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Speaker 1: So I'm in there with Judith right, yeah, and Minnie

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Speaker 1: Mouse and we are antiquing, as is our way on Sundays.

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Speaker 1: And Judith turns to Minnie and she says, Mini Mouse,

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Speaker 1: what have you got there? And Minnie's holding this sort

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Speaker 1: of carved wooden hand looks almost ancient, and it's giving

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Speaker 1: you a middle finger, like to say fuck you. Yeah,

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Speaker 1: the hand is yeah, and she goes, wow, I can

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Speaker 1: really use this, and Judith goes, I think I could

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Speaker 1: use it for something too, and she points up her

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Speaker 1: rear end like that's where she's gonna put the finger

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Speaker 1: from the hand.

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Speaker 2: What's interesting about that, you're asking me? No?

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Speaker 1: Oh, I mean I just.

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Speaker 2: Thought about what's interesting about that? Ease two things, Mini Mouse.

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Speaker 2: She wants to use that special hand to do the

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Speaker 2: no finger because she can't do the no finger. She

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Speaker 2: can only do the soufi.

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Speaker 1: Yeah, because she only has four fingers.

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Speaker 2: But you can do a wicked superfinger.

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Speaker 1: No middle one. Yeah.

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Speaker 2: And I think those fingers the thing that you were

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Speaker 2: seeing did have a little string at the end.

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Speaker 1: Yeah, it had a little string. Now that you mention it,

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Speaker 1: it's candle. You can light that, but it is a

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Speaker 1: fire finger. It's an old candle.

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Speaker 2: I suppose yes, and so, but I wonder if she

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Speaker 2: knows that, well, you don't want.

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Speaker 1: To burn it too much, especially if you're gonna use it.

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Speaker 2: Yes, it could end up being.

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Speaker 1: So that's very So that's an interesting problem. You've got

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Speaker 1: that thing, it's your only way to do the true

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Speaker 1: middle finger, and it's dark. What are you gonna do?

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Speaker 1: I mean, honestly, yeah, when you have the choice between

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Speaker 1: it's dark, yeah, using it to.

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Speaker 2: Give a middle finger and using it to for the light.

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Speaker 2: But your astutate that you couldn't just light no light it,

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Speaker 2: but then it would still be used for middle finger.

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Speaker 1: But how much can you light it for? Because candles

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Speaker 1: and this is you know, scientifically proven, they melt haze.

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Speaker 1: And as a man of science.

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Speaker 2: Wait, okay, I'd like to see a little more of

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Speaker 2: the you want to science come out.

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Speaker 1: I think they've weighed in there they come.

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Speaker 2: These things are like eggs is bad for you. Now

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Speaker 2: suddenly the candles, Now candles are melting and now they're yeah.

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Speaker 1: So okay, that's interesting. Bread. I think I need a

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Speaker 1: little more headphones volume the okay, and that's too much,

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Speaker 1: And I do need you to split the difference, but

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Speaker 1: that thank you. Okay, I'm going to weird, Okay, nobody

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Speaker 1: yell okay.

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Speaker 2: Okay, I was about to yell. The loudest part of

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Speaker 2: the show is when I say, and that's.

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Speaker 1: A little loud even for me, and I'm sorry, bred

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Speaker 1: I do need it turned down a little bit more.

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Speaker 2: Turn it down way down for a second, and I'll

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Speaker 2: do the hay is it way down?

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Speaker 1: It is way down? Yeah?

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Speaker 2: Hey did you do that?

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Speaker 1: Ease it back up?

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Speaker 3: Yeah?

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Speaker 1: I could hear that, but not loud and are you

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Speaker 1: turning it up? And it's nice for listeners to hear

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Speaker 1: this part of the show. They don't always know how

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Speaker 1: does it work? This is okay? But on more I.

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Speaker 2: Need because you would think that you would just be

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Speaker 2: able to set it at a certain level every time,

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Speaker 2: but your in particular, your needs are different every time

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Speaker 2: you come in and me, what is going to scare

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Speaker 2: you today?

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Speaker 1: Yes? Yes, to be fair, I'm always experimenting with different

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Speaker 1: things in my ears, different liquids and seeing what's gonna

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Speaker 1: work for me to sort of lubricate and enhance my

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Speaker 1: hearing experience. You know, I don't just listen and that's it,

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Speaker 1: and I go That's good enough for me. I'm not

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Speaker 1: a fucking loser. I'm like, well, is there anything I

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Speaker 1: could do for this? If I put oil, bacon, fat u,

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Speaker 1: hog's blood, if I put you know anything, Yeah, powdered hooves. Yes,

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Speaker 1: it's usually scrout. Yeah, well it's it's definitely from some

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Speaker 1: form of pig or war tawk. And to me, I go, well,

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Speaker 1: I'm at least getting another perspective, like I know what

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Speaker 1: it sounds like to listen through snout lining.

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Speaker 2: Welcome to Hollywood, Hambok an insider's guy to kicking button

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Speaker 2: dropping names of the red carpet lineback. Always of this industry,

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Speaker 2: we call showbiz. What up?

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Speaker 1: What up? We got a what do you want?

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Speaker 2: We got a famous week on the show this week

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Speaker 2: Big one, which is Super Bowl football game to football. Now,

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Speaker 2: you have a couple Do you have a couple of

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Speaker 2: takes I've missed? Yeah, And I wonder if you're going

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Speaker 2: to do them at the same time or alma takes. Yeah,

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Speaker 2: if you're going to try and negotiate both of your

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Speaker 2: takes into like one big take or split them up into.

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Speaker 1: And just one parcel out one and then the other.

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Speaker 2: Hmmm.

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Speaker 1: That takes are a little trail of breadcrumbs that lead

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Speaker 1: you to my mind? Or is it just a big

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Speaker 1: glowing neon arrow here's the you know, maniac mind?

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Speaker 2: Yeah?

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Speaker 1: Or is it like you got to keep following the

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Speaker 1: clues and then so, uh, yeah, I don't know which

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Speaker 1: I'm going to do either or even what you're talking about.

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Speaker 1: So should we talk about having a guest?

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Speaker 2: Yes, It's difficult for me to figure out in what

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Speaker 2: order to say anything.

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Speaker 1: Yes, And in.

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Speaker 2: This case in particular, is hard super Bowl? We have

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Speaker 2: a Super Bowl ad h that we bought through the

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Speaker 2: scripts purchasing.

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Speaker 1: Here's a thing. We are obviously very big with podcast

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Speaker 1: people only podcasts. People know about our show because it

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Speaker 1: is podcast, but we should be even bigger and probably

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Speaker 1: the biggest one instead of the third smallest one. And

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Speaker 1: so our thinking is, oh, we're actually TV guys who

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Speaker 1: are so smart on TV.

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Speaker 2: And yes, our TV is already in the TV and

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Speaker 2: that's working great.

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Speaker 1: And so people are watching the TV show but not knowing,

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Speaker 1: Oh I need to listen to these guys on the podcast.

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Speaker 1: So can we put the podcast in the TV.

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Speaker 2: And we found a way to do that.

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Speaker 1: Can we put the lime in the coconuts a.

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Speaker 2: Little bit, yes, and the biggest TV of all, which

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Speaker 2: is the Big Game, which is actually so we should

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Speaker 2: actually correct this because we're not hald to say super Bowl,

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Speaker 2: so we will have to change this. And actually Big

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Speaker 2: Game is now being used by too many other companies. Yes,

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Speaker 2: so we're not allowed to say that. Either.

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Speaker 1: We've got an AD during a very large event that

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Speaker 1: we have managed to acquire that is going to expose

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Speaker 1: the TV world to our podcast by putting the podcast

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Speaker 1: and the TV put the lemon coconut and drink it up.

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Speaker 2: And U is it like it was the name for

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Speaker 2: the like not Big Game, but like well of catch time.

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Speaker 1: Well, I was going to say, let's have our guest

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Speaker 1: who sort of specializes in this kind of thing. He's

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Speaker 1: an AD consultant. He you've seen a lot of his

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Speaker 1: work on TV during this event thing, the catch time.

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Speaker 2: Well, let's see what he can. And that's one. And

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Speaker 2: so maybe you can have a.

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Speaker 1: Word fourna Snooper Bowl, right, that's not snuper Bowl. Sure,

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Speaker 1: and it's not you know, no, thank you. This is

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Speaker 1: what I do. It's Brandon Gardner's Brandon Gardner.

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Speaker 2: Did you say it?

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Speaker 1: No? Brandon Gardner I wasn't going to who's from Madison Avenue.

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Speaker 4: Yeah, if you're an insider in the ad game, you

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Speaker 4: know who I am.

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Speaker 2: And why don't we go over your CV? Your commercials

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Speaker 2: very goods.

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Speaker 4: So I've done a lot of huge ones a lot

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Speaker 4: of people have heard about. If you're familiar with the

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Speaker 4: Go Daddy work.

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Speaker 2: Okay, I'm god, that's.

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Speaker 1: Such a great campaign.

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Speaker 2: Yes, can I say because end of the commercial they

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Speaker 2: say she's starting to to take her like, you know,

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Speaker 2: get her bikini strap snipped off with hedge clippers, maybe

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Speaker 2: her Like what's good? And it's like, go to the

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Speaker 2: website if you want to.

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Speaker 1: See it all because yeah, because I'm going, well, she's

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Speaker 1: going to be undressed against her will. Yeah and I

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Speaker 1: and that to me is so exciting. And you guys

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Speaker 1: really delivered on that.

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Speaker 2: When I went to the.

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Speaker 1: Website to see it all, the it was.

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Speaker 2: Actually more than I bargained for. You weren't the only

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Speaker 2: one who went to the website? Yeah, no, okay, when

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Speaker 2: I was there, Oh wow, because I didn't see anyone

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Speaker 2: else there when I was there.

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Speaker 1: But that's a big numbo.

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Speaker 2: Yeah, that's great.

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Speaker 5: Wow.

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Speaker 1: We're other people surprised by how far.

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Speaker 2: Yes, how you guys how far we went go?

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Speaker 1: Yes, just how we're still getting emails was more than

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Speaker 1: I wanted to see, or what I thought I wanted

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Speaker 1: to see. If you had described to me it's going

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Speaker 1: to be this level of sort of graphic.

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Speaker 2: Well, a lot of people are violence. It's not sexual, No, there's.

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Speaker 1: No, it's not sexual at best. It's medical.

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Speaker 4: Yeah, I describe it as clinical. Yes, so you're looking

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Speaker 4: at a fully nude woman in a non sexual way.

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Speaker 1: Yes, Well, because they are snipping off her bikini top

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Speaker 1: in order to perform surgery. Because when you do get

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Speaker 1: around to the front, she's got a pretty gruesome injury. Yeah, yes, so,

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Speaker 1: and that I was surprised. But also I learned so

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Speaker 1: much about just the way you know the human body,

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Speaker 1: how resilient it.

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Speaker 2: Is, a lot of cross sections. Oh god, yeah, you

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Speaker 2: learn a lot.

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Speaker 1: Yeah. It was a teaching tool.

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Speaker 4: F Well, that's my whole thing is that I don't

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Speaker 4: sell products. I tell stories and I teach lessons.

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Speaker 1: M Oh wow, that's so nice. So that's a huge one.

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Speaker 1: Can I say, you said you've done some big ads

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Speaker 1: that are very famous. Are you almost more proud sometimes

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Speaker 1: of the smaller ones? Oh.

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Speaker 2: Absolutely. A lot of the times.

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Speaker 4: I'm proud of the ones that honestly the client wasn't

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Speaker 4: willing to take a risk on. They got left on

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Speaker 4: the floor.

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Speaker 1: Oh wow r Yeah, anyone's free to pick it back

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Speaker 1: up and neat it.

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Speaker 4: Absolutely. And his same goes for advertising.

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Speaker 1: Yeah, so I had one.

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Speaker 4: I had one, and I don't want to say the company,

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Speaker 4: but it's a German car manufacturer, okay, And I wrote

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Speaker 4: yeah Hitler, big fan, And I wrote an ad and

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Speaker 4: it was little Boy Christmas Morning, A right wakes up,

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Speaker 4: goes downstairs.

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Speaker 2: I'm seeing it and Christmas Morning's universal.

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Speaker 1: I like the world they have crampis yes.

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Speaker 2: So he goes downstairs. His family is missing.

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Speaker 1: The crampus took him.

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Speaker 4: And so he goes out outside and he sees the

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Speaker 4: family car and he realizes, yeah, my family's gone, but

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Speaker 4: now I have access to an automobile.

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Speaker 1: Whe How old is the kid?

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Speaker 2: Four or five years old?

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Speaker 1: Oh? And what's he what's he pushing under the hood?

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Speaker 2: Oh? In the well. Again, I don't want to say

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Speaker 2: the manufacturer of the car.

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Speaker 1: No, no, no, I just mean physically, is he rocking

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Speaker 1: the big one? Oh? Yeah, that's sort of how many

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Speaker 1: cylinders personally work with all the protist have a hemmy

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Speaker 1: I would say in genital terms, it's a big engine.

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Speaker 2: Oh oh for a child, don't ride the clutch.

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Speaker 4: Yeah you guys know, well, God, I'd love to work

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Speaker 4: you into some of these meetings with people who don't

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Speaker 4: get it.

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Speaker 2: Because you even bring up, you know, child.

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Speaker 4: Genitals with the wrong client and oh we we.

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Speaker 1: Know we have to do adreachs for this podcast sometime

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Speaker 1: and it's not good.

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Speaker 4: But the thing is, it's like when you're in the

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Speaker 4: game long enough, subconsciously that's something people know.

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Speaker 2: They notice it. Yeah, they're looking at this.

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Speaker 1: Kid and they're wanting to drive a car like that.

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Speaker 1: So I'm sorry I interrupted the story. So what happens

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Speaker 1: He sees that the cars there, so basically.

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Speaker 2: It's not to start it sad. Yeah it's not touring.

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Speaker 4: But his face he's said that his family is you see,

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Speaker 4: eventually you learn that they've probably been murdered.

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Speaker 1: By the crampis.

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Speaker 2: Can I ask just how all this information is being

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Speaker 2: delivered because what you're what I'm visualizing is a kid

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Speaker 2: walks down the stairs and just doesn't see anybody. Uh,

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Speaker 2: and then he goes downstairs and he looks at the car,

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Speaker 2: but I don't know how we're well, there's sort of

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Speaker 2: crime scene details. Then you're seeing like, oh, something tragic happened.

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Speaker 1: Oh yeah, and of like slow pushes on like yes,

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Speaker 1: and the KINI.

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Speaker 2: Strap and I forgot to wake him up. The police

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Speaker 2: forgot to wake him up. His family was murdered, and

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Speaker 2: he slept through it.

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Speaker 1: Well, and does he maybe sleep in like a secret room.

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Speaker 2: You know what.

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Speaker 4: We don't specify that because it's hard to get that

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Speaker 4: across images.

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Speaker 2: But with that that I would think be one of

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Speaker 2: the easier things, which is just that he doesn't keep

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Speaker 2: at it on the like and just beepeep, and then

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Speaker 2: the door slides up in the bookshell and he walks out.

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Speaker 2: I couldn't come up with that.

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Speaker 1: Oh well, that's very brave to admit anyway. So he

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Speaker 1: sees the car. His family's dead, they got killed by

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Speaker 1: the crampis or something. Yeah, and you just the you

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Speaker 1: see crampis prints like leading off into the woods or anything.

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Speaker 4: In the original script, yes, and that was one of

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Speaker 4: the things that even in a draft they made us

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Speaker 4: take out.

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Speaker 1: And but yeah, for fear of retribution, which is logical,

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Speaker 1: and cease and persisted.

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Speaker 4: But yeah, he he takes the car keys, he unlocks

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Speaker 4: the car, and you just see a big smile on

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Speaker 4: his face.

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Speaker 2: Christmas isn't so bad after all.

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Speaker 1: So and then he peels out picks up a bunch

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Speaker 1: of honeys.

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Speaker 2: Right.

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Speaker 4: Well, actually how it ends is if you want to

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Speaker 4: see this kid naked, go to this website.

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Speaker 1: Oh so that's sort of a recurring thief.

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Speaker 2: Yeah, that's, if anything, my sort of go to.

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Speaker 1: That's like a signature commercial. And this is a fifteen

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Speaker 1: second spot.

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Speaker 2: Fifteen second spot.

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Speaker 1: Oh that sounds good. I can't believe that one got

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Speaker 1: left on the floor. Yeah.

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Speaker 4: I was just thrilled when Go Daddy was willing to

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Speaker 4: go with my style because I've been pushing for that

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Speaker 4: for so long.

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Speaker 1: Yeah yeah, yeah, because I can't think of another ad

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Speaker 1: I have seen where they've gone for that.

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Speaker 4: Yeah, and I pitch it every single time.

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Speaker 1: So let's figure out and maybe we already know what

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Speaker 1: this ad is gonna be. Yeah, I guess we have

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Speaker 1: a good idea of sort of where we're heading with our.

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Speaker 4: I'm so glad you guys are breaking branching out into

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Speaker 4: television because for years I've been thinking that's your audience.

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Speaker 2: You're not podcast people.

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Speaker 1: Yeah for two years, two years even, Yeah, that's how

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Speaker 1: long we exist. So you've been thinking that and and

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Speaker 1: and isn't it true that the best way to get

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Speaker 1: your message out there is to put it on broadcast

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Speaker 1: network television because that's just where the peepers live, a

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Speaker 1: normal that's where the peepers are. Podcast Yeah, none of

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Speaker 1: these freaks that listen to the Lonely Lonely people.

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Speaker 2: Yeah, and they fast forward on this, they go.

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Speaker 1: Oh yeah, they can skip it. Well, they have the

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Speaker 1: technology now where they can skip the ads on a podcast.

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Speaker 1: But what's great with uh TV is you're captured them

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Speaker 1: and so they're basically in prison commercial.

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Speaker 2: So we need to discuss, first of all, what name

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Speaker 2: we should use for not the Nuper Bowl, and whether

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Speaker 2: it's catch time, because there is there is catching or.

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Speaker 1: But also and if there's catching, and I hate to

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Speaker 1: be contrariant.

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Speaker 2: That's why it was it sure and throw Catcht's.

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Speaker 1: Throw catch sounds like throat scratch.

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Speaker 2: That's exactly what I was, And that is unappeallytch nobody imagined.

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Speaker 1: Just oh heyes, are you okay?

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Speaker 6: Let me?

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Speaker 2: You give me your phone please, because I Knowice, you're

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Speaker 2: looking at a lot. Really yeah, just just hand it

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Speaker 2: over to me and I'll just put it and it'll

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Speaker 2: be just be right here when we're done, it's gonna

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Speaker 2: be right here.

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Speaker 1: Okay.

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Speaker 4: So if I if this was uh my approach to

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Speaker 4: a product trying to come up with a name. First

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Speaker 4: thing we do is we bring in people, we test names.

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Speaker 4: Let me see what's what's getting.

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Speaker 1: A kick, what's getting a reaction? Well, use bread. Yeah,

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Speaker 1: Bred's a great great swords for this kind of grit. Hey.

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Speaker 2: Wow, that was.

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Speaker 1: And for anyone who thinks that that's a sounds thing

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Speaker 1: that Brett just hit one button, he as a keyboard

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Speaker 1: set up and played his own live intro music that

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Speaker 1: he must have been planning on for years now, having

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Speaker 1: an opportunity to do. We are in Brett's house and

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Speaker 1: I do what what?

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Speaker 2: What are you hoping is going to come out of that?

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Speaker 2: What's the goal of presenting yourself that.

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Speaker 1: With the intro music?

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Speaker 2: Yes, I'm asking Brett, what.

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Speaker 4: Do you like?

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Speaker 1: Will make him seem like he's the king? It does

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Speaker 1: make you're the king of this podcast. No of this castle,

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Speaker 1: of this castle, castle is not what they're listening to.

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Speaker 1: They're listening to podcasts, well, I disagree. If they were

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Speaker 1: listening to Castle would sound like this. I din't think

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Speaker 1: there's been a murder here, remember that show. Yes, he's

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Speaker 1: always na Fillian is one of my geek heroes. He's

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Speaker 1: a hunk geek.

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Speaker 3: So I just want you to angle to if you

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Speaker 3: want to be the king. Come in kind of monotone

357
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Speaker 3: and boring.

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Speaker 2: It sounds like they It does sound like the king's horns,

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Speaker 2: but then the King doesn't.

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Speaker 1: Say, Hey, that's true. Can I say this though presenting

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Speaker 1: Sir Brett Hark? Now, I'm not defending what Brett chose

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Speaker 1: to do, but would you agree with his statement that

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Speaker 1: the way he's coming before sucks and is shitty and

364
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Speaker 1: he should be trying something.

365
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Speaker 2: I definitely appreciate the knowledge that something needs to be done,

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Speaker 2: like something was wrong.

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Speaker 1: Yes, Now, Brendan, you're in sales. Do you think that

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Speaker 1: this was a good storyteller to sell himself? I'm sorry,

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Speaker 1: it's okay.

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Speaker 4: Is this a good way for him to tell his story?

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Speaker 4: I don't think so, honestly, and I'm in the same

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Speaker 4: room with you. It feels harsh saying it, but you're

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Speaker 4: not telling your story.

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Speaker 1: Yeah, this isn't his story, is it. It's someone it's

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Speaker 1: the King's story.

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Speaker 4: Well, you know what, I worked on a spot for

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Speaker 4: a fast food company. Can't say the name, but King

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Speaker 4: is related to it.

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Speaker 1: Okay, okay, yeah, and yeah he wears a crown.

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Speaker 4: He wears a crown, and they did a spot where

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Speaker 4: it was an actor wearing a king mask. And I

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Speaker 4: had a lot of doubts about it, but I was

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Speaker 4: thinking one way we could spin it is sports video.

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Speaker 4: I don't want to say anything, but Ben Schwartz.

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Speaker 1: Was like a billion views. He's making out with Sarah Birds.

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Speaker 4: I wanted to throw something in the end where you

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Speaker 4: could go online and see the King without the mask,

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Speaker 4: which I thought would stir up a lot of stuff.

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Speaker 1: You want to see the whole he start, He's just

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Speaker 1: creeping the mask off.

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Speaker 4: You just and it's right where you're about to, you know,

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Speaker 4: recognize who that person is, and then you go online.

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Speaker 1: Yeah, who was it?

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Speaker 4: Who's the Well? I don't want to reveal anything, but

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Speaker 4: are you familiar with French film?

396
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Speaker 1: M Yes, we were anyone film. Yeah, we were in

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Speaker 1: a French film.

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Speaker 2: Uh do you know Depardieu? Yes, yeah, yes, he was

399
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Speaker 2: actually the King oh it was it was him.

400
00:21:07,080 --> 00:21:10,520
Speaker 1: Well, I have trouble supporting him because I saw the

401
00:21:10,640 --> 00:21:12,960
Speaker 1: middle third of a movie once that I think was

402
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Speaker 1: about him being pedophile.

403
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Speaker 2: That would ruin it for me. Yeah.

404
00:21:17,280 --> 00:21:19,320
Speaker 1: I think that's what he's playing. And I think he

405
00:21:19,560 --> 00:21:24,800
Speaker 1: chose that so he could mess around, and so he

406
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Speaker 1: could do the mess around and goes for my role,

407
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Speaker 1: and I just think that's nefarious.

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Speaker 2: So did we figure out a name for not the

409
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Speaker 2: Snooper Bowl?

410
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Speaker 1: Yeah, well, let's bounce some names and we's agreed that

411
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Speaker 1: that intro didn't work. You're telling the king story, not

412
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Speaker 1: your own story. Do you have.

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Speaker 4: A musical intro that's less Regal, that's more everyday dude? Yeah,

414
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Speaker 4: less Rob Regal, Yeah, less Rob Regal, Yeah.

415
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Speaker 1: More every day dude.

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Speaker 3: Could I could maybe work something out, work on it?

417
00:22:02,440 --> 00:22:02,680
Speaker 1: Yeah?

418
00:22:04,320 --> 00:22:07,440
Speaker 3: Okay, so the Snooper Bowl, I mean I could go

419
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Speaker 3: over here, and I.

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Speaker 1: Don't think you can hear this, but he's banging up

421
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Speaker 1: the mystery of drums before her eyes.

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Speaker 3: That's not working right now.

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00:22:22,080 --> 00:22:23,840
Speaker 1: No, he's banging on drums.

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Speaker 2: We have an electric drum set, and it's.

425
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Speaker 1: Either doesn't have a plug or he doesn't have electricity.

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Speaker 3: I think you're right. Well, let's just pretend I did.

427
00:22:36,320 --> 00:22:38,840
Speaker 1: A really no intro and maybe we can plug something

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Speaker 1: in later every Day dude.

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Speaker 2: I think it was gonna be three hits of a

430
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Speaker 2: snare drums for what I saw. That was gonna be

431
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Speaker 2: the introduction for every day dude. So if you can

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Speaker 2: imagine that.

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Speaker 1: Oh, well, he probably was trying to be like Animal

434
00:22:53,640 --> 00:22:55,399
Speaker 1: from the Muppets. Did you see he died?

435
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Speaker 2: Animal died?

436
00:22:57,359 --> 00:22:59,440
Speaker 1: Yeah, that's an article that went around. I don't know

437
00:22:59,480 --> 00:23:02,840
Speaker 1: if it was being funny or not. Wow, maybe he

438
00:23:02,960 --> 00:23:04,320
Speaker 1: was trying to be funny.

439
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Speaker 3: He's a real chameleon.

440
00:23:08,440 --> 00:23:12,600
Speaker 2: No, no, how, he's pretty consistent.

441
00:23:15,000 --> 00:23:18,040
Speaker 1: He's only got the one way he presents himself.

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Speaker 3: Well, I mean that's through the eras. He's just kind

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Speaker 3: of adapted, like always relevant.

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Speaker 1: Well, I'll say this, a chameleon is kind of always

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Speaker 1: doing the same thing. If people act like they changed

446
00:23:32,320 --> 00:23:34,119
Speaker 1: so much, but their whole thing is just like they

447
00:23:34,240 --> 00:23:35,680
Speaker 1: kind of change color a little bit, they're kind of

448
00:23:35,720 --> 00:23:36,280
Speaker 1: doing the same thing.

449
00:23:36,320 --> 00:23:39,080
Speaker 4: All the people use that animal wrong to describe people,

450
00:23:39,560 --> 00:23:41,080
Speaker 4: I think they might, except for.

451
00:23:41,119 --> 00:23:43,280
Speaker 2: The way Brett's using it now, which is to say

452
00:23:43,760 --> 00:23:44,800
Speaker 2: the same thing over it.

453
00:23:44,880 --> 00:23:49,560
Speaker 1: Yeah, yeah, Yeah, there you go, always doing the same thing. Well, thanks, Brett.

454
00:23:51,000 --> 00:23:52,200
Speaker 2: Okay, what are some ideas?

455
00:23:52,280 --> 00:23:54,680
Speaker 4: Okay, great, So if we're in the room, a couple

456
00:23:54,720 --> 00:23:59,600
Speaker 4: of things that we do standard are we would take

457
00:23:59,640 --> 00:24:02,800
Speaker 4: a name and sometimes we would do the inverse of

458
00:24:02,840 --> 00:24:05,280
Speaker 4: it and see how that works. So we've got this

459
00:24:05,400 --> 00:24:08,520
Speaker 4: event and we won't say it's name, but I might

460
00:24:09,000 --> 00:24:14,440
Speaker 4: say mediocre for the first word, and for the second word,

461
00:24:14,600 --> 00:24:23,560
Speaker 4: I might say container. People thinking. Sometimes people like to

462
00:24:24,160 --> 00:24:29,000
Speaker 4: you're giving me an idea great small plate?

463
00:24:29,400 --> 00:24:29,960
Speaker 2: Small plate?

464
00:24:30,080 --> 00:24:33,320
Speaker 1: Now that's already a popular phrase. That's tapas. Sure, I

465
00:24:33,359 --> 00:24:36,520
Speaker 1: mean that's tapas. I mean, do you guys like tapas?

466
00:24:36,560 --> 00:24:40,440
Speaker 2: It could just be tapas? It's tapa. What small plates

467
00:24:40,480 --> 00:24:45,399
Speaker 2: is tapa? Topa small plate is just one tapa, but tapas. No,

468
00:24:45,560 --> 00:24:46,440
Speaker 2: I'm agreeing with you.

469
00:24:46,880 --> 00:24:47,720
Speaker 1: But do you guys like that?

470
00:24:48,760 --> 00:24:50,600
Speaker 3: It all sounds like topless bar to me.

471
00:24:51,040 --> 00:24:56,080
Speaker 1: Okay, now, okay, yes we are. But I think we

472
00:24:56,160 --> 00:24:58,440
Speaker 1: were coming on to why we can't maybe sell this

473
00:24:58,560 --> 00:25:01,280
Speaker 1: to the average marriaure because maybe he doesn't know what

474
00:25:01,560 --> 00:25:02,159
Speaker 1: tapas is.

475
00:25:02,320 --> 00:25:07,680
Speaker 2: It's it's you said, small plate, yes, singular, which is

476
00:25:08,440 --> 00:25:10,400
Speaker 2: oon tapayes.

477
00:25:10,880 --> 00:25:13,480
Speaker 1: When I'm doing a whisper in my microphone, don't answer

478
00:25:13,560 --> 00:25:17,840
Speaker 1: back loud, so everybody know what I asked. Sorry, so, uh,

479
00:25:18,320 --> 00:25:20,080
Speaker 1: that one didn't work, But I didn't mean to get

480
00:25:20,160 --> 00:25:22,840
Speaker 1: us off mediocre container. Maybe somebody else got a good

481
00:25:22,840 --> 00:25:23,480
Speaker 1: idea off that.

482
00:25:24,160 --> 00:25:26,680
Speaker 2: Well, we're you were gonna send that to Brett, right?

483
00:25:26,840 --> 00:25:27,080
Speaker 1: Sure?

484
00:25:27,280 --> 00:25:32,120
Speaker 4: So, uh Brett as my everyman. How does mediocre container

485
00:25:32,600 --> 00:25:35,800
Speaker 4: strike you? And we have a very specific way we

486
00:25:35,920 --> 00:25:39,920
Speaker 4: asked this, So it's a one to five scale. One

487
00:25:40,600 --> 00:25:48,520
Speaker 4: cold fish, five, hot to trot, mediocre to me? Wait,

488
00:25:48,560 --> 00:25:52,880
Speaker 4: what are the in between ones? Okay, normally what's the two?

489
00:25:53,160 --> 00:25:56,280
Speaker 4: Normally people only answer one or five, but we've got

490
00:25:56,359 --> 00:25:57,000
Speaker 4: the other one.

491
00:25:56,960 --> 00:25:59,080
Speaker 2: So yes, we got it.

492
00:25:59,200 --> 00:26:00,240
Speaker 1: Okay, yeah, good.

493
00:26:00,640 --> 00:26:07,880
Speaker 4: Two is warming up, Three is sort of warm, four

494
00:26:08,080 --> 00:26:12,720
Speaker 4: is really warm, five is hot to trot.

495
00:26:16,000 --> 00:26:16,359
Speaker 1: You know what?

496
00:26:16,440 --> 00:26:17,399
Speaker 5: They're so boring?

497
00:26:18,359 --> 00:26:21,080
Speaker 2: But why pick one in front?

498
00:26:21,119 --> 00:26:23,600
Speaker 3: How does the fish get involved? From one?

499
00:26:23,880 --> 00:26:26,400
Speaker 2: The fish is what is changing temperature?

500
00:26:28,440 --> 00:26:33,120
Speaker 3: So I would say a mediocre box, mediocre container.

501
00:26:34,240 --> 00:26:39,520
Speaker 2: God, he's still in the sexual territory. A mediocre box,

502
00:26:39,640 --> 00:26:40,240
Speaker 2: Oh god.

503
00:26:40,440 --> 00:26:43,240
Speaker 1: And I also can see that what he's really saying

504
00:26:43,359 --> 00:26:45,440
Speaker 1: is I don't think he knows the word mediocre. I

505
00:26:45,520 --> 00:26:47,560
Speaker 1: think he's thinking meaty ogre.

506
00:26:47,760 --> 00:26:53,399
Speaker 2: Yeah, so he's a box like a maal ogre.

507
00:26:55,720 --> 00:26:56,680
Speaker 1: It's meaty.

508
00:26:57,640 --> 00:27:00,640
Speaker 2: Oh so cold fish half for hot to trot.

509
00:27:02,160 --> 00:27:06,000
Speaker 3: I would say, uh, little kind of warm, that's not.

510
00:27:06,080 --> 00:27:08,920
Speaker 2: One of the options. It's warming up sort of warm

511
00:27:09,160 --> 00:27:15,200
Speaker 2: and really warm. Uh sort of warm, sort of warm.

512
00:27:15,320 --> 00:27:15,560
Speaker 1: Okay.

513
00:27:16,440 --> 00:27:21,159
Speaker 2: Interesting, that was the concern that if this is the

514
00:27:21,240 --> 00:27:25,160
Speaker 2: opposite of what we want, this is the one strategy. Okay,

515
00:27:25,960 --> 00:27:29,119
Speaker 2: And are we concerned now that the real thing is

516
00:27:29,200 --> 00:27:32,439
Speaker 2: gonna also be three in the middle of the scale

517
00:27:32,480 --> 00:27:35,560
Speaker 2: and he's just indifferent to all of it. Yeah, Sometimes

518
00:27:35,600 --> 00:27:37,359
Speaker 2: you just get a bad panelist.

519
00:27:37,800 --> 00:27:40,880
Speaker 1: Yeah, okay, I'm feeling that is that story?

520
00:27:41,240 --> 00:27:43,760
Speaker 4: Well it might be, and there's ways to spin it,

521
00:27:44,320 --> 00:27:48,000
Speaker 4: but sometimes you get a dud where they just put

522
00:27:48,080 --> 00:27:51,199
Speaker 4: three for everything, and you know, you go home and.

523
00:27:51,240 --> 00:27:53,520
Speaker 1: You and that's someone who kind of doesn't have a mind,

524
00:27:53,680 --> 00:27:54,199
Speaker 1: Is that right.

525
00:27:54,600 --> 00:27:58,720
Speaker 4: It's someone who's easily led to someone who has a

526
00:27:58,840 --> 00:28:02,240
Speaker 4: hard time differentiating between choices.

527
00:28:03,400 --> 00:28:06,800
Speaker 1: Yeah, somebody who's guessing in every aspect of their life,

528
00:28:06,960 --> 00:28:09,520
Speaker 1: just kind of hoping they happen to land on something.

529
00:28:09,720 --> 00:28:12,600
Speaker 4: I can have someone fill out a small sheet and

530
00:28:12,880 --> 00:28:14,600
Speaker 4: basically know their life.

531
00:28:14,840 --> 00:28:20,040
Speaker 1: And so that person who's like really literally just lost

532
00:28:20,119 --> 00:28:26,000
Speaker 1: at sea and has no brain in a way, would

533
00:28:26,040 --> 00:28:27,320
Speaker 1: they be dressed like Brett.

534
00:28:28,080 --> 00:28:28,959
Speaker 2: Looking at him right now?

535
00:28:29,280 --> 00:28:33,720
Speaker 4: Oh yeah, he fits the profile. Oh good, big trapper hat,

536
00:28:36,040 --> 00:28:39,600
Speaker 4: little boots, those are little.

537
00:28:39,400 --> 00:28:44,560
Speaker 1: Boots, slippers too small for your feet. You had to

538
00:28:44,600 --> 00:28:49,520
Speaker 1: cut holes for some of your feet. Can we try

539
00:28:49,600 --> 00:28:53,120
Speaker 1: catch dime on Brett? Oh yeah, great, how you would

540
00:28:53,240 --> 00:28:53,920
Speaker 1: normally do it?

541
00:28:54,040 --> 00:28:54,400
Speaker 2: Science?

542
00:28:54,640 --> 00:28:55,600
Speaker 1: Yes, science wise?

543
00:28:56,040 --> 00:28:59,240
Speaker 4: So catch time One is cold, fish, five is hot

544
00:28:59,280 --> 00:29:04,240
Speaker 4: to trot, she's getting warmer. Threes sort of warm, I.

545
00:29:04,240 --> 00:29:06,840
Speaker 3: Think warming up, kind of warm, warming up.

546
00:29:07,880 --> 00:29:08,640
Speaker 1: Two woman.

547
00:29:11,400 --> 00:29:13,960
Speaker 3: Really warm, uncomfortably warm.

548
00:29:13,880 --> 00:29:14,200
Speaker 1: Or just.

549
00:29:15,960 --> 00:29:19,080
Speaker 2: For the fish, for a fish, they like to be cold.

550
00:29:19,400 --> 00:29:24,680
Speaker 3: This is for a catch time m hm. I think

551
00:29:24,800 --> 00:29:28,000
Speaker 3: it's uh, the solid two and a half.

552
00:29:29,040 --> 00:29:31,360
Speaker 1: Okay, so we have to run that up to three.

553
00:29:31,480 --> 00:29:33,920
Speaker 2: Yeah, we.

554
00:29:35,480 --> 00:29:37,680
Speaker 1: Sennestly temperature.

555
00:29:38,760 --> 00:29:39,840
Speaker 2: I think you're over thinking.

556
00:29:40,920 --> 00:29:42,680
Speaker 4: This is something where you want to go from your gut,

557
00:29:43,480 --> 00:29:45,040
Speaker 4: and it seems like you're trying to give the answer

558
00:29:45,120 --> 00:29:47,800
Speaker 4: you think we want you to say, which is hard.

559
00:29:48,600 --> 00:29:50,360
Speaker 3: Well, I know you don't want me to say three,

560
00:29:51,360 --> 00:29:54,600
Speaker 3: but that's what I really feel. So I'm saying two

561
00:29:54,640 --> 00:29:57,160
Speaker 3: and a half. It's a good uh.

562
00:29:57,720 --> 00:30:01,600
Speaker 2: Thoughtful really warming up. Yeah, that's really.

563
00:30:01,520 --> 00:30:04,480
Speaker 3: One that's sort of that's less than sort of warm.

564
00:30:04,640 --> 00:30:06,640
Speaker 1: Hey, should we have said on this by now that

565
00:30:06,720 --> 00:30:08,720
Speaker 1: the super Bowl will have already happened by the time

566
00:30:08,800 --> 00:30:12,080
Speaker 1: that people hear this, Well, yeah, because this will be

567
00:30:12,160 --> 00:30:17,280
Speaker 1: a fun look at that they know that listening to it. No. Yeah,

568
00:30:17,360 --> 00:30:20,240
Speaker 1: but that almost makes it weirder that we didn't mention it, right,

569
00:30:21,160 --> 00:30:22,880
Speaker 1: This is part of we should be moving a little

570
00:30:22,920 --> 00:30:25,200
Speaker 1: faster because this is tomorrow. We do have to have

571
00:30:25,320 --> 00:30:28,760
Speaker 1: this super Bowl at completely recorded by tomorrow. And also,

572
00:30:29,080 --> 00:30:31,520
Speaker 1: please please edit out me calling it the super Bowl

573
00:30:31,560 --> 00:30:33,960
Speaker 1: two or three times. Just now, that's not what it's called.

574
00:30:34,000 --> 00:30:35,880
Speaker 1: It's called catch time or maybe the super Bowl, or

575
00:30:35,920 --> 00:30:39,560
Speaker 1: maybe mediocre container. But it's not, and it's not called

576
00:30:39,600 --> 00:30:42,880
Speaker 1: the Big Game either. I could be called a small

577
00:30:42,920 --> 00:30:44,000
Speaker 1: plate and it could be topa.

578
00:30:44,680 --> 00:30:47,560
Speaker 3: I think catch time is clearly better than mediocre container.

579
00:30:48,040 --> 00:30:50,840
Speaker 1: All right, wow, but they both got the same number

580
00:30:50,920 --> 00:30:51,200
Speaker 1: from you?

581
00:30:52,880 --> 00:30:55,440
Speaker 2: What made you low number? What made you change your mind?

582
00:30:55,520 --> 00:30:58,400
Speaker 1: Yeah, that's right, it did was a half point lower.

583
00:30:59,120 --> 00:31:03,600
Speaker 3: Well, I was still thinking about meaty ogre box, and

584
00:31:03,680 --> 00:31:09,280
Speaker 3: then that I misjudged, and then I didn't really process

585
00:31:09,800 --> 00:31:12,360
Speaker 3: catch time, and so I misjudged that one.

586
00:31:13,560 --> 00:31:15,720
Speaker 2: I think we do have to as you were, I

587
00:31:15,840 --> 00:31:18,000
Speaker 2: think trying to sort of move it along. We do

588
00:31:18,160 --> 00:31:19,360
Speaker 2: need to get this ad.

589
00:31:19,600 --> 00:31:21,600
Speaker 1: We should hear some of the honor, and we shouldn't

590
00:31:21,600 --> 00:31:23,760
Speaker 1: spend all time coming up with the name of the

591
00:31:23,840 --> 00:31:27,640
Speaker 1: event because yes, that's really not gonna matter. So it

592
00:31:27,680 --> 00:31:29,360
Speaker 1: does make it easier to refer to it if we

593
00:31:29,400 --> 00:31:33,000
Speaker 1: are referred to it as catch time. Yes, and you

594
00:31:33,080 --> 00:31:36,160
Speaker 1: seem to be really pushing the catch time agenda. And

595
00:31:36,600 --> 00:31:38,520
Speaker 1: do we all remember who came up with that one?

596
00:31:39,280 --> 00:31:43,120
Speaker 2: We tested it in our lab. He took very scientific

597
00:31:43,360 --> 00:31:43,880
Speaker 2: mm hmmm.

598
00:31:45,200 --> 00:31:50,640
Speaker 1: A small plate is getting nothing. Well if it's top topless, topless, okay,

599
00:31:50,760 --> 00:31:52,640
Speaker 1: all right, all right, and and that would be I

600
00:31:52,800 --> 00:31:54,640
Speaker 1: assume number one.

601
00:31:55,440 --> 00:32:01,440
Speaker 2: No, it's so, yes, sometimes people just don't know what

602
00:32:01,560 --> 00:32:01,880
Speaker 2: don't know?

603
00:32:02,960 --> 00:32:05,520
Speaker 1: Yeah, or temperatures you can't doesn't know either.

604
00:32:05,600 --> 00:32:10,720
Speaker 2: One room is always better, yes, yeah. So should we

605
00:32:11,000 --> 00:32:13,280
Speaker 2: get into doing this because we have all the rendering

606
00:32:13,520 --> 00:32:16,720
Speaker 2: software and things like that, and Brett's gonna help us

607
00:32:16,840 --> 00:32:21,480
Speaker 2: arrange the tracks then all of that to get this

608
00:32:21,640 --> 00:32:24,320
Speaker 2: thing gone. So you're here to help us decide should

609
00:32:24,320 --> 00:32:28,360
Speaker 2: it be rando. Should it be exciting? Should it be?

610
00:32:29,360 --> 00:32:29,479
Speaker 3: Uh?

611
00:32:29,680 --> 00:32:30,160
Speaker 1: Should be?

612
00:32:30,560 --> 00:32:31,000
Speaker 2: It should be.

613
00:32:31,080 --> 00:32:36,600
Speaker 1: Fun, fun, funny, scary? Should sat rando? Should it be

614
00:32:36,680 --> 00:32:38,320
Speaker 1: a sad commercial.

615
00:32:38,800 --> 00:32:41,000
Speaker 2: Which companies sometimes opt for.

616
00:32:41,240 --> 00:32:43,760
Speaker 1: To see the rest of this accident, go online, you know?

617
00:32:44,320 --> 00:32:46,480
Speaker 2: And should it be one of those commercials where you

618
00:32:46,560 --> 00:32:49,480
Speaker 2: think maybe it's a trick, You think it's for something

619
00:32:49,520 --> 00:32:51,000
Speaker 2: out like say, like you, we're going to do a

620
00:32:51,000 --> 00:32:53,480
Speaker 2: commercial for math, but boring.

621
00:32:53,760 --> 00:32:57,920
Speaker 1: Right, sound like it's a commercial for jeans at first,

622
00:32:58,000 --> 00:33:00,480
Speaker 1: and you're going, oh, I can't wait to see what

623
00:33:00,600 --> 00:33:01,600
Speaker 1: kind of genes this is?

624
00:33:02,080 --> 00:33:04,280
Speaker 2: Oh okay, I was thinking the opposite, like fake boring

625
00:33:04,360 --> 00:33:07,040
Speaker 2: commercial and then we and then it.

626
00:33:07,080 --> 00:33:09,720
Speaker 1: Turns out to be gens. Blow the commercial and it

627
00:33:09,800 --> 00:33:14,440
Speaker 1: turns out to be jeens, and then fuck, well the

628
00:33:14,680 --> 00:33:17,160
Speaker 1: fear is I guess you lose them. They turn it off,

629
00:33:17,640 --> 00:33:20,000
Speaker 1: turn the TV power off when they see that it's Math.

630
00:33:20,240 --> 00:33:23,320
Speaker 1: They don't get to find out it's gens. I'm saying,

631
00:33:23,360 --> 00:33:25,880
Speaker 1: if you want me to watch a math commercial, you

632
00:33:26,040 --> 00:33:28,320
Speaker 1: might have to. And I actually think math is actually

633
00:33:28,400 --> 00:33:29,240
Speaker 1: really fascinating.

634
00:33:30,640 --> 00:33:32,800
Speaker 2: Debby, do you agree with that? But that's for you,

635
00:33:33,040 --> 00:33:35,640
Speaker 2: and this is for like everyone else. Most people think

636
00:33:35,840 --> 00:33:39,200
Speaker 2: math is sucky, but math, to me is fascinating.

637
00:33:39,400 --> 00:33:43,720
Speaker 1: And as we do talk about the sporting event catch

638
00:33:43,800 --> 00:33:46,520
Speaker 1: time for now yeah, just because we haven't beat it,

639
00:33:46,640 --> 00:33:51,280
Speaker 1: but catch time, Uh. I am so into that world

640
00:33:51,360 --> 00:33:56,080
Speaker 1: of math and sports and saber metric moneyball, right, and

641
00:33:56,200 --> 00:33:58,080
Speaker 1: I'm kind of an expert about that, and I do

642
00:33:58,400 --> 00:34:02,600
Speaker 1: understand every piece of that. But I also have a

643
00:34:02,760 --> 00:34:06,360
Speaker 1: very funny joke I like to do about sports that

644
00:34:06,560 --> 00:34:08,600
Speaker 1: maybe could even be a joke in this, which is

645
00:34:09,040 --> 00:34:13,160
Speaker 1: whenever everyone and you've seen this on tweet a sphere,

646
00:34:13,520 --> 00:34:18,239
Speaker 1: when everyone is talking about some game, I always like

647
00:34:18,320 --> 00:34:22,200
Speaker 1: to go like, hey, I'm watching the sports ball too,

648
00:34:24,239 --> 00:34:27,560
Speaker 1: did they go red team? Yeah? Did they get a

649
00:34:27,680 --> 00:34:31,960
Speaker 1: touch dunk? Yet? You know? And it's and so it

650
00:34:32,200 --> 00:34:35,160
Speaker 1: sort of pokes fun at the idea that someone would

651
00:34:35,239 --> 00:34:36,000
Speaker 1: know the rules.

652
00:34:36,400 --> 00:34:36,520
Speaker 4: Now.

653
00:34:36,600 --> 00:34:40,520
Speaker 2: That was one of the the takes. I was curious

654
00:34:40,600 --> 00:34:43,279
Speaker 2: to see how whether I was going to parcel out yes,

655
00:34:43,520 --> 00:34:45,279
Speaker 2: how you were going to deliver it, whether you would

656
00:34:45,280 --> 00:34:50,000
Speaker 2: combine that with your other joke take, which is that

657
00:34:50,320 --> 00:34:52,879
Speaker 2: you like the commercials more than the game.

658
00:34:53,000 --> 00:34:56,439
Speaker 1: Oh yes, well, yes, I only watched the catch time

659
00:34:56,600 --> 00:34:59,800
Speaker 1: for the commercials. And we can dub it if we

660
00:34:59,840 --> 00:35:01,919
Speaker 1: can up with a better name later. But I only

661
00:35:02,000 --> 00:35:05,319
Speaker 1: watch it for the commercials, but I do respect Look,

662
00:35:05,440 --> 00:35:08,480
Speaker 1: these are athletes. It's modern day ballet in many ways.

663
00:35:08,600 --> 00:35:13,320
Speaker 1: It's prime physical specimens performing some of the most amazing

664
00:35:13,520 --> 00:35:17,000
Speaker 1: feats we're going to see. It's the New Gladiator with

665
00:35:17,200 --> 00:35:22,440
Speaker 1: Russell Crow. And I think that it is hard to

666
00:35:22,520 --> 00:35:24,800
Speaker 1: hold both those ideas. How can he be so funny

667
00:35:24,800 --> 00:35:28,000
Speaker 1: about poking fun at sports but also be so funny

668
00:35:28,040 --> 00:35:30,360
Speaker 1: about saying he likes the commercials? And why are you

669
00:35:30,440 --> 00:35:34,799
Speaker 1: looking at your drums? He's wondering why they didn't work

670
00:35:34,840 --> 00:35:36,920
Speaker 1: before he's about to jump those drums.

671
00:35:38,160 --> 00:35:40,920
Speaker 3: Just they look great, don't they?

672
00:35:42,760 --> 00:35:47,040
Speaker 1: Yeah? Right, I think they do look nice, But not

673
00:35:47,280 --> 00:35:49,560
Speaker 1: in the way that you seem to be saying they

674
00:35:49,640 --> 00:35:50,200
Speaker 1: look nice.

675
00:35:51,640 --> 00:35:55,400
Speaker 3: The way those sticks are just laying there a little

676
00:35:55,400 --> 00:35:57,239
Speaker 3: bit diagonal.

677
00:35:57,560 --> 00:36:00,520
Speaker 1: The white just got about to pull a judice.

678
00:36:01,480 --> 00:36:02,040
Speaker 2: About the bullet.

679
00:36:02,080 --> 00:36:03,360
Speaker 1: Jude is light with these sticks.

680
00:36:04,880 --> 00:36:07,120
Speaker 2: So do we decide whether it should be rando or

681
00:36:07,200 --> 00:36:08,920
Speaker 2: funny or fun or well?

682
00:36:09,000 --> 00:36:13,239
Speaker 1: But can we use this idea of calling it sports

683
00:36:13,400 --> 00:36:17,560
Speaker 1: ball that because at the end of the day, look,

684
00:36:17,680 --> 00:36:21,839
Speaker 1: am I invested? Yes, but it's just a game. I'm

685
00:36:21,880 --> 00:36:23,640
Speaker 1: one of the people who knows it's just a game,

686
00:36:23,680 --> 00:36:25,440
Speaker 1: and it can be silly that we even.

687
00:36:25,440 --> 00:36:28,360
Speaker 2: Care, and that might mean that people might shut it

688
00:36:28,480 --> 00:36:31,480
Speaker 2: off and not see any of the other commercials for

689
00:36:31,640 --> 00:36:34,239
Speaker 2: other podcasts, maybe, which is good, and.

690
00:36:34,320 --> 00:36:36,240
Speaker 1: This would be a good way for us to scoop

691
00:36:36,320 --> 00:36:38,600
Speaker 1: feral audio and.

692
00:36:38,760 --> 00:36:45,239
Speaker 4: Underused catch time strategy is to do a commercial that

693
00:36:45,320 --> 00:36:48,799
Speaker 4: actually makes people shut their television off and no other

694
00:36:48,880 --> 00:36:50,960
Speaker 4: ads than are viewed well.

695
00:36:50,880 --> 00:36:53,719
Speaker 1: Because look, is the game exciting and fun and a

696
00:36:53,800 --> 00:36:55,960
Speaker 1: great way to unify the country and all sort of

697
00:36:56,040 --> 00:36:58,959
Speaker 1: have a common language about something. Yes, but it's also

698
00:36:59,160 --> 00:37:03,000
Speaker 1: just a game and it's almost silly that we're invested

699
00:37:03,040 --> 00:37:03,840
Speaker 1: at all, And.

700
00:37:03,920 --> 00:37:06,960
Speaker 2: So a way to articulate that most cleanly is to

701
00:37:07,080 --> 00:37:08,600
Speaker 2: call it sports and act.

702
00:37:08,520 --> 00:37:10,440
Speaker 1: Like I don't even know the rules, because then that

703
00:37:10,600 --> 00:37:12,000
Speaker 1: kind of makes you go like, oh, I guess I'm

704
00:37:12,080 --> 00:37:14,960
Speaker 1: ridiculous for knowing the rules. And I want to say

705
00:37:15,000 --> 00:37:19,120
Speaker 1: to everyone out there, you can have this joke. There

706
00:37:19,200 --> 00:37:22,040
Speaker 1: are so many ways to do it, and I'm not

707
00:37:22,239 --> 00:37:25,080
Speaker 1: going to be able to do all of them, So

708
00:37:25,840 --> 00:37:29,040
Speaker 1: I think every version is valid. Just because you've seen

709
00:37:29,120 --> 00:37:31,560
Speaker 1: someone do it before, it doesn't mean you shouldn't make

710
00:37:31,600 --> 00:37:33,960
Speaker 1: a joke about how you don't really care about the

711
00:37:34,000 --> 00:37:36,359
Speaker 1: sport by saying you do care about it, but then

712
00:37:36,440 --> 00:37:39,239
Speaker 1: clearly illustrating that you don't know the rules, even though

713
00:37:39,280 --> 00:37:43,120
Speaker 1: you probably do know what it's called. And that, to

714
00:37:43,320 --> 00:37:48,080
Speaker 1: me is the peak of satirical comedy. How do but

715
00:37:48,239 --> 00:37:51,920
Speaker 1: how do we put that into a visual form?

716
00:37:52,040 --> 00:37:55,000
Speaker 4: Well, I've been sketching some idea. Oh you have these

717
00:37:55,040 --> 00:37:56,360
Speaker 4: cocktail napkins I bring with me.

718
00:37:57,160 --> 00:38:01,200
Speaker 1: Oh wow, those are stories really nice. Yeah, Uh, one

719
00:38:01,320 --> 00:38:02,799
Speaker 1: are from the Builtmore.

720
00:38:03,680 --> 00:38:06,279
Speaker 4: Yeah, I take two three hundred cocktail napkins from the

721
00:38:06,320 --> 00:38:07,480
Speaker 4: Biltmore every time I go.

722
00:38:07,800 --> 00:38:09,000
Speaker 2: That's a big hotel.

723
00:38:09,520 --> 00:38:14,279
Speaker 4: It's fancy. So one idea I had was to use

724
00:38:14,360 --> 00:38:19,320
Speaker 4: your joke. Maybe we show people, uh fans faces painted

725
00:38:19,400 --> 00:38:22,719
Speaker 4: jerseys on, but what they're excited for is something that

726
00:38:22,880 --> 00:38:25,600
Speaker 4: is so clearly ridiculous to the rest of the world.

727
00:38:26,840 --> 00:38:29,560
Speaker 1: So, yeah, what asshole would be excited about this? Why

728
00:38:29,640 --> 00:38:31,239
Speaker 1: should they enjoy something like.

729
00:38:31,560 --> 00:38:37,200
Speaker 4: They're like, it's two dogs walking and they they're one

730
00:38:37,760 --> 00:38:40,440
Speaker 4: person likes one dog's chances of walking faster and the

731
00:38:40,480 --> 00:38:43,440
Speaker 4: other one wants another or there it's rain level.

732
00:38:44,040 --> 00:38:46,279
Speaker 1: Yeah, and if the dogs have different colored shirts on

733
00:38:46,400 --> 00:38:49,440
Speaker 1: and they're basically just cheering for laundry at that point.

734
00:38:49,239 --> 00:38:51,520
Speaker 2: Absolutely, wait what I want to hear the rain levels.

735
00:38:52,080 --> 00:38:55,359
Speaker 4: So there's like a fan, there's a there's a man

736
00:38:55,480 --> 00:38:58,800
Speaker 4: and you can tell that his family, uh sort of

737
00:38:58,920 --> 00:39:01,359
Speaker 4: knows to stay away him because he's nervous because he's

738
00:39:01,400 --> 00:39:02,680
Speaker 4: a fan of rain levels.

739
00:39:04,680 --> 00:39:09,360
Speaker 1: Our raid levels. It's just the number of inches that

740
00:39:09,520 --> 00:39:10,720
Speaker 1: you get at a raid store.

741
00:39:11,080 --> 00:39:15,600
Speaker 4: Yeah, so he's he always wants big rain levels. That's

742
00:39:15,640 --> 00:39:19,000
Speaker 4: what he's a fan of. And Monday morning, if it rained,

743
00:39:19,080 --> 00:39:20,880
Speaker 4: he's in the best mood of the world. But you

744
00:39:21,040 --> 00:39:23,319
Speaker 4: also know, stay away from Larry if it didn't rain,

745
00:39:24,160 --> 00:39:29,160
Speaker 4: because his team rain underperformed that weekend. Mm.

746
00:39:29,800 --> 00:39:32,400
Speaker 2: Yeah, he roots for rain and so you're watching it.

747
00:39:32,560 --> 00:39:35,719
Speaker 1: Maybe the rain drops can be different colors sometimes and

748
00:39:35,760 --> 00:39:37,799
Speaker 1: at that point you're just cheering for like, you.

749
00:39:37,840 --> 00:39:42,120
Speaker 4: Know, laundry, yes, and you might be watching it being like, oh,

750
00:39:42,239 --> 00:39:46,200
Speaker 4: I see, cheering for rain is not any more ridiculous

751
00:39:46,320 --> 00:39:53,760
Speaker 4: than cheering for sports balls, the Colorado Broncos, the Charlotte Panthers.

752
00:39:54,520 --> 00:39:58,240
Speaker 2: Yes, and yes, very nice.

753
00:40:00,000 --> 00:40:02,920
Speaker 1: Oh yeah, and that is it's all kind of ridiculous,

754
00:40:03,320 --> 00:40:08,000
Speaker 1: but it is actually fun to watch. But it's just

755
00:40:08,080 --> 00:40:08,560
Speaker 1: a game.

756
00:40:08,760 --> 00:40:12,560
Speaker 4: It's just a game. You can mind people too much.

757
00:40:12,719 --> 00:40:15,800
Speaker 4: We can try and then it says, are we in

758
00:40:15,960 --> 00:40:19,280
Speaker 4: it at all? Well, that's what am I about? Those options?

759
00:40:19,960 --> 00:40:25,719
Speaker 4: So you could actually play the game rain family. I

760
00:40:25,840 --> 00:40:27,880
Speaker 4: love the idea of putting you in a family situation.

761
00:40:28,320 --> 00:40:30,160
Speaker 2: And the way you were showing that this would be

762
00:40:30,160 --> 00:40:33,520
Speaker 2: ill is like my fan say, I'm the rain fan. Yes,

763
00:40:33,840 --> 00:40:40,480
Speaker 2: I'm looking out the window watching the rain and like cheering. Yeah,

764
00:40:40,600 --> 00:40:43,680
Speaker 2: I think so. Well, one idea, wait, it's it. Wait,

765
00:40:43,760 --> 00:40:47,320
Speaker 2: hang on with a second, Sean, do you you have something?

766
00:40:47,520 --> 00:40:49,520
Speaker 2: No one can see this, but you're holding up your

767
00:40:50,160 --> 00:40:53,880
Speaker 2: your index finger and it really seems like you're your

768
00:40:53,920 --> 00:40:55,919
Speaker 2: ploys for trying to work something out.

769
00:40:56,640 --> 00:41:09,400
Speaker 1: Uh uh hot water burn baby, Oh, Watner came. Definitely, definitely, definitely,

770
00:41:10,120 --> 00:41:14,879
Speaker 1: Nima came. I see, oh, so rain fan, I'm being

771
00:41:14,960 --> 00:41:19,360
Speaker 1: a rain fan. Yes, and then people will be people

772
00:41:19,400 --> 00:41:21,160
Speaker 1: will get this, you think.

773
00:41:21,440 --> 00:41:23,000
Speaker 2: Do you think it will be confusing if as a

774
00:41:23,080 --> 00:41:25,479
Speaker 2: hot water bird baby and I'm looking at water.

775
00:41:27,920 --> 00:41:29,080
Speaker 1: Oh it wasn't for that.

776
00:41:29,680 --> 00:41:31,600
Speaker 2: Oh this is just for just for us.

777
00:41:33,560 --> 00:41:36,200
Speaker 1: I like it, okay, and now move on.

778
00:41:36,480 --> 00:41:39,320
Speaker 4: So one idea to involve you both in it is

779
00:41:39,520 --> 00:41:42,360
Speaker 4: maybe one of you is the rain fan, the other's

780
00:41:42,400 --> 00:41:45,040
Speaker 4: the rain or the other one is the sunshine fan,

781
00:41:45,600 --> 00:41:48,839
Speaker 4: and so you're both looking outside your windows. One person

782
00:41:48,960 --> 00:41:51,640
Speaker 4: is cheering when the sun comes excellent driver. The other

783
00:41:51,719 --> 00:41:54,520
Speaker 4: person cheers when the rain comes down. We could throw

784
00:41:54,600 --> 00:41:57,520
Speaker 4: in some rain Man specifics, like counting toothpicks.

785
00:41:58,160 --> 00:41:59,840
Speaker 2: Well, you could be if we are going on at this,

786
00:42:00,080 --> 00:42:02,160
Speaker 2: if we are going with this Raine, if we are

787
00:42:02,239 --> 00:42:03,840
Speaker 2: going with this rain fan thing, and that's what I

788
00:42:04,040 --> 00:42:05,600
Speaker 2: or maybe you want to do that because it seems

789
00:42:05,640 --> 00:42:11,080
Speaker 2: like you're really good at it. I could be little

790
00:42:11,120 --> 00:42:14,680
Speaker 2: miss Sunshine, which I would love to be because I

791
00:42:14,760 --> 00:42:18,160
Speaker 2: thought that movie really revitalized independent film. Oh god, it

792
00:42:18,239 --> 00:42:19,279
Speaker 2: brought sun Dance back.

793
00:42:19,440 --> 00:42:23,040
Speaker 1: Well, the family was so fucked up, but they were

794
00:42:23,120 --> 00:42:28,160
Speaker 1: still a family. And maybe the people with the real

795
00:42:28,440 --> 00:42:33,200
Speaker 1: problem are the people that were judging them for being

796
00:42:33,239 --> 00:42:36,280
Speaker 1: a little different, because I think, if I remember correctly,

797
00:42:36,320 --> 00:42:39,120
Speaker 1: America was built on being a little different. Yeah, they

798
00:42:39,160 --> 00:42:39,680
Speaker 1: were different.

799
00:42:39,800 --> 00:42:42,560
Speaker 2: The family was different because the girl liked to dance

800
00:42:42,800 --> 00:42:44,120
Speaker 2: sexual and the sun was.

801
00:42:44,120 --> 00:42:46,880
Speaker 1: A punk andally sexualized their child.

802
00:42:46,960 --> 00:42:51,080
Speaker 5: And there was a mom and a dad and she's happy, yeah,

803
00:42:51,120 --> 00:42:53,920
Speaker 5: and the grandpa wants her to be more sexual in

804
00:42:54,040 --> 00:42:56,280
Speaker 5: the dance that she does, and all of a sudden

805
00:42:56,360 --> 00:42:57,120
Speaker 5: that's wrong.

806
00:42:59,080 --> 00:43:01,120
Speaker 1: So I mean she it was almost eleven.

807
00:43:02,320 --> 00:43:04,400
Speaker 2: If I'm being a little miss Sunschina, you're being the

808
00:43:04,520 --> 00:43:07,600
Speaker 2: rain rain fan, right.

809
00:43:08,080 --> 00:43:12,799
Speaker 1: I'm an excellent driver. Definite, Dad, let's be drawing on Sundays?

810
00:43:13,600 --> 00:43:15,880
Speaker 2: Are we both We can't both be looking out the

811
00:43:15,880 --> 00:43:19,920
Speaker 2: window of the s I think you would cut rapidly

812
00:43:20,080 --> 00:43:21,240
Speaker 2: from two different days.

813
00:43:22,640 --> 00:43:26,200
Speaker 1: No Breadthay, he wanted to do the fart joke from

814
00:43:26,239 --> 00:43:29,440
Speaker 1: that movie. That's the most crass, low class part of

815
00:43:29,520 --> 00:43:33,480
Speaker 1: the movie. We cut rapidly the movie. You were just

816
00:43:33,760 --> 00:43:37,320
Speaker 1: announcing that, saying, oh fart. You haven't seen the movie.

817
00:43:37,600 --> 00:43:42,160
Speaker 3: No, I know what I know. Autism is part of it.

818
00:43:44,280 --> 00:43:47,239
Speaker 1: Yeah, yes, autism is used to comedic effect in that film.

819
00:43:48,040 --> 00:43:51,759
Speaker 3: It's a big subject these days. So I didn't want

820
00:43:51,760 --> 00:43:52,240
Speaker 3: to distract.

821
00:43:52,280 --> 00:43:53,759
Speaker 2: Okay, it was just I.

822
00:43:54,560 --> 00:43:57,320
Speaker 1: You didn't want to distract. You just wanted to audibly

823
00:43:57,400 --> 00:44:01,000
Speaker 1: say oh, fart into your microphone while other people were talking.

824
00:44:01,120 --> 00:44:01,759
Speaker 1: But you didn't want to.

825
00:44:01,920 --> 00:44:05,320
Speaker 2: And I can feel the end of this this conversation

826
00:44:05,480 --> 00:44:07,360
Speaker 2: that you're playing at that what you say autisim is

827
00:44:07,360 --> 00:44:09,839
Speaker 2: a big subject these days. Didn't used to be as

828
00:44:09,840 --> 00:44:11,960
Speaker 2: big a subject because we didn't used to have as

829
00:44:12,040 --> 00:44:13,440
Speaker 2: many cases.

830
00:44:13,600 --> 00:44:17,400
Speaker 1: Because vaccination was not necessarily.

831
00:44:16,880 --> 00:44:19,520
Speaker 2: As rampant as it is. We will give you the

832
00:44:19,640 --> 00:44:22,480
Speaker 2: opportunity to talk about this. I have told you that

833
00:44:22,760 --> 00:44:23,200
Speaker 2: we will.

834
00:44:23,760 --> 00:44:26,360
Speaker 1: We find I found the right episode for it, but

835
00:44:26,480 --> 00:44:28,520
Speaker 1: you are going to get your platform this.

836
00:44:28,760 --> 00:44:31,280
Speaker 2: We have a Super Bowl ad that needs to be finished.

837
00:44:31,800 --> 00:44:35,440
Speaker 2: It needs to be on television in seventeen hours, so

838
00:44:36,160 --> 00:44:36,960
Speaker 2: there will be another.

839
00:44:38,040 --> 00:44:39,840
Speaker 3: I need a time, I need time. I need to

840
00:44:39,920 --> 00:44:40,839
Speaker 3: work out the intro.

841
00:44:41,320 --> 00:44:43,759
Speaker 1: Yes, well, we don't have the time now. I mean,

842
00:44:43,920 --> 00:44:45,640
Speaker 1: and I've read some of the documents you sent me,

843
00:44:45,719 --> 00:44:48,919
Speaker 1: and let's face it, the numbers are compelling. So I'm

844
00:44:48,960 --> 00:44:51,880
Speaker 1: not trying to tamp down your voice permanently, but for

845
00:44:52,040 --> 00:44:54,480
Speaker 1: right now, we may just want to get into like.

846
00:44:55,000 --> 00:44:57,440
Speaker 2: Doing some of these. And we also have to schedule

847
00:44:57,440 --> 00:44:59,279
Speaker 2: to find out a time for you and Engineer Cody

848
00:44:59,320 --> 00:45:02,000
Speaker 2: to be there. Engine your Cody to represent the side

849
00:45:02,040 --> 00:45:06,040
Speaker 2: that is disconcertingly pro vaccination.

850
00:45:07,000 --> 00:45:10,120
Speaker 1: That he thinks that people should give vaccinations multiple times,

851
00:45:11,040 --> 00:45:13,120
Speaker 1: even if they're already immune to something. That he just

852
00:45:13,200 --> 00:45:18,440
Speaker 1: thinks the shots built character wow. And he also is

853
00:45:18,600 --> 00:45:23,080
Speaker 1: pro autism. So in a way you're on the same side.

854
00:45:23,480 --> 00:45:24,000
Speaker 2: They agree.

855
00:45:24,080 --> 00:45:28,080
Speaker 1: Really, he says that we should get more vaccinations so

856
00:45:28,400 --> 00:45:33,040
Speaker 1: more people could be Yeah, which you know, are you

857
00:45:33,239 --> 00:45:35,960
Speaker 1: let him voice it because I don't totally understand that

858
00:45:36,280 --> 00:45:40,880
Speaker 1: side of it. So you guys do technically disagree on

859
00:45:41,120 --> 00:45:43,440
Speaker 1: just whether or not autism is good. You disagree on

860
00:45:43,560 --> 00:45:47,120
Speaker 1: whether it's good, you agree on the fact that it's caused.

861
00:45:48,680 --> 00:45:52,640
Speaker 3: I could articulate his position, but it's really dicey.

862
00:45:52,760 --> 00:45:55,520
Speaker 1: You don't want those words in your mouth. Mostly if

863
00:45:55,600 --> 00:45:58,719
Speaker 1: there's something that Cody has said, I don't want to

864
00:45:58,760 --> 00:46:01,279
Speaker 1: be on record as saying it, even if I'm quoting him,

865
00:46:01,400 --> 00:46:04,839
Speaker 1: because if you pull it out of context, it's going

866
00:46:04,960 --> 00:46:07,160
Speaker 1: to destroy me. M h.

867
00:46:07,239 --> 00:46:07,439
Speaker 3: Yeah.

868
00:46:07,880 --> 00:46:13,839
Speaker 1: And somehow he's indestructible. He's not in the wires listening

869
00:46:13,920 --> 00:46:15,160
Speaker 1: to this, is he? No?

870
00:46:15,440 --> 00:46:19,120
Speaker 3: I put I protected this house. I shielded it as best.

871
00:46:19,280 --> 00:46:21,520
Speaker 2: There's like a ring of salt around the house.

872
00:46:21,920 --> 00:46:22,360
Speaker 1: I saw that.

873
00:46:23,360 --> 00:46:24,200
Speaker 2: Yeah, burns them.

874
00:46:24,120 --> 00:46:27,560
Speaker 3: Out, Cayenne pepper, like in all the little holes.

875
00:46:28,280 --> 00:46:29,000
Speaker 2: Oh right, like.

876
00:46:29,040 --> 00:46:32,840
Speaker 1: Cool hand Luke when they got the Bloodhounds, so so

877
00:46:33,080 --> 00:46:36,359
Speaker 1: cool hand Luke Gray Man Gray Movies. Uh, let's talk

878
00:46:36,400 --> 00:46:40,000
Speaker 1: about some of these ads and let's just put them

879
00:46:40,040 --> 00:46:42,560
Speaker 1: on their feet and see is there anything that gets

880
00:46:42,640 --> 00:46:45,440
Speaker 1: Brett hot to trot or are we all a cold

881
00:46:45,640 --> 00:46:52,760
Speaker 1: fish or getting warm or slightly warm or really warm?

882
00:46:53,760 --> 00:46:56,840
Speaker 2: Okay warm? So do we start from a new like,

883
00:46:57,400 --> 00:47:00,919
Speaker 2: try a new premise? Yes, let's just go for let's

884
00:47:00,960 --> 00:47:05,839
Speaker 2: just go Okay, I'm gonna play a song and we'll

885
00:47:05,920 --> 00:47:10,000
Speaker 2: just go yeah, okay, I'll play every other character.

886
00:47:10,320 --> 00:47:15,600
Speaker 3: Okay of this for the first time.

887
00:47:16,920 --> 00:47:20,200
Speaker 1: Okay, so you are hurt? You are You're just watching

888
00:47:20,280 --> 00:47:22,120
Speaker 1: this at TV fans exactly?

889
00:47:22,360 --> 00:47:25,520
Speaker 2: TV man, Yeah, okay, bang.

890
00:47:25,120 --> 00:47:33,840
Speaker 1: Moud, Hey, what are you listening to in your headphones? What?

891
00:47:34,320 --> 00:47:34,879
Speaker 2: I can't hear?

892
00:47:34,960 --> 00:47:42,960
Speaker 1: You? Take off your headphones? Uh? Sorry, it's raining too

893
00:47:43,080 --> 00:47:48,239
Speaker 1: loud outside. I'm I'm enjoying the rain, and what a

894
00:47:48,400 --> 00:47:52,120
Speaker 1: what better thing to watch the rain? Two than what's

895
00:47:52,160 --> 00:47:54,320
Speaker 1: in my headphones right now? But I want to know

896
00:47:54,440 --> 00:47:56,520
Speaker 1: what that is? What's in your headphones? And why are

897
00:47:56,600 --> 00:47:58,879
Speaker 1: you cracking up? Laughing but learning too?

898
00:48:01,440 --> 00:48:03,200
Speaker 2: And then uh, mom walks in.

899
00:48:04,400 --> 00:48:06,480
Speaker 4: If you'd like to see the end of this argument,

900
00:48:06,719 --> 00:48:07,640
Speaker 4: go online.

901
00:48:09,040 --> 00:48:16,000
Speaker 3: Okay, Okay, that was difficult to follow. Uh, I mean

902
00:48:16,040 --> 00:48:20,279
Speaker 3: I was distracted by the groove that sweet pepper groove.

903
00:48:20,400 --> 00:48:23,040
Speaker 2: It was taking you for a walk, wasn't it the bays.

904
00:48:23,160 --> 00:48:25,880
Speaker 3: Right, Yeah, it was a very walking bassline, a very

905
00:48:25,960 --> 00:48:28,799
Speaker 3: petty ish guitar line.

906
00:48:29,920 --> 00:48:31,400
Speaker 1: Would you call that a mega grove?

907
00:48:31,520 --> 00:48:32,520
Speaker 2: Richard Petty, right.

908
00:48:34,200 --> 00:48:34,760
Speaker 3: Dick Petty?

909
00:48:35,560 --> 00:48:38,480
Speaker 6: Yeah, what I call it it a What is that

910
00:48:38,560 --> 00:48:44,799
Speaker 6: a mega groove? So big boss boss groove, mega boss Okay, Yeah,

911
00:48:46,440 --> 00:48:50,279
Speaker 6: the overall the ad, I would say cold fish, but

912
00:48:50,360 --> 00:48:51,520
Speaker 6: I did want to know more.

913
00:48:52,280 --> 00:48:54,440
Speaker 2: We have a minute. We have a minute, so that

914
00:48:54,640 --> 00:48:58,560
Speaker 2: the ad just ended now, so the discussion, so as

915
00:48:58,600 --> 00:49:00,560
Speaker 2: of now, this is what we have. This, this is

916
00:49:00,640 --> 00:49:02,399
Speaker 2: part of it, and I have to send it out.

917
00:49:03,520 --> 00:49:06,920
Speaker 1: Yes, it's gotta be. It's a it's gonna it's gonna

918
00:49:06,960 --> 00:49:08,160
Speaker 1: have aired call it.

919
00:49:08,640 --> 00:49:11,080
Speaker 2: Some favors even to do this, so last minute.

920
00:49:11,520 --> 00:49:14,279
Speaker 1: Well, and we appreciate it, but I'd say we're worth it.

921
00:49:14,360 --> 00:49:16,959
Speaker 1: And this seems like a track where we're onto something good.

922
00:49:17,200 --> 00:49:19,520
Speaker 1: Do we want to even try another ad?

923
00:49:20,080 --> 00:49:24,879
Speaker 4: I have another idea? Okay, cool, there's a super Bowl party.

924
00:49:25,400 --> 00:49:27,719
Speaker 4: So it's a little meta and we'll call it a

925
00:49:28,360 --> 00:49:32,920
Speaker 4: catch time party or a small container and they've invited

926
00:49:33,000 --> 00:49:36,800
Speaker 4: you both as yourselves mediocre, but you don't follow sports,

927
00:49:37,520 --> 00:49:40,920
Speaker 4: and so you're trying to keep up with conversation not

928
00:49:41,040 --> 00:49:43,800
Speaker 4: knowing anything about sports, and people relate to that.

929
00:49:44,480 --> 00:49:46,960
Speaker 2: Okay, that's good. It's gonna be a little hard for

930
00:49:47,040 --> 00:49:49,560
Speaker 2: me to talk about it, like I don't know what

931
00:49:49,760 --> 00:49:52,680
Speaker 2: it is. Well, he's so plugged because I am so

932
00:49:52,840 --> 00:49:55,680
Speaker 2: just sports and I do read all the numbers.

933
00:49:55,800 --> 00:49:57,760
Speaker 1: Some of that comes from me being a super athlete

934
00:49:57,840 --> 00:50:00,160
Speaker 1: and a brain, and so I'm able to analyze it

935
00:50:00,280 --> 00:50:02,600
Speaker 1: both from the physical aspect of I can pretty much

936
00:50:02,640 --> 00:50:05,320
Speaker 1: imagine myself doing this stuff because a couple of different

937
00:50:05,400 --> 00:50:07,200
Speaker 1: choices and I'd be out there on the field.

938
00:50:07,080 --> 00:50:09,680
Speaker 2: And analyzing the angles in real time.

939
00:50:09,800 --> 00:50:14,880
Speaker 1: Mm hmmm, yes, strategically, really understanding and just knowing all

940
00:50:14,960 --> 00:50:18,600
Speaker 1: the numb processing algorithms to juke somebody out of their shoes,

941
00:50:18,680 --> 00:50:21,040
Speaker 1: their sneaks. Yeah, and that is how I see it,

942
00:50:21,239 --> 00:50:23,320
Speaker 1: almost with like a terminator vision.

943
00:50:25,239 --> 00:50:29,080
Speaker 2: Okay, so we're at a party, you're at okay, and.

944
00:50:29,120 --> 00:50:31,040
Speaker 1: We've got to pretend to really not know it, and

945
00:50:31,160 --> 00:50:32,400
Speaker 1: I think I have a way into this.

946
00:50:32,600 --> 00:50:41,080
Speaker 2: Okay, Okay, great, great dip.

947
00:50:42,600 --> 00:50:50,799
Speaker 1: Hey, uh is that guy throwing the oblong? Yeah?

948
00:50:50,880 --> 00:50:53,640
Speaker 2: It's uh, you mean the football?

949
00:50:54,719 --> 00:50:55,680
Speaker 1: The what ball?

950
00:50:55,880 --> 00:51:01,399
Speaker 2: What Hey, uh, I hope he is able to get

951
00:51:01,480 --> 00:51:05,960
Speaker 2: a real home run? Oh like you, I think you're

952
00:51:05,960 --> 00:51:09,120
Speaker 2: thinking of a different sport. I think you're thinking of baseball.

953
00:51:09,880 --> 00:51:14,440
Speaker 1: Oh yeah, that's right, I know that. But uh, geez,

954
00:51:14,600 --> 00:51:19,480
Speaker 1: did the one big meat head? Uh? Was he able to.

955
00:51:21,000 --> 00:51:25,560
Speaker 2: Get a home run? I don't understand like we're supposed

956
00:51:25,600 --> 00:51:27,960
Speaker 2: to be. I want people you stopped, because that was

957
00:51:28,080 --> 00:51:30,280
Speaker 2: really cooking. I was in the zone.

958
00:51:30,320 --> 00:51:31,279
Speaker 1: I was feeling it.

959
00:51:31,360 --> 00:51:32,839
Speaker 2: But for me, I'm like, I want people to listen

960
00:51:32,840 --> 00:51:35,120
Speaker 2: to this because they like, they think that we're smart.

961
00:51:35,200 --> 00:51:37,000
Speaker 2: That like someone like Sean is smart.

962
00:51:37,160 --> 00:51:40,840
Speaker 1: But isn't it smart to say that you don't understand

963
00:51:40,880 --> 00:51:43,399
Speaker 1: a sport? And doesn't that prove that everyone else had

964
00:51:43,440 --> 00:51:44,000
Speaker 1: been silly?

965
00:51:44,160 --> 00:51:44,359
Speaker 5: Yeah?

966
00:51:44,560 --> 00:51:47,680
Speaker 2: That's right. The key to comedy. Okay, so you are

967
00:51:47,800 --> 00:51:50,680
Speaker 2: doing this at the party, like you do at the

968
00:51:50,760 --> 00:51:54,920
Speaker 2: expense of people who enjoy it, whereas you actually but

969
00:51:55,040 --> 00:51:58,800
Speaker 2: you're but you're like deliberately not knowing just to be me, Like,

970
00:51:58,960 --> 00:52:01,160
Speaker 2: I don't like it, and so therefore it's not valid

971
00:52:01,200 --> 00:52:03,520
Speaker 2: at all for anyone. Is a cool attitude I think

972
00:52:03,600 --> 00:52:07,200
Speaker 2: to take about anything okay, and people will know. I

973
00:52:07,280 --> 00:52:09,400
Speaker 2: guess that we do know about sports, and we'd like

974
00:52:09,480 --> 00:52:10,000
Speaker 2: to talk to you.

975
00:52:11,600 --> 00:52:14,760
Speaker 4: Is that you're winking at the camera as if wouldn't

976
00:52:14,800 --> 00:52:16,840
Speaker 4: it be funny if we didn't know what we were

977
00:52:16,880 --> 00:52:17,359
Speaker 4: talking about.

978
00:52:17,480 --> 00:52:19,840
Speaker 1: Yes, wouldn't it be funny if I didn't understand it,

979
00:52:19,920 --> 00:52:21,960
Speaker 1: because that's how silly it is, and it is just

980
00:52:22,080 --> 00:52:22,480
Speaker 1: a game.

981
00:52:23,520 --> 00:52:27,439
Speaker 3: I did, like, yes, like contrary to contrary to most

982
00:52:28,560 --> 00:52:33,080
Speaker 3: mediocre box parties, into that the two people were dancing

983
00:52:33,200 --> 00:52:34,520
Speaker 3: and grooving as they were.

984
00:52:34,920 --> 00:52:37,359
Speaker 2: I did appreciate your way in. I wasn't sure if

985
00:52:37,400 --> 00:52:39,640
Speaker 2: it was, you know, gonna work as well as it did,

986
00:52:39,880 --> 00:52:40,279
Speaker 2: but the.

987
00:52:42,000 --> 00:52:45,000
Speaker 3: Yeah, yeah, but sort of backing into each other and

988
00:52:45,160 --> 00:52:47,120
Speaker 3: dancing yeah, and at each other.

989
00:52:47,560 --> 00:52:49,560
Speaker 2: And that you were yes people, I guess can see

990
00:52:49,600 --> 00:52:52,839
Speaker 2: they'll see it on the commercial. But yeah, you were

991
00:52:53,280 --> 00:52:54,439
Speaker 2: dancing a lot well.

992
00:52:54,560 --> 00:52:56,440
Speaker 1: I was doing the swim, I was doing the mc

993
00:52:56,560 --> 00:52:59,480
Speaker 1: Hamma crab walk. I was doing sort of a stay

994
00:52:59,560 --> 00:53:04,360
Speaker 1: alive routine. I did the Roger Rabbit. I did the

995
00:53:04,440 --> 00:53:08,160
Speaker 1: running Man. I did the straight up fucking boogie woogie woogie.

996
00:53:08,440 --> 00:53:09,040
Speaker 2: Yeah you did it.

997
00:53:09,160 --> 00:53:12,719
Speaker 1: I did the slide, one physical move from each of

998
00:53:12,800 --> 00:53:16,399
Speaker 1: these m I did the macarena very fast. I did

999
00:53:16,440 --> 00:53:19,200
Speaker 1: the macaroni I did the locomotion.

1000
00:53:20,200 --> 00:53:20,520
Speaker 2: Visually?

1001
00:53:21,480 --> 00:53:22,160
Speaker 1: Oh? Should potion?

1002
00:53:23,520 --> 00:53:26,120
Speaker 2: Yes? Digitally? Digitally?

1003
00:53:26,880 --> 00:53:28,800
Speaker 1: Oh god, yeah, I wouldn't be able to do that

1004
00:53:28,880 --> 00:53:30,120
Speaker 1: on camrad be too shy.

1005
00:53:31,120 --> 00:53:33,080
Speaker 2: Let's green screen.

1006
00:53:33,080 --> 00:53:37,600
Speaker 4: Where it's two people who are legitimate sports fans, and

1007
00:53:37,719 --> 00:53:39,680
Speaker 4: I'm going to come in as your neighbor with a

1008
00:53:39,719 --> 00:53:43,320
Speaker 4: little bit of news that puts your sports fandom in perspective.

1009
00:53:44,000 --> 00:53:45,680
Speaker 2: Oh that sounds pretty good.

1010
00:53:45,960 --> 00:53:47,120
Speaker 1: That sounds really good.

1011
00:53:47,280 --> 00:53:50,160
Speaker 2: Okay, and we do we are sports fans this time,

1012
00:53:50,160 --> 00:53:53,680
Speaker 2: you're sports We're just normal guys. And are we am

1013
00:53:53,719 --> 00:53:54,200
Speaker 2: I Hayes?

1014
00:53:54,400 --> 00:53:56,760
Speaker 4: Yeah, you're Haze Hayes Sean talking sports.

1015
00:53:56,760 --> 00:54:01,920
Speaker 1: I've gotta be shown. Okay, it's his loving the gabe.

1016
00:54:02,960 --> 00:54:10,520
Speaker 1: Oh look he fell down. Oh yes, he's getting back up. Hey,

1017
00:54:10,600 --> 00:54:13,800
Speaker 1: it's make Garry your neighbor. Sorry to interrupt, but the

1018
00:54:13,880 --> 00:54:18,920
Speaker 1: local school's on fire. Oh and oh and here I am,

1019
00:54:19,960 --> 00:54:22,760
Speaker 1: uh god, I mean that guy following.

1020
00:54:22,840 --> 00:54:25,880
Speaker 2: He made a big catch. But I'm worried about the school.

1021
00:54:26,000 --> 00:54:26,799
Speaker 1: Kids are all dead.

1022
00:54:26,880 --> 00:54:27,879
Speaker 2: It's Sunday, I guess.

1023
00:54:28,040 --> 00:54:29,440
Speaker 1: So can we stop the song? Can we stop this?

1024
00:54:29,520 --> 00:54:31,120
Speaker 1: Can we stop the song? I'm sorry?

1025
00:54:31,160 --> 00:54:33,600
Speaker 2: Can we stop this renegade song? I was thinking of

1026
00:54:33,640 --> 00:54:36,080
Speaker 2: the same thing that you are, which is the song

1027
00:54:36,280 --> 00:54:39,120
Speaker 2: is never gonna be allowed on We can't.

1028
00:54:39,239 --> 00:54:45,040
Speaker 1: Renegade by ex ambassadors, is you know, unfortunately too true

1029
00:54:45,080 --> 00:54:49,440
Speaker 1: to its title, where it's such an outlaws sound that

1030
00:54:49,920 --> 00:54:52,240
Speaker 1: if they put it on TV. I would be scared

1031
00:54:52,280 --> 00:54:54,080
Speaker 1: of what would happen in people's homes.

1032
00:54:54,400 --> 00:54:57,080
Speaker 2: Just listening to it now, as I was trying to

1033
00:54:57,160 --> 00:55:00,600
Speaker 2: play a normal, controlled care character.

1034
00:55:00,840 --> 00:55:04,600
Speaker 1: You could see a struggling Yeah, I almost exploded with rage.

1035
00:55:05,120 --> 00:55:06,520
Speaker 1: I'm scared of what I'm going to do.

1036
00:55:07,200 --> 00:55:09,520
Speaker 2: Structure surrounding me, the whole system.

1037
00:55:09,360 --> 00:55:12,080
Speaker 1: When I hear that song and I go and and

1038
00:55:12,440 --> 00:55:15,200
Speaker 1: if they play that on a radio station on TV,

1039
00:55:15,400 --> 00:55:17,200
Speaker 1: I think we'd have riots in the streets.

1040
00:55:17,360 --> 00:55:19,440
Speaker 2: And when you came in, when Gary came in and

1041
00:55:19,640 --> 00:55:23,160
Speaker 2: said the school burned down, my actual thought was good.

1042
00:55:23,120 --> 00:55:26,600
Speaker 1: Yeah, good, I'm glad about that. And I hope and

1043
00:55:26,680 --> 00:55:28,960
Speaker 1: I hope I said it. And no more school and

1044
00:55:29,080 --> 00:55:31,520
Speaker 1: no homework, yes, this is this is the ad and

1045
00:55:31,680 --> 00:55:34,040
Speaker 1: no homework, Yeah right.

1046
00:55:34,120 --> 00:55:37,480
Speaker 2: No more homework, and I hope all the homework burned down.

1047
00:55:37,560 --> 00:55:38,600
Speaker 1: With homework, the.

1048
00:55:38,719 --> 00:55:41,279
Speaker 4: Idea, the message of Renegade us the sunken.

1049
00:55:41,040 --> 00:55:44,000
Speaker 2: Pencils as arrows, and so it's just a case of

1050
00:55:44,080 --> 00:55:46,879
Speaker 2: the wrong music and now the ad that can kill.

1051
00:55:47,440 --> 00:55:52,960
Speaker 4: I could tell you stories about music killing spots killing stories. Yeah, okay, okay,

1052
00:55:53,680 --> 00:55:57,520
Speaker 4: you want a good one. Yeah, okay, you want a

1053
00:55:57,520 --> 00:56:01,600
Speaker 4: good one. So this was a add for a major

1054
00:56:02,320 --> 00:56:08,759
Speaker 4: national seafood restaurant. I can't say which one. And they

1055
00:56:08,800 --> 00:56:14,399
Speaker 4: have cheddar biscuits. Okay, I'll leave it at that. There's

1056
00:56:14,440 --> 00:56:19,759
Speaker 4: a family, it's Christmas morning. Family wakes up, they're having

1057
00:56:20,280 --> 00:56:23,400
Speaker 4: cheddar biscuits, They're enjoying themselves.

1058
00:56:23,560 --> 00:56:27,560
Speaker 1: They slept in the restaurant. Yeah.

1059
00:56:28,520 --> 00:56:31,279
Speaker 4: The whole idea that spy is sort of what if

1060
00:56:31,440 --> 00:56:35,960
Speaker 4: come live here? What if a family lived in the restaurant?

1061
00:56:36,320 --> 00:56:38,560
Speaker 4: So every day for them was this thing, which for

1062
00:56:38,640 --> 00:56:40,719
Speaker 4: most people is a special occasion. Would they get used

1063
00:56:40,760 --> 00:56:43,080
Speaker 4: to it? Would stop? Would it lose its magic? And

1064
00:56:43,200 --> 00:56:46,040
Speaker 4: the ad was it never will, It's always going to

1065
00:56:46,080 --> 00:56:50,719
Speaker 4: be magical. But the song choices we made really killed that.

1066
00:56:52,480 --> 00:56:52,600
Speaker 6: Uh.

1067
00:56:52,880 --> 00:56:58,919
Speaker 4: And are you familiar with the song dust in the Wind?

1068
00:57:00,200 --> 00:57:00,439
Speaker 1: Yeah?

1069
00:57:01,440 --> 00:57:02,560
Speaker 2: It was in a funny movie.

1070
00:57:03,200 --> 00:57:05,400
Speaker 4: Yes, that's the first time I had heard it, and

1071
00:57:05,560 --> 00:57:06,960
Speaker 4: I wrote it down. I was like, I might be

1072
00:57:07,000 --> 00:57:10,080
Speaker 4: able to use this later in a story, and I did,

1073
00:57:10,239 --> 00:57:14,440
Speaker 4: and it did not work. Yeah, and I'm you know, it.

1074
00:57:14,640 --> 00:57:15,280
Speaker 1: Was so funny.

1075
00:57:16,520 --> 00:57:17,400
Speaker 2: What did you say?

1076
00:57:17,560 --> 00:57:19,760
Speaker 1: The movie was so funny that it able was to

1077
00:57:20,360 --> 00:57:23,600
Speaker 1: take the sadness away from the song, but without the

1078
00:57:23,680 --> 00:57:26,840
Speaker 1: funny movie. What happens is it's just as sad. It's

1079
00:57:27,000 --> 00:57:29,560
Speaker 1: just said Brett. Can I just say how proud of

1080
00:57:29,600 --> 00:57:32,120
Speaker 1: you I am that you didn't do any old school quotes?

1081
00:57:33,000 --> 00:57:33,320
Speaker 1: Just now?

1082
00:57:34,120 --> 00:57:37,600
Speaker 3: Oh yeah, blue, baby blue? What does he say?

1083
00:57:38,320 --> 00:57:44,040
Speaker 1: He says baby Blue, says it a dozen times, baby blue,

1084
00:57:44,160 --> 00:57:47,080
Speaker 1: baby blue, baby Blue. I mean everyone knows that part

1085
00:57:47,120 --> 00:57:47,640
Speaker 1: of the movie.

1086
00:57:49,200 --> 00:57:51,919
Speaker 2: Yeah, I can see how that would really destroy the AD.

1087
00:57:52,160 --> 00:57:55,520
Speaker 2: I thought that last one was pretty good, pretty interesting.

1088
00:57:55,280 --> 00:57:59,880
Speaker 1: Concept of the AD. I like, yeah, the school's on five.

1089
00:58:00,840 --> 00:58:06,160
Speaker 1: There's steaks, and the steaks are I'll say it medium, well,

1090
00:58:07,080 --> 00:58:09,520
Speaker 1: oh pretty warm, is it?

1091
00:58:09,600 --> 00:58:12,000
Speaker 2: The fact that it is Sunday is important to know

1092
00:58:12,120 --> 00:58:14,160
Speaker 2: because there are no kids at the school. If it

1093
00:58:14,280 --> 00:58:18,200
Speaker 2: was a school day would be too upsetting. It's it's

1094
00:58:18,280 --> 00:58:19,320
Speaker 2: dangerous because it's property.

1095
00:58:19,360 --> 00:58:22,200
Speaker 1: I shouldn't have said the kids are all dead that,

1096
00:58:22,400 --> 00:58:24,720
Speaker 1: I mean, they would have to have died separately. But

1097
00:58:24,880 --> 00:58:27,160
Speaker 1: maybe that's kind of funny too, that somebody has to

1098
00:58:27,320 --> 00:58:28,760
Speaker 1: tell me, like there's no school.

1099
00:58:28,840 --> 00:58:30,720
Speaker 2: There's no school on me. And that's a good way

1100
00:58:30,760 --> 00:58:32,200
Speaker 2: to like, that's what we call a button.

1101
00:58:33,200 --> 00:58:38,120
Speaker 1: Ah. Oh, well that's so good. So it's maybe that's

1102
00:58:38,200 --> 00:58:41,120
Speaker 1: the ad, but that's the wrong song. I mean, did

1103
00:58:41,160 --> 00:58:42,720
Speaker 1: we have any other ideas? Yeah?

1104
00:58:42,840 --> 00:58:46,120
Speaker 3: I thought your reaction to the song was in the ad.

1105
00:58:47,160 --> 00:58:49,800
Speaker 1: Oh. I like that's a good point.

1106
00:58:49,840 --> 00:58:51,160
Speaker 3: That was your reaction to him.

1107
00:58:51,720 --> 00:58:54,920
Speaker 1: I was able to connect it because.

1108
00:58:53,920 --> 00:58:55,280
Speaker 4: A lot of times the commercials will be a song

1109
00:58:55,360 --> 00:58:57,600
Speaker 4: playing and you're wondering, are the actors aware of this

1110
00:58:57,760 --> 00:58:58,280
Speaker 4: music playing?

1111
00:58:58,480 --> 00:59:00,040
Speaker 2: Yeah, and do they want to talk about it? And

1112
00:59:00,680 --> 00:59:02,800
Speaker 2: it would be good for us actually to do something

1113
00:59:02,880 --> 00:59:04,800
Speaker 2: like Renegade's if we can sneak it on the air

1114
00:59:04,880 --> 00:59:08,080
Speaker 2: and say that we're say we're playing a different song. Yeah,

1115
00:59:08,360 --> 00:59:10,919
Speaker 2: just say like we just label.

1116
00:59:10,640 --> 00:59:13,880
Speaker 1: They do love fool by the card again the different song,

1117
00:59:14,520 --> 00:59:18,480
Speaker 1: and then it either starts as loveful and becomes Renegades.

1118
00:59:18,560 --> 00:59:20,720
Speaker 2: Oh god, can you do that? Is that something you

1119
00:59:20,760 --> 00:59:21,000
Speaker 2: can do?

1120
00:59:21,560 --> 00:59:22,400
Speaker 3: I can I can do that?

1121
00:59:22,760 --> 00:59:24,800
Speaker 2: Oh wow? Okay, I just like the way you said

1122
00:59:25,120 --> 00:59:25,560
Speaker 2: guests to.

1123
00:59:25,600 --> 00:59:28,400
Speaker 3: Me, it's realistic. The guy comes in with news like that,

1124
00:59:28,640 --> 00:59:31,600
Speaker 3: and then the music he was playing, and then before

1125
00:59:31,680 --> 00:59:34,120
Speaker 3: you react to the news you are you'd say, shut

1126
00:59:34,200 --> 00:59:39,400
Speaker 3: the music off right, Well, then you argue about the music. Yeah,

1127
00:59:40,080 --> 00:59:43,080
Speaker 3: to me, that was that was real in a way

1128
00:59:43,200 --> 00:59:44,160
Speaker 3: that I wasn't expecting.

1129
00:59:44,320 --> 00:59:44,920
Speaker 2: Yeah, it was.

1130
00:59:45,280 --> 00:59:47,640
Speaker 1: There was an ultra realism in a way sort of

1131
00:59:47,720 --> 00:59:49,880
Speaker 1: like Master of None seems to have just stuck their

1132
00:59:49,920 --> 00:59:51,280
Speaker 1: camera into someone's life.

1133
00:59:52,000 --> 00:59:54,000
Speaker 3: And then the way you were sort of wonky about

1134
00:59:54,800 --> 00:59:57,640
Speaker 3: about the sport before, about the falling down and the

1135
00:59:57,680 --> 00:59:59,840
Speaker 3: getting up, and it was very detailed.

1136
01:00:00,080 --> 01:00:03,440
Speaker 4: Then I will say some of the greatest ads come

1137
01:00:03,520 --> 01:00:06,000
Speaker 4: from mistakes and you'd never know watching it.

1138
01:00:06,240 --> 01:00:08,680
Speaker 1: Oh wow, I wonder if you have a story about that.

1139
01:00:09,520 --> 01:00:12,560
Speaker 4: I'm not sure if you're familiar. There was a car company.

1140
01:00:12,680 --> 01:00:14,600
Speaker 4: Can't say much about it, but there was an ad

1141
01:00:14,720 --> 01:00:17,680
Speaker 4: they did where a little boy was dressed as Darth Bader.

1142
01:00:18,360 --> 01:00:18,760
Speaker 2: Familiar.

1143
01:00:18,960 --> 01:00:23,480
Speaker 4: Ah, he was not supposed to be dressed as Darth Bader.

1144
01:00:24,680 --> 01:00:27,800
Speaker 4: He showed up on set, did the take and people

1145
01:00:27,840 --> 01:00:29,760
Speaker 4: are like, what's with that kid? We can't see its face?

1146
01:00:30,320 --> 01:00:30,640
Speaker 1: Uh huh.

1147
01:00:30,960 --> 01:00:33,960
Speaker 4: We're gonna need to get licensing things. But it made

1148
01:00:34,000 --> 01:00:35,320
Speaker 4: the ad work for the first time.

1149
01:00:35,400 --> 01:00:37,520
Speaker 1: But did his face is fucked up and that's why

1150
01:00:37,600 --> 01:00:38,160
Speaker 1: he has that on.

1151
01:00:38,720 --> 01:00:42,120
Speaker 2: He's one of those kids who thinks his face is

1152
01:00:42,160 --> 01:00:43,120
Speaker 2: fucked up when it's not.

1153
01:00:43,520 --> 01:00:48,760
Speaker 4: Uh he got vaccinated, Yeah, he got vaccinated. It had

1154
01:00:48,800 --> 01:00:52,720
Speaker 4: an effect on him. And so when a Cody's kid,

1155
01:00:52,760 --> 01:00:55,280
Speaker 4: he's a beautiful kid, but he sees himself as deformed.

1156
01:00:56,240 --> 01:01:00,280
Speaker 1: Oh wow, God, I should say face dysmorphius. Such a

1157
01:01:00,320 --> 01:01:03,000
Speaker 1: problem in our culture. So one thing about Cody wanting

1158
01:01:03,600 --> 01:01:06,360
Speaker 1: more autism, it seems like he also like part of

1159
01:01:06,400 --> 01:01:08,520
Speaker 1: it is he wants to round all these kids up

1160
01:01:08,800 --> 01:01:11,440
Speaker 1: and rule them in some way. And it seems like

1161
01:01:11,520 --> 01:01:15,480
Speaker 1: he thinks he can harness their powers. And he's used

1162
01:01:15,520 --> 01:01:21,800
Speaker 1: that language. And again I hate wanting to make them. Yes, yes,

1163
01:01:21,960 --> 01:01:23,360
Speaker 1: I I will nip it in the bud. But he

1164
01:01:23,440 --> 01:01:25,600
Speaker 1: has said that he believes he can harness their powers,

1165
01:01:26,480 --> 01:01:32,680
Speaker 1: uh for his you know yes, yes, sorry scheme machine.

1166
01:01:35,560 --> 01:01:38,040
Speaker 1: So that's good.

1167
01:01:38,680 --> 01:01:40,880
Speaker 2: That is good. And I also hope that if people

1168
01:01:41,040 --> 01:01:44,880
Speaker 2: do hear retigads, that they will throw their TV into

1169
01:01:44,960 --> 01:01:46,440
Speaker 2: the street. Mm hmm.

1170
01:01:46,640 --> 01:01:48,720
Speaker 1: Well, and as I've done a long time ago, and

1171
01:01:48,840 --> 01:01:51,280
Speaker 1: we all know that I don't own a TV. But you.

1172
01:01:52,880 --> 01:01:57,520
Speaker 2: Live underground in as we all know, so you sort

1173
01:01:57,560 --> 01:01:59,840
Speaker 2: of had to. You do have that little window.

1174
01:02:00,160 --> 01:02:02,600
Speaker 1: Very hard to get it out the window certainly didn't

1175
01:02:02,640 --> 01:02:04,360
Speaker 1: hit the street. I had to make a sort of

1176
01:02:04,440 --> 01:02:08,160
Speaker 1: this kind of tributeche. I had to launch it with

1177
01:02:08,240 --> 01:02:11,520
Speaker 1: a tribute shay through the window, and I had to

1178
01:02:11,640 --> 01:02:14,640
Speaker 1: cut the TV into several pieces, but it did.

1179
01:02:15,080 --> 01:02:17,880
Speaker 2: You know, you had to make it twop onto ground

1180
01:02:18,040 --> 01:02:21,080
Speaker 2: level essentially, but it did make it to a street.

1181
01:02:21,600 --> 01:02:24,400
Speaker 4: That's a great ad what you just described that could work.

1182
01:02:24,600 --> 01:02:26,520
Speaker 1: Smash the TV and put it in a tribute shay

1183
01:02:27,400 --> 01:02:30,040
Speaker 1: and then launch into the street and then really now

1184
01:02:30,200 --> 01:02:32,840
Speaker 1: and the and it actually was very freeing.

1185
01:02:32,760 --> 01:02:37,360
Speaker 2: For me directions on how to smash the TV as

1186
01:02:37,400 --> 01:02:39,920
Speaker 2: a director. No, I'm saying, this is what we have

1187
01:02:40,120 --> 01:02:42,720
Speaker 2: in the ad. Oh well, I think it's someone gets angry.

1188
01:02:42,840 --> 01:02:44,200
Speaker 2: It's that universal thing. I'm angry.

1189
01:02:44,240 --> 01:02:45,880
Speaker 4: I want to throw my TV out right, And so

1190
01:02:45,960 --> 01:02:48,160
Speaker 4: the audience of one and then they sort of realized, oh,

1191
01:02:48,200 --> 01:02:49,200
Speaker 4: he's in a basement apartment.

1192
01:02:49,240 --> 01:02:50,880
Speaker 2: It's gonna be much harder to do that than he

1193
01:02:51,040 --> 01:02:52,240
Speaker 2: first realized.

1194
01:02:52,440 --> 01:02:55,560
Speaker 4: It's his anger almost goes away, or he becomes angry

1195
01:02:55,600 --> 01:02:57,240
Speaker 4: about new things because it's not going to be just

1196
01:02:57,320 --> 01:02:59,160
Speaker 4: that easy. I throw it out the balcony. It's I

1197
01:02:59,200 --> 01:03:01,840
Speaker 4: actually have to fill something and figure out how am

1198
01:03:01,880 --> 01:03:04,240
Speaker 4: I going to do something that should be Yeah?

1199
01:03:04,880 --> 01:03:05,840
Speaker 1: Yeah, and that's funny.

1200
01:03:06,280 --> 01:03:08,760
Speaker 3: Could you have like a dictionary definition of trebuche?

1201
01:03:09,120 --> 01:03:09,720
Speaker 2: Well on it?

1202
01:03:09,840 --> 01:03:12,320
Speaker 1: That sort of plays into my new character guy who

1203
01:03:12,400 --> 01:03:15,840
Speaker 1: says trebuche instead of catapult and then acts like it's

1204
01:03:15,920 --> 01:03:19,560
Speaker 1: the more common word, like like he didn't know he

1205
01:03:19,640 --> 01:03:21,880
Speaker 1: could have gotten there a lot faster by just saying

1206
01:03:21,960 --> 01:03:24,200
Speaker 1: catapult first. And there is actually a difference between the

1207
01:03:24,240 --> 01:03:26,600
Speaker 1: two machines. Okay, there are different devices.

1208
01:03:27,080 --> 01:03:28,200
Speaker 2: Is this the character?

1209
01:03:29,080 --> 01:03:32,000
Speaker 1: No, this is this is as real as it gets.

1210
01:03:32,120 --> 01:03:35,160
Speaker 1: But then the character does always say trebuche and then.

1211
01:03:35,120 --> 01:03:38,360
Speaker 2: Waits for you to ask and what hopefully so oh

1212
01:03:38,480 --> 01:03:40,760
Speaker 2: so if I said, what's a tribute Sha, which I

1213
01:03:40,800 --> 01:03:42,800
Speaker 2: wouldn't like a would have to be a character to

1214
01:03:42,920 --> 01:03:45,200
Speaker 2: guy who doesn't know what a tribute for you?

1215
01:03:45,360 --> 01:03:47,480
Speaker 1: That would be a character. So you will need But

1216
01:03:47,600 --> 01:03:50,440
Speaker 1: Brett is living that life of that character, and he

1217
01:03:51,080 --> 01:03:53,040
Speaker 1: said he needs a dictionary definition, which makes me.

1218
01:03:53,080 --> 01:03:55,680
Speaker 2: Know my characters based on Brett. All characters are based

1219
01:03:55,720 --> 01:03:58,080
Speaker 2: on someone you know, like someone from your life.

1220
01:03:58,160 --> 01:03:59,880
Speaker 1: Characters are based on bread in some way or another.

1221
01:04:01,400 --> 01:04:04,560
Speaker 4: That's one of those truths, every character, when you break

1222
01:04:04,600 --> 01:04:07,120
Speaker 4: them down, is eventually Brett. Yeah, I mean different takes

1223
01:04:07,160 --> 01:04:07,560
Speaker 4: on Brett.

1224
01:04:07,640 --> 01:04:11,320
Speaker 1: You know, I'm not the fonts, but but most characters, right,

1225
01:04:11,640 --> 01:04:14,680
Speaker 1: the Fawns, well, sort of in like what like and

1226
01:04:14,760 --> 01:04:20,720
Speaker 1: not Benicio in Cecario either Benicio when he's a the assassin,

1227
01:04:20,800 --> 01:04:21,240
Speaker 1: the two.

1228
01:04:21,160 --> 01:04:24,360
Speaker 2: Exceptions to the rule, but sort of from an anti

1229
01:04:24,440 --> 01:04:26,480
Speaker 2: Brett person, you have to start with Brett in order

1230
01:04:26,560 --> 01:04:28,520
Speaker 2: to come up with the anti breat like the Fons.

1231
01:04:28,760 --> 01:04:30,720
Speaker 1: Yes, that's true. So it is based off Brett because

1232
01:04:30,720 --> 01:04:32,760
Speaker 1: you go like, what wouldn't Brett do? And then you

1233
01:04:32,880 --> 01:04:34,480
Speaker 1: start doing it and then all of a sudden you're

1234
01:04:34,520 --> 01:04:40,080
Speaker 1: the fonts. So if I said, what's a treba mm hm, well,

1235
01:04:40,120 --> 01:04:43,840
Speaker 1: I might say, like, it's like a catapult. I mean

1236
01:04:43,880 --> 01:04:49,360
Speaker 1: it's essentially like a catapult. Okay, I mean it's different.

1237
01:04:50,160 --> 01:04:51,880
Speaker 1: A catapult is sort of an arm like if you

1238
01:04:52,000 --> 01:04:54,360
Speaker 1: just picture like a fixed spoon, I believe it. Treby

1239
01:04:54,400 --> 01:04:56,320
Speaker 1: shea has like sort of a rope or a string

1240
01:04:56,920 --> 01:05:00,120
Speaker 1: that's fastening the object. Huh, and so it launches in

1241
01:05:00,200 --> 01:05:03,080
Speaker 1: that way. But they're very similar.

1242
01:05:04,760 --> 01:05:05,720
Speaker 3: This would be in the ad.

1243
01:05:06,920 --> 01:05:08,640
Speaker 1: This we're mid ad.

1244
01:05:08,880 --> 01:05:12,160
Speaker 2: Oh Okay, sorry, Wow, sorry, that was really good.

1245
01:05:12,280 --> 01:05:18,200
Speaker 1: That was yeah, and now the AD's over. So to me,

1246
01:05:18,560 --> 01:05:21,440
Speaker 1: this is the winner because we have two original characters

1247
01:05:21,480 --> 01:05:29,280
Speaker 1: who are snl ready. Yep, we're educating people, We're getting

1248
01:05:29,360 --> 01:05:33,360
Speaker 1: rid of some TVs. It's inherently comedic because he's trying

1249
01:05:33,360 --> 01:05:35,160
Speaker 1: to do something that should be a spontaneous, sort of

1250
01:05:35,280 --> 01:05:38,240
Speaker 1: rageful momentary reaction, and then it winds up being a

1251
01:05:38,360 --> 01:05:43,320
Speaker 1: very involved process for him. I mean, everything about it

1252
01:05:43,480 --> 01:05:45,120
Speaker 1: is good, and the only thing that sucks is we

1253
01:05:45,200 --> 01:05:48,040
Speaker 1: didn't mention our podcast. No, we didn't get the podcast

1254
01:05:48,200 --> 01:05:51,720
Speaker 1: out there at all. You're an ad, you're a storyteller.

1255
01:05:53,120 --> 01:05:54,800
Speaker 1: Are the stories you tell? I mean do they always

1256
01:05:54,840 --> 01:05:56,400
Speaker 1: have to say what the product is or why?

1257
01:05:57,160 --> 01:05:59,440
Speaker 4: Well, one storytelling device I like to use that I

1258
01:05:59,480 --> 01:06:01,680
Speaker 4: think could work out perfectly, and this one is at

1259
01:06:01,720 --> 01:06:03,840
Speaker 4: the end. We would put up a website and you

1260
01:06:03,880 --> 01:06:05,560
Speaker 4: would say, want to know what this ad is for?

1261
01:06:07,240 --> 01:06:10,200
Speaker 4: Click on this go to this website. Oh otherwise you'll

1262
01:06:10,320 --> 01:06:11,400
Speaker 4: never know. Yeah.

1263
01:06:12,280 --> 01:06:19,400
Speaker 2: In Steve Jobs, the newsroom was mad they didn't show

1264
01:06:19,440 --> 01:06:26,600
Speaker 2: the product in the commercial with the marching and the

1265
01:06:26,920 --> 01:06:30,040
Speaker 2: people thought it was for the hammer. Oh yeah, TV

1266
01:06:30,120 --> 01:06:32,720
Speaker 2: smashing hammer, right, perfect, the.

1267
01:06:33,000 --> 01:06:35,280
Speaker 1: Biggest ad of all time in this what do they

1268
01:06:35,360 --> 01:06:38,960
Speaker 1: do in that tradition? Yes, smash the TV uh huh,

1269
01:06:40,120 --> 01:06:46,520
Speaker 1: And so it's an homage. Well, that's so good. And

1270
01:06:46,640 --> 01:06:48,960
Speaker 1: this was such a good episode of our show, our

1271
01:06:49,040 --> 01:06:51,840
Speaker 1: little show, and we've got our ad now and we

1272
01:06:51,960 --> 01:06:53,920
Speaker 1: hope you enjoyed it. We're going to record it right now,

1273
01:06:53,960 --> 01:06:58,200
Speaker 1: and unless something goes drastically wrong with the actual transmission

1274
01:06:58,280 --> 01:07:01,760
Speaker 1: of the ad, you we'll be seeing it on the

1275
01:07:01,800 --> 01:07:03,960
Speaker 1: Super Bowl tomorrow, and you will have seen it two

1276
01:07:04,040 --> 01:07:07,520
Speaker 1: days ago, which is yesterday tomorrow. I'm saying, of course

1277
01:07:07,560 --> 01:07:09,680
Speaker 1: in relation to today when I record it, and two

1278
01:07:09,760 --> 01:07:11,440
Speaker 1: days ago I'm saying, of course in relation to when

1279
01:07:11,480 --> 01:07:13,880
Speaker 1: this episode is released if you don't see it.

1280
01:07:15,440 --> 01:07:17,520
Speaker 2: The only thing I could predict now based on Brett's

1281
01:07:17,560 --> 01:07:19,440
Speaker 2: behavior during this episode and what he's doing right now,

1282
01:07:19,600 --> 01:07:24,400
Speaker 2: is he is hoping to render this commercial on his drums,

1283
01:07:25,520 --> 01:07:26,840
Speaker 2: and the drums are.

1284
01:07:27,360 --> 01:07:28,120
Speaker 3: Looked at him.

1285
01:07:30,440 --> 01:07:36,200
Speaker 1: Sex object for him. So let's all get on iTunes

1286
01:07:36,280 --> 01:07:39,680
Speaker 1: and rate us and subscribe and do everything good and

1287
01:07:39,960 --> 01:07:42,440
Speaker 1: say hi on Facebook, and we love to hear from

1288
01:07:42,480 --> 01:07:45,520
Speaker 1: our fans, and do go on read it and argue

1289
01:07:45,560 --> 01:07:47,800
Speaker 1: with each other and then about who is this a

1290
01:07:47,880 --> 01:07:50,920
Speaker 1: good guest and was it nice to hear us together?

1291
01:07:52,280 --> 01:07:57,360
Speaker 1: And then also go on the earwolf message board and

1292
01:07:57,640 --> 01:08:01,520
Speaker 1: just have a completely separate conversation just about your own friendship.

1293
01:08:03,200 --> 01:08:07,120
Speaker 1: Thanks for being here, and Brandon play us out Ombray.

1294
01:08:08,280 --> 01:08:08,920
Speaker 2: All right, So.

1295
01:08:11,120 --> 01:08:16,160
Speaker 4: Again I'm new to the podcast world. I am a storyteller,

1296
01:08:17,680 --> 01:08:21,560
Speaker 4: but I will maybe just say one ad again that

1297
01:08:21,800 --> 01:08:23,120
Speaker 4: I wish I had been able to put on the

1298
01:08:23,160 --> 01:08:25,519
Speaker 4: air that I wasn't. It's a little boy wakes up,

1299
01:08:25,520 --> 01:08:30,320
Speaker 4: it's Christmas morning, He's in Nazi Germany, and he realizes

1300
01:08:30,520 --> 01:08:33,559
Speaker 4: Christmas this year is going to be a whole lot different.

1301
01:08:35,040 --> 01:08:35,280
Speaker 5: Bye.

1302
01:08:40,800 --> 01:08:41,519
Speaker 2: This has been an.

1303
01:08:41,439 --> 01:08:45,200
Speaker 4: Earwolf production executive produced by Scott Ackerman, Adam Sachs, and

1304
01:08:45,320 --> 01:08:45,960
Speaker 4: Chris Bannon.

1305
01:08:46,200 --> 01:08:49,040
Speaker 1: For more information and content, visit earwolf dot com.