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Speaker 1: So it's Ellen page Wow, and page from Fish, and

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Speaker 1: we're in the tea cups and page Ellen is spinning

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Speaker 1: is so fast and I stop am literally like I'm

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Speaker 1: gonna hurl. This is not why I got in the

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Speaker 1: tea cups. I get in the tea cups to pretend

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Speaker 1: I am tea. Teas not spinning around, it's waiting, cooling

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Speaker 1: down until it's safe to sip it. So basically I

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Speaker 1: start to scream at.

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Speaker 2: The top of my lugs. Yeah, which tea can do

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Speaker 2: if you actually hear the thing.

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Speaker 1: What the pot does I'm staying in character. I'm staying

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Speaker 1: fully in character. I don't want to explain. I don't

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Speaker 1: I'm not going to beg her please don't spin it.

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Speaker 1: But I just think this will probably stop her. I scream, yeah, yeah.

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Speaker 1: Now Ellen takes this to be like he's having fun.

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Speaker 1: What were you gonna ask? Can I ask?

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Speaker 2: If maybe that she's behaving this way, is that she

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Speaker 2: is accidentally becoming Juno again.

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Speaker 1: Well, that's the type of behavior where she's behavior putting

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Speaker 1: a bit of a sum in the eye to authority.

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Speaker 2: This is Juno's steeze, as Juno would say.

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Speaker 1: So at this point, Page also doesn't understand what I'm doing, unfortunately,

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Speaker 1: and decides to harmonize with me. So He's going no,

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Speaker 1: and I'm going no, and Ellen's going wow.

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Speaker 2: Yeah. That sounded like the beginning of the song. Which

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Speaker 2: song this? I don't know which one? The song the

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Speaker 2: one this you babe.

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Speaker 1: I'm a suckle for the way that you move, babe,

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Speaker 1: And I could try to run, but it would be you.

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Speaker 2: Yeah, you know what I'm talking about.

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Speaker 1: Yes, yeah, Camilla Cabello, the song by Comita Cabello.

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Speaker 2: Yeah, you man, oh man, I'll go home the way

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Speaker 2: that you move, babe.

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Speaker 1: Go ahead and sing the rest of it. Oh bama, mama.

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Speaker 2: It goes after that.

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Speaker 1: Well, at any rate, the ride stopped, and wouldn't you know,

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Speaker 1: I wound up enjoying myself.

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Speaker 3: We did it again, Hey, walking on baby, Dona.

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Speaker 1: Na Na Na?

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Speaker 2: Does she even needs? And and it's good that we're singing.

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Speaker 1: Because I guess yeah we're doing.

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Speaker 4: Did you.

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Speaker 1: Do you like that music? I like it when you

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Speaker 1: guys sing it and say the truth.

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Speaker 4: I think you guys sing it.

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Speaker 2: Well, okay, well we we have done so much musical

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Speaker 2: stuff with you and Hi. What's going on? And what's

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Speaker 2: uh I'm so glad to be here at chilling finally.

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Speaker 1: Never never chill, Okay, good zero chill zero arctic zero

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Speaker 1: interesting zero chill zero cool member hackers, Yeah the movie,

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Speaker 1: remember Lord Nikon? What he was one of the other hackers.

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Speaker 4: So is that Gene Hackman or I think of sneakers?

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Speaker 1: He was Hackman, he was the hack man, Gene the

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Speaker 1: hackman Hackman. What about Hoosiers Hoosiers?

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Speaker 2: It was like, well that's Dennis Hopper. That was Hoppers, Yeah, hoppers?

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Speaker 2: What Hoppers was Hoosiers? It was a combination of the

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Speaker 2: who and Forrager.

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Speaker 1: Hackman's hackers, Hoppers, Hoosiers and sneakers is David Stratharne. It's

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Speaker 1: easy to remember, you know. It's a it's a classic

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Speaker 1: nomonic device.

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Speaker 4: So h h h s s h h h h

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Speaker 4: s s hot hot Hot.

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Speaker 1: Hopper, Hoosier, Hackman, hackers, sneakers, Strether, what was the last one? Sneakers? Strether?

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Speaker 4: I don't sneakers is just say the last word?

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Speaker 2: Good night and good luck you guys.

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Speaker 1: That's a nice pool.

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Speaker 2: So Julia is the mayor of no Chellsville, re elected

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Speaker 2: with a mandate.

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Speaker 4: Yeah, thanks for voting. I voted stickers on your social media.

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Speaker 1: Now, you had to run against the mayor of zero Foxville,

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Speaker 1: is that correct?

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Speaker 4: You know he was an inceel, so it was landslide

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Speaker 4: in his favor. So I got Russian hackers to interfere

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Speaker 4: with I cannot.

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Speaker 1: Already.

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Speaker 2: Yeah, and we're singing already, but we know singing this time.

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Speaker 1: Let's not sing. That's not what this is about. I know,

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Speaker 1: because you have a lot of different arts that you do,

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Speaker 1: isn't that right? Yes, you don't just do singing art. No,

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Speaker 1: you do TV comedy the greatest art for him, and

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Speaker 1: books and you do big.

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Speaker 4: Book Remember sometimes I color in coloring books relaxing if.

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Speaker 2: You guys are, oh my god, I love to sit

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Speaker 2: with a book and just color with my just so

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Speaker 2: now color my books?

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Speaker 1: Yeah, a coloring book, you know, these black and.

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Speaker 2: White books where it's just you open it up and

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Speaker 2: there's no colors in it, and then you can grab

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Speaker 2: a crayon in your closed fists.

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Speaker 4: And you can into the yes, yes, yes, And then

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Speaker 4: people are like, what page you up to? And you

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Speaker 4: stab harder and you say one hundred and fifty nine

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Speaker 4: to sound smarter.

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Speaker 2: M hmm, yeah, when I really haven'tly colored the very

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Speaker 2: beginning of the book, and I got bored.

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Speaker 1: Gab harder to sound smarter.

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Speaker 4: Do you guys read for pleasure?

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Speaker 1: Uh? Always, it's always.

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Speaker 2: I have Uh yeah, I have a magazine for pleasure. Magazine?

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Speaker 4: Is it for pleasure? Pleasure? Fancy?

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Speaker 2: Yes, just for people that enjoy pleasure.

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Speaker 1: I read, I read, I read one Pleasure to pleasure

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Speaker 1: and three Pleasure. I read Ready Player one, Ready Pleasure one.

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Speaker 1: I read, Yeah, I read four Players Player two aka

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Speaker 1: the game.

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Speaker 4: Oh Mystery.

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Speaker 2: Uh huh Keino mm hmm. All good, specific established Keino

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Speaker 2: mm hmm.

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Speaker 1: That's when you touch a woman safe touching?

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Speaker 2: Yes?

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Speaker 4: Is there any safe touching anymore these days? Yes?

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Speaker 2: These days, of course, it is getting harder to go

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Speaker 2: to a public place and put your hand on someone.

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Speaker 1: And put your hand on a stranger and have it

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Speaker 1: be and not just like a.

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Speaker 4: Clothes yes, shoulder, like a like a flesh to flesh Yeah,

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Speaker 4: Or like when someone has long hair and they're standing

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Speaker 4: next to you on the subway and they just sort

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Speaker 4: of brush their long hair up against your bare arm.

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Speaker 1: Well, when when I'm sitting on the subway, sometimes I'll

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Speaker 1: be sitting in the seat where the map is behind

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Speaker 1: me and then like a rocker guy will lean his

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Speaker 1: long hair in front of my face like he's reading

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Speaker 1: the map, but he's really just brushing sort of curtains

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Speaker 1: of hair across my no, and you like he oh,

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Speaker 1: I love you.

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Speaker 2: It's like entering a bordello and pushing the beads aside.

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Speaker 2: It gets you do a very erotic place.

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Speaker 4: It was so fun when they redecorated when the subway

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Speaker 4: cars look like Roseanne's living.

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Speaker 1: Room bordello of braids.

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Speaker 4: Uh so I her actual living room, not the one

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Speaker 4: was like the one in Hawaii.

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Speaker 2: Yes, do we talk about got a lot of stuff,

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Speaker 2: thumbtacks to the.

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Speaker 1: Wall like a like a Homeland like theory wall, Yeah, but.

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Speaker 2: With less wines drawn between the you know, thumbtacks.

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Speaker 1: And she's always holding a string in front of it,

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Speaker 1: looking like holding it up like does this go?

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Speaker 4: Can I connect this?

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Speaker 1: And then just pulling it back and going not yet,

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Speaker 1: it's not time yet, right.

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Speaker 4: It was like breaking story for Arrested Development essentially.

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Speaker 2: Yeah, god, so complex.

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Speaker 4: I love breaking story.

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Speaker 2: That is the best part of the process. And once

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Speaker 2: it's over, the show is over for me and you

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Speaker 2: guys take it from there. Exactly, you guys meaning my like, yeah,

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Speaker 2: my little cronies. Yeah, I'm starting to have cronies as well.

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Speaker 4: How's that going.

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Speaker 1: It's fun. I cast off a few of my cronies,

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Speaker 1: some of the ones that weren't doing as much anymore,

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Speaker 1: and Hays scooped up my house.

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Speaker 2: I have, I have some starter cronies. So we wanted

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Speaker 2: to not do a musical, and but we did want

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Speaker 2: to get the big scoop and something that you did

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Speaker 2: recently then that they it wasn't the news, and.

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Speaker 1: We actually did read the news and we found out

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Speaker 1: and let me just thanks to you, we know what happened.

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Speaker 2: Let me just read the article.

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Speaker 4: I tell you when there's good. Are you saying that

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Speaker 4: I'm the kind of friend that only tells you even

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Speaker 4: bad things happen.

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Speaker 1: You were being sneaky about the news and let's leave

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Speaker 1: it at then, and you're caught.

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Speaker 2: And then we texted you in your life what happened?

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Speaker 2: Oh was there like a big news and it's like, yeah,

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Speaker 2: there's a big news. Yes and.

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Speaker 1: Yes, Queenie, Queen Queenie.

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Speaker 2: And that used to be something we remember to call you.

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Speaker 1: Let's start over. Queenie's here.

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Speaker 2: And the article says, Julie's in the big show smash

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Speaker 2: series NBC.

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Speaker 1: One of the biggest channels, The Peacock.

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Speaker 2: Yes boo TV News.

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Speaker 1: Julie's the big star, the big star and doing the

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Speaker 1: jokes and on camera, starring on the freaking biggest channel.

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Speaker 1: So think about how I feel reading that back. Great.

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Speaker 1: So what we want to talk about now is obviously

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Speaker 1: we're we're gonna see that show.

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Speaker 2: Show's not gonna be on TV.

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Speaker 4: Yes, I did it patch up just so they know

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Speaker 4: you made a decision.

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Speaker 1: I booked.

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Speaker 5: I booked it.

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Speaker 1: You booked, I booked it.

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Speaker 4: I had a good pilot season.

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Speaker 2: Yeah, you booed it for once.

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Speaker 4: You know.

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Speaker 1: You deserve it.

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Speaker 4: Thanks. I think so too. Every year I come out

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Speaker 4: here to stay at the oak Wood with those mothers

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Speaker 4: and their sad children, huh, and I go out for

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Speaker 4: anything that they'll let me, you know, be kind of sassy.

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Speaker 4: And this year I booked it. So I had a

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Speaker 4: part in a pilot for The Peacock and it was

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Speaker 4: take that. It was really you know, it's a really

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Speaker 4: fun experience that rocks.

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Speaker 1: So talk about the decision you made.

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Speaker 2: On TV.

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Speaker 4: Well, that wasn't a decision I made I'm sorry to say, like,

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Speaker 4: give me a break.

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Speaker 2: No, really, you really want you really wanted this one, of.

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Speaker 4: Course, of course. I mean I don't know if you

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Speaker 4: guys know this, but it was a multiicam.

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Speaker 2: Yeah.

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Speaker 4: And the thing about multicams is the actors' schedules are

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Speaker 4: just smooth sailing.

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Speaker 1: That's the dream.

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Speaker 4: In half hour the best, and then you get taping night. Hello,

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Speaker 4: I'm back in the theater where I started.

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Speaker 2: It's like a play, yeah, and all like.

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Speaker 4: And the best kind of play, if I may just

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Speaker 4: interrupt you, please do My favorite kinds of plays are

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Speaker 4: when they do a scene and then they do the

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Speaker 4: scene again.

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Speaker 1: Yes, yeah, well so many times when I'm watching a play,

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Speaker 1: first of all, I miss the scene, like they'll do

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Speaker 1: the scene, and then I'll go, are they not going

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Speaker 1: to do that again? Because I got one crack.

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Speaker 2: At Yeah, yeah, I was looking at something else. Frequently

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Speaker 2: some of these some of the scary monsters on the

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Speaker 2: ceiling in some of these things, and on the side,

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Speaker 2: it's like, are we we're just gonna ignore this, We're

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Speaker 2: not gonna like this guy is coming out of a wall.

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Speaker 1: It'll be right next to your seat ahead and there's

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Speaker 1: a freaking goblin beast. Yeah, this looks like you're about

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Speaker 1: to do some goblin on your freaking head.

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Speaker 2: And I'm thinking, like, I guess we're all sitting here.

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Speaker 2: I guess these guys know.

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Speaker 4: Can you see them in the dark theater a lot?

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Speaker 2: Yeah?

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Speaker 4: Well the theater it's my first love.

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Speaker 2: Yeah, and so are you guys all just pretending not

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Speaker 2: to see it so it doesn't notice.

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Speaker 4: You, I think, because I think that's why they turn

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Speaker 4: the lights out.

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Speaker 2: Yeah, but I have.

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Speaker 4: But then I'm saying that you shouldn't use your flashlight

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Speaker 4: at the theater, Sean, there's some etiquette that we should

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Speaker 4: go over before.

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Speaker 1: I'll just turn my back on the monster in the dark.

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Speaker 1: That always goes well seen some movies before.

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Speaker 2: There are those other guys with the flashlights who I

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Speaker 2: think get jealous. Yeah, and they like to be the

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Speaker 2: ones that are only.

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Speaker 1: Every time I use my flashlight they come over off.

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Speaker 1: I'm like, you have one, you literally have one.

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Speaker 2: They have night sticks too, He knows, Yeah, no, he

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Speaker 2: does know.

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Speaker 1: I wouldn't know about that.

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Speaker 2: What do you mean he gets bashed?

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Speaker 1: You forget it? What thing? Mean girls? Okay? So yeah,

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Speaker 1: it turns out the mean girls were not necessarily just

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Speaker 1: on stage. There was a real mean girl usher who

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Speaker 1: got so mad about my flashlight. Did she freaking gave

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Speaker 1: me the business end of the night stick? On the

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Speaker 1: business end of my keyster?

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Speaker 4: Did you get to see the second act?

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Speaker 1: Okay, well I think I know what happens, So no,

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Speaker 1: I didn't get to see it. But actually when I

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Speaker 1: was when I came.

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Speaker 4: To oh my god, she beat you unconscious. You can

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Speaker 4: pass out just from the butt.

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Speaker 1: Hit me and the but I passed out. The real

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Speaker 1: Michael Face was trying to think of his name. Don't

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Speaker 1: think I'll ever forget about that.

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Speaker 2: You know what I mean?

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Speaker 4: Into my iPhone series, says Michael Fay.

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Speaker 1: Remember Kevin Neilan did a little subliminal man joke about him,

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Speaker 1: and I'll do it for you.

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Speaker 4: Now.

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Speaker 2: I'm not saying there aren't people that deserve to be

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Speaker 2: taken out in Kane publicly McCall it, culkin, But I

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Speaker 2: what I am saying is that's what he could do

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Speaker 2: is say stuff fast.

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Speaker 4: If it was quickly, then it was subliminal, yeah.

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Speaker 1: To say, and you wouldn't be thinking you'd go okayone

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Speaker 1: else about Michael Fay because he's moving on so fast

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Speaker 1: saying quickly, it's in saying something else. It was a

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Speaker 1: fast bit, No, it was it was a speed bit, yes,

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Speaker 1: one of the speediest.

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Speaker 4: There are different kinds of sketches. Yeah, there's going to

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Speaker 4: do it a character grab bag, I call it, like

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Speaker 4: you know, and like like impression.

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Speaker 1: Roulette, impression Roulette. There's commercial parody. There's a political obviously,

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Speaker 1: everyone has to be steeped in that with that.

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Speaker 4: Celebrity cameos.

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Speaker 1: Yeah, who there's talk shows, you know, there's game shows.

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Speaker 2: Barry Gibb talk show.

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Speaker 4: That's a genre.

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Speaker 1: There's the sense of sketch.

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Speaker 2: Yeah, Linda Richmond perfect pitch.

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Speaker 1: There's Linda Richmond pitch perfect.

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Speaker 4: Pitch perfect, Perfect pitch, pitch perfect, Ken and Kay just

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Speaker 4: pitch perfect.

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Speaker 1: There's uh, there's fat amy sketches. We like, there's horse

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Speaker 1: what about horse? There's a horse sketch that's just two

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Speaker 1: guys arguing over who's going to be the button the

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Speaker 1: horse costume and they each have like a reason the

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Speaker 1: other one should be. That's just like sort of insult comedy, right, like.

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Speaker 4: You're a horse's ass.

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Speaker 1: Well they don't say that.

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Speaker 2: It's sort of yeah, and and a multiicam is kind

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Speaker 2: of like a big long sketch. It's about love, isn't it.

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Speaker 4: Well, this pilot was about love. I can't think of

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Speaker 4: anything more universal. You know, the title love was already

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Speaker 4: Believe It? Yeah, so it wasn't called that, but it

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Speaker 4: was called can you Believe It?

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Speaker 2: Wow?

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Speaker 4: Okay, it was actually it was originally called love Comma,

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Speaker 4: can you Believe It?

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Speaker 1: And then in.

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Speaker 4: Classic Facebook style, they said lose the love, lose the

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Speaker 4: but don't lose the love?

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Speaker 2: Okay? And did that? Was that confusing to you when

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Speaker 2: you first heard it? They telling you you're and then

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Speaker 2: you have to relate that to.

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Speaker 1: The creators of the show and everything.

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Speaker 2: Yeah, why are they going to talk to the creators

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Speaker 2: of the show?

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Speaker 1: Oh wow? Okay. Now you talked a little bit about

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Speaker 1: tape night. My understanding is you also served as the

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Speaker 1: fun warm up comic during the tape. Can you talk

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Speaker 1: about what the test she had.

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Speaker 2: Run in character too?

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Speaker 4: Yes, Because my character's name was Janet, and people love

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Speaker 4: Janet like they haven't even seen it yet. And even

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Speaker 4: though there was a like a star like a Nickelodeon star,

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Speaker 4: there is near like Nickelodeon. And she was very, very

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Speaker 4: popular and all of her fans were in the audience

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Speaker 4: the nineteen night. Yeah, they still knew who Janet.

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Speaker 1: Was or they wanted to.

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Speaker 4: Sure, so I'd be like, hey, guys, Janet here, anyone

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Speaker 4: want to make a prank phone call? They said, uh, what's.

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Speaker 1: A phone call?

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Speaker 4: Because they're millennials.

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Speaker 1: Oh no, no, and they only text.

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Speaker 4: That's not true.

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Speaker 1: That was my joke. That was my joke.

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Speaker 4: I said, that's what you guys are probably.

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Speaker 1: Look at you. You're on your own. What's this girl's going?

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Speaker 1: What's a phone call? She's a millennial?

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Speaker 2: Right?

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Speaker 4: But then I called my sister on speakerphone and she

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Speaker 4: got very upset.

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Speaker 2: Your sister in the show, no real sister.

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Speaker 4: Yeah, and I haven't spoken her for like you.

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Speaker 2: I have mentioned that there's a lot going on.

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Speaker 4: There, like what I said on my book.

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Speaker 2: Better Uh huh that you don't care about her band?

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Speaker 4: No, she didn't like that. Yeah, she's like the breeders

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00:19:10,560 --> 00:19:14,280
Speaker 4: are great. Yeah, I said, what's your deal?

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Speaker 1: I think it is smart Marjorie Deal by the watch

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Speaker 1: Evil Genius.

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Speaker 2: Oh wait, I saw.

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Speaker 1: What's your deal?

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Speaker 2: Marjorie Deal?

359
00:19:26,160 --> 00:19:26,359
Speaker 5: Get it?

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00:19:26,800 --> 00:19:28,359
Speaker 2: Wait? When you said what's your deal? Was at a

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Speaker 2: joke because Kim Deal was in the Breeders.

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Speaker 4: Yes, but I also want to say I love that

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Speaker 4: the Duke Glass brothers are making more documentaries per week

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Speaker 4: than any other brothers.

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00:19:38,720 --> 00:19:41,240
Speaker 1: Well, who's hot on their trail? I like to root

366
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Speaker 1: for the underdog. Is there a pair of brothers? Yes,

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00:19:45,280 --> 00:19:50,000
Speaker 1: who's next? And can I get on that heat? Because

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Speaker 1: there's nothing more important in this business than being able

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Speaker 1: to identify what's next and saying, oh you like that,

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00:19:59,480 --> 00:20:01,920
Speaker 1: I actually like this, And then people go I haven't

371
00:20:01,960 --> 00:20:04,120
Speaker 1: heard of it, and you go, well you will. Yeah,

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00:20:05,480 --> 00:20:07,639
Speaker 1: if you don't like to do plas brothers, wait five minutes.

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Speaker 4: Yeah, there'll be new brothers.

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Speaker 1: There's gonna be new brothers.

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Speaker 2: And I know I am a sort of an inside

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Speaker 2: guy on some of this stuff. It is the Sprouse brothers.

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00:20:17,720 --> 00:20:20,400
Speaker 2: They're doing a documentary about dangerous lettuce.

378
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Speaker 4: Why is so dangerous?

379
00:20:24,160 --> 00:20:29,479
Speaker 2: One of them ate some lettuce that was fucked.

380
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Speaker 4: People were talking about the Roman lettuce.

381
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Speaker 2: Yes, yes, it's because of what happened to mister Sprouse.

382
00:20:37,080 --> 00:20:39,120
Speaker 2: Oh no, and they're shooting it now.

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Speaker 1: Wow, it'll be fun of it. Yeah, it's like an

384
00:20:44,240 --> 00:20:46,840
Speaker 1: inverse of supersized me in a way. Yeah, because it

385
00:20:46,960 --> 00:20:50,440
Speaker 1: used to be eating the nasty stuff, this fast food

386
00:20:50,920 --> 00:20:53,960
Speaker 1: and they said just eat salad, and the Sprout Brothers

387
00:20:54,000 --> 00:20:55,280
Speaker 1: are going, well we tried.

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Speaker 4: That, yeah, bunny food with a question mark that.

389
00:21:00,080 --> 00:21:03,520
Speaker 1: Yeah, they're going we got the row main one, and

390
00:21:03,680 --> 00:21:06,760
Speaker 1: we basically got freaking you know, stuff coming out our

391
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Speaker 1: butts and everything. And it's true.

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00:21:09,320 --> 00:21:12,680
Speaker 4: I was just gonna say, a funny skit, please. It

393
00:21:12,760 --> 00:21:14,720
Speaker 4: would be if they do like a skit.

394
00:21:15,400 --> 00:21:17,280
Speaker 1: Yeah, like about that and one of.

395
00:21:17,240 --> 00:21:21,040
Speaker 4: The bunch Oh good, but this is another skit I

396
00:21:21,080 --> 00:21:22,040
Speaker 4: could do off of this skit.

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Speaker 1: Are you following? Let's see, like, wait, tell me when

398
00:21:27,520 --> 00:21:29,280
Speaker 1: it's over, and I'll back up and see if I

399
00:21:29,359 --> 00:21:29,600
Speaker 1: got it.

400
00:21:29,760 --> 00:21:35,240
Speaker 4: Cool. They interview people and documentaries in this one my skit, Okay, yep, no,

401
00:21:35,440 --> 00:21:36,040
Speaker 4: I'm not done.

402
00:21:37,400 --> 00:21:39,159
Speaker 1: Sure In mine, I have.

403
00:21:41,320 --> 00:21:43,040
Speaker 4: They interviewed the Jolly Green Giant.

404
00:21:43,640 --> 00:21:46,760
Speaker 1: Oh wow, who's gonna play him?

405
00:21:48,760 --> 00:21:49,439
Speaker 4: Jason Siegel?

406
00:21:49,760 --> 00:21:51,960
Speaker 2: That is great, that's good.

407
00:21:52,720 --> 00:21:55,720
Speaker 1: Okay. So then I had, well, okay, that kind of

408
00:21:55,760 --> 00:21:56,520
Speaker 1: steps on mine.

409
00:21:56,600 --> 00:21:59,680
Speaker 4: No, No, we're just like there's no judgment in this room.

410
00:21:59,800 --> 00:22:02,200
Speaker 1: Okay. Yeah, Well, because when you had said they interview

411
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Speaker 1: people for documentaries, and I was like, oh, okay, I

412
00:22:04,200 --> 00:22:06,679
Speaker 1: think I got it. And then you had yours afterwards

413
00:22:06,960 --> 00:22:09,000
Speaker 1: you got to go first. Kind of what was yours?

414
00:22:09,160 --> 00:22:12,119
Speaker 1: I was that they interviewed the bird's eye, the bird,

415
00:22:12,359 --> 00:22:17,800
Speaker 1: the birds from birds. I've had ye well or just

416
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Speaker 1: as I.

417
00:22:21,400 --> 00:22:21,679
Speaker 4: Or her.

418
00:22:21,880 --> 00:22:24,520
Speaker 2: So you can see how you kind of took Sean's idea. Hey,

419
00:22:24,800 --> 00:22:26,760
Speaker 2: you're the judge, and I can see why you wanted

420
00:22:26,840 --> 00:22:29,000
Speaker 2: to be like, can I do mine? Because you knew

421
00:22:29,520 --> 00:22:31,520
Speaker 2: what very similar?

422
00:22:32,080 --> 00:22:33,159
Speaker 4: Let's play showrunner?

423
00:22:33,680 --> 00:22:36,840
Speaker 1: Okay, staffers, I.

424
00:22:36,880 --> 00:22:38,760
Speaker 2: Am ready to be able to do this.

425
00:22:38,920 --> 00:22:40,920
Speaker 1: I think remember when you were a kid and you'd

426
00:22:40,960 --> 00:22:44,480
Speaker 1: sit in the back seat of your grandpastar and showrunner.

427
00:22:46,680 --> 00:22:49,000
Speaker 1: He'd throw the story beats up on the windshield and

428
00:22:50,920 --> 00:22:53,480
Speaker 1: you'd sort of watch him figure out what goes there,

429
00:22:53,600 --> 00:22:54,800
Speaker 1: and you'd pitch every down and then.

430
00:22:56,200 --> 00:22:57,800
Speaker 4: Yeah, and he was parked of the garage, so it

431
00:22:57,880 --> 00:23:01,320
Speaker 4: wasn't dangerous to cover the Yeah, I know, very safe.

432
00:23:02,119 --> 00:23:03,200
Speaker 4: Who's idea do you like better?

433
00:23:04,520 --> 00:23:09,399
Speaker 2: Your idea was better, but you are a stealer of

434
00:23:09,520 --> 00:23:13,080
Speaker 2: it from from Sean. And there's nothing I care more

435
00:23:13,080 --> 00:23:14,520
Speaker 2: about than intellectual property.

436
00:23:14,720 --> 00:23:20,080
Speaker 1: We have to reward integrity. Please. Now, Hey, is how

437
00:23:20,160 --> 00:23:21,800
Speaker 1: have the showrunner workshop's been going?

438
00:23:22,640 --> 00:23:27,080
Speaker 2: So they are saying that I'm getting to be like

439
00:23:27,280 --> 00:23:29,840
Speaker 2: so good at this, I'm almost ready to get my

440
00:23:30,080 --> 00:23:32,080
Speaker 2: little my little trophy.

441
00:23:32,600 --> 00:23:34,679
Speaker 1: Wow, that's amazing at the end.

442
00:23:34,800 --> 00:23:39,040
Speaker 2: Yes, I'm getting very good at remembering what like the

443
00:23:39,200 --> 00:23:43,760
Speaker 2: different shows are on TV. Great, I'm getting very smart

444
00:23:43,880 --> 00:23:46,680
Speaker 2: about being able to like do a whole circle around

445
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Speaker 2: the table.

446
00:23:48,000 --> 00:23:49,920
Speaker 4: Uh huh, like a horse shoe. They teach you the horseshoe.

447
00:23:50,000 --> 00:23:51,720
Speaker 2: Yes, they teach you to like be able to walk

448
00:23:51,840 --> 00:23:54,840
Speaker 2: like around this thing without hitting any chairs, not even

449
00:23:54,920 --> 00:23:58,639
Speaker 2: brushing it against a chair. You lose points. You can

450
00:23:58,720 --> 00:24:00,520
Speaker 2: go as slow as you want, which i you try

451
00:24:00,560 --> 00:24:01,240
Speaker 2: to go really.

452
00:24:01,119 --> 00:24:03,200
Speaker 4: Fast at first, and then you realize that wasn't the

453
00:24:03,200 --> 00:24:03,520
Speaker 4: way to do.

454
00:24:03,520 --> 00:24:07,639
Speaker 1: It because there's no there's no extra points for it.

455
00:24:07,800 --> 00:24:10,399
Speaker 4: Like you, like, does the showrunner school work, Like you

456
00:24:10,480 --> 00:24:12,000
Speaker 4: pay for classes, but then you have to run the

457
00:24:12,000 --> 00:24:12,680
Speaker 4: shows for free.

458
00:24:13,560 --> 00:24:16,840
Speaker 2: Yes, that's right, but that's the model. The classes are

459
00:24:16,880 --> 00:24:20,080
Speaker 2: really expensive. But the exposure that you get from running

460
00:24:20,119 --> 00:24:21,160
Speaker 2: these shows other.

461
00:24:21,160 --> 00:24:24,119
Speaker 4: Potential showrunners, yes, and your competition and.

462
00:24:24,160 --> 00:24:28,320
Speaker 2: Then they make money from the shows. But there's like

463
00:24:28,400 --> 00:24:31,480
Speaker 2: so many people seeing these shows that you're that you're doing.

464
00:24:32,119 --> 00:24:33,040
Speaker 1: It's complicated.

465
00:24:35,600 --> 00:24:40,280
Speaker 2: I think it's pretty pretty simple, which is like, exposure

466
00:24:40,440 --> 00:24:43,560
Speaker 2: is the most valuable thing. It's more valuable than money.

467
00:24:44,119 --> 00:24:47,120
Speaker 4: Well, yeah, it's the most it is complicated.

468
00:24:46,680 --> 00:24:47,760
Speaker 2: It's the most precious thing.

469
00:24:48,280 --> 00:24:50,679
Speaker 1: Honor currently, Yes, what.

470
00:24:51,600 --> 00:24:56,560
Speaker 4: Is it like a bitcoin coming, Sean, I'm I'm.

471
00:24:56,480 --> 00:24:59,680
Speaker 1: Not necessarily free to talk about the cryptocurrency I'm developing,

472
00:24:59,800 --> 00:25:02,240
Speaker 1: but it's going to be equivalent to unobtainedingum from the

473
00:25:02,280 --> 00:25:06,359
Speaker 1: Avatar movies, and it will be so valuable that exposure

474
00:25:06,400 --> 00:25:10,960
Speaker 1: will actually be obsolete. Oh my god, yes, just like

475
00:25:11,320 --> 00:25:15,000
Speaker 1: just like exposure came along and made money obsolete. Now

476
00:25:15,480 --> 00:25:19,440
Speaker 1: unobtainedum my. You know that blockchain cryptos?

477
00:25:19,520 --> 00:25:20,680
Speaker 4: What secession is about?

478
00:25:21,680 --> 00:25:22,280
Speaker 1: Secession?

479
00:25:22,600 --> 00:25:22,800
Speaker 2: Yeah?

480
00:25:23,440 --> 00:25:28,480
Speaker 1: Uh yeah cool? Uh basically, and it's kind of about Trump.

481
00:25:30,240 --> 00:25:36,639
Speaker 1: I didn't make that connection, okay, Yeah, it's it's so subtle.

482
00:25:36,960 --> 00:25:42,640
Speaker 4: Yeah, there's a guy whose name is Trumpet, mister Trumpet,

483
00:25:43,280 --> 00:25:44,120
Speaker 4: President Trumpet.

484
00:25:44,320 --> 00:25:48,520
Speaker 2: Okay, which is why I didn't really totally understand. Doesn't

485
00:25:48,560 --> 00:25:50,560
Speaker 2: seem like that's definitely not the same name as the

486
00:25:50,800 --> 00:25:51,199
Speaker 2: other guy.

487
00:25:51,280 --> 00:25:53,000
Speaker 1: Well, if you want me to not understand your show,

488
00:25:53,160 --> 00:25:55,639
Speaker 1: just get me thinking about jazz during it, because that'll

489
00:25:55,680 --> 00:25:56,399
Speaker 1: drift me away.

490
00:25:56,840 --> 00:25:58,840
Speaker 4: You like thinking about jazz more than listening to it.

491
00:25:59,160 --> 00:26:01,200
Speaker 1: I can't listen to it just because of my ears,

492
00:26:01,240 --> 00:26:07,359
Speaker 1: but I but I have these extended fantasies about what

493
00:26:08,119 --> 00:26:08,800
Speaker 1: it could could be.

494
00:26:09,560 --> 00:26:13,679
Speaker 2: Yes, m hm, see shower the one here. See how

495
00:26:13,720 --> 00:26:18,960
Speaker 2: the top is like dripping down, Yeah, over the whole part. Yeah.

496
00:26:19,720 --> 00:26:22,120
Speaker 4: But I always just thought that was like Sean's cute thing.

497
00:26:22,480 --> 00:26:25,840
Speaker 2: He had that big piercing up top.

498
00:26:26,400 --> 00:26:28,639
Speaker 4: Oh, the like the one that's like the size of

499
00:26:28,760 --> 00:26:29,880
Speaker 4: like bigger than a quarter.

500
00:26:30,000 --> 00:26:32,040
Speaker 1: There's a part, there's a part of the ear. And

501
00:26:32,160 --> 00:26:35,160
Speaker 1: I know this now that you're allowed to do big,

502
00:26:35,359 --> 00:26:38,800
Speaker 1: huge and stretch it, there's another part that you are not.

503
00:26:39,680 --> 00:26:42,760
Speaker 1: Do not get them confused, because if you get the

504
00:26:42,880 --> 00:26:46,560
Speaker 1: big giant piercing in the part that do not stretch.

505
00:26:47,320 --> 00:26:50,120
Speaker 2: But it seems like that part is listening a jazz.

506
00:26:50,200 --> 00:26:51,280
Speaker 2: That's the bigger part.

507
00:26:51,480 --> 00:26:54,200
Speaker 1: It's hard. It looked to me this is going to

508
00:26:54,320 --> 00:26:55,680
Speaker 1: rock the little small part.

509
00:26:56,040 --> 00:26:59,760
Speaker 2: What if he misses it? It's so small. The big

510
00:26:59,800 --> 00:27:02,920
Speaker 2: part it's huge. Yeah, and live and learn, you know,

511
00:27:03,440 --> 00:27:04,199
Speaker 2: hopefully in the.

512
00:27:05,800 --> 00:27:08,840
Speaker 1: Next time around next time you get your ear peers, No,

513
00:27:09,119 --> 00:27:15,159
Speaker 1: the next time, I'm alive to Buddhism. I'm just ready to.

514
00:27:15,600 --> 00:27:17,720
Speaker 1: I'm just ready to kick out on this one. I'm

515
00:27:17,760 --> 00:27:18,560
Speaker 1: ready to cash in.

516
00:27:20,200 --> 00:27:21,159
Speaker 4: Do you want to talk about it?

517
00:27:21,960 --> 00:27:24,159
Speaker 2: He is talking about I just did.

518
00:27:24,240 --> 00:27:25,240
Speaker 4: It's just trying to be nice.

519
00:27:26,040 --> 00:27:29,440
Speaker 1: I just think that hopefully next time around, I'm gonna

520
00:27:30,800 --> 00:27:38,919
Speaker 1: appreciate these years, these old years, if I knew then

521
00:27:38,960 --> 00:27:39,600
Speaker 1: what I know now.

522
00:27:39,720 --> 00:27:42,720
Speaker 4: Huh. That's what this is about pilot season that you're

523
00:27:42,760 --> 00:27:45,160
Speaker 4: so bleak. Oh no, he seems so bleak.

524
00:27:45,400 --> 00:27:47,600
Speaker 1: No, this is from I see all my friends get

525
00:27:47,640 --> 00:27:50,320
Speaker 1: these multi camps. I can't even get one cam.

526
00:27:53,600 --> 00:27:53,719
Speaker 4: Uh.

527
00:27:54,320 --> 00:27:56,080
Speaker 2: Do we want to do some scenes from the show.

528
00:27:56,280 --> 00:27:56,840
Speaker 4: I would love to.

529
00:27:57,119 --> 00:27:59,480
Speaker 2: We have so we have your audio.

530
00:28:00,240 --> 00:28:03,560
Speaker 1: Obviously, legally we couldn't clear the other actor's audio. They're

531
00:28:03,600 --> 00:28:05,200
Speaker 1: not guests on the show, and they're not going to

532
00:28:05,320 --> 00:28:07,600
Speaker 1: be Oh my god, I mean I don't know.

533
00:28:07,800 --> 00:28:09,639
Speaker 4: This just became a writer's room again, and that it

534
00:28:09,720 --> 00:28:10,480
Speaker 4: got gossipy.

535
00:28:10,960 --> 00:28:14,320
Speaker 2: Uh huh No, we're just worried that they won't want

536
00:28:14,400 --> 00:28:16,080
Speaker 2: to You can't get them. If we get them, great,

537
00:28:16,280 --> 00:28:18,800
Speaker 2: but anywhere, or you're friends with them, maybe you could

538
00:28:18,920 --> 00:28:19,280
Speaker 2: get them on.

539
00:28:19,440 --> 00:28:21,240
Speaker 4: We don't stay at touch, you know, we haven't because

540
00:28:21,320 --> 00:28:22,879
Speaker 4: it didn't get picked up, and I think people were

541
00:28:22,960 --> 00:28:26,800
Speaker 4: upset and so they like associate failure with the cast members,

542
00:28:27,200 --> 00:28:29,200
Speaker 4: so I don't hear from them anymore. Okay, so you're

543
00:28:29,240 --> 00:28:31,040
Speaker 4: not gonna call them, I can if you asked me, well,

544
00:28:31,080 --> 00:28:34,159
Speaker 4: I don't call any what. I'm a millennium myself, you

545
00:28:34,200 --> 00:28:34,800
Speaker 4: know what I'm.

546
00:28:34,640 --> 00:28:39,000
Speaker 1: Says, Yes, Oh yeah, I guess you do make some

547
00:28:39,160 --> 00:28:41,400
Speaker 1: calls because you just called back to the freaking best

548
00:28:41,480 --> 00:28:47,120
Speaker 1: joke of the whole episode. Sweet, So we're so we're

549
00:28:47,200 --> 00:28:49,920
Speaker 1: gonna be able to play clips of your voice from

550
00:28:49,960 --> 00:28:51,720
Speaker 1: the show and then Hayes and I will just sort

551
00:28:51,760 --> 00:28:54,400
Speaker 1: of guess at and figure out what other people were

552
00:28:54,440 --> 00:28:55,600
Speaker 1: saying to you during that time.

553
00:28:56,080 --> 00:28:58,280
Speaker 2: So yeah, if you just hear like tell us the

554
00:28:58,400 --> 00:29:00,840
Speaker 2: idea of one of the scene means, I guess that

555
00:29:00,920 --> 00:29:03,880
Speaker 2: could help. Yeah, okay, And I know there is, of course,

556
00:29:03,960 --> 00:29:07,920
Speaker 2: since you're in it, a substantial musical component to this

557
00:29:08,080 --> 00:29:08,800
Speaker 2: modile It just.

558
00:29:08,800 --> 00:29:12,840
Speaker 1: Wouldn't be a Julie Klausner joint if we weren't j

559
00:29:15,480 --> 00:29:19,400
Speaker 1: Well this first scene, I can't do that.

560
00:29:19,480 --> 00:29:21,600
Speaker 2: The acronym thing. I'm amazed that people who can.

561
00:29:22,720 --> 00:29:25,280
Speaker 6: Hear three word harmonic device and just like turn it

562
00:29:25,320 --> 00:29:29,200
Speaker 6: into an acronym take the thing.

563
00:29:29,440 --> 00:29:34,680
Speaker 2: I'm so bad here give me one, not ever on

564
00:29:35,760 --> 00:29:41,840
Speaker 2: ned That's those are the words. Yes, okay, b hey,

565
00:29:41,960 --> 00:29:44,800
Speaker 2: I'll try to help you. I'll try to help okay,

566
00:29:45,120 --> 00:29:47,640
Speaker 2: thank you got no chance at this b O n

567
00:29:47,800 --> 00:29:48,560
Speaker 2: E s.

568
00:29:51,160 --> 00:29:56,440
Speaker 1: Bones right see, I see. And you know who can

569
00:29:56,520 --> 00:30:00,920
Speaker 1: do itman? Do that? You only can do it in

570
00:30:01,040 --> 00:30:01,480
Speaker 1: the moment.

571
00:30:01,760 --> 00:30:02,280
Speaker 4: I like you.

572
00:30:02,880 --> 00:30:06,800
Speaker 1: He can instantly do it. I can't. I can't even

573
00:30:06,840 --> 00:30:09,600
Speaker 1: get close. I mean that to me, yours was pretty close.

574
00:30:10,040 --> 00:30:13,360
Speaker 1: I don't know. Yeah, did you give me one? Yeah?

575
00:30:14,560 --> 00:30:18,760
Speaker 4: Really even.

576
00:30:20,000 --> 00:30:33,080
Speaker 1: Dead squid forty four. It's hard Omega like it was that.

577
00:30:33,240 --> 00:30:34,200
Speaker 4: It was that.

578
00:30:34,320 --> 00:30:37,240
Speaker 1: It is that close. I mean, is that closer? I mean,

579
00:30:41,400 --> 00:30:43,560
Speaker 1: sure you got one of them? I think? Okay, yes,

580
00:30:43,680 --> 00:30:45,360
Speaker 1: I know I know one of them. I know for

581
00:30:45,560 --> 00:30:48,240
Speaker 1: sure I got Yeah, but I was not. I couldn't.

582
00:30:48,440 --> 00:30:50,600
Speaker 1: When you get to the I can remember the last

583
00:30:50,640 --> 00:30:52,400
Speaker 1: one she gave, but then I can't remember the first.

584
00:30:52,840 --> 00:30:58,680
Speaker 1: Puzzles Yeah, mmmm yeah. I like puzzlers. I like car

585
00:30:58,760 --> 00:31:02,240
Speaker 1: talk puzzlers. That's kind of my whole shit.

586
00:31:02,440 --> 00:31:04,760
Speaker 4: Is that where they like jumble up the word carburetor.

587
00:31:06,360 --> 00:31:12,120
Speaker 1: No, that's a jumble actually good at that too, But no,

588
00:31:12,280 --> 00:31:16,680
Speaker 1: the CarTALK puzzlers are they like do these advanced sort

589
00:31:16,720 --> 00:31:19,840
Speaker 1: of math math often like.

590
00:31:19,920 --> 00:31:22,320
Speaker 4: If you're going thirty miles an hour, then how much

591
00:31:22,440 --> 00:31:23,600
Speaker 4: gas are you using?

592
00:31:23,840 --> 00:31:24,800
Speaker 1: Yeah, that kind of thing.

593
00:31:25,000 --> 00:31:26,160
Speaker 2: That's when they're really hard.

594
00:31:26,280 --> 00:31:26,840
Speaker 1: That's one of them.

595
00:31:27,000 --> 00:31:27,680
Speaker 4: That's a puzzler.

596
00:31:28,240 --> 00:31:31,760
Speaker 2: Yeah, one of them died the puzzlers.

597
00:31:32,240 --> 00:31:38,760
Speaker 1: Yeah, yeah, how puzzle too hard? Yeah, puzzle herism.

598
00:31:40,400 --> 00:31:42,160
Speaker 4: Does Jay Leno listen to car Talk? I know this

599
00:31:42,320 --> 00:31:46,120
Speaker 4: is like something that is like too obvious to ask.

600
00:31:47,760 --> 00:31:54,600
Speaker 1: Does Jay listen? Well, let's ask him. Hang on, Hi

601
00:31:55,320 --> 00:31:58,320
Speaker 1: say yeah, don't I listen? Do you want to car talk?

602
00:32:00,720 --> 00:32:01,240
Speaker 5: You've seen this.

603
00:32:03,160 --> 00:32:10,200
Speaker 4: Answer answer No, you know, listen to the other.

604
00:32:10,120 --> 00:32:12,560
Speaker 1: Day with the judge Lancto.

605
00:32:16,120 --> 00:32:18,760
Speaker 2: So yes, he does. He listened to it just the

606
00:32:18,840 --> 00:32:23,200
Speaker 2: other day. M hmm, Ryan, that was a really good

607
00:32:23,240 --> 00:32:26,680
Speaker 2: impression by the you never do I just like it

608
00:32:26,840 --> 00:32:29,760
Speaker 2: was so weird to hear you just like raise your

609
00:32:29,840 --> 00:32:32,920
Speaker 2: hand to volunteer to do it, point it yourself.

610
00:32:32,560 --> 00:32:34,400
Speaker 1: Grabbed my mic and pulled it away. I was trying

611
00:32:34,440 --> 00:32:36,400
Speaker 1: to be like, no, don't do it, but yeah, I've

612
00:32:36,440 --> 00:32:39,000
Speaker 1: been waiting for an opportunity to pull that one out.

613
00:32:39,680 --> 00:32:40,360
Speaker 1: Thank you and Rock.

614
00:32:40,480 --> 00:32:41,200
Speaker 2: That was crazy.

615
00:32:41,440 --> 00:32:43,080
Speaker 4: Put it back, put it back.

616
00:32:44,080 --> 00:32:46,200
Speaker 2: So can we do the scene. Please. Everyone is waiting

617
00:32:46,280 --> 00:32:48,400
Speaker 2: for the scene from Can You Believe It?

618
00:32:48,520 --> 00:32:49,000
Speaker 4: Built it up?

619
00:32:49,040 --> 00:32:50,520
Speaker 1: So just talk a little bit about what the scene

620
00:32:50,600 --> 00:32:51,280
Speaker 1: is and then we'll do it.

621
00:32:51,760 --> 00:32:55,720
Speaker 4: Okay, So this scene is me giving advice to my

622
00:32:55,840 --> 00:32:58,720
Speaker 4: best friend who is also a doctor. I'm a doctor,

623
00:32:58,920 --> 00:33:01,120
Speaker 4: she's a doctor, and she's like, am I going to

624
00:33:01,160 --> 00:33:01,720
Speaker 4: find the one?

625
00:33:02,040 --> 00:33:08,880
Speaker 2: And I'm like, no, okay, okay, great, who's playing the

626
00:33:08,960 --> 00:33:09,520
Speaker 2: other doctor?

627
00:33:10,680 --> 00:33:11,600
Speaker 4: I'd rather not say.

628
00:33:12,080 --> 00:33:12,960
Speaker 2: Yeah, I think that's.

629
00:33:13,080 --> 00:33:15,880
Speaker 1: That's better for us too. And so then we'll fill

630
00:33:15,960 --> 00:33:18,640
Speaker 1: in for the other doctor, and I guess I'll Hay,

631
00:33:18,760 --> 00:33:19,920
Speaker 1: do you want to be the doctor? You want me

632
00:33:19,960 --> 00:33:20,680
Speaker 1: to be the other doctor?

633
00:33:20,720 --> 00:33:21,320
Speaker 2: I guess I'll do.

634
00:33:21,680 --> 00:33:24,360
Speaker 4: This is like that riddle right where it's like I

635
00:33:24,480 --> 00:33:27,880
Speaker 4: can't operate on her because I can't operate on that,

636
00:33:28,160 --> 00:33:30,480
Speaker 4: on his on that because I'm a woman.

637
00:33:30,880 --> 00:33:32,200
Speaker 2: Well that's a car talk puzzler.

638
00:33:32,720 --> 00:33:33,600
Speaker 4: That is why I can't.

639
00:33:33,680 --> 00:33:35,360
Speaker 1: That's the one that was the first one that.

640
00:33:36,160 --> 00:33:38,160
Speaker 4: I can't operate on my son. I'm a woman.

641
00:33:38,920 --> 00:33:42,360
Speaker 1: Yeah, I guess I'll do this date, which makes sense

642
00:33:42,360 --> 00:33:44,760
Speaker 1: if you think about it, because it's like you wouldn't

643
00:33:44,840 --> 00:33:50,720
Speaker 1: know how the boy's body works, you know, Yeah, you

644
00:33:50,800 --> 00:33:54,680
Speaker 1: can operate on your daughter, and you should, but don't.

645
00:33:55,120 --> 00:33:56,880
Speaker 4: It's like I don't want to go to a mechanic

646
00:33:56,960 --> 00:33:57,840
Speaker 4: who doesn't have his own car.

647
00:33:58,280 --> 00:34:02,520
Speaker 1: That's see right, note shouldn't given a trim from Ald

648
00:34:02,720 --> 00:34:06,080
Speaker 1: Barbara is j leto back. No.

649
00:34:06,400 --> 00:34:08,719
Speaker 2: I think it was Sean trying to do a competing jay.

650
00:34:08,920 --> 00:34:11,439
Speaker 1: I can't. I found out pretty quick.

651
00:34:11,480 --> 00:34:13,800
Speaker 2: I don't have it. Yeah, but yeah, no, it's not

652
00:34:14,520 --> 00:34:16,360
Speaker 2: she can't operate on him. It's not sexist. But she

653
00:34:16,480 --> 00:34:21,320
Speaker 2: might try to give him titties. She might try to

654
00:34:21,400 --> 00:34:21,640
Speaker 2: do that.

655
00:34:22,239 --> 00:34:25,600
Speaker 1: Well, yes, because you know, to a female doctor, it

656
00:34:25,640 --> 00:34:28,280
Speaker 1: would appear something was missing from this what I believe

657
00:34:28,440 --> 00:34:29,719
Speaker 1: in the story a ten year old boy.

658
00:34:30,239 --> 00:34:32,319
Speaker 4: Yes, I should mention in this scene that there's also

659
00:34:32,360 --> 00:34:34,640
Speaker 4: an in cell and he is.

660
00:34:36,520 --> 00:34:40,000
Speaker 6: Yeah, he's in the room the whole time. Okay, he's

661
00:34:40,040 --> 00:34:45,680
Speaker 6: a patient. Oh wow, Okay, should I do the stage directions?

662
00:34:45,719 --> 00:34:54,880
Speaker 2: Okay? All right, sure, okay, interior Doctor's lounge, Doctor Julie Janet, Sorry,

663
00:34:54,960 --> 00:34:57,040
Speaker 2: doctor Janet, I forgot. I do think it's a really

664
00:34:57,080 --> 00:35:00,279
Speaker 2: good idea that the name of your character was is

665
00:35:00,360 --> 00:35:03,080
Speaker 2: also the name of probably the most recognizable character on

666
00:35:03,360 --> 00:35:07,080
Speaker 2: NBC at this point. In a comedy. Who's that the

667
00:35:07,239 --> 00:35:11,320
Speaker 2: Janet from the good Place. I think it is smart

668
00:35:11,400 --> 00:35:13,520
Speaker 2: to be like, oh, Janet's on the just get to Janet,

669
00:35:13,600 --> 00:35:16,120
Speaker 2: so we can be a Janet channel as.

670
00:35:16,080 --> 00:35:18,320
Speaker 4: Well, when like on ear there was doctor Kramer.

671
00:35:18,480 --> 00:35:22,120
Speaker 2: I can't name a single NBC character except one, yeah,

672
00:35:22,560 --> 00:35:23,520
Speaker 2: and that is Janet.

673
00:35:24,000 --> 00:35:25,040
Speaker 1: Janet Nights on.

674
00:35:25,280 --> 00:35:28,120
Speaker 4: NBC must Janet TV.

675
00:35:29,719 --> 00:35:32,080
Speaker 2: And see again you kind of almost did.

676
00:35:32,320 --> 00:35:34,480
Speaker 4: Maybe that's why the audience was so excited when like,

677
00:35:34,800 --> 00:35:36,640
Speaker 4: oh my god, Janet shirt was like.

678
00:35:36,760 --> 00:35:44,719
Speaker 2: Me, Janet, Uh interior doctor's lounge, Doctor Janet sash isn't

679
00:35:44,760 --> 00:35:49,400
Speaker 2: across the floor, Uh scatting.

680
00:35:50,480 --> 00:35:52,080
Speaker 4: Supery bop bop boop boop.

681
00:35:52,200 --> 00:35:52,520
Speaker 2: Doctor.

682
00:35:54,120 --> 00:35:56,279
Speaker 4: H Hi, Rachel, you look sad. What's going on?

683
00:35:57,160 --> 00:36:00,600
Speaker 1: I'm sick. Yeah, I'm in doctor, but I'm sick.

684
00:36:00,719 --> 00:36:03,919
Speaker 4: I'm sick too, sick and tired of this dating Brighamarole.

685
00:36:04,040 --> 00:36:05,480
Speaker 1: Okay, but I'm really sick.

686
00:36:07,760 --> 00:36:08,880
Speaker 2: They sit down on the floor.

687
00:36:10,760 --> 00:36:13,480
Speaker 4: You know, sometimes I think true love isn't even out

688
00:36:13,520 --> 00:36:15,640
Speaker 4: there and it doesn't even exist, And then I like

689
00:36:16,360 --> 00:36:18,920
Speaker 4: eat a whole thing of Dorito's and cry myself to

690
00:36:18,960 --> 00:36:20,960
Speaker 4: sleep with my two best friends Ben and Jerry.

691
00:36:21,840 --> 00:36:23,640
Speaker 1: I'm my legs caught in a trap.

692
00:36:26,080 --> 00:36:30,200
Speaker 2: A very handsome insel walks into the room. Doctors Jana

693
00:36:30,280 --> 00:36:32,120
Speaker 2: and Rachel are crushing on him.

694
00:36:32,520 --> 00:36:35,880
Speaker 4: Shut up, Rachel, enough about your leg. There's a patient here.

695
00:36:36,000 --> 00:36:37,839
Speaker 4: We have to tend to him. Hi, sir, what's wrong

696
00:36:37,880 --> 00:36:41,080
Speaker 4: with you? Oh no, I mean, what's really wrong with you?

697
00:36:41,800 --> 00:36:44,880
Speaker 4: We high five. I know that you're reading stage direction,

698
00:36:45,800 --> 00:36:47,880
Speaker 4: but I just had to say that because usually the

699
00:36:48,000 --> 00:36:48,760
Speaker 4: sound would.

700
00:36:48,520 --> 00:36:51,320
Speaker 2: Be like, right, but we don't have We only have

701
00:36:51,520 --> 00:36:54,799
Speaker 2: your audio, and we know we can't get the other

702
00:36:54,920 --> 00:36:57,440
Speaker 2: hands audio. Yeah, yeah, that's right.

703
00:36:59,120 --> 00:36:59,719
Speaker 4: What's wrong with you?

704
00:37:00,040 --> 00:37:00,120
Speaker 6: Mean?

705
00:37:00,160 --> 00:37:01,680
Speaker 4: What's really wrong with you? They high five?

706
00:37:02,400 --> 00:37:05,200
Speaker 1: Friggin it sucks.

707
00:37:06,680 --> 00:37:10,200
Speaker 4: Oh, here we go again. Rachel, what's wrong? Why are

708
00:37:10,239 --> 00:37:10,880
Speaker 4: you in the corner?

709
00:37:12,080 --> 00:37:18,439
Speaker 5: Well, so my leg is in a trap, which I said,

710
00:37:19,200 --> 00:37:22,359
Speaker 5: So that's like why I'm not, you know, moving a lot.

711
00:37:22,640 --> 00:37:25,400
Speaker 4: I'm kind of a trap queen. I put photos of

712
00:37:25,480 --> 00:37:29,520
Speaker 4: myself on Instagram sometimes making fishy faces, and I'm still

713
00:37:29,560 --> 00:37:30,920
Speaker 4: gonna diealone.

714
00:37:32,200 --> 00:37:35,839
Speaker 1: Freaking you ever think about how we are, like, we're

715
00:37:36,120 --> 00:37:40,279
Speaker 1: all gonna die good us a comedian. It's a good

716
00:37:40,320 --> 00:37:42,080
Speaker 1: point out check.

717
00:37:42,160 --> 00:37:43,719
Speaker 4: Please end a scene?

718
00:37:44,560 --> 00:37:46,400
Speaker 1: Wow? Uh?

719
00:37:47,000 --> 00:37:49,040
Speaker 2: There was no singing, Ultimately.

720
00:37:49,000 --> 00:37:52,680
Speaker 4: Nodding is a kind of singing.

721
00:37:52,840 --> 00:37:55,880
Speaker 1: I guess that is a musical album because there was

722
00:37:55,920 --> 00:37:59,040
Speaker 1: like a big musical finale to the show. I mean

723
00:37:59,120 --> 00:38:01,000
Speaker 1: that's the you know, the this was this scene was

724
00:38:01,080 --> 00:38:02,360
Speaker 1: just the first scene of the pilot.

725
00:38:02,480 --> 00:38:08,120
Speaker 2: Okay, we're gonna play that one too, right, Yeah, I

726
00:38:08,239 --> 00:38:10,239
Speaker 2: guess we should. I mean, I like, can you tell

727
00:38:10,280 --> 00:38:12,360
Speaker 2: us kind of what happens in the show?

728
00:38:13,280 --> 00:38:14,000
Speaker 1: Yes, so we can.

729
00:38:14,040 --> 00:38:16,640
Speaker 2: I guess know how what we're looking forward to here?

730
00:38:17,120 --> 00:38:20,759
Speaker 4: Okay, Well, Rachel has her leg amputated. Yea, and then

731
00:38:20,840 --> 00:38:23,680
Speaker 4: she needs to find a donor to donate.

732
00:38:24,440 --> 00:38:24,640
Speaker 1: Yeah.

733
00:38:24,680 --> 00:38:26,680
Speaker 4: Yeah, she needs to find a leg donor and lo

734
00:38:26,800 --> 00:38:30,160
Speaker 4: and behold it's this guy that she ends up falling

735
00:38:30,200 --> 00:38:30,560
Speaker 4: in love with.

736
00:38:31,600 --> 00:38:35,279
Speaker 2: And there was a big conflict for her earlier in

737
00:38:35,320 --> 00:38:37,279
Speaker 2: the episode for a woman her age, should she be

738
00:38:37,360 --> 00:38:42,520
Speaker 2: freezing her legs something that we're dealing with now.

739
00:38:42,880 --> 00:38:45,239
Speaker 4: Sometimes like there's always the option of like I can get.

740
00:38:45,160 --> 00:38:48,960
Speaker 1: A leg surrogate, Yeah, but you want it to be

741
00:38:49,120 --> 00:38:49,720
Speaker 1: your legs.

742
00:38:50,239 --> 00:38:52,040
Speaker 4: But then but then there's an issue of like what

743
00:38:52,120 --> 00:38:53,000
Speaker 4: does that even mean?

744
00:38:53,480 --> 00:38:55,400
Speaker 1: You know, like what is what?

745
00:38:55,719 --> 00:38:57,120
Speaker 4: What's my leg? What's her leg?

746
00:38:57,320 --> 00:38:57,520
Speaker 2: Yes?

747
00:38:58,360 --> 00:38:59,800
Speaker 4: Why are women supposed to be perfect?

748
00:39:00,360 --> 00:39:00,680
Speaker 2: Thank you?

749
00:39:01,000 --> 00:39:07,480
Speaker 4: Why can't Samantha Bee, girl Boss or girl Boss be

750
00:39:07,719 --> 00:39:11,600
Speaker 4: like so a fucking sword. Yeah.

751
00:39:12,280 --> 00:39:16,440
Speaker 1: Sure. One question I had about the scene is at

752
00:39:16,520 --> 00:39:18,920
Speaker 1: the top of the scene, Rachel was sick, but then

753
00:39:19,040 --> 00:39:21,479
Speaker 1: later her issue was that her leg was in a trap.

754
00:39:22,200 --> 00:39:25,239
Speaker 1: Did she think her leg hurting was being sick or

755
00:39:25,480 --> 00:39:27,120
Speaker 1: I die? Just did that get clarified?

756
00:39:27,520 --> 00:39:29,880
Speaker 4: That's a great question. And NBC had the same question,

757
00:39:30,520 --> 00:39:33,440
Speaker 4: and the answer to it is it was mistrecked.

758
00:39:33,680 --> 00:39:34,719
Speaker 1: Hey, I could work at NBC.

759
00:39:38,560 --> 00:39:39,120
Speaker 2: That's nice.

760
00:39:39,600 --> 00:39:46,400
Speaker 1: So the so the musical finale, I guess is really

761
00:39:46,880 --> 00:39:51,400
Speaker 1: it's Is it Rachel singing about her new leg? No? Oh, okay,

762
00:39:51,719 --> 00:39:53,360
Speaker 1: it is certainly not that.

763
00:39:53,800 --> 00:39:54,040
Speaker 2: Okay.

764
00:39:54,080 --> 00:39:55,240
Speaker 1: Oh I'm sorry, Queenie.

765
00:39:55,400 --> 00:40:00,319
Speaker 4: All of the character's lip sync to a sess song

766
00:40:01,320 --> 00:40:03,440
Speaker 4: about love, like in Magnolias.

767
00:40:04,320 --> 00:40:06,880
Speaker 1: Oh yeah, Magnolia Bakery.

768
00:40:07,120 --> 00:40:09,200
Speaker 4: Yeah you know that cupcake store?

769
00:40:09,640 --> 00:40:12,680
Speaker 2: Yeah, from the freaking Sunday song. Yeah, I think I

770
00:40:12,800 --> 00:40:13,320
Speaker 2: know about that.

771
00:40:13,560 --> 00:40:14,440
Speaker 4: What's the Sunday song?

772
00:40:15,000 --> 00:40:20,480
Speaker 2: These two white guys do like they like black guys

773
00:40:20,560 --> 00:40:21,879
Speaker 2: about white stuff.

774
00:40:21,640 --> 00:40:24,440
Speaker 4: Like the chronic. Cook calls that, Yes.

775
00:40:25,800 --> 00:40:29,400
Speaker 1: The chronic was like a thing. I remember rap rapping

776
00:40:29,640 --> 00:40:30,359
Speaker 1: was already doing.

777
00:40:32,880 --> 00:40:34,480
Speaker 4: Yeah, yeah, Keyboard Cat.

778
00:40:36,280 --> 00:40:43,080
Speaker 1: The history of dance. So so this song is them

779
00:40:43,239 --> 00:40:45,799
Speaker 1: lip syncing and then they sing an original song after no.

780
00:40:46,040 --> 00:40:48,080
Speaker 4: They are lip singing to an original song.

781
00:40:48,640 --> 00:40:52,520
Speaker 1: Ah, okay, that's sad song, sad.

782
00:40:52,320 --> 00:40:54,160
Speaker 4: But sweet, bittersweet Verry, this is us.

783
00:40:55,239 --> 00:40:55,840
Speaker 2: Yeah, Okay.

784
00:40:57,320 --> 00:40:59,960
Speaker 4: At one point, somebody's house is destroyed by a slow cook.

785
00:41:00,560 --> 00:41:04,360
Speaker 1: I should mention, okay and that, but it was actors.

786
00:41:04,400 --> 00:41:07,759
Speaker 2: You're pulling a lot of stuff from other NBC me.

787
00:41:08,239 --> 00:41:09,560
Speaker 4: I am just an actor.

788
00:41:09,960 --> 00:41:10,280
Speaker 2: Okay.

789
00:41:10,600 --> 00:41:11,919
Speaker 4: That's the great thing about this gig.

790
00:41:12,320 --> 00:41:12,920
Speaker 1: I show up.

791
00:41:13,520 --> 00:41:19,200
Speaker 4: I find the character. Sure it is a sweet gig

792
00:41:19,280 --> 00:41:24,799
Speaker 4: Sean because the check clear'st baby, Okay, it's as clear

793
00:41:24,840 --> 00:41:28,560
Speaker 4: as scientology. I could get used to that, baby.

794
00:41:29,640 --> 00:41:31,640
Speaker 1: I mean, I've never been on a set where I'm

795
00:41:31,640 --> 00:41:32,920
Speaker 1: not also the director.

796
00:41:33,040 --> 00:41:35,680
Speaker 4: It's challenging, yes, but you know what, it's actually kind

797
00:41:35,680 --> 00:41:38,279
Speaker 4: of like a little vacation. It's like, now you're not

798
00:41:38,400 --> 00:41:41,120
Speaker 4: going to have to think about directing or producing your

799
00:41:41,120 --> 00:41:43,560
Speaker 4: show up and just but you know what, though, do

800
00:41:43,680 --> 00:41:45,440
Speaker 4: the thing is a little more complicated than just do

801
00:41:45,600 --> 00:41:47,480
Speaker 4: the thing. You know, you sound a little flippant when

802
00:41:47,480 --> 00:41:47,840
Speaker 4: you said that.

803
00:41:48,080 --> 00:41:52,040
Speaker 1: Just okay, yeah, no, I just it's acting is real.

804
00:41:52,360 --> 00:41:55,320
Speaker 4: Acting is important. No, it's and ultimately the people in

805
00:41:55,400 --> 00:41:58,279
Speaker 4: front of the cameras are the people that we see. Yeah,

806
00:41:58,680 --> 00:41:59,919
Speaker 4: and this is a visual media.

807
00:42:00,560 --> 00:42:06,640
Speaker 1: Some people think that actors have to invent some kind

808
00:42:06,680 --> 00:42:10,120
Speaker 1: of process around their performance just in order to not

809
00:42:10,239 --> 00:42:12,640
Speaker 1: go insane with the fact that what they are doing

810
00:42:12,880 --> 00:42:15,800
Speaker 1: for most of their life is nothing. Yeah, and that

811
00:42:16,280 --> 00:42:20,160
Speaker 1: the more complicated the rituals of preparation, the more it

812
00:42:20,280 --> 00:42:23,239
Speaker 1: will feel like a job and will make them feel

813
00:42:23,480 --> 00:42:28,919
Speaker 1: satisfied with what they're doing. And that actually you could

814
00:42:29,239 --> 00:42:33,000
Speaker 1: probably get a very similar performance from just showing up

815
00:42:33,000 --> 00:42:34,480
Speaker 1: and doing it, just learning the lines and kind of

816
00:42:34,520 --> 00:42:37,959
Speaker 1: doing it. I don't think that at all. I can't

817
00:42:38,080 --> 00:42:41,680
Speaker 1: believe anyone would say that. Get out of here with that.

818
00:42:42,440 --> 00:42:45,799
Speaker 4: You had to go to a hospital and I went

819
00:42:45,840 --> 00:42:47,160
Speaker 4: to a veteran's emergency room.

820
00:42:47,400 --> 00:42:52,080
Speaker 2: Yes, and shadow a doctor, Yes, and do veteran surgery.

821
00:42:52,440 --> 00:42:53,959
Speaker 4: Did I did surgery on a veteran?

822
00:42:54,160 --> 00:42:54,399
Speaker 1: Yeah?

823
00:42:54,800 --> 00:42:56,400
Speaker 4: Of the television industry.

824
00:42:57,200 --> 00:42:58,239
Speaker 1: Oh wow? Yeah?

825
00:42:58,320 --> 00:42:58,560
Speaker 2: Okay.

826
00:42:58,600 --> 00:42:59,200
Speaker 1: So so as a.

827
00:42:59,239 --> 00:43:03,400
Speaker 4: Conductor, he conducted orchestras that played like you know what

828
00:43:03,440 --> 00:43:04,080
Speaker 4: the oscars like?

829
00:43:05,719 --> 00:43:09,479
Speaker 2: Oh yeah, that was what he directed. What a lost era.

830
00:43:09,880 --> 00:43:11,280
Speaker 2: It's very sad now.

831
00:43:11,320 --> 00:43:13,799
Speaker 4: I know that now they just hit play and it's

832
00:43:13,880 --> 00:43:21,200
Speaker 4: like poo poo, and Jimmy Kimmel's like, surprise these people

833
00:43:21,280 --> 00:43:22,680
Speaker 4: at an army's.

834
00:43:25,440 --> 00:43:27,560
Speaker 1: And I was like, do you want to meet Kate

835
00:43:27,800 --> 00:43:29,320
Speaker 1: marrat I really.

836
00:43:31,320 --> 00:43:33,920
Speaker 4: And these people are like, we all just got out

837
00:43:33,960 --> 00:43:38,200
Speaker 4: of prison. Oh bosh is awak?

838
00:43:38,760 --> 00:43:46,200
Speaker 2: I missed the sweeping operatic score for Jimmy He like whatever,

839
00:43:46,440 --> 00:43:47,839
Speaker 2: throwing lunch of bulls at.

840
00:43:49,360 --> 00:43:52,600
Speaker 4: These rich people came out of a bus. Yeah, oh right, No,

841
00:43:52,800 --> 00:43:55,160
Speaker 4: that's what's fun. He throws sandwiches at the rich people

842
00:43:55,600 --> 00:43:57,239
Speaker 4: and the poor people that come out of the bus

843
00:43:58,000 --> 00:43:59,640
Speaker 4: get He's surprised.

844
00:43:59,160 --> 00:44:01,319
Speaker 1: With Bennett comer badge.

845
00:44:03,480 --> 00:44:06,399
Speaker 4: And they get excited because they.

846
00:44:06,360 --> 00:44:15,360
Speaker 1: See the camera. Yeah, yeah, yeah, that's good. Well I

847
00:44:15,960 --> 00:44:18,240
Speaker 1: fear that we need to get this song done.

848
00:44:18,719 --> 00:44:18,919
Speaker 2: Yeah.

849
00:44:19,480 --> 00:44:22,279
Speaker 4: I don't fear. I just something I know now as

850
00:44:22,280 --> 00:44:24,960
Speaker 4: an actor. And by the way, my preparation was extensive,

851
00:44:25,200 --> 00:44:29,360
Speaker 4: Thank you very much. I bought a different bra. You

852
00:44:29,560 --> 00:44:32,959
Speaker 4: have to prepare, no, that's I was like, what would

853
00:44:33,040 --> 00:44:36,120
Speaker 4: Janet wear her kitties? Yeah, and it was just like

854
00:44:36,360 --> 00:44:40,960
Speaker 4: my breasts felt different and that reminded me that I

855
00:44:41,120 --> 00:44:42,960
Speaker 4: was playing someone different. Yeah.

856
00:44:43,080 --> 00:44:46,520
Speaker 1: No, it's very important to prepare, And that's what I

857
00:44:46,640 --> 00:44:49,080
Speaker 1: was saying. Actually, it was like you have to do that.

858
00:44:49,239 --> 00:44:52,040
Speaker 1: And I'm not talking about research or understanding like what

859
00:44:52,200 --> 00:44:53,160
Speaker 1: the character you're playing with.

860
00:44:53,280 --> 00:44:55,799
Speaker 2: No, you say doing the.

861
00:44:57,880 --> 00:45:01,200
Speaker 1: Just like doing all the extra sizes that you do.

862
00:45:01,520 --> 00:45:02,760
Speaker 4: You know, Oh, like on Barry.

863
00:45:04,200 --> 00:45:08,680
Speaker 1: Well, I don't know about that. Hayes has told me

864
00:45:08,719 --> 00:45:10,839
Speaker 1: about that show. I don't know about that. You never

865
00:45:10,880 --> 00:45:14,040
Speaker 1: heard of it. I don't know. I don't know. Hayes

866
00:45:14,080 --> 00:45:14,960
Speaker 1: has told me about it.

867
00:45:15,000 --> 00:45:16,160
Speaker 4: It's about Barry Levinson.

868
00:45:17,000 --> 00:45:19,520
Speaker 1: Okay, well it sounds good.

869
00:45:20,040 --> 00:45:24,799
Speaker 2: It's about him making a movie about uh an assassin

870
00:45:25,120 --> 00:45:25,760
Speaker 2: named Shorty.

871
00:45:26,320 --> 00:45:32,040
Speaker 1: Oh, as you a small fellow? Yeah, no, he's actually

872
00:45:32,239 --> 00:45:35,279
Speaker 1: kind of big, but not so big that it would

873
00:45:35,320 --> 00:45:36,600
Speaker 1: make sense to call him shorty.

874
00:45:36,840 --> 00:45:36,880
Speaker 4: No.

875
00:45:37,640 --> 00:45:40,799
Speaker 1: Yeah, no. You guys have nicknames, uh for each other

876
00:45:41,000 --> 00:45:41,399
Speaker 1: each other.

877
00:45:41,640 --> 00:45:43,000
Speaker 2: Yeah, we have secret names.

878
00:45:43,239 --> 00:45:44,799
Speaker 1: We have a well, we have a burn book full

879
00:45:44,800 --> 00:45:46,399
Speaker 1: of nicknames for everyone who works at dear World.

880
00:45:46,480 --> 00:45:46,680
Speaker 2: Yeah.

881
00:45:49,040 --> 00:45:50,640
Speaker 4: And it's not digital. It's an actual book.

882
00:45:50,920 --> 00:45:51,879
Speaker 1: It's a physical book.

883
00:45:52,000 --> 00:45:56,160
Speaker 4: It's not like a slack room. Do you have a

884
00:45:56,239 --> 00:45:57,120
Speaker 4: slack burn book?

885
00:45:57,760 --> 00:46:00,120
Speaker 1: Uh? We were in a slack we're in we have

886
00:46:00,160 --> 00:46:00,880
Speaker 1: a slack channel.

887
00:46:01,239 --> 00:46:03,120
Speaker 2: Right, But this is an ebook this.

888
00:46:03,360 --> 00:46:05,200
Speaker 4: Yes, did I tell you guys about pitching to slack

889
00:46:05,280 --> 00:46:05,799
Speaker 4: this trip?

890
00:46:06,560 --> 00:46:09,080
Speaker 2: Oh, you're doing your they're really trying to get in.

891
00:46:09,480 --> 00:46:10,359
Speaker 1: Yeah the game.

892
00:46:11,520 --> 00:46:12,800
Speaker 2: Okay, what happened?

893
00:46:12,840 --> 00:46:14,680
Speaker 1: Did he not fit in with their slacker vibe?

894
00:46:14,760 --> 00:46:16,560
Speaker 4: I got a migraine for the first time. I threw

895
00:46:16,600 --> 00:46:17,240
Speaker 4: up on my shoes.

896
00:46:18,040 --> 00:46:21,080
Speaker 1: Yes, that first better than their shoes, I guess.

897
00:46:21,120 --> 00:46:24,200
Speaker 2: So that first migraine is a tough one. I'm glad

898
00:46:24,239 --> 00:46:26,160
Speaker 2: we got away from the nicknames because I wouldn't want

899
00:46:26,280 --> 00:46:27,560
Speaker 2: Ryan to know what his nickname is.

900
00:46:27,880 --> 00:46:29,040
Speaker 1: Please interesting?

901
00:46:29,440 --> 00:46:29,920
Speaker 4: Is it Leno?

902
00:46:30,040 --> 00:46:36,080
Speaker 2: It's munch machine. Yeah, you see him like, watch him

903
00:46:36,800 --> 00:46:40,560
Speaker 2: hit the hit the fridge after after this show he

904
00:46:40,600 --> 00:46:40,960
Speaker 2: can put it.

905
00:46:41,280 --> 00:46:43,440
Speaker 1: Yeah, yes, b line baby, he'll be in there in

906
00:46:43,480 --> 00:46:46,560
Speaker 1: a second. Man with an appetite, and he comes up

907
00:46:46,600 --> 00:46:49,600
Speaker 1: with food already in his mouth. He's a munch machine.

908
00:46:50,280 --> 00:46:52,279
Speaker 1: I hate that he knows this now, but we call

909
00:46:52,360 --> 00:46:58,920
Speaker 1: him that in the book, the e book. So Ryan's

910
00:46:59,000 --> 00:47:02,640
Speaker 1: munch machine. I wish Kevin was in here because I

911
00:47:02,680 --> 00:47:04,360
Speaker 1: would finally reveal his nickname.

912
00:47:04,600 --> 00:47:05,960
Speaker 4: You're not going to do it unless it's here.

913
00:47:06,960 --> 00:47:08,880
Speaker 2: He did this thing earlier when he came in. He

914
00:47:08,960 --> 00:47:11,719
Speaker 2: comes in now he kind of lingers, you know, like

915
00:47:11,840 --> 00:47:13,280
Speaker 2: ready for his big moment.

916
00:47:13,400 --> 00:47:15,880
Speaker 1: Everybody good, You're good, new water or anything.

917
00:47:18,680 --> 00:47:22,360
Speaker 2: He's like right outside the room. Look how quickly he's here, guys,

918
00:47:24,520 --> 00:47:29,640
Speaker 2: so ready to go? What is that this? Hey, guys,

919
00:47:29,719 --> 00:47:34,200
Speaker 2: Chef Kevin. Here is the air pods? Jeffery use Jeffer

920
00:47:34,320 --> 00:47:39,560
Speaker 2: use those. And so now like you know, Kevin got

921
00:47:39,600 --> 00:47:42,480
Speaker 2: to be the guest on our live show that we

922
00:47:42,640 --> 00:47:46,480
Speaker 2: last did, and so yes, and so now all of

923
00:47:46,520 --> 00:47:48,240
Speaker 2: a sudden he's got these air pods.

924
00:47:48,640 --> 00:47:51,759
Speaker 1: Yep, that's what he won. No, he got so much

925
00:47:51,800 --> 00:47:56,920
Speaker 1: fucking money, like, yeah, immediately got all these endorsements. That sucks.

926
00:47:57,480 --> 00:48:01,520
Speaker 1: That's thanks anyway, Kevin, You're nickname is ratchet slut.

927
00:48:12,440 --> 00:48:13,120
Speaker 5: What the heck?

928
00:48:16,840 --> 00:48:17,600
Speaker 2: Yeah, what the heck is?

929
00:48:17,680 --> 00:48:20,560
Speaker 1: Right? We were, and why you act like that we were?

930
00:48:21,480 --> 00:48:24,440
Speaker 2: We of course have our ebook of nicknames for everyone

931
00:48:24,520 --> 00:48:27,800
Speaker 2: at ear Wolf. We did let Ryan know his nickname,

932
00:48:29,480 --> 00:48:35,480
Speaker 2: which is munch Machine, and yours, of course is ratget

933
00:48:35,560 --> 00:48:42,200
Speaker 2: slut because of how ratchet you are and just how

934
00:48:43,040 --> 00:48:45,320
Speaker 2: you know you're sort of the way you carry yourself

935
00:48:45,360 --> 00:48:46,120
Speaker 2: around the office.

936
00:48:46,960 --> 00:48:49,239
Speaker 1: Okay, nobody's gonna buy the slut when they can get

937
00:48:49,239 --> 00:48:52,360
Speaker 1: your ratchet ass for free man. That's the truth.

938
00:48:54,040 --> 00:48:56,400
Speaker 2: Well, we said we didn't want this getting out, like

939
00:48:57,040 --> 00:48:57,360
Speaker 2: being a.

940
00:48:57,480 --> 00:48:59,839
Speaker 4: Fly on the wall, Like what do boys talk about

941
00:48:59,880 --> 00:49:00,680
Speaker 4: in the Age of Me too?

942
00:49:00,880 --> 00:49:02,360
Speaker 2: Yeah, we talked about who's ratchet.

943
00:49:02,440 --> 00:49:04,640
Speaker 1: Yeah, we're talking about who's ratchet and who's a slut.

944
00:49:05,680 --> 00:49:08,200
Speaker 1: And if Kevin doesn't value himself, I'm sorry, but no

945
00:49:08,239 --> 00:49:10,120
Speaker 1: one else is going to value him, and certainly the

946
00:49:10,160 --> 00:49:12,319
Speaker 1: burn Book won't. The burn Book only sees the truth.

947
00:49:14,239 --> 00:49:16,960
Speaker 1: It's sort of like that Gait in Never Ending Story. Yes,

948
00:49:17,320 --> 00:49:19,440
Speaker 1: the oracle, Yeah, the oracles.

949
00:49:20,080 --> 00:49:22,120
Speaker 2: If you don't answer the puzzler, that's right.

950
00:49:22,239 --> 00:49:24,600
Speaker 1: If you get the puzzler wrong, it freaking roast you.

951
00:49:24,960 --> 00:49:26,200
Speaker 2: That's what happened to the car talk.

952
00:49:27,960 --> 00:49:30,160
Speaker 4: Yes, and that horse the drowned where there are two

953
00:49:30,160 --> 00:49:30,919
Speaker 4: people in that horse.

954
00:49:31,000 --> 00:49:35,279
Speaker 1: That's our text. No costume or no that. No, we

955
00:49:35,360 --> 00:49:36,600
Speaker 1: don't joke about our text.

956
00:49:36,760 --> 00:49:38,560
Speaker 2: We don't do callbacks about our text.

957
00:49:40,120 --> 00:49:41,680
Speaker 1: It would have been a very good sketch. He has

958
00:49:41,719 --> 00:49:43,680
Speaker 1: to have two people arguing over who's going to be

959
00:49:43,760 --> 00:49:45,000
Speaker 1: the head and who's going to be the butt of

960
00:49:45,080 --> 00:49:47,719
Speaker 1: the art text costume, and then he freaking drowns and

961
00:49:47,760 --> 00:49:50,320
Speaker 1: the swamp of sad in his anyway, and it's like, okay.

962
00:49:50,200 --> 00:49:52,000
Speaker 2: Well didn't really end up mattering that.

963
00:49:52,560 --> 00:49:53,680
Speaker 1: Yeah, that would be very well.

964
00:49:53,719 --> 00:49:56,080
Speaker 4: That's why I brought it up, because I sometimes just

965
00:49:56,400 --> 00:49:59,360
Speaker 4: it seeds and you guys are soil, and sometimes flowers happens.

966
00:49:59,520 --> 00:50:02,480
Speaker 1: Yeah, that I understand. I'm sorry. We can't do that.

967
00:50:02,520 --> 00:50:03,920
Speaker 1: If you want to joke about the big turtle to

968
00:50:04,000 --> 00:50:07,080
Speaker 1: live there kept sneezing at him. Okay, that didn't come.

969
00:50:07,040 --> 00:50:12,840
Speaker 4: Up yet, right, Oh okay, rocks Rocky likes it.

970
00:50:14,760 --> 00:50:15,360
Speaker 1: Rocke you.

971
00:50:15,880 --> 00:50:18,640
Speaker 2: Yeah, something of a Ryan type, racing.

972
00:50:18,480 --> 00:50:22,839
Speaker 4: Snail, munch monster, munch machine.

973
00:50:22,520 --> 00:50:26,719
Speaker 2: A munch machine. Yes, he can be a munch monster

974
00:50:26,800 --> 00:50:27,280
Speaker 2: as well.

975
00:50:29,880 --> 00:50:30,680
Speaker 4: When he's angry.

976
00:50:31,080 --> 00:50:31,279
Speaker 2: Yeah.

977
00:50:31,880 --> 00:50:34,920
Speaker 1: I love talking about never any story, just old movies,

978
00:50:35,080 --> 00:50:38,640
Speaker 1: movies from were so fucked they were so fucked up,

979
00:50:39,200 --> 00:50:40,960
Speaker 1: scary false.

980
00:50:41,520 --> 00:50:43,200
Speaker 4: You're watching it and you're like, I can't believe I

981
00:50:43,600 --> 00:50:47,560
Speaker 4: give him. This is for kids scared at the beginning

982
00:50:47,560 --> 00:50:51,040
Speaker 4: of Never Ending Story where that dad who like, don't

983
00:50:51,160 --> 00:50:52,280
Speaker 4: like his kid even.

984
00:50:53,440 --> 00:50:53,919
Speaker 1: Make us.

985
00:50:55,320 --> 00:50:58,040
Speaker 4: Make us smoothie out of orange juice in an egg.

986
00:51:00,239 --> 00:51:01,120
Speaker 2: That's her kids.

987
00:51:01,239 --> 00:51:02,320
Speaker 1: That ship's fucked.

988
00:51:02,880 --> 00:51:07,279
Speaker 4: Yes, Oh yeah, I don't know how I handled it

989
00:51:07,360 --> 00:51:09,200
Speaker 4: as a little bit. Kids are different kids are like

990
00:51:09,400 --> 00:51:12,399
Speaker 4: kids can get dark stuff though too, No, I think

991
00:51:12,480 --> 00:51:12,919
Speaker 4: they can.

992
00:51:13,160 --> 00:51:17,839
Speaker 1: Actually we underestimate how fucking twisted a kid's mind can be. Yeah,

993
00:51:19,280 --> 00:51:22,480
Speaker 1: and it's sort of what came first, the kid or

994
00:51:22,560 --> 00:51:23,400
Speaker 1: the freaking chicken.

995
00:51:23,880 --> 00:51:26,359
Speaker 2: And Ryan's like rubbing his stomach like yum. He hears

996
00:51:26,560 --> 00:51:28,960
Speaker 2: that orange in the chicken.

997
00:51:29,080 --> 00:51:30,720
Speaker 4: He heard chicken, and he likes the chicken.

998
00:51:30,840 --> 00:51:34,680
Speaker 2: Something for me to eat easer, unbelievable munch machine, legendary

999
00:51:34,760 --> 00:51:36,520
Speaker 2: munch machine. And he's also a hype beast.

1000
00:51:37,640 --> 00:51:38,440
Speaker 1: What is he hyping?

1001
00:51:39,960 --> 00:51:42,359
Speaker 2: He's one of these like Supreme guy. He'll like wait

1002
00:51:42,400 --> 00:51:44,560
Speaker 2: in line at Supreme every time there's like a big

1003
00:51:45,000 --> 00:51:51,759
Speaker 2: new release of a shoe yeah, or a shirt m yeah,

1004
00:51:52,200 --> 00:51:53,080
Speaker 2: or like a bib.

1005
00:51:54,719 --> 00:52:00,320
Speaker 1: Because as the Much machine does, Supreme is Supreme, but

1006
00:52:00,400 --> 00:52:05,839
Speaker 1: it gets the Supreme bib. It's put us. It's it's

1007
00:52:05,880 --> 00:52:09,399
Speaker 1: actually on fleek and I've seen it. It's fleaking out

1008
00:52:09,440 --> 00:52:09,920
Speaker 1: of control.

1009
00:52:10,640 --> 00:52:13,480
Speaker 2: He'll say, like yeasy season and like pop his bib.

1010
00:52:16,960 --> 00:52:18,960
Speaker 4: Very does they have a pocket for his binkie?

1011
00:52:20,560 --> 00:52:20,799
Speaker 1: Yeah?

1012
00:52:21,080 --> 00:52:24,960
Speaker 2: Well his banky is like a CBD binky.

1013
00:52:26,280 --> 00:52:27,479
Speaker 4: Like at a USD port.

1014
00:52:27,960 --> 00:52:31,759
Speaker 2: Yeah. That he uses to just like get lifted.

1015
00:52:35,120 --> 00:52:39,000
Speaker 1: CBD is actually not psychotropic, right, but he.

1016
00:52:39,040 --> 00:52:40,880
Speaker 2: Gets the body high out of it.

1017
00:52:41,080 --> 00:52:45,359
Speaker 1: He does. I'm happy, but I just want to be responsible.

1018
00:52:45,719 --> 00:52:47,520
Speaker 1: I just want to be responsible when we talk about

1019
00:52:47,560 --> 00:52:47,960
Speaker 1: this stuff.

1020
00:52:48,120 --> 00:52:48,359
Speaker 2: Nine.

1021
00:52:48,440 --> 00:52:50,520
Speaker 1: Weed culture has been really big for comedy, and I

1022
00:52:50,600 --> 00:52:52,640
Speaker 1: think comedy owes weed culture a little bit of a

1023
00:52:52,760 --> 00:52:54,040
Speaker 1: fair talk about it response.

1024
00:52:54,080 --> 00:52:55,960
Speaker 4: I think we're all in agreement that right now, with

1025
00:52:56,040 --> 00:52:58,720
Speaker 4: all the elections and the politics you know, being spoken

1026
00:52:58,760 --> 00:53:02,279
Speaker 4: about so much, that like, we can all agree that

1027
00:53:02,640 --> 00:53:06,080
Speaker 4: marijuana is the number one issue right now.

1028
00:53:07,040 --> 00:53:09,440
Speaker 1: We gotta deal with it. We gotta deal with it.

1029
00:53:09,640 --> 00:53:10,359
Speaker 2: That's number one.

1030
00:53:12,600 --> 00:53:13,800
Speaker 1: Are we gonna do this song?

1031
00:53:14,200 --> 00:53:15,319
Speaker 2: We gotta do this song?

1032
00:53:15,600 --> 00:53:17,319
Speaker 1: Okay, well, let's just get it out of the way.

1033
00:53:17,680 --> 00:53:19,520
Speaker 4: It's called I'm a munch Machine for Love.

1034
00:53:20,120 --> 00:53:23,279
Speaker 2: Oh wow, So that was part of the show. Okay, great.

1035
00:53:23,400 --> 00:53:26,920
Speaker 4: I thought you guys were like all part of theegeist,

1036
00:53:26,960 --> 00:53:27,480
Speaker 4: you know what I mean?

1037
00:53:27,600 --> 00:53:28,200
Speaker 2: Yeah, I guess so.

1038
00:53:28,480 --> 00:53:33,000
Speaker 4: Well, you hear something about a show and then you

1039
00:53:33,120 --> 00:53:34,520
Speaker 4: hear it four more times that week.

1040
00:53:34,800 --> 00:53:39,680
Speaker 2: Yeah, for a while, it's catfishing. Everyone thinks about cat fishing. Yes,

1041
00:53:39,840 --> 00:53:40,840
Speaker 2: then it's about.

1042
00:53:40,760 --> 00:53:45,680
Speaker 4: Keyboard cat bush machines or like or like, I'm what

1043
00:53:45,880 --> 00:53:47,920
Speaker 4: is it like I'm a I'm a garbage Can you

1044
00:53:47,960 --> 00:53:51,600
Speaker 4: know when people were saying that, Yeah, oh, I'm such

1045
00:53:51,600 --> 00:53:54,440
Speaker 4: a garbage can trash fire. I'm such a trash.

1046
00:53:54,239 --> 00:53:55,960
Speaker 2: Fire walking dumpster.

1047
00:53:58,920 --> 00:54:00,359
Speaker 1: So we'll do the song now.

1048
00:54:00,719 --> 00:54:03,960
Speaker 4: Can you believe it's called I feel like ratchet but

1049
00:54:04,040 --> 00:54:07,600
Speaker 4: also random? You guys consider random.

1050
00:54:07,880 --> 00:54:10,760
Speaker 1: That's a compliment Rando slut.

1051
00:54:12,120 --> 00:54:15,480
Speaker 2: He would love to be Rando, but it's actually very rehearsed.

1052
00:54:16,560 --> 00:54:19,320
Speaker 4: I respect that as an actor, part of the process.

1053
00:54:19,440 --> 00:54:19,640
Speaker 2: Yeah.

1054
00:54:19,800 --> 00:54:22,879
Speaker 1: Yeah, he tried to get us to call him Rando Calrisian.

1055
00:54:23,640 --> 00:54:24,120
Speaker 4: How does that go?

1056
00:54:25,160 --> 00:54:27,440
Speaker 1: Uh well, I guess I just repeated it, so he

1057
00:54:27,560 --> 00:54:28,600
Speaker 1: freaking inception to me.

1058
00:54:31,440 --> 00:54:33,839
Speaker 4: I like how you referenced movies I'll never see.

1059
00:54:34,360 --> 00:54:35,680
Speaker 1: Oh, sure, Avatar?

1060
00:54:37,680 --> 00:54:39,120
Speaker 2: Should we sing? Should we do this song?

1061
00:54:39,239 --> 00:54:39,840
Speaker 1: I've never seen it?

1062
00:54:40,160 --> 00:54:41,600
Speaker 4: Yeah, I mean you're not gonna be able to see

1063
00:54:41,640 --> 00:54:43,200
Speaker 4: the video of us lip syncing.

1064
00:54:42,960 --> 00:54:44,600
Speaker 2: To it, right, but we'll just hear it.

1065
00:54:44,920 --> 00:54:47,200
Speaker 4: Yeah, okay, everybody sings.

1066
00:54:46,960 --> 00:54:48,279
Speaker 2: It, ran can you play it please?

1067
00:55:01,719 --> 00:55:05,520
Speaker 4: Moment moment a moment, A moment.

1068
00:55:05,640 --> 00:55:18,920
Speaker 1: A moment, A moment, a moment. But this song don't

1069
00:55:19,200 --> 00:55:27,680
Speaker 1: even have no words. Crazy noises that crazy noises on

1070
00:55:27,840 --> 00:55:33,839
Speaker 1: the song that the lyrics would show up by Now

1071
00:55:37,719 --> 00:55:43,120
Speaker 1: that's munch machine for love, That's bittersweet?

1072
00:55:43,200 --> 00:55:46,560
Speaker 2: How did they lip sync to that? What's their lipsack to?

1073
00:55:47,440 --> 00:55:50,000
Speaker 4: You guys are familiar with that guy from Police Academy?

1074
00:55:50,320 --> 00:55:54,600
Speaker 1: Yeah, sure, Michael Winsow tackle Berry. Yeah, yeah, Michael Winslow

1075
00:55:54,640 --> 00:55:56,520
Speaker 1: tackle Berry, Taco Berry.

1076
00:55:56,560 --> 00:55:58,799
Speaker 4: Well, he would make things with his mouth that are

1077
00:55:58,840 --> 00:56:00,480
Speaker 4: called sounds, and so.

1078
00:56:00,560 --> 00:56:01,560
Speaker 2: You guys are all doing that.

1079
00:56:01,840 --> 00:56:03,760
Speaker 4: We would blubber our lips I mean to be honest.

1080
00:56:03,880 --> 00:56:06,320
Speaker 4: It kind of reminds me of an acting class exercise.

1081
00:56:07,040 --> 00:56:12,239
Speaker 2: Okay, some of this Barry stuff. Yeah, or it's like

1082
00:56:13,400 --> 00:56:15,360
Speaker 2: something so I've seen Barry and this is something that

1083
00:56:15,480 --> 00:56:17,960
Speaker 2: happens in it. And so Bury will come in his

1084
00:56:18,200 --> 00:56:21,200
Speaker 2: acting class and he'll be there to like shoot a guy,

1085
00:56:21,320 --> 00:56:23,440
Speaker 2: but he got his schedules confused or whatever, so he's

1086
00:56:23,480 --> 00:56:25,560
Speaker 2: pointing his gun at like the people in the classroom

1087
00:56:25,600 --> 00:56:27,440
Speaker 2: are like, oh, you're doing it as a scene. You're

1088
00:56:27,560 --> 00:56:29,800
Speaker 2: like doing this in character. Yes, And he's got blood

1089
00:56:29,800 --> 00:56:31,560
Speaker 2: all over him and they'll be like, oh, this is

1090
00:56:31,640 --> 00:56:34,040
Speaker 2: like a great choice for your character. And no matter

1091
00:56:34,200 --> 00:56:38,239
Speaker 2: what he does, they think he's acting no matter what.

1092
00:56:38,719 --> 00:56:40,600
Speaker 4: Right, And then like he kills the guy, and they're like,

1093
00:56:40,800 --> 00:56:42,520
Speaker 4: that guy's ant even better actor than him.

1094
00:56:42,760 --> 00:56:45,759
Speaker 2: Yes, that's right. Oh, you're really good at this moving

1095
00:56:45,880 --> 00:56:47,839
Speaker 2: We want to be friends with you even more now.

1096
00:56:48,320 --> 00:56:51,600
Speaker 1: The only Barry I'm interested in is I'm trying to

1097
00:56:51,760 --> 00:56:56,320
Speaker 1: bury these millennials in their frigging safe space six feet underground.

1098
00:56:56,440 --> 00:57:01,040
Speaker 1: Pretty safe down there, he's see culture. I'm sick of

1099
00:57:01,120 --> 00:57:03,480
Speaker 1: these s j w's I did it.

1100
00:57:04,080 --> 00:57:09,719
Speaker 4: You're using that confuses Hayes acronyms. Hayes don't like them.

1101
00:57:09,920 --> 00:57:12,440
Speaker 4: I believe that you did it, except for CBD to

1102
00:57:12,560 --> 00:57:13,200
Speaker 4: be determined.

1103
00:57:13,880 --> 00:57:15,360
Speaker 1: C dB what's that?

1104
00:57:15,560 --> 00:57:16,680
Speaker 2: dB? EASYBZB.

1105
00:57:17,240 --> 00:57:18,600
Speaker 1: It's a book I have when I was a little

1106
00:57:18,640 --> 00:57:20,880
Speaker 1: good does a bunch of sentences?

1107
00:57:20,920 --> 00:57:21,720
Speaker 2: They were just letters.

1108
00:57:22,520 --> 00:57:24,160
Speaker 1: I feel it's like there'd be a B there.

1109
00:57:25,560 --> 00:57:30,080
Speaker 2: C dB, C the B, C the B. The B

1110
00:57:30,280 --> 00:57:30,840
Speaker 2: is a busy bee.

1111
00:57:32,160 --> 00:57:33,720
Speaker 1: Anyway, That's a book when I was a little kid.

1112
00:57:34,240 --> 00:57:41,880
Speaker 4: Bye, I'm a horny girl.

1113
00:57:41,960 --> 00:57:42,280
Speaker 1: Wolf.

1114
00:57:42,640 --> 00:57:46,360
Speaker 4: This has been an Earwolf production, executive produced by Scott Ackerman,

1115
00:57:46,520 --> 00:57:48,320
Speaker 4: Colin Anderson, and Chris Bannon.

1116
00:57:48,480 --> 00:57:51,320
Speaker 1: For more information and content, visit earwolf dot com.

1117
00:57:52,160 --> 00:57:52,360
Speaker 4: Oh