WEBVTT - Every Dog For His Own [10]

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<v Speaker 1>Welcome to the MLK Tapes, a production of I Heart

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<v Speaker 1>Radio and Tenderfoot TV. The views and opinions expressed in

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<v Speaker 1>this podcast are solely those of the podcast author or

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<v Speaker 1>individuals participating in the podcast, and do not represent those

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<v Speaker 1>of I Heart Media, Tenderfoot TV, or their employees. Listener

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<v Speaker 1>discretion is advised. I was sitting at Quince and Kirkbry

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<v Speaker 1>waiting on a call. I heard Paul come in on

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<v Speaker 1>the radio and well, I couldn't hear him, but he

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<v Speaker 1>talked to the dispatcher and the dispatcher started repeating with

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<v Speaker 1>Paul said. He said, you mean doctor Martin Luther King

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<v Speaker 1>has been shot, and he said yes, and then he said, well,

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<v Speaker 1>I'll send an ambulance. And he said I don't believe

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<v Speaker 1>an ambulance can help, because he would repeat it back,

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<v Speaker 1>so I knew what he was saying. And he said, well,

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<v Speaker 1>I'll send an ambulance anyhow, and send the police. These

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<v Speaker 1>are the words of cab driver Louis Ward, taken from

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<v Speaker 1>his testimony at the civil trial and de nine and

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<v Speaker 1>rent to us by a voice actor. Ward is repeating

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<v Speaker 1>the words of another taxi driver, no longer living, who

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<v Speaker 1>told him what he saw when Martin Luther King was killed.

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<v Speaker 1>Ward had been in another part of town when he

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<v Speaker 1>heard his dispatcher talking to Car fifty eighth at the

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<v Speaker 1>Lorraine Motel. King had just been shot. An ambulance was

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<v Speaker 1>being sent. Ward then heard the dispatcher tell the cabby

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<v Speaker 1>to take his fare to the airport and that he

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<v Speaker 1>would call the police and tell them what the driver

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<v Speaker 1>had seen, something about the man who shot King running

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<v Speaker 1>up the street. Ward wasn't sure that he had heard

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<v Speaker 1>it right. The man who shot King was running up

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<v Speaker 1>the street. On impulse, Ward drove to the airport, where

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<v Speaker 1>he found the driver of Car fifty eight, who told

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<v Speaker 1>Ward and two other cabbies what he had seen. Ward

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<v Speaker 1>would never see that driver again. And when he found

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<v Speaker 1>out what happened to him the very night the King

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<v Speaker 1>himself was killed, Louis Ward began to fear for himself

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<v Speaker 1>and his family. So for twenty five years he kept

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<v Speaker 1>what he knew to himself. Then, when the kids were grown,

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<v Speaker 1>he decided to come forward. I called the Union Hall.

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<v Speaker 1>I said, this a matter of life and death. I said,

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<v Speaker 1>I thank these people are planning to kill doctor King.

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<v Speaker 1>The authorities were parade. Oh, we found a gun the

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<v Speaker 1>James Old raybought in Birmingham that killed Dr King, except

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<v Speaker 1>it wasn't the gun that killed Dr King. James Lvey

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<v Speaker 1>was upon for the official story from My Heart radio

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<v Speaker 1>intender for TV. The plan was to get King to

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<v Speaker 1>the city because they wanted it handled in Memphis. Were

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<v Speaker 1>dead and in cold handle it and I've lived with

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<v Speaker 1>us along my Siri, and they scared for me. The

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<v Speaker 1>Lord told me to not the word. I've been wanting

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<v Speaker 1>to tell it all my life. I'm Bill Claiburg and

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<v Speaker 1>this is the MLK tapes. When Martin Luther King was killed.

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<v Speaker 1>Louis ward was forty one, married with three children. He

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<v Speaker 1>had been a federal security guard at a local army

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<v Speaker 1>depot for twenty years. He drove a cab part time

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<v Speaker 1>and was driving the ninth King was shot when he

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<v Speaker 1>decided to come forward some twenty five years later. Ward

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<v Speaker 1>first went to the police, then to the Attorney General,

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<v Speaker 1>but they were not interested in what he had to say.

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<v Speaker 1>Then he found Bill Pepper, who sat him down and

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<v Speaker 1>turned on the tape recorder the home of Mr Lewis

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<v Speaker 1>ward Cardigan Drive. Mr Warden was a taxi driver for

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<v Speaker 1>a Yellow can back in and on the evening of

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<v Speaker 1>the killing, he was driving and he was parked. Then

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<v Speaker 1>he heard a report come over the radio to the dispatcher.

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<v Speaker 1>Report was from a driver of cab number fifty, whose

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<v Speaker 1>name he does not recall. At this time, Ward would

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<v Speaker 1>tell Pepper how it was that he heard about the

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<v Speaker 1>killing over the radio, and how we went to the

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<v Speaker 1>airport to meet with the driver of cart eight. He said,

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<v Speaker 1>the man told him and the other Caveys that he

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<v Speaker 1>had been at the rain picking up a fair a

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<v Speaker 1>black man with a lot of luggage. Then he said

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<v Speaker 1>something that's stuck in Ward's mind. He laved the past

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<v Speaker 1>and he picked up He knew what was going on.

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<v Speaker 1>The passenger knew what was going on. What made him

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<v Speaker 1>think that? It went like this? As the driver was

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<v Speaker 1>putting the last bag in the cab, he was looking

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<v Speaker 1>in the direction of the brush covered yard facing the motel,

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<v Speaker 1>But the passenger seemed to want to divert his attention

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<v Speaker 1>that was looking at direct out Momolity. His upervisor at

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<v Speaker 1>so and he said, when you don't hear to see

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<v Speaker 1>so the passenger told the cabby to look the other way,

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<v Speaker 1>just in time to see the bullet explode. On Dr

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<v Speaker 1>King's face. The driver said he immediately turned back and

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<v Speaker 1>saw a puff of smoke rising from the yard. Then

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<v Speaker 1>a man appeared out of the bushes, and though we

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<v Speaker 1>had no rifle, the way he was moving made the

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<v Speaker 1>driver feel that he was the one who had fired

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<v Speaker 1>the shot. Is how he lived as a clerks, and

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<v Speaker 1>he didn't have a rappers here. According to the driver,

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<v Speaker 1>As related by Louis Ward, the man who came out

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<v Speaker 1>of the bushes jumped down off the wall not far

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<v Speaker 1>from where the cab was, and ran up the street

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<v Speaker 1>toward a police car a block or so away. The

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<v Speaker 1>driver said he immediately reported what he had seen to

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<v Speaker 1>his dispatcher. He first said to tell the police the

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<v Speaker 1>man was running north, but then the man seemed to

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<v Speaker 1>disappear into the police car, which then burned rubber as

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<v Speaker 1>it sped away, making so much noise that the dispatcher

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<v Speaker 1>said he could hear it over the rate EO. So

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<v Speaker 1>Ward went to the airport and heard the driver of

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<v Speaker 1>Car fifty eight tell him and a couple of other

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<v Speaker 1>cabbies what he had seen when King was shot. But

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<v Speaker 1>Ward wasn't the only one who came to the airport

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<v Speaker 1>for that story. I'm sart harder with the living. They

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<v Speaker 1>won't drive them out Californation litter. Hey Ward and the

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<v Speaker 1>others stepped away, but they were close enough to hear

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<v Speaker 1>what was being said, and the driver told the police

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<v Speaker 1>the same story that he had told them a few

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<v Speaker 1>minutes before. The Sards serves ca right lietenant hope to

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<v Speaker 1>report down and they got start repower. After the police left,

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<v Speaker 1>the dispatcher called the driver of car fifty eight and

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<v Speaker 1>said that he was wanted down at the cab garage.

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<v Speaker 1>So the driver went back a little later, Louis Ward

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<v Speaker 1>took a fair to town and drove by the garage.

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<v Speaker 1>They were sea clay covers, damn and I they were

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<v Speaker 1>you know, paying similarly Poward. Because of the unrest now

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<v Speaker 1>in Memphis, Ward's security work increased and it was days

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<v Speaker 1>before he returned to drive a cab. Well, I wouldn't

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<v Speaker 1>all my first amc workfar standing the rail and this

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<v Speaker 1>head when they help would mean I don what we

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<v Speaker 1>just want to call it said that that would have

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<v Speaker 1>a high speed in art because the list well you

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<v Speaker 1>know I read about it. Yeah, I would page space

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<v Speaker 1>and you ever done a play in the paper? Mm

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<v Speaker 1>the fact that the driver of Car fifty eight was

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<v Speaker 1>said to have been murdered and that nothing had been

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<v Speaker 1>said about it in the newspapers put fear into Louis Ward.

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<v Speaker 1>With a family to protect, Ward felt the best thing

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<v Speaker 1>would be the up and keep quiet, and that's what

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<v Speaker 1>he did for twenty five years. But when he did

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<v Speaker 1>come forward and finally found someone who would listen to him,

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<v Speaker 1>in the person of Bill Pepper, he could no longer

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<v Speaker 1>remember the name of the murdered cab driver, and Pepper

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<v Speaker 1>knew this detail was important. Mr Ward, Can you describe

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<v Speaker 1>this man? How old was he? And you don't recall

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<v Speaker 1>his name? Do you? I was about forty one forty two,

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<v Speaker 1>let's say, but he was probably about six. I knew

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<v Speaker 1>his name with that tim but I had my best

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<v Speaker 1>today and I cannot get that name to say. You

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<v Speaker 1>might laugh, but the identity of the driver is key.

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<v Speaker 1>So towards the end of the interview, Bill Pepper comes

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<v Speaker 1>forward with an interesting idea hypnosis. The ability to bring

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<v Speaker 1>back the name of the of the driver would be

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<v Speaker 1>very helpful if I could be done. How would you

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<v Speaker 1>feel about undergoing hypnosis for the purpose of taking you back?

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<v Speaker 1>I'm putting you face to face with this man to

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<v Speaker 1>see if you could remember his name. Ward wasn't exactly eager,

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<v Speaker 1>but he did agree to the hypnosis, and that session

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<v Speaker 1>took place a few weeks later. The audio quality of

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<v Speaker 1>that tape is awful, so I'll do my best to

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<v Speaker 1>tell you about it. Will see it and see yourself

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<v Speaker 1>highly will of the cat hips yourself. The hypnotist Dr

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<v Speaker 1>Joseph Cassius begins a session in a way we've all

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<v Speaker 1>seen in the movies. I'm going to take you back

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<v Speaker 1>in time, Louis in an imaginary taxi. I'm going to

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<v Speaker 1>take you through a tunnel of time. The more relaxed

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<v Speaker 1>you are, the more it will come to you, bit

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<v Speaker 1>by bit, piece by piece, more and more and more.

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<v Speaker 1>Ward apparently goes into a light trance, but little in

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<v Speaker 1>the way of new memories appear. The obvious problem is

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<v Speaker 1>that War didn't witness the shooting. He was only told

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<v Speaker 1>about it, so it's not as though hypnosis could help

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<v Speaker 1>him remember something he had forgotten. Even so, success was

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<v Speaker 1>still in reach if Ward could remember the name of

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<v Speaker 1>the driver, who Ward now thought may have been called Paul.

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<v Speaker 1>Doctor Cassius does his best. More and more will come

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<v Speaker 1>to you better and better. Each time, the last name

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<v Speaker 1>will come to you. Paul's last name will come to you. Now,

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<v Speaker 1>as Paul's last name comes to you, a name finally

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<v Speaker 1>comes to Louis Ward, a last name to go with Paul.

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<v Speaker 1>It was Harvey. Dr Cassius decides to try it out.

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<v Speaker 1>Harvey Harvey, Paul Harvey, Yes, Paul Harvey. Neither man made

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<v Speaker 1>the connection at that moment. But in the nineteen sixties,

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<v Speaker 1>Paul Harvey was a ubiquitous ABC radio journalist with his

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<v Speaker 1>own self and manner of speaking. People loved him. If

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<v Speaker 1>you drove your car anywhere, you'd hear him on the radio,

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<v Speaker 1>and he would end each broadcast in his own stylized way.

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<v Speaker 1>You know, just a little fitty crack and Mrs Backerman's

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<v Speaker 1>driveway in Kennis On, Nebraska, I mean a teensy crack.

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<v Speaker 1>You couldn't push your pencil through it. And yet out

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<v Speaker 1>of that crack two watermelon vines are growing, and they

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<v Speaker 1>produced seven big watermelons. She still can drive around them,

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<v Speaker 1>but she'd no longer get in the garage door. One

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<v Speaker 1>thing more, today's bumper sneaker. This was seen by Marshall

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<v Speaker 1>Miller in Stone Mountain, Georgia. It says vote yes on

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<v Speaker 1>preparation H Paul Harvey good Day. So Hypnosis offered up

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<v Speaker 1>a former well known radio personality as the possible driver

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<v Speaker 1>of car fifty eight, not the result they were hoping for.

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<v Speaker 1>Pepper then tried to find people who were drivers at

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<v Speaker 1>Yellow Cab when King was killed to see if they

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<v Speaker 1>would know, But no one he found wanted to talk

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<v Speaker 1>about it, and more strange, no one could remember who

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<v Speaker 1>the dispatcher was that night. But Ward clearly remembered the

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<v Speaker 1>police taking a statement at the airport, so Pepper went

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<v Speaker 1>looking for it. We couldn't find them, as I recall, Oh,

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<v Speaker 1>we didn't find any record of any police interrogation or

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<v Speaker 1>any police interview. And that's where things stood for a

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<v Speaker 1>few years. It was like Louis Ward had dreamed the

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<v Speaker 1>whole thing. But then in Bill Pepper got some information

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<v Speaker 1>that the man they were looking for might be a

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<v Speaker 1>fellow named Paul Butler. The name rang a bell in

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<v Speaker 1>Ward's head, and he felt that this was probably the

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<v Speaker 1>guy's name, and the pieces seemed to fit. Butler did

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<v Speaker 1>drive for Yellow Cab. He was in his sixties back then,

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<v Speaker 1>and he seemed to have disappeared around nineteen sixty eight.

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<v Speaker 1>So when Ward took the witness stand in late nine nine,

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<v Speaker 1>at age seventy one, he told his story publicly for

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<v Speaker 1>the first time and gave the name of the driver

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<v Speaker 1>of Car fifty eight as Paul Butler. Within a matter

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<v Speaker 1>of months, there was an official response to Louis Ward's

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<v Speaker 1>shocking story. It came in the Department of Justice Report

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<v Speaker 1>of the year two thousand, sometimes known as the Renal Report,

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<v Speaker 1>which said that Paul Butler died in August of nineteen

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<v Speaker 1>sixty seven, a full eight months before Martin Luther King

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<v Speaker 1>was murdered. That would seem to be conclusive. Butler couldn't

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<v Speaker 1>possibly tell Ward about the murder of King if he

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<v Speaker 1>was already dead. So what happened here was the Paul

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<v Speaker 1>Butler name a simple mistake or disinformation? Has someone monkeyed

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<v Speaker 1>around with the death records? I had seen such things

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<v Speaker 1>and worse in the L A. P d S totally

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<v Speaker 1>corrupt RFK murder investigation, so I don't rule it out.

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<v Speaker 1>But false death records in this instance seem unlikely to me.

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<v Speaker 1>So let's accept that Paul Butler died in nineteen sixty seven.

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<v Speaker 1>Does that solve the puzzle. I don't think it does,

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<v Speaker 1>because in order for that fact to make keV fifty

0:14:03.520 --> 0:14:06.679
<v Speaker 1>eight dissolve into the mist, Louis Ward's account would have

0:14:06.760 --> 0:14:10.160
<v Speaker 1>to be a fabrication, a lie, and a very big one.

0:14:10.840 --> 0:14:12.920
<v Speaker 1>And I don't think it is a lie because everything

0:14:12.960 --> 0:14:16.600
<v Speaker 1>about Ward and his story rings true. And Ward first

0:14:16.679 --> 0:14:19.160
<v Speaker 1>approached the police and then the a G before he

0:14:19.240 --> 0:14:22.400
<v Speaker 1>ever went to Bill Pepper. And there is no conceivable

0:14:22.480 --> 0:14:25.160
<v Speaker 1>reason for him to come forward at this point in

0:14:25.280 --> 0:14:28.760
<v Speaker 1>his life and invent a detailed, an elaborate lie about

0:14:28.760 --> 0:14:32.520
<v Speaker 1>the murder of Dr. King. And if Ward's story is true,

0:14:33.080 --> 0:14:37.360
<v Speaker 1>it doesn't matter what the driver's name was. Another put

0:14:37.440 --> 0:14:40.040
<v Speaker 1>down of Ward was that he really isn't a witness,

0:14:40.360 --> 0:14:44.880
<v Speaker 1>just someone passing along some unsubstantiated hearsay. And that might

0:14:44.920 --> 0:14:48.640
<v Speaker 1>be partly true. But within an hour of King being shot,

0:14:49.120 --> 0:14:52.720
<v Speaker 1>Louis Ward became an eye witness because he was out

0:14:52.800 --> 0:14:55.760
<v Speaker 1>at the airport when the police showed up. The lieutenant

0:14:55.840 --> 0:14:58.600
<v Speaker 1>wrote the report down, says Ward. Yet there is no

0:14:58.800 --> 0:15:01.920
<v Speaker 1>such report in the police files. Of course, if such

0:15:01.960 --> 0:15:04.760
<v Speaker 1>a report were preserved, the police would have some explaining

0:15:04.800 --> 0:15:07.960
<v Speaker 1>to do. Who was the running man, who was driving

0:15:08.040 --> 0:15:10.480
<v Speaker 1>the police car that took him away, and why were

0:15:10.520 --> 0:15:12.480
<v Speaker 1>they so desperate to leave the scene of a crime.

0:15:14.320 --> 0:15:18.040
<v Speaker 1>As far as Ward's story being unsubstantiated, that would cease

0:15:18.080 --> 0:15:21.280
<v Speaker 1>to be the case fifteen years later, when another person

0:15:21.360 --> 0:15:24.520
<v Speaker 1>would come forward, now forty years after King's death, with

0:15:24.640 --> 0:15:27.680
<v Speaker 1>a very detailed eyewitness account of the murder of Dr King,

0:15:28.240 --> 0:15:31.160
<v Speaker 1>an account that supports the things reported by Louis Ward,

0:15:31.600 --> 0:15:35.120
<v Speaker 1>including a positive idea of the man who jumped the

0:15:35.160 --> 0:15:56.720
<v Speaker 1>wall and ran up the street cranks back up my

0:15:56.800 --> 0:15:59.200
<v Speaker 1>old ass up somewhere Avenue, hit Parkway, come all the

0:15:59.240 --> 0:16:02.000
<v Speaker 1>way up, turn, come down, cooled in between the damn

0:16:02.080 --> 0:16:05.760
<v Speaker 1>boards up there, the billboards and the mill boards. I said,

0:16:05.800 --> 0:16:07.840
<v Speaker 1>I sold it. I turned well, all right. One side

0:16:07.920 --> 0:16:12.800
<v Speaker 1>is a parking well, all parks something there anywhere, I guess. So,

0:16:13.120 --> 0:16:16.240
<v Speaker 1>So where did you meet Junior? He was standing in

0:16:16.560 --> 0:16:21.800
<v Speaker 1>buying a poster board. Okay, so was Jars. Showers was

0:16:21.880 --> 0:16:25.080
<v Speaker 1>out there at that point as well. In two thousand

0:16:25.160 --> 0:16:29.360
<v Speaker 1>and nine, some forty years after the fact, Ronnie Lee Atkins,

0:16:29.480 --> 0:16:32.560
<v Speaker 1>who we've already met in episode seven, came up from

0:16:32.640 --> 0:16:35.800
<v Speaker 1>Texas with his lawyer, Stephen Tolin, and gave a seven

0:16:35.920 --> 0:16:39.680
<v Speaker 1>hour deposition regarding his family's involvement in the murder of

0:16:39.760 --> 0:16:43.720
<v Speaker 1>Martin Luther King. At the time King was shot, Atkins

0:16:43.880 --> 0:16:47.080
<v Speaker 1>was sixteen and on a motorcycle out on Mulberry Street

0:16:47.160 --> 0:16:52.280
<v Speaker 1>near the Lorraine. In his deposition, Atkins often refers to Junior,

0:16:52.720 --> 0:16:55.440
<v Speaker 1>who was his half brother and twenty years his senior,

0:16:56.000 --> 0:16:59.520
<v Speaker 1>and who, according to Ronnie Lee, replaced his father upon

0:16:59.640 --> 0:17:02.440
<v Speaker 1>his dead in a leadership role in the plot to

0:17:02.520 --> 0:17:06.800
<v Speaker 1>kill King. The person asking the questions here is Bill Pepper.

0:17:08.280 --> 0:17:10.080
<v Speaker 1>Then what did you do? I did what he told

0:17:10.160 --> 0:17:13.159
<v Speaker 1>me to do, which was right around. You told me

0:17:13.200 --> 0:17:15.119
<v Speaker 1>to ride around down there. If I saw anything that

0:17:15.240 --> 0:17:17.479
<v Speaker 1>was out of order that I knew it was crooked,

0:17:17.640 --> 0:17:20.080
<v Speaker 1>get up there and let him know. I told him why. Okay,

0:17:20.320 --> 0:17:22.640
<v Speaker 1>So you went down to Mulbury Man. I was all

0:17:22.680 --> 0:17:25.000
<v Speaker 1>over the place down there. I went to Union Station. Uh,

0:17:25.680 --> 0:17:29.320
<v Speaker 1>I've seen Holly. Holly was going up on the station. Uh.

0:17:29.800 --> 0:17:33.280
<v Speaker 1>I went around and checked and was checking on Chess.

0:17:33.560 --> 0:17:37.680
<v Speaker 1>Chess wasn't in his spot. According to Atkins, the plot

0:17:37.760 --> 0:17:41.240
<v Speaker 1>to kill King had several alternate scenarios. If the attempt

0:17:41.280 --> 0:17:43.440
<v Speaker 1>to shoot him on the balcony did not come off,

0:17:43.520 --> 0:17:47.159
<v Speaker 1>his planned if Solomon was driving like he was supposed to,

0:17:47.800 --> 0:17:51.159
<v Speaker 1>he was gonna put King up front on the passenger side.

0:17:51.600 --> 0:17:54.400
<v Speaker 1>That would give Holly a straight shot all the way

0:17:54.440 --> 0:17:56.800
<v Speaker 1>down that street. And there was no way for him

0:17:56.840 --> 0:17:59.560
<v Speaker 1>to turn and come up name because the police blocked

0:17:59.600 --> 0:18:03.080
<v Speaker 1>that all where the fire station was just passed there

0:18:03.359 --> 0:18:05.280
<v Speaker 1>before you got to that corner. You're saying the police

0:18:05.320 --> 0:18:08.240
<v Speaker 1>would have been there to any of They was already there.

0:18:09.200 --> 0:18:12.040
<v Speaker 1>And if King was only wounded by the shot, there

0:18:12.119 --> 0:18:14.840
<v Speaker 1>was something else in the works. There was a man

0:18:15.640 --> 0:18:19.240
<v Speaker 1>that was a sign to get the King before anybody

0:18:19.280 --> 0:18:21.720
<v Speaker 1>could run up from anywhere to get the King and

0:18:21.960 --> 0:18:24.960
<v Speaker 1>make sure he was dead. It was already arranged that

0:18:25.119 --> 0:18:28.320
<v Speaker 1>he was to go to Saint Joseph's Hospital down the street.

0:18:28.680 --> 0:18:31.160
<v Speaker 1>He never was gonna make it out of that emergency

0:18:31.280 --> 0:18:35.879
<v Speaker 1>room alive. Bill Pepper then asked Atkins to describe the

0:18:35.960 --> 0:18:40.920
<v Speaker 1>things he saw when King was shot. I was leaning

0:18:40.960 --> 0:18:43.760
<v Speaker 1>back against the body when I heard the shot, when

0:18:43.760 --> 0:18:45.679
<v Speaker 1>I saw him get hit, and when I saw him

0:18:45.760 --> 0:18:48.240
<v Speaker 1>go down. Now, I'm no doctor, but there was no

0:18:48.400 --> 0:18:50.320
<v Speaker 1>question to me that the man was hit hard. I

0:18:50.400 --> 0:18:54.520
<v Speaker 1>mean he was hit hard. So I see the man

0:18:54.680 --> 0:18:57.119
<v Speaker 1>jump over the edge of where the trees met the

0:18:57.240 --> 0:19:01.320
<v Speaker 1>rim and start side of ways across of those immediately

0:19:01.400 --> 0:19:04.280
<v Speaker 1>turned around and go that direction. So I didn't have

0:19:04.440 --> 0:19:06.440
<v Speaker 1>to worry about. What I'm trying to tell you is

0:19:06.840 --> 0:19:09.120
<v Speaker 1>I didn't have to worry about anybody coming out through here,

0:19:09.119 --> 0:19:11.119
<v Speaker 1>and I didn't have to worry about Holly's job. It

0:19:11.240 --> 0:19:13.359
<v Speaker 1>was like once the shot went off, it was every

0:19:13.480 --> 0:19:16.240
<v Speaker 1>dog for his own. Did you know that a man

0:19:16.400 --> 0:19:18.440
<v Speaker 1>was going to come down over the wall. I didn't

0:19:18.480 --> 0:19:19.920
<v Speaker 1>know that he was going to run out there there,

0:19:20.040 --> 0:19:23.040
<v Speaker 1>like nos, I really didn't. Did you recognize him at

0:19:23.080 --> 0:19:26.639
<v Speaker 1>the time? Uh? Who was he? It was Earl Clark?

0:19:26.840 --> 0:19:31.560
<v Speaker 1>So you recognize Earl Clark getting down and running north

0:19:31.680 --> 0:19:35.400
<v Speaker 1>on Mulberry. Yes, he ran the way, he ran Ketty Corner.

0:19:35.680 --> 0:19:40.760
<v Speaker 1>He was running northeast. Yeah, he was running across. Cab

0:19:40.880 --> 0:19:44.080
<v Speaker 1>driver was there, had the doors open, had to back up.

0:19:44.280 --> 0:19:45.920
<v Speaker 1>There was a black guy there with a ship, little

0:19:45.960 --> 0:19:48.960
<v Speaker 1>bags trying to get in there. Everybody's running and come

0:19:49.000 --> 0:19:52.080
<v Speaker 1>and screaming and ship and guy's going up the stairs.

0:19:52.280 --> 0:19:57.440
<v Speaker 1>And uh noticed the guy that Junior and Holloman was

0:19:57.520 --> 0:20:01.440
<v Speaker 1>talking to the day before, the black guy that ended

0:20:01.560 --> 0:20:03.720
<v Speaker 1>up checking to make sure that King was dey at

0:20:03.800 --> 0:20:08.040
<v Speaker 1>doc anythinking what that guy's lame was around McCullough. Yeah, McCullough,

0:20:08.080 --> 0:20:10.320
<v Speaker 1>I guess that's him. But he was a fad anyway,

0:20:10.440 --> 0:20:14.920
<v Speaker 1>so they was. He was one of Holloman's guys. When

0:20:15.040 --> 0:20:18.040
<v Speaker 1>King went down, Merrill McCullough was in the parking lot below,

0:20:18.600 --> 0:20:20.800
<v Speaker 1>but in a flash, he ran up the stairs and

0:20:20.960 --> 0:20:23.480
<v Speaker 1>was the first to reach Dr. King. He is the

0:20:23.520 --> 0:20:26.560
<v Speaker 1>man leaning over King in the iconic photo of people

0:20:26.640 --> 0:20:30.360
<v Speaker 1>pointing on the balcony. There is no dispute that McCullough

0:20:30.400 --> 0:20:32.959
<v Speaker 1>was a federal agent on loan to the Memphis Police

0:20:33.359 --> 0:20:37.600
<v Speaker 1>who had successfully infiltrated the invaders, the Memphis Black Radical Group.

0:20:38.400 --> 0:20:40.960
<v Speaker 1>As we heard from Ronnie Leatkins. There are some who

0:20:41.040 --> 0:20:44.359
<v Speaker 1>believe that it was McCullough's job to ascertain if King

0:20:44.440 --> 0:20:49.120
<v Speaker 1>had been fatally wounded, but McCullough, while acknowledging his undercover role,

0:20:49.720 --> 0:20:52.000
<v Speaker 1>has always denied that he had anything to do with

0:20:52.119 --> 0:20:58.639
<v Speaker 1>the assassination. But leaving McCullough aside, what Ronnie Lee Atkins

0:20:58.640 --> 0:21:01.040
<v Speaker 1>saw on the other side of mole Bray Street may

0:21:01.119 --> 0:21:04.000
<v Speaker 1>had more bearing on the case, because he saw a

0:21:04.119 --> 0:21:07.000
<v Speaker 1>man jump off the wall run up the road and

0:21:07.119 --> 0:21:09.720
<v Speaker 1>hop into a car that sped away, just like what

0:21:09.840 --> 0:21:12.960
<v Speaker 1>the cab driver had reported to Louis Ward. The only

0:21:13.040 --> 0:21:16.440
<v Speaker 1>important difference between the two accounts is that Atkins not

0:21:16.560 --> 0:21:19.040
<v Speaker 1>only saw the man come over the wall, he knew

0:21:19.040 --> 0:21:22.840
<v Speaker 1>who he was. It was Captain or Clark, and Atkins

0:21:22.920 --> 0:21:25.080
<v Speaker 1>got a good look at him because he almost caught

0:21:25.160 --> 0:21:28.480
<v Speaker 1>up with Clark on his motorbike. When I got behind

0:21:28.600 --> 0:21:30.560
<v Speaker 1>him and got to the corner, he had done gotten

0:21:30.560 --> 0:21:32.320
<v Speaker 1>that Chevrolet and he was there was a cop car

0:21:32.400 --> 0:21:33.760
<v Speaker 1>in front of him, and pulled off and went to

0:21:33.840 --> 0:21:35.680
<v Speaker 1>the corner internal leup. They pulled off, went to the

0:21:35.720 --> 0:21:38.320
<v Speaker 1>corner internal leup. I will pull in behind them and

0:21:38.440 --> 0:21:41.960
<v Speaker 1>went to this building right here. Pepper had suspected that

0:21:42.080 --> 0:21:44.120
<v Speaker 1>Captain Clark was one of the people in the brush

0:21:44.200 --> 0:21:47.639
<v Speaker 1>covered yard facing the Lorraine, so he was not surprised

0:21:47.680 --> 0:21:50.800
<v Speaker 1>by this report, But he also felt strongly that there

0:21:50.920 --> 0:21:54.200
<v Speaker 1>was a third person there. In fact, he had someone

0:21:54.280 --> 0:21:57.400
<v Speaker 1>in mind. But now there was a person who could

0:21:57.400 --> 0:22:00.520
<v Speaker 1>solve this mystery once and for all. So Pepper asked

0:22:00.560 --> 0:22:03.440
<v Speaker 1>the question, all right, and and who was the guy

0:22:03.480 --> 0:22:05.720
<v Speaker 1>in the pushes? So who was the third shooter? My

0:22:05.880 --> 0:22:10.760
<v Speaker 1>brother Russell m He he took it on himself. I

0:22:10.920 --> 0:22:13.399
<v Speaker 1>believe so. He tells you that he was the one

0:22:13.440 --> 0:22:17.560
<v Speaker 1>who did the shooting straight up. Yeah, he told me

0:22:17.680 --> 0:22:20.520
<v Speaker 1>popped you know, I mean if he popped me, popped him.

0:22:20.520 --> 0:22:23.240
<v Speaker 1>It was three guys out there were Lauel Clark, my brother,

0:22:23.359 --> 0:22:25.840
<v Speaker 1>and and no old man. And no man didn't have

0:22:25.960 --> 0:22:28.200
<v Speaker 1>guts to do it, and I don't think they trusted

0:22:28.280 --> 0:22:30.440
<v Speaker 1>him to do it. He is to shake in ship.

0:22:31.480 --> 0:22:33.760
<v Speaker 1>According to Apkins, the three men out in the yard

0:22:33.840 --> 0:22:37.040
<v Speaker 1>behind the grille where the old man who was Lloyd Owers,

0:22:37.560 --> 0:22:41.080
<v Speaker 1>Captain Earl Clark, who ours had already placed there, and

0:22:41.200 --> 0:22:45.600
<v Speaker 1>Atkins brother Russell Jr. Which is new and surprising information

0:22:45.680 --> 0:22:50.119
<v Speaker 1>to Bill Pepper, who keeps asking questions What did he

0:22:50.200 --> 0:22:53.080
<v Speaker 1>do with the gun? Where did he go? He handed

0:22:53.119 --> 0:22:54.399
<v Speaker 1>the gun to Earle and he went and got in

0:22:54.440 --> 0:22:56.480
<v Speaker 1>the car and he left through the where the two

0:22:56.960 --> 0:23:00.199
<v Speaker 1>billboards at turn Ryant got a must I took uh.

0:23:01.520 --> 0:23:04.440
<v Speaker 1>Earl handed the gun the old man, old man, and

0:23:04.520 --> 0:23:07.520
<v Speaker 1>carried it inside. Earl jumped the wall and took out.

0:23:07.680 --> 0:23:10.160
<v Speaker 1>I took out behind Earl. We all went under the quanta.

0:23:10.560 --> 0:23:13.360
<v Speaker 1>Earl gave the gun to Chowers, Yes he did. Jowers

0:23:13.440 --> 0:23:17.200
<v Speaker 1>took it inside apparently, So what happened to that taxi driver?

0:23:17.760 --> 0:23:21.040
<v Speaker 1>The taxi driver I was told was killed on either

0:23:21.119 --> 0:23:24.080
<v Speaker 1>how one or how Away fifty five by Chess Butler.

0:23:24.880 --> 0:23:27.320
<v Speaker 1>How do you know Chess Butler did that? Well, I

0:23:27.400 --> 0:23:29.320
<v Speaker 1>heard Chess how you killed him? But that was in

0:23:29.440 --> 0:23:31.640
<v Speaker 1>Chest's house when he was telling the Mildred, my mother

0:23:31.800 --> 0:23:33.480
<v Speaker 1>that he took care of you in the house at

0:23:33.520 --> 0:23:35.800
<v Speaker 1>the time he was I was in the bedroom, was

0:23:35.960 --> 0:23:38.159
<v Speaker 1>sitting on the end of the bed. Linda Butler was

0:23:38.200 --> 0:23:39.720
<v Speaker 1>sitting on the left side of the bed. I was

0:23:39.720 --> 0:23:41.440
<v Speaker 1>sitting in the middle of Danny Butler sitting on the

0:23:41.560 --> 0:23:43.600
<v Speaker 1>right side of the bed. The door opened out that

0:23:43.680 --> 0:23:47.639
<v Speaker 1>a way, and obviouldly Mildred the back of Mildred Mama

0:23:47.720 --> 0:23:49.879
<v Speaker 1>was sitting right there, and Chess was standing up at

0:23:49.880 --> 0:23:51.680
<v Speaker 1>the end of the table taking a drink whiskey. What

0:23:51.840 --> 0:23:54.240
<v Speaker 1>did you actually hear him saying? Powered him to say

0:23:54.280 --> 0:23:56.880
<v Speaker 1>that he took care of the cab driver who told

0:23:56.920 --> 0:23:59.239
<v Speaker 1>him to do that? You know, I'm gonna say it's

0:23:59.280 --> 0:24:01.840
<v Speaker 1>for eight he's gon be Hallman or or Russell Jr.

0:24:02.040 --> 0:24:04.600
<v Speaker 1>Or Clark, one of the other I'm gonna say it

0:24:04.720 --> 0:24:09.240
<v Speaker 1>originated with Earl, because apparently there was a lot of

0:24:09.320 --> 0:24:12.879
<v Speaker 1>conversation down there at Earle about who saw him and

0:24:12.960 --> 0:24:16.280
<v Speaker 1>who could identify him, and who knew him that was there.

0:24:17.240 --> 0:24:20.720
<v Speaker 1>So apparently the cab driver got a head on look

0:24:20.800 --> 0:24:23.399
<v Speaker 1>at him after he had come down the wall and

0:24:23.480 --> 0:24:26.119
<v Speaker 1>when he turned, so apparently that was a problem. So

0:24:26.200 --> 0:24:28.600
<v Speaker 1>they sent Chess on him. So what did Chess, they say,

0:24:28.720 --> 0:24:31.480
<v Speaker 1>How did he say he actually killed him? I didn't

0:24:31.520 --> 0:24:34.040
<v Speaker 1>hear that. I mean, you know, uh no, I mean

0:24:34.160 --> 0:24:35.960
<v Speaker 1>you know, I wasn't looking for blood and gut shit.

0:24:36.080 --> 0:24:37.560
<v Speaker 1>I just said a man. Was his head blowed up

0:24:38.080 --> 0:24:40.720
<v Speaker 1>or his cham blowed up? Was the driver shot? Was

0:24:40.840 --> 0:24:43.879
<v Speaker 1>he thrown off a bridge? How did he? How did he?

0:24:44.280 --> 0:24:46.000
<v Speaker 1>He just said he dumped him up on the side

0:24:46.000 --> 0:24:48.000
<v Speaker 1>of the road. I think he just took care of

0:24:48.119 --> 0:24:51.080
<v Speaker 1>before he dropped. This is what I do know. He

0:24:51.200 --> 0:24:52.840
<v Speaker 1>was good with a knife. He loved the ice pick.

0:24:52.880 --> 0:24:56.720
<v Speaker 1>He would shoot the ship out of somebody. So, according

0:24:56.760 --> 0:24:59.239
<v Speaker 1>to Ronnie Lee Atkins, the driver of CAD fifty eight

0:24:59.359 --> 0:25:02.000
<v Speaker 1>was murdered by Chess Butler, a friend of the family

0:25:02.280 --> 0:25:05.720
<v Speaker 1>and someone who Atkins knew intimately he had been in

0:25:05.840 --> 0:25:08.440
<v Speaker 1>Butler's house when he heard him say that he killed

0:25:08.440 --> 0:25:11.719
<v Speaker 1>the Cabby. But the most puzzling thing for Bill Pepper

0:25:12.359 --> 0:25:15.320
<v Speaker 1>was that Atkins had said his brother Russell had fired

0:25:15.400 --> 0:25:19.240
<v Speaker 1>the shot that killed Kim. Because Pepper already had strong

0:25:19.359 --> 0:25:23.440
<v Speaker 1>evidence that it was somebody else, so Pepper asked Atkins

0:25:23.520 --> 0:25:27.440
<v Speaker 1>again if he was sure it was Junior. Yeah, I

0:25:27.560 --> 0:25:30.679
<v Speaker 1>think Junior popped. What chance could there be that there

0:25:30.840 --> 0:25:33.800
<v Speaker 1>was somebody else there that he would never have been

0:25:33.880 --> 0:25:38.399
<v Speaker 1>told about? Kundog's chance and the hill, Kundo's chance and

0:25:38.560 --> 0:25:42.280
<v Speaker 1>Hill not not know who was there? Not much chance?

0:25:42.359 --> 0:25:44.359
<v Speaker 1>You think what had I from where I was that,

0:25:44.600 --> 0:25:46.240
<v Speaker 1>not from what I was seen, and not from what

0:25:46.400 --> 0:25:49.600
<v Speaker 1>I know, and not from what we've discussed. And and

0:25:49.680 --> 0:25:53.399
<v Speaker 1>it wasn't a whole lot of discussing about that after that,

0:25:54.200 --> 0:25:56.440
<v Speaker 1>you know. Now there was some discussion about it, but

0:25:56.520 --> 0:25:58.840
<v Speaker 1>it was between Junior and May and between Mama and

0:25:58.960 --> 0:26:01.520
<v Speaker 1>Junior and between Mama Junior a mate, and that was

0:26:01.560 --> 0:26:03.920
<v Speaker 1>where it stopped. Today is the first day I put

0:26:03.960 --> 0:26:07.159
<v Speaker 1>that out, Steve about it. So you just might be

0:26:07.320 --> 0:26:09.440
<v Speaker 1>letting my family's asked out there on the highway, But

0:26:09.520 --> 0:26:13.080
<v Speaker 1>that's all right. It needs to come out so in

0:26:13.200 --> 0:26:16.080
<v Speaker 1>graphic fashion. In his own words in a legal deposition,

0:26:16.680 --> 0:26:21.520
<v Speaker 1>Ronnie Lee Atkins incriminated his father, mother, brother, and himself,

0:26:22.119 --> 0:26:24.720
<v Speaker 1>along with the chief of police and many other people

0:26:24.880 --> 0:26:27.880
<v Speaker 1>Ronnie knew as he was growing up. But why would

0:26:27.960 --> 0:26:31.240
<v Speaker 1>Russell Jr. Tell his little brother that he killed King

0:26:31.840 --> 0:26:34.600
<v Speaker 1>if it were not true? I put this question to

0:26:34.720 --> 0:26:39.159
<v Speaker 1>Bill Pepper to protect him. If if it was the

0:26:39.240 --> 0:26:42.880
<v Speaker 1>brother that did it, and brother convinced the younger brother

0:26:43.000 --> 0:26:45.480
<v Speaker 1>that he's the one who did it, it would give

0:26:45.560 --> 0:26:49.760
<v Speaker 1>him that type of insulation, that type of protection. But

0:26:49.920 --> 0:26:54.200
<v Speaker 1>I think that that's why it's about. Pepper's explanation makes sense.

0:26:54.720 --> 0:26:57.760
<v Speaker 1>If the killer who shot King is still alive, anyone

0:26:57.840 --> 0:27:01.320
<v Speaker 1>who knows his identity is at some k So Ron's

0:27:01.400 --> 0:27:04.159
<v Speaker 1>brother may have just been protecting him, or he might

0:27:04.240 --> 0:27:06.720
<v Speaker 1>have been bragging to his little brother, letting him think

0:27:06.760 --> 0:27:09.840
<v Speaker 1>that he was the big man. In any case, Bill

0:27:09.960 --> 0:27:12.879
<v Speaker 1>Pepper was in possession of strong evidence that pointed to

0:27:12.960 --> 0:27:16.199
<v Speaker 1>another man as the actual shooter that day, but at

0:27:16.240 --> 0:27:19.600
<v Speaker 1>the time of the Atkins deposition, he couldn't say anything

0:27:19.680 --> 0:27:22.520
<v Speaker 1>about it even if he had wanted to. He was

0:27:22.600 --> 0:27:26.600
<v Speaker 1>sworn to secrecy. The evidence Pepper had had been presented

0:27:26.640 --> 0:27:28.840
<v Speaker 1>to him in the year two thousand and three and

0:27:29.000 --> 0:27:32.280
<v Speaker 1>recorded under oath in the presence of King's eldest son,

0:27:32.400 --> 0:27:35.960
<v Speaker 1>Martin Third. But the fear that came with this testimony

0:27:36.359 --> 0:27:39.040
<v Speaker 1>was such that Pepper had to promise not to reveal

0:27:39.160 --> 0:27:43.000
<v Speaker 1>the evidence until the witness himself had died. Not your

0:27:43.040 --> 0:27:47.040
<v Speaker 1>everyday kind of deal. So who was this man? He

0:27:47.200 --> 0:27:58.639
<v Speaker 1>was a custodian at a rifle range. Next time on

0:27:58.720 --> 0:28:02.320
<v Speaker 1>the MLK tapes he laid it on the counter, said, Lenny,

0:28:02.359 --> 0:28:05.160
<v Speaker 1>how you like that scound book? That baby as it's

0:28:05.200 --> 0:28:08.399
<v Speaker 1>a rifle act resta right, It's not easy, just a

0:28:08.480 --> 0:28:12.159
<v Speaker 1>special one, that baby special. The deal was that I

0:28:12.240 --> 0:28:16.000
<v Speaker 1>would not reveal what he said while she was alive.

0:28:16.720 --> 0:28:19.960
<v Speaker 1>I had only a two phone called fair. I called

0:28:20.480 --> 0:28:22.760
<v Speaker 1>the Union Hall, talked to the later. It was a

0:28:23.080 --> 0:28:26.040
<v Speaker 1>reception there. The young lady I spoke to I told us,

0:28:26.040 --> 0:28:29.280
<v Speaker 1>said this is something very important, and she said what

0:28:29.520 --> 0:28:31.520
<v Speaker 1>is it to I says a matter of life and death.

0:28:32.040 --> 0:28:34.600
<v Speaker 1>I said, I think these people are planning to kill

0:28:34.760 --> 0:28:38.440
<v Speaker 1>Dr King. I'll just say this much, and I have

0:28:38.560 --> 0:28:41.880
<v Speaker 1>a profound belief in this. I don't think James L.

0:28:41.960 --> 0:28:45.000
<v Speaker 1>Ray could have put all this together. You're right about that.

0:28:46.120 --> 0:28:48.400
<v Speaker 1>Earl Clark was a good friend of mine. He had

0:28:49.000 --> 0:28:52.920
<v Speaker 1>strong feelings about certain things. Was he a good shot?

0:28:53.400 --> 0:28:56.200
<v Speaker 1>Oh yeah, and you are a hell of a shooter

0:28:56.560 --> 0:28:59.920
<v Speaker 1>from what I understand, I'm a dead shot. I was then, Well,

0:29:00.120 --> 0:29:11.640
<v Speaker 1>I don't have any idea would do that. Thanks for

0:29:11.680 --> 0:29:13.520
<v Speaker 1>listening to The m l K Tapes, a production of

0:29:13.560 --> 0:29:16.800
<v Speaker 1>I Heart Radio and Tenderfoot TV. This podcast is not

0:29:16.920 --> 0:29:19.680
<v Speaker 1>specifically endorsed by the King Family or the King of State.

0:29:20.360 --> 0:29:23.040
<v Speaker 1>The email K Tapes is written and hosted by Bill Claiper.

0:29:23.480 --> 0:29:26.600
<v Speaker 1>Matt Frederick and Alex Williams are executive producers on behalf

0:29:26.640 --> 0:29:30.120
<v Speaker 1>of I Heart Radio with producers Trevor Young and ben Keebrick.

0:29:30.600 --> 0:29:33.680
<v Speaker 1>Donald Albright and Payne Lindsay are executive producers on behalf

0:29:33.720 --> 0:29:37.600
<v Speaker 1>of Tenderfoot TV with producers Jamie Albright and Meredith Stepman.

0:29:38.120 --> 0:29:41.640
<v Speaker 1>Original music by Makeup and Vanity Set. Cover art by

0:29:41.760 --> 0:29:46.560
<v Speaker 1>Mr Soul two six with photography by Artemis Jenkins. Special

0:29:46.640 --> 0:29:49.400
<v Speaker 1>thanks to Owen Rosenbaum and Grace Royer at u t A,

0:29:49.880 --> 0:29:54.000
<v Speaker 1>The Nord Group, back Median Marketing, Envisioned Business Management, and

0:29:54.120 --> 0:29:57.760
<v Speaker 1>Station sixteen. If you have questions, you can visit our website,

0:29:57.960 --> 0:30:01.240
<v Speaker 1>the email k tapes dot com. We posted photos and

0:30:01.440 --> 0:30:04.240
<v Speaker 1>videos related to the podcast on our social media accounts.

0:30:04.440 --> 0:30:06.680
<v Speaker 1>You can check them out at the email k Tapes.

0:30:07.320 --> 0:30:10.040
<v Speaker 1>For more podcasts from I Heart Radio and Tenderfoot TV,

0:30:10.360 --> 0:30:13.240
<v Speaker 1>please visit the I Heart Radio app, Apple Podcasts, or

0:30:13.280 --> 0:30:14.960
<v Speaker 1>wherever you listen to your favorite shows,