WEBVTT - One on One: Adam Hendershott

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<v Speaker 1>I am all In. Let's just you.

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<v Speaker 2>I Am all in with Scott Patterson, an iHeartRadio podcast.

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<v Speaker 1>Hey Everybody, Scott Patterson, I Am all In Podcast, one

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<v Speaker 1>of our productions iHeartRadio, I heart Media, iHeart Podcasts. Today

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<v Speaker 1>we are going to do an interview with Adam Hendershott.

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<v Speaker 1>He played a k at the Yale Daily News for

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<v Speaker 1>seven episodes. He is currently a commercial and editorial portrait photographer.

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<v Speaker 1>Was born, raised, and is still based in Los Angeles.

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<v Speaker 1>Adam got into the entertainment industry when he was discovered

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<v Speaker 1>at A Bob's Big Boy six years old. His first

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<v Speaker 1>acting job was playing a young Dudie Howser MD flashback

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<v Speaker 1>episode of the television series. Adam is twenty years of

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<v Speaker 1>experience as a working actor, with roles in Nip Tuck

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<v Speaker 1>for Uncle Mar's Cold Case and Nancy Drew As a photographer.

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<v Speaker 1>Adam's work has been featured in magazines like GQ, Esquire, People,

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<v Speaker 1>and Entertainment Weekly, and has worked at campaigns for movie posters,

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<v Speaker 1>album covers, Oh I Wonder which bands, podcasts and books.

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<v Speaker 1>Jackie Let's bring him in, Adam, how did you get

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<v Speaker 1>your role on Gilmore Girls? Tell us about it?

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<v Speaker 2>Oh boy, I remember I had. It was a it

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<v Speaker 2>was a lengthy auditioning process. It was a unique process too.

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<v Speaker 2>We actually it was my first time going and being

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<v Speaker 2>paired with like a group of people because I had

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<v Speaker 2>my role was in the Yale newsroom. So I remember

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<v Speaker 2>being paired up with a group at the audition and

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<v Speaker 2>they and before I went in, my manager said, hey, man,

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<v Speaker 2>you got to watch Gilmore Girls to make sure you

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<v Speaker 2>understand the tone of this show. And I did, and

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<v Speaker 2>so I was like, okay, I know, I gotta I

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<v Speaker 2>gotta keep my dialogue peppy and poppy. And then when

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<v Speaker 2>when I auditioned with the group of people, they wanted

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<v Speaker 2>to make sure that we could like jump on, jump

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<v Speaker 2>in right away as soon as it was our turn

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<v Speaker 2>to speak and be a be part of like an ensemble.

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<v Speaker 1>That was it was.

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<v Speaker 2>It was an awesome interview experience. Is definitely unique.

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<v Speaker 1>So you didn't have any problem with the speed or.

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<v Speaker 2>I didn't really. It was it was kind of fun

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<v Speaker 2>being part of a group where I you know, as

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<v Speaker 2>soon as as soon it might turn to speak, man,

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<v Speaker 2>I was just man, I was ready to ready to

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<v Speaker 2>jump in.

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<v Speaker 1>Yeah, okay, good, So you nailed it and then how

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<v Speaker 1>long afterwards did you know you got the offer? Your

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<v Speaker 1>agent call you and say you got it?

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<v Speaker 2>Oh. I think I went to like an initial call

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<v Speaker 2>and then they brought us back for like producers or

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<v Speaker 2>director and then and then as soon as that happened,

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<v Speaker 2>I believe it was either that night or the next

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<v Speaker 2>day that that I got an offer to be on it.

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<v Speaker 1>And were you pretty pumped because were you away of

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<v Speaker 1>the show and you knew, hey, this this is definitely

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<v Speaker 1>a shot in the arm for the career.

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<v Speaker 2>Heck, yeah, man, that was back back then. I mean

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<v Speaker 2>it was a lifetime ago. So yeah, I was definitely

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<v Speaker 2>stoked to be on a on a hit shot. Oh man,

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<v Speaker 2>it was I've been acting since I was a little kid,

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<v Speaker 2>but you know, and took a little break and then

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<v Speaker 2>and then when uh, when it was time to get

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<v Speaker 2>back into it, and and I was in my late teens. Uh,

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<v Speaker 2>I was super passionate about acting, and getting on the

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<v Speaker 2>show was definitely uh uh encouraging and uh very cool.

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<v Speaker 1>So you played uh A K A K on the

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<v Speaker 1>Year for the Yale Daily News for seven episodes. It's

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<v Speaker 1>a lot of episodes. Yeah, they just kept calling you

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<v Speaker 1>to come back, or did they give you a seven

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<v Speaker 1>episode deal. They just kept calling.

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<v Speaker 2>They did not they just they just kept calling. It

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<v Speaker 2>was awesome. Yeah. Every time that they needed to go

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<v Speaker 2>back to the the news room and I was in

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<v Speaker 2>it and I was in the scripts, they just said, hey,

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<v Speaker 2>you're you're working great.

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<v Speaker 1>Yeah, it's always good news, always good fun. Yeah.

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<v Speaker 2>Yeah, it was always fun being a part of that,

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<v Speaker 2>being part of that group. And then I became kind

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<v Speaker 2>of friends with all the people in the Yale newsroom

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<v Speaker 2>as well.

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<v Speaker 1>So we spoke to Devin already and he's one of

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<v Speaker 1>the writers from Yale Daily News. Were you who were

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<v Speaker 1>you closest to was Devin? You mentioned Devon That was.

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<v Speaker 2>I really liked Devon Man. Everyone was really cool. Danny

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<v Speaker 2>Putty was really cool. Amy Sloan was really cool. I

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<v Speaker 2>would say Rona was the person that I became the

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<v Speaker 2>biggest friends with. Rona Benson. Yeah, I became a photographer

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<v Speaker 2>and was a been a photographer for a really long time,

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<v Speaker 2>and I've taken her head shots multiple times.

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<v Speaker 1>Well, there's nothing that says friendship more than allowing somebody

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<v Speaker 1>to take your head shots. What was your favorite part

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<v Speaker 1>of working in that newsroom?

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<v Speaker 2>You know, I love the tone of the show because

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<v Speaker 2>it was just such a challenge that it was just unique,

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<v Speaker 2>like a unique acting challenge, so always being like no,

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<v Speaker 2>having my lines down and and and knowing uh when

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<v Speaker 2>to jump in and you know, actually one of my

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<v Speaker 2>favorite things to be part of that show were the

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<v Speaker 2>different directors. I I liked to see how different directors

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<v Speaker 2>on each episode would come in and bring there and

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<v Speaker 2>do the choreography of the blocking and the dialogue and

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<v Speaker 2>everything and kind of have to jump in.

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<v Speaker 1>Too.

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<v Speaker 2>And like especially Kenny Artega that was that was a

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<v Speaker 2>really cool episode to see him like everything became like

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<v Speaker 2>a dance and and the blocking of choreography with the

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<v Speaker 2>camera and it was it was all really cool to watch.

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<v Speaker 2>But the camaraderie as well was was awesome, you know,

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<v Speaker 2>meeting a bunch of cool people that were that became

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<v Speaker 2>friends and and and acting in a on a kind

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<v Speaker 2>of really cool show.

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<v Speaker 1>I was.

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<v Speaker 2>I was happy to happy to participate.

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<v Speaker 1>What a concept. Huh, get paid to go make friends

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<v Speaker 1>and do stuff you like to do.

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<v Speaker 2>Oh yeah, after after cleaning pools and doing all kinds

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<v Speaker 2>of other odd jobs.

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<v Speaker 1>So did you prefer when Paris was editor or Rory?

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<v Speaker 1>I mean, what what what was more fun to be

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<v Speaker 1>a part of.

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<v Speaker 2>I think it was more stressful when Rory was was

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<v Speaker 2>the editor, and then when Rory it was just a

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<v Speaker 2>bunch more of a supportive environment. You know, it's just

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<v Speaker 2>a different there's just a different environment. One was more

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<v Speaker 2>One was definitely a lot more hectic and stressful. Did

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<v Speaker 2>she was a bit of a tyrant?

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<v Speaker 1>Right? Did you get to know Lies a little bit?

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<v Speaker 2>Or or alexis a little bit not not more than

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<v Speaker 2>off off out of the studio, you know, but all

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<v Speaker 2>the all the people that were my friends in the

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<v Speaker 2>newsroom I was, I were friends with them for sure.

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<v Speaker 2>But yeah, like Rory and Wise, I definitely just saw

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<v Speaker 2>when I when I was there filming, and they were

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<v Speaker 2>extremely nice.

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<v Speaker 1>Did you guys go across the street to that watering

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<v Speaker 1>hole together and throw a couple back and reminiscent reminisce

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<v Speaker 1>on the day.

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<v Speaker 2>It doesn't sound familiar, but I mean we might have. Yeah,

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<v Speaker 2>I might have just blacked out from throwing a few back.

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<v Speaker 1>What was the name of that What was the name

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<v Speaker 1>of that place that famous? Gosh, it escapes me anyway,

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<v Speaker 1>It says here that you got discovered at Bob's Big

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<v Speaker 1>Boy Hamburger restaurant at six years old. Yeah, what were

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<v Speaker 1>you doing? And what? You must have been the most

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<v Speaker 1>magnetic child.

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<v Speaker 2>I really was, Honestly, I was. I was a very

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<v Speaker 2>cute kid and there was a lot of personality.

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<v Speaker 1>Okay, tell us about that.

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<v Speaker 2>I was with my family, obviously, I was six, and

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<v Speaker 2>I think a manager was sitting at another booth and

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<v Speaker 2>just like started, you know, like making eyes of me

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<v Speaker 2>and like seeing what if I would you know, play

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<v Speaker 2>back or whatever, and then came over to my family

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<v Speaker 2>and said, this kid is too cute and has a

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<v Speaker 2>great person and needs to be in the movies. And

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<v Speaker 2>you know, my family had never thought of anything like

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<v Speaker 2>that before. So they asked me if I wanted to

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<v Speaker 2>do it, and I said, I'm sure, let's try it.

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<v Speaker 2>So they took me to an agent, and the agent

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<v Speaker 2>wasn't sure if she wanted to represent me, and so

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<v Speaker 2>she was like, all right, I'll send you out on

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<v Speaker 2>an audition.

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<v Speaker 1>What the heck was her problem? What was the agent's problem?

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<v Speaker 2>I think I just had like a lack of focus.

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<v Speaker 2>I just I mean, I wasn't the typical you know

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<v Speaker 2>kid actor. That was just I am dying to be

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<v Speaker 2>a star or anything. You're six years old?

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<v Speaker 1>Well you were kind of focused. Did they expect exactly?

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<v Speaker 2>So? Are you?

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<v Speaker 1>Don't cut it? You don't have focus, You're sex You

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<v Speaker 1>need to be focused. What is that eight? Did you

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<v Speaker 1>just say take a look at me, Look at.

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<v Speaker 2>Me, look at this. How can you pass on this?

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<v Speaker 1>It got me out of Bob's big boy, you know.

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<v Speaker 1>It got me in the door.

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<v Speaker 2>And then I booked my first audition. So as soon

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<v Speaker 2>as I booked that, she was ready with papers to sign. Yeah. Man,

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<v Speaker 2>it was Doogie Howser, Doogey Howser. I played him as

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<v Speaker 2>a six year old in a flashback.

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<v Speaker 1>Oh right, but she wasn't sure whether you can handle

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<v Speaker 1>it because of your focus. But here you are playing

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<v Speaker 1>through the house. Okay. Yeah.

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<v Speaker 2>As soon as I book it, yeah, then she then

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<v Speaker 2>she's all over it.

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<v Speaker 1>Yeah.

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<v Speaker 2>And then I just never stopped working. I was just

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<v Speaker 2>I did a ton of pilots and commercials and little

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<v Speaker 2>little movie parts and bunch of like, uh, you know,

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<v Speaker 2>guest stars and things like that.

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<v Speaker 1>Would you recommend a young children getting involved in this business?

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<v Speaker 1>Did it mess your head up a little bit? Or

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<v Speaker 1>were you at all level headed and could deal with

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<v Speaker 1>it and all.

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<v Speaker 2>That My family was really cool about it. They were

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<v Speaker 2>always like, hey, if you never want if you want

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<v Speaker 2>to stop doing this, let's stop.

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<v Speaker 1>You know.

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<v Speaker 2>They never were never pressuring me. So to me, it

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<v Speaker 2>really depends on the family and the kid. If there

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<v Speaker 2>are some kids that are just magic and they're born

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<v Speaker 2>to do this, so you know they so and they

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<v Speaker 2>want to do it, but then there are something that

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<v Speaker 2>the parents are just like forcing them to be little stars.

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<v Speaker 2>So it just really depends.

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<v Speaker 1>Yeah, I guess it all comes down to family. Yeah.

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<v Speaker 2>I never got like, I never got exposed to drugs

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<v Speaker 2>and a bunch of bad people or anything like that.

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<v Speaker 2>You know. I was always pretty grounded in my family,

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<v Speaker 2>get me as levelheaded as possible. If I ever said

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<v Speaker 2>anything that was like whoa, you're getting a little too

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<v Speaker 2>big for your bridges, they shut it down pretty quickly,

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<v Speaker 2>right right, right.

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<v Speaker 1>So you were born and raised in Los Angeles.

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<v Speaker 2>Yeah, I'm a unicorn.

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<v Speaker 1>And what does that mean?

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<v Speaker 2>That just means everyone in Los Angeles is a transplant.

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<v Speaker 2>So yeah, I'm actually one of those that's been born

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<v Speaker 2>and raised in LA.

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<v Speaker 1>Okay, gotcha?

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<v Speaker 2>Uh?

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<v Speaker 1>And you started so young? Uh? Did you go to

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<v Speaker 1>school with a lot of other kids that were actors

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<v Speaker 1>as well.

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<v Speaker 2>Like, what was the percentage I did? When I got

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<v Speaker 2>a little bit older, I went to a high school

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<v Speaker 2>where Romney Malick went to school, and uh and pierced

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<v Speaker 2>the Dunst. So yeah, So at a certain point then

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<v Speaker 2>I was like, okay, well, most of the kids that

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<v Speaker 2>were in the industry were either like in the really

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<v Speaker 2>I end schools and never there because they were always filming,

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<v Speaker 2>or they were homeschool right.

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<v Speaker 1>So so that was a school just for sort of

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<v Speaker 1>kids that were working in the industry.

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<v Speaker 2>No, no, it was a private Catholic school and they

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<v Speaker 2>just they just happened to be going there.

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<v Speaker 1>Oh okay, all right, so now you're in you're not

0:11:52.600 --> 0:11:56.520
<v Speaker 1>as acting as much, right, that's right, transitioned into a

0:11:56.559 --> 0:12:05.080
<v Speaker 1>successful career as a photographer. Uh, that's so. I'd always interested, you.

0:12:03.840 --> 0:12:06.439
<v Speaker 2>You know, it was something that you know, I had

0:12:06.480 --> 0:12:08.760
<v Speaker 2>a little bit of a lull in my twenties when

0:12:08.840 --> 0:12:12.400
<v Speaker 2>I was acting and looking for odd jobs and things.

0:12:12.400 --> 0:12:14.000
<v Speaker 2>And my girlfriend at the time.

0:12:13.840 --> 0:12:17.760
<v Speaker 3>Now my wife, was was going to USC and asked

0:12:17.960 --> 0:12:21.800
<v Speaker 3>if I wanted to do a curricular extracurricular class with

0:12:21.880 --> 0:12:24.800
<v Speaker 3>her to go to do photo one on one, and

0:12:24.840 --> 0:12:27.440
<v Speaker 3>I just took that class with her and said sure,

0:12:27.440 --> 0:12:29.679
<v Speaker 3>why not And I ended up loving it and then

0:12:29.840 --> 0:12:32.520
<v Speaker 3>was doing photography and acting for a long time, but

0:12:32.559 --> 0:12:35.720
<v Speaker 3>then then ultimately made the big jump over to photography.

0:12:36.080 --> 0:12:39.840
<v Speaker 1>So you you've shot some album covers or record covers.

0:12:40.280 --> 0:12:42.679
<v Speaker 2>Yeah, I've shot some album covers. I've I've shot the

0:12:43.040 --> 0:12:47.160
<v Speaker 2>key art on on some podcasts and some movies and

0:12:48.040 --> 0:12:48.520
<v Speaker 2>different things.

0:12:48.600 --> 0:12:50.559
<v Speaker 1>Yeah, who are the bands?

0:12:51.200 --> 0:12:53.120
<v Speaker 2>Who are the bands? I mean one of the guys

0:12:53.120 --> 0:12:55.520
<v Speaker 2>I I was Kanye back in two thousand and seven.

0:12:56.040 --> 0:12:59.319
<v Speaker 1>Really, yeah, Kanye, Yeah, Kanye.

0:12:59.840 --> 0:13:03.200
<v Speaker 2>I had a mentor at the time, Mino Polouse and

0:13:03.200 --> 0:13:07.240
<v Speaker 2>and he uh offered me this job going to Chicago

0:13:07.320 --> 0:13:09.760
<v Speaker 2>to follow Kanye around shooting him while he did a

0:13:09.800 --> 0:13:13.320
<v Speaker 2>P S. A and uh and man, that was that

0:13:13.400 --> 0:13:14.800
<v Speaker 2>was an experience for sure.

0:13:14.920 --> 0:13:17.280
<v Speaker 1>You know, there's a there's a rumor going around that

0:13:17.440 --> 0:13:20.720
<v Speaker 1>if you win an award around Kanye, he's gonna take

0:13:20.760 --> 0:13:23.040
<v Speaker 1>it away from you. Oh for sure. Yeah, you gotta

0:13:23.080 --> 0:13:24.320
<v Speaker 1>be you gotta be careful of that.

0:13:24.800 --> 0:13:27.439
<v Speaker 2>Yeah, it's almost like you got to pay your dues

0:13:27.640 --> 0:13:29.960
<v Speaker 2>and and hope hopefully that happens. That's probably good luck

0:13:30.040 --> 0:13:30.280
<v Speaker 2>with that.

0:13:30.520 --> 0:13:33.440
<v Speaker 1>You you better you better be careful that Beyonce is

0:13:33.480 --> 0:13:37.079
<v Speaker 1>not in the same category or else you're getting charged.

0:13:37.720 --> 0:13:39.880
<v Speaker 2>Sure, but she should have won that for sure.

0:13:46.120 --> 0:13:49.359
<v Speaker 1>I'm having a little Kanye paranoia. Not that I'm nominated

0:13:49.360 --> 0:13:52.960
<v Speaker 1>for anything, but if I ever was, I'd be, Oh yeah,

0:13:53.080 --> 0:13:56.160
<v Speaker 1>i'd be I'd make sure what to watch my six man?

0:13:59.840 --> 0:14:03.240
<v Speaker 1>Uh uh so so a lot of what you learned,

0:14:03.559 --> 0:14:08.520
<v Speaker 1>uh in photography? Did being on set help or inform

0:14:08.760 --> 0:14:11.240
<v Speaker 1>your your photograph photographic vision?

0:14:11.640 --> 0:14:14.760
<v Speaker 2>Yeah? I mean it really just made me not really

0:14:14.880 --> 0:14:18.720
<v Speaker 2>starstruck so much when I would shoot with celebrities. No,

0:14:18.880 --> 0:14:21.840
<v Speaker 2>it was like, like, yes, these people are people too,

0:14:21.880 --> 0:14:22.240
<v Speaker 2>So if.

0:14:22.160 --> 0:14:23.800
<v Speaker 1>You weren't getting what you wanted at him, you just

0:14:23.840 --> 0:14:25.640
<v Speaker 1>smack them around, That's right.

0:14:25.680 --> 0:14:28.160
<v Speaker 2>Hey yeah, come on, I mean.

0:14:32.800 --> 0:14:35.080
<v Speaker 1>Ramedy Malick trying to give you attitude because it was

0:14:35.080 --> 0:14:39.240
<v Speaker 1>in a Bond film. You just smack them. That's how

0:14:39.280 --> 0:14:42.400
<v Speaker 1>you throw a wet chicken at them or something. It's like,

0:14:42.440 --> 0:14:43.840
<v Speaker 1>will you do what I tell you to do?

0:14:44.000 --> 0:14:44.080
<v Speaker 2>That?

0:14:44.360 --> 0:14:46.560
<v Speaker 1>See this is anyway?

0:14:47.160 --> 0:14:48.080
<v Speaker 2>Give me a queen bark?

0:14:48.120 --> 0:14:52.120
<v Speaker 1>Come on? What about what about? Uh? What about Kanye?

0:14:52.240 --> 0:14:53.640
<v Speaker 1>Have you ever shot Kanye?

0:14:54.560 --> 0:14:58.400
<v Speaker 2>Uh? Like, I mean I did. I went to Chicago

0:14:58.160 --> 0:15:01.280
<v Speaker 2>to shoot with him. And and followed him around for

0:15:01.400 --> 0:15:04.280
<v Speaker 2>a whole weekend. Well, he did a PSA to a concert.

0:15:04.480 --> 0:15:05.720
<v Speaker 1>But did you do his portrait?

0:15:06.720 --> 0:15:09.840
<v Speaker 2>I mean yes, and no. I didn't direct him at all.

0:15:10.000 --> 0:15:12.360
<v Speaker 2>I just was was hired to be there to follow

0:15:12.360 --> 0:15:15.400
<v Speaker 2>around for as much coverage as possible for the whole weekend.

0:15:15.640 --> 0:15:17.360
<v Speaker 2>So I kind of stayed a fly on the wall

0:15:17.360 --> 0:15:18.480
<v Speaker 2>as much as I could.

0:15:18.680 --> 0:15:21.280
<v Speaker 1>All right, So if you ever, if that ever happens again,

0:15:21.320 --> 0:15:24.160
<v Speaker 1>if you cause you again. Yeah, and he says, I

0:15:24.280 --> 0:15:25.840
<v Speaker 1>want you follow me around. I want you to shoot

0:15:25.840 --> 0:15:31.000
<v Speaker 1>a portrait, hand him a golden statue and say this

0:15:31.520 --> 0:15:35.920
<v Speaker 1>was meant force beyond. It wasn't meant for Beyonce, but

0:15:36.000 --> 0:15:37.840
<v Speaker 1>I want somebody else want it.

0:15:38.440 --> 0:15:41.920
<v Speaker 2>YEA, hold it? Okay, Clinton, Now I'm gonna take your picture.

0:15:47.960 --> 0:15:50.200
<v Speaker 2>Right he just might have an episode right while I'm

0:15:50.200 --> 0:15:50.840
<v Speaker 2>taking his picture?

0:15:51.000 --> 0:15:55.280
<v Speaker 1>Why not? So this is your this is your true

0:15:55.280 --> 0:15:58.400
<v Speaker 1>passion or is it both? You can have two passions.

0:15:58.640 --> 0:16:00.880
<v Speaker 2>I was passionate about acting for law long time, and

0:16:01.240 --> 0:16:04.520
<v Speaker 2>I and then when I found photography, it was like, okay,

0:16:05.040 --> 0:16:08.760
<v Speaker 2>people are like hiring me for photo shoots. And it

0:16:08.840 --> 0:16:11.200
<v Speaker 2>was like, okay, here's some money for to do a

0:16:11.200 --> 0:16:13.840
<v Speaker 2>photo shoot, and with acting, it's like you got an

0:16:13.880 --> 0:16:17.600
<v Speaker 2>audition to make some money, so you might get it,

0:16:17.640 --> 0:16:20.000
<v Speaker 2>you might not. But if you've got this photo shoot

0:16:20.320 --> 0:16:23.240
<v Speaker 2>and you've got to you know, and then you get

0:16:23.240 --> 0:16:25.680
<v Speaker 2>an audition. When you're an actor, you have to stop

0:16:25.760 --> 0:16:28.200
<v Speaker 2>everything you're doing in order to focus right on this audition.

0:16:28.280 --> 0:16:31.520
<v Speaker 2>So I was like, man, I remember the last audition

0:16:31.600 --> 0:16:33.360
<v Speaker 2>I went to. It was just you know, the I'm

0:16:33.360 --> 0:16:35.960
<v Speaker 2>on the four five and I went to like a

0:16:36.080 --> 0:16:40.560
<v Speaker 2>cattle call commercial audition in Santa Monica at like three

0:16:40.600 --> 0:16:43.120
<v Speaker 2>o'clock on a Friday or something, and I just had

0:16:43.120 --> 0:16:46.000
<v Speaker 2>the worst audition and I had to reschedule a bunch

0:16:46.000 --> 0:16:48.360
<v Speaker 2>of guaranteed money for photography in order to do it.

0:16:49.560 --> 0:16:51.560
<v Speaker 2>And then I get back in my car and I'm like,

0:16:51.680 --> 0:16:54.240
<v Speaker 2>just what am I doing? Why am I? Why am

0:16:54.280 --> 0:16:56.320
<v Speaker 2>I sacrificing.

0:16:55.760 --> 0:16:59.720
<v Speaker 1>This five hours to get home? Yeah, it's four o'clock

0:17:00.040 --> 0:17:02.400
<v Speaker 1>on the four would be for self tapes. I don't know.

0:17:02.440 --> 0:17:04.320
<v Speaker 1>I don't I don't know if I like the self

0:17:04.359 --> 0:17:05.440
<v Speaker 1>tapes so much.

0:17:05.920 --> 0:17:08.600
<v Speaker 2>There's pros and cons for sure, definitely. You know, there's

0:17:08.600 --> 0:17:10.639
<v Speaker 2>an energy getting in the room and talking to people.

0:17:10.920 --> 0:17:14.800
<v Speaker 1>Man, Yeah, there's psychology, you can work with psychology.

0:17:15.720 --> 0:17:18.560
<v Speaker 2>I miss and I've also got one buddy that is

0:17:18.600 --> 0:17:21.119
<v Speaker 2>on a show now. But you know, when they do

0:17:21.240 --> 0:17:24.600
<v Speaker 2>their tapes, they get as many takes as they want

0:17:24.640 --> 0:17:27.440
<v Speaker 2>to get it perfect, and then they send that perfect take,

0:17:27.800 --> 0:17:29.320
<v Speaker 2>you know, and then when you go and actually shoot

0:17:29.320 --> 0:17:32.680
<v Speaker 2>the show, yeah, one maybe two takes to get it right,

0:17:33.240 --> 0:17:36.240
<v Speaker 2>you know. So it's just a it's just a different vibe.

0:17:36.320 --> 0:17:38.439
<v Speaker 1>So kind of if you yell and scream, you can

0:17:38.480 --> 0:17:40.000
<v Speaker 1>get more takes, that's true.

0:17:40.080 --> 0:17:42.120
<v Speaker 2>Yeah, big enough, you can. You can get away with it.

0:17:51.840 --> 0:17:54.920
<v Speaker 1>So let's talk about some of these big times lebs.

0:17:54.960 --> 0:17:58.960
<v Speaker 1>You work with them? Or Roberts, Angela Kinsey, who's that?

0:17:59.200 --> 0:17:59.760
<v Speaker 1>Who's Angela?

0:17:59.840 --> 0:18:05.119
<v Speaker 2>Can he's Angela from the Office? Oh yeah, the the

0:18:05.600 --> 0:18:08.520
<v Speaker 2>blonde lady who marries Dwight at the end.

0:18:09.119 --> 0:18:11.119
<v Speaker 1>Yeah, I never I never really watched the show.

0:18:11.600 --> 0:18:12.639
<v Speaker 2>It's such a good show.

0:18:12.880 --> 0:18:16.480
<v Speaker 1>No, I know, I've seen clips. I've never that's fun y.

0:18:16.560 --> 0:18:18.760
<v Speaker 2>I'vehot I've shot to shoot a few people from that

0:18:18.760 --> 0:18:21.520
<v Speaker 2>show because I'm friends with their publicist, and the publicist

0:18:21.600 --> 0:18:24.000
<v Speaker 2>asked if I would, you know, take some pictures of them.

0:18:24.200 --> 0:18:26.720
<v Speaker 2>But then when they started their own podcast, rewatching the

0:18:26.760 --> 0:18:29.520
<v Speaker 2>Office shows then they said, hey, come and shoot the

0:18:30.240 --> 0:18:33.119
<v Speaker 2>cover art for this. So it's called Office Ladies. It's

0:18:33.160 --> 0:18:36.280
<v Speaker 2>a really good podcast as well that I shot at

0:18:36.320 --> 0:18:37.200
<v Speaker 2>the cover art part.

0:18:37.840 --> 0:18:39.840
<v Speaker 1>Do you charge a lot of money? Are you expensive?

0:18:40.440 --> 0:18:41.360
<v Speaker 2>So much money?

0:18:41.560 --> 0:18:42.000
<v Speaker 1>How much?

0:18:42.080 --> 0:18:42.760
<v Speaker 2>So much money?

0:18:42.880 --> 0:18:45.200
<v Speaker 1>What do you charge? Tell me what do you charge?

0:18:45.440 --> 0:18:48.480
<v Speaker 2>It's different, honestly. I work with budgets. You know, you

0:18:48.560 --> 0:18:53.840
<v Speaker 2>put in bids ten thousand and shot that's on a

0:18:53.880 --> 0:18:56.919
<v Speaker 2>bad day, one hundred thousands like this.

0:18:57.480 --> 0:19:00.880
<v Speaker 1>Like so you're like Andy Leebowitz the West Coast. You're

0:19:00.960 --> 0:19:05.879
<v Speaker 1>like a female, Oh, I wish what is she? What

0:19:05.960 --> 0:19:08.159
<v Speaker 1>is she taking down per session? What do you think

0:19:08.200 --> 0:19:08.679
<v Speaker 1>she's taking?

0:19:09.000 --> 0:19:12.440
<v Speaker 2>Are you kidding me? She's what's undred hundreds of thousands

0:19:12.480 --> 0:19:15.120
<v Speaker 2>of dollars a shoot? For sure? At least at least

0:19:15.160 --> 0:19:16.840
<v Speaker 2>the budgets are that big for her shoot?

0:19:17.200 --> 0:19:20.479
<v Speaker 1>Sure, Yeah, she's taking She's takken down some big scores,

0:19:20.520 --> 0:19:20.919
<v Speaker 1>isn't she?

0:19:21.080 --> 0:19:24.160
<v Speaker 2>And then she's like and then there's licensing, So if

0:19:24.160 --> 0:19:26.840
<v Speaker 2>she's shooting someone and then they want to use those

0:19:26.880 --> 0:19:30.440
<v Speaker 2>photos for you know, for me or for all kinds

0:19:30.480 --> 0:19:33.520
<v Speaker 2>of things, she's just getting paid just for the shoot itself.

0:19:33.560 --> 0:19:34.720
<v Speaker 1>Yeah, beautiful.

0:19:34.720 --> 0:19:37.600
<v Speaker 2>It's like residuals for actors. It's just that's it's that's

0:19:37.640 --> 0:19:40.000
<v Speaker 2>where the photographers really make their dusk real.

0:19:40.040 --> 0:19:46.000
<v Speaker 1>The cake is man. So, who's been your favorite to shoot? Though?

0:19:46.280 --> 0:19:48.240
<v Speaker 1>Of these famous.

0:19:48.359 --> 0:19:51.439
<v Speaker 2>Celebrity man my favorite to shoot?

0:19:51.680 --> 0:19:54.159
<v Speaker 1>I'm going to ask you who's who's been your favorite

0:19:54.560 --> 0:19:56.960
<v Speaker 1>and who was a nightmare? I want to know who

0:19:57.080 --> 0:19:58.000
<v Speaker 1>was a nightmare?

0:20:00.080 --> 0:20:04.199
<v Speaker 2>Kanye. Kanye was definitely a prima donna. I mean, he

0:20:04.359 --> 0:20:08.520
<v Speaker 2>was like that's shocking. Yeah, I remember going to Chicago,

0:20:08.640 --> 0:20:11.679
<v Speaker 2>and I mean, but he's a genius as well as like,

0:20:11.760 --> 0:20:14.040
<v Speaker 2>at the same time, you just kind of give him

0:20:14.080 --> 0:20:14.639
<v Speaker 2>the grace.

0:20:15.000 --> 0:20:18.439
<v Speaker 1>Why is he a genius? Why is this term music

0:20:18.520 --> 0:20:21.600
<v Speaker 1>around so much? That he's a genius.

0:20:21.520 --> 0:20:24.520
<v Speaker 2>With music and producing and uh, you.

0:20:24.480 --> 0:20:28.000
<v Speaker 1>Know when a lot of people do that, do that.

0:20:28.320 --> 0:20:31.919
<v Speaker 2>It's true. I know there's uh I think there's an

0:20:31.920 --> 0:20:35.479
<v Speaker 2>old documentary called Genius that is about him being him

0:20:35.480 --> 0:20:39.600
<v Speaker 2>being a genius for with music, but with producing and

0:20:39.680 --> 0:20:43.000
<v Speaker 2>just his ear and his lyrics and all kinds of stuff.

0:20:43.040 --> 0:20:47.679
<v Speaker 2>I think he's just got a very innovative and revolutionary

0:20:47.720 --> 0:20:50.320
<v Speaker 2>as far as the as far as music is concerned,

0:20:50.880 --> 0:20:52.480
<v Speaker 2>I'm not I'm no expert.

0:20:52.119 --> 0:20:54.960
<v Speaker 1>In that I'm gonna, I'm gonna, I'm gonna dig into

0:20:55.000 --> 0:20:57.040
<v Speaker 1>this a little bit. I'm gonna check this out.

0:20:57.440 --> 0:21:00.960
<v Speaker 2>Wait. So in Chicago, I remember he gave a concert

0:21:01.160 --> 0:21:03.640
<v Speaker 2>and and then there was like one little thing. It

0:21:03.720 --> 0:21:06.840
<v Speaker 2>sounded perfect to me, And there was like one little thing,

0:21:06.840 --> 0:21:09.840
<v Speaker 2>and he's doing it for like all these these underprivileged

0:21:09.880 --> 0:21:11.160
<v Speaker 2>youths in Chicago.

0:21:11.480 --> 0:21:12.400
<v Speaker 1>Oh that's nice.

0:21:12.840 --> 0:21:15.560
<v Speaker 2>There was one thing that didn't set that sounded off,

0:21:15.640 --> 0:21:20.000
<v Speaker 2>and he stopped the concert. Boy. Oh and and for

0:21:20.119 --> 0:21:22.880
<v Speaker 2>like a half an hour, forty five minutes or so,

0:21:23.040 --> 0:21:26.560
<v Speaker 2>he made sure that everything sounded fine and just let

0:21:26.600 --> 0:21:29.640
<v Speaker 2>these let everybody wait. Well, he just wanted to get

0:21:29.640 --> 0:21:30.520
<v Speaker 2>this one little thing.

0:21:30.440 --> 0:21:32.320
<v Speaker 1>Right, because that's what geniuses do.

0:21:32.880 --> 0:21:37.360
<v Speaker 2>I guess they don't settle. They don't settle for mediocrity.

0:21:37.480 --> 0:21:39.520
<v Speaker 1>And then he gets up there and he takes somebody's

0:21:39.560 --> 0:21:46.800
<v Speaker 1>award away. That's what geniuses do. Yeah, I don't know

0:21:46.880 --> 0:21:49.920
<v Speaker 1>his music that well, I'm gonna check it out, uh,

0:21:50.000 --> 0:21:51.720
<v Speaker 1>and I'll get back to you on the So, who

0:21:51.800 --> 0:21:55.240
<v Speaker 1>was in so other than him? Who was a nightmare

0:21:57.080 --> 0:21:59.800
<v Speaker 1>websitemare I want to know about jennif Fisher? Was she

0:21:59.840 --> 0:22:02.760
<v Speaker 1>and she was such a nightmare? She was a nightmare,

0:22:02.840 --> 0:22:03.280
<v Speaker 1>wasn't she.

0:22:03.160 --> 0:22:05.640
<v Speaker 2>She's the world?

0:22:05.800 --> 0:22:11.480
<v Speaker 1>Yes, yes, she's so nice all smiles, yes the whole time.

0:22:11.920 --> 0:22:14.280
<v Speaker 2>Yeah, even I'm sure even if she was having a

0:22:14.320 --> 0:22:16.480
<v Speaker 2>bad time you you wouldn't know, and she would be.

0:22:16.760 --> 0:22:17.880
<v Speaker 2>She's just so pleasant.

0:22:18.000 --> 0:22:19.960
<v Speaker 1>What about Emma Roberts, dude.

0:22:19.760 --> 0:22:22.600
<v Speaker 2>Emma Roberts was super cool. I shot her a few

0:22:22.680 --> 0:22:25.639
<v Speaker 2>times because she and I had the same manager. So

0:22:25.960 --> 0:22:29.560
<v Speaker 2>I shot her for her in a like a Diane

0:22:29.600 --> 0:22:34.760
<v Speaker 2>von first and bird dress. And then she uh recommended

0:22:34.800 --> 0:22:36.960
<v Speaker 2>me to be a photographer for this, like for this

0:22:37.040 --> 0:22:39.879
<v Speaker 2>jewelry company that was that was working with her to

0:22:40.080 --> 0:22:42.360
<v Speaker 2>that that where she was like starting to design jewelry.

0:22:42.560 --> 0:22:45.480
<v Speaker 2>And so, man, I owe a good amount of money

0:22:45.520 --> 0:22:48.360
<v Speaker 2>and time and experience to shooting with her. Man, she was,

0:22:48.560 --> 0:22:49.439
<v Speaker 2>she was fantastic.

0:22:51.000 --> 0:22:55.159
<v Speaker 1>But so who who? Just you just stop the shoot

0:22:55.320 --> 0:22:59.919
<v Speaker 1>to get out of my studio. I don't want to shoot.

0:23:00.280 --> 0:23:03.520
<v Speaker 1>Let me look, give me, give me a name.

0:23:04.160 --> 0:23:06.480
<v Speaker 2>Give you a name of somebody that was terrible.

0:23:07.119 --> 0:23:10.920
<v Speaker 1>Millions of people listening to this podcast, millions, I want

0:23:10.920 --> 0:23:11.240
<v Speaker 1>a name.

0:23:13.119 --> 0:23:16.480
<v Speaker 2>You want me to drop? And still the gossip about somebody.

0:23:16.520 --> 0:23:22.080
<v Speaker 2>I quit. I'm logging off right now, do.

0:23:26.240 --> 0:23:29.520
<v Speaker 1>Uh that's Angela Kenzie cool? Was she? Was she cool?

0:23:30.280 --> 0:23:34.040
<v Speaker 2>Angela Kenzie was very cool? Yeah, yeah, I still I've

0:23:34.080 --> 0:23:36.720
<v Speaker 2>shot her on multiple occasions and have a have a

0:23:36.760 --> 0:23:37.600
<v Speaker 2>good time shooting her.

0:23:37.920 --> 0:23:40.320
<v Speaker 1>Who's so? Who are your influences? Tell us who your

0:23:40.320 --> 0:23:42.919
<v Speaker 1>photographic heroes are? For?

0:23:43.960 --> 0:23:47.560
<v Speaker 2>Photographed so many? Oh many? I mean Annie is definitely.

0:23:47.280 --> 0:23:49.959
<v Speaker 1>Give me, give me one, Give me one, give meat.

0:23:53.359 --> 0:23:53.439
<v Speaker 2>Ye.

0:23:53.560 --> 0:23:56.800
<v Speaker 1>I like him. He creates that world, doesn't he? But

0:23:56.800 --> 0:23:59.760
<v Speaker 1>but he lived that world, didn't he. It's not like

0:23:59.840 --> 0:24:03.480
<v Speaker 1>he was this church going guy who had a family

0:24:03.520 --> 0:24:06.359
<v Speaker 1>and he'd go home, but then he had these fantasies

0:24:06.400 --> 0:24:09.280
<v Speaker 1>and he'd go and he'd act out all brought to life.

0:24:10.160 --> 0:24:12.240
<v Speaker 1>But he lived that life, didn't He didn't he live

0:24:12.320 --> 0:24:12.879
<v Speaker 1>that life?

0:24:13.280 --> 0:24:16.040
<v Speaker 2>I mean, I don't know too much about his personal life,

0:24:16.080 --> 0:24:19.359
<v Speaker 2>but I mean, if it's anything like his photos, I

0:24:19.359 --> 0:24:23.560
<v Speaker 2>mean it's pretty. It's pretty cool and voyeuristic and kinky.

0:24:24.119 --> 0:24:27.080
<v Speaker 1>So you're doing the photography full time, you're charging tens

0:24:27.160 --> 0:24:28.879
<v Speaker 1>of thousands of dollars per photogs.

0:24:28.920 --> 0:24:30.080
<v Speaker 2>That's just so much money.

0:24:30.240 --> 0:24:32.920
<v Speaker 1>You're getting stupid rich. You're getting stupid rich.

0:24:34.440 --> 0:24:39.560
<v Speaker 2>No, man, I assist other photographers. Man, I shoot photography

0:24:39.600 --> 0:24:41.840
<v Speaker 2>is a journey man. So I, yes, I shoot celebrities

0:24:41.840 --> 0:24:43.879
<v Speaker 2>every once in a while, but you know, you shoot

0:24:43.880 --> 0:24:45.920
<v Speaker 2>all kinds of stuff, and it's different from from day

0:24:45.960 --> 0:24:49.320
<v Speaker 2>to day. You know, there was a one day I

0:24:49.359 --> 0:24:53.320
<v Speaker 2>was shooting like a marijuana facility, and then the next

0:24:53.400 --> 0:24:56.000
<v Speaker 2>then the next day you're shooting kids fashion, and then

0:24:56.000 --> 0:24:58.919
<v Speaker 2>there's you know, just wherever the wherever the jobs are

0:24:58.920 --> 0:25:01.640
<v Speaker 2>coming and people are and refer to you. It's it's

0:25:01.720 --> 0:25:03.280
<v Speaker 2>it's always kind of in a new adventure.

0:25:03.680 --> 0:25:07.399
<v Speaker 1>Did Kanye stop by the the dispensary was? Did he

0:25:07.480 --> 0:25:09.240
<v Speaker 1>did you see? Yeah?

0:25:09.320 --> 0:25:12.800
<v Speaker 2>Right, I'm sure. I'm sure he partakes.

0:25:13.119 --> 0:25:26.240
<v Speaker 1>He's so cool. We're gonna do a a little game

0:25:26.280 --> 0:25:30.120
<v Speaker 1>we play called rapid Fire. Oh okay, and you can go.

0:25:30.640 --> 0:25:33.520
<v Speaker 1>You don't have to go rapidly. This is there's nothing

0:25:33.640 --> 0:25:34.560
<v Speaker 1>rapid about it.

0:25:35.000 --> 0:25:36.919
<v Speaker 2>So I can think about my answers and then.

0:25:37.040 --> 0:25:40.080
<v Speaker 1>No, you cannot think. You're not allowed to think, all right,

0:25:40.400 --> 0:25:44.760
<v Speaker 1>no thinking normally. I see that you are a thinking person,

0:25:45.600 --> 0:25:48.280
<v Speaker 1>and this is an ethema to what we're doing here.

0:25:48.680 --> 0:25:52.520
<v Speaker 1>All right, Okay, I just need answers, buddy, Okay, I

0:25:52.560 --> 0:25:55.840
<v Speaker 1>want them straight, and I want him fast, but not rapid. Okay,

0:25:55.840 --> 0:25:58.200
<v Speaker 1>here we go. How do you like your coffee?

0:25:59.520 --> 0:26:01.160
<v Speaker 2>Uh, it's to cream, a little bit of sugar.

0:26:01.280 --> 0:26:02.119
<v Speaker 1>I saw your thinking.

0:26:03.280 --> 0:26:04.159
<v Speaker 2>Oh, sorry about that.

0:26:04.320 --> 0:26:05.040
<v Speaker 1>Yeah, don't do that.

0:26:05.640 --> 0:26:06.720
<v Speaker 2>All right?

0:26:08.280 --> 0:26:11.320
<v Speaker 1>Are you team Logan Team Jess or Team Dean Team Jess?

0:26:11.640 --> 0:26:11.800
<v Speaker 2>Oh?

0:26:12.200 --> 0:26:15.399
<v Speaker 1>I see you thinking. I can see your brain. You

0:26:15.400 --> 0:26:17.479
<v Speaker 1>know what. You're one of these high i Q people

0:26:17.760 --> 0:26:19.880
<v Speaker 1>who just can't turn it off. I understand.

0:26:20.600 --> 0:26:21.840
<v Speaker 2>I've never been accused of that.

0:26:22.280 --> 0:26:26.600
<v Speaker 1>No, this was the first time. Who is your favorite

0:26:26.600 --> 0:26:29.920
<v Speaker 1>Gilmour Girls couple? Luke and Laurel are Emily and Richard?

0:26:30.280 --> 0:26:31.159
<v Speaker 2>Oh, Luke and Lauray?

0:26:31.680 --> 0:26:35.919
<v Speaker 1>Hell? Yeah, brother? Uh? Would you rather work with Michelle

0:26:36.160 --> 0:26:38.920
<v Speaker 1>or Kirk Michelle? Why?

0:26:40.760 --> 0:26:44.679
<v Speaker 2>Honestly, I have no idea. I didn't think about it.

0:26:46.080 --> 0:26:50.639
<v Speaker 1>I just said it now. You're all who would you

0:26:50.680 --> 0:26:52.520
<v Speaker 1>like to shoot? Whose portrait would you like to shoot?

0:26:52.520 --> 0:26:53.840
<v Speaker 1>On the show? Who you?

0:26:54.080 --> 0:26:55.919
<v Speaker 2>Well? Alexis I would love to shoot her.

0:26:56.119 --> 0:26:58.639
<v Speaker 1>Yeah. Yeah, she's interesting, isn't she?

0:26:58.880 --> 0:27:01.640
<v Speaker 2>Yeah? Or you let's shoot He's He's.

0:27:01.560 --> 0:27:02.800
<v Speaker 1>Very interesting, isn't he?

0:27:03.400 --> 0:27:03.640
<v Speaker 2>Uh?

0:27:03.760 --> 0:27:07.680
<v Speaker 1>Maybe the two of us together? Yes? All right? Yes?

0:27:07.920 --> 0:27:10.639
<v Speaker 1>What would you do? What? What would you order it?

0:27:10.800 --> 0:27:11.560
<v Speaker 1>Lukes diner?

0:27:11.800 --> 0:27:13.120
<v Speaker 2>Oh? I don't know what's available.

0:27:13.840 --> 0:27:14.360
<v Speaker 1>Luke's diner.

0:27:14.400 --> 0:27:16.000
<v Speaker 2>You got pie there, I'll have some pie. I don't

0:27:16.040 --> 0:27:16.240
<v Speaker 2>know what.

0:27:16.960 --> 0:27:18.879
<v Speaker 1>Yeah, could you shoot the pie?

0:27:19.280 --> 0:27:22.160
<v Speaker 2>I mean I've done food photography. That's a very specific

0:27:22.880 --> 0:27:23.520
<v Speaker 2>niche for sure.

0:27:24.320 --> 0:27:26.840
<v Speaker 1>Right. Who would you rather hang out with Paris or

0:27:26.960 --> 0:27:29.920
<v Speaker 1>Lane Kim Paris? Why?

0:27:30.440 --> 0:27:31.200
<v Speaker 2>Just because I know her?

0:27:31.760 --> 0:27:37.359
<v Speaker 1>Okay, yeah, Harvard Yale? Or would you drop out? And

0:27:38.200 --> 0:27:39.600
<v Speaker 1>oh yeah yeah? Why Yale?

0:27:39.640 --> 0:27:41.159
<v Speaker 2>Why Yale? That was fast?

0:27:41.480 --> 0:27:43.359
<v Speaker 1>I mean that was screw Harvard Yale?

0:27:43.840 --> 0:27:45.200
<v Speaker 2>Why was it the Yale newser.

0:27:46.280 --> 0:27:48.960
<v Speaker 1>That makes sense? Makes sense? I like that you live

0:27:48.960 --> 0:27:52.040
<v Speaker 1>in the dream. Uh. Would you rather attend a d

0:27:52.119 --> 0:27:55.240
<v Speaker 1>A R event with Emily or a town meeting with Taylor?

0:27:55.840 --> 0:27:58.399
<v Speaker 2>Oh? Man, I don't even know what the I'll just

0:27:58.440 --> 0:28:01.720
<v Speaker 2>have to That's an any meaning mind situation I have.

0:28:01.840 --> 0:28:05.760
<v Speaker 1>That's not an answer. We can't accept that, Taylor. Okay,

0:28:05.800 --> 0:28:11.080
<v Speaker 1>thank you? Okay, give them more girls character you would

0:28:11.160 --> 0:28:13.320
<v Speaker 1>most want as a roommate.

0:28:14.280 --> 0:28:17.240
<v Speaker 2>I would most want as a roommate anyone from the

0:28:17.320 --> 0:28:19.760
<v Speaker 2>Yale newsroom because they were all super cool people.

0:28:20.119 --> 0:28:24.119
<v Speaker 1>Okay, all right, how about all of them? Yes, like

0:28:24.119 --> 0:28:24.560
<v Speaker 1>in a house.

0:28:24.560 --> 0:28:26.359
<v Speaker 2>It would be a good time. When they asked me

0:28:26.400 --> 0:28:28.720
<v Speaker 2>to do this, I said, let's all get on this.

0:28:28.840 --> 0:28:30.840
<v Speaker 2>Can we just have like a group where we all

0:28:30.920 --> 0:28:33.000
<v Speaker 2>join in on this, that would be awesome.

0:28:33.119 --> 0:28:36.000
<v Speaker 1>Get a house in Pacoima or someplace like that and

0:28:36.080 --> 0:28:36.959
<v Speaker 1>you all be together.

0:28:37.560 --> 0:28:39.360
<v Speaker 2>Yeah, and then we'll join you for the pod for

0:28:39.360 --> 0:28:40.400
<v Speaker 2>another episode of the podcast.

0:28:40.480 --> 0:28:43.320
<v Speaker 1>Yes, the Pocoima Daily News. You could have your own thing.

0:28:43.360 --> 0:28:46.200
<v Speaker 2>You could be the other I think Pacoima is where

0:28:46.200 --> 0:28:48.240
<v Speaker 2>I shot the weeks.

0:28:50.600 --> 0:28:56.040
<v Speaker 1>That's shocking something in your life you are all in

0:28:56.400 --> 0:28:58.239
<v Speaker 1>on and I think we know what that is.

0:28:59.000 --> 0:29:03.400
<v Speaker 2>What Yeah, and being a fan, being a family man

0:29:03.400 --> 0:29:05.720
<v Speaker 2>and my and with my wife and family, and.

0:29:06.600 --> 0:29:07.800
<v Speaker 1>You have you have two kids.

0:29:08.240 --> 0:29:11.840
<v Speaker 2>I do? How old I do? Ava is about to

0:29:11.840 --> 0:29:15.320
<v Speaker 2>turn nine and uh Cole just turned four.

0:29:15.800 --> 0:29:20.240
<v Speaker 1>Ah, so great nine, such a great age. My boy

0:29:20.320 --> 0:29:21.760
<v Speaker 1>is nine. We're having so much fun.

0:29:22.520 --> 0:29:25.760
<v Speaker 2>Ah. Yeah, she's the best man. Yeah, he's very cool too.

0:29:25.760 --> 0:29:28.160
<v Speaker 2>It's just you. He just loves mama right now, and

0:29:28.200 --> 0:29:29.200
<v Speaker 2>it's all about mama.

0:29:29.400 --> 0:29:32.440
<v Speaker 1>He's gonna look, he's gonna discover you give it a

0:29:32.440 --> 0:29:33.400
<v Speaker 1>couple of years.

0:29:33.720 --> 0:29:35.960
<v Speaker 2>Yeah, that's what happened with Ava. That's what happened with

0:29:36.000 --> 0:29:38.520
<v Speaker 2>Deva for sure. Right, he'll to his mama's girl. And

0:29:38.560 --> 0:29:41.440
<v Speaker 2>then now we're now we just have so much fun together.

0:29:41.960 --> 0:29:45.760
<v Speaker 1>Yeah, it's it's just such a joy having a family.

0:29:46.000 --> 0:29:48.440
<v Speaker 1>I mean really great. Well, I'm happy for you.

0:29:48.520 --> 0:29:48.720
<v Speaker 2>Man.

0:29:48.760 --> 0:29:52.320
<v Speaker 1>You got a nice career going. You're charging tens of

0:29:52.360 --> 0:29:53.200
<v Speaker 1>thousands of dollars?

0:29:53.440 --> 0:29:53.800
<v Speaker 2>Do you have?

0:29:54.520 --> 0:29:56.640
<v Speaker 1>I just I just have the one attack to me

0:29:56.680 --> 0:30:02.720
<v Speaker 1>if it's any less than that. Yeah, but yeah, things

0:30:02.760 --> 0:30:07.000
<v Speaker 1>are going good. Man. You're you know, Kanye stocking you

0:30:07.240 --> 0:30:10.480
<v Speaker 1>now and you know you don't have time. You just

0:30:10.520 --> 0:30:12.640
<v Speaker 1>don't have time for that.

0:30:11.960 --> 0:30:13.960
<v Speaker 2>That's right. How are you doing? How many kids do

0:30:14.000 --> 0:30:14.239
<v Speaker 2>you have?

0:30:14.720 --> 0:30:15.320
<v Speaker 1>I have one?

0:30:15.480 --> 0:30:17.720
<v Speaker 2>I just have one kid. Okay, cool? Yeah that was

0:30:17.800 --> 0:30:18.920
<v Speaker 2>me too. I was an only child.

0:30:19.120 --> 0:30:22.080
<v Speaker 1>Yeah, I think I think we'll probably I think we're

0:30:22.120 --> 0:30:23.240
<v Speaker 1>talking about number two.

0:30:23.960 --> 0:30:26.880
<v Speaker 2>Really, that's like after a nine years old, that's starting

0:30:26.880 --> 0:30:27.480
<v Speaker 2>over again.

0:30:27.920 --> 0:30:32.040
<v Speaker 1>It start, but it does have its upside in that,

0:30:33.480 --> 0:30:35.160
<v Speaker 1>you know, my son can help out.

0:30:36.000 --> 0:30:40.360
<v Speaker 2>That's cool. Yeah. We my my son and daughter are

0:30:40.360 --> 0:30:43.280
<v Speaker 2>five years apart, and if you you know, she she

0:30:43.400 --> 0:30:46.200
<v Speaker 2>definitely helps take care of him a little bit. You know,

0:30:46.320 --> 0:30:50.560
<v Speaker 2>she's very very nurturing little girl. Yeah, but yeah, after

0:30:50.560 --> 0:30:53.120
<v Speaker 2>we were done with diapers with her, then it became

0:30:54.080 --> 0:30:55.560
<v Speaker 2>diapers with the new one.

0:30:55.920 --> 0:30:57.880
<v Speaker 1>Yeah, it's like I know, it's like six years in

0:30:57.920 --> 0:31:02.920
<v Speaker 1>a row of diapers. Yep, it's a lot of divers.

0:31:02.960 --> 0:31:06.800
<v Speaker 1>So much poop. That's a lot of poop. Well, this

0:31:07.000 --> 0:31:10.120
<v Speaker 1>was fun. You're a pretty guy.

0:31:10.960 --> 0:31:13.520
<v Speaker 2>Thanks man, this is fun to do. I'm glad they

0:31:13.560 --> 0:31:13.920
<v Speaker 2>asked me.

0:31:14.400 --> 0:31:21.320
<v Speaker 1>Yeah, and uh, you're welcome back anytime. And uh, good

0:31:21.440 --> 0:31:24.800
<v Speaker 1>luck with everything, you know, good luck with the photography and.

0:31:25.160 --> 0:31:26.920
<v Speaker 2>All right, I'm gonna hit you up to take your portrait.

0:31:28.160 --> 0:31:31.040
<v Speaker 1>I don't have that kind of money.

0:31:33.880 --> 0:31:35.080
<v Speaker 2>Okay, well then forget it.

0:31:35.440 --> 0:31:38.520
<v Speaker 1>Forget it, man, tens of thousands in charge. It's too

0:31:38.640 --> 0:31:42.000
<v Speaker 1>much money. It's like, you know, for.

0:31:42.040 --> 0:31:43.760
<v Speaker 2>The big companies, for the big companies.

0:31:44.320 --> 0:31:47.240
<v Speaker 1>Are you you're working out of California? Are you all

0:31:47.280 --> 0:31:49.280
<v Speaker 1>those taxes? Yeah?

0:31:49.440 --> 0:31:51.600
<v Speaker 2>Wow, so many taxes. Oh my goodness.

0:31:51.600 --> 0:31:53.560
<v Speaker 1>That's why you got to charge to tens of thousands,

0:31:53.560 --> 0:31:56.000
<v Speaker 1>because you left with about five hundred bucks at the

0:31:56.080 --> 0:31:58.000
<v Speaker 1>end of the day, right after every shoot.

0:31:58.360 --> 0:32:02.840
<v Speaker 2>That's true, So true, end up with true yeah, after

0:32:02.880 --> 0:32:06.200
<v Speaker 2>the assistant right, Yeah.

0:32:05.800 --> 0:32:08.400
<v Speaker 1>You charge fifty thousand a shoot, you end up with

0:32:08.480 --> 0:32:09.960
<v Speaker 1>about forty dollars. Yeah.

0:32:10.000 --> 0:32:11.440
<v Speaker 2>I can buy myself a cup of coffee and then

0:32:11.840 --> 0:32:13.480
<v Speaker 2>at Starbucks for forty bucks.

0:32:13.640 --> 0:32:17.480
<v Speaker 1>Yeah, almost enough money to buy a dinner for the

0:32:17.520 --> 0:32:18.600
<v Speaker 1>family of Trader.

0:32:18.400 --> 0:32:22.600
<v Speaker 2>Joe's almost right, almost almost, that's right, all.

0:32:22.640 --> 0:32:25.400
<v Speaker 1>Right, man, would be good. Peace be with you, brother.

0:32:25.560 --> 0:32:26.440
<v Speaker 2>It is great talking to you.

0:32:26.760 --> 0:32:27.320
<v Speaker 1>Great talking.

0:32:27.400 --> 0:32:27.600
<v Speaker 2>Yeah.

0:32:27.600 --> 0:32:31.120
<v Speaker 1>I wish you all the best best your family. Thanks

0:32:31.160 --> 0:32:34.880
<v Speaker 1>and stay safe brother, okay cool, can't wait here, Take

0:32:34.880 --> 0:33:06.200
<v Speaker 1>care man, alright, bye, all right, bye, Hey everybody, and

0:33:06.280 --> 0:33:09.840
<v Speaker 1>don't forget. Follow us on Instagram at I Am all

0:33:09.920 --> 0:33:25.200
<v Speaker 1>In podcast and email us at Gilmore at iHeartRadio dot com.