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Speaker 1: Everyone deserves a chance in the driver's seat. For GM

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Speaker 1: and Revolt, that means leading the way on the road

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Speaker 1: to an all electric feature and envisioning a world to

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Speaker 1: zero crashes, zero tailpipe admissions, and zero congestion. GM's committed

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Speaker 1: to making evs accessible for everybody. That means you too.

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Speaker 1: So what are you waiting for? GM's got the keys,

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Speaker 1: You grab the wheel. Learn more about an all electric

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Speaker 1: feature and the zero zero zero initiative at GM dot com, GM,

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Speaker 1: everybody else, And we gotta understand representation in that way.

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Speaker 1: So again, that's my job. Break that down now when

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Speaker 1: you deal with Drake, add to the algorithm, aid to

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Speaker 1: the algorithm, stretch it out soon. Yeah. Yeah, it's gonna

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Speaker 1: look funny on the court when I first take it

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Speaker 1: through my legs, Ain't nobody never took it through their

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Speaker 1: legs before wide here out of took it. They're gonna say,

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Speaker 1: what was that? Ain't there any posted to call let

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Speaker 1: that didn't look right? Because relph, they're gonna check the

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Speaker 1: real book that ain't that ain't in there, Ain't nothing

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Speaker 1: in there to say he can't do that. Ain't nothing

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Speaker 1: in that say So now, now what you got ten

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Speaker 1: fifteen years later you got Alan Iverson cross it over

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Speaker 1: now he he fuckings up with that motherfucker because of

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Speaker 1: what I added to the algorithm, just with the little one.

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Speaker 1: I didn't even think about all that, but just add

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Speaker 1: to the algorithm to evolve this thing. It's gonna look

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Speaker 1: funny when I first do it. Yeah, you might not

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Speaker 1: get it when I first come out with the podcast

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Speaker 1: that way. Yeah, when I put the law in nord

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Speaker 1: in there, you really didn't understand what that was about.

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Speaker 1: Until ten years later, this, this, this, and that was

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Speaker 1: taking place and it all made sense. That's what it

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Speaker 1: be about. Bro Forward thinking. Welcome to another episode it

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Speaker 1: it's up their podcast. I am your active and attractive host,

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Speaker 1: big loon. You know the vibrations. I want to say,

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Speaker 1: round of applause for my mother supporters, one for y'all.

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Speaker 1: I wouldn't be sure. I'm here today. I'm ready. I'm

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Speaker 1: here today. I feel like it, I'm on it, I'm

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Speaker 1: on top of or. Last week I was in the hospital,

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Speaker 1: I felt bad. You know, it took me time to

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Speaker 1: get my feet back up under me. Man. But one

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Speaker 1: thing I know, if you building the house and you

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Speaker 1: and you lose a nail. You don't stop building the house.

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Speaker 1: You understand, we ain't having no foundational issues. Were having

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Speaker 1: bumps in the road, but the road is still paved.

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Speaker 1: We clear on that information entertainment the intersection between those two.

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Speaker 1: It's up there podcast operates in a very very unique space.

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Speaker 1: There ain't too many people can do this. I stamped

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Speaker 1: that I stand by that. It's a brand name. It's

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Speaker 1: like Coca Cola. It's up there podcast. It's like General Mills.

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Speaker 1: It's a brand name. I stand on it. You remember

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Speaker 1: he said that, I'm saying that I stand on this brand.

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Speaker 1: Right here, I stand next to this is. I understand

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Speaker 1: this right here, it's the glass cleaner. The wonder's been

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Speaker 1: fogging lately. Everybody been talking. We don't know where to

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Speaker 1: go get the information from. It's my job to put

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Speaker 1: the game down. It's their job to pick the game up.

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Speaker 1: I want to say welcome, thank you everybody that's always

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Speaker 1: tuned in. I love y'all for show. Ain't not gonna

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Speaker 1: separate the ball we got, man, you know this thing,

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Speaker 1: we got this thing of vials. Man, they'll never be

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Speaker 1: able to interrupt this hill. They'll never be able to

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Speaker 1: interfere with this hill, you know, when I'm building. Like

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Speaker 1: I say, Man, I was telling the home board, Yo,

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Speaker 1: I share fans with some people, but boy, the way

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Speaker 1: we got them is different. They let me, they hard

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Speaker 1: in they time, and they earn they mind. They letting

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Speaker 1: you their eyeballs. So again, letting somebody of your eyeballs

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Speaker 1: is always the first step. So you're still in a

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Speaker 1: good place. But I want you to know we're dealing

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Speaker 1: with the same people, just in different ways. You ever

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Speaker 1: had a girl you dealt with It's like boy, man,

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Speaker 1: come on, man, I had her a little different than you.

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Speaker 1: You know, the way I had her, you know, it's

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Speaker 1: just a little bit different than twists on it. But welcome, man,

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Speaker 1: we got a lot to talk about the day. Man.

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Speaker 1: The game is in disarray. The game is always in disarray.

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Speaker 1: The world is in it's array. You know, we're gonna

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Speaker 1: start expanding the part and start to bring you guys

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Speaker 1: into some of the things that we've been looking into.

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Speaker 1: As we are coming into a situation of where we

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Speaker 1: are looking to be wealthy, we now start to study

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Speaker 1: financial things and starting to study credit and you know,

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Speaker 1: because I can get the information third party, but I'm

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Speaker 1: I'm one of those guys that want to understand what

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Speaker 1: you're saying to me. You know, first I might come

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Speaker 1: ask somebody here, yo, what is this? Let them give

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Speaker 1: me their explanation, and then go do my own research

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Speaker 1: and then see about where they are in regards to

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Speaker 1: my understanding of it. You know, again, I tell people, man,

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Speaker 1: I'm doing two and three things at one time. For

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Speaker 1: every one thing you see me doing, that's about five

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Speaker 1: things happening. You know, I can't explain, you know, how

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Speaker 1: I was put together this way or what has happened.

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Speaker 1: But Bro, we've just been lucky enough to now be

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Speaker 1: able to monetize this and luck. But I just think

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Speaker 1: it's pure luck because I want post to make it

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Speaker 1: right here. Like I was thinking earlier, like long, you

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Speaker 1: really is from the hood, bro, I'm really one of

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Speaker 1: them guys, Like I'm not one. I'm like yo, bro,

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Speaker 1: Like yo, I was like, Bro, just think if you

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Speaker 1: was like one of these dudes that were faking like

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Speaker 1: they from the hood, get rich, what will you go

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Speaker 1: back to? Like you really got a little subburb over there,

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Speaker 1: You really from Like now, I'm really from the trenches.

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Speaker 1: I'm really from the middle of the get old ain't

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Speaker 1: nowhere around that. But when he got some information. But

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Speaker 1: when I started reading and start elevating, and I tell

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Speaker 1: you what reading done from me, and we'll get into

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Speaker 1: the park. I tell you what reading done from me,

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Speaker 1: because everybody doesn't understand what reading is done. Right. When

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Speaker 1: you read something, what it's doing is creating these pathways

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Speaker 1: in your brain, right, it's opening up new new new

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Speaker 1: ways of thinking, right, new avenues to go down. Because

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Speaker 1: if you just come from a place like you have

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Speaker 1: very limited pathways based on your experience in regards to

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Speaker 1: critical thinking, you don't consider what you don't know. It's

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Speaker 1: just impossible to do so right. And so sometimes I'll

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Speaker 1: be reading something and somebody will say something, and I'm

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Speaker 1: not sure if this is just my brain or what,

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Speaker 1: But somebody will say two words together, right, and and

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Speaker 1: these two words that they'll say will be simple words,

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Speaker 1: but these two words together will be a dynamic duo

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Speaker 1: and it'll mean so much. And every single time that happens,

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Speaker 1: a light bulb goes off in my head. And I

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Speaker 1: don't know if I'm viewing the world like as just

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Speaker 1: words and themes and information to where that kind of

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Speaker 1: thing is. I'm latching only those things, but there's a

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Speaker 1: there's something that happens to me when with the discovery

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Speaker 1: of new ideas, the discovery and new pathways to think.

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Speaker 1: And I don't mean like, I hope you got as

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Speaker 1: are keeping up with what I'm saying. And I gotta

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Speaker 1: stop trying to even break it down, because my thing is,

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Speaker 1: if I put the game down, you don't pick it up,

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Speaker 1: I'm moving on. You ain't want a man keep listening.

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Speaker 1: It'll be it's some gaming here. You'll be able to

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Speaker 1: pick up too. But you know, some of that complex

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Speaker 1: game like that, I really just gotta lay that down

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Speaker 1: and keep it moving. But I'm gonna keep it real man,

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Speaker 1: like being from the street, being like really one of

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Speaker 1: them guys. And when I look at the game, and

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Speaker 1: because again I always try to operate in a space

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Speaker 1: because you know, I'm always preaching, yo, the street rules.

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Speaker 1: We gotta let go most of the rules. I don't

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Speaker 1: never say all those rules, but this is a large

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Speaker 1: lump some of those rules that has us in bondage.

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Speaker 1: In bondage with so much going on in the world, right,

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Speaker 1: I go to looking at you street, you know, and

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Speaker 1: I'm disappointed, and I really shouldn't be disappointed, Cord No, really,

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Speaker 1: Mosha be just be capping and doing a whole bunch

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Speaker 1: of favor with me, and I know what be happening.

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Speaker 1: So I don't know why I be surprised, but I'm

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Speaker 1: gonna keep it real. I don't believe you, Nick Man,

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Speaker 1: I don't really be believing all that old. I love

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Speaker 1: you bros that don't hit man, because I see how

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Speaker 1: y'all do real he did then a couple of day,

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Speaker 1: I don't know, man Nick studding Nick Man. So the

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Speaker 1: jail man one two day man, they might put man

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Speaker 1: Nick on That why I be abnormal When you deal

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Speaker 1: with people like me, they want to keep peeking and

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Speaker 1: poking at it. Really because I'm dealing with information and

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Speaker 1: trying to elevate people. That's even listening watching it else whoever.

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Speaker 1: I got the ear. But at the end of the day,

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Speaker 1: I'm like, yo, I was listening to um even the

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Speaker 1: King Yeller dude. You know, King Yella is a is

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Speaker 1: a dude who was cool with FBG Duck. FBG Duck

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Speaker 1: is a dude out of Chicago, and I was listening

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Speaker 1: to him and he was saying like because at a

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Speaker 1: point of time, when FBG Doug died, his mom came

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Speaker 1: out like yo, A lot of them friends didn't keep

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Speaker 1: it real. And then King Yellow basically come come out

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Speaker 1: on an interview and say what you want me to do.

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Speaker 1: Even if that's how he feels. You don't say that

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Speaker 1: to your homeboy dead mama on the internet. It's a

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Speaker 1: weird place we're in right now. But let this be

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Speaker 1: a costionary tell to the young nick. Really, that's who

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Speaker 1: I'm focused on right Let this be a coustionary till

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Speaker 1: he donna move on. When you go to the jail home,

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Speaker 1: A lot of nick try to fuck your old lady,

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Speaker 1: A lot of he knick, try to move in with

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Speaker 1: your baby mama, A lot he nicks do a lot

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Speaker 1: of different things with something when you down on your dick, man,

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Speaker 1: So don't file victimly, I'm gonna slide for you, bro twin.

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Speaker 1: I ain't gonna let no twin. I don't believe none

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Speaker 1: of you y'all don't have done real bad boy y'all

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Speaker 1: a move on and a real real to jail really

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Speaker 1: get killed. You move right home, right home. You were

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Speaker 1: riding it, man Coat till the whole while he was

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Speaker 1: at this motherfuck sooner, Nick, go down sooner, nigga file

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Speaker 1: victim you nigga move on. Ain't no coat tail rad, Yeah,

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Speaker 1: my children get to rab my coat till my old lady.

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Speaker 1: My family like, we ain't doing no wave rad. We

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Speaker 1: ain't doing that because y'all moving on soon. Y'all get

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Speaker 1: a chain. I don't let I don't let old fake

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Speaker 1: big homie brothers like I just sat on my porch

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Speaker 1: and thought about I don't leave rapp this. I don't

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Speaker 1: get popping. You will, boy, he rapped no ball when

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Speaker 1: you go nae slow boy, he guceia been through it,

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Speaker 1: Boosi way, ain't ain't he been in the jail, Ask meat,

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Speaker 1: Ask somebod these it's been in the jail. What they liked. Boy,

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Speaker 1: He stop answering them called boy. They thank you gone boy,

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Speaker 1: and they the same thing. Won't be answering your calls

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Speaker 1: to be using your name and your legacy and your legacy,

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Speaker 1: pitch out here, using your legacy, using the things that

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Speaker 1: you did while you was out here to fur to

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Speaker 1: his reputation. He ain't never even went over and gave

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Speaker 1: your children none. He won't even answer the car had

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Speaker 1: the time when you hit him up from behind the wall.

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Speaker 1: Let alone see you something. Let the younger what the

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Speaker 1: street really looked like when the lights on. Let him

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Speaker 1: know what it looked like. You see, it's a difference

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Speaker 1: between me standing up for what I believe it in

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Speaker 1: regards to lyrics and certain things being used in trial,

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Speaker 1: and then me understanding that the streets is a dog place.

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Speaker 1: But see, my job is to cut the lights on.

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Speaker 1: I can't tell her whether not to go in the room.

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Speaker 1: I'm just gonna let you see what it looked like. Look,

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Speaker 1: you might die, you might make it through thee the fame.

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Speaker 1: How you gonna? I'm just telling you what the vibes

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Speaker 1: is in there. It's my duty to Nick. Come up

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Speaker 1: out of the card up, I come up bout that part.

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Speaker 1: It's carred up in a left. A lot of my

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Speaker 1: home is in there, dead and otherwise a lot of

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Speaker 1: dudes got took out the part and took to the prison. Right.

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Speaker 1: So it ain't a joke, it ain't a game. But

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Speaker 1: it takes somebody that got the information to even be

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Speaker 1: able to communicate about it. That's why I can't stand

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Speaker 1: to let you or the dudes. It'd be tickling me

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Speaker 1: it'd be tickling me. Dudes, the online, the streets ain't cool.

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Speaker 1: I know you want to be the streets down because

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Speaker 1: you ain't never been a street guy. So you got you.

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Speaker 1: You were treat it bad by the street guys, you know,

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Speaker 1: so you gotta malice with yours minds. Is cause I'm desperate.

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Speaker 1: I'm desperate that they hear the message. I'm desperate that

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Speaker 1: they know what they're up against, whether or not they

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Speaker 1: feel like they get nace it or not. I'm gonna

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Speaker 1: say you can't nace it, but if you feel like

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Speaker 1: you get NACI, I don't got time to go back

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Speaker 1: and forth about that. But you dudes that be on

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Speaker 1: the outskirts, that lived on the outskirts of the streets,

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Speaker 1: to try to explain everything that happens, the details. I

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Speaker 1: remember my homeboard fridge just the other day. I've seen

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Speaker 1: a clip going around when he said, Yo, you can't

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Speaker 1: help if you wake up, come outside, and this is

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Speaker 1: the crime written area. There's gangs in this area. Like

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Speaker 1: you was just born in this area. Like some of

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Speaker 1: that ain't even considered by a lot of you will

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Speaker 1: to do bourgeois. But let's just let the young know

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Speaker 1: man that the story's gonna move on. He don't honor you.

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Speaker 1: I'm clear on things, right. I'm not somebody that want

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Speaker 1: to be friendly and friends with people. Right. If I

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Speaker 1: reach to you, if I feel like I with you,

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Speaker 1: I really genuinely with you. And see, they don't think

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Speaker 1: or some people in the industry don't know. They don't

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Speaker 1: know how much money I got. They don't know what's

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Speaker 1: going on with me. They don't know nothing, So they

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Speaker 1: may still think that the privileges, there's the privileges there

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Speaker 1: is in there, man. So you know, sometimes it feels

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Speaker 1: that way, like you'll be like, yo, do You're like,

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Speaker 1: it's a weird thing happening to I hope you don't

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Speaker 1: think I'm nothing from one of you. Nick. I will

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Speaker 1: buy your company, Nick, like you know, respectfully, but you know,

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Speaker 1: I'm just saying it'd be it'd be a weird thing.

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Speaker 1: But I know in my family, you know, my uncle

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Speaker 1: honored me. You know, I got a couple of homeboys.

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Speaker 1: I feel like honor me, but I know my my

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Speaker 1: uncle honor me. Certain people like that honor me, you know.

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Speaker 1: But I want to y'alls to know that you got

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Speaker 1: fifty sixty n you all don't honor you home. I

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Speaker 1: don't give fool you will listen to me and hit me. Well, Nick,

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Speaker 1: don't care how much money you got. You got fifty

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Speaker 1: sixty seventy and your crew, all them gonna keep a

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Speaker 1: gangster whin sh the fan. I don't care who crewe

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Speaker 1: it is, where they from. I don't care if they're

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Speaker 1: from the mean streets of Virginia. Nick, I don't care

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Speaker 1: where you're at. If you got that amount of people

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Speaker 1: in your crew, man, everybody ain't on the same page

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Speaker 1: or somebody don't honor you. So a lot of them

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Speaker 1: because you'll get whacked and they're going to tell your mama.

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Speaker 1: You know, I don't know what you want me to do.

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Speaker 1: That's why I was talking about what King Vaughan. It

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Speaker 1: always hurt my heart, It always hurt my feelings. If

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Speaker 1: I felt like yo, Bro would have killed you about

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Speaker 1: me and I gotta see the Nick dunning and we

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Speaker 1: ain't doing nothing that ain't. That's why I don't. That's

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Speaker 1: why because I'm emotionally involved, Bro, So that's why I don't.

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Speaker 1: That's why I don't attach myself. The people called love

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Speaker 1: too hard, I love hard enough to say if I

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Speaker 1: promise you the yo. If if it's on the line,

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Speaker 1: I say, man, no matter what, this is for life,

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Speaker 1: and God don't put us in those situations to throw

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Speaker 1: to throw us over the boat. But boy, if it

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Speaker 1: ever happened, we're going over the boat. And I stand

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Speaker 1: on that and then I'm holding it up on my end,

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Speaker 1: and then's something happening, and you go tell my people

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Speaker 1: what you want me to do. I ain't got money, yo, bro,

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Speaker 1: Go get you a job, get you some money, get

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Speaker 1: you some education and some information you can get you

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Speaker 1: some pretty women. Go get on some yachts man. Stay

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Speaker 1: away from even gonna look your mom in the face

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Speaker 1: and tell her what you wanted me to do. After

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00:16:11,280 --> 00:16:14,160
Speaker 1: they've been coaked till rat. I try to talk to

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Speaker 1: y'all man like, like you know, like we're just talking

303
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Speaker 1: like y'all my people and we're just having a conversation.

304
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Speaker 1: But you know, I gotta remember, loing you deal with

305
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Speaker 1: a large audience is more than just black people, and

306
00:16:26,000 --> 00:16:30,680
Speaker 1: also people come to you to try to understand things. Now,

307
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Speaker 1: it's a complex situation that they've placed me in. Me

308
00:16:34,560 --> 00:16:38,440
Speaker 1: being from a place where it's important that I never

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Speaker 1: forget that. Had I not had an opportunity, and I

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00:16:42,440 --> 00:16:45,640
Speaker 1: would have been another number. I can never never forget that,

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Speaker 1: and I don't care who what when, They will never

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Speaker 1: make me forget that. The young black boy in the

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Speaker 1: ghetto needs an opportunity to understand what he's up against.

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Speaker 1: I cannot. So I'm gonna always consider to them in

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Speaker 1: my communication. I'm always considered the home team in my communication.

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Speaker 1: Right I'm noticing though there's some effects going on online

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Speaker 1: in regards to the message. There's some blurred lines because

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Speaker 1: people are looking to get ads since chicks right now. Me,

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Speaker 1: I communicate about gags. I communicate about street information and

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Speaker 1: just understanding how to navigate around life and try to

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Speaker 1: understand if you are someone from an impoverished area that

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Speaker 1: you try to elevate some kind of way. And that's

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Speaker 1: why I say, these are delicate subjects and I hate

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Speaker 1: that everyone talks about them in regards to the street business,

325
00:17:44,520 --> 00:17:48,040
Speaker 1: and then rappers doing too much and rappers tricking. You know,

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Speaker 1: it's it's a lot going on. This is a complex

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Speaker 1: subject and you need experts like me to speak on it,

328
00:17:54,240 --> 00:17:56,760
Speaker 1: but you got so many people speaking on it and

329
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Speaker 1: it's blurring the line. So when I come out and

330
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Speaker 1: I speak about it young thug situation gonna Why I

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00:18:01,880 --> 00:18:06,040
Speaker 1: see it? Them using lyrics, them not attaching credible evidence

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Speaker 1: to the documents in court. They're just saying reading random

333
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Speaker 1: lyrics with them. Like when I'm talking about this, and

334
00:18:12,960 --> 00:18:18,600
Speaker 1: people are pushing back saying that rappers tab the community,

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00:18:18,680 --> 00:18:24,640
Speaker 1: and rappers this, and rappers dad, it's disheartening. It's disheartening

336
00:18:25,920 --> 00:18:31,359
Speaker 1: because I see the trick. I see the banana in

337
00:18:31,359 --> 00:18:34,879
Speaker 1: the tailpipn that they got us, They got us in fighting,

338
00:18:35,920 --> 00:18:39,040
Speaker 1: they got us in fighting, they got us fighting about thugs.

339
00:18:39,040 --> 00:18:41,720
Speaker 1: Shouldn't have said this. Why do you say this the

340
00:18:41,800 --> 00:18:44,399
Speaker 1: bigger thing? Give bro. They're gonna come get They're gonna

341
00:18:44,480 --> 00:18:48,679
Speaker 1: keep coming to get the rappers for the lyrics. But

342
00:18:48,760 --> 00:18:52,560
Speaker 1: it's in fighting. But the infighting ain't even coming from

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Speaker 1: a genuine place. The infighting is coming because some people

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00:18:57,000 --> 00:19:01,560
Speaker 1: have identified that being a contrary in leads to clicks,

345
00:19:02,960 --> 00:19:06,160
Speaker 1: and so whatever the masses are saying, they're gonna say

346
00:19:06,200 --> 00:19:09,280
Speaker 1: something opposite of that because that's the way that they

347
00:19:09,400 --> 00:19:15,840
Speaker 1: drive their algorithm. Let me say this for the sixth time,

348
00:19:17,080 --> 00:19:20,840
Speaker 1: I don't endorse self snitche. I don't endorse being tricked,

349
00:19:21,440 --> 00:19:25,040
Speaker 1: going in the trick bag. I don't. I don't endorse

350
00:19:25,080 --> 00:19:30,280
Speaker 1: those things, but I also don't endorse not protecting black art.

351
00:19:31,840 --> 00:19:34,400
Speaker 1: I also know rappers are some of the most influential

352
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Speaker 1: people in the world. I would rather tell I rapp

353
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Speaker 1: is to tell tell their fans yo, go knowing them

354
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Speaker 1: about that, or go for point them in the direction.

355
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Speaker 1: These dudes are vehicles, right, And if we tell the

356
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Speaker 1: rapper all the way to the ground, if we never,

357
00:19:56,200 --> 00:19:59,159
Speaker 1: if we just tell the rapper, just no one should

358
00:19:59,160 --> 00:20:02,160
Speaker 1: want to be a rapper. Tell the community down band rappers.

359
00:20:02,280 --> 00:20:04,359
Speaker 1: Do you know what that does? That tears down the

360
00:20:04,440 --> 00:20:11,520
Speaker 1: whole economic structure we ain't got but ball wrapping movies

361
00:20:11,560 --> 00:20:15,000
Speaker 1: don't even do us good really unless we shooting them

362
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Speaker 1: now with the internet straight to because I'm telling about Hollywood,

363
00:20:17,920 --> 00:20:20,760
Speaker 1: like those avenues really to say, and in three years

364
00:20:20,760 --> 00:20:23,080
Speaker 1: I went from none to nam. We're of eight million dollars,

365
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Speaker 1: Like we need avenues and rap happens to be one.

366
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Speaker 1: We need to get a stronghold on our representation. We

367
00:20:33,000 --> 00:20:36,840
Speaker 1: need to get a stronghold on our message. But I'm not.

368
00:20:36,920 --> 00:20:39,639
Speaker 1: I don't. I'm not with taying all rappers down. I

369
00:20:39,720 --> 00:20:42,120
Speaker 1: do know we have sharper tools in the tool box.

370
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Speaker 1: I speak on it all the time. The rappers know

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Speaker 1: that rappers come around me and learn. They called me

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Speaker 1: to get information. I called rappers to get in like

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Speaker 1: it's it's a community, and that's what we gotta keep understanding. Yo,

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00:20:54,320 --> 00:20:57,960
Speaker 1: it's a community. I keep telling y'all this. If my

375
00:20:58,040 --> 00:21:01,439
Speaker 1: neighbor comes, say, boy, they're still in Amazon packages, I

376
00:21:01,560 --> 00:21:03,560
Speaker 1: know it ain't, but so long for they still mind.

377
00:21:04,680 --> 00:21:07,440
Speaker 1: So when they come get through for lyrics, when they

378
00:21:07,480 --> 00:21:10,440
Speaker 1: got ynw Mele or whoever in there, and and and

379
00:21:10,960 --> 00:21:13,320
Speaker 1: I don't know his case, but whatever cases they are,

380
00:21:13,400 --> 00:21:16,760
Speaker 1: if they're shaky cases and the merrit isn't there, we

381
00:21:16,880 --> 00:21:19,560
Speaker 1: gotta understand. These are houses on our block that they

382
00:21:19,640 --> 00:21:24,800
Speaker 1: turned down. However we feel about it, that's one thing.

383
00:21:24,840 --> 00:21:28,680
Speaker 1: But these are houses in our subdivision that they're bringing

384
00:21:28,760 --> 00:21:31,919
Speaker 1: bulldogs the ugnamic. That why I said mentioning up on

385
00:21:31,960 --> 00:21:33,920
Speaker 1: the block. It was a big boy mansion. They came

386
00:21:34,440 --> 00:21:36,280
Speaker 1: right now. They ain't tore it down yet, but they

387
00:21:36,320 --> 00:21:38,840
Speaker 1: got the bulldogs out there, and they got the tape

388
00:21:38,840 --> 00:21:42,200
Speaker 1: around caution tape because they're getting ready to try to bulldoz.

389
00:21:42,760 --> 00:21:45,720
Speaker 1: But we've saw the fist come through, Like with the

390
00:21:45,800 --> 00:21:48,440
Speaker 1: BN meth house in our sub division, they tore it down.

391
00:21:48,640 --> 00:21:52,720
Speaker 1: I'm not talking about whether people wore U complicity and

392
00:21:52,760 --> 00:21:55,800
Speaker 1: committing crimes or not. I'm telling you only from a

393
00:21:55,920 --> 00:22:02,320
Speaker 1: standpoint of all these houses on our block and in

394
00:22:02,480 --> 00:22:05,960
Speaker 1: this subdivision you got like honeycomb braids, and how they

395
00:22:06,000 --> 00:22:09,640
Speaker 1: went in they got a boardoze out there. They told

396
00:22:09,680 --> 00:22:11,720
Speaker 1: boost the house down, he had to come back out

397
00:22:11,840 --> 00:22:13,880
Speaker 1: him he built him. Or you say, I'm talking about

398
00:22:13,880 --> 00:22:18,359
Speaker 1: in the subdivision of entertainment, Bro Gucci man, like I wain't.

399
00:22:18,400 --> 00:22:20,520
Speaker 1: All these people don't been through things to where they

400
00:22:20,560 --> 00:22:25,160
Speaker 1: didn't come through. And in our subdivision it's the hip

401
00:22:25,240 --> 00:22:29,040
Speaker 1: the country music subdivision is right, They ain't going in

402
00:22:29,119 --> 00:22:33,240
Speaker 1: that subdivision taying none down. They ain't been a boarddoze

403
00:22:33,320 --> 00:22:37,760
Speaker 1: in that subdivision in Yells. But every soul they keep

404
00:22:37,880 --> 00:22:40,879
Speaker 1: pulling up in this neighborhood to try to figure out

405
00:22:41,000 --> 00:22:44,080
Speaker 1: what property is that they can get rid of. I

406
00:22:44,200 --> 00:22:46,960
Speaker 1: keep telling y'all that if they called the Colds every

407
00:22:47,040 --> 00:22:50,920
Speaker 1: single day, they might find something. If somebody got our

408
00:22:51,000 --> 00:22:52,880
Speaker 1: rests and accounts on you and you got a high

409
00:22:52,960 --> 00:22:55,879
Speaker 1: level of spending, there may be some mistakes. But what

410
00:22:56,040 --> 00:22:58,639
Speaker 1: I'm telling you is they ain't even looking nowhere but

411
00:22:58,720 --> 00:23:02,640
Speaker 1: this subdivision. And for us, we gotta we gotta pay

412
00:23:02,640 --> 00:23:06,520
Speaker 1: attention to that. Then we have to ask ourselves right

413
00:23:06,680 --> 00:23:10,520
Speaker 1: and we'll speed this up. Yo, in the courtroom, they

414
00:23:10,600 --> 00:23:14,200
Speaker 1: understand something. Not even in the courtroom in the world,

415
00:23:14,320 --> 00:23:18,040
Speaker 1: in the world period, they understand something. They understand without information,

416
00:23:18,280 --> 00:23:23,520
Speaker 1: money means nothing. So people have to understand how to

417
00:23:23,720 --> 00:23:29,200
Speaker 1: escape the rico. A lot of us was born in

418
00:23:29,280 --> 00:23:34,439
Speaker 1: the rico charge. If they want to pursue it, like

419
00:23:34,560 --> 00:23:36,600
Speaker 1: if I was just born in my home and my

420
00:23:36,720 --> 00:23:39,639
Speaker 1: lat home team right here and they stuck in the hood.

421
00:23:39,680 --> 00:23:43,560
Speaker 1: And this again, Man, these circumstances are complex. This is

422
00:23:43,600 --> 00:23:46,119
Speaker 1: not just a cookie cutter situation, and I hate that

423
00:23:46,160 --> 00:23:51,360
Speaker 1: they treated that way. I know that they understand the data.

424
00:23:51,440 --> 00:23:54,400
Speaker 1: I know that they understand it's way more complex than

425
00:23:54,440 --> 00:23:57,760
Speaker 1: just some million that guys might have got rich and

426
00:23:57,880 --> 00:24:00,560
Speaker 1: some of their home boards are still in the neighbor hood,

427
00:24:00,800 --> 00:24:03,760
Speaker 1: you know, calls in terror. I know that. You know,

428
00:24:03,840 --> 00:24:06,159
Speaker 1: I know that they understand that it's deeper than that.

429
00:24:07,080 --> 00:24:09,159
Speaker 1: Whether it's right or wrong, that's up. That ain't enough

430
00:24:09,200 --> 00:24:11,000
Speaker 1: for me to say I'm telling you it's deeper than

431
00:24:11,040 --> 00:24:14,160
Speaker 1: what they presented as. And if we don't say nothing,

432
00:24:14,359 --> 00:24:16,719
Speaker 1: these are houses on our block they're fucking with And

433
00:24:16,760 --> 00:24:20,080
Speaker 1: then court you never hear them say that, Yo, man

434
00:24:20,119 --> 00:24:24,040
Speaker 1: to be honest with you based on y'all laws. I

435
00:24:24,119 --> 00:24:28,679
Speaker 1: was born in the rico charge. Like my older cousin,

436
00:24:28,760 --> 00:24:31,240
Speaker 1: he was a crib. I didn't have nothing to do

437
00:24:31,280 --> 00:24:33,520
Speaker 1: with that. So when I got fourteen, I jumped in

438
00:24:33,560 --> 00:24:35,760
Speaker 1: the car with him because not because I wanted to

439
00:24:35,800 --> 00:24:37,720
Speaker 1: be a crib, but because it won. Buter one cop.

440
00:24:37,800 --> 00:24:39,480
Speaker 1: We was all in the cor together. So then you

441
00:24:39,560 --> 00:24:41,760
Speaker 1: got a crip from here and the cord blood and

442
00:24:41,800 --> 00:24:44,200
Speaker 1: the cord then we all together. Now we go over

443
00:24:44,240 --> 00:24:46,200
Speaker 1: here and get into a fight. That's our first fight,

444
00:24:46,240 --> 00:24:48,720
Speaker 1: that builds our brotherhood. And then we start hanging around.

445
00:24:50,280 --> 00:24:53,600
Speaker 1: As we get sixteen seventeen, we demographically or lucky, so

446
00:24:53,680 --> 00:24:57,440
Speaker 1: we don't have any opportunities owners to create any financial structure.

447
00:24:57,480 --> 00:25:00,520
Speaker 1: So what happens We tend to get into drill selling,

448
00:25:00,520 --> 00:25:02,879
Speaker 1: a petty crime. So then we start to build up

449
00:25:02,920 --> 00:25:06,280
Speaker 1: this bullish resume that y'all attend to use against us.

450
00:25:06,359 --> 00:25:08,960
Speaker 1: Probably ten years later, you guys make it a look

451
00:25:09,000 --> 00:25:14,240
Speaker 1: away because you won't see any responsibility on the government,

452
00:25:14,359 --> 00:25:17,320
Speaker 1: on the structure of the powers that be to create

453
00:25:17,400 --> 00:25:20,200
Speaker 1: any kind of wasn't even a center open half the time,

454
00:25:20,240 --> 00:25:22,960
Speaker 1: ain't a boxing gym, there's no jiu jitsu camp. There

455
00:25:22,960 --> 00:25:25,480
Speaker 1: ain't a library that we can go in. I remember

456
00:25:25,520 --> 00:25:27,440
Speaker 1: they would let us in the library and literally give

457
00:25:27,440 --> 00:25:31,879
Speaker 1: a little limit thirty minutes get out of here. People

458
00:25:31,920 --> 00:25:37,280
Speaker 1: are demographically unlucky. There are no social safety nets in

459
00:25:37,400 --> 00:25:41,080
Speaker 1: placing the ghetto. So we are dealing with ramifications of

460
00:25:41,200 --> 00:25:44,320
Speaker 1: us being born in situations that cause for us to

461
00:25:44,400 --> 00:25:49,000
Speaker 1: be innovative. Our approach has to be innovative, right, And

462
00:25:49,080 --> 00:25:53,600
Speaker 1: I know y'all think selling dope ain't innovation, but boy,

463
00:25:53,720 --> 00:26:00,239
Speaker 1: everybody got dope on this block. Everybody's selling. We eat

464
00:26:00,320 --> 00:26:05,880
Speaker 1: on this block. Everybody got the same little thing, whatever

465
00:26:05,920 --> 00:26:08,160
Speaker 1: it is, because it's the only thing that we can

466
00:26:08,200 --> 00:26:12,399
Speaker 1: get through here. The people around here won't hire tools,

467
00:26:12,440 --> 00:26:18,080
Speaker 1: but they'll sell tools. What I'm saying, they won't hire

468
00:26:18,119 --> 00:26:20,399
Speaker 1: our people, but they'll sell to our people. Right, So

469
00:26:20,520 --> 00:26:23,639
Speaker 1: you're a build a gas station right here, but you

470
00:26:23,680 --> 00:26:25,920
Speaker 1: won't get a fifteen year old boy that might come

471
00:26:25,960 --> 00:26:28,000
Speaker 1: in here and steal because they ain't got nothing. You

472
00:26:28,000 --> 00:26:30,320
Speaker 1: won't give him a job right here this though, but

473
00:26:30,400 --> 00:26:33,080
Speaker 1: you will seeing him cannon telling me too cents short

474
00:26:33,119 --> 00:26:34,880
Speaker 1: and not give him the candy if he don't got

475
00:26:34,880 --> 00:26:37,800
Speaker 1: the too cent. We gotta understand what we're dealing with.

476
00:26:38,280 --> 00:26:42,680
Speaker 1: These dudes are demographically unlucky. There are no social safety

477
00:26:42,880 --> 00:26:46,760
Speaker 1: nets and the ghetto. And I also want to say,

478
00:26:46,800 --> 00:26:50,080
Speaker 1: you don't rap about real crime. You know, you don't

479
00:26:50,160 --> 00:26:54,800
Speaker 1: rap about real crimes, and that's a complete center. But

480
00:26:54,960 --> 00:27:00,679
Speaker 1: also you don't bring lyrics in court without real crimes.

481
00:27:00,680 --> 00:27:04,199
Speaker 1: A test to him. You understand. You can't be in

482
00:27:04,240 --> 00:27:06,560
Speaker 1: court saying these are crimes. He's rapping about it, and

483
00:27:06,560 --> 00:27:09,720
Speaker 1: then you don't have the crimes. That's not how court works.

484
00:27:11,000 --> 00:27:13,280
Speaker 1: And that's the point that we have to make. But

485
00:27:13,400 --> 00:27:16,600
Speaker 1: I see it differently than most podcasters. And y'all playing

486
00:27:16,600 --> 00:27:20,120
Speaker 1: and want to kika ka ka ka. Y'all think it's

487
00:27:20,160 --> 00:27:22,640
Speaker 1: a joke because y'all, life ain't never been in the balance.

488
00:27:23,000 --> 00:27:25,280
Speaker 1: You ain't never had no charges, you ain't never been

489
00:27:25,359 --> 00:27:28,000
Speaker 1: at the high layer. You're somebody coming in to testify

490
00:27:28,080 --> 00:27:30,679
Speaker 1: on you. You ain't never been through those things. Your

491
00:27:30,760 --> 00:27:32,879
Speaker 1: life wouldn't like that, So you look at it like

492
00:27:33,080 --> 00:27:34,960
Speaker 1: I don't understand one of these dudes they're doing that.

493
00:27:35,119 --> 00:27:37,600
Speaker 1: They say this like, I know you don't understand, So

494
00:27:37,720 --> 00:27:41,760
Speaker 1: shut up and talk about bad Barbie, talk about some

495
00:27:41,880 --> 00:27:44,160
Speaker 1: of that kind of a little pumping shit. I'll talk

496
00:27:44,200 --> 00:27:46,440
Speaker 1: about that. But when he comes to this right here,

497
00:27:46,840 --> 00:27:49,200
Speaker 1: allowed the real wants to try to digest this and

498
00:27:49,320 --> 00:27:52,119
Speaker 1: break this down, not because we want somebody that We

499
00:27:52,280 --> 00:27:54,440
Speaker 1: got a lot of people that's coming up there. Ain't

500
00:27:54,440 --> 00:27:56,639
Speaker 1: got no choice but to come through that same tunnel.

501
00:27:57,000 --> 00:28:01,440
Speaker 1: That why Sail came through that same tunnel, that BMMF

502
00:28:01,600 --> 00:28:03,800
Speaker 1: came through the same tunne of that loon came through,

503
00:28:04,200 --> 00:28:07,560
Speaker 1: jay Z came through, twenty one came through. We got

504
00:28:07,760 --> 00:28:10,520
Speaker 1: a lot of motherfuckers that's coming through that same tunnel.

505
00:28:10,640 --> 00:28:15,760
Speaker 1: And we gotta leave writing on the wall. Nick, you

506
00:28:16,080 --> 00:28:19,120
Speaker 1: seeing me come through this tunnel, Stop speaking on what's

507
00:28:19,200 --> 00:28:24,840
Speaker 1: going on down this tunnel. My understanding the coach is deep,

508
00:28:25,320 --> 00:28:28,480
Speaker 1: and I like to do forward thinking. So you see

509
00:28:28,520 --> 00:28:32,520
Speaker 1: how I make the house analogy or the subdivision analogy,

510
00:28:33,240 --> 00:28:36,200
Speaker 1: like hey man, they houses on I'm block, you know,

511
00:28:37,119 --> 00:28:39,040
Speaker 1: and me let me say this loud and clear for

512
00:28:39,160 --> 00:28:42,120
Speaker 1: all ads, for all investors and for all people that's

513
00:28:42,200 --> 00:28:47,360
Speaker 1: listening watching, I am involved in zero criminal activity. Is

514
00:28:47,400 --> 00:28:51,120
Speaker 1: this thing go on? I do not associate with criminal

515
00:28:51,240 --> 00:28:55,480
Speaker 1: activity at all. I speak on these things because it's

516
00:28:55,560 --> 00:28:58,160
Speaker 1: important for people coming through the tunnel I came in.

517
00:28:59,760 --> 00:29:02,160
Speaker 1: I want people to know that because I don't want

518
00:29:02,200 --> 00:29:05,040
Speaker 1: you afraid. I don't want you thinking that I'm some

519
00:29:05,560 --> 00:29:10,440
Speaker 1: dude that don't ask why he's at no cern. I'm relatable.

520
00:29:11,360 --> 00:29:14,920
Speaker 1: I just come out the tunnel. I'm fresh out of it.

521
00:29:15,040 --> 00:29:22,160
Speaker 1: I'm five teen years removed. And when we start to

522
00:29:25,080 --> 00:29:30,560
Speaker 1: divide black people up right into our sections, there's a

523
00:29:30,640 --> 00:29:37,600
Speaker 1: lot more disinfranchis street guys or street poor people. They

524
00:29:37,720 --> 00:29:40,560
Speaker 1: just can may have to come through that tunnel if

525
00:29:40,600 --> 00:29:43,320
Speaker 1: they ever are come into the other side, you know,

526
00:29:43,480 --> 00:29:45,800
Speaker 1: if they ever are come into that legitimate side, or

527
00:29:45,880 --> 00:29:49,080
Speaker 1: ever leaving all of that darkness alone. You know what

528
00:29:49,160 --> 00:29:51,760
Speaker 1: I'm saying. And so again, man, it's just important to

529
00:29:51,840 --> 00:29:55,080
Speaker 1: try to put the messages down. You know. I'm diligent

530
00:29:55,160 --> 00:29:57,880
Speaker 1: in that. I do think there's a space to be

531
00:29:58,000 --> 00:30:00,440
Speaker 1: critical of our own because I'm gonna be critical rappers

532
00:30:00,520 --> 00:30:04,480
Speaker 1: and things they say. I'm always be the one that

533
00:30:04,600 --> 00:30:10,600
Speaker 1: tries to uh identify our attributes and also our opportunities.

534
00:30:10,640 --> 00:30:13,280
Speaker 1: I'm always gonna be that guy. So there's a there's

535
00:30:13,320 --> 00:30:15,160
Speaker 1: a space that we can create the way we can

536
00:30:15,240 --> 00:30:18,200
Speaker 1: hold our own accountable. But we don't want to destroy

537
00:30:18,280 --> 00:30:20,840
Speaker 1: the rapper, the rapper. We don't want to destroy the

538
00:30:21,120 --> 00:30:24,400
Speaker 1: entertainment rapper like you know. We want that to evolve.

539
00:30:24,600 --> 00:30:27,800
Speaker 1: That's what we want. It's in a very adolescent stage.

540
00:30:27,840 --> 00:30:30,400
Speaker 1: It's it ain't but so old, right the rapper? It

541
00:30:30,480 --> 00:30:33,120
Speaker 1: ain't but so old. So it's a very adolescent stage

542
00:30:33,320 --> 00:30:35,440
Speaker 1: if we can get it right. But they muna bet

543
00:30:35,720 --> 00:30:39,400
Speaker 1: one thousand boy, just thinking we can tweet the rapper

544
00:30:39,520 --> 00:30:42,000
Speaker 1: right right, get this missed right, get this right? Still

545
00:30:42,120 --> 00:30:44,200
Speaker 1: keep the cool factor intead of the you know what

546
00:30:44,240 --> 00:30:47,360
Speaker 1: I'm saying, many man, they shouldn't be going through schools

547
00:30:47,400 --> 00:30:49,840
Speaker 1: and hit me right. I'm just saying, like, yo, bro,

548
00:30:50,040 --> 00:30:53,840
Speaker 1: I'm telling you, um so, we don't want our most

549
00:30:53,960 --> 00:30:56,960
Speaker 1: brilliant minds. And that's why I gotta be careful, you know,

550
00:30:57,000 --> 00:30:59,240
Speaker 1: because something because if I want you, I could just

551
00:30:59,400 --> 00:31:01,840
Speaker 1: sit on wrap and just be critical of the things

552
00:31:01,880 --> 00:31:03,920
Speaker 1: they said and how they've done it and what they

553
00:31:04,040 --> 00:31:06,240
Speaker 1: put out and what it may or may not they

554
00:31:06,400 --> 00:31:08,240
Speaker 1: fix up right, I could be critical of that, but

555
00:31:08,320 --> 00:31:11,520
Speaker 1: we don't need our brilliant minds breaking our own down

556
00:31:11,600 --> 00:31:14,000
Speaker 1: in a way that's gonna be detrimental. We need our

557
00:31:14,080 --> 00:31:17,880
Speaker 1: brilliant minds trying to speak on how to evolve those things.

558
00:31:17,920 --> 00:31:19,960
Speaker 1: And I think I'll spend my time on that side

559
00:31:20,000 --> 00:31:24,080
Speaker 1: of the street outside of that. The algorithm says that though,

560
00:31:24,360 --> 00:31:26,520
Speaker 1: if you want to be effective, you just go at them.

561
00:31:27,880 --> 00:31:29,400
Speaker 1: And that's why you see a lot of it, and

562
00:31:29,480 --> 00:31:33,000
Speaker 1: it's blurring the lines and it's becoming dangerous. I was thinking, like,

563
00:31:34,200 --> 00:31:36,360
Speaker 1: you know, because this whole lyrics thing, man, a lot

564
00:31:36,440 --> 00:31:38,680
Speaker 1: of people like it. Just it really, it really was

565
00:31:38,760 --> 00:31:42,600
Speaker 1: disheartening to see so many people, you know, brain up

566
00:31:42,680 --> 00:31:45,960
Speaker 1: young thugs saying something about black lives matter and doll

567
00:31:46,040 --> 00:31:48,640
Speaker 1: it almost like that's the reason he should be jailed

568
00:31:48,720 --> 00:31:51,440
Speaker 1: and nobody. It was just I would like, yo, what

569
00:31:51,560 --> 00:31:54,080
Speaker 1: they're doing? What they you know? It was It was weird.

570
00:31:54,200 --> 00:31:58,800
Speaker 1: So um, the universe always has a way of showing

571
00:31:58,920 --> 00:32:01,960
Speaker 1: me right or giving me information. You know, if you

572
00:32:02,080 --> 00:32:04,960
Speaker 1: have your eyes open, man, in this world and you

573
00:32:05,080 --> 00:32:08,760
Speaker 1: are in bluetooth mold and seeking, you'll be presented with things.

574
00:32:08,880 --> 00:32:11,520
Speaker 1: Man that just speaks to you. And so as I'm

575
00:32:12,280 --> 00:32:14,200
Speaker 1: you know, one of those days I was, you know,

576
00:32:14,280 --> 00:32:16,640
Speaker 1: at the hospital and finally getting myself kind of back

577
00:32:16,680 --> 00:32:19,840
Speaker 1: together and thinking like, man, why so many people you

578
00:32:19,960 --> 00:32:23,640
Speaker 1: know talk about this or that or that about the

579
00:32:23,760 --> 00:32:27,360
Speaker 1: lyric thing and they don't understand what I'm trying to communicate, right,

580
00:32:27,880 --> 00:32:29,560
Speaker 1: you know, because my job I always be like, no,

581
00:32:29,760 --> 00:32:32,440
Speaker 1: how could you communicate it that better? You know, what

582
00:32:32,600 --> 00:32:34,680
Speaker 1: could you have said that could have made that land

583
00:32:34,800 --> 00:32:36,920
Speaker 1: just a little bit better where they understood, you know.

584
00:32:37,480 --> 00:32:39,840
Speaker 1: And so I'm thinking, like, I gotta find a way

585
00:32:39,880 --> 00:32:42,360
Speaker 1: to tweak it the way the masses can understand what

586
00:32:42,480 --> 00:32:45,320
Speaker 1: I'm trying to say. But so as I'm scrolling through,

587
00:32:45,400 --> 00:32:47,840
Speaker 1: so then I get off and get on Netflix, and

588
00:32:47,960 --> 00:32:50,400
Speaker 1: again the university just has a sense of humor. God

589
00:32:50,520 --> 00:32:54,600
Speaker 1: is the greatest. And I've seen something on them because

590
00:32:54,640 --> 00:32:57,880
Speaker 1: again I watched all I watched. I watched the whole market,

591
00:32:58,000 --> 00:33:00,920
Speaker 1: not just rap. I watch comedians, I watch everything in

592
00:33:01,080 --> 00:33:05,040
Speaker 1: regards to content creation. Everything nothing gets by me. Comedian

593
00:33:05,120 --> 00:33:09,040
Speaker 1: Bill Burr has a new stand up out and I

594
00:33:09,200 --> 00:33:12,360
Speaker 1: was looking at it and it says a couple people

595
00:33:12,440 --> 00:33:18,880
Speaker 1: that kill and I couldn't help but say, prime example, right,

596
00:33:19,920 --> 00:33:23,600
Speaker 1: look how they use kill. What I'm saying for them,

597
00:33:23,760 --> 00:33:26,520
Speaker 1: for comedian to kill is to get up on stage

598
00:33:26,520 --> 00:33:29,240
Speaker 1: and rock the crowd and get the response and have

599
00:33:29,440 --> 00:33:32,040
Speaker 1: it just roaring and they just feeling you. Or if

600
00:33:32,080 --> 00:33:36,200
Speaker 1: it's a small room, you know, just having that camaraderie

601
00:33:36,240 --> 00:33:42,880
Speaker 1: amongst it's almost like having a anonymous understanding. You know,

602
00:33:43,040 --> 00:33:46,840
Speaker 1: everybody's on the same wave length in here, right, And

603
00:33:47,000 --> 00:33:50,520
Speaker 1: that's killing because you took all these different people from

604
00:33:50,560 --> 00:33:52,560
Speaker 1: all these walks of life and put them on one

605
00:33:53,440 --> 00:33:56,720
Speaker 1: wavelength and made them sit there and just run with

606
00:33:56,800 --> 00:33:59,040
Speaker 1: your every move and then hit them with something and

607
00:33:59,120 --> 00:34:01,960
Speaker 1: they can't can't start, they said from laughing, right. That

608
00:34:02,160 --> 00:34:05,040
Speaker 1: art form is something different. But the fact that he

609
00:34:05,200 --> 00:34:08,680
Speaker 1: was able to they able to use that freely as comedians.

610
00:34:09,920 --> 00:34:12,279
Speaker 1: I'm like, yo, man, because even even us over here

611
00:34:12,360 --> 00:34:17,680
Speaker 1: sometimes we'll be like man, that's man, that's killing. Go

612
00:34:17,920 --> 00:34:21,720
Speaker 1: look at you are l look at the rap battles,

613
00:34:22,680 --> 00:34:25,040
Speaker 1: and that's it. That's a prime example. If you ever

614
00:34:25,120 --> 00:34:27,239
Speaker 1: want to see lyrics use in his truest form, you

615
00:34:27,280 --> 00:34:29,400
Speaker 1: go over someone like you are real and caffeine. You

616
00:34:29,440 --> 00:34:33,160
Speaker 1: will see like man because I cut his throat off

617
00:34:33,239 --> 00:34:35,120
Speaker 1: and now you know they'll do all of that. They

618
00:34:35,160 --> 00:34:37,359
Speaker 1: ain't cutting. Nobody throws so a lot of them dudes

619
00:34:37,440 --> 00:34:40,839
Speaker 1: have no record. But it's the essence. It's the essence.

620
00:34:40,920 --> 00:34:43,279
Speaker 1: It's the picture. I'm painting the clip picture for you,

621
00:34:43,440 --> 00:34:48,160
Speaker 1: like Picasso, Like I remember um Charlie clips. He had

622
00:34:48,200 --> 00:34:50,759
Speaker 1: a thing, Well guess what's roomed? I mean because and

623
00:34:50,920 --> 00:34:55,000
Speaker 1: and people were so mesmerized bad because it's it's the visual.

624
00:34:55,120 --> 00:34:58,080
Speaker 1: And he is saying the kitchen scene can done. You know,

625
00:34:58,239 --> 00:35:01,080
Speaker 1: loaded lucks with the suit on it. You know, it's

626
00:35:01,120 --> 00:35:03,600
Speaker 1: just yo, bro, it's the essence of it. It's the

627
00:35:03,920 --> 00:35:06,320
Speaker 1: essence of it. You know what I'm saying. It's the

628
00:35:06,520 --> 00:35:09,120
Speaker 1: essence of it. When you deal with those lyrics, you're

629
00:35:09,160 --> 00:35:12,080
Speaker 1: able to paint a picture. And it's unfortunate for us

630
00:35:12,160 --> 00:35:14,799
Speaker 1: that we can't protect black art in a way where

631
00:35:14,840 --> 00:35:21,080
Speaker 1: it's even respected in the same light. It's comedy. Comedy

632
00:35:21,239 --> 00:35:25,000
Speaker 1: is pure words. There's no beat on it, there's no right.

633
00:35:25,080 --> 00:35:27,960
Speaker 1: We're talking about production man. When we deal with what

634
00:35:28,080 --> 00:35:30,800
Speaker 1: they're using in court, man, it is beats on it.

635
00:35:30,920 --> 00:35:33,560
Speaker 1: Some of the best musicians in the world. You got

636
00:35:33,640 --> 00:35:37,080
Speaker 1: a little reverb, only got marketing dollars behind it and

637
00:35:37,200 --> 00:35:41,600
Speaker 1: they're using it like it's some unbeknownst conversation where you

638
00:35:41,719 --> 00:35:44,239
Speaker 1: are sending a hit and they're telling me that, yo,

639
00:35:44,400 --> 00:35:47,080
Speaker 1: loom man, let them leave that along. I'm like, bro,

640
00:35:47,280 --> 00:35:49,719
Speaker 1: y'all ain't never been the court. Bro y'all ain't never

641
00:35:49,840 --> 00:35:54,080
Speaker 1: been through these things. Bro and um, y'all do real bad.

642
00:35:54,160 --> 00:35:57,359
Speaker 1: I feel sorry for real. Next day, all right, let's

643
00:35:57,360 --> 00:36:01,040
Speaker 1: have a let's have a conversation about Kevin Gates. For

644
00:36:01,160 --> 00:36:05,080
Speaker 1: those of you under where, Kevin Gates dropped a freestyle

645
00:36:05,200 --> 00:36:08,560
Speaker 1: on Kodak Black Super Gremlin where he said a lot man,

646
00:36:08,920 --> 00:36:12,000
Speaker 1: he said, a whole bunch of people name um, I

647
00:36:12,080 --> 00:36:13,719
Speaker 1: wanted to shoot out play a little bit of it.

648
00:36:13,840 --> 00:36:15,600
Speaker 1: Nine gonna players. So he said a whole bunch of

649
00:36:15,640 --> 00:36:19,359
Speaker 1: people name like, spoke about him and Drinker's relationship, spoke

650
00:36:19,400 --> 00:36:22,239
Speaker 1: about a whole bunch of things. End up getting like

651
00:36:22,360 --> 00:36:26,120
Speaker 1: six six seven million views in a week, you know,

652
00:36:26,400 --> 00:36:30,920
Speaker 1: and um, and he did good. So he also announced

653
00:36:30,960 --> 00:36:33,680
Speaker 1: then that this album was coming and it was coming

654
00:36:33,719 --> 00:36:36,640
Speaker 1: on the SEVENEAM. So he was in a situation to

655
00:36:36,760 --> 00:36:39,080
Speaker 1: put things out there that the fans didn't know. He

656
00:36:39,200 --> 00:36:42,320
Speaker 1: spoke on Drinker, He spoke on him being cheated on,

657
00:36:43,000 --> 00:36:47,920
Speaker 1: or certain things he had going on outside of his relationship. Um,

658
00:36:48,000 --> 00:36:49,960
Speaker 1: he spoke on who he would like to see in

659
00:36:50,080 --> 00:36:52,040
Speaker 1: that bed room and who he would like to try

660
00:36:52,080 --> 00:36:54,920
Speaker 1: to get next to, you understand me. And it was

661
00:36:54,960 --> 00:36:58,120
Speaker 1: a shock jock type thing. It was like a shock factor, right,

662
00:36:58,200 --> 00:37:01,040
Speaker 1: So of course he went everywhere, you know, all of

663
00:37:01,080 --> 00:37:04,880
Speaker 1: the blogs. Everybody picked it up and it went crazy. Um,

664
00:37:05,800 --> 00:37:08,480
Speaker 1: when I was thinking about it, you know, I'm like, yo,

665
00:37:08,640 --> 00:37:13,080
Speaker 1: Kevin Gates put itself in up situation and wrapped. That's

666
00:37:13,400 --> 00:37:20,960
Speaker 1: a very unique situation. You know. I thought about him

667
00:37:21,080 --> 00:37:25,200
Speaker 1: saying even in this super general freestyle that I'm him

668
00:37:25,320 --> 00:37:29,359
Speaker 1: flopped and that was important that that that I paid

669
00:37:29,400 --> 00:37:33,480
Speaker 1: attention to that because that then I had to ask myself, I, so,

670
00:37:34,480 --> 00:37:37,080
Speaker 1: is this your way of trying to get back into

671
00:37:37,160 --> 00:37:39,600
Speaker 1: the fold or you know what what you're trying to

672
00:37:39,680 --> 00:37:41,919
Speaker 1: do with that freestyle with them names in it, because

673
00:37:42,000 --> 00:37:45,320
Speaker 1: everybody know if you're rapping or rapp woman Nicky No,

674
00:37:45,560 --> 00:37:47,520
Speaker 1: she did it like a lot of people don't done

675
00:37:47,560 --> 00:37:49,320
Speaker 1: the name thing. You know what I'm saying, because it

676
00:37:49,440 --> 00:37:52,640
Speaker 1: does something to the algorithm, so you know it's effective.

677
00:37:53,040 --> 00:37:56,399
Speaker 1: But I knew he had some music coming with I'm

678
00:37:56,520 --> 00:38:01,160
Speaker 1: him flopping, I asked myself with the super General freestyle

679
00:38:01,280 --> 00:38:03,799
Speaker 1: and him bringing up Drinker and all of that, what's

680
00:38:03,800 --> 00:38:06,320
Speaker 1: he trying to activate his female fan base? Because it

681
00:38:06,400 --> 00:38:08,680
Speaker 1: was a small move. If he wore, if he was

682
00:38:08,760 --> 00:38:10,879
Speaker 1: trying to say, all right now the doors open, y'all,

683
00:38:10,960 --> 00:38:12,799
Speaker 1: y'all might can give me now, he might have thought

684
00:38:12,840 --> 00:38:15,600
Speaker 1: it worked like that. But sometimes that kind of stuff

685
00:38:15,600 --> 00:38:18,759
Speaker 1: cook can kind of backfire, like they can look at

686
00:38:18,800 --> 00:38:20,840
Speaker 1: you like, oh you left for real one no no, no,

687
00:38:20,920 --> 00:38:23,920
Speaker 1: no no. And so that's why you know, I believe

688
00:38:24,040 --> 00:38:26,000
Speaker 1: that like you might want to speak on it. So

689
00:38:26,120 --> 00:38:29,360
Speaker 1: now he goes and speaks on it. And then he

690
00:38:29,520 --> 00:38:33,959
Speaker 1: got into his relationship with drinka Um and really dug

691
00:38:34,040 --> 00:38:35,440
Speaker 1: into it. Let's listen to a little bit of what

692
00:38:35,520 --> 00:38:38,440
Speaker 1: he said. The mother to turned my us against but

693
00:38:38,520 --> 00:38:40,800
Speaker 1: bought a truck when I was away and can't explain

694
00:38:40,880 --> 00:38:43,719
Speaker 1: the wind a hunter sunch, my new wifeman took a

695
00:38:43,880 --> 00:38:46,959
Speaker 1: person on the beating personal training, invaded my personal place

696
00:38:47,000 --> 00:38:50,160
Speaker 1: the counterside and cut it's give me out some cake.

697
00:38:50,239 --> 00:38:52,719
Speaker 1: Deep down inside of culle me criticized when I was

698
00:38:52,800 --> 00:38:55,640
Speaker 1: statuous out develop some missing that's got on the adda

699
00:38:55,760 --> 00:38:58,080
Speaker 1: roll in the gym two times a day. I got skinning.

700
00:38:58,160 --> 00:39:00,160
Speaker 1: He got on that alcohol is kind of hell me

701
00:39:00,280 --> 00:39:02,719
Speaker 1: block out all my simblons. Nobody noticed him when I'm

702
00:39:02,719 --> 00:39:05,719
Speaker 1: suffer playing perfect blows and trying to tell the world

703
00:39:05,760 --> 00:39:09,160
Speaker 1: what I'm juggling little to plumb. Feeto tries to temper,

704
00:39:09,239 --> 00:39:12,000
Speaker 1: just focus holders together, but I'm slipping his brother Lie

705
00:39:12,040 --> 00:39:13,920
Speaker 1: the monther bag girl. That still my brother. But we

706
00:39:14,080 --> 00:39:16,600
Speaker 1: just didn't always love when he'd be shining. Remind me

707
00:39:16,680 --> 00:39:18,680
Speaker 1: of mind as if we need listening boot dirt and

708
00:39:18,800 --> 00:39:21,560
Speaker 1: keep it playing. We feel loud. Hen give me curb

709
00:39:21,680 --> 00:39:23,919
Speaker 1: boy tried to warm and swear the god was shot

710
00:39:24,040 --> 00:39:26,120
Speaker 1: to listen to your bear. You know, I'm sorry. You

711
00:39:26,239 --> 00:39:28,399
Speaker 1: know I love y'all. Should have listened to the lick

712
00:39:28,520 --> 00:39:30,839
Speaker 1: made me feel cuilt that when Bacon tried to see

713
00:39:30,960 --> 00:39:34,280
Speaker 1: still was playing on my simple trying to manipulate my limbs.

714
00:39:34,320 --> 00:39:36,680
Speaker 1: I'm in it's sipping a weight on five. So you

715
00:39:36,800 --> 00:39:40,640
Speaker 1: see that man like I don't know that relationship. And

716
00:39:40,719 --> 00:39:42,480
Speaker 1: then he was seen with a couple of girls you

717
00:39:42,560 --> 00:39:47,360
Speaker 1: know online. He going through it, dog, you know he

718
00:39:47,520 --> 00:39:49,879
Speaker 1: going through it. It's just it's simpling playing. He going

719
00:39:50,000 --> 00:39:52,880
Speaker 1: through it. You know, it's raw it self. You know

720
00:39:52,880 --> 00:39:55,960
Speaker 1: what I'm saying, Like sometimes you might not want to

721
00:39:56,000 --> 00:39:58,160
Speaker 1: go back to something, you still can be going through it,

722
00:39:58,320 --> 00:39:59,800
Speaker 1: you know. So I ain't. I don't speak on what

723
00:40:00,120 --> 00:40:02,640
Speaker 1: man want to be at, but clearly he going through

724
00:40:02,719 --> 00:40:05,000
Speaker 1: or he going through something. What I also heard him

725
00:40:05,040 --> 00:40:09,600
Speaker 1: speak about was his relationship with other rappers, money Bag

726
00:40:09,719 --> 00:40:12,279
Speaker 1: Yo being one of those. You remember him, him and

727
00:40:12,320 --> 00:40:14,000
Speaker 1: money Bag Yo. See that's what I mean when I

728
00:40:14,040 --> 00:40:17,320
Speaker 1: say Gates found himself in a peculiar situation, because what

729
00:40:17,440 --> 00:40:19,680
Speaker 1: happened with Gates is when he got out and see

730
00:40:19,719 --> 00:40:23,200
Speaker 1: what I'm him flopping and these are his words, not

731
00:40:23,400 --> 00:40:26,400
Speaker 1: my words. But when I'm him not doing the sales

732
00:40:26,480 --> 00:40:31,160
Speaker 1: that they thought that it would do, it says damn okay,

733
00:40:31,160 --> 00:40:34,000
Speaker 1: because that was him with all his relationships. Is if

734
00:40:34,040 --> 00:40:36,359
Speaker 1: you think, if you look at it, there's no more.

735
00:40:36,680 --> 00:40:39,960
Speaker 1: Just think about if he was right now still had

736
00:40:40,040 --> 00:40:42,680
Speaker 1: the money Bag your relationship in Pockets, still had the

737
00:40:42,800 --> 00:40:46,239
Speaker 1: NBA Young Board relationship in Pocket like them too right there,

738
00:40:46,280 --> 00:40:49,239
Speaker 1: could have helped carry the album even more. Just those two.

739
00:40:49,280 --> 00:40:52,360
Speaker 1: It almost like, you know, I don't know, man, something,

740
00:40:52,440 --> 00:40:55,240
Speaker 1: you know, he just kind of put itself back against

741
00:40:55,239 --> 00:40:57,840
Speaker 1: the wall a little bit. You know, in regards to music.

742
00:40:58,600 --> 00:41:00,960
Speaker 1: You know when we talk about Mule was again algorithm

743
00:41:01,040 --> 00:41:03,920
Speaker 1: and market. Shall you understand it's like Yo, if he

744
00:41:04,120 --> 00:41:08,600
Speaker 1: was able to write now had money bag Yo still

745
00:41:08,640 --> 00:41:11,520
Speaker 1: on his team NBA young because young boy people still popping.

746
00:41:11,960 --> 00:41:14,759
Speaker 1: Bag people still popping. You know, that would have helped

747
00:41:15,200 --> 00:41:17,600
Speaker 1: get him Rod Wave even what's one of his people?

748
00:41:17,719 --> 00:41:20,359
Speaker 1: Then I sit down, he had none of his relationships,

749
00:41:20,440 --> 00:41:25,520
Speaker 1: no more. The relationships now he don't have. But see,

750
00:41:25,560 --> 00:41:27,760
Speaker 1: he came in the game a certain way. I remember,

751
00:41:27,800 --> 00:41:30,120
Speaker 1: I think one of his first albums when platinum with

752
00:41:30,160 --> 00:41:33,320
Speaker 1: Damn then no features, So he built it in a

753
00:41:33,400 --> 00:41:35,799
Speaker 1: way where he probably felt like he didn't need those

754
00:41:35,880 --> 00:41:39,120
Speaker 1: features or needing relationships. But that was he was. He

755
00:41:39,280 --> 00:41:41,440
Speaker 1: came in in a weird little time. Then the game

756
00:41:41,560 --> 00:41:45,080
Speaker 1: untotally switched to algorithm. So something's happening. You know, it's

757
00:41:45,120 --> 00:41:48,120
Speaker 1: a different driver now that's happening. But he came in,

758
00:41:48,360 --> 00:41:50,600
Speaker 1: was able to go platinum without any feature. So I

759
00:41:50,719 --> 00:41:53,440
Speaker 1: think what that did was it lended him a confidence

760
00:41:53,560 --> 00:41:56,239
Speaker 1: on moving a certain way in the market. And that's

761
00:41:56,320 --> 00:42:00,320
Speaker 1: without those relationships. If you're hearing him by his owner mission,

762
00:42:00,400 --> 00:42:02,759
Speaker 1: it almost felt like he wouldn't even want to do

763
00:42:02,960 --> 00:42:07,040
Speaker 1: songs with people. It's easy to say no, we don't

764
00:42:07,120 --> 00:42:08,759
Speaker 1: need to. That's why I say I have to make

765
00:42:08,840 --> 00:42:11,560
Speaker 1: that conscious decision with my part and not say, yo loon,

766
00:42:11,640 --> 00:42:13,480
Speaker 1: you can sit like get out by yourself. You don't

767
00:42:13,800 --> 00:42:17,160
Speaker 1: now I want to talk to people. But if you

768
00:42:17,280 --> 00:42:19,920
Speaker 1: take a look at this position in music after I'm

769
00:42:20,000 --> 00:42:22,879
Speaker 1: him flops, you say he no longer has any relationships

770
00:42:23,200 --> 00:42:25,520
Speaker 1: and he's rapping about it. So if he still had

771
00:42:25,600 --> 00:42:28,640
Speaker 1: the NBA Young Board relationship, the money bag yol relationship,

772
00:42:28,719 --> 00:42:32,960
Speaker 1: the Broadway relationship, all them dudes is selling one two

773
00:42:33,320 --> 00:42:36,759
Speaker 1: hundred k a week they first week, you know, they

774
00:42:36,880 --> 00:42:40,120
Speaker 1: selling one and two hundred k they first week. And

775
00:42:40,239 --> 00:42:42,759
Speaker 1: then you gotta keep in mind that these wasn't people

776
00:42:42,840 --> 00:42:45,719
Speaker 1: who he didn't just have a pitty bettered relationship with

777
00:42:45,840 --> 00:42:48,680
Speaker 1: the people. They were people. Money bag Yo was somebody

778
00:42:48,760 --> 00:42:52,000
Speaker 1: that was shotting him out when he was in jail

779
00:42:52,280 --> 00:42:55,839
Speaker 1: and he was on fire, came out gates mate helped

780
00:42:55,920 --> 00:42:58,239
Speaker 1: him turn Muslim, you know what I'm saying. So they

781
00:42:58,400 --> 00:43:00,800
Speaker 1: was locked in NBA Young Boys, same thing on this

782
00:43:00,960 --> 00:43:04,080
Speaker 1: way up Yo Gas inspired us this same. He made

783
00:43:04,120 --> 00:43:06,560
Speaker 1: a dude from down here for like right, So he

784
00:43:06,760 --> 00:43:09,200
Speaker 1: inspired them people. So not only would he been able

785
00:43:09,239 --> 00:43:11,920
Speaker 1: to ride their way from a single standpoint, he might

786
00:43:11,960 --> 00:43:14,000
Speaker 1: have been in a big dog situation to be able

787
00:43:14,040 --> 00:43:16,520
Speaker 1: to do an album with Bag, a whole album with

788
00:43:17,120 --> 00:43:19,480
Speaker 1: NBA young Boy them. They might have done a whole

789
00:43:19,520 --> 00:43:22,000
Speaker 1: album together, like I an't let market share would have

790
00:43:22,080 --> 00:43:25,920
Speaker 1: just been put them in a whole different situation if

791
00:43:25,960 --> 00:43:28,120
Speaker 1: you would have been able to build with those guys.

792
00:43:28,280 --> 00:43:30,560
Speaker 1: And not that you need those guys, but I keep

793
00:43:30,640 --> 00:43:33,520
Speaker 1: telling people, ignore whatever you want to ignore. I'm just

794
00:43:33,640 --> 00:43:36,319
Speaker 1: dealing with the information. You're playing an algorithm game. At

795
00:43:36,360 --> 00:43:39,399
Speaker 1: that point, you got to tap the algorithm. I don't

796
00:43:39,400 --> 00:43:42,279
Speaker 1: care who you is unless you are the algorithm. It's

797
00:43:42,320 --> 00:43:46,240
Speaker 1: like Drake, he is the algorithm. But outside of Drake

798
00:43:46,320 --> 00:43:49,520
Speaker 1: and Jay and Kanye and certain dudes like y'all got

799
00:43:49,600 --> 00:43:52,439
Speaker 1: to play this algorithm game and ignore with them fans

800
00:43:52,480 --> 00:43:55,320
Speaker 1: talking about because he's business, because what it happened is

801
00:43:55,600 --> 00:43:57,520
Speaker 1: you would go so low. I'm gonna do it by

802
00:43:57,560 --> 00:44:00,520
Speaker 1: my own, gotta make these rappers they ain't doing all that.

803
00:44:00,760 --> 00:44:03,239
Speaker 1: This thing. You know, you're hurting your negotiations. You flop,

804
00:44:03,680 --> 00:44:06,440
Speaker 1: then you flop again. That's time and to renegotiate. Now

805
00:44:06,560 --> 00:44:10,600
Speaker 1: what you're looking like now, man, if these are real relationships,

806
00:44:10,640 --> 00:44:13,560
Speaker 1: activate them. That's why I be hard on these selfish

807
00:44:13,640 --> 00:44:15,440
Speaker 1: dudes in this. And let me be clear with this,

808
00:44:15,640 --> 00:44:17,319
Speaker 1: I don't need none of you dudes. I know how

809
00:44:17,360 --> 00:44:20,680
Speaker 1: to speak around you and above you. And I'm a hustler.

810
00:44:21,719 --> 00:44:24,239
Speaker 1: So if you do not work with me, when I

811
00:44:24,400 --> 00:44:28,200
Speaker 1: move in, your work will be devalue. That go for anybody.

812
00:44:28,280 --> 00:44:31,399
Speaker 1: We don't exclude nobody in that we're dealing. You're dealing

813
00:44:31,440 --> 00:44:34,080
Speaker 1: with a hustler. It don't matter what you think about it.

814
00:44:34,160 --> 00:44:36,360
Speaker 1: You're dealing with a hustler. I'm gonna get up early,

815
00:44:36,560 --> 00:44:38,560
Speaker 1: I'm gonna go to bed late, I'm gonna put the

816
00:44:38,640 --> 00:44:41,439
Speaker 1: work in. I'm gonna go hard. I'm gonna go hard

817
00:44:41,520 --> 00:44:44,320
Speaker 1: every single time and can't nobody to stop it. And

818
00:44:44,440 --> 00:44:46,920
Speaker 1: then you don't want to wait another jewel I want

819
00:44:46,960 --> 00:44:50,200
Speaker 1: to give people that's out there wrapping making money, popping corn.

820
00:44:50,680 --> 00:44:52,840
Speaker 1: You wanted the hottest people in the world. You don't

821
00:44:53,239 --> 00:44:56,000
Speaker 1: want to wait till you falling off and then start reaching.

822
00:44:56,080 --> 00:44:59,080
Speaker 1: Now the whole point is reach out. Why you on

823
00:44:59,280 --> 00:45:02,480
Speaker 1: top so it don't look like it don't look like

824
00:45:02,600 --> 00:45:05,400
Speaker 1: you're desperate. It don't look like you're desperate because you

825
00:45:05,440 --> 00:45:07,640
Speaker 1: are hate to now you flop last time, and then

826
00:45:07,680 --> 00:45:09,520
Speaker 1: you reach it not trying to get with Drake, and

827
00:45:09,560 --> 00:45:12,120
Speaker 1: then now it's gonna feel a way, even though it

828
00:45:12,280 --> 00:45:15,000
Speaker 1: might be business wise the right thing to do, but

829
00:45:15,160 --> 00:45:17,520
Speaker 1: you won't do it because it's gonna feel a way. Now,

830
00:45:17,600 --> 00:45:20,040
Speaker 1: look at the position you put yourself in. You're dealing

831
00:45:20,120 --> 00:45:22,080
Speaker 1: with people on the other side. In regards to the

832
00:45:22,160 --> 00:45:25,520
Speaker 1: corporate people in those buildings, they feelings ain't involved. They'll

833
00:45:25,560 --> 00:45:27,360
Speaker 1: reach out to the enemy to make sure that the

834
00:45:27,440 --> 00:45:33,319
Speaker 1: algorithm get touched. Understand I'm putting high level game down, bro.

835
00:45:34,719 --> 00:45:37,359
Speaker 1: And then so Gates announced this album, so I'm thinking

836
00:45:37,440 --> 00:45:41,120
Speaker 1: I ain't coming again. It's the trick on this one

837
00:45:41,200 --> 00:45:43,680
Speaker 1: to like try to tap the algorithm. Is he gonna

838
00:45:43,719 --> 00:45:46,600
Speaker 1: be I don't have the feature, So I'm gonna speak

839
00:45:46,600 --> 00:45:48,759
Speaker 1: about why we don't have the features, what's going on.

840
00:45:48,920 --> 00:45:51,400
Speaker 1: I'm gonna speak about these things to activate it in

841
00:45:51,560 --> 00:45:54,640
Speaker 1: that way, and with the super General, it made me

842
00:45:54,680 --> 00:45:56,719
Speaker 1: feel like, Okay, maybe that's what he gonna do. It's

843
00:45:56,719 --> 00:45:58,439
Speaker 1: gonna be kind of an album where he gets gonna

844
00:45:58,480 --> 00:46:01,120
Speaker 1: get some shelf and be like, Yo, this is what happened.

845
00:46:01,160 --> 00:46:04,160
Speaker 1: That's what happened in this how this guy there? You understand?

846
00:46:04,560 --> 00:46:09,520
Speaker 1: And and I thought he would be all right. And

847
00:46:09,640 --> 00:46:14,080
Speaker 1: then Thursday I see Drake dropping. I said, kiss mother.

848
00:46:15,520 --> 00:46:18,480
Speaker 1: Then what they're doing? Man? God damn you know Gates

849
00:46:18,560 --> 00:46:20,960
Speaker 1: here you is, and then you got Drake for a

850
00:46:21,000 --> 00:46:25,480
Speaker 1: smother everything whoever coming out that day they smothered right,

851
00:46:25,960 --> 00:46:28,200
Speaker 1: And I know Gates ain't gonna let this pride say

852
00:46:28,200 --> 00:46:30,759
Speaker 1: we ain't dropping the day that we dropping. I knew,

853
00:46:30,800 --> 00:46:33,239
Speaker 1: I know that it ain't gonna be no poor back,

854
00:46:33,280 --> 00:46:36,279
Speaker 1: but I instantly thought, damn, what was that about? Then

855
00:46:36,320 --> 00:46:38,480
Speaker 1: I got to think it, Hold up, dude, did the

856
00:46:38,520 --> 00:46:40,960
Speaker 1: industry know it was coming that day? Is that a

857
00:46:41,080 --> 00:46:45,240
Speaker 1: label trick? Like I started thinking, is that a labeled

858
00:46:45,280 --> 00:46:47,759
Speaker 1: trick to try to bury it again? To now you

859
00:46:47,880 --> 00:46:50,640
Speaker 1: got two flops? Then your negotiations, we want to give

860
00:46:50,680 --> 00:46:53,800
Speaker 1: you less and less market shell or what. But you

861
00:46:53,880 --> 00:46:56,200
Speaker 1: don't drop the same day as Drake. I want people

862
00:46:56,200 --> 00:46:59,200
Speaker 1: to understand this. You know what I'm saying. No disrespect

863
00:46:59,239 --> 00:47:01,960
Speaker 1: to Gates or whoever else in the game. You get

864
00:47:02,000 --> 00:47:04,560
Speaker 1: out of Drake way. Drake is the market They just

865
00:47:04,680 --> 00:47:07,680
Speaker 1: gave him all the money, gave him five hundred. He

866
00:47:08,080 --> 00:47:11,000
Speaker 1: is the algorithm. Get out the way, you know what

867
00:47:11,040 --> 00:47:13,680
Speaker 1: I'm saying. They go for all your rappers put together.

868
00:47:14,320 --> 00:47:16,360
Speaker 1: You got to get out the homeboy way. Because he

869
00:47:16,440 --> 00:47:18,880
Speaker 1: got big feet, big footprints in the sand. That's how

870
00:47:18,960 --> 00:47:21,520
Speaker 1: it is. And this ain't his opinion. This is based

871
00:47:21,560 --> 00:47:26,120
Speaker 1: on the ticket sale. Yeah, this based on the motherfucking

872
00:47:27,360 --> 00:47:31,520
Speaker 1: admission price. Nah, this ain't no, this ain't got nothing

873
00:47:31,560 --> 00:47:34,640
Speaker 1: to do with feelings. This is market share you're dealing with.

874
00:47:34,760 --> 00:47:37,480
Speaker 1: When when Drake dropped, when Beyonce dropped, when one of

875
00:47:37,520 --> 00:47:41,800
Speaker 1: the really it stops them, Kendrick got to do it again.

876
00:47:42,080 --> 00:47:43,800
Speaker 1: You got to have the five six hundred for me

877
00:47:43,880 --> 00:47:47,279
Speaker 1: to say that. Shout out to Cole here, big boy.

878
00:47:47,320 --> 00:47:50,440
Speaker 1: But you got to have that five six hundred for

879
00:47:50,560 --> 00:47:53,680
Speaker 1: it to do that. So Drake end up announcing his

880
00:47:53,880 --> 00:48:02,239
Speaker 1: seventh studio album honestly, never mind that dropped. Now unique situation.

881
00:48:03,880 --> 00:48:06,320
Speaker 1: He ended up putting his cover out, you know, and

882
00:48:06,440 --> 00:48:09,719
Speaker 1: it looked like just you know, a regular cover, you know,

883
00:48:10,120 --> 00:48:12,720
Speaker 1: him being the biggest artist in the world. It's funny.

884
00:48:12,840 --> 00:48:15,800
Speaker 1: His approach to artwork and stuff like that. It's just

885
00:48:15,920 --> 00:48:18,960
Speaker 1: a funny thing that he does. So he announces this.

886
00:48:19,160 --> 00:48:22,680
Speaker 1: Now there's a couple of tricks here. Fourteen songs who

887
00:48:22,719 --> 00:48:25,919
Speaker 1: are announced, the fourteen or seventeen songs who addounced. People

888
00:48:26,000 --> 00:48:32,080
Speaker 1: did not know that this was a dance album. So

889
00:48:32,400 --> 00:48:35,680
Speaker 1: again with him being the algorithm, he broke all dance

890
00:48:35,800 --> 00:48:39,000
Speaker 1: records within one hour. Again, I keep telling you dealing

891
00:48:39,040 --> 00:48:43,839
Speaker 1: with market Shall. Mister Marcus Shall, that's Drake new name.

892
00:48:43,920 --> 00:48:46,200
Speaker 1: I gave him that name on this up that podcast.

893
00:48:47,080 --> 00:48:52,280
Speaker 1: Mister Marcus Shall. You understand that's him. So he dropped,

894
00:48:52,360 --> 00:48:54,360
Speaker 1: He dropped in dance out and broke out the record

895
00:48:54,440 --> 00:48:57,279
Speaker 1: shout at everything, and the internet when crazy you start

896
00:48:57,360 --> 00:48:59,680
Speaker 1: to see memes about it and people saying, why did

897
00:48:59,719 --> 00:49:02,360
Speaker 1: he do that? That's guard business is elevated music. What

898
00:49:02,560 --> 00:49:05,920
Speaker 1: is he doing? See? They went there with trappyars. I

899
00:49:06,120 --> 00:49:09,560
Speaker 1: keep telling y'all, man, y'all got to elevate, evolved, y'all

900
00:49:09,680 --> 00:49:12,799
Speaker 1: got to be more motherfuck and elegant. Man, you dudes,

901
00:49:12,880 --> 00:49:15,480
Speaker 1: its loss and the s like y'all don't know it

902
00:49:15,680 --> 00:49:18,680
Speaker 1: is we're hustling, baby, they just what we just started

903
00:49:18,719 --> 00:49:22,640
Speaker 1: a new game. We got to put some Yeah, they

904
00:49:22,760 --> 00:49:26,080
Speaker 1: just gave him five hundred meters boy, and so it's

905
00:49:26,120 --> 00:49:29,080
Speaker 1: time to stress the algorithm a little more. Get over

906
00:49:29,160 --> 00:49:31,080
Speaker 1: here in dance, Get over here. I keep telling you.

907
00:49:31,120 --> 00:49:34,400
Speaker 1: I told y'all lad week, it's a day to move baby.

908
00:49:35,840 --> 00:49:38,319
Speaker 1: The people that when you're worth that much money, like Drake,

909
00:49:38,400 --> 00:49:40,640
Speaker 1: they don't tell you what to do. They bring your data. Hey,

910
00:49:40,840 --> 00:49:42,440
Speaker 1: if you do the dance, if you do this, this,

911
00:49:42,640 --> 00:49:45,120
Speaker 1: this and this and this, you'll make this. You said

912
00:49:45,160 --> 00:49:48,279
Speaker 1: you want to be the first billion that just his

913
00:49:48,440 --> 00:49:51,360
Speaker 1: the billion that is. It's based on like they know

914
00:49:51,480 --> 00:49:53,440
Speaker 1: how to play. So this is what you're dealing with.

915
00:49:54,160 --> 00:49:56,600
Speaker 1: You're dealing with them trying to help him understand his

916
00:49:56,840 --> 00:50:00,400
Speaker 1: pathway to his goal and based on the day they

917
00:50:00,520 --> 00:50:03,680
Speaker 1: got and trust me, they're getting helped along the way.

918
00:50:04,080 --> 00:50:07,040
Speaker 1: It tells them that, hey, do a dance album, do this,

919
00:50:07,239 --> 00:50:09,440
Speaker 1: do this, and do that. And so that's in my opinion,

920
00:50:09,520 --> 00:50:11,600
Speaker 1: there was a data move, but as the head not

921
00:50:11,719 --> 00:50:13,400
Speaker 1: to tell and I try to be the same thing

922
00:50:13,480 --> 00:50:17,200
Speaker 1: in podcast and by approach to it, you know my topics,

923
00:50:17,440 --> 00:50:20,200
Speaker 1: the conversation starters that you deal with. On my side,

924
00:50:20,239 --> 00:50:23,759
Speaker 1: I don't regurgitate information. I don't steal ideas. I'm not

925
00:50:23,880 --> 00:50:26,360
Speaker 1: one of them kind of creatives. Everything you deal with

926
00:50:26,480 --> 00:50:29,320
Speaker 1: on this side come from this side, right, So you

927
00:50:29,440 --> 00:50:32,000
Speaker 1: gotta be diligent in that and understanding that. So I

928
00:50:32,160 --> 00:50:34,839
Speaker 1: love to see when the head not to tell act

929
00:50:34,960 --> 00:50:38,200
Speaker 1: like the head not to tell. I remember Kanye saying it,

930
00:50:38,280 --> 00:50:39,800
Speaker 1: and this is what you have to do. You have

931
00:50:39,920 --> 00:50:42,719
Speaker 1: to add to the algorithm. You have to stretch out

932
00:50:42,760 --> 00:50:46,120
Speaker 1: the algorithm. I was telling Paula about Charlemagne, you know,

933
00:50:46,239 --> 00:50:48,440
Speaker 1: when he was telling me, man, I really didn't used

934
00:50:48,480 --> 00:50:51,000
Speaker 1: to like Charlemagne. I had to tell him, no, no, no, no.

935
00:50:51,360 --> 00:50:55,400
Speaker 1: Charlemagne stretched the algorithm out for us, like we are

936
00:50:55,560 --> 00:50:59,600
Speaker 1: version of Charlemagne. He's a black dude right in that

937
00:51:00,280 --> 00:51:02,800
Speaker 1: for that amount of time doing it that way, he

938
00:51:03,040 --> 00:51:07,200
Speaker 1: stressed the algorithm out. So again we gotta understand representation

939
00:51:07,320 --> 00:51:10,239
Speaker 1: in that way. So again that's my job. Break that down.

940
00:51:10,600 --> 00:51:13,799
Speaker 1: Now when you deal with Drake, add to the algorithm,

941
00:51:14,560 --> 00:51:18,640
Speaker 1: add to the algorithm, stretch it out. So yeah, yeah,

942
00:51:18,640 --> 00:51:20,680
Speaker 1: it's gonna look funny on the court when I first

943
00:51:20,719 --> 00:51:23,480
Speaker 1: take it through my legs, ain't Nobody never took it

944
00:51:23,520 --> 00:51:25,799
Speaker 1: through their legs before out here to took it they're

945
00:51:25,800 --> 00:51:27,600
Speaker 1: gonna say, what was that? Ain't they any supposed to

946
00:51:27,640 --> 00:51:30,080
Speaker 1: call that? That didn't look right because relph, they're gonna

947
00:51:30,239 --> 00:51:33,239
Speaker 1: check the rule. But that ain't that ain't in there,

948
00:51:34,000 --> 00:51:35,640
Speaker 1: Ain't nothing in there to say he can't do that.

949
00:51:36,320 --> 00:51:38,840
Speaker 1: Ain't nothing in that. Say so, now now what you

950
00:51:38,960 --> 00:51:42,360
Speaker 1: got ten fifteen years later you got Alan Iverson cross

951
00:51:42,440 --> 00:51:45,759
Speaker 1: it over from now he he fucking gets up with

952
00:51:45,880 --> 00:51:48,880
Speaker 1: that motherfucker because of what I added to the algorithm,

953
00:51:49,040 --> 00:51:51,640
Speaker 1: just with the little one. I didn't even think about

954
00:51:51,760 --> 00:51:55,200
Speaker 1: all that, but just add to the algorithm to evolve

955
00:51:55,360 --> 00:51:59,200
Speaker 1: this thing. It's gonna look funny when I first door. Yeah,

956
00:51:59,280 --> 00:52:01,279
Speaker 1: you might not get when I first come out with

957
00:52:01,400 --> 00:52:04,440
Speaker 1: the podcast that way. Yeah, when I put the law

958
00:52:04,520 --> 00:52:07,000
Speaker 1: in nord in there, you really didn't understand what that

959
00:52:07,160 --> 00:52:10,759
Speaker 1: was about. Until ten years later this in that were

960
00:52:10,840 --> 00:52:14,200
Speaker 1: taking place and it all made sense. That's what it

961
00:52:14,360 --> 00:52:18,879
Speaker 1: be about, bro forward thinking. I even saw people point

962
00:52:18,920 --> 00:52:22,319
Speaker 1: out the fact that CLB was nine months ago. They say,

963
00:52:22,360 --> 00:52:24,120
Speaker 1: this is a shot at Kendrick and I don't know

964
00:52:24,200 --> 00:52:26,320
Speaker 1: this to be the case, but I'll let you do

965
00:52:26,440 --> 00:52:30,719
Speaker 1: with it what you may. The Internet said that Drake

966
00:52:30,840 --> 00:52:36,279
Speaker 1: dropped Certified Love a boy with the pregnant women on

967
00:52:36,440 --> 00:52:41,279
Speaker 1: the cover. Nine months later, dropped this dance album on

968
00:52:41,520 --> 00:52:46,280
Speaker 1: Kendrick's birthday. You do with that what you mean? But again,

969
00:52:46,360 --> 00:52:49,759
Speaker 1: this is a data move by Drake. You know, if

970
00:52:49,840 --> 00:52:53,280
Speaker 1: this out saves Kendrick, Drake may have problems when Kendrick

971
00:52:53,320 --> 00:52:55,440
Speaker 1: come back out. He may really just go at him.

972
00:52:55,680 --> 00:52:58,600
Speaker 1: And I think Drake may want that. Drake may want

973
00:52:58,640 --> 00:53:02,160
Speaker 1: it on this second tier of his career to really

974
00:53:02,239 --> 00:53:04,600
Speaker 1: get into too. A wanted to put these put these

975
00:53:04,680 --> 00:53:07,720
Speaker 1: rumors to rest. Let's do this. Let's put these rumors

976
00:53:07,719 --> 00:53:10,400
Speaker 1: to rest. Bro, Because Drake dances in all these areas.

977
00:53:10,400 --> 00:53:13,280
Speaker 1: It's gonna be hard, you know, and I know Kendrick

978
00:53:13,320 --> 00:53:15,440
Speaker 1: does too, But boy, it's gonna be rough dealing with

979
00:53:15,560 --> 00:53:18,000
Speaker 1: Drake man on one of them, on one of them

980
00:53:18,080 --> 00:53:21,000
Speaker 1: trappy type. Man, it it gets rough. And he can

981
00:53:21,040 --> 00:53:23,759
Speaker 1: do that all that others too. Now can you come

982
00:53:23,840 --> 00:53:27,160
Speaker 1: down to the ghetto though, you know, man, that's it's

983
00:53:27,200 --> 00:53:28,839
Speaker 1: the hell of a thing. And I know Kendrick Ken

984
00:53:28,920 --> 00:53:32,320
Speaker 1: because he's he's one of us, so you know, well, no,

985
00:53:32,440 --> 00:53:35,440
Speaker 1: we'll see where they go. Name my opinion, if they

986
00:53:35,480 --> 00:53:38,319
Speaker 1: were gonna do this, Drake worth more than five hundred meal.

987
00:53:39,760 --> 00:53:42,520
Speaker 1: Let me be the first to said, you know, I'm

988
00:53:42,560 --> 00:53:44,719
Speaker 1: sure nobody else will make this kind of talking point.

989
00:53:44,800 --> 00:53:47,120
Speaker 1: This is another conversation starter brought to you by this

990
00:53:47,320 --> 00:53:50,160
Speaker 1: up their podcast. Drake is worth more than five hundred

991
00:53:50,200 --> 00:53:53,800
Speaker 1: million dollars from Universal. He was worth five hundred million

992
00:53:53,880 --> 00:53:57,600
Speaker 1: dollars sheerly from hip Hop. He spent the last decade

993
00:53:57,680 --> 00:54:00,760
Speaker 1: on bill Board. And this is without a whole complete

994
00:54:00,880 --> 00:54:04,120
Speaker 1: dance album and a whole complete this album and a

995
00:54:04,280 --> 00:54:08,000
Speaker 1: spin off this that's literally just rapped done that. He

996
00:54:08,200 --> 00:54:12,279
Speaker 1: was worth five hundred just in that box, just in

997
00:54:12,400 --> 00:54:14,840
Speaker 1: that wrapper box, he was worth five hundred half a

998
00:54:14,960 --> 00:54:20,320
Speaker 1: big I stand on that. He spent ten years on

999
00:54:20,520 --> 00:54:25,080
Speaker 1: bill Board, countless number one albums, countless number one's, countless

1000
00:54:25,440 --> 00:54:31,320
Speaker 1: chart introductions, countless careers birthed on the back of it.

1001
00:54:31,480 --> 00:54:35,000
Speaker 1: Was worth five hundred million without doing a dance album.

1002
00:54:37,480 --> 00:54:39,480
Speaker 1: I want to be clear on that, so I know

1003
00:54:39,680 --> 00:54:42,239
Speaker 1: that he's doing this because this further is not only them,

1004
00:54:42,280 --> 00:54:45,839
Speaker 1: but it furthers his ability to get where he's trying

1005
00:54:45,880 --> 00:54:48,160
Speaker 1: to go as well. All right, let's talk about this

1006
00:54:48,280 --> 00:54:51,920
Speaker 1: whack one hundred response to Jay Prince. Last week, I

1007
00:54:52,000 --> 00:54:54,800
Speaker 1: spoke about Jay Prince going over two million, I was

1008
00:54:54,880 --> 00:54:57,879
Speaker 1: worth a game with Gilly the Kid in Willow two

1009
00:54:58,040 --> 00:55:02,160
Speaker 1: six seven during an interview and addressing Whack one Hunter's

1010
00:55:02,239 --> 00:55:08,120
Speaker 1: involvement in Larry Hoover's situation, says that Whack one Hunter

1011
00:55:08,360 --> 00:55:11,040
Speaker 1: got involved with a woman named Karen Chapman, got some

1012
00:55:11,560 --> 00:55:15,520
Speaker 1: footage that the Hoover family entrusted her with um to

1013
00:55:15,840 --> 00:55:19,560
Speaker 1: to to help further whatever the Hoover family needed that

1014
00:55:19,680 --> 00:55:22,799
Speaker 1: footage for, and she ran off with the footage. Whack

1015
00:55:22,920 --> 00:55:25,840
Speaker 1: one hundred, uh said that that isn't the case. And

1016
00:55:25,960 --> 00:55:29,120
Speaker 1: now he has been responding to what some of j

1017
00:55:29,320 --> 00:55:31,680
Speaker 1: Prince has been saying. So he went over to the

1018
00:55:31,800 --> 00:55:35,200
Speaker 1: dub C and CJ Max show, uh, to tow West

1019
00:55:35,239 --> 00:55:37,640
Speaker 1: Coast Legends, you know out there on the West, and

1020
00:55:37,719 --> 00:55:39,800
Speaker 1: he spoke about it. Let's listen to some of it

1021
00:55:39,960 --> 00:55:43,200
Speaker 1: and then we'll come back with some game. Uh. So

1022
00:55:43,920 --> 00:55:53,319
Speaker 1: you know what he gets. Let's establish one thing, right,

1023
00:55:54,040 --> 00:55:56,640
Speaker 1: we got both sides at this table. Yeah, we've all

1024
00:55:56,840 --> 00:56:02,040
Speaker 1: known that's known of some monsters, prison streets, real monster

1025
00:56:02,239 --> 00:56:05,120
Speaker 1: dudes coming from the environment. We come from right, right,

1026
00:56:06,640 --> 00:56:11,520
Speaker 1: we come outside anyway, Respectfully, I'm not taking nothing from

1027
00:56:11,600 --> 00:56:18,880
Speaker 1: Houston or no other place. I'm from the West coast, Callie,

1028
00:56:19,520 --> 00:56:23,080
Speaker 1: I'm a real part rule. I've been trained in this.

1029
00:56:23,840 --> 00:56:27,480
Speaker 1: It's no way the stories of another man in another

1030
00:56:27,680 --> 00:56:31,360
Speaker 1: district's supposed to move me. When we didn't care about

1031
00:56:31,400 --> 00:56:34,320
Speaker 1: the stories of the real monsters we saw here, we

1032
00:56:34,480 --> 00:56:36,840
Speaker 1: still came outside and face it and dealt with it.

1033
00:56:37,200 --> 00:56:39,160
Speaker 1: Some of us lost, some of us just gone, some

1034
00:56:39,320 --> 00:56:41,560
Speaker 1: of us doing life, some of us just wanted so

1035
00:56:41,760 --> 00:56:44,520
Speaker 1: on so forth. So you know, whoever they perceived him

1036
00:56:44,560 --> 00:56:48,400
Speaker 1: to be cool, But that don't move me. Not get that.

1037
00:56:48,520 --> 00:56:54,600
Speaker 1: But why did it even go to that level? You

1038
00:56:54,760 --> 00:56:56,759
Speaker 1: heard you call that man out his name before he

1039
00:56:57,120 --> 00:57:00,160
Speaker 1: did these last interviews. No, let's go back to the

1040
00:57:00,239 --> 00:57:03,880
Speaker 1: first Instagram post. What was that when he put the

1041
00:57:04,000 --> 00:57:09,040
Speaker 1: post up right of me and the sister Karen that

1042
00:57:09,360 --> 00:57:12,560
Speaker 1: that's the rightful owner to the footage. He went in

1043
00:57:12,640 --> 00:57:18,840
Speaker 1: the queues and said, we forged Jay Larry, who was

1044
00:57:18,880 --> 00:57:22,000
Speaker 1: signature on the contract. You know how he got the contract,

1045
00:57:23,080 --> 00:57:28,840
Speaker 1: Whack send it to him right? Uh. He said that

1046
00:57:29,400 --> 00:57:34,320
Speaker 1: the footage was stolen and that Whack one hunted is

1047
00:57:34,400 --> 00:57:40,840
Speaker 1: trying to monetize off of Larry who was named Right now,

1048
00:57:41,120 --> 00:57:45,080
Speaker 1: I sent him the contract. They didn't know nothing about

1049
00:57:45,160 --> 00:57:47,600
Speaker 1: this footage. I went and took a meeting with her.

1050
00:57:47,760 --> 00:57:50,240
Speaker 1: Somebody said, whack, go meet with her. I want to

1051
00:57:50,280 --> 00:57:52,400
Speaker 1: put you with her. Make sure she's straight. She wants

1052
00:57:52,440 --> 00:57:55,440
Speaker 1: some finish you want to do with you. So she's

1053
00:57:55,520 --> 00:58:00,040
Speaker 1: doing prison reform, so she got stuff on everybody. It

1054
00:58:00,120 --> 00:58:02,400
Speaker 1: was even on their way to get stuff on two

1055
00:58:02,480 --> 00:58:06,080
Speaker 1: key before they executed the brother. Right, So she got

1056
00:58:06,120 --> 00:58:08,400
Speaker 1: a bunch of people, right. So I just happened to

1057
00:58:08,520 --> 00:58:11,200
Speaker 1: see Larry Hoover. I'm like, you got some more Larry.

1058
00:58:11,440 --> 00:58:14,720
Speaker 1: She pops the laptop or I'm tripping. I'm like, damn right,

1059
00:58:15,040 --> 00:58:18,160
Speaker 1: she got like five hours of footage. Crazy, Right, So

1060
00:58:18,320 --> 00:58:20,880
Speaker 1: I'm like, well, you know, I'm doing some business right

1061
00:58:20,920 --> 00:58:24,360
Speaker 1: now with Yay and Jay's on the Larry Hoover movement.

1062
00:58:24,880 --> 00:58:28,280
Speaker 1: Jay Prince ain't got nothing to do with my conversation, right,

1063
00:58:28,640 --> 00:58:31,360
Speaker 1: I'm like, you know, it may be a good thing

1064
00:58:31,840 --> 00:58:34,560
Speaker 1: to see what they're doing, what you're doing, and make

1065
00:58:34,600 --> 00:58:38,720
Speaker 1: it one big situation. Reason being, what it would do

1066
00:58:39,000 --> 00:58:42,280
Speaker 1: is your company that's doing prison reform and shed a

1067
00:58:42,320 --> 00:58:44,439
Speaker 1: bigger light on them because these other names I really

1068
00:58:44,520 --> 00:58:47,040
Speaker 1: don't know, but right now, some movement going on with

1069
00:58:47,160 --> 00:58:49,320
Speaker 1: this Larry Hoover name. Right Now, I didn't really know

1070
00:58:49,440 --> 00:58:51,920
Speaker 1: what exactly they had did. If they had like a

1071
00:58:52,200 --> 00:58:54,800
Speaker 1: movie script and play, I didn't know. I just know

1072
00:58:55,000 --> 00:58:59,960
Speaker 1: Yay had honorably took the hit when in set with Trump,

1073
00:59:00,240 --> 00:59:02,080
Speaker 1: and when he took a hit, put that hat on

1074
00:59:02,920 --> 00:59:06,280
Speaker 1: to get Trump to reinstate that that one Step Act

1075
00:59:06,400 --> 00:59:10,120
Speaker 1: law so he can file appeal. That's what that was about.

1076
00:59:10,800 --> 00:59:13,640
Speaker 1: Shout out to Yae. He did that right, That's why

1077
00:59:13,720 --> 00:59:18,200
Speaker 1: he did that. He got that reinstated because uh, mister

1078
00:59:18,280 --> 00:59:19,920
Speaker 1: who had been sitting there and just sitting there, he

1079
00:59:19,960 --> 00:59:23,480
Speaker 1: couldn't even file appeal. So when I tell ya Yay

1080
00:59:23,640 --> 00:59:25,560
Speaker 1: doing what he's doing, like all right, whack, I'm gonna

1081
00:59:25,600 --> 00:59:27,960
Speaker 1: have a prince hit you and then let's say we

1082
00:59:28,000 --> 00:59:30,320
Speaker 1: can figure it out. I had no problem. Now, Remember

1083
00:59:30,720 --> 00:59:34,040
Speaker 1: she came to me so I can walk her into

1084
00:59:34,160 --> 00:59:39,040
Speaker 1: other doors so she could just do her business. I said, right.

1085
00:59:39,560 --> 00:59:43,040
Speaker 1: So when I when I looked at the paperwork, I'm

1086
00:59:43,120 --> 00:59:45,880
Speaker 1: like for me to touch this Larry Hoop situation. I

1087
00:59:46,000 --> 00:59:48,480
Speaker 1: see the paperwork gives you all the rights exclusively. You

1088
00:59:48,520 --> 00:59:50,680
Speaker 1: don't gotta pay nobody, no money, nothing. I got it

1089
00:59:51,200 --> 00:59:54,400
Speaker 1: like I've never seen the contract so direct, so straightforward

1090
00:59:55,480 --> 00:59:58,960
Speaker 1: printing and signed Larry Hoover right back in nineteen ninety eight.

1091
00:59:59,400 --> 01:00:00,960
Speaker 1: I said, you know, I've been in costs ready to

1092
01:00:01,080 --> 01:00:03,320
Speaker 1: understand the Son of Sam act and all these type

1093
01:00:03,320 --> 01:00:07,360
Speaker 1: of things. Um, I feel like Larry, a family or

1094
01:00:07,360 --> 01:00:11,120
Speaker 1: whoever should get a cut regardless. And she said, definitely.

1095
01:00:11,200 --> 01:00:13,720
Speaker 1: I have nothing but love and respectful Larry. That definitely

1096
01:00:14,200 --> 01:00:16,480
Speaker 1: will happen. It can't happen. I said, so you wouldn't

1097
01:00:16,480 --> 01:00:19,920
Speaker 1: mind paper and that with whatever deal that happens with

1098
01:00:20,200 --> 01:00:23,000
Speaker 1: or without the family, right, She said, I have no

1099
01:00:23,080 --> 01:00:24,840
Speaker 1: problem with it. She said, I would love to speak

1100
01:00:24,880 --> 01:00:29,640
Speaker 1: to miss uh, miss Wendy right, Larry White. Right. I'm like,

1101
01:00:29,720 --> 01:00:31,520
Speaker 1: you know, or She's like, yeah, we got history, we

1102
01:00:31,640 --> 01:00:34,800
Speaker 1: did this, did that, this, this, that, all these things together, right,

1103
01:00:35,120 --> 01:00:38,720
Speaker 1: So okay, cool. So when I get at Jay Prince,

1104
01:00:39,840 --> 01:00:44,520
Speaker 1: I tell Jake, you know, um, respectfully, the world don't

1105
01:00:44,560 --> 01:00:49,480
Speaker 1: really know Larry Hoover. Chicago knows him, we know about him,

1106
01:00:49,520 --> 01:00:51,120
Speaker 1: but the world don't know about him. And if you

1107
01:00:51,760 --> 01:00:56,720
Speaker 1: this piece right here is him really talking about in

1108
01:00:56,920 --> 01:00:59,320
Speaker 1: nineteen ninety eight, what was going to happen in the

1109
01:00:59,400 --> 01:01:04,720
Speaker 1: years to come, and I gotta say, bro, watching him speak,

1110
01:01:05,320 --> 01:01:08,880
Speaker 1: I put him up there with milcol Mex and Martin

1111
01:01:08,960 --> 01:01:12,560
Speaker 1: Luther King talking about how he's what he was speaking

1112
01:01:12,600 --> 01:01:16,320
Speaker 1: on and his knowledge because I'm watching nineteen ninety eight talking.

1113
01:01:16,360 --> 01:01:18,360
Speaker 1: We're sitting in twenty twenty one at the time, and

1114
01:01:18,440 --> 01:01:21,440
Speaker 1: the things he said was gonna happen has happened, right,

1115
01:01:21,760 --> 01:01:27,000
Speaker 1: So my idea was, y'all get with her. She make you,

1116
01:01:27,080 --> 01:01:30,640
Speaker 1: guys part of this documentary. You guys have the life

1117
01:01:30,760 --> 01:01:36,480
Speaker 1: rights this documentary. You put it out right right, People say, oh, oh,

1118
01:01:36,680 --> 01:01:39,320
Speaker 1: that's Larry Hoover. Oh we know his story at the

1119
01:01:39,440 --> 01:01:42,480
Speaker 1: end of this documentary. How your your movie trailer there

1120
01:01:42,760 --> 01:01:45,720
Speaker 1: coming soon? So now when the movies come in, this

1121
01:01:45,920 --> 01:01:49,280
Speaker 1: documentary has kind of woke the masses up. Who really

1122
01:01:49,360 --> 01:01:52,920
Speaker 1: didn't know about mister Hoover, right, saying, oh, that's that

1123
01:01:53,040 --> 01:01:56,800
Speaker 1: guy from me because this is Larry speaking itself, nobody else, right,

1124
01:01:57,320 --> 01:02:00,240
Speaker 1: That was my thoughts. So when I you know, I

1125
01:02:00,360 --> 01:02:02,280
Speaker 1: even texted him if you look at the text matches

1126
01:02:02,320 --> 01:02:04,680
Speaker 1: and told him, heads up, this is where her head

1127
01:02:04,800 --> 01:02:09,080
Speaker 1: is at. Dude, get on the phone and tell her, YO,

1128
01:02:09,200 --> 01:02:11,840
Speaker 1: check this out. I'm gonna bring you twenty thousand. You're

1129
01:02:11,840 --> 01:02:13,840
Speaker 1: gonna come off that footage, and that's what it's gonna be.

1130
01:02:15,080 --> 01:02:18,120
Speaker 1: I couldn't believe it. They're on my phone on the

1131
01:02:18,160 --> 01:02:20,480
Speaker 1: speaker phone. I'm laid back there and they just go

1132
01:02:20,680 --> 01:02:24,000
Speaker 1: out for conversation. And I seen the look on her

1133
01:02:24,040 --> 01:02:25,800
Speaker 1: eye and I'll take it. This is not no street woman.

1134
01:02:26,480 --> 01:02:29,600
Speaker 1: Eighty is a butterfly. Like she don't raise her voice

1135
01:02:29,680 --> 01:02:33,040
Speaker 1: like you know, probably sixty sixty three maybe somewhere around there.

1136
01:02:33,840 --> 01:02:35,840
Speaker 1: She ain't. That ain't what it is. When I see

1137
01:02:35,880 --> 01:02:39,240
Speaker 1: her hands started trembling like stuff like that. You know,

1138
01:02:39,440 --> 01:02:43,360
Speaker 1: I'm like, She's like, well, mister Prince, I'm not a

1139
01:02:43,480 --> 01:02:47,280
Speaker 1: camera woman like I'm a company and you know, respectfully,

1140
01:02:47,400 --> 01:02:49,320
Speaker 1: I want to do something with the family as I

1141
01:02:49,480 --> 01:02:53,360
Speaker 1: have before the American Gangster footage when we saw Larry Hoover.

1142
01:02:54,080 --> 01:02:58,040
Speaker 1: She did that. And I've seen the contracts the family.

1143
01:02:58,160 --> 01:03:00,920
Speaker 1: She included the family even though she didn't she did.

1144
01:03:01,040 --> 01:03:05,520
Speaker 1: They got paid right, And he said it again, He's like, well,

1145
01:03:05,560 --> 01:03:07,240
Speaker 1: you know, this is just what it's gonna be. This

1146
01:03:07,400 --> 01:03:10,000
Speaker 1: how it's gonna be, you know, take it or leave it.

1147
01:03:10,920 --> 01:03:13,840
Speaker 1: So let me ask you. So looking at the thing,

1148
01:03:13,920 --> 01:03:17,479
Speaker 1: I just saw on another podcast where Miss Wendy Whover

1149
01:03:17,520 --> 01:03:22,640
Speaker 1: spoke and she she has different stories that he was

1150
01:03:22,640 --> 01:03:26,200
Speaker 1: sting there to get some footage recording him so that

1151
01:03:26,280 --> 01:03:27,960
Speaker 1: a book could be read. It should only be audio,

1152
01:03:28,120 --> 01:03:30,520
Speaker 1: right yeah, and that a book should be written, and

1153
01:03:31,040 --> 01:03:33,000
Speaker 1: it was for the purposes of a book to be written.

1154
01:03:33,280 --> 01:03:35,640
Speaker 1: So what I'm saying is, even in this conversation right here,

1155
01:03:35,640 --> 01:03:39,320
Speaker 1: seems like no one got the families together and got

1156
01:03:39,360 --> 01:03:42,760
Speaker 1: the parties involved and just said, well, this is what

1157
01:03:42,920 --> 01:03:45,440
Speaker 1: this is, this can this be worked out? Well? We

1158
01:03:45,640 --> 01:03:48,960
Speaker 1: requested I requested a hundred times. Yo, Jay Prince, you

1159
01:03:49,080 --> 01:03:51,560
Speaker 1: get out the way, put Miss Wendy on your phone.

1160
01:03:52,360 --> 01:03:56,760
Speaker 1: I put Miss Karen on my phone and let them

1161
01:03:57,040 --> 01:04:00,320
Speaker 1: hash it out, right, Jay, Prince, thang is na going

1162
01:04:00,360 --> 01:04:02,040
Speaker 1: through me and need to be signed over to me.

1163
01:04:02,120 --> 01:04:03,360
Speaker 1: And I'm gonna do with it what I want to

1164
01:04:03,440 --> 01:04:05,880
Speaker 1: do it. But you know, I ain't want of them

1165
01:04:06,000 --> 01:04:10,880
Speaker 1: dudes to argue with people, you know, because I got

1166
01:04:10,920 --> 01:04:19,080
Speaker 1: the contract right here here, mate, I hereby authorized Karen Chapman,

1167
01:04:19,200 --> 01:04:24,400
Speaker 1: production producer, to record my name, lightness, image, voice and

1168
01:04:24,560 --> 01:04:29,600
Speaker 1: performance on film, tape, sound recordings, or otherwise for use

1169
01:04:29,720 --> 01:04:34,600
Speaker 1: in broadcasts, or cable television, home video, book, and any

1170
01:04:34,680 --> 01:04:38,360
Speaker 1: other media. I agree that any interview material may be

1171
01:04:38,600 --> 01:04:42,560
Speaker 1: edited and otherwise altered at the sole direction of the

1172
01:04:42,680 --> 01:04:46,360
Speaker 1: producer and using hoole or in part for any and

1173
01:04:46,480 --> 01:04:51,520
Speaker 1: all broadcasting, audio, visual, and or exhibit purposes in any

1174
01:04:51,640 --> 01:04:56,360
Speaker 1: manner or media and protoliar throughout the world. I understand

1175
01:04:56,400 --> 01:04:59,480
Speaker 1: how it happened. I have no rights to any media

1176
01:04:59,560 --> 01:05:03,520
Speaker 1: production and the benefits derived. Therefore, Now what I'm gonna do,

1177
01:05:03,880 --> 01:05:06,240
Speaker 1: because I love y'all like brothers, I'm gonna put down

1178
01:05:06,240 --> 01:05:09,160
Speaker 1: in front of you. You can see what was printed

1179
01:05:09,240 --> 01:05:15,200
Speaker 1: up top and what was signed below. I'm not gonna

1180
01:05:15,320 --> 01:05:19,040
Speaker 1: argue with nobody, bro, but you're not gonna debot what

1181
01:05:19,280 --> 01:05:22,040
Speaker 1: kind of man the streets I come from, the gamest

1182
01:05:22,040 --> 01:05:27,880
Speaker 1: I come from. We don't debot old women, older ladies, Bro,

1183
01:05:28,400 --> 01:05:30,760
Speaker 1: when they dared the right. At the end of the day,

1184
01:05:30,840 --> 01:05:34,520
Speaker 1: I don't what I'm talking about. The documentation gonna beat

1185
01:05:34,520 --> 01:05:38,920
Speaker 1: the conversation. So all the antics you come in with, right,

1186
01:05:39,000 --> 01:05:40,680
Speaker 1: it don't mean. Now. Now I'm gonna tell you when

1187
01:05:40,720 --> 01:05:48,640
Speaker 1: I realize that Jay Prince wasn't as smart as people

1188
01:05:49,120 --> 01:05:53,400
Speaker 1: though he was. Now that contract is simply to the

1189
01:05:53,560 --> 01:05:58,360
Speaker 1: footage she has. That's it, right, So when I get

1190
01:05:58,480 --> 01:06:04,960
Speaker 1: this text from Jay Prince, right, hey, homie, I just

1191
01:06:05,080 --> 01:06:08,800
Speaker 1: spoke with miss Hoover and she has a contract where

1192
01:06:08,840 --> 01:06:12,320
Speaker 1: the old man signed his rights to her before the

1193
01:06:12,440 --> 01:06:15,640
Speaker 1: contract you have. So let's figure out the fee for

1194
01:06:15,760 --> 01:06:20,560
Speaker 1: the footage. Now, I see this, right, heads is some idiots.

1195
01:06:21,400 --> 01:06:24,800
Speaker 1: First of all, yes, she has her husband's life rights.

1196
01:06:25,440 --> 01:06:28,720
Speaker 1: The contract I sent you was a contract to this

1197
01:06:29,080 --> 01:06:33,320
Speaker 1: documentary style footage of Larry Hoover speaking. But even so,

1198
01:06:34,040 --> 01:06:37,640
Speaker 1: if you're saying that's non emvoyed, then why you want

1199
01:06:37,680 --> 01:06:45,200
Speaker 1: to figure out the fee? Yeah? Again, I've always told

1200
01:06:45,240 --> 01:06:50,120
Speaker 1: you guys that if you are gonna go into the

1201
01:06:50,240 --> 01:06:53,400
Speaker 1: battlefield with wack one hunting in regards to content world,

1202
01:06:53,880 --> 01:06:56,400
Speaker 1: you're gonna have to be prepared because he sits on

1203
01:06:56,520 --> 01:06:59,080
Speaker 1: Clubhouse and get his arguments together. You see, he ain't

1204
01:06:59,720 --> 01:07:02,920
Speaker 1: You see, he ain't stuttering. He knows what because he's

1205
01:07:03,200 --> 01:07:06,640
Speaker 1: he's reiterated this a million times on Clubhouse. So what

1206
01:07:06,720 --> 01:07:08,480
Speaker 1: will happen is when it's time to really go do

1207
01:07:08,560 --> 01:07:11,400
Speaker 1: an interview is almost like watching film tape and then

1208
01:07:11,440 --> 01:07:13,200
Speaker 1: you get to come out and say everything that you

1209
01:07:13,320 --> 01:07:15,320
Speaker 1: know to be the case. You know what I'm saying,

1210
01:07:15,360 --> 01:07:18,840
Speaker 1: Shit is hard to argue and because you've crafty, because

1211
01:07:18,880 --> 01:07:20,760
Speaker 1: you you you've been talking about it for the last

1212
01:07:20,840 --> 01:07:29,760
Speaker 1: two weeks every single day, but clearly that's a miscommunication.

1213
01:07:30,200 --> 01:07:32,280
Speaker 1: I would love to see these dudes work this out.

1214
01:07:40,640 --> 01:07:42,880
Speaker 1: I was speaking to Larry Hoover Junior the other day,

1215
01:07:43,000 --> 01:07:44,600
Speaker 1: Like I said, I would love to see these dude

1216
01:07:44,880 --> 01:07:47,800
Speaker 1: dudes work this stuff out, man, and be able to

1217
01:07:47,840 --> 01:07:49,640
Speaker 1: figure out a way if it's helped for the Larry

1218
01:07:49,720 --> 01:07:52,960
Speaker 1: Hoover to get that in the possession or just to

1219
01:07:53,040 --> 01:07:55,080
Speaker 1: get it in a situation where it does do what

1220
01:07:55,240 --> 01:07:57,720
Speaker 1: it what it needs to do. Um but whack and

1221
01:07:57,840 --> 01:08:00,640
Speaker 1: Jay Prince is going back and forth with this now.

1222
01:08:02,600 --> 01:08:05,200
Speaker 1: They asked one hundred a lot of questions about people

1223
01:08:05,240 --> 01:08:07,400
Speaker 1: who he was beefing with, and a lot of people

1224
01:08:07,560 --> 01:08:09,560
Speaker 1: names that he may have said. There was one in

1225
01:08:09,640 --> 01:08:11,880
Speaker 1: particular that steward out. Let's listen to what he said

1226
01:08:11,880 --> 01:08:15,760
Speaker 1: about this particular interaction. Because you're stacking up numbers right now, brother,

1227
01:08:15,840 --> 01:08:18,760
Speaker 1: well you seem to be. This is the thing. When

1228
01:08:18,800 --> 01:08:26,240
Speaker 1: I look at the whole layout, it's probably only one

1229
01:08:26,479 --> 01:08:31,200
Speaker 1: person out of everything you've been seeing going on that

1230
01:08:33,520 --> 01:08:37,519
Speaker 1: I wish it could have been different, right, right, It's

1231
01:08:37,520 --> 01:08:40,920
Speaker 1: all good, right, it's a good yeah. And that's big

1232
01:08:41,000 --> 01:08:47,880
Speaker 1: you huh. Because I love his family, you know what

1233
01:08:47,960 --> 01:08:50,720
Speaker 1: I'm saying. No matter what me and him going through,

1234
01:08:51,720 --> 01:08:55,439
Speaker 1: I love his family, you know what I'm saying. So

1235
01:08:56,960 --> 01:09:02,120
Speaker 1: you know that's a that's a chunk, right that because

1236
01:09:03,120 --> 01:09:05,880
Speaker 1: I love his family, loving his family. I missed his family,

1237
01:09:05,880 --> 01:09:07,160
Speaker 1: you know what I mean. Like, you know, he would

1238
01:09:07,200 --> 01:09:09,960
Speaker 1: send my wife text Happy Mother's Day and so on

1239
01:09:10,040 --> 01:09:11,840
Speaker 1: and so forth. Now it's kind of like I'd be

1240
01:09:11,920 --> 01:09:13,840
Speaker 1: wanting to do it, but then I know that's his

1241
01:09:13,960 --> 01:09:15,840
Speaker 1: wife and we ain't seeing out of eyes, So then

1242
01:09:15,880 --> 01:09:17,200
Speaker 1: I know not to do it, you know what I mean?

1243
01:09:17,280 --> 01:09:19,720
Speaker 1: Stuff like that. But you know what you do? You do?

1244
01:09:19,840 --> 01:09:23,080
Speaker 1: You still love him? Yeah? Can't nobody say nothing to

1245
01:09:23,160 --> 01:09:25,200
Speaker 1: do none of him or none of that. I'm tripping.

1246
01:09:25,320 --> 01:09:27,639
Speaker 1: But let me tell you something, man, I'm really really real.

1247
01:09:27,720 --> 01:09:32,840
Speaker 1: But I'm tell you something. Whatever I'm doing not just

1248
01:09:32,920 --> 01:09:35,320
Speaker 1: because that's my homeboy, bro, and I know you know

1249
01:09:35,439 --> 01:09:37,439
Speaker 1: how I feel about him. I can't with him. That's

1250
01:09:37,479 --> 01:09:40,240
Speaker 1: my you know, that's my dogt bro. But I appreciate

1251
01:09:40,320 --> 01:09:42,920
Speaker 1: you saying that as a man, Bro, that's you. You

1252
01:09:43,040 --> 01:09:45,720
Speaker 1: have to be a man to turn off all the

1253
01:09:45,800 --> 01:09:48,760
Speaker 1: stuff been going on with y'all. Don't say that, but

1254
01:09:48,840 --> 01:09:50,680
Speaker 1: I'm just saying, bro, to say that. You know what

1255
01:09:50,680 --> 01:09:55,720
Speaker 1: I mean. I appreciate that truth you understanding, because when

1256
01:09:55,760 --> 01:09:57,439
Speaker 1: I look at it, I see how y'all get down

1257
01:09:57,479 --> 01:10:00,160
Speaker 1: and make moves and all that. Bro. So whatever is,

1258
01:10:00,200 --> 01:10:04,000
Speaker 1: I don't get into tell you what you didn't see

1259
01:10:04,600 --> 01:10:08,320
Speaker 1: me and my wife arguing. I come from putting here

1260
01:10:08,479 --> 01:10:13,759
Speaker 1: somewhere proclaimer right there, right there. I drive through the valley,

1261
01:10:14,840 --> 01:10:19,719
Speaker 1: pass up a few bloodhoods, get off on slossing, find

1262
01:10:19,760 --> 01:10:21,600
Speaker 1: my way to his front door two o'clock in the

1263
01:10:21,680 --> 01:10:24,240
Speaker 1: morning and going in and go to sleep. And he

1264
01:10:24,360 --> 01:10:26,920
Speaker 1: lived in the hardest sixties. There we go. You know

1265
01:10:26,920 --> 01:10:29,760
Speaker 1: what I'm saying, Whether he was there or not, Yeah right, yeah,

1266
01:10:29,800 --> 01:10:33,320
Speaker 1: So you know you got understand with certain things, um uh,

1267
01:10:33,760 --> 01:10:39,040
Speaker 1: certain things are or like that, like you just gotta

1268
01:10:39,120 --> 01:10:40,840
Speaker 1: keep it real with yourself. For me to sit here

1269
01:10:40,880 --> 01:10:44,040
Speaker 1: and say, I'd never see that man as my enemy, right,

1270
01:10:44,960 --> 01:10:48,479
Speaker 1: if anybody could get to me, it is him, because

1271
01:10:49,760 --> 01:10:53,280
Speaker 1: because because I'm not, I can't mentally see him as

1272
01:10:53,360 --> 01:10:55,559
Speaker 1: my enemy, right, I don't think really in his heart,

1273
01:10:56,080 --> 01:10:58,360
Speaker 1: he an't letting nothing happen to me. It's too deep.

1274
01:10:58,520 --> 01:11:02,479
Speaker 1: That's like I couldn't face his wife or his children.

1275
01:11:02,840 --> 01:11:06,560
Speaker 1: Yeah right, knowing I played a part in anything that

1276
01:11:06,720 --> 01:11:11,400
Speaker 1: had anything that's just not happening. Yeah, to listen, you know,

1277
01:11:14,000 --> 01:11:18,000
Speaker 1: I'm seeing you him speak about big You man, and

1278
01:11:18,200 --> 01:11:20,920
Speaker 1: and and and they said that. You know, for me, man,

1279
01:11:21,000 --> 01:11:23,280
Speaker 1: I was always when when it happened, you heard me

1280
01:11:23,320 --> 01:11:25,840
Speaker 1: speak about it, I said, you know him and big You,

1281
01:11:26,960 --> 01:11:29,280
Speaker 1: not even for for whack one hundred and big You,

1282
01:11:29,439 --> 01:11:33,280
Speaker 1: but even for the the youngsters that was following them,

1283
01:11:34,640 --> 01:11:37,920
Speaker 1: even they saw that on the whole other coast. I'm

1284
01:11:38,040 --> 01:11:41,519
Speaker 1: pretty surious too. It's too big homie, or to a

1285
01:11:41,640 --> 01:11:44,760
Speaker 1: blood and a crip in you know, one of these

1286
01:11:44,840 --> 01:11:48,120
Speaker 1: country towns that know who whacking Big You is, and

1287
01:11:48,240 --> 01:11:50,960
Speaker 1: they may kind of had influenced them to be able

1288
01:11:50,960 --> 01:11:54,400
Speaker 1: to do some business or do a part or something together,

1289
01:11:54,560 --> 01:11:56,479
Speaker 1: you know what I'm saying, break some kind of breed.

1290
01:11:56,600 --> 01:12:00,160
Speaker 1: So I always looked at the progress for us, it's

1291
01:12:00,200 --> 01:12:04,960
Speaker 1: black people with those two two rags being able to

1292
01:12:05,040 --> 01:12:09,160
Speaker 1: tie together and being that important and that big and

1293
01:12:09,840 --> 01:12:14,920
Speaker 1: because rarely can you find two people who standing in

1294
01:12:15,040 --> 01:12:18,759
Speaker 1: a space together, and both of them carry a certain

1295
01:12:19,200 --> 01:12:22,280
Speaker 1: kind of personna, you see what I'm saying. And those

1296
01:12:22,360 --> 01:12:25,840
Speaker 1: two guys both headed at the same time, simultaneously, right

1297
01:12:25,920 --> 01:12:29,920
Speaker 1: beside each other, and they both represented what we knew

1298
01:12:30,000 --> 01:12:33,960
Speaker 1: to be, you know, verifiable on the West coast. And

1299
01:12:34,080 --> 01:12:36,639
Speaker 1: so that progress with them too being able to do that. Man,

1300
01:12:36,680 --> 01:12:40,800
Speaker 1: I always start rain u s sent shock waves through

1301
01:12:40,840 --> 01:12:42,920
Speaker 1: the ghettos, you know what I'm saying. And so when

1302
01:12:42,960 --> 01:12:45,000
Speaker 1: it was severed at the hands of a guy that

1303
01:12:45,160 --> 01:12:47,479
Speaker 1: was from the East coast that don't even come outside

1304
01:12:47,560 --> 01:12:50,360
Speaker 1: for area, I said, Yo, whack winning the trick bag.

1305
01:12:50,439 --> 01:12:53,120
Speaker 1: That was a mistake, but I think he didn't do

1306
01:12:53,200 --> 01:12:56,320
Speaker 1: his background on Hassan. Hassan is one of them guys

1307
01:12:56,400 --> 01:12:58,840
Speaker 1: that just you know, he ain't he gonna chill in

1308
01:12:58,920 --> 01:13:00,680
Speaker 1: the house. He gonna do it. Was to you too,

1309
01:13:01,000 --> 01:13:03,320
Speaker 1: I mean, he'll come out around now me. I'm all right,

1310
01:13:03,360 --> 01:13:05,720
Speaker 1: I'm all around the world with this. You know what

1311
01:13:05,760 --> 01:13:08,240
Speaker 1: I'm saying. We all around the world with this. You

1312
01:13:08,320 --> 01:13:10,400
Speaker 1: know what I'm saying, putting game down because we're the

1313
01:13:10,479 --> 01:13:13,360
Speaker 1: truth and we ain't hiding from no battle, done nothing

1314
01:13:13,400 --> 01:13:15,800
Speaker 1: like we you know, God said it will be so,

1315
01:13:16,040 --> 01:13:19,639
Speaker 1: and so we're gonna chase it. But I think because

1316
01:13:19,720 --> 01:13:22,960
Speaker 1: he didn't do his due diligence with Hassan Campbell, it

1317
01:13:23,080 --> 01:13:25,479
Speaker 1: led to a lot of these things. Even just think

1318
01:13:25,520 --> 01:13:28,560
Speaker 1: about that, both these relationships are on the heels on

1319
01:13:28,800 --> 01:13:33,519
Speaker 1: the ropes because of that conversation with Hassan to gill

1320
01:13:33,600 --> 01:13:37,160
Speaker 1: In Wallow and the Big You. And so after this,

1321
01:13:37,760 --> 01:13:40,200
Speaker 1: after he said that about Big You, Big You came

1322
01:13:40,280 --> 01:13:44,800
Speaker 1: out and said something, Yeah, I don't really address a

1323
01:13:44,840 --> 01:13:47,200
Speaker 1: lot of bullish sharing the internet, and I'm gonna tell

1324
01:13:47,280 --> 01:13:49,120
Speaker 1: y'all this. I'm gonna address this, and I'm gonna dress

1325
01:13:49,160 --> 01:13:52,719
Speaker 1: this fast and quick. I heard about the little CJ

1326
01:13:52,920 --> 01:13:55,960
Speaker 1: MC and DUBC interview with that guy. I don't have

1327
01:13:56,240 --> 01:13:58,519
Speaker 1: no part of you from no to disrespect my name,

1328
01:13:59,080 --> 01:14:02,519
Speaker 1: to dispect my family and called me on my name.

1329
01:14:03,840 --> 01:14:05,760
Speaker 1: I ain't cool with nothing. I ain't cool with that

1330
01:14:05,920 --> 01:14:09,960
Speaker 1: CJ Max, I ain't cool the Dove. I ain't cool

1331
01:14:10,000 --> 01:14:12,360
Speaker 1: with none of that money. And that's all I got

1332
01:14:12,439 --> 01:14:16,719
Speaker 1: to say on that. Ain't know I'm not with money.

1333
01:14:17,360 --> 01:14:20,080
Speaker 1: Come fee me in my face, and that's all I'm

1334
01:14:20,120 --> 01:14:23,639
Speaker 1: saying to that right there. I ain't going nothing else here.

1335
01:14:23,880 --> 01:14:26,400
Speaker 1: I'm gonna post this. I'm gonna leave it up, y'all.

1336
01:14:26,560 --> 01:14:29,560
Speaker 1: Get it off Instagram, YouTube out of you want to.

1337
01:14:29,760 --> 01:14:32,760
Speaker 1: But I ain't cool dispecting my name. But I'm gonna

1338
01:14:32,840 --> 01:14:35,880
Speaker 1: keep servicing these kids. Thought like I'm supposed to now

1339
01:14:36,000 --> 01:14:43,639
Speaker 1: cap on that, Now cap on that. So you see

1340
01:14:43,680 --> 01:14:46,120
Speaker 1: Big you respond now just to kind of give you

1341
01:14:46,200 --> 01:14:48,120
Speaker 1: guys the insight of what's to happen, because again, I

1342
01:14:48,240 --> 01:14:51,120
Speaker 1: think my show some people are in discovery mode, so

1343
01:14:51,200 --> 01:14:53,240
Speaker 1: you may be seeing this at a time when this

1344
01:14:53,400 --> 01:14:56,920
Speaker 1: isn't a fresh topic. Um. There was a situation where

1345
01:14:57,280 --> 01:15:00,479
Speaker 1: Whack one hundred went on a show with DJ Academics

1346
01:15:00,520 --> 01:15:04,000
Speaker 1: Takashi six nine and a dude named Hassan Campbell. Um,

1347
01:15:04,080 --> 01:15:06,880
Speaker 1: Whack one hundred and Hassan Campbell had a private conversation

1348
01:15:06,960 --> 01:15:09,800
Speaker 1: with Whack one. Hunter was saying some things to him. Um.

1349
01:15:09,840 --> 01:15:13,200
Speaker 1: A lot of those things were by Whack a mission

1350
01:15:13,560 --> 01:15:18,320
Speaker 1: misinterpreted once heard in the public. One of those things, though,

1351
01:15:18,360 --> 01:15:21,760
Speaker 1: that he has not said was misinterpreted, was that Big

1352
01:15:21,880 --> 01:15:24,920
Speaker 1: you had something to do with some business deal that

1353
01:15:25,120 --> 01:15:27,400
Speaker 1: cut him out or tried to turn his water off,

1354
01:15:27,479 --> 01:15:29,840
Speaker 1: and he didn't allow that, and he was a snake

1355
01:15:29,920 --> 01:15:32,000
Speaker 1: and so that's what Big You were speaking about. When

1356
01:15:32,040 --> 01:15:33,680
Speaker 1: he's saying, Yo, you called me out my name. We

1357
01:15:33,760 --> 01:15:38,640
Speaker 1: got to handle that a different way. Um, so this

1358
01:15:38,880 --> 01:15:41,000
Speaker 1: is Big You respond and saying he don't accept any

1359
01:15:41,040 --> 01:15:44,800
Speaker 1: apology for no disrespecting on his name or none of that.

1360
01:15:45,200 --> 01:15:50,240
Speaker 1: Whack one hundred then comes out and says this, yo,

1361
01:15:50,320 --> 01:15:54,479
Speaker 1: I wake up to all this Big. Let's get one

1362
01:15:54,640 --> 01:16:00,559
Speaker 1: thing straight. I apologize the one man and one man

1363
01:16:00,680 --> 01:16:04,920
Speaker 1: only you, And I was at the end of the podcast.

1364
01:16:06,080 --> 01:16:10,800
Speaker 1: Whoever told you I apologizing you? They got you looking

1365
01:16:10,920 --> 01:16:14,880
Speaker 1: real crazy because I know you ain't seen it. Because

1366
01:16:14,920 --> 01:16:16,760
Speaker 1: I know you got a better brain than that. You

1367
01:16:16,800 --> 01:16:19,760
Speaker 1: should go tell him Nick stop calling you what to

1368
01:16:20,600 --> 01:16:25,920
Speaker 1: fault this cloud chasing at his best money way out.

1369
01:16:25,960 --> 01:16:28,679
Speaker 1: I said what I said, and I meant what I said,

1370
01:16:29,240 --> 01:16:32,760
Speaker 1: but I issued no apology. I would never apologize to

1371
01:16:32,880 --> 01:16:38,679
Speaker 1: an individual that snaked me. First E one build, Yeah,

1372
01:16:39,720 --> 01:16:46,280
Speaker 1: I know what I'm talking about. Chilling, incredible dipers coming

1373
01:16:46,360 --> 01:16:50,519
Speaker 1: to a store and then you a winning So there

1374
01:16:50,560 --> 01:16:53,400
Speaker 1: you have it. Wag says he did not apologize. Now

1375
01:16:53,479 --> 01:16:56,080
Speaker 1: let me kind of give some context to you guys

1376
01:16:56,120 --> 01:16:58,439
Speaker 1: and explain why people are kind of viewing this as

1377
01:16:58,439 --> 01:17:01,440
Speaker 1: an apology, even though he's saying it's not an apology.

1378
01:17:01,720 --> 01:17:04,400
Speaker 1: It's because Whack is always foot on the gas. It's

1379
01:17:04,439 --> 01:17:07,680
Speaker 1: always kids up. He'll leave it where it said. And

1380
01:17:07,880 --> 01:17:09,720
Speaker 1: you know when he dealing with Big You, which I

1381
01:17:10,200 --> 01:17:13,519
Speaker 1: think he should have some reserve dealing with Big You. Um,

1382
01:17:13,680 --> 01:17:16,360
Speaker 1: that's this guy. And plus Big You as a heavyweight

1383
01:17:16,479 --> 01:17:20,840
Speaker 1: champion of the world seeing it when when two heavyweights fight, boy,

1384
01:17:20,880 --> 01:17:24,519
Speaker 1: it's some furnitures, it's a it's some injurious No, it's

1385
01:17:24,560 --> 01:17:27,160
Speaker 1: them light heavy weights doing all that. I mean, it's them,

1386
01:17:27,200 --> 01:17:30,080
Speaker 1: it's them lightweightts it. I said, they hitting each other

1387
01:17:30,160 --> 01:17:31,759
Speaker 1: all in the face and can go to the club

1388
01:17:31,760 --> 01:17:35,040
Speaker 1: about the two heavyweights get into it. The world might

1389
01:17:35,120 --> 01:17:39,280
Speaker 1: shake a little bit. So it's being viewed by the public,

1390
01:17:39,600 --> 01:17:41,920
Speaker 1: or somebody might have called Big You and say, yo,

1391
01:17:42,000 --> 01:17:44,040
Speaker 1: he trying to apologize because they know you to be

1392
01:17:44,160 --> 01:17:47,679
Speaker 1: a firecracker, they know you to be somebody that's going

1393
01:17:47,760 --> 01:17:49,439
Speaker 1: and it seemed like on this when you're trying to

1394
01:17:49,520 --> 01:17:51,840
Speaker 1: be like yo, I wish they would have win a

1395
01:17:51,880 --> 01:17:54,960
Speaker 1: different way, you know, And so that's why they're trying

1396
01:17:54,960 --> 01:17:57,519
Speaker 1: to say it's an apology. It's not the words. I'm

1397
01:17:57,560 --> 01:18:04,360
Speaker 1: sorry but the but the sentiment is that you would

1398
01:18:04,479 --> 01:18:06,200
Speaker 1: you would hope that it went a different way. So

1399
01:18:06,320 --> 01:18:08,080
Speaker 1: that's that's where it comes from. It didn't come out

1400
01:18:08,120 --> 01:18:12,240
Speaker 1: the clear blue sky, although it was misrepresented if someone

1401
01:18:12,400 --> 01:18:16,200
Speaker 1: did go and say he trying to apologize. But I

1402
01:18:16,640 --> 01:18:19,439
Speaker 1: see what they're trying to say in regards to you know,

1403
01:18:20,160 --> 01:18:22,599
Speaker 1: you're giving lead way to try to squash it, which

1404
01:18:22,640 --> 01:18:25,800
Speaker 1: I think is a good idea. Again because both those

1405
01:18:25,920 --> 01:18:31,040
Speaker 1: guys heavy weights, you know, West Coast history, their family

1406
01:18:31,160 --> 01:18:35,639
Speaker 1: know each other, you know, and they've grown the only

1407
01:18:35,720 --> 01:18:40,240
Speaker 1: thing that I find interesting is that, like even with Whack,

1408
01:18:40,320 --> 01:18:42,400
Speaker 1: they asked this is why they think it's an apology.

1409
01:18:42,479 --> 01:18:44,920
Speaker 1: Whack is because when they asked you about Jay Prince,

1410
01:18:45,040 --> 01:18:47,680
Speaker 1: you say, now me and blood gotta get down. He

1411
01:18:47,840 --> 01:18:51,519
Speaker 1: called me this, and that's basically what big you were saying.

1412
01:18:52,000 --> 01:18:54,519
Speaker 1: It's like, Yo, now, what are you talking about? Sawr Now?

1413
01:18:54,640 --> 01:18:56,280
Speaker 1: Hey whatever he's saying, I ain't trying to hear that

1414
01:18:56,400 --> 01:19:00,160
Speaker 1: now here now, but he could gotta get down, oh

1415
01:19:00,200 --> 01:19:03,200
Speaker 1: kug gotta see me about what he said? Nah nah na.

1416
01:19:03,560 --> 01:19:08,479
Speaker 1: So really the same approach that you have to Jay

1417
01:19:08,560 --> 01:19:10,400
Speaker 1: Prince or the Meet or some of these guys that

1418
01:19:10,520 --> 01:19:13,640
Speaker 1: you're saying that some of the beef ain't squashable, Like now,

1419
01:19:13,760 --> 01:19:15,760
Speaker 1: we can't squash you. What I see him is up.

1420
01:19:16,360 --> 01:19:18,439
Speaker 1: It's like okay. So some of that is based on

1421
01:19:18,600 --> 01:19:22,640
Speaker 1: words like the Jay Prince thing he said, he called you,

1422
01:19:23,080 --> 01:19:25,720
Speaker 1: quote unquote a rat. I know what the rat mean.

1423
01:19:25,800 --> 01:19:27,519
Speaker 1: I know what that means in our culture, and I

1424
01:19:27,640 --> 01:19:31,000
Speaker 1: know how unacceptable it is. But you can't find the

1425
01:19:31,120 --> 01:19:33,680
Speaker 1: ability to squash that because he called you that and

1426
01:19:33,800 --> 01:19:35,800
Speaker 1: big you like you called me a snake a snake

1427
01:19:35,880 --> 01:19:41,080
Speaker 1: in the red? Then really are the same family, the

1428
01:19:41,240 --> 01:19:43,759
Speaker 1: rat being way worse than the snake, but the snake

1429
01:19:43,800 --> 01:19:45,519
Speaker 1: in the red really is you know what I mean?

1430
01:19:45,600 --> 01:19:47,559
Speaker 1: So he like, na, I ain't know. We gotta see

1431
01:19:47,600 --> 01:19:50,280
Speaker 1: each other about that, man, especially you know me, Man,

1432
01:19:50,360 --> 01:19:52,640
Speaker 1: you pulled it no never to do that. And if

1433
01:19:52,680 --> 01:19:54,680
Speaker 1: I let that go, what they're telling all these other

1434
01:19:54,760 --> 01:19:57,200
Speaker 1: people and then some people try to make it like yo,

1435
01:19:58,040 --> 01:20:00,320
Speaker 1: like if you tell people man, I learned ain't got

1436
01:20:00,400 --> 01:20:02,200
Speaker 1: no gun on him, that's kind of a bad thing

1437
01:20:02,280 --> 01:20:05,040
Speaker 1: to be telling people. Now I might get I might

1438
01:20:05,080 --> 01:20:07,640
Speaker 1: have to get at you about that. You know what

1439
01:20:07,640 --> 01:20:09,439
Speaker 1: I'm saying, what are you trying to tell people? Run

1440
01:20:09,600 --> 01:20:11,840
Speaker 1: up on loan, and that's how a lot of people

1441
01:20:11,920 --> 01:20:13,760
Speaker 1: out there kind of were trying to twist what he

1442
01:20:13,920 --> 01:20:16,920
Speaker 1: said when some of those things came out, you know,

1443
01:20:17,280 --> 01:20:21,120
Speaker 1: And Yo, we hope that they get over rehope. We

1444
01:20:21,200 --> 01:20:24,000
Speaker 1: hope that they put themselves in a situation to sit

1445
01:20:24,080 --> 01:20:28,800
Speaker 1: out and talk one day and kind of fur to

1446
01:20:28,920 --> 01:20:32,519
Speaker 1: whatever relationship or understanding. I see that people Boy want

1447
01:20:32,560 --> 01:20:34,720
Speaker 1: to whack Home Boys is trying to get involved and

1448
01:20:34,840 --> 01:20:38,360
Speaker 1: get the Tony Muhammad, the Minister and stuff involved to

1449
01:20:38,479 --> 01:20:41,520
Speaker 1: try to see if we can squash that these two heavyweights.

1450
01:20:41,560 --> 01:20:43,759
Speaker 1: We don't need that kind of bout on the West Coast,

1451
01:20:44,439 --> 01:20:46,200
Speaker 1: you know what I mean? You know, as I sit

1452
01:20:46,320 --> 01:20:49,600
Speaker 1: here and think, I'm gonna and I'll get back to

1453
01:20:49,680 --> 01:20:52,400
Speaker 1: whatever topic, but I'm gonna hold people accountable for how

1454
01:20:52,439 --> 01:20:56,040
Speaker 1: they treat me. You know, for a long time, I

1455
01:20:56,160 --> 01:20:59,800
Speaker 1: looked over things. I gave people the benefit of the doubt.

1456
01:21:00,880 --> 01:21:03,960
Speaker 1: I may have gave people a runway that they didn't

1457
01:21:04,000 --> 01:21:07,640
Speaker 1: deserve in regards to just some sort of understanding of

1458
01:21:07,760 --> 01:21:11,760
Speaker 1: why my expectations in your behavior never land in the

1459
01:21:11,880 --> 01:21:15,360
Speaker 1: same place, you know, And so for me, you know,

1460
01:21:15,479 --> 01:21:18,320
Speaker 1: I have high expectations for people that's involved with me

1461
01:21:18,400 --> 01:21:26,360
Speaker 1: in my life, and that exclude nobody. Family, you understand, mother, children, girlfriend, homies,

1462
01:21:26,880 --> 01:21:33,080
Speaker 1: business people that exclude nobody. I'm high vibrations, right. I

1463
01:21:33,240 --> 01:21:37,240
Speaker 1: won't be a source of income for people. I won't

1464
01:21:37,280 --> 01:21:40,040
Speaker 1: be something that you can just pull from, pull pull,

1465
01:21:40,160 --> 01:21:44,519
Speaker 1: pull and never pull into. Right, mother, be real bland

1466
01:21:44,640 --> 01:21:49,720
Speaker 1: with whatever they you know, it's all good, right, So

1467
01:21:51,360 --> 01:21:53,920
Speaker 1: as I as I as I try to evolve as

1468
01:21:53,960 --> 01:21:58,600
Speaker 1: a man and know that whatever space that I have,

1469
01:22:00,160 --> 01:22:05,760
Speaker 1: whatever opportunities that I have. Right. You know the old

1470
01:22:05,880 --> 01:22:08,599
Speaker 1: saying heavy is the head. So a lot of times

1471
01:22:08,640 --> 01:22:10,240
Speaker 1: I try to just chalk it up to that, bro,

1472
01:22:10,400 --> 01:22:13,240
Speaker 1: heavy is the head. The folks day, the folks de

1473
01:22:13,400 --> 01:22:15,040
Speaker 1: folks can't look out for you in the way that

1474
01:22:15,120 --> 01:22:17,320
Speaker 1: you can look out for them. But when you pay

1475
01:22:17,360 --> 01:22:21,000
Speaker 1: attention to people, you can see that a lot of

1476
01:22:21,080 --> 01:22:23,800
Speaker 1: times people don't even consider the very people that they

1477
01:22:23,880 --> 01:22:28,000
Speaker 1: depend on. You can depend on this person for things

1478
01:22:28,080 --> 01:22:30,360
Speaker 1: and you won't even call them and tell them happy birthday.

1479
01:22:31,640 --> 01:22:34,400
Speaker 1: You can you can depend on this person. This can

1480
01:22:34,439 --> 01:22:37,160
Speaker 1: be the only way for you to get your source,

1481
01:22:37,240 --> 01:22:40,439
Speaker 1: to get whatever problem solved that you have right here,

1482
01:22:40,680 --> 01:22:44,000
Speaker 1: and you won't even tell them people, thank you. You

1483
01:22:44,040 --> 01:22:45,960
Speaker 1: won't even look out for them people or try to

1484
01:22:46,040 --> 01:22:49,120
Speaker 1: make something easier for them, right, Yo, I'm just saying

1485
01:22:49,160 --> 01:22:51,920
Speaker 1: in two twenty two moving forward, No, I'm not dealing

1486
01:22:52,000 --> 01:22:55,839
Speaker 1: with the I'm not dealing with the selfishness of anyone.

1487
01:22:57,240 --> 01:23:02,880
Speaker 1: It's disrespectful. It's disrespectful because if I play the selfish game,

1488
01:23:03,000 --> 01:23:05,640
Speaker 1: man I can. I can go always selfish and man

1489
01:23:05,760 --> 01:23:08,720
Speaker 1: I can be good. But I don't play the selfish game.

1490
01:23:08,760 --> 01:23:11,000
Speaker 1: I try to spread this thing out and think about

1491
01:23:11,200 --> 01:23:14,360
Speaker 1: ed about it that's involved with whatever I'm involved with it.

1492
01:23:14,479 --> 01:23:17,040
Speaker 1: For us men, sometimes we don't get a chance to

1493
01:23:17,120 --> 01:23:20,920
Speaker 1: really speak on like yo, ship heather around here, like

1494
01:23:21,040 --> 01:23:22,800
Speaker 1: it's a lot going on, man, that a lot of

1495
01:23:22,840 --> 01:23:25,880
Speaker 1: people pulling that your holding on till you're asking you

1496
01:23:26,000 --> 01:23:28,960
Speaker 1: for this, asking you for that, and then you can't

1497
01:23:28,960 --> 01:23:33,720
Speaker 1: even get a sincere, good morning. You can't even get

1498
01:23:33,720 --> 01:23:36,360
Speaker 1: a sincere. I'm done with it, I'm telling you right now,

1499
01:23:36,800 --> 01:23:39,639
Speaker 1: and I'm not interested in how people feel like your

1500
01:23:39,680 --> 01:23:41,720
Speaker 1: emotions or how you think about me or what you

1501
01:23:41,840 --> 01:23:44,760
Speaker 1: may feel like, Oh, he wrong for doing that. He

1502
01:23:44,840 --> 01:23:47,439
Speaker 1: ain't spoke to these people in a long time, Yo,

1503
01:23:47,600 --> 01:23:50,439
Speaker 1: That's just that, that's how I'm coming right because I

1504
01:23:50,479 --> 01:23:54,240
Speaker 1: don't have time for the negative. I don't have time

1505
01:23:54,280 --> 01:23:56,800
Speaker 1: for the negative to be inserted in the equation of

1506
01:23:56,960 --> 01:23:59,080
Speaker 1: my life because it will start to affect it, It

1507
01:23:59,160 --> 01:24:01,639
Speaker 1: will start to change. Is the chemical balance of everything.

1508
01:24:02,160 --> 01:24:04,519
Speaker 1: I start to think about, why would people do certain

1509
01:24:04,600 --> 01:24:08,040
Speaker 1: things the people that would do certain things for them? Right?

1510
01:24:08,160 --> 01:24:10,840
Speaker 1: If I'm I'm the person you come to for damn

1511
01:24:10,880 --> 01:24:14,240
Speaker 1: to everything you need hiding the hell I can't count

1512
01:24:14,320 --> 01:24:16,960
Speaker 1: on you for nothing, I'm no longer getting them kind

1513
01:24:16,960 --> 01:24:20,120
Speaker 1: of relationships. That's that's on. That's period, and that go

1514
01:24:20,320 --> 01:24:23,559
Speaker 1: for anyone. So this is acting as a PSA from

1515
01:24:23,600 --> 01:24:28,360
Speaker 1: business the person or whoever. If the feelings ain't reciprocated,

1516
01:24:29,200 --> 01:24:32,360
Speaker 1: none is out the picture. Let's talk about Steph Curry

1517
01:24:33,120 --> 01:24:35,800
Speaker 1: and the Golden State Warriors. For those under word Steph

1518
01:24:35,880 --> 01:24:39,599
Speaker 1: Curry go to State Warriors one another championship, round of applause,

1519
01:24:41,240 --> 01:24:47,280
Speaker 1: legendary franchise. That dude Steff is different. I'm gonna go

1520
01:24:47,280 --> 01:24:49,400
Speaker 1: ahead and keep it all way real with the own

1521
01:24:49,479 --> 01:24:52,880
Speaker 1: looks that dude Steff is different. Like what Steph is

1522
01:24:52,960 --> 01:24:57,040
Speaker 1: able to do on the court is unmatched. The ability

1523
01:24:57,080 --> 01:25:01,880
Speaker 1: to change the entire game right, and as I watch

1524
01:25:02,000 --> 01:25:04,720
Speaker 1: him run up and down the court, I tell myself, Loan,

1525
01:25:05,760 --> 01:25:08,320
Speaker 1: you're looking at a manstead work. What you're dealing with

1526
01:25:08,520 --> 01:25:14,400
Speaker 1: on game day, it's preparation, and you're watching a man

1527
01:25:14,640 --> 01:25:19,519
Speaker 1: trust his practice, trust his preparation. You're watching a man

1528
01:25:19,680 --> 01:25:22,439
Speaker 1: trust his ability to understand that. No, no, no, I

1529
01:25:22,479 --> 01:25:25,560
Speaker 1: don't care who you put right here. I've did this

1530
01:25:25,720 --> 01:25:29,760
Speaker 1: six thousand times. I've shot from right here this specific

1531
01:25:29,920 --> 01:25:35,800
Speaker 1: spot six thousand times, So no matter what's happening, I'm

1532
01:25:35,880 --> 01:25:40,360
Speaker 1: trusting the game. I was watching the clip they got

1533
01:25:40,439 --> 01:25:45,120
Speaker 1: going around because as we watch Steph maneuver in this game,

1534
01:25:45,200 --> 01:25:47,479
Speaker 1: and it's unfortunate for him that he has to share

1535
01:25:47,560 --> 01:25:50,880
Speaker 1: this moment with Lebron. No matter what, Lebron is gonna

1536
01:25:50,920 --> 01:25:54,920
Speaker 1: come up, because Lebron is Lebron. But Steph, it's a

1537
01:25:55,040 --> 01:25:57,280
Speaker 1: different thing. Right now. I would say we're in the

1538
01:25:57,520 --> 01:26:02,400
Speaker 1: Steph Curry era, you know, while Lebron is still there

1539
01:26:02,479 --> 01:26:04,400
Speaker 1: being one of the biggest names in the game and

1540
01:26:04,520 --> 01:26:09,200
Speaker 1: also pivoted into doing more business than playing basketball, so

1541
01:26:10,000 --> 01:26:12,040
Speaker 1: you know, but with Steph, I look at him and

1542
01:26:12,120 --> 01:26:14,080
Speaker 1: I say, this is what you can get when you

1543
01:26:14,200 --> 01:26:17,400
Speaker 1: really put the work in. Let this be a cautionary

1544
01:26:17,520 --> 01:26:20,560
Speaker 1: tale to the entrepreneurs, to the content creators, to the

1545
01:26:21,040 --> 01:26:24,000
Speaker 1: people that's just starting the line service to do, just

1546
01:26:24,200 --> 01:26:27,439
Speaker 1: opening up a chicken shop or whatever you got going on.

1547
01:26:27,720 --> 01:26:30,439
Speaker 1: Let this, let this, let let the record show that

1548
01:26:30,600 --> 01:26:32,439
Speaker 1: if you put the work in, you're gonna get You're

1549
01:26:32,439 --> 01:26:36,640
Speaker 1: gonna deal with the results. But along the line, you

1550
01:26:36,720 --> 01:26:41,760
Speaker 1: also got to trust the game. Right. So, like I

1551
01:26:41,880 --> 01:26:44,080
Speaker 1: just received the phone call about coming out of the

1552
01:26:44,280 --> 01:26:47,160
Speaker 1: um one of these conventions. They want me to speak

1553
01:26:47,760 --> 01:26:51,880
Speaker 1: on the stage, and I was telling myself, Oh shit, man,

1554
01:26:52,000 --> 01:26:54,400
Speaker 1: look right, so now now what do you do you do?

1555
01:26:54,560 --> 01:26:57,200
Speaker 1: What is your approach different than I had to say? Long,

1556
01:26:57,360 --> 01:27:01,880
Speaker 1: trust the game. You're prepared for this, right, your whole thing,

1557
01:27:02,040 --> 01:27:04,479
Speaker 1: this whole thing, you do it. It's ready, It's it's

1558
01:27:04,520 --> 01:27:09,120
Speaker 1: it's ready, Bro, you're prepared for now. I'm true to myself.

1559
01:27:09,200 --> 01:27:12,320
Speaker 1: So I'm my biggest critic every episode. When people say

1560
01:27:12,360 --> 01:27:15,000
Speaker 1: that was a dope episode, I find seven million things

1561
01:27:15,080 --> 01:27:17,280
Speaker 1: in it that I should have done different. Oh, I said,

1562
01:27:17,400 --> 01:27:19,760
Speaker 1: are too much. I shouldn't have been saying you did

1563
01:27:19,840 --> 01:27:21,640
Speaker 1: what I'm saying right there. I should have used a

1564
01:27:21,720 --> 01:27:24,920
Speaker 1: different word right there to shorten that sentence like I

1565
01:27:25,080 --> 01:27:27,639
Speaker 1: see things that other people may not see, just even

1566
01:27:27,720 --> 01:27:30,240
Speaker 1: as I'm doing it. So I'm my biggest critic. So

1567
01:27:30,360 --> 01:27:34,559
Speaker 1: if I wasn't ready, I would know that I'm not ready. Now,

1568
01:27:34,640 --> 01:27:36,639
Speaker 1: when I say I'm ready, I'm not saying I'm prepared

1569
01:27:36,680 --> 01:27:40,120
Speaker 1: to go on stage in freestyle. I'm saying that, Yo,

1570
01:27:41,600 --> 01:27:44,840
Speaker 1: you got a pathway to conquer that. You know. I

1571
01:27:44,960 --> 01:27:47,920
Speaker 1: talk about pathways, and that's why it's important to read,

1572
01:27:48,080 --> 01:27:51,520
Speaker 1: because what it does is it opens up different pathways

1573
01:27:51,560 --> 01:27:54,800
Speaker 1: in your brain of thinking how to problem solved. Right,

1574
01:27:54,880 --> 01:27:56,800
Speaker 1: So when they say, yo, long, we need you right here.

1575
01:27:56,840 --> 01:27:59,680
Speaker 1: We're paying you eighteen thousand dollars. You'll be there all day,

1576
01:27:59,720 --> 01:28:02,360
Speaker 1: but be on stage two times. You got an eighteen

1577
01:28:02,400 --> 01:28:05,080
Speaker 1: minute segment and then a forty one minute segment, right,

1578
01:28:05,240 --> 01:28:07,880
Speaker 1: And I say, all right, cool, Now, I tell myself, loan,

1579
01:28:08,000 --> 01:28:12,280
Speaker 1: trust the game. You got a pathway. You talk every week,

1580
01:28:12,800 --> 01:28:15,200
Speaker 1: so you got a pathway to understand how to conquer

1581
01:28:15,320 --> 01:28:17,880
Speaker 1: talking the same way with stealth on the court. Yo,

1582
01:28:18,080 --> 01:28:19,920
Speaker 1: I got a pathway to hit that three from that

1583
01:28:20,080 --> 01:28:23,360
Speaker 1: spot right there, because I've done it so many times,

1584
01:28:23,400 --> 01:28:25,639
Speaker 1: so I know that if I get right there looking

1585
01:28:25,760 --> 01:28:28,000
Speaker 1: or not, if I can just get that touch right,

1586
01:28:28,080 --> 01:28:31,240
Speaker 1: It's gonna do what I needed to do, and you

1587
01:28:31,360 --> 01:28:35,120
Speaker 1: watch him. But what was interesting is, and I love

1588
01:28:35,280 --> 01:28:39,080
Speaker 1: to see this, that's when Kobe was guarding stealth. And

1589
01:28:39,200 --> 01:28:42,439
Speaker 1: that's the thing about Kobe. Bryan Man RP to Kobe,

1590
01:28:42,760 --> 01:28:45,639
Speaker 1: he was always a guy that I want the best man,

1591
01:28:46,120 --> 01:28:48,600
Speaker 1: and that's what I'm doing. I'm like that, like, Yo,

1592
01:28:48,720 --> 01:28:50,760
Speaker 1: don't compare me. I want that dude. Y'all think he

1593
01:28:50,880 --> 01:28:53,000
Speaker 1: the best I want I want. I want to be

1594
01:28:53,080 --> 01:28:56,000
Speaker 1: compared to that guy right there. And I think he's

1595
01:28:56,040 --> 01:28:58,080
Speaker 1: pretty good too, and I love what he's doing. But

1596
01:28:58,160 --> 01:28:59,960
Speaker 1: I want to be compared to that guy because that's

1597
01:29:00,120 --> 01:29:02,360
Speaker 1: just who I am as an individual. I don't got

1598
01:29:02,479 --> 01:29:06,080
Speaker 1: no other reason to do this. I'm not financially involved,

1599
01:29:06,160 --> 01:29:09,800
Speaker 1: I understand, Like, so I gotta find that. Like Kobe

1600
01:29:09,960 --> 01:29:13,120
Speaker 1: was risk twenty years ago and he's still with balling

1601
01:29:13,240 --> 01:29:15,960
Speaker 1: hard because he was finding other motivations. It's the same

1602
01:29:16,040 --> 01:29:18,280
Speaker 1: thing with me. Oh, y'all thing he the best communicator.

1603
01:29:18,680 --> 01:29:21,360
Speaker 1: Y'all think he got the little uh. I want to

1604
01:29:21,360 --> 01:29:23,240
Speaker 1: be compared to him. Let's let's let's see how we

1605
01:29:23,280 --> 01:29:26,160
Speaker 1: can do that. I want to guard him, bring him

1606
01:29:26,160 --> 01:29:28,920
Speaker 1: on the court right, So now you got Steph and

1607
01:29:29,080 --> 01:29:31,320
Speaker 1: you got Kobe, and Kobe want to guard step And

1608
01:29:31,320 --> 01:29:34,800
Speaker 1: then this is a mismatch problem for for Kobe because

1609
01:29:34,840 --> 01:29:37,680
Speaker 1: he's a smaller guy and he loves the run off

1610
01:29:37,800 --> 01:29:40,160
Speaker 1: a screen and keep you, you know, keep you moving.

1611
01:29:40,600 --> 01:29:43,559
Speaker 1: It's it's an unfortunate maca. He'll run around and run,

1612
01:29:43,760 --> 01:29:45,519
Speaker 1: run and run, run, and then he'll pop out and

1613
01:29:45,760 --> 01:29:48,439
Speaker 1: all he needed at that that one little motion just

1614
01:29:49,040 --> 01:29:53,360
Speaker 1: and it's gone. And when Kobe was on him, and

1615
01:29:53,520 --> 01:29:56,200
Speaker 1: you saw Kobe computing, trying to figure out bumping him

1616
01:29:56,240 --> 01:29:57,960
Speaker 1: and doing this and trying to figure out what is

1617
01:29:58,439 --> 01:30:01,120
Speaker 1: what can None of this ain't working because you're dealing

1618
01:30:01,200 --> 01:30:03,840
Speaker 1: with preparation. But Kobe on the other side is a

1619
01:30:03,920 --> 01:30:09,800
Speaker 1: man prepared too, So now you're dealing with preparation first preparation,

1620
01:30:09,960 --> 01:30:12,479
Speaker 1: and this is where you get those classic moments. So

1621
01:30:12,680 --> 01:30:14,720
Speaker 1: Kobe is trying to figure out how to get you know,

1622
01:30:14,880 --> 01:30:17,639
Speaker 1: he fouling him a little fighting look, getting aggressive duty.

1623
01:30:18,439 --> 01:30:21,960
Speaker 1: Then you heard in mid game, holler, I found it,

1624
01:30:23,600 --> 01:30:26,880
Speaker 1: Kovid hollow, I found it. And he was he almost

1625
01:30:26,960 --> 01:30:29,360
Speaker 1: like it was like a kid in a candy shop.

1626
01:30:30,520 --> 01:30:32,680
Speaker 1: And he went and told one of his teammates. He

1627
01:30:32,840 --> 01:30:38,479
Speaker 1: don't like to be bumped. Now again, it was interesting

1628
01:30:38,520 --> 01:30:42,439
Speaker 1: to me just to see problem solving, just in real time,

1629
01:30:42,680 --> 01:30:44,920
Speaker 1: just trying to feel right. Sometimes you can see a

1630
01:30:45,040 --> 01:30:48,320
Speaker 1: podcaster going down the lane talking and if you really

1631
01:30:48,400 --> 01:30:49,920
Speaker 1: that with him, and he go that way and he

1632
01:30:50,040 --> 01:30:51,800
Speaker 1: go that when you're like, oh boo, and then he

1633
01:30:51,880 --> 01:30:53,920
Speaker 1: found his pathway with what he's trying to talk about

1634
01:30:54,240 --> 01:30:56,400
Speaker 1: and he right there. You said, oh there, he killed that.

1635
01:30:57,400 --> 01:30:59,719
Speaker 1: You know, it's the same with that. But again Steph

1636
01:30:59,800 --> 01:31:03,599
Speaker 1: being and so great at what he does, of course

1637
01:31:03,840 --> 01:31:08,040
Speaker 1: you identified, uh, something that I don't like to happen,

1638
01:31:08,200 --> 01:31:10,400
Speaker 1: right and and something that make and slow me down.

1639
01:31:10,800 --> 01:31:12,800
Speaker 1: And I think it even worked for a game or two.

1640
01:31:12,880 --> 01:31:18,400
Speaker 1: But then that's when Steph has to reevaluate, re rejuvenate,

1641
01:31:18,520 --> 01:31:20,800
Speaker 1: and then be innovative and then try to come up

1642
01:31:20,800 --> 01:31:23,000
Speaker 1: with something else or not even come up with something else,

1643
01:31:23,000 --> 01:31:26,280
Speaker 1: because again, trust the game, but prepare for that bumps.

1644
01:31:26,400 --> 01:31:29,479
Speaker 1: He may not see that wasn't in the arsenal, that bump.

1645
01:31:30,479 --> 01:31:33,879
Speaker 1: That wasn't It wasn't along that practice all the practice,

1646
01:31:33,880 --> 01:31:36,000
Speaker 1: he never was bumped. He probably never went through the

1647
01:31:36,080 --> 01:31:40,040
Speaker 1: bump thing, or you know, he probably doesn't come off

1648
01:31:40,120 --> 01:31:42,200
Speaker 1: the screen. He probably have been held a little bit

1649
01:31:42,280 --> 01:31:44,760
Speaker 1: coming out. He probably doesn't off one foot coming off.

1650
01:31:44,840 --> 01:31:47,799
Speaker 1: He might have done try, but that bump and Kobe

1651
01:31:48,960 --> 01:31:51,560
Speaker 1: Kobe seen that that slowed him down, you know. But

1652
01:31:51,760 --> 01:31:53,880
Speaker 1: Steph Man, like I say, bro, what he's doing in

1653
01:31:53,960 --> 01:31:57,280
Speaker 1: the game, I don't know how to how to quantify

1654
01:31:57,520 --> 01:32:01,519
Speaker 1: with anyone else like Jordan's Jordan, but what Steph has

1655
01:32:01,640 --> 01:32:05,200
Speaker 1: done internationally to the game. And I think part of

1656
01:32:05,280 --> 01:32:09,479
Speaker 1: that is because of the Internet. But some people can

1657
01:32:09,640 --> 01:32:13,519
Speaker 1: argue that the NBA, well before the Internet, had an

1658
01:32:13,560 --> 01:32:18,559
Speaker 1: international presence, right, So you know, I would who changed

1659
01:32:18,560 --> 01:32:21,599
Speaker 1: the game? Who changed the game more? Was it Mike

1660
01:32:21,720 --> 01:32:27,200
Speaker 1: or was it Steph Lebron? Steph Mike Lebron? Like, who

1661
01:32:27,360 --> 01:32:30,360
Speaker 1: changed the game? Because for me, I'm gonna say steff Man,

1662
01:32:30,479 --> 01:32:33,960
Speaker 1: nobody's trying to dunk no more. I remember Vince Carter

1663
01:32:34,080 --> 01:32:36,639
Speaker 1: had an impact. We were doing all that flashy dunking.

1664
01:32:36,760 --> 01:32:39,760
Speaker 1: Iverashon had an impact with the crossover, you know, in

1665
01:32:39,840 --> 01:32:44,000
Speaker 1: the flash and then Jason Williams with the flashy passes,

1666
01:32:44,520 --> 01:32:47,920
Speaker 1: Magic Johnson, what the you know showtime Lakers Like, it's

1667
01:32:47,960 --> 01:32:51,160
Speaker 1: been some moments, but when you look at stealth man

1668
01:32:51,240 --> 01:32:53,880
Speaker 1: and what he has done in regards to bringing the

1669
01:32:54,000 --> 01:32:58,920
Speaker 1: game from outside of that little squared box down. Now,

1670
01:32:59,000 --> 01:33:02,040
Speaker 1: he brought it outside of that perimeter line, and I

1671
01:33:02,160 --> 01:33:05,280
Speaker 1: just think it's it's been a match, they've won another championship. Man,

1672
01:33:05,320 --> 01:33:09,960
Speaker 1: that's four. That's four. Man. But I need people to know,

1673
01:33:10,680 --> 01:33:13,800
Speaker 1: like when you're working on something like for me, you know,

1674
01:33:14,120 --> 01:33:17,479
Speaker 1: with podcasting or any of these other businesses that I

1675
01:33:17,600 --> 01:33:20,160
Speaker 1: have gone on, it's just like, how far are you

1676
01:33:20,240 --> 01:33:24,799
Speaker 1: willing to go? How prepared are you? You know, whatever

1677
01:33:25,000 --> 01:33:28,439
Speaker 1: whatever day I have to go and speak or whatever

1678
01:33:28,600 --> 01:33:31,439
Speaker 1: has has to happen, I'm I'm prepared in a way

1679
01:33:31,520 --> 01:33:35,240
Speaker 1: where on that day, I'm just smiling, I'm happy. I'm

1680
01:33:35,360 --> 01:33:39,960
Speaker 1: loose because I'm trusting the game. I'm trusting the preparation.

1681
01:33:40,040 --> 01:33:42,519
Speaker 1: It's the dude who he didn't run as fast as

1682
01:33:42,560 --> 01:33:45,160
Speaker 1: he could, or he didn't do his conditioning and strength

1683
01:33:45,200 --> 01:33:48,560
Speaker 1: and conditioning. That's the boxer that's afraid walking down to

1684
01:33:48,680 --> 01:33:51,920
Speaker 1: the ring. Although he might be looking like I remember

1685
01:33:52,320 --> 01:33:56,559
Speaker 1: shout out to the homie Deontay Wild, remember him coming

1686
01:33:56,600 --> 01:33:59,400
Speaker 1: to the ring looking like he was tip top shape,

1687
01:34:00,320 --> 01:34:03,000
Speaker 1: But when he got in there, some of that some

1688
01:34:03,120 --> 01:34:05,560
Speaker 1: of that strength and conditioning may have been exposed like,

1689
01:34:05,680 --> 01:34:10,200
Speaker 1: oh he wasn't a he wasn't as prepared as we

1690
01:34:10,360 --> 01:34:12,320
Speaker 1: thought or as he should have been, you know what

1691
01:34:12,400 --> 01:34:14,800
Speaker 1: I'm saying. And so one thing about the game, it's

1692
01:34:14,800 --> 01:34:18,560
Speaker 1: gonna expose whatever that you got in that arsenal. You

1693
01:34:18,640 --> 01:34:20,160
Speaker 1: know what I mean, It's gonna it's gonna it's gonna

1694
01:34:20,200 --> 01:34:24,120
Speaker 1: expose that. You know. I tell the young, find something

1695
01:34:24,200 --> 01:34:27,639
Speaker 1: you love and stick to it, work at it, work

1696
01:34:27,720 --> 01:34:30,479
Speaker 1: harder than these others. He's gonna talk like they're working.

1697
01:34:30,520 --> 01:34:32,720
Speaker 1: They ain't gonna be doing no working. They're gonna try

1698
01:34:32,760 --> 01:34:35,080
Speaker 1: to talk you out of working. Just keep working. You

1699
01:34:35,120 --> 01:34:38,120
Speaker 1: will see the results. One thing about me, I know

1700
01:34:38,320 --> 01:34:40,400
Speaker 1: for show, who liked me and who don't like me

1701
01:34:40,439 --> 01:34:43,360
Speaker 1: ain't gonna affect the situation. Those that I reach out

1702
01:34:43,400 --> 01:34:45,519
Speaker 1: to that I love and respect. I do that from

1703
01:34:45,560 --> 01:34:49,760
Speaker 1: a genuine standpoint. I don't need help with nothing. I

1704
01:34:49,880 --> 01:34:52,479
Speaker 1: need help understand this. I don't need help with no

1705
01:34:52,680 --> 01:34:56,080
Speaker 1: execution or nothing, because my my my strength is in

1706
01:34:56,280 --> 01:34:59,000
Speaker 1: understanding that. I gotta know the information to do it.

1707
01:34:59,439 --> 01:35:03,160
Speaker 1: Even if you do it for me, I'm unhappy. I

1708
01:35:03,240 --> 01:35:05,439
Speaker 1: don't want nobody to make me know me. You now,

1709
01:35:06,280 --> 01:35:08,599
Speaker 1: I want you to show me how to become a meal. Now.

1710
01:35:09,840 --> 01:35:12,040
Speaker 1: It's a difference, and I know some people don't see

1711
01:35:12,080 --> 01:35:15,360
Speaker 1: the difference. But I tell the young men and keep working.

1712
01:35:15,840 --> 01:35:18,120
Speaker 1: You know what I'm saying, Keep going, keep going, because

1713
01:35:18,120 --> 01:35:20,680
Speaker 1: you will get there everything in this world. One I

1714
01:35:20,800 --> 01:35:24,120
Speaker 1: heard Jim Jones say, Yo, when you start to feel

1715
01:35:24,160 --> 01:35:27,240
Speaker 1: your commitment falling off, just stay consistent in your commitment

1716
01:35:27,280 --> 01:35:31,320
Speaker 1: to catch up to that. Consistency is key, right. I

1717
01:35:31,520 --> 01:35:34,800
Speaker 1: like to call it daily attendance, right, You gotta have

1718
01:35:34,960 --> 01:35:38,639
Speaker 1: daily attendance on your mission, whatever that is. And something

1719
01:35:38,800 --> 01:35:40,720
Speaker 1: if you if you design T shirts, you need to

1720
01:35:40,760 --> 01:35:43,240
Speaker 1: be probably coming up with someone something to do with

1721
01:35:43,320 --> 01:35:45,240
Speaker 1: them T shirts every day if you're a rapper, or

1722
01:35:45,280 --> 01:35:47,400
Speaker 1: something to do with rapper every day part or something

1723
01:35:47,439 --> 01:35:49,760
Speaker 1: to do with part every day. If you're a football dude,

1724
01:35:49,880 --> 01:35:53,040
Speaker 1: something to do with football every day. Like daily attendant

1725
01:35:53,120 --> 01:35:56,600
Speaker 1: is gonna make sure repetition is the father learning, and

1726
01:35:56,760 --> 01:35:59,400
Speaker 1: we gotta make sure we understand that and also be

1727
01:35:59,560 --> 01:36:04,960
Speaker 1: inev the you know, because a lot of times, especially

1728
01:36:05,040 --> 01:36:07,559
Speaker 1: in this industry, right, so if you're dealing with content

1729
01:36:07,720 --> 01:36:10,679
Speaker 1: creating or whatever, a lot of times the guys ahead

1730
01:36:10,720 --> 01:36:12,599
Speaker 1: of you are only depending on the fact that they're

1731
01:36:12,600 --> 01:36:15,559
Speaker 1: ahead of you. There's no innovation involving their approach, right,

1732
01:36:15,640 --> 01:36:18,840
Speaker 1: so they kind of they're in this very stale place, right,

1733
01:36:18,960 --> 01:36:21,240
Speaker 1: And so what you have to do is come into

1734
01:36:21,320 --> 01:36:24,160
Speaker 1: game and activate everyone that runs across me. And that

1735
01:36:24,320 --> 01:36:29,680
Speaker 1: excludes nobody, right that understands anything about the information that

1736
01:36:29,800 --> 01:36:33,479
Speaker 1: this game has. When they run into me, some kind

1737
01:36:33,520 --> 01:36:35,560
Speaker 1: of way we connect and if they're real and the

1738
01:36:35,720 --> 01:36:38,760
Speaker 1: energies that, then they understand that. Yo, whatever he's doing,

1739
01:36:38,880 --> 01:36:42,519
Speaker 1: he's providing something to the game that we probably need. Right.

1740
01:36:42,960 --> 01:36:47,559
Speaker 1: And I'm not an industry guy. Let me talk about

1741
01:36:47,600 --> 01:36:50,360
Speaker 1: this a little bit, because I'm finding myself in this

1742
01:36:50,520 --> 01:36:54,000
Speaker 1: weird place man, in this industry man, like, I don't know, dog,

1743
01:36:54,120 --> 01:36:56,760
Speaker 1: it's like, and I'm gonna try to convey it. I'm

1744
01:36:56,800 --> 01:36:58,400
Speaker 1: gonna try to speak on it in a way that

1745
01:36:58,520 --> 01:37:06,160
Speaker 1: y'all understand. I'm not free yet in regards to me

1746
01:37:06,360 --> 01:37:08,680
Speaker 1: just being able to speak how I won't And I

1747
01:37:08,720 --> 01:37:11,160
Speaker 1: don't mean no one's mate telling me not to speak

1748
01:37:11,200 --> 01:37:14,599
Speaker 1: about things. I'm just saying I don't know, I don't

1749
01:37:14,640 --> 01:37:22,240
Speaker 1: know what could be considered harmful to the brand just yet, right,

1750
01:37:22,320 --> 01:37:26,679
Speaker 1: I know, I know misunderstandings happening things, But there's something

1751
01:37:26,840 --> 01:37:30,400
Speaker 1: in this industry man where well I think they that

1752
01:37:30,600 --> 01:37:33,560
Speaker 1: sometimes that because people view me as an up and

1753
01:37:33,720 --> 01:37:38,880
Speaker 1: coming podcaster or fresh face in regards to entertainment, some

1754
01:37:39,080 --> 01:37:42,200
Speaker 1: people may view me as when I reach out to

1755
01:37:42,320 --> 01:37:44,439
Speaker 1: them or when I show them love, they may view

1756
01:37:44,520 --> 01:37:46,400
Speaker 1: that a way. They may view that like I need

1757
01:37:46,439 --> 01:37:51,040
Speaker 1: an opportunity, and they couldn't be more wrong. I come

1758
01:37:51,120 --> 01:37:54,479
Speaker 1: in the game with innovation on my side, with the

1759
01:37:54,560 --> 01:37:58,000
Speaker 1: truth on my side. I come in the game understand

1760
01:37:58,080 --> 01:38:01,680
Speaker 1: that everything about the game right, I understand it. I

1761
01:38:01,760 --> 01:38:05,240
Speaker 1: can talk about these people and make millions never talking

1762
01:38:05,320 --> 01:38:07,640
Speaker 1: to these people. I want to be clear that I

1763
01:38:07,800 --> 01:38:12,080
Speaker 1: understand this game. But something is happening or it may

1764
01:38:12,120 --> 01:38:14,679
Speaker 1: be me coming from the street, and that's why I'm saying.

1765
01:38:14,720 --> 01:38:17,680
Speaker 1: That's why I'm not projecting right. I'm dealing with the

1766
01:38:17,760 --> 01:38:21,639
Speaker 1: information right now, so I'm just still calculating it. Something's happening.

1767
01:38:22,360 --> 01:38:24,840
Speaker 1: I'm like, yo, I know they don't think that, you know,

1768
01:38:25,680 --> 01:38:30,439
Speaker 1: because I show love that I need them. I would

1769
01:38:30,479 --> 01:38:33,040
Speaker 1: hate for them to mistake that. I would hate them.

1770
01:38:33,800 --> 01:38:36,679
Speaker 1: I would hate for them to mistake me being humble

1771
01:38:36,760 --> 01:38:39,800
Speaker 1: and a student of the game with me being desperate

1772
01:38:40,160 --> 01:38:43,959
Speaker 1: and in need of some kind of intervention by outside sources,

1773
01:38:45,479 --> 01:38:48,120
Speaker 1: because sometimes he can be received that way. It can

1774
01:38:48,280 --> 01:38:50,880
Speaker 1: feel that way when I You're like, yo, bro, I

1775
01:38:51,040 --> 01:38:54,160
Speaker 1: know y'all, don't man, I'm a yo man. Listen respectfully

1776
01:38:54,200 --> 01:38:57,360
Speaker 1: to everybody in the game. I'm dealing with too much

1777
01:38:57,439 --> 01:39:00,679
Speaker 1: information home, right, And I ain't saying I'm talking about

1778
01:39:00,720 --> 01:39:03,560
Speaker 1: in real life. You know. I know they think you

1779
01:39:03,720 --> 01:39:07,040
Speaker 1: come from the street, Henry. I'm telling you, dudes, don't

1780
01:39:07,160 --> 01:39:11,559
Speaker 1: make that mistake. But as I, as I go through

1781
01:39:11,640 --> 01:39:15,160
Speaker 1: the game, and it feels that way, right, And if

1782
01:39:15,200 --> 01:39:17,080
Speaker 1: you say, well, lone would make you feel that way,

1783
01:39:19,280 --> 01:39:22,360
Speaker 1: and it's it's almost like the vibe or the energy

1784
01:39:22,479 --> 01:39:25,600
Speaker 1: or the tone or some of these things. You know,

1785
01:39:26,040 --> 01:39:28,240
Speaker 1: you you might I might reach out to somebody and

1786
01:39:28,360 --> 01:39:30,439
Speaker 1: be like yo, such and such and such a and

1787
01:39:30,600 --> 01:39:35,680
Speaker 1: I might feel like they response was a little and

1788
01:39:35,760 --> 01:39:39,880
Speaker 1: they ain't saying nothing disrespectful. As again, I always look

1789
01:39:39,920 --> 01:39:43,160
Speaker 1: at these entertainment shit is weird right as I even

1790
01:39:43,240 --> 01:39:45,080
Speaker 1: as even though I'm in it, I'm in it now,

1791
01:39:45,240 --> 01:39:47,920
Speaker 1: so maybe I'm weird too. But I look at these

1792
01:39:48,160 --> 01:39:51,120
Speaker 1: entertainment guys like like they some of them think they

1793
01:39:51,520 --> 01:39:55,560
Speaker 1: don't stink or something like some of them think that,

1794
01:39:56,040 --> 01:39:58,479
Speaker 1: you know, I don't know. I just need people to

1795
01:39:58,600 --> 01:40:00,960
Speaker 1: understand something. Then we got people in the game that

1796
01:40:01,320 --> 01:40:04,839
Speaker 1: we loan that that that I look at like respect

1797
01:40:04,920 --> 01:40:08,400
Speaker 1: the game, right and not that I'm somebody that's taking

1798
01:40:08,479 --> 01:40:11,439
Speaker 1: place in the you know, but I'm offering something to

1799
01:40:11,520 --> 01:40:14,040
Speaker 1: the coaching. Man, it's undenied. I don't care who it

1800
01:40:14,200 --> 01:40:17,360
Speaker 1: is that's saying whatever that I'm offering something to the coaches.

1801
01:40:17,400 --> 01:40:19,439
Speaker 1: So a lot of the real ones are embracing that

1802
01:40:19,520 --> 01:40:22,920
Speaker 1: and saying, yo, he offering that he he what this

1803
01:40:23,400 --> 01:40:28,040
Speaker 1: here kicking it? But someone make it feel like you

1804
01:40:28,200 --> 01:40:34,120
Speaker 1: may think that that big loon needs you. And I

1805
01:40:34,240 --> 01:40:36,880
Speaker 1: know that I shouldn't give add time to these kind

1806
01:40:36,960 --> 01:40:39,240
Speaker 1: of things, but I'm hoping that this can be a

1807
01:40:39,360 --> 01:40:42,519
Speaker 1: cautionary retail. This can be a listen to people that's

1808
01:40:42,600 --> 01:40:45,640
Speaker 1: in line right, because it's a weird vibe when you

1809
01:40:45,720 --> 01:40:48,680
Speaker 1: on the other side, when when when you know, I

1810
01:40:48,760 --> 01:40:55,080
Speaker 1: feel like Kanye running around the building big ideas you understand,

1811
01:40:55,360 --> 01:40:57,240
Speaker 1: I feel like I'm running around the game with the

1812
01:40:57,320 --> 01:41:00,880
Speaker 1: biggest ideas in the game, to the point where incurbating

1813
01:41:00,960 --> 01:41:04,720
Speaker 1: my ideas. They taking my talking points, regurgitating them on

1814
01:41:04,800 --> 01:41:07,760
Speaker 1: a high level platforms and saying them. And I gotta

1815
01:41:07,840 --> 01:41:11,160
Speaker 1: just sit there because I'm looking cloud right there. I listen,

1816
01:41:11,479 --> 01:41:16,519
Speaker 1: I got enough information, enough were a thaw, enough, I

1817
01:41:16,600 --> 01:41:19,280
Speaker 1: can just grab this cloud right and grab one of

1818
01:41:19,360 --> 01:41:23,639
Speaker 1: these weird old dudes and literally go through their pass

1819
01:41:24,520 --> 01:41:28,280
Speaker 1: right and and and cloud chase. But I won't do that.

1820
01:41:29,880 --> 01:41:32,439
Speaker 1: I won't do that. A lot of people in this

1821
01:41:32,600 --> 01:41:37,880
Speaker 1: industry has been here for a while. They have confused

1822
01:41:37,960 --> 01:41:44,719
Speaker 1: their position in the industry with their ability in the industry.

1823
01:41:46,080 --> 01:41:47,960
Speaker 1: So you got a lot of people in position that

1824
01:41:48,080 --> 01:41:50,880
Speaker 1: ain't done things in years. You got a lot of

1825
01:41:50,960 --> 01:41:54,760
Speaker 1: people in position that don't know what to do next. Right.

1826
01:41:54,880 --> 01:41:57,240
Speaker 1: We all need each other in this game. But for

1827
01:41:57,400 --> 01:42:01,000
Speaker 1: some strange reason, there's a cap on what people are

1828
01:42:01,040 --> 01:42:04,320
Speaker 1: willing to do for people that's under them. And when

1829
01:42:04,360 --> 01:42:06,439
Speaker 1: I say under them, I think that's why I had

1830
01:42:06,520 --> 01:42:11,000
Speaker 1: a problem man, because they say under them because of

1831
01:42:11,040 --> 01:42:15,240
Speaker 1: the picking order this bullsh industry. But when we view

1832
01:42:15,400 --> 01:42:18,400
Speaker 1: a man based on his morals, his ethics, his colds,

1833
01:42:18,720 --> 01:42:22,439
Speaker 1: his background is integrity, what he stood for, a stand for,

1834
01:42:22,600 --> 01:42:25,120
Speaker 1: what he's willing to go through the right side or right?

1835
01:42:25,280 --> 01:42:27,160
Speaker 1: Is he on the right side or the wrong side.

1836
01:42:27,360 --> 01:42:29,880
Speaker 1: When we deal with a man, do we take his children? I,

1837
01:42:29,880 --> 01:42:32,880
Speaker 1: as mother feel about him? How has people feel about him?

1838
01:42:33,000 --> 01:42:35,439
Speaker 1: Is he in a position to lead? When we deal

1839
01:42:35,479 --> 01:42:37,960
Speaker 1: with that, we start looking at dudes different. I'm I

1840
01:42:38,080 --> 01:42:42,880
Speaker 1: look at some of the do like skeletons. But because

1841
01:42:42,920 --> 01:42:45,600
Speaker 1: of the picking order other industry, they're being able to

1842
01:42:46,439 --> 01:42:48,880
Speaker 1: place you in a situation where they think, oh, he

1843
01:42:48,960 --> 01:42:53,240
Speaker 1: won't to get up in the industry. I'm gonna act

1844
01:42:53,280 --> 01:42:55,559
Speaker 1: like I don't see him when he tagged my act

1845
01:42:55,600 --> 01:42:59,439
Speaker 1: like I don't see him. I'm act like I ain't

1846
01:42:59,479 --> 01:43:02,439
Speaker 1: gonna respond. I'm act like I ain't nah. I'm nah,

1847
01:43:02,479 --> 01:43:04,320
Speaker 1: I ain't see I ain't see that brush. So don't

1848
01:43:04,320 --> 01:43:06,759
Speaker 1: you see I ain't see you? You say, I ain't

1849
01:43:06,760 --> 01:43:13,280
Speaker 1: even see it? Real the industry is a bad play.

1850
01:43:14,160 --> 01:43:16,760
Speaker 1: But see, I don't confuse these dudes position on the

1851
01:43:16,840 --> 01:43:20,519
Speaker 1: picking order what they power. I understand those are two

1852
01:43:20,560 --> 01:43:22,639
Speaker 1: different things. I know a lot of people are famous

1853
01:43:22,880 --> 01:43:28,040
Speaker 1: and useless in regards to the grand scheme of things. Right,

1854
01:43:28,280 --> 01:43:30,040
Speaker 1: they can go in a building and get a deal

1855
01:43:30,280 --> 01:43:33,120
Speaker 1: for them because they're selling They celebrity. They can't execute

1856
01:43:33,160 --> 01:43:36,680
Speaker 1: a deal for someone else, They can't explain attributes for

1857
01:43:36,840 --> 01:43:39,960
Speaker 1: someone else. They badly can explain their own attributes. And

1858
01:43:40,080 --> 01:43:42,160
Speaker 1: then when I come to them, they want to view

1859
01:43:42,240 --> 01:43:44,720
Speaker 1: me as somebody that may need a leg up. Now,

1860
01:43:44,840 --> 01:43:48,760
Speaker 1: everybody speak black excellence, everybody talk this. Put your man down.

1861
01:43:49,280 --> 01:43:51,840
Speaker 1: Keep telling y'all that it's a facade. They make you

1862
01:43:51,960 --> 01:43:53,920
Speaker 1: think you can come in the industry. Get some money, boy,

1863
01:43:54,000 --> 01:43:56,000
Speaker 1: Come get you some money. Boy. You got the plug

1864
01:43:56,160 --> 01:43:58,280
Speaker 1: in with him and Damn and Dad and this and that.

1865
01:43:58,400 --> 01:44:01,360
Speaker 1: They even structure it and the way to even be considered.

1866
01:44:01,439 --> 01:44:03,880
Speaker 1: They make phone calls to people for some of these

1867
01:44:04,880 --> 01:44:07,400
Speaker 1: pic dicks and some of these festivals. Man, you know

1868
01:44:07,479 --> 01:44:10,400
Speaker 1: how far up the list you gotta be. Listen, bro,

1869
01:44:10,640 --> 01:44:12,800
Speaker 1: they're not gonna make the call for them. But I

1870
01:44:12,880 --> 01:44:15,360
Speaker 1: want people out there to understand that I have everything

1871
01:44:15,520 --> 01:44:18,200
Speaker 1: I need. God said it will be. So you're dealing

1872
01:44:18,280 --> 01:44:20,040
Speaker 1: with the truth when you're looking at me. I ain't

1873
01:44:20,080 --> 01:44:23,400
Speaker 1: gonna stop what I'm doing. Your position in the industry

1874
01:44:23,479 --> 01:44:27,160
Speaker 1: don't affect the way I feel about my product. I

1875
01:44:27,320 --> 01:44:30,320
Speaker 1: understand my work good. So no matter what, we're gonna

1876
01:44:30,360 --> 01:44:33,479
Speaker 1: be all right. And it's up because in the industry

1877
01:44:33,600 --> 01:44:36,160
Speaker 1: is hard to explain if you got genuine love for it.

1878
01:44:37,280 --> 01:44:39,560
Speaker 1: It's hard to be like bro. Man, Damn, I'm in

1879
01:44:39,640 --> 01:44:42,840
Speaker 1: this bullshit industry. I've seen another real bro. I just

1880
01:44:42,960 --> 01:44:45,160
Speaker 1: feel like, Bro, we poled her, you know what I'm saying,

1881
01:44:45,160 --> 01:44:47,479
Speaker 1: Because I look at this industry like I don't eat

1882
01:44:47,560 --> 01:44:49,639
Speaker 1: the suckers. You know what I'm saying. It's a whole

1883
01:44:49,680 --> 01:44:52,360
Speaker 1: bunch of sucker sucker going on. So I'm like, Yo,

1884
01:44:52,600 --> 01:44:54,920
Speaker 1: you're a real one. I know what I am. I

1885
01:44:55,080 --> 01:44:57,679
Speaker 1: know what's going on with me. So I'll be trying

1886
01:44:57,720 --> 01:45:00,320
Speaker 1: to connect sometimes and they feel like a disc neck

1887
01:45:00,479 --> 01:45:02,800
Speaker 1: and then when the disconnect is there, I'm cool with that.

1888
01:45:03,800 --> 01:45:05,760
Speaker 1: I know the table gonna turn. I'm gonna have the

1889
01:45:05,800 --> 01:45:08,320
Speaker 1: biggest show in the world. I'm telling you that for show.

1890
01:45:08,720 --> 01:45:11,360
Speaker 1: So at some point the tables are turning, then you're

1891
01:45:11,360 --> 01:45:13,120
Speaker 1: a double bag. And then I had to hold you

1892
01:45:13,200 --> 01:45:17,280
Speaker 1: accountable because I'm not a fake dude, and your position

1893
01:45:17,680 --> 01:45:20,200
Speaker 1: didn't ever mean that much to me. From the beginning.

1894
01:45:20,240 --> 01:45:22,800
Speaker 1: When I reached out, it was all about I thought

1895
01:45:22,880 --> 01:45:25,080
Speaker 1: you was another nick out here in the wars. The

1896
01:45:25,160 --> 01:45:27,439
Speaker 1: industry is the wars. I speak about it all the time.

1897
01:45:28,000 --> 01:45:30,599
Speaker 1: You see Carter being offset or some of these two

1898
01:45:30,720 --> 01:45:32,840
Speaker 1: black people that find each other and fall in love

1899
01:45:32,920 --> 01:45:35,960
Speaker 1: in this industry, and you say, Yo, they got lucky

1900
01:45:37,320 --> 01:45:39,360
Speaker 1: because y'all be hating on me because I'm taking the

1901
01:45:39,439 --> 01:45:41,400
Speaker 1: private jay. Y'all don't know what it's like when I

1902
01:45:41,520 --> 01:45:45,400
Speaker 1: get to the Clipport, ain't known like me there. So

1903
01:45:45,600 --> 01:45:49,120
Speaker 1: now I'm dealing with classicism and racism. How this nick

1904
01:45:49,160 --> 01:45:54,200
Speaker 1: get in here? He got blonde dreads. Even the black

1905
01:45:54,280 --> 01:45:57,120
Speaker 1: people that I see at the Clipport, they ain't my kin.

1906
01:45:57,320 --> 01:46:00,839
Speaker 1: They don't even like my kind of black. It's it layered.

1907
01:46:01,040 --> 01:46:03,800
Speaker 1: So if I do find love or somebody that I

1908
01:46:03,880 --> 01:46:06,160
Speaker 1: feel like I can, man, damn bro, we're in this

1909
01:46:06,280 --> 01:46:11,439
Speaker 1: industry to get boy weird around here. I think they

1910
01:46:11,840 --> 01:46:18,160
Speaker 1: don't sting. They get position, confuse, confused, and they think

1911
01:46:18,240 --> 01:46:21,040
Speaker 1: that you are listing them. But it ain't about what

1912
01:46:21,160 --> 01:46:23,880
Speaker 1: they call you. It's about what you answer to. Let

1913
01:46:23,920 --> 01:46:26,479
Speaker 1: me say this too to y'all man, and with all

1914
01:46:26,560 --> 01:46:30,080
Speaker 1: due respect to all my industry connects, I'm a competitor.

1915
01:46:30,880 --> 01:46:34,000
Speaker 1: I'm not competing with anyone in particular. I'm competing with

1916
01:46:34,080 --> 01:46:37,320
Speaker 1: the market. I'm competing with having the best information, the

1917
01:46:37,439 --> 01:46:40,800
Speaker 1: best shows out there, the best concepts out there, like

1918
01:46:41,000 --> 01:46:43,479
Speaker 1: it's just who I am. And some of y'all get

1919
01:46:43,520 --> 01:46:45,759
Speaker 1: afraid of that because you ain't have to never hustle

1920
01:46:46,040 --> 01:46:51,759
Speaker 1: when everybody you know was hustling. Everybody I know so weed.

1921
01:46:51,920 --> 01:46:54,160
Speaker 1: I had weed too. I had to figure something out.

1922
01:46:55,200 --> 01:46:57,680
Speaker 1: Everybody I know was hustling at the same time the

1923
01:46:57,840 --> 01:47:02,080
Speaker 1: same things. Right. I even remember coming up from the project,

1924
01:47:02,200 --> 01:47:04,320
Speaker 1: being in the car with you know, a couple of

1925
01:47:04,400 --> 01:47:06,560
Speaker 1: my like me and ltlegrees or somebody being in the

1926
01:47:06,640 --> 01:47:08,920
Speaker 1: car me and a couple of my homeboards of being

1927
01:47:08,960 --> 01:47:11,360
Speaker 1: the kind if we ain't quick with getting up to

1928
01:47:11,439 --> 01:47:14,920
Speaker 1: the gas station man, another pull up on your sale

1929
01:47:14,960 --> 01:47:19,400
Speaker 1: and say, yo, like my name. You know back then

1930
01:47:19,560 --> 01:47:22,800
Speaker 1: my name was Poco in the street, Poco sitting me,

1931
01:47:22,920 --> 01:47:25,439
Speaker 1: Poco sitting men, I pull up and then call my play.

1932
01:47:25,680 --> 01:47:29,600
Speaker 1: Where yet I'm already straight, they said, Poco. They a

1933
01:47:29,760 --> 01:47:31,479
Speaker 1: dude pulled up on it. What kind of car he

1934
01:47:31,560 --> 01:47:33,479
Speaker 1: was in? He was in a white Well damn, So

1935
01:47:33,920 --> 01:47:36,320
Speaker 1: now I gotta find out whos short stopping my plays

1936
01:47:36,400 --> 01:47:40,120
Speaker 1: around him because everybody's selling the same thing. So I

1937
01:47:40,240 --> 01:47:43,519
Speaker 1: don't view a man popping up with work that way,

1938
01:47:43,880 --> 01:47:46,559
Speaker 1: I got to identify. I might even send a seal

1939
01:47:46,640 --> 01:47:48,800
Speaker 1: to go get some and then he got sold the

1940
01:47:48,840 --> 01:47:52,160
Speaker 1: ball here dial or my people ain't gonna like that

1941
01:47:52,240 --> 01:47:55,280
Speaker 1: because I got that blister, you know what I'm saying.

1942
01:47:55,320 --> 01:47:57,439
Speaker 1: So I don't, I don't don't view it in that way,

1943
01:47:57,520 --> 01:47:59,680
Speaker 1: but it's scarcly in this industry, a lot of these

1944
01:48:00,479 --> 01:48:05,600
Speaker 1: got that famine mentality, and so they're a mistake. A

1945
01:48:05,720 --> 01:48:09,160
Speaker 1: young entrepreneur, hustling ass nigga that came in the game

1946
01:48:09,280 --> 01:48:13,559
Speaker 1: and position with a nigga that need them for a favor,

1947
01:48:13,720 --> 01:48:17,920
Speaker 1: and they couldn't be more wrong. I'm anna hustler money.

1948
01:48:18,760 --> 01:48:21,160
Speaker 1: I'm gonna go get the money. Make sure this thing

1949
01:48:21,360 --> 01:48:25,680
Speaker 1: is on. Don't you ever in your life mistake a

1950
01:48:25,800 --> 01:48:29,840
Speaker 1: short man for a boy. Don't you mistake a short

1951
01:48:29,920 --> 01:48:32,800
Speaker 1: man for a boy, because that's the mistake. I see

1952
01:48:32,800 --> 01:48:36,040
Speaker 1: a lot of these industry dudes making you're viewing me

1953
01:48:36,160 --> 01:48:41,519
Speaker 1: as somebody that needs you when I can argue the opposite, right,

1954
01:48:41,680 --> 01:48:44,840
Speaker 1: Because in this game, bro, it's gonna take innovation, bro,

1955
01:48:45,640 --> 01:48:49,040
Speaker 1: simple and plane. Do not get comfortable in those little

1956
01:48:49,080 --> 01:48:52,639
Speaker 1: positions man, dealing with only your name. You got young

1957
01:48:52,800 --> 01:48:56,479
Speaker 1: hungry coming up, that's only come up. And I think

1958
01:48:56,520 --> 01:48:58,519
Speaker 1: that in this industry, man, a lot of y'all been

1959
01:48:58,600 --> 01:49:01,920
Speaker 1: confused and a short man with a boy, and you're

1960
01:49:01,960 --> 01:49:04,280
Speaker 1: dealing with big loan and that ain't what that is.

1961
01:49:05,040 --> 01:49:08,200
Speaker 1: Dude got his own hustle. Dude got his own thing going. Dude,

1962
01:49:08,320 --> 01:49:11,160
Speaker 1: know what he's doing over He putting high level game

1963
01:49:11,280 --> 01:49:16,720
Speaker 1: down right by myself, two three hours a day, right

1964
01:49:17,120 --> 01:49:21,200
Speaker 1: every episode, two three hours. No no co host, no

1965
01:49:21,400 --> 01:49:25,600
Speaker 1: co signers, no nothing, no talking point, no regurgitating of

1966
01:49:25,680 --> 01:49:29,320
Speaker 1: talking points. This is expensive you dealing with over here,

1967
01:49:30,200 --> 01:49:33,400
Speaker 1: And let the church say a man, y'all gotta get

1968
01:49:33,479 --> 01:49:35,360
Speaker 1: that right and keep it right. Don't you ever in

1969
01:49:35,479 --> 01:49:38,240
Speaker 1: your life mistake a short man for a boy. I

1970
01:49:38,320 --> 01:49:42,680
Speaker 1: don't need no favors. I don't need no favoritism. What

1971
01:49:42,840 --> 01:49:45,960
Speaker 1: I need is information, right, and I'll get that with

1972
01:49:46,200 --> 01:49:48,720
Speaker 1: or without people. And I just wanted to make that

1973
01:49:48,880 --> 01:49:52,920
Speaker 1: psay to be clear to my you know, constituents, and

1974
01:49:53,320 --> 01:49:57,120
Speaker 1: be clear to the industry you know, and and hold

1975
01:49:57,160 --> 01:50:01,360
Speaker 1: me accountable if it's anything outside of that. If you

1976
01:50:01,520 --> 01:50:05,080
Speaker 1: I don't cloud Chase, Yeah, I don't cloud Chase. I

1977
01:50:05,160 --> 01:50:07,200
Speaker 1: don't do out let what I speak on something I

1978
01:50:07,320 --> 01:50:10,200
Speaker 1: give information about. I don't do no cloud chasing. I

1979
01:50:10,240 --> 01:50:13,280
Speaker 1: don't do no wave riding. You know it ain't ain't

1980
01:50:13,360 --> 01:50:17,000
Speaker 1: what I'm doing. Man, These genuine relationships I got with individuals,

1981
01:50:17,400 --> 01:50:20,639
Speaker 1: genuine love I got for individuals. But if the love

1982
01:50:20,720 --> 01:50:28,920
Speaker 1: ain't reciprocated, then it's and that's exclude nobody respectfully, you understand. So, um,

1983
01:50:29,560 --> 01:50:32,400
Speaker 1: you know, let the church say, Man, I'm strong in

1984
01:50:32,479 --> 01:50:36,400
Speaker 1: this field. You know, I'm strong in this field and

1985
01:50:36,760 --> 01:50:41,240
Speaker 1: unfortunate for people, this is my environment. You know what

1986
01:50:41,280 --> 01:50:43,360
Speaker 1: I'm saying. What I speak about the things that we

1987
01:50:43,720 --> 01:50:46,760
Speaker 1: unfortunately are going through, things that I've had to go through,

1988
01:50:47,240 --> 01:50:49,560
Speaker 1: you know. So this is my environment. And you know

1989
01:50:49,800 --> 01:50:53,520
Speaker 1: the crocodile strength is in the water. It's all about environment.

1990
01:50:54,240 --> 01:50:56,360
Speaker 1: What I'm saying, Like if you put a fish outside

1991
01:50:56,439 --> 01:50:59,600
Speaker 1: the water, ain't no good. You know, you put up

1992
01:50:59,640 --> 01:51:01,760
Speaker 1: You put the army guy. I mean, you put a

1993
01:51:01,840 --> 01:51:03,439
Speaker 1: soldier in a position to where he got to be

1994
01:51:03,520 --> 01:51:06,280
Speaker 1: a thinker. He may not be able to excel. Know

1995
01:51:06,320 --> 01:51:08,040
Speaker 1: what I'm saying. You put a seal in a position

1996
01:51:08,120 --> 01:51:11,360
Speaker 1: to be a thinker. It's about environment, you know what

1997
01:51:11,400 --> 01:51:14,800
Speaker 1: I'm saying. So again, this is my environment, I mean,

1998
01:51:14,880 --> 01:51:19,760
Speaker 1: the right environment to thrive. And no matter the no

1999
01:51:20,000 --> 01:51:22,840
Speaker 1: look games, no matter if never help, they ain't gonna

2000
01:51:22,880 --> 01:51:26,360
Speaker 1: discourage that. I got enough where a thal, enough understanding

2001
01:51:27,040 --> 01:51:29,880
Speaker 1: the people. I got the people know what I'm saying.

2002
01:51:30,000 --> 01:51:32,040
Speaker 1: We're going to get the people because that's what it's about.

2003
01:51:32,280 --> 01:51:35,200
Speaker 1: I bypassed even if I got to, and it may

2004
01:51:35,280 --> 01:51:38,599
Speaker 1: take a little longer, and that's okay with me. I'm

2005
01:51:38,680 --> 01:51:43,200
Speaker 1: okay with that trust that you're doing. Sometimes I talk

2006
01:51:43,240 --> 01:51:46,000
Speaker 1: about the streets because I come from them and I

2007
01:51:46,120 --> 01:51:49,519
Speaker 1: understand the ramifications. I think we gotta be careful though,

2008
01:51:49,680 --> 01:51:52,200
Speaker 1: as we spent a lot of time and had our

2009
01:51:52,280 --> 01:51:56,040
Speaker 1: greatest minds thinking about tearing the rapper down instead of

2010
01:51:56,160 --> 01:51:58,840
Speaker 1: evolving the rapper. Again, I made that point. I'm gonna

2011
01:51:58,840 --> 01:52:01,160
Speaker 1: stick back and I'm gonna do my best at trying

2012
01:52:01,160 --> 01:52:03,840
Speaker 1: to amplify voices that want to evolve the rapper, not

2013
01:52:04,000 --> 01:52:07,640
Speaker 1: kill the wrapper off. At my injunction or at my conception,

2014
01:52:08,240 --> 01:52:11,640
Speaker 1: you know, I was instrumental. I am instrumental in the

2015
01:52:11,840 --> 01:52:14,960
Speaker 1: in the voices of people who standing on the side

2016
01:52:15,080 --> 01:52:17,720
Speaker 1: of holding rappers accountable on some of the lyrics and

2017
01:52:17,800 --> 01:52:21,040
Speaker 1: trying to tweak it or because I'm gonna tell you

2018
01:52:21,120 --> 01:52:25,840
Speaker 1: what had me stuck. A lot of them was lying

2019
01:52:25,960 --> 01:52:30,519
Speaker 1: to our babies, you understand. And and I think now

2020
01:52:30,640 --> 01:52:32,720
Speaker 1: this new generation is to a point where they ain't

2021
01:52:32,800 --> 01:52:35,240
Speaker 1: really a lot of mainline still some of them cabin

2022
01:52:35,360 --> 01:52:37,280
Speaker 1: but some of them is involved in these stays. And

2023
01:52:37,360 --> 01:52:39,599
Speaker 1: I'm not sure that may be a bigger problem than

2024
01:52:39,720 --> 01:52:44,839
Speaker 1: lying tune, you know, because now we that truth resonnate different.

2025
01:52:47,160 --> 01:52:49,280
Speaker 1: The feeling that come along with the truth is just

2026
01:52:49,400 --> 01:52:52,320
Speaker 1: a different feeling, and that can send a fix through

2027
01:52:52,400 --> 01:52:56,680
Speaker 1: our children that may be unrecoverable. But I have a

2028
01:52:56,760 --> 01:52:59,640
Speaker 1: massive problem with lying. You know about how far you

2029
01:52:59,800 --> 01:53:02,439
Speaker 1: was willing to go. And because all my homeboards, the

2030
01:53:02,560 --> 01:53:04,599
Speaker 1: dudes that really done it, whin and done the time,

2031
01:53:04,720 --> 01:53:06,840
Speaker 1: they all all of us. We want to get out

2032
01:53:06,920 --> 01:53:09,320
Speaker 1: the street. That's why you hit me, talk about get

2033
01:53:09,360 --> 01:53:11,519
Speaker 1: out the street. And I'm still standing firm on that

2034
01:53:11,680 --> 01:53:14,640
Speaker 1: out the street streets is dead. I stamped that so

2035
01:53:14,840 --> 01:53:18,160
Speaker 1: dead issue. That don't mean people ain't in the streets.

2036
01:53:18,439 --> 01:53:21,280
Speaker 1: That possibly we may have a possible chance to say.

2037
01:53:23,200 --> 01:53:25,080
Speaker 1: And as much as we want to live in this

2038
01:53:25,240 --> 01:53:28,200
Speaker 1: imagine every world where the streets disappeared, the blink of

2039
01:53:28,280 --> 01:53:31,519
Speaker 1: an eye that ain't gonna happen. The conditions ain't going nowhere.

2040
01:53:31,840 --> 01:53:35,280
Speaker 1: So we gotta have some kind of instruction manual on

2041
01:53:35,479 --> 01:53:38,680
Speaker 1: navigation around some of these things. And so I think

2042
01:53:38,760 --> 01:53:42,840
Speaker 1: that's where we come in that. But the rules in

2043
01:53:42,960 --> 01:53:45,880
Speaker 1: the hood, you gotta abandon them, especially the wars that

2044
01:53:45,920 --> 01:53:47,720
Speaker 1: had you running up against death. A lot of them

2045
01:53:47,760 --> 01:53:50,400
Speaker 1: will make you crash right out about what he said

2046
01:53:50,479 --> 01:53:54,560
Speaker 1: to you. You understand it. And the ship literally just

2047
01:53:54,680 --> 01:53:56,960
Speaker 1: to pick up a letter, because you may be the

2048
01:53:57,360 --> 01:53:59,519
Speaker 1: really the only in your crew that is really gonna

2049
01:53:59,560 --> 01:54:01,920
Speaker 1: get out like that if they kill your partney, your

2050
01:54:01,960 --> 01:54:04,479
Speaker 1: life on the line about that. But they might kill

2051
01:54:04,560 --> 01:54:06,559
Speaker 1: you and your partning ain't got nothing to say about

2052
01:54:06,640 --> 01:54:09,639
Speaker 1: that or find some kind of excuse why he can't

2053
01:54:09,680 --> 01:54:13,439
Speaker 1: do something. But for you, if it was you, nothing

2054
01:54:13,520 --> 01:54:15,640
Speaker 1: would have stopped you from handling that business like you

2055
01:54:15,760 --> 01:54:18,479
Speaker 1: promised your home boy. But now that you in the grave,

2056
01:54:18,760 --> 01:54:21,160
Speaker 1: that ain't done none sense, and he ain't when it

2057
01:54:21,240 --> 01:54:24,360
Speaker 1: saw your mama, then this is petty. They put thetty.

2058
01:54:24,640 --> 01:54:28,240
Speaker 1: That's why I say that. But again I need to understand,

2059
01:54:30,040 --> 01:54:32,920
Speaker 1: a big chat will make you a king. So because

2060
01:54:33,000 --> 01:54:34,960
Speaker 1: he's the big homie in the cribs. That mean he

2061
01:54:35,080 --> 01:54:39,280
Speaker 1: was tricked first, because he was the first that you

2062
01:54:39,400 --> 01:54:41,320
Speaker 1: ever saw what. He was the first one us that

2063
01:54:41,480 --> 01:54:43,560
Speaker 1: was tricked. How far you get with it? Did he

2064
01:54:43,640 --> 01:54:46,880
Speaker 1: pull itself out of her? Did he resurrect itself? Or

2065
01:54:47,000 --> 01:54:48,760
Speaker 1: is he still in that? If he's still inning that

2066
01:54:48,880 --> 01:54:51,360
Speaker 1: you boy, he's still in that trick. But it's hard

2067
01:54:51,400 --> 01:54:53,360
Speaker 1: to tell a man that when all we know is this.

2068
01:54:54,520 --> 01:54:57,960
Speaker 1: So I try to have empathy forward. But I gotta

2069
01:54:58,080 --> 01:55:00,680
Speaker 1: let my kids, because they gotta grow up in. I

2070
01:55:00,800 --> 01:55:03,800
Speaker 1: gotta let them know that beside you, that man, he

2071
01:55:03,960 --> 01:55:06,440
Speaker 1: good at convincing you. He gonna ride. If something happened

2072
01:55:06,600 --> 01:55:10,040
Speaker 1: and you ain't got nowhere of norm I think you

2073
01:55:10,040 --> 01:55:13,480
Speaker 1: should keep yourself about them kind of situation. Thousands of

2074
01:55:13,600 --> 01:55:16,600
Speaker 1: these has done promises that they this dead on't they

2075
01:55:16,720 --> 01:55:19,560
Speaker 1: watched what what they would have done if it happened.

2076
01:55:19,760 --> 01:55:22,520
Speaker 1: I die for you, Twin, I kill for you, twin,

2077
01:55:22,880 --> 01:55:26,960
Speaker 1: big homie, big bro king. This said, be playing man,

2078
01:55:29,240 --> 01:55:33,280
Speaker 1: really be playing man, Nick selling saying like it's brown

2079
01:55:33,400 --> 01:55:36,880
Speaker 1: sugar man. And I gotta tell to keep their eyes

2080
01:55:36,920 --> 01:55:38,960
Speaker 1: open because if you don't do that, you're gonna fall

2081
01:55:39,080 --> 01:55:43,360
Speaker 1: victim to these ain't convinced mama's anyway. My mama don't

2082
01:55:43,360 --> 01:55:46,480
Speaker 1: believe these anyway. I don't even want you going to

2083
01:55:46,560 --> 01:55:48,880
Speaker 1: tell my mama what you gonna do. You know, ain't

2084
01:55:48,880 --> 01:55:51,840
Speaker 1: gonna do nothing. You ain't gonna do nothing. Ain't but

2085
01:55:51,920 --> 01:55:54,040
Speaker 1: a few of them, I I know, for show gonna

2086
01:55:54,080 --> 01:55:57,920
Speaker 1: do it. But boy, a vast majority of them. Then

2087
01:55:58,000 --> 01:56:01,240
Speaker 1: I look like an opportunity too. Boy. They'll tell everybody

2088
01:56:01,240 --> 01:56:03,400
Speaker 1: in my family what they're doing about me. Boy, and

2089
01:56:03,440 --> 01:56:07,840
Speaker 1: they think I'm dumb enough to believe them. They think

2090
01:56:07,880 --> 01:56:10,600
Speaker 1: I'm dumb enough to believe him. All of them is

2091
01:56:10,640 --> 01:56:13,440
Speaker 1: frowning in that picture with you. Ain't gonna die for you.

2092
01:56:13,600 --> 01:56:16,280
Speaker 1: I know that, nick fire. They're gonna get out the way.

2093
01:56:16,400 --> 01:56:18,840
Speaker 1: We see it time and time again. They're getting out

2094
01:56:18,880 --> 01:56:22,280
Speaker 1: the way home. They getting out the way. Ain't none

2095
01:56:22,320 --> 01:56:25,280
Speaker 1: them running into it for you. May this is cap.

2096
01:56:27,440 --> 01:56:30,440
Speaker 1: This is cap. And then he's old as they like

2097
01:56:30,600 --> 01:56:34,160
Speaker 1: to call them old d be lying man. You know,

2098
01:56:34,280 --> 01:56:36,160
Speaker 1: I don't be believing the hype in a way because

2099
01:56:36,160 --> 01:56:39,480
Speaker 1: I understand where you sit when you're old. Tells me

2100
01:56:39,600 --> 01:56:43,000
Speaker 1: where you still when you was young. So when I

2101
01:56:43,080 --> 01:56:45,440
Speaker 1: see you as an old man running around doing all

2102
01:56:45,480 --> 01:56:47,040
Speaker 1: that I know when you were young, you ain't do

2103
01:56:47,200 --> 01:56:50,360
Speaker 1: nothing just Its just common sense for me. But I

2104
01:56:50,480 --> 01:56:53,040
Speaker 1: deal with information. I let y'all deal with the emotions.

2105
01:56:53,320 --> 01:56:55,400
Speaker 1: I look at the people and I view them exactly

2106
01:56:55,480 --> 01:56:58,520
Speaker 1: as what they do. I don't feel nowhere about it

2107
01:56:58,600 --> 01:57:00,480
Speaker 1: one way or another. I know I need to deal

2108
01:57:00,560 --> 01:57:02,600
Speaker 1: with the information to know what it is I'm dealing with.

2109
01:57:02,920 --> 01:57:05,520
Speaker 1: You got dudes like King Yeller and I'm not. I

2110
01:57:05,640 --> 01:57:08,320
Speaker 1: don't know this dude, but I want to live to

2111
01:57:08,400 --> 01:57:11,080
Speaker 1: look at this and understand. This is a dude who

2112
01:57:11,240 --> 01:57:14,240
Speaker 1: was responding the IFBG duck mom and she said yo,

2113
01:57:14,480 --> 01:57:16,880
Speaker 1: his friends didn't keep it real? And and whether she

2114
01:57:17,000 --> 01:57:20,600
Speaker 1: emotion or not, he is his response. My little right

2115
01:57:20,640 --> 01:57:23,480
Speaker 1: here was in the pin with me when Doug died. Hey,

2116
01:57:23,560 --> 01:57:29,600
Speaker 1: j what happened when Doug died? Man passed out? Nick

2117
01:57:29,920 --> 01:57:33,000
Speaker 1: ain't crying. He's holding me in prison. He ain't no

2118
01:57:33,160 --> 01:57:35,480
Speaker 1: face like keep it real? What what can the name

2119
01:57:35,600 --> 01:57:37,240
Speaker 1: I'm on a yard, I don't know what name on

2120
01:57:37,400 --> 01:57:40,680
Speaker 1: the street going on all type of you feel me?

2121
01:57:40,800 --> 01:57:45,800
Speaker 1: So all I know is while Folks was alive, folk

2122
01:57:45,960 --> 01:57:50,160
Speaker 1: was alive, man and winds on the streets was all love.

2123
01:57:50,320 --> 01:57:53,480
Speaker 1: You feel me? But it'd be like I was in prison.

2124
01:57:54,680 --> 01:57:56,200
Speaker 1: Ain't do nothing for me while I was in prison,

2125
01:57:56,520 --> 01:57:58,520
Speaker 1: feel me? So a lot of them don't keep it

2126
01:57:58,640 --> 01:58:01,560
Speaker 1: real while to be alive too though, So you know,

2127
01:58:01,760 --> 01:58:06,560
Speaker 1: and I don't speak about Nick Gag. I'm a I

2128
01:58:06,680 --> 01:58:11,160
Speaker 1: was straight in prison on Folks penitentiary, rich Nick Jill

2129
01:58:11,240 --> 01:58:19,040
Speaker 1: d So do you feel me? But m hm, yeah,

2130
01:58:19,080 --> 01:58:21,120
Speaker 1: I think it's mom just met that, you know, just

2131
01:58:21,240 --> 01:58:23,480
Speaker 1: looking out for mom Dukes and you know, making sure

2132
01:58:23,520 --> 01:58:27,120
Speaker 1: she's all right. Yeah, but you gotta understand this. They

2133
01:58:27,240 --> 01:58:30,840
Speaker 1: all almost got their own problems. It's the same way

2134
01:58:31,880 --> 01:58:35,160
Speaker 1: had conversations with my own blood MoMA and my own kids.

2135
01:58:37,320 --> 01:58:39,600
Speaker 1: I got step kids, real kids and the new baby

2136
01:58:39,680 --> 01:58:43,080
Speaker 1: on the way in the Nick Styll ain't cheat pay

2137
01:58:43,160 --> 01:58:46,520
Speaker 1: real rent card notes, all that insurance. Life is short,

2138
01:58:46,640 --> 01:58:49,840
Speaker 1: all types of shows on. You have your own life,

2139
01:58:50,520 --> 01:58:52,080
Speaker 1: step up to the play to do what you have

2140
01:58:52,240 --> 01:58:55,360
Speaker 1: to do. You can't depend on me. I'm not gonna

2141
01:58:55,360 --> 01:58:57,360
Speaker 1: take care of the world. I'm gonna do what I can.

2142
01:58:58,120 --> 01:59:00,640
Speaker 1: I'm gonna send them off somebody with them supposed to do.

2143
01:59:01,120 --> 01:59:03,440
Speaker 1: Every time you call me, No, you're not gonna keep

2144
01:59:03,480 --> 01:59:09,720
Speaker 1: for ne'sing me. Nobody is my mama, its mama. Well, dude,

2145
01:59:10,160 --> 01:59:14,400
Speaker 1: these really be broken real life man. So I want

2146
01:59:14,440 --> 01:59:16,800
Speaker 1: you to understand something that's a as a man talking

2147
01:59:16,960 --> 01:59:20,720
Speaker 1: and guess what to be alway gangster? You know you don't.

2148
01:59:21,600 --> 01:59:24,040
Speaker 1: I don't know if he said something wrong, but don't.

2149
01:59:24,240 --> 01:59:27,320
Speaker 1: If it's me, don't, don't. Nobody never respond to my

2150
01:59:27,440 --> 01:59:30,160
Speaker 1: mama on land about nothing when he comes to mind

2151
01:59:30,240 --> 01:59:32,160
Speaker 1: and dad and she's saying she needs some hipp and

2152
01:59:32,440 --> 01:59:34,920
Speaker 1: feeling the way by her saying she needs some here, Yo,

2153
01:59:35,040 --> 01:59:37,320
Speaker 1: bro the why I tell y'all y'a about the gang

2154
01:59:37,400 --> 01:59:41,040
Speaker 1: gang gangs? And why tell y'all the gangs did what

2155
01:59:41,200 --> 01:59:44,200
Speaker 1: the gang shire what I'm pulsed to do? Hold up, man,

2156
01:59:44,280 --> 01:59:47,160
Speaker 1: I'm posted. I got my own sets up because as

2157
01:59:47,200 --> 01:59:52,560
Speaker 1: I could get older to realize, damn, damn, I can't

2158
01:59:52,600 --> 01:59:58,160
Speaker 1: really be giving an my money like can ship he

2159
01:59:58,280 --> 02:00:01,040
Speaker 1: needs something on the lawyer, Nick ne gonna get this.

2160
02:00:02,320 --> 02:00:05,960
Speaker 1: They ain't coming through like that. I can almost bet

2161
02:00:06,120 --> 02:00:09,760
Speaker 1: that a lot of people died would have understanding that

2162
02:00:09,840 --> 02:00:11,720
Speaker 1: certain people are gonna do for them and they be

2163
02:00:11,840 --> 02:00:15,520
Speaker 1: in heaven or whatever they yet, like, yo, these really

2164
02:00:15,680 --> 02:00:20,520
Speaker 1: ain't studying that, and I would have win. I would

2165
02:00:20,560 --> 02:00:23,520
Speaker 1: have win. Neither ain't done nothing about that. Man, Then

2166
02:00:23,560 --> 02:00:27,000
Speaker 1: folk done me bad. Then folk let that go. Damn

2167
02:00:27,080 --> 02:00:34,760
Speaker 1: they dined up doing songs with this ship. Oh man, damn,

2168
02:00:34,880 --> 02:00:36,560
Speaker 1: I could have kept living if I would. You know

2169
02:00:36,600 --> 02:00:38,960
Speaker 1: what I'm saying, my gee, man, I don't know, doll.

2170
02:00:39,240 --> 02:00:42,400
Speaker 1: I just again, I want I wanted to be a

2171
02:00:42,520 --> 02:00:46,560
Speaker 1: cautionary tale. Streets are some of the bests are convincing

2172
02:00:46,640 --> 02:00:48,840
Speaker 1: you they love you, or that they're gonna ride, And

2173
02:00:48,880 --> 02:00:50,760
Speaker 1: a lot of times they're not gonna ride. They ain't

2174
02:00:50,760 --> 02:00:52,600
Speaker 1: gonna putting it on your lawyer. They're gonna try to

2175
02:00:52,680 --> 02:00:54,920
Speaker 1: hit your old lady. It's gonna be a lot going on.

2176
02:00:55,000 --> 02:00:56,920
Speaker 1: They're gonna tell your mama what you're speaking. Me to

2177
02:00:57,000 --> 02:00:58,800
Speaker 1: do what I'm supposed to do. And I know a

2178
02:00:58,880 --> 02:01:01,040
Speaker 1: lot of kers ain't gonna like me talking about these

2179
02:01:01,160 --> 02:01:04,200
Speaker 1: kind of things because they don't want me to expose

2180
02:01:04,280 --> 02:01:06,720
Speaker 1: the fact that the streets ain't really what they try

2181
02:01:06,760 --> 02:01:09,960
Speaker 1: to act like it is. They don't want me to

2182
02:01:10,040 --> 02:01:13,600
Speaker 1: expose that because they hadn't behind. Yeah, I'm gang gang,

2183
02:01:13,680 --> 02:01:15,720
Speaker 1: I'm rad, and I'm such and such, I'm this, I'm

2184
02:01:15,800 --> 02:01:18,960
Speaker 1: that y'all ain't gonna do nothing and when them shots

2185
02:01:19,040 --> 02:01:22,120
Speaker 1: go off, y'all gonna get little, as you should. But

2186
02:01:22,280 --> 02:01:24,840
Speaker 1: the personas say that you're gonna run towards the bullet

2187
02:01:24,880 --> 02:01:27,880
Speaker 1: when I know different. You know, see y'all putting on

2188
02:01:27,920 --> 02:01:30,320
Speaker 1: a persona that you're gonna ride, and they betting not

2189
02:01:30,440 --> 02:01:33,080
Speaker 1: play with bro and such and suching, and y'all ain't

2190
02:01:33,240 --> 02:01:34,880
Speaker 1: you know what I'm saying, a lot of times, y'all

2191
02:01:34,960 --> 02:01:38,640
Speaker 1: letting that beef go, man, when when it really started

2192
02:01:38,760 --> 02:01:42,480
Speaker 1: dying and getting locked, this letting this goal. Man, Let's

2193
02:01:42,520 --> 02:01:47,200
Speaker 1: be real, it is letting go out there. This is

2194
02:01:47,280 --> 02:01:49,560
Speaker 1: letting their homes get killed, and they're letting it go.

2195
02:01:53,240 --> 02:01:55,320
Speaker 1: And can't nobody to tell me what to speak on.

2196
02:01:55,480 --> 02:01:57,800
Speaker 1: I got to speak on what I think is relevant

2197
02:01:57,840 --> 02:01:59,680
Speaker 1: to the coach. And my children got to grow up

2198
02:01:59,680 --> 02:02:01,600
Speaker 1: in the way or where there's no understanding on some

2199
02:02:01,720 --> 02:02:05,040
Speaker 1: of these little ideas y'all try to throw around. And

2200
02:02:05,160 --> 02:02:07,160
Speaker 1: you know, the truth sound like hate the people that

2201
02:02:07,280 --> 02:02:10,120
Speaker 1: hate the truth. So I gotta deal with operating in

2202
02:02:10,280 --> 02:02:13,000
Speaker 1: that little confine. You know what I'm saying. They're gonna

2203
02:02:13,040 --> 02:02:15,120
Speaker 1: find a way to. I keep telling them. You know,

2204
02:02:15,280 --> 02:02:17,480
Speaker 1: some people say, go checking me, go, go run it

2205
02:02:17,560 --> 02:02:19,600
Speaker 1: go see what's going on with me. Some people say

2206
02:02:19,720 --> 02:02:24,280
Speaker 1: documentation be conversation. I don't copy off people, so I

2207
02:02:24,360 --> 02:02:27,240
Speaker 1: don't say that. I tell people to lawyer your tone

2208
02:02:27,280 --> 02:02:32,520
Speaker 1: and strengthen your argument. Make sure you're saying something, and

2209
02:02:32,640 --> 02:02:35,400
Speaker 1: that's what it be about. But listen, don't be a

2210
02:02:35,480 --> 02:02:38,440
Speaker 1: running around here trying to you know, think that in

2211
02:02:38,600 --> 02:02:40,640
Speaker 1: the Coyle with you. I had seen I was looking

2212
02:02:40,680 --> 02:02:42,960
Speaker 1: at the documentary the other day. It was a little

2213
02:02:43,560 --> 02:02:47,360
Speaker 1: on house arrest, you know, with the ankle monitor. He

2214
02:02:47,440 --> 02:02:50,440
Speaker 1: wanted to be on camera so bad, say Drake's and

2215
02:02:50,600 --> 02:02:54,240
Speaker 1: everything and put him on camera out here. I said,

2216
02:02:54,280 --> 02:02:56,720
Speaker 1: see they, Why is they? What is that? Why are

2217
02:02:56,760 --> 02:03:00,360
Speaker 1: we doing that? What was that? I ain't. No big

2218
02:03:00,440 --> 02:03:03,840
Speaker 1: home is around, like, bro, if you're dangerous, they're gonna

2219
02:03:03,840 --> 02:03:05,800
Speaker 1: find that you dangerous when they run up on this.

2220
02:03:07,400 --> 02:03:09,440
Speaker 1: A lot of times you'd be feeling like y'all trying

2221
02:03:09,440 --> 02:03:12,960
Speaker 1: to convince people y'all dangerous before they come around, like

2222
02:03:13,080 --> 02:03:17,880
Speaker 1: y'all trying to do a penitentiary wolf game or something now,

2223
02:03:18,040 --> 02:03:21,280
Speaker 1: trying to upload the biggest guns y'all can find. But zookers.

2224
02:03:21,720 --> 02:03:26,320
Speaker 1: I could never me if I had a bazooka, if

2225
02:03:26,360 --> 02:03:28,640
Speaker 1: I even felt I needed one. But if I had

2226
02:03:28,760 --> 02:03:30,920
Speaker 1: one and I was in that kind of drama, I

2227
02:03:31,120 --> 02:03:35,240
Speaker 1: never show that because boy, that's the equalize they come.

2228
02:03:35,320 --> 02:03:38,520
Speaker 1: They're going up on the ground with the bazooka, up

2229
02:03:38,560 --> 02:03:40,440
Speaker 1: on the ground with the bazook I'm not ship they

2230
02:03:40,520 --> 02:03:42,840
Speaker 1: bet quit playing them. Honest, boy, y'all know what going on.

2231
02:03:43,600 --> 02:03:45,760
Speaker 1: You'd be thinking, like, Yo, what's up? What we do?

2232
02:03:45,880 --> 02:03:48,760
Speaker 1: Like y'all, bro we low sight tell But you know

2233
02:03:48,800 --> 02:03:50,600
Speaker 1: I'm gonna try to help lead us up by it.

2234
02:03:50,800 --> 02:03:53,200
Speaker 1: But boy, I might identify a lot of youths on

2235
02:03:53,320 --> 02:03:56,840
Speaker 1: the way though. I got to, you know, because of

2236
02:03:56,920 --> 02:03:59,920
Speaker 1: the greater good of the situation. Let me talk about

2237
02:04:00,120 --> 02:04:03,120
Speaker 1: this really quick, money bag Yo. I wanted to make

2238
02:04:03,200 --> 02:04:05,480
Speaker 1: a point about money Bag Yo because I think that

2239
02:04:08,280 --> 02:04:12,080
Speaker 1: with his last song, I felt like he was slipping

2240
02:04:13,000 --> 02:04:16,800
Speaker 1: before I looked at the numbers. Right, So when I

2241
02:04:16,920 --> 02:04:20,640
Speaker 1: hear money bag Yo, I see a superstar bags of style, right,

2242
02:04:21,360 --> 02:04:25,440
Speaker 1: everybody that's involved with bag no hell style. And when

2243
02:04:25,480 --> 02:04:29,760
Speaker 1: I heard it's almost like when I heard see what

2244
02:04:29,840 --> 02:04:33,040
Speaker 1: I'm saying, I asked myself, is that label input? I

2245
02:04:33,160 --> 02:04:35,360
Speaker 1: hope they letting him create over that. I hope he's

2246
02:04:35,400 --> 02:04:37,560
Speaker 1: got free real to just kind of create and do

2247
02:04:37,680 --> 02:04:40,520
Speaker 1: his thing. You know, I was wondering it's the label

2248
02:04:40,640 --> 02:04:46,000
Speaker 1: involved in that, because if you just rewind back, Baghead,

2249
02:04:47,840 --> 02:04:51,320
Speaker 1: what was it time today? Yeah, so it was time

2250
02:04:51,400 --> 02:04:54,600
Speaker 1: today said something, and now it's it's see what I'm

2251
02:04:54,640 --> 02:04:57,720
Speaker 1: saying in big facts, big facts facts. You know, all

2252
02:04:57,840 --> 02:05:01,000
Speaker 1: them songs kind of got the same kind of twitch

2253
02:05:01,120 --> 02:05:03,840
Speaker 1: on it. And again, these these labels gonna say, boy,

2254
02:05:03,840 --> 02:05:05,960
Speaker 1: you went number one last time, and we did it.

2255
02:05:06,040 --> 02:05:08,400
Speaker 1: This is your formula to go number one because this

2256
02:05:08,560 --> 02:05:11,160
Speaker 1: song can activate that fan base. This song will activate

2257
02:05:11,240 --> 02:05:13,880
Speaker 1: that fan base, right, so they're trying to do that again.

2258
02:05:13,920 --> 02:05:16,320
Speaker 1: And so when I first heard it, I was like, damn, man,

2259
02:05:16,320 --> 02:05:18,120
Speaker 1: I hope they don't get out of bag wait, let

2260
02:05:18,200 --> 02:05:22,360
Speaker 1: him create. And then I've seen that nick go out somewhere,

2261
02:05:22,400 --> 02:05:24,600
Speaker 1: and they was responding to that. See what I'm saying

2262
02:05:24,680 --> 02:05:27,400
Speaker 1: the same way. So I said, well, if if it's broke,

2263
02:05:27,440 --> 02:05:30,000
Speaker 1: don't If it ain't broke, don't break. It seem like

2264
02:05:30,080 --> 02:05:34,440
Speaker 1: it's working, you know. If I had to use my

2265
02:05:34,600 --> 02:05:38,040
Speaker 1: eyes right and we just we're living in fantasy where

2266
02:05:38,240 --> 02:05:42,840
Speaker 1: right now podcasting, I would say that money bag Yo

2267
02:05:43,040 --> 02:05:46,200
Speaker 1: may not sign back to CMG, and he may sign

2268
02:05:46,280 --> 02:05:50,520
Speaker 1: with QC. Something something is telling me that, and I

2269
02:05:50,600 --> 02:05:54,840
Speaker 1: could be one hundred percent wrong. Um, but if Bag

2270
02:05:54,960 --> 02:05:58,200
Speaker 1: and Baby was labelmates over there, you know, it almost

2271
02:05:58,280 --> 02:06:00,880
Speaker 1: feel like that something's there. I don't know, man, and

2272
02:06:01,080 --> 02:06:02,760
Speaker 1: and I won't say why. I'm just you know, I

2273
02:06:02,840 --> 02:06:06,240
Speaker 1: pay attention to everything, but it just seems like that

2274
02:06:06,480 --> 02:06:09,080
Speaker 1: that that that would be a laying this spot for him.

2275
02:06:09,760 --> 02:06:12,240
Speaker 1: But I also believe that God, he gonna do everything

2276
02:06:12,280 --> 02:06:14,880
Speaker 1: and his power to keep Bag Bag is a very

2277
02:06:15,080 --> 02:06:19,360
Speaker 1: important piece to that CMG situation, and I think that

2278
02:06:19,880 --> 02:06:22,000
Speaker 1: he would do everything in his power to try to

2279
02:06:22,080 --> 02:06:23,720
Speaker 1: keep him over there. But I think this may be

2280
02:06:23,880 --> 02:06:27,160
Speaker 1: his last swing, you know, this may be his last

2281
02:06:27,200 --> 02:06:29,480
Speaker 1: swing with them, maybe his last album where he may

2282
02:06:29,560 --> 02:06:31,880
Speaker 1: got one more after this. But he's been an earn

2283
02:06:31,960 --> 02:06:33,640
Speaker 1: over He's made a lot of money over there, so

2284
02:06:33,720 --> 02:06:35,480
Speaker 1: I think he should be an eyde in regards to

2285
02:06:36,680 --> 02:06:38,600
Speaker 1: if they do have to part ways. I think it

2286
02:06:38,600 --> 02:06:40,880
Speaker 1: would be a good thing either way. If he stayed

2287
02:06:40,920 --> 02:06:44,000
Speaker 1: with CMG or be that that's a super good move.

2288
02:06:44,480 --> 02:06:46,680
Speaker 1: If he go a QC, that's a good move. And

2289
02:06:46,800 --> 02:06:49,600
Speaker 1: dependent that's a good move, you know, it just depending

2290
02:06:49,640 --> 02:06:51,680
Speaker 1: on what Bag gonna do. But I think he is

2291
02:06:51,760 --> 02:06:54,040
Speaker 1: in a place to where that conversation is gonna have

2292
02:06:54,160 --> 02:06:57,160
Speaker 1: to be had here soon and on this up there podcast.

2293
02:06:57,280 --> 02:06:59,240
Speaker 1: Of course, we deal with the business, so we kind

2294
02:06:59,240 --> 02:07:01,560
Speaker 1: of deal with it. Bag is a proven act in

2295
02:07:01,640 --> 02:07:05,640
Speaker 1: this business. You know. I was telling my homeboy that

2296
02:07:05,840 --> 02:07:08,240
Speaker 1: God it did him a solid. God it gave him

2297
02:07:08,320 --> 02:07:12,400
Speaker 1: that project, that joint project when he was coming off

2298
02:07:12,480 --> 02:07:14,480
Speaker 1: that down in the DM with Nikki which was a

2299
02:07:14,600 --> 02:07:17,880
Speaker 1: number one song with Nicki Minaj. Just so he had

2300
02:07:18,000 --> 02:07:21,280
Speaker 1: that album and Bag went on that album and he

2301
02:07:21,360 --> 02:07:24,120
Speaker 1: went back to back to back to Bag. He showed off. Man,

2302
02:07:24,640 --> 02:07:27,400
Speaker 1: he really showed off, and he showed it, Oh I

2303
02:07:27,480 --> 02:07:29,680
Speaker 1: can do this. And that's what made me. When I

2304
02:07:29,800 --> 02:07:32,720
Speaker 1: keep hearing those songs that kind of sound in the

2305
02:07:32,800 --> 02:07:35,320
Speaker 1: same vein, that's what made me think his label input

2306
02:07:35,400 --> 02:07:38,320
Speaker 1: because when when Bag first came in, you see, he

2307
02:07:38,480 --> 02:07:41,200
Speaker 1: liked to do all that different. You know, he liked

2308
02:07:41,200 --> 02:07:42,640
Speaker 1: to give you one of these, one of them, kind

2309
02:07:42,640 --> 02:07:45,320
Speaker 1: of that kind that kind seeing in this that you know.

2310
02:07:45,440 --> 02:07:47,560
Speaker 1: So he's like, when I see them trying, when I

2311
02:07:47,600 --> 02:07:49,400
Speaker 1: see him, carve him down and say, all right, this

2312
02:07:49,600 --> 02:07:52,880
Speaker 1: is your formula on how you get to number one. Um,

2313
02:07:53,280 --> 02:07:55,640
Speaker 1: it almost makes me feel like that it's some it's

2314
02:07:55,680 --> 02:08:02,360
Speaker 1: some input from from the label. You're doing burning out,

2315
02:08:02,440 --> 02:08:08,800
Speaker 1: racing through my neighborhood, burning out. I'm not in your face.

2316
02:08:09,080 --> 02:08:11,840
Speaker 1: Get out of my neighborhood. I got a guard, who

2317
02:08:11,880 --> 02:08:14,480
Speaker 1: got the guard, the guy who's got a permit to carry.

2318
02:08:14,520 --> 02:08:20,920
Speaker 1: You're the one that would get done, ye, neighborhood. Get

2319
02:08:20,960 --> 02:08:24,560
Speaker 1: out of this neighborhood. You know what y'all want to

2320
02:08:24,600 --> 02:08:28,440
Speaker 1: smash the window? Smashed the window again as the window

2321
02:08:29,520 --> 02:08:34,320
Speaker 1: you smash the window? Huh, yeah, you come back, your buddy.

2322
02:08:35,640 --> 02:08:44,480
Speaker 1: I ain't doing that, you thought, Billy Baddett. So these

2323
02:08:44,520 --> 02:08:48,840
Speaker 1: people were arrested for that video. Um, the idea of

2324
02:08:48,880 --> 02:08:52,600
Speaker 1: the day felt like they had the authority to throw

2325
02:08:52,680 --> 02:08:54,640
Speaker 1: a brick to a window. And again, I see a

2326
02:08:54,720 --> 02:08:56,960
Speaker 1: few things that let me know a few things, right,

2327
02:08:57,000 --> 02:08:59,920
Speaker 1: I see the little splattered gun, So they're probably going

2328
02:09:00,000 --> 02:09:01,360
Speaker 1: want to do something like you know what I mean?

2329
02:09:01,480 --> 02:09:03,640
Speaker 1: So I see things, but that still doesn't warrant what

2330
02:09:03,800 --> 02:09:07,280
Speaker 1: these people did. I think the level of hatreds sometimes, man,

2331
02:09:07,360 --> 02:09:11,400
Speaker 1: and it ain't from all, but it's from it could

2332
02:09:11,480 --> 02:09:15,800
Speaker 1: feel like from all, because we're so outnumbered and see.

2333
02:09:15,880 --> 02:09:18,800
Speaker 1: Sometimes you gotta worry about how it feels and how

2334
02:09:18,880 --> 02:09:22,880
Speaker 1: it's received, even though sometimes the numbers don't look or

2335
02:09:23,040 --> 02:09:26,160
Speaker 1: match what you what you making critique it to be well,

2336
02:09:26,200 --> 02:09:28,000
Speaker 1: if you really look at it, only two percent of

2337
02:09:28,240 --> 02:09:31,040
Speaker 1: you know, but you you know, you gotta know we're

2338
02:09:31,120 --> 02:09:34,160
Speaker 1: viewing that from a different lens. We got magnifying glasses

2339
02:09:34,240 --> 02:09:38,360
Speaker 1: on that, so we look in it a different you know.

2340
02:09:38,760 --> 02:09:41,000
Speaker 1: The idea that we got to share the world with someone.

2341
02:09:41,120 --> 02:09:43,600
Speaker 1: I was telling a young lady the other day that, yo,

2342
02:09:44,160 --> 02:09:47,120
Speaker 1: your children, everybody's children when they get into the age

2343
02:09:47,160 --> 02:09:49,120
Speaker 1: where they drive, and then you gotta say, damn, I

2344
02:09:49,160 --> 02:09:51,360
Speaker 1: gotta share the world with people who would do something

2345
02:09:51,440 --> 02:09:53,760
Speaker 1: like that. If they see my little boy in their neighborhood,

2346
02:09:54,320 --> 02:09:56,520
Speaker 1: if they see my son drive through and he going

2347
02:09:56,640 --> 02:09:59,120
Speaker 1: faster than they think he should, they might try to

2348
02:09:59,240 --> 02:10:03,440
Speaker 1: do or sitters in type intervention and arrest or harm

2349
02:10:03,600 --> 02:10:06,400
Speaker 1: and kill him. The idea you can throw a brick

2350
02:10:06,520 --> 02:10:10,120
Speaker 1: through the window of an untrained driver when they're sixteen.

2351
02:10:10,480 --> 02:10:13,400
Speaker 1: They're untrained. You might throw a brick through my wondering

2352
02:10:13,480 --> 02:10:16,600
Speaker 1: I wreck. But if you're a sixteen seventeen year old

2353
02:10:16,800 --> 02:10:20,000
Speaker 1: dude and you're a driver. Some come crashing through your

2354
02:10:20,040 --> 02:10:22,880
Speaker 1: wonder make calls for you to wreck outside of hitting you,

2355
02:10:23,000 --> 02:10:27,400
Speaker 1: knocking you out and wrecking and die like bro very serious,

2356
02:10:28,200 --> 02:10:30,000
Speaker 1: And I think that if you believe that day in

2357
02:10:30,040 --> 02:10:32,840
Speaker 1: your neighborhood for some reason, why you I'm teaming. Some

2358
02:10:33,000 --> 02:10:35,040
Speaker 1: people think they're bigger than the program. They don't even

2359
02:10:35,120 --> 02:10:38,480
Speaker 1: think they got a call to law. The law. We're

2360
02:10:38,480 --> 02:10:40,400
Speaker 1: gonna get you out to get out of this neighborhood.

2361
02:10:40,920 --> 02:10:44,520
Speaker 1: Get your out of this neighborhood. You know they're talking

2362
02:10:44,600 --> 02:10:46,600
Speaker 1: to the little dude like that. It's like, Yo, you

2363
02:10:46,720 --> 02:10:50,920
Speaker 1: can't be serious. This is a free country. Did you

2364
02:10:51,080 --> 02:10:53,200
Speaker 1: did he come through some kind of because you know,

2365
02:10:53,320 --> 02:10:55,680
Speaker 1: certain neighborhoods, you got to have a checkpoint that them

2366
02:10:55,760 --> 02:11:00,360
Speaker 1: type things. I get it. You can't dictate what we're

2367
02:11:00,480 --> 02:11:06,200
Speaker 1: driving around this math. Let's talk about gas prices. Man, Hey, Yo,

2368
02:11:06,600 --> 02:11:09,280
Speaker 1: gas is going up and the price of the barrel

2369
02:11:09,480 --> 02:11:13,440
Speaker 1: is not going up. Makes you wonder what's going on

2370
02:11:13,600 --> 02:11:15,760
Speaker 1: with the gas industry. That industry is about to be

2371
02:11:15,840 --> 02:11:19,680
Speaker 1: affected by let your cars, right, but what's making the

2372
02:11:20,040 --> 02:11:24,120
Speaker 1: price of gas go up? And people argue that they're

2373
02:11:24,160 --> 02:11:28,960
Speaker 1: just trying to have record setting profits, right, they're just

2374
02:11:29,080 --> 02:11:30,880
Speaker 1: trying to make more money than they ever made. The

2375
02:11:30,960 --> 02:11:33,360
Speaker 1: price of the barrel don't dictate the price of the gas.

2376
02:11:33,440 --> 02:11:38,440
Speaker 1: What does dictate it? How could you explain your ability

2377
02:11:38,520 --> 02:11:43,320
Speaker 1: to raise the price on gas and not the barrel

2378
02:11:43,400 --> 02:11:46,480
Speaker 1: of the ship makes to get like, I just something's

2379
02:11:46,520 --> 02:11:49,520
Speaker 1: off with that. But there's a new thing they're doing. Man,

2380
02:11:49,560 --> 02:11:52,920
Speaker 1: when they're getting highly sophisticated, Like even in our city,

2381
02:11:52,960 --> 02:11:55,040
Speaker 1: you see people riding around. They got a whole gas

2382
02:11:55,080 --> 02:11:58,760
Speaker 1: station truck, like they can pump you eight dollars, like

2383
02:11:58,840 --> 02:12:01,440
Speaker 1: if you got eight dollars and like and it'll stop

2384
02:12:01,520 --> 02:12:04,320
Speaker 1: on eight. They ain't doing no guessing, like it's nozzle

2385
02:12:04,400 --> 02:12:08,160
Speaker 1: and all they're riding around with gas. And so I've

2386
02:12:08,200 --> 02:12:11,760
Speaker 1: been doing research into it, and it's and what they're

2387
02:12:11,800 --> 02:12:14,840
Speaker 1: doing is they're hacking into the system of some of

2388
02:12:14,920 --> 02:12:18,480
Speaker 1: these gas stations and filling up these big water like

2389
02:12:18,800 --> 02:12:22,800
Speaker 1: tanks thousand galling a piece tanks, and they're filling those

2390
02:12:22,960 --> 02:12:26,760
Speaker 1: up and for free, because you know, they're tapping into

2391
02:12:26,840 --> 02:12:28,920
Speaker 1: it some kind of way and making it come out

2392
02:12:29,520 --> 02:12:32,440
Speaker 1: and then they're running around and selling that's a multimillion

2393
02:12:32,480 --> 02:12:36,400
Speaker 1: dollar thing. But here's the trick. Me and my homeboy

2394
02:12:36,480 --> 02:12:39,120
Speaker 1: were talking because again I was doing research on it.

2395
02:12:40,240 --> 02:12:43,560
Speaker 1: And they charge you. They charge you as a federal

2396
02:12:43,680 --> 02:12:47,640
Speaker 1: crime because the gas come from state lines across the

2397
02:12:47,760 --> 02:12:50,600
Speaker 1: country and knowledge. They charge you if you talk with gas,

2398
02:12:51,000 --> 02:12:53,600
Speaker 1: and not only that it's because you are interfering with

2399
02:12:53,760 --> 02:12:57,120
Speaker 1: their structure, but if you with their gas. But they're

2400
02:12:57,240 --> 02:13:01,080
Speaker 1: charge you like you with an international you know, you

2401
02:13:01,240 --> 02:13:04,440
Speaker 1: running an international high level drug scheme when you just

2402
02:13:04,560 --> 02:13:07,480
Speaker 1: went down to the Texan code and tapped into the thing.

2403
02:13:07,560 --> 02:13:09,760
Speaker 1: But that's what I'm saying about the law. They got

2404
02:13:09,840 --> 02:13:13,400
Speaker 1: a way to where they can apply them how they won't.

2405
02:13:14,120 --> 02:13:17,400
Speaker 1: Sometimes they can apply law in a very weird way,

2406
02:13:17,400 --> 02:13:19,120
Speaker 1: and you'll be like, yo, damn, they hit me with

2407
02:13:19,200 --> 02:13:21,960
Speaker 1: a terroristy threat. You'd be like, yeah, because you see

2408
02:13:21,960 --> 02:13:24,160
Speaker 1: it such and suchet you was in within twenty feet

2409
02:13:24,240 --> 02:13:26,440
Speaker 1: or the suchet such and such and such and technically

2410
02:13:29,160 --> 02:13:30,880
Speaker 1: and that's in there for to try to But a

2411
02:13:30,920 --> 02:13:33,240
Speaker 1: lot of these dudes, man, do these little pitty crimes

2412
02:13:33,280 --> 02:13:36,280
Speaker 1: like with cigarettes and letting these end up being more

2413
02:13:36,400 --> 02:13:39,200
Speaker 1: serious than they know because of how it got there

2414
02:13:39,400 --> 02:13:41,360
Speaker 1: or whatever the case may be. Like if you steal

2415
02:13:41,360 --> 02:13:43,800
Speaker 1: a lottery tickets and I get like it. She can

2416
02:13:44,000 --> 02:13:47,720
Speaker 1: end up being kind of you understand a big deal.

2417
02:13:47,840 --> 02:13:50,520
Speaker 1: So now you can't just be thinking, you know, I'm

2418
02:13:50,520 --> 02:13:52,280
Speaker 1: going to go get some gad. They can't do nothing

2419
02:13:52,320 --> 02:13:56,200
Speaker 1: about that. That ain't really that much, okay, especially your

2420
02:13:56,280 --> 02:13:58,720
Speaker 1: thousand gallons of gas at three dollars a piece. You

2421
02:13:58,840 --> 02:14:01,240
Speaker 1: do the math. You got six of them, You do

2422
02:14:01,400 --> 02:14:03,400
Speaker 1: the math. That's a big bank road. That is not

2423
02:14:03,560 --> 02:14:05,800
Speaker 1: a game, and they won't the US, you know what

2424
02:14:05,840 --> 02:14:09,080
Speaker 1: I'm saying. So again, man, another episode It's up There podcast.

2425
02:14:09,120 --> 02:14:11,200
Speaker 1: We appreciate that a batter for tune. Then right now

2426
02:14:11,320 --> 02:14:14,000
Speaker 1: meet us at patreon dot com It's up There podcast

2427
02:14:14,040 --> 02:14:17,400
Speaker 1: so you can see this video when it comes out. Also,

2428
02:14:17,560 --> 02:14:19,720
Speaker 1: get you some merch at our t spring to count

2429
02:14:19,760 --> 02:14:22,440
Speaker 1: that links you will be found somewhere. Make sure that

2430
02:14:22,520 --> 02:14:25,080
Speaker 1: you get that drip. It's up there podcast. Drive, get

2431
02:14:25,120 --> 02:14:27,880
Speaker 1: your together, make sure you be involved with the people

2432
02:14:27,920 --> 02:14:30,920
Speaker 1: that's involved with the people. It's up There podcast. I

2433
02:14:31,000 --> 02:15:05,680
Speaker 1: want to send this out out. Salute foot and boots

2434
02:15:05,960 --> 02:15:06,280
Speaker 1: Boot