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Speaker 1: Right now.

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Speaker 2: I'm not see now you're still mad about people killing you.

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Speaker 1: I'm just whenever you don't let them get whenever you

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Speaker 1: speak facts, whenever you speak facts, it's no, it is

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Speaker 1: is that a I.

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Speaker 3: Mean you can factually right, I'm not saying you're doing it,

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Speaker 3: but I'm not saying you're doing that. But you can

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Speaker 3: do You guys just hit heads.

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Speaker 1: Who wants smoking me?

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Speaker 4: Who wants smoking me?

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Speaker 3: Who wants smoke with me?

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Speaker 1: Who wants to smoke with c who want to smoke

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Speaker 1: with me?

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Speaker 3: Small streets just saying that you on that Snoop Dogg verse,

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Speaker 3: that's that's saying that that's me. Yes, that's what That's

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Speaker 3: what the streets are saying. Are you here to debunk that?

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Speaker 1: That is not telling me? Yes, okay, No that is

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Speaker 1: not me.

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Speaker 3: Is okay? I thought your silence might be an answer.

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Speaker 1: No, no, no, that's not that's not me.

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Speaker 3: They were saying, by judging by the cadence, that that

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Speaker 3: AI verse was you actually wrapping.

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Speaker 2: No, that's not especially when he said nephew, that's like.

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Speaker 1: I got a lot of nephews. So yeah, that makes sense.

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Speaker 3: Things are starting to add up. Do you have information

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Speaker 3: for us today?

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Speaker 1: I never have information.

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Speaker 3: Okay, well, we saw a little easter egg on the

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Speaker 3: last episode that came out in regards to this, you

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Speaker 3: did drop the word tailor m hm, and then on

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Speaker 3: what Friday, Saturday, Saturday Saturday, we get a tailor made freestyle.

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Speaker 3: So I'm going to be watching every last word you

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Speaker 3: say today and over analyzing it. I'm going to be

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Speaker 3: a redular today.

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Speaker 1: Oh that's what. That's what's up. That's what's up? What's up?

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Speaker 2: What's up?

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Speaker 1: Okay, right yo, something in there?

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Speaker 3: Write write that one down. There's something in there.

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Speaker 1: There's something in there.

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Speaker 3: And how are you man, I'm good man, welcome back,

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Speaker 3: new episode. My daughter got me sick, so apologies, I'm

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Speaker 3: a little under the weather.

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Speaker 1: Don't worry about it.

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Speaker 3: Yeah, you know. They just they spit in your face

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Speaker 3: and kids a little german. It's it's over after that,

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Speaker 3: but still the beef continues. I was happy this weekend

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Speaker 3: that we did get it.

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Speaker 1: It's not beef, it's rat beef. It's this is and

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Speaker 1: what is it?

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Speaker 2: What?

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Speaker 3: It's not beef rap feud?

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Speaker 2: This is.

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Speaker 1: I think this is.

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Speaker 5: A battle for positioning.

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Speaker 1: Is what this is. It's not beef, that's beef. That's

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Speaker 1: beef that I know, beef that ain't beef.

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Speaker 3: But rap beef. No, I know the Biggie song to

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Speaker 3: be I'm sure Drake is starting his jeep with no worries.

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Speaker 2: In the world.

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Speaker 3: I know this isn't real beef, but this is rap beef.

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Speaker 1: I mean, well, according to you, it's not beef until

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Speaker 1: somebody engages.

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Speaker 3: Right, there's been shots one one person has and we're

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Speaker 3: still awaiting the other. So for those that don't know.

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Speaker 3: Over the weekend, Drake put out in AI. Would you

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Speaker 3: call it an AI records?

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Speaker 6: Uh?

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Speaker 1: He used technology to make a very clever move. Yeah,

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Speaker 1: you look flustered because it's AI.

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Speaker 7: Why are you saying? Is it AI?

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Speaker 3: Is it an AI? Dis? Is what I'm saying, like,

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Speaker 3: this is a new thing we've never We can't just

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Speaker 3: coin it that it's a AI.

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Speaker 8: He was.

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Speaker 3: He was on it too, So I don't know.

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Speaker 9: Is it AIRA wrote Snoop and Tupac's verse, but used

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Speaker 9: AI audio filter? Audio filter is erroneous. It means nothing.

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Speaker 9: You just you just did it to speak from the

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Speaker 9: perspective of other two guys. But it's a Drake dis

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Speaker 9: It's it's three verses of him shooting at Kendric. That's

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Speaker 9: what it is. It's still a Drake this. I'm not

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Speaker 9: see now you're still mad about people killing you.

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Speaker 1: I'm just whenever you don't let them get you know,

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Speaker 1: whenever you speak facts. Whenever you speak facts, it's called

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Speaker 1: no it is is that.

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Speaker 3: A I mean you can factually ride. I'm not saying

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Speaker 3: you're doing it, but I'm not saying you're doing that.

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Speaker 1: But you can do.

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Speaker 3: You guys just hit heads. You can factually ride.

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Speaker 1: I think. I mean, well, if that's what you want

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Speaker 1: to do. I mean I just thought I was speaking No.

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Speaker 3: I agree, I don't think you're doing that.

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Speaker 9: It's a clever way to to just take more shots.

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Speaker 9: I think it's brilliant, just considering using technology where everything

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Speaker 9: seems speculative and no one knows what's real or what's not.

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Speaker 2: Just leaning into it. But at the end of the day,

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Speaker 2: it's just another Drake song.

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Speaker 3: I don't think it could be considered writing if you're

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Speaker 3: you've been correct through everything, because because at that point

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Speaker 3: you're just telling the truth.

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Speaker 5: No, that's when you really write. That's when you throw

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Speaker 5: your when you write, that's when you throw the guy.

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Speaker 3: When you're giving factual points.

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Speaker 1: Yeah, that's what I mean.

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Speaker 5: That's just this is just the new ship that's going on.

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Speaker 5: It's just I don't know when this started. But when

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Speaker 5: you're right, you're speaking facts, you're writing, and if you're speaking.

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Speaker 2: Real, you're doing great.

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Speaker 1: You're throwing it back at that.

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Speaker 5: Point before we I'm here today to just listen to

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Speaker 5: what everybody else feels about.

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Speaker 3: No, I have a question for you before we do

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Speaker 3: get to this Ai disc. I want to ask you,

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Speaker 3: do you think that Drake is using media personalities to

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Speaker 3: push a narrative to the world.

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Speaker 1: What's your narrative?

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Speaker 3: Control the narrative. We know what controlling the narrative is

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Speaker 3: only when you have platforms and you're speaking to them.

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Speaker 3: We see it with fake news, we see it with

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Speaker 3: real news. We know when someone is behind the scenes

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Speaker 3: trying to control a narrative. I'm asking because Drake is

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Speaker 3: being accused of that, not just with this podcast, but

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Speaker 3: other platforms as well, for manipulating the narrative by speaking

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Speaker 3: to media personalities. He's being accused of.

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Speaker 1: What is the manipulation. There's only one person putting out

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Speaker 1: music right now.

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Speaker 9: No, No, ma, I think to Drake. I think because

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Speaker 9: of Kendrick's silence. People are just creating reasons why he

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Speaker 9: might be quiet, you know what I mean. It's just

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Speaker 9: like the speculative Kendricks afraid, Kendricks this, Kendricks fill in

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Speaker 9: the blank.

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Speaker 1: What does that have to do with Drake manipulating?

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Speaker 9: It has Well, it's well, like an election, you just

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Speaker 9: spew the narratives about people that if there's an inklink

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Speaker 9: of truth, you just run with it and like pull

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Speaker 9: the thread and just make that like the storyline.

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Speaker 3: He's being accused more or less of speaking to multiple

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Speaker 3: I don't want to say just podcast or streamers, just

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Speaker 3: people in the media. And because of that, the media

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Speaker 3: is more or less taking his side because they can

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Speaker 3: be a mouthpiece because they're only speaking to Drake and

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Speaker 3: no one else.

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Speaker 1: There's only one side though, to take.

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Speaker 3: Why do you say that, because they'll they'll clip that's.

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Speaker 2: Right to this specific piece.

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Speaker 1: There's nothing to say about Kendricks said anything. He's not

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Speaker 1: putting out any music.

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Speaker 5: So when you when they say Drake is trying to manipulate,

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Speaker 5: what is he trying to manipulate?

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Speaker 1: There's no Kendrick has said nothing. He has put out

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Speaker 1: no music.

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Speaker 3: I think with the speculation that there was some like

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Speaker 3: big missile or nuke on the way, which we haven't seen,

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Speaker 3: which Drake has said in the records like it could

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Speaker 3: go there. I'm trying to keep it PG now, but

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Speaker 3: don't wake the demon up.

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Speaker 1: Drake has said that months ago in Red Button.

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Speaker 3: I agree. I'm telling you what what what people are

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Speaker 3: accusing him of? And I'm asking you a question.

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Speaker 5: I'm not that, but this is what people will do

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Speaker 5: when their other horse or whatever they thought would win

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Speaker 5: the race is not racing. So now they got to

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Speaker 5: find something to say and attach it to Oh, you know,

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Speaker 5: he's trying to control the narrative. He's being He's sending

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Speaker 5: the songs to streamers, and it's like, well, no, he's

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Speaker 5: actively in a battle. Now what is he supposed to do?

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Speaker 5: All right, let's say first music and not say nothing

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Speaker 5: to nobody. Let's just use this pod as a hypothetical.

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Speaker 5: Let's say Kendrick reaches out to me and starts giving

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Speaker 5: me information of what he's about to do, and then

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Speaker 5: I come on here to start the narrative that Kendrick

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Speaker 5: has some crazy shit about Drake.

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Speaker 3: It's on the way. To build the hype up around

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Speaker 3: that to try to shift the conversation over to the

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Speaker 3: favor of Ken Kendrick. I'm not saying I have the

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Speaker 3: power to do that, but but didn't care. That's what

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Speaker 3: whennipulating the media is like.

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Speaker 1: Didn't Kendrick do that already?

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Speaker 8: What do you mean?

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Speaker 5: I've heard some other podcasts talking about Kendrick and him

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Speaker 5: having a nuke and all this other shit.

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Speaker 3: And you do you think that they're speaking to Kendrick directly?

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Speaker 1: I don't know. I don't know. I'm just I'm just

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Speaker 1: trying to figure out, Like I don't I didn't hear

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Speaker 1: what you heard about Drake. It's just like I didn't

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Speaker 1: hear that.

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Speaker 3: I guess it's kind of similar to like, remember, like

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Speaker 3: what Angie used to be accused of, even though we

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Speaker 3: know it's not true. But Angie Martinez used to get

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Speaker 3: some flak for maybe having too close of a relationship

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Speaker 3: with Hove, so there she could be somewhat of a

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Speaker 3: mouthpiece when Hove didn't want to speak about certain stuff.

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Speaker 3: Now we know that was not completely true. Even though

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Speaker 3: she does a good relationship with him, she was always

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Speaker 3: objective from what I saw. I think it's very similar

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Speaker 3: to that. Now it's almost on some like payola shit,

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Speaker 3: where people even though we know Flex didn't take payola,

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Speaker 3: they're like, yo, they're paying Flex. He's on the take.

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Speaker 3: Just to push this shit.

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Speaker 5: That's what people say when their guy is losing. They

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Speaker 5: want to point at other things and other reasons why

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Speaker 5: this guy may be losing, why it may appear that

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Speaker 5: he's losing. Okay, but I mean it's not much to

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Speaker 5: manipulate here. If it's only one person that's actively in

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Speaker 5: the ring waiting on his opponent, is what is the manipulate.

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Speaker 1: I'm in the ring.

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Speaker 5: I'm putting out music. So I thought this is what

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Speaker 5: you wanted. Yeah, I thought you had, you know, these

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Speaker 5: two records waiting. I was on tour, I did eighty

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Speaker 5: seven cities. Now, came home and came home and did

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Speaker 5: and jumped right into.

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Speaker 3: This now, right now, someone could accuse you of speaking

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Speaker 3: for Drake in that exact sentence, of.

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Speaker 1: Speaking of what happened. We just saw his tour end

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Speaker 1: two weeks ago with Lil Wayne and j Cole. Yeah,

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Speaker 1: right or wrong? Did his tour? Did he not just

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Speaker 1: do the predential center.

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Speaker 3: I'm here to ask questions so you can get and

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Speaker 3: I'm in regards of the accusations that have been put

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Speaker 3: a foot on the entire streaming and podcast world, not

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Speaker 3: just you. Oh no, I mean Drake has us all

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Speaker 3: to take, he has us all in his back pocket.

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Speaker 3: We're so happy that Drake is speaking to us that

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Speaker 3: we chose his side, like that's the accusations that are

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Speaker 3: happening across Yeah, but it's just you know, it's common sense.

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Speaker 3: And I know that's mainly from djhad.

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Speaker 5: I know that's not common but it's just common sense.

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Speaker 5: I mean, if one person is rapped and he's putting

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Speaker 5: out music after you asked for this, after Kendrick asked

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Speaker 5: for this, after y'all said that Drake was on the clock,

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Speaker 5: when that future, when that liked that verse drop, y'all

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Speaker 5: said Drake had four days to respond. Yeah, took him

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Speaker 5: two weeks. Y'all was killing him for two weeks. Any response,

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Speaker 5: people say that wasn't hard, that wasn't hard enough. I've

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Speaker 5: seen people talking about that. I wasn't you know enough.

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Speaker 5: So then Drake drops another record, letting Kendrick know.

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Speaker 1: Like, Yo, what's up? Like what we do? Ah, I

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Speaker 1: get it, I got it. Now.

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Speaker 5: You can't put out music when Taylor puts out music,

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Speaker 5: You're not even allowed to drop me like the rest

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Speaker 5: of us.

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Speaker 3: I'm just saying himself includedly to the end, like yo,

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Speaker 3: I push my shit too.

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Speaker 1: I'm just saying, oh, I get it now.

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Speaker 5: Now you're not putting out nothing this week, and so

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Speaker 5: I got to wait a whole another week, yeah before

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Speaker 5: you might respond.

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Speaker 1: So maybe this coming week you'll respond.

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Speaker 3: All right, I'm conflicted with this, this AI this record.

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Speaker 1: Why are you conflicted?

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Speaker 3: I think it's a great strategy. I don't even consider

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Speaker 3: it like a disc if we put up all the

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Speaker 3: songs at the end of this of like what's going

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Speaker 3: against what? To me, this is more of a troll.

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Speaker 3: This is similar to like when he put all the

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Speaker 3: memes up at the ovo Fest with the meat. I

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Speaker 3: don't consider it. I think this was a hilarious troll

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Speaker 3: and a good way to adapt to the times that

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Speaker 3: you live in with the AI ship, with his ship,

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Speaker 3: and Kendrick's like, all right, let's lean into this and

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Speaker 3: really make this hilarious, and it puts more pressure on

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Speaker 3: Kendrick thought it was a good move. Is he co

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Speaker 3: signing the AI ship as someone that just went through

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Speaker 3: that bullshit? And has gone through that bullshit? Is he

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Speaker 3: now co signing AI technology? I was with pot with

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Speaker 3: someone that passed that got no permission from anyone in

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Speaker 3: the family. Yeah, Snoop, I mean we don't know that.

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Speaker 3: I'm gonna go ahead and assume with confidence. I'm just

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Speaker 3: that saying he did not speak to the and but

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Speaker 3: by the way, I not really my place, sick Snoop.

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Speaker 3: We don't know if he was okay.

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Speaker 2: With this, he replied.

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Speaker 3: What was Snoop's reply?

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Speaker 9: Hen't really say much. It was just a video of him.

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Speaker 9: He posted something on his Instagram story was there was

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Speaker 9: nothing much like you just is this.

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Speaker 2: They did? What?

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Speaker 10: Wow?

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Speaker 2: So it seems like he wasn't aware.

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Speaker 3: So with that being said, we already know. I forgot

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Speaker 3: what podcast it was that Snoop was on and revealed

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Speaker 3: how much money he made off a billion streams. It

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Speaker 3: was like forty grand or something. So we know that

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Speaker 3: Snoop admittedly has been through some bad deals before, so

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Speaker 3: he may not even had permission to use his own voice.

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Speaker 3: Because I can't see Drake doing something illegal at all

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Speaker 3: when it comes to this type of shit. So now

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Speaker 3: Drake is co signing legally being able to take somebody

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Speaker 3: else's voice without their consent, or artists that are in

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Speaker 3: shitty deals where they can just go ask Lucien if

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Speaker 3: I can go use the voice you want.

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Speaker 1: But this is not on streaming platforms.

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Speaker 2: Yeah, this is just a freestyle. He didn't have to

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Speaker 2: abide by.

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Speaker 3: Yeah, this is not I know, but it's still Drake

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Speaker 3: and it still says something, and it's still is another

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Speaker 3: inch closer to it being more and more acceptable in DSPs.

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Speaker 5: See, that's that's to me, that's just people just losing

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Speaker 5: focus on what's going on here. I think that you know, yes,

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Speaker 5: people hear AI and then all of a sudden, oh

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Speaker 5: well they're like, oh no, we don't like that.

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Speaker 1: I think in this way that was actually Drake rapping. Yeah,

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Speaker 1: he wrote that.

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Speaker 5: He just did it from a perspective of you know,

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Speaker 5: this is the guy that y'all crowned the West Coast

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Speaker 5: Savior at the House of Blues.

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Speaker 1: Y'all crowned him the new King of the West.

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Speaker 5: So he just used a unique way of kind of

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Speaker 5: poking and antagonizing Kendrick like, Yo, you can't let you

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Speaker 5: can't let the the o G Kings of the West

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Speaker 5: Coast down. You gotta which where you at. You gotta

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Speaker 5: you gotta do something. You gotta looking bad right now.

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Speaker 1: I also think I thought it was a clever way

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Speaker 1: of just having fun with the internet.

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Speaker 3: It was a good way to subtly show the goal

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Speaker 3: post being moved as well, because I could sound like

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Speaker 3: a hypocrite. I love the hard part.

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Speaker 2: Five.

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Speaker 3: Kendrick used AI throughout the entire thing. I mean, I

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Speaker 3: know he spoke to Nipsey's family before posting it, but

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Speaker 3: I mean there were still a lot of other families

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Speaker 3: of faces he used that was AI, and I did see.

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Speaker 3: I did see the timeline move the goal post of

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Speaker 3: AI is bad when Drake does it, but when Kendrick

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Speaker 3: does it, it's fine.

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Speaker 5: Somebody had a great tweet, they said, Kendrick using AI

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Speaker 5: and Drake the way he used AI and the record

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Speaker 5: was appreciation versus appropriation.

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Speaker 3: Okay, see you're saying Drake was appropriating.

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Speaker 5: I didn't say anything. That's who that I guess that's

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Speaker 5: what the gentleman that was tweeting. I just laughed at

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Speaker 5: the reactions that I was getting. Drake is trying to

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Speaker 5: destroy the music industry and this, that and the third

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Speaker 5: and I'm just like How did y'all get all of

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Speaker 5: that just from him having a moment of using AI

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Speaker 5: to antagonize who they crowned as the new king of

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Speaker 5: the West.

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Speaker 2: Did Drake apardon me? Did Kendrick use their voices? Though? No,

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Speaker 2: it was still Kendrick's voice.

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Speaker 1: No, it was still Kendrick's voice.

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Speaker 2: So this is just.

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Speaker 3: Kendricks was a is not just audio?

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Speaker 2: No, I know. I'm well, it's a deep pake typology.

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Speaker 2: That's what he used.

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Speaker 9: But I'm saying using deepake is not It's like it's

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Speaker 9: not in the cell, like that's a visual aid. So

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Speaker 9: it's still technically it's just speaking.

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Speaker 3: I know he got permission, but speaking as Nipsey regarding

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Speaker 3: his own murder with Nipsey's face on it, with his mannerisms, like, yeah,

350
00:15:22,520 --> 00:15:25,120
Speaker 3: that's not I guess that's not just using his face

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Speaker 3: and rapping as Kendrick he was rapping.

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Speaker 5: It's still using somebody's likeness which way, and their and

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Speaker 5: their perspective, which we don't know if that would be

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Speaker 5: their actual perspective.

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Speaker 3: He's speaking as Nipsey about an incident that Nipsey cannot

356
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Speaker 3: speak to us about as Nipsey, So it's moving of

357
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Speaker 3: the goal post. I mean, I know there's one got

358
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Speaker 3: permission from family and one didn't, but that's.

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Speaker 5: What that's what's supposed to happen. I'm not mad at

360
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Speaker 5: the goal post, being mad at that I moved him.

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Speaker 1: I laugh. I just laugh at when it's moved. I'm

362
00:15:53,920 --> 00:15:54,640
Speaker 1: not mad at it.

363
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Speaker 5: I just laugh because you're gonna see it from j

364
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Speaker 5: cole fan, You're gonna see it from Kendrick Fang, you

365
00:15:59,320 --> 00:16:02,120
Speaker 5: gonna see it from Rake fans, so you just have

366
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Speaker 5: to laugh at it.

367
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Speaker 1: I'm never mad at people moving the goal post. It's

368
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Speaker 1: just laughable because it's like.

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Speaker 5: Oh, now that it's not who you had winning the

370
00:16:09,440 --> 00:16:13,120
Speaker 5: race that's ahead. Now now it's your turn to move

371
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Speaker 5: the goal post. It's so it's just it's just this

372
00:16:15,520 --> 00:16:17,280
Speaker 5: is all in fun, like none of this, this is

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Speaker 5: not beef, This is not you know, hopefully nobody's gonna

374
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Speaker 5: get hurt behind any of this. This is just I

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Speaker 5: think what Drake was doing was using the new technology,

376
00:16:27,760 --> 00:16:30,640
Speaker 5: using trolling, because he's been trolling since all of this happened,

377
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Speaker 5: Posting memes and all.

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Speaker 1: Of that is part of trolling. So he's trolling.

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Speaker 5: He's using technology because they were AI records that's supposedly

380
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Speaker 5: leaked or didn't leak, that was AI, that wasn't so.

381
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Speaker 5: I think just the whole moment of everything that's going on,

382
00:16:43,440 --> 00:16:46,440
Speaker 5: this was Drake's way of kind of addressing all of

383
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Speaker 5: that in a very clever and unique way. We've never

384
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Speaker 5: seen that angle done in a quote unquote hip hop

385
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Speaker 5: rap beef.

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Speaker 3: And it's fine if people don't like it. I do

387
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Speaker 3: get it. I can see someone looking at this and

388
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Speaker 3: be like, this is kind of goofy, But I find

389
00:17:00,720 --> 00:17:03,720
Speaker 3: those fans moving the goal post again for rap beef.

390
00:17:03,760 --> 00:17:04,719
Speaker 3: Rap beef is goofy.

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Speaker 1: Do you think that was a goofy move?

392
00:17:06,680 --> 00:17:09,480
Speaker 3: No, I thought it it. I liked that Drake's adapting

393
00:17:09,520 --> 00:17:12,920
Speaker 3: with the times he's using something in rap beef. I'm

394
00:17:12,960 --> 00:17:15,399
Speaker 3: not saying it's pushing the culture forward, but I like

395
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Speaker 3: that he implemented something that is so controversial and part

396
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Speaker 3: of the music industry now into traditional rap beef. I

397
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Speaker 3: thought that was cool and a fun way to troll,

398
00:17:24,280 --> 00:17:27,080
Speaker 3: the same way with the memes, But I also thought

399
00:17:27,080 --> 00:17:29,399
Speaker 3: it was goofy that Nas tried to hang jay Z

400
00:17:29,480 --> 00:17:32,160
Speaker 3: at a Power one on five concert like this has

401
00:17:32,160 --> 00:17:34,919
Speaker 3: been a goofyness. Has been in the shit forever.

402
00:17:35,119 --> 00:17:36,359
Speaker 1: No, that was beyond goofiness.

403
00:17:36,359 --> 00:17:39,320
Speaker 3: But that was that was that was crazy. Yeah, yeah,

404
00:17:39,640 --> 00:17:40,840
Speaker 3: I'm glad they didn't let him do this.

405
00:17:40,920 --> 00:17:41,080
Speaker 1: Yeah.

406
00:17:41,119 --> 00:17:42,680
Speaker 3: Have you ever seen that BTS video of them?

407
00:17:42,800 --> 00:17:45,480
Speaker 1: Yeah, like trying to put that together insane.

408
00:17:46,160 --> 00:17:47,800
Speaker 3: It was also white people putting it together.

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Speaker 5: That's why I said, that's that's why I said it's

410
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Speaker 5: beyond goof But yeah, so.

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Speaker 3: No, I'm not comparing hanging jay Z fake hanging jay

412
00:17:53,480 --> 00:17:56,159
Speaker 3: Z to using AI. But this shit has been a

413
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Speaker 3: part of it forever. Rap beef leads to goofy shit.

414
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Speaker 1: I just think that, you know, it was a cool move.

415
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Speaker 5: I don't think that it was Obviously he has another record,

416
00:18:05,720 --> 00:18:09,160
Speaker 5: but this was just something in the meantime to let

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00:18:09,280 --> 00:18:11,680
Speaker 5: you know, Kendrick know, like this is not going away,

418
00:18:12,119 --> 00:18:14,800
Speaker 5: like this is a battle, like you wanted this. I'm

419
00:18:14,920 --> 00:18:15,520
Speaker 5: entertaining it.

420
00:18:15,600 --> 00:18:16,240
Speaker 1: I'm here now.

421
00:18:16,840 --> 00:18:18,520
Speaker 5: I don't know what you're doing. I know you have

422
00:18:18,640 --> 00:18:21,800
Speaker 5: records done, and we know how rap beef goes. When

423
00:18:21,800 --> 00:18:24,480
Speaker 5: you hear it's always kind of better to counter let

424
00:18:24,480 --> 00:18:25,960
Speaker 5: me hear what you got. Then once I hear what

425
00:18:26,000 --> 00:18:28,040
Speaker 5: you said, I can go back and tweak some of

426
00:18:28,040 --> 00:18:29,920
Speaker 5: my verses and add some things that I can say.

427
00:18:30,400 --> 00:18:32,440
Speaker 5: So I understand what Kendrick may be doing. I don't

428
00:18:32,440 --> 00:18:34,080
Speaker 5: know if that's true, but I understand what he may

429
00:18:34,080 --> 00:18:36,800
Speaker 5: be doing. But at the same time, I understand what

430
00:18:36,880 --> 00:18:38,920
Speaker 5: Drake is doing. He's keeping his foot on the gas.

431
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Speaker 5: Just because you're not responding doesn't mean I'm letting up.

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Speaker 1: Yeah, what's wrong with that?

433
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Speaker 2: What do you guys think about the angle?

434
00:18:45,040 --> 00:18:47,440
Speaker 9: He says this line on the Tupac verse where he says,

435
00:18:48,560 --> 00:18:50,920
Speaker 9: tell him he liked tell him he.

436
00:18:51,000 --> 00:18:53,000
Speaker 2: Likes young girls. That's a get from me something like that.

437
00:18:54,359 --> 00:18:55,000
Speaker 2: I get the play.

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Speaker 9: Drake trying to do it is like the eminem made

439
00:18:57,600 --> 00:19:02,080
Speaker 9: my al approach and shit. But I mean, that's the angle.

440
00:19:02,200 --> 00:19:04,760
Speaker 9: We've discussed this previously. If you're gonna get Drake, that's

441
00:19:04,800 --> 00:19:05,280
Speaker 9: the angle.

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00:19:06,000 --> 00:19:08,159
Speaker 3: And I would say, yeah, of course he's trying to

443
00:19:08,160 --> 00:19:11,040
Speaker 3: get ahead of it. But in that department that doesn't work.

444
00:19:11,080 --> 00:19:13,760
Speaker 3: To get ahead of If Kendrick does find an angle

445
00:19:13,760 --> 00:19:16,720
Speaker 3: and that ends up being true, which I I don't think,

446
00:19:17,400 --> 00:19:20,679
Speaker 3: that's really like what Drake's past is. But no, you

447
00:19:20,720 --> 00:19:25,600
Speaker 3: can't get ahead of that. There's no getting ahead. Like no,

448
00:19:25,640 --> 00:19:28,040
Speaker 3: he already said that, so Kendrick can't say it if

449
00:19:28,080 --> 00:19:31,560
Speaker 3: he did that ship, Kendrick can say it like, Noah,

450
00:19:32,119 --> 00:19:34,640
Speaker 3: don't use that line because Drake did it as Tupac.

451
00:19:35,240 --> 00:19:37,320
Speaker 3: There goes that point. Nah, No, that's still a point.

452
00:19:38,080 --> 00:19:41,359
Speaker 5: But even that, I mean, listen, I don't know. I

453
00:19:41,359 --> 00:19:43,640
Speaker 5: can't vouch for what people do behind their closed doors

454
00:19:43,640 --> 00:19:46,600
Speaker 5: at night, but I highly doubt that that's true. So

455
00:19:46,640 --> 00:19:50,080
Speaker 5: even if that is an angle, that's not gonna stick

456
00:19:50,119 --> 00:19:53,280
Speaker 5: unless you have real evidence in proof of that being true.

457
00:19:53,720 --> 00:19:57,840
Speaker 3: Yeah, like granted that, because that was real. That leaked

458
00:19:58,240 --> 00:20:00,560
Speaker 3: text message between him and the train your things girl

459
00:20:00,640 --> 00:20:04,320
Speaker 3: or whatever. I thought that was weird. I would like

460
00:20:04,320 --> 00:20:06,639
Speaker 3: an explanation at some point.

461
00:20:07,080 --> 00:20:09,040
Speaker 1: Well not that I'm old, but that was kind of wild.

462
00:20:09,119 --> 00:20:10,480
Speaker 3: But I think I don't know, maybe there would be

463
00:20:10,560 --> 00:20:12,520
Speaker 3: a way for that to easily be cleaned up, and

464
00:20:12,560 --> 00:20:15,920
Speaker 3: we don't know. And this is not me on the take,

465
00:20:17,040 --> 00:20:19,320
Speaker 3: because if there really is something that's fucking nasty.

466
00:20:19,080 --> 00:20:21,040
Speaker 6: Well, what they were saying was that she was a

467
00:20:21,080 --> 00:20:24,120
Speaker 6: girl who was a child star, and he, coming from

468
00:20:24,160 --> 00:20:26,080
Speaker 6: the place of a child star, was trying to like

469
00:20:26,240 --> 00:20:26,920
Speaker 6: mentor her.

470
00:20:27,280 --> 00:20:29,960
Speaker 3: And that's cool, and if that's really what it is,

471
00:20:30,000 --> 00:20:33,480
Speaker 3: then this is an angle We're just we're just reaching.

472
00:20:33,320 --> 00:20:35,480
Speaker 5: Listen at that point, I don't, I don't. I don't

473
00:20:35,560 --> 00:20:38,280
Speaker 5: vouch for what any adults do behind their closed doors

474
00:20:38,280 --> 00:20:41,280
Speaker 5: and in their bedrooms because I'm not there. But I

475
00:20:41,359 --> 00:20:46,840
Speaker 5: highly doubt that Drake has done anything with an underage girl.

476
00:20:47,240 --> 00:20:50,359
Speaker 5: Highly doubted that would That would be that and a

477
00:20:50,400 --> 00:20:52,399
Speaker 5: lot of shit doesn't surprise me. That would be a

478
00:20:52,400 --> 00:20:55,239
Speaker 5: total surprise. So I mean, I'll get it. You know,

479
00:20:56,359 --> 00:21:01,159
Speaker 5: pictures and text messages, and if that's what Kendrick's angle

480
00:21:01,280 --> 00:21:05,000
Speaker 5: is here, he better have some hardcore evidence that is you,

481
00:21:05,080 --> 00:21:08,359
Speaker 5: because if not, you just now you're just swinging at

482
00:21:08,520 --> 00:21:10,359
Speaker 5: flies man, Like it's like, all right, he got he.

483
00:21:10,560 --> 00:21:13,119
Speaker 3: Has to take it to a different level outside of

484
00:21:13,200 --> 00:21:16,439
Speaker 3: us seeing a leaked text message between him.

485
00:21:16,280 --> 00:21:18,360
Speaker 1: And a child actor exactly, which.

486
00:21:18,200 --> 00:21:20,000
Speaker 3: I'm not mad at people questioning, Yo, what the fuck

487
00:21:20,080 --> 00:21:23,000
Speaker 3: is that? That's a fine question to ask and there

488
00:21:23,000 --> 00:21:25,520
Speaker 3: should be an answer, but that can't be a whole

489
00:21:25,600 --> 00:21:28,240
Speaker 3: dis reply, Like I'm sure Kendrick come up with a

490
00:21:28,240 --> 00:21:31,040
Speaker 3: million stranger things flips and ontondras.

491
00:21:31,440 --> 00:21:35,240
Speaker 1: But so this weekend is officially the amount of time

492
00:21:35,320 --> 00:21:38,920
Speaker 1: that it took for Drake to respond to like that, right, correct?

493
00:21:39,240 --> 00:21:40,240
Speaker 1: Is it this coming weekend?

494
00:21:41,880 --> 00:21:45,040
Speaker 5: So if this weekend comes and goes and we don't

495
00:21:45,200 --> 00:21:49,919
Speaker 5: get a response from Kendrick, what does the Kendrick was

496
00:21:49,920 --> 00:21:50,520
Speaker 5: it skin folk?

497
00:21:50,680 --> 00:21:53,280
Speaker 1: Is that the name of this skin folk? That's crazy

498
00:21:54,160 --> 00:21:57,480
Speaker 1: ken folk? So what does the ken folk start to say?

499
00:21:58,240 --> 00:22:00,640
Speaker 1: At that point, they're gonna say it's on. Well, they've

500
00:22:00,680 --> 00:22:03,879
Speaker 1: been saying it's coming on the album, been saying that

501
00:22:05,440 --> 00:22:05,680
Speaker 1: was coming.

502
00:22:06,600 --> 00:22:08,000
Speaker 2: They say that that was.

503
00:22:08,000 --> 00:22:09,359
Speaker 7: All hapened on my timeline this weekend?

504
00:22:09,359 --> 00:22:09,560
Speaker 3: Is that.

505
00:22:11,560 --> 00:22:13,000
Speaker 1: So this week? And it turned into oh no, he's

506
00:22:13,000 --> 00:22:13,840
Speaker 1: gonna respond.

507
00:22:13,640 --> 00:22:17,520
Speaker 9: Now, following Mall kind of alluding to Kendrick cap not

508
00:22:17,520 --> 00:22:20,480
Speaker 9: even kind of saying Kendricks having an album, which through

509
00:22:20,520 --> 00:22:24,800
Speaker 9: extensive research, was not a rumor until Mall said, and

510
00:22:24,840 --> 00:22:27,080
Speaker 9: now it's all over the place, and.

511
00:22:27,000 --> 00:22:28,720
Speaker 3: You wonder why I asked him to clear up some

512
00:22:28,800 --> 00:22:30,240
Speaker 3: things to make sure he wasn't on the take.

513
00:22:30,400 --> 00:22:32,919
Speaker 5: Yeah no, I'm not listening, man, I'm just you know,

514
00:22:33,000 --> 00:22:35,000
Speaker 5: I'm just a guy that's just you know, listening and

515
00:22:35,080 --> 00:22:35,679
Speaker 5: observing it.

516
00:22:35,720 --> 00:22:38,280
Speaker 9: If he's doing this for not doing this for an album,

517
00:22:38,280 --> 00:22:40,200
Speaker 9: but if he's using this to promote his album, I'm

518
00:22:40,200 --> 00:22:42,760
Speaker 9: with it because there's there. You'll never have more eyes

519
00:22:42,800 --> 00:22:43,880
Speaker 9: on you than beefing with Drake.

520
00:22:44,040 --> 00:22:46,960
Speaker 6: Do we think, No, it's taking too long if you

521
00:22:47,000 --> 00:22:49,200
Speaker 6: shoot the first shot. The amount of time that people

522
00:22:49,280 --> 00:22:51,879
Speaker 6: gave Drake makes sense. Drake didn't know a shot was coming.

523
00:22:52,359 --> 00:22:54,720
Speaker 6: You shot the first shot. You can't shoot the first

524
00:22:54,760 --> 00:22:56,040
Speaker 6: shot and they be like, oh, I gotta go buy

525
00:22:56,080 --> 00:22:58,840
Speaker 6: more bullets. Oh.

526
00:22:58,880 --> 00:22:59,800
Speaker 2: I agree with you, guys.

527
00:23:00,280 --> 00:23:01,840
Speaker 9: I think I think if the plan was for the

528
00:23:01,880 --> 00:23:05,000
Speaker 9: album to come, uh what Maul said in May, and

529
00:23:05,040 --> 00:23:07,680
Speaker 9: I'm hearing sometime in June, maybe that's way too late.

530
00:23:07,800 --> 00:23:09,320
Speaker 9: I don't care what the timeline is, you have to

531
00:23:09,320 --> 00:23:13,160
Speaker 9: move it up. Considering this certain uh, this current situation,

532
00:23:13,240 --> 00:23:14,080
Speaker 9: you have to push every.

533
00:23:14,200 --> 00:23:17,159
Speaker 5: All for I'm all for, you know, because this is

534
00:23:17,200 --> 00:23:20,480
Speaker 5: the music business. So it's the business of music. So

535
00:23:20,520 --> 00:23:22,920
Speaker 5: I'm all for having an album and using things as

536
00:23:22,920 --> 00:23:23,480
Speaker 5: a rollout.

537
00:23:23,520 --> 00:23:24,800
Speaker 1: And that's great.

538
00:23:25,760 --> 00:23:30,120
Speaker 5: But when you've been asking for something and you've been

539
00:23:30,200 --> 00:23:33,600
Speaker 5: kind of alluding that you wanted a little situation.

540
00:23:33,200 --> 00:23:36,240
Speaker 1: With somebody for years, for eleven years, and now that

541
00:23:36,240 --> 00:23:37,440
Speaker 1: that person.

542
00:23:38,600 --> 00:23:41,200
Speaker 5: Has responded and has given you this time and has

543
00:23:41,800 --> 00:23:43,760
Speaker 5: stepped into the ring and said, okay, let's do this,

544
00:23:44,600 --> 00:23:47,600
Speaker 5: I don't think you get to any longer play the No.

545
00:23:47,680 --> 00:23:49,520
Speaker 5: I'm just gonna wait till my album drops and I'll

546
00:23:49,520 --> 00:23:50,359
Speaker 5: have something on the album.

547
00:23:50,400 --> 00:23:51,719
Speaker 3: I don't care who you are. You don't get that.

548
00:23:51,760 --> 00:23:53,000
Speaker 1: You don't know. You know. You got to give us.

549
00:23:53,119 --> 00:23:54,680
Speaker 3: You can you can do that, but you got to

550
00:23:54,680 --> 00:23:57,000
Speaker 3: give us app reply again on that album, but you again,

551
00:23:57,040 --> 00:23:58,399
Speaker 3: but you got to give us an appetize.

552
00:23:58,440 --> 00:24:02,240
Speaker 5: And some old dervs now like that tailor made shit

553
00:24:02,320 --> 00:24:04,200
Speaker 5: that was just a little or dir like the fans

554
00:24:04,240 --> 00:24:07,160
Speaker 5: were getting kind of you know, like it's a troll.

555
00:24:07,200 --> 00:24:09,360
Speaker 5: It was an audio meaning it was a troll. That's

556
00:24:09,400 --> 00:24:12,520
Speaker 5: all it was. It was a troll having fun. I'm

557
00:24:12,560 --> 00:24:15,800
Speaker 5: still here. This is not going away. I'm not gonna just,

558
00:24:16,000 --> 00:24:19,720
Speaker 5: you know, let this disappear and just like be over it. No,

559
00:24:19,880 --> 00:24:23,240
Speaker 5: you're gonna respond. We're gonna have this moment because again,

560
00:24:23,359 --> 00:24:26,920
Speaker 5: like I said a couple of weeks ago, Drake remembers

561
00:24:26,920 --> 00:24:30,000
Speaker 5: what everybody said about the Pusher Beef of course, and

562
00:24:30,119 --> 00:24:31,960
Speaker 5: how they were like, oh, yeah, you you lost because

563
00:24:32,000 --> 00:24:33,640
Speaker 5: you didn't put the record out and you backed out

564
00:24:33,640 --> 00:24:35,199
Speaker 5: and this that you went on the shop and all

565
00:24:35,280 --> 00:24:40,360
Speaker 5: these things. So now this one, this battle he's approaching

566
00:24:40,359 --> 00:24:42,720
Speaker 5: totally different. He's not letting his foot up. He's not

567
00:24:42,760 --> 00:24:45,520
Speaker 5: going to sit on the shop. He has records done

568
00:24:45,800 --> 00:24:48,680
Speaker 5: because because it was like, oh, y'all didn't really understand

569
00:24:48,760 --> 00:24:51,359
Speaker 5: when I said, or when people said, yo, that record

570
00:24:51,359 --> 00:24:53,520
Speaker 5: can't come out because the things that are being said

571
00:24:54,119 --> 00:24:58,159
Speaker 5: is going to cause prop real problems for people. So

572
00:24:58,200 --> 00:25:01,280
Speaker 5: when he said that, everybody get the fuck out of here.

573
00:25:01,280 --> 00:25:05,400
Speaker 1: It's a beef, it's a battle. Put the fucking record. Okay,

574
00:25:05,440 --> 00:25:07,159
Speaker 1: the nice guy wanted to still be a nice guy.

575
00:25:07,200 --> 00:25:10,240
Speaker 1: He didn't want to do that this time around, though

576
00:25:12,160 --> 00:25:14,359
Speaker 1: there appears to be no nice guy. He doesn't give

577
00:25:14,400 --> 00:25:16,560
Speaker 1: a fuck. He wants to do this. I'm gonna teach

578
00:25:16,560 --> 00:25:19,240
Speaker 1: you a lesson. Everybody leave me the fuck alone, because

579
00:25:19,240 --> 00:25:21,240
Speaker 1: when it's time for me to go there, I can

580
00:25:21,280 --> 00:25:23,000
Speaker 1: go there. I don't like to go there.

581
00:25:23,520 --> 00:25:26,680
Speaker 5: I'm the biracial cool cornykiff in Canada that really doesn't

582
00:25:26,720 --> 00:25:28,359
Speaker 5: want to get in the beef nobody. I just make

583
00:25:28,440 --> 00:25:31,080
Speaker 5: hit records, But don't think that I can't still step

584
00:25:31,080 --> 00:25:36,159
Speaker 5: into this battle arena and handle myself appropriately. And I

585
00:25:36,200 --> 00:25:39,560
Speaker 5: think that's what this is. This is him saying this

586
00:25:39,600 --> 00:25:41,520
Speaker 5: is not over with this is not gonna be over with.

587
00:25:41,680 --> 00:25:44,320
Speaker 1: I'm not backing out. I am ready to put out

588
00:25:44,359 --> 00:25:46,520
Speaker 1: another record as soon as you enter the ring with

589
00:25:46,560 --> 00:25:47,040
Speaker 1: your record.

590
00:25:47,240 --> 00:25:49,840
Speaker 6: To sum this up, do you, guys, do you think

591
00:25:49,880 --> 00:25:53,000
Speaker 6: that Kendrick is hiding or do you think that Kendrick

592
00:25:53,080 --> 00:25:55,560
Speaker 6: is being strategic? Do you think that Drake has something

593
00:25:55,600 --> 00:25:58,560
Speaker 6: on Kendrick that Kendrick is afraid of and that he's

594
00:25:58,600 --> 00:26:00,719
Speaker 6: backing out or do you think I think that Kendrick

595
00:26:00,840 --> 00:26:03,679
Speaker 6: is just trying to be strategic, because that's an argument

596
00:26:03,720 --> 00:26:04,240
Speaker 6: I've been seen.

597
00:26:04,320 --> 00:26:06,399
Speaker 5: I think it's a culmination of all of that. I'd

598
00:26:06,440 --> 00:26:08,960
Speaker 5: say I think he heard something on that record that

599
00:26:09,040 --> 00:26:13,399
Speaker 5: he's like, oh shit, he knows what else does he know?

600
00:26:13,600 --> 00:26:16,439
Speaker 5: How much of that does he know? I think that

601
00:26:16,680 --> 00:26:19,439
Speaker 5: he does have an album coming, So I think that

602
00:26:19,520 --> 00:26:20,760
Speaker 5: this is all rollout shit.

603
00:26:22,000 --> 00:26:22,720
Speaker 1: But I think it's a.

604
00:26:22,680 --> 00:26:29,040
Speaker 5: Mixture of both scared of not physically scared, but scared

605
00:26:29,119 --> 00:26:30,840
Speaker 5: of the way.

606
00:26:30,640 --> 00:26:32,479
Speaker 1: People will look at him coming out of that. And

607
00:26:32,560 --> 00:26:36,920
Speaker 1: Drake said on Tailor Made on his verse, the next one,

608
00:26:37,800 --> 00:26:41,120
Speaker 1: the next one is going to have people like he's

609
00:26:41,119 --> 00:26:43,480
Speaker 1: so he's letting him know, like what.

610
00:26:43,560 --> 00:26:44,840
Speaker 3: You did on the first one, and that's why I

611
00:26:44,880 --> 00:26:49,600
Speaker 3: don't even think it's having information or even speculating. I

612
00:26:49,600 --> 00:26:52,000
Speaker 3: think Kendrick did have a whole strategic plan coming out

613
00:26:52,040 --> 00:26:54,280
Speaker 3: of like that, and then I think he got privy

614
00:26:54,280 --> 00:26:59,240
Speaker 3: to some information that people may know and had to restrategize.

615
00:26:59,280 --> 00:27:01,560
Speaker 3: I don't think Kendrick hiding. I don't think Kendrick is

616
00:27:01,600 --> 00:27:04,600
Speaker 3: scared personally he's scared of Drake to wrap at Drake

617
00:27:04,640 --> 00:27:07,800
Speaker 3: at all. I think he just had to pivot, and

618
00:27:07,840 --> 00:27:11,320
Speaker 3: that's where this time difference is happening. I think what

619
00:27:11,480 --> 00:27:14,880
Speaker 3: Kendrick's strategy initially was is probably what Drake's strategy is now.

620
00:27:15,640 --> 00:27:18,160
Speaker 3: I have records, let me know when you're ready, because

621
00:27:18,160 --> 00:27:21,199
Speaker 3: I got some. And I think Kendrick is now changing

622
00:27:21,200 --> 00:27:24,119
Speaker 3: his strategy because things have changed a bit and it

623
00:27:24,160 --> 00:27:26,880
Speaker 3: may get messier. And this is just putting piece together

624
00:27:26,960 --> 00:27:29,159
Speaker 3: stuff that we know that's out there from the verses

625
00:27:29,359 --> 00:27:33,560
Speaker 3: or people that are around those camps publicly saying on timelines.

626
00:27:34,160 --> 00:27:36,639
Speaker 3: I apologize to Jake Cole over the weekend because once

627
00:27:36,680 --> 00:27:39,360
Speaker 3: I'm seeing all this shit, I think Drake told Cole

628
00:27:39,440 --> 00:27:42,680
Speaker 3: something that he knew and said, I'm gonna take it

629
00:27:42,720 --> 00:27:45,239
Speaker 3: there if it needs to go there, and Cole said, oh,

630
00:27:45,280 --> 00:27:48,119
Speaker 3: y'all doing that that, I'm out. I thought we was

631
00:27:48,160 --> 00:27:50,000
Speaker 3: gonna rap back and forth to each other. I'm not

632
00:27:50,000 --> 00:27:50,560
Speaker 3: taking it there.

633
00:27:51,520 --> 00:27:54,080
Speaker 9: We've discussed it on the last episode, I believe, and

634
00:27:54,080 --> 00:27:58,040
Speaker 9: we said when you enter a beef here inviting all

635
00:27:58,080 --> 00:28:01,240
Speaker 9: the shit that comes with that. The next one is

636
00:28:01,320 --> 00:28:05,040
Speaker 9: Drake's gonna ruin his marriage. He's just he's destroying their.

637
00:28:05,119 --> 00:28:06,879
Speaker 3: I've seen that. I've seen that rumor on the timeline, right,

638
00:28:07,000 --> 00:28:09,679
Speaker 3: I've seen it. So he just did a whole album,

639
00:28:09,920 --> 00:28:12,200
Speaker 3: mister Morale about ruining his marriage.

640
00:28:12,359 --> 00:28:13,080
Speaker 2: No different.

641
00:28:13,200 --> 00:28:15,280
Speaker 9: He did it through the perspective of like did it

642
00:28:15,320 --> 00:28:18,560
Speaker 9: with therapy art over some fucking saxophone in jazz and

643
00:28:18,600 --> 00:28:21,800
Speaker 9: he he fucking it's Grammy nominated, like him and album,

644
00:28:21,920 --> 00:28:23,560
Speaker 9: him and his wife are together. The point is he

645
00:28:23,640 --> 00:28:24,919
Speaker 9: did the album and they're still together.

646
00:28:25,560 --> 00:28:27,560
Speaker 3: She's at the end of the album saying he broke

647
00:28:27,560 --> 00:28:30,800
Speaker 3: a generational curse. Gill married Drake and his Annie is

648
00:28:30,800 --> 00:28:34,240
Speaker 3: still a man like, so Drake's gonna have his man

649
00:28:34,320 --> 00:28:36,240
Speaker 3: an't do a verse on the fucking next wreck. I

650
00:28:36,280 --> 00:28:39,040
Speaker 3: don't know, I'm saying because I've seen that rumor, Julian

651
00:28:39,160 --> 00:28:42,600
Speaker 3: and I don't think how much he place left to

652
00:28:42,640 --> 00:28:46,080
Speaker 3: go unless it's like a fucking side baby and like

653
00:28:46,200 --> 00:28:48,640
Speaker 3: Drake's like finally someone else can get their child revealed.

654
00:28:49,240 --> 00:28:50,960
Speaker 3: I don't think he could be like, yo, you was

655
00:28:51,040 --> 00:28:53,200
Speaker 3: cheating on your wife, because Kendrick has a whole album

656
00:28:53,720 --> 00:28:57,160
Speaker 3: saying Yo, I was cheating on my wife, non fucking stop.

657
00:28:57,640 --> 00:29:00,840
Speaker 3: I fucked every white bitch in Copenhagen, every last one

658
00:29:00,880 --> 00:29:01,120
Speaker 3: of them.

659
00:29:01,520 --> 00:29:05,720
Speaker 1: I think that this is I think, in a weird way,

660
00:29:05,880 --> 00:29:09,040
Speaker 1: I'm baking on. Kendrick didn't expect this to turn into

661
00:29:09,040 --> 00:29:09,840
Speaker 1: what it's turned into.

662
00:29:18,600 --> 00:29:19,520
Speaker 7: It's a lot going on.

663
00:29:19,640 --> 00:29:21,480
Speaker 5: I think that I think that Kendrick. I think that

664
00:29:21,560 --> 00:29:24,680
Speaker 5: Kendrick thought, like Drake has always done when he's you know,

665
00:29:24,720 --> 00:29:27,040
Speaker 5: said little, Kendrick had said, you know, things, alluding that

666
00:29:27,080 --> 00:29:29,720
Speaker 5: he wanted an issue or a battle. I think that

667
00:29:29,800 --> 00:29:32,160
Speaker 5: he expected Drake to just let that one flowers head.

668
00:29:33,400 --> 00:29:36,040
Speaker 5: And I think that when Drake responded the way he did,

669
00:29:37,520 --> 00:29:40,240
Speaker 5: that made Kendrick. Now do I believe Kendrick has records

670
00:29:40,240 --> 00:29:42,600
Speaker 5: and bars aimed at Drake. Of course, I think every

671
00:29:42,680 --> 00:29:47,160
Speaker 5: rapper has bars aimed at other rappers, especially Drake. Now

672
00:29:47,440 --> 00:29:50,680
Speaker 5: well especially Drake. But now that it's on, and it's

673
00:29:50,760 --> 00:29:53,400
Speaker 5: and and Drake is you know he wants this moment.

674
00:29:54,560 --> 00:30:01,240
Speaker 5: I think Kendrick is again restrategizing, uh, writing, maybe recording

675
00:30:01,320 --> 00:30:04,280
Speaker 5: some different bars and things like that. But I think

676
00:30:04,320 --> 00:30:07,920
Speaker 5: that somewhere in this we find out that Kendrick didn't

677
00:30:07,920 --> 00:30:09,440
Speaker 5: think that it was going to turn into this.

678
00:30:11,720 --> 00:30:15,240
Speaker 3: Speaking of people accused of being on the take three

679
00:30:15,280 --> 00:30:19,000
Speaker 3: friends of the show, DJ Head Daylight Abs, so all

680
00:30:19,040 --> 00:30:23,800
Speaker 3: friends of the show them tweeting or alluding to something

681
00:30:23,880 --> 00:30:25,920
Speaker 3: throughout these last few weeks. Do you think that's been

682
00:30:26,000 --> 00:30:29,760
Speaker 3: hurting Kendrick or helping him? I completely agree.

683
00:30:29,840 --> 00:30:31,440
Speaker 1: I don't think. I don't think Kendrick speaks to any

684
00:30:31,480 --> 00:30:32,080
Speaker 1: of those gentlemen.

685
00:30:33,440 --> 00:30:36,200
Speaker 3: You don't think him and Solar are still cool? What's

686
00:30:36,200 --> 00:30:41,000
Speaker 3: cool if we speak on an everyday basis. But then again,

687
00:30:41,000 --> 00:30:44,520
Speaker 3: in these type of times, Kendricks probably not talking to anyone.

688
00:30:44,520 --> 00:30:45,800
Speaker 1: You know, cool, like it's not beat.

689
00:30:45,840 --> 00:30:49,200
Speaker 5: But I don't think that Kendrick is in communication with

690
00:30:49,760 --> 00:30:53,520
Speaker 5: these gentlemen like that. I think that obviously, you know,

691
00:30:53,560 --> 00:30:55,840
Speaker 5: they speak, but I don't think it's a day to

692
00:30:55,960 --> 00:30:58,480
Speaker 5: day in the studio with him right now?

693
00:30:58,640 --> 00:31:00,200
Speaker 1: What is he on? How does he feel? And I

694
00:31:00,240 --> 00:31:01,560
Speaker 1: don't think it's any of that.

695
00:31:01,720 --> 00:31:03,600
Speaker 3: I've liked Punch his approach of just like I don't

696
00:31:03,640 --> 00:31:05,680
Speaker 3: know anything. I just know Kendrick's a great fucking rapper,

697
00:31:05,760 --> 00:31:07,200
Speaker 3: So like, what are we talking about?

698
00:31:07,280 --> 00:31:09,800
Speaker 1: Yeah, I mean that's that's typically where you should stand

699
00:31:09,800 --> 00:31:10,200
Speaker 1: behind it.

700
00:31:10,240 --> 00:31:14,840
Speaker 3: And I'm not saying djhad Daylight or Absol are saying

701
00:31:14,880 --> 00:31:17,280
Speaker 3: that they're talking to Kendrick. I'm just letting them, letting

702
00:31:17,320 --> 00:31:19,880
Speaker 3: them know how it's coming across outside looking in When

703
00:31:19,920 --> 00:31:23,040
Speaker 3: I read something like is he talking to die about

704
00:31:23,040 --> 00:31:25,760
Speaker 3: the shit? Like, I think it's it's looking worse because

705
00:31:25,960 --> 00:31:28,040
Speaker 3: when Daylight puts puts a tweet out and then there's

706
00:31:28,040 --> 00:31:30,000
Speaker 3: no record for three days and then Absol puts one

707
00:31:30,000 --> 00:31:31,320
Speaker 3: out on like a Sunday night, I'm like, oh, it's

708
00:31:31,320 --> 00:31:34,480
Speaker 3: coming to night, and then nothing happens to me. That

709
00:31:34,640 --> 00:31:37,120
Speaker 3: was like when Flex was on the radio, like Yo,

710
00:31:37,160 --> 00:31:39,040
Speaker 3: I got the Meek Mill disc but didn't have it yet,

711
00:31:39,200 --> 00:31:41,040
Speaker 3: so we all sat on the radio for three hours

712
00:31:41,080 --> 00:31:43,960
Speaker 3: while Flex kept lying about having the record, and guess what,

713
00:31:44,000 --> 00:31:46,640
Speaker 3: the record never came out and Meek and Flex looked insane.

714
00:31:47,160 --> 00:31:49,360
Speaker 3: Flex did not do Meek any favors by doing that shit.

715
00:31:50,520 --> 00:31:52,040
Speaker 3: I think that's how this looks with a lot of

716
00:31:52,080 --> 00:31:53,800
Speaker 3: people on Twitter.

717
00:31:53,840 --> 00:31:54,760
Speaker 1: Why is Head tweeting that?

718
00:31:54,800 --> 00:31:56,640
Speaker 5: Why is he Why is he tweeting that Drake has

719
00:31:56,680 --> 00:31:58,280
Speaker 5: been scared to come outside over a decade.

720
00:31:59,680 --> 00:32:00,760
Speaker 3: Are you have to ask you to Head?

721
00:32:01,200 --> 00:32:01,400
Speaker 2: Yeah?

722
00:32:01,760 --> 00:32:03,360
Speaker 7: I think he's referring to Kendrick.

723
00:32:04,560 --> 00:32:07,280
Speaker 1: Oh, he said. The Canadian responded, after over a decade

724
00:32:07,320 --> 00:32:10,880
Speaker 1: of being dared to come outside, yeah, by Kendrick. Drake

725
00:32:10,920 --> 00:32:12,680
Speaker 1: has been outside for fifteen years.

726
00:32:12,840 --> 00:32:15,080
Speaker 6: I think he's talking about to come outside and rap

727
00:32:15,160 --> 00:32:18,080
Speaker 6: against Kendrick. That's what I think he's talking about. I

728
00:32:18,120 --> 00:32:21,000
Speaker 6: think he's been saying Kendrick has been shooting shoe shoe, shot, shoot,

729
00:32:21,040 --> 00:32:23,200
Speaker 6: and then you finally shot. I don't think that that's

730
00:32:23,200 --> 00:32:26,280
Speaker 6: true at all. Bias Espen, they've been going back and

731
00:32:26,320 --> 00:32:27,640
Speaker 6: forth with so.

732
00:32:27,600 --> 00:32:29,760
Speaker 3: If you know that Drake's been daring him too, like

733
00:32:30,160 --> 00:32:31,920
Speaker 3: they both What we could all agree on is they

734
00:32:32,000 --> 00:32:34,760
Speaker 3: both just been throwing subs and somebody needed to finally

735
00:32:34,800 --> 00:32:36,320
Speaker 3: take it to thirteen, which is why I was happy

736
00:32:36,400 --> 00:32:37,560
Speaker 3: Kendrick did the like that shit.

737
00:32:37,880 --> 00:32:39,920
Speaker 9: I agree with what Rory said about the whole like

738
00:32:40,000 --> 00:32:43,480
Speaker 9: Meek flex analogy, because there was a moment on Twitter

739
00:32:43,480 --> 00:32:46,440
Speaker 9: where DJ was talking about like it doesn't count, it's

740
00:32:46,440 --> 00:32:47,240
Speaker 9: not on DSPs.

741
00:32:47,600 --> 00:32:48,480
Speaker 2: It just it was bad.

742
00:32:48,520 --> 00:32:50,160
Speaker 9: It was a bad look because it was like an

743
00:32:50,200 --> 00:32:52,240
Speaker 9: hour two hours later it was on DPS and he goes, oh,

744
00:32:52,240 --> 00:32:54,400
Speaker 9: we can officially start the clock. I guess it's like,

745
00:32:54,520 --> 00:32:56,560
Speaker 9: just if you never said that, people wouldn't look at

746
00:32:56,600 --> 00:32:57,480
Speaker 9: it a certain way.

747
00:32:57,760 --> 00:32:59,240
Speaker 2: But you jumped out and now.

748
00:32:59,160 --> 00:33:01,480
Speaker 1: It looks saying about the gold post. That's why you

749
00:33:01,480 --> 00:33:03,600
Speaker 1: gotta just laugh when it happens.

750
00:33:03,600 --> 00:33:05,880
Speaker 5: You can't get mad. You gotta just laugh, Like I

751
00:33:06,000 --> 00:33:08,840
Speaker 5: understand why had posted that.

752
00:33:09,000 --> 00:33:09,560
Speaker 1: I get it.

753
00:33:09,880 --> 00:33:12,320
Speaker 5: That's your guys the West Coast. You're gonna rob with him.

754
00:33:12,720 --> 00:33:15,719
Speaker 5: He's supposed to do that. But once you do that,

755
00:33:16,280 --> 00:33:18,400
Speaker 5: it's like, okay, we can talk about what you're saying.

756
00:33:18,480 --> 00:33:20,040
Speaker 5: Improve that what you're saying is wrong.

757
00:33:22,120 --> 00:33:22,440
Speaker 2: I agree.

758
00:33:22,560 --> 00:33:24,840
Speaker 5: Rack has been throwing shots, the same shots Kendrick throw.

759
00:33:25,320 --> 00:33:27,880
Speaker 5: Drake has thrown some back, Like, so what are we

760
00:33:27,920 --> 00:33:30,400
Speaker 5: talking about? Like, it's just this is this is this

761
00:33:30,480 --> 00:33:33,600
Speaker 5: whole thing is just interesting to watch and just see

762
00:33:34,160 --> 00:33:37,120
Speaker 5: people that have their you know, favorites, and their alliances

763
00:33:37,160 --> 00:33:39,720
Speaker 5: and the stances they take and the things that they say,

764
00:33:39,760 --> 00:33:42,000
Speaker 5: because again, this is all entertainment.

765
00:33:42,720 --> 00:33:43,640
Speaker 1: This is all entertainment.

766
00:33:43,640 --> 00:33:45,400
Speaker 5: We're supposed to, you know, have fun with this, laugh

767
00:33:45,440 --> 00:33:51,320
Speaker 5: at this, and then ultimately enjoy whatever these artists put forward.

768
00:33:51,360 --> 00:33:53,640
Speaker 5: And I think that, you know, when, when Kendrick, when

769
00:33:53,720 --> 00:33:57,480
Speaker 5: and if he decides to respond to this, I'm sure

770
00:33:57,480 --> 00:34:00,360
Speaker 5: he'll be wrapping his ass off. I'm sure be the

771
00:34:00,400 --> 00:34:03,760
Speaker 5: flows to be great and he'll be, you know, showing

772
00:34:03,840 --> 00:34:06,680
Speaker 5: us why he is who he is. I just don't

773
00:34:06,720 --> 00:34:10,839
Speaker 5: know if because he runs the danger of running into

774
00:34:10,880 --> 00:34:13,359
Speaker 5: if he waits too long and then he drops it,

775
00:34:13,560 --> 00:34:15,120
Speaker 5: then his fan base saying yeah, you made us wait

776
00:34:15,160 --> 00:34:15,479
Speaker 5: for that.

777
00:34:16,560 --> 00:34:18,440
Speaker 7: And that's gonna happen regardless.

778
00:34:18,160 --> 00:34:19,880
Speaker 5: That becomes a thing. Yeah you made us wait that

779
00:34:19,920 --> 00:34:21,360
Speaker 5: long for that.

780
00:34:21,360 --> 00:34:23,040
Speaker 3: That's where it gets scared. Like so you get a

781
00:34:23,040 --> 00:34:25,680
Speaker 3: little bit of grace if you come really the next day,

782
00:34:25,800 --> 00:34:27,839
Speaker 3: you get a little bit more grace of like, all right, cool,

783
00:34:27,840 --> 00:34:30,400
Speaker 3: see let's see where this goes. That's why the raw

784
00:34:30,440 --> 00:34:31,840
Speaker 3: shit I was like, that was cool, it was funny.

785
00:34:32,239 --> 00:34:34,960
Speaker 3: If Ross replied today with that same thing, I'd be like.

786
00:34:34,960 --> 00:34:36,799
Speaker 1: All right, bro, yeah for what.

787
00:34:37,600 --> 00:34:39,680
Speaker 5: I just only didn't you know, selfishly, I didn't like

788
00:34:39,719 --> 00:34:42,600
Speaker 5: the Ross response because I do want music from them

789
00:34:42,600 --> 00:34:45,080
Speaker 5: two together again. Yeah, so I don't I'm you know,

790
00:34:45,239 --> 00:34:47,120
Speaker 5: I don't know where it's going with them as far

791
00:34:47,160 --> 00:34:50,440
Speaker 5: as the memes. And you know, sometimes even through jokes,

792
00:34:51,239 --> 00:34:53,600
Speaker 5: people say things and you'll never forget what they said,

793
00:34:53,640 --> 00:34:56,399
Speaker 5: Like like, nah, you've been waiting to get that off though,

794
00:34:57,000 --> 00:34:58,640
Speaker 5: you've been waiting to say my house was small, you

795
00:34:58,640 --> 00:34:59,080
Speaker 5: know what I'm saying.

796
00:34:59,080 --> 00:35:02,040
Speaker 1: You've been waiting for that. You hopefully through that because

797
00:35:02,040 --> 00:35:05,200
Speaker 1: I still would love that Yolow album. I tell him

798
00:35:05,480 --> 00:35:08,279
Speaker 1: I would love it. I just don't know where, you

799
00:35:08,320 --> 00:35:09,720
Speaker 1: know now things stand.

800
00:35:10,160 --> 00:35:13,000
Speaker 3: Just quickly before we get off the tailor made freestyle

801
00:35:14,040 --> 00:35:16,480
Speaker 3: to get back to our conspiracy. Remember when Drake was

802
00:35:16,480 --> 00:35:21,719
Speaker 3: being accused of having actual shares with UMG and kind

803
00:35:21,719 --> 00:35:26,600
Speaker 3: of you know, dictating artists publishing. Yeah, is he deflecting

804
00:35:26,600 --> 00:35:29,960
Speaker 3: and now accusing Taylor Swift of that? And this Tailor

805
00:35:29,960 --> 00:35:32,759
Speaker 3: made freestyle is pretty much snitching and saying that that

806
00:35:32,800 --> 00:35:36,239
Speaker 3: Taylor Swift is who we all accused him of being

807
00:35:36,280 --> 00:35:39,799
Speaker 3: at the label, like she always a percentage of that shit.

808
00:35:39,840 --> 00:35:39,960
Speaker 4: Bro.

809
00:35:40,120 --> 00:35:43,439
Speaker 1: I don't know what the PG LANG deal I believe.

810
00:35:43,120 --> 00:35:46,200
Speaker 3: They have, don't quote me. I believe they're doing licensing

811
00:35:46,280 --> 00:35:48,040
Speaker 3: through UMG.

812
00:35:49,960 --> 00:35:52,680
Speaker 1: Okay, Yeah, I don't know. I don't know too much

813
00:35:52,719 --> 00:35:55,080
Speaker 1: about what their deal and how it's structured.

814
00:35:55,760 --> 00:35:57,800
Speaker 3: Because they haven't put I mean, you know, obviously the

815
00:35:57,880 --> 00:36:01,120
Speaker 3: last Kendrick Gobin was his on TD, so we don't

816
00:36:01,120 --> 00:36:04,120
Speaker 3: really fully know. But there had been rumors that they

817
00:36:04,120 --> 00:36:06,920
Speaker 3: were going to do their licensing through UMG rather than

818
00:36:06,960 --> 00:36:10,520
Speaker 3: just straight independent, But I don't know that to be true,

819
00:36:10,560 --> 00:36:13,520
Speaker 3: so don't quote me. But judging by this verse, I'm

820
00:36:13,560 --> 00:36:17,000
Speaker 3: sure Drake knows what's going on with UMG. I mean, well,

821
00:36:17,280 --> 00:36:19,760
Speaker 3: it sounds like he's saying Taylor Swift is the person

822
00:36:19,840 --> 00:36:24,440
Speaker 3: we all keep putting this conspiracy on about him. Na,

823
00:36:24,680 --> 00:36:27,959
Speaker 3: it's Taylor guys. Well, you guys are all right about

824
00:36:27,960 --> 00:36:31,080
Speaker 3: your accusations, but wrong artists, wrong artist. It's Taylor Swift

825
00:36:31,120 --> 00:36:32,640
Speaker 3: that's doing everything you're accusing me of.

826
00:36:33,560 --> 00:36:34,080
Speaker 1: Yeah, I can't.

827
00:36:34,160 --> 00:36:35,000
Speaker 3: She owns GAMMA.

828
00:36:35,400 --> 00:36:36,840
Speaker 1: Yeah I can't. I can't speak to that because I

829
00:36:36,880 --> 00:36:37,880
Speaker 1: don't know how to deal with structure.

830
00:36:37,880 --> 00:36:38,760
Speaker 3: But I'm speaking.

831
00:36:39,000 --> 00:36:42,399
Speaker 5: It's a safe it's a safe assumption. She's easily top.

832
00:36:42,600 --> 00:36:44,680
Speaker 5: She's to my big three, She's one of the Big

833
00:36:44,680 --> 00:36:47,120
Speaker 5: three for sure. So I mean, you know, I don't

834
00:36:47,160 --> 00:36:49,680
Speaker 5: know how they deal with structure. But it wouldn't surprise

835
00:36:49,719 --> 00:36:51,839
Speaker 5: me if she was, you know, getting a percentage of

836
00:36:53,360 --> 00:36:54,360
Speaker 5: some of those artists.

837
00:36:54,400 --> 00:36:57,000
Speaker 3: She said, she's your new top like he was very

838
00:36:57,040 --> 00:36:59,680
Speaker 3: He didn't say much with his own voice on the AI.

839
00:37:00,480 --> 00:37:02,480
Speaker 3: A bulk of that was really about how Taylor Swift

840
00:37:02,520 --> 00:37:05,520
Speaker 3: is dictating what Kendrick Lamar can do with his future. Yeah,

841
00:37:05,560 --> 00:37:09,640
Speaker 3: and that she has actual stake in where he goes.

842
00:37:09,680 --> 00:37:11,960
Speaker 5: I think the AI thing is interesting though, because I

843
00:37:11,960 --> 00:37:15,600
Speaker 5: did hear that. You know, if you're old enough to

844
00:37:15,640 --> 00:37:17,960
Speaker 5: remember a Beanie Siegul his voice, he had some health

845
00:37:18,000 --> 00:37:20,640
Speaker 5: issues over the years, his voice changed a lot, and

846
00:37:20,719 --> 00:37:23,439
Speaker 5: I am hearing that beans is going to use his

847
00:37:23,480 --> 00:37:26,160
Speaker 5: own AI voice to sound like he used to sound

848
00:37:26,560 --> 00:37:30,080
Speaker 5: before his health issues before it affected his voice.

849
00:37:30,120 --> 00:37:31,840
Speaker 3: So that's a positive AI MI.

850
00:37:32,080 --> 00:37:33,719
Speaker 1: So so that's what I'm saying. So I get it.

851
00:37:33,760 --> 00:37:37,040
Speaker 5: I understand when people are kind of, you know, stand

852
00:37:37,040 --> 00:37:39,040
Speaker 5: offers with the AI thing. I think in a way

853
00:37:39,120 --> 00:37:40,520
Speaker 5: like that, for an artist that is.

854
00:37:40,800 --> 00:37:43,440
Speaker 3: His own voice, that is a a dope.

855
00:37:43,160 --> 00:37:45,600
Speaker 1: Way to incorporate that technology.

856
00:37:45,640 --> 00:37:47,960
Speaker 3: So what's going to get sucked up is is he

857
00:37:48,000 --> 00:37:50,919
Speaker 3: going to have to go get approval from someone else

858
00:37:50,960 --> 00:37:54,279
Speaker 3: to use his own voice. No, I don't know how

859
00:37:54,320 --> 00:37:57,360
Speaker 3: those aideals are working, like.

860
00:37:57,600 --> 00:37:59,640
Speaker 7: You own your own voice or no one.

861
00:38:00,000 --> 00:38:03,719
Speaker 6: Because AI hasn't existed for all these years, the executives

862
00:38:03,719 --> 00:38:06,319
Speaker 6: didn't sign that into the contract that A, we also

863
00:38:06,440 --> 00:38:08,719
Speaker 6: own your voice. They wouldn't even thought to put those

864
00:38:08,760 --> 00:38:10,279
Speaker 6: into contracts because AI didn't exist.

865
00:38:10,320 --> 00:38:13,600
Speaker 3: But speculating here, if there's like an official, verified check AI,

866
00:38:13,960 --> 00:38:16,720
Speaker 3: like the real AI, not some shit some hackers put together,

867
00:38:17,280 --> 00:38:22,000
Speaker 3: and they are getting your pronunciations all those words from

868
00:38:22,040 --> 00:38:25,799
Speaker 3: your catalog and someone owns that catalog, wouldn't they own

869
00:38:25,800 --> 00:38:29,560
Speaker 3: the AI rights to that voice. I don't know how

870
00:38:29,560 --> 00:38:31,759
Speaker 3: the AI. I know they can figure a lot of

871
00:38:31,800 --> 00:38:37,799
Speaker 3: people's dialect through music or interviews or whatever. Right, that's

872
00:38:37,800 --> 00:38:41,400
Speaker 3: how they put it together. If they're officially only taking

873
00:38:41,640 --> 00:38:47,560
Speaker 3: that from Bean's catalog that UMG bought from Rockefeller, outright,

874
00:38:48,719 --> 00:38:51,040
Speaker 3: do you have to go to UMGD? He's my own voice,

875
00:38:51,280 --> 00:38:52,840
Speaker 3: because if I want to go license one of my

876
00:38:52,920 --> 00:38:55,560
Speaker 3: songs on a commercial, that's got to go through the

877
00:38:55,560 --> 00:38:56,280
Speaker 3: person that owns.

878
00:38:56,400 --> 00:39:00,359
Speaker 1: But that's my shit. Well, he's creating new music, I.

879
00:39:00,320 --> 00:39:03,880
Speaker 3: Know, but he would have to go use the AI voice.

880
00:39:03,920 --> 00:39:06,000
Speaker 3: That's derived And this is all speculation, guys, I want

881
00:39:06,000 --> 00:39:08,240
Speaker 3: to make that clear. No, that's his voice AI derived

882
00:39:08,239 --> 00:39:09,440
Speaker 3: from maybe his old catalog.

883
00:39:09,480 --> 00:39:11,920
Speaker 5: No, well us talk about the music. He can't use

884
00:39:11,960 --> 00:39:13,840
Speaker 5: that music. Maybe we would have to go through things because.

885
00:39:13,680 --> 00:39:16,759
Speaker 3: No, not those words. I'm saying. Whatever AI inflection they

886
00:39:16,760 --> 00:39:22,480
Speaker 3: put over his voice, if it's from his first album, get.

887
00:39:22,640 --> 00:39:24,399
Speaker 1: How they use it? Though they use it, they use it.

888
00:39:24,400 --> 00:39:27,160
Speaker 5: It's it's a filter, but it's not like they're taking

889
00:39:27,200 --> 00:39:30,320
Speaker 5: it from how he said this on this album and

890
00:39:30,719 --> 00:39:31,520
Speaker 5: incorporating it here.

891
00:39:31,560 --> 00:39:34,279
Speaker 3: That's how I know. I'm this is more of a

892
00:39:34,320 --> 00:39:40,160
Speaker 3: prediction of how we talk about how UMG, Warner Sony

893
00:39:40,800 --> 00:39:42,840
Speaker 3: starts to lose their leverage with all these tech companies.

894
00:39:42,880 --> 00:39:44,799
Speaker 3: The only way they have leverage is based off their

895
00:39:44,840 --> 00:39:49,000
Speaker 3: back catalog. I could see an official partnership of some

896
00:39:49,040 --> 00:39:52,040
Speaker 3: type of AI that can be verified and used because

897
00:39:52,040 --> 00:39:53,960
Speaker 3: it can be licensed off the music that they own.

898
00:39:54,320 --> 00:39:55,560
Speaker 3: I see that being a future thing.

899
00:39:55,960 --> 00:39:57,759
Speaker 6: Yeah, and I agree with you, or I can I

900
00:39:57,840 --> 00:40:01,880
Speaker 6: get where you're going with that hypothetically. So a hypothetical

901
00:40:02,200 --> 00:40:04,040
Speaker 6: way to get over that, I would assume is to

902
00:40:04,239 --> 00:40:06,920
Speaker 6: use a song that was not owned by anyone.

903
00:40:07,040 --> 00:40:08,560
Speaker 7: So some ship that was on a mixtape.

904
00:40:08,600 --> 00:40:10,080
Speaker 3: Yeah, but what if I need like a different vowel.

905
00:40:13,080 --> 00:40:14,439
Speaker 7: I think you're making a little bit more.

906
00:40:14,880 --> 00:40:19,880
Speaker 3: I'm always scared of the robots and the computers. I

907
00:40:19,880 --> 00:40:23,799
Speaker 3: think anything is possible, And I'm terrified of labels and

908
00:40:23,800 --> 00:40:26,360
Speaker 3: how they've always adapted every time to continue to be

909
00:40:26,400 --> 00:40:29,520
Speaker 3: on top. Every time Napster comes out, Yo, it's over

910
00:40:29,560 --> 00:40:32,000
Speaker 3: for the labels. Nope, Streaming comes Yo, it's over for

911
00:40:32,000 --> 00:40:32,480
Speaker 3: the labels.

912
00:40:32,520 --> 00:40:32,840
Speaker 2: Nope.

913
00:40:32,880 --> 00:40:36,799
Speaker 3: They always find a fucking way to stay relevant and

914
00:40:36,920 --> 00:40:39,799
Speaker 3: stay in business because they own all the back catalog shit.

915
00:40:40,200 --> 00:40:42,760
Speaker 3: I think they're looking at AI the same fucking way.

916
00:40:44,920 --> 00:40:47,040
Speaker 3: You're gonna have to go license this voice that I

917
00:40:47,120 --> 00:40:50,160
Speaker 3: own to use your AI program. I don't know if

918
00:40:50,160 --> 00:40:52,840
Speaker 3: they'll do that, but I wish that Kanye Verse was AI.

919
00:40:53,920 --> 00:40:55,920
Speaker 3: That was That might be the worst Kanye Verse I've

920
00:40:55,920 --> 00:40:56,160
Speaker 3: ever heard.

921
00:40:56,200 --> 00:40:59,440
Speaker 1: My let's just be let's just be realistic. It's it

922
00:40:59,480 --> 00:41:01,759
Speaker 1: was only at a time before Kanye jumped into this.

923
00:41:02,120 --> 00:41:04,000
Speaker 3: I'm never mad at Kanye jumping into anything.

924
00:41:04,080 --> 00:41:07,760
Speaker 5: Kidnot stand to see anybody else. Yeah, get the attention

925
00:41:07,880 --> 00:41:10,320
Speaker 5: of the world and attention of the entire industry.

926
00:41:10,400 --> 00:41:12,200
Speaker 3: He's Regina George without his.

927
00:41:12,280 --> 00:41:17,200
Speaker 5: Name being associated to it somehow, so lo and behold

928
00:41:17,640 --> 00:41:21,520
Speaker 5: before Kendrick. Before we got a Kendrick response, we got

929
00:41:21,560 --> 00:41:22,360
Speaker 5: a YA response.

930
00:41:22,560 --> 00:41:24,680
Speaker 3: Ah, y'all justing Drake over there. Nobody called me.

931
00:41:25,840 --> 00:41:26,320
Speaker 1: Like he didn't know.

932
00:41:26,320 --> 00:41:28,319
Speaker 3: It was a Drake hate who all over there, who

933
00:41:28,400 --> 00:41:30,040
Speaker 3: all over Metro to be.

934
00:41:30,920 --> 00:41:33,600
Speaker 5: A Drake hate party, and Kanye wasn't invited. You had

935
00:41:33,600 --> 00:41:35,680
Speaker 5: to know he was showing up sooner or later.

936
00:41:35,800 --> 00:41:36,680
Speaker 2: You just want to give it a look.

937
00:41:37,320 --> 00:41:38,320
Speaker 1: This is the royal rumble.

938
00:41:38,440 --> 00:41:40,600
Speaker 5: This is when you're watching people in the ring fight

939
00:41:40,840 --> 00:41:42,479
Speaker 5: and all of a sudden you hear the theme song

940
00:41:42,560 --> 00:41:45,239
Speaker 5: drop and you're like, oh shit, it's Hulk Hogan, Like

941
00:41:45,840 --> 00:41:48,319
Speaker 5: this is what this is. This has turned into that. Now,

942
00:41:48,360 --> 00:41:52,880
Speaker 5: this is a royal rumble. This is twenty versus one.

943
00:41:52,760 --> 00:41:55,919
Speaker 2: I believe officially at seven artists against Drake.

944
00:41:57,080 --> 00:41:57,400
Speaker 1: Seven.

945
00:41:57,600 --> 00:42:00,400
Speaker 9: Yeah, Future wal if you want to count Metro, Future Metro,

946
00:42:01,160 --> 00:42:05,600
Speaker 9: Rick Ross, Kanye, Kendrick, Kendrick and.

947
00:42:05,960 --> 00:42:06,879
Speaker 3: Well now have just some fun.

948
00:42:07,160 --> 00:42:09,040
Speaker 2: Yeah there was maybe just in like the weekend.

949
00:42:09,560 --> 00:42:13,200
Speaker 9: That's the seventh, seventh the weekend.

950
00:42:13,320 --> 00:42:15,920
Speaker 3: Okay, Push is always gonna be there, whether even if

951
00:42:15,920 --> 00:42:17,200
Speaker 3: he if he stays quiet, Yeah.

952
00:42:17,080 --> 00:42:19,640
Speaker 2: Push do you guys want to give this Kanye a little.

953
00:42:19,440 --> 00:42:21,799
Speaker 3: Listen, I don't. I don't really want to, but if

954
00:42:21,840 --> 00:42:23,640
Speaker 3: you want, that's.

955
00:42:23,560 --> 00:42:27,640
Speaker 4: Gay king stop won't flip.

956
00:42:27,760 --> 00:42:33,920
Speaker 1: Is crazy bitch and is Sean John tank.

957
00:42:32,120 --> 00:42:33,520
Speaker 3: Bitch fish average.

958
00:42:34,040 --> 00:42:36,600
Speaker 6: I treat a bad bitsch like a fat bish and

959
00:42:36,640 --> 00:42:38,480
Speaker 6: then never let me get money.

960
00:42:38,520 --> 00:42:40,640
Speaker 1: You get on my cat wingers when they.

961
00:42:40,600 --> 00:42:43,480
Speaker 7: Get funny again. Yeah, you see they tried to kill me.

962
00:42:43,560 --> 00:42:44,879
Speaker 10: Yeut, I like that.

963
00:42:45,320 --> 00:42:46,719
Speaker 3: We just hit a number one.

964
00:42:47,040 --> 00:42:49,760
Speaker 2: We right that hundred down on the bottom, be hundred

965
00:42:49,920 --> 00:42:50,400
Speaker 2: up at.

966
00:42:50,239 --> 00:42:54,240
Speaker 3: The top like Grilla.

967
00:42:55,400 --> 00:42:58,160
Speaker 11: That's able to get the drill too.

968
00:42:58,320 --> 00:43:00,080
Speaker 2: I ain't gonna lie which chops.

969
00:43:01,280 --> 00:43:02,640
Speaker 3: Nothing won by your want.

970
00:43:03,120 --> 00:43:09,320
Speaker 11: Then it's twenty fifty steel like drug dealer street Pluto

971
00:43:09,400 --> 00:43:11,600
Speaker 11: simp then has hit like metro beats.

972
00:43:13,160 --> 00:43:15,960
Speaker 3: It's Nias West loosing men.

973
00:43:16,080 --> 00:43:17,440
Speaker 2: Serve your masks and niggas.

974
00:43:17,760 --> 00:43:20,560
Speaker 1: You caught a little bag for your master's digging your

975
00:43:20,960 --> 00:43:22,319
Speaker 1: lifetime field, not for.

976
00:43:22,480 --> 00:43:24,200
Speaker 2: Bad nig niggas.

977
00:43:24,280 --> 00:43:26,080
Speaker 1: You're so out of sight, out.

978
00:43:25,920 --> 00:43:27,520
Speaker 2: Of them all right, But that's enough.

979
00:43:28,360 --> 00:43:28,600
Speaker 1: That's you.

980
00:43:28,960 --> 00:43:30,879
Speaker 3: You want anyone to paused before the j Cole shot.

981
00:43:31,640 --> 00:43:34,480
Speaker 3: He's not nervous, I'm getting into He's just crash it's

982
00:43:34,560 --> 00:43:38,920
Speaker 3: his ass. I can always show its terrible man's garbage.

983
00:43:39,760 --> 00:43:42,240
Speaker 3: I do think Kanye West is a great writer and rapper.

984
00:43:43,360 --> 00:43:45,520
Speaker 3: I can always tell when he writes everything by himself, though,

985
00:43:46,560 --> 00:43:48,640
Speaker 3: I can always tell when him like Yay wrote that

986
00:43:48,840 --> 00:43:50,600
Speaker 3: all by himself, that was just yea.

987
00:43:50,760 --> 00:43:55,120
Speaker 1: So was he really a great rapper then that he's

988
00:43:55,160 --> 00:43:55,920
Speaker 1: a great producer?

989
00:43:56,560 --> 00:43:59,480
Speaker 3: Kanye is out of that conversation. It's different than Drake

990
00:43:59,480 --> 00:44:02,560
Speaker 3: because Kanye came out the gate telling the world that

991
00:44:02,600 --> 00:44:06,080
Speaker 3: he collaborated, like we knew. Ryan Fest was on MTV

992
00:44:06,239 --> 00:44:09,920
Speaker 3: News saying he wrote the Jesus Walk record like that

993
00:44:10,000 --> 00:44:13,279
Speaker 3: was never a thing that he hid. So that's why

994
00:44:13,320 --> 00:44:15,440
Speaker 3: he doesn't get the flag for it. Like he's a producer,

995
00:44:15,680 --> 00:44:18,080
Speaker 3: he's a Quincy Jones in that regard. He goes for

996
00:44:18,120 --> 00:44:20,080
Speaker 3: the better version of the record, and we give him

997
00:44:20,080 --> 00:44:22,840
Speaker 3: that grace because out the gate he was always honest

998
00:44:22,840 --> 00:44:25,279
Speaker 3: about that shit and never really got on his talk

999
00:44:25,320 --> 00:44:27,320
Speaker 3: that I'm a better rapper than all of you. Outside

1000
00:44:27,320 --> 00:44:29,480
Speaker 3: of a few times. He's the most arrogant rapper we've

1001
00:44:29,520 --> 00:44:32,279
Speaker 3: ever met, and still is humble when it comes to

1002
00:44:32,960 --> 00:44:35,319
Speaker 3: shooting at other rappers that he knows writes everything yeah,

1003
00:44:35,360 --> 00:44:37,479
Speaker 3: but he but only time we see Kanye as humble he.

1004
00:44:37,400 --> 00:44:38,000
Speaker 7: Admits to that.

1005
00:44:38,120 --> 00:44:41,399
Speaker 6: I'm asking you, guys, because we had this conversation six

1006
00:44:41,440 --> 00:44:43,239
Speaker 6: months ago and I told y'all that Kanye was an

1007
00:44:43,239 --> 00:44:45,640
Speaker 6: overrated rapper, and y'all, damn there slaped me out the room.

1008
00:44:46,320 --> 00:44:49,600
Speaker 6: So now I see that that's changing. Now it's oh,

1009
00:44:49,600 --> 00:44:51,759
Speaker 6: well he always had help. Okay, so is he a

1010
00:44:51,800 --> 00:44:52,440
Speaker 6: good rapper?

1011
00:44:52,480 --> 00:44:54,960
Speaker 5: Then he's a good rapper, but he's not. When you

1012
00:44:55,000 --> 00:44:57,560
Speaker 5: talk about stepping in the ring with a Drake and

1013
00:44:57,600 --> 00:45:01,960
Speaker 5: a Kendrick, well, no, that's the that for this moment

1014
00:45:02,000 --> 00:45:04,239
Speaker 5: we're talking about, like for him to throw his hat

1015
00:45:04,239 --> 00:45:07,080
Speaker 5: in the ring. During this moment, Cole took his hat

1016
00:45:07,080 --> 00:45:07,520
Speaker 5: out the ring.

1017
00:45:07,600 --> 00:45:07,799
Speaker 11: We know.

1018
00:45:08,640 --> 00:45:12,560
Speaker 1: But now it's just Kendrick and Drake. It's like, yay,

1019
00:45:13,160 --> 00:45:13,480
Speaker 1: love you.

1020
00:45:13,600 --> 00:45:16,400
Speaker 5: One of the greatest producers we've ever seen, not just musically,

1021
00:45:16,600 --> 00:45:19,280
Speaker 5: just want a great producer, fashion everything.

1022
00:45:21,160 --> 00:45:21,799
Speaker 1: This is not.

1023
00:45:23,320 --> 00:45:26,239
Speaker 5: Sit this one out because you're on record saying Drake

1024
00:45:26,320 --> 00:45:29,080
Speaker 5: is the greatest rapper ever and he wrote records for

1025
00:45:29,120 --> 00:45:31,279
Speaker 5: you and all of these things. And now it's to

1026
00:45:31,880 --> 00:45:34,040
Speaker 5: you know, dot I got this pussy or whatever he said,

1027
00:45:34,080 --> 00:45:36,719
Speaker 5: and I smoked him at the concert and all this.

1028
00:45:36,800 --> 00:45:39,520
Speaker 5: It's like, we know Kanye has an album coming. You

1029
00:45:39,600 --> 00:45:42,160
Speaker 5: know when Kanye has album coming, you know when Kanye

1030
00:45:42,239 --> 00:45:46,120
Speaker 5: has something, when he has something dropping, he's gonna find

1031
00:45:46,120 --> 00:45:49,239
Speaker 5: wherever the spotlight is at and he's gonna jump right

1032
00:45:49,280 --> 00:45:50,680
Speaker 5: in the middle of that shit and let you know

1033
00:45:50,719 --> 00:45:53,359
Speaker 5: that he's the greatest ever and that his album is

1034
00:45:53,400 --> 00:45:55,160
Speaker 5: now available for download.

1035
00:45:55,840 --> 00:45:58,200
Speaker 3: But I'm not mad at him jumping in at all.

1036
00:45:58,280 --> 00:45:59,719
Speaker 3: I just wish it was better. It's just not a

1037
00:45:59,719 --> 00:46:01,640
Speaker 3: good good we didn't need it.

1038
00:46:02,000 --> 00:46:02,680
Speaker 2: I'm mad at.

1039
00:46:02,600 --> 00:46:04,040
Speaker 1: Why you jump Why is he jumping in it?

1040
00:46:04,040 --> 00:46:06,200
Speaker 3: Because so what you just said, because you're about to ship.

1041
00:46:06,280 --> 00:46:08,000
Speaker 1: So that's why I'm mad that he's jumping.

1042
00:46:07,840 --> 00:46:09,600
Speaker 3: If you jump in to sell some ship. But it's

1043
00:46:09,600 --> 00:46:10,680
Speaker 3: good cool.

1044
00:46:11,280 --> 00:46:12,920
Speaker 2: I'm mad at it because the more people that keep

1045
00:46:13,040 --> 00:46:15,000
Speaker 2: jumping in, like the Ross and now this, it's just

1046
00:46:15,040 --> 00:46:16,359
Speaker 2: you're interfering.

1047
00:46:15,840 --> 00:46:18,560
Speaker 5: With the actual different different because I know, I know

1048
00:46:18,600 --> 00:46:21,200
Speaker 5: he was named, he was mentioned, but I think different

1049
00:46:21,280 --> 00:46:21,880
Speaker 5: All that's.

1050
00:46:21,719 --> 00:46:24,080
Speaker 2: Just interfering with the actual battle, is it?

1051
00:46:24,120 --> 00:46:27,879
Speaker 3: Though, Like Kendrick came to an excuse, Let's let's say

1052
00:46:27,920 --> 00:46:32,520
Speaker 3: Kanye looks. Are any of us really taking our attention

1053
00:46:32,680 --> 00:46:34,560
Speaker 3: off what's happening with Kendrick and Drake.

1054
00:46:36,880 --> 00:46:39,520
Speaker 9: But it it like feeds that narrative that it's like

1055
00:46:39,640 --> 00:46:42,520
Speaker 9: the Drake is theos and it takes everybody to take

1056
00:46:42,560 --> 00:46:44,319
Speaker 9: the crack at them, Like I don't like that.

1057
00:46:44,320 --> 00:46:47,480
Speaker 3: That's where I think Future and Metro made a huge

1058
00:46:48,239 --> 00:46:52,640
Speaker 3: strategic mistake with putting Kanye West or attempting to, because

1059
00:46:52,680 --> 00:46:55,719
Speaker 3: I think they said no to that verse and that's

1060
00:46:55,719 --> 00:46:58,360
Speaker 3: why Kanye went and leaked it like that was never official,

1061
00:46:58,360 --> 00:47:02,080
Speaker 3: because I think Metro and Future had Cole on the

1062
00:47:02,160 --> 00:47:04,719
Speaker 3: Deluxe of the second part and was like, b we

1063
00:47:04,760 --> 00:47:06,839
Speaker 3: can't have We're already in a whole mess right now,

1064
00:47:07,120 --> 00:47:09,240
Speaker 3: you're dissing Jake Cole. We just had him on this one.

1065
00:47:09,480 --> 00:47:11,880
Speaker 3: We're not going to put this on. We know Kanye

1066
00:47:12,280 --> 00:47:15,879
Speaker 3: as a radic as he is. You brought him into

1067
00:47:15,920 --> 00:47:18,480
Speaker 3: this mix. He now has the bounce to this. He

1068
00:47:18,520 --> 00:47:21,719
Speaker 3: now has the story to tell that you guys personally

1069
00:47:21,760 --> 00:47:25,280
Speaker 3: invited him for the Drake elimination party. Now he's about

1070
00:47:25,320 --> 00:47:28,800
Speaker 3: to tell all your secrets in that studio, right Because

1071
00:47:28,800 --> 00:47:31,080
Speaker 3: you can't control Kanye West. It's not you're not part

1072
00:47:31,080 --> 00:47:34,319
Speaker 3: of the Drake seven. They're all on the same page.

1073
00:47:34,360 --> 00:47:36,000
Speaker 3: Kanye West will never be on the same page. Why

1074
00:47:36,000 --> 00:47:36,719
Speaker 3: invite him to make it?

1075
00:47:36,719 --> 00:47:36,919
Speaker 11: Eight?

1076
00:47:37,280 --> 00:47:40,759
Speaker 3: Yeah, like he's going to tell everything. He's making y'all

1077
00:47:40,760 --> 00:47:42,960
Speaker 3: look crazy. He said, we got there, the energy was crazy.

1078
00:47:43,760 --> 00:47:45,839
Speaker 3: We were so excited to eliminate Drake. You how crazy

1079
00:47:45,880 --> 00:47:48,840
Speaker 3: they all look now because they didn't eliminate Drake.

1080
00:47:49,080 --> 00:47:49,760
Speaker 2: That sucks.

1081
00:47:49,800 --> 00:47:51,360
Speaker 3: But see, but you know, because it didn't work, and

1082
00:47:51,400 --> 00:47:53,799
Speaker 3: now you're bragging like we all were so excited to

1083
00:47:53,960 --> 00:47:56,120
Speaker 3: eliminate him. So all right, you've confirmed that that was

1084
00:47:56,120 --> 00:48:00,000
Speaker 3: the whole thing is. It didn't work. He's not going anywhere,

1085
00:48:00,520 --> 00:48:02,920
Speaker 3: So what the fuck was the point of adding Kanye

1086
00:48:02,960 --> 00:48:05,520
Speaker 3: into this? I think Future and Metro are huge Kanye

1087
00:48:05,600 --> 00:48:07,080
Speaker 3: fans like the rest of us. And if I had

1088
00:48:07,160 --> 00:48:09,719
Speaker 3: Kanye's number and had a studio, of course I could

1089
00:48:09,719 --> 00:48:11,440
Speaker 3: see the world where I'm like, Yo, we gotta get

1090
00:48:11,520 --> 00:48:14,160
Speaker 3: Kanye on the shit. But if you're at war right now,

1091
00:48:14,600 --> 00:48:17,319
Speaker 3: you're going to bring somebody with their own agenda, the

1092
00:48:17,320 --> 00:48:19,719
Speaker 3: most erratic human being we've ever seen in our time

1093
00:48:20,080 --> 00:48:20,879
Speaker 3: to be part of y'all.

1094
00:48:20,880 --> 00:48:21,120
Speaker 2: Click.

1095
00:48:21,520 --> 00:48:23,480
Speaker 3: Fuck No, we don't know what he's about to do.

1096
00:48:24,080 --> 00:48:27,200
Speaker 3: He has them looking nuts right now, do you believe that.

1097
00:48:27,120 --> 00:48:31,400
Speaker 6: They really were like trying to link up to really

1098
00:48:31,440 --> 00:48:34,279
Speaker 6: eliminate Yes, I can see put a dent in his armor,

1099
00:48:34,280 --> 00:48:35,560
Speaker 6: but to really eliminate.

1100
00:48:35,200 --> 00:48:38,399
Speaker 1: It, no, No, I guess all those people with all.

1101
00:48:38,320 --> 00:48:40,960
Speaker 6: That music knowledge would have to be fucking idiots to

1102
00:48:41,080 --> 00:48:42,440
Speaker 6: think that they were going to be able to get

1103
00:48:42,480 --> 00:48:43,480
Speaker 6: rid of drink. Like.

1104
00:48:43,560 --> 00:48:45,480
Speaker 1: It just does not that they thought that they would

1105
00:48:45,520 --> 00:48:45,960
Speaker 1: be able to.

1106
00:48:46,080 --> 00:48:51,440
Speaker 5: I think that they've all just felt like, YO have to,

1107
00:48:51,560 --> 00:48:53,239
Speaker 5: he has to, Like we have to get rid of

1108
00:48:53,320 --> 00:48:55,680
Speaker 5: him for a while, like we need to, like he's

1109
00:48:55,719 --> 00:48:59,960
Speaker 5: dominated the charge for fifteen years. Like, but it's just

1110
00:49:00,200 --> 00:49:04,360
Speaker 5: it's a very unique situation only because of the history

1111
00:49:04,360 --> 00:49:07,799
Speaker 5: that's there with him and these artists. His fingerprint is

1112
00:49:08,800 --> 00:49:12,319
Speaker 5: on each one of these artists's career, every last one

1113
00:49:12,360 --> 00:49:16,600
Speaker 5: of them. So that's why this situation is like, oh shit,

1114
00:49:17,280 --> 00:49:19,120
Speaker 5: y'all are basically turning on the guy.

1115
00:49:19,000 --> 00:49:21,440
Speaker 1: That gave you.

1116
00:49:20,600 --> 00:49:25,359
Speaker 5: Your biggest moment, gave you your biggest record. Now this

1117
00:49:25,840 --> 00:49:28,840
Speaker 5: weekend is a bona fide superstar. We know that Futures

1118
00:49:28,880 --> 00:49:32,560
Speaker 5: a Future is a superstar. We know that, but I'm

1119
00:49:32,560 --> 00:49:36,719
Speaker 5: talking about from the beginning. There's plenty of shit out

1120
00:49:36,719 --> 00:49:39,719
Speaker 5: there where Drake's fingerprint is on the beginning of these

1121
00:49:39,840 --> 00:49:44,440
Speaker 5: artists career and gave them that catapult into like, yo,

1122
00:49:44,840 --> 00:49:46,719
Speaker 5: this is the next guy, this is the hot this

1123
00:49:46,760 --> 00:49:49,920
Speaker 5: is the dopest artist right now. So for now years later.

1124
00:49:49,800 --> 00:49:52,920
Speaker 1: To go by. Do I think Drake knew this was coming. Absolutely.

1125
00:49:54,320 --> 00:49:56,160
Speaker 5: I think Drake knew with all of these guys how

1126
00:49:56,160 --> 00:49:57,960
Speaker 5: they felt the bottom behind closed doors. I think that

1127
00:49:58,000 --> 00:49:59,920
Speaker 5: he knew that these guys were just using him when

1128
00:50:00,239 --> 00:50:02,879
Speaker 5: they could, whenever they need a favor, he was there,

1129
00:50:03,200 --> 00:50:04,680
Speaker 5: And like I said, I just think Drake is at

1130
00:50:04,680 --> 00:50:06,200
Speaker 5: the point where he doesn't want to be the nice

1131
00:50:06,239 --> 00:50:06,960
Speaker 5: guy anymore.

1132
00:50:07,320 --> 00:50:08,839
Speaker 1: And I think that's why a lot of.

1133
00:50:08,800 --> 00:50:11,840
Speaker 5: This is happening, because he's not saying yes to features

1134
00:50:11,840 --> 00:50:14,439
Speaker 5: as much as he used to. He's not saying yes

1135
00:50:14,520 --> 00:50:16,680
Speaker 5: to you know whatever as much as he used to.

1136
00:50:16,719 --> 00:50:18,600
Speaker 5: I think he turned that falcet off a little bit

1137
00:50:19,000 --> 00:50:21,160
Speaker 5: and people kind of felt that so now that like, oh,

1138
00:50:21,200 --> 00:50:24,520
Speaker 5: if I'm not getting none from him, fuck you. But

1139
00:50:25,360 --> 00:50:27,160
Speaker 5: just go back and listen to Red Button, and he

1140
00:50:27,200 --> 00:50:30,680
Speaker 5: pretty much addresses all of this like I know what

1141
00:50:30,800 --> 00:50:32,360
Speaker 5: I have to do, I know what's gonna happen, Like

1142
00:50:32,400 --> 00:50:34,480
Speaker 5: I know where this goes like, I know y'all don't

1143
00:50:34,480 --> 00:50:37,480
Speaker 5: fuck with me, but if I really start entertaining this

1144
00:50:37,520 --> 00:50:39,880
Speaker 5: shit and get on my hit to kill switch it,

1145
00:50:39,880 --> 00:50:42,879
Speaker 5: it's over for all of y'all. So you know, take

1146
00:50:42,920 --> 00:50:45,160
Speaker 5: from that what you will. I just wish that Kanye

1147
00:50:45,920 --> 00:50:47,880
Speaker 5: didn't do what he did, because, like you said, we

1148
00:50:47,920 --> 00:50:51,239
Speaker 5: don't really care. It didn't do nothing for this moment

1149
00:50:51,320 --> 00:50:53,760
Speaker 5: for me. Let me speak to myself, didn't do anything

1150
00:50:53,760 --> 00:50:55,920
Speaker 5: for me. It's only one person that I want to

1151
00:50:55,920 --> 00:50:59,360
Speaker 5: hear from in this whole situation, and I'm going to continue.

1152
00:50:59,000 --> 00:51:02,080
Speaker 1: To sit back and wait for that artist to respond.

1153
00:51:02,160 --> 00:51:04,040
Speaker 6: Yeah, Kendrick, stand the fuck up. You look crazy out here.

1154
00:51:04,040 --> 00:51:04,200
Speaker 4: Bro.

1155
00:51:04,920 --> 00:51:08,080
Speaker 3: Before we stand closed, what did you think about his

1156
00:51:08,160 --> 00:51:10,440
Speaker 3: quote to Justin the boy off Drake has a rich

1157
00:51:10,480 --> 00:51:16,120
Speaker 3: baby daddy. His name is Lucian Grange. I mean he

1158
00:51:16,200 --> 00:51:18,520
Speaker 3: said he's like my daddy. He controls the spins my

1159
00:51:18,560 --> 00:51:22,000
Speaker 3: daddy got. The DSPs also accused Lucien of working for

1160
00:51:22,040 --> 00:51:25,000
Speaker 3: people to control the banks and Africa. Listen, I do

1161
00:51:25,120 --> 00:51:30,640
Speaker 3: like I do like tinfoil hat ye admittedly, but I

1162
00:51:30,719 --> 00:51:34,120
Speaker 3: was conflicted in that whole thing. Only Kanye Ken talk

1163
00:51:34,200 --> 00:51:36,360
Speaker 3: this way, and I respect that. I respect his independence.

1164
00:51:36,360 --> 00:51:39,200
Speaker 3: I respect everything he's been through, but let's not act

1165
00:51:39,239 --> 00:51:43,200
Speaker 3: like you weren't yelling out exact names at every concert

1166
00:51:43,400 --> 00:51:46,520
Speaker 3: or interview for twenty fucking years as if they were

1167
00:51:46,520 --> 00:51:49,960
Speaker 3: your daddy, right, And he's addressed it and moved on

1168
00:51:50,640 --> 00:51:53,000
Speaker 3: in a good way and is admitted he didn't want

1169
00:51:53,000 --> 00:51:55,799
Speaker 3: to be under control. They were his daddy. But you

1170
00:51:55,960 --> 00:51:57,839
Speaker 3: just got independent, like you're just going to go back

1171
00:51:57,880 --> 00:52:00,600
Speaker 3: and you're like that girl that as a hoe but

1172
00:52:00,640 --> 00:52:02,719
Speaker 3: finally gets a boyfriend that starts judging the other hose

1173
00:52:03,360 --> 00:52:07,600
Speaker 3: like week one, be a little bit different in that regard.

1174
00:52:07,719 --> 00:52:09,440
Speaker 3: You've been through this. You know what it's like to

1175
00:52:09,480 --> 00:52:13,040
Speaker 3: have to be under ruling like that. You can't just

1176
00:52:13,880 --> 00:52:15,279
Speaker 3: get it, Drake like that. You're the only one that

1177
00:52:15,280 --> 00:52:17,600
Speaker 3: could talk this way. So I respect it, but I

1178
00:52:17,600 --> 00:52:19,680
Speaker 3: don't know, I thought it was a little corny. I

1179
00:52:19,680 --> 00:52:21,400
Speaker 3: know you don't like to do but if you have

1180
00:52:21,480 --> 00:52:24,320
Speaker 3: been fighting against this for so long, why are you

1181
00:52:24,360 --> 00:52:25,759
Speaker 3: happy to see someone else going through it.

1182
00:52:26,040 --> 00:52:30,040
Speaker 5: I just think that because Drake has way too much

1183
00:52:30,080 --> 00:52:33,080
Speaker 5: AMO on Kanye, so I think that that battle would

1184
00:52:33,080 --> 00:52:36,480
Speaker 5: be something totally different, Like that's just like I don't

1185
00:52:36,520 --> 00:52:36,960
Speaker 5: even want that.

1186
00:52:37,040 --> 00:52:38,319
Speaker 3: I don't want to hear to me that one would

1187
00:52:38,360 --> 00:52:40,520
Speaker 3: be nasty, just like I thought the like that verse

1188
00:52:40,520 --> 00:52:42,239
Speaker 3: was nasty because I don't want to hear fifty year

1189
00:52:42,239 --> 00:52:44,719
Speaker 3: old yeah talking about fucking someone else's bitch in a

1190
00:52:44,800 --> 00:52:47,640
Speaker 3: tank top. I think the Drake and Kanye battle would

1191
00:52:47,640 --> 00:52:51,319
Speaker 3: just be exposing who fucked what girl? And that's not

1192
00:52:51,560 --> 00:52:54,160
Speaker 3: I like small parts of that in rat B for sure,

1193
00:52:54,680 --> 00:52:57,280
Speaker 3: but I think they would fully make it about what

1194
00:52:57,840 --> 00:52:59,920
Speaker 3: girl they smashed. That probably smashed a lot of other

1195
00:53:00,000 --> 00:53:02,919
Speaker 3: appors to oh, yeah, you fuck the girl that fuck's

1196
00:53:02,960 --> 00:53:04,200
Speaker 3: man rather but that don't do nothing.

1197
00:53:04,239 --> 00:53:06,279
Speaker 1: I fucked her first, I don't do nothing about it.

1198
00:53:06,160 --> 00:53:08,160
Speaker 3: It has to be I know. I just think that's

1199
00:53:08,160 --> 00:53:10,160
Speaker 3: where those two would take it. But it happens they're

1200
00:53:10,200 --> 00:53:13,400
Speaker 3: both like that emotionally. No, I think they fully dive it.

1201
00:53:13,400 --> 00:53:16,160
Speaker 1: It has to be like wife though. It can't be

1202
00:53:16,280 --> 00:53:17,640
Speaker 1: random Instagram girl.

1203
00:53:17,680 --> 00:53:19,319
Speaker 5: No, no, no, we don't give a fuck about those are

1204
00:53:19,480 --> 00:53:21,799
Speaker 5: those are the expendables we don't care about that I'm

1205
00:53:21,840 --> 00:53:24,000
Speaker 5: talking about if he gets on there and starts saying

1206
00:53:24,000 --> 00:53:26,239
Speaker 5: ship that or either one of them that they did

1207
00:53:26,280 --> 00:53:29,080
Speaker 5: with a wife or something like that, or baby.

1208
00:53:29,840 --> 00:53:31,359
Speaker 1: See that's what I'm just like, all right, I'm cool.

1209
00:53:32,120 --> 00:53:33,680
Speaker 3: Rocky said he fuck Drake's baby mama.

1210
00:53:33,680 --> 00:53:35,600
Speaker 2: All this went cool, sick?

1211
00:53:36,239 --> 00:53:40,720
Speaker 3: Whoa crazy? And then if it went and no disrespect

1212
00:53:41,080 --> 00:53:44,080
Speaker 3: two kings, I know that was his wife finding out

1213
00:53:44,400 --> 00:53:55,520
Speaker 3: a superstar fuck Kim Kardashian is not crazy to me, Yo,

1214
00:53:55,600 --> 00:53:57,840
Speaker 3: what if Drake fucked him? Okay?

1215
00:53:57,920 --> 00:53:59,120
Speaker 2: I thought that was like a thing.

1216
00:53:59,400 --> 00:54:02,719
Speaker 3: That was the theory for a really long time, and

1217
00:54:02,760 --> 00:54:04,719
Speaker 3: then the or, then the rumor it turned in that

1218
00:54:04,880 --> 00:54:08,040
Speaker 3: it was he was talking about Kim's mom. That was

1219
00:54:08,080 --> 00:54:09,200
Speaker 3: the big explode on Twitter.

1220
00:54:09,200 --> 00:54:09,359
Speaker 1: One.

1221
00:54:09,400 --> 00:54:12,120
Speaker 2: That's cooler. But also.

1222
00:54:13,200 --> 00:54:14,480
Speaker 3: Then I'd be like, Drake, you are one of the

1223
00:54:14,480 --> 00:54:16,480
Speaker 3: sickest human being I've never seen in my entire life.

1224
00:54:16,520 --> 00:54:19,040
Speaker 3: But you know, at least that's a bigger bombshell than

1225
00:54:19,080 --> 00:54:20,320
Speaker 3: someone fucked Kim Kardashikan.

1226
00:54:20,960 --> 00:54:23,640
Speaker 1: Fine, who's fine.

1227
00:54:23,520 --> 00:54:26,480
Speaker 2: Chris, Drake's gotta go out and funck Caitlyn next, Chris Jenner.

1228
00:54:26,480 --> 00:54:31,520
Speaker 3: See if he like step up? Yo, that's taken. That's

1229
00:54:31,560 --> 00:54:38,040
Speaker 3: dedicated to war going funck Bruce's talk about a different Bruce.

1230
00:54:39,280 --> 00:54:42,319
Speaker 1: I just yeah, y'all want Drake to engage in homo

1231
00:54:42,440 --> 00:54:46,400
Speaker 1: sexual activities. It's not gay who's.

1232
00:54:46,120 --> 00:54:50,920
Speaker 3: Not gay anyway. We did actually get for all the

1233
00:54:51,000 --> 00:54:52,799
Speaker 3: Kanye West stands because I know you guys do listen,

1234
00:54:52,800 --> 00:54:55,400
Speaker 3: because anytime I say something bad about Kanye, you flood

1235
00:54:55,400 --> 00:54:58,320
Speaker 3: my mentions. We did get a snippet of an amazing

1236
00:54:58,400 --> 00:55:01,760
Speaker 3: Kanye West versus the same day this ship that child's

1237
00:55:01,760 --> 00:55:04,360
Speaker 3: game be no preview for his new album. Yeah it's fire,

1238
00:55:04,440 --> 00:55:05,719
Speaker 3: Kanye sounds amazing on us.

1239
00:55:05,760 --> 00:55:07,040
Speaker 2: Yeah this sounds very good.

1240
00:55:07,239 --> 00:55:07,560
Speaker 9: Niggas.

1241
00:55:08,160 --> 00:55:10,040
Speaker 11: But y'all will never have my mama singing course set

1242
00:55:10,120 --> 00:55:12,600
Speaker 11: my rule number one that shine I still the float

1243
00:55:12,719 --> 00:55:15,120
Speaker 11: to close the six pillions. And this is like a

1244
00:55:15,239 --> 00:55:18,080
Speaker 11: man that died and rebranded green days later to walk

1245
00:55:18,080 --> 00:55:20,719
Speaker 11: into Louis sand those dunking Papa ROXI. They were calling

1246
00:55:20,760 --> 00:55:22,400
Speaker 11: the scandal, but the niggas love to box me.

1247
00:55:22,520 --> 00:55:23,560
Speaker 3: Really, I'm like Brando.

1248
00:55:24,080 --> 00:55:25,560
Speaker 2: I'd rather have no regrets.

1249
00:55:25,600 --> 00:55:27,600
Speaker 11: But y'all, my agent just called and said, y'all say,

1250
00:55:27,680 --> 00:55:30,120
Speaker 11: let's niggas waiting on the throne like Hoole said, yes,

1251
00:55:30,160 --> 00:55:31,359
Speaker 11: I took my suits up the store.

1252
00:55:31,440 --> 00:55:33,640
Speaker 3: There the new pay Lesky, that's the new cop flow.

1253
00:55:33,760 --> 00:55:35,440
Speaker 3: But I don't play. He's going off and got a

1254
00:55:35,480 --> 00:55:35,960
Speaker 3: black game.

1255
00:55:36,040 --> 00:55:38,200
Speaker 1: But you don't play Cheskey got the smoke, run my neck,

1256
00:55:38,320 --> 00:55:40,239
Speaker 1: let him Jay slow, let me in the long d's

1257
00:55:40,280 --> 00:55:41,320
Speaker 1: thinking by my last.

1258
00:55:44,000 --> 00:55:44,960
Speaker 3: This record was crazy.

1259
00:55:45,480 --> 00:55:46,560
Speaker 8: Yes, then I.

1260
00:55:46,560 --> 00:55:49,440
Speaker 2: Still got to a like I passed the test and

1261
00:55:49,560 --> 00:55:50,520
Speaker 2: they go back and forth.

1262
00:55:50,880 --> 00:55:54,040
Speaker 6: That sounds so good, not like I'm Jason, not the

1263
00:55:54,239 --> 00:55:56,760
Speaker 6: around his neck like he Jason let why.

1264
00:55:57,040 --> 00:55:59,320
Speaker 3: And to me, of course I do not know? It

1265
00:55:59,440 --> 00:56:02,560
Speaker 3: was not in the student Yo, this is what Kanye

1266
00:56:02,640 --> 00:56:04,640
Speaker 3: sounds like when he has help from other great writers.

1267
00:56:05,320 --> 00:56:07,239
Speaker 3: I think Childish had a lot to do with that verse,

1268
00:56:07,560 --> 00:56:09,880
Speaker 3: and Kanye delivered it. I'm sure gaining the topics he

1269
00:56:09,960 --> 00:56:13,120
Speaker 3: wanted to talk about. I like Kanye when Kanye has help,

1270
00:56:13,960 --> 00:56:14,319
Speaker 3: that's all.

1271
00:56:15,040 --> 00:56:17,680
Speaker 1: Okay, you can see the difference, clear difference.

1272
00:56:18,400 --> 00:56:22,520
Speaker 3: You know who doesn't need help, see Breezy Chris Brown

1273
00:56:22,560 --> 00:56:24,319
Speaker 3: doesn't need a single bit Brown.

1274
00:56:26,680 --> 00:56:29,000
Speaker 9: I'm starting to feel your side of the take here.

1275
00:56:29,000 --> 00:56:31,960
Speaker 9: I'm almost coming around, coming around.

1276
00:56:31,760 --> 00:56:34,279
Speaker 1: The fuck over there, Stay the funk over there. All

1277
00:56:34,360 --> 00:56:38,359
Speaker 1: you niggas that said Kwavos, Hotter and the migos. Ever,

1278
00:56:39,680 --> 00:56:43,160
Speaker 1: I still can't believe y'all said that. Kidding up, No

1279
00:56:43,239 --> 00:56:45,600
Speaker 1: one said that you know what you know what you feel,

1280
00:56:45,640 --> 00:56:48,160
Speaker 1: You just say what you just say Kwavo was hotter?

1281
00:56:48,800 --> 00:56:49,600
Speaker 2: Chris, Why did you.

1282
00:56:49,600 --> 00:56:50,040
Speaker 7: Even bring this?

1283
00:56:50,200 --> 00:56:52,239
Speaker 2: We didn't know what he said that.

1284
00:56:52,480 --> 00:56:54,239
Speaker 3: No one said that but attached that time.

1285
00:56:54,320 --> 00:56:55,880
Speaker 1: Wait, hold on, hold on, hold on, because I know

1286
00:56:55,960 --> 00:56:56,160
Speaker 1: I'm not.

1287
00:56:56,239 --> 00:56:58,840
Speaker 6: Nigga said more relevant. Niggas never said hotter. Niggas never

1288
00:56:58,880 --> 00:56:59,480
Speaker 6: said more talented.

1289
00:56:59,560 --> 00:56:59,840
Speaker 1: Niggas.

1290
00:56:59,840 --> 00:57:00,799
Speaker 7: You irrelevant at the time.

1291
00:57:00,840 --> 00:57:03,319
Speaker 1: You said a room show to Chris Brown.

1292
00:57:03,400 --> 00:57:06,200
Speaker 6: You said that verbati the time at the time, three

1293
00:57:06,239 --> 00:57:09,680
Speaker 6: months later, Chris, what are you talking about their beefing?

1294
00:57:09,800 --> 00:57:10,480
Speaker 7: So obviously?

1295
00:57:10,760 --> 00:57:13,600
Speaker 1: Oh my god, cut you're wrong. It's okay to be wrong.

1296
00:57:14,480 --> 00:57:18,360
Speaker 2: Where where where will say we're wrong? Is Chris is

1297
00:57:18,480 --> 00:57:20,600
Speaker 2: up in the beef right now? I'll give you that.

1298
00:57:21,320 --> 00:57:23,200
Speaker 1: So you still don't think you still don't think Chris

1299
00:57:23,240 --> 00:57:24,240
Speaker 1: Brown is a bigger name than me?

1300
00:57:24,320 --> 00:57:26,240
Speaker 2: Well, that also wasn't We were talking about fashion, had

1301
00:57:26,280 --> 00:57:27,240
Speaker 2: nothing to do with music.

1302
00:57:27,120 --> 00:57:29,040
Speaker 3: Relevant to the kids on social media. What would look

1303
00:57:29,080 --> 00:57:31,160
Speaker 3: better of foods sitting at a rude show, That's all

1304
00:57:31,200 --> 00:57:32,880
Speaker 3: we said. That's what we're talking This is why Maul

1305
00:57:32,960 --> 00:57:35,439
Speaker 3: needs therapy because over the weekend I gave a full

1306
00:57:35,560 --> 00:57:38,640
Speaker 3: apology in a group chat about my mistake about it,

1307
00:57:38,680 --> 00:57:41,919
Speaker 3: and instead the definition of an apology is to hope

1308
00:57:41,960 --> 00:57:45,040
Speaker 3: that people accept it and not just continue to shit

1309
00:57:45,080 --> 00:57:47,840
Speaker 3: on you for the rest of the weekend. You apologize

1310
00:57:47,880 --> 00:57:50,280
Speaker 3: I did, and you were not nice to me out there, like, yo, bro,

1311
00:57:50,440 --> 00:57:52,800
Speaker 3: we're all wrong. Sometimes you just kept going no, no.

1312
00:57:52,960 --> 00:57:55,200
Speaker 3: The one part I was like, ma, I said, I'm sorry, no, no,

1313
00:57:55,280 --> 00:57:56,120
Speaker 3: I just I was just laughing.

1314
00:57:56,280 --> 00:57:57,000
Speaker 2: I was joking to it.

1315
00:57:57,640 --> 00:57:59,880
Speaker 1: But they still don't think that they were wrong.

1316
00:57:59,720 --> 00:58:02,360
Speaker 2: In that Now, I like Mall's apology's apology? Are you

1317
00:58:02,560 --> 00:58:03,920
Speaker 2: count that counts?

1318
00:58:03,960 --> 00:58:05,800
Speaker 1: Like that's okay? Do you retweet that?

1319
00:58:06,880 --> 00:58:06,960
Speaker 8: Oh?

1320
00:58:07,000 --> 00:58:08,480
Speaker 3: I didn't put it on tw it was the tweet.

1321
00:58:08,720 --> 00:58:11,440
Speaker 1: I mean he texted, so retext it. It's okay, Sorry,

1322
00:58:11,560 --> 00:58:12,520
Speaker 1: y'all were wrong. It's okay.

1323
00:58:13,120 --> 00:58:13,240
Speaker 2: Yo.

1324
00:58:13,920 --> 00:58:16,880
Speaker 3: Someone constantly telling you you're wrong after you told them, hey,

1325
00:58:17,160 --> 00:58:19,480
Speaker 3: I was wrong, I'm sorry, and then for the next

1326
00:58:19,600 --> 00:58:21,920
Speaker 3: hour and a half that night, six people jump you

1327
00:58:21,960 --> 00:58:23,560
Speaker 3: in a group chat to tell you're wrong, like you

1328
00:58:23,640 --> 00:58:28,160
Speaker 3: an't need therapy that I said I was wrong, No,

1329
00:58:28,320 --> 00:58:29,120
Speaker 3: but you was crazy.

1330
00:58:29,160 --> 00:58:29,640
Speaker 2: You was wrong.

1331
00:58:29,840 --> 00:58:32,080
Speaker 3: I know it's in the apology.

1332
00:58:32,640 --> 00:58:34,400
Speaker 1: I mean, you know, this is just my time to

1333
00:58:34,480 --> 00:58:36,080
Speaker 1: just laugh get off.

1334
00:58:36,120 --> 00:58:38,520
Speaker 3: No, that's that's the time to like relic relationship.

1335
00:58:38,680 --> 00:58:40,240
Speaker 1: Oh you know it, Yeah, you know it.

1336
00:58:40,800 --> 00:58:43,480
Speaker 5: It's not you know your knees and apologize. Send me

1337
00:58:43,520 --> 00:58:46,640
Speaker 5: a gift, actually liked Send me something the next day,

1338
00:58:46,720 --> 00:58:47,120
Speaker 5: something to me.

1339
00:58:47,200 --> 00:58:50,080
Speaker 6: So of all the distracts that came out within the

1340
00:58:50,160 --> 00:58:51,840
Speaker 6: past three months, where.

1341
00:58:51,680 --> 00:58:52,400
Speaker 7: Does this sit.

1342
00:58:53,840 --> 00:58:53,880
Speaker 11: This?

1343
00:58:54,200 --> 00:58:56,000
Speaker 3: This is number two?

1344
00:58:57,560 --> 00:59:00,960
Speaker 1: The music. Chris wants to fight. Oh, Chris wants Oh.

1345
00:59:00,920 --> 00:59:02,560
Speaker 3: He wanted to fight at the Root show. He made

1346
00:59:02,560 --> 00:59:03,320
Speaker 3: that clear in the verse.

1347
00:59:03,360 --> 00:59:05,640
Speaker 1: He wants he this is Chris doesn't.

1348
00:59:05,920 --> 00:59:09,040
Speaker 5: He's making music because that's what he does, and you know,

1349
00:59:09,160 --> 00:59:10,840
Speaker 5: he just wants to put that out there to everybody

1350
00:59:10,920 --> 00:59:13,160
Speaker 5: that Yo, listen, I don't want it to come out

1351
00:59:13,160 --> 00:59:15,480
Speaker 5: if y'all see me swinging on Homie the next time

1352
00:59:15,520 --> 00:59:17,960
Speaker 5: we come across each other. Chris, he's wild and he's

1353
00:59:18,000 --> 00:59:21,360
Speaker 5: on drugs. He's going crazy. He tried to fight Quavo. No,

1354
00:59:21,480 --> 00:59:24,160
Speaker 5: he's letting you know, he's letting you know, like.

1355
00:59:24,240 --> 00:59:26,680
Speaker 1: I'm gonna I'm gonna put hands on him the next

1356
00:59:26,720 --> 00:59:27,880
Speaker 1: time I see him, I want to fight.

1357
00:59:29,080 --> 00:59:31,760
Speaker 3: Like I said last episode, be careful. There was a

1358
00:59:31,800 --> 00:59:33,800
Speaker 3: time when Chris Brown took a whole summer where he

1359
00:59:33,920 --> 00:59:34,400
Speaker 3: was just rapping.

1360
00:59:34,840 --> 00:59:35,240
Speaker 1: Mm hmm.

1361
00:59:36,200 --> 00:59:38,120
Speaker 3: That's why I don't think that Quavo record, outside of

1362
00:59:38,160 --> 00:59:41,400
Speaker 3: it not being good, was a smart move. You dealing

1363
00:59:41,440 --> 00:59:44,240
Speaker 3: with someone that can rap and will reply in a heartbeat,

1364
00:59:44,880 --> 00:59:47,400
Speaker 3: and somebody that is always ready to fucking fight. And

1365
00:59:47,480 --> 00:59:49,120
Speaker 3: that's why I don't go to Highlight Room anymore.

1366
00:59:49,960 --> 00:59:53,080
Speaker 9: You guys think Offset will get it. I'm only saying

1367
00:59:53,400 --> 00:59:56,000
Speaker 9: Offset because of that line the RP take off. He's

1368
00:59:56,000 --> 00:59:58,800
Speaker 9: the only real one that got true respect. Crazy how

1369
00:59:58,800 --> 01:00:01,080
Speaker 9: when he died, everybody really I wished it was you instead.

1370
01:00:01,440 --> 01:00:04,840
Speaker 9: And then the ad lib is on ship bruh, which

1371
01:00:04,960 --> 01:00:08,000
Speaker 9: ad libbing that is like, I actually didn't the line

1372
01:00:08,040 --> 01:00:11,320
Speaker 9: is all is fair in a rat battle. I still

1373
01:00:11,360 --> 01:00:14,720
Speaker 9: stand by that, even if I could say it's too soon.

1374
01:00:15,000 --> 01:00:17,440
Speaker 3: I don't make the rules so that shit is fair here.

1375
01:00:18,000 --> 01:00:19,600
Speaker 2: The old shit ad lib was the only thing I

1376
01:00:19,680 --> 01:00:22,800
Speaker 2: was really like, Ugh, ad lib's crazy. Oh shit. I

1377
01:00:22,920 --> 01:00:25,520
Speaker 2: was like, you didn't need that to defend him, and

1378
01:00:25,880 --> 01:00:28,320
Speaker 2: I laughed at it last time, take not take Sorry.

1379
01:00:29,040 --> 01:00:31,720
Speaker 9: Equavo had the ad lib about beach girl or whatever,

1380
01:00:32,000 --> 01:00:33,760
Speaker 9: like the he ad libed beach wife or.

1381
01:00:33,760 --> 01:00:37,360
Speaker 7: Some shit, so different. I think that that's a little

1382
01:00:37,360 --> 01:00:37,720
Speaker 7: bit different.

1383
01:00:38,520 --> 01:00:40,200
Speaker 2: Either way, it's beef. They could do whatever they want.

1384
01:00:40,160 --> 01:00:41,920
Speaker 6: Of course, yeah, but I think that's a little bit

1385
01:00:41,920 --> 01:00:45,560
Speaker 6: different because when you're talking about Chris Brown and that's

1386
01:00:45,680 --> 01:00:48,080
Speaker 6: shit that's actually been proven whatever they've talked about it

1387
01:00:48,120 --> 01:00:48,520
Speaker 6: for years.

1388
01:00:48,880 --> 01:00:49,240
Speaker 7: Take Off.

1389
01:00:49,360 --> 01:00:51,720
Speaker 6: When you bringing up Takeoff, you're also bringing up their

1390
01:00:51,800 --> 01:00:54,880
Speaker 6: family in that, and that's completely They're related. You're bringing

1391
01:00:54,920 --> 01:00:57,720
Speaker 6: in their family and how their family feels about certain things. Granted,

1392
01:00:57,800 --> 01:00:59,560
Speaker 6: all's fair and rat beef, but I do think those

1393
01:00:59,600 --> 01:01:00,760
Speaker 6: two lines they are a little bit different.

1394
01:01:00,800 --> 01:01:05,000
Speaker 3: Can we bring up like our hypocrite meter? Because like

1395
01:01:05,280 --> 01:01:08,480
Speaker 3: ears broke, that's true, like we said, there's there's no

1396
01:01:08,640 --> 01:01:11,040
Speaker 3: rules in this ship, but we also thought it was

1397
01:01:11,120 --> 01:01:14,000
Speaker 3: corny when the baby just mentioned out of nowhere that

1398
01:01:14,080 --> 01:01:17,360
Speaker 3: he fucked Meg. I mean, it's different because we're in

1399
01:01:17,400 --> 01:01:20,480
Speaker 3: the arena and out of battle, but like if I'm sweetie,

1400
01:01:20,480 --> 01:01:22,960
Speaker 3: I'm at home, like, what the fuck? Why'd you turn

1401
01:01:23,000 --> 01:01:27,320
Speaker 3: me into an on? Tandra turned it into something else

1402
01:01:27,800 --> 01:01:30,600
Speaker 3: and accused her of cheating, like cheating, cheating.

1403
01:01:31,600 --> 01:01:34,560
Speaker 1: I mean, listen, man, again, I'm not even I don't

1404
01:01:34,760 --> 01:01:35,240
Speaker 1: at least.

1405
01:01:35,120 --> 01:01:37,640
Speaker 3: Hove gave Carmen some like grace. I don't even care

1406
01:01:37,680 --> 01:01:40,520
Speaker 3: about these records I just know he said comment and

1407
01:01:40,600 --> 01:01:43,200
Speaker 3: that card. The next time these two gentleine see each other,

1408
01:01:43,920 --> 01:01:46,120
Speaker 3: it's gonna be some shit going down. I hope they

1409
01:01:46,200 --> 01:01:49,720
Speaker 3: don't like I don't want violence. I hope Quavo replies

1410
01:01:49,760 --> 01:01:53,080
Speaker 3: with raps because I've seen moments when Quabo could really rap,

1411
01:01:54,320 --> 01:01:55,720
Speaker 3: and now he has to really rap. He can't do

1412
01:01:55,800 --> 01:01:56,400
Speaker 3: some fun hook.

1413
01:01:56,600 --> 01:01:58,600
Speaker 1: Do you think that he can out rap Chris Brown? No,

1414
01:01:59,840 --> 01:02:00,280
Speaker 1: I do not.

1415
01:02:00,400 --> 01:02:03,120
Speaker 9: I mean, yeah, I think to your point, I think

1416
01:02:03,160 --> 01:02:05,720
Speaker 9: he's doing music because he makes music. I think you

1417
01:02:05,920 --> 01:02:07,680
Speaker 9: might rather see him in person. I mean, the first

1418
01:02:07,720 --> 01:02:09,760
Speaker 9: line of this is loan is just like indicative of

1419
01:02:09,840 --> 01:02:11,520
Speaker 9: where Chris would rather settle this.

1420
01:02:11,960 --> 01:02:14,280
Speaker 3: Chris Brown wrote his verse when he was on a

1421
01:02:14,280 --> 01:02:19,640
Speaker 3: record with Joinner Lucas. Chris Brown can outrap. I think

1422
01:02:19,720 --> 01:02:21,400
Speaker 3: people have Chris Brown's pen fucked up.

1423
01:02:21,440 --> 01:02:24,320
Speaker 6: Chris Brown could always rap, though some of my favorite

1424
01:02:24,400 --> 01:02:26,080
Speaker 6: Chris Brown songs are when Chris Brown.

1425
01:02:26,160 --> 01:02:27,400
Speaker 3: And a lot of the shit he gets help on

1426
01:02:27,480 --> 01:02:29,280
Speaker 3: with writing is more of the singing stuff, not the

1427
01:02:29,400 --> 01:02:32,640
Speaker 3: rapping shit. I look at credits. I'm a nerd Chris

1428
01:02:32,720 --> 01:02:36,480
Speaker 3: by writing his rap herd. But I mean, you know,

1429
01:02:36,720 --> 01:02:37,880
Speaker 3: I don't think as long as they're not in a

1430
01:02:37,960 --> 01:02:38,320
Speaker 3: rude show.

1431
01:02:38,400 --> 01:02:42,760
Speaker 6: I don't think was gonna with the with the record

1432
01:02:43,080 --> 01:02:45,080
Speaker 6: because of that take offline. I don't think was gonna

1433
01:02:45,080 --> 01:02:47,840
Speaker 6: respond with the record. I think it's like, oh, it's

1434
01:02:48,000 --> 01:02:48,240
Speaker 6: just on.

1435
01:02:48,520 --> 01:02:50,480
Speaker 3: Like when I see what's just on, I will say,

1436
01:02:50,560 --> 01:02:52,160
Speaker 3: we do have to call out some bullshit though, even

1437
01:02:52,200 --> 01:02:54,200
Speaker 3: though I think it's a great dist record. You fuck

1438
01:02:54,240 --> 01:02:56,160
Speaker 3: my exo, that's cool. I don't give a fuck. You

1439
01:02:56,280 --> 01:02:58,520
Speaker 3: give mad this whole thing is because you give a

1440
01:02:58,560 --> 01:03:00,560
Speaker 3: fuck all of the fun. You've always giving a fuck,

1441
01:03:00,600 --> 01:03:04,640
Speaker 3: and that's cool. We've all been there. You give a fuck.

1442
01:03:04,880 --> 01:03:08,720
Speaker 9: But in the spirit of giving a fuck because I

1443
01:03:08,800 --> 01:03:11,280
Speaker 9: fucked your ex when you were still with her, that's worse.

1444
01:03:12,960 --> 01:03:15,680
Speaker 2: Like he says, bitch, I'm up like he is up,

1445
01:03:15,920 --> 01:03:16,520
Speaker 2: like it sucks.

1446
01:03:16,520 --> 01:03:18,200
Speaker 9: I'm sure he's mad about the whole sweety things, but

1447
01:03:18,480 --> 01:03:20,600
Speaker 9: like he did fuck him when he was she was

1448
01:03:20,680 --> 01:03:22,040
Speaker 9: with Quevo, that's way worse.

1449
01:03:22,200 --> 01:03:24,520
Speaker 6: Chris Brown to this day still gives more of a

1450
01:03:24,560 --> 01:03:27,560
Speaker 6: fuck about Caruciet than that. Mayn't give a fuck about Sweetie,

1451
01:03:29,240 --> 01:03:29,640
Speaker 6: I don't know.

1452
01:03:29,840 --> 01:03:30,280
Speaker 8: I think so.

1453
01:03:30,560 --> 01:03:31,880
Speaker 1: If you didn't know that he fucked the while he

1454
01:03:32,000 --> 01:03:33,760
Speaker 1: was together, that shit hurts.

1455
01:03:33,840 --> 01:03:34,280
Speaker 2: That hurts.

1456
01:03:35,080 --> 01:03:35,600
Speaker 9: That hurts.

1457
01:03:35,680 --> 01:03:39,400
Speaker 7: But y'all Chris was screaming years later like.

1458
01:03:39,520 --> 01:03:41,720
Speaker 5: Yeah, but that ain't up to the club, Like yeah,

1459
01:03:41,720 --> 01:03:43,600
Speaker 5: but if a dude have sex with her like after

1460
01:03:43,720 --> 01:03:46,200
Speaker 5: y'all broken up, like that don't Like.

1461
01:03:46,280 --> 01:03:48,280
Speaker 1: I don't think Chris Brown is mad at Victor Cruz.

1462
01:03:48,800 --> 01:03:49,600
Speaker 1: I don't think he got beef.

1463
01:03:49,960 --> 01:03:52,120
Speaker 7: I think he doesn't. Didn't he like post them or

1464
01:03:52,120 --> 01:03:53,120
Speaker 7: some shit being funny at.

1465
01:03:53,080 --> 01:03:56,040
Speaker 5: One point like yeah, but that's just that's not I mean,

1466
01:03:56,120 --> 01:03:58,560
Speaker 5: well he do. I think he feels way, yes, hurt. No,

1467
01:03:58,920 --> 01:03:59,760
Speaker 5: I don't think he's hurt.

1468
01:04:00,760 --> 01:04:03,400
Speaker 1: Hurt is when you find out that Chris Brown fucked

1469
01:04:03,440 --> 01:04:04,480
Speaker 1: your girl while I was together.

1470
01:04:05,160 --> 01:04:07,160
Speaker 2: That's hurt. That's a different type thank you, that's my point.

1471
01:04:07,200 --> 01:04:08,400
Speaker 2: That's a different type of hurt.

1472
01:04:08,520 --> 01:04:08,960
Speaker 1: That's hurt.

1473
01:04:09,080 --> 01:04:11,040
Speaker 3: Even if I'm completely over my ex and don't care,

1474
01:04:11,080 --> 01:04:11,720
Speaker 3: I'm I'm.

1475
01:04:11,720 --> 01:04:13,480
Speaker 1: Feeling broken up.

1476
01:04:13,520 --> 01:04:15,240
Speaker 5: If you find out a nigga fucked the whiy y'all

1477
01:04:15,280 --> 01:04:17,200
Speaker 5: were together, I'm oh my god?

1478
01:04:17,960 --> 01:04:20,040
Speaker 3: How all right? Now? You guys go about that text

1479
01:04:20,040 --> 01:04:23,760
Speaker 3: message because a lot of pride and ego is fueling

1480
01:04:23,840 --> 01:04:25,480
Speaker 3: your body when you find that out, especially if you

1481
01:04:25,480 --> 01:04:27,040
Speaker 3: beef with someone in some rap shit and they say

1482
01:04:27,080 --> 01:04:29,680
Speaker 3: that on a record, Do you text her?

1483
01:04:29,920 --> 01:04:32,200
Speaker 1: Hell no, Well okay, let me speak for myself.

1484
01:04:32,720 --> 01:04:33,840
Speaker 2: No, I wouldn't.

1485
01:04:34,760 --> 01:04:34,800
Speaker 3: No.

1486
01:04:35,400 --> 01:04:36,760
Speaker 7: Do y'all think it's actually true?

1487
01:04:37,280 --> 01:04:39,960
Speaker 2: Hell yeah, yes, hell yeah.

1488
01:04:40,440 --> 01:04:44,600
Speaker 3: One Like Chris Brown is a lot of things when

1489
01:04:44,640 --> 01:04:46,360
Speaker 3: it comes to this type of stuff. He's never come

1490
01:04:46,400 --> 01:04:48,840
Speaker 3: across as a liar to me. He's a lot of

1491
01:04:48,880 --> 01:04:49,240
Speaker 3: fucking thing.

1492
01:04:49,360 --> 01:04:53,600
Speaker 1: The only thing about that them being together at the moment,

1493
01:04:53,720 --> 01:04:55,160
Speaker 1: Maybe they weren't. Maybe he thought they.

1494
01:04:55,200 --> 01:04:55,960
Speaker 3: Were talking or something.

1495
01:04:56,200 --> 01:04:58,960
Speaker 1: Lets sweedy tell it. And they had been broken up

1496
01:04:59,000 --> 01:05:00,360
Speaker 1: for months, Let tell it.

1497
01:05:00,400 --> 01:05:03,320
Speaker 3: He could be gassing it a bit, a little timeline, but.

1498
01:05:03,480 --> 01:05:05,960
Speaker 1: He definitely smashed. He ain't gonna say he smashed the

1499
01:05:05,960 --> 01:05:08,160
Speaker 1: girl on a fucking record and he didn't do it.

1500
01:05:08,240 --> 01:05:09,200
Speaker 1: That would just be crazy.

1501
01:05:10,200 --> 01:05:12,120
Speaker 3: K might be one of the most toxic R and

1502
01:05:12,200 --> 01:05:15,240
Speaker 3: B records that's ever existed. Chris Brown is sick about

1503
01:05:15,240 --> 01:05:15,680
Speaker 3: that girl though.

1504
01:05:16,160 --> 01:05:18,120
Speaker 1: I think at the time he took how many years

1505
01:05:18,160 --> 01:05:18,560
Speaker 1: ago was that.

1506
01:05:20,360 --> 01:05:20,919
Speaker 2: The K song?

1507
01:05:21,120 --> 01:05:21,320
Speaker 11: Yeah?

1508
01:05:21,360 --> 01:05:27,760
Speaker 3: That eleven, No twenty sixteen, Oh so that's eight years

1509
01:05:27,800 --> 01:05:30,520
Speaker 3: and fifteen. Yeah, come on, man, No, it was just

1510
01:05:30,600 --> 01:05:33,240
Speaker 3: sick that, like, didn't they break up because he got

1511
01:05:33,680 --> 01:05:37,160
Speaker 3: her friend pregnant twenty fifteen, nine years.

1512
01:05:37,040 --> 01:05:40,520
Speaker 6: Ago, or maybe it was because he took uh Rihanna

1513
01:05:40,600 --> 01:05:41,880
Speaker 6: to the Big Christmas.

1514
01:05:42,000 --> 01:05:45,960
Speaker 3: No, I think I haven't. Oh my god, remember have

1515
01:05:46,080 --> 01:05:49,080
Speaker 3: you listened to the song ka He takes no accountability

1516
01:05:49,080 --> 01:05:52,320
Speaker 3: and blames everything on her while on the album cover

1517
01:05:52,360 --> 01:05:56,080
Speaker 3: he's holding the baby of the girl he one of

1518
01:05:56,160 --> 01:05:57,600
Speaker 3: Courtie's best friends that he cheated on.

1519
01:05:57,720 --> 01:06:00,280
Speaker 2: That's hip hop to have a baby. That's love love.

1520
01:06:00,520 --> 01:06:02,040
Speaker 3: Oh No, I think it's Shakespearean.

1521
01:06:02,160 --> 01:06:07,200
Speaker 1: Yeah, fire like a father's loved his daughter, right, but.

1522
01:06:09,000 --> 01:06:11,200
Speaker 3: That's certain. Yeah, you still got to love your kid

1523
01:06:11,240 --> 01:06:14,120
Speaker 3: in that circumstances whatever, that's a forever thing. But you

1524
01:06:14,160 --> 01:06:16,400
Speaker 3: can't then get on the outro of your your album

1525
01:06:17,360 --> 01:06:19,480
Speaker 3: glad taking responsibility as a father loving that girl, but

1526
01:06:19,640 --> 01:06:21,200
Speaker 3: to then blame your ex.

1527
01:06:21,480 --> 01:06:24,240
Speaker 5: And you got to you got some like listen, if

1528
01:06:24,280 --> 01:06:25,800
Speaker 5: I didn't cheat on you, I wouldn't have this bundle

1529
01:06:25,840 --> 01:06:28,520
Speaker 5: of joy right here, like you gotta you gotta spin

1530
01:06:28,600 --> 01:06:30,640
Speaker 5: it like that, you gotta make it real, sick, like

1531
01:06:30,720 --> 01:06:31,960
Speaker 5: come on, you was gonna stand in the way of

1532
01:06:32,040 --> 01:06:32,919
Speaker 5: this happening.

1533
01:06:33,080 --> 01:06:35,800
Speaker 3: Like he If you had no context, you would think

1534
01:06:35,840 --> 01:06:38,160
Speaker 3: that Caruci cheated on Chris Brown. If you listen to

1535
01:06:38,200 --> 01:06:40,200
Speaker 3: that song with no context, Oh, that's that's just the

1536
01:06:40,280 --> 01:06:43,080
Speaker 3: artist and that's that pen game. Yeah, that's the way.

1537
01:06:43,360 --> 01:06:44,920
Speaker 5: That's the way he pins it. You know, he like

1538
01:06:44,960 --> 01:06:46,920
Speaker 5: you gotta you gotta give him respect where it's due.

1539
01:06:47,040 --> 01:06:48,919
Speaker 3: And I could be sorry for that's misinformation, But wasn't

1540
01:06:48,920 --> 01:06:49,360
Speaker 3: that the story?

1541
01:06:50,000 --> 01:06:51,640
Speaker 1: That is the story? That cool?

1542
01:06:51,880 --> 01:06:54,440
Speaker 3: You just don't want to put a baby by a

1543
01:06:54,520 --> 01:06:56,960
Speaker 3: girl that she was cool or like new ye could

1544
01:06:56,960 --> 01:06:58,919
Speaker 3: have been la cool, like I've seen the girl around.

1545
01:06:58,960 --> 01:07:01,280
Speaker 1: We took a photo couple parties together and all of that.

1546
01:07:03,040 --> 01:07:05,400
Speaker 3: Speaking of parties, me and Damarus went to a movie from.

1547
01:07:05,320 --> 01:07:06,360
Speaker 1: Here, How was it?

1548
01:07:07,440 --> 01:07:07,640
Speaker 2: Yeah?

1549
01:07:07,680 --> 01:07:08,400
Speaker 1: Did the red carpet.

1550
01:07:08,760 --> 01:07:12,400
Speaker 2: We did. You's a little step and repeat very quickly.

1551
01:07:12,520 --> 01:07:15,200
Speaker 3: Yeah, did a little high wrote our names on a

1552
01:07:16,400 --> 01:07:19,160
Speaker 3: white eraser board. I don't know, like where to go

1553
01:07:19,320 --> 01:07:23,200
Speaker 3: this one. I'm gonna whatever Demerius is comfortable with. I'm

1554
01:07:23,280 --> 01:07:25,400
Speaker 3: cool because we've we've already been down this path of

1555
01:07:26,400 --> 01:07:29,439
Speaker 3: hr problems on the air. After we left the Step

1556
01:07:29,520 --> 01:07:31,720
Speaker 3: and Repeat, we walked into a theater. It was very quiet.

1557
01:07:31,760 --> 01:07:33,880
Speaker 3: All the lights were on. People were waiting to see

1558
01:07:33,920 --> 01:07:37,800
Speaker 3: this this great document documentary. Hip hop in the White

1559
01:07:37,840 --> 01:07:39,919
Speaker 3: House comes out on Hulu and we could talk about

1560
01:07:39,920 --> 01:07:42,760
Speaker 3: it in a second. Shout out to Gez, executive producer.

1561
01:07:43,040 --> 01:07:43,280
Speaker 1: Okay.

1562
01:07:45,400 --> 01:07:47,280
Speaker 3: We then took a left to go down the steps

1563
01:07:47,320 --> 01:07:48,760
Speaker 3: to go get to our seats.

1564
01:07:49,120 --> 01:07:52,360
Speaker 6: So basically Low was Low was there, shout out to

1565
01:07:52,440 --> 01:07:54,280
Speaker 6: Low and he was in the back, and I was

1566
01:07:54,400 --> 01:07:57,200
Speaker 6: looking for him in the theater. And as I'm looking

1567
01:07:57,280 --> 01:08:00,080
Speaker 6: over my shoulder for him, I'm also walking down the

1568
01:08:00,120 --> 01:08:01,000
Speaker 6: steps of the theater.

1569
01:08:02,160 --> 01:08:08,840
Speaker 7: I fell. And I didn't just fall like I didn't stumble.

1570
01:08:09,560 --> 01:08:13,280
Speaker 3: I fell. It was a fall for this was it

1571
01:08:13,440 --> 01:08:16,360
Speaker 3: was the fall heard around the world. And as I'm no, no, no,

1572
01:08:17,400 --> 01:08:19,559
Speaker 3: they used the speakers they used for nine to eleven

1573
01:08:19,600 --> 01:08:21,680
Speaker 3: when the planes flew in, they used that for that.

1574
01:08:22,920 --> 01:08:25,320
Speaker 6: There was an audible There was an audible gasp in

1575
01:08:25,400 --> 01:08:27,360
Speaker 6: a theater like like a cartoon where everybody was like

1576
01:08:28,120 --> 01:08:28,960
Speaker 6: it was so.

1577
01:08:29,200 --> 01:08:31,840
Speaker 3: Bad and not even like about to laugh and clown.

1578
01:08:31,960 --> 01:08:33,400
Speaker 3: It was out of concern.

1579
01:08:33,800 --> 01:08:38,519
Speaker 7: Yeah, the most embarrassing moment of my life.

1580
01:08:38,600 --> 01:08:43,479
Speaker 3: I've never seen legs go that way. While heels flew off,

1581
01:08:43,640 --> 01:08:45,320
Speaker 3: both heels flew off into there.

1582
01:08:45,520 --> 01:08:48,800
Speaker 6: Rory so, Rory standing behind me like he's embarrassed too,

1583
01:08:49,120 --> 01:08:51,040
Speaker 6: Like I embarrassed both of the both of us. Rory

1584
01:08:51,120 --> 01:08:52,920
Speaker 6: standing there with the face that white people have when

1585
01:08:52,920 --> 01:08:55,479
Speaker 6: they're aout to call the cops. He's like, here's your shoe,

1586
01:08:56,320 --> 01:08:58,720
Speaker 6: so embarrassing. So as I'm walking away from the most

1587
01:08:58,720 --> 01:09:01,800
Speaker 6: embarrassing moment of my life, here goes d Ray talking

1588
01:09:01,800 --> 01:09:04,120
Speaker 6: about some Hey, Rory, I'm just like, can we just

1589
01:09:04,160 --> 01:09:04,679
Speaker 6: have a moment.

1590
01:09:06,120 --> 01:09:07,320
Speaker 7: Can we have a fucking moment?

1591
01:09:07,560 --> 01:09:11,439
Speaker 6: So my knees and my legs are done, like I

1592
01:09:11,640 --> 01:09:14,479
Speaker 6: was openly bleeding in the theater the people, But I'm

1593
01:09:14,479 --> 01:09:16,479
Speaker 6: a g I'm not getting up to walk back up

1594
01:09:16,479 --> 01:09:18,000
Speaker 6: the stairs to go to the bathroom to get a

1595
01:09:18,080 --> 01:09:18,479
Speaker 6: first aid.

1596
01:09:18,600 --> 01:09:19,479
Speaker 7: No, I'm gonna sit here.

1597
01:09:19,520 --> 01:09:22,639
Speaker 6: I'm gonna bleed out with my fucking dignity or what's

1598
01:09:22,720 --> 01:09:24,799
Speaker 6: left of an intact while.

1599
01:09:26,280 --> 01:09:27,320
Speaker 3: This is what the legs look like.

1600
01:09:31,640 --> 01:09:35,240
Speaker 4: Hey yo, yo, hey yo, he just did that in

1601
01:09:35,320 --> 01:09:40,960
Speaker 4: front of me like thatle.

1602
01:09:40,439 --> 01:09:41,680
Speaker 3: The camera should be offended, not you.

1603
01:09:42,520 --> 01:09:44,400
Speaker 1: But I ain't like seeing you like that. I never

1604
01:09:44,439 --> 01:09:44,960
Speaker 1: seen you like that.

1605
01:09:45,040 --> 01:09:46,360
Speaker 3: I didn't want to see the mars that way.

1606
01:09:47,360 --> 01:09:49,240
Speaker 2: I understand that he was waiting to get paid.

1607
01:09:49,439 --> 01:09:51,200
Speaker 3: I was not. I never thought I would I was

1608
01:09:51,240 --> 01:09:53,800
Speaker 3: sitting there in disbelief, like it all went in slow mo.

1609
01:09:55,040 --> 01:09:56,680
Speaker 3: That's why I still have that image of like the

1610
01:09:56,840 --> 01:09:59,120
Speaker 3: legs flared like you don't when you break a chicken

1611
01:09:59,160 --> 01:10:02,880
Speaker 3: wing off, and like how it stays. That's how it was,

1612
01:10:03,479 --> 01:10:05,160
Speaker 3: and then like I was searching for the other heel.

1613
01:10:05,479 --> 01:10:08,719
Speaker 3: I really wasn't embarrassed. I was actually very concerned for Demeris.

1614
01:10:09,160 --> 01:10:13,599
Speaker 2: Was it was the steps like they were carpets burn all,

1615
01:10:14,439 --> 01:10:14,600
Speaker 2: you know.

1616
01:10:14,680 --> 01:10:16,320
Speaker 3: She was bleeding like I was. It was fucked up.

1617
01:10:16,360 --> 01:10:17,519
Speaker 1: Now, imagine if it wasn't carpet.

1618
01:10:18,439 --> 01:10:20,559
Speaker 6: If it wasn't carpet, though, my knees wouldn't be as

1619
01:10:20,600 --> 01:10:22,400
Speaker 6: fucked up as they are because of the carpet.

1620
01:10:22,439 --> 01:10:26,680
Speaker 7: I have a rug burn like hu is nothing, No,

1621
01:10:26,840 --> 01:10:29,200
Speaker 7: you don't. I'll insert a picture of my.

1622
01:10:29,560 --> 01:10:31,439
Speaker 1: Those steps were marble, you might have broke something.

1623
01:10:32,280 --> 01:10:34,599
Speaker 2: Yeah, I'm on Moll's side. Carpet at least a little

1624
01:10:34,600 --> 01:10:35,200
Speaker 2: bit of a cushion.

1625
01:10:35,400 --> 01:10:37,559
Speaker 1: If that was a marble or concrete step, you would

1626
01:10:37,560 --> 01:10:38,120
Speaker 1: have broke something.

1627
01:10:38,360 --> 01:10:40,439
Speaker 6: My ankle was swollen for two days. I thought my

1628
01:10:40,479 --> 01:10:42,560
Speaker 6: ankle was broken, but I was not good. They were like,

1629
01:10:42,640 --> 01:10:44,320
Speaker 6: do you need anything? Like the people from the theater.

1630
01:10:44,320 --> 01:10:46,120
Speaker 6: I think they were afraid I was gonna sue, and

1631
01:10:46,200 --> 01:10:47,760
Speaker 6: they kept coming up to me, and I was like,

1632
01:10:47,840 --> 01:10:48,759
Speaker 6: I just want to disappear.

1633
01:10:48,840 --> 01:10:51,839
Speaker 7: Can you leave me alone please? Rory goes, I mean tequilo.

1634
01:10:51,920 --> 01:10:53,439
Speaker 7: We can get some tequila. I think that I help.

1635
01:10:53,520 --> 01:10:55,679
Speaker 7: I'm like, yeah, sure tequila.

1636
01:10:55,800 --> 01:10:57,600
Speaker 3: Well, also she came up and offered it.

1637
01:10:57,760 --> 01:11:01,679
Speaker 6: She did also thank you, Geez, this like for sparing

1638
01:11:01,760 --> 01:11:05,639
Speaker 6: me at least this little bit of embarrassment. Two minutes

1639
01:11:05,680 --> 01:11:08,840
Speaker 6: after I got seated from falling, Geez came and sat

1640
01:11:08,960 --> 01:11:10,960
Speaker 6: directly behind me and.

1641
01:11:11,400 --> 01:11:14,080
Speaker 3: Geez and bun By or no, I think Bunbe saw

1642
01:11:14,120 --> 01:11:14,439
Speaker 3: the spill.

1643
01:11:14,680 --> 01:11:16,040
Speaker 7: No, yeah, Bumbe saw me fall.

1644
01:11:16,520 --> 01:11:19,280
Speaker 1: But Gez came Burger help.

1645
01:11:19,200 --> 01:11:19,479
Speaker 2: You, like.

1646
01:11:21,000 --> 01:11:21,200
Speaker 9: I think?

1647
01:11:21,240 --> 01:11:23,760
Speaker 6: I think he just turned his head. And everybody had

1648
01:11:23,840 --> 01:11:26,320
Speaker 6: second hand embarrassment. That's how embarrassing it. And I had,

1649
01:11:26,640 --> 01:11:28,160
Speaker 6: mind you if I would have just been in like

1650
01:11:28,320 --> 01:11:31,720
Speaker 6: sweats or like jeans or like looked normal or regular. No,

1651
01:11:31,840 --> 01:11:34,439
Speaker 6: I was probably the most dressed up person in the theater,

1652
01:11:35,439 --> 01:11:38,439
Speaker 6: like so yeah, probably the most embarrassing moment of my life.

1653
01:11:38,439 --> 01:11:40,160
Speaker 6: But Rory did not laugh at me. He's a really

1654
01:11:40,200 --> 01:11:40,639
Speaker 6: good friend.

1655
01:11:40,720 --> 01:11:42,320
Speaker 3: I stood with you the whole time I would have laughed.

1656
01:11:42,360 --> 01:11:44,040
Speaker 2: I would have been like, are you okay? But then

1657
01:11:44,040 --> 01:11:45,840
Speaker 2: I would have laughed, Oh, no, now is the time.

1658
01:11:45,840 --> 01:11:48,000
Speaker 3: I don't think in the moment, no, you wouldn't. It

1659
01:11:48,120 --> 01:11:50,640
Speaker 3: was like that I was really concerned for what And

1660
01:11:50,880 --> 01:11:54,040
Speaker 3: the second embarrassment for her was like a second thing

1661
01:11:54,120 --> 01:11:55,000
Speaker 3: in my mind at that point.

1662
01:11:55,040 --> 01:11:58,559
Speaker 2: But she fell? Would you fall downstairs? Like multiple stairs?

1663
01:11:58,760 --> 01:12:02,320
Speaker 3: Was no? So like it was wide steps. It was

1664
01:12:02,360 --> 01:12:05,439
Speaker 3: like one step, but it was a wide ass one step.

1665
01:12:05,600 --> 01:12:08,639
Speaker 1: Yeah, yeah, I was wait, you fell down one step?

1666
01:12:08,680 --> 01:12:10,720
Speaker 2: It was the theater steps and.

1667
01:12:13,880 --> 01:12:16,640
Speaker 1: Inside the actual was watching the film. Yes, also like

1668
01:12:16,720 --> 01:12:17,439
Speaker 1: coming down.

1669
01:12:18,479 --> 01:12:19,200
Speaker 7: To go to your seat.

1670
01:12:19,360 --> 01:12:23,160
Speaker 3: Yeah, it was that I stood by you while everyone

1671
01:12:23,240 --> 01:12:25,800
Speaker 3: was staring. He did, so then we go, I'm like,

1672
01:12:26,080 --> 01:12:26,559
Speaker 3: held it down.

1673
01:12:26,680 --> 01:12:28,920
Speaker 7: I'm like, Rory, did you know maybe people didn't see?

1674
01:12:28,960 --> 01:12:32,640
Speaker 3: Rory was like, first I asked you, would you like

1675
01:12:32,720 --> 01:12:34,599
Speaker 3: me to be honest with everything I say moving forward?

1676
01:12:34,680 --> 01:12:36,439
Speaker 3: Or do you want to make you feel better? And

1677
01:12:36,560 --> 01:12:39,000
Speaker 3: you're like be honest? Like everyone saw it. Everyone's looking

1678
01:12:39,040 --> 01:12:41,320
Speaker 3: over here, but we're good, We're fine, it'll pass.

1679
01:12:41,240 --> 01:12:42,880
Speaker 1: It'll How was the documentary?

1680
01:12:43,160 --> 01:12:48,599
Speaker 3: It was? It was good. It's then god, it got

1681
01:12:48,640 --> 01:12:50,920
Speaker 3: on pretty quickly, Yeah, immediately, thank you.

1682
01:12:51,680 --> 01:12:51,880
Speaker 2: Yeah.

1683
01:12:53,000 --> 01:12:56,000
Speaker 3: Like once we saw Ronald Reagan creating Crack, everyone like

1684
01:12:56,040 --> 01:12:58,439
Speaker 3: forgot about Demarus's knee. It was just a reminder, like

1685
01:12:58,720 --> 01:13:01,400
Speaker 3: what the fuck. Yeah, but no, it'school. It's coming out

1686
01:13:01,400 --> 01:13:04,920
Speaker 3: on Hulu. It's basically just all the attachments that hip

1687
01:13:04,960 --> 01:13:07,599
Speaker 3: hop has had with the White House, from rappers going

1688
01:13:07,640 --> 01:13:09,479
Speaker 3: to the White House to songs about the White House,

1689
01:13:09,520 --> 01:13:11,639
Speaker 3: to what the White House did to create hip hop.

1690
01:13:11,800 --> 01:13:15,760
Speaker 3: Like it's just that whole inner circle working. It's a

1691
01:13:15,800 --> 01:13:19,040
Speaker 3: lot of stuff. I'll say this, I think everyone should

1692
01:13:19,120 --> 01:13:21,439
Speaker 3: check it out, But if you're already a hip hop head,

1693
01:13:22,000 --> 01:13:22,759
Speaker 3: I don't know if it's.

1694
01:13:22,640 --> 01:13:23,360
Speaker 2: Really for you.

1695
01:13:24,640 --> 01:13:26,360
Speaker 7: If you're a hip hop head, is not for you

1696
01:13:26,560 --> 01:13:29,160
Speaker 7: because you're not learning it's hip hop head.

1697
01:13:29,240 --> 01:13:31,600
Speaker 3: It's great to hear from a lot of rappers like

1698
01:13:31,840 --> 01:13:35,880
Speaker 3: Gez executive produced it. The segment about him doing My

1699
01:13:35,960 --> 01:13:38,960
Speaker 3: President's Black and Obama and that whole thing was fire.

1700
01:13:39,520 --> 01:13:42,960
Speaker 3: And the film was very objective, like at certain times,

1701
01:13:44,200 --> 01:13:47,000
Speaker 3: hip hop is gonna look insane for even trying to

1702
01:13:47,040 --> 01:13:50,760
Speaker 3: co sign voter die or even thinking Obama was really

1703
01:13:50,800 --> 01:13:53,880
Speaker 3: gonna do a lot for hip hop. It doesn't try

1704
01:13:53,920 --> 01:13:56,160
Speaker 3: to drive a narrative at all. It tells the facts

1705
01:13:56,360 --> 01:13:58,160
Speaker 3: and it forces you to kind of have an opinion.

1706
01:13:58,680 --> 01:14:01,479
Speaker 3: Like I thought it was nasty that it was proven

1707
01:14:01,840 --> 01:14:04,000
Speaker 3: how much Jez did for Obama's campaign. And then he

1708
01:14:04,040 --> 01:14:06,760
Speaker 3: gets to the White House and they're like, now we

1709
01:14:06,840 --> 01:14:09,680
Speaker 3: looked at your background. You can't come in here. And

1710
01:14:09,840 --> 01:14:14,360
Speaker 3: then like two weeks later, Obama is on doing during

1711
01:14:14,400 --> 01:14:17,519
Speaker 3: a speech and quotes geez m hm like it does

1712
01:14:17,600 --> 01:14:20,960
Speaker 3: show a lot of hypocrisy. Waka is gonna get smoked

1713
01:14:20,960 --> 01:14:22,120
Speaker 3: in it, just telling you all that, now.

1714
01:14:22,840 --> 01:14:23,479
Speaker 1: Wow, what do you do?

1715
01:14:25,479 --> 01:14:25,880
Speaker 2: He signed?

1716
01:14:26,080 --> 01:14:28,400
Speaker 3: You ted to Maarison, I said, are we watching mall

1717
01:14:28,479 --> 01:14:32,960
Speaker 3: or Waka? He goes for Trump? They're gonna smoke Walker.

1718
01:14:33,000 --> 01:14:33,240
Speaker 1: I knew.

1719
01:14:33,240 --> 01:14:35,479
Speaker 3: I like that nigga man, But why ban on like

1720
01:14:35,520 --> 01:14:38,559
Speaker 3: a Trump campaign? Though for a minute, Yeah, that's nothing new.

1721
01:14:38,840 --> 01:14:40,679
Speaker 3: That's why I think they wanted to interview Waka because

1722
01:14:40,680 --> 01:14:43,439
Speaker 3: he has an opposing view then a lot.

1723
01:14:43,439 --> 01:14:43,880
Speaker 5: Of the other view.

1724
01:14:43,920 --> 01:14:44,960
Speaker 7: It wasn't like they were just like, yeah, you know

1725
01:14:44,960 --> 01:14:45,920
Speaker 7: who we need for it as Waka.

1726
01:14:46,080 --> 01:14:48,040
Speaker 5: But that's why politics are so funny, because you like

1727
01:14:48,080 --> 01:14:49,560
Speaker 5: how you just said he's gonna get smoked for that.

1728
01:14:50,080 --> 01:14:52,080
Speaker 1: Why does he get smoked for who he likes.

1729
01:14:52,080 --> 01:14:57,200
Speaker 6: But because the way, oh, I agree, this is in

1730
01:14:57,280 --> 01:15:01,760
Speaker 6: the way that he talks in comparison to what he would.

1731
01:15:01,800 --> 01:15:05,040
Speaker 6: Well also added on top of what he was saying,

1732
01:15:05,280 --> 01:15:07,320
Speaker 6: they're gonna say that he sounds stupid. He's gonna he's

1733
01:15:07,320 --> 01:15:09,280
Speaker 6: gonna get smoke because they're gonna say that he sounds stupid.

1734
01:15:09,600 --> 01:15:12,320
Speaker 6: I understand his point, Like even low textas when we

1735
01:15:12,400 --> 01:15:14,040
Speaker 6: were leaving, like Waka sounds fucking dumb, And I'm like,

1736
01:15:14,200 --> 01:15:15,679
Speaker 6: I understand Waka's point.

1737
01:15:15,960 --> 01:15:17,439
Speaker 7: He just didn't make his point.

1738
01:15:17,360 --> 01:15:20,760
Speaker 3: Well and why because the film was so objective.

1739
01:15:21,840 --> 01:15:23,760
Speaker 1: What I think Anderson's was trying to say about Cardi

1740
01:15:23,880 --> 01:15:26,040
Speaker 1: when she was endorsing them body.

1741
01:15:27,600 --> 01:15:29,800
Speaker 3: Oh, that she just doesn't know anything about politics or

1742
01:15:29,840 --> 01:15:32,160
Speaker 3: she's being used. Yeah, yeah, I mean, I think, I

1743
01:15:32,240 --> 01:15:35,559
Speaker 3: mean all the film kind of shows how Yeah, I mean, right,

1744
01:15:35,840 --> 01:15:38,640
Speaker 3: hip the White House is conveniently used hip hop when

1745
01:15:38,680 --> 01:15:39,880
Speaker 3: it needed it and then just kicked it to the

1746
01:15:39,920 --> 01:15:43,000
Speaker 3: fucking curve when it doesn't. But because it was so

1747
01:15:43,080 --> 01:15:45,439
Speaker 3: objective and didn't drive a narrative, it's going to allow

1748
01:15:45,560 --> 01:15:50,160
Speaker 3: both sides CNN, Fox, Left Right to cut it up

1749
01:15:50,280 --> 01:15:53,920
Speaker 3: for their own agenda. Like I think Fox is gonna

1750
01:15:53,920 --> 01:15:56,679
Speaker 3: take the Waka shit and cut it to make Waka

1751
01:15:56,720 --> 01:15:58,439
Speaker 3: look really good, and I think CNN is going to

1752
01:15:58,479 --> 01:16:01,400
Speaker 3: cut it so it looks terrible. I think CNN is

1753
01:16:01,400 --> 01:16:04,439
Speaker 3: going to take all the points of hip hop, not

1754
01:16:04,600 --> 01:16:06,960
Speaker 3: fucking with the White House and White House, not fucking

1755
01:16:07,000 --> 01:16:09,200
Speaker 3: with hip hop and run with it. It just allowed

1756
01:16:09,240 --> 01:16:11,840
Speaker 3: it for narratives to be pushed. Once you edit that

1757
01:16:11,920 --> 01:16:14,519
Speaker 3: shit down. What's the name of the doc hip Hop

1758
01:16:14,520 --> 01:16:15,800
Speaker 3: in the White House, White House hip Hop.

1759
01:16:15,720 --> 01:16:18,000
Speaker 1: White hip Hop in the White House, or what White House?

1760
01:16:18,160 --> 01:16:20,040
Speaker 6: Ah, Hulu hip Hop in the White House and Hulu

1761
01:16:20,080 --> 01:16:22,160
Speaker 6: shout out to Ndscape and thank you for having us.

1762
01:16:22,160 --> 01:16:24,639
Speaker 6: Sorry that we embarrassed the fuck out of y'all by falling,

1763
01:16:24,720 --> 01:16:26,479
Speaker 6: But it was good. They had a nice open bar,

1764
01:16:26,600 --> 01:16:28,080
Speaker 6: they had a DJ. Afterwards.

1765
01:16:28,200 --> 01:16:30,240
Speaker 1: It was me and Rory had a nice little that

1766
01:16:30,320 --> 01:16:30,599
Speaker 1: was cool.

1767
01:16:30,600 --> 01:16:32,599
Speaker 2: Like I texted you, guys, you had noticed nothing.

1768
01:16:32,920 --> 01:16:36,000
Speaker 7: I had fallen. I went home immediately. I wanted to.

1769
01:16:36,560 --> 01:16:38,520
Speaker 7: We didn't stay there the whole time we disappeared.

1770
01:16:39,680 --> 01:16:40,120
Speaker 1: I fell.

1771
01:16:40,360 --> 01:16:40,880
Speaker 7: I don't think you.

1772
01:16:40,920 --> 01:16:43,280
Speaker 6: Understand that after I sent you that video. I fell

1773
01:16:43,439 --> 01:16:45,280
Speaker 6: directly after I sent you the video of us doing

1774
01:16:45,320 --> 01:16:45,759
Speaker 6: this step.

1775
01:16:45,640 --> 01:16:50,160
Speaker 2: And repeat, that's fun. Damn, I wish I saw that. Yeah,

1776
01:16:58,160 --> 01:16:59,000
Speaker 2: I was your weekend, mall.

1777
01:17:00,439 --> 01:17:02,639
Speaker 5: My week was cool. My niece had a baby shower

1778
01:17:02,760 --> 01:17:08,280
Speaker 5: this weekend. Uh, entire family saw some I took up.

1779
01:17:08,360 --> 01:17:10,240
Speaker 5: I took a video of like, because all my nieces

1780
01:17:10,280 --> 01:17:12,840
Speaker 5: and nephews were the ones that were there. Uh was

1781
01:17:12,920 --> 01:17:15,760
Speaker 5: taking pictures together and I was standing out. I was like, shit,

1782
01:17:15,760 --> 01:17:16,639
Speaker 5: I'm getting old man.

1783
01:17:17,479 --> 01:17:19,560
Speaker 1: Yeah. Seeing all my nieces and nephews, and some of

1784
01:17:19,600 --> 01:17:22,639
Speaker 1: my nieces and nephews have kids, Like, I was like, fuck,

1785
01:17:23,120 --> 01:17:25,599
Speaker 1: are you a great uncle? I've been a great uncle.

1786
01:17:27,680 --> 01:17:29,800
Speaker 2: Damn. I had my brother in town the a little

1787
01:17:29,800 --> 01:17:30,759
Speaker 2: bachelor party weekend.

1788
01:17:31,320 --> 01:17:31,800
Speaker 3: That's cute.

1789
01:17:31,840 --> 01:17:32,519
Speaker 2: It's very fun.

1790
01:17:32,680 --> 01:17:33,360
Speaker 3: Where'd you guys go?

1791
01:17:34,320 --> 01:17:36,840
Speaker 9: H just the Lower East Side, kicked it all over

1792
01:17:36,880 --> 01:17:38,840
Speaker 9: the place to do a couple of nice dinners a

1793
01:17:39,200 --> 01:17:42,080
Speaker 9: day drinking Saturday with some friends. But he did tell

1794
01:17:42,120 --> 01:17:44,639
Speaker 9: me something cool. My brothers started. My brother played lacrosse

1795
01:17:44,640 --> 01:17:48,000
Speaker 9: in college, but he's now coaching. Howard has a lacrosse team.

1796
01:17:48,200 --> 01:17:48,760
Speaker 2: My brother's in.

1797
01:17:48,800 --> 01:17:53,720
Speaker 9: DC and it's the NCL league. It's like, uh, it's

1798
01:17:53,800 --> 01:17:57,160
Speaker 9: for the HBCUs, but it's like this National Color League

1799
01:17:57,920 --> 01:18:00,280
Speaker 9: and I don't think they call it that, but sure,

1800
01:18:00,600 --> 01:18:04,719
Speaker 9: uh and Rory thinks the end doesn't stand for national,

1801
01:18:05,320 --> 01:18:10,320
Speaker 9: but my brothers the Naggert Colored League.

1802
01:18:13,040 --> 01:18:14,920
Speaker 3: It's like, way too descriptive. You didn't need all those

1803
01:18:14,920 --> 01:18:18,599
Speaker 3: adjectives or now a sick.

1804
01:18:18,760 --> 01:18:20,240
Speaker 1: To go to Howard and play lacrosse. Let me just

1805
01:18:20,280 --> 01:18:20,720
Speaker 1: put that out.

1806
01:18:21,120 --> 01:18:25,160
Speaker 2: Yeah, yeah, I play lacrosse.

1807
01:18:25,439 --> 01:18:29,000
Speaker 3: E didn't you go like a Navy academy or some ship?

1808
01:18:29,040 --> 01:18:32,280
Speaker 1: I forgot how but yeah, it was it was cool.

1809
01:18:32,880 --> 01:18:33,599
Speaker 2: They they're there.

1810
01:18:33,680 --> 01:18:36,720
Speaker 9: It's kind of whack. There's like one team in South

1811
01:18:36,760 --> 01:18:40,240
Speaker 9: Carolina is in the league. Somehow it's South Carolina because

1812
01:18:40,240 --> 01:18:44,040
Speaker 9: it's not an HPCU like South Carolina.

1813
01:18:44,360 --> 01:18:46,400
Speaker 3: Wait, well, I guess I'll ask the obvious question, why

1814
01:18:46,400 --> 01:18:48,320
Speaker 3: can't they play in the n C Double.

1815
01:18:48,360 --> 01:18:52,200
Speaker 9: Because it's not fair because they're pulling from uh different

1816
01:18:52,640 --> 01:18:56,880
Speaker 9: resources and it's a much larger school, and it just

1817
01:18:57,040 --> 01:18:59,000
Speaker 9: it just doesn't make sense to me. And of course

1818
01:18:59,040 --> 01:19:01,280
Speaker 9: they're the best team in the players. Of course there

1819
01:19:01,280 --> 01:19:03,519
Speaker 9: the mostly white team, and it just it just optically

1820
01:19:03,560 --> 01:19:06,240
Speaker 9: looks weird. But it's like all the other schools are

1821
01:19:06,320 --> 01:19:08,320
Speaker 9: h pc US and then there're South all the white.

1822
01:19:08,160 --> 01:19:11,280
Speaker 5: Kids that decided to go to the great Howard University

1823
01:19:11,920 --> 01:19:13,519
Speaker 5: decided like, we're going to play lacrosse.

1824
01:19:13,720 --> 01:19:15,719
Speaker 2: No, they're black. A lot of the team's black.

1825
01:19:16,360 --> 01:19:18,599
Speaker 1: They have a black lacrosse team Howard.

1826
01:19:18,680 --> 01:19:19,920
Speaker 7: Yeah, black people play lacrosse.

1827
01:19:19,920 --> 01:19:22,040
Speaker 2: I play lacrosse. That's not saying much.

1828
01:19:22,360 --> 01:19:26,280
Speaker 3: That's not Yeah, that's not it's not an abundance.

1829
01:19:26,280 --> 01:19:28,760
Speaker 2: But yes, black, this is the n CL. It's all

1830
01:19:28,880 --> 01:19:30,360
Speaker 2: black people. It's it's dope.

1831
01:19:30,479 --> 01:19:32,639
Speaker 1: But there's one black kid and everybody else had an helmet.

1832
01:19:32,680 --> 01:19:33,280
Speaker 1: Stop playing with me.

1833
01:19:34,760 --> 01:19:39,439
Speaker 2: They don't from not playing with except for the North

1834
01:19:39,520 --> 01:19:40,360
Speaker 2: South Carolina kid.

1835
01:19:42,400 --> 01:19:45,120
Speaker 1: Well, listen, man, shout out to all the brothers. Khalil Anderson,

1836
01:19:45,120 --> 01:19:47,439
Speaker 1: Shout out to my man, Khalil Anderson, Right, dude, that's

1837
01:19:47,479 --> 01:19:50,800
Speaker 1: your guy. That's my guy. Khalil shout out, Kalise to.

1838
01:19:50,800 --> 01:19:53,759
Speaker 2: The Howard lacrosse team. Funck South Carolina.

1839
01:19:54,280 --> 01:19:58,200
Speaker 3: But like Morgan State is in Maryland, everybody plays lacrosse

1840
01:19:58,240 --> 01:20:00,519
Speaker 3: in Maryland. I'm sure this could to come like a

1841
01:20:00,560 --> 01:20:00,920
Speaker 3: real leak.

1842
01:20:01,320 --> 01:20:02,400
Speaker 2: I hope it pops off.

1843
01:20:02,520 --> 01:20:05,000
Speaker 3: Yeah, speaking of sports, you guys watched the fight.

1844
01:20:06,000 --> 01:20:06,639
Speaker 2: Watch the fight.

1845
01:20:07,280 --> 01:20:09,080
Speaker 5: Thank you Ryan Garcia. He won me a lot of

1846
01:20:09,120 --> 01:20:12,439
Speaker 5: money on FanDuel put some money down on him. Put

1847
01:20:12,479 --> 01:20:14,720
Speaker 5: one hundred dollars down. You won two thousand. I'm not

1848
01:20:14,760 --> 01:20:16,919
Speaker 5: gonna tell you how much I won for tax purposes.

1849
01:20:17,640 --> 01:20:20,320
Speaker 1: Everybody was like, you're crazy, put a few hundreds down.

1850
01:20:21,040 --> 01:20:22,040
Speaker 1: I was like, yo, I don't.

1851
01:20:22,120 --> 01:20:25,439
Speaker 5: I never felt like Devin Haney was a threat to

1852
01:20:25,520 --> 01:20:28,040
Speaker 5: Ryan Garcia. I know the optics that Ryan Garcia.

1853
01:20:28,120 --> 01:20:31,760
Speaker 1: Creative leading up to it. He's crazy, he's losing his mind.

1854
01:20:31,880 --> 01:20:33,200
Speaker 1: He's not taking the fight serious.

1855
01:20:33,640 --> 01:20:35,679
Speaker 5: At the wigh and he chucked the beer on the scale,

1856
01:20:36,280 --> 01:20:39,800
Speaker 5: essentially putting him three pounds over so, which means the belt.

1857
01:20:39,880 --> 01:20:42,800
Speaker 5: He didn't win the belt because if you're overweight, you

1858
01:20:42,880 --> 01:20:43,599
Speaker 5: can't win the belt.

1859
01:20:43,640 --> 01:20:44,040
Speaker 1: If you win.

1860
01:20:44,760 --> 01:20:46,680
Speaker 5: He didn't care about the belt. He just knew that

1861
01:20:46,760 --> 01:20:49,240
Speaker 5: he could beat Devin Haney. He wanted to show that

1862
01:20:49,360 --> 01:20:51,760
Speaker 5: I'm not even taking this fight serious, or which I think,

1863
01:20:51,880 --> 01:20:54,360
Speaker 5: I'm not taking it serious, and I'm gonna go in

1864
01:20:54,439 --> 01:20:57,200
Speaker 5: here and beat the shit out of Devin Haney. So

1865
01:20:57,240 --> 01:21:00,800
Speaker 5: shout out to Ryan Garcia and shot Devin handy because

1866
01:21:00,840 --> 01:21:02,360
Speaker 5: the one thing I did respect about him in this fight,

1867
01:21:02,479 --> 01:21:03,559
Speaker 5: he didn't think.

1868
01:21:03,520 --> 01:21:06,880
Speaker 3: He got he went the distance, like this was one

1869
01:21:06,920 --> 01:21:08,200
Speaker 3: of the toughest fights I've seen you.

1870
01:21:08,360 --> 01:21:10,960
Speaker 2: Knocked down three times and got back up immediately, and.

1871
01:21:11,000 --> 01:21:13,920
Speaker 3: Not only was getting up, was still fighting like it

1872
01:21:14,040 --> 01:21:16,080
Speaker 3: looked like he could put Garcia down a few times

1873
01:21:16,120 --> 01:21:17,560
Speaker 3: after he had been put down. This was some of

1874
01:21:17,560 --> 01:21:19,960
Speaker 3: the toughest shit I've ever seen both these generen and

1875
01:21:20,880 --> 01:21:24,080
Speaker 3: to fight. Respect to the referee, yeah, and that go.

1876
01:21:24,320 --> 01:21:27,160
Speaker 5: He could have stopped the fight, but most refs understand

1877
01:21:27,720 --> 01:21:30,400
Speaker 5: the champion. You let the champion go out on his

1878
01:21:30,479 --> 01:21:34,120
Speaker 5: own mare if it looks like he's not seriously hurt

1879
01:21:34,200 --> 01:21:36,880
Speaker 5: and can stand and can walk. So the ref did

1880
01:21:36,920 --> 01:21:40,600
Speaker 5: a great job at gauging that. But shout out to

1881
01:21:40,680 --> 01:21:45,400
Speaker 5: Ryan Garcia and I hope that he focuses a little more.

1882
01:21:45,400 --> 01:21:48,400
Speaker 5: I understand the optics that he's, you know, trying to

1883
01:21:48,439 --> 01:21:51,439
Speaker 5: put out there that he's the crazy guy. It's great marketing,

1884
01:21:51,640 --> 01:21:53,400
Speaker 5: especially when you go in the ring and perform the

1885
01:21:53,439 --> 01:21:55,720
Speaker 5: way he did. Now, if he got his ass kicked,

1886
01:21:55,760 --> 01:21:57,040
Speaker 5: that's when they would be like, see, this is why

1887
01:21:57,120 --> 01:21:59,719
Speaker 5: you need to be fucking focusing and not drinking bim

1888
01:22:00,080 --> 01:22:00,519
Speaker 5: at the weigh in.

1889
01:22:00,640 --> 01:22:03,719
Speaker 1: But yeah, he went there. Despite all of that handle business.

1890
01:22:04,920 --> 01:22:06,800
Speaker 5: I still don't think either one of these gent well

1891
01:22:06,920 --> 01:22:09,080
Speaker 5: obviously not Devi Hainty, but I still don't think Ryan

1892
01:22:09,120 --> 01:22:14,160
Speaker 5: Garcia should step into the ring with Tank yet though, all.

1893
01:22:14,120 --> 01:22:15,960
Speaker 3: Right to move the goalposts more because this is similar

1894
01:22:16,000 --> 01:22:18,839
Speaker 3: to the rat battleshit now. When it comes to marketing

1895
01:22:19,080 --> 01:22:22,840
Speaker 3: a boxing fight, as we know, anything goes, everything's on

1896
01:22:22,880 --> 01:22:24,599
Speaker 3: the table when it comes to the trolling and marketing

1897
01:22:24,640 --> 01:22:27,840
Speaker 3: before a fight. I think it's a little cheap and

1898
01:22:28,000 --> 01:22:31,800
Speaker 3: nasty that Ryan Garcia has been using the red pill

1899
01:22:33,160 --> 01:22:36,560
Speaker 3: kids are being touched by Hollywood narrative to get the

1900
01:22:36,640 --> 01:22:39,040
Speaker 3: red pill community on its side. He's the red pill

1901
01:22:39,080 --> 01:22:41,880
Speaker 3: ali now, but don't tell me you went to a

1902
01:22:41,920 --> 01:22:44,160
Speaker 3: compound so a bunch of kids get touched and now

1903
01:22:44,200 --> 01:22:45,439
Speaker 3: you can't even tell us where it's at.

1904
01:22:46,160 --> 01:22:46,519
Speaker 4: Or who was.

1905
01:22:46,600 --> 01:22:49,680
Speaker 3: Like if I think that type of shit happens. We

1906
01:22:49,720 --> 01:22:52,760
Speaker 3: had that conversation about Ryan Garcia. I think what he's saying,

1907
01:22:52,800 --> 01:22:55,280
Speaker 3: I do think it happens, but I think you're taking

1908
01:22:55,320 --> 01:22:58,759
Speaker 3: advantage of that, and what you're doing is lying about

1909
01:22:58,800 --> 01:23:01,920
Speaker 3: something that's very serious. Yeah, I think that trolling is,

1910
01:23:02,360 --> 01:23:05,280
Speaker 3: in my opinion, a little too far with his red

1911
01:23:05,320 --> 01:23:09,519
Speaker 3: pil marketing shit. But he's clearly an amazing fighter either way.

1912
01:23:10,120 --> 01:23:10,240
Speaker 12: Uh.

1913
01:23:10,520 --> 01:23:12,280
Speaker 5: He went in there and did what he had to do,

1914
01:23:13,280 --> 01:23:17,559
Speaker 5: and obviously he is the the guy in that class

1915
01:23:17,600 --> 01:23:21,200
Speaker 5: right now, obviously taking still number one, but Ryan Garcia

1916
01:23:21,360 --> 01:23:24,200
Speaker 5: is definitely one of the fighters, the young fighters.

1917
01:23:23,960 --> 01:23:26,559
Speaker 1: Now that all of these other fighters have to take

1918
01:23:26,600 --> 01:23:27,360
Speaker 1: serious because.

1919
01:23:27,120 --> 01:23:30,360
Speaker 5: That performance he put on against Devin Haney was every

1920
01:23:30,439 --> 01:23:32,800
Speaker 5: boxer looked at that and was like, oh, no, he

1921
01:23:32,880 --> 01:23:33,599
Speaker 5: can he can.

1922
01:23:33,560 --> 01:23:37,240
Speaker 3: Fight jo watching any of the undercardon yeah.

1923
01:23:37,479 --> 01:23:40,120
Speaker 1: Now, I was watching all the playoff games the Knicks

1924
01:23:40,160 --> 01:23:42,240
Speaker 1: were playing, well, shout out to the Knicks.

1925
01:23:42,520 --> 01:23:45,880
Speaker 3: We just can't we can't skip over some Irish racism.

1926
01:23:46,720 --> 01:23:49,880
Speaker 3: My got my got Macomb was clearly fucking robbed. He

1927
01:23:49,960 --> 01:23:53,400
Speaker 3: was supposed to get his ass whooped and clearly fucking won.

1928
01:23:53,720 --> 01:23:57,040
Speaker 3: Also had the Palestine flag on his trunks and to

1929
01:23:57,120 --> 01:24:00,640
Speaker 3: that lost it like that was that's the type of

1930
01:24:00,680 --> 01:24:04,439
Speaker 3: ship that is taking boxing fans away from boxing. Like

1931
01:24:04,520 --> 01:24:06,639
Speaker 3: it's a slap in the face of like how much

1932
01:24:06,760 --> 01:24:07,679
Speaker 3: this is bullshit?

1933
01:24:07,720 --> 01:24:10,920
Speaker 1: Well now you know why he lost. Yeah, the Palestine Trump's.

1934
01:24:10,560 --> 01:24:14,800
Speaker 3: Song true, But I mean that was like he's getting

1935
01:24:14,880 --> 01:24:19,880
Speaker 3: up there, he's thirty four fivet like this was around

1936
01:24:19,920 --> 01:24:23,240
Speaker 3: his last shot and he clearly beat someone superior. Then

1937
01:24:23,320 --> 01:24:26,360
Speaker 3: he was supposed to lose that shit and not even

1938
01:24:26,400 --> 01:24:27,080
Speaker 3: split decisions.

1939
01:24:27,080 --> 01:24:28,439
Speaker 1: So that was bullshit.

1940
01:24:28,479 --> 01:24:30,160
Speaker 3: And that's why a lot of people don't watch boxing

1941
01:24:30,160 --> 01:24:32,559
Speaker 3: anymore because y'all are laughing in our face of how

1942
01:24:32,640 --> 01:24:33,200
Speaker 3: rigid the shit is.

1943
01:24:33,280 --> 01:24:35,120
Speaker 5: But that's why I was nervous about putting that money

1944
01:24:35,160 --> 01:24:37,680
Speaker 5: on Ryan, because I was like, they're not gonna let

1945
01:24:37,720 --> 01:24:37,920
Speaker 5: him win.

1946
01:24:37,920 --> 01:24:38,840
Speaker 1: They're not gonna let him win.

1947
01:24:39,080 --> 01:24:40,559
Speaker 5: H And I didn't think he was gonna knock Devin

1948
01:24:40,600 --> 01:24:43,639
Speaker 5: Hainey out, So like, if this goes to the cards,

1949
01:24:45,320 --> 01:24:46,840
Speaker 5: you know what I'm saying, Like, they're gonna, they're gonna,

1950
01:24:46,880 --> 01:24:50,400
Speaker 5: They're not gonna let him win. But once I saw

1951
01:24:50,439 --> 01:24:52,040
Speaker 5: the first knockdown and then he did some dumb shit

1952
01:24:52,120 --> 01:24:54,080
Speaker 5: and lost the point, I was like, all right, yeah,

1953
01:24:54,520 --> 01:24:57,240
Speaker 5: I was like, he's That's that's part of the maturity

1954
01:24:57,400 --> 01:25:00,240
Speaker 5: risk that you take. That's the risal take. But that's

1955
01:25:00,520 --> 01:25:02,479
Speaker 5: Ryan Garci just needs that. He's still young, but he

1956
01:25:02,560 --> 01:25:05,880
Speaker 5: needs to mature. He needs to, you know, folks to him.

1957
01:25:05,880 --> 01:25:06,960
Speaker 5: I know he wants to be a show him and

1958
01:25:07,040 --> 01:25:10,760
Speaker 5: cel tickets and sell his fights, but just pull back

1959
01:25:10,800 --> 01:25:12,840
Speaker 5: on that a little bit and focus more on just

1960
01:25:13,400 --> 01:25:16,920
Speaker 5: doing what you're doing. But great fight. I do believe

1961
01:25:16,920 --> 01:25:20,360
Speaker 5: they'll fight again. I think they almost have to rematch it. Yeah,

1962
01:25:21,360 --> 01:25:23,080
Speaker 5: so we'll wait to see when that's announced.

1963
01:25:24,080 --> 01:25:24,960
Speaker 1: But shout out to the Knicks.

1964
01:25:25,000 --> 01:25:27,800
Speaker 5: Knicks won game one of their playoffs series versus the

1965
01:25:27,920 --> 01:25:30,439
Speaker 5: seventy six Ers, so shout out to them.

1966
01:25:30,439 --> 01:25:33,680
Speaker 1: Shout out to Jalen Brunson for uh, he's my he's

1967
01:25:33,720 --> 01:25:34,240
Speaker 1: my vote.

1968
01:25:34,080 --> 01:25:37,920
Speaker 5: For League MVP this year, and yeah, shout out to

1969
01:25:38,280 --> 01:25:40,800
Speaker 5: him for having the Knicks one game up against the

1970
01:25:40,840 --> 01:25:41,479
Speaker 5: seventy sixers.

1971
01:25:41,560 --> 01:25:43,320
Speaker 1: That doesn't mean that the series is over. The Sixers

1972
01:25:43,360 --> 01:25:46,080
Speaker 1: are still a very tough opponent, but it's.

1973
01:25:45,920 --> 01:25:49,240
Speaker 5: Always good to get that first win at home and

1974
01:25:49,400 --> 01:25:52,120
Speaker 5: kind of like, you know, get some of those butterflies

1975
01:25:52,280 --> 01:25:54,360
Speaker 5: out of the way and now they can really focus

1976
01:25:54,439 --> 01:25:56,439
Speaker 5: on Game two, which is tonight. If you're listening to

1977
01:25:56,560 --> 01:25:59,120
Speaker 5: this Tuesday, when this comes out, we will know what

1978
01:25:59,200 --> 01:26:01,639
Speaker 5: the outcome is by now. But shout out to the Knicks.

1979
01:26:01,840 --> 01:26:02,519
Speaker 3: Shout out to heart.

1980
01:26:02,720 --> 01:26:05,040
Speaker 2: Josh Hart went off to save that game.

1981
01:26:05,120 --> 01:26:07,679
Speaker 1: Shout out to Josh. Shout out to Julius. He's home.

1982
01:26:07,720 --> 01:26:09,320
Speaker 1: He had surgery on his shoulder.

1983
01:26:09,840 --> 01:26:13,280
Speaker 5: He's recovering, So shout out to my God, Julius, get

1984
01:26:13,360 --> 01:26:17,960
Speaker 5: well soon, get healthy this summer, get back right, because

1985
01:26:18,280 --> 01:26:20,600
Speaker 5: you're definitely gonna The Knicks is definitely gonna need you

1986
01:26:20,680 --> 01:26:21,599
Speaker 5: next season, no matter.

1987
01:26:21,439 --> 01:26:23,920
Speaker 1: How far they go this year. But they look good.

1988
01:26:24,160 --> 01:26:25,080
Speaker 1: So shout out to the Knicks.

1989
01:26:25,200 --> 01:26:27,479
Speaker 2: I went to uh last night. I was well.

1990
01:26:27,600 --> 01:26:30,160
Speaker 9: Yesterday I went to the Rangers. Rangers are in the playoffs.

1991
01:26:30,160 --> 01:26:31,360
Speaker 9: Do you guys know the Rangers are the best team

1992
01:26:31,360 --> 01:26:33,280
Speaker 9: in hockey. I did not even close like they are.

1993
01:26:33,600 --> 01:26:36,800
Speaker 9: They're the favorite to win the Cup. They're playing the Capitals.

1994
01:26:36,960 --> 01:26:40,799
Speaker 9: So a friend of mine, David, who works over at Administet,

1995
01:26:40,800 --> 01:26:41,400
Speaker 9: shout out to him.

1996
01:26:41,439 --> 01:26:43,400
Speaker 2: Through my friend of mine, me a couple of tickets

1997
01:26:43,640 --> 01:26:44,880
Speaker 2: and it was dope.

1998
01:26:44,880 --> 01:26:47,840
Speaker 9: Did the whole like Delta Food experience ship and then

1999
01:26:47,960 --> 01:26:49,200
Speaker 9: watch them put on a clinic.

2000
01:26:49,280 --> 01:26:51,800
Speaker 2: It was four to one. They just scored two goals

2001
01:26:51,880 --> 01:26:54,479
Speaker 2: in like twenty seconds. It was a very very fun game.

2002
01:26:54,640 --> 01:26:56,560
Speaker 1: Shout out to the Rangers. Shout out to the to

2003
01:26:56,640 --> 01:26:59,200
Speaker 1: the Lakers. They lost, but let me.

2004
01:27:01,840 --> 01:27:03,920
Speaker 2: I hope they get swept again and I'm tired of that.

2005
01:27:04,000 --> 01:27:09,000
Speaker 5: Watch this energy. I just congratulated your team. I like

2006
01:27:09,080 --> 01:27:11,080
Speaker 5: the Knicks because my god plays with the Knicks. I'm

2007
01:27:11,080 --> 01:27:12,720
Speaker 5: not a Nick fan. I like the Knicks, but I

2008
01:27:12,800 --> 01:27:14,120
Speaker 5: also like to see the Knicks in the players. I

2009
01:27:14,160 --> 01:27:16,600
Speaker 5: think it makes basketball more interesting when the Knicks are

2010
01:27:16,680 --> 01:27:19,000
Speaker 5: in the playoffs. I'm a Lakers fan, so shout out

2011
01:27:19,040 --> 01:27:21,880
Speaker 5: to my Lakers. We're down oh one. I'll be honest,

2012
01:27:21,920 --> 01:27:22,920
Speaker 5: I think we're gonna get swept.

2013
01:27:23,000 --> 01:27:23,600
Speaker 4: It is what it is.

2014
01:27:23,760 --> 01:27:26,000
Speaker 1: I don't think that anybody can beat the Never Nuggets

2015
01:27:26,040 --> 01:27:31,840
Speaker 1: outside of maybe Boston. But yeah, shout out to the Lakers.

2016
01:27:32,400 --> 01:27:33,720
Speaker 1: Cool do it?

2017
01:27:33,800 --> 01:27:34,200
Speaker 3: Voicemail?

2018
01:27:35,080 --> 01:27:40,400
Speaker 2: Oh yeah, we do. Okay, let me see. I don't

2019
01:27:40,400 --> 01:27:41,760
Speaker 2: really have a note for this one, but I know

2020
01:27:41,880 --> 01:27:43,679
Speaker 2: it's good because I marked it, so it's good.

2021
01:27:43,720 --> 01:27:43,960
Speaker 1: Into it.

2022
01:27:44,920 --> 01:27:48,280
Speaker 10: Rory Maul, Julian Demaris, what's up, pod? I love what

2023
01:27:48,400 --> 01:27:49,120
Speaker 10: y'all got going on.

2024
01:27:49,439 --> 01:27:49,920
Speaker 8: Keep it up.

2025
01:27:50,040 --> 01:27:52,240
Speaker 10: The show's great. It just keeps getting better and better.

2026
01:27:53,400 --> 01:27:56,479
Speaker 10: My name is Kevin from the Bronx. Was going on, bro,

2027
01:27:56,560 --> 01:28:01,120
Speaker 10: it's good. I'm right by one seven knows exactly what

2028
01:28:01,200 --> 01:28:04,599
Speaker 10: I'm talking about. Yeah, the block and Wendy's right there,

2029
01:28:04,680 --> 01:28:09,360
Speaker 10: right right the block of the four linet Kingsbridge in

2030
01:28:09,479 --> 01:28:15,720
Speaker 10: like fifteen minutes, easy all. So question, what's your best.

2031
01:28:15,720 --> 01:28:16,599
Speaker 1: Hip hop duo?

2032
01:28:16,800 --> 01:28:17,439
Speaker 2: Of all time.

2033
01:28:18,520 --> 01:28:21,000
Speaker 8: So like, think about it w w E style. Think

2034
01:28:21,040 --> 01:28:24,800
Speaker 8: about it a fatal four way tag team match. So

2035
01:28:25,040 --> 01:28:28,720
Speaker 8: it's it's four different tag teams, you.

2036
01:28:28,760 --> 01:28:36,080
Speaker 10: Know, taking for example, HOV and Kanye, Drake, Rick Ross, Future,

2037
01:28:36,240 --> 01:28:37,320
Speaker 10: and somebody.

2038
01:28:37,640 --> 01:28:43,640
Speaker 8: Who Your top top three or top four duos of

2039
01:28:43,720 --> 01:28:44,760
Speaker 8: all time be hip hop?

2040
01:28:46,120 --> 01:28:51,800
Speaker 10: Mine, personally, my favorite hip hop duo of all time is.

2041
01:28:54,520 --> 01:28:55,280
Speaker 8: Drake and.

2042
01:28:57,160 --> 01:28:57,760
Speaker 4: Oh Man.

2043
01:28:57,880 --> 01:28:58,479
Speaker 1: This is tough.

2044
01:28:59,479 --> 01:29:01,320
Speaker 2: Probably Drake and Rick Ross.

2045
01:29:01,600 --> 01:29:04,760
Speaker 3: Figuring out in real time thought about this question.

2046
01:29:07,120 --> 01:29:07,880
Speaker 12: I gotta go with that.

2047
01:29:08,320 --> 01:29:09,120
Speaker 2: What do you guys think?

2048
01:29:09,640 --> 01:29:10,840
Speaker 1: I love the pop keep it up.

2049
01:29:11,920 --> 01:29:13,160
Speaker 3: You guys know, I always have to ruin it and

2050
01:29:13,240 --> 01:29:13,880
Speaker 3: ask the rules.

2051
01:29:14,000 --> 01:29:14,320
Speaker 2: Here we go.

2052
01:29:14,520 --> 01:29:19,880
Speaker 3: Does this mean also duos like duos that are solo artists?

2053
01:29:20,800 --> 01:29:21,759
Speaker 1: Yeah, it's not a group.

2054
01:29:21,720 --> 01:29:26,680
Speaker 3: Beaucast right, No, he's just saying people that have collabed.

2055
01:29:26,720 --> 01:29:30,040
Speaker 9: Artists also not So we were eliminating outcasts doesn't count,

2056
01:29:30,600 --> 01:29:31,599
Speaker 9: not group clips doesn't.

2057
01:29:31,680 --> 01:29:32,960
Speaker 3: That's what I think he was trying to get out.

2058
01:29:32,960 --> 01:29:35,200
Speaker 5: I think the solo artists that have collapsed together and

2059
01:29:35,320 --> 01:29:36,439
Speaker 5: made multiple records.

2060
01:29:36,479 --> 01:29:37,479
Speaker 2: Okay, cool, got you?

2061
01:29:37,800 --> 01:29:39,120
Speaker 1: Obviously Drake and Ross is no.

2062
01:29:39,240 --> 01:29:43,000
Speaker 2: One. Yeah, that's pretty high on my list. Kanye and

2063
01:29:43,160 --> 01:29:45,080
Speaker 2: jay I mean that would be the closest.

2064
01:29:46,160 --> 01:29:49,080
Speaker 1: It's just that Drake and Ross have more records together, I.

2065
01:29:49,120 --> 01:29:51,880
Speaker 3: Think than the one watching the Throat because if you

2066
01:29:52,040 --> 01:29:54,360
Speaker 3: wash the throne, Actually, I don't know what I think.

2067
01:29:54,400 --> 01:29:56,720
Speaker 3: If you go through some of the stuff that's been

2068
01:29:56,800 --> 01:30:01,400
Speaker 3: on Kanye's solo albums, you have a good shot at

2069
01:30:01,479 --> 01:30:03,680
Speaker 3: Drake and Ross with Kanye and Jay.

2070
01:30:04,000 --> 01:30:06,120
Speaker 1: I was looking at Uh, I was looking at run

2071
01:30:06,160 --> 01:30:09,400
Speaker 1: this down of well, yeah, that's I was looking at

2072
01:30:09,439 --> 01:30:11,200
Speaker 1: this list the other day of all the records that

2073
01:30:12,439 --> 01:30:13,599
Speaker 1: Drake and Ross have together.

2074
01:30:13,640 --> 01:30:14,439
Speaker 3: It's a classic album.

2075
01:30:14,479 --> 01:30:15,400
Speaker 1: No skips, it's a classic.

2076
01:30:16,080 --> 01:30:17,160
Speaker 3: It's not a single skip on that.

2077
01:30:17,280 --> 01:30:20,640
Speaker 1: Yeah, that's it's. That's it's it's it's tough to beat that.

2078
01:30:20,920 --> 01:30:24,320
Speaker 1: But yeah, Jay, Jay and Kanye obviously will be there.

2079
01:30:25,600 --> 01:30:28,960
Speaker 3: Na's an as don't have the biggest records together, but

2080
01:30:29,160 --> 01:30:31,800
Speaker 3: if you look through like the eight that they have good,

2081
01:30:32,000 --> 01:30:33,920
Speaker 3: really good records is definitely there.

2082
01:30:33,960 --> 01:30:35,000
Speaker 1: They really well together.

2083
01:30:36,280 --> 01:30:38,599
Speaker 3: Trying to think, I guess Blackstar wouldn't count because they

2084
01:30:38,600 --> 01:30:42,360
Speaker 3: are officially a group two even though they're solo. Uh,

2085
01:30:42,800 --> 01:30:45,559
Speaker 3: Drake and Wayne, Yeah, I'm kind of up there.

2086
01:30:47,040 --> 01:30:51,439
Speaker 9: Ship Drake in future Dragan twenty one Savage Nellie TOI McGraw.

2087
01:30:52,200 --> 01:30:55,000
Speaker 3: Yeah, that's all in my head. It's a great song,

2088
01:30:55,000 --> 01:30:58,360
Speaker 3: it's a great, great fucking record. But there's only like

2089
01:30:58,400 --> 01:31:01,639
Speaker 3: a handful of bigger artists that do that type of stuff.

2090
01:31:03,400 --> 01:31:06,080
Speaker 3: I'm trying to think, what about the kids like MGK

2091
01:31:06,280 --> 01:31:09,040
Speaker 3: and Trippy Red? Is that that watched The Throne?

2092
01:31:09,520 --> 01:31:10,200
Speaker 1: I don't want to watch it.

2093
01:31:10,479 --> 01:31:11,800
Speaker 3: I heard that I was actually not too bad. I

2094
01:31:11,800 --> 01:31:13,120
Speaker 3: don't want shot on them because I heard it was.

2095
01:31:13,240 --> 01:31:15,200
Speaker 1: It was all right one day. Y'all can give MGK

2096
01:31:15,320 --> 01:31:18,360
Speaker 1: credit against that. In that battle with Eminem, he won

2097
01:31:18,600 --> 01:31:22,120
Speaker 1: one day. Do people say that? I feel like people

2098
01:31:22,160 --> 01:31:22,960
Speaker 1: don't say that at all.

2099
01:31:23,160 --> 01:31:25,680
Speaker 3: Well, Eminem fans, I'm sure I don't, but it's a

2100
01:31:25,720 --> 01:31:29,120
Speaker 3: lot of fans, probably the most, but not I think

2101
01:31:29,240 --> 01:31:31,800
Speaker 3: the rap community as a whole believes that MGK one

2102
01:31:32,080 --> 01:31:36,560
Speaker 3: for sure. Okay, trying to get other other examples.

2103
01:31:36,200 --> 01:31:38,320
Speaker 9: For you, I'm trying to think of more recent I mean,

2104
01:31:38,720 --> 01:31:40,960
Speaker 9: Bos and Cole always put together a nice record.

2105
01:31:41,160 --> 01:31:41,800
Speaker 1: We're not doing that.

2106
01:31:42,640 --> 01:31:44,960
Speaker 2: I know You're not nowhere, not I am not you.

2107
01:31:45,880 --> 01:31:49,040
Speaker 7: Kendrick and Baby Kane, stop it.

2108
01:31:51,000 --> 01:31:56,839
Speaker 3: Coleen, just start cleaning up at Baby Keenan Kendrick.

2109
01:31:57,280 --> 01:32:00,559
Speaker 9: My nigga just made Bail, the Jackie Passport Bros. Tribe,

2110
01:32:00,760 --> 01:32:05,760
Speaker 9: the Stealth Mode record. That's you're allmatic that I'm saying.

2111
01:32:05,760 --> 01:32:07,320
Speaker 9: They have a lot of sot. Like if we're talking

2112
01:32:07,439 --> 01:32:07,880
Speaker 9: volume and.

2113
01:32:07,920 --> 01:32:11,320
Speaker 1: Let me explain something to you, I'm gonna go down swinging.

2114
01:32:11,400 --> 01:32:12,240
Speaker 1: And I love that about it.

2115
01:32:12,320 --> 01:32:14,160
Speaker 2: Not even if we're not talking about greats of all time.

2116
01:32:14,160 --> 01:32:16,479
Speaker 2: We're talking about artists and collaborate J Cris Brown.

2117
01:32:16,479 --> 01:32:18,799
Speaker 1: I know what you're saying, but let me just assure

2118
01:32:18,800 --> 01:32:20,160
Speaker 1: you something things have.

2119
01:32:20,320 --> 01:32:22,960
Speaker 2: Changed that has nothing to do with this conversation.

2120
01:32:23,120 --> 01:32:25,040
Speaker 1: It has things have changed, No, it doesn't. When it

2121
01:32:25,080 --> 01:32:27,200
Speaker 1: comes to that, gentleman things, I actually don't think.

2122
01:32:27,280 --> 01:32:28,800
Speaker 7: I think things change back.

2123
01:32:28,920 --> 01:32:31,880
Speaker 6: Actually, I think a lot of people feel the same

2124
01:32:31,960 --> 01:32:35,120
Speaker 6: way that Rory feels. As far as how do I

2125
01:32:35,320 --> 01:32:38,479
Speaker 6: understand why this nigga pulled out now like he needs to, Like, yeah,

2126
01:32:38,640 --> 01:32:39,120
Speaker 6: he should have.

2127
01:32:39,360 --> 01:32:42,439
Speaker 3: Still stand on you can't put a record out and

2128
01:32:42,920 --> 01:32:44,920
Speaker 3: then come back and apologize. I still stand on that

2129
01:32:45,040 --> 01:32:47,439
Speaker 3: being crazy. Oh yeah, and he has an astra crazy

2130
01:32:47,479 --> 01:32:50,519
Speaker 3: no matter what the human side of me that's adding

2131
01:32:50,600 --> 01:32:52,960
Speaker 3: things up my head with information that I don't even

2132
01:32:52,960 --> 01:32:53,360
Speaker 3: know is true.

2133
01:32:53,400 --> 01:32:53,560
Speaker 1: Or not.

2134
01:32:54,200 --> 01:32:58,120
Speaker 3: I can see why Cole would be like, no, I'm cool,

2135
01:32:58,479 --> 01:33:00,880
Speaker 3: I sit on stage. It's from I mean when I

2136
01:33:01,000 --> 01:33:04,160
Speaker 3: was moving fucking crazy ten years ago. Don't need this energy.

2137
01:33:04,520 --> 01:33:05,680
Speaker 3: Fuck y'all remember.

2138
01:33:05,439 --> 01:33:09,080
Speaker 1: When did you? But he just said he felt like

2139
01:33:09,200 --> 01:33:09,920
Speaker 1: Muhammad Ali.

2140
01:33:11,080 --> 01:33:13,479
Speaker 3: That's why the asterisk is there. But I'm gonna give

2141
01:33:13,520 --> 01:33:16,439
Speaker 3: I've been he's job objective with every all three of these.

2142
01:33:16,560 --> 01:33:19,760
Speaker 1: Cools, saying he will bust anybody's ass for you, and

2143
01:33:19,920 --> 01:33:20,880
Speaker 1: I still listen.

2144
01:33:20,960 --> 01:33:23,639
Speaker 5: This is for years, that's been his thing. Yeah, saying that, Yes,

2145
01:33:24,000 --> 01:33:26,599
Speaker 5: but that does not change because you like, I don't

2146
01:33:26,600 --> 01:33:26,920
Speaker 5: want no.

2147
01:33:26,960 --> 01:33:27,320
Speaker 1: Part of that.

2148
01:33:27,680 --> 01:33:28,760
Speaker 3: It does when I look at my family.

2149
01:33:29,000 --> 01:33:32,400
Speaker 6: Yes, exactly, these niggas are about to get disrespect from

2150
01:33:32,439 --> 01:33:34,680
Speaker 6: this ship. That niggas is garant niggas is about to

2151
01:33:34,720 --> 01:33:37,080
Speaker 6: get and take it to a response.

2152
01:33:37,160 --> 01:33:39,000
Speaker 3: It could be a strict niggas.

2153
01:33:38,840 --> 01:33:40,920
Speaker 1: A battle rap all the time. That ship is that

2154
01:33:41,080 --> 01:33:42,840
Speaker 1: stays in the ring. Them niggas don't hate each other

2155
01:33:42,840 --> 01:33:43,360
Speaker 1: when they leave.

2156
01:33:44,280 --> 01:33:46,280
Speaker 5: If you said some sh items like this is gonna

2157
01:33:46,320 --> 01:33:48,600
Speaker 5: be like some thing that Jake Cole's and be like,

2158
01:33:48,640 --> 01:33:50,639
Speaker 5: oh my god, like I don't even like these guys.

2159
01:33:50,479 --> 01:33:52,599
Speaker 3: Feeling because I think Drake told him it was gonna

2160
01:33:52,600 --> 01:33:52,920
Speaker 3: go that way.

2161
01:33:53,400 --> 01:33:55,160
Speaker 1: Cut it out, man, cut it.

2162
01:33:55,280 --> 01:33:57,280
Speaker 3: It's still an asterisk. But I can't have some understanding.

2163
01:33:57,320 --> 01:33:59,799
Speaker 3: When I get more information, you can have more understandable.

2164
01:33:59,840 --> 01:34:00,240
Speaker 1: I'm saying this.

2165
01:34:00,320 --> 01:34:02,280
Speaker 5: People got to stop acting like what j Cole did

2166
01:34:02,439 --> 01:34:04,519
Speaker 5: was because oh he didn't want to get involved in

2167
01:34:04,600 --> 01:34:06,679
Speaker 5: this thing that's going to turn into something that's gonna

2168
01:34:06,680 --> 01:34:09,599
Speaker 5: be this negative thing that everybody's gonna start looking at.

2169
01:34:10,040 --> 01:34:14,080
Speaker 1: What what are you talking about? No, no, bro, this

2170
01:34:14,200 --> 01:34:14,479
Speaker 1: is rap.

2171
01:34:14,520 --> 01:34:16,800
Speaker 5: Didn't y'all just gonna rap, exchange some balls, say some

2172
01:34:16,920 --> 01:34:19,880
Speaker 5: things about each other. Once this is over, it's over,

2173
01:34:20,080 --> 01:34:21,559
Speaker 5: Like y'all can go back to being cool to make

2174
01:34:21,640 --> 01:34:23,800
Speaker 5: records again. Like this wasn't gonna be no big like

2175
01:34:24,280 --> 01:34:25,600
Speaker 5: and I feel like people are trying to put that

2176
01:34:25,760 --> 01:34:27,000
Speaker 5: energy on it. And that's why I'm looking at it

2177
01:34:27,080 --> 01:34:29,439
Speaker 5: like this was not that though. This was just dudes rapping,

2178
01:34:29,640 --> 01:34:31,679
Speaker 5: trying to prove out of the big three that you named.

2179
01:34:32,560 --> 01:34:34,160
Speaker 5: Where do we stand in that big three?

2180
01:34:34,880 --> 01:34:35,080
Speaker 1: Yeah?

2181
01:34:35,280 --> 01:34:35,599
Speaker 2: Simple?

2182
01:34:35,760 --> 01:34:36,920
Speaker 1: Like that's all?

2183
01:34:37,560 --> 01:34:40,360
Speaker 3: What about rappers and singers collapse?

2184
01:34:41,000 --> 01:34:43,280
Speaker 9: A couple more rap ones, Real Quick, Slim and B

2185
01:34:43,600 --> 01:34:46,479
Speaker 9: Chris Brown and Dog was of a good project to

2186
01:34:46,680 --> 01:34:49,920
Speaker 9: project and then Super Slimmy was Future and Young Doug

2187
01:34:50,000 --> 01:34:52,200
Speaker 9: That is still a project I play often.

2188
01:34:52,920 --> 01:34:56,599
Speaker 7: I'm putting Chris Brown and Tiger up there too, Stan

2189
01:34:56,720 --> 01:34:57,040
Speaker 7: of a fan.

2190
01:34:57,760 --> 01:35:00,599
Speaker 3: It's a great projects. Yeah, talking is Brown make great

2191
01:35:00,680 --> 01:35:01,160
Speaker 3: music together?

2192
01:35:01,360 --> 01:35:01,599
Speaker 2: Okay?

2193
01:35:01,680 --> 01:35:07,120
Speaker 7: Singers Mariah Carey in the Locks.

2194
01:35:07,800 --> 01:35:10,040
Speaker 3: They have how many records? I think two or three?

2195
01:35:10,680 --> 01:35:11,280
Speaker 7: Two or three?

2196
01:35:12,360 --> 01:35:12,519
Speaker 2: Oh?

2197
01:35:13,000 --> 01:35:16,320
Speaker 9: John Legend and Rick Ross. He sings his ass off

2198
01:35:16,360 --> 01:35:17,839
Speaker 9: on all those Mayback music records.

2199
01:35:20,880 --> 01:35:22,679
Speaker 3: Hove and Mary only have what three records?

2200
01:35:24,560 --> 01:35:25,400
Speaker 1: Yeah that's not enough.

2201
01:35:25,520 --> 01:35:29,240
Speaker 3: Yeah, that's definitely not Does.

2202
01:35:29,040 --> 01:35:29,560
Speaker 6: It have to be?

2203
01:35:29,640 --> 01:35:30,960
Speaker 7: It has to be both hip hop?

2204
01:35:31,200 --> 01:35:31,320
Speaker 1: Oh?

2205
01:35:31,439 --> 01:35:34,519
Speaker 2: Big Sean and j Yeah, Oh yeah, I like that

2206
01:35:34,600 --> 01:35:35,479
Speaker 2: twenty eight eight a lot.

2207
01:35:36,680 --> 01:35:40,000
Speaker 3: That's a great project pretty much, Rick Ross and any singer.

2208
01:35:40,920 --> 01:35:43,080
Speaker 3: It's weird that Ross is in all these dual conversations.

2209
01:35:46,640 --> 01:35:49,519
Speaker 3: Oh John ron Ashanti number one? Oh yeah, what are

2210
01:35:49,520 --> 01:35:50,080
Speaker 3: we talking about?

2211
01:35:50,560 --> 01:35:53,560
Speaker 2: I mean, just do Beyonce and Jay count they do?

2212
01:35:53,920 --> 01:35:54,360
Speaker 2: Oh yeah?

2213
01:35:54,479 --> 01:35:56,200
Speaker 7: I think they might come second to John.

2214
01:35:57,600 --> 01:36:00,280
Speaker 3: I think they just recently started making good music together.

2215
01:36:00,560 --> 01:36:01,639
Speaker 3: Crazy love is crazy.

2216
01:36:01,560 --> 01:36:04,760
Speaker 6: Love, DejaVu is DejaVu. Don't make me hop across this table, bro,

2217
01:36:05,360 --> 01:36:06,599
Speaker 6: I've never Bonnie and Clyde.

2218
01:36:06,640 --> 01:36:07,240
Speaker 1: What's good with you?

2219
01:36:07,439 --> 01:36:07,840
Speaker 7: You good?

2220
01:36:08,200 --> 01:36:10,479
Speaker 3: I've just never been a huge fan of their collapse

2221
01:36:10,560 --> 01:36:11,000
Speaker 3: all the time.

2222
01:36:11,760 --> 01:36:12,840
Speaker 1: Do you like Bonnie and Clyde?

2223
01:36:13,400 --> 01:36:14,400
Speaker 3: Oh three Bonnie and Clyde.

2224
01:36:14,720 --> 01:36:16,920
Speaker 1: Yeah, it's cool, cool I Thik said it was cool.

2225
01:36:17,040 --> 01:36:18,080
Speaker 7: Shoot him cool?

2226
01:36:18,720 --> 01:36:20,920
Speaker 3: I like I like the Shupax version with whoever that

2227
01:36:21,000 --> 01:36:23,200
Speaker 3: girl just from Around the Way was director?

2228
01:36:24,640 --> 01:36:24,680
Speaker 9: No.

2229
01:36:24,760 --> 01:36:26,360
Speaker 3: Oh three, Bonnie and Clyde is a classic.

2230
01:36:26,720 --> 01:36:29,160
Speaker 1: DejaVu is a classics that whole run of.

2231
01:36:29,320 --> 01:36:32,639
Speaker 3: Like when Beyonce became Beyonce as a solo artist. There's

2232
01:36:32,680 --> 01:36:35,439
Speaker 3: a there's a few Hove collabs in there.

2233
01:36:35,560 --> 01:36:37,240
Speaker 7: You just don't like Hollywood and that's okay.

2234
01:36:38,000 --> 01:36:40,760
Speaker 3: There's a if you pull up the list, I'm like

2235
01:36:40,840 --> 01:36:41,840
Speaker 3: the list because.

2236
01:36:41,560 --> 01:36:45,400
Speaker 6: You're tripping because people be sleeping on on the Run too,

2237
01:36:45,479 --> 01:36:47,479
Speaker 6: by the way, and that's a fucking classic. That might

2238
01:36:47,520 --> 01:36:49,240
Speaker 6: be their best song they ever made together. And people

2239
01:36:49,320 --> 01:36:54,439
Speaker 6: be sleeping on that off What was that man Magna Carter? Yeah,

2240
01:36:54,720 --> 01:36:56,639
Speaker 6: I think because people don't like the album they tried

2241
01:36:56,680 --> 01:36:57,599
Speaker 6: to ship on that song.

2242
01:36:57,680 --> 01:36:59,200
Speaker 3: Dejavau was fires. Don't even know if it.

2243
01:36:59,240 --> 01:37:01,240
Speaker 2: Needed Hove, Like I like Drunken Love. That was a

2244
01:37:01,280 --> 01:37:01,639
Speaker 2: fun one.

2245
01:37:02,360 --> 01:37:06,840
Speaker 3: Welcome to Hollywood. You lift Off I hated, I still don't.

2246
01:37:06,920 --> 01:37:07,320
Speaker 1: I love it.

2247
01:37:07,520 --> 01:37:08,240
Speaker 7: I love lift Off.

2248
01:37:08,360 --> 01:37:11,680
Speaker 3: I don't like hip hop. Star could go. That's how

2249
01:37:11,720 --> 01:37:14,679
Speaker 3: you like it could go? Family feud. I don't count

2250
01:37:15,120 --> 01:37:18,639
Speaker 3: Tom Ford. I don't count. Shining is the most underrated

2251
01:37:18,680 --> 01:37:22,639
Speaker 3: record they have together. Yes, a lot of this can go, man,

2252
01:37:24,439 --> 01:37:26,400
Speaker 3: but as of recent they make amazing music together.

2253
01:37:27,479 --> 01:37:27,880
Speaker 1: Mm hmm.

2254
01:37:28,680 --> 01:37:31,680
Speaker 6: You just don't like the Hollywood. That's literally it. That's

2255
01:37:31,680 --> 01:37:32,960
Speaker 6: the only ones you don't like. And I knew that

2256
01:37:33,080 --> 01:37:35,240
Speaker 6: in lift Off. I love lift Off, but I.

2257
01:37:35,320 --> 01:37:37,080
Speaker 3: Just think they're both better than some of their collapse.

2258
01:37:37,120 --> 01:37:42,360
Speaker 1: That's all. Yeah, you like.

2259
01:37:45,439 --> 01:37:47,719
Speaker 3: I didn't think you're about to say something in my favor.

2260
01:37:47,880 --> 01:37:58,200
Speaker 12: Orgent he liked Black Thought and Jaguar, right, he does, though,

2261
01:37:58,240 --> 01:37:58,559
Speaker 12: that's why.

2262
01:38:01,640 --> 01:38:03,640
Speaker 3: Matter of fact, I love Hoving Jack all right, and

2263
01:38:03,760 --> 01:38:05,000
Speaker 3: so do you. So don't even start.

2264
01:38:05,880 --> 01:38:08,000
Speaker 1: She killed that fade the Black Concert.

2265
01:38:08,080 --> 01:38:10,360
Speaker 3: Oh and Unplugged. She was insane.

2266
01:38:10,720 --> 01:38:12,439
Speaker 1: It smoked it for sure.

2267
01:38:13,800 --> 01:38:18,280
Speaker 3: But yeah, listen, man, Jill Scott in Black Thought, that's

2268
01:38:18,320 --> 01:38:19,160
Speaker 3: a nice Saturday for me.

2269
01:38:20,200 --> 01:38:23,519
Speaker 5: Ye'ah really canceled Jill Scott? No, no, who did not

2270
01:38:23,760 --> 01:38:26,840
Speaker 5: Chrissette Michelle I was thinking about the record.

2271
01:38:26,880 --> 01:38:31,439
Speaker 7: She might be the only most successfully canceled person I've

2272
01:38:31,479 --> 01:38:31,760
Speaker 7: ever seen.

2273
01:38:32,560 --> 01:38:34,760
Speaker 3: I still listen to blame it on me. I love

2274
01:38:34,840 --> 01:38:35,439
Speaker 3: Chris Michelle.

2275
01:38:35,439 --> 01:38:36,320
Speaker 1: I never see you post it.

2276
01:38:37,400 --> 01:38:37,960
Speaker 3: That's right enough.

2277
01:38:38,080 --> 01:38:40,320
Speaker 2: Right now, I never see you posting.

2278
01:38:41,760 --> 01:38:43,400
Speaker 3: I don't like what people try to call my bluff.

2279
01:38:43,560 --> 01:38:44,280
Speaker 2: I never closed it.

2280
01:38:44,320 --> 01:38:46,880
Speaker 5: Right now, I'm doing it right now. You can't seen

2281
01:38:46,960 --> 01:38:49,680
Speaker 5: his year wrap up numbers. Chrissette wasn't nowhere in the We.

2282
01:38:49,640 --> 01:38:51,719
Speaker 3: Didn't even do songs. We did albums.

2283
01:38:51,840 --> 01:38:54,479
Speaker 2: When people listening to this tomorrow, that's why he posted that.

2284
01:38:55,280 --> 01:38:59,040
Speaker 1: Everybody goes stream Chrissette Michelle. What's Cossette Michelle's last album?

2285
01:38:59,880 --> 01:39:01,080
Speaker 1: I don't know. We'll find out.

2286
01:39:02,320 --> 01:39:05,000
Speaker 3: I found out ironically twenty eighteen. Out of Control.

2287
01:39:05,240 --> 01:39:06,080
Speaker 1: That was the last album.

2288
01:39:06,479 --> 01:39:07,320
Speaker 2: Yes, out of control.

2289
01:39:07,600 --> 01:39:11,800
Speaker 5: Everybody goes screaming stream corcept Michelle's out of control because

2290
01:39:11,800 --> 01:39:14,160
Speaker 5: you to cancel her for singing at.

2291
01:39:14,080 --> 01:39:14,760
Speaker 1: The was.

2292
01:39:17,439 --> 01:39:18,200
Speaker 3: With the inauguration.

2293
01:39:19,240 --> 01:39:20,200
Speaker 7: I don't even think it was the singing.

2294
01:39:20,280 --> 01:39:22,160
Speaker 1: It was the dress. No no, no, no, no no

2295
01:39:22,280 --> 01:39:25,400
Speaker 1: no no. They didn't want her doing anything for Donald Trump. Yes,

2296
01:39:25,520 --> 01:39:26,960
Speaker 1: but that's why they canceled the dress.

2297
01:39:27,280 --> 01:39:27,880
Speaker 2: Fuck the dress.

2298
01:39:27,920 --> 01:39:29,920
Speaker 5: They didn't want her there. They were like, why are

2299
01:39:29,920 --> 01:39:32,439
Speaker 5: you going there? Why are you supporting this president? Y'all

2300
01:39:32,560 --> 01:39:33,040
Speaker 5: was wrong for that.

2301
01:39:33,120 --> 01:39:33,240
Speaker 4: Man.

2302
01:39:33,320 --> 01:39:36,040
Speaker 3: What's funny is without context, someone is just gonna think

2303
01:39:36,040 --> 01:39:40,080
Speaker 3: I'm going through a breakup. It's posted, Oh yo, posting

2304
01:39:40,160 --> 01:39:43,040
Speaker 3: Chrissette Michelle blame it on me is just a wild post.

2305
01:39:44,640 --> 01:39:46,880
Speaker 1: It's like, okay, that's your job, Like.

2306
01:39:46,920 --> 01:39:50,320
Speaker 3: What cryptic meanings does this have here? You know her

2307
01:39:50,400 --> 01:39:54,160
Speaker 3: and while A might be on that list blog era

2308
01:39:54,400 --> 01:39:57,920
Speaker 3: singer Rapperchrissette and wile A have joints together.

2309
01:39:58,640 --> 01:40:00,320
Speaker 1: Yeah, yeah, what.

2310
01:40:02,320 --> 01:40:03,160
Speaker 2: Why'd you let her do that?

2311
01:40:03,280 --> 01:40:03,439
Speaker 1: Mom?

2312
01:40:03,600 --> 01:40:05,000
Speaker 3: What if you needed it for the kick?

2313
01:40:06,200 --> 01:40:09,040
Speaker 1: That's what I'm saying. Fuck who the president is? These

2314
01:40:09,080 --> 01:40:11,320
Speaker 1: bills is coming in like a motherfucker. I'm going to

2315
01:40:11,360 --> 01:40:11,960
Speaker 1: get this back.

2316
01:40:13,280 --> 01:40:14,840
Speaker 2: Her pants a bosky at print.

2317
01:40:16,680 --> 01:40:19,200
Speaker 1: Yeah, so she she took the culture the represented still.

2318
01:40:21,160 --> 01:40:25,000
Speaker 3: Oh a little mow and fab Ooh up there, that's

2319
01:40:25,080 --> 01:40:27,879
Speaker 3: like no woman did every other inauguration.

2320
01:40:28,880 --> 01:40:30,320
Speaker 1: This is the Donald Trump and augle ball.

2321
01:40:30,400 --> 01:40:33,960
Speaker 2: Yeah, did every other black person get canceled? Look at him.

2322
01:40:34,320 --> 01:40:35,360
Speaker 1: I'm sure he's doing fine.

2323
01:40:35,560 --> 01:40:37,200
Speaker 4: That's what I'm saying. This whole stage is for black

2324
01:40:37,240 --> 01:40:40,360
Speaker 4: people only. She got canceled only Cossette. So I said, people,

2325
01:40:41,320 --> 01:40:43,400
Speaker 4: sometimes we get it wrong. Man, it's okay to say

2326
01:40:43,439 --> 01:40:46,000
Speaker 4: we get it wrong sometimes cancer when Michelle was wrong.

2327
01:40:46,040 --> 01:40:50,080
Speaker 4: But when you go down the gospel route, like like

2328
01:40:50,720 --> 01:40:52,360
Speaker 4: for abortion, no one's getting.

2329
01:40:52,120 --> 01:40:55,840
Speaker 1: Canceled the Christ Michelle's canceled, So she should just go full.

2330
01:40:56,400 --> 01:40:58,880
Speaker 6: I think if for shep Michelle looks up her music,

2331
01:40:58,960 --> 01:41:00,800
Speaker 6: I think she would be fine. I think her time.

2332
01:41:00,880 --> 01:41:02,599
Speaker 6: I think even if she didn't do that, I think

2333
01:41:02,640 --> 01:41:03,479
Speaker 6: her career would.

2334
01:41:03,280 --> 01:41:03,840
Speaker 2: Have just been over.

2335
01:41:03,920 --> 01:41:07,360
Speaker 7: Period. I think, no, not no disrespect to her.

2336
01:41:07,560 --> 01:41:09,640
Speaker 3: It was just the times, like it wasn't like it

2337
01:41:09,800 --> 01:41:12,960
Speaker 3: was going crazy at that moment to begin with. Yeah,

2338
01:41:13,360 --> 01:41:14,800
Speaker 3: like Epiphany was probably her peace.

2339
01:41:14,960 --> 01:41:16,479
Speaker 1: You do understand why she took that gig.

2340
01:41:17,479 --> 01:41:19,599
Speaker 3: I said, sometimes people need to turn her fifty thousand dollars,

2341
01:41:19,840 --> 01:41:22,479
Speaker 3: That's all I'm saying. And with that, president would be

2342
01:41:22,479 --> 01:41:22,920
Speaker 3: tax less.

2343
01:41:23,120 --> 01:41:27,479
Speaker 5: Stream Corsette Michelle out of Control now available on your eighteen.

2344
01:41:28,800 --> 01:41:31,160
Speaker 1: Don't stream it because y'all was wrong for that.

2345
01:41:31,320 --> 01:41:32,639
Speaker 7: How was Marcia and Brose is doing.

2346
01:41:34,760 --> 01:41:36,200
Speaker 1: I'm sure she's so she's fine though.

2347
01:41:36,760 --> 01:41:39,920
Speaker 5: No, Actually I just saw she was doing something. She

2348
01:41:40,080 --> 01:41:43,640
Speaker 5: was on a podcast something and she sang again they

2349
01:41:43,720 --> 01:41:47,800
Speaker 5: got Everywhere she goes. She got to sing Butterfly, but

2350
01:41:47,920 --> 01:41:49,560
Speaker 5: she sang it acapella.

2351
01:41:49,720 --> 01:41:51,640
Speaker 1: I forgot which podcast it was on she was. I

2352
01:41:51,720 --> 01:41:52,680
Speaker 1: just saw that like two weeks ago.

2353
01:41:53,000 --> 01:41:54,160
Speaker 2: So she's put out a new single.

2354
01:41:54,800 --> 01:41:55,920
Speaker 7: Yeah, shout out to her.

2355
01:41:55,960 --> 01:41:57,639
Speaker 6: I love her voice. I think the reason I bought

2356
01:41:57,640 --> 01:41:59,439
Speaker 6: her up. I think I'm a Chrissette. I think of

2357
01:41:59,520 --> 01:42:02,360
Speaker 6: her because they were around the same time. My mother

2358
01:42:02,479 --> 01:42:03,280
Speaker 6: used to play them in the car.

2359
01:42:03,439 --> 01:42:05,519
Speaker 3: I feel like, you know, it's just a guess. You

2360
01:42:05,640 --> 01:42:07,960
Speaker 3: know every lyric to. I hope she cheats on you

2361
01:42:08,000 --> 01:42:08,760
Speaker 3: with a basketball player.

2362
01:42:08,880 --> 01:42:12,200
Speaker 7: She cheated on you with a basketball player. I hope

2363
01:42:12,200 --> 01:42:14,120
Speaker 7: that she can call Dashians away up.

2364
01:42:14,320 --> 01:42:14,880
Speaker 2: Great record.

2365
01:42:15,600 --> 01:42:17,080
Speaker 3: I just feel like you knew all the Lis.

2366
01:42:16,880 --> 01:42:19,360
Speaker 6: Wrote that that was genius. That ship was on the

2367
01:42:19,479 --> 01:42:22,720
Speaker 6: on the radios. That sh was on the radios for

2368
01:42:22,920 --> 01:42:24,719
Speaker 6: like a year. You couldnot escape.

2369
01:42:24,760 --> 01:42:28,360
Speaker 3: It had like fifteen remixes. I feel like even basketball

2370
01:42:28,360 --> 01:42:28,960
Speaker 3: players hopped on that.

2371
01:42:29,040 --> 01:42:32,280
Speaker 1: She was gonna say, yeah, baby Dan, that might have.

2372
01:42:32,320 --> 01:42:36,200
Speaker 9: A Speaking of Dame, he went off last night.

2373
01:42:36,400 --> 01:42:39,120
Speaker 1: Jesus damn Lillis, did you watch that?

2374
01:42:39,400 --> 01:42:40,120
Speaker 2: I fell asleep?

2375
01:42:40,520 --> 01:42:40,640
Speaker 11: Uh?

2376
01:42:41,880 --> 01:42:43,680
Speaker 2: Well no, I finished that game, but he what he

2377
01:42:43,840 --> 01:42:46,639
Speaker 2: had like thirty thirty six or six and a half.

2378
01:42:46,920 --> 01:42:51,360
Speaker 3: And when it's Bucks Pacers whine right, we would see No,

2379
01:42:51,400 --> 01:42:56,560
Speaker 3: it would be Cleveland Orlando winner. Okay, I know the

2380
01:42:56,640 --> 01:43:00,320
Speaker 3: Bucks have some injury problems, but Dames still day Dames Dame,

2381
01:43:00,400 --> 01:43:02,720
Speaker 3: that's a fair game. Versus Brunson in the playoffs would

2382
01:43:02,720 --> 01:43:03,040
Speaker 3: be crazy.

2383
01:43:04,439 --> 01:43:06,960
Speaker 1: Yeah, I just Dame is just that's it's that's too

2384
01:43:07,000 --> 01:43:09,160
Speaker 1: much for the Knicks handle though. I'm taking game in

2385
01:43:09,200 --> 01:43:09,599
Speaker 1: the garden.

2386
01:43:11,040 --> 01:43:11,200
Speaker 8: Yo.

2387
01:43:11,520 --> 01:43:11,600
Speaker 11: Ye.

2388
01:43:12,000 --> 01:43:13,840
Speaker 1: They're gonna have to drug testing after those games.

2389
01:43:14,200 --> 01:43:15,439
Speaker 2: Brown's had a better year than Dame.

2390
01:43:15,520 --> 01:43:17,000
Speaker 3: They just got a Higer glow rella to do the

2391
01:43:17,040 --> 01:43:18,200
Speaker 3: halftime performance getting his.

2392
01:43:18,240 --> 01:43:19,840
Speaker 2: Head mm hmm. Only play.

2393
01:43:19,960 --> 01:43:23,840
Speaker 3: Yeah. The entire game is just yeah glow Ye. When

2394
01:43:23,880 --> 01:43:27,120
Speaker 3: he hits a free throw and like that records amazing.

2395
01:43:27,200 --> 01:43:29,160
Speaker 3: But that would be insane to play for four hours straight,

2396
01:43:29,280 --> 01:43:32,439
Speaker 3: give all the fans with their tickets like ear plugs

2397
01:43:32,520 --> 01:43:33,559
Speaker 3: and just have it on repeat.

2398
01:43:34,160 --> 01:43:37,680
Speaker 1: Yeah Glow, that's not gonna work. He's still gonna have.

2399
01:43:37,720 --> 01:43:41,479
Speaker 3: Fifty probably, yeah, you might, you might have ninety. Play

2400
01:43:41,560 --> 01:43:42,040
Speaker 3: yeah Glow.

2401
01:43:42,160 --> 01:43:45,960
Speaker 6: Yeah Glow is a motivational song, thinking these holes can't

2402
01:43:45,960 --> 01:43:46,400
Speaker 6: fuck with you.

2403
01:43:47,040 --> 01:43:50,000
Speaker 1: That's affirmation morning afirmations, right.

2404
01:43:50,479 --> 01:43:54,360
Speaker 5: They should say that in the mirror like candy Man do. Yeah,

2405
01:43:55,320 --> 01:43:57,519
Speaker 5: the niggas says, say candy Man. Niggas say candy Man.

2406
01:43:57,600 --> 01:43:58,400
Speaker 1: Mad tomes.

2407
01:44:00,200 --> 01:44:01,920
Speaker 7: In the mirror, like yo, are you right? Kendy Me

2408
01:44:01,960 --> 01:44:02,920
Speaker 7: and Kenny and Kenny Man?

2409
01:44:03,160 --> 01:44:04,040
Speaker 1: Who is candy Man.

2410
01:44:04,160 --> 01:44:06,040
Speaker 3: They also said that they're moving the goalposts for Meg,

2411
01:44:06,120 --> 01:44:06,719
Speaker 3: but not Sweety.

2412
01:44:07,880 --> 01:44:10,400
Speaker 1: Mmm, Megan, not Sweety, So we gotta shoot back.

2413
01:44:10,280 --> 01:44:12,840
Speaker 6: They said, cauld Sweety be out here fucking y'all's favorite

2414
01:44:12,920 --> 01:44:14,599
Speaker 6: R and B singers and rappers too.

2415
01:44:14,600 --> 01:44:16,360
Speaker 7: But no Mighty cause horror, horror whore the way they

2416
01:44:16,400 --> 01:44:17,160
Speaker 7: call it, Megan a whore.

2417
01:44:17,479 --> 01:44:20,599
Speaker 1: Oh you know why, you won't have to wow.

2418
01:44:20,680 --> 01:44:23,760
Speaker 9: The whole getting shot thing kind of makes you more

2419
01:44:23,800 --> 01:44:26,280
Speaker 9: of a illumin No, no, I'm saying, like a magnified

2420
01:44:26,360 --> 01:44:29,479
Speaker 9: that whole situation. If you howe in peace, it's like whatever,

2421
01:44:30,720 --> 01:44:32,760
Speaker 9: that's true, you know, howeing and then getting shot at

2422
01:44:32,800 --> 01:44:35,320
Speaker 9: it at a Jenner's house, Like that's like right here,

2423
01:44:35,520 --> 01:44:37,320
Speaker 9: that's like a with the guy.

2424
01:44:37,200 --> 01:44:39,160
Speaker 3: You're fucking that's also fucking the other person in the car.

2425
01:44:39,760 --> 01:44:40,400
Speaker 2: That's a lot going on.

2426
01:44:40,600 --> 01:44:41,280
Speaker 3: It adds a lot to it.

2427
01:44:42,680 --> 01:44:43,080
Speaker 2: I get it.

2428
01:44:43,520 --> 01:44:45,920
Speaker 3: Yeah, all Sweety was doing was putting cheeseburgers in the

2429
01:44:45,960 --> 01:44:50,000
Speaker 3: blunder and drinking McDonald's. However, she makes dinner.

2430
01:44:50,560 --> 01:44:51,240
Speaker 2: That's crazy.

2431
01:44:52,080 --> 01:44:54,040
Speaker 1: Taylor Swift is on pace to do two million.

2432
01:44:55,200 --> 01:44:55,959
Speaker 3: It's ridiculous.

2433
01:44:56,080 --> 01:44:57,679
Speaker 1: That's just absolutely fucking crazy.

2434
01:44:58,040 --> 01:44:59,840
Speaker 2: Do you guys listen yet? I haven't. I'm going to

2435
01:45:00,040 --> 01:45:03,479
Speaker 2: though I heard some of it. She did a record

2436
01:45:03,560 --> 01:45:04,280
Speaker 2: she aired out Kim.

2437
01:45:04,640 --> 01:45:05,840
Speaker 7: I never looked me in my face.

2438
01:45:05,800 --> 01:45:09,479
Speaker 1: Kim Kardashian. Taylor Swift aired out Kim Kardashian.

2439
01:45:09,479 --> 01:45:12,240
Speaker 2: There's a whole record about why pull it up?

2440
01:45:12,720 --> 01:45:15,160
Speaker 1: Why? Somebody just tell me why before you pull a record?

2441
01:45:15,200 --> 01:45:16,080
Speaker 7: I don't know. How don't hear that one?

2442
01:45:16,240 --> 01:45:16,360
Speaker 2: Well?

2443
01:45:16,360 --> 01:45:21,400
Speaker 3: Because Kim, remember Kim leaked the call when Taylor was

2444
01:45:21,439 --> 01:45:22,200
Speaker 3: lying on Kanye.

2445
01:45:22,680 --> 01:45:25,559
Speaker 2: Kim lost over one hundred thousand followers after this song

2446
01:45:25,680 --> 01:45:27,759
Speaker 2: came out. People don't play with Taylor.

2447
01:45:28,040 --> 01:45:31,400
Speaker 1: She can afford to lose follower I mean follows because

2448
01:45:31,400 --> 01:45:33,439
Speaker 1: of Taylor Swift dissing her. I get it.

2449
01:45:34,040 --> 01:45:36,000
Speaker 3: Taylor wouldn't even say ship like, how does she lose?

2450
01:45:36,160 --> 01:45:37,360
Speaker 2: That's white motion right there.

2451
01:45:37,880 --> 01:45:39,559
Speaker 1: How many follows the Kendrick lose.

2452
01:45:39,880 --> 01:45:42,720
Speaker 2: He probably gain no, you know what's funny about the

2453
01:45:42,720 --> 01:45:43,160
Speaker 2: trigger mall?

2454
01:45:43,320 --> 01:45:49,880
Speaker 9: Yeah, all the Kendrick, the theve ams on Instagram, TikTok whatever,

2455
01:45:50,000 --> 01:45:52,160
Speaker 9: our team Kendrick because he has a verse with Taylor.

2456
01:45:52,640 --> 01:45:55,559
Speaker 9: So all of Taylor's army is pro Kendrick and they're

2457
01:45:55,640 --> 01:45:58,639
Speaker 9: now trying to like make solo cam like direct to cam.

2458
01:45:58,800 --> 01:46:01,559
Speaker 9: Let me talk about it, rapt be and defend Kendrick.

2459
01:46:01,880 --> 01:46:03,719
Speaker 3: But didn't Drake do that commercial where he was dancing

2460
01:46:03,720 --> 01:46:04,719
Speaker 3: at Taylor Swift in the mirror?

2461
01:46:05,360 --> 01:46:08,040
Speaker 2: Yeah, with the same moves from the Kendrick.

2462
01:46:08,080 --> 01:46:09,280
Speaker 7: He don't have a bad blood verse?

2463
01:46:09,520 --> 01:46:10,000
Speaker 2: That's true?

2464
01:46:11,080 --> 01:46:11,519
Speaker 7: The fuck?

2465
01:46:12,360 --> 01:46:12,519
Speaker 2: Well?

2466
01:46:12,600 --> 01:46:14,920
Speaker 3: No, I mean, listen, Taylor's allowed to reply on her

2467
01:46:15,000 --> 01:46:19,840
Speaker 3: time Kim. Kim shot the first shot ten years later

2468
01:46:20,960 --> 01:46:23,040
Speaker 3: Taylor got how lock back does Cole had to reply

2469
01:46:23,120 --> 01:46:24,000
Speaker 3: to to Kanye?

2470
01:46:24,200 --> 01:46:26,880
Speaker 5: Listen, no, listen, what cold Cole old Cole has to

2471
01:46:26,960 --> 01:46:30,080
Speaker 5: do is continue to ride his bike, be a hippie

2472
01:46:30,560 --> 01:46:31,519
Speaker 5: and just just enjoy.

2473
01:46:31,600 --> 01:46:33,960
Speaker 3: Like Kanye was allowed to take that shot. He was

2474
01:46:34,080 --> 01:46:36,639
Speaker 3: still mad at false prophets. It was just a bad shot.

2475
01:46:37,600 --> 01:46:37,840
Speaker 1: Yeah.

2476
01:46:38,320 --> 01:46:41,599
Speaker 2: Yeah. The song called thank You All Me that allegedly

2477
01:46:41,760 --> 01:46:43,240
Speaker 2: is about Kim.

2478
01:46:43,439 --> 01:46:45,519
Speaker 3: Oh give us some bars. What does rap genius say?

2479
01:46:53,720 --> 01:46:54,600
Speaker 3: Did Rob break this one?

2480
01:46:55,120 --> 01:46:59,679
Speaker 9: The way it's stylized spells out kim with capitalized letters.

2481
01:47:01,040 --> 01:47:03,040
Speaker 3: Oh oh, is that what everyone was saying? Look at

2482
01:47:03,080 --> 01:47:05,240
Speaker 3: the between letters on your keyboard.

2483
01:47:05,600 --> 01:47:09,439
Speaker 6: People are just engagement baiting. Ignore anybody with a blue

2484
01:47:09,520 --> 01:47:10,080
Speaker 6: check on Twitter.

2485
01:47:10,120 --> 01:47:10,719
Speaker 1: They're annoying.

2486
01:47:11,160 --> 01:47:13,120
Speaker 3: Oh sorry, it's fine.

2487
01:47:14,360 --> 01:47:16,839
Speaker 2: So they say this is her most like direct effort

2488
01:47:16,920 --> 01:47:20,200
Speaker 2: to talk about everything. And I'm not going to go

2489
01:47:20,280 --> 01:47:20,840
Speaker 2: through the lyrics.

2490
01:47:20,920 --> 01:47:24,080
Speaker 1: But oh just not first time shooting again. No, they've

2491
01:47:24,120 --> 01:47:28,000
Speaker 1: had a don't look what you made me do mm list.

2492
01:47:28,160 --> 01:47:28,920
Speaker 3: Everyone remembers that.

2493
01:47:29,439 --> 01:47:31,679
Speaker 7: I'm not here. I'm not here to shoot on Taylor.

2494
01:47:32,439 --> 01:47:36,479
Speaker 9: I too like some Taylor shop the industry, probably like

2495
01:47:36,479 --> 01:47:37,719
Speaker 9: a twenty time platinum record.

2496
01:47:37,760 --> 01:47:41,519
Speaker 3: Though this is foul and sorry Taylor, but so when

2497
01:47:41,520 --> 01:47:44,280
Speaker 3: tweeted Taylor Swift has foreign songs about men leaving her

2498
01:47:44,360 --> 01:47:46,400
Speaker 3: in zero, songs about sucking dick. You see where I'm

2499
01:47:46,400 --> 01:47:46,760
Speaker 3: going with this.

2500
01:47:47,640 --> 01:47:48,599
Speaker 7: I have no idea where are going?

2501
01:47:48,720 --> 01:47:51,080
Speaker 2: She gives you up, he gives TV trash head.

2502
01:47:51,680 --> 01:47:55,880
Speaker 1: That's what they're saying. I didn't say it, that's what

2503
01:47:56,360 --> 01:47:56,840
Speaker 1: they're saying.

2504
01:47:57,640 --> 01:48:00,360
Speaker 3: And swifties, I'll snitch. I'll tell you that I didn't

2505
01:48:00,360 --> 01:48:00,600
Speaker 3: say that.

2506
01:48:00,680 --> 01:48:01,200
Speaker 2: I just read it.

2507
01:48:01,960 --> 01:48:03,200
Speaker 1: That was Kim Kardashian right there.

2508
01:48:04,439 --> 01:48:08,479
Speaker 2: Yeah, Megan Fox now the girl from Love is Blind?

2509
01:48:08,840 --> 01:48:10,240
Speaker 1: No, no, no, the real Megan Fox.

2510
01:48:11,080 --> 01:48:13,040
Speaker 3: All right, So how does Kim replies Kim on the clock,

2511
01:48:15,080 --> 01:48:15,800
Speaker 3: Kim gonna.

2512
01:48:15,560 --> 01:48:20,080
Speaker 6: Drop drop us another and not pay tailors ask no mind, you.

2513
01:48:20,120 --> 01:48:22,000
Speaker 2: Gotta go write that one. I guess here the lyrics.

2514
01:48:23,040 --> 01:48:24,880
Speaker 1: If you can't forgive the way you made me feel,

2515
01:48:25,200 --> 01:48:27,960
Speaker 1: screamed fuck you, and you skipped the first bars. Oh,

2516
01:48:27,960 --> 01:48:30,479
Speaker 1: I'm sorry. When I pictured my hometound is a bronze

2517
01:48:30,560 --> 01:48:33,400
Speaker 1: spray tan statue of you and a plaque underneath it

2518
01:48:34,160 --> 01:48:36,960
Speaker 1: that threatens to push me down the stairs at our school?

2519
01:48:37,680 --> 01:48:40,080
Speaker 1: What is that Kim? Which many believes of reference to

2520
01:48:40,160 --> 01:48:42,479
Speaker 1: Kardashian's famous tan m You didn't.

2521
01:48:42,280 --> 01:48:44,599
Speaker 3: Even see the biggest breach I've ever seen.

2522
01:48:45,160 --> 01:48:48,559
Speaker 2: You thought that was her natural color? You fool, you fool?

2523
01:48:48,720 --> 01:48:49,200
Speaker 7: Shut up?

2524
01:48:49,560 --> 01:48:51,920
Speaker 1: Wait listen, wait they thought that was about Kim.

2525
01:48:52,120 --> 01:48:54,040
Speaker 2: I'm sure there's more context to it, but I guess

2526
01:48:54,080 --> 01:48:55,599
Speaker 2: these are just did.

2527
01:48:55,560 --> 01:48:56,960
Speaker 3: It go over our heads? Are we not intelligent?

2528
01:48:57,120 --> 01:48:57,160
Speaker 11: No?

2529
01:48:57,280 --> 01:49:00,200
Speaker 2: You didn't even know Kim tan like that she was

2530
01:49:00,240 --> 01:49:00,559
Speaker 2: born though?

2531
01:49:00,760 --> 01:49:03,360
Speaker 3: All right? Are Kim and Taylor from the same hometown,

2532
01:49:04,120 --> 01:49:05,680
Speaker 3: Nashville or Pennsylvania.

2533
01:49:06,360 --> 01:49:07,839
Speaker 1: You think Kim Gardashian's from Pennsylvania.

2534
01:49:08,200 --> 01:49:10,960
Speaker 3: I don't know where Taylor Swift is from. Ready, Okay,

2535
01:49:11,680 --> 01:49:15,200
Speaker 3: So what's all this country ship? She moved to Nashville, Philly?

2536
01:49:16,000 --> 01:49:18,439
Speaker 1: I said that, And I'm like, is this she from?

2537
01:49:18,960 --> 01:49:20,120
Speaker 1: But she lived in Nashville?

2538
01:49:20,280 --> 01:49:22,360
Speaker 3: Right, Has Kim Gardashian threatened to push her down steps?

2539
01:49:22,880 --> 01:49:23,439
Speaker 1: I don't think so.

2540
01:49:23,600 --> 01:49:25,760
Speaker 2: Wait, there's more lines to the bridge. They're saying the

2541
01:49:25,880 --> 01:49:27,280
Speaker 2: bridge is about the feud.

2542
01:49:27,920 --> 01:49:29,320
Speaker 1: It gets nasty, all right?

2543
01:49:29,479 --> 01:49:30,519
Speaker 3: That was just setting scene.

2544
01:49:30,560 --> 01:49:33,200
Speaker 5: That was a warm up, and maybe you've reframed it

2545
01:49:33,479 --> 01:49:35,800
Speaker 5: in your mind. You never beat my spirit black and blue.

2546
01:49:36,200 --> 01:49:38,479
Speaker 5: I don't think you've changed much. And so I changed

2547
01:49:38,520 --> 01:49:41,160
Speaker 5: your name in any real defining clues. And one day

2548
01:49:41,240 --> 01:49:43,800
Speaker 5: your kid come home singing a song that only us

2549
01:49:43,840 --> 01:49:45,160
Speaker 5: two is gonna know is about you?

2550
01:49:46,479 --> 01:49:49,640
Speaker 2: When comes through, When Santan North come through singing that

2551
01:49:49,720 --> 01:49:50,479
Speaker 2: new tale Swift?

2552
01:49:50,560 --> 01:49:53,320
Speaker 3: Now what the team ice fo she did the song

2553
01:49:53,360 --> 01:49:53,880
Speaker 3: with ice spice?

2554
01:49:53,960 --> 01:49:56,439
Speaker 2: Oh ship Avengers, look at Taylor.

2555
01:49:56,920 --> 01:49:58,280
Speaker 3: Taylor might got bars. I take it back.

2556
01:49:58,280 --> 01:49:59,479
Speaker 5: You might have to go back and look at that

2557
01:49:59,640 --> 01:50:02,439
Speaker 5: song you got with ice Spice. And she if there's

2558
01:50:02,479 --> 01:50:03,680
Speaker 5: some clues in.

2559
01:50:03,720 --> 01:50:06,879
Speaker 3: There and we got to see the statue.

2560
01:50:07,040 --> 01:50:09,040
Speaker 7: Yeah, no, I'm cool.

2561
01:50:09,479 --> 01:50:10,920
Speaker 1: I'm about to go see all this ship. I'm such

2562
01:50:10,960 --> 01:50:11,280
Speaker 1: a swift.

2563
01:50:11,479 --> 01:50:15,920
Speaker 9: Swifty bombarded Kim Kardashian following this song's release. Oh look

2564
01:50:15,920 --> 01:50:19,759
Speaker 9: at them, flooding her comments the king of hot topics.

2565
01:50:19,800 --> 01:50:20,760
Speaker 9: Look at he's on it early.

2566
01:50:20,840 --> 01:50:22,040
Speaker 6: I just don't want your to ever look me in

2567
01:50:22,120 --> 01:50:23,880
Speaker 6: my face ever again and say that Taylor Swift is

2568
01:50:23,920 --> 01:50:24,599
Speaker 6: better than Beyonce.

2569
01:50:24,840 --> 01:50:25,920
Speaker 1: I just never said that.

2570
01:50:27,960 --> 01:50:30,519
Speaker 6: Oh don't worry, I'll pull the footage. When we were

2571
01:50:30,560 --> 01:50:32,320
Speaker 6: talking about biggest artists, I think we were.

2572
01:50:32,240 --> 01:50:33,800
Speaker 2: Talking about two different conversations.

2573
01:50:33,920 --> 01:50:37,720
Speaker 6: No, no said the better artists. I think mall said this,

2574
01:50:37,840 --> 01:50:39,639
Speaker 6: the better artist is going to be bigger. They're bigger

2575
01:50:39,680 --> 01:50:42,280
Speaker 6: because they're better technically, tailor is better.

2576
01:50:43,640 --> 01:50:45,680
Speaker 3: Better than I didn't say that.

2577
01:50:45,880 --> 01:50:49,040
Speaker 2: Please find Taylor is a bigger artist. That's the if.

2578
01:50:49,080 --> 01:50:50,600
Speaker 2: That's the argument. I still stand by that. I was

2579
01:50:50,600 --> 01:50:51,519
Speaker 2: just about to do two million.

2580
01:50:52,439 --> 01:50:53,799
Speaker 7: Don't worry about it, I find.

2581
01:50:54,000 --> 01:50:55,240
Speaker 1: No just I'm just saying for me. I don't know

2582
01:50:55,280 --> 01:50:59,280
Speaker 1: what Julius talking about, saying that Taylor Swift is a better.

2583
01:50:59,360 --> 01:50:59,960
Speaker 7: Sorry you said.

2584
01:51:00,040 --> 01:51:02,000
Speaker 6: People could say that. I can't say that they're lying

2585
01:51:02,040 --> 01:51:08,200
Speaker 6: because she sells more, thank you to my people, not bigger,

2586
01:51:08,520 --> 01:51:11,559
Speaker 6: he said. Because she's bigger, people will say that she's better.

2587
01:51:11,960 --> 01:51:14,360
Speaker 6: I can't argue with that because she has numbers.

2588
01:51:15,000 --> 01:51:15,519
Speaker 1: I'm arguing.

2589
01:51:15,520 --> 01:51:16,519
Speaker 3: That's not me saying it.

2590
01:51:16,760 --> 01:51:19,720
Speaker 5: You know, you said, y'all told saying y'all mean to us.

2591
01:51:19,800 --> 01:51:23,280
Speaker 5: Three said that she was a better artist or a

2592
01:51:23,360 --> 01:51:24,519
Speaker 5: bigger artist than Beyonce.

2593
01:51:25,040 --> 01:51:27,439
Speaker 3: I never said that. I'm speaking to her fan base.

2594
01:51:27,560 --> 01:51:31,160
Speaker 3: Of saying that would be their argument. That's all I'm saying.

2595
01:51:31,520 --> 01:51:34,320
Speaker 3: I don't agree with that. I clearly think Beyonce is

2596
01:51:34,360 --> 01:51:37,040
Speaker 3: a better artist. But I'm telling you her fan base.

2597
01:51:37,120 --> 01:51:38,960
Speaker 3: I could see why they would say that, because if

2598
01:51:38,960 --> 01:51:40,559
Speaker 3: she's doing two million in a week, are you.

2599
01:51:40,640 --> 01:51:43,639
Speaker 2: Pointing at me? I never said Taylor is a better artist,

2600
01:51:43,840 --> 01:51:46,040
Speaker 2: said she she's the most successful artist.

2601
01:51:46,439 --> 01:51:47,240
Speaker 3: She was a better dancer.

2602
01:51:47,280 --> 01:51:50,920
Speaker 9: I remember that's a fact. Look at obviously, and she's

2603
01:51:50,920 --> 01:51:54,479
Speaker 9: a better dis writer. Like, wait, no, there's more. Apparently

2604
01:51:54,520 --> 01:51:57,360
Speaker 9: she pieced herut better than Beyonce. You said she dances

2605
01:51:57,400 --> 01:51:58,080
Speaker 9: better than Beyonce.

2606
01:51:58,280 --> 01:52:00,479
Speaker 2: Yeah, she makes better macaroni and she is that's exactly

2607
01:52:00,560 --> 01:52:04,840
Speaker 2: probably does. I was gonna say, probably hasn't been cooks

2608
01:52:04,880 --> 01:52:05,200
Speaker 2: better than.

2609
01:52:05,160 --> 01:52:05,759
Speaker 3: All of our aunts.

2610
01:52:06,280 --> 01:52:09,280
Speaker 1: Oh yeah, cook what though?

2611
01:52:10,200 --> 01:52:10,599
Speaker 3: Greens?

2612
01:52:11,560 --> 01:52:13,160
Speaker 1: Oh I thought he was talking about I know.

2613
01:52:13,240 --> 01:52:14,719
Speaker 3: I think he was Sean doing on sodder like cooking

2614
01:52:14,760 --> 01:52:17,160
Speaker 3: crack to get green. Okay, but either way, all the

2615
01:52:17,240 --> 01:52:20,160
Speaker 3: aunties of the world should be in finished. But yeah,

2616
01:52:21,080 --> 01:52:21,599
Speaker 3: Cam's better.

2617
01:52:22,280 --> 01:52:24,360
Speaker 2: I'm curious if Kim will respond.

2618
01:52:24,840 --> 01:52:27,240
Speaker 1: Man Taylor ship not good, bro, I put Kim fly

2619
01:52:27,680 --> 01:52:28,320
Speaker 1: I g caption.

2620
01:52:28,720 --> 01:52:30,560
Speaker 2: Yeah the way Drake and Ross have been doing it

2621
01:52:30,600 --> 01:52:31,080
Speaker 2: for last.

2622
01:52:30,960 --> 01:52:33,360
Speaker 3: Week, Drake wrapped, Ross wrapped. They're allowed to do.

2623
01:52:34,160 --> 01:52:35,400
Speaker 1: Yo me again.

2624
01:52:35,800 --> 01:52:39,400
Speaker 5: You cannot say anything when it comes to this, rap me.

2625
01:52:39,520 --> 01:52:41,479
Speaker 5: Don't say nothing. You just sit there and pull it

2626
01:52:41,600 --> 01:52:45,040
Speaker 5: up on this. Don't say what, don't say anything.

2627
01:52:45,120 --> 01:52:45,760
Speaker 3: You clapped out.

2628
01:52:45,960 --> 01:52:48,160
Speaker 2: Yeah that's it, you guys left.

2629
01:52:48,320 --> 01:52:49,360
Speaker 9: What you mean? Dude? Guy?

2630
01:52:49,439 --> 01:52:52,600
Speaker 2: Why is it like I'm a fan of him? Have

2631
01:52:52,720 --> 01:52:53,280
Speaker 2: a horse?

2632
01:52:53,320 --> 01:52:53,680
Speaker 4: His name is.

2633
01:52:55,320 --> 01:52:56,920
Speaker 2: I bet on Drake's side.

2634
01:52:58,080 --> 01:52:59,760
Speaker 1: Right, and Drake did wait before you? Like he was

2635
01:52:59,800 --> 01:53:02,519
Speaker 1: your horse originated? Your horse is in the stable. You

2636
01:53:02,560 --> 01:53:02,960
Speaker 1: can't say.

2637
01:53:02,960 --> 01:53:06,000
Speaker 3: But he switched teams when Cole found him funny and

2638
01:53:06,600 --> 01:53:08,120
Speaker 3: he was shipping on switch.

2639
01:53:08,320 --> 01:53:11,640
Speaker 2: Why we don't need to just have one loyalty. We

2640
01:53:11,760 --> 01:53:14,360
Speaker 2: can like multiple You don't fuck one bitch. You fucked

2641
01:53:14,400 --> 01:53:17,040
Speaker 2: multiple bitches, Like we can like more than one person.

2642
01:53:17,880 --> 01:53:18,120
Speaker 8: You can.

2643
01:53:18,240 --> 01:53:19,880
Speaker 1: But you we know Cole is your guy.

2644
01:53:20,960 --> 01:53:23,920
Speaker 2: Cole last night, that's my guy. Look look where he

2645
01:53:23,960 --> 01:53:26,200
Speaker 2: calls at in her life? He's nowhere else drink?

2646
01:53:27,360 --> 01:53:28,120
Speaker 7: That was what I see.

2647
01:53:28,200 --> 01:53:30,280
Speaker 1: He's not rapping. Where else would you see him at?

2648
01:53:30,960 --> 01:53:32,080
Speaker 2: Where else would you see him?

2649
01:53:32,320 --> 01:53:33,960
Speaker 1: Where else would you see this nigga at? But in

2650
01:53:34,040 --> 01:53:35,240
Speaker 1: your dreams, he ain't rapid.

2651
01:53:35,720 --> 01:53:36,479
Speaker 2: He's not on tour.

2652
01:53:36,560 --> 01:53:37,439
Speaker 7: I mean at the top of the chart.

2653
01:53:37,479 --> 01:53:38,040
Speaker 2: You don't see this.

2654
01:53:38,120 --> 01:53:41,360
Speaker 5: Nigga nowhere charts there charts. Niggas love going to the

2655
01:53:41,400 --> 01:53:42,599
Speaker 5: pop top charts when they're starting.

2656
01:53:42,680 --> 01:53:45,519
Speaker 3: You you love doing that because you're on team Drake,

2657
01:53:45,520 --> 01:53:47,080
Speaker 3: And that's the easiest thing to say when your team

2658
01:53:47,160 --> 01:53:49,400
Speaker 3: Drake is look at his numbers. Of course he's better

2659
01:53:49,439 --> 01:53:49,840
Speaker 3: than everyone.

2660
01:53:50,520 --> 01:53:51,360
Speaker 2: You do say that a lot.

2661
01:53:52,000 --> 01:53:53,760
Speaker 1: He raps better than all of these dudes though.

2662
01:53:54,240 --> 01:53:55,360
Speaker 2: Yeah, but you talk about the charts.

2663
01:53:56,240 --> 01:53:58,040
Speaker 3: I think I'm the only objective person.

2664
01:53:58,400 --> 01:54:02,000
Speaker 5: Oh please, Oh get the You can't wait for Kendrick

2665
01:54:02,040 --> 01:54:03,400
Speaker 5: to say something so you could come in here with

2666
01:54:03,439 --> 01:54:04,520
Speaker 5: your mister morale.

2667
01:54:04,240 --> 01:54:08,960
Speaker 3: And what if I've been team you know, we record these,

2668
01:54:09,040 --> 01:54:12,120
Speaker 3: I've been the only one that's been objective and not

2669
01:54:12,280 --> 01:54:14,519
Speaker 3: moved the goal post. I put everyone to the same standard.

2670
01:54:14,680 --> 01:54:16,360
Speaker 3: When Drake was on the clock, I said, Drake, I

2671
01:54:16,360 --> 01:54:17,639
Speaker 3: don't give a about your tour shit.

2672
01:54:18,080 --> 01:54:18,280
Speaker 10: Tom.

2673
01:54:18,720 --> 01:54:22,080
Speaker 3: Now Drake dropped you and he gets raised to the post.

2674
01:54:22,320 --> 01:54:24,920
Speaker 6: Last episode when you said when you were talking about

2675
01:54:24,920 --> 01:54:26,479
Speaker 6: the clock ship and you were talking something, oh, we

2676
01:54:26,520 --> 01:54:27,559
Speaker 6: said it was a battle before.

2677
01:54:27,720 --> 01:54:28,360
Speaker 3: That's not moving.

2678
01:54:28,560 --> 01:54:31,639
Speaker 6: It's not a battle because Drake and until Kendrick engages,

2679
01:54:31,720 --> 01:54:32,400
Speaker 6: it's not a battle.

2680
01:54:32,520 --> 01:54:33,880
Speaker 7: So I'm changing it. You admitted to that.

2681
01:54:34,200 --> 01:54:35,960
Speaker 6: You and Julian admitted to that, and I stood on

2682
01:54:36,040 --> 01:54:38,040
Speaker 6: ten toes and said, no, that was a disc The

2683
01:54:38,120 --> 01:54:39,959
Speaker 6: clock been started, they've been engaged.

2684
01:54:40,120 --> 01:54:42,040
Speaker 1: Like no, I drank that time.

2685
01:54:42,240 --> 01:54:44,440
Speaker 3: I said from the beginning, I've never changed. Drake was

2686
01:54:44,480 --> 01:54:46,680
Speaker 3: on the clock with that like that ship. We argued

2687
01:54:46,680 --> 01:54:48,760
Speaker 3: about him being on tour and I said, he has

2688
01:54:48,840 --> 01:54:50,840
Speaker 3: recorded albums on tour. I don't want to hear that ship.

2689
01:54:51,040 --> 01:54:53,600
Speaker 7: And then he came back three weeks and you said,

2690
01:54:53,960 --> 01:54:54,480
Speaker 7: I'm coming back.

2691
01:54:54,520 --> 01:54:54,640
Speaker 3: Now.

2692
01:54:54,680 --> 01:54:56,520
Speaker 7: The beef doesn't start until Kendrick engages.

2693
01:54:56,720 --> 01:54:59,240
Speaker 3: Did he or did he not know out of context

2694
01:54:59,320 --> 01:55:03,160
Speaker 3: because it was a new question of is it now

2695
01:55:04,000 --> 01:55:07,880
Speaker 3: won nothing? Do we do we compare push ups to

2696
01:55:08,120 --> 01:55:10,480
Speaker 3: like that? And I said no, Now it's really on

2697
01:55:10,680 --> 01:55:13,320
Speaker 3: if we look back on ether verse takeover, we don't.

2698
01:55:13,560 --> 01:55:16,560
Speaker 3: Now it's push ups verse. Whatever Kendrick is about to drop,

2699
01:55:16,720 --> 01:55:19,120
Speaker 3: that's what I said. It was recorded. You guys moved

2700
01:55:19,120 --> 01:55:21,840
Speaker 3: the goal post. I've kept everyone on the same rules

2701
01:55:22,080 --> 01:55:24,160
Speaker 3: and same standards, Yes, I have.

2702
01:55:25,080 --> 01:55:27,480
Speaker 9: And I agree with Rory that that the we don't

2703
01:55:27,560 --> 01:55:30,840
Speaker 9: score these two against each other. We score push ups first.

2704
01:55:30,880 --> 01:55:33,880
Speaker 9: Whatever Kendrick drops next, that's it.

2705
01:55:34,440 --> 01:55:36,320
Speaker 7: I'm not moving my horse going.

2706
01:55:37,760 --> 01:55:39,920
Speaker 2: Scored out of it.

2707
01:55:40,000 --> 01:55:42,760
Speaker 1: What do you score with his score?

2708
01:55:43,440 --> 01:55:49,040
Speaker 2: He's great, he's great. What's his score bigger.

2709
01:55:48,800 --> 01:55:49,200
Speaker 11: Than the game?

2710
01:55:49,400 --> 01:55:51,200
Speaker 1: It scores a piece of mind the biggas in summer

2711
01:55:51,240 --> 01:55:51,680
Speaker 1: school man.

2712
01:55:52,080 --> 01:55:54,400
Speaker 2: His score is his scores score.

2713
01:55:54,440 --> 01:55:56,600
Speaker 1: He dropped out of school, but his scores nigga gotta

2714
01:55:56,640 --> 01:55:59,200
Speaker 1: go to summer school man. So he failed.

2715
01:55:59,520 --> 01:56:02,960
Speaker 3: Yeah, it's crazy how you lose.

2716
01:56:03,520 --> 01:56:06,840
Speaker 1: Before either of them replied it's bro I'm telling you man.

2717
01:56:06,840 --> 01:56:09,680
Speaker 3: How you go from undefeated to defeated.

2718
01:56:10,840 --> 01:56:14,520
Speaker 5: Before anybody even stepped in the gym. Yes, well, craziness

2719
01:56:15,280 --> 01:56:17,280
Speaker 5: all right, Well, we'll be back in a couple of

2720
01:56:17,360 --> 01:56:20,720
Speaker 5: days to talk to y'all. We'll see if Kendrick he won't,

2721
01:56:21,000 --> 01:56:21,800
Speaker 5: so let's just stop.

2722
01:56:21,960 --> 01:56:22,280
Speaker 1: He won't.

2723
01:56:22,920 --> 01:56:25,040
Speaker 7: Kendrick's not responding at this point. I don't want to

2724
01:56:25,040 --> 01:56:25,400
Speaker 7: hear the ship.

2725
01:56:25,440 --> 01:56:28,040
Speaker 1: I'm over it. Oh see, there you go, there you go.

2726
01:56:28,160 --> 01:56:29,600
Speaker 1: See it's starting. They don't want.

2727
01:56:31,120 --> 01:56:33,640
Speaker 9: If Kendrick doesn't reply, which he will, but if he doesn't,

2728
01:56:33,680 --> 01:56:34,560
Speaker 9: Mal Drake wins.

2729
01:56:35,440 --> 01:56:35,800
Speaker 2: There you go.

2730
01:56:36,680 --> 01:56:39,240
Speaker 7: Drake already won. Drake already want to me?

2731
01:56:39,400 --> 01:56:41,320
Speaker 9: I still, I said from the John, Drake's gonna win.

2732
01:56:41,400 --> 01:56:43,320
Speaker 9: This whole ship playing with him is not No, you

2733
01:56:43,360 --> 01:56:43,600
Speaker 9: did not.

2734
01:56:44,040 --> 01:56:45,120
Speaker 2: It's like you was.

2735
01:56:45,360 --> 01:56:47,160
Speaker 1: It's all recorded in North Carolina.

2736
01:56:47,520 --> 01:56:48,440
Speaker 2: What does that have to do with me.

2737
01:56:52,000 --> 01:56:52,560
Speaker 1: And Commander?

2738
01:56:52,680 --> 01:56:55,520
Speaker 3: First of all, General, you were walking around the grounds

2739
01:56:55,560 --> 01:56:58,760
Speaker 3: like listen to he was like listed who wants to be?

2740
01:57:01,200 --> 01:57:03,680
Speaker 9: But even in this whole thing, Drake and Kendrick, Drake

2741
01:57:03,720 --> 01:57:05,480
Speaker 9: and Cole are on the same team. Yeah, so it's

2742
01:57:05,520 --> 01:57:08,840
Speaker 9: not the team, yeah, I said, their team cold fine

2743
01:57:09,000 --> 01:57:11,120
Speaker 9: by Drake still in the fight, he'll win.

2744
01:57:11,800 --> 01:57:13,160
Speaker 2: I don't think Kendrick's got it.

2745
01:57:13,840 --> 01:57:15,360
Speaker 1: I don't you don't think he's got it.

2746
01:57:15,760 --> 01:57:16,680
Speaker 7: Kendricks us.

2747
01:57:16,800 --> 01:57:19,040
Speaker 1: Kendrick gonna need fourteen alien voices to come back.

2748
01:57:20,280 --> 01:57:23,240
Speaker 2: He's going to speaking clayone. He going that ship from

2749
01:57:23,280 --> 01:57:23,720
Speaker 2: Star Trek.

2750
01:57:24,000 --> 01:57:24,880
Speaker 1: He go neat all of that.

2751
01:57:25,120 --> 01:57:27,879
Speaker 2: So that was that language in Avatar. He's gonna learn about.

2752
01:57:28,320 --> 01:57:28,640
Speaker 9: All of that.

2753
01:57:28,920 --> 01:57:30,880
Speaker 5: I just want to hear it though, because Kendrick obviously

2754
01:57:31,000 --> 01:57:32,160
Speaker 5: we know that. We don't have to say he's a

2755
01:57:32,560 --> 01:57:33,120
Speaker 5: great artist.

2756
01:57:33,160 --> 01:57:33,360
Speaker 7: Great.

2757
01:57:33,560 --> 01:57:34,680
Speaker 3: Will you listen with an open here?

2758
01:57:35,040 --> 01:57:38,000
Speaker 2: I know all types of shot.

2759
01:57:39,280 --> 01:57:43,080
Speaker 1: Is always y'all, y'all just mad, y'all, y'all know what

2760
01:57:43,240 --> 01:57:46,480
Speaker 1: y'all mad because everybody thought everybody y'all thought was y'all

2761
01:57:46,680 --> 01:57:47,760
Speaker 1: was y'all horse and the race.

2762
01:57:48,560 --> 01:57:50,560
Speaker 2: We're so past it, the call thing.

2763
01:57:50,960 --> 01:57:53,880
Speaker 1: We're beyond the cold thing. Like just period, y'all came in,

2764
01:57:54,280 --> 01:57:56,240
Speaker 1: Drake is on the clock soon as that like that

2765
01:57:56,600 --> 01:57:57,400
Speaker 1: run that episode.

2766
01:57:57,440 --> 01:58:01,000
Speaker 3: You're admitting to this entire thing, because now I'm yelling,

2767
01:58:01,040 --> 01:58:01,840
Speaker 3: Kendrick's on the clock.

2768
01:58:01,960 --> 01:58:04,040
Speaker 1: No, No, I'm not to what you're saying.

2769
01:58:04,280 --> 01:58:06,160
Speaker 5: True, I'm just saying that it's fun to see how

2770
01:58:06,320 --> 01:58:09,200
Speaker 5: it went from when like that drop and the energy

2771
01:58:09,280 --> 01:58:11,800
Speaker 5: that was in the room to where the energy is now.

2772
01:58:11,960 --> 01:58:16,440
Speaker 1: Yeah, that's all I'm saying, but that's how Beefiga anti

2773
01:58:16,600 --> 01:58:19,000
Speaker 1: Drake bro anti Drake.

2774
01:58:19,240 --> 01:58:21,640
Speaker 5: I'm just saying, y'all came in here and y'all wanted

2775
01:58:21,680 --> 01:58:23,440
Speaker 5: that man to engage in a beef while he was

2776
01:58:23,480 --> 01:58:25,760
Speaker 5: still on a tour. Yeah, I'm a rap fan, hold on,

2777
01:58:25,880 --> 01:58:28,520
Speaker 5: and I said, Yo, he can't finish the tour first,

2778
01:58:28,720 --> 01:58:30,680
Speaker 5: because when you get into a rat beef, you have

2779
01:58:30,760 --> 01:58:32,040
Speaker 5: to become a whole different person.

2780
01:58:32,120 --> 01:58:34,040
Speaker 7: That Nigga had a New York show at the end

2781
01:58:34,080 --> 01:58:35,600
Speaker 7: of day that was like his last show. He ain't

2782
01:58:35,640 --> 01:58:36,200
Speaker 7: have ship to do.

2783
01:58:36,360 --> 01:58:38,320
Speaker 6: He was fine and came out a week later after

2784
01:58:38,400 --> 01:58:41,080
Speaker 6: his tours over committed. Yes, he was still on the clock.

2785
01:58:41,320 --> 01:58:43,160
Speaker 6: You can't you said, give him three months. Niggas was

2786
01:58:43,200 --> 01:58:43,880
Speaker 6: not given him three.

2787
01:58:43,800 --> 01:58:47,600
Speaker 1: Months, Okay. So it looked like that's what Kendrick is

2788
01:58:47,600 --> 01:58:50,520
Speaker 1: about to do and he is going and you wish

2789
01:58:50,600 --> 01:58:52,120
Speaker 1: to say that he's he lost.

2790
01:58:52,320 --> 01:58:53,800
Speaker 3: If we came in here, it was like, now Kendrick

2791
01:58:53,840 --> 01:58:55,640
Speaker 3: can take his time. Then we looked like we're moving

2792
01:58:55,680 --> 01:58:57,240
Speaker 3: the gold posts and being by the bottom of we're

2793
01:58:57,240 --> 01:58:57,920
Speaker 3: saying the same thing.

2794
01:58:59,160 --> 01:59:03,800
Speaker 1: Generation z no, no millennial millennials, You millennials, y'all new things.

2795
01:59:03,840 --> 01:59:04,600
Speaker 3: You're a millennial too.

2796
01:59:04,680 --> 01:59:05,480
Speaker 2: Are you a baby boom?

2797
01:59:05,640 --> 01:59:06,000
Speaker 1: No, he's not.

2798
01:59:06,120 --> 01:59:08,160
Speaker 7: You know, he might be. He might be a millennial.

2799
01:59:08,280 --> 01:59:11,560
Speaker 1: You millennials, y'all. Are I'm a millennial too? Yes?

2800
01:59:11,840 --> 01:59:13,280
Speaker 3: How yeah? What eighty.

2801
01:59:14,840 --> 01:59:15,280
Speaker 1: Eighty one?

2802
01:59:15,600 --> 01:59:16,760
Speaker 3: You are the first millennial?

2803
01:59:16,920 --> 01:59:18,240
Speaker 1: Okay, so I'm the og millennial?

2804
01:59:18,520 --> 01:59:19,520
Speaker 3: Are you started this ship?

2805
01:59:19,640 --> 01:59:19,680
Speaker 9: So?

2806
01:59:19,800 --> 01:59:22,720
Speaker 1: You you you little you little young punk millennials. I

2807
01:59:22,840 --> 01:59:25,040
Speaker 1: got this new thing that where it's facts, It's called

2808
01:59:25,080 --> 01:59:25,640
Speaker 1: dick rotten.

2809
01:59:26,280 --> 01:59:26,720
Speaker 3: That's true.

2810
01:59:26,800 --> 01:59:29,080
Speaker 5: That generation thing y'all created that if his facts is

2811
01:59:29,120 --> 01:59:31,400
Speaker 5: dick rotting, which is crazy to me, Like I didn't

2812
01:59:31,440 --> 01:59:34,480
Speaker 5: know facts was like, I mean your writing, dick, I didn't.

2813
01:59:34,560 --> 01:59:35,440
Speaker 1: That's like some new ship.

2814
01:59:35,920 --> 01:59:39,480
Speaker 3: Okay, back to showing how objective cut off.

2815
01:59:39,560 --> 01:59:41,600
Speaker 6: First of all, you're talking about facts and a rat battle,

2816
01:59:41,680 --> 01:59:44,360
Speaker 6: my battle. Your predictions of a rat battle can never

2817
01:59:44,480 --> 01:59:48,320
Speaker 6: beat facts. What that's yes, your opinion. If you think

2818
01:59:48,360 --> 01:59:50,520
Speaker 6: a song is good, that's your opinion. That's not a fact.

2819
01:59:50,640 --> 01:59:50,840
Speaker 3: True.

2820
01:59:51,640 --> 01:59:51,800
Speaker 9: Yeah.

2821
01:59:52,000 --> 01:59:54,360
Speaker 1: So yeah, So you talk about facts and dick writing.

2822
01:59:54,400 --> 01:59:57,040
Speaker 1: Nobody's talking about about fact. I'm talking about the facts

2823
01:59:57,120 --> 01:59:58,560
Speaker 1: of what's happening and what's going on.

2824
01:59:58,680 --> 02:00:00,520
Speaker 6: That's what I'm talking But you're talking abou facts that

2825
02:00:00,720 --> 02:00:04,040
Speaker 6: you were predicting, or you were saying before things ever happened,

2826
02:00:04,080 --> 02:00:06,040
Speaker 6: they weren't fact. A fact can't be a fact if

2827
02:00:06,080 --> 02:00:08,720
Speaker 6: it didn't happen yet you came. If a fact did

2828
02:00:08,800 --> 02:00:10,880
Speaker 6: not happen yet, it's not a fact. If a piece

2829
02:00:10,920 --> 02:00:12,200
Speaker 6: of history didn't happen yet, it's not.

2830
02:00:12,480 --> 02:00:15,640
Speaker 5: I think we're arguing matter of fact. I think we're

2831
02:00:15,640 --> 02:00:18,160
Speaker 5: talking about tw different things. What I'm saying is if

2832
02:00:18,240 --> 02:00:21,960
Speaker 5: something is true, and it's a fact, true, and you

2833
02:00:22,160 --> 02:00:25,520
Speaker 5: know that it's true and that it's a fact, people

2834
02:00:25,600 --> 02:00:27,600
Speaker 5: will call you a dick rider for saying that that

2835
02:00:27,760 --> 02:00:29,640
Speaker 5: is a fact when they know that it's a fact.

2836
02:00:30,640 --> 02:00:32,680
Speaker 5: Y'all the thirty year old started that, y'all started that

2837
02:00:33,360 --> 02:00:36,840
Speaker 5: that was never a thing. Facts was always facts. If

2838
02:00:36,840 --> 02:00:38,600
Speaker 5: it's a fact, you know what nigga say, Yo, you're right.

2839
02:00:38,680 --> 02:00:41,280
Speaker 7: Well, what fact did you say that? Niggas called you

2840
02:00:41,320 --> 02:00:43,720
Speaker 7: a dick rider for anything?

2841
02:00:43,760 --> 02:00:44,160
Speaker 1: I'm saying.

2842
02:00:44,440 --> 02:00:46,880
Speaker 5: Anything that I'm saying that's related to Drake the record,

2843
02:00:47,280 --> 02:00:50,800
Speaker 5: him dropping the verse, him on tour. Anything I was saying, Yo,

2844
02:00:50,880 --> 02:00:52,360
Speaker 5: he's on tour. Why y'all want him to respond?

2845
02:00:52,400 --> 02:00:55,440
Speaker 1: Right now? You're riding dick He's on tour. That's a fact.

2846
02:00:56,280 --> 02:00:58,840
Speaker 5: Right now, y'all want him to respond right now? And

2847
02:00:58,920 --> 02:01:01,160
Speaker 5: I replied, I thought that that was that's crazy, Nigga said,

2848
02:01:01,200 --> 02:01:04,280
Speaker 5: I was writing dick. I'm like, he's not on tour,

2849
02:01:05,680 --> 02:01:07,520
Speaker 5: that was a fact. Then the dates was up, you

2850
02:01:07,560 --> 02:01:08,560
Speaker 5: could see he was on tour.

2851
02:01:08,880 --> 02:01:10,400
Speaker 6: But I don't think that's where you got all the

2852
02:01:10,520 --> 02:01:13,080
Speaker 6: like cock writing allegations. I think the cock writing allegations

2853
02:01:13,160 --> 02:01:14,960
Speaker 6: came from when you started saying that Drake was the

2854
02:01:15,000 --> 02:01:16,760
Speaker 6: greatest rapper ever and the only person that was better

2855
02:01:16,760 --> 02:01:19,600
Speaker 6: at him than rapping was Jay Z and wrong, that's

2856
02:01:19,680 --> 02:01:22,000
Speaker 6: what That's your opinion, But that's opinion. So that's why

2857
02:01:22,040 --> 02:01:23,840
Speaker 6: I say you, okay, you're facked into something.

2858
02:01:23,880 --> 02:01:25,280
Speaker 5: One of your favorite rappers of all time, one of

2859
02:01:25,280 --> 02:01:27,000
Speaker 5: your favorite people with Kanye. He said the same thing

2860
02:01:27,040 --> 02:01:27,960
Speaker 5: as Kanye written dick.

2861
02:01:29,440 --> 02:01:30,840
Speaker 3: Do I ride Kanye's dick? Pause?

2862
02:01:30,840 --> 02:01:32,360
Speaker 1: You know what I'm saying. Kanye said that Drake is

2863
02:01:32,360 --> 02:01:33,160
Speaker 1: the greatest rapper ever.

2864
02:01:34,120 --> 02:01:36,800
Speaker 3: He's He's been accused of writing Drake's dick before before

2865
02:01:36,800 --> 02:01:37,600
Speaker 3: the least shit.

2866
02:01:37,680 --> 02:01:38,120
Speaker 1: I didn't know that.

2867
02:01:38,480 --> 02:01:40,320
Speaker 3: No, you are correct. My generation does that if you

2868
02:01:40,400 --> 02:01:43,839
Speaker 3: say one bad thing about or just any type of criticism.

2869
02:01:44,000 --> 02:01:46,520
Speaker 3: You're hating if you say one kind word, you're Dick writing.

2870
02:01:46,640 --> 02:01:48,880
Speaker 3: This is uh, that's you're right, that's our generation I

2871
02:01:48,960 --> 02:01:49,320
Speaker 3: created that.

2872
02:01:49,440 --> 02:01:50,240
Speaker 2: This reminds me of this.

2873
02:01:50,400 --> 02:01:54,920
Speaker 9: I think this uh summarizes this current conversation having mean

2874
02:01:55,000 --> 02:01:56,560
Speaker 9: as hell, get off, Dick.

2875
02:01:56,440 --> 02:01:57,240
Speaker 12: Bro, what is doing?

2876
02:01:58,760 --> 02:01:58,800
Speaker 3: No?

2877
02:01:59,440 --> 02:02:01,800
Speaker 2: You right, That's what I'm saying. Bro, you gotta calm

2878
02:02:01,840 --> 02:02:02,480
Speaker 2: down with that ship.

2879
02:02:02,640 --> 02:02:06,600
Speaker 1: Yeah my fault. That was okay, shot right there though.

2880
02:02:06,640 --> 02:02:10,000
Speaker 2: Oh my god, Bro, Dick Ding all you do you

2881
02:02:10,080 --> 02:02:11,640
Speaker 2: hardly got that in your mouth right now?

2882
02:02:11,680 --> 02:02:12,080
Speaker 11: I see it.

2883
02:02:14,760 --> 02:02:17,360
Speaker 2: So that's been your comments for the last two weeks.

2884
02:02:17,560 --> 02:02:20,000
Speaker 3: Where I get really offended with the Dick riding stuff

2885
02:02:20,240 --> 02:02:23,120
Speaker 3: is we have a perfect example of that in an

2886
02:02:23,160 --> 02:02:26,200
Speaker 3: abundance right now with the stand culture. We know what

2887
02:02:26,320 --> 02:02:30,320
Speaker 3: Dick Rydan looks like. All right, so to me, to

2888
02:02:30,440 --> 02:02:32,920
Speaker 3: me with Dick RD, you don't know what Dick Rydan

2889
02:02:32,920 --> 02:02:36,680
Speaker 3: looks like. Rginly to me, to me what that means, Yeah,

2890
02:02:36,880 --> 02:02:37,360
Speaker 3: he didn't work.

2891
02:02:38,600 --> 02:02:40,919
Speaker 1: If you're saying something and it's completely wrong.

2892
02:02:40,800 --> 02:02:43,120
Speaker 3: Have you seen the barbs? Have you seen even the beehive?

2893
02:02:43,440 --> 02:02:46,360
Speaker 3: Every stand group is including in this. We know what

2894
02:02:46,440 --> 02:02:48,360
Speaker 3: Dick Ryding looks like. So if I say I like

2895
02:02:48,400 --> 02:02:50,160
Speaker 3: a song, don't call me a dick rider, because we

2896
02:02:50,280 --> 02:02:51,200
Speaker 3: know what a dick rider looks like.

2897
02:02:51,280 --> 02:02:53,200
Speaker 1: If I say I like a bar, like a battle,

2898
02:02:53,320 --> 02:02:55,120
Speaker 1: I think this guy's want in the battle. That's dick

2899
02:02:55,240 --> 02:02:55,680
Speaker 1: righting now.

2900
02:02:55,840 --> 02:02:58,600
Speaker 6: Yeah, No, but I think they might also be referring

2901
02:02:58,640 --> 02:03:00,680
Speaker 6: to is when the when the dish like because you

2902
02:03:01,120 --> 02:03:03,120
Speaker 6: did disk drop and like you said, down, it was

2903
02:03:03,240 --> 02:03:04,200
Speaker 6: doing that shoulder move.

2904
02:03:04,320 --> 02:03:06,440
Speaker 1: But that was funny that I think that's what it was.

2905
02:03:08,880 --> 02:03:16,080
Speaker 2: Doing that. Yeah, Julian, I'm saying what.

2906
02:03:16,200 --> 02:03:18,440
Speaker 5: I just think that is just a generational thing. I

2907
02:03:18,440 --> 02:03:20,320
Speaker 5: think that that's somehow y'all made up to like how

2908
02:03:20,440 --> 02:03:21,200
Speaker 5: ja insecurities.

2909
02:03:23,800 --> 02:03:28,200
Speaker 1: Your generation, Your generation created the most homophobic people.

2910
02:03:28,560 --> 02:03:31,960
Speaker 3: Invented the macular that we use in regards to that stuff.

2911
02:03:32,560 --> 02:03:35,960
Speaker 3: Like everything that is somewhat of an insult in regards

2912
02:03:36,000 --> 02:03:39,040
Speaker 3: to liking another man in their craft was from your

2913
02:03:39,160 --> 02:03:43,360
Speaker 3: generation with some homophobic gay slers. Yeah, we didn't get

2914
02:03:43,480 --> 02:03:46,160
Speaker 3: the term dick riding from our so we didn't make

2915
02:03:46,200 --> 02:03:48,480
Speaker 3: that up. That's y'all homophobic ship that you talked to us.

2916
02:03:48,640 --> 02:03:53,440
Speaker 1: True, we used it in the correct term. Y'all have

2917
02:03:53,600 --> 02:03:54,480
Speaker 1: made it your own things.

2918
02:03:54,560 --> 02:03:58,400
Speaker 6: So what's writing according to old people speak to old

2919
02:03:58,440 --> 02:04:01,920
Speaker 6: people speaking? Like what's ride in according to the older generations?

2920
02:04:02,000 --> 02:04:04,280
Speaker 6: Like what what would be dick right into y'all.

2921
02:04:04,160 --> 02:04:06,960
Speaker 5: If somebody, somebody is doing something wrong and you know

2922
02:04:07,040 --> 02:04:09,600
Speaker 5: what's wrong, and you still jacking what they're doing, like, nah,

2923
02:04:09,640 --> 02:04:10,840
Speaker 5: that's dope on.

2924
02:04:11,240 --> 02:04:13,160
Speaker 1: You know that's not that's dick right.

2925
02:04:13,160 --> 02:04:13,920
Speaker 3: It's a loyal friend.

2926
02:04:16,200 --> 02:04:21,520
Speaker 7: So if somebody has like, hel up, she was wrong,

2927
02:04:21,920 --> 02:04:23,480
Speaker 7: I was, I fell like I couldn't.

2928
02:04:23,720 --> 02:04:25,080
Speaker 3: I stood with her. I stood at her when she

2929
02:04:25,160 --> 02:04:25,440
Speaker 3: was wrong.

2930
02:04:25,560 --> 02:04:27,400
Speaker 6: So when why I was growing up, what I thought

2931
02:04:27,440 --> 02:04:29,040
Speaker 6: of not what they call it now, what I thought

2932
02:04:29,040 --> 02:04:31,560
Speaker 6: of dick writing is like is not just being a

2933
02:04:31,640 --> 02:04:33,880
Speaker 6: fan of someone, but that person, like you said, that

2934
02:04:33,960 --> 02:04:37,600
Speaker 6: person can do no wrong and just like they have clouts,

2935
02:04:37,680 --> 02:04:39,800
Speaker 6: so anything they do, you're just like hyping it up

2936
02:04:40,240 --> 02:04:42,120
Speaker 6: and like it's a repetitive thing. It's like I like,

2937
02:04:42,200 --> 02:04:44,640
Speaker 6: we get it, like that's your man's or you feel okay,

2938
02:04:44,720 --> 02:04:46,760
Speaker 6: like but like you dick writing at this point, not

2939
02:04:46,960 --> 02:04:48,560
Speaker 6: just like oh I like him or something like that,

2940
02:04:48,680 --> 02:04:50,320
Speaker 6: but it's like a repetitive thing, like you gotta keep

2941
02:04:50,360 --> 02:04:51,720
Speaker 6: reminding us that you like him.

2942
02:04:52,160 --> 02:04:56,560
Speaker 2: Hence the writing to me in this story.

2943
02:04:56,640 --> 02:04:57,880
Speaker 1: I don't see where I did any of that.

2944
02:04:58,040 --> 02:04:58,960
Speaker 7: I'm no, I'm not saying.

2945
02:05:00,200 --> 02:05:02,320
Speaker 1: I'm just laughing at the way that that term has turned.

2946
02:05:02,400 --> 02:05:04,440
Speaker 9: Well, I'm gonna I'm trying to think about it from

2947
02:05:04,480 --> 02:05:06,880
Speaker 9: the perspective of people that are consuming most of our

2948
02:05:06,920 --> 02:05:09,160
Speaker 9: content and where we're pulling from with your Instagram and

2949
02:05:09,200 --> 02:05:11,560
Speaker 9: Twitter comments and the clips we put out. There was

2950
02:05:11,640 --> 02:05:14,120
Speaker 9: like three or four clips in a row. Maybe not

2951
02:05:14,160 --> 02:05:16,840
Speaker 9: in a row, but like in a two week span.

2952
02:05:16,920 --> 02:05:19,480
Speaker 9: We were talking about the battle of us, discussing the battle,

2953
02:05:19,520 --> 02:05:22,040
Speaker 9: but you overly defending Drake or like.

2954
02:05:22,680 --> 02:05:24,760
Speaker 1: Against there's nothing to defend him against.

2955
02:05:25,160 --> 02:05:25,400
Speaker 2: He's not.

2956
02:05:25,600 --> 02:05:28,640
Speaker 9: He doesn't maybe defends on the supporting Drake, let's say

2957
02:05:28,680 --> 02:05:30,280
Speaker 9: support because I think it could just comes down to

2958
02:05:30,320 --> 02:05:31,000
Speaker 9: you be a record.

2959
02:05:33,840 --> 02:05:35,680
Speaker 1: That's Dick talking about the record he put out.

2960
02:05:35,840 --> 02:05:38,760
Speaker 2: Is Dick Rodden. Yeah, I got it when you said

2961
02:05:38,800 --> 02:05:41,040
Speaker 2: he was the loop A thing. That whole clip. There

2962
02:05:41,080 --> 02:05:42,200
Speaker 2: was multiple clips.

2963
02:05:43,920 --> 02:05:45,520
Speaker 5: Because I'm Dick around him, because I don't think that

2964
02:05:45,720 --> 02:05:46,960
Speaker 5: loop A raps better than Drake.

2965
02:05:48,000 --> 02:05:49,640
Speaker 1: I thought we just said it was subjective.

2966
02:05:49,960 --> 02:05:51,640
Speaker 2: Well, I agree with you, So.

2967
02:05:51,680 --> 02:05:53,320
Speaker 3: Which points which is the questions at the top of

2968
02:05:53,320 --> 02:05:55,000
Speaker 3: the episode, That's what I'm.

2969
02:05:54,480 --> 02:05:55,920
Speaker 1: Just trying to figure out, because my thing is I

2970
02:05:56,000 --> 02:05:59,400
Speaker 1: try I'm trying to understand, like what is the current

2971
02:05:59,480 --> 02:06:02,080
Speaker 1: thing now? That's all. So I'm just trying to understand.

2972
02:06:02,080 --> 02:06:04,040
Speaker 1: Oh that's considered dick riding. Oh okay, got it.

2973
02:06:04,920 --> 02:06:07,160
Speaker 3: Like I said, in the meaning, it's the optics of

2974
02:06:07,520 --> 02:06:12,160
Speaker 3: that clip of me naming rappers. You admittedly having a

2975
02:06:12,600 --> 02:06:16,480
Speaker 3: relationship with Drake, and so is the time that there's

2976
02:06:16,520 --> 02:06:18,440
Speaker 3: been no Kendrick replies, So all we've been able to

2977
02:06:18,480 --> 02:06:21,360
Speaker 3: do is talk about Drake. I'm not saying it's it's true.

2978
02:06:21,400 --> 02:06:23,480
Speaker 3: I'm telling you how someone could view it, that's all.

2979
02:06:23,720 --> 02:06:25,360
Speaker 7: Yes, same, nobody's no, none of us are.

2980
02:06:25,360 --> 02:06:26,800
Speaker 3: I don't think you're Dick writing Drake at all.

2981
02:06:26,840 --> 02:06:27,440
Speaker 1: No, I'm not saying you.

2982
02:06:27,560 --> 02:06:29,920
Speaker 5: I'm just talking about what this generation says. I'm just

2983
02:06:29,960 --> 02:06:32,440
Speaker 5: trying to figure out how y'all use terms and words.

2984
02:06:32,480 --> 02:06:32,840
Speaker 1: That's all.

2985
02:06:33,360 --> 02:06:34,240
Speaker 3: We learned them from you.

2986
02:06:35,080 --> 02:06:38,320
Speaker 1: Yeah, well we use them correctly. Y'all took them and made.

2987
02:06:38,120 --> 02:06:40,000
Speaker 3: Them all right, poetic justice, you know, we try to

2988
02:06:40,000 --> 02:06:43,600
Speaker 3: take the culture further. Okay, new meanings to new words,

2989
02:06:45,960 --> 02:06:47,720
Speaker 3: you know anyways?

2990
02:06:48,560 --> 02:06:52,120
Speaker 5: Yeah, either way, Uh, with that said, with that being said,

2991
02:06:52,520 --> 02:06:56,160
Speaker 5: thank y'all for listening. New Roymaal dot com tickets available.

2992
02:06:56,200 --> 02:06:58,120
Speaker 1: Well, no, not yet, not yet.

2993
02:06:58,240 --> 02:07:02,000
Speaker 5: Soon soon tickets will be available for shows, but merchants available.

2994
02:07:03,920 --> 02:07:07,440
Speaker 5: Subscribe to the patron, subscribe to YouTube and we'll talk

2995
02:07:07,480 --> 02:07:11,680
Speaker 5: to y'all soon. About forty eight hours, yes, sir, another

2996
02:07:11,720 --> 02:07:13,040
Speaker 5: forty eight hours we'll talk to y'all.

2997
02:07:13,040 --> 02:07:15,240
Speaker 1: Be safe, be blessed. I'm not nigga, he's just Ginger peace.

2998
02:07:15,560 --> 02:07:17,000
Speaker 7: No worrying now