WEBVTT - Alyson Hannigan 

0:00:00.160 --> 0:00:04.360
<v Speaker 1>My daughter would love that call sheet. Your daughter was huge. Yes,

0:00:04.519 --> 0:00:08.239
<v Speaker 1>she's a huge fan, and I'm getting a lot of

0:00:08.280 --> 0:00:11.400
<v Speaker 1>cool points by talking to you today. Until she finds

0:00:11.400 --> 0:00:15.080
<v Speaker 1>out that I said the word cool points, I'll get

0:00:15.080 --> 0:00:24.720
<v Speaker 1>some deductions for that, but yeah, she's very happy. Hi.

0:00:25.000 --> 0:00:30.040
<v Speaker 1>I'm Alison Hannigan. You probably remember me from My Stepmother's

0:00:30.040 --> 0:00:33.880
<v Speaker 1>An Alien. I played Jesse because fan favorite. I've done

0:00:33.880 --> 0:00:36.839
<v Speaker 1>some other stuff too, but you know we're really here

0:00:36.880 --> 0:00:48.200
<v Speaker 1>to talk about my stepmothers an Alien. Right, Hello everybody,

0:00:48.240 --> 0:00:53.480
<v Speaker 1>and welcome to the very first episode of Off the Beat.

0:00:53.920 --> 0:00:57.480
<v Speaker 1>I am your host, Ryan Baumgartner, and I am so

0:00:57.600 --> 0:01:01.440
<v Speaker 1>excited to start this journey with all of you. Now,

0:01:01.640 --> 0:01:07.520
<v Speaker 1>my guest today has fought demons, worked as a kindergarten teacher,

0:01:07.600 --> 0:01:10.920
<v Speaker 1>and let's just say she has had a lot of

0:01:11.000 --> 0:01:16.040
<v Speaker 1>crazy experiences at band camp. Get ready for an absolutely

0:01:16.480 --> 0:01:22.640
<v Speaker 1>hilarious conversation with Alison Hannigan. Now, Alison, she was born

0:01:23.000 --> 0:01:25.240
<v Speaker 1>to be in show biz and she has been working

0:01:25.240 --> 0:01:29.240
<v Speaker 1>in the industry for her entire life, well with the

0:01:29.280 --> 0:01:31.640
<v Speaker 1>exception of a couple of years when she was a baby,

0:01:31.640 --> 0:01:35.080
<v Speaker 1>but we'll just let those years slide, okay. And while

0:01:35.200 --> 0:01:38.920
<v Speaker 1>her early jobs may have been motivated by the promise

0:01:39.000 --> 0:01:44.160
<v Speaker 1>of desserts. She has since been in everything from Buffy

0:01:44.200 --> 0:01:48.480
<v Speaker 1>the Vampire Slayer to American Pie to How I Met

0:01:48.520 --> 0:01:53.880
<v Speaker 1>Your Mother and now to my daughter's current obsession, Fancy Nancy.

0:01:54.600 --> 0:01:58.240
<v Speaker 1>And somehow in all of that, she also managed to

0:01:58.280 --> 0:02:03.080
<v Speaker 1>have her very own the office experience. Now that is

0:02:03.120 --> 0:02:06.480
<v Speaker 1>what you call a tease. It was my absolute pleasure

0:02:06.560 --> 0:02:08.960
<v Speaker 1>to sit down with Allison. And you're not gonna believe

0:02:09.000 --> 0:02:12.360
<v Speaker 1>how funny she is. I mean, you probably will believe it,

0:02:12.440 --> 0:02:17.399
<v Speaker 1>but you get my point. Please welcome with me the incredible,

0:02:17.639 --> 0:02:28.160
<v Speaker 1>the unbelievably talented Alison Hannigan. Bubble and Squeak. I love

0:02:28.840 --> 0:02:35.080
<v Speaker 1>Bubble and Squeak on Bubble and Squeaker cookie every month,

0:02:35.400 --> 0:02:48.280
<v Speaker 1>left over from the night before. Oh, I can hears

0:02:48.360 --> 0:02:54.799
<v Speaker 1>my breathing. It's very awkward. I'm going to breathe away

0:02:54.800 --> 0:03:03.720
<v Speaker 1>from the microphone. Alison. Hello, Alison, how are you good?

0:03:03.760 --> 0:03:07.960
<v Speaker 1>Are you in a beehive? I am in a beehive. Well,

0:03:08.000 --> 0:03:12.040
<v Speaker 1>my initials are b beast. Yes, so I try to

0:03:12.080 --> 0:03:15.320
<v Speaker 1>make everything around me like I'm a bee. I love it.

0:03:16.440 --> 0:03:18.880
<v Speaker 1>You have a bed in your background. I'm in a

0:03:18.960 --> 0:03:22.960
<v Speaker 1>guest bedroom, which is actually very close to our bee hives.

0:03:23.040 --> 0:03:26.760
<v Speaker 1>So there you go. Do you have bee hives? My yes,

0:03:26.960 --> 0:03:30.280
<v Speaker 1>it's my husband. He's yes, he's trying to get all

0:03:30.360 --> 0:03:33.120
<v Speaker 1>the bees. I think it was gonna be let's just

0:03:33.200 --> 0:03:37.200
<v Speaker 1>have one beehive. Now we have, like I don't know,

0:03:37.240 --> 0:03:40.320
<v Speaker 1>we're a shelter for bees. His beekeeper that he works

0:03:40.360 --> 0:03:43.280
<v Speaker 1>with is like, hey, we've got some bees from Beverly Hills.

0:03:43.320 --> 0:03:45.800
<v Speaker 1>They need a place to stay and bring him over.

0:03:46.480 --> 0:03:49.840
<v Speaker 1>That's not how my husband sounds, but I I imitate

0:03:49.920 --> 0:03:59.560
<v Speaker 1>him like that. I didn't know people did this city. Yes, yeah,

0:04:00.400 --> 0:04:03.000
<v Speaker 1>I mean we have a lot of space, so that's helpful.

0:04:03.040 --> 0:04:07.040
<v Speaker 1>But yeah, we are the honey people now. I just

0:04:07.040 --> 0:04:09.760
<v Speaker 1>just saying to a friend that we just we're going

0:04:09.800 --> 0:04:11.760
<v Speaker 1>to be known as the honey people because every time

0:04:11.800 --> 0:04:14.440
<v Speaker 1>we go somewhere, we're like, here's some honey. But I

0:04:14.560 --> 0:04:17.599
<v Speaker 1>love that. I want some of your honey. And I

0:04:17.640 --> 0:04:22.120
<v Speaker 1>mean that in a yes, Okay, come get some honey,

0:04:22.200 --> 0:04:26.040
<v Speaker 1>some oranges. We can take care of your shopping needs.

0:04:26.080 --> 0:04:29.720
<v Speaker 1>I used to have avocado trees, lots of huge, huge

0:04:29.760 --> 0:04:33.479
<v Speaker 1>avocado trees, and there's only one thing in the world

0:04:33.520 --> 0:04:36.360
<v Speaker 1>I can't eat which is avocados. So there you go.

0:04:36.520 --> 0:04:40.560
<v Speaker 1>That was like, no, we don't have the trees anymore.

0:04:41.279 --> 0:04:44.280
<v Speaker 1>Now I moved. I didn't cut them down. I didn't.

0:04:44.320 --> 0:04:49.320
<v Speaker 1>It wasn't like a fie on you trees. But yes, no,

0:04:49.480 --> 0:04:52.200
<v Speaker 1>I don't have them anymore. We have an avocado tree,

0:04:52.240 --> 0:04:56.000
<v Speaker 1>but it is a strange breed of avocado that I

0:04:56.040 --> 0:04:58.640
<v Speaker 1>don't know. Our gardener says you're supposed to eat the skin.

0:04:59.440 --> 0:05:03.640
<v Speaker 1>I don't believe him, and it's gross. They're not tasty,

0:05:03.800 --> 0:05:08.159
<v Speaker 1>but he has wonderful AVOCADOSM brings us some. Well, there

0:05:08.160 --> 0:05:12.600
<v Speaker 1>you go. You can trade for the honey exactly. Um,

0:05:12.640 --> 0:05:15.480
<v Speaker 1>I'm such a big fan of yours. I'm so excited

0:05:16.000 --> 0:05:18.320
<v Speaker 1>to be talking to you. But I want to go

0:05:18.480 --> 0:05:24.000
<v Speaker 1>back into your brain. Boy. Okay, good luck. Well, because

0:05:24.040 --> 0:05:27.440
<v Speaker 1>we have we have some like weird crossovers, though not

0:05:27.440 --> 0:05:30.800
<v Speaker 1>not exactly. You were born in d C, but you

0:05:31.000 --> 0:05:37.719
<v Speaker 1>started acting in Atlanta. That is where I am from. No, yes,

0:05:37.839 --> 0:05:40.760
<v Speaker 1>the A T L And I was there when you

0:05:40.839 --> 0:05:44.159
<v Speaker 1>were there. If my research is true, did you move

0:05:44.240 --> 0:05:47.599
<v Speaker 1>to Atlanta or you just started acting in Atlanta? So

0:05:47.960 --> 0:05:51.440
<v Speaker 1>we My mom and dad sort of split up in

0:05:51.560 --> 0:05:54.080
<v Speaker 1>d C when I was a baby, and then she

0:05:54.320 --> 0:05:56.560
<v Speaker 1>was born and raised in Atlanta, so she moved back

0:05:56.600 --> 0:06:00.279
<v Speaker 1>there with me. And so even though it's born in See,

0:06:00.279 --> 0:06:03.479
<v Speaker 1>I don't remember it at all. Like, my hometown is Atlanta.

0:06:04.520 --> 0:06:07.080
<v Speaker 1>That's where I was in elementary school and everything. Yeah,

0:06:07.120 --> 0:06:10.039
<v Speaker 1>where did you go to elementary school? Well? First it

0:06:10.120 --> 0:06:13.680
<v Speaker 1>was this small little private school called the Children's School

0:06:14.120 --> 0:06:17.400
<v Speaker 1>right near Kimont Park. And then I really I really

0:06:17.400 --> 0:06:19.279
<v Speaker 1>wanted to take the school bus, so I begged my

0:06:19.360 --> 0:06:22.160
<v Speaker 1>mom didn't take me out of private school and so

0:06:22.200 --> 0:06:25.320
<v Speaker 1>I could go to public school. She's like, okay, And

0:06:25.440 --> 0:06:28.039
<v Speaker 1>so then I went to UM. I had one year

0:06:28.040 --> 0:06:32.159
<v Speaker 1>of Garden Hills Elementary School, and then moved to middle

0:06:32.240 --> 0:06:34.800
<v Speaker 1>school and went to Sutton Middle School, and then we

0:06:34.839 --> 0:06:38.880
<v Speaker 1>moved out to California. Okay, all right, I know Sutton.

0:06:39.080 --> 0:06:43.240
<v Speaker 1>I was a Holy Innocence and Westminster kid in the

0:06:43.279 --> 0:06:47.360
<v Speaker 1>A t L. So you started doing commercials. I understand

0:06:47.400 --> 0:06:50.200
<v Speaker 1>when you were four in the A t L. Now

0:06:50.279 --> 0:06:52.680
<v Speaker 1>was this something that you were interested in or your

0:06:52.880 --> 0:06:56.279
<v Speaker 1>your mom was interested in, or how did this start? Well?

0:06:56.360 --> 0:07:00.320
<v Speaker 1>I don't really actually remember a time where I didn't

0:07:00.360 --> 0:07:03.240
<v Speaker 1>want to be an actress. So for me, I always

0:07:03.279 --> 0:07:05.400
<v Speaker 1>wanted to do it. Back then, it was a hobby.

0:07:05.440 --> 0:07:07.240
<v Speaker 1>It was like I played soccer and I also did

0:07:07.279 --> 0:07:10.920
<v Speaker 1>commercials and print jobs. Both my parents were photographers when

0:07:10.920 --> 0:07:13.160
<v Speaker 1>I was a baby, so if they ever needed a

0:07:13.240 --> 0:07:16.120
<v Speaker 1>you know baby for modeling, they just stick me in

0:07:16.160 --> 0:07:18.640
<v Speaker 1>front of the camera and I loved it. So that

0:07:18.800 --> 0:07:22.320
<v Speaker 1>sort of led to you know modeling, and you know,

0:07:22.360 --> 0:07:26.040
<v Speaker 1>I thought that was really fun, and then commercials as well.

0:07:26.640 --> 0:07:29.720
<v Speaker 1>My first commercial was like a Duncan Hinz cookie commercial.

0:07:30.120 --> 0:07:32.320
<v Speaker 1>I think I was basically an extra, but I got

0:07:32.360 --> 0:07:35.160
<v Speaker 1>to just walk with this chocolate chip cookie to the

0:07:35.200 --> 0:07:37.880
<v Speaker 1>car and it was really hot because its Atlanta, and

0:07:37.920 --> 0:07:40.880
<v Speaker 1>the chocolate chips would just melt all over my fingers,

0:07:41.080 --> 0:07:42.760
<v Speaker 1>so they wouldn't let me eat the cookie, but I

0:07:42.760 --> 0:07:45.720
<v Speaker 1>could lick my fingers after every take. It was heaven.

0:07:46.080 --> 0:07:48.760
<v Speaker 1>I was sold right then and there, like this is

0:07:48.760 --> 0:07:53.040
<v Speaker 1>the job for me. But then you said you moved

0:07:53.040 --> 0:07:55.600
<v Speaker 1>to Los Angeles. So now when you moved to Los Angeles,

0:07:55.600 --> 0:08:00.320
<v Speaker 1>were you moving because you wanted to pursue this or yes, yes,

0:08:00.560 --> 0:08:03.680
<v Speaker 1>My mom was really supportive. My dad had moved out

0:08:03.680 --> 0:08:07.040
<v Speaker 1>to Santa Barbara and I came to visit him when

0:08:07.680 --> 0:08:10.920
<v Speaker 1>like some break or something and uh, and she had

0:08:10.960 --> 0:08:13.800
<v Speaker 1>set set up some agent meetings because we had always

0:08:13.840 --> 0:08:17.120
<v Speaker 1>heard it was really hard to get agents in California.

0:08:17.560 --> 0:08:19.440
<v Speaker 1>So we met with like four agents and they were

0:08:19.440 --> 0:08:21.880
<v Speaker 1>all like, well, if you move out here, we'll take you.

0:08:22.080 --> 0:08:23.920
<v Speaker 1>So she was like, all right, let's do it. So

0:08:24.000 --> 0:08:26.480
<v Speaker 1>she was kind of bored, and that's how we got

0:08:26.480 --> 0:08:30.880
<v Speaker 1>out here, I mean, thankfully. I think I had gotten

0:08:30.920 --> 0:08:34.800
<v Speaker 1>really close to or so I was told to this

0:08:35.120 --> 0:08:38.600
<v Speaker 1>movie with Sissy Spacek and Mel Gibson I think called

0:08:38.720 --> 0:08:43.559
<v Speaker 1>The River or something. The River anyway, remember a long time,

0:08:45.840 --> 0:08:49.440
<v Speaker 1>but so so they did you know, it was a

0:08:49.440 --> 0:08:52.720
<v Speaker 1>southern movie or whatever, and and I wound up screen

0:08:52.800 --> 0:08:55.320
<v Speaker 1>testing for that and so I think that kind of

0:08:55.360 --> 0:08:58.760
<v Speaker 1>gave her a like, oh wait, maybe she can do

0:08:58.800 --> 0:09:02.520
<v Speaker 1>more than just the local commercials. So we did and

0:09:02.520 --> 0:09:05.720
<v Speaker 1>we moved out and I had an agent and worked

0:09:05.760 --> 0:09:08.280
<v Speaker 1>a little and didn't work a lot, But it was

0:09:08.360 --> 0:09:10.800
<v Speaker 1>just something I always knew that I wanted. I just

0:09:10.840 --> 0:09:13.439
<v Speaker 1>got like a weird accent then always. I don't know

0:09:13.480 --> 0:09:17.720
<v Speaker 1>where that came from. Always, but yeah, I mean I

0:09:17.800 --> 0:09:21.440
<v Speaker 1>remember just I was an only child, still am and uh,

0:09:21.559 --> 0:09:24.920
<v Speaker 1>and then I would be home alone a lot and

0:09:25.040 --> 0:09:27.959
<v Speaker 1>I would just always pretend that I was on television.

0:09:28.320 --> 0:09:30.800
<v Speaker 1>I was, like I thought, I guess I wanted to

0:09:30.840 --> 0:09:33.920
<v Speaker 1>be a reality television star before it ever was a thing.

0:09:34.400 --> 0:09:36.760
<v Speaker 1>But um, so I would just walk around the house

0:09:36.800 --> 0:09:39.880
<v Speaker 1>like thinking, I'm on television right now, somebody. I just

0:09:39.920 --> 0:09:42.200
<v Speaker 1>can't see the cameras, but I'm sure that I'm on TV.

0:09:43.200 --> 0:09:47.000
<v Speaker 1>You know, I wanted to be Cindy Brady, so I

0:09:47.080 --> 0:09:50.880
<v Speaker 1>just always knew. So. So the long answer to that

0:09:51.160 --> 0:09:55.920
<v Speaker 1>question is yes, my mom definitely wanted it as well,

0:09:56.240 --> 0:09:59.920
<v Speaker 1>but it wasn't She was not pushing me into it, right.

0:10:00.520 --> 0:10:02.680
<v Speaker 1>Did you do Did you do theater at all? Or

0:10:02.720 --> 0:10:05.800
<v Speaker 1>was it really for you about film? I did a

0:10:05.840 --> 0:10:09.200
<v Speaker 1>little bit of theater, but not not really like I

0:10:09.240 --> 0:10:12.520
<v Speaker 1>wasn't a proper actor or sorry, Um, I did do

0:10:12.920 --> 0:10:17.800
<v Speaker 1>my first like stage show at the Alliance Theater. It's

0:10:17.840 --> 0:10:20.760
<v Speaker 1>like the biggest. She just name drops, like the biggest.

0:10:21.160 --> 0:10:24.440
<v Speaker 1>I just did this one show, probably a camp it was.

0:10:25.160 --> 0:10:27.760
<v Speaker 1>I don't really remember. I was very young, but I

0:10:27.800 --> 0:10:32.120
<v Speaker 1>do remember that we all did Shell Silverstein's A Light

0:10:32.160 --> 0:10:36.480
<v Speaker 1>in the Attic, which is just really cute little short stories.

0:10:36.800 --> 0:10:39.320
<v Speaker 1>But we would act out short stories and I just

0:10:39.360 --> 0:10:43.040
<v Speaker 1>thought that was brilliant. I love that. The Giving Tree

0:10:43.640 --> 0:10:46.640
<v Speaker 1>still one of my favorite too. Now, you played soccer

0:10:47.720 --> 0:10:50.520
<v Speaker 1>as a kid, and you you got an injury. Was

0:10:50.559 --> 0:10:53.480
<v Speaker 1>that something that was significant for you? Well, it was

0:10:53.559 --> 0:10:59.120
<v Speaker 1>significant in making the shift from Southern to California, because

0:10:59.679 --> 0:11:02.760
<v Speaker 1>as I, okay, girls in the South don't kick that hard.

0:11:03.120 --> 0:11:05.760
<v Speaker 1>You know, they're not as aggressive, They're much more polite.

0:11:06.040 --> 0:11:09.080
<v Speaker 1>But I mean, it was an accident, but basically I

0:11:09.120 --> 0:11:11.640
<v Speaker 1>got kicked in the ribs really hard and sort of

0:11:12.400 --> 0:11:15.320
<v Speaker 1>dislocated something I don't know, but that was the end

0:11:15.360 --> 0:11:19.200
<v Speaker 1>of my soccer career. So I used to before that,

0:11:19.320 --> 0:11:21.160
<v Speaker 1>I would say I want to be a soccer player

0:11:21.280 --> 0:11:24.880
<v Speaker 1>or an actress, and then it was just okay, I

0:11:24.920 --> 0:11:30.440
<v Speaker 1>only have one option. Now I don't like getting hurt, Well,

0:11:30.480 --> 0:11:35.280
<v Speaker 1>I asked, because I had. I had a very similar story,

0:11:35.520 --> 0:11:37.640
<v Speaker 1>and I won't bore people with the entirety of the story.

0:11:37.720 --> 0:11:41.120
<v Speaker 1>But my dream was to be the first baseman for

0:11:41.160 --> 0:11:44.520
<v Speaker 1>the Atlanta Braves. Like not just a professional baseball player,

0:11:44.520 --> 0:11:47.760
<v Speaker 1>but like that was my dream. And I went through

0:11:48.200 --> 0:11:51.560
<v Speaker 1>an injury and a surgery and something went terribly wrong

0:11:51.840 --> 0:11:57.120
<v Speaker 1>for me, which ended my athletic career. And so I

0:11:57.240 --> 0:12:01.320
<v Speaker 1>really got into acting and theater for me at the

0:12:01.400 --> 0:12:06.000
<v Speaker 1>time because sports were no longer an option for me. Right,

0:12:06.240 --> 0:12:09.360
<v Speaker 1>I don't know if sports were an option for me.

0:12:09.920 --> 0:12:12.440
<v Speaker 1>I thought I was really good when I was in Atlanta, Like,

0:12:12.520 --> 0:12:15.520
<v Speaker 1>I was usually one of the better players on the team,

0:12:15.640 --> 0:12:19.319
<v Speaker 1>even though it's small. I was quick and I was good. Um.

0:12:19.360 --> 0:12:23.120
<v Speaker 1>But then I got out here and everybody's really really good,

0:12:23.200 --> 0:12:26.760
<v Speaker 1>and I was like, okay, I'm not that good. And

0:12:26.800 --> 0:12:29.480
<v Speaker 1>then I got hurt immediately, and I was like, that's fine.

0:12:29.559 --> 0:12:32.000
<v Speaker 1>I wasn't very good compared to these people. There was

0:12:32.040 --> 0:12:34.400
<v Speaker 1>a lot of like, oh, you've got the ball, It's okay,

0:12:35.040 --> 0:12:39.320
<v Speaker 1>you know. I mean, you know. I was on a

0:12:39.400 --> 0:12:43.120
<v Speaker 1>team called the Mighty Mites. Although you know what you

0:12:43.240 --> 0:12:47.000
<v Speaker 1>just reminded me of I did when I first started soccer.

0:12:47.040 --> 0:12:49.320
<v Speaker 1>I was like three. I was on an all boys team.

0:12:49.360 --> 0:12:52.280
<v Speaker 1>I was the only girl and we got to play

0:12:52.400 --> 0:12:56.840
<v Speaker 1>at halftime for the was it the Chiefs? The Chiefs?

0:12:57.320 --> 0:13:00.120
<v Speaker 1>The Chiefs say that anymore, the Chiefs. I don't think

0:13:00.160 --> 0:13:02.560
<v Speaker 1>they are the Chiefs anymore, but they were back then

0:13:02.640 --> 0:13:07.280
<v Speaker 1>in the seventies. Yeah, And so we got to go

0:13:07.440 --> 0:13:11.800
<v Speaker 1>to the you know, Big formerly known as Chief stadium,

0:13:11.920 --> 0:13:15.160
<v Speaker 1>and I think they brought on a goal to put

0:13:15.200 --> 0:13:17.560
<v Speaker 1>it on the center line so that you wouldn't have

0:13:17.600 --> 0:13:19.520
<v Speaker 1>to run because I had never seen a field that

0:13:19.600 --> 0:13:23.480
<v Speaker 1>big and uh and I just remember running by somebody

0:13:23.520 --> 0:13:28.079
<v Speaker 1>in the audience and they're like, that's a girl. Okay,

0:13:28.400 --> 0:13:32.760
<v Speaker 1>we gave it away the braids. And the weird thing

0:13:32.800 --> 0:13:36.240
<v Speaker 1>is that was me. That's the crazy thing about it.

0:13:36.840 --> 0:13:40.440
<v Speaker 1>That was me saying that. I remember going to those

0:13:40.480 --> 0:13:46.640
<v Speaker 1>games and watching people play and thinking they didn't pick me. Um,

0:13:46.679 --> 0:13:48.640
<v Speaker 1>you knew early on you you wanted to be an actor.

0:13:48.920 --> 0:13:53.240
<v Speaker 1>What television shows were of influence to your What what

0:13:53.280 --> 0:13:56.800
<v Speaker 1>were you watching? I was watching a lot of reruns,

0:13:57.040 --> 0:14:03.600
<v Speaker 1>you know, Brady Bunch. I love Lucy Gilligan's Island. I

0:14:03.600 --> 0:14:06.040
<v Speaker 1>went on and off of that one. You know. I

0:14:06.080 --> 0:14:08.520
<v Speaker 1>didn't like it when it went into color. I was like, no,

0:14:08.640 --> 0:14:12.320
<v Speaker 1>this is this is just too much for me. Um.

0:14:12.360 --> 0:14:15.720
<v Speaker 1>But yeah, I just I wasn't really allowed to watch

0:14:15.800 --> 0:14:19.200
<v Speaker 1>television that much, except maybe on weekends. But my mom

0:14:19.400 --> 0:14:22.280
<v Speaker 1>was a single mom and she worked a lot, so

0:14:22.520 --> 0:14:25.640
<v Speaker 1>I would watch television when she wasn't home, and goodness,

0:14:25.680 --> 0:14:28.360
<v Speaker 1>she never like touched the TV to see if it

0:14:28.400 --> 0:14:31.920
<v Speaker 1>was warm. But yeah, so so whatever really was on

0:14:32.200 --> 0:14:34.880
<v Speaker 1>after school. I remember when I was a little older,

0:14:34.920 --> 0:14:37.800
<v Speaker 1>I became friends with Oh, when I went to public

0:14:37.840 --> 0:14:40.440
<v Speaker 1>school and I went, I became friends with this girl

0:14:40.480 --> 0:14:44.240
<v Speaker 1>who had cable. Oh that was amazing. So I would

0:14:44.240 --> 0:14:47.000
<v Speaker 1>go to her house and like, can we watch cable?

0:14:47.480 --> 0:14:50.240
<v Speaker 1>Can we watch you can't do that on television. She

0:14:50.320 --> 0:14:53.080
<v Speaker 1>was like no, she was so over it. I was

0:14:53.200 --> 0:14:55.760
<v Speaker 1>just like, this is gold. You have so many channels.

0:14:56.960 --> 0:15:00.480
<v Speaker 1>It was amazing. So I would watch whatever I could it, honest,

0:15:00.600 --> 0:15:05.280
<v Speaker 1>whatever you could. Yeah, would you act it out? Yeah, definitely.

0:15:05.680 --> 0:15:10.000
<v Speaker 1>I remember seeing a production of Annie and getting the

0:15:10.080 --> 0:15:13.440
<v Speaker 1>record and just playing that over and over. I cannot

0:15:13.440 --> 0:15:17.280
<v Speaker 1>sing to save my life, but I was like, oh,

0:15:17.440 --> 0:15:20.960
<v Speaker 1>you know, so I would just sit there and reenact

0:15:21.160 --> 0:15:26.280
<v Speaker 1>the songs by myself at nauseam. Yeah, well I still

0:15:26.320 --> 0:15:28.440
<v Speaker 1>do that. That's the weird thing. And I don't really

0:15:28.440 --> 0:15:33.080
<v Speaker 1>sing either. So you moved to Los Angeles and started

0:15:33.120 --> 0:15:34.960
<v Speaker 1>to work. What was the role for you that you

0:15:35.080 --> 0:15:39.560
<v Speaker 1>felt like, oh, I've made it or I've done it?

0:15:39.640 --> 0:15:42.680
<v Speaker 1>Was that my stepmother is an alien or I mean

0:15:43.040 --> 0:15:45.800
<v Speaker 1>I thought that was going to be the break, you know,

0:15:46.240 --> 0:15:49.640
<v Speaker 1>Actually it wasn't even when I got that role, it

0:15:49.720 --> 0:15:53.240
<v Speaker 1>was that was a very long process of auditioning, and

0:15:53.640 --> 0:15:57.520
<v Speaker 1>they did an old fashioned screen test like lights camera action.

0:15:58.120 --> 0:16:01.400
<v Speaker 1>So my mom and I were drying into this screen test,

0:16:01.640 --> 0:16:04.160
<v Speaker 1>and at that point, I think it's like down to

0:16:04.600 --> 0:16:07.200
<v Speaker 1>two or three girls. And then they had some some

0:16:07.280 --> 0:16:10.400
<v Speaker 1>of the guy characters as well. And we pull into

0:16:10.400 --> 0:16:13.080
<v Speaker 1>the Fox lot, the twentieth century Fox lot, and I

0:16:13.120 --> 0:16:17.200
<v Speaker 1>see Seth Green walking across the parking lot and I

0:16:17.280 --> 0:16:20.080
<v Speaker 1>just about lost it. I was like, Oh, that's the

0:16:20.160 --> 0:16:24.400
<v Speaker 1>kid from Amazing Stories, and I just I mean, oh,

0:16:24.480 --> 0:16:27.600
<v Speaker 1>my goodness, how I was even able to like say

0:16:27.640 --> 0:16:30.600
<v Speaker 1>a line after seeing him, And it was just the

0:16:30.680 --> 0:16:33.480
<v Speaker 1>greatest day. We spent the day of they were sort of,

0:16:33.520 --> 0:16:36.760
<v Speaker 1>you know, doing chemistry tests of this kid with that kid,

0:16:36.880 --> 0:16:40.840
<v Speaker 1>and it was just amazing. It's still after that took

0:16:41.160 --> 0:16:45.320
<v Speaker 1>several months before we found out that I got the job,

0:16:45.920 --> 0:16:49.640
<v Speaker 1>so it was really grueling, but I got the job

0:16:49.800 --> 0:16:52.440
<v Speaker 1>and I got to be in this like big huge

0:16:53.040 --> 0:16:56.640
<v Speaker 1>motion picture with you know, I had my name on

0:16:56.720 --> 0:17:00.600
<v Speaker 1>a chair and it was just so exciting, and Dan

0:17:00.680 --> 0:17:04.199
<v Speaker 1>Ackroyd was in it and combasing her and it was

0:17:04.359 --> 0:17:08.800
<v Speaker 1>just incredible. I turned I was thirteen and I turned

0:17:08.800 --> 0:17:12.639
<v Speaker 1>fourteen while filming, and dan Ackroid gave me a bicycle,

0:17:13.200 --> 0:17:16.840
<v Speaker 1>and I just thought it was the greatest moment of

0:17:16.880 --> 0:17:20.159
<v Speaker 1>my life. And it had this yellow ribbon that I

0:17:20.200 --> 0:17:23.240
<v Speaker 1>didn't take off, so I'd right around the lot with

0:17:23.280 --> 0:17:27.439
<v Speaker 1>the bow on it. And then the transport Transportation Department

0:17:27.480 --> 0:17:29.639
<v Speaker 1>would put in my trailer at night, and then you know,

0:17:29.680 --> 0:17:33.639
<v Speaker 1>I take it on the morning or whatever. And one day,

0:17:34.000 --> 0:17:35.600
<v Speaker 1>I don't know why we were on the lot. I

0:17:35.600 --> 0:17:38.040
<v Speaker 1>think it was like the weekend or something, but we

0:17:38.040 --> 0:17:40.399
<v Speaker 1>were there for some reason and we walked past and

0:17:40.440 --> 0:17:43.280
<v Speaker 1>I saw the bow on the ground. I was like,

0:17:44.160 --> 0:17:47.040
<v Speaker 1>what what, Why is the bow on the ground? What happened?

0:17:47.440 --> 0:17:50.879
<v Speaker 1>And Uh, turns out my bike got stolen. They ripped

0:17:50.880 --> 0:17:54.760
<v Speaker 1>the bow off, they just threw it aside, and they

0:17:54.800 --> 0:17:58.840
<v Speaker 1>stole a kid's bike. And so anyway, when yeah, they

0:17:58.880 --> 0:18:02.920
<v Speaker 1>stole my bodd bike, did the bowl And by the way,

0:18:02.960 --> 0:18:04.600
<v Speaker 1>I think they ran over the bowl on the way

0:18:04.640 --> 0:18:08.280
<v Speaker 1>out that had like tire marks. I could be exaggerating

0:18:08.320 --> 0:18:11.280
<v Speaker 1>that my imagination, but that's how my heart felt. That's

0:18:11.320 --> 0:18:15.159
<v Speaker 1>how it felt, right. It's I just durned fourteen. I

0:18:15.200 --> 0:18:17.399
<v Speaker 1>can't handle this kind of thing. You stole my bike

0:18:18.040 --> 0:18:20.639
<v Speaker 1>off of the twentieth century Fox lot. By the way,

0:18:20.760 --> 0:18:23.040
<v Speaker 1>It's not like I just left it outside of a

0:18:23.080 --> 0:18:28.760
<v Speaker 1>seven eleven. It was on a lot anyway. So Dan

0:18:28.840 --> 0:18:32.440
<v Speaker 1>found out, and of course, he being such a sweetheart,

0:18:32.680 --> 0:18:35.159
<v Speaker 1>replaced the bike, and he told me he was going

0:18:35.240 --> 0:18:37.840
<v Speaker 1>to replace the bike. But I do remember I was

0:18:37.920 --> 0:18:40.359
<v Speaker 1>doing a scene where I had to be really emotional

0:18:40.440 --> 0:18:44.800
<v Speaker 1>and I was riding the character's bike and Richard Benjamin

0:18:44.880 --> 0:18:49.200
<v Speaker 1>was the director, and he he started shouting, just think

0:18:49.280 --> 0:18:52.760
<v Speaker 1>about your bike. But at that point I had already

0:18:52.800 --> 0:18:55.080
<v Speaker 1>known that, like Danton had already told me he was

0:18:55.080 --> 0:18:57.320
<v Speaker 1>going to give me another one, and so it kind

0:18:57.359 --> 0:18:59.600
<v Speaker 1>of like made it worse. Like I was already in

0:18:59.600 --> 0:19:01.920
<v Speaker 1>the like I'm going to cry space, but then when

0:19:01.920 --> 0:19:04.600
<v Speaker 1>he's like, think about your bike, I just kind of like,

0:19:04.920 --> 0:19:07.639
<v Speaker 1>now I can't. I've got to stop laughing. Yeah, So

0:19:07.680 --> 0:19:12.040
<v Speaker 1>I do remember, like that's not the best direction right now,

0:19:12.160 --> 0:19:14.520
<v Speaker 1>because I know that makes me happy I'm getting a

0:19:14.520 --> 0:19:20.200
<v Speaker 1>new bike. Was there a yellow bow on the new bike? Oh,

0:19:20.280 --> 0:19:25.080
<v Speaker 1>good question. I probably just take like tire marked bow

0:19:25.160 --> 0:19:27.000
<v Speaker 1>and put it back on there. Put it back on it.

0:19:27.760 --> 0:19:31.960
<v Speaker 1>I kept the tire mark bow for a long time. Yeah,

0:19:32.119 --> 0:19:34.800
<v Speaker 1>do you still have is it on your wall? Have

0:19:34.920 --> 0:19:38.199
<v Speaker 1>to like through storage? Okay, I have a lot of

0:19:38.200 --> 0:19:40.960
<v Speaker 1>those things, like yeah, from early things. It's like, oh,

0:19:41.040 --> 0:19:44.840
<v Speaker 1>the call sheet from this there's like a box of

0:19:45.240 --> 0:19:48.679
<v Speaker 1>old call sheets that I have never gone through again.

0:19:48.920 --> 0:19:52.640
<v Speaker 1>I don't know, but somebody would love that call sheet. Now,

0:19:54.280 --> 0:19:58.600
<v Speaker 1>my daughter would love that call sheet. Your daughter was huge. Yeah,

0:19:58.640 --> 0:20:02.320
<v Speaker 1>she's a huge, and and I'm getting a lot of

0:20:02.400 --> 0:20:05.520
<v Speaker 1>cool points by talking to you today. Until she finds

0:20:05.520 --> 0:20:09.160
<v Speaker 1>out that I said the word cool points, I'll get

0:20:09.200 --> 0:20:31.879
<v Speaker 1>some deductions for that. But yeah, she's very happy. I

0:20:32.080 --> 0:20:37.760
<v Speaker 1>heard you haven't shown your kids Buffy? Have they seen Buffy? No? No?

0:20:38.000 --> 0:20:41.080
<v Speaker 1>And then my husband, who was also on Buffy for

0:20:42.040 --> 0:20:44.480
<v Speaker 1>season and a half or something, he just the other

0:20:44.560 --> 0:20:46.680
<v Speaker 1>day I was like to our oldest daughter, I think

0:20:46.680 --> 0:20:48.800
<v Speaker 1>you're probably old enough for Buffy. And I was like,

0:20:49.960 --> 0:20:52.800
<v Speaker 1>excuse me. I feel like this was a discussion. You

0:20:52.840 --> 0:20:56.040
<v Speaker 1>don't remember the part where I flay somebody a lot,

0:20:56.119 --> 0:20:59.439
<v Speaker 1>like their skin comes off, Like do they need to

0:20:59.480 --> 0:21:02.520
<v Speaker 1>see that? Do they need to see when Willow goes evil?

0:21:03.359 --> 0:21:07.000
<v Speaker 1>I don't know. That's interesting. It's not that they don't

0:21:07.040 --> 0:21:10.800
<v Speaker 1>want to you don't want them to, it's too horrible. Well,

0:21:10.920 --> 0:21:14.560
<v Speaker 1>I just I'm scared of the later sits like went

0:21:14.640 --> 0:21:18.040
<v Speaker 1>Dark Willow. I just they can watch it, or well,

0:21:18.160 --> 0:21:20.640
<v Speaker 1>my older one could watch it up until Dark Willow

0:21:21.160 --> 0:21:23.520
<v Speaker 1>and then we'll just take a break for a few

0:21:23.600 --> 0:21:30.400
<v Speaker 1>years and find a good therapist. But Michael Scott is okay,

0:21:30.720 --> 0:21:37.000
<v Speaker 1>oh yeah, totally brilliant, brilliant. I remember watching the second

0:21:37.000 --> 0:21:42.000
<v Speaker 1>episode with her and it was just it's so good,

0:21:42.119 --> 0:21:44.600
<v Speaker 1>it's so good. And by the way, can I talk

0:21:44.600 --> 0:21:49.399
<v Speaker 1>about my embarrassing moment with probably Greg Daniels, but I

0:21:49.440 --> 0:21:53.080
<v Speaker 1>don't actually know for sure. I was doing some pilot

0:21:53.200 --> 0:21:56.399
<v Speaker 1>that didn't go around the time that they were casting

0:21:56.440 --> 0:22:00.359
<v Speaker 1>for The Office. I was a massive fan and lamb

0:22:00.400 --> 0:22:03.520
<v Speaker 1>of the British version. I think it's probably the best

0:22:03.520 --> 0:22:08.159
<v Speaker 1>television show ever made. So I was in doing chemistry

0:22:08.240 --> 0:22:12.679
<v Speaker 1>reads with somebody at the NBC whatever for the pilot

0:22:12.720 --> 0:22:14.760
<v Speaker 1>I was going to do. I had flown in from

0:22:14.760 --> 0:22:18.440
<v Speaker 1>like London because I was doing play there and so

0:22:18.440 --> 0:22:21.359
<v Speaker 1>so anyway, we were doing chemistry reads in the you know,

0:22:22.400 --> 0:22:25.959
<v Speaker 1>the Kevin Riley's office or whatever, and but then there

0:22:25.960 --> 0:22:29.160
<v Speaker 1>were all these people like in the hall doing something else,

0:22:29.280 --> 0:22:32.080
<v Speaker 1>and I was like finally said what's going on or whatever,

0:22:32.440 --> 0:22:37.040
<v Speaker 1>and someone who is clearly one of the you know,

0:22:37.280 --> 0:22:40.800
<v Speaker 1>producers or somebody of the Office, I was like, oh,

0:22:40.840 --> 0:22:44.280
<v Speaker 1>we're making an American version of the Office, And without

0:22:44.359 --> 0:22:48.320
<v Speaker 1>even like thinking twice, I was like, no, don't do that.

0:22:48.320 --> 0:22:51.919
<v Speaker 1>That's horrible idea, Like you can't. I was like, don't

0:22:52.040 --> 0:22:54.000
<v Speaker 1>You're going to ruin it. I was like, and I'm

0:22:54.000 --> 0:22:57.560
<v Speaker 1>like saying this to somebody who's clearly like they're in

0:22:57.640 --> 0:23:02.120
<v Speaker 1>the process of making this show, and shut up. But

0:23:02.160 --> 0:23:06.359
<v Speaker 1>it was just like this reaction because I just you know,

0:23:06.560 --> 0:23:10.359
<v Speaker 1>held the British Office up to like such a huge

0:23:10.720 --> 0:23:15.040
<v Speaker 1>you know, it's it's the golden child of of television shows.

0:23:15.280 --> 0:23:19.560
<v Speaker 1>I'm glad they didn't listen to me. Um, But still

0:23:20.640 --> 0:23:23.240
<v Speaker 1>about whoever I said that too, I don't actually know

0:23:23.600 --> 0:23:28.480
<v Speaker 1>who it was, but um, yes, that's amazing. Oh yeah,

0:23:28.680 --> 0:23:32.200
<v Speaker 1>I was like, oh, that's such a bad move. Well,

0:23:32.480 --> 0:23:35.280
<v Speaker 1>by the way, John Krasinski said it to Greg Daniels

0:23:35.400 --> 0:23:38.440
<v Speaker 1>as he was auditioning for the show as well, so

0:23:39.000 --> 0:23:44.480
<v Speaker 1>it was probably probably like, oh my god, I know,

0:23:44.800 --> 0:23:47.640
<v Speaker 1>how you know, how can I go about doing this?

0:23:48.359 --> 0:23:52.639
<v Speaker 1>So you well, so first off after my stepmother is

0:23:52.640 --> 0:23:54.520
<v Speaker 1>an Alien, you you felt like you had done it.

0:23:54.560 --> 0:23:56.960
<v Speaker 1>And wait and by the way, Seth Green, not only

0:23:57.480 --> 0:23:59.520
<v Speaker 1>were you his love interest once you ended up being

0:23:59.560 --> 0:24:02.800
<v Speaker 1>it again? Was he like your teen idol? Is that

0:24:02.800 --> 0:24:05.080
<v Speaker 1>what you call it? Yeah, I mean I was certainly

0:24:05.119 --> 0:24:08.119
<v Speaker 1>starstruck when I first met him and saw him. But

0:24:08.240 --> 0:24:11.639
<v Speaker 1>then so we both wound up getting my stummage in Alien.

0:24:11.680 --> 0:24:14.080
<v Speaker 1>So we worked on that. That was really fun. And

0:24:14.119 --> 0:24:18.240
<v Speaker 1>then I did another like or I did a sitcom

0:24:18.280 --> 0:24:20.879
<v Speaker 1>and he was on a few episodes of that, and

0:24:20.920 --> 0:24:24.960
<v Speaker 1>then I feel like, I feel like there were quite

0:24:24.960 --> 0:24:28.040
<v Speaker 1>a few other jobs, like little jobs where he was

0:24:28.080 --> 0:24:30.919
<v Speaker 1>on it, and so then I just was like, well,

0:24:31.240 --> 0:24:33.680
<v Speaker 1>I can only work if Sath Green is on it,

0:24:33.760 --> 0:24:36.200
<v Speaker 1>Like that's the only job I'm going to get. So

0:24:36.280 --> 0:24:40.680
<v Speaker 1>he was basically he's my lucky charm, is what I thought.

0:24:40.680 --> 0:24:42.640
<v Speaker 1>And I was like, well, I don't know. I mean,

0:24:42.840 --> 0:24:45.520
<v Speaker 1>I've got this audition. Should I see if that's available?

0:24:47.119 --> 0:24:50.760
<v Speaker 1>That's the only way I'm going to get this job. Zeth,

0:24:50.960 --> 0:24:54.480
<v Speaker 1>did you get called for this show? Okay, and just

0:24:54.520 --> 0:24:56.439
<v Speaker 1>tell your agent that we just drive me to the

0:24:56.440 --> 0:25:01.240
<v Speaker 1>audition because you're my good luck. Time read with me. Yes.

0:25:01.320 --> 0:25:06.040
<v Speaker 1>So in nine you get Buffy. What was the process

0:25:06.080 --> 0:25:08.960
<v Speaker 1>of you getting that? Were you had you seen the movie?

0:25:09.080 --> 0:25:11.600
<v Speaker 1>Were you a fan of that story? Did you know

0:25:11.680 --> 0:25:17.040
<v Speaker 1>anything about it? I mean, much like my my other story.

0:25:17.600 --> 0:25:19.840
<v Speaker 1>I heard that they were making a show of Buffy

0:25:19.840 --> 0:25:22.679
<v Speaker 1>the van Personay, I was like, oh, can't they just

0:25:22.720 --> 0:25:26.520
<v Speaker 1>get a better idea? So who knew? I was so

0:25:26.680 --> 0:25:30.520
<v Speaker 1>negative back then. But anyway, Um, so I had a

0:25:30.560 --> 0:25:34.480
<v Speaker 1>friend who would get the breakdowns, which you know are

0:25:34.600 --> 0:25:37.560
<v Speaker 1>for anybody who doesn't know it's when it's when they

0:25:37.600 --> 0:25:39.800
<v Speaker 1>put out like all the auditions that are going on,

0:25:39.840 --> 0:25:42.800
<v Speaker 1>all the shows and stuff that are looking for people,

0:25:43.160 --> 0:25:46.560
<v Speaker 1>And so he would get them somehow, and he kept saying, like,

0:25:46.640 --> 0:25:49.320
<v Speaker 1>there's a part for you on this pilot, Buffy the

0:25:49.359 --> 0:25:52.679
<v Speaker 1>Vampire Slayer. So I would call my agent and say, hey,

0:25:52.760 --> 0:25:55.480
<v Speaker 1>so my friend says I'm right for this. Yeah, no

0:25:55.840 --> 0:25:59.119
<v Speaker 1>that we've called, they don't they don't want to see you, okay.

0:25:59.160 --> 0:26:01.840
<v Speaker 1>And so I called a few times about it because

0:26:01.840 --> 0:26:05.320
<v Speaker 1>he kept pestering me, and then they shot the pilot

0:26:05.400 --> 0:26:08.359
<v Speaker 1>or it was a pilot presentation with somebody else. I

0:26:08.440 --> 0:26:11.399
<v Speaker 1>never even got to audition for it. So then it

0:26:11.440 --> 0:26:15.760
<v Speaker 1>gets picked up, they're recasting that role. My friend calls again, Hey,

0:26:15.800 --> 0:26:17.919
<v Speaker 1>it's back in the breakdowns. You've got to go in

0:26:17.960 --> 0:26:20.760
<v Speaker 1>on this, And so I called my agent again and

0:26:20.800 --> 0:26:22.920
<v Speaker 1>they're like, they didn't want to see you, I don't think,

0:26:23.280 --> 0:26:25.760
<v Speaker 1>and I'm like, well, my friend says I'm good for it,

0:26:25.880 --> 0:26:30.920
<v Speaker 1>and anyway, so basically I did get the audition that time.

0:26:31.320 --> 0:26:34.480
<v Speaker 1>I think it was just all right, we've seen everybody else,

0:26:34.520 --> 0:26:36.679
<v Speaker 1>so I don't I don always say it. So I

0:26:36.720 --> 0:26:41.400
<v Speaker 1>went in and I just auditioned, an auditioned, an auditioned

0:26:41.440 --> 0:26:45.720
<v Speaker 1>an audition. I think I had eight auditions for the role.

0:26:46.080 --> 0:26:49.520
<v Speaker 1>And I was I was always told by like my

0:26:49.600 --> 0:26:52.800
<v Speaker 1>acting coaches as a kid, always wear the same thing

0:26:52.840 --> 0:26:57.080
<v Speaker 1>to the callbacks, so it's fine when they're spaced out,

0:26:57.200 --> 0:26:59.399
<v Speaker 1>but towards the end it was sort of like, Okay,

0:26:59.400 --> 0:27:03.280
<v Speaker 1>come back tomorrow. And then I'm like, well, wait, I

0:27:03.320 --> 0:27:06.880
<v Speaker 1>just wore this yesterday. But then I'm also so far

0:27:07.000 --> 0:27:10.680
<v Speaker 1>in because in the breakdown it says that she looks

0:27:10.720 --> 0:27:13.520
<v Speaker 1>like her mom still dresses her, and so I had

0:27:13.560 --> 0:27:16.439
<v Speaker 1>an outfit that I wore that was very much what

0:27:16.600 --> 0:27:19.399
<v Speaker 1>I thought Willow would look like. And so I do

0:27:19.560 --> 0:27:23.880
<v Speaker 1>remember the I went to network, which is the sort

0:27:23.920 --> 0:27:26.240
<v Speaker 1>of you think is the final phase. So it was

0:27:26.320 --> 0:27:29.800
<v Speaker 1>three of us and you go to studio first, then network.

0:27:30.000 --> 0:27:33.200
<v Speaker 1>So I wore my little outfit and then usually that's

0:27:33.280 --> 0:27:35.560
<v Speaker 1>the end of the process. But then they called and said, no,

0:27:35.640 --> 0:27:38.719
<v Speaker 1>they want to do chemistry reads tomorrow, come back. And

0:27:38.760 --> 0:27:42.280
<v Speaker 1>I had this huge panic of like, well, do I

0:27:42.320 --> 0:27:44.840
<v Speaker 1>still wear the same thing? And then at that point,

0:27:45.000 --> 0:27:46.720
<v Speaker 1>you know, that was audition seven, so I'm not going

0:27:46.800 --> 0:27:50.160
<v Speaker 1>to change it up now. But I was like oh,

0:27:50.200 --> 0:27:52.480
<v Speaker 1>and then I and then I was so superstitious. I

0:27:52.520 --> 0:27:54.200
<v Speaker 1>was like, I've got to wear everything. I got to

0:27:54.200 --> 0:27:56.000
<v Speaker 1>wear the same socks. I've got to you know, I've

0:27:56.000 --> 0:27:59.480
<v Speaker 1>got it. It's got to be everything. So um were

0:27:59.480 --> 0:28:02.119
<v Speaker 1>the same out of it. And then at that point

0:28:02.160 --> 0:28:04.919
<v Speaker 1>it was just down to two girls. I obviously had

0:28:04.960 --> 0:28:08.560
<v Speaker 1>a not so great agent because I knew going in, Oh,

0:28:08.720 --> 0:28:12.880
<v Speaker 1>the network wants this girl, Josh wants this girl. You're

0:28:12.960 --> 0:28:18.160
<v Speaker 1>just you just got through great, thanks for the pep talk, okay,

0:28:18.359 --> 0:28:21.560
<v Speaker 1>and so so I was just like the filler in

0:28:21.600 --> 0:28:24.600
<v Speaker 1>the sandwich and uh. And then the second day when

0:28:24.640 --> 0:28:26.960
<v Speaker 1>we were doing chemistry reads, it was just down to

0:28:27.080 --> 0:28:30.680
<v Speaker 1>me and one other girl, and it was the girl

0:28:30.720 --> 0:28:34.919
<v Speaker 1>that I knew Josh wrote the part for, so I

0:28:34.960 --> 0:28:37.399
<v Speaker 1>was like, oh gosh. And we had been doing the

0:28:37.440 --> 0:28:40.720
<v Speaker 1>same scenes over and over and over and they wanted

0:28:40.760 --> 0:28:43.720
<v Speaker 1>to see a new scene. So Josh wrote specifically a

0:28:43.760 --> 0:28:47.200
<v Speaker 1>scene for the three of us. Was um for Buffy

0:28:47.240 --> 0:28:50.720
<v Speaker 1>and Xander and Willow, and it had all this computer

0:28:50.800 --> 0:28:54.959
<v Speaker 1>jargon and just like a paragraph of just things. I

0:28:55.080 --> 0:28:58.200
<v Speaker 1>had no idea what it was, but I went in

0:28:58.320 --> 0:29:00.920
<v Speaker 1>and I was like, okay, I was prepared, and then

0:29:01.000 --> 0:29:03.560
<v Speaker 1>I started. I got to that paragraph, I could not,

0:29:04.240 --> 0:29:06.320
<v Speaker 1>for the life of me, like I couldn't even look

0:29:06.360 --> 0:29:09.440
<v Speaker 1>at it. The words started jumping on the page and like,

0:29:09.880 --> 0:29:12.200
<v Speaker 1>I just I think I said some of the words,

0:29:12.200 --> 0:29:15.000
<v Speaker 1>but definitely not in the right order, and I just

0:29:15.160 --> 0:29:18.680
<v Speaker 1>kept rambling, and finally I was like, okay, you gotta

0:29:18.680 --> 0:29:21.800
<v Speaker 1>stop this now. And later um, even though it took

0:29:21.800 --> 0:29:24.520
<v Speaker 1>a week after that time for them to tell me,

0:29:24.560 --> 0:29:26.880
<v Speaker 1>I got it and it went back into the breakdowns.

0:29:27.280 --> 0:29:30.920
<v Speaker 1>That was heartbreaking, But Josh said, He's like, well, you

0:29:30.920 --> 0:29:33.680
<v Speaker 1>couldn't say the lines to save your life, but the

0:29:33.760 --> 0:29:36.480
<v Speaker 1>chemistry was there, and that's when I knew, Like, then,

0:29:36.480 --> 0:29:38.120
<v Speaker 1>why did it take you a week to tell me

0:29:40.360 --> 0:29:44.880
<v Speaker 1>on the breakouts. It was so excruciating too, and it

0:29:45.000 --> 0:29:49.040
<v Speaker 1>wasn't during pilot season, so so normally of course you

0:29:49.120 --> 0:29:52.720
<v Speaker 1>find out like within twenty four to seventy two hours

0:29:52.800 --> 0:29:55.920
<v Speaker 1>or something. But my agent was like, sure, take a

0:29:55.960 --> 0:29:58.480
<v Speaker 1>week to tell her and I was like why why?

0:29:58.720 --> 0:30:00.920
<v Speaker 1>So I still like technical way on hold for a

0:30:00.960 --> 0:30:04.160
<v Speaker 1>week and then I ran into Nick Brendon at the

0:30:04.200 --> 0:30:08.640
<v Speaker 1>foremosta cafe and he already knew and he said something

0:30:08.680 --> 0:30:11.440
<v Speaker 1>to me that was like, you shouldn't worry about this,

0:30:11.960 --> 0:30:15.240
<v Speaker 1>and I was like, well, wait, why because I didn't

0:30:15.240 --> 0:30:16.960
<v Speaker 1>get it or because I didn't get it? What do

0:30:17.000 --> 0:30:19.520
<v Speaker 1>you mean I shouldn't worry about this? Now I'm worrying

0:30:19.520 --> 0:30:24.080
<v Speaker 1>about this and that so um So it was torture

0:30:24.680 --> 0:30:29.920
<v Speaker 1>and it's a crazy people don't hear these stories. I

0:30:30.640 --> 0:30:34.520
<v Speaker 1>love because that's what happens. The office was a very

0:30:34.560 --> 0:30:38.680
<v Speaker 1>similar situation. I think it was two weeks after the

0:30:38.760 --> 0:30:40.959
<v Speaker 1>last time I came in and I was calling my

0:30:41.040 --> 0:30:43.960
<v Speaker 1>manager being like, did we get it? What did they say?

0:30:44.040 --> 0:30:47.320
<v Speaker 1>What's happened? You know? And you can't think about anything else?

0:30:48.720 --> 0:30:51.880
<v Speaker 1>And it went back down in the breakdowns. So my

0:30:51.960 --> 0:30:54.120
<v Speaker 1>friend who gets the breakdowns, was like, oh, you must

0:30:54.120 --> 0:30:56.200
<v Speaker 1>not have gotten it because it's in the breakdowns again.

0:30:56.360 --> 0:31:00.160
<v Speaker 1>So they started auditioning other people again, and I was like, well,

0:31:00.160 --> 0:31:02.520
<v Speaker 1>then why won't they release me? Tell me I didn't

0:31:02.520 --> 0:31:04.960
<v Speaker 1>get it, like just one way the other. This waiting

0:31:05.040 --> 0:31:08.280
<v Speaker 1>is killing me. And it was the days of beepers,

0:31:08.360 --> 0:31:10.880
<v Speaker 1>so I would like look at my paper every time,

0:31:10.920 --> 0:31:13.520
<v Speaker 1>and then finally I got a beep to, you know,

0:31:13.640 --> 0:31:17.000
<v Speaker 1>call my agent. And I was dating some dude that

0:31:17.040 --> 0:31:19.640
<v Speaker 1>didn't have a phone, and so we went to the

0:31:19.800 --> 0:31:23.400
<v Speaker 1>seven eleven pay phone. And so I found out that

0:31:23.400 --> 0:31:26.680
<v Speaker 1>I got it on a pay phone on Westwood Boulevard

0:31:26.760 --> 0:31:29.560
<v Speaker 1>that is no longer there. It was there for a

0:31:29.600 --> 0:31:31.240
<v Speaker 1>long time, and I would wave to it when I

0:31:31.320 --> 0:31:34.360
<v Speaker 1>drove by. It's no longer there because we don't need

0:31:34.440 --> 0:31:38.480
<v Speaker 1>few phones anymore, but you'll never forget that the seven

0:31:38.520 --> 0:31:41.000
<v Speaker 1>eleven still there. What did you do when you when

0:31:41.000 --> 0:31:45.520
<v Speaker 1>you hung up? Did you yell? Did you pound the

0:31:45.560 --> 0:31:49.400
<v Speaker 1>glass of the payphone? I think, because I think I

0:31:49.480 --> 0:31:52.680
<v Speaker 1>just drove myself to go return the call. And then

0:31:52.680 --> 0:31:55.120
<v Speaker 1>I drove back to my boyfriend's house and I was like,

0:31:55.360 --> 0:31:59.680
<v Speaker 1>I got it, and he wasn't very supportive. He was like, Okay,

0:32:00.680 --> 0:32:03.800
<v Speaker 1>it was so good, but boyfriend, UM, but I don't know.

0:32:03.880 --> 0:32:07.720
<v Speaker 1>I think I was just so like excited, and I

0:32:07.840 --> 0:32:11.080
<v Speaker 1>don't actually remember. I mean I remember the phone call

0:32:11.280 --> 0:32:16.800
<v Speaker 1>of like what are you sure? Me? Okay? Great? And yeah,

0:32:17.240 --> 0:32:20.280
<v Speaker 1>it was just incredible, especially because I was like, I

0:32:20.360 --> 0:32:23.960
<v Speaker 1>had had money from when I was a child actor

0:32:24.080 --> 0:32:26.400
<v Speaker 1>that they like put into a trust fund that you

0:32:26.400 --> 0:32:28.760
<v Speaker 1>can't get till you're eighteen, so that was sort of

0:32:28.800 --> 0:32:31.320
<v Speaker 1>what I was living off of. And I was down

0:32:31.360 --> 0:32:34.200
<v Speaker 1>to like six d dollars and I was like okay,

0:32:34.360 --> 0:32:38.640
<v Speaker 1>and I went and I took bartending school classes because

0:32:38.640 --> 0:32:40.040
<v Speaker 1>I was like, well, I've got to get a job

0:32:40.080 --> 0:32:42.360
<v Speaker 1>that I can do at night, so I'll be a bartender.

0:32:42.600 --> 0:32:45.000
<v Speaker 1>And I tried so hard to get a job as

0:32:45.040 --> 0:32:50.120
<v Speaker 1>a bartender, and nobody would hire me because they were like, honey,

0:32:50.360 --> 0:32:53.760
<v Speaker 1>you cannot card people. You look like you're twelve years old.

0:32:54.040 --> 0:32:56.840
<v Speaker 1>There's no way that you can ask somebody for their

0:32:56.840 --> 0:33:01.719
<v Speaker 1>I d like, but I need a job. It's easier

0:33:01.760 --> 0:33:04.000
<v Speaker 1>for alson Hannigan to get on a show that runs

0:33:04.040 --> 0:33:06.440
<v Speaker 1>seven years. Did you get a bartending job? That is?

0:33:07.600 --> 0:33:10.520
<v Speaker 1>That's the major takeaway from me on that I had

0:33:10.520 --> 0:33:14.120
<v Speaker 1>a certificate and everything I went to that school, I spent,

0:33:14.200 --> 0:33:16.560
<v Speaker 1>you did it more money than I should have going

0:33:16.600 --> 0:33:21.520
<v Speaker 1>to Bartender School. I could have survived another month without

0:33:21.520 --> 0:33:26.440
<v Speaker 1>that that fee. Yeah, that's amazing. How much when you're

0:33:27.000 --> 0:33:31.680
<v Speaker 1>creating a character does physicality enter into it for you?

0:33:32.680 --> 0:33:37.640
<v Speaker 1>It does, especially with Buffy and Willow. Actually, Willow. I

0:33:37.720 --> 0:33:41.160
<v Speaker 1>remember when I clicked into Willow. I was sitting in

0:33:41.240 --> 0:33:44.360
<v Speaker 1>my little jeep Wrangler and I was going over the lines,

0:33:44.400 --> 0:33:47.560
<v Speaker 1>and there was this line about she's talking to Buffy

0:33:47.880 --> 0:33:50.440
<v Speaker 1>and she's try and Buffy's asking like how did they

0:33:50.480 --> 0:33:53.440
<v Speaker 1>know each other? And Xander and Willow have known each

0:33:53.440 --> 0:33:57.160
<v Speaker 1>other for years and and Willow says something about like, oh,

0:33:57.200 --> 0:33:59.400
<v Speaker 1>we used to date, but we broke up and and

0:33:59.440 --> 0:34:03.000
<v Speaker 1>Buffy asked why and then um, Willow says, because he

0:34:03.040 --> 0:34:06.640
<v Speaker 1>stole my barbie so obviously they were kids. And then

0:34:06.680 --> 0:34:08.600
<v Speaker 1>at the end of the scene, Buffy says, so did

0:34:08.600 --> 0:34:10.799
<v Speaker 1>he ever give your barbie back? And the line was

0:34:10.840 --> 0:34:14.480
<v Speaker 1>most of it, And I remember like wanting to make

0:34:14.560 --> 0:34:18.040
<v Speaker 1>that a really good thing of just like it was

0:34:18.600 --> 0:34:22.040
<v Speaker 1>like just making it really happy, like most of it,

0:34:22.640 --> 0:34:26.759
<v Speaker 1>like sort of looking at the positive rather than you know,

0:34:26.920 --> 0:34:29.960
<v Speaker 1>and that clicked it for me. I was like, oh,

0:34:30.000 --> 0:34:32.120
<v Speaker 1>that's how I'm going to play her. So then I

0:34:32.160 --> 0:34:34.520
<v Speaker 1>went back and sort of read all the lines with

0:34:34.600 --> 0:34:37.080
<v Speaker 1>that kind of voice. And then I do know that

0:34:37.840 --> 0:34:41.320
<v Speaker 1>because you know, I hadn't worked like like that. Really.

0:34:41.920 --> 0:34:45.080
<v Speaker 1>I just was very aware of my arms, and especially

0:34:45.120 --> 0:34:47.080
<v Speaker 1>in auditions, I was like, what do I do with

0:34:47.120 --> 0:34:50.000
<v Speaker 1>my arms? And so I had a ring on my

0:34:50.160 --> 0:34:53.560
<v Speaker 1>middle finger, so I would always like play with that ring.

0:34:54.160 --> 0:34:59.480
<v Speaker 1>That sort of became how I felt Willow. Yeah, So,

0:34:59.480 --> 0:35:03.120
<v Speaker 1>so it wasn't like some big bold, you know, I'm

0:35:03.160 --> 0:35:06.040
<v Speaker 1>going to have a limp, but but it was the

0:35:06.239 --> 0:35:09.840
<v Speaker 1>holding my ring thing, which I think I've done another

0:35:10.000 --> 0:35:16.680
<v Speaker 1>characters too, So don't write in they were influenced. Those

0:35:16.719 --> 0:35:20.680
<v Speaker 1>other characters were influenced by your work as well. That's

0:35:20.680 --> 0:35:22.840
<v Speaker 1>how I would That's how I how I would explain

0:35:22.880 --> 0:35:25.360
<v Speaker 1>it away. Yeah, yeah, I mean there's so much we

0:35:25.360 --> 0:35:27.680
<v Speaker 1>could talk about with Buffy. I want to hit on

0:35:27.760 --> 0:35:33.880
<v Speaker 1>at least one thing. So Willow discovers that she likes girls,

0:35:34.560 --> 0:35:39.560
<v Speaker 1>and in the episode The Body in two thousand and one,

0:35:40.000 --> 0:35:43.319
<v Speaker 1>you have a kiss on screen. And for those of

0:35:43.320 --> 0:35:45.319
<v Speaker 1>you who don't know, this is just a couple of

0:35:45.400 --> 0:35:49.319
<v Speaker 1>years after Ellen DeGeneres very early on one of the

0:35:49.400 --> 0:35:54.560
<v Speaker 1>first kisses on network television between women. Was this something

0:35:54.640 --> 0:35:57.359
<v Speaker 1>that was brought up at the time. Were you sort

0:35:57.360 --> 0:35:59.719
<v Speaker 1>of aware of it at the time that this was

0:35:59.760 --> 0:36:05.320
<v Speaker 1>a really significant moment or or how did that come about? Well?

0:36:06.239 --> 0:36:10.080
<v Speaker 1>I mean, I certainly was not prepared for like how

0:36:10.160 --> 0:36:13.560
<v Speaker 1>profound it was going to be. Joss had sort of said, oh,

0:36:13.640 --> 0:36:15.960
<v Speaker 1>we're bringing on this new character. She's going to be

0:36:16.440 --> 0:36:19.600
<v Speaker 1>a friend for Willow, and then I feel like he

0:36:19.719 --> 0:36:22.960
<v Speaker 1>just sort of sort of said, like a special friend

0:36:22.960 --> 0:36:26.360
<v Speaker 1>for Willow or something like. It wasn't that big of

0:36:26.400 --> 0:36:28.480
<v Speaker 1>a deal, but it was. It was enough where I

0:36:28.520 --> 0:36:33.680
<v Speaker 1>was sort of like, huh, okay. And I think because

0:36:34.400 --> 0:36:37.600
<v Speaker 1>the show handled it so beautifully and it wasn't really

0:36:37.680 --> 0:36:40.800
<v Speaker 1>about like, Okay, here we are. This is the first

0:36:41.000 --> 0:36:43.640
<v Speaker 1>at the time, it was the first series regular from

0:36:43.640 --> 0:36:48.000
<v Speaker 1>the beginning of the show to come out, and you know,

0:36:48.040 --> 0:36:50.839
<v Speaker 1>because there had been other shows where they're like, Okay, here,

0:36:50.960 --> 0:36:54.040
<v Speaker 1>we'll introduce this new character or whatever, but not a

0:36:54.120 --> 0:36:58.120
<v Speaker 1>character that had been on since the beginning. And because

0:36:58.320 --> 0:37:01.759
<v Speaker 1>it was just treated this same as you know, the

0:37:01.840 --> 0:37:05.480
<v Speaker 1>Os Willow relationship, which is what I love so much.

0:37:06.120 --> 0:37:09.799
<v Speaker 1>You know, it just felt right and beautiful. It wasn't

0:37:09.840 --> 0:37:13.120
<v Speaker 1>until afterwards that I realized what an effect it had

0:37:13.160 --> 0:37:17.600
<v Speaker 1>on so many people and just how important it was. Um.

0:37:17.640 --> 0:37:19.719
<v Speaker 1>I mean, I just really liked it because, you know,

0:37:20.000 --> 0:37:24.759
<v Speaker 1>such a beautiful love story and Amber was just so wonderful.

0:37:24.960 --> 0:37:29.600
<v Speaker 1>And in fact, speaking of Ellen, I actually I do

0:37:30.000 --> 0:37:33.799
<v Speaker 1>regret how I played the scene where I come out

0:37:33.800 --> 0:37:37.719
<v Speaker 1>to Buffy because I was listening to an Ellen podcast

0:37:37.800 --> 0:37:40.839
<v Speaker 1>years ago and she was talking about her coming out

0:37:41.400 --> 0:37:44.399
<v Speaker 1>and she was saying that, you know, the reason why

0:37:44.960 --> 0:37:48.839
<v Speaker 1>people often just cry and cry is because it's it's

0:37:48.880 --> 0:37:52.120
<v Speaker 1>been this weight that they've carried around, and so it's

0:37:52.160 --> 0:37:56.200
<v Speaker 1>just the release of that brings you to these these tears.

0:37:56.560 --> 0:37:59.960
<v Speaker 1>And I was like, oh no, I screwed up because

0:38:00.040 --> 0:38:04.720
<v Speaker 1>as I intentionally chose not to make it a crying

0:38:04.760 --> 0:38:09.479
<v Speaker 1>moment because I didn't want anyone to feel like I

0:38:09.520 --> 0:38:12.960
<v Speaker 1>was ashamed or like that. I felt like that was

0:38:13.160 --> 0:38:17.080
<v Speaker 1>anything wrong. So I just wanted it to be I

0:38:17.160 --> 0:38:20.640
<v Speaker 1>wanted to treat it the same as I would tell

0:38:20.680 --> 0:38:23.840
<v Speaker 1>her about Oz. But then hearing Ellen's story, I was like,

0:38:23.920 --> 0:38:26.719
<v Speaker 1>oh no, I should have made it much more emotional,

0:38:26.800 --> 0:38:29.919
<v Speaker 1>but I just I don't know, So I do regret that.

0:38:30.280 --> 0:38:32.880
<v Speaker 1>But nobody has ever come up to be told and

0:38:32.920 --> 0:38:34.960
<v Speaker 1>told me that I did it wrong. Right, Well, I

0:38:34.960 --> 0:38:37.359
<v Speaker 1>don't think there is I don't think there is wrong.

0:38:37.400 --> 0:38:42.080
<v Speaker 1>And as you said, the whole story was handled like well,

0:38:42.120 --> 0:38:44.319
<v Speaker 1>I think the word you used was beautifully. I think

0:38:44.320 --> 0:38:46.920
<v Speaker 1>it was handled beautifully and not with a heavy hand.

0:38:47.000 --> 0:38:51.040
<v Speaker 1>And I know that how important that moment in that relationship.

0:38:51.320 --> 0:38:53.759
<v Speaker 1>You know, it was for people. Yeah, and by the way,

0:38:53.840 --> 0:38:57.120
<v Speaker 1>we didn't think people were watching our show either, like

0:38:57.239 --> 0:39:00.600
<v Speaker 1>we weren't really. We were the sort of little show,

0:39:00.680 --> 0:39:03.640
<v Speaker 1>that different show that got really good reviews on the

0:39:04.160 --> 0:39:06.879
<v Speaker 1>w B at the time, you know, it was. It

0:39:06.960 --> 0:39:10.760
<v Speaker 1>wasn't until Comic Con that we were sort of like, oh, wait,

0:39:10.840 --> 0:39:14.640
<v Speaker 1>we have fans. This is pretty cool. But I do

0:39:14.760 --> 0:39:18.680
<v Speaker 1>remember once once um those episodes started airing, then we

0:39:18.680 --> 0:39:22.560
<v Speaker 1>were getting you know, mentions of uh, this the first

0:39:22.840 --> 0:39:26.399
<v Speaker 1>time a series regular from the start of the show

0:39:26.480 --> 0:39:29.279
<v Speaker 1>has come out, and and so then it sort of

0:39:29.320 --> 0:39:32.399
<v Speaker 1>took on this like okay, wait, we actually did do

0:39:32.480 --> 0:39:38.040
<v Speaker 1>something really incredible. That's awesome. Yeah, and I will forever

0:39:38.160 --> 0:39:40.799
<v Speaker 1>be grateful to be part of that storyline. I mean,

0:39:40.880 --> 0:39:43.759
<v Speaker 1>I'm just the amount of people that come up and

0:39:43.840 --> 0:39:46.960
<v Speaker 1>say that it was it was so helpful for their development,

0:39:47.120 --> 0:39:50.880
<v Speaker 1>or to see somebody going through the same things, or

0:39:51.400 --> 0:39:54.440
<v Speaker 1>I just I've been reduced at here so many times

0:39:54.480 --> 0:39:58.759
<v Speaker 1>because people's stories and how it helped them. And I

0:39:58.800 --> 0:40:01.240
<v Speaker 1>love being part of that really ship. I'm so grateful.

0:40:20.400 --> 0:40:22.680
<v Speaker 1>I do have to ask you because I don't know,

0:40:22.800 --> 0:40:26.480
<v Speaker 1>it seems like I have to about American Pie such

0:40:26.719 --> 0:40:34.000
<v Speaker 1>an iconic, memorable, quotable character. I mean, you've had songs

0:40:34.120 --> 0:40:37.680
<v Speaker 1>written about your what is it a catchphrase? Is that

0:40:37.719 --> 0:40:41.160
<v Speaker 1>what we call it? Is it a catchphrase? Yeah? Yeah?

0:40:41.560 --> 0:40:46.400
<v Speaker 1>An iconic piece of the lexicon of movies? Is that right? Ye?

0:40:49.360 --> 0:40:52.080
<v Speaker 1>Are you still approached by that? And is that annoying

0:40:52.200 --> 0:40:56.280
<v Speaker 1>to you? Or do you celebrate it? I mean, look,

0:40:57.320 --> 0:41:01.719
<v Speaker 1>it's not annoying because I am so grateful to be

0:41:01.880 --> 0:41:05.399
<v Speaker 1>in something that people still remember and love. And it's

0:41:05.560 --> 0:41:09.239
<v Speaker 1>uncomfortable now that I'm a mom and I don't want

0:41:09.239 --> 0:41:12.080
<v Speaker 1>my kids watching that that movie or asking me about

0:41:12.080 --> 0:41:16.480
<v Speaker 1>it for a while, but whatever, And it was more

0:41:16.560 --> 0:41:20.160
<v Speaker 1>uncomfortable when they were a lot younger. Now it would

0:41:20.200 --> 0:41:24.120
<v Speaker 1>be an easier conversation to have. But I mean, that

0:41:24.239 --> 0:41:28.239
<v Speaker 1>was just a little independent movie even though it was universal.

0:41:28.400 --> 0:41:31.440
<v Speaker 1>It was it had a five million dollar budget, which

0:41:31.880 --> 0:41:35.440
<v Speaker 1>you know, it's not much. And I remember my manager

0:41:35.520 --> 0:41:38.000
<v Speaker 1>calling me before I read the script and he's like, Okay,

0:41:38.000 --> 0:41:40.160
<v Speaker 1>we're sending you the script. You're either going to love

0:41:40.200 --> 0:41:43.160
<v Speaker 1>it or hate it. Nobody like that's just how it's going.

0:41:43.520 --> 0:41:46.239
<v Speaker 1>People can't stand it or they love it. So I

0:41:46.320 --> 0:41:49.040
<v Speaker 1>loved it. And he was saying, take a look at

0:41:49.320 --> 0:41:53.200
<v Speaker 1>you know, whatever role because all the rules were open,

0:41:53.600 --> 0:41:55.480
<v Speaker 1>and see which one you like. Oh. I think it

0:41:55.520 --> 0:42:00.440
<v Speaker 1>was actually between my yeah, exactly, Heather and Michelle. And

0:42:00.480 --> 0:42:05.759
<v Speaker 1>I was like, no, I love Michelle and just immediately

0:42:06.040 --> 0:42:09.919
<v Speaker 1>like wanted to do that part. And so I went.

0:42:10.120 --> 0:42:14.600
<v Speaker 1>I went to the audition. It was casting. It was

0:42:14.640 --> 0:42:18.520
<v Speaker 1>just me and the casting director, and he told me, um, no,

0:42:19.520 --> 0:42:22.440
<v Speaker 1>she can't be that quirky, like take out all the

0:42:22.760 --> 0:42:25.880
<v Speaker 1>you know, all the quirk just take that away and

0:42:25.960 --> 0:42:27.880
<v Speaker 1>because we want, you know, we want these two to

0:42:27.920 --> 0:42:31.480
<v Speaker 1>be together or whatever. And I was like, oh, okay.

0:42:31.520 --> 0:42:34.680
<v Speaker 1>I mean it's written in question form. Every line has

0:42:34.680 --> 0:42:37.480
<v Speaker 1>a question mark at the end of the sentence, and

0:42:37.560 --> 0:42:40.480
<v Speaker 1>so I was like, oh, all right, well that's weird

0:42:40.520 --> 0:42:43.799
<v Speaker 1>because that's definitely not how I pictured it. So I

0:42:43.840 --> 0:42:48.439
<v Speaker 1>did it again, just super boring, and he was like, Okay, great,

0:42:48.440 --> 0:42:50.200
<v Speaker 1>I'm going to bring you back for the directors and

0:42:50.239 --> 0:42:53.319
<v Speaker 1>that's that's great. And I got on the phone to

0:42:53.400 --> 0:42:55.640
<v Speaker 1>my manager. I was like, they said that they're gonna

0:42:55.840 --> 0:42:58.120
<v Speaker 1>bring me back for the directors, but honestly, I don't

0:42:58.120 --> 0:43:00.680
<v Speaker 1>want to go because if he wants me to do

0:43:00.719 --> 0:43:03.560
<v Speaker 1>it like that, I just that's that's not going to

0:43:03.640 --> 0:43:06.960
<v Speaker 1>be funny. And so so they were like, yeah, yeah, okay,

0:43:06.960 --> 0:43:08.960
<v Speaker 1>well let's just see if you get the call back

0:43:09.040 --> 0:43:13.399
<v Speaker 1>and talk to us then. And so I did, and

0:43:13.480 --> 0:43:16.400
<v Speaker 1>the call that they took me, my managers took me

0:43:16.440 --> 0:43:19.040
<v Speaker 1>to lunch right before maybe to butter me up to

0:43:19.080 --> 0:43:21.080
<v Speaker 1>go to the callback. I don't know why, but we

0:43:21.080 --> 0:43:24.040
<v Speaker 1>were at lunch and I had like seven iced teas

0:43:24.239 --> 0:43:28.160
<v Speaker 1>or something ridiculous, and then I sat in traffic all

0:43:28.160 --> 0:43:30.399
<v Speaker 1>my way to the callback, and I had to pee,

0:43:31.200 --> 0:43:34.960
<v Speaker 1>like I've never had to pee before, and I just

0:43:35.440 --> 0:43:37.600
<v Speaker 1>remember kind of then you have to go through it's

0:43:37.680 --> 0:43:40.800
<v Speaker 1>on the backload of Universal and drying to find the bungle,

0:43:41.160 --> 0:43:43.279
<v Speaker 1>I was going to wet my pants and so I

0:43:43.360 --> 0:43:44.719
<v Speaker 1>was like, well, I don't want to be late. I'll

0:43:44.760 --> 0:43:47.279
<v Speaker 1>sign in and then run to the bathroom. So I

0:43:47.320 --> 0:43:50.360
<v Speaker 1>did that, and I'm like, I went into the bathroom

0:43:50.560 --> 0:43:53.759
<v Speaker 1>washing my hands, and the assistant comes in to the

0:43:53.760 --> 0:43:55.960
<v Speaker 1>bathroom and says, okay, we're ready for you, Like, oh,

0:43:56.239 --> 0:44:00.160
<v Speaker 1>all right, So I never come in the bathroom. Yeah,

0:44:00.160 --> 0:44:03.959
<v Speaker 1>well yeah, I mean yes, well thank god I wasn't

0:44:03.960 --> 0:44:07.319
<v Speaker 1>in the stall still, so I dry my hands, but

0:44:07.440 --> 0:44:10.120
<v Speaker 1>I never had time to settle down. I still had

0:44:10.120 --> 0:44:12.640
<v Speaker 1>that I'm gonna weet my pants energy, and so I

0:44:12.719 --> 0:44:15.560
<v Speaker 1>just went in and I never even decided if I

0:44:15.600 --> 0:44:17.319
<v Speaker 1>was going to do it boring or the way I

0:44:17.320 --> 0:44:19.440
<v Speaker 1>wanted to do it. And because I had that like

0:44:19.560 --> 0:44:22.120
<v Speaker 1>hyper p energy, I just did it the way I

0:44:22.160 --> 0:44:24.640
<v Speaker 1>wanted to do it, and I got the job. There

0:44:24.640 --> 0:44:28.360
<v Speaker 1>you go. I'm sure the casting director appreciates me telling

0:44:28.440 --> 0:44:35.319
<v Speaker 1>that story, but I think that that shows a boldness

0:44:35.400 --> 0:44:38.440
<v Speaker 1>from you, whether it was intentional or not. Right, so,

0:44:38.719 --> 0:44:41.200
<v Speaker 1>like it was just about the P or whatever, But

0:44:42.960 --> 0:44:45.600
<v Speaker 1>if you read the script this morning, that you would say,

0:44:45.840 --> 0:44:48.080
<v Speaker 1>if it was just about the PA, it was just

0:44:48.120 --> 0:44:51.080
<v Speaker 1>about the PA, just about Alison to Hannigan's peak. No,

0:44:51.160 --> 0:44:54.880
<v Speaker 1>but I mean, like there are times you read something

0:44:55.480 --> 0:44:58.520
<v Speaker 1>and you see it clearly and it sounds like you did.

0:44:59.080 --> 0:45:02.840
<v Speaker 1>There were multiple was available for your choosing at least audition,

0:45:03.040 --> 0:45:04.920
<v Speaker 1>and you saw a character and you saw the role

0:45:05.480 --> 0:45:07.160
<v Speaker 1>and they said, well, no, they want it like this.

0:45:07.800 --> 0:45:11.480
<v Speaker 1>Well that's not you know, well that's not what I

0:45:11.480 --> 0:45:14.799
<v Speaker 1>wanted to do. I really like, I had so much

0:45:14.880 --> 0:45:20.160
<v Speaker 1>fun just being weird and like talking in question form.

0:45:20.200 --> 0:45:23.640
<v Speaker 1>It was so much fun. And then like no, no, no,

0:45:23.840 --> 0:45:27.600
<v Speaker 1>be just lose the quirk and and just like, you know,

0:45:27.680 --> 0:45:30.000
<v Speaker 1>we want them to root for them to be together.

0:45:30.120 --> 0:45:34.239
<v Speaker 1>I'm like, what, But that didn't I didn't see it

0:45:34.280 --> 0:45:38.480
<v Speaker 1>that way, and I'm so not normally like that either.

0:45:38.560 --> 0:45:41.319
<v Speaker 1>I'm very much like, Okay, what do you want? I'm

0:45:41.320 --> 0:45:45.080
<v Speaker 1>your puppet, you know. So I guess that was just no,

0:45:45.760 --> 0:45:48.160
<v Speaker 1>this is how I would want to play it. It

0:45:48.200 --> 0:45:50.880
<v Speaker 1>also helped that I was on Buffy and it wasn't

0:45:51.360 --> 0:45:54.000
<v Speaker 1>like I have to get this part, you know. It

0:45:54.120 --> 0:45:57.839
<v Speaker 1>was like, hey, that'd be great. It's a small part

0:45:58.280 --> 0:46:01.239
<v Speaker 1>in this movie I thought was really funny. But it

0:46:01.320 --> 0:46:04.200
<v Speaker 1>wasn't like, oh, this is going to change your life,

0:46:04.840 --> 0:46:07.680
<v Speaker 1>you know. You didn't know that at the time. So

0:46:07.880 --> 0:46:10.640
<v Speaker 1>the stakes weren't that high, and I had a job

0:46:10.680 --> 0:46:13.160
<v Speaker 1>to go back to, so that gave me a confidence

0:46:13.160 --> 0:46:19.200
<v Speaker 1>that I didn't normally have. And I know and you

0:46:19.239 --> 0:46:21.279
<v Speaker 1>know that because people always say act like you don't

0:46:21.280 --> 0:46:25.279
<v Speaker 1>care about the job, but it's you can't. Well, you

0:46:25.280 --> 0:46:27.560
<v Speaker 1>have to truly not care. You have to truly not

0:46:27.719 --> 0:46:30.839
<v Speaker 1>care exactly well. And I'm so grateful that I had

0:46:30.880 --> 0:46:34.279
<v Speaker 1>a crappy agent for Buffy because they weren't able to

0:46:34.320 --> 0:46:37.400
<v Speaker 1>give me the script, so I only had the sides,

0:46:38.000 --> 0:46:41.520
<v Speaker 1>and had I read the script, I would have completely

0:46:42.040 --> 0:46:44.920
<v Speaker 1>lost my mind and I wouldn't have There's no way

0:46:44.960 --> 0:46:47.080
<v Speaker 1>I could have gotten it because I would would have

0:46:47.160 --> 0:46:51.680
<v Speaker 1>wanted it so desperately. So I'm I'm really glad that

0:46:51.800 --> 0:46:54.040
<v Speaker 1>when I got the script, I was like, I want

0:46:54.040 --> 0:47:00.960
<v Speaker 1>the lottery. Yeah. I did not realize that American Pie

0:47:01.800 --> 0:47:05.480
<v Speaker 1>was that small a budget, not that five millions. As

0:47:05.480 --> 0:47:09.520
<v Speaker 1>you said, it's not nothing, but it's not a studio

0:47:09.600 --> 0:47:15.200
<v Speaker 1>movie budget, and that's with like distribution, and and then

0:47:15.360 --> 0:47:17.560
<v Speaker 1>they were going to dump it in the winter. I

0:47:17.600 --> 0:47:20.640
<v Speaker 1>think it was going to be like released on Valentine's

0:47:20.719 --> 0:47:24.680
<v Speaker 1>Day or something, you know, where movies don't really tend

0:47:24.719 --> 0:47:27.799
<v Speaker 1>to do much now that's when my movies come out. Yeah,

0:47:27.960 --> 0:47:33.400
<v Speaker 1>that's where's case you're doing Valentine's Day love movies. But

0:47:34.680 --> 0:47:38.200
<v Speaker 1>so they did the first sort of test screening where they,

0:47:38.400 --> 0:47:40.719
<v Speaker 1>you know, grab a bunch of people and say, hey,

0:47:40.719 --> 0:47:42.520
<v Speaker 1>watch this movie and tell us what do you think?

0:47:42.960 --> 0:47:48.040
<v Speaker 1>And the ratings or whatever they were phenomenal. It was

0:47:48.080 --> 0:47:52.080
<v Speaker 1>somewhere in the nineties, like nine percentile or whatever, and

0:47:52.200 --> 0:47:56.040
<v Speaker 1>they freaked out, like Universal was like, what do we have?

0:47:56.920 --> 0:47:59.719
<v Speaker 1>So then they made it a summer movie, which you

0:47:59.800 --> 0:48:02.640
<v Speaker 1>know that's when like all the blockbusters come out. But

0:48:02.760 --> 0:48:06.160
<v Speaker 1>I yeah, it was just that sort of It was

0:48:06.239 --> 0:48:08.879
<v Speaker 1>really like I love the script. Then I remember doing

0:48:08.920 --> 0:48:12.359
<v Speaker 1>the table read and meeting everybody and hearing everyone and

0:48:12.480 --> 0:48:15.359
<v Speaker 1>I was sitting next to Sean William Scott and he

0:48:15.600 --> 0:48:18.279
<v Speaker 1>was like, I think he had just you know, come

0:48:18.320 --> 0:48:20.440
<v Speaker 1>from working at home depot or something, and he was

0:48:20.520 --> 0:48:24.040
<v Speaker 1>just the sweetest, most like, can you believe we're gonna

0:48:24.239 --> 0:48:28.280
<v Speaker 1>do a moving picture? I mean, he was just so

0:48:28.760 --> 0:48:32.400
<v Speaker 1>endearing and I love him so much. But they also

0:48:32.520 --> 0:48:35.360
<v Speaker 1>because it was such a low budget movie, it was tears.

0:48:35.880 --> 0:48:38.680
<v Speaker 1>So there was like the A tier, which was like

0:48:38.840 --> 0:48:42.920
<v Speaker 1>the Jason Biggs and Eddie and like the guys cast

0:48:43.239 --> 0:48:45.960
<v Speaker 1>um and then there's a bat here and I think

0:48:46.080 --> 0:48:48.960
<v Speaker 1>Sean and I were seat here, so we were like

0:48:49.280 --> 0:48:54.880
<v Speaker 1>very much bottom, you know, but fine. In fact, I remember,

0:48:55.000 --> 0:48:59.040
<v Speaker 1>because it was just you knew going in Scale plus fifteen,

0:48:59.600 --> 0:49:02.320
<v Speaker 1>you know, it's just a you're gonna make as little

0:49:02.360 --> 0:49:05.120
<v Speaker 1>as they can pay you. But there was in the

0:49:05.239 --> 0:49:09.440
<v Speaker 1>contract there was a sequel. Uh, And I was like,

0:49:09.760 --> 0:49:11.839
<v Speaker 1>and I said to my people, I'm like, I'm not

0:49:12.040 --> 0:49:16.120
<v Speaker 1>signing on for a sequel for Scale plus fifteen. And

0:49:16.200 --> 0:49:18.799
<v Speaker 1>by the way, my character leaves at the end of

0:49:18.800 --> 0:49:21.040
<v Speaker 1>the movie, so she wouldn't even be in the sequel,

0:49:21.440 --> 0:49:25.040
<v Speaker 1>so they can just take that out. And I don't

0:49:25.040 --> 0:49:27.160
<v Speaker 1>know why I said that, because you know, it wasn't

0:49:27.160 --> 0:49:29.840
<v Speaker 1>like I was that savvy in the business or whatever,

0:49:30.239 --> 0:49:34.200
<v Speaker 1>but they did. They took out the sequel clause because

0:49:37.320 --> 0:49:39.880
<v Speaker 1>and my character leaves at the end of the first movie.

0:49:40.320 --> 0:49:46.919
<v Speaker 1>And boy was that really smart, really smart. Yeah. I

0:49:46.960 --> 0:49:50.440
<v Speaker 1>wasn't seat here for the sequels, tell you that much.

0:49:53.920 --> 0:49:56.600
<v Speaker 1>And by the way, I only worked seven days on

0:49:56.680 --> 0:50:01.520
<v Speaker 1>the first film because and I know specifically, because we

0:50:01.560 --> 0:50:05.200
<v Speaker 1>had to get my schedule to work around the Buffy schedule.

0:50:05.280 --> 0:50:07.680
<v Speaker 1>So they had to like, you know, have days off

0:50:07.719 --> 0:50:10.520
<v Speaker 1>from Buffy. And so they were like, Okay, we'll give

0:50:10.560 --> 0:50:13.640
<v Speaker 1>you seven days. And so I worked seven days on

0:50:13.719 --> 0:50:17.640
<v Speaker 1>the first one and eleven on the second one, and

0:50:17.760 --> 0:50:21.400
<v Speaker 1>I think they were doing weekends for me, but anyway, Yeah,

0:50:21.480 --> 0:50:24.360
<v Speaker 1>So so I really did feel like such a minor part,

0:50:24.960 --> 0:50:28.120
<v Speaker 1>which I didn't care. I loved I loved Michelle and

0:50:28.120 --> 0:50:31.840
<v Speaker 1>and then I do remember like the first day of work,

0:50:32.120 --> 0:50:35.560
<v Speaker 1>We're at some high school and it was a scene

0:50:35.560 --> 0:50:39.080
<v Speaker 1>where actually her first scene where she's talking to to

0:50:39.280 --> 0:50:42.680
<v Speaker 1>Jason and and I just remember being at like craft

0:50:42.719 --> 0:50:45.480
<v Speaker 1>service and some of the crew guys were like talking

0:50:45.520 --> 0:50:48.360
<v Speaker 1>to me like my character, you know, in question for

0:50:48.440 --> 0:50:51.160
<v Speaker 1>him and sing songy and like talking about banking camp.

0:50:51.160 --> 0:50:54.879
<v Speaker 1>And I was like, oh that's funny. Um. Little did

0:50:54.920 --> 0:51:01.240
<v Speaker 1>I know later, but I was like, okay, I guess

0:51:01.280 --> 0:51:05.919
<v Speaker 1>that's good. Imitation is a form of flattery, right, Yeah.

0:51:05.960 --> 0:51:08.200
<v Speaker 1>But it was just this little movie. And then I

0:51:08.239 --> 0:51:11.239
<v Speaker 1>remember seeing a screening of it, like just you know,

0:51:11.440 --> 0:51:16.200
<v Speaker 1>casting and producers, and I was like, oh, this is

0:51:16.440 --> 0:51:21.040
<v Speaker 1>so good. I'm so excited. And then somehow I got

0:51:21.080 --> 0:51:24.560
<v Speaker 1>a VHS tape and I remember playing it for Seth

0:51:25.160 --> 0:51:28.720
<v Speaker 1>and Sarah in the trailer at lunch one day or whatever.

0:51:29.239 --> 0:51:31.959
<v Speaker 1>Seth loved it. Sarah was like, it's not my type

0:51:32.000 --> 0:51:34.160
<v Speaker 1>of film, and I was like, wait, are you doing

0:51:34.160 --> 0:51:39.080
<v Speaker 1>cruel intentions right now? Um? But yeah, so but I

0:51:39.120 --> 0:51:41.440
<v Speaker 1>was like, Okay, Seth loved it, that's all that matters.

0:51:41.760 --> 0:51:44.000
<v Speaker 1>But I was just so excited for my friends to

0:51:44.000 --> 0:51:46.759
<v Speaker 1>see it because because at that time, that was so

0:51:46.880 --> 0:51:49.640
<v Speaker 1>my sense of humor, and I just loved it. And

0:51:49.719 --> 0:51:52.279
<v Speaker 1>so it just was one of those things that every

0:51:52.360 --> 0:51:54.680
<v Speaker 1>step of the way it just got better. Like that

0:51:54.760 --> 0:51:57.560
<v Speaker 1>cast read, I was like, this is good, and then

0:51:57.600 --> 0:52:00.680
<v Speaker 1>the directors were amazing, and then you know, seeing the

0:52:00.719 --> 0:52:04.040
<v Speaker 1>final product, I was like, this is unbelievable. It's so cool.

0:52:04.200 --> 0:52:06.719
<v Speaker 1>And then for it to come out and just be

0:52:07.080 --> 0:52:10.840
<v Speaker 1>so well received and just such a huge hit, we

0:52:10.880 --> 0:52:16.560
<v Speaker 1>were like, what is happening? It was a fun ride.

0:52:17.760 --> 0:52:21.280
<v Speaker 1>That's amazing. But I can't imagine how many times people

0:52:21.320 --> 0:52:27.000
<v Speaker 1>have approached you with yes, definitely no. I remember saying

0:52:27.040 --> 0:52:29.640
<v Speaker 1>once in an interview it's like if I had a

0:52:29.719 --> 0:52:32.280
<v Speaker 1>nickel for every time. And then I was like, oh wait,

0:52:32.400 --> 0:52:41.640
<v Speaker 1>I do. Thank you American Pie. That's amazing. See American

0:52:41.680 --> 0:52:46.279
<v Speaker 1>Pie to American Pie. I know. Wow. I mean, just

0:52:47.960 --> 0:52:51.240
<v Speaker 1>the people at Universal must just think you're a negotiating

0:52:51.360 --> 0:52:58.360
<v Speaker 1>shark because you're like that one clause out as probably

0:52:58.560 --> 0:53:02.080
<v Speaker 1>like I've probably ruined it for a bunch of actors

0:53:02.120 --> 0:53:05.480
<v Speaker 1>behind me. They're like, we're not falling for that. You've

0:53:05.520 --> 0:53:08.279
<v Speaker 1>got to sign your sequels now. I don't care if

0:53:08.280 --> 0:53:14.239
<v Speaker 1>you're an extra. They learn their lesson. Oh that's amazing.

0:53:14.960 --> 0:53:16.680
<v Speaker 1>Let me ask Let me ask you this. If you

0:53:16.719 --> 0:53:23.520
<v Speaker 1>look at you know, three huge cultural works of art

0:53:23.760 --> 0:53:26.080
<v Speaker 1>that you have been involved with at least that at

0:53:26.120 --> 0:53:29.400
<v Speaker 1>least have have caught flame, Buffy, American Pie, How I

0:53:29.440 --> 0:53:32.200
<v Speaker 1>Met Your Mother? What is the what is the role

0:53:32.200 --> 0:53:35.040
<v Speaker 1>that people come up to you the most about or

0:53:35.080 --> 0:53:39.880
<v Speaker 1>approach you the most about. It depends on my location.

0:53:40.600 --> 0:53:43.880
<v Speaker 1>If I'm around some sort of sporting event, it's going

0:53:43.920 --> 0:53:48.160
<v Speaker 1>to be American Pie. If I'm at a bookstore, it's

0:53:48.200 --> 0:53:51.520
<v Speaker 1>probably going to be Buffy or a comic bookshop, and

0:53:51.719 --> 0:53:56.319
<v Speaker 1>definitely Buffy. Um. And then I would say, overall, How

0:53:56.360 --> 0:54:01.760
<v Speaker 1>I Met Your Mother probably is the most popular because

0:54:02.080 --> 0:54:06.719
<v Speaker 1>it was popular when it was on. Then we started streaming. Well,

0:54:06.840 --> 0:54:11.879
<v Speaker 1>first we were played on airplanes, and that's when we

0:54:11.880 --> 0:54:15.520
<v Speaker 1>were like, wait a second, We've got a captive audience,

0:54:16.280 --> 0:54:18.800
<v Speaker 1>and so we sort of saw that we were getting

0:54:18.800 --> 0:54:22.440
<v Speaker 1>a little more popular with that, and then Netflix started

0:54:23.040 --> 0:54:26.719
<v Speaker 1>airing us and that changed everything, and I feel like

0:54:27.480 --> 0:54:31.160
<v Speaker 1>it just keeps growing. I feel like both of the

0:54:31.200 --> 0:54:34.799
<v Speaker 1>shows that I was on, we're more popular after they

0:54:34.800 --> 0:54:37.480
<v Speaker 1>were over than when they were actually on, even though

0:54:37.480 --> 0:54:40.920
<v Speaker 1>How I Met Your Mother kept growing. But the fans

0:54:40.960 --> 0:54:45.200
<v Speaker 1>are incredible. In fact, back to Comic Con, when our

0:54:45.320 --> 0:54:48.240
<v Speaker 1>our last season and you know, you do the whole

0:54:48.360 --> 0:54:50.960
<v Speaker 1>press thing of the show's over, and they asked us

0:54:51.000 --> 0:54:54.000
<v Speaker 1>to go to Comic Con, which was sort of baffling

0:54:54.080 --> 0:54:56.479
<v Speaker 1>because we're not a science fic. It wasn't like we're

0:54:56.520 --> 0:54:59.400
<v Speaker 1>the Big Bang Theory. It's like it's a sitcom that

0:54:59.600 --> 0:55:02.200
<v Speaker 1>has not thing to do. But okay, so we did,

0:55:02.440 --> 0:55:06.080
<v Speaker 1>and um people stood in line like all night to

0:55:06.160 --> 0:55:09.200
<v Speaker 1>be in our panel. And then Entertainment Weekly did some

0:55:09.239 --> 0:55:12.440
<v Speaker 1>sort of survey where they they gauge all the social

0:55:12.480 --> 0:55:16.680
<v Speaker 1>media whatever it is to see who won Comic Con.

0:55:16.920 --> 0:55:21.120
<v Speaker 1>And we won Comic Con. We meet like we beat

0:55:21.239 --> 0:55:25.680
<v Speaker 1>Superman versus Batman or whatever movie it was, and we

0:55:25.680 --> 0:55:29.440
<v Speaker 1>were like what we what? Because because people were talking

0:55:29.440 --> 0:55:33.200
<v Speaker 1>about us the most on social media. I guess that

0:55:33.280 --> 0:55:39.560
<v Speaker 1>was pretty incredible to to hear. Yeah, that is surprising

0:55:39.920 --> 0:55:44.080
<v Speaker 1>because comic Con is a very specific type of event.

0:55:44.920 --> 0:55:49.440
<v Speaker 1>Definitely that feels way buffier. You must have done that. Yeah,

0:55:49.560 --> 0:55:54.319
<v Speaker 1>oh yeah, we did. I don't remember when we started,

0:55:54.440 --> 0:55:57.480
<v Speaker 1>but it was when Seth was on, because Seth and

0:55:57.520 --> 0:55:59.919
<v Speaker 1>I were there and uh, and we were like, wait,

0:56:00.080 --> 0:56:02.880
<v Speaker 1>don't don't we get to go like walk around and

0:56:02.920 --> 0:56:05.919
<v Speaker 1>see all the stuff. And they're like, no, you can't

0:56:05.920 --> 0:56:07.960
<v Speaker 1>do that. We're like, we have to. We're a common

0:56:08.000 --> 0:56:10.759
<v Speaker 1>come we want to go see the stuff. And so

0:56:10.800 --> 0:56:12.600
<v Speaker 1>then they were like, well we have to send security

0:56:12.640 --> 0:56:14.759
<v Speaker 1>with you, and we're like, oh my god, which of

0:56:14.800 --> 0:56:18.799
<v Speaker 1>course draws way more attention than if you just put

0:56:18.840 --> 0:56:22.080
<v Speaker 1>a baseball cap in and go walk around. And so

0:56:22.280 --> 0:56:24.960
<v Speaker 1>he and I quickly realized, okay, we can't do this

0:56:25.000 --> 0:56:27.560
<v Speaker 1>with security. We gotta break free, and so we did

0:56:27.719 --> 0:56:29.920
<v Speaker 1>and it was fine. Well, as soon as you have

0:56:30.000 --> 0:56:33.080
<v Speaker 1>like coming through, coming through, coming through, it attracts a

0:56:33.120 --> 0:56:36.120
<v Speaker 1>crowd of like what's happening, and then you can't do

0:56:36.160 --> 0:56:39.600
<v Speaker 1>anything because you've got like fifty people around you sort

0:56:39.640 --> 0:56:43.080
<v Speaker 1>of trying to figure out why some some dudes trying

0:56:43.120 --> 0:56:46.840
<v Speaker 1>to protect you know, having security is way worse. I

0:56:46.880 --> 0:56:51.000
<v Speaker 1>think partly it's because the security who are with you,

0:56:51.680 --> 0:56:55.839
<v Speaker 1>they somehow there is an attention that they enjoy about that,

0:56:56.440 --> 0:57:00.360
<v Speaker 1>like there's a puffier chest, there's a higher walk, and

0:57:00.400 --> 0:57:02.520
<v Speaker 1>of course, like if you're just standing there, you look

0:57:02.560 --> 0:57:05.280
<v Speaker 1>at this person who's walking by with this great purpose

0:57:05.320 --> 0:57:09.279
<v Speaker 1>looking around, and then of course and they're always like

0:57:09.480 --> 0:57:13.240
<v Speaker 1>seven feet tall. I feel like maybe I'm just short.

0:57:13.400 --> 0:57:16.520
<v Speaker 1>But between Seth and I were just like looking up

0:57:16.560 --> 0:57:20.320
<v Speaker 1>to this these two guys that are trying like causing

0:57:20.360 --> 0:57:23.160
<v Speaker 1>such a scene where like we know how to do this,

0:57:23.520 --> 0:57:29.680
<v Speaker 1>we can get it's okay. That was really silly. But anyway,

0:57:29.800 --> 0:57:31.960
<v Speaker 1>that was just a long winded way of saying It

0:57:32.080 --> 0:57:35.680
<v Speaker 1>was sometime within the first couple of seasons. But we

0:57:35.720 --> 0:57:38.720
<v Speaker 1>went down there and we were just shocked at the

0:57:38.760 --> 0:57:41.800
<v Speaker 1>fact that we could fill an auditorium. They actually bumped

0:57:41.840 --> 0:57:44.360
<v Speaker 1>us up to a bigger auditorium because of all the

0:57:44.440 --> 0:57:47.920
<v Speaker 1>interest in hearing us talk, and it was amazing, And

0:57:47.960 --> 0:57:50.280
<v Speaker 1>I remember that was the first time I had seen

0:57:50.320 --> 0:57:52.880
<v Speaker 1>somebody like burst into tears because they got to hug

0:57:52.960 --> 0:57:56.600
<v Speaker 1>David Boreana so it was just like, oh, people like

0:57:56.720 --> 0:58:19.920
<v Speaker 1>this show. That's awesome. What was your process for getting

0:58:20.000 --> 0:58:22.920
<v Speaker 1>cass there on? How I Met your Mother? Oh? How

0:58:22.920 --> 0:58:26.560
<v Speaker 1>I Met your mother? Okay, So the creators Craig and Carter,

0:58:27.040 --> 0:58:31.800
<v Speaker 1>Craig's wife, well, Craig and his wife, Rebecca were very,

0:58:32.120 --> 0:58:36.080
<v Speaker 1>very big Buffy fans, and so when How I Met

0:58:36.120 --> 0:58:39.920
<v Speaker 1>your Mother's loosely based on Carter and Craig's friendship. And

0:58:40.040 --> 0:58:43.560
<v Speaker 1>so when Craig went to Rebecca and said, hey, so

0:58:43.720 --> 0:58:46.680
<v Speaker 1>Carter and I think about, you know, writing this story

0:58:46.800 --> 0:58:49.840
<v Speaker 1>kind of based on ourselves, what do you think how

0:58:49.880 --> 0:58:51.880
<v Speaker 1>what do you think about that? She was like, well,

0:58:51.960 --> 0:58:54.160
<v Speaker 1>as long as Alice and Hannigan plays me, I'm fine.

0:58:54.520 --> 0:58:58.600
<v Speaker 1>And so she basically got me the job. So I

0:58:58.680 --> 0:59:02.800
<v Speaker 1>always am super grateful to Rebecca for that. And so

0:59:03.000 --> 0:59:05.720
<v Speaker 1>I got this call, Hey, you know these guys have

0:59:06.600 --> 0:59:09.080
<v Speaker 1>you know, they've got the script or whatever. And at

0:59:09.080 --> 0:59:12.080
<v Speaker 1>the time, I was reading a lot of scripts and

0:59:12.240 --> 0:59:16.520
<v Speaker 1>it really stood out as special. I liked it immediately,

0:59:16.800 --> 0:59:19.640
<v Speaker 1>and then it was just a sort of will you

0:59:19.680 --> 0:59:22.160
<v Speaker 1>meet the showrunners? And I was like, okay, is it

0:59:22.240 --> 0:59:25.680
<v Speaker 1>an audition? No, just go meet them? Okay, great, which

0:59:25.720 --> 0:59:28.680
<v Speaker 1>is weird but great um and they were lovely and

0:59:28.720 --> 0:59:32.640
<v Speaker 1>so sweet, and then the network wanted me to do

0:59:32.960 --> 0:59:39.840
<v Speaker 1>the audition the test exactly. So I remember I was like, okay,

0:59:39.840 --> 0:59:43.600
<v Speaker 1>one audition or if ie going straight to network the

0:59:43.680 --> 0:59:48.040
<v Speaker 1>big leagues now. So they for for the network tests,

0:59:48.200 --> 0:59:51.120
<v Speaker 1>they have to iron out the whole deal of you know,

0:59:51.160 --> 0:59:53.440
<v Speaker 1>how much we're gonna blah blah blah blah blah all

0:59:53.480 --> 0:59:56.720
<v Speaker 1>this stuff, and I just remember there was like one

0:59:57.480 --> 1:00:02.200
<v Speaker 1>little hiccup that my p bowl and business affairs couldn't

1:00:02.240 --> 1:00:04.880
<v Speaker 1>get past. So the network day was going to be like,

1:00:05.400 --> 1:00:08.680
<v Speaker 1>you know, Wednesday or something, and they didn't have a deal.

1:00:08.920 --> 1:00:13.000
<v Speaker 1>So I was ready to go test on Wednesday, and

1:00:13.080 --> 1:00:15.840
<v Speaker 1>no deal, So no, I don't get to test. So

1:00:15.840 --> 1:00:18.480
<v Speaker 1>so I thought, well that was it. Okay, And then

1:00:18.520 --> 1:00:22.480
<v Speaker 1>I think in the room it was Gary Newman I heard,

1:00:23.000 --> 1:00:26.480
<v Speaker 1>who was the president of twentieth Century Fox who produced

1:00:26.560 --> 1:00:29.160
<v Speaker 1>the show. But he was like wait, I thought Alison

1:00:29.240 --> 1:00:31.400
<v Speaker 1>was coming in for this, and then they were like yeah,

1:00:31.440 --> 1:00:33.320
<v Speaker 1>we can't get or whatever, and he was like, come on,

1:00:33.760 --> 1:00:36.800
<v Speaker 1>and so they called back and said okay, come test

1:00:36.880 --> 1:00:39.040
<v Speaker 1>on Friday. It was like two days later or something,

1:00:39.360 --> 1:00:41.840
<v Speaker 1>and so I did and there were no other girls there,

1:00:42.120 --> 1:00:44.800
<v Speaker 1>and I was like, this is awesome. They were testing

1:00:44.840 --> 1:00:47.080
<v Speaker 1>the role of Barney, so it was just me and

1:00:47.120 --> 1:00:49.560
<v Speaker 1>a bunch of Barneys. And I'm like, Okay, if I

1:00:49.600 --> 1:00:54.360
<v Speaker 1>can't get this, then I'm really because I hate auditioning.

1:00:54.400 --> 1:00:57.280
<v Speaker 1>By the way, I'm so I'm not a great auditioner.

1:00:57.600 --> 1:01:01.240
<v Speaker 1>It's such a different skill said, and I just don't

1:01:01.720 --> 1:01:05.360
<v Speaker 1>possess that that that skill set. I get two in

1:01:05.480 --> 1:01:07.840
<v Speaker 1>my head and I sort of like I leave my

1:01:07.920 --> 1:01:10.480
<v Speaker 1>body and I start judging myself. I'm like, oh no,

1:01:10.520 --> 1:01:15.960
<v Speaker 1>that wasn't good. Watch from the outside, so bad. So anyway,

1:01:16.000 --> 1:01:17.920
<v Speaker 1>so I was really happy that I didn't have to

1:01:18.000 --> 1:01:22.000
<v Speaker 1>like sit there and see my competition and uh. And

1:01:22.040 --> 1:01:25.680
<v Speaker 1>then while I was waiting, Neil Patrick Harris walks in

1:01:25.880 --> 1:01:29.160
<v Speaker 1>and we had been friends since like we're sixteen or something,

1:01:29.400 --> 1:01:32.480
<v Speaker 1>so we're both really excited to see each other and

1:01:32.640 --> 1:01:35.840
<v Speaker 1>just have a familiar face. And he went in first.

1:01:36.160 --> 1:01:38.840
<v Speaker 1>Oh he was contemplating doing some sort of prap fall

1:01:38.960 --> 1:01:41.560
<v Speaker 1>or something um and I was like, yeah, I hit

1:01:41.600 --> 1:01:43.360
<v Speaker 1>the wall, so I can hear you did it, that

1:01:43.480 --> 1:01:47.360
<v Speaker 1>you've done it, and he did, get here, you bounced

1:01:47.360 --> 1:01:50.680
<v Speaker 1>off the door or something um, and I was like, oh, Neil,

1:01:51.080 --> 1:01:53.360
<v Speaker 1>you're the best. And so I went in. It was

1:01:53.440 --> 1:01:56.280
<v Speaker 1>just me and that was great. It was fun. And

1:01:56.320 --> 1:01:59.640
<v Speaker 1>then I left and it wasn't. They didn't make me

1:01:59.640 --> 1:02:02.480
<v Speaker 1>wait for very long, and I did. I think on

1:02:02.560 --> 1:02:05.240
<v Speaker 1>the way home maybe I got the call. So that

1:02:05.360 --> 1:02:08.960
<v Speaker 1>was really exciting. And then a few days later they

1:02:09.000 --> 1:02:11.400
<v Speaker 1>were wanted to test for Marshalls. They asked me to

1:02:11.440 --> 1:02:14.160
<v Speaker 1>come in into a chemistry read. So I did it

1:02:14.280 --> 1:02:18.760
<v Speaker 1>chemistry read and Jason Siegel and I had been in

1:02:18.800 --> 1:02:24.240
<v Speaker 1>a movie together years before called dead Man on Campus.

1:02:25.280 --> 1:02:28.120
<v Speaker 1>Don't rush out to rent that right now. I've missed

1:02:28.120 --> 1:02:29.640
<v Speaker 1>that one, but I'm going to watch it tonight. You

1:02:29.720 --> 1:02:31.760
<v Speaker 1>know a lot of people did. It was fine to miss.

1:02:32.160 --> 1:02:35.040
<v Speaker 1>And when I saw him it was him and some

1:02:35.120 --> 1:02:37.560
<v Speaker 1>other guy, and I saw him, I was like, oh

1:02:37.640 --> 1:02:40.040
<v Speaker 1>that god looks familiar r now. And then we did

1:02:40.080 --> 1:02:43.680
<v Speaker 1>that like hey, how are you like? We know we

1:02:43.720 --> 1:02:45.920
<v Speaker 1>know each other. I just have no idea why I

1:02:45.920 --> 1:02:49.360
<v Speaker 1>know you. And then later on it was I realized

1:02:49.640 --> 1:02:54.000
<v Speaker 1>we've worked together, um, but he sort of just stood

1:02:54.000 --> 1:02:56.400
<v Speaker 1>outside and did his thing, and then the other guy

1:02:56.480 --> 1:02:59.080
<v Speaker 1>was like very much like, Okay, she is the job

1:02:59.520 --> 1:03:01.920
<v Speaker 1>I'm going to kiss up to her, and so he

1:03:02.040 --> 1:03:05.040
<v Speaker 1>was like on me the entire time, which fine, like

1:03:05.120 --> 1:03:07.360
<v Speaker 1>do whatever you gotta do. And then we go in

1:03:07.480 --> 1:03:09.240
<v Speaker 1>and I read with that guy, and then I read

1:03:09.280 --> 1:03:13.480
<v Speaker 1>with Jason, and I mess up. I totally jumped on

1:03:13.480 --> 1:03:16.919
<v Speaker 1>one of his jokes and I was like, oh, I'm

1:03:17.000 --> 1:03:21.320
<v Speaker 1>such a jerk. I just ruined this guy's chances. But again,

1:03:21.360 --> 1:03:24.680
<v Speaker 1>we both played it off and the chemistry was clearly there.

1:03:25.160 --> 1:03:28.720
<v Speaker 1>But I was so concerned that I blew it for

1:03:29.200 --> 1:03:32.360
<v Speaker 1>him because I screwed up his one, like one of

1:03:32.400 --> 1:03:35.400
<v Speaker 1>his punch lines. I was like, oh, I'm so sorry,

1:03:37.000 --> 1:03:39.080
<v Speaker 1>but thank god he got it because I would have

1:03:39.360 --> 1:03:42.240
<v Speaker 1>that would have haunted me for years. Well, and I

1:03:42.280 --> 1:03:44.280
<v Speaker 1>mean the fact that is that you already had the job,

1:03:45.000 --> 1:03:47.760
<v Speaker 1>So being back in the corner drinking a glass of

1:03:47.760 --> 1:03:50.520
<v Speaker 1>wine and smoking a cigarette like you were, it's probably

1:03:51.040 --> 1:03:54.080
<v Speaker 1>probably why you messed up. It's like, I've got this now,

1:03:54.120 --> 1:03:55.760
<v Speaker 1>I don't have to be I think I just messed

1:03:55.800 --> 1:03:58.840
<v Speaker 1>up because I'm terrible at auditions. I mean, clearly, or

1:03:59.080 --> 1:04:01.480
<v Speaker 1>that's the key to it, is that I mess up,

1:04:01.680 --> 1:04:06.280
<v Speaker 1>and it helps because you share the chemistry. Because I

1:04:06.320 --> 1:04:08.240
<v Speaker 1>messed up in Buffy and I messed up on his

1:04:08.320 --> 1:04:12.080
<v Speaker 1>How I Met Your Mother. So that's a good lesson actually,

1:04:12.560 --> 1:04:16.080
<v Speaker 1>not that we're into teaching lessons here, but that there

1:04:16.160 --> 1:04:18.840
<v Speaker 1>is something about the energy and the intention, and I

1:04:18.880 --> 1:04:23.360
<v Speaker 1>do think that's so often as actors. Why maybe you struggle,

1:04:23.720 --> 1:04:26.840
<v Speaker 1>why I struggle at times with auditions is that, yeah,

1:04:27.000 --> 1:04:30.240
<v Speaker 1>you get so worked up about it being perfect and

1:04:30.360 --> 1:04:33.720
<v Speaker 1>forget that it's really just about showing yourself as best

1:04:33.760 --> 1:04:37.920
<v Speaker 1>you can and that limited amount of time. Exactly. I

1:04:37.960 --> 1:04:42.280
<v Speaker 1>do really think that chemistry is so there when you

1:04:42.320 --> 1:04:45.200
<v Speaker 1>mess up. Like, honestly, I've thought about it since, and

1:04:45.240 --> 1:04:48.640
<v Speaker 1>I'm like, if I were in a casting session, I

1:04:48.760 --> 1:04:52.840
<v Speaker 1>might try to mess up just to see how how

1:04:52.880 --> 1:04:56.840
<v Speaker 1>it plays, you know, because then you kind of, without

1:04:56.920 --> 1:04:59.800
<v Speaker 1>going completely off script, you do get into a little

1:04:59.800 --> 1:05:03.600
<v Speaker 1>bit of improv. I don't know, it's just it's just

1:05:03.680 --> 1:05:06.600
<v Speaker 1>been telling in my situations where where it's like it

1:05:06.720 --> 1:05:12.080
<v Speaker 1>was so right even though I totally screwed up his line, Yeah,

1:05:12.200 --> 1:05:17.680
<v Speaker 1>and he handled it beautifully. He didn't, like I mean,

1:05:19.760 --> 1:05:24.200
<v Speaker 1>he was totally professional. Um, How I Met Your Mother

1:05:24.840 --> 1:05:30.120
<v Speaker 1>started roughly the same time that the office started. Yes,

1:05:30.800 --> 1:05:34.680
<v Speaker 1>I think you guys must have started first. Yeah, but

1:05:34.760 --> 1:05:38.040
<v Speaker 1>I don't feel like there was a ton of It

1:05:38.200 --> 1:05:41.240
<v Speaker 1>wasn't like we were had some weird competition. We were

1:05:41.280 --> 1:05:46.000
<v Speaker 1>clearly like on different nights. I felt like we totally

1:05:46.040 --> 1:05:50.840
<v Speaker 1>talked about your show and appreciated it. And yeah, I

1:05:51.480 --> 1:05:54.240
<v Speaker 1>don't feel like there was ever any I mean, honestly,

1:05:54.320 --> 1:05:56.680
<v Speaker 1>I remember from the start of How I Met Your

1:05:56.720 --> 1:06:00.240
<v Speaker 1>Mother we were produced by twenty Century Fox that and

1:06:00.320 --> 1:06:04.000
<v Speaker 1>they also produced My Name Is Earl. And My Name

1:06:04.040 --> 1:06:09.200
<v Speaker 1>Is Earle was their baby. They they loved that baby,

1:06:09.600 --> 1:06:13.320
<v Speaker 1>and so I do remember us always being like, well're

1:06:13.400 --> 1:06:17.200
<v Speaker 1>not my name is Earl, and it we really felt that,

1:06:17.360 --> 1:06:20.400
<v Speaker 1>you know, like from the studio perspective of like they

1:06:20.440 --> 1:06:23.520
<v Speaker 1>don't care about that. Like anytime like the studio run

1:06:23.560 --> 1:06:26.120
<v Speaker 1>through would run late, They're like, oh, they're lunching with

1:06:26.160 --> 1:06:29.640
<v Speaker 1>my Name is Earl. Like, we were definitely bitter about

1:06:29.720 --> 1:06:32.120
<v Speaker 1>how much attention they got and they got all the

1:06:32.360 --> 1:06:36.880
<v Speaker 1>you know, the campaigns and and but they also came

1:06:36.880 --> 1:06:39.400
<v Speaker 1>out with a huge bang and we did not, So

1:06:39.920 --> 1:06:42.880
<v Speaker 1>you know, rightfully, they probably earned it more than we did.

1:06:43.160 --> 1:06:47.000
<v Speaker 1>But uh, that's the only like show. I Oh, and

1:06:47.040 --> 1:06:49.160
<v Speaker 1>then we got really mad at Dancing with the Stars

1:06:49.200 --> 1:06:53.560
<v Speaker 1>because they kept kicking our butts with the numbers because

1:06:53.600 --> 1:06:56.200
<v Speaker 1>they were up against so so for us, I think

1:06:56.240 --> 1:06:59.360
<v Speaker 1>the only like shows we ever talked about, we're the

1:06:59.400 --> 1:07:03.880
<v Speaker 1>ones that we're like getting our attention or from the

1:07:03.960 --> 1:07:09.000
<v Speaker 1>studio or kicking our ass in the numbers. It's fascinating

1:07:09.000 --> 1:07:11.400
<v Speaker 1>because you know, my name is Earl. We were we

1:07:11.480 --> 1:07:15.240
<v Speaker 1>struggled mightily out of the gate, and we're almost canceled

1:07:15.240 --> 1:07:17.560
<v Speaker 1>a couple of times. My name is Earl is one

1:07:17.600 --> 1:07:20.360
<v Speaker 1>of the reasons we were even stayed on the air

1:07:20.920 --> 1:07:24.520
<v Speaker 1>because they put us behind my name is Earl. And yes,

1:07:24.600 --> 1:07:27.000
<v Speaker 1>exactly as you said, it came out of the gate

1:07:27.400 --> 1:07:32.800
<v Speaker 1>crazy big, and then nine months in or whatever, we

1:07:32.920 --> 1:07:36.040
<v Speaker 1>finally kind of overtook them and everything sort of swung

1:07:36.720 --> 1:07:40.560
<v Speaker 1>that show. It's so crazy that our shows lasted for

1:07:40.720 --> 1:07:44.200
<v Speaker 1>so long and that show was so huge out of

1:07:44.200 --> 1:07:48.480
<v Speaker 1>the gate, and then and then bye bye. We were

1:07:48.520 --> 1:07:52.640
<v Speaker 1>perpetually a bubble show. We barely got like we barely

1:07:52.680 --> 1:07:56.080
<v Speaker 1>got the back order, and then you know, it was

1:07:56.200 --> 1:07:59.080
<v Speaker 1>definitely sort of are we going to get this season two?

1:07:59.240 --> 1:08:01.960
<v Speaker 1>I don't know, and no, yes we did. And then

1:08:02.000 --> 1:08:05.800
<v Speaker 1>I don't remember exactly which seasons it was, but It

1:08:05.880 --> 1:08:10.120
<v Speaker 1>was probably after we started our numbers and popularity started

1:08:10.160 --> 1:08:14.000
<v Speaker 1>increasing because of you know, really being popular in airplanes

1:08:14.000 --> 1:08:18.040
<v Speaker 1>and jails, that we did get like a two season

1:08:18.120 --> 1:08:23.599
<v Speaker 1>pick up. At once we thought we were rock stars.

1:08:24.160 --> 1:08:26.559
<v Speaker 1>I think it might have been season three and four,

1:08:26.640 --> 1:08:29.000
<v Speaker 1>but it was like, not only did we get picked up,

1:08:29.000 --> 1:08:37.520
<v Speaker 1>but we got our two seasons. That was amazing. Yeah, yeah,

1:08:37.560 --> 1:08:40.280
<v Speaker 1>we were there too. We were on the bubble for

1:08:40.320 --> 1:08:43.080
<v Speaker 1>so long. It was so nice not to be called

1:08:43.120 --> 1:08:49.880
<v Speaker 1>the Bubble Show. I know, I know, yeah, please, um,

1:08:50.040 --> 1:08:52.400
<v Speaker 1>I know since how I met your mother has been

1:08:52.439 --> 1:08:55.759
<v Speaker 1>off the air. Now you've been expanding your horizons even further.

1:08:56.200 --> 1:09:00.759
<v Speaker 1>You're hosting. Do you like hosting Pen and Teller? Do I?

1:09:01.000 --> 1:09:05.240
<v Speaker 1>You know? Yes? I love that I get to be

1:09:05.920 --> 1:09:09.320
<v Speaker 1>thrown into a world that is so foreign to myself,

1:09:09.479 --> 1:09:14.880
<v Speaker 1>Like the the magician world is just so different. And

1:09:15.120 --> 1:09:18.479
<v Speaker 1>to get to sort of watch these people come on

1:09:19.400 --> 1:09:23.479
<v Speaker 1>and perform in front of their icons, because Penn and

1:09:23.520 --> 1:09:27.040
<v Speaker 1>Teller are living legends. All these magicians have grown up

1:09:27.280 --> 1:09:29.960
<v Speaker 1>being inspired by them and like and so to watch

1:09:30.040 --> 1:09:34.760
<v Speaker 1>sort of people's dreams coming true is really cool. To

1:09:34.880 --> 1:09:37.320
<v Speaker 1>be a little like you know, Fly on the Wall

1:09:37.640 --> 1:09:41.840
<v Speaker 1>and the Magic is amazing. I went in knowing very

1:09:42.040 --> 1:09:44.360
<v Speaker 1>very little, and obviously we've been doing it for a

1:09:44.400 --> 1:09:47.160
<v Speaker 1>long time now, so I know more than I wish

1:09:47.200 --> 1:09:50.599
<v Speaker 1>I knew. But there's still so many people that are

1:09:50.720 --> 1:09:54.880
<v Speaker 1>so incredible that just make me feel like I'm a

1:09:54.880 --> 1:09:58.799
<v Speaker 1>six year old watching magic happen. So it's it's fun.

1:09:59.120 --> 1:10:01.519
<v Speaker 1>I have a six year old who watches me do magic,

1:10:01.960 --> 1:10:05.280
<v Speaker 1>and that's about the only person who would be impressed

1:10:05.479 --> 1:10:07.920
<v Speaker 1>by mine. I don't know, you should come on. I

1:10:07.960 --> 1:10:12.320
<v Speaker 1>don't know, no, chick, come on. You could come on

1:10:12.479 --> 1:10:15.800
<v Speaker 1>at least to like just be the person that they trick.

1:10:16.080 --> 1:10:19.760
<v Speaker 1>That would not be difficult for me. That would be

1:10:19.840 --> 1:10:24.519
<v Speaker 1>really incredible. Alison. I can't let you leave before I

1:10:24.840 --> 1:10:29.320
<v Speaker 1>tell you I have loved essentially everything that you have

1:10:29.400 --> 1:10:34.400
<v Speaker 1>ever done except except oh and you haven't seen dead

1:10:34.439 --> 1:10:38.680
<v Speaker 1>Man on campus. So, and I mean no disrespect to

1:10:38.720 --> 1:10:43.880
<v Speaker 1>you or anyone else associated with the project, but Fancy Nancy,

1:10:44.400 --> 1:10:49.200
<v Speaker 1>specifically the theme song for Fancy Nancy gets stuck in

1:10:49.280 --> 1:10:53.200
<v Speaker 1>my head. Oh good, I think if you don't like

1:10:53.320 --> 1:10:59.840
<v Speaker 1>Fancy Nancy, this interview, Fancy Nancy, Fancy Nancy. Thank God

1:11:00.040 --> 1:11:04.639
<v Speaker 1>we're not singing it well, I mean that's what I do.

1:11:05.200 --> 1:11:07.840
<v Speaker 1>You used to sing Annie running around the house. I

1:11:07.880 --> 1:11:11.920
<v Speaker 1>now have to sing Fancy Nancy and then go out

1:11:11.960 --> 1:11:17.280
<v Speaker 1>of my head. It's such a good show, though. I

1:11:17.320 --> 1:11:20.280
<v Speaker 1>love the animation, so I'm doing an animated show for

1:11:20.400 --> 1:11:22.360
<v Speaker 1>Netflix right now too, and the kids are watching that,

1:11:22.400 --> 1:11:26.080
<v Speaker 1>and I truly do love it. It's so creative. It's

1:11:26.120 --> 1:11:29.960
<v Speaker 1>such a different world of acting that I enjoy so much.

1:11:30.240 --> 1:11:33.000
<v Speaker 1>But no, the theme song for Fancy Nancy, we Gotta

1:11:33.120 --> 1:11:36.760
<v Speaker 1>we Gotta Work, well, I didn't write it, and I

1:11:36.800 --> 1:11:41.559
<v Speaker 1>think the kids love it. I love that show that was.

1:11:41.800 --> 1:11:44.960
<v Speaker 1>I mean, honestly, I've always always wanted to do a

1:11:45.000 --> 1:11:50.160
<v Speaker 1>cartoon and I don't think I was good at it

1:11:50.240 --> 1:11:54.280
<v Speaker 1>until I had children, because I do a lot of

1:11:54.280 --> 1:11:59.840
<v Speaker 1>emoting with my face, apparently, and that doesn't work in cartoons,

1:12:00.080 --> 1:12:01.880
<v Speaker 1>so you have to do it with your voice. And

1:12:01.920 --> 1:12:03.920
<v Speaker 1>I didn't realize that until I had kids and I

1:12:03.960 --> 1:12:07.320
<v Speaker 1>started reading bedtime stories out loud and like, oh and

1:12:07.320 --> 1:12:10.599
<v Speaker 1>and Fancy Nancy was just such a dream and I

1:12:10.720 --> 1:12:13.960
<v Speaker 1>just had so much fun doing that every single time,

1:12:14.040 --> 1:12:16.840
<v Speaker 1>and honestly, I would have done it for a hundred years.

1:12:16.920 --> 1:12:20.040
<v Speaker 1>I loved that show and it was just like I

1:12:20.080 --> 1:12:22.040
<v Speaker 1>also love being part of a show you could just

1:12:22.520 --> 1:12:25.160
<v Speaker 1>PLoP your kid down and you know it's going to

1:12:25.240 --> 1:12:28.559
<v Speaker 1>be okay and safe and not like inappropriate for their

1:12:28.680 --> 1:12:35.720
<v Speaker 1>their age. So that was I love that show. Fancy Nancy,

1:12:35.920 --> 1:12:41.479
<v Speaker 1>Fancy Nancy. Well, if there's a reboot, maybe I can

1:12:41.560 --> 1:12:45.439
<v Speaker 1>come up with a different theme song. Um, Alison, thank

1:12:45.439 --> 1:12:48.200
<v Speaker 1>you so much for coming and talk to me. No,

1:12:48.600 --> 1:12:53.400
<v Speaker 1>you're one. You're delightful. Uh too, you offered I think

1:12:53.439 --> 1:12:57.679
<v Speaker 1>some just some great insight into not just your career,

1:12:57.720 --> 1:13:00.400
<v Speaker 1>but how a lot of actors should maybe think about

1:13:00.520 --> 1:13:04.160
<v Speaker 1>the audition process and fame and whatnot. I'm so happy

1:13:04.200 --> 1:13:07.280
<v Speaker 1>for you and respect you so much. Thank you so

1:13:07.400 --> 1:13:24.240
<v Speaker 1>much for talking to you. Thanks for having me. Fancy Nancy,

1:13:24.760 --> 1:13:28.000
<v Speaker 1>Fancy Nancy. I don't think I'm even doing it right

1:13:28.400 --> 1:13:31.360
<v Speaker 1>because now it's catchy. Now it's stuck in my head. Alison,

1:13:31.840 --> 1:13:33.960
<v Speaker 1>thank you for coming on the podcast today. I am

1:13:34.000 --> 1:13:36.920
<v Speaker 1>so glad we finally got a chance to sit down

1:13:37.120 --> 1:13:41.440
<v Speaker 1>and really talk. So thank you. Thank you as always

1:13:41.680 --> 1:13:44.320
<v Speaker 1>to your listeners for tuning in if you liked what

1:13:44.400 --> 1:13:47.240
<v Speaker 1>you heard today, and I don't know how you couldn't.

1:13:47.439 --> 1:13:50.080
<v Speaker 1>I mean, you know it's Alison freaking hand again. She

1:13:50.240 --> 1:13:54.280
<v Speaker 1>is incredible, But if you did, please go ahead leave

1:13:54.320 --> 1:13:58.400
<v Speaker 1>a review on Apple Podcasts or send us a note

1:13:58.680 --> 1:14:02.519
<v Speaker 1>at Instagram at Off the Beat, we would love to

1:14:02.600 --> 1:14:05.040
<v Speaker 1>hear from you. I will be back next week with

1:14:05.120 --> 1:14:10.360
<v Speaker 1>another incredible guest from one of your very favorite shows.

1:14:10.680 --> 1:14:13.920
<v Speaker 1>But until then, everybody, have a great week. We will

1:14:13.960 --> 1:14:28.920
<v Speaker 1>see you next Tuesday. Off the Beat is hosted an

1:14:28.960 --> 1:14:34.160
<v Speaker 1>executive produced by me Brian Baumgartner, alongside our executive producer Langley.

1:14:34.520 --> 1:14:38.840
<v Speaker 1>Our producers are Diego Tapia, Liz Hayes, Emily Carr, and

1:14:38.920 --> 1:14:43.200
<v Speaker 1>Hannah Harris. Our talent producer is Ryan Papa Zachary. Our

1:14:43.320 --> 1:14:47.479
<v Speaker 1>theme song Bubble and Squeak performed by my great friend

1:14:47.800 --> 1:14:51.480
<v Speaker 1>Creed Bratton, and the episode was mixed by seth Olandski

1:15:00.040 --> 1:15:00.479
<v Speaker 1>M hmm