 1: so you would see him and I remember him coming 627 00:30:33,320 --> 00:30:34,840 Speaker 1: in and I'll be like Eddie Amy and lets you 628 00:30:34,880 --> 00:30:38,160 Speaker 1: gotta meet Steve, and you guys will look at him 629 00:30:38,160 --> 00:30:40,160 Speaker 1: be like, what is he one one of these programs 630 00:30:40,200 --> 00:30:46,920 Speaker 1: like we hire somebody prison every Yeah, yeah, yeah, well 631 00:30:46,600 --> 00:30:50,280 Speaker 1: you look kind of tough, and yeah it's the beard thing, 632 00:30:51,240 --> 00:30:54,760 Speaker 1: Like yeah, no, it's not. It's not an insult at all. Yeah, yeah, 633 00:30:54,800 --> 00:30:57,640 Speaker 1: but I'm glad you're here. I'm glad you flipped a coin, 634 00:30:57,680 --> 00:30:59,880 Speaker 1: and I'm glad. I'm very lucky that that thing landed 635 00:30:59,920 --> 00:31:03,920 Speaker 1: on heads. And I always picked heels always because tells 636 00:31:03,920 --> 00:31:08,560 Speaker 1: ever fails. That's right, excepting the sign. All right, scoopa, 637 00:31:08,560 --> 00:31:12,920 Speaker 1: thank you buddy here, Welcome on, Greg and Wisconsin. You know, yeah, 638 00:31:13,120 --> 00:31:15,600 Speaker 1: there's a lot about moving, but I I've never heard 639 00:31:15,640 --> 00:31:18,440 Speaker 1: about one deciding to divorce by a coin flat. Oh my, Greg, 640 00:31:18,440 --> 00:31:23,440 Speaker 1: go ahead, yeah. I Uh, I was out up over 641 00:31:23,480 --> 00:31:25,440 Speaker 1: the road and I was out in New York City 642 00:31:25,440 --> 00:31:28,160 Speaker 1: and Arrest area, and I was missing my wife, and 643 00:31:28,200 --> 00:31:31,080 Speaker 1: I just pushed up on the phone. Uh so many 644 00:31:31,120 --> 00:31:35,480 Speaker 1: pictures of so and so and below the Wisconsin, and 645 00:31:35,480 --> 00:31:38,440 Speaker 1: it came up. Three daily naps come up, but she 646 00:31:38,600 --> 00:31:42,000 Speaker 1: was on. We've been together for forty three years and 647 00:31:42,240 --> 00:31:44,720 Speaker 1: married for thirty years, and I found her on these 648 00:31:44,720 --> 00:31:48,239 Speaker 1: three dating naps. So I went home and confronted her 649 00:31:48,280 --> 00:31:50,480 Speaker 1: and she said she wasn't on him, and I showed 650 00:31:50,480 --> 00:31:53,920 Speaker 1: her the pictures that I've seen on the phone. And 651 00:31:54,640 --> 00:31:58,240 Speaker 1: I talked to my oldest son about it and he said, well, 652 00:31:58,760 --> 00:32:01,360 Speaker 1: Daddy said, we get all the grandkids. He said, you 653 00:32:01,400 --> 00:32:04,200 Speaker 1: can't just sweep them. I said, well, I'm gonna flip 654 00:32:04,200 --> 00:32:05,840 Speaker 1: a coin. I said, if it comes up to head, 655 00:32:06,000 --> 00:32:09,000 Speaker 1: I'm gonna stay. Whatever comes up, Tails, I'm going to divorce. 656 00:32:09,040 --> 00:32:14,760 Speaker 1: There the game up, Tails. I cannot believe this. Never fail, Yeah, 657 00:32:14,840 --> 00:32:20,840 Speaker 1: Tales never fails. And next Sweets, she moved in with 658 00:32:20,840 --> 00:32:23,840 Speaker 1: this guy that she'd been more or less living with 659 00:32:24,000 --> 00:32:26,720 Speaker 1: for the last two years. She come home on Friday 660 00:32:26,720 --> 00:32:29,200 Speaker 1: and I give her money, and then Sunday I'd leave 661 00:32:29,240 --> 00:32:30,920 Speaker 1: out and she would go to his house and stay 662 00:32:30,960 --> 00:32:34,480 Speaker 1: until Thursday night, a Friday morning. Then I couldn't believe 663 00:32:34,520 --> 00:32:37,120 Speaker 1: it. It It freaked me out. This story makes me sad, 664 00:32:37,560 --> 00:32:39,000 Speaker 1: but I'm also kind of blown away that there was 665 00:32:39,800 --> 00:32:41,400 Speaker 1: that coin did the right thing, the landed on the 666 00:32:41,480 --> 00:32:44,080 Speaker 1: right one. Coins. All right, here we go, make a 667 00:32:44,080 --> 00:32:46,640 Speaker 1: big decision right now, right now. Yeah, okay, do not 668 00:32:46,680 --> 00:32:50,080 Speaker 1: the divorce. No, don't, don't worry. Don't do that, don't worry. 669 00:32:50,320 --> 00:32:55,440 Speaker 1: All right, Heads, I stay doing the show today. I 670 00:32:55,520 --> 00:32:59,239 Speaker 1: like it. Oh yeah, Tails, I go home. I'll come 671 00:32:59,240 --> 00:33:01,560 Speaker 1: back for three weeks. I don't even know where I am. 672 00:33:01,800 --> 00:33:08,160 Speaker 1: Well this is great. Yeah, so Tails three weeks away? Yeah, Heads, No, wait, 673 00:33:08,960 --> 00:33:12,720 Speaker 1: I lost my track. Heads, I finished the show. Okay, No, 674 00:33:12,840 --> 00:33:15,800 Speaker 1: I'm gonna flip it, Heads, I leave for three weeks 675 00:33:16,080 --> 00:33:18,720 Speaker 1: and donate all my paid a lunchbox. Oh I I'm 676 00:33:18,720 --> 00:33:21,200 Speaker 1: Heads all the way. Let's go, boy, Yeah for three weeks. 677 00:33:21,280 --> 00:33:24,720 Speaker 1: Three weeks, yeah, three week vacation. I could use it. Tails, 678 00:33:24,880 --> 00:33:32,800 Speaker 1: I finished the show, Come on, Heads, don't Oh my gosh, 679 00:33:32,960 --> 00:33:36,680 Speaker 1: every time? Okay, different calling it again. Here we go. 680 00:33:37,680 --> 00:33:40,680 Speaker 1: I need heads. It is tang it. I'm standing here 681 00:33:40,680 --> 00:33:42,720 Speaker 1: in the show. The world hates me. All right. He 682 00:33:42,800 --> 00:33:48,120 Speaker 1: did the right thing again. It's the best bits of 683 00:33:48,200 --> 00:33:53,400 Speaker 1: the week with Morgan. Number two, everybody's favorite segment. We've 684 00:33:53,440 --> 00:33:55,520 Speaker 1: been doing it a lot lately, and you guys are 685 00:33:55,680 --> 00:33:58,520 Speaker 1: loving every minute of it. This week we did blind 686 00:33:58,680 --> 00:34:03,080 Speaker 1: Karaoke two thousands Country edition, and it was a fun one. 687 00:34:03,120 --> 00:34:05,240 Speaker 1: I'm just gonna leave that there. It was a good time. 688 00:34:05,360 --> 00:34:07,920 Speaker 1: Here you go, let's listen to it. Number four, What 689 00:34:07,960 --> 00:34:10,359 Speaker 1: are you guys complaining about? I'm not sure I know anything. 690 00:34:10,400 --> 00:34:12,319 Speaker 1: I don't know. You don't know Big and Rich, save 691 00:34:12,360 --> 00:34:17,440 Speaker 1: a horse, Riddy cowboy. Really, it's not knowing the words, 692 00:34:17,560 --> 00:34:19,400 Speaker 1: it's knowing the melody and just singing words to it. 693 00:34:19,480 --> 00:34:23,480 Speaker 1: You know that. Yeah, playing blind karaoke and you can't 694 00:34:23,520 --> 00:34:25,560 Speaker 1: see any words. There are no words on the screen anywhere, 695 00:34:25,800 --> 00:34:28,200 Speaker 1: but you have to sing along with the track. Whoever 696 00:34:28,239 --> 00:34:31,839 Speaker 1: does the best wins. We're gonna say lunchbox nothing to lose. Yeah, 697 00:34:31,840 --> 00:34:37,160 Speaker 1: I never heard of is that Matt No nothing to lose? 698 00:34:38,920 --> 00:34:44,279 Speaker 1: That is Josh Grayson. I like that one. Yeah, yeah, 699 00:34:44,320 --> 00:34:46,640 Speaker 1: I like that one. Okay, here we go, we roll 700 00:34:46,719 --> 00:34:50,720 Speaker 1: the dice. Abby, you go first. You're a defending champion. 701 00:34:50,719 --> 00:34:52,400 Speaker 1: We're gonna spin the will whatever lands on. You have 702 00:34:52,480 --> 00:34:55,040 Speaker 1: to sing yes, Are you ready? Champ I think I am. 703 00:34:55,120 --> 00:35:05,400 Speaker 1: Here we go, let's I'm thinking the same day we 704 00:35:05,480 --> 00:35:10,200 Speaker 1: spoke my mind? Abby, you get redneck woman? Can we 705 00:35:10,239 --> 00:35:12,160 Speaker 1: play a little with the real song for audience? Please 706 00:35:12,440 --> 00:35:29,560 Speaker 1: call zimby red neck Man. I ain't ready, yo, I 707 00:35:29,680 --> 00:35:35,720 Speaker 1: ain't never man the Barbie doll time. No. I can't 708 00:35:35,719 --> 00:35:39,239 Speaker 1: swig that cheap champagne. I'd rather drink beer on that 709 00:35:39,840 --> 00:35:42,840 Speaker 1: in a tavern, orr in a honey tongue, or on 710 00:35:42,920 --> 00:35:47,120 Speaker 1: a four wheel draytail game. I have posters on my 711 00:35:47,360 --> 00:35:52,279 Speaker 1: wall skinner can't and straight. Some people live down on me, 712 00:35:53,160 --> 00:35:58,120 Speaker 1: but I don't give a rip. I stamp them with 713 00:35:58,360 --> 00:36:02,040 Speaker 1: a baby on my head a piszom me rest nick 714 00:36:02,560 --> 00:36:08,080 Speaker 1: mining past run. I'm just so product togs and not 715 00:36:08,320 --> 00:36:12,520 Speaker 1: say hey y'all. Ye huh, and I came by Christmas 716 00:36:12,640 --> 00:36:17,399 Speaker 1: last no on my from yeah young no no all 717 00:36:17,480 --> 00:36:22,040 Speaker 1: the words you will be Charlie Daniel song. So here's 718 00:36:22,160 --> 00:36:27,640 Speaker 1: all my sisters that they're keeping a country. You're beIN 719 00:36:27,840 --> 00:36:33,439 Speaker 1: a bag hair yeah from the Red Niggers on me. Yeah, yeah, 720 00:36:34,200 --> 00:36:36,840 Speaker 1: nice job. I tried to do last dancing because you 721 00:36:37,480 --> 00:36:39,480 Speaker 1: can I show? Can I can I say something? Can 722 00:36:39,520 --> 00:36:42,680 Speaker 1: I give you a note? Yes? I saw growth there, 723 00:36:42,960 --> 00:36:45,320 Speaker 1: not just for the game. I saw you forget words 724 00:36:45,400 --> 00:36:46,800 Speaker 1: and you started the lower your head and go like 725 00:36:46,840 --> 00:36:49,040 Speaker 1: I suck and you I gotta keep going. Okay, good. 726 00:36:49,239 --> 00:36:52,160 Speaker 1: I noticed you check yourself and go don't do that, 727 00:36:52,320 --> 00:36:55,359 Speaker 1: just keep going and you did. Okay, keep going as 728 00:36:55,520 --> 00:36:59,360 Speaker 1: your career. You want to sing, you did wonderfuleet, not 729 00:36:59,440 --> 00:37:01,239 Speaker 1: even in this game, in that and that's what you 730 00:37:01,280 --> 00:37:03,360 Speaker 1: have to do out there. Just keep going, okay, Judges, 731 00:37:03,520 --> 00:37:05,920 Speaker 1: Mike d Scuba steamiself right. Your scored down one through 732 00:37:06,000 --> 00:37:07,879 Speaker 1: ten for Abby. We'll check back in with you guys 733 00:37:07,920 --> 00:37:13,600 Speaker 1: in a second. She was good. Redneck woman got her score. Guys, 734 00:37:13,640 --> 00:37:15,680 Speaker 1: I don't think we can compete with that. Okay, you 735 00:37:15,760 --> 00:37:17,880 Speaker 1: can think that you want to be unch, don't you 736 00:37:17,920 --> 00:37:20,440 Speaker 1: have no chance? Next step? You never know what I'm 737 00:37:20,440 --> 00:37:23,320 Speaker 1: gonna get. Yeah, I've been pretty consistent when your scores 738 00:37:23,320 --> 00:37:27,600 Speaker 1: and be honest. Yeah yeah. Next up is producer Eddie. 739 00:37:28,680 --> 00:37:31,440 Speaker 1: Let's go. We've only played this game twice in last year, 740 00:37:31,480 --> 00:37:36,120 Speaker 1: and Eddie one one and Abbey won one. I know, Eddie, 741 00:37:36,160 --> 00:37:38,799 Speaker 1: what's your emotion right now? What are you feeling? Um? 742 00:37:39,160 --> 00:37:42,160 Speaker 1: You know? Two thousands country not really my strength. Here, 743 00:37:42,239 --> 00:37:43,959 Speaker 1: I'm looking at a couple of songs on the board. 744 00:37:44,160 --> 00:37:46,080 Speaker 1: I like Chicken Fried by Zach Brown. If I can 745 00:37:46,120 --> 00:37:48,279 Speaker 1: get that, dude, I will dominate. Oh okay, other than that, 746 00:37:48,600 --> 00:37:50,240 Speaker 1: good luck. I haven't been last time I said, ive 747 00:37:50,239 --> 00:37:54,160 Speaker 1: been dominant single word? Trust me, Chicken Fried? I got it, 748 00:37:54,239 --> 00:37:56,839 Speaker 1: chrowes me. Okay, here we go. Here's Eddie. We're gonna 749 00:37:56,840 --> 00:37:59,480 Speaker 1: spin the wheel and let's see what you get. What's spend? 750 00:38:02,000 --> 00:38:09,839 Speaker 1: Nothing to lose? Oh? God, flirt, there it is Eddie. Eddie, 751 00:38:09,880 --> 00:38:18,520 Speaker 1: you got chicken You know that? Let's I don't understand 752 00:38:19,280 --> 00:38:23,040 Speaker 1: like whenever he says it it lands on it. There's 753 00:38:23,120 --> 00:38:25,640 Speaker 1: any things suspicious, but I manifest things like give me 754 00:38:25,680 --> 00:38:28,400 Speaker 1: the lottery numbers and it doesn't happen yet. And it's amazing. 755 00:38:29,160 --> 00:38:31,160 Speaker 1: Five songs. It's like Eddie's got a one and it's 756 00:38:31,200 --> 00:38:33,439 Speaker 1: only ten percent. There's like ten lefs. That's so I'm saying. 757 00:38:33,480 --> 00:38:35,480 Speaker 1: But every time he does it, he hits it every time. 758 00:38:35,560 --> 00:38:38,240 Speaker 1: It's so stupid. You know that I'm a chicken friar. Okay, 759 00:38:38,320 --> 00:38:40,720 Speaker 1: are you ready? Yeah? Can I wait for an audience? 760 00:38:40,760 --> 00:38:42,879 Speaker 1: Can they please hear the song? And a little bit 761 00:38:42,960 --> 00:38:50,960 Speaker 1: of chicken Friday night? And three two one oh? This 762 00:38:51,080 --> 00:38:55,440 Speaker 1: is for Georgia out there, the land of the pine. 763 00:38:57,360 --> 00:39:02,000 Speaker 1: Is that all right? You know that I'm a chicken 764 00:39:02,080 --> 00:39:07,200 Speaker 1: fry cold beer on a Friday night. Hair jeans A 765 00:39:07,320 --> 00:39:12,839 Speaker 1: fit just right, and the radio. I like to see 766 00:39:12,880 --> 00:39:18,320 Speaker 1: the sun and fresh Hello my lover's eyes. Hair jeans 767 00:39:18,400 --> 00:39:23,520 Speaker 1: it fit just right, and the radio. Here we go. 768 00:39:24,160 --> 00:39:28,960 Speaker 1: I knew I grew up along the Georgia pines. That's home, 769 00:39:29,200 --> 00:39:33,080 Speaker 1: you know, me on signs and girls and homemade wine 770 00:39:33,800 --> 00:39:37,360 Speaker 1: where the peaches grow. There ain't not much to talk 771 00:39:37,480 --> 00:39:41,920 Speaker 1: about all night. That's what I call home. None, you know, 772 00:39:42,280 --> 00:39:46,800 Speaker 1: what's growing on southern ground with a little bit of 773 00:39:46,920 --> 00:39:50,880 Speaker 1: chicken Friday? Whoa cold beer on a Friday night, A 774 00:39:51,040 --> 00:39:56,840 Speaker 1: pair jeans, it fit just right, and the radio. I 775 00:39:57,000 --> 00:40:00,440 Speaker 1: like to see the sun rise, see the little my 776 00:40:00,560 --> 00:40:06,439 Speaker 1: woman's eye of a precious child and a mother's love. 777 00:40:09,120 --> 00:40:14,160 Speaker 1: There is I'm a chicken friar, Eddie had Well. First 778 00:40:14,200 --> 00:40:16,040 Speaker 1: of all, it's not You're not a chicken fry. I'm not. 779 00:40:16,320 --> 00:40:18,480 Speaker 1: I'm chicken. Hold on, what were you saying? You know 780 00:40:18,600 --> 00:40:20,680 Speaker 1: that I'm a chicken friar. You're out of your mind. 781 00:40:21,320 --> 00:40:24,000 Speaker 1: That's how it starts. No, because the song is called 782 00:40:24,080 --> 00:40:26,399 Speaker 1: chicken fried. Right's the words I've said it. I've saying 783 00:40:26,400 --> 00:40:28,239 Speaker 1: it wrong my whole life. Before I make fun of him, 784 00:40:28,239 --> 00:40:30,000 Speaker 1: I've been wrong in so many words. Ray, would you 785 00:40:30,040 --> 00:40:32,560 Speaker 1: pull up the zach round version I thought had started off? 786 00:40:33,160 --> 00:40:35,160 Speaker 1: You know I like my chicken fried? No no, no, no, no, 787 00:40:35,239 --> 00:40:37,479 Speaker 1: no no no no. You say you know I'm a chicken, 788 00:40:37,600 --> 00:40:39,680 Speaker 1: So it's zac right. He's the dude. You know I'm 789 00:40:39,680 --> 00:40:44,120 Speaker 1: a chicken friar. That's right. I'm gonna be shocked and 790 00:40:44,239 --> 00:40:46,520 Speaker 1: now I will take any punishment you get me for 791 00:40:46,800 --> 00:40:49,800 Speaker 1: judging you. Humh Okay, can we hear it please? You 792 00:40:49,920 --> 00:40:53,440 Speaker 1: know what, I'm a chicken friar. He's not a chicken friar, bro, 793 00:40:53,680 --> 00:40:55,520 Speaker 1: That's why did you not hear him? He said? You 794 00:40:55,560 --> 00:40:57,520 Speaker 1: know that I'm a chicken friar walking a Charlie chicken. 795 00:40:57,600 --> 00:40:59,239 Speaker 1: He's not frying out the chicken when you drive through. 796 00:40:59,560 --> 00:41:01,560 Speaker 1: What are you saying? I like my chicken fried? No? 797 00:41:01,800 --> 00:41:05,239 Speaker 1: Like No, I like my chicken fry. Wow. I thought 798 00:41:05,280 --> 00:41:06,960 Speaker 1: you just messed up. I don't know. I thought that's 799 00:41:07,000 --> 00:41:09,799 Speaker 1: what it said the whole time, my chicken fryar. Wow, 800 00:41:09,920 --> 00:41:12,200 Speaker 1: you're telling me I've been singing this wrong the whole time. Yes, 801 00:41:12,400 --> 00:41:16,400 Speaker 1: that's funny. You know that I'm not on purpose? Huh. Okay, 802 00:41:16,440 --> 00:41:18,279 Speaker 1: so he did pretty good. What do you feel about 803 00:41:18,280 --> 00:41:20,160 Speaker 1: the performance? Well? I missed words. I mean once that 804 00:41:20,320 --> 00:41:21,880 Speaker 1: verse started, I was kind of like, I didn't know 805 00:41:21,880 --> 00:41:25,440 Speaker 1: where it's going on. You went into that way early? 806 00:41:25,560 --> 00:41:30,000 Speaker 1: Oh are you talking crapping right? Always risking me in 807 00:41:30,040 --> 00:41:33,640 Speaker 1: the competition. I will say, I will say energy very low. Yeah, 808 00:41:33,719 --> 00:41:36,560 Speaker 1: that's an upbeat song. You're like, Oh, have you ever 809 00:41:36,719 --> 00:41:39,479 Speaker 1: seen Zach singing? He just stands there. I will say 810 00:41:39,960 --> 00:41:44,279 Speaker 1: that he's not chicken's wrong. You didn'ts up. It's gonna 811 00:41:44,280 --> 00:41:45,880 Speaker 1: miss up there, all right, And I don't judge as 812 00:41:46,000 --> 00:41:48,879 Speaker 1: much on that. Like you committed, you stayed on. It's 813 00:41:48,880 --> 00:41:50,560 Speaker 1: pretty good. It wasn't as good as you said, so 814 00:41:50,640 --> 00:41:52,080 Speaker 1: that kind of makes me go, well, he didn't love 815 00:41:52,160 --> 00:41:54,200 Speaker 1: up to expectations. But it's still pretty good. Yeah. I 816 00:41:54,320 --> 00:41:56,160 Speaker 1: was expecting to get volved. Okay, but Amy is really 817 00:41:56,239 --> 00:42:00,880 Speaker 1: killing herself for her performance. All this okay, karaoke, this 818 00:42:01,040 --> 00:42:03,279 Speaker 1: is the second half? Amy, are you ready ready? You 819 00:42:03,360 --> 00:42:06,920 Speaker 1: have a preference? Nope, of all these, no preference? You know, 820 00:42:07,040 --> 00:42:10,239 Speaker 1: a preference for life is a highway song. It's a 821 00:42:10,280 --> 00:42:14,200 Speaker 1: great day to be alive. Well, I used to cry 822 00:42:14,239 --> 00:42:15,560 Speaker 1: in the shower to that one. You can sit on 823 00:42:15,600 --> 00:42:17,600 Speaker 1: the ground if you get sit on the old water 824 00:42:17,640 --> 00:42:20,359 Speaker 1: on it's good direction. All right, here we go. Let's 825 00:42:29,000 --> 00:42:35,239 Speaker 1: our song. You're welcome. Yeah, don't miss and don't mess 826 00:42:36,200 --> 00:42:39,719 Speaker 1: this one. That's right, Taylor's the you critique Daddy's so hard, 827 00:42:39,760 --> 00:42:42,120 Speaker 1: And that's the song you wanted. Our song is your girl? 828 00:42:42,280 --> 00:42:44,360 Speaker 1: Come on, Taylor, you're a girl you and I wouldn't 829 00:42:44,360 --> 00:42:46,600 Speaker 1: care about you critiqu Daddy's so hard, he said, I'm 830 00:42:46,600 --> 00:42:50,960 Speaker 1: a chicken friar. I know that, okay, okay, um right. 831 00:42:51,000 --> 00:42:56,799 Speaker 1: Can we hear the original please? And he says song out. 832 00:42:58,480 --> 00:43:02,400 Speaker 1: Can we hear the instrumental? Please? Can you hear that? 833 00:43:02,440 --> 00:43:06,880 Speaker 1: Pretty good? Ammy? Amy? Yeah, I can hear him? Hear me? 834 00:43:07,400 --> 00:43:11,919 Speaker 1: Hello into a zone like she was like, not here, 835 00:43:12,560 --> 00:43:15,880 Speaker 1: Okayrvis go Ray? Are you ready to start it from scratch? 836 00:43:15,920 --> 00:43:22,000 Speaker 1: Here we go? Three to go, let's go Taylor Swift 837 00:43:22,520 --> 00:43:30,160 Speaker 1: two thousands, Okay, here we go. I was riding Shotgun 838 00:43:30,280 --> 00:43:33,439 Speaker 1: with my hair undone in the front seat of his car. 839 00:43:34,200 --> 00:43:37,080 Speaker 1: He had one hand here, the other on the steering wheel, 840 00:43:37,280 --> 00:43:41,920 Speaker 1: the other on my h turned down, turned the radio 841 00:43:42,239 --> 00:43:46,160 Speaker 1: up and then down the suthing on. She said, hey, baby, 842 00:43:46,440 --> 00:43:51,200 Speaker 1: are you good looking? Yeah? Listen, that's our song. And 843 00:43:51,440 --> 00:43:55,839 Speaker 1: he said, our song is the sascreen door sneaking up late, 844 00:43:55,920 --> 00:43:59,320 Speaker 1: tapping on your window when we're on the phone and 845 00:43:59,440 --> 00:44:02,600 Speaker 1: you talk real slow because it's late and your mama 846 00:44:02,680 --> 00:44:06,160 Speaker 1: don't know. Our song is a salmon door stream, a 847 00:44:06,360 --> 00:44:13,839 Speaker 1: bit like nomen enough and come home for I said, amen, 848 00:44:14,520 --> 00:44:20,799 Speaker 1: asking God if she wouldn't play it again? Pretty good? 849 00:44:22,640 --> 00:44:25,319 Speaker 1: That was good, okay, Lutch, what would you like to say? 850 00:44:25,320 --> 00:44:27,399 Speaker 1: About that. Oh man, I'll tell you what. I thought 851 00:44:27,440 --> 00:44:29,120 Speaker 1: she was gonna do terrible, but she did better. Not 852 00:44:29,239 --> 00:44:32,520 Speaker 1: thought it's between okay, it's a two person race right now. 853 00:44:32,600 --> 00:44:34,799 Speaker 1: I thought you would do better than that. I thought 854 00:44:34,800 --> 00:44:35,920 Speaker 1: you would know the words. He's saying that song on 855 00:44:35,920 --> 00:44:37,759 Speaker 1: ten thousand times, and then you asked for it specifically? 856 00:44:38,040 --> 00:44:39,960 Speaker 1: Did she not another one? I got most of the world. 857 00:44:40,360 --> 00:44:42,000 Speaker 1: To me, it sound like she was the words, So 858 00:44:42,160 --> 00:44:43,879 Speaker 1: I don't know the song then, and then the final 859 00:44:43,920 --> 00:44:47,640 Speaker 1: part of the whole course was and that was a remix. Oh, 860 00:44:47,680 --> 00:44:49,680 Speaker 1: I didn't know. You didn't know that. I got off 861 00:44:49,760 --> 00:44:52,000 Speaker 1: a little bit. Yeah, it's okay, okay, you forgot to 862 00:44:52,000 --> 00:44:55,520 Speaker 1: say remix my I could. I said, when you talk 863 00:44:55,600 --> 00:44:58,439 Speaker 1: real slow and DUT's talk real low because your mama 864 00:44:58,480 --> 00:45:01,160 Speaker 1: don't know. Oh, And then I was thinking about how 865 00:45:01,200 --> 00:45:02,560 Speaker 1: I messed that up in my head, and then it 866 00:45:02,640 --> 00:45:04,800 Speaker 1: derailed me. Did you I just have scored all have 867 00:45:04,920 --> 00:45:08,880 Speaker 1: one more performance? Get John Tommy as good as you 868 00:45:09,000 --> 00:45:11,880 Speaker 1: call lunchbox? Which what song would you like if we 869 00:45:11,960 --> 00:45:14,920 Speaker 1: were to spin it? Let's be honest, and none of 870 00:45:15,000 --> 00:45:17,360 Speaker 1: them I know that. Do you know? Life is a highway? 871 00:45:18,440 --> 00:45:23,239 Speaker 1: Life is a highway? Do it my way? That no, okay, 872 00:45:23,280 --> 00:45:24,960 Speaker 1: where's gonna spin it? All? Right? Here we go, let's go, 873 00:45:25,440 --> 00:45:28,680 Speaker 1: I know, uh you go laugh to the interstate all right? 874 00:45:28,840 --> 00:45:31,960 Speaker 1: Brings you right back to me? Carrington get directions only words, 875 00:45:31,960 --> 00:45:38,560 Speaker 1: I know though, So let's spine. What's it gonna be? 876 00:45:39,040 --> 00:45:42,120 Speaker 1: Headlining the show is Lunchbox and he'll be singing life 877 00:45:42,200 --> 00:45:45,759 Speaker 1: is a highway? Here is that song, Lunchbox? Can you 878 00:45:45,800 --> 00:45:47,200 Speaker 1: hear it all done? Can you hear? Yeah? It was 879 00:45:47,239 --> 00:45:48,919 Speaker 1: just really loud. I don't know how you guys listen 880 00:45:48,960 --> 00:45:55,239 Speaker 1: that loud? Okay, here we go blow my way. Oh, 881 00:45:57,400 --> 00:45:58,440 Speaker 1: I don't know how to get to that part, but 882 00:45:58,520 --> 00:46:00,800 Speaker 1: we're gonna go. Ray, can you play the instrumental for 883 00:46:00,840 --> 00:46:06,360 Speaker 1: a second? You want me to quell you? Okay? What 884 00:46:06,560 --> 00:46:09,480 Speaker 1: is he doing? If to que you? And when at 885 00:46:09,480 --> 00:46:11,239 Speaker 1: your turn to go? Yeah? Tell me when I say 886 00:46:11,320 --> 00:46:13,680 Speaker 1: life is a hole? And I telling you there is 887 00:46:13,680 --> 00:46:15,799 Speaker 1: a first before that there? Do you want to go here? 888 00:46:15,880 --> 00:46:16,920 Speaker 1: You want to just go? Here? We go? Want to 889 00:46:16,960 --> 00:46:18,879 Speaker 1: bunch in? Here we go? Boom boom, come on lunch 890 00:46:19,160 --> 00:46:25,080 Speaker 1: what what and go? I live my way gonna go, 891 00:46:25,320 --> 00:46:26,960 Speaker 1: it's coming, take a break? You keep it going? Yeah? 892 00:46:26,960 --> 00:46:29,600 Speaker 1: When I go wait, wait, wait, I'm starting again. Here 893 00:46:29,640 --> 00:46:33,439 Speaker 1: we go. And now when I go my way, it's 894 00:46:33,520 --> 00:46:39,560 Speaker 1: on the high way. Highway thirty five live in downtown 895 00:46:39,719 --> 00:46:45,279 Speaker 1: because it's my way or the highway. It's a nice view. 896 00:46:45,600 --> 00:46:48,680 Speaker 1: When you're on the high way. You take a run 897 00:46:48,880 --> 00:46:53,200 Speaker 1: trip back to Fa bas and you say, oh God, 898 00:46:53,480 --> 00:46:57,640 Speaker 1: bless the broken roll because life is a high way. 899 00:46:58,000 --> 00:47:02,239 Speaker 1: Oh no, he's a high way. We're gonna go my way. 900 00:47:02,640 --> 00:47:07,080 Speaker 1: But one day we're all gonna die. Oh no, no, no, 901 00:47:07,360 --> 00:47:10,880 Speaker 1: yeah no, but hopefully it's not on the highway. Hopefully 902 00:47:10,920 --> 00:47:22,600 Speaker 1: it's in your bed my way. Expect Oh we're all 903 00:47:22,640 --> 00:47:24,840 Speaker 1: gonna die. I'm sad. I feel sadday. That song had 904 00:47:24,880 --> 00:47:27,520 Speaker 1: a sad song, but hopefully not the high way. Yeah, 905 00:47:27,520 --> 00:47:29,960 Speaker 1: you don't want to die in the highway. No, okay, okay, 906 00:47:30,480 --> 00:47:34,000 Speaker 1: let's gift scores here trying to loved ones on the 907 00:47:34,040 --> 00:47:36,880 Speaker 1: bed like I love the energy. Yeah, you had more energy. 908 00:47:37,200 --> 00:47:39,360 Speaker 1: They can even think to bring as much energy, but 909 00:47:39,480 --> 00:47:41,239 Speaker 1: they don't know how to bring a candi visualize. They're 910 00:47:41,280 --> 00:47:43,839 Speaker 1: trying to hit vocal notes and we're trying to actually sing. 911 00:47:43,920 --> 00:47:45,920 Speaker 1: It's weird, right, what are you trying to do exactly? Me. 912 00:47:46,040 --> 00:47:47,440 Speaker 1: I was trying to sing, but I just don't know 913 00:47:47,520 --> 00:47:49,799 Speaker 1: that song, man, I don't think. Yeah, I know life 914 00:47:49,880 --> 00:47:53,520 Speaker 1: is Highway. Okay, that's it. Um okay, you try me 915 00:47:53,560 --> 00:47:55,160 Speaker 1: the first line of that song. Then it goes the 916 00:47:55,280 --> 00:47:58,759 Speaker 1: times of games and the times. Yeah, I would have 917 00:47:58,800 --> 00:48:00,920 Speaker 1: struggled with that on it had to make stuf. Thomas 918 00:48:00,960 --> 00:48:03,799 Speaker 1: was dancing, and Thomas was sad. Hey, everybody just don't 919 00:48:03,880 --> 00:48:05,920 Speaker 1: be mad. Here we go. We're going to dance and 920 00:48:06,000 --> 00:48:09,120 Speaker 1: show because everybody knows all about I just had stuff 921 00:48:09,120 --> 00:48:11,680 Speaker 1: like that, like very grey doc stuff. Yeah, I mean, 922 00:48:11,880 --> 00:48:14,000 Speaker 1: you wouldn't say we're all gonna die, but hopefully not. 923 00:48:14,719 --> 00:48:18,359 Speaker 1: I did, like, hopefully we're signing about with our loved wins. 924 00:48:18,360 --> 00:48:20,560 Speaker 1: I liked that one too. That was nice, little, very peaceful. 925 00:48:20,800 --> 00:48:26,319 Speaker 1: Um okay, wow, okay, I'm looking at the scores here. Wow, 926 00:48:26,840 --> 00:48:28,319 Speaker 1: I got a feeling I did not win that one. 927 00:48:28,560 --> 00:48:30,560 Speaker 1: That was That was my worst performance. Yeah, that was 928 00:48:30,640 --> 00:48:34,360 Speaker 1: the worst. Okay, I think I haven't got this, Amy, 929 00:48:34,400 --> 00:48:38,319 Speaker 1: you did not win. You got eighteen points eighteen. That's big. 930 00:48:38,520 --> 00:48:41,279 Speaker 1: That's a big that means. No, what are you calculating there, Amy, 931 00:48:41,560 --> 00:48:43,800 Speaker 1: I'm writing down eighteen? Why are we gonna put that 932 00:48:43,800 --> 00:48:46,279 Speaker 1: into your scrapbook. You didn't win, he said, you didn't win. 933 00:48:46,880 --> 00:48:49,000 Speaker 1: But last time you got sixteen, you got better. And 934 00:48:49,080 --> 00:48:51,080 Speaker 1: that's that's what I mean. The scores are higher than 935 00:48:51,160 --> 00:48:55,680 Speaker 1: last guy like hype Man. One of the judges gave 936 00:48:55,760 --> 00:49:00,759 Speaker 1: lunchboxes zero, the first ever zero. You're oh, yeah, how's 937 00:49:00,760 --> 00:49:03,480 Speaker 1: that possible? Scoopa gave me a zero, saying your job 938 00:49:03,600 --> 00:49:06,840 Speaker 1: gave me a zero, but lunchbox was given a zero 939 00:49:06,960 --> 00:49:09,279 Speaker 1: by the guy to his room gave me a zero. 940 00:49:09,320 --> 00:49:14,600 Speaker 1: I was a highwayman. Lunch total score of twelve. I 941 00:49:14,640 --> 00:49:16,600 Speaker 1: would have won. Mike, you want to give me some point? 942 00:49:16,719 --> 00:49:19,879 Speaker 1: You know you wouldn't have No, you wouldn't have no. Okay, 943 00:49:20,480 --> 00:49:22,879 Speaker 1: that's one point game between so I got a six 944 00:49:22,960 --> 00:49:27,040 Speaker 1: and the six. There's a one point difference here. Yeah, yeah, yeah, 945 00:49:27,680 --> 00:49:31,120 Speaker 1: So it's not Eddie or Abbey. I'll tell you this, Eddie, Eddie, 946 00:49:31,160 --> 00:49:35,560 Speaker 1: you got a twenty twenty. I mean, Amy, did you 947 00:49:35,640 --> 00:49:37,480 Speaker 1: not see my performance? It was so feel like I 948 00:49:37,640 --> 00:49:41,120 Speaker 1: were very similar. Really, yes, and Abby you got a 949 00:49:41,160 --> 00:49:51,520 Speaker 1: twenty one one na Finni champion, be back next time. 950 00:49:52,680 --> 00:49:56,239 Speaker 1: It's the best Bits of the week with Morgan number 951 00:49:56,239 --> 00:50:00,800 Speaker 1: two now This was a controversial one because Eddie charged 952 00:50:00,880 --> 00:50:03,520 Speaker 1: phone screen or Abbey. She needed some help in making 953 00:50:03,560 --> 00:50:05,960 Speaker 1: a reel and he charged her for it. Listen, this 954 00:50:06,080 --> 00:50:08,080 Speaker 1: segment just makes me angry in a lot of ways 955 00:50:08,160 --> 00:50:11,480 Speaker 1: because Eddie isn't even the digital director. One he shouldn't 956 00:50:11,480 --> 00:50:13,840 Speaker 1: be charging, but two he's not even one that should 957 00:50:13,840 --> 00:50:16,200 Speaker 1: be giving advice or helping on reels. He may know 958 00:50:16,280 --> 00:50:18,200 Speaker 1: how to edit videos and he's very good at that. 959 00:50:18,360 --> 00:50:20,560 Speaker 1: I give him that credit, but he's had to ask 960 00:50:20,800 --> 00:50:23,600 Speaker 1: for my help in making reels. So um, I guess 961 00:50:23,640 --> 00:50:26,600 Speaker 1: where's like my five hundred dollars that Eddie should have 962 00:50:26,719 --> 00:50:28,719 Speaker 1: probably paid me by now, if this is what we're 963 00:50:28,719 --> 00:50:31,640 Speaker 1: going with. Number three, these are a few questions on 964 00:50:31,760 --> 00:50:35,080 Speaker 1: the b team facebook page. Number one, did Bobby say 965 00:50:35,200 --> 00:50:38,160 Speaker 1: quote lay down refrigerator that people took meat out of? 966 00:50:39,040 --> 00:50:42,759 Speaker 1: I'm laughing out loud of that hillbilly, you did say that. 967 00:50:42,880 --> 00:50:45,320 Speaker 1: I don't what is it? The freezer in the garage? 968 00:50:45,480 --> 00:50:48,680 Speaker 1: People that have extra refrigerators in the garage and age 969 00:50:49,360 --> 00:50:52,080 Speaker 1: that's a freezers? I mean, that makes me a hillbilly. 970 00:50:52,120 --> 00:50:54,000 Speaker 1: Got to know that there are other things? Ain't mean 971 00:50:54,000 --> 00:50:55,680 Speaker 1: a hillbilly. I didn't know that was it, and I 972 00:50:55,760 --> 00:50:58,000 Speaker 1: think it's the fact that you called it a laidown refrigerator. 973 00:50:58,160 --> 00:50:59,759 Speaker 1: That's what it was in my mind. But it looks 974 00:50:59,760 --> 00:51:01,719 Speaker 1: like we could barely afford to stand out refrigerator, much 975 00:51:01,760 --> 00:51:04,160 Speaker 1: less a laid down one a second one. So that 976 00:51:04,320 --> 00:51:06,960 Speaker 1: was a freeze where I saw things coming out of 977 00:51:06,960 --> 00:51:09,160 Speaker 1: there was the real name of it, though, the lay 978 00:51:09,200 --> 00:51:11,920 Speaker 1: down deep freezer. Deep freezer. That's yeah, dude, not lay 979 00:51:11,960 --> 00:51:20,799 Speaker 1: down fridge. Chuckles. Hey, chuckles, he liked that. I'm an idiot. Okay, 980 00:51:20,920 --> 00:51:23,279 Speaker 1: this is from Christy. Hey, I'd like to think of 981 00:51:23,360 --> 00:51:26,160 Speaker 1: myself as a big show fan. I listened consistently for 982 00:51:26,200 --> 00:51:28,960 Speaker 1: about a decade, maybe longer. I know they obviously have 983 00:51:29,080 --> 00:51:30,759 Speaker 1: other tech and men people who worked for the show, 984 00:51:30,800 --> 00:51:32,839 Speaker 1: but I was listening to a podcast. I literally found 985 00:51:32,880 --> 00:51:34,919 Speaker 1: myself out lout and say, who the blank is Kevin? 986 00:51:35,920 --> 00:51:37,560 Speaker 1: When Bobby asked him who his team was he put 987 00:51:37,600 --> 00:51:40,200 Speaker 1: in the draft? Anyone else react like me, Yes, Kevin 988 00:51:40,239 --> 00:51:42,200 Speaker 1: works behind the scenes, and I guess I just referred 989 00:51:42,200 --> 00:51:44,719 Speaker 1: to him, and someone's like, who's that. It's like a 990 00:51:44,760 --> 00:51:47,840 Speaker 1: new character just showing up and they don't address It's true, Yeah, character, 991 00:51:48,400 --> 00:51:50,239 Speaker 1: Kevin works behind the scenes on the show, and he's 992 00:51:50,239 --> 00:51:53,399 Speaker 1: also on my sports podcast, So that is you're sorry 993 00:51:53,400 --> 00:51:55,480 Speaker 1: about that. I should have set it up. Here's another one. 994 00:51:55,719 --> 00:51:58,200 Speaker 1: Is it just me or have there been more artist 995 00:51:58,239 --> 00:52:01,799 Speaker 1: interviews lately? That's a good question. Maybe so. I think 996 00:52:01,840 --> 00:52:04,480 Speaker 1: we do interviews in seasons, meaning sometimes there's just a 997 00:52:04,560 --> 00:52:07,000 Speaker 1: lot of good ones. We turn a lot down, but 998 00:52:07,080 --> 00:52:10,879 Speaker 1: we never go, let's do more interviews. For example, Richard Marks, 999 00:52:10,960 --> 00:52:12,640 Speaker 1: that wasn't an interview we had planned. That was just 1000 00:52:12,760 --> 00:52:14,680 Speaker 1: him reposting Abby and we went, let's see if we 1001 00:52:14,680 --> 00:52:16,680 Speaker 1: can get him on to talk to him. So sometimes 1002 00:52:16,719 --> 00:52:19,840 Speaker 1: I was organic things happen, But I don't know, Scooby, 1003 00:52:19,960 --> 00:52:21,840 Speaker 1: there's been a lot more interviews lately. I feel like 1004 00:52:22,080 --> 00:52:24,680 Speaker 1: summer is always busier with artists as they're doing their 1005 00:52:24,680 --> 00:52:26,919 Speaker 1: albums and they're getting for tours. Yeah, so I feel like, yeah, 1006 00:52:26,920 --> 00:52:28,440 Speaker 1: they are right, we have a lot, had a lot 1007 00:52:28,480 --> 00:52:31,200 Speaker 1: more last few months. I'm not disagreeing at all, but 1008 00:52:31,320 --> 00:52:32,759 Speaker 1: we purposely, I'm not sat in the room and said 1009 00:52:32,840 --> 00:52:34,440 Speaker 1: let's get all more interviews. Yeah, it wasn't on purpose. No. 1010 00:52:35,120 --> 00:52:37,719 Speaker 1: One final question from the B team is Eddie still 1011 00:52:37,800 --> 00:52:41,359 Speaker 1: doing reels? Eddie? Yeah, I'm still doing reels making money? 1012 00:52:42,440 --> 00:52:46,759 Speaker 1: Dang right, why do you He's gone, yes, I am, 1013 00:52:46,840 --> 00:52:49,799 Speaker 1: I'm making good money doing reels. So also, the bonuses 1014 00:52:49,840 --> 00:52:53,040 Speaker 1: aren't for ongoing forever? What do you mean? Every month? 1015 00:52:53,120 --> 00:52:54,680 Speaker 1: It says do you want to renew your bonus? And 1016 00:52:54,760 --> 00:52:57,600 Speaker 1: I say yes, absolutely, Instagram keeps paying you. Yeah, have 1017 00:52:57,719 --> 00:53:00,080 Speaker 1: you got the money? Oh? Yeah? My wife says, I 1018 00:53:00,200 --> 00:53:02,440 Speaker 1: keep getting checks from Instagram, Like what is it. I'm like, oh, 1019 00:53:02,480 --> 00:53:05,440 Speaker 1: it's my reels. Pretty good? Huh. Are you proud of daddy? 1020 00:53:06,239 --> 00:53:09,000 Speaker 1: So I say that to her, yeah, sometimes because she 1021 00:53:09,120 --> 00:53:11,200 Speaker 1: likes that. She's like, that's funny. When when you say that, 1022 00:53:11,520 --> 00:53:14,560 Speaker 1: how much money? I can't thank you guys, that's the 1023 00:53:14,600 --> 00:53:17,320 Speaker 1: biggest check you ever got. I can't. I can't. I 1024 00:53:17,400 --> 00:53:19,080 Speaker 1: can't ask an artist and ever again, like when are 1025 00:53:19,080 --> 00:53:21,239 Speaker 1: we talking about money? And like, okay, what's the song 1026 00:53:21,280 --> 00:53:22,800 Speaker 1: on the page of the most? If I don't answer 1027 00:53:22,840 --> 00:53:25,200 Speaker 1: my question, I can't in good faith asking an artist 1028 00:53:25,239 --> 00:53:26,879 Speaker 1: that question. I can tell you what real has paid 1029 00:53:26,920 --> 00:53:28,920 Speaker 1: me the most. No, I don't care in that in 1030 00:53:29,040 --> 00:53:30,799 Speaker 1: that kind of format, and I take it. I'll take 1031 00:53:30,840 --> 00:53:33,080 Speaker 1: it go. Yeah, Dirk's Bentley riding a bike. Yeah, because 1032 00:53:33,080 --> 00:53:35,600 Speaker 1: he's got the most course. I mean I got that 1033 00:53:35,719 --> 00:53:38,600 Speaker 1: was a good paycheck. Really, Yeah, dude, you can tell 1034 00:53:38,600 --> 00:53:40,400 Speaker 1: any of us. No, I can't tell you guys. By 1035 00:53:40,440 --> 00:53:42,239 Speaker 1: the way, Abby says, Eddie wants to charge her to 1036 00:53:42,320 --> 00:53:45,200 Speaker 1: make reels. Eddie's been charging people. I've already charged her. 1037 00:53:45,719 --> 00:53:49,000 Speaker 1: What all sales are final? Yes, Eddie charged you money? 1038 00:53:49,080 --> 00:53:51,080 Speaker 1: Who did? Yeah? He helped me with my last real 1039 00:53:51,360 --> 00:53:54,480 Speaker 1: what happened? Um? So I had what I wanted to 1040 00:53:54,520 --> 00:53:57,040 Speaker 1: make one about Richard Marks and act like I'm like 1041 00:53:57,120 --> 00:53:59,040 Speaker 1: waiting for him to call, Like I'm right here waiting, 1042 00:53:59,440 --> 00:54:02,640 Speaker 1: have you right? Yeah? Yes, I wanted to have the 1043 00:54:02,760 --> 00:54:05,200 Speaker 1: music of his song actually like playing in the background 1044 00:54:05,280 --> 00:54:07,480 Speaker 1: while I'm sitting there like waiting for the call. But 1045 00:54:07,560 --> 00:54:09,520 Speaker 1: I didn't know how to do that, like on Instagram, 1046 00:54:09,640 --> 00:54:11,879 Speaker 1: how you can just like put the charge you Yes, 1047 00:54:12,520 --> 00:54:15,040 Speaker 1: you paid him? Hear me out the Morgan number twenties 1048 00:54:15,120 --> 00:54:18,040 Speaker 1: start charging Eddie? Wow, let me you want to hear 1049 00:54:18,080 --> 00:54:21,320 Speaker 1: my side of the story. Mind blown? You got fifteen seconds? 1050 00:54:21,400 --> 00:54:22,759 Speaker 1: She came to me and said, hey, can you help 1051 00:54:22,800 --> 00:54:24,239 Speaker 1: me with this? I said, yeah, and do that or 1052 00:54:24,320 --> 00:54:26,000 Speaker 1: if you need to just download an app and there's 1053 00:54:26,000 --> 00:54:27,839 Speaker 1: apps for that, And she goes Okay, she spent about 1054 00:54:27,880 --> 00:54:29,680 Speaker 1: thirty minutes. I can't do it. And I was like, well, 1055 00:54:29,840 --> 00:54:31,520 Speaker 1: I guess I can do it on my system, but 1056 00:54:31,600 --> 00:54:32,960 Speaker 1: I'll have to charge you for that. How much you 1057 00:54:33,120 --> 00:54:36,160 Speaker 1: charge her? Five dollars? That's so dumb. Five dollars. She 1058 00:54:36,360 --> 00:54:40,840 Speaker 1: probably makes Nobody help Eddie do anything, and less you 1059 00:54:41,000 --> 00:54:44,840 Speaker 1: charge him? Yep, that's right, she's making money on Really 1060 00:54:45,480 --> 00:54:48,759 Speaker 1: help me get me on a reel. Have you ever 1061 00:54:48,800 --> 00:54:51,520 Speaker 1: helped Eddie with anything? Yes? I have multiple times, So 1062 00:54:51,760 --> 00:54:54,960 Speaker 1: like one hundred and fifty bucks now, probably no help Eddie. 1063 00:54:55,040 --> 00:54:57,319 Speaker 1: Eddie's on probation. Don't help him. What if I give 1064 00:54:57,360 --> 00:54:59,560 Speaker 1: her five bucks? About right now? You're in there, you're 1065 00:54:59,600 --> 00:55:01,240 Speaker 1: in the doll Does that mean he has to pass 1066 00:55:01,400 --> 00:55:03,239 Speaker 1: if he uses in? Is real too? No, that's not 1067 00:55:03,400 --> 00:55:06,000 Speaker 1: the case. We already had that. Yes, that's said and done. Wow, 1068 00:55:06,000 --> 00:55:07,799 Speaker 1: I can't believe you charged your act and he told 1069 00:55:07,840 --> 00:55:10,480 Speaker 1: me no refunds. He's like, there's no whole refinal. That's 1070 00:55:10,480 --> 00:55:13,319 Speaker 1: what I said. How did you pay him? Casca? Because 1071 00:55:13,320 --> 00:55:15,200 Speaker 1: I knew her the Dollar store? No listen, because I 1072 00:55:15,280 --> 00:55:17,200 Speaker 1: knew when she was gonna use Richard Mark's music. There 1073 00:55:17,280 --> 00:55:19,719 Speaker 1: was a big, good chance they'll get flagged and not 1074 00:55:19,800 --> 00:55:21,200 Speaker 1: and be pulled. So I was like, Hey, all sales 1075 00:55:21,239 --> 00:55:22,719 Speaker 1: are final. I can't believe this. I'm a little bit 1076 00:55:22,760 --> 00:55:24,960 Speaker 1: in shock. What do you mean? Hey, that's real. That's 1077 00:55:25,000 --> 00:55:27,399 Speaker 1: a business and I'm in the business and making money. 1078 00:55:27,480 --> 00:55:30,000 Speaker 1: It took him like two minutes. Also, Okay, I'm over this. 1079 00:55:30,560 --> 00:55:32,560 Speaker 1: Kane Brown like I love country music. We're gonna play this. 1080 00:55:32,719 --> 00:55:35,840 Speaker 1: Nobody helped Eddie? Okay for how long? If he's on 1081 00:55:35,840 --> 00:55:37,440 Speaker 1: the side of a broken leg, needs to ride? Don't 1082 00:55:37,480 --> 00:55:43,040 Speaker 1: whoa broken leg unless he pays you? All right? It's 1083 00:55:43,120 --> 00:55:46,600 Speaker 1: the best bits of the week with Morgan. Number two 1084 00:55:50,160 --> 00:55:53,040 Speaker 1: definitely a segment you all loved this week. In hearing, 1085 00:55:53,239 --> 00:55:56,960 Speaker 1: Amy talked about her daughter who is newly in high 1086 00:55:57,040 --> 00:56:00,839 Speaker 1: school and she had a fun speech assignment. She had 1087 00:56:00,880 --> 00:56:02,800 Speaker 1: to answer the question who would she like to have 1088 00:56:02,960 --> 00:56:06,760 Speaker 1: dinner with? And her answer was not something that Amy 1089 00:56:07,000 --> 00:56:09,360 Speaker 1: or any of us expected for her to say, but 1090 00:56:09,560 --> 00:56:12,560 Speaker 1: it was a really sweet and really mature response, and 1091 00:56:12,640 --> 00:56:16,960 Speaker 1: Amy shared that entire story. So here it is. Number two. 1092 00:56:17,960 --> 00:56:21,839 Speaker 1: Kids are back at school. Yes, yeah, I mean we're 1093 00:56:22,719 --> 00:56:24,959 Speaker 1: both kids are doing so great. And I'm so proud 1094 00:56:25,000 --> 00:56:27,560 Speaker 1: of my daughter because one of the classes she's enrolled 1095 00:56:27,640 --> 00:56:30,680 Speaker 1: in is a speech class, and her first speech was 1096 00:56:30,840 --> 00:56:34,080 Speaker 1: last week and she was super nervous. Amy's daughter, by 1097 00:56:34,120 --> 00:56:37,279 Speaker 1: the way, if you're new, was adopted from Haiti and 1098 00:56:38,239 --> 00:56:40,839 Speaker 1: has a very thick accent. Still she still does yeah, 1099 00:56:41,080 --> 00:56:44,319 Speaker 1: and it's still learning English, but she's pretty good. Yeah. Oh, 1100 00:56:44,400 --> 00:56:48,719 Speaker 1: she texts me like a businessman. Are all of your 1101 00:56:49,600 --> 00:56:52,560 Speaker 1: things going well? Any objectives you need to help? I'm 1102 00:56:52,560 --> 00:56:55,279 Speaker 1: like to share. You're like fifteen. I look forward to that. Yes, 1103 00:56:55,840 --> 00:56:58,120 Speaker 1: I look forward to seeing you soon. So she's in 1104 00:56:58,200 --> 00:57:01,120 Speaker 1: a speech class with other English speaking kids, like normal, 1105 00:57:01,160 --> 00:57:04,359 Speaker 1: straight up yeah awesome. So she has to get up 1106 00:57:04,400 --> 00:57:07,480 Speaker 1: in front of the class and deliver the speech. Last week, 1107 00:57:07,520 --> 00:57:09,920 Speaker 1: I think the speech was about communication, and then this 1108 00:57:10,160 --> 00:57:13,560 Speaker 1: week they took it a little deeper and they had 1109 00:57:13,600 --> 00:57:16,919 Speaker 1: to write about who they would have dinner with. Debt 1110 00:57:17,000 --> 00:57:19,200 Speaker 1: or alive. The person could be opening it up to 1111 00:57:19,280 --> 00:57:22,560 Speaker 1: dead people. I don't know that. I like that though. 1112 00:57:22,640 --> 00:57:26,360 Speaker 1: Is the game? It just Jesus is always the answer, right, 1113 00:57:26,360 --> 00:57:30,680 Speaker 1: of course? She debated that or Abe Lincoln. Sure, I 1114 00:57:30,800 --> 00:57:34,600 Speaker 1: like just doing alive because it limits your options of 1115 00:57:34,720 --> 00:57:39,520 Speaker 1: I mean, George Washington anyone? Yeah? Real cool? Yeah, like 1116 00:57:39,600 --> 00:57:41,400 Speaker 1: if you don't pick them, you're always a bad guy. 1117 00:57:42,360 --> 00:57:45,040 Speaker 1: So what did she say? So all on her own, 1118 00:57:45,560 --> 00:57:47,400 Speaker 1: she brought it to me because she needed help printing 1119 00:57:47,440 --> 00:57:49,400 Speaker 1: it out, and she likes to review and go over it. 1120 00:57:50,080 --> 00:57:51,960 Speaker 1: So I pull it up, I print it out, and 1121 00:57:52,080 --> 00:57:55,400 Speaker 1: she starts reading it, and she said, if I could 1122 00:57:55,440 --> 00:57:58,360 Speaker 1: have dinner with anybody debt or alive, it would be 1123 00:57:58,520 --> 00:58:03,360 Speaker 1: my biological parents. And then she went into I would 1124 00:58:03,360 --> 00:58:06,160 Speaker 1: ask my mom, you know, And I got her permission 1125 00:58:06,160 --> 00:58:07,960 Speaker 1: to share this, by the way, and she's delivering it 1126 00:58:08,000 --> 00:58:09,520 Speaker 1: in front of her whole class, but she said that 1127 00:58:09,560 --> 00:58:11,160 Speaker 1: we could talk about it here because I was just 1128 00:58:11,280 --> 00:58:13,800 Speaker 1: so proud of who she's turning into. But she said 1129 00:58:14,560 --> 00:58:17,640 Speaker 1: she would like to ask her mom why she dropped 1130 00:58:17,680 --> 00:58:19,640 Speaker 1: her off at the orphanage at five and a half 1131 00:58:19,720 --> 00:58:22,280 Speaker 1: years old. And then she said, also, I would like 1132 00:58:22,400 --> 00:58:24,520 Speaker 1: to know if my dad is alive or dead, because 1133 00:58:24,560 --> 00:58:27,760 Speaker 1: I don't know. The last time she remembers seeing him, 1134 00:58:27,800 --> 00:58:30,720 Speaker 1: he dropped her off at school and she burned her 1135 00:58:31,280 --> 00:58:33,760 Speaker 1: left leg on his motorcycle and she still has a 1136 00:58:33,800 --> 00:58:36,000 Speaker 1: scar on her leg, and she's like, that's why I 1137 00:58:36,120 --> 00:58:40,200 Speaker 1: remember that day. But she has no idea where he 1138 00:58:40,480 --> 00:58:44,240 Speaker 1: is but she remembers her mom, and then that is 1139 00:58:44,320 --> 00:58:46,840 Speaker 1: her speech. I mean, she has some other words in there, 1140 00:58:46,880 --> 00:58:51,320 Speaker 1: and then the last sentence is her understanding the need 1141 00:58:51,440 --> 00:58:54,680 Speaker 1: for this separation. She called it from them, and that 1142 00:58:54,840 --> 00:58:59,160 Speaker 1: she forgives them. That is a lot. I know she 1143 00:58:59,200 --> 00:59:02,200 Speaker 1: would just pick up piece of paper and stumble into yeah. 1144 00:59:02,360 --> 00:59:06,040 Speaker 1: And I mean, I'm sure she's delivering it well. She 1145 00:59:06,240 --> 00:59:08,520 Speaker 1: is today or you know, after lunch or something is 1146 00:59:08,520 --> 00:59:11,400 Speaker 1: when she has that class. And she stood before me 1147 00:59:11,480 --> 00:59:14,440 Speaker 1: and my sister and practiced over and over, and she's 1148 00:59:14,440 --> 00:59:16,520 Speaker 1: already getting so much better from last week. She could 1149 00:59:16,520 --> 00:59:18,920 Speaker 1: barely deliver the speech without fidgeting and moving around, and 1150 00:59:19,000 --> 00:59:22,000 Speaker 1: she was so nervous, and then this one being so personal. 1151 00:59:22,480 --> 00:59:24,600 Speaker 1: I was just proud of her and the delivery. And 1152 00:59:24,760 --> 00:59:27,320 Speaker 1: I'm just sending her all the good vibes for today. 1153 00:59:27,440 --> 00:59:29,320 Speaker 1: I can understand why you'd be proud. I can also 1154 00:59:29,440 --> 00:59:33,720 Speaker 1: understand why that would hurt a little bit, even though 1155 00:59:33,760 --> 00:59:35,919 Speaker 1: you know it shouldn't hurt, and it when you think 1156 00:59:36,040 --> 00:59:39,040 Speaker 1: through it, you can probably think yourself into it not hurting, 1157 00:59:39,600 --> 00:59:43,480 Speaker 1: because right she has oh, I logical parents. Yes, I 1158 00:59:44,360 --> 00:59:48,560 Speaker 1: know I am her second mom and that I hope 1159 00:59:48,640 --> 00:59:52,560 Speaker 1: she gets to reunite with her birth mom one day. Unfortunately, 1160 00:59:52,640 --> 00:59:54,720 Speaker 1: Haiti is just not in a position. I thought we 1161 00:59:54,760 --> 00:59:56,680 Speaker 1: would have gone back there by now, but it's just 1162 00:59:56,880 --> 00:59:59,000 Speaker 1: in such turmoil it's not safe for us to go. 1163 00:59:59,560 --> 01:00:02,000 Speaker 1: And she did ask that a couple of weeks ago, 1164 01:00:02,040 --> 01:00:03,400 Speaker 1: when do you think we're going to be able to go? 1165 01:00:04,120 --> 01:00:06,200 Speaker 1: And I just was honest with her and I said, oh, yeah, 1166 01:00:06,320 --> 01:00:10,920 Speaker 1: I don't know that hurt you a little bit. I don't, no, 1167 01:00:11,120 --> 01:00:12,800 Speaker 1: I mean, I just want to make sure. I think 1168 01:00:12,840 --> 01:00:17,600 Speaker 1: it makes me question am I doing the role that 1169 01:00:17,760 --> 01:00:21,040 Speaker 1: she needs? Like is she trying to go find her parents? 1170 01:00:21,080 --> 01:00:24,200 Speaker 1: Because I'm not fulfilling that role for her. But that's 1171 01:00:24,240 --> 01:00:26,040 Speaker 1: just a I know, that's a lie that pops up 1172 01:00:26,040 --> 01:00:29,120 Speaker 1: into my head real quick. And I'm glad that yes, 1173 01:00:29,320 --> 01:00:31,520 Speaker 1: and I'm glad I can reset and know the truth 1174 01:00:31,720 --> 01:00:35,000 Speaker 1: and that I am. She does see me as mom, 1175 01:00:35,360 --> 01:00:37,760 Speaker 1: and I'm reminded that every time, you know, I call 1176 01:00:37,840 --> 01:00:40,800 Speaker 1: her and she answers the phone hello mother, and that 1177 01:00:41,000 --> 01:00:48,600 Speaker 1: hello mother. But anytime my kids call me mom, I 1178 01:00:48,760 --> 01:00:52,280 Speaker 1: am reminded, well, they see me as that because their 1179 01:00:52,360 --> 01:00:55,440 Speaker 1: first year here, sometimes it was mom and then sometimes 1180 01:00:55,480 --> 01:01:00,720 Speaker 1: it was Amy. So there was some growing pains. Good here, 1181 01:01:00,760 --> 01:01:02,520 Speaker 1: we are good. I'm proud of her for doing that, 1182 01:01:02,760 --> 01:01:04,560 Speaker 1: for being comfortable enough to do that in front of you, 1183 01:01:05,080 --> 01:01:07,600 Speaker 1: in front of her class. No, no, no, oh, yes, 1184 01:01:08,040 --> 01:01:10,160 Speaker 1: in front of me. Yes. Yeah, I've been able to 1185 01:01:10,200 --> 01:01:11,320 Speaker 1: write that and do it in front of you and 1186 01:01:11,440 --> 01:01:13,520 Speaker 1: at the end to say and I forgive them right. 1187 01:01:13,520 --> 01:01:16,600 Speaker 1: It's a complicated thing. It's very complicated. And I imagine 1188 01:01:16,640 --> 01:01:19,640 Speaker 1: as she's fifteen sixteen, as she grows into an adult, 1189 01:01:19,920 --> 01:01:22,800 Speaker 1: there's going to be more curiosity and more questions, and 1190 01:01:22,960 --> 01:01:25,120 Speaker 1: I just want to be there for her in the process. 1191 01:01:25,480 --> 01:01:29,160 Speaker 1: I would imagine her curiosity and appreciation fluctuates like the 1192 01:01:29,200 --> 01:01:32,920 Speaker 1: stock market as the years go by, because I think 1193 01:01:32,960 --> 01:01:37,080 Speaker 1: as she gets older, the appreciation for you will grow, 1194 01:01:38,040 --> 01:01:40,880 Speaker 1: but her curiosity will as well. You know, as I 1195 01:01:41,040 --> 01:01:43,640 Speaker 1: got older and I wasn't adopted in the same way. 1196 01:01:43,680 --> 01:01:45,680 Speaker 1: I was adopted a bit by my grandmother and didn't 1197 01:01:45,720 --> 01:01:49,160 Speaker 1: have a dad and all that story. But my appreciation 1198 01:01:49,240 --> 01:01:50,560 Speaker 1: for the people that stepped in for me on a 1199 01:01:50,680 --> 01:01:56,040 Speaker 1: much lower level rose so much from my friend Evans dad, 1200 01:01:56,120 --> 01:01:58,680 Speaker 1: who took me on vacations for the first time. My 1201 01:01:58,960 --> 01:02:01,560 Speaker 1: high school football coach, too, was like the guy who 1202 01:02:01,720 --> 01:02:04,760 Speaker 1: instill discipline in me, And so as I got older, 1203 01:02:05,360 --> 01:02:08,760 Speaker 1: I was like, man like, I really appreciate those men 1204 01:02:08,880 --> 01:02:10,840 Speaker 1: that gave me that influence when they did not have to, 1205 01:02:10,960 --> 01:02:12,320 Speaker 1: which I did when I was young. And saying, thing's 1206 01:02:12,320 --> 01:02:14,200 Speaker 1: gonna happen with you. She's gonna get older and see 1207 01:02:14,240 --> 01:02:17,680 Speaker 1: the sacrifices that you went through. But she's also going 1208 01:02:17,760 --> 01:02:19,280 Speaker 1: to get older and wonder who she is and where 1209 01:02:19,280 --> 01:02:23,800 Speaker 1: she comes from and what her human parents look like. 1210 01:02:24,160 --> 01:02:27,200 Speaker 1: You know what, five years ago, it's really the first 1211 01:02:27,200 --> 01:02:30,160 Speaker 1: time that i'd met my biological father and that me 1212 01:02:30,320 --> 01:02:31,720 Speaker 1: being able to sit at the table and see him 1213 01:02:31,760 --> 01:02:35,000 Speaker 1: in human form was wild because I never sat and 1214 01:02:35,080 --> 01:02:37,280 Speaker 1: had dinner or had a conversation with a parent ever, 1215 01:02:37,960 --> 01:02:40,520 Speaker 1: and so that was weird for me, and that's gonna 1216 01:02:40,520 --> 01:02:42,240 Speaker 1: be weird for her. But that's something she's probably going 1217 01:02:42,320 --> 01:02:45,040 Speaker 1: to want to pursue, and I hope she gets to 1218 01:02:45,200 --> 01:02:47,560 Speaker 1: do that one day. And whether I'm a part of 1219 01:02:47,600 --> 01:02:49,480 Speaker 1: it with her or not, that's okay, because I don't 1220 01:02:49,520 --> 01:02:51,680 Speaker 1: know what age it will happen. But you'll always be 1221 01:02:51,760 --> 01:02:54,400 Speaker 1: a part of it with her, Yes, even if you're 1222 01:02:54,480 --> 01:02:57,080 Speaker 1: not there, Yeah, you will always be a part of 1223 01:02:57,160 --> 01:03:00,240 Speaker 1: it because you enabled her to have a life where 1224 01:03:00,280 --> 01:03:05,400 Speaker 1: she could actually go back or be curious from a 1225 01:03:05,480 --> 01:03:08,320 Speaker 1: healthy place. Yeah. I hope so. Because another weird lie 1226 01:03:08,400 --> 01:03:11,400 Speaker 1: that pops into my head is because we adopted older 1227 01:03:11,520 --> 01:03:14,520 Speaker 1: kids and she was ten almost eleven when she first 1228 01:03:14,600 --> 01:03:17,120 Speaker 1: got here, and I mean, it's happening quick. She's going 1229 01:03:17,200 --> 01:03:19,240 Speaker 1: to graduate and move out. I feel like the next 1230 01:03:19,320 --> 01:03:21,360 Speaker 1: four years are going to go so fast, And I'm like, 1231 01:03:21,440 --> 01:03:23,640 Speaker 1: what if we don't What if she moves out? And 1232 01:03:23,720 --> 01:03:26,760 Speaker 1: then it's like, Oh, I have this whole life to pursue, 1233 01:03:26,840 --> 01:03:29,880 Speaker 1: and this wasn't really my family family. So I'm just 1234 01:03:29,960 --> 01:03:32,200 Speaker 1: gonna move on, and I can't be like, hey, are 1235 01:03:32,240 --> 01:03:35,960 Speaker 1: you coming home for Thanksgiving? You know? There's let's be 1236 01:03:36,040 --> 01:03:37,560 Speaker 1: honest and you can correct me if I'm wrong here. 1237 01:03:37,800 --> 01:03:40,520 Speaker 1: Let's be honest about something. Kids in that orphanage I've 1238 01:03:40,560 --> 01:03:43,200 Speaker 1: been there. It ain't good if they age out of it. 1239 01:03:44,520 --> 01:03:47,440 Speaker 1: That's why we adopted older Here. Am I good? I 1240 01:03:47,440 --> 01:03:50,040 Speaker 1: would imagine most kids that come out of the orphanagees 1241 01:03:50,040 --> 01:03:51,600 Speaker 1: that are told you're too old to live here now, 1242 01:03:51,960 --> 01:03:54,400 Speaker 1: things don't turn out well for them, right. I would 1243 01:03:54,400 --> 01:03:57,040 Speaker 1: imagine that's a very significant number that don't turn out well. 1244 01:03:57,640 --> 01:04:01,360 Speaker 1: So regardless of if she is what you just described, 1245 01:04:02,000 --> 01:04:04,640 Speaker 1: if she's totally that way or not, it doesn't matter. 1246 01:04:04,880 --> 01:04:10,800 Speaker 1: It doesn't matter, It doesn't affect how we everyone should 1247 01:04:10,840 --> 01:04:13,680 Speaker 1: feel about people that are doing things like you're doing 1248 01:04:13,840 --> 01:04:17,480 Speaker 1: to change kids' lives. And so I'm sure there is 1249 01:04:17,560 --> 01:04:20,439 Speaker 1: some resentment there. You're a kid. You're supposed to resent 1250 01:04:21,520 --> 01:04:25,080 Speaker 1: your parents anyway, much less parents that took you from 1251 01:04:25,080 --> 01:04:26,760 Speaker 1: a place where you don't understand why you were taken 1252 01:04:26,800 --> 01:04:30,000 Speaker 1: out of right yet, which she has expressed that because 1253 01:04:30,040 --> 01:04:33,200 Speaker 1: at ten she told me, nobody asked me if I 1254 01:04:33,280 --> 01:04:35,160 Speaker 1: wanted to come to America. Y'all just took me. And 1255 01:04:35,280 --> 01:04:38,400 Speaker 1: she has a point so valid, and I was thankful 1256 01:04:38,520 --> 01:04:40,240 Speaker 1: that she could use her voice at such a young 1257 01:04:40,320 --> 01:04:42,720 Speaker 1: age and put that into words, because she was clearly 1258 01:04:42,800 --> 01:04:45,840 Speaker 1: feeling it. And it's not something you think about when 1259 01:04:45,880 --> 01:04:47,680 Speaker 1: you're in the process of it. You're like, oh my gosh, 1260 01:04:47,680 --> 01:04:49,480 Speaker 1: we're gonna bring them here and be a family and 1261 01:04:49,600 --> 01:04:52,440 Speaker 1: give them this life. And her life was in Haiti 1262 01:04:52,520 --> 01:04:54,000 Speaker 1: with all her friends that though she was having a 1263 01:04:54,040 --> 01:04:57,800 Speaker 1: good time every day. But yeah, I think ultimately once, yeah, 1264 01:04:57,880 --> 01:05:00,640 Speaker 1: she's older, she'll see it all she can probably see 1265 01:05:00,680 --> 01:05:03,040 Speaker 1: it now, but I just had that fear of when 1266 01:05:03,120 --> 01:05:06,280 Speaker 1: she moves out, will she want to come back. If 1267 01:05:06,320 --> 01:05:08,320 Speaker 1: she does, or if she doesn't know, it's still then 1268 01:05:08,680 --> 01:05:11,360 Speaker 1: and it will always be her decision. But I have 1269 01:05:11,440 --> 01:05:12,800 Speaker 1: a feeling that she will want to come back at 1270 01:05:12,880 --> 01:05:15,920 Speaker 1: least to see me, because at least at least to 1271 01:05:15,960 --> 01:05:18,240 Speaker 1: see me, she looks forward to it, because I look 1272 01:05:18,320 --> 01:05:22,720 Speaker 1: very forward to our next commitment. Yes, well, that is 1273 01:05:22,760 --> 01:05:27,240 Speaker 1: a complicated story, Yeah, that it is, but it's awesome 1274 01:05:27,280 --> 01:05:29,760 Speaker 1: at the same time, complicated and awesome. Absolute that she's 1275 01:05:29,800 --> 01:05:33,200 Speaker 1: mature enough to even communicate that and then on the 1276 01:05:33,280 --> 01:05:35,760 Speaker 1: back end to go, you know, and say what she 1277 01:05:35,800 --> 01:05:38,360 Speaker 1: said about and she forgives them. That's awesome. She's so smart. 1278 01:05:38,680 --> 01:05:40,240 Speaker 1: I mean, you can just hear the scheme she's up to. 1279 01:05:40,600 --> 01:05:43,040 Speaker 1: She can the massage gun to school was charging people 1280 01:05:43,040 --> 01:05:46,120 Speaker 1: to that's whole. That's something I would have done. That's awesome. 1281 01:05:46,160 --> 01:05:50,320 Speaker 1: She's so smart. That's super cool. It's the best bits 1282 01:05:50,400 --> 01:05:54,960 Speaker 1: of the week with Morgan number two, then in at 1283 01:05:55,000 --> 01:05:58,200 Speaker 1: the number one spot this week, A lunchbox made it 1284 01:05:58,400 --> 01:06:01,560 Speaker 1: on the news finally, but not for anything he did. No, 1285 01:06:01,760 --> 01:06:04,800 Speaker 1: In fact, it was more of his back inside profile 1286 01:06:04,880 --> 01:06:06,560 Speaker 1: that made it on the news. But he made it 1287 01:06:06,640 --> 01:06:09,680 Speaker 1: on the news regardless, and he was so stoked about it. So, 1288 01:06:10,400 --> 01:06:13,720 Speaker 1: without further ado, this is Lunchbox making it on the 1289 01:06:13,840 --> 01:06:17,560 Speaker 1: news for a protest, though he was not actually involved 1290 01:06:17,600 --> 01:06:21,080 Speaker 1: in number one. I did see a story two about 1291 01:06:21,120 --> 01:06:24,680 Speaker 1: a protest yesterday here where we live, and these people 1292 01:06:24,720 --> 01:06:28,200 Speaker 1: were protesting the fact that vegan milk, like an almond milk, 1293 01:06:28,480 --> 01:06:30,959 Speaker 1: costs more than if you were to get a cow milk. 1294 01:06:31,440 --> 01:06:33,640 Speaker 1: And they're like, it shouldn't cost more, it should be 1295 01:06:33,720 --> 01:06:38,200 Speaker 1: the same prize free vegans whatever. And they concrete their 1296 01:06:38,280 --> 01:06:40,840 Speaker 1: feet into these different things so they can't move them. 1297 01:06:41,080 --> 01:06:45,840 Speaker 1: The road is shut down again at Starbucks, protesting that 1298 01:06:46,040 --> 01:06:48,880 Speaker 1: vegan milk be the same as normal cow milk. Okay, 1299 01:06:49,200 --> 01:06:51,240 Speaker 1: And then I see that Lunchbox has joined the protest 1300 01:06:51,320 --> 01:06:53,760 Speaker 1: just to get on TV. Oh my god, he's in 1301 01:06:53,800 --> 01:06:56,720 Speaker 1: the news story. Yeah, it's very free, it's very brief. 1302 01:06:56,800 --> 01:06:59,760 Speaker 1: He made the news. It's very made the news guy. 1303 01:07:00,520 --> 01:07:03,040 Speaker 1: I mean, I saw this going down. I was like, man, 1304 01:07:03,080 --> 01:07:05,960 Speaker 1: I gotta get in on the action. So I went 1305 01:07:06,000 --> 01:07:12,000 Speaker 1: and protested. He did, And so here's clip. How awesome. 1306 01:07:12,280 --> 01:07:15,840 Speaker 1: I mean, these people are crazy. I mean they put 1307 01:07:16,160 --> 01:07:19,640 Speaker 1: cement around their feet as a protest. One of them 1308 01:07:19,680 --> 01:07:21,040 Speaker 1: had to go to the hospital too because he was 1309 01:07:21,240 --> 01:07:23,880 Speaker 1: playing his feet hurt. Oh my god, submit yourself in. 1310 01:07:25,040 --> 01:07:27,720 Speaker 1: I think it's gonna feel good. Here is clip number 1311 01:07:27,760 --> 01:07:31,440 Speaker 1: one that this Lunchbox intros himself and finds out protesters 1312 01:07:31,480 --> 01:07:33,320 Speaker 1: cementing themselves to the ground. Yeah. I was talking to 1313 01:07:33,400 --> 01:07:35,720 Speaker 1: the head protester. I guess you call her the head 1314 01:07:36,040 --> 01:07:38,040 Speaker 1: or the leader of the pack. I don't know what 1315 01:07:38,160 --> 01:07:41,400 Speaker 1: she is. Ahead. Hey, you don't remem I'm Lunchboch from 1316 01:07:41,400 --> 01:07:43,040 Speaker 1: the Boby Mole Show. And I see you guys are 1317 01:07:43,080 --> 01:07:44,800 Speaker 1: going out here, So what's going on? Tell me what's 1318 01:07:44,840 --> 01:07:50,920 Speaker 1: going down? Yeah, no, I don't. We are here in Nashville. 1319 01:07:51,000 --> 01:07:54,440 Speaker 1: Our activists have cemented themselves to the floor. Here. The 1320 01:07:54,560 --> 01:07:58,240 Speaker 1: police came and removed several of our acts with the activists. 1321 01:07:58,280 --> 01:08:00,600 Speaker 1: They drilled one of them. Well, you actually put semen 1322 01:08:00,680 --> 01:08:03,360 Speaker 1: around your leg? Yeah, he cemented on in there in 1323 01:08:03,440 --> 01:08:05,840 Speaker 1: the news story, you see Lunchbox for like point three seconds, 1324 01:08:06,080 --> 01:08:08,040 Speaker 1: but you do see him. I mean, I am there, 1325 01:08:08,240 --> 01:08:09,919 Speaker 1: I am Mark. You can see your face, you see 1326 01:08:09,960 --> 01:08:11,560 Speaker 1: the back of your starts like he's in the background 1327 01:08:11,600 --> 01:08:13,160 Speaker 1: of a camera shot or something. No, no, I'm right 1328 01:08:13,200 --> 01:08:15,840 Speaker 1: there with the protesters. Man, I am standing strong with them. 1329 01:08:15,920 --> 01:08:18,599 Speaker 1: But you never see your face. I know they see 1330 01:08:18,600 --> 01:08:21,800 Speaker 1: the back of his now, yeah it is him. Here 1331 01:08:21,880 --> 01:08:24,240 Speaker 1: is clip number two. I'm talking to them. But anyway, 1332 01:08:24,280 --> 01:08:28,240 Speaker 1: we're here protesting. Starbucks is unjust up charge on vegan mills. 1333 01:08:28,720 --> 01:08:34,120 Speaker 1: So despite paying lip service to sustainability, Starbucks is continuing 1334 01:08:34,160 --> 01:08:38,479 Speaker 1: to charge customers up to ninety cents extra to have 1335 01:08:38,840 --> 01:08:41,680 Speaker 1: vegan milk instead of dairy in their costs. So wait 1336 01:08:41,720 --> 01:08:43,679 Speaker 1: a minute. You're trying to save the planet and they're 1337 01:08:43,720 --> 01:08:45,960 Speaker 1: trying to charge you more for saving the planet. Absolutely, 1338 01:08:46,040 --> 01:08:48,920 Speaker 1: it's it's insane, it's not makes sense. So we should 1339 01:08:48,960 --> 01:08:51,719 Speaker 1: say no more meeting our mouth or no more Starbucks. 1340 01:08:51,840 --> 01:08:56,600 Speaker 1: Remember save the planets, save the cow's, no more in 1341 01:08:56,720 --> 01:08:59,880 Speaker 1: the vegan Yes that's charged now. Yeah, you know we're 1342 01:09:00,000 --> 01:09:02,479 Speaker 1: here for a reason. So do we come back tomorrow 1343 01:09:02,560 --> 01:09:04,679 Speaker 1: in the tomorrow or right? What do we do? Well, 1344 01:09:04,880 --> 01:09:07,720 Speaker 1: you know we're Starbucks. Doesn't know where we'll show up now, 1345 01:09:07,840 --> 01:09:09,560 Speaker 1: got it? That's the whole key. Gotta keep them on 1346 01:09:09,640 --> 01:09:13,439 Speaker 1: their toes, all right, thank you? Wow, this is crazy. 1347 01:09:13,640 --> 01:09:16,000 Speaker 1: They travel around the country to different Starbucks. They were 1348 01:09:16,040 --> 01:09:18,400 Speaker 1: from different states. Yeah, oh, I thought they were just 1349 01:09:19,040 --> 01:09:21,120 Speaker 1: whacky doodles from here. No. No, they said, you never 1350 01:09:21,200 --> 01:09:23,880 Speaker 1: know where we're gonna be next, and so they travel 1351 01:09:24,000 --> 01:09:26,320 Speaker 1: in a U haul. Guys, I talked to an eyewitness. 1352 01:09:26,439 --> 01:09:29,880 Speaker 1: Don't listen the eyewitness or an eyewitness, No I can't. 1353 01:09:29,880 --> 01:09:32,080 Speaker 1: You need to talk to yourself. This guy saw it 1354 01:09:32,160 --> 01:09:34,760 Speaker 1: all start like he was there when it went down, 1355 01:09:34,960 --> 01:09:38,360 Speaker 1: and he was incredible. So tell me what you saw. 1356 01:09:38,760 --> 01:09:41,120 Speaker 1: I was here at the beginning. Then next thing I know, 1357 01:09:41,200 --> 01:09:43,439 Speaker 1: I'll see a U haul trump pull up right here. 1358 01:09:43,720 --> 01:09:46,639 Speaker 1: They lifted up and they all jump out, and then 1359 01:09:46,720 --> 01:09:50,560 Speaker 1: they get there's kind of like a SWAT takeover. You 1360 01:09:50,600 --> 01:09:52,760 Speaker 1: were like, oh my god, Swat team. But it was 1361 01:09:52,880 --> 01:09:58,000 Speaker 1: protesters and they pulled out the cement like that. Believe me, 1362 01:09:58,120 --> 01:10:01,360 Speaker 1: they ain't done. I love image as it is. They 1363 01:10:01,479 --> 01:10:03,960 Speaker 1: shut down one of the largest growth in Starbucks in 1364 01:10:04,080 --> 01:10:08,320 Speaker 1: Daveson County. There's only six of them and all of 1365 01:10:08,320 --> 01:10:10,840 Speaker 1: them did that. Yeah. Now does it inspire you to 1366 01:10:10,880 --> 01:10:18,160 Speaker 1: get in the concrete? Okay? I love a good peaceful protest. 1367 01:10:18,280 --> 01:10:21,439 Speaker 1: I do. It was hilarious. There's no need to stop 1368 01:10:21,479 --> 01:10:23,880 Speaker 1: all that traffic. I saw people that were trying to 1369 01:10:23,880 --> 01:10:26,040 Speaker 1: do their jobs at the hair salon next door, and 1370 01:10:26,120 --> 01:10:27,720 Speaker 1: they were like, our clients can't even get here. We 1371 01:10:27,800 --> 01:10:30,400 Speaker 1: just send them like a backway, concreting their feet in. 1372 01:10:30,760 --> 01:10:32,920 Speaker 1: The rules should be, if you choose to conquerte yourself in, 1373 01:10:33,200 --> 01:10:34,920 Speaker 1: you can't go to the hospital because your toe hurts, 1374 01:10:35,040 --> 01:10:38,360 Speaker 1: you gotta stay in there. You're never committed. You committed. 1375 01:10:38,920 --> 01:10:41,320 Speaker 1: I mean they blocked the entrance to Starbucks, the exit, 1376 01:10:41,360 --> 01:10:43,760 Speaker 1: and they concrete it and they put caution tape up 1377 01:10:44,200 --> 01:10:46,439 Speaker 1: like you can't get past. And I was like, this 1378 01:10:47,040 --> 01:10:50,080 Speaker 1: is awesome. Where you disappointed the news didn't interview you. 1379 01:10:50,240 --> 01:10:52,000 Speaker 1: I was so mad because I'm in I was doing 1380 01:10:52,040 --> 01:10:55,320 Speaker 1: the chant with them in the protest, in the Vegan 1381 01:10:55,439 --> 01:11:01,880 Speaker 1: up the up chart. I don't even say the cows now, yeah, 1382 01:11:02,040 --> 01:11:05,679 Speaker 1: that's it. You don't have me in your mouth. Yeah, 1383 01:11:05,960 --> 01:11:07,960 Speaker 1: but it was awesome. And then I go home and 1384 01:11:08,000 --> 01:11:09,560 Speaker 1: I'm like, I'm gonna be on the news, gonna be 1385 01:11:09,600 --> 01:11:12,240 Speaker 1: on the news. Why would I sit down? Let's show 1386 01:11:12,280 --> 01:11:13,800 Speaker 1: him my back the back of its head for like 1387 01:11:14,120 --> 01:11:16,960 Speaker 1: a split second. But you didn't have a haircut, yes 1388 01:11:17,040 --> 01:11:19,760 Speaker 1: it did, well, why did you stop there? Did you 1389 01:11:19,800 --> 01:11:21,240 Speaker 1: just We're just driving down the road and just driving 1390 01:11:21,240 --> 01:11:23,560 Speaker 1: down the road and saw it pulled over. He's like, 1391 01:11:23,640 --> 01:11:26,200 Speaker 1: my lucky day. And I even I mean, I just 1392 01:11:26,280 --> 01:11:27,600 Speaker 1: happened to be there when the news was there, and 1393 01:11:27,640 --> 01:11:29,040 Speaker 1: I was like, this is great. I was your wife 1394 01:11:29,080 --> 01:11:31,840 Speaker 1: with you. No, so you were just driving. I was 1395 01:11:31,880 --> 01:11:34,000 Speaker 1: just driving for your kids. No, I was going to 1396 01:11:34,040 --> 01:11:36,320 Speaker 1: pick the kids up. And so you were delayed and 1397 01:11:36,360 --> 01:11:39,080 Speaker 1: picking the kids up because you were because I hopped 1398 01:11:39,120 --> 01:11:41,400 Speaker 1: an approach. It's important. It was great that the news 1399 01:11:41,479 --> 01:11:43,400 Speaker 1: was there at the same time. And I mean they 1400 01:11:43,439 --> 01:11:45,479 Speaker 1: could have included me in the news story a little bit, 1401 01:11:45,520 --> 01:11:47,240 Speaker 1: but you weren't wearing matching clothes and what I know 1402 01:11:47,400 --> 01:11:49,880 Speaker 1: that's all of them were concreted in in black shirts. 1403 01:11:49,920 --> 01:11:52,559 Speaker 1: That set a message and you were not conquered it. Andy, 1404 01:11:52,640 --> 01:11:53,800 Speaker 1: we're in the same hood. You were on this show 1405 01:11:53,800 --> 01:11:56,040 Speaker 1: every day. Yeah pretty much. Yeah, same Yeah. But it 1406 01:11:56,160 --> 01:11:59,040 Speaker 1: was awesome. Man. I am all for the in the 1407 01:11:59,200 --> 01:12:03,680 Speaker 1: up chart looking say the cow go vegan. Now there 1408 01:12:03,680 --> 01:12:07,160 Speaker 1: it is. Yeah, Hey, you're making a difference. It made 1409 01:12:07,200 --> 01:12:10,720 Speaker 1: the news. Not really, you don't count that. I don't. 1410 01:12:11,640 --> 01:12:13,680 Speaker 1: I mean, I got not your name on here there, 1411 01:12:13,760 --> 01:12:18,240 Speaker 1: I got text from people saying through draw on the news. People, 1412 01:12:18,240 --> 01:12:22,960 Speaker 1: I mean people I know Brian Tide does he hit 1413 01:12:23,000 --> 01:12:24,479 Speaker 1: me up? He was like, hey, man, is this shoe 1414 01:12:24,520 --> 01:12:26,680 Speaker 1: on the news? I was like, that's me. Is that 1415 01:12:26,800 --> 01:12:29,479 Speaker 1: your back on the news? He recognized my back. That's 1416 01:12:29,520 --> 01:12:32,120 Speaker 1: how famous I am. Okay, good job, lunch Bike. Make 1417 01:12:32,240 --> 01:12:33,960 Speaker 1: a funny story that you went and covered, not so 1418 01:12:34,080 --> 01:12:35,720 Speaker 1: much at getting on the news. We'll put the clip 1419 01:12:36,000 --> 01:12:37,559 Speaker 1: up on our facebooks so people can see it. Yeah, 1420 01:12:37,560 --> 01:12:41,600 Speaker 1: all right, it's the Best Bits of the Week with 1421 01:12:41,840 --> 01:12:45,479 Speaker 1: Morgan number two. And that's it for the best Bits 1422 01:12:45,680 --> 01:12:48,200 Speaker 1: this week. I hope you enjoyed all of these segments, 1423 01:12:48,320 --> 01:12:50,720 Speaker 1: either reliving them or hearing them for the first time. 1424 01:12:50,840 --> 01:12:53,120 Speaker 1: Make sure to check out Bobby Bones dot com. There's 1425 01:12:53,200 --> 01:12:55,599 Speaker 1: so much content up there for you guys to consume, 1426 01:12:55,720 --> 01:12:57,920 Speaker 1: not just these seven bits, but so much more, and 1427 01:12:58,040 --> 01:13:00,720 Speaker 1: of course bits from many, many years ago. I mean 1428 01:13:00,840 --> 01:13:02,800 Speaker 1: there's at least five years worth of content up there 1429 01:13:02,880 --> 01:13:04,920 Speaker 1: since I've been with the show. So there's a lot 1430 01:13:05,040 --> 01:13:06,840 Speaker 1: up there, and you can follow the show at Bobby 1431 01:13:06,880 --> 01:13:08,320 Speaker 1: Bones Show. If you want to come hang out with 1432 01:13:08,439 --> 01:13:10,960 Speaker 1: me on social media. I'm at web girl Morgan on 1433 01:13:11,240 --> 01:13:13,600 Speaker 1: all the things as always. I hope you guys have 1434 01:13:13,760 --> 01:13:16,479 Speaker 1: a fabulous weekend. Thank you again for joining me on 1435 01:13:16,600 --> 01:13:20,360 Speaker 1: the Best Bits. Check out Part one Best Bits with Amy. 1436 01:13:20,479 --> 01:13:22,360 Speaker 1: It's a good time. Also, if you want to go 1437 01:13:22,520 --> 01:13:24,680 Speaker 1: listen to more Part ones. There's so many interviews up 1438 01:13:24,720 --> 01:13:27,200 Speaker 1: with the show members and every week we somehow find 1439 01:13:27,320 --> 01:13:29,600 Speaker 1: some new things to talk about, so I encourage you. 1440 01:13:29,600 --> 01:13:32,479 Speaker 1: If you haven't heard them, go check them out. Love y'all, 1441 01:13:32,760 --> 01:13:35,479 Speaker 1: Bye es, Bobby Boss.