WEBVTT - Joy 101: Henry Winkler

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<v Speaker 1>Okay, So I have had the privilege of interviewing a

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<v Speaker 1>ton of people over the years, and there's one name

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<v Speaker 1>that pops up, and I know that my heart and

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<v Speaker 1>soul are going to be filled by what this person says. Now,

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<v Speaker 1>I'm not going to reveal who it is in this

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<v Speaker 1>very second, but I'm going to tell you about him.

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<v Speaker 1>This is a guy who grew up in a very

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<v Speaker 1>difficult childhood. In fact, he said when he would leave

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<v Speaker 1>his room to go out into the living room or

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<v Speaker 1>the kitchen, he called it a war zone. His parents

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<v Speaker 1>basically called him an idiot or a dumb dog. They

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<v Speaker 1>thought he was stupid. These are his words, and in reality,

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<v Speaker 1>he was struggling with dyslexia. But at that time people

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<v Speaker 1>didn't know from dyslexia. They just thought their kid wasn't smart. Now,

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<v Speaker 1>imagine yourself for a minute growing up in that kind

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<v Speaker 1>of an environment where you're getting pounded on and pounded

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<v Speaker 1>on and pounded on every day with this you know,

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<v Speaker 1>with your not good enough, you're stupid over and over

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<v Speaker 1>and over. What do you think would happen with your

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<v Speaker 1>life like what happens to a kid like that? Well,

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<v Speaker 1>I would imagine probably the worst a kid who to

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<v Speaker 1>this day doesn't who's now a grown adult who When

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<v Speaker 1>to ask the question, how did you know your parents

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<v Speaker 1>loved you, he says, I don't know. From that place,

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<v Speaker 1>this person found joy that we can all dream of having.

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<v Speaker 1>This is a person when you hear where he is today,

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<v Speaker 1>you will say, oh my gosh, I want to live

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<v Speaker 1>like he lives. He's full of optimism, He's brimming with

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<v Speaker 1>hope and love and curiosity and all the things that

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<v Speaker 1>life's about. He has that in him. He's proof of

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<v Speaker 1>the phrase where you start does not define where you finish.

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<v Speaker 1>So if you're going through a difficult time or you're

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<v Speaker 1>in a terrible circumstance and you think, is joy possible

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<v Speaker 1>for me? It is. The man who I'm describing to

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<v Speaker 1>you is Henry Winkler. You guys know him from playing

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<v Speaker 1>the Fonds on Happy Days. He also won his very

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<v Speaker 1>first Emmy in his seventies for playing the role in

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<v Speaker 1>the show Barry. He is a delight. He gives away

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<v Speaker 1>all of his goodness and compliments and love, and that's

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<v Speaker 1>why his cup stays full. If you want to know

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<v Speaker 1>the secret to where Henry Winkler finds joy and how

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<v Speaker 1>he keeps it going every day. You're going to want

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<v Speaker 1>to take note during this podcast. All right, guys, here's

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<v Speaker 1>Henry Winkler. So Henry, as we get started, the first

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<v Speaker 1>thing I have to say to you is because I

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<v Speaker 1>just watched it again, So I'm going to say the

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<v Speaker 1>word again. Your commencement address at Emerson. Wow, now stop it.

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<v Speaker 1>I mean, I know you, I love you. But something

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<v Speaker 1>about that ten minutes, twelve minutes, fourteen minutes, whatever you

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<v Speaker 1>did standing before those students was electrifying. Wow. Will you

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<v Speaker 1>tell me about that moment on stage? Because it seemed

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<v Speaker 1>it just seemed like in a different class.

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<v Speaker 2>I went to Emerson. They were the only college that

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<v Speaker 2>said yes to me out of the twenty eight that

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<v Speaker 2>I applied to. I had great four years there. I

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<v Speaker 2>am now eighty years old, and the things I learned

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<v Speaker 2>that I wish someone had told me. I wanted those

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<v Speaker 2>young people to know. I did not want to say

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<v Speaker 2>you're our future, it's up to you now. I wanted

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<v Speaker 2>to say, you are everything you want to be, and

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<v Speaker 2>it's in you, and now your job is to give

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<v Speaker 2>it to the world.

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<v Speaker 1>You know what's awesome, Henry about you? Someone asked me,

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<v Speaker 1>I was in actually a leadership session with somebody, and

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<v Speaker 1>someone said, tell me your life in eight minutes. Tell

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<v Speaker 1>me your whole life in eight minutes. Nothing you know,

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<v Speaker 1>so you hit like in my case, I hit the highlights.

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<v Speaker 1>What were the highlights to me? My parents were immigrants.

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<v Speaker 1>I got rejected twenty seven times before my first job.

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<v Speaker 1>My kid, you know, you list all the things, and

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<v Speaker 1>I thought, in that speech, you sort of did something similar.

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<v Speaker 1>I didn't realize number one, that you had to squeak

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<v Speaker 1>by with that D minus just to get into Emerson.

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<v Speaker 1>What was the subject? What was the what was the

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<v Speaker 1>tripping point? Geometry?

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<v Speaker 2>But that is only one of the subjects I failed at. Really,

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<v Speaker 2>it's no joke, you know, I couldn't. I saw my

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<v Speaker 2>life as at a cylinder of stainless steel with no handholds,

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<v Speaker 2>no footholds, and I tried to pull myself out into

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<v Speaker 2>the sun, and I slipped until I was twenty seven.

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<v Speaker 2>I took a chance and left New York, went to Hollywood,

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<v Speaker 2>tried out for Happy Days, had six lines, and my

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<v Speaker 2>life exploded.

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<v Speaker 1>I want to go back because when I think of

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<v Speaker 1>someone who's an actor, I think of someone who is confident.

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<v Speaker 1>I would think of someone who's all their childhood goodness

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<v Speaker 1>was poured into them so that they could get up

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<v Speaker 1>in front of other people in face rejection. They were strong.

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<v Speaker 1>Your childhood was not that. Your childhood was the opposite

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<v Speaker 1>of that.

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<v Speaker 2>That is that is true? Oh, here it is. That's

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<v Speaker 2>what I learned. You just have to go and dig

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<v Speaker 2>deep because it is in you already. You don't need that.

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<v Speaker 2>Although that is lovely, let me say, I mean, there

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<v Speaker 2>are people who talk to me in the airport, on

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<v Speaker 2>the street, in the airplane, in the new country, in

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<v Speaker 2>the anywhere, and it feels amazing. But your power is

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<v Speaker 2>there is It comes with you as you come into

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<v Speaker 2>the world with these tiny little fingers that grow in fierce,

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<v Speaker 2>tiny little fingers.

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<v Speaker 1>I like that. I was listening to you with Michelle Obama,

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<v Speaker 1>which by the way, was also beautiful, And I'd heard

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<v Speaker 1>you describe your childhood, but I never heard you describe

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<v Speaker 1>it this way. You said, when you stepped out of

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<v Speaker 1>your room, it felt like a war zone. What did

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<v Speaker 1>that mean?

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<v Speaker 2>Okay? So oh, On the one hand, I really do understand.

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<v Speaker 2>My parents came from Nazi Germany. They left everything behind.

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<v Speaker 2>They started a new life, they a new language, a job,

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<v Speaker 2>they gave us, my sister and I a life. But

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<v Speaker 2>somewhere in that journey, their psyche was beaten to a pulp.

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<v Speaker 2>And every time I left my room, opened the door,

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<v Speaker 2>to walk to the kitchen, to walk to the living room,

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<v Speaker 2>it was chaos. It was damage to it was an attack.

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<v Speaker 1>What was So's mean? Scary? Horrible about walking out there?

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<v Speaker 1>What do you mean?

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<v Speaker 2>They did not? I now understand. As a parent, you

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<v Speaker 2>hear your child, you see your child, you just step

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<v Speaker 2>back and look at this human being who didn't ask

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<v Speaker 2>to be here. You gave birth to that human being,

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<v Speaker 2>and you look at them and they are clear. My

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<v Speaker 2>parents had no vision. They had no child vision. I

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<v Speaker 2>was supposed to be, I was bred to be. I didn't.

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<v Speaker 2>I was an embarrassment. I didn't do well in school.

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<v Speaker 2>Oh could you do this? I speak eleven languages? Oh really, dad?

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<v Speaker 2>Well that's hey, good for you, because dyslexia is hereditarian.

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<v Speaker 2>You passed it on.

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<v Speaker 1>But hey, but so you didn't know. For people who

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<v Speaker 1>don't know this, you didn't know you were dyslexic. You

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<v Speaker 1>just thought you weren't doing Yeah, God, that's the strong word.

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<v Speaker 1>What did your dad call you? Which? Man?

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<v Speaker 2>I'm dog?

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<v Speaker 1>Wow.

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<v Speaker 2>Yeah, And they're no joking. I mean they literally Look,

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<v Speaker 2>I take all of the total of the achievement and

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<v Speaker 2>the courage and the pain of my parents. What I

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<v Speaker 2>cannot abide is what I just said. You see the

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<v Speaker 2>child in front of you. You might not be able

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<v Speaker 2>to define the problem, you might not be able to

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<v Speaker 2>fix the problem, but you know there's a problem, and

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<v Speaker 2>then you act accordingly. I see you're in trouble. I'm

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<v Speaker 2>going to try and make your moment easier. Not you

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<v Speaker 2>go to your oom. You're going to not and you're

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<v Speaker 2>going to get geometry.

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<v Speaker 1>Who who was there for you, Henry during that time?

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<v Speaker 1>Who was the person me?

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<v Speaker 2>Oh, I don't I don't remember anybody. I don't remember.

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<v Speaker 2>I never had real grandparents. I never had a lot

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<v Speaker 2>of auntswer or uncles because they were all taken. There

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<v Speaker 2>is a plant in my garden that is a spider plant,

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<v Speaker 2>and that spider plant was on our window sill cuttings,

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<v Speaker 2>and that original spider plant came out of Germany into

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<v Speaker 2>a coffin at the feet of Anna Kulmann, my faux aunt.

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<v Speaker 2>But she was smuggled out of Germany in a coffin,

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<v Speaker 2>and we all had cuttings. I took a cutting when

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<v Speaker 2>I came here to California. It's in my garden, it's

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<v Speaker 2>in my children's garden, and it just keeps rejuvenating, which

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<v Speaker 2>is one of the lessons I learned in life.

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<v Speaker 1>So you squeak through high school, you make it to Emerson.

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<v Speaker 1>Did things start clicking at Emerson?

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<v Speaker 2>No, not there either, Sophomore, I'm my major is theorem.

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<v Speaker 2>My dreams to be an actor. I talk about it,

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<v Speaker 2>I dream it, I lie awake at night. I and

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<v Speaker 2>I went into my class because that's half of me.

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<v Speaker 2>The other half is Oh, mister Sensenbach, I'm so sorry.

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<v Speaker 2>I'm going to try something new. I'm going to read

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<v Speaker 2>the Shakespearean scene and acted at the same time. And

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<v Speaker 2>he said, not in my class, You're not You were

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<v Speaker 2>supposed to memorize it. I was kicked out of my major.

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<v Speaker 1>Oh no, So then what happened?

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<v Speaker 2>I talked my way back in.

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<v Speaker 1>Of course you did? Of course you did? So did

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<v Speaker 1>was memorization? I know reading was impossible? Was memorization hard

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<v Speaker 1>to okay?

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<v Speaker 2>So the way I figured that out? So God giveth

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<v Speaker 2>and God taketh away, So I can't read? You know?

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<v Speaker 2>My joke is the Tale of True Cities. You know.

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<v Speaker 2>I read the cover and it's not even a joke.

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<v Speaker 2>So if I read it slowly, I eventually could rub

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<v Speaker 2>the script on my body and it would go in.

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<v Speaker 2>I had this amazing ability. When I auditioned. I would

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<v Speaker 2>I would memorize as much as I could go in.

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<v Speaker 2>And when I got to the end of what I memorized,

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<v Speaker 2>I improvised ah, and they said, excuse me, that's not what

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<v Speaker 2>we wrote. And I said, I'm giving you the essence

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<v Speaker 2>of the care character. If I get it, I'll do

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<v Speaker 2>it verbatim.

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<v Speaker 1>If I get it, I'll do is that what happened

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<v Speaker 1>with the Fawns and Happy Days?

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<v Speaker 2>Everybody everywhere? Max? Who is that? Our youngest son. The

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<v Speaker 2>director was here when I was going over my audition

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<v Speaker 2>for Barry, and he directed me in my audition and

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<v Speaker 2>I started to have lib and he said, Dad, respect

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<v Speaker 2>the writermation point.

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<v Speaker 1>Okay, I want to hear about Barry. I want to

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<v Speaker 1>hear about all that. I want to hear about Happy

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<v Speaker 1>Days though, So you go in this character Fawns has

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<v Speaker 1>how many lines? You said?

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<v Speaker 2>Six?

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<v Speaker 1>Six? So he wasn't supposed to be anybody but somebody

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<v Speaker 1>who dipped in and dipped out.

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<v Speaker 2>That's right.

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<v Speaker 1>So when you go in for the audition, or when

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<v Speaker 1>you go in for whatever, what do the what is

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<v Speaker 1>the director? What do they want you to do?

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<v Speaker 2>I go in and there are eleven people in the room.

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<v Speaker 2>Marshall ed, milchis Tom Miller, the three the triumphrant who

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<v Speaker 2>created happy Days. And I the greatest thing that happened

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<v Speaker 2>to me is as scared as I was in my life.

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<v Speaker 2>I had the courage in my professional life, and I

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<v Speaker 2>merely changed my voice, and that unleashed, I was able

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<v Speaker 2>to do anything that came to my mind. So I

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<v Speaker 2>took the six lines and just played with them and

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<v Speaker 2>threw the script up in the air and sunt it

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<v Speaker 2>out of the room. And Gary Marshall said, he's the guy.

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<v Speaker 1>What happened with I mean, one thing that we know

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<v Speaker 1>of Fonds. I don't know if this was in the

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<v Speaker 1>in the auditional was the calm. It was always like

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<v Speaker 1>looking at himself.

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<v Speaker 2>That was again that was an improvisation. So it's the

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<v Speaker 2>first day. First I'm reading. Now you remember I'm I'm

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<v Speaker 2>a trained actor and I'm reading the script and I

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<v Speaker 2>can't make the joke work, and I start hitting the script.

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<v Speaker 2>I can't do this. What is this? And I'm twenty seven?

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<v Speaker 2>Well on how it is eighteen? He puts his arm

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<v Speaker 2>around me, walks me to the back of soundstage twenty

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<v Speaker 2>four on Paramount Lot and said, you know they're working

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<v Speaker 2>as hard as they can. Let's not hit our script.

0:15:36.160 --> 0:15:39.720
<v Speaker 2>That our run I've I'll never get my scribbt as

0:15:39.800 --> 0:15:45.280
<v Speaker 2>long as I live. I scripped it that now it says,

0:15:45.400 --> 0:15:47.800
<v Speaker 2>go to the mirror, comb your hair. I walked to

0:15:47.840 --> 0:15:53.320
<v Speaker 2>the director mil Ferber, who did the pilot. I said, listen, sir,

0:15:53.440 --> 0:15:57.680
<v Speaker 2>I will do anything, but every actor who has played

0:15:57.760 --> 0:16:02.520
<v Speaker 2>my part has combed his hair. The I need to

0:16:02.560 --> 0:16:06.520
<v Speaker 2>be original. I will do anything, write anything, and I

0:16:06.560 --> 0:16:09.800
<v Speaker 2>will figure it out. He said. Produce a rope, go

0:16:09.840 --> 0:16:12.520
<v Speaker 2>to the Mira comb your hair. Go to that merracomb

0:16:12.560 --> 0:16:17.520
<v Speaker 2>your hair. We'll walk to the mirror. Pull out my comb.

0:16:18.120 --> 0:16:22.000
<v Speaker 2>Look at that, man, it's perfect. That on the comet

0:16:22.680 --> 0:16:24.760
<v Speaker 2>and I lit and they kept it in and it

0:16:24.840 --> 0:16:28.400
<v Speaker 2>defined Fonsie for ten years.

0:16:28.840 --> 0:16:32.280
<v Speaker 1>Wow. Wow, Wow. You just trusted your gut.

0:16:32.400 --> 0:16:35.120
<v Speaker 2>You did you have you? That's the answer. That is

0:16:35.160 --> 0:16:38.520
<v Speaker 2>the answer. If there are any actors out there you're

0:16:38.600 --> 0:16:42.040
<v Speaker 2>not hired. Just to fill time and space that you're

0:16:42.120 --> 0:16:46.880
<v Speaker 2>hired to fill the space with you. They're looking for you.

0:16:46.920 --> 0:16:50.080
<v Speaker 2>They don't even know what they want. Yeah, you have

0:16:50.200 --> 0:16:53.400
<v Speaker 2>something in your in your guts. You go with it.

0:16:54.240 --> 0:16:56.200
<v Speaker 2>What you can either be right, you could be wrong,

0:16:56.280 --> 0:16:59.000
<v Speaker 2>or how do you know, go for it?

0:16:59.680 --> 0:17:02.960
<v Speaker 1>Ooh, I love that. I love that advice. Were you prepared?

0:17:03.040 --> 0:17:05.560
<v Speaker 1>I mean the fame of I mean people still reference

0:17:05.600 --> 0:17:07.280
<v Speaker 1>happy days even to this moment.

0:17:07.880 --> 0:17:13.200
<v Speaker 2>You're absolutely right, No, I and here's what I figured

0:17:13.240 --> 0:17:18.320
<v Speaker 2>out or for me anyway, I don't think the brilliant

0:17:18.560 --> 0:17:26.800
<v Speaker 2>of the brain in its inception, however, we evolved that

0:17:27.040 --> 0:17:33.520
<v Speaker 2>fame was programmed as part of the living experience. It

0:17:33.600 --> 0:17:39.720
<v Speaker 2>is so alien to living. It is so out of

0:17:39.800 --> 0:17:45.840
<v Speaker 2>the of the program, of the the adventure, the essence

0:17:46.320 --> 0:17:50.840
<v Speaker 2>of being alive. You have got to take an instant

0:17:50.960 --> 0:17:53.840
<v Speaker 2>course at staying the course.

0:17:54.960 --> 0:17:57.080
<v Speaker 1>So what did fame do to you?

0:17:57.240 --> 0:18:04.600
<v Speaker 2>Initially because caause, honest to God, because I am so dyslexic,

0:18:04.640 --> 0:18:08.960
<v Speaker 2>I had no sense of self. So when people were

0:18:09.000 --> 0:18:13.200
<v Speaker 2>talking to me, I kept on looking, who are they

0:18:13.280 --> 0:18:16.080
<v Speaker 2>talking to? They can't it can't be me. I know

0:18:16.119 --> 0:18:19.600
<v Speaker 2>who I am. I know that I failed at everything,

0:18:22.359 --> 0:18:26.639
<v Speaker 2>So it never got it in. It just kept going

0:18:26.760 --> 0:18:31.399
<v Speaker 2>by me. Except I knew I don't have to stand

0:18:31.440 --> 0:18:35.119
<v Speaker 2>online in the range for the movies. I could go

0:18:35.160 --> 0:18:38.199
<v Speaker 2>to the manager and say, sir or ma'am, could I

0:18:38.359 --> 0:18:40.200
<v Speaker 2>just come in so I don't have to sign on autographs?

0:18:40.240 --> 0:18:42.480
<v Speaker 2>And I got to buy my popcorn first.

0:18:43.640 --> 0:18:48.280
<v Speaker 1>So did your dad and mom come around? When were

0:18:48.280 --> 0:18:50.399
<v Speaker 1>they around to see that? And did they think you

0:18:50.480 --> 0:18:51.600
<v Speaker 1>had taken the right path?

0:18:56.600 --> 0:19:02.040
<v Speaker 2>You would think I was mature. They never came around.

0:19:02.680 --> 0:19:07.199
<v Speaker 2>They came around for themselves. They came around to My

0:19:07.400 --> 0:19:11.320
<v Speaker 2>joke is my mother walks into a store and goes, yeah,

0:19:11.320 --> 0:19:14.720
<v Speaker 2>I exist less, Oh exist less. It's very nice here,

0:19:15.000 --> 0:19:21.240
<v Speaker 2>and Fansi's mother. And that is the I swear to you.

0:19:21.720 --> 0:19:28.679
<v Speaker 2>That's the microcosm of very embracing. Not isn't it wonderful?

0:19:30.000 --> 0:19:37.280
<v Speaker 1>It's I hear you. How did you know that they

0:19:37.359 --> 0:19:38.000
<v Speaker 1>loved you? Then?

0:19:40.280 --> 0:19:42.640
<v Speaker 2>That is a question I am still working on.

0:19:43.200 --> 0:19:45.320
<v Speaker 1>Oh okay, I.

0:19:45.280 --> 0:19:52.400
<v Speaker 2>Have no idea. I swore to Stacy that I would

0:19:52.480 --> 0:20:01.640
<v Speaker 2>be an entirely different parent, and I know this. The

0:20:01.720 --> 0:20:07.000
<v Speaker 2>most important thing is to see who's in front of you,

0:20:07.800 --> 0:20:15.119
<v Speaker 2>and a herd child is powerful. I listened to whatever

0:20:15.240 --> 0:20:18.360
<v Speaker 2>my children had to say and if they were right,

0:20:18.520 --> 0:20:22.920
<v Speaker 2>instead of say because I said so, I went, oh

0:20:23.000 --> 0:20:25.439
<v Speaker 2>my god, okay, I'm going to do that from now on.

0:20:26.040 --> 0:20:27.439
<v Speaker 2>All right, that's going to be from now.

0:20:27.680 --> 0:20:27.760
<v Speaker 1>No.

0:20:27.880 --> 0:20:30.720
<v Speaker 2>I don't think I can live with that, but great idea.

0:20:31.600 --> 0:20:35.760
<v Speaker 1>That's wow. Was that hard because you parent most people

0:20:35.920 --> 0:20:38.280
<v Speaker 1>at least, even though they try to do what you're describing,

0:20:38.880 --> 0:20:40.960
<v Speaker 1>they fall back because they know what they know.

0:20:42.080 --> 0:20:46.320
<v Speaker 2>Yes, but here it is my parents flew out of

0:20:46.359 --> 0:20:50.600
<v Speaker 2>my mouth and I would hear myself and I was,

0:20:51.800 --> 0:20:54.200
<v Speaker 2>that is not what I meant to say. Okay, I'm

0:20:54.200 --> 0:20:57.800
<v Speaker 2>going to start again. Mm hmm, this is what I

0:20:57.960 --> 0:21:04.200
<v Speaker 2>meant to say. Or the children would walk in and

0:21:05.840 --> 0:21:09.280
<v Speaker 2>I would go, I wouldn't talk to me right now.

0:21:10.400 --> 0:21:13.120
<v Speaker 2>I mean, I'm just it's here. Yeah, I'm gonna come

0:21:13.200 --> 0:21:15.800
<v Speaker 2>right out of here. So yeah, and then they were

0:21:15.840 --> 0:21:20.720
<v Speaker 2>And then children are so smart. They walk in, they

0:21:20.800 --> 0:21:23.400
<v Speaker 2>size me up. Here, you'll see your lady.

0:21:24.720 --> 0:21:27.119
<v Speaker 1>Did you meet Stacy during the happy days days?

0:21:27.359 --> 0:21:27.760
<v Speaker 2>I did?

0:21:28.240 --> 0:21:29.240
<v Speaker 1>Yeah, how'd you guys meet?

0:21:29.920 --> 0:21:32.080
<v Speaker 2>I made enough money to buy my own sport coats.

0:21:32.119 --> 0:21:38.720
<v Speaker 2>So there was like this very fancy Italian men's clothing

0:21:38.840 --> 0:21:44.359
<v Speaker 2>store on Rodeo drive and I this beautiful woman in

0:21:44.359 --> 0:21:47.240
<v Speaker 2>front of me, and I held up two jackets. Excuse

0:21:47.280 --> 0:21:50.119
<v Speaker 2>me which one? And I should have known there was

0:21:50.160 --> 0:21:53.400
<v Speaker 2>a problem because she said both. And I'm too practical

0:21:53.440 --> 0:21:56.600
<v Speaker 2>to buy two if I need one. All right, I

0:21:56.680 --> 0:22:00.760
<v Speaker 2>go back the next week she's there. I said, a

0:22:00.760 --> 0:22:07.200
<v Speaker 2>porture there because she said, I work here. Then I said,

0:22:07.240 --> 0:22:11.480
<v Speaker 2>you want a sodada soda? We went down to the

0:22:13.440 --> 0:22:20.080
<v Speaker 2>Willshire Hotel at the end of Rodeo and had a

0:22:20.200 --> 0:22:23.400
<v Speaker 2>a soda. And I just bought my first house. And

0:22:23.520 --> 0:22:28.680
<v Speaker 2>Carol Schlanger, who was in my acting class. Her husband Clint,

0:22:29.040 --> 0:22:32.880
<v Speaker 2>was an architect and he redid the house and it's

0:22:32.960 --> 0:22:36.639
<v Speaker 2>now done. And I said, you want to see my house?

0:22:37.680 --> 0:22:40.120
<v Speaker 2>I have no one to show it to and she said,

0:22:40.160 --> 0:22:43.760
<v Speaker 2>of course. Excuse me for a minute, left the room,

0:22:43.920 --> 0:22:48.840
<v Speaker 2>left the area, the luncheon area, called her mother. She said,

0:22:48.880 --> 0:22:50.679
<v Speaker 2>this is where I'm going. If anything happens, you know

0:22:50.720 --> 0:22:51.560
<v Speaker 2>exactly where I am.

0:22:52.359 --> 0:22:56.959
<v Speaker 1>I ready And was that it does? That all it

0:22:57.000 --> 0:22:58.760
<v Speaker 1>took you guys walking around the house.

0:23:00.000 --> 0:23:02.120
<v Speaker 2>Swear to God because she had to leave. She had

0:23:02.160 --> 0:23:06.880
<v Speaker 2>a date. Yeah, but we talked about a book ordinary

0:23:06.920 --> 0:23:12.359
<v Speaker 2>people and boss gags and I had not heard of

0:23:12.400 --> 0:23:14.520
<v Speaker 2>either of them. I'm not a reader, first of all,

0:23:14.560 --> 0:23:17.600
<v Speaker 2>and my music is very specific. I never heard of

0:23:17.680 --> 0:23:22.199
<v Speaker 2>Bosscast at the time. This was nineteen seventy five ish.

0:23:22.359 --> 0:23:25.199
<v Speaker 2>And the next morning I get up, I go to

0:23:25.280 --> 0:23:29.359
<v Speaker 2>my car and in the front seat is ordinary people

0:23:29.400 --> 0:23:33.240
<v Speaker 2>and Boss gags. How did she get into my car?

0:23:33.920 --> 0:23:38.239
<v Speaker 2>But that's the question I haven't answered. I called her

0:23:38.320 --> 0:23:43.639
<v Speaker 2>rop it was busy. I called her back. It was busy.

0:23:44.119 --> 0:23:46.879
<v Speaker 2>I called her every ten minutes for twenty four hours

0:23:46.880 --> 0:23:49.720
<v Speaker 2>because I'm a moron, and she took the phone off

0:23:49.760 --> 0:23:50.120
<v Speaker 2>the hook.

0:23:50.359 --> 0:23:52.520
<v Speaker 1>And then so then what happened? You caught up with her?

0:23:52.840 --> 0:23:55.119
<v Speaker 2>I caught up with her. Well, we waw movies and

0:23:55.160 --> 0:23:59.080
<v Speaker 2>we saw walk About Nick Rose, walk About, the Australian

0:24:00.240 --> 0:24:02.840
<v Speaker 2>film about the Kids and the Aboriginals.

0:24:02.960 --> 0:24:06.240
<v Speaker 1>And this podcast Henry's called Joy one oh one. It's

0:24:06.240 --> 0:24:08.280
<v Speaker 1>all about that. When you speak about your wife, even

0:24:08.280 --> 0:24:11.880
<v Speaker 1>when you say your wife's name, your eyes tell the story.

0:24:11.960 --> 0:24:14.600
<v Speaker 1>It's just a flash and there it is. So tell

0:24:14.600 --> 0:24:17.240
<v Speaker 1>me about the joy and relationships, like what has what

0:24:17.320 --> 0:24:19.200
<v Speaker 1>has she brought to your life?

0:24:19.640 --> 0:24:27.199
<v Speaker 2>A groundedness, a power, a clarity Whether I wanted to

0:24:27.280 --> 0:24:32.080
<v Speaker 2>hear it or not, I was at one time so closed.

0:24:32.760 --> 0:24:37.840
<v Speaker 2>What I my metaphor is that the top of my

0:24:38.080 --> 0:24:43.160
<v Speaker 2>forehead is soldered shut. And you know, you pour cream

0:24:43.359 --> 0:24:46.879
<v Speaker 2>into your coffee and you see it turn color and

0:24:46.960 --> 0:24:51.560
<v Speaker 2>it swirls. If it's in a glass, I would pour

0:24:52.119 --> 0:25:00.480
<v Speaker 2>and nothing, no swirl and food. Just I had a

0:25:00.560 --> 0:25:07.200
<v Speaker 2>p tuna sandwich in my refrigerat in my first apartment.

0:25:09.000 --> 0:25:13.360
<v Speaker 2>That was it. An ambrosia salad. Two boxes of almonden

0:25:13.520 --> 0:25:18.680
<v Speaker 2>wine for guests because I don't drink red and white.

0:25:19.560 --> 0:25:27.280
<v Speaker 2>And she just opened me open. I just heard the

0:25:27.320 --> 0:25:35.000
<v Speaker 2>wisest thing about a relationship. You cannot just fall in

0:25:35.080 --> 0:25:42.320
<v Speaker 2>love one time to the woman who is your partner.

0:25:43.720 --> 0:25:50.800
<v Speaker 2>She changes with birth, with life, with age, with loss,

0:25:51.520 --> 0:25:58.200
<v Speaker 2>with everything that goes on. Have to rediscover her every

0:25:58.359 --> 0:26:01.240
<v Speaker 2>time you are doomed.

0:26:02.080 --> 0:26:06.280
<v Speaker 1>What's what's this current version like for you, Stacy?

0:26:06.600 --> 0:26:10.000
<v Speaker 2>Yeah, oh, separate homes. It's really worth.

0:26:14.520 --> 0:26:16.520
<v Speaker 1>You're funny. She is.

0:26:17.960 --> 0:26:25.880
<v Speaker 2>Strong and just wonderful and sometimes a little too clear.

0:26:26.400 --> 0:26:28.560
<v Speaker 1>A little too clear, I like, I don't like her.

0:26:28.560 --> 0:26:30.360
<v Speaker 2>To soften it up a little bit.

0:26:30.480 --> 0:26:33.680
<v Speaker 1>Just to touch. So you have this incredible role. Everybody

0:26:33.720 --> 0:26:35.480
<v Speaker 1>knows you. You're probably one of the most famous people

0:26:35.520 --> 0:26:39.600
<v Speaker 1>in America with the character of the Fawnds. And after that,

0:26:39.720 --> 0:26:42.399
<v Speaker 1>you would imagine or I would have that. You know,

0:26:42.520 --> 0:26:45.240
<v Speaker 1>you had to beat back offers. They're there. You know,

0:26:45.440 --> 0:26:47.240
<v Speaker 1>I can only be in one place at one time.

0:26:47.400 --> 0:26:50.919
<v Speaker 1>Blah blah blah. But what happened to your career as

0:26:50.960 --> 0:26:54.840
<v Speaker 1>a result of that kind of role defining character.

0:26:56.000 --> 0:26:59.439
<v Speaker 2>Well, I'll tell you. Let's go that it ended in

0:27:01.040 --> 0:27:07.040
<v Speaker 2>nineteen eighty three. In two thousand and three, two two

0:27:07.119 --> 0:27:11.960
<v Speaker 2>thousand and two, I came back to la having done

0:27:11.960 --> 0:27:17.920
<v Speaker 2>Broadway for nine months, and Neil Simon play My Dream

0:27:18.080 --> 0:27:24.040
<v Speaker 2>is John Ritter Our dream? Len carry You? Oh my god.

0:27:24.160 --> 0:27:27.480
<v Speaker 2>It was just I couldn't get hired.

0:27:28.280 --> 0:27:29.560
<v Speaker 1>Couldn't get hired, why.

0:27:31.359 --> 0:27:34.880
<v Speaker 2>Since it ended? Happy Days ended in nineteen eighty three.

0:27:35.080 --> 0:27:40.440
<v Speaker 2>He is so funny, he is so good, lovely, lovely guy.

0:27:41.040 --> 0:27:45.320
<v Speaker 2>But he was the funds. I went to a friend.

0:27:45.800 --> 0:27:48.639
<v Speaker 2>I said, I'm having real trouble. I can't get hired.

0:27:48.920 --> 0:27:52.760
<v Speaker 2>He said, write books for children about your learning challenge. Biz.

0:27:55.680 --> 0:28:00.360
<v Speaker 2>I can't do that because I'm learning challenge. And he said,

0:28:00.400 --> 0:28:04.920
<v Speaker 2>I'll introduce you to Lynn Oliver. And in November of

0:28:05.000 --> 0:28:11.680
<v Speaker 2>twenty twenty six, our forty first children's book will come out.

0:28:12.480 --> 0:28:16.080
<v Speaker 1>My gosh, those hank zips are books are incredible.

0:28:17.040 --> 0:28:20.040
<v Speaker 2>And now it's a detective duck.

0:28:20.560 --> 0:28:21.920
<v Speaker 1>Ah, detective duck.

0:28:22.400 --> 0:28:28.399
<v Speaker 2>Yeah, she's a wonderful little duckling. She dreams about being

0:28:29.400 --> 0:28:34.920
<v Speaker 2>a detective, and she's an environmentalist. I like everything about her,

0:28:35.080 --> 0:28:40.280
<v Speaker 2>her pals living on the pond together, and she's the

0:28:40.360 --> 0:28:43.840
<v Speaker 2>only duckling with a beaver for a dad.

0:28:45.360 --> 0:28:48.400
<v Speaker 1>I like it. But did you think, Henry when you

0:28:48.680 --> 0:28:51.040
<v Speaker 1>were like children's books? I mean, I'm an actor. I

0:28:51.040 --> 0:28:53.920
<v Speaker 1>mean I know it filled your cup sort of. But

0:28:54.880 --> 0:28:55.360
<v Speaker 1>tell me.

0:28:55.560 --> 0:29:04.000
<v Speaker 2>Another very important lesson. We are built with the ability.

0:29:04.160 --> 0:29:11.520
<v Speaker 2>You must have the courage to pivot, to pivot, must pivot.

0:29:12.200 --> 0:29:15.920
<v Speaker 2>I have a dream. It's not working. I cannot just

0:29:16.000 --> 0:29:19.760
<v Speaker 2>stay stagnant. There's something else I can do. I don't

0:29:19.760 --> 0:29:25.200
<v Speaker 2>know what it is. My friend Alan said, go and

0:29:25.280 --> 0:29:29.440
<v Speaker 2>write books. Who knew it would be a second profession.

0:29:30.640 --> 0:29:32.080
<v Speaker 2>I didn't even know I could do it.

0:29:32.920 --> 0:29:35.680
<v Speaker 1>I think the pivoting piece is the whole. You're right,

0:29:35.760 --> 0:29:39.920
<v Speaker 1>it's the whole thing, your whole. Yeah, yeah, so you

0:29:40.120 --> 0:29:43.880
<v Speaker 1>I mean, obviously you won your Emmy for Barry, which

0:29:43.960 --> 0:29:46.200
<v Speaker 1>is so beautiful. Behind you sparkly.

0:29:47.000 --> 0:29:50.400
<v Speaker 2>Oh. I carry it with me to every room. If

0:29:50.440 --> 0:29:54.080
<v Speaker 2>we have living room, usually it's on the dining room.

0:29:54.160 --> 0:29:58.640
<v Speaker 2>So if like someone delivers from the pharmacy, I open

0:29:58.680 --> 0:30:01.440
<v Speaker 2>the front door and saying, oh, thank you so much.

0:30:02.160 --> 0:30:02.800
<v Speaker 2>There it is.

0:30:03.560 --> 0:30:07.680
<v Speaker 1>You're so cool, so you wo okay, you get this

0:30:07.800 --> 0:30:13.040
<v Speaker 1>role for Barry, which is another like incredible feat was that?

0:30:14.040 --> 0:30:15.920
<v Speaker 1>Tell me about that role and tell me what it

0:30:15.960 --> 0:30:19.680
<v Speaker 1>felt like winning that Emmy. You're first, by the way,

0:30:19.800 --> 0:30:22.440
<v Speaker 1>after all of your years as an actor and a writer,

0:30:22.560 --> 0:30:25.600
<v Speaker 1>and you directed, you wrote children's books like this is

0:30:25.680 --> 0:30:28.400
<v Speaker 1>the first real piece of hardware. Tell me about that.

0:30:29.960 --> 0:30:33.200
<v Speaker 2>When it was happening, I was not aware. Everybody said, hey,

0:30:33.240 --> 0:30:36.800
<v Speaker 2>did you see the audience? Did you hear the love

0:30:36.840 --> 0:30:39.040
<v Speaker 2>for you? I heard nothing.

0:30:39.520 --> 0:30:40.720
<v Speaker 1>Oh.

0:30:40.800 --> 0:30:43.160
<v Speaker 2>All I did was I walked up on stage and

0:30:43.200 --> 0:30:46.400
<v Speaker 2>I saw the two stars of the Crown, and I

0:30:46.520 --> 0:30:49.719
<v Speaker 2>started to talk to them about what a great season

0:30:49.800 --> 0:30:52.680
<v Speaker 2>it was, and They're looking to me like are you crazy?

0:30:53.360 --> 0:30:56.480
<v Speaker 2>And then finally I realized I had thirty nine seconds

0:30:57.280 --> 0:30:59.680
<v Speaker 2>to say my entire speech because I had used up

0:30:59.680 --> 0:31:02.560
<v Speaker 2>all my time talking to the King and the Queen.

0:31:04.760 --> 0:31:08.840
<v Speaker 2>It was a gift in my life, you know, I

0:31:08.840 --> 0:31:11.120
<v Speaker 2>always say that I was twenty seven when I got

0:31:11.160 --> 0:31:15.360
<v Speaker 2>the Fonds. I was seventy two when I got Barry,

0:31:16.520 --> 0:31:21.320
<v Speaker 2>and people talk to me about it all the time

0:31:21.600 --> 0:31:26.760
<v Speaker 2>and how they watched it more than once, and oh

0:31:26.800 --> 0:31:29.600
<v Speaker 2>my god. And now I'm just going to say, I

0:31:29.640 --> 0:31:32.080
<v Speaker 2>do a shadow that I never thought I could do.

0:31:33.440 --> 0:31:37.600
<v Speaker 2>I host a show on the History Channel Sunday nights.

0:31:37.640 --> 0:31:43.320
<v Speaker 2>It's called a Hazardous History. And it's all reading. And

0:31:43.520 --> 0:31:52.320
<v Speaker 2>my devil, my greatest fear, is t read. It's all reading.

0:31:55.160 --> 0:31:59.840
<v Speaker 2>And we did eight episodes to begin with of Hazardous History.

0:32:00.440 --> 0:32:02.880
<v Speaker 2>And then they said, oh, you know what it's doing

0:32:02.960 --> 0:32:06.719
<v Speaker 2>very well, We're going to give you thirty thirty thirty.

0:32:07.880 --> 0:32:11.840
<v Speaker 1>Wow. Yeah, what is the what's the lesson here, Henry?

0:32:11.880 --> 0:32:14.760
<v Speaker 1>Because I mean I didn't realize it was twenty seven

0:32:14.880 --> 0:32:17.440
<v Speaker 1>for the Fonds and seventy two for Barry and now

0:32:17.720 --> 0:32:21.280
<v Speaker 1>we're shooting a whole new thing. But what is you know,

0:32:21.400 --> 0:32:26.160
<v Speaker 1>like the commencement addressed sort of lesson about life here?

0:32:26.160 --> 0:32:29.240
<v Speaker 1>Because quite frankly, you could have said after the Funds, well,

0:32:29.360 --> 0:32:32.680
<v Speaker 1>Hollywood kind of did me wrong, you know, and that

0:32:32.720 --> 0:32:34.320
<v Speaker 1>could have been the story you told.

0:32:34.920 --> 0:32:38.560
<v Speaker 2>No, I'd have to the Funds when my lawyer Skip

0:32:38.600 --> 0:32:43.400
<v Speaker 2>Writtenham the third who recently passed away. I miss him

0:32:43.400 --> 0:32:47.040
<v Speaker 2>every day. What a visionary that man was. And he said,

0:32:47.080 --> 0:32:50.280
<v Speaker 2>I'm going to start a production company for you. I said, well,

0:32:50.360 --> 0:32:53.600
<v Speaker 2>I can't do that. And the first show that I produced,

0:32:54.760 --> 0:32:59.240
<v Speaker 2>a co executive produced, was you produce what you want

0:32:59.240 --> 0:33:05.600
<v Speaker 2>to see and we did. Mcgiver foray into producing, thinking

0:33:05.640 --> 0:33:08.080
<v Speaker 2>I couldn't do it, and then realizing you do what

0:33:08.120 --> 0:33:10.520
<v Speaker 2>you can do, and there are lots of people to

0:33:10.560 --> 0:33:11.920
<v Speaker 2>help you do what you can't do.

0:33:13.160 --> 0:33:13.719
<v Speaker 1>It's amazing.

0:33:13.840 --> 0:33:21.880
<v Speaker 2>Like the overall life moment, Yeah, is your residiency, is

0:33:21.920 --> 0:33:26.920
<v Speaker 2>your tenacity. I see myself I've said this now for

0:33:26.960 --> 0:33:31.240
<v Speaker 2>fifty years. I see myself as that toy with sand

0:33:31.280 --> 0:33:34.320
<v Speaker 2>at the bottom and it's plastic and it looks like

0:33:34.360 --> 0:33:36.800
<v Speaker 2>a Star Wars character or a cowboy. When I was

0:33:36.840 --> 0:33:41.040
<v Speaker 2>going up, you punch it, it goes down and it

0:33:41.080 --> 0:33:43.200
<v Speaker 2>comes right back to center.

0:33:43.400 --> 0:33:43.600
<v Speaker 1>Yeah.

0:33:44.840 --> 0:33:47.600
<v Speaker 2>And I am telling you I learned in drama school.

0:33:47.680 --> 0:33:52.640
<v Speaker 2>Tai Chi was one of the things that I had

0:33:52.640 --> 0:33:57.560
<v Speaker 2>to learn as a student. And you just moved to

0:33:57.640 --> 0:34:02.120
<v Speaker 2>the side. As garbage comes that you, you let it

0:34:02.200 --> 0:34:06.760
<v Speaker 2>go by. You just center and you keep moving.

0:34:06.520 --> 0:34:11.359
<v Speaker 1>To itul be beautiful. The gratitude piece is the other

0:34:11.400 --> 0:34:13.799
<v Speaker 1>thing you talked about at commencement. You talked about, you know,

0:34:13.920 --> 0:34:20.839
<v Speaker 1>resiliency and tenacity and gratitude. How has as we kind

0:34:20.840 --> 0:34:25.680
<v Speaker 1>of wind down, how has gratitude played for you, Henry?

0:34:25.719 --> 0:34:31.560
<v Speaker 2>It is something. It's one of those ingredients that came

0:34:32.880 --> 0:34:36.959
<v Speaker 2>in the body in the psyche. I don't know where

0:34:37.000 --> 0:34:41.040
<v Speaker 2>it came from. All I know is people say, oh,

0:34:41.080 --> 0:34:43.320
<v Speaker 2>you're such a nice guy, and I think to myself

0:34:43.360 --> 0:34:47.279
<v Speaker 2>that that is so. I'm not a nice guy. I

0:34:47.320 --> 0:34:49.759
<v Speaker 2>don't think of myself as a nice guy. I am

0:34:49.960 --> 0:34:57.200
<v Speaker 2>grateful for every step I take of this earth, and

0:34:57.360 --> 0:35:03.239
<v Speaker 2>that gives me a power of what's over there? What's

0:35:03.239 --> 0:35:06.600
<v Speaker 2>over there? Oh my god, look at that. Look at

0:35:06.600 --> 0:35:08.080
<v Speaker 2>the rose in my backyard.

0:35:11.840 --> 0:35:14.000
<v Speaker 1>That's, by the way, what you said about when you

0:35:14.080 --> 0:35:15.960
<v Speaker 1>received your Emmy, and how you were talking to the

0:35:16.000 --> 0:35:18.000
<v Speaker 1>King and the Queen about how awesome their show is.

0:35:18.800 --> 0:35:22.000
<v Speaker 1>Every time you came to the Today Show, you did

0:35:22.000 --> 0:35:27.839
<v Speaker 1>the same thing. You spent so much time complimenting Savannah

0:35:28.080 --> 0:35:33.000
<v Speaker 1>Kathy Lee me talking about what we'd done recently, admiring

0:35:33.120 --> 0:35:36.640
<v Speaker 1>some interview we did and talking about it, and literally

0:35:36.680 --> 0:35:39.480
<v Speaker 1>that was your time. That was the time for you

0:35:39.520 --> 0:35:41.279
<v Speaker 1>on the show, which you know is limited. You get

0:35:41.320 --> 0:35:44.440
<v Speaker 1>like four or five minutes. That's it. You always spend

0:35:44.480 --> 0:35:45.080
<v Speaker 1>a few.

0:35:45.520 --> 0:35:47.640
<v Speaker 2>I had plenty of time. And the fact of the

0:35:47.680 --> 0:35:51.120
<v Speaker 2>matter is that Statsy and I do did watch you,

0:35:51.680 --> 0:35:54.480
<v Speaker 2>and we do watch you. And I remember doing your

0:35:54.560 --> 0:35:57.880
<v Speaker 2>first interview when it was a health show, Oh my god,

0:35:58.200 --> 0:36:02.359
<v Speaker 2>a long time ago. Yeah, we have a connection. And

0:36:02.440 --> 0:36:06.440
<v Speaker 2>I don't think that you can be in that in

0:36:06.480 --> 0:36:15.360
<v Speaker 2>your presence and not uh, enjoy, celebrate. I'm so happy

0:36:16.360 --> 0:36:19.200
<v Speaker 2>just see you, to be in your to be next

0:36:19.200 --> 0:36:23.759
<v Speaker 2>to you, to feel your energy. I adore you.

0:36:25.520 --> 0:36:28.799
<v Speaker 1>I adore you too. Boy. Let me tell you something.

0:36:28.840 --> 0:36:31.239
<v Speaker 1>This this podcast is called joy one oh one. I

0:36:31.320 --> 0:36:34.120
<v Speaker 1>just want to take that last whole chunk of everything

0:36:34.200 --> 0:36:36.879
<v Speaker 1>you said and make that our promo, make that our thing,

0:36:37.040 --> 0:36:41.680
<v Speaker 1>because that's what it is. Just be You're you are you,

0:36:41.680 --> 0:36:45.440
<v Speaker 1>You're you. Fall in love over and over and over

0:36:45.840 --> 0:36:49.960
<v Speaker 1>with things, with books, with people, with food, whatever it is.

0:36:50.040 --> 0:36:53.839
<v Speaker 1>I feel like you're constantly like finding the next thing

0:36:53.880 --> 0:36:57.560
<v Speaker 1>to fall in love with. Henry. Lastly, if there are

0:36:57.640 --> 0:37:01.920
<v Speaker 1>people listening out there who are having trouble finding the

0:37:01.960 --> 0:37:06.600
<v Speaker 1>good stuff, they just you know for whatever reason, illness, loss,

0:37:06.640 --> 0:37:11.160
<v Speaker 1>just in funk, could be anything. What advice or can

0:37:11.200 --> 0:37:13.400
<v Speaker 1>you offer to someone who's trying to find some joy?

0:37:14.080 --> 0:37:15.840
<v Speaker 2>You know what I would say, Look, this is what

0:37:16.360 --> 0:37:19.360
<v Speaker 2>I have done in the past when I was so

0:37:19.880 --> 0:37:23.359
<v Speaker 2>down and I sought. Oh my goodness, I don't know

0:37:23.440 --> 0:37:27.200
<v Speaker 2>what is going to happen. I don't see I don't

0:37:27.320 --> 0:37:31.000
<v Speaker 2>see what's going to come to me or at me.

0:37:32.880 --> 0:37:38.600
<v Speaker 2>I sit down, I listen to music, music I love,

0:37:40.080 --> 0:37:48.280
<v Speaker 2>and I let it dissolve me into sound, and then

0:37:48.400 --> 0:37:52.759
<v Speaker 2>I'm able to come out again and see everything with

0:37:52.840 --> 0:37:59.680
<v Speaker 2>a fresh eye. But I change my consciousness with Brandy Carlisle,

0:38:00.880 --> 0:38:05.000
<v Speaker 2>Sia or I don't know if you know him, Louis Cabaldi.

0:38:05.160 --> 0:38:08.560
<v Speaker 2>We just saw at the Bowl. He is in a

0:38:08.600 --> 0:38:14.400
<v Speaker 2>working class Glasgow singer who looks like a big cherub

0:38:15.000 --> 0:38:22.160
<v Speaker 2>and he sings with such heartbreak and romance and oh

0:38:22.200 --> 0:38:28.160
<v Speaker 2>my god. And the boss we went to see Bruce Springsteen.

0:38:28.560 --> 0:38:33.960
<v Speaker 1>Wow, you know what I think after hearing this, people

0:38:33.960 --> 0:38:37.600
<v Speaker 1>are going to say, I'll have what he's having. So Henry, beautiful,

0:38:37.680 --> 0:38:40.719
<v Speaker 1>beautiful interview. As always, I love you, as I tell

0:38:40.760 --> 0:38:43.399
<v Speaker 1>my kids to the moon and back. So we'll see

0:38:43.400 --> 0:38:44.160
<v Speaker 1>you soon. Okay.

0:38:44.680 --> 0:38:47.440
<v Speaker 2>I you know what I'm going to take you up on, man.

0:38:47.360 --> 0:38:49.480
<v Speaker 1>Okay, good, good, when you're in town, when you're in

0:38:49.840 --> 0:38:52.279
<v Speaker 1>New York, come sit with me. Okay, I went on,

0:38:52.520 --> 0:38:55.040
<v Speaker 1>all right, all right, love you Henry, me.

0:38:55.040 --> 0:38:58.160
<v Speaker 2>Too, Okay.

0:38:58.920 --> 0:39:00.680
<v Speaker 1>Am I right? I mean was right when I said

0:39:00.719 --> 0:39:03.719
<v Speaker 1>to Henry, like I'll have what he's having. I mean,

0:39:03.800 --> 0:39:05.960
<v Speaker 1>that's such the secret. I think he just kind of

0:39:06.080 --> 0:39:09.839
<v Speaker 1>unveiled such a huge truth. It's sort of like if

0:39:09.880 --> 0:39:15.560
<v Speaker 1>you stay curious and fall in love with things around you,

0:39:15.680 --> 0:39:19.320
<v Speaker 1>like he was saying, the rose in the backyard, the book,

0:39:19.680 --> 0:39:23.240
<v Speaker 1>what his grandchildren are doing, whatever it is, that's where

0:39:23.280 --> 0:39:27.120
<v Speaker 1>like all this joy comes from. It's like gratitude. Man,

0:39:27.480 --> 0:39:30.080
<v Speaker 1>don't sit around cross your arms and say, oh poor me,

0:39:30.360 --> 0:39:33.839
<v Speaker 1>oh gosh, I don't have any He just turned that

0:39:34.480 --> 0:39:41.280
<v Speaker 1>kind of difficult, horrible upbringing into a delightful place where

0:39:41.280 --> 0:39:46.760
<v Speaker 1>he is now. I mean, this man is hitting his stride.

0:39:46.800 --> 0:39:50.960
<v Speaker 1>And I think my biggest lesson from him was pivot.

0:39:51.160 --> 0:39:55.719
<v Speaker 1>If opportunities dry up, pivot, pivot. That's what he did.

0:39:56.640 --> 0:39:59.120
<v Speaker 1>He didn't get a role after Fawns for Forever, and

0:39:59.160 --> 0:40:02.520
<v Speaker 1>he pivoted books. Then he went back pivoted back, got

0:40:02.520 --> 0:40:06.040
<v Speaker 1>buried anyway. It just reminds you that possibility is everywhere.

0:40:06.640 --> 0:40:08.520
<v Speaker 1>And you know in life, they're going to be critics.

0:40:08.560 --> 0:40:09.759
<v Speaker 1>They are going to be people who tell you what

0:40:09.760 --> 0:40:11.600
<v Speaker 1>you aren't good enough. They're going to be people won't

0:40:11.680 --> 0:40:14.560
<v Speaker 1>hire you. You know, Henry didn't get into all the

0:40:14.560 --> 0:40:17.719
<v Speaker 1>colleges he applied for except one he was set a

0:40:17.760 --> 0:40:20.799
<v Speaker 1>CD student. But there are people who are going to

0:40:20.800 --> 0:40:24.720
<v Speaker 1>criticize you no matter what you do. So what poem

0:40:24.800 --> 0:40:27.840
<v Speaker 1>is right for someone who has withstood criticism and still

0:40:28.239 --> 0:40:31.880
<v Speaker 1>been standing and even more than that, been triumphant. I

0:40:32.000 --> 0:40:34.400
<v Speaker 1>like this one. It's called the man in the Arena.

0:40:36.080 --> 0:40:38.640
<v Speaker 1>It's not the critic who counts, not the man who

0:40:38.680 --> 0:40:42.239
<v Speaker 1>points out how the strong man stumbles or where the

0:40:42.360 --> 0:40:45.600
<v Speaker 1>doer of deeds could have done them better. The credit

0:40:45.680 --> 0:40:48.840
<v Speaker 1>belongs to the man who is actually in the arena,

0:40:49.160 --> 0:40:51.840
<v Speaker 1>whose face is marred by dust and sweat and blood,

0:40:52.280 --> 0:40:56.120
<v Speaker 1>who strives valiantly, who airs, who comes up short again

0:40:56.200 --> 0:41:01.200
<v Speaker 1>and again, because there is no effort without error and shortcomings,

0:41:01.880 --> 0:41:04.839
<v Speaker 1>But who does actually strive to do the deeds, Who

0:41:04.920 --> 0:41:10.040
<v Speaker 1>knows the great enthusiasms, the great devotions, who spends himself

0:41:10.120 --> 0:41:14.000
<v Speaker 1>in a worthy cause, who at the best knows in

0:41:14.080 --> 0:41:18.439
<v Speaker 1>the end the triumphant of high achievement, and who, at

0:41:18.480 --> 0:41:22.560
<v Speaker 1>the worst, if he fails, at least fails while daring greatly,

0:41:23.200 --> 0:41:26.640
<v Speaker 1>so that his place shall never be with those cold

0:41:26.760 --> 0:41:31.759
<v Speaker 1>and timid souls who neither knew victory nor defeat the

0:41:31.760 --> 0:41:36.320
<v Speaker 1>man in the arena. That is by Theodore Roosevelt. Thanks

0:41:36.320 --> 0:41:36.800
<v Speaker 1>for listening.