WEBVTT - Samara Joy Part 1

0:00:00.360 --> 0:00:21.439
<v Speaker 1>Quest Left Show is a production of iHeart Radio. Ladies

0:00:21.480 --> 0:00:26.160
<v Speaker 1>and gentlemen, Welcome to the Quest Loft Show. I cannot

0:00:26.200 --> 0:00:31.200
<v Speaker 1>come up with enough superlatives to describe.

0:00:31.480 --> 0:00:34.560
<v Speaker 2>The gift that our guest today possesses.

0:00:35.080 --> 0:00:40.040
<v Speaker 1>Occasionally, in private, I will rant about my disdain and

0:00:40.080 --> 0:00:43.080
<v Speaker 1>dissatisfaction with the state of what we.

0:00:43.080 --> 0:00:44.400
<v Speaker 2>Call music today.

0:00:44.560 --> 0:00:50.440
<v Speaker 1>But in twenty twenty two, when I received my Grammy ballot,

0:00:51.200 --> 0:00:54.520
<v Speaker 1>and you know, I'm looking at names of people that

0:00:54.560 --> 0:00:57.800
<v Speaker 1>I know personally, people that I've played with, people that

0:00:57.840 --> 0:01:02.480
<v Speaker 1>I'm friends with, Anita mar Apollo, Dommy and j D. Beck,

0:01:02.880 --> 0:01:07.160
<v Speaker 1>Lotto Man, Skin Money Long, Toby in a wigway, Molly

0:01:07.240 --> 0:01:12.880
<v Speaker 1>Tuttle wet Leg named them all. However, I chose the

0:01:13.160 --> 0:01:18.040
<v Speaker 1>right option when voting for the Best New Artist award,

0:01:18.200 --> 0:01:19.559
<v Speaker 1>and that is our guest today.

0:01:19.959 --> 0:01:23.319
<v Speaker 2>Welcome miss Joy to the show. How are you?

0:01:23.400 --> 0:01:29.440
<v Speaker 1>I'm well, walk with me just five minutes before when

0:01:29.440 --> 0:01:31.319
<v Speaker 1>you know your cat? Do you know who's like presenting

0:01:31.360 --> 0:01:32.080
<v Speaker 1>your category?

0:01:32.160 --> 0:01:35.240
<v Speaker 2>Like are you aware of these things? Oh? So you

0:01:35.280 --> 0:01:37.360
<v Speaker 2>had no idea, like when it's coming up in the.

0:01:38.120 --> 0:01:40.120
<v Speaker 3>And I was just coming from the red carpet, and

0:01:40.160 --> 0:01:43.399
<v Speaker 3>so I was a little disheveled because of what happened

0:01:43.400 --> 0:01:45.120
<v Speaker 3>earlier in the day. I had to change my outfit.

0:01:45.160 --> 0:01:46.880
<v Speaker 3>I had my little brother with me as my date,

0:01:46.920 --> 0:01:51.480
<v Speaker 3>and wait outfit was wearing. That was my second outfit.

0:01:53.160 --> 0:01:55.200
<v Speaker 3>It was only for the pretail, you know what I'm saying.

0:01:55.200 --> 0:01:57.440
<v Speaker 3>It was only for the live stream portion, right, and

0:01:57.440 --> 0:01:59.880
<v Speaker 3>it had to change, you know, until five minutes before.

0:02:00.000 --> 0:02:01.400
<v Speaker 3>I'm trying to get my seat and all these seat

0:02:01.440 --> 0:02:04.040
<v Speaker 3>fillers in my seat, So I couldn't really hate that

0:02:04.680 --> 0:02:07.240
<v Speaker 3>I couldn't get to my seat until the next commercial break.

0:02:07.720 --> 0:02:09.359
<v Speaker 3>But me and my little brother. Of course, it was

0:02:09.400 --> 0:02:13.280
<v Speaker 3>the anniversary, fiftieth anniversary a hip hop. I think that for.

0:02:13.200 --> 0:02:20.679
<v Speaker 2>Me really, that was a nightmare for me together, Okay, Rhymes.

0:02:20.400 --> 0:02:23.400
<v Speaker 3>Is on stage quienla tifa? It was, I mean it was.

0:02:23.400 --> 0:02:25.360
<v Speaker 3>We were having so much fun. So five minutes before

0:02:25.480 --> 0:02:27.600
<v Speaker 3>I was just like, there's no way this night is

0:02:27.639 --> 0:02:29.320
<v Speaker 3>even happening, Like this is amazing.

0:02:29.360 --> 0:02:31.960
<v Speaker 2>So you walked in right when the metal was happening.

0:02:32.200 --> 0:02:34.000
<v Speaker 3>No, I was like a couple of minutes before a

0:02:34.040 --> 0:02:36.360
<v Speaker 3>couple of minutes Okay, there was still some other awards

0:02:36.520 --> 0:02:38.360
<v Speaker 3>being given out, so yeah, I.

0:02:38.480 --> 0:02:39.400
<v Speaker 2>Was real for you.

0:02:40.280 --> 0:02:44.040
<v Speaker 1>I was there at the very beginning when I believe

0:02:44.120 --> 0:02:48.079
<v Speaker 1>Bad Bunny started the the telecast and he's dancing through

0:02:48.080 --> 0:02:51.160
<v Speaker 1>the audience and if you saw the layout of the

0:02:51.760 --> 0:02:55.280
<v Speaker 1>you know they have these like elegant cocktail tables.

0:02:55.639 --> 0:02:57.560
<v Speaker 3>With didn't really eat.

0:02:57.639 --> 0:03:02.480
<v Speaker 2>Yeah, she came, I don't know, like it was given that.

0:03:04.120 --> 0:03:09.080
<v Speaker 1>Yeah, you're trying to write exactly, and so somehow the

0:03:09.120 --> 0:03:13.079
<v Speaker 1>producer of the show, Jesse Collins, Now as you explained,

0:03:13.639 --> 0:03:17.680
<v Speaker 1>it was, you know, hip Hop's fiftieth anniversary and the

0:03:17.760 --> 0:03:19.000
<v Speaker 1>Roots put together.

0:03:19.639 --> 0:03:23.320
<v Speaker 2>This eleven minute presentation. The thing is is.

0:03:23.240 --> 0:03:27.800
<v Speaker 1>Because the the elaborate, sort of sprawling arrangement of the

0:03:27.800 --> 0:03:30.040
<v Speaker 1>whole thing, it's not a thing where it's just like

0:03:30.080 --> 0:03:32.640
<v Speaker 1>a band playing something and we can make adjustments later.

0:03:32.840 --> 0:03:36.240
<v Speaker 1>Like we're on a clock, like the the light people

0:03:36.840 --> 0:03:40.240
<v Speaker 1>have their cues for how it's going to go, the dancers, everything,

0:03:40.800 --> 0:03:45.000
<v Speaker 1>so everything's on a clock. And you know, I'm sitting

0:03:45.040 --> 0:03:49.200
<v Speaker 1>there watching Bad Bunny before him and my phone's going

0:03:49.280 --> 0:03:52.600
<v Speaker 1>off and it's like literally like nine one one, like

0:03:53.360 --> 0:03:58.400
<v Speaker 1>and I'm looking and I'm being told that Lil Wayne

0:03:58.480 --> 0:04:00.600
<v Speaker 1>has just dropped out.

0:04:00.240 --> 0:04:03.880
<v Speaker 2>Of the performance. No way, he just took his ball

0:04:03.880 --> 0:04:04.400
<v Speaker 2>and went home.

0:04:05.280 --> 0:04:09.160
<v Speaker 1>He had an altercation between some security person whatever.

0:04:09.480 --> 0:04:10.640
<v Speaker 2>It was like, well I'm going.

0:04:10.560 --> 0:04:15.600
<v Speaker 1>Home, damn, and like Barack Obama couldn't make him turn back.

0:04:16.200 --> 0:04:19.400
<v Speaker 1>And the thing is is that now I'm sitting in

0:04:19.440 --> 0:04:21.920
<v Speaker 1>the audience and bad bunnies like dancing on all the

0:04:22.000 --> 0:04:26.520
<v Speaker 1>dancers and everything, and so I can't get up with

0:04:27.480 --> 0:04:29.960
<v Speaker 1>less than an hour on the clock to figure out

0:04:30.200 --> 0:04:32.760
<v Speaker 1>what plan B is going to bring. Because it's a

0:04:32.800 --> 0:04:37.279
<v Speaker 1>live show, somebody has to let the light person know

0:04:37.560 --> 0:04:40.719
<v Speaker 1>that whatever we have designated between four minutes and twenty

0:04:40.760 --> 0:04:44.240
<v Speaker 1>seconds and six minutes and five seconds has to be edited,

0:04:44.760 --> 0:04:47.040
<v Speaker 1>like you gotta go to the teleprompter person. You gotta

0:04:47.080 --> 0:04:48.680
<v Speaker 1>go through like five different people.

0:04:49.600 --> 0:04:53.960
<v Speaker 2>We fixed that. So no, Millie, We're fine.

0:04:54.120 --> 0:04:57.520
<v Speaker 1>And then Future decides to drop out no because he

0:04:57.640 --> 0:04:58.640
<v Speaker 1>lost Album.

0:04:58.360 --> 0:05:00.360
<v Speaker 2>Of the Year to Kenchrick Labarn geez.

0:05:00.400 --> 0:05:03.039
<v Speaker 1>He's like I'm going home, and it's like, dude, you

0:05:02.279 --> 0:05:06.560
<v Speaker 1>got jeez. And this is with like mere seconds left.

0:05:06.640 --> 0:05:11.480
<v Speaker 1>So right now I will say getting through that nightmare

0:05:12.200 --> 0:05:17.320
<v Speaker 1>seeing you when Best New Artist, which yes I voted

0:05:17.360 --> 0:05:19.960
<v Speaker 1>for you, but I kind of felt like it was

0:05:19.960 --> 0:05:23.160
<v Speaker 1>a hell Mary throw from all the way in and

0:05:24.200 --> 0:05:26.360
<v Speaker 1>a miracle might happen because you know, you had a

0:05:26.400 --> 0:05:31.000
<v Speaker 1>stiff competition there, but I couldn't have been more happy

0:05:31.560 --> 0:05:33.120
<v Speaker 1>as if it happened to me.

0:05:33.360 --> 0:05:36.600
<v Speaker 2>So for you, though, like were you in your right mind?

0:05:38.600 --> 0:05:39.480
<v Speaker 2>That day was?

0:05:39.680 --> 0:05:42.080
<v Speaker 3>It was just it was just such an emotional weekend.

0:05:42.120 --> 0:05:44.560
<v Speaker 3>This is my first time at the Grammys, and so

0:05:44.960 --> 0:05:49.720
<v Speaker 3>I naturally brought my entire family what felt like, and

0:05:50.080 --> 0:05:52.520
<v Speaker 3>we stayed in this Airbnb right across the way from

0:05:52.640 --> 0:05:56.320
<v Speaker 3>Quincy Jones's house. So we felt very much fresh, Prince

0:05:56.320 --> 0:05:58.760
<v Speaker 3>of bel Air, very you know, we feel very It

0:05:58.760 --> 0:06:00.520
<v Speaker 3>felt like such a very special and I got the

0:06:00.600 --> 0:06:03.760
<v Speaker 3>chance to perform and be in LA and being all

0:06:03.800 --> 0:06:05.840
<v Speaker 3>these Circle See artists I only ever seen on TV.

0:06:06.360 --> 0:06:09.800
<v Speaker 3>So yeah, the whole the whole weekend was insane, and

0:06:09.880 --> 0:06:13.080
<v Speaker 3>so being there with my family, with my little brother,

0:06:13.920 --> 0:06:16.200
<v Speaker 3>I don't know. I wasn't expecting it. I know everybody

0:06:16.200 --> 0:06:21.080
<v Speaker 3>probably says that, but I really wasn't because all well,

0:06:21.320 --> 0:06:23.480
<v Speaker 3>I just I had just released the album that I

0:06:23.520 --> 0:06:26.640
<v Speaker 3>was nominated for that day two months prior, two and

0:06:26.680 --> 0:06:28.839
<v Speaker 3>a half months prior, I had just signed with a

0:06:28.839 --> 0:06:31.599
<v Speaker 3>big label, and so there were a lot of things,

0:06:31.600 --> 0:06:33.240
<v Speaker 3>there were a lot of firsts, and so I wasn't

0:06:33.240 --> 0:06:35.320
<v Speaker 3>expecting that to be one of them, the nomination much

0:06:35.360 --> 0:06:38.520
<v Speaker 3>less the the win. So it's just I'm just grateful

0:06:38.560 --> 0:06:38.760
<v Speaker 3>for it.

0:06:38.920 --> 0:06:42.159
<v Speaker 1>Were you kind of on the impression that no Morton

0:06:42.240 --> 0:06:45.640
<v Speaker 1>would know who you were or like not really familiar, see.

0:06:45.640 --> 0:06:49.960
<v Speaker 3>Absolutely, because I was just starting. I mean yeah, up

0:06:50.000 --> 0:06:52.279
<v Speaker 3>until up until that point, I only had two albums.

0:06:52.600 --> 0:06:54.760
<v Speaker 3>I had never you know, it was my first tours,

0:06:54.839 --> 0:06:56.640
<v Speaker 3>first performances, all that kind of stuff.

0:06:56.680 --> 0:07:00.080
<v Speaker 1>So yeah, but you gotta look at the totality of

0:07:00.120 --> 0:07:03.080
<v Speaker 1>this situation, like you're saying, I was just starting, like

0:07:04.000 --> 0:07:06.440
<v Speaker 1>kind of like a first time house painter, like you know, well,

0:07:06.480 --> 0:07:10.200
<v Speaker 1>I was just doing that, but you're sort of forgetting

0:07:10.560 --> 0:07:13.560
<v Speaker 1>what gift you're bringing to the table, which.

0:07:13.440 --> 0:07:14.880
<v Speaker 2>Kind of leads to my next thing.

0:07:15.040 --> 0:07:18.000
<v Speaker 1>You know, as a New Yorker, I will say that

0:07:18.280 --> 0:07:22.360
<v Speaker 1>ninety percent of the time. All right, this is the

0:07:22.360 --> 0:07:24.760
<v Speaker 1>worst one percent humble brag I'll ever say.

0:07:24.920 --> 0:07:27.440
<v Speaker 2>I'm always driving in New York. I'm not a.

0:07:27.400 --> 0:07:29.560
<v Speaker 1>Subway in New Yorker, so people don't see me as

0:07:29.560 --> 0:07:31.880
<v Speaker 1>a real New Yorker until I'm a subway.

0:07:32.120 --> 0:07:33.000
<v Speaker 2>Okay, so good.

0:07:34.160 --> 0:07:37.000
<v Speaker 1>So the thing is is that I'm always listening to

0:07:37.680 --> 0:07:43.800
<v Speaker 1>Wbgoye and that's our beloved local MPR jazz station for

0:07:43.840 --> 0:07:46.920
<v Speaker 1>the tri State and some other parts of the country

0:07:46.960 --> 0:07:50.440
<v Speaker 1>that can get it syndicated. And I always joke with

0:07:51.200 --> 0:07:54.960
<v Speaker 1>my high school buddy, Christian McBride. Yes, Christian has always

0:07:55.000 --> 0:07:58.320
<v Speaker 1>been seventy years old, even imagine a fifteen.

0:07:59.320 --> 0:08:02.680
<v Speaker 2>That's what you two have in common, both of you.

0:08:04.080 --> 0:08:05.040
<v Speaker 2>Both of you have.

0:08:04.960 --> 0:08:11.120
<v Speaker 1>Ancestors trapped inside you, some epogenetic thing. And usually if

0:08:11.160 --> 0:08:15.560
<v Speaker 1>something moves me, I will exam it. I have no

0:08:16.320 --> 0:08:19.160
<v Speaker 1>shame whatsoever mine. I will exam everything, because that's how

0:08:19.200 --> 0:08:21.280
<v Speaker 1>you learn something new.

0:08:22.280 --> 0:08:22.840
<v Speaker 2>This is weird.

0:08:22.920 --> 0:08:26.160
<v Speaker 1>On the pop side of things, it's always Bieber Oh,

0:08:26.600 --> 0:08:28.280
<v Speaker 1>Like I'll be in CVS at two in the morning

0:08:29.160 --> 0:08:30.800
<v Speaker 1>and then like, oh this is cool and I.

0:08:30.880 --> 0:08:33.120
<v Speaker 2>Look damn right.

0:08:33.559 --> 0:08:36.520
<v Speaker 1>So on the jazz side of things, literally like after

0:08:36.760 --> 0:08:37.800
<v Speaker 1>the eighth time.

0:08:38.320 --> 0:08:40.079
<v Speaker 3>Oh my god, Chris, I'm like.

0:08:40.080 --> 0:08:47.640
<v Speaker 1>Yo, that like, if ixam eight songs, then that means

0:08:47.920 --> 0:08:49.559
<v Speaker 1>I really must be a fan of this person.

0:08:52.040 --> 0:08:52.199
<v Speaker 2>Yo.

0:08:52.559 --> 0:08:56.040
<v Speaker 1>They love you and that's how why I love you.

0:08:56.160 --> 0:09:00.200
<v Speaker 1>So basically, like I had a whole narrative in my head.

0:09:00.440 --> 0:09:03.360
<v Speaker 1>I was like, wait a minute, so one named samar Joy.

0:09:03.559 --> 0:09:06.679
<v Speaker 1>She has a voice sounding like this, how come this

0:09:06.720 --> 0:09:08.959
<v Speaker 1>person had to been singing for at least forty years,

0:09:09.160 --> 0:09:11.960
<v Speaker 1>so I kind of thought we were in the same

0:09:12.040 --> 0:09:13.120
<v Speaker 1>age bracket.

0:09:14.280 --> 0:09:14.839
<v Speaker 3>Internally.

0:09:15.400 --> 0:09:19.360
<v Speaker 1>Literally in my mind, I was like, Wow, she's easily

0:09:19.640 --> 0:09:22.480
<v Speaker 1>forty five forty, Like I really thought there was a

0:09:22.520 --> 0:09:27.360
<v Speaker 1>five on the left digit of your age, right, there's.

0:09:27.160 --> 0:09:29.480
<v Speaker 3>The two in front of it. That's that's the only difference.

0:09:30.200 --> 0:09:33.199
<v Speaker 1>When I'm gonna tell you a level of depression four

0:09:33.280 --> 0:09:35.880
<v Speaker 1>days ago, when I really wanted to, like, I mean,

0:09:35.920 --> 0:09:37.600
<v Speaker 1>I knew everything. I knew all the music and all

0:09:37.600 --> 0:09:40.040
<v Speaker 1>that stuff, and so I just wanted to do general

0:09:40.080 --> 0:09:41.400
<v Speaker 1>brush up things that I didn't.

0:09:41.200 --> 0:09:42.880
<v Speaker 2>Know, like oh, where's she born? And all that stuff.

0:09:43.400 --> 0:09:46.960
<v Speaker 1>And so when I went to Wikipedia and I saw

0:09:48.200 --> 0:09:51.400
<v Speaker 1>that my first five albums are older than you, oh

0:09:51.440 --> 0:09:56.000
<v Speaker 1>my god. It's a level of depression I never felt before,

0:09:56.040 --> 0:09:59.640
<v Speaker 1>but also a level of ease because I was absolutely

0:09:59.679 --> 0:10:05.160
<v Speaker 1>certain that anyone I tag gen Z or Jen Alpha

0:10:05.679 --> 0:10:11.480
<v Speaker 1>just has an absolute disdain for anything in the rearview

0:10:11.480 --> 0:10:16.640
<v Speaker 1>mirror of music. How at what age did you notice

0:10:16.679 --> 0:10:19.959
<v Speaker 1>that your voice isn't like anyone else's.

0:10:22.160 --> 0:10:24.560
<v Speaker 2>When did this voice first materialize?

0:10:25.040 --> 0:10:27.520
<v Speaker 3>I guess I started singing and imitating what was already

0:10:27.559 --> 0:10:30.600
<v Speaker 3>around me. My family is from Philly. They have many

0:10:30.679 --> 0:10:33.360
<v Speaker 3>roots in Philly. My dad to Overbrook High School and

0:10:33.480 --> 0:10:37.080
<v Speaker 3>Strawberry Mansion. My mom is from South Philly, and my dad,

0:10:38.280 --> 0:10:41.800
<v Speaker 3>my grandfather, you know, they started. My grandfather and my grandmother,

0:10:42.120 --> 0:10:45.120
<v Speaker 3>Eldergowyron Ruth mclein did started a group called the Savettes

0:10:45.160 --> 0:10:48.520
<v Speaker 3>of Philadelphia and so hearing their recordings from nineteen sixty

0:10:48.520 --> 0:10:52.480
<v Speaker 3>two nineteen sixty six on albums like the Sensational Savettes

0:10:52.520 --> 0:10:55.600
<v Speaker 3>and Mercy Hearing my dad in his home studio writing

0:10:55.640 --> 0:10:59.800
<v Speaker 3>songs from its very beginning to when it was finally finished,

0:11:00.320 --> 0:11:02.920
<v Speaker 3>Singing to and from school, listening to my mom's music,

0:11:03.120 --> 0:11:06.000
<v Speaker 3>Luther Vandros and Stevie Wonder and you know, all of

0:11:06.000 --> 0:11:08.000
<v Speaker 3>these different influences. My dad is a bass player too.

0:11:08.120 --> 0:11:10.120
<v Speaker 2>Could they trick you into the family business?

0:11:11.160 --> 0:11:13.480
<v Speaker 3>It was definitely, you know, I was absorbing what was

0:11:13.480 --> 0:11:15.319
<v Speaker 3>around me. You know. I listened to the Brothers Johnson,

0:11:15.440 --> 0:11:18.199
<v Speaker 3>I listened to the Spinners and the Whispers and all

0:11:18.200 --> 0:11:19.600
<v Speaker 3>this kind of so all of this I was kind

0:11:19.640 --> 0:11:22.160
<v Speaker 3>of I don't know, I was just absorbing it. And

0:11:22.240 --> 0:11:24.200
<v Speaker 3>I think because of that, maybe I just had a

0:11:24.240 --> 0:11:26.840
<v Speaker 3>certain ear, certain.

0:11:28.200 --> 0:11:31.520
<v Speaker 1>Obsession maybe with the reason why I'm asking that is

0:11:31.559 --> 0:11:36.400
<v Speaker 1>because Okay, so I too grew up in a similar situation.

0:11:36.760 --> 0:11:39.480
<v Speaker 1>My dad was an oldies duop singer from the fifties,

0:11:40.679 --> 0:11:43.760
<v Speaker 1>and when I was in first grade, I went to

0:11:43.800 --> 0:11:48.920
<v Speaker 1>a performing arts high school and our homework assignment, we

0:11:49.120 --> 0:11:52.360
<v Speaker 1>all had to purchase songs in The Key of Life

0:11:52.600 --> 0:11:57.480
<v Speaker 1>came out the week that I started first grade. So

0:11:57.559 --> 0:11:59.960
<v Speaker 1>we all it was like, have your mommy and daddy

0:12:00.280 --> 0:12:04.240
<v Speaker 1>buy you this record, and we brought the record. We

0:12:04.280 --> 0:12:07.439
<v Speaker 1>all brought it in the next day, and for music

0:12:07.559 --> 0:12:10.760
<v Speaker 1>appreciation class we read the liner notes. You know, this

0:12:10.840 --> 0:12:12.800
<v Speaker 1>is the first time you saw like sprawling liner notes

0:12:12.800 --> 0:12:16.240
<v Speaker 1>and all that stuff. And so the thing is, the

0:12:16.600 --> 0:12:19.240
<v Speaker 1>next homework assignment was bring your favorite forty five in

0:12:20.360 --> 0:12:24.280
<v Speaker 1>and your favorite single. And you know, the kids in

0:12:24.320 --> 0:12:26.440
<v Speaker 1>my class are bringing.

0:12:26.120 --> 0:12:28.120
<v Speaker 2>In stuff of the day.

0:12:28.920 --> 0:12:31.280
<v Speaker 1>I come in with like Frankie Lymon and the teenagers

0:12:31.280 --> 0:12:34.440
<v Speaker 1>like Wider Fools fall in Love from like nineteen fifty something,

0:12:35.960 --> 0:12:38.800
<v Speaker 1>and I, honest to god, thought it was new music,

0:12:39.160 --> 0:12:42.559
<v Speaker 1>like my parents. My dad tricked me to thinking that

0:12:42.880 --> 0:12:48.640
<v Speaker 1>do wop and early rock was new. So I'm a

0:12:48.679 --> 0:12:50.920
<v Speaker 1>six year old that knows who chuck berry Is and

0:12:51.559 --> 0:12:54.240
<v Speaker 1>Bo Diddley and all this stuff in the way that

0:12:54.320 --> 0:12:56.520
<v Speaker 1>my teachers laughed like they were so amused, like.

0:12:56.480 --> 0:12:58.560
<v Speaker 2>Oh, no, this is music. Well, we were.

0:12:58.559 --> 0:13:02.600
<v Speaker 1>Kids a mirror and were feeling like, oh, they're bringing

0:13:02.600 --> 0:13:05.440
<v Speaker 1>in disco ducking y'all making me bringing like I was

0:13:05.600 --> 0:13:09.560
<v Speaker 1>angry at my parents for tricking me, like I later

0:13:09.640 --> 0:13:12.560
<v Speaker 1>found out, like, oh, there's old music, and there's my music.

0:13:12.679 --> 0:13:16.880
<v Speaker 1>And then finally my sister started feeding me what new

0:13:16.960 --> 0:13:21.520
<v Speaker 1>music was. But so for you though, like just typically

0:13:23.000 --> 0:13:26.719
<v Speaker 1>that is what was heard in the household or just okay, and.

0:13:26.679 --> 0:13:28.640
<v Speaker 3>Then what was whatever was on the radio. I mean,

0:13:28.679 --> 0:13:32.120
<v Speaker 3>I think because my family, at least they made it

0:13:32.160 --> 0:13:34.559
<v Speaker 3>look so easy. When I was younger, I just wanted

0:13:34.600 --> 0:13:37.400
<v Speaker 3>to be able to harmonize with anything, imitate any run

0:13:37.520 --> 0:13:40.120
<v Speaker 3>or riff or anything like that. And I also have

0:13:40.200 --> 0:13:43.520
<v Speaker 3>to slide this in my uncle. I forget how how

0:13:43.520 --> 0:13:46.880
<v Speaker 3>we're related. My uncle in law produced the album Suddenly

0:13:46.920 --> 0:13:50.640
<v Speaker 3>by Billy Ocean. He like wrote the whole thing Keith Diamond.

0:13:50.720 --> 0:13:52.679
<v Speaker 3>So I was just listening and absorbing and.

0:13:53.280 --> 0:13:58.320
<v Speaker 1>Keith Diamond, Yeah god damn, okay, I know shit, Okay.

0:13:58.040 --> 0:14:00.480
<v Speaker 3>So I was listening to his music. I was listening

0:14:00.559 --> 0:14:03.560
<v Speaker 3>to my dad's, my grandparents, so a combination of that

0:14:03.640 --> 0:14:05.480
<v Speaker 3>and whatever was popular, so you.

0:14:05.480 --> 0:14:11.439
<v Speaker 1>Lived in a gospel Christian household that did not penalize you.

0:14:11.280 --> 0:14:12.760
<v Speaker 2>For listening to secular music.

0:14:13.679 --> 0:14:18.680
<v Speaker 1>I always wanted to meet the generational chain breaking because

0:14:18.920 --> 0:14:22.760
<v Speaker 1>for a lot of other artists born in the seventies,

0:14:22.760 --> 0:14:25.760
<v Speaker 1>and I mean the Clarksist is probably the best example

0:14:26.320 --> 0:14:31.120
<v Speaker 1>where they're literally making up p funk songs and Stevie

0:14:31.200 --> 0:14:33.440
<v Speaker 1>Wonder songs because they can't listen to that in their

0:14:33.480 --> 0:14:37.080
<v Speaker 1>own households. And so you know, I always wondered, and

0:14:37.120 --> 0:14:38.680
<v Speaker 1>I asked them, like when you guys are doing an

0:14:38.720 --> 0:14:41.520
<v Speaker 1>overdose of the Holy Ghost, Like do they not know

0:14:41.560 --> 0:14:43.440
<v Speaker 1>that's Doctor Funkenstein by Parliament?

0:14:43.560 --> 0:14:48.040
<v Speaker 2>Like no one in your church is like objection, they're.

0:14:47.840 --> 0:14:49.920
<v Speaker 3>Not listening to that. So you know, if they knew

0:14:49.960 --> 0:14:52.160
<v Speaker 3>what it was, then maybe it would cause a problem.

0:14:52.200 --> 0:14:56.120
<v Speaker 1>But I always wondered if there is ever going to

0:14:56.120 --> 0:15:00.040
<v Speaker 1>be a day in which a Christian.

0:14:59.640 --> 0:15:06.880
<v Speaker 2>House is not going to be somewhat overbearing in what

0:15:06.960 --> 0:15:09.520
<v Speaker 2>you receive. And so okay, I think my yeah.

0:15:09.320 --> 0:15:12.600
<v Speaker 3>My dad definitely broke that because he was a bass player,

0:15:12.680 --> 0:15:14.560
<v Speaker 3>so he was just you know, He's born in nineteen

0:15:14.640 --> 0:15:17.600
<v Speaker 3>sixty and during the seventies he's learning how to play

0:15:17.640 --> 0:15:19.360
<v Speaker 3>bass and listening to all these things on the radio,

0:15:19.640 --> 0:15:22.160
<v Speaker 3>trying to learn the song before it goes off and

0:15:22.160 --> 0:15:24.560
<v Speaker 3>before his parents get home. I think he also tells

0:15:24.560 --> 0:15:26.800
<v Speaker 3>a story of how he was in church playing for

0:15:26.800 --> 0:15:28.800
<v Speaker 3>the first time and he played a Rick James bassline

0:15:29.160 --> 0:15:35.480
<v Speaker 3>and the drummer was, yo, you gotta stop playing that man.

0:15:35.600 --> 0:15:38.560
<v Speaker 2>I played right right.

0:15:41.440 --> 0:15:44.640
<v Speaker 1>Yeah, I got in trouble many times, like me coming

0:15:44.640 --> 0:15:46.960
<v Speaker 1>to the age of hip hop and drumming in my church.

0:15:47.240 --> 0:15:50.600
<v Speaker 1>If I start playing like top Building by the audio too,

0:15:50.960 --> 0:15:53.160
<v Speaker 1>or you would know as the drum beat is Real

0:15:53.200 --> 0:15:56.120
<v Speaker 1>Love by Mary J. Lodge or whatever like, then the

0:15:56.200 --> 0:15:58.400
<v Speaker 1>elders would start if the kids would start doing the

0:15:58.400 --> 0:16:01.240
<v Speaker 1>whop or whatever, like start dancing, and the elders look

0:16:01.280 --> 0:16:04.320
<v Speaker 1>at me like you're playing secular music, and I just

0:16:04.360 --> 0:16:07.160
<v Speaker 1>had to sort of morph back into a boring drummer.

0:16:19.080 --> 0:16:19.400
<v Speaker 2>Okay.

0:16:19.520 --> 0:16:22.400
<v Speaker 1>So I would like to talk about the Ellington Festival

0:16:22.640 --> 0:16:26.120
<v Speaker 1>competition at Jazz at Lincoln Center. Can you walk me

0:16:26.160 --> 0:16:30.120
<v Speaker 1>through that? What song did you sing? That Wild Christian?

0:16:30.200 --> 0:16:32.880
<v Speaker 1>And who else was part of the Do you know

0:16:32.920 --> 0:16:33.720
<v Speaker 1>who was part of.

0:16:33.640 --> 0:16:35.520
<v Speaker 2>The that one.

0:16:35.720 --> 0:16:38.440
<v Speaker 3>It was actually I know what you're saying there. I

0:16:38.440 --> 0:16:41.280
<v Speaker 3>actually did an essentially Ellington side thing when I was

0:16:41.280 --> 0:16:43.880
<v Speaker 3>in high school. The competition that Christian McBride was a

0:16:43.880 --> 0:16:46.680
<v Speaker 3>part of was the Syrevon competition, and that was when

0:16:46.680 --> 0:16:51.720
<v Speaker 3>I was junior in college, Okay, And during the Seravon competition,

0:16:51.960 --> 0:16:56.400
<v Speaker 3>McBride was a judge. Monifa Brown I think from WBGO,

0:16:57.080 --> 0:17:00.520
<v Speaker 3>Dede Bridgewater, Jane mon Height and my former a producer

0:17:00.560 --> 0:17:04.200
<v Speaker 3>and my former manager was a part of the judges

0:17:04.200 --> 0:17:08.040
<v Speaker 3>in the lineup. And that was my first competition ever. Definitely,

0:17:08.080 --> 0:17:10.480
<v Speaker 3>I was definitely nervous because I had only just started

0:17:10.520 --> 0:17:14.040
<v Speaker 3>learning about jazz when I got to college, so I

0:17:14.080 --> 0:17:17.199
<v Speaker 3>didn't feel that I was I didn't feel like I

0:17:17.280 --> 0:17:19.639
<v Speaker 3>was ready yet, you know, like everything that I was

0:17:19.720 --> 0:17:23.280
<v Speaker 3>learning didn't necessarily come out at the same time. Like

0:17:23.320 --> 0:17:25.320
<v Speaker 3>it took a lot of I don't know, I don't

0:17:25.359 --> 0:17:27.240
<v Speaker 3>know the right word ingestion is probably not the right word,

0:17:27.240 --> 0:17:28.840
<v Speaker 3>but it just took a lot of learning and a

0:17:28.840 --> 0:17:31.120
<v Speaker 3>lot of listening before it would actually become a part

0:17:31.160 --> 0:17:32.879
<v Speaker 3>of who I was, like become a part of my

0:17:33.119 --> 0:17:36.639
<v Speaker 3>language and my musical identity. But I tried anyway, and

0:17:36.760 --> 0:17:40.600
<v Speaker 3>thankfully McBride in them saw a potential.

0:17:40.960 --> 0:17:45.400
<v Speaker 1>Okay, so let's go to that. Let's go to two

0:17:45.480 --> 0:17:48.240
<v Speaker 1>thousand and nine when you're ten. Okay, have you ever

0:17:48.280 --> 0:17:49.239
<v Speaker 1>been to karaoke night?

0:17:49.880 --> 0:17:50.520
<v Speaker 2>No? Not?

0:17:50.640 --> 0:17:55.199
<v Speaker 3>At that point was yeah, no, no no.

0:17:55.280 --> 0:17:57.679
<v Speaker 2>But I just mean, like, do you have.

0:17:57.640 --> 0:18:02.760
<v Speaker 1>A brush in the shapur no everyday person voice?

0:18:03.280 --> 0:18:05.879
<v Speaker 3>Oh, I would say, so I would say it was

0:18:05.920 --> 0:18:08.199
<v Speaker 3>a little underdeveloped because then I was still trying to

0:18:08.200 --> 0:18:12.600
<v Speaker 3>copy my dad and my my parents and my my grandparents.

0:18:12.640 --> 0:18:13.040
<v Speaker 2>I meant.

0:18:13.280 --> 0:18:14.800
<v Speaker 3>And at that point, I think two thousand nine was

0:18:14.800 --> 0:18:16.720
<v Speaker 3>when Michael Jackson died, so I was like just becoming

0:18:16.720 --> 0:18:20.760
<v Speaker 3>obsessed with him. And uh yeah, I was just starting

0:18:20.760 --> 0:18:23.800
<v Speaker 3>to get into musical theater in school too, and performing

0:18:23.800 --> 0:18:26.040
<v Speaker 3>in front of people, being in choir. So I was

0:18:26.080 --> 0:18:27.679
<v Speaker 3>doing that kind of thing, you know, just trying to

0:18:28.080 --> 0:18:31.440
<v Speaker 3>trying to sing at every at every possible opportunity, right.

0:18:31.760 --> 0:18:34.280
<v Speaker 1>But I'm just saying that when you're emoting down or whatnot,

0:18:34.359 --> 0:18:36.800
<v Speaker 1>not like, are you not noticing people or like.

0:18:37.960 --> 0:18:41.200
<v Speaker 3>My dad definitely. I remember he called his brother and

0:18:41.240 --> 0:18:44.200
<v Speaker 3>my uncle one day and he was like, she sang

0:18:44.240 --> 0:18:45.960
<v Speaker 3>for me, my daughter sang for me. You got to hear,

0:18:46.040 --> 0:18:48.840
<v Speaker 3>and so I think I sang his eyes on the sparrow, and.

0:18:49.359 --> 0:18:52.959
<v Speaker 2>Oh my god, Dad put in a classic. Wait, I'm

0:18:53.000 --> 0:18:55.199
<v Speaker 2>gonna tell you something. I'm gonna tell you something.

0:18:56.200 --> 0:19:00.600
<v Speaker 1>The number one clause at my will don't say that,

0:19:00.720 --> 0:19:03.920
<v Speaker 1>So I do not want his eyes on the spat.

0:19:03.960 --> 0:19:05.639
<v Speaker 1>Can I tell you how many funerals I've been to,

0:19:06.680 --> 0:19:08.360
<v Speaker 1>even a non Christians like Yore's.

0:19:08.400 --> 0:19:10.840
<v Speaker 2>There's I'm not even having a funeral. That's how many

0:19:10.840 --> 0:19:12.800
<v Speaker 2>times I've heard his eyes on his barrel.

0:19:13.240 --> 0:19:16.720
<v Speaker 3>It's a classic, I know, but Laura Hill brought it

0:19:16.800 --> 0:19:19.760
<v Speaker 3>to a new generation. Now everybody you know, including myself,

0:19:19.800 --> 0:19:20.840
<v Speaker 3>tries to sing it like her.

0:19:21.119 --> 0:19:23.399
<v Speaker 2>So we have sister act to to blame for this.

0:19:23.560 --> 0:19:25.760
<v Speaker 3>No, I mean not to blame. I think I think

0:19:25.800 --> 0:19:27.440
<v Speaker 3>it should be credited it.

0:19:27.600 --> 0:19:30.000
<v Speaker 1>I did not see his sister Act too, so thus

0:19:30.080 --> 0:19:33.000
<v Speaker 1>I didn't realize that. That's why I made it come back. Okay,

0:19:33.560 --> 0:19:36.200
<v Speaker 1>it's a long story. I'm sorry I didn't see.

0:19:36.359 --> 0:19:38.240
<v Speaker 3>There's a lot of things you don't like. We need

0:19:38.280 --> 0:19:40.240
<v Speaker 3>to know everything.

0:19:40.480 --> 0:19:44.320
<v Speaker 2>I'm plus love. My name is love. My name is love. Ok.

0:19:44.920 --> 0:19:46.520
<v Speaker 3>You know his eyes on this barrow? Got it?

0:19:46.840 --> 0:19:47.040
<v Speaker 2>Yeah?

0:19:47.320 --> 0:19:50.720
<v Speaker 1>So in case I passed before. If they come to you,

0:19:53.920 --> 0:19:56.280
<v Speaker 1>someone's trying to control.

0:19:55.960 --> 0:19:58.840
<v Speaker 3>Me, You're come in a white robe and just descend

0:19:58.920 --> 0:19:59.639
<v Speaker 3>upon the building.

0:20:00.080 --> 0:20:03.520
<v Speaker 2>At the age of three or four. It wasn't like this, my.

0:20:03.600 --> 0:20:06.720
<v Speaker 3>Dad Okay, sorry, sorry, my dad does have a recording,

0:20:06.840 --> 0:20:10.760
<v Speaker 3>a recording of me on cassette singing you don't have

0:20:10.800 --> 0:20:14.119
<v Speaker 3>to call by usher, But that was just because it

0:20:14.119 --> 0:20:14.720
<v Speaker 3>was on the radio.

0:20:14.760 --> 0:20:17.560
<v Speaker 1>I guess were you matching his tone? Like were you

0:20:17.640 --> 0:20:18.920
<v Speaker 1>always this out?

0:20:19.280 --> 0:20:21.280
<v Speaker 3>Definitely wasn't saying the words, but I think I was

0:20:22.280 --> 0:20:23.359
<v Speaker 3>an altoe got it?

0:20:23.440 --> 0:20:23.800
<v Speaker 2>Okay.

0:20:24.240 --> 0:20:29.080
<v Speaker 1>I think around ninety seven is when the roots started

0:20:29.080 --> 0:20:33.040
<v Speaker 1>this idea of doing jam sessions in my living room,

0:20:34.160 --> 0:20:36.080
<v Speaker 1>and you know.

0:20:36.280 --> 0:20:42.160
<v Speaker 2>The first generation of like I think like eleven.

0:20:42.160 --> 0:20:47.200
<v Speaker 1>To twelve record deals were born out of that first gathering.

0:20:47.400 --> 0:20:51.960
<v Speaker 1>Like this is where Kendrick the Family Soul, Jazzy Fat Nasties,

0:20:52.480 --> 0:20:57.159
<v Speaker 1>Jill Scott who's working in retail Blao was in the

0:20:57.200 --> 0:21:01.520
<v Speaker 1>eighth grade music worked at the pizza shop. Like I'm like,

0:21:01.520 --> 0:21:03.880
<v Speaker 1>we're letting the pizza guy get on the microphone now,

0:21:03.920 --> 0:21:04.280
<v Speaker 1>Like this is what.

0:21:04.359 --> 0:21:07.040
<v Speaker 2>We're show time, Apollo, this is what we're doing. Wow.

0:21:07.040 --> 0:21:11.119
<v Speaker 1>But at one point my boy was like, Yo, you know,

0:21:11.240 --> 0:21:13.840
<v Speaker 1>my daughter's best friend has a voice like you.

0:21:13.760 --> 0:21:15.879
<v Speaker 2>Wouldn't believe and da da da da da. But she's like,

0:21:15.960 --> 0:21:18.280
<v Speaker 2>you know, eight, like nine years old.

0:21:18.440 --> 0:21:20.400
<v Speaker 1>And I was like, oh, we can't have nine years

0:21:20.440 --> 0:21:23.000
<v Speaker 1>old like in this environment or in the nightclub or whatever.

0:21:23.040 --> 0:21:27.400
<v Speaker 1>But sure enough, like four years straight, Jazmine Sullivan's dad

0:21:27.440 --> 0:21:30.960
<v Speaker 1>would drive her to the five spot or to Wetlands

0:21:31.040 --> 0:21:33.560
<v Speaker 1>or to my crib. She'd sleep in the back of

0:21:33.600 --> 0:21:35.480
<v Speaker 1>the car, and when it was the time first singing

0:21:35.520 --> 0:21:39.399
<v Speaker 1>three songs, he come in, but with that voice with

0:21:40.720 --> 0:21:44.000
<v Speaker 1>like nine years old but be an adult voice. And

0:21:44.040 --> 0:21:47.240
<v Speaker 1>so I'm so amazed that when people get that gift early,

0:21:47.400 --> 0:21:49.520
<v Speaker 1>do you have a ritual in taking care of your instrument.

0:21:50.320 --> 0:21:54.199
<v Speaker 3>I learned that in college. I think that because it

0:21:54.240 --> 0:21:55.840
<v Speaker 3>was my first time learning jazz. It was also my

0:21:55.880 --> 0:21:59.920
<v Speaker 3>first time kind of taking professional voice lessons. So honestly,

0:21:59.920 --> 0:22:04.200
<v Speaker 3>I just I look up different voice exercises ranging in difficulty,

0:22:05.119 --> 0:22:06.720
<v Speaker 3>and I decide what I want to work on, whether

0:22:06.760 --> 0:22:11.840
<v Speaker 3>it's intonation, whether it's breath support, whether it's flexibility, and

0:22:11.880 --> 0:22:14.159
<v Speaker 3>I just I do that, you know, and then if

0:22:14.200 --> 0:22:17.119
<v Speaker 3>I want to work on any other areas like my

0:22:17.200 --> 0:22:19.960
<v Speaker 3>piano like harmony or you know, things like that. I'll

0:22:20.000 --> 0:22:24.200
<v Speaker 3>study it, but it's usually just voice exercises to strengthen

0:22:24.200 --> 0:22:26.680
<v Speaker 3>any weaknesses I might have that I'm working on. That's

0:22:26.760 --> 0:22:27.959
<v Speaker 3>kind of how I maintain.

0:22:28.119 --> 0:22:31.400
<v Speaker 1>Okay, Well, speaking of Michael Jackson, have you ever gone

0:22:31.440 --> 0:22:34.080
<v Speaker 1>on YouTube to listen to his vocal warm ups with

0:22:34.560 --> 0:22:35.240
<v Speaker 1>Seth Riggs.

0:22:35.960 --> 0:22:40.320
<v Speaker 3>I don't think I have. I've heard like isolated tracks

0:22:40.480 --> 0:22:42.520
<v Speaker 3>and stuff like from his studio sessions, but I never

0:22:42.680 --> 0:22:43.840
<v Speaker 3>get his warm ups.

0:22:44.040 --> 0:22:47.760
<v Speaker 2>Yeah, no, literally, I believe on Is it still there?

0:22:47.960 --> 0:22:48.800
<v Speaker 2>Yes it is.

0:22:49.440 --> 0:22:54.440
<v Speaker 1>It's thirty minutes long and it's literally Michael Jackson two

0:22:54.480 --> 0:23:07.760
<v Speaker 1>seconds of it. So you can literally train with Michael Jackson.

0:23:08.000 --> 0:23:11.239
<v Speaker 1>He's training with and doing like all those like do

0:23:11.320 --> 0:23:13.399
<v Speaker 1>you have a actual vocal trainer or do you just

0:23:13.440 --> 0:23:14.160
<v Speaker 1>do this on your own?

0:23:14.200 --> 0:23:16.960
<v Speaker 3>Not at the moment, but everything that I learned about

0:23:17.240 --> 0:23:19.240
<v Speaker 3>vocal maintenance I learned while I was in college from

0:23:19.280 --> 0:23:21.680
<v Speaker 3>my two teachers. I had a classical teacher and a

0:23:21.760 --> 0:23:22.600
<v Speaker 3>jazz voice teacher.

0:23:23.520 --> 0:23:26.320
<v Speaker 2>Okay, so I'm still.

0:23:27.440 --> 0:23:33.680
<v Speaker 1>Processing that you discovered jazz in college. So how old

0:23:33.680 --> 0:23:37.720
<v Speaker 1>were you when music hits you? Not jazz, but music

0:23:37.960 --> 0:23:41.399
<v Speaker 1>like just in general, like what's your first musical memory.

0:23:41.880 --> 0:23:46.040
<v Speaker 3>My dad got me an iPod nano and he uploaded

0:23:46.040 --> 0:23:56.400
<v Speaker 3>it with all of his music, just like right, And honestly,

0:23:56.440 --> 0:23:57.919
<v Speaker 3>it was a bootleg one. I don't even think it

0:23:57.920 --> 0:23:59.520
<v Speaker 3>was a real Apple product. I think it was like

0:23:59.560 --> 0:24:01.520
<v Speaker 3>when you get from the corner store or something.

0:24:02.240 --> 0:24:06.439
<v Speaker 2>Like Kobe, like the Kobe brand or.

0:24:07.920 --> 0:24:10.640
<v Speaker 3>Oh no, it's literally just a little orange, you know.

0:24:10.760 --> 0:24:13.080
<v Speaker 3>He just he downloaded so much music. My uncle too,

0:24:13.480 --> 0:24:16.520
<v Speaker 3>he's a music fanatic, and he had an iPod filled

0:24:16.560 --> 0:24:19.320
<v Speaker 3>with so much stuff, and so he just he just

0:24:19.359 --> 0:24:21.320
<v Speaker 3>put a whole bunch of music on my iPod nano

0:24:21.400 --> 0:24:22.760
<v Speaker 3>and I was listening to it, and I feel like

0:24:22.800 --> 0:24:27.119
<v Speaker 3>that's when I really started noticing how the instruments interact together,

0:24:27.320 --> 0:24:29.800
<v Speaker 3>especially the bass. Obviously because of him, but I was

0:24:29.840 --> 0:24:32.240
<v Speaker 3>listening to people like George Duke for the first time.

0:24:32.400 --> 0:24:34.920
<v Speaker 3>The song called Images of Us. I can remember being

0:24:34.960 --> 0:24:37.520
<v Speaker 3>on the bus, you know, on the way to school

0:24:37.600 --> 0:24:40.399
<v Speaker 3>or from school, and just wereplaying it over and over again.

0:24:41.600 --> 0:24:44.000
<v Speaker 3>Same with the Luther Records, Kiki Sheard I used to

0:24:44.040 --> 0:24:48.560
<v Speaker 3>listen to all the time. Shaka Yeah, I just I

0:24:48.600 --> 0:24:49.440
<v Speaker 3>listened to all of them.

0:24:49.600 --> 0:24:53.919
<v Speaker 1>So if you're discovering jazz in college in your senior

0:24:54.000 --> 0:24:56.959
<v Speaker 1>year of high school, What do you think you're going

0:24:57.040 --> 0:24:57.919
<v Speaker 1>to go to college for?

0:24:59.400 --> 0:25:01.159
<v Speaker 3>I mean, I knew I wanted to sing, and so

0:25:01.320 --> 0:25:04.520
<v Speaker 3>at the time, I didn't have the money to go

0:25:04.560 --> 0:25:08.320
<v Speaker 3>to any of the big expensive schools, and obviously there's

0:25:08.320 --> 0:25:10.399
<v Speaker 3>not a where did you go gospel program? I went

0:25:10.440 --> 0:25:14.399
<v Speaker 3>to a state school called Sunny Purchase, and I didn't know.

0:25:14.440 --> 0:25:16.760
<v Speaker 3>I mean, the only programs, at least from what I saw,

0:25:16.760 --> 0:25:20.240
<v Speaker 3>that were available were either jazz voice or classical voice.

0:25:20.440 --> 0:25:22.600
<v Speaker 3>And I definitely didn't have the training to be a

0:25:22.600 --> 0:25:26.000
<v Speaker 3>classical vocalist. So I decided to just audition, you know,

0:25:26.080 --> 0:25:29.639
<v Speaker 3>for as many jazz voice programs as I could, and

0:25:29.800 --> 0:25:31.879
<v Speaker 3>a couple of schools. I also because I did this

0:25:31.960 --> 0:25:34.119
<v Speaker 3>program after school where they helped us, and so we

0:25:34.200 --> 0:25:37.040
<v Speaker 3>had to choose like six QUNI schools and four Sunnis

0:25:37.119 --> 0:25:40.159
<v Speaker 3>and like two private programs, and I just wanted to

0:25:40.160 --> 0:25:43.200
<v Speaker 3>make sure they had a vocal program, you know, even

0:25:43.240 --> 0:25:44.760
<v Speaker 3>if I didn't end up doing that, if I went

0:25:44.800 --> 0:25:46.719
<v Speaker 3>into business or you know whatever.

0:25:46.800 --> 0:25:49.440
<v Speaker 1>So so you just wanted vocal as like an elective

0:25:49.520 --> 0:25:50.360
<v Speaker 1>or just like a SID.

0:25:50.440 --> 0:25:52.720
<v Speaker 3>To have, just to have because I didn't know. I

0:25:52.760 --> 0:25:57.080
<v Speaker 3>didn't fit into I guess a specific lane or esthetic.

0:25:57.480 --> 0:25:59.760
<v Speaker 3>I loved R and B, I love gospel, I love

0:25:59.800 --> 0:26:02.680
<v Speaker 3>so like, but I just I didn't know if I could,

0:26:02.840 --> 0:26:05.760
<v Speaker 3>if I had the I don't know if it's strength

0:26:05.760 --> 0:26:07.680
<v Speaker 3>of its tenacity, if it's anything. I just didn't know

0:26:07.720 --> 0:26:11.000
<v Speaker 3>if I could really pursue a career in doing this

0:26:11.119 --> 0:26:13.679
<v Speaker 3>because I don't know. I just didn't feel like I

0:26:13.680 --> 0:26:16.359
<v Speaker 3>had the guts. So I'm glad that I went to

0:26:16.359 --> 0:26:18.760
<v Speaker 3>the vocal program at Sydney Purchase because they helped me.

0:26:18.960 --> 0:26:23.560
<v Speaker 1>Okay, So at what point did you feel comfortable in

0:26:24.400 --> 0:26:31.159
<v Speaker 1>knowing that one I landed in the touchdown zone and like,

0:26:31.640 --> 0:26:34.720
<v Speaker 1>this is this is where I belong and I have

0:26:34.800 --> 0:26:37.479
<v Speaker 1>a gift in zero to sixty.

0:26:38.480 --> 0:26:40.560
<v Speaker 2>Don't even give me that I'm still deciding.

0:26:41.080 --> 0:26:44.040
<v Speaker 3>No, I think I think my sophomore year of college, honestly,

0:26:44.160 --> 0:26:49.520
<v Speaker 3>because I auditioned with Blessed Assurance, and I think Route

0:26:49.600 --> 0:26:51.399
<v Speaker 3>sixty six because those are the only that was like

0:26:51.440 --> 0:26:53.159
<v Speaker 3>the only jazz song I knew at the time. I

0:26:53.200 --> 0:26:55.879
<v Speaker 3>didn't I hadn't heard Ella, I hadn't listened to Sarah,

0:26:55.960 --> 0:26:58.560
<v Speaker 3>I hadn't listened to Bird or did or anything. So

0:26:58.640 --> 0:27:00.560
<v Speaker 3>I was very new and very fresh, but I wanted

0:27:00.560 --> 0:27:03.919
<v Speaker 3>to learn. And I think my goal when I was

0:27:03.920 --> 0:27:06.280
<v Speaker 3>a freshman was like, even if I don't pursue jazz,

0:27:06.520 --> 0:27:08.199
<v Speaker 3>even if it doesn't end up being a career, I

0:27:08.200 --> 0:27:11.199
<v Speaker 3>still want to immerse myself in it and honestly just

0:27:11.240 --> 0:27:14.040
<v Speaker 3>be the best student I could be. But my sophomore year,

0:27:14.560 --> 0:27:16.879
<v Speaker 3>I had met so many other peers who were showing

0:27:16.920 --> 0:27:19.720
<v Speaker 3>me records, my teachers who were so passionate about it,

0:27:19.760 --> 0:27:22.399
<v Speaker 3>and who were playing on the scene. I started getting

0:27:22.440 --> 0:27:25.119
<v Speaker 3>like little gigs here and there, and so that's kind

0:27:25.119 --> 0:27:26.680
<v Speaker 3>of when I realized, like, Okay, I think I can

0:27:27.000 --> 0:27:29.119
<v Speaker 3>do this. I think I can be a part of

0:27:29.160 --> 0:27:31.639
<v Speaker 3>this world without letting go of what has you know,

0:27:31.880 --> 0:27:34.440
<v Speaker 3>formed me and informed my music and my voice. All

0:27:34.440 --> 0:27:38.280
<v Speaker 3>this time, I'm just adding another layer onto my identity

0:27:38.320 --> 0:27:40.639
<v Speaker 3>as an artist. So I think that's when I was like,

0:27:40.880 --> 0:27:42.680
<v Speaker 3>you know earlier to start studying and.

0:27:42.640 --> 0:27:47.440
<v Speaker 1>Want listening me and the world, and like, we're grateful

0:27:47.560 --> 0:27:51.200
<v Speaker 1>that you made this eleventh hour decision for your life

0:27:51.280 --> 0:27:54.879
<v Speaker 1>to change all of our lives. So that said, I

0:27:54.920 --> 0:28:01.240
<v Speaker 1>want to give you sixty seconds to convince fewtre Samaraw

0:28:01.280 --> 0:28:05.840
<v Speaker 1>Joyce out there to really pursue their dream because I

0:28:05.880 --> 0:28:08.400
<v Speaker 1>also believe that as black people.

0:28:09.000 --> 0:28:09.840
<v Speaker 2>And it's changing.

0:28:09.880 --> 0:28:12.680
<v Speaker 1>I think it's really changing with your generation more than me.

0:28:13.320 --> 0:28:17.040
<v Speaker 1>Even though I was brought into a world of creativity,

0:28:17.400 --> 0:28:20.640
<v Speaker 1>most of us are sort of placed in fight or

0:28:20.720 --> 0:28:23.959
<v Speaker 1>flight scenarios where it's like survival. I mean, I've come

0:28:23.960 --> 0:28:24.520
<v Speaker 1>from hip hop.

0:28:24.640 --> 0:28:25.359
<v Speaker 2>Hustle is our.

0:28:25.280 --> 0:28:29.520
<v Speaker 1>Favorite word, and hustling basically means like anything to survive.

0:28:29.560 --> 0:28:32.920
<v Speaker 1>I don't hear what it is, and we're just never

0:28:33.040 --> 0:28:37.879
<v Speaker 1>given the opportunity to dream and really think what is

0:28:37.920 --> 0:28:39.720
<v Speaker 1>it that I want to do and make last minute

0:28:39.760 --> 0:28:40.520
<v Speaker 1>decisions like.

0:28:40.520 --> 0:28:41.120
<v Speaker 2>Most of us.

0:28:41.920 --> 0:28:44.360
<v Speaker 1>I think the reason why I'm so like mind blown

0:28:45.120 --> 0:28:48.600
<v Speaker 1>that you made this pivotal decision at such a late

0:28:48.640 --> 0:28:53.760
<v Speaker 1>stage in life is because, I mean, literally, by the

0:28:53.760 --> 0:28:56.880
<v Speaker 1>age of four, I'm already in the family business, you know,

0:28:57.720 --> 0:29:00.800
<v Speaker 1>and it's more of a survival thing, you know, And

0:29:00.840 --> 0:29:03.120
<v Speaker 1>even as a teenager, I gotta get my family.

0:29:02.840 --> 0:29:05.160
<v Speaker 2>Out of here. I gotta get Hooker Crook. I got it.

0:29:05.600 --> 0:29:08.120
<v Speaker 2>I have to, and I manifested it.

0:29:08.160 --> 0:29:13.240
<v Speaker 1>But I would like you to convince because I'm certain

0:29:13.280 --> 0:29:17.280
<v Speaker 1>that there's someone on the edge of all right, let

0:29:17.320 --> 0:29:19.719
<v Speaker 1>me go to business school because you know, I can

0:29:19.800 --> 0:29:22.640
<v Speaker 1>make it a cushy six figure your job there, or

0:29:22.760 --> 0:29:25.480
<v Speaker 1>I could take a risk and really do something that

0:29:26.280 --> 0:29:26.600
<v Speaker 1>I know.

0:29:26.920 --> 0:29:29.480
<v Speaker 2>I'm talk to me as if I'm on.

0:29:29.480 --> 0:29:33.720
<v Speaker 3>The Okay, sixty seconds you.

0:29:33.680 --> 0:29:36.320
<v Speaker 2>Say, Oh, it doesn't take that long.

0:29:36.120 --> 0:29:39.400
<v Speaker 3>Word let me see. Okay, I know you've been thinking

0:29:39.440 --> 0:29:41.760
<v Speaker 3>about this for a while. Yes, and I think the

0:29:41.760 --> 0:29:45.040
<v Speaker 3>fact that you wake up thinking about music, thinking about

0:29:45.040 --> 0:29:47.560
<v Speaker 3>your art is a sign that you should keep going

0:29:47.600 --> 0:29:49.800
<v Speaker 3>and keep investing in it. And just remember that it

0:29:49.840 --> 0:29:52.800
<v Speaker 3>takes time to be great. It doesn't take that much

0:29:52.880 --> 0:29:57.160
<v Speaker 3>time to be famous and get your little spotlight, but

0:29:57.200 --> 0:29:59.400
<v Speaker 3>it takes time to actually be great and invest in

0:29:59.440 --> 0:30:03.680
<v Speaker 3>yourself and develop your weaknesses into strengths and become a

0:30:03.720 --> 0:30:05.880
<v Speaker 3>complete person, a whole person, so that you can be

0:30:05.920 --> 0:30:10.800
<v Speaker 3>a whole artist. So don't shortcut, take your time, have experiences,

0:30:10.920 --> 0:30:13.760
<v Speaker 3>meet people who are either of the same mindset or

0:30:13.840 --> 0:30:17.040
<v Speaker 3>can help you elevate. And always remember, if this is

0:30:17.040 --> 0:30:19.360
<v Speaker 3>what you're waking up thinking about, going to bed thinking about,

0:30:19.400 --> 0:30:21.040
<v Speaker 3>then this is what you need to do by any

0:30:21.080 --> 0:30:21.920
<v Speaker 3>means necessary.

0:30:23.200 --> 0:30:26.080
<v Speaker 2>Oh I'm not allowed to bast the table. Yes, I

0:30:26.120 --> 0:30:27.240
<v Speaker 2>appreciate that. Thank you.

0:30:28.000 --> 0:30:29.760
<v Speaker 3>I feel like you're going to grow up and pursue your.

0:30:29.760 --> 0:30:32.480
<v Speaker 2>Dreams now, I absolutely am, Yes, I do.

0:30:33.160 --> 0:30:36.560
<v Speaker 1>No, I'm serious, like I think it's important for all

0:30:36.600 --> 0:30:40.800
<v Speaker 1>of us. Like to me, that's the business that I'm

0:30:40.840 --> 0:30:44.080
<v Speaker 1>in right now in this part of my life, is

0:30:44.360 --> 0:30:48.560
<v Speaker 1>to make sure that that happens, that people understand that

0:30:48.600 --> 0:30:53.600
<v Speaker 1>their dreams are way more important than safety. We've done

0:30:53.640 --> 0:30:58.560
<v Speaker 1>safety for centuries. Let's try dreaming a little bit. So

0:30:58.680 --> 0:31:00.720
<v Speaker 1>you definitely feel like you made the right decision.

0:31:00.960 --> 0:31:04.440
<v Speaker 3>Yes, okay, absolutely, beauty, because I feel like I'm comfortable

0:31:05.280 --> 0:31:07.800
<v Speaker 3>singing this music and interpreting it in my own way.

0:31:07.840 --> 0:31:09.560
<v Speaker 3>But I also feel like I have so much growing

0:31:09.600 --> 0:31:12.960
<v Speaker 3>to do, gotch and so much to explore. And we

0:31:13.000 --> 0:31:16.280
<v Speaker 3>get the benefit of seeing artists that we love and

0:31:16.320 --> 0:31:19.240
<v Speaker 3>seeing their entire discographies in front of us and seeing

0:31:19.280 --> 0:31:24.280
<v Speaker 3>their journey and seeing what's possible. So I'm looking forward

0:31:24.360 --> 0:31:26.040
<v Speaker 3>to seeing what's possible and how I can take it

0:31:26.080 --> 0:31:26.560
<v Speaker 3>even further.

0:31:26.800 --> 0:31:28.560
<v Speaker 2>God, do you have a morning routine?

0:31:30.720 --> 0:31:34.200
<v Speaker 1>No, or what's what's the what's the first thing you

0:31:34.240 --> 0:31:36.480
<v Speaker 1>did with the first thirty minutes of your day today?

0:31:37.160 --> 0:31:39.960
<v Speaker 3>The first thirty minutes of my day today. I'm not

0:31:40.000 --> 0:31:42.680
<v Speaker 3>gonna lie to snooze my alarm like like at least

0:31:42.680 --> 0:31:45.280
<v Speaker 3>four times. But after that, you said an hour early,

0:31:45.400 --> 0:31:49.400
<v Speaker 3>just so, just because by the time I actually do

0:31:49.440 --> 0:31:50.280
<v Speaker 3>wake up, I'll be ready.

0:31:50.320 --> 0:31:50.680
<v Speaker 2>Gotcha.

0:31:52.080 --> 0:31:56.120
<v Speaker 3>Then I like to stew apples and put it over

0:31:56.200 --> 0:31:58.360
<v Speaker 3>yogurt because I'm trying to get on my on my

0:31:58.440 --> 0:32:03.680
<v Speaker 3>healthy kick after being on the road for the past year.

0:32:04.280 --> 0:32:04.600
<v Speaker 2>Got it.

0:32:06.160 --> 0:32:10.600
<v Speaker 1>Hotel room, serious, spaghetti bowl names too much.

0:32:10.480 --> 0:32:13.880
<v Speaker 3>For me, and I just I put on my music

0:32:13.920 --> 0:32:15.000
<v Speaker 3>and get ready pretty much.

0:32:15.280 --> 0:32:21.080
<v Speaker 2>Okay. What is the greatest cereal of all time? Hmmm,

0:32:21.360 --> 0:32:22.760
<v Speaker 2>I told you it's rapid fire time.

0:32:22.800 --> 0:32:24.720
<v Speaker 3>When I was growing up, it was honey bunches of oats.

0:32:24.840 --> 0:32:28.520
<v Speaker 3>You could not tear me away. Oh and uh Captain

0:32:28.560 --> 0:32:31.920
<v Speaker 3>crunch and corn pops. That was my joint.

0:32:31.960 --> 0:32:36.080
<v Speaker 2>You said the magic word. What is your favorite album

0:32:36.200 --> 0:32:37.760
<v Speaker 2>that you ever purchased?

0:32:39.360 --> 0:32:44.200
<v Speaker 3>Oh my god, I don't think I've purchased you. I

0:32:44.240 --> 0:32:44.800
<v Speaker 3>will say.

0:32:47.000 --> 0:32:51.120
<v Speaker 1>You started with I was born When I was born

0:32:51.120 --> 0:32:55.160
<v Speaker 1>in ninety nine, I know, I know, okay.

0:32:54.280 --> 0:32:57.080
<v Speaker 3>Loud, okay, the first. I haven't purchased an album at

0:32:57.160 --> 0:32:59.640
<v Speaker 3>least I don't think. But one of my dad's friends

0:32:59.640 --> 0:33:03.040
<v Speaker 3>gave me a bunch of his vinyl and uh, what

0:33:03.120 --> 0:33:06.120
<v Speaker 3>was it? It was an Algebra record. It's pink, I

0:33:06.160 --> 0:33:08.640
<v Speaker 3>can't remember. Well, yes, that was like one of the

0:33:08.640 --> 0:33:11.920
<v Speaker 3>first records I started. I played and George Benson Love

0:33:12.000 --> 0:33:13.520
<v Speaker 3>Times Love, Give Me the Night.

0:33:13.840 --> 0:33:17.480
<v Speaker 2>Nice? Okay, okay, Well that was my next question.

0:33:17.560 --> 0:33:19.880
<v Speaker 1>What was the album that someone put you onto that

0:33:19.920 --> 0:33:21.400
<v Speaker 1>you otherwise would have known about?

0:33:21.720 --> 0:33:24.000
<v Speaker 3>An album that somebody put me onto that nobody else?

0:33:24.800 --> 0:33:25.280
<v Speaker 2>Uh?

0:33:25.520 --> 0:33:26.040
<v Speaker 3>Voodoo?

0:33:27.320 --> 0:33:29.520
<v Speaker 2>Really? Yeah? Okay, I didn't know.

0:33:30.240 --> 0:33:31.440
<v Speaker 3>My brother started very late.

0:33:31.560 --> 0:33:31.760
<v Speaker 2>Yeah.

0:33:31.760 --> 0:33:33.880
<v Speaker 1>I was about to say, you were We were still

0:33:33.920 --> 0:33:36.680
<v Speaker 1>finishing when I was born.

0:33:36.720 --> 0:33:39.080
<v Speaker 2>We started when your parents were dating. Like, that's how

0:33:39.160 --> 0:33:40.240
<v Speaker 2>long the Angelo takes.

0:33:42.600 --> 0:33:44.520
<v Speaker 3>No, my brother was listening to it and I still

0:33:44.640 --> 0:33:46.760
<v Speaker 3>didn't really get put on until a couple of years

0:33:46.760 --> 0:33:47.120
<v Speaker 3>after that.

0:33:47.280 --> 0:33:51.080
<v Speaker 1>Okay, all right, so what's the bravest thing that you've

0:33:51.080 --> 0:33:51.719
<v Speaker 1>ever done?

0:33:52.160 --> 0:33:53.080
<v Speaker 3>I went parasailing?

0:33:53.640 --> 0:33:54.400
<v Speaker 2>What is that? Like?

0:33:54.760 --> 0:33:59.080
<v Speaker 3>It was insane because I think we were in the

0:33:59.120 --> 0:34:01.920
<v Speaker 3>south of France, was an off day from tour, and

0:34:01.960 --> 0:34:03.880
<v Speaker 3>I was like, let's just do it. And I was

0:34:03.960 --> 0:34:05.280
<v Speaker 3>up there and I was like, I really hope I

0:34:05.280 --> 0:34:07.880
<v Speaker 3>don't fall because I cannot swim, but this is a

0:34:07.920 --> 0:34:10.520
<v Speaker 3>beautiful view. I can't swim. I don't have a license,

0:34:10.600 --> 0:34:12.520
<v Speaker 3>like I have a lot to do this winter. I

0:34:13.120 --> 0:34:15.760
<v Speaker 3>have a lot to accomplish. Oh man, these are goals.

0:34:15.800 --> 0:34:19.320
<v Speaker 3>Once I'm home, once I have a solid five weeks,

0:34:19.600 --> 0:34:21.680
<v Speaker 3>I'm going to do everything I can to improve.

0:34:21.800 --> 0:34:23.120
<v Speaker 2>Okay, okay, south of France.

0:34:23.640 --> 0:34:26.000
<v Speaker 1>When I went to Nice for the first time, I

0:34:26.040 --> 0:34:30.680
<v Speaker 1>didn't go to parasaling, but I went Jesky not for you.

0:34:31.400 --> 0:34:32.640
<v Speaker 2>Wait, you want parasaling.

0:34:32.680 --> 0:34:35.560
<v Speaker 3>I need about seven life jackets because I promise I

0:34:35.600 --> 0:34:38.279
<v Speaker 3>will not make it well.

0:34:38.360 --> 0:34:40.279
<v Speaker 1>This is next year, because you're going to be on

0:34:40.320 --> 0:34:42.600
<v Speaker 1>the circuit for a long time.

0:34:42.719 --> 0:34:46.799
<v Speaker 2>So okay. When you sing who is your north Star?

0:34:46.920 --> 0:34:47.920
<v Speaker 2>Who do you channel?

0:34:48.280 --> 0:34:51.400
<v Speaker 3>It can be a combination of things from phrase to phrase, honestly,

0:34:51.600 --> 0:34:58.760
<v Speaker 3>Like sometimes I want to sing really legato and dramatic

0:34:58.800 --> 0:35:00.879
<v Speaker 3>and sort of operatic, and so think of Sarah von

0:35:01.440 --> 0:35:05.360
<v Speaker 3>or somebody like Jesse Norman. If I'm thinking more on

0:35:05.440 --> 0:35:08.319
<v Speaker 3>the on the powerful side, I think Aretha Franklin or

0:35:08.320 --> 0:35:14.720
<v Speaker 3>Mahelia sophisticated and elegant. Maybe Nancy Wilson and Abby Lincoln

0:35:14.800 --> 0:35:15.640
<v Speaker 3>and Betty Carter.

0:35:16.680 --> 0:35:21.239
<v Speaker 2>Sorry, the gods, I got it. The god. What is

0:35:21.280 --> 0:35:25.400
<v Speaker 2>the first song that you ever committed to memory.

0:35:26.120 --> 0:35:28.719
<v Speaker 3>I think O Happy Day, probably because we had to

0:35:28.760 --> 0:35:29.920
<v Speaker 3>sing it in church for Easter.

0:35:30.920 --> 0:35:31.480
<v Speaker 2>How a were you?

0:35:32.440 --> 0:35:36.040
<v Speaker 3>I might have been like seven years old and you

0:35:36.040 --> 0:35:38.560
<v Speaker 3>were singing lead? Yeah, I had a verse.

0:35:39.320 --> 0:35:41.839
<v Speaker 2>Okay, so you had a deep, rich voice even at

0:35:41.840 --> 0:35:42.680
<v Speaker 2>the age of seven.

0:35:43.520 --> 0:35:45.440
<v Speaker 3>I mean I could say yes right now. But if

0:35:45.440 --> 0:35:46.680
<v Speaker 3>they found a recording.

0:35:46.560 --> 0:35:49.400
<v Speaker 2>You weren't sing you were singing in you.

0:35:50.200 --> 0:35:52.160
<v Speaker 3>But I wasn't down low like Luthor either.

0:35:52.200 --> 0:35:52.480
<v Speaker 2>I was.

0:35:52.520 --> 0:35:53.440
<v Speaker 3>I was somewhere in the middle.

0:35:53.600 --> 0:35:54.360
<v Speaker 2>Okay.

0:35:54.560 --> 0:36:00.000
<v Speaker 1>So no, okay, I got all right. So you're gonna

0:36:00.080 --> 0:36:04.640
<v Speaker 1>make me a mixtape for road traveling? What five songs

0:36:04.719 --> 0:36:05.440
<v Speaker 1>are you choosing?

0:36:06.920 --> 0:36:09.920
<v Speaker 3>What five songs? Okay? Who do you Love? By Bernard Right,

0:36:10.680 --> 0:36:13.640
<v Speaker 3>Carmen McCrae's version of sprinking really hanging up the most?

0:36:14.000 --> 0:36:16.520
<v Speaker 2>Um, yeah, you should be making beats.

0:36:18.400 --> 0:36:19.759
<v Speaker 3>What's the third? What's the third? What was the third?

0:36:20.680 --> 0:36:24.320
<v Speaker 3>Maybe Miles Davis. He has a song called the Maids

0:36:24.320 --> 0:36:30.040
<v Speaker 3>of Cadiz on an album with Gil Evans. That's really good. No, no, no,

0:36:30.040 --> 0:36:32.040
<v Speaker 3>it's it's I think it's called Plus nineteen. No, it's

0:36:32.080 --> 0:36:36.680
<v Speaker 3>called Miles Ahead. I think ahead, Okay. The fourth would

0:36:36.760 --> 0:36:40.680
<v Speaker 3>be Grooven High by by bird By Charlie Parker, okay,

0:36:41.600 --> 0:36:44.080
<v Speaker 3>and the fifth would be I Know you, I Live

0:36:44.120 --> 0:36:44.799
<v Speaker 3>you Chaka Khan.

0:36:45.960 --> 0:36:49.560
<v Speaker 1>So wait, as a jazz student, was it required of

0:36:49.640 --> 0:36:52.000
<v Speaker 1>you to memorize the entire fake book?

0:36:52.320 --> 0:36:55.720
<v Speaker 3>No? No, no, no, no, I just listened to records.

0:36:56.160 --> 0:37:01.720
<v Speaker 1>All right, Wow, you're just a sponge all right, people.

0:37:02.000 --> 0:37:04.440
<v Speaker 1>I love this discussion with Samara Joy so much that

0:37:04.480 --> 0:37:08.200
<v Speaker 1>we ended up talking for nearly two hours. So as

0:37:08.200 --> 0:37:11.080
<v Speaker 1>we ease into the new year, we're breaking the conversation

0:37:11.239 --> 0:37:15.120
<v Speaker 1>into two parts. No I Know could have went on forever,

0:37:15.440 --> 0:37:17.640
<v Speaker 1>so be sure to come back next Wednesday for part two,

0:37:18.080 --> 0:37:21.239
<v Speaker 1>and make sure you're subscribed to our YouTube channel. Please

0:37:21.280 --> 0:37:24.879
<v Speaker 1>subscribe where you can find out all of our video conversations.

0:37:24.880 --> 0:37:26.279
<v Speaker 1>All right, Happy New Year.

0:37:26.280 --> 0:37:32.879
<v Speaker 2>Everybody. Quest Love Show is hosted by Me Mirror Quest

0:37:32.920 --> 0:37:36.000
<v Speaker 2>Love Thompson. The executive producers.

0:37:35.600 --> 0:37:41.480
<v Speaker 1>Are Sean g Brian Calhoun and Meet. Produced by Brittany

0:37:41.480 --> 0:37:43.040
<v Speaker 1>Benjamin and Jake Payne.

0:37:44.120 --> 0:37:46.000
<v Speaker 2>Produced for iHeart.

0:37:45.719 --> 0:37:51.240
<v Speaker 1>By Noel Brown, Edited by Alex Convoy. iHeart video support

0:37:51.360 --> 0:37:57.160
<v Speaker 1>by Mark Canton, Logos Graphics and animation by Nick Aloe.

0:37:58.560 --> 0:38:03.280
<v Speaker 1>Additional support by Lance oh Man. Special thanks to Kathy Brown.

0:38:04.800 --> 0:38:09.560
<v Speaker 1>Special thanks to Sugar Steve Mandel. Please subscribe, rate, review,

0:38:09.680 --> 0:38:13.240
<v Speaker 1>and share The Quest Love Show wherever you stream your podcast,

0:38:13.640 --> 0:38:18.760
<v Speaker 1>and make sure you follow us on socials that's at QLs.

0:38:20.200 --> 0:38:23.360
<v Speaker 1>Check out hundreds and hundreds of QLs episodes, including the

0:38:23.440 --> 0:38:29.120
<v Speaker 1>Quest Love Supreme Shows, in our podcast archives. The Questlup

0:38:29.120 --> 0:38:31.240
<v Speaker 1>Show is a production of iHeartRadio.