WEBVTT - Assaulted by Bill Cosby with Lili Bernard, Part 1

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<v Speaker 1>What happens when America's dad is revealed to be a perpetrator.

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<v Speaker 1>Actress Lily Bernard knows all too well. On this emotional

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<v Speaker 1>episode of Navigating Narcissism, Lily bravely opens up for the

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<v Speaker 1>very first time about the horrific abuse she endured at

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<v Speaker 1>the hands of Bill Cosby. When Lily first met Cosby

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<v Speaker 1>in nineteen eighty nine, she was just beginning her career. He,

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<v Speaker 1>on the other hand, was one of the most famous, respected,

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<v Speaker 1>and beloved men in the world. Since then, over sixty

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<v Speaker 1>women have accused him of sexually assaulting, drugging, and raping them.

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<v Speaker 1>In twenty eighteen, Cosby was convicted and went to prison,

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<v Speaker 1>before being released on a legal technicality less than three

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<v Speaker 1>years later. His crimes have been the focus of documentaries

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<v Speaker 1>and news articles, but the experiences of the survivors are

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<v Speaker 1>often glossed over. What did the grooming process look like?

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<v Speaker 1>How did enablers and systems psychologically conspire to allow him

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<v Speaker 1>to keep perpetrating for decades? Even more important, what happens

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<v Speaker 1>to the survivors for years afterward. While this is a

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<v Speaker 1>story of sexual assaults, abuse, and perpetration, it is frankly

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<v Speaker 1>also a straight up story of narcissistic abuse. This is

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<v Speaker 1>Lily's harrowing journey of surviving Bill Cosby, not just what happened,

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<v Speaker 1>but what has happened to her since and the reality

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<v Speaker 1>of her healing process. This podcast should not be used

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<v Speaker 1>as a substitute for medical or mental health advice. Individuals

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<v Speaker 1>are advised to seek independent medical advice, counseling, and or

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<v Speaker 1>therapy from a healthcare professional with respect to any medical condition,

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<v Speaker 1>mental health issue, or health inquiry, including matters discussed on

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<v Speaker 1>this podcast. This episode discusses abuse, which may be triggering

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<v Speaker 1>to some people. The views and opinions expressed are solely

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<v Speaker 1>those of the podcast author or individuals participating in the podcast,

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<v Speaker 1>and do not represent the opinions of Red Table Talk productions,

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<v Speaker 1>iHeartMedia or their employees. Thank you so much for coming

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<v Speaker 1>being here.

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<v Speaker 2>Thank you.

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<v Speaker 1>Here's where I'd like to begin. I truly believe that

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<v Speaker 1>one of the most difficult things about being a trauma

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<v Speaker 1>survivor is that people want you to keep sharing the

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<v Speaker 1>story of the trauma. What I'd like to have happened

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<v Speaker 1>today is your story and your experience as a survivor.

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<v Speaker 1>This is about you and keeping that in mind. Where

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<v Speaker 1>do you want to begin telling your story?

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<v Speaker 2>I think the content is a good Okay, it begins.

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<v Speaker 2>I want you to know I do feel safe, and

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<v Speaker 2>I do get invited to do a lot of interviews

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<v Speaker 2>on this subject and I usually decline, but I feel

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<v Speaker 2>safe with you. Okay.

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<v Speaker 1>Well I appreciate that.

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<v Speaker 2>So I guess there's a greater context that's cultural for me.

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<v Speaker 2>I'm a Cuban born immigrant and my heritage is African, Caribbean, Chinese,

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<v Speaker 2>and European. And of those first three cultures, you know, Black, Latin,

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<v Speaker 2>and Asian, it's really, as you know, against the status

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<v Speaker 2>quo to speak about sexual assault. Absolutely, yeah, because society,

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<v Speaker 2>the media is constantly denigrating the image of men of color,

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<v Speaker 2>particularly black men, and so we're deeply invested in protecting Yeah,

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<v Speaker 2>that rightfully so. But unfortunately in my case with Bill Cosby,

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<v Speaker 2>where that played a personal role, yes, all that came

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<v Speaker 2>to play, but it's not about race here. It's not

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<v Speaker 2>about protecting the black male image. It's about rape, and

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<v Speaker 2>rape crosses all sociocultural, all racial boundaries. I found that personally.

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<v Speaker 2>So that's the context from which I'm coming. That's really

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<v Speaker 2>difficult because unfortunately those Cosby fans and rape apologists who've

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<v Speaker 2>attacked me the most in public, sometimes in person with

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<v Speaker 2>raised fists, death threats, and rape threats have been black men.

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<v Speaker 2>And that's really painful. You know, I have six children

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<v Speaker 2>that I birthed in a ten year span, in five

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<v Speaker 2>of them are young black men. So that's really a

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<v Speaker 2>sad reality.

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<v Speaker 1>With that context, because one of the first places I

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<v Speaker 1>go when I hear that is not only is rape

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<v Speaker 1>or sexual assault not allowable as a topic of discussion

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<v Speaker 1>for people who have your heritage, who have my heritage,

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<v Speaker 1>women of color aren't believed. Can you talk a little

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<v Speaker 1>bit about that.

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<v Speaker 2>It's really like an added burden, very painful. One thing

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<v Speaker 2>that Bill Cosby did for me personally was to make me.

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<v Speaker 1>I'm sorry, you take your time.

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<v Speaker 2>Both of my parents are mixed black people. Yeah, and

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<v Speaker 2>like a lot of Black Cubans, I grew up with

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<v Speaker 2>a deep seated, learned racial self hatred that you're not black,

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<v Speaker 2>you're mulata. And I'd go to school when the kids

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<v Speaker 2>called me nigger, and I'd come home and tell my parents,

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<v Speaker 2>and my mom would say, well, go tell them your mulatta,

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<v Speaker 2>and then they laugh at my face. My American. You know, classmates, dummy,

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<v Speaker 2>Mulata is a nigger. So I'd go back home to

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<v Speaker 2>my parents and I'd say, but they say, Mulata is

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<v Speaker 2>a nigger, and my mom would say, well maybe in America,

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<v Speaker 2>but in Cuba it's better than a nigger. So I

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<v Speaker 2>grew up with that stigma, you know, that pain, not understanding.

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<v Speaker 2>And I loved my black heritage. I gravitated towards it.

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<v Speaker 2>I knew I was black. My hair is naturally kinky.

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<v Speaker 2>And so when I met Bill Cosby, and he would

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<v Speaker 2>talk to me really academically because he knew that I

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<v Speaker 2>loved my black heritage. He knew that I was Cuban

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<v Speaker 2>and a Cuban immigrant. He knew that I identified as

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<v Speaker 2>being black and Latin, so he heralded that. So Bill

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<v Speaker 2>Cosby played a role in really making me feel proud

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<v Speaker 2>to be black, among so many other things that he

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<v Speaker 2>made me feel good about. Does that make any sense?

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<v Speaker 1>It makes absolute sense. I wanted to ask you, growing

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<v Speaker 1>up and battling within you, his battle around racial identity

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<v Speaker 1>with in you, how did that shape your identity, not

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<v Speaker 1>only as a child, but ultimately as a woman. I

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<v Speaker 1>want to understand that peace first and then because I

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<v Speaker 1>fully understand the profundity and the power of somebody seeing

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<v Speaker 1>that part of you.

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<v Speaker 2>Right.

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<v Speaker 1>All we want, Lily, is to be seen right, right,

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<v Speaker 1>And he saw a part of you that you were

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<v Speaker 1>told not to see.

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<v Speaker 2>That's right.

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<v Speaker 1>That is a revelation, right when somebody does that for us,

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<v Speaker 1>and we will feel drawn to that, and it will

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<v Speaker 1>almost create an accelerated sense of trust.

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<v Speaker 2>Yes it did.

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<v Speaker 1>How do you think though grappling with that shaped you

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<v Speaker 1>as a human being to have had those conflicting and

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<v Speaker 1>actually brutalizing messages about race that you received.

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<v Speaker 2>Yeah, it's I guess what my therapist is called the

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<v Speaker 2>cognitive dissonance you.

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<v Speaker 1>Cognitive dissonance is the tension we experience when things are inconsistent.

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<v Speaker 1>For example, we love someone and they hurt us. At

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<v Speaker 1>those times, we will often justify or try to find

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<v Speaker 1>the good in a situation, for example, they didn't mean it,

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<v Speaker 1>or even maybe I remembered it wrong. It is painful

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<v Speaker 1>to recognize that someone we trust is harming us, and

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<v Speaker 1>cognitive dissonance means that we will make those puzzle pieces

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<v Speaker 1>fit even when it hurts us.

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<v Speaker 2>So whereas I'm born into a culture Afro Cuban culture.

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<v Speaker 2>We were immigrants living in Princeton Junction, New Jersey, trying

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<v Speaker 2>to assimilate and trying to hide our blackness. There was

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<v Speaker 2>all this shame right growing up. I mean like one

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<v Speaker 2>time my mom was braiding my hair and I was twelve.

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<v Speaker 2>I had no idea I had a natural afro because

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<v Speaker 2>she would always keep my hair braided. And my little

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<v Speaker 2>baby brother was crying. So she went to the room

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<v Speaker 2>and my hair was out in a big afro. The

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<v Speaker 2>doorbell rang and it was one of my blond neighbors

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<v Speaker 2>in Princeton Junction selling girls got cookies and opened the

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<v Speaker 2>door and she went wow. I was like what your hair.

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<v Speaker 2>I was like what, And I looked in the mirror

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<v Speaker 2>and there's this gigantic afro. That's my natural hair, a

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<v Speaker 2>gigantic afro. She's like, your hair, it's so beautiful. I

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<v Speaker 2>was like, just you know, throwing my afro around. My

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<v Speaker 2>mom came and she saw me. She said, cochina marana,

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<v Speaker 2>which in Spanish made you dirty, little pig, slapped my

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<v Speaker 2>face really hard. I told you not to open the door.

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<v Speaker 2>Oh the shame that our white neighbors would know that

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<v Speaker 2>I really am an afro so that's where I'm coming

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<v Speaker 2>into a trauma that's really deeply embedded. Where Bill Cosby

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<v Speaker 2>saw my blackness and elevated and said it was good.

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<v Speaker 2>Yes you're Latin, and yes you're black, and you're beautiful,

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<v Speaker 2>You're great. I see. He was my daughter. And then

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<v Speaker 2>Bill Cosby was not unsimilar to my dad in appearance.

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<v Speaker 2>You know, my dad's a black man, Bill Cosby's black.

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<v Speaker 2>My dad wore glasses. Bill Cosby were glasses. My dad

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<v Speaker 2>had moles on his face. Bill Cosby had moles on

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<v Speaker 2>his face. You know. I had suffered some really serious,

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<v Speaker 2>life threatening abuse from my dad in my childhood through

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<v Speaker 2>my early adulthood, and so I looked at Bill Cosby

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<v Speaker 2>as a replacement father figure. My father changed the last

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<v Speaker 2>twenty five years of his life and he became a

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<v Speaker 2>very loving father, very remorseful for the abuse that he

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<v Speaker 2>put me through when he was, you know, drunk.

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<v Speaker 1>When we have these difficult relationships with parents growing up,

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<v Speaker 1>we do gravitate towards parental figures.

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<v Speaker 2>Right.

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<v Speaker 1>The challenge for you, though, was the parental figure figures

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<v Speaker 1>were also abusive. How did you first meet Bill Cosby?

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<v Speaker 2>I was acting at Cornell University wanted to be on

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<v Speaker 2>The Cosby Show, you know, because I just it stood

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<v Speaker 2>for so much in America.

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<v Speaker 1>What did it stand for for you?

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<v Speaker 2>For me, it stood for excellence, black excellence. I mean,

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<v Speaker 2>that's an expression that's said a lot, but it stood

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<v Speaker 2>for black excellence. Showed the world that black people are

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<v Speaker 2>not any different than white people, that we have hopes

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<v Speaker 2>and aspirations and high achievements and vulnerabilities and problems like dyslexia.

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<v Speaker 2>And to see a couple where there were two black

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<v Speaker 2>professionals raising this family of five children in New York City.

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<v Speaker 2>When we moved to the United States, we moved to Brooklyn,

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<v Speaker 2>New York, so we lived in a brownstone So that

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<v Speaker 2>was all very familiar to me, that New York City life.

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<v Speaker 2>And so it just meant hope, it meant greatness, it

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<v Speaker 2>meant advancement, but really that black excellence. And that's what

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<v Speaker 2>The Cosby Show represented for me. And so ended up

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<v Speaker 2>doing a silent bit in a season in the fall

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<v Speaker 2>of nineteen eighty eight with Betty Carter, oh the same.

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<v Speaker 2>It was her guest role on The Cosby Show. And

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<v Speaker 2>what was interesting in retrospect is when I did that

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<v Speaker 2>little bit role, that She kept me in her dressing

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<v Speaker 2>room the whole week, and that when Bill Cosby came

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<v Speaker 2>into her room, she literally put her arm into my

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<v Speaker 2>arm and held me really tight. I did not understand

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<v Speaker 2>then why she was really holding me tightly, but she

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<v Speaker 2>was treating me as if I were her granddaughter or

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<v Speaker 2>something like that. And Bill Cosby came into the room

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<v Speaker 2>multiple occasions, and we spoke at that time about jazz

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<v Speaker 2>because she was a jazz singer, and about the influence

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<v Speaker 2>of Cuban jazz and New Orleans. Because you knew that

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<v Speaker 2>I was Cuban. I told him I was Cuban, and

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<v Speaker 2>it was just a really beautiful, again, intellectual talk about

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<v Speaker 2>jazz from a global perspective since I was Cuban.

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<v Speaker 1>So is that where you met him?

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<v Speaker 2>Actually the first time, my first time you met him,

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<v Speaker 2>it was twenty four.

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<v Speaker 1>You're twenty four, okay. What's interesting to me is that

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<v Speaker 1>your draw to wanting to be on something like The

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<v Speaker 1>Cosby Show really came from a very thoughtful, intentional place.

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<v Speaker 1>So again, you were coming out of a top university.

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<v Speaker 1>You're clearly an academically gifted person. You were classically training

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<v Speaker 1>as an actor, and through sheer force of Will. You're like,

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<v Speaker 1>I'm going to be on that show, and you were

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<v Speaker 1>on that show, and so he meets you in this

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<v Speaker 1>dressing room and it's there that he's having conversations with

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<v Speaker 1>you about your cubanness, and so he's getting information about you.

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<v Speaker 1>You just think it's a conversation, but there was a

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<v Speaker 1>very different process for him because this felt like intel gathering,

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<v Speaker 1>like information gathering, and yet simultaneously you were having an

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<v Speaker 1>incredibly I mean, it's a notable experience that this older woman,

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<v Speaker 1>as you said, in these communities, in this case the

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<v Speaker 1>black community, you don't talk about this. She was doing something.

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<v Speaker 1>You know that it was almost like, how do I

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<v Speaker 1>protect one of our children in this community? But couldn't

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<v Speaker 1>say it right.

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<v Speaker 2>But when Bill Cosby came into the room, I can

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<v Speaker 2>honestly say that I wasn't really like starstruck seeing him

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<v Speaker 2>because I was so just like basking in the comfort

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<v Speaker 2>of being with Betty Carter like I was her granddaughter,

0:13:54.640 --> 0:13:56.840
<v Speaker 2>and that was beautiful. But I do want to say

0:13:56.880 --> 0:14:00.680
<v Speaker 2>that having had that bit part on that show that

0:14:00.880 --> 0:14:07.120
<v Speaker 2>time and meeting the crew, it was predominantly black. You know,

0:14:07.240 --> 0:14:11.880
<v Speaker 2>I saw it for the first time black everything you know,

0:14:12.040 --> 0:14:16.640
<v Speaker 2>black makeup, black hair, black wardrobe, black stage designers, black

0:14:16.720 --> 0:14:19.960
<v Speaker 2>stage managers, black director. Some of the writers were black,

0:14:20.240 --> 0:14:22.960
<v Speaker 2>and it was so exciting to me. So I said,

0:14:22.960 --> 0:14:24.240
<v Speaker 2>I want to be back on this show, but I

0:14:24.280 --> 0:14:26.720
<v Speaker 2>want to come back in a speaking role, in a

0:14:26.760 --> 0:14:30.800
<v Speaker 2>principal role. So two years later, I saw an ad

0:14:30.840 --> 0:14:33.880
<v Speaker 2>in Backstage, which is the trade paper for actors, and

0:14:33.920 --> 0:14:35.720
<v Speaker 2>it said that they were looking for stand ins for

0:14:35.800 --> 0:14:39.000
<v Speaker 2>the Cosby Show. So I went and the line just

0:14:39.080 --> 0:14:43.800
<v Speaker 2>really wrapped around the whole block Kaufman Astoria Studios. And

0:14:43.840 --> 0:14:46.960
<v Speaker 2>when I finally got in, I had prepared a postcard

0:14:47.000 --> 0:14:48.680
<v Speaker 2>with my picture on it, and I wrote a little

0:14:48.720 --> 0:14:50.600
<v Speaker 2>note saying, thank you, mister Cosby. You know I was

0:14:50.640 --> 0:14:53.800
<v Speaker 2>on the show two years ago as a silent bit,

0:14:53.920 --> 0:14:56.360
<v Speaker 2>but I really want a principal speaking role on your show.

0:14:57.120 --> 0:14:59.760
<v Speaker 2>And I gave it to him, and I believe same

0:14:59.840 --> 0:15:03.200
<v Speaker 2>day when I got home, he called me. And so

0:15:03.280 --> 0:15:08.720
<v Speaker 2>that summer he spent hours a week mentoring me. And

0:15:08.760 --> 0:15:12.160
<v Speaker 2>that's where the what did you call it, investigation into

0:15:12.240 --> 0:15:12.640
<v Speaker 2>the relief?

0:15:12.760 --> 0:15:13.480
<v Speaker 1>Intel gathering?

0:15:13.600 --> 0:15:16.840
<v Speaker 2>The intel? Yeah, who I mean, it was as if

0:15:16.880 --> 0:15:19.840
<v Speaker 2>he were a news reporter. And so the first few

0:15:19.840 --> 0:15:22.280
<v Speaker 2>meetings he was just gathering information from me, and I

0:15:22.320 --> 0:15:25.600
<v Speaker 2>thought that he was just really genuinely interested in me.

0:15:25.680 --> 0:15:27.800
<v Speaker 2>So I would tell him everything, and he must have

0:15:27.840 --> 0:15:31.000
<v Speaker 2>asked me hundreds of questions, so he knew everything going in.

0:15:31.520 --> 0:15:33.520
<v Speaker 2>He knew the abuse that I suffered as a child

0:15:33.560 --> 0:15:36.560
<v Speaker 2>and young adult in my home, the domestic violence. He

0:15:36.640 --> 0:15:40.760
<v Speaker 2>knew my feelings of worthlessness. He knew that as a

0:15:40.800 --> 0:15:44.160
<v Speaker 2>member of the Abyssinian Baptist Church and all these things,

0:15:44.200 --> 0:15:47.760
<v Speaker 2>and that I didn't drink. I didn't consume alcohol because

0:15:47.760 --> 0:15:49.920
<v Speaker 2>my father would abuse me when he was drunk. So

0:15:49.960 --> 0:15:52.960
<v Speaker 2>he knew that because I told him. But I mean

0:15:53.040 --> 0:15:54.920
<v Speaker 2>so many things. He knew that I was a visual artist.

0:15:55.040 --> 0:15:57.320
<v Speaker 2>On some occasions when he invited me to the mentoring

0:15:57.800 --> 0:16:00.600
<v Speaker 2>he asked me to bring my artwork, and I would

0:16:00.600 --> 0:16:02.520
<v Speaker 2>bring my artwork and we'd have discussions because he told

0:16:02.560 --> 0:16:04.680
<v Speaker 2>me that he was an art collector, so we'd have

0:16:04.720 --> 0:16:08.160
<v Speaker 2>discussions about my paintings. I also, in high school and

0:16:08.200 --> 0:16:13.320
<v Speaker 2>in college, I played clarinet in the classical band, in

0:16:13.360 --> 0:16:17.000
<v Speaker 2>flute and saxophone in the jazz band. So he encouraged

0:16:17.040 --> 0:16:19.360
<v Speaker 2>me to take it back up again. So he helped

0:16:19.360 --> 0:16:21.440
<v Speaker 2>me to find out where I could get flute lessons,

0:16:21.520 --> 0:16:24.480
<v Speaker 2>and it was so exhilarating because my parents. My father

0:16:24.680 --> 0:16:27.240
<v Speaker 2>was also an academic. He was, you know, electrical engineer,

0:16:27.520 --> 0:16:32.520
<v Speaker 2>math professor. My siblings are PhDs and so academics and

0:16:32.760 --> 0:16:37.320
<v Speaker 2>art were like a very high vibration art and intellect family.

0:16:37.400 --> 0:16:39.680
<v Speaker 2>So it was really exciting to see another black man

0:16:39.920 --> 0:16:42.840
<v Speaker 2>like my dad who was a creative and an intellect.

0:16:43.080 --> 0:16:44.520
<v Speaker 2>It felt familiar.

0:16:44.720 --> 0:16:48.520
<v Speaker 1>Yeah, it felt familiar, but it also felt healthy. Yes, Lily,

0:16:48.640 --> 0:16:51.840
<v Speaker 1>I think that you know, the survivor's stories tend to

0:16:51.880 --> 0:16:56.480
<v Speaker 1>get very pathologized on the back, telling week vulnerable you

0:16:56.560 --> 0:16:58.080
<v Speaker 1>just wanted someone to pay attention to.

0:16:58.200 --> 0:16:59.240
<v Speaker 2>That's not it at all.

0:16:59.440 --> 0:17:02.520
<v Speaker 1>You came in in your full strength, fully possessed of

0:17:02.560 --> 0:17:05.280
<v Speaker 1>your blackness, which you've been denied of for so long,

0:17:05.760 --> 0:17:09.160
<v Speaker 1>wanting to explore that in a creative space. A mentoring

0:17:09.200 --> 0:17:13.439
<v Speaker 1>person is meeting you where you're at intellectually. That is

0:17:13.440 --> 0:17:17.800
<v Speaker 1>what is so insidious about what this person did to you,

0:17:18.400 --> 0:17:31.200
<v Speaker 1>is that they exploited your strengths. You're okay, take a minute.

0:17:32.240 --> 0:17:35.239
<v Speaker 2>You know it's so many years ago, but it's like

0:17:35.320 --> 0:17:36.240
<v Speaker 2>it was yesterday.

0:17:36.320 --> 0:17:38.760
<v Speaker 1>I know, I'm sure it is. I mean, I'm feeling

0:17:38.760 --> 0:17:42.240
<v Speaker 1>it here with you, and I just again so smart,

0:17:42.320 --> 0:17:48.760
<v Speaker 1>and that was being harnessed by someone and you didn't

0:17:48.760 --> 0:17:51.480
<v Speaker 1>know that at the time. You're going to going into

0:17:51.480 --> 0:17:53.800
<v Speaker 1>this as though it was a trusted interaction.

0:17:53.800 --> 0:17:56.320
<v Speaker 2>Back when it happened, you know, Like the betrayal is

0:17:56.359 --> 0:18:01.199
<v Speaker 2>so deep. It happened in the early nineteen nineties, but

0:18:01.240 --> 0:18:04.639
<v Speaker 2>then by nineteen ninety two, I was so traumatized by

0:18:04.640 --> 0:18:06.440
<v Speaker 2>the betrayal that I actually ended up in the psych

0:18:06.480 --> 0:18:11.320
<v Speaker 2>word from the trauma. And then I didn't understand, like

0:18:11.560 --> 0:18:15.680
<v Speaker 2>part of the pain was like, oh, my god, he

0:18:15.840 --> 0:18:17.919
<v Speaker 2>loved me as a daughter. How could he do this

0:18:18.000 --> 0:18:20.560
<v Speaker 2>to me? But he loved me, you know, And so

0:18:20.600 --> 0:18:24.200
<v Speaker 2>I couldn't understand how someone who had professed to love

0:18:24.240 --> 0:18:26.480
<v Speaker 2>me so much as his daughter. Oh, he used to say,

0:18:26.560 --> 0:18:28.680
<v Speaker 2>you're one of my kids, Bernard. You know, I love

0:18:28.720 --> 0:18:31.000
<v Speaker 2>you like a daughter. You're one of my kids. And

0:18:31.040 --> 0:18:34.119
<v Speaker 2>so I didn't understand that. And it wasn't until you know,

0:18:34.520 --> 0:18:37.040
<v Speaker 2>fast forward two decades later that I started to understand

0:18:37.080 --> 0:18:40.800
<v Speaker 2>he never loved me. It was fake. It was phony,

0:18:40.920 --> 0:18:44.120
<v Speaker 2>you know, And that has helped me to process better

0:18:44.280 --> 0:18:46.800
<v Speaker 2>the betrayal, you know, that it wasn't really love.

0:18:47.520 --> 0:18:50.000
<v Speaker 1>We will be right back with this conversation.

0:18:57.320 --> 0:19:00.200
<v Speaker 2>But I thought it was paternal love.

0:19:00.040 --> 0:19:03.520
<v Speaker 1>Of you were being told it was paternal love. It

0:19:03.640 --> 0:19:08.200
<v Speaker 1>felt like paternal love. And I'm not convinced this person

0:19:08.320 --> 0:19:11.600
<v Speaker 1>is capable of love. I'm sorry. People say no, they

0:19:11.920 --> 0:19:14.720
<v Speaker 1>might love in parts of their lives. Maybe I'm hardcore

0:19:14.760 --> 0:19:18.080
<v Speaker 1>on this one, but no, that capacity, there is no

0:19:18.200 --> 0:19:21.400
<v Speaker 1>love there. And it was using the word doesn't make

0:19:21.440 --> 0:19:26.040
<v Speaker 1>it so. Was your mentoring all in person or all

0:19:26.080 --> 0:19:26.520
<v Speaker 1>in person?

0:19:27.000 --> 0:19:29.760
<v Speaker 2>Yes? I thought then that he was obsessed with me

0:19:29.840 --> 0:19:32.240
<v Speaker 2>because he would call me so frequently, and several times

0:19:32.280 --> 0:19:34.920
<v Speaker 2>a week. He would have me come to his brownstone

0:19:35.560 --> 0:19:38.360
<v Speaker 2>in Manhattan where he lived, to mentor me and put

0:19:38.400 --> 0:19:41.760
<v Speaker 2>me through these exercises that were theatrical exercises. He also

0:19:41.800 --> 0:19:43.800
<v Speaker 2>had me come to this Cosby Show studios, and he

0:19:43.800 --> 0:19:46.439
<v Speaker 2>would mentor me at the Cosby Show as well. He

0:19:46.440 --> 0:19:49.560
<v Speaker 2>would mention me in his dressing room studio the Cosby Show.

0:19:49.800 --> 0:19:54.760
<v Speaker 2>He introduced me very early on to the entire crew

0:19:55.320 --> 0:19:59.600
<v Speaker 2>as someone who is a studied actor, you know, who's academic,

0:19:59.640 --> 0:20:02.879
<v Speaker 2>who's performing off Broadway, as someone who for whom he

0:20:02.920 --> 0:20:07.480
<v Speaker 2>was going to write a role, a main character, and

0:20:07.560 --> 0:20:11.359
<v Speaker 2>so I very quickly had meetings with the producers, with

0:20:11.440 --> 0:20:15.520
<v Speaker 2>the writers, with the directors, and that felt like also

0:20:15.640 --> 0:20:18.760
<v Speaker 2>very empowering. He gave me free reign of the studios

0:20:18.800 --> 0:20:21.159
<v Speaker 2>because he said that that when I act on the

0:20:21.160 --> 0:20:24.040
<v Speaker 2>Cosby Show, I had a huge responsibility to uphold because

0:20:24.040 --> 0:20:26.560
<v Speaker 2>it's the number one show in the world. And then

0:20:26.560 --> 0:20:29.480
<v Speaker 2>he also of course invited my family to come to

0:20:29.520 --> 0:20:32.199
<v Speaker 2>the studios with me. So he invited my dad, He

0:20:32.280 --> 0:20:35.159
<v Speaker 2>met my dad, and he invited my brother, my sister,

0:20:35.359 --> 0:20:38.719
<v Speaker 2>her boyfriend at the time, my cousin's friends. You know,

0:20:38.760 --> 0:20:41.960
<v Speaker 2>it made it all the more difficult that when he

0:20:42.040 --> 0:20:44.879
<v Speaker 2>did drug and sexually assaulted me, it made it the

0:20:44.920 --> 0:20:47.120
<v Speaker 2>more difficult for me to then tell my family who

0:20:47.200 --> 0:20:50.120
<v Speaker 2>met him and to whom he was really nice to them,

0:20:50.160 --> 0:20:50.560
<v Speaker 2>you know, and.

0:20:51.480 --> 0:20:53.440
<v Speaker 1>He was a big name in the culture. I think

0:20:53.440 --> 0:20:57.480
<v Speaker 1>that we can't underplay this is that that was a

0:20:57.560 --> 0:21:00.320
<v Speaker 1>nefarious move no matter what, right because in essay, by

0:21:00.320 --> 0:21:03.160
<v Speaker 1>bringing your family into the fray, they get to meet

0:21:03.200 --> 0:21:06.679
<v Speaker 1>this sort of cultural icon that was all with the

0:21:06.680 --> 0:21:09.280
<v Speaker 1>goal of isolating you, because now you've lost a source

0:21:09.320 --> 0:21:12.120
<v Speaker 1>of support. Otherwise, it was still going to be very

0:21:12.119 --> 0:21:14.800
<v Speaker 1>difficult because he was so iconic. But then by adding

0:21:14.800 --> 0:21:16.960
<v Speaker 1>that other layer of look, I'm going to bring you in,

0:21:17.000 --> 0:21:19.320
<v Speaker 1>I'm going to give you the VIP treatment. They're getting

0:21:19.320 --> 0:21:23.000
<v Speaker 1>to meet this person. It's creating these bonds and then

0:21:23.080 --> 0:21:27.640
<v Speaker 1>fostering more isolation for you. It feels so calculated and

0:21:27.800 --> 0:21:32.720
<v Speaker 1>so intentional over such a protracted period of time. When

0:21:32.760 --> 0:21:36.240
<v Speaker 1>your family got invited at the time, were you suspecting

0:21:36.280 --> 0:21:37.440
<v Speaker 1>anything stranger?

0:21:37.520 --> 0:21:42.119
<v Speaker 2>No, no, no. My dad, being a black Latin immigrant,

0:21:42.840 --> 0:21:46.719
<v Speaker 2>to see another black man in such a powerful position

0:21:46.760 --> 0:21:48.480
<v Speaker 2>meant so much to my dad. So when my dad

0:21:48.480 --> 0:21:50.920
<v Speaker 2>met Bill Cosby on the set, I'd never seen my

0:21:51.000 --> 0:21:54.040
<v Speaker 2>dad look at somebody like that with so much admiration

0:21:54.280 --> 0:21:57.000
<v Speaker 2>and gratitude. And Bill Cosby was telling my dad, you

0:21:57.040 --> 0:21:59.320
<v Speaker 2>know how wonderful your daughter is. I'm going to help

0:21:59.359 --> 0:22:02.399
<v Speaker 2>her become a star because she's such a great actor

0:22:02.440 --> 0:22:05.480
<v Speaker 2>and she works hard. He called my mom on the phone.

0:22:05.560 --> 0:22:07.920
<v Speaker 2>My parents were living in Spain, and so he called

0:22:07.920 --> 0:22:10.240
<v Speaker 2>my mom in Spain and assured my mother that he

0:22:10.280 --> 0:22:12.600
<v Speaker 2>would take care of me as if he were my father.

0:22:13.119 --> 0:22:15.600
<v Speaker 2>So even though my parents were living far away in Spain,

0:22:15.720 --> 0:22:18.639
<v Speaker 2>you know, they felt so good that he was taking

0:22:18.680 --> 0:22:19.119
<v Speaker 2>care of me.

0:22:19.640 --> 0:22:22.080
<v Speaker 1>They must have been so proud of you. I mean,

0:22:23.040 --> 0:22:26.000
<v Speaker 1>what did it feel like to watch your family's pride

0:22:26.040 --> 0:22:30.199
<v Speaker 1>in you, watching your career blossoming on such a world

0:22:30.280 --> 0:22:31.439
<v Speaker 1>stage at that time.

0:22:31.840 --> 0:22:35.560
<v Speaker 2>Yeah, I guess it meant a lot. Because of the

0:22:35.600 --> 0:22:37.800
<v Speaker 2>abuse I suffered as a child, I was always looking

0:22:37.840 --> 0:22:41.200
<v Speaker 2>for their approval and nothing that I could do, whether

0:22:41.280 --> 0:22:43.920
<v Speaker 2>it was going to an Ivy League college, or being

0:22:43.960 --> 0:22:49.199
<v Speaker 2>first chair clarinet or first chair saxophone or being a

0:22:49.320 --> 0:22:51.560
<v Speaker 2>you know, award winning USGF gymnast, all of which I

0:22:51.680 --> 0:22:55.480
<v Speaker 2>was nothing. None of that would make my parents treat

0:22:55.520 --> 0:22:58.840
<v Speaker 2>me with the love and respect that I merited, as

0:22:58.840 --> 0:23:02.399
<v Speaker 2>any child would. So that achievement was like, look, Mommy

0:23:02.440 --> 0:23:05.000
<v Speaker 2>and Poppy, look I'm worthy. You know I'm worthy. My

0:23:05.040 --> 0:23:08.040
<v Speaker 2>acting career is not just a whim a hobby, so

0:23:08.080 --> 0:23:10.040
<v Speaker 2>I'm really serious about it. And look at this great

0:23:10.960 --> 0:23:14.280
<v Speaker 2>this great person telling me that I have talent. So

0:23:14.320 --> 0:23:15.200
<v Speaker 2>it meant so much.

0:23:15.560 --> 0:23:17.240
<v Speaker 1>I bet it did, and it is. I mean, it

0:23:17.280 --> 0:23:18.720
<v Speaker 1>really must have been a moment of pride in and

0:23:18.840 --> 0:23:21.479
<v Speaker 1>at the time you weren't suspecting anything, so it was

0:23:21.640 --> 0:23:23.760
<v Speaker 1>just it was a big moment. And I think that

0:23:23.760 --> 0:23:28.080
<v Speaker 1>that's also so complicated about trauma right in that moment,

0:23:28.520 --> 0:23:31.280
<v Speaker 1>without knowing what you would know. It was a profound,

0:23:31.400 --> 0:23:33.520
<v Speaker 1>powerful moment for you in your life.

0:23:33.640 --> 0:23:38.119
<v Speaker 2>Yeah. So there were three druggings and three sexual assaults,

0:23:38.560 --> 0:23:42.960
<v Speaker 2>and in the first one, the betrayal was so profound

0:23:43.000 --> 0:23:47.879
<v Speaker 2>that was an Atlantic city and just made absolutely no

0:23:48.040 --> 0:23:51.320
<v Speaker 2>sense that I was actually able to block it out,

0:23:51.400 --> 0:23:56.320
<v Speaker 2>I mean completely block out the memory in order to survive.

0:23:57.160 --> 0:24:00.960
<v Speaker 2>Blocked it out because there's no way this could happen.

0:24:01.280 --> 0:24:03.040
<v Speaker 2>Can I talk about a little bit about that one?

0:24:03.119 --> 0:24:03.800
<v Speaker 1>Absolutely?

0:24:04.320 --> 0:24:06.080
<v Speaker 2>I asked myself, like, why am I doing this interview

0:24:06.080 --> 0:24:10.040
<v Speaker 2>because it's important, you know, he had already mentioned me

0:24:10.080 --> 0:24:12.720
<v Speaker 2>for dozens of hours and weeks and means I had

0:24:12.720 --> 0:24:16.639
<v Speaker 2>no idea that it was grooming. I had no idea whatsoever.

0:24:17.359 --> 0:24:21.000
<v Speaker 2>So the first, the first incident happened, it wasn't a drugging,

0:24:21.080 --> 0:24:24.959
<v Speaker 2>but I guess it was what you call gaslighting. So

0:24:25.920 --> 0:24:29.359
<v Speaker 2>we were in his brownstone in Manhattan, and he was

0:24:29.400 --> 0:24:33.560
<v Speaker 2>putting me through these theater exercises that any actor does

0:24:33.640 --> 0:24:36.800
<v Speaker 2>when they're in acting schools, breathing. But he came up

0:24:36.800 --> 0:24:39.400
<v Speaker 2>from behind me and he was telling me to expand

0:24:39.440 --> 0:24:41.840
<v Speaker 2>my ribcage and how to breathe like when you breathe

0:24:41.840 --> 0:24:45.320
<v Speaker 2>in the diaphragm should go out and lift up your ribcage.

0:24:45.359 --> 0:24:47.280
<v Speaker 2>He was telling me to, you know, pull my head

0:24:47.359 --> 0:24:50.639
<v Speaker 2>up high. All of a sudden, he grabbed my breast

0:24:51.440 --> 0:24:54.040
<v Speaker 2>and I turned around really quickly, and I was like,

0:24:54.119 --> 0:24:56.000
<v Speaker 2>mister C. Because he had me call him mister C.

0:24:56.320 --> 0:24:58.639
<v Speaker 2>That's what I had to call him, mister C. Not

0:24:58.760 --> 0:25:01.680
<v Speaker 2>mister Cosby, definitely not Bill Cosby. So I turned around.

0:25:01.720 --> 0:25:04.240
<v Speaker 2>I said, mister C. I said, you grab my breast.

0:25:04.840 --> 0:25:08.520
<v Speaker 2>And I was shocked, and he said I didn't grab

0:25:08.560 --> 0:25:11.800
<v Speaker 2>your breast. He's said, yes, you grab my breast. He said, no,

0:25:11.880 --> 0:25:13.919
<v Speaker 2>I didn't. He said you grab my breast, and we

0:25:13.960 --> 0:25:15.920
<v Speaker 2>went back and forth a few times, No I didn't, Yes,

0:25:15.960 --> 0:25:18.240
<v Speaker 2>you did, and he was, I guess, such a good

0:25:18.320 --> 0:25:22.880
<v Speaker 2>actor that I was like. I actually ended up believing him,

0:25:22.880 --> 0:25:26.720
<v Speaker 2>and I started thinking, geez, that's really terrible of me.

0:25:27.160 --> 0:25:30.200
<v Speaker 2>He must have accidentally grabbed my rest. He must have

0:25:30.240 --> 0:25:31.800
<v Speaker 2>been meaning to grab my ripe cage. And that's what

0:25:31.840 --> 0:25:34.200
<v Speaker 2>he said, I grabbed your ribcage. So I was like, okay,

0:25:34.240 --> 0:25:37.560
<v Speaker 2>well that was probably an accident. You know, he probably

0:25:37.640 --> 0:25:39.960
<v Speaker 2>meant to grab my ribcage. He would never do that.

0:25:41.840 --> 0:25:43.800
<v Speaker 2>Shame on me for thinking that he would do that.

0:25:45.040 --> 0:25:46.919
<v Speaker 2>And then later he told me that I had to

0:25:47.880 --> 0:25:50.760
<v Speaker 2>meet with a producer, a white man who would further

0:25:50.880 --> 0:25:54.679
<v Speaker 2>my career, and that we had to go to the

0:25:54.720 --> 0:26:00.280
<v Speaker 2>Trump tash Mahal Hotel in Atlantic City. So he said

0:26:00.280 --> 0:26:03.800
<v Speaker 2>that the Trump taj Mahal Hotel was new, Michael Jackson

0:26:03.840 --> 0:26:07.080
<v Speaker 2>had just been there, and that's a place where celebrities

0:26:07.160 --> 0:26:11.359
<v Speaker 2>go to have meetings. And I remember telling my cousin

0:26:11.440 --> 0:26:12.879
<v Speaker 2>about it, and she's like, why do you want to go?

0:26:12.920 --> 0:26:14.199
<v Speaker 2>Why do you have to go to Atlantic City to

0:26:14.240 --> 0:26:16.520
<v Speaker 2>meet a producer? You live in New York. Cosby lives

0:26:16.560 --> 0:26:17.920
<v Speaker 2>in New York. This doesn't make no sense. Can I

0:26:17.960 --> 0:26:19.919
<v Speaker 2>come with you? And so I asked Bill Cosby, can

0:26:19.960 --> 0:26:21.840
<v Speaker 2>my cousin come with me? She lives in Princeton Junction

0:26:21.920 --> 0:26:23.520
<v Speaker 2>on the way. He's like no, no, no, no no.

0:26:23.680 --> 0:26:25.040
<v Speaker 2>So my cousin was telling me, I don't know, this

0:26:25.080 --> 0:26:26.680
<v Speaker 2>is fishy, don't go, don't go, and I'm like, I'm

0:26:26.680 --> 0:26:30.080
<v Speaker 2>going to go, you know. So Bill Cosby sent a

0:26:30.080 --> 0:26:33.199
<v Speaker 2>car to pick me up at my apartment and the

0:26:33.200 --> 0:26:36.120
<v Speaker 2>car took me whatever. It was a couple hours from

0:26:36.160 --> 0:26:39.080
<v Speaker 2>New York to New Jersey. And then when I got there, Yeah,

0:26:39.080 --> 0:26:41.280
<v Speaker 2>there was a producer with whom I met. We were

0:26:42.080 --> 0:26:44.440
<v Speaker 2>in a dining area. There were a lot of chandeliers,

0:26:44.600 --> 0:26:47.480
<v Speaker 2>and Bill Cosby came back and forth to the table

0:26:47.520 --> 0:26:48.720
<v Speaker 2>a couple of times. It was just me and the

0:26:48.720 --> 0:26:52.880
<v Speaker 2>producer talking and about my career and about the aspirations

0:26:52.880 --> 0:26:55.159
<v Speaker 2>that I had and everything that I was doing with

0:26:55.200 --> 0:26:57.240
<v Speaker 2>my career. And I had every reason to believe that

0:26:57.320 --> 0:27:00.760
<v Speaker 2>this man was going to advance my career as a producer,

0:27:00.800 --> 0:27:04.640
<v Speaker 2>and so thankful to Bill Cosby. And we had lobster,

0:27:04.920 --> 0:27:07.960
<v Speaker 2>and then we went up to a suite, a very

0:27:08.240 --> 0:27:10.520
<v Speaker 2>big sweet So when people criticize you for like being

0:27:10.520 --> 0:27:12.560
<v Speaker 2>in a hotel room, let me tell you that anytime

0:27:12.600 --> 0:27:16.040
<v Speaker 2>I've ever been in a hotel with Bill Cosby, which

0:27:16.080 --> 0:27:17.800
<v Speaker 2>was just twice, once in Vegas in Atlantic City, it

0:27:17.840 --> 0:27:20.159
<v Speaker 2>wasn't a hotel room. It was like, I'm talking a

0:27:20.280 --> 0:27:25.320
<v Speaker 2>suite bigger than my house, probably like five thousand square

0:27:25.359 --> 0:27:28.000
<v Speaker 2>big house, yeah, five thousand square feet, with a big

0:27:28.040 --> 0:27:30.919
<v Speaker 2>living room and kitchen and an office area. So we

0:27:30.960 --> 0:27:33.800
<v Speaker 2>went up to a suite. So I was sitting at

0:27:33.800 --> 0:27:35.720
<v Speaker 2>a table like a corner table with that man in

0:27:35.800 --> 0:27:38.439
<v Speaker 2>Bill Cosby. And by that time Bill Cosby had already

0:27:38.480 --> 0:27:42.760
<v Speaker 2>known that I don't drink alcohol. He knew that, and

0:27:42.800 --> 0:27:46.560
<v Speaker 2>so he gave me this drink and it was brown

0:27:46.680 --> 0:27:49.439
<v Speaker 2>and I tasted it and it tasted like alcohol. I

0:27:49.440 --> 0:27:52.040
<v Speaker 2>was like, drink alcohol. So he and the man had

0:27:52.040 --> 0:27:54.200
<v Speaker 2>a moment that they looked at each other like awkwardly,

0:27:54.280 --> 0:27:57.159
<v Speaker 2>but I wasn't suspecting anything. And then he came back

0:27:57.760 --> 0:27:59.560
<v Speaker 2>with another drink, but it was still brown, and this

0:27:59.600 --> 0:28:03.000
<v Speaker 2>time really sweet, like maybe he put something in it,

0:28:03.400 --> 0:28:06.439
<v Speaker 2>soda or something in it. And he was getting giggling.

0:28:06.480 --> 0:28:08.480
<v Speaker 2>He's like, drink, drink, drink, you know again, always to

0:28:08.600 --> 0:28:11.240
<v Speaker 2>drink to my success and you're gonna be great. And

0:28:11.240 --> 0:28:14.600
<v Speaker 2>he was literally pushing the glass up up my face

0:28:14.600 --> 0:28:17.080
<v Speaker 2>and I'm like, oh, okay, fine, you know, he's my daddy,

0:28:17.160 --> 0:28:19.880
<v Speaker 2>you know, helping me whatever, you know, have fun, drink.

0:28:20.080 --> 0:28:23.720
<v Speaker 2>And then very shortly thereafter, you know, I just started

0:28:23.720 --> 0:28:25.879
<v Speaker 2>getting groggy and the room was spinning, and I started

0:28:26.200 --> 0:28:29.760
<v Speaker 2>the inside my cheeks on the inside began salivating. And

0:28:29.800 --> 0:28:32.840
<v Speaker 2>I had had food poisoning just a couple of months prior,

0:28:33.320 --> 0:28:37.520
<v Speaker 2>with similar symptoms symptoms. So I thought, oh, was that

0:28:37.560 --> 0:28:41.280
<v Speaker 2>lobster downstairs full of food poisoning? Am I getting food poisoning?

0:28:41.640 --> 0:28:44.800
<v Speaker 2>That's what I thought. I had made no correlation whatsoever

0:28:45.080 --> 0:28:47.320
<v Speaker 2>with him, you know, drinking, I'm like, oh my god,

0:28:47.320 --> 0:28:49.880
<v Speaker 2>I have food poisoning again, and so like I have

0:28:49.960 --> 0:28:51.880
<v Speaker 2>to vomit, and still at the table, and I'm like

0:28:52.560 --> 0:28:54.480
<v Speaker 2>and just like it's coming out. I'd like, excuse me,

0:28:54.560 --> 0:28:56.120
<v Speaker 2>mister c And by the time I have to get

0:28:56.120 --> 0:28:58.760
<v Speaker 2>to the bathroom, I couldn't even walk, you know, and

0:28:58.760 --> 0:29:01.640
<v Speaker 2>he was holding me up, and I remember walking through

0:29:01.760 --> 0:29:04.960
<v Speaker 2>this hallway was kind of white. There's a door on

0:29:05.040 --> 0:29:07.440
<v Speaker 2>my left, the door aheaded me, a door to the right,

0:29:07.480 --> 0:29:10.920
<v Speaker 2>and I just like got into the bathroom really quickly.

0:29:10.920 --> 0:29:12.479
<v Speaker 2>Excuse me. I knew I was going to vomit, so

0:29:12.520 --> 0:29:14.320
<v Speaker 2>he tried to come in with me. I was like, no, no, no, no,

0:29:14.440 --> 0:29:16.800
<v Speaker 2>and I vomited all over. I remember there was a

0:29:16.840 --> 0:29:19.280
<v Speaker 2>telephone on the wall, which I thought it was strange,

0:29:19.280 --> 0:29:23.520
<v Speaker 2>a telephone by the toilet, and I'm just vomiting all

0:29:23.520 --> 0:29:26.040
<v Speaker 2>over my dress. And whenever I would see Bill Cosby,

0:29:26.240 --> 0:29:27.720
<v Speaker 2>you know, I wanted to impress that I was a

0:29:27.760 --> 0:29:30.960
<v Speaker 2>serious professional, so I dressed the part, and it was

0:29:31.000 --> 0:29:33.400
<v Speaker 2>a Sunday. I had just come from church, and so

0:29:33.440 --> 0:29:35.800
<v Speaker 2>I was dressed that part, you know, like a two piece,

0:29:36.400 --> 0:29:41.760
<v Speaker 2>nice dressed outfit. Vomited all over my dress. And then

0:29:41.800 --> 0:29:43.840
<v Speaker 2>the next memory I have, I must have passed out,

0:29:44.160 --> 0:29:47.880
<v Speaker 2>because then the next memory I have, I'm on a

0:29:47.960 --> 0:29:50.440
<v Speaker 2>couch and the couch was see this is the thing

0:29:50.520 --> 0:29:52.960
<v Speaker 2>is going in and out of consciousness. Like I have

0:29:53.280 --> 0:29:57.720
<v Speaker 2>like sensory memory, doctor Romaney, like sensory and colors, and

0:29:57.760 --> 0:30:00.360
<v Speaker 2>so I remember the couch was like hard. It wasn't

0:30:00.400 --> 0:30:03.800
<v Speaker 2>like a like a hard one. I think there were stripes.

0:30:03.840 --> 0:30:06.320
<v Speaker 2>I don't know. But then he's like taking off my

0:30:06.480 --> 0:30:09.400
<v Speaker 2>clothes and I'm still thinking, in my mind, doctor RAHMANI

0:30:09.480 --> 0:30:14.640
<v Speaker 2>that I vomited. How disgusting, how embarrassing I've vomited in

0:30:14.640 --> 0:30:17.440
<v Speaker 2>front of Bill Cosby. He's taking off my clothes to

0:30:17.520 --> 0:30:20.520
<v Speaker 2>help me to wash it. That's in my mind, right,

0:30:20.720 --> 0:30:22.640
<v Speaker 2>And then he starts taking off my stockings, and I'm

0:30:22.640 --> 0:30:24.960
<v Speaker 2>like getting really embarrassed. I'm like thinking, okay, and I'm

0:30:24.960 --> 0:30:27.280
<v Speaker 2>also drugged. I'm like, okay, stick off my stock as well. Okay,

0:30:27.320 --> 0:30:30.040
<v Speaker 2>that's okay. Vomit on my stocking. I remember feeling embarrassed.

0:30:30.040 --> 0:30:33.360
<v Speaker 2>Oh my gosh, I don't have underwear under my pantyhose

0:30:33.440 --> 0:30:36.360
<v Speaker 2>because it was built in pantyhose. So I started feeling

0:30:36.440 --> 0:30:40.160
<v Speaker 2>really embarrassed. Oh no, pass out. I don't remember the

0:30:40.200 --> 0:30:43.720
<v Speaker 2>next thing happening until now I'm waking up again. This

0:30:43.800 --> 0:30:47.480
<v Speaker 2>time I'm on the floor, and this time, this time

0:30:51.840 --> 0:30:53.560
<v Speaker 2>it's like a stick was inside of me. And I

0:30:53.600 --> 0:30:58.440
<v Speaker 2>say stick because I couldn't associate it with a penis.

0:30:58.720 --> 0:31:02.240
<v Speaker 2>I'm still detaching Bill Cosby to whatever horrible thing is

0:31:02.240 --> 0:31:04.960
<v Speaker 2>physically happening to me. So I feel there's a stick

0:31:04.960 --> 0:31:08.480
<v Speaker 2>inside of me. I'm on the ground, there's like a rug,

0:31:08.760 --> 0:31:10.520
<v Speaker 2>and I say, there must be a rug. I remember

0:31:11.120 --> 0:31:14.480
<v Speaker 2>the I remember a lot of patterns, like patterns on

0:31:14.520 --> 0:31:19.520
<v Speaker 2>the tiles in the suite, like patterns like geometric kind

0:31:19.520 --> 0:31:21.720
<v Speaker 2>of patterns. But this time, I remember the feeling of

0:31:21.800 --> 0:31:24.760
<v Speaker 2>carpet on my back, and I remember feeling like velcro

0:31:24.880 --> 0:31:27.880
<v Speaker 2>because as I was getting raped, my back was going

0:31:27.960 --> 0:31:29.840
<v Speaker 2>up and down. So I remember that feeling on my back,

0:31:30.120 --> 0:31:34.000
<v Speaker 2>and I remember the brownness of his skin right here

0:31:34.040 --> 0:31:38.440
<v Speaker 2>on my left. I remember his face like that, you know,

0:31:39.400 --> 0:31:42.040
<v Speaker 2>And then I pass out. Again, and then the next

0:31:42.080 --> 0:31:44.560
<v Speaker 2>memory I have, I'm in a bathroom of some sorts,

0:31:44.640 --> 0:31:49.720
<v Speaker 2>a porcelain or something chacuzi and it's light colored, like

0:31:49.760 --> 0:31:53.160
<v Speaker 2>probably white. It's cold on my back, I'm totally naked,

0:31:53.520 --> 0:31:56.600
<v Speaker 2>and there's water pouring on my chest. And that's how

0:31:56.600 --> 0:31:59.400
<v Speaker 2>I woke up, to water pouring on my chest, and

0:31:59.440 --> 0:32:01.840
<v Speaker 2>I remember, here, Bernard, you're okay. And I look to

0:32:01.880 --> 0:32:05.160
<v Speaker 2>the right and there's Bill Cosby's face in the door,

0:32:06.320 --> 0:32:09.920
<v Speaker 2>and I pass out again. And then the next memory,

0:32:10.080 --> 0:32:14.040
<v Speaker 2>it's dark but it's the morning, and he's literally drag

0:32:14.680 --> 0:32:16.920
<v Speaker 2>pulling my feet like this to the edge of the

0:32:16.920 --> 0:32:19.840
<v Speaker 2>bed and propping me up because I had told him

0:32:19.840 --> 0:32:22.160
<v Speaker 2>I had a performance that morning with Plays for a Living.

0:32:22.400 --> 0:32:24.400
<v Speaker 2>It was a theatrical company with which I worked that

0:32:24.480 --> 0:32:32.880
<v Speaker 2>performed at schools, rec centers, summer camps, halfway houses, programs

0:32:32.880 --> 0:32:34.800
<v Speaker 2>about drug addiction and things like that. I played a

0:32:34.800 --> 0:32:36.920
<v Speaker 2>teenager in it. I had to get to that performance,

0:32:37.640 --> 0:32:40.640
<v Speaker 2>and it was early in the morning, like nine or something.

0:32:40.680 --> 0:32:43.400
<v Speaker 2>But this was like a dusk when the sun is coming.

0:32:43.480 --> 0:32:45.000
<v Speaker 2>So he pulls me at the edge of bed. He's

0:32:45.000 --> 0:32:47.480
<v Speaker 2>putting on my clothes. I was still like a noodle.

0:32:47.880 --> 0:32:51.160
<v Speaker 2>I couldn't move my hands or anything, and I'm totally

0:32:51.240 --> 0:32:53.760
<v Speaker 2>confused what's going on? And he's telling me to hurry up,

0:32:53.760 --> 0:32:56.280
<v Speaker 2>you have to get to work putting on my thing.

0:32:56.840 --> 0:32:58.959
<v Speaker 2>And then the next memory I have, I'm being walked

0:32:59.200 --> 0:33:03.000
<v Speaker 2>like by Bill Cosby being a doorman outside to a car,

0:33:03.400 --> 0:33:06.080
<v Speaker 2>a car that he ordered for me, I guess, And

0:33:06.120 --> 0:33:09.840
<v Speaker 2>I get into the car and I'm again dizzy, you know,

0:33:10.000 --> 0:33:15.959
<v Speaker 2>like what confused, And the car driver was starstruck like

0:33:16.000 --> 0:33:18.800
<v Speaker 2>that's Bill Cosby, and he just for the whole two

0:33:18.800 --> 0:33:20.600
<v Speaker 2>and a half hour whatever was car right on the

0:33:20.640 --> 0:33:23.440
<v Speaker 2>New Jersey Turnpike. He kept asking me, this man about

0:33:23.440 --> 0:33:25.320
<v Speaker 2>Bill Cosby, are you gonna be on the show? And

0:33:25.360 --> 0:33:28.440
<v Speaker 2>all I kept thinking was what happened? What happened. I

0:33:28.480 --> 0:33:32.600
<v Speaker 2>looked down at my dress and there's the stain on

0:33:32.640 --> 0:33:36.560
<v Speaker 2>my skirt. I looked at my pantyhose and the ribbing

0:33:36.640 --> 0:33:38.760
<v Speaker 2>on the panty hose was all twisted, you know, like

0:33:38.800 --> 0:33:40.800
<v Speaker 2>I would never put my pantyhose ont that. I looked

0:33:40.880 --> 0:33:42.920
<v Speaker 2>underneath my thing and the crotch was inside out. I

0:33:42.960 --> 0:33:46.400
<v Speaker 2>was like a mess, And then thinking like my cousin

0:33:46.560 --> 0:33:49.480
<v Speaker 2>was right. I shouldn't have gone. What happened? I don't know?

0:33:50.440 --> 0:33:54.360
<v Speaker 2>Was this a nightmare? Was this? Am I crazy? What happened?

0:33:54.400 --> 0:33:56.840
<v Speaker 2>I still couldn't say that it was rape, Doctor Romeney,

0:33:56.880 --> 0:33:59.800
<v Speaker 2>I couldn't say it was rape. I'm like, some terrible

0:33:59.840 --> 0:34:01.520
<v Speaker 2>thing happened to me. I didn't know what it was

0:34:01.760 --> 0:34:05.400
<v Speaker 2>because I was still holding Bill Cosby in such wonderful esteem,

0:34:05.440 --> 0:34:07.680
<v Speaker 2>you know, having spent those dozens and dozens of hours

0:34:08.040 --> 0:34:11.719
<v Speaker 2>of him like a daughter and amoring my family to him.

0:34:11.760 --> 0:34:14.759
<v Speaker 2>I just because the abuse that I endured as a

0:34:14.840 --> 0:34:17.319
<v Speaker 2>child wasn't sexual. You know, it was physical, but it

0:34:17.360 --> 0:34:20.759
<v Speaker 2>wasn't sexual. So this was all different to me, A

0:34:20.800 --> 0:34:24.520
<v Speaker 2>father figure doing that to me. So I couldn't I

0:34:24.560 --> 0:34:27.799
<v Speaker 2>couldn't connect the two. And then when I got to

0:34:27.840 --> 0:34:30.080
<v Speaker 2>my apartment in New York City, I remember I had

0:34:30.120 --> 0:34:32.040
<v Speaker 2>to change. I remember what I put on. I mean,

0:34:32.040 --> 0:34:33.440
<v Speaker 2>I remember to the tea what I put on. And

0:34:33.440 --> 0:34:35.560
<v Speaker 2>I'm taking off my clothes and putting on this light

0:34:36.280 --> 0:34:41.160
<v Speaker 2>tan flannel shirt and some suspenders and going to performance.

0:34:41.160 --> 0:34:42.360
<v Speaker 2>I remember, like, how am I going to get my

0:34:42.360 --> 0:34:44.640
<v Speaker 2>lines out? I remember being on the subway, like where

0:34:44.640 --> 0:34:46.800
<v Speaker 2>am I? Like? I was trying so hard to be conscious,

0:34:46.920 --> 0:34:49.840
<v Speaker 2>like what I couldn't like. It was really hard for

0:34:49.880 --> 0:34:52.640
<v Speaker 2>me to just be conscious, like I don't like, am

0:34:52.680 --> 0:34:55.120
<v Speaker 2>I sick? What's going on in my head? Is it

0:34:55.200 --> 0:34:57.719
<v Speaker 2>food poisoning? Still I'm thinking I have food poisoning. It's

0:34:57.760 --> 0:35:02.239
<v Speaker 2>not making sense. And I just made a decision like

0:35:02.400 --> 0:35:03.560
<v Speaker 2>this didn't happen, Like.

0:35:04.239 --> 0:35:13.480
<v Speaker 1>My conversation will continue after this break, and so.

0:35:13.640 --> 0:35:16.000
<v Speaker 2>Like as aid, they progressed. Of course the drugs wore off,

0:35:16.000 --> 0:35:19.800
<v Speaker 2>but I was like, Okay, that was weird. That didn't happen. Okay,

0:35:20.160 --> 0:35:22.080
<v Speaker 2>that didn't happen. And I just blocked it out. And

0:35:22.120 --> 0:35:23.840
<v Speaker 2>I was able to do that through childhood, you know,

0:35:23.840 --> 0:35:25.480
<v Speaker 2>when something, yeah, like when my dad threw me through

0:35:25.480 --> 0:35:27.920
<v Speaker 2>the window or tied me in a chair in a

0:35:28.120 --> 0:35:30.719
<v Speaker 2>you know, in a dark basement, or knocked me unconscious

0:35:30.719 --> 0:35:32.879
<v Speaker 2>with the skateboard. I was able to block that out

0:35:33.320 --> 0:35:35.600
<v Speaker 2>so that I could move forward, you know, with my life,

0:35:35.920 --> 0:35:39.040
<v Speaker 2>because if you think about that stuff, then the alternative

0:35:39.080 --> 0:35:42.200
<v Speaker 2>is suicide. So I literally blocked it out so much

0:35:43.280 --> 0:35:46.960
<v Speaker 2>that weeks later when he flew me out to Las

0:35:47.040 --> 0:35:50.200
<v Speaker 2>Vegas to meet the producers of a Different World. That's

0:35:50.280 --> 0:35:51.640
<v Speaker 2>what he said, because as well as being on the

0:35:51.640 --> 0:35:53.400
<v Speaker 2>Cosby Show. He said that I was going to be

0:35:53.760 --> 0:35:56.239
<v Speaker 2>on a Different World, which he was a producer of,

0:35:56.320 --> 0:35:57.759
<v Speaker 2>and so I was really excited about that, and that

0:35:57.800 --> 0:36:00.160
<v Speaker 2>I would have to meet the directors, that the produce, us,

0:36:00.440 --> 0:36:04.000
<v Speaker 2>the casting people at the Hilton, the Las Vegas Hilting

0:36:04.040 --> 0:36:07.320
<v Speaker 2>and it was the same thing that meetings are conducted

0:36:07.760 --> 0:36:11.720
<v Speaker 2>in hotel suites because it's convenient for everybody to meet there,

0:36:11.760 --> 0:36:13.680
<v Speaker 2>and so that's where I was going to have my

0:36:13.760 --> 0:36:16.160
<v Speaker 2>audition for a Different World. Of course, when we got there,

0:36:16.480 --> 0:36:19.920
<v Speaker 2>the producers were never there. He had a bottle of

0:36:20.360 --> 0:36:22.720
<v Speaker 2>sparkling apple cider for me and a bottle of champagne,

0:36:22.719 --> 0:36:24.960
<v Speaker 2>which he said was for himself, and he told me

0:36:25.000 --> 0:36:28.400
<v Speaker 2>not to worry because even though the producers didn't show up,

0:36:28.400 --> 0:36:31.520
<v Speaker 2>you're still going to be on the show. Everything's going

0:36:31.560 --> 0:36:34.160
<v Speaker 2>to be all right. Let's drink to your success. And

0:36:34.239 --> 0:36:37.240
<v Speaker 2>so he gave me the he poured from the sparkling

0:36:37.239 --> 0:36:40.560
<v Speaker 2>apple cider my class and he gave it to me,

0:36:40.680 --> 0:36:43.240
<v Speaker 2>and the same thing, drink, drink, drink, push up, push

0:36:43.320 --> 0:36:46.120
<v Speaker 2>up the bottle up to my face to drink. And again,

0:36:46.480 --> 0:36:48.080
<v Speaker 2>now in my mind you when I'm here, I'm having

0:36:48.200 --> 0:36:50.600
<v Speaker 2>no memory of what happened in that. It's hard for

0:36:50.640 --> 0:36:53.239
<v Speaker 2>people to understand that, but you, as a therapist, I'd

0:36:53.280 --> 0:36:55.680
<v Speaker 2>like to hear you talk about that. You can understand.

0:36:55.719 --> 0:36:58.560
<v Speaker 2>I freaking blot the whole thing out of my head,

0:36:58.600 --> 0:37:00.200
<v Speaker 2>so I had no memory of at that point of

0:37:00.200 --> 0:37:03.239
<v Speaker 2>Atlantic City, and I'm sitting here and now I'm getting

0:37:03.280 --> 0:37:06.040
<v Speaker 2>dizzy again. But what do I think this time? He

0:37:06.080 --> 0:37:08.239
<v Speaker 2>gave me the wrong glass. So I'm like, mister c

0:37:08.440 --> 0:37:10.120
<v Speaker 2>you gave me the wrong glass. I told you I

0:37:10.120 --> 0:37:13.360
<v Speaker 2>don't drink alcohol, and so he made me chuck it

0:37:13.400 --> 0:37:15.319
<v Speaker 2>so quickly, so I'm thinking, my mind, now, oh my god,

0:37:15.360 --> 0:37:18.560
<v Speaker 2>he accidentally gave me a whole glass of champagne. I'm

0:37:18.560 --> 0:37:21.839
<v Speaker 2>getting drunk, so I start running away from him because

0:37:21.880 --> 0:37:24.279
<v Speaker 2>I'm like, oh, help me, stay awake. I'm starting to

0:37:24.320 --> 0:37:26.920
<v Speaker 2>pass out. We're running around the table and then all

0:37:26.960 --> 0:37:30.719
<v Speaker 2>of a sudden, boom, I fall boom, and my left

0:37:30.800 --> 0:37:33.680
<v Speaker 2>ribcage hits the corner of a coffee table, which cuts

0:37:33.719 --> 0:37:36.680
<v Speaker 2>me and bruises me. My head goes banging on the floor,

0:37:36.920 --> 0:37:40.200
<v Speaker 2>and I'm like, oh my god, how embarrassing. I got

0:37:40.320 --> 0:37:42.799
<v Speaker 2>drunk in front of Bill Cosby. He's tickling me on

0:37:42.840 --> 0:37:45.279
<v Speaker 2>the ground and I don't know why he's stickling, but

0:37:45.280 --> 0:37:48.279
<v Speaker 2>he was tickling me. And then my next memory is

0:37:48.320 --> 0:37:51.359
<v Speaker 2>I'm on a bed somewhere it's dark, and he's raping me,

0:37:51.480 --> 0:37:55.680
<v Speaker 2>I mean full blown. And then I pass out and

0:37:55.719 --> 0:37:58.480
<v Speaker 2>he did ejaculate on my belly. I remember that I

0:37:58.520 --> 0:38:01.160
<v Speaker 2>was screaming no. I was going in it out of consciousness.

0:38:01.280 --> 0:38:04.680
<v Speaker 2>I remember screaming, no, stop. You know I'm not on

0:38:04.719 --> 0:38:06.680
<v Speaker 2>the pill. What are you doing. It was really clear

0:38:06.760 --> 0:38:11.319
<v Speaker 2>now that Bill Cosby is raping me. And then after

0:38:11.360 --> 0:38:17.440
<v Speaker 2>he ejaculated on my abdomen, he plopped himself and whispered

0:38:17.480 --> 0:38:21.640
<v Speaker 2>in my ear, Damn, Bernard, You're so strong. You're so strong, Bernard, Damn.

0:38:21.840 --> 0:38:24.200
<v Speaker 2>And I think that's because I was a USGF gymnast.

0:38:24.800 --> 0:38:26.880
<v Speaker 2>I did karate. I was strong. I tried to the

0:38:26.920 --> 0:38:29.319
<v Speaker 2>best of my ability to push him off during the

0:38:29.400 --> 0:38:32.480
<v Speaker 2>rape when I was screaming no. At one point he

0:38:32.520 --> 0:38:35.279
<v Speaker 2>took his hand and he covered my mouth, and I

0:38:35.320 --> 0:38:37.480
<v Speaker 2>remember there's a lot of saliva on my mouth. I

0:38:37.520 --> 0:38:40.799
<v Speaker 2>remember the feeling of his fingers on my mouth as

0:38:40.800 --> 0:38:42.360
<v Speaker 2>he was like saying, shut up, Bernard, shut up. And

0:38:42.400 --> 0:38:44.400
<v Speaker 2>I was trying to scream and then he took the

0:38:44.440 --> 0:38:48.240
<v Speaker 2>pillow and he pushed it into my face. And because

0:38:49.320 --> 0:38:54.560
<v Speaker 2>I was incapacitated, my arms were they felt heavy like

0:38:54.680 --> 0:38:59.840
<v Speaker 2>lead and I couldn't move them rubber like like I

0:38:59.920 --> 0:39:02.640
<v Speaker 2>was paralyzed. And so I thought at that moment when

0:39:02.680 --> 0:39:05.680
<v Speaker 2>he was pushing the pillow in my face to silence

0:39:05.719 --> 0:39:07.400
<v Speaker 2>my screams of no, I thought I was going to

0:39:07.520 --> 0:39:12.360
<v Speaker 2>die of suffocation. So consequently, right now I have difficulty

0:39:12.440 --> 0:39:15.000
<v Speaker 2>putting my heads on pillows because I wake up in

0:39:15.040 --> 0:39:17.840
<v Speaker 2>these panic attacks that I'm being suffocated and I can't breathe.

0:39:17.880 --> 0:39:21.360
<v Speaker 2>I literally can't breathe. And like in Atlantic City, this time,

0:39:21.680 --> 0:39:24.040
<v Speaker 2>this time he went to the bathroom. When he was

0:39:24.080 --> 0:39:27.279
<v Speaker 2>in the bathroom, there's a light coming in, so I

0:39:27.280 --> 0:39:30.480
<v Speaker 2>have difficulty when I see lights coming in through crack doors.

0:39:31.000 --> 0:39:33.120
<v Speaker 2>And then he came back with a wet towel and

0:39:33.160 --> 0:39:35.840
<v Speaker 2>he was like cleaning me and rubbing me all around

0:39:35.880 --> 0:39:40.640
<v Speaker 2>my thighs and down there. And then I must have

0:39:40.680 --> 0:39:42.919
<v Speaker 2>passed out and fall asleep. When I woke up, there

0:39:43.000 --> 0:39:45.440
<v Speaker 2>was my clothes neatly folded that he had put me

0:39:45.480 --> 0:39:47.480
<v Speaker 2>in some kind of a T shirt. I woke up

0:39:47.480 --> 0:39:50.120
<v Speaker 2>in a T shirt that wasn't mine, like some college

0:39:50.160 --> 0:39:52.960
<v Speaker 2>T shirt. And then my clothes were full of there

0:39:52.960 --> 0:39:55.120
<v Speaker 2>and a note with some money. Oh, in Atlantic City,

0:39:55.120 --> 0:39:57.360
<v Speaker 2>he gave me money too, He like shove money in

0:39:57.400 --> 0:40:00.680
<v Speaker 2>my hand before I left. And here he had money again,

0:40:00.760 --> 0:40:04.279
<v Speaker 2>like a couple hundred or few hundred bucks money, And

0:40:04.320 --> 0:40:06.680
<v Speaker 2>so that made me feel like shameful, like money, like

0:40:07.160 --> 0:40:09.799
<v Speaker 2>I'm not a prostitute. What the is this money thing?

0:40:10.520 --> 0:40:13.520
<v Speaker 2>And then but I couldn't forget that one, doctor Rameney,

0:40:13.600 --> 0:40:16.719
<v Speaker 2>because of the bruise and the cut on my ribcage.

0:40:16.719 --> 0:40:20.640
<v Speaker 2>I couldn't block that trauma. But I knew enough that

0:40:20.680 --> 0:40:23.080
<v Speaker 2>I couldn't be in the same room with that man

0:40:23.120 --> 0:40:26.200
<v Speaker 2>by myself. So I continued to go to the studios

0:40:26.280 --> 0:40:28.680
<v Speaker 2>because he had promised the role to me, because I

0:40:28.680 --> 0:40:30.959
<v Speaker 2>had met with the directors, the producers. There was talk,

0:40:31.280 --> 0:40:33.239
<v Speaker 2>but I never was in the room with him by

0:40:33.280 --> 0:40:37.160
<v Speaker 2>myself again until more than a year later, and he

0:40:37.280 --> 0:40:40.359
<v Speaker 2>called me and said, Okay, we wrote the role for you.

0:40:40.760 --> 0:40:42.560
<v Speaker 2>It's ready, but you have to come to my Brown's

0:40:42.600 --> 0:40:44.319
<v Speaker 2>done and talk to my agent. And I thought, ah,

0:40:44.440 --> 0:40:48.759
<v Speaker 2>daylight afternoon, nothing could happen. And so there, Yeah, he

0:40:48.840 --> 0:40:51.120
<v Speaker 2>drugged and sexually assaulted me that time. He didn't rape me.

0:40:51.600 --> 0:40:54.120
<v Speaker 2>He wasn't successful at raping me. And that's when I

0:40:54.120 --> 0:40:56.920
<v Speaker 2>made the first connection, because when I drank the sparkling

0:40:56.960 --> 0:40:59.720
<v Speaker 2>apple cider and I began getting dizzy, I was like, whoa,

0:41:00.040 --> 0:41:02.920
<v Speaker 2>Everything just flooded back into my memory. And that's when

0:41:02.920 --> 0:41:06.640
<v Speaker 2>I realized, Wow, you drugged me, And all the Atlantic

0:41:06.640 --> 0:41:09.400
<v Speaker 2>City memory came rushing back. You know, you drugged me

0:41:09.400 --> 0:41:11.840
<v Speaker 2>in Las Vegas. You know a year agoing in Las Vegas.

0:41:11.880 --> 0:41:13.920
<v Speaker 2>You drugged me a year and a half ago or

0:41:13.920 --> 0:41:17.440
<v Speaker 2>whatever it was in Atlantic City, and oh my god.

0:41:17.520 --> 0:41:19.719
<v Speaker 2>And I had a huge confrontation with him. I told

0:41:19.800 --> 0:41:21.040
<v Speaker 2>him I was going to go to the police. I

0:41:21.080 --> 0:41:23.040
<v Speaker 2>was going to go to the hospital and find out

0:41:23.080 --> 0:41:25.120
<v Speaker 2>what he put in my drink. And he told me.

0:41:25.400 --> 0:41:27.719
<v Speaker 2>We were yelling at each other in his brownstone. He

0:41:27.760 --> 0:41:30.280
<v Speaker 2>was telling me that the minute I go to the police,

0:41:30.600 --> 0:41:32.399
<v Speaker 2>that he would go to the police after me and

0:41:32.440 --> 0:41:35.719
<v Speaker 2>follow a police report against me for false accuisition and defamation.

0:41:35.800 --> 0:41:37.480
<v Speaker 2>He had also said that he would erase me and

0:41:37.520 --> 0:41:40.319
<v Speaker 2>blacklist me, tell all of Hollywood that I was a

0:41:40.360 --> 0:41:42.319
<v Speaker 2>slaught and a whore and slept my way to the top.

0:41:42.520 --> 0:41:45.080
<v Speaker 2>He also said he would erase me. He said he

0:41:45.120 --> 0:41:46.799
<v Speaker 2>would erase me, and that all it took is one

0:41:46.800 --> 0:41:49.520
<v Speaker 2>phone call. I interpreted that that he would kill me.

0:41:49.520 --> 0:41:51.279
<v Speaker 2>He didn't say the word kill, but to me, a

0:41:51.400 --> 0:41:54.320
<v Speaker 2>RaSE means you know, something exists and then you erase

0:41:54.400 --> 0:41:56.759
<v Speaker 2>it and it's not there anymore. So I feared for

0:41:56.840 --> 0:41:58.600
<v Speaker 2>my life and he literally, you know, pushed me down

0:41:58.680 --> 0:42:00.920
<v Speaker 2>the stairs. I had to catch a cab, and it

0:42:01.000 --> 0:42:04.760
<v Speaker 2>was horrific. Even trying to get myself from his Browns

0:42:04.840 --> 0:42:06.719
<v Speaker 2>onto the corner to catch a cab. I was stumbling

0:42:06.760 --> 0:42:09.480
<v Speaker 2>and tripping because I was drugged, and I remember holding

0:42:09.520 --> 0:42:11.640
<v Speaker 2>on to the lamp post and trying to wave down

0:42:11.640 --> 0:42:13.920
<v Speaker 2>a cab. When I got back to my apartment, my

0:42:13.920 --> 0:42:16.479
<v Speaker 2>boyfriend at the time was there, who had met Bill

0:42:16.520 --> 0:42:19.400
<v Speaker 2>Cosby before through me. We both confronted Bill Cosby on

0:42:19.440 --> 0:42:22.320
<v Speaker 2>the phone, and he reiterated the same kind of threats

0:42:22.440 --> 0:42:25.040
<v Speaker 2>to my boyfriend at the time, and we just like,

0:42:25.400 --> 0:42:27.239
<v Speaker 2>there's nothing we could do. He made it very clear

0:42:27.280 --> 0:42:29.200
<v Speaker 2>what he would do to us if we went public.

0:42:29.880 --> 0:42:32.120
<v Speaker 2>He made it very clear that no one would believe us,

0:42:32.719 --> 0:42:36.279
<v Speaker 2>and we just he silenced us both, you know, he

0:42:36.400 --> 0:42:38.680
<v Speaker 2>threatened us to silence and that was that.

0:42:40.160 --> 0:42:42.520
<v Speaker 1>First of all, thank you for sharing that. It's not

0:42:42.600 --> 0:42:46.160
<v Speaker 1>easy to share. Yeah, something so interesting about your stories.

0:42:46.160 --> 0:42:49.240
<v Speaker 1>How many details you remember, right, the feeling of the carpet,

0:42:49.239 --> 0:42:53.080
<v Speaker 1>the stripes on the sofa, that's often used again survivors. Well,

0:42:53.120 --> 0:42:56.040
<v Speaker 1>you remembered all that. Why can't you remember this? Right?

0:42:56.320 --> 0:43:00.439
<v Speaker 1>But it's different, it's entirely different. Some of the work

0:43:00.480 --> 0:43:03.759
<v Speaker 1>comes from a researcher named doctor Jennifer Fried. When we're

0:43:03.800 --> 0:43:06.600
<v Speaker 1>betrayed in such a fundamental way, in this case, a

0:43:06.680 --> 0:43:09.360
<v Speaker 1>person who is a father figure to you, raping you

0:43:10.080 --> 0:43:13.520
<v Speaker 1>is such a profound betrayal that she talks about something

0:43:13.520 --> 0:43:17.879
<v Speaker 1>called betrayal blindness. We actually create a blindness because it's

0:43:17.880 --> 0:43:21.120
<v Speaker 1>almost impossible to conceive of those things together. One of

0:43:21.160 --> 0:43:22.799
<v Speaker 1>the things you said to me that stuck with me

0:43:22.840 --> 0:43:25.759
<v Speaker 1>is I just felt there was a stick inside of me. Right,

0:43:25.800 --> 0:43:28.879
<v Speaker 1>it's a distortion of what was happening, But it wasn't

0:43:29.080 --> 0:43:33.080
<v Speaker 1>being contextualized as a rape. That blindness of betrayal, So

0:43:33.160 --> 0:43:36.759
<v Speaker 1>we forget, but we don't really forget. It's a blindness.

0:43:36.840 --> 0:43:40.040
<v Speaker 1>It's not that we don't see it. We can't see it.

0:43:40.520 --> 0:43:44.000
<v Speaker 1>And then what happened in Vegas you fell, and you

0:43:44.120 --> 0:43:48.080
<v Speaker 1>incurred a different injury than in some ways the physiology

0:43:48.080 --> 0:43:51.040
<v Speaker 1>of that injury. Saying, wait a minute, this thing happened,

0:43:51.280 --> 0:43:53.319
<v Speaker 1>the memory starts to form out a little bit more.

0:43:53.320 --> 0:43:56.160
<v Speaker 1>But you also have to remember you were drugged, and

0:43:56.200 --> 0:43:59.760
<v Speaker 1>that's going to impair your memory process. To remember something,

0:43:59.840 --> 0:44:02.320
<v Speaker 1>we have to pay attention to it, and that attention

0:44:02.480 --> 0:44:05.520
<v Speaker 1>for you was disrupted. So there were two things happening.

0:44:05.880 --> 0:44:08.280
<v Speaker 1>Not only of someone giving you some sort of sedative

0:44:08.640 --> 0:44:11.400
<v Speaker 1>is going to impair memory, but then these other trauma

0:44:11.480 --> 0:44:14.960
<v Speaker 1>processes operating, so we don't form these memories correctly. So

0:44:15.080 --> 0:44:17.759
<v Speaker 1>you know Pavlov's dogs, right, It's all that. It's the

0:44:17.800 --> 0:44:22.040
<v Speaker 1>thing we call classical conditioning. The pillow, the light, the carpet,

0:44:22.280 --> 0:44:25.120
<v Speaker 1>the smell of the ciders all get paired. The shower

0:44:25.320 --> 0:44:28.959
<v Speaker 1>they get paired, and they get a power waste freeways.

0:44:29.120 --> 0:44:32.360
<v Speaker 1>All these things they get paired. And now you have

0:44:32.440 --> 0:44:35.360
<v Speaker 1>to deal with the cataclysm of the person who was

0:44:35.400 --> 0:44:38.319
<v Speaker 1>the father figure who has all the power, did this

0:44:38.400 --> 0:44:41.440
<v Speaker 1>horrible thing, and that is a catastrophe in our brain.

0:44:42.000 --> 0:44:46.160
<v Speaker 1>Next time on navigating narcissism. This was more than just

0:44:46.239 --> 0:44:51.480
<v Speaker 1>Bill Cosby. You felt the responsibility of your race. How

0:44:51.520 --> 0:44:52.640
<v Speaker 1>did you manage that?

0:44:52.920 --> 0:44:55.960
<v Speaker 2>It's hard? It still is hard. Yeah, I get attacked still.

0:44:56.280 --> 0:44:59.960
<v Speaker 1>Lily reveals the last time she saw Bill Cosby.

0:45:00.000 --> 0:45:01.720
<v Speaker 2>So he starts yelling at me and in front of everybody,

0:45:01.760 --> 0:45:05.000
<v Speaker 2>because this ain't about me trying to fuck you, Bernard.

0:45:05.239 --> 0:45:07.920
<v Speaker 1>I already hit that you ain't shit the trauma of

0:45:07.960 --> 0:45:09.840
<v Speaker 1>his trial, but it was also.

0:45:09.840 --> 0:45:12.120
<v Speaker 2>Really scary being in that courtroom.

0:45:12.320 --> 0:45:14.360
<v Speaker 1>The outrage over his release.

0:45:14.960 --> 0:45:17.400
<v Speaker 2>That was also like a stab in the back. I

0:45:17.440 --> 0:45:18.560
<v Speaker 2>felt deeply.

0:45:18.280 --> 0:45:20.279
<v Speaker 1>Betrayed her healing process.

0:45:20.480 --> 0:45:22.400
<v Speaker 2>I don't think anyone has ever asked me that question.

0:45:22.760 --> 0:45:27.440
<v Speaker 1>And the aftermath of suffering silently for twenty two years,

0:45:27.760 --> 0:45:29.200
<v Speaker 1>what was your life like after this?

0:45:29.520 --> 0:45:31.200
<v Speaker 2>I was highly suicidal.

0:45:31.520 --> 0:45:34.960
<v Speaker 1>Join us next week for part two of my conversation

0:45:35.200 --> 0:45:35.760
<v Speaker 1>with Lily