Speaker 1: Toss Popcorn is a production of iHeartRadio, I.
Speaker 2: Don't Jamappelle, Leanna Holston and I'm Sienna Jacob and Bionvenue
Speaker 2: to Toss Popcorn, the podcast where two idiots watched every
Speaker 2: film on the American Film Institutes one hundred Greatest American
Speaker 2: Movies of all time, the very slightly less racist tenth
Speaker 2: anniversary edition and are now following our bliss.
Speaker 1: We really are. This podcast is a safe kitchen for
Speaker 1: people who don't know anything about movies. Today we're watching
Speaker 1: Rata Tuey.
Speaker 2: What are you eating? I don't really know that.
Speaker 1: We decided we should watch shortly after the American election.
Speaker 1: We said, maybe we should watch rat of Touey.
Speaker 2: And you have much we love for food and film.
Speaker 1: Oh my god?
Speaker 2: Really came about.
Speaker 1: Warning there will be spoilers about this ratty old film
Speaker 1: slash recent I don't know. Yeah, well, shall we start
Speaker 1: with our predictions?
Speaker 2: I think we shall.
Speaker 1: Let's do yours. Who's that?
Speaker 2: Hi, Sienna, it's Leanna. I'm about to watch Rata Tooey.
Speaker 2: I have not seen this film in arguably over a decade,
Speaker 2: but I predict delish food, a bunch of rats and France.
Speaker 1: Yep. Love you by. I love that. I heard a
Speaker 1: little right before the thing starts.
Speaker 2: My h my boy friend, No, I'm kidding. That was
Speaker 2: actually a friend of the pod. He was saying because
Speaker 2: we watched it together and he was I. I was like, oh,
Speaker 2: I have to go record my prediction. He was like, oh,
Speaker 2: it's so exciting to see how the sausage gets made.
Speaker 2: So what you're is the tail end of the word mad,
Speaker 2: and so in the middle of his yeah, I'm like
Speaker 2: walking away. Actually he's talking, I'm like, yeah, okay, bye,
Speaker 2: I got to do this.
Speaker 1: Okay, let's listen to my prediction, shall we?
Speaker 2: Yes?
Speaker 1: Hi, Leanna, this is sing I'm about to watch Rata twee.
Speaker 2: Is a retainer recording I took out and I took
Speaker 2: out one of them just for you number of times,
Speaker 2: not the bottle, that little rat cook.
Speaker 1: I thought it would be enough.
Speaker 2: I hope it gets to the to the part at
Speaker 2: the restaurant. It's not too stressful. But I know.
Speaker 1: The idea of watching food right now sounds pretty great.
Speaker 2: I'll see you on the other side.
Speaker 3: Bye.
Speaker 1: Yeah, okay, i'd woken up seconds before.
Speaker 2: You sound like Santa flying away in this said bye
Speaker 2: bye bye, Yes.
Speaker 1: Oh, I'm glad we watched this film. I also hadn't
Speaker 1: seen it in about a decade. Yeah, I must say
Speaker 1: I remember it. I must say I was shocked by
Speaker 1: how well I remembered it. I remembered most of the
Speaker 1: lines in the film. Really, I And then I was like,
Speaker 1: why do I remember this and none of my childhood?
Speaker 1: Why is my brain holding onto the dialogue from Ratitui
Speaker 1: but not like any of my school years? Yeah? Well,
Speaker 1: what we're well, no, I guess we'll have to wait
Speaker 1: to hear what kind of lines you remembered?
Speaker 2: Not right?
Speaker 1: But before then, Hey girl, Hey.
Speaker 2: Girl, Hey girl, are you done with that play? Are
Speaker 2: you alive?
Speaker 1: I am done with the play? Oh I am This
Speaker 1: is my first weekend off? Yes, uh, so much and
Speaker 1: so little has happened this last week. We got a
Speaker 1: second fridge. I napped a lot.
Speaker 2: Wait, what do you have a garage fridge?
Speaker 1: Now? No, we have like a second It's sort of
Speaker 1: like a medium fridge. It's kind of like a mini
Speaker 1: fridge but a little bit taller. And okay, I got
Speaker 1: one because we I live with four other people. And yeah,
Speaker 1: I've been overflowing. We've been talking about getting a fridge
Speaker 1: for so long and we finally get it's big news
Speaker 1: in my household, so we have space for all the sauces,
Speaker 1: and now I'm gonna be able to buy juice. You
Speaker 1: could have a.
Speaker 2: Fridge warming party, Oh my gosh, that's a great idea
Speaker 2: thank you, or like a baptism of your new fridge,
Speaker 2: or a christening genius you'd like break a bottle of
Speaker 2: champagne against it.
Speaker 1: Yeah. Well, last night I was celebrating being done with
Speaker 1: the show and my friends went to karaoke. But I
Speaker 1: kind of I ruined my own night. It's okay, it
Speaker 1: could have been a lot. It's honestly fine. It's just
Speaker 1: one of those things where I'm like, oh, I guess
Speaker 1: that was an l because I put on a really
Speaker 1: cute outfit and then like I didn't even go out
Speaker 1: long enough to get a picture of an outfit of
Speaker 1: my outfit. You know, it's like, why did they even
Speaker 1: do this? We went to carry and then I just
Speaker 1: was like, I'm I'm tired, I need to go.
Speaker 2: Yeah, sometimes it's not the night for karaoke.
Speaker 1: Yep. Unfortunately that's what happened. But I'm glad everyone had
Speaker 1: a great time. I'm glad I went for how long
Speaker 1: I did, but it is kind of like, huh, I
Speaker 1: guess that was an l that I took. But now
Speaker 1: I have a cute off at thenegm wore. It's kind
Speaker 1: of Christmasy, so I'll wear for future Christmas things.
Speaker 2: Oh perfect, And.
Speaker 1: I was happy to have my first weekend off from
Speaker 1: this show. Yeah, my skin thanks me because I was
Speaker 1: kind of trudging around in stage water all the time. Anyways,
Speaker 1: speaking of stage, Leonna, how hey girl, and how is
Speaker 1: the One Moment show going? Are you mounting it this week?
Speaker 2: Yes? It is. Holy shit, it will be uh whatever.
Speaker 2: Twenty four times four plus two is hours away? Okay, great,
Speaker 2: that is how many hours away it is? Start the clock,
Speaker 2: let's do that count? Ninety six plus oh my god,
Speaker 2: ninety eight hours. Yeah, in under ninety eight hours, I
Speaker 2: will be mounting a one woman show. Wow, less than
Speaker 2: one hundred hours from now. I am mounting a one
Speaker 2: woman show.
Speaker 1: Yep. You know.
Speaker 2: It's one of those things where I'm just like, Okay,
Speaker 2: well that's it's happening. It's against my will, and time
Speaker 2: is beating my ass, and whatever goes on out there
Speaker 2: is almost it's almost none of my business.
Speaker 1: At this point.
Speaker 2: Yeah, unfortunately, it's entirely my business and it's my career
Speaker 2: and my immigration status as well. But the stakes are
Speaker 2: just so high for it that I've I've shut down,
Speaker 2: like I've I don't have thoughts around it at press
Speaker 2: time totally, but a week when we do, when we
Speaker 2: next do this podcast, it will have happened. That's crazy,
Speaker 2: that is crazy. I'm excited for it. I'm proud of you. Thanks.
Speaker 1: I want to ask so much, but out of respect
Speaker 1: for you, I think I won't thanks unless you are.
Speaker 2: Unless that's okay with you. Do you know you're welcome
Speaker 2: to ask. It's likely I just won't have answers, Yeah,
Speaker 2: but ask away.
Speaker 1: Well, I'm just curious. Are you adding any new material
Speaker 1: in there? Is it mainly that all the just stand
Speaker 1: up you've been doing since you've been here? Have you
Speaker 1: been like, shit, I need to fill twenty minutes. I'm
Speaker 1: going to do some character work or anything like that.
Speaker 2: Yeah, I'm actually doing thirty minutes of Comedia del lte
Speaker 2: traditional Italian clown with masks. No, it's pretty much all
Speaker 2: the stand up I've ever done. What I need to
Speaker 2: write is transitions between the sets to somehow link things together,
Speaker 2: and then the new stuff is like an intro to
Speaker 2: the show about why it's happening and what it is
Speaker 2: and who I am.
Speaker 1: I have some sort of inclusion. Yeah, since the good
Speaker 1: thing that you really have to go off of here
Speaker 1: is that you have You're expressing that you've had to
Speaker 1: create the show within a month, and if you need
Speaker 1: to come up with some transition, you could say, well,
Speaker 1: I've had to make the show in a month, and
Speaker 1: so the transitions are going to be me doing a
Speaker 1: piece of Irish.
Speaker 2: Dance in between. I genuinely thought about I had an
Speaker 2: apology dance.
Speaker 1: Every single every single skill I've ever learned in my
Speaker 1: whole life has to go and juggle at some point.
Speaker 3: Yeah.
Speaker 2: Oh. It takes me like four minutes to get into it,
Speaker 2: and then I can juggle for like twenty seconds. I
Speaker 2: have to do several minutes of practice tosses and that
Speaker 2: I can maintain a juggle for about twenty seconds. But
Speaker 2: anything to fill time, you know, Yeah, well I will
Speaker 2: do every skill on my CV.
Speaker 1: You should do that. Yeah, hey girl, anything else going on,
Speaker 1: I'm assuming that's most of it.
Speaker 2: That's that's the big thing. I feel like my life
Speaker 2: ends this week and I will be reborn. This is coming.
Speaker 2: I think I'm going to get a facial in celebration.
Speaker 2: That's the last time I got a facial. She was
Speaker 2: so mean to me. Yeah, crazy things happened. He just
Speaker 2: got insulted. So I don't know I have offense about that.
Speaker 1: Actually, I'm in a similar place where I'm like time
Speaker 1: to be reborn. But I gotta say now, I've just been.
Speaker 2: Saying, yeah, we both need to be reborn quite soon. Yeah,
Speaker 2: I need something something, Maybe I'll get a massage. Maybe,
Speaker 2: But I got insulted the last time I got a massage.
Speaker 2: To know, she was like it took ninety minutes for
Speaker 2: your muscles to even start to relax. And I said,
Speaker 2: I'm sorry, thank you, thank you, thank you. I'm sorry
Speaker 2: about that.
Speaker 1: Well, speaking of being apologetic as oh yeah, yes, move
Speaker 1: on to talking about the film.
Speaker 2: Perhaps I a synopsis? Oh silvu play Sienna? Could you
Speaker 2: please give us a synopsis of Ratitui?
Speaker 1: Yes, I shall do my best. I started writing it
Speaker 1: and then I went, WHOA, I forgot Pixar movies have
Speaker 1: so many parts.
Speaker 2: I yeah, and you message, you said, I'm writing an
Speaker 2: unexpectedly complex synopsis and I'm intrigued because to me it's,
Speaker 2: you know, rat cooks.
Speaker 1: Yeah, honestly I probably could have just said that, but
Speaker 1: ratitui Paris, France an unclear year, maybe the seventies.
Speaker 2: Thank you for saying that, well, not that part, but yes,
Speaker 2: thank you for okay.
Speaker 1: Remy the rat is a rat with a particularly distinguished
Speaker 1: sense of smell and taste. He wants to cook, and
Speaker 1: he looks up to the famous chef Gusto. He loves
Speaker 1: food and cooking, but alas he is a mangy rat. Meanwhile,
Speaker 1: Linguini is a gauky, red haired loser working as a
Speaker 1: garbage boy at the late Gusta's fancy restaurant. Through a
Speaker 1: series of action packed and endearingly pix our events, Linguini
Speaker 1: and Remy meat discovering that Remy is an amazing cook
Speaker 1: and Linguini is a perfect vessel, which is where we
Speaker 1: famously see Remy that Remy can tug on Linguini's hair
Speaker 1: and wield him as a cooking puppet. They take the Nope,
Speaker 1: they take the Paris culinary scene by storm and put
Speaker 1: Gustau's restaurant back on the map. Linguini tries some other
Speaker 1: things that happened. Our Linguini tries to hide his rat secret.
Speaker 1: Remy has family stuff and rat identity complexes to deal with.
Speaker 1: There's a girl named Collette who's there. Evil chef Skinner
Speaker 1: is trying to catch the rat and catch Linguini is colluding.
Speaker 1: Is that what word? Is colluding with the rat? Uh?
Speaker 1: And also Linguini turns out to be Gusta's son. The
Speaker 1: rats go all the rat colonies, starts going on a
Speaker 1: stealing food spree, et cetera, et cetera, et cetera, And
Speaker 1: in the end the restaurant Wow's a food critic named
Speaker 1: anton Ego with a simple ratituy dish, and everyone lives
Speaker 1: happily ever after in their way, even though Gusta's gets
Speaker 1: shut down because of all the rats in it. Yay
Speaker 1: the and.
Speaker 2: Sianna, thank you for that. The most thorough summary I've
Speaker 2: ever heard you give. That was detailed, everything felt important.
Speaker 1: All of a sudden, it was like, well, I mean,
Speaker 1: I guess it's also important to note that he is
Speaker 1: the son of Gusta, But something about that, I'm like, Pixar,
Speaker 1: what go for it?
Speaker 2: I know there is still not going on.
Speaker 1: You are right, mainly a rat cooks and he is
Speaker 1: on the head of a man. Mm hmmm, well, Leanna,
Speaker 1: shall we get the heck into our phone notes because
Speaker 1: we have a heart out today.
Speaker 2: Oh, let's get the heck in there. This is our
Speaker 2: segment entitled phone notes, where we read the notes the
Speaker 2: other person took on their phone while watching the film.
Speaker 2: Ah see, you know, your first two notes are okay,
Speaker 2: I forgot. Oh no, your first four notes are oh,
Speaker 2: I love Emial, I love food. Okay, I forgot. This
Speaker 2: movie is really good, not a gun.
Speaker 1: That was my entire first feelings on the movie. You're like,
Speaker 1: oh my gosh, there is delicious food here, all the vibes.
Speaker 1: It's just really well paced. It's it's just a very
Speaker 1: fun movie, fun cuts, fun everything. Emil, his brother love love.
Speaker 2: Round so round in.
Speaker 1: Such a sweetie, such a cutie. Yeah, so funny and
Speaker 1: h Then they start stealing food from the house of
Speaker 1: this old lady and she takes out a shotgun and
Speaker 1: really tries to shoot them.
Speaker 2: She goes after them, she gets to keep bullet suing them.
Speaker 2: She's wearing a gas mask. She tries to.
Speaker 1: Gas them down the river. It's crazy. Whoa If you'll
Speaker 1: excuse me, okay, the little podcast producer in my head
Speaker 1: is it looks it looks like they're hungry. Whoa. But
Speaker 1: nothing to be suspicious of about whoa. I'll be right back. Leona.
Speaker 1: Your first note is French national anthem.
Speaker 2: Yes, there's uh whatever the music term is for clips
Speaker 2: from the national anthem in the opening score of what
Speaker 2: is the French national anthem again alone de la patritte? Oh,
Speaker 2: it's the one at the beginning of Lati Honey.
Speaker 1: Is the one at the beginning of the Beatles song Yeah, Yeah,
Speaker 1: Love Love Love, We're just gonna.
Speaker 2: Ok yeah? Which is in love?
Speaker 1: How thing you can do? The campy don nothing? You
Speaker 1: can sing the campus sound?
Speaker 2: You know, I'm starting to understand how you feel when
Speaker 2: I write yeah, you're.
Speaker 1: Like, okay, okay, can't speak yet.
Speaker 2: Move on? Is she gonna do the whole song?
Speaker 3: Wow?
Speaker 1: My first glimpse of empathy.
Speaker 2: Ah, baby's first empathy.
Speaker 1: Leona, You said Saffron, This rat is fancy.
Speaker 2: He was sniffing around the old violent Ladies home for
Speaker 2: specifically Saffron, the violent woman. Yes, that violent woman.
Speaker 1: Did he find it? I forget? Yeah?
Speaker 2: It was Italian Saffron. Wow. Wait, can I ask you. Yeah,
Speaker 2: this is a film basically about puppetry.
Speaker 1: It kind of is. I also experienced that. I experienced
Speaker 1: that watching at this time, I went, wow, he is
Speaker 1: a puppeteer. Yeah, he is puppeteering this young man.
Speaker 2: Did this change your viewing having a puppeteer lens?
Speaker 1: It was different this time, Yes, I went wow. This
Speaker 1: is also referencing the uh, the France's long relationship with
Speaker 1: the marionette.
Speaker 2: Now a net oh okay.
Speaker 1: That's apparently their word for puppet. Altogether, I believe that,
Speaker 1: but I think that they're a big one in the
Speaker 1: the history of that, so it probably is sort of
Speaker 1: a reference. They know, these big ones, these cartoon guys
Speaker 1: of that. These cartoon guys are always referencing stuff, referencing
Speaker 1: all sorts of images and like friends, really the food whatever,
Speaker 1: the mello Leona you have said, this is your type
Speaker 1: actually about all free of my.
Speaker 2: God, I was so offended. Actually saw this like a
Speaker 2: spindly man. But he seems a little bit too low
Speaker 2: because you love blond guys. Who is a tall and
Speaker 2: haunted boy with a bit of substance to him. You
Speaker 2: like him hold onto something that are slown away in
Speaker 2: a hurricane.
Speaker 1: I disagree you.
Speaker 2: I disagree with your disagreement.
Speaker 1: Certain cartoonish shapes that are spindly. You will, you will
Speaker 1: forgive in ways that others won't. But I understand that
Speaker 1: the emotion behind it is very specific.
Speaker 2: M This one was certainly too bumbling. Yeah, for my taste.
Speaker 1: He's not. He doesn't have the confidence that comes with
Speaker 1: absolute distress.
Speaker 2: Having served in the war.
Speaker 1: Yeah, exactly, having seen things. He's seen nothing. The whole point,
Speaker 1: he's seen nothing. He's an idiot, Leanna.
Speaker 2: You've also said I'm upset that you didn't didn't completely
Speaker 2: disagree with.
Speaker 1: Actually, I understand where actually is coming from, and I
Speaker 1: also completely understand how he's not at all your type.
Speaker 2: Thank you, Okay, but unfortunately he is the shape of
Speaker 2: your type. Leon changed so much about myself. Yeah, you've said,
Speaker 2: what a rat seasoning your soup? And you wrote Linguini
Speaker 2: nervously throwing spices into a pot is me trying to
Speaker 2: make dinner. This is the scene where Remy decides to
Speaker 2: try to fix the soup that Linguini has colonized.
Speaker 1: My. I.
Speaker 2: I love that imagery of you, and I just was like,
Speaker 2: imagine you are in your home, you are preparing a dish.
Speaker 2: You'd step away for a moment, and you come back
Speaker 2: to see at the corner of your pot a rat
Speaker 2: having the time of It's like, no, no, no, this
Speaker 2: is wrong. The rat makes direct eye contact with you,
Speaker 2: and let's go of a handful of herbs that go
Speaker 2: into your soup.
Speaker 1: What would you do? What would you do? Yeah, if
Speaker 1: a rat is I wonder how long it would take
Speaker 1: for me too, I kind of fast. I feel like
Speaker 1: you wouldn't notice it. I certainly wouldn't. It's I certainly wouldn't.
Speaker 1: There's a lot I don't notice for a long time.
Speaker 1: It concerns me.
Speaker 2: Do you ever have a delicious meal that you didn't
Speaker 2: expect to be that delicious?
Speaker 1: Huh? You mentioned it? Where I go somebody, it feels
Speaker 1: like something added some seasonings in here. Someone seasoned this,
Speaker 1: almost as if I have sort of a guardian angel
Speaker 1: of sorts. That's very small. Also, can one someone's pause
Speaker 1: we're in this, Can we talk about also how we
Speaker 1: always think about how there's a rat controlling that man
Speaker 1: in ratitue, but we don't think about how there is
Speaker 1: a ghost influencing the rat who is controlling the man.
Speaker 2: I forgot it's just Remy's imagination.
Speaker 1: But I forgot how omnipresent he is, how consistently he
Speaker 1: is there at the conscience. But I thought he likes
Speaker 1: or twice, But he's there, really is the whole time
Speaker 1: being like, do it, do it?
Speaker 2: Doing gogle, He's either going do it or don't do that.
Speaker 1: Don't do that? Come on, come are they're both being puppeteered.
Speaker 2: Wow, that's an interesting analysis. Thank you.
Speaker 1: Okay, here's some notes from Leona. As the movie begins,
Speaker 1: you said, yes, Remy bite him. Yes, this is when
Speaker 1: they were doing their first before they'd figured out the hair.
Speaker 2: Yeah, when you slapping at Remy and Remy bites him
Speaker 2: every time, I said, sleigh.
Speaker 1: Okay, Leoni, you've also said yeap. First of all, yep, yep, agreed.
Speaker 1: But before that, you said, the beginning of the end
Speaker 1: for this guy, demise imminent.
Speaker 2: Oh my gosh. The chef, the head chef of the restaurants,
Speaker 2: truly in a different film from everyone else in a
Speaker 2: horror film. He's being gas lit and haunted by the
Speaker 2: specter of a rat.
Speaker 1: Oh my gosh. Later too, when the health inspector gets
Speaker 1: tied up in a bunch of rats storm like a wave. Yeah,
Speaker 1: they storm his car.
Speaker 2: I was like this January horror of his vehicle. It
Speaker 2: was nuts.
Speaker 1: Yeah, that was a horror film as well. But yeah,
Speaker 1: the skinner chef Skinner, chef skinner. Yeah, he has to
Speaker 1: deal with a lot. Okay, Leoni, you've also said American
Speaker 1: man fails upward. Yes, this film is about a man
Speaker 1: failing upward. I'm sorry. I know we all end up
Speaker 1: happy for him too when he ends up taking over
Speaker 1: the restaurant. But this guy comes in, starts cooking well
Speaker 1: because the rat is able to control his arms, only
Speaker 1: learns how to do kitchen stuff correctly because a woman
Speaker 1: teaches him. Yeah, and then he just gets the restaurant
Speaker 1: because turns out he's the spawn of the owner literal
Speaker 1: nepo baby, terrible, terrible. I know that she ends up
Speaker 1: falling for him, but it would be really hard to
Speaker 1: be in the same kitchen as this man.
Speaker 2: Oh my god, I hate him so much. Like the
Speaker 2: intern who are like the pa who gets the job
Speaker 2: because he's the son of Yeah, he's the war he's
Speaker 2: a Warner brother.
Speaker 1: Leanna, you said it's fucked up to make the only
Speaker 1: woman in the kitchen train the man.
Speaker 2: I know, I don't like this dynamic at all.
Speaker 1: And then you've also said, yes, queen stab him.
Speaker 2: I was going that as well.
Speaker 1: This movie, I love it so much and it's from
Speaker 1: a wonderful time, but it does feel like I don't
Speaker 1: remember when this came out, but it felt like the
Speaker 1: Obama years where we were like everything is good, everything,
Speaker 1: we figured everything out, and we know we understand life.
Speaker 1: It's that, yeah, you need to understand people who are
Speaker 1: different than you as long as they're a rat who's
Speaker 1: exactly like a human, which is to say it's this
Speaker 1: person's exactly like us, but different in a way we
Speaker 1: can understand. It's very cute and accessible, non threatening, and
Speaker 1: then you know, like it just it just speaks to
Speaker 1: sort of the way the world was seen at the time,
Speaker 1: and so it's like the woman still has to do
Speaker 1: all the work. There's still a few racial moments where
Speaker 1: you go, wait, very very very slight ones.
Speaker 2: Yeah, yeah, but.
Speaker 1: Like certain positions that people are filling in the kitchen
Speaker 1: and those who are famous, it's like the white guy
Speaker 1: fails upward and then like the rat is the one
Speaker 1: other we can truly accept because we've created him and
Speaker 1: he's cute.
Speaker 2: They're like, anyone can cook, not women, but certainly thought,
Speaker 2: yeah exactly.
Speaker 1: The woman actually doesn't really know what she's talking about.
Speaker 1: She keeps having these ideas, but the rat is right.
Speaker 1: And by the way, the rat is white.
Speaker 2: Yeah, the rat is paton Oswalt. So yeah, anyway, it
Speaker 2: really it really got my goat that she's taking Alfredo
Speaker 2: that and also that Remy and Alfredo are both American accents,
Speaker 2: Like why just do the lame is thing where the
Speaker 2: French people are English but a very inclassive, right, Yeah,
Speaker 2: and I guess Lanquini's supposed to be Italian.
Speaker 1: I don't know. I don't know why they look like that.
Speaker 1: They made Linguini whatever they wanted, and then they were like, oh,
Speaker 1: he's also going to be the son of this guy,
Speaker 1: and we'll just say there's no resembl and also will
Speaker 1: make him Italian. So his name is Linguini, Alfredo Linguini,
Speaker 1: even though he's just some guy from America, a random guy.
Speaker 1: He's guy from in your comedy class in America.
Speaker 2: Oh my god, Siena, you wrote, imagine you keep seeing
Speaker 2: your least favorite coworker being secretive with a rat. This
Speaker 2: poor head chef is genuinely in a film. He's in gaslight.
Speaker 1: He's like, dude, I swear I saw you talking to
Speaker 1: a rat just a second ago.
Speaker 2: Oh my god.
Speaker 1: No one believes him. But like, what would you do?
Speaker 1: You imagine true, imagine your least favorite coworker, the most
Speaker 1: annoying person.
Speaker 2: Yeah, gosh, I won't say anything.
Speaker 1: But the other day I was on a set with
Speaker 1: somebody who bothered me so much, and if I turned
Speaker 1: the corner and I saw this person plotting with a rat, scheming, scheming. Yeah,
Speaker 1: no one believes me. And also I'm like, are you
Speaker 1: kidding me? Of course, you're only here because you're friends
Speaker 1: with some rodent, right.
Speaker 2: Yeah. In a lot of ways, I do wish my
Speaker 2: body could be controlled by a rat, Like when I
Speaker 2: have to get ready for bed and I don't know,
Speaker 2: oh my god, could just scamper up and use my
Speaker 2: hair to go get me to brush my teeth and
Speaker 2: wash my face.
Speaker 1: This guy gets to go to work and literally turn
Speaker 1: on autopilot. He just sits there.
Speaker 2: And to me, this is the plot of Severance, a
Speaker 2: show I have not seen.
Speaker 1: It is kind of like that. Yeah, oh yeah, yeah,
Speaker 1: I haven't seen Severance. But it sounds good. I mean,
Speaker 1: I've seen ratittuy, so you.
Speaker 2: Know, yeah, I've pretty much seen it. I've got it.
Speaker 1: Leanna, this is a great point. You said, sorry, they
Speaker 1: could do DNA testing in the fifties.
Speaker 2: What year?
Speaker 1: The year is confusing.
Speaker 2: It's cute the fifties, yeah, but then when but it's
Speaker 2: also still open tottle of wine. He says, it's a
Speaker 2: sixty one.
Speaker 1: It's so hard to tell in Oh yeah, m hm,
Speaker 1: great point. Okay, thank you, Well, that would be the
Speaker 1: thirty one. And then also and then they're doing DNA
Speaker 1: testing anytime things are in the in Europe, you go, well,
Speaker 1: maybe it's just European, right, especially like an American take
Speaker 1: on Europe. We're like, well, it's just charming. It's charming, right,
Speaker 1: the fifties. But then some of my type.
Speaker 2: Years ago, it could be European.
Speaker 1: Yeah, then they're the typewriter, and you're like, maybe European,
Speaker 1: old old money British. And I don't know when that
Speaker 1: Vespa's from, but the idea of this woman in the
Speaker 1: countryside being on a TV of that sort is like,
Speaker 1: that could literally be from any year. We don't know,
Speaker 1: because she's like an old one his code.
Speaker 2: In his apartment as well. Right, it's like maybe he's
Speaker 2: just got an old TV.
Speaker 1: Yeah, they get they keep it vague, they keep it.
Speaker 2: But the DNA testing was a bit I'm sorry, damning.
Speaker 1: Linguini does not exist in any year, but twenty ten.
Speaker 1: He has the vibe of a twenty ten loser. Yeah,
Speaker 1: maybe the.
Speaker 2: Who will be just fine.
Speaker 1: Yeah, Leoni, you said my favorite meal bread cheese and
Speaker 1: red grapes. Do you like that?
Speaker 2: I love that?
Speaker 1: It is delightful.
Speaker 2: That's most of what my family eats. Really, we're kind
Speaker 2: of like a colony of rats in that way.
Speaker 1: Oh wait, I forgot to do something press record. I'm sorry,
Speaker 1: my no, no, but good question.
Speaker 2: My biggest fear.
Speaker 1: I I tried to include this photo, but I forgot
Speaker 1: to make sure that I got it onto the Google doc.
Speaker 1: Hold on one second.
Speaker 3: Oh ah, I laugh every time this happens.
Speaker 1: It's really fun.
Speaker 2: My god. Okay, So what Sienna has sent everyone is
Speaker 2: a still.
Speaker 1: Some of the frames of this movie are crazy.
Speaker 2: From the film, it's the scene in which all of
Speaker 2: the rats are in the kitchen. Remy is stealing for them,
Speaker 2: but Alfredo comes in to apologize to Remy, not being
Speaker 2: able to regulate his emotions. And Remy's brother Emil is
Speaker 2: hiding in a bouquet of asparagus, a band around his belly,
Speaker 2: and he keeps reaching out to swallow more grapes hole
Speaker 2: and then he falls off and a wheel of cheese
Speaker 2: lands on and every grape shoots out of him and
Speaker 2: pelts Alfredo in the back of.
Speaker 1: The Kelsey described it to me before we even watched it,
Speaker 1: and then it's exactly what happened as even though I'd
Speaker 1: say it, but he's like, yeah, there's that part of
Speaker 1: the movie that's sort of a climactic moment where Emial
Speaker 1: swallows a comical number of grapes and then a wheel
Speaker 1: of cheese falls on him and all the grapes shoot
Speaker 1: out of his mouth like a gun. That's silly. Photo
Speaker 1: is unbelievable. They really took a moment. Look at his
Speaker 1: little hands body, he's so full of grapes, covered in
Speaker 1: a halo of asparagus, and then a giant wheel of cheese.
Speaker 1: It's really quite when I make a mistake, I feel.
Speaker 2: Like a rat filled with grapes.
Speaker 1: Everyone's fallen off the shelves and it's a wheel of
Speaker 1: cheese has fallen on me, and I'm bringing disgrace onto
Speaker 1: my f.
Speaker 2: By shooting grapes out of my mouth at the back.
Speaker 1: Of a weak idiot. This picture is with a skirt
Speaker 1: of a spara. This picture is the the portrait of disgrace,
Speaker 1: A portrait of disgrace. You know, if they were to
Speaker 1: do another, if they were to do another inside out movie,
Speaker 1: this would be disgrace. I can't even look at it.
Speaker 1: Oh my god, he's so big. Pass he ate the
Speaker 1: most grapes, every grape in the kitchen anyway, So that's
Speaker 1: sort of your family cheese and red grapes.
Speaker 2: Honestly, that is how I feel when I've filled up
Speaker 2: on bread, cheese and red grapes before dinner, like at
Speaker 2: Christmas times. Because he's already round to begin with, and
Speaker 2: then he's filled with little round objects and the giant
Speaker 2: round object lands on him. Little round object shoot out
Speaker 2: of the medium round rat to hit the round head
Speaker 2: of the weak idiot. Oh, it's all I see when
Speaker 2: I close my eyes. Did you just turn around and
Speaker 2: a rat is seasoning your suit? Take a few minutes
Speaker 2: to stretch because you're about to be moving around a lot.
Speaker 2: We'll be right back Oh my gosh.
Speaker 1: Yea Leanna who said anyone saying my documents sounds unhinged.
Speaker 1: I love that. Actually one of my documents a rat
Speaker 1: running off with your documents? Hey, rat stone document? What
Speaker 1: story my documents get that rat rat? He has my document?
Speaker 2: Just stop saying my documentary rattattoo.
Speaker 1: Remy the Ratitude.
Speaker 2: Is about to ask if you watched the TikTok musical
Speaker 2: The Radical, My dream My Dreams. I only know that
Speaker 2: part of that song. Of the rest of it, Okay,
Speaker 2: Rey the.
Speaker 1: Reatitude, we made the world remember your name?
Speaker 2: Are you sure?
Speaker 1: That's all I know. I'm I don't know.
Speaker 2: I feel like you're about to burst out with a remytitude.
Speaker 1: That's all I know. Siena.
Speaker 2: You wrote the Life of a Rat is a perilous one.
Speaker 1: That's what I kept thinking. I'm like, there make no
Speaker 1: good points about how this Life of a Rat, because
Speaker 1: it is one reason that this movie is very fun
Speaker 1: is that it is an action film, and it is
Speaker 1: necessarily an action film. What did you I was thinking
Speaker 1: about how as far as Pixar movies go, this one
Speaker 1: is really like, it's like running, he's running, he's running,
Speaker 1: He's he's he's swooping, he's avoiding. That's so much of it.
Speaker 1: Chase scene, multiple and guns. Yes, and it's because we
Speaker 1: understand that as a rat, he is in danger all
Speaker 1: the time. He's on the run. He is simply on
Speaker 1: the run because he is a rat.
Speaker 2: Okay, so Skinner, So Alfredo is in the film Ratitui
Speaker 2: Skinner is in the film Gaslight, and Remy is in
Speaker 2: the film The Bourne Ultimatum.
Speaker 1: Wait what happens in that?
Speaker 2: I don't know. I just know it's an action film.
Speaker 1: Then, exactly, there are so many there are so many
Speaker 1: genres happening. We have French movie. We have French love story,
Speaker 1: which is that you're going with the wrong man. Want
Speaker 1: to shoot he want to shoot him, he want.
Speaker 2: To shoot at him, but you keep kissing him.
Speaker 1: We have action film Slash the Bourne. What is it again?
Speaker 2: It's it's a trilogy. Actually, so there's the Born Identity,
Speaker 2: the Born Ultimatum and one other the Born Documents. Oh yeah, do.
Speaker 1: I know that? I don't know.
Speaker 2: I think that's right.
Speaker 1: Oh my god, that our rat is in an absolute
Speaker 1: horror film. Mm hmmm, psychological thriller, psychological horror for anyone else.
Speaker 1: Hanna you've said if I don't love it, I don't swallow,
Speaker 1: and then you've done I emoji.
Speaker 2: I could not believe that line made it in.
Speaker 1: I didn't even think about it that way, but definitely
Speaker 1: many a tween boy seeing this film was not gonna want.
Speaker 2: That go only thing I thought about, if I don't
Speaker 2: love it, I don't swallow. He didn't even say swallow it.
Speaker 2: He said swallow.
Speaker 1: I was like, my dude, it's why he's so skinny.
Speaker 2: Yeah s guiney legend, Skuy legend, Guinea legend. Did you know?
Speaker 2: Do you know who voices him?
Speaker 1: No, Peter O'Toole, Petro toool, Oh, I guess Laurence.
Speaker 2: Is anton Ego.
Speaker 1: We've now seen him twice. Lorens of Arabia and star
Speaker 1: Dust Wait Star Yeah Dust, which was obviously not on
Speaker 1: AFI's list, but was.
Speaker 2: On Star.
Speaker 1: Dust.
Speaker 2: Patreon toon Peter O'Toole, great voice.
Speaker 1: Leanna, you said rata tui it's a peasant dish okay.
Speaker 2: Collette is classiest. She was being a bit problematic here.
Speaker 2: Towards the end she goes to slap her partner. I
Speaker 2: was like, oh my god, you can slap.
Speaker 1: Them before, but now you're dating and that is domestic yikes.
Speaker 2: And then she's classist about ratatui. Uh huh No, I
Speaker 2: just don't trust her opinions. Yeah, I worry about her worldview.
Speaker 1: Yeah it's true, But you did.
Speaker 2: You made a good point here. You wrote, imagine the ick.
Speaker 2: You've been dating this guy for months and I just
Speaker 2: found out about his rat thing.
Speaker 1: Like, I'm sorry. You know that they've they've been dating
Speaker 1: long enough that they've had like nights of real like
Speaker 1: emotional intimacy and like discussing their past and his mom.
Speaker 2: He didn't know his controlling him during that.
Speaker 1: Okay, I never taught. She's like, you've been wearing your
Speaker 1: chef hat.
Speaker 2: All this time.
Speaker 1: Oh my god. It's just like, this is a big
Speaker 1: part of your experience is that you have this whole
Speaker 1: rat thing going on, and you haven't talked to me
Speaker 1: about it. Like we've been talking about working here. You
Speaker 1: haven't been working. You've been just getting controlled by a
Speaker 1: magical rat. Yeah, by this gifted rodent.
Speaker 2: Leono.
Speaker 1: Your final note is makes me want to go to
Speaker 1: a yep, to a potisserie real bad. I would love
Speaker 1: some amazing bread right now.
Speaker 2: Yeah, yeah, it makes me want a hot dog real bad.
Speaker 2: I wanted to go to a potisserie so bad at
Speaker 2: the end of this because even the credits are stunding
Speaker 2: and there's one one sort of screen of them where
Speaker 2: it's just cakes.
Speaker 1: I want a delicious I want to put four four.
Speaker 2: Yes, I want to honk and slice of cake. I
Speaker 2: really do. Mm hmm, well the honor.
Speaker 1: Should we move on to our next segment? Yeah, because
Speaker 1: I really can't wait to eat some bread. Oh.
Speaker 2: I love that. Oh I'm made here as anonymous bad oh. Oh,
Speaker 2: welcome everyone to Badges and Tragy is where we award
Speaker 2: badges for bread that looks delicious and tradges for taking
Speaker 2: your frustration out on your tiny adorable rat friend.
Speaker 1: Ah.
Speaker 2: Yes, I have a badge for I love a specific font.
Speaker 1: Oh. The style in this movie was great, really good.
Speaker 1: I have a badge for food, food, food, food, food.
Speaker 1: This is a food movie. This is a food movie,
Speaker 1: and it's big time, excellent, the whole time, huge food film.
Speaker 2: Badge for it. These rats are so cute.
Speaker 1: Yeah, they are really cute. I love the design of
Speaker 1: the rats as well. I have a badge for windows sitting.
Speaker 1: We even noted this during Paddington too, but he also
Speaker 1: has a little nook by the window where he gets
Speaker 1: to look at everything, and he sleeps on a little
Speaker 1: oven mid and then later.
Speaker 2: He that is something I love for the oven so much.
Speaker 1: Yes, having a life made of little thing plus food,
Speaker 1: it really makes this movie a movie for somebody like me.
Speaker 2: Who would you most want to be in the film? Ratitude?
Speaker 2: And is it the rat?
Speaker 1: I think so? Yeah, Yeah, I think it'd be remy.
Speaker 2: Yeah, I get that.
Speaker 1: What about you?
Speaker 2: Probably Linguini again, just to have somebody else controlling my movement? Okay,
Speaker 2: we can fully seed control, yield control. A badge for
Speaker 2: a skeleton outline when struck by lightning. I love I
Speaker 2: always think that's fun.
Speaker 1: Perfect bit uh badge for oh, like I was saying,
Speaker 1: the tiny items having a tiny world, like later when
Speaker 1: they're drinking out of a cute and when you go
Speaker 1: to the rat colony and they're like drinking out of
Speaker 1: toothpaste cap and stuff like that, and when all the
Speaker 1: rats get washed in the dishwasher and they're all fluffy
Speaker 1: when they come out.
Speaker 2: I freaking loved that. I love you so much. A
Speaker 2: badge for his little smile when he presents the omelet.
Speaker 3: Oh, oh my god, badge for here's one thing I
Speaker 3: didn't remember from the movie so well that I really
Speaker 3: really loved badge for the strong rat, the extra strong
Speaker 3: buff rat.
Speaker 2: Actually literally was like, why is that right hot? I said, no, I.
Speaker 1: Wouldn't say that. My perspective was that that rat was
Speaker 1: so hot.
Speaker 2: But no, I was that would be your type.
Speaker 1: Yeah.
Speaker 2: Yeah, he's burly for sure. When he's tenderizing the steak
Speaker 2: by punching.
Speaker 1: It, so funny. I laughed every time I saw him.
Speaker 1: He stands so funny.
Speaker 2: He's so big, he's so big, he's so big.
Speaker 1: He has an earring.
Speaker 2: Yeah, that was really funny. Badge for I love when
Speaker 2: he squeaks Whenever Remy was like bumped into something or
Speaker 2: somebody grabbed him or something, and he made a squeak sound.
Speaker 1: Uh huh.
Speaker 2: Yeah, so funny. So a squeaky toy.
Speaker 1: I guess my final badge, which is surprising but final
Speaker 1: specific badges At the end, ego has community. Now it's
Speaker 1: cute that it ends with like and the bad guy
Speaker 1: just needed a little community. He wasn't really a bad guy,
Speaker 1: but the scary guy.
Speaker 2: Yeah. Yeah, A badge for the score the music. Yeah,
Speaker 2: it's beautiful.
Speaker 1: It's just really really If I were to give another
Speaker 1: general badge, it would just be for how beautiful it
Speaker 1: was by the end when they're talking about they're just
Speaker 1: like having that dreamy sequence at the very end where
Speaker 1: Remy kind of goes his own way. It was so
Speaker 1: beautiful I almost started to cry, Oh, nighttime. A badge
Speaker 1: for the line keep your station clear or I will
Speaker 1: kill you. Great badge for I love the phrase hork
Speaker 1: it down. Yeah, can I tell you something eats it
Speaker 1: too fast? I say that a lot, and I didn't
Speaker 1: know it down so much. I didn't know it was
Speaker 1: a phrase.
Speaker 2: I knew it was from Raditui.
Speaker 1: That's specifically I also say honk it down. But I
Speaker 1: think I've been trying to say hork it down, hork
Speaker 1: it I didn't know hork it down perfect.
Speaker 2: A badge for Colette's delivery of the line what do
Speaker 2: you mean? She was like, just spit it out. What
Speaker 2: are you talking about? A badge for his little bed
Speaker 2: in the new apartment apartment. A badge for it this
Speaker 2: movie is fun. It is fun, fun because for a film,
Speaker 2: fun sequence. And then my final badge is a badge
Speaker 2: for I love that Remy washes his hands with a
Speaker 2: dew drop, so there's one little drop of water.
Speaker 1: So cute, so cute to trages, Yes, trag is My
Speaker 1: first tradge is not getting to eat the delicious bite.
Speaker 1: I hate cartoons to do this.
Speaker 2: I have a trage for. I hate when the character
Speaker 2: doesn't get to eat what they wanted to.
Speaker 1: Eat the omelet moment, and then he's hungry later.
Speaker 2: Yes, unacceptable, unacceptable.
Speaker 1: Uh, this is a trage. But it was quite enjoyable,
Speaker 1: I said, trag for the accents. I don't think anyone
Speaker 1: had an actual French accent, which is funny I had.
Speaker 1: I do enjoy when actors do things in just an
Speaker 1: okay way. But mm.
Speaker 2: Trage for all the times that Remy was sad or scared.
Speaker 1: Oh yeah, I hated that.
Speaker 2: Could not could not deal.
Speaker 1: I hate feeling sad for characters like that. I have
Speaker 1: a trage for How do I put this?
Speaker 2: Uh?
Speaker 1: I wrote racially unclear moments? Lol. Here's some things that
Speaker 1: I noticed. For example, we were laughing at the They
Speaker 1: have all the different versions of Gusta. I don't think
Speaker 1: anything was part reticularly crazy offensive. They do have Mexican
Speaker 1: Gusto talk. They make a point not to have Chinese Gusta.
Speaker 2: I was watching. I was like, oh, boys, and I'm like,
Speaker 2: that's gonna know.
Speaker 1: This is a perfect way to embody this era where
Speaker 1: they're like, Okay, we're figuring out which ones to do
Speaker 1: and which ones not to, but we're.
Speaker 2: Gonna put it here anyway.
Speaker 1: And then the one black chef uh says something about
Speaker 1: juju and it was just like, Oh, I don't know,
Speaker 1: you guys. You you didn't put any you didn't put
Speaker 1: enough people in this to make us feel confident about
Speaker 1: your choices such that I would just steer clear of
Speaker 1: stuff like that.
Speaker 2: Yeah, you know what I mean.
Speaker 1: It's like the one character. The two characters who get
Speaker 1: to be raised up in this are Linguini. Yeah you said,
Speaker 1: like the most American guy and then an American rat.
Speaker 2: An American rat, you know what I mean.
Speaker 1: So anyway, Yeah, I'd say that it's more of like
Speaker 1: a relic or a perfect encapsulation of its time, which
Speaker 1: is a time where we're like, we figured race out,
Speaker 1: don't worry about it.
Speaker 2: Yeah, we've got it, you guys. Yeah. I have a
Speaker 2: trage for a gas at Gusta doing a Mexican accent.
Speaker 1: That's so funny and then uh, I think my biggest
Speaker 1: trage is I did not before this watch notice Linguini's
Speaker 1: little goateea.
Speaker 2: I hate it.
Speaker 1: It's so gross, but terrible amount of little hairst.
Speaker 2: Very related trage for Linguini is punching hard. Do you
Speaker 2: know this phrase? Punching? No, it's very like that person
Speaker 2: is out.
Speaker 1: Of your league.
Speaker 2: Oh yeah, yeah, and oh my god, he knows out
Speaker 2: of his depth? What is called that doing with him? No?
Speaker 1: No, girl, no, it's hard to meet people when you
Speaker 1: have a job like that.
Speaker 2: Terrible, I think an overall trage for I will never
Speaker 2: eat the food that is in this film.
Speaker 1: Yeah, I want to try a bite of that hot ratitui. Also,
Speaker 1: why didn't they bring him more food while he was
Speaker 1: waiting there? They gave him like three bites of vegetables
Speaker 1: and then he has to sit there drinking two bottles
Speaker 1: of wine until the sham can come out.
Speaker 2: Yeah, he was fine with that. I think that's a
Speaker 2: normal day for him.
Speaker 1: He's a foodie. He only eats the good things. If
Speaker 1: I don't like it, I don't don't swa, don't love it.
Speaker 2: He can't don't say that. He cannot just say, oh
Speaker 2: my gosh, well that's rollerblade. Yeah, let's roller blade into
Speaker 2: our next segment. How to pretend you've seen this film?
Speaker 2: This is for you are at a restaurant perusing the menu.
Speaker 2: You're at Gusta's French gourmet restaurant, perusing the menu and linguini.
Speaker 2: Alfredo roller blades up to you and says, good evening everyone.
Speaker 3: You know.
Speaker 2: I'm sorry to share this, but I have to say
Speaker 2: this really reminds me of a film. And before I
Speaker 2: get you started with your starters, I'd love to start
Speaker 2: by actually speaking with you about the film. It's called Ratitude.
Speaker 1: And in order to stop uh, which word dog you
Speaker 1: linqueni Alfredo? Oh, and in order to stop Alfredo uh
Speaker 1: from serving you things you don't need to know. Yeah,
Speaker 1: here are a few things you can say to pretend
Speaker 1: you've seen the film Ratatui. Okay, here's some rat facts. Yes, Alfredo,
Speaker 1: I have seen the film Ratatui. Some facts about this film.
Speaker 1: First of all, pet rats were kept at the studio
Speaker 1: in the hallway for more than a year so that
Speaker 1: animators could study their movements and for noses, ears, pause, tales,
Speaker 1: et cetera. And also, marketing tie ins were difficult for
Speaker 1: this movie because no food company wanted to be associated
Speaker 1: with the rat.
Speaker 2: Oh that's dang. Yes, Alfredo, I've seen rad Towy and
Speaker 2: I would strongly advise you don't keep talking to me.
Speaker 2: You're not you don't know what I'm capable of.
Speaker 1: And he's like, what do you mean?
Speaker 2: And I say, I killed a man with this dumb
Speaker 2: best line.
Speaker 1: Yes, this is interesting. Yes, Alfredo, I have seen the
Speaker 1: film ratitouey Here's This was apparently Anthony Bourdain's favorite food
Speaker 1: centric movie. And some of the things he says are
Speaker 1: things that I think we probably both we were trying
Speaker 1: to put about how spot on there about food, how
Speaker 1: real it feels. He says, they got the food, the
Speaker 1: reactions to food, and tiny details, right down to the
Speaker 1: barely noticeable pink burns on one of the character's forearms.
Speaker 1: I noticed that this time. Did you notice that Colette
Speaker 1: has burns on her arms? I did not. Yeah, I
Speaker 1: did not notice that any other time. I thought it
Speaker 1: captured a passionate love of food in a way that
Speaker 1: very few other films have. True. Oh, I also forgot
Speaker 1: to put in my badges. Oh, I wonder where I
Speaker 1: wrote it. That. Uh, the sparks around Remy's head when
Speaker 1: he's eating.
Speaker 2: I love that symphony moment.
Speaker 1: Yeah, the symphony moment and then showing it when his
Speaker 1: brother like can't get it as much. I just thought
Speaker 1: that was so artful and cool. Hmmm.
Speaker 2: I forgot to put a badge for I think this
Speaker 2: is the best the animation has been. I think animation
Speaker 2: has not been this good since, and it wasn't this
Speaker 2: good before.
Speaker 1: Yeah, they got they had fire water animals, like everything's
Speaker 1: so difficult to animate food and perfectly.
Speaker 2: The fur of the animals was so perfect.
Speaker 1: This is a movie too where you're like, oh, it's
Speaker 1: really benefited from being in this style versus it just
Speaker 1: being like, I don't know, it's kind of the default
Speaker 1: to do this CGI style.
Speaker 2: Now.
Speaker 1: Yeah, this is one where it's like, oh wow, it's
Speaker 1: really amazing because it's a lot of people and then
Speaker 1: a lot of rat and cartoonishness.
Speaker 2: It's beautiful.
Speaker 1: It's beautiful.
Speaker 2: And then I hop out of that conversation I'm having
Speaker 2: with my woman friend and I turned to Alfredo and
Speaker 2: I say, yes, that's right, Alfredo, two women talking about
Speaker 2: film Welcome to Hell.
Speaker 1: Yes, Alfredo, I have seen the film Ratitu et fun fact,
Speaker 1: and this is how it's written on the trivia site.
Speaker 1: To find out how to animate the scene where the
Speaker 1: head chef is wet, they dressed someone, just someone, they
Speaker 1: don't say who. They dressed someone in a chef suit
Speaker 1: and put him in a swimming pool to see what
Speaker 1: parts of the clothing stuck to his body and which
Speaker 1: parts you could see through. Imagine being the guy that
Speaker 1: they dress up and then being completely unnamed. Even in
Speaker 1: the trivia of court. It's some like Pa or something's assistant.
Speaker 1: We put someone in a chef suit.
Speaker 2: They're like, we need you to go buy a fit,
Speaker 2: and then we need you to put on the chef's
Speaker 2: outfit and get in the pool.
Speaker 1: Oh my gosh. This was in France. This movie broke
Speaker 1: the record for the biggest debut for an animated movie.
Speaker 1: That's cute. I'm happy they like it in France.
Speaker 2: This little rat is so cute.
Speaker 1: Yeah, this rat is so cute.
Speaker 2: So just a little guy.
Speaker 1: Yeah.
Speaker 2: In order to stop Alfredo from speaking further at me,
Speaker 2: I just show him the photo of a meal with
Speaker 2: full of grapes and he laughs and hard to the conversation.
Speaker 2: He has to rollerblade back into the kitchen to collect himself.
Speaker 1: Now that you have finished with Linguini, now that you've
Speaker 1: finished with Alfredo and dumped him in the trash, we
Speaker 1: can move on to our next segment, which is, of course,
Speaker 1: should you watch this or where we tell you if
Speaker 1: you should watch this film or if you should do
Speaker 1: something else with your time. Leanna, what do you think, honestly?
Speaker 2: Have at it? You can watch Ratititui. But what you're
Speaker 2: gonna need to make sure you also do is have
Speaker 2: something very delicious on hand. And I would recommend a
Speaker 2: fresh I get and some cheese and red grapes because
Speaker 2: those are so featured in the film that you're gonna
Speaker 2: want to eat them at some point soon after. But really,
Speaker 2: whatever floats your tummy boat, I need.
Speaker 1: To figure out what I'm gonna eat after this.
Speaker 2: Oh, I'm so excited for you. I have leftovers from
Speaker 2: my roast.
Speaker 1: I'm gonna I really walk it down, work it out.
Speaker 1: I really want that Gino Alfredo, Betechini, Alfredo, I love that, Sianna.
Speaker 2: What would you say?
Speaker 1: I would say, you can watch this movie. To be honest,
Speaker 1: I really remembered liking it, but I wasn't like so
Speaker 1: so excited to watch it just because I'm like, oh,
Speaker 1: I've seen it before and it's cute, but you know,
Speaker 1: it might be kind of long. And it was just
Speaker 1: like so much more magical and entertaining than I even
Speaker 1: remembered it. So I would recommend it. It's a really
Speaker 1: really nice little watch. It's very beautiful and yeah, and
Speaker 1: I agree with Leanna that it's it's a kind of
Speaker 1: amazing moment of animation that still holds on.
Speaker 2: Mmmm hmmm, Sianna, what would you rate the film? Rataituey?
Speaker 1: Oh gosh mmmm, ratituy is so good. I guess I'm
Speaker 1: gonna give it like this movie is really good. Yeah,
Speaker 1: I don't know.
Speaker 2: I guess i'll give it like.
Speaker 1: I'm going to give this film. I'm gonna give it
Speaker 1: four point eight buff rats out of five. I love it.
Speaker 1: I love every second. I don't even know why I'm
Speaker 1: giving it not perfect. It's like there were some things
Speaker 1: like I don't know, that's that's what because that's what
Speaker 1: my heart feels. Yeah, Leanna, h what would you rate it?
Speaker 2: I I will give Ratituey four point five little clasped
Speaker 2: pause out of five. Whenever he clasped. His pause was
Speaker 2: so cute. It's so cute, it's beautiful, the food is
Speaker 2: so delish. It loses that half point just because that
Speaker 2: woman is not ending up with that man in real life,
Speaker 2: and that man failing upward is so annoying.
Speaker 1: Oh my god, it feels too real. Hmm.
Speaker 2: I think that's it. Yeah, yeah, and I just it's
Speaker 2: I don't want to watch an animal be sad for
Speaker 2: even a second. Yeah, not even for one second ever.
Speaker 2: But oh fantastic.
Speaker 1: Well, everybody that has been ratatouey, we watched ratatuwey and
Speaker 1: it was really good.
Speaker 2: Yeah, freaking slapped slap a too.
Speaker 1: Thank you so much for listening. We are Toss Popcorn.
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Speaker 1: be watching.
Speaker 2: Lady Chatterley's Lover Who.
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Speaker 2: A biento.
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Speaker 2: Oh I want them to be my phone background. I
Speaker 2: love it so much.
Speaker 1: It's really Crael. Okay, Oh my god, he looks like
Speaker 1: a batwhere else.
Speaker 2: Oh he looks like a ceremonial bat.
Speaker 1: Oh it's amazing.
Speaker 2: I'm sorry, I'm still looking at it. I zoomed in.
Speaker 1: Also the the fact that the caption is the most
Speaker 1: honorable Terrible Friend