1 00:00:00,720 --> 00:00:03,200 Speaker 1: I Am all In. 2 00:00:08,680 --> 00:00:21,160 Speaker 2: You, I Am all In with Scott Patterson, an iHeartRadio podcast. 3 00:00:21,360 --> 00:00:24,560 Speaker 1: Hey Everybody, Scott Patterson, I Am all In Podcast, one 4 00:00:24,600 --> 00:00:28,440 Speaker 1: on one interview with Nick Holmes. Nick played the role 5 00:00:28,480 --> 00:00:31,760 Speaker 1: of Robert for four episodes two thousand and five six. 6 00:00:31,800 --> 00:00:35,920 Speaker 1: He also appeared in Revival's final episode Fall. His first 7 00:00:35,960 --> 00:00:39,440 Speaker 1: appearance was season five episode seven, You Jump, I Jumped Jack. 8 00:00:39,720 --> 00:00:43,600 Speaker 1: Last appearance was season six episode eighteen. The Real Paul 9 00:00:43,680 --> 00:00:46,600 Speaker 1: Anke A Year in the Life. He appeared in Fall. 10 00:00:47,120 --> 00:00:50,440 Speaker 1: Robert is a rich kid and a student at Yale University. 11 00:00:50,520 --> 00:00:54,120 Speaker 1: He's arrogant, pompous, and self involved. On a date with Rory, 12 00:00:54,240 --> 00:00:58,440 Speaker 1: he makes it known his sole goal in life is 13 00:00:58,520 --> 00:01:02,240 Speaker 1: to cheat his sibling out of their inheritance and leave 14 00:01:02,280 --> 00:01:03,240 Speaker 1: it to a parrot. 15 00:01:03,480 --> 00:01:04,960 Speaker 3: Despite his family. 16 00:01:05,760 --> 00:01:09,280 Speaker 1: He was born August fourteenth, nineteen eighty one, Dodge City, Kansas. 17 00:01:09,560 --> 00:01:12,080 Speaker 1: He's an actor editor known for Guardians of the Galaxy 18 00:01:12,160 --> 00:01:18,360 Speaker 1: twenty fourteen, Super twenty ten, The First Blood War two 19 00:01:18,360 --> 00:01:21,080 Speaker 1: thousand and eighty. Has been married to Virginia Madison since 20 00:01:21,160 --> 00:01:25,200 Speaker 1: twenty twenty. Let's bring him in, Nick, how are you? 21 00:01:25,600 --> 00:01:26,200 Speaker 4: I'm dying mind? 22 00:01:26,240 --> 00:01:30,320 Speaker 1: Scott good terrific so tell us a little bit about 23 00:01:30,319 --> 00:01:33,400 Speaker 1: how you got your start in this career. 24 00:01:35,720 --> 00:01:43,120 Speaker 4: I did dinner theater when I was a kid, and 25 00:01:43,120 --> 00:01:46,560 Speaker 4: and then when I moved to Los Angeles at the 26 00:01:46,600 --> 00:01:52,160 Speaker 4: rest of my several directors that I worked for in 27 00:01:52,200 --> 00:01:56,320 Speaker 4: that genre, which is a very specific genre. Luckily I 28 00:01:56,400 --> 00:01:59,800 Speaker 4: was too young to have to actually go out during 29 00:01:59,800 --> 00:02:06,720 Speaker 4: the braes and poor drinks. I moved to LA and 30 00:02:06,800 --> 00:02:12,480 Speaker 4: I made a living doing commercials for many years, and 31 00:02:12,680 --> 00:02:18,720 Speaker 4: then trying and trying to get on television, and Gilmore 32 00:02:18,760 --> 00:02:20,440 Speaker 4: Girls was my first television job. 33 00:02:21,800 --> 00:02:24,480 Speaker 1: Oh great, So what do you remember about the casting 34 00:02:25,400 --> 00:02:25,960 Speaker 1: part of it? 35 00:02:26,280 --> 00:02:30,400 Speaker 4: The casting part of it was very flattering to me 36 00:02:30,480 --> 00:02:36,320 Speaker 4: because I originally auditioned for the pilot and I loved 37 00:02:36,560 --> 00:02:39,160 Speaker 4: the script and I wish i'd kept it, the physical 38 00:02:39,200 --> 00:02:44,119 Speaker 4: copy of it when that was a thing. And they 39 00:02:44,160 --> 00:02:48,400 Speaker 4: had me auditioned for Dean, which of course, you know, 40 00:02:48,560 --> 00:02:54,639 Speaker 4: Pedalacic got and it was incredible ad And then they 41 00:02:54,639 --> 00:03:03,320 Speaker 4: had me auditioned for Tristan, and for my memory doesn't serve, 42 00:03:03,440 --> 00:03:10,240 Speaker 4: but Mark Casey, one of the casting directors who later 43 00:03:10,400 --> 00:03:16,079 Speaker 4: really changed my life, and Jane Rudowski remained a fan 44 00:03:16,160 --> 00:03:19,760 Speaker 4: of me and kept bringing me back. M m and 45 00:03:19,800 --> 00:03:24,280 Speaker 4: then I got lucky and they had me auditioned for 46 00:03:24,320 --> 00:03:29,040 Speaker 4: this part that required a marksman, which I am, and 47 00:03:29,400 --> 00:03:31,399 Speaker 4: that's when I finally got rolled. 48 00:03:31,480 --> 00:03:33,119 Speaker 3: I could speak fair a marksman. 49 00:03:35,000 --> 00:03:39,440 Speaker 1: The role required you to be a marksman of firing weapons. 50 00:03:39,680 --> 00:03:46,160 Speaker 4: Yes. In that episode for you, it's called you Jump 51 00:03:46,280 --> 00:03:48,560 Speaker 4: I jump Jack and I think you had to have 52 00:03:48,600 --> 00:03:55,640 Speaker 4: a golf game, yes with Richard. And meanwhile I got 53 00:03:55,640 --> 00:03:58,280 Speaker 4: to be my first line of work. Do you care 54 00:03:58,280 --> 00:03:59,040 Speaker 4: to hear about this bit? 55 00:03:59,440 --> 00:04:00,840 Speaker 3: I too, I want to hear all of it. 56 00:04:02,080 --> 00:04:04,840 Speaker 4: My first night of work was in Griffith Park in 57 00:04:04,880 --> 00:04:07,600 Speaker 4: a part that's normally shut off, and they had set 58 00:04:07,680 --> 00:04:12,400 Speaker 4: up this football field long. It was a sweeps episode, 59 00:04:12,480 --> 00:04:16,839 Speaker 4: so they were spending the money. It footbar one hundred 60 00:04:17,080 --> 00:04:21,040 Speaker 4: yard long, set like it was from out of Africa, 61 00:04:21,520 --> 00:04:24,400 Speaker 4: and everybody was dressed like it was from out of Africa, 62 00:04:25,040 --> 00:04:29,599 Speaker 4: and it was just whimsical. And it was at night, 63 00:04:29,839 --> 00:04:32,159 Speaker 4: you know, I think my cold time was like ten pm. 64 00:04:34,120 --> 00:04:38,960 Speaker 4: So I got there and I met the rest of 65 00:04:39,000 --> 00:04:43,679 Speaker 4: the Life and Death Brigade who had already done episodes together. 66 00:04:44,760 --> 00:04:51,760 Speaker 4: And I hated Tank, said, just hated him because he 67 00:04:51,839 --> 00:04:54,680 Speaker 4: was so handsome and comfortable and seemed to know everybody, 68 00:04:57,920 --> 00:05:01,600 Speaker 4: and now we're great friends, had been for years and years. 69 00:05:01,120 --> 00:05:09,200 Speaker 4: And met Matt zu Green, who's you know, is the 70 00:05:09,240 --> 00:05:14,120 Speaker 4: sweetheart he appears to be. I mean, he plays, you know, 71 00:05:14,160 --> 00:05:17,800 Speaker 4: a cheating liar on the show, but he's he's just 72 00:05:17,839 --> 00:05:21,320 Speaker 4: a lovely human, one of the nice people I've met, 73 00:05:21,440 --> 00:05:23,719 Speaker 4: one of the nicest people I've met in show buds, 74 00:05:25,279 --> 00:05:32,600 Speaker 4: you know. So I get there and meet the director 75 00:05:33,240 --> 00:05:40,240 Speaker 4: Kenny Ortega, who remains a friend, who's a lovely man, 76 00:05:41,520 --> 00:05:44,479 Speaker 4: who did that wonderful he was producing that show for 77 00:05:44,800 --> 00:05:47,880 Speaker 4: Michael Jackson when Michael Jackson died, and then it made 78 00:05:47,880 --> 00:05:55,680 Speaker 4: that documentary about it. He's a lovely man. That side note. 79 00:05:57,160 --> 00:06:02,520 Speaker 4: So first night at work, meet every Matt Zuckery is 80 00:06:02,560 --> 00:06:08,680 Speaker 4: sitting on his trailer steps sort of just strumming the guitar, 81 00:06:09,120 --> 00:06:11,680 Speaker 4: not being not being a you know, not being a 82 00:06:11,680 --> 00:06:15,920 Speaker 4: show off, just playing around in the beautiful air. And 83 00:06:18,560 --> 00:06:23,240 Speaker 4: we made up a song together called give Me Back 84 00:06:23,320 --> 00:06:31,120 Speaker 4: My Bacon Sandwich. You beautiful, of course beautiful. So that's 85 00:06:31,120 --> 00:06:32,920 Speaker 4: funny to think about it. I haven't thought about this 86 00:06:32,920 --> 00:06:38,200 Speaker 4: a long time anyway. So rehearsal comes and it's my 87 00:06:38,240 --> 00:06:45,160 Speaker 4: first time to meet Alexis, and she's exquisitely simple and 88 00:06:45,200 --> 00:06:49,520 Speaker 4: lovely and kind to me and is trying to make 89 00:06:49,560 --> 00:06:55,360 Speaker 4: me feel comfortable, which I wasn't. And we go to 90 00:06:55,400 --> 00:07:00,920 Speaker 4: shoot the scene, and if you rewatch it, you'll see 91 00:07:00,920 --> 00:07:05,600 Speaker 4: that my first shot they which they used, is a 92 00:07:05,720 --> 00:07:09,640 Speaker 4: wide where I walk into frame and I don't stop 93 00:07:09,720 --> 00:07:13,800 Speaker 4: swinging my arm even though I'm holding still, and I 94 00:07:13,840 --> 00:07:16,520 Speaker 4: could never take my eyes off that when I rewatched it. 95 00:07:17,960 --> 00:07:21,520 Speaker 4: And then I got a flat tire on the way 96 00:07:21,520 --> 00:07:23,880 Speaker 4: down the hill that night and it's you know, like 97 00:07:24,080 --> 00:07:27,200 Speaker 4: five am, so I had to deal with that, So 98 00:07:27,280 --> 00:07:33,000 Speaker 4: that's memorable. Then the following day was shot at the 99 00:07:33,920 --> 00:07:38,520 Speaker 4: Disney Ranch north of Town North Villa, and that's when 100 00:07:38,560 --> 00:07:42,040 Speaker 4: we did the That's when I had to do the shooting, 101 00:07:43,720 --> 00:07:51,360 Speaker 4: and there was a there was a time crunch and 102 00:07:51,520 --> 00:07:54,960 Speaker 4: we had this big shot to do, multiple shots to do, 103 00:07:56,440 --> 00:08:01,320 Speaker 4: and Amy was mad, and a lot of people because 104 00:08:01,320 --> 00:08:06,040 Speaker 4: I got the job because I was marksman, came down 105 00:08:06,120 --> 00:08:11,720 Speaker 4: from the crew trailers to watch me shoot. And on 106 00:08:11,960 --> 00:08:16,560 Speaker 4: the first of what Amy decided was she wanted to 107 00:08:16,600 --> 00:08:19,640 Speaker 4: do a long tracking shot instead of individual things so 108 00:08:19,680 --> 00:08:21,360 Speaker 4: we could pick it up and get it done before 109 00:08:21,360 --> 00:08:26,280 Speaker 4: the sun went down, and the DP was like, I 110 00:08:27,000 --> 00:08:31,080 Speaker 4: don't know, and I don't know that gentleman's name. It 111 00:08:31,160 --> 00:08:35,240 Speaker 4: was certainly a talented fellah. But I think he got 112 00:08:35,280 --> 00:08:41,560 Speaker 4: fired right then because Amy asked the assistant DP, it's 113 00:08:41,600 --> 00:08:44,360 Speaker 4: like can you do it? And he was like yep, 114 00:08:45,400 --> 00:08:47,120 Speaker 4: and she was like you take over. 115 00:08:47,240 --> 00:08:47,559 Speaker 3: So I don't know. 116 00:08:48,040 --> 00:08:49,760 Speaker 4: I don't know if think I got fired, but he 117 00:08:49,800 --> 00:08:57,160 Speaker 4: got dismissed. And so there's this long tracking shot across 118 00:08:57,200 --> 00:09:00,560 Speaker 4: a lot of dialogue of course, that goes around behind 119 00:09:00,679 --> 00:09:08,319 Speaker 4: me wherein I am already shooting, and then you've got 120 00:09:08,520 --> 00:09:14,320 Speaker 4: these platforms where men in tuxedos are being launched in 121 00:09:14,360 --> 00:09:17,240 Speaker 4: the air across from each other, and that's what I'm 122 00:09:17,240 --> 00:09:22,600 Speaker 4: shooting at, and so I have to hit one when 123 00:09:22,640 --> 00:09:25,200 Speaker 4: I when they get behind me. That's why they hired me, 124 00:09:26,520 --> 00:09:34,480 Speaker 4: and because I'm so handsome m h. And so again 125 00:09:34,880 --> 00:09:40,080 Speaker 4: time crunch, sun's going down, very little light left. They 126 00:09:40,200 --> 00:09:45,160 Speaker 4: do the first pass and there was no U. There 127 00:09:45,200 --> 00:09:49,600 Speaker 4: was only a props person. There wasn't a somebody who 128 00:09:49,679 --> 00:09:52,400 Speaker 4: knew anything about guns, and so I didn't get to 129 00:09:52,440 --> 00:09:56,080 Speaker 4: handle the weapon first and try it, so it wasn't 130 00:09:56,080 --> 00:09:59,559 Speaker 4: dialed in. I didn't. I didn't. I wasn't familiar with it, 131 00:10:01,160 --> 00:10:05,960 Speaker 4: and so I had a few minutes two try it out. 132 00:10:06,679 --> 00:10:09,559 Speaker 4: And so we do this long tracking shop with all 133 00:10:09,640 --> 00:10:13,120 Speaker 4: the dialogue goes around behind me, and the guys are 134 00:10:13,120 --> 00:10:15,640 Speaker 4: getting launched in the air and the gun's on safety 135 00:10:15,640 --> 00:10:19,440 Speaker 4: and I don't realize it. So I ruined it. If 136 00:10:19,480 --> 00:10:23,200 Speaker 4: I remember the sentence right, Amy said, mother nature is 137 00:10:23,520 --> 00:10:26,000 Speaker 4: gonnas in the air, and we have to do this 138 00:10:26,200 --> 00:10:30,319 Speaker 4: right now. And so I felt a great deal. 139 00:10:30,160 --> 00:10:34,920 Speaker 1: Of prayer Amy Amy. Amy's very colorful, to. 140 00:10:35,040 --> 00:10:44,360 Speaker 4: Say the least. Anyway, after that, I got it dialed 141 00:10:44,400 --> 00:10:48,240 Speaker 4: in and we out it over and over again, and 142 00:10:48,280 --> 00:10:53,400 Speaker 4: then I had just one of bush one of those 143 00:10:53,440 --> 00:10:58,199 Speaker 4: things that only show business can give you is then 144 00:10:58,240 --> 00:11:00,079 Speaker 4: she was like, let's just get some roul of you 145 00:11:00,160 --> 00:11:04,839 Speaker 4: shooting guys. And so for the next half hour until 146 00:11:04,880 --> 00:11:09,120 Speaker 4: the sun went down, stunt men and tuxedos were getting 147 00:11:09,200 --> 00:11:13,880 Speaker 4: launcht in the air and I would shoot them. And 148 00:11:17,440 --> 00:11:23,000 Speaker 4: when I was asked back for my next episode, because 149 00:11:23,120 --> 00:11:25,000 Speaker 4: you know, it's a bit of entertainment. 150 00:11:25,040 --> 00:11:29,200 Speaker 1: We thought we thought that that was one of my 151 00:11:29,280 --> 00:11:35,320 Speaker 1: favorite scenes in the entire four or five seasons up 152 00:11:35,320 --> 00:11:38,559 Speaker 1: to that point, where those were those guys flying through 153 00:11:38,600 --> 00:11:39,480 Speaker 1: the air getting shot. 154 00:11:39,600 --> 00:11:41,679 Speaker 3: I just thought it was hysterically. 155 00:11:41,160 --> 00:11:44,240 Speaker 4: Funny, just just whimsical. 156 00:11:43,920 --> 00:11:48,360 Speaker 1: You know, really terrific. Yeah, Amy drops in these scenes 157 00:11:48,440 --> 00:11:50,920 Speaker 1: that just take you by surprise, and there. 158 00:11:51,600 --> 00:11:52,160 Speaker 3: They're just. 159 00:11:53,600 --> 00:11:55,520 Speaker 1: God, what do you what can I compare them to? 160 00:11:55,800 --> 00:11:58,480 Speaker 1: I mean you almost feel like you're watching a Fellini 161 00:11:58,520 --> 00:12:02,760 Speaker 1: film at some point, you know, a little points here 162 00:12:02,800 --> 00:12:06,720 Speaker 1: and there in certain episodes it's like, here's this great 163 00:12:06,760 --> 00:12:10,160 Speaker 1: European flavor from a great director. It's almost like it's 164 00:12:10,160 --> 00:12:12,880 Speaker 1: an homage to somebody, you know. 165 00:12:12,960 --> 00:12:15,880 Speaker 4: The one of the one of the great treasures of 166 00:12:16,559 --> 00:12:20,520 Speaker 4: having been a fan of the show, having auditioned for 167 00:12:20,559 --> 00:12:24,760 Speaker 4: it all those years, but also watching it it was 168 00:12:24,880 --> 00:12:28,840 Speaker 4: you know, it was didn't have TiVo then, so it 169 00:12:28,960 --> 00:12:33,360 Speaker 4: was you know, like appointment viewing. You got to watch 170 00:12:33,440 --> 00:12:37,880 Speaker 4: gilmbor girls like you schedule stuff around it. And so 171 00:12:38,080 --> 00:12:39,600 Speaker 4: it was a huge fan of the show. When I 172 00:12:39,600 --> 00:12:45,040 Speaker 4: got the gig, and one of the great privileges was 173 00:12:46,360 --> 00:12:51,320 Speaker 4: when invited back for the Netflix reunion, well, it's to 174 00:12:51,320 --> 00:12:55,560 Speaker 4: be able to shoot and stars hollow in full realia 175 00:12:56,679 --> 00:12:59,199 Speaker 4: because that wasn't my storyline, you know, like I'd never 176 00:12:59,280 --> 00:13:04,160 Speaker 4: have to I never have to be there. You know, 177 00:13:04,480 --> 00:13:09,199 Speaker 4: I think you and I I encountered you two times 178 00:13:09,240 --> 00:13:13,880 Speaker 4: that I can remember. Once you were getting five o'clock 179 00:13:13,960 --> 00:13:17,400 Speaker 4: shadow done by makeup because you were clean shaven for 180 00:13:17,480 --> 00:13:22,480 Speaker 4: a reshoot. And then the second time, if I remember right, 181 00:13:22,840 --> 00:13:26,000 Speaker 4: you were riding a bike around wb going from one 182 00:13:26,040 --> 00:13:26,840 Speaker 4: place to another. 183 00:13:26,960 --> 00:13:29,720 Speaker 1: Oh. I was always doing that, Yeah, yeah, on our 184 00:13:29,840 --> 00:13:33,840 Speaker 1: on our downtime, I'd get on a bike and ride 185 00:13:33,840 --> 00:13:35,480 Speaker 1: around just to get a little air. 186 00:13:35,960 --> 00:13:37,400 Speaker 4: Well, as a fan of the show. 187 00:13:38,000 --> 00:13:41,000 Speaker 1: To suddenly see basically I was stalking others, you know, 188 00:13:41,120 --> 00:13:44,240 Speaker 1: big time celebrities, trying to get their trailers, trying to 189 00:13:44,280 --> 00:13:45,280 Speaker 1: meet them. 190 00:13:46,000 --> 00:13:51,440 Speaker 4: I support this behavior some thing, but you know, just 191 00:13:51,840 --> 00:13:56,320 Speaker 4: a funny thing to having not worked in television much 192 00:13:56,559 --> 00:14:03,080 Speaker 4: just commercials, to suddenly have Scott Patterson writing past just 193 00:14:03,080 --> 00:14:11,600 Speaker 4: going hit. It was a very memorable moment. Oh back 194 00:14:11,600 --> 00:14:16,840 Speaker 4: to my point, doing the Netflix revival, it was so 195 00:14:17,400 --> 00:14:23,480 Speaker 4: wonderful for me to be able to have such a 196 00:14:23,520 --> 00:14:32,200 Speaker 4: stylish experience in starts hollow because it was all made 197 00:14:32,320 --> 00:14:37,920 Speaker 4: up and you know, shooting golf balls off the roofs 198 00:14:37,920 --> 00:14:43,440 Speaker 4: back and forth and being in the market and it 199 00:14:43,560 --> 00:14:46,720 Speaker 4: was just cool. It was just cool that you know, 200 00:14:46,800 --> 00:14:53,000 Speaker 4: it's one of those things that as an actor you 201 00:14:53,080 --> 00:14:57,440 Speaker 4: don't forget, not because just because it was a great experience, 202 00:14:57,960 --> 00:15:03,480 Speaker 4: but because it mattered to me as a fan and 203 00:15:03,520 --> 00:15:07,119 Speaker 4: as a person. Sorry, I get emotional talking about. 204 00:15:07,040 --> 00:15:10,680 Speaker 1: Oh, don't never apologize for that obviously means a great 205 00:15:10,680 --> 00:15:16,720 Speaker 1: deal and appreciate your candor. It's what who was that 206 00:15:16,720 --> 00:15:20,040 Speaker 1: that guy on Seinfeld who always it's. 207 00:15:19,840 --> 00:15:26,120 Speaker 3: Gold, Jerry, It's Gold. Who's you also appeared in? Well? 208 00:15:26,200 --> 00:15:27,880 Speaker 3: Let me let me ask you this. First of all, 209 00:15:27,880 --> 00:15:28,120 Speaker 3: is there. 210 00:15:28,080 --> 00:15:32,560 Speaker 1: Anyone on the cast that you still stay in touch with? 211 00:15:33,440 --> 00:15:36,520 Speaker 4: Uh? Tank Satan and I are still friends. But who's 212 00:15:36,560 --> 00:15:39,800 Speaker 4: become a closest friend? And I had to fight for 213 00:15:39,840 --> 00:15:45,120 Speaker 4: this friendship his Liz tour Is. I tried to get 214 00:15:45,160 --> 00:15:49,240 Speaker 4: close to Liz Tours at every cast party and and 215 00:15:49,360 --> 00:15:54,080 Speaker 4: she was just like she was just not having it. 216 00:15:54,440 --> 00:15:59,480 Speaker 4: She just thought I was a creep, which is fair. 217 00:16:02,400 --> 00:16:09,240 Speaker 4: But now I see her multiple times a week. She's 218 00:16:09,280 --> 00:16:14,120 Speaker 4: she lives down the street nice and uh, I worship her. 219 00:16:14,240 --> 00:16:19,320 Speaker 4: She's yeah, it's It's one of the great privileges of 220 00:16:19,560 --> 00:16:23,000 Speaker 4: this experience of the show to have Liz Torres in 221 00:16:23,040 --> 00:16:26,200 Speaker 4: my life in any kind of regular way, but we've 222 00:16:26,200 --> 00:16:29,320 Speaker 4: gotten close, very nice. 223 00:16:29,360 --> 00:16:30,880 Speaker 3: Give her my best I will. 224 00:16:32,280 --> 00:16:37,480 Speaker 4: And Shelley Cole of course, because you did that, You 225 00:16:37,520 --> 00:16:39,680 Speaker 4: did that beautiful show with the w B. When they 226 00:16:39,720 --> 00:16:45,440 Speaker 4: read that was so beautiful to be all made up 227 00:16:45,480 --> 00:16:47,080 Speaker 4: and be able to encounter it. 228 00:16:47,680 --> 00:16:48,920 Speaker 3: It was nice. 229 00:16:48,960 --> 00:16:52,040 Speaker 4: And Shelley stayed with me when she came to town 230 00:16:52,080 --> 00:16:56,040 Speaker 4: for them, and uh so, Shelley and I are close, 231 00:16:56,760 --> 00:17:01,920 Speaker 4: and you know, it's been just a wonderful community to 232 00:17:02,000 --> 00:17:09,879 Speaker 4: be a part of. They've been supportive of me in 233 00:17:09,920 --> 00:17:15,399 Speaker 4: many ways. I got two books that were in the 234 00:17:15,480 --> 00:17:19,160 Speaker 4: Amazon top ten mm hmm. And I'm certain it's because 235 00:17:19,160 --> 00:17:22,560 Speaker 4: of the Gilmore Girls mm hmm. You know that that 236 00:17:23,119 --> 00:17:27,639 Speaker 4: community and things like that, and there's not a place 237 00:17:27,680 --> 00:17:30,720 Speaker 4: I go in the world. And my wife's actress. I think, 238 00:17:30,760 --> 00:17:35,000 Speaker 4: you know, m I think you worked together on something. 239 00:17:35,960 --> 00:17:39,240 Speaker 1: I've never had the privilege of working with Virginia. 240 00:17:39,960 --> 00:17:41,399 Speaker 4: You were on a show anyway. 241 00:17:42,520 --> 00:17:46,800 Speaker 1: I worked with Well, I worked with her brother Cool. 242 00:17:46,880 --> 00:17:50,360 Speaker 1: I worked with Michael Cool. You know, Michael Madson and 243 00:17:50,400 --> 00:17:55,320 Speaker 1: I crossed paths for the first time, interestingly enough, because 244 00:17:55,400 --> 00:17:59,200 Speaker 1: we just watched the Tarantino the Pulp Friction episode. 245 00:18:00,080 --> 00:18:02,440 Speaker 4: Yeah, my beginning, so right. 246 00:18:02,600 --> 00:18:06,800 Speaker 1: So, Michael Madsen and I first crossed paths at the 247 00:18:06,880 --> 00:18:12,080 Speaker 1: audition at the final, final, final audition to play mister 248 00:18:12,520 --> 00:18:15,040 Speaker 1: Blonde in Reservoir. 249 00:18:14,640 --> 00:18:16,560 Speaker 3: Dogs over at Fox. 250 00:18:16,960 --> 00:18:17,520 Speaker 4: What a trip. 251 00:18:18,040 --> 00:18:20,560 Speaker 1: And then I got to do and I obviously he 252 00:18:20,640 --> 00:18:24,240 Speaker 1: got it and he was great in it, and I 253 00:18:24,440 --> 00:18:29,439 Speaker 1: just was pissed off for a year because it was 254 00:18:29,480 --> 00:18:35,360 Speaker 1: like seventeen auditions. Yeah, he's He's a brilliant, brilliant guy 255 00:18:35,640 --> 00:18:38,480 Speaker 1: and maybe one of the great screenwriters of all time. 256 00:18:39,040 --> 00:18:41,720 Speaker 4: Oh and True Romance is one of my favorite screenplays ever. 257 00:18:42,040 --> 00:18:45,040 Speaker 1: It's it's have you ever have you ever dug into 258 00:18:45,320 --> 00:18:47,840 Speaker 1: to all of us, like read all of his screenplays 259 00:18:47,880 --> 00:18:51,119 Speaker 1: because you know you can you can download or at 260 00:18:51,160 --> 00:18:53,640 Speaker 1: least I figured out how to download all those screenplays 261 00:18:53,640 --> 00:18:59,200 Speaker 1: from the Writer's Guild. And I just sat one afternoon 262 00:18:59,200 --> 00:19:02,479 Speaker 1: and read all of his scripts and just was blown 263 00:19:02,520 --> 00:19:06,359 Speaker 1: away the talent that this guy possessed this not only 264 00:19:06,359 --> 00:19:08,440 Speaker 1: as a writer, but to bring it all to life. 265 00:19:08,600 --> 00:19:09,400 Speaker 4: Yeah, it make it work? 266 00:19:09,480 --> 00:19:12,000 Speaker 1: Yeah, yeah, because that's the whole that's the hard part. 267 00:19:12,040 --> 00:19:14,040 Speaker 1: I mean, you think the writing's difficult, but then you 268 00:19:14,119 --> 00:19:15,240 Speaker 1: got to bring it to life. 269 00:19:15,760 --> 00:19:18,120 Speaker 4: I'm an enormous Tony Scott Fan. 270 00:19:18,520 --> 00:19:19,120 Speaker 3: Yeah, me too. 271 00:19:19,480 --> 00:19:24,480 Speaker 4: And so to have those two talking about true romance, 272 00:19:24,760 --> 00:19:30,880 Speaker 4: to have those two talents collide. If you haven't seen 273 00:19:30,920 --> 00:19:32,240 Speaker 4: it in a while, it's worth your time. 274 00:19:32,359 --> 00:19:33,240 Speaker 1: Oh no, no, I've seen it. 275 00:19:34,359 --> 00:19:35,240 Speaker 4: When we're done with. 276 00:19:35,160 --> 00:19:38,720 Speaker 1: This several times. I've seen it several times. Oh good, 277 00:19:39,160 --> 00:19:44,400 Speaker 1: extraordinary performances all through it. Brad Pitt was genius, James 278 00:19:44,480 --> 00:19:50,480 Speaker 1: Vandelphini was genius. Gosh, Gary Oldman was Janius. I mean 279 00:19:50,520 --> 00:19:52,840 Speaker 1: it was just a fan. Christian Slater was great. They 280 00:19:52,840 --> 00:19:55,639 Speaker 1: were all great. I hate to leave anybody out. There 281 00:19:55,680 --> 00:19:59,440 Speaker 1: were so many great performances. And that Michael Michael Rappaport 282 00:19:59,480 --> 00:20:06,879 Speaker 1: was great. Uh yes, he's the one that really beats 283 00:20:06,960 --> 00:20:13,880 Speaker 1: the tar out of Patricia Quatt and then who gave 284 00:20:14,520 --> 00:20:16,360 Speaker 1: maybe the performance of the year. 285 00:20:16,920 --> 00:20:18,720 Speaker 3: That that performance she gave. 286 00:20:18,760 --> 00:20:22,440 Speaker 1: Was beautiful and heartfelt and wonderful. 287 00:20:22,680 --> 00:20:23,960 Speaker 4: And Dennis Hopper. 288 00:20:26,720 --> 00:20:29,480 Speaker 3: Walking before he kills him. 289 00:20:29,520 --> 00:20:32,000 Speaker 4: That scene is one of my favorite scenes, right. 290 00:20:31,960 --> 00:20:35,880 Speaker 1: And the moment he realizes that he's going to die, 291 00:20:36,080 --> 00:20:38,439 Speaker 1: he decides to take his time, have a cigarette and 292 00:20:38,440 --> 00:20:42,240 Speaker 1: tell the story and then deliver the final insult like 293 00:20:42,320 --> 00:20:44,679 Speaker 1: I know you're gonna kill me, but I'm still gonna 294 00:20:44,800 --> 00:20:46,119 Speaker 1: insult you to get. 295 00:20:49,640 --> 00:20:50,520 Speaker 3: It was brilliant. 296 00:20:50,600 --> 00:20:52,800 Speaker 4: No, it's my favorite Tarantino. 297 00:20:53,040 --> 00:20:56,520 Speaker 1: It's the best kind of screenwriting there is. I just 298 00:20:56,560 --> 00:20:59,800 Speaker 1: don't there's a lot of really good writers out there, 299 00:20:59,840 --> 00:21:03,280 Speaker 1: but Tarantino man. And you know, he lives in Israel 300 00:21:03,320 --> 00:21:05,320 Speaker 1: now and he's married and he has a couple of kids, 301 00:21:05,359 --> 00:21:08,560 Speaker 1: and apparently Tel Aviv and I haven't been, but I've 302 00:21:08,560 --> 00:21:13,080 Speaker 1: been told that Tel Aviv is like it's like West Hollywood. 303 00:21:13,560 --> 00:21:17,800 Speaker 1: It's it's like La It's it's very diverse, it's very gay, 304 00:21:17,960 --> 00:21:27,719 Speaker 1: it's very very open and artistic about thriving, thriving artistic community, 305 00:21:28,760 --> 00:21:34,160 Speaker 1: painting and filmmaking and dance, and it's wonderful. It's it's 306 00:21:34,240 --> 00:21:35,760 Speaker 1: like this movable face. 307 00:21:35,520 --> 00:21:36,240 Speaker 3: That moved, you know. 308 00:21:36,320 --> 00:21:38,520 Speaker 1: It's it was in New York and then it moved 309 00:21:38,520 --> 00:21:48,360 Speaker 1: to Berlin and now it's now it's in Tel Aviv. Yeah, 310 00:21:48,440 --> 00:21:51,160 Speaker 1: we're gonna do a little thing called rapid Fire. How 311 00:21:51,200 --> 00:21:53,119 Speaker 1: do you like your coffee. 312 00:21:54,320 --> 00:21:57,240 Speaker 4: Blacker than a thousand mid nights? I actually really like 313 00:21:57,359 --> 00:21:58,399 Speaker 4: your coffee. 314 00:21:58,040 --> 00:22:03,840 Speaker 1: That thank you, yeah, thank you, ye have you binged the. 315 00:22:03,840 --> 00:22:08,040 Speaker 4: Entire but it has to be I prefer it percolated, right, okay, 316 00:22:08,080 --> 00:22:09,960 Speaker 4: I'm a collector of percolators. 317 00:22:09,960 --> 00:22:14,280 Speaker 1: Interesting, have you binged the entire Gilmore Girls series? 318 00:22:15,240 --> 00:22:16,200 Speaker 4: Not season seven? 319 00:22:17,040 --> 00:22:23,760 Speaker 1: Got because you're a purist? Are you team Logan Team 320 00:22:23,880 --> 00:22:25,440 Speaker 1: Jess or Team Dean. 321 00:22:26,960 --> 00:22:27,760 Speaker 4: Team Roberts? 322 00:22:28,400 --> 00:22:29,000 Speaker 3: That a way? 323 00:22:29,280 --> 00:22:32,840 Speaker 4: Because because I'm the father, there you go as a 324 00:22:32,880 --> 00:22:35,800 Speaker 4: fan of the show on team Jess. 325 00:22:36,160 --> 00:22:36,600 Speaker 3: Gotcha? 326 00:22:38,760 --> 00:22:44,080 Speaker 1: What would you order at Luke's Diner, Hamburg, Harvard or Yale? 327 00:22:44,920 --> 00:22:45,360 Speaker 4: Yale? 328 00:22:45,680 --> 00:22:45,920 Speaker 3: Why? 329 00:22:47,680 --> 00:22:50,000 Speaker 4: Uh? I just I'd like the sound of it better. 330 00:22:51,600 --> 00:22:55,520 Speaker 1: Best memory of Gilmore Girls. 331 00:22:56,240 --> 00:22:58,159 Speaker 4: Of watching the show or being on. 332 00:22:58,240 --> 00:23:07,480 Speaker 1: It doesn't specify. 333 00:23:04,119 --> 00:23:15,520 Speaker 4: Of watching the show. It's her graduation speech versus yes, 334 00:23:15,600 --> 00:23:19,040 Speaker 4: I'm all in. You know the graduation you know you 335 00:23:19,080 --> 00:23:24,840 Speaker 4: remember the graduation speech. And then as a shooting experience 336 00:23:25,240 --> 00:23:30,280 Speaker 4: would be during the revival, being able to hit a 337 00:23:30,320 --> 00:23:33,480 Speaker 4: golf ball off the roof of one of the buildings 338 00:23:33,520 --> 00:23:35,800 Speaker 4: and starts. 339 00:23:35,400 --> 00:23:43,000 Speaker 1: Of cast member you texted, most recently chilly, chilly cool. 340 00:23:43,320 --> 00:23:43,679 Speaker 3: Gotcha? 341 00:23:44,080 --> 00:23:45,879 Speaker 1: Uh something in your life? 342 00:23:46,160 --> 00:23:48,080 Speaker 3: You are all in on. 343 00:23:50,040 --> 00:23:52,560 Speaker 4: Cooking, cooking, cooking. 344 00:23:53,040 --> 00:23:58,200 Speaker 1: Wonderful. Thank you so much for coming on. It was 345 00:23:58,240 --> 00:24:00,280 Speaker 1: a pleasure getting to know you. I didn't really to 346 00:24:01,119 --> 00:24:04,320 Speaker 1: meet you, really, I don't. We never really did any 347 00:24:04,400 --> 00:24:06,520 Speaker 1: scenes together, and I don't think we were on set 348 00:24:06,560 --> 00:24:08,679 Speaker 1: together very often. You mentioned a couple of times that 349 00:24:08,760 --> 00:24:12,280 Speaker 1: you saw me, But it's been a pleasure and we'd 350 00:24:12,320 --> 00:24:14,640 Speaker 1: love to have you back on and get a little 351 00:24:14,720 --> 00:24:18,840 Speaker 1: more into your Gilmore experience and other areas of your career. 352 00:24:18,920 --> 00:24:21,080 Speaker 1: So thanks so much for coming on, Nick Holmes. 353 00:24:20,880 --> 00:24:22,199 Speaker 3: Everybody, Scott. 354 00:24:22,280 --> 00:24:26,719 Speaker 4: It was my privilege and my pleasure to be here 355 00:24:26,880 --> 00:24:33,159 Speaker 4: and to community communicate with you and recount some of 356 00:24:33,200 --> 00:24:35,040 Speaker 4: those wonderful memories. 357 00:24:36,040 --> 00:25:07,400 Speaker 1: All the best, buddy, take care of Thank you, hey, everybody, 358 00:25:07,400 --> 00:25:10,800 Speaker 1: and don't forget follow us on Instagram at I Am 359 00:25:10,840 --> 00:25:15,760 Speaker 1: all In podcast and email us at Gilmore at iHeartRadio 360 00:25:16,080 --> 00:25:26,480 Speaker 1: dot com.