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Speaker 1: So I know everyone. You know, everyone wants to talk

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Speaker 1: about the show.

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Speaker 2: Of course it.

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Speaker 3: Must be so boring for you, and like it's boring.

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Speaker 1: I don't want to talk about it either.

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Speaker 2: I don't want to talk about it at all. I

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Speaker 2: won't talk about it. Heys, try to talk to me

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Speaker 2: about the show.

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Speaker 1: Hey, so there's this amazing show.

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Speaker 4: Get away from me, Okay, get away.

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Speaker 3: I really tried to sell it.

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Speaker 1: My arm is popped out.

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Speaker 2: Oh no, that's real. Are you okay?

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Speaker 1: Well?

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Speaker 2: Can we do anything?

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Speaker 1: Yeah, I'm okay. It's back in. I'm sorry, don't cut

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Speaker 1: just leave it all in there.

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Speaker 3: This is I might throw up journey. Yeah, I might

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Speaker 3: throw up.

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Speaker 1: Sometimes you throw It's been a long time since it

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Speaker 1: comes out, and if it comes out again, here's what

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Speaker 1: we all need to do.

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Speaker 3: Okay, usher me over to this table, and.

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Speaker 1: This is going to be you, James, Okay, okay, just

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Speaker 1: sort of over, just sort of usher me over.

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Speaker 4: That that language, I think we could get even clearer,

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Speaker 4: Like is James grabbing your hips and putting your butt

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Speaker 4: on the table, Like, how are you being.

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Speaker 2: Ushered to the table?

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Speaker 5: Doesn't feel usher? That doesn't feel like ushering table?

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Speaker 4: Well, I don't well his arm is out, so like,

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Speaker 4: ushering to me actually is probably taking someone by the

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Speaker 4: arm and guiding them.

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Speaker 2: And I know that's not what you want.

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Speaker 5: And you'd have to talk in an old lady voice

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Speaker 5: and i'd have to have a little flashlight.

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Speaker 1: Mm hm for you to feel comfortable ushering. Yes, actually, yeah,

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Speaker 1: I want you to. I'm not going to be in

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Speaker 1: the moment where I can direct the scene.

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Speaker 2: Be careful, be careful, tell.

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Speaker 3: That's what I do. But normally I'm the host.

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Speaker 1: Hey, be careful.

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Speaker 4: Telling him to usher you anywhere, because he has a

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Speaker 4: bag of impressions that is very deep.

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Speaker 2: So you like say like, hey, can you usher me

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Speaker 2: over here?

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Speaker 4: And he does, Hey, you make me want to be

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Speaker 4: the one, and he'll start doing these dance moves.

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Speaker 2: Has spin this chair around and sit on the chick.

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Speaker 5: Yeah, everybody ever always wants me to do usher.

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Speaker 2: They've been ask you to do usher on the show.

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Speaker 1: Yeah, and it's been and it's.

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Speaker 2: I don't want to talk about the show.

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Speaker 5: No, I can't talk about the show. Here's what I'll

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Speaker 5: talk about. I will say that we should probably come

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Speaker 5: up with a different name for the prestigious producer of

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Speaker 5: the show to avoid a legal horn. Okay, so this

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Speaker 5: is sort of just sort of an open industry secret,

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Speaker 5: is that they had been looking for someone to play

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Speaker 5: usher since about nineteen ninety eight, nineteen ninety nine.

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Speaker 2: Yeah, an obsession of porn bikeles.

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Speaker 5: I've I had heard through the grapevine.

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Speaker 1: You know, way before I ever.

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Speaker 5: Got to the show, I knew that they were looking

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Speaker 5: for an usher, and so I started chipping away at it,

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Speaker 5: you know, And not to sound pretentious, but it really

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Speaker 5: is like I am Rodan and I've got a big

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Speaker 5: marble block.

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Speaker 1: Yeah, I've got a chisel and I got it.

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Speaker 2: That doesn't sound pretentious to me.

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Speaker 5: You don't think that sounds because that's the only thing

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Speaker 5: that fits to you.

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Speaker 2: You have to honor the process.

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Speaker 4: And it's like, I'm trying to think of what else

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Speaker 4: you could even use to describe it that would give

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Speaker 4: someone an idea.

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Speaker 1: And while it's the big Marvel block, it could be anything, it.

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Speaker 5: Could be anything. And for one minute, you know, I'm

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Speaker 5: you know, I'm it could be it could be a Farina,

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Speaker 5: it couldna it could be it could be Leslie Nielsen,

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Speaker 5: it could be it could be Joe Pantaliano. Yeah, and

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Speaker 5: I just have to keep chipping away at that. I'll

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Speaker 5: take a I'll take a piece from Joe Pantaliano. I'll

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Speaker 5: take a I'll take a piece from Enrico COLINTONI dash of.

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Speaker 1: And it's dash of who Kathy Bates?

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Speaker 5: I have. I have strict sort of voices rule, Yeah,

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Speaker 5: because I want to leave that open.

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Speaker 1: To I guess you consider yourself more of a mister Bates. Also,

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Speaker 1: I knowsed you did. You asked for a suggestion for

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Speaker 1: the guy's name, and we both gave you what wait

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Speaker 1: of whose name that you couldn't say is real name?

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Speaker 1: I can't ask for a suggestion. We suggested porn bike holes. Yeah,

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Speaker 1: I noticed you haven't used it at all.

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Speaker 4: Yeah, it's like you needed the name, but then what

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Speaker 4: did you need it for?

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Speaker 2: Making use of the name we provided, which I had

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Speaker 2: to say, is pretty strong.

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Speaker 5: Okay, I didn't say the name, and I haven't said

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Speaker 5: a title of show. And I've been I you know,

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Speaker 5: under the deal worked out between Fran and Duncan and

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Speaker 5: the AMPTP. I've been given sort of a list of

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Speaker 5: ways that I can speak about some of these things, okay,

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Speaker 5: And so I'm allowed to say the creator and I'm

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Speaker 5: allowed to say title of broadcast show. I'm not allowed

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Speaker 5: to say the real give and take it away, So creator,

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Speaker 5: even if we talk about porn, porn, bike holes and all.

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Speaker 2: That, well, and I'm happy to hear you use the

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Speaker 2: name at long.

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Speaker 1: Last, Like even if I were to do that, I

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Speaker 1: had to summon a lot of what kind of what

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Speaker 1: remains of my strength to come up with this guy.

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Speaker 2: We still to the injury if this guy.

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Speaker 1: We haven't even established. If it happens again like once again,

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Speaker 1: right now, I'm the host, right, yeah, but you are

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Speaker 1: going to have to take over a lot.

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Speaker 3: Of the hosting role.

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Speaker 1: If my shoulder pops out of its socket again, I

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Speaker 1: can't have.

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Speaker 3: To usher over the table.

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Speaker 2: I can't be that.

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Speaker 1: Put me face down on the table, and you asked

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Speaker 1: where should I sit? And Kevin put you here, And

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Speaker 1: normally you're you're supposed to have him agree. It's like

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Speaker 1: on an airplane that he is at some point maybe

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Speaker 1: gonna have to step in if I get hurt.

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Speaker 4: In case of an urgency, Hayes's arm pomps out. We

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Speaker 4: need to know that you're capable of ushering him over

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Speaker 4: to this table, down on the table, yeah.

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Speaker 5: And then sing a little bit of Confessions Part two.

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Speaker 2: Mm hmmm. I think that's what we're gonna need.

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Speaker 5: I see, this is what I do in my stand

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Speaker 5: up is I delay the big voices to the very end,

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Speaker 5: about the last three four seconds of the show. Okay,

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Speaker 5: I'd really like to leave.

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Speaker 1: Them one thing.

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Speaker 5: So I think we might get around to that usher.

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Speaker 1: Yeah.

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Speaker 2: Actually, that's got me. That's going to keep me plugged

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Speaker 2: into this show because I do drift off.

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Speaker 1: Yeah.

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Speaker 4: I do have a tendency to kind of drift away.

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Speaker 4: Just let the show kind of wash over.

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Speaker 1: Me, so we don't we don't have to talk about

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Speaker 1: the show. I mean, I just have one one question

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Speaker 1: that I think a lot of people probably ask you.

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Speaker 5: A lot about broadcast comedy program Yeah.

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Speaker 1: Not about the program, So like you do live television? Yeah, yeah,

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Speaker 1: I can say that. Yeah.

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Speaker 3: Do you have so you're like you're doing the show?

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Speaker 1: Yeah? Yeah, yeah.

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Speaker 3: Do you ever.

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Speaker 2: Are you not doing it?

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Speaker 1: No? No, he has, But when you have done it,

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Speaker 1: when you have done it in the past, if you

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Speaker 1: even like, if you like remember, if you remember, have

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Speaker 1: you do you? Are you ever just like feeling horny

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Speaker 1: while you're doing it?

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Speaker 4: Like yea, I was going to the same question and

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Speaker 4: it's a different phrasing a little bit.

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Speaker 1: Are you hard as well? So this is actually I

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Speaker 1: didn't Yeah, I actually wanted to say somethimes like you

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Speaker 1: necessarily like have a boner just when horn while you're

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Speaker 1: doing the show? Are you ever just doing it? And

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Speaker 1: like because it's live, so could people be watching you

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Speaker 1: and just like no at home, not like he has

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Speaker 1: a boner or something, but possible.

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Speaker 4: Let's not take it off the table though he doesn't

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Speaker 4: have to. They're mutually exclusive, yeah, but they don't have

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Speaker 4: to be.

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Speaker 1: They don't know. It's not mutually. It's not I said,

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Speaker 1: not necessarily like he has an or something. But people

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Speaker 1: are like watching it home. Could it be possible that

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Speaker 1: they're watching you and being like he's horny sometimes doing

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Speaker 1: the show? They like tell their friends like I actually

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Speaker 1: learned piece of trivia that he's sometimes, you know, horny

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Speaker 1: when he's doing the show. Or is there a mechanism

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Speaker 1: where you're like, hey, can we do mine later or

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Speaker 1: something like when do you.

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Speaker 4: Move and shovel the sketches around where it's just like

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Speaker 4: I think I'll be a little less horny probably in

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Speaker 4: the whatever I b block or you know, I don't

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Speaker 4: know how you separate those.

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Speaker 1: Yeah, you know, it's the sort of I would such

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Speaker 1: a good question.

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Speaker 2: Let's say, good question.

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Speaker 4: Let's get that out of the way, because I don't

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Speaker 4: want to blow past no no, no no, I'm just trying

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Speaker 4: kind of our contribution.

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Speaker 2: Obviously, the answer I hope is is as good.

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Speaker 1: Well.

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Speaker 5: Here's the thing is that I always get asked the

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Speaker 5: same questions about the show. Yeah, and this is it's

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Speaker 5: not the first time that I've gotten this question.

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Speaker 2: No oh, no, no one.

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Speaker 3: And honestly I forgot to.

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Speaker 5: Ask the first time around when I came on the show.

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Speaker 1: You I forgot. Yeah.

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Speaker 2: I think I d off during that episode. I mean

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Speaker 2: that was a classic one where I was just kind

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Speaker 2: of somewhere else.

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Speaker 1: Man, I don't remember either of you two being there.

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Speaker 1: I was definitely there. And I know because a lot

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Speaker 1: of people were pissed at me afterwards. We're not a question.

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Speaker 5: Yeah, I would say that because the show is I mean,

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Speaker 5: first of all, writers first, writers first, and.

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Speaker 4: We are nothing without those I say that as someone

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Speaker 4: has nothing to do with the entertainment industry.

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Speaker 5: Yeah, we're nothing without those writers. And the show is

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Speaker 5: very right or focused. And if it is in the cards.

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Speaker 5: You know, we have to go to.

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Speaker 2: Find a way to transmind right through the.

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Speaker 5: Camera and through the power of performance. Yeah, find a

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Speaker 5: way too. Body.

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Speaker 4: I know not everyone watches the video what he did

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Speaker 4: with his body when he said performance. There was a

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Speaker 4: change in posture and there was this sort of opening

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Speaker 4: up and you were talking about trying to transmit with

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Speaker 4: on the cart James, this was just a moment ago and.

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Speaker 2: You were able to sort of reveal yourself.

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Speaker 4: There was a more vulnerable stance that you took and

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Speaker 4: you kind of palms out, you know, arm splayed and

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Speaker 4: just present it and just presented to me. And I felt, Wow,

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Speaker 4: this guy's trying to send.

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Speaker 2: Me something, send me some energy.

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Speaker 4: And it was really beautiful and it was just on

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Speaker 4: the word performance. And I say, I don't know if

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Speaker 4: it's training. I don't know if it's the you know,

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Speaker 4: the horniness that's all bottled up from not.

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Speaker 2: Being able to take the stage and it's coming out here.

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Speaker 4: But it was powerful answer if that happens.

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Speaker 2: But it was really powerful here in the room.

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Speaker 5: Yeah, thank you for saying that. And to get that

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Speaker 5: kind of acknowledgment is it's really hard to come by.

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Speaker 5: I would say in the New York style sketch comedy, yes, yes,

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Speaker 5: people are people can be very withholding. I think in

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Speaker 5: New York's sketch comedy circles and it's all in here,

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Speaker 5: it's all in. It's all tucked in, tucked in.

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Speaker 2: And when they've.

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Speaker 4: Got their cigarettes, so they've got their arm across their

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Speaker 4: chest and they're smoking the cigarette on the opposite side

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Speaker 4: of their mouth, and its closing off.

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Speaker 5: You know, because you guys know that I was here

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Speaker 5: for ten years and I'm from the South, and obviously

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Speaker 5: performers in the way theater works and comedy works in

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Speaker 5: the South is totally different from out here.

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Speaker 1: But I would cigarettes and wide open like a hugging stand,

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Speaker 1: bring the hand close like this, you started to hug

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Speaker 1: and then you bring the hand close to smoke the cigarette.

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Speaker 5: Like a like a like a warm up before a

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Speaker 5: sketch show in Middle Tennessee, would.

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Speaker 1: You're like a doll that the boy just walked into

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Speaker 1: the room and you have to pretend to be a

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Speaker 1: be a doll.

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Speaker 5: To blend in with the other toys that aren't as

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Speaker 5: animated as you.

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Speaker 1: I was.

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Speaker 2: I wasn't moving around. I've been a doll just like

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Speaker 2: everyone else in here.

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Speaker 5: And then I came to lay in nineteen nineteen ninety

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Speaker 5: nine and Sees thirty eight ninety nine. I came to

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Speaker 5: LA and I had to learn a completely different approach

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Speaker 5: and like, okay, I feel like we need to give

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Speaker 5: people context. So yeah, So I played Tavia and Fiddler

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Speaker 5: for fifteen years at Tennessee Rep. Then I came to

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Speaker 5: LA to get into the old comedy stand up scene,

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Speaker 5: and through just friends of friends of friends, I ended

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Speaker 5: up playing Tavia at Pantas just for like ten years.

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Speaker 1: Yeah.

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Speaker 2: Every time twenty five years of Tavia, you know, and

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Speaker 2: it's and it's different.

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Speaker 4: In LA.

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Speaker 2: It's oh, it's the same show.

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Speaker 4: No, no, really really yeah, it better not be actually,

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Speaker 4: because yeah, the audience will feel that.

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Speaker 5: They would notice. I feel like, yeah, everyone's in the industry.

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Speaker 5: People would notice in La if if I were doing

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Speaker 5: Tavia in the Southeastern style, and so I really had

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Speaker 5: to adjust that. And everybody wants me to do the

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Speaker 5: voice all the time. They're always like, please do Taviava.

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Speaker 1: Yeah.

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Speaker 2: I was I was hoping when you said you saved

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Speaker 2: the big voices for the end of the show.

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Speaker 5: That we might get a little maybe a little tavy

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Speaker 5: at the end, and and I'm you know, the strike

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Speaker 5: ended so many projects. And of course there's the big show.

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Speaker 1: Porn that I do and.

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Speaker 5: Sorry the creator, and the big thing I was gearing

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Speaker 5: up to, because you know, everybody goes and does their

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Speaker 5: stuff the summer. The big thing that I was gearing

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Speaker 5: up for was in fact a film to Fiddler.

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Speaker 1: Oh wow, to go back and in the water. It's

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Speaker 1: dead in the water. Yeah yeah, because like the version

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Speaker 1: I feel like you're famous for is it's La Tabya.

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Speaker 2: Who is like a team he's a teen influencer.

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Speaker 1: Yeah right, he's sort of like guy yeah yeah. And

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Speaker 1: and and even by the time you came out here,

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Speaker 1: I think people were like, Okay, he's been doing this

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Speaker 1: convincingly for a long time, but at what point is this, like, well,

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Speaker 1: when I had to get a hot teenage It's strange.

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Speaker 4: It's strange, right, because, yeah, the conception was that he's

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Speaker 4: selling tummy tea, he's up, he's hanging out with other

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Speaker 4: young teens, and it was and.

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Speaker 5: Of course worried about the Russians making everyone relocate.

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Speaker 2: Oh god, I know that we don't lose I mean.

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Speaker 4: But it's I mean, for me, it really hits harder

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Speaker 4: to like have a sense of this person's life. And

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Speaker 4: there you before before we get that existential dread that

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Speaker 4: comes in the.

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Speaker 1: Big vape battery. Yeah, and uh so I was.

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Speaker 5: I was getting back into that zone. And of course

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Speaker 5: the thing that ended my run was getting the big show.

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Speaker 5: But a lot of people don't know this. I had

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Speaker 5: to get both knees replaced. So when I was sort

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Speaker 5: of triggered when your arm popped out because I'm going

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Speaker 5: through the exact same.

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Speaker 1: Thing with sorry, yeah and jesus Chzy, it's the final

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Speaker 1: I am so so to do that.

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Speaker 5: So you guys, I mean there's this famous sequence in

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Speaker 5: the LA staging of Fiddler during If I Were a

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Speaker 5: rich Man where I do the nine hundred yeah, which

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Speaker 5: you know, Tony Hawk was the first person to do it.

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Speaker 5: A lot of people have done it since I had

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Speaker 5: to do that every night yea as Teba in the

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Speaker 5: LA staging of Fiddler. Yeah, and even when we took

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Speaker 5: it up to s f E, when we took it

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Speaker 5: up to Seattle, even when we went up to Vancouver.

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Speaker 1: You know, yeah, how many times there one percentage of

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Speaker 1: the time would you say, like you pulled it off

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Speaker 1: like full and like, I know you have different versus

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Speaker 1: like you would get up and say I, like I

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Speaker 1: did it. That counts, yes for a bunch where I I.

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Speaker 4: I attended a handful of performances where if I, if

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Speaker 4: you had not said that, I would have thought that

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Speaker 4: you didn't do.

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Speaker 2: Its what I I would have been? I think I

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00:16:32,120 --> 00:16:33,920
Speaker 2: at one point turned to Hayes and said he did

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Speaker 2: not do it all right, at.

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Speaker 3: Least that that shouldn't count. That should not count.

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Speaker 5: There are off nights, and of course after the full

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Speaker 5: you know, double knee replacement, it ended up being forty

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Speaker 5: some nights.

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Speaker 1: Seven.

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Speaker 2: Well, what I saw was you didn't even leave the ground,

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Speaker 2: So I don't know how much of the number.

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Speaker 3: You were seriously, but I don't think it was even

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Speaker 3: a nine. I don't think you got all the way there.

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Speaker 1: No, it did not. Yeah, Okay, look, okay, I don

348
00:17:02,320 --> 00:17:05,520
Speaker 1: thing either came off the ground. Yeah I don't.

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Speaker 4: I spot it in somewhere around two twenty and it's

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Speaker 4: just like just like you know, like a three quarter turn,

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Speaker 4: but slow and not and not in.

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Speaker 1: The air, and the band is like clearly has a

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Speaker 1: new way of handling this, like they've talked about like

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Speaker 1: repeating that one section long enough for you to like.

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Speaker 5: Well, it's a three piece band. It's it's it's a

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Speaker 5: tight group of guys, right, and it's in, you know,

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Speaker 5: to match with the youth. It's in like a pop punk,

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Speaker 5: like a post hardcore style.

359
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Speaker 1: Yes.

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Speaker 5: And so they're watching me and I'm watching them the

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Speaker 5: entire time that during this the skateboarding dream sequence, and

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00:17:47,320 --> 00:17:49,960
Speaker 5: it was just it was post pandemic. I mean we

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Speaker 5: had to stop for like, yeah, six seven days, like

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Speaker 5: in twenty twenty. Sure yea to not be doing it

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Speaker 5: every night, going dark And I said, where do I live?

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Speaker 2: Like what is this city?

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Speaker 6: Like?

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Speaker 4: We're just like totally ruled by fear, consumed by fear,

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Speaker 4: and it's taken everything, even our art.

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Speaker 1: Yeah, And there was a sharp uptick and violent crime

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Speaker 1: after that.

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Speaker 5: I would say that not mounting our pop punk fiddler

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Speaker 5: directly contributed to the violent crime, to the sharpness.

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Speaker 2: I know some of the stuff I did, Yeah, because

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Speaker 2: I couldn't be inside.

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Speaker 1: The theater, something about seeing It's not like I was

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Speaker 1: necessarily going gonna go out and do violence, but I was.

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00:18:31,080 --> 00:18:38,040
Speaker 1: My appetite for blood was satisfied for sure, Like if

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00:18:38,080 --> 00:18:40,320
Speaker 1: I had been, I would no longer be and I

380
00:18:40,440 --> 00:18:44,879
Speaker 1: was even less interested after seeing my like some of

381
00:18:44,960 --> 00:18:46,800
Speaker 1: the stuff that you did up there, well, thank you.

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00:18:47,040 --> 00:18:51,000
Speaker 5: Yeah, so you're saying that my performance prevented crime in

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Speaker 5: LA for a number of weeks, except for.

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Speaker 4: Yeah, except for that, except for seven days when I

385
00:18:56,040 --> 00:18:59,639
Speaker 4: when it had become sort of almost a necessary medician.

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Speaker 5: I got to say right now, just for everybody listening,

387
00:19:01,640 --> 00:19:04,000
Speaker 5: that it's not just about my performance. I'm up there

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00:19:04,040 --> 00:19:07,960
Speaker 5: with Catherine McPhee, I'm up there with I'm up there

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Speaker 5: with Katie Hudson.

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Speaker 1: I mean this was like Katie mcpe and Catherine Hudson.

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00:19:14,440 --> 00:19:16,320
Speaker 2: And from different worlds.

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00:19:16,359 --> 00:19:18,720
Speaker 1: Yeah, you know, there's kind of everybody.

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Speaker 5: Everybody goes off to their little spots, you know, Yeah,

394
00:19:22,040 --> 00:19:25,200
Speaker 5: goes back to the Palisades and you know Laurel and

395
00:19:25,680 --> 00:19:27,359
Speaker 5: and uh, you know, three.

396
00:19:27,280 --> 00:19:30,720
Speaker 1: Cabs after the show, Yeah, three caps.

397
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Speaker 5: Well I have three cabs in the lobby and then

398
00:19:32,160 --> 00:19:34,440
Speaker 5: I get in the and I guess getting an uber

399
00:19:35,000 --> 00:19:35,720
Speaker 5: cabs have but.

400
00:19:37,200 --> 00:19:38,120
Speaker 2: Three cabernets.

401
00:19:38,880 --> 00:19:41,159
Speaker 5: But it's been it's been a long journey and I

402
00:19:41,240 --> 00:19:43,520
Speaker 5: can't tell you it's like I'm living my dream. I

403
00:19:43,560 --> 00:19:46,480
Speaker 5: get to be on the show on the biggest broadcast

404
00:19:46,520 --> 00:19:49,000
Speaker 5: sketch comedy show, Amazing.

405
00:19:48,800 --> 00:19:52,360
Speaker 2: Yeah, the basis for Curtis Sittenfeld's Night Owls.

406
00:19:52,760 --> 00:19:53,000
Speaker 1: Yeah.

407
00:19:53,840 --> 00:19:56,680
Speaker 2: I mean, I said, I found some comparisons.

408
00:19:56,040 --> 00:19:58,280
Speaker 1: For certain I don't. I don't.

409
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Speaker 5: I wouldn't compare the two.

410
00:19:59,800 --> 00:20:03,399
Speaker 4: You think they're Yeah, yeah, I guess they're different. I

411
00:20:03,440 --> 00:20:07,040
Speaker 4: guess they're different. They are different.

412
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Speaker 1: They're really different to me. Yeah.

413
00:20:09,160 --> 00:20:12,600
Speaker 5: Yeah, And that's okay because you because you because you

414
00:20:12,640 --> 00:20:13,320
Speaker 5: don't know what it's.

415
00:20:13,280 --> 00:20:16,440
Speaker 2: I have no fucking idea, man, I mean, and you can't.

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00:20:16,280 --> 00:20:18,400
Speaker 5: Know unless you were a part of it. And that's

417
00:20:18,400 --> 00:20:21,440
Speaker 5: what makes being a part of this sort of brotherhood

418
00:20:21,520 --> 00:20:23,280
Speaker 5: or family.

419
00:20:23,280 --> 00:20:25,119
Speaker 2: Uhu of the family.

420
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Speaker 1: Yeah, don't look at me. Just let me know when

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Speaker 1: I need to help you out.

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Speaker 4: Hollywood.

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Speaker 6: This week on the Patreon, the Boys workshops some exciting

424
00:20:38,400 --> 00:20:41,560
Speaker 6: new merch On the pro Version, Sean talks to Goldie

425
00:20:41,600 --> 00:20:44,360
Speaker 6: Sharp and Alex Sulkin about the movie My Favorite Year.

426
00:20:44,520 --> 00:20:47,800
Speaker 6: On subtitles on and the Flager Ones are mostly talking

427
00:20:47,960 --> 00:20:51,200
Speaker 6: all things basketball. Plus see a Hollywood Handbook. Live and

428
00:20:51,320 --> 00:20:54,520
Speaker 6: live streaming show at the Dynasty Typewriter in Los Angeles

429
00:20:54,760 --> 00:20:58,480
Speaker 6: August twenty ninth, with special guests Claudia Doherty. The ticket

430
00:20:58,560 --> 00:21:01,119
Speaker 6: link is in the episode description. Check out all these

431
00:21:01,160 --> 00:21:04,239
Speaker 6: shows and the video for today's episode with James at

432
00:21:04,320 --> 00:21:06,440
Speaker 6: patreon dot com Slash the Flagrant once.

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Speaker 1: So did we set that? We did establish that? You

434
00:21:14,240 --> 00:21:16,600
Speaker 1: ushered me over to the table. Basically, I need the

435
00:21:16,680 --> 00:21:20,560
Speaker 1: shoulder to be off the edge of the table, you

436
00:21:20,640 --> 00:21:22,920
Speaker 1: know what I mean, the shoulders hanging off the edge,

437
00:21:23,560 --> 00:21:27,639
Speaker 1: and then take your shoe off and put your foot.

438
00:21:28,040 --> 00:21:31,119
Speaker 1: I'm not going to do that. You have to, Jeames,

439
00:21:31,280 --> 00:21:34,720
Speaker 1: you have to do it. Put your foot on the shoulder.

440
00:21:35,240 --> 00:21:38,840
Speaker 1: Don't push it down, but just kind of like rest

441
00:21:38,960 --> 00:21:42,159
Speaker 1: it on the on the on the shoulder until I and.

442
00:21:42,359 --> 00:21:46,000
Speaker 4: Even if I like, he needs pressure but not weight, Yeah, exactly,

443
00:21:46,280 --> 00:21:49,000
Speaker 4: yes there, And if you put weight on it, that's

444
00:21:49,040 --> 00:21:49,840
Speaker 4: going to be really bad.

445
00:21:50,040 --> 00:21:51,040
Speaker 3: You can't can't.

446
00:21:51,440 --> 00:21:53,160
Speaker 2: If there's no pressure on it, that's worse.

447
00:21:53,240 --> 00:21:54,560
Speaker 1: You have to be able to hold it there.

448
00:21:54,720 --> 00:21:57,240
Speaker 5: Here's Yeah, this this might sound crazy, and I hope

449
00:21:57,240 --> 00:21:59,240
Speaker 5: I don't sound finicky, and I hope it.

450
00:21:59,320 --> 00:22:02,680
Speaker 4: Does sound crazy, because honestly, this show needs a shot

451
00:22:02,760 --> 00:22:06,200
Speaker 4: in the arm. Something that sounds crazy could be exactly

452
00:22:06,280 --> 00:22:09,520
Speaker 4: what this episode needs to take us to that next level.

453
00:22:09,880 --> 00:22:13,280
Speaker 4: I said, James is coming today. I hope he says

454
00:22:13,320 --> 00:22:14,840
Speaker 4: something that sounds crazy.

455
00:22:14,960 --> 00:22:16,840
Speaker 2: Man, so fucking go off.

456
00:22:17,119 --> 00:22:19,480
Speaker 1: Yeah, and this might sound crazy, but you could also

457
00:22:19,680 --> 00:22:22,920
Speaker 1: answer the question that I asked you, like it's like

458
00:22:24,200 --> 00:22:25,200
Speaker 1: almost twenty minutes.

459
00:22:25,359 --> 00:22:26,199
Speaker 5: Can I help with the arm?

460
00:22:27,080 --> 00:22:28,080
Speaker 1: No? Do you get?

461
00:22:28,720 --> 00:22:30,600
Speaker 3: Do I get when you're doing the show?

462
00:22:30,720 --> 00:22:30,760
Speaker 7: Like?

463
00:22:31,320 --> 00:22:32,240
Speaker 3: Am I crazy?

464
00:22:32,480 --> 00:22:32,520
Speaker 1: Like?

465
00:22:32,720 --> 00:22:34,000
Speaker 3: Did he answer the question?

466
00:22:34,080 --> 00:22:35,879
Speaker 1: Marry that real quick? He was talking about how it

467
00:22:35,960 --> 00:22:38,000
Speaker 1: was his dream to work on the show, Like, okay,

468
00:22:40,160 --> 00:22:41,320
Speaker 1: am I supposed to take from that?

469
00:22:41,400 --> 00:22:44,760
Speaker 2: I think about living my dream. There's there's some amount

470
00:22:44,800 --> 00:22:46,159
Speaker 2: of horniness involved in that.

471
00:22:46,440 --> 00:22:46,600
Speaker 1: You know.

472
00:22:46,920 --> 00:22:49,399
Speaker 5: Maybe here's all I'm gonna say about it. I'm a

473
00:22:49,400 --> 00:22:53,440
Speaker 5: happily married man and my wife and I so you

474
00:22:53,600 --> 00:22:58,880
Speaker 5: do get well, we interact. We interact before I even

475
00:22:58,960 --> 00:22:59,840
Speaker 5: set foot in the building.

476
00:23:00,760 --> 00:23:03,640
Speaker 1: Oh wow, Okay, can I get that out of the way.

477
00:23:04,040 --> 00:23:07,000
Speaker 5: Yeah wow, Yeah, and happily married man.

478
00:23:07,920 --> 00:23:10,120
Speaker 1: Yeah, and work at work? You said before you even

479
00:23:10,200 --> 00:23:15,080
Speaker 1: set foot in the building for thirty Rockefeller, Like there

480
00:23:15,200 --> 00:23:16,159
Speaker 1: is like they have.

481
00:23:17,640 --> 00:23:20,959
Speaker 4: Some stuff happen inside the building. Yeah, for him, it's

482
00:23:21,080 --> 00:23:22,240
Speaker 4: right outside the building.

483
00:23:22,520 --> 00:23:27,640
Speaker 2: And again, not get graphic, but we're we become trained.

484
00:23:29,400 --> 00:23:33,920
Speaker 4: And then we obviously approach the stage. Yeah, and we do, like,

485
00:23:35,320 --> 00:23:36,840
Speaker 4: you know, what's some of the stuff that we might

486
00:23:36,960 --> 00:23:38,600
Speaker 4: do on stage?

487
00:23:38,760 --> 00:23:40,800
Speaker 1: Yeah, you know.

488
00:23:42,760 --> 00:23:50,600
Speaker 5: Southwest style, like like steel magnolias, but instead of instead

489
00:23:50,640 --> 00:23:54,040
Speaker 5: of deep South, it's Southwestern style.

490
00:23:56,880 --> 00:24:02,200
Speaker 2: Like a Nevada Yeah, like a green yeah, good New Mexico.

491
00:24:02,040 --> 00:24:06,240
Speaker 5: A little dice tomatoes and red onion and mind. Yeah,

492
00:24:07,640 --> 00:24:10,040
Speaker 5: I think that would be that Pico to God. That's

493
00:24:10,040 --> 00:24:13,719
Speaker 5: an example of me pitching on, pitching up.

494
00:24:13,840 --> 00:24:17,960
Speaker 3: It's like down and gray black.

495
00:24:18,280 --> 00:24:20,000
Speaker 2: Yeah, it's different jewelry.

496
00:24:22,640 --> 00:24:24,399
Speaker 5: That's like an example of what I might pitch on

497
00:24:24,440 --> 00:24:27,160
Speaker 5: the Monday meeting of the show is, you know, let's

498
00:24:27,200 --> 00:24:35,840
Speaker 5: do steel magnolias. Let's do it Southwestern style sort of Christmas,

499
00:24:36,119 --> 00:24:40,240
Speaker 5: you know Christmas sauces yea oh god yeah, shredded shredded

500
00:24:40,320 --> 00:24:41,159
Speaker 5: jack and and.

501
00:24:45,760 --> 00:24:46,040
Speaker 1: Cheddar.

502
00:24:46,960 --> 00:24:50,159
Speaker 2: It's it's a little less depressing, is you know.

503
00:24:50,320 --> 00:24:53,359
Speaker 5: Yeah, that's like it's well, that's our job, right, is Levity.

504
00:24:53,640 --> 00:24:55,760
Speaker 5: Our job is to take these things are so heap.

505
00:24:56,040 --> 00:24:59,480
Speaker 2: Take this melodrama, and you go like, how about some

506
00:24:59,720 --> 00:25:00,880
Speaker 2: how a little can.

507
00:25:00,840 --> 00:25:03,960
Speaker 5: We can we sift people out of the depths for

508
00:25:04,160 --> 00:25:10,560
Speaker 5: just a second, shine some sunlight on these people's lives.

509
00:25:10,840 --> 00:25:13,040
Speaker 2: Yeah, let's fucking losers.

510
00:25:13,240 --> 00:25:16,399
Speaker 4: Like everybody's like, you know, they like, what are they

511
00:25:17,280 --> 00:25:20,160
Speaker 4: gonna do if you don't do something for them?

512
00:25:20,520 --> 00:25:22,800
Speaker 5: I don't. I don't get horny. I don't get horny

513
00:25:22,920 --> 00:25:26,960
Speaker 5: because I take care of that, care of that.

514
00:25:27,240 --> 00:25:27,600
Speaker 1: Thank you.

515
00:25:27,840 --> 00:25:30,359
Speaker 3: That's really nice. I feel like an easy one and

516
00:25:30,440 --> 00:25:31,439
Speaker 3: I feel like.

517
00:25:31,520 --> 00:25:33,920
Speaker 1: I enjoyed it more having to wait so long to

518
00:25:34,400 --> 00:25:35,600
Speaker 1: like to find out.

519
00:25:35,920 --> 00:25:39,960
Speaker 4: The secret you know, of really delivering a great performance, right,

520
00:25:39,960 --> 00:25:42,280
Speaker 4: And that's part of why you save those big impressions,

521
00:25:42,359 --> 00:25:45,920
Speaker 4: the usher, the teva for like the very end, the

522
00:25:46,040 --> 00:25:46,760
Speaker 4: very important.

523
00:25:47,000 --> 00:25:49,920
Speaker 2: Yeah, and that's that's fucking cool.

524
00:25:51,520 --> 00:25:54,639
Speaker 5: So and then in regard to your arm, this has

525
00:25:54,720 --> 00:25:56,119
Speaker 5: nothing to do with me trying to get out of

526
00:25:56,160 --> 00:25:58,560
Speaker 5: the art. This is fully what I need as a

527
00:25:58,600 --> 00:26:02,520
Speaker 5: performer for the sake sound crazy, Yeah, it's the couch

528
00:26:04,160 --> 00:26:06,400
Speaker 5: that chair I think would be a better vantage point

529
00:26:06,440 --> 00:26:09,680
Speaker 5: for me to get over to do the voices for

530
00:26:09,760 --> 00:26:12,840
Speaker 5: the show. Maybe that would elect you to be the

531
00:26:12,920 --> 00:26:15,440
Speaker 5: one to do the arm. And this is not because

532
00:26:15,440 --> 00:26:17,560
Speaker 5: I don't want to do the arm. This is fully

533
00:26:17,640 --> 00:26:20,200
Speaker 5: because I need what I need as a performer to

534
00:26:20,280 --> 00:26:22,560
Speaker 5: do usher to do Kevin.

535
00:26:22,400 --> 00:26:25,639
Speaker 4: Should probably come in and ask if we need to

536
00:26:25,760 --> 00:26:27,720
Speaker 4: be switched, like he was supposed to check with you.

537
00:26:27,920 --> 00:26:28,639
Speaker 1: The crazy thing.

538
00:26:29,200 --> 00:26:30,159
Speaker 3: I mean, this is happening.

539
00:26:30,160 --> 00:26:32,960
Speaker 2: I mean it might, but it might actually be awesome

540
00:26:33,119 --> 00:26:34,120
Speaker 2: that it's so crazy.

541
00:26:34,640 --> 00:26:35,960
Speaker 1: I think it would be fucking cool.

542
00:26:36,200 --> 00:26:38,680
Speaker 2: Yeah, Kevin, do you want to come in and ask

543
00:26:38,800 --> 00:26:39,920
Speaker 2: us if we can switch seat?

544
00:26:39,920 --> 00:26:42,639
Speaker 3: Wait? But I just before we do that, Yeah, I

545
00:26:42,800 --> 00:26:43,520
Speaker 3: just want to say.

546
00:26:45,200 --> 00:26:48,480
Speaker 1: I have seen Sean does a lot of this, like

547
00:26:48,640 --> 00:26:52,200
Speaker 1: performed like party trick thing where he is like the

548
00:26:52,359 --> 00:26:55,400
Speaker 1: Captain from Captain Morgan, you know, like from the car

549
00:26:56,680 --> 00:26:58,520
Speaker 1: and he'll do think we're like put his leg up

550
00:26:58,560 --> 00:27:00,480
Speaker 1: like that. It's very similar to the busy that I

551
00:27:00,640 --> 00:27:03,440
Speaker 1: need you to be able to sustain to like put

552
00:27:03,480 --> 00:27:06,080
Speaker 1: my arm back into place. But when Sean does that,

553
00:27:06,200 --> 00:27:09,280
Speaker 1: he's unable to even if he has even if he

554
00:27:09,400 --> 00:27:11,960
Speaker 1: has something to put his foot on, he is gonna

555
00:27:12,040 --> 00:27:13,480
Speaker 1: be like pitching.

556
00:27:13,520 --> 00:27:16,800
Speaker 4: Four mounces all over the place. I mean, yeah, I'm

557
00:27:16,960 --> 00:27:20,320
Speaker 4: like waving my arms around. I would be probably putting

558
00:27:20,400 --> 00:27:21,320
Speaker 4: weight down.

559
00:27:21,200 --> 00:27:24,600
Speaker 1: And yeah, he has to be like swinging both arms

560
00:27:24,880 --> 00:27:28,080
Speaker 1: had tea kettle almost instantly.

561
00:27:29,160 --> 00:27:29,919
Speaker 3: For a second.

562
00:27:30,119 --> 00:27:33,440
Speaker 5: I get that, and I am going to insist I

563
00:27:33,520 --> 00:27:38,040
Speaker 5: am going to insist that that maybe we switched seats. Yeah, yeah,

564
00:27:38,160 --> 00:27:41,960
Speaker 5: you might have to have an imbalanced an imbalanced stuve.

565
00:27:42,040 --> 00:27:43,359
Speaker 5: What do you call it when you what is the

566
00:27:43,400 --> 00:27:45,200
Speaker 5: process called when you put that thing back in its

567
00:27:45,240 --> 00:27:45,680
Speaker 5: little hole?

568
00:27:46,520 --> 00:27:52,119
Speaker 1: Well, it's subluxing when it when it comes out sublation.

569
00:27:52,359 --> 00:27:55,520
Speaker 5: Yeah, yeah, So I think you're just gonna have to

570
00:27:55,600 --> 00:27:59,879
Speaker 5: have an off kilter subluxing if I'm going to deliver Okay,

571
00:28:00,080 --> 00:28:01,560
Speaker 5: the voice ship for you need.

572
00:28:02,080 --> 00:28:08,200
Speaker 1: What you need is dumb luck Yeah yeah, you needed.

573
00:28:08,359 --> 00:28:10,680
Speaker 4: You need a dumb Lucks tricks to come in here,

574
00:28:11,000 --> 00:28:14,120
Speaker 4: yea and fucking smack that thing back in the position.

575
00:28:15,480 --> 00:28:17,919
Speaker 1: So it's that or the voices, because like we do need,

576
00:28:18,280 --> 00:28:19,960
Speaker 1: we definitely need the voices.

577
00:28:20,440 --> 00:28:21,240
Speaker 2: We cannot do.

578
00:28:21,720 --> 00:28:25,000
Speaker 1: I think we're going to voice to.

579
00:28:25,040 --> 00:28:28,040
Speaker 5: Do the voice ship. That's that's not a question. That's

580
00:28:28,040 --> 00:28:29,040
Speaker 5: not a difficult thing for me.

581
00:28:29,520 --> 00:28:32,760
Speaker 1: Was that was and it was agreed to in advance.

582
00:28:33,080 --> 00:28:36,200
Speaker 1: And I understand that we did not say anything about

583
00:28:36,240 --> 00:28:38,960
Speaker 1: you having to do any kind of medical intervention in band,

584
00:28:39,000 --> 00:28:41,160
Speaker 1: So I understand that's that that wasn't part of the deal.

585
00:28:42,360 --> 00:28:45,200
Speaker 1: Is it something that I think is worthy of just

586
00:28:45,400 --> 00:28:47,600
Speaker 1: undoing all the other agreements that were made about doing

587
00:28:48,040 --> 00:28:49,840
Speaker 1: some of the funny voices. I don't want to know

588
00:28:49,960 --> 00:28:51,400
Speaker 1: how I would play it. I don't want to throw

589
00:28:51,440 --> 00:28:53,680
Speaker 1: out the deal. I don't want to. I don't I

590
00:28:53,680 --> 00:28:56,320
Speaker 1: don't even know why it's coming up, just like just

591
00:28:56,680 --> 00:28:59,080
Speaker 1: just because of nobody's throwing out any deal.

592
00:28:59,200 --> 00:29:02,560
Speaker 5: Can I talk about that, yes to just so that

593
00:29:02,680 --> 00:29:04,080
Speaker 5: you see your listeners know.

594
00:29:04,640 --> 00:29:05,000
Speaker 1: Please.

595
00:29:05,600 --> 00:29:07,880
Speaker 5: So we just got done, and I'm happy to be

596
00:29:08,000 --> 00:29:09,240
Speaker 5: here and I'm having a good time.

597
00:29:09,720 --> 00:29:13,120
Speaker 4: We and we know Gus in a while, and actually,

598
00:29:13,240 --> 00:29:15,200
Speaker 4: I think the episode could get even better. You're gonna

599
00:29:15,200 --> 00:29:17,400
Speaker 4: do voices, and there's a pretty crazy idea of.

600
00:29:17,440 --> 00:29:20,520
Speaker 1: Us switching seats, which I'm still I'm still down to

601
00:29:20,560 --> 00:29:22,800
Speaker 1: do that too. Yeah, not just down to do it,

602
00:29:22,920 --> 00:29:27,000
Speaker 1: you like, I insisting upon it. Yeah. Yeah.

603
00:29:27,080 --> 00:29:29,480
Speaker 5: But we did go back and forth for about six

604
00:29:29,560 --> 00:29:34,480
Speaker 5: seven weeks in contracts before I appeared on Total. I

605
00:29:34,600 --> 00:29:37,080
Speaker 5: bat an idea out to you guys, here's what I'm

606
00:29:37,080 --> 00:29:39,200
Speaker 5: going to need to do the show, and then you

607
00:29:39,280 --> 00:29:42,400
Speaker 5: bat bat back a counter offer, and I bat an

608
00:29:42,480 --> 00:29:45,680
Speaker 5: offer back. Based on that counter offer, we finally agreed

609
00:29:45,720 --> 00:29:47,880
Speaker 5: on some terms under which I would appear on.

610
00:29:47,840 --> 00:29:50,720
Speaker 4: The show and some strategic radio silence in between on

611
00:29:50,840 --> 00:29:53,960
Speaker 4: your behalf where it just disappeared. It seemed like you

612
00:29:54,080 --> 00:29:57,320
Speaker 4: had walked away from Yeah, well I had a comedy

613
00:29:57,520 --> 00:29:59,000
Speaker 4: entirely as far as we knew.

614
00:29:59,040 --> 00:29:59,880
Speaker 1: Yeah, there was.

615
00:30:00,440 --> 00:30:02,560
Speaker 5: There was a time period where it was just a

616
00:30:03,040 --> 00:30:05,800
Speaker 5: period of of well, not a religious person anymore. But

617
00:30:06,040 --> 00:30:08,360
Speaker 5: what we would call it a is exvangelical silence with

618
00:30:08,480 --> 00:30:14,360
Speaker 5: my family, a period of religious non spiritual retreat with

619
00:30:14,520 --> 00:30:15,000
Speaker 5: my family.

620
00:30:15,640 --> 00:30:15,880
Speaker 1: Yeah.

621
00:30:16,160 --> 00:30:21,400
Speaker 5: Yeah, and email, like, no emails, just send email, just

622
00:30:21,600 --> 00:30:27,640
Speaker 5: Judeo Christian atheist airplane mode, I guess, a funny way to.

623
00:30:27,640 --> 00:30:30,920
Speaker 1: Think about it. But you were like, hey, can I

624
00:30:31,040 --> 00:30:34,800
Speaker 1: just send email? No, no, no, there would be no emails.

625
00:30:34,840 --> 00:30:37,040
Speaker 4: Not well, ask you put your phone in an airplane

626
00:30:37,080 --> 00:30:39,320
Speaker 4: mode and ask it if you can send email?

627
00:30:39,440 --> 00:30:44,360
Speaker 5: Because yeah, good luck and seria too. Yeah, say something

628
00:30:44,400 --> 00:30:44,520
Speaker 5: to you.

629
00:30:45,000 --> 00:30:50,120
Speaker 2: He's going to go, excuse me, don't do the voice,

630
00:30:50,200 --> 00:30:51,920
Speaker 2: you know, yeah, you do the voice. I mean it's

631
00:30:51,920 --> 00:30:54,280
Speaker 2: a female voice. I guess it's different. You can set

632
00:30:54,320 --> 00:30:54,600
Speaker 2: it down.

633
00:30:54,680 --> 00:30:56,800
Speaker 5: So so anyway, we finally agreed on some terms that

634
00:30:56,840 --> 00:31:00,280
Speaker 5: I could come on the show and fiddling with your

635
00:31:00,400 --> 00:31:02,920
Speaker 5: fucked up arm is not a part of that, and

636
00:31:03,080 --> 00:31:04,120
Speaker 5: I'm sorry to put it that way.

637
00:31:05,000 --> 00:31:06,760
Speaker 1: Well, it's not. It was fucked up a second, it's

638
00:31:06,760 --> 00:31:08,640
Speaker 1: not fucked up anymore. That's like, it's better now.

639
00:31:08,760 --> 00:31:11,120
Speaker 5: But if you if you were gonna, if you were gonna,

640
00:31:11,960 --> 00:31:15,720
Speaker 5: you know, if I needed you to be the cartilage

641
00:31:15,800 --> 00:31:20,680
Speaker 5: for my broken knees, yeah, if I if you needed

642
00:31:20,720 --> 00:31:24,200
Speaker 5: me to fall face forward knees first, you would have

643
00:31:24,360 --> 00:31:27,040
Speaker 5: to be my cartlage. I don't have any fucking cartilage

644
00:31:27,040 --> 00:31:29,800
Speaker 5: there anymore because of doing the nine hundred every fucking

645
00:31:29,880 --> 00:31:32,120
Speaker 5: night the middle of if I were a rich man.

646
00:31:34,600 --> 00:31:38,680
Speaker 1: For like twenty years, so that's so, that's what. So

647
00:31:38,760 --> 00:31:41,960
Speaker 1: why should I jiggle your arm that you were doing

648
00:31:43,080 --> 00:31:45,720
Speaker 1: if I were a rich man, okay? Because I remember

649
00:31:45,840 --> 00:31:47,760
Speaker 1: me and lots of other people there being like, what

650
00:31:48,160 --> 00:31:48,680
Speaker 1: song is.

651
00:31:48,680 --> 00:31:49,960
Speaker 2: This song from the show?

652
00:31:50,120 --> 00:31:52,240
Speaker 3: Yeah, we were going is this some new songs? So

653
00:31:52,400 --> 00:31:54,080
Speaker 3: that was just supposed to be if I were a

654
00:31:54,160 --> 00:31:54,720
Speaker 3: rich man.

655
00:31:54,680 --> 00:31:56,720
Speaker 5: Like this, But it was like, there's a there is

656
00:31:56,800 --> 00:31:59,680
Speaker 5: a pop punk skate dream sequence in the New if

657
00:31:59,720 --> 00:32:00,640
Speaker 5: I were a rich man.

658
00:32:00,600 --> 00:32:04,440
Speaker 1: Okay, in the Yeah, it might have just been that

659
00:32:04,520 --> 00:32:08,280
Speaker 1: you were so you were trying to sing the normal song.

660
00:32:08,320 --> 00:32:10,120
Speaker 1: I wonder if you were just so out of breath.

661
00:32:10,400 --> 00:32:13,680
Speaker 1: I mean, it just sounded like maybe you shouldn't. I

662
00:32:13,720 --> 00:32:15,240
Speaker 1: don't know, I don't know if you're going back to it,

663
00:32:15,280 --> 00:32:16,800
Speaker 1: but maybe you shouldn't have done the trick like at

664
00:32:16,840 --> 00:32:21,440
Speaker 1: the very beginning of the song. And what would that

665
00:32:21,560 --> 00:32:23,080
Speaker 1: achieve theatrically.

666
00:32:22,760 --> 00:32:24,640
Speaker 4: Well, you wouldn't be so out of breath for the

667
00:32:24,680 --> 00:32:27,200
Speaker 4: rest of the song. You couldn't get your wind after

668
00:32:27,320 --> 00:32:29,880
Speaker 4: you tried. You know, you did the nine hundred and

669
00:32:30,920 --> 00:32:32,840
Speaker 4: using scare quotes, and.

670
00:32:33,200 --> 00:32:35,840
Speaker 5: Uh, it was a nine hundred and I remember the

671
00:32:35,960 --> 00:32:38,080
Speaker 5: night that you came because you were on my list.

672
00:32:38,800 --> 00:32:42,960
Speaker 2: I was there more than once. Thank you for putting

673
00:32:43,000 --> 00:32:47,280
Speaker 2: me on the list. I loved getting the star treatment.

674
00:32:47,200 --> 00:32:49,480
Speaker 5: And I loved not getting a thank you card from you.

675
00:32:50,000 --> 00:32:54,640
Speaker 4: Well trash saying someone trash here, throw this away to

676
00:32:54,800 --> 00:32:58,160
Speaker 4: say that you're the male system is overtaxed as it is.

677
00:32:58,920 --> 00:33:02,640
Speaker 4: So it's like this whole concept of thank you cards.

678
00:33:02,400 --> 00:33:04,680
Speaker 2: Like that dies with me.

679
00:33:05,640 --> 00:33:09,000
Speaker 1: We're done, okay, but you're alive.

680
00:33:10,840 --> 00:33:13,880
Speaker 2: Yeah, no, I guess we will be dug so I

681
00:33:14,200 --> 00:33:16,480
Speaker 2: you know, his his arm hurts, your knee hurts. I

682
00:33:16,680 --> 00:33:17,520
Speaker 2: will be dead.

683
00:33:19,640 --> 00:33:22,160
Speaker 4: Let me check because I'm getting these updates all the time.

684
00:33:23,400 --> 00:33:26,360
Speaker 4: It's July and that's July twenty six, so it's like,

685
00:33:27,200 --> 00:33:27,840
Speaker 4: I mean, it's.

686
00:33:27,880 --> 00:33:30,880
Speaker 1: Soon, it's soon, And I just want to say having

687
00:33:31,600 --> 00:33:33,840
Speaker 1: people it's nice to put people on the list, but

688
00:33:34,000 --> 00:33:36,920
Speaker 1: having them pay a certain number of times, like go

689
00:33:37,040 --> 00:33:41,400
Speaker 1: to the show and pay, yeah, six seven times, and

690
00:33:41,640 --> 00:33:43,880
Speaker 1: then and then they get on the list, and then

691
00:33:43,880 --> 00:33:45,360
Speaker 1: they'll get on the list. I mean like sort of

692
00:33:45,440 --> 00:33:47,240
Speaker 1: a punch cart.

693
00:33:48,120 --> 00:33:52,880
Speaker 5: You know better than anybody that, sorry, which one's Sean

694
00:33:52,960 --> 00:33:53,720
Speaker 5: and which one's Haze.

695
00:33:54,200 --> 00:33:58,080
Speaker 2: You know, it's really not crucial for what you're saying,

696
00:33:58,240 --> 00:33:58,800
Speaker 2: well for.

697
00:33:58,880 --> 00:34:00,360
Speaker 3: Your whatever you're about to say.

698
00:34:00,560 --> 00:34:02,920
Speaker 5: Ye, well, Sewan, you know you know better than anybody

699
00:34:03,480 --> 00:34:08,239
Speaker 5: that that the list is not just about going to.

700
00:34:08,680 --> 00:34:11,240
Speaker 1: Be good people thought Sean got hurt. The show.

701
00:34:12,640 --> 00:34:14,160
Speaker 5: List is not just about going to the show. It's

702
00:34:14,239 --> 00:34:17,480
Speaker 5: the party after. It's the diner after the party. Can

703
00:34:17,560 --> 00:34:20,160
Speaker 5: we talk about class A line at my place.

704
00:34:20,440 --> 00:34:24,920
Speaker 1: A couple of cowlasses, a couple of caves. Yeah, uh,

705
00:34:28,520 --> 00:34:33,680
Speaker 1: just because you mentioned the after parties, we're just hearing

706
00:34:34,320 --> 00:34:36,000
Speaker 1: because we've had a bunch of people. I don't want

707
00:34:36,000 --> 00:34:38,719
Speaker 1: to say any of the people's names from the big show.

708
00:34:38,960 --> 00:34:39,920
Speaker 2: We don't want to connect them.

709
00:34:39,960 --> 00:34:42,880
Speaker 1: We've had on here, but yeah, but we'll always be like,

710
00:34:42,920 --> 00:34:48,040
Speaker 1: how are the after parties and we're just hearing that

711
00:34:48,160 --> 00:34:51,160
Speaker 1: your ship is not hitting?

712
00:34:51,560 --> 00:34:55,399
Speaker 4: Yes, yes, that's exactly how it's at my table after

713
00:34:55,760 --> 00:34:57,280
Speaker 4: at the after parties.

714
00:34:57,520 --> 00:35:03,239
Speaker 2: Yes, that that my table is and it's boring and

715
00:35:03,440 --> 00:35:05,759
Speaker 2: it's central, and.

716
00:35:07,680 --> 00:35:14,160
Speaker 4: That effectively you have become radioactive at the after parties.

717
00:35:14,320 --> 00:35:17,480
Speaker 4: And that often what you think is the after party. Uh,

718
00:35:18,480 --> 00:35:20,600
Speaker 4: people who draw the short straw have to go and

719
00:35:20,719 --> 00:35:23,040
Speaker 4: give the appearance of just like a light attendance at

720
00:35:23,040 --> 00:35:25,160
Speaker 4: the after party, so the real after party can take

721
00:35:25,200 --> 00:35:25,960
Speaker 4: place separately.

722
00:35:26,719 --> 00:35:29,320
Speaker 5: You know, I'd heard about that, I'd heard a sentience

723
00:35:29,440 --> 00:35:30,919
Speaker 5: mentioned that every once in a while.

724
00:35:31,080 --> 00:35:34,919
Speaker 1: Well that is actually a decoy as well. What they're

725
00:35:35,000 --> 00:35:37,200
Speaker 1: telling you that they're telling you about is actually not

726
00:35:37,280 --> 00:35:38,319
Speaker 1: the real one either.

727
00:35:39,520 --> 00:35:41,600
Speaker 5: So even if I were to take this information that

728
00:35:41,640 --> 00:35:45,440
Speaker 5: you're giving me, this humiliating information, that that I have

729
00:35:45,600 --> 00:35:50,879
Speaker 5: been going to some Truman Show esque fake party.

730
00:35:50,920 --> 00:35:53,200
Speaker 1: Except no one is like watching, like.

731
00:35:53,560 --> 00:35:57,279
Speaker 2: Yeah, the show was a regular, The Truman Show was

732
00:35:57,320 --> 00:36:01,799
Speaker 2: a hit show in the world. Guy's a star.

733
00:36:02,560 --> 00:36:07,440
Speaker 4: Yeah, this is completely unobserved except by the assistants who

734
00:36:07,520 --> 00:36:08,600
Speaker 4: are like you know.

735
00:36:10,400 --> 00:36:13,880
Speaker 5: Miserable protecting me and miser miserable.

736
00:36:13,600 --> 00:36:18,200
Speaker 1: And so they it was anticipated that you would figure

737
00:36:18,320 --> 00:36:22,479
Speaker 1: out that that original party was like obviously not real.

738
00:36:23,280 --> 00:36:25,680
Speaker 5: You're saying, I'm a ratinam maze. I get to the

739
00:36:25,840 --> 00:36:29,160
Speaker 5: end and I and there's no cheese, and then they

740
00:36:29,200 --> 00:36:29,840
Speaker 5: make a promise.

741
00:36:30,360 --> 00:36:32,200
Speaker 4: Well you get to the end and it's at long

742
00:36:32,440 --> 00:36:36,279
Speaker 4: last the cheese. But then what you're eating like some

743
00:36:36,480 --> 00:36:38,399
Speaker 4: sort of yes.

744
00:36:38,480 --> 00:36:40,719
Speaker 5: I mean I was going to say, yes cash, some

745
00:36:40,840 --> 00:36:42,200
Speaker 5: inferior sort of vegan thing.

746
00:36:42,320 --> 00:36:43,760
Speaker 2: Yes, some vegan cheese.

747
00:36:44,560 --> 00:36:48,000
Speaker 1: Except even that is like something they sell at the groceres.

748
00:36:48,120 --> 00:36:50,640
Speaker 1: It's like popular enough that anyone wants it.

749
00:36:51,120 --> 00:36:53,240
Speaker 2: Well, you know it's probably papier mache.

750
00:36:53,760 --> 00:36:58,239
Speaker 5: At this point, I would never work with papy mache,

751
00:36:59,000 --> 00:37:01,040
Speaker 5: poor plaster, a pair of and you know that.

752
00:37:01,440 --> 00:37:04,040
Speaker 4: That's I'm just saying what likely the cheese would be

753
00:37:04,120 --> 00:37:07,759
Speaker 4: made of in this metaphor of the mouse, it would

754
00:37:07,840 --> 00:37:09,000
Speaker 4: likely be a poppy mischee.

755
00:37:09,239 --> 00:37:11,000
Speaker 5: So even if I mean, here's the thing, I feel

756
00:37:11,040 --> 00:37:14,600
Speaker 5: like the talks in the contractual talks to even come

757
00:37:14,840 --> 00:37:18,600
Speaker 5: on this podcast appearance that things had deteriorated so much

758
00:37:18,680 --> 00:37:21,520
Speaker 5: between your party and mind it.

759
00:37:21,719 --> 00:37:26,080
Speaker 4: Is damaging i'd say, to everyone's relationship with their representatives

760
00:37:26,160 --> 00:37:28,800
Speaker 4: with the respective companies.

761
00:37:28,360 --> 00:37:31,719
Speaker 5: And there's an erosion of trust there. And so now

762
00:37:31,800 --> 00:37:35,120
Speaker 5: I can't even take this this thing that you're saying

763
00:37:35,120 --> 00:37:37,120
Speaker 5: about the party. I don't even know if you're telling

764
00:37:37,200 --> 00:37:38,680
Speaker 5: me the truth. I don't know if this is coming

765
00:37:38,680 --> 00:37:39,520
Speaker 5: out for you.

766
00:37:39,640 --> 00:37:42,720
Speaker 4: If we weren't, you know, that would be very comforting,

767
00:37:42,800 --> 00:37:47,040
Speaker 4: I'm sure if you'd just rather not know, rather be

768
00:37:47,680 --> 00:37:49,040
Speaker 4: by us than the entire.

769
00:37:48,920 --> 00:37:51,919
Speaker 2: Infrastructure of the of the place you call home.

770
00:37:52,160 --> 00:37:54,800
Speaker 1: Right, do you ever see the Farewell?

771
00:37:56,080 --> 00:38:00,840
Speaker 2: Tell tell me again parts of it? Tell me some parts.

772
00:38:00,960 --> 00:38:02,839
Speaker 2: What's the big what's the main part?

773
00:38:03,719 --> 00:38:06,040
Speaker 5: The big part is that they don't want to tell

774
00:38:06,080 --> 00:38:09,320
Speaker 5: the old lady the secret. Her life is better because

775
00:38:09,320 --> 00:38:09,800
Speaker 5: she doesn't know.

776
00:38:10,680 --> 00:38:12,960
Speaker 1: But that's not a part that's like, that's what that's like,

777
00:38:13,040 --> 00:38:16,080
Speaker 1: what it's about. Okay, the different parts, Okay, the different

778
00:38:16,120 --> 00:38:16,680
Speaker 1: parts are.

779
00:38:18,560 --> 00:38:21,600
Speaker 5: The lady she's in like a wide shot and she's

780
00:38:21,640 --> 00:38:27,120
Speaker 5: the younger one, and I think there's a big there's

781
00:38:27,160 --> 00:38:27,520
Speaker 5: a wedding.

782
00:38:27,760 --> 00:38:31,160
Speaker 2: Oh yes, shades of Benjamin Button.

783
00:38:33,320 --> 00:38:37,040
Speaker 5: From Queen's Aquaina is North from Queens is Farewell, and

784
00:38:38,200 --> 00:38:42,400
Speaker 5: she's you know, she wants to say bye, but nobody

785
00:38:42,480 --> 00:38:43,280
Speaker 5: can tell the secret.

786
00:38:43,760 --> 00:38:45,440
Speaker 2: No one can say the secret.

787
00:38:45,760 --> 00:38:50,200
Speaker 1: Yes, and and that's that's sort of yes, I think again,

788
00:38:50,360 --> 00:38:53,879
Speaker 1: but that was a movie that people enjoyed, and like people,

789
00:38:54,320 --> 00:38:55,799
Speaker 1: you're saying, people don't like my ship.

790
00:38:55,960 --> 00:38:58,960
Speaker 3: It was an award winning party.

791
00:38:59,200 --> 00:39:02,200
Speaker 2: The party sona could use a revamp.

792
00:39:02,480 --> 00:39:04,759
Speaker 3: And I wonder on the show, dude.

793
00:39:04,680 --> 00:39:08,160
Speaker 2: Is like getting you know a lot of us horny.

794
00:39:07,920 --> 00:39:11,920
Speaker 1: Which is what this questions up so much. It's like

795
00:39:12,120 --> 00:39:16,120
Speaker 1: people watching being like, Okay, it must be fun here,

796
00:39:16,239 --> 00:39:18,840
Speaker 1: you know, like is this a one way street? And

797
00:39:18,960 --> 00:39:20,279
Speaker 1: it sounds like yes it is.

798
00:39:20,600 --> 00:39:23,640
Speaker 4: Which great, Like that's magical too to be able to

799
00:39:23,719 --> 00:39:26,719
Speaker 4: create that and others when you yourself are are.

800
00:39:28,360 --> 00:39:29,640
Speaker 1: People yeah in the.

801
00:39:29,719 --> 00:39:32,920
Speaker 5: World at that point m m yeah not not not

802
00:39:33,360 --> 00:39:37,239
Speaker 5: very horny considering what I do as a pre show

803
00:39:37,520 --> 00:39:42,560
Speaker 5: ritual at home. Yeah, but or directly outside of thirty

804
00:39:42,600 --> 00:39:43,640
Speaker 5: years right as the case.

805
00:39:43,680 --> 00:39:48,680
Speaker 1: Maybe yeah, yeah, I mean, people aren't partying at my table.

806
00:39:48,560 --> 00:39:49,759
Speaker 2: Under the big Christmas tree?

807
00:39:51,120 --> 00:39:54,359
Speaker 3: Is it holding some of it back during the show?

808
00:39:55,520 --> 00:39:58,120
Speaker 1: Is it not? Like is it just like saving is

809
00:39:58,160 --> 00:39:59,120
Speaker 1: it's a.

810
00:39:59,160 --> 00:40:03,480
Speaker 2: Little word and and I'm beginning the song You're out

811
00:40:03,520 --> 00:40:03,960
Speaker 2: of breath.

812
00:40:04,560 --> 00:40:07,279
Speaker 4: Maybe it's yeah, yeah, maybe it's saving a little bit,

813
00:40:07,440 --> 00:40:08,759
Speaker 4: maybe do a little.

814
00:40:08,760 --> 00:40:10,800
Speaker 3: Worse on the show, being more busted.

815
00:40:12,680 --> 00:40:14,080
Speaker 5: So I'm not supposed to talk about the show, but

816
00:40:14,120 --> 00:40:17,360
Speaker 5: I'll say this. So you know, you have like Blushi

817
00:40:17,480 --> 00:40:22,120
Speaker 5: and all them mhm, they they all learn Jim. They

818
00:40:22,520 --> 00:40:26,200
Speaker 5: all learned really quick, Jim that they learned really quick

819
00:40:26,840 --> 00:40:31,399
Speaker 5: in that era. That Okay, I'm gonna I'm gonna guess

820
00:40:31,480 --> 00:40:33,840
Speaker 5: it just a little bit at the table. I'm gonna

821
00:40:33,920 --> 00:40:35,840
Speaker 5: yank it back while we're doing the tech rehearsal.

822
00:40:35,880 --> 00:40:39,640
Speaker 1: We're just blocking. Yeah, Saturday tech rehearsal.

823
00:40:39,760 --> 00:40:41,719
Speaker 5: I'm gonna give it a little bit more, bring it

824
00:40:41,840 --> 00:40:45,000
Speaker 5: up to like thirty one dress rehearsal. I'm gonna wind

825
00:40:45,080 --> 00:40:49,040
Speaker 5: it almost back to zero, to the point where let's

826
00:40:49,320 --> 00:40:50,359
Speaker 5: let's tank this thing.

827
00:40:50,600 --> 00:40:53,280
Speaker 2: Yeah, and and does the material work.

828
00:40:53,160 --> 00:40:56,399
Speaker 5: And the material does the material about it's a writer

829
00:40:56,520 --> 00:40:58,399
Speaker 5: driven shop, it's a writer driven show.

830
00:40:58,520 --> 00:41:00,480
Speaker 2: So does the material without without me?

831
00:41:01,920 --> 00:41:04,120
Speaker 1: Yeah? And they would, honestly, without the cast, they would

832
00:41:04,120 --> 00:41:06,839
Speaker 1: figure it out. They would figure it out. They would

833
00:41:06,880 --> 00:41:09,839
Speaker 1: someone they would be okay, and they've honestly, it might

834
00:41:09,920 --> 00:41:12,000
Speaker 1: even be better. I could do the whole thing then,

835
00:41:12,400 --> 00:41:13,399
Speaker 1: I think than all of them.

836
00:41:13,760 --> 00:41:16,520
Speaker 5: You know, people are always talking about, you know, what

837
00:41:16,600 --> 00:41:17,920
Speaker 5: does a cast list show look like?

838
00:41:18,480 --> 00:41:20,279
Speaker 1: And I would love to be.

839
00:41:20,480 --> 00:41:24,319
Speaker 2: Looks like this. Yeah, I'm doing it yeah all the time.

840
00:41:25,239 --> 00:41:27,520
Speaker 5: Yeah, we're looking at chat GBT stuff like that.

841
00:41:28,880 --> 00:41:33,919
Speaker 2: No, I'm you hang out with me, man, that's that's

842
00:41:34,040 --> 00:41:34,359
Speaker 2: the show.

843
00:41:34,400 --> 00:41:37,279
Speaker 5: I know we don't talk about the show, but I

844
00:41:37,320 --> 00:41:38,080
Speaker 5: can't talk about the show.

845
00:41:38,120 --> 00:41:46,440
Speaker 4: That's that's funniness level one hundred thousand.

846
00:41:47,600 --> 00:41:51,560
Speaker 1: The show, the show, No, I'm I mean, that's not

847
00:41:51,680 --> 00:41:52,719
Speaker 1: a joke. The show.

848
00:41:53,080 --> 00:41:55,880
Speaker 5: To me, there's never a show as good as the

849
00:41:55,920 --> 00:41:58,680
Speaker 5: one in your head. Yeah, and and so that's why

850
00:41:58,760 --> 00:42:00,920
Speaker 5: when we're done giving zero at a.

851
00:42:01,000 --> 00:42:02,759
Speaker 1: Dress could even be as good as that though.

852
00:42:03,600 --> 00:42:06,960
Speaker 4: The one I'm doing, man, it's like, forget in your

853
00:42:07,080 --> 00:42:08,760
Speaker 4: head the stuff that's coming.

854
00:42:08,600 --> 00:42:11,560
Speaker 2: Out of my head level one hundred thousand.

855
00:42:12,400 --> 00:42:16,400
Speaker 4: I mean it's really good stuff, James, And like no

856
00:42:16,600 --> 00:42:19,520
Speaker 4: one will even hold still long enough for.

857
00:42:19,560 --> 00:42:21,000
Speaker 1: Me to do it. You wouldn't even know.

858
00:42:21,760 --> 00:42:22,000
Speaker 2: Yeah.

859
00:42:22,520 --> 00:42:23,640
Speaker 1: Yeah, so.

860
00:42:25,440 --> 00:42:30,520
Speaker 4: Yes, songs too, really good music videos, yeah, music videos, raps, yeah,

861
00:42:30,960 --> 00:42:32,200
Speaker 4: long raps.

862
00:42:32,680 --> 00:42:35,600
Speaker 1: With like fast political figures.

863
00:42:36,280 --> 00:42:40,400
Speaker 2: Long raps about like yeah, yes, political figures, all of that.

864
00:42:40,840 --> 00:42:43,000
Speaker 2: Because all your favorite stuff you know.

865
00:42:43,040 --> 00:42:44,840
Speaker 1: Okay, here's just like fast.

866
00:42:44,920 --> 00:42:46,800
Speaker 5: I feel like you're shitting me, and I want to

867
00:42:46,840 --> 00:42:50,400
Speaker 5: hear you give me a lineup of of of an

868
00:42:50,440 --> 00:42:52,879
Speaker 5: episode of the show in your head, starting with, Okay,

869
00:42:52,920 --> 00:42:55,600
Speaker 5: what's the cold oup cold open is?

870
00:42:55,960 --> 00:42:58,560
Speaker 2: I can't get into a hot club. I'm with all

871
00:42:58,640 --> 00:42:59,480
Speaker 2: my sexy.

872
00:42:59,320 --> 00:43:02,080
Speaker 5: Wait for doing a regular sketches the cold open not

873
00:43:02,280 --> 00:43:06,440
Speaker 5: like a political flavored Well, hang on, I can't.

874
00:43:06,239 --> 00:43:09,719
Speaker 2: Get into the club because I'm because I'm not on

875
00:43:09,840 --> 00:43:13,080
Speaker 2: the list. But I get a peek at the list.

876
00:43:14,920 --> 00:43:16,040
Speaker 2: Guess who is on there?

877
00:43:18,080 --> 00:43:19,640
Speaker 1: Guess Bernie Sanders or.

878
00:43:24,560 --> 00:43:28,200
Speaker 7: Bernie Sanders is on the list. So I so I

879
00:43:29,200 --> 00:43:34,879
Speaker 7: turn around, come back in. I think you're gonna see

880
00:43:34,960 --> 00:43:39,040
Speaker 7: my name on the list this time. They go, what

881
00:43:39,120 --> 00:43:40,080
Speaker 7: do you mean this time?

882
00:43:40,239 --> 00:43:44,760
Speaker 2: Mister Sanders? Are you someone who's been turned away before?

883
00:43:45,400 --> 00:43:45,920
Speaker 1: You know what I mean?

884
00:43:46,000 --> 00:43:48,359
Speaker 2: But I got the fucking mittens, I got the big

885
00:43:48,440 --> 00:43:49,120
Speaker 2: puffy coat.

886
00:43:51,239 --> 00:43:53,160
Speaker 1: I know this could be a really great call. Yeah.

887
00:43:53,360 --> 00:43:56,080
Speaker 5: Then you look into the camera you say the line.

888
00:43:56,480 --> 00:43:58,520
Speaker 3: Well, he's got to do it more time. It's not

889
00:43:58,719 --> 00:44:02,560
Speaker 3: just the one guy like that doesn't work.

890
00:44:04,080 --> 00:44:06,360
Speaker 2: Yeah, I can't say this time next time, but I

891
00:44:06,400 --> 00:44:10,800
Speaker 2: get a look at the list. Yeah, okay, guess who's

892
00:44:10,840 --> 00:44:11,080
Speaker 2: on it.

893
00:44:11,320 --> 00:44:17,000
Speaker 1: Yeah, you don't know, it's your turn. Hunter Biden's laptop.

894
00:44:19,280 --> 00:44:21,399
Speaker 2: Me Hunter by the laptop is in there.

895
00:44:21,920 --> 00:44:24,560
Speaker 4: So then I, you know, I kind of fold myself

896
00:44:24,640 --> 00:44:27,160
Speaker 4: in half and I'm like, you know, and I like

897
00:44:27,719 --> 00:44:32,279
Speaker 4: get rolled up on like a hospital gurny. Basically, I

898
00:44:32,760 --> 00:44:36,440
Speaker 4: pulled myself straight up and I'm wearing a T shirt

899
00:44:36,600 --> 00:44:39,960
Speaker 4: with like you know, dude hitting the pipe or whatever.

900
00:44:40,480 --> 00:44:46,200
Speaker 4: And I'm just like just going like uh uh, you know,

901
00:44:46,640 --> 00:44:50,480
Speaker 4: email found or you know what, like any computer noise,

902
00:44:50,560 --> 00:44:54,080
Speaker 4: you know, you got mail. And then there and the

903
00:44:54,760 --> 00:44:57,320
Speaker 4: globotor is like, okay, hang on, it's like, let me

904
00:44:57,360 --> 00:44:58,560
Speaker 4: see if this guy's on the list.

905
00:44:58,800 --> 00:44:59,200
Speaker 1: He is.

906
00:45:00,760 --> 00:45:04,000
Speaker 2: But just as I'm getting.

907
00:45:03,680 --> 00:45:07,320
Speaker 5: Out here the door, Okay, I'm having trouble with this.

908
00:45:09,840 --> 00:45:12,200
Speaker 1: It's like the big climb act of the sketch, he said.

909
00:45:12,280 --> 00:45:14,440
Speaker 1: But just as I got to this is when you

910
00:45:14,480 --> 00:45:15,560
Speaker 1: want to, Okay, get.

911
00:45:15,480 --> 00:45:18,640
Speaker 2: To the door, Hunter Biden's real laptop comes up right

912
00:45:18,760 --> 00:45:19,239
Speaker 2: next to me.

913
00:45:19,719 --> 00:45:22,000
Speaker 5: That's the sneaker upper is it's sort of real laptop.

914
00:45:22,200 --> 00:45:22,399
Speaker 1: Yeah.

915
00:45:22,480 --> 00:45:25,400
Speaker 2: Yeah, the laptop is coming to the party. Yeah, to

916
00:45:25,520 --> 00:45:26,960
Speaker 2: the club, and you're.

917
00:45:26,840 --> 00:45:30,640
Speaker 1: Like, laptop on like a club list, but like, why

918
00:45:30,800 --> 00:45:32,239
Speaker 1: was Bernie Sanders on there?

919
00:45:32,560 --> 00:45:36,239
Speaker 2: Like, yeah, I just don't understand this second club. So

920
00:45:36,800 --> 00:45:38,080
Speaker 2: I'm I am horny and when.

921
00:45:38,000 --> 00:45:42,160
Speaker 5: I do, here's here's what I don't understand. And and

922
00:45:42,239 --> 00:45:44,120
Speaker 5: I didn't know that last couple of times you're at

923
00:45:44,160 --> 00:45:45,840
Speaker 5: the show, I didn't even know that you were horny.

924
00:45:46,120 --> 00:45:47,799
Speaker 2: So that's like news to me when I do when

925
00:45:47,800 --> 00:45:48,600
Speaker 2: I'm performing.

926
00:45:49,160 --> 00:45:53,719
Speaker 5: But like, so you come up, you do an amazing impression,

927
00:45:54,200 --> 00:45:56,040
Speaker 5: and you're still to night entry, so you have to

928
00:45:56,080 --> 00:45:58,080
Speaker 5: look at the list and come back around like they

929
00:45:58,120 --> 00:46:00,319
Speaker 5: didn't just let you in on Bernie, I see, yeah,

930
00:46:00,800 --> 00:46:03,040
Speaker 5: I see the list. That's what my fucking problem.

931
00:46:02,880 --> 00:46:06,399
Speaker 1: Is, right, because the impression was so good, why didn't

932
00:46:06,400 --> 00:46:08,880
Speaker 1: they let him in? Well, maybe Bernie Sanders was in

933
00:46:08,960 --> 00:46:09,719
Speaker 1: there already too.

934
00:46:10,360 --> 00:46:14,320
Speaker 2: Bernie messed up though, I mean, Bernie said up, what

935
00:46:14,440 --> 00:46:15,080
Speaker 2: if I panic?

936
00:46:15,320 --> 00:46:15,880
Speaker 1: Hey go, I go?

937
00:46:16,360 --> 00:46:18,080
Speaker 2: You know, I and I you know, I don't know

938
00:46:18,120 --> 00:46:20,000
Speaker 2: if I can do it again as good as I did,

939
00:46:20,080 --> 00:46:22,640
Speaker 2: but I think you'll see him on the list this time.

940
00:46:22,760 --> 00:46:26,040
Speaker 4: Well it was even better. And he goes and he goes, like,

941
00:46:26,200 --> 00:46:28,719
Speaker 4: what do you mean this time? Are you somebody who's

942
00:46:28,719 --> 00:46:31,160
Speaker 4: already been turned away, and I go, what do you mean.

943
00:46:31,920 --> 00:46:35,040
Speaker 2: Like Sean, And then I go, oh, actually, I gotta

944
00:46:35,040 --> 00:46:35,200
Speaker 2: go to.

945
00:46:35,239 --> 00:46:37,320
Speaker 4: The bathroom that I run because I just like panic,

946
00:46:37,440 --> 00:46:39,120
Speaker 4: I freak out, you know what I mean, I feel

947
00:46:39,200 --> 00:46:41,560
Speaker 4: found out. Even if the impression I could have carried

948
00:46:41,600 --> 00:46:46,600
Speaker 4: it off, it's just like it's that most central human emotion, fear,

949
00:46:47,200 --> 00:46:50,080
Speaker 4: which is what drives so much of what we do.

950
00:46:50,800 --> 00:46:54,120
Speaker 4: And so to transmit that, like in a comedy piece

951
00:46:54,320 --> 00:46:57,880
Speaker 4: like this, and to really say like I'm scared, Bernie

952
00:46:57,920 --> 00:47:01,040
Speaker 4: Sanders is scared, you know, and and yet we move on,

953
00:47:01,280 --> 00:47:03,439
Speaker 4: and yet we look at the list again, and yet

954
00:47:03,520 --> 00:47:06,080
Speaker 4: we pretend to be Hunter Biden's laptop, you know.

955
00:47:06,320 --> 00:47:08,240
Speaker 2: Like that's a message of hope.

956
00:47:08,320 --> 00:47:10,720
Speaker 1: Yeah. Nevertheless, he persisted. We laugh.

957
00:47:11,440 --> 00:47:15,760
Speaker 2: Sure, we have fun, okay, but we also say.

958
00:47:16,040 --> 00:47:19,600
Speaker 5: You're okay, you're normal, it's all right to be scared.

959
00:47:20,080 --> 00:47:21,000
Speaker 2: I'm scared too.

960
00:47:21,320 --> 00:47:23,279
Speaker 4: And I turn and I say, you know, I won't

961
00:47:23,320 --> 00:47:27,239
Speaker 4: say the line exactly, but you know, live from you know,

962
00:47:27,400 --> 00:47:30,640
Speaker 4: fill in the city, like I'm really scared. I'm I'm

963
00:47:30,840 --> 00:47:34,520
Speaker 4: very scared right now, Like I'm so scared. And then

964
00:47:34,800 --> 00:47:37,160
Speaker 4: you know, you could even be scared.

965
00:47:36,880 --> 00:47:43,480
Speaker 1: From New York you know, how's your arm?

966
00:47:43,520 --> 00:47:47,239
Speaker 3: By the way, it's it's getting ready to do it again.

967
00:47:48,640 --> 00:47:50,279
Speaker 1: I guess we'll cross that bridge when we come to it.

968
00:47:50,600 --> 00:47:53,359
Speaker 5: People ask me all the time, uh, huh if I'm

969
00:47:53,400 --> 00:47:56,080
Speaker 5: scared when I'm doing the show, really, and you bring

970
00:47:56,200 --> 00:48:00,440
Speaker 5: up a great point, yeah, and I say, no, I'm

971
00:48:00,480 --> 00:48:02,160
Speaker 5: not scared doing the show. I love doing the show.

972
00:48:02,440 --> 00:48:05,680
Speaker 1: I guess it's scared if that you're not a horny.

973
00:48:05,719 --> 00:48:07,239
Speaker 1: They're sort of like, well then, what why are you.

974
00:48:07,320 --> 00:48:08,480
Speaker 2: Too scared horny?

975
00:48:08,600 --> 00:48:12,359
Speaker 5: Yeah, that's the that's the secret, is that even while

976
00:48:12,600 --> 00:48:17,200
Speaker 5: I'm saying I'm not nervous, I love doing the show

977
00:48:18,120 --> 00:48:18,959
Speaker 5: achieving my dream.

978
00:48:21,480 --> 00:48:22,880
Speaker 1: Why is that water so cloudy?

979
00:48:24,360 --> 00:48:25,080
Speaker 2: I've spin in it?

980
00:48:25,680 --> 00:48:26,719
Speaker 1: Okay, I spin in it.

981
00:48:26,800 --> 00:48:27,640
Speaker 3: I was betraying.

982
00:48:29,000 --> 00:48:29,200
Speaker 2: Huh.

983
00:48:30,600 --> 00:48:35,440
Speaker 4: When you take a sip, they put this notebook paper

984
00:48:35,480 --> 00:48:37,440
Speaker 4: out on the table and I'm like chewing up a

985
00:48:37,520 --> 00:48:40,279
Speaker 4: bunch of the note okay pages, and then I'll spit

986
00:48:40,440 --> 00:48:43,560
Speaker 4: into the when it's like really just you know small,

987
00:48:43,680 --> 00:48:44,360
Speaker 4: I'll spit it in it.

988
00:48:44,440 --> 00:48:46,000
Speaker 5: It's like you leave l A for a couple of

989
00:48:46,040 --> 00:48:48,120
Speaker 5: years and you miss out on all the new health

990
00:48:48,280 --> 00:48:58,080
Speaker 5: the news. But uh, yeah, people ask me if I'm

991
00:48:58,080 --> 00:49:00,480
Speaker 5: scared of it. Of course I'm terrified, and I have

992
00:49:00,600 --> 00:49:00,879
Speaker 5: to lie.

993
00:49:01,160 --> 00:49:02,920
Speaker 1: Yeah, yeah, because it's.

994
00:49:02,840 --> 00:49:09,280
Speaker 5: Contractual and okay, So okay, So we have the credits

995
00:49:10,520 --> 00:49:14,640
Speaker 5: monologue monlo like standard monologue. What's the first sketch up?

996
00:49:16,040 --> 00:49:17,640
Speaker 1: Well, he might, I mean, why does it have to

997
00:49:17,680 --> 00:49:21,520
Speaker 1: be a standard monol? Like could be one of the

998
00:49:21,600 --> 00:49:24,640
Speaker 1: really funny ones the people.

999
00:49:25,640 --> 00:49:28,880
Speaker 2: The monologue will be a little different when I do it.

1000
00:49:29,880 --> 00:49:31,279
Speaker 5: Do you mean like it's going to be like an

1001
00:49:31,560 --> 00:49:34,960
Speaker 5: edgy bit of stand up m maybe like show a

1002
00:49:35,040 --> 00:49:36,480
Speaker 5: home movie of yours or something like that.

1003
00:49:36,960 --> 00:49:41,680
Speaker 4: I might do an old like like an old standard

1004
00:49:42,600 --> 00:49:45,200
Speaker 4: like I might do like a big musical number.

1005
00:49:45,320 --> 00:49:48,040
Speaker 2: I might do make them laugh and I'm doing backflips

1006
00:49:48,080 --> 00:49:48,640
Speaker 2: off the wall.

1007
00:49:49,760 --> 00:49:51,840
Speaker 1: They're also might I just want to leave open the

1008
00:49:51,880 --> 00:49:54,120
Speaker 1: possible to make them. But they might have to pivot.

1009
00:49:54,239 --> 00:49:57,840
Speaker 1: It's a live show and they might need the monologue

1010
00:49:57,880 --> 00:50:01,120
Speaker 1: to explain the cold open. Yeah yeah, yeah, yeah, you

1011
00:50:01,239 --> 00:50:02,920
Speaker 1: might have to go back and just be like, hey,

1012
00:50:03,000 --> 00:50:05,080
Speaker 1: we're getting a lot of questions about.

1013
00:50:05,040 --> 00:50:07,720
Speaker 2: About the cold about the cold open, what happened?

1014
00:50:07,840 --> 00:50:08,719
Speaker 1: Why was it like that?

1015
00:50:09,040 --> 00:50:12,360
Speaker 5: Yeah, here's here's here's some here's some inside for everybody.

1016
00:50:12,840 --> 00:50:16,400
Speaker 5: So last time Schumer hosted, she actually was on YouTube

1017
00:50:16,440 --> 00:50:20,239
Speaker 5: comment duty, you know, because they're releasing the sketches and

1018
00:50:20,719 --> 00:50:22,800
Speaker 5: she's she had to spend the first fifteen minutes of

1019
00:50:22,800 --> 00:50:25,759
Speaker 5: her monologue just sort of answering YouTube comment questions about what.

1020
00:50:25,800 --> 00:50:27,719
Speaker 1: Had happened in the cold open. I'm not even lying

1021
00:50:27,760 --> 00:50:29,600
Speaker 1: about it, yeah, because some of them are pretty urgent.

1022
00:50:29,760 --> 00:50:31,560
Speaker 1: They're pretty urgent. I mean they down there.

1023
00:50:31,800 --> 00:50:34,239
Speaker 4: Because you've got and speaking of people being scared, and

1024
00:50:34,320 --> 00:50:36,960
Speaker 4: then yeah, so universal people get so scared.

1025
00:50:37,120 --> 00:50:38,280
Speaker 3: Some of the people need money.

1026
00:50:38,800 --> 00:50:39,719
Speaker 1: Some people need money.

1027
00:50:39,920 --> 00:50:43,560
Speaker 5: Some people are billionaires that are commenting, saying comment back

1028
00:50:43,600 --> 00:50:44,760
Speaker 5: to me for the first five people.

1029
00:50:45,480 --> 00:50:48,000
Speaker 3: We can connect those can use those people to.

1030
00:50:48,040 --> 00:50:50,000
Speaker 5: The people who need money that billionaires are giving them

1031
00:50:50,080 --> 00:50:53,520
Speaker 5: money away on a YouTube comment. That's the first duty

1032
00:50:53,719 --> 00:50:55,920
Speaker 5: I think of what we do on the show. And

1033
00:50:56,000 --> 00:51:00,480
Speaker 5: then after that there are you know, certain other questions

1034
00:51:00,480 --> 00:51:03,200
Speaker 5: that need to be addressed legally immediately. Where's the hospital?

1035
00:51:03,719 --> 00:51:07,120
Speaker 1: Yeah? Yeah, you know, how do I get a PPP loan? Right?

1036
00:51:07,920 --> 00:51:10,440
Speaker 5: So Schumer and Schumer was such a champ about answering

1037
00:51:10,440 --> 00:51:13,440
Speaker 5: those YouTube comments. That's really the first fifty minutes of

1038
00:51:13,480 --> 00:51:15,520
Speaker 5: her monologuelast that's really fucking cool.

1039
00:51:15,840 --> 00:51:17,000
Speaker 1: I think that's so fucking cool.

1040
00:51:17,440 --> 00:51:18,480
Speaker 2: That's so fucking cool.

1041
00:51:18,760 --> 00:51:22,880
Speaker 1: So maybe we get really fucking cool. Is the fucking

1042
00:51:23,360 --> 00:51:26,040
Speaker 1: boss of all bosses for doing that, she's a really

1043
00:51:26,120 --> 00:51:27,640
Speaker 1: she's a good friend boss status.

1044
00:51:27,760 --> 00:51:29,400
Speaker 2: I'm happy that you're getting along.

1045
00:51:29,840 --> 00:51:32,200
Speaker 1: We haven't getting along. Yeah. Yeah, she's a good friend. Yeah.

1046
00:51:32,400 --> 00:51:36,840
Speaker 2: Yeah, because I know that you don't always stay inside

1047
00:51:36,880 --> 00:51:37,480
Speaker 2: that circle.

1048
00:51:38,800 --> 00:51:40,719
Speaker 1: I have a kid, now, you know. It's yeah, things

1049
00:51:40,760 --> 00:51:44,080
Speaker 1: are different. Yeah. And the way you treat the hosts

1050
00:51:45,120 --> 00:51:47,440
Speaker 1: on the first day like that you that they need

1051
00:51:47,520 --> 00:51:50,400
Speaker 1: to go through some kind of arc, like with you,

1052
00:51:50,680 --> 00:51:52,080
Speaker 1: Like when they show up on the first day, you're

1053
00:51:52,160 --> 00:51:55,799
Speaker 1: kind of like, oh, hey, m m yeah, I guess

1054
00:51:55,880 --> 00:51:57,400
Speaker 1: you think you can just come in here and do

1055
00:51:57,560 --> 00:51:57,920
Speaker 1: what we do.

1056
00:51:58,560 --> 00:52:01,000
Speaker 5: No, there needs to be that. That's sort of something

1057
00:52:01,080 --> 00:52:02,960
Speaker 5: that's really important. I think to the magic of the

1058
00:52:03,000 --> 00:52:05,200
Speaker 5: show is that there should be kind of a character

1059
00:52:05,480 --> 00:52:08,720
Speaker 5: arc throughout the week with the host Yes. For instance,

1060
00:52:10,000 --> 00:52:14,960
Speaker 5: when Ronny Malleck hosted Yeah opening, Like my first impression

1061
00:52:14,960 --> 00:52:17,600
Speaker 5: of Robbie Mallock, he's throwing all of my clothes out

1062
00:52:17,640 --> 00:52:19,600
Speaker 5: of the top of an apartment building window and.

1063
00:52:19,600 --> 00:52:21,640
Speaker 1: He's saying, you, you asshole.

1064
00:52:22,080 --> 00:52:24,759
Speaker 5: Yeah, I gave you everything, get your own apartment, and

1065
00:52:24,840 --> 00:52:26,640
Speaker 5: then I'm back at square one. And that's how I

1066
00:52:26,719 --> 00:52:31,000
Speaker 5: started that week, right, But I think and I had

1067
00:52:31,040 --> 00:52:33,520
Speaker 5: to find a way to be in a French in

1068
00:52:33,560 --> 00:52:34,680
Speaker 5: a relationship with him again.

1069
00:52:34,719 --> 00:52:35,960
Speaker 2: By the end, he's mister robot.

1070
00:52:37,640 --> 00:52:38,880
Speaker 5: He's more than mister robot.

1071
00:52:38,960 --> 00:52:39,080
Speaker 1: Man.

1072
00:52:39,280 --> 00:52:42,680
Speaker 5: Yeah, I mean people, really, I feel like I feel

1073
00:52:42,680 --> 00:52:45,200
Speaker 5: like he gets boxed into that hole a lot. But

1074
00:52:45,360 --> 00:52:48,080
Speaker 5: you got to see him. You got to see him

1075
00:52:48,480 --> 00:52:50,840
Speaker 5: in his different like little modes that he gets in.

1076
00:52:51,080 --> 00:52:52,680
Speaker 2: He's going he's going nuts.

1077
00:52:52,960 --> 00:52:55,600
Speaker 1: But the way like you set it up on like

1078
00:52:55,840 --> 00:53:00,040
Speaker 1: day one or whatever, Tuesday, and then I think you're building.

1079
00:52:59,760 --> 00:53:04,000
Speaker 5: To firsday is Thursday, Thursday, Thursday, Friday, Saturdays.

1080
00:53:03,560 --> 00:53:06,600
Speaker 1: God forbid, you get a week of work once in

1081
00:53:06,680 --> 00:53:12,439
Speaker 1: your life. You are sort of building towards the after party. Yeah,

1082
00:53:13,000 --> 00:53:15,800
Speaker 1: where I think you're The intention is for you to

1083
00:53:15,880 --> 00:53:19,320
Speaker 1: be like, hey, man, I just want to apologize for

1084
00:53:19,640 --> 00:53:23,239
Speaker 1: for how I was acting. Yeah, you got it, man,

1085
00:53:23,400 --> 00:53:26,680
Speaker 1: you showed me like and then like it was to

1086
00:53:26,880 --> 00:53:28,160
Speaker 1: get this out of you.

1087
00:53:29,040 --> 00:53:32,000
Speaker 2: All the ship I did. It was to get you

1088
00:53:32,200 --> 00:53:34,360
Speaker 2: ready because like you don't know until you're in it.

1089
00:53:34,880 --> 00:53:37,319
Speaker 2: But I gave you all the tools, and that's why

1090
00:53:37,520 --> 00:53:42,040
Speaker 2: this episode was so so good special, and.

1091
00:53:42,360 --> 00:53:43,040
Speaker 3: They're not there.

1092
00:53:43,560 --> 00:53:45,880
Speaker 1: Nobody wants to hang out with you, no one, like

1093
00:53:46,040 --> 00:53:49,440
Speaker 1: everyone at this point has been told about a different party.

1094
00:53:49,800 --> 00:53:53,319
Speaker 5: Sucks your party, yeah, and my party is obvious, it's

1095
00:53:53,360 --> 00:53:57,480
Speaker 5: fake and it's sucks so hard. Yeah, I was wondering

1096
00:53:57,560 --> 00:54:00,960
Speaker 5: why I sort of, you know, I'm served a fizzy

1097
00:54:01,040 --> 00:54:02,920
Speaker 5: drink and fall asleep and wake up at my apartment

1098
00:54:02,960 --> 00:54:03,839
Speaker 5: at the end of the night.

1099
00:54:03,920 --> 00:54:06,920
Speaker 1: They just didn't want to bother like staging it anymore.

1100
00:54:07,200 --> 00:54:09,480
Speaker 1: Like so now it is just poisoning you. I mean,

1101
00:54:09,600 --> 00:54:12,640
Speaker 1: it's it's not even like a harm.

1102
00:54:12,719 --> 00:54:15,440
Speaker 5: That answers a lot of questions for me. Yeah, and

1103
00:54:15,640 --> 00:54:17,920
Speaker 5: I would, and you know, I'd say that's justified, you know,

1104
00:54:18,040 --> 00:54:18,319
Speaker 5: as the.

1105
00:54:19,440 --> 00:54:20,800
Speaker 3: They want to they want to kill you.

1106
00:54:21,040 --> 00:54:23,480
Speaker 4: We do need to get into the voices a little bit,

1107
00:54:23,719 --> 00:54:27,440
Speaker 4: just because we are the end of time, and so,

1108
00:54:27,640 --> 00:54:31,080
Speaker 4: like I do want to hear from Usher. I would

1109
00:54:31,400 --> 00:54:35,200
Speaker 4: like Usher to be doing like something maybe you wouldn't

1110
00:54:35,239 --> 00:54:36,120
Speaker 4: expect Usher to.

1111
00:54:36,280 --> 00:54:39,279
Speaker 1: Do, Like that's sort of what I always love about

1112
00:54:39,440 --> 00:54:42,920
Speaker 1: some familiar elements, of course, but also something in there.

1113
00:54:43,080 --> 00:54:46,239
Speaker 4: Something to seize onto and recognize. But then also like wait,

1114
00:54:46,520 --> 00:54:49,759
Speaker 4: he's what, like he's where like I and I don't

1115
00:54:49,800 --> 00:54:50,520
Speaker 4: know if he's.

1116
00:54:51,280 --> 00:54:56,120
Speaker 1: The zoo or I guess I've at the zoo. Yeah yeah, yeah,

1117
00:54:56,360 --> 00:55:00,000
Speaker 1: and not like we we He has a song about

1118
00:55:00,040 --> 00:55:02,279
Speaker 1: how he likes to have sex in the bathroom, so

1119
00:55:02,760 --> 00:55:05,200
Speaker 1: like that that's not an example of something, So I'm

1120
00:55:05,280 --> 00:55:08,479
Speaker 1: not gonna here's an entire song about like how having

1121
00:55:08,560 --> 00:55:10,719
Speaker 1: sex in the bathroom is something that he likes to

1122
00:55:11,200 --> 00:55:13,319
Speaker 1: in real life. Usher has a song about this. Yeah,

1123
00:55:13,360 --> 00:55:15,839
Speaker 1: I mean it's like a public bathroom at a Yeah,

1124
00:55:16,200 --> 00:55:19,440
Speaker 1: like it's in a club, but it's the club bathroom.

1125
00:55:19,520 --> 00:55:20,800
Speaker 3: Yeah, it's the bathroom.

1126
00:55:20,920 --> 00:55:22,280
Speaker 2: It's the bathroom part of the class.

1127
00:55:22,280 --> 00:55:25,360
Speaker 5: And he's like talking about like I love the Dison

1128
00:55:25,400 --> 00:55:28,600
Speaker 5: air blade. I love how you I love how I

1129
00:55:28,960 --> 00:55:31,000
Speaker 5: backed you up onto the Dyson air Blade.

1130
00:55:31,040 --> 00:55:33,520
Speaker 1: I don't think they had that at the time that

1131
00:55:33,680 --> 00:55:36,920
Speaker 1: the song came out. I don't think they had invented

1132
00:55:37,000 --> 00:55:41,120
Speaker 1: the Dyson air blades, like the con Air. He's talking

1133
00:55:41,160 --> 00:55:44,680
Speaker 1: about the con Air air that's more inefficient.

1134
00:55:45,200 --> 00:55:47,200
Speaker 5: That was Yeah, has like a little picture of a

1135
00:55:47,280 --> 00:55:49,520
Speaker 5: tree on it, but it takes like, yeah, thirty minutes

1136
00:55:49,560 --> 00:55:50,160
Speaker 5: to try your hands.

1137
00:55:50,320 --> 00:55:52,640
Speaker 1: Yeah, he's talking about that, But that's not an example

1138
00:55:52,680 --> 00:55:53,960
Speaker 1: of something that would like surprise me.

1139
00:55:54,040 --> 00:55:56,480
Speaker 2: If you'd be like no, because he did that, it

1140
00:55:56,520 --> 00:55:58,719
Speaker 2: would be something that he hasn't said.

1141
00:55:59,480 --> 00:56:00,640
Speaker 5: I think I can can only do.

1142
00:56:01,040 --> 00:56:01,200
Speaker 1: See.

1143
00:56:01,280 --> 00:56:03,640
Speaker 5: Here's the thing is, like you find a hook, you

1144
00:56:03,719 --> 00:56:04,520
Speaker 5: get into the voice.

1145
00:56:05,000 --> 00:56:07,879
Speaker 1: I could really only just get into the voice. I think.

1146
00:56:08,560 --> 00:56:10,640
Speaker 5: Well, I'm explaining to my fucking process.

1147
00:56:10,760 --> 00:56:13,200
Speaker 3: I I know what you're doing.

1148
00:56:14,080 --> 00:56:18,000
Speaker 4: Say problem, Sorry not to be pretentious. Was Rodin explaining

1149
00:56:18,120 --> 00:56:21,360
Speaker 4: his process or was he just going, here's the sculpture.

1150
00:56:22,560 --> 00:56:26,120
Speaker 5: I don't mean like check it out from from one

1151
00:56:26,239 --> 00:56:27,440
Speaker 5: Rodan to another.

1152
00:56:27,600 --> 00:56:28,520
Speaker 1: He would never do that.

1153
00:56:29,120 --> 00:56:31,520
Speaker 5: He would never introduce it.

1154
00:56:31,600 --> 00:56:32,920
Speaker 1: He would just let it be what it is.

1155
00:56:33,160 --> 00:56:39,319
Speaker 2: Well then feeling yeah maybe maybe yeah, So to.

1156
00:56:39,440 --> 00:56:45,080
Speaker 1: Not introduce it. Time to change seats now, okay, okay, okay.

1157
00:56:45,280 --> 00:56:47,960
Speaker 2: Here right, So you want to switch just.

1158
00:56:49,440 --> 00:56:51,759
Speaker 3: Them to switching and you have to stay.

1159
00:56:51,880 --> 00:56:56,080
Speaker 1: Okay, good, because I don't I shouldn't become I shouldn't

1160
00:56:56,080 --> 00:56:56,759
Speaker 1: be going for a while.

1161
00:56:56,760 --> 00:56:58,880
Speaker 5: Should we switch the drinks and then switch seats.

1162
00:56:59,239 --> 00:57:00,399
Speaker 2: You want to drinks first?

1163
00:57:00,440 --> 00:57:02,759
Speaker 1: Yeah? I think we should. And my drink is thing

1164
00:57:03,880 --> 00:57:08,479
Speaker 1: mine is empty. Anyway, here's has to stay Okay, okay, okay, Yeah,

1165
00:57:11,920 --> 00:57:14,399
Speaker 1: he's bringing his bag. He has to bring his bag

1166
00:57:14,440 --> 00:57:19,400
Speaker 1: with him. Did I have headphones on? Not during the recording?

1167
00:57:19,720 --> 00:57:20,040
Speaker 1: All right?

1168
00:57:20,360 --> 00:57:22,200
Speaker 3: He did, He did for a second before.

1169
00:57:22,040 --> 00:57:28,120
Speaker 1: Though before Yeah. Okay.

1170
00:57:28,240 --> 00:57:33,960
Speaker 5: So here's Usher using a Dyson air blade.

1171
00:57:33,960 --> 00:57:43,280
Speaker 1: At the zoo. All right, here we go. Oh yeah bye,