WEBVTT - Sharpay's Fabulous Adventure 0:00:14.640 --> 0:00:19.200 Hi, Sabrina, Hey will I just had a magical night 0:00:19.320 --> 0:00:19.800 last night. 0:00:20.040 --> 0:00:22.360 What okay, Well this could go a number of different ways. 0:00:22.360 --> 0:00:23.919 What what what what happened? 0:00:24.040 --> 0:00:25.040 You would you would? 0:00:25.200 --> 0:00:26.080 You would? 0:00:27.120 --> 0:00:29.840 I got to go to Club thirty three at Disney 0:00:30.200 --> 0:00:33.560 last night, which is your first time ever? No, I've 0:00:33.600 --> 0:00:37.920 We've been multiple times, and I always feel so lucky 0:00:38.000 --> 0:00:41.680 to get to go because it is such a cool experience. 0:00:41.760 --> 0:00:47.440 It's super exclusive and people This was my question to 0:00:47.479 --> 0:00:51.479 you this morning. Do people assume that things like getting 0:00:51.520 --> 0:00:54.240 into Disneyland, going to something like Club thirty three, or 0:00:54.280 --> 0:00:56.720 things that you just obviously do because you worked for 0:00:56.840 --> 0:00:59.600 Disney for so long, do people ask you that? And 0:00:59.640 --> 0:01:00.280 that is sumption? 0:01:00.760 --> 0:01:01.000 Yes. 0:01:01.080 --> 0:01:03.400 I mean maybe maybe not so much now, but when 0:01:03.400 --> 0:01:05.520 I was doing a lot, like we were doing Kimpossible 0:01:05.640 --> 0:01:08.000 or Yo Portants World or even some of the stuff 0:01:08.000 --> 0:01:10.319 for Disney after, they assumed that, yes, you could do 0:01:10.360 --> 0:01:11.800 I've only been in Club thirty three months. 0:01:12.319 --> 0:01:12.639 Ough. 0:01:13.080 --> 0:01:16.199 Well, I literally the way I get it, it was the funniest, 0:01:16.240 --> 0:01:20.160 like it's the craziest and just out of nowhere. So 0:01:20.440 --> 0:01:25.959 my husband's mom is a preschool teacher, okay, and her 0:01:25.959 --> 0:01:29.320 students love her. She's like the best. If her school 0:01:29.520 --> 0:01:33.479 wasn't like fifty minutes away from my house in the morning, 0:01:33.760 --> 0:01:36.480 my kids would be going just to have the experience 0:01:36.600 --> 0:01:40.280 of missus Lundberg as their teacher, because you just hear 0:01:40.319 --> 0:01:44.120 these magical things. She's great. Students love her. People ask 0:01:44.160 --> 0:01:46.480 for her if they have, like Axon a second or 0:01:46.480 --> 0:01:49.320 third child, you know, and whatever get placed. Well, a 0:01:49.400 --> 0:01:52.440 grandma of one of her students is a member, and 0:01:52.480 --> 0:01:56.360 that's how will you know. We don't overuse, we don't overask, 0:01:56.480 --> 0:01:58.320 but for every once in a while. And it was 0:01:58.520 --> 0:02:03.920 Jordan's sister's birthday, so we got to go. Jordan's sister. 0:02:03.960 --> 0:02:05.840 How do I put this without saying it out loud, 0:02:05.880 --> 0:02:08.960 because it's also supposed to be very secretive used to 0:02:09.080 --> 0:02:12.639 be very close with Alice in Wonderland. She looks very 0:02:12.720 --> 0:02:16.640 much like Alice, very close. She's friends with Mad Hatter, 0:02:16.840 --> 0:02:20.200 things like that, and they're doing it's the seventy fifth 0:02:20.240 --> 0:02:24.440 anniversary of Alice in Wonderland. All the plates were Alice, 0:02:24.560 --> 0:02:27.840 and there was heart shaped greenery with red roses, and 0:02:27.880 --> 0:02:30.359 I mean the detail of this place, as you can imagine, 0:02:30.480 --> 0:02:33.560 she's amazing. All of the Club thirty three gear and 0:02:33.639 --> 0:02:35.680 things that you can buy are Alice themes. It was 0:02:35.919 --> 0:02:39.800 so cool, will like. And then the most amazing thing. 0:02:39.840 --> 0:02:45.240 We had an amazing waitress who we started talking about it. 0:02:45.320 --> 0:02:47.919 She are the waitress we had at Club thirty three. 0:02:47.960 --> 0:02:53.320 Had been working at Disneyland for fifty five years can 0:02:53.360 --> 0:02:57.640 you imagine, and says she wishes she could have fifty 0:02:57.680 --> 0:03:00.000 five more years there, like loves it, thinks that every 0:03:00.000 --> 0:03:02.520 everyone in the world should work at Disneyland at some point. 0:03:03.120 --> 0:03:06.880 And so she had awesome stories. Her and Tiffany works 0:03:07.200 --> 0:03:10.640 sharing stories. And then at the end she brought over 0:03:10.880 --> 0:03:15.000 this Alice in Wonderland full tea set, which, as you 0:03:15.080 --> 0:03:16.640 know when you've been there, I'm sure you looked at 0:03:16.639 --> 0:03:20.000 the merch like whoa, Like that's not just like a 0:03:20.639 --> 0:03:24.079 small little gift and gifted it to her for her 0:03:24.160 --> 0:03:27.840 birthday and for all the time that she spent part 0:03:27.880 --> 0:03:28.440 of the park. 0:03:28.800 --> 0:03:29.320 Awesome. 0:03:29.520 --> 0:03:33.079 Well, I was waiting for cameras to come through the curtainside, 0:03:33.639 --> 0:03:36.680 what is this awesome night? It was so cool and 0:03:36.760 --> 0:03:39.120 I just I feel and that's what I was telling Jordan' 0:03:39.200 --> 0:03:43.360 like you know we've gone several times. I had some 0:03:43.360 --> 0:03:45.400 someone who was able to get us in our Jordan 0:03:45.480 --> 0:03:48.760 and I first time going together, and I go. Every 0:03:48.760 --> 0:03:52.400 time you go, it's like you don't take it for granted, 0:03:52.560 --> 0:03:55.160 Like it's such a cool experience, and if anyone is 0:03:55.160 --> 0:03:58.080 ever able to figure out a way to get a 0:03:58.120 --> 0:03:59.600 reservation there, you've got to do it. 0:03:59.600 --> 0:03:59.920 You gotta. 0:04:00.080 --> 0:04:03.160 Yeah, you know it's it's expensive, but it's so worth 0:04:03.200 --> 0:04:04.120 it the experience. 0:04:04.120 --> 0:04:04.240 You know. 0:04:04.280 --> 0:04:06.480 What I remember most, honestly, what I remember most about 0:04:06.480 --> 0:04:08.840 my experience was the fact that it was one of 0:04:08.920 --> 0:04:11.160 the best pieces of steak I've ever had in my life. 0:04:11.440 --> 0:04:12.720 That's what I had. It had the flame in you 0:04:12.760 --> 0:04:16.159 and they're known for and so good. 0:04:16.240 --> 0:04:17.880 It was like it was one of those like you 0:04:17.920 --> 0:04:20.040 take a bite of it and you're going, wait this camp, 0:04:20.120 --> 0:04:21.920 this can't be disc right, and. 0:04:21.800 --> 0:04:24.480 It's all Mine came out and it's like not that big, 0:04:24.520 --> 0:04:27.320 it doesn't look that big. But I barely finished mine. 0:04:27.360 --> 0:04:29.440 It was so good and like it was just like 0:04:29.760 --> 0:04:34.240 dense and oh it was just I barely finished mine. Yeah, anyway, 0:04:34.640 --> 0:04:37.760 I had to excare because I'm telling you it's I wish. 0:04:37.960 --> 0:04:40.840 I wish more people could experience it because it really 0:04:40.920 --> 0:04:43.880 is so magical and if you were a Disney fan, 0:04:43.960 --> 0:04:47.039 Disneyland fan. It it is something that's just awesome, that's 0:04:47.080 --> 0:04:47.560 really cool. 0:04:47.680 --> 0:04:49.640 Welcome back to Magical Rewind the show that makes you 0:04:49.640 --> 0:04:51.880 want to grab your friends, your pj's, and your popcorn 0:04:51.880 --> 0:04:53.159 and go back to a time and all the houses 0:04:53.200 --> 0:04:56.240 are smart, the waves tsunamis, and the high School's musical. 0:04:56.279 --> 0:04:58.520 I'm well for now and I'm Sabrina Brian. 0:04:59.160 --> 0:05:01.919 Just when I thought but I was out, that kept 0:05:01.920 --> 0:05:04.240 pulling us back in. Oh, that's right. 0:05:04.720 --> 0:05:06.960 You might assume there's only three High School Musical movies, 0:05:07.000 --> 0:05:10.760 but today we're reminding you there are actually four. 0:05:11.320 --> 0:05:12.159 There's four. 0:05:12.400 --> 0:05:15.480 We're recapping the twenty eleven spin off d com focusing on. 0:05:15.440 --> 0:05:17.680 A franchise stand outside character. 0:05:18.040 --> 0:05:23.120 Sharpay's Fabulous Adventure. Okay, Sabrina. So when we watched the 0:05:23.160 --> 0:05:25.880 original HSM movies, I'm pretty hips so I called them 0:05:25.920 --> 0:05:26.679 the HSM movies. 0:05:26.680 --> 0:05:28.680 We were openly fans of Sharpey. 0:05:28.560 --> 0:05:31.160 Oh ovily like loved her, loved her, loved her. 0:05:31.560 --> 0:05:32.479 Here's the thing. 0:05:35.440 --> 0:05:37.880 Did we did you a lover enough to where you 0:05:38.000 --> 0:05:40.679 thought the characters should get their own movie and could 0:05:40.680 --> 0:05:43.800 that character carry a movie, which is a very important question, 0:05:44.320 --> 0:05:46.640 or do you love her because she comes in, steals 0:05:46.640 --> 0:05:47.520 a scene and leaves. 0:05:47.880 --> 0:05:49.200 That's a very important. 0:05:48.839 --> 0:05:52.720 That's one of the things that I thought about a lot. 0:05:53.040 --> 0:05:59.760 And I mean I really had Ashley Tisdale's great pheno's 0:06:00.080 --> 0:06:03.440 rate in this character. What she did in the three 0:06:03.480 --> 0:06:07.080 movies was just like she was seen stealing. She was 0:06:07.720 --> 0:06:12.080 sometimes storyline stealing, right like just she was so good 0:06:12.120 --> 0:06:16.000 that I definitely assumed before watching this that that was 0:06:16.080 --> 0:06:19.159 the case, Like, yeah, she was gonna do it. It's hard. 0:06:19.480 --> 0:06:22.680 It doesn't shock me. I was in the the mecha 0:06:22.760 --> 0:06:26.800 of the Channel at this point, and the whole company 0:06:27.200 --> 0:06:28.800 was in love with Dashley Tisdale. 0:06:29.000 --> 0:06:31.560 They as well they should be. I mean, yes, on 0:06:31.760 --> 0:06:32.839 so talent, Zack. 0:06:32.720 --> 0:06:35.400 And Cody's Sweet Life. What she's done with you know, 0:06:35.560 --> 0:06:39.200 high school musical and and what we've seen a lot 0:06:39.200 --> 0:06:43.279 with Disney is they do give their stars a chance, 0:06:43.360 --> 0:06:48.600 some chances to direct, some chances to produce. So doesn't 0:06:48.640 --> 0:06:51.640 shock me. I just wasn't quite sure what it would be, 0:06:51.839 --> 0:06:54.560 and I for some reason was allowing myself to like 0:06:55.640 --> 0:06:59.479 dive into the high school musical world and this was 0:07:00.080 --> 0:07:02.640 nothing like it. That's what I if we were doing 0:07:02.640 --> 0:07:06.279 first impressions. This was nothing like what I was expecting 0:07:06.320 --> 0:07:08.120 as far as it being a high school musical, was 0:07:08.160 --> 0:07:11.600 barely a musical in reality, Yeah, at barely. 0:07:11.400 --> 0:07:14.320 So it was interested to see what you think. 0:07:14.680 --> 0:07:17.280 Well, the movie does exist, as we know because we 0:07:17.320 --> 0:07:19.040 watched it, and it first aired on the Channel on 0:07:19.080 --> 0:07:22.440 April nineteenth, twenty eleven. It was filmed in Toronto, in 0:07:22.480 --> 0:07:25.760 the country where all good dcoms are made, a with 0:07:25.880 --> 0:07:28.960 a shoot that lasted from May to July in twenty ten. 0:07:29.000 --> 0:07:31.840 This marked the second Disney Channel franchise to hit four movies. 0:07:31.880 --> 0:07:36.240 What was the first Sabrina Go, Halloween Down, Halloween Town 0:07:36.400 --> 0:07:38.800 and Yes, this was a big Disney Channel vehicle For 0:07:38.840 --> 0:07:40.280 actress Ashley Tisdale. 0:07:40.280 --> 0:07:41.920 This was her own movie where she was also one 0:07:41.960 --> 0:07:43.000 of the executive producers. 0:07:43.280 --> 0:07:45.120 She's long been not just a presence in front of 0:07:45.160 --> 0:07:47.160 the camera, but also behind, since she also produced another 0:07:47.240 --> 0:07:50.160 dcom we just recapped, Cloud nine, though she. 0:07:50.120 --> 0:07:52.040 Didn't have anything to do with the first eight. 0:07:52.960 --> 0:07:54.960 This also marked the first ever d com to be 0:07:55.000 --> 0:07:58.680 released on Blu ray and DVD first, Yes, so we 0:07:58.720 --> 0:08:01.720 say it again, release on Blu ray and DVD first 0:08:02.040 --> 0:08:04.800 before it actually aired on the channel, and it came 0:08:04.840 --> 0:08:08.960 in three different packages, a standalone DVD, a two disc DVD, 0:08:09.040 --> 0:08:13.720 Blu Ray Combo, and a limited edition Pink Clutch Purse, which. 0:08:13.720 --> 0:08:16.160 Was also a DVD, Blu Ray and digital download. 0:08:16.160 --> 0:08:17.840 It is worth noting you can get the perse edition 0:08:17.920 --> 0:08:19.760 right now in eBay for an average of about ten 0:08:19.840 --> 0:08:21.440 bucks in case you're jonesing for that. 0:08:22.960 --> 0:08:26.520 Obviously, it is not a Balancing rayd. 0:08:27.160 --> 0:08:30.480 What is that? Yes, a lot of listeners I. 0:08:30.480 --> 0:08:33.400 Think watched a Blu Ray last night. I love them 0:08:33.440 --> 0:08:36.319 and we'll watch them forever. And we hear it, well, 0:08:36.360 --> 0:08:37.760 we were gonna talk about it. We hear a magical 0:08:37.800 --> 0:08:40.439 rewind love a Blu Ray Special, a special feature, which 0:08:40.480 --> 0:08:41.640 is one of the reasons I like the Blu Rays 0:08:41.679 --> 0:08:43.920 because they've got so much extra stuff on him. So 0:08:43.960 --> 0:08:46.559 it's worth noting that the Blu Ray Classic Disc includes 0:08:46.600 --> 0:08:51.200 bloopers and two featurettes, Evolution of Sharpey and the Austin 0:08:51.320 --> 0:08:54.880 Cam Austin Butler Student Film, which I thought was a massive, 0:08:55.800 --> 0:08:58.320 massive mistake in this movie, which we'll get into. And yes, 0:08:58.760 --> 0:09:01.600 it's that Austin Butler in this movie, and we're going 0:09:01.640 --> 0:09:02.080 to get into that. 0:09:02.080 --> 0:09:03.199 A little later, sure is. 0:09:04.040 --> 0:09:05.920 And the DVD Blu Ray formula worked. 0:09:06.000 --> 0:09:08.600 It sold two hundred and thirty four thousand copies in 0:09:08.640 --> 0:09:11.000 its first week, debuting at number nine on the DVD 0:09:11.120 --> 0:09:13.720 sales chart. After six weeks that had sold over four 0:09:13.840 --> 0:09:16.120 hundred thousand copies and made over seven. 0:09:15.920 --> 0:09:17.920 Million dollars in sales. Nice. 0:09:18.160 --> 0:09:20.640 Now, as far as High School Musical Universe involvement, Vanessa 0:09:20.720 --> 0:09:22.520 Hudgens was set to make a cameo in this, but 0:09:22.559 --> 0:09:26.479 supposedly promoting her other film and personal appearances made that impossible, 0:09:27.080 --> 0:09:27.439 or she. 0:09:27.520 --> 0:09:28.800 Just didn't want to do it and that was like 0:09:28.840 --> 0:09:29.760 the easiest way of saying no. 0:09:30.040 --> 0:09:33.200 Well, I have questions, and I'm glad lisas on because 0:09:33.240 --> 0:09:34.960 I know she'll have the answers. 0:09:35.080 --> 0:09:35.640 Okay good. 0:09:36.280 --> 0:09:38.319 You might also be wondering did the home video release 0:09:38.360 --> 0:09:39.240 affect the ratings? 0:09:39.280 --> 0:09:40.720 Well, the answer is new. 0:09:41.960 --> 0:09:44.839 For its Disney Channel premiere, it still received four point 0:09:44.920 --> 0:09:48.480 nine million viewers. So this got me thinking. Rumors of 0:09:48.520 --> 0:09:50.720 High School Musical four have been swirling all year, but 0:09:50.840 --> 0:09:54.480 maybe could it just be another Sharpay sequel? Would that 0:09:54.600 --> 0:09:56.920 still wet the appetite? Would that be enough for people? 0:09:56.960 --> 0:09:58.360 I don't absolutely not. 0:09:58.679 --> 0:10:00.360 I think it would be a little bit of a tease. 0:10:00.720 --> 0:10:01.920 I think it would be a little bit of. 0:10:01.920 --> 0:10:04.360 A tease, would be sexy reference. 0:10:04.400 --> 0:10:08.080 And now I'm not gonna a little bit of a tease, no. 0:10:08.200 --> 0:10:10.720 I I think if they're gonna do a high school 0:10:10.800 --> 0:10:15.000 musical four, it's gotta be with the cast. It's gotta 0:10:15.040 --> 0:10:18.920 be single, all the heavy hitter, I mean, main characters 0:10:18.920 --> 0:10:22.240 have to be in it, not just cameos either, like 0:10:22.320 --> 0:10:24.680 they meet like you gotta gotta be. 0:10:24.760 --> 0:10:27.040 The people are not gonna be happy unless. 0:10:30.160 --> 0:10:32.480 Kids gotta do They gotta do it as good as 0:10:32.480 --> 0:10:35.320 they did that third movie, which was a crowd pleaser. 0:10:35.640 --> 0:10:37.720 Uncle Corbyn Blue comes in and all that kind of stuff. 0:10:37.760 --> 0:10:39.000 You need everything love it. 0:10:39.960 --> 0:10:41.880 But now since we're talking about this type of a movie, 0:10:41.920 --> 0:10:44.520 we got to talk about the soundtrack. D com plus 0:10:44.520 --> 0:10:48.720 twenty tens equals big Music. The soundtrack came out on 0:10:48.720 --> 0:10:50.800 Walt Disney Records the same day as the movie release, 0:10:50.920 --> 0:10:54.000 and the first single was Gonna Shine by Ashley Tisdale. 0:10:54.160 --> 0:10:56.640 The album features music from the movie sung by Tisdale 0:10:56.640 --> 0:11:00.480 and also singer named Sean Mulko, who was the singing 0:11:00.520 --> 0:11:03.080 voice for the character Roger Elliston, and there's a cover 0:11:03.280 --> 0:11:06.400 of Justin Bieber's Baby and a Walking on Sunshine cover 0:11:06.440 --> 0:11:09.000 which we've heard before by Ali and Aj, which also 0:11:09.000 --> 0:11:11.800 appeared in the movie Herbie Fully Loaded. Okay, so we 0:11:11.880 --> 0:11:14.120 mentioned this spinoff when we covered the first high school musical. 0:11:14.120 --> 0:11:16.000 But before you became a host of a very niche 0:11:16.040 --> 0:11:19.360 decom focused podcast, did you know that Sharpay had her 0:11:19.360 --> 0:11:19.839 own movie? 0:11:19.840 --> 0:11:20.679 And had you seen it? 0:11:20.840 --> 0:11:23.080 Not at all? And No, not at all? 0:11:23.320 --> 0:11:23.560 And I. 0:11:25.040 --> 0:11:28.200 Guess this was because it is twenty eleven. I guess 0:11:28.240 --> 0:11:31.400 this was as I had already made sort of like 0:11:31.480 --> 0:11:36.599 my exit of being really in the the dives of 0:11:37.240 --> 0:11:39.640 the channel and in the know. I was no longer 0:11:39.679 --> 0:11:42.040 in the know, and I wasn't watching the channel at 0:11:42.040 --> 0:11:42.640 this point either. 0:11:42.880 --> 0:11:45.080 No, I agree, I, by the way, had no idea 0:11:45.240 --> 0:11:47.679 this existed. But that's not to be. We don't even 0:11:47.720 --> 0:11:53.280 ask anymore. I know you, I know, we don't even. 0:11:53.200 --> 0:11:53.560 Have to ask. 0:11:54.200 --> 0:11:56.559 One of my favorite sayings, As per usual, you can 0:11:56.600 --> 0:11:58.120 watch Sharpay's. 0:11:57.559 --> 0:11:59.920 Fabulous Adventure right now because it's available to stream on 0:12:00.080 --> 0:12:00.840 Disney Plus. 0:12:01.120 --> 0:12:03.160 I've heard, and I can't confirm this, but I have 0:12:03.280 --> 0:12:05.439 heard that if you watch it with the lights off, 0:12:05.559 --> 0:12:07.839 a sleep paralysis monster's gonna sneak up behind you. 0:12:07.880 --> 0:12:11.000 Whisper the words you can better work in your ear. 0:12:11.760 --> 0:12:14.160 I've tried this, so I can't confirm, but I can't 0:12:14.200 --> 0:12:16.240 confirm you're allowed to watch a movie before or after 0:12:16.280 --> 0:12:17.040 we do our recap. 0:12:17.040 --> 0:12:19.640 It's up to you and that creepy, creepy little monster. 0:12:19.760 --> 0:12:23.440 And now leash your dog for rehearsal, because here's the synopsis. 0:12:24.080 --> 0:12:26.320 When Sharpei is discovered by a talent scout and given 0:12:26.360 --> 0:12:28.400 an audition for a Broadway play, she's. 0:12:28.200 --> 0:12:31.959 Shocked when only her dog lands a role. How will she. 0:12:31.960 --> 0:12:35.880 Work her way into her own chance at fame? All right, 0:12:36.080 --> 0:12:39.559 it's not wait any longer. Early thoughts, Sharpay's Fabulous Adventure? 0:12:39.600 --> 0:12:41.160 Were you in? Were you not? What'd you think? 0:12:41.559 --> 0:12:49.480 Sharpay's Fabulous Adventure threw me through a tornado? Okay of ooh, 0:12:49.520 --> 0:12:55.840 I'm so okay, okay, and uh I'm having second thoughts 0:12:56.440 --> 0:13:02.280 and then okay, and then I kind of just just 0:13:02.960 --> 0:13:07.559 finished it. I think it didn't have the pop that 0:13:07.880 --> 0:13:12.400 I now expect. You know, I didn't. I now, I'm 0:13:12.679 --> 0:13:15.920 I'm an HSM fan, so I am now expecting this, 0:13:16.080 --> 0:13:20.040 these these musicals pieces, and I didn't get the things 0:13:20.080 --> 0:13:22.520 that I was assuming. And maybe that's just not fair. 0:13:22.800 --> 0:13:24.480 Knowing that it's a sequel, knowing that it was not 0:13:24.640 --> 0:13:28.880 high school musical, I think my expectations were just misplaced. 0:13:29.400 --> 0:13:32.719 What about you kind of the same. I feel like. 0:13:34.600 --> 0:13:38.360 It's fun that she's unlikable in the high school musicals, 0:13:39.120 --> 0:13:41.079 Like that's an enjoyable that's part of the character. 0:13:41.120 --> 0:13:41.520 That's fun. 0:13:41.559 --> 0:13:43.640 When it comes to then leading a film and she 0:13:43.679 --> 0:13:46.160 gets better, they try to humanize her more as the movie. 0:13:45.960 --> 0:13:49.560 Goes on, which I kind of have to, but it's 0:13:49.679 --> 0:13:49.959 you know. 0:13:50.360 --> 0:13:54.040 I agree that there's a campiness to high school musical 0:13:54.800 --> 0:13:58.079 and a frivolity to high school musical that this didn't have. 0:13:58.320 --> 0:14:01.000 It kind of tried to take itself very seriously with 0:14:01.080 --> 0:14:04.760 the character that was a secondary kind of character, if 0:14:04.800 --> 0:14:07.760 that makes sense. So, yeah, it didn't. And I felt like, 0:14:07.960 --> 0:14:08.560 and we'll get. 0:14:08.400 --> 0:14:09.319 Into the cast. 0:14:09.400 --> 0:14:11.400 I felt like Austin Butler was again kind of in 0:14:11.440 --> 0:14:14.560 a very different movie, Like he played everything very serious 0:14:14.600 --> 0:14:17.200 and very real and very earnest, and that's great, But 0:14:17.240 --> 0:14:18.720 then when you put him next to like an Ashley 0:14:18.760 --> 0:14:22.640 Tisdale in a kind of an absurd way, his character 0:14:22.680 --> 0:14:25.400 wasn't played for comedy kind of at all. Yea, So 0:14:25.520 --> 0:14:27.440 it was it was muddled, I guess was the way 0:14:27.480 --> 0:14:30.120 I would say, again, you look at the cast and 0:14:30.160 --> 0:14:34.120 you go Asha Tisdale star hugely, hugely entertaining. 0:14:34.640 --> 0:14:35.360 Austin Butler. 0:14:35.400 --> 0:14:36.960 You saw him and you're like, this guy is not 0:14:37.040 --> 0:14:39.640 in the right movie, but he's gonna do good things. 0:14:39.880 --> 0:14:40.920 You can tell right away. 0:14:41.200 --> 0:14:42.840 So talented, you know. 0:14:43.400 --> 0:14:46.040 The little kid I found to be fine. It was 0:14:46.120 --> 0:14:47.960 just it was fine. But again there was there is 0:14:48.000 --> 0:14:52.400 that cheese factor of High School Musical that I missed. 0:14:52.760 --> 0:14:57.200 I missed her big over the top character was played, 0:14:57.440 --> 0:15:00.480 but it didn't have who who I missed in this 0:15:00.560 --> 0:15:03.400 movie was her brother? 0:15:03.760 --> 0:15:05.720 Yeah, oh yeah, of course that the two of them together, 0:15:05.920 --> 0:15:08.120 and we get into this because there there's a story 0:15:08.120 --> 0:15:08.640 there too. 0:15:08.560 --> 0:15:11.760 There's is there okay, because I'm I'm again That's where 0:15:11.800 --> 0:15:15.240 I was like, I need to know. Yeah, no, But 0:15:15.480 --> 0:15:19.000 it was the two of them that that that duo 0:15:19.320 --> 0:15:23.000 that they brought to High School Musical was. He had 0:15:23.000 --> 0:15:26.200 a huge part of making her be what she was. 0:15:26.480 --> 0:15:29.600 He's also a breath of fresh air in the entire thing. 0:15:29.640 --> 0:15:31.520 I'm going to give you the weirdest reference that no 0:15:31.520 --> 0:15:33.680 one listening to our podcast, including you, is really going 0:15:33.720 --> 0:15:38.240 to understand. Okay, it's like you're watching Gilligan's Island and 0:15:38.280 --> 0:15:42.320 they did a spinoff of Just Ginger and it's like, oh, okay, 0:15:43.040 --> 0:15:45.320 I get it, Like I get it, but it's just 0:15:45.480 --> 0:15:48.840 not kind of you know, it's not what people want. Also, 0:15:48.960 --> 0:15:52.320 it put me in mind of the executroducer of Boy 0:15:52.360 --> 0:15:54.280 Meets World told me a story once about how you 0:15:54.320 --> 0:15:57.800 create a spinoff character, and he used Fraser as an example, 0:15:58.200 --> 0:16:00.160 and what he said is, he's like, Fraser is the 0:16:00.200 --> 0:16:02.840 crazy one on Cheers, but when you put him into 0:16:03.000 --> 0:16:06.560 his own show, you have to push him to the center. 0:16:06.960 --> 0:16:08.600 And the way you push him to the center is 0:16:08.640 --> 0:16:11.400 by bringing on someone even more crazy, and that's Niles. 0:16:12.240 --> 0:16:16.400 So you had to bring on somebody more Sharpei than Sharpay, 0:16:17.000 --> 0:16:21.280 and which they try to do with her. And so 0:16:21.800 --> 0:16:24.920 the only way you make Sharpey likable is by making 0:16:24.960 --> 0:16:28.800 somebody even less likable than Sharpey, which pushes her to 0:16:28.840 --> 0:16:32.000 the center. And they didn't go far enough with that 0:16:32.560 --> 0:16:34.280 with that, Yeah, I think they. 0:16:34.160 --> 0:16:34.880 Just made her mean. 0:16:34.920 --> 0:16:37.080 They should have made her more Sharpei. She should have 0:16:37.160 --> 0:16:40.440 had another crazy dog that didn't want to work. That's 0:16:40.480 --> 0:16:42.360 why they had to cast somebody, some other dog, because 0:16:42.360 --> 0:16:45.520 her dog doesn't do these small projects. You know, she's 0:16:45.520 --> 0:16:47.360 got to even be in more pink. It's got to 0:16:47.400 --> 0:16:49.480 be bigger and more over the top. You've got to 0:16:49.520 --> 0:16:53.480 make it it Sharpey times one thousand, which then pushes 0:16:53.480 --> 0:16:56.720 Sharpey to the center, and she's looking at herself. It's 0:16:56.760 --> 0:16:59.600 like a funhouse mirror of herself, which makes her reflect 0:16:59.640 --> 0:17:01.680 on who's was, which puts to the center. She falls 0:17:01.680 --> 0:17:03.400 for the nice, good looking guy, and then when the 0:17:03.400 --> 0:17:06.320 movie's over, she's the star of a whole new franchise 0:17:06.359 --> 0:17:08.080 as a regular kind of person. 0:17:08.119 --> 0:17:10.040 And that whole kind of situation. 0:17:10.119 --> 0:17:11.960 They kind of tried to do it, but it I 0:17:11.960 --> 0:17:13.879 don't know, it just didn't fully land for me. 0:17:13.880 --> 0:17:14.560 It wasn't bad. 0:17:14.560 --> 0:17:17.560 I've started to focus on other things in this movie. 0:17:17.640 --> 0:17:20.280 We'll get there, we'll get all there. But early thoughts 0:17:20.400 --> 0:17:22.920 it was it was not bad in any sense. 0:17:23.040 --> 0:17:25.600 No, it's just great, right fine. 0:17:25.640 --> 0:17:31.120 For me, I think my personal expectations were too high 0:17:31.160 --> 0:17:32.479 for what we ended up getting. 0:17:32.520 --> 0:17:36.159 This Again, one of the things I'm finding with a 0:17:36.440 --> 0:17:38.560 large number of the not a large number, but a 0:17:38.680 --> 0:17:43.200 group of these big, big Disney Channel movies that we're 0:17:43.200 --> 0:17:45.000 watching is a lot of the times you get a 0:17:45.040 --> 0:17:47.719 phenomenal cast because Disney sees the cast that they have, 0:17:48.000 --> 0:17:50.160 they see the talent, and they put him in something 0:17:50.160 --> 0:17:51.600 that might not be the best thing in the world, 0:17:51.640 --> 0:17:54.320 but you instantly see how good they are, and then 0:17:54.320 --> 0:17:55.920 they'll find them in something else, and find them in 0:17:55.960 --> 0:17:57.919 something else, and find them in something else. So, I mean, 0:17:57.920 --> 0:17:59.720 we just talked to Adam Wiley, who was a great 0:17:59.760 --> 0:18:01.960 act and he does some movies that are great and 0:18:02.040 --> 0:18:03.880 some movies where it's like that one wasn't great. It's 0:18:03.880 --> 0:18:07.080 not Adam's fault, the same way it's not Ashley Tisdale's 0:18:07.080 --> 0:18:10.280 fault that this wasn't High school Musical. But anyway, this 0:18:10.359 --> 0:18:13.280 movie was directed by Michael Lemback, who began his Hollywood 0:18:13.280 --> 0:18:15.359 career in front of the camera as an actor on 0:18:15.400 --> 0:18:18.200 TV shows like The Partridge Family, Mary Hartman, Mary Hartman, 0:18:18.240 --> 0:18:20.240 and The Love Boat, and he is also one of 0:18:20.280 --> 0:18:22.760 the stars of the nineteen eighty nine cult comedy with Michael. 0:18:22.600 --> 0:18:25.800 Keaton, The Dream Team. Great Movie. 0:18:26.119 --> 0:18:29.080 But in the early nineties he'd become a pretty prolific 0:18:29.160 --> 0:18:32.000 director with TV shows like Coach and over sixty episodes 0:18:32.040 --> 0:18:35.280 of Major Dad. Over twenty episodes of Friends. He also 0:18:35.320 --> 0:18:37.639 directed the Santa Claus two and three and the twenty 0:18:37.680 --> 0:18:42.159 eleven Bling Ring TV movie So Very Good Director and 0:18:42.240 --> 0:18:45.680 as I mentioned, the movie stars the incredibly talented Ashley Tisdale, 0:18:45.680 --> 0:18:48.199 reprising her role as Sharpey Evans. As a child, she 0:18:48.200 --> 0:18:50.480 appeared in over one hundred commercials and ads, but ended 0:18:50.560 --> 0:18:52.520 up with the mainstream success on the Sweet Life of 0:18:52.600 --> 0:18:54.919 Zack and Cody. This led to her record deal at 0:18:54.960 --> 0:18:57.720 Warner Brothers and a gold debut album, Headstrong in two 0:18:57.720 --> 0:18:59.480 thousand and seven. The same year, she was cast as 0:18:59.520 --> 0:19:01.480 a voice of k Handness on the hit Disney TV 0:19:01.600 --> 0:19:04.480 animated series Phineas and Ferb, which ran from two thousand 0:19:04.520 --> 0:19:06.639 and seven to twenty fifteen and was brought back just 0:19:06.720 --> 0:19:09.440 last year. She appeared in Scary Movie five and TV 0:19:09.520 --> 0:19:12.680 shows like Hellcats and Carol Second Act and apparently does 0:19:12.680 --> 0:19:15.800 not get along with Hillary Duff just throw it up. 0:19:16.800 --> 0:19:20.400 Just I mean throwing that throw and one of Hollywood's 0:19:20.400 --> 0:19:23.680 hottest actors in twenty twenty six, Austin Butler as Peyton Leverett. 0:19:23.960 --> 0:19:26.639 He began his career as a child background actor for 0:19:26.680 --> 0:19:29.080 shows on Disney and Nick, then would pick up guest 0:19:29.080 --> 0:19:31.920 star spots on shows like Hannah Montana, Zeke and Luther 0:19:32.040 --> 0:19:34.760 and Wizards of Waverley Place. Then as an adult, he 0:19:34.920 --> 0:19:37.840 really broke out in twenty twenty two as Elvis in 0:19:37.920 --> 0:19:40.439 Boz Luhrman's biopic of the iconic singer, a role that 0:19:40.440 --> 0:19:42.840 Butler appeared to have an issue with when getting out 0:19:42.840 --> 0:19:46.520 of character hum He's since been seen in Dune Part two, 0:19:46.920 --> 0:19:49.439 caught stealing Eddington, and he's rumored to be starring in 0:19:49.440 --> 0:19:50.720 the upcoming Heat too. 0:19:50.880 --> 0:19:53.080 This time it's personal worth noting. 0:19:53.080 --> 0:19:55.159 Butler and Tisdale also worked together in two thousand and 0:19:55.200 --> 0:19:58.320 nine Aliens in the Attic playing cousins, and at the 0:19:58.320 --> 0:20:02.680 time of his movie, Butler was dating Ashley Tisdale's best friend. 0:20:03.160 --> 0:20:06.840 Yep, Vanessa Hudgins. So you knew that you knew Austin 0:20:06.840 --> 0:20:08.080 Butler and Vanessa Hudges. 0:20:08.440 --> 0:20:11.159 I knew there was a time where they dated. I 0:20:11.320 --> 0:20:13.679 wasn't sure what the timeline was. 0:20:14.000 --> 0:20:17.600 Okay, gotcha, I am out of the no. But I 0:20:17.600 --> 0:20:19.479 can throw out a great Gilligan's Island reference. 0:20:19.840 --> 0:20:20.640 Yes you can. 0:20:21.440 --> 0:20:23.399 And I'm a big fan of Austin. I think I 0:20:23.440 --> 0:20:29.879 watched him in the movie Elvis he was excellent. Like, 0:20:29.880 --> 0:20:32.959 like you said, in this movie, you see where that 0:20:33.000 --> 0:20:36.919 this kid is going places. You know, he's really really awesome. 0:20:37.040 --> 0:20:37.280 Okay. 0:20:37.359 --> 0:20:40.760 Vanessa and Austin dated from twenty eleven to early twenty twenty. 0:20:40.840 --> 0:20:42.920 Wow. Yeah, we were together for a long time. 0:20:43.119 --> 0:20:45.800 Then we have Bradley Stephen Perry, which is not Steve 0:20:45.840 --> 0:20:49.160 Perry from Journey, but Bradley Stephen Perry who plays Roger Elliston. 0:20:49.560 --> 0:20:52.080 Bradley played Gabe Duncan on the Disney Channel sit Come 0:20:52.080 --> 0:20:54.359 Good Luck Charlie, and was the voice of Zevon in 0:20:54.440 --> 0:20:57.920 The Descendants Wicked World. He just married Natasha Beret, the 0:20:58.000 --> 0:21:01.160 daughter of Candace Cameron Beret, and they're their first daughter. 0:21:02.000 --> 0:21:05.440 Robert Curtis Brown revisits his role as Vance Evans Sharpay's dad. 0:21:05.520 --> 0:21:08.040 You saw him in all three HSM movies and TV 0:21:08.080 --> 0:21:10.000 shows like c s I, New York, Big Love, and 0:21:10.040 --> 0:21:14.199 Big Time Rush. Alec Mappa plays Gil Sam's the director. 0:21:14.200 --> 0:21:16.879 Mappa is best known for his roles in Nickelodeon's Henry Danger, 0:21:16.920 --> 0:21:19.199 The Thunderman's and movies like You Don't Mess With the 0:21:19.280 --> 0:21:23.359 Zohan Guys. We love Sharpei and we love High School Musical, 0:21:23.440 --> 0:21:24.679 but we don't love long movies. 0:21:24.760 --> 0:21:27.280 It's ninety minutes or death. Death. 0:21:27.359 --> 0:21:29.359 I can't imagine anything longer, and when I do, I 0:21:29.400 --> 0:21:30.879 just want to jump into oncoming traffic. 0:21:31.040 --> 0:21:35.600 So how long has this Sharpey spen off? Exactly? It's 0:21:35.680 --> 0:21:36.679 ninety seven minutes. 0:21:36.800 --> 0:21:39.240 It's seven minutes too long, people, a good amount above 0:21:39.280 --> 0:21:41.920 the target. I'm filled with shame. There is no need 0:21:41.920 --> 0:21:43.520 for this movie to be longer than ninety minutes. But 0:21:43.560 --> 0:21:45.520 this is the world we truly live in right now. 0:21:45.720 --> 0:21:46.680 Filled with shame. 0:21:46.920 --> 0:21:48.320 Apologies to everyone. 0:21:48.640 --> 0:21:50.760 I'm gonna blame Robert Horran, the writer Who've talked about 0:21:50.760 --> 0:21:53.439 Horrane before. He's a Tony Award winner for the musical 0:21:53.480 --> 0:21:57.000 adaptation of Tootsie Great Great Movie. He also wrote the 0:21:57.040 --> 0:22:00.720 Disney Hercules musical and Thirteen for Broadway, but for Disney 0:22:00.760 --> 0:22:02.920 Channel he wrote two of Our favorites, teen Beach one 0:22:02.960 --> 0:22:06.160 and two and the Sweet Life Movie. Okay, so that's 0:22:06.200 --> 0:22:16.160 actually of her favorites. So let's turn our room pink 0:22:16.280 --> 0:22:18.800 and become a star, because it's time to recap Sharpay's 0:22:18.840 --> 0:22:22.080 fabulous adventure. The movie opens with our title and Sharpey 0:22:22.160 --> 0:22:24.680 singing into the camera in a music video style performance. 0:22:24.760 --> 0:22:27.080 She's on stage with her cute little handbag dog singing 0:22:27.119 --> 0:22:30.000 Gunna Shine, and she's eventually flanked by a male backup 0:22:30.080 --> 0:22:32.920 dancer group. She's performing on a catwalk to a modest 0:22:32.960 --> 0:22:35.120 fashion show audience, and just like that, we have our 0:22:35.119 --> 0:22:36.000 first song. 0:22:35.760 --> 0:22:36.920 And dance routine. 0:22:37.240 --> 0:22:39.600 For those who don't know this podcast well, Sabrina Brian 0:22:39.680 --> 0:22:40.760 here is a former Cheatah Girl. 0:22:40.800 --> 0:22:42.439 She's our resident music and dance expert. 0:22:42.480 --> 0:22:44.680 So I am now legally required to ask her, Sabrina, 0:22:45.440 --> 0:22:47.359 what's your opinion of our first track, Gunna Shine? A 0:22:47.359 --> 0:22:50.680 song about just how fabulous Sharpei believes she is and 0:22:50.720 --> 0:22:51.960 how she is Gunna Shine? 0:22:51.960 --> 0:22:52.560 What did you think? 0:22:53.280 --> 0:22:56.119 Ugh? First of all, legally required, that's hilarious. 0:22:56.200 --> 0:22:58.240 It's true. I don't want to ask, but it's contractual. 0:23:00.480 --> 0:23:04.160 I instantly said to myself, Okay, Kenny's not in part 0:23:04.200 --> 0:23:04.840 of this movie. 0:23:05.000 --> 0:23:06.840 You could tell huh yeah. 0:23:06.480 --> 0:23:10.240 Like right from the start, the visuals, the dancers, the choreography, 0:23:10.480 --> 0:23:13.840 all of it, top to bottom. I went, oh no, 0:23:15.480 --> 0:23:19.000 in the sense of again, my expectation is I'm about 0:23:19.000 --> 0:23:23.640 to see another Kenny Ortega and Ashley Tisdale combined. This 0:23:23.680 --> 0:23:27.320 is gonna be amazing. And the very first song is 0:23:27.359 --> 0:23:29.840 a musical, it's supposed to be a big number. You 0:23:29.880 --> 0:23:32.320 can tell the budget is much smaller than what we 0:23:32.560 --> 0:23:35.920 just saw in high school musical three, and I got nervous. 0:23:36.000 --> 0:23:41.120 I went, oh, crap, because because to me, if you're 0:23:41.160 --> 0:23:45.879 gonna do this, you need to do Sharpay's big adventure 0:23:46.760 --> 0:23:49.320 in a big way. And I went, oh, man, where 0:23:49.320 --> 0:23:52.840 are we gonna go? Luckily it started to change once 0:23:52.880 --> 0:23:55.040 we were out of the number, but I went and truly, 0:23:55.280 --> 0:23:58.000 by the end of this this wasn't the musical thing 0:23:58.040 --> 0:24:01.440 that I was thinking altogether. Any So, the first musical 0:24:01.560 --> 0:24:03.960 was a little disappointing, to say the least for me. 0:24:04.160 --> 0:24:06.800 What about you will Well, I felt exactly the same way. 0:24:06.800 --> 0:24:09.199 You can tell Kenny or take just because of what 0:24:09.200 --> 0:24:11.320 you've taught me how to spot the different levels and 0:24:11.359 --> 0:24:13.920 the textures and all stuff going, you could tell somebody 0:24:13.960 --> 0:24:14.520 else did this. 0:24:14.880 --> 0:24:16.879 Yes, I have a question for you. 0:24:17.080 --> 0:24:20.520 Do you prefer, because I know you like musicals a 0:24:20.560 --> 0:24:23.000 hell of a lot more than I do a lot more, 0:24:23.240 --> 0:24:26.320 do you prefer the musical where they all just break 0:24:26.359 --> 0:24:29.440 into song randomly as they're walking through school and it's 0:24:29.480 --> 0:24:31.080 just part of the movie or do you prefer the 0:24:31.160 --> 0:24:34.199 musical like this, where there's specific reasons why the musical 0:24:34.280 --> 0:24:34.879 numbers happen. 0:24:36.200 --> 0:24:42.439 Oh, I would say I like the musicals more when 0:24:42.480 --> 0:24:45.639 they're kind of walking in, But I like them like 0:24:45.720 --> 0:24:49.720 the way Descendants and Zombies do where it is in fact, though, 0:24:49.800 --> 0:24:53.439 like every musical moment is a giant moment for the 0:24:53.520 --> 0:24:55.679 most part, right, But it's not like they're supposed to 0:24:55.680 --> 0:24:56.040 be singing. 0:24:56.080 --> 0:24:57.480 They're just supposed to be in gym class and it 0:24:57.520 --> 0:24:59.639 turns into a song as opposed to you're on stage 0:24:59.640 --> 0:25:00.840 singing in these movies. 0:25:01.000 --> 0:25:03.240 Yeah, I don't. I don't mind it because then like 0:25:03.280 --> 0:25:05.520 I go back to like a sister act and like 0:25:05.560 --> 0:25:07.880 the finale's sister act is like one of my favorites, 0:25:07.960 --> 0:25:11.440 and they're supposed to be dancing. So I honestly don't 0:25:12.200 --> 0:25:15.879 mind either way as long as it's done right and 0:25:16.040 --> 0:25:19.160 I feel something I like to get with musicals. I 0:25:19.280 --> 0:25:21.920 like to get the goosebumps. I like I like to 0:25:21.920 --> 0:25:23.920 to go oh my gosh, Like I love to feel 0:25:23.920 --> 0:25:27.479 the talent. I like to see the production value of it. 0:25:27.560 --> 0:25:31.200 Like I like to feel. The best musicals to me 0:25:31.440 --> 0:25:34.280 feel like you're almost in front of them. In seats, okay, 0:25:34.680 --> 0:25:36.840 And I get that with a lot of them, like 0:25:37.040 --> 0:25:38.760 you know, the good ones, the good ones. 0:25:38.960 --> 0:25:39.320 Okay. 0:25:39.400 --> 0:25:41.320 I don't mind either way though, Like I don't mind 0:25:41.320 --> 0:25:43.800 the way that started. As far as it being like 0:25:43.960 --> 0:25:47.240 a stage show, I wasn't sure. I actually wasn't sure 0:25:47.240 --> 0:25:48.720 what we were going to watch too. I was waiting 0:25:48.720 --> 0:25:50.159 for her to wake up from a dream sequence. 0:25:50.200 --> 0:25:52.320 Me too, moment, me too, I really was gotcha. 0:25:52.440 --> 0:25:55.239 Okay, Well, once the song ends, we're actually not in 0:25:55.240 --> 0:25:57.600 a dream sequence. We're in the lobby after a fundraiser, 0:25:57.840 --> 0:26:00.400 which we learned was the Albuquerque Benefit for the Art's 0:26:00.440 --> 0:26:03.440 annual fundraiser. A New Mexico fashion show is probably quite 0:26:03.440 --> 0:26:06.240 a spectacle. Sharpei arrives with her dog and everyone claps. 0:26:06.280 --> 0:26:09.520 Her parents welcome her with hugs and kisses. Her dad warns, Princess, 0:26:09.560 --> 0:26:11.680 you better watch out for law enforcement because they're gonna 0:26:11.680 --> 0:26:13.680 come after you for a steal. In the show, she's 0:26:13.720 --> 0:26:15.800 introduced to a bad guy named Jerry Taylor, a New 0:26:15.880 --> 0:26:18.160 York casting agent who is casting a new Broadway musical 0:26:18.160 --> 0:26:19.359 and thinks she's perfect for it. 0:26:19.640 --> 0:26:20.919 He'd love to arrange an audition. 0:26:21.240 --> 0:26:24.200 The musical stars Amberley Adams, who Sharpey thinks is only 0:26:24.200 --> 0:26:27.240 the most amazing performer ever. Taylor congratulates her again and 0:26:27.280 --> 0:26:29.440 hopes to see her in New York. Then we cut 0:26:29.440 --> 0:26:32.760 to the Evans' enormous estate essentially, and her father doesn't 0:26:32.760 --> 0:26:34.320 think New York is a good idea. He says it's 0:26:34.320 --> 0:26:35.920 more than just a show. It's going to the big 0:26:35.960 --> 0:26:38.640 city alone. She's shown him nothing to convince him she's 0:26:38.680 --> 0:26:42.200 ready for this. So we're later in Sharpay's horribly disgustingly 0:26:42.320 --> 0:26:44.800 ugly berry pink bedroom. I'm sure some people loved it, 0:26:44.840 --> 0:26:47.520 but woo just looks like you live in pepto bismol. 0:26:48.520 --> 0:26:51.040 She's with three of her friends Team Sharpei, working on 0:26:51.160 --> 0:26:53.760 Mission New York. She doesn't even understand what her dad meant. 0:26:53.800 --> 0:26:54.760 How is she going to show him? 0:26:54.800 --> 0:26:55.520 But she's ready. 0:26:55.800 --> 0:26:57.680 One of her friends suggests she throws a tantrum and 0:26:57.720 --> 0:26:59.920 then he'll buy her a new Berbery bag, which I 0:27:00.040 --> 0:27:02.320 guess is a thing to make her feel better. Sharpey 0:27:02.359 --> 0:27:04.680 admits that it's a good idea, but no, she needs 0:27:04.680 --> 0:27:08.200 to show them she's determined, so she gives her three assignments. 0:27:09.080 --> 0:27:10.720 We cut to a little later and find her friend 0:27:10.800 --> 0:27:14.119 Tiffany literally will not stop, will not stop talking in 0:27:14.200 --> 0:27:17.000 thousands of words. She says she's found a luxury townhouse 0:27:17.040 --> 0:27:19.400 in the city for Sharpey that is equi distant from 0:27:19.400 --> 0:27:22.800 both Chanel and Wicked. Sharpey thinks that sounds perfect and 0:27:22.840 --> 0:27:24.960 moves on to travel plans. We're then at the nail salon. 0:27:25.200 --> 0:27:27.280 Sharpey and her friend Dina are getting their nails done 0:27:27.280 --> 0:27:29.280 while Dina is on the phone with an airline. She 0:27:29.320 --> 0:27:31.360 wants a flight from Albuquerque to New York for one 0:27:31.359 --> 0:27:34.159 adult and one dog. She's disgusted by the option she 0:27:34.200 --> 0:27:37.000 was giving. Excuse me, coach. Dina and Sharpey start laughing 0:27:37.800 --> 0:27:39.760 at even the very idea of riding in the back 0:27:39.760 --> 0:27:41.919 of the plane. And this is when I realized. I 0:27:41.960 --> 0:27:43.520 was like, ooh, they got a change her because I 0:27:43.600 --> 0:27:47.560 don't like her. Did you think she was likable at 0:27:47.560 --> 0:27:49.399 this point? I mean, are you just supposed to is 0:27:49.480 --> 0:27:51.399 not liking or supposed to be part of it? Because 0:27:51.400 --> 0:27:53.000 I was like, oh, I don't want to watch two 0:27:53.040 --> 0:27:54.600 hours of this, right. 0:27:54.720 --> 0:27:58.160 I exactly, But I do think it was important for 0:27:58.320 --> 0:28:01.920 you to kind of remember the ridiculous level of this 0:28:02.160 --> 0:28:05.919 character that we're doing because obviously, in all films, an 0:28:05.920 --> 0:28:08.160 evolution is gonna happen. So you have to remember how 0:28:08.200 --> 0:28:10.960 crazy she is, Like you hope, how crazy, how how 0:28:11.280 --> 0:28:13.040 how out of this world she is, how she lives 0:28:13.040 --> 0:28:15.760 in a different world than the majority of the rest 0:28:15.760 --> 0:28:16.080 of us. 0:28:16.119 --> 0:28:17.879 I agree, And so it was That's why I was 0:28:17.880 --> 0:28:21.200 like changing her, yeah, because I don't like her yet. 0:28:21.200 --> 0:28:22.120 But I felt the same way. 0:28:22.119 --> 0:28:24.480 I'm like, obviously they're making it extreme at the beginning 0:28:24.520 --> 0:28:25.960 because they want to ground her. 0:28:26.440 --> 0:28:26.680 Yes. 0:28:26.800 --> 0:28:29.240 And one thing I was caught up on was I 0:28:29.280 --> 0:28:31.600 don't remember any of these three girls. Were they in 0:28:31.640 --> 0:28:34.800 the first movie. I was like, friends, I don't remember 0:28:34.880 --> 0:28:35.760 any of them. 0:28:35.880 --> 0:28:38.280 I think tem tem Ashley was new for this movie. 0:28:38.520 --> 0:28:40.800 Yes, we're now back at Sharpay's house or third friend, 0:28:40.880 --> 0:28:43.160 Kelly is on the phone with Jerry Taylor's people booking 0:28:43.160 --> 0:28:45.560 the audition for two weeks from today. Sharpey is so 0:28:45.600 --> 0:28:49.680 excited and announces, now new outfits. We cut to a boutiqua. 0:28:49.920 --> 0:28:51.800 I like to say it that way. It's actually a boutique. 0:28:52.040 --> 0:28:54.720 Sharpay tries on a very sparkly pink dress and tells 0:28:54.720 --> 0:28:57.280 her friends this is opening night's outfit. She tells everyone 0:28:57.320 --> 0:28:59.360 to listen up, even ladies in the store. She doesn't 0:28:59.400 --> 0:29:01.800 know work is calling, and this is one call that 0:29:01.880 --> 0:29:04.280 is not going to go to voicemail. In the Evans 0:29:04.280 --> 0:29:06.640 living room now, Sharpey is presenting her New York plans 0:29:06.640 --> 0:29:09.240 to her parents, cardboard collage and all. She focuses on 0:29:09.280 --> 0:29:11.440 three poster boards of details like the color scheme of 0:29:11.440 --> 0:29:14.040 her penthouse and ideas for outfits, and then she ends 0:29:14.080 --> 0:29:16.240 with and then I'm a star. Her dad is still 0:29:16.240 --> 0:29:19.240 not totally convinced. Sharpey complains, Daddy, you said I haven't 0:29:19.240 --> 0:29:21.200 shown you I'm ready for this, but look I took 0:29:21.240 --> 0:29:23.760 matters into my own hands without even chipping my manicure. 0:29:24.120 --> 0:29:26.200 He explains, it's just not as easy as putting pictures 0:29:26.240 --> 0:29:28.080 on a board. So that's when her mom shines in. 0:29:28.120 --> 0:29:30.400 Her dear college friend Michelle has a son that goes 0:29:30.400 --> 0:29:32.760 to NYU and he's a very nice boy. Maybe she 0:29:32.800 --> 0:29:34.680 can ask her if he'll keep an eye on her 0:29:34.760 --> 0:29:37.800 in the Big Apple. Her dad asks if she's actually 0:29:37.880 --> 0:29:41.680 sure she's ready. Sharpey assures him that she can do this, 0:29:42.160 --> 0:29:44.200 just like she knows Purple washes her out and that 0:29:44.200 --> 0:29:46.680 her eyes are the exact same distance apart, like a supermodel. 0:29:46.920 --> 0:29:49.520 But what she doesn't know is whether he believes in her. 0:29:49.800 --> 0:29:52.520 Her dad finally caves and gives his blessing. Sharpay screams 0:29:52.520 --> 0:29:55.360 in excitement, thanking him. He does have one condition, though 0:29:55.400 --> 0:29:57.640 she has one month. He'll fly her to New York 0:29:57.680 --> 0:29:59.920 and pay for her penthouse, but she'll have to prove 0:30:00.040 --> 0:30:01.760 that she can take care of herself, and if not, 0:30:02.160 --> 0:30:04.880 she'll return home and work for him at the country club. 0:30:05.640 --> 0:30:07.360 Now we got a Sharpei in New York City. She's 0:30:07.360 --> 0:30:09.000 with her dog being driven around in a town car. 0:30:09.040 --> 0:30:11.800 A building manager, Marjorie meets her at the front entrance 0:30:11.840 --> 0:30:14.239 they've been waiting for her. Sharpei follows her to an 0:30:14.280 --> 0:30:17.640 amazing modern penhouse, which of course she loves. 0:30:17.720 --> 0:30:19.480 And then Sharpay's dog. 0:30:19.360 --> 0:30:21.240 Boy pops his head out of the bag and Marjorie 0:30:21.240 --> 0:30:23.239 warns her the building and its co op board has 0:30:23.280 --> 0:30:26.560 a strict no dog's policy. Sharpei breaks it to the manager. 0:30:26.600 --> 0:30:29.560 If he goes, I go, So, of course, we cut 0:30:29.600 --> 0:30:32.080 to you outside the building where she is sitting surrounded 0:30:32.120 --> 0:30:35.200 by her ten matching pink plaid suitcases. That's when a 0:30:35.240 --> 0:30:38.760 young man starts circling the dejected Sharpei taking videover which 0:30:38.800 --> 0:30:40.080 is super super creepy. 0:30:40.480 --> 0:30:40.920 Yeah. 0:30:41.000 --> 0:30:43.800 She asks what he's doing, fair question, and he directs 0:30:43.800 --> 0:30:46.360 her to keep doing what she's doing. Sharpei asks if 0:30:46.400 --> 0:30:49.360 he's always just films totally stunning strangers on the street, 0:30:49.600 --> 0:30:52.200 and he explains only when he thinks the subject is interesting. 0:30:52.280 --> 0:30:54.840 He thinks she looks baffled and scared and really pink. 0:30:55.320 --> 0:30:57.560 Sharpei excitedly wonders if he's paparazzi. 0:30:57.800 --> 0:30:58.680 He says no, he's. 0:30:58.600 --> 0:31:01.760 A film student at ny should say, a stunningly gorgeous 0:31:01.760 --> 0:31:04.840 film student at NYU working on an assignment to capture 0:31:04.840 --> 0:31:06.800 one unique New York story, and maybe she's it. 0:31:06.960 --> 0:31:09.600 Sharpay's offended her left side. It's better for close ups. 0:31:09.800 --> 0:31:10.160 He says. 0:31:10.160 --> 0:31:12.960 His name is Peyton, and she introduces herself as Sharpay Evans, 0:31:13.000 --> 0:31:16.000 actress heires soon to be Broadway legend. That's when Peyton 0:31:16.040 --> 0:31:18.800 recognizes her and says, wait, but she thinks. He asks 0:31:18.800 --> 0:31:21.280 about her weight and responds about one oh five. But 0:31:21.280 --> 0:31:23.600 it's not polite to ask. That's definitely not what he meant. 0:31:23.880 --> 0:31:25.720 He was just on his way to her apartment. Their 0:31:25.760 --> 0:31:27.840 moms went to college together. And the one thing that 0:31:27.920 --> 0:31:30.480 happens all the time in New York City is you 0:31:30.560 --> 0:31:32.840 run into the one person you were supposed to meet. 0:31:34.600 --> 0:31:37.760 I guess if she's right in front of the building 0:31:38.920 --> 0:31:41.960 and he's supposed to be going to the building, it's 0:31:42.040 --> 0:31:46.560 more possible, but it's still like, it's. 0:31:46.080 --> 0:31:48.200 Pretty rare in New York to run into in the 0:31:48.240 --> 0:31:49.320 eight trillion people. 0:31:49.080 --> 0:31:52.320 That even when you're trying to when you're trying to find. 0:31:52.200 --> 0:31:54.560 Exactly I told you I'm meeting you here at nine, 0:31:54.600 --> 0:31:55.680 and we still missed each other. 0:31:55.840 --> 0:31:57.719 Yeah, we are on the other sides of the street, 0:31:57.920 --> 0:32:00.400 and I was just in New York by all the 0:32:00.400 --> 0:32:01.440 train bustling. 0:32:02.520 --> 0:32:02.720 Yeah. 0:32:02.760 --> 0:32:05.200 She cosldly says she's happy to meet him and introduces 0:32:05.280 --> 0:32:07.400 him to her dog Boy. She tells him the town 0:32:07.400 --> 0:32:09.680 how she rented doesn't allow dogs, and now they won't 0:32:09.720 --> 0:32:11.640 let her live there. Her only option now is to 0:32:11.640 --> 0:32:14.080 go back home, but that's not an option. Peyton says 0:32:14.080 --> 0:32:15.719 there's an empty studio in his building and he can 0:32:15.800 --> 0:32:18.640 make a call she wants, again disturbingly casual, since she 0:32:18.640 --> 0:32:20.600 says she doesn't have any other options, then calls for 0:32:20.600 --> 0:32:23.160 the bellman and points at her bags. When nobody comes, 0:32:23.200 --> 0:32:25.680 she looks at Peyton. He just says, seriously, okay, now 0:32:25.680 --> 0:32:26.280 here's where. 0:32:26.160 --> 0:32:26.760 Ahead of question. 0:32:28.440 --> 0:32:31.040 Is her dad still paying for the penthouse that now 0:32:31.080 --> 0:32:32.960 she's not in because she's faking living there. 0:32:33.320 --> 0:32:37.640 I would imagine because she's a college student, but that 0:32:37.960 --> 0:32:39.440 she has her own credit cards. 0:32:39.760 --> 0:32:42.200 But she's not a college student. She didn't go to college. 0:32:42.240 --> 0:32:42.680 She took a year. 0:32:43.640 --> 0:32:47.000 She's graduated high school. I guess she's college age. She's out, 0:32:47.200 --> 0:32:49.600 but she's a dad was supposed to be paying for 0:32:50.400 --> 0:32:53.800 but I would imagine. I would imagine she has her 0:32:53.840 --> 0:32:56.000 own credit cards, so her credit card was going to 0:32:56.080 --> 0:32:58.240 pay for the penthouse that is now going to pay 0:32:58.280 --> 0:33:00.520 for this other thing and he probably doesn't want into it. 0:33:00.680 --> 0:33:03.120 Oh interesting, See I didn't get that because he even 0:33:03.160 --> 0:33:04.440 said I'll pay for your penthouse. 0:33:04.880 --> 0:33:07.520 Yeah, he's paying. It's him, but it's her credit card, 0:33:07.840 --> 0:33:09.960 like she has a credit card link to his account. 0:33:10.040 --> 0:33:13.400 Okay, I don't know. Do you put do you put rent, 0:33:13.520 --> 0:33:15.760 like a month rent of a penhouse in New York 0:33:15.760 --> 0:33:17.040 on a credit card? I guess you can. 0:33:18.720 --> 0:33:19.320 I don't know. 0:33:19.600 --> 0:33:20.240 Yeah, I don't know. 0:33:20.560 --> 0:33:22.360 I thought this in the entire time, this is front 0:33:22.360 --> 0:33:24.480 producer Makayla. He had to have paid for the month 0:33:24.560 --> 0:33:26.400 and then she used credit cards for the other stuff. 0:33:27.040 --> 0:33:29.880 Okay, then yeah, oh I see what I'm saying. 0:33:29.880 --> 0:33:32.600 So he probably still paid fifteen to twenty. 0:33:32.360 --> 0:33:34.520 Thousand dollars for the month for the apartment and she 0:33:34.600 --> 0:33:39.840 didn't stay there. And so the question is, why wouldn't 0:33:39.840 --> 0:33:43.480 Marjorie have then called the dad and been like, you know, 0:33:43.480 --> 0:33:45.160 your daughter's not staying here because she has a dog. 0:33:46.080 --> 0:33:47.880 Well, because we're only seven minutes in. 0:33:47.840 --> 0:33:49.800 And we've got but that's what I'm saying, But that 0:33:49.840 --> 0:33:50.760 didn't make any sense. 0:33:50.840 --> 0:33:51.440 They needed to. 0:33:51.360 --> 0:33:53.440 Do something better, They need to pay anyway, It just 0:33:53.480 --> 0:33:54.760 they just they just blew past that. 0:33:54.800 --> 0:33:55.120 Anyway. 0:33:55.200 --> 0:33:58.240 Well, you gotta remember the demo that's actually watching this 0:33:58.320 --> 0:34:00.200 has no idea what credit cards? Who yeh know that 0:34:00.320 --> 0:34:01.560 all that stuff, that idea that. 0:34:03.360 --> 0:34:07.600 Went right to the financial for that. 0:34:07.880 --> 0:34:10.120 The twelve year olds that are like super stoked for 0:34:10.160 --> 0:34:13.160 this movie don't nor did they know how a house 0:34:13.200 --> 0:34:14.600 payment even gets started. 0:34:16.840 --> 0:34:19.120 Yeah, I'm still gonna be like, his mortgage is got 0:34:19.200 --> 0:34:21.880 yet anyway, this is not going to be good for 0:34:21.920 --> 0:34:22.320 his credit. 0:34:29.080 --> 0:34:30.240 So we're back at Peyton's apartment. 0:34:30.280 --> 0:34:32.360 He's carrying her bags up the stairs, but Sharpay is 0:34:32.400 --> 0:34:34.839 disgusted at what she sees. Peyton pulls out his camera 0:34:34.880 --> 0:34:36.440 and directs her to go back outside, then come back 0:34:36.480 --> 0:34:37.160 in and give her. 0:34:37.000 --> 0:34:38.960 Even more of that. It's the end of the world. Look. 0:34:39.480 --> 0:34:41.359 Then some girls enter and say hi to Peyton. One 0:34:41.360 --> 0:34:42.920 of them is off to acting class and the others 0:34:42.920 --> 0:34:44.480 off to a singing lesson. By the way, none of 0:34:44.480 --> 0:34:45.759 this mattered in any way, shape or form. 0:34:45.760 --> 0:34:48.680 So if you want there, we go. 0:34:48.840 --> 0:34:49.040 There. 0:34:49.040 --> 0:34:49.839 You are seven minutes. 0:34:49.880 --> 0:34:52.120 Whatever it was, he could have gotten that whole thing 0:34:52.239 --> 0:34:53.960 in the apartment that she was going to be in. 0:34:54.080 --> 0:34:55.400 We didn't even need to be in that hallway. 0:34:55.520 --> 0:34:57.040 And again, if you wanted to do the hallway, just 0:34:57.080 --> 0:34:58.920 cut the two girls. You didn't need those scenes. 0:34:58.960 --> 0:34:59.720 It's just anyway. 0:35:00.600 --> 0:35:02.920 But one of them belts out a high note that 0:35:02.960 --> 0:35:05.160 makes the dog bark. The others off to an acting lesson. 0:35:05.200 --> 0:35:07.919 Peyton introduces Sharpei and her dog to the girls, which 0:35:07.920 --> 0:35:09.240 I thought, Oh, she's gonna meet friends. 0:35:09.239 --> 0:35:11.560 Nope, they never come back. They say hi and then leave. 0:35:11.880 --> 0:35:14.160 Peyton tells Sharpey she's gonna love this place, and Sharpey 0:35:14.160 --> 0:35:16.200 looks around for an elevator. He explains this as a 0:35:16.200 --> 0:35:18.480 pre war building, so there are no elevators, but it 0:35:18.480 --> 0:35:20.319 does have two things going for it. It is something 0:35:20.320 --> 0:35:23.560 available and he lives there. She looks up at all 0:35:23.560 --> 0:35:25.359 the steps and warns him if she breaks a heel 0:35:25.440 --> 0:35:28.120 or breaks the sweat, he's responsible. He carries all her 0:35:28.160 --> 0:35:30.160 bags upstairs and jokes that it's the room with the 0:35:30.160 --> 0:35:33.160 police tape and chalk outline. When they get to the apartment, 0:35:33.200 --> 0:35:34.800 Peyton is out of breath and she grabs one of 0:35:34.840 --> 0:35:37.320 the boys pink poop bags and wraps around the door handle. 0:35:37.400 --> 0:35:39.800 Very funny. She enters and says it's not a studio, 0:35:39.840 --> 0:35:41.560 it's a roach motel with no room service. 0:35:41.800 --> 0:35:45.080 She'll need an entirely separate apartment just for her lipsticks. Plus, 0:35:45.120 --> 0:35:47.360 where is she supposed to sleep? This is a dollhouse. 0:35:47.640 --> 0:35:49.680 Peyton pulls down a bed from the wall and Sharpey 0:35:49.680 --> 0:35:52.960 has no idea what it is. Quick Sabrina, what is 0:35:52.960 --> 0:35:53.760 that type of bed. 0:35:53.600 --> 0:35:55.879 Called a Murphy bed? 0:35:56.040 --> 0:35:59.640 Yeah, good call, I'm murphy bed. She says it's actually 0:35:59.640 --> 0:36:02.239 a cloud with a tongue. He says, there's one great 0:36:02.239 --> 0:36:02.759 thing about the. 0:36:04.239 --> 0:36:07.239 Loved She actually had that light. I wrote it down. 0:36:07.360 --> 0:36:08.360 She had so many. 0:36:09.920 --> 0:36:11.040 Movie she really did. 0:36:11.960 --> 0:36:13.160 That's a closet with it. 0:36:13.840 --> 0:36:14.840 I died laughing. 0:36:14.960 --> 0:36:15.879 I was like, that's good. 0:36:16.000 --> 0:36:18.960 A bunch of her one liners are actually very very funny. 0:36:19.280 --> 0:36:22.480 I love the one that we skipped past. My eyes 0:36:22.520 --> 0:36:24.080 are perfectly part of. 0:36:24.120 --> 0:36:24.560 Me, like a thing. 0:36:24.640 --> 0:36:26.959 It was just like this is Those are the things 0:36:26.960 --> 0:36:29.640 that we loved about her character in the first movie 0:36:29.760 --> 0:36:33.160 was these these outrageous one liners that come. 0:36:33.239 --> 0:36:35.640 And wait like wait, one oh five. But people don't 0:36:35.719 --> 0:36:38.160 usually talk about like stuff like that. Very very funny, 0:36:38.160 --> 0:36:40.759 good dialogue. Yes, and she delivered it very well. 0:36:41.239 --> 0:36:41.760 She does. 0:36:42.040 --> 0:36:42.279 Yeah. 0:36:42.320 --> 0:36:44.080 So he also says, there's one other great thing about 0:36:44.080 --> 0:36:46.000 this apartment. He runs out the door. He quickly pops 0:36:46.080 --> 0:36:48.000 up across the way in just a bathroom. 0:36:48.280 --> 0:36:48.880 No, I'm kidding. 0:36:49.080 --> 0:36:52.280 He's outside her window, saying, see, this is my place. 0:36:52.760 --> 0:36:55.720 She wonders if she's missing something, then remembers she's missing space, 0:36:55.840 --> 0:36:59.040 luxury and maide service. He guesses she used to be spoiled, 0:36:59.080 --> 0:37:00.719 and she tells him if it's not used to be, 0:37:01.000 --> 0:37:03.520 she expects it. He says half the building is filled 0:37:03.520 --> 0:37:05.080 with performers who came to New York with the same 0:37:05.120 --> 0:37:07.120 ambitions as her, so he wonders what makes her so 0:37:07.200 --> 0:37:10.160 much better than them without irony, She answers money, talent, 0:37:10.239 --> 0:37:12.439 great hair, perfect jraw line, great taste, how much time 0:37:12.440 --> 0:37:14.879 do you have? Sharpay admits that if she calls her 0:37:14.880 --> 0:37:16.879 father for help, he'll make her come home to work 0:37:17.120 --> 0:37:19.040 and she'll never get her big break, and so she 0:37:19.120 --> 0:37:21.919 makes Peyton promise not to tell his mom. Peyton offers 0:37:21.920 --> 0:37:24.280 her some words of encouragement, then grabs her sparkly pink 0:37:24.360 --> 0:37:27.680 coat and heads out. Now in the New York streets, 0:37:27.719 --> 0:37:30.279 the new neighbors are walking together, with Peyton still filming her. 0:37:30.320 --> 0:37:32.319 She hopes he's taking her to a better apartment. He 0:37:32.360 --> 0:37:34.600 eventually stops and knocks on a door, yelling for Butchie. 0:37:34.880 --> 0:37:36.600 Once inside, he tells her to close her eyes. The 0:37:36.680 --> 0:37:39.000 lights come on and realizes she's standing center stage in 0:37:39.040 --> 0:37:40.040 the middle of a beautiful theater. 0:37:40.360 --> 0:37:42.080 She's in awe and he records a reaction. 0:37:42.440 --> 0:37:44.480 Peyton says, when he left Indiana to go to school 0:37:44.480 --> 0:37:46.279 in New York, he didn't know a soul there either. 0:37:46.640 --> 0:37:48.760 He only had two things, a camera and a dream. 0:37:48.960 --> 0:37:51.520 She insists he still only has a dream and a camera. 0:37:51.719 --> 0:37:53.640 He adds yes, but I met you didn't. I so 0:37:53.680 --> 0:37:58.279 something's working out. And again, their chemistry was good. It 0:37:58.440 --> 0:38:01.759 just seems like he was in like a real more 0:38:01.800 --> 0:38:05.400 adult romantic comedy and she was in a Disney Channel movie. 0:38:05.440 --> 0:38:06.759 If that makes sense. Yeah. 0:38:06.880 --> 0:38:09.920 Yeah, But again, neither of her were bad. They were 0:38:09.920 --> 0:38:12.800 both good and they worked well together. He just seemed 0:38:12.840 --> 0:38:15.120 like more of an adult actor to me. 0:38:15.760 --> 0:38:19.840 I think could have been irritated and disliked her a 0:38:19.880 --> 0:38:23.840 little bit more like this girl she At this point, 0:38:23.880 --> 0:38:27.759 he has now loved her, however far he had to 0:38:27.760 --> 0:38:30.240 to get her to this apartment. He got her an apartment. 0:38:30.360 --> 0:38:34.960 She is still incredibly ungrateful at this point. I feel 0:38:34.960 --> 0:38:36.680 like we needed a little bit of a dip, like 0:38:36.760 --> 0:38:39.879 you know what chick kick Yeah, like. 0:38:40.120 --> 0:38:42.239 Or or he makes He says she should have had 0:38:42.280 --> 0:38:43.640 to carry half of her bags up. 0:38:43.680 --> 0:38:45.880 I mean, it's like she's gotta start learning right away. 0:38:46.080 --> 0:38:48.839 He's been a little too nice for a little too 0:38:48.880 --> 0:38:49.279 long time. 0:38:49.320 --> 0:38:49.640 I agree. 0:38:49.920 --> 0:38:53.640 It continues further again, he needed to I'll bring up 0:38:53.640 --> 0:38:54.280 one of your bags. 0:38:54.320 --> 0:38:55.160 You're going to bring up one. 0:38:55.120 --> 0:38:57.520 Of like they needed more of that teaching moment. 0:38:57.600 --> 0:38:58.880 Yeah, teaching moments. 0:38:58.960 --> 0:39:01.360 She really had not a lot of those kinds of teaching. 0:39:02.520 --> 0:39:08.399 She had moments where she had realizations, yes, but they 0:39:08.440 --> 0:39:11.480 weren't based on any real teaching moment. Yeah, I agree, 0:39:11.520 --> 0:39:12.160 one hundred percent. 0:39:12.320 --> 0:39:14.520 Yeah, And to give them a little bit more like 0:39:14.520 --> 0:39:15.960 it was like, Okay, this guy likes her. 0:39:16.120 --> 0:39:18.560 Yeah, everything's still how do you like her? Still works 0:39:18.560 --> 0:39:23.240 out perfectly for her? So yeah, yes. So she informs 0:39:23.280 --> 0:39:24.719 Peyton of her plan. She's going to meet with the 0:39:24.719 --> 0:39:26.680 casting director, get the part, be a star, and have 0:39:26.719 --> 0:39:27.160 a palace. 0:39:27.520 --> 0:39:28.560 Peyton's enthused. 0:39:28.640 --> 0:39:31.719 That's the type of self indulgent, self entitled, optimistic pink 0:39:31.800 --> 0:39:34.319 hurricane he's been seeing through his lens. She likes how 0:39:34.400 --> 0:39:36.759 perceptive he is, and then challenges New York to bring 0:39:36.800 --> 0:39:38.600 it on. And then I was like, oh my god, 0:39:38.640 --> 0:39:39.880 is this going to be another bringing on? Is there 0:39:39.880 --> 0:39:40.640 going to be a dance scene? 0:39:40.680 --> 0:39:43.600 No? And I was upset walking around the city. 0:39:43.640 --> 0:39:46.040 The cover of Walking on Sunshine is playing by Ali 0:39:46.080 --> 0:39:48.319 and Aj of course, as Sharpay and Peyton explore New 0:39:48.400 --> 0:39:51.560 York while he continues to film her. It's a montage 0:39:51.560 --> 0:39:53.520 where she somehow beats a con man at a three 0:39:53.600 --> 0:39:56.160 card monte game, which is a terrible example for kids 0:39:56.160 --> 0:39:57.960 because the game is fixed and you don't win, or 0:39:57.960 --> 0:39:59.319 actually you win the first one or two and then 0:39:59.320 --> 0:40:01.200 they take all your money. She poses on a water 0:40:01.239 --> 0:40:03.720 fountain stairs at the street performer dresses the statue of Liberty, 0:40:03.719 --> 0:40:05.520 trying to get her to break struts over a bridge, 0:40:05.520 --> 0:40:08.680 watches break dancers, and Boy even sniffs a cockroach, which 0:40:08.719 --> 0:40:11.040 causes Sharp Paid to scream. At the end, she tries 0:40:11.080 --> 0:40:14.080 a street hot dog and spits it out, which is sacrilegious. 0:40:14.560 --> 0:40:16.799 They're amazing, and I don't know if if they did 0:40:16.800 --> 0:40:18.279 this on purpose. I don't think they did. They just 0:40:18.360 --> 0:40:20.000 use this take. If you go back and watch it again. 0:40:20.680 --> 0:40:23.359 The dog spits it out too Boy. It falls out 0:40:23.360 --> 0:40:25.080 of Boy's mouth like he's trying to chew it and 0:40:25.120 --> 0:40:27.360 it falls out of his mouth, which is obviously an accident, 0:40:27.600 --> 0:40:29.799 but it looks like he spits it out right before 0:40:29.880 --> 0:40:30.560 she spits it out. 0:40:30.600 --> 0:40:33.200 So great take, which I'm guessing they did not mean. 0:40:33.560 --> 0:40:34.120 But it worked. 0:40:34.239 --> 0:40:36.719 I wasn't expecting her to try it at all. I 0:40:36.760 --> 0:40:39.520 feel like when she gave it to the to her dog, 0:40:39.600 --> 0:40:42.000 I was like, oh, that's funny, Like, oh, thank you 0:40:42.040 --> 0:40:44.399 for this, here you go, baby, and like just gives 0:40:44.400 --> 0:40:46.680 it to when she actually tried it. I wouldn't have 0:40:46.719 --> 0:40:49.480 assumed that her character, yeah, would have even done that. 0:40:49.640 --> 0:40:51.640 It's not like she doesn't know what a hot dog is. 0:40:51.680 --> 0:40:53.719 I know, it's just that a hot dog's below her, 0:40:53.800 --> 0:40:56.600 whether or not she's in New York or. 0:40:56.760 --> 0:40:59.640 Yeah, but that both the dog spits it out. 0:40:59.520 --> 0:41:02.120 To It's very that's funny. That's funny. I didn't notice that. 0:41:02.040 --> 0:41:04.279 They eventually walk by a store called Pink Pink, and 0:41:04.280 --> 0:41:07.480 obviously Sharpey has to go inside. We're now outside Sharpey's apartment. 0:41:07.480 --> 0:41:11.360 We see Peyton again painting her walls pink, with a 0:41:11.360 --> 0:41:13.799 bunch of other new pink things around the apartment. It's 0:41:13.840 --> 0:41:16.120 finally bedtime in her newly pink wallpaper room. I mean 0:41:16.160 --> 0:41:19.720 then the room is just done perfect, Like they're both interior. 0:41:19.800 --> 0:41:21.399 It was like, keep her. 0:41:21.320 --> 0:41:25.080 In an apartment, put some pink on the walls, fine, 0:41:25.280 --> 0:41:27.799 But the idea that she's now in this lavish kind 0:41:27.800 --> 0:41:30.600 of it's like, Okay, so she's not not learning anything, 0:41:31.000 --> 0:41:33.680 you know, she's not having to adapt to anything. 0:41:34.160 --> 0:41:36.200 No, she's making New York adapt to her. 0:41:36.200 --> 0:41:38.560 Right, which again I'm not a huge fan of for 0:41:38.640 --> 0:41:41.839 changing the character. But anyway, So she's in her new 0:41:41.880 --> 0:41:43.759 pink wallpaper room. She says good night to boy, who 0:41:43.800 --> 0:41:46.560 lays down in his bed. The wall bed then retracts, 0:41:46.560 --> 0:41:48.040 and now she's stuck between the wall and the bed 0:41:48.080 --> 0:41:50.279 where she's killed and they find her six months later. 0:41:51.080 --> 0:41:52.640 Now she actually screams her boy to help. 0:41:52.680 --> 0:41:57.160 But that is knowing about Murphy beds. That is my 0:41:57.360 --> 0:42:00.560 number one Like, but what happens if this bring. 0:42:01.080 --> 0:42:04.440 Like what it's it's. 0:42:04.920 --> 0:42:07.400 You, You're I'm I don't I know you're not supposed 0:42:07.400 --> 0:42:09.200 to say a woman's weight, but you're what eighty five 0:42:09.320 --> 0:42:09.920 ninety pounds. 0:42:09.960 --> 0:42:11.359 It's not gonna lift your bed up. 0:42:11.600 --> 0:42:14.960 I love you will for saying that, shautie pie, Well. 0:42:14.880 --> 0:42:16.760 It's not gonna lift you up when it's got almost 0:42:16.760 --> 0:42:17.520 one hundred pounds on it. 0:42:17.560 --> 0:42:18.319 Like it's just not good. 0:42:18.680 --> 0:42:22.080 But it's like, I don't know, I just it just 0:42:22.120 --> 0:42:25.439 seems like it's it's impossible for that to stay down. 0:42:26.360 --> 0:42:30.080 It does for the springs. This locks, it locks, it locks. 0:42:30.280 --> 0:42:34.280 I don't know that would be a worry if you, No, Lie, 0:42:34.400 --> 0:42:37.400 I've always actually wanted one of those, like I've always 0:42:37.440 --> 0:42:39.799 thought about, like an apartment like that in New York 0:42:39.880 --> 0:42:41.719 like I had a girlfriend that lived there, she was 0:42:41.719 --> 0:42:43.200 one of my story sisters, and I went and like 0:42:43.560 --> 0:42:46.839 she had what felt like the coolest inventions of how 0:42:47.000 --> 0:42:50.279 she was able to store her all her clothes, because 0:42:50.320 --> 0:42:52.560 I was thinking, like, Josie, you probably have like no 0:42:52.680 --> 0:42:54.920 clothes right, like you've got like five outfits or whatever. 0:42:54.920 --> 0:42:56.640 It's like, oh no, I can't wait to show you. 0:42:56.800 --> 0:42:59.360 She had the coolest stuff that she bought from wherever. 0:43:00.280 --> 0:43:02.759 I've always like imagined like those kinds of things. That'd 0:43:02.800 --> 0:43:04.600 be so cool to have a bed that life think 0:43:04.760 --> 0:43:06.720 molded back up. It's so cool. 0:43:06.800 --> 0:43:08.520 The oak Wood that all the kids stayed at in 0:43:08.520 --> 0:43:11.040 California in Los Angeles out here, I think they had 0:43:11.080 --> 0:43:12.960 one room, one or two rooms you could get that 0:43:13.000 --> 0:43:15.520 had Murphy beds for like if you were really struggling 0:43:15.560 --> 0:43:16.279 as an actor and. 0:43:16.200 --> 0:43:18.759 He needed that kind of thing. Yeah. 0:43:18.800 --> 0:43:21.359 Anyway, it's the next morning now, Sharpay's in a new 0:43:21.400 --> 0:43:23.480 pink dress with the matching pink hat and pearls, looking 0:43:23.480 --> 0:43:24.279 at herself in the mirror. 0:43:24.280 --> 0:43:26.160 When Peyton knocks on the door, He's. 0:43:25.920 --> 0:43:28.680 Stunned by the fully renovated all pink room and starts 0:43:28.719 --> 0:43:30.680 filming her again. He asked her if she's on her 0:43:30.680 --> 0:43:32.440 way to meet the new casting director, and she corrects 0:43:32.480 --> 0:43:35.960 him she's on her way to change theater history. Peyton 0:43:36.000 --> 0:43:38.160 asks if he can tag along in film, and Sharpay 0:43:38.200 --> 0:43:40.080 is of course excited by the idea. Not many people 0:43:40.080 --> 0:43:42.160 can say they film the creation of a legend, and 0:43:42.200 --> 0:43:45.320 so they head out. Now in the crowded theater, Sharpey 0:43:45.320 --> 0:43:47.520 walks in holding Boy and makes her way to Jerry Taylor. 0:43:47.560 --> 0:43:49.640 He's excited to see her. Her timing is perfect. He 0:43:49.719 --> 0:43:52.200 wonders if three pm tomorrow works, he'll send her the 0:43:52.239 --> 0:43:54.200 musical number before and she just needs to make sure 0:43:54.239 --> 0:43:56.759 Boy is well groomed. And she's confused and says, wait what. 0:43:57.160 --> 0:43:59.799 Jerry clarifies it's the dog they want to audition. He 0:43:59.880 --> 0:44:02.400 was amazing in the show. Sharpay screams, what is he 0:44:02.440 --> 0:44:05.000 talking about? Jerry swears he sent her all the information, 0:44:05.360 --> 0:44:06.320 didn't The title. 0:44:06.040 --> 0:44:08.040 Of the music will give you the indication. It's called 0:44:08.120 --> 0:44:09.360 a Girl's Best Friend. 0:44:09.719 --> 0:44:12.359 Sharpey thought she was auditioning for the girl, but in 0:44:12.400 --> 0:44:15.360 reality they just want boy as the best friend. He 0:44:15.400 --> 0:44:18.000 apologizes for the confusion, and Sharpey runs out of the theater, 0:44:18.120 --> 0:44:21.040 clearly upset, Peyton follows close behind her and tells her 0:44:21.080 --> 0:44:23.399 to slow down. She has no idea why she came 0:44:23.440 --> 0:44:25.520 all this way. Planet was to live in a penhouse 0:44:25.560 --> 0:44:28.160 and star on Broadway and plan B. She doesn't have 0:44:28.200 --> 0:44:30.000 a Plan B. What is she supposed to tell her dad? 0:44:30.360 --> 0:44:31.560 Peyton says, to look at. 0:44:31.440 --> 0:44:32.960 It this way. Boy is her dog and he has 0:44:33.000 --> 0:44:34.839 an amazing opportunity. She should be happy for him. 0:44:34.920 --> 0:44:37.440 She can't just give up, So Sharpey gives in Fine 0:44:37.480 --> 0:44:38.360 a star new movie. 0:44:38.440 --> 0:44:40.080 Change of strategy. Great. 0:44:40.800 --> 0:44:43.120 If Boy becomes a success, everyone will know her too. 0:44:43.200 --> 0:44:45.640 After all, she's in his entourage and the one holding 0:44:45.640 --> 0:44:48.400 his leash. His fame will ultimately lead to her fame. 0:44:48.680 --> 0:44:50.879 Peyton rightfully says, that's a little selfish, but she's heading 0:44:50.880 --> 0:44:53.040 in the right direction. So now we're at the audition. 0:44:53.080 --> 0:44:55.160 The next day, we got our next song. When Sharpey 0:44:55.200 --> 0:44:58.040 performs My Boy and Me with Boy who nails the audition? 0:44:58.400 --> 0:44:59.319 What do you think of track two? 0:44:59.400 --> 0:45:02.160 I'm just gonna s this out loud because we've talked 0:45:02.360 --> 0:45:04.359 kind of going back. I didn't like any of the music. 0:45:04.840 --> 0:45:06.319 I didn't like any of the songs. I'm gonna be 0:45:06.320 --> 0:45:08.480 honest with you, I don't remember any of them. I 0:45:08.600 --> 0:45:10.680 wasn't tapping my toe along with any of them. I 0:45:10.719 --> 0:45:14.160 thought the last one, I think it's the last one, 0:45:14.600 --> 0:45:18.480 was okayish, but compared to but only compared to the 0:45:18.480 --> 0:45:18.919 other ones. 0:45:19.000 --> 0:45:20.920 Like the rest of the songs, I just I didn't 0:45:21.000 --> 0:45:21.799 like any of this, the. 0:45:21.880 --> 0:45:26.880 Last one being like her like kind of monologue that he. 0:45:26.840 --> 0:45:28.520 Oh, no, I hated it, or the. 0:45:29.400 --> 0:45:31.680 Or the very last one where she's in a production 0:45:31.920 --> 0:45:32.440 the very. 0:45:32.320 --> 0:45:36.040 Last one where she's in the production is fine, yes, fine, 0:45:36.280 --> 0:45:38.000 The one before the monology one. 0:45:38.120 --> 0:45:40.640 I hated that song. I was like, what was it? 0:45:40.680 --> 0:45:42.680 There's no there was no it wasn't a catchy hook, 0:45:42.719 --> 0:45:44.480 there was no refrain. It was like, what the hell 0:45:44.560 --> 0:45:45.000 is the song? 0:45:45.920 --> 0:45:48.360 Yeah, And since we're going to talk about it, I 0:45:48.360 --> 0:45:50.480 was going to wait till the end. This is the 0:45:50.520 --> 0:45:54.640 thing about Ashley Tisdale and what she brought to Sharpey. 0:45:55.280 --> 0:45:59.560 To me, it was the comedy of the music that 0:45:59.760 --> 0:46:04.160 really made her song stand out. The fabulous and how 0:46:04.200 --> 0:46:07.480 she did the song and like all of that and 0:46:07.600 --> 0:46:10.759 the characterization that she did like it wasn't that. So 0:46:10.800 --> 0:46:15.040 then when you take that away from the music, like 0:46:15.160 --> 0:46:18.920 even the first song wasn't the Fabulous Times too in 0:46:19.000 --> 0:46:22.120 my opinion, But also Kenny's not there, so we're not 0:46:22.480 --> 0:46:25.040 We're also not getting the visuals right right that were 0:46:25.080 --> 0:46:28.400 wanting that made her shine, like we're not getting either 0:46:28.520 --> 0:46:31.520 of the of the Yeah, so this music was just 0:46:31.600 --> 0:46:35.120 I mean, you know, I mean, I loved I loved 0:46:35.160 --> 0:46:38.000 walking on Sunshine with Ali and aj. Yeah, we do 0:46:38.080 --> 0:46:38.560 love that. 0:46:38.520 --> 0:46:39.239 Good needle drop. 0:46:39.440 --> 0:46:42.680 But anyway, when the song ends, the writer and director 0:46:42.760 --> 0:46:44.919 run on stage. That's the best audition they've ever seen. 0:46:44.960 --> 0:46:47.359 That's one special dog. But there's one audition they have 0:46:47.400 --> 0:46:49.360 to see. Sharpay and Boy are forced to sit in 0:46:49.360 --> 0:46:51.719 the front row by angry union members and watch a 0:46:51.800 --> 0:46:54.680 kid and his cocker spaniel in a purple polka dot dress. 0:46:54.480 --> 0:46:55.279 Take the stage. 0:46:55.480 --> 0:46:57.880 This is Roger Ellison the Third, a Broadway vet, and 0:46:57.880 --> 0:47:01.040 his dog Countess. When Boy locks his eyes with him, 0:47:01.080 --> 0:47:02.600 they immediately fall in love. And this was the best 0:47:02.600 --> 0:47:04.080 part of the movies. The two dogs fallow. 0:47:04.880 --> 0:47:08.359 All right, we got well, we got him, we got it. 0:47:08.560 --> 0:47:11.839 I went went that dog. Yeah, I will say too 0:47:11.840 --> 0:47:14.520 though it was one of my screens. Watching this dog 0:47:14.760 --> 0:47:19.080 do these tricks was adorable, Like I love it. I 0:47:20.160 --> 0:47:23.920 loved it as far as that the song itself was whatever, 0:47:24.000 --> 0:47:27.120 but the little doggie doing the tricks was just. 0:47:27.080 --> 0:47:28.520 Like, oh, it was fine. 0:47:29.160 --> 0:47:31.640 I just loved dogs when they There's just none of 0:47:31.719 --> 0:47:33.520 this was as whimsical as the high school. 0:47:33.360 --> 0:47:34.960 Musicals, but it wasn't. I know. 0:47:35.360 --> 0:47:37.680 The audition begins and Roger can really sing or sit 0:47:37.680 --> 0:47:40.000 whoever singing for Roger can really sing. The Countess is 0:47:40.000 --> 0:47:43.760 a super cutie and also a pro. Did you prefer 0:47:43.960 --> 0:47:45.120 Roger and Countess to. 0:47:47.520 --> 0:47:53.880 Didn't I put sharpai clearly one that clearly there was 0:47:53.920 --> 0:47:57.440 no let's put them and see how they're doing, and no. 0:47:59.040 --> 0:47:59.880 That yeah, I agree for. 0:48:00.360 --> 0:48:02.319 When the audition ends, the writer and director again run 0:48:02.360 --> 0:48:04.600 on stage, saying that was actually the best audition they've 0:48:04.600 --> 0:48:08.040 ever seen. Then musical superstar Amber Lee pops out wildly 0:48:08.040 --> 0:48:11.000 impressed and she loves boy Sharpey introduces herself as a 0:48:11.000 --> 0:48:13.279 mega fan, and Amber says she's going to tweet about 0:48:13.280 --> 0:48:14.399 her right now, which is. 0:48:14.800 --> 0:48:16.279 A real look at twenty. 0:48:17.400 --> 0:48:19.839 In a deadlock, they decide they'll work with both dogs 0:48:19.920 --> 0:48:22.880 during rehearsal to see which one Amber works with best, 0:48:23.239 --> 0:48:25.640 and as they leave, Amber tells Sharpey she's such a 0:48:25.640 --> 0:48:27.960 good singer, and has her assistant give Sharpay her number 0:48:28.080 --> 0:48:30.480 if there's anything she needs. Girls got to stick together, 0:48:30.560 --> 0:48:32.000 and Sharpey can't believe it. 0:48:32.400 --> 0:48:33.439 We're now outside the theater. 0:48:33.520 --> 0:48:36.160 Sharpei tells Peyton that Boy is going to get the 0:48:36.160 --> 0:48:39.000 part because she doesn't do rejection. Then Roger runs over. 0:48:39.080 --> 0:48:41.080 He just wants to wish her and Boy luck. Then 0:48:41.160 --> 0:48:43.480 suggests they just give up now, but they still have 0:48:43.520 --> 0:48:46.480 their dignity. Sharpey says, Boy is cuter than Countess. That's 0:48:46.520 --> 0:48:48.920 kind of true, and he bored her to death. They 0:48:48.960 --> 0:48:51.480 bick her back and forth, and the competition has begun. 0:48:51.600 --> 0:48:53.560 As they both walk away, Boy and Countess look back 0:48:53.600 --> 0:48:55.479 at each other lovingly, and this is the best movie 0:48:55.480 --> 0:48:56.040 I've ever seen. 0:48:57.200 --> 0:48:58.000 I love dogs. 0:48:58.640 --> 0:49:01.320 Back at the Sharpay's pack up apartment, she's practicing tricks 0:49:01.320 --> 0:49:03.640 with Boy, swearing she's not gonna let some hobbit and 0:49:03.680 --> 0:49:06.080 his dogs steal the part. Peyton is still filming, so 0:49:06.120 --> 0:49:08.919 Sharpey asks if she has to record everything. He says yes, 0:49:09.000 --> 0:49:11.839 because this is his shot. Like his grandma used to say, 0:49:11.920 --> 0:49:14.000 God only published one book, but it did pretty well 0:49:14.040 --> 0:49:16.520 for him. I've never heard that saying before, which I 0:49:17.400 --> 0:49:19.680 like that that's saying if I'm honest, But so God 0:49:19.760 --> 0:49:21.279 must have had a bad book agent, because I've never 0:49:21.280 --> 0:49:23.000 heard say it was a good saying. 0:49:23.600 --> 0:49:24.399 We're back at the theater. 0:49:24.520 --> 0:49:26.640 Gill and Neil, the writer and director, welcome everyone to 0:49:26.680 --> 0:49:29.000 the first rehearsal of their new Broadway musical, A Girl's 0:49:29.000 --> 0:49:32.080 Best Friend. They introduce Amberley Adams and the guys explain 0:49:32.160 --> 0:49:34.120 that they're starting with Boy in the dog role, which 0:49:34.160 --> 0:49:36.840 Sharpey rubs in Roger's face. Boy and Countess continue to 0:49:36.880 --> 0:49:38.680 look at each other lovingly, which up writing in a 0:49:38.719 --> 0:49:41.280 boys first seen and sharpay perfectly cues him on the stage. 0:49:41.320 --> 0:49:42.239 A star is born. 0:49:42.719 --> 0:49:44.640 Now they try it with Countess, who takes it a 0:49:44.640 --> 0:49:46.960 step further by dragging her carrier onto the stage and 0:49:47.040 --> 0:49:49.880 jumping into it for some perfect improv. In the end, 0:49:50.000 --> 0:49:51.799 Neil tells both dogs good work, and they go. 0:49:51.719 --> 0:49:52.200 On a break. 0:49:52.600 --> 0:49:55.239 We then later see Roger sneaking into Amber's dressing room 0:49:55.239 --> 0:49:57.920 with a container full of rock chicken cutlets. He grabs 0:49:57.920 --> 0:49:59.640 a pair of her heels and rubs the meat all 0:49:59.640 --> 0:50:00.480 over her shoes. 0:50:00.600 --> 0:50:04.120 Can't even raw chicken get dogs sick. I mean that's fine, Yes, 0:50:04.200 --> 0:50:06.000 they can. I actually chicken. 0:50:06.360 --> 0:50:09.640 Yeah, even cook chicken, like if you cook a chicken 0:50:09.680 --> 0:50:11.560 and give it to a dog, your dog with prime thrower. 0:50:12.920 --> 0:50:15.120 Well, chicken, a little bits of chicken is fine, but 0:50:15.200 --> 0:50:18.040 you don't want to it's the bones that that's bad 0:50:18.080 --> 0:50:21.719 for the chicken. So regular regular chicken, like breast is 0:50:21.760 --> 0:50:24.879 fine for dogs. Shred it, but that's you don't want 0:50:24.920 --> 0:50:27.120 to know the bones, but raw chicken. 0:50:27.239 --> 0:50:27.680 Never do that. 0:50:27.760 --> 0:50:29.319 But he grabs a pair of her heels and rubs 0:50:29.320 --> 0:50:31.719 the meat all over her shoes, so that when we 0:50:31.719 --> 0:50:34.400 see Amber rehearsing later, boy is slobbering all over her 0:50:34.400 --> 0:50:38.040 marinated feet. Amber demands boy get off hers, so kil 0:50:38.080 --> 0:50:40.640 immediately replaces boy with Countess in the scene, Roger with 0:50:40.640 --> 0:50:43.239 a guilty smile, shrugs at Sharpei, Ah, what can you do? 0:50:43.640 --> 0:50:44.320 She shocked? 0:50:44.360 --> 0:50:50.040 But why wouldn't Countess also be licking the shoes because they. 0:50:49.920 --> 0:50:50.680 Didn't like. 0:50:52.520 --> 0:50:53.000 What I thought? 0:50:53.080 --> 0:50:55.640 Yes, but they did. Roger with the guilty smile, shrugs 0:50:55.640 --> 0:50:57.880 at Sharpey, Hey, what can you do? She is shocked. 0:50:58.080 --> 0:50:59.680 And then when it's time for Countess to enter, we 0:50:59.680 --> 0:51:01.640 hear a dog whistle, which is impossible because you can't 0:51:01.640 --> 0:51:03.920 ever hear a dog whistle, and at Sharpey hiding in 0:51:03.920 --> 0:51:06.760 the theater, Countess stops and starts spinning in circles. Everyone 0:51:06.800 --> 0:51:10.160 is confused because they correctly can't hear the whistle, and 0:51:10.200 --> 0:51:13.320 Gil brings Boy back on stage. Roger sees Sharpey crouch 0:51:13.360 --> 0:51:15.760 in the seat with the whistle and mimics him, Sorry, 0:51:15.800 --> 0:51:18.000 what can you do? So when they run the scene again, 0:51:18.040 --> 0:51:20.040 Boy enters with Roger on the other side of the stage. 0:51:20.080 --> 0:51:23.360 He releases a cat. He brings a giant cat in 0:51:24.200 --> 0:51:26.920 and Boy immediately runs after it, completely blowing the scene again. 0:51:27.040 --> 0:51:29.480 Countess does not. Gil tells everyone to take ten and 0:51:29.520 --> 0:51:32.600 Sharpay and Roger clash once again. After some words, they 0:51:32.640 --> 0:51:34.719 linger on stage death staring at each other, looking to 0:51:34.719 --> 0:51:37.680 see who will break first. Meanwhile, during some alone Doggy 0:51:37.719 --> 0:51:40.000 rest Amber finds Boy and Countess in a dressing room 0:51:40.000 --> 0:51:42.080 and closes the door. And this is where we see 0:51:42.080 --> 0:51:45.400 her true color. She becomes weirdly territorial and aggressive, warning 0:51:45.440 --> 0:51:47.440 the pooches this is her show and she's going to 0:51:47.480 --> 0:51:49.040 figure out a way to get rid of them, even 0:51:49.080 --> 0:51:51.680 insinuating she's going to kill them. 0:51:52.200 --> 0:51:59.359 Yeah, jesus, it got dark real fast. Yeah, got so 0:52:00.000 --> 0:52:00.600 I'm like, oh my. 0:52:00.560 --> 0:52:01.520 God, I'm sorry. 0:52:01.560 --> 0:52:04.120 Even if you're not like a dog lover, how are 0:52:04.160 --> 0:52:06.719 you looking at these two cute little faces? Tell me 0:52:07.040 --> 0:52:07.920 you're gonna. 0:52:08.560 --> 0:52:12.840 You're gonna die? Like, oh my god, yike. 0:52:14.160 --> 0:52:20.040 Amper wow. Definitely not a joint, Yeah, because Kenny would 0:52:20.200 --> 0:52:21.560 never know well. 0:52:21.560 --> 0:52:23.799 And also this one, the Cheeta girls should have shown up. 0:52:23.800 --> 0:52:25.359 They should have sung the dogs out on the stage. 0:52:25.360 --> 0:52:27.759 It would have Yeah, save a dog's life. You get 0:52:27.800 --> 0:52:29.480 cheated girls to sing to them. Everybody knows that. 0:52:29.600 --> 0:52:29.799 Yep. 0:52:30.080 --> 0:52:36.840 Everyone. 0:52:38.320 --> 0:52:40.080 Sharpay's dad tries to video chatter. 0:52:40.160 --> 0:52:43.160 Later in Sharpay's apartment, she freaks out because she thinks 0:52:43.160 --> 0:52:44.960 he's living in a penthouse, which we think he's still 0:52:44.960 --> 0:52:47.720 paying for it twenty seven thousand dollars a month. Peyton 0:52:47.719 --> 0:52:49.400 grabs a computer and they both run out into the 0:52:49.440 --> 0:52:51.480 apartment and run into another room with a big window 0:52:51.520 --> 0:52:54.120 looking out into the sky, which again doesn't really make 0:52:54.120 --> 0:52:56.399 any sense because if she's redone her whole apartment pink, 0:52:56.440 --> 0:53:01.040 why can't you just pick a pink wall and be like, hi, daddy, Yeah, okay. 0:53:01.680 --> 0:53:03.560 When she answers the call, her dad comments on the 0:53:03.600 --> 0:53:05.640 beautiful view and asks how the show is going. 0:53:05.680 --> 0:53:07.600 She says it's complicated, but it'll work out. 0:53:08.000 --> 0:53:09.799 He reminds her of their deal. She has two weeks 0:53:09.840 --> 0:53:11.759 left to get into the show. She assures him that 0:53:11.760 --> 0:53:14.239 everything's going to be fine, but now realizes Boy has 0:53:14.320 --> 0:53:14.959 to get the role. 0:53:15.280 --> 0:53:18.239 Sharpei needs a crushing advantage over Roger, but Peyton thinks 0:53:18.239 --> 0:53:20.640 she should just trust Boy's talent and let Fate take 0:53:20.640 --> 0:53:23.200 it from there. Sharpey can't trust fate. Some matters you 0:53:23.280 --> 0:53:24.520 just have to take in your own hands. 0:53:24.920 --> 0:53:27.880 Sharpey that enters Amber's dressing room just after the Broadway 0:53:27.920 --> 0:53:30.080 star fires her assistant for not getting her a bottle 0:53:30.120 --> 0:53:32.120 of water because she was hit by a bike messenger. 0:53:32.520 --> 0:53:36.200 Amber compliments Sharpei but also calls her Sharpie. Sharpei asked 0:53:36.200 --> 0:53:38.919 about the assistant, and Amber of course lies, saying she quit. 0:53:39.360 --> 0:53:41.640 Sharpei offers to help until she finds a new assistant, 0:53:41.680 --> 0:53:43.719 but it can't affect her decision on which dog gets 0:53:43.719 --> 0:53:44.479 the starring role. 0:53:44.680 --> 0:53:47.360 She couldn't live with herself if she ended up unfair 0:53:47.760 --> 0:53:48.320 Wink wink. 0:53:49.320 --> 0:53:51.719 Amber says, of course it won't, then asks Sharpay to 0:53:51.760 --> 0:53:54.160 make her a dinner reservation for her and get her 0:53:54.360 --> 0:53:57.560 mike adjusted by the sound guy. We're now backstage. Sharpei 0:53:57.600 --> 0:53:59.680 delivers the audio equipment and explains that the wire is 0:53:59.719 --> 0:54:02.680 hurting Amber's scalp, but she thinks it's probably just her shampoo. 0:54:02.800 --> 0:54:04.640 The sound guy looks at her and says, you're hot. 0:54:05.600 --> 0:54:07.520 She's offended, but he meant that her mic. 0:54:07.600 --> 0:54:10.040 It's how he says it too. He meant that her 0:54:10.080 --> 0:54:12.680 mic is hot. The entire theater just heard her insult Amber. 0:54:12.840 --> 0:54:15.280 Sharpey says she could have led with that, then says 0:54:15.320 --> 0:54:18.759 Amberlee is a great scalp and walks away. We're now 0:54:18.760 --> 0:54:21.200 out in New York streets. Sharpey tells Peyton about her 0:54:21.200 --> 0:54:23.840 new position as Amber's assistant, and Peyton thinks this is 0:54:23.880 --> 0:54:27.160 a very bad idea. Sharpey says it's perfect because they'll 0:54:27.160 --> 0:54:29.680 become BFFs. Boy will get the role, and then his 0:54:29.840 --> 0:54:32.439 fame will become her fame. Everything is turning out better 0:54:32.440 --> 0:54:35.360 than she could possibly have imagined. We're back in Sharpey's 0:54:35.360 --> 0:54:38.640 pink Nightmare Layer. She's sleeping and awoken by her phone. 0:54:38.880 --> 0:54:40.560 She picks it up and immediately says. 0:54:40.320 --> 0:54:41.279 Sure, be right over. 0:54:41.840 --> 0:54:44.839 Then that's what we get to Amber's beautiful apartment. All 0:54:44.840 --> 0:54:47.279 these people are wealthy, and the emergency was that she 0:54:47.320 --> 0:54:48.720 couldn't reach her purse in the closet. 0:54:48.800 --> 0:54:50.719 Sharpey can't believe it, but Amber says, oh no, that 0:54:50.800 --> 0:54:51.560 was just a little test. 0:54:51.600 --> 0:54:53.239 Only a true friend would come over at this hour 0:54:53.280 --> 0:54:55.560 and help you with something like that. Sharpay smiles, so 0:54:55.600 --> 0:54:58.760 I passed. Amber says yes, but then actually makes Sharpey 0:54:58.840 --> 0:55:01.560 get the purse. The next morning, Sharpei is holding all 0:55:01.600 --> 0:55:03.680 of Amber's stuff just as a limo arrives to pick 0:55:03.760 --> 0:55:05.880 up her new boss. Sharpey tells her not to forget 0:55:05.920 --> 0:55:08.240 her photo shoot, and Amber says Sharpei is now also 0:55:08.280 --> 0:55:09.080 her stylist. 0:55:09.400 --> 0:55:10.359 She then drives off. 0:55:10.800 --> 0:55:13.560 We're back at Sharpay's apartment and she's getting to work 0:55:13.560 --> 0:55:17.080 on highlighting amberscript, but from across the way, Peyton asks 0:55:17.080 --> 0:55:19.400 her if she wants dinner, but she can't go she 0:55:19.480 --> 0:55:22.560 has to keep highlighting Amber's hair. Later, after highlighting her script, 0:55:22.800 --> 0:55:24.840 Peyton misses spending time with her and shooting her for 0:55:24.880 --> 0:55:27.120 his film. She then snaps him in a little bit 0:55:27.160 --> 0:55:30.200 and says, what she's doing is important too. Again, you're right, 0:55:30.440 --> 0:55:33.560 like how this guy is just eating from her day 0:55:33.560 --> 0:55:35.440 after day and asking for seconds. 0:55:35.480 --> 0:55:36.520 It's not great. 0:55:36.840 --> 0:55:39.719 There needed to be a moment where she needed help 0:55:39.760 --> 0:55:45.240 with something and he's like no, yeah, no, yeah, I'm busy. Yeah, 0:55:45.280 --> 0:55:48.480 I'm having to re edit because you have now bounced 0:55:48.520 --> 0:55:49.759 on me and not helped me at all. 0:55:49.800 --> 0:55:50.920 I'm trying to find something else. 0:55:50.960 --> 0:55:54.360 I might fail out of school, something yeah, something, yeah. 0:55:54.400 --> 0:55:56.319 But he instead just points out to her that she's 0:55:56.320 --> 0:55:59.120 starting to sound a bit like Amberley and speak of 0:55:59.160 --> 0:56:01.960 the Devil. Later Amberley's dressing room, Sharpei drops off a 0:56:01.960 --> 0:56:04.560 bunch of things, and Amber reveals that her maid also quit. 0:56:04.680 --> 0:56:07.640 So here's a new list of chores for her. Sharpay 0:56:07.680 --> 0:56:10.960 nervously questions chores. That's when Amber changes the subject. She 0:56:11.000 --> 0:56:13.080 wants to talk about boy, but it'll have to stay 0:56:13.120 --> 0:56:16.160 between them. She's gonna ask the director to give boy 0:56:16.239 --> 0:56:20.200 the part. Uh huh. Sharpay's excited and promises she won't 0:56:20.200 --> 0:56:22.480 be sorry. Then Amber hands are the chor list talk 0:56:22.520 --> 0:56:26.480 about manipulation. Later in Amber's apartment, we get well a 0:56:26.520 --> 0:56:28.600 series of chores. You know, I love a montage, but 0:56:28.680 --> 0:56:29.240 this wasn't. 0:56:29.040 --> 0:56:29.520 A good one. 0:56:29.600 --> 0:56:31.880 Sharpey's attempting to do laundry, even though she's never done 0:56:31.920 --> 0:56:33.720 it before, so she just throws a bunch of detergent 0:56:33.719 --> 0:56:34.600 in and presses start. 0:56:34.760 --> 0:56:37.239 Actually, she just presses all the buttons. She also tries 0:56:37.320 --> 0:56:39.280 to clean the toilet with the handle. 0:56:40.680 --> 0:56:43.279 Who the heck would do that? Even if you've never 0:56:43.320 --> 0:56:45.880 done this before. You can't tell the handle from the brush. 0:56:45.920 --> 0:56:49.120 Part come on, and the brush gets tangled in her hair. 0:56:49.480 --> 0:56:51.560 We're now back in the theater. The stage manager hands 0:56:51.640 --> 0:56:53.680 Roger a script with changes and asks him to get 0:56:53.680 --> 0:56:55.960 the pages to sharpay, especially because Boy is doing the 0:56:56.000 --> 0:56:58.680 first run through. Roger that little taint, says he's more 0:56:58.719 --> 0:57:01.920 than having to help, but instead he just goes outside 0:57:01.960 --> 0:57:03.960 and throws the pages in the trash. 0:57:04.000 --> 0:57:11.080 What he is? We are now back on the stage. 0:57:11.120 --> 0:57:13.760 Amberlee is rehearsing and Boy runs out from the wrong side. 0:57:13.920 --> 0:57:16.560 The director reveals they change the blocking and wonders what happened. 0:57:16.600 --> 0:57:18.600 Amber has had enough? What is wrong with this dog? 0:57:19.000 --> 0:57:20.960 Boy runs off to Sharpey and the director calls for 0:57:20.960 --> 0:57:23.280 a ten minute break. The stage manager says they sent 0:57:23.320 --> 0:57:25.840 out the script changes, but Boy didn't follow them. Sharpei 0:57:25.840 --> 0:57:28.160 reveals she never got the pages, and she realizes this 0:57:28.200 --> 0:57:31.320 is Roger's fault. She confronts him, and Roger hardly hides 0:57:31.360 --> 0:57:33.400 that he did it on purpose. They argue about whose 0:57:33.440 --> 0:57:35.560 dog is better, but when they look down, both dogs 0:57:35.600 --> 0:57:38.120 are gone. They sprint around the theater calling for the pups. 0:57:38.120 --> 0:57:40.440 Has anybody seen them? Sharpey calls Peyton to tell him 0:57:40.440 --> 0:57:41.800 that the dogs are missing and to look around in 0:57:41.800 --> 0:57:43.520 the apartment just in case they show up again. He's 0:57:43.520 --> 0:57:45.640 there to help her, even though she's awful to him. 0:57:45.880 --> 0:57:47.840 Roger wonders if they push them too hard and just 0:57:47.880 --> 0:57:50.320 hopes they aren't huddled up in a corner somewhere, afraid, 0:57:50.480 --> 0:57:51.400 lost and fighting. 0:57:52.400 --> 0:57:53.440 Then we're in a corner somewhere. 0:57:53.480 --> 0:57:57.000 The two dogs are sitting on a pile of trash, 0:57:57.080 --> 0:57:59.560 and a cover of the song Baby by Justin Bieber plays. 0:57:59.560 --> 0:58:01.960 Why are they on trash? Is it because dogs like garbage? 0:58:01.960 --> 0:58:02.760 Is that what it's supposed to be? 0:58:02.800 --> 0:58:02.840 Like? 0:58:02.880 --> 0:58:04.520 Why Why do they not have them on a park 0:58:04.520 --> 0:58:06.400 bench or in the park? Why are they sitting on 0:58:06.480 --> 0:58:08.040 a giant mount of garbage? 0:58:08.280 --> 0:58:10.439 I don't know. I didn't understand that. 0:58:10.520 --> 0:58:12.480 I didn't either, Okay, I mean, is. 0:58:12.440 --> 0:58:18.480 It because in New York, like you know, the trash 0:58:18.520 --> 0:58:21.720 gets like put on like the street, like is it that? Like? 0:58:21.840 --> 0:58:23.800 I don't know, So why are they there? Why why 0:58:23.840 --> 0:58:25.800 wouldn't they they then show them on this great date? 0:58:25.880 --> 0:58:27.280 So why do they start them in trash? 0:58:27.400 --> 0:58:29.840 I don't know. I don't know. Did you rep my 0:58:30.000 --> 0:58:33.400 question was? This was one of the did you recognize 0:58:33.480 --> 0:58:36.960 the song? No, the Justin Bieber song Baby? 0:58:37.080 --> 0:58:39.640 No, that's never heard Justin Bieber song in my life. 0:58:39.920 --> 0:58:43.200 Okay, I mean I just did apparently her baby, but 0:58:43.240 --> 0:58:46.080 I'm not and oh no, I take that back. Susan 0:58:46.240 --> 0:58:48.720 insists on playing one Christmas song he does every year. 0:58:49.880 --> 0:58:52.000 She has a Christmas list for when she's decorating the tree, 0:58:52.000 --> 0:58:54.320 and that's one and it's like nine songs on a loop. 0:58:55.040 --> 0:58:56.440 That's one of the songs justin. 0:58:56.760 --> 0:58:57.960 You got to get one of the Cheata girls on 0:58:58.000 --> 0:58:58.400 that loop. 0:58:58.960 --> 0:59:01.480 Did the Cheeta girls do a chris My song Christmas South? 0:59:01.640 --> 0:59:02.040 That's right? 0:59:02.120 --> 0:59:05.880 Yeah, okay, that was your question. 0:59:07.120 --> 0:59:09.600 How did they hire the horse drawn carriage? No? 0:59:09.680 --> 0:59:12.400 It was. I wonder if Will recognizes this song, and 0:59:12.440 --> 0:59:14.800 if he recognizes that it's a cover of this song, 0:59:14.880 --> 0:59:18.200 like it's not even the justin Bieber voice. So that 0:59:18.440 --> 0:59:19.840 was my I was. 0:59:20.000 --> 0:59:23.280 I was wondering, that's out how the two dogs paid 0:59:23.320 --> 0:59:25.360 for the horse drawn carriage. 0:59:25.960 --> 0:59:27.840 That's what I was thinking the whole time. I'm like, 0:59:27.880 --> 0:59:28.840 how do they what? 0:59:29.720 --> 0:59:31.480 Well, it's like the two dogs are on a date. 0:59:31.560 --> 0:59:33.600 You gotta just go with it. 0:59:33.640 --> 0:59:36.160 But I but you know what, I'm sorry. I I was. 0:59:36.160 --> 0:59:39.880 Ready for them to be doing the spaghetti noodle together. 0:59:40.040 --> 0:59:42.920 That's what That's what I was going to say. Do it. 0:59:43.040 --> 0:59:45.240 Do a I'm not to rewrite it, but I'm going 0:59:45.280 --> 0:59:49.280 to do a New York dog date. Meaning like they're 0:59:49.320 --> 0:59:51.680 standing out in the in an alley and it turns 0:59:51.680 --> 0:59:54.360 out that's where they throw out old pizza, and when 0:59:54.360 --> 0:59:56.320 the pizza comes out, the two dogs share a slice 0:59:56.320 --> 0:59:58.640 of pizza. And then they go from there to the 0:59:58.680 --> 1:00:00.600 park where they run around and they chase each other 1:00:00.600 --> 1:00:04.680 in the park and don't have them where they need money. 1:00:05.240 --> 1:00:07.240 It's like, if they were going to be in the carriage, 1:00:07.240 --> 1:00:08.800 there should have been like a little thing on the 1:00:08.840 --> 1:00:11.760 back that they like hopped on the yes. 1:00:11.640 --> 1:00:14.520 The carriage. Yeah, but this guy was like, I'm gonna 1:00:14.520 --> 1:00:19.240 take these two dogs on a cat really, And then 1:00:19.280 --> 1:00:21.760 we see of course, boy kissing countess as they stroll 1:00:21.800 --> 1:00:24.160 through the city. That's great, that's fine. Kiss on the 1:00:24.200 --> 1:00:24.680 first day. 1:00:25.400 --> 1:00:27.480 We're now outside the theater. Sharpei asked, what if we 1:00:27.520 --> 1:00:30.000 never see them again. Roger assures her they're smart dogs, 1:00:30.000 --> 1:00:30.760 smarter than we are. 1:00:30.880 --> 1:00:33.640 They'll be Okay. Sharpay's phone rings, it's her dad, but 1:00:33.680 --> 1:00:34.680 she can't deal with them right now. 1:00:34.720 --> 1:00:37.840 And then Sharpay's phone rings, it's boy. 1:00:38.040 --> 1:00:40.280 It's boy. Yeah, hey, come pick me up. We got 1:00:40.320 --> 1:00:42.479 arrested for not paying the guy who took us around 1:00:42.520 --> 1:00:46.000 the city. And mom, yeah, we're in jail. We're in 1:00:46.080 --> 1:00:46.640 dog jail. 1:00:47.640 --> 1:00:50.840 No, but he's Peyton once again. Good looking Peyton got 1:00:50.840 --> 1:00:53.240 both dogs in his arms. They came back to his apartment. 1:00:53.640 --> 1:00:55.840 Sharpay and Roger are so excited. Now, see I think 1:00:56.040 --> 1:00:58.800 he was if they weren't, If he wasn't there when 1:00:58.840 --> 1:01:01.200 they showed up at the apartment where there to get busy. 1:01:02.240 --> 1:01:06.200 God's what it was. Mom's gone, let's just turn on 1:01:06.800 --> 1:01:10.720 your heart light, let it shine, whatever it goes exactly. 1:01:11.320 --> 1:01:14.320 H Sharpey Roger are so excited, but quickly returned to competition. 1:01:14.400 --> 1:01:16.000 But now they're a little more playful about it. 1:01:16.040 --> 1:01:18.880 There's kind of a smile. Now we're in Sharpay's apartment. 1:01:18.920 --> 1:01:21.240 Peyton is filming again and wonders if she is so 1:01:21.400 --> 1:01:23.440 lost in what she's doing that she hadn't noticed it. 1:01:23.480 --> 1:01:26.280 Boy and Countess are in love. At first, Sharpay denies 1:01:26.280 --> 1:01:28.320 the possibility, but then admits he's right. How could she 1:01:28.360 --> 1:01:30.680 not notice puppy love? Peyton says there's a lot she 1:01:30.720 --> 1:01:34.479 hasn't noticed. M like him, She hasn't had any time 1:01:34.480 --> 1:01:36.440 for him, and he was counting on her to finish 1:01:36.440 --> 1:01:36.800 the film. 1:01:36.800 --> 1:01:39.160 But I think he meant he wanted her. She says 1:01:39.200 --> 1:01:41.280 things have been complicated, but Peyton breaks it to her. 1:01:41.320 --> 1:01:43.880 Amber Lee is using her Sharpey has no idea what 1:01:43.920 --> 1:01:46.400 he's talking about, but he asks where the career determined 1:01:46.400 --> 1:01:47.440 Sharpey has gone. 1:01:47.680 --> 1:01:49.439 She sold her soul to get Boy into the show. 1:01:49.680 --> 1:01:50.640 Sharpay snaps it him. 1:01:50.640 --> 1:01:52.800 Maybe he's just jealous because she's on her way up 1:01:52.840 --> 1:01:54.600 with a new famous friend and he's just a student 1:01:54.600 --> 1:01:56.400 making a film about somebody else's life. 1:01:56.600 --> 1:01:57.160 Yikes. 1:01:57.760 --> 1:01:59.560 He's hurt and reminds her she doesn't have to be 1:01:59.560 --> 1:02:01.400 in his movie and then walks out. 1:02:01.800 --> 1:02:03.200 Then Sharpay's phone rings. 1:02:03.520 --> 1:02:05.520 We cut to Amber Lee's apartment, Sharpey a is signing 1:02:05.520 --> 1:02:07.080 Amber Lee's autographs on headshots. 1:02:07.160 --> 1:02:08.800 Don't ever have somebody else sign your stuff. 1:02:09.120 --> 1:02:11.520 Amber tells her to invite as many people from her 1:02:11.560 --> 1:02:14.080 fan club as possible to opening night dress rehearsal. She 1:02:14.120 --> 1:02:16.000 wants the theater filled with people who love her as 1:02:16.080 --> 1:02:18.400 much as Sharpai does. Amber asks, you know it'll be 1:02:18.440 --> 1:02:22.800 great after all this work a long, luxurious spaath. Sharpey says, 1:02:22.800 --> 1:02:25.320 thank you, that sounds amazing, but Amberlee meant just for her. 1:02:26.040 --> 1:02:28.800 She then instructs her assistant run one for me, will you, 1:02:29.040 --> 1:02:32.000 then throws more headshots at Sharpai to sign We're now 1:02:32.000 --> 1:02:34.320 back at Sharpei, She's sitting with boy and longingly looking 1:02:34.360 --> 1:02:35.560 over Peyton's window. 1:02:35.320 --> 1:02:38.440 And sighs, hmmm. She knows she's lost. 1:02:39.280 --> 1:02:41.240 The next day, in Amberlee's dressing room, the director and 1:02:41.240 --> 1:02:43.560 writer are frustrated, announcing to the star this is a 1:02:43.560 --> 1:02:46.920 big change, but Amber isn't phased. Sharpei discreetly stops at 1:02:46.920 --> 1:02:48.920 the door to listen in. The writer reminds Amber that 1:02:48.960 --> 1:02:51.560 the show is called A Girl's Best Friend, but Amber 1:02:51.600 --> 1:02:53.960 doesn't want them to change the title. The writer argues, 1:02:54.040 --> 1:02:56.360 but you want the best friend written out? Amber thinks 1:02:56.400 --> 1:02:59.040 about it, Oh, right, then change the title. The director 1:02:59.080 --> 1:03:00.680 doesn't understand how they get rid of one of the 1:03:00.760 --> 1:03:03.480 main characters. A day before the dress rehearsal, Amber says 1:03:03.480 --> 1:03:05.640 the audience is coming to see her, and if they 1:03:05.680 --> 1:03:07.760 don't change the dog's part to just debark and a 1:03:07.800 --> 1:03:10.600 playing dead, she won't go on. The MutS are bothering 1:03:10.640 --> 1:03:13.880 her almost as much as their disposable owners. Sharpey is 1:03:13.880 --> 1:03:16.120 still listening outside the door when Amber reveals she even 1:03:16.160 --> 1:03:19.560 had one of them clean her toilet even more embarrassing. 1:03:19.640 --> 1:03:23.360 She thinks she's an actress, and with that, Sharpay starts crying. 1:03:24.280 --> 1:03:28.520 Watch again. She doesn't really and walks away. She tries 1:03:28.560 --> 1:03:29.680 to start crying, Hey. 1:03:29.680 --> 1:03:31.680 As an actor, I'm one of those people. I can't 1:03:31.720 --> 1:03:33.920 cry on cue. I need to build up. I can't 1:03:33.960 --> 1:03:37.320 just cry on cue. So she cries in a later scene, 1:03:37.320 --> 1:03:40.640 but that one she tries it doesn't work. Outside Sharpay's 1:03:40.640 --> 1:03:43.360 apartment building, a sad Sharpei runs into Peyton and tells 1:03:43.400 --> 1:03:46.120 him everything he said was right. Maybe her dad was right. 1:03:46.200 --> 1:03:48.280 She's not ready for this. Did she really think she 1:03:48.440 --> 1:03:50.720 was just gonna come to Broadway to be a star. 1:03:51.240 --> 1:03:53.760 Peyton says, yes she did, because that's how she thinks. 1:03:53.800 --> 1:03:55.320 You know what I'm thinking about. It Cut that whole 1:03:55.320 --> 1:03:57.920 thing about her not crying. It's just hacking, bashing on 1:03:57.920 --> 1:03:58.400 her acting, and. 1:03:58.360 --> 1:03:59.120 I don't want to do that. 1:04:00.160 --> 1:04:02.400 Peyton says, yes she did, because that's how she thinks, 1:04:02.400 --> 1:04:04.680 and it's perfect and if it helps, she still looks 1:04:04.720 --> 1:04:06.720 adorable even when she's disappointed. 1:04:06.960 --> 1:04:08.160 She says that doesn't help. 1:04:08.400 --> 1:04:10.720 Peyton comforts her by saying there's not a marquee big 1:04:10.840 --> 1:04:13.040 enough or lights bright enough to contain the fame she's 1:04:13.080 --> 1:04:16.200 going to have. She knows she's sacrificed integrity for opportunity, 1:04:16.240 --> 1:04:18.760 but worst of all, she's disappointed someone she cares about. 1:04:18.840 --> 1:04:21.800 I think she means Peyton. Peyton wonders, other than maid 1:04:21.880 --> 1:04:24.200 service in a canopy bed, what is it that you want? 1:04:24.400 --> 1:04:26.840 She says, I want you, and then the music starts 1:04:26.880 --> 1:04:28.040 batch out. 1:04:28.080 --> 1:04:33.280 But don't know, that's not what happened. I liked your 1:04:33.320 --> 1:04:35.000 version better, She says. 1:04:35.160 --> 1:04:37.560 I want a fair fight, a lifetime in the spotlight, 1:04:37.640 --> 1:04:39.600 and maybe you'll still let me be in your movie. 1:04:39.720 --> 1:04:42.120 Peyton smiles, I guess, and she puts her head on 1:04:42.160 --> 1:04:44.960 his shoulder. Back in the theater, Sharpey grabs Roger to 1:04:45.000 --> 1:04:47.520 alert him Amber Lee isn't who he thinks, and he 1:04:47.560 --> 1:04:50.800 guesses a self absorbed, two faced panther who would eat 1:04:50.800 --> 1:04:52.959 her young alive on a reality show rather than allow 1:04:53.000 --> 1:04:56.480 anyone to steal her spotlight, and spe admits, Okay, she 1:04:56.600 --> 1:04:59.040 is what you think. Sharpeye tells him that Amber wants 1:04:59.040 --> 1:05:01.880 the dogs written off, and Roger screams that's not fair. 1:05:02.400 --> 1:05:04.320 Now they need to form an alliance and work together 1:05:04.400 --> 1:05:07.360 against Amber Lee. Since tonight is the first dress rehearsal 1:05:07.360 --> 1:05:09.400 with an audience, it'll be filled with members of Amber's 1:05:09.440 --> 1:05:11.800 fan club, so they need to show people exactly who 1:05:11.840 --> 1:05:13.800 she is. He likes the way she thinks and is 1:05:13.840 --> 1:05:16.920 down for anything. It's manipulative, but for a good cause. 1:05:17.480 --> 1:05:19.400 On the side of the stage now, Sharpey arrives and 1:05:19.400 --> 1:05:21.360 Amber wonders where she's been. She's been trying to reach 1:05:21.360 --> 1:05:23.800 her all day. Sharpey says her phone must have been off, 1:05:23.800 --> 1:05:27.080 and Amber is offended. Without asking me first, Sharpay just 1:05:27.080 --> 1:05:29.200 wanted to wish her good luck. She knows Amber chose 1:05:29.240 --> 1:05:32.680 Countess for the performance and she's fine. With that, Amberlee explains, well, 1:05:32.720 --> 1:05:34.600 it's nothing personal, but your phone was shut off so 1:05:34.600 --> 1:05:36.000 I couldn't talk to you about it. I guess that 1:05:36.000 --> 1:05:39.400 won't happen again, will it. Sharpey says, We're good. They 1:05:39.480 --> 1:05:43.360 awkwardly hug and mid embrace. Sharpey turns her mic pack. 1:05:43.160 --> 1:05:45.960 On oh, a call back from when she was hot. 1:05:47.520 --> 1:05:49.280 And now we look at the theater. It is filled 1:05:49.280 --> 1:05:51.520 with Amber fans. You could tell because they're all wearing shirts. 1:05:51.760 --> 1:05:54.080 The writer and director take the stage and introduce the show, 1:05:54.120 --> 1:05:57.000 while backstage, Roger lets out both Countess and boy who 1:05:57.120 --> 1:05:59.240 run to Amber backstage. And now I have a question, 1:05:59.240 --> 1:06:01.439 which you might know, because you know this world better 1:06:01.440 --> 1:06:01.800 than I do. 1:06:02.680 --> 1:06:03.480 Is this a real thing? 1:06:03.760 --> 1:06:05.560 Like? I know, dress rehearsals are obviously a real thing. 1:06:05.560 --> 1:06:07.320 But do the writer and director get on stage and 1:06:07.320 --> 1:06:09.400 announce everything? Don't they just do a dress rehearsal like 1:06:09.400 --> 1:06:10.400 they would a regular show? 1:06:12.200 --> 1:06:12.480 No? 1:06:12.560 --> 1:06:12.640 Not. 1:06:12.920 --> 1:06:14.880 I mean if it was like a dress rehearsal, it 1:06:14.920 --> 1:06:17.440 would be like think because you would be like friends 1:06:17.480 --> 1:06:20.000 and family, like you would be like thank you, guys, 1:06:20.040 --> 1:06:21.640 like you put a lot of work into this. We 1:06:21.720 --> 1:06:24.080 hope you love it, you know, gotcha here for the 1:06:24.120 --> 1:06:24.720 first time. 1:06:24.960 --> 1:06:28.240 Is I don't know the Broadway thing that well, so 1:06:28.280 --> 1:06:29.320 that okay, that makes sense. 1:06:29.360 --> 1:06:32.080 Then I don't know how often they do this, though 1:06:32.360 --> 1:06:35.280 full dress a Broadway that would be the dream, But 1:06:35.320 --> 1:06:37.400 I don't know how often they do this. Like, but 1:06:37.440 --> 1:06:40.120 I would imagine for a brand new show, when you're 1:06:40.120 --> 1:06:42.240 inviting like a friends and family type thing, like a 1:06:42.280 --> 1:06:44.880 first look, Yeah, you'd have the people get up on 1:06:45.000 --> 1:06:45.960 stage that I. 1:06:45.960 --> 1:06:48.760 Will guarantee to you, and you'll probably be like, oh, yeah, 1:06:48.760 --> 1:06:51.480 we talked about it. I will guarantee you somewhere at 1:06:51.480 --> 1:06:53.680 some level they talked about doing Cheatah Girls on Broadway. 1:06:53.920 --> 1:06:58.400 I will guarantee you somewhere in the Disney realm they 1:06:58.440 --> 1:07:01.360 talked about it, and it's perfect. It lends itself perfectly 1:07:01.400 --> 1:07:04.080 to Broadway. You know that conversation happened in some room 1:07:04.120 --> 1:07:06.000 at Disney where they were like, you know, this could 1:07:06.000 --> 1:07:09.320 be a Broadway show one hundred percent that happened. Yeah anyway, 1:07:09.760 --> 1:07:12.040 Uh yeah, they take the stage. Roger lets out both 1:07:12.040 --> 1:07:15.200 countess and boy who run to amber. Backstage amber breaks 1:07:15.440 --> 1:07:18.040 screaming for someone to control these wanna be werewolves, and 1:07:18.120 --> 1:07:20.280 with the hot mic on the audience can hear it all. 1:07:20.440 --> 1:07:22.080 She yells, this is why she didn't want to do 1:07:22.120 --> 1:07:23.880 a show with dogs, because she's the star. 1:07:24.280 --> 1:07:25.320 She wants someone to put. 1:07:25.200 --> 1:07:28.360 These rats with rabies out of their misery and calls 1:07:28.360 --> 1:07:31.400 the stage manager an idiot for taking too long. Sharp 1:07:31.400 --> 1:07:33.480 Pay signals for the curtain to go up, revealing Amber, 1:07:33.520 --> 1:07:36.200 who continues to freak out and ridicule her fans who 1:07:36.240 --> 1:07:39.720 heard everything she just said. Everyone starts booing, and she 1:07:39.800 --> 1:07:43.160 runs off stage. Sharpay is waiting for her backstage. Obviously, 1:07:43.280 --> 1:07:45.080 I knew I forgot to tell you something careful. 1:07:45.160 --> 1:07:45.760 Your MIC's on. 1:07:46.200 --> 1:07:48.680 Amber knows Sharpei did this, but Sharpay tells Amber she 1:07:48.760 --> 1:07:51.600 did it to herself. She explains, I idolized you even 1:07:51.640 --> 1:07:53.760 more than myself, which is an easy But you're not 1:07:53.920 --> 1:07:55.800 all You're not at all what I thought you were. 1:07:56.280 --> 1:08:00.439 Amber Lee tells Sharpey that they are exactly alike. Sharpe says, 1:08:00.480 --> 1:08:03.120 except she doesn't use people to feel better about herself. 1:08:03.480 --> 1:08:05.800 Amber quits right on the spot and walks out without her. 1:08:05.840 --> 1:08:08.960 There isn't a show. Sharpey apologizes, but somebody had to 1:08:08.960 --> 1:08:10.920 say it. The director says he'll try to talk some 1:08:10.960 --> 1:08:13.080 sense into amber and kick Sharpei out of his theater. 1:08:13.440 --> 1:08:15.440 Sharpey starts to leave, but Roger calls out to her, 1:08:15.480 --> 1:08:17.719 if you go, then I'll go. But no, she convinces 1:08:17.800 --> 1:08:20.200 him to stay. He deserves it. They hug and the 1:08:20.320 --> 1:08:21.920 enemies have become friends. 1:08:22.040 --> 1:08:22.519 I Love it. 1:08:23.240 --> 1:08:25.439 Later, at Sharpay's apartment, Sharpey, here's a knock at the 1:08:25.439 --> 1:08:27.719 door and it's Peyton. He asks if she's really leaving, 1:08:27.760 --> 1:08:30.320 and she says yes, but she wishes she wasn't. She's 1:08:30.360 --> 1:08:32.479 moving home where there's enough room for her pores to open, 1:08:32.680 --> 1:08:34.720 where she can spend months in the spa, get in 1:08:34.760 --> 1:08:36.799 the New York, crime off her skin, and she'll mostly 1:08:36.880 --> 1:08:37.519 just miss him. 1:08:37.840 --> 1:08:39.800 He asks about her dream of being a star, and 1:08:39.840 --> 1:08:42.160 she says it wasn't really, it wasn't reality. 1:08:42.520 --> 1:08:44.680 She moved exactly one month ago and her time is 1:08:44.760 --> 1:08:47.120 up tonight, but Peyton points out she still has eight hours. 1:08:48.360 --> 1:08:50.360 Her phone rings. It's the stage manager. They need her 1:08:50.400 --> 1:08:52.880 at the theater to clear out boys things. Peyton says 1:08:52.880 --> 1:08:54.920 he can go with her if she wants, and she does. 1:08:55.439 --> 1:08:57.160 At the theater, the director is telling the cast that 1:08:57.200 --> 1:08:59.320 without a star, they can't open the time it would 1:08:59.320 --> 1:09:00.920 take to find someone who can learn the role and 1:09:00.960 --> 1:09:02.800 do it well, would take weeks and cost too much. 1:09:02.920 --> 1:09:05.479 Isn't that what understudies are for? And doesn't every show 1:09:05.520 --> 1:09:08.920 have one thing? And then Sharpey and Peyton arrive. The 1:09:08.960 --> 1:09:10.840 writer and director thanked the crew for their hard work, 1:09:10.880 --> 1:09:14.080 and they apologize everyone is leaving. When Peyton yells out, wait, 1:09:14.400 --> 1:09:16.760 it's not over. He points out that someone knows the 1:09:16.760 --> 1:09:18.960 part and is amazing. She might not be a star yet, 1:09:19.000 --> 1:09:21.760 but she will be. He pulls out his laptop and 1:09:21.760 --> 1:09:24.400 shows video of Sharpei rehearsing and singing New York's Best 1:09:24.479 --> 1:09:27.639 Kept Secret while holding boy. It's a big emotional solo. 1:09:27.680 --> 1:09:31.840 That's really boring and I hated it. What did you think, Sabrina? 1:09:33.479 --> 1:09:36.639 This to me? I mean we were kind of bouncing around. 1:09:36.640 --> 1:09:38.559 You asked me earlier if I liked the stuff where 1:09:38.600 --> 1:09:40.240 you just kind of break out or the things that 1:09:40.280 --> 1:09:43.960 are staged, and like this was like sort of in 1:09:44.080 --> 1:09:48.280 between the hybrid bit. Yeah, yeah, and it was, you know, 1:09:48.520 --> 1:09:52.960 I mean it it is the essence of what Sharpei 1:09:53.280 --> 1:09:58.520 is supposed to be, but it wasn't the big, bubbaly Sharpei. 1:09:58.560 --> 1:10:01.880 It was just a different work of it, and I 1:10:01.880 --> 1:10:04.240 I didn't love it. At this point, I'm my bar 1:10:04.360 --> 1:10:07.080 has just continued to lower as far as like my 1:10:07.160 --> 1:10:11.000 expected expectations of these musical numbers. So it's kind of like, Okay, 1:10:11.000 --> 1:10:13.639 I get it, like this is her like Broadway moment 1:10:14.560 --> 1:10:16.479 is what I'm assuming that this is supposed to be. 1:10:16.520 --> 1:10:18.040 And I took it for what it was. I didn't 1:10:18.040 --> 1:10:20.360 hate it. I just didn't like Again, it just was 1:10:20.400 --> 1:10:23.679 not a song that I that I loved. I didn't 1:10:23.720 --> 1:10:25.400 love any of the music in this movie. 1:10:25.520 --> 1:10:27.519 I can't remember a single one of the songs. 1:10:27.800 --> 1:10:29.720 I can still hum get Your Head in the Game 1:10:30.080 --> 1:10:31.760 from the first High School Musical, but I have no 1:10:31.800 --> 1:10:32.960 idea what any of these songs are. 1:10:33.000 --> 1:10:34.040 And I watched it last night. 1:10:34.200 --> 1:10:36.400 I'm I'm not kidding. And this is not like a 1:10:36.520 --> 1:10:39.640 disc to Ashley Tisdale and this as far as like 1:10:39.680 --> 1:10:43.880 her vocal chords or her vocals in it. But truly, 1:10:43.960 --> 1:10:46.080 the only songs that I remember are the Ally and 1:10:46.120 --> 1:10:48.759 AJ walking on Sunshine and the Justin Bieber cover. 1:10:48.640 --> 1:10:52.759 Oh Yeah, Ashley and still Killing That Sucks. 1:10:52.880 --> 1:10:55.240 And this I kept thinking too, And this is a 1:10:55.320 --> 1:11:00.479 question for Lisa. Was this closer or ast like far 1:11:00.680 --> 1:11:03.880 after when she put out her album, because at this 1:11:03.920 --> 1:11:04.519 point she. 1:11:04.439 --> 1:11:06.479 Put album in two thousand and seven in this movie 1:11:06.520 --> 1:11:07.400 was twenty eleven. 1:11:07.680 --> 1:11:10.640 Okay, so this point Ashley has done an album and 1:11:10.760 --> 1:11:15.599 has golden gold like did music videos for it, became 1:11:15.640 --> 1:11:17.920 a full blown out album. Oh that she has had 1:11:17.960 --> 1:11:21.439 done two albums maybe since then or before this. So 1:11:21.479 --> 1:11:23.240 it's like for me, I'm like, it's like what a 1:11:24.320 --> 1:11:28.320 what It's like a missed opportunity to like showcase your 1:11:28.520 --> 1:11:32.360 your talents of the actor that you've hired to do. 1:11:32.400 --> 1:11:32.880 You know what I mean? 1:11:32.840 --> 1:11:35.679 I just didn't like the songs. Again, she can clearly 1:11:35.720 --> 1:11:38.000 sing them, she can perform them, and it doesn't make. 1:11:37.880 --> 1:11:41.560 Sense because they have a wheelhouse of incredible producers and 1:11:41.640 --> 1:11:45.000 incredible where where were we? Where were we in this movie? 1:11:45.000 --> 1:11:45.400 I agree? 1:11:45.479 --> 1:11:46.000 I agree? 1:11:47.120 --> 1:11:49.719 Yes, so yes, she's singing New York's best kept secret, 1:11:49.760 --> 1:11:52.439 a holding Boy. The video ends with the writer director 1:11:52.520 --> 1:11:54.519 saying she has more depth, range, and tone in one 1:11:54.560 --> 1:11:57.400 note than Amberley has in her entire surgically reshaped body. 1:11:57.600 --> 1:12:00.000 They need her to save the show. Sharpay is flattered. 1:12:00.120 --> 1:12:01.720 The costumes will need to be taken in a few 1:12:01.720 --> 1:12:03.559 sizes and everyone needs to get used to hearing the 1:12:03.600 --> 1:12:09.000 songs on key. Yeah. Two great cuts, two great cuts. 1:12:09.080 --> 1:12:13.760 Yeah, it's a great line. Yeah, this is great, But 1:12:13.840 --> 1:12:16.559 there is one condition. Boy and Countess would split the 1:12:16.680 --> 1:12:19.600 dog roll equally. The director agrees, and now they have 1:12:19.600 --> 1:12:21.840 a lot of work to do. Sharpay, thanks Peyton, but 1:12:21.920 --> 1:12:24.559 worries she isn't ready. Peyton promise her she's ready, it's 1:12:24.560 --> 1:12:25.360 her moment, and. 1:12:25.320 --> 1:12:29.599 Then oh they kiss. That's right. It was a fine kiss. 1:12:29.760 --> 1:12:32.280 Like even the kiss was kind of like, Okay. 1:12:32.080 --> 1:12:33.840 This is what I wanted to ask as far as 1:12:33.840 --> 1:12:38.439 the timing, did this movie happen when her best friend's 1:12:39.200 --> 1:12:42.599 new boyfriend or before they became boyfriend and girlfriend, because 1:12:42.600 --> 1:12:43.879 that would be sameird. 1:12:44.200 --> 1:12:45.479 So you got to see yeah, who. 1:12:45.320 --> 1:12:50.559 Knows that would be weird to see your best friend 1:12:50.680 --> 1:12:55.360 kissing a brand new boyfriend or your crush that you're 1:12:55.400 --> 1:12:56.320 not together with. 1:12:56.600 --> 1:13:00.400 Right, Yeah, we know we're timing weird. 1:13:00.600 --> 1:13:01.400 I got weird. 1:13:02.160 --> 1:13:02.960 It was weird. 1:13:02.840 --> 1:13:04.679 Timing, but it was but again, it was a fine 1:13:04.720 --> 1:13:07.280 kiss coming off like a slum slumber party kiss, which 1:13:07.320 --> 1:13:10.360 we loved, and the what we saw something else too. 1:13:10.439 --> 1:13:13.920 We're like, oh, good kiss. Yeah, this was this was fine. 1:13:14.240 --> 1:13:14.800 This was fine. 1:13:15.120 --> 1:13:15.679 This was fine. 1:13:15.720 --> 1:13:18.360 That's that's kind of the word for this movie. This 1:13:18.400 --> 1:13:20.400 movie was fine anyway. 1:13:21.560 --> 1:13:23.960 Yeah, so uh now it's and by the way, nothing 1:13:24.000 --> 1:13:25.920 creepy at all about a fifty year old man talking 1:13:25.920 --> 1:13:27.559 about all the different dcom vases. 1:13:29.720 --> 1:13:31.519 Anyway, drop my job. 1:13:31.600 --> 1:13:36.320 Hey, listen, you not you did a lot of kissing 1:13:36.400 --> 1:13:40.160 in your day on the channel or well on on ABC. 1:13:41.280 --> 1:13:44.320 You know it's like you did, know, like you had 1:13:44.360 --> 1:13:47.080 to do this a lot. Oh yeah, as much as 1:13:47.120 --> 1:13:49.640 I've done dancing. And I'm that you're kind of like 1:13:50.080 --> 1:13:50.599 you get to. 1:13:50.600 --> 1:13:53.760 Rate without a being is Yeah, definitely and kidding and 1:13:53.800 --> 1:13:56.120 I was. I was second to Right or Strong who 1:13:56.120 --> 1:13:57.320 did it even way more than I did. 1:13:57.360 --> 1:13:59.360 So yeah, crazy, true, crazy. 1:13:59.040 --> 1:14:02.120 That's true. Maybe we should have a segment one day 1:14:02.120 --> 1:14:06.240 with Ryder Judges the kiss great idea. 1:14:06.720 --> 1:14:07.439 That's what we're gonna have to do. 1:14:07.439 --> 1:14:09.679 We're gonna have to have Ryder Strong, come on, Judge 1:14:09.680 --> 1:14:13.240 the team kisses. Great idea that's coming up. That's a 1:14:13.360 --> 1:14:16.599 brilliant idea, Sabrina. That's gonna happen for our for our 1:14:16.640 --> 1:14:19.160 award show. We're gonna have Rider Strong give the best award. 1:14:19.200 --> 1:14:20.519 There we go h. 1:14:20.640 --> 1:14:22.439 It is now the sold out opening night of a 1:14:22.479 --> 1:14:25.080 girl's best friend. Sharpay's faces all over the posters throughout 1:14:25.120 --> 1:14:27.479 the theater. We see your parents in the audience, meeting Peyton. 1:14:27.680 --> 1:14:29.640 The lights dim, and the show begins with Sharpay and 1:14:29.680 --> 1:14:32.240 Boy singing the rest of My Life. And this was 1:14:32.280 --> 1:14:34.679 the one that was the best of the movie. Frankly, 1:14:35.200 --> 1:14:36.439 I thought, do you agree? 1:14:37.720 --> 1:14:40.679 Yeah? Yeah, out of all of them, yes, this would 1:14:40.720 --> 1:14:41.479 be the best one. 1:14:41.560 --> 1:14:42.360 Yeah, I agree. 1:14:43.240 --> 1:14:46.240 Still still second to walk on. 1:14:46.120 --> 1:14:50.040 Oh, exact, exact from all and a of course agreed. 1:14:51.600 --> 1:14:53.400 The song ends and we get a close up of 1:14:53.439 --> 1:14:55.080 Sharpay and Boy, and that's our. 1:14:55.000 --> 1:15:02.759 Movie, okay. 1:15:03.360 --> 1:15:05.880 Post credits, there was supposed to be a scene of 1:15:05.920 --> 1:15:08.639 her brother, Brian Evans played by high school musical legend 1:15:08.720 --> 1:15:12.080 Lucas Grabio, in a cameo appearance, visiting Sharpay in New 1:15:12.120 --> 1:15:14.759 York and congratulating her, but it wasn't in the Disney 1:15:14.800 --> 1:15:18.160 Plus cut, so it was they shot it. It was 1:15:18.240 --> 1:15:21.599 seen in the Disney Channel version, but for some reason 1:15:21.640 --> 1:15:23.320 they didn't put it on the. 1:15:23.280 --> 1:15:27.480 Disney Plus version, so he was in the original Disney. 1:15:27.240 --> 1:15:30.479 Channel version as an after scene. Also the idea and 1:15:30.720 --> 1:15:33.439 I get it's an extra on the DVD. But the 1:15:33.479 --> 1:15:36.920 idea that we never get to see this movie, that 1:15:36.960 --> 1:15:40.800 this guy's been shooting the whole time is insane to me. 1:15:41.640 --> 1:15:43.840 I was like, all right, so I'm waiting for She 1:15:43.960 --> 1:15:46.000 doesn't believe in herself. She doesn't know how to look 1:15:46.000 --> 1:15:48.040 at herself. She looked and he's like, let me see. 1:15:48.120 --> 1:15:50.160 Let me show you what I see and he cuts 1:15:50.200 --> 1:15:52.639 together this amazing movie and she's like, oh my god, 1:15:52.680 --> 1:15:53.800 I love you and kisses him. 1:15:53.960 --> 1:15:57.000 How do you buckle that layup? It's like, are you 1:15:57.240 --> 1:15:57.680 kidding me? 1:15:57.720 --> 1:15:59.120 We don't ever get a chance to see it, and 1:15:59.160 --> 1:16:02.080 it's an extra on a Maybe I mean that might 1:16:02.080 --> 1:16:03.840 have been one of their selling points for the DVD. 1:16:03.920 --> 1:16:05.519 It's like, if you want to see the movie, it's 1:16:05.560 --> 1:16:07.400 an extra, so you sell it. But that's kind of 1:16:07.400 --> 1:16:09.600 a cheat when it comes to the movie. It's like, 1:16:10.040 --> 1:16:10.960 show the movie. 1:16:11.000 --> 1:16:13.519 This guy's been shooting inside the movie this whole time, 1:16:13.960 --> 1:16:14.519 or part of. 1:16:14.520 --> 1:16:18.320 It, because he's the this whole movie of it is 1:16:18.840 --> 1:16:21.439 what actually saves the day. But all we saw was 1:16:21.439 --> 1:16:25.320 like number. We didn't see that the evolution as Sharpey 1:16:26.080 --> 1:16:28.479 from the day she got into New York to what 1:16:28.560 --> 1:16:31.799 she is now over this last month like that's the winner. 1:16:32.000 --> 1:16:34.000 That's what gets people to fall in love with her 1:16:34.200 --> 1:16:35.599 and gets her hired for this show. 1:16:36.080 --> 1:16:39.519 Not just one number, but that's that one. I was like, 1:16:39.520 --> 1:16:41.400 how do we not get to see this? But anyway 1:16:41.520 --> 1:16:43.720 it is Yeah. 1:16:42.920 --> 1:16:45.439 You know they actually they actually thought of that. This 1:16:45.560 --> 1:16:48.479 is a fund to bit when in the Cheetah Girls too. 1:16:49.080 --> 1:16:52.320 There's a time definitely in strut where I've got a camera. Yeah, 1:16:52.320 --> 1:16:54.480 I've got a camera when we first get to Barcelona, 1:16:54.479 --> 1:16:56.639 and I've got a camera a lot during the movie, 1:16:57.080 --> 1:16:59.280 and it was an afterthought of you know, it would 1:16:59.280 --> 1:17:03.160 have been really cool to have Durnta actually filming stuff 1:17:03.720 --> 1:17:05.960 camera do something with that, like because it was a 1:17:06.000 --> 1:17:09.040 real camera. Yeah, and it wasn't It wasn't on ever 1:17:09.560 --> 1:17:13.080 or you know there was that yeah charge always they 1:17:13.120 --> 1:17:15.880 were like yeah, they were like, that would have actually 1:17:15.960 --> 1:17:18.040 been a really cool thing to do on the DVD. 1:17:18.200 --> 1:17:20.040 It wasn't a part of my thing. It was just 1:17:20.120 --> 1:17:22.320 something that I had all the time. It was like 1:17:22.320 --> 1:17:24.200 a prop that I had all the time. 1:17:24.040 --> 1:17:25.320 With durrind Division. 1:17:25.920 --> 1:17:27.920 Yeah, like that would have been and they didn't think 1:17:27.920 --> 1:17:30.519 about it until after, So then they didn't have any 1:17:30.520 --> 1:17:33.160 footage to like, even just like somewhat put that together. 1:17:33.200 --> 1:17:36.439 You've got a character in your movie always carrying a camera. 1:17:36.680 --> 1:17:37.519 Just turn the camera on. 1:17:37.880 --> 1:17:39.800 Yeah the footage. Who knows what you're gonna do with it. 1:17:39.800 --> 1:17:42.639 You may do nothing but just turn the camera on. Right, So, yeah, 1:17:42.640 --> 1:17:44.920 this one was weird. But actually, let's do some real reviews. 1:17:44.920 --> 1:17:46.360 We know what, we kind of know, we think about it. 1:17:46.400 --> 1:17:48.599 Let's see what other people think. I've got the one 1:17:48.640 --> 1:17:54.720 star this week, and it's from Kaiser Holiday okay, and 1:17:54.760 --> 1:17:57.240 it reads as thus, I created an account just so 1:17:57.280 --> 1:17:58.360 I could review this movie. 1:17:58.520 --> 1:17:59.240 What a mess. 1:17:59.320 --> 1:18:03.160 It didn't need to be made. Story, boring, acting beyond awful. 1:18:03.360 --> 1:18:05.280 Zero thought was put into the story in the script, 1:18:05.360 --> 1:18:09.040 and it shows one star. I think it's overly harsh. 1:18:09.080 --> 1:18:10.400 But anyway, you've got the five star? 1:18:10.439 --> 1:18:10.920 What do you got? 1:18:11.360 --> 1:18:15.519 The five stars actually kind of confusing today because it 1:18:15.560 --> 1:18:17.640 seems like we're getting in a five star, but then 1:18:17.680 --> 1:18:20.040 at the end it's kind of like it's fine. I 1:18:20.080 --> 1:18:24.560 know again, I love it, okay, o Ganley five stars 1:18:24.720 --> 1:18:29.400 just amazing, the best spinoff. It has tons of puppies 1:18:29.439 --> 1:18:32.000 and cute dogs in general. The two things wrong in 1:18:32.040 --> 1:18:35.519 this film is the lack of Ryan Bruh. He's not 1:18:35.560 --> 1:18:39.439 even in the movie rude. Secondly, the songs are not 1:18:39.560 --> 1:18:42.160 as bang in as high school musical songs. The only 1:18:42.200 --> 1:18:44.600 good one is the song at the end, which slaps 1:18:44.640 --> 1:18:51.240 hard five stars, five stars, five three. 1:18:51.240 --> 1:18:53.960 Star review right there, yes, exactly. 1:18:53.680 --> 1:18:58.439 Oh my goodness, Ganley, which it sounds like a character 1:18:58.439 --> 1:19:01.439 from Lord of the Rings. We are now coming to 1:19:01.439 --> 1:19:03.640 Sabrina's favorite portion of the program, of course, where we 1:19:03.720 --> 1:19:05.080 are doing our future presentation. 1:19:05.120 --> 1:19:06.519 We've got a fun game today. 1:19:06.720 --> 1:19:11.960 First of all, who were playing with you have michayla Hey. 1:19:10.880 --> 1:19:28.719 Michaela, Michaela. There we go, alright, copyright trademark. Thank everyone. 1:19:29.479 --> 1:19:32.240 Our feature today is called the Government Name Game. 1:19:32.880 --> 1:19:35.040 We can all agree that Sharpey Evans is a great 1:19:35.080 --> 1:19:37.439 moniker for fame, but not all birth names have the 1:19:37.479 --> 1:19:40.639 same ready for Broadway status. So we're going to get 1:19:40.640 --> 1:19:43.519 the legal government names of stars and have to guess 1:19:43.520 --> 1:19:44.840 what their stage names became. 1:19:45.000 --> 1:19:49.320 For example, Olivia Cockburn is Olivia Wilde, who I believe 1:19:49.439 --> 1:19:53.040 made a good choice. We'll get to pick from multiple 1:19:53.120 --> 1:19:57.960 choice options. Three out of five wins. Okay, number one? 1:19:58.439 --> 1:20:01.280 Oh wow, sure, I'm even gonna be able to pronounce 1:20:01.280 --> 1:20:05.920 this properly. Demitria Guinis. Is that a Cindy Crawford, B. 1:20:06.240 --> 1:20:10.360 Demi Moore see Halle Berry or D Jada Pinkett Smith. 1:20:13.560 --> 1:20:19.679 I'm gonna go with mmmm. 1:20:20.120 --> 1:20:22.840 It's either see yeah, I'm gonna say I'll pick first 1:20:22.840 --> 1:20:25.920 because I think I know mine. Okay, I'm I think 1:20:25.920 --> 1:20:29.120 it's gonna be Demi Moore, right, Demetria. 1:20:28.880 --> 1:20:31.599 To me, I think it's Jada Pinkett Smith. 1:20:31.760 --> 1:20:33.360 Okay, I'm gonna stick with B. 1:20:33.680 --> 1:20:36.559 Demi Moore, will is correct, B Demi Moore. 1:20:38.760 --> 1:20:40.720 Dimitria Demi? I mean I figured, yeah, that. 1:20:40.760 --> 1:20:44.160 Seemed to each too too easy. Demi Levado's first name 1:20:44.200 --> 1:20:45.840 is Demetria too, so that gave it. 1:20:45.800 --> 1:20:49.920 A Demitrios if it's a pretty name. 1:20:49.960 --> 1:20:54.000 Actually, that's a pretty name. I like Demi as a nickname. 1:20:53.640 --> 1:20:58.240 To tho or is it to me? Number two? 1:20:58.720 --> 1:21:02.800 Eric Bishop? Is that a Bruno Mars, B. Kat Williams 1:21:02.960 --> 1:21:06.519 see Jamie Fox or D Eddie Murphy. I don't think 1:21:06.560 --> 1:21:08.640 it's Eddie Murphy because his brother's Charlie Murphy, so I 1:21:08.680 --> 1:21:09.839 think they're the Murphy's. 1:21:10.400 --> 1:21:13.120 Okay, Uh, what do you think? 1:21:14.120 --> 1:21:15.519 I'm gonna go with Bruno Mars. 1:21:15.600 --> 1:21:18.679 I'm gonna agree with you, a Bruno Mars wrong, it's 1:21:18.680 --> 1:21:20.120 see Jamie Fox. 1:21:21.680 --> 1:21:21.920 Eric. 1:21:22.400 --> 1:21:23.240 So we're one and one. 1:21:23.520 --> 1:21:25.639 No, I didn't get I didn't get it right. I'm 1:21:25.880 --> 1:21:26.360 oh in two. 1:21:26.520 --> 1:21:31.400 Oh that's right, I'm one and one per us number three, 1:21:31.479 --> 1:21:35.080 Chloe Hoffman. Is that a Brenda song? B Miley Cyrus 1:21:35.200 --> 1:21:38.160 see Ariana Grande or d Dove Cameron? 1:21:38.479 --> 1:21:39.080 Oh? 1:21:39.160 --> 1:21:42.559 I do know Miley Cyrus is not Okay her real name? 1:21:42.880 --> 1:21:45.519 Oh? I thought you're gonna know that it wasn't Chloe Hoffman. 1:21:45.680 --> 1:21:48.800 Okay, that's not it's not her real name. She has 1:21:48.840 --> 1:21:50.880 something else, which I'm sure Mikaela or someone will be 1:21:50.880 --> 1:21:52.360 able to tell us. But I don't know if it's 1:21:52.479 --> 1:21:53.640 Chloe Hoffman. 1:21:55.720 --> 1:21:57.200 I'm just for the hell of it, just because we 1:21:57.240 --> 1:21:58.080 just watched one of her movies. 1:21:58.120 --> 1:22:01.120 I'm gonna pick d Dove Cameron, right, But I'm just 1:22:01.200 --> 1:22:02.000 I'm just picking one. 1:22:03.040 --> 1:22:03.479 No idea. 1:22:04.960 --> 1:22:06.479 I'm going to do Deaf Kevin too, because I don't 1:22:06.479 --> 1:22:08.280 think it's Aria Grande or Brenda's song. 1:22:08.400 --> 1:22:11.240 Okay, yeah, you're correct, it's Cameron. 1:22:11.960 --> 1:22:17.759 What's Miley Cyrus's name? For an extra point? Destiny Sidney 1:22:17.920 --> 1:22:19.480 Hope okay, see. 1:22:19.439 --> 1:22:21.719 I mean, but Destiny Hope sounds exactly like a Disney 1:22:21.760 --> 1:22:22.280 Channel star. 1:22:22.600 --> 1:22:25.040 Yeah. I think she changed it legally though. That was 1:22:25.080 --> 1:22:27.439 like her birth name, and then they called her Smiley 1:22:27.479 --> 1:22:30.040 Miley and that's how Miley came about. Miley Miley was 1:22:30.120 --> 1:22:30.880 Yeah that I knew. 1:22:30.920 --> 1:22:33.200 It was like a nickname of some where does Miley 1:22:33.320 --> 1:22:34.240 come from? 1:22:34.280 --> 1:22:36.680 Just like Smiley, Like she was very Smiley, So they 1:22:36.720 --> 1:22:38.840 shortened it to Miley Smiley Miley. 1:22:39.000 --> 1:22:40.439 So it just started right. 1:22:41.880 --> 1:22:45.439 Number four. Karen Johnson, I'm just so everybody knows it's Karen. 1:22:45.479 --> 1:22:48.360 It's c A R y N Karen Jhonnes. 1:22:48.439 --> 1:22:51.240 Never seen Karen. It's felt this way. 1:22:51.760 --> 1:22:54.320 I don't think I have either. Is that a nicky Glazer? 1:22:54.800 --> 1:22:59.120 B Nicki Minaj? See what be Goldberg or d Oprah Winfrey. 1:23:01.479 --> 1:23:03.360 I'm gonna go and see what be Goldberg because that 1:23:03.360 --> 1:23:05.680 would be Charasee. 1:23:06.720 --> 1:23:09.040 I'm gonna go with Wait. 1:23:09.800 --> 1:23:12.080 I'm gonna go with be nick Minaj. I'm changing it. 1:23:13.080 --> 1:23:16.320 I'm gonna go with de Oprah Winfrey, Sabrina, it was 1:23:16.400 --> 1:23:18.080 see Whoopy Goldberg. 1:23:20.800 --> 1:23:23.600 Manberg? 1:23:23.680 --> 1:23:24.760 How does she get there? 1:23:25.240 --> 1:23:28.800 I need the stories you have officially lost. Yeah, and 1:23:28.880 --> 1:23:31.519 I need this one to win. Okay, so number five 1:23:31.800 --> 1:23:33.160 Margaret and Hira. 1:23:33.560 --> 1:23:33.880 Is that? 1:23:34.000 --> 1:23:37.560 Oh Emma Stone, b faith Hill, see Meg Ryan or 1:23:37.640 --> 1:23:38.719 d Julia Roberts. 1:23:38.960 --> 1:23:40.439 Oh do you know it? 1:23:41.520 --> 1:23:45.479 No? I would assume it'd be Meg Ryan though. 1:23:45.360 --> 1:23:49.120 And I'm gonna guess. I'm gonna say maybe Meg Margaret. 1:23:49.240 --> 1:23:54.400 Yeah, okay, I was gonna say Emma Stone. I'm throwing 1:23:54.400 --> 1:23:56.280 that out there now in case I'm wrong, but I'll 1:23:56.320 --> 1:23:58.519 go with you see Meg Ryan, because You're right, Margaret 1:23:58.520 --> 1:24:05.400 and Meg Y with Meg Ryan. 1:24:06.840 --> 1:24:09.840 I don't even know how that. We gotta tell Jensen that, 1:24:09.960 --> 1:24:12.040 like you really got to come back because things are 1:24:12.200 --> 1:24:13.599 wapping and weird over here. 1:24:13.720 --> 1:24:20.760 Oh man, can we do a Sabrina Ces please? We can. 1:24:22.160 --> 1:24:24.080 We already talked about that and my one of my 1:24:24.120 --> 1:24:26.760 first things. As soon as Austin Butler gets on there, 1:24:26.760 --> 1:24:30.760 it was like Vanessa Hudgens new boo, when is this happening? 1:24:30.960 --> 1:24:33.840 I don't know. I'm freaked out. Like right from the start, 1:24:33.880 --> 1:24:36.640 I couldn't get off of it. I already said to 1:24:37.080 --> 1:24:40.559 my favorite line of the entire movie was closet with 1:24:40.640 --> 1:24:45.040 a tongue, hands down. We've already gone through so much 1:24:45.040 --> 1:24:47.280 of this one thing we didn't talk about was when 1:24:47.320 --> 1:24:49.639 she gets to the audition and then he goes here 1:24:50.920 --> 1:24:53.280 he explains the audition. I know, obviously this is kind 1:24:53.320 --> 1:24:56.400 of like a you know, a turn in the storyline, 1:24:56.400 --> 1:24:59.679 but like, why couldn't there have been an email, a call, 1:24:59.760 --> 1:25:03.200 a text, a something to know? Like she got there 1:25:03.439 --> 1:25:05.400 just to be told she had an audition for the 1:25:05.439 --> 1:25:05.960 next day. 1:25:06.080 --> 1:25:09.599 That felt weird, but he just hands he just hands 1:25:09.640 --> 1:25:11.800 the paper to an eleven year old kid and is like, 1:25:11.920 --> 1:25:13.080 now take care of this for me. 1:25:13.200 --> 1:25:14.439 Yeah, it was very weird. 1:25:14.840 --> 1:25:19.559 So it was so weird. There was definitely to me. 1:25:20.360 --> 1:25:23.840 As much as I love the dogs, the like turn 1:25:23.920 --> 1:25:27.880 of the dogs having their own like b story was 1:25:28.000 --> 1:25:29.760 kind of a little too much for me. It was 1:25:29.840 --> 1:25:32.760 kind of like and although they were so cute, but like, 1:25:33.640 --> 1:25:36.439 you know, the date again with the with the edits, 1:25:36.520 --> 1:25:38.400 we could have given them, it would have been better, 1:25:38.479 --> 1:25:40.040 but like it was just kind of like, where are 1:25:40.040 --> 1:25:42.120 we going with this movie? Now we're in the middle 1:25:42.120 --> 1:25:50.920 of a dog love story? Like okay, then oh, the chores. 1:25:51.000 --> 1:25:52.679 I don't know if I had told you this story 1:25:52.760 --> 1:25:54.840 or not, but when she's doing the chores and then 1:25:54.880 --> 1:25:56.479 it was like the toilet thing and it was like, 1:25:56.520 --> 1:25:58.720 you can't even do it. It made me think of 1:25:58.760 --> 1:26:01.680 the first movie when it's when it gets revealed that 1:26:02.040 --> 1:26:04.920 I am having to like pay for my Derinda as 1:26:05.080 --> 1:26:08.719 Bernie Derinda has actually has to work to be able 1:26:08.760 --> 1:26:12.000 to like pay for her dance lessons and stuff. There's 1:26:12.040 --> 1:26:15.240 a part where I have a mop and the director 1:26:15.320 --> 1:26:18.400 called me out. So I had never been so embarrassed 1:26:18.400 --> 1:26:21.040 on set before. I called me out and was like 1:26:22.000 --> 1:26:22.879 what cut? 1:26:23.200 --> 1:26:23.280 What? 1:26:24.240 --> 1:26:26.240 Rina? What do you? What are you doing? And I'm 1:26:26.280 --> 1:26:30.040 like mopping And they're like he's like have you have 1:26:30.120 --> 1:26:33.840 you ever done this before? And I was like, no, oz, 1:26:33.920 --> 1:26:35.599 I have never mopped before. 1:26:35.760 --> 1:26:38.880 I don't know. Do you not know how to? 1:26:39.120 --> 1:26:39.960 Why I was doing? 1:26:40.120 --> 1:26:40.600 I don't know? 1:26:40.680 --> 1:26:43.040 But it seriously still doesn't seem like it was that 1:26:43.200 --> 1:26:46.800 hot hard, but like honestly, like who can't even like 1:26:46.920 --> 1:26:49.920 fake moppy? I was so embarrassed Bill, Like I called 1:26:49.960 --> 1:26:52.360 my dad. I remember when I got home back to 1:26:52.400 --> 1:26:56.479 my hotel, going dad, why didn't mom or you ever 1:26:56.560 --> 1:26:59.480 teach me how to mop? I just got completely embarrassed 1:26:59.479 --> 1:26:59.880 on stack. 1:27:00.320 --> 1:27:01.880 It seemed like something that needs to. 1:27:01.960 --> 1:27:08.439 Be something I'd have to take, like what that was 1:27:08.479 --> 1:27:10.360 one of the honestly, still to this day, probably one 1:27:10.400 --> 1:27:11.720 of the most embarrassing things. 1:27:14.160 --> 1:27:14.599 Imagine. 1:27:14.640 --> 1:27:17.880 I was so little. I was like eighteen, Like I'm 1:27:17.960 --> 1:27:20.519 mopping right, and he's like, no, you get in there. 1:27:20.560 --> 1:27:22.240 You have to squeeze it. What do you You're just 1:27:22.280 --> 1:27:26.760 getting the whole set. So anyway, that killed me. I 1:27:26.800 --> 1:27:32.519 was like, oh, gosh, I mean, I guess whatever, Okay, 1:27:32.720 --> 1:27:35.280 this is a question for you. So the first time, 1:27:35.439 --> 1:27:38.320 which is weird because he to me, was very essential 1:27:38.400 --> 1:27:40.559 in what I think would have really brought a different 1:27:41.080 --> 1:27:44.320 aspect to this movie was the absence of Ryan, like 1:27:44.760 --> 1:27:48.720 her brother. But the first time I actually clicked to 1:27:48.760 --> 1:27:52.160 me that we were missing him was when she referenced him. 1:27:52.560 --> 1:27:52.800 Yeah. 1:27:53.760 --> 1:27:55.200 I hadn't thought about him until that. 1:27:55.400 --> 1:28:00.639 Oh I was I assumed somebody from the high school 1:28:00.720 --> 1:28:01.600 musical world. 1:28:01.680 --> 1:28:08.240 Somebody someone cameo of nobody, anyone, not a call, not 1:28:08.400 --> 1:28:12.519 in anything, which was crazy to me, and he would 1:28:12.520 --> 1:28:15.880 have been obviously the one, but like I didn't. It's 1:28:15.920 --> 1:28:19.720 weird that I didn't think about him specifically in it, right, 1:28:19.880 --> 1:28:23.160 like a best friend call to to Vanessa Hudgens, as 1:28:23.160 --> 1:28:26.080 we heard was done it possibly something happening with her 1:28:26.439 --> 1:28:27.679 didn't but it was weird. 1:28:27.840 --> 1:28:32.760 It was very like technically the brother was there, we 1:28:32.840 --> 1:28:34.439 just didn't see it in this verse right. 1:28:34.760 --> 1:28:41.320 Right, And then I asked you about you're justice. Okay, 1:28:41.439 --> 1:28:41.840 that's it. 1:28:41.920 --> 1:28:42.479 That was it. 1:28:42.920 --> 1:28:45.720 I do hope that one day I do figure out 1:28:45.720 --> 1:28:48.840 the timeline of this Vanessa and Austin you'll get there. 1:28:48.840 --> 1:28:51.920 Gonna drive me crazy when Vanessa gonna have to google 1:28:52.200 --> 1:28:54.639 when Austin Butler finally comes on this show. 1:28:55.920 --> 1:28:57.439 He's coming next week, right, I. 1:28:57.360 --> 1:29:00.920 Think we got him next Obviously we don't. For now. 1:29:00.960 --> 1:29:02.600 It's the time of our program, of course, where we 1:29:02.720 --> 1:29:04.640 rate the film we just saw. We're gonna do one 1:29:04.640 --> 1:29:05.040 out of ten. 1:29:05.080 --> 1:29:07.160 We're gonna make ten the middle, We're gonna make one 1:29:07.280 --> 1:29:09.840 the third from the top, and we're gonna make eight 1:29:09.960 --> 1:29:10.840 the best one we can do. 1:29:11.720 --> 1:29:14.559 No, let's do tennis the best. That's easy. And our 1:29:14.640 --> 1:29:15.519 options today. 1:29:15.320 --> 1:29:19.839 Are ten pink purse DVDs for ten dollars, New Mexican 1:29:19.920 --> 1:29:24.160 fashion shows, matching pink plaid suitcases I know one, and 1:29:24.160 --> 1:29:26.559 the ones that Sabrina wants one out of ten, closet 1:29:26.600 --> 1:29:30.720 tongues one out of ten, pink hurricanes fixed, New York 1:29:30.720 --> 1:29:35.120 Street Games, Dog entourages one out of ten angry Union members, 1:29:35.400 --> 1:29:38.040 one out of ten marinated feet, or one out of ten. 1:29:38.040 --> 1:29:41.720 Olivia Cockburns, I think I get to pick this time, 1:29:41.800 --> 1:29:43.880 and because I know you liked it, it made you laugh, 1:29:43.880 --> 1:29:45.439 We're gonna do closet tongues this time. 1:29:46.040 --> 1:29:48.880 I also think it's I go first this time you do. 1:29:49.479 --> 1:29:51.320 This movie was absolutely fine. 1:29:52.439 --> 1:29:55.479 There was nothing really bad about this movie and nothing 1:29:55.560 --> 1:29:58.759 really good about this movie. This movie was absolutely fine. 1:29:58.840 --> 1:30:02.360 I will say the good thing is talent of the cast. Yes, 1:30:02.680 --> 1:30:05.080 you can't watch Ashley Tisdale and not know that she's 1:30:05.120 --> 1:30:05.439 a star. 1:30:06.360 --> 1:30:07.160 She's obvious. 1:30:07.160 --> 1:30:09.479 Oh wait for the record, Google says they met in 1:30:09.520 --> 1:30:12.840 two thousand and six, but didn't reconnect until twenty eleven. 1:30:13.000 --> 1:30:18.000 Ish okay, so still not sure if they like they're 1:30:18.080 --> 1:30:22.080 dating and watching your friend Ashley. 1:30:21.800 --> 1:30:24.680 Being mutual friend probably helped. Yeah, he probably got them 1:30:24.680 --> 1:30:25.439 back into anyway. 1:30:25.640 --> 1:30:28.120 Well, she was such a big fan of I mean, yeah. 1:30:27.960 --> 1:30:32.000 What yes, So this movie was fine. 1:30:32.400 --> 1:30:35.439 With any lesser cast, this would be a five right 1:30:35.479 --> 1:30:37.880 down the middle. It's not good, it's not bad. It's 1:30:37.920 --> 1:30:40.479 got a great cast. Like I said, Ashley Tillsdale is 1:30:40.479 --> 1:30:44.719 a star. You watch her I'm not sure that this 1:30:44.960 --> 1:30:49.720 character was worthy of a full movie themselves, or or 1:30:49.800 --> 1:30:51.680 let's put it this way, not this version of it. 1:30:51.720 --> 1:30:54.160 I would like to have seen a different version of 1:30:54.200 --> 1:30:58.280 a Sharpay movie with other wacky people around her and 1:30:58.320 --> 1:31:00.920 crazy as opposed to trying to take pay more mainstream 1:31:00.920 --> 1:31:01.760 which are strange. 1:31:01.960 --> 1:31:05.559 That being said, great cast, it was what it was. 1:31:05.720 --> 1:31:10.040 I think I'm fair in giving this six closet tongues 1:31:10.920 --> 1:31:13.320 all the way around. I think that's a fair assessment 1:31:13.360 --> 1:31:14.800 of this film. I really do. 1:31:14.920 --> 1:31:19.479 I agree with you, and I think what I needed 1:31:19.960 --> 1:31:22.880 was I need a little bit more familiarity than what 1:31:23.040 --> 1:31:26.360 we got with this. I needed some of the high 1:31:26.400 --> 1:31:31.280 school musical OG's to come be a part of it, 1:31:31.680 --> 1:31:41.080 help her like something I needed. Kenny Ortega, Yeah, I need. 1:31:41.400 --> 1:31:45.160 I needed something that. And it's not that this director 1:31:45.320 --> 1:31:49.439 wasn't you know, good, It wasn't that. It's just if 1:31:49.439 --> 1:31:51.559 it's going to be a spin off of high school musical, 1:31:51.680 --> 1:31:54.640 I need to feel the high school musical vibe and 1:31:54.680 --> 1:31:58.880 this movie didn't do that. Sharpay's character wasn't enough to 1:31:59.080 --> 1:32:03.400 just do that right. She didn't get the stepping stone 1:32:03.400 --> 1:32:05.320 in that platform of what you would have thought she 1:32:05.360 --> 1:32:09.519 would have had right, But again it was okay. It 1:32:09.600 --> 1:32:14.200 was fine. The music, it being a musical spin off 1:32:14.240 --> 1:32:17.840 from a very big musical franchise of Disney and the 1:32:17.960 --> 1:32:22.280 music not being the level of high school musical was hard. 1:32:22.479 --> 1:32:25.400 It was hard to watch for Ashley right, like, for 1:32:25.520 --> 1:32:29.840 this amazing actress and this gorgeous, wonderful character that we loved. 1:32:30.760 --> 1:32:33.240 Same thing. I'm giving it like just you know again, 1:32:33.280 --> 1:32:35.439 had it been anyone else, would have gone down even more. 1:32:35.800 --> 1:32:38.160 But this is a six point five closet tongues for me. 1:32:38.439 --> 1:32:40.080 Okay, I think we're I think we're right on the 1:32:40.120 --> 1:32:41.799 same boat and I agree. 1:32:42.360 --> 1:32:43.800 Well, thank you so much for joining. 1:32:43.560 --> 1:32:46.599 Us for this episode and taking that wild pink ride 1:32:46.640 --> 1:32:46.960 with us. 1:32:47.960 --> 1:32:50.519 Did love the sets, although you didn't like them. I 1:32:50.560 --> 1:32:55.000 thought they were cool. They were clueless divees, they were pink. Yeah, 1:32:55.200 --> 1:32:58.760 a mix between clueless and legally launch. 1:32:58.840 --> 1:33:00.400 Yeah. I thought the same. Loved it. 1:33:00.479 --> 1:33:02.479 I think that I'm so down for that. I love 1:33:02.520 --> 1:33:04.320 that whole situation, thought the Sesson. 1:33:04.640 --> 1:33:06.439 And uh, never forget this. 1:33:06.479 --> 1:33:09.560 We have an insane amount of past episodes, both recaps 1:33:09.560 --> 1:33:12.040 and interviews with Disney legends, all available to stream at 1:33:12.040 --> 1:33:15.040 any moment. Just sitting on our dedicated Magical Rewind feed, 1:33:15.080 --> 1:33:16.719 So go to wherever you get your podcasts and search 1:33:16.720 --> 1:33:19.479 for Magical Rewind and subscribe. That way, you'll never miss 1:33:19.520 --> 1:33:21.920 another episode. Thanks everybody, we'll see you next time. 1:33:22.040 --> 1:33:37.560 Bye bye,