1 00:00:11,200 --> 00:00:13,240 Speaker 1: Hope you had a good weekend. Welcome to Monday Show, 2 00:00:13,360 --> 00:00:16,680 Speaker 1: Moran Studio. Morning. Well, let's get started and go around 3 00:00:16,680 --> 00:00:19,360 Speaker 1: the room and see what's up with everybody. His future 4 00:00:19,440 --> 00:00:22,400 Speaker 1: and sports gambling isn't very bright and seeing him without 5 00:00:22,440 --> 00:00:25,040 Speaker 1: a hat on is a rare sight. His name is 6 00:00:25,079 --> 00:00:29,280 Speaker 1: producer Eddie. All right, you know our phone screener, Abby. 7 00:00:29,320 --> 00:00:31,640 Speaker 1: She's been looking for love, right, It's been a storyline 8 00:00:31,640 --> 00:00:34,120 Speaker 1: on the show over and over. I have the answer, guys, 9 00:00:34,320 --> 00:00:37,240 Speaker 1: I saw it. There's a new TV show coming out 10 00:00:37,360 --> 00:00:39,159 Speaker 1: on Fox. I think it comes out on March and 11 00:00:39,200 --> 00:00:42,280 Speaker 1: it's called Farmer Wants a Wife. It's like The Bachelor, 12 00:00:42,360 --> 00:00:45,680 Speaker 1: but a bunch of farmers. Abby loves farmers. This is 13 00:00:45,800 --> 00:00:48,400 Speaker 1: right up her. Ally, she needs to get on the show. Abby. 14 00:00:48,440 --> 00:00:50,680 Speaker 1: Will you come to the microphone. Please have two questions 15 00:00:50,680 --> 00:00:55,400 Speaker 1: for you. First of all, good morning morning. Question one, 16 00:00:55,440 --> 00:00:58,560 Speaker 1: would you go on a reality dating show? This one 17 00:00:58,600 --> 00:01:02,880 Speaker 1: sounds cool. This sounds like number number two. Would you 18 00:01:02,920 --> 00:01:06,400 Speaker 1: like to day to Farmer? Yeah? Okay. If this show 19 00:01:06,480 --> 00:01:08,880 Speaker 1: us successful, they'll do a season two and we'll make 20 00:01:08,880 --> 00:01:13,080 Speaker 1: some calls. Would you go on Farmer Once a Wife? 21 00:01:13,200 --> 00:01:14,800 Speaker 1: I need to do research. If I can do research. 22 00:01:14,880 --> 00:01:17,680 Speaker 1: Can I look at it anything? You mean like what 23 00:01:17,760 --> 00:01:22,319 Speaker 1: it's about? No farmer, it's basically farmers and they look 24 00:01:22,400 --> 00:01:25,360 Speaker 1: would you go on that kind of show? Cool? Is 25 00:01:25,560 --> 00:01:29,480 Speaker 1: there a single guy? Abby will go on like she, Oh, Abby, 26 00:01:29,640 --> 00:01:31,880 Speaker 1: you were in glasses today. Oh, they're the blue light ones. 27 00:01:32,000 --> 00:01:35,360 Speaker 1: It looks like you're going to a shooting range that 28 00:01:35,720 --> 00:01:38,720 Speaker 1: pink or clear. It does look like okay, Abbey, it's 29 00:01:38,760 --> 00:01:41,759 Speaker 1: good to see it. It doesn't look like she's about 30 00:01:41,800 --> 00:01:45,080 Speaker 1: to get a show. Take her air rifle out. This 31 00:01:45,160 --> 00:01:48,000 Speaker 1: next man also goes by Jason Gibble, but when it 32 00:01:48,040 --> 00:01:49,880 Speaker 1: comes to making business deals, he can't even get a 33 00:01:49,920 --> 00:01:53,920 Speaker 1: nibble here. He is lunchbox. Everybody. Well, Bobby has been 34 00:01:54,000 --> 00:01:57,360 Speaker 1: encouraging us to spread our wings and fly chase our dreams. 35 00:01:57,360 --> 00:01:59,160 Speaker 1: And I just want to let you guys know I 36 00:01:59,240 --> 00:02:02,320 Speaker 1: maybe leaving the show. I've applied for a new job, 37 00:02:02,440 --> 00:02:06,440 Speaker 1: breaking news. Okay, yeah. Netflix is hiring flight attendants that 38 00:02:06,560 --> 00:02:09,280 Speaker 1: pay three hundred and eighty five thousand dollars a year, 39 00:02:09,800 --> 00:02:11,639 Speaker 1: and so I have put my name in the hat. 40 00:02:11,800 --> 00:02:15,480 Speaker 1: And they say they need independent judgment, discretion and outstanding 41 00:02:15,600 --> 00:02:18,880 Speaker 1: customer service skills, which all the things I possess and 42 00:02:18,960 --> 00:02:20,600 Speaker 1: it says you need to be able to lift thirty pounds. 43 00:02:20,639 --> 00:02:22,720 Speaker 1: I can lift thirty pounds. What about experience as a 44 00:02:22,760 --> 00:02:26,080 Speaker 1: flight attendant? I didn't say anything about that. Does Netflix 45 00:02:26,160 --> 00:02:28,200 Speaker 1: having an airline? Like what is it? Yeah, because you 46 00:02:28,280 --> 00:02:31,680 Speaker 1: fly talent around they have private jets. Oh, you fly 47 00:02:31,800 --> 00:02:34,440 Speaker 1: talent around. And then also executives. So this is a 48 00:02:34,520 --> 00:02:36,639 Speaker 1: double edged sword, guys. Not only am I going to 49 00:02:36,680 --> 00:02:39,079 Speaker 1: be making three hundred and eighty five thousand dollars a year, 50 00:02:39,480 --> 00:02:41,600 Speaker 1: I'm going to be in front of execs at Netflix. 51 00:02:41,800 --> 00:02:44,040 Speaker 1: And eventually they're gonna be like, hey, you ever acted before? 52 00:02:44,040 --> 00:02:47,120 Speaker 1: And I'm like, well, actually I have. I was in 53 00:02:47,240 --> 00:02:51,520 Speaker 1: bad out of Hell. I won't say that. So I'm 54 00:02:51,560 --> 00:02:53,600 Speaker 1: gonna meet the stars. They're like, hey, maybe you should 55 00:02:53,639 --> 00:02:55,239 Speaker 1: come on set and try a couple of lines. So 56 00:02:55,360 --> 00:02:57,640 Speaker 1: I'm gonna be making a lot of money flying around 57 00:02:57,680 --> 00:03:00,560 Speaker 1: the country, and you really should apply for that job. Yes, 58 00:03:00,919 --> 00:03:03,320 Speaker 1: I'm going to. I hope you get it. I hope 59 00:03:03,320 --> 00:03:06,120 Speaker 1: you get a call back. I mean, how awesome would that? 60 00:03:06,320 --> 00:03:08,600 Speaker 1: Would you leave for that? Guys? Are good money? Would 61 00:03:08,600 --> 00:03:10,560 Speaker 1: you leave for that? Yeah? Okay, you heard it here 62 00:03:10,600 --> 00:03:12,800 Speaker 1: first everybody. Maybe by the time you get that job 63 00:03:12,840 --> 00:03:14,120 Speaker 1: when you get taught Chrisley back in here to be 64 00:03:14,200 --> 00:03:17,680 Speaker 1: the guests, the host cool maybe from his luxury prison, 65 00:03:18,120 --> 00:03:21,040 Speaker 1: can FaceTime a minute. All right, lunchbox, thank you. While 66 00:03:21,120 --> 00:03:23,760 Speaker 1: we may never question her ability to drive, her toughest 67 00:03:23,760 --> 00:03:25,639 Speaker 1: task last year was keeping a fish alive here. She 68 00:03:25,720 --> 00:03:29,760 Speaker 1: has amy everybody. So I had booked a guest for 69 00:03:29,840 --> 00:03:32,480 Speaker 1: my four Things podcast that I was very excited about. 70 00:03:32,720 --> 00:03:35,440 Speaker 1: Her time is very valuable. She's an expert in her field. 71 00:03:35,640 --> 00:03:39,400 Speaker 1: And I started recording with her, and we'd been talking 72 00:03:39,480 --> 00:03:43,280 Speaker 1: for fifteen minutes, and I realized I didn't hit record. 73 00:03:44,000 --> 00:03:47,240 Speaker 1: Oh that's not good again, is it. That's a first 74 00:03:47,240 --> 00:03:48,840 Speaker 1: of all, it's on brand a little bit right, Like, No, 75 00:03:49,000 --> 00:03:52,440 Speaker 1: that's a fullness even once in the four years. No, 76 00:03:52,520 --> 00:03:55,440 Speaker 1: I'm just saying, in general, in four hundred episodes, you're forgetful. Yeah, 77 00:03:55,440 --> 00:03:58,600 Speaker 1: you're a forgetful person. But go ahead, yeahhh and so 78 00:03:58,960 --> 00:04:02,880 Speaker 1: as more defied obviously, but it got me wondering, what 79 00:04:02,960 --> 00:04:05,680 Speaker 1: would what would Bobby do in that situation? Would not 80 00:04:05,760 --> 00:04:07,960 Speaker 1: have told them, Oh, I would have just kept going 81 00:04:08,360 --> 00:04:11,440 Speaker 1: and then eventually revisited in the middle of other things, 82 00:04:11,520 --> 00:04:13,720 Speaker 1: some of those first things, and then I would have 83 00:04:13,800 --> 00:04:16,160 Speaker 1: reset in the middle to use back at the beginning. 84 00:04:16,360 --> 00:04:18,560 Speaker 1: That's right. Smart. So, but I wouldn't have said anything 85 00:04:18,560 --> 00:04:19,880 Speaker 1: because I wonder one of them the whole time, going, 86 00:04:19,920 --> 00:04:21,680 Speaker 1: oh my god, what an idiot, because you know for 87 00:04:21,760 --> 00:04:23,440 Speaker 1: sure they would have been doing that. It would have 88 00:04:23,440 --> 00:04:25,000 Speaker 1: been like, what an idiot. I'm never doing this podcast again. 89 00:04:25,000 --> 00:04:26,720 Speaker 1: I'm telling everybody else about this podcast that it's only 90 00:04:26,800 --> 00:04:28,840 Speaker 1: round by an idiot. Well, that's what she did. Then 91 00:04:30,040 --> 00:04:32,720 Speaker 1: you stopped, and so didn't. I wasn't recording, said, I 92 00:04:34,400 --> 00:04:39,320 Speaker 1: just said, just keep going. I know. Oh no, also 93 00:04:40,200 --> 00:04:42,240 Speaker 1: part of my personality and get us at all that 94 00:04:42,240 --> 00:04:46,599 Speaker 1: idiot stuff I mean talk about I still I lost 95 00:04:46,600 --> 00:04:49,880 Speaker 1: sleep over it. It's like, oh the worst, I'm the worst. 96 00:04:50,040 --> 00:04:53,760 Speaker 1: But I forgive myself. Yeah, but I said, we started over. 97 00:04:54,040 --> 00:04:57,919 Speaker 1: She was gracious, was gracious. I'd have sped through that stuff. 98 00:04:58,360 --> 00:05:00,480 Speaker 1: I'd got off that podcast pretty quick. I bet you 99 00:05:00,560 --> 00:05:05,560 Speaker 1: show your recording this. Okay from Mountain Pipe, Arkansas. He's 100 00:05:05,560 --> 00:05:08,960 Speaker 1: gonna golf Pebble Beach with Eddie. Let's hope that he's ready. 101 00:05:09,320 --> 00:05:13,200 Speaker 1: Bobby Bones, thank you, thank you, thank you. Well, this 102 00:05:13,360 --> 00:05:15,320 Speaker 1: is what I would say. And I wasn't gonna lead 103 00:05:15,320 --> 00:05:16,760 Speaker 1: with us this morning. But I just got this text 104 00:05:16,800 --> 00:05:19,360 Speaker 1: from my friend s J says, Hey, we're having a 105 00:05:19,360 --> 00:05:22,480 Speaker 1: staff discussion because allegedly you recommended to Emily the Criminal 106 00:05:22,560 --> 00:05:24,480 Speaker 1: to watch, and people on our staff are saying, not 107 00:05:24,560 --> 00:05:28,280 Speaker 1: touch your feelings, that it was not good. I replied, 108 00:05:28,520 --> 00:05:31,000 Speaker 1: wasn't me. I haven't seen that movie. But who on 109 00:05:31,080 --> 00:05:35,080 Speaker 1: the show recommended Emily the Criminal? Did you guys all 110 00:05:35,120 --> 00:05:37,080 Speaker 1: liked it? Yes, we loved it. I thought it was 111 00:05:37,160 --> 00:05:38,880 Speaker 1: very entertaining. So what do you think about it? Then 112 00:05:38,920 --> 00:05:40,720 Speaker 1: when they say they didn't like it, then they don't 113 00:05:40,720 --> 00:05:43,440 Speaker 1: have very good taste? Are they idiots? Yeah? Maybe they 114 00:05:43,480 --> 00:05:45,360 Speaker 1: didn't really watch it. Yeah, may I don't know what 115 00:05:45,440 --> 00:05:47,599 Speaker 1: they were expecting it. It's not gonna win Best Picture, 116 00:05:47,680 --> 00:05:49,680 Speaker 1: but it was an entertaining fun like a movie like 117 00:05:49,720 --> 00:05:52,400 Speaker 1: you're like, oh like, and I did say it's low budget, 118 00:05:52,520 --> 00:05:55,680 Speaker 1: so don't expect like high quality. But that storyline's amazing. Yeah, 119 00:05:55,880 --> 00:05:59,440 Speaker 1: but don't like take it down and go well, but 120 00:05:59,560 --> 00:06:01,680 Speaker 1: but how do you liked it? He didn't be awesome? 121 00:06:01,720 --> 00:06:03,320 Speaker 1: There you go, right, that's what we're saying. We're about 122 00:06:03,320 --> 00:06:09,640 Speaker 1: your man. You won't back Oh, Tom Petty, I think 123 00:06:09,760 --> 00:06:11,600 Speaker 1: so you guys are sticking with that. Yeah, all right, 124 00:06:11,680 --> 00:06:13,200 Speaker 1: my original one too, and I'll roll over to this 125 00:06:13,240 --> 00:06:15,520 Speaker 1: one as well. So sometimes I'll make cookies at home. 126 00:06:15,880 --> 00:06:18,800 Speaker 1: There's still something I do on the side. And I 127 00:06:19,200 --> 00:06:20,960 Speaker 1: learned this from my wife. But if you I like 128 00:06:21,080 --> 00:06:22,839 Speaker 1: chokie cookies, I don't like make a peanut butter cookies. 129 00:06:22,880 --> 00:06:25,320 Speaker 1: I hate peanut butter, so usually I only do chocolate chip. 130 00:06:25,680 --> 00:06:27,440 Speaker 1: And at first I didn't realize that they had to 131 00:06:27,520 --> 00:06:29,880 Speaker 1: be so I can't like for him to get hard 132 00:06:29,920 --> 00:06:31,320 Speaker 1: in the oven. The first couple of times I did it, 133 00:06:31,640 --> 00:06:33,240 Speaker 1: and so I would push up like a fork on it. 134 00:06:33,320 --> 00:06:36,040 Speaker 1: It would be wayte softly, like they're not done. The 135 00:06:36,120 --> 00:06:37,479 Speaker 1: thing is they got to come out and then harden. 136 00:06:37,600 --> 00:06:39,040 Speaker 1: I didn't know that right. Took me like two batches 137 00:06:39,040 --> 00:06:41,360 Speaker 1: to figure it out. So I finally I'm pretty good 138 00:06:41,360 --> 00:06:43,279 Speaker 1: at getting them out at the right time. But then 139 00:06:43,320 --> 00:06:44,640 Speaker 1: I take a little bit of sea salt, just a 140 00:06:44,680 --> 00:06:46,280 Speaker 1: tad on the choliate cookie and just put a little 141 00:06:46,279 --> 00:06:49,720 Speaker 1: on the top. Game changer. Game changer, dude, I didn't 142 00:06:49,720 --> 00:06:52,680 Speaker 1: know salt on chalkie cookie would be good. Are you serious? 143 00:06:53,120 --> 00:06:58,160 Speaker 1: That is the most disgusting. Actually, I was at a 144 00:06:58,240 --> 00:07:00,280 Speaker 1: restaurant a couple of weeks ago. My wife ordered a 145 00:07:00,360 --> 00:07:02,360 Speaker 1: chocolate chip cookie and I took one bite of it. 146 00:07:02,520 --> 00:07:04,360 Speaker 1: It had salt on it, and I spit it out. 147 00:07:04,480 --> 00:07:07,640 Speaker 1: The absolute worst thing I have ever had. Had sea 148 00:07:07,680 --> 00:07:09,120 Speaker 1: salt in the box. Like my wife gets, it's a 149 00:07:09,160 --> 00:07:11,680 Speaker 1: little bit of box. I got like this, like salt, 150 00:07:11,720 --> 00:07:15,680 Speaker 1: baby cookie. Bab your elbows. It's good. It's good. You 151 00:07:15,760 --> 00:07:21,600 Speaker 1: guys washinge get out. That's it. Time to open up 152 00:07:21,640 --> 00:07:31,240 Speaker 1: the mailbag. Something Hello, Bobby. I played guitar and I sing, 153 00:07:32,160 --> 00:07:34,840 Speaker 1: I'd like to get your thoughts and critiques on my 154 00:07:34,920 --> 00:07:38,920 Speaker 1: ability to do so. I watched Heath Sanders interview on 155 00:07:39,000 --> 00:07:41,000 Speaker 1: how you discovered them and thought, why not give it 156 00:07:41,080 --> 00:07:42,960 Speaker 1: a shot. Not that I believe I'm bound for stardom, 157 00:07:43,040 --> 00:07:45,400 Speaker 1: but I would just like an honest opinion. I don't 158 00:07:45,440 --> 00:07:49,040 Speaker 1: do social media. I'm a rancher in Southeast Kansas. I 159 00:07:49,200 --> 00:07:52,440 Speaker 1: decided to just record something with my phone. I'm feeding cattle. 160 00:07:52,680 --> 00:07:54,320 Speaker 1: I don't have a guitar here, so this is the 161 00:07:54,360 --> 00:07:56,160 Speaker 1: best I can do at the moment. Love the show. 162 00:07:56,280 --> 00:07:59,320 Speaker 1: Can't wait to get your opinion. Best regards at him 163 00:07:59,520 --> 00:08:02,040 Speaker 1: and he said, clip him singing, So we'll critique it 164 00:08:02,160 --> 00:08:07,640 Speaker 1: right here, go ahead. I guess everything that change except 165 00:08:07,800 --> 00:08:15,160 Speaker 1: what would you go? Billion? Good day dreams A dream? 166 00:08:17,080 --> 00:08:25,120 Speaker 1: The baby you are my favorite memory of pretty good. 167 00:08:25,280 --> 00:08:27,720 Speaker 1: Yeah I'm bad. If I just heard her singing around 168 00:08:27,760 --> 00:08:29,240 Speaker 1: the ranch, I'd be like, dang it, I'm You're a 169 00:08:29,280 --> 00:08:31,760 Speaker 1: good singer, really good ranch singer. I feel like you 170 00:08:31,840 --> 00:08:33,320 Speaker 1: have to get out and sing a bunch more because 171 00:08:33,320 --> 00:08:36,040 Speaker 1: he's falling off his notes um where he's hitting it 172 00:08:36,320 --> 00:08:40,480 Speaker 1: and he's just but it's pretty good. I don't know 173 00:08:40,720 --> 00:08:44,439 Speaker 1: that you're going to get discovered from that kind of clip. 174 00:08:45,120 --> 00:08:49,280 Speaker 1: I think if you get a guitar and you go, 175 00:08:49,360 --> 00:08:51,880 Speaker 1: when you play a few places, you get some reps 176 00:08:51,960 --> 00:08:54,079 Speaker 1: under your belt, you feel more comfortable singing and holding 177 00:08:54,120 --> 00:08:55,520 Speaker 1: some of these notes. I think you have a real 178 00:08:55,640 --> 00:09:00,520 Speaker 1: shot to have a shot. You know right now well 179 00:09:00,600 --> 00:09:03,640 Speaker 1: that you ain't there, but you do have the promise 180 00:09:03,800 --> 00:09:08,640 Speaker 1: of you know instinctually how to sing, so now it's 181 00:09:08,679 --> 00:09:12,080 Speaker 1: just learning really what to sing and how to sing it. Bones. 182 00:09:12,160 --> 00:09:14,560 Speaker 1: What if he does videos from the ranch while he's 183 00:09:14,559 --> 00:09:16,160 Speaker 1: singing it. I think if there's a he's on a 184 00:09:16,240 --> 00:09:19,880 Speaker 1: cow or cows are around him, people love authenticity. So 185 00:09:20,240 --> 00:09:23,400 Speaker 1: if he's and he is authentically a rancher. I would 186 00:09:23,480 --> 00:09:25,880 Speaker 1: record on the ranch. Oh yeah, I'm picturing him singing 187 00:09:26,000 --> 00:09:29,160 Speaker 1: while he's loading hey or building a fence. Sure, or 188 00:09:29,240 --> 00:09:31,120 Speaker 1: if he can just kind of like lure the cows 189 00:09:31,160 --> 00:09:33,000 Speaker 1: in and make it sound like, look, every time I sing, 190 00:09:33,160 --> 00:09:34,800 Speaker 1: the cows come in and then they all just like 191 00:09:35,360 --> 00:09:38,240 Speaker 1: sit down and they start swaying knocking. For that's what 192 00:09:38,320 --> 00:09:40,880 Speaker 1: I'm talking about me now, y'all trying to choreograph. There 193 00:09:40,920 --> 00:09:42,839 Speaker 1: are a lot of people that sing really well on 194 00:09:42,920 --> 00:09:45,280 Speaker 1: the internet, and you can be one of them, or 195 00:09:45,480 --> 00:09:47,400 Speaker 1: you can practice and get really good and be somebody 196 00:09:47,400 --> 00:09:49,120 Speaker 1: who sings good on the internet but also can sing 197 00:09:49,200 --> 00:09:50,959 Speaker 1: good in person. In this so, I think you're a 198 00:09:50,960 --> 00:09:52,480 Speaker 1: couple steps away, but I think you have the promise 199 00:09:52,559 --> 00:09:54,959 Speaker 1: to do it. But right now you ain't there that 200 00:09:55,080 --> 00:09:57,199 Speaker 1: I mean, you can't get there, but we appreciate that. 201 00:09:57,679 --> 00:09:59,400 Speaker 1: I like these. I I would encourage more people to 202 00:09:59,400 --> 00:10:00,760 Speaker 1: do them, but I don't want I don't want to 203 00:10:00,800 --> 00:10:03,640 Speaker 1: crash our inbox. Would crash your inbox if people started 204 00:10:03,640 --> 00:10:08,000 Speaker 1: sending his clips. Yeah, maybe you send us a link. 205 00:10:09,120 --> 00:10:10,920 Speaker 1: Do that. Don't send us an attachment, but link it 206 00:10:11,000 --> 00:10:13,280 Speaker 1: to like a YouTube or something if you're like and 207 00:10:13,400 --> 00:10:14,520 Speaker 1: in the clip be like, hey, Bobby, I was just 208 00:10:14,520 --> 00:10:15,719 Speaker 1: wanting to see if you're critake me and then what 209 00:10:15,800 --> 00:10:18,000 Speaker 1: could take him on the air. Yeah, that'd be awesome constantly. 210 00:10:18,720 --> 00:10:20,400 Speaker 1: It was a fun game. But we can find a star. 211 00:10:20,640 --> 00:10:22,199 Speaker 1: What do you think of that guy, Lunchbox? It's a 212 00:10:22,280 --> 00:10:24,439 Speaker 1: no for me, dog, it's a noo for now. But 213 00:10:24,520 --> 00:10:26,160 Speaker 1: you can tell he knows he can sing at a 214 00:10:26,160 --> 00:10:29,480 Speaker 1: bar in Kansas. That's fine in his hometown. Guys. It's 215 00:10:29,480 --> 00:10:32,199 Speaker 1: also on a telephone. But that's all we have to 216 00:10:32,480 --> 00:10:34,840 Speaker 1: go with, right, right, Eddie, I mean, I'm just telling 217 00:10:34,880 --> 00:10:37,800 Speaker 1: you he's not good enough. Okay, Yeah, for what though? 218 00:10:38,520 --> 00:10:40,199 Speaker 1: If he wants to be like Heath Sanders and be 219 00:10:40,240 --> 00:10:42,240 Speaker 1: discovered he ain't there. Well, I don't think Heat Sanders 220 00:10:42,280 --> 00:10:44,600 Speaker 1: wasn't a good even then as he is now. So right, 221 00:10:44,640 --> 00:10:46,439 Speaker 1: it's we're all growing every day. I think if he 222 00:10:46,480 --> 00:10:48,959 Speaker 1: puts the time in, he can actually get pretty good. Thanks, Adam. 223 00:10:48,960 --> 00:10:51,000 Speaker 1: Appreciate that email you guys if you want to send 224 00:10:51,080 --> 00:10:52,640 Speaker 1: us a link to you performing, but in the clip, 225 00:10:52,640 --> 00:10:54,000 Speaker 1: you gotta be like, hey, Bobby Bones, this is me. 226 00:10:54,120 --> 00:10:55,319 Speaker 1: Don't just send me a clip of you from like 227 00:10:55,440 --> 00:11:00,199 Speaker 1: nineteen ninety six. He cat fishing me. All you have 228 00:11:00,240 --> 00:11:01,280 Speaker 1: to do send it to us more. You want to 229 00:11:01,320 --> 00:11:03,679 Speaker 1: go mailbag at Bobby bones dot com. Right, thank you, 230 00:11:04,160 --> 00:11:09,760 Speaker 1: We've got your game. That's about the closed Bobby mail 231 00:11:09,840 --> 00:11:15,520 Speaker 1: Bag year. It's time for the Bobby Feud. Welcome everybody here. 232 00:11:16,800 --> 00:11:20,240 Speaker 1: I'll ask you a question that thousands and thousands of 233 00:11:20,360 --> 00:11:23,559 Speaker 1: people have answered. Let's see how you do. We always 234 00:11:23,640 --> 00:11:26,240 Speaker 1: roll the dice to see who goes first. Number three. 235 00:11:26,800 --> 00:11:30,679 Speaker 1: That'll be Eddie. Okay, you'll go first. Wide Open Country 236 00:11:30,760 --> 00:11:34,120 Speaker 1: has a list of the top ten most influential artists 237 00:11:34,160 --> 00:11:37,480 Speaker 1: of the nineties based on fan research and their own 238 00:11:37,960 --> 00:11:43,559 Speaker 1: Top ten most influential country artists of the nineties, The 239 00:11:43,640 --> 00:11:47,040 Speaker 1: strength of yours Eddie. All Right, I'm gonna start off easy. 240 00:11:47,800 --> 00:11:51,440 Speaker 1: In the nineties, very influential. Let's go Garth Brooks. Garth Brooks, 241 00:11:51,679 --> 00:11:55,720 Speaker 1: show it to me. Number one. Answer one point, Eddie, 242 00:11:55,720 --> 00:11:58,200 Speaker 1: good job. We give one point for the number one 243 00:11:58,240 --> 00:12:00,360 Speaker 1: because it's the easiest one to get correct. Go ahead, okay. 244 00:12:00,440 --> 00:12:03,920 Speaker 1: Shania Twain huge in the nineties, inspired women all over 245 00:12:04,000 --> 00:12:09,480 Speaker 1: the world. Man, is that the answer? I feel lack 246 00:12:09,559 --> 00:12:15,560 Speaker 1: a woman alight, Eddie? Man feel like a woman. Top 247 00:12:15,640 --> 00:12:18,559 Speaker 1: ten most influential artists of the nineties. Let's stick to 248 00:12:18,840 --> 00:12:23,280 Speaker 1: influencing women all over the world. Reeba is on this list. 249 00:12:23,480 --> 00:12:31,800 Speaker 1: Show me from Oklahoma, Miss Reba Macatya at number eight, 250 00:12:32,440 --> 00:12:37,719 Speaker 1: big points the number eight, Oh gosh, why didn't I 251 00:12:37,800 --> 00:12:40,240 Speaker 1: think of this earlier? Look, he influenced me to go 252 00:12:40,400 --> 00:12:42,760 Speaker 1: water skiing. I'm not very good at it, but that 253 00:12:43,080 --> 00:12:46,240 Speaker 1: video of Chattahoochie. Give me Alan Jackson. He wants Alan Jackson. 254 00:12:46,320 --> 00:12:52,079 Speaker 1: Can you see Alan Jackson under the chat? She never 255 00:12:52,200 --> 00:12:54,880 Speaker 1: knew how much water man? All right now? Number six? 256 00:12:54,880 --> 00:12:57,240 Speaker 1: Answer there, Eddie. You know who influenced me to start 257 00:12:57,280 --> 00:13:00,839 Speaker 1: a band with my best friend Brooks and Dunn. So 258 00:13:01,080 --> 00:13:04,040 Speaker 1: I'm assuming they inspired everyone too to do this. Give 259 00:13:04,080 --> 00:13:10,319 Speaker 1: me Brooks and dunno scooting? Is that the answer different? 260 00:13:10,720 --> 00:13:13,679 Speaker 1: Number four? Number four? He got twenty one points right now? 261 00:13:14,840 --> 00:13:18,280 Speaker 1: So Top ten most influential artists of the nineties. Garth 262 00:13:18,360 --> 00:13:20,319 Speaker 1: and Shanai are one and two. Brooks and Dunn or four. 263 00:13:20,440 --> 00:13:25,240 Speaker 1: Alan Jackson is six and Rebas eight. Oh man, Let's 264 00:13:25,320 --> 00:13:28,160 Speaker 1: go with inspired people to drink lots of beer. Mark 265 00:13:28,240 --> 00:13:35,000 Speaker 1: Chestnut show me, mister Chessnut. That was a funt That 266 00:13:35,120 --> 00:13:38,800 Speaker 1: was a funt amy. Okay, still a lot of points 267 00:13:38,840 --> 00:13:41,520 Speaker 1: on the board. Go ahead, Well, I mean my guy 268 00:13:42,200 --> 00:13:46,840 Speaker 1: is George straight? How do you influence people? Well, how 269 00:13:46,880 --> 00:13:48,800 Speaker 1: did any of the menfluence people? I told you everything 270 00:13:49,080 --> 00:13:55,320 Speaker 1: on other country artists. Yes, George, carry your love with you. Yeah, 271 00:13:57,800 --> 00:14:01,319 Speaker 1: people were looking for real estate properties from the eighties though, 272 00:14:01,440 --> 00:14:06,520 Speaker 1: just going that out there, Go ahead, Tim mcgrawl of 273 00:14:06,520 --> 00:14:13,160 Speaker 1: Coorse Jemmy, Tim McGraw, correct, he has seventeen points, just 274 00:14:13,240 --> 00:14:21,880 Speaker 1: like that. She's one of the kind. Okay, all right, Well, golly, 275 00:14:21,960 --> 00:14:23,400 Speaker 1: I got so many on here, but it's just a 276 00:14:23,520 --> 00:14:28,280 Speaker 1: toss up at what's what you know? So I'll pick another. Well, 277 00:14:28,360 --> 00:14:34,120 Speaker 1: gobert reebo is eight, Okay, when he was ten? Let's 278 00:14:34,240 --> 00:14:38,840 Speaker 1: go with. What did Eddie say? Who was the last one? 279 00:14:38,880 --> 00:14:41,360 Speaker 1: He said? I'm sorry, I said, Mark Chestnut. Okay, how 280 00:14:41,440 --> 00:14:47,360 Speaker 1: would you give her that? Oh? Sorry time? Yeah, you 281 00:14:47,440 --> 00:14:49,480 Speaker 1: went on? What did Eddie say? Can't him and Hall 282 00:14:49,640 --> 00:14:51,600 Speaker 1: lunchbox over to you? Oh my god? Oh it's easy. 283 00:14:51,640 --> 00:14:54,600 Speaker 1: Florida Georgia Line one of the top ten most influential 284 00:14:54,680 --> 00:14:59,920 Speaker 1: artists in the nineties. Florida Georgia Line, go where they 285 00:15:00,000 --> 00:15:04,360 Speaker 1: I've been boarding the nineties. Hey, jo Anson, Buddy, I'm 286 00:15:04,400 --> 00:15:08,880 Speaker 1: good one. Hey hey Eddie, Okay, okay, I got this 287 00:15:09,760 --> 00:15:15,360 Speaker 1: influential the nineties, give me Joe Diffie, the pickup Man, 288 00:15:15,640 --> 00:15:19,520 Speaker 1: Joe and pick up Man. Yeah, points are double amy, 289 00:15:19,600 --> 00:15:22,720 Speaker 1: you're only down to four points. Yeah, so there are one, two, three, 290 00:15:22,760 --> 00:15:24,520 Speaker 1: answer still left on the board. A lot of points 291 00:15:24,600 --> 00:15:27,360 Speaker 1: up there. We're looking for the most influential country artists 292 00:15:27,360 --> 00:15:31,240 Speaker 1: in the nineties. Three five, and nine are still up there, 293 00:15:31,680 --> 00:15:34,880 Speaker 1: three five and nine, Lunchboxes. Strategy was smart. He's just 294 00:15:34,880 --> 00:15:39,320 Speaker 1: trying to get to the later round point your strategy. Yes, 295 00:15:39,360 --> 00:15:40,880 Speaker 1: I thought so too, because I didn't have enough points 296 00:15:40,920 --> 00:15:42,880 Speaker 1: on the board to catch Eddie at twenty one. The 297 00:15:42,920 --> 00:15:45,520 Speaker 1: guy to do his deal. You know here, this is 298 00:15:45,560 --> 00:15:47,360 Speaker 1: not running out. My time is this part's not. But 299 00:15:47,400 --> 00:15:48,920 Speaker 1: when you're going Eddie, what did he say? What did 300 00:15:49,000 --> 00:15:53,640 Speaker 1: Eddie say? Okay, Travis Tritt, show me Travis Trit shocked. Dammy? 301 00:15:54,920 --> 00:15:57,480 Speaker 1: All right, lunch box, a lot of points up there, 302 00:15:58,440 --> 00:16:03,520 Speaker 1: you're ready, yeah, John Party, faith Hill, show me faith Hill. 303 00:16:06,400 --> 00:16:09,840 Speaker 1: She was at number eleven, that's fine, she wasn't top ten. Hey, Hey, 304 00:16:09,920 --> 00:16:13,240 Speaker 1: that's fine. Hey, he's fine with that. Triple Eddie's third 305 00:16:13,320 --> 00:16:19,520 Speaker 1: round Eddie points a triple, last round bones, give me 306 00:16:20,000 --> 00:16:33,320 Speaker 1: Vince Gill show Eddie Vince Gill. Yeah, good one, good one, 307 00:16:33,360 --> 00:16:38,080 Speaker 1: good one, gosh influential. All right, give me Winona Judd 308 00:16:38,880 --> 00:16:45,880 Speaker 1: show me why Nona? This is crazy? Hey, my strategy worked. 309 00:16:46,000 --> 00:16:48,560 Speaker 1: Wait later rounds. There's one answer left, Eddie. Oh, I 310 00:16:48,560 --> 00:16:49,960 Speaker 1: don't know if I can get this. It's the number 311 00:16:50,040 --> 00:16:55,720 Speaker 1: three answer. You have one you've dominated game over put 312 00:16:55,920 --> 00:17:00,440 Speaker 1: who is ten? Timm A grawl, Oh girl ten, Vince 313 00:17:00,520 --> 00:17:03,400 Speaker 1: Gill nine, Riba eight, George Straight seven, Allen Jackson six, Wind, 314 00:17:03,480 --> 00:17:06,200 Speaker 1: Nona five Brooks and done four three. You don't have 315 00:17:06,359 --> 00:17:13,520 Speaker 1: yet Shania two, Garth one gosh nineteen nineties. No one's 316 00:17:13,520 --> 00:17:17,760 Speaker 1: ever closed the category. By the way, well Amy got points, 317 00:17:17,760 --> 00:17:19,959 Speaker 1: so no but closed the category. There's always something left. 318 00:17:20,000 --> 00:17:22,800 Speaker 1: Oh yeah, you're right. Oh man, why am I not 319 00:17:23,080 --> 00:17:25,760 Speaker 1: getting this? I grew him in a hall and bud yep. 320 00:17:26,359 --> 00:17:30,480 Speaker 1: I mean, let's just go. Kenny Chesney show me Chatsney. Okay. 321 00:17:32,280 --> 00:17:36,080 Speaker 1: I think his song came out in the nineties because 322 00:17:36,119 --> 00:17:40,320 Speaker 1: it was influential for sure, Billy Ray Cyrus, I thought, yeah, 323 00:17:41,240 --> 00:17:44,800 Speaker 1: I get it. You gotta dude, come on. Hey, if 324 00:17:44,840 --> 00:17:47,160 Speaker 1: you get it, it's worth times a hundred. Come on, dude, 325 00:17:47,200 --> 00:17:51,040 Speaker 1: Luke Combs, you got this times one hundred times, yeah, 326 00:17:51,080 --> 00:17:55,040 Speaker 1: times one hundred. That means you'll never get it. Deana Carter, well, 327 00:17:55,080 --> 00:18:00,119 Speaker 1: I'll tell you that Dena Carter isn't ever fifteen. It's 328 00:18:00,160 --> 00:18:02,920 Speaker 1: in correct. Martina McBride was a fourteen. Oh. John Michael 329 00:18:02,960 --> 00:18:06,080 Speaker 1: mcgomery's a thirteen. Trusia Eater was at twelve. I forgot 330 00:18:06,119 --> 00:18:09,160 Speaker 1: about them for sure. I had tia. Your number three 331 00:18:09,200 --> 00:18:11,840 Speaker 1: answer of the most influential artist of the nineties was 332 00:18:12,600 --> 00:18:22,520 Speaker 1: better you dominate a buddy. I should have just gone 333 00:18:22,560 --> 00:18:29,560 Speaker 1: through my CD case from you, right, Eddie, here's your 334 00:18:29,600 --> 00:18:36,879 Speaker 1: song for winning the game. So the Chris Leaves are 335 00:18:36,920 --> 00:18:40,760 Speaker 1: in jail. She's in Kentucky, he's in Florida. Yeah, And 336 00:18:40,960 --> 00:18:43,480 Speaker 1: so we started talking about if you have to go 337 00:18:43,520 --> 00:18:46,159 Speaker 1: to jail for a long time, how long how long 338 00:18:46,200 --> 00:18:49,200 Speaker 1: do you wait before you move on or your spouse 339 00:18:49,280 --> 00:18:51,640 Speaker 1: moves on from you, if you go on for thirty years, 340 00:18:52,119 --> 00:18:56,040 Speaker 1: or does it matter what crime you committed. If it's fraud, 341 00:18:56,520 --> 00:18:58,639 Speaker 1: maybe they don't leave you. If it's murder and it's 342 00:18:58,680 --> 00:19:02,240 Speaker 1: a way, yeah, probably do they do so lunchbox, if 343 00:19:02,240 --> 00:19:04,000 Speaker 1: your wife went to jail, what's the longest you would 344 00:19:04,080 --> 00:19:06,560 Speaker 1: wait before you said, I'm gonna go and get divorced? 345 00:19:06,920 --> 00:19:10,200 Speaker 1: One year? See that to me sounds way way short. Yeah, 346 00:19:11,320 --> 00:19:13,159 Speaker 1: move way short. No. No, she can get out in 347 00:19:13,200 --> 00:19:14,800 Speaker 1: a year and we can be together. But if it's 348 00:19:14,880 --> 00:19:17,320 Speaker 1: more than that, I mean, I can't sit around forever. Guys, 349 00:19:17,960 --> 00:19:21,359 Speaker 1: eighteen months, she gets an eighteen month sentence. Sorry, are 350 00:19:21,400 --> 00:19:23,359 Speaker 1: you gonna wait the year first? Or you like, well, 351 00:19:23,440 --> 00:19:24,760 Speaker 1: since it's eighteen I might as gonna move on with 352 00:19:24,800 --> 00:19:26,440 Speaker 1: my life. I might as well move on with my life. Oh, 353 00:19:27,040 --> 00:19:29,680 Speaker 1: you have to understand, like, when you're in prison, the 354 00:19:29,800 --> 00:19:33,360 Speaker 1: world changes so much in that time that I can't 355 00:19:33,359 --> 00:19:35,719 Speaker 1: How do you know? You hear everybody that gets out 356 00:19:35,720 --> 00:19:37,640 Speaker 1: of jail. You watch from people, Yeah, you watch people 357 00:19:37,680 --> 00:19:39,720 Speaker 1: gonna have been in there one year. You watch prison 358 00:19:39,840 --> 00:19:41,800 Speaker 1: shows and they're like, man, what is this a phone? 359 00:19:41,920 --> 00:19:45,000 Speaker 1: A computer? Like they're blown away, And so I can't 360 00:19:45,400 --> 00:19:49,320 Speaker 1: stop time, like I can't stop living life. So you 361 00:19:49,359 --> 00:19:51,480 Speaker 1: asked your wife the same question. Yeah, here's that clip. 362 00:19:51,920 --> 00:19:54,240 Speaker 1: I'd wait for ever. No, no, no, be for real. 363 00:19:54,400 --> 00:19:58,200 Speaker 1: That's stupid, that's stupid. Let's say I'm sentenced to ten years, 364 00:19:58,640 --> 00:20:03,080 Speaker 1: that's a long time. I'd wait ten years. I'll be 365 00:20:03,200 --> 00:20:08,280 Speaker 1: real maybe ten ten max. Okay, because I think you'd 366 00:20:08,320 --> 00:20:09,760 Speaker 1: be sent as to tim but then you get out 367 00:20:09,760 --> 00:20:14,119 Speaker 1: in less fifteen years. Okay, this game is stupid. I'm done. Okay, 368 00:20:14,560 --> 00:20:17,080 Speaker 1: because I said that, if you guys just a one year, 369 00:20:17,280 --> 00:20:19,200 Speaker 1: I'd be like, oh no, oh, if I were just 370 00:20:19,359 --> 00:20:22,000 Speaker 1: for one you wouldn't even wait for me long year, 371 00:20:23,359 --> 00:20:26,320 Speaker 1: here's a long time. Dang it. Would you look for 372 00:20:26,400 --> 00:20:28,159 Speaker 1: another wife or would you just be looking to have 373 00:20:28,280 --> 00:20:29,960 Speaker 1: some fun and maybe you would just stay with her? 374 00:20:30,359 --> 00:20:32,080 Speaker 1: I would be looking to have fun. But you never know, 375 00:20:32,240 --> 00:20:34,840 Speaker 1: like what if you fall in love it happens, or 376 00:20:34,920 --> 00:20:37,879 Speaker 1: get somebody pregnant? Right, that does happen. And that's the 377 00:20:38,000 --> 00:20:40,280 Speaker 1: problem is you can't do any of that when she's 378 00:20:40,320 --> 00:20:42,560 Speaker 1: in prison, when she's behind a plastic like you go 379 00:20:42,640 --> 00:20:45,399 Speaker 1: into there's a plastic partition between you guys. It's like, man, 380 00:20:45,600 --> 00:20:49,400 Speaker 1: is this really love or is this just like fifty years? 381 00:20:49,520 --> 00:20:53,040 Speaker 1: With might answer, Wow, there's fifty years. You couldn't last 382 00:20:53,119 --> 00:20:57,760 Speaker 1: forty that's a weird number. Okay, Well you said fifty, 383 00:20:57,840 --> 00:21:01,280 Speaker 1: I don't. Let's be realistic. I mean, honestly, if it's 384 00:21:01,320 --> 00:21:04,960 Speaker 1: twenty years, your life's almost over too. So you can't 385 00:21:05,000 --> 00:21:07,280 Speaker 1: wait twenty years, Eddie, how long you're waiting for your 386 00:21:07,320 --> 00:21:10,000 Speaker 1: wife forever? Okay, that's what I said. That's want to 387 00:21:10,040 --> 00:21:13,040 Speaker 1: say fifty to give another answer. Why can you not 388 00:21:13,119 --> 00:21:15,359 Speaker 1: be honest? Why Why does your wife laugh at your 389 00:21:15,440 --> 00:21:18,760 Speaker 1: one year That's what's weird to me, Like she's just oh, okay, 390 00:21:19,720 --> 00:21:22,600 Speaker 1: because she's like, oh, she knows him. That's crazy. So 391 00:21:23,040 --> 00:21:24,600 Speaker 1: the Chris Lays are in jail, we thought it'd be 392 00:21:24,640 --> 00:21:26,719 Speaker 1: fine for Lunchbox to go and visit Todd. Chris Lay. 393 00:21:26,720 --> 00:21:28,639 Speaker 1: Todd has been a guest host on this show before. 394 00:21:28,840 --> 00:21:30,440 Speaker 1: What did you find out about how this works? So 395 00:21:30,640 --> 00:21:32,600 Speaker 1: you have to be on their visitor list they have. 396 00:21:32,760 --> 00:21:34,760 Speaker 1: They have a list that they put and if you 397 00:21:34,840 --> 00:21:37,000 Speaker 1: are on the visitation list, you're allowed to get into 398 00:21:37,040 --> 00:21:40,320 Speaker 1: the prison to visit him. So the only way I'm 399 00:21:40,359 --> 00:21:42,520 Speaker 1: gonna get in is if I can get a hold 400 00:21:42,560 --> 00:21:44,800 Speaker 1: of him, write him a letter and get him to 401 00:21:44,840 --> 00:21:46,960 Speaker 1: put me on his list and say come on down, 402 00:21:47,520 --> 00:21:49,159 Speaker 1: because I can't just show up at the jail. They 403 00:21:49,200 --> 00:21:53,200 Speaker 1: won't let me in. I bet you anybody famous in 404 00:21:53,240 --> 00:21:55,520 Speaker 1: jail then might have people showing up all the time. Yeah, correct, 405 00:21:55,800 --> 00:21:57,639 Speaker 1: makes sense. Okay, so you have to write a you 406 00:21:57,640 --> 00:22:00,440 Speaker 1: can't call Can you call people in prison? Meaning is 407 00:22:00,480 --> 00:22:01,920 Speaker 1: there a certain time where you're like, hey, I'm gonna 408 00:22:02,760 --> 00:22:05,000 Speaker 1: now I think they can call you? Yeah, because like 409 00:22:05,000 --> 00:22:06,440 Speaker 1: I don't know how, but I mean they have some 410 00:22:06,520 --> 00:22:09,240 Speaker 1: of them. But this is a nice jail, right, have 411 00:22:09,280 --> 00:22:11,640 Speaker 1: a phone in there. They may have FaceTime in that jail. 412 00:22:11,640 --> 00:22:14,760 Speaker 1: I have no idea. Yeah, Well, so you're gonna write 413 00:22:14,760 --> 00:22:16,159 Speaker 1: a letter. You have the address, the place, I got 414 00:22:16,240 --> 00:22:18,720 Speaker 1: the address, I got everything. I just need an envelope 415 00:22:18,720 --> 00:22:20,960 Speaker 1: and a stamp and we're good to go. Where's he 416 00:22:20,960 --> 00:22:23,440 Speaker 1: gonna find that? Now? So here's what. You can't email 417 00:22:23,520 --> 00:22:25,960 Speaker 1: him because don't they have like computer time? Yeah, you 418 00:22:25,960 --> 00:22:27,760 Speaker 1: would think, but I don't have his email. I don't 419 00:22:27,800 --> 00:22:30,200 Speaker 1: know Todd's email. Is it like Todd Christy at jail 420 00:22:30,240 --> 00:22:33,919 Speaker 1: dot com dot com jail dot com. Okay, I'll try. Um, 421 00:22:34,400 --> 00:22:36,920 Speaker 1: So I'll do this, then write the letter tonight. Okay, 422 00:22:37,080 --> 00:22:39,200 Speaker 1: bring it in tomorrow. We want to hear the letter. 423 00:22:39,200 --> 00:22:40,560 Speaker 1: And if we're okay with it, you're not gonna get 424 00:22:40,600 --> 00:22:42,040 Speaker 1: us in trouble. We'll mail it off and see if 425 00:22:42,040 --> 00:22:43,280 Speaker 1: we can get you on the list. Okay, and if 426 00:22:43,280 --> 00:22:45,280 Speaker 1: you don't like my letter, we can. Will you help 427 00:22:45,320 --> 00:22:46,919 Speaker 1: me edit it. I'll write you a palm like at 428 00:22:46,920 --> 00:22:49,879 Speaker 1: at Abbey but she never you know, I'll write it, 429 00:22:50,960 --> 00:22:54,680 Speaker 1: okay tomorrow to Todd. You're a letter to Todd, and 430 00:22:54,800 --> 00:22:58,200 Speaker 1: you'll go down there. If he replies back in, I'll 431 00:22:58,280 --> 00:23:02,200 Speaker 1: lead tomorrow. That's how mail works these days. I like it. 432 00:23:02,680 --> 00:23:04,480 Speaker 1: It takes a little longer from meld Well yeah, yeah, 433 00:23:04,480 --> 00:23:05,920 Speaker 1: but I mean I'm saying, like, the day after I 434 00:23:06,040 --> 00:23:08,080 Speaker 1: find out that, he says, yeah, you'll leave the next day. 435 00:23:09,640 --> 00:23:12,240 Speaker 1: A teenager wins a six hundred and thirteen thousand dollars 436 00:23:12,320 --> 00:23:15,080 Speaker 1: Lucky Seven's Fast Money jackpot when the ticket was given 437 00:23:15,119 --> 00:23:18,160 Speaker 1: to her by a friend. A teen at nineteen years old, 438 00:23:18,359 --> 00:23:22,119 Speaker 1: won six hundred thousand dollars well as a gift, it 439 00:23:22,280 --> 00:23:24,440 Speaker 1: was a gift. Yeah, they need to like talk to 440 00:23:24,560 --> 00:23:27,840 Speaker 1: this teenager, right, it's a gift. That's unreal. The ticket 441 00:23:27,920 --> 00:23:32,560 Speaker 1: was a gift a teenager. It's crazy. As a gift. 442 00:23:33,320 --> 00:23:34,800 Speaker 1: He handed me the ticket and said he bought it 443 00:23:34,840 --> 00:23:42,439 Speaker 1: for Christmas. Scratched it, Oh my god, Like remember when 444 00:23:42,480 --> 00:23:44,280 Speaker 1: our buddy we used to work with one two hundred 445 00:23:44,280 --> 00:23:45,720 Speaker 1: thousand dollars and he's like, I'm bout a car. We're like, 446 00:23:45,800 --> 00:23:46,879 Speaker 1: d D, dude, what are you doing? What are you doing? 447 00:23:47,000 --> 00:23:49,000 Speaker 1: You gotta be taxes? Like about a car? I'm going 448 00:23:49,040 --> 00:23:52,840 Speaker 1: to trip? Yeah yeah, stop it, stomp it. Yeah, that's crazy. Okay, 449 00:23:55,600 --> 00:23:58,360 Speaker 1: you're Samy's pile of stories. If you're trying to fall 450 00:23:58,440 --> 00:24:01,199 Speaker 1: asleep faster and you watched Team before bed, you might 451 00:24:01,280 --> 00:24:04,960 Speaker 1: want to try suspenseful dramas because the study was just 452 00:24:05,119 --> 00:24:08,520 Speaker 1: done and researchers found that those that watched that type 453 00:24:08,520 --> 00:24:11,280 Speaker 1: of TV before bed, they fell asleep the fastest of 454 00:24:11,359 --> 00:24:15,400 Speaker 1: any other categories like documentaries and other stuff. That sounds counterintuitive. Yeah, 455 00:24:15,920 --> 00:24:17,119 Speaker 1: where you want to get your heart rate off, you 456 00:24:17,119 --> 00:24:19,840 Speaker 1: can nerve as you get nerve before bed, or you 457 00:24:19,880 --> 00:24:21,800 Speaker 1: don't know what's going to happen, so you just fall asleep. 458 00:24:21,880 --> 00:24:25,879 Speaker 1: Other researchers say, I watch Freddie and Jason the worst 459 00:24:25,920 --> 00:24:28,800 Speaker 1: researchers I've ever heard of films. But also it didn't 460 00:24:28,800 --> 00:24:31,560 Speaker 1: say quality asleep, but just said you've fell asleep faster. 461 00:24:32,320 --> 00:24:34,399 Speaker 1: And then I have a list of suspenseful dramas in 462 00:24:34,480 --> 00:24:39,240 Speaker 1: case you want to check one out. Ahead, The Old Man. Yeah, yeah, 463 00:24:39,280 --> 00:24:42,080 Speaker 1: that's a great show. A drama. I mean, I guess 464 00:24:42,080 --> 00:24:44,600 Speaker 1: I wouldn't call that a suspenseful drama. It's a series 465 00:24:45,320 --> 00:24:47,480 Speaker 1: more than a move. It's a little suspenseful though, because 466 00:24:47,520 --> 00:24:50,119 Speaker 1: you don't know what's the second going on is. It's awesome, 467 00:24:50,160 --> 00:24:51,639 Speaker 1: it's awesome. It's like the best shot seen in a 468 00:24:51,680 --> 00:24:53,920 Speaker 1: long time. Go ahead. If you google suspenseful TV, the 469 00:24:54,000 --> 00:24:56,400 Speaker 1: shows come up. The Old Man, Jack Ryan, I'll watch 470 00:24:56,440 --> 00:24:59,760 Speaker 1: The Old Man before you go to bed, don't. I did? 471 00:25:00,000 --> 00:25:01,679 Speaker 1: And One I wanted to keep watching episodes is one 472 00:25:01,680 --> 00:25:03,720 Speaker 1: of those shows finished, like I gotta watch another one? 473 00:25:03,880 --> 00:25:05,399 Speaker 1: And two you're just like, oh my god. I'm like, 474 00:25:05,480 --> 00:25:07,280 Speaker 1: don't that's this is the worst researcher. But he just 475 00:25:07,480 --> 00:25:10,080 Speaker 1: move on this. We should fire this research company. Okay, 476 00:25:10,080 --> 00:25:13,639 Speaker 1: all right, Severance, Yellowstone. Those are other shows which. Speaking 477 00:25:13,680 --> 00:25:16,240 Speaker 1: of Yellowstone, the Wall Street Journal did a whole ride 478 00:25:16,320 --> 00:25:19,480 Speaker 1: up on how cowboy fashion has gotten so big in 479 00:25:19,640 --> 00:25:24,240 Speaker 1: cities and suburbs simply because of the show Yellowstone. One fan, 480 00:25:24,359 --> 00:25:26,640 Speaker 1: who lives outside in New York said he started watching 481 00:25:26,720 --> 00:25:28,639 Speaker 1: Yellowstone and then really got into the look. He now 482 00:25:28,720 --> 00:25:32,199 Speaker 1: owns five pairs of Cowboy Boots ediehears cowboy stuff every day, 483 00:25:32,880 --> 00:25:37,280 Speaker 1: Dallas Cowboys. Okay. The Wall Street Journal also talked to 484 00:25:37,359 --> 00:25:40,040 Speaker 1: a fan in Germany who is now dressing like a 485 00:25:40,119 --> 00:25:42,840 Speaker 1: cattle rancher. But he's not what a loser? I know? 486 00:25:44,200 --> 00:25:45,879 Speaker 1: And you're not even a rancher. There's a difference in 487 00:25:45,960 --> 00:25:50,080 Speaker 1: wearing it. Don't wearing chaps to work in Brooklyn because 488 00:25:50,080 --> 00:25:52,359 Speaker 1: you watch the show. Okay, all right? What else? I 489 00:25:52,440 --> 00:25:55,080 Speaker 1: got the five best country breakup songs of all times? 490 00:25:55,119 --> 00:26:00,359 Speaker 1: All right? Number five Stay Sugarland, Don't Yeah awesome and 491 00:26:00,400 --> 00:26:01,920 Speaker 1: you forget how good it is? Do you hear it again? 492 00:26:02,320 --> 00:26:04,960 Speaker 1: They recorded this in one take, just Christian and a 493 00:26:05,040 --> 00:26:09,080 Speaker 1: guitar in her with a vocal in the studio. It's 494 00:26:09,119 --> 00:26:11,120 Speaker 1: a crazy story behind it. We did a bobycast talking 495 00:26:11,119 --> 00:26:13,879 Speaker 1: about this. That's a good one. What else, George straight 496 00:26:13,960 --> 00:26:19,000 Speaker 1: give it away? You know a little too upbeat. I 497 00:26:19,119 --> 00:26:21,200 Speaker 1: like my breakup songs to be sad and slow, and 498 00:26:21,320 --> 00:26:23,600 Speaker 1: I think you could sing this and actually think it's 499 00:26:23,640 --> 00:26:27,320 Speaker 1: not sad. Yeah, but in the song they're definitely breaking up. Absolutely, 500 00:26:27,400 --> 00:26:29,440 Speaker 1: just give it away? For sure. I like mine to 501 00:26:29,480 --> 00:26:32,160 Speaker 1: be sad though, feeling like slow tempo. What else? Keith 502 00:26:32,200 --> 00:26:39,880 Speaker 1: Whitley I'm over you or just Keith Whitley insert most 503 00:26:39,920 --> 00:26:43,840 Speaker 1: every song, most every song at number two, Dolly Pardon, 504 00:26:43,880 --> 00:26:48,359 Speaker 1: I Will Always Love You, And this wasn't really a 505 00:26:48,480 --> 00:26:52,600 Speaker 1: romantic breakup song, though she wrote this as a hey, 506 00:26:52,680 --> 00:26:55,960 Speaker 1: I appreciate you, but I got to go now this 507 00:26:56,119 --> 00:26:58,879 Speaker 1: Porter Wagner, it is good job. Yeah, that's what that is. 508 00:26:59,200 --> 00:27:01,440 Speaker 1: So breakup share like a friendship breakup, like I would 509 00:27:01,440 --> 00:27:03,320 Speaker 1: write this ready if we ever broke up. Oh well yeah, 510 00:27:03,359 --> 00:27:04,760 Speaker 1: because we didn't make out, but we did still a 511 00:27:04,760 --> 00:27:07,520 Speaker 1: lot of time together. And Roy Acuf did this in 512 00:27:07,600 --> 00:27:10,679 Speaker 1: the forties, but the most popular one is Willie Nelson 513 00:27:11,119 --> 00:27:12,760 Speaker 1: Blue Eyes Crying in the Rain. This is one of 514 00:27:12,800 --> 00:27:17,879 Speaker 1: my favorite songs of all times. And this one's just 515 00:27:18,080 --> 00:27:20,280 Speaker 1: literally one of my favorite songs ever period of all 516 00:27:20,320 --> 00:27:28,160 Speaker 1: live play the roy I kept crying, that's upbeat. Well, 517 00:27:28,200 --> 00:27:31,600 Speaker 1: the horns throw it out a little bit. Good bye 518 00:27:32,160 --> 00:27:41,840 Speaker 1: party weird now still sad though it's like the Looney 519 00:27:41,880 --> 00:27:46,320 Speaker 1: Tunes horn on the back. I know that throws it off, 520 00:27:46,440 --> 00:27:48,440 Speaker 1: but okay, ay is that it? Yeah? Well maybe that's 521 00:27:48,440 --> 00:27:52,760 Speaker 1: my pile. That was Amy's pile of stories. It's time 522 00:27:52,840 --> 00:28:00,239 Speaker 1: for the good news Amy So in Chester, Connecticut, an 523 00:28:00,320 --> 00:28:03,520 Speaker 1: artist and solved something downtown that's super cool. Locals can 524 00:28:03,640 --> 00:28:07,560 Speaker 1: use it. Visitors. You hop in the wish booth. It 525 00:28:07,680 --> 00:28:10,359 Speaker 1: looks like an old school phone booth. Yeah, well like 526 00:28:10,440 --> 00:28:14,119 Speaker 1: a UK phone booth. Oh yeah, the red It's very cute. 527 00:28:14,400 --> 00:28:17,720 Speaker 1: And you hop in and you've got a direct line 528 00:28:18,080 --> 00:28:20,640 Speaker 1: to the universe. Doesn't even cast a coin like fountains. 529 00:28:21,160 --> 00:28:22,879 Speaker 1: That's what I took from it. Make all the wishes 530 00:28:22,920 --> 00:28:25,040 Speaker 1: don't cast you anything. You just got to get in there, 531 00:28:25,119 --> 00:28:27,000 Speaker 1: you know, somebody can get their p though of course 532 00:28:27,520 --> 00:28:29,840 Speaker 1: some drunk dude. Well, and I'm wondering too, because is 533 00:28:29,880 --> 00:28:32,160 Speaker 1: it I don't know if it's recording them, but are 534 00:28:32,200 --> 00:28:34,720 Speaker 1: like people hopping there and it's like okay, dear God, 535 00:28:35,040 --> 00:28:37,280 Speaker 1: and they're like saying things or whatever. It's got a 536 00:28:37,280 --> 00:28:39,440 Speaker 1: confession booth or they're gonna arrest people. But I think 537 00:28:39,440 --> 00:28:42,160 Speaker 1: it would be cool if people could leave some sort 538 00:28:42,200 --> 00:28:43,640 Speaker 1: of message and then somebody else could get in and 539 00:28:43,720 --> 00:28:45,720 Speaker 1: see it and go, I can actually help that person, 540 00:28:46,480 --> 00:28:50,320 Speaker 1: and then they could do it next level. But fifteen 541 00:28:50,480 --> 00:28:53,640 Speaker 1: hundred wishes have been recorded in the booths so far 542 00:28:54,000 --> 00:28:57,480 Speaker 1: and recorded, so they're recording them, they are okay. Christopher Owens, 543 00:28:57,520 --> 00:28:59,080 Speaker 1: he's the artist that created it, and he said we 544 00:28:59,160 --> 00:29:01,480 Speaker 1: need hope right now and this is a whimsical way 545 00:29:01,760 --> 00:29:04,280 Speaker 1: of going about it and hopefully inspiring people. It's fun, 546 00:29:04,920 --> 00:29:07,640 Speaker 1: it's positive. I'm for it. It didn't cost anybody any money. 547 00:29:07,840 --> 00:29:09,560 Speaker 1: That's a good deal. That is what it's all about. 548 00:29:10,280 --> 00:29:11,760 Speaker 1: That was telling me something good.