1 00:00:03,880 --> 00:00:05,720 Speaker 1: What kind of a show you guys. 2 00:00:05,440 --> 00:00:06,360 Speaker 2: Putting on here today? 3 00:00:06,480 --> 00:00:08,879 Speaker 1: You're not interested in Armed now? No, look, we're going 4 00:00:08,920 --> 00:00:10,559 Speaker 1: to do this thing. We're going to have a conversation. 5 00:00:13,039 --> 00:00:17,239 Speaker 2: Hey, film spotters, we have another archive drop in your 6 00:00:17,320 --> 00:00:21,319 Speaker 2: feed with our conversation, A long conversation, I think, a 7 00:00:21,320 --> 00:00:27,000 Speaker 2: fun conversation about Spike Lee and Denzel Washington's fifth collaboration 8 00:00:27,320 --> 00:00:32,040 Speaker 2: as director and actor, Higas to lois coming this Friday. 9 00:00:32,479 --> 00:00:36,400 Speaker 2: We wanted to put our top five Denzel Washington performances 10 00:00:36,920 --> 00:00:40,040 Speaker 2: back in your feed. This is from twenty seventeen. We 11 00:00:40,159 --> 00:00:44,840 Speaker 2: had w Camal Bell on the show. Among the many 12 00:00:44,920 --> 00:00:49,960 Speaker 2: things that he does, Josh, he had a CNN show 13 00:00:50,080 --> 00:00:53,840 Speaker 2: Emmy nominated, The United Shades of America. He directed the 14 00:00:53,920 --> 00:00:57,920 Speaker 2: Peabody Award winning documentary We Need to Talk About Cosby, 15 00:00:58,480 --> 00:01:02,480 Speaker 2: And he had a podcast that ran a regularly between 16 00:01:02,480 --> 00:01:05,760 Speaker 2: twenty fifteen and twenty nineteen that was appropriately for our 17 00:01:05,800 --> 00:01:09,679 Speaker 2: purposes called Denzel Washington is the greatest actor of all 18 00:01:09,680 --> 00:01:10,640 Speaker 2: time period. 19 00:01:10,520 --> 00:01:14,119 Speaker 3: Great show, great guest, and looking back at my list, Adham, 20 00:01:14,160 --> 00:01:18,959 Speaker 3: I'll just say my number one pick my own eyebrow raised, 21 00:01:19,680 --> 00:01:21,000 Speaker 3: So I'll have to I'll have to give that a 22 00:01:21,040 --> 00:01:24,480 Speaker 3: fresh listen and see if I convince myself. Sometimes sometimes 23 00:01:24,520 --> 00:01:27,639 Speaker 3: that happens here on the show. So hopefully listeners will 24 00:01:27,840 --> 00:01:32,880 Speaker 3: enjoy a fresh here or maybe listening to again our 25 00:01:32,959 --> 00:01:38,680 Speaker 3: top five Denzel Washington performances. That's from May twenty seventeen. 26 00:01:38,959 --> 00:01:42,320 Speaker 2: And if you want access regular access whenever you want, 27 00:01:42,360 --> 00:01:44,319 Speaker 2: you want to dip into the archive and here shows 28 00:01:44,400 --> 00:01:47,280 Speaker 2: like this. That is a benefit of being a Film 29 00:01:47,280 --> 00:01:50,440 Speaker 2: Spotting Family member and you can learn more at Filmspottingfamily 30 00:01:50,480 --> 00:01:54,240 Speaker 2: dot com. Enjoy mister w Come Out Bell. Many of 31 00:01:54,280 --> 00:01:56,760 Speaker 2: you may know Bell for his politically charged stand up. 32 00:01:56,800 --> 00:01:59,240 Speaker 2: His new comedy album with semi Prominent Negro was just 33 00:01:59,320 --> 00:02:02,480 Speaker 2: released this week. He's also the host of CNN's United 34 00:02:02,520 --> 00:02:04,640 Speaker 2: Shades of America, which just got picked up for a 35 00:02:04,680 --> 00:02:07,600 Speaker 2: second season, not to mention his live monthly radio show 36 00:02:07,680 --> 00:02:10,520 Speaker 2: and the politically reactive podcast that he co hosts. But 37 00:02:10,960 --> 00:02:13,400 Speaker 2: the reason he's with us today is because he thinks 38 00:02:13,560 --> 00:02:16,280 Speaker 2: Denzel Washington is the greatest actor of all time period. 39 00:02:16,400 --> 00:02:18,840 Speaker 2: And we know this because he co hosts another podcast 40 00:02:18,880 --> 00:02:22,120 Speaker 2: called Denzel Washington is the Greatest Actor of All time period. 41 00:02:22,120 --> 00:02:23,919 Speaker 2: Come out, You are a very busy man. Thank you 42 00:02:24,000 --> 00:02:26,400 Speaker 2: so much. For taking time for us today. 43 00:02:26,720 --> 00:02:28,200 Speaker 1: Thank you. When you say it like that, I started 44 00:02:28,200 --> 00:02:28,840 Speaker 1: to get sleepy. 45 00:02:29,360 --> 00:02:31,280 Speaker 4: I bet it's a lot. How do you pull all 46 00:02:31,360 --> 00:02:31,800 Speaker 4: that off? 47 00:02:32,040 --> 00:02:33,480 Speaker 1: I mean I just sort of, you know. 48 00:02:33,520 --> 00:02:35,400 Speaker 5: I think it's a fond option of after I had 49 00:02:35,440 --> 00:02:37,320 Speaker 5: I had another TV show Totally Biased, where I was 50 00:02:37,360 --> 00:02:39,399 Speaker 5: like there for like twelve and fifteen hours a day, 51 00:02:40,000 --> 00:02:41,679 Speaker 5: and then when that was over, I was like, I 52 00:02:41,720 --> 00:02:43,280 Speaker 5: don't want to ever have to commit that much time 53 00:02:43,320 --> 00:02:44,640 Speaker 5: to one project ever again. 54 00:02:45,000 --> 00:02:46,840 Speaker 1: I would like to do lots of things that take 55 00:02:46,919 --> 00:02:47,800 Speaker 1: up a little bit of time. 56 00:02:48,080 --> 00:02:51,160 Speaker 3: Well, that's good. Here, I got another one for you. Okay, 57 00:02:51,200 --> 00:02:53,240 Speaker 3: can you add a fourth podcast? I want you to 58 00:02:53,280 --> 00:02:56,200 Speaker 3: do something on the Forest Gump sequel, the one that 59 00:02:56,200 --> 00:02:58,840 Speaker 3: you speculated about in one of your early episodes when 60 00:02:58,840 --> 00:03:01,880 Speaker 3: that finally comes out. I just wanted to do episodes 61 00:03:01,960 --> 00:03:04,000 Speaker 3: catalog in that movie. Can you do that for me? 62 00:03:05,360 --> 00:03:07,080 Speaker 5: I think I'll have to get rid of another podcast 63 00:03:07,080 --> 00:03:10,960 Speaker 5: where I add another podcast. I'm always like going, I 64 00:03:10,960 --> 00:03:13,080 Speaker 5: could do a podcast about this, and I look at 65 00:03:13,120 --> 00:03:13,440 Speaker 5: my wife. 66 00:03:14,120 --> 00:03:16,639 Speaker 1: You can't exactly. I'm always coming with more ideas. 67 00:03:16,639 --> 00:03:19,040 Speaker 5: I mean, you know, so it's a but yeah, certainly 68 00:03:19,080 --> 00:03:20,720 Speaker 5: I think there's more podcasts in my future. I just 69 00:03:20,720 --> 00:03:22,720 Speaker 5: think I'm gonna have to suspend some while I would 70 00:03:22,720 --> 00:03:23,040 Speaker 5: I share. 71 00:03:23,320 --> 00:03:25,240 Speaker 4: Sure, that's a that's a sound move. 72 00:03:25,320 --> 00:03:27,480 Speaker 2: So when we announced that we were going to do 73 00:03:27,560 --> 00:03:30,040 Speaker 2: this look back at Denzel Washington's career tied in with 74 00:03:30,080 --> 00:03:33,680 Speaker 2: a magnificent seven review, we heard from a lot of 75 00:03:33,680 --> 00:03:36,200 Speaker 2: people on social media saying, you got to get come 76 00:03:36,200 --> 00:03:38,360 Speaker 2: out bell On, you got to get someone from that 77 00:03:38,400 --> 00:03:41,160 Speaker 2: show to talk about Denzel Washington. And the good part 78 00:03:41,200 --> 00:03:43,320 Speaker 2: was we were way ahead of those den Zel It's 79 00:03:43,360 --> 00:03:45,840 Speaker 2: we had already reached out to you. So we are 80 00:03:45,960 --> 00:03:48,080 Speaker 2: very excited to have you on and that that term 81 00:03:48,360 --> 00:03:51,880 Speaker 2: den Zelot. All of our best ideas come from our listeners. 82 00:03:51,920 --> 00:03:54,000 Speaker 2: Did you coin that expression or is that a pre 83 00:03:54,120 --> 00:03:55,880 Speaker 2: existing thing that you latched onto? 84 00:03:56,400 --> 00:03:56,960 Speaker 6: No, it wasn't. 85 00:03:57,040 --> 00:03:59,040 Speaker 5: It didn't exist. We sort of, I mean I came 86 00:03:59,120 --> 00:04:01,360 Speaker 5: up with the title. I'll take credit for that. I'm 87 00:04:01,360 --> 00:04:03,840 Speaker 5: a big fan of like crazy long titles, like my 88 00:04:03,960 --> 00:04:05,480 Speaker 5: new We just announced that I have a book coming 89 00:04:05,480 --> 00:04:07,520 Speaker 5: out that also is a crazy long title. I just think, 90 00:04:07,600 --> 00:04:10,640 Speaker 5: as everybody else, every other podcast and title has gotten shorter. 91 00:04:11,080 --> 00:04:13,480 Speaker 5: For example, like Cereal is number one podcast, but you 92 00:04:13,480 --> 00:04:15,000 Speaker 5: have no idea. What that's about when you just say 93 00:04:15,000 --> 00:04:18,000 Speaker 5: I'm listening to Cereal, so I just feel like I 94 00:04:18,040 --> 00:04:19,920 Speaker 5: just want a podcast. It's very clear what it is, 95 00:04:19,960 --> 00:04:22,040 Speaker 5: so that you know what you're getting into. But then 96 00:04:22,400 --> 00:04:24,320 Speaker 5: it was actually me and Kevin Avery. We both we 97 00:04:24,360 --> 00:04:26,279 Speaker 5: actually shared it's going to be so much more boring. 98 00:04:26,480 --> 00:04:28,720 Speaker 5: We shared the same comedy manager for a while and 99 00:04:28,760 --> 00:04:30,240 Speaker 5: she was the one who's like, you should call your 100 00:04:30,240 --> 00:04:33,040 Speaker 5: people Denzel Itz, and we were like, thank you, comedy manager. 101 00:04:33,120 --> 00:04:36,359 Speaker 5: This is the very rare time our comedy manager actually 102 00:04:36,400 --> 00:04:40,840 Speaker 5: has a good idea. So no offense every comedy manager, 103 00:04:40,880 --> 00:04:43,680 Speaker 5: but she, Carrie Smith, she was like that, and so 104 00:04:43,720 --> 00:04:46,000 Speaker 5: that's where it came from. So but you know, since then, 105 00:04:46,200 --> 00:04:47,880 Speaker 5: the Denzels have come up with lots of things that 106 00:04:47,880 --> 00:04:49,360 Speaker 5: have been incorporated into the podcast. 107 00:04:49,640 --> 00:04:52,360 Speaker 3: So the basic idea for the show when you set 108 00:04:52,400 --> 00:04:54,479 Speaker 3: out at the very beginning, you know, just go through 109 00:04:54,520 --> 00:04:58,360 Speaker 3: Denzel's films, talk about all these performances. Has that vision 110 00:04:58,760 --> 00:05:01,120 Speaker 3: been pretty much a compl as you're approaching i think 111 00:05:01,160 --> 00:05:03,599 Speaker 3: almost one hundred shows now or has it changed a 112 00:05:03,600 --> 00:05:06,880 Speaker 3: little bit along the way, And basically, what does it feel. 113 00:05:06,680 --> 00:05:07,640 Speaker 1: Like to do this now? 114 00:05:07,839 --> 00:05:09,440 Speaker 3: This many episodes in I. 115 00:05:09,360 --> 00:05:11,919 Speaker 1: Mean, I think it really started to shift really early on. 116 00:05:12,000 --> 00:05:14,360 Speaker 5: The idea is that we were review every Denzel Washington 117 00:05:14,360 --> 00:05:16,240 Speaker 5: movie and therefore approved that he was a greatest actor 118 00:05:16,240 --> 00:05:17,000 Speaker 5: of all time period. 119 00:05:17,320 --> 00:05:18,200 Speaker 1: But very early on. 120 00:05:18,160 --> 00:05:20,480 Speaker 5: We started people reaching out to us because Denzel is 121 00:05:20,480 --> 00:05:23,680 Speaker 5: an icon and also a very unique icon. 122 00:05:23,800 --> 00:05:26,080 Speaker 1: Tom Hanks is also an icon, but. 123 00:05:26,360 --> 00:05:29,560 Speaker 5: There's other white guys, like, you know, there's like, you know, 124 00:05:29,640 --> 00:05:33,320 Speaker 5: if Tom Hanks walks into a room and the other 125 00:05:33,360 --> 00:05:35,440 Speaker 5: side of the room, like George Clooney walks in the room, 126 00:05:35,520 --> 00:05:37,560 Speaker 5: we got two guys, two icons in the room. But 127 00:05:37,560 --> 00:05:39,880 Speaker 5: Denzel's sort of singular in that in that there's not 128 00:05:39,920 --> 00:05:43,200 Speaker 5: another actor of his era that holds a similar space. 129 00:05:43,240 --> 00:05:45,560 Speaker 5: I mean, Samuel Jackson's great, Morgan Freeman is great, but 130 00:05:45,640 --> 00:05:47,760 Speaker 5: he's kind of the king, you know. Yeah, And so 131 00:05:47,839 --> 00:05:50,039 Speaker 5: I think that, like very early on, we people started 132 00:05:50,040 --> 00:05:51,960 Speaker 5: coming into that. But then it also very quickly turned 133 00:05:52,000 --> 00:05:54,800 Speaker 5: into a thing that was just generally about diversity in Hollywood. 134 00:05:55,200 --> 00:05:57,000 Speaker 5: You know, at the time we started doing the podcast, 135 00:05:57,279 --> 00:05:59,880 Speaker 5: like Oscar so White kicked up again, right, we also 136 00:06:00,040 --> 00:06:02,839 Speaker 5: are talking about like they're also Project green Light. The 137 00:06:02,960 --> 00:06:05,239 Speaker 5: season of Project green Light had all that weirdness around 138 00:06:05,240 --> 00:06:07,800 Speaker 5: diversity and Effie Brown going when Matt Damian was like, 139 00:06:07,920 --> 00:06:10,440 Speaker 5: diversity is on camera, not behind the camera. And I 140 00:06:10,480 --> 00:06:11,920 Speaker 5: was a big fan of that show, and Kevin's a 141 00:06:11,920 --> 00:06:13,200 Speaker 5: big fan of Matt Damon, So we had to have 142 00:06:13,200 --> 00:06:15,600 Speaker 5: a lot of debates about that, and I mean, I 143 00:06:15,600 --> 00:06:17,840 Speaker 5: think one of the greatest things that the show has 144 00:06:17,880 --> 00:06:20,640 Speaker 5: done is that, you know, we talked to Ryan Coogler. 145 00:06:20,720 --> 00:06:23,280 Speaker 5: Now he's obviously he's the director of a Rocky Now 146 00:06:23,279 --> 00:06:24,960 Speaker 5: we talked about his favorite denselboes, but it was a 147 00:06:25,000 --> 00:06:28,160 Speaker 5: really in depth discussion about creed like and luckily, our 148 00:06:28,200 --> 00:06:30,320 Speaker 5: fans have grown with that and there and they like that. 149 00:06:30,400 --> 00:06:32,240 Speaker 5: So we find that we don't actually have to do 150 00:06:32,279 --> 00:06:35,239 Speaker 5: an episode that's even fifty percent Denzel for our fans 151 00:06:35,360 --> 00:06:37,120 Speaker 5: to keep up with it, because Denzel just sort of 152 00:06:37,240 --> 00:06:38,960 Speaker 5: turns through a discussion about diversity in general. 153 00:06:39,080 --> 00:06:39,320 Speaker 1: Yeah. 154 00:06:39,320 --> 00:06:41,839 Speaker 2: No, that's really interesting how it's evolved to that. So 155 00:06:42,200 --> 00:06:44,599 Speaker 2: we are going to get to your top five Denzel 156 00:06:44,680 --> 00:06:48,400 Speaker 2: Washington performances, which I imagine was incredibly difficult considering how 157 00:06:48,440 --> 00:06:50,200 Speaker 2: big of a fan you are and considering how many 158 00:06:50,200 --> 00:06:53,279 Speaker 2: great performances he has given a little bit of set 159 00:06:53,360 --> 00:06:55,599 Speaker 2: up here and if I got any of these numbers wrong. 160 00:06:55,640 --> 00:06:58,200 Speaker 2: I'm sure someone out there will correct me. I looked 161 00:06:58,240 --> 00:07:03,680 Speaker 2: at his IMDb page, counted forty four feature film credits. 162 00:07:03,760 --> 00:07:05,920 Speaker 2: Of those, I've seen twenty six of them, so I 163 00:07:05,960 --> 00:07:07,640 Speaker 2: don't know how good that is or not. I don't 164 00:07:07,640 --> 00:07:08,880 Speaker 2: know if you've seen all of them or not. Come 165 00:07:08,920 --> 00:07:10,920 Speaker 2: out you can tell us, but I've seen twenty six 166 00:07:10,960 --> 00:07:11,200 Speaker 2: of those. 167 00:07:11,240 --> 00:07:11,720 Speaker 4: Forty four. 168 00:07:11,880 --> 00:07:14,640 Speaker 2: He's made five with Tony Scott the director he's worked 169 00:07:14,680 --> 00:07:17,720 Speaker 2: with the most, Spike Lee four times, Antoine Fuqua now 170 00:07:17,760 --> 00:07:20,680 Speaker 2: three times, ed Zwick three times. He of course, has 171 00:07:20,720 --> 00:07:23,600 Speaker 2: won two Oscars. And I got this from the five 172 00:07:23,760 --> 00:07:26,480 Speaker 2: thirty eight dot com article speaking of those think pieces 173 00:07:26,520 --> 00:07:29,240 Speaker 2: come out the four types of Denzel Washington movies. They 174 00:07:29,320 --> 00:07:31,960 Speaker 2: have him ranked twenty ninth all time in terms of 175 00:07:32,000 --> 00:07:34,840 Speaker 2: box office. His films have made over two point two 176 00:07:34,920 --> 00:07:38,480 Speaker 2: billion dollars domestically. So just a little bit of background there. 177 00:07:38,680 --> 00:07:41,960 Speaker 2: Let's actually go ahead and get to your picks. And 178 00:07:41,480 --> 00:07:43,720 Speaker 2: how did you even begin to come up with your list? 179 00:07:43,880 --> 00:07:45,360 Speaker 1: Well, we talked about this in the podcast. 180 00:07:45,360 --> 00:07:47,240 Speaker 5: I actually learned this from people coming on the podcast, 181 00:07:47,240 --> 00:07:49,160 Speaker 5: because some people we make everybody come on and say, 182 00:07:49,200 --> 00:07:51,600 Speaker 5: what are your top five favorite Denzel Washington movies, and 183 00:07:51,720 --> 00:07:54,720 Speaker 5: very quickly people were like, do you mean favorite performances 184 00:07:54,800 --> 00:07:57,480 Speaker 5: or favorite movies? Like there this sort of like split 185 00:07:57,560 --> 00:08:00,480 Speaker 5: between a Denzel Washington movie I enjoy or performance that 186 00:08:00,520 --> 00:08:04,760 Speaker 5: I think is transformative and relevatory. And I never hadn't 187 00:08:04,760 --> 00:08:06,600 Speaker 5: thought of it that way. So only through other people 188 00:08:06,600 --> 00:08:09,040 Speaker 5: coming to the podcast, you like Dave Ziron, who's the 189 00:08:09,080 --> 00:08:11,600 Speaker 5: great political sports reporter, came on with two lists and 190 00:08:11,640 --> 00:08:13,240 Speaker 5: now that's a pretty common thing for people to do that. 191 00:08:13,360 --> 00:08:15,960 Speaker 5: And or Ryan Kugler, we call it cooglering, who would 192 00:08:15,960 --> 00:08:17,720 Speaker 5: have like tied for number five. 193 00:08:17,560 --> 00:08:20,920 Speaker 3: Is four movies I can relate that happens on this show. 194 00:08:21,040 --> 00:08:23,440 Speaker 1: Yeah yeah, yeah, so yeah it's called cooglering. 195 00:08:23,480 --> 00:08:26,200 Speaker 5: Okay, so yeah, so for me, like my favorite movies 196 00:08:26,320 --> 00:08:28,400 Speaker 5: are pretty different than this list. 197 00:08:28,200 --> 00:08:30,280 Speaker 1: Of my favorite performance Okay really. 198 00:08:30,400 --> 00:08:33,360 Speaker 5: Uh yeah, no there's only one, well there's two, I 199 00:08:33,360 --> 00:08:35,199 Speaker 5: guess it's I mean, that's not great, but yeah there's 200 00:08:35,240 --> 00:08:37,400 Speaker 5: three on here that I would have a couple I 201 00:08:37,400 --> 00:08:39,120 Speaker 5: would have put on my list of favorite movies. But 202 00:08:39,160 --> 00:08:41,400 Speaker 5: then later through doing the pod, because I'm like, I'm 203 00:08:41,400 --> 00:08:43,640 Speaker 5: just saying that so I sound smart, It's that actually true? 204 00:08:43,760 --> 00:08:46,120 Speaker 2: Yeah, Well, just to jump in real quick, I'm curious 205 00:08:46,120 --> 00:08:48,320 Speaker 2: because we may sprinkle in our choices. I know we 206 00:08:48,360 --> 00:08:51,040 Speaker 2: did come up with our top five as well. Josh, 207 00:08:51,040 --> 00:08:53,880 Speaker 2: did you end up in a similar place or are 208 00:08:53,920 --> 00:08:56,560 Speaker 2: you like me and kind of have your five favorite 209 00:08:56,720 --> 00:08:59,839 Speaker 2: Denzel movies that also happen to correspond with your favorite performances. 210 00:09:00,040 --> 00:09:02,360 Speaker 3: I went with performances. But for me, the tough thing 211 00:09:02,520 --> 00:09:04,320 Speaker 3: was we have a poll going on right now between 212 00:09:04,360 --> 00:09:08,400 Speaker 3: best Denzel performance or another poll asking for your favorite. 213 00:09:08,480 --> 00:09:10,040 Speaker 3: So this is a whole other can of worms come 214 00:09:10,080 --> 00:09:12,400 Speaker 3: out that you can get into. And so I got 215 00:09:12,440 --> 00:09:14,920 Speaker 3: turned around in that a little bit, which has been 216 00:09:14,960 --> 00:09:15,400 Speaker 3: really tough. 217 00:09:15,480 --> 00:09:17,320 Speaker 2: Yeah, and we are going to get to those results later, 218 00:09:17,360 --> 00:09:18,959 Speaker 2: but I guess I'll give a little bit of a 219 00:09:18,960 --> 00:09:21,319 Speaker 2: spoiler a good example there. I think I don't have 220 00:09:21,400 --> 00:09:23,400 Speaker 2: him in front of me, but Malcolm X, I think 221 00:09:23,440 --> 00:09:27,320 Speaker 2: one for best performance, but Training Day wins for favorite, right, 222 00:09:27,360 --> 00:09:29,840 Speaker 2: And there is a big distinction between those two performers. 223 00:09:30,440 --> 00:09:31,800 Speaker 1: That's exactly what I'm talking about. 224 00:09:31,800 --> 00:09:33,840 Speaker 5: Like people, there's a sense that we talked about this 225 00:09:33,840 --> 00:09:35,800 Speaker 5: in the podcast, there's a sense black people really like 226 00:09:35,880 --> 00:09:38,559 Speaker 5: to not like Training Day because, like you know, he's 227 00:09:38,559 --> 00:09:42,680 Speaker 5: just playing a bad cop, but you cannot deny the 228 00:09:43,280 --> 00:09:45,000 Speaker 5: immense fun it is to watch him in. 229 00:09:44,920 --> 00:09:46,720 Speaker 4: That performance totally. 230 00:09:46,880 --> 00:09:48,960 Speaker 5: You know, you can sort of get on your high 231 00:09:48,960 --> 00:09:50,400 Speaker 5: horse and go, I don't think it's good that you 232 00:09:50,440 --> 00:09:52,199 Speaker 5: want to Oscar for that, And that's also a discussion 233 00:09:52,240 --> 00:09:54,560 Speaker 5: we can have. But I'm somebody who came around to 234 00:09:54,559 --> 00:09:56,160 Speaker 5: that and be like, this is just a good I mean, 235 00:09:56,200 --> 00:09:59,240 Speaker 5: it's like he is so he chews up every bit 236 00:09:59,280 --> 00:10:01,000 Speaker 5: of scenery and it's so fun to see an actor 237 00:10:01,080 --> 00:10:03,280 Speaker 5: like that get the be allowed to sort of just 238 00:10:03,360 --> 00:10:06,880 Speaker 5: run all over the screen. It's like, whereas Malcolm X, 239 00:10:06,960 --> 00:10:10,080 Speaker 5: he literally does the right thing. Yeah, pun and it's 240 00:10:10,120 --> 00:10:12,880 Speaker 5: a great performance. But it's like, if, honestly, I think 241 00:10:12,880 --> 00:10:15,120 Speaker 5: I always think of it this way, if there's two TVs, 242 00:10:15,600 --> 00:10:18,040 Speaker 5: or on one TV, there's two different movies playing Malcolm 243 00:10:18,120 --> 00:10:20,000 Speaker 5: X to Training Day, that's how you figure out your 244 00:10:20,040 --> 00:10:21,880 Speaker 5: favorite the one. You go, well, I gotta go watch this, 245 00:10:21,920 --> 00:10:23,560 Speaker 5: and I I'd watch a little bit of Malcolm X. 246 00:10:23,559 --> 00:10:25,640 Speaker 5: Eventually I can get the Training Day before. He says, 247 00:10:25,679 --> 00:10:26,280 Speaker 5: King talking. 248 00:10:27,800 --> 00:10:28,319 Speaker 4: Exactly. 249 00:10:28,360 --> 00:10:30,880 Speaker 3: Okay, so did either of those make your top five? 250 00:10:30,960 --> 00:10:31,640 Speaker 3: Then both of them? 251 00:10:31,640 --> 00:10:33,760 Speaker 1: Maybe? No? We talked about again. So this is top 252 00:10:33,760 --> 00:10:34,560 Speaker 1: five performances. 253 00:10:34,640 --> 00:10:35,719 Speaker 4: That's right, performances. 254 00:10:35,960 --> 00:10:39,760 Speaker 1: So number five, I'm going to say Hurricane. 255 00:10:40,000 --> 00:10:42,120 Speaker 5: Okay, Hurricane is I used to be one of my 256 00:10:42,120 --> 00:10:43,960 Speaker 5: favorite movies, but if you watch the movie, it's a 257 00:10:43,960 --> 00:10:46,600 Speaker 5: little bit heavy handed. And they also have to cover 258 00:10:46,640 --> 00:10:47,960 Speaker 5: a lot of time, and so it's just that thing 259 00:10:47,960 --> 00:10:49,320 Speaker 5: where movies have to cover a lot of time, they 260 00:10:49,360 --> 00:10:51,760 Speaker 5: sort of like things sort of get attenuated. But that 261 00:10:51,800 --> 00:10:54,000 Speaker 5: movie did bring me to read about Ruben Hurricane Carter 262 00:10:54,080 --> 00:10:54,360 Speaker 5: a lot. 263 00:10:54,400 --> 00:10:54,520 Speaker 1: So. 264 00:10:54,800 --> 00:10:56,840 Speaker 5: But his performance in that movie, the fact that he 265 00:10:56,840 --> 00:10:58,800 Speaker 5: plays a guy from like eighteen to like I don't 266 00:10:58,840 --> 00:11:02,240 Speaker 5: know sixty, and it's not totally unbelievable, and in fact, 267 00:11:02,280 --> 00:11:04,800 Speaker 5: he was forty five years old and ripped in the 268 00:11:04,840 --> 00:11:08,160 Speaker 5: boxing scenes. Yeah, and it has a classic Denza watching line, 269 00:11:08,360 --> 00:11:09,720 Speaker 5: I'm fifty. 270 00:11:09,520 --> 00:11:17,080 Speaker 4: Years old, the quivering lift everything. Yeah, fifty years old. 271 00:11:18,720 --> 00:11:22,920 Speaker 7: I've been blocked up for thirty years. 272 00:11:24,640 --> 00:11:27,280 Speaker 2: It's funny about that movie because in that poll question 273 00:11:27,360 --> 00:11:30,520 Speaker 2: that we're referencing, we gave like the top six answers 274 00:11:30,520 --> 00:11:32,360 Speaker 2: we thought would be the most common and we didn't 275 00:11:32,400 --> 00:11:34,480 Speaker 2: list Hurricane among them, And then we had other where 276 00:11:34,520 --> 00:11:38,120 Speaker 2: people could write in and Hurricane scarcely got mentioned. Do 277 00:11:38,160 --> 00:11:40,559 Speaker 2: you think that there is a valid reason or any 278 00:11:40,600 --> 00:11:42,120 Speaker 2: reason that you can come up with why that movie 279 00:11:42,120 --> 00:11:45,480 Speaker 2: for some reason just hasn't held the same esteem over 280 00:11:45,559 --> 00:11:46,959 Speaker 2: time since it came out. 281 00:11:47,240 --> 00:11:48,040 Speaker 1: I mean, I think it has. 282 00:11:47,960 --> 00:11:50,760 Speaker 5: The biopic problem that, like, you know, it's hard to 283 00:11:50,880 --> 00:11:52,800 Speaker 5: sort of like when you really need to cover a 284 00:11:52,840 --> 00:11:55,000 Speaker 5: person's whole life, it's hard to do a great job 285 00:11:55,000 --> 00:11:56,679 Speaker 5: with that, or a thorough job with that, Like you know, 286 00:11:56,760 --> 00:11:59,840 Speaker 5: every biopick should actually be like a season of television 287 00:12:00,120 --> 00:12:02,439 Speaker 5: where it's like, you know, instead of like cramming all it. 288 00:12:02,760 --> 00:12:04,480 Speaker 1: Also, I think it got a lot of heat at 289 00:12:04,480 --> 00:12:04,880 Speaker 1: the time. 290 00:12:05,000 --> 00:12:06,440 Speaker 4: I remember that, yeah, because. 291 00:12:06,240 --> 00:12:07,840 Speaker 5: They played a little fast and loose with some of 292 00:12:07,840 --> 00:12:10,680 Speaker 5: the facts, which I felt like, do we all see 293 00:12:10,679 --> 00:12:14,000 Speaker 5: a beautiful mind? Was that guy like like a positive reprobate, 294 00:12:14,400 --> 00:12:16,800 Speaker 5: like you know exactly, but the movie he's. 295 00:12:16,640 --> 00:12:17,720 Speaker 1: Just a crazy match genius. 296 00:12:17,720 --> 00:12:19,560 Speaker 5: I feel like that was to me like a little 297 00:12:19,600 --> 00:12:22,880 Speaker 5: bit of of institutionalized racism, where like, oh, so this 298 00:12:22,960 --> 00:12:25,520 Speaker 5: black guy gets heat for playing fast and loose and 299 00:12:25,520 --> 00:12:27,200 Speaker 5: then not as fast loose as the facts as other 300 00:12:27,200 --> 00:12:28,400 Speaker 5: biopics do regularly. 301 00:12:28,880 --> 00:12:30,040 Speaker 1: So I think it's sort of. 302 00:12:30,320 --> 00:12:32,240 Speaker 5: That affected it and also I think it's a little 303 00:12:32,280 --> 00:12:35,280 Speaker 5: bit like if you want to watch Hurricane, you might 304 00:12:35,320 --> 00:12:37,240 Speaker 5: as well watch Malcolm X because it's basically a better 305 00:12:37,320 --> 00:12:38,160 Speaker 5: version of that movie. 306 00:12:38,480 --> 00:12:39,440 Speaker 1: You know, it's a black guy. 307 00:12:39,559 --> 00:12:41,760 Speaker 3: Well, he has been in a number biopick, so you know, 308 00:12:41,880 --> 00:12:44,800 Speaker 3: maybe once those start getting ranked in people's minds, Hurricane 309 00:12:44,800 --> 00:12:45,720 Speaker 3: falls to the bottom. 310 00:12:46,080 --> 00:12:46,680 Speaker 4: Yeah, might be. 311 00:12:46,840 --> 00:12:49,199 Speaker 1: I just think Hurricane is not really he's great in it. 312 00:12:49,200 --> 00:12:49,480 Speaker 1: It's not. 313 00:12:49,559 --> 00:12:51,079 Speaker 5: I mean, I said this very it's not a ton 314 00:12:51,120 --> 00:12:53,360 Speaker 5: of fun like I think. So it's not like like 315 00:12:53,480 --> 00:12:57,000 Speaker 5: Malcolm X, even though it's tragic, seeing him be Malcolm 316 00:12:57,160 --> 00:13:00,400 Speaker 5: X is fun. It's just it's amazing and you're like, oh, 317 00:13:00,400 --> 00:13:01,720 Speaker 5: this is one of the greatest things I've ever seen. 318 00:13:01,760 --> 00:13:04,120 Speaker 5: So Hurricane is great, but I think it doesn't It 319 00:13:04,120 --> 00:13:06,440 Speaker 5: maybe doesn't age as well as these other ones. But 320 00:13:06,520 --> 00:13:08,440 Speaker 5: his performance is absolutely top notch. 321 00:13:08,480 --> 00:13:10,080 Speaker 2: Yeah, a clear one there. As you were saying that 322 00:13:10,120 --> 00:13:12,360 Speaker 2: would fit here into your top five. Performance has been 323 00:13:12,360 --> 00:13:14,960 Speaker 2: not your top five Denzel movies. What about your number four? 324 00:13:15,120 --> 00:13:18,480 Speaker 1: My number four, I'm going to say a Soldier story. 325 00:13:18,720 --> 00:13:19,000 Speaker 1: Love it. 326 00:13:19,120 --> 00:13:21,280 Speaker 5: Yeah, Soldier story is like the first I think, I mean, 327 00:13:21,400 --> 00:13:24,320 Speaker 5: maybe he did maybe he did the carbon copy movie first, 328 00:13:24,320 --> 00:13:26,480 Speaker 5: but we don't really count that, ye, But yeah, Soldier 329 00:13:26,480 --> 00:13:28,719 Speaker 5: story is really like a great movie because it's a 330 00:13:28,800 --> 00:13:33,840 Speaker 5: murder mystery and Denzel starts out being what you would 331 00:13:33,840 --> 00:13:36,240 Speaker 5: think is like, Oh, this guy's got nothing, and then 332 00:13:36,240 --> 00:13:38,240 Speaker 5: eventually the reveal, it's like, oh, this guy's got a 333 00:13:38,240 --> 00:13:40,560 Speaker 5: lot more than I expected, you know, no spoilers. And 334 00:13:40,600 --> 00:13:42,920 Speaker 5: I think that, like, it's sort of interesting that he 335 00:13:43,280 --> 00:13:45,319 Speaker 5: ended up being such a leading man because it's really 336 00:13:45,360 --> 00:13:47,600 Speaker 5: a that is a really character performance, Like it's not 337 00:13:47,640 --> 00:13:50,360 Speaker 5: dominated by him being like the best looking, handsome guy, 338 00:13:50,400 --> 00:13:52,240 Speaker 5: Like he's sort of a he's sort of a nerd 339 00:13:52,240 --> 00:13:53,920 Speaker 5: for lack of a better word. He's wearing glasses and 340 00:13:53,920 --> 00:13:56,559 Speaker 5: he sort of thought as like not being really worthy 341 00:13:56,600 --> 00:13:58,280 Speaker 5: of anyone's respect in a movie. 342 00:13:58,360 --> 00:13:59,640 Speaker 1: Yeah, where are you from? 343 00:13:59,640 --> 00:14:04,160 Speaker 8: Peter's Hollywood, California by way of Alabama. 344 00:14:04,240 --> 00:14:07,160 Speaker 1: So you see, I enlisted in forty two. 345 00:14:07,360 --> 00:14:08,720 Speaker 7: I thought we'd get a chance to fight. 346 00:14:08,840 --> 00:14:11,080 Speaker 8: So did you know the sergeant? 347 00:14:11,120 --> 00:14:14,280 Speaker 7: Well, no, son, he was already with the company when 348 00:14:14,280 --> 00:14:16,959 Speaker 7: I got a sign and pfc's and sergeants we don't 349 00:14:17,000 --> 00:14:17,560 Speaker 7: mix too well. 350 00:14:17,640 --> 00:14:19,760 Speaker 1: So you played both for him? 351 00:14:19,920 --> 00:14:23,040 Speaker 7: Oh yes, sir, I played shots though, and did you 352 00:14:23,120 --> 00:14:26,520 Speaker 7: like the sergeant, no, sir, you see where it goes 353 00:14:26,560 --> 00:14:29,440 Speaker 7: back to the team. So stone ass felt the stone ass. 354 00:14:30,200 --> 00:14:31,680 Speaker 7: But I'm the only one who called him now, So 355 00:14:31,800 --> 00:14:35,480 Speaker 7: sergeant water soon didn't mean no offense. 356 00:14:36,880 --> 00:14:39,200 Speaker 5: Leading actors don't normally start out that way. They normally 357 00:14:39,200 --> 00:14:40,800 Speaker 5: start out as leading, you know, it's like it's a 358 00:14:40,840 --> 00:14:43,320 Speaker 5: real character role. Later he would have been cast in 359 00:14:43,320 --> 00:14:44,920 Speaker 5: the role that Howard Robbs would have played if they'd 360 00:14:44,920 --> 00:14:45,440 Speaker 5: done that movie. 361 00:14:45,440 --> 00:14:45,680 Speaker 1: Again. 362 00:14:45,760 --> 00:14:48,720 Speaker 4: Well, it's right, he kind of is encourage under fire, right, Yeah. 363 00:14:48,560 --> 00:14:49,800 Speaker 1: Yeah, he does the same thing. 364 00:14:49,880 --> 00:14:51,680 Speaker 5: So I think it's really a testament to the fact 365 00:14:51,680 --> 00:14:54,720 Speaker 5: that we've sometimes in the modern era, we forget that 366 00:14:54,720 --> 00:14:57,040 Speaker 5: Denzel if he was less good looking, he would have 367 00:14:57,040 --> 00:14:58,120 Speaker 5: been a great character actor. 368 00:14:58,880 --> 00:14:59,640 Speaker 3: That's absolutely right. 369 00:14:59,720 --> 00:15:00,760 Speaker 1: Yeah, he's too. 370 00:15:00,640 --> 00:15:02,720 Speaker 5: Good looking, too tall, too good looking to be a 371 00:15:02,840 --> 00:15:05,760 Speaker 5: character actor. And also I think that he actually was 372 00:15:05,920 --> 00:15:07,920 Speaker 5: in a soldier's play, which is why he played the 373 00:15:07,920 --> 00:15:09,760 Speaker 5: same role in the movie. He was in the soldier's play, 374 00:15:09,880 --> 00:15:11,720 Speaker 5: And we had David Allen Greer on the podcast, who 375 00:15:11,760 --> 00:15:15,160 Speaker 5: was also in a soldier's play that also starred Samuel Jackson. 376 00:15:15,240 --> 00:15:17,840 Speaker 5: Was also in that play in New York and told 377 00:15:17,880 --> 00:15:20,640 Speaker 5: great stories of like actors in the late seventies and 378 00:15:20,680 --> 00:15:23,360 Speaker 5: early eighties, those guys all being in a play together. 379 00:15:23,680 --> 00:15:24,120 Speaker 1: Amazing. 380 00:15:24,320 --> 00:15:26,520 Speaker 2: Yeah, that movie is one. It came out in eighty four. 381 00:15:26,560 --> 00:15:28,600 Speaker 2: I was nine or ten years old then, and I 382 00:15:28,680 --> 00:15:30,880 Speaker 2: watched it all the time. For some reason, I think 383 00:15:30,960 --> 00:15:33,400 Speaker 2: my dad exposed me to it and I became obsessed 384 00:15:33,400 --> 00:15:35,280 Speaker 2: with it because it would be on HBO all the time, 385 00:15:35,560 --> 00:15:37,640 Speaker 2: and so I would just see it constantly. And I 386 00:15:37,680 --> 00:15:40,120 Speaker 2: do remember him very vividly from that film. And then 387 00:15:40,120 --> 00:15:41,880 Speaker 2: I remember getting into high school my senior year and 388 00:15:41,920 --> 00:15:44,520 Speaker 2: having to write a paper for an English class on 389 00:15:44,960 --> 00:15:48,040 Speaker 2: the Melville short story Billy Bud that was made into 390 00:15:48,080 --> 00:15:50,000 Speaker 2: a movie in the sixties with Peter Yusunoff, and that's 391 00:15:50,040 --> 00:15:53,160 Speaker 2: basically a soldier story, is basically Billy Bud, but set 392 00:15:53,160 --> 00:15:56,160 Speaker 2: obviously in the army. So yeah, and I love that 393 00:15:56,240 --> 00:15:57,920 Speaker 2: movie in that book too. So that's one that has 394 00:15:57,920 --> 00:15:59,840 Speaker 2: always stuck with me. It's a great choice. 395 00:16:00,080 --> 00:16:04,320 Speaker 9: Sixty years a Whistler Black Home. 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This winter, go beyond plan your trip to 402 00:16:27,480 --> 00:16:28,520 Speaker 9: Whistler Black Home. 403 00:16:29,840 --> 00:16:31,400 Speaker 4: What about your number three. 404 00:16:31,280 --> 00:16:33,880 Speaker 1: Number three glory? 405 00:16:34,040 --> 00:16:35,840 Speaker 5: I think, I mean, it's like I sort of struggle, 406 00:16:35,880 --> 00:16:38,120 Speaker 5: like maybe it should be higher. I mean, he basically 407 00:16:38,640 --> 00:16:41,400 Speaker 5: that's when for a lot of black people, he became like, oh, 408 00:16:41,440 --> 00:16:42,920 Speaker 5: so we're gonna put him on a post this stamp 409 00:16:43,000 --> 00:16:45,200 Speaker 5: someday that he's gonna be like, he's gonna get his 410 00:16:45,240 --> 00:16:47,840 Speaker 5: birthday off one day, Black. 411 00:16:47,600 --> 00:16:50,080 Speaker 1: Household, We're gonna be in the back of Haptis Church. 412 00:16:50,160 --> 00:16:52,800 Speaker 5: Fans all for that scene where he plays a very 413 00:16:52,800 --> 00:16:55,640 Speaker 5: complicated character, again a character, it's something a character actor 414 00:16:55,680 --> 00:16:57,880 Speaker 5: would do because he's not the good guy in the movie. 415 00:16:58,400 --> 00:17:00,440 Speaker 5: He's a very complicated character, and characters sort of want 416 00:17:00,440 --> 00:17:03,040 Speaker 5: to hate, but Denzel Washington's charisma sort of makes it 417 00:17:03,080 --> 00:17:03,680 Speaker 5: that you're like, I. 418 00:17:03,560 --> 00:17:06,280 Speaker 1: Want to hate you, but I can't. And it is 419 00:17:06,600 --> 00:17:07,240 Speaker 1: I mean, glory. 420 00:17:07,280 --> 00:17:10,000 Speaker 5: Tire is a thing like you can say this the 421 00:17:10,040 --> 00:17:13,119 Speaker 5: body I almost had a glory to people because of 422 00:17:13,240 --> 00:17:13,639 Speaker 5: that movie. 423 00:17:13,760 --> 00:17:15,360 Speaker 1: The fact that he cried out of one eyeball. 424 00:17:15,520 --> 00:17:17,200 Speaker 5: I mean it became like this, words like not always 425 00:17:17,400 --> 00:17:19,000 Speaker 5: per forwards, but he's doing a magic trick. 426 00:17:20,680 --> 00:17:22,840 Speaker 1: And I mean it's to this day you can say. 427 00:17:22,640 --> 00:17:25,879 Speaker 5: To most black people of you know, probably go Glory here, 428 00:17:25,880 --> 00:17:26,800 Speaker 5: and they know what you're talking about. 429 00:17:26,840 --> 00:17:28,240 Speaker 1: Most many people do know what you're talking about. 430 00:17:28,240 --> 00:17:29,680 Speaker 5: But I think it's just like it was when he 431 00:17:29,760 --> 00:17:31,800 Speaker 5: became bigger than just an actor in that movie. 432 00:17:31,800 --> 00:17:32,720 Speaker 1: And that's a movie. Again. 433 00:17:32,760 --> 00:17:34,160 Speaker 5: You don't get to see a movie where he's acting 434 00:17:34,240 --> 00:17:37,520 Speaker 5: up against Morgan Freeman and Andre Brower and you know, 435 00:17:38,000 --> 00:17:42,720 Speaker 5: big ups for what's his name, Farris Bueller in that vie. 436 00:17:43,560 --> 00:17:45,520 Speaker 5: What a lot of white guys would I would have 437 00:17:45,560 --> 00:17:47,399 Speaker 5: been mad at that they were on screen, but I 438 00:17:47,400 --> 00:17:49,240 Speaker 5: would be like, move out of the way so I 439 00:17:49,240 --> 00:17:50,880 Speaker 5: can get to But he sort of plays a very 440 00:17:50,880 --> 00:17:53,960 Speaker 5: good like I'm not supposed to be here, but I 441 00:17:54,000 --> 00:17:55,760 Speaker 5: have a lot of Respector Matthew Broder watched that movie. 442 00:17:55,760 --> 00:17:57,080 Speaker 5: I'm like, he could have been blown off the screen, 443 00:17:57,119 --> 00:17:58,840 Speaker 5: and he he sort of let his naive tate laugh 444 00:17:58,920 --> 00:18:01,280 Speaker 5: him not to be blown off the screen. Glory, that's 445 00:18:01,280 --> 00:18:03,000 Speaker 5: when he becomes a force to be reckoned with. 446 00:18:03,760 --> 00:18:09,840 Speaker 6: Yeah, button up that column, sucking that gut, tucking them 447 00:18:09,920 --> 00:18:13,840 Speaker 6: big black lips. Lighten your skin, shrink up that nose. 448 00:18:14,280 --> 00:18:15,400 Speaker 1: I don't have to listen to this. 449 00:18:18,280 --> 00:18:18,920 Speaker 6: Where you going? 450 00:18:19,000 --> 00:18:27,200 Speaker 1: Boy? Let me buy, Let you buy, Let you buy. 451 00:18:28,640 --> 00:18:29,440 Speaker 6: Let me tell you something. 452 00:18:29,440 --> 00:18:30,440 Speaker 1: Boy. 453 00:18:31,160 --> 00:18:33,640 Speaker 6: You can march like the white Man, you can talk 454 00:18:33,800 --> 00:18:35,760 Speaker 6: like him, you can, you can learn his songs, you can, 455 00:18:35,800 --> 00:18:37,880 Speaker 6: you can even wear his suits. But you ain't never 456 00:18:38,400 --> 00:18:41,399 Speaker 6: gonna be nothing to him but an ugly ass chimp 457 00:18:41,920 --> 00:18:42,879 Speaker 6: in a blue suit. 458 00:18:45,080 --> 00:18:47,679 Speaker 4: Oh you don't like that, dude, No, m. 459 00:18:49,560 --> 00:18:52,240 Speaker 6: But what we gonna do by it? You want to 460 00:18:52,240 --> 00:18:53,440 Speaker 6: fight me? Boy? 461 00:18:54,040 --> 00:18:54,240 Speaker 1: Huh? 462 00:18:54,320 --> 00:18:59,119 Speaker 6: What you gonna do by it? You want to fight me, 463 00:18:59,200 --> 00:18:59,520 Speaker 6: don't you? 464 00:19:00,400 --> 00:19:03,200 Speaker 3: There's no denying though that Denzel just man handles that movie. 465 00:19:03,200 --> 00:19:06,200 Speaker 3: I mean, he's not really supposed to be the one 466 00:19:06,280 --> 00:19:08,159 Speaker 3: thing you come out of it thinking about. You do, 467 00:19:08,800 --> 00:19:09,280 Speaker 3: and you do? 468 00:19:09,400 --> 00:19:10,000 Speaker 1: You absolutely. 469 00:19:10,040 --> 00:19:13,480 Speaker 3: I think it's the potent combination of swagger and anger 470 00:19:13,960 --> 00:19:16,520 Speaker 3: that he has in that role. And it's you're right, 471 00:19:16,600 --> 00:19:19,440 Speaker 3: that is a much more watching scenes from Glory again, 472 00:19:19,480 --> 00:19:21,879 Speaker 3: it's a much more complicated character than I remember in 473 00:19:21,880 --> 00:19:25,200 Speaker 3: my memory. It's not the sort of postage stamp character 474 00:19:25,640 --> 00:19:30,320 Speaker 3: that we might think of. He's really complicated and troublesome 475 00:19:30,480 --> 00:19:35,119 Speaker 3: and conflicted, and man, making a breakout performance out of 476 00:19:35,160 --> 00:19:37,280 Speaker 3: something like that takes a special sort of skill. 477 00:19:37,680 --> 00:19:39,640 Speaker 5: Yeah, and that was his first Oscar And I think 478 00:19:39,640 --> 00:19:41,639 Speaker 5: also I think about that as we talk about the 479 00:19:41,680 --> 00:19:44,720 Speaker 5: current era of like people don't understand how can Colin 480 00:19:44,800 --> 00:19:47,679 Speaker 5: Kaepernick say such mean things about America and say he 481 00:19:47,760 --> 00:19:48,800 Speaker 5: still likes a merit. 482 00:19:48,800 --> 00:19:51,040 Speaker 1: Well, it's complicated and you. 483 00:19:51,000 --> 00:19:56,520 Speaker 5: Know, like go watch Glory, Denzel ends up basically showing 484 00:19:56,560 --> 00:19:59,280 Speaker 5: pride in his in the flag, you know, like well 485 00:19:59,280 --> 00:20:01,600 Speaker 5: at the same time hating everything the flag has created. 486 00:20:01,640 --> 00:20:03,479 Speaker 5: So I think it's a for a black person. It's 487 00:20:03,520 --> 00:20:05,680 Speaker 5: like that character is very relatable. It's like I totally 488 00:20:05,680 --> 00:20:07,359 Speaker 5: get that, Like, you know, it's not love it or 489 00:20:07,400 --> 00:20:09,199 Speaker 5: leave it, it's like hate it and fix it. 490 00:20:09,400 --> 00:20:11,440 Speaker 2: Yeah, And that's my because we just got done talking 491 00:20:11,480 --> 00:20:13,000 Speaker 2: about last week on the show Born on the fourth 492 00:20:13,040 --> 00:20:16,080 Speaker 2: of July, so this topic seemed very relevant. And then 493 00:20:16,200 --> 00:20:19,040 Speaker 2: I just actually watch Glory for the first time. Somehow 494 00:20:19,080 --> 00:20:21,399 Speaker 2: in the eighties I missed it. I knew that I 495 00:20:21,400 --> 00:20:23,399 Speaker 2: had to cross this one off before I talk to 496 00:20:23,440 --> 00:20:26,720 Speaker 2: you or talk to anybody about Denzel Washington, and yeah, 497 00:20:26,720 --> 00:20:28,960 Speaker 2: his performance is there's no doubt it's a standout and 498 00:20:29,000 --> 00:20:32,600 Speaker 2: that interesting combination you pointed out, Josh of the kind 499 00:20:32,640 --> 00:20:36,000 Speaker 2: of swagger and anger and that sense of righteousness is 500 00:20:36,040 --> 00:20:37,840 Speaker 2: something we get. That really comes through in a lot 501 00:20:37,840 --> 00:20:39,880 Speaker 2: of really good Denzel performances. But then on the flip 502 00:20:39,920 --> 00:20:41,720 Speaker 2: side of that are the ones where it always feels 503 00:20:41,720 --> 00:20:44,480 Speaker 2: like he's repressing that and that's fascinating too, and that 504 00:20:44,520 --> 00:20:46,119 Speaker 2: comes through actually little bit, I think in his character 505 00:20:46,119 --> 00:20:48,840 Speaker 2: in The Magnificent Seven, the more quiet, reserved ones, but 506 00:20:48,880 --> 00:20:51,600 Speaker 2: there's always something underneath the surface you're just waiting to 507 00:20:51,920 --> 00:20:53,120 Speaker 2: spoil over, to bubble over. 508 00:20:53,240 --> 00:20:55,639 Speaker 3: I think that struggle over the idea of righteousness is like, 509 00:20:55,720 --> 00:20:59,040 Speaker 3: if you look at Denzel Washington as an aw tourist actor, like, 510 00:20:59,119 --> 00:21:01,960 Speaker 3: what's the through line in almost every one of his performances. 511 00:21:02,119 --> 00:21:03,760 Speaker 3: It's that and you see it right here in Glory. 512 00:21:03,840 --> 00:21:05,640 Speaker 4: Yeah, great, pick number two. 513 00:21:06,040 --> 00:21:06,560 Speaker 1: Number two. 514 00:21:06,680 --> 00:21:09,119 Speaker 5: We're going with Training Day, which I training Day can 515 00:21:09,160 --> 00:21:10,920 Speaker 5: easily be number one, but I don't want to get 516 00:21:10,960 --> 00:21:14,080 Speaker 5: black people mad at me, so I'm gonna say number two. 517 00:21:14,200 --> 00:21:15,760 Speaker 1: Look at their training Day. 518 00:21:16,119 --> 00:21:18,679 Speaker 5: I mean, that movie only works as well as it 519 00:21:18,680 --> 00:21:21,119 Speaker 5: does because you have a history of Denzel Washington's career 520 00:21:21,160 --> 00:21:23,280 Speaker 5: behind it to sort of know where he came from. 521 00:21:23,800 --> 00:21:25,560 Speaker 5: And so I think if he had done Soldier Story 522 00:21:25,560 --> 00:21:27,200 Speaker 5: and then Training Day, you'd be like, okay, so he 523 00:21:27,359 --> 00:21:30,600 Speaker 5: just kind of a jerk, you know. But because we'd 524 00:21:30,600 --> 00:21:32,560 Speaker 5: had a history of Denzel Washington being like this sort 525 00:21:32,600 --> 00:21:35,160 Speaker 5: of like you know, a post Malcolm X, like he's 526 00:21:35,200 --> 00:21:38,600 Speaker 5: our savior, he's black, you know, he's black Jesus or 527 00:21:38,720 --> 00:21:39,480 Speaker 5: Jesus as some. 528 00:21:39,400 --> 00:21:40,720 Speaker 4: People say, there you go. 529 00:21:40,880 --> 00:21:42,439 Speaker 5: You have this sort of history of him being like 530 00:21:42,440 --> 00:21:45,240 Speaker 5: this sort of like he's he's our avatar for positive 531 00:21:45,280 --> 00:21:49,400 Speaker 5: black male role models. And then in Trading Days, it's 532 00:21:49,440 --> 00:21:52,159 Speaker 5: like a meta performance because we're like, how you're watching 533 00:21:52,359 --> 00:21:53,960 Speaker 5: the character of Alonzo do all these horrible things. 534 00:21:53,960 --> 00:21:55,760 Speaker 1: We're like, Denzel, how could you do this? 535 00:21:57,520 --> 00:22:00,240 Speaker 5: And at the same time, again, his charisma comes through 536 00:22:00,320 --> 00:22:03,600 Speaker 5: as that character given to another actor would just be like, 537 00:22:03,800 --> 00:22:05,399 Speaker 5: you know, it would have been like bad Lieutenant whe 538 00:22:05,440 --> 00:22:07,600 Speaker 5: hyper kn't tell you, just like I just hate you, 539 00:22:07,480 --> 00:22:09,880 Speaker 5: you know, Like, which is fun to watch, but it's 540 00:22:09,920 --> 00:22:12,040 Speaker 5: not a box office hit. I think it's denzel'scharisma that 541 00:22:12,080 --> 00:22:14,720 Speaker 5: turns that into a box office hit. And again shout 542 00:22:14,760 --> 00:22:17,760 Speaker 5: out another white guy, Ethan Hawke. I condescended his performance 543 00:22:17,800 --> 00:22:19,199 Speaker 5: with the Warrantine, and I'm like, you have to be 544 00:22:19,240 --> 00:22:20,280 Speaker 5: a strong actor. 545 00:22:20,440 --> 00:22:22,480 Speaker 1: Do you put up with that with that guy? You 546 00:22:22,480 --> 00:22:24,679 Speaker 1: know for the whole movie? Be truly effective. 547 00:22:24,960 --> 00:22:29,720 Speaker 6: A good narcotics agent must know and love narcotics. In fact, 548 00:22:30,280 --> 00:22:34,800 Speaker 6: a good narcotics agent should have narcotics in his blood. 549 00:22:36,600 --> 00:22:37,359 Speaker 1: What are you gonna smoke? 550 00:22:37,440 --> 00:22:37,600 Speaker 2: Tang? 551 00:22:37,680 --> 00:22:42,160 Speaker 1: Nope, you are hell if I am. 552 00:22:42,359 --> 00:22:46,240 Speaker 8: Yeah, yeah, you know, no, Wow, you're a moment some 553 00:22:46,359 --> 00:22:47,720 Speaker 8: of your Jesus fraid No, man don't know. 554 00:22:47,800 --> 00:22:49,080 Speaker 5: This is my job. Is your job. 555 00:22:49,200 --> 00:22:49,800 Speaker 1: I can't do that. 556 00:22:49,920 --> 00:22:51,680 Speaker 6: Smoke it, huh, saying a test. 557 00:22:51,800 --> 00:22:56,000 Speaker 3: Just take a hit, take a man, Listen. 558 00:22:56,000 --> 00:22:57,720 Speaker 4: I became a cop to stop people. 559 00:22:58,440 --> 00:22:59,800 Speaker 1: Yeah, blah blah blah blah blah. 560 00:23:00,040 --> 00:23:01,760 Speaker 10: It's not a review board, and I ain't cocaine. 561 00:23:01,800 --> 00:23:04,560 Speaker 5: Take a hit, noo. 562 00:23:06,280 --> 00:23:08,639 Speaker 2: I think, in general, a lot of us I've noted 563 00:23:08,680 --> 00:23:10,720 Speaker 2: this recently because I think Ethan hawks had an amazing 564 00:23:10,800 --> 00:23:12,720 Speaker 2: run over the past couple of years. In particular, I 565 00:23:12,720 --> 00:23:14,560 Speaker 2: think a lot of us condescended to him for some 566 00:23:14,680 --> 00:23:18,080 Speaker 2: reason as not a heavyweight enough actor. And I think 567 00:23:18,080 --> 00:23:20,080 Speaker 2: he's proven us all wrong here recently, I. 568 00:23:20,040 --> 00:23:22,720 Speaker 3: Like the idea of his performance in Training to being 569 00:23:22,720 --> 00:23:25,120 Speaker 3: a meta performance that in the way you talked about, 570 00:23:25,160 --> 00:23:27,320 Speaker 3: but also because when I watch it, I feel like 571 00:23:27,359 --> 00:23:30,560 Speaker 3: he's screaming at Oscar voters the whole time. I don't 572 00:23:30,600 --> 00:23:32,919 Speaker 3: know what you've been waiting for, but fine, here it 573 00:23:33,000 --> 00:23:36,320 Speaker 3: is brates them into giving him his best actor Oscar, 574 00:23:36,359 --> 00:23:37,320 Speaker 3: which they finally did. 575 00:23:37,560 --> 00:23:39,760 Speaker 5: Yeah, as the great comedian Greg Proops said, and I 576 00:23:39,800 --> 00:23:41,119 Speaker 5: was one of tho jokes I wish I had written. 577 00:23:41,240 --> 00:23:42,960 Speaker 5: And he said this before he won the Oscar. He's like, 578 00:23:43,119 --> 00:23:45,440 Speaker 5: and finally they're going to give this. Guys played Beco 579 00:23:45,600 --> 00:23:48,399 Speaker 5: and Malcolm X and Ruben Hurricane Carter. They're getting give 580 00:23:48,440 --> 00:23:53,639 Speaker 5: an Oscar for playing peptatious McGee. 581 00:23:53,960 --> 00:23:59,240 Speaker 2: Pretty much times, I was just like, that's good, that's 582 00:23:59,240 --> 00:24:02,760 Speaker 2: so great. All right, Well, what's what's better than training Day? 583 00:24:02,800 --> 00:24:04,359 Speaker 4: What's your number one performance? 584 00:24:04,760 --> 00:24:07,080 Speaker 1: Malcolm X is the Michael Jordan of Denzel Washington movies. 585 00:24:07,119 --> 00:24:09,560 Speaker 5: Like, it's just like you can sort of argue against 586 00:24:09,560 --> 00:24:12,120 Speaker 5: it for fun as not being the greatest, but that's 587 00:24:12,160 --> 00:24:14,960 Speaker 5: the greatest performance because it's also the most important performance 588 00:24:15,000 --> 00:24:17,520 Speaker 5: because when he took the movie, Malcolm X. There was 589 00:24:17,560 --> 00:24:19,440 Speaker 5: a lot of talk of like can he pull this off? 590 00:24:19,720 --> 00:24:21,560 Speaker 5: There's a lot like amongst the black comunty, he's too 591 00:24:21,640 --> 00:24:24,760 Speaker 5: dark skinned to do this. He doesn't look enough like Malcolm. 592 00:24:25,000 --> 00:24:26,960 Speaker 5: We should get a lighter skin guy. There's all this 593 00:24:27,000 --> 00:24:29,760 Speaker 5: sort of talk about this book is impossible, Spike Lee's 594 00:24:29,800 --> 00:24:31,400 Speaker 5: doing it. It's Spike Lee going to do a good job. 595 00:24:31,480 --> 00:24:33,080 Speaker 5: Is he able to do an epic movie like this? 596 00:24:33,600 --> 00:24:36,040 Speaker 5: You know, Spike Lee ran out, like ran out of money, 597 00:24:36,080 --> 00:24:38,399 Speaker 5: and then like black celebrities gave him money to finish 598 00:24:38,440 --> 00:24:40,840 Speaker 5: the movie. It all is tied into also the fact 599 00:24:40,840 --> 00:24:42,480 Speaker 5: that it was one of the first movies sort of 600 00:24:42,880 --> 00:24:45,199 Speaker 5: that went viral before it came out through the X 601 00:24:45,240 --> 00:24:47,240 Speaker 5: caps and the X shirts that people were. 602 00:24:47,080 --> 00:24:48,840 Speaker 1: Like, people like Michael Jordan were wearing. 603 00:24:49,080 --> 00:24:51,800 Speaker 5: Like, so the movie marketing became a part of the story, 604 00:24:51,840 --> 00:24:53,360 Speaker 5: Like I had an X shirt and an X cap 605 00:24:53,359 --> 00:24:55,439 Speaker 5: and I didnt even wear baseball caps. But it was 606 00:24:55,480 --> 00:24:58,480 Speaker 5: just like it was a phenomenon, a cultural phenomenon. But 607 00:24:58,600 --> 00:25:01,000 Speaker 5: now movies trying to replicate. Every movie tries to replicate 608 00:25:01,080 --> 00:25:03,280 Speaker 5: sort of like a viral marketing campaign, and Spike Lee 609 00:25:03,359 --> 00:25:05,800 Speaker 5: sort of pioneered that with Malcolm X and that movie. 610 00:25:06,040 --> 00:25:08,679 Speaker 5: Without that movie, I wouldn't have read The Autobious Malcolm X. 611 00:25:08,680 --> 00:25:09,920 Speaker 5: When I did, I was like, oh, I should probably 612 00:25:09,920 --> 00:25:11,399 Speaker 5: read the book before I see the movie. 613 00:25:11,840 --> 00:25:14,800 Speaker 1: So and that book changed my life. And Denzel, there's 614 00:25:14,840 --> 00:25:15,600 Speaker 1: moments in that movie. 615 00:25:15,600 --> 00:25:17,199 Speaker 5: If you've seen a lot of pictures of Malcolm X, 616 00:25:17,200 --> 00:25:19,800 Speaker 5: and you see Denzel that movie, he looks like Malcolm X, 617 00:25:19,920 --> 00:25:22,720 Speaker 5: which doesn't make sense because he doesn't look like Malcolm NEX. 618 00:25:22,760 --> 00:25:25,360 Speaker 4: You're absolutely right, and so that's why. 619 00:25:25,400 --> 00:25:27,200 Speaker 5: And he's always talked about like he's a very spiritual, 620 00:25:27,480 --> 00:25:29,720 Speaker 5: religious man. He keeps one down low a lot of times, 621 00:25:29,840 --> 00:25:31,720 Speaker 5: but it's like he really feels like he was channelling 622 00:25:31,760 --> 00:25:33,520 Speaker 5: Malcolm X. And I'm like, I don't know enough about 623 00:25:33,520 --> 00:25:34,919 Speaker 5: that to know if that's true. But there's times that 624 00:25:34,960 --> 00:25:38,280 Speaker 5: movie go it doesn't make sense he looks like Malcolm X, 625 00:25:38,320 --> 00:25:41,200 Speaker 5: even though he doesn't. And I mean there's this, I mean, 626 00:25:41,240 --> 00:25:42,879 Speaker 5: you know, one of the most quoted speeches in my 627 00:25:42,920 --> 00:25:44,960 Speaker 5: life that we use as part of the rating system 628 00:25:45,000 --> 00:25:47,679 Speaker 5: on the show is oh, I say, and I say again, 629 00:25:47,840 --> 00:25:51,639 Speaker 5: you've been had, you been took, You've been hoodwig, bamboozle, 630 00:25:51,760 --> 00:25:53,040 Speaker 5: let as stray run him up. 631 00:25:53,240 --> 00:25:54,719 Speaker 1: This is what he does. I just did a very 632 00:25:54,760 --> 00:25:55,520 Speaker 1: poor job of it. 633 00:25:56,920 --> 00:25:58,840 Speaker 5: That speech is like, again, it's like, it's just one 634 00:25:58,840 --> 00:26:01,000 Speaker 5: of the things where you can say that to probably 635 00:26:01,320 --> 00:26:02,840 Speaker 5: a certain generation of black people, like go oh yeah, 636 00:26:02,880 --> 00:26:05,200 Speaker 5: Malcolm X. And the finally about that, there's no evidence 637 00:26:05,240 --> 00:26:07,280 Speaker 5: that Malcolm X ever said that, the real Malcolm X, 638 00:26:08,359 --> 00:26:10,280 Speaker 5: but it's one of the most quotable and again, we 639 00:26:10,320 --> 00:26:12,680 Speaker 5: didn't land on Plymouth Rock. There's no alpha evidence that 640 00:26:12,680 --> 00:26:14,639 Speaker 5: the real Malcolm X said that I've ever seen, but 641 00:26:14,720 --> 00:26:16,760 Speaker 5: Denzel said it, so now it's one of those popular 642 00:26:16,760 --> 00:26:18,800 Speaker 5: Malcolm xIC quotes. Like he sort of took over the 643 00:26:18,840 --> 00:26:20,880 Speaker 5: legacy of Malcolm X in that movie in a way 644 00:26:20,920 --> 00:26:23,800 Speaker 5: that you realize is so gigantic when you compare that 645 00:26:23,840 --> 00:26:25,679 Speaker 5: to and not not putting out his performans. 646 00:26:25,920 --> 00:26:29,600 Speaker 1: But like Will Smith and Ali that's it's fine. Yeah, 647 00:26:29,640 --> 00:26:31,280 Speaker 1: it's like it's not bad. 648 00:26:31,359 --> 00:26:34,520 Speaker 3: I think there's something similar between those two performances though, 649 00:26:34,520 --> 00:26:38,480 Speaker 3: And yeah, I mean Donzel's is far superior, but both 650 00:26:38,520 --> 00:26:41,000 Speaker 3: are taking actors who are known for their charisma, right, 651 00:26:41,000 --> 00:26:45,240 Speaker 3: they just have this molten hot charisma and playing figures 652 00:26:45,359 --> 00:26:47,600 Speaker 3: from the history who had the same thing and so 653 00:26:48,080 --> 00:26:50,720 Speaker 3: that could go really poorly, but somehow I think will 654 00:26:50,720 --> 00:26:52,960 Speaker 3: Smith pulls it off. But even more so Washington, they 655 00:26:53,000 --> 00:26:57,320 Speaker 3: managed to morph those different types of charisma into something 656 00:26:57,400 --> 00:27:00,160 Speaker 3: that's wholly new, like what you're talking about, Kamal. Where 657 00:27:00,320 --> 00:27:04,720 Speaker 3: those speeches are considered, it's not Denzel, it's not Malcolm X. 658 00:27:04,760 --> 00:27:08,040 Speaker 3: It's this holy new thing that is so powerful. It 659 00:27:08,119 --> 00:27:13,440 Speaker 3: has this pop cultural cachet now that that we all recognize. 660 00:27:14,280 --> 00:27:15,800 Speaker 1: I'm gonna tell you I really. 661 00:27:17,720 --> 00:27:21,520 Speaker 8: Every election year, these politicians are set up here to pacify. 662 00:27:22,119 --> 00:27:24,840 Speaker 8: Just sit here and set up here by the white man. 663 00:27:25,480 --> 00:27:26,400 Speaker 4: This is what they do. 664 00:27:27,080 --> 00:27:29,560 Speaker 10: They send jougs in Harlem down here to pacify it. 665 00:27:30,200 --> 00:27:31,560 Speaker 1: They send alcohol down. 666 00:27:31,440 --> 00:27:34,679 Speaker 10: Here to pacify it. They send prostitution down here to 667 00:27:34,800 --> 00:27:37,959 Speaker 10: pacify it. Why you can't even get drugs in all 668 00:27:38,000 --> 00:27:40,640 Speaker 10: them without the white man's per missions. You can't get 669 00:27:40,720 --> 00:27:43,879 Speaker 10: prostitution in hollow without the white man's permission. You can't 670 00:27:43,960 --> 00:27:46,280 Speaker 10: get gambling in Holland without the white man's the mission. 671 00:27:46,560 --> 00:27:49,639 Speaker 10: So every time you break the seal on that liquor bottle, 672 00:27:49,760 --> 00:27:53,760 Speaker 10: that's a government seal you'll break, I say, and I 673 00:27:53,920 --> 00:27:59,640 Speaker 10: say it again. You've been hand You've been depend Goodwin. 674 00:28:03,119 --> 00:28:05,320 Speaker 5: Yeah, and like I said, I think like and again 675 00:28:05,400 --> 00:28:07,560 Speaker 5: not I think the Ali movie like it didn't. I mean, 676 00:28:07,560 --> 00:28:09,840 Speaker 5: it works fine, but I don't think it was like 677 00:28:09,880 --> 00:28:11,159 Speaker 5: it's transcendent and some stuff. 678 00:28:11,200 --> 00:28:12,960 Speaker 1: For reasons that aren't to do with will Smith. I 679 00:28:12,960 --> 00:28:13,960 Speaker 1: don't want to put it on him. 680 00:28:14,200 --> 00:28:16,159 Speaker 5: I think with the Will Smith performance, I feel like 681 00:28:16,480 --> 00:28:18,600 Speaker 5: there's a difference between Sometimes in that performance, I can 682 00:28:18,720 --> 00:28:22,320 Speaker 5: hear him doing the impression. Yeah, no, compre where's with Denzel. 683 00:28:22,440 --> 00:28:24,440 Speaker 5: I don't hear him do I don't hear Denzel and 684 00:28:25,200 --> 00:28:27,399 Speaker 5: about at all? Like, oh, this is just footage of 685 00:28:27,440 --> 00:28:29,280 Speaker 5: Malcolm X. They got I thought he was more light 686 00:28:29,280 --> 00:28:31,240 Speaker 5: skinned anyway. 687 00:28:31,359 --> 00:28:34,080 Speaker 2: Well, so with Malcolm exit number one, really that perfect 688 00:28:34,080 --> 00:28:38,480 Speaker 2: crossover then the synthesis of great movie and great performance. 689 00:28:38,640 --> 00:28:41,440 Speaker 2: And I'm with you completely, Josh. Were you number one 690 00:28:41,480 --> 00:28:42,800 Speaker 2: Malcolm X as well in your list? 691 00:28:43,200 --> 00:28:45,880 Speaker 3: I had he got gamess my number one gel performance. 692 00:28:45,920 --> 00:28:48,120 Speaker 3: And that's only because I revisited a fair amount of 693 00:28:48,120 --> 00:28:50,080 Speaker 3: it in the last week. I had forgotten how good 694 00:28:50,080 --> 00:28:50,400 Speaker 3: that movie. 695 00:28:50,440 --> 00:28:51,480 Speaker 4: Yeah, I've got it at number four. 696 00:28:51,640 --> 00:28:54,160 Speaker 3: Oh, good, good, excellent. I mean it's this is again 697 00:28:54,480 --> 00:28:58,840 Speaker 3: like in Glory A really complicated in some ways, nasty guy, 698 00:28:58,920 --> 00:29:01,920 Speaker 3: far nastier than than the character and glory, but the 699 00:29:01,960 --> 00:29:04,320 Speaker 3: way the shades he brings to that and he got 700 00:29:04,360 --> 00:29:07,320 Speaker 3: game and plus that doctor j Affro. I mean that 701 00:29:08,480 --> 00:29:10,000 Speaker 3: might have put it over the top for me at 702 00:29:10,080 --> 00:29:10,480 Speaker 3: number one. 703 00:29:10,560 --> 00:29:10,920 Speaker 1: Yeah. 704 00:29:11,000 --> 00:29:13,480 Speaker 5: I mean that movie is amazing. That's a movie that 705 00:29:13,520 --> 00:29:16,000 Speaker 5: I haven't seen as much as the other Denzel movies. 706 00:29:16,040 --> 00:29:18,000 Speaker 5: And I think that it's like a classic Spike Lee movie, 707 00:29:18,000 --> 00:29:19,080 Speaker 5: and that's kind of a trojan horse. 708 00:29:19,120 --> 00:29:20,440 Speaker 1: You think it's about one thing, but it's really about 709 00:29:20,440 --> 00:29:20,840 Speaker 1: another thing. 710 00:29:20,880 --> 00:29:24,280 Speaker 5: Absolutely, and uh but when I watched when I rewatched 711 00:29:24,280 --> 00:29:26,800 Speaker 5: his performance the movie for the podcast, I was like, oh, yeah, 712 00:29:26,840 --> 00:29:30,160 Speaker 5: this is way better than I remembered. And we had 713 00:29:30,200 --> 00:29:32,560 Speaker 5: Spike Lee on our podcast and it was a great episode. 714 00:29:32,560 --> 00:29:34,160 Speaker 5: We did, like all talked about all the movie to 715 00:29:34,480 --> 00:29:37,440 Speaker 5: work and Denzel. It's also a thing where I told 716 00:29:37,440 --> 00:29:39,760 Speaker 5: Spike like, I wouldn't have picked when you had Rayald 717 00:29:39,800 --> 00:29:40,680 Speaker 5: in that movie back in the day. 718 00:29:40,680 --> 00:29:41,800 Speaker 1: I was like, why this guy? 719 00:29:42,120 --> 00:29:43,560 Speaker 5: And then it real ends up being one of the 720 00:29:43,560 --> 00:29:46,920 Speaker 5: greatest basketball players in the history of all period, Like that, 721 00:29:47,120 --> 00:29:47,960 Speaker 5: you're smarter than. 722 00:29:47,800 --> 00:29:48,320 Speaker 1: Me, Spike Lee. 723 00:29:48,440 --> 00:29:49,760 Speaker 4: That's yeah, exactly. 724 00:29:49,880 --> 00:29:51,200 Speaker 1: Yeah, that's great. 725 00:29:51,440 --> 00:29:54,000 Speaker 5: Kevin Avery one is Kevin averys Denzel, who's the cost 726 00:29:54,000 --> 00:29:56,160 Speaker 5: of my podcast. One of his favorite Denzel scenes in 727 00:29:56,200 --> 00:29:58,160 Speaker 5: the movies, and he got game when he hits a 728 00:29:58,200 --> 00:29:58,720 Speaker 5: guy in the. 729 00:29:58,640 --> 00:30:01,640 Speaker 3: Throat man and he is so vicious there, and I 730 00:30:01,680 --> 00:30:04,280 Speaker 3: love the touch at the end where and this speaks 731 00:30:04,280 --> 00:30:07,120 Speaker 3: to the layers of his character he runs. You know, 732 00:30:07,240 --> 00:30:10,360 Speaker 3: it's not like this big victorious. He is the tough guy. 733 00:30:10,720 --> 00:30:12,760 Speaker 3: He you know, he he just knocked this guy out, 734 00:30:12,800 --> 00:30:14,920 Speaker 3: but then he also realizes what that means for him 735 00:30:14,920 --> 00:30:17,320 Speaker 3: in his life and he takes off running down the street. 736 00:30:17,360 --> 00:30:18,080 Speaker 4: I love that touch. 737 00:30:18,320 --> 00:30:19,880 Speaker 5: Yeah, No, it's like it's at that moment where he 738 00:30:19,920 --> 00:30:21,960 Speaker 5: hits the guy, the guy goes down, he also says 739 00:30:21,960 --> 00:30:23,400 Speaker 5: like keep breathing, breathe, and then. 740 00:30:25,040 --> 00:30:28,080 Speaker 4: That's such a Denzel moment. Yeah, I don't really want. 741 00:30:27,960 --> 00:30:30,720 Speaker 5: To hurt you, but you know, but also, oh shitoving 742 00:30:30,760 --> 00:30:33,240 Speaker 5: to get out here exactly. I mean, there's there's so 743 00:30:33,320 --> 00:30:35,280 Speaker 5: many like I'm sort of upset that I didn't get 744 00:30:35,320 --> 00:30:36,720 Speaker 5: man on fire on here because I think. 745 00:30:36,560 --> 00:30:40,280 Speaker 2: That's well, that's yeah, keep going to that's a good transition. 746 00:30:40,320 --> 00:30:42,600 Speaker 2: Maybe real quick as we consider any other movies you 747 00:30:42,640 --> 00:30:45,320 Speaker 2: did strongly consider or ended up as honorable mentions, as 748 00:30:45,560 --> 00:30:47,400 Speaker 2: we've mentioned a couple of the ones for our list, 749 00:30:47,440 --> 00:30:49,720 Speaker 2: and we're certainly not going to go into any detail 750 00:30:49,720 --> 00:30:52,720 Speaker 2: at this point because you've done an amazing job illustrating 751 00:30:52,720 --> 00:30:55,120 Speaker 2: why Denzel's so great in your picks. But I had 752 00:30:55,280 --> 00:30:58,880 Speaker 2: number five deja vu because I felt like I needed 753 00:30:58,880 --> 00:31:02,880 Speaker 2: a Tony Scott film here, and their collaboration being obviously 754 00:31:02,920 --> 00:31:06,080 Speaker 2: the one that he's collaborated with that director the most, 755 00:31:06,320 --> 00:31:08,120 Speaker 2: and I was thinking about it just in terms of 756 00:31:08,720 --> 00:31:10,640 Speaker 2: Man on Fire or some of these other titles, the 757 00:31:10,680 --> 00:31:12,640 Speaker 2: taking of Pellam one, two three. If you had another 758 00:31:12,760 --> 00:31:16,320 Speaker 2: movie star in any of those roles, say someone like 759 00:31:16,360 --> 00:31:18,560 Speaker 2: Bruce Willis, who I think is a fine movie star, 760 00:31:18,960 --> 00:31:21,880 Speaker 2: would he have ever been able to bring an ounce 761 00:31:21,920 --> 00:31:25,240 Speaker 2: of the emotional complexity and depth that righteousness, but then 762 00:31:25,320 --> 00:31:28,320 Speaker 2: couple that with that kind of vulnerability or that humanity 763 00:31:28,320 --> 00:31:31,240 Speaker 2: that he brings that makes those movies rewatchable. Denzel is 764 00:31:31,280 --> 00:31:33,240 Speaker 2: the reason why I mean Tony Scott. I know a 765 00:31:33,240 --> 00:31:35,680 Speaker 2: lot of us have come to appreciate his filmmaking more 766 00:31:35,680 --> 00:31:38,840 Speaker 2: over the years, but it's Denzel that makes those movies 767 00:31:39,520 --> 00:31:40,360 Speaker 2: worth revisiting. 768 00:31:40,400 --> 00:31:42,400 Speaker 4: I think what about you come out? You sound like, 769 00:31:42,400 --> 00:31:44,840 Speaker 4: you're not a big fan of that film of Deja Vu. 770 00:31:45,000 --> 00:31:47,040 Speaker 1: Yeah, I know, I mean I enjoy that movie. 771 00:31:47,080 --> 00:31:48,560 Speaker 5: It's just it's one of those things where it's like 772 00:31:48,640 --> 00:31:50,960 Speaker 5: there's some movies this is true of all actors, where 773 00:31:51,080 --> 00:31:52,520 Speaker 5: I think he's great in that movie, and I think 774 00:31:52,600 --> 00:31:55,320 Speaker 5: Denzel does elevate a movie beyond where it can only 775 00:31:55,440 --> 00:31:57,160 Speaker 5: like you can take a bad movie, it's like, you know, 776 00:31:57,200 --> 00:31:59,520 Speaker 5: it becomes better with Denzel. That one, to me just 777 00:31:59,560 --> 00:32:02,280 Speaker 5: feels very much like I like watching that movie, but 778 00:32:02,320 --> 00:32:04,000 Speaker 5: if it had been Tom Cruise, I wouldn't have stepped 779 00:32:04,000 --> 00:32:05,560 Speaker 5: near it, you know, like I wouldn't have liked it. 780 00:32:05,680 --> 00:32:07,560 Speaker 5: So it's like the movie in and of itself to 781 00:32:07,600 --> 00:32:10,520 Speaker 5: me is it's a very sort of mainstream Hollywood vehicle, sure, 782 00:32:10,640 --> 00:32:12,959 Speaker 5: which I'm not anti that, but it doesn't it feels 783 00:32:12,960 --> 00:32:14,360 Speaker 5: like and Denzel's got a lot of those on a 784 00:32:14,400 --> 00:32:16,080 Speaker 5: thing where you're like, this could have been I think 785 00:32:16,080 --> 00:32:17,920 Speaker 5: he brings lot to it, but it could have been anybody, 786 00:32:18,080 --> 00:32:21,200 Speaker 5: Whereas like Malcolm X is either Denzel or nobody else, 787 00:32:21,240 --> 00:32:23,200 Speaker 5: Like you know, Training Day is either Denzel or it 788 00:32:23,240 --> 00:32:25,440 Speaker 5: becomes a much different movie. Deja Vu might have been 789 00:32:25,480 --> 00:32:27,920 Speaker 5: a bigger hit with Tom Cruise because he's a white guy, 790 00:32:27,960 --> 00:32:30,520 Speaker 5: and we tend to enjoy white guys running around after 791 00:32:30,560 --> 00:32:32,240 Speaker 5: explosions more than we like black guys doing it. 792 00:32:32,280 --> 00:32:32,840 Speaker 1: You know what I'm saying. 793 00:32:33,040 --> 00:32:33,880 Speaker 4: No, No, very valid. 794 00:32:33,920 --> 00:32:35,760 Speaker 2: Though to my point, I don't think I would want 795 00:32:35,800 --> 00:32:37,600 Speaker 2: to go back and rewatch the Tom Cruise version. 796 00:32:37,680 --> 00:32:38,840 Speaker 4: But Denzel. 797 00:32:40,280 --> 00:32:42,600 Speaker 1: Cruise, Jack Reacher. I'm looking forward to the sea. 798 00:32:44,200 --> 00:32:44,480 Speaker 4: Aren't we? 799 00:32:44,520 --> 00:32:45,160 Speaker 1: All right? 800 00:32:45,440 --> 00:32:47,520 Speaker 4: So real quick, I'll just list him number four. I had, 801 00:32:47,560 --> 00:32:48,560 Speaker 4: he got game number three. 802 00:32:48,560 --> 00:32:50,080 Speaker 2: I had Devil in a Blue Dress, And this is 803 00:32:50,080 --> 00:32:52,080 Speaker 2: one where if I was just ranking the movies, it 804 00:32:52,160 --> 00:32:54,920 Speaker 2: might be lower. But I love his easy rollins. I 805 00:32:54,960 --> 00:32:56,760 Speaker 2: love every bit of that, and of course love don 806 00:32:56,840 --> 00:33:00,160 Speaker 2: Cheetah's Mouse as well. Number two Inside Man and one 807 00:33:00,240 --> 00:33:02,320 Speaker 2: Malcolm X so three of the Spike Lee movies in 808 00:33:02,360 --> 00:33:03,040 Speaker 2: there in my top five. 809 00:33:03,040 --> 00:33:04,600 Speaker 3: What about you, John, I've got Devil in a Blue 810 00:33:04,680 --> 00:33:06,440 Speaker 3: Dress right there at number three too. I think that 811 00:33:06,480 --> 00:33:08,840 Speaker 3: speaks to his timelessness. I mean, he slips into that 812 00:33:08,960 --> 00:33:11,640 Speaker 3: what is it about nineteen forty fifty familiar post World 813 00:33:11,680 --> 00:33:13,600 Speaker 3: War so easily, and that puts him up there with 814 00:33:13,600 --> 00:33:15,880 Speaker 3: the all time actors. When you can do that shift 815 00:33:16,320 --> 00:33:18,960 Speaker 3: shift Eras. So I had Flight at five, a movie 816 00:33:19,040 --> 00:33:22,280 Speaker 3: I'm very mixed on, but man, he just about pulls 817 00:33:22,280 --> 00:33:24,600 Speaker 3: that thing out in the last ten minutes. Isn't quite 818 00:33:24,600 --> 00:33:27,160 Speaker 3: able to Malcolm X. I've got at four because I 819 00:33:27,240 --> 00:33:28,880 Speaker 3: do really like him so much in Devil in a 820 00:33:28,880 --> 00:33:31,440 Speaker 3: Blue Dress. At three that might be a sexiest performance 821 00:33:31,480 --> 00:33:33,440 Speaker 3: Devil in a Blue Dress for sure. Glory I've got 822 00:33:33,520 --> 00:33:35,520 Speaker 3: up there at number two, and then as I mentioned, 823 00:33:35,720 --> 00:33:36,840 Speaker 3: he got Game is number one. 824 00:33:37,080 --> 00:33:39,080 Speaker 2: Okay, So come out any other thoughts on any of 825 00:33:39,120 --> 00:33:41,280 Speaker 2: those or any of the other films that you regret 826 00:33:41,360 --> 00:33:42,960 Speaker 2: that you couldn't squeeze in there. Yeah. 827 00:33:43,040 --> 00:33:44,680 Speaker 5: I mean there's a film that I've really come to 828 00:33:44,720 --> 00:33:47,440 Speaker 5: respect a lot because of the podcast and that when 829 00:33:47,440 --> 00:33:49,080 Speaker 5: I rewatched it, I was like, oh, this is even 830 00:33:49,080 --> 00:33:50,680 Speaker 5: more important than that. I think it's the sort of 831 00:33:51,200 --> 00:33:52,840 Speaker 5: and I think a lot of people made me respect 832 00:33:52,840 --> 00:33:54,000 Speaker 5: it more. But I watched it and I was like, this 833 00:33:54,000 --> 00:33:56,520 Speaker 5: film still holds up that it just didn't make it. 834 00:33:56,520 --> 00:33:57,680 Speaker 5: I just did and if I put it in I 835 00:33:57,680 --> 00:34:00,719 Speaker 5: would have been trying to sound smart. But Philadelphia is 836 00:34:00,960 --> 00:34:04,200 Speaker 5: maybe the most interesting Denzel Washington movie that there is, 837 00:34:04,680 --> 00:34:06,920 Speaker 5: just the fact that he be in the course of 838 00:34:06,960 --> 00:34:10,920 Speaker 5: the movie goes from homophobe to not homophobe. And he's 839 00:34:10,920 --> 00:34:12,520 Speaker 5: a black man, which in the black community there's a 840 00:34:12,520 --> 00:34:14,719 Speaker 5: lot made out of us being more homofog to other people, 841 00:34:14,719 --> 00:34:17,480 Speaker 5: which I don't believe to be true. But Tom Hanks 842 00:34:17,480 --> 00:34:20,840 Speaker 5: gets the credit for Philadelphia, but Denzel's character is the 843 00:34:20,880 --> 00:34:21,719 Speaker 5: anchor of the movie. 844 00:34:21,960 --> 00:34:24,319 Speaker 2: Yeah, I agree. I actually just saw parts of that 845 00:34:24,560 --> 00:34:27,359 Speaker 2: movie recently on TV. Hadn't seen it in years, and 846 00:34:27,480 --> 00:34:29,680 Speaker 2: some of those courtroom scenes are fantastic, and Denzel is 847 00:34:29,719 --> 00:34:32,480 Speaker 2: why and Jonathan Demi's camera and those point of view 848 00:34:32,480 --> 00:34:35,480 Speaker 2: shots where he's talking right to us as the jury 849 00:34:35,520 --> 00:34:37,520 Speaker 2: as the audience, I think are really effective. You're right, 850 00:34:37,560 --> 00:34:39,360 Speaker 2: Denzel is great there. He also worked, of course with 851 00:34:39,400 --> 00:34:42,480 Speaker 2: Demi on The Manchurian Candidate, which maybe not as good 852 00:34:42,480 --> 00:34:44,960 Speaker 2: as the original Mantor in Canada, but still a quality. 853 00:34:45,000 --> 00:34:48,880 Speaker 1: I like that one. His I mean, Meryl Streep is 854 00:34:48,920 --> 00:34:51,320 Speaker 1: amazing in ventoring candidate. It's just which is funny. 855 00:34:51,440 --> 00:34:53,680 Speaker 5: That's what we had Spike Leeless his top five Denzil 856 00:34:53,680 --> 00:34:55,440 Speaker 5: watching movies, but we wouldn't let him put his own 857 00:34:55,480 --> 00:34:56,280 Speaker 5: movies in there. 858 00:34:57,480 --> 00:35:00,000 Speaker 1: And so he listed Manchuuring Candidate, which I was like interesting. 859 00:35:00,280 --> 00:35:03,120 Speaker 2: So yeah, yeah, well we will definitely link to that 860 00:35:03,200 --> 00:35:05,520 Speaker 2: episode in our show notes at filmspotting dot net, the 861 00:35:05,520 --> 00:35:08,080 Speaker 2: one with Spike Lee and link to your podcast. And 862 00:35:08,120 --> 00:35:09,799 Speaker 2: I can't say how much fun this was. Thanks so 863 00:35:09,880 --> 00:35:11,919 Speaker 2: much for taking the time again, come out, thanks, come. 864 00:35:11,840 --> 00:35:13,719 Speaker 1: Out, Thanks for having me happy to do it. This 865 00:35:13,800 --> 00:35:15,319 Speaker 1: isn't an election, This is a coup. 866 00:35:15,440 --> 00:35:18,160 Speaker 6: This is in our own country, a regime change in 867 00:35:18,200 --> 00:35:19,000 Speaker 6: our own country. 868 00:35:19,400 --> 00:35:21,640 Speaker 7: Then don't then. 869 00:35:21,840 --> 00:35:26,600 Speaker 8: This is rich people, manchurian global funding, bad science to 870 00:35:26,719 --> 00:35:29,479 Speaker 8: put a sleeper in the White House. And that's what's 871 00:35:29,480 --> 00:35:32,319 Speaker 8: going on, Rosie, that's what's going on. 872 00:35:32,800 --> 00:35:36,040 Speaker 2: You'll hear me joke about this in the show on Friday. 873 00:35:36,120 --> 00:35:39,520 Speaker 2: But yes, he did just openly laugh at me at 874 00:35:39,520 --> 00:35:43,160 Speaker 2: one of those picks. But Josh, I'm standing by it. 875 00:35:43,520 --> 00:35:46,280 Speaker 2: What other choice do I have. It's on the record. 876 00:35:46,440 --> 00:35:49,560 Speaker 2: It's on the record, isn't it Our Thanks again to 877 00:35:49,760 --> 00:35:52,480 Speaker 2: w camal Bell. That was a fun show and we 878 00:35:52,560 --> 00:35:56,480 Speaker 2: have another fun show talking about Denzel Washington coming up 879 00:35:56,640 --> 00:36:00,480 Speaker 2: this Friday, our review of Spike Lee's latest Highest to Lois. 880 00:36:00,920 --> 00:36:04,360 Speaker 2: You have complete archive access as a Film Spotting family member. 881 00:36:04,480 --> 00:36:07,840 Speaker 2: You also have other benefits like monthly bonus shows, a 882 00:36:07,880 --> 00:36:12,399 Speaker 2: weekly newsletter, and early access to events a whole lot more. 883 00:36:12,680 --> 00:36:15,440 Speaker 2: Learn more at film spotting family dot com. 884 00:36:15,480 --> 00:36:16,320 Speaker 4: Thanks for listening. 885 00:36:16,520 --> 00:36:21,080 Speaker 1: This conversation can serve no purpose anymore. 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