WEBVTT - Are You Successful?

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<v Speaker 1>From executive search to talent strategy, leadership development, rewards and

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<v Speaker 1>succession planning. Corn Fairy can help you realize the full

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<v Speaker 1>potential of your people so you can take your business

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<v Speaker 1>where it wants to go up. Learn more at corn

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<v Speaker 1>Ferry dot com slash up. Welcome to game Plan, a

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<v Speaker 1>show about our lives at work. I'm Rebecca Greenfield, a

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<v Speaker 1>reporter for Bloomberg, where I cover workplace culture, and I

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<v Speaker 1>am Sam Grobart, a writer at Bloomberg Business Week magazine.

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<v Speaker 1>This week we're talking about success, and before you get

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<v Speaker 1>too excited, listening to this will not help you make

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<v Speaker 1>a million dollars or help you retire early. We don't

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<v Speaker 1>have ten easy tips and tricks for how to climb

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<v Speaker 1>the corporate ladder. We want to tackle a much more

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<v Speaker 1>basic question, which is what is success? How do we

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<v Speaker 1>even define it? Later we're going to talk to the

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<v Speaker 1>comedian Chris Gothard about his ideas on success. But first, Sam,

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<v Speaker 1>why don't we talk about how we feel about success?

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<v Speaker 1>How do you define it? Becca? I would describe success

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<v Speaker 1>for me essentially as freedom and what it isn't so

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<v Speaker 1>it's not worrying necessarily about things financial or monetary. But

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<v Speaker 1>also not feeling like I'm doing work that I don't

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<v Speaker 1>want to be doing that isn't fulfilling for me. The

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<v Speaker 1>freedom to pursue the things that I want to do

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<v Speaker 1>and live a life that is comfortable and absence of

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<v Speaker 1>major concerns. That definitely sounds luxurious and really nice, and

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<v Speaker 1>it also sounds like from what I understand the life

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<v Speaker 1>you live now, do you feel like you have that?

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<v Speaker 1>I mean, I feel pretty fortunate at this point, and

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<v Speaker 1>you're actually catching me, like in a three week period

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<v Speaker 1>of actually like real kind of positive feelings about things,

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<v Speaker 1>and I'm not sure, I'm much sure how longer it's

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<v Speaker 1>gonna last, but I do have it right now. I

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<v Speaker 1>feel like success is you doing the things you want

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<v Speaker 1>to do, you unencumbered, unencumbered by all the other things

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<v Speaker 1>that can make life more difficult, that you are able

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<v Speaker 1>to express yourself, that you're able to be the person

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<v Speaker 1>you want to be do the things you want to do.

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<v Speaker 1>And if you're able to do that, then yeah, I

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<v Speaker 1>think then you're successful. So you mentioned during this three

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<v Speaker 1>week period of happiness, but your life at work has

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<v Speaker 1>been the same pretty study for a while, so I

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<v Speaker 1>guess when you're not in those weeks of periods of happiness,

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<v Speaker 1>what are you worrying about. I'm worried about not contributing.

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<v Speaker 1>I think what corresponds to this three week period is

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<v Speaker 1>that I've actually been really busy. And you know, people

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<v Speaker 1>complain about being busy, but this is the good kind. Yeah,

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<v Speaker 1>I definitely have the same feelings about that. And yeah,

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<v Speaker 1>when the things are contributing are things that you're proud

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<v Speaker 1>of and that you really like and you think are

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<v Speaker 1>useful to the world, I think that feels like success exactly.

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<v Speaker 1>You could work very hard at some stuff that you

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<v Speaker 1>don't really believe in a lot of people unfortunately get

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<v Speaker 1>stuck in that position. I am sure I will get

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<v Speaker 1>stuck in that position again. Yeah, but if you have

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<v Speaker 1>the opportunity to like, really like what you do and

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<v Speaker 1>be working on things that, like you just said, you

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<v Speaker 1>really believe in, then that work is a pleasure. But

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<v Speaker 1>it's unfortunate that we have to feel that way because

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<v Speaker 1>sometimes I do work that I just do to be

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<v Speaker 1>doing work, to be doing my job, and yeah, it

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<v Speaker 1>doesn't feel great, but that still doesn't mean I'm not successful.

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<v Speaker 1>But I still struggle with the angsty feelings that you're

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<v Speaker 1>talking about. I totally understand back. I mean, I'm curious,

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<v Speaker 1>do you feel right now that you are successful at

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<v Speaker 1>what you're doing, or do you still feel like that's

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<v Speaker 1>something that you're always chasing. I feel like it's something

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<v Speaker 1>I'm always chasing, and I have to remind myself that

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<v Speaker 1>other people will probably perceive me as someone who is

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<v Speaker 1>successful in very basic ways. I'm employed, I make a

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<v Speaker 1>good salary, I work for a good company as a journalist.

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<v Speaker 1>I have a pretty good job. All those things are

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<v Speaker 1>how people measure success. And yet somehow I don't have

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<v Speaker 1>those feelings that you're talking about of feeling like I

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<v Speaker 1>have control, even though I do have a ton of

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<v Speaker 1>freedom in my job. So I don't know where that

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<v Speaker 1>feeling comes from. I was gonna ask you what's missing.

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<v Speaker 1>I think it's that doing work that I'm really proud of.

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<v Speaker 1>I want that to be a constant thing all the time,

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<v Speaker 1>and maybe that's an unattainable ideal, Like maybe that's crazy.

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<v Speaker 1>I think that it might be. I think that, Yeah, no,

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<v Speaker 1>I do. I think that if you can keep it

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<v Speaker 1>above of work that you're proud of, and hopefully even

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<v Speaker 1>more than that, you know, sixties seventy eighty whatever. But

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<v Speaker 1>I've come to the peace with the notion that, like

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<v Speaker 1>some work is just going to be work. Yeah, and

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<v Speaker 1>as long as it's kept in the proper proportion, I

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<v Speaker 1>can even sort of accept it and feel like, Okay,

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<v Speaker 1>I know this isn't like going to change the world

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<v Speaker 1>or anything, but you know, other stuff I do hopefully

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<v Speaker 1>can or you know, whatever it takes off the boxes,

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<v Speaker 1>get some Twitter faves, that's that's changing the world. Um.

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<v Speaker 1>That's that's my measure. Um. And so you just kind

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<v Speaker 1>of accepted as part of the bargain. I think it's

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<v Speaker 1>harder because I'm at this point in my career because

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<v Speaker 1>I'm much earlier on in my career than you where

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<v Speaker 1>I'm a polite way of saying, she's much younger. Yes,

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<v Speaker 1>I'm a little bit younger where I'm supposed to be, yeah,

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<v Speaker 1>chasing success and investing in my career and finding an

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<v Speaker 1>audience and doing all these things. So it feels harder

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<v Speaker 1>to just sit back and enjoy the ride, as they say,

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<v Speaker 1>right right now. I mean, I think that's probably true.

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<v Speaker 1>And and given where I am in my career, which

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<v Speaker 1>is different than yours, I think I am very familiar

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<v Speaker 1>with the feelings that you're describing, and it hasn't been

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<v Speaker 1>that long since I wasn't feeling them as much, right,

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<v Speaker 1>you know. I mean it really just maybe a couple

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<v Speaker 1>of years. But somewhere along the way you start to

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<v Speaker 1>realize or at least I started to realize or feel that,

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<v Speaker 1>you know, hey, Okay, this is fine, this is good,

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<v Speaker 1>you know, and I think I don't know, you have

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<v Speaker 1>other things you start to care about. I mean, you know,

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<v Speaker 1>like probably the majority of my mental energy is spent

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<v Speaker 1>thinking about like my kids, and so my job is

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<v Speaker 1>that that happens when you have children, you know, and

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<v Speaker 1>so my jobs sort of restructures according to that, and

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<v Speaker 1>like where it once loomed so large, now it's like

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<v Speaker 1>it's really it's important anyway. That is all to say

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<v Speaker 1>that I think you and I are both very lucky

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<v Speaker 1>and this is just like angsty problems I have, but

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<v Speaker 1>still worth discussing. And to dig deeper, we're going to

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<v Speaker 1>bring on our guest, Chris Goatherd. We're so happy to

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<v Speaker 1>have Chris Gatherd here. He's a comedian, writer, performer. He

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<v Speaker 1>started as Bill in the Summers Don't Think Twice, and

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<v Speaker 1>you've also seen him on broad City. He has an

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<v Speaker 1>upcoming off Broadway show, Career Suicide, which premieres octobert Hey, Chris,

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<v Speaker 1>thanks for being here, Thank you for having me. So

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<v Speaker 1>today we're talking about success. Yeah, and Chris, I thought

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<v Speaker 1>I could start off maybe by asking you a sort

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<v Speaker 1>of two part question. Okay, I might ask you to

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<v Speaker 1>be a little bit maybe I modest. I'm not sure. Um.

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<v Speaker 1>The first part of the question is do you think

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<v Speaker 1>and feel? And by the way, those might actually be

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<v Speaker 1>two very different things. That you are more successful today

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<v Speaker 1>than you were a year ago. It's a that's a

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<v Speaker 1>really interesting question because it's intellectually like cerebrallly, I am

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<v Speaker 1>aware that I am more successful than I used to be,

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<v Speaker 1>but emotionally I feel the same type of panic that

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<v Speaker 1>I've always felt. So I can look back and like

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<v Speaker 1>think about what types of things I was doing a

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<v Speaker 1>few years ago, and I'm like, I don't even know

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<v Speaker 1>how I was paying my rent then, but I'm aware

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<v Speaker 1>of how I pay my rent now. I feel a

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<v Speaker 1>lot more comfortable with it and secure in it. But

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<v Speaker 1>I don't necessarily feel more successful emotionally. Although I'm aware

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<v Speaker 1>that I am more successful than I was a year ago.

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<v Speaker 1>How do you measure that? How do you how do

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<v Speaker 1>you know cerebrally that you are well. I can, first

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<v Speaker 1>of all, not to be totally gross, but I can

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<v Speaker 1>look at my bank account and be aware, like, Okay,

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<v Speaker 1>I have more breathing room than I had a couple

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<v Speaker 1>of years ago. That's a good thing. So there's that

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<v Speaker 1>side of it, and then there's also the side of things.

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<v Speaker 1>You know. One thing that I've noticed is I I've

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<v Speaker 1>always been a very self reliant person, and there were

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<v Speaker 1>there was a long stretch where I was sort of

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<v Speaker 1>profound only unsuccessful publicly, and that was kind of my

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<v Speaker 1>public persona. I actually built most of my career on

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<v Speaker 1>a public access TV show, which is kind of the

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<v Speaker 1>definition of not not It's not traditional success at the

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<v Speaker 1>very least, So having built things that way, I think

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<v Speaker 1>one thing I've stumbled into is the success I've had

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<v Speaker 1>is generally all self started and is all stuff that

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<v Speaker 1>I'm very much in control of, and that that's a

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<v Speaker 1>big way to kind of measure it. Is that I

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<v Speaker 1>feel myself being less reliant on gatekeepers, people signing off

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<v Speaker 1>on me, people who can get me in the door,

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<v Speaker 1>because I've sort of found it in myself to kick

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<v Speaker 1>in some doors because nobody was really opening the doors

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<v Speaker 1>for me for a very long time. So that's a

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<v Speaker 1>big indicator, is I need I need less people to

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<v Speaker 1>shepherd me towards success. I found ways to make my

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<v Speaker 1>own opportunities happen, and that's a big indicator. I know

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<v Speaker 1>that's kind of a ramboly answer, but not at all. Yeah,

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<v Speaker 1>it's basically, I've put myself in a position where I

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<v Speaker 1>have some agency over my own career, which is something

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<v Speaker 1>I feel more and more the past year or two. Yeah,

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<v Speaker 1>we were talking about having freedom is a really big

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<v Speaker 1>part of success for us in our careers too. And

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<v Speaker 1>you wrote this essay for a Vulture that I really

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<v Speaker 1>liked and one reason that we wanted to have you

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<v Speaker 1>on the show about all of your friends and colleagues.

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<v Speaker 1>I guess you don't call them colleagues and comedy moving

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<v Speaker 1>to l A and chasing success, and how you saw

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<v Speaker 1>them doing that and they were finding a traditional version

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<v Speaker 1>of success and you kind of have that traditional version

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<v Speaker 1>of success. Now. I went through the back door for it.

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<v Speaker 1>But I also I I would argue that I guess

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<v Speaker 1>it is traditional. I guess I have too cop to

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<v Speaker 1>the fact that I've, I've it's gotten a little more

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<v Speaker 1>mainstream than it used to be. Um, but I am

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<v Speaker 1>very proud of Like I like that, Like it's my

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<v Speaker 1>TV shows on public access for four years and now

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<v Speaker 1>it's on a cable network where I get paid to

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<v Speaker 1>do it. But because of that background, I have a

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<v Speaker 1>lot more ability to call the shots then I think

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<v Speaker 1>a lot of people do in in having their first

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<v Speaker 1>TV show, like I like having a podcast. It's such

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<v Speaker 1>a free thing. I get to set my own schedule.

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<v Speaker 1>I get to really define how I want it done.

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<v Speaker 1>So I do get that, and and it's been interesting

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<v Speaker 1>to see so many of my friends go to l

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<v Speaker 1>A and chase it and find it in many cases.

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<v Speaker 1>But I think for me, one of the things that

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<v Speaker 1>sudjusted majorly in my thirties versus my twenties is that

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<v Speaker 1>like success and happiness are not synonymous to me anymore,

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<v Speaker 1>Like they don't go hand in hand. Success oftentimes it's

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<v Speaker 1>a headache that brings pressures with it, and happiness is

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<v Speaker 1>not really inherent on my ability to publicly say look

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<v Speaker 1>at me and all the great things I've done. They

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<v Speaker 1>don't really go hand in hand anymore, which is nice

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<v Speaker 1>do you feel that, having now achieved some success and

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<v Speaker 1>hopefully achieving much more in the future, that you have

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<v Speaker 1>to be like very very mindful of holding onto your

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<v Speaker 1>independence and making sure that you preserve the freedoms. Like

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<v Speaker 1>you said, success can sometimes bring a lot of assholes,

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<v Speaker 1>So it's not just you let success happen to you.

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<v Speaker 1>You actually have to engage it and and sort of

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<v Speaker 1>manage it. I would think, yeah, I think so. I

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<v Speaker 1>think so because I've also seen I've seen a lot

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<v Speaker 1>of my friends get successful over the years, and a

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<v Speaker 1>lot of them remain well adjusted people with their priorities straight.

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<v Speaker 1>But you do see cases where people wind up in

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<v Speaker 1>this weird world where the rules are different, and you

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<v Speaker 1>see them get caught up in it, and you see

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<v Speaker 1>them buy into it, and that, in my experience having

0:11:26.800 --> 0:11:29.640
<v Speaker 1>seen that, it never really ends well. Nobody, nobody ever

0:11:29.679 --> 0:11:33.600
<v Speaker 1>winds up like surrounded by more friends when they go

0:11:33.679 --> 0:11:36.080
<v Speaker 1>into success world and when they go into celebrity world.

0:11:36.160 --> 0:11:38.839
<v Speaker 1>So for me, as I get more successful, I'm almost

0:11:38.920 --> 0:11:41.240
<v Speaker 1>kind of like consciously pushing back against it. Not in

0:11:41.280 --> 0:11:43.400
<v Speaker 1>a self sabotaging way, not that I want to stop

0:11:43.480 --> 0:11:45.959
<v Speaker 1>my career momentum, but I just need to make sure

0:11:46.040 --> 0:11:49.200
<v Speaker 1>my priorities remain true for a few reasons. One because

0:11:49.200 --> 0:11:51.559
<v Speaker 1>I think that will help me remain a person with

0:11:51.600 --> 0:11:54.560
<v Speaker 1>a good head on his shoulders. But also I feel

0:11:54.600 --> 0:11:56.640
<v Speaker 1>like there's a very dangerous thing that can happen, which

0:11:56.679 --> 0:11:59.920
<v Speaker 1>is people will be sort of in the underground. In comedy.

0:12:00.000 --> 0:12:01.960
<v Speaker 1>I can speak to comedy. You know, you're in the

0:12:02.000 --> 0:12:05.200
<v Speaker 1>trenches doing shows, building a fan base, like attracting your people,

0:12:05.440 --> 0:12:08.680
<v Speaker 1>finding your other collaborators who have a similar mindset. And

0:12:08.720 --> 0:12:10.760
<v Speaker 1>then sometimes people get successful and all of a sudden

0:12:10.760 --> 0:12:12.319
<v Speaker 1>it's like, great, I'm done with that, let me leave

0:12:12.320 --> 0:12:14.560
<v Speaker 1>it all behind. And I think that's such a dangerous thing.

0:12:14.640 --> 0:12:16.600
<v Speaker 1>So I'm actually at a point now where I've had

0:12:16.600 --> 0:12:18.920
<v Speaker 1>a couple of good years, but I'm also where that

0:12:18.960 --> 0:12:21.600
<v Speaker 1>won't last. And one of my biggest priorities is to

0:12:21.640 --> 0:12:26.280
<v Speaker 1>try to maybe find some comedians who are less experienced

0:12:26.280 --> 0:12:28.240
<v Speaker 1>than I am, who remind me of where I was

0:12:28.240 --> 0:12:30.640
<v Speaker 1>out a few years ago, and trying to include them

0:12:30.679 --> 0:12:33.000
<v Speaker 1>and trying to sort of create sort of like a

0:12:33.000 --> 0:12:37.080
<v Speaker 1>safety net of allies while giving other people opportunities Like

0:12:37.120 --> 0:12:39.680
<v Speaker 1>I I I'm very proud of my TV show. Like

0:12:39.679 --> 0:12:41.560
<v Speaker 1>there's a lot of people whose first writing jobs and

0:12:41.600 --> 0:12:43.600
<v Speaker 1>first acting jobs are on my show, because it's like

0:12:43.600 --> 0:12:46.080
<v Speaker 1>a very small, entry level show, and I like that.

0:12:46.080 --> 0:12:48.200
<v Speaker 1>But that's also a strategic move on my part, in

0:12:48.200 --> 0:12:50.080
<v Speaker 1>the sense of, let me find all the other like

0:12:50.200 --> 0:12:53.120
<v Speaker 1>minded people and make sure that I'm helping them out

0:12:53.160 --> 0:12:55.800
<v Speaker 1>so that when I'm not doing well and they are,

0:12:55.920 --> 0:12:58.360
<v Speaker 1>maybe they'll feel inclined to help me out. So I

0:12:58.400 --> 0:13:01.000
<v Speaker 1>feel like it's always to me feel it feels like

0:13:01.000 --> 0:13:03.720
<v Speaker 1>a very smart thing. Is the second I got any

0:13:03.800 --> 0:13:06.120
<v Speaker 1>anything resembling success, I was like, let me spread this

0:13:06.160 --> 0:13:07.960
<v Speaker 1>around and include as many people as I can in

0:13:08.040 --> 0:13:10.440
<v Speaker 1>it so that I don't lose sight of myself and

0:13:10.480 --> 0:13:13.920
<v Speaker 1>so that I'm building something more long term. Then right now,

0:13:13.960 --> 0:13:16.720
<v Speaker 1>the adrenaline rush of like being in a movie or

0:13:16.920 --> 0:13:19.840
<v Speaker 1>selling your TV show or mounting this off Broadway show,

0:13:19.880 --> 0:13:23.360
<v Speaker 1>it's like, those adrenaline rushes are really cool feelings, But

0:13:23.400 --> 0:13:25.040
<v Speaker 1>I think I always try to think, well, what's the

0:13:25.120 --> 0:13:27.240
<v Speaker 1>long term? What can I build long term out of this?

0:13:27.280 --> 0:13:30.200
<v Speaker 1>How can I make this sustain beyond this particular month

0:13:30.280 --> 0:13:32.280
<v Speaker 1>or two that feels so exciting. How can I build

0:13:32.280 --> 0:13:35.800
<v Speaker 1>this into something that that serves me in a year

0:13:35.880 --> 0:13:37.960
<v Speaker 1>or five years from now, and I think I've been

0:13:38.000 --> 0:13:40.960
<v Speaker 1>really smart about that, mostly out of necessity. You gotta

0:13:41.080 --> 0:13:44.120
<v Speaker 1>have to find your allies and make sure everybody takes

0:13:44.160 --> 0:13:48.160
<v Speaker 1>care of each other. I really relate to those feelings

0:13:48.360 --> 0:13:51.640
<v Speaker 1>of the adrenaline rush, feeling really good but then crashing

0:13:51.960 --> 0:13:53.599
<v Speaker 1>from it after. And I want to go back to

0:13:53.640 --> 0:13:56.920
<v Speaker 1>something you said earlier about how in your twenties, which

0:13:56.960 --> 0:14:00.199
<v Speaker 1>is the decade I'm in right now, Um, you quit

0:14:00.240 --> 0:14:02.520
<v Speaker 1>a success and happiness and then when you're in your

0:14:02.520 --> 0:14:05.960
<v Speaker 1>thirties you realize that they weren't related. How do you

0:14:06.000 --> 0:14:09.400
<v Speaker 1>do that? How do you even now? Because I mean,

0:14:09.440 --> 0:14:13.480
<v Speaker 1>you're probably happy that you're successful. Yeah, I am, And

0:14:13.520 --> 0:14:16.920
<v Speaker 1>it's a piece of the puzzle. But it's also it's

0:14:17.040 --> 0:14:20.840
<v Speaker 1>very funny because like when you said my name, most

0:14:20.920 --> 0:14:23.000
<v Speaker 1>of the people hearing this were like who, And then

0:14:23.200 --> 0:14:25.280
<v Speaker 1>a handful of them were like, oh, I think I

0:14:25.320 --> 0:14:27.920
<v Speaker 1>know who that guy is, and a very miniscule, very

0:14:28.000 --> 0:14:30.680
<v Speaker 1>very miniscule percentage was like, oh, that guy's rat like

0:14:30.760 --> 0:14:33.640
<v Speaker 1>and I'm aware that that's who I am. Like we're

0:14:33.680 --> 0:14:36.680
<v Speaker 1>talking right now in an interview about how I have

0:14:36.720 --> 0:14:39.600
<v Speaker 1>achieved some level of success. But that being said, if

0:14:39.640 --> 0:14:42.280
<v Speaker 1>I became a household name tomorrow. It would have the

0:14:42.320 --> 0:14:45.640
<v Speaker 1>appearance of an overnight sensation. Whereas I'm someone who's worked

0:14:45.640 --> 0:14:48.240
<v Speaker 1>in comedy for sixteen years. So I think for me,

0:14:48.320 --> 0:14:51.520
<v Speaker 1>I've had so many near misses with big level stuff

0:14:52.240 --> 0:14:55.000
<v Speaker 1>that I think i've I was very I think I

0:14:55.000 --> 0:14:56.520
<v Speaker 1>was very lucky when I was. When I was twenty

0:14:56.560 --> 0:14:58.960
<v Speaker 1>nine years old, I got cast as the lead in

0:14:59.000 --> 0:15:02.560
<v Speaker 1>a sitcom and this it comp bombed hard. It's bad

0:15:03.360 --> 0:15:06.120
<v Speaker 1>and not an easy thing to go through, but I

0:15:06.160 --> 0:15:09.080
<v Speaker 1>thank God all the time for it, because it was

0:15:09.120 --> 0:15:13.280
<v Speaker 1>this thing where I almost got this very traditional definition

0:15:13.480 --> 0:15:16.440
<v Speaker 1>of what every comedian is chasing. I did get it.

0:15:16.520 --> 0:15:18.880
<v Speaker 1>It just bottomed out very quickly. But I was in

0:15:18.880 --> 0:15:21.160
<v Speaker 1>that situation, and while I was in it, I was like, Oh,

0:15:21.200 --> 0:15:23.200
<v Speaker 1>this didn't solve any of my problems. It didn't make

0:15:23.200 --> 0:15:26.040
<v Speaker 1>me any happier. I have this big job. The New

0:15:26.080 --> 0:15:28.440
<v Speaker 1>York Times wrote a profile on me because of this job.

0:15:29.120 --> 0:15:31.120
<v Speaker 1>None of that means that I'm not like an anxious,

0:15:31.160 --> 0:15:33.520
<v Speaker 1>depressed person. None of that means that I'm not sleeping

0:15:33.560 --> 0:15:36.640
<v Speaker 1>in a bedroom with no closet and woodside queens like

0:15:36.720 --> 0:15:40.800
<v Speaker 1>it's not it's not real. It's very gilded and that

0:15:40.920 --> 0:15:42.760
<v Speaker 1>was this thing where I feel like I look back

0:15:42.760 --> 0:15:44.280
<v Speaker 1>on that experience and it was very hard to live

0:15:44.320 --> 0:15:46.120
<v Speaker 1>through them. But now it feels to me almost like

0:15:46.160 --> 0:15:48.480
<v Speaker 1>someone pulled back the curtain and was like, this is

0:15:48.520 --> 0:15:50.520
<v Speaker 1>the machine. You're gonna go get in the gears of

0:15:50.560 --> 0:15:52.720
<v Speaker 1>this machine and get caught up in it, and it's

0:15:52.760 --> 0:15:54.920
<v Speaker 1>not gonna do anything for you. It's not gonna make

0:15:54.920 --> 0:15:57.480
<v Speaker 1>you happy. And when that show failed, when it went away,

0:15:57.560 --> 0:15:59.440
<v Speaker 1>I wasn't that sad. I was like, all right, let

0:15:59.520 --> 0:16:01.640
<v Speaker 1>me try to and the next thing. So it was

0:16:01.680 --> 0:16:04.480
<v Speaker 1>this weird thing of realizing that I've come close. I

0:16:04.520 --> 0:16:06.520
<v Speaker 1>was almost hired as a writer on Saturday Night Live

0:16:06.560 --> 0:16:08.560
<v Speaker 1>in two thousand seven. I was there for two weeks

0:16:08.600 --> 0:16:10.800
<v Speaker 1>as a guest writer, and I was there and I

0:16:10.840 --> 0:16:12.680
<v Speaker 1>was like, Oh, this is so exciting and everybody wants

0:16:12.720 --> 0:16:14.200
<v Speaker 1>this job. And then I got there and I was like, Oh,

0:16:14.240 --> 0:16:17.240
<v Speaker 1>this is so stressful and scary. And then they didn't

0:16:17.280 --> 0:16:19.240
<v Speaker 1>hire me, and I was like, Oh, that's such a bomber.

0:16:19.920 --> 0:16:22.000
<v Speaker 1>Even then, I was seven years in when that SNW

0:16:22.080 --> 0:16:24.280
<v Speaker 1>thing happened. I was ten years into doing comedy when

0:16:24.280 --> 0:16:29.000
<v Speaker 1>the sitcom thing happened. So I think the shorthand non

0:16:29.120 --> 0:16:32.840
<v Speaker 1>Rambobly answer is I've come close enough to big time

0:16:33.120 --> 0:16:37.800
<v Speaker 1>things enough times that I'm aware that they're not the

0:16:37.920 --> 0:16:41.520
<v Speaker 1>healing remedy that I always assumed they would be. They're

0:16:41.560 --> 0:16:44.040
<v Speaker 1>just jobs, and some of them make you happy and

0:16:44.080 --> 0:16:45.840
<v Speaker 1>some of them make you not happy. But at the

0:16:45.920 --> 0:16:48.400
<v Speaker 1>end of the day, like going home to my wife

0:16:48.960 --> 0:16:51.000
<v Speaker 1>or catching up with my buddies from college when I

0:16:51.000 --> 0:16:53.240
<v Speaker 1>haven't seen them in a while, makes me so much

0:16:53.280 --> 0:16:57.080
<v Speaker 1>happier than being in a movie. Not that I sneeze

0:16:57.080 --> 0:17:00.160
<v Speaker 1>at being in a movie. I'm lucky, but I I'd

0:17:00.280 --> 0:17:03.520
<v Speaker 1>rather live a real life. Entertainment is not real life.

0:17:03.840 --> 0:17:08.280
<v Speaker 1>Do you feel grateful that the success that you're encountering

0:17:08.400 --> 0:17:12.639
<v Speaker 1>is happening to you now, given your experiences over the

0:17:12.680 --> 0:17:18.480
<v Speaker 1>past some odd years, that you sort of it's happening

0:17:18.600 --> 0:17:21.360
<v Speaker 1>for you at the right time that you are sort

0:17:21.400 --> 0:17:24.400
<v Speaker 1>of prepared for it now. One thousand percent. I think

0:17:24.440 --> 0:17:26.119
<v Speaker 1>I think about I was just joking with someone the

0:17:26.160 --> 0:17:30.119
<v Speaker 1>other day about they said, because you know, don't think twice.

0:17:30.160 --> 0:17:31.760
<v Speaker 1>The movie that I'm in is about someone who gets

0:17:31.800 --> 0:17:34.560
<v Speaker 1>hired at sn L, and they were like, oh, you

0:17:34.640 --> 0:17:36.600
<v Speaker 1>almost got hired there, And I was like, yeah. But

0:17:36.640 --> 0:17:38.840
<v Speaker 1>if I got hired at SNL when I was twenty seven,

0:17:39.280 --> 0:17:41.240
<v Speaker 1>I would have lost my mind. I was like, I

0:17:41.320 --> 0:17:44.879
<v Speaker 1>was like a depressed person in a big way. Like

0:17:44.920 --> 0:17:47.600
<v Speaker 1>I would have definitely become one of those SNL horror

0:17:47.640 --> 0:17:49.800
<v Speaker 1>stories of like some drugs. I would have been one

0:17:49.840 --> 0:17:51.639
<v Speaker 1>of the drug addicts or the drunks. I would have

0:17:51.720 --> 0:17:55.199
<v Speaker 1>driven me to madness. I wasn't ready. So I look

0:17:55.280 --> 0:17:57.000
<v Speaker 1>back now and realize it hurts so much to not

0:17:57.119 --> 0:17:59.399
<v Speaker 1>get that job then, but I think I really dodged

0:17:59.400 --> 0:18:02.840
<v Speaker 1>a bullet, and I feel like success for me. It's

0:18:02.880 --> 0:18:06.040
<v Speaker 1>almost very very similar to what I learned about like

0:18:06.160 --> 0:18:08.840
<v Speaker 1>dating in my teenage years in early twenties, which was

0:18:08.880 --> 0:18:11.320
<v Speaker 1>like if it's so clear that you want it so bad,

0:18:11.840 --> 0:18:13.320
<v Speaker 1>you don't get the time of day, you know what

0:18:13.400 --> 0:18:14.760
<v Speaker 1>I mean? Like any time I was a kid and

0:18:14.800 --> 0:18:17.280
<v Speaker 1>I was like really pining for a girl, it never worked.

0:18:17.280 --> 0:18:18.480
<v Speaker 1>And when I was able to just be like, hey

0:18:18.520 --> 0:18:21.479
<v Speaker 1>we should go grab food, somebody be like yeah, and

0:18:21.520 --> 0:18:23.040
<v Speaker 1>it was when it was just hey, this is not

0:18:23.240 --> 0:18:26.000
<v Speaker 1>rocket science, let's do this thing. It's like that desperation

0:18:26.040 --> 0:18:28.480
<v Speaker 1>and like I really need this to happen. It almost

0:18:28.480 --> 0:18:32.760
<v Speaker 1>guarantees that it like pushes away any chance. So for me,

0:18:32.840 --> 0:18:34.680
<v Speaker 1>I hit my thirties and I had kind of given

0:18:34.760 --> 0:18:37.639
<v Speaker 1>up on the idea of any anything happening for me

0:18:37.680 --> 0:18:39.760
<v Speaker 1>in a big way. And once I gave up and

0:18:39.880 --> 0:18:42.200
<v Speaker 1>was kind of like, I don't really care anymore, that's

0:18:42.200 --> 0:18:45.119
<v Speaker 1>when I started breaking through. Once I was like who cares,

0:18:45.400 --> 0:18:47.800
<v Speaker 1>which is like so weird. It's like that. A friend

0:18:47.840 --> 0:18:49.960
<v Speaker 1>of mine once told me a phrase about like dating.

0:18:50.000 --> 0:18:52.480
<v Speaker 1>I was like single for a while and miserab about it,

0:18:52.480 --> 0:18:54.679
<v Speaker 1>and he's like, hey, man, you're just you act hungry,

0:18:54.720 --> 0:18:56.920
<v Speaker 1>you stay hungry. You're acting too hungry, man, and that's

0:18:56.960 --> 0:18:58.720
<v Speaker 1>why you can't get girls to pay attention to you.

0:18:58.920 --> 0:19:01.159
<v Speaker 1>I think it's the same thing the entertainment industry. As

0:19:01.200 --> 0:19:04.800
<v Speaker 1>soon as you choose to not care, that's when everybody's like,

0:19:04.880 --> 0:19:06.680
<v Speaker 1>you seem cool, we want to get on board. It's

0:19:06.840 --> 0:19:09.159
<v Speaker 1>very only time I acted like I didn't care was

0:19:09.240 --> 0:19:13.679
<v Speaker 1>with my now wife. Yeah, right, twenty eight years of prining, pining, pining,

0:19:13.680 --> 0:19:16.520
<v Speaker 1>and then I was just like, let's just be I

0:19:16.560 --> 0:19:20.000
<v Speaker 1>believe the term that the kids uses thirsty, thirsty, don't

0:19:20.000 --> 0:19:22.879
<v Speaker 1>be too thirsty. On that note, I think we have

0:19:22.960 --> 0:19:26.359
<v Speaker 1>to take a break for our sponsor, which is a

0:19:26.359 --> 0:19:30.080
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0:19:30.119 --> 0:19:32.880
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0:19:32.880 --> 0:19:36.160
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0:19:36.280 --> 0:19:40.480
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0:19:40.520 --> 0:19:43.879
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0:19:44.080 --> 0:19:47.080
<v Speaker 1>you get a partner who truly understands people, leadership, and

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<v Speaker 1>to take your business up. Learn more at corn Ferry

0:19:52.800 --> 0:19:56.520
<v Speaker 1>dot com slash up. So we're here with Chris Goatherd,

0:19:56.720 --> 0:20:00.040
<v Speaker 1>who has a new show coming out, Careers to a

0:20:00.080 --> 0:20:03.040
<v Speaker 1>Side at premiers in New York on October thirteenth, and

0:20:03.080 --> 0:20:06.000
<v Speaker 1>we're talking about all of our feelings about our success

0:20:06.000 --> 0:20:08.120
<v Speaker 1>are lack thereof? Chris? Can you tell us a little

0:20:08.119 --> 0:20:11.960
<v Speaker 1>bit about career suicide? Career suicide? It's um, it's a

0:20:11.960 --> 0:20:14.439
<v Speaker 1>comedy I've been working on. It's like just me up

0:20:14.480 --> 0:20:17.160
<v Speaker 1>there for an hour and change and I talk. It's

0:20:17.160 --> 0:20:18.720
<v Speaker 1>a it's a very very funny show. I want to

0:20:18.720 --> 0:20:20.199
<v Speaker 1>be clear on that. I've been a comedian in New

0:20:20.240 --> 0:20:22.760
<v Speaker 1>York for sixteen years. Like it's it's I've put a

0:20:22.760 --> 0:20:25.200
<v Speaker 1>lot of effort into being funny. But that being said,

0:20:25.760 --> 0:20:28.359
<v Speaker 1>it's a show that all the stories tend to they

0:20:28.440 --> 0:20:31.800
<v Speaker 1>focus on my issues with depression and a suicide attempt

0:20:31.840 --> 0:20:35.280
<v Speaker 1>and medications and the and the side effects of those.

0:20:35.320 --> 0:20:39.480
<v Speaker 1>So it's it's, uh, it's not necessarily traditionally material that

0:20:39.560 --> 0:20:42.720
<v Speaker 1>people think is like, oh, that's l O l L.

0:20:43.320 --> 0:20:46.760
<v Speaker 1>I get it, so that airplane food wow, Yeah, but

0:20:46.840 --> 0:20:50.000
<v Speaker 1>it's I feel like it's a conversation that people don't

0:20:50.040 --> 0:20:51.719
<v Speaker 1>want to have. And I'm not making fun of any

0:20:51.800 --> 0:20:53.240
<v Speaker 1>of that stuff, but I've lived through it in a

0:20:53.280 --> 0:20:56.560
<v Speaker 1>real way, and um, I'm happy to get up there

0:20:56.560 --> 0:20:58.800
<v Speaker 1>and maybe try to get some laughs out of it.

0:20:58.800 --> 0:21:00.760
<v Speaker 1>And I've I've heard some people say like, oh, you

0:21:00.760 --> 0:21:02.640
<v Speaker 1>can't joke about that, And to me, what they're saying

0:21:02.760 --> 0:21:04.880
<v Speaker 1>is like, you can't talk about it, and I'm really

0:21:04.920 --> 0:21:07.120
<v Speaker 1>against that. I'm like, I really hope the people who

0:21:07.160 --> 0:21:10.800
<v Speaker 1>think this is least appropriate material for comedy are the

0:21:10.840 --> 0:21:13.240
<v Speaker 1>first ones in the door, because I think they'll say, oh,

0:21:13.280 --> 0:21:15.639
<v Speaker 1>that's actually the perspective of someone who's lived through it

0:21:15.640 --> 0:21:17.960
<v Speaker 1>and wants to talk about it and own his his

0:21:18.040 --> 0:21:20.919
<v Speaker 1>experiences and his problem. So that's that. But yeah, I

0:21:21.000 --> 0:21:23.720
<v Speaker 1>named it career suicide because it's about suicide, but also

0:21:24.640 --> 0:21:27.320
<v Speaker 1>like doing a whole show where you stake your claim

0:21:27.359 --> 0:21:31.000
<v Speaker 1>on the idea of suicide is in effect a career suicide.

0:21:31.520 --> 0:21:33.800
<v Speaker 1>But Judd Apatow got on board and he's producing it,

0:21:33.880 --> 0:21:35.760
<v Speaker 1>so that goes a long way towards making you feel

0:21:35.760 --> 0:21:37.920
<v Speaker 1>a little better about it. Yeah, that inoculates you, I

0:21:37.920 --> 0:21:40.639
<v Speaker 1>guess a little bit from yeah. Yeah, But it was

0:21:40.800 --> 0:21:43.200
<v Speaker 1>like my friend, my friend Mike ber Bigley, who directed

0:21:43.200 --> 0:21:45.160
<v Speaker 1>the movie i'man he he was we were talking about

0:21:45.160 --> 0:21:47.160
<v Speaker 1>the title and he was like, yeah, I think that's

0:21:47.160 --> 0:21:49.879
<v Speaker 1>a good one, because like, this is a bad idea

0:21:50.040 --> 0:21:53.760
<v Speaker 1>to dedicate years of your life to a show about suicide.

0:21:53.800 --> 0:21:55.600
<v Speaker 1>It's a bad career move, but that's why you have

0:21:55.720 --> 0:21:59.040
<v Speaker 1>to do it. So I've never been known throughout my

0:21:59.080 --> 0:22:03.560
<v Speaker 1>career for making smart choices, but I do make honest

0:22:03.680 --> 0:22:07.719
<v Speaker 1>choices and choices I'm passionate about. So it doesn't always

0:22:07.800 --> 0:22:09.800
<v Speaker 1>end well, but it's worked out pretty well for me.

0:22:10.359 --> 0:22:12.960
<v Speaker 1>So you brought up Mike Robiglia, and I saw the

0:22:13.040 --> 0:22:15.639
<v Speaker 1>movie Don't Think twice, and a lot of the stuff

0:22:15.640 --> 0:22:18.600
<v Speaker 1>that we're talking about is in the movie. If you

0:22:19.359 --> 0:22:21.720
<v Speaker 1>if you're someone who thinks about success and failure a lot,

0:22:21.760 --> 0:22:23.439
<v Speaker 1>that movie is like a horror movie to you. I

0:22:23.440 --> 0:22:26.119
<v Speaker 1>bet yeah. I was really upset after seeing it, and

0:22:26.240 --> 0:22:29.160
<v Speaker 1>everyone I know loved it, and I really liked it also,

0:22:29.280 --> 0:22:31.840
<v Speaker 1>but it was also like, why am I reacting emotionally

0:22:31.920 --> 0:22:36.679
<v Speaker 1>to this ninety minute movie about improv? Yeah, it's funny.

0:22:36.720 --> 0:22:38.919
<v Speaker 1>A lot of people in creative fields have found that

0:22:38.960 --> 0:22:41.439
<v Speaker 1>movie to be a little I've had consistent feedback from

0:22:41.480 --> 0:22:43.639
<v Speaker 1>people who are in the arts or in creative areas

0:22:43.640 --> 0:22:45.920
<v Speaker 1>who are like, that movie is terrifying, and I'm mad

0:22:45.960 --> 0:22:47.880
<v Speaker 1>at you guys were making it because it's all about

0:22:47.880 --> 0:22:51.040
<v Speaker 1>how you have to just question yourself constantly. It's too real.

0:22:51.359 --> 0:22:54.000
<v Speaker 1>Isn't there something I think about sort of the performing arts,

0:22:54.119 --> 0:22:58.399
<v Speaker 1>where success and failure are so stark that you know,

0:22:58.440 --> 0:23:01.240
<v Speaker 1>as opposed to other careers up where you know, you

0:23:01.240 --> 0:23:03.040
<v Speaker 1>can go to your office every day and some days

0:23:03.040 --> 0:23:04.679
<v Speaker 1>you do a really good job and some days you

0:23:04.720 --> 0:23:07.160
<v Speaker 1>do a really bad job, but you know it averages

0:23:07.200 --> 0:23:09.720
<v Speaker 1>out to keep you employed and you just kind of

0:23:09.760 --> 0:23:13.560
<v Speaker 1>bounce along, whereas if you're an actor or a comic,

0:23:13.720 --> 0:23:17.840
<v Speaker 1>you know you're just encountering so many times where people

0:23:17.840 --> 0:23:22.600
<v Speaker 1>are saying, you know, yes, no you not you big time,

0:23:22.960 --> 0:23:25.720
<v Speaker 1>big time stand up. And that's why stand ups the hardest,

0:23:25.760 --> 0:23:27.840
<v Speaker 1>if you ask me, that's the hardest type of comedy

0:23:27.880 --> 0:23:32.080
<v Speaker 1>because when it fails, it is honestly a room for

0:23:32.280 --> 0:23:34.439
<v Speaker 1>you standing in front of a room full of people

0:23:34.960 --> 0:23:38.720
<v Speaker 1>who are silent because they don't like the material you

0:23:38.800 --> 0:23:41.240
<v Speaker 1>wrote in the way you chose to deliver it. Like,

0:23:41.320 --> 0:23:43.720
<v Speaker 1>they just don't like you. There's no way around that.

0:23:44.080 --> 0:23:46.520
<v Speaker 1>When you bomb, they're like, we don't like you, we

0:23:46.560 --> 0:23:48.280
<v Speaker 1>don't like the things you're saying, we don't like the

0:23:48.280 --> 0:23:50.560
<v Speaker 1>way you're saying, and we don't like you. It's really

0:23:50.600 --> 0:23:52.959
<v Speaker 1>it's very lonely. Failing as a stand up is one

0:23:53.000 --> 0:23:55.479
<v Speaker 1>of the most lonely feelings, and I think you have

0:23:55.560 --> 0:23:59.240
<v Speaker 1>to learn to embrace that very quickly if you're just

0:23:59.280 --> 0:24:02.399
<v Speaker 1>going to survive I mentally and acting to acting. Like

0:24:02.720 --> 0:24:06.440
<v Speaker 1>especially in your early days as an actor, almost everybody

0:24:06.480 --> 0:24:09.159
<v Speaker 1>does tons of commercial auditions, and those are exactly what

0:24:09.160 --> 0:24:11.119
<v Speaker 1>you're describing. Were like you walk in and they're like

0:24:11.560 --> 0:24:13.919
<v Speaker 1>your head is too big to sell cheerios, you know,

0:24:14.000 --> 0:24:15.480
<v Speaker 1>like where you can just feel it where it's like

0:24:15.720 --> 0:24:18.000
<v Speaker 1>we wanted a pay all guy, but your three shades

0:24:18.040 --> 0:24:20.840
<v Speaker 1>to pay off for us say this judgment of how

0:24:20.880 --> 0:24:23.560
<v Speaker 1>you look, and you know, like you'll walk in and

0:24:23.600 --> 0:24:25.359
<v Speaker 1>before you even say a word, they like glance up

0:24:25.400 --> 0:24:27.360
<v Speaker 1>at you and then look back down at your their pad,

0:24:27.400 --> 0:24:29.639
<v Speaker 1>and you're like, I just took hours out of my

0:24:29.720 --> 0:24:32.080
<v Speaker 1>day to just get judged for my appearance. And I

0:24:32.119 --> 0:24:35.120
<v Speaker 1>can feel it, so it can be rough. Maybe that's

0:24:35.160 --> 0:24:38.640
<v Speaker 1>why the relationship with success is so tortured, because you

0:24:38.960 --> 0:24:42.760
<v Speaker 1>went through this horrible process of so much rejection to

0:24:42.840 --> 0:24:45.040
<v Speaker 1>get to this thing you thought you wanted, and then

0:24:45.080 --> 0:24:47.280
<v Speaker 1>you're like, oh, I did all of that for this,

0:24:48.040 --> 0:24:50.560
<v Speaker 1>I think so. And I also like, I'm like I

0:24:50.920 --> 0:24:53.440
<v Speaker 1>grew up in North Jersey. Everybody as a chip on

0:24:53.480 --> 0:24:55.800
<v Speaker 1>their shoulder out there, and it's like I always had

0:24:55.840 --> 0:24:57.159
<v Speaker 1>this idea in my head of like I'm going to

0:24:57.240 --> 0:25:00.720
<v Speaker 1>get successful and prove them wrong. And then when got successful,

0:25:00.720 --> 0:25:03.439
<v Speaker 1>I was like, wait, there was no no they, No

0:25:03.480 --> 0:25:07.399
<v Speaker 1>one was always I've always had this feeling that people

0:25:07.400 --> 0:25:09.000
<v Speaker 1>are going to be like, now we get it, we

0:25:09.000 --> 0:25:11.280
<v Speaker 1>were wrong. But it's like, oh, there wasn't this chorus

0:25:11.320 --> 0:25:14.080
<v Speaker 1>of doubtful voices. I invented that in my head because

0:25:14.080 --> 0:25:18.879
<v Speaker 1>I have mental problems. That's what happened. And then yeah,

0:25:18.960 --> 0:25:20.879
<v Speaker 1>everybody was like, great man, you're a nice guy. You

0:25:20.960 --> 0:25:22.800
<v Speaker 1>deserve it. And then I was like, oh no, now

0:25:22.880 --> 0:25:25.680
<v Speaker 1>I just have mental problems. I was fighting with these

0:25:25.680 --> 0:25:28.439
<v Speaker 1>invisible demons, which is you bring that up in the

0:25:28.520 --> 0:25:31.040
<v Speaker 1>Vulture essay to which I really liked that part where

0:25:31.160 --> 0:25:32.960
<v Speaker 1>you mentioned some people who go out to l A,

0:25:33.280 --> 0:25:35.760
<v Speaker 1>they become successful, and then they still have all these

0:25:35.760 --> 0:25:39.000
<v Speaker 1>demons big time. I do want to be clear though,

0:25:39.000 --> 0:25:40.800
<v Speaker 1>I'm not an l A hater, like, I don't hate

0:25:40.960 --> 0:25:42.800
<v Speaker 1>l A. It's great, it works for a lot of people.

0:25:42.800 --> 0:25:44.960
<v Speaker 1>For me, I lived there for a little while in

0:25:45.000 --> 0:25:46.800
<v Speaker 1>two thousand four and it drove me nuts. I found

0:25:46.800 --> 0:25:49.720
<v Speaker 1>it an isolating, lonely place. And but I do I

0:25:49.760 --> 0:25:52.399
<v Speaker 1>think that I do. I see a lot of my friends.

0:25:52.520 --> 0:25:53.879
<v Speaker 1>I feel like a lot of my friends who have

0:25:53.920 --> 0:25:57.440
<v Speaker 1>families in l A very happy because they go home

0:25:57.560 --> 0:26:02.600
<v Speaker 1>to their spouses and their kids and their backyards and exactly,

0:26:02.640 --> 0:26:05.040
<v Speaker 1>and who doesn't love that a life that you can

0:26:05.040 --> 0:26:07.639
<v Speaker 1>help provide for a family. But see some people go

0:26:07.720 --> 0:26:10.000
<v Speaker 1>out and there may be younger and single and still

0:26:10.040 --> 0:26:12.920
<v Speaker 1>have that chip on their shoulder and living life and

0:26:13.080 --> 0:26:15.560
<v Speaker 1>looking for clubs and looking to get their pictures taken,

0:26:15.600 --> 0:26:19.199
<v Speaker 1>and and those people tend to burn out fast, and

0:26:19.240 --> 0:26:21.480
<v Speaker 1>those demons really rise to the surface in a way

0:26:21.520 --> 0:26:25.160
<v Speaker 1>that's pretty hard to watch. It's hard to watch people

0:26:25.160 --> 0:26:28.919
<v Speaker 1>who I have have known since we were kids maybe given

0:26:28.960 --> 0:26:31.000
<v Speaker 1>to some of those demons a little too much. It's

0:26:31.119 --> 0:26:33.520
<v Speaker 1>very sad and scary. And it happens in New York

0:26:33.560 --> 0:26:36.359
<v Speaker 1>as well. But as a comedian, you see people go

0:26:36.400 --> 0:26:38.920
<v Speaker 1>to l A specifically to chase stuff, and you see

0:26:39.560 --> 0:26:41.720
<v Speaker 1>how that ends well, and you also see very often

0:26:41.720 --> 0:26:44.159
<v Speaker 1>how that ends poorly. I can see that happening to me.

0:26:44.359 --> 0:26:48.680
<v Speaker 1>Don't let that happen to me. Um. So this is

0:26:48.760 --> 0:26:51.280
<v Speaker 1>kind of an unrelated question, but as I've been thinking

0:26:51.359 --> 0:26:57.840
<v Speaker 1>about success, I went to the US Open and I

0:26:58.000 --> 0:27:00.520
<v Speaker 1>was thinking, like, what do you think it feels like

0:27:00.600 --> 0:27:06.400
<v Speaker 1>to be Venus Williams. Her sister is the most successful,

0:27:06.880 --> 0:27:11.359
<v Speaker 1>and she is, by all metrics, also incredibly successful. Do

0:27:11.400 --> 0:27:15.400
<v Speaker 1>you think that she feels like not a failure but like, Okay,

0:27:15.960 --> 0:27:17.960
<v Speaker 1>you know, I have to constantly be compared to this

0:27:18.000 --> 0:27:20.600
<v Speaker 1>other person who's the best. I've been thinking about this

0:27:20.640 --> 0:27:23.560
<v Speaker 1>a lot. People who are like right there. The long

0:27:23.640 --> 0:27:27.440
<v Speaker 1>pause on this answer reflects the sadness that just sorry, guys,

0:27:27.520 --> 0:27:29.720
<v Speaker 1>I mean, Venus Lambs is great, but it's just I

0:27:29.720 --> 0:27:32.800
<v Speaker 1>think the money probably helps, or maybe I'm thinking about

0:27:32.840 --> 0:27:35.920
<v Speaker 1>all wrong and this is just I'm projecting my hippersion

0:27:35.920 --> 0:27:40.000
<v Speaker 1>of success. Their doubles partners fantastic, go a long way.

0:27:40.080 --> 0:27:43.880
<v Speaker 1>I hope you're getting along, Venus and Serena the inner

0:27:43.880 --> 0:27:46.879
<v Speaker 1>workings of the Williams Sisterhood my brother and my brother

0:27:46.920 --> 0:27:49.919
<v Speaker 1>does comedy as well, not professionally, and there was a

0:27:49.920 --> 0:27:51.640
<v Speaker 1>while where we used to butt heads, but now we're

0:27:51.640 --> 0:27:54.960
<v Speaker 1>in a good place. But he always makes jokes of like,

0:27:55.680 --> 0:27:58.520
<v Speaker 1>you're more successful, but I'm far funnier, and he's correct

0:27:59.119 --> 0:28:02.000
<v Speaker 1>correcting that he's much much funnier than I am. But

0:28:02.080 --> 0:28:04.160
<v Speaker 1>I just I think I was a little more stubborn

0:28:04.880 --> 0:28:06.439
<v Speaker 1>and went for it, and there was there was a

0:28:06.440 --> 0:28:08.719
<v Speaker 1>stretch where I think we were like feeling some friction

0:28:08.760 --> 0:28:12.320
<v Speaker 1>with each other over it, But um, now I think

0:28:12.400 --> 0:28:15.080
<v Speaker 1>it's just like we're old enough that it's like, oh,

0:28:15.119 --> 0:28:18.919
<v Speaker 1>we both wound up okay with like reasonably okay lives

0:28:18.960 --> 0:28:24.040
<v Speaker 1>and we're healthy and happy, and that's that's a good thing. Um,

0:28:24.040 --> 0:28:27.640
<v Speaker 1>and the competitive nature of our of our youth has

0:28:27.680 --> 0:28:30.160
<v Speaker 1>gone away, which I think we're both happy about. God.

0:28:30.200 --> 0:28:34.120
<v Speaker 1>I can't wait to be mature and wise. Um. Well

0:28:34.119 --> 0:28:36.040
<v Speaker 1>this was really really great. Thank you so much for

0:28:36.080 --> 0:28:38.600
<v Speaker 1>coming and talking about us. I hope it was useful

0:28:38.720 --> 0:28:41.720
<v Speaker 1>on any level. And then I didn't ramble too much.

0:28:42.120 --> 0:28:49.880
<v Speaker 1>Not great, it's great. And now it's time for half

0:28:49.880 --> 0:28:56.880
<v Speaker 1>big takes, happy fake takes. Half big takes are half

0:28:57.000 --> 0:28:59.760
<v Speaker 1>thought out ideas we have about the world in and

0:28:59.760 --> 0:29:02.120
<v Speaker 1>out of the workplace, and this is where we get

0:29:02.160 --> 0:29:05.400
<v Speaker 1>to air them out. So what is your half big

0:29:05.400 --> 0:29:08.440
<v Speaker 1>take this week? Sam Becka, My half baked take is

0:29:08.480 --> 0:29:11.680
<v Speaker 1>actually an endorsement, a recommendation. Um. We spent a lot

0:29:11.680 --> 0:29:14.719
<v Speaker 1>of time here talking about the workplace. There is a

0:29:14.760 --> 0:29:17.640
<v Speaker 1>British comedy series that actually aired a couple of years

0:29:17.640 --> 0:29:21.360
<v Speaker 1>ago called w one A, and that is the postcode

0:29:21.560 --> 0:29:25.000
<v Speaker 1>for the headquarters of the BBC where the series takes place.

0:29:25.600 --> 0:29:28.080
<v Speaker 1>And even though it's a couple of years old, it

0:29:28.200 --> 0:29:32.120
<v Speaker 1>is still as fresh and new and insightful as ever.

0:29:32.480 --> 0:29:34.320
<v Speaker 1>And it's, like they like to say in television, if

0:29:34.360 --> 0:29:37.360
<v Speaker 1>you haven't seen it before, it's not a rerun. It's

0:29:37.400 --> 0:29:40.440
<v Speaker 1>the story of a character played by Hugh Bonneville, who

0:29:40.440 --> 0:29:43.560
<v Speaker 1>many people will recognize from Downton Abbey, who has started

0:29:43.600 --> 0:29:46.840
<v Speaker 1>a new job at the BBC. And it is an

0:29:47.160 --> 0:29:50.560
<v Speaker 1>roorious send up of sort of workplace culture all of

0:29:50.600 --> 0:29:54.080
<v Speaker 1>the different ways, from the design of the office to

0:29:54.200 --> 0:29:56.760
<v Speaker 1>the meetings they have to the titles. People have just

0:29:56.920 --> 0:29:59.560
<v Speaker 1>a bunch of nonsense, and it does it in a

0:29:59.720 --> 0:30:03.880
<v Speaker 1>terri thickly, uncomfortably funny way. And I can't recommend it enough.

0:30:03.880 --> 0:30:07.600
<v Speaker 1>It's on Netflix. It sounds like a more modern version

0:30:07.640 --> 0:30:11.160
<v Speaker 1>of the Office. Well, it definitely shares something with the

0:30:11.200 --> 0:30:14.360
<v Speaker 1>Office in that both besides being British workplace comedies, well

0:30:14.400 --> 0:30:16.480
<v Speaker 1>that's what I was right, but also like there's a

0:30:16.480 --> 0:30:19.200
<v Speaker 1>certain comedy of the uncomfortable, you know, I sort of

0:30:19.240 --> 0:30:22.360
<v Speaker 1>Curb your enthusiasm would be another tent pole there. And

0:30:22.400 --> 0:30:25.200
<v Speaker 1>so it's just a lot of awkwardness and a lot

0:30:25.240 --> 0:30:28.720
<v Speaker 1>of passive aggression and so forth. It's not playing for

0:30:28.800 --> 0:30:32.840
<v Speaker 1>like really big laughs, but it just perfectly captures and

0:30:32.880 --> 0:30:36.280
<v Speaker 1>also amplifies all of the frustrations that you might encounter

0:30:36.400 --> 0:30:39.520
<v Speaker 1>in the modern workplace. I should probably watch it all

0:30:39.560 --> 0:30:41.440
<v Speaker 1>of it this weekend as research for this show we

0:30:41.480 --> 0:30:43.640
<v Speaker 1>put on. You should totally should. I think there's maybe

0:30:43.680 --> 0:30:46.280
<v Speaker 1>like four or six episodes there, half an hour each.

0:30:46.320 --> 0:30:48.400
<v Speaker 1>I mean you can take me one day, you can

0:30:48.520 --> 0:30:50.920
<v Speaker 1>blaze right through it. Yeah, great, I don't think that's

0:30:50.920 --> 0:30:53.720
<v Speaker 1>a take I can really argue with. I will take

0:30:53.760 --> 0:30:56.520
<v Speaker 1>that take. Um. So my half big take is that

0:30:56.560 --> 0:31:01.400
<v Speaker 1>there is a correct bathroom stalls selections to energy, and

0:31:01.880 --> 0:31:03.680
<v Speaker 1>I use it, and if you're not using it, you

0:31:03.680 --> 0:31:07.320
<v Speaker 1>should be what's the strategy. Well, it's kind of complicated,

0:31:07.800 --> 0:31:09.640
<v Speaker 1>but when you go into a bathroom, you should have

0:31:09.680 --> 0:31:12.000
<v Speaker 1>a strategy about which doll you're going to go into,

0:31:12.040 --> 0:31:14.680
<v Speaker 1>and you should look at who is occupying all the

0:31:14.720 --> 0:31:18.520
<v Speaker 1>other stalls and make calculations and pick the one that

0:31:18.560 --> 0:31:23.040
<v Speaker 1>makes the most sense for alienating the least people. What

0:31:23.080 --> 0:31:24.800
<v Speaker 1>does that mean to you? There are say there are

0:31:24.880 --> 0:31:28.560
<v Speaker 1>six stalls in a bathroom, and somebody's in the two

0:31:28.840 --> 0:31:31.040
<v Speaker 1>end ones, Like you should go in a middle one

0:31:31.400 --> 0:31:34.320
<v Speaker 1>so that you're not right next to someone as they're peeing, obviously,

0:31:34.840 --> 0:31:37.600
<v Speaker 1>or like this is maybe tam I if I know

0:31:37.760 --> 0:31:40.320
<v Speaker 1>that I have to just like quick pe I'll take

0:31:40.320 --> 0:31:42.360
<v Speaker 1>an end stall because I know that those are kind

0:31:42.360 --> 0:31:44.480
<v Speaker 1>of the worst ones to be in. But like my

0:31:44.600 --> 0:31:48.400
<v Speaker 1>quick pee, it's in offensive, will be in and out right. Um,

0:31:48.440 --> 0:31:50.800
<v Speaker 1>I don't wait for the stalls. Like if I walk

0:31:50.840 --> 0:31:54.040
<v Speaker 1>into a restroom, yeah, and they're full, I'm out of there.

0:31:54.200 --> 0:31:56.160
<v Speaker 1>I see people who hang out. No, don't do that

0:31:56.240 --> 0:31:59.200
<v Speaker 1>because then also what that creates is the incredibly awkward

0:31:59.440 --> 0:32:01.960
<v Speaker 1>moment where you and the person like, now you're trading

0:32:02.160 --> 0:32:06.080
<v Speaker 1>stalls and I know what you were just doing it

0:32:06.120 --> 0:32:07.560
<v Speaker 1>all the way for men, we really know what you

0:32:07.600 --> 0:32:10.400
<v Speaker 1>were just doing. I think anonymity is key. No one

0:32:10.400 --> 0:32:12.360
<v Speaker 1>should ever know that you're in the bathroom. No one

0:32:12.400 --> 0:32:14.480
<v Speaker 1>in the bathroom should know about anybody else. I'll just

0:32:14.520 --> 0:32:17.120
<v Speaker 1>pretend we're not there and we never go there right

0:32:17.320 --> 0:32:20.880
<v Speaker 1>at work exactly. All right. That's my take, And this

0:32:20.960 --> 0:32:26.560
<v Speaker 1>has been half Big Takes, half Pike Takes. Thanks for

0:32:26.680 --> 0:32:29.720
<v Speaker 1>joining us for another episode of game Plan. You can

0:32:29.760 --> 0:32:33.080
<v Speaker 1>find me on Twitter. I'm at rs Greenfield and i

0:32:33.120 --> 0:32:36.120
<v Speaker 1>am at Sam Grobart and check out Chris Guthard's new

0:32:36.200 --> 0:32:39.960
<v Speaker 1>show Career Suicide, which premier is oct in New York

0:32:40.000 --> 0:32:47.080
<v Speaker 1>City off Fridway. Thanks for listening. See you next week.

0:33:00.040 --> 0:33:04.400
<v Speaker 1>M Get the most from your people and send your

0:33:04.440 --> 0:33:08.000
<v Speaker 1>business soaring with corn Ferry, from executive search to talent strategy,

0:33:08.080 --> 0:33:12.080
<v Speaker 1>leadership development, rewards and succession planning. Corn Ferry knows up

0:33:12.200 --> 0:33:14.959
<v Speaker 1>is more than a direction, it's your future. Learn more

0:33:15.000 --> 0:33:19.080
<v Speaker 1>at corn ferry dot com. Slash up our lives are,

0:33:19.120 --> 0:33:22.640
<v Speaker 1>like Moby Dick, has some real significance. It's not just

0:33:22.680 --> 0:33:23.760
<v Speaker 1>about the way out. What