1 00:00:05,160 --> 00:00:07,640 Speaker 1: Hey, this is Annie and Samantha, and welcome to stuff 2 00:00:07,640 --> 00:00:19,200 Speaker 1: I never told you a production of iHeartRadio. And welcome 3 00:00:19,200 --> 00:00:22,400 Speaker 1: to another edition of book Club. Today we are doing 4 00:00:22,560 --> 00:00:28,040 Speaker 1: the twenty seventeen novel Hello Universe by Aaron and Trota Kelly, which, 5 00:00:29,040 --> 00:00:33,839 Speaker 1: by the way, when you suggested this, I had a 6 00:00:33,880 --> 00:00:35,800 Speaker 1: moment of like, I don't want to do that one 7 00:00:35,840 --> 00:00:41,040 Speaker 1: because I wrote something called okay, Universe, this is too close. 8 00:00:41,240 --> 00:00:44,720 Speaker 1: The title is too good. 9 00:00:45,280 --> 00:00:49,880 Speaker 2: We's gonna take that title. You better? Oh you just yeah, 10 00:00:49,960 --> 00:00:51,800 Speaker 2: you just gave that out for free. Annie, what are 11 00:00:51,840 --> 00:00:53,599 Speaker 2: you doing? The funny we have spies. 12 00:00:54,640 --> 00:00:57,920 Speaker 1: We do have spies, and they work at HBO Max, 13 00:00:57,960 --> 00:01:01,800 Speaker 1: which it is now HBO Max Aga because of Shenanigans. 14 00:01:03,600 --> 00:01:06,160 Speaker 1: The funny thing is I have already recorded for our 15 00:01:06,200 --> 00:01:10,399 Speaker 1: spenty fiction the first chapter of that, but we haven't 16 00:01:10,400 --> 00:01:11,360 Speaker 1: gotten through Terminus. 17 00:01:11,360 --> 00:01:14,319 Speaker 2: So I'm gonna say, wait, have we finished Terminus? No 18 00:01:14,600 --> 00:01:15,600 Speaker 2: jumped into a new one. 19 00:01:15,600 --> 00:01:18,760 Speaker 1: Oh, guys, I was just being productive. Some days had 20 00:01:18,880 --> 00:01:21,040 Speaker 1: days where I'm like, let's just go ahead. 21 00:01:21,400 --> 00:01:25,400 Speaker 2: Oh I don't have those days. I must that. That's 22 00:01:25,440 --> 00:01:26,640 Speaker 2: a conversation in itself. 23 00:01:26,680 --> 00:01:31,200 Speaker 1: Anyway, Okay, anyway, we're not talking about my book. Today 24 00:01:31,280 --> 00:01:37,280 Speaker 1: today we are talking about Allow Universe. It's a unique 25 00:01:37,520 --> 00:01:40,200 Speaker 1: young adult coming of age story following the viewpoints of 26 00:01:40,240 --> 00:01:43,360 Speaker 1: four middle school students, and it has received a lot 27 00:01:43,360 --> 00:01:48,240 Speaker 1: of acclaim including the Newberry Award. It's fantastical, it's poignant, 28 00:01:48,240 --> 00:01:51,400 Speaker 1: it's really touching. It's a tale of finding friends and 29 00:01:51,440 --> 00:01:56,320 Speaker 1: yourself and unexpected places and trot to. Kelly is Filipino 30 00:01:56,360 --> 00:01:59,040 Speaker 1: and has mentioned in interviews that she wanted a story 31 00:01:59,520 --> 00:02:03,520 Speaker 1: that had more focus on Filipino culture and folklore. And 32 00:02:03,520 --> 00:02:06,280 Speaker 1: Samantha and I were talking about it before, and it 33 00:02:06,360 --> 00:02:10,600 Speaker 1: does have that kind of whimsical childhood adventure with less 34 00:02:10,639 --> 00:02:12,760 Speaker 1: of the hard rs. 35 00:02:13,720 --> 00:02:15,800 Speaker 2: That was in our generation. Thank you to the newer 36 00:02:15,840 --> 00:02:18,160 Speaker 2: generation of writers. I was like, you know what, let's 37 00:02:18,200 --> 00:02:21,040 Speaker 2: not crush their spirits. Let's give them a kind of 38 00:02:21,040 --> 00:02:21,919 Speaker 2: a happy ending. 39 00:02:22,639 --> 00:02:26,320 Speaker 1: Yeah, but it's kind of like a mystery. 40 00:02:27,240 --> 00:02:33,000 Speaker 2: Looking at you bridge it there Bitia. 41 00:02:34,600 --> 00:02:36,600 Speaker 1: Also, we almost didn't choose this one because I was 42 00:02:36,600 --> 00:02:38,720 Speaker 1: worried about the link. But it goes by really quickly. 43 00:02:39,040 --> 00:02:40,919 Speaker 2: Yeah, it does. It goes back very quickly. And it's 44 00:02:40,919 --> 00:02:43,440 Speaker 2: also available because you know, I love an audio book. 45 00:02:43,720 --> 00:02:46,600 Speaker 2: It helps me like do my multitasking that I need 46 00:02:46,639 --> 00:02:50,520 Speaker 2: to do. Uh, but yeah, it's very short. It is 47 00:02:50,600 --> 00:02:53,720 Speaker 2: a chapter book for the younger, younger generations, and like 48 00:02:53,919 --> 00:02:56,840 Speaker 2: elementary middle school. I love it though. It's so great. 49 00:02:57,560 --> 00:03:02,600 Speaker 1: Yeah it is. It's really great, all right. So before 50 00:03:02,600 --> 00:03:05,440 Speaker 1: we break down the plot, let's establish our four main characters, 51 00:03:05,480 --> 00:03:10,960 Speaker 1: whose povs we're gonna shift between. Virgil, a shy young 52 00:03:11,080 --> 00:03:15,079 Speaker 1: Filipino American boy nicknamed Turtle because he won't come out 53 00:03:15,080 --> 00:03:17,800 Speaker 1: of his show. He really doesn't like this nickname. No, 54 00:03:17,840 --> 00:03:26,720 Speaker 1: it's understandable, Yeah, completely understandable. We've got Valencia, a wilful 55 00:03:26,760 --> 00:03:31,760 Speaker 1: but lonely deaf girl who loves nature. Kayo a Japanese 56 00:03:31,800 --> 00:03:35,080 Speaker 1: American girl who can read fortunes. She kind of does 57 00:03:35,120 --> 00:03:38,680 Speaker 1: this alongside her sister Jin. And then we've got Chet 58 00:03:39,000 --> 00:03:41,720 Speaker 1: the Bull. I think his last name is Bullins, right, 59 00:03:42,360 --> 00:03:46,600 Speaker 1: Chet the Bull Bulleins the bully who learned a lot 60 00:03:46,600 --> 00:03:49,280 Speaker 1: of his bad behavior from his dad, So he'll see 61 00:03:49,320 --> 00:03:52,040 Speaker 1: his dad talk trash about somebody and be like, ah, yeah, 62 00:03:52,400 --> 00:03:56,560 Speaker 1: that makes sense. Okay. So the bulk of this story 63 00:03:56,680 --> 00:04:01,160 Speaker 1: takes place over one summer day, and we learn about 64 00:04:01,160 --> 00:04:04,560 Speaker 1: our main characters through introspective chapters before the action really 65 00:04:04,600 --> 00:04:07,680 Speaker 1: gets going. So yes, we have Virgil, who is a 66 00:04:07,720 --> 00:04:10,880 Speaker 1: shy kid who is small. He's picked last for Jim. 67 00:04:11,680 --> 00:04:14,320 Speaker 1: He doesn't fit in with most of his pretty outgoing, 68 00:04:14,400 --> 00:04:18,960 Speaker 1: sportsy family. He's close with his grandmother, though, his Lola, 69 00:04:19,480 --> 00:04:23,760 Speaker 1: who shares Filipino lore with him. He wants to connect 70 00:04:23,839 --> 00:04:28,480 Speaker 1: with classmate Valencia, who he sees as outgoing and brave, 71 00:04:28,680 --> 00:04:32,960 Speaker 1: the opposite of him. To figure out how to do it, 72 00:04:33,440 --> 00:04:37,440 Speaker 1: he makes an appointment with local psychic Kyori I love 73 00:04:37,480 --> 00:04:41,120 Speaker 1: this and sets off to meet her with his beloved 74 00:04:41,160 --> 00:04:45,520 Speaker 1: guinea pig Gullivar. However, Gullivar is that that's so funny. 75 00:04:45,640 --> 00:04:48,280 Speaker 1: It's obviously Gulliver's Gulliver. 76 00:04:48,600 --> 00:04:49,160 Speaker 2: I don't know why. 77 00:04:50,040 --> 00:04:54,280 Speaker 1: Yeah, Gulliver, Yes, because that's a plot poort later on. Anyway, 78 00:04:54,360 --> 00:04:59,680 Speaker 1: ignore my mispronunciation. However, on the way, as he is 79 00:04:59,720 --> 00:05:03,080 Speaker 1: collect what he needs for his reading for five Stones, 80 00:05:03,560 --> 00:05:07,680 Speaker 1: he runs into school bully Chet, who is intent on 81 00:05:08,040 --> 00:05:12,200 Speaker 1: capturing a snake. Chet harasses him and then takes his 82 00:05:12,279 --> 00:05:15,280 Speaker 1: backpack and drops it in the well, and Gulliver is 83 00:05:15,320 --> 00:05:20,560 Speaker 1: in there, so the poor Culliver down he goes. Virgil 84 00:05:20,600 --> 00:05:24,440 Speaker 1: can't leave Culiver behind, so he climbs down the wells ladder, 85 00:05:24,920 --> 00:05:28,839 Speaker 1: only to find the bottom rungs are missing. He does 86 00:05:29,040 --> 00:05:32,760 Speaker 1: discover Gulliver is fine, but now they're both trapped in 87 00:05:32,760 --> 00:05:40,000 Speaker 1: the well and he kind of has this whole He 88 00:05:40,080 --> 00:05:41,600 Speaker 1: has to kind of come to terms with a lot 89 00:05:41,640 --> 00:05:44,240 Speaker 1: of things about himself. But one of the things is 90 00:05:44,279 --> 00:05:47,960 Speaker 1: he has to get himself to raise his voice and 91 00:05:48,120 --> 00:05:50,240 Speaker 1: start shouting for help, which is something that is very 92 00:05:50,240 --> 00:05:52,920 Speaker 1: difficult for him and something I actually relate to. I 93 00:05:52,960 --> 00:05:55,320 Speaker 1: was used to be really bad about that in auditions. 94 00:05:55,400 --> 00:05:57,880 Speaker 1: If it was like she screams, I'd be like, oh, 95 00:05:57,920 --> 00:06:03,880 Speaker 1: I can't do that. Oh, I was like, I mean 96 00:06:03,960 --> 00:06:11,760 Speaker 1: probably why didn't get any of those roles. Meanwhile, Valencia 97 00:06:12,400 --> 00:06:15,200 Speaker 1: is also on her way to meet Kayori for a 98 00:06:15,240 --> 00:06:18,440 Speaker 1: fortune after seeing her business card at the grocery store, which, 99 00:06:18,440 --> 00:06:19,800 Speaker 1: by the way, great business woman. 100 00:06:21,440 --> 00:06:24,600 Speaker 2: Or is a smart business woman with a very handy 101 00:06:24,600 --> 00:06:25,479 Speaker 2: sidekicked sister. 102 00:06:25,960 --> 00:06:31,760 Speaker 1: Yes, Indeed, Valencia can't shake off these feelings of loneliness 103 00:06:31,880 --> 00:06:35,239 Speaker 1: that she has that like something is missing. She's having 104 00:06:35,279 --> 00:06:39,320 Speaker 1: these nightmares where she's basically like there's a solar eclipse 105 00:06:39,320 --> 00:06:43,599 Speaker 1: and everyone disappears and it's just her or she ends 106 00:06:43,640 --> 00:06:48,880 Speaker 1: up alone or is invisible something like that. And in 107 00:06:48,920 --> 00:06:51,800 Speaker 1: her years, she's even prayed to Saint Rene, who is 108 00:06:51,800 --> 00:06:55,000 Speaker 1: a French missionary. So she's tried a lot of things 109 00:06:55,120 --> 00:06:58,200 Speaker 1: to deal with this, and now she's like, if I 110 00:06:58,240 --> 00:07:00,560 Speaker 1: have one more nightmare, I'm going to go see the psychic, 111 00:07:00,600 --> 00:07:05,159 Speaker 1: and she does, so she goes. She's also had experiences 112 00:07:05,200 --> 00:07:09,320 Speaker 1: with previous friends who left her because of her disability, 113 00:07:09,360 --> 00:07:13,600 Speaker 1: and she worries her family feels the same way, so 114 00:07:14,000 --> 00:07:16,520 Speaker 1: here she goes. She's on her way to Kyrie's. She 115 00:07:16,680 --> 00:07:20,000 Speaker 1: passes by the well but can't hear Virgil's calls for 116 00:07:20,120 --> 00:07:23,680 Speaker 1: help and closes it, knocking the stones that he collected 117 00:07:23,720 --> 00:07:28,040 Speaker 1: along the side inside and ceiling him in the dark. 118 00:07:28,080 --> 00:07:31,640 Speaker 1: And meanwhile Chet's watching her and being like a total 119 00:07:31,720 --> 00:07:34,640 Speaker 1: jerk because he doesn't believe she actually can't hear, so 120 00:07:34,680 --> 00:07:35,760 Speaker 1: he's like testing it. 121 00:07:36,320 --> 00:07:37,360 Speaker 2: Also that she's a witch. 122 00:07:38,040 --> 00:07:41,800 Speaker 1: Yes, he also thinks she's a witch because she's very 123 00:07:41,800 --> 00:07:44,400 Speaker 1: into nature and so she's like helping a squirrel like 124 00:07:44,440 --> 00:07:50,600 Speaker 1: she's you know, she goes into the woods a lot. Yeah, Anyway, 125 00:07:51,240 --> 00:07:56,920 Speaker 1: she continues to Kyrie's, who Kyrie's kind of distracted because 126 00:07:57,040 --> 00:08:02,040 Speaker 1: Virgil never showed up and so she can't quite concentrate, 127 00:08:02,560 --> 00:08:07,600 Speaker 1: but she does interpret Valentia's dreams as kind of like, yeah, 128 00:08:08,080 --> 00:08:11,040 Speaker 1: anyone would be scared of being invisible or being alone, 129 00:08:11,080 --> 00:08:15,440 Speaker 1: that makes sense. But then she does when Valentia is 130 00:08:15,480 --> 00:08:19,720 Speaker 1: like less than impressed, she does mention of, well, Virgil's missing, 131 00:08:19,880 --> 00:08:23,640 Speaker 1: that is so unlike him. I'm very worried. And so 132 00:08:23,840 --> 00:08:27,520 Speaker 1: Valencia agrees to help Kayori and her younger sister Jen, 133 00:08:27,640 --> 00:08:31,560 Speaker 1: who always carries her jump rope with her look for Virgil, 134 00:08:32,000 --> 00:08:36,160 Speaker 1: and she almost does, like something is drawing her to 135 00:08:36,240 --> 00:08:39,080 Speaker 1: do so, like maybe this is fate, but she can't 136 00:08:39,160 --> 00:08:41,839 Speaker 1: quite place who Virgil is to kind of describe him, 137 00:08:41,880 --> 00:08:44,280 Speaker 1: and she's like, I don't know, I don't know. They 138 00:08:44,320 --> 00:08:47,160 Speaker 1: decide to first check with Virgil's family, though they say 139 00:08:47,240 --> 00:08:49,000 Speaker 1: Vow will have to do it since the family is 140 00:08:49,040 --> 00:08:55,040 Speaker 1: suspicious of the psychic sisters, so she goes. Meanwhile, at 141 00:08:55,080 --> 00:08:57,400 Speaker 1: the bottom of the well, Virgil is having visions at 142 00:08:57,440 --> 00:09:01,400 Speaker 1: a Filipino legendary bird of prey that his Lola told 143 00:09:01,440 --> 00:09:07,040 Speaker 1: him about named Pa, and an imaginary conversation with Ruby, 144 00:09:07,520 --> 00:09:11,719 Speaker 1: who is a friend from Lola's village that Lola has described, 145 00:09:12,280 --> 00:09:14,959 Speaker 1: and Ruby is basically telling him like she's trying to 146 00:09:14,960 --> 00:09:20,280 Speaker 1: pump him up, like come on, we can do this. Meanwhile, meanwhile, 147 00:09:20,640 --> 00:09:24,160 Speaker 1: Chet is bitten by a snake after grabbing it completely 148 00:09:24,160 --> 00:09:25,920 Speaker 1: the wrong way, and I have to say, even I 149 00:09:26,040 --> 00:09:28,160 Speaker 1: knew that'sgrash. 150 00:09:30,160 --> 00:09:31,200 Speaker 2: He didn't research well. 151 00:09:31,760 --> 00:09:33,880 Speaker 1: He didn't research well, and we will talk about that 152 00:09:34,000 --> 00:09:36,960 Speaker 1: in a second. So Val and the others meet with Lola, 153 00:09:37,000 --> 00:09:40,120 Speaker 1: who claims that she and Val have the site or 154 00:09:40,160 --> 00:09:44,520 Speaker 1: something like that, similar to Kyori. This is also when 155 00:09:44,559 --> 00:09:48,760 Speaker 1: Val realizes she does, in fact no Virgil. But they 156 00:09:48,840 --> 00:09:51,640 Speaker 1: learned that Virgil is not home, but he had gone 157 00:09:51,640 --> 00:09:54,160 Speaker 1: into the woods. So then they try to follow the 158 00:09:54,200 --> 00:09:56,600 Speaker 1: path he would have taken to Kyori's because again he's 159 00:09:56,640 --> 00:10:00,480 Speaker 1: like somebody who keeps his appointments, so this is probably 160 00:10:00,520 --> 00:10:03,319 Speaker 1: where he was going. Let's go this way. Along the way, 161 00:10:03,360 --> 00:10:06,480 Speaker 1: they run into Chet, who's suffering from the steake bite. 162 00:10:07,000 --> 00:10:10,080 Speaker 1: Valencia examines the bite and gives advice on how to 163 00:10:10,120 --> 00:10:14,679 Speaker 1: treat him, calling him out for calling her defo, and 164 00:10:14,760 --> 00:10:17,200 Speaker 1: gives everyone her name. So at that point she'd been 165 00:10:17,280 --> 00:10:21,040 Speaker 1: kind of cagey about it, but at this point she's like, no, 166 00:10:21,320 --> 00:10:25,880 Speaker 1: this is what you call me. That's how it is correct, yes, 167 00:10:27,160 --> 00:10:31,240 Speaker 1: and that is where Kyori says that they should go 168 00:10:31,280 --> 00:10:34,880 Speaker 1: into business together her Val. With Kyori's knowledge of the 169 00:10:34,920 --> 00:10:38,720 Speaker 1: spiritual side and Vow knowing the natural side, they could 170 00:10:38,800 --> 00:10:42,199 Speaker 1: really have a good business. I love that they could. 171 00:10:42,640 --> 00:10:43,040 Speaker 1: They could. 172 00:10:43,120 --> 00:10:45,240 Speaker 2: It's a good business again. 173 00:10:45,360 --> 00:10:47,880 Speaker 1: Kyri's got a good business sense. 174 00:10:48,240 --> 00:10:49,200 Speaker 2: She knows what's going on. 175 00:10:51,120 --> 00:10:53,440 Speaker 1: They continue to search the woods until they find the 176 00:10:53,480 --> 00:10:57,520 Speaker 1: well and the knoctover stones. They pushed the cover off 177 00:10:57,679 --> 00:11:00,800 Speaker 1: and use the jump rope gins jump rope that she'd 178 00:11:00,800 --> 00:11:05,680 Speaker 1: been caring to, say Virgil. And it's then that Val 179 00:11:06,160 --> 00:11:09,040 Speaker 1: reveals that she had a guinea pig named Lily Put. 180 00:11:10,600 --> 00:11:14,160 Speaker 1: Lily put Gulliver if you don't remember, that's Lily puts 181 00:11:14,160 --> 00:11:18,280 Speaker 1: the village in Gulliver's travel. So it's like another instance 182 00:11:18,320 --> 00:11:23,960 Speaker 1: of fate that they were meant to meet. Kori surmises 183 00:11:24,000 --> 00:11:27,800 Speaker 1: that fate brought all of them together. Virgil has gained 184 00:11:27,800 --> 00:11:31,760 Speaker 1: self confidence, Val has friends, she's her nightmare is kind 185 00:11:31,760 --> 00:11:36,520 Speaker 1: of assuaged. Kiori has a potential business partner, and Jet 186 00:11:37,000 --> 00:11:40,800 Speaker 1: hopefully we'll think about some of his actions. 187 00:11:41,160 --> 00:11:43,760 Speaker 2: He's kind of left as a I don't think there's 188 00:11:43,760 --> 00:11:46,520 Speaker 2: a redemption r for that one with the father, he's 189 00:11:46,559 --> 00:11:47,240 Speaker 2: pretty bleak. 190 00:11:47,800 --> 00:11:52,800 Speaker 1: Yeah, that's like my best hope is that he'll recover 191 00:11:52,880 --> 00:11:55,120 Speaker 1: from the snake bite and actually think about it and 192 00:11:55,160 --> 00:11:57,720 Speaker 1: be like, oh. 193 00:11:57,200 --> 00:12:00,200 Speaker 2: I mean he was envisioning during that point of dying 194 00:12:00,520 --> 00:12:02,680 Speaker 2: or like being really aimed and being able to be 195 00:12:02,720 --> 00:12:05,800 Speaker 2: like heroically Hill, but I did face it. 196 00:12:07,440 --> 00:12:15,360 Speaker 1: Yeah. Yeah. So he doesn't join the friend group, but 197 00:12:15,440 --> 00:12:19,560 Speaker 1: they all they become friends and I'll talk about this 198 00:12:19,559 --> 00:12:25,240 Speaker 1: more in a second, but like true friends, and it's 199 00:12:25,400 --> 00:12:28,920 Speaker 1: very sweet and that's kind of where it ends. Mm hmm, 200 00:12:39,240 --> 00:12:41,600 Speaker 1: all right, Well that does bring us to our themes. 201 00:12:42,160 --> 00:12:45,480 Speaker 1: So one of the big ones is just kind of 202 00:12:45,520 --> 00:12:52,440 Speaker 1: this almost ethereal like seeing signs are going to psychics, 203 00:12:52,600 --> 00:12:56,880 Speaker 1: our astronomy or fate or nightmares and reading nightmares and 204 00:12:56,920 --> 00:12:59,719 Speaker 1: what does that mean? Which was really fun. I liked 205 00:12:59,720 --> 00:13:03,840 Speaker 1: that lot and trying to figure out just as a reader, 206 00:13:04,360 --> 00:13:07,400 Speaker 1: like oh what does this mean? Okay? Right, that was 207 00:13:07,440 --> 00:13:10,160 Speaker 1: really fine. And you know, at first, you don't know 208 00:13:10,240 --> 00:13:12,800 Speaker 1: much about Carrier's business. You kind of see the business 209 00:13:12,800 --> 00:13:14,920 Speaker 1: card and you're really interested because she's young. I think 210 00:13:14,960 --> 00:13:18,160 Speaker 1: she's twelve years old, she's around there, and so you're 211 00:13:18,200 --> 00:13:22,479 Speaker 1: like ooh, I want to know more about her. Yeah, 212 00:13:22,760 --> 00:13:23,079 Speaker 1: but she. 213 00:13:23,240 --> 00:13:25,960 Speaker 2: Was not wrong because she definitely interpreted that dream about 214 00:13:25,960 --> 00:13:28,480 Speaker 2: being afraid of being alone and the whole time, like 215 00:13:28,559 --> 00:13:30,760 Speaker 2: Valencia is like, no, you're wrong, No, I don't care 216 00:13:30,760 --> 00:13:32,760 Speaker 2: about being alone. I like being alone all these things. 217 00:13:32,840 --> 00:13:35,720 Speaker 2: But in nactuality, she's just been seeking a friend. And 218 00:13:35,760 --> 00:13:37,760 Speaker 2: we talked about the fact, like you know, she talked 219 00:13:37,760 --> 00:13:39,719 Speaker 2: about like having friends with upon a time and now 220 00:13:39,720 --> 00:13:43,400 Speaker 2: this is new, but like and then you know, Calorie 221 00:13:43,480 --> 00:13:45,720 Speaker 2: was like, okay, okay, I believe maybe you're not. Maybe 222 00:13:45,960 --> 00:13:49,640 Speaker 2: maybe I'm just off, But in actuality she was on 223 00:13:49,880 --> 00:13:51,560 Speaker 2: as well as the fact that she knew that Virgil 224 00:13:51,640 --> 00:13:53,640 Speaker 2: wasn't there and something was wrong, went into the woods 225 00:13:53,720 --> 00:13:57,439 Speaker 2: like she was on it. Oh. Yeah, Kyrie had a gift. 226 00:13:57,679 --> 00:14:00,160 Speaker 2: And I also loved her perspective of a like she 227 00:14:00,240 --> 00:14:02,720 Speaker 2: seemed like such an old soul about not bringing in 228 00:14:02,800 --> 00:14:05,560 Speaker 2: phones in her area, about not having all these things 229 00:14:05,600 --> 00:14:08,480 Speaker 2: in her area, like keeping that sacred. I was like, okay, 230 00:14:08,640 --> 00:14:09,960 Speaker 2: she's serious, serious. 231 00:14:10,160 --> 00:14:15,920 Speaker 1: Yeah, she had a bunch of rules, which I liked. 232 00:14:15,960 --> 00:14:19,280 Speaker 1: I was like, she seems to know she's got that's 233 00:14:19,320 --> 00:14:22,200 Speaker 1: something going on. Yeah, she If you want to come 234 00:14:22,240 --> 00:14:24,480 Speaker 1: get a vision from me. Here's what you gotta do. 235 00:14:24,560 --> 00:14:29,520 Speaker 1: You can't just show up beautiful. I love it. So 236 00:14:29,560 --> 00:14:34,040 Speaker 1: we have that. We have, as we mentioned Valencia having 237 00:14:34,080 --> 00:14:41,320 Speaker 1: this really strong connection with nature. You have Virgil going 238 00:14:41,360 --> 00:14:44,600 Speaker 1: through this whole thing in the well in the dark, 239 00:14:45,720 --> 00:14:49,400 Speaker 1: talking with Ruby, who represents hope, and then talking well, 240 00:14:49,400 --> 00:14:52,640 Speaker 1: seeing Paw and that being fear and kind of having 241 00:14:52,640 --> 00:14:56,680 Speaker 1: this back and forth and coming out Change came out 242 00:14:56,680 --> 00:14:58,840 Speaker 1: of the well, changed. 243 00:15:00,040 --> 00:15:00,680 Speaker 2: Speak to her. 244 00:15:01,520 --> 00:15:04,360 Speaker 1: Yeah, didn't tell his family, don't call me turtle. 245 00:15:04,880 --> 00:15:06,400 Speaker 2: It took him a minute, it took him all the 246 00:15:06,440 --> 00:15:10,120 Speaker 2: going home. And you didn't mention the dog Sacred, Yes, 247 00:15:10,440 --> 00:15:13,800 Speaker 2: who is why Valencia goes through the woods in the 248 00:15:13,840 --> 00:15:15,720 Speaker 2: first place, not only to get to Calorie, but she 249 00:15:15,880 --> 00:15:19,000 Speaker 2: feeds this dog that's in the woods home like I guess, 250 00:15:19,080 --> 00:15:22,880 Speaker 2: roaming dog that she names Sacred, and she feeds him 251 00:15:23,080 --> 00:15:26,840 Speaker 2: in the woods and he follows her about and during 252 00:15:26,840 --> 00:15:29,080 Speaker 2: this time, the Sacred is a part of all of this, 253 00:15:29,720 --> 00:15:32,200 Speaker 2: and it kind of seems to insinuate there's something happening, 254 00:15:32,240 --> 00:15:35,880 Speaker 2: like there's like he may be like also a representation 255 00:15:36,040 --> 00:15:38,240 Speaker 2: here of part of that, and that could have been 256 00:15:38,480 --> 00:15:41,200 Speaker 2: a part of the strength because Virgil ends up going home, 257 00:15:41,240 --> 00:15:44,760 Speaker 2: and Sacred ended up following him, and when he's home, 258 00:15:45,360 --> 00:15:48,960 Speaker 2: he's like trying to get the nerve and like Lola, 259 00:15:49,040 --> 00:15:52,200 Speaker 2: who is a kindred spirit if there ever were one, 260 00:15:52,560 --> 00:15:54,400 Speaker 2: talking about you know, we're gonna keep the dog. We 261 00:15:54,400 --> 00:15:56,160 Speaker 2: can do these things for the dogs, because like he 262 00:15:56,200 --> 00:15:58,480 Speaker 2: brought home a dog and there's something meaning to this. 263 00:15:58,600 --> 00:16:01,080 Speaker 2: And during this time that she he's like, finally, like, 264 00:16:01,560 --> 00:16:03,920 Speaker 2: I don't want to be called turtle. I wanted to 265 00:16:03,960 --> 00:16:09,080 Speaker 2: be called Virgil or his full name or uh, you 266 00:16:09,080 --> 00:16:12,680 Speaker 2: know what I'm talking about, and uh, she finally and 267 00:16:12,680 --> 00:16:14,720 Speaker 2: the mother actually sees him for the first time. I 268 00:16:14,760 --> 00:16:16,640 Speaker 2: feel like that's a big sign of it. But it 269 00:16:16,680 --> 00:16:20,240 Speaker 2: took him still another minute to really get to that point, 270 00:16:20,240 --> 00:16:22,360 Speaker 2: because he had already whispered at once when he left 271 00:16:22,440 --> 00:16:25,000 Speaker 2: the house, right, I don't like you call me a turtle. 272 00:16:25,560 --> 00:16:29,040 Speaker 2: But when he got home he does slowly come back 273 00:16:29,080 --> 00:16:30,720 Speaker 2: to it, but he doesn't quite get there because he 274 00:16:30,760 --> 00:16:34,560 Speaker 2: doesn't talk the entire time. It when in front of 275 00:16:34,640 --> 00:16:37,800 Speaker 2: Valencia and they just kind of he just stares yea, 276 00:16:37,920 --> 00:16:39,440 Speaker 2: even though in his mind he'd made up all these 277 00:16:39,480 --> 00:16:41,920 Speaker 2: things and if I survived, these are the things I would. 278 00:16:41,720 --> 00:16:45,280 Speaker 1: Like to do. Mmmmm yeah. We'll talk about that towards 279 00:16:45,360 --> 00:16:48,920 Speaker 1: the end, but yeah, yeah, yeah, I mean I didn't 280 00:16:48,920 --> 00:16:52,760 Speaker 1: really say it because I honestly wasn't quite sure, and 281 00:16:52,840 --> 00:16:56,000 Speaker 1: that's probably a side for how badly I am reading 282 00:16:56,040 --> 00:16:58,120 Speaker 1: these things. But he had like a crush on Valencia. 283 00:16:59,240 --> 00:17:01,640 Speaker 2: Yeah, well he felt that she was strong, which is 284 00:17:01,680 --> 00:17:06,359 Speaker 2: exactly what also check the Bully saw too, like, because 285 00:17:06,400 --> 00:17:09,200 Speaker 2: she's strong and just her looks alone of like ugh 286 00:17:10,119 --> 00:17:11,360 Speaker 2: made him scared of her. 287 00:17:11,800 --> 00:17:15,240 Speaker 1: Yeah yeah, yeah, so she was a I think it 288 00:17:15,359 --> 00:17:17,639 Speaker 1: was a He had a lot of emotions about her, 289 00:17:17,640 --> 00:17:19,760 Speaker 1: but one of them was strong in like respect and 290 00:17:19,840 --> 00:17:22,040 Speaker 1: she's different than how I am and I want to 291 00:17:22,040 --> 00:17:24,720 Speaker 1: talk to her, so we also, I have a couple 292 00:17:24,840 --> 00:17:29,600 Speaker 1: quotes here Ruby's side. That's the problem. People don't want 293 00:17:29,640 --> 00:17:32,119 Speaker 1: to listen to their thoughts, so they fill the world 294 00:17:32,200 --> 00:17:34,960 Speaker 1: with noise. I just love that because I. 295 00:17:34,920 --> 00:17:38,960 Speaker 2: Feel like, yep, Ruby is an old soul. She kind 296 00:17:39,000 --> 00:17:41,159 Speaker 2: of does remind me of Cowie in that level of 297 00:17:41,200 --> 00:17:44,520 Speaker 2: like back and forth. Yeah, she's also an extension of Lola. 298 00:17:45,160 --> 00:17:52,040 Speaker 1: Mm hmmm yeah yeah, yeah, So here's another quote. Weakness 299 00:17:52,040 --> 00:17:55,240 Speaker 1: has nothing to do with how much you weigh Ruby hesitated. Sure, 300 00:17:55,320 --> 00:17:57,400 Speaker 1: maybe they can play sports and lift things, but that 301 00:17:57,440 --> 00:18:00,800 Speaker 1: doesn't mean that they're strong. There are men different ways 302 00:18:00,800 --> 00:18:03,159 Speaker 1: to be strong, and being a warrior has nothing to 303 00:18:03,200 --> 00:18:10,880 Speaker 1: do with size. Surely there have been small warriors before Yoda. Obviously. 304 00:18:12,000 --> 00:18:16,600 Speaker 1: Come on, I'll think. 305 00:18:16,480 --> 00:18:21,120 Speaker 2: About the folklore that Lola Tel's with the guy, but. 306 00:18:23,280 --> 00:18:27,160 Speaker 1: Judge me by my size, do you? Come on? Here's 307 00:18:27,160 --> 00:18:30,800 Speaker 1: a quote from Kiori about their business, this business proposition. 308 00:18:31,400 --> 00:18:33,520 Speaker 1: I know about the spiritual world and you know about 309 00:18:33,560 --> 00:18:36,480 Speaker 1: the natural world. It's the perfect partnership. That's probably why 310 00:18:36,520 --> 00:18:39,879 Speaker 1: fate brought us together as friends. I just love this 311 00:18:40,000 --> 00:18:42,280 Speaker 1: idea so much. I'm so into it. 312 00:18:42,800 --> 00:18:43,840 Speaker 2: Oh they're so perfect. 313 00:18:44,680 --> 00:18:49,359 Speaker 1: Yeah, but there's a lot of elements like this. There's 314 00:18:49,400 --> 00:18:53,679 Speaker 1: a lot of things around. Like there's one idea of 315 00:18:53,720 --> 00:18:59,520 Speaker 1: getting letters from loved ones, like kind of after they've 316 00:18:59,560 --> 00:19:02,520 Speaker 1: passed on or whatever, and getting these letters. And I 317 00:19:02,560 --> 00:19:05,520 Speaker 1: feel like the ending for me felt like that, even 318 00:19:05,560 --> 00:19:08,440 Speaker 1: though I know that's not quite what was happening, but 319 00:19:08,480 --> 00:19:13,520 Speaker 1: real great, Yeah, because she gets a text message. Valencia 320 00:19:13,560 --> 00:19:15,840 Speaker 1: gets a text message at the end from Lola's number 321 00:19:16,400 --> 00:19:18,480 Speaker 1: that says hello, and she knows it's. 322 00:19:18,320 --> 00:19:21,320 Speaker 2: Not Lola and that was this whole thing was like, 323 00:19:21,400 --> 00:19:23,800 Speaker 2: I'll just need to say hello, that's it. That's all 324 00:19:23,840 --> 00:19:25,679 Speaker 2: I need to say, and everything else will happen. 325 00:19:26,080 --> 00:19:28,080 Speaker 1: Yeah. So Virgil finally did it. And by the way, 326 00:19:28,160 --> 00:19:34,560 Speaker 1: it was like two thirty in the morning, right, which 327 00:19:34,600 --> 00:19:37,640 Speaker 1: has a different vibe when you're in middle school versus older. 328 00:19:38,800 --> 00:19:42,160 Speaker 2: It's still unlike anything past ten thirty. I was like, oh, well, 329 00:19:42,320 --> 00:19:44,560 Speaker 2: my phone. Not to be fair like I've done it, 330 00:19:44,600 --> 00:19:47,000 Speaker 2: but I'm like, in my mind, you're not listening because 331 00:19:47,080 --> 00:19:49,879 Speaker 2: your phone is turned off and you're asleep, so you'll 332 00:19:49,880 --> 00:19:51,879 Speaker 2: just say the first thing in the morning. But she 333 00:19:52,480 --> 00:19:56,640 Speaker 2: was kind of always already alert because for the first time. 334 00:19:57,320 --> 00:19:59,680 Speaker 2: We'll talk about this probably later, but like getting all 335 00:19:59,680 --> 00:20:02,480 Speaker 2: these when she never got them from her mom, and 336 00:20:02,520 --> 00:20:03,640 Speaker 2: that made her so excited. 337 00:20:04,600 --> 00:20:08,280 Speaker 1: Yeah, yeah, it was very sweet. She got a lot 338 00:20:08,280 --> 00:20:12,639 Speaker 1: more textbustors than me. I have to say also, well, 339 00:20:12,680 --> 00:20:14,880 Speaker 1: because since she says she had like fifty. 340 00:20:14,720 --> 00:20:19,000 Speaker 2: Yeah, it was pretty high up there. No, that's gonna 341 00:20:19,040 --> 00:20:20,560 Speaker 2: make me panic. I'm gonna t my phone all. 342 00:20:20,640 --> 00:20:22,840 Speaker 1: That's gonna make me think. I've like been called out 343 00:20:22,880 --> 00:20:24,440 Speaker 1: on social. 344 00:20:24,080 --> 00:20:28,199 Speaker 2: Media somewhere right. 345 00:20:31,080 --> 00:20:34,880 Speaker 1: As mentioned, fate is very big in this story, kind 346 00:20:34,920 --> 00:20:37,679 Speaker 1: of this idea like Jen had the jump rope was 347 00:20:37,880 --> 00:20:41,280 Speaker 1: what they needed to say Virgil, and all all these 348 00:20:41,400 --> 00:20:45,120 Speaker 1: things came together to bring them together and to make 349 00:20:45,160 --> 00:20:49,200 Speaker 1: sure that they did say Virgil. And that was something 350 00:20:49,240 --> 00:20:51,399 Speaker 1: I really liked it and definitely as a kid, I 351 00:20:51,400 --> 00:20:57,480 Speaker 1: would have ate that up. As you mentioned, also, animals 352 00:20:57,520 --> 00:21:00,400 Speaker 1: are pretty big in this book is a little animals. 353 00:21:00,400 --> 00:21:04,760 Speaker 1: We have Gulliver, the guinea pig, and then Lily put Sacred, 354 00:21:04,840 --> 00:21:09,240 Speaker 1: the dog who does seem to kind of have some 355 00:21:09,359 --> 00:21:11,040 Speaker 1: sense or something. 356 00:21:11,800 --> 00:21:15,760 Speaker 2: Well, we have the squirrel watching with Valencia as well 357 00:21:15,800 --> 00:21:18,000 Speaker 2: as Jane Goodall having a good mention here. 358 00:21:18,400 --> 00:21:22,800 Speaker 1: Yes, I forgot about that. 359 00:21:22,440 --> 00:21:24,359 Speaker 2: Because that's why she went to observe the squirrels, because 360 00:21:24,359 --> 00:21:27,679 Speaker 2: she wanted to be Jane Goodall observed chimpanzee, so this 361 00:21:27,800 --> 00:21:29,960 Speaker 2: was her way of doing that. She's like, in one day, 362 00:21:30,240 --> 00:21:32,840 Speaker 2: I'll be known for observing these squirrels. 363 00:21:33,480 --> 00:21:38,400 Speaker 1: Squirrels are cool. They have secret stashes of acorns. 364 00:21:38,600 --> 00:21:40,240 Speaker 2: That was not what I was reading for you to say, 365 00:21:40,240 --> 00:21:42,920 Speaker 2: I'm not gonna lie. I was unexpected. That was amazing. 366 00:21:43,880 --> 00:21:45,760 Speaker 1: They have secret stashes for me, they. 367 00:21:45,680 --> 00:21:47,879 Speaker 2: Do, And that's how she said she's gonna survive, and 368 00:21:47,880 --> 00:21:50,200 Speaker 2: you know what, respect that made me think maybe I 369 00:21:50,200 --> 00:21:51,440 Speaker 2: should do the same thing. So I'm not go. 370 00:21:53,880 --> 00:21:57,600 Speaker 1: We gotta keep all of our avenue rooms open, you know, yes, 371 00:21:58,160 --> 00:22:02,399 Speaker 1: but also snakes. And I think, going back to your point, 372 00:22:02,760 --> 00:22:07,159 Speaker 1: the way at Chet, who is determined to catch the snake, 373 00:22:08,160 --> 00:22:11,400 Speaker 1: really looks down on Valencia and it's like she's a 374 00:22:11,400 --> 00:22:16,320 Speaker 1: witch when he clearly didn't do any research. He didn't 375 00:22:16,320 --> 00:22:20,439 Speaker 1: know what he was doing. I'll say it again. Even me, 376 00:22:21,480 --> 00:22:24,040 Speaker 1: I was like, no, that is not how you pick 377 00:22:24,200 --> 00:22:28,320 Speaker 1: up a snake. So there's sort of an element there 378 00:22:28,359 --> 00:22:30,760 Speaker 1: of like learning from your elders or at least doing 379 00:22:31,440 --> 00:22:35,040 Speaker 1: the research if you're going to embark on that having 380 00:22:35,080 --> 00:22:38,199 Speaker 1: the respect. It's kind of a Jurassic Park element. And 381 00:22:38,240 --> 00:22:46,560 Speaker 1: there as well, which is you know, as we talked about, 382 00:22:47,680 --> 00:22:51,159 Speaker 1: you don't really get the resolution with chet story like 383 00:22:51,200 --> 00:22:54,640 Speaker 1: you do with everyone else, but you do see him 384 00:22:54,760 --> 00:22:59,600 Speaker 1: learning this behavior from his dad. You do see him 385 00:23:00,560 --> 00:23:03,400 Speaker 1: picking up on that and wanting to kind of impress 386 00:23:03,440 --> 00:23:07,760 Speaker 1: his dad, but also like really shaping how he views 387 00:23:07,840 --> 00:23:13,040 Speaker 1: strength versus weakness. Yeah, so that was an elm. And 388 00:23:13,080 --> 00:23:15,800 Speaker 1: then who is it that has to help him? Is Valencia? 389 00:23:16,240 --> 00:23:18,399 Speaker 2: Right, I'll never admit it. 390 00:23:18,920 --> 00:23:34,560 Speaker 1: Oh no, probably not. So another theme friendship or into friendship. 391 00:23:36,000 --> 00:23:39,480 Speaker 1: Here's a quote friends. Something about the way she says 392 00:23:39,520 --> 00:23:41,879 Speaker 1: it makes me feel like I found something. I know 393 00:23:41,960 --> 00:23:44,919 Speaker 1: it sounds corny, but in that moment with that one word, 394 00:23:45,240 --> 00:23:48,680 Speaker 1: I already feel like a different person. Is that possible? 395 00:23:50,080 --> 00:23:54,840 Speaker 1: And so this is Valencia's feelings of when she has 396 00:23:55,000 --> 00:23:57,159 Speaker 1: she realizes like, oh I have friends. Oh I'm getting 397 00:23:57,200 --> 00:24:00,359 Speaker 1: the text messages like oh I have this group that 398 00:24:00,440 --> 00:24:03,000 Speaker 1: Actually I told them, can you look at me when 399 00:24:03,200 --> 00:24:05,639 Speaker 1: you're speaking so I can understand you? And they do, 400 00:24:06,359 --> 00:24:08,840 Speaker 1: But instead of making her feel bad about it. 401 00:24:08,840 --> 00:24:11,720 Speaker 2: Right, not even questioning or giving her looks or like 402 00:24:11,800 --> 00:24:15,720 Speaker 2: any of those things, and understanding that again, like Valencia 403 00:24:15,760 --> 00:24:18,040 Speaker 2: has a gift when it comes to studying and understanding 404 00:24:18,119 --> 00:24:21,440 Speaker 2: nature and loving things and paying attention to like their surroundings, 405 00:24:21,440 --> 00:24:23,800 Speaker 2: Like she has a bigger power and I love like 406 00:24:24,400 --> 00:24:28,359 Speaker 2: in this also conversation about names, I love that. I 407 00:24:28,359 --> 00:24:31,439 Speaker 2: actually I know a lot of Asian people having that 408 00:24:31,560 --> 00:24:36,720 Speaker 2: conversation of like changing their Asian names into something English 409 00:24:37,040 --> 00:24:38,960 Speaker 2: so that it's not so hard to say, or all 410 00:24:39,000 --> 00:24:42,040 Speaker 2: these things and the power of names in general, like 411 00:24:42,200 --> 00:24:44,800 Speaker 2: Valencia talks about loving her name and the fact that 412 00:24:44,880 --> 00:24:48,000 Speaker 2: she originally was gonna be like a more common Emily 413 00:24:48,080 --> 00:24:50,400 Speaker 2: or something I think name, and then her mom looked 414 00:24:50,400 --> 00:24:52,840 Speaker 2: at her. She's like, no, you're Valencia, and Lola's like, yes, 415 00:24:52,920 --> 00:24:56,240 Speaker 2: you are. Your name is power, and Colorie is the 416 00:24:56,240 --> 00:24:58,600 Speaker 2: same thing. She's like, no, my name is unusual, it's 417 00:24:58,640 --> 00:25:01,639 Speaker 2: different and it's powerful all these things, and Virgil is 418 00:25:01,640 --> 00:25:05,399 Speaker 2: the same thing. Virgil is very powerful and he wants 419 00:25:05,440 --> 00:25:08,000 Speaker 2: to be that, not Turtle, like all of these things. 420 00:25:08,400 --> 00:25:10,240 Speaker 2: It was very like I love that, and they kind 421 00:25:10,240 --> 00:25:12,840 Speaker 2: of all bonded over that, and I thought it was 422 00:25:12,920 --> 00:25:16,119 Speaker 2: really genuinely sweet and an amazing lesson to be given 423 00:25:16,280 --> 00:25:20,000 Speaker 2: because I have a feeling I was going try a 424 00:25:20,040 --> 00:25:22,280 Speaker 2: little bit of a try to a little purpose, but 425 00:25:22,480 --> 00:25:24,840 Speaker 2: like in this level of like talking to other Asian 426 00:25:24,880 --> 00:25:27,399 Speaker 2: people and them questioning my name and like, oh, actually 427 00:25:27,440 --> 00:25:29,639 Speaker 2: I'm adopted. They're like, oh, that makes sense. But then 428 00:25:29,680 --> 00:25:31,520 Speaker 2: they're like explaining their names, and I was like, yeah, 429 00:25:31,520 --> 00:25:33,600 Speaker 2: I want to say your name, don't change it just 430 00:25:33,680 --> 00:25:35,520 Speaker 2: because it's like, what is your name? So I can 431 00:25:35,760 --> 00:25:38,600 Speaker 2: say as it's given, unless you prefer not to be. 432 00:25:38,640 --> 00:25:41,200 Speaker 2: That's understandable. You have to grow into whatever you want, 433 00:25:41,520 --> 00:25:44,000 Speaker 2: or if there's other you know, things, But if you 434 00:25:44,040 --> 00:25:47,280 Speaker 2: love your name and it's you know, not common, then 435 00:25:47,280 --> 00:25:49,080 Speaker 2: we should all respect that. But like you know that, 436 00:25:49,119 --> 00:25:51,879 Speaker 2: there's power in that. It was cute, it was very sweet, 437 00:25:52,040 --> 00:25:53,000 Speaker 2: and they bonded over that. 438 00:25:54,240 --> 00:25:57,840 Speaker 1: Yeah, that was a really lovely moment. And then they 439 00:25:57,920 --> 00:26:02,240 Speaker 1: found they found these friends, and they found the things 440 00:26:02,240 --> 00:26:05,679 Speaker 1: that they were also looking for as well, So that 441 00:26:05,800 --> 00:26:09,840 Speaker 1: was really really nice. And then I did appreciate how 442 00:26:09,960 --> 00:26:14,680 Speaker 1: disability was dealt with in this book, because Valencia does 443 00:26:14,760 --> 00:26:19,840 Speaker 1: have a hearing aid and she has been judged for it. 444 00:26:21,520 --> 00:26:25,400 Speaker 1: Like we said, she had this group, these friends who 445 00:26:25,440 --> 00:26:27,760 Speaker 1: didn't want to play with her anymore because she couldn't hear, 446 00:26:27,800 --> 00:26:31,800 Speaker 1: and it made them uncomfortable. She felt like she was 447 00:26:31,840 --> 00:26:40,120 Speaker 1: invisible even with her family in some instances. Here's a quote, 448 00:26:40,200 --> 00:26:42,479 Speaker 1: and my mom said that if they were real friends, 449 00:26:42,520 --> 00:26:44,280 Speaker 1: they would have figured out a game that all of 450 00:26:44,400 --> 00:26:46,840 Speaker 1: us could play. I can't stand when she says stuff 451 00:26:46,880 --> 00:26:48,800 Speaker 1: like that. It makes me think she doesn't get it. 452 00:26:49,200 --> 00:26:51,639 Speaker 1: Bad friends are better than no friends. And besides, I 453 00:26:51,640 --> 00:26:53,920 Speaker 1: thought they were my real friends in the first place. 454 00:26:54,160 --> 00:26:57,840 Speaker 1: That was the whole reason I was crying. And that's 455 00:26:57,880 --> 00:27:00,840 Speaker 1: so because later you do see her saying like, no, 456 00:27:00,920 --> 00:27:05,119 Speaker 1: I like being alone. I don't need these friends, and 457 00:27:05,160 --> 00:27:09,880 Speaker 1: so it's so heartwarming that she found the friends who 458 00:27:09,920 --> 00:27:13,200 Speaker 1: don't who are like, yes, if that's what you need, 459 00:27:13,240 --> 00:27:15,800 Speaker 1: that's what we'll do. That's okay. But I do think 460 00:27:15,800 --> 00:27:17,879 Speaker 1: it's also a fair point for her to be like 461 00:27:18,240 --> 00:27:22,639 Speaker 1: annoyed with her mom being like, oh, yeah, you'll just 462 00:27:22,760 --> 00:27:27,959 Speaker 1: find that. There's why I think it's fair that she 463 00:27:28,119 --> 00:27:29,240 Speaker 1: was upset. 464 00:27:29,240 --> 00:27:32,400 Speaker 2: Right well, obviously their mom parents, because she also talked 465 00:27:32,440 --> 00:27:36,240 Speaker 2: about wanting to learn sign language, and they're very dismissive 466 00:27:36,480 --> 00:27:38,439 Speaker 2: of that. Yeah, And I was like, oh, there's a 467 00:27:38,440 --> 00:27:41,840 Speaker 2: whole of course, Like I don't think again, it wasn't 468 00:27:41,840 --> 00:27:43,480 Speaker 2: a part of the problem. It was a brief mention, 469 00:27:43,600 --> 00:27:46,720 Speaker 2: but it says a lot about her parents really trying 470 00:27:46,760 --> 00:27:48,960 Speaker 2: to be just like just be normal. And I'm putting 471 00:27:48,960 --> 00:27:52,320 Speaker 2: that in quotes and hoping that they don't that she's 472 00:27:52,440 --> 00:27:56,320 Speaker 2: not so disenfranchised in this way and kind of dismissive 473 00:27:56,320 --> 00:27:58,800 Speaker 2: of her worries. It's kind of like when people have 474 00:27:58,840 --> 00:28:03,880 Speaker 2: dealt with like bullies or being picked on or any 475 00:28:03,920 --> 00:28:05,800 Speaker 2: of those things. Like when I would talk about the 476 00:28:05,840 --> 00:28:09,760 Speaker 2: microaggressions that I experienced instead of validating those true things, 477 00:28:09,840 --> 00:28:12,000 Speaker 2: and they'd be like, oh, they're just jealous, Oh they 478 00:28:12,200 --> 00:28:14,800 Speaker 2: like you. Like those really dismissive comments has kind of 479 00:28:14,800 --> 00:28:18,040 Speaker 2: happened from her parents in that same level, right. 480 00:28:17,920 --> 00:28:20,840 Speaker 1: And that makes you feel like you can't be completely 481 00:28:20,880 --> 00:28:24,600 Speaker 1: honest and is also kind of patroodizing in a way. 482 00:28:24,680 --> 00:28:28,560 Speaker 2: Yea to be like, oh, it's okay, they don't they're 483 00:28:28,600 --> 00:28:30,399 Speaker 2: drims And you're like, but that's not true. That's not 484 00:28:30,440 --> 00:28:33,119 Speaker 2: how this works. They're being mean and I need to 485 00:28:33,160 --> 00:28:36,120 Speaker 2: recognize that, Like she's having to be tougher because her 486 00:28:36,119 --> 00:28:39,160 Speaker 2: parents are willing to handle it or take it seriously. 487 00:28:40,320 --> 00:28:46,280 Speaker 1: Yes, exactly, And if you look in the acknowledgments, the 488 00:28:46,400 --> 00:28:52,680 Speaker 1: author did a lot of research with schools about people 489 00:28:52,720 --> 00:28:56,000 Speaker 1: who have hearing disabilities. So I think that's that's really cool. 490 00:28:57,480 --> 00:29:03,120 Speaker 1: And then a final theme because Virgil, while it is 491 00:29:03,480 --> 00:29:07,360 Speaker 1: like we said, everything turns out okay, it's an outmeat book, 492 00:29:08,160 --> 00:29:13,160 Speaker 1: Virgil does kind of face these thoughts of death and like, 493 00:29:13,160 --> 00:29:14,880 Speaker 1: like you said, if I ever get out of here, 494 00:29:15,000 --> 00:29:16,960 Speaker 1: if I'll do this, I'll do this, I'll do this. 495 00:29:17,680 --> 00:29:20,280 Speaker 1: Here's a quote of all the questions you ever ask 496 00:29:20,360 --> 00:29:22,920 Speaker 1: yourself in life, Never ask what's the point? It's the 497 00:29:22,960 --> 00:29:27,320 Speaker 1: worst question in the world. Ruby said, because he kind 498 00:29:27,320 --> 00:29:30,959 Speaker 1: of goes through. You know, I'm going to get out 499 00:29:31,000 --> 00:29:33,600 Speaker 1: of here. Oh no, it's hopeless. Oh no, I'm going 500 00:29:33,680 --> 00:29:34,040 Speaker 1: to die. 501 00:29:34,720 --> 00:29:37,440 Speaker 2: Right, What are my parents are going to say when 502 00:29:37,440 --> 00:29:39,480 Speaker 2: I disappear? Whatever happened? I want to be a legend 503 00:29:39,520 --> 00:29:41,520 Speaker 2: like Lola's story, right. 504 00:29:41,680 --> 00:29:44,200 Speaker 1: And having those thoughts of what would you do differently, 505 00:29:45,400 --> 00:29:52,040 Speaker 1: and then having the nice ending where he doesn't die 506 00:29:52,120 --> 00:29:54,640 Speaker 1: and he is found and then he finds friends, and 507 00:29:54,680 --> 00:29:58,239 Speaker 1: then he talks to Valencia, he gets the thing he 508 00:29:58,320 --> 00:30:01,959 Speaker 1: was going into the woods to you, right, it is 509 00:30:02,000 --> 00:30:06,000 Speaker 1: a really lovely kind of full circle story. 510 00:30:06,440 --> 00:30:10,120 Speaker 2: Yes, yes, it is very sweet and it's very and 511 00:30:10,120 --> 00:30:12,080 Speaker 2: I'm really I was like, I'm afraid that Grandma's gonna 512 00:30:12,120 --> 00:30:14,600 Speaker 2: there's so many moments I'm so traumatized by children's books. 513 00:30:14,600 --> 00:30:16,920 Speaker 2: Then I'm like, this person's gonna die because I really thought, 514 00:30:16,960 --> 00:30:19,240 Speaker 2: Oh no, I thought the ending was going to be 515 00:30:19,280 --> 00:30:21,440 Speaker 2: that Valencia was going to discover him and that's that's 516 00:30:21,440 --> 00:30:22,960 Speaker 2: how they were going to become friends. No, but she 517 00:30:22,960 --> 00:30:29,320 Speaker 2: closed up the wells so well down never mind. 518 00:30:29,640 --> 00:30:32,000 Speaker 1: Yeah. I mean if we were vis a horror, that 519 00:30:32,000 --> 00:30:33,640 Speaker 1: would have been a good horror, right. 520 00:30:33,800 --> 00:30:35,600 Speaker 2: I was like, no, I would be scared of that. 521 00:30:35,720 --> 00:30:38,040 Speaker 2: I would be scared of being stuck in the well. Like, 522 00:30:38,080 --> 00:30:39,560 Speaker 2: first of all, there's our water down there where you're 523 00:30:39,560 --> 00:30:41,840 Speaker 2: gonna drown all these things. I was horrified because I 524 00:30:41,880 --> 00:30:44,440 Speaker 2: thought that Gulliver was gonna die. I was like, no, 525 00:30:44,520 --> 00:30:46,880 Speaker 2: he loves like waiting for him to run away and 526 00:30:46,920 --> 00:30:51,000 Speaker 2: never be found again. I was like, no, yeah, it's 527 00:30:51,040 --> 00:30:51,640 Speaker 2: not like that. 528 00:30:52,160 --> 00:30:56,760 Speaker 1: No, Gulliver is like his buddy too, That's what I'm saying. 529 00:30:57,000 --> 00:30:59,760 Speaker 1: And there's like little illustrations of him at the chapter. 530 00:31:01,600 --> 00:31:03,160 Speaker 1: He's so cute. 531 00:31:03,560 --> 00:31:05,320 Speaker 2: And also that is also the thing about how like, 532 00:31:05,600 --> 00:31:07,360 Speaker 2: you know, guinea pigs are not supposed to be alone. 533 00:31:07,360 --> 00:31:09,440 Speaker 2: There are social creatures and all these things, and he 534 00:31:09,520 --> 00:31:11,360 Speaker 2: was figuring that out and wanted to ask for a second, 535 00:31:11,480 --> 00:31:15,959 Speaker 2: you know, guinea pig. I was like, oh no, yeah, 536 00:31:16,080 --> 00:31:16,880 Speaker 2: it turned out. 537 00:31:16,920 --> 00:31:20,320 Speaker 1: You definitely were like, we gotta get Gulliver. 538 00:31:20,520 --> 00:31:25,880 Speaker 2: Right, we can Goliver out of there. But I did 539 00:31:25,960 --> 00:31:28,680 Speaker 2: love all of those things in that conversation because they 540 00:31:29,080 --> 00:31:31,800 Speaker 2: really do come together. Because we also talked like the 541 00:31:31,840 --> 00:31:34,760 Speaker 2: fact that Virgil does obviously have like a learning disability, 542 00:31:34,800 --> 00:31:37,040 Speaker 2: and there's a whole some of the things. There are 543 00:31:37,080 --> 00:31:38,880 Speaker 2: some offensive words in there that I was like, oh, 544 00:31:39,120 --> 00:31:43,920 Speaker 2: that was really okay. It's not wrong because we know 545 00:31:44,040 --> 00:31:48,360 Speaker 2: that there are main jarks in the world that will 546 00:31:48,400 --> 00:31:52,560 Speaker 2: taunt you for anything that is different, but like, it's 547 00:31:52,600 --> 00:31:56,200 Speaker 2: it's really interesting to see because he also finally stands 548 00:31:56,240 --> 00:31:58,960 Speaker 2: up to him. I think he yells at him and 549 00:31:58,960 --> 00:32:02,240 Speaker 2: then runs away or something, but like he doesn't ever 550 00:32:02,320 --> 00:32:05,640 Speaker 2: really like they don't face, but he just goes back, 551 00:32:05,720 --> 00:32:07,760 Speaker 2: like says something fondly to him and walks away, because 552 00:32:07,840 --> 00:32:11,280 Speaker 2: usually he's just running away from him, right or that 553 00:32:11,400 --> 00:32:13,680 Speaker 2: was also a plus. And would you see chat struggling 554 00:32:14,760 --> 00:32:16,840 Speaker 2: because he's trying to impress his dad and he knows 555 00:32:16,840 --> 00:32:18,840 Speaker 2: that his dad is disappointed that he doesn't make the 556 00:32:18,880 --> 00:32:21,800 Speaker 2: basketball team. So he's trying repeatedly to become a sports 557 00:32:21,800 --> 00:32:24,440 Speaker 2: person because his dad is very on him about that 558 00:32:24,520 --> 00:32:27,080 Speaker 2: and how his worth is based on how good he 559 00:32:27,200 --> 00:32:32,440 Speaker 2: is and like not just being okay, still he's still 560 00:32:32,440 --> 00:32:32,800 Speaker 2: a jerk. 561 00:32:34,200 --> 00:32:37,120 Speaker 1: Yeah, but it was kind of a sad thing to 562 00:32:37,160 --> 00:32:39,560 Speaker 1: see because you were like, he just wanted to bet 563 00:32:39,840 --> 00:32:42,440 Speaker 1: that that was like his entire thing is he wanted 564 00:32:42,440 --> 00:32:43,800 Speaker 1: to get on the basketball team. 565 00:32:43,960 --> 00:32:46,040 Speaker 2: Yeah, just so his dad could know he did it. 566 00:32:46,720 --> 00:32:46,960 Speaker 1: Yeah. 567 00:32:47,440 --> 00:32:51,320 Speaker 2: Yeah, But anyway, great book. Yes, I love a good 568 00:32:51,480 --> 00:32:52,440 Speaker 2: like children's tell. 569 00:32:53,840 --> 00:32:57,080 Speaker 1: Yeah. Well, and it was really fun too, because I 570 00:32:57,120 --> 00:33:01,360 Speaker 1: think longtime listeners of the show know we love a 571 00:33:01,440 --> 00:33:06,600 Speaker 1: kind of different povs and then pieces coming together and 572 00:33:07,360 --> 00:33:08,920 Speaker 1: it's almost like a puzzle. It's really fun. 573 00:33:09,280 --> 00:33:10,280 Speaker 2: She set it up nicely. 574 00:33:10,760 --> 00:33:14,520 Speaker 1: Yes it was. It was really fun. And I say 575 00:33:14,560 --> 00:33:18,720 Speaker 1: this with like a total compliment, but it did go 576 00:33:18,840 --> 00:33:22,120 Speaker 1: by very quickly. I was surprised because I saw the 577 00:33:22,160 --> 00:33:23,960 Speaker 1: page count and I was like, oh no, I don't know, 578 00:33:25,000 --> 00:33:30,600 Speaker 1: but it's just a really you get so caught up. 579 00:33:30,520 --> 00:33:34,200 Speaker 2: And engaging beast read because you love the storyline. 580 00:33:36,200 --> 00:33:38,560 Speaker 1: So highly recommend. It's a good summary read. 581 00:33:38,920 --> 00:33:39,880 Speaker 2: It is a good summary. 582 00:33:40,440 --> 00:33:42,960 Speaker 1: I highly recommend. As always listeners, they let us know 583 00:33:42,960 --> 00:33:46,640 Speaker 1: if you have any thoughts or suggestions for future book clubs. 584 00:33:47,720 --> 00:33:49,760 Speaker 1: You can email us at Hello at stuff Onenever told 585 00:33:49,760 --> 00:33:51,680 Speaker 1: You dot com. You can find us on Blue Sky 586 00:33:51,720 --> 00:33:54,320 Speaker 1: I'm Offso podcast or on Instagram and TikTok at stuff 587 00:33:54,360 --> 00:33:56,400 Speaker 1: I Never told You for us on YouTube or on 588 00:33:56,440 --> 00:33:58,240 Speaker 1: Tea public and we have a book you can get 589 00:33:58,240 --> 00:34:01,040 Speaker 1: wherever you get your books. Thanks always too, our super 590 00:34:01,080 --> 00:34:04,360 Speaker 1: producer Christina or executive producer and our contributor Joey. Thank 591 00:34:04,400 --> 00:34:06,880 Speaker 1: you and thanks to you for listening. Steffan Never Told 592 00:34:06,920 --> 00:34:08,719 Speaker 1: You is production by Heart Radio. For more podcasts from 593 00:34:08,719 --> 00:34:10,279 Speaker 1: my heart Radio, you can check out the heart Radio 594 00:34:10,280 --> 00:34:12,640 Speaker 1: app Apple Podcasts wherever you listen to Favid shows