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Speaker 1: Good morning Usa yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo. Charlomagne is out,

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Speaker 1: but I got two guest hosts this morning. I got

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Speaker 1: my wife, gig Casey, she's back in the building and

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Speaker 1: Clodia and Jordan is back here. Good morning, It's Friday.

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Speaker 2: Hey, good money, Hello, Hello, hello, beautiful people.

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Speaker 3: We finally get to meet in person. Yes, I comment

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Speaker 3: on your paid sometimes you. I love your voice and

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Speaker 3: you look so pretty.

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Speaker 2: So thank you as do you gorgeous? Thank you, thank you.

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Speaker 2: We have a tag team your husband today.

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Speaker 1: Yes, that's not nice.

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Speaker 4: You know what.

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Speaker 5: I think that we should make him feel equally as

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Speaker 5: uncomfortable as they make the listeners feel.

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Speaker 2: Maybe we should flirt with each other.

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Speaker 5: Okay, well we can be on some lesbian I think

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Speaker 5: I think I think we owe that sautiful Okay.

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Speaker 2: I mean they're very gay in front of me, exactly exactly.

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Speaker 2: I think it's time for a little bit of payback.

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Speaker 3: Okay, comment I don't care, all right, And he's like,

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Speaker 3: don't ThReD music.

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Speaker 2: Okay, wait, I don't think that worked out like we know.

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Speaker 6: I think I might want to take it back.

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Speaker 1: I thought about to the other day where we had

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Speaker 1: Jocelyn up here. Why because you called Jocelyn a new

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Speaker 1: blue face and we interviewed her the other day and

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Speaker 1: I was like, damn, I wonder what question Claudia would

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Speaker 1: have asked Jocelyn if you want to, I want to know.

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Speaker 3: With her blue face. And also a few others, what

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Speaker 3: beat are they listening to?

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Speaker 1: A raping two?

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Speaker 2: That's one and I think I heard that.

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Speaker 3: Yeah, we'll talk about her getting into m M A

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Speaker 3: and I think that's a great idea to harness her energy.

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Speaker 2: He's strangely strong for a woman.

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Speaker 1: It's true Jesus Christ.

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Speaker 2: And I was going to help me move some furniture.

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Speaker 1: He's very, very She don't want to beat me up.

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Speaker 1: She stopped beating you up. I can't help you, man,

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Speaker 1: I'll jump in. Thank you. All three of us got

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Speaker 1: the biggest that's right, all right, Well, let's get the

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Speaker 1: show cracking. We got front page news. Of course, we

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Speaker 1: got to talk about the submarine. We've been talking about

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Speaker 1: it for the last couple of days. And I wanted

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Speaker 1: and I prayed, and I wanted them to get those

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Speaker 1: people out of there. But it doesn't seem like that's

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Speaker 1: gonna happen, So we'll talk to Teslin figure out when

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Speaker 1: we come back. And we got more, so don't move.

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Speaker 1: It's the breakfast Club. Good morning, owning everybody at cj

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Speaker 1: n V. Charlamagne the guy. We are the Breakfast Club.

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Speaker 1: We got our guest host with us, Claudia Jordan and

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Speaker 1: Gia Casey, my wife, and let's get in some front

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Speaker 1: page news. Good morning, tes how you feeling tes I'm

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Speaker 1: feeling good.

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Speaker 7: DJ MVY, Good morning, Gia, Good morning Claudia, Beauty. All

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Speaker 7: in the building everywhere, and I'm looking weird so that

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Speaker 7: everybody knows I am in North Carolina this morning. So

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Speaker 7: still tapping into the breakfast club everybody.

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Speaker 1: And we appreciate that. But let's get to start off

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Speaker 1: with some sports. Chris Paul has been traded to the

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Speaker 1: Warriors for Jordan Pool. Actually, first he went to the

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Speaker 1: Washington Wizards, and then the Wizards traded him to the Warriors.

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Speaker 1: So he went to the worst team to back to

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Speaker 1: you know, to one of the top I guess three

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Speaker 1: teams in the league. So congratulations to Chris Paul. Also,

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Speaker 1: we got a ste victim when Banya Mah did I

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Speaker 1: say his name right, probably not, but he was drafted

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Speaker 1: number one yesterday in the draft. He is going to

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Speaker 1: the San Antonio Spurs now. He's seven foot four, seven

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Speaker 1: foot five, he's huge. He's from France. He gets busy.

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Speaker 1: And I also got a salute to I call him

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Speaker 1: my Nephew's name is Derek White Haad. He went from

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Speaker 1: he started from Newark, and he was drafted number twenty

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Speaker 1: two and he's gonna be playing for the Brooklyn Nets.

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Speaker 1: So congratulated. I don't know how that's gonna work because

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Speaker 1: I got a chair for him, but I'm a Knicks fan,

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Speaker 1: so I don't know how that works.

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Speaker 3: Last night, I was at the Brooklyn chop House, shout

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Speaker 3: out to don Puh. I know they were downstairs and

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Speaker 3: waiting for the announcement, so it was super dope. When

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Speaker 3: they announced it, everybody kind of went not so shout

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Speaker 3: out to him, and that's dope.

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Speaker 2: He's getting to play for.

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Speaker 1: Brooklyn Brooklyn and which was originally in Newark, New Jersey,

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Speaker 1: where he's from, which is pretty dope. So congratulations to Dureek.

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Speaker 1: Of course, my assistant Ben saying, who else over there?

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Speaker 1: Quah quah is mom quah? Yes, all right, now where

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Speaker 1: are we starting with. Now, let's let's talk about the submarine.

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Speaker 1: I've been talking about the submarine all week long.

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Speaker 8: Yes, you have, we talked.

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Speaker 7: We've been talking about it every day like all of

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Speaker 7: not even just America, the world. And now the passengers

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Speaker 7: obviously they have confirmed with being perished after desert days

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Speaker 7: of long search for the submersible carrying five people that

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Speaker 7: vanished while on the floor of the Titanic wreckage off

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Speaker 7: the coast of Newfoundland, Canada.

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Speaker 8: Now four, the twenty one.

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Speaker 7: Foot deep sea vessel operated by ocean Gate Exhisitions lost contact,

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Speaker 7: as we know, about an hour and forty five minutes

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Speaker 7: after submerging on Sunday morning. With only ninety six hours

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Speaker 7: of oxygen supply. The amount of breathable air was forecast

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Speaker 7: to run out on Thursday morning, yesterday. Unfortunately, the search

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Speaker 7: came to a close. Let's take a listen to the

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Speaker 7: US Coast Guard a press conference and talk about it

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Speaker 7: on the other side.

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Speaker 1: That's all.

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Speaker 9: Horizon Arctech discovered the tail cone of the titans submersible

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Speaker 9: approximately sixteen hundred feet from the bow of the Titanic

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Speaker 9: on the seafloor. The ROV subsequently found additional debris. In

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Speaker 9: consultation with experts from within the Unified Command, the debris

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Speaker 9: is consistent with the catastrophic loss of the pressure chamber.

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Speaker 9: Upon this determination, we immediately notified the families on behalf

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Speaker 9: of the United States Coast Guard and the entire Unified Command.

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Speaker 9: I offer my deepest condolences to the families.

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Speaker 1: Jesus.

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Speaker 7: Yeah, So the US Coastguards will now be conducting an

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Speaker 7: investigation to determine what caused the titan a submercible to

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Speaker 7: implode underwater near the wreckage, killing all five aboard. Officials

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Speaker 7: say that the twenty one foot long titan was found

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Speaker 7: in pieces of by a remotely operated vehicle on the

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Speaker 7: smooth section of the ocean floor more than two miles

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Speaker 7: beneath the surface. So it wasn't right by the Titanic,

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Speaker 7: but it was still, you know, somewhere in the.

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Speaker 8: In the area. And yeah, you've heard.

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Speaker 7: So many people say so many different things, you know, like, oh,

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Speaker 7: we think this happened, this happened. But I want to

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Speaker 7: remind everybody, you know, this submersible had been down there

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Speaker 7: at least three times, so this wasn't the first.

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Speaker 8: Time, you know, it's went down.

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Speaker 7: But They said that more than likely because it's been

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Speaker 7: more than once that the wear and tear, you know,

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Speaker 7: probably just called some type of you know, hole in

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Speaker 7: it or leak or you know, something like that, and

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Speaker 7: what cause you know, unfortunately, a catastrophic implosion.

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Speaker 1: So what is a catastrophic implosion and that?

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Speaker 7: And we're hearing that a lot of people keep saying that,

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Speaker 7: so I wanted to get the actual definition. It's at

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Speaker 7: the depth of the Titanic, which sits again thirty eight

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Speaker 7: hundred meters below sea level. The pressure reaches three hundred

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Speaker 7: and eighty times the pressure on Earth's surface. I was

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Speaker 7: doing some googling on this envy and you have so

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Speaker 7: many different It was talking about like an elephant on

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Speaker 7: your big toe. Yeah, yeah, one person holding thirty jets

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Speaker 7: jumble tests. Y. Yes, that's the type of pressure we're

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Speaker 7: talking about. So, h when you have any type of

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Speaker 7: leap or anything that water to get in that immense

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Speaker 7: force will cause this massive amount of pressure. Uh, and

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Speaker 7: then it will and flow from the inside. And experts

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Speaker 7: were saying, again, this is all still story developing, like

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Speaker 7: I keep telling people's developing, so it changes. But they

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Speaker 7: said more than likely the victims did not you know,

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Speaker 7: suffer anything. They probably didn't even know what was going on,

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Speaker 7: you know, just imploded and and that was that was it.

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Speaker 6: Fort In, the CEO.

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Speaker 2: Did you hear what he said?

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Speaker 3: He was on Instagram and he was like, before this happened, Uh,

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Speaker 3: people that follow the rules don't really make history.

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Speaker 6: Yes, I saw it, and I just.

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Speaker 3: Was like, it was it's so cringe hearing the stuff

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Speaker 3: you're saying now. Yeah, and then I heard that it

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Speaker 3: was five inches thick.

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Speaker 10: Yeah.

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Speaker 5: The vessel, well, there were a lot of problems with

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Speaker 5: the vessel. There was someone that was within the company

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Speaker 5: that was hired to examine the vessel and he had

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Speaker 5: a launch less of things that were wrong with that

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Speaker 5: and he advised that it was not for use.

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Speaker 2: Fired. They fired him the next day.

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Speaker 7: And not only that, he was also sued for whistleblowing

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Speaker 7: U for you know, telling saying, hey, this.

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Speaker 8: Is an issue, which is that's the eery part.

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Speaker 7: I'm i'm a I watched like every documentary about Titanic,

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Speaker 7: and that's what I find so fascinating because you remember,

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Speaker 7: they also warned the people that made Titanic, you know,

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Speaker 7: that you don't have enough lifeboats and it was all about, well,

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Speaker 7: let's just hurry up and get it.

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Speaker 8: We don't want to mess with aesthetics.

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Speaker 7: And so this was a very similar eiry thing that

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Speaker 7: I look at it as they were also worn.

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Speaker 8: They soothed the guy that he soothed them back, but

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Speaker 8: they were also warned.

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Speaker 7: But he said, you know, if we slow down and

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Speaker 7: get additional inspections, it's going.

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Speaker 2: To slow up progress exactly.

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Speaker 7: So, and so it was all about, you know, trying

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Speaker 7: to be uh, you know, stay ahead of others, you know,

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Speaker 7: to be able to go down there. But I do

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Speaker 7: remind people this particular guy himself, he had explored the Titanic,

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Speaker 7: I believe over twenty times, not in this vessel.

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Speaker 8: Of this submersible. Sorry, but he hasn't been there with

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Speaker 8: twenty times.

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Speaker 7: So they just got really Comfortable's kind of you drive

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Speaker 7: to work every day, you go aroute more than once,

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Speaker 7: and then one day you just have a catastrophe.

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Speaker 8: So it's unfortunate. But they did not get it inspected.

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Speaker 7: It was not approved by the government, and that's what

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Speaker 7: really made this uh an issue.

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Speaker 5: So rest in peace of Creed and the whole the

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Speaker 5: hole was made of carbon fiber when it was supposed

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Speaker 5: to be made of steel, illuminum and other metals.

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Speaker 2: They knew that, and they still let it go.

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Speaker 1: Well, definitely condolences and rest in peace. And you know

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Speaker 1: they had a teenager on that he was nineteen years old.

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Speaker 1: He said he didn't want to go. They said he

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Speaker 1: was scared to go, but it was Father's Day, so

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Speaker 1: he didn't want to let his father down. So that's

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Speaker 1: why he even went on that vessel with his dad.

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Speaker 1: But thank you, Tess. We'll see in a couple of

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Speaker 1: minutes for more Front Page News. Get it off your

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Speaker 1: Chest eight hundred five eight five one oh five one.

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Speaker 1: If you need to vent, phone lines to wide open

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Speaker 1: again eight hundred five eight five one oh five one.

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Speaker 1: Call us up. Let us know what you're doing this weekend,

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Speaker 1: if you feel blessed, if you want to spread some positivity,

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Speaker 1: or you just want to get some things off your chest.

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Speaker 1: The Breakfast Club, Good morning the Breakfast Club. This is

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Speaker 1: your time to get it off your chest. Eight hundred

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Speaker 1: and five eighty five one o five one. We want

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Speaker 1: to hear from you on the Breakfast Club. Hello, who's this?

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Speaker 11: What's up?

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Speaker 1: Draft?

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Speaker 11: What was going on going on?

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Speaker 1: Claudia and Gi is here.

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Speaker 6: Now it's my name right, it's Gia, not Jia.

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Speaker 11: Yeah.

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Speaker 2: I said it wrong once and Susan left my mouth.

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Speaker 2: I'm like, damn it, I'm that's okay, what up?

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Speaker 1: Draft?

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Speaker 12: I'm calling because of course that's not that hilarious. Want

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Speaker 12: to not come to work today after she was down

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Speaker 12: there talking about musty people yesterday and she was trying

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Speaker 12: to holler at musty people yesterday.

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Speaker 1: Well look, it's not that she didn't come to work.

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Speaker 1: She actually was trying to come today, but she had

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Speaker 1: to do something at B E T. And you know, Jess,

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Speaker 1: she's ready for all the smoke. And you better stop

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Speaker 1: calling just Una Larry's I'm gonna fight you, Draft, but

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Speaker 1: I don't want to anybody.

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Speaker 12: Yes, you've been showing up the work ten days out

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Speaker 12: of the seven day work week and now ALTIMSA, and

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Speaker 12: when you're trying to holler at musky people to get

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Speaker 12: other works, don't do that.

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Speaker 3: It sounds like the musty community is outraged, is definitely outraged.

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Speaker 13: Good morning, Good morning, j and the good morning everyone.

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Speaker 1: Hello, Hello, Hello, Hi, get off your chest mine.

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Speaker 13: Okay, So I was wondering if how Gia feels.

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Speaker 2: About it, because I.

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Speaker 13: Know you say you're swinging, then you're.

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Speaker 1: To oh, yeah, you ask how she feels about swinging?

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Speaker 13: Yeah, because it's not that I'm not I'm not trying

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Speaker 13: to tell you I don't think to protect your wife.

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Speaker 13: But it's like, if she's fighting and whatever, the solution

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Speaker 13: may make you without female like when she is with

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Speaker 13: you jumping into swing.

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Speaker 2: So if you're fighting swinging or swinging. No, I was

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Speaker 2: like I thought I was only kidding about the lesbian

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Speaker 2: stuff earlier radio.

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Speaker 1: What you mean about it? Okay?

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Speaker 6: So wait, let's clarify the question what she was.

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Speaker 1: She's asking if if I start swinging in a fight,

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Speaker 1: will you swing as well?

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Speaker 3: I'm not only swinging the opposite if is fighting, Oh

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Speaker 3: you jumping?

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Speaker 1: Oh yeah, without a doubt. Yo, that's the question. Yes,

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Speaker 1: if Gia swing, I swing. I'm not waiting to see

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Speaker 1: what happens.

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Speaker 5: Sings, I swing, If he swings, I'm grabbing the nearest

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Speaker 5: blunt object.

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Speaker 1: There's no fear fight here.

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Speaker 2: Yeah, no, no fair fights when it when it comes

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Speaker 2: to my boat, like let's say.

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Speaker 14: For example, and Claudia, y'all, are m's gonna jump in

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Speaker 14: and take Claudia?

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Speaker 11: Yes?

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Speaker 1: Damn you know.

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Speaker 15: Sorry there, I love Claudia, say something mort they're talking

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Speaker 15: about whooping my ass.

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Speaker 1: Get it off your chest eight hundred and five eight five,

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Speaker 1: one oh five one. If you need to hit us

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Speaker 1: up now, it's the Breakfast Club. Good morning, the Breakfast Club.

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Speaker 1: To get it off your chest. Way up, whether you're

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Speaker 1: man or blessed, time to get up and get some.

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Speaker 16: Call up now eight hundred five five one oh five one.

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Speaker 1: We want to hear from you on the Breakfast Club. Hello,

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Speaker 1: who's this?

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Speaker 17: Good morning from the Bronx.

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Speaker 11: What I see?

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Speaker 1: What the bus drive? I met in the airport? Y?

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Speaker 1: How you feeling out?

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Speaker 11: Good morning?

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Speaker 18: Hi, hi, Hi, I just wanted to shout all this

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Speaker 18: twenty twenty three graduates.

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Speaker 19: I know your son graduated from high school.

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Speaker 1: He did, so.

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Speaker 18: My daughter graduating back and Stack High school next.

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Speaker 2: Week and she's going to Penn State. Yeah, he haratulations.

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Speaker 6: See you we know how much work goes into that

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Speaker 6: as a mom.

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Speaker 1: Does your daughter know what you were doing in a ruba?

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Speaker 11: Ah?

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Speaker 1: Yeah, okay, all right, he was popping that thing for

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Speaker 1: all them seniors out there.

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Speaker 18: That's right, graduation to the parents because you know they

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Speaker 18: went to the making and.

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Speaker 1: Still you know, all right, you that buss are right?

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Speaker 19: All right?

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Speaker 4: Thank you.

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Speaker 1: Now, Christy, I ain't gonna ask you a bunch driving

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Speaker 1: from the Bronx, but your daughter go to hack a sack.

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Speaker 1: I ain't going I ain't even gonna ask.

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Speaker 17: No, I'm working. I live in Jerseys.

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Speaker 2: Okay, wait wait shout shout your daughter out? What's her name?

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Speaker 20: Jayala?

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Speaker 14: Like he's going to stay.

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Speaker 6: Congratulations Jayla, thanks for calling.

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Speaker 1: Hello? Who's this?

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Speaker 11: What's going on? Man? Good morning?

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Speaker 1: Omar. Now oldmos is the brother that call yesterday. He

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Speaker 1: was talking about a truck accident. He was saying that

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Speaker 1: he was driving his eighteen wheeler. The brakes went out

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Speaker 1: on the eighteen wheeler, but instead of slamming into the

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Speaker 1: car in front of him, he drove off the road

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Speaker 1: to save the those people and then wound up being blind.

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Speaker 6: Wait this happened. This happened yesterday.

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Speaker 1: No, No, this happened a couple of months ago. But

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Speaker 1: he called and told us the story yesterday, and he

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Speaker 1: put out his cash. Happen and people people gave you

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Speaker 1: some money.

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Speaker 11: Brother man.

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Speaker 21: I got blessed man, and that's that's why I'm here

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Speaker 21: calling this morning, getting everybody a special thanks.

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Speaker 11: Everybody who donated old Will nine seventy three.

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Speaker 22: Man.

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Speaker 11: That was a blessing man. And I just thank you.

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Speaker 11: And and I want to say good morning to everybody

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Speaker 11: quoting you.

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Speaker 1: Jordan, Good morning.

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Speaker 2: How are you doing now?

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Speaker 1: I have you.

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Speaker 11: I'm trying, man. You know it's tough. You know I

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Speaker 11: have you. So but I'm staying here. You know, I'm

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Speaker 11: just trying to be.

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Speaker 23: Your best guy.

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Speaker 11: To let everybody know that guy. Hell, he's got my appointment.

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Speaker 1: Then okay, brother, Well well again I didn't donate to

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Speaker 1: it yesterday, but I will today. I promise you I will,

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Speaker 1: and shouts everybody again that donated. I'll tell you the

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Speaker 1: story again. He his brakes went out on his truck

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Speaker 1: and instead of hitting the car in front of him,

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Speaker 1: he ran off the road. He wouldn't kill those people

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Speaker 1: wind up crashing and because of the accident, he's now

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Speaker 1: blind so he can't drive. So he was telling this

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Speaker 1: story yesterday. And I tell you my surgery. I tell

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Speaker 1: you I have my I spoke to my attorney yesterday

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Speaker 1: and he said give him a call. I supposed to

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Speaker 1: get your number yesterday, but I will give him to

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Speaker 1: him today. So my attorney will be reaching out to

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Speaker 1: you to see if there's anything that he can do

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Speaker 1: to help out in this situation, hopefully he can and

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Speaker 1: get you some more money because the fact that you're

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Speaker 1: blind right now because the brakes on the truck went

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Speaker 1: out from a company that you were driving, that just

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Speaker 1: doesn't seem right.

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Speaker 11: Brother, Yes, sir, and I.

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Speaker 21: Want to give a quick shout out to my two

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Speaker 21: thoughters and my son Maliah Ava Malite.

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Speaker 11: Daddy love you.

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Speaker 21: I can't see you, but I can hear you, and

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Speaker 21: I can sell you.

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Speaker 1: I'm head iright to have given your cash at one

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Speaker 1: more time, because you know it's payday today, so people

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Speaker 1: might want to throw a dollar and they at ten

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Speaker 1: twenty thirty one hundred. Whatever it may be, it's old.

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Speaker 21: The letter O W I nine seventy three.

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Speaker 1: All right, brother, hold on it right cause I gotta

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Speaker 1: get your numb anyway. All right, I didn't get it.

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Speaker 2: I didn't get the cash up, can give it to me.

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Speaker 2: I want to donate too.

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Speaker 1: Oh that's nice, Oh for sure. I yeah, yeah, that's

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Speaker 1: the sad one he called yesterday, and I was just like,

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Speaker 1: damn it, man, he'll never see his kids again. You

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Speaker 1: know what I meant? Totally blond Jesus right, get it

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Speaker 1: off your chest eight hundred and five eight five one

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Speaker 1: oh five one. When we come back. We got rumors?

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Speaker 1: You got us little tease what we're talking about?

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Speaker 3: I do Chloe Kardashian has smoke for Northwest. Find out

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Speaker 3: why she is mad for the baby?

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Speaker 1: For the baby? All right, we'll get into that next.

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Speaker 1: Don't move. It's the Breakfast Club on b E T.

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Speaker 1: The Breakfast Club owning everybody you, Steve j n V. Charlomagne,

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Speaker 1: the God. We are the Breakfast Club. Charlomagne is out

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Speaker 1: until Monday. But we got some guests call host Colodia

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Speaker 1: Jordan and my wife Gee I had here and let's

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Speaker 1: get to the room.

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Speaker 12: Report of name or you gossip when you chatting God?

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Speaker 1: This is the rumor report.

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Speaker 2: I mean, I guess we're on the Breakfast Club. This

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Speaker 2: is where the tea spells right right on the Breakfast Club?

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Speaker 1: Did you dirty? Chlodia Aim, play your intro?

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Speaker 3: I don't really get that, love like I need to

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Speaker 3: get here and I'm a little bit annoyed.

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Speaker 2: Well, I'm going to HR after this.

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Speaker 3: Jesus, they didn't play your intro. My white side is

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Speaker 3: going to HR right after the segment. I deserve to

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Speaker 3: be treated better than this. Damn it all right. Speaking

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Speaker 3: of treatment, Chloe Kardashian, she calls Northwest a monster at

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Speaker 3: the ten year old mortifies her with a prank. So

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Speaker 3: joined the episode of The Kardashians, Chloe was in a

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Speaker 3: hotel room with her knees and she went into an

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Speaker 3: attractive man in the elevator at the hotel. So she's

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Speaker 3: over there, you know, telling everybody like, oh I met

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Speaker 3: a cutie pie whatever. So North over here is this

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Speaker 3: and North is with the HS.

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Speaker 2: She's definitely with it. She is definitely Kanye's daughter. So

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Speaker 2: she decided to do a little prank.

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Speaker 3: She wout a note North, Oh I'm sorry, we had

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Speaker 3: some audio there we go prank fit.

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Speaker 8: North pulled on you.

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Speaker 24: Oh my god, you need to tell me exactly what happened?

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Speaker 6: A monster?

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Speaker 2: What happened?

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Speaker 24: We got back to the hotel around three am and

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Speaker 24: there was a note on my door with a rose,

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Speaker 24: and it was like, I want to take you on

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Speaker 24: the kind of date it's your neighbor, like not two

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Speaker 24: times if you want to go on a date something

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Speaker 24: like that. I forget verbatim, and I'm like, I'm not

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Speaker 24: knocking on a door.

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Speaker 6: At three am.

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Speaker 24: Anyways, the next day I go and do glam. I

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Speaker 24: get off the elevator and I run into him and

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Speaker 24: I was like, thank you so much for your note.

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Speaker 2: He's like, what note?

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Speaker 6: And I was like, shut up.

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Speaker 2: I don't know why I thought North.

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Speaker 25: This note is from my nine year old niece. The

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Speaker 25: thing is North didn't make up this story on her own.

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Speaker 25: Kim obviously helped her. And Kim's for not texting me

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Speaker 25: a heads up.

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Speaker 1: I'm not mad at that. I like, no, I've not

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Speaker 1: fit perfectly with my family, because my.

444
00:19:44,880 --> 00:19:47,200
Speaker 6: Family would do the same thing, same thing.

445
00:19:47,080 --> 00:19:48,640
Speaker 1: And I would be part of it too. I am

446
00:19:48,680 --> 00:19:51,760
Speaker 1: that type. Claudia. I would do the same you know.

447
00:19:51,680 --> 00:19:53,760
Speaker 3: What, She's been living in her life in front of

448
00:19:53,800 --> 00:19:56,920
Speaker 3: the cameras. She knows this is good content, right, and

449
00:19:56,960 --> 00:19:59,280
Speaker 3: maybe Kim nudser. But I'm not mad at because look

450
00:19:59,320 --> 00:20:00,880
Speaker 3: we're talking about it here in the breakfast club.

451
00:20:01,400 --> 00:20:03,600
Speaker 1: Clauda. If we were ever in the same hotel room

452
00:20:03,640 --> 00:20:05,560
Speaker 1: and you were in the room next to mine and

453
00:20:05,600 --> 00:20:07,280
Speaker 1: I seen you liking a guy, I would do the

454
00:20:07,400 --> 00:20:08,359
Speaker 1: same thing.

455
00:20:08,560 --> 00:20:11,680
Speaker 5: This played out on Keeping Up at the Kardashian of Course,

456
00:20:11,800 --> 00:20:14,639
Speaker 5: or whatever their new show was, yeah, of course, come on,

457
00:20:14,720 --> 00:20:17,360
Speaker 5: let's can we not act like, you know, we're stupid.

458
00:20:17,720 --> 00:20:19,400
Speaker 2: They did it because the cameras are rolling.

459
00:20:19,480 --> 00:20:20,920
Speaker 1: Yeah, but I think I feel like north will do

460
00:20:20,960 --> 00:20:21,359
Speaker 1: it anyway.

461
00:20:21,680 --> 00:20:27,200
Speaker 5: Yeah, but obviously that they're on television and they're filming

462
00:20:28,080 --> 00:20:30,760
Speaker 5: gave the nudge to go ahead with the prank, right,

463
00:20:30,840 --> 00:20:31,760
Speaker 5: I think it's hilarious.

464
00:20:32,040 --> 00:20:34,119
Speaker 2: She was all like, hey, I got your note, and

465
00:20:34,160 --> 00:20:38,920
Speaker 2: he's like, lady, what are you talking about? That's embarrassing?

466
00:20:38,960 --> 00:20:41,840
Speaker 3: All right, Absolutely a little Northwest getting it in, getting

467
00:20:41,880 --> 00:20:43,399
Speaker 3: her camera time. All right, let me go to the

468
00:20:43,480 --> 00:20:48,359
Speaker 3: next So listen Cardi B and Tasha be Tasha Kay's

469
00:20:48,560 --> 00:20:54,639
Speaker 3: beef explodes again over mentioning Takeoff. So Cardib responded to

470
00:20:54,720 --> 00:20:58,520
Speaker 3: Tasha Kay after the YouTuber mentioned takeoff in relation to

471
00:20:58,520 --> 00:21:02,920
Speaker 3: Cardib's video about the missing Tie Titanic vehicle. Remember when

472
00:21:02,960 --> 00:21:05,840
Speaker 3: it went down? Carti said she thought it was in

473
00:21:05,920 --> 00:21:08,040
Speaker 3: bad taste that the son of one of the rich

474
00:21:08,040 --> 00:21:11,639
Speaker 3: guys on the vehicle on the boat submersibul I always

475
00:21:11,640 --> 00:21:16,119
Speaker 3: say the wrong Okay was out there partying. So Tasha

476
00:21:16,240 --> 00:21:19,240
Speaker 3: Kay chimed in and said, didn't you have guns around you?

477
00:21:19,320 --> 00:21:22,159
Speaker 3: Right after the death of takeoff, so that kind of

478
00:21:22,200 --> 00:21:25,080
Speaker 3: reignited the beef. So under the clip of Cardi talking

479
00:21:25,080 --> 00:21:27,960
Speaker 3: about the step son, Tasha K appeared to accuse Cardi

480
00:21:28,040 --> 00:21:31,199
Speaker 3: of hypocrisy about the way she handled her own grief.

481
00:21:31,560 --> 00:21:35,640
Speaker 3: So on Thursday, Tasha dropped a sarcastic bomb mass as

482
00:21:35,680 --> 00:21:38,560
Speaker 3: an apology, and she, you know, it was being very

483
00:21:38,560 --> 00:21:42,040
Speaker 3: sarcastic in her apology to TASHAK, to Cardi B, they

484
00:21:42,119 --> 00:21:45,320
Speaker 3: definitely still have beef and it's not going anywhere anytime soon.

485
00:21:45,760 --> 00:21:47,800
Speaker 3: You would think that it would, like I thought with

486
00:21:47,840 --> 00:21:50,400
Speaker 3: the lawsuit that maybe things will calm down, but it's

487
00:21:50,440 --> 00:21:52,399
Speaker 3: definitely not And I don't see an end to this

488
00:21:52,440 --> 00:21:54,159
Speaker 3: anytime Inside do you guys see any end to this?

489
00:21:54,359 --> 00:21:56,399
Speaker 1: Well, Cardi B Suda and one for a couple of

490
00:21:56,480 --> 00:21:58,160
Speaker 1: million dollars and Tasha Ki is gonna have to pay

491
00:21:58,200 --> 00:22:00,760
Speaker 1: that millions of dollars. And its the point where I

492
00:22:00,760 --> 00:22:02,680
Speaker 1: guess Tasha is like, look, I ain't got nothing to lose,

493
00:22:02,680 --> 00:22:04,520
Speaker 1: so I'm gonna keep poking the bed. But what she

494
00:22:04,520 --> 00:22:07,119
Speaker 1: don't understand is is Cardi B and fifty Cent have

495
00:22:07,160 --> 00:22:09,440
Speaker 1: the same energy. They gonna keep trying to get their money.

496
00:22:09,480 --> 00:22:11,240
Speaker 1: They gonna try to get their money. Every time you

497
00:22:11,280 --> 00:22:13,120
Speaker 1: try to eat, every time you try to buy a car,

498
00:22:13,280 --> 00:22:15,000
Speaker 1: you try to buy a bag, you try to take

499
00:22:15,040 --> 00:22:17,320
Speaker 1: a trip, you try to get you know, a hot

500
00:22:17,320 --> 00:22:20,159
Speaker 1: dog at Nathan's. They're gonna come get their money. So

501
00:22:20,200 --> 00:22:22,880
Speaker 1: I wouldn't mess with Cardib's attorneys or fifty cents attorneys.

502
00:22:22,880 --> 00:22:24,639
Speaker 1: But if Tasha k want to keep playing, what if

503
00:22:24,680 --> 00:22:27,399
Speaker 1: they say, play stuper games, get stupid process. Yeah, that's

504
00:22:27,400 --> 00:22:31,119
Speaker 1: exactly what's gonna happen. Katti called Tasha despicable in the tweet.

505
00:22:31,240 --> 00:22:33,280
Speaker 1: She said, to bring up take off to prove a

506
00:22:33,320 --> 00:22:36,040
Speaker 1: fake point is disgusting. I lost weight, I couldn't eat,

507
00:22:36,080 --> 00:22:38,359
Speaker 1: I couldn't sleep. Me and my man are still dealing

508
00:22:38,359 --> 00:22:40,600
Speaker 1: with this till this day. I'm a rapper, we're targeted,

509
00:22:40,720 --> 00:22:43,560
Speaker 1: so of course we have guns for protection. But since

510
00:22:43,560 --> 00:22:45,520
Speaker 1: you want to be funny, I'm gonna make sure your

511
00:22:45,560 --> 00:22:47,640
Speaker 1: kids don't go to college. The only thing my lawyers

512
00:22:47,640 --> 00:22:49,800
Speaker 1: know how to your money in Africa. I'm gonna make

513
00:22:49,840 --> 00:22:51,679
Speaker 1: sure I get every red set of my four million.

514
00:22:52,160 --> 00:22:54,879
Speaker 1: And then you know, Tasha posted her apology.

515
00:22:55,359 --> 00:22:58,320
Speaker 3: It's a very long apology, and Tasha is very clever,

516
00:22:58,480 --> 00:23:01,240
Speaker 3: and they're both very funny. And clever and very entertaining,

517
00:23:01,760 --> 00:23:03,560
Speaker 3: and so I see this thing not really ending anything,

518
00:23:03,760 --> 00:23:04,040
Speaker 3: not at all.

519
00:23:04,560 --> 00:23:06,600
Speaker 5: Let me ask you guys a question though, Yes, because

520
00:23:06,840 --> 00:23:11,040
Speaker 5: I was on Instagram over the weekend and I heard

521
00:23:11,680 --> 00:23:16,239
Speaker 5: I saw a lot of comments about the son of

522
00:23:16,280 --> 00:23:18,120
Speaker 5: the step son of.

523
00:23:17,400 --> 00:23:19,600
Speaker 2: The person that perished in the submersible.

524
00:23:19,720 --> 00:23:19,960
Speaker 1: Yep.

525
00:23:20,280 --> 00:23:23,400
Speaker 5: What do you guys think about his reaction the fact

526
00:23:23,440 --> 00:23:25,080
Speaker 5: that he was out at a Blank one eighty two

527
00:23:25,160 --> 00:23:29,280
Speaker 5: concert and what he said about the fact that he

528
00:23:29,359 --> 00:23:29,640
Speaker 5: was out.

529
00:23:29,760 --> 00:23:33,040
Speaker 1: I mean, everybody handles pain and death differently. I just

530
00:23:33,040 --> 00:23:35,040
Speaker 1: find it weird. But you know, that was the step son.

531
00:23:35,040 --> 00:23:36,400
Speaker 1: You don't even know how close they were. They might

532
00:23:36,400 --> 00:23:38,040
Speaker 1: not have been ever afft with each other. But I

533
00:23:38,119 --> 00:23:41,000
Speaker 1: just figured, if that's your mother's husband, you would still

534
00:23:41,000 --> 00:23:42,800
Speaker 1: be there for mom to console mom even if you

535
00:23:42,800 --> 00:23:44,560
Speaker 1: don't mess with him. That's a good point, you know,

536
00:23:44,600 --> 00:23:46,000
Speaker 1: you still be with your mom. Like, you know, that's

537
00:23:46,040 --> 00:23:48,080
Speaker 1: my mom's husband, So I'm gonna just be there with

538
00:23:48,119 --> 00:23:50,080
Speaker 1: mom to show support to mom, even if I don't

539
00:23:50,160 --> 00:23:52,080
Speaker 1: like him. I just felt that. And the fact is

540
00:23:52,080 --> 00:23:53,800
Speaker 1: he didn't have to post he was at the Blank

541
00:23:53,800 --> 00:23:57,400
Speaker 1: one eighty two concert of blighty two content.

542
00:23:57,440 --> 00:23:57,760
Speaker 23: You know, what I mean.

543
00:23:57,800 --> 00:23:59,080
Speaker 1: He didn't have to post that, he didn't have to

544
00:23:59,119 --> 00:23:59,720
Speaker 1: say he was there.

545
00:23:59,840 --> 00:24:02,680
Speaker 5: I just don't like that the way that everyone tore

546
00:24:02,760 --> 00:24:05,000
Speaker 5: him apart.

547
00:24:04,200 --> 00:24:05,480
Speaker 2: Well, I don't.

548
00:24:05,640 --> 00:24:07,639
Speaker 5: Well, I think that that wasn't in his best interest.

549
00:24:07,960 --> 00:24:11,800
Speaker 5: But I do think that forget about, everybody grieves differently.

550
00:24:11,920 --> 00:24:15,320
Speaker 5: I don't necessarily think that he was preparing himself for grief.

551
00:24:15,560 --> 00:24:18,520
Speaker 5: But my point is, it's so easy to point fingers

552
00:24:18,560 --> 00:24:20,000
Speaker 5: and say what you would do when you're in someone

553
00:24:20,000 --> 00:24:23,280
Speaker 5: else's situation, but you have no idea what their relationship was,

554
00:24:23,520 --> 00:24:26,280
Speaker 5: if they even had a relationship to begin with still mother,

555
00:24:27,160 --> 00:24:29,680
Speaker 5: it's it's not really I think that it's a good

556
00:24:29,680 --> 00:24:31,280
Speaker 5: point that you made that he should have been there

557
00:24:31,280 --> 00:24:33,119
Speaker 5: for the mother, but you don't know, and what you

558
00:24:33,119 --> 00:24:34,760
Speaker 5: don't know the relationship that he has with the mother.

559
00:24:34,960 --> 00:24:37,000
Speaker 2: The post have no idea.

560
00:24:37,200 --> 00:24:38,840
Speaker 1: But the post wasn't just like hey, I'm at blank

561
00:24:38,840 --> 00:24:41,400
Speaker 1: one eight two enjoying myself. He made a whole thing

562
00:24:41,720 --> 00:24:45,160
Speaker 1: as my stepdad is underwater and this submissible. I'm going

563
00:24:45,160 --> 00:24:47,200
Speaker 1: to the Blink one eighty two concert to get these

564
00:24:47,200 --> 00:24:48,120
Speaker 1: things off my mind.

565
00:24:48,160 --> 00:24:48,880
Speaker 20: Like he did.

566
00:24:48,920 --> 00:24:49,760
Speaker 1: The post they wouldn't even know.

567
00:24:49,760 --> 00:24:52,520
Speaker 5: Probably was so I probably felt pressure that he had

568
00:24:52,520 --> 00:24:53,679
Speaker 5: to provide an explanation.

569
00:24:53,840 --> 00:24:56,800
Speaker 2: The optics were bad. Yep, the optics are bad. All

570
00:24:56,840 --> 00:25:00,439
Speaker 2: I'm saying is you don't know what their relationship is. Well,

571
00:25:00,440 --> 00:25:01,320
Speaker 2: he about to get paid.

572
00:25:02,119 --> 00:25:03,720
Speaker 1: Well, he's already paid. They already billionaires.

573
00:25:03,720 --> 00:25:05,280
Speaker 2: Well he said he only had one hundred dollars to

574
00:25:05,359 --> 00:25:06,800
Speaker 2: his name. That's what he said that.

575
00:25:06,880 --> 00:25:09,160
Speaker 5: Yeah, he said, I'm broke. I only have one hundred

576
00:25:09,200 --> 00:25:10,040
Speaker 5: dollars to my name.

577
00:25:10,240 --> 00:25:12,560
Speaker 2: So remember how you go there, you say your kids

578
00:25:12,560 --> 00:25:14,560
Speaker 2: are rich, you are. Yeah, it's kind of the same thing.

579
00:25:14,680 --> 00:25:16,840
Speaker 1: Now. No, but I if I go down, he's not

580
00:25:16,840 --> 00:25:18,560
Speaker 1: there to console his mom. I hope that his mom

581
00:25:18,600 --> 00:25:19,840
Speaker 1: would take him off to Whillel much.

582
00:25:19,840 --> 00:25:21,640
Speaker 2: His relationship is with his mother. And that's the thing.

583
00:25:21,640 --> 00:25:23,640
Speaker 2: I don't think that we should ever presume.

584
00:25:23,960 --> 00:25:26,320
Speaker 1: Well that's what this whole life in this world is

585
00:25:26,359 --> 00:25:27,320
Speaker 1: about his presuming.

586
00:25:27,640 --> 00:25:29,600
Speaker 2: And if not, you wouldn't have a job. Can you

587
00:25:29,600 --> 00:25:31,520
Speaker 2: guys say, can you say the word for me? I

588
00:25:31,920 --> 00:25:33,200
Speaker 2: really struggle with the word.

589
00:25:33,119 --> 00:25:36,640
Speaker 1: Sub submersible to say submarine.

590
00:25:36,200 --> 00:25:38,639
Speaker 3: The bright, the be out, silent, Well, that is your

591
00:25:38,680 --> 00:25:39,359
Speaker 3: rumor report.

592
00:25:39,400 --> 00:25:41,040
Speaker 1: Also, we want to open up the phone lines eight

593
00:25:41,160 --> 00:25:43,120
Speaker 1: hundred and five eight five one oh five to one,

594
00:25:43,359 --> 00:25:45,480
Speaker 1: we want to talk about ladies. If you ever shot

595
00:25:45,520 --> 00:25:47,560
Speaker 1: your shot at a guy, how did that work out?

596
00:25:47,800 --> 00:25:49,600
Speaker 1: Do you see a man that shoot and shoot your shot?

597
00:25:49,600 --> 00:25:51,600
Speaker 1: Did he turn you down? Did it work out well?

598
00:25:51,800 --> 00:25:53,639
Speaker 1: And wanted the producers up here. Her name is Sidney.

599
00:25:53,720 --> 00:25:55,760
Speaker 1: She says, every time she shoots a shot with the man,

600
00:25:56,000 --> 00:25:58,119
Speaker 1: it's usually one hundred percent from the free throw line

601
00:25:58,200 --> 00:26:00,240
Speaker 1: and those are her longest relationships. So we want to

602
00:26:00,240 --> 00:26:01,920
Speaker 1: talk to ladies when we come back. And also when

603
00:26:01,920 --> 00:26:04,000
Speaker 1: we come back, we have front page News, Tesla and

604
00:26:04,040 --> 00:26:06,399
Speaker 1: Figaro's head. So don't move. It's to Breakfast Club. Good Morning,

605
00:26:07,080 --> 00:26:12,000
Speaker 1: the Breakfast Club. Your morning's will never be the same. Sunday,

606
00:26:12,080 --> 00:26:15,439
Speaker 1: June twenty fifth, b ET Awards twenty twenty three is

607
00:26:15,440 --> 00:26:18,639
Speaker 1: more than coaches biggest night. It's hip Hop's greatest celebration.

608
00:26:19,080 --> 00:26:21,680
Speaker 1: Find out which one this year's nominees and music take

609
00:26:21,720 --> 00:26:25,560
Speaker 1: home the trophy. BT Awards twenty twenty three, Live Sunday

610
00:26:25,600 --> 00:26:27,920
Speaker 1: June twenty fifth at eight seventh Central on b ET

611
00:26:28,480 --> 00:26:33,320
Speaker 1: En simulcast across Paramount Owning Everybody. It's DJ Envy, Charlomagne,

612
00:26:33,359 --> 00:26:36,159
Speaker 1: the God. We are the Breakfast Club. Charlomagne is out

613
00:26:36,160 --> 00:26:37,879
Speaker 1: a couple of days. He'll be back on Monday. We

614
00:26:37,920 --> 00:26:39,520
Speaker 1: have a couple of co hosts with us this morning.

615
00:26:39,560 --> 00:26:42,760
Speaker 1: We have Clodia, Jordan and my wife Gia. Now let's

616
00:26:42,760 --> 00:26:44,040
Speaker 1: get in some front page news.

617
00:26:44,080 --> 00:26:47,600
Speaker 7: Welcome back, Jess, Yes, good morning, be the Envy. Good morning, Gia,

618
00:26:47,680 --> 00:26:49,240
Speaker 7: Good morning, Claudia.

619
00:26:48,880 --> 00:26:49,560
Speaker 6: Good morning.

620
00:26:50,080 --> 00:26:51,720
Speaker 1: I want to start off with some quick sports. Now,

621
00:26:51,720 --> 00:26:53,720
Speaker 1: if you don't know, Chris Paul was traded to the

622
00:26:53,840 --> 00:26:56,800
Speaker 1: Washington Wizards and then to the Warriors for Jordan Pool.

623
00:26:57,160 --> 00:26:59,200
Speaker 1: Last night was also the NBA draft. We got to

624
00:26:59,200 --> 00:27:02,000
Speaker 1: congratulate Victor that when Bonya ma, I know I said

625
00:27:02,000 --> 00:27:06,719
Speaker 1: that wrong, right with Victim? You know the tall guy,

626
00:27:06,760 --> 00:27:09,240
Speaker 1: he's seven five, you can't miss him, right. He's going

627
00:27:09,320 --> 00:27:13,159
Speaker 1: to the San Antonio Spurs, and I got to congratulate

628
00:27:13,200 --> 00:27:16,240
Speaker 1: I call him my nephew, Derek Whitehead. He is going

629
00:27:16,240 --> 00:27:19,760
Speaker 1: to the Brooklyn History. Yeah, he was picked twenty two.

630
00:27:19,880 --> 00:27:22,840
Speaker 1: He had his draft party last night at Brooklyn chop House.

631
00:27:22,840 --> 00:27:26,560
Speaker 1: So salute to Choir's mom, Salute to his brother to here,

632
00:27:26,760 --> 00:27:30,560
Speaker 1: salute to Ben So congratulations and I can't wait to

633
00:27:30,560 --> 00:27:33,440
Speaker 1: see what he does in the new year. All right now,

634
00:27:33,680 --> 00:27:36,040
Speaker 1: let's talk about these twenty seven kids that went missing

635
00:27:36,359 --> 00:27:38,080
Speaker 1: in like from city to city in weeks.

636
00:27:38,280 --> 00:27:40,680
Speaker 8: Yeah, I definitely want to point this story.

637
00:27:40,720 --> 00:27:42,720
Speaker 7: I shut out to everybody on social media to made

638
00:27:42,720 --> 00:27:45,120
Speaker 7: me aware of this. So obviously we've been talking about

639
00:27:45,160 --> 00:27:48,119
Speaker 7: the submersiball all week as made worldwide news and so

640
00:27:48,320 --> 00:27:50,280
Speaker 7: NV I got a lot of folks hitting me up saying, well,

641
00:27:50,280 --> 00:27:51,760
Speaker 7: what about Cleveland, What about Cleveland?

642
00:27:51,920 --> 00:27:53,200
Speaker 8: And like I told people, there's.

643
00:27:53,040 --> 00:27:57,320
Speaker 7: Over fifteen thousand print publications in the country, so it's

644
00:27:57,320 --> 00:27:59,280
Speaker 7: no way we can follow every single thing. So I

645
00:27:59,280 --> 00:28:01,400
Speaker 7: do appreciate you people bringing my attention to this because

646
00:28:01,400 --> 00:28:03,240
Speaker 7: everybody said, nobody in the media is talking about it,

647
00:28:03,320 --> 00:28:05,520
Speaker 7: so I wanted to bump this up today. According to

648
00:28:05,600 --> 00:28:09,600
Speaker 7: Newberg Heights Police Chief John Majo, as many as twenty

649
00:28:09,640 --> 00:28:13,360
Speaker 7: seven children ages twelve to seventeen have been reported missing

650
00:28:13,440 --> 00:28:18,640
Speaker 7: in the greater Cleveland area between May second and May sixteenth. Now,

651
00:28:18,680 --> 00:28:21,320
Speaker 7: to give you some contexts on what that means, Cleveland

652
00:28:21,320 --> 00:28:24,479
Speaker 7: currently has fifty six after children missing. But that's fifty

653
00:28:24,480 --> 00:28:28,360
Speaker 7: six total guys can combined over a number of years,

654
00:28:28,440 --> 00:28:30,360
Speaker 7: So that's meaning half of.

655
00:28:30,080 --> 00:28:33,120
Speaker 2: The children that they have missing now have all gone missing.

656
00:28:32,840 --> 00:28:35,639
Speaker 7: In the past two weeks, so wory, alarming, and so

657
00:28:35,760 --> 00:28:38,920
Speaker 7: the chief has emphasized that this has never happened before,

658
00:28:38,920 --> 00:28:42,360
Speaker 7: He's never seen this amount of children missing in his

659
00:28:42,440 --> 00:28:47,480
Speaker 7: thirty three year career, and the disappearance hasn't made any noise,

660
00:28:47,600 --> 00:28:50,800
Speaker 7: and so on this particular story, I unfortunately I don't

661
00:28:50,840 --> 00:28:53,480
Speaker 7: have a lot of answers. I have more questions because

662
00:28:53,520 --> 00:28:56,880
Speaker 7: I really want to bring people's attention to ask you know,

663
00:28:56,960 --> 00:28:59,520
Speaker 7: these officers, or to ask the police department and ask

664
00:28:59,560 --> 00:29:01,960
Speaker 7: the FBA to get involved. Give you a couple of

665
00:29:01,960 --> 00:29:03,680
Speaker 7: things that they did make known. They said that the

666
00:29:03,720 --> 00:29:07,520
Speaker 7: disappearances did not make Amber alert, and the reason why

667
00:29:07,560 --> 00:29:10,400
Speaker 7: is because Amber alert they usually have a very strict.

668
00:29:10,160 --> 00:29:13,080
Speaker 8: Criteria that it needs to meet. You need to believe

669
00:29:13,080 --> 00:29:14,480
Speaker 8: that the person is in danger.

670
00:29:14,240 --> 00:29:17,000
Speaker 7: Which obviously I would want, you know, Amber alert from

671
00:29:17,000 --> 00:29:19,160
Speaker 7: my child. So that was interesting to find out. So

672
00:29:19,240 --> 00:29:22,280
Speaker 7: they don't use Amber alert on these children. And the

673
00:29:22,360 --> 00:29:24,400
Speaker 7: chief said that this is the part that I am

674
00:29:24,600 --> 00:29:27,640
Speaker 7: really feeling a way about because one he's saying, you know,

675
00:29:27,800 --> 00:29:30,000
Speaker 7: I have not seen this in my thirty three year career,

676
00:29:30,280 --> 00:29:32,400
Speaker 7: but then he's defaulting to a lot of things that

677
00:29:32,440 --> 00:29:35,840
Speaker 7: we see when we see minority, particularly black children missing

678
00:29:35,880 --> 00:29:37,280
Speaker 7: by saying, well, you know, they could be in a

679
00:29:37,360 --> 00:29:39,720
Speaker 7: drug house, or it could be drug traffick, it could

680
00:29:39,760 --> 00:29:42,360
Speaker 7: be gangs. And yes, while all of that is true,

681
00:29:42,920 --> 00:29:46,640
Speaker 7: obviously there should be an alarm ringing that says.

682
00:29:46,320 --> 00:29:48,680
Speaker 8: Hey, twenty seven kids in two weeks is a lot.

683
00:29:48,760 --> 00:29:51,840
Speaker 7: So I wanted to, you know, ask everybody to hashtag

684
00:29:51,880 --> 00:29:55,960
Speaker 7: Cleveland twenty seven and let's try to get some noise,

685
00:29:56,080 --> 00:29:58,360
Speaker 7: you know, behind this and get some awareness. And I

686
00:29:58,400 --> 00:30:00,560
Speaker 7: did want to say one of the problem they're having

687
00:30:00,680 --> 00:30:02,960
Speaker 7: is on the website, all of the children don't have

688
00:30:03,000 --> 00:30:06,280
Speaker 7: a photo, so it's been hard for them to you know,

689
00:30:06,400 --> 00:30:09,760
Speaker 7: identify in just a couple of things. These I believe,

690
00:30:09,880 --> 00:30:11,640
Speaker 7: and again I don't know because all of the photos

691
00:30:11,680 --> 00:30:12,120
Speaker 7: are out there.

692
00:30:12,240 --> 00:30:14,480
Speaker 8: I believe because we know Cleveland is.

693
00:30:14,520 --> 00:30:17,680
Speaker 7: Highly populated with black folks, but it is children of

694
00:30:17,720 --> 00:30:19,440
Speaker 7: all races that I have seen, you know, but it

695
00:30:19,480 --> 00:30:21,800
Speaker 7: looks like majority black. So I did want to point

696
00:30:21,840 --> 00:30:23,960
Speaker 7: out that when black kids go missing, it is a

697
00:30:24,040 --> 00:30:25,880
Speaker 7: higher rate than kids a white kids.

698
00:30:25,920 --> 00:30:26,840
Speaker 8: I remember you guys.

699
00:30:26,880 --> 00:30:32,080
Speaker 7: Interviewed podcasts are podcasts of Family Erica on Finding Tamika,

700
00:30:32,120 --> 00:30:33,920
Speaker 7: and I just wanted to be able to say families

701
00:30:33,960 --> 00:30:36,480
Speaker 7: are hesitant to call the police because of the distrust

702
00:30:36,480 --> 00:30:38,960
Speaker 7: with the police. They don't get as much media coverage,

703
00:30:39,080 --> 00:30:41,960
Speaker 7: families don't have the resources. So there's a number of

704
00:30:42,000 --> 00:30:44,719
Speaker 7: reasons why you don't hear about our children. And so

705
00:30:44,800 --> 00:30:46,800
Speaker 7: this really does, you know, come up come to us.

706
00:30:46,920 --> 00:30:48,960
Speaker 1: I was going to ask, is are these kids being

707
00:30:49,000 --> 00:30:53,600
Speaker 1: taken from schools, shelters, people's houses. Are they being kidnapped

708
00:30:53,720 --> 00:30:55,480
Speaker 1: or the mules like no idea.

709
00:30:56,080 --> 00:30:58,440
Speaker 7: Yes, they haven't listened anything, you know, they're just kind

710
00:30:58,440 --> 00:31:01,520
Speaker 7: of classifying them as runaways, which is what typically happens,

711
00:31:01,880 --> 00:31:05,360
Speaker 7: particularly when black children are missing, and there's just nothing available.

712
00:31:05,360 --> 00:31:08,640
Speaker 7: You know, I've tried to source everything possible. I got

713
00:31:08,680 --> 00:31:10,840
Speaker 7: hit to the story last night. I'm asking folks to

714
00:31:10,880 --> 00:31:12,720
Speaker 7: hit me up, you know, on Instagram and Tesla and

715
00:31:12,720 --> 00:31:14,440
Speaker 7: febu if you have any additional information.

716
00:31:14,800 --> 00:31:16,480
Speaker 8: Are there any parents out there that are trying to

717
00:31:16,480 --> 00:31:18,880
Speaker 8: get it done. It's just we don't know anything about it.

718
00:31:18,920 --> 00:31:20,480
Speaker 7: And the Chief's kind of like, well, you know, yeah,

719
00:31:20,480 --> 00:31:22,840
Speaker 7: this is a high rate, but it's probably runaways and

720
00:31:22,880 --> 00:31:25,240
Speaker 7: I don't know how, you know, I hope they're taking

721
00:31:25,240 --> 00:31:28,160
Speaker 7: it serious. But from what I have gathered so far,

722
00:31:28,280 --> 00:31:30,960
Speaker 7: it doesn't look like they're putting the amount of time and.

723
00:31:31,320 --> 00:31:33,200
Speaker 8: Energy that they shouldn't be. They're definitely not doing it

724
00:31:33,240 --> 00:31:34,920
Speaker 8: like they did the submersible. Let's put it that way,

725
00:31:34,960 --> 00:31:35,240
Speaker 8: all right.

726
00:31:35,280 --> 00:31:37,960
Speaker 5: Why do you think that black children are disappearing at

727
00:31:38,000 --> 00:31:39,680
Speaker 5: a higher rate than other races.

728
00:31:39,920 --> 00:31:43,280
Speaker 7: Well, when we look at all of the issues that

729
00:31:43,320 --> 00:31:46,320
Speaker 7: we've even found in documentaries, they go missing, but a

730
00:31:46,360 --> 00:31:49,960
Speaker 7: lot of times it could be you know, not even

731
00:31:50,000 --> 00:31:53,200
Speaker 7: having the awareness of if they are missing the resources.

732
00:31:53,200 --> 00:31:55,960
Speaker 7: Sometimes it may be it may not be a kidnapping,

733
00:31:56,040 --> 00:31:58,840
Speaker 7: it may be maybe a gang maybe they got pulled

734
00:31:58,880 --> 00:32:02,080
Speaker 7: into traffic, or it could just simply be you know,

735
00:32:02,160 --> 00:32:02,760
Speaker 7: a runaway.

736
00:32:02,800 --> 00:32:03,479
Speaker 8: But we don't know.

737
00:32:03,560 --> 00:32:06,000
Speaker 7: And that's a good question because the data is never

738
00:32:06,040 --> 00:32:08,800
Speaker 7: there to give us the answers. We know why the

739
00:32:08,800 --> 00:32:11,280
Speaker 7: information is not you know, put out there, why the

740
00:32:11,360 --> 00:32:14,680
Speaker 7: parents may be hesitant, or why we don't find out,

741
00:32:14,720 --> 00:32:16,440
Speaker 7: but we really don't know because they don't spend the

742
00:32:17,320 --> 00:32:19,200
Speaker 7: resources and the data to get you those answers.

743
00:32:19,240 --> 00:32:19,959
Speaker 6: That's the problem.

744
00:32:20,040 --> 00:32:22,120
Speaker 3: You know, what's sad, and not to make it a

745
00:32:22,120 --> 00:32:25,160
Speaker 3: black white thing, but you've we've never had a case

746
00:32:25,240 --> 00:32:29,080
Speaker 3: of missing black kids that have garnered the attention documentaries

747
00:32:29,080 --> 00:32:32,480
Speaker 3: and movies like remember John bene ran rad fact that

748
00:32:32,640 --> 00:32:34,640
Speaker 3: we are still talking about this girl would have been

749
00:32:34,680 --> 00:32:37,000
Speaker 3: like thirty years and then the other girl that was.

750
00:32:36,920 --> 00:32:39,680
Speaker 2: The one that missing, that went missing in Portugal. Oh,

751
00:32:39,760 --> 00:32:40,600
Speaker 2: I don't know about that one.

752
00:32:40,680 --> 00:32:42,880
Speaker 5: Okay, there was a little girl that went missing in Portugal.

753
00:32:42,920 --> 00:32:46,240
Speaker 5: It was a British family. There's a Netflix documentary about it.

754
00:32:46,520 --> 00:32:48,760
Speaker 5: I watched everything that there was about that. I did

755
00:32:48,760 --> 00:32:51,320
Speaker 5: watch everything that there was about John Beney. But they

756
00:32:51,480 --> 00:32:55,960
Speaker 5: always make that very spectacular, but I've never seen one on.

757
00:32:55,920 --> 00:32:59,200
Speaker 1: A Hopefully Tyler Perry could buy b E T and

758
00:32:59,240 --> 00:33:02,680
Speaker 1: he could still create shows like that where we talk

759
00:33:02,720 --> 00:33:05,600
Speaker 1: about our missing children. Because, like you said, when you

760
00:33:05,640 --> 00:33:08,240
Speaker 1: talk about ID and you talk about all these majority

761
00:33:08,320 --> 00:33:11,200
Speaker 1: of the people that's on idea white very much.

762
00:33:11,200 --> 00:33:14,080
Speaker 5: I have to tell you, because I watched the ID channel,

763
00:33:14,440 --> 00:33:19,200
Speaker 5: there is a lot more black families that have been

764
00:33:19,280 --> 00:33:23,080
Speaker 5: victims of murder or kidnapping or assault things of that

765
00:33:23,200 --> 00:33:25,720
Speaker 5: nature since since George Floyd.

766
00:33:25,920 --> 00:33:28,520
Speaker 3: Really, yeah, we shouldn't be surprised, but I still am.

767
00:33:28,760 --> 00:33:30,600
Speaker 3: You know, I just think about the parents and what

768
00:33:30,640 --> 00:33:32,560
Speaker 3: they must feel like their kid doesn't even get an

769
00:33:32,600 --> 00:33:35,320
Speaker 3: Amber alert, correct, And these other kids are getting Netflix

770
00:33:35,400 --> 00:33:38,560
Speaker 3: documentaries thirty years later or twenty years later, ten years later,

771
00:33:38,600 --> 00:33:40,440
Speaker 3: and it's like, it's a blatant in our face.

772
00:33:40,840 --> 00:33:43,440
Speaker 2: You're just not as valuable because your color of your skin.

773
00:33:43,640 --> 00:33:46,320
Speaker 5: Yeah, the idea Channel is making is making a change.

774
00:33:46,560 --> 00:33:48,760
Speaker 5: I noticed that last week. I'm like, wow, there's like

775
00:33:49,000 --> 00:33:51,360
Speaker 5: three episodes in a row and all three are on

776
00:33:51,680 --> 00:33:52,760
Speaker 5: really black families.

777
00:33:52,840 --> 00:33:57,280
Speaker 7: Yeah, just reminding people again, Erica Alexanda, speaking of documentaries,

778
00:33:57,440 --> 00:33:58,920
Speaker 7: you know, you guys interviewed, I just want to say

779
00:33:58,920 --> 00:34:01,480
Speaker 7: it again that finding to me, you know, was something

780
00:34:01,520 --> 00:34:03,040
Speaker 7: you know, that she put together to be able to

781
00:34:03,080 --> 00:34:05,320
Speaker 7: talk about that. So I don't want to say for

782
00:34:05,400 --> 00:34:08,400
Speaker 7: sure that it's more black children that are becoming missing

783
00:34:08,440 --> 00:34:10,600
Speaker 7: than others. But what I do know for sure that

784
00:34:10,680 --> 00:34:12,520
Speaker 7: we do have a data on is they do not

785
00:34:12,800 --> 00:34:15,560
Speaker 7: you know, put the energy you know into finding those children,

786
00:34:15,640 --> 00:34:18,759
Speaker 7: and those reasons are very clear. And so everybody, if

787
00:34:18,760 --> 00:34:21,440
Speaker 7: you can hashtag Cleveland twenty seven, I'm going to try

788
00:34:21,440 --> 00:34:23,040
Speaker 7: to stay on top of as much as i can.

789
00:34:23,239 --> 00:34:24,960
Speaker 7: But it really does take you know. Somebody said, well,

790
00:34:25,000 --> 00:34:26,400
Speaker 7: you have a platform, you can do it, and I

791
00:34:26,440 --> 00:34:28,800
Speaker 7: just want to remind people anytime I've been involved in

792
00:34:28,840 --> 00:34:30,840
Speaker 7: the case, it's always been from the grassroots level.

793
00:34:30,840 --> 00:34:33,000
Speaker 8: You make these stories by what you do.

794
00:34:33,000 --> 00:34:35,399
Speaker 7: Don't assume that just because you don't have a big

795
00:34:35,440 --> 00:34:38,040
Speaker 7: following or I don't have a lot of Instagram followers

796
00:34:38,080 --> 00:34:39,759
Speaker 7: and just waiting on somebody else to do it.

797
00:34:39,840 --> 00:34:40,440
Speaker 8: No, you do it.

798
00:34:40,480 --> 00:34:41,880
Speaker 7: You put it on your Facebook, you put it on

799
00:34:41,880 --> 00:34:44,080
Speaker 7: your Instagram, you put it on Twitter, you hashtag it.

800
00:34:44,120 --> 00:34:46,200
Speaker 7: When I worked for the thirteen black women who were

801
00:34:46,600 --> 00:34:49,359
Speaker 7: raped in Oklahoma City, that was a grassroots effort. Before

802
00:34:49,400 --> 00:34:51,600
Speaker 7: any major platform was covering it. We had to cover

803
00:34:51,640 --> 00:34:53,279
Speaker 7: it on the ground. So guys, please do what you

804
00:34:53,320 --> 00:34:56,240
Speaker 7: can hashtag Cleveland twenty seven and let's make some noise.

805
00:34:56,320 --> 00:34:58,480
Speaker 1: Thank you, tell them we appreciate you. Give everybody the

806
00:34:58,520 --> 00:35:00,440
Speaker 1: information so they could follow you and chat with you,

807
00:35:00,560 --> 00:35:03,880
Speaker 1: and and just by the way, Tesla be on them comments.

808
00:35:03,880 --> 00:35:05,920
Speaker 1: So if you have something to say, oh yeah, you

809
00:35:05,960 --> 00:35:08,680
Speaker 1: think she's wrong, she's there. So if you want to

810
00:35:08,680 --> 00:35:09,600
Speaker 1: holler at her, she's there.

811
00:35:09,640 --> 00:35:12,080
Speaker 7: I'm with it, yes, Poppy, And I call them the

812
00:35:12,120 --> 00:35:16,160
Speaker 7: comment constituents, my comment caucus. You can follow me on

813
00:35:16,239 --> 00:35:18,480
Speaker 7: Instagram at teslim figure and we talk about these stories.

814
00:35:18,520 --> 00:35:19,880
Speaker 8: We digging deep. I go live.

815
00:35:20,280 --> 00:35:22,000
Speaker 7: Shout out to everybody who joined me on the Breakfast

816
00:35:22,000 --> 00:35:22,799
Speaker 7: Club YouTube page.

817
00:35:22,840 --> 00:35:23,279
Speaker 17: The other day.

818
00:35:23,280 --> 00:35:25,600
Speaker 7: I was live and we were, you know, having some conversations.

819
00:35:25,600 --> 00:35:28,319
Speaker 7: So follow me Teslim Figure on Instagram or on Straight

820
00:35:28,360 --> 00:35:30,759
Speaker 7: Shot No Chaser, my podcast where we go into these

821
00:35:31,000 --> 00:35:34,520
Speaker 7: conversations a little bit deeper on the Blackfan Podcast Network.

822
00:35:34,600 --> 00:35:37,480
Speaker 1: All right, thank you, Taz, Absolutely all right. When we

823
00:35:37,520 --> 00:35:39,640
Speaker 1: come back, let's open up the phone lines eight hundred

824
00:35:39,640 --> 00:35:41,879
Speaker 1: and five eight five, one oh five to one. Now

825
00:35:42,120 --> 00:35:44,560
Speaker 1: behind the scenes yesterday, one of the producers we're talking

826
00:35:44,560 --> 00:35:47,560
Speaker 1: about that she shoots her shots with men and every

827
00:35:47,600 --> 00:35:49,719
Speaker 1: time all the women up here said they shoot this

828
00:35:49,800 --> 00:35:51,919
Speaker 1: shot with men, they never missed that one hundred percent

829
00:35:52,080 --> 00:35:54,719
Speaker 1: from from the foul line right. And she also said

830
00:35:54,760 --> 00:35:57,120
Speaker 1: that when she shoots a shot with men, she picks

831
00:35:57,120 --> 00:35:59,480
Speaker 1: the right men and those relationships are the longest. So

832
00:35:59,719 --> 00:36:02,160
Speaker 1: let's open up the phone Lunes eight hundred five eight five,

833
00:36:02,200 --> 00:36:04,560
Speaker 1: one oh five to one. Ladies, do you ever shoot

834
00:36:04,640 --> 00:36:06,840
Speaker 1: your own shot? And if you did, how did it

835
00:36:06,880 --> 00:36:09,640
Speaker 1: turn out? Were you embarrassed? Did it turn out well?

836
00:36:09,800 --> 00:36:10,880
Speaker 1: And I want to hear from you, Claude.

837
00:36:10,920 --> 00:36:12,879
Speaker 6: I'm about to say, I'm dying here. What Claudia has

838
00:36:12,880 --> 00:36:13,359
Speaker 6: to say on this.

839
00:36:13,600 --> 00:36:15,520
Speaker 1: We're gonna talk about it when we come back. Eight

840
00:36:15,600 --> 00:36:18,359
Speaker 1: hundred five eight five one oh five to one. It's

841
00:36:18,400 --> 00:36:21,400
Speaker 1: the Breakfast Club. Good morning, the Breakfast Club.

842
00:36:24,600 --> 00:36:25,640
Speaker 20: It's topic time.

843
00:36:30,719 --> 00:36:32,759
Speaker 16: Called eight hundred five eight five one five one to

844
00:36:32,840 --> 00:36:34,719
Speaker 16: join into the discussion with the Breakfast Club.

845
00:36:35,080 --> 00:36:39,560
Speaker 1: Talk about it morning everybody. It's DJ env Charlemagne the

846
00:36:39,600 --> 00:36:42,839
Speaker 1: gud We are the Breakfast Club. Now Charlomagne is out,

847
00:36:42,880 --> 00:36:44,239
Speaker 1: so we got our guest hosts with us. We have

848
00:36:44,280 --> 00:36:48,040
Speaker 1: Claudia Jordan. My wife Gia is here as well. Now

849
00:36:48,040 --> 00:36:50,359
Speaker 1: we're asking if you're just joining us eight hundred five

850
00:36:50,400 --> 00:36:52,560
Speaker 1: a five one oh five one. Yesterday after the show,

851
00:36:52,640 --> 00:36:54,840
Speaker 1: the ladies of the Breakfast Club were talking about shooting

852
00:36:54,880 --> 00:36:56,799
Speaker 1: their shots and they were saying when they shoot their

853
00:36:56,840 --> 00:36:59,840
Speaker 1: shot with a man, they always hit one hundred percent

854
00:37:00,080 --> 00:37:02,440
Speaker 1: from the line, and they were saying that their relationships

855
00:37:02,440 --> 00:37:04,960
Speaker 1: when they shoot their shot, last a little longer. So

856
00:37:05,000 --> 00:37:07,600
Speaker 1: we're asking, ladies, have you ever shot your shot and

857
00:37:07,719 --> 00:37:10,719
Speaker 1: how did it turn out? Eight hundred five eight five

858
00:37:10,760 --> 00:37:11,560
Speaker 1: one oh five to one.

859
00:37:11,760 --> 00:37:13,640
Speaker 5: I'm going to ask you a question, yes, ma'am, so

860
00:37:13,680 --> 00:37:15,919
Speaker 5: they said that when they shoot their shot from the line,

861
00:37:16,640 --> 00:37:19,920
Speaker 5: it usually goes in. Those are their longest relationships. So

862
00:37:20,000 --> 00:37:22,200
Speaker 5: from a man's point of view, why do you think

863
00:37:22,239 --> 00:37:24,920
Speaker 5: that is? Is it because the man is flattered because

864
00:37:24,920 --> 00:37:27,120
Speaker 5: he knows that the woman is one hundred percent in

865
00:37:27,239 --> 00:37:29,680
Speaker 5: that she really wants to be there, because she approached him,

866
00:37:29,960 --> 00:37:31,280
Speaker 5: because she went for the gusto.

867
00:37:31,440 --> 00:37:32,279
Speaker 2: What do you think it is?

868
00:37:32,840 --> 00:37:34,160
Speaker 1: I think it's a little bit of everything. I mean,

869
00:37:34,200 --> 00:37:36,120
Speaker 1: you still have to look attractive, like you just can't

870
00:37:36,120 --> 00:37:39,280
Speaker 1: shoot your shot, and you know you gotta you know, okay,

871
00:37:39,680 --> 00:37:41,719
Speaker 1: look attractive. You still have to look attraction. You still

872
00:37:41,760 --> 00:37:44,040
Speaker 1: have to be objective, yes, okay, And I think it's

873
00:37:44,080 --> 00:37:45,680
Speaker 1: I think it's dope. I think a lot of times

874
00:37:45,680 --> 00:37:48,839
Speaker 1: I don't think necessarily women shoot their shots as much

875
00:37:48,880 --> 00:37:50,480
Speaker 1: as men do, so I think when they do, it's

876
00:37:50,520 --> 00:37:52,719
Speaker 1: kind of intriguing. Okay, it makes you you don't want

877
00:37:52,760 --> 00:37:54,800
Speaker 1: to see, Well, what is this about. Let's have a conversation,

878
00:37:54,880 --> 00:37:56,640
Speaker 1: let's talk, and then you know. I think most men

879
00:37:56,640 --> 00:37:58,320
Speaker 1: feel like if a woman's shooting the shot, she's probably

880
00:37:58,360 --> 00:37:59,799
Speaker 1: horny and I can probably get it in a little faster.

881
00:38:00,200 --> 00:38:00,520
Speaker 1: I don't know.

882
00:38:00,600 --> 00:38:02,000
Speaker 2: I think we're also more efficient.

883
00:38:02,280 --> 00:38:04,399
Speaker 3: I think men cast a big net and just trying

884
00:38:04,400 --> 00:38:06,960
Speaker 3: to holler at anything. We're bad ass, and we like,

885
00:38:07,080 --> 00:38:08,799
Speaker 3: we'll look at you first, like okay, I could see

886
00:38:08,800 --> 00:38:13,120
Speaker 3: we're looking at the shoes or nails like we've deliberate. Yeah,

887
00:38:13,160 --> 00:38:16,239
Speaker 3: we don't get more deliberate, right, So that's why we

888
00:38:16,239 --> 00:38:17,640
Speaker 3: have a higher success rate.

889
00:38:18,120 --> 00:38:21,440
Speaker 2: You guys just like oh as, we're like, okay, he

890
00:38:21,480 --> 00:38:24,600
Speaker 2: looks stable, Okay, he seems nice, nice smile. We look

891
00:38:24,640 --> 00:38:25,400
Speaker 2: at different things.

892
00:38:25,440 --> 00:38:27,200
Speaker 1: So when's the last time you shot your shot at

893
00:38:27,200 --> 00:38:27,840
Speaker 1: an individual?

894
00:38:28,000 --> 00:38:30,319
Speaker 3: So just straight up with someone I just met, I

895
00:38:30,320 --> 00:38:32,120
Speaker 3: don't really do it that often. I will definitely get

896
00:38:32,160 --> 00:38:34,080
Speaker 3: the cues where like give them the red the green

897
00:38:34,160 --> 00:38:35,400
Speaker 3: light where they know it's okay.

898
00:38:35,280 --> 00:38:37,920
Speaker 1: To ces what's the cue?

899
00:38:38,080 --> 00:38:39,600
Speaker 3: Like you know, you give a little flirty look and

900
00:38:39,719 --> 00:38:41,160
Speaker 3: whatever all that kind of stuff. But I will say

901
00:38:41,200 --> 00:38:42,799
Speaker 3: I did get turned down one time with someone that

902
00:38:42,840 --> 00:38:44,759
Speaker 3: I dated, and I try to spin the block again

903
00:38:45,200 --> 00:38:48,359
Speaker 3: so that this is super embarrassing and I don't take

904
00:38:48,400 --> 00:38:50,319
Speaker 3: it embarrassed. So anyways, this is guy that I thought

905
00:38:50,360 --> 00:38:52,759
Speaker 3: was the one. Okay, so we had broken up.

906
00:38:52,680 --> 00:38:54,400
Speaker 2: But like, no, babe, wait, why'd you break up?

907
00:38:55,280 --> 00:38:57,239
Speaker 3: So we were kind of young, and he came into

908
00:38:57,400 --> 00:39:00,839
Speaker 3: like a big contract and so like he gotta kind

909
00:39:00,840 --> 00:39:02,600
Speaker 3: of go live his life a little bit and have

910
00:39:02,680 --> 00:39:04,600
Speaker 3: his little fun. And I understood that, like I wish

911
00:39:04,600 --> 00:39:06,360
Speaker 3: I would have met him like way before.

912
00:39:06,880 --> 00:39:07,080
Speaker 2: You know.

913
00:39:07,320 --> 00:39:09,480
Speaker 3: Anyways, long story short, I always felt like he was

914
00:39:09,480 --> 00:39:09,959
Speaker 3: like the one.

915
00:39:10,280 --> 00:39:13,320
Speaker 2: So we pleasantly broke up. We just split it, but

916
00:39:13,400 --> 00:39:14,000
Speaker 2: it wasn't bad.

917
00:39:14,600 --> 00:39:17,160
Speaker 3: So he was in town for an awards show and

918
00:39:17,280 --> 00:39:19,560
Speaker 3: they were hosting a party at this place, so I

919
00:39:19,600 --> 00:39:21,880
Speaker 3: knew he was going to be there, so I packed

920
00:39:21,920 --> 00:39:22,880
Speaker 3: an overnight bag.

921
00:39:23,320 --> 00:39:24,280
Speaker 1: Oh, so he was ready.

922
00:39:24,280 --> 00:39:28,400
Speaker 3: He was like, I backed an overnight bag, right, And

923
00:39:28,440 --> 00:39:30,560
Speaker 3: I'm like, thinking, surely he's want to.

924
00:39:30,600 --> 00:39:33,279
Speaker 2: Hang out with me afterwards. Of course, like why would

925
00:39:33,320 --> 00:39:35,800
Speaker 2: you not? He had plans.

926
00:39:36,200 --> 00:39:38,000
Speaker 3: So anyways, at the end of the night, I was hovering,

927
00:39:38,080 --> 00:39:41,719
Speaker 3: you know, like that, oh, you know, whenever I thought

928
00:39:41,760 --> 00:39:44,560
Speaker 3: maybe we would hang out, and he goes, oh, I

929
00:39:44,600 --> 00:39:47,080
Speaker 3: have plans I go with somebody else.

930
00:39:47,160 --> 00:39:51,160
Speaker 2: He's like, yeah, I was like, but I brought up overnight. Jesus,

931
00:39:51,200 --> 00:39:54,000
Speaker 2: you didn't tell him that. No, you didn't, Claudia, Jesus, Claudia,

932
00:39:54,040 --> 00:39:55,960
Speaker 2: tell me, didn't te him that. I said it was

933
00:39:56,080 --> 00:39:59,440
Speaker 2: my eyes, eyes, I said, my eyes.

934
00:39:59,600 --> 00:40:02,640
Speaker 3: So anyway, I wear in the car and I cried right,

935
00:40:03,160 --> 00:40:05,439
Speaker 3: and I filmed I did one of those corny well

936
00:40:05,560 --> 00:40:07,960
Speaker 3: I did the tyres thing. I filmed myself crying right

937
00:40:08,400 --> 00:40:11,840
Speaker 3: to remind myself to never do not, to remind myself

938
00:40:11,840 --> 00:40:13,200
Speaker 3: to never go out like that again.

939
00:40:13,680 --> 00:40:15,360
Speaker 2: And then I told my friends the story, and I

940
00:40:15,480 --> 00:40:16,120
Speaker 2: told them but.

941
00:40:16,120 --> 00:40:19,920
Speaker 3: I to this day they would like put bags underneath

942
00:40:19,960 --> 00:40:20,919
Speaker 3: my comments and time.

943
00:40:21,640 --> 00:40:22,640
Speaker 2: So yeah, I did get shot.

944
00:40:22,680 --> 00:40:23,200
Speaker 1: I did.

945
00:40:24,520 --> 00:40:24,839
Speaker 2: My shot.

946
00:40:25,239 --> 00:40:26,399
Speaker 6: Wait wit and he never called you.

947
00:40:26,360 --> 00:40:29,080
Speaker 2: Back after we talked, but it wasn't We never went there.

948
00:40:29,080 --> 00:40:29,600
Speaker 2: It was awkward.

949
00:40:29,640 --> 00:40:32,040
Speaker 1: It's not going back there now.

950
00:40:32,040 --> 00:40:35,320
Speaker 5: Because for me, logically that doesn't seem like a turndown.

951
00:40:35,440 --> 00:40:37,520
Speaker 5: That seems like, oh maybe I would, but I have

952
00:40:37,760 --> 00:40:41,279
Speaker 5: plans that he turned there all afterwards to say, hey,

953
00:40:41,520 --> 00:40:43,560
Speaker 5: you know, so you brought that overnight bag, so you

954
00:40:43,600 --> 00:40:44,359
Speaker 5: know what's up.

955
00:40:44,440 --> 00:40:48,319
Speaker 1: That's turned down. That's what more was like, you know what,

956
00:40:48,360 --> 00:40:51,279
Speaker 1: I'm cancling on my plans and come on. But since

957
00:40:51,280 --> 00:40:53,000
Speaker 1: he didn't that second.

958
00:40:52,880 --> 00:40:55,919
Speaker 2: We don't know what his plans are.

959
00:40:56,239 --> 00:40:57,440
Speaker 6: I never liked to presume.

960
00:40:57,760 --> 00:41:03,440
Speaker 2: Once again, I came in second, Hello.

961
00:41:04,280 --> 00:41:09,360
Speaker 17: Hi, this is destiny. Destiny Hi, are you calling?

962
00:41:11,000 --> 00:41:13,440
Speaker 11: I love you Cardy, y'all love you of course.

963
00:41:13,320 --> 00:41:21,560
Speaker 1: D they and I love you too. I wanted did

964
00:41:21,560 --> 00:41:23,200
Speaker 1: you shoot your shot at somebody's destiny?

965
00:41:23,840 --> 00:41:27,720
Speaker 19: Okay the one time in life I never did this ever.

966
00:41:28,160 --> 00:41:31,360
Speaker 14: So I was in college and it was like a

967
00:41:31,480 --> 00:41:32,880
Speaker 14: comedy show coming like.

968
00:41:32,960 --> 00:41:36,400
Speaker 3: A wild and wilding out by They came to our

969
00:41:36,560 --> 00:41:38,560
Speaker 3: college and it was this guy.

970
00:41:38,600 --> 00:41:41,239
Speaker 18: He kept looking at me like, and I was telling

971
00:41:41,239 --> 00:41:42,839
Speaker 18: my friends like, oh, he's stut girl.

972
00:41:43,360 --> 00:41:47,239
Speaker 17: And my friend Zoe she said, oh, you're you're so bad.

973
00:41:47,320 --> 00:41:49,000
Speaker 17: Go over there, problem you think you're all that.

974
00:41:49,640 --> 00:41:52,560
Speaker 3: I said, Okay, I'm gonna go talk to him, and

975
00:41:52,800 --> 00:41:54,319
Speaker 3: he literally left in.

976
00:41:54,280 --> 00:41:59,600
Speaker 17: My face and for the following hour he talked about.

977
00:41:59,360 --> 00:42:01,520
Speaker 11: Me in the comedy show.

978
00:42:01,920 --> 00:42:02,640
Speaker 1: Damn it man.

979
00:42:02,920 --> 00:42:04,560
Speaker 5: So when you went up to him and spoke, what

980
00:42:04,640 --> 00:42:07,120
Speaker 5: was it that you said before he laughed in your face?

981
00:42:07,719 --> 00:42:09,839
Speaker 17: I was just like, Hi, I see that we keep

982
00:42:09,920 --> 00:42:11,120
Speaker 17: making I clan bag.

983
00:42:11,480 --> 00:42:14,160
Speaker 14: My name is Susy and.

984
00:42:13,800 --> 00:42:16,360
Speaker 17: I just was trying to see, you know, would like

985
00:42:16,400 --> 00:42:20,000
Speaker 17: to breath some food from the cafeteria la later or

986
00:42:20,040 --> 00:42:22,680
Speaker 17: something like that. It was just something like lame, like.

987
00:42:22,760 --> 00:42:24,000
Speaker 19: Hey did make out?

988
00:42:24,400 --> 00:42:25,040
Speaker 1: Damn that's it?

989
00:42:25,200 --> 00:42:29,200
Speaker 5: Actually like when he got home, say, he was just like,

990
00:42:29,520 --> 00:42:31,080
Speaker 5: I'm married, and he was.

991
00:42:31,040 --> 00:42:33,960
Speaker 17: Like, my wife married me for he was like, so

992
00:42:34,640 --> 00:42:36,239
Speaker 17: I have a bad wife at home.

993
00:42:36,320 --> 00:42:38,920
Speaker 12: He married me from lady and this girl from college

994
00:42:39,280 --> 00:42:41,520
Speaker 12: that's moving on a little small town just trying to

995
00:42:41,560 --> 00:42:42,040
Speaker 12: talk to me.

996
00:42:42,400 --> 00:42:42,640
Speaker 7: Damn.

997
00:42:43,600 --> 00:42:45,000
Speaker 2: I wonder who the comedian was.

998
00:42:45,920 --> 00:42:50,400
Speaker 17: Some low name guy from Savannah, Georgia.

999
00:42:50,440 --> 00:42:52,200
Speaker 1: Did you do the breath check before you went over there?

1000
00:42:52,200 --> 00:42:54,840
Speaker 1: Did you do like to make sure you was good money?

1001
00:42:55,000 --> 00:42:56,560
Speaker 17: I was good, And let me tell you, I was

1002
00:42:57,120 --> 00:43:00,680
Speaker 17: cute that day. I'm a makeup artist. Damn my make

1003
00:43:00,760 --> 00:43:04,160
Speaker 17: up with everything, and even saying like, oh you're you're true,

1004
00:43:04,239 --> 00:43:05,520
Speaker 17: but my wife married me.

1005
00:43:06,200 --> 00:43:07,520
Speaker 11: I'm the kid, damnit.

1006
00:43:09,000 --> 00:43:15,360
Speaker 19: Kept saying literally, sorry.

1007
00:43:13,560 --> 00:43:15,879
Speaker 6: We're for two right now. So as far as kicking

1008
00:43:15,880 --> 00:43:17,400
Speaker 6: it to guys right now, I'm against it.

1009
00:43:17,480 --> 00:43:19,719
Speaker 2: But guys nowadays think they're the bad bitch. Though guys

1010
00:43:19,760 --> 00:43:21,799
Speaker 2: want to be bad problem by I could.

1011
00:43:22,520 --> 00:43:25,120
Speaker 5: I can't imagine kicking it to a guy if I

1012
00:43:25,160 --> 00:43:28,239
Speaker 5: were single. If I were single, I can't imagine they

1013
00:43:28,239 --> 00:43:33,160
Speaker 5: want to be corded them, especially especially now, because men

1014
00:43:33,239 --> 00:43:34,760
Speaker 5: are very, very full of themselves.

1015
00:43:34,760 --> 00:43:37,800
Speaker 2: But they have every reason to be because.

1016
00:43:37,760 --> 00:43:41,359
Speaker 5: Women make them feel that way, like we roll out

1017
00:43:41,400 --> 00:43:45,880
Speaker 5: the red carpet men, and that's the problems.

1018
00:43:45,920 --> 00:43:47,280
Speaker 2: Have you told me that you were a bad bitch?

1019
00:43:47,480 --> 00:43:48,840
Speaker 2: He says it a lot he has said that. So

1020
00:43:49,280 --> 00:43:50,960
Speaker 2: this is nothing is.

1021
00:43:50,920 --> 00:43:52,279
Speaker 6: Definitely say who's you.

1022
00:43:52,600 --> 00:43:53,040
Speaker 2: Or your wife?

1023
00:43:53,400 --> 00:43:53,600
Speaker 1: Oh?

1024
00:43:53,600 --> 00:43:53,879
Speaker 21: My God?

1025
00:43:54,080 --> 00:43:56,200
Speaker 1: Like seconds depends what.

1026
00:43:56,600 --> 00:43:59,440
Speaker 5: God You're supposed to answer that different wednesdays. He's pretty bad.

1027
00:44:00,600 --> 00:44:03,880
Speaker 1: Cross my wife. She don't be calling myself your squinty

1028
00:44:03,920 --> 00:44:08,000
Speaker 1: your line five A five one oh five one? Women, ladies?

1029
00:44:08,040 --> 00:44:09,520
Speaker 1: Do you kick it to men? Do you shoot your

1030
00:44:09,520 --> 00:44:11,640
Speaker 1: shot of the guy? How did that go down? Let's

1031
00:44:11,640 --> 00:44:13,600
Speaker 1: talk about it. It's the Breakfast Club on b e J.

1032
00:44:17,880 --> 00:44:18,759
Speaker 20: It's topic time.

1033
00:44:20,160 --> 00:44:22,680
Speaker 16: Call eight hundred five five five one to join into

1034
00:44:22,719 --> 00:44:24,360
Speaker 16: the discussion with the Breakfast Club.

1035
00:44:25,840 --> 00:44:29,359
Speaker 1: Morning everybody. It's DJ Envy Charlomagne the God. We are

1036
00:44:29,400 --> 00:44:32,000
Speaker 1: the Breakfast Club. Charlomage's out to Monday. We have Claudia

1037
00:44:32,080 --> 00:44:34,680
Speaker 1: Jordan and Gia and my wife as guest host. And

1038
00:44:34,719 --> 00:44:36,719
Speaker 1: we're asking if you're just joining us eight hundred and

1039
00:44:36,719 --> 00:44:38,719
Speaker 1: five A five one oh five, and we're asking women,

1040
00:44:39,040 --> 00:44:41,359
Speaker 1: have you shot your shot? And how did it work out?

1041
00:44:41,520 --> 00:44:43,279
Speaker 1: We were talking behind the scenes yesterday and one of

1042
00:44:43,320 --> 00:44:45,399
Speaker 1: our producers says, she shoots a shot all the time,

1043
00:44:45,640 --> 00:44:48,759
Speaker 1: she's one hundred percent with it, and every relationship that

1044
00:44:48,800 --> 00:44:52,000
Speaker 1: she shot a shot actually lasted the longest. So we're asking, ladies,

1045
00:44:52,280 --> 00:44:54,760
Speaker 1: have you shot your shot? Tracy? Good morning?

1046
00:44:55,080 --> 00:44:55,680
Speaker 19: Good morning?

1047
00:44:55,880 --> 00:44:57,480
Speaker 1: How are you feeling, Tracy? Where are you calling them from?

1048
00:44:57,880 --> 00:45:01,359
Speaker 1: I am am okay, we're talking about shooting your shot?

1049
00:45:01,760 --> 00:45:05,480
Speaker 19: Oh yeah, I had a friend who he was raised

1050
00:45:05,480 --> 00:45:08,560
Speaker 19: by the in laws of my cousin, so he's not related,

1051
00:45:08,640 --> 00:45:12,719
Speaker 19: but he's always he was always around, brilliant, beautiful black man.

1052
00:45:13,080 --> 00:45:16,240
Speaker 19: And three years ago I shot, you know, I shot

1053
00:45:16,280 --> 00:45:18,439
Speaker 19: my shot with him and as the two months ago,

1054
00:45:18,520 --> 00:45:19,240
Speaker 19: he's my husband.

1055
00:45:19,600 --> 00:45:21,960
Speaker 1: Oh wow, nice, it worked for you.

1056
00:45:22,920 --> 00:45:25,480
Speaker 2: So he let you, so he let you bring the

1057
00:45:25,480 --> 00:45:26,120
Speaker 2: overnight bag.

1058
00:45:28,560 --> 00:45:30,120
Speaker 1: So what did you say, how did you highlight him?

1059
00:45:30,120 --> 00:45:31,319
Speaker 1: What was the what was the line?

1060
00:45:31,400 --> 00:45:31,520
Speaker 11: Like?

1061
00:45:31,920 --> 00:45:35,160
Speaker 19: Well, from the beginning, my family, our family has tried

1062
00:45:35,200 --> 00:45:37,080
Speaker 19: to get us together, but one of us was always

1063
00:45:37,120 --> 00:45:39,920
Speaker 19: in a relationship and we don't needed one of us

1064
00:45:40,040 --> 00:45:43,560
Speaker 19: played that kind of thing. So one of us, well

1065
00:45:43,560 --> 00:45:45,720
Speaker 19: most of us were not in a relationship right before

1066
00:45:45,800 --> 00:45:49,919
Speaker 19: COVID and we started hanging together, you know, organically, and

1067
00:45:49,960 --> 00:45:51,680
Speaker 19: he asked me out to dinner one day, and I

1068
00:45:51,760 --> 00:45:53,840
Speaker 19: was like, all right, cool, And then we just started

1069
00:45:53,880 --> 00:45:56,040
Speaker 19: hanging and one day I was just like, you know what,

1070
00:45:56,440 --> 00:45:58,680
Speaker 19: we're not getting no younger, Like, there's obviously a.

1071
00:45:58,560 --> 00:45:59,759
Speaker 17: Connection here, you know.

1072
00:45:59,800 --> 00:46:01,760
Speaker 23: I like you, You're almost like family.

1073
00:46:01,800 --> 00:46:06,200
Speaker 19: I just like you know any further, And to my

1074
00:46:06,640 --> 00:46:09,040
Speaker 19: great surprise, he was thinking the same thing. He just

1075
00:46:09,120 --> 00:46:13,600
Speaker 19: was afraid to ask, and we quarantined together, got into

1076
00:46:13,640 --> 00:46:17,080
Speaker 19: a relationships, got engaged like right towards the end of Kobe,

1077
00:46:17,600 --> 00:46:19,640
Speaker 19: and we got married a couple of months ago.

1078
00:46:20,000 --> 00:46:24,920
Speaker 2: We're happy for you, congratulations.

1079
00:46:23,880 --> 00:46:25,120
Speaker 17: And it's not worked out.

1080
00:46:25,520 --> 00:46:27,040
Speaker 1: Why are you talking all loud? For though?

1081
00:46:27,200 --> 00:46:27,680
Speaker 2: She mad?

1082
00:46:27,840 --> 00:46:28,600
Speaker 20: I'll be mad too.

1083
00:46:28,719 --> 00:46:29,520
Speaker 2: It's stressful.

1084
00:46:31,800 --> 00:46:36,720
Speaker 1: Yeah you what's your name, Troy Rider. That's your mother's

1085
00:46:36,760 --> 00:46:42,319
Speaker 1: name and your dad's name. That is your dad's name. Okay, Well,

1086
00:46:42,360 --> 00:46:44,279
Speaker 1: let's talk about when you shot your shot, mama? And

1087
00:46:44,280 --> 00:46:46,279
Speaker 1: can you take us off bluetooth for speaker or they

1088
00:46:46,280 --> 00:46:47,439
Speaker 1: have phones? You sound a little loud?

1089
00:46:47,840 --> 00:46:49,400
Speaker 19: Okay, thank you all?

1090
00:46:50,880 --> 00:46:51,440
Speaker 20: Not really?

1091
00:46:51,760 --> 00:46:53,560
Speaker 1: Oh there you go. Now you sound good, Troy Reader.

1092
00:46:53,560 --> 00:46:54,920
Speaker 1: Go talk to us when you when did you shoot

1093
00:46:54,920 --> 00:46:55,680
Speaker 1: your shot? Mama?

1094
00:46:55,760 --> 00:46:57,759
Speaker 14: Okay, So when I tell my chi I was working

1095
00:46:57,800 --> 00:46:59,719
Speaker 14: with this guy and I thought he was just like,

1096
00:47:00,000 --> 00:47:01,319
Speaker 14: we're cute, and I wanted to like hang out with

1097
00:47:01,360 --> 00:47:03,319
Speaker 14: him and get to know him. So I was just like, hey,

1098
00:47:03,320 --> 00:47:05,160
Speaker 14: you know, I'm in treaties. Can I take you out?

1099
00:47:05,400 --> 00:47:06,920
Speaker 14: And he was like yes, But he gave me his

1100
00:47:07,040 --> 00:47:10,000
Speaker 14: number and we got to know each other. Of course,

1101
00:47:10,040 --> 00:47:12,480
Speaker 14: we hessed up and had six and all that stuff,

1102
00:47:12,480 --> 00:47:14,239
Speaker 14: but we got to hang out and I got to

1103
00:47:14,320 --> 00:47:15,879
Speaker 14: know him, and that's when I was after. I wasn't

1104
00:47:15,920 --> 00:47:17,719
Speaker 14: trying to like be his white and all that, but

1105
00:47:17,960 --> 00:47:19,640
Speaker 14: I wasn't entreating and I wanted.

1106
00:47:19,400 --> 00:47:19,960
Speaker 23: To know him.

1107
00:47:20,000 --> 00:47:23,359
Speaker 14: So I asked him, now you still yeah, So to me, that.

1108
00:47:23,360 --> 00:47:25,160
Speaker 1: Works out for me, so you're not scared to shoot

1109
00:47:25,200 --> 00:47:25,480
Speaker 1: your shot.

1110
00:47:25,560 --> 00:47:26,480
Speaker 6: You guys are still together.

1111
00:47:26,800 --> 00:47:28,680
Speaker 14: No, we ain't still to get up. So in that sense,

1112
00:47:28,680 --> 00:47:30,480
Speaker 14: it didn't work out. But I wasn't never trying to

1113
00:47:30,480 --> 00:47:33,399
Speaker 14: be his woman, so he didn't work out in that way.

1114
00:47:33,440 --> 00:47:35,200
Speaker 14: But no, I'm not a friend of rejected. It's like

1115
00:47:35,200 --> 00:47:36,920
Speaker 14: either they gonna go they like you, or they not

1116
00:47:36,960 --> 00:47:37,319
Speaker 14: gonna go.

1117
00:47:37,440 --> 00:47:41,160
Speaker 3: So you just want to have a little fun with him,

1118
00:47:41,320 --> 00:47:43,680
Speaker 3: see if you can pull a bad bitch exactly.

1119
00:47:43,719 --> 00:47:45,719
Speaker 14: I mean, not just necessarily just have fun. But I

1120
00:47:45,800 --> 00:47:47,560
Speaker 14: just didn't know him, and I liked him enough to

1121
00:47:47,640 --> 00:47:49,759
Speaker 14: want to like get to know him. So I was like, hey, like,

1122
00:47:49,840 --> 00:47:52,359
Speaker 14: you know, let's hang out. Let's get to each other.

1123
00:47:52,360 --> 00:47:54,000
Speaker 14: Can I take you out? Like blah blah blah, And

1124
00:47:54,000 --> 00:47:54,319
Speaker 14: he was.

1125
00:47:54,280 --> 00:47:55,640
Speaker 5: Like yeah, So we did.

1126
00:47:55,760 --> 00:47:57,319
Speaker 14: As we went out, I hung out of his house.

1127
00:47:57,320 --> 00:47:58,080
Speaker 11: I got to know him.

1128
00:47:58,280 --> 00:48:00,640
Speaker 14: We still talked to this day, but we're not like together.

1129
00:48:01,000 --> 00:48:03,799
Speaker 14: We talk in constantly, but I mean I still still

1130
00:48:03,840 --> 00:48:04,600
Speaker 14: friends on Facebook.

1131
00:48:05,360 --> 00:48:07,920
Speaker 5: Okay, sir ra Sean, let me ask you a question.

1132
00:48:08,360 --> 00:48:10,920
Speaker 5: How do you feel about that masculine energy of a

1133
00:48:10,960 --> 00:48:13,680
Speaker 5: woman saying hey, can I take you out? Not just

1134
00:48:13,719 --> 00:48:15,000
Speaker 5: I want to get to know you, but like I

1135
00:48:15,040 --> 00:48:16,040
Speaker 5: want to take you on a date.

1136
00:48:16,280 --> 00:48:17,680
Speaker 1: I don't know you would like it.

1137
00:48:17,760 --> 00:48:18,160
Speaker 20: I don't care.

1138
00:48:18,360 --> 00:48:20,040
Speaker 3: I was thinking the same thing, like, do guys get

1139
00:48:20,080 --> 00:48:23,440
Speaker 3: turned off by that? In this new bad Bitch era?

1140
00:48:23,680 --> 00:48:25,719
Speaker 3: I think that men are not as turned off by it.

1141
00:48:26,080 --> 00:48:28,080
Speaker 2: I think that there's something psychological there.

1142
00:48:28,280 --> 00:48:30,359
Speaker 1: No, because if I have it, then I don't feel

1143
00:48:30,360 --> 00:48:32,080
Speaker 1: any way about it. But now if I don't.

1144
00:48:31,880 --> 00:48:33,600
Speaker 2: Have it, no, no, let's take let's take money.

1145
00:48:33,640 --> 00:48:35,799
Speaker 5: No no, no, it's not about money it's just about the

1146
00:48:35,840 --> 00:48:38,759
Speaker 5: intention of a woman saying, hey, I want to take

1147
00:48:38,800 --> 00:48:39,120
Speaker 5: you out.

1148
00:48:40,040 --> 00:48:40,920
Speaker 2: It turns me off.

1149
00:48:42,200 --> 00:48:45,520
Speaker 5: No, No, no, the idea of it completely turns me off.

1150
00:48:45,719 --> 00:48:45,959
Speaker 10: No.

1151
00:48:46,040 --> 00:48:48,959
Speaker 6: I feel as though if I'm into a guy and I'm.

1152
00:48:48,920 --> 00:48:51,520
Speaker 5: In his space, if he is attracted to me, if

1153
00:48:51,520 --> 00:48:53,960
Speaker 5: he's interested, he is going to kick it. If he

1154
00:48:54,040 --> 00:48:56,520
Speaker 5: is not, I am not going to push the envelope

1155
00:48:56,640 --> 00:48:59,200
Speaker 5: and put myself on a platter for rejection. And I'm

1156
00:48:59,280 --> 00:49:03,160
Speaker 5: further not going to take on a more masculine energy

1157
00:49:03,200 --> 00:49:05,120
Speaker 5: and say, hey, can I take you out to dinner?

1158
00:49:05,239 --> 00:49:08,760
Speaker 5: But I believe in traditional roles. I like to be courted.

1159
00:49:09,080 --> 00:49:10,759
Speaker 5: Those are things that are important to me.

1160
00:49:11,239 --> 00:49:13,560
Speaker 2: Please stay married, because they're not courting these days.

1161
00:49:13,960 --> 00:49:14,880
Speaker 1: They're not.

1162
00:49:19,640 --> 00:49:20,160
Speaker 20: The whole time.

1163
00:49:20,880 --> 00:49:22,000
Speaker 6: But now here's the thing.

1164
00:49:22,120 --> 00:49:26,560
Speaker 5: Do you feed into that energy by becoming the masculine

1165
00:49:26,640 --> 00:49:29,239
Speaker 5: energy in the relationship, because that's what their expectation is.

1166
00:49:29,480 --> 00:49:31,560
Speaker 3: No, because I'm with you, I'm still holding out. I

1167
00:49:31,920 --> 00:49:33,120
Speaker 3: want that masculine energy.

1168
00:49:33,239 --> 00:49:33,879
Speaker 6: Do you know what I mean?

1169
00:49:33,920 --> 00:49:35,960
Speaker 3: If I'm masculine towards you, it makes me kind of

1170
00:49:35,960 --> 00:49:39,120
Speaker 3: be a little disrespectful to you. If you allow me

1171
00:49:39,160 --> 00:49:41,400
Speaker 3: to be like that, I'm gonna probably treat you the

1172
00:49:41,440 --> 00:49:45,680
Speaker 3: way you probably ended on treating me, But you should.

1173
00:49:45,920 --> 00:49:50,840
Speaker 1: I think, I think that it is nothing wrong saying hey, babe,

1174
00:49:50,920 --> 00:49:52,640
Speaker 1: I got tickets to the game today, I'm taking you

1175
00:49:52,680 --> 00:49:53,040
Speaker 1: to the game.

1176
00:49:53,880 --> 00:49:57,439
Speaker 5: I'm not talking about taking me to You're misunderstanding me

1177
00:49:58,440 --> 00:50:00,359
Speaker 5: talking about if you're already.

1178
00:50:00,160 --> 00:50:01,000
Speaker 2: In a relationship.

1179
00:50:01,040 --> 00:50:04,279
Speaker 5: If you're already in a relationship, I love the push pull,

1180
00:50:04,400 --> 00:50:07,040
Speaker 5: the back and forth where you know you do something

1181
00:50:07,120 --> 00:50:09,719
Speaker 5: kind for me, I reciprocate and I do something kind

1182
00:50:09,719 --> 00:50:11,200
Speaker 5: for you, not in a tip for tat type of

1183
00:50:11,239 --> 00:50:14,640
Speaker 5: way at the beginning, whenever it's in the beginning. I

1184
00:50:14,800 --> 00:50:17,640
Speaker 5: as the woman, I need to feel that that interest

1185
00:50:17,840 --> 00:50:21,440
Speaker 5: is there. I'm not going to be, you know, buying

1186
00:50:21,600 --> 00:50:24,560
Speaker 5: you gifts. I'm not going to be taking you out

1187
00:50:24,600 --> 00:50:26,360
Speaker 5: to dinner, not to say. If I'm out and I

1188
00:50:26,400 --> 00:50:28,440
Speaker 5: see something cute for you, yes, if it comes from

1189
00:50:28,480 --> 00:50:30,080
Speaker 5: the heart, but I'm not going to be doing that

1190
00:50:30,400 --> 00:50:31,280
Speaker 5: to get you.

1191
00:50:31,440 --> 00:50:32,120
Speaker 2: To like me.

1192
00:50:32,239 --> 00:50:33,680
Speaker 1: That's why a lot of women are single. Right there,

1193
00:50:33,680 --> 00:50:35,440
Speaker 1: they see something they want, they see something they like,

1194
00:50:35,440 --> 00:50:37,120
Speaker 1: they better go see what's going on with that thing

1195
00:50:37,160 --> 00:50:38,640
Speaker 1: that they like or see because they're not going to

1196
00:50:38,680 --> 00:50:40,719
Speaker 1: see it again. But if you say something you like,

1197
00:50:40,960 --> 00:50:43,160
Speaker 1: you go approach that man. Hey, how you doing? My name?

1198
00:50:43,200 --> 00:50:44,920
Speaker 1: And so and so? What's your name? I think you're handsome.

1199
00:50:44,920 --> 00:50:46,319
Speaker 1: Why don't we go out and get something that's nothing?

1200
00:50:46,719 --> 00:50:48,120
Speaker 5: But if he thought that you were cute, he would

1201
00:50:48,120 --> 00:50:51,440
Speaker 5: have kicked it to Well, then that's not that masculine.

1202
00:50:51,480 --> 00:50:51,920
Speaker 1: I don't want it.

1203
00:50:51,960 --> 00:50:56,360
Speaker 5: I'm lying, man, exactly that masculine energy. If I'm in

1204
00:50:56,440 --> 00:50:58,759
Speaker 5: your space and you see me, you notice me, and

1205
00:50:58,800 --> 00:51:02,600
Speaker 5: I throw you a little flirt like said that she did. Listen,

1206
00:51:02,600 --> 00:51:03,839
Speaker 5: here's the lu All you.

1207
00:51:03,800 --> 00:51:06,200
Speaker 2: Need to do is dunk. I'm here. If you don't

1208
00:51:06,280 --> 00:51:08,440
Speaker 2: kick it to me, you don't look in my direction.

1209
00:51:08,520 --> 00:51:10,440
Speaker 1: I'm like, oh, not every man can. Don't be interested.

1210
00:51:10,520 --> 00:51:12,399
Speaker 1: Not every man could. Don't be too sure.

1211
00:51:12,520 --> 00:51:14,319
Speaker 3: I do think when you do get with a guy

1212
00:51:14,360 --> 00:51:15,920
Speaker 3: like that, like I've I've got you know, you can

1213
00:51:15,920 --> 00:51:17,799
Speaker 3: put it out there, but I feel like you know

1214
00:51:17,840 --> 00:51:19,840
Speaker 3: it kind of says a precedence for the relationship. Like

1215
00:51:19,880 --> 00:51:22,200
Speaker 3: I'm beating down the line. Do I have to get

1216
00:51:22,280 --> 00:51:24,759
Speaker 3: on one knee to propose to you? Do I have

1217
00:51:24,840 --> 00:51:26,080
Speaker 3: to protect you?

1218
00:51:26,120 --> 00:51:30,520
Speaker 1: Do this single, Claudia, you see a man out there,

1219
00:51:30,520 --> 00:51:33,480
Speaker 1: you better hollow You're on a plane and you see.

1220
00:51:34,719 --> 00:51:37,719
Speaker 2: The world is the world three more years.

1221
00:51:37,760 --> 00:51:39,400
Speaker 6: The world is chripping on Claudia.

1222
00:51:39,600 --> 00:51:42,719
Speaker 5: Okay, because Claudia got everything, I don't even know the

1223
00:51:42,800 --> 00:51:43,799
Speaker 5: universe is messing with her.

1224
00:51:43,800 --> 00:51:45,840
Speaker 2: It's a test, Claudia. Well, my mother told me that

1225
00:51:46,400 --> 00:51:49,120
Speaker 2: this lady and don't when I was in the womb.

1226
00:51:49,280 --> 00:51:50,000
Speaker 2: That's what I heard.

1227
00:51:50,160 --> 00:51:53,200
Speaker 3: That struggles really that what my mom. There's a lady

1228
00:51:53,239 --> 00:51:55,680
Speaker 3: in Italy that they said supposedly said my like she

1229
00:51:57,239 --> 00:51:59,239
Speaker 3: my dad left this one lady from my mom and

1230
00:51:59,320 --> 00:52:01,560
Speaker 3: took her to America and she was like basically before

1231
00:52:01,600 --> 00:52:03,080
Speaker 3: he left, like your.

1232
00:52:03,000 --> 00:52:05,919
Speaker 2: Unborn daughter will forever have issues, Jesus Christ.

1233
00:52:06,560 --> 00:52:09,319
Speaker 3: So anyways, I'm only dating if I get a recommendation

1234
00:52:09,360 --> 00:52:12,080
Speaker 3: from a good friend or people that are in successful relationship.

1235
00:52:12,160 --> 00:52:14,919
Speaker 2: I don't trust my own meter and picker. I don't

1236
00:52:15,239 --> 00:52:15,799
Speaker 2: have time to.

1237
00:52:15,800 --> 00:52:18,440
Speaker 1: Talk about that, all right, Well ahead, when we come back,

1238
00:52:18,480 --> 00:52:20,560
Speaker 1: we got a room and report what we're talking about

1239
00:52:20,560 --> 00:52:21,839
Speaker 1: in the rooms. Got to talk about our girl.

1240
00:52:21,920 --> 00:52:25,880
Speaker 3: Jefs hilarious and musty people and comments and clopbacks.

1241
00:52:25,920 --> 00:52:27,600
Speaker 2: It's all going down and DM it's a whole lot

1242
00:52:27,680 --> 00:52:28,279
Speaker 2: on them, all right.

1243
00:52:28,280 --> 00:52:30,120
Speaker 1: And also we have a huge announcement when we come back,

1244
00:52:30,120 --> 00:52:32,000
Speaker 1: so don't move. It's the Breakfast Club on b Et.

1245
00:52:32,160 --> 00:52:35,319
Speaker 1: Bring everybody. It's j n V. Charlamagne the Guy. We

1246
00:52:35,360 --> 00:52:37,560
Speaker 1: are the Breakfast Club. We got our co host Claudia

1247
00:52:37,640 --> 00:52:39,160
Speaker 1: Jordan and my wife Gia Casey.

1248
00:52:39,320 --> 00:52:40,839
Speaker 6: Hello, Hello, Hello, beautiful people.

1249
00:52:40,880 --> 00:52:43,719
Speaker 1: And you got a drum roll for me something. Now

1250
00:52:44,080 --> 00:52:46,319
Speaker 1: shout to everybody out in Atlanta. You do I do

1251
00:52:46,400 --> 00:52:48,319
Speaker 1: my car shows. We just hit up Memphis, then we

1252
00:52:48,400 --> 00:52:52,799
Speaker 1: hit up Houston. Now July twenty ninth, the call show

1253
00:52:52,880 --> 00:52:55,960
Speaker 1: is going down in Atlanta. Now. This is why it's

1254
00:52:56,000 --> 00:52:58,040
Speaker 1: going to be so special because we are doing this

1255
00:52:58,040 --> 00:53:00,840
Speaker 1: one with p R E. You know, that's Young Dolph's company.

1256
00:53:00,840 --> 00:53:03,359
Speaker 1: We did Memphis with Young Dolph's company, and we were

1257
00:53:03,400 --> 00:53:06,960
Speaker 1: able to bring all Doll's fleet, which is like forty cars.

1258
00:53:07,000 --> 00:53:10,320
Speaker 1: We brought Key Glock's fleet. We brought the Young Dolph Museum,

1259
00:53:10,560 --> 00:53:13,200
Speaker 1: and we're doing that again in Atlanta. So if you

1260
00:53:13,320 --> 00:53:17,520
Speaker 1: are a young Dog fan, we are bringing Young Dolphs

1261
00:53:17,600 --> 00:53:20,719
Speaker 1: whole fleet, the Young Dolf Exhibition. You'll get to see

1262
00:53:20,719 --> 00:53:24,359
Speaker 1: the Young Dolph Museum. Young Dolph Land is so much

1263
00:53:24,400 --> 00:53:27,880
Speaker 1: going on, So salute to pri Young Dolph. Key glock.

1264
00:53:28,120 --> 00:53:29,920
Speaker 1: There's so much going on. So if you haven't got

1265
00:53:30,000 --> 00:53:32,080
Speaker 1: your tickets, while of course you haven't got it because I'm

1266
00:53:32,080 --> 00:53:34,360
Speaker 1: announced it now, but go get your tickets now. Tickets

1267
00:53:34,400 --> 00:53:37,520
Speaker 1: start at nineteen ninety nine, so I want you to

1268
00:53:37,520 --> 00:53:38,840
Speaker 1: really think about it. If you want to go to

1269
00:53:38,840 --> 00:53:40,719
Speaker 1: the Young Dolph Museum want its own, tickets are like

1270
00:53:40,760 --> 00:53:45,600
Speaker 1: sixty seventy eighty dollars, but right now, nineteen ninety nine,

1271
00:53:45,640 --> 00:53:48,120
Speaker 1: go get your tickets. Kids five and under a free

1272
00:53:48,160 --> 00:53:50,319
Speaker 1: and it's just like every other city. Of course, there's

1273
00:53:50,320 --> 00:53:53,120
Speaker 1: gonna be excited cause old school cars, new school cars.

1274
00:53:53,320 --> 00:53:56,840
Speaker 1: There's gonna be slabs, dunks. Also, we do amusement rides

1275
00:53:56,840 --> 00:53:59,520
Speaker 1: and jumpies and carnival games and all types of things

1276
00:53:59,560 --> 00:54:02,640
Speaker 1: for the kids. So it's a family fun day. Kids

1277
00:54:02,680 --> 00:54:06,239
Speaker 1: five and under all free. So that's Atlanta, July twenty ninth.

1278
00:54:06,239 --> 00:54:07,239
Speaker 1: And you know, we make it a week and my

1279
00:54:07,280 --> 00:54:09,040
Speaker 1: whole family comes out. Gear will be out there with

1280
00:54:09,080 --> 00:54:11,040
Speaker 1: the kids. So we can't wait to see you guys.

1281
00:54:11,080 --> 00:54:13,959
Speaker 1: All right right now, I like cars.

1282
00:54:13,960 --> 00:54:15,200
Speaker 2: I'm big in the cars.

1283
00:54:15,480 --> 00:54:17,120
Speaker 8: Come I got a cop you know, I like.

1284
00:54:17,200 --> 00:54:17,359
Speaker 1: Come.

1285
00:54:17,520 --> 00:54:19,719
Speaker 2: Okay, I don't need any more cars. I have too,

1286
00:54:19,800 --> 00:54:22,160
Speaker 2: but I like to look at the nice pretty cars, okay.

1287
00:54:22,200 --> 00:54:24,759
Speaker 1: And then August twenty sixth and August twenty seven we're

1288
00:54:24,800 --> 00:54:26,560
Speaker 1: coming back to New York City. Usually we did it

1289
00:54:26,600 --> 00:54:28,920
Speaker 1: in Atlantic City, but now we're coming back home. So

1290
00:54:28,960 --> 00:54:33,160
Speaker 1: it's right, here's two days show. So passes will get

1291
00:54:33,160 --> 00:54:34,839
Speaker 1: you in for two days. One day is all about

1292
00:54:34,840 --> 00:54:38,520
Speaker 1: the new cars, exotic cause cars that's unreleased, and then

1293
00:54:38,560 --> 00:54:40,760
Speaker 1: the next day would be all about the old school

1294
00:54:40,800 --> 00:54:44,680
Speaker 1: cause the era of paid in full, the older eras

1295
00:54:44,680 --> 00:54:48,160
Speaker 1: and the Chevelle's and Continentals and all that. So it's

1296
00:54:48,200 --> 00:54:50,680
Speaker 1: a two day show in New York City August twenty

1297
00:54:50,680 --> 00:54:53,359
Speaker 1: sixth and August twenty seventh. Again kids five and under

1298
00:54:53,400 --> 00:54:56,560
Speaker 1: a free, same difference calls, cause calls, celebrity calls and

1299
00:54:56,640 --> 00:54:58,640
Speaker 1: all that, and then we do the games and the

1300
00:54:58,760 --> 00:55:00,760
Speaker 1: rids and everything for the CA kids and my family

1301
00:55:00,760 --> 00:55:02,359
Speaker 1: will be there as well. So we do it each

1302
00:55:02,400 --> 00:55:04,440
Speaker 1: and every year. So the days that you need to

1303
00:55:04,440 --> 00:55:07,440
Speaker 1: write down July twenty ninth, tickets to nineteen ninety nine

1304
00:55:07,520 --> 00:55:08,959
Speaker 1: to get your tickets now, because we have an early

1305
00:55:08,960 --> 00:55:11,879
Speaker 1: bird special and those goes fast. And then August twenty

1306
00:55:11,960 --> 00:55:15,200
Speaker 1: sixth and August twenty seventh in New York City slash

1307
00:55:15,200 --> 00:55:18,359
Speaker 1: New Jersey at the Meadowlands Exposition Center. Right. Shout out

1308
00:55:18,360 --> 00:55:20,480
Speaker 1: to all our sponsors. Shout to Lincoln Tech, Linkinn Tech,

1309
00:55:20,520 --> 00:55:23,440
Speaker 1: I love you guys. Shout the Monster Energy, Shout the Branson,

1310
00:55:23,440 --> 00:55:26,200
Speaker 1: Shout the Hardean. Shout to us spokes and vogues. We're

1311
00:55:26,200 --> 00:55:27,400
Speaker 1: gonna have a lot of fun and we do it

1312
00:55:27,480 --> 00:55:29,160
Speaker 1: family fund styles. So we want you to bring your

1313
00:55:29,239 --> 00:55:31,120
Speaker 1: kids out. We want you to bring your family out

1314
00:55:31,160 --> 00:55:35,040
Speaker 1: because it's a day of just family fun. All right now,

1315
00:55:35,040 --> 00:55:37,880
Speaker 1: are you ready for the rumors? Yes, what we're.

1316
00:55:37,680 --> 00:55:40,000
Speaker 2: Talking about, we don't talk about just hilarious.

1317
00:55:40,040 --> 00:55:40,879
Speaker 1: Let's get to it right now.

1318
00:55:42,120 --> 00:55:44,399
Speaker 2: Just because I'm being quiet don't mean that I don't

1319
00:55:44,440 --> 00:55:46,319
Speaker 2: have that fire up inside of me to get you

1320
00:55:46,360 --> 00:55:47,839
Speaker 2: all the way together together.

1321
00:55:50,320 --> 00:55:51,640
Speaker 1: This is the rumor report.

1322
00:55:51,719 --> 00:55:53,040
Speaker 2: One thing that I'm not has a liar.

1323
00:55:53,160 --> 00:55:58,160
Speaker 5: They say truth in the rumors, and people know what happened.

1324
00:55:58,239 --> 00:55:59,080
Speaker 19: People know the truth.

1325
00:56:01,880 --> 00:56:03,759
Speaker 2: All right, y'all the Breakfast Club, all y'all.

1326
00:56:03,800 --> 00:56:05,799
Speaker 3: Everybody here has been staying in the news in the

1327
00:56:05,840 --> 00:56:08,920
Speaker 3: block a lot lately, and this time it is Jess Hilarious,

1328
00:56:08,920 --> 00:56:10,759
Speaker 3: our girl, Jess. Shout out to her now, Little Meat

1329
00:56:10,880 --> 00:56:14,360
Speaker 3: calls out Jess for saying he was smelly. Jess Hilarious

1330
00:56:14,400 --> 00:56:18,280
Speaker 3: recently waiting on the ongoing drama surrounding Little Meach's cheating allegations.

1331
00:56:18,760 --> 00:56:21,120
Speaker 3: Jess claimed to believe that his girlfriend, Summa Walker was

1332
00:56:21,160 --> 00:56:24,080
Speaker 3: doing too much by sharing the alleged other women's dms.

1333
00:56:23,760 --> 00:56:24,600
Speaker 1: On social media.

1334
00:56:25,320 --> 00:56:26,480
Speaker 2: She says he cheating on you.

1335
00:56:27,200 --> 00:56:29,840
Speaker 3: She further advises Little Meat to keep cheating on Walker,

1336
00:56:29,880 --> 00:56:32,040
Speaker 3: claiming that that's how we get better music from her.

1337
00:56:32,360 --> 00:56:35,120
Speaker 3: You know, when women are heartbroken, we kind of sometimes

1338
00:56:35,280 --> 00:56:38,680
Speaker 3: yes those ballads. All right, we have some audio.

1339
00:56:38,960 --> 00:56:41,719
Speaker 26: He cheating on you, and I think he need to

1340
00:56:41,760 --> 00:56:44,320
Speaker 26: keep cheating. Just to be honest, I'm just gonna say that. Listen,

1341
00:56:44,360 --> 00:56:46,319
Speaker 26: just keep on cheating on it, because that's how we

1342
00:56:46,320 --> 00:56:47,720
Speaker 26: get the best some of Walker music.

1343
00:56:48,120 --> 00:56:48,840
Speaker 20: You stop.

1344
00:56:48,920 --> 00:56:49,480
Speaker 1: That's why I think.

1345
00:56:49,640 --> 00:56:52,480
Speaker 26: Listen, listen all right now, taking account to what I'm saying.

1346
00:56:52,480 --> 00:56:55,680
Speaker 26: The soft girl era, that's dope. She too in love,

1347
00:56:55,760 --> 00:56:58,120
Speaker 26: ain't god, she ain't going through nothing, and I just

1348
00:56:58,160 --> 00:56:59,759
Speaker 26: hope she don't give me no baby. That's why I

1349
00:56:59,840 --> 00:57:02,520
Speaker 26: can you mess with a deli smelly? That's what happened.

1350
00:57:02,920 --> 00:57:07,000
Speaker 26: You know, when they smell you stoopid get a little fishy.

1351
00:57:07,280 --> 00:57:09,400
Speaker 3: So Little Meet did not. He was not here for

1352
00:57:09,440 --> 00:57:11,759
Speaker 3: the smelly melly comment, and he thought that was a

1353
00:57:11,800 --> 00:57:14,480
Speaker 3: step too far, so he tweeted, how I think, but

1354
00:57:14,560 --> 00:57:18,080
Speaker 3: this unstable creature, just hilarious, is in my dms trying

1355
00:57:18,080 --> 00:57:20,800
Speaker 3: to get chose. I see why you're bad now. This

1356
00:57:21,000 --> 00:57:23,040
Speaker 3: is a crazy world we live in. So he posted

1357
00:57:23,080 --> 00:57:26,320
Speaker 3: a screenshot of our girls dress, Jess reaching out saying

1358
00:57:26,360 --> 00:57:28,080
Speaker 3: I'm so proud of you. You were made for this

1359
00:57:28,520 --> 00:57:31,320
Speaker 3: and to do so much more after this. And then

1360
00:57:31,640 --> 00:57:34,479
Speaker 3: she's followed up with another DM saying, hey, you're still

1361
00:57:34,480 --> 00:57:37,080
Speaker 3: in Baltimore. So then Little Meach posted that and said

1362
00:57:37,120 --> 00:57:39,880
Speaker 3: I guess she like musty, And then someone walker said

1363
00:57:39,920 --> 00:57:42,760
Speaker 3: that's so sad. Thirsty girl must have caught amnesia, worried

1364
00:57:42,760 --> 00:57:45,000
Speaker 3: about my dms and forgot about these.

1365
00:57:45,360 --> 00:57:47,240
Speaker 2: So it is going getting.

1366
00:57:46,920 --> 00:57:49,280
Speaker 3: Crazy, And I have no doubt when Jess comes back

1367
00:57:49,360 --> 00:57:51,280
Speaker 3: up here, y'all gonna be talking about this.

1368
00:57:51,320 --> 00:57:52,040
Speaker 2: I don't think it's over.

1369
00:57:52,200 --> 00:57:54,840
Speaker 1: Yeah, it wasn't. Just wasn't trying to holler. Jess said,

1370
00:57:55,080 --> 00:57:56,880
Speaker 1: you were in town, what's going on? She wasn't trying

1371
00:57:56,880 --> 00:57:59,040
Speaker 1: to holler at him. There was no thing that said, hey,

1372
00:57:59,040 --> 00:58:00,480
Speaker 1: come to my room or nothing like that.

1373
00:58:01,040 --> 00:58:01,160
Speaker 12: Uh.

1374
00:58:01,600 --> 00:58:03,440
Speaker 1: And Jess was joking when she said, I want you

1375
00:58:03,480 --> 00:58:05,240
Speaker 1: to keep getting on to create the music. That's the

1376
00:58:05,280 --> 00:58:07,000
Speaker 1: same thing they said about Mary J. Blige back in

1377
00:58:07,040 --> 00:58:08,680
Speaker 1: the day. That's the same thing they said about any

1378
00:58:08,800 --> 00:58:12,040
Speaker 1: R and B artist context right in context. Comedian.

1379
00:58:12,200 --> 00:58:15,560
Speaker 2: Yes, you don't take the words of a comedian to heart.

1380
00:58:15,720 --> 00:58:18,000
Speaker 5: That's what she does. She makes people laugh. He just

1381
00:58:18,040 --> 00:58:20,880
Speaker 5: clearly didn't think it was that fun, which I understand.

1382
00:58:20,920 --> 00:58:22,640
Speaker 2: I understand. No one wants to be called smelling.

1383
00:58:22,760 --> 00:58:24,880
Speaker 3: Yes, I mean that's something that's hard to I won't

1384
00:58:24,920 --> 00:58:26,160
Speaker 3: I won't take that away from But.

1385
00:58:26,200 --> 00:58:29,280
Speaker 1: That came from somebody else that was allegedly around him

1386
00:58:29,280 --> 00:58:31,040
Speaker 1: and said he was smelling that. That joke just went

1387
00:58:31,080 --> 00:58:32,560
Speaker 1: on and on and on. It's just a joke that's

1388
00:58:32,560 --> 00:58:34,800
Speaker 1: never going to leave, just like the orgasm joke with

1389
00:58:34,800 --> 00:58:35,920
Speaker 1: me and my wife, no matter what happens.

1390
00:58:35,960 --> 00:58:40,480
Speaker 5: And we've been doing awesome. Thanks is this good job?

1391
00:58:40,560 --> 00:58:45,080
Speaker 1: No, that happened twenty years ago. The joke just won't

1392
00:58:45,120 --> 00:58:47,160
Speaker 1: go away, just won't go away.

1393
00:58:47,200 --> 00:58:50,320
Speaker 6: We were sixteen, you know, sixteen.

1394
00:58:51,640 --> 00:58:54,080
Speaker 2: Yeah, okay, I'm sorry. I didn't mean to open up

1395
00:58:54,080 --> 00:58:58,080
Speaker 2: a old woman opened it up.

1396
00:58:58,120 --> 00:59:00,080
Speaker 6: No wonder, it won't go away. He talks about it every.

1397
00:59:00,240 --> 00:59:03,120
Speaker 1: He getsess all right, next story. You want to move

1398
00:59:03,120 --> 00:59:03,600
Speaker 1: on from this.

1399
00:59:03,960 --> 00:59:05,720
Speaker 2: I feel like we should dive deep into this.

1400
00:59:08,000 --> 00:59:08,240
Speaker 6: Get O.

1401
00:59:09,600 --> 00:59:10,680
Speaker 2: When did the first orgasm?

1402
00:59:11,040 --> 00:59:16,880
Speaker 5: Oh my goodness, when did the first orgasm from him?

1403
00:59:17,520 --> 00:59:18,440
Speaker 1: Forget these stories?

1404
00:59:18,520 --> 00:59:19,440
Speaker 6: No, no, no, it wasn't.

1405
00:59:19,560 --> 00:59:21,120
Speaker 2: It wasn't that I hadn't.

1406
00:59:21,520 --> 00:59:24,600
Speaker 5: It's that it wasn't on a regular basis in the

1407
00:59:24,640 --> 00:59:29,280
Speaker 5: earliest term of our relationship, because he was We were.

1408
00:59:29,040 --> 00:59:32,160
Speaker 2: Like each other's first Yeah, you know, so we were

1409
00:59:32,240 --> 00:59:33,680
Speaker 2: learning together. That's right.

1410
00:59:33,800 --> 00:59:35,840
Speaker 5: So you know, by the time, you know, some years

1411
00:59:35,840 --> 00:59:37,880
Speaker 5: had passed, we were in full swing.

1412
00:59:38,120 --> 00:59:40,320
Speaker 1: My mouth was still good. It just was the other

1413
00:59:40,800 --> 00:59:41,640
Speaker 1: the piece exactly.

1414
00:59:41,720 --> 00:59:43,040
Speaker 6: So No, so I had.

1415
00:59:43,080 --> 00:59:45,240
Speaker 2: It's easy by the mouth. What I'm saying, I don't

1416
00:59:45,240 --> 00:59:47,880
Speaker 2: want to get No. Now, it's very easy for me

1417
00:59:48,000 --> 00:59:49,040
Speaker 2: to reach climax.

1418
00:59:49,120 --> 00:59:51,960
Speaker 1: I used to watch porn and porn you just bang, bang,

1419
00:59:53,200 --> 00:59:53,840
Speaker 1: and it wasn't it.

1420
00:59:54,040 --> 00:59:55,280
Speaker 2: I was like, no, that's not it.

1421
00:59:55,320 --> 00:59:57,080
Speaker 3: Why do guys think that and putting you in these

1422
00:59:57,080 --> 00:59:58,120
Speaker 3: weird positions?

1423
00:59:58,240 --> 00:59:58,840
Speaker 2: It hurts.

1424
00:59:59,080 --> 01:00:01,600
Speaker 3: It's given your be your ego. But I know my

1425
01:00:01,680 --> 01:00:03,720
Speaker 3: leg does I don't need to dislocate them.

1426
01:00:05,720 --> 01:00:06,200
Speaker 6: All right.

1427
01:00:06,400 --> 01:00:08,360
Speaker 2: All right, we're gonna talk about Dean Sanders.

1428
01:00:08,400 --> 01:00:08,520
Speaker 22: Now.

1429
01:00:08,560 --> 01:00:12,680
Speaker 3: He is going to undergo emergency blood clot surgery on

1430
01:00:12,760 --> 01:00:16,160
Speaker 3: Friday today. Actually, after blood clots were found in his legs.

1431
01:00:16,360 --> 01:00:18,080
Speaker 3: He said, I have two blood clots, one of my

1432
01:00:18,160 --> 01:00:20,880
Speaker 3: right leg one of my left, Sanders said in a

1433
01:00:20,960 --> 01:00:23,360
Speaker 3: video he posted on Instagram. Now, Dan Sanders and his

1434
01:00:23,680 --> 01:00:25,840
Speaker 3: girlfriend Tracy are really good friends of mine. I really

1435
01:00:25,880 --> 01:00:28,320
Speaker 3: hope he's okay. He already had a couple of toes amputated.

1436
01:00:28,360 --> 01:00:30,000
Speaker 3: Remember he was going around in a wheelchair for a

1437
01:00:30,040 --> 01:00:31,040
Speaker 3: while while he was coaching.

1438
01:00:31,520 --> 01:00:31,640
Speaker 11: Uh.

1439
01:00:31,720 --> 01:00:33,920
Speaker 3: He said, he'll have a surgery to restore proper blood

1440
01:00:33,960 --> 01:00:37,360
Speaker 3: flow so doctors can perform surgery to repair hammer toes.

1441
01:00:37,480 --> 01:00:40,720
Speaker 2: I know about that, and one of Sander's feet. They strong.

1442
01:00:40,760 --> 01:00:43,000
Speaker 6: Dan, I'm gonna give you that. You're reading this story.

1443
01:00:43,080 --> 01:00:45,240
Speaker 2: Yeah again, Yes, we have some audio.

1444
01:00:45,800 --> 01:00:47,920
Speaker 1: Good day, God bless the time for the horse to talk.

1445
01:00:47,960 --> 01:00:49,760
Speaker 1: All right, you heard from everybody else, but you hadn't

1446
01:00:49,800 --> 01:00:52,440
Speaker 1: heard it from me. Here we go met with my doctors.

1447
01:00:52,440 --> 01:00:55,160
Speaker 1: We could go get hammer told two toes.

1448
01:00:54,840 --> 01:00:57,600
Speaker 10: Out of the hammer tolds and they won't straighten those out.

1449
01:00:57,800 --> 01:01:01,400
Speaker 10: But I'm not receiving enough blue blood flow in order

1450
01:01:01,480 --> 01:01:04,240
Speaker 10: to do death surgery and another surgery to fix the

1451
01:01:04,320 --> 01:01:06,600
Speaker 10: this location of the foot as well.

1452
01:01:06,840 --> 01:01:08,840
Speaker 1: This is what we are now. There's no talking.

1453
01:01:08,920 --> 01:01:12,200
Speaker 10: The amputation doctors was just telling me worst comes the worst,

1454
01:01:12,320 --> 01:01:14,400
Speaker 10: this was gonna happen. But I believe in staying right,

1455
01:01:14,440 --> 01:01:15,919
Speaker 10: so we never have to take that left.

1456
01:01:16,200 --> 01:01:17,440
Speaker 20: Now, this is what happens.

1457
01:01:17,520 --> 01:01:20,880
Speaker 10: I went after the doctor's the other day to check

1458
01:01:20,960 --> 01:01:25,000
Speaker 10: myself out, and I have two clots in my leg,

1459
01:01:25,080 --> 01:01:27,160
Speaker 10: one in my right leg, one in my left leg,

1460
01:01:27,200 --> 01:01:29,600
Speaker 10: which is my thighs. Okay, so now I'm having a

1461
01:01:29,640 --> 01:01:33,000
Speaker 10: procedure tomorrow to try to get those clots so now

1462
01:01:33,040 --> 01:01:36,720
Speaker 10: I could have proper blood flow through the leg so

1463
01:01:36,760 --> 01:01:37,840
Speaker 10: they could fix the toes.

1464
01:01:38,640 --> 01:01:39,040
Speaker 2: It's sound.

1465
01:01:39,160 --> 01:01:42,200
Speaker 3: We see the people that we saw as superhuman athletes, yes,

1466
01:01:42,400 --> 01:01:44,960
Speaker 3: and Dion Santa's was definitely one of them.

1467
01:01:45,120 --> 01:01:46,200
Speaker 2: Now we're at that age.

1468
01:01:46,000 --> 01:01:48,160
Speaker 3: Where you know, our idols are kind of having these

1469
01:01:48,640 --> 01:01:51,200
Speaker 3: health issues. We had two toes amputated already in his

1470
01:01:51,320 --> 01:01:51,880
Speaker 3: left foot.

1471
01:01:51,960 --> 01:01:52,200
Speaker 4: YEP.

1472
01:01:52,640 --> 01:01:56,560
Speaker 1: So yeah, well, salute to Dion Sanders and I wish

1473
01:01:56,640 --> 01:01:58,320
Speaker 1: him the best of luck, and you know, I love

1474
01:01:58,360 --> 01:01:59,960
Speaker 1: his program. What he's doing out there and what he's

1475
01:02:00,480 --> 01:02:03,040
Speaker 1: what he did for HBCUs and hopefully what he'll be

1476
01:02:03,040 --> 01:02:05,240
Speaker 1: doing for Colorado. So salute to Dion Sands.

1477
01:02:05,240 --> 01:02:06,680
Speaker 2: This wants people to know that he's not going to

1478
01:02:06,720 --> 01:02:08,800
Speaker 2: be footless. I got a good doctor for you, Dione.

1479
01:02:08,800 --> 01:02:10,960
Speaker 2: Get Joe toes real pretty for Tracy and rob on him.

1480
01:02:11,120 --> 01:02:12,600
Speaker 2: You got to show you got to show me them

1481
01:02:12,640 --> 01:02:13,160
Speaker 2: before we leave.

1482
01:02:13,240 --> 01:02:13,520
Speaker 27: I will.

1483
01:02:13,960 --> 01:02:17,160
Speaker 2: They're infamous. They are infamous.

1484
01:02:17,200 --> 01:02:20,520
Speaker 3: Man, I never thought i'd be famous for that.

1485
01:02:20,560 --> 01:02:21,200
Speaker 6: Wait sidebar.

1486
01:02:22,000 --> 01:02:23,960
Speaker 5: So the first time that you guys, that you came

1487
01:02:24,040 --> 01:02:26,160
Speaker 5: up here ver Sean came home, he was like, forbe,

1488
01:02:26,160 --> 01:02:26,720
Speaker 5: it ain't.

1489
01:02:26,480 --> 01:02:32,160
Speaker 2: That bad like she showed you. He was like not,

1490
01:02:32,600 --> 01:02:33,960
Speaker 2: whatever she had done it worked.

1491
01:02:34,040 --> 01:02:34,400
Speaker 6: They look.

1492
01:02:34,440 --> 01:02:36,520
Speaker 3: They look, but I feel like the scars that's not

1493
01:02:36,560 --> 01:02:37,640
Speaker 3: really healing like it should though.

1494
01:02:37,800 --> 01:02:40,040
Speaker 2: I think I've gotten heels like too soon. Oh Okay,

1495
01:02:40,040 --> 01:02:43,560
Speaker 2: I might need to re up. Okay toes Jesus.

1496
01:02:43,600 --> 01:02:46,480
Speaker 1: All right, well that is your room or report now.

1497
01:02:46,560 --> 01:02:48,480
Speaker 1: Charlemagne is out. So if you want to give somebody

1498
01:02:48,520 --> 01:02:50,640
Speaker 1: donkey of the day eight hundred five eight five one

1499
01:02:50,640 --> 01:02:52,640
Speaker 1: oh five to one, whoever you want to give donkey

1500
01:02:52,680 --> 01:02:55,440
Speaker 1: to day to call us now uh, and we'll get

1501
01:02:55,440 --> 01:02:58,600
Speaker 1: you on. It's The Breakfast Club. Good Morning, The Breakfast Club.

1502
01:02:58,680 --> 01:03:02,960
Speaker 1: Your Morning's will never be the same. Streaming June twenty six,

1503
01:03:03,040 --> 01:03:06,760
Speaker 1: exclusively on B E T Plus Average Joe, starring Dion

1504
01:03:06,880 --> 01:03:09,720
Speaker 1: Cole as hard working Jie Washington, who takes extreme measures

1505
01:03:09,760 --> 01:03:12,560
Speaker 1: to protect his family after his father steals millions from

1506
01:03:12,600 --> 01:03:15,240
Speaker 1: the mob. Still don't have BT plus. To sign up

1507
01:03:15,280 --> 01:03:18,240
Speaker 1: and learn more, visit b E T dot plus.

1508
01:03:21,560 --> 01:03:23,800
Speaker 20: It's your time to nominate a donkey of your own.

1509
01:03:23,960 --> 01:03:26,360
Speaker 20: Remember now, that's it's how they choose.

1510
01:03:27,840 --> 01:03:30,120
Speaker 16: Call in now eight hundred five eighty five one oh

1511
01:03:30,160 --> 01:03:32,200
Speaker 16: five one.

1512
01:03:32,560 --> 01:03:33,240
Speaker 20: Hello, Who is this?

1513
01:03:34,320 --> 01:03:34,520
Speaker 4: Well?

1514
01:03:36,520 --> 01:03:37,040
Speaker 1: Hey, what's up?

1515
01:03:37,120 --> 01:03:37,320
Speaker 15: Eric?

1516
01:03:37,360 --> 01:03:37,560
Speaker 5: Man?

1517
01:03:37,760 --> 01:03:43,040
Speaker 1: Who you wanna give? Donkey? Two brothers? Your x y?

1518
01:03:43,160 --> 01:03:44,400
Speaker 1: Why about your your ex brother?

1519
01:03:45,760 --> 01:03:47,720
Speaker 22: And broke a couple of years ago.

1520
01:03:48,000 --> 01:03:49,080
Speaker 4: She's been trying to get.

1521
01:03:48,880 --> 01:03:51,440
Speaker 11: Me back for Wow, but I wasn't budgeting on her.

1522
01:03:52,040 --> 01:03:53,960
Speaker 1: Say she didn't want that, got a car a copy

1523
01:03:54,000 --> 01:03:56,880
Speaker 1: of you, So now you're sick she wanted you back.

1524
01:03:57,120 --> 01:03:58,800
Speaker 1: You told her, no, you're a little sick.

1525
01:04:00,040 --> 01:04:01,360
Speaker 11: I ain't thinking. Oh I have moved.

1526
01:04:02,400 --> 01:04:06,880
Speaker 6: If you was, SI would be calling right now about it.

1527
01:04:06,960 --> 01:04:08,040
Speaker 2: It's hard to get through.

1528
01:04:09,520 --> 01:04:11,080
Speaker 1: A whole look at.

1529
01:04:11,000 --> 01:04:13,760
Speaker 6: You and now you Haten, you should feel it out

1530
01:04:13,800 --> 01:04:15,240
Speaker 6: like Haten, you.

1531
01:04:15,240 --> 01:04:17,440
Speaker 3: Don't feel complimented, like you know, you got someone that

1532
01:04:17,560 --> 01:04:19,200
Speaker 3: was like a knockoff version of me, like I would

1533
01:04:19,240 --> 01:04:21,000
Speaker 3: feel like, okay, you couldn't get me, So you got

1534
01:04:21,000 --> 01:04:22,520
Speaker 3: like a kind of like a knockoff.

1535
01:04:22,160 --> 01:04:24,200
Speaker 20: Me, weird.

1536
01:04:25,400 --> 01:04:28,680
Speaker 2: She got a type though I wouldn't even have known, but.

1537
01:04:28,720 --> 01:04:31,440
Speaker 4: I got people report it to me like, yo, you

1538
01:04:31,520 --> 01:04:37,320
Speaker 4: got that with your asked him like Noree shot dude

1539
01:04:37,640 --> 01:04:39,240
Speaker 4: the car copy of weird.

1540
01:04:39,680 --> 01:04:41,320
Speaker 2: Okay, so let me ask you a question. Who looks better?

1541
01:04:41,480 --> 01:04:44,439
Speaker 1: He's going now, he's gonna say himself, of course. Hello?

1542
01:04:44,560 --> 01:04:46,240
Speaker 6: Who sang on him so fast?

1543
01:04:46,320 --> 01:04:50,320
Speaker 1: Because he was he was jealous? Hello? Who is my

1544
01:04:50,440 --> 01:04:53,040
Speaker 1: name is? Hey? G who you want to give a

1545
01:04:53,080 --> 01:04:54,840
Speaker 1: donkey to cheer tea?

1546
01:04:56,000 --> 01:04:58,640
Speaker 23: Because why are you on the show this weekend?

1547
01:05:00,520 --> 01:05:03,400
Speaker 1: He actually went, he was out the country. He's back now,

1548
01:05:03,440 --> 01:05:07,160
Speaker 1: so he'll be back on Monday. But yeah, he left me,

1549
01:05:07,240 --> 01:05:08,880
Speaker 1: left me, left me defend my on my own.

1550
01:05:10,240 --> 01:05:15,240
Speaker 5: Thanks, thanks, thanks, thanks, you're fending for yourself.

1551
01:05:15,560 --> 01:05:19,360
Speaker 1: My wife and I got my wife hed, Claudia.

1552
01:05:20,840 --> 01:05:23,240
Speaker 2: We've been sitting here the whole morning.

1553
01:05:23,400 --> 01:05:28,840
Speaker 5: He's he's spending for himself, apparently by himself. He's what

1554
01:05:28,920 --> 01:05:31,360
Speaker 5: you do. After this, we're gonna hang out. You can't come.

1555
01:05:31,680 --> 01:05:32,320
Speaker 1: Hello, who is this?

1556
01:05:33,920 --> 01:05:34,520
Speaker 11: What's going on?

1557
01:05:34,960 --> 01:05:37,320
Speaker 1: A set up? Man? We're gonna give Donky to day to.

1558
01:05:39,000 --> 01:05:39,120
Speaker 11: Uh.

1559
01:05:39,240 --> 01:05:42,600
Speaker 23: First we say good morning to the beautiful lady Claudia.

1560
01:05:42,200 --> 01:05:43,560
Speaker 1: And Gia hight there.

1561
01:05:44,440 --> 01:05:46,000
Speaker 6: I was second to give.

1562
01:05:46,960 --> 01:05:50,240
Speaker 11: I want to give back here to Day to the God.

1563
01:05:50,560 --> 01:05:52,600
Speaker 2: Why do you tell.

1564
01:05:54,680 --> 01:05:57,080
Speaker 21: They didn't shout up then leaving crew on the cut

1565
01:05:57,160 --> 01:05:58,840
Speaker 21: that they used with Doctor Humar earlier.

1566
01:06:00,040 --> 01:06:03,360
Speaker 1: That's my podcast, oh man, Well shout out your podcast,

1567
01:06:03,400 --> 01:06:06,080
Speaker 1: but usually we uh oh yeah, you did the interview

1568
01:06:06,120 --> 01:06:09,840
Speaker 1: with Omar. Yes, indeed, shout out your podcast here. We

1569
01:06:09,840 --> 01:06:12,880
Speaker 1: deserve that. Donkey, I thought we shouted you out. Nah,

1570
01:06:12,920 --> 01:06:16,800
Speaker 1: they did my name all right, Well shout out your podcast, brother.

1571
01:06:17,400 --> 01:06:19,560
Speaker 23: Yes indeed, yes, it's the Daily wrap Up Crew.

1572
01:06:19,840 --> 01:06:21,960
Speaker 1: I can find this all Nah, you gave me, you

1573
01:06:22,000 --> 01:06:22,680
Speaker 1: gave me Donkey and.

1574
01:06:25,000 --> 01:06:27,200
Speaker 2: Okay, I have his back. I think he said he's

1575
01:06:27,240 --> 01:06:29,880
Speaker 2: the Daily Wrapper Crew is rapp Up.

1576
01:06:29,800 --> 01:06:31,640
Speaker 1: Crew, the Daily Rappup Cuse you know you are?

1577
01:06:31,760 --> 01:06:33,880
Speaker 6: You know I need to be up here more often

1578
01:06:33,920 --> 01:06:35,960
Speaker 6: to curb you because.

1579
01:06:35,600 --> 01:06:37,400
Speaker 2: I reposted that clip but I don't think I added

1580
01:06:37,440 --> 01:06:37,760
Speaker 2: them either.

1581
01:06:37,920 --> 01:06:39,600
Speaker 1: Not shout at them now, no love for the I

1582
01:06:39,600 --> 01:06:41,280
Speaker 1: love the stuff that they do, and usually we cite

1583
01:06:41,280 --> 01:06:43,080
Speaker 1: our sources with them. So shout out to the Daily

1584
01:06:43,080 --> 01:06:45,200
Speaker 1: wrap Up crew. We just you know, effing with y'all. Hello,

1585
01:06:45,200 --> 01:06:48,560
Speaker 1: who's this? Hello?

1586
01:06:49,560 --> 01:06:50,160
Speaker 11: Hello? Hey?

1587
01:06:50,200 --> 01:06:53,120
Speaker 1: What's your name? What's sean?

1588
01:06:53,120 --> 01:06:53,280
Speaker 10: Who?

1589
01:06:53,280 --> 01:06:54,080
Speaker 1: You wanna get donkey too?

1590
01:06:54,080 --> 01:06:54,280
Speaker 2: Brother?

1591
01:06:55,040 --> 01:06:56,520
Speaker 11: I want to give it to you and your wife.

1592
01:06:56,960 --> 01:06:57,640
Speaker 11: How you don't.

1593
01:06:57,480 --> 01:06:59,600
Speaker 6: Given how you doing trying to get me?

1594
01:06:59,640 --> 01:07:06,960
Speaker 2: Donk time? When what they do? Talk to me?

1595
01:07:06,960 --> 01:07:07,680
Speaker 1: What do they do?

1596
01:07:08,520 --> 01:07:09,160
Speaker 11: Listen? Listen?

1597
01:07:09,200 --> 01:07:11,360
Speaker 22: I love both of them. I even came to the

1598
01:07:11,360 --> 01:07:14,040
Speaker 22: Barclay Center and watched them. They had to baldos to

1599
01:07:14,120 --> 01:07:15,160
Speaker 22: go to the wall and all that.

1600
01:07:15,440 --> 01:07:17,120
Speaker 6: Wait, was I there? What is he talking about? The

1601
01:07:17,120 --> 01:07:18,080
Speaker 6: Barclay dildos?

1602
01:07:18,120 --> 01:07:19,480
Speaker 1: I don't tell me.

1603
01:07:19,480 --> 01:07:21,040
Speaker 2: You weren't there, and they have no idea what this.

1604
01:07:21,080 --> 01:07:22,760
Speaker 6: Man is talking about? What are you talking about?

1605
01:07:22,840 --> 01:07:23,200
Speaker 19: You know what?

1606
01:07:23,440 --> 01:07:24,200
Speaker 22: You know what I'm about.

1607
01:07:24,240 --> 01:07:27,560
Speaker 5: We had had to show at the Oh our Live

1608
01:07:27,760 --> 01:07:29,240
Speaker 5: podcast you had dial.

1609
01:07:29,040 --> 01:07:31,760
Speaker 11: Those on the wall and so here you got nun kid.

1610
01:07:31,760 --> 01:07:34,480
Speaker 22: And because y'all stop the KT crew I listen to

1611
01:07:34,560 --> 01:07:36,200
Speaker 22: listen to every single week.

1612
01:07:36,320 --> 01:07:38,240
Speaker 1: You should give up Donkey to Day because she never

1613
01:07:38,280 --> 01:07:40,400
Speaker 1: want to get ready. She always takes too long. And

1614
01:07:40,400 --> 01:07:42,120
Speaker 1: it's because of how we stopped that podcast.

1615
01:07:43,000 --> 01:07:45,960
Speaker 5: You have been too busy planning these car shows, and

1616
01:07:46,000 --> 01:07:47,680
Speaker 5: that's the reason why we aren't back in it.

1617
01:07:47,840 --> 01:07:49,120
Speaker 11: You've got these car shows.

1618
01:07:49,440 --> 01:07:50,960
Speaker 22: You not doing the KT crew.

1619
01:07:51,000 --> 01:07:52,960
Speaker 6: No, thank you for listening. It is not me.

1620
01:07:54,080 --> 01:07:56,160
Speaker 22: The last episode was April.

1621
01:07:56,800 --> 01:07:57,439
Speaker 11: I keep checking.

1622
01:07:58,600 --> 01:07:59,960
Speaker 22: You're going to open another world.

1623
01:08:00,120 --> 01:08:04,040
Speaker 1: The people have more babies. No more babies, so we're

1624
01:08:04,040 --> 01:08:04,720
Speaker 1: gonna have We're gonna do it.

1625
01:08:04,680 --> 01:08:05,960
Speaker 2: Another one the more babies.

1626
01:08:06,520 --> 01:08:09,400
Speaker 17: Okay, all right, wait.

1627
01:08:09,200 --> 01:08:09,800
Speaker 6: What's your name?

1628
01:08:09,960 --> 01:08:12,800
Speaker 5: Remind me of your name, Sean. I'm gonna shout you

1629
01:08:12,840 --> 01:08:14,080
Speaker 5: out the first episode back.

1630
01:08:14,920 --> 01:08:16,040
Speaker 11: I appreciate it. Thank you to you.

1631
01:08:16,280 --> 01:08:19,599
Speaker 2: Okay, you're welcome Sean. Now Fons, all.

1632
01:08:19,520 --> 01:08:21,680
Speaker 1: Right, Donkey of the Day. Of course, Charlamagne is out.

1633
01:08:21,680 --> 01:08:23,080
Speaker 1: So we opened up the phone lines and let you

1634
01:08:23,120 --> 01:08:25,200
Speaker 1: give Donkey of the Day eight hundred and five A

1635
01:08:25,360 --> 01:08:27,240
Speaker 1: five one oh five to one. So now when we

1636
01:08:27,320 --> 01:08:29,240
Speaker 1: come back as Friday, so you know what that means.

1637
01:08:29,439 --> 01:08:31,680
Speaker 15: It's freaking freaking freaky Friday.

1638
01:08:32,000 --> 01:08:34,519
Speaker 1: And the freaky freaky freaky Friday question comes from Kim

1639
01:08:34,600 --> 01:08:38,800
Speaker 1: kardash and she was talking about makeup sex versus angry sex.

1640
01:08:38,880 --> 01:08:41,920
Speaker 1: Which sex do you prefer? Angry sex or make them sex?

1641
01:08:41,960 --> 01:08:43,240
Speaker 1: We'll talk about it when we come back. It's the

1642
01:08:43,240 --> 01:08:45,960
Speaker 1: Breakfast Club the Morning, the Breakfast.

1643
01:08:45,400 --> 01:08:52,560
Speaker 5: Club Freaky fa Freaky frid.

1644
01:08:55,160 --> 01:08:57,479
Speaker 16: Call in that eight hundred five eight five one oh

1645
01:08:57,479 --> 01:08:59,080
Speaker 16: five one.

1646
01:08:59,240 --> 01:09:02,479
Speaker 1: We want to hear from you on the Breakfast Club Morning.

1647
01:09:02,520 --> 01:09:05,920
Speaker 1: Everybody is the DJ Envy Charlomagne, the guy we are

1648
01:09:05,960 --> 01:09:08,479
Speaker 1: the Breakfast Club Charlomagne is out. I got my co

1649
01:09:08,600 --> 01:09:11,000
Speaker 1: host Claudia Jordan and my wife Gia are here.

1650
01:09:11,400 --> 01:09:11,599
Speaker 21: Now.

1651
01:09:11,640 --> 01:09:13,160
Speaker 1: It's Friday, so you know what that means.

1652
01:09:13,240 --> 01:09:15,480
Speaker 15: It's freaking, freaking freaking Friday.

1653
01:09:15,960 --> 01:09:20,360
Speaker 1: And the freaky, freaky freaky Friday. Question comes from kim Ka. No,

1654
01:09:20,479 --> 01:09:22,280
Speaker 1: not the porn tape which she said, she did an

1655
01:09:22,320 --> 01:09:24,080
Speaker 1: interview and she was talking about this.

1656
01:09:24,439 --> 01:09:27,080
Speaker 2: What's better angry sex or makeup sex?

1657
01:09:27,320 --> 01:09:29,840
Speaker 28: Makeup sex? Isn't that like the best because it's like

1658
01:09:30,240 --> 01:09:33,080
Speaker 28: you thank for each other and you're passionate and you,

1659
01:09:33,080 --> 01:09:35,479
Speaker 28: you know, are making up and yeah.

1660
01:09:35,479 --> 01:09:38,400
Speaker 1: Yeah, all right. So we're asking eight hundred five eight

1661
01:09:38,479 --> 01:09:41,400
Speaker 1: five one oh five one, what's better makeup sex or

1662
01:09:41,520 --> 01:09:44,080
Speaker 1: angry sex? What's up? With you beg ooh.

1663
01:09:44,240 --> 01:09:46,920
Speaker 2: I like this question because it really makes me think.

1664
01:09:47,240 --> 01:09:50,519
Speaker 5: I would say makeup sex because it's kind of like

1665
01:09:51,000 --> 01:09:53,360
Speaker 5: tell me you're sorry without telling me you're sorry. Okay,

1666
01:09:53,520 --> 01:09:57,479
Speaker 5: you know, it's more invested, it's more passionate. You might

1667
01:09:57,520 --> 01:09:59,479
Speaker 5: get a little bit of the hair pulling and whatnot

1668
01:09:59,479 --> 01:10:03,320
Speaker 5: as well. That's great, but I feel as though there's

1669
01:10:03,400 --> 01:10:05,200
Speaker 5: just a little bit more depth to it when you're

1670
01:10:05,200 --> 01:10:07,320
Speaker 5: trying to prove to someone that.

1671
01:10:07,320 --> 01:10:07,880
Speaker 2: You love them.

1672
01:10:08,280 --> 01:10:11,000
Speaker 5: Angry sex it's kind of like, I mean, you might

1673
01:10:11,400 --> 01:10:14,600
Speaker 5: choke me out a little bit or whatever, and you know,

1674
01:10:14,680 --> 01:10:16,439
Speaker 5: some people may like it, some people may not, but

1675
01:10:16,560 --> 01:10:19,000
Speaker 5: you know, I don't mind it, but it can be.

1676
01:10:19,560 --> 01:10:23,559
Speaker 5: The aggression is good, so it's good. But I prefer

1677
01:10:23,640 --> 01:10:24,320
Speaker 5: makeup sex.

1678
01:10:25,200 --> 01:10:27,280
Speaker 3: I don't know if I've ever had angry sex, like

1679
01:10:27,360 --> 01:10:29,400
Speaker 3: me being angry, but one time I did get choked

1680
01:10:29,439 --> 01:10:30,719
Speaker 3: a little extra hard.

1681
01:10:31,200 --> 01:10:35,600
Speaker 5: But see that laugh told me that there's something to

1682
01:10:35,600 --> 01:10:36,520
Speaker 5: the story.

1683
01:10:36,600 --> 01:10:38,320
Speaker 3: I'm like, you have to do it in a passionate way.

1684
01:10:38,400 --> 01:10:47,080
Speaker 3: Now was angry and I'm like, hey, we're good. I

1685
01:10:47,120 --> 01:10:48,800
Speaker 3: am with you with that. With the makeup sex, I

1686
01:10:48,800 --> 01:10:51,320
Speaker 3: think it's more beautiful. It's more and women we're not

1687
01:10:51,400 --> 01:10:54,120
Speaker 3: really as surface, We're more we have more depth about

1688
01:10:54,240 --> 01:10:56,800
Speaker 3: I think we think about sex in a more deep way,

1689
01:10:56,880 --> 01:10:58,840
Speaker 3: more meaningful way. So I think the makeup would be

1690
01:10:58,840 --> 01:11:01,200
Speaker 3: more romantic and beautiful. And we're back together and things

1691
01:11:01,200 --> 01:11:03,479
Speaker 3: are resolved, will make him sex. But I think I

1692
01:11:03,479 --> 01:11:05,880
Speaker 3: had one sided angry sex. Maybe he was mad.

1693
01:11:06,680 --> 01:11:11,400
Speaker 5: So you've never been angry and like went hard like

1694
01:11:11,439 --> 01:11:12,759
Speaker 5: you were taking out your aggression.

1695
01:11:12,920 --> 01:11:15,040
Speaker 2: I'm angry. I'm like probably just getting to roll over.

1696
01:11:16,479 --> 01:11:18,040
Speaker 2: I've definitely looked forward to angry sex.

1697
01:11:18,120 --> 01:11:19,479
Speaker 1: I like angry sex.

1698
01:11:19,520 --> 01:11:22,680
Speaker 2: Better, Really tell me why have you choked her in

1699
01:11:22,760 --> 01:11:23,240
Speaker 2: angry seck?

1700
01:11:23,400 --> 01:11:25,280
Speaker 6: No, has nothing to do with to check ring.

1701
01:11:25,640 --> 01:11:27,760
Speaker 1: No, Well, I just say I didn't. I said I

1702
01:11:27,760 --> 01:11:28,280
Speaker 1: had nothing to do.

1703
01:11:28,240 --> 01:11:32,120
Speaker 6: With think that you're domestically abusing. What I'm saying is

1704
01:11:32,439 --> 01:11:32,960
Speaker 6: do deny.

1705
01:11:33,160 --> 01:11:35,120
Speaker 1: I love it when let's say, you're mad at me,

1706
01:11:35,240 --> 01:11:37,600
Speaker 1: right and I'm horny and I'm trying to like stop it, no,

1707
01:11:37,640 --> 01:11:40,439
Speaker 1: I'm mad, and then and then I start going down

1708
01:11:40,439 --> 01:11:41,920
Speaker 1: and you like stop it, stop it, stop it, and

1709
01:11:41,960 --> 01:11:44,880
Speaker 1: then all of a sudden and stop it, stop it,

1710
01:11:45,360 --> 01:11:47,920
Speaker 1: and then your hands on my head. Like that is

1711
01:11:47,960 --> 01:11:52,080
Speaker 1: fun to me because that sounds fun like no, no, no,

1712
01:11:52,160 --> 01:11:53,880
Speaker 1: I'm mad, I'm not I'm turning over and then you

1713
01:11:53,920 --> 01:11:56,240
Speaker 1: turn over to and I don't care stop no, I

1714
01:11:56,240 --> 01:11:56,960
Speaker 1: don't want it tonight.

1715
01:11:57,000 --> 01:12:00,280
Speaker 2: And then that that's that's I could that.

1716
01:12:00,360 --> 01:12:03,480
Speaker 1: Yeah, that is a sexy there is no more anger.

1717
01:12:03,439 --> 01:12:05,559
Speaker 2: Right, And then I get to be mean in different ways.

1718
01:12:05,600 --> 01:12:08,080
Speaker 1: There you go, like, how what do you mean? I

1719
01:12:08,160 --> 01:12:10,200
Speaker 1: get to speed dirty showed us by the way.

1720
01:12:10,280 --> 01:12:15,200
Speaker 2: Okay, never mind, I'll have to wait for the podcast.

1721
01:12:15,560 --> 01:12:16,360
Speaker 2: Just wait till break round.

1722
01:12:17,640 --> 01:12:17,960
Speaker 11: Hello?

1723
01:12:18,000 --> 01:12:20,400
Speaker 1: Who's this? Hey, Stephan?

1724
01:12:20,800 --> 01:12:21,759
Speaker 23: How are you doing this morning?

1725
01:12:21,960 --> 01:12:24,880
Speaker 1: Good? Good? Good? Makeup sex or angry sex?

1726
01:12:24,920 --> 01:12:25,080
Speaker 6: Brother?

1727
01:12:25,520 --> 01:12:27,360
Speaker 1: Make why what?

1728
01:12:28,160 --> 01:12:31,640
Speaker 23: Honestly? Because when you mad like you beat it up?

1729
01:12:31,680 --> 01:12:33,720
Speaker 23: But I want to leave bat on there. I don't

1730
01:12:33,760 --> 01:12:36,400
Speaker 23: want to stay around you if I'm mad, but makeup

1731
01:12:36,439 --> 01:12:38,000
Speaker 23: sex I want to those rounds.

1732
01:12:38,240 --> 01:12:39,479
Speaker 1: Okay, Hello, who's this?

1733
01:12:40,840 --> 01:12:46,360
Speaker 23: It's Jessicause. Hey, Hi, Okay, so I'm calling about the

1734
01:12:46,479 --> 01:12:50,280
Speaker 23: topic about mega but angry. For me personally, I would

1735
01:12:50,320 --> 01:12:54,080
Speaker 23: choose like make up sex only because why that I

1736
01:12:54,120 --> 01:12:59,599
Speaker 23: don't want to be touched? But but I wighed only

1737
01:13:00,320 --> 01:13:04,280
Speaker 23: angry set only try and angry sex Clodia.

1738
01:13:04,400 --> 01:13:07,640
Speaker 5: Whoa, Okay, you know what I got that, Claudia, you're

1739
01:13:07,720 --> 01:13:08,160
Speaker 5: number one.

1740
01:13:08,240 --> 01:13:12,320
Speaker 2: Every time I number one. Very few men me, it's

1741
01:13:12,320 --> 01:13:12,880
Speaker 2: always women.

1742
01:13:13,479 --> 01:13:15,280
Speaker 6: I get it.

1743
01:13:14,400 --> 01:13:17,880
Speaker 19: But Clodia, remember I can call before.

1744
01:13:18,000 --> 01:13:21,400
Speaker 23: To shoot your shot. And true, you choose the dude

1745
01:13:21,479 --> 01:13:24,280
Speaker 23: that I'm sure you know that you would never hold

1746
01:13:24,520 --> 01:13:24,880
Speaker 23: I didn't.

1747
01:13:24,880 --> 01:13:27,519
Speaker 1: You're right, I never so, Jessica. So you would do

1748
01:13:27,600 --> 01:13:30,680
Speaker 1: angry sex with U, Claudia, what would that consist of?

1749
01:13:30,760 --> 01:13:31,640
Speaker 1: What would that consist of?

1750
01:13:31,720 --> 01:13:31,800
Speaker 23: Oh?

1751
01:13:31,880 --> 01:13:34,320
Speaker 2: Yeah, do tell wait?

1752
01:13:34,320 --> 01:13:36,639
Speaker 1: Wait, yes, good wait, just closing my eyes, go tell

1753
01:13:36,640 --> 01:13:37,120
Speaker 1: me the story.

1754
01:13:37,400 --> 01:13:44,720
Speaker 5: No wait, open your eyes, open your eyes, Jessica, tell

1755
01:13:44,800 --> 01:13:45,760
Speaker 5: us go go.

1756
01:13:46,840 --> 01:13:47,320
Speaker 19: Okay.

1757
01:13:47,360 --> 01:13:50,400
Speaker 23: So basically what the any sex would be is you'll

1758
01:13:50,479 --> 01:13:53,799
Speaker 23: be in a nice hotel. Okay, I will have the candy.

1759
01:13:54,000 --> 01:13:55,479
Speaker 2: Wait wait, wait, wait, wait do I have to help?

1760
01:13:55,520 --> 01:13:57,160
Speaker 2: Do I either put my car down? Or are you

1761
01:13:57,200 --> 01:13:59,040
Speaker 2: gonna put your car down? Good question?

1762
01:13:59,400 --> 01:14:03,519
Speaker 23: Oh no, honey, I don't want angry so I'm gonna

1763
01:14:04,280 --> 01:14:05,880
Speaker 23: buy my strap.

1764
01:14:08,439 --> 01:14:12,760
Speaker 1: WHOA Okay, Jessica, I thought I thought that you were

1765
01:14:12,840 --> 01:14:14,080
Speaker 1: kind of like laying the groundwork.

1766
01:14:14,120 --> 01:14:15,479
Speaker 2: You just went there, like, what is.

1767
01:14:15,479 --> 01:14:18,280
Speaker 1: The four place, Jessica? This play right here, this is

1768
01:14:18,320 --> 01:14:18,880
Speaker 1: the play.

1769
01:14:19,120 --> 01:14:20,400
Speaker 6: The candle was the four.

1770
01:14:20,520 --> 01:14:22,840
Speaker 1: Jessica, what size is the strap on Jessica.

1771
01:14:22,600 --> 01:14:30,160
Speaker 23: Talking about okay, so the size of my size and

1772
01:14:30,200 --> 01:14:30,840
Speaker 23: it's nine.

1773
01:14:31,200 --> 01:14:31,679
Speaker 11: It's nine.

1774
01:14:32,400 --> 01:14:35,320
Speaker 1: Jesus Christ, you're gonna mess up it inside Jessica, goodbye.

1775
01:14:36,400 --> 01:14:38,120
Speaker 1: She was gonna tell you I'm inside Uplodia.

1776
01:14:38,840 --> 01:14:40,960
Speaker 3: I feel violated, like what was I thought she was

1777
01:14:40,960 --> 01:14:42,160
Speaker 3: gonna start with some kissing.

1778
01:14:42,439 --> 01:14:43,879
Speaker 6: I feel secondhand violated.

1779
01:14:45,000 --> 01:14:47,720
Speaker 1: Jesus eight hundred and five eighty five, one oh five one.

1780
01:14:47,760 --> 01:14:49,200
Speaker 1: I don't know how it went there. We were talking

1781
01:14:49,200 --> 01:14:52,840
Speaker 1: about makeup sex and angry sex. Which one do you prefer? This?

1782
01:14:52,840 --> 01:14:55,720
Speaker 1: This conversation came out of an interview with Kim Kardashian.

1783
01:14:56,120 --> 01:14:57,439
Speaker 1: We'll talk about it when we come back. It's the

1784
01:14:57,479 --> 01:15:01,400
Speaker 1: Breakfast Club. Good Morning, made.

1785
01:15:01,120 --> 01:15:03,040
Speaker 8: It's Freaky Friday.

1786
01:15:03,160 --> 01:15:06,200
Speaker 1: Got that call in now.

1787
01:15:06,439 --> 01:15:08,400
Speaker 16: Eight hundred five eighty five, one oh five one.

1788
01:15:08,439 --> 01:15:10,160
Speaker 1: We want to hear from you on the Breakfast Club

1789
01:15:11,640 --> 01:15:15,200
Speaker 1: Morning Everybody. It's DJ Envy Charlomagne to God. We are

1790
01:15:15,240 --> 01:15:17,479
Speaker 1: the Breakfast Club. Charlamagne is out. So we have our

1791
01:15:17,479 --> 01:15:20,160
Speaker 1: guest co host. We have Claudia Jordan, my wife Gia.

1792
01:15:20,320 --> 01:15:23,479
Speaker 1: So we're asking what is better make up sex or

1793
01:15:23,560 --> 01:15:26,200
Speaker 1: angry sex? Now, this comes from Kim kaish did an interview?

1794
01:15:26,200 --> 01:15:29,160
Speaker 1: Can we hear it right fast? What's better angry sex

1795
01:15:29,240 --> 01:15:30,040
Speaker 1: or makeup sex?

1796
01:15:30,280 --> 01:15:32,840
Speaker 28: Makeup sex? Isn't that like the best because it's like

1797
01:15:33,479 --> 01:15:36,280
Speaker 28: thanks for each other and you're passionate and you, you know,

1798
01:15:36,320 --> 01:15:38,479
Speaker 28: are making up and yeah.

1799
01:15:38,479 --> 01:15:41,720
Speaker 1: Yeah, So we're asking eight hundred five e five one

1800
01:15:41,720 --> 01:15:43,880
Speaker 1: oh five to one. Hello, who's this yo?

1801
01:15:43,920 --> 01:15:44,280
Speaker 11: What's up?

1802
01:15:44,479 --> 01:15:48,080
Speaker 1: Book you th boo boo book to booke tone like

1803
01:15:48,120 --> 01:15:53,120
Speaker 1: reggaton or bookie tone like bookie tone? Okay, booget, don't

1804
01:15:53,240 --> 01:15:54,639
Speaker 1: all right, book a don't What did you say? Book

1805
01:15:54,640 --> 01:15:55,000
Speaker 1: at don't?

1806
01:15:55,240 --> 01:15:55,439
Speaker 17: Well?

1807
01:15:55,560 --> 01:15:55,920
Speaker 27: I don't know.

1808
01:15:55,960 --> 01:15:59,760
Speaker 11: The question I heard was angry sex or makeup seck, Yes, sir,

1809
01:16:00,560 --> 01:16:02,280
Speaker 11: I'm guessed that it would be angry sex.

1810
01:16:02,400 --> 01:16:03,040
Speaker 6: Oh tell us?

1811
01:16:03,080 --> 01:16:05,880
Speaker 23: Why well, because that allows a man to be a

1812
01:16:05,920 --> 01:16:07,200
Speaker 23: man and treat a woman.

1813
01:16:07,040 --> 01:16:07,519
Speaker 25: Like a woman.

1814
01:16:08,080 --> 01:16:10,720
Speaker 23: Make up sex, you kind of gotta do what the

1815
01:16:10,760 --> 01:16:11,240
Speaker 23: girl wants.

1816
01:16:12,840 --> 01:16:13,400
Speaker 1: How old are you?

1817
01:16:13,439 --> 01:16:16,240
Speaker 6: Booget right, I'm like it's given nineteen and a half?

1818
01:16:16,680 --> 01:16:18,719
Speaker 23: Right, Oh thank you, I'm thirty eight.

1819
01:16:21,000 --> 01:16:23,800
Speaker 1: That's it's not a good thing, Boogete, thank you.

1820
01:16:24,840 --> 01:16:27,720
Speaker 19: Okay, So I don't.

1821
01:16:27,720 --> 01:16:30,200
Speaker 5: So wait, so you feel like making a woman feel

1822
01:16:30,240 --> 01:16:33,080
Speaker 5: like a woman is delivering angry sex to her.

1823
01:16:33,439 --> 01:16:36,960
Speaker 12: Well, if it's a sex based on you want the

1824
01:16:37,000 --> 01:16:40,200
Speaker 12: man to prove that he really wants you, why else

1825
01:16:40,240 --> 01:16:41,240
Speaker 12: would the sex be angry?

1826
01:16:41,479 --> 01:16:41,719
Speaker 1: Wait?

1827
01:16:41,760 --> 01:16:43,120
Speaker 2: What, I didn't get that?

1828
01:16:43,160 --> 01:16:43,960
Speaker 1: Okay, boogietne.

1829
01:16:45,120 --> 01:16:47,559
Speaker 23: If you want the man to prove that he's really

1830
01:16:47,560 --> 01:16:49,559
Speaker 23: emotional for you, let him be angry.

1831
01:16:49,680 --> 01:16:51,400
Speaker 1: You're gonna be single for a long time. Booge tone.

1832
01:16:51,400 --> 01:16:51,880
Speaker 12: But it's so good.

1833
01:16:51,960 --> 01:16:53,000
Speaker 1: Yeah, if you have a good weekend.

1834
01:16:53,120 --> 01:16:55,040
Speaker 2: His way of showing emotions to show anger.

1835
01:16:55,200 --> 01:16:56,200
Speaker 1: Yes, that's it.

1836
01:16:56,280 --> 01:16:57,240
Speaker 2: That's what it sounded like.

1837
01:16:57,720 --> 01:17:01,120
Speaker 1: Hello, who's this do you want? Do you want? What's up?

1838
01:17:01,160 --> 01:17:01,400
Speaker 2: Brother?

1839
01:17:01,720 --> 01:17:03,759
Speaker 11: Oh? Not much? Cool and cooling and enjoy the beautiful

1840
01:17:03,800 --> 01:17:04,280
Speaker 11: day out.

1841
01:17:04,160 --> 01:17:04,559
Speaker 20: On the world.

1842
01:17:04,760 --> 01:17:07,160
Speaker 1: All right, we're talking angry sex and makeup sex and

1843
01:17:07,200 --> 01:17:08,680
Speaker 1: why angry?

1844
01:17:08,920 --> 01:17:10,559
Speaker 2: Wow, give us a good answer.

1845
01:17:10,720 --> 01:17:11,880
Speaker 6: I didn't like the previous answer.

1846
01:17:11,960 --> 01:17:12,679
Speaker 2: Give us a good one.

1847
01:17:13,280 --> 01:17:16,200
Speaker 11: Putting it down and you giving somebody something to think about,

1848
01:17:16,439 --> 01:17:18,439
Speaker 11: you know, especially if you won't cut them off after that?

1849
01:17:19,360 --> 01:17:22,080
Speaker 5: Oh what what do you mean? Especially if you're gonna

1850
01:17:22,080 --> 01:17:22,840
Speaker 5: cut them off after that?

1851
01:17:22,920 --> 01:17:24,280
Speaker 1: You're trying to beat it up and then leave.

1852
01:17:24,680 --> 01:17:34,840
Speaker 29: You heard, it's giving, it's giving.

1853
01:17:35,120 --> 01:17:38,120
Speaker 2: Don't call me because uh, I get it, I bounce,

1854
01:17:38,160 --> 01:17:39,439
Speaker 2: I'll never hit you again. Yeah.

1855
01:17:40,280 --> 01:17:41,479
Speaker 6: I didn't like that answer either.

1856
01:17:41,600 --> 01:17:47,720
Speaker 1: Hello this Hello, Hey Tawanza, Good morning, good morning, How

1857
01:17:47,760 --> 01:17:50,760
Speaker 1: are you good? Good good? We're talking makeup sex or

1858
01:17:50,920 --> 01:17:54,320
Speaker 1: angry sex? Which one make up because.

1859
01:17:53,960 --> 01:17:57,040
Speaker 14: You're bringing up all new emotions and feelings for that

1860
01:17:57,200 --> 01:17:59,960
Speaker 14: person and it's like you're going back to when you

1861
01:18:00,160 --> 01:18:01,799
Speaker 14: first met and you're.

1862
01:18:01,680 --> 01:18:05,639
Speaker 19: Just solidifying that. Okay, yes, this is the one I want.

1863
01:18:05,920 --> 01:18:09,600
Speaker 1: Okay, So you prefer makeup sex, yeah, okay.

1864
01:18:09,520 --> 01:18:11,280
Speaker 3: See that the women are on the makeup sex and

1865
01:18:11,280 --> 01:18:13,599
Speaker 3: the men want to be angry and pounded and leave.

1866
01:18:13,720 --> 01:18:16,280
Speaker 5: Yes, yes, but I want an angry sex answer with

1867
01:18:16,400 --> 01:18:18,640
Speaker 5: a good rational explanation.

1868
01:18:18,720 --> 01:18:19,960
Speaker 2: And I don't think we're going to get that.

1869
01:18:20,120 --> 01:18:21,719
Speaker 1: No, not at all. Hello.

1870
01:18:21,840 --> 01:18:23,280
Speaker 11: Who's this church?

1871
01:18:24,479 --> 01:18:25,360
Speaker 1: Your name is Church?

1872
01:18:26,600 --> 01:18:27,080
Speaker 2: Here we go?

1873
01:18:27,200 --> 01:18:27,519
Speaker 1: Okay?

1874
01:18:27,600 --> 01:18:27,880
Speaker 20: Church?

1875
01:18:27,920 --> 01:18:32,240
Speaker 1: All right? So angry sex and make up sex, makeup? Why?

1876
01:18:32,560 --> 01:18:36,919
Speaker 11: And all honesty? Is something about that missing the person?

1877
01:18:37,280 --> 01:18:37,439
Speaker 7: You know?

1878
01:18:37,640 --> 01:18:39,439
Speaker 11: That's more passionate I feel?

1879
01:18:39,640 --> 01:18:42,760
Speaker 5: Yes, okay, Yes, that's the truth, that's the missing of

1880
01:18:42,880 --> 01:18:44,360
Speaker 5: the person, the miss you.

1881
01:18:44,680 --> 01:18:46,160
Speaker 2: Yes, yes, but.

1882
01:18:46,280 --> 01:18:48,280
Speaker 1: But angry sex could be like you just so mad,

1883
01:18:48,320 --> 01:18:50,000
Speaker 1: but you horn it, you just want to tear it up.

1884
01:18:50,479 --> 01:18:53,200
Speaker 11: Yeah, you know what I'm saying. But you know I'm older.

1885
01:18:53,400 --> 01:18:55,800
Speaker 23: I don't got time to doing this, but.

1886
01:18:57,479 --> 01:18:58,519
Speaker 1: You ain't got time for that.

1887
01:18:58,960 --> 01:19:01,400
Speaker 11: Man, I'm tying you, all right, brother.

1888
01:19:01,600 --> 01:19:03,840
Speaker 3: Angry sex feel like you don't really like me or

1889
01:19:03,880 --> 01:19:06,080
Speaker 3: just trying to get me back and punish me.

1890
01:19:06,200 --> 01:19:06,639
Speaker 1: And I don't.

1891
01:19:06,680 --> 01:19:10,560
Speaker 5: I don't mind that feeling, Claudia, Oh Jesus.

1892
01:19:10,280 --> 01:19:11,160
Speaker 6: I don't mind.

1893
01:19:11,320 --> 01:19:11,880
Speaker 2: Okay.

1894
01:19:12,240 --> 01:19:14,759
Speaker 5: I mean, you know, angry sex is a close second

1895
01:19:15,040 --> 01:19:15,880
Speaker 5: to make up sex.

1896
01:19:16,080 --> 01:19:18,759
Speaker 2: Makeup sex first, but a close close second.

1897
01:19:18,880 --> 01:19:21,559
Speaker 3: Yeah, so yeah, okay, maybe I could start a fight

1898
01:19:21,600 --> 01:19:22,320
Speaker 3: between y'all.

1899
01:19:22,400 --> 01:19:24,960
Speaker 2: Y you'd be doing us a favorite.

1900
01:19:25,560 --> 01:19:28,160
Speaker 1: All right. Now, when we come back, we have passed

1901
01:19:28,160 --> 01:19:31,800
Speaker 1: the AUCS, now shouting Nala Simone. She stopped through yesterday

1902
01:19:32,120 --> 01:19:33,760
Speaker 1: while Jess was here because she's on her way to

1903
01:19:33,880 --> 01:19:35,519
Speaker 1: LA for the b E T Awards. She does it

1904
01:19:35,600 --> 01:19:37,000
Speaker 1: each and every Friday, and she puts us on the

1905
01:19:37,080 --> 01:19:39,400
Speaker 1: music we should know about. So we go kicking with Nla.

1906
01:19:39,479 --> 01:19:41,960
Speaker 1: When we come back, it's the Breakfast Club one morning, everybody,

1907
01:19:42,000 --> 01:19:44,680
Speaker 1: It's d J n V. Charlamagne the God. We are

1908
01:19:44,680 --> 01:19:47,720
Speaker 1: the Breakfast Club. Jess Hilarious is here and now it's

1909
01:19:47,760 --> 01:19:49,439
Speaker 1: time for past the Auks.

1910
01:19:49,800 --> 01:20:01,360
Speaker 20: Yes, it's time for y'all with dj.

1911
01:20:05,760 --> 01:20:10,680
Speaker 6: DJ What's Up?

1912
01:20:10,760 --> 01:20:12,599
Speaker 2: And behind Jess What's up girl?

1913
01:20:13,200 --> 01:20:13,760
Speaker 6: Nothing much?

1914
01:20:13,800 --> 01:20:14,160
Speaker 2: All right?

1915
01:20:14,200 --> 01:20:17,160
Speaker 27: So this week I'm going to start with Big Freedo,

1916
01:20:17,200 --> 01:20:19,639
Speaker 27: who dropping a project called Central City. We just had

1917
01:20:19,640 --> 01:20:21,720
Speaker 27: her on our Amazon show last night and she was

1918
01:20:21,760 --> 01:20:23,640
Speaker 27: putting me on games some of her new music, but

1919
01:20:23,840 --> 01:20:25,920
Speaker 27: the one that I like the best, only there's only

1920
01:20:25,920 --> 01:20:28,479
Speaker 27: three singles really so far, but it's a one hundred

1921
01:20:28,520 --> 01:20:29,400
Speaker 27: bill features here.

1922
01:20:30,840 --> 01:20:31,759
Speaker 8: I like it.

1923
01:20:34,040 --> 01:20:35,679
Speaker 2: Did he say smelling like jazz?

1924
01:20:35,760 --> 01:20:36,879
Speaker 1: Smelling like jazz?

1925
01:20:37,120 --> 01:20:39,120
Speaker 6: I think it was? Did he say smell like I.

1926
01:20:39,040 --> 01:20:42,040
Speaker 1: Think, smell like feeling like jazz?

1927
01:20:42,160 --> 01:20:42,200
Speaker 11: Like?

1928
01:20:42,520 --> 01:20:47,000
Speaker 26: Okay, I'm good, I smell good?

1929
01:20:47,040 --> 01:20:49,840
Speaker 8: Okay, right?

1930
01:20:50,320 --> 01:20:52,200
Speaker 6: He also just did I feel like?

1931
01:20:52,240 --> 01:20:54,280
Speaker 27: The new version of Baby Shark called roll Your Boat

1932
01:20:54,360 --> 01:20:55,360
Speaker 27: on Gracie's channel.

1933
01:20:55,400 --> 01:20:57,599
Speaker 2: All the kids are loving. We don't got to get

1934
01:20:57,600 --> 01:21:01,000
Speaker 2: into it quick, Little Shadow, okay, okay, I gotta check

1935
01:21:01,040 --> 01:21:01,360
Speaker 2: that out.

1936
01:21:01,600 --> 01:21:04,479
Speaker 27: Next, I'm gonna get into some afrobeat to Asake, who

1937
01:21:04,520 --> 01:21:07,240
Speaker 27: is my favorite afrobeat artist, has dropped. Well, yeah, he

1938
01:21:07,320 --> 01:21:09,800
Speaker 27: just dropped the project and the single off it is

1939
01:21:09,800 --> 01:21:10,920
Speaker 27: called Piano.

1940
01:21:12,160 --> 01:21:18,360
Speaker 1: All over the Place. Yeah, I finished. You know, you know,

1941
01:21:18,680 --> 01:21:20,760
Speaker 1: DJs usually don't have rhythm, and that was a little awful.

1942
01:21:20,800 --> 01:21:22,719
Speaker 1: That was I was confused.

1943
01:21:23,240 --> 01:21:27,320
Speaker 27: What DJ don't got rhythm? Okay, yeah, speak for yourself.

1944
01:21:27,920 --> 01:21:32,680
Speaker 27: You stay your roots together, Okay, Yeah, so shout out

1945
01:21:32,720 --> 01:21:35,120
Speaker 27: to he's super dope. You guys should have him up here.

1946
01:21:35,200 --> 01:21:37,880
Speaker 2: Okay, okay, please for me, all right.

1947
01:21:37,960 --> 01:21:39,760
Speaker 27: And then the last one that I'm gonna go with

1948
01:21:40,000 --> 01:21:42,439
Speaker 27: is d Smoke and Serve with work hard, play hard,

1949
01:21:42,479 --> 01:21:43,720
Speaker 27: because it's just how I feel like.

1950
01:21:43,720 --> 01:21:45,960
Speaker 8: Both of them like that.

1951
01:21:45,720 --> 01:21:48,160
Speaker 2: That's a good pob right, I couldn't do that. It's

1952
01:21:48,280 --> 01:21:51,320
Speaker 2: very relatable. I feel like all of them are relatable. Yeah,

1953
01:21:51,479 --> 01:21:53,160
Speaker 2: big free to is like make.

1954
01:21:53,080 --> 01:21:54,000
Speaker 6: Myself feel good.

1955
01:21:54,400 --> 01:21:56,600
Speaker 27: Work hard, play hard just reminds me why I be

1956
01:21:57,240 --> 01:22:05,160
Speaker 27: slaving at all the places I'm slaving.

1957
01:22:02,439 --> 01:22:04,160
Speaker 1: Not in June. Don't say slaving.

1958
01:22:04,240 --> 01:22:06,759
Speaker 6: Don't you feel like I can't say slavering.

1959
01:22:07,400 --> 01:22:10,040
Speaker 1: No, because you get some good money that ain't slaving.

1960
01:22:10,120 --> 01:22:10,960
Speaker 1: You get some good money.

1961
01:22:11,240 --> 01:22:13,160
Speaker 2: Not everywhere, but some of us.

1962
01:22:13,280 --> 01:22:16,639
Speaker 1: His promotion and it's old to a bigger end.

1963
01:22:16,600 --> 01:22:18,360
Speaker 2: All right, I don't want to talk about it anyway.

1964
01:22:18,640 --> 01:22:21,559
Speaker 27: Nonetheless, that's the fix for past the Ox this week.

1965
01:22:21,840 --> 01:22:23,839
Speaker 27: Make sure you guys demop the p d A playlist.

1966
01:22:23,840 --> 01:22:25,280
Speaker 27: You can get it by clicking the link in my

1967
01:22:25,400 --> 01:22:28,080
Speaker 27: bio at n Y l A S Y M O

1968
01:22:28,240 --> 01:22:29,280
Speaker 27: N E e E.

1969
01:22:29,520 --> 01:22:31,320
Speaker 1: All right now, Charlamane gives your check from my pair

1970
01:22:31,320 --> 01:22:33,080
Speaker 1: because they send Charlman your check for you. Have you

1971
01:22:33,120 --> 01:22:34,519
Speaker 1: got your checks from from doing this?

1972
01:22:35,040 --> 01:22:35,320
Speaker 20: What?

1973
01:22:35,479 --> 01:22:41,040
Speaker 1: Okay, never mind, you're going out to the BT Awards right, Yeah,

1974
01:22:41,160 --> 01:22:44,920
Speaker 1: she would be slaving this weekend at the awards.

1975
01:22:44,920 --> 01:22:47,519
Speaker 27: No pun though, that's the sad part. No, I'm excited though.

1976
01:22:47,560 --> 01:22:49,680
Speaker 27: It should be fun. I'm doing the radio room for

1977
01:22:49,720 --> 01:22:50,240
Speaker 27: the first time.

1978
01:22:50,360 --> 01:22:55,599
Speaker 1: Okay, I'll be out there as well. Now let's get

1979
01:22:55,640 --> 01:22:57,559
Speaker 1: to the People's choice mix. Eight hundred and five eight

1980
01:22:57,600 --> 01:22:59,599
Speaker 1: five one five one is the Breakfast Club. Good morning,

1981
01:23:00,320 --> 01:23:04,839
Speaker 1: the Breakfast Club. Your mornings will never be the same. Sunday,

1982
01:23:04,920 --> 01:23:08,280
Speaker 1: June twenty fifth, b ET Awards twenty twenty three is

1983
01:23:08,320 --> 01:23:11,520
Speaker 1: more than coaches biggest night. It's hip hop's greatest celebration.

1984
01:23:11,960 --> 01:23:14,559
Speaker 1: Find out which for this year's nominees and music take

1985
01:23:14,600 --> 01:23:18,400
Speaker 1: home the trophy. BT Awards twenty twenty three Live Sunday,

1986
01:23:18,479 --> 01:23:20,800
Speaker 1: June twenty fifth and eight seventh Central on b ET

1987
01:23:21,240 --> 01:23:24,439
Speaker 1: and simulcast across Paramount Now we got our guest co

1988
01:23:24,520 --> 01:23:27,320
Speaker 1: host Claudia Jordan and my wife Gia are here, and

1989
01:23:27,360 --> 01:23:29,839
Speaker 1: I just want to remind you guys. Today I announced

1990
01:23:29,880 --> 01:23:32,919
Speaker 1: my car shows that's going to Atlanta and New York City. Atlanta,

1991
01:23:32,960 --> 01:23:36,040
Speaker 1: it's July twenty ninth. We're doing it with Dolph a right,

1992
01:23:36,080 --> 01:23:37,720
Speaker 1: We're doing it with PR eight. So we're gonna have

1993
01:23:37,760 --> 01:23:39,960
Speaker 1: a Young Dolph exhibition with all his cars, which is

1994
01:23:39,960 --> 01:23:42,000
Speaker 1: pretty dope. If you missed one in Memphis, you definitely

1995
01:23:42,040 --> 01:23:45,000
Speaker 1: don't want to miss this one. Celebrity cars, old school cars,

1996
01:23:45,000 --> 01:23:48,320
Speaker 1: amusement rides, jumpees, gaming trucks, and so much more. Kids

1997
01:23:48,320 --> 01:23:50,800
Speaker 1: five and under a free There's gonna be great food trucks.

1998
01:23:50,800 --> 01:23:52,920
Speaker 1: There's gonna be so much going on. That happens in

1999
01:23:52,960 --> 01:23:54,920
Speaker 1: Atlanta July twenty ninth, So get you take a ticket,

2000
01:23:54,960 --> 01:23:57,000
Speaker 1: start at nineteen ninety nine, and then we're coming back

2001
01:23:57,040 --> 01:23:59,960
Speaker 1: to New York City. I know usually we're in Atlantic City,

2002
01:24:00,200 --> 01:24:02,120
Speaker 1: but we're coming back to this part of New York City,

2003
01:24:02,160 --> 01:24:04,960
Speaker 1: New Jersey. So it's a two day show August twenty

2004
01:24:04,960 --> 01:24:08,240
Speaker 1: sixth and August twenty seventh, so you can get passes

2005
01:24:08,280 --> 01:24:10,519
Speaker 1: for both days. One day we're gonna focus on all

2006
01:24:10,520 --> 01:24:15,320
Speaker 1: the exotics, Bugattis, Lamborghinis, Ferraris, all types of vehicles, and

2007
01:24:15,360 --> 01:24:17,480
Speaker 1: then for the second day we're gonna do more classics

2008
01:24:17,520 --> 01:24:20,519
Speaker 1: like the old Schools, the Dogs, the eight thirty m threes,

2009
01:24:20,560 --> 01:24:23,040
Speaker 1: the BMWs, the old Mercedes. So it's gonna be two

2010
01:24:23,120 --> 01:24:26,840
Speaker 1: days of nothing but fun cars, bikes, vendors, and of

2011
01:24:26,880 --> 01:24:29,040
Speaker 1: course amusement rids for the kids and all that. So

2012
01:24:29,040 --> 01:24:31,960
Speaker 1: if you haven't got your tickets, tickets are nineteen ninety

2013
01:24:32,000 --> 01:24:34,599
Speaker 1: nine for Atlanta. They started and it's an early bird

2014
01:24:34,640 --> 01:24:37,800
Speaker 1: specialist for today, and get your tickets now. I can't

2015
01:24:37,800 --> 01:24:39,160
Speaker 1: wait to see you guys for the two day car

2016
01:24:39,240 --> 01:24:41,920
Speaker 1: show in New York or Atlanta. Claudia, I appreciate you

2017
01:24:41,960 --> 01:24:43,880
Speaker 1: for joining us today. Thank you so much.

2018
01:24:43,880 --> 01:24:45,920
Speaker 3: Can I shout out my movie that's on TV right now?

2019
01:24:46,400 --> 01:24:48,680
Speaker 3: Please check out All I Want Is You. It's on

2020
01:24:48,760 --> 01:24:50,559
Speaker 3: TV right now. People are kind of going crazy for

2021
01:24:50,680 --> 01:24:52,120
Speaker 3: and it's a part to you coming out where I

2022
01:24:52,200 --> 01:24:53,960
Speaker 3: do something really really ill at the end.

2023
01:24:54,000 --> 01:24:55,000
Speaker 2: I don't want you to miss it.

2024
01:24:55,520 --> 01:24:57,880
Speaker 1: Well you do those tell us I'm gonna watch you.

2025
01:24:57,960 --> 01:25:00,120
Speaker 2: Have to watch it, Okay, have to watch it. It's

2026
01:25:00,160 --> 01:25:02,120
Speaker 2: so good to be around you. It's so good to

2027
01:25:02,160 --> 01:25:04,680
Speaker 2: be around you too. You are a doll, so.

2028
01:25:04,800 --> 01:25:10,559
Speaker 3: You yes, and I'm on it since Breakfast Club has

2029
01:25:10,560 --> 01:25:15,000
Speaker 3: made me a lesbian all right, when we come back,

2030
01:25:15,040 --> 01:25:16,639
Speaker 3: we got the positive notice the Breakfast Club.

2031
01:25:16,680 --> 01:25:20,680
Speaker 1: Good morning warning everybody, it's DJ Envy charlamagnea God. We

2032
01:25:20,800 --> 01:25:24,120
Speaker 1: are the Breakfast Club. Claudia Jordan and my wife Via Casey,

2033
01:25:24,160 --> 01:25:27,000
Speaker 1: a co host, and today. Appreciate you baby for coming

2034
01:25:27,000 --> 01:25:27,960
Speaker 1: through and joining me today.

2035
01:25:27,960 --> 01:25:28,760
Speaker 2: Thank you for having me.

2036
01:25:28,840 --> 01:25:30,040
Speaker 1: Now you got to get back to and get them

2037
01:25:30,040 --> 01:25:32,960
Speaker 1: babies to school and camp. Yes, all of that, that's

2038
01:25:33,040 --> 01:25:34,920
Speaker 1: right now. Claudia, you got a positive note.

2039
01:25:35,000 --> 01:25:37,240
Speaker 3: Yeah, your wife and I were talking about friendships, and

2040
01:25:37,360 --> 01:25:39,680
Speaker 3: I just want people to start valuing each other. If

2041
01:25:39,680 --> 01:25:41,360
Speaker 3: you have someone in your life that has showed up

2042
01:25:41,360 --> 01:25:43,160
Speaker 3: for you time and time again, you don't have to

2043
01:25:43,240 --> 01:25:45,840
Speaker 3: match them exactly, but it would be nice to make

2044
01:25:45,880 --> 01:25:48,240
Speaker 3: sure that they feel appreciated too. I think no friendships

2045
01:25:48,320 --> 01:25:51,160
Speaker 3: or relationships will ever be healthy if they're in one way,

2046
01:25:51,280 --> 01:25:53,080
Speaker 3: So just keep just be a little bit more conscious

2047
01:25:53,080 --> 01:25:54,800
Speaker 3: about the people in your life that actually look out

2048
01:25:54,800 --> 01:25:55,439
Speaker 3: for you and care for you.

2049
01:25:55,840 --> 01:25:57,479
Speaker 2: Absolutely good positive note.

2050
01:25:57,520 --> 01:26:00,920
Speaker 1: Thank you. Breakfast Club is finished. Your dumb,