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Speaker 1: And so I'm on the board and the waves are

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Speaker 1: coming and I shred that wave. I shread that way.

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Speaker 1: I'm just going, you know, I'm doing it like I do.

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Speaker 1: And Molly Simms runs up the beach and she's like, hey,

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Speaker 1: so stop stop it. And I didn't realize I was

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Speaker 1: shredding the ocean so hard. I was killing the ocean.

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Speaker 1: I shredded killing sea life. Like no, I was shredding

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Speaker 1: up the ocean, which is like, I guess that's where

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Speaker 1: it comes from. But like some guy did that actually

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Speaker 1: in the beginning, and we're all like trying to be

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Speaker 1: like the guy who like shredded up the ocean. But

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Speaker 1: now it's like, now there's a drought. Hmm. I wonder

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Speaker 1: if I've ever done that. You don't know if you

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Speaker 1: have or not.

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Speaker 2: No, I mean I know I've shredded. I mean I

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Speaker 2: know I've shredded pretty raw. Yeah, but I just don't know.

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Speaker 1: I didn't even know you could kill the ocean. Yeah.

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Speaker 2: I mean I definitely have killed a shark with a

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Speaker 2: big surf move, but not intentionally. I mean, Pete, it

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Speaker 2: was an accident based on.

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Speaker 1: The way I was telling. I mean, you wouldn't I

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Speaker 1: guess know if you were doing it or not, because

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Speaker 1: somebody had to run up the beach and tell me

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Speaker 1: that I was killing the ocean. So it's true. Yes,

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Speaker 1: you might not know if you did it or not,

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Speaker 1: but you did know that you killed a shark.

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Speaker 2: Well, I mean not at the time that I was

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Speaker 2: doing it, but immediately afterwards, when there's all just shark

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Speaker 2: pieces all over the beach. How do you think that happened.

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Speaker 1: Then you also have to cut up a shark when

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Speaker 1: you fell off the wave runner when you were riding

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Speaker 1: with Kieran Kulkin and you I think you hugged him

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Speaker 1: too hard or no, he was driving too fast to

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Speaker 1: get you to hug him.

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Speaker 2: Look, if this is gonna be some kind of witch

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Speaker 2: hunt where I hate sharks or I'm gonna try to

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Speaker 2: eliminate all the sharks, well it's just this good luck

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Speaker 2: because I've actually done a lot of good shark work.

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Speaker 1: No, I'm not.

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Speaker 2: Yes, I know you have a consultant on shark NATO,

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Speaker 2: and I made sure that they were very kind to

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Speaker 2: all those creatures.

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Speaker 1: It's just the second shark you've killed in I think

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Speaker 1: our conversation the ocean sports.

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Speaker 2: I imagine if you talk to Laird Hamilton or someone

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Speaker 2: who does these kind of things, and Kelly Slater, I

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Speaker 2: mean I almost call them Kelly Slater because you killed

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Speaker 2: so many sharks. But yes, it's unfortunate, it's unfortunate side effect.

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Speaker 1: But I'm king of the jungle. I mean I am.

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Speaker 1: You know, I'm top of the food pyramid, above all

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Speaker 1: the other food groups. You're at the top of the

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Speaker 1: food pyramid.

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Speaker 2: Yes, there's grains, you know, and there's a lot of those,

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Speaker 2: and then there's milk and dairy and stuff.

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Speaker 1: And does that mean they're supposed to protein. They're supposed

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Speaker 1: to eat not as much of.

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Speaker 2: You only if you've eaten everything else. Yeah, you better

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Speaker 2: eat everything else first. And a little bit of sweets

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Speaker 2: right at the tip you're allowed to have.

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Speaker 1: That means they're supposed to be a tiny bit of

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Speaker 1: you every day. No, if you've eating everything else. If

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Speaker 1: they've eaten everything else, each other part of the food pyramid,

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Speaker 1: they can eat a tiny bit of you.

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Speaker 2: Humanity is at the top of the food peero you've

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Speaker 2: heard this before, or at the top of the food pyramid,

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Speaker 2: you know, the exalted station, and it's just yeah, if

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Speaker 2: you finish everything else, which people rarely do, especially McDonald's

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Speaker 2: and everything. So yeah, no, I mean conceivably, yes, weople

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Speaker 2: do each eat a little bit of human every day.

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Speaker 1: People do waste a lot of the food in McDonald's. Hey,

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Speaker 1: welcome to Hollywood Handbook and Insider's Guide to Kicking a Button.

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Speaker 1: Dropping names of the red carpet lineback hallways of this

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Speaker 1: industry we call showbiz. We want to talk about something

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Speaker 1: we read. We're to be talking about books a lot today,

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Speaker 1: but there's a specific books and smart stuff. Yes, then

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Speaker 1: there's a This show gets.

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Speaker 2: Brainy sometimes and it's not intentional that we're trying to

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Speaker 2: alienate anyone, but it is just this is the sort

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Speaker 2: of things we're actually thinking about.

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Speaker 1: Yes, And we love to go to the library and

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Speaker 1: talk to some of the people there about ideas and

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Speaker 1: like the books that they're reading and stuff. It's where

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Speaker 1: all the smart people go. And there's a book that

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Speaker 1: we checked out this week that has some really really

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Speaker 1: interesting ideas in it and it's pretty new, but it

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Speaker 1: combines two ideas.

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Speaker 2: It's one that we've talked about this before. It's one

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Speaker 2: of these smashups, and it's smashing together these two elements

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Speaker 2: that is a big part of culture, freakiness and the economy.

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Speaker 1: Yes, and together that makes freakingnomics. And what this idea is.

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Speaker 1: It's interesting, you know about traditional economics, which is numbers

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Speaker 1: showing money, and it's what banks use. But this is

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Speaker 1: a little different because it's taking those the bank numbers

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Speaker 1: and making them more apply to human life.

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Speaker 2: Yes, the kind of stuff that the Obama company doesn't

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Speaker 2: have time for, where they're just doing numbers of just

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Speaker 2: basically how much we owe to China. Yes, and but

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Speaker 2: this is like how much is it? You know, uh,

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Speaker 2: how much is uh the numbers of you know, it's

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Speaker 2: like if they're I mean, it's not how much we

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Speaker 2: owe to China, right, it's a different example.

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Speaker 1: It's like how much.

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Speaker 2: Well, I guess if I was forced to come up

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Speaker 2: with one off the top of my head of the

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Speaker 2: kind of like free economy stuff that they're doing, it

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Speaker 2: would be like, uh, how much names is there in

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Speaker 2: a phone book?

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Speaker 1: I think that is something they did. And so it

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Speaker 1: is that is a good example of taking numbers and

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Speaker 1: applying them to humans. That's it's a literal example of that.

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Speaker 1: And you could actually do it with movies as well.

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Speaker 1: And we don't mean moneyball. No, you can take the

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Speaker 1: rules of freaking nomics, which are just do strange tricks

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Speaker 1: with numbers, and and you can actually do that with

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Speaker 1: in the in the movie industry, and you can actually

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Speaker 1: learn a lot of things that way.

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Speaker 2: So Hayes and I sat down with Paul Krugman and

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Speaker 2: a couple of our other economist friends and.

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Speaker 1: We we had to sit down. I will say we

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Speaker 1: sat down with some of our economist friends, but we

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Speaker 1: also had to sit down with a few freaks to

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Speaker 1: be able to do this. Jesse Camp was there, he's

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Speaker 1: extremely freaky. DJ Qualls m Zippy the Pinhead. Zippy the

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Speaker 1: Pinhead was there.

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Speaker 2: Yes, Yes, And we just came up with some interesting statistics.

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Speaker 2: It's just kind of fun side of the business that

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Speaker 2: we're looking at and just some cool statistics. And you

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Speaker 2: can use this when you're writing your movies to more

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Speaker 2: effectively approach the marketplace.

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Speaker 1: Did you want to talk about one of the formulas

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Speaker 1: we came up with?

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Speaker 2: Yes, So did you know that in the past fifty

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Speaker 2: years and this that's the big of the sample movies

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Speaker 2: with chopping wood is usually louder than movies about judges.

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Speaker 1: Yes, And wasn't that interesting because you don't think of

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Speaker 1: just the tropic wood part of a movie as adding

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Speaker 1: that much to the overall volume of a movie, but

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Speaker 1: it's actually extremely loud. It adds a significant volume mm hm.

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Speaker 2: And they say, you know, chop wood to carry water,

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Speaker 2: and we say that all the time, and what you

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Speaker 2: don't realize is you could really lose your hearing if

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Speaker 2: you ticket literally.

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Speaker 1: And I think one reason that this is the case

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Speaker 1: is judges are often in movies are saying be quiet,

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Speaker 1: and you're certainly not allowed to chop wood in there.

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Speaker 1: And because of that, the sound in there is usually

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Speaker 1: very very quiet. It's usually sometimes just a fan. It's

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Speaker 1: a fan and one guy talking well.

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Speaker 2: And this is why if you look at the box

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Speaker 2: office today, there's that movie The Judge and Robert Duvall

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Speaker 2: I think chose to do that over maybe some of

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Speaker 2: the lumberjack movies he's been offered because he's an older

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Speaker 2: gentleman and he can't be around that much noise.

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Speaker 1: Now, you might think that a judge movie would be

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Speaker 1: louder than a movie with chopping wood because the judge

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Speaker 1: is holding something in his hand that makes a very

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Speaker 1: loud noise.

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Speaker 2: Yeah, it's a smasher. I mean, it's a smasher hammer

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Speaker 2: and he's literally got a noisy plate to bang it on.

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Speaker 1: And so why then would you think a movie with

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Speaker 1: a judge where he's using a smasher hammer to bang

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Speaker 1: a noisy plate, why would that movie be quieter than

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Speaker 1: a movie with chopping wood. And like they say on freakingnomics,

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Speaker 1: don't blame us. We're just the number guys. It's the

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Speaker 1: numbers fault.

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Speaker 2: Yes, And now, Hayes, you had some numbers that you

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Speaker 2: ran and some interesting statistics you came up with.

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Speaker 1: Do you want to talk about one of.

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Speaker 2: The freakingnomic statistics that yeah, stuck out to you.

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Speaker 1: I love to talk about that. So we looked at

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Speaker 1: all movies of every movie, and we we concluded something interesting.

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Speaker 1: And that's how big of sample? Yes, how big a

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Speaker 1: sample with all movies, with every movie. And if you

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Speaker 1: look at movies and you take movies with a car, okay,

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Speaker 1: and you take all those movies, I love this one.

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Speaker 1: Those movies did better at the box office on average

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Speaker 1: then because of whind Dixie and going deeper into that,

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Speaker 1: because of Whend Dixie is the movie with the it

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Speaker 1: was the dog. There's a little dog that they found

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Speaker 1: at the grocery store.

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Speaker 2: Yellow Dog.

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Speaker 1: And it's a pretty It was a reasonably successful for

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Speaker 1: its budget. It did okay. And so if you want

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Speaker 1: to make a movie that did better than because of

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Speaker 1: Whend Dixie, all you have to do is put a

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Speaker 1: car in it. And that's anywhere. This one shocked me.

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Speaker 2: Because I have known cars to be less popular with

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Speaker 2: children than dogs.

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Speaker 1: Yes, and I've seen it with.

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Speaker 2: My own eyes where I have you know, I have

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Speaker 2: a couple very young girls now very young Stephie just

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Speaker 2: gave birth to quad tuplet. I mean, what's the four

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Speaker 2: one quadruples is?

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Speaker 1: Is it just does it just become four four lits? Yeah? Anyway,

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Speaker 1: they we've got four lits.

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Speaker 2: And so I gave each one of them a gift.

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Speaker 2: Uh And one of them I give a car, and

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Speaker 2: one of them I gave a dog. The other two

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Speaker 2: I don't remember what I gave them, but damned if

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Speaker 2: the one with the car didn't reach for that dog.

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Speaker 1: And so wouldn't you think that based on human nature? Yes,

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Speaker 1: I think what it might have something to do with

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Speaker 1: a movie like because of when Dixie. Sure they like

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Speaker 1: kids are gonna go because they like the dog because

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Speaker 1: of because of whind Dixie. Yes, yes, but the dogs

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Speaker 1: are not allowed to go in. Yeah, And so you

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Speaker 1: make a movie that is at least partly for dogs,

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Speaker 1: sort of for kids and dogs. The dogs don't have

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Speaker 1: any money. Yeah, and they're not allowed to go inside

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Speaker 1: because they make a mess. You can't trust them. They

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Speaker 1: make a big mess.

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Speaker 2: You can't trust them.

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Speaker 1: And they'll destroy the that there's gonna be popcorn all

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Speaker 1: over the forbid.

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Speaker 2: They get behind the concession stand and they would.

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Speaker 1: Run through the ticket man's legs. If you just let

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Speaker 1: them in the door, it would be too late because

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Speaker 1: they would run through the ticket man's legs. And that

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Speaker 1: has an effect on bo.

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Speaker 2: Well, and you do think, well, that title is so

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Speaker 2: strong because of when Dixie.

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Speaker 1: Wouldn't people want.

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Speaker 2: To see it just to hear what the first part

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Speaker 2: of that sentence or second part of that sentence is.

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Speaker 2: But another interesting statistic we found is that they didn't

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Speaker 2: really care.

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Speaker 1: Yes, that was a good segue to our third our

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Speaker 1: third interesting statistic. Yes, people didn't want to know what

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Speaker 1: the beginning or the end of that sentence was. And

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Speaker 1: I think it's just because they didn't put a dot

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Speaker 1: dot dot on either end. Mm hmm. Wouldn't that have

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Speaker 1: been interesting if they did that? What do you think

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Speaker 1: it was? Well, I've now I've seen the movie, and

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Speaker 1: I'll tell you what it was that after you.

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Speaker 2: Oh, I thought you were saying what what was it

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Speaker 2: that made them not want to know? No, I was

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Speaker 2: going to say, as we saw with but I'm a cheerleader, right,

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Speaker 2: which is another partial sentence film.

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Speaker 1: Which I think did have the dots, and which people

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Speaker 1: did go, which did.

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Speaker 2: Have the dots, and people in droves went to see

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Speaker 2: this movie. And so I just think that dots, it's

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Speaker 2: a shape. We all know it means something or other,

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Speaker 2: and that is so inviting. Yeah, and so we can

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Speaker 2: use these kinds of numbers to learn more about movies,

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Speaker 2: whether we're trying to learn how much money or whether

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Speaker 2: to put a certain character. Maybe it's an ogre with

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Speaker 2: a club in And the answer is no, thank you.

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Speaker 2: We really are able to make a science out of movies.

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Speaker 2: Now you were going to tell me what happened before.

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Speaker 1: Well, I was going to have you guess just what

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Speaker 1: the continuation of the sentence is.

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Speaker 2: Oh, because of when Dixie and we're all having fun left.

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Speaker 1: That's very Yes, that's very close. That's what I thought

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Speaker 1: it was. It actually is on both ends. That's the

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Speaker 1: middle of a sentence, and it's I don't have my homework.

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Speaker 1: It was ruined because of when Dixie eating it, And

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Speaker 1: that happens when you see the movie. That's a really

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Speaker 1: that's a really big part of the movie as the

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Speaker 1: dog eating the homework. That's a sort of the beginning

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Speaker 1: part where it's not as fun as some of the

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Speaker 1: later stuff.

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Speaker 2: Boy wow, I mean I hate for this segment to

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Speaker 2: be over this fast? Do we have any other statistics

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Speaker 2: that hinge entirely on the audience's familiarity with because of

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Speaker 2: Wind Dixie? I don't want to use too many examples

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Speaker 2: of other films just because I don't want to cast.

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Speaker 1: Such a wide net.

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Speaker 2: Yeah, but I wonder if we could really zero in

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Speaker 2: im because of Wind Dixie and come up with a

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Speaker 2: couple more statistics just about that. Do we have any

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Speaker 2: Do we have time for that?

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Speaker 1: Code?

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Speaker 2: Sure, Engineer code Man, I guess yeah, Oh, Engineer code

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Speaker 2: Man's tell me we don't have to time. So let's

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Speaker 2: move on up to the guest.

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Speaker 1: Hey, Zoo, we got we have a great guest today.

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Speaker 1: Warren Lapkis is here, star of Jurassic World, the movie,

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Speaker 1: and it's coming right up. She's going to talk about that,

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Speaker 1: and she's going to answer some questions from the Popcorn

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Speaker 1: gallery on Hollywood Handbook.

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Speaker 2: So we're running and laughing and running and laughing, and

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Speaker 2: our back lunches are soaked through all the apples and

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Speaker 2: sandwiches are falling everywhere, and Hamburger sandwich soaked and falls

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Speaker 2: on the ground, and we just run to bang on

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Speaker 2: the nearest door for shelter because it's the thunderstorm. And

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Speaker 2: who do you think answers the door. I don't know, Well,

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Speaker 2: it was Elvira.

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Speaker 1: And so some of the story has taken. This story

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Speaker 1: started very happy. Well it has taken.

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Speaker 2: A well and in the story, well, in the story,

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Speaker 2: I started very happy because you know, it was fun

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Speaker 2: running through the rain. But I don't want to get

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Speaker 2: soaked to my bones and catch a cold. So of

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Speaker 2: course we go to knock on the door, and then

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Speaker 2: some of my friends, George Lopez and some of my

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Speaker 2: other friends Jeff Foxworthy and some of my friends that

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Speaker 2: were with me all want to go inside, and I say,

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Speaker 2: I'm not going in that spooky house. So I stayed

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Speaker 2: out on the porch.

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Speaker 1: Okay, it took another it took a turn back into

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Speaker 1: a safe direction.

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Speaker 2: Well, and the porch gave me too, and I had

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Speaker 2: to hoof it home. And so ultimately I wind up

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Speaker 2: hoofing it home. And I don't know what happened to them,

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Speaker 2: but I noticed that there's no more George Lopez show.

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Speaker 2: And is he trapped at her basement or something.

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Speaker 1: Hey, we'll go to Hollywood, cooking butt and dropping names

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Speaker 1: in the red carpet lineback hallways of this industry. We

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Speaker 1: call show biz boy, old boy.

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Speaker 2: We got a real fucking corker of a guest, so.

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Speaker 1: Happy and we do. It's true corker and it's Lauren

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Speaker 1: Lapkiss Hi, And you know.

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Speaker 2: Her out of the gate.

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Speaker 1: Hi, just just coming straight with mashing. Yes, and she's

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Speaker 1: a real pro. And you know her from Are you there? Chelsea?

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Speaker 1: Are you there? Chelsea? From Orange is the New Black?

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Speaker 1: Is the New Hot miss and from the upcoming Jurassic World?

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Speaker 2: From Jurassic World, Now, do you want to give us

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Speaker 2: some told you?

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Speaker 1: Are you? Yeah? Yeah, I'm told that you are actually

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Speaker 1: clear to tell us what happens in the movie. Yeah,

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Speaker 1: I am.

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Speaker 3: I just decided I was. Yeah, so, like, it's really

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Speaker 3: funny because the story you were telling is like really

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Speaker 3: similar to one of the plot points. And I'm wondering

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Speaker 3: if maybe you were hanging out with the writers when

328
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Speaker 3: you were running around that night. But we all have

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Speaker 3: a lot of Hamburger sandwiches.

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Speaker 1: Yeah, yeah, well if that's true, then yeah, he was there.

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Speaker 3: Yeah, so he feels material I've heard so oh yeah.

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Speaker 2: But the Hamburger sandwiches get wet and you don't eat them,

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Speaker 2: do you?

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Speaker 1: The dinosaurs eat them? Mmmm?

335
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Speaker 2: Spoilers, Really, they don't know.

336
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Speaker 1: They eat absolutely anything. They'll eat a wet human.

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Speaker 2: Well, and that brings me to my first and probably

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Speaker 2: most important question about it. Is dinosaurs as scary as

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Speaker 2: real monsters?

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Speaker 3: They is only because there they was real?

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00:19:11,080 --> 00:19:12,359
Speaker 1: Yeah, oh yes, yes.

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Speaker 3: And so monsters for me not real. Dinosaurs real could

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Speaker 3: come back.

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Speaker 2: But some of those other monsters, you say, no, maybe

345
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Speaker 2: they are not real, but you.

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Speaker 1: Could make them. Yeah, someone could. Yeah, they better. We

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Speaker 1: don't want to say the name of the one person

348
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Speaker 1: who did. But that person, were he to ever get

349
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Speaker 1: out of jail, he could make another creation. Oh, Jay Simpson, Yeah,

350
00:19:39,440 --> 00:19:42,320
Speaker 1: we don't well, we don't. Well sorry, we weren't here

351
00:19:43,200 --> 00:19:45,680
Speaker 1: because that glove was too small for him and he

352
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Speaker 1: had pretty big heads. So what yeah, what what monster?

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Speaker 3: Now he had big hands, that glove was too small.

354
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Speaker 3: But the glove was small, Yeah, but it fit a monster.

355
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Speaker 2: Hand exactly well, because if you're not anything, it.

356
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Speaker 1: Doesn't just because it's too small. But it's almost all

357
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Speaker 1: like has extra.

358
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Speaker 3: Fingers, bloody and crusted in the shape of a claw.

359
00:20:09,119 --> 00:20:12,280
Speaker 2: And that's I always wondered why they weren't just looking

360
00:20:12,320 --> 00:20:16,000
Speaker 2: for that type of clawhand with an extra finger, because

361
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Speaker 2: that seemed more strange about the girl.

362
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Speaker 3: He had a lineup of guys and one of them

363
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Speaker 3: had a claw hand.

364
00:20:21,480 --> 00:20:24,919
Speaker 2: You got your guy, I think so, yes, And so

365
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Speaker 2: in whatever he built and wherever it's being held.

366
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Speaker 3: Now, do you think he's guilty ooh, regardless of the glove,

367
00:20:34,600 --> 00:20:40,040
Speaker 3: of which I think that's he's guilty of playing god, yeah,

368
00:20:40,200 --> 00:20:41,840
Speaker 3: deciding when people should.

369
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Speaker 1: Die and how monster. Yeah yeah.

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Speaker 2: And and I do think he's innocent in terms of

371
00:20:51,520 --> 00:20:54,760
Speaker 2: that memorabilia stuff, because if you bring home the hardware,

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Speaker 2: that's yours for life.

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Speaker 1: Baby. Yeah.

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Speaker 3: He was making shirts and stuff like that.

375
00:21:01,119 --> 00:21:04,159
Speaker 1: Yeah, that's what that's bringing home. The hardware. Yeah, he

376
00:21:04,240 --> 00:21:07,639
Speaker 1: had brought home the hardware he had. Yeah, No, are

377
00:21:07,680 --> 00:21:09,640
Speaker 1: you gonna bring home the hardware for this new movie?

378
00:21:09,880 --> 00:21:12,800
Speaker 1: I hope. So, yeah, we'll just have to wait and see,

379
00:21:12,840 --> 00:21:14,920
Speaker 1: but long overdue. Can I ask you a question about

380
00:21:14,960 --> 00:21:15,600
Speaker 1: the first movie?

381
00:21:15,840 --> 00:21:16,080
Speaker 2: Yeah?

382
00:21:16,119 --> 00:21:19,760
Speaker 1: I know everything about all of them, the girl, the

383
00:21:19,800 --> 00:21:24,240
Speaker 1: little girl. Were she and the other kids supposed to

384
00:21:24,280 --> 00:21:26,720
Speaker 1: be like, are the supposed to be fucking?

385
00:21:27,800 --> 00:21:30,359
Speaker 3: They were supposed to have what you would later learn

386
00:21:30,920 --> 00:21:33,520
Speaker 3: was a romance when they're grown ups. But they have

387
00:21:33,840 --> 00:21:37,399
Speaker 3: that glimmer of it between brother and sister as children.

388
00:21:37,560 --> 00:21:40,760
Speaker 1: See because you watch it and it is so weird. Yeah,

389
00:21:40,880 --> 00:21:43,240
Speaker 1: the energy is so strange.

390
00:21:42,800 --> 00:21:45,439
Speaker 2: The electricity between them in the back of the.

391
00:21:45,560 --> 00:21:48,439
Speaker 3: When they're hiding in the kitchen. I thought they were

392
00:21:48,520 --> 00:21:50,520
Speaker 3: going to have sex. And then I was really surprised,

393
00:21:50,560 --> 00:21:51,800
Speaker 3: and I said that when I first.

394
00:21:51,640 --> 00:21:54,160
Speaker 2: Saw it, always put them in an environment like that,

395
00:21:54,200 --> 00:22:01,640
Speaker 2: with the mixing bowls around the sexy Yes, so yes

396
00:22:01,760 --> 00:22:05,080
Speaker 2: to me, it's very clear that that was the filmmaker's intention,

397
00:22:05,240 --> 00:22:07,440
Speaker 2: And I just wonder, is he bringing that to it

398
00:22:07,640 --> 00:22:10,120
Speaker 2: or is that actually part of the original story.

399
00:22:10,400 --> 00:22:13,880
Speaker 3: It's we're going to cover it in the new movie. Spoiler,

400
00:22:14,000 --> 00:22:16,600
Speaker 3: but those siblings will be there having sex in the

401
00:22:16,640 --> 00:22:17,439
Speaker 3: new film.

402
00:22:17,680 --> 00:22:21,879
Speaker 1: Are you the grown up version of one of the siblings?

403
00:22:22,160 --> 00:22:25,720
Speaker 3: I'm her subconscious? Am I supposed to say that?

404
00:22:26,640 --> 00:22:29,080
Speaker 1: Are you the one that says like, I want to

405
00:22:29,119 --> 00:22:30,359
Speaker 1: do this, go for it.

406
00:22:30,600 --> 00:22:31,320
Speaker 2: Go for it?

407
00:22:31,560 --> 00:22:35,119
Speaker 1: Okay? And then who's and who's playing.

408
00:22:34,840 --> 00:22:40,560
Speaker 2: The other the sort of little angel who's being like, no, snorty.

409
00:22:41,040 --> 00:22:43,120
Speaker 3: They're going to see gi that in later and it's

410
00:22:43,160 --> 00:22:44,160
Speaker 3: going to be a cartoon.

411
00:22:44,359 --> 00:22:47,640
Speaker 1: Oh yeah, but who's doing that voice? Oh? I think

412
00:22:47,720 --> 00:22:52,560
Speaker 1: it's Billy Eiker. Okay, that's really good, funny. Yeah. Are

413
00:22:52,560 --> 00:22:54,000
Speaker 1: there dinosaurs in this movie?

414
00:22:54,400 --> 00:22:56,800
Speaker 3: I haven't seen them, so I don't know if they're

415
00:22:56,800 --> 00:22:59,640
Speaker 3: adding them or if if they'll be there or if

416
00:22:59,640 --> 00:23:01,360
Speaker 3: I miss it, if I wasn't paying attention.

417
00:23:01,840 --> 00:23:05,480
Speaker 2: So it might bail on that, if it's me, bail

418
00:23:05,560 --> 00:23:09,640
Speaker 2: on that. Because what's really interesting in the other movies.

419
00:23:11,840 --> 00:23:12,640
Speaker 1: Is the people.

420
00:23:13,160 --> 00:23:16,240
Speaker 3: Well that's what I'm saying, because their relationships are what's interesting.

421
00:23:16,359 --> 00:23:19,639
Speaker 3: And the dinosaurs. Sure they're scary, they're a plot point,

422
00:23:19,960 --> 00:23:21,240
Speaker 3: but to me, it's a waste.

423
00:23:21,280 --> 00:23:23,840
Speaker 1: But you can't have a relationship with a dinosaur, Like.

424
00:23:23,800 --> 00:23:25,920
Speaker 3: What if the Notebook had a dinosaur in it. It'd

425
00:23:25,960 --> 00:23:27,560
Speaker 3: be a bad movie, Like, why don't they know that?

426
00:23:27,680 --> 00:23:27,960
Speaker 1: Well?

427
00:23:28,119 --> 00:23:30,919
Speaker 2: Number one, it is distracting. Number two, you can't have

428
00:23:30,960 --> 00:23:33,160
Speaker 2: a relationship with it, as I said, because the scales

429
00:23:33,200 --> 00:23:33,720
Speaker 2: are too.

430
00:23:33,640 --> 00:23:36,320
Speaker 1: Hard and not to get graphic. But you can't actually

431
00:23:37,640 --> 00:23:40,560
Speaker 1: penetrate that well, you can penetrate its whole.

432
00:23:42,600 --> 00:23:46,840
Speaker 2: I'm not with a not with a fleshy.

433
00:23:45,840 --> 00:23:47,639
Speaker 1: Sean reads a lot of science books.

434
00:23:47,800 --> 00:23:51,200
Speaker 2: Oh, I'm actually very Actually this is a point of

435
00:23:51,800 --> 00:23:57,639
Speaker 2: specific expertise for you. Yes, interspecies love making has always

436
00:23:57,720 --> 00:24:00,399
Speaker 2: been and inter fascinating.

437
00:24:00,320 --> 00:24:04,960
Speaker 1: But not species. No species that lived simultaneously. No, no, no, no, no,

438
00:24:04,960 --> 00:24:08,280
Speaker 1: no no, I'm not a pervert. I'm more so, what

439
00:24:08,320 --> 00:24:08,919
Speaker 1: are you like?

440
00:24:08,960 --> 00:24:13,640
Speaker 3: Gryffins and cats or what's good for you?

441
00:24:13,800 --> 00:24:16,399
Speaker 1: Right out of the gate, you've hit the nail on

442
00:24:16,440 --> 00:24:16,800
Speaker 1: the head.

443
00:24:16,880 --> 00:24:20,200
Speaker 2: Yes, Griffins and cats is probably the number one thing

444
00:24:20,280 --> 00:24:24,080
Speaker 2: for me, because griffins have some cat blood in them.

445
00:24:24,119 --> 00:24:27,639
Speaker 1: Yeah, they doctly. That one's fairly simple. Mm hmm. That

446
00:24:27,680 --> 00:24:31,960
Speaker 1: one works. A chimera and a pegasus.

447
00:24:31,480 --> 00:24:35,639
Speaker 3: A dodo bird and a small human baby.

448
00:24:36,160 --> 00:24:36,520
Speaker 2: Mmm.

449
00:24:37,040 --> 00:24:43,359
Speaker 1: Yes, yeah, it's often people and then something. Sometimes sometimes

450
00:24:43,440 --> 00:24:45,600
Speaker 1: you'll go you'll tell it and you'll say like an

451
00:24:45,640 --> 00:24:48,159
Speaker 1: e stickt animal and then you'll say like a person,

452
00:24:48,200 --> 00:24:49,240
Speaker 1: and I don't know, say.

453
00:24:49,119 --> 00:24:53,720
Speaker 2: Me, Well, just as a baseline, it's an easy example.

454
00:24:53,760 --> 00:24:56,160
Speaker 3: Well, like all of your drawings, I've noticed, are you

455
00:24:56,240 --> 00:25:01,080
Speaker 3: with the animal, like when you're showing a chart.

456
00:25:00,920 --> 00:25:02,040
Speaker 1: Of my drawings.

457
00:25:03,400 --> 00:25:05,600
Speaker 2: You know, it may be just because it's easy to

458
00:25:05,680 --> 00:25:08,320
Speaker 2: draw me. I just feel like I have a very

459
00:25:08,400 --> 00:25:11,879
Speaker 2: drawable feature, which which to the forums.

460
00:25:12,520 --> 00:25:15,600
Speaker 1: Can we get some more drawings of me? Yes, we

461
00:25:15,760 --> 00:25:18,320
Speaker 1: have a few, but it would be always great to

462
00:25:18,320 --> 00:25:20,520
Speaker 1: have a lot. So easy to do. I'm doing it

463
00:25:20,520 --> 00:25:24,640
Speaker 1: a couple of times a day and throwing in you.

464
00:25:24,520 --> 00:25:27,640
Speaker 3: Know, can someone draw me riding a griffin?

465
00:25:28,080 --> 00:25:32,760
Speaker 2: Okay, let's get Lauren Lapis riding a griffin and then

466
00:25:32,800 --> 00:25:36,120
Speaker 2: maybe I'm hoisting them up on my shoulders like they

467
00:25:36,160 --> 00:25:36,960
Speaker 2: won the big game.

468
00:25:37,200 --> 00:25:39,679
Speaker 1: It is the funniest thing that We've talked about this

469
00:25:39,720 --> 00:25:42,399
Speaker 1: a little bit. Ye is there anything funnier than like

470
00:25:43,000 --> 00:25:49,400
Speaker 1: the ads now when it's like somebody riding I love that.

471
00:25:50,520 --> 00:25:58,200
Speaker 2: So r a and y oh rando, yes, yes, and

472
00:25:58,200 --> 00:25:59,919
Speaker 2: and like something pooping rainbows out.

473
00:25:59,960 --> 00:26:03,600
Speaker 3: It's but like when the this is like a throwback,

474
00:26:03,600 --> 00:26:08,280
Speaker 3: but when the old spice guy had a horse body.

475
00:26:08,440 --> 00:26:10,920
Speaker 1: I was like, I don't feel like it's.

476
00:26:10,800 --> 00:26:12,879
Speaker 3: Real, Like why would I even It's like, what does

477
00:26:12,920 --> 00:26:13,720
Speaker 3: I do a deodorant?

478
00:26:13,960 --> 00:26:17,560
Speaker 1: I'm like, dude, I want to laugh, but I don't

479
00:26:17,560 --> 00:26:22,280
Speaker 1: want to know why I'm laughing, right, I mean that's

480
00:26:22,359 --> 00:26:23,600
Speaker 1: honestly how I feel.

481
00:26:24,200 --> 00:26:31,800
Speaker 2: Yeah, So this movie wasn't it a book?

482
00:26:32,680 --> 00:26:34,639
Speaker 1: Yeah? It was? Yeah.

483
00:26:35,119 --> 00:26:38,760
Speaker 3: Well there was Jurassic Park the book. There was Lost

484
00:26:38,800 --> 00:26:43,640
Speaker 3: World the book. There was the Third One the book. Yeah,

485
00:26:43,680 --> 00:26:45,240
Speaker 3: and then there was this one, which.

486
00:26:45,240 --> 00:26:47,080
Speaker 1: Was a book that was the title.

487
00:26:47,600 --> 00:26:50,600
Speaker 3: This one was called this one, this one the book,

488
00:26:51,600 --> 00:26:54,120
Speaker 3: and so that one. And when I read this one

489
00:26:54,440 --> 00:26:57,960
Speaker 3: the book, I loved it. So when had the opportunity

490
00:26:57,960 --> 00:27:01,000
Speaker 3: to be in the film, I thought, I'll be in it.

491
00:27:01,160 --> 00:27:04,359
Speaker 3: And then now I'm a little worried because people love

492
00:27:04,440 --> 00:27:07,359
Speaker 3: the book and they're like, are they gonna love the

493
00:27:07,400 --> 00:27:10,240
Speaker 3: film because the book is it's the book, you know

494
00:27:10,240 --> 00:27:10,800
Speaker 3: what I'm saying.

495
00:27:11,560 --> 00:27:15,920
Speaker 2: And what a danger in our industry because a lot

496
00:27:15,960 --> 00:27:19,160
Speaker 2: of times books has good stories that can be movies.

497
00:27:20,359 --> 00:27:22,960
Speaker 2: But I don't think you sometimes feel like the book

498
00:27:23,000 --> 00:27:23,439
Speaker 2: was better.

499
00:27:24,560 --> 00:27:26,520
Speaker 3: I'm gonna go ahead and go on a limb here

500
00:27:27,000 --> 00:27:30,639
Speaker 3: and say that almost every time a book was before

501
00:27:30,640 --> 00:27:31,560
Speaker 3: a movie, the book was.

502
00:27:31,600 --> 00:27:36,080
Speaker 1: Better, well, because it's the same. It's this, you've already

503
00:27:36,240 --> 00:27:38,280
Speaker 1: seen the book and now it's the same idea again

504
00:27:38,320 --> 00:27:39,600
Speaker 1: and it's like I already read that.

505
00:27:39,560 --> 00:27:40,679
Speaker 3: I already watched that book.

506
00:27:40,760 --> 00:27:43,840
Speaker 1: Yeah, and you don't have as much time in the movie.

507
00:27:44,160 --> 00:27:46,840
Speaker 1: Well in a book to draw out characters.

508
00:27:46,920 --> 00:27:49,360
Speaker 3: In a book, you could read it every night for

509
00:27:49,440 --> 00:27:52,800
Speaker 3: two months. With a movie, you're gonna watch it in

510
00:27:52,800 --> 00:27:55,960
Speaker 3: two hours. And that's just me, but probably watch it

511
00:27:56,000 --> 00:27:56,400
Speaker 3: at once.

512
00:27:56,520 --> 00:27:59,280
Speaker 1: It's living with these characters and in the in the book,

513
00:27:59,320 --> 00:28:02,080
Speaker 1: you can imagine it be anyone you want, and in

514
00:28:02,080 --> 00:28:05,000
Speaker 1: the movie it's Josh Dumel. It always is.

515
00:28:06,080 --> 00:28:08,440
Speaker 2: Let's do a segment that we like to do with

516
00:28:08,480 --> 00:28:14,119
Speaker 2: our guests pretty frequently called uh eh, the book was better,

517
00:28:14,880 --> 00:28:16,760
Speaker 2: and to where we just talk about a movie that

518
00:28:16,920 --> 00:28:21,600
Speaker 2: was book first, and it is kind of like we

519
00:28:21,640 --> 00:28:23,760
Speaker 2: talk about how much we liked the book because we

520
00:28:23,800 --> 00:28:24,760
Speaker 2: all read a lot.

521
00:28:25,200 --> 00:28:27,280
Speaker 3: Yeah, are we doing it now?

522
00:28:27,720 --> 00:28:31,320
Speaker 2: Yeah, So I'll give one of you guys a movie

523
00:28:31,359 --> 00:28:32,240
Speaker 2: that was a book.

524
00:28:33,000 --> 00:28:34,240
Speaker 1: We could all talk about it.

525
00:28:34,560 --> 00:28:40,480
Speaker 2: Yeah yeah, okay, Uh, Well start with the most obvious one.

526
00:28:40,520 --> 00:28:42,000
Speaker 2: I guess Mars needs Moms.

527
00:28:42,920 --> 00:28:46,760
Speaker 3: Yeah, and when I read that, I was enthralled, And

528
00:28:46,800 --> 00:28:48,320
Speaker 3: so when I saw the movies coming out, I was like,

529
00:28:48,720 --> 00:28:51,480
Speaker 3: I'm going to that film. What I didn't like was

530
00:28:51,520 --> 00:28:53,720
Speaker 3: I felt like in the movie they didn't touch on

531
00:28:53,760 --> 00:28:55,920
Speaker 3: the fact that Mars needs dads, and the book they

532
00:28:55,960 --> 00:28:57,200
Speaker 3: got into that a lot more.

533
00:28:57,560 --> 00:28:57,800
Speaker 2: Well.

534
00:28:57,880 --> 00:29:02,840
Speaker 1: Yeah, and the book being about Mars black Men, Mars

535
00:29:02,840 --> 00:29:06,760
Speaker 1: Blackman is not in it's not in the it's not

536
00:29:06,800 --> 00:29:08,840
Speaker 1: in the movie at all. No. Well, that's one of

537
00:29:08,840 --> 00:29:09,680
Speaker 1: the things with the book.

538
00:29:09,720 --> 00:29:12,479
Speaker 2: You don't have to work around somebody's shooting schedule and

539
00:29:12,520 --> 00:29:14,960
Speaker 2: get their availability. You can just write them on the

540
00:29:15,000 --> 00:29:16,720
Speaker 2: page and that's just there, right.

541
00:29:17,280 --> 00:29:21,000
Speaker 1: And so in the book where Mars Blackman is like

542
00:29:21,040 --> 00:29:24,520
Speaker 1: he needs he wants to date them, yeah, yeah, but

543
00:29:24,640 --> 00:29:28,600
Speaker 1: in this book, it's about a whole planet.

544
00:29:28,000 --> 00:29:30,360
Speaker 2: And it's and it's a more specific type of mom

545
00:29:30,440 --> 00:29:32,400
Speaker 2: that Mars Blackman's trying to date, and it is a

546
00:29:32,440 --> 00:29:35,360
Speaker 2: mill and he's hunting for them in like a van.

547
00:29:36,600 --> 00:29:39,920
Speaker 3: Can you speak on Mars Blackman, Yeah, I'll just speak

548
00:29:39,960 --> 00:29:43,400
Speaker 3: on that. I think you For me, he was like

549
00:29:44,800 --> 00:29:47,320
Speaker 3: he was like someone who really saved me during a

550
00:29:47,320 --> 00:29:49,920
Speaker 3: lot of dark times. Oh okay, and I would always

551
00:29:49,920 --> 00:29:51,280
Speaker 3: look to him in his work.

552
00:29:51,480 --> 00:29:54,840
Speaker 1: What was it? What was it about his work that

553
00:29:55,040 --> 00:29:56,360
Speaker 1: really saved you?

554
00:29:56,400 --> 00:29:57,680
Speaker 3: Now we're talking about the basketball player.

555
00:29:58,640 --> 00:30:01,080
Speaker 1: Hmm, it is said.

556
00:30:01,800 --> 00:30:08,320
Speaker 3: Okay, so when I would watch him dunk, I feel great.

557
00:30:07,680 --> 00:30:12,880
Speaker 1: He's he is affiliated with basketball. That that is correct. Well,

558
00:30:13,040 --> 00:30:15,760
Speaker 1: you must mean the shoes that he sold other people

559
00:30:15,800 --> 00:30:21,600
Speaker 1: were dunking in. Yeah, and that's what I mean, Sean,

560
00:30:21,840 --> 00:30:24,920
Speaker 1: what about you, Mars Blackman? Yeah, I want me to

561
00:30:24,960 --> 00:30:25,960
Speaker 1: speak on it. Yeah.

562
00:30:26,520 --> 00:30:29,200
Speaker 2: Oh well he was, yes, I mean, as you know,

563
00:30:29,320 --> 00:30:33,880
Speaker 2: Lauren so eloquently pointed out he was selling shoes. Yeah, yeah,

564
00:30:33,920 --> 00:30:36,240
Speaker 2: I did point that out, and I almost think and

565
00:30:36,360 --> 00:30:39,600
Speaker 2: he was, uh, wrestler.

566
00:30:41,680 --> 00:30:43,360
Speaker 1: Okay, so you do know who Mars, but I was

567
00:30:43,520 --> 00:30:44,920
Speaker 1: I thought for a second that you guys didn't know

568
00:30:44,920 --> 00:30:46,880
Speaker 1: who Mars Blackman. What do you mean? But now it

569
00:30:46,880 --> 00:30:47,640
Speaker 1: does seem.

570
00:30:47,400 --> 00:30:49,880
Speaker 2: Like he could you speak on it, just because I

571
00:30:49,920 --> 00:30:52,720
Speaker 2: feel like we're so far in sort of inside baseball

572
00:30:52,720 --> 00:30:55,360
Speaker 2: in the terms that Lauren and I use.

573
00:30:55,400 --> 00:30:58,280
Speaker 1: That maybe you could explain it to the listen room. Yeah,

574
00:30:58,360 --> 00:31:00,720
Speaker 1: you guys obviously already know that Mark as black Men

575
00:31:01,320 --> 00:31:04,120
Speaker 1: was a character played by Spike Lee in a very

576
00:31:04,160 --> 00:31:07,080
Speaker 1: famous series of Nike commercials.

577
00:31:07,760 --> 00:31:10,920
Speaker 3: Right, Yeah, and that's what I was talking And that

578
00:31:11,080 --> 00:31:15,640
Speaker 3: saved your That saved you many times. Yeah, because I

579
00:31:14,520 --> 00:31:17,880
Speaker 3: was I just had a lot of depression. And so

580
00:31:18,040 --> 00:31:21,960
Speaker 3: when I would see those commercials and I would record

581
00:31:22,000 --> 00:31:24,080
Speaker 3: them on a VHS and watch them over again, I

582
00:31:24,120 --> 00:31:26,320
Speaker 3: would just realize that anything was possible and I should

583
00:31:26,320 --> 00:31:27,080
Speaker 3: follow my dreams.

584
00:31:28,040 --> 00:31:31,520
Speaker 2: Yeah, and and truly, and to agree with Mars, it

585
00:31:32,320 --> 00:31:36,280
Speaker 2: must be those shoes and it's it's right.

586
00:31:37,240 --> 00:31:40,240
Speaker 3: Well, I feel like he said, you gotta.

587
00:31:39,960 --> 00:31:43,960
Speaker 2: Have mall, yes, gott to catch them all. Yeah, and

588
00:31:44,000 --> 00:31:46,840
Speaker 2: I and so I remember this, and I think that

589
00:31:47,840 --> 00:31:50,720
Speaker 2: maybe the reason I brought up wrestling, you know, is that.

590
00:31:52,080 --> 00:31:54,040
Speaker 1: The NBA is a little.

591
00:31:53,560 --> 00:31:59,280
Speaker 2: Like the w w F more and more. It's all fake, yes,

592
00:32:00,680 --> 00:32:04,080
Speaker 2: and it's all pageantry and total divas.

593
00:32:04,120 --> 00:32:05,320
Speaker 1: Your eyes are turning red.

594
00:32:06,400 --> 00:32:10,040
Speaker 2: Well, I'm furious and I've been drinking too much beat juice.

595
00:32:11,320 --> 00:32:12,520
Speaker 2: And my doctor says.

596
00:32:13,560 --> 00:32:15,480
Speaker 3: Can I ask you guys about another book?

597
00:32:15,560 --> 00:32:17,080
Speaker 1: Yeah? Please? Okay.

598
00:32:17,640 --> 00:32:21,240
Speaker 3: I a book that I loved growing up was Ernest

599
00:32:21,280 --> 00:32:22,000
Speaker 3: Goes to Jail.

600
00:32:22,440 --> 00:32:24,440
Speaker 1: And when they made it a movie, I don't like.

601
00:32:25,000 --> 00:32:28,280
Speaker 1: I didn't think it was going to work. And getting

602
00:32:28,320 --> 00:32:28,960
Speaker 1: into the theater.

603
00:32:29,080 --> 00:32:32,479
Speaker 2: I remember being excited but also feeling a little sick

604
00:32:33,400 --> 00:32:36,200
Speaker 2: because what if they ruined this character I love in

605
00:32:36,320 --> 00:32:38,000
Speaker 2: this story where he's going.

606
00:32:37,800 --> 00:32:41,880
Speaker 1: To jail and in the movie he's like, he's like dumb.

607
00:32:42,800 --> 00:32:46,200
Speaker 1: Right in the book, he's like a dumb guy in

608
00:32:46,240 --> 00:32:48,360
Speaker 1: the movie, but they I don't know, I guess they

609
00:32:48,440 --> 00:32:50,720
Speaker 1: didn't want to make him like a like, yeah, like

610
00:32:50,760 --> 00:32:53,680
Speaker 1: a autistic savant. Yes, well, the movie is.

611
00:32:53,640 --> 00:32:57,560
Speaker 2: Going to jail to solve you know, to solve I'm sorry.

612
00:32:57,600 --> 00:32:59,840
Speaker 2: In the book, he's going to jail to solve math problem.

613
00:33:00,120 --> 00:33:02,080
Speaker 3: Right, they have to lock him up because they're going

614
00:33:02,160 --> 00:33:03,720
Speaker 3: to take too long, and they're like, we'll feed you,

615
00:33:03,800 --> 00:33:05,680
Speaker 3: We'll just you stay here and do this.

616
00:33:05,920 --> 00:33:08,080
Speaker 2: Yeah, But in the movie he's not really doing that.

617
00:33:08,080 --> 00:33:10,440
Speaker 2: He's kind of crack him wise, and I don't think

618
00:33:10,440 --> 00:33:11,080
Speaker 2: he's even in.

619
00:33:11,000 --> 00:33:15,960
Speaker 1: On the joke. Yeah, which was weird. It was to me.

620
00:33:17,160 --> 00:33:21,320
Speaker 2: And he's Vern is part of the movie and the book,

621
00:33:21,680 --> 00:33:27,200
Speaker 2: but I thought Vern in the book just jumped off

622
00:33:27,200 --> 00:33:27,760
Speaker 2: the page.

623
00:33:28,200 --> 00:33:29,080
Speaker 1: Yeah, uh huh.

624
00:33:29,120 --> 00:33:34,120
Speaker 2: And in the movie he kind of just gets referenced, right.

625
00:33:33,920 --> 00:33:37,760
Speaker 3: And in the book they're all Native American, Yeah, in

626
00:33:37,800 --> 00:33:41,000
Speaker 3: the film mostly white, And I feel like that was

627
00:33:41,680 --> 00:33:44,680
Speaker 3: unfair And maybe that's your point.

628
00:33:44,880 --> 00:33:46,640
Speaker 2: Yeah, and maybe that's my point.

629
00:33:47,960 --> 00:33:50,160
Speaker 1: He's scared a lot in the movie too, which is

630
00:33:50,240 --> 00:33:53,360
Speaker 1: kind of weird. Are you thinking a scared stupid? No,

631
00:33:53,480 --> 00:33:56,160
Speaker 1: he's also scared of the jail and the jail one too.

632
00:33:56,320 --> 00:33:58,120
Speaker 1: Is he never scared of the jail one? Am I

633
00:33:58,160 --> 00:34:01,000
Speaker 1: misremembering that? Is he very brave the time? Well?

634
00:34:01,120 --> 00:34:04,240
Speaker 2: Otherwise earn A scared stupid wouldn't really be a very

635
00:34:04,320 --> 00:34:07,320
Speaker 2: good title because you would have seen it already.

636
00:34:07,160 --> 00:34:09,320
Speaker 1: Because he's brave in all the other movies and he's

637
00:34:09,400 --> 00:34:11,239
Speaker 1: and he's only scared in that one.

638
00:34:11,160 --> 00:34:15,040
Speaker 2: When he's saving Christmas. I think he's pretty brave. When

639
00:34:15,120 --> 00:34:17,879
Speaker 2: he's going to camp, he's pretty.

640
00:34:17,280 --> 00:34:18,560
Speaker 1: Brave, pretty brave.

641
00:34:18,640 --> 00:34:21,800
Speaker 2: When he goes to school, he's pretty brave, although he

642
00:34:21,840 --> 00:34:25,919
Speaker 2: doesn't really know how to use a pencil, and when

643
00:34:25,960 --> 00:34:32,279
Speaker 2: he does get scared, it's a nice layer. That one

644
00:34:32,320 --> 00:34:34,600
Speaker 2: was more successful to me as an adaptation.

645
00:34:35,080 --> 00:34:36,680
Speaker 3: Now do you think of feeling like that could be

646
00:34:36,719 --> 00:34:38,680
Speaker 3: made today and be accepted?

647
00:34:40,000 --> 00:34:45,360
Speaker 1: Wow? Because of the character?

648
00:34:45,760 --> 00:34:51,440
Speaker 2: Yeah, yeah, food for thought?

649
00:34:51,760 --> 00:34:56,640
Speaker 1: What about the character just his his lack of knowledge?

650
00:34:56,840 --> 00:35:01,640
Speaker 3: Yeah, and could people see that they you know, relate

651
00:35:01,680 --> 00:35:05,120
Speaker 3: and can they you know, they know what's going do

652
00:35:05,160 --> 00:35:05,480
Speaker 3: they know?

653
00:35:05,920 --> 00:35:08,120
Speaker 1: Do they like it? They do they want? Do they

654
00:35:08,160 --> 00:35:10,759
Speaker 1: got to have it? Yeah? Is that what it is?

655
00:35:10,800 --> 00:35:13,520
Speaker 1: And that's what sells now And that's my fear of

656
00:35:13,640 --> 00:35:15,000
Speaker 1: having knowledge.

657
00:35:15,239 --> 00:35:18,719
Speaker 3: People love a smart guy knowledge.

658
00:35:19,520 --> 00:35:23,640
Speaker 2: Yes, mm hmmm, yeah, that's why you see taj everywhere

659
00:35:23,880 --> 00:35:25,680
Speaker 2: and all these movies that come out.

660
00:35:27,000 --> 00:35:30,920
Speaker 1: Did you guys read The Whole nine Yards? What did

661
00:35:30,960 --> 00:35:33,239
Speaker 1: you think about that? The difference between that movie and

662
00:35:33,280 --> 00:35:34,560
Speaker 1: the the in the book.

663
00:35:34,960 --> 00:35:36,759
Speaker 2: Okay, well I don't want to get in a fight.

664
00:35:38,320 --> 00:35:39,720
Speaker 2: I think the movie did it better.

665
00:35:40,080 --> 00:35:45,120
Speaker 1: No, yes, yeah, yes, Why do you say that.

666
00:35:47,120 --> 00:35:54,359
Speaker 2: The book you could only really picture certain things that

667
00:35:54,440 --> 00:35:58,439
Speaker 2: happen on the screen in the movie that we're very

668
00:35:59,200 --> 00:36:00,760
Speaker 2: satisfying to see.

669
00:36:02,280 --> 00:36:04,400
Speaker 1: And then the book they do describe it. They say

670
00:36:05,080 --> 00:36:10,600
Speaker 1: they call her Amanda Pete in the book, and they

671
00:36:10,719 --> 00:36:13,279
Speaker 1: did describe it very vividly. The scene I think you're

672
00:36:13,320 --> 00:36:13,919
Speaker 1: talking about.

673
00:36:14,040 --> 00:36:14,600
Speaker 2: Mm hmmm.

674
00:36:15,719 --> 00:36:21,600
Speaker 3: Now for me, could you tell me what that scene is? WHOA.

675
00:36:24,320 --> 00:36:29,680
Speaker 2: It's a very necessary scene from a storytelling perspective, because

676
00:36:29,719 --> 00:36:33,480
Speaker 2: there's a young woman who needs to create a distraction

677
00:36:33,640 --> 00:36:38,319
Speaker 2: of sorts, and it's a pretty ingenious tactic she's come

678
00:36:38,400 --> 00:36:39,520
Speaker 2: up with in order to.

679
00:36:42,120 --> 00:36:43,600
Speaker 1: Capture the attention.

680
00:36:43,520 --> 00:36:47,200
Speaker 2: Of a lot of the male characters for a period

681
00:36:47,239 --> 00:36:47,680
Speaker 2: of time.

682
00:36:47,840 --> 00:36:49,360
Speaker 1: I have the book right here. Do you want to

683
00:36:49,360 --> 00:36:52,239
Speaker 1: read the passage from the book where they describe this

684
00:36:52,320 --> 00:36:53,719
Speaker 1: scene happening? Mm hmm.

685
00:37:01,520 --> 00:37:04,000
Speaker 2: I wish you would dog eared the page or something.

686
00:37:04,440 --> 00:37:06,360
Speaker 3: I have to flip through everything like your finger so

687
00:37:06,440 --> 00:37:07,200
Speaker 3: many times to.

688
00:37:07,160 --> 00:37:07,560
Speaker 1: Get to you.

689
00:37:10,400 --> 00:37:14,440
Speaker 2: Ah, here's the page, well worn.

690
00:37:15,160 --> 00:37:16,960
Speaker 1: Oh, you read that page a lot. I've read that

691
00:37:17,000 --> 00:37:19,400
Speaker 1: page many times. My eyes have worn out the page

692
00:37:19,400 --> 00:37:20,560
Speaker 1: from looking at it so much.

693
00:37:22,680 --> 00:37:27,600
Speaker 2: Hold it right there, Oz, said Jimmy the Rose. He

694
00:37:27,719 --> 00:37:29,920
Speaker 2: stopped at the end of the long hallway and turned.

695
00:37:30,680 --> 00:37:34,680
Speaker 2: He had his man pistol drawn, cocked and ready to shoot.

696
00:37:34,680 --> 00:37:36,799
Speaker 2: It looked like this was the end of the line

697
00:37:36,840 --> 00:37:40,840
Speaker 2: for Matthew, Perry or Oz. Now, this is an interesting

698
00:37:40,880 --> 00:37:44,200
Speaker 2: aspect of the book that they do mention the characters' names,

699
00:37:44,320 --> 00:37:48,319
Speaker 2: and they mentioned the actors, and they seem to, rather

700
00:37:48,360 --> 00:37:50,759
Speaker 2: than deleting it when they've done one or the other,

701
00:37:51,680 --> 00:37:53,319
Speaker 2: always kind of just press on.

702
00:37:53,600 --> 00:37:54,800
Speaker 1: Yes. Now.

703
00:37:54,880 --> 00:37:57,200
Speaker 3: Was that the one the book version that came out

704
00:37:57,239 --> 00:37:59,279
Speaker 3: after the film with the actors on the cover, or

705
00:37:59,320 --> 00:38:00,920
Speaker 3: was that just before or the film, and they had

706
00:38:00,920 --> 00:38:04,400
Speaker 3: the idea that they wanted those actors.

707
00:38:04,160 --> 00:38:07,560
Speaker 2: The question for a greater mind than I question for

708
00:38:07,680 --> 00:38:10,120
Speaker 2: the original Arnest, the one from the book. I think

709
00:38:10,239 --> 00:38:14,759
Speaker 2: because he takes some deduction anyhow, and he had his man,

710
00:38:17,680 --> 00:38:20,520
Speaker 2: you're you're toast, You're done in this town, Jimmy the

711
00:38:20,600 --> 00:38:24,759
Speaker 2: Rose said to Oz the whole plan we had with

712
00:38:24,840 --> 00:38:27,920
Speaker 2: the you're a dentist, So dental records are like a

713
00:38:27,960 --> 00:38:31,359
Speaker 2: big part of it. Sort of manipulating that to that

714
00:38:31,440 --> 00:38:33,560
Speaker 2: makes it a you can fake somebody's death of your

715
00:38:33,600 --> 00:38:37,560
Speaker 2: a dentist because you can create their dental records. And

716
00:38:37,800 --> 00:38:41,240
Speaker 2: didn't you just burn the house down and all the money.

717
00:38:41,280 --> 00:38:42,920
Speaker 2: I'll get the money. I'll be on the boat at

718
00:38:42,920 --> 00:38:45,000
Speaker 2: the end and we won't be friends.

719
00:38:45,560 --> 00:38:47,640
Speaker 3: Was that all one? Or was there quote in there?

720
00:38:47,920 --> 00:38:48,399
Speaker 2: That's a quote?

721
00:38:48,440 --> 00:38:48,920
Speaker 1: Yeah? Okay?

722
00:38:49,160 --> 00:38:49,920
Speaker 2: And then and.

723
00:38:51,400 --> 00:38:53,040
Speaker 1: You who, sweetheart?

724
00:38:54,040 --> 00:38:57,960
Speaker 2: Now this now, Jimmy the Rose turns and what's he

725
00:38:58,080 --> 00:38:58,520
Speaker 2: looking at?

726
00:38:58,840 --> 00:38:58,960
Speaker 4: Uh?

727
00:38:59,040 --> 00:39:06,759
Speaker 2: Oh, it's Amanda Pete. She's got her pistol drawn cocked

728
00:39:06,800 --> 00:39:09,560
Speaker 2: and ready to shoot. And what else has she got?

729
00:39:09,600 --> 00:39:13,600
Speaker 2: And clothes wise, not a lap I'll tell you what.

730
00:39:14,719 --> 00:39:20,120
Speaker 2: She's now really awareing him? Man, he's looking so so

731
00:39:20,200 --> 00:39:23,120
Speaker 2: that is one of the best parts of that book.

732
00:39:23,280 --> 00:39:25,920
Speaker 1: That was did they change Why do you think they

733
00:39:26,000 --> 00:39:29,680
Speaker 1: changed from the book to the movie. They changed his

734
00:39:29,760 --> 00:39:31,840
Speaker 1: name from Jimmy the Rose to Jimmy the Tulip.

735
00:39:33,040 --> 00:39:35,640
Speaker 2: I think that they couldn't get the rights to that flower.

736
00:39:35,680 --> 00:39:37,440
Speaker 2: It's just such an expensive flower.

737
00:39:37,600 --> 00:39:40,880
Speaker 1: It is one of the most expensive flowers. Yes, what

738
00:39:40,920 --> 00:39:42,360
Speaker 1: did that movie mean to you, Larren?

739
00:39:43,040 --> 00:39:47,400
Speaker 3: Well, for me, like, I just always feel like everything

740
00:39:47,920 --> 00:39:51,480
Speaker 3: takes so long and it's so far, and like for me,

741
00:39:51,960 --> 00:39:54,799
Speaker 3: the whole nine yards was like, that's it, baby.

742
00:39:55,680 --> 00:40:01,359
Speaker 1: The whole nine yards is indicates brevity to you.

743
00:40:01,400 --> 00:40:05,000
Speaker 3: No, it's a long way to go nine yards.

744
00:40:05,440 --> 00:40:10,920
Speaker 2: Do you guys know where that expression originally came from. No, well,

745
00:40:10,920 --> 00:40:14,440
Speaker 2: a football field was initially only nine yards because people

746
00:40:14,480 --> 00:40:17,319
Speaker 2: didn't have vitamins back then, so they were much smaller,

747
00:40:17,440 --> 00:40:19,919
Speaker 2: and it was a very long distance to run.

748
00:40:20,239 --> 00:40:20,439
Speaker 1: Yeah.

749
00:40:20,719 --> 00:40:24,520
Speaker 2: Yes, you'd fall asleep midway across the field. So nine

750
00:40:24,640 --> 00:40:28,520
Speaker 2: yards was about the distance that people were, you know,

751
00:40:29,160 --> 00:40:31,080
Speaker 2: more than ten times smaller than they.

752
00:40:30,920 --> 00:40:35,040
Speaker 3: Are now and fully in full size, they were ten

753
00:40:35,080 --> 00:40:36,120
Speaker 3: times smaller.

754
00:40:35,800 --> 00:40:38,920
Speaker 2: Or just yes, And if you've ever seen an old jacket,

755
00:40:39,280 --> 00:40:43,360
Speaker 2: you could almost it almost looks like the OJ's creature glove.

756
00:40:43,560 --> 00:40:44,920
Speaker 2: I mean that's the size of it.

757
00:40:45,160 --> 00:40:51,520
Speaker 1: Wow. Then can I have the sound cable please? Lauren,

758
00:40:51,600 --> 00:40:53,560
Speaker 1: you say you wish you lived back then, because I'd

759
00:40:53,600 --> 00:40:55,719
Speaker 1: love to be tiny. Hmmm.

760
00:40:56,239 --> 00:40:59,840
Speaker 3: Yeah, what I wish is speak on that. Well, I

761
00:41:00,040 --> 00:41:02,680
Speaker 3: wish that I could be small and go in little

762
00:41:02,719 --> 00:41:07,880
Speaker 3: places and you know, be carried around by by my friends.

763
00:41:08,120 --> 00:41:10,879
Speaker 1: That would a lot of roles too, wouldn't it. I'd

764
00:41:10,880 --> 00:41:14,320
Speaker 1: be the life of an actress, right, I would.

765
00:41:14,280 --> 00:41:17,319
Speaker 3: For sugar casts on American horror story freak Show.

766
00:41:17,480 --> 00:41:18,120
Speaker 1: Yes, if I.

767
00:41:18,080 --> 00:41:20,600
Speaker 3: Were ten times smaller than the average human.

768
00:41:20,719 --> 00:41:23,040
Speaker 2: Can you name six or seven tiny places that you

769
00:41:23,080 --> 00:41:23,520
Speaker 2: would go.

770
00:41:23,480 --> 00:41:26,680
Speaker 1: Inside my kitchen cabinet?

771
00:41:27,120 --> 00:41:27,480
Speaker 2: Okay?

772
00:41:27,600 --> 00:41:28,680
Speaker 1: Yeah?

773
00:41:28,719 --> 00:41:29,640
Speaker 3: A toilet cover?

774
00:41:30,800 --> 00:41:36,240
Speaker 1: Yeah, well, I like, I'm sorry to stop you inside

775
00:41:36,239 --> 00:41:37,280
Speaker 1: a toilet cover.

776
00:41:37,320 --> 00:41:41,600
Speaker 3: Like the top where the water is.

777
00:41:41,880 --> 00:41:45,040
Speaker 1: Yeah. Oh, a toilet.

778
00:41:44,640 --> 00:41:47,560
Speaker 3: Cover, yeah, you know, you know, and I'd float around

779
00:41:47,560 --> 00:41:49,160
Speaker 3: in there as a tub.

780
00:41:49,080 --> 00:41:51,440
Speaker 1: Yeah, because that water is actually clean, fresh as the

781
00:41:51,560 --> 00:41:52,200
Speaker 1: day is long.

782
00:41:53,840 --> 00:41:55,800
Speaker 3: I'd curl up inside a headphone.

783
00:41:56,760 --> 00:41:59,000
Speaker 2: Oh okay, what made you think of that?

784
00:42:00,239 --> 00:42:00,560
Speaker 4: You know what?

785
00:42:00,600 --> 00:42:03,479
Speaker 3: I'll never know? And so why ask?

786
00:42:04,920 --> 00:42:09,960
Speaker 1: And how many have I said? Oh? Only two? I

787
00:42:09,960 --> 00:42:10,960
Speaker 1: think that's three.

788
00:42:11,560 --> 00:42:15,040
Speaker 3: I would go inside a mousehole.

789
00:42:15,880 --> 00:42:18,960
Speaker 2: Mmm, this is what I was waiting for. Would you

790
00:42:18,960 --> 00:42:20,440
Speaker 2: be friends with little animals?

791
00:42:20,719 --> 00:42:23,440
Speaker 3: For sure? I'd ride them.

792
00:42:23,719 --> 00:42:28,560
Speaker 1: O good? Is that being friends so very friendly?

793
00:42:28,920 --> 00:42:29,040
Speaker 5: Well?

794
00:42:29,080 --> 00:42:31,440
Speaker 3: Yeah, and I'd go on a shoulder more than friends.

795
00:42:34,239 --> 00:42:35,640
Speaker 2: I don't know why you bring this out of me

796
00:42:35,680 --> 00:42:39,600
Speaker 2: and Hayes. I swear we kept the show clean for

797
00:42:39,719 --> 00:42:40,560
Speaker 2: the past month.

798
00:42:41,520 --> 00:42:45,200
Speaker 1: You guys are getting real dirty. No, it's the Popcorn Gallery.

799
00:42:45,960 --> 00:42:51,640
Speaker 1: It's the song that means our favorite segments, the Popcorn Gowery.

800
00:42:52,200 --> 00:42:54,840
Speaker 1: Now we ask questions to one of ours, one of

801
00:42:54,840 --> 00:42:57,040
Speaker 1: our guests, and we don't. We do not have any

802
00:42:57,120 --> 00:42:59,839
Speaker 1: questions now, we did not get them. And it wasn't

803
00:42:59,840 --> 00:43:00,920
Speaker 1: for lack of trying.

804
00:43:03,080 --> 00:43:06,719
Speaker 3: No one wanted to ask me a question. You begged them.

805
00:43:07,400 --> 00:43:10,759
Speaker 2: I didn't say that exactly. I just know that we

806
00:43:10,880 --> 00:43:12,839
Speaker 2: usually do have questions.

807
00:43:12,680 --> 00:43:14,960
Speaker 1: We could try. Do you want to try intern Andy?

808
00:43:15,120 --> 00:43:16,640
Speaker 2: Yes, let's call it intern Andy.

809
00:43:16,719 --> 00:43:19,680
Speaker 1: And okay, if because he's a fan of the show

810
00:43:20,000 --> 00:43:20,959
Speaker 1: as well.

811
00:43:20,680 --> 00:43:23,239
Speaker 3: And be a fan of mine, I want to be mortified.

812
00:43:23,280 --> 00:43:26,279
Speaker 1: It's his job now to help out with the show,

813
00:43:26,360 --> 00:43:28,760
Speaker 1: and I think this spiping.

814
00:43:28,120 --> 00:43:34,000
Speaker 2: Rob Ryaner's son and cool oh okay, okay, God, he's

815
00:43:34,040 --> 00:43:35,200
Speaker 2: gonna be helpful.

816
00:43:36,280 --> 00:43:43,520
Speaker 1: Nine two five three three zero one three one zero,

817
00:43:44,480 --> 00:43:53,000
Speaker 1: and please please leave that in the show. He could

818
00:43:53,000 --> 00:44:02,600
Speaker 1: get up boards of fifty phone calls Cute Ring, which.

819
00:44:02,480 --> 00:44:03,799
Speaker 2: Is a song Cody's working on.

820
00:44:06,239 --> 00:44:09,279
Speaker 4: Hey, Andy, Yeah.

821
00:44:09,000 --> 00:44:10,680
Speaker 1: Andy, It's Hayes and Sean.

822
00:44:10,600 --> 00:44:14,879
Speaker 2: And this is Sean Hollywood Handbook. Don't interrupt me, can

823
00:44:14,920 --> 00:44:17,000
Speaker 2: you We just have a quick errand for you?

824
00:44:17,040 --> 00:44:17,360
Speaker 1: Okay?

825
00:44:18,200 --> 00:44:19,759
Speaker 4: Yeah? Absolutely? What's going on?

826
00:44:19,840 --> 00:44:20,479
Speaker 1: Are you at home?

827
00:44:21,520 --> 00:44:23,560
Speaker 4: Ah?

828
00:44:23,960 --> 00:44:27,000
Speaker 1: Yes, okay, we have Lauren Lapiz here.

829
00:44:27,160 --> 00:44:32,160
Speaker 2: I'm sorry. Now I'm curious. Are you Are you unsafe

830
00:44:32,160 --> 00:44:33,799
Speaker 2: in your home in some way? Is there someone who

831
00:44:33,800 --> 00:44:37,399
Speaker 2: doesn't want you to tell us if you're at home? No?

832
00:44:37,400 --> 00:44:40,120
Speaker 4: No, no, I'm alone. I'm yeah.

833
00:44:40,360 --> 00:44:42,759
Speaker 2: Oh well then that really shouldn't have taken you that long.

834
00:44:42,960 --> 00:44:44,800
Speaker 2: Go ahead, Hayes, keep going.

835
00:44:45,920 --> 00:44:48,400
Speaker 1: We have Lauren Lapiz here. We didn't get any questions

836
00:44:48,400 --> 00:44:50,960
Speaker 1: from the Popcorn gallery, so we just need you to

837
00:44:51,239 --> 00:44:53,279
Speaker 1: come up with some good questions for her.

838
00:44:53,320 --> 00:44:55,839
Speaker 2: We need you to get into the bag and find

839
00:44:55,880 --> 00:44:56,759
Speaker 2: the popcorn question.

840
00:44:57,120 --> 00:44:59,440
Speaker 1: Please please, Hi?

841
00:45:00,480 --> 00:45:06,279
Speaker 4: Should I say shit? Okay, you could say Hi, I Orange, Hi,

842
00:45:06,880 --> 00:45:11,360
Speaker 4: I enjoy your work, Thank you. Should I do the

843
00:45:11,480 --> 00:45:14,520
Speaker 4: sound of the bag.

844
00:45:15,040 --> 00:45:18,080
Speaker 1: I guess we will play it in studio. Well, we

845
00:45:18,120 --> 00:45:22,239
Speaker 1: didn't do We didn't prepare the sound drop either.

846
00:45:22,480 --> 00:45:24,360
Speaker 3: Honestly, this feels really bad to me.

847
00:45:24,960 --> 00:45:27,280
Speaker 2: I've got an old sound drop from a different show,

848
00:45:28,440 --> 00:45:33,960
Speaker 2: and I'll just play that one and maybe it'll fit. Okay,

849
00:45:35,239 --> 00:45:40,440
Speaker 2: it's my favorite novel, Crank two High Voltage. Oh well,

850
00:45:40,440 --> 00:45:41,960
Speaker 2: that does kind of play into the theme of the

851
00:45:41,960 --> 00:45:45,040
Speaker 2: show because we've been talking about book versions of movies

852
00:45:45,080 --> 00:45:47,520
Speaker 2: we like, yes, and how the book a lot of

853
00:45:47,520 --> 00:45:48,320
Speaker 2: times is better.

854
00:45:49,560 --> 00:45:51,680
Speaker 3: I had a sound thing I could throw in if

855
00:45:51,719 --> 00:45:53,960
Speaker 3: you guys wanted on my phone here.

856
00:45:54,280 --> 00:45:57,319
Speaker 1: That sounds great. It's a sound of something being pulled

857
00:45:57,320 --> 00:45:59,080
Speaker 1: out of a popcorn bag or is it something else

858
00:45:59,239 --> 00:46:02,160
Speaker 1: it is? Oh, that sounds great. Yes, thank you. Let

859
00:46:02,200 --> 00:46:02,759
Speaker 1: me just get it.

860
00:46:06,920 --> 00:46:09,440
Speaker 3: And that's the way the cookie trummels.

861
00:46:10,280 --> 00:46:12,600
Speaker 1: See, I feel like that kind of worked. That sounds like.

862
00:46:12,600 --> 00:46:14,960
Speaker 1: Actually a really nice girl for Mark, the guy who

863
00:46:14,960 --> 00:46:17,840
Speaker 1: does our sound drop. Yes, my friend Mark, Who is

864
00:46:17,880 --> 00:46:20,040
Speaker 1: that who does those sound drops for you?

865
00:46:20,520 --> 00:46:20,719
Speaker 3: Oh?

866
00:46:20,800 --> 00:46:23,799
Speaker 1: That's a girl named Liz. That's Liz. Yeah, and what's

867
00:46:23,840 --> 00:46:24,839
Speaker 1: your relationship with her?

868
00:46:25,120 --> 00:46:27,840
Speaker 3: I just hire her from Craigslist to do sound drops.

869
00:46:29,040 --> 00:46:30,359
Speaker 2: That could be great from Mark.

870
00:46:30,520 --> 00:46:33,920
Speaker 1: That sounds really good for us, no muss, and that

871
00:46:34,000 --> 00:46:36,600
Speaker 1: might improve the drops.

872
00:46:36,680 --> 00:46:39,319
Speaker 2: That might the drops which, let's face it, have really

873
00:46:39,360 --> 00:46:40,200
Speaker 2: fallen off a cliff.

874
00:46:40,200 --> 00:46:43,759
Speaker 4: You're still there and me, yeah, yeah, this is just great.

875
00:46:43,800 --> 00:46:46,239
Speaker 4: I'm getting like a live version of the show.

876
00:46:46,400 --> 00:46:47,520
Speaker 2: And you got any.

877
00:46:49,000 --> 00:46:52,000
Speaker 1: Books you like that was also movies?

878
00:46:55,239 --> 00:46:58,600
Speaker 4: Let me think what was a good one that James

879
00:46:58,680 --> 00:47:02,680
Speaker 4: Bond books? Those are all those became movies. Some of

880
00:47:02,680 --> 00:47:03,279
Speaker 4: those are cool.

881
00:47:03,520 --> 00:47:06,560
Speaker 2: I don't know, I feel like we're speaking a different

882
00:47:06,600 --> 00:47:11,440
Speaker 2: language their own bray. Why don't you go ahead, Leah

883
00:47:11,680 --> 00:47:12,960
Speaker 2: Leiah hot question on.

884
00:47:14,800 --> 00:47:15,520
Speaker 1: Laila Lapis.

885
00:47:19,120 --> 00:47:24,520
Speaker 4: Okay, here here's something that like, do you and your

886
00:47:24,680 --> 00:47:28,400
Speaker 4: significant other do you ever do anything like funny to

887
00:47:28,560 --> 00:47:32,160
Speaker 4: like annoy each other like playfully, like do any jokes,

888
00:47:32,200 --> 00:47:34,560
Speaker 4: like you have any inside jokes with each other or anything?

889
00:47:35,040 --> 00:47:38,560
Speaker 3: Yeah, well, we what we think is fun is we'll

890
00:47:38,560 --> 00:47:41,759
Speaker 3: make each other will drop something and then we'll bend

891
00:47:41,800 --> 00:47:46,880
Speaker 3: over and fart in each other's ear, over and over

892
00:47:46,920 --> 00:47:48,280
Speaker 3: and over and over until someone poose.

893
00:47:50,400 --> 00:47:55,680
Speaker 1: You'll do it to each other back and forth. So

894
00:47:55,800 --> 00:47:58,120
Speaker 1: it's not like it's not a preak well.

895
00:47:58,000 --> 00:48:02,360
Speaker 2: Because you know it happened like once the first person

896
00:48:02,400 --> 00:48:04,920
Speaker 2: doesn't the other person does it back even twice, I

897
00:48:04,960 --> 00:48:06,760
Speaker 2: would think that you now know and you.

898
00:48:06,640 --> 00:48:09,160
Speaker 1: Have agreed to be in it. It's on that is

899
00:48:09,200 --> 00:48:12,000
Speaker 1: pretty inside. What is that like a reference to it?

900
00:48:12,520 --> 00:48:15,160
Speaker 3: It's a reference to dumb and Dumber when that guy

901
00:48:15,200 --> 00:48:16,440
Speaker 3: gets diarrhea in the bathroom.

902
00:48:17,320 --> 00:48:21,240
Speaker 1: Okay, yeah, that's right now. And in a way, every

903
00:48:21,320 --> 00:48:22,719
Speaker 1: fart is sort of a reference.

904
00:48:23,000 --> 00:48:24,640
Speaker 2: We're always referencing to that.

905
00:48:24,840 --> 00:48:28,040
Speaker 3: See, well that was the original part. Yeah, before that,

906
00:48:28,080 --> 00:48:30,160
Speaker 3: we were all just tooting mm hmmm.

907
00:48:30,920 --> 00:48:34,640
Speaker 2: Yeah, it was when Toots became far andy. When you

908
00:48:34,680 --> 00:48:37,360
Speaker 2: ask a pervert question, you get a pervert answer. And

909
00:48:37,440 --> 00:48:39,319
Speaker 2: I just think the way you laid it out with

910
00:48:39,440 --> 00:48:42,120
Speaker 2: the whole like you and your significant other in your home.

911
00:48:42,080 --> 00:48:46,040
Speaker 1: It was it was very very pot probing. The way

912
00:48:46,080 --> 00:48:49,560
Speaker 1: you did it just kind of it needed to feel invasive,

913
00:48:49,600 --> 00:48:52,319
Speaker 1: and I think that's what it was, just kind of

914
00:48:52,320 --> 00:48:55,440
Speaker 1: like feeling like massaging the question as you were asking

915
00:48:55,480 --> 00:48:59,440
Speaker 1: it was was very disgusting. So that's that's why you

916
00:48:59,480 --> 00:49:01,239
Speaker 1: got the answer you did. Do you want to try

917
00:49:01,280 --> 00:49:01,919
Speaker 1: one more time?

918
00:49:03,520 --> 00:49:07,720
Speaker 2: Okay, well hang on, Liz gotta go back into the bag.

919
00:49:08,239 --> 00:49:09,840
Speaker 1: Yeah, does Liz have anymore.

920
00:49:09,520 --> 00:49:11,560
Speaker 3: Oh, I have another one. Oh great, it's still to

921
00:49:11,560 --> 00:49:12,400
Speaker 3: be popcorn related.

922
00:49:12,480 --> 00:49:13,120
Speaker 1: I have more of them.

923
00:49:13,200 --> 00:49:22,000
Speaker 3: Yes, how do my cell phone get in this popcorn?

924
00:49:22,160 --> 00:49:25,480
Speaker 1: See? That is the kind of stuff we used to

925
00:49:25,560 --> 00:49:28,280
Speaker 1: have that we don't have anymore. He's never pulling anything

926
00:49:28,280 --> 00:49:30,440
Speaker 1: out of the popcorn bag anymore. It's always well, this

927
00:49:30,520 --> 00:49:31,880
Speaker 1: time he did pull out that book.

928
00:49:32,040 --> 00:49:33,480
Speaker 2: But a lot of times it's not that.

929
00:49:33,520 --> 00:49:37,880
Speaker 1: It's it's very it's lazily referential to what just happened.

930
00:49:37,880 --> 00:49:39,600
Speaker 1: And this year it feels like he's not trying.

931
00:49:39,760 --> 00:49:42,040
Speaker 2: Well. I got another old drop, and maybe this will

932
00:49:42,040 --> 00:49:44,040
Speaker 2: be an example the kind of thing you were talking about,

933
00:49:48,840 --> 00:49:51,799
Speaker 2: button vote do caucus.

934
00:49:52,080 --> 00:49:54,560
Speaker 1: Okay, Well that drop was gonna be a little too old.

935
00:49:55,520 --> 00:49:55,640
Speaker 2: You know.

936
00:49:56,719 --> 00:50:00,680
Speaker 1: Oh okay, so at the time it wasn't. I think

937
00:50:00,719 --> 00:50:02,400
Speaker 1: it was funny old reference. I think it was.

938
00:50:02,440 --> 00:50:06,839
Speaker 2: Lazily referential at the time and just happened to be election. Yes,

939
00:50:06,920 --> 00:50:08,320
Speaker 2: it was November second.

940
00:50:08,440 --> 00:50:12,800
Speaker 1: That sounds like Mark, Yeah, Andy. Do you have another question?

941
00:50:13,840 --> 00:50:16,760
Speaker 4: Yeah, Lauren? Do you like superhero movies?

942
00:50:19,680 --> 00:50:23,719
Speaker 3: I don't really due to the fact that I think

943
00:50:23,719 --> 00:50:24,320
Speaker 3: they're boring.

944
00:50:26,880 --> 00:50:28,640
Speaker 1: She's having a joke on you gonna give them a

945
00:50:28,680 --> 00:50:30,680
Speaker 1: real answer. I love him and death.

946
00:50:31,680 --> 00:50:34,880
Speaker 3: If I could marry a superhero, I'd pick Batman, and

947
00:50:34,920 --> 00:50:38,040
Speaker 3: I dream about that every night when I masturbate. You

948
00:50:38,120 --> 00:50:41,400
Speaker 3: could be so rich, yes, and live in that big, empty,

949
00:50:41,480 --> 00:50:42,800
Speaker 3: haunted house.

950
00:50:44,880 --> 00:50:48,400
Speaker 1: Nice not haunted, A little bat lives in it. And now, Andy,

951
00:50:48,440 --> 00:50:51,839
Speaker 1: why are all your questions about Lauren significant others and

952
00:50:51,920 --> 00:50:54,440
Speaker 1: like marrying somebody? It just feels like.

953
00:50:54,719 --> 00:50:56,640
Speaker 2: And you're masturbating as well.

954
00:50:56,520 --> 00:51:00,600
Speaker 1: Your dad? Why did you make me talk about that?

955
00:51:02,200 --> 00:51:03,879
Speaker 1: What is the endgame here? Yeah?

956
00:51:03,920 --> 00:51:04,600
Speaker 2: What's the plan?

957
00:51:06,239 --> 00:51:08,960
Speaker 4: I'm just I yeah, I don't know. I'm home Alone.

958
00:51:09,000 --> 00:51:12,000
Speaker 4: I'm just I guess that's just maybe that's the mood

959
00:51:12,000 --> 00:51:12,279
Speaker 4: I'm in.

960
00:51:12,360 --> 00:51:13,520
Speaker 3: Right to ask you a question?

961
00:51:14,920 --> 00:51:15,560
Speaker 4: Yeah? Please?

962
00:51:15,719 --> 00:51:17,680
Speaker 3: What's your favorite part of Home Alone?

963
00:51:17,800 --> 00:51:18,600
Speaker 1: The movie.

964
00:51:19,840 --> 00:51:21,319
Speaker 3: As now in your.

965
00:51:21,239 --> 00:51:25,640
Speaker 4: House with the part of the movie, or the part

966
00:51:25,640 --> 00:51:25,879
Speaker 4: of the.

967
00:51:25,800 --> 00:51:27,280
Speaker 1: Movie that you're living right now?

968
00:51:27,600 --> 00:51:29,600
Speaker 3: Or which part of the book that you read before?

969
00:51:30,920 --> 00:51:34,040
Speaker 4: I like the part where he goes But is your

970
00:51:34,080 --> 00:51:36,880
Speaker 4: girlfriend more girls stuff?

971
00:51:37,320 --> 00:51:42,520
Speaker 2: You're horny a girlfriends and relationship today? And I don't

972
00:51:42,560 --> 00:51:45,440
Speaker 2: want to be vulgar, but I would ask that you

973
00:51:45,800 --> 00:51:48,480
Speaker 2: sort of exercise these demons before you get on the

974
00:51:48,520 --> 00:51:50,080
Speaker 2: phone with us, and whatever that.

975
00:51:50,000 --> 00:51:54,359
Speaker 1: Means for you okay, yeah, man, Yeah, when you see

976
00:51:55,320 --> 00:51:59,200
Speaker 1: the phone ring with us on it, just kind of

977
00:51:59,200 --> 00:52:01,799
Speaker 1: get started, get a head start, because by the time

978
00:52:01,800 --> 00:52:03,640
Speaker 1: we really get into the meat of this, we're gonna

979
00:52:03,640 --> 00:52:06,120
Speaker 1: need you to have that out of your system, so

980
00:52:06,239 --> 00:52:06,680
Speaker 1: to speak.

981
00:52:06,760 --> 00:52:08,240
Speaker 3: Can I ask Andy about a question?

982
00:52:08,440 --> 00:52:10,200
Speaker 1: Yes, Lauren's going to ask you another question.

983
00:52:10,480 --> 00:52:14,000
Speaker 3: Now, if you were pranking someone, what food would you

984
00:52:14,160 --> 00:52:15,000
Speaker 3: use for the prank?

985
00:52:19,080 --> 00:52:21,920
Speaker 4: You know, like maybe like some pudding or something like

986
00:52:21,960 --> 00:52:24,759
Speaker 4: something that's like, you know, like jumping on the head.

987
00:52:25,719 --> 00:52:28,800
Speaker 1: And see, now, knowing that you're in a sexual mood

988
00:52:29,360 --> 00:52:32,319
Speaker 1: and that that this is something you associate with a

989
00:52:32,360 --> 00:52:35,600
Speaker 1: sex act is maybe the most horrifying thing of all.

990
00:52:35,760 --> 00:52:38,239
Speaker 2: It would normally be a very good answer, because, yes,

991
00:52:38,320 --> 00:52:41,160
Speaker 2: dump it on someone's head. That's hysterical, and I'm picturing

992
00:52:41,280 --> 00:52:42,800
Speaker 2: it's what like vanilla pudding.

993
00:52:43,040 --> 00:52:44,400
Speaker 1: But no, that's so funny.

994
00:52:44,880 --> 00:52:49,680
Speaker 2: But I can't now enjoy that even without thinking about you.

995
00:52:49,840 --> 00:52:53,680
Speaker 1: Now, it's disgusting. Now you're dumping vanilla pudding on someone's head.

996
00:52:54,000 --> 00:52:58,120
Speaker 2: Yes, as sort of some sort of sexual access.

997
00:52:58,360 --> 00:52:59,440
Speaker 1: I feel violated.

998
00:53:01,120 --> 00:53:03,120
Speaker 2: And she asked you the question, and she asked you

999
00:53:03,480 --> 00:53:07,000
Speaker 2: she's a lady, and you couldn't just answer with something

1000
00:53:07,160 --> 00:53:12,480
Speaker 2: normal banana peel okay, and you were going to reach

1001
00:53:12,520 --> 00:53:16,000
Speaker 2: into the bag for one more question. Okay, you want

1002
00:53:16,000 --> 00:53:18,239
Speaker 2: to like, does Liz have any other stuff? I mean,

1003
00:53:18,239 --> 00:53:19,240
Speaker 2: this is a great platform.

1004
00:53:19,520 --> 00:53:21,920
Speaker 1: Yeah, let her shine.

1005
00:53:26,200 --> 00:53:28,040
Speaker 3: A record the size of my head.

1006
00:53:29,680 --> 00:53:31,040
Speaker 1: Like, that's good.

1007
00:53:31,040 --> 00:53:33,680
Speaker 2: I'd like to see her head because a record is

1008
00:53:33,719 --> 00:53:37,799
Speaker 2: normally bigger. But she said it like it was impressive

1009
00:53:37,800 --> 00:53:40,200
Speaker 2: that it would be that big, you know what I mean. Like,

1010
00:53:40,239 --> 00:53:42,120
Speaker 2: she's like, it's the size of my head, which didn't

1011
00:53:42,239 --> 00:53:44,359
Speaker 2: sound like it's I will say, she didn't really say

1012
00:53:44,360 --> 00:53:45,759
Speaker 2: it like it was that impressive.

1013
00:53:45,880 --> 00:53:50,000
Speaker 1: Well, am I the only one getting that back? I'll

1014
00:53:50,000 --> 00:53:51,880
Speaker 1: tell you something because you're you're a detective.

1015
00:53:52,280 --> 00:53:55,200
Speaker 3: Her head is twice the size of an average human head,

1016
00:53:55,640 --> 00:53:58,880
Speaker 3: which is ultimately twice the size.

1017
00:53:58,600 --> 00:54:03,399
Speaker 1: Of a record. Oh okay, wow, so it's a big

1018
00:54:03,440 --> 00:54:05,799
Speaker 1: record with double the song. These are jukebox records you're

1019
00:54:05,840 --> 00:54:11,440
Speaker 1: talking about. No, these are laser discs. Okay, okay, records.

1020
00:54:12,560 --> 00:54:15,680
Speaker 1: Laser records, Yeah, that's what we call them. And does

1021
00:54:15,719 --> 00:54:17,720
Speaker 1: Mark have any more on it's sort of a romantic

1022
00:54:17,800 --> 00:54:19,880
Speaker 1: dances they are doing. I don't want to stop the

1023
00:54:19,920 --> 00:54:26,760
Speaker 1: flow of it.

1024
00:54:27,040 --> 00:54:29,120
Speaker 2: Micromachine in the size of a car.

1025
00:54:29,680 --> 00:54:31,400
Speaker 1: Well, now that would just be a car.

1026
00:54:32,040 --> 00:54:34,560
Speaker 2: That's not my micro machine's a mini car.

1027
00:54:35,480 --> 00:54:37,919
Speaker 3: But I will say, on the video you played, he

1028
00:54:37,920 --> 00:54:39,960
Speaker 3: held his fingers together like they.

1029
00:54:39,800 --> 00:54:43,440
Speaker 1: Were an inch apart. That is true. Well, I think

1030
00:54:43,480 --> 00:54:46,200
Speaker 1: it's a video, the video component of the sound drop.

1031
00:54:46,280 --> 00:54:48,640
Speaker 2: He was Why don't think anyone says the word micro

1032
00:54:48,760 --> 00:54:53,239
Speaker 2: machine without involuntarily holding their fingers.

1033
00:54:52,520 --> 00:54:55,600
Speaker 3: Car, Why would they show that it's small.

1034
00:54:56,320 --> 00:54:59,440
Speaker 2: I just think I literally think saying the words micro machine.

1035
00:54:59,440 --> 00:55:02,399
Speaker 1: But the out of the bag, which is what he

1036
00:55:02,440 --> 00:55:05,080
Speaker 1: was doing, he should have been holding his hands very

1037
00:55:05,160 --> 00:55:07,799
Speaker 1: far apart and been struggling with it if it were

1038
00:55:07,840 --> 00:55:10,600
Speaker 1: that big. So I think he might be confusable. Well,

1039
00:55:10,640 --> 00:55:11,960
Speaker 1: can I tell you what I think happened.

1040
00:55:12,400 --> 00:55:15,160
Speaker 2: I think he reached clean through the bag, then held

1041
00:55:15,160 --> 00:55:17,680
Speaker 2: the bag up to his eye, almost like a spyglass,

1042
00:55:18,160 --> 00:55:20,080
Speaker 2: and he's looking out through the hole, and what he's

1043
00:55:20,080 --> 00:55:21,200
Speaker 2: seeing is a parking lot.

1044
00:55:22,640 --> 00:55:26,520
Speaker 3: But it looks tiny, so he thinks it's a micromachine.

1045
00:55:26,640 --> 00:55:27,960
Speaker 2: But he knows how big it is.

1046
00:55:28,360 --> 00:55:30,120
Speaker 3: That's the problem.

1047
00:55:31,520 --> 00:55:33,560
Speaker 1: He can't have been wrong the first time. We know

1048
00:55:33,680 --> 00:55:36,800
Speaker 1: that he was definitely right with the first thing he said.

1049
00:55:36,920 --> 00:55:38,480
Speaker 2: I mean, there's a theme to this show, which is

1050
00:55:38,520 --> 00:55:41,080
Speaker 2: I wish Ernest was here Ernest because I think he

1051
00:55:41,120 --> 00:55:41,799
Speaker 2: could solve this.

1052
00:55:42,000 --> 00:55:44,120
Speaker 1: God, he's smart.

1053
00:55:44,880 --> 00:55:45,000
Speaker 2: Man.

1054
00:55:47,080 --> 00:55:47,480
Speaker 4: Yeah.

1055
00:55:47,600 --> 00:55:48,640
Speaker 1: Do you have another question?

1056
00:55:49,800 --> 00:55:54,280
Speaker 4: Yeah, Lauren? Do you think that TV is better than movies?

1057
00:55:54,360 --> 00:55:55,959
Speaker 1: Now? Yeah?

1058
00:55:55,960 --> 00:55:59,320
Speaker 3: And here's why. For me, TV is shorter than movies.

1059
00:55:59,440 --> 00:56:01,799
Speaker 3: And for me, my schedule allows me to watch more

1060
00:56:01,840 --> 00:56:04,520
Speaker 3: TV than more movies in the same amount of time

1061
00:56:04,760 --> 00:56:05,960
Speaker 3: as it takes to watch a movie.

1062
00:56:06,000 --> 00:56:06,600
Speaker 1: You know what I'm saying.

1063
00:56:06,680 --> 00:56:09,279
Speaker 3: So for me, I'd go ahead and say that a

1064
00:56:09,320 --> 00:56:10,600
Speaker 3: TV is better than a movie.

1065
00:56:11,640 --> 00:56:14,120
Speaker 2: And Andy, I want to say that we really appreciate

1066
00:56:14,160 --> 00:56:17,640
Speaker 2: you doing whatever you needed to do in between the

1067
00:56:17,680 --> 00:56:20,520
Speaker 2: second and third questions so that we could actually get

1068
00:56:20,520 --> 00:56:22,960
Speaker 2: some content that's usable in this episode.

1069
00:56:23,040 --> 00:56:24,480
Speaker 1: We gave you I don't know if you notice, we

1070
00:56:24,560 --> 00:56:26,760
Speaker 1: gave you a lot of time between.

1071
00:56:26,880 --> 00:56:31,080
Speaker 2: Yeah, I appreciate that we intentionally used some sound drops

1072
00:56:31,080 --> 00:56:33,400
Speaker 2: that needed a little bit of explaining.

1073
00:56:33,640 --> 00:56:37,560
Speaker 1: And uh, and there was a pronounced tonal shift in

1074
00:56:37,600 --> 00:56:40,600
Speaker 1: your questions between the second one and the third one.

1075
00:56:40,640 --> 00:56:42,840
Speaker 1: The third one was very professional, Andy.

1076
00:56:42,640 --> 00:56:45,319
Speaker 4: Thank you great, Thank you appreciate it.

1077
00:56:45,320 --> 00:56:48,799
Speaker 1: I got my respect back. Lauren got her respect back.

1078
00:56:50,239 --> 00:56:51,600
Speaker 1: So do you want to say thank you. Do you

1079
00:56:51,600 --> 00:56:52,759
Speaker 1: want to say thank you to our guest?

1080
00:56:53,960 --> 00:56:57,080
Speaker 4: Thank you so much, Lauren. It is very nice talking

1081
00:56:57,080 --> 00:56:57,239
Speaker 4: to you.

1082
00:56:57,840 --> 00:56:58,239
Speaker 3: You too.

1083
00:56:58,400 --> 00:57:03,640
Speaker 1: Andy's built it back up. That's fast. That's a fast trigger.

1084
00:57:04,920 --> 00:57:08,319
Speaker 1: That's a fast trigger. You could hear, you could hear.

1085
00:57:09,000 --> 00:57:11,439
Speaker 1: You could hear him in the pause when he said

1086
00:57:11,440 --> 00:57:13,680
Speaker 1: it was really nice, it was really nice, and he's like,

1087
00:57:13,719 --> 00:57:14,640
Speaker 1: what was nice about it?

1088
00:57:14,640 --> 00:57:18,720
Speaker 2: And he goes talking to you and talking has never

1089
00:57:18,880 --> 00:57:22,120
Speaker 2: not meant talking so much as it did in this sentence.

1090
00:57:23,320 --> 00:57:28,480
Speaker 1: Oh my, you could hear him shuddering basically with the

1091
00:57:28,520 --> 00:57:34,600
Speaker 1: semen flowing back into his room into criminals, and hece,

1092
00:57:34,680 --> 00:57:38,120
Speaker 1: he's got you wound up. Now. Well, that was very

1093
00:57:38,200 --> 00:57:40,560
Speaker 1: technical the way I describe it as purely.

1094
00:57:40,320 --> 00:57:42,160
Speaker 2: Technical, it was very scientific.

1095
00:57:42,240 --> 00:57:45,280
Speaker 1: Yes, okay, bye Andy, Bye bye.

1096
00:57:45,080 --> 00:57:46,880
Speaker 4: Bye bye guys.

1097
00:57:49,120 --> 00:57:55,800
Speaker 1: Well well, sorry, yeah, Lauren, thank you that gat Thank

1098
00:57:55,840 --> 00:57:58,320
Speaker 1: you so much for coming on the show. And sorry

1099
00:57:58,360 --> 00:58:02,200
Speaker 1: we didn't have we weren't prepare with more questions for you,

1100
00:58:02,280 --> 00:58:05,320
Speaker 1: but we did try very hard. And would you have

1101
00:58:05,360 --> 00:58:08,280
Speaker 1: any stuff coming up that you'd like to to plug.

1102
00:58:09,760 --> 00:58:11,680
Speaker 1: I'm going to be on Comedy Ban Bang and I

1103
00:58:11,880 --> 00:58:19,640
Speaker 1: see the season. Okay, and now's coming back now we could.

1104
00:58:19,720 --> 00:58:21,320
Speaker 1: I mean, this is a good time to actually ask

1105
00:58:21,360 --> 00:58:24,520
Speaker 1: about the show. Yes, yes, yes, because we've been exploring

1106
00:58:24,640 --> 00:58:29,000
Speaker 1: like the podcast and like people like the games.

1107
00:58:28,880 --> 00:58:33,680
Speaker 2: Yes, and which we've been down that road, so we

1108
00:58:33,720 --> 00:58:34,880
Speaker 2: don't necessarily.

1109
00:58:34,600 --> 00:58:37,400
Speaker 1: We tried to do some of the games and trying

1110
00:58:37,400 --> 00:58:38,800
Speaker 1: to figure out what the deal is with them and

1111
00:58:38,840 --> 00:58:41,600
Speaker 1: the riddles and like that sort of thing.

1112
00:58:41,640 --> 00:58:43,720
Speaker 3: You know about it, and so you have tried to

1113
00:58:43,760 --> 00:58:45,680
Speaker 3: play some of the games that are on Comedy Bank.

1114
00:58:45,800 --> 00:58:47,560
Speaker 1: It's a popular show, it's a problic show.

1115
00:58:47,600 --> 00:58:49,760
Speaker 2: We'd love to do those numbers, but we don't want

1116
00:58:49,760 --> 00:58:53,240
Speaker 2: to have to get down in the gutter to do

1117
00:58:53,320 --> 00:58:53,760
Speaker 2: it right.

1118
00:58:53,800 --> 00:58:55,800
Speaker 1: And is this what people like? Is like you know,

1119
00:58:55,840 --> 00:58:58,400
Speaker 1: we're just trying to reverse engineer it to see like

1120
00:58:58,480 --> 00:58:58,880
Speaker 1: what is.

1121
00:58:58,840 --> 00:59:01,760
Speaker 2: This we'd like to understand. Yes, what's happening.

1122
00:59:01,960 --> 00:59:05,400
Speaker 3: People need games they relate and they can play along

1123
00:59:05,480 --> 00:59:06,200
Speaker 3: and it's fun.

1124
00:59:06,480 --> 00:59:09,640
Speaker 2: Okay, they can't play along to the games that we've

1125
00:59:09,680 --> 00:59:10,520
Speaker 2: heard mentioned.

1126
00:59:10,360 --> 00:59:13,960
Speaker 1: Talk over them. You're playing along, okay, and that must

1127
00:59:14,000 --> 00:59:14,400
Speaker 1: be what all.

1128
00:59:14,560 --> 00:59:16,360
Speaker 2: So you need to be making something where the intent

1129
00:59:16,480 --> 00:59:18,760
Speaker 2: is not that anyone listens, but just that it's sort

1130
00:59:18,760 --> 00:59:22,240
Speaker 2: of kickstarts a conversation among the people.

1131
00:59:22,600 --> 00:59:24,720
Speaker 1: And so on the show, are they still doing this

1132
00:59:24,920 --> 00:59:26,640
Speaker 1: like the same stuff with like on.

1133
00:59:26,600 --> 00:59:27,240
Speaker 3: A TV show.

1134
00:59:27,640 --> 00:59:30,840
Speaker 1: Yeah, yeah, they're doing the games and like.

1135
00:59:30,840 --> 00:59:33,800
Speaker 3: No games, Okay, they do sketches and then they talk

1136
00:59:33,880 --> 00:59:36,840
Speaker 3: to people on the couch and I'm it's characters.

1137
00:59:37,120 --> 00:59:38,440
Speaker 1: It's the same. It's the guy.

1138
00:59:38,520 --> 00:59:40,000
Speaker 3: It's that guy, Scott Akerman.

1139
00:59:39,800 --> 00:59:43,480
Speaker 2: Now yeah, right, skoy anchorman.

1140
00:59:43,440 --> 00:59:47,200
Speaker 1: Sitch Anchorman, right, okay. And is he doing like a

1141
00:59:47,200 --> 00:59:49,160
Speaker 1: different thing or is it like the same, like it's

1142
00:59:49,240 --> 00:59:49,520
Speaker 1: just me.

1143
00:59:50,200 --> 00:59:52,520
Speaker 3: Usually he'll be himself or he'll be himself in a

1144
00:59:52,520 --> 00:59:53,880
Speaker 3: costume okay.

1145
00:59:54,080 --> 00:59:54,280
Speaker 4: Yeah.

1146
00:59:54,960 --> 00:59:57,600
Speaker 1: Yeah, and people like this and they like this, we

1147
00:59:57,640 --> 00:59:58,880
Speaker 1: can't do the costume thing here.

1148
00:59:59,120 --> 01:00:01,880
Speaker 3: No, on the podcast, he doesn't wear a costume.

1149
01:00:02,560 --> 01:00:02,800
Speaker 1: Yeah.

1150
01:00:02,920 --> 01:00:06,960
Speaker 2: Well okay, I'm just trying to figure it out. Like, yeah,

1151
01:00:07,640 --> 01:00:11,360
Speaker 2: it's just been a long road of it's upsetting. I

1152
01:00:12,440 --> 01:00:14,800
Speaker 2: wouldn't stay upsetting because I don't care enough that it

1153
01:00:14,800 --> 01:00:15,720
Speaker 2: can actually upset me.

1154
01:00:16,120 --> 01:00:18,439
Speaker 1: Yeah, but but it's interesting to see like what, yes,

1155
01:00:18,520 --> 01:00:21,400
Speaker 1: what people are interested in is like from a scientific perspective,

1156
01:00:21,400 --> 01:00:22,520
Speaker 1: like how is this happening?

1157
01:00:23,160 --> 01:00:26,280
Speaker 3: So what you need, and I'll tell you now is

1158
01:00:26,320 --> 01:00:29,160
Speaker 3: to just do your whole show like their show.

1159
01:00:29,640 --> 01:00:33,560
Speaker 1: And that that is an interesting idea, but it's like

1160
01:00:34,440 --> 01:00:37,240
Speaker 1: just steal that and do that. There's like a you

1161
01:00:37,320 --> 01:00:39,400
Speaker 1: have to choke a little back to do that, you

1162
01:00:39,440 --> 01:00:39,960
Speaker 1: know what I mean?

1163
01:00:40,360 --> 01:00:41,400
Speaker 3: I'd say just copy it.

1164
01:00:41,400 --> 01:00:43,959
Speaker 1: I don't know how he does it, to be honest, he.

1165
01:00:44,160 --> 01:00:47,720
Speaker 3: I will say he hates the whole experience from top

1166
01:00:47,760 --> 01:00:49,680
Speaker 3: to bottom with the TV show and the podcast.

1167
01:00:49,720 --> 01:00:52,040
Speaker 1: He's very, very upset the whole time. Oh, I don't

1168
01:00:52,080 --> 01:00:52,440
Speaker 1: doubt it.

1169
01:00:52,560 --> 01:00:55,320
Speaker 3: Yeah, and he's just texting and he's not a part

1170
01:00:55,320 --> 01:00:55,840
Speaker 3: of it really.

1171
01:00:55,760 --> 01:00:59,240
Speaker 2: See it seems like a bright guy. Yeah yeah, yeah, So.

1172
01:01:00,120 --> 01:01:02,240
Speaker 1: Good luck with that. I mean, we're good for you.

1173
01:01:02,480 --> 01:01:03,160
Speaker 1: I already did it.

1174
01:01:03,200 --> 01:01:07,200
Speaker 3: I got paid, so okay, nice and you know that

1175
01:01:07,320 --> 01:01:11,400
Speaker 3: stand game crass Nope, Well.

1176
01:01:13,840 --> 01:01:19,200
Speaker 1: Again, thanks so thanks for coming on the show. And

1177
01:01:19,760 --> 01:01:22,920
Speaker 1: will I be getting a paycheck for this? And everybody

1178
01:01:23,040 --> 01:01:26,560
Speaker 1: rate us on iTunes and please do like us on Facebook.

1179
01:01:26,640 --> 01:01:29,080
Speaker 3: I signed a contract here. I don't see the information

1180
01:01:29,160 --> 01:01:30,320
Speaker 3: for my fee and.

1181
01:01:30,240 --> 01:01:34,600
Speaker 2: The mission remains by the by May twenty fifteen, we

1182
01:01:34,640 --> 01:01:37,280
Speaker 2: want to be the second least popular podcast on here.

1183
01:01:37,600 --> 01:01:39,640
Speaker 3: Two thousand dollars every time I go on.

1184
01:01:40,360 --> 01:01:41,280
Speaker 1: So please do.

1185
01:01:43,040 --> 01:01:46,120
Speaker 2: Convince your friends or trick them or do anything you

1186
01:01:46,200 --> 01:01:48,040
Speaker 2: have to do, whether it's I don't care if it's

1187
01:01:48,120 --> 01:01:50,560
Speaker 2: real or not that we look more popular. I just

1188
01:01:50,600 --> 01:01:52,600
Speaker 2: want it to happen. And I would say, as of

1189
01:01:52,680 --> 01:01:54,479
Speaker 2: right now, we were not we are not on.

1190
01:01:54,480 --> 01:01:57,360
Speaker 1: Pace to meet that you said May fifteen. Yes, yes,

1191
01:01:57,440 --> 01:01:59,880
Speaker 1: it's so we're going to need quite a significant uptake

1192
01:02:00,040 --> 01:02:03,800
Speaker 1: to become uptick to become the least popular secondary podcast

1193
01:02:03,880 --> 01:02:05,160
Speaker 1: on your Wolf by that point.

1194
01:02:05,480 --> 01:02:08,200
Speaker 3: Uh So none of us are going to go until

1195
01:02:08,320 --> 01:02:09,480
Speaker 3: you guys write me at Jack.

1196
01:02:12,280 --> 01:02:15,600
Speaker 1: Thanks for buying the pro version? Who?

1197
01:02:15,920 --> 01:02:17,680
Speaker 2: Uh who did it?

1198
01:02:18,600 --> 01:02:23,520
Speaker 1: Who? Who bought the pro version this week? I think

1199
01:02:24,240 --> 01:02:27,280
Speaker 1: zing is that an you think you pronounced it? Z

1200
01:02:27,560 --> 01:02:32,000
Speaker 1: s I n J E HINGJ about the pro version

1201
01:02:32,040 --> 01:02:35,560
Speaker 1: this week? And his prize is uh, he's going to

1202
01:02:35,600 --> 01:02:38,200
Speaker 1: get to be a producer for what like once in

1203
01:02:38,240 --> 01:02:41,440
Speaker 1: a lifetime opportunity to be a producer on a podcast.

1204
01:02:42,200 --> 01:02:45,200
Speaker 1: And all that that involves is like you know, when

1205
01:02:45,200 --> 01:02:53,280
Speaker 1: you're a producer, you make arrangements aspect compensation, business dealings

1206
01:02:53,600 --> 01:02:54,240
Speaker 1: and where.

1207
01:02:54,120 --> 01:02:59,800
Speaker 2: He's gonna get Lauren's contact info them yesing on it

1208
01:03:00,040 --> 01:03:02,040
Speaker 2: and the two of you will work that at hammer

1209
01:03:02,080 --> 01:03:03,520
Speaker 2: on details that'd be perfect.

1210
01:03:03,920 --> 01:03:13,760
Speaker 3: Bye bye, Bye.

1211
01:03:16,640 --> 01:03:19,600
Speaker 5: This has been an Earwolf Media production. Executive producers Jeff

1212
01:03:19,680 --> 01:03:32,080
Speaker 5: Ulrick and Scott Ackerman. For more information, visit earwolf dot com.

1213
01:03:27,400 --> 01:03:38,040
Speaker 1: Ear Warf Radio, Boom dot com, The worf Dead