1 00:00:03,560 --> 00:00:09,680 Speaker 1: So it was me. It's Jean Beney's brother, it's Ojay's son. Uh, 2 00:00:10,200 --> 00:00:14,520 Speaker 1: it's the guy my friend who pushed the plunger to 3 00:00:14,560 --> 00:00:19,440 Speaker 1: detonate the Tower seven. Oh, Tower seven, and uh, and 4 00:00:19,480 --> 00:00:21,680 Speaker 1: we're hacking into the mainframe and we're gonna change all 5 00:00:21,720 --> 00:00:24,320 Speaker 1: the TV ratings on TV. Button number was to make 6 00:00:24,360 --> 00:00:26,680 Speaker 1: it look good, boy, Quantico's falling off. 7 00:00:26,760 --> 00:00:29,840 Speaker 2: I love the boys just getting together, and it's. 8 00:00:29,680 --> 00:00:32,199 Speaker 1: So fun when we finally because it's our schedules are 9 00:00:32,240 --> 00:00:35,320 Speaker 1: also insane, and it's like when can me oj Son, 10 00:00:35,400 --> 00:00:38,200 Speaker 1: John Bene's brother, and my friend who pushed the plunger 11 00:00:38,280 --> 00:00:41,680 Speaker 1: dnate Tower seven all get in the same room and 12 00:00:41,760 --> 00:00:45,919 Speaker 1: just hang out and just have fun and just screw around. Yeah, 13 00:00:46,080 --> 00:00:47,800 Speaker 1: make it look like Quantico's numbers are falling off, and 14 00:00:47,880 --> 00:00:51,040 Speaker 1: actually it's the most popular show and we're doing it. 15 00:00:51,080 --> 00:00:55,680 Speaker 1: And at one point, John Beaney's brother gets very quiet 16 00:00:55,840 --> 00:01:03,000 Speaker 1: and goes, are we bad people? You know? M? And 17 00:01:03,480 --> 00:01:10,240 Speaker 1: I go, wow, uh, Grumany's brother. I never have really 18 00:01:10,240 --> 00:01:16,959 Speaker 1: asked myself that question. And right at that moment, OJ's 19 00:01:16,959 --> 00:01:21,399 Speaker 1: son does like the biggest like armpit fart, and I 20 00:01:21,480 --> 00:01:25,280 Speaker 1: was like, okay, back to reality. 21 00:01:25,360 --> 00:01:28,319 Speaker 3: We're having like for uh, you know, normally the question 22 00:01:28,360 --> 00:01:31,160 Speaker 3: that we ask ourselves is like am I becoming my father? 23 00:01:31,520 --> 00:01:33,840 Speaker 3: But for OJ's dad that would actually be for oj 24 00:01:34,040 --> 00:01:36,440 Speaker 3: Son that would actually be like good because his dad 25 00:01:36,480 --> 00:01:37,400 Speaker 3: is like actually good. 26 00:01:38,000 --> 00:01:43,600 Speaker 1: Oh yeah yeah yeah. So anyway, welcome high with himba 27 00:01:44,880 --> 00:01:52,400 Speaker 1: uh god kicking but dropping names right, Carbonline? Hey, uh today, Uh, 28 00:01:52,560 --> 00:01:54,000 Speaker 1: will you have to do this one quickly? 29 00:01:54,080 --> 00:01:57,800 Speaker 3: Actually, yes, we're a little behind on this something that 30 00:01:57,800 --> 00:01:58,720 Speaker 3: we've been wanting to do. 31 00:01:59,520 --> 00:01:59,720 Speaker 1: Uh. 32 00:02:00,000 --> 00:02:00,880 Speaker 2: You see all these videos. 33 00:02:01,080 --> 00:02:05,440 Speaker 3: Today's the day they they talk about the president. 34 00:02:05,440 --> 00:02:07,000 Speaker 1: They're doing President today. 35 00:02:06,880 --> 00:02:10,840 Speaker 3: And we're going ready the polls and you say, this 36 00:02:10,880 --> 00:02:11,520 Speaker 3: is the president. 37 00:02:11,760 --> 00:02:13,000 Speaker 2: It's about time today. 38 00:02:14,560 --> 00:02:17,600 Speaker 3: We have been seeing all these things, these videos. 39 00:02:18,520 --> 00:02:23,160 Speaker 1: People are rocking the vote. They're rocking the vote, yes virally, 40 00:02:23,880 --> 00:02:25,000 Speaker 1: yes on the web. 41 00:02:25,360 --> 00:02:25,680 Speaker 2: Yes. 42 00:02:25,760 --> 00:02:30,119 Speaker 1: And you know, Hayes and I are not stupid. If 43 00:02:30,200 --> 00:02:33,440 Speaker 1: six people make a video about something, we're going to 44 00:02:33,440 --> 00:02:34,639 Speaker 1: make a video about that too. 45 00:02:34,840 --> 00:02:36,480 Speaker 3: We should be doing it too. But this is not 46 00:02:36,639 --> 00:02:38,359 Speaker 3: We have not done one of these before. We want 47 00:02:38,400 --> 00:02:39,639 Speaker 3: to do it in a way so we can kind 48 00:02:39,639 --> 00:02:46,480 Speaker 3: of protect ourselves but also get plenty of hits and eyeballs. 49 00:02:47,240 --> 00:02:48,799 Speaker 3: So we have brought in someone who is so good 50 00:02:48,840 --> 00:02:51,519 Speaker 3: at this and has done it so good. 51 00:02:51,880 --> 00:02:57,040 Speaker 1: Special guests. Jess McKenna, Hi, Hi, just goes so good 52 00:02:57,080 --> 00:02:59,080 Speaker 1: to have you here, Thanks for coming. 53 00:02:59,120 --> 00:03:01,440 Speaker 2: Did you did you voted already? 54 00:03:01,480 --> 00:03:03,320 Speaker 4: Yeah? Yeah, yeah, I got to that poll. Yeah, I 55 00:03:03,320 --> 00:03:05,600 Speaker 4: got in there and I said this this for president. 56 00:03:05,919 --> 00:03:09,800 Speaker 1: She did the president and good job. Congratulations, thank you. 57 00:03:09,880 --> 00:03:11,440 Speaker 5: I got my little sticker, and I. 58 00:03:11,360 --> 00:03:13,720 Speaker 1: Hope your person wins. But I hope my person wins 59 00:03:13,840 --> 00:03:17,040 Speaker 1: and everybody wins. Yes see they can. 60 00:03:17,240 --> 00:03:20,640 Speaker 4: And they did propositions and I did numbers and I 61 00:03:20,639 --> 00:03:23,320 Speaker 4: said yes to some and I said no to others. 62 00:03:23,360 --> 00:03:25,560 Speaker 4: And then the measures, I said, I haven't heard enough 63 00:03:25,560 --> 00:03:27,080 Speaker 4: about these, so I skip seized. 64 00:03:27,280 --> 00:03:31,959 Speaker 3: Hey, hey, just mad prompts. But isn't this seriously, isn't 65 00:03:32,000 --> 00:03:35,160 Speaker 3: this election? And isn't this twenty sixteen the dumpster fire? 66 00:03:35,800 --> 00:03:39,120 Speaker 3: Oh god, twenty sixteen? I wish it was over already. 67 00:03:40,160 --> 00:03:42,160 Speaker 3: I just like, can twenty sixteen. 68 00:03:41,880 --> 00:03:43,360 Speaker 1: Just be done by now? 69 00:03:43,760 --> 00:03:44,120 Speaker 5: A bed? 70 00:03:44,440 --> 00:03:46,800 Speaker 3: And it is a dumpster fire sometimes a garbage fire. 71 00:03:46,840 --> 00:03:49,040 Speaker 3: Those are the two things can find about it. 72 00:03:49,160 --> 00:03:52,360 Speaker 1: Yeah, yes, thank you for being here, Jess. 73 00:03:52,360 --> 00:03:54,480 Speaker 3: I know you're busy. You were you were saying you 74 00:03:54,520 --> 00:03:56,360 Speaker 3: were re listening to the Harry Potter books. 75 00:03:56,440 --> 00:03:57,800 Speaker 5: Yes, I have to get back to that. 76 00:03:58,120 --> 00:04:01,200 Speaker 3: Will you just play Just put a little bit of 77 00:04:01,200 --> 00:04:03,400 Speaker 3: it on the microphone so we can just get a 78 00:04:03,440 --> 00:04:04,920 Speaker 3: little taste of like here's. 79 00:04:04,680 --> 00:04:05,200 Speaker 5: Where I'm at. 80 00:04:05,320 --> 00:04:05,640 Speaker 2: Okay. 81 00:04:07,360 --> 00:04:09,960 Speaker 6: It was a relief for Harry to sink into the 82 00:04:10,000 --> 00:04:13,240 Speaker 6: mind of someone else. He went back to the pencive 83 00:04:13,320 --> 00:04:16,080 Speaker 6: that he'd been to so many times before, this time 84 00:04:16,240 --> 00:04:20,039 Speaker 6: to Snape's thoughts. He put his head into the cool 85 00:04:20,760 --> 00:04:24,920 Speaker 6: gray water and dove and. 86 00:04:24,839 --> 00:04:25,920 Speaker 2: That's the Magic Book. 87 00:04:26,320 --> 00:04:26,719 Speaker 1: Yeah. 88 00:04:26,760 --> 00:04:30,680 Speaker 3: I love how the books. I'll begin with like have 89 00:04:30,880 --> 00:04:33,360 Speaker 3: opened me the Magic Book and he hear the tales. 90 00:04:33,520 --> 00:04:34,039 Speaker 5: Yeah. 91 00:04:34,040 --> 00:04:36,240 Speaker 4: Well, I was dropping us in sort of a far 92 00:04:37,320 --> 00:04:39,560 Speaker 4: a Wizardy Boy. Yeah yeah, I was dropping us in 93 00:04:39,600 --> 00:04:42,200 Speaker 4: pretty far into the story of the Deathly House. That 94 00:04:42,320 --> 00:04:46,120 Speaker 4: was a late chapter. That's about chapter thirty two. I 95 00:04:46,120 --> 00:04:48,520 Speaker 4: would say of the Princess Sale. 96 00:04:48,320 --> 00:04:52,240 Speaker 1: Like thirty two. And for me, I gotta say I 97 00:04:52,240 --> 00:04:55,400 Speaker 1: would vote for anyone who would finally make it illegal 98 00:04:55,480 --> 00:04:58,480 Speaker 1: for all of us to be Muggles. I was so 99 00:04:58,560 --> 00:05:00,920 Speaker 1: sick of it, and I I hate it, and I 100 00:05:01,000 --> 00:05:03,000 Speaker 1: just don't want to be a Muggle anymore. And if 101 00:05:03,120 --> 00:05:05,919 Speaker 1: somebody runs on that platform. You've got my vote guaranteed, 102 00:05:05,920 --> 00:05:08,040 Speaker 1: and I don't care what else you're standing for. 103 00:05:08,080 --> 00:05:11,159 Speaker 4: I'm going to remember this for when I turned thirty five. Huh, 104 00:05:11,279 --> 00:05:12,880 Speaker 4: I can finally run for president. 105 00:05:13,080 --> 00:05:16,159 Speaker 1: We're also very too, it's. 106 00:05:15,880 --> 00:05:18,680 Speaker 3: Not going to be for forever, if it even ever happens. Yeah, 107 00:05:18,839 --> 00:05:21,160 Speaker 3: it is still the biggest so far off. I hope 108 00:05:21,240 --> 00:05:22,279 Speaker 3: I better write it down. 109 00:05:22,160 --> 00:05:23,800 Speaker 1: Because I don't trust myself to remember it when I 110 00:05:23,839 --> 00:05:26,440 Speaker 1: turned thirty five, because I'm very young as well. So 111 00:05:28,240 --> 00:05:30,359 Speaker 1: that was a good Harry Potter and I hope he 112 00:05:30,480 --> 00:05:36,239 Speaker 1: wins and beats up the uhold ELFs. Yes, oh sure, 113 00:05:36,520 --> 00:05:37,320 Speaker 1: mm hmm. 114 00:05:37,040 --> 00:05:38,960 Speaker 4: Well yeah, we don't beat up elves in the Harry 115 00:05:38,960 --> 00:05:42,719 Speaker 4: Potter world. They're actually a marginalized society that we fight for. 116 00:05:43,279 --> 00:05:45,200 Speaker 4: You can say that this election has had its very 117 00:05:45,200 --> 00:05:45,880 Speaker 4: own Voldemort. 118 00:05:46,279 --> 00:05:50,039 Speaker 1: Oh right, yeah, that's absolutely true, and explain that. 119 00:05:50,279 --> 00:05:53,800 Speaker 4: Yeah, well, you know a lot of people think that, uh, 120 00:05:54,040 --> 00:05:56,400 Speaker 4: you know, Trump has played into our worst fear. 121 00:05:56,520 --> 00:05:59,120 Speaker 3: Okay, this is great to get out there ahead of it. 122 00:05:59,200 --> 00:06:01,240 Speaker 3: Uh huh, this is this video. We want it to 123 00:06:01,240 --> 00:06:05,400 Speaker 3: be just like vote, just like a pro voting. We 124 00:06:05,480 --> 00:06:07,160 Speaker 3: sort of want our bases to be covered because by 125 00:06:07,160 --> 00:06:08,840 Speaker 3: the time this comes out, it actually could be we 126 00:06:08,839 --> 00:06:09,720 Speaker 3: don't want to be in the wrong. 127 00:06:10,040 --> 00:06:12,720 Speaker 1: You've taken a really hard stance for one cannon or 128 00:06:12,720 --> 00:06:14,479 Speaker 1: the other. Week could look like sale idiots. 129 00:06:14,600 --> 00:06:17,760 Speaker 3: And yeah, so so if we're saying that, we could 130 00:06:17,760 --> 00:06:20,320 Speaker 3: be like, well, maybe Voldemort is actually the good guy 131 00:06:20,360 --> 00:06:22,159 Speaker 3: in these books. So it's okay to say that Trump 132 00:06:22,200 --> 00:06:26,039 Speaker 3: is like Baltimore. But in that case, Voldemore is like potentially. 133 00:06:25,760 --> 00:06:27,919 Speaker 1: There's certainly Baltimore has its own perspective. 134 00:06:27,960 --> 00:06:30,000 Speaker 4: I mean, right, well, I would say that it's like 135 00:06:30,080 --> 00:06:33,680 Speaker 4: pretty much like a universally horrible perspective. So I think, like, 136 00:06:33,720 --> 00:06:36,000 Speaker 4: if you want your video to just be about voting, 137 00:06:36,080 --> 00:06:38,120 Speaker 4: maybe just say like voting is important. 138 00:06:38,400 --> 00:06:41,040 Speaker 5: But I would say that, like it's always better. 139 00:06:40,760 --> 00:06:42,880 Speaker 4: To have like a stronger point of view. Being wishy 140 00:06:42,960 --> 00:06:44,240 Speaker 4: washy is going to be trickier. 141 00:06:44,480 --> 00:06:47,640 Speaker 3: No, we are saying we're we're taking a stance on it, 142 00:06:47,680 --> 00:06:50,919 Speaker 3: which is that like everyone is bad because the election 143 00:06:51,000 --> 00:06:53,200 Speaker 3: is a dumpster fire, but also everyone is like trying 144 00:06:53,240 --> 00:06:55,480 Speaker 3: really hard and also very good. 145 00:06:56,720 --> 00:07:00,159 Speaker 1: And just voting and voting is like we really want 146 00:07:00,200 --> 00:07:01,880 Speaker 1: to get behind it, but we also still want to 147 00:07:01,880 --> 00:07:03,280 Speaker 1: look cool, so we kind of want to be like, 148 00:07:03,320 --> 00:07:05,919 Speaker 1: it's kind of stupid even talk that it is stupid. 149 00:07:06,400 --> 00:07:07,320 Speaker 5: Yeah, I get it. 150 00:07:07,360 --> 00:07:10,600 Speaker 4: Okay, So like, hey, so maybe it's like we open 151 00:07:10,680 --> 00:07:15,640 Speaker 4: on like you playing a grand piano. Yes, and we 152 00:07:15,680 --> 00:07:18,520 Speaker 4: have like a lot of flowing fabric in the background, 153 00:07:18,840 --> 00:07:22,640 Speaker 4: and maybe like maybe Hayes, you're on the cello or 154 00:07:22,840 --> 00:07:26,160 Speaker 4: you're playing like the therafin with theoremon. 155 00:07:26,840 --> 00:07:28,440 Speaker 5: Okay, you familiar. 156 00:07:28,320 --> 00:07:31,800 Speaker 1: Hayes plays the therafin. Yeah, it's a theoremon that looks 157 00:07:31,800 --> 00:07:32,240 Speaker 1: like a shark. 158 00:07:32,720 --> 00:07:34,440 Speaker 5: Oh, very very cool, very cool. 159 00:07:34,840 --> 00:07:38,560 Speaker 2: It kind of does the Jaws theme, but not exactly. 160 00:07:38,640 --> 00:07:41,120 Speaker 1: You don't if he tells you it's the Jaws theme, 161 00:07:41,160 --> 00:07:42,560 Speaker 1: you go, oh no, I hear it. But if he 162 00:07:42,600 --> 00:07:44,000 Speaker 1: just did it, you wouldn't think it was that. 163 00:07:44,120 --> 00:07:47,840 Speaker 4: Yeah, it's helpful, and uh, maybe we just like open 164 00:07:47,920 --> 00:07:54,080 Speaker 4: on sort of a like a somber melody about hey, 165 00:07:54,400 --> 00:07:55,720 Speaker 4: voting's dumb, but we. 166 00:07:55,640 --> 00:07:56,360 Speaker 5: Shall do it. 167 00:07:56,640 --> 00:07:59,000 Speaker 1: Yeah yeah yeah, Like, wouldn't it be funny if I voted? 168 00:07:59,040 --> 00:07:59,600 Speaker 5: Wouldn't it be? 169 00:07:59,640 --> 00:07:59,840 Speaker 1: So? 170 00:08:00,280 --> 00:08:02,960 Speaker 5: Wait, get go with me on this. What if we voted? 171 00:08:03,440 --> 00:08:03,600 Speaker 2: Yeah? 172 00:08:03,680 --> 00:08:10,600 Speaker 1: Yeah, yeah, son, Oh can we say voting it's truck? Well, 173 00:08:10,640 --> 00:08:12,440 Speaker 1: you're gonna get us in trouble. No, but this is 174 00:08:12,440 --> 00:08:12,800 Speaker 1: my thing. 175 00:08:13,040 --> 00:08:16,280 Speaker 3: So many of these videos don't have any cussing, but 176 00:08:16,440 --> 00:08:18,720 Speaker 3: this one could be the one that's so has so 177 00:08:18,840 --> 00:08:21,200 Speaker 3: much cussing, and we say voting is like a fucking bitch. 178 00:08:21,280 --> 00:08:22,440 Speaker 5: Oh well, here's here's me. 179 00:08:22,560 --> 00:08:25,760 Speaker 4: Here's my first note is that it is a workday 180 00:08:25,760 --> 00:08:29,280 Speaker 4: to day and you gotta be careful when you get that. 181 00:08:29,480 --> 00:08:30,880 Speaker 2: Yeah s s. 182 00:08:32,679 --> 00:08:33,560 Speaker 5: Yeah, that's right. 183 00:08:33,559 --> 00:08:36,040 Speaker 1: People aren't gonna be able to watch it there cubicles. 184 00:08:36,080 --> 00:08:38,599 Speaker 4: Hey, you got too much cursing, and you know you 185 00:08:38,679 --> 00:08:40,520 Speaker 4: got to get those hits on the work day. 186 00:08:40,679 --> 00:08:43,400 Speaker 1: Because I had an idea that was pretty edgy, pretty 187 00:08:43,440 --> 00:08:46,280 Speaker 1: fucked up and actually could really help the video, but 188 00:08:46,559 --> 00:08:48,400 Speaker 1: I think we'd get in trouble for it, which is 189 00:08:48,800 --> 00:08:52,320 Speaker 1: maybe it's like parents find a teen's like sticker for 190 00:08:52,360 --> 00:08:54,559 Speaker 1: a candidate they don't like, and it's almost like they 191 00:08:54,600 --> 00:08:55,920 Speaker 1: found drugs. 192 00:08:56,160 --> 00:09:00,880 Speaker 4: Whoa, yeah, now this is this is interesting. So then 193 00:09:00,920 --> 00:09:04,160 Speaker 4: now if you had maybe like a dual storyline of 194 00:09:04,720 --> 00:09:06,800 Speaker 4: you have to have both candidates given to your point, 195 00:09:06,920 --> 00:09:08,880 Speaker 4: he is where you don't want to be wrong. 196 00:09:08,720 --> 00:09:10,720 Speaker 1: But this is an extra candidate, like one of the 197 00:09:10,760 --> 00:09:13,680 Speaker 1: ones you don't know about. Okay, okay, okay, and the 198 00:09:13,800 --> 00:09:16,280 Speaker 1: parents are almost treating it like they found drugs. 199 00:09:16,400 --> 00:09:18,600 Speaker 3: But then that you're gonna want to be cool doing 200 00:09:18,600 --> 00:09:20,400 Speaker 3: it because if your parents that you don't want to 201 00:09:20,440 --> 00:09:22,120 Speaker 3: do it, that makes it the coolest thing to do. 202 00:09:22,280 --> 00:09:23,319 Speaker 2: And we can play. 203 00:09:24,000 --> 00:09:27,240 Speaker 3: I honestly think we would be great as teen twins. 204 00:09:27,600 --> 00:09:30,200 Speaker 1: That would be great. And it's y we can still 205 00:09:30,240 --> 00:09:32,560 Speaker 1: do the instruments. It's a tough idea because I have 206 00:09:32,640 --> 00:09:34,840 Speaker 1: seen one video like this and there is sort of 207 00:09:34,880 --> 00:09:38,640 Speaker 1: a I don't know, like maybe this isn't the right 208 00:09:38,679 --> 00:09:41,280 Speaker 1: word for it, but like an uncanny Valley thing where 209 00:09:41,880 --> 00:09:44,440 Speaker 1: in order for the team to have their parents coming 210 00:09:44,480 --> 00:09:46,600 Speaker 1: down on them real hard, they need to not be 211 00:09:46,679 --> 00:09:49,319 Speaker 1: old enough to vote, right, I know, but it has 212 00:09:49,400 --> 00:09:51,480 Speaker 1: to be about voting. Yes, are so you got to 213 00:09:51,480 --> 00:09:53,040 Speaker 1: play them like they're sixteen, but they have to be 214 00:09:53,080 --> 00:09:56,400 Speaker 1: at least eighteen. But me and Hayes look like we're twelve. 215 00:09:56,679 --> 00:09:58,120 Speaker 5: Yeah, yeah, this is no problem. 216 00:09:58,400 --> 00:10:02,160 Speaker 3: Yeah, okay, great. Yeah, So we're practicing. We're doing like 217 00:10:02,480 --> 00:10:06,439 Speaker 3: band practice. I guess, oh, very that's what that's what 218 00:10:06,880 --> 00:10:08,440 Speaker 3: that's what we're warming up. 219 00:10:08,360 --> 00:10:12,240 Speaker 4: In the Yeah yeah, yeah, oh yeah, this is good. 220 00:10:12,640 --> 00:10:16,079 Speaker 4: Nothing says like America more than like teens in a garage. 221 00:10:16,600 --> 00:10:18,079 Speaker 5: Yes, some instruments. 222 00:10:18,120 --> 00:10:21,640 Speaker 1: Oh, yes, you're really getting it. So okay. So it's like, 223 00:10:21,920 --> 00:10:25,080 Speaker 1: let's vote. It's stupid. Hey, you can't vote for this guy. Hey, 224 00:10:25,120 --> 00:10:26,720 Speaker 1: come on, get off my back. Yeah. 225 00:10:26,760 --> 00:10:28,199 Speaker 2: And who's going to be our dad? 226 00:10:28,760 --> 00:10:29,040 Speaker 5: Oh? 227 00:10:30,160 --> 00:10:33,040 Speaker 4: This is important. We might want stunt casting. A lot 228 00:10:33,080 --> 00:10:34,920 Speaker 4: of these videos have stunt casting. 229 00:10:35,160 --> 00:10:36,720 Speaker 1: Could it be Dean Norris? 230 00:10:37,320 --> 00:10:39,600 Speaker 5: That's a great one. That's a great one. 231 00:10:40,000 --> 00:10:43,360 Speaker 4: Now I worry that are which base are you trying 232 00:10:43,400 --> 00:10:45,720 Speaker 4: to pull in with Dean Norris? The Breaking Bad Bass 233 00:10:46,600 --> 00:10:50,880 Speaker 4: or Underdome underdoone? Okay, great, great, great, that's helpful. That'll 234 00:10:50,880 --> 00:10:53,240 Speaker 4: give you. That'll give you the hits and the clicks 235 00:10:53,640 --> 00:10:57,520 Speaker 4: and the shares. You're coming out tuesday, you're gonna need 236 00:10:57,600 --> 00:10:59,960 Speaker 4: a lot of shares, and we can actual hardest to get. 237 00:11:00,360 --> 00:11:00,839 Speaker 2: We can't. 238 00:11:00,880 --> 00:11:04,000 Speaker 3: Actually, I know he's not available now because we have 239 00:11:04,040 --> 00:11:05,599 Speaker 3: to do it so quickly, but we can use a 240 00:11:05,640 --> 00:11:08,439 Speaker 3: lot of footage of him from under the dome maybe. 241 00:11:08,200 --> 00:11:10,199 Speaker 2: Being like stop, like get out of here. 242 00:11:10,760 --> 00:11:13,800 Speaker 5: Oh yeah, or you're you're stuck here, You're. 243 00:11:13,679 --> 00:11:17,400 Speaker 2: Stuck in this dome. That's good on the cook I'm. 244 00:11:17,240 --> 00:11:20,000 Speaker 4: Stuck you're stuck, and a lot of people feel stuck 245 00:11:20,040 --> 00:11:20,319 Speaker 4: and so. 246 00:11:20,280 --> 00:11:22,760 Speaker 5: They don't vote because they think that's good. It doesn't matter. 247 00:11:22,880 --> 00:11:24,560 Speaker 1: We can use that audio we're stuck. 248 00:11:24,720 --> 00:11:25,320 Speaker 5: Yeah, you can. 249 00:11:25,400 --> 00:11:27,640 Speaker 1: Just the dome could double as a voting booth. 250 00:11:27,720 --> 00:11:29,520 Speaker 5: Absolutely, It's just one big voting booth. 251 00:11:29,600 --> 00:11:32,120 Speaker 1: To put my producer hat on for a second, right, 252 00:11:32,200 --> 00:11:34,400 Speaker 1: the dont could absolutely double as a voting booth. 253 00:11:34,480 --> 00:11:36,480 Speaker 4: Can I tell you when you're making videos for the 254 00:11:36,480 --> 00:11:38,360 Speaker 4: Internet and you want to get those hits in those clicks, 255 00:11:38,400 --> 00:11:39,600 Speaker 4: you got to wear all the hats? 256 00:11:39,720 --> 00:11:41,720 Speaker 1: Yeah, thank you. Just that's important. 257 00:11:41,760 --> 00:11:45,360 Speaker 4: You got to wear the writer hat, the performer, hat, composer, 258 00:11:45,400 --> 00:11:48,120 Speaker 4: hat director, hat producer, hat craft services hat. 259 00:11:48,360 --> 00:11:50,120 Speaker 3: Can I say something as we're doing this, I am 260 00:11:50,160 --> 00:11:52,720 Speaker 3: going to have to be lying down for the shoot. 261 00:11:53,520 --> 00:11:55,720 Speaker 3: Can we do There's a trick we could do where 262 00:11:55,760 --> 00:11:59,880 Speaker 3: like we shoot me from an overhead perspective so it 263 00:12:00,040 --> 00:12:01,120 Speaker 3: does look like I'm standing out. 264 00:12:01,200 --> 00:12:03,440 Speaker 5: Those are fun if we get down on ground. 265 00:12:03,880 --> 00:12:05,640 Speaker 1: I wonder if we could make it look like you're 266 00:12:05,679 --> 00:12:07,400 Speaker 1: just like leaning against a wall. 267 00:12:07,800 --> 00:12:09,920 Speaker 3: Can we turn if we elevate? Can we do this 268 00:12:09,960 --> 00:12:12,440 Speaker 3: for you too, where we turn your piano on its side. 269 00:12:12,760 --> 00:12:15,560 Speaker 3: You are kind of lying on the ground on your side, 270 00:12:15,600 --> 00:12:17,800 Speaker 3: but in the seated position and you're playing the piano 271 00:12:17,840 --> 00:12:18,160 Speaker 3: that way. 272 00:12:18,240 --> 00:12:19,800 Speaker 1: I mean, I'm gonna have to lie on my stomach. 273 00:12:19,880 --> 00:12:23,480 Speaker 1: But but it's you know, just because obviously, yeah, I've 274 00:12:23,480 --> 00:12:28,040 Speaker 1: got this thing, so uh, we can do it. I mean, 275 00:12:28,120 --> 00:12:29,760 Speaker 1: we can do it where we match it up. And 276 00:12:29,840 --> 00:12:31,440 Speaker 1: I think what we need to do is create some 277 00:12:31,559 --> 00:12:34,400 Speaker 1: levels off the wall. 278 00:12:34,640 --> 00:12:35,240 Speaker 2: Maybe there's a. 279 00:12:35,160 --> 00:12:37,760 Speaker 1: Really high stool under my stomach and I'm hunched over, 280 00:12:37,840 --> 00:12:39,880 Speaker 1: my hands are playing the piano, and then maybe my 281 00:12:39,920 --> 00:12:42,480 Speaker 1: fear on like a ladder of some kind. 282 00:12:43,040 --> 00:12:44,160 Speaker 4: I don't want to I don't want to put a 283 00:12:44,200 --> 00:12:45,960 Speaker 4: hat on a hat because you are have so many 284 00:12:46,000 --> 00:12:48,040 Speaker 4: great things in this video. But another thing that I've 285 00:12:48,080 --> 00:12:52,080 Speaker 4: seen do really well is modern dance choreography. 286 00:12:52,280 --> 00:12:52,959 Speaker 1: Thank you, Jess. 287 00:12:52,960 --> 00:12:54,040 Speaker 2: Wow, thank you Jess. 288 00:12:54,080 --> 00:12:56,720 Speaker 5: You're welcome. This is just I'm trying to just drop 289 00:12:57,120 --> 00:12:58,800 Speaker 5: you guys. Got it. You have to start shoeing this 290 00:12:58,920 --> 00:13:00,240 Speaker 5: video now. 291 00:13:00,360 --> 00:13:03,760 Speaker 1: Yeah, you know, yesterday, we need it done yesterday. 292 00:13:04,080 --> 00:13:06,720 Speaker 5: Can we get it done yesterday? Please? 293 00:13:07,160 --> 00:13:09,960 Speaker 1: How many times have you heard this in that ding ding? 294 00:13:10,720 --> 00:13:14,880 Speaker 1: Uh huh uh huh No, it's true though, we need 295 00:13:14,880 --> 00:13:17,800 Speaker 1: it done yesterday. And I gotta say, we need it 296 00:13:17,880 --> 00:13:22,400 Speaker 1: to come out today. Ding ding ding ding. Somebody finally 297 00:13:22,520 --> 00:13:27,520 Speaker 1: was correct. So so these are all great elements of 298 00:13:27,600 --> 00:13:31,600 Speaker 1: a voting video, but shouldn't there be more than just 299 00:13:31,600 --> 00:13:32,360 Speaker 1: a voting video? 300 00:13:32,520 --> 00:13:32,679 Speaker 5: Well? 301 00:13:32,880 --> 00:13:35,440 Speaker 3: Yeah, for me, we don't want this to be people 302 00:13:35,480 --> 00:13:38,080 Speaker 3: stop watching it when they're done voting. 303 00:13:38,160 --> 00:13:40,880 Speaker 1: That's true, because it's going to come out ideally only 304 00:13:40,880 --> 00:13:42,480 Speaker 1: a few hours before the election. 305 00:13:42,840 --> 00:13:45,120 Speaker 2: Yeah. And you want this to be winter green. 306 00:13:45,080 --> 00:13:47,880 Speaker 5: Yeah, evergreen spirit. 307 00:13:48,080 --> 00:13:48,839 Speaker 2: That would be great. 308 00:13:48,920 --> 00:13:52,480 Speaker 5: Yeah, great winter all of it, all greens. 309 00:13:52,720 --> 00:13:56,960 Speaker 4: Yeah, okay, great, Yeah, Well I guess well, voting comes 310 00:13:57,040 --> 00:13:59,800 Speaker 4: up every two years at men. 311 00:14:00,960 --> 00:14:03,319 Speaker 5: I mean, okay, so you have that component. 312 00:14:03,559 --> 00:14:06,760 Speaker 4: You know, you could push this for midterms because nothing 313 00:14:06,880 --> 00:14:09,360 Speaker 4: is more is harder to get the vote at the midterms. 314 00:14:09,720 --> 00:14:13,360 Speaker 1: Yeah, I mean we're doing we're doing the quoting stuff. 315 00:14:13,679 --> 00:14:14,760 Speaker 2: Kids hate midterms. 316 00:14:15,480 --> 00:14:19,080 Speaker 1: Oh yeah, so we're like breaking pencils and being like 317 00:14:19,160 --> 00:14:24,040 Speaker 1: I'm not taking any mid terms anymore, right, or going 318 00:14:24,200 --> 00:14:27,760 Speaker 1: like uh wringing. 319 00:14:27,400 --> 00:14:31,400 Speaker 3: The fire alarm, calling in a bomb threat. 320 00:14:31,520 --> 00:14:35,840 Speaker 1: Yes, calling it a bomb threat to the school isis okay? 321 00:14:35,880 --> 00:14:37,920 Speaker 4: Well you know what, Also, you guys could just make 322 00:14:37,960 --> 00:14:40,120 Speaker 4: another video, you know, that's kind of the thing. 323 00:14:40,160 --> 00:14:41,400 Speaker 5: That's the appeal of viral. 324 00:14:41,600 --> 00:14:43,920 Speaker 1: I don't trust us to do that, Okay, I'd rather 325 00:14:44,080 --> 00:14:46,440 Speaker 1: not assume we're going to get it together to make 326 00:14:46,440 --> 00:14:49,080 Speaker 1: a video, just based on how long it took us 327 00:14:49,120 --> 00:14:50,680 Speaker 1: to even think of doing this one. 328 00:14:50,800 --> 00:14:53,080 Speaker 3: Sure, sure, because of feeling I'm going to be so 329 00:14:53,160 --> 00:14:54,160 Speaker 3: tired after this one. 330 00:14:54,200 --> 00:14:56,120 Speaker 4: I'm not gonna yeah, I mean there were there's a 331 00:14:56,120 --> 00:14:57,920 Speaker 4: lot of I do another one. 332 00:14:58,440 --> 00:15:01,160 Speaker 1: I'm gonna be lying down on camera for you know. 333 00:15:01,240 --> 00:15:03,040 Speaker 4: Yeah, it sounds like you've actually almost an hour made 334 00:15:03,080 --> 00:15:04,600 Speaker 4: it pretty relaxing for yourselves. 335 00:15:04,960 --> 00:15:07,800 Speaker 5: But you know, because you could just make more videos. 336 00:15:07,800 --> 00:15:10,040 Speaker 4: That's what's kind of great about them is that they're 337 00:15:10,080 --> 00:15:11,560 Speaker 4: not that much time or commitment. 338 00:15:11,560 --> 00:15:12,760 Speaker 5: You can just kind of churn them out. 339 00:15:13,080 --> 00:15:14,840 Speaker 1: Thank you, Jess. 340 00:15:13,880 --> 00:15:17,400 Speaker 3: I thought what would be great is when you're lying down, 341 00:15:17,440 --> 00:15:19,240 Speaker 3: you should be lying down on a pane of glass. 342 00:15:19,400 --> 00:15:22,560 Speaker 2: We should be shooting you from underneath, from underneath. 343 00:15:23,480 --> 00:15:26,520 Speaker 1: That's interesting, Jess, can we do this ding ding? 344 00:15:28,440 --> 00:15:31,640 Speaker 4: You know? I think like, what's really gonna help you 345 00:15:31,680 --> 00:15:33,840 Speaker 4: get this video out in time is a clear shot list. 346 00:15:33,920 --> 00:15:36,800 Speaker 4: So I think that, yeah, that's a great idea. Shoot 347 00:15:36,800 --> 00:15:42,320 Speaker 4: you from under the underneath, showing your stomach piano, shot cello, 348 00:15:42,360 --> 00:15:45,640 Speaker 4: shot kids in a band. 349 00:15:45,920 --> 00:15:46,960 Speaker 5: I'm stuck. I'm stuck. 350 00:15:47,640 --> 00:15:49,480 Speaker 4: Yeah, I mean this video makes itself, which is why 351 00:15:49,520 --> 00:15:51,280 Speaker 4: I want to encourage you guys to just you could 352 00:15:51,320 --> 00:15:52,480 Speaker 4: just make more videos. 353 00:15:52,520 --> 00:15:55,480 Speaker 1: I gotta say, one thing that really inspires me to 354 00:15:55,480 --> 00:15:57,520 Speaker 1: make a video is when I've seen five or six 355 00:15:57,600 --> 00:16:00,320 Speaker 1: other videos that are popular that are about a certain thing, 356 00:16:00,480 --> 00:16:03,360 Speaker 1: and I don't want to wait to find out what 357 00:16:03,400 --> 00:16:06,640 Speaker 1: else is. Let's do the voting thing and then lump 358 00:16:06,680 --> 00:16:08,760 Speaker 1: in some of our own stuff and maybe something not 359 00:16:08,800 --> 00:16:11,040 Speaker 1: even about voting that's going on right now. 360 00:16:11,240 --> 00:16:12,520 Speaker 2: Yeah, what else would be good? 361 00:16:12,680 --> 00:16:13,720 Speaker 1: Gangno style? 362 00:16:14,240 --> 00:16:17,480 Speaker 3: I mean anything like that, okay, and just the idea 363 00:16:17,520 --> 00:16:19,480 Speaker 3: of like some big event is about to come up 364 00:16:19,520 --> 00:16:21,760 Speaker 3: and where you just like get your popcorn ready, you 365 00:16:21,800 --> 00:16:24,080 Speaker 3: know this popcord. 366 00:16:25,400 --> 00:16:27,400 Speaker 4: Yeah, I mean, you could just make a video that's 367 00:16:27,480 --> 00:16:32,440 Speaker 4: like about how sometimes big things happen that would really 368 00:16:32,440 --> 00:16:34,880 Speaker 4: covers so good, like basically. 369 00:16:34,520 --> 00:16:40,880 Speaker 7: All you're just so good ding ding. Yes, if we 370 00:16:41,080 --> 00:16:44,880 Speaker 7: just vaguely kind of say that big events do take place, 371 00:16:44,960 --> 00:16:48,720 Speaker 7: then we're not we can always because ideally, for me, 372 00:16:48,800 --> 00:16:50,480 Speaker 7: what I'm gonna be able to do is post this 373 00:16:50,600 --> 00:16:53,359 Speaker 7: video again every years. 374 00:16:53,480 --> 00:16:55,960 Speaker 4: You could have posted this for Game seven, you could 375 00:16:56,720 --> 00:16:59,160 Speaker 4: you could post this for Black Friday. Hey, that's just 376 00:16:59,200 --> 00:17:01,200 Speaker 4: a couple of weeks away. You know that's kind of 377 00:17:01,240 --> 00:17:04,080 Speaker 4: a big event. Christmas, New Year's. 378 00:17:04,359 --> 00:17:11,720 Speaker 1: Yeah, yeah, you know Valentine's Day, friend's birthday. Oh yeah, 379 00:17:11,760 --> 00:17:12,480 Speaker 1: my friend's. 380 00:17:12,280 --> 00:17:14,800 Speaker 5: Birth on their wall. You know that's better than just 381 00:17:14,840 --> 00:17:18,720 Speaker 5: a h hbd. Instead, here's a video that we made. 382 00:17:18,920 --> 00:17:20,680 Speaker 1: Videos like your birthday's a big thing. 383 00:17:20,760 --> 00:17:23,879 Speaker 5: Yeah, sometimes big things happen. Get your popcorn ready? 384 00:17:24,160 --> 00:17:28,639 Speaker 1: Does it feel like with Game seven that like maybe 385 00:17:28,640 --> 00:17:34,680 Speaker 1: there is still hope, you know, like, like as dark 386 00:17:34,720 --> 00:17:37,440 Speaker 1: as it's gotten and as much of a dumpster fire 387 00:17:37,480 --> 00:17:40,399 Speaker 1: as twenty sixteen has been, doesn't it feel like maybe 388 00:17:40,400 --> 00:17:43,240 Speaker 1: there's like one positive thing and that's just like the 389 00:17:43,359 --> 00:17:45,359 Speaker 1: ray of light we need to guide us out of 390 00:17:45,400 --> 00:17:45,880 Speaker 1: the tunnel. 391 00:17:46,280 --> 00:17:47,160 Speaker 5: That is how I felt. 392 00:17:47,200 --> 00:17:50,920 Speaker 1: Yeah, it wasn't the Cubs Harry Potter mm hmmm then 393 00:17:51,200 --> 00:17:53,080 Speaker 1: beat up on a Moore spig. 394 00:17:53,359 --> 00:17:56,439 Speaker 4: Yeah, it was sort of like the Cubs. You know 395 00:17:56,800 --> 00:18:00,080 Speaker 4: that Game seven, the Seventh Horror Crux. They needed to 396 00:18:00,119 --> 00:18:03,080 Speaker 4: overcome the horcrooks they didn't know was inside them all along. 397 00:18:03,440 --> 00:18:06,280 Speaker 4: They were willing to sacrifice themselves for the hope of 398 00:18:06,320 --> 00:18:09,760 Speaker 4: the nation, and because they sacrificed themselves that made all 399 00:18:09,760 --> 00:18:11,639 Speaker 4: the difference. They were able to come back to life 400 00:18:12,000 --> 00:18:12,680 Speaker 4: and win. 401 00:18:12,840 --> 00:18:17,840 Speaker 1: And they finally summoned the fires app to smash the. 402 00:18:18,320 --> 00:18:19,720 Speaker 2: You know ogres. 403 00:18:20,920 --> 00:18:25,520 Speaker 3: It's just like, yeah, you aren't finished. You already said 404 00:18:25,560 --> 00:18:27,320 Speaker 3: that you're not finished with the Seventh book at you 405 00:18:27,320 --> 00:18:31,119 Speaker 3: are still reading. Oh, I know for a fact that 406 00:18:30,720 --> 00:18:33,240 Speaker 3: that that that happens after the part you were talking 407 00:18:33,280 --> 00:18:35,240 Speaker 3: about with the spoiler water. 408 00:18:35,720 --> 00:18:36,400 Speaker 5: Oh interesting. 409 00:18:36,480 --> 00:18:40,600 Speaker 4: Yeah, well that's another big event guys season premieres, season 410 00:18:40,680 --> 00:18:42,680 Speaker 4: finalee uh huh. 411 00:18:42,800 --> 00:18:44,919 Speaker 3: This is could be promo for any show. 412 00:18:44,960 --> 00:18:46,640 Speaker 2: That's any show that we're doing. 413 00:18:46,760 --> 00:18:50,920 Speaker 4: Here we go get your popcorn ready West World finale. 414 00:18:51,280 --> 00:18:53,119 Speaker 3: Yeah, and on the video we can just tack on 415 00:18:53,119 --> 00:18:56,399 Speaker 3: one of those little text boxes for whatever the specific 416 00:18:56,640 --> 00:18:57,080 Speaker 3: thing is. 417 00:18:57,280 --> 00:18:58,240 Speaker 5: That's a great way. 418 00:18:58,080 --> 00:19:00,239 Speaker 4: To get your viewers involved if they can do that too, 419 00:19:00,480 --> 00:19:01,920 Speaker 4: you know, edit your own. 420 00:19:02,240 --> 00:19:03,560 Speaker 5: A big event is happening. 421 00:19:03,680 --> 00:19:07,200 Speaker 1: Yeah, if we can annotate the video, things are popping 422 00:19:07,280 --> 00:19:08,840 Speaker 1: up to be like click here if you want to 423 00:19:08,880 --> 00:19:11,760 Speaker 1: learn more about Yeah, and then we'll just have like anything, 424 00:19:11,800 --> 00:19:13,119 Speaker 1: we just keep changing that. 425 00:19:13,200 --> 00:19:17,440 Speaker 3: I see a whirl where this is every commercial. Wow, right, 426 00:19:17,480 --> 00:19:18,440 Speaker 3: I want to live in that world. 427 00:19:18,720 --> 00:19:22,800 Speaker 4: Yeah, get your popcorn ready, Guyico saves you fifteen more. 428 00:19:22,880 --> 00:19:26,000 Speaker 1: Yes, please get your popcorn. And also we'll be sitting 429 00:19:26,040 --> 00:19:27,080 Speaker 1: here sipping tea. 430 00:19:27,560 --> 00:19:28,719 Speaker 5: What kind of tea I need to know? 431 00:19:28,920 --> 00:19:31,320 Speaker 2: Oh, Kermit's Kermit's favorite? 432 00:19:31,920 --> 00:19:32,800 Speaker 5: Oh, very good. 433 00:19:32,920 --> 00:19:37,320 Speaker 1: Yeah, and just watching because I'm above the fray. Everyone 434 00:19:37,359 --> 00:19:39,800 Speaker 1: else is all stupid and caught up in this shit, 435 00:19:40,240 --> 00:19:43,120 Speaker 1: but I'm kind of like, got the bird's eye view. 436 00:19:43,240 --> 00:19:45,000 Speaker 2: I got the best seed in the house. Jess. 437 00:19:45,240 --> 00:19:49,000 Speaker 4: Whoa, Now you're talking bird's eye view, best seed in 438 00:19:49,040 --> 00:19:51,359 Speaker 4: the house. What do bird seed that we don't see? 439 00:19:51,400 --> 00:19:52,960 Speaker 4: I think that could be your chorus seed? 440 00:19:53,960 --> 00:19:56,600 Speaker 5: That too? What do birds? 441 00:19:57,480 --> 00:19:59,960 Speaker 4: Sure? Okay, now you're just saying other bird things bird seed? 442 00:20:00,040 --> 00:20:03,960 Speaker 1: We're beak to see their beak from just they can 443 00:20:04,000 --> 00:20:04,800 Speaker 1: see part of it. 444 00:20:04,920 --> 00:20:06,800 Speaker 4: Yeah. I just I feel like sometimes like it's great 445 00:20:06,840 --> 00:20:11,399 Speaker 4: to brainstorm and go go wide and now, yeah, I 446 00:20:11,440 --> 00:20:13,760 Speaker 4: feel like you're kind of unraveling a lot of the 447 00:20:13,840 --> 00:20:14,240 Speaker 4: good work. 448 00:20:14,280 --> 00:20:16,440 Speaker 1: We didn't the eggs oh. 449 00:20:16,359 --> 00:20:19,680 Speaker 4: Okay, not yeah, just further and further away under them 450 00:20:19,760 --> 00:20:20,600 Speaker 4: eggs under them? 451 00:20:20,760 --> 00:20:24,680 Speaker 1: Oh no, okay, cancel the eggs right eighty six? 452 00:20:24,760 --> 00:20:26,360 Speaker 5: The eggs back ding ding. 453 00:20:26,840 --> 00:20:30,000 Speaker 4: Let's let's walk it back to that was really great. 454 00:20:30,200 --> 00:20:31,879 Speaker 4: You know, you want your chorus to be sort of 455 00:20:31,880 --> 00:20:34,800 Speaker 4: the thesis of your song. That's the catchy part, that's 456 00:20:34,840 --> 00:20:38,080 Speaker 4: your umbop, as we say in the biziness, Ah, what's. 457 00:20:37,880 --> 00:20:41,560 Speaker 3: My what's your sop of this song? So it's me, 458 00:20:41,840 --> 00:20:46,960 Speaker 3: it's my little twin brother. We're playing the song that 459 00:20:47,280 --> 00:20:49,560 Speaker 3: is in the garage, I guess, and he wants to 460 00:20:49,600 --> 00:20:51,119 Speaker 3: get out because it is going to have to be 461 00:20:51,119 --> 00:20:53,920 Speaker 3: like I'm stuck, let me out a kind of is 462 00:20:53,960 --> 00:20:57,879 Speaker 3: what we have? Yeah, yeah, because I guess the music's 463 00:20:57,880 --> 00:20:59,639 Speaker 3: too loud is what we're supposed to get from that. 464 00:21:00,520 --> 00:21:03,680 Speaker 1: It's so loud because but it's me. We're thinking about 465 00:21:03,840 --> 00:21:07,040 Speaker 1: telling the adult. 466 00:21:06,080 --> 00:21:09,600 Speaker 3: You you gotta get out of here if you're gonna 467 00:21:09,760 --> 00:21:11,760 Speaker 3: only you can get out if you are going to. 468 00:21:12,400 --> 00:21:15,840 Speaker 1: Vote, yeah, or you're gonna stay stuck unless you vote yes. 469 00:21:16,720 --> 00:21:21,760 Speaker 1: But also like or whatever, like who cares, right, because 470 00:21:21,760 --> 00:21:23,840 Speaker 1: it's where we don't really care. Is to say that 471 00:21:23,960 --> 00:21:24,640 Speaker 1: voting is gay. 472 00:21:25,400 --> 00:21:28,080 Speaker 5: Is that No, I wouldn't do that. I would like that. 473 00:21:28,080 --> 00:21:28,560 Speaker 5: That would be a. 474 00:21:28,560 --> 00:21:31,879 Speaker 1: Hard not because I for everything I'm hearing, that's good. 475 00:21:32,080 --> 00:21:33,520 Speaker 5: No, no, unless you have. 476 00:21:34,000 --> 00:21:35,000 Speaker 2: And I love those guys. 477 00:21:35,000 --> 00:21:37,600 Speaker 1: So for me to say and this is dangerous for you, Jess, 478 00:21:37,640 --> 00:21:39,280 Speaker 1: because we're actually that's pretty good. 479 00:21:39,359 --> 00:21:40,359 Speaker 2: Everyone is loving this. 480 00:21:40,400 --> 00:21:42,280 Speaker 1: We actually really like those guys. 481 00:21:42,359 --> 00:21:43,600 Speaker 5: Yeah, no, no, I'm. 482 00:21:43,440 --> 00:21:46,359 Speaker 3: Getting to a place where I'm like, like, these guys 483 00:21:46,359 --> 00:21:49,399 Speaker 3: are almost becoming of my friends. Oh and so I 484 00:21:49,440 --> 00:21:52,280 Speaker 3: understand they're hilarious. There used to be a time for 485 00:21:52,320 --> 00:21:53,520 Speaker 3: me when I was like, I don't know about this, 486 00:21:53,600 --> 00:21:55,359 Speaker 3: and I don't know if that's where you are coming from. 487 00:21:56,480 --> 00:21:58,880 Speaker 2: Actually this stuff is really good. 488 00:21:58,960 --> 00:22:01,320 Speaker 1: We do know about this. Verdicts in these guys are 489 00:22:01,359 --> 00:22:02,719 Speaker 1: actually really funny, right. 490 00:22:02,920 --> 00:22:05,240 Speaker 4: I think just putting the word actually makes it seem 491 00:22:05,280 --> 00:22:07,280 Speaker 4: like you still have a ways to go, you definitely. 492 00:22:07,320 --> 00:22:10,880 Speaker 4: And also just the sweeping days are just dangerous. 493 00:22:10,920 --> 00:22:13,359 Speaker 3: So you don't think it's actually the way that this 494 00:22:13,560 --> 00:22:14,200 Speaker 3: is that they're good. 495 00:22:14,280 --> 00:22:16,400 Speaker 1: You think you think it's like a theory. 496 00:22:16,720 --> 00:22:19,159 Speaker 4: Yeah, it actually implies that you're surprised, like, hey, this 497 00:22:19,240 --> 00:22:20,159 Speaker 4: really took me by surprise. 498 00:22:20,200 --> 00:22:21,760 Speaker 5: They're actually cool rather than obvious. 499 00:22:21,880 --> 00:22:25,840 Speaker 3: Actually means like this is for real, it's actually really Yeah, 500 00:22:25,840 --> 00:22:27,479 Speaker 3: we could say factually. 501 00:22:27,119 --> 00:22:31,320 Speaker 4: Okay, that would be helpful. Yeah, that's a step. 502 00:22:31,600 --> 00:22:33,040 Speaker 1: Actually, we love these guys. 503 00:22:33,160 --> 00:22:35,520 Speaker 5: Yeah, that's great. I'll take that as a that's a 504 00:22:35,520 --> 00:22:36,600 Speaker 5: productive step. I think. 505 00:22:36,720 --> 00:22:39,040 Speaker 4: Yeah, well, I think you could say voting is gay 506 00:22:39,080 --> 00:22:40,960 Speaker 4: if you had a bad character say it that way. 507 00:22:41,000 --> 00:22:42,960 Speaker 5: We understand, see I don't. 508 00:22:43,880 --> 00:22:47,439 Speaker 1: I seem to not get that where we are the 509 00:22:47,480 --> 00:22:53,240 Speaker 1: same side as these guys. So the bad character you 510 00:22:53,280 --> 00:22:58,840 Speaker 1: would call the volgemort uh, we wouldn't want him to 511 00:22:58,880 --> 00:22:59,879 Speaker 1: be friends with those guys. 512 00:23:00,440 --> 00:23:05,480 Speaker 4: Yeah, I'm saying that friends don't use gay as a pejorative. 513 00:23:06,240 --> 00:23:10,040 Speaker 1: Oh no, we're saying we love it. What we're telling 514 00:23:10,240 --> 00:23:14,040 Speaker 1: you is we think voting. We like voting so much 515 00:23:14,119 --> 00:23:15,280 Speaker 1: it's practically gay. 516 00:23:15,600 --> 00:23:20,800 Speaker 4: Oh um, Yeah, that could work. 517 00:23:20,920 --> 00:23:22,120 Speaker 5: I just think you're making. 518 00:23:22,080 --> 00:23:23,120 Speaker 1: Can I get a ding ding? 519 00:23:23,440 --> 00:23:24,960 Speaker 5: I'm not gonna give you a ding ding? 520 00:23:25,000 --> 00:23:25,359 Speaker 4: I can't. 521 00:23:25,480 --> 00:23:25,960 Speaker 5: I can't. 522 00:23:26,000 --> 00:23:28,760 Speaker 4: I want to, you know, I'm here wanting to hand 523 00:23:28,800 --> 00:23:30,280 Speaker 4: out ding ding's, but I can't. 524 00:23:30,560 --> 00:23:32,080 Speaker 5: I think that's going to muddle your message. 525 00:23:32,200 --> 00:23:33,959 Speaker 1: Is it okay for me to say as long as 526 00:23:34,000 --> 00:23:36,919 Speaker 1: we're in this area, Yes, muggle the message. That's very funny. 527 00:23:37,080 --> 00:23:38,280 Speaker 1: Is it okay for me to say something we're in 528 00:23:38,280 --> 00:23:41,360 Speaker 1: the area, Can a brother get a ding ding? Can 529 00:23:41,400 --> 00:23:43,680 Speaker 1: I say that? Because I'm here with my little baby 530 00:23:43,680 --> 00:23:44,160 Speaker 1: twin brother. 531 00:23:44,359 --> 00:23:47,959 Speaker 4: Yeah, yeah, well, you know, I think, like definitely, especially 532 00:23:47,960 --> 00:23:51,040 Speaker 4: when you get into a political video, especially like go 533 00:23:51,119 --> 00:23:52,800 Speaker 4: back to what you first said, you really don't want 534 00:23:52,800 --> 00:23:55,320 Speaker 4: to take any side in this video because you want 535 00:23:55,359 --> 00:23:57,520 Speaker 4: to make sure you come off as right. So I 536 00:23:57,520 --> 00:24:01,439 Speaker 4: would make sure to not any feathers with anything that 537 00:24:01,480 --> 00:24:03,000 Speaker 4: could be perceived as appropriation. 538 00:24:03,280 --> 00:24:08,199 Speaker 1: Yeah, yeah, right right, Okay, just you know, yeah, okay, 539 00:24:08,280 --> 00:24:10,040 Speaker 1: this is good. This is all helpful. Cody, have you 540 00:24:10,040 --> 00:24:12,199 Speaker 1: written down all of our ideas so far? Could you 541 00:24:12,240 --> 00:24:13,920 Speaker 1: just read back quickly what we have for the song 542 00:24:14,000 --> 00:24:24,119 Speaker 1: so far? Good morning. Now, So Cody's heroes, Robin Williams, 543 00:24:25,200 --> 00:24:27,960 Speaker 1: we haven't told them what happened yet, but he's been 544 00:24:28,080 --> 00:24:31,479 Speaker 1: sort of going through the catalog and cycling through. He 545 00:24:31,600 --> 00:24:34,600 Speaker 1: was when he came in, he wasn't doing like you 546 00:24:34,680 --> 00:24:37,239 Speaker 1: got a friend like me. It was like, yeah, so 547 00:24:37,880 --> 00:24:40,200 Speaker 1: I'm not surprised to hear this out of him. 548 00:24:40,359 --> 00:24:43,040 Speaker 3: And today he's watching Man of the Year, which is 549 00:24:43,080 --> 00:24:45,000 Speaker 3: sort of like a politics movie. 550 00:24:45,160 --> 00:24:48,639 Speaker 1: Yeah, and I shudder to think what happens when he 551 00:24:48,680 --> 00:24:50,600 Speaker 1: watches one hour photo shutter as to me. 552 00:24:50,640 --> 00:24:51,800 Speaker 5: Means very good. 553 00:24:52,400 --> 00:24:56,760 Speaker 1: Yes, yes, finally this is Kevin. This is Kevin, He's 554 00:24:56,760 --> 00:24:58,879 Speaker 1: going to take photos of you, Kevin, trying not to 555 00:24:58,880 --> 00:25:02,240 Speaker 1: do it in a creepy way. You know what I mean? 556 00:25:02,840 --> 00:25:07,439 Speaker 1: This is a friend of ours. Yeah, Hey, this is 557 00:25:07,440 --> 00:25:09,760 Speaker 1: what I'm about to do. Hey, you know what I mean. 558 00:25:09,960 --> 00:25:12,360 Speaker 1: I'm taking a photo. It's like an official professional thing. 559 00:25:12,440 --> 00:25:16,640 Speaker 1: It's not my personal collection. Yeah, sorry for a couple 560 00:25:17,440 --> 00:25:19,000 Speaker 1: this way, you know. 561 00:25:21,480 --> 00:25:22,119 Speaker 2: That's off. 562 00:25:23,440 --> 00:25:25,920 Speaker 1: He talked into a dead mic. Sorry I'll be quick. 563 00:25:26,560 --> 00:25:29,320 Speaker 3: Yeah, something like and even longer than that would be 564 00:25:29,400 --> 00:25:32,240 Speaker 3: great because, like, imagine you approach someone on the street 565 00:25:32,280 --> 00:25:34,000 Speaker 3: and you start taking their picture and you say. 566 00:25:33,840 --> 00:25:35,040 Speaker 2: Sorry, I'll be quick. 567 00:25:36,160 --> 00:25:39,800 Speaker 1: Yeah. It makes it feel just because I know that 568 00:25:39,960 --> 00:25:43,080 Speaker 1: is sort of a sexual reframe for you. It makes 569 00:25:43,119 --> 00:25:46,399 Speaker 1: it feel like you are in some ways taking professional 570 00:25:46,440 --> 00:25:50,240 Speaker 1: relationship and making it, you don't know, physically nefarious. You 571 00:25:50,240 --> 00:25:51,919 Speaker 1: were not very nice here when you walked in, so 572 00:25:52,000 --> 00:25:53,399 Speaker 1: this is kind of a great chance for you to 573 00:25:53,400 --> 00:25:55,600 Speaker 1: make a good first impression. So what would you do 574 00:25:55,680 --> 00:25:58,479 Speaker 1: if you're just like approaching basically a stranger like Jesses, 575 00:25:58,480 --> 00:26:02,000 Speaker 1: and you're you want to take uh, it's a creepshot. 576 00:26:02,040 --> 00:26:06,000 Speaker 1: You're funny and smart and nice. Hey, Jess, I'm Kevin. 577 00:26:06,040 --> 00:26:07,720 Speaker 5: I was wondering if I could take a quick photo 578 00:26:07,760 --> 00:26:09,240 Speaker 5: of you for the website. 579 00:26:09,280 --> 00:26:10,640 Speaker 1: That's gonna look great. 580 00:26:12,720 --> 00:26:16,359 Speaker 4: Yeah, thanks, thanks Kevin. That was really nice. Thank you 581 00:26:16,440 --> 00:26:17,720 Speaker 4: for Temmy. It's gonna look great. 582 00:26:18,800 --> 00:26:22,639 Speaker 1: Thanks. Wow, this feels so much better. 583 00:26:22,640 --> 00:26:24,840 Speaker 2: It's really nice, Kevin. That's very sweet. 584 00:26:24,920 --> 00:26:28,200 Speaker 1: Kevin. That really I didn't think you had it in yet. 585 00:26:28,280 --> 00:26:29,719 Speaker 2: It makes me think that you've done that. 586 00:26:29,760 --> 00:26:33,439 Speaker 3: You've had a lot of these conversations on the street 587 00:26:34,640 --> 00:26:36,280 Speaker 3: because you actually are very good at it. 588 00:26:37,600 --> 00:26:44,800 Speaker 1: I haven't all right, here we go, Okay. 589 00:26:45,920 --> 00:26:47,920 Speaker 4: I've seen some of these photos and it's it really 590 00:26:47,960 --> 00:26:50,560 Speaker 4: is supposed to be flying the wall. And now I 591 00:26:50,600 --> 00:26:53,239 Speaker 4: fear that we've really called out Kevin so much, like 592 00:26:53,520 --> 00:26:55,479 Speaker 4: I don't know if I can make this a candid Oh, 593 00:26:55,520 --> 00:26:57,760 Speaker 4: you just caught us recording just as a bunch of 594 00:26:58,000 --> 00:27:00,440 Speaker 4: as a bunch of pals, you know. Now, I'm really 595 00:27:00,480 --> 00:27:03,000 Speaker 4: I'm aware of the lens in a way that I 596 00:27:03,040 --> 00:27:05,400 Speaker 4: think has sort of broken the fourth wall of these photos. 597 00:27:05,560 --> 00:27:09,320 Speaker 1: Our show is about transparency, or translucency rather in large part, 598 00:27:09,480 --> 00:27:14,600 Speaker 1: and we don't want to be pretent. There's some artifice 599 00:27:14,600 --> 00:27:16,280 Speaker 1: in all these shows where people are going like, oh, 600 00:27:16,280 --> 00:27:18,360 Speaker 1: they just happened to have a camera and caught us. 601 00:27:18,400 --> 00:27:20,879 Speaker 1: It's like, no, it's a publicity event. 602 00:27:21,080 --> 00:27:24,159 Speaker 4: Yeah, do you know what I think being translucent in 603 00:27:24,200 --> 00:27:27,440 Speaker 4: your art that's really important. 604 00:27:27,720 --> 00:27:29,560 Speaker 5: I'm going to give you. That's the biggest ding ding 605 00:27:29,600 --> 00:27:30,000 Speaker 5: of the day. 606 00:27:30,040 --> 00:27:32,480 Speaker 3: And speaking of which, as we're you know, you're lying 607 00:27:32,520 --> 00:27:36,600 Speaker 3: on this pane of glass to do the video, we 608 00:27:36,680 --> 00:27:42,200 Speaker 3: could actually be drawing a handsomer face on the pane 609 00:27:42,200 --> 00:27:42,719 Speaker 3: of glass. 610 00:27:42,760 --> 00:27:44,320 Speaker 2: That wouldn't that be good? 611 00:27:44,720 --> 00:27:45,000 Speaker 4: Yes? 612 00:27:46,600 --> 00:27:51,720 Speaker 1: Yeah, I've been somewhat pigeonholed by the current face I have. 613 00:27:55,560 --> 00:27:58,119 Speaker 1: I can only play certain roles guys who have a 614 00:27:58,520 --> 00:28:00,800 Speaker 1: face that's messed up. 615 00:28:00,920 --> 00:28:02,800 Speaker 2: Yeah, it should definitely be a lot bigger. 616 00:28:03,160 --> 00:28:06,439 Speaker 1: Oh god, it's gonna have to fit my head for 617 00:28:06,520 --> 00:28:09,320 Speaker 1: people who haven't seen me. And Earwolf does a nice 618 00:28:09,400 --> 00:28:11,600 Speaker 1: job of sort of altering the photos. 619 00:28:11,240 --> 00:28:13,480 Speaker 2: And striving a very long lens so. 620 00:28:13,440 --> 00:28:14,360 Speaker 1: That it fits my head. 621 00:28:14,440 --> 00:28:17,000 Speaker 5: Kevin did say they would look great, yes. 622 00:28:16,880 --> 00:28:18,800 Speaker 1: And he's found an angle where you can make my 623 00:28:18,840 --> 00:28:20,800 Speaker 1: face look like it fits on my head. But if 624 00:28:20,840 --> 00:28:23,040 Speaker 1: you've met me in person, I have a little tiny 625 00:28:23,080 --> 00:28:25,120 Speaker 1: sort of pin of a face on. 626 00:28:25,160 --> 00:28:27,840 Speaker 3: A big, wide sort of bottle cap and it's not 627 00:28:28,359 --> 00:28:32,760 Speaker 3: centered no, no, uh. 628 00:28:32,200 --> 00:28:34,000 Speaker 5: Lower left, I would say, yeah. 629 00:28:33,960 --> 00:28:38,280 Speaker 1: Yeah, yeah, it's all sort of it's focused around the chin. 630 00:28:38,560 --> 00:28:41,880 Speaker 2: It's lower left right now because he is sit gravity. 631 00:28:41,520 --> 00:28:44,840 Speaker 1: Is pulling it down there. It moves, Yes, when I sneeze, 632 00:28:44,840 --> 00:28:49,200 Speaker 1: it shoots up to the top and then I will 633 00:28:49,520 --> 00:28:52,160 Speaker 1: have to sort of work it back down. So can 634 00:28:52,520 --> 00:28:53,040 Speaker 1: some tools? 635 00:28:53,080 --> 00:28:55,360 Speaker 5: Can you if it's that malleable, can you shake it 636 00:28:55,400 --> 00:28:55,960 Speaker 5: to the middle. 637 00:28:56,880 --> 00:29:01,240 Speaker 1: Uh, it's not really something I can use to move Okay, 638 00:29:01,640 --> 00:29:03,280 Speaker 1: I mean I could work it back down with tools, 639 00:29:03,320 --> 00:29:04,920 Speaker 1: just because there's sort of a track that it's on 640 00:29:05,000 --> 00:29:07,120 Speaker 1: from lower left to top of my head. But in 641 00:29:07,200 --> 00:29:11,680 Speaker 1: terms of getting it into the middle, there's something blocking it. 642 00:29:11,760 --> 00:29:13,360 Speaker 1: And I've had a lot of doctors look at it 643 00:29:13,400 --> 00:29:15,840 Speaker 1: and they don't know what the material is that's in there. 644 00:29:16,440 --> 00:29:19,479 Speaker 4: Maybe it's like when people have a deviated septum and 645 00:29:19,520 --> 00:29:21,960 Speaker 4: they get a an oh, they have a noseeshep because 646 00:29:21,960 --> 00:29:24,440 Speaker 4: they just had oh I had a deviated septum. Yeah, 647 00:29:24,480 --> 00:29:26,680 Speaker 4: you could maybe have just a little worked well. 648 00:29:26,720 --> 00:29:28,880 Speaker 1: I wish it was as simple as a deviated septum, 649 00:29:28,920 --> 00:29:32,680 Speaker 1: where people know what that is and the medical community 650 00:29:32,680 --> 00:29:35,520 Speaker 1: has encountered it because that there's a fixed floor, but 651 00:29:35,640 --> 00:29:39,520 Speaker 1: with this because it is new, sure, which I'm proud of. 652 00:29:39,680 --> 00:29:40,880 Speaker 5: Yeah, that's exciting, you know. 653 00:29:41,560 --> 00:29:44,640 Speaker 3: And he has experimented with things like this, getting the 654 00:29:44,720 --> 00:29:46,680 Speaker 3: new nose and things like that, but the nose that 655 00:29:46,720 --> 00:29:49,000 Speaker 3: they put on mostly ends up covering his whole. 656 00:29:48,960 --> 00:29:50,600 Speaker 2: Right face, so he can right anymore. 657 00:29:50,680 --> 00:29:52,360 Speaker 4: Yeah, I guess I was more so speaking like that 658 00:29:52,400 --> 00:29:55,080 Speaker 4: could be your translucent thing you say to the world 659 00:29:55,360 --> 00:29:58,800 Speaker 4: if you were to undergo a full face transplant so massive. 660 00:29:59,000 --> 00:30:01,120 Speaker 4: You know, it's important in this to never admit that 661 00:30:01,160 --> 00:30:04,840 Speaker 4: you had work done, because you know, we want our 662 00:30:04,920 --> 00:30:07,360 Speaker 4: not only our videos, but our faces to be winter green. 663 00:30:07,640 --> 00:30:10,719 Speaker 4: So you want to have that great sort of translucent 664 00:30:10,760 --> 00:30:13,080 Speaker 4: half truth of you know what, I did get work done. 665 00:30:13,120 --> 00:30:16,479 Speaker 4: I'm not ashamed I had a deviated septum when really, 666 00:30:16,520 --> 00:30:19,440 Speaker 4: in reality, you will have had a full face transplant. 667 00:30:19,520 --> 00:30:20,440 Speaker 1: Contai you did that? 668 00:30:20,560 --> 00:30:22,120 Speaker 2: Yeah, what kind of what kind of surgery are you? 669 00:30:23,520 --> 00:30:27,800 Speaker 4: Thank you so much for not noticing slash noticing I 670 00:30:27,840 --> 00:30:32,520 Speaker 4: have had nothing, Oh my gosh, nothing cosmetic, you know, 671 00:30:33,120 --> 00:30:36,280 Speaker 4: because it's important, especially as a woman, to be a 672 00:30:36,320 --> 00:30:41,400 Speaker 4: good role model for good healthy body image, and it's so. 673 00:30:41,720 --> 00:30:42,600 Speaker 1: To want to look nice. 674 00:30:42,640 --> 00:30:44,760 Speaker 3: I do, yes, Yes, I have a similar thing where 675 00:30:44,800 --> 00:30:48,040 Speaker 3: if I am considering some kind of cosmetic surgery, I 676 00:30:48,080 --> 00:30:51,560 Speaker 3: will get in a car accident and get like necessary, 677 00:30:52,560 --> 00:30:52,960 Speaker 3: it's all. 678 00:30:52,880 --> 00:30:53,920 Speaker 1: Going to bed. 679 00:30:54,120 --> 00:31:00,440 Speaker 4: Yes, I I purposefully or not purposefully, had an accent 680 00:31:00,440 --> 00:31:04,760 Speaker 4: while cooking a blue apron, and I had a significant oil. 681 00:31:04,520 --> 00:31:06,280 Speaker 2: Because it was too delicious. 682 00:31:06,800 --> 00:31:08,600 Speaker 1: Oh my goodness, yes. 683 00:31:08,320 --> 00:31:11,200 Speaker 5: Oh blue apron. What a great way to have a healthy, 684 00:31:11,400 --> 00:31:12,240 Speaker 5: easy meal. 685 00:31:13,000 --> 00:31:20,680 Speaker 1: Yeah, blue apron? Yeah, hello fresh and please yes, goodbye 686 00:31:20,720 --> 00:31:24,040 Speaker 1: fresh and hello blue apron which is also fresh. Yeah yeah, 687 00:31:25,680 --> 00:31:30,320 Speaker 1: cyanara fresh. Yeah, well that becomes like sort of that 688 00:31:30,880 --> 00:31:34,640 Speaker 1: Asian Okay, so that's something we've been flagged for in 689 00:31:34,680 --> 00:31:38,440 Speaker 1: the past. Sorry, yeah, you talked about it. 690 00:31:38,440 --> 00:31:39,080 Speaker 2: The food is that. 691 00:31:39,200 --> 00:31:41,000 Speaker 3: I know. I don't get it either, because the food 692 00:31:41,120 --> 00:31:44,400 Speaker 3: is that. How can the food is allowed to be Asian? 693 00:31:44,400 --> 00:31:47,920 Speaker 3: But I'm not that's tricky, I can say. You get confused. 694 00:31:48,000 --> 00:31:50,720 Speaker 4: Yeah, well, just you know, we can enjoy the food 695 00:31:50,760 --> 00:31:52,880 Speaker 4: from other cultures, but that doesn't change what culture you are. 696 00:31:52,960 --> 00:31:55,640 Speaker 1: But if I'm describing a stir fry, why wouldn't I 697 00:31:55,680 --> 00:31:58,680 Speaker 1: talk like what I envisioned the stir fry to sound like? 698 00:31:59,000 --> 00:32:02,600 Speaker 5: Well, I think it's probably not necessary, right, you. 699 00:32:02,520 --> 00:32:05,920 Speaker 1: Could you and you were just doing this and just 700 00:32:06,120 --> 00:32:09,600 Speaker 1: I think these guys are really funny and really cool. 701 00:32:09,760 --> 00:32:13,320 Speaker 4: Yeah again, I think it's just so dangerous to ever 702 00:32:13,480 --> 00:32:15,720 Speaker 4: forto a group by they are those guys, you know, 703 00:32:15,960 --> 00:32:19,360 Speaker 4: that's just we never want a lump, even as even 704 00:32:19,400 --> 00:32:23,080 Speaker 4: a positive way. Okay, if you can live it, you 705 00:32:23,120 --> 00:32:24,880 Speaker 4: can't even do it in a positive way. 706 00:32:24,960 --> 00:32:28,920 Speaker 3: So we should be we we're so funny and good. 707 00:32:30,280 --> 00:32:31,760 Speaker 5: But you're not part of that group. 708 00:32:31,560 --> 00:32:34,560 Speaker 2: Base, Then why am I supposed to talk to them? 709 00:32:35,040 --> 00:32:37,560 Speaker 4: Just talk to them like people, but just don't don't 710 00:32:37,600 --> 00:32:38,840 Speaker 4: reference yourself as part of that. 711 00:32:39,120 --> 00:32:42,280 Speaker 1: How can I make them a generalized group if I'm 712 00:32:42,280 --> 00:32:48,280 Speaker 1: not allowed to? Oh? Okay, so hard to keep trying. 713 00:32:48,720 --> 00:32:51,800 Speaker 1: I mean, it really is. It feels like every day there's. 714 00:32:51,600 --> 00:32:52,200 Speaker 2: Something new, you know. 715 00:32:52,320 --> 00:32:53,560 Speaker 5: I think that would be a great video for you 716 00:32:53,640 --> 00:32:57,000 Speaker 5: guys to make. Yeah, and just admit you're strung me. 717 00:32:57,120 --> 00:32:59,360 Speaker 3: This will be the same video obviously, but we can 718 00:32:59,440 --> 00:33:00,320 Speaker 3: start of working stuff. 719 00:33:00,480 --> 00:33:01,680 Speaker 1: Yeah, you might as well put it in. 720 00:33:01,920 --> 00:33:04,040 Speaker 4: Yeah, maybe it's a fun bridge where you're like, hey, 721 00:33:04,640 --> 00:33:07,600 Speaker 4: PC culture can be tricky, but ultimately it's a it's 722 00:33:07,640 --> 00:33:08,680 Speaker 4: hard is in the right place. 723 00:33:08,720 --> 00:33:11,080 Speaker 5: It's about growing empathy. 724 00:33:10,640 --> 00:33:12,640 Speaker 3: For other people, right, but also we want to say 725 00:33:12,640 --> 00:33:15,200 Speaker 3: that it's like you know that we do want to 726 00:33:15,240 --> 00:33:17,640 Speaker 3: get that in. Yeah, but also that it's like the 727 00:33:17,680 --> 00:33:21,560 Speaker 3: word police and stuff, but we like the police too. 728 00:33:21,520 --> 00:33:25,040 Speaker 1: And maybe there's something yeah, better that they could spend 729 00:33:25,040 --> 00:33:27,760 Speaker 1: their time on. Yeah, we did kind of interrupt you. 730 00:33:27,800 --> 00:33:29,960 Speaker 1: Will you burn yourself with oil on purpose? 731 00:33:30,160 --> 00:33:31,800 Speaker 5: Yes? So that I could get my lips done. 732 00:33:32,320 --> 00:33:35,400 Speaker 1: Oh and they look lovely. 733 00:33:35,600 --> 00:33:37,120 Speaker 5: Thank you so much, thank you. 734 00:33:38,040 --> 00:33:44,640 Speaker 1: In a friendly way. So for me as a guy 735 00:33:44,680 --> 00:33:49,000 Speaker 1: who has tried to have some face transplants and they 736 00:33:49,120 --> 00:33:53,960 Speaker 1: my body rejected the new face, I'm so sorry. I'm 737 00:33:54,000 --> 00:33:56,600 Speaker 1: hesitant to start injuring myself again. 738 00:33:57,560 --> 00:33:58,000 Speaker 5: Mm hmm. 739 00:33:58,800 --> 00:34:00,720 Speaker 4: It can be scary, and that's why I think you 740 00:34:00,760 --> 00:34:03,080 Speaker 4: want to make sure that you never move past like 741 00:34:03,280 --> 00:34:07,920 Speaker 4: injuries that you know are okay, Like people have kitchen accidents, 742 00:34:08,600 --> 00:34:12,080 Speaker 4: they're fine. Yeah, Like he said, people get in minor 743 00:34:12,160 --> 00:34:15,040 Speaker 4: car accidents and they're you know, maybe you should maybe 744 00:34:15,080 --> 00:34:20,360 Speaker 4: take up mountain biking and whoopsies, I fell off the 745 00:34:20,400 --> 00:34:23,880 Speaker 4: trail a bit because I'm a new mountain biker and 746 00:34:23,920 --> 00:34:26,160 Speaker 4: I went on a trail I wasn't prepared for with 747 00:34:26,320 --> 00:34:29,200 Speaker 4: the wrong type of bike and can you please fix 748 00:34:29,239 --> 00:34:29,600 Speaker 4: my face? 749 00:34:29,960 --> 00:34:32,759 Speaker 1: That's a good story. And I wish sometimes that it 750 00:34:32,880 --> 00:34:36,200 Speaker 1: was okay for me to not have to hurt myself 751 00:34:36,239 --> 00:34:38,200 Speaker 1: to get some kind of corrective surgery and to just 752 00:34:38,280 --> 00:34:43,000 Speaker 1: say I'm a human being. I'm struggling with the idea 753 00:34:43,120 --> 00:34:45,520 Speaker 1: that the way I look is changing and the concept 754 00:34:45,560 --> 00:34:49,040 Speaker 1: of myself is not what I'm seeing in the mirror, 755 00:34:49,200 --> 00:34:52,719 Speaker 1: and I'm fragile and I'm making a choice. Maybe it's 756 00:34:52,719 --> 00:34:55,160 Speaker 1: based on my ego, but it's a personal choice. But 757 00:34:55,200 --> 00:34:56,399 Speaker 1: that's not what you actually think. 758 00:34:56,440 --> 00:34:58,799 Speaker 3: I mean, you're just saying just in case you ever 759 00:34:58,880 --> 00:35:00,480 Speaker 3: think that, but you actually thing that. 760 00:35:00,520 --> 00:35:03,879 Speaker 1: I'm like, no, I cool and yeah, no, I think 761 00:35:03,920 --> 00:35:10,280 Speaker 1: I'm cool. I think i'm uh kind of fresh and hot? 762 00:35:10,600 --> 00:35:11,840 Speaker 5: Yeah, hello fresh? 763 00:35:12,520 --> 00:35:15,600 Speaker 4: Please, I'm sorry, I'm so sorry. 764 00:35:15,600 --> 00:35:17,439 Speaker 1: I'm honestly hanging by a thread. 765 00:35:17,560 --> 00:35:18,160 Speaker 5: I'm so sorry. 766 00:35:18,239 --> 00:35:19,160 Speaker 1: I'm so sorry. 767 00:35:19,880 --> 00:35:22,239 Speaker 4: I'm so sorry. I just I'm so sorry. You just 768 00:35:22,280 --> 00:35:23,839 Speaker 4: are fresh and I wanted to greet you. 769 00:35:24,840 --> 00:35:26,239 Speaker 5: What's up? Fresh? Is that better? 770 00:35:27,640 --> 00:35:30,440 Speaker 3: Isn't that the kind of appropriation that you're are we 771 00:35:30,520 --> 00:35:31,520 Speaker 3: not supposed to do that. 772 00:35:31,640 --> 00:35:33,319 Speaker 1: Kind of doing it? And like what those guys do? 773 00:35:33,560 --> 00:35:37,840 Speaker 1: What are those guys even I know I'm not allowed 774 00:35:37,840 --> 00:35:38,399 Speaker 1: to say it. 775 00:35:39,600 --> 00:35:41,920 Speaker 4: You know, I think what you were saying before, Sean, 776 00:35:42,040 --> 00:35:45,040 Speaker 4: it sounded like you wanted to be transparent about what 777 00:35:45,080 --> 00:35:48,000 Speaker 4: you feel, and we're really aiming for more translucent. 778 00:35:48,280 --> 00:35:49,880 Speaker 5: You know that felt really transparent. 779 00:35:49,960 --> 00:35:52,840 Speaker 4: You just owning, Hey, this is how I feel and 780 00:35:52,880 --> 00:35:55,880 Speaker 4: it is a personal decision. Please don't judge me. That's 781 00:35:56,080 --> 00:36:00,800 Speaker 4: that's very transparent. That's very Emmy Award winning transparent. Hilarious. 782 00:36:01,239 --> 00:36:05,680 Speaker 1: We don't have any music yet, okay, so, uh, Cody, 783 00:36:05,680 --> 00:36:07,239 Speaker 1: what do you have so far for us in terms 784 00:36:07,280 --> 00:36:09,000 Speaker 1: of what we've said the song is going to be. 785 00:36:09,440 --> 00:36:14,520 Speaker 1: You've been recording for thirty eight minutes. Okay, so all right, 786 00:36:14,560 --> 00:36:19,120 Speaker 1: so then let's start getting some We know that there's 787 00:36:19,160 --> 00:36:19,720 Speaker 1: a piano. 788 00:36:21,640 --> 00:36:23,319 Speaker 3: We can do them kind of separately, but if we 789 00:36:23,360 --> 00:36:26,319 Speaker 3: can just lay down these kind of tracks one by one, 790 00:36:27,520 --> 00:36:28,160 Speaker 3: just getting. 791 00:36:29,840 --> 00:36:36,000 Speaker 1: You're on the theraffin, that's right, I'm on the piano, so. 792 00:36:36,360 --> 00:36:39,080 Speaker 4: And you can have other instruments that aren't depicted. You 793 00:36:39,080 --> 00:36:44,399 Speaker 4: know people do that all the time. WHOA you brought me? 794 00:36:44,640 --> 00:36:47,239 Speaker 4: You brought me here for my help? Do you not 795 00:36:47,400 --> 00:36:48,160 Speaker 4: want it anymore? 796 00:36:48,400 --> 00:36:52,719 Speaker 1: I was almost coming up with a killer riff never mind, 797 00:36:52,760 --> 00:36:53,680 Speaker 1: I'm sorry. 798 00:36:53,960 --> 00:36:55,160 Speaker 2: Yeah, that's on both of you. 799 00:36:55,239 --> 00:36:56,640 Speaker 3: I think I'm sorry. 800 00:36:56,719 --> 00:37:00,520 Speaker 1: Let me think because please please shushes what we should 801 00:37:00,560 --> 00:37:04,120 Speaker 1: be yes saying in the future, Please please shush now 802 00:37:04,560 --> 00:37:09,280 Speaker 1: we so okay, So I'm based on the circle of fifths. Yeah, sure, 803 00:37:10,640 --> 00:37:16,440 Speaker 1: what I want to do is plink a tink tink. 804 00:37:18,560 --> 00:37:21,120 Speaker 2: Plung and that's the low note. 805 00:37:21,320 --> 00:37:23,719 Speaker 1: So we've got that in place, and that's going to 806 00:37:23,800 --> 00:37:25,880 Speaker 1: go under like, help, I'm stuck. 807 00:37:26,360 --> 00:37:26,960 Speaker 2: I'm stuck. 808 00:37:29,040 --> 00:37:33,840 Speaker 5: You know you could also you could auto tune Norris 809 00:37:34,320 --> 00:37:35,000 Speaker 5: help am I. 810 00:37:36,840 --> 00:37:41,239 Speaker 4: You know what you know, kind of get into some 811 00:37:41,320 --> 00:37:42,200 Speaker 4: of that tea paane. 812 00:37:43,400 --> 00:37:44,040 Speaker 5: That's helpful. 813 00:37:44,160 --> 00:37:47,680 Speaker 4: It's a really good idea, sort of that auto tune 814 00:37:47,719 --> 00:37:51,040 Speaker 4: the news, you know, that sort of bleeding edge of 815 00:37:51,080 --> 00:37:52,040 Speaker 4: that whole idea. 816 00:37:52,160 --> 00:37:54,120 Speaker 1: Okay, So I'm on a pane of glass. We're filming 817 00:37:54,120 --> 00:37:57,080 Speaker 1: me from underneath. My twin brother's behind me on the theorafin. 818 00:37:57,320 --> 00:37:59,280 Speaker 1: I'm tinkling on the piano plink tink tank. 819 00:37:59,239 --> 00:38:07,480 Speaker 3: Palm, only doing the Jaws theme, but slightly yeah, but 820 00:38:07,520 --> 00:38:10,320 Speaker 3: it's a little Yeah, it doesn't sound that much like Jaws. 821 00:38:10,400 --> 00:38:14,800 Speaker 2: Wah wow, wah went wah. 822 00:38:18,239 --> 00:38:19,279 Speaker 5: Is that the Jaws theme? 823 00:38:19,800 --> 00:38:20,480 Speaker 2: That's what we want. 824 00:38:21,200 --> 00:38:22,760 Speaker 5: It is now that you say it, Yes. 825 00:38:25,239 --> 00:38:29,239 Speaker 1: We probably want some kind of rhythm section. Do you 826 00:38:29,400 --> 00:38:33,520 Speaker 1: play the ash can or maybe the drowns? 827 00:38:34,280 --> 00:38:36,880 Speaker 4: Just I could give you a basic on a stomp, 828 00:38:38,000 --> 00:38:41,960 Speaker 4: a big push broom and a trash can lit because 829 00:38:41,960 --> 00:38:44,360 Speaker 4: you know this year is dumpster fire. So that's just 830 00:38:44,480 --> 00:38:48,640 Speaker 4: some symbolism, dude, dude, just some symbolism to work in. 831 00:38:49,400 --> 00:38:51,719 Speaker 5: And I could give you a classic, like. 832 00:38:56,680 --> 00:38:58,840 Speaker 3: We could have an effect here that's so good where 833 00:38:58,920 --> 00:39:00,920 Speaker 3: if you're out with a broom at the beginning and 834 00:39:00,960 --> 00:39:01,680 Speaker 3: people are watching and. 835 00:39:01,719 --> 00:39:04,960 Speaker 2: Thinking like, oh, is this dude just cleaning. 836 00:39:04,640 --> 00:39:07,160 Speaker 5: The but really, idiot, you know what I'm doing. 837 00:39:08,080 --> 00:39:11,839 Speaker 4: I'm sweeping up the garbage from this year, and I'm 838 00:39:11,880 --> 00:39:14,640 Speaker 4: sweeping it up with my vote, and I'm pushing. 839 00:39:14,280 --> 00:39:17,360 Speaker 1: It in the White House. 840 00:39:19,840 --> 00:39:22,640 Speaker 4: Gosh, I hope not. I hope we're not sweeping the 841 00:39:22,640 --> 00:39:24,560 Speaker 4: trash into the White House. Mm hmm. 842 00:39:24,680 --> 00:39:29,080 Speaker 1: Well that's where all the votes go, well, all the 843 00:39:29,120 --> 00:39:30,120 Speaker 1: votes going to the White House. 844 00:39:30,160 --> 00:39:31,360 Speaker 5: Yeah, we're doing President today. 845 00:39:31,480 --> 00:39:36,520 Speaker 1: Yeah, yeah, we're doing big President. And yes, even just 846 00:39:36,640 --> 00:39:38,680 Speaker 1: how long this episode has been. Gody brings up a 847 00:39:38,719 --> 00:39:41,400 Speaker 1: good point. Probably the voting's almost closed. If you've just 848 00:39:41,440 --> 00:39:42,319 Speaker 1: been listening to this. 849 00:39:42,760 --> 00:39:45,040 Speaker 5: Yeah, please pause and go now. 850 00:39:45,080 --> 00:39:46,799 Speaker 3: At this point, we might have to do a don't 851 00:39:46,880 --> 00:39:47,799 Speaker 3: vote anymore video. 852 00:39:48,040 --> 00:39:51,080 Speaker 4: Yeah, the polls are closed. You missed your shot, and 853 00:39:51,239 --> 00:39:51,960 Speaker 4: do you feel. 854 00:39:51,719 --> 00:39:52,279 Speaker 5: Bad about it? 855 00:39:52,360 --> 00:39:53,000 Speaker 2: Turn around? 856 00:39:53,760 --> 00:39:57,320 Speaker 1: Yeah, turn around and just fingers crossed. 857 00:39:57,960 --> 00:40:01,279 Speaker 2: Yeah. Like, and also maybe it's maybe saying time to 858 00:40:01,280 --> 00:40:01,799 Speaker 2: go to bed. 859 00:40:02,920 --> 00:40:05,239 Speaker 5: Oh, just like, let's just pivot right now. 860 00:40:05,360 --> 00:40:08,000 Speaker 4: Let's just pivot and let's just write a sweet lullaby 861 00:40:08,080 --> 00:40:10,759 Speaker 4: song because it's been such a dumpster fire year. 862 00:40:10,840 --> 00:40:12,839 Speaker 1: Wait, okay, what do you got? You got it? 863 00:40:12,920 --> 00:40:14,279 Speaker 2: Because that was good that you didn't show. 864 00:40:14,280 --> 00:40:18,319 Speaker 1: Sure, I think about thank you's hard. So what I'm 865 00:40:18,320 --> 00:40:21,080 Speaker 1: realizing is we're trying to make something about voting, which 866 00:40:21,120 --> 00:40:24,200 Speaker 1: you said happens like every two years at most. But 867 00:40:24,320 --> 00:40:27,640 Speaker 1: what this could be is people are going to bed 868 00:40:27,680 --> 00:40:30,680 Speaker 1: every night, so we're just walking them through a bedtime routine. 869 00:40:30,680 --> 00:40:32,960 Speaker 2: I think we could still use dnor rock, the rock, 870 00:40:33,000 --> 00:40:33,640 Speaker 2: the bed. 871 00:40:34,080 --> 00:40:37,759 Speaker 4: Rock, the rock, good bye bed time, you know, like no. 872 00:40:37,880 --> 00:40:40,959 Speaker 1: Like rock, I mean like rock and it's gotta rock 873 00:40:41,000 --> 00:40:42,240 Speaker 1: and gotta have wraps. 874 00:40:42,440 --> 00:40:46,440 Speaker 4: Okay, cool, great, And then maybe maybe de Noorse is 875 00:40:46,480 --> 00:40:52,120 Speaker 4: like I'm stuck. I'm stuck in in uh in this nightmare. 876 00:40:52,880 --> 00:40:55,279 Speaker 1: Yes, okay, he's stuck in the nightmare. We're trying to 877 00:40:55,320 --> 00:40:57,000 Speaker 1: wake him up so he can go back to bed. 878 00:40:57,640 --> 00:40:59,680 Speaker 1: I'd like to do sort of a we didn't start 879 00:40:59,680 --> 00:41:01,600 Speaker 1: the fight your style first, where we just list off 880 00:41:01,600 --> 00:41:03,880 Speaker 1: a bunch of things that might be popular. Oh, if 881 00:41:03,920 --> 00:41:05,880 Speaker 1: you guys just want to start kicking out some specifics 882 00:41:05,960 --> 00:41:10,120 Speaker 1: right now, obviously I'll start Andy Dick. I think auto 883 00:41:10,120 --> 00:41:10,920 Speaker 1: tuning the news. 884 00:41:10,920 --> 00:41:13,440 Speaker 3: I suggest a great point earlier that we should be 885 00:41:13,560 --> 00:41:15,280 Speaker 3: trying to ride this wave of autotuding. 886 00:41:16,200 --> 00:41:17,759 Speaker 5: Monopoly game at McDonald's. 887 00:41:17,840 --> 00:41:20,320 Speaker 1: Uh huh, that's really very helpful. 888 00:41:20,160 --> 00:41:22,440 Speaker 4: And it's fun to play with multiple multiple syllables in 889 00:41:22,480 --> 00:41:26,000 Speaker 4: that one. Yeah, yeah, Monopoly at McDonald's, Like that has 890 00:41:26,040 --> 00:41:28,080 Speaker 4: some fun percussive. 891 00:41:29,120 --> 00:41:30,080 Speaker 1: Raw, honeycomb. 892 00:41:30,120 --> 00:41:32,680 Speaker 2: That's delectable. You have that, Okay. 893 00:41:33,239 --> 00:41:40,000 Speaker 3: Using a newspaper bag is like a cat litter spirituality. 894 00:41:40,640 --> 00:41:43,880 Speaker 5: Great uh turn signals. 895 00:41:44,760 --> 00:41:46,319 Speaker 2: Mmmm, that's big. 896 00:41:46,400 --> 00:41:48,120 Speaker 1: Now Yeah, that's starting to catch on. 897 00:41:50,080 --> 00:41:54,279 Speaker 5: Might be early, might be too early? Oh, pack son, 898 00:41:55,520 --> 00:42:00,319 Speaker 5: Oh that's a great run. You could yeah, pack son, Tilly's. 899 00:42:01,040 --> 00:42:05,319 Speaker 1: Back song, Tillie's hot topic, and and then you'd have 900 00:42:05,360 --> 00:42:12,960 Speaker 1: a you know, fourth one idea. Mm hmmm, oh uh, 901 00:42:13,120 --> 00:42:15,200 Speaker 1: dough boys. I guess yeah, we. 902 00:42:15,160 --> 00:42:17,399 Speaker 2: Should really be talking about dough boys a lot more 903 00:42:17,440 --> 00:42:17,600 Speaker 2: of this. 904 00:42:20,520 --> 00:42:22,600 Speaker 1: If we wanted to go viral, we're gonna want to 905 00:42:22,600 --> 00:42:23,799 Speaker 1: bring up dough Boys. 906 00:42:24,200 --> 00:42:26,800 Speaker 5: Boys, dough Boys pod with Nick and Mitch. You probably 907 00:42:26,800 --> 00:42:27,320 Speaker 5: want to give. 908 00:42:27,160 --> 00:42:32,280 Speaker 1: It like Spoomy Yeah, shrimp King. 909 00:42:33,640 --> 00:42:39,120 Speaker 4: Yeah yeah, munch Madness Champions, Evan Susser. Here we go 910 00:42:40,239 --> 00:42:42,200 Speaker 4: go to sleep, Dean Norris. 911 00:42:49,520 --> 00:42:51,840 Speaker 1: I think we really, I mean it took a little doing, 912 00:42:52,719 --> 00:42:55,560 Speaker 1: but I think we're finally on to a song that 913 00:42:55,640 --> 00:42:58,480 Speaker 1: the public can sick its teeth it too, which is 914 00:42:58,560 --> 00:43:00,480 Speaker 1: rather to all this voting stuff, which I think we 915 00:43:00,560 --> 00:43:01,879 Speaker 1: get a Greece pretty play it out. 916 00:43:02,000 --> 00:43:03,600 Speaker 5: Yeah yeah, ding Dan. 917 00:43:04,719 --> 00:43:07,920 Speaker 1: Maybe what we do is it's about doe boys, but 918 00:43:07,960 --> 00:43:09,959 Speaker 1: it's telling. Do you notice that it's time for bad? 919 00:43:13,600 --> 00:43:17,560 Speaker 1: It's relatable. Yeah, well that's in every household you know. 920 00:43:17,680 --> 00:43:18,600 Speaker 1: That's gonna play. 921 00:43:18,680 --> 00:43:21,200 Speaker 5: Yeah, and every night you made a great point. 922 00:43:22,000 --> 00:43:24,120 Speaker 1: No matter which kind of guys you are, whether you're 923 00:43:24,200 --> 00:43:28,000 Speaker 1: like really cool gay guys or fur Asian or whatever, yeah, 924 00:43:28,040 --> 00:43:29,839 Speaker 1: it's not you know, you all are gonna be able 925 00:43:29,840 --> 00:43:31,359 Speaker 1: to enjoy some something like this. 926 00:43:31,680 --> 00:43:34,280 Speaker 2: And so many of these bed type songs are for babies, 927 00:43:34,320 --> 00:43:38,040 Speaker 2: and what about me? Like I want to go to 928 00:43:38,040 --> 00:43:38,520 Speaker 2: sleep too. 929 00:43:38,600 --> 00:43:40,440 Speaker 5: Can we talk about how babies get too much? 930 00:43:40,880 --> 00:43:44,480 Speaker 1: Oh god, yeah, yeah, finally someone's bringing it up too much. 931 00:43:44,920 --> 00:43:47,359 Speaker 1: Well because they can't even really appreciate it, that's right. 932 00:43:47,440 --> 00:43:50,000 Speaker 1: They're just like a big mushy one. They get all 933 00:43:50,040 --> 00:43:52,359 Speaker 1: the toys or my baby anyway, a lot of them 934 00:43:52,360 --> 00:43:54,800 Speaker 1: have just been big mushy. It's hard because they inher 935 00:43:54,880 --> 00:43:57,439 Speaker 1: in my face, so you can't really see even where 936 00:43:57,480 --> 00:43:58,279 Speaker 1: the top of them is. 937 00:43:58,440 --> 00:43:59,640 Speaker 5: Yeah, that's tough. 938 00:44:00,120 --> 00:44:02,239 Speaker 4: I just feel like we shouldn't be giving things to 939 00:44:02,360 --> 00:44:04,000 Speaker 4: people who don't have object permanence. 940 00:44:04,360 --> 00:44:08,600 Speaker 5: They don't even know. Yeah, no more all abys for babies. 941 00:44:08,760 --> 00:44:10,719 Speaker 1: I don't think their taste buds are fully formid enough 942 00:44:10,760 --> 00:44:12,799 Speaker 1: to even appreciate a lot of the siracha that I'm 943 00:44:12,800 --> 00:44:14,880 Speaker 1: giving them. 944 00:44:15,600 --> 00:44:20,440 Speaker 3: My wife recently had another baby, congratulations. 945 00:44:20,680 --> 00:44:21,560 Speaker 2: Yeah, but it's. 946 00:44:21,400 --> 00:44:24,960 Speaker 3: Like she's kissing it all the time, like kind of 947 00:44:25,000 --> 00:44:26,359 Speaker 3: trying to get my head in there. 948 00:44:26,640 --> 00:44:26,879 Speaker 1: Yeah. 949 00:44:27,680 --> 00:44:30,680 Speaker 3: Yeah, you know, like maybe you think maybe or maybe 950 00:44:30,680 --> 00:44:33,279 Speaker 3: we can both get a kiss. Yeah, and maybe I 951 00:44:33,320 --> 00:44:35,560 Speaker 3: can get a toy also when the baby gets a toy. 952 00:44:35,480 --> 00:44:39,240 Speaker 1: Steffi's always hugging and feeding the baby, and I'll be like, hello, 953 00:44:39,280 --> 00:44:43,200 Speaker 1: I've been eating it almost two hours, like honestly. 954 00:44:42,840 --> 00:44:45,640 Speaker 3: Yeah am I So this is like my wife, I 955 00:44:45,640 --> 00:44:48,640 Speaker 3: guess that I used to have and so we are 956 00:44:48,680 --> 00:44:50,799 Speaker 3: not supposed to be kissing anymore, she says. 957 00:44:50,719 --> 00:44:52,239 Speaker 2: Right, and the baby is not with me. 958 00:44:52,840 --> 00:44:55,160 Speaker 3: Oh so this is not I'm not supposed to be 959 00:44:55,200 --> 00:44:56,200 Speaker 3: part of this, Like. 960 00:44:56,120 --> 00:44:58,520 Speaker 1: You shouldn't even be there while she's kissing the baby, 961 00:44:58,600 --> 00:44:59,920 Speaker 1: you know, according to her? 962 00:45:00,280 --> 00:45:00,480 Speaker 2: Right? 963 00:45:00,920 --> 00:45:03,919 Speaker 1: But why Meanwhile, they were married once, yes, but why 964 00:45:03,960 --> 00:45:05,920 Speaker 1: does the baby get all this attention and I suddenly 965 00:45:06,000 --> 00:45:06,479 Speaker 1: have zero? 966 00:45:07,000 --> 00:45:09,920 Speaker 4: Well, it sounds like that was a divorce, so maybe, yeah, 967 00:45:09,960 --> 00:45:11,000 Speaker 4: she's probably right. 968 00:45:11,320 --> 00:45:12,600 Speaker 5: I think maybe, Oh. 969 00:45:12,480 --> 00:45:13,520 Speaker 1: Hayes rights for that show. 970 00:45:14,600 --> 00:45:17,879 Speaker 3: Yeah, so for you to tell me what it is women, 971 00:45:17,920 --> 00:45:20,200 Speaker 3: it's like I invented it basically. 972 00:45:20,280 --> 00:45:21,959 Speaker 2: Oh yeah, no, you understand how that's weird. 973 00:45:22,000 --> 00:45:23,520 Speaker 5: I do understand how that's weird. I'm so sorry. 974 00:45:23,600 --> 00:45:25,480 Speaker 4: I just it sounded I just it was more so 975 00:45:25,640 --> 00:45:28,000 Speaker 4: me trying to unpack, and it sounded like you had 976 00:45:28,000 --> 00:45:28,640 Speaker 4: gone through divorce. 977 00:45:28,640 --> 00:45:29,960 Speaker 5: I just want to make sure I had the fact straight, 978 00:45:30,640 --> 00:45:31,480 Speaker 5: not trying to reflect it. 979 00:45:31,520 --> 00:45:33,520 Speaker 3: I mean, it's a show. You're talking about a fake show? 980 00:45:33,600 --> 00:45:33,759 Speaker 4: Yeah? 981 00:45:33,840 --> 00:45:34,680 Speaker 1: Yeah, yeah, you wrote it. 982 00:45:34,680 --> 00:45:35,280 Speaker 2: It's like fake. 983 00:45:35,480 --> 00:45:35,719 Speaker 1: Yeah. 984 00:45:35,760 --> 00:45:37,920 Speaker 4: I wanted to make sure that you were in some 985 00:45:37,960 --> 00:45:41,160 Speaker 4: way connected to Thomas aiden Church and Sarah Desk Parker's 986 00:45:41,239 --> 00:45:42,320 Speaker 4: new h be a show divorce. 987 00:45:42,800 --> 00:45:43,319 Speaker 1: Yeah yeah. 988 00:45:44,040 --> 00:45:45,919 Speaker 5: Is your idea to have them in front of that train? 989 00:45:46,719 --> 00:45:48,720 Speaker 2: Yeah, they're about to get killed by the trade. 990 00:45:48,800 --> 00:45:50,000 Speaker 5: Oh so they get killed? 991 00:45:50,120 --> 00:45:52,720 Speaker 1: Whoa for better or worse or worse? 992 00:45:54,600 --> 00:45:56,800 Speaker 5: What could be worse than trained death? 993 00:45:57,719 --> 00:46:02,080 Speaker 3: So so we agree that it's wrong that I'm that 994 00:46:02,200 --> 00:46:03,799 Speaker 3: the baby's getting all the kisses and I'm not. 995 00:46:04,880 --> 00:46:06,960 Speaker 1: I think we have to based on the fact that 996 00:46:07,000 --> 00:46:08,080 Speaker 1: you create a divorce. 997 00:46:08,440 --> 00:46:09,640 Speaker 2: So I do think this. 998 00:46:10,120 --> 00:46:12,880 Speaker 4: I mean, I've loved Thomas aiden Church since Wings, so 999 00:46:13,040 --> 00:46:14,560 Speaker 4: I think I have to agree with you. Yeah. 1000 00:46:14,840 --> 00:46:17,640 Speaker 3: I think this video would be good to be saying, 1001 00:46:17,680 --> 00:46:20,840 Speaker 3: like enough of those all these babies, Now let's do 1002 00:46:20,920 --> 00:46:21,880 Speaker 3: something for the adults. 1003 00:46:21,920 --> 00:46:24,839 Speaker 1: Yeah, yeah, this one's for you grown ups, Like put 1004 00:46:24,840 --> 00:46:27,320 Speaker 1: the babies out of the room, maybe even put them outside. 1005 00:46:27,680 --> 00:46:30,719 Speaker 5: Yeah, maybe if you have a screened in force. 1006 00:46:31,200 --> 00:46:34,120 Speaker 4: I don't want any babies like left in forests that 1007 00:46:34,200 --> 00:46:35,920 Speaker 4: I think will come back and hurt the video. 1008 00:46:36,360 --> 00:46:38,959 Speaker 1: Oh right, when I say outside, I mean outside your house. 1009 00:46:39,000 --> 00:46:41,360 Speaker 1: I don't mean like get as far into the nature, 1010 00:46:41,400 --> 00:46:44,160 Speaker 1: is not even on the lawn, like on the paved part. 1011 00:46:44,040 --> 00:46:47,360 Speaker 5: Of Like you have a lot of talkway rural listeners, 1012 00:46:47,480 --> 00:46:48,440 Speaker 5: so you have to be like. 1013 00:46:48,520 --> 00:46:51,920 Speaker 1: It's true, it's true, careful big cabin show people listening 1014 00:46:52,000 --> 00:46:52,840 Speaker 1: to some cabins. 1015 00:46:53,080 --> 00:46:55,600 Speaker 4: So it's because it's such a cozy pod, so you 1016 00:46:55,640 --> 00:46:57,640 Speaker 4: want to make sure that no one's putting their baby 1017 00:46:57,640 --> 00:46:58,040 Speaker 4: in the woods. 1018 00:46:58,080 --> 00:47:02,359 Speaker 1: A little more authentic and cavin people recognize that. 1019 00:47:02,120 --> 00:47:04,239 Speaker 3: It's actually very offensive for you to be saying this 1020 00:47:04,360 --> 00:47:07,440 Speaker 3: like whole inside and outside distinction, because a lot of 1021 00:47:07,440 --> 00:47:09,919 Speaker 3: the people listening are just like, well, I'm just like here, 1022 00:47:10,120 --> 00:47:11,520 Speaker 3: I like, I don't really have. 1023 00:47:12,080 --> 00:47:15,200 Speaker 1: Absolutely sort of live in the moments structure and in 1024 00:47:15,280 --> 00:47:16,680 Speaker 1: the moment, they don't have. 1025 00:47:16,600 --> 00:47:20,719 Speaker 4: A place to live right right absolutely, I think, Yeah, 1026 00:47:20,760 --> 00:47:22,440 Speaker 4: I was just wanting to make sure that when we 1027 00:47:22,480 --> 00:47:25,200 Speaker 4: put the babies outside, they're not too far. I guess 1028 00:47:25,760 --> 00:47:27,439 Speaker 4: just don't put babies in the woods. I guess it's 1029 00:47:27,480 --> 00:47:30,399 Speaker 4: like the more and not in like an abandoned depth. 1030 00:47:30,640 --> 00:47:32,360 Speaker 2: But people are listening now and being like, what's not 1031 00:47:32,480 --> 00:47:33,759 Speaker 2: the woods? You know what I mean? 1032 00:47:33,800 --> 00:47:35,120 Speaker 5: I get you. I get you. 1033 00:47:35,280 --> 00:47:37,799 Speaker 3: You're coming from a very coastal, elite perspective. 1034 00:47:37,880 --> 00:47:38,359 Speaker 5: That's true. 1035 00:47:38,400 --> 00:47:39,640 Speaker 1: Are you gaslighting me? 1036 00:47:41,680 --> 00:47:43,640 Speaker 5: I would never do that. 1037 00:47:43,640 --> 00:47:46,160 Speaker 1: That's just what someone who's gaslating me would say. 1038 00:47:46,200 --> 00:47:52,799 Speaker 4: Hey, I feel like this is really about your paranoia. 1039 00:47:53,080 --> 00:47:53,560 Speaker 1: E give me. 1040 00:47:53,680 --> 00:47:57,239 Speaker 3: You're right, it's like flight I like saying that. It's 1041 00:47:57,280 --> 00:48:01,480 Speaker 3: flight planning of the cong Now is that the same 1042 00:48:01,480 --> 00:48:06,120 Speaker 3: thing as flight planning? Goslighting? Yeah, when you're like on 1043 00:48:06,160 --> 00:48:08,880 Speaker 3: a plane with your kid and like you wake up 1044 00:48:08,920 --> 00:48:11,480 Speaker 3: and your kid isn't there anymore, and everyone's like you 1045 00:48:11,520 --> 00:48:12,839 Speaker 3: never had a kid to begin with. 1046 00:48:13,400 --> 00:48:15,640 Speaker 1: Oh, right, right right right right right right right right 1047 00:48:15,719 --> 00:48:16,160 Speaker 1: right right. 1048 00:48:17,560 --> 00:48:20,839 Speaker 5: Yeah, I think it is the same. 1049 00:48:20,880 --> 00:48:25,239 Speaker 1: Then what's the one? Isn't one like that? 1050 00:48:25,640 --> 00:48:30,000 Speaker 2: Yeah, it's another. Yeah, it's another plain one. Yeah, there's 1051 00:48:30,040 --> 00:48:31,040 Speaker 2: also brutal. 1052 00:48:32,960 --> 00:48:34,680 Speaker 5: There's also red Eye. 1053 00:48:35,560 --> 00:48:39,600 Speaker 1: That's brutal. That was a spooky one, Red Eye, spooky 1054 00:48:39,800 --> 00:48:49,239 Speaker 1: skelling tin Key, Chuck Skellington. Key. Well, I actually have 1055 00:48:49,280 --> 00:48:49,680 Speaker 1: to leave. 1056 00:48:53,760 --> 00:48:57,920 Speaker 4: Hey, uh, when you leave, you will be neither outside 1057 00:48:57,920 --> 00:48:58,520 Speaker 4: nor inside. 1058 00:48:58,560 --> 00:49:00,239 Speaker 5: You'll just be wherever you are. 1059 00:49:00,880 --> 00:49:01,640 Speaker 2: That's really good. 1060 00:49:01,719 --> 00:49:05,440 Speaker 5: Yes, You'll just be wherever you are. Like now, you'll 1061 00:49:05,480 --> 00:49:07,200 Speaker 5: be right now, you are here. 1062 00:49:08,120 --> 00:49:12,440 Speaker 3: Uh, so we are leaving. Now, what's some stuff that 1063 00:49:12,480 --> 00:49:15,600 Speaker 3: you are doing? And what is your Mount rap More? 1064 00:49:17,320 --> 00:49:24,680 Speaker 4: Oh my gosh, my Mount rap More is probably gosh. 1065 00:49:24,719 --> 00:49:27,400 Speaker 4: I have a real My current one is a real 1066 00:49:28,239 --> 00:49:29,520 Speaker 4: Kendrick Lamar. 1067 00:49:31,680 --> 00:49:32,480 Speaker 2: And that's two. 1068 00:49:33,960 --> 00:49:37,919 Speaker 5: That's just one, okay, Kendrick Lamar, that's his full name. 1069 00:49:38,120 --> 00:49:41,320 Speaker 1: Okay, it's just one, okay. 1070 00:49:41,520 --> 00:49:42,960 Speaker 5: And then I'm gonna. 1071 00:49:42,680 --> 00:49:43,919 Speaker 2: Say a last name. 1072 00:49:44,680 --> 00:49:46,560 Speaker 5: Uh that is his last name? 1073 00:49:47,680 --> 00:49:48,320 Speaker 1: Is gaslighting me? 1074 00:49:48,440 --> 00:49:48,640 Speaker 4: Right? 1075 00:49:49,960 --> 00:49:51,640 Speaker 5: Why do you feel like I'm gaslighting you? 1076 00:49:52,040 --> 00:49:54,280 Speaker 3: This is just a new term that he's been hearing 1077 00:49:54,320 --> 00:49:58,200 Speaker 3: a lot. It's been used in a lot of different ways. 1078 00:49:58,280 --> 00:49:58,600 Speaker 2: Something. 1079 00:49:58,760 --> 00:50:01,920 Speaker 4: Hey, Sean, thanks so much for me on Me and Hayes' podcast. 1080 00:50:02,800 --> 00:50:04,520 Speaker 4: It's been great having you in. Is there anything you 1081 00:50:04,520 --> 00:50:05,120 Speaker 4: want to promote? 1082 00:50:07,280 --> 00:50:09,880 Speaker 5: We had a lot of listeners asking for you to 1083 00:50:09,880 --> 00:50:12,000 Speaker 5: be on the podcast. Works we could finally work it out. 1084 00:50:13,640 --> 00:50:15,799 Speaker 1: Okay, I guess I'll just plug this out. Rap More 1085 00:50:15,840 --> 00:50:16,640 Speaker 1: real quick. 1086 00:50:20,120 --> 00:50:31,680 Speaker 8: Snails copy your machines, M driveways? 1087 00:50:33,760 --> 00:50:39,000 Speaker 1: Yuh, wheat bread. 1088 00:50:39,480 --> 00:50:41,279 Speaker 5: That's it. That's that's that's that's for. 1089 00:50:41,640 --> 00:50:42,319 Speaker 1: Is that all you do? 1090 00:50:42,440 --> 00:50:44,200 Speaker 5: Yeah? That's great. You nailed it. 1091 00:50:44,239 --> 00:50:46,719 Speaker 4: That was our reoccurring segment Mount ratmore here on the 1092 00:50:46,719 --> 00:50:47,680 Speaker 4: Doughboys podcast. 1093 00:50:48,920 --> 00:50:58,440 Speaker 1: Bye. This has been an ear Wolf production executive produced 1094 00:50:58,440 --> 00:51:01,920 Speaker 1: by Scott Ackerman and Chris. For more information and content, 1095 00:51:02,080 --> 00:51:05,239 Speaker 1: visit earwolf dot comm