WEBVTT - A Time of Great Transformation

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<v Speaker 1>Good morning, peeps, and welcome to WIKA F Daily with

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<v Speaker 1>Meet your Girl Danielle Moody pre recording from the Home Bunker, Folks.

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<v Speaker 1>I'm very excited to bring to you UM. I guess

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<v Speaker 1>in the closure of our coverage of Imagine twenty two hundred,

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<v Speaker 1>where we have you have now heard um from three

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<v Speaker 1>different people, First the founder Tory Stevens that we interviewed

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<v Speaker 1>a couple of weeks ago, and now um you will

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<v Speaker 1>hear from next GENA Maguire. I have enjoyed so so

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<v Speaker 1>much these conversations with these amazing, brilliant fiction writers in

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<v Speaker 1>thinking about how they are reimagining our world and our

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<v Speaker 1>climate future. Imagine twenty two hundred Fix Climate Fiction Contest

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<v Speaker 1>recognizes stories that envision the next one hundred and eighty

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<v Speaker 1>years of equitable climate progress, imagining intersectional worlds of abundance, adaptation, reform,

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<v Speaker 1>and hope. I've really enjoyed reading these stories and interviewing

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<v Speaker 1>the writers who have such a clear understanding of the

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<v Speaker 1>climate crisis that we are in, but the possibilities that

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<v Speaker 1>we have. I think, oftentimes when we are locked in

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<v Speaker 1>to a cycle of grief, of sadness, of rage, anger

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<v Speaker 1>and look all things absolutely rightfully call for those emotions.

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<v Speaker 1>But then I want to present to you all the

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<v Speaker 1>other side of that, the ying to the yang, if

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<v Speaker 1>you will, which is, we cannot imagine a better world,

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<v Speaker 1>a better future, not for ourselves necessarily because we may

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<v Speaker 1>not see it, but for the generations that will come

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<v Speaker 1>behind us. If we are locked into a place of

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<v Speaker 1>rage and grief, that is a scarcity mindset. And in

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<v Speaker 1>order to think bigger and greater and innovate and create,

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<v Speaker 1>we must do so from a place of abundance. And

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<v Speaker 1>the only way that you get there is by rest. Right,

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<v Speaker 1>is by rest, is by relaxation, is by tending to

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<v Speaker 1>ourselves and what it is that we actually can control.

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<v Speaker 1>Because here's the thing, friends, if there is nothing else

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<v Speaker 1>that you realize over the last three years of living

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<v Speaker 1>inside of a global health pandemic and the meltdown of

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<v Speaker 1>our democracy, is that everything outside of us we don't

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<v Speaker 1>really have control over. We vote, we march, we give

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<v Speaker 1>money if we can, we volunteer, and we give our times.

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<v Speaker 1>But then after that we must put it down, put

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<v Speaker 1>the weight down right, and do things that are nurturing,

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<v Speaker 1>that are wholesome, that feel good for ourselves and those

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<v Speaker 1>that we love around us. We can't marinate in despair

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<v Speaker 1>and think that through that somehow by being committed to

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<v Speaker 1>grief and misery, that change is going to happen. Rest

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<v Speaker 1>is part of the resistance. Imagination, creativity, love, joy is

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<v Speaker 1>part of the resistance because when you think about what

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<v Speaker 1>the opposition wants, they want cruelty, they want devastation, they

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<v Speaker 1>want oppression. We don't have to give it to them.

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<v Speaker 1>So what I love about this story series and this

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<v Speaker 1>contest was taking something that is so huge of a problem,

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<v Speaker 1>so huge of an obstacle in our lives, which is

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<v Speaker 1>climate change, and not just being focused on our impending doom,

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<v Speaker 1>but imagining what happens when the systems that we believe

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<v Speaker 1>that could never fall do what can come in its place? Right,

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<v Speaker 1>I think about the phoenix rising from the ashes. I

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<v Speaker 1>think about a lotus flower pulling itself through mud. I

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<v Speaker 1>think about you know how sometimes breakdowns make room for

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<v Speaker 1>a breakthrough, and that what is required in this moment

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<v Speaker 1>is a shift in perspective, is a shift and how

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<v Speaker 1>we decide to take information in and what we decide

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<v Speaker 1>to do with it. Because each of us are powerful, right,

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<v Speaker 1>each of us are powerful in in our own ways.

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<v Speaker 1>And the thing that we are able to control is

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<v Speaker 1>how we show up right in all of the moments

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<v Speaker 1>of our lives. I want to give you an example

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<v Speaker 1>and tell you a little anecdote. The other day, one

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<v Speaker 1>of one of my friends received bad news that she

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<v Speaker 1>had seriously broken fractured her foot, broken it and she

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<v Speaker 1>had been walking on it and you know, there had

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<v Speaker 1>been swelling, but she thought it was from a prior

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<v Speaker 1>injury and not that she had had a new one.

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<v Speaker 1>So she goes to the doctor. They do an X

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<v Speaker 1>ray and lo and behold, Yes it's broken, and it

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<v Speaker 1>is a bad break. And all that is playing through

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<v Speaker 1>her mind is the fact that she has finally been

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<v Speaker 1>back in a workout plan, back feeling good about moving

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<v Speaker 1>her body and really like excited right and proud of

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<v Speaker 1>herself about, you know, the moves that she's making. And

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<v Speaker 1>as she sat in the doctor's office, she burst into

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<v Speaker 1>tears because all she could think about was that all

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<v Speaker 1>of the progress that she had made and the way

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<v Speaker 1>that she was feeling good was now gone because she

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<v Speaker 1>was going to be a mobile She couldn't even with

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<v Speaker 1>a walking boot. The doctor is like, the break is

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<v Speaker 1>really bad, and we need you to not walk at

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<v Speaker 1>all for the next two weeks and then we can

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<v Speaker 1>assess whether or not you need surgery. So as she's

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<v Speaker 1>relaying this to me, I hear the pain in her voice.

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<v Speaker 1>And if you all remember earlier, you know, at the

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<v Speaker 1>beginning of summer, I broke my toe, shattered it in

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<v Speaker 1>two places. Most people that break a toe we're in

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<v Speaker 1>a boot for four to six weeks. I was in

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<v Speaker 1>one for ten the entirety of the summer, and then

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<v Speaker 1>when I finally did get it off, I would get

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<v Speaker 1>COVID the month later. So it was quite a shit summer.

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<v Speaker 1>So I understood her angst and the pain that she

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<v Speaker 1>was going through, but I offered this. I said, you know,

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<v Speaker 1>I recognize how upsetting this is. I know that you

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<v Speaker 1>have been really excited about all the work that you've

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<v Speaker 1>been doing, all the work you've been putting into your fitness,

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<v Speaker 1>and I'm really proud of you. But I want to

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<v Speaker 1>offer something. Maybe you get with your trainer and you

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<v Speaker 1>do some chair workouts. Maybe you know, go on YouTube

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<v Speaker 1>and you see what kind of seated fitness you can

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<v Speaker 1>be doing, seated pilate, seated yoga. You know, I told

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<v Speaker 1>her that when I started to get really like frustrated

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<v Speaker 1>with the fact that this boot was not coming off

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<v Speaker 1>of my own foot, I started to do seated shadow

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<v Speaker 1>boxing because it just made me feel better to just

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<v Speaker 1>work up a little bit of a sweat. So today

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<v Speaker 1>I received a text from my friend that said, my

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<v Speaker 1>trainer and I did a really amazing seated workout today.

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<v Speaker 1>Thank you so much for reminding me not to quit

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<v Speaker 1>and to just adjust. And that's the thing that that's

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<v Speaker 1>the message, honestly that I'm carrying for the end of

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<v Speaker 1>this year and for the rest of my life. Frankly,

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<v Speaker 1>quitting should never be an option, not quitting on our democracy,

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<v Speaker 1>not quitting on our planet, not quitting on ourselves. We

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<v Speaker 1>just need to adjust. We need to adjust our perspective,

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<v Speaker 1>open up our hearts and adjust, you know, our mindset

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<v Speaker 1>and our ability to expand our thought and our way

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<v Speaker 1>of being. And when we do so, things don't seem

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<v Speaker 1>so bad. You can take them in pieces. And so

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<v Speaker 1>I think that the beauty of this series Imagine twenty

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<v Speaker 1>two hundred offers us real insight through creativity, through fiction,

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<v Speaker 1>the ways in which we can create a better and

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<v Speaker 1>more symbiotic relationship with the planet. With the animals, with

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<v Speaker 1>the air, with the water, with the land, and that

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<v Speaker 1>it doesn't have to be a zero sum probability. So

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<v Speaker 1>coming up next, friends, my conversation with Gena McGuire about

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<v Speaker 1>her story By the Skin of Your Teeth amid the

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<v Speaker 1>Sharks and the Waves of Hawaii, Two people discover something

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<v Speaker 1>important about themselves and each other, Folks. I am very

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<v Speaker 1>excited to welcome to wok F Daily. For the very

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<v Speaker 1>first time, we have been in conversation, folks, with some

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<v Speaker 1>of the finalist in the Imagine twenty two hundred uh

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<v Speaker 1>fixes Climate Fiction contest, which recognizes stories that envision the

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<v Speaker 1>next one hundred and eighty years of equitable climate progress,

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<v Speaker 1>imagining intersectional world of abundance, adaptation, reform and hope. And

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<v Speaker 1>today I'm very excited to be with the second place winner,

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<v Speaker 1>Gina McGuire, whose story is entitled By the Skin of

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<v Speaker 1>Your Teeth amid the Sharks and Waves of Hawaii. Two

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<v Speaker 1>people discover something important about themselves and each other. Gina, Welcome,

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<v Speaker 1>joke Fum. You know I want folks who have been

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<v Speaker 1>listening to your other Grist colleagues to get an understanding

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<v Speaker 1>from you first about the themes surrounding your your story

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<v Speaker 1>and congratulations on your second place. When um, this story

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<v Speaker 1>itself will be linked in the episode in the notes

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<v Speaker 1>so that folks can absolutely listen to this interview and

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<v Speaker 1>then go ahead, uh and read or listen to your piece.

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<v Speaker 1>But can you can you talk to us about about

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<v Speaker 1>the themes around your story? Yeah? So, UM, I love

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<v Speaker 1>what Grist is doing about imagining the next one hundred

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<v Speaker 1>you know, eighty years twenty two hundred and UM. For me,

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<v Speaker 1>when I was you know, when you think about climate futures,

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<v Speaker 1>and that's like the basic prompt, right, and um, it's

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<v Speaker 1>often I think fairly bleak futures that we often are envisioning, right.

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<v Speaker 1>And so for me, I'm both Polish and Native Hawaiian.

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<v Speaker 1>I grew up in Hawaii. But when I envisioned the

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<v Speaker 1>future and and I and you know, you don't have

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<v Speaker 1>that very hopeful feeling going into it, and you're like, well,

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<v Speaker 1>how do I write something that's not just dark? Um?

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<v Speaker 1>And so when I understand doing it, well, I I'm

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<v Speaker 1>thinking about you know, indigenous people's, about native people's, Native Hawaiian, um,

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<v Speaker 1>a lot of Pacific islanders, and for us climate futures,

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<v Speaker 1>I feel aren't in the future, Like, it's not. It's

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<v Speaker 1>something that we're dealing with right now. And if we

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<v Speaker 1>think about people in Boganville or Cure Boss, even in Hawaii,

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<v Speaker 1>we're seeing it, and we have these histories of adaptation

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<v Speaker 1>and and resilience and strength. And so what I really

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<v Speaker 1>wanted to bring forward into my fiction my future is

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<v Speaker 1>what if we change the narrative from like, from putting

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<v Speaker 1>Native people as like adapting to having some kind of

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<v Speaker 1>sovereignty over their own future. And so in this story

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<v Speaker 1>it's based in Hawaii and oev characters that I'm not

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<v Speaker 1>talking about political sovereignty necessarily, but having the decision and

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<v Speaker 1>the ability to make your own decisions for your own

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<v Speaker 1>aina of land. And see, that was my hope for

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<v Speaker 1>that story. So yeah, that's kind of that was what

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<v Speaker 1>drove it. And then in the midst of all of that,

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<v Speaker 1>I bringing forward grief and unrequited love and angst and

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<v Speaker 1>bringing that all together, So trying to speak across I

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<v Speaker 1>write kind of on behalf of and for Native peoples.

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<v Speaker 1>That's kind of my whole thing, But trying to create

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<v Speaker 1>characters and emotions that are speak to the human condition

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<v Speaker 1>and are kind of I don't want to say universal

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<v Speaker 1>things that regardless of your background, hopefully you can like

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<v Speaker 1>you feel it. So, yeah, that's the story. I thought

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<v Speaker 1>that your story was so beautiful one the imagery that

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<v Speaker 1>it created. And again, folks, the story is by the

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<v Speaker 1>skin of your teeth, the imagery that it created of

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<v Speaker 1>being on this beautiful, vast ocean, of being a protector

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<v Speaker 1>and a guardian of the of the largest mammals. Right,

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<v Speaker 1>there was a symbiotic nature that was being presented that

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<v Speaker 1>I think, you know, I guess my question for you

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<v Speaker 1>is this is that indigenous culture and practice is something

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<v Speaker 1>that colonizers extinguished, right kind of in this way of

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<v Speaker 1>eye alone can fix this. And so your primitive indigenous

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<v Speaker 1>way of thinking primitive, I use in quotation marks, we

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<v Speaker 1>don't need. Yeah, And I think that what we are

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<v Speaker 1>seeing and what we are living in and the reality

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<v Speaker 1>that we're living in, as as as the climate crisis

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<v Speaker 1>is now here, it was impending, you know twenty years ago.

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<v Speaker 1>It is now literally on our shores, in our fields,

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<v Speaker 1>you know, in these fires, hurricanes, tornadoes, in the warming seas.

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<v Speaker 1>Talk to me about this, this symbiotic relationship that you created,

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<v Speaker 1>UM with these guardians, Um and these and these waterways

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<v Speaker 1>and how it is entwined in both the world that

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<v Speaker 1>you were creating but also the world that you that

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<v Speaker 1>you live in as a as a as a native. Yeah,

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<v Speaker 1>now that's a really beautiful question. And um, all different,

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<v Speaker 1>I mean, indigenous culture is all very different. So I'll

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<v Speaker 1>just talk about it from an OIV kind of standpoint. But, um,

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<v Speaker 1>this idea of kinship, and I don't even like I work.

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<v Speaker 1>I'm a PhD student and I also work for the

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<v Speaker 1>Four Service, so I work in environmental science and then create.

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<v Speaker 1>I'm trying to be a creative writer. But I love it.

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<v Speaker 1>I love that. That's amazing. Thank you trying to juggle

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<v Speaker 1>these um these different worlds and like you just said,

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<v Speaker 1>like you know, I don't want to call it Western science,

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<v Speaker 1>but often not being able to speak to or understand

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<v Speaker 1>necessarily that the way that the story ends, right is

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<v Speaker 1>the ocean itself. The waves are kind of acknowledging the

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<v Speaker 1>characters and their ask for help, and then we have

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<v Speaker 1>these really kin based relationships and ancestral relationships with sharks

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<v Speaker 1>in the story. So that doesn't translate very easily when

0:16:31.960 --> 0:16:35.000
<v Speaker 1>we're talking about environmental science. Um, but I think we

0:16:35.120 --> 0:16:37.720
<v Speaker 1>need more of it and we need more dialogue between

0:16:37.760 --> 0:16:46.000
<v Speaker 1>the two. Also, just this idea I like the word

0:16:46.080 --> 0:16:51.640
<v Speaker 1>that you use, but this idea of like a symbiotic relationship.

0:16:53.160 --> 0:16:55.360
<v Speaker 1>I want to say win win, But there there has

0:16:55.400 --> 0:16:59.080
<v Speaker 1>to be ways right that people aren't like the bad

0:16:59.120 --> 0:17:03.200
<v Speaker 1>guys an environment quite often, you know, it's like we

0:17:03.280 --> 0:17:07.520
<v Speaker 1>talk about pollution and deforestation over fishing, they're all and

0:17:07.560 --> 0:17:13.840
<v Speaker 1>those are all anthropogenic harmships on the environment. And So

0:17:14.400 --> 0:17:16.280
<v Speaker 1>what I love about fiction and what I love about

0:17:16.320 --> 0:17:20.159
<v Speaker 1>writing as opposed to doing maybe hardcore science, is that

0:17:20.359 --> 0:17:24.520
<v Speaker 1>like we can imagine these futures or kind of be

0:17:24.560 --> 0:17:27.159
<v Speaker 1>a little bit more radical with thinking about care based

0:17:27.200 --> 0:17:30.400
<v Speaker 1>relationships and what it means to have one on one

0:17:30.600 --> 0:17:35.120
<v Speaker 1>relationships with individual places and creatures and things like that.

0:17:35.200 --> 0:17:38.360
<v Speaker 1>So yeah, I love that question. I don't know how

0:17:38.400 --> 0:17:41.080
<v Speaker 1>we bring more of that into like the real world,

0:17:41.119 --> 0:17:43.760
<v Speaker 1>but that's what I would love to keep writing about

0:17:43.800 --> 0:17:48.560
<v Speaker 1>and see happening, you know. I it's so interesting to

0:17:48.680 --> 0:17:52.720
<v Speaker 1>me because I feel like we always tend to look

0:17:52.720 --> 0:17:55.760
<v Speaker 1>at the problem as being too big to be able

0:17:55.800 --> 0:18:01.240
<v Speaker 1>to imagine possibilities outside of what we can see. And

0:18:01.440 --> 0:18:06.640
<v Speaker 1>I think that the beauty of fiction writing, particularly around futurism,

0:18:07.480 --> 0:18:12.000
<v Speaker 1>is giving a freedom, um to the reality that you

0:18:12.080 --> 0:18:15.960
<v Speaker 1>exist in as a PhD student, Like this is the reality, right,

0:18:16.000 --> 0:18:19.639
<v Speaker 1>and if I had the ability to imagine something different,

0:18:19.720 --> 0:18:25.240
<v Speaker 1>something great, or something beyond fear right, which I think

0:18:25.359 --> 0:18:29.080
<v Speaker 1>is also something that you, um that is talked about

0:18:29.160 --> 0:18:33.320
<v Speaker 1>in in in your story is this you know, what

0:18:33.480 --> 0:18:38.840
<v Speaker 1>is fear? Um? And and how fear how fear is

0:18:39.440 --> 0:18:44.840
<v Speaker 1>translated differently among people. So I want to also like

0:18:45.000 --> 0:18:48.840
<v Speaker 1>ask you, you know, with your main characters and this

0:18:49.000 --> 0:18:54.360
<v Speaker 1>and this, um, what becomes a love story? UM? What

0:18:54.359 --> 0:18:57.399
<v Speaker 1>what was it about? You know? And trying not to

0:18:57.400 --> 0:18:59.960
<v Speaker 1>give too much away, but what is it about the

0:19:00.119 --> 0:19:04.840
<v Speaker 1>conversation around fear and around love that you felt necessary

0:19:05.000 --> 0:19:12.120
<v Speaker 1>for your peace? I love that question. UM. I think

0:19:12.160 --> 0:19:17.240
<v Speaker 1>personally I have me but like um, you know I was,

0:19:17.840 --> 0:19:21.280
<v Speaker 1>I have been going through unrequitted love. So identifying both

0:19:21.359 --> 0:19:25.240
<v Speaker 1>on the other on the um our male character side

0:19:25.240 --> 0:19:27.439
<v Speaker 1>of like you know, I loved this person for like

0:19:27.520 --> 0:19:31.680
<v Speaker 1>forever and you don't know it. And I think that

0:19:31.840 --> 0:19:35.680
<v Speaker 1>is also almost a metaphor for the the the sea

0:19:35.760 --> 0:19:38.720
<v Speaker 1>and the land and like having all of that love

0:19:39.000 --> 0:19:44.320
<v Speaker 1>for us um, and then my female character UM, just

0:19:44.600 --> 0:19:47.520
<v Speaker 1>chalk full of grief and rage and just like I'm

0:19:47.560 --> 0:19:51.359
<v Speaker 1>not I don't given like just like I'm not afraid

0:19:51.400 --> 0:19:54.280
<v Speaker 1>of anything because I've already lost it all. And so

0:19:54.320 --> 0:19:59.480
<v Speaker 1>I think, UM, kind of having these two clashing kind

0:19:59.480 --> 0:20:03.800
<v Speaker 1>of narrative between this hopeful romantic energy UM, and I

0:20:03.840 --> 0:20:06.840
<v Speaker 1>think that reflects some of of my own like hopeful

0:20:06.960 --> 0:20:11.520
<v Speaker 1>romantic energy for our futures and then this awful grief

0:20:11.520 --> 0:20:15.119
<v Speaker 1>and rage UM. And I feel like I've been in

0:20:15.160 --> 0:20:17.640
<v Speaker 1>that state for a while thinking about, you know, our

0:20:17.760 --> 0:20:20.720
<v Speaker 1>environmental futures. And so it's kind of a battle of

0:20:20.760 --> 0:20:25.320
<v Speaker 1>the two UM metaphorically and like big picture UM. And

0:20:25.359 --> 0:20:29.919
<v Speaker 1>so then the coming together at the end and the

0:20:30.200 --> 0:20:35.200
<v Speaker 1>having the ocean and her husband having passed away like

0:20:35.600 --> 0:20:38.960
<v Speaker 1>picking opehe so like him being a part of that

0:20:39.720 --> 0:20:43.240
<v Speaker 1>UM and having the ancestral realm and the spirit realm

0:20:43.280 --> 0:20:47.080
<v Speaker 1>and the ocean realm all kind of acknowledging that union

0:20:47.320 --> 0:20:52.760
<v Speaker 1>of both of those energies. I think big pictures kind

0:20:52.760 --> 0:20:56.280
<v Speaker 1>of telling for what we need both of those things

0:20:56.320 --> 0:21:00.800
<v Speaker 1>going forward, UM, in in our interactions with the environment

0:21:00.800 --> 0:21:03.240
<v Speaker 1>and with each other. So yeah, I don't know if

0:21:03.240 --> 0:21:11.080
<v Speaker 1>I answered that, no, you did, you did in the

0:21:11.240 --> 0:21:15.480
<v Speaker 1>stark reality of what we are being presented with, which

0:21:15.760 --> 0:21:20.199
<v Speaker 1>is catastrophe, right, like that is. I don't think that

0:21:20.240 --> 0:21:24.399
<v Speaker 1>I'm hyperbolic to say that when every hurricane, fire and

0:21:24.520 --> 0:21:29.000
<v Speaker 1>tornado season is more historic than the last, that we

0:21:29.040 --> 0:21:31.280
<v Speaker 1>are in a problematic zone. I don't think that it's

0:21:31.320 --> 0:21:34.200
<v Speaker 1>crazy that at the time of this recording, I woke

0:21:34.280 --> 0:21:37.879
<v Speaker 1>up to seventy two degree temperatures in New York on

0:21:38.040 --> 0:21:41.600
<v Speaker 1>November in November, right, and that is and that is

0:21:42.040 --> 0:21:44.960
<v Speaker 1>that has been the norm. It's my birthday month and

0:21:45.080 --> 0:21:48.440
<v Speaker 1>my birthday week. It has been the norm over the

0:21:48.560 --> 0:21:52.360
<v Speaker 1>last ten years. I don't remember wearing I haven't worn

0:21:52.400 --> 0:21:57.840
<v Speaker 1>a coat or a scar for anything on my birthday

0:21:58.480 --> 0:22:02.879
<v Speaker 1>for the last several years. Wow, Because it has been

0:22:03.000 --> 0:22:07.880
<v Speaker 1>roughly in the high sixties or seventies in November. So

0:22:08.040 --> 0:22:11.440
<v Speaker 1>when I when I say that, to say that, you know,

0:22:14.520 --> 0:22:19.040
<v Speaker 1>we're living at a time of great transformation. And I

0:22:19.040 --> 0:22:21.000
<v Speaker 1>guess I want to get a sense from you where

0:22:21.040 --> 0:22:23.600
<v Speaker 1>you live in a place that, in many people's minds,

0:22:23.840 --> 0:22:28.800
<v Speaker 1>right is the idealic you know, center of beauty and

0:22:28.920 --> 0:22:33.439
<v Speaker 1>of environmentalism and a forestry and waterfalls and rainbows and

0:22:33.480 --> 0:22:38.160
<v Speaker 1>all of these things. Are what are the sentiments, right,

0:22:38.480 --> 0:22:45.119
<v Speaker 1>the lived realities of a place that is both a

0:22:45.200 --> 0:22:49.719
<v Speaker 1>part of and removed from mainland. And so because of

0:22:49.760 --> 0:22:55.280
<v Speaker 1>being removed from mainland and situated in the sea, will

0:22:55.320 --> 0:22:59.399
<v Speaker 1>be the first part, you know, of the United States

0:22:59.400 --> 0:23:02.040
<v Speaker 1>outside of Florida and you know, in the Key and

0:23:02.119 --> 0:23:07.760
<v Speaker 1>the southern coastal regions to be adversely affected. Yeah, by

0:23:07.800 --> 0:23:10.560
<v Speaker 1>this great transformation that we're in. So can you give

0:23:10.640 --> 0:23:17.720
<v Speaker 1>us a perspective or some insight into what those feelings are? Yeah? No,

0:23:17.880 --> 0:23:20.560
<v Speaker 1>I love your I mean talking about New York being

0:23:20.560 --> 0:23:24.399
<v Speaker 1>seventy two degrees this morning, I'm like, oh my goodness, Yeah,

0:23:24.440 --> 0:23:29.400
<v Speaker 1>it's real, and yeah, I think you know, I struggle.

0:23:29.520 --> 0:23:32.480
<v Speaker 1>I go back and forth because we are removed from

0:23:32.480 --> 0:23:34.840
<v Speaker 1>the mainland. We are very We're one of the most

0:23:34.920 --> 0:23:38.280
<v Speaker 1>isolated places in the world. We're surrounded by this amazing ocean,

0:23:38.359 --> 0:23:41.440
<v Speaker 1>which is both kind of a climate stabilizer, but then

0:23:41.480 --> 0:23:44.960
<v Speaker 1>we're also dealing with sea level rise. And then when

0:23:44.960 --> 0:23:50.880
<v Speaker 1>you put that like reality into conversation and combination with

0:23:51.600 --> 0:23:56.080
<v Speaker 1>the legacies of I don't want to say colonialism, but

0:23:56.160 --> 0:23:59.520
<v Speaker 1>the legacies of why Kiki used to be a wetland

0:23:59.600 --> 0:24:03.120
<v Speaker 1>like to be a marsh kind of area, and they

0:24:03.200 --> 0:24:05.840
<v Speaker 1>brought in sand. They continue to bring in sand to

0:24:05.960 --> 0:24:09.240
<v Speaker 1>make this little fairy tale place for tourists, which is

0:24:09.240 --> 0:24:13.600
<v Speaker 1>awesome that it's kind of concentrated in one place, it's everywhere.

0:24:13.640 --> 0:24:16.760
<v Speaker 1>But you know, um, when you do sea level rise

0:24:16.800 --> 0:24:21.720
<v Speaker 1>projections for Waikiki, it's that whole area. Um, you talk

0:24:21.760 --> 0:24:26.800
<v Speaker 1>about parking structures being underwater. And so we've dramatically altered,

0:24:27.880 --> 0:24:31.840
<v Speaker 1>altered these island spaces in ways that are not compatible,

0:24:31.840 --> 0:24:36.919
<v Speaker 1>are rigid and just not not right. And then we

0:24:37.040 --> 0:24:39.440
<v Speaker 1>put it into combination with things like we've got some

0:24:39.520 --> 0:24:43.199
<v Speaker 1>of the nations I think, um, I don't quote me

0:24:43.240 --> 0:24:48.199
<v Speaker 1>on this, but you know, thousands of cesspools which we

0:24:48.280 --> 0:24:52.359
<v Speaker 1>don't have centralized sewage treatment in a lot of places

0:24:52.359 --> 0:24:56.080
<v Speaker 1>in Hawaii. So then we're thinking about our groundwater resources

0:24:56.080 --> 0:25:01.040
<v Speaker 1>and sea level rise an inundation of our ground water. Um.

0:25:01.119 --> 0:25:03.600
<v Speaker 1>And if we're talking about you know, rainfall, a lot

0:25:03.640 --> 0:25:06.160
<v Speaker 1>of people are on catchment here. So there's a lot

0:25:06.200 --> 0:25:11.560
<v Speaker 1>of like decentralized systems that I don't think are prepared

0:25:11.840 --> 0:25:15.560
<v Speaker 1>to to live in that future yet. And so being

0:25:15.600 --> 0:25:18.479
<v Speaker 1>in a way and being remote, I think we have

0:25:18.720 --> 0:25:21.439
<v Speaker 1>awesome opportunity, and like you said, it's kind of this

0:25:21.520 --> 0:25:23.399
<v Speaker 1>ideal place. I think we are one of the people

0:25:23.440 --> 0:25:28.320
<v Speaker 1>who people states in the US that are we have

0:25:28.359 --> 0:25:32.840
<v Speaker 1>a carbon neutrality goal trying to like start on this pathway.

0:25:32.880 --> 0:25:36.480
<v Speaker 1>But yeah, it's gonna be rough, and there's a lot

0:25:36.520 --> 0:25:41.639
<v Speaker 1>of um legacies and histories that are gonna contribute to

0:25:41.880 --> 0:25:46.239
<v Speaker 1>it being a really rough transition for sure. Yeah, so

0:25:46.280 --> 0:25:49.720
<v Speaker 1>it's not it's not as maybe ideal as maybe people

0:25:49.800 --> 0:25:52.600
<v Speaker 1>think it is. But yeah, and I think I mean

0:25:52.640 --> 0:25:55.080
<v Speaker 1>but that that you know that that's kind of the point.

0:25:55.119 --> 0:25:58.520
<v Speaker 1>And I'm so glad that you brought it to the

0:25:58.560 --> 0:26:02.240
<v Speaker 1>forefront because I think that oftentimes we look at these

0:26:02.280 --> 0:26:08.200
<v Speaker 1>areas that mainland people in many countries go to visit, right,

0:26:08.680 --> 0:26:11.240
<v Speaker 1>and and think like, oh, it's a respite for them

0:26:11.320 --> 0:26:15.760
<v Speaker 1>from you know, the inundation of city life, mainland life,

0:26:15.800 --> 0:26:19.000
<v Speaker 1>you know, what have you. But we are not connecting

0:26:19.040 --> 0:26:22.280
<v Speaker 1>the dots when we're talking about climate change where we're

0:26:22.320 --> 0:26:26.800
<v Speaker 1>talking about the climate crisis to actual people, yeah, and

0:26:26.880 --> 0:26:30.080
<v Speaker 1>to how it is affecting actual people and how it

0:26:30.119 --> 0:26:33.840
<v Speaker 1>will ultimately affect all of us. And so I wonder,

0:26:33.960 --> 0:26:40.000
<v Speaker 1>like in your PhD program, um, you know, as and

0:26:40.400 --> 0:26:43.880
<v Speaker 1>your work with UM with the forestry. Like, as you're

0:26:44.000 --> 0:26:50.440
<v Speaker 1>looking at how we are dealing with these issues, do

0:26:50.520 --> 0:26:58.400
<v Speaker 1>you see any optimism? Yes, yeah, yes, yeah for sure.

0:26:58.960 --> 0:27:01.919
<v Speaker 1>And I think kind of going back to like the

0:27:01.960 --> 0:27:05.080
<v Speaker 1>creative writing lens, but then also the for street lens.

0:27:05.160 --> 0:27:08.720
<v Speaker 1>I think for me, it's about looking backwards to look forward.

0:27:08.840 --> 0:27:14.879
<v Speaker 1>And so I am optimistic. I think, you know, the

0:27:15.560 --> 0:27:18.639
<v Speaker 1>we've got some really great minds thinking together, and but

0:27:18.720 --> 0:27:21.840
<v Speaker 1>I think the shift that needs to happen that hasn't

0:27:21.880 --> 0:27:27.840
<v Speaker 1>happened yet maybe is I feel like it's easy to

0:27:27.880 --> 0:27:30.320
<v Speaker 1>be like, oh, yeah, it's big corporations. I don't have

0:27:30.359 --> 0:27:35.400
<v Speaker 1>control over it, like it's beyond me, or you know,

0:27:36.119 --> 0:27:40.000
<v Speaker 1>getting political will to make certain things happen, like getting

0:27:40.000 --> 0:27:42.760
<v Speaker 1>the funding for a sewage treatment plant or something like that,

0:27:42.880 --> 0:27:46.399
<v Speaker 1>or stopping before station that all of these issues are

0:27:46.520 --> 0:27:50.000
<v Speaker 1>very can be very abstract and even for like a

0:27:50.040 --> 0:27:53.479
<v Speaker 1>government agency or a nonprofit that's trying to tackle these issues.

0:27:53.480 --> 0:27:58.800
<v Speaker 1>And so thinking more on what is my kuliana, which

0:27:58.800 --> 0:28:01.720
<v Speaker 1>in Hawaiian is just you have a right but also

0:28:01.920 --> 0:28:04.359
<v Speaker 1>you have a privilege to something, but it's dependent on

0:28:07.520 --> 0:28:10.640
<v Speaker 1>hard to translate, but your responsibility and so I think

0:28:10.960 --> 0:28:15.719
<v Speaker 1>for me is kind of each person has a kuliana

0:28:15.920 --> 0:28:19.200
<v Speaker 1>to something right, and so that's hard to do when

0:28:19.200 --> 0:28:21.560
<v Speaker 1>people are working forty hours a week and like they've

0:28:21.560 --> 0:28:25.000
<v Speaker 1>got their kids and bills and jobs, and but yeah,

0:28:25.080 --> 0:28:28.600
<v Speaker 1>I think it's gonna have to start on a much

0:28:28.640 --> 0:28:34.520
<v Speaker 1>more individual, ancestral and place based kind of arena. And

0:28:34.560 --> 0:28:36.440
<v Speaker 1>then the question for people like me who work in

0:28:36.520 --> 0:28:39.080
<v Speaker 1>environmental science is how do we empower and make that

0:28:39.160 --> 0:28:43.040
<v Speaker 1>possible for other people? But that's where I see the

0:28:43.080 --> 0:28:48.720
<v Speaker 1>optimism inclinment futures. But yeah, Gina, why do you think

0:28:48.760 --> 0:28:55.120
<v Speaker 1>that it is important for contests like Grists, Fixed Labs

0:28:55.240 --> 0:28:59.480
<v Speaker 1>contest around imagining an abundant future? Why do you think

0:28:59.520 --> 0:29:07.400
<v Speaker 1>that that is important, particularly around futurism science fiction, to

0:29:07.600 --> 0:29:12.560
<v Speaker 1>imagine abundance in our future. Yeah, I mean, I think

0:29:12.600 --> 0:29:15.920
<v Speaker 1>it's really easy to go for the dystopian. And I think,

0:29:16.000 --> 0:29:19.320
<v Speaker 1>you know, even in this kind of competition, we we all,

0:29:19.560 --> 0:29:22.840
<v Speaker 1>myself included, kind of have some kind of dystopian future,

0:29:22.960 --> 0:29:26.560
<v Speaker 1>like we're all like it's not it's dark, but something

0:29:26.600 --> 0:29:29.480
<v Speaker 1>like Grist where they're genuinely in the prompt saying we

0:29:29.560 --> 0:29:32.240
<v Speaker 1>need to be hopeful, we need to be creative. Let's

0:29:32.280 --> 0:29:36.320
<v Speaker 1>think about how our futures can be abundant, abundant in

0:29:36.480 --> 0:29:42.680
<v Speaker 1>not just resources or but abundant enjoy in spirit and

0:29:42.840 --> 0:29:46.720
<v Speaker 1>thinking what that looks like. So I think it's super important.

0:29:46.760 --> 0:29:50.160
<v Speaker 1>And I think when we need to be radical first

0:29:50.320 --> 0:29:53.440
<v Speaker 1>and then by doing things like this, having that creative

0:29:53.520 --> 0:29:58.480
<v Speaker 1>energy or these ideas, whether they're insane contraptions or different

0:29:58.560 --> 0:30:03.760
<v Speaker 1>kind of conservation programs or companies that are business smart

0:30:04.840 --> 0:30:07.840
<v Speaker 1>art not business smart, climate energy smart. So I think

0:30:08.240 --> 0:30:11.400
<v Speaker 1>once we have that radical, creative like energy out there,

0:30:11.440 --> 0:30:14.240
<v Speaker 1>maybe we can inspire people or there's a spark from

0:30:14.240 --> 0:30:18.400
<v Speaker 1>one of them that can can lead to something tangible

0:30:18.480 --> 0:30:21.680
<v Speaker 1>and concrete action. So I think we need the I

0:30:21.680 --> 0:30:23.400
<v Speaker 1>don't want to say the crazies, but we need the

0:30:23.480 --> 0:30:26.880
<v Speaker 1>visionaries out there to come up with these creative, awesome ideas.

0:30:26.880 --> 0:30:31.120
<v Speaker 1>And I'm so grateful that Grist does this because it's

0:30:31.160 --> 0:30:34.080
<v Speaker 1>so exciting. Like I'm still reading through everybody's stories. I

0:30:34.080 --> 0:30:38.360
<v Speaker 1>haven't gotten through everybody's but like Seven Sisters by m

0:30:38.680 --> 0:30:40.920
<v Speaker 1>Susan K. Quinn, I was like, I'm never going to

0:30:41.000 --> 0:30:43.560
<v Speaker 1>drink a cup of tea the same way like again. Ever,

0:30:44.000 --> 0:30:48.000
<v Speaker 1>it's just like you three stories alter you. And that's

0:30:48.040 --> 0:30:51.520
<v Speaker 1>what good art does. So I think, UM, yeah, I'm

0:30:51.560 --> 0:30:55.040
<v Speaker 1>super grateful for Grist for doing it. You know, I

0:30:55.160 --> 0:30:58.719
<v Speaker 1>think that what is really important in times of great

0:30:58.920 --> 0:31:05.080
<v Speaker 1>angst uh and instability is to really dive into art,

0:31:05.800 --> 0:31:10.280
<v Speaker 1>is to really like when the present finds itself UM

0:31:10.920 --> 0:31:14.400
<v Speaker 1>at a place of great friction. It is really important

0:31:14.400 --> 0:31:19.000
<v Speaker 1>to get to a place of imagination UM. Because I

0:31:19.040 --> 0:31:21.480
<v Speaker 1>think that it's I think it's really easy. I say

0:31:21.480 --> 0:31:25.200
<v Speaker 1>this to my listeners all the time. I, you know, uh,

0:31:25.960 --> 0:31:30.760
<v Speaker 1>vacillate between rage consistently and rest. And I think that

0:31:31.200 --> 0:31:34.080
<v Speaker 1>that I do all the time. And and rest is

0:31:34.120 --> 0:31:37.920
<v Speaker 1>where the creativity comes. You can't create in a place

0:31:37.920 --> 0:31:41.320
<v Speaker 1>of rage because it is restricting. It is it is

0:31:41.720 --> 0:31:45.080
<v Speaker 1>moving from a place of scarcity. And I think that

0:31:45.080 --> 0:31:48.080
<v Speaker 1>what I've loved about your story, what I loved about

0:31:48.200 --> 0:31:51.000
<v Speaker 1>the stories of the last few authors that we have

0:31:51.080 --> 0:31:56.959
<v Speaker 1>had on UM is I finish feeling abundant. I finish

0:31:57.080 --> 0:32:02.160
<v Speaker 1>feeling I finished feeling really power. So my last question

0:32:02.240 --> 0:32:05.560
<v Speaker 1>for you is what are you hoping that folks you

0:32:05.600 --> 0:32:08.080
<v Speaker 1>know listening to woke up and deciding that they want

0:32:08.080 --> 0:32:11.440
<v Speaker 1>to delve into all of the amazing Stories a part

0:32:11.520 --> 0:32:15.200
<v Speaker 1>of Imagine twenty two hundred. But what are your hopes

0:32:15.400 --> 0:32:18.760
<v Speaker 1>that people take away from this kind of this kind

0:32:18.760 --> 0:32:28.480
<v Speaker 1>of abundant, radical futurist storytelling. So many things, but I

0:32:28.520 --> 0:32:32.360
<v Speaker 1>hope that people, I hope they do dive into the

0:32:32.400 --> 0:32:35.880
<v Speaker 1>collection and read these stories and then realize that they everybody,

0:32:35.880 --> 0:32:38.640
<v Speaker 1>we each have our own story and our own contribution

0:32:39.200 --> 0:32:41.920
<v Speaker 1>and our own hopes for the future. And so I

0:32:41.920 --> 0:32:44.440
<v Speaker 1>think just acknowledging, like what do you even want to

0:32:44.440 --> 0:32:47.520
<v Speaker 1>see and pick envisioning that because I feel like a

0:32:47.560 --> 0:32:50.760
<v Speaker 1>lot of times it's hard to look past this year

0:32:50.920 --> 0:32:54.520
<v Speaker 1>or five years, but when you start pushing that timeline

0:32:54.560 --> 0:33:00.240
<v Speaker 1>to two hundred years, your grandchildren's grandchildren, like, you know, thinking,

0:33:00.760 --> 0:33:05.080
<v Speaker 1>I hope it helps people to think long term, big picture,

0:33:05.440 --> 0:33:09.720
<v Speaker 1>both forward looking and backward looking, thinking about their genealogies,

0:33:09.720 --> 0:33:14.040
<v Speaker 1>who they are, their stories, their kupuna, their ancestors, elder stories,

0:33:14.680 --> 0:33:18.360
<v Speaker 1>because there's value there and then and and thinking about

0:33:18.400 --> 0:33:22.320
<v Speaker 1>their own, yeah, their own narratives as having value and meaning.

0:33:22.400 --> 0:33:26.920
<v Speaker 1>And so I hope that's what this collection empowers um

0:33:27.000 --> 0:33:29.960
<v Speaker 1>and just I hope it gives people hope because I

0:33:30.000 --> 0:33:34.640
<v Speaker 1>feel like it's so easy to lose hope UM. And yeah,

0:33:34.760 --> 0:33:38.800
<v Speaker 1>I just I hope. I hope other people find some

0:33:38.880 --> 0:33:41.720
<v Speaker 1>kind of some threat or star that they can follow

0:33:41.760 --> 0:33:50.280
<v Speaker 1>and navigate towards something big, big feature UM thinking So yeah, Well, Gina,

0:33:50.480 --> 0:33:53.280
<v Speaker 1>I just I want to thank you for making the

0:33:53.280 --> 0:33:55.120
<v Speaker 1>time to join us on weka APP. I want to

0:33:55.160 --> 0:33:58.760
<v Speaker 1>thank you for this beautiful for this beautiful writing, UM,

0:33:59.160 --> 0:34:02.840
<v Speaker 1>and I hope to read more of your work well

0:34:02.880 --> 0:34:06.480
<v Speaker 1>into the future because it left me uplifted. M folks.

0:34:06.560 --> 0:34:11.000
<v Speaker 1>The story is by the skin of your teeth and

0:34:11.080 --> 0:34:14.719
<v Speaker 1>it is part of Imagine twenty two hundred fixes um

0:34:15.040 --> 0:34:20.560
<v Speaker 1>Futurist Creative Writing Contest, and we will link to to

0:34:20.719 --> 0:34:24.360
<v Speaker 1>the story to Gina's story in the in the notes

0:34:24.400 --> 0:34:27.040
<v Speaker 1>and Gina, thank you so much and I hope that

0:34:27.080 --> 0:34:35.320
<v Speaker 1>you'll come back having me. I appreciate it. That is

0:34:35.360 --> 0:34:38.040
<v Speaker 1>it for me today, dear friends on woke a app

0:34:38.120 --> 0:34:42.240
<v Speaker 1>as always, Power to the people and to all the people. Power,

0:34:42.600 --> 0:34:44.959
<v Speaker 1>get woke and stay woke as fuck.