WEBVTT - Summer Reading List

0:00:03.800 --> 0:00:06.680
<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

0:00:06.680 --> 0:00:13.680
<v Speaker 1>Works dot com. Hey, you're welcome to Stuff to Blow

0:00:13.720 --> 0:00:16.400
<v Speaker 1>your Mind. My name is Robert Lamb and I'm Julie Douglas.

0:00:16.800 --> 0:00:19.160
<v Speaker 1>We're always talking about books on here. We read books

0:00:19.200 --> 0:00:22.639
<v Speaker 1>when we're researching podcasts. We're fairly big readers, so we're

0:00:22.680 --> 0:00:25.520
<v Speaker 1>reading books outside of the office as well. You'll hear

0:00:25.600 --> 0:00:28.240
<v Speaker 1>us mentioned a title here title there. As the subjects

0:00:28.280 --> 0:00:31.200
<v Speaker 1>between our work life and our entertainment and personal enrichment

0:00:31.240 --> 0:00:34.559
<v Speaker 1>reading kind of overlap. So every now and then we

0:00:34.560 --> 0:00:37.160
<v Speaker 1>throw up book recommendations. You guys write in and ask

0:00:37.240 --> 0:00:39.560
<v Speaker 1>us about this book or another asked for us spelling

0:00:39.560 --> 0:00:41.600
<v Speaker 1>on an author's name, and we chat back and forth.

0:00:41.640 --> 0:00:44.760
<v Speaker 1>And we've been talking about doing a summer reading episode

0:00:44.800 --> 0:00:47.000
<v Speaker 1>for a while now where we just go ahead and

0:00:47.120 --> 0:00:49.760
<v Speaker 1>eliminate any other content from a short episode of Stuff

0:00:49.760 --> 0:00:51.720
<v Speaker 1>to Blow Your Mind and just talk about a few

0:00:51.880 --> 0:00:55.480
<v Speaker 1>books that are both near to our hearts but also

0:00:55.720 --> 0:00:58.400
<v Speaker 1>near to the heart of the show and close to

0:00:58.440 --> 0:01:00.680
<v Speaker 1>the themes that we often discuss and Stuff to Blow

0:01:00.720 --> 0:01:03.040
<v Speaker 1>Your Mind. Yeah, and the presumption is that it's summer's

0:01:03.080 --> 0:01:05.880
<v Speaker 1>coming up, and we're all gonna laze around for at

0:01:05.959 --> 0:01:09.240
<v Speaker 1>least two weeks, uh, you guys over in Europe, I

0:01:09.280 --> 0:01:11.679
<v Speaker 1>don't know, a month or two. We'll have some time

0:01:11.720 --> 0:01:14.399
<v Speaker 1>here to tackle a reading list and hopefully you guys

0:01:14.440 --> 0:01:15.959
<v Speaker 1>will be interested in some of the stuff that we

0:01:16.000 --> 0:01:18.839
<v Speaker 1>have to recommend. Yeah, you know, so you can hunt

0:01:18.840 --> 0:01:21.479
<v Speaker 1>these down, check them out from your library, load them

0:01:21.520 --> 0:01:23.360
<v Speaker 1>up on your kindle. I can't speak for your list.

0:01:23.400 --> 0:01:24.880
<v Speaker 1>I know on my list all these things are pretty

0:01:24.880 --> 0:01:27.479
<v Speaker 1>readily available, so you shouldn't have to do any deep

0:01:27.520 --> 0:01:30.679
<v Speaker 1>digging to find them. I like dusty books, like to

0:01:30.680 --> 0:01:33.440
<v Speaker 1>crack them open, so but I'm assuming that most of

0:01:33.440 --> 0:01:35.759
<v Speaker 1>the stuff is available. Yeah, I mean I do too,

0:01:35.760 --> 0:01:38.880
<v Speaker 1>though I just switched. I finally jumped on the bandwagon

0:01:38.959 --> 0:01:40.920
<v Speaker 1>and have a kindle. Now. Yeah, I'm going to get

0:01:40.959 --> 0:01:43.520
<v Speaker 1>there soon, but it just hasn't happened yet. Put it

0:01:43.520 --> 0:01:45.640
<v Speaker 1>that way, I mean, they don't smell near is nice.

0:01:46.120 --> 0:01:48.200
<v Speaker 1>I'm just a cheap jerk and I'm not there yet.

0:01:48.360 --> 0:01:51.240
<v Speaker 1>Like when it drops to fifty nine, probably without any

0:01:51.360 --> 0:01:53.680
<v Speaker 1>further ado, let's roll this baby out. Well, I'll go

0:01:53.720 --> 0:01:56.960
<v Speaker 1>first then, and I'm just gonna let you know most well,

0:01:57.000 --> 0:02:00.520
<v Speaker 1>all my choices here are actually fiction sci fi kind

0:02:00.560 --> 0:02:02.200
<v Speaker 1>of books, and you're gonna bring more of the non

0:02:02.240 --> 0:02:05.040
<v Speaker 1>I'm gonna bring the nonfiction. There's definitely some nonfiction books

0:02:05.040 --> 0:02:06.960
<v Speaker 1>that I've been reading or I've read recently, but they're

0:02:07.000 --> 0:02:09.480
<v Speaker 1>not necessarily things that I would say, yes, you should

0:02:09.680 --> 0:02:13.400
<v Speaker 1>plow through this as well, because there are books that

0:02:13.440 --> 0:02:17.519
<v Speaker 1>are informative and enriching and well worth the time you

0:02:17.600 --> 0:02:19.880
<v Speaker 1>spend with them, but it's not necessarily the kind of

0:02:19.880 --> 0:02:21.640
<v Speaker 1>thing you might want to take on a vacation with

0:02:21.680 --> 0:02:25.239
<v Speaker 1>you or you know, squirrel away for a little personal

0:02:25.320 --> 0:02:29.040
<v Speaker 1>enjoyment reading. Although you might be a nonfiction reader like

0:02:29.120 --> 0:02:32.640
<v Speaker 1>I am. Mostly I enjoy great fiction, but a lot

0:02:32.720 --> 0:02:34.600
<v Speaker 1>of times I just like to cozy up to something

0:02:34.680 --> 0:02:36.399
<v Speaker 1>that's really going to stirre my brain. Said, I don't

0:02:36.440 --> 0:02:39.320
<v Speaker 1>feel like I'm trapped in a certain world for a

0:02:39.360 --> 0:02:41.959
<v Speaker 1>certain amount of time, because I tend to when that happens,

0:02:42.240 --> 0:02:43.919
<v Speaker 1>you know, I get a really good piece of fiction,

0:02:44.080 --> 0:02:46.800
<v Speaker 1>I want to squirrel myself away for seventy two hours

0:02:46.840 --> 0:02:49.600
<v Speaker 1>and not eat or drink or talk to anyone else.

0:02:50.120 --> 0:02:52.040
<v Speaker 1>So that's a really big time commitment for me. So

0:02:52.160 --> 0:02:54.600
<v Speaker 1>nonfiction I really love because it's a balanced way to

0:02:54.639 --> 0:02:58.240
<v Speaker 1>consume some really cool bits of information. Okay, Well, my

0:02:58.280 --> 0:03:01.200
<v Speaker 1>first pick is a non by an author by the

0:03:01.280 --> 0:03:03.720
<v Speaker 1>name of our Scott Baker. Sometimes he's just so listed

0:03:03.720 --> 0:03:06.440
<v Speaker 1>as Scott Baker, depending on if you're getting a like

0:03:06.480 --> 0:03:09.160
<v Speaker 1>a Canadian, British, shore Us version of one of his books.

0:03:09.520 --> 0:03:13.040
<v Speaker 1>He's the author of a really thought provoking epic fantasy

0:03:13.080 --> 0:03:16.080
<v Speaker 1>series called well overall. It's called The Second Apocalypse, and

0:03:16.080 --> 0:03:18.800
<v Speaker 1>that includes the novels The Prince of Nothing. The Darkness

0:03:18.800 --> 0:03:20.919
<v Speaker 1>That Came Before is the first trilogy in that series,

0:03:21.040 --> 0:03:24.440
<v Speaker 1>and it's all very thought provoking stuff. He's a philosophy guy.

0:03:24.600 --> 0:03:27.919
<v Speaker 1>He invokes a lot of neuroscience in his worlds, even

0:03:27.919 --> 0:03:30.280
<v Speaker 1>if he's writing about a world full of magic. But

0:03:30.440 --> 0:03:33.320
<v Speaker 1>those fantasy books are not always as accessible, I think

0:03:33.360 --> 0:03:36.720
<v Speaker 1>to some readers. Luckily, he has written a couple of

0:03:36.840 --> 0:03:39.760
<v Speaker 1>non fantasy books, and one of these is a book

0:03:39.800 --> 0:03:41.680
<v Speaker 1>called Disciple of the Dog, and that's the one that

0:03:41.680 --> 0:03:44.640
<v Speaker 1>I'm gonna recommend here. It's a really fun read. It's short,

0:03:44.800 --> 0:03:50.120
<v Speaker 1>and it is about a sleazy, pothead private investigator with

0:03:50.440 --> 0:03:54.160
<v Speaker 1>an abnormal capacity for memory. He cannot forget anything that

0:03:54.280 --> 0:03:57.200
<v Speaker 1>it's said to him. The capacity doesn't allow him to

0:03:57.360 --> 0:03:59.880
<v Speaker 1>remember everything that he's read. But if somebody has said it,

0:04:00.040 --> 0:04:02.320
<v Speaker 1>if he's seen it, then it's cemented in his mind.

0:04:02.440 --> 0:04:05.640
<v Speaker 1>Is that similar to some people who have ability to

0:04:05.920 --> 0:04:09.200
<v Speaker 1>recall dates like from twenty years ago or in in

0:04:09.240 --> 0:04:11.160
<v Speaker 1>the events connected to them. Yeah, that kind of thing

0:04:11.280 --> 0:04:13.600
<v Speaker 1>should be helpful if you're a private investigator and you know,

0:04:13.600 --> 0:04:16.400
<v Speaker 1>we've seen this kind of investigator before. To a certain incidentally,

0:04:16.400 --> 0:04:20.240
<v Speaker 1>give me Sherlock Holmes is the classic investigator character. And

0:04:20.320 --> 0:04:22.920
<v Speaker 1>certainly with Sherlock, you have a character that has just

0:04:22.960 --> 0:04:27.240
<v Speaker 1>a phenomenal brain and it distances himself from various human

0:04:27.279 --> 0:04:30.720
<v Speaker 1>experiences and makes him kind of an enigma to normal people. Well,

0:04:31.000 --> 0:04:34.160
<v Speaker 1>the character and disciple of the dog who's the character's name,

0:04:34.200 --> 0:04:36.680
<v Speaker 1>is a disciple manning just kind of gimmicky but fun.

0:04:37.000 --> 0:04:39.680
<v Speaker 1>He is kind of screw up because of his condition.

0:04:39.800 --> 0:04:42.599
<v Speaker 1>Like his condition is he cannot forget anything, so anything

0:04:42.640 --> 0:04:45.680
<v Speaker 1>that traumatizes him is there forever. So he's a character

0:04:45.720 --> 0:04:49.320
<v Speaker 1>that has had some severe bouts with depression and self

0:04:49.440 --> 0:04:52.640
<v Speaker 1>loathing based on this ability, but he's also managed to

0:04:52.760 --> 0:04:56.040
<v Speaker 1>use it for financial gain as a private investigator. And

0:04:56.080 --> 0:04:59.080
<v Speaker 1>so our Scott Baker injects a lot of philosophical pondering

0:04:59.080 --> 0:05:01.479
<v Speaker 1>into this because we get into questions that we've raised

0:05:01.480 --> 0:05:04.320
<v Speaker 1>in the podcast before, to what extent are we shaped

0:05:04.440 --> 0:05:06.320
<v Speaker 1>by our memory? And what to what extent are we

0:05:06.360 --> 0:05:09.919
<v Speaker 1>shaped by our memory errors. We discussed the seven Deadly

0:05:10.000 --> 0:05:13.279
<v Speaker 1>sins of memory, the various ways that we misremember something

0:05:13.680 --> 0:05:16.000
<v Speaker 1>or alter the memory of something in our head, and

0:05:16.040 --> 0:05:18.720
<v Speaker 1>these are things that the character Disciple Man and cannot do.

0:05:18.920 --> 0:05:21.520
<v Speaker 1>So it's interesting to see Baker play that out in

0:05:21.560 --> 0:05:24.400
<v Speaker 1>the novel and Disciple the Dog. The character is looking

0:05:24.400 --> 0:05:27.280
<v Speaker 1>into a missing person's case that concerns a new age

0:05:27.320 --> 0:05:30.159
<v Speaker 1>cult where the believers are of the opinion that it

0:05:30.279 --> 0:05:34.000
<v Speaker 1>is actually the year A D fifty million, and life

0:05:34.120 --> 0:05:36.600
<v Speaker 1>as we know it is all just the dream of

0:05:36.640 --> 0:05:39.880
<v Speaker 1>a quantum computer, and the sun is actually about to

0:05:40.000 --> 0:05:42.880
<v Speaker 1>swallow the earth as it goes into a red dwarf stage.

0:05:43.400 --> 0:05:45.760
<v Speaker 1>So you also end up with ponderings about what is

0:05:45.800 --> 0:05:50.240
<v Speaker 1>our future and the idea that you know, when yeah, yeah,

0:05:50.279 --> 0:05:52.799
<v Speaker 1>what would it look like? And ideas that what is reality?

0:05:52.839 --> 0:05:55.280
<v Speaker 1>You know, what is it possible that reality could be

0:05:55.360 --> 0:05:57.760
<v Speaker 1>the dreams of a quantum computer? And then this is

0:05:57.800 --> 0:06:00.680
<v Speaker 1>all just a backward fantasy. The world around this is

0:06:00.760 --> 0:06:03.880
<v Speaker 1>just this backward fantasy that we project for ourselves. So

0:06:03.920 --> 0:06:06.480
<v Speaker 1>there are various levels of, to my mind, mind blowing

0:06:06.600 --> 0:06:09.560
<v Speaker 1>ideas that Baker has fun within this. And then on

0:06:09.640 --> 0:06:12.159
<v Speaker 1>top of that, it's entertaining because you have a wonderfully

0:06:12.560 --> 0:06:17.200
<v Speaker 1>sleazy but likable protagonist and you have this now air

0:06:17.360 --> 0:06:20.200
<v Speaker 1>setting like industrial Jersey, so it's not really a new

0:06:20.200 --> 0:06:21.880
<v Speaker 1>war setting, but it's got very much a new war

0:06:22.000 --> 0:06:25.520
<v Speaker 1>kind of vibe to it. Classic detective case, what's gonna happen?

0:06:25.600 --> 0:06:28.000
<v Speaker 1>He's gonna find the missing girl who's the heart of

0:06:28.040 --> 0:06:31.120
<v Speaker 1>the conspiracy and all of this. So it's short, gets

0:06:31.200 --> 0:06:33.960
<v Speaker 1>the point, have some fun with the character and brings

0:06:33.960 --> 0:06:35.279
<v Speaker 1>with it a lot of floor ideas. I like the

0:06:35.320 --> 0:06:38.679
<v Speaker 1>dichotomy of a pothead with a really long memory too. Yeah,

0:06:38.960 --> 0:06:40.960
<v Speaker 1>a sharp memory. Well, pretty great because it's like the

0:06:41.000 --> 0:06:44.160
<v Speaker 1>sharp memory is bringing him such trauma. It distanced him

0:06:44.160 --> 0:06:46.320
<v Speaker 1>from so many people. He kind of has to self

0:06:46.400 --> 0:06:51.000
<v Speaker 1>medicate through it. Yeah, what's on your list? Okay? Um, well,

0:06:51.040 --> 0:06:55.440
<v Speaker 1>I have the best nature in science running. That of

0:06:55.480 --> 0:06:58.880
<v Speaker 1>course is a series, and this particular one is the

0:06:59.000 --> 0:07:02.160
<v Speaker 1>guest edited by Mary Roach. She's at the Helm there, yes,

0:07:02.240 --> 0:07:04.760
<v Speaker 1>so she's made a lot of the selections here. You'll

0:07:04.800 --> 0:07:08.479
<v Speaker 1>probably remember her from books like Stiff Pecking from Mars Bunk.

0:07:09.160 --> 0:07:12.760
<v Speaker 1>She's just got a really great science journalism pedigree, and

0:07:12.880 --> 0:07:14.960
<v Speaker 1>I think anybody familiar with her work knows that she

0:07:15.080 --> 0:07:17.440
<v Speaker 1>has a great sense of humor and the ability to

0:07:17.480 --> 0:07:22.640
<v Speaker 1>really deliver very accessible points of entry into some weighty subjects.

0:07:23.280 --> 0:07:25.280
<v Speaker 1>If you go back through the catalog of our podcast

0:07:25.360 --> 0:07:27.840
<v Speaker 1>far Enough, you're fun an interview with her from back

0:07:27.840 --> 0:07:30.280
<v Speaker 1>when the podcast was stuffed in the Science Lab. So

0:07:30.360 --> 0:07:34.000
<v Speaker 1>she's got the selection of different pieces of essays and articles,

0:07:34.000 --> 0:07:37.040
<v Speaker 1>about twenty five of them. Actually. Some of them are

0:07:37.240 --> 0:07:41.240
<v Speaker 1>from well known writers like Oliver Sacks and Leonard Lednov

0:07:41.400 --> 0:07:44.680
<v Speaker 1>and Stephen Hawking, and others not as well known, although

0:07:44.800 --> 0:07:48.440
<v Speaker 1>definitely up and coming, like Brook Hollard Builder, people making

0:07:48.440 --> 0:07:51.280
<v Speaker 1>a name for themselves for their ability to reframe our

0:07:51.360 --> 0:07:54.080
<v Speaker 1>understanding of the subject. In fact, Brook Hard Builder is

0:07:54.160 --> 0:07:57.040
<v Speaker 1>the writer of the article that has to do with

0:07:57.120 --> 0:08:00.360
<v Speaker 1>food safety, which right there sounds like incredibly wing. But

0:08:00.440 --> 0:08:05.280
<v Speaker 1>this guy went into underground food movements like fermenting, which

0:08:05.320 --> 0:08:08.960
<v Speaker 1>we talked about in a podcast, raw milk, the paleo diet,

0:08:09.600 --> 0:08:12.640
<v Speaker 1>all these very different sort of movements going on right now,

0:08:12.840 --> 0:08:15.400
<v Speaker 1>and what could have just been like a story about

0:08:15.640 --> 0:08:20.160
<v Speaker 1>the safety of food became this incredible matrix of cultural

0:08:20.240 --> 0:08:25.480
<v Speaker 1>ideas and scientific theories that are proven and disproven. So anyway,

0:08:25.560 --> 0:08:27.720
<v Speaker 1>that that's why I really love this series is that

0:08:27.760 --> 0:08:30.560
<v Speaker 1>it does take this sort of everyday stuff and reframe

0:08:30.600 --> 0:08:33.760
<v Speaker 1>it for us. Another really good example is an essay

0:08:33.800 --> 0:08:36.880
<v Speaker 1>by jarn Lanier. It's called the First Church of Robotics,

0:08:36.920 --> 0:08:39.880
<v Speaker 1>and it explores our fascination with robotics. If certainly we

0:08:40.000 --> 0:08:41.840
<v Speaker 1>have a fascination with it, We've talked about it quite

0:08:41.840 --> 0:08:44.960
<v Speaker 1>a bit, and our need to project ourselves onto these

0:08:45.000 --> 0:08:48.040
<v Speaker 1>machines and personify them. And he said that this is

0:08:48.080 --> 0:08:50.760
<v Speaker 1>all going on at the same time we are increasingly

0:08:50.800 --> 0:08:54.400
<v Speaker 1>treating our fellow humans like machines. So it's kind of

0:08:54.400 --> 0:08:56.679
<v Speaker 1>interesting that you have this shift in the way that

0:08:56.720 --> 0:08:59.960
<v Speaker 1>we are communicating with one another. We're communicating in way

0:09:00.040 --> 0:09:03.800
<v Speaker 1>set rely on algorithms of technology instead of our own

0:09:03.840 --> 0:09:06.760
<v Speaker 1>personal humanity. So if he's saying, hey, I mean it's

0:09:06.760 --> 0:09:09.560
<v Speaker 1>more like a cautionary tale, like it's very compelling. He's saying,

0:09:09.640 --> 0:09:13.880
<v Speaker 1>let's not deify a machine quite yet doing so just

0:09:13.960 --> 0:09:17.800
<v Speaker 1>makes us sort of like these grotesque ventriloquists. So that's

0:09:17.840 --> 0:09:20.200
<v Speaker 1>just another example of one of the more mind blowing

0:09:20.240 --> 0:09:23.559
<v Speaker 1>aspects of these different essays. Kind of a buffet, right

0:09:23.720 --> 0:09:26.080
<v Speaker 1>ideas with this you do you do? You could say

0:09:26.280 --> 0:09:28.800
<v Speaker 1>it's sort of a snapshot of the year of eleven

0:09:28.840 --> 0:09:31.280
<v Speaker 1>in journalism, and that would be absolutely true. But the

0:09:31.280 --> 0:09:32.760
<v Speaker 1>fact of the matter is just that a lot of

0:09:32.760 --> 0:09:35.360
<v Speaker 1>this has to do with topics that have been around.

0:09:35.480 --> 0:09:38.400
<v Speaker 1>It's not just like, hey, this is the zeitgeist moment

0:09:38.640 --> 0:09:41.360
<v Speaker 1>right here for this subject. I knew that there's a

0:09:41.440 --> 0:09:45.240
<v Speaker 1>one essay or that talks about prohibition and about the

0:09:45.240 --> 0:09:48.959
<v Speaker 1>government's role and actually poisoning ethanol and in doing so

0:09:49.120 --> 0:09:52.240
<v Speaker 1>taking the lot of many Americans during prohibition, And this

0:09:52.280 --> 0:09:55.200
<v Speaker 1>is something that's probably not widely known, but here's a

0:09:55.200 --> 0:09:57.560
<v Speaker 1>piece of journalism sort of bringing up the past and saying,

0:09:57.600 --> 0:10:00.200
<v Speaker 1>did you know that at one point probhibition and it

0:10:00.200 --> 0:10:02.959
<v Speaker 1>had taken hold so much of the government that they

0:10:02.960 --> 0:10:05.880
<v Speaker 1>were actually trying to discourage people by making them really sick,

0:10:06.080 --> 0:10:09.560
<v Speaker 1>by mixing together ethanol and other chemicals and in doing

0:10:09.600 --> 0:10:12.600
<v Speaker 1>so poisoning them, which resulted in thousands of deaths. So

0:10:12.640 --> 0:10:15.320
<v Speaker 1>it does it takes everything from subjects like can animals

0:10:15.320 --> 0:10:19.079
<v Speaker 1>be gay? To prohibition to even space junk, which we've

0:10:19.080 --> 0:10:23.240
<v Speaker 1>talked about. And it's very entertaining because it does allow

0:10:23.320 --> 0:10:25.880
<v Speaker 1>you to enter into these subjects in a way that

0:10:25.920 --> 0:10:29.400
<v Speaker 1>are very accessible. And I was even thinking about Leonard

0:10:29.440 --> 0:10:33.960
<v Speaker 1>miledna Of and Stephen Hawking and their essay about m theory,

0:10:34.200 --> 0:10:37.160
<v Speaker 1>membrane theory or string theory, right, which is this idea

0:10:37.200 --> 0:10:40.640
<v Speaker 1>that we can get this theory of everything together. They

0:10:40.679 --> 0:10:45.640
<v Speaker 1>asked the reader to imagine themselves as goldfish looking through

0:10:45.679 --> 0:10:49.320
<v Speaker 1>the distorted glass of their enclosures, and in order to

0:10:49.440 --> 0:10:53.880
<v Speaker 1>understand the limitations of this theory of everything that we're after,

0:10:54.080 --> 0:10:57.000
<v Speaker 1>and they say, imagine the goldfish as they formulate scientific

0:10:57.080 --> 0:11:00.760
<v Speaker 1>laws from their distorted frames of reference that would always

0:11:00.760 --> 0:11:03.160
<v Speaker 1>hold true and enable them to make predictions about the

0:11:03.200 --> 0:11:07.560
<v Speaker 1>future emotions of objects outside the bowl. So they're taking

0:11:07.600 --> 0:11:11.400
<v Speaker 1>this really cool analogy of us being fish in the

0:11:11.440 --> 0:11:15.600
<v Speaker 1>bowl and having a distorted view of reality and then

0:11:15.600 --> 0:11:18.839
<v Speaker 1>this theory of everything and again a really good entry

0:11:18.880 --> 0:11:21.760
<v Speaker 1>point into this subject matter. So that is why I

0:11:21.760 --> 0:11:23.679
<v Speaker 1>recommend that book. Well, that does sound like a good one.

0:11:23.880 --> 0:11:26.680
<v Speaker 1>My next entry in this list is a book called

0:11:26.720 --> 0:11:30.520
<v Speaker 1>The Wind Up Girl by a Paolo Bassa Gallupi, and

0:11:30.720 --> 0:11:33.360
<v Speaker 1>this is a really fun sci fi novel and a

0:11:33.360 --> 0:11:35.880
<v Speaker 1>really thought provoking sci fi novel, and that it takes

0:11:36.000 --> 0:11:40.439
<v Speaker 1>a lot of our fears associated with our use of

0:11:40.480 --> 0:11:45.520
<v Speaker 1>science today and extrapolates those into a very engaging, until

0:11:45.559 --> 0:11:48.440
<v Speaker 1>our extent nightmaric vision of the future. It takes us

0:11:48.440 --> 0:11:52.120
<v Speaker 1>to the futuristic time. It's a post oil world, so

0:11:52.160 --> 0:11:55.040
<v Speaker 1>we've used up all of our natural resources as far

0:11:55.080 --> 0:11:59.640
<v Speaker 1>as oil goes, So the petroleum based system crashes to

0:11:59.679 --> 0:12:03.320
<v Speaker 1>the ground and suddenly traveling across the globe is severely limited.

0:12:03.520 --> 0:12:06.360
<v Speaker 1>The world in a way becomes much larger because when

0:12:06.360 --> 0:12:08.960
<v Speaker 1>we have less ability to travel it and to intraverse it,

0:12:09.240 --> 0:12:12.120
<v Speaker 1>the distances become vast because we can't just fly around

0:12:12.160 --> 0:12:14.680
<v Speaker 1>the world in a day anymore. There's no more oil. Also,

0:12:14.960 --> 0:12:19.480
<v Speaker 1>you have genetically modified organisms, specifically genetically modified crops have

0:12:19.640 --> 0:12:22.440
<v Speaker 1>backfired in this world to the point where you end

0:12:22.520 --> 0:12:26.800
<v Speaker 1>up with massive starvations, massive famines, and it's really crippled

0:12:26.880 --> 0:12:29.160
<v Speaker 1>the world. So in the Wine Up Girl, we find

0:12:29.160 --> 0:12:31.960
<v Speaker 1>ourselves in Bangkok, Thailand, and this is one of the

0:12:32.000 --> 0:12:34.240
<v Speaker 1>few places it's us shut itself off from the rest

0:12:34.240 --> 0:12:37.400
<v Speaker 1>of the world. It's managed to maintain a certain degree

0:12:37.600 --> 0:12:41.640
<v Speaker 1>of non genetically altered vegetation, that has a certain amount

0:12:41.640 --> 0:12:44.560
<v Speaker 1>of genetic purity to most of its vegetables, and it's

0:12:44.600 --> 0:12:49.160
<v Speaker 1>able to feed itself. And you have these outside corporations

0:12:49.200 --> 0:12:51.439
<v Speaker 1>that are interested, these colary companies they are called, that

0:12:51.520 --> 0:12:55.760
<v Speaker 1>are interested in infiltrating Thailand and Bangkok and actually finding

0:12:55.760 --> 0:12:57.520
<v Speaker 1>some of these examples so they can take them out

0:12:57.640 --> 0:13:00.679
<v Speaker 1>genetically tinker with them. Well, yeah, I mean really, I mean,

0:13:00.720 --> 0:13:03.400
<v Speaker 1>the bad guys in this the villains are basically sci

0:13:03.440 --> 0:13:06.080
<v Speaker 1>fi versions of some of the large companies like Monsanta

0:13:06.120 --> 0:13:08.160
<v Speaker 1>that we have today. And then you also have a

0:13:08.240 --> 0:13:11.000
<v Speaker 1>character in this book called Imaco, and Imaco is a

0:13:11.120 --> 0:13:12.960
<v Speaker 1>wind up girl they call it. She's one of the

0:13:13.040 --> 0:13:16.679
<v Speaker 1>new people. She's a genetically engineered human. She's a very

0:13:16.720 --> 0:13:20.240
<v Speaker 1>interesting character too, because she's originally bred as basically a

0:13:20.240 --> 0:13:24.360
<v Speaker 1>pleasure person, like a roxy robot, but flesh human flesh

0:13:24.360 --> 0:13:26.400
<v Speaker 1>one yeahs trying to say it in an acceptable way,

0:13:26.600 --> 0:13:28.520
<v Speaker 1>but she's bred for this kind of life, engines up

0:13:28.520 --> 0:13:31.560
<v Speaker 1>abandoned in Bangkok by her former master, and she's not

0:13:31.679 --> 0:13:35.760
<v Speaker 1>engineered to really survive all that well, she's been conditioned

0:13:35.800 --> 0:13:39.439
<v Speaker 1>to be this submissive, servant to businessman thing of pleasure.

0:13:39.720 --> 0:13:42.960
<v Speaker 1>Her horrors are extra small because it supposedly looks nicer

0:13:43.000 --> 0:13:45.360
<v Speaker 1>for her to have very poor, less skin, but it

0:13:45.400 --> 0:13:47.680
<v Speaker 1>also means that she has trouble managing her body heat.

0:13:48.000 --> 0:13:49.880
<v Speaker 1>And so the author does a gred job of exploring

0:13:50.000 --> 0:13:52.920
<v Speaker 1>what life might be like for this genetically modified person,

0:13:53.280 --> 0:13:55.480
<v Speaker 1>what kind of flaws are engineered into her. They call

0:13:55.520 --> 0:13:57.920
<v Speaker 1>her a wind up girl because she's engineered so that

0:13:57.960 --> 0:14:01.280
<v Speaker 1>she walks funny, with the idea being that new people

0:14:01.280 --> 0:14:04.000
<v Speaker 1>will stand out if they're just seen on the streets,

0:14:04.000 --> 0:14:05.880
<v Speaker 1>so there will be this threat of the new people

0:14:06.000 --> 0:14:09.160
<v Speaker 1>taking over. And it heart's also just a story about

0:14:09.160 --> 0:14:12.840
<v Speaker 1>a spy trying to steal something about political corruption and

0:14:12.920 --> 0:14:15.560
<v Speaker 1>about the crimes of humanity and how they may fall

0:14:15.600 --> 0:14:17.480
<v Speaker 1>out over the decades to come, what it is to

0:14:17.480 --> 0:14:20.160
<v Speaker 1>be human too, yea or even subjugated. It sounds like,

0:14:20.240 --> 0:14:22.200
<v Speaker 1>are there any wind up men? I have to ask?

0:14:22.320 --> 0:14:24.200
<v Speaker 1>I forget if there are. I feel like there's mention

0:14:24.240 --> 0:14:28.800
<v Speaker 1>of mercenaries, none that are engineering. It's been a year

0:14:28.840 --> 0:14:30.080
<v Speaker 1>or two since I read it, but I seem to

0:14:30.080 --> 0:14:32.520
<v Speaker 1>remember there was a detail about that technically the book

0:14:32.600 --> 0:14:35.160
<v Speaker 1>is I think they called biopunk, which I'm kind of

0:14:35.160 --> 0:14:39.000
<v Speaker 1>a critic of overuse of the cyberpunk terminology where someone

0:14:39.080 --> 0:14:43.000
<v Speaker 1>just puts in another steampunk Yeah, well yes, steampunk, diesel punk.

0:14:43.080 --> 0:14:46.360
<v Speaker 1>The more something fits one of those classifications, the less interesting.

0:14:46.400 --> 0:14:49.080
<v Speaker 1>I think the biopunk stuff is really cool though. Yeah yeah,

0:14:49.280 --> 0:14:51.120
<v Speaker 1>I mean the potential, I mean people are doing some

0:14:51.160 --> 0:14:53.040
<v Speaker 1>really cool things with that. But any but but at heart,

0:14:53.240 --> 0:14:55.400
<v Speaker 1>this book is really interesting because it's entertaining, because it

0:14:55.480 --> 0:14:57.680
<v Speaker 1>is action and intrigue characters should care about. But it

0:14:57.760 --> 0:15:01.000
<v Speaker 1>also takes a look at modern day a logical concerns

0:15:01.120 --> 0:15:03.680
<v Speaker 1>and uses them to create this sci fi future that

0:15:03.800 --> 0:15:06.240
<v Speaker 1>really speaks to readers today. That sounds really cool. I

0:15:06.280 --> 0:15:07.920
<v Speaker 1>like the premise of that a lot. I'm going to

0:15:08.000 --> 0:15:09.480
<v Speaker 1>put that on my list. I gotta say, so, do

0:15:09.480 --> 0:15:11.520
<v Speaker 1>you go? All right? Well, I think we let's take

0:15:11.520 --> 0:15:13.480
<v Speaker 1>a quick break and when we get back we will

0:15:13.480 --> 0:15:21.120
<v Speaker 1>talk about a book called Super Sad True Love Story.

0:15:22.000 --> 0:15:24.480
<v Speaker 1>All right, we're back, So Super Sad True Love Story.

0:15:24.560 --> 0:15:27.680
<v Speaker 1>You've mentioned this one before. I have. I've talked about it,

0:15:27.720 --> 0:15:29.880
<v Speaker 1>like sort of sputtered about it. But I thought, well,

0:15:29.920 --> 0:15:31.760
<v Speaker 1>this is a good opportunity to talk about why I'm

0:15:31.760 --> 0:15:35.160
<v Speaker 1>always bringing it up. It's by Gary Steingart and just

0:15:35.280 --> 0:15:38.720
<v Speaker 1>to fly our little futurists freak flag a little bit higher.

0:15:38.840 --> 0:15:43.080
<v Speaker 1>It is again, a dystopian futuristic novel not too far

0:15:43.080 --> 0:15:44.680
<v Speaker 1>in the future that I think they're talking about, maybe

0:15:44.680 --> 0:15:47.240
<v Speaker 1>fifty years in the future. It is a fiction of

0:15:47.280 --> 0:15:49.880
<v Speaker 1>work of fiction, of course, and it centers around a

0:15:49.920 --> 0:15:52.480
<v Speaker 1>character not any enough, Lenny Abramof and he is a

0:15:52.520 --> 0:15:56.240
<v Speaker 1>mid level drone for a massive multinational corporation in the future.

0:15:56.360 --> 0:15:58.680
<v Speaker 1>By the way, the not too distant future, like everything

0:15:58.800 --> 0:16:03.680
<v Speaker 1>is small talent national conglomerate, so it's like kmart g E,

0:16:04.520 --> 0:16:08.600
<v Speaker 1>something ridiculous, something other, sort of like large company all

0:16:08.720 --> 0:16:12.040
<v Speaker 1>melded together, which is just again it's extrapolating like what's

0:16:12.040 --> 0:16:13.960
<v Speaker 1>happening in the present in the fifty years and sort

0:16:13.960 --> 0:16:16.200
<v Speaker 1>of taking it to the nth degree, which is why

0:16:16.200 --> 0:16:19.680
<v Speaker 1>it makes it such an interesting novel. Lenny is working

0:16:19.720 --> 0:16:23.840
<v Speaker 1>in a division of this multinational corporation which promises to

0:16:23.840 --> 0:16:28.360
<v Speaker 1>help the super rich live forever thanks to nanotechnology and

0:16:28.560 --> 0:16:32.160
<v Speaker 1>super anti accidents and various other over hyped technologies. At

0:16:32.160 --> 0:16:34.080
<v Speaker 1>this point, he falls in love with a beautiful young

0:16:34.160 --> 0:16:37.200
<v Speaker 1>Korean woman named Unice. She lives with him, but and

0:16:37.360 --> 0:16:41.320
<v Speaker 1>she really provides the perspective of the youth at that point.

0:16:41.920 --> 0:16:45.640
<v Speaker 1>She's obsessed with consumerism. She's shallow, but she's not shallow me.

0:16:45.720 --> 0:16:49.040
<v Speaker 1>She's drawn actually pretty well as a character. She's oversharing.

0:16:49.320 --> 0:16:53.760
<v Speaker 1>She's obsessed with electronic media culture, in which everybody when

0:16:53.800 --> 0:16:56.440
<v Speaker 1>you go out in public in this future world, everything

0:16:56.520 --> 0:16:59.040
<v Speaker 1>is revealed about you via this sort of like iPhone

0:16:59.080 --> 0:17:02.560
<v Speaker 1>looking device hanging around everybody's next and it projects to

0:17:02.760 --> 0:17:05.800
<v Speaker 1>everybody else's iPhone device. I think it's called apparatus or

0:17:05.840 --> 0:17:10.560
<v Speaker 1>something like that. Your credit score, your hotness score, every

0:17:10.640 --> 0:17:13.720
<v Speaker 1>single thing about like, think about every piece of information

0:17:13.720 --> 0:17:16.960
<v Speaker 1>about yourself that's out there that you could then just

0:17:17.119 --> 0:17:20.879
<v Speaker 1>automatically transmit to someone. This is what's happening. So something

0:17:20.920 --> 0:17:23.960
<v Speaker 1>you just posted on Facebook or Twitter. So you walk

0:17:24.000 --> 0:17:25.439
<v Speaker 1>into a bar and all of a sudden, you can

0:17:25.480 --> 0:17:27.800
<v Speaker 1>look down at your apparatus and you can see, like

0:17:27.880 --> 0:17:30.560
<v Speaker 1>what your own hotness score is based on everybody at

0:17:30.600 --> 0:17:33.440
<v Speaker 1>that very moment looking at you and entering it. So

0:17:33.520 --> 0:17:36.119
<v Speaker 1>the premise of it is just really interesting. Everyone is

0:17:36.160 --> 0:17:41.159
<v Speaker 1>divided into high network net work individuals and low net

0:17:41.400 --> 0:17:46.920
<v Speaker 1>worth individuals um and basically you have a collapsing America

0:17:47.160 --> 0:17:51.080
<v Speaker 1>which is hugely in debt to China, and it definitely

0:17:51.119 --> 0:17:54.080
<v Speaker 1>has traces of Brave New World in four And it's

0:17:54.280 --> 0:17:55.960
<v Speaker 1>the reason I really like it is it could have

0:17:56.000 --> 0:17:59.520
<v Speaker 1>been watered down satire, but shine Gard is really a

0:17:59.600 --> 0:18:02.919
<v Speaker 1>very spressive writer, and he builds a very convincing world.

0:18:03.000 --> 0:18:05.439
<v Speaker 1>So you can easily imagine yourself walking through the streets

0:18:05.440 --> 0:18:09.280
<v Speaker 1>of New York in this future America where the National

0:18:09.359 --> 0:18:13.760
<v Speaker 1>Guard is ever present. You've got a collapsing banking system

0:18:13.800 --> 0:18:17.719
<v Speaker 1>and yet this technology that really turns people inwards so

0:18:17.760 --> 0:18:20.359
<v Speaker 1>that they're sort of ignoring all these different things happening

0:18:20.359 --> 0:18:24.960
<v Speaker 1>around them, and really nice cohesive world building by shin Guard.

0:18:25.440 --> 0:18:28.159
<v Speaker 1>There's also a running gag where the National Guard stops

0:18:28.160 --> 0:18:31.000
<v Speaker 1>people at checkpoints and they're forced to deny and imply.

0:18:31.520 --> 0:18:34.159
<v Speaker 1>They deny that a conversation ever took place, and they

0:18:34.200 --> 0:18:38.600
<v Speaker 1>imply their consent for an invasive search. It is funny

0:18:38.600 --> 0:18:40.720
<v Speaker 1>because so many times and when you're online you're just

0:18:40.760 --> 0:18:43.320
<v Speaker 1>agreeing to something. It's very much in that same sort

0:18:43.359 --> 0:18:45.280
<v Speaker 1>of like, hey, you're agreeing to this right, but you're

0:18:45.320 --> 0:18:47.520
<v Speaker 1>not really reading it and all right, let's go on

0:18:47.720 --> 0:18:50.399
<v Speaker 1>and so on and so forth. Document you need to

0:18:50.440 --> 0:18:53.280
<v Speaker 1>read it before you visit a website, and you just yes, yeah.

0:18:53.480 --> 0:18:56.040
<v Speaker 1>So again he's taken that idea to the degree and

0:18:56.080 --> 0:18:57.480
<v Speaker 1>said that you know, you're now you are living in

0:18:57.520 --> 0:19:00.720
<v Speaker 1>this this very public sphere where everything you do is

0:19:00.880 --> 0:19:05.240
<v Speaker 1>being met with this idea of you deny and imply,

0:19:05.920 --> 0:19:08.240
<v Speaker 1>and you're entering into these contracts that you don't even

0:19:08.240 --> 0:19:11.080
<v Speaker 1>know about and the afterwards. Scheinert says that he read

0:19:11.440 --> 0:19:14.879
<v Speaker 1>Ray Kurt's Wheels The Singularity Is Near while he was

0:19:14.880 --> 0:19:17.240
<v Speaker 1>working in the book, as well as our friend Aubrey

0:19:17.280 --> 0:19:19.520
<v Speaker 1>de Gray. I say our friend because I imagine this

0:19:19.640 --> 0:19:23.879
<v Speaker 1>as friends, the bearded one, the biogenontologists. His book ending

0:19:23.920 --> 0:19:27.119
<v Speaker 1>aging the rejuvenation breakthrough that could reverse human aging in

0:19:27.119 --> 0:19:30.040
<v Speaker 1>our lifetime, and he definitely takes these ideas which are

0:19:30.119 --> 0:19:32.560
<v Speaker 1>really cool and very cutting edge, but he does look

0:19:32.600 --> 0:19:34.800
<v Speaker 1>at it through a lens of pessimism. He says, in

0:19:34.840 --> 0:19:37.199
<v Speaker 1>this future, sure all of this would be accessible, but

0:19:37.320 --> 0:19:40.440
<v Speaker 1>only to the super rich. Everyone else would be labeled

0:19:40.480 --> 0:19:44.240
<v Speaker 1>impossible to preserve or I t P in this world.

0:19:44.840 --> 0:19:46.840
<v Speaker 1>So that's why I think it's interesting. It touches on

0:19:46.960 --> 0:19:51.240
<v Speaker 1>so many things that we've discussed, and it's done really well. Cool. Yeah,

0:19:51.280 --> 0:19:54.040
<v Speaker 1>that's when I really need to add my reading list

0:19:54.080 --> 0:19:55.960
<v Speaker 1>as well. You've mentioned it, i think in several times

0:19:56.000 --> 0:19:58.399
<v Speaker 1>in relation to topics we've discussed, and it sounds like

0:19:58.400 --> 0:20:01.359
<v Speaker 1>it's kind of funny too. Yeah. He's got a great

0:20:01.440 --> 0:20:03.959
<v Speaker 1>sense of humor and it really is. Actually, I mean,

0:20:04.000 --> 0:20:06.320
<v Speaker 1>the title is apt It is a love story, but

0:20:06.440 --> 0:20:10.199
<v Speaker 1>it's it's heartbreaking and it's beautiful, important and terrifying at

0:20:10.240 --> 0:20:12.760
<v Speaker 1>the same time. Well, my next pick isn't very funny

0:20:12.800 --> 0:20:14.320
<v Speaker 1>in fact, even though this is an author that I

0:20:14.400 --> 0:20:16.280
<v Speaker 1>understand has written some things that have a lot more

0:20:16.359 --> 0:20:18.240
<v Speaker 1>humor and absurdity to them, this is not one of

0:20:18.280 --> 0:20:21.720
<v Speaker 1>those books. The book is Embassy Town by China me Evil.

0:20:22.240 --> 0:20:24.840
<v Speaker 1>As we're recording this podcast, it is on the list

0:20:24.840 --> 0:20:28.040
<v Speaker 1>of nominees for two thousand and twelve Hugo Award. I

0:20:28.080 --> 0:20:30.240
<v Speaker 1>have a suspicion it might win it. We'll see how

0:20:30.320 --> 0:20:32.880
<v Speaker 1>that plays out. This is a science fiction novel takes

0:20:32.880 --> 0:20:36.359
<v Speaker 1>place in a far future. Humans of colonized distance space

0:20:36.920 --> 0:20:39.760
<v Speaker 1>and they travel through these kind of a warp situation

0:20:39.800 --> 0:20:42.120
<v Speaker 1>where they kind of they move through a an alternate

0:20:42.160 --> 0:20:45.720
<v Speaker 1>dimension to emerge into real space again, and one of

0:20:45.760 --> 0:20:48.680
<v Speaker 1>the stopovers, well not only stopped over, it t really

0:20:48.800 --> 0:20:51.919
<v Speaker 1>The Distant Frontier is a planet that has an alien

0:20:52.000 --> 0:20:55.000
<v Speaker 1>race on it called the Araiki. And in this story

0:20:55.040 --> 0:20:58.840
<v Speaker 1>we have a human colonist named Abbess returning to this

0:20:59.080 --> 0:21:01.480
<v Speaker 1>planet in the town their Inbassy Town after years of

0:21:01.560 --> 0:21:05.640
<v Speaker 1>deep space adventure, and she ends up getting sucked into

0:21:05.680 --> 0:21:09.280
<v Speaker 1>this adventure and they sell this intrigue between the human

0:21:09.280 --> 0:21:12.120
<v Speaker 1>colonists and the Iraqis that live there, and a lot

0:21:12.160 --> 0:21:14.320
<v Speaker 1>of it ends up having to do with language, in

0:21:14.359 --> 0:21:16.800
<v Speaker 1>the nature of language, and not just ideas of like

0:21:16.880 --> 0:21:21.240
<v Speaker 1>how might aliens communicate versus humans and how would humans

0:21:21.280 --> 0:21:23.520
<v Speaker 1>communicate with aliens, So there is a lot of discussion

0:21:23.520 --> 0:21:25.679
<v Speaker 1>of that. It also gets into just deeper ideas of

0:21:25.760 --> 0:21:29.320
<v Speaker 1>what language is. For instance, the Arakis in their language,

0:21:29.359 --> 0:21:32.359
<v Speaker 1>they do not have lies, like they cannot tell lies

0:21:32.440 --> 0:21:37.359
<v Speaker 1>because built into their linguistic machinery and not just lies,

0:21:37.440 --> 0:21:40.480
<v Speaker 1>but they cannot speak things that cannot be physically proven,

0:21:40.920 --> 0:21:43.400
<v Speaker 1>so they end up having to like just to form similars.

0:21:43.480 --> 0:21:46.280
<v Speaker 1>They end up having to an list actors and sort

0:21:46.320 --> 0:21:50.359
<v Speaker 1>of construct them out of minor dramas and uh and

0:21:50.440 --> 0:21:52.880
<v Speaker 1>so it's just thought provoking in terms of it's use

0:21:52.880 --> 0:21:55.080
<v Speaker 1>of language, and it really makes you think about what languages,

0:21:55.200 --> 0:21:58.320
<v Speaker 1>what lies are, and what the ramifications for these things

0:21:58.400 --> 0:22:01.040
<v Speaker 1>could be when it comes to in contact with a

0:22:01.040 --> 0:22:04.640
<v Speaker 1>potential alien species. So I recommend giving that one to read.

0:22:04.680 --> 0:22:07.040
<v Speaker 1>It also has a strong female protagonist, which is always

0:22:07.080 --> 0:22:09.320
<v Speaker 1>a nice change for sci fi, and like I said,

0:22:09.359 --> 0:22:11.200
<v Speaker 1>it might want a Hugo Award this year. So one

0:22:11.200 --> 0:22:13.560
<v Speaker 1>of the more remarkable science fiction books of the last

0:22:13.600 --> 0:22:16.679
<v Speaker 1>few years. I really like the idea that aliens couldn't

0:22:16.920 --> 0:22:19.119
<v Speaker 1>why because it's not part of the skill set that

0:22:19.160 --> 0:22:21.480
<v Speaker 1>they need. And I know we talked about this before

0:22:21.600 --> 0:22:24.800
<v Speaker 1>we did a podcast online and how with humans it's

0:22:24.880 --> 0:22:27.840
<v Speaker 1>like integral to the way that we enter into social contracts.

0:22:27.840 --> 0:22:30.360
<v Speaker 1>You cannot actually be a human really without lying at

0:22:30.400 --> 0:22:35.280
<v Speaker 1>some point however you define lying. Yeah, So that's that's

0:22:35.280 --> 0:22:37.800
<v Speaker 1>an interesting premise. Is this added level to where in

0:22:37.880 --> 0:22:40.520
<v Speaker 1>order to actually communicate with them, you can't just have

0:22:40.600 --> 0:22:43.439
<v Speaker 1>one person trying to speak the Araki tongue. You have

0:22:43.480 --> 0:22:46.480
<v Speaker 1>to have two individuals who essentially have the same mind

0:22:47.040 --> 0:22:50.560
<v Speaker 1>that are performing a duet. So, like I said the other,

0:22:50.600 --> 0:22:52.640
<v Speaker 1>but in an tremendous amount of thought and research into

0:22:52.760 --> 0:22:55.280
<v Speaker 1>language and what language is. So if you're at all

0:22:55.320 --> 0:22:58.760
<v Speaker 1>interested in alien linguistics, then definitely give this book a read.

0:22:59.280 --> 0:23:04.040
<v Speaker 1>Very cool. Okay, So I have a nonfiction book called

0:23:04.080 --> 0:23:07.960
<v Speaker 1>The Magic of Reality How We Know What's Really True?

0:23:08.000 --> 0:23:10.800
<v Speaker 1>By Richard Dawkins. We've talked about him before, and he's

0:23:10.920 --> 0:23:14.440
<v Speaker 1>offered many books. He's a big money time, selfish gene

0:23:14.520 --> 0:23:16.840
<v Speaker 1>is one that probably a lot of people know. I

0:23:16.920 --> 0:23:19.000
<v Speaker 1>love this book. I picked it up actually for my

0:23:19.080 --> 0:23:21.639
<v Speaker 1>daughter because I'm creating sort of a library for her

0:23:21.720 --> 0:23:23.960
<v Speaker 1>when when she gets older. And she's only three, so

0:23:24.280 --> 0:23:26.159
<v Speaker 1>it's just going to be the official library, or is

0:23:26.200 --> 0:23:29.399
<v Speaker 1>this the secret library that you're actually tricking her into reading.

0:23:29.560 --> 0:23:32.040
<v Speaker 1>It's just a bunch of books that she can pick up.

0:23:32.080 --> 0:23:34.240
<v Speaker 1>I mean, I'm not gonna say like today we're going

0:23:34.280 --> 0:23:36.359
<v Speaker 1>to pick up Richard Dawkins and you're going to go

0:23:36.560 --> 0:23:39.280
<v Speaker 1>to page twenty six. It's just a book that I

0:23:39.280 --> 0:23:42.160
<v Speaker 1>think would be really helpful for her as she develops

0:23:42.200 --> 0:23:45.159
<v Speaker 1>at different stages in her life. So this book is

0:23:45.200 --> 0:23:47.480
<v Speaker 1>actually built for all ages. But I kind of see

0:23:47.520 --> 0:23:50.400
<v Speaker 1>this more is like maybe a really precocious, tent and up.

0:23:51.040 --> 0:23:54.639
<v Speaker 1>But the reason why I selected this is because Dawkins

0:23:54.800 --> 0:23:57.359
<v Speaker 1>basically takes sort of like this whole, like, Hey, here's

0:23:57.400 --> 0:23:59.960
<v Speaker 1>the universe and we're gonna explain it to you now

0:24:00.840 --> 0:24:02.840
<v Speaker 1>in no, in certain terms, I mean, it's really cool.

0:24:02.840 --> 0:24:06.280
<v Speaker 1>Like he he starts out by talking about magic, because

0:24:06.600 --> 0:24:10.520
<v Speaker 1>magic and magical thinking is very much a human construct, right,

0:24:10.560 --> 0:24:13.200
<v Speaker 1>We've talked about this so many times. It can lead

0:24:13.440 --> 0:24:16.520
<v Speaker 1>to errors on our thinking, it can lead to beautiful

0:24:16.600 --> 0:24:19.560
<v Speaker 1>works of art. And he says that when it comes

0:24:19.600 --> 0:24:23.359
<v Speaker 1>to science, that reality is actually much more magical than

0:24:23.400 --> 0:24:25.880
<v Speaker 1>magic itself. I'm just going to read this little bit.

0:24:26.119 --> 0:24:28.320
<v Speaker 1>This is actually a description of the book. Says magic

0:24:28.359 --> 0:24:31.800
<v Speaker 1>takes many forms. Supernatural magic is what our ancestors used

0:24:31.800 --> 0:24:34.200
<v Speaker 1>in order to explain the world before they developed the

0:24:34.240 --> 0:24:38.240
<v Speaker 1>scientific method. The ancient Egyptians explained the night by suggesting

0:24:38.240 --> 0:24:41.240
<v Speaker 1>the goddess Nut swallowed the sun. The Vikings believe the

0:24:41.359 --> 0:24:44.160
<v Speaker 1>rainbow was the god's bridge to Earth. The Japanese used

0:24:44.240 --> 0:24:49.399
<v Speaker 1>to explain earthquakes by conjuring a gigantic catfish that carried

0:24:49.440 --> 0:24:53.240
<v Speaker 1>the world on its back. That's not true, oh man,

0:24:53.480 --> 0:24:55.879
<v Speaker 1>I've been I think I wrote that into an article.

0:24:56.119 --> 0:24:58.520
<v Speaker 1>Bok you all right, I know what you're gonna be

0:24:58.560 --> 0:25:02.000
<v Speaker 1>reading right after this. Yeah, it's not true that earthquakes

0:25:02.040 --> 0:25:06.640
<v Speaker 1>occurred each time it flipped its tail. Oh man, yeah,

0:25:06.680 --> 0:25:09.400
<v Speaker 1>you're telling after revise your articles. My whole world view

0:25:09.440 --> 0:25:13.440
<v Speaker 1>is completely twitched around now that. Yeah. Yeah, these are magical,

0:25:13.520 --> 0:25:16.560
<v Speaker 1>extraordinary tales, and they're wonderful. But there's another kind of magic,

0:25:16.600 --> 0:25:19.160
<v Speaker 1>and it laws in the exhilaration of discovering the real

0:25:19.200 --> 0:25:22.080
<v Speaker 1>answers to these questions. It is the magic of reality science.

0:25:22.720 --> 0:25:26.040
<v Speaker 1>So there are twelve different questions or topics that he tackles,

0:25:26.119 --> 0:25:29.800
<v Speaker 1>and they're all introduced with the supernatural explanation that we

0:25:29.840 --> 0:25:33.520
<v Speaker 1>all know and love, and then Dawkins sprinkles his magic

0:25:33.560 --> 0:25:36.320
<v Speaker 1>science dust on top and makes you realize that the

0:25:36.400 --> 0:25:40.240
<v Speaker 1>rigors of scientific method uncover the old adage that the

0:25:40.280 --> 0:25:43.159
<v Speaker 1>truth really is stranger than fiction, and it makes that

0:25:43.280 --> 0:25:46.200
<v Speaker 1>even more glorious. Some of the areas that he covers

0:25:46.200 --> 0:25:49.880
<v Speaker 1>are what is reality? Who was the first person? Um?

0:25:49.880 --> 0:25:52.240
<v Speaker 1>He talks about DNA, and he talks about three million

0:25:52.320 --> 0:25:55.040
<v Speaker 1>years ago. You can point to this lizard and say, hey, man,

0:25:55.359 --> 0:25:58.159
<v Speaker 1>you and me we share a lot in common. What

0:25:58.359 --> 0:26:02.159
<v Speaker 1>is an earthquake? There really is stone left unturned in

0:26:02.200 --> 0:26:06.480
<v Speaker 1>the section, the last section he takes on miracles. Uh,

0:26:06.520 --> 0:26:08.640
<v Speaker 1>and he ends by saying, and I won't go into

0:26:08.680 --> 0:26:11.160
<v Speaker 1>all the different things that he talks about in terms

0:26:11.160 --> 0:26:14.040
<v Speaker 1>of what is a miracle that he ends the section

0:26:14.080 --> 0:26:17.040
<v Speaker 1>by saying. The eminent science fiction writer Arthur C. Clark

0:26:17.200 --> 0:26:20.840
<v Speaker 1>summed up the point as Clark's third law. Any sufficiently

0:26:20.840 --> 0:26:26.000
<v Speaker 1>advanced technology is indistinguishable from magic. If a time machine

0:26:26.080 --> 0:26:28.119
<v Speaker 1>were to carry us forward a century or so, we

0:26:28.119 --> 0:26:32.359
<v Speaker 1>would see wonders. Today we might think impossible miracles. The

0:26:32.400 --> 0:26:35.120
<v Speaker 1>truth is more magical in the best and most exciting

0:26:35.119 --> 0:26:37.080
<v Speaker 1>sense of the world than any myth or made up

0:26:37.119 --> 0:26:40.080
<v Speaker 1>mystery or miracles. Science has its own magic, magic of reality.

0:26:40.200 --> 0:26:43.000
<v Speaker 1>So again he's going back to sort of the basics

0:26:43.080 --> 0:26:45.640
<v Speaker 1>of very mind blowing stuff to us that we've talked

0:26:45.680 --> 0:26:49.000
<v Speaker 1>about before, in terms of how did our planet form?

0:26:49.000 --> 0:26:52.000
<v Speaker 1>Talking about stardust, talking about how how do we really

0:26:52.040 --> 0:26:55.119
<v Speaker 1>know that dinosaurs existed? Well, okay, you know, we've got

0:26:55.160 --> 0:26:59.480
<v Speaker 1>fossils into um and and it's amazing even talks about like, okay,

0:26:59.520 --> 0:27:02.359
<v Speaker 1>some of the things might have sounded like myth when

0:27:02.400 --> 0:27:05.720
<v Speaker 1>scientists wore proposing them, especially with sci fi writers he

0:27:05.800 --> 0:27:09.840
<v Speaker 1>talks about, he says, but they take these ideas and

0:27:09.920 --> 0:27:11.880
<v Speaker 1>they create theories out of them, and then they create

0:27:11.920 --> 0:27:15.000
<v Speaker 1>a model to test them. And DNA is the perfect

0:27:15.040 --> 0:27:18.520
<v Speaker 1>example of this. This was an idea that was then

0:27:18.640 --> 0:27:22.679
<v Speaker 1>modeled and then you know, through a series of different

0:27:22.680 --> 0:27:25.920
<v Speaker 1>things of research and data that came up, we came

0:27:26.000 --> 0:27:29.000
<v Speaker 1>to realize that this was a truth. That's why it's

0:27:29.080 --> 0:27:32.240
<v Speaker 1>so entertaining because he really he takes on these really

0:27:32.240 --> 0:27:36.119
<v Speaker 1>heavy concepts and he writes very eloquently and very humorously,

0:27:36.240 --> 0:27:39.120
<v Speaker 1>but very clearly. Because again, this is for all ages.

0:27:39.320 --> 0:27:41.640
<v Speaker 1>And I do recommend it to adults because I think

0:27:41.680 --> 0:27:43.320
<v Speaker 1>that you would get a lot out of it. But

0:27:43.440 --> 0:27:47.199
<v Speaker 1>I also think it's really worth its weight in gold

0:27:47.200 --> 0:27:51.479
<v Speaker 1>because it talks about the skeptics. I not as someone

0:27:51.560 --> 0:27:54.640
<v Speaker 1>who like, you know, let's pick apart everything and take

0:27:54.640 --> 0:27:57.239
<v Speaker 1>the magic out of things, but more like, let's not

0:27:57.320 --> 0:28:01.840
<v Speaker 1>be run by our superstitions or magical thinking. Let's you

0:28:02.119 --> 0:28:05.320
<v Speaker 1>the magic of reality just in day to day life

0:28:05.359 --> 0:28:08.159
<v Speaker 1>and be able to sort of to look at the

0:28:08.440 --> 0:28:12.720
<v Speaker 1>invisible world and see how incredible it is. And I

0:28:12.720 --> 0:28:15.320
<v Speaker 1>think that's a huge message to kids well into adults

0:28:15.359 --> 0:28:17.639
<v Speaker 1>as well well. The final book on my list of

0:28:17.680 --> 0:28:21.679
<v Speaker 1>four summer reading recommendations is a book called The Player

0:28:21.760 --> 0:28:24.760
<v Speaker 1>of Games by Ian M. Banks. And this is a

0:28:24.800 --> 0:28:27.439
<v Speaker 1>book from the Culture series, which I've mentioned before. I

0:28:27.480 --> 0:28:29.919
<v Speaker 1>generally bring it up because it takes place in a

0:28:30.040 --> 0:28:34.879
<v Speaker 1>distant future where humanity and machines live in a symbiotic relationship.

0:28:34.960 --> 0:28:38.480
<v Speaker 1>So it's a post technological singularity world where we see

0:28:38.480 --> 0:28:41.040
<v Speaker 1>the more positive ramifications. Not to say there's not some

0:28:41.120 --> 0:28:43.200
<v Speaker 1>darkness in this world, oh yeah, yeah, this is the

0:28:43.240 --> 0:28:47.160
<v Speaker 1>benign singularity. Definitely a benign singularity situation, though you do

0:28:47.240 --> 0:28:49.600
<v Speaker 1>have some dark things that end up happening in this universe.

0:28:50.040 --> 0:28:53.920
<v Speaker 1>And this book deals specifically with a clash between the

0:28:53.960 --> 0:28:59.040
<v Speaker 1>culture again, robots humans living in harmony. Basically humans doing

0:28:59.040 --> 0:29:01.800
<v Speaker 1>whatever they want while robots look after them and do

0:29:01.920 --> 0:29:04.720
<v Speaker 1>the hard work, and so humans end up living lives

0:29:04.720 --> 0:29:07.600
<v Speaker 1>of complete freedom. In this book, we have a human

0:29:07.600 --> 0:29:10.400
<v Speaker 1>by the name of Gurga, and he has used his

0:29:10.480 --> 0:29:13.360
<v Speaker 1>life to become a master of games. He's the Player

0:29:13.400 --> 0:29:15.640
<v Speaker 1>of Games that we referenced in the title, So he's

0:29:15.680 --> 0:29:18.560
<v Speaker 1>the master of all these different board games and travels

0:29:18.560 --> 0:29:21.480
<v Speaker 1>around just having a good time and playing them in competition,

0:29:21.800 --> 0:29:25.320
<v Speaker 1>very obsessive about winning, and he ends up being recruited

0:29:25.360 --> 0:29:27.800
<v Speaker 1>by the culture, by the robots that run the culture,

0:29:27.920 --> 0:29:31.080
<v Speaker 1>to serve as an emissary to this civilization that exists

0:29:31.080 --> 0:29:33.560
<v Speaker 1>outside of the culture in non culture space, called the

0:29:33.560 --> 0:29:37.720
<v Speaker 1>Empire of Azad, and they are at cruel, incredibly wealthy,

0:29:37.920 --> 0:29:41.640
<v Speaker 1>destructive alien race. But at the heart of their culture

0:29:42.040 --> 0:29:46.160
<v Speaker 1>they have this one super complex game and it serves

0:29:46.160 --> 0:29:49.360
<v Speaker 1>as the backbone not only their empire and its laws,

0:29:49.360 --> 0:29:52.400
<v Speaker 1>but also the very cognitive development of the race. So

0:29:52.720 --> 0:29:55.760
<v Speaker 1>imagine a civilization where there's one game, then, in all

0:29:55.800 --> 0:29:59.760
<v Speaker 1>its complexity and reasoning, is the backbone of everything they

0:29:59.760 --> 0:30:02.160
<v Speaker 1>hold deer and everything that they are. And so the

0:30:02.200 --> 0:30:04.440
<v Speaker 1>culture wants to send him in, and he's on this

0:30:04.720 --> 0:30:07.520
<v Speaker 1>long journey, so he has plenty of time to practice

0:30:07.560 --> 0:30:09.360
<v Speaker 1>and learn the game and play it against one of

0:30:09.400 --> 0:30:12.720
<v Speaker 1>the AI's on the ship, and then when he gets there,

0:30:12.720 --> 0:30:16.680
<v Speaker 1>he's expected to compete with members of this cruel alien race,

0:30:17.120 --> 0:30:19.920
<v Speaker 1>the idea being that by playing a human in the scenario, though,

0:30:20.040 --> 0:30:23.320
<v Speaker 1>somehow achieve a balance and they'll avoid war with the

0:30:23.360 --> 0:30:27.040
<v Speaker 1>Empire of his odd So it's a great introductory read

0:30:27.400 --> 0:30:29.520
<v Speaker 1>to the Culture series, because the Culture Series is not

0:30:29.520 --> 0:30:31.320
<v Speaker 1>one of these series where you need to like start

0:30:31.360 --> 0:30:33.120
<v Speaker 1>with the book one and then read through book eight.

0:30:33.520 --> 0:30:35.920
<v Speaker 1>Most of them, to my understanding, stand on their own.

0:30:35.920 --> 0:30:37.479
<v Speaker 1>I haven't read them all, I've only read a handful,

0:30:37.520 --> 0:30:39.920
<v Speaker 1>but everyone seems to exist well on its own, and

0:30:40.160 --> 0:30:43.240
<v Speaker 1>the player of games certainly does that. It's a fascinating

0:30:43.280 --> 0:30:46.080
<v Speaker 1>look at what a post singularity world might consist of,

0:30:46.200 --> 0:30:49.040
<v Speaker 1>when some of them were positive visions of that. It's

0:30:49.040 --> 0:30:52.960
<v Speaker 1>a great analysis of what games mean to a civilization.

0:30:53.240 --> 0:30:55.200
<v Speaker 1>And Ian and Banks is great about throwing in some

0:30:55.360 --> 0:30:58.360
<v Speaker 1>really cool science and stuff, like he's clearly clearly has

0:30:58.400 --> 0:31:00.800
<v Speaker 1>a very scientific mind, so he'll do things like for

0:31:00.840 --> 0:31:04.880
<v Speaker 1>instances of planet in this book, where the only land

0:31:04.920 --> 0:31:07.240
<v Speaker 1>on the planet everything is water except for the single

0:31:07.320 --> 0:31:10.240
<v Speaker 1>strip of land that goes all the way around the equator,

0:31:10.920 --> 0:31:15.080
<v Speaker 1>and you have a firestorm that moves along that strip

0:31:15.080 --> 0:31:17.920
<v Speaker 1>of land, so that the ecosystem on this planet is

0:31:17.960 --> 0:31:20.040
<v Speaker 1>a fire based ecosystem. And in the same way that

0:31:20.040 --> 0:31:22.560
<v Speaker 1>you have plants that depend on forest fires to reproduce,

0:31:23.080 --> 0:31:25.800
<v Speaker 1>all the life on this planet has evolved to deal

0:31:25.960 --> 0:31:28.440
<v Speaker 1>with this ce cyclical firestorm that goes all the way

0:31:28.480 --> 0:31:30.760
<v Speaker 1>around the world. So he'll throw in things like that

0:31:30.800 --> 0:31:33.720
<v Speaker 1>when he's thinking about life and other worlds or planetary

0:31:33.760 --> 0:31:36.080
<v Speaker 1>physics or whatever it happens to be. Andy'll incorporate that

0:31:36.120 --> 0:31:38.600
<v Speaker 1>even if it's just a fascinating nugget along the way.

0:31:38.760 --> 0:31:40.600
<v Speaker 1>And unlike some of the other authors that I mentioned,

0:31:40.640 --> 0:31:42.920
<v Speaker 1>Ian Ebanks tends to write with a certain degree of

0:31:43.000 --> 0:31:46.840
<v Speaker 1>humor that is not necessarily prevalent in the other three works.

0:31:46.840 --> 0:31:48.960
<v Speaker 1>So if you want something that is at times lighter

0:31:49.440 --> 0:31:51.560
<v Speaker 1>and might get a giggle out of you, I find

0:31:51.600 --> 0:31:53.960
<v Speaker 1>Ian in Banks tends to fit the bill on that. Yeah,

0:31:54.000 --> 0:31:56.400
<v Speaker 1>and I'd say too, that seems like, uh, you know,

0:31:56.440 --> 0:31:58.560
<v Speaker 1>one of the commonalities between all of these or most

0:31:58.560 --> 0:32:00.320
<v Speaker 1>of these, is that there is some sense of humor.

0:32:00.400 --> 0:32:03.320
<v Speaker 1>That author enters into the the information with a good

0:32:03.320 --> 0:32:05.960
<v Speaker 1>stance of humor. It sounds like, so, but you know

0:32:06.000 --> 0:32:09.560
<v Speaker 1>it's important to us, all right, very cool. I was

0:32:09.640 --> 0:32:12.440
<v Speaker 1>going to mention a book that I'm going to check out.

0:32:12.440 --> 0:32:16.520
<v Speaker 1>It's called Internal Time, The Science of Chronotypes, Social jet

0:32:16.600 --> 0:32:18.880
<v Speaker 1>lag and more. You're so tired, And I thought it

0:32:18.880 --> 0:32:21.480
<v Speaker 1>was really interesting because we are at a point in

0:32:21.480 --> 0:32:24.400
<v Speaker 1>our history where we are not I think because of

0:32:24.440 --> 0:32:27.520
<v Speaker 1>technology as tied to time as we used to be,

0:32:28.160 --> 0:32:30.000
<v Speaker 1>and so it does seem like there is a bit

0:32:30.040 --> 0:32:32.120
<v Speaker 1>of a shift in the way that people are approaching

0:32:32.120 --> 0:32:35.240
<v Speaker 1>their schedules. Not only that, you know, as everybody knows,

0:32:35.520 --> 0:32:38.360
<v Speaker 1>despite that and some sort of flexibility, we seem to

0:32:38.400 --> 0:32:41.440
<v Speaker 1>be cramming so much into our time and really suffering

0:32:41.480 --> 0:32:45.240
<v Speaker 1>for it. So I I really am interested in finding

0:32:45.240 --> 0:32:48.400
<v Speaker 1>out more about this, these chronotypes that supposedly all of

0:32:48.480 --> 0:32:53.040
<v Speaker 1>us possess a different chronotype and internal timing type. So

0:32:53.240 --> 0:32:55.800
<v Speaker 1>some people are early risers, some people are late risers,

0:32:55.840 --> 0:32:59.120
<v Speaker 1>and this seems to be Historically we thought, okay, well

0:32:59.160 --> 0:33:01.600
<v Speaker 1>that means that you're lay about if you get up late,

0:33:01.920 --> 0:33:03.360
<v Speaker 1>or you know your go get or if you get

0:33:03.440 --> 0:33:05.760
<v Speaker 1>up at six am or whatever. Those are just very

0:33:05.840 --> 0:33:09.120
<v Speaker 1>arbitrary terms that have been abscribed to people. That this

0:33:09.240 --> 0:33:12.440
<v Speaker 1>idea of chronotype is something that is more hardwired into us.

0:33:12.520 --> 0:33:15.440
<v Speaker 1>So I'm going to check that out. And then two

0:33:15.680 --> 0:33:18.720
<v Speaker 1>quick mentions. I won't go into them too much. Some

0:33:18.840 --> 0:33:21.000
<v Speaker 1>we love, some we hate, and some we eat. We've

0:33:21.000 --> 0:33:24.320
<v Speaker 1>talked about this book. It's great. I am A relationship

0:33:24.360 --> 0:33:26.440
<v Speaker 1>with animals. A relationship with the animals are ten years

0:33:26.480 --> 0:33:29.200
<v Speaker 1>relationship with animals, how confused we are kind of butt

0:33:29.280 --> 0:33:31.440
<v Speaker 1>over tea kettle when it comes to us, right, and

0:33:31.480 --> 0:33:34.080
<v Speaker 1>how we receive animals, and as the title says, some

0:33:34.200 --> 0:33:36.800
<v Speaker 1>we love, some we hate, and some wheat. So I'm

0:33:36.800 --> 0:33:38.760
<v Speaker 1>going to check that out a little bit more this

0:33:38.800 --> 0:33:40.880
<v Speaker 1>summer because there are some things I want to revisit.

0:33:41.000 --> 0:33:46.280
<v Speaker 1>Especially there's a chapter on animal cruelty and this myth

0:33:46.520 --> 0:33:50.280
<v Speaker 1>that serial killers start off as killers of animals, that

0:33:50.360 --> 0:33:53.880
<v Speaker 1>this is actually not true, that children do this as

0:33:53.920 --> 0:33:58.680
<v Speaker 1>sort of a mastery of their own places in the world,

0:33:58.920 --> 0:34:01.680
<v Speaker 1>and this idea of trying to figure out what power

0:34:01.920 --> 0:34:04.600
<v Speaker 1>is over another person or thing. So I want to

0:34:04.640 --> 0:34:07.920
<v Speaker 1>check that out. And the next book, last book, The

0:34:08.000 --> 0:34:11.240
<v Speaker 1>Family Fang. It is a fiction book. It's about Caleb

0:34:11.360 --> 0:34:15.520
<v Speaker 1>and Camille Fang, their performance artists, who use their two children,

0:34:15.880 --> 0:34:18.480
<v Speaker 1>Annie and Buster are otherwise known as Child and Child

0:34:18.560 --> 0:34:22.480
<v Speaker 1>be as parts of their performance pieces. And it seems

0:34:22.520 --> 0:34:24.440
<v Speaker 1>like it's going to be like a pretty smart debate

0:34:24.440 --> 0:34:28.080
<v Speaker 1>about the human cost of sacrificing everything for art and

0:34:28.200 --> 0:34:30.600
<v Speaker 1>this idea of family. Everybody always thinks that they have

0:34:30.640 --> 0:34:33.800
<v Speaker 1>the freakiest family, so it'll be interesting to see that

0:34:33.800 --> 0:34:37.239
<v Speaker 1>that idea played out with the family fang cool. Well,

0:34:37.280 --> 0:34:39.400
<v Speaker 1>for my part, I'm I think this may be the

0:34:39.440 --> 0:34:43.520
<v Speaker 1>summer I finally read Dan Simon's Hyperion. Oh yeah, classic

0:34:43.560 --> 0:34:47.920
<v Speaker 1>SciFi booked at our our our boss. Many people's always

0:34:48.400 --> 0:34:50.399
<v Speaker 1>read that, yet Yeah, I think I have a friend

0:34:50.400 --> 0:34:52.360
<v Speaker 1>who's gonna try reading it, So hopefully this will be

0:34:52.400 --> 0:34:54.200
<v Speaker 1>the summer. On that, I should also point out real

0:34:54.280 --> 0:34:57.279
<v Speaker 1>quick that the fiction books that I mentioned here, if

0:34:57.360 --> 0:35:00.200
<v Speaker 1>you're obviously, if you're a parent, you're involved then and

0:35:00.280 --> 0:35:02.920
<v Speaker 1>whatever your kid reads, that's your own deal. But I

0:35:03.000 --> 0:35:06.200
<v Speaker 1>would like to point out that the author Polo basaka Loopy,

0:35:06.360 --> 0:35:08.120
<v Speaker 1>the author of The Wind Up Girl, he also has

0:35:08.160 --> 0:35:10.839
<v Speaker 1>a couple of young adult novels. One in particular that's

0:35:10.840 --> 0:35:13.440
<v Speaker 1>out as we're recording. This is called The Shipbreaker, and

0:35:13.560 --> 0:35:17.360
<v Speaker 1>it deals in the same setting, a post oil, ecologically

0:35:17.520 --> 0:35:20.000
<v Speaker 1>ravaged world, but it's aimed to the younger audience, so

0:35:20.000 --> 0:35:22.239
<v Speaker 1>you don't have to worry about there being anything inappropriate

0:35:22.239 --> 0:35:24.120
<v Speaker 1>in there. I would list that as an alternative or

0:35:24.160 --> 0:35:25.920
<v Speaker 1>if you're just I mean end up playing of adults

0:35:25.920 --> 0:35:27.960
<v Speaker 1>who prefer young adult novels. I mean, there are a

0:35:27.960 --> 0:35:29.880
<v Speaker 1>lot of great young adult novels out there that can

0:35:29.920 --> 0:35:32.160
<v Speaker 1>be enjoyed by any age. So because I take those

0:35:32.200 --> 0:35:35.480
<v Speaker 1>as alternatives, so we present you this list of books.

0:35:35.680 --> 0:35:37.440
<v Speaker 1>You can use this if you're trying to think of

0:35:37.480 --> 0:35:39.560
<v Speaker 1>something you want to you want to read. So if

0:35:39.600 --> 0:35:41.120
<v Speaker 1>you do happen to pick one of these up, if

0:35:41.120 --> 0:35:43.480
<v Speaker 1>you read something that we have recommended, or if you're

0:35:43.480 --> 0:35:46.120
<v Speaker 1>reading something that we're planning to read this summer, or

0:35:46.120 --> 0:35:47.800
<v Speaker 1>if you've you've read it already and have some thoughts

0:35:47.840 --> 0:35:49.759
<v Speaker 1>on it, if you would like to encourage us in

0:35:49.800 --> 0:35:52.879
<v Speaker 1>these choices that we have made, or say, actually, you're

0:35:52.880 --> 0:35:56.319
<v Speaker 1>making a huge mistake by reading Hyperion or whatever, let

0:35:56.360 --> 0:35:58.120
<v Speaker 1>us know. We'd love to hear from you. You can

0:35:58.120 --> 0:35:59.960
<v Speaker 1>find us on Facebook and you can find us on Twitter.

0:36:00.040 --> 0:36:02.320
<v Speaker 1>On Facebook, we're stuff to Blow your Mind on Twitter.

0:36:02.440 --> 0:36:05.000
<v Speaker 1>Our handles Blow the Mind, and you can drop us

0:36:05.040 --> 0:36:17.439
<v Speaker 1>a line at blow the Mind discovery dot com. Okay,