WEBVTT - Ratatouille: Culinary & Grapes

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<v Speaker 1>Toss Popcorn is a production of iHeartRadio, I.

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<v Speaker 2>Don't Jamappelle, Leanna Holston and I'm Sienna Jacob and Bionvenue

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<v Speaker 2>to Toss Popcorn, the podcast where two idiots watched every

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<v Speaker 2>film on the American Film Institutes one hundred Greatest American

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<v Speaker 2>Movies of all time, the very slightly less racist tenth

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<v Speaker 2>anniversary edition and are now following our bliss.

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<v Speaker 1>We really are. This podcast is a safe kitchen for

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<v Speaker 1>people who don't know anything about movies. Today we're watching

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<v Speaker 1>Rata Tuey.

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<v Speaker 2>What are you eating? I don't really know that.

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<v Speaker 1>We decided we should watch shortly after the American election.

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<v Speaker 1>We said, maybe we should watch rat of Touey.

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<v Speaker 2>And you have much we love for food and film.

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<v Speaker 1>Oh my god?

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<v Speaker 2>Really came about.

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<v Speaker 1>Warning there will be spoilers about this ratty old film

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<v Speaker 1>slash recent I don't know. Yeah, well, shall we start

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<v Speaker 1>with our predictions?

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<v Speaker 2>I think we shall.

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<v Speaker 1>Let's do yours. Who's that?

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<v Speaker 2>Hi, Sienna, it's Leanna. I'm about to watch Rata Tooey.

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<v Speaker 2>I have not seen this film in arguably over a decade,

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<v Speaker 2>but I predict delish food, a bunch of rats and France.

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<v Speaker 1>Yep. Love you by. I love that. I heard a

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<v Speaker 1>little right before the thing starts.

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<v Speaker 2>My h my boy friend, No, I'm kidding. That was

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<v Speaker 2>actually a friend of the pod. He was saying because

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<v Speaker 2>we watched it together and he was I. I was like, oh,

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<v Speaker 2>I have to go record my prediction. He was like, oh,

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<v Speaker 2>it's so exciting to see how the sausage gets made.

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<v Speaker 2>So what you're is the tail end of the word mad,

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<v Speaker 2>and so in the middle of his yeah, I'm like

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<v Speaker 2>walking away. Actually he's talking, I'm like, yeah, okay, bye,

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<v Speaker 2>I got to do this.

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<v Speaker 1>Okay, let's listen to my prediction, shall we?

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<v Speaker 2>Yes?

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<v Speaker 1>Hi, Leanna, this is sing I'm about to watch Rata twee.

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<v Speaker 2>Is a retainer recording I took out and I took

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<v Speaker 2>out one of them just for you number of times,

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<v Speaker 2>not the bottle, that little rat cook.

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<v Speaker 1>I thought it would be enough.

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<v Speaker 2>I hope it gets to the to the part at

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<v Speaker 2>the restaurant. It's not too stressful. But I know.

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<v Speaker 1>The idea of watching food right now sounds pretty great.

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<v Speaker 2>I'll see you on the other side.

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<v Speaker 3>Bye.

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<v Speaker 1>Yeah, okay, i'd woken up seconds before.

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<v Speaker 2>You sound like Santa flying away in this said bye

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<v Speaker 2>bye bye, Yes.

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<v Speaker 1>Oh, I'm glad we watched this film. I also hadn't

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<v Speaker 1>seen it in about a decade. Yeah, I must say

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<v Speaker 1>I remember it. I must say I was shocked by

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<v Speaker 1>how well I remembered it. I remembered most of the

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<v Speaker 1>lines in the film. Really, I And then I was like,

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<v Speaker 1>why do I remember this and none of my childhood?

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<v Speaker 1>Why is my brain holding onto the dialogue from Ratitui

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<v Speaker 1>but not like any of my school years? Yeah? Well,

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<v Speaker 1>what we're well, no, I guess we'll have to wait

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<v Speaker 1>to hear what kind of lines you remembered?

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<v Speaker 2>Not right?

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<v Speaker 1>But before then, Hey girl, Hey.

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<v Speaker 2>Girl, Hey girl, are you done with that play? Are

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<v Speaker 2>you alive?

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<v Speaker 1>I am done with the play? Oh I am This

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<v Speaker 1>is my first weekend off? Yes, uh, so much and

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<v Speaker 1>so little has happened this last week. We got a

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<v Speaker 1>second fridge. I napped a lot.

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<v Speaker 2>Wait, what do you have a garage fridge?

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<v Speaker 1>Now? No, we have like a second It's sort of

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<v Speaker 1>like a medium fridge. It's kind of like a mini

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<v Speaker 1>fridge but a little bit taller. And okay, I got

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<v Speaker 1>one because we I live with four other people. And yeah,

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<v Speaker 1>I've been overflowing. We've been talking about getting a fridge

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<v Speaker 1>for so long and we finally get it's big news

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<v Speaker 1>in my household, so we have space for all the sauces,

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<v Speaker 1>and now I'm gonna be able to buy juice. You

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<v Speaker 1>could have a.

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<v Speaker 2>Fridge warming party, Oh my gosh, that's a great idea

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<v Speaker 2>thank you, or like a baptism of your new fridge,

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<v Speaker 2>or a christening genius you'd like break a bottle of

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<v Speaker 2>champagne against it.

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<v Speaker 1>Yeah. Well, last night I was celebrating being done with

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<v Speaker 1>the show and my friends went to karaoke. But I

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<v Speaker 1>kind of I ruined my own night. It's okay, it

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<v Speaker 1>could have been a lot. It's honestly fine. It's just

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<v Speaker 1>one of those things where I'm like, oh, I guess

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<v Speaker 1>that was an l because I put on a really

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<v Speaker 1>cute outfit and then like I didn't even go out

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<v Speaker 1>long enough to get a picture of an outfit of

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<v Speaker 1>my outfit. You know, it's like, why did they even

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<v Speaker 1>do this? We went to carry and then I just

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<v Speaker 1>was like, I'm I'm tired, I need to go.

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<v Speaker 2>Yeah, sometimes it's not the night for karaoke.

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<v Speaker 1>Yep. Unfortunately that's what happened. But I'm glad everyone had

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<v Speaker 1>a great time. I'm glad I went for how long

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<v Speaker 1>I did, but it is kind of like, huh, I

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<v Speaker 1>guess that was an l that I took. But now

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<v Speaker 1>I have a cute off at thenegm wore. It's kind

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<v Speaker 1>of Christmasy, so I'll wear for future Christmas things.

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<v Speaker 2>Oh perfect, And.

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<v Speaker 1>I was happy to have my first weekend off from

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<v Speaker 1>this show. Yeah, my skin thanks me because I was

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<v Speaker 1>kind of trudging around in stage water all the time. Anyways,

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<v Speaker 1>speaking of stage, Leonna, how hey girl, and how is

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<v Speaker 1>the One Moment show going? Are you mounting it this week?

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<v Speaker 2>Yes? It is. Holy shit, it will be uh whatever.

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<v Speaker 2>Twenty four times four plus two is hours away? Okay, great,

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<v Speaker 2>that is how many hours away it is? Start the clock,

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<v Speaker 2>let's do that count? Ninety six plus oh my god,

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<v Speaker 2>ninety eight hours. Yeah, in under ninety eight hours, I

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<v Speaker 2>will be mounting a one woman show. Wow, less than

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<v Speaker 2>one hundred hours from now. I am mounting a one

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<v Speaker 2>woman show.

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<v Speaker 1>Yep. You know.

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<v Speaker 2>It's one of those things where I'm just like, Okay,

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<v Speaker 2>well that's it's happening. It's against my will, and time

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<v Speaker 2>is beating my ass, and whatever goes on out there

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<v Speaker 2>is almost it's almost none of my business.

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<v Speaker 1>At this point.

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<v Speaker 2>Yeah, unfortunately, it's entirely my business and it's my career

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<v Speaker 2>and my immigration status as well. But the stakes are

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<v Speaker 2>just so high for it that I've I've shut down,

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<v Speaker 2>like I've I don't have thoughts around it at press

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<v Speaker 2>time totally, but a week when we do, when we

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<v Speaker 2>next do this podcast, it will have happened. That's crazy,

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<v Speaker 2>that is crazy. I'm excited for it. I'm proud of you. Thanks.

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<v Speaker 1>I want to ask so much, but out of respect

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<v Speaker 1>for you, I think I won't thanks unless you are.

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<v Speaker 2>Unless that's okay with you. Do you know you're welcome

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<v Speaker 2>to ask. It's likely I just won't have answers, Yeah,

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<v Speaker 2>but ask away.

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<v Speaker 1>Well, I'm just curious. Are you adding any new material

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<v Speaker 1>in there? Is it mainly that all the just stand

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<v Speaker 1>up you've been doing since you've been here? Have you

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<v Speaker 1>been like, shit, I need to fill twenty minutes. I'm

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<v Speaker 1>going to do some character work or anything like that.

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<v Speaker 2>Yeah, I'm actually doing thirty minutes of Comedia del lte

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<v Speaker 2>traditional Italian clown with masks. No, it's pretty much all

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<v Speaker 2>the stand up I've ever done. What I need to

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<v Speaker 2>write is transitions between the sets to somehow link things together,

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<v Speaker 2>and then the new stuff is like an intro to

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<v Speaker 2>the show about why it's happening and what it is

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<v Speaker 2>and who I am.

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<v Speaker 1>I have some sort of inclusion. Yeah, since the good

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<v Speaker 1>thing that you really have to go off of here

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<v Speaker 1>is that you have You're expressing that you've had to

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<v Speaker 1>create the show within a month, and if you need

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<v Speaker 1>to come up with some transition, you could say, well,

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<v Speaker 1>I've had to make the show in a month, and

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<v Speaker 1>so the transitions are going to be me doing a

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<v Speaker 1>piece of Irish.

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<v Speaker 2>Dance in between. I genuinely thought about I had an

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<v Speaker 2>apology dance.

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<v Speaker 1>Every single every single skill I've ever learned in my

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<v Speaker 1>whole life has to go and juggle at some point.

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<v Speaker 3>Yeah.

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<v Speaker 2>Oh. It takes me like four minutes to get into it,

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<v Speaker 2>and then I can juggle for like twenty seconds. I

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<v Speaker 2>have to do several minutes of practice tosses and that

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<v Speaker 2>I can maintain a juggle for about twenty seconds. But

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<v Speaker 2>anything to fill time, you know, Yeah, well I will

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<v Speaker 2>do every skill on my CV.

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<v Speaker 1>You should do that. Yeah, hey girl, anything else going on,

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<v Speaker 1>I'm assuming that's most of it.

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<v Speaker 2>That's that's the big thing. I feel like my life

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<v Speaker 2>ends this week and I will be reborn. This is coming.

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<v Speaker 2>I think I'm going to get a facial in celebration.

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<v Speaker 2>That's the last time I got a facial. She was

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<v Speaker 2>so mean to me. Yeah, crazy things happened. He just

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<v Speaker 2>got insulted. So I don't know I have offense about that.

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<v Speaker 1>Actually, I'm in a similar place where I'm like time

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<v Speaker 1>to be reborn. But I gotta say now, I've just been.

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<v Speaker 2>Saying, yeah, we both need to be reborn quite soon. Yeah,

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<v Speaker 2>I need something something, Maybe I'll get a massage. Maybe,

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<v Speaker 2>But I got insulted the last time I got a massage.

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<v Speaker 2>To know, she was like it took ninety minutes for

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<v Speaker 2>your muscles to even start to relax. And I said,

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<v Speaker 2>I'm sorry, thank you, thank you, thank you. I'm sorry

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<v Speaker 2>about that.

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<v Speaker 1>Well, speaking of being apologetic as oh yeah, yes, move

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<v Speaker 1>on to talking about the film.

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<v Speaker 2>Perhaps I a synopsis? Oh silvu play Sienna? Could you

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<v Speaker 2>please give us a synopsis of Ratitui?

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<v Speaker 1>Yes, I shall do my best. I started writing it

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<v Speaker 1>and then I went, WHOA, I forgot Pixar movies have

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<v Speaker 1>so many parts.

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<v Speaker 2>I yeah, and you message, you said, I'm writing an

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<v Speaker 2>unexpectedly complex synopsis and I'm intrigued because to me it's,

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<v Speaker 2>you know, rat cooks.

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<v Speaker 1>Yeah, honestly I probably could have just said that, but

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<v Speaker 1>ratitui Paris, France an unclear year, maybe the seventies.

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<v Speaker 2>Thank you for saying that, well, not that part, but yes,

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<v Speaker 2>thank you for okay.

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<v Speaker 1>Remy the rat is a rat with a particularly distinguished

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<v Speaker 1>sense of smell and taste. He wants to cook, and

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<v Speaker 1>he looks up to the famous chef Gusto. He loves

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<v Speaker 1>food and cooking, but alas he is a mangy rat. Meanwhile,

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<v Speaker 1>Linguini is a gauky, red haired loser working as a

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<v Speaker 1>garbage boy at the late Gusta's fancy restaurant. Through a

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<v Speaker 1>series of action packed and endearingly pix our events, Linguini

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<v Speaker 1>and Remy meat discovering that Remy is an amazing cook

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<v Speaker 1>and Linguini is a perfect vessel, which is where we

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<v Speaker 1>famously see Remy that Remy can tug on Linguini's hair

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<v Speaker 1>and wield him as a cooking puppet. They take the Nope,

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<v Speaker 1>they take the Paris culinary scene by storm and put

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<v Speaker 1>Gustau's restaurant back on the map. Linguini tries some other

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<v Speaker 1>things that happened. Our Linguini tries to hide his rat secret.

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<v Speaker 1>Remy has family stuff and rat identity complexes to deal with.

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<v Speaker 1>There's a girl named Collette who's there. Evil chef Skinner

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<v Speaker 1>is trying to catch the rat and catch Linguini is colluding.

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<v Speaker 1>Is that what word? Is colluding with the rat? Uh?

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<v Speaker 1>And also Linguini turns out to be Gusta's son. The

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<v Speaker 1>rats go all the rat colonies, starts going on a

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<v Speaker 1>stealing food spree, et cetera, et cetera, et cetera, And

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<v Speaker 1>in the end the restaurant Wow's a food critic named

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<v Speaker 1>anton Ego with a simple ratituy dish, and everyone lives

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<v Speaker 1>happily ever after in their way, even though Gusta's gets

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<v Speaker 1>shut down because of all the rats in it. Yay

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<v Speaker 1>the and.

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<v Speaker 2>Sianna, thank you for that. The most thorough summary I've

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<v Speaker 2>ever heard you give. That was detailed, everything felt important.

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<v Speaker 1>All of a sudden, it was like, well, I mean,

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<v Speaker 1>I guess it's also important to note that he is

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<v Speaker 1>the son of Gusta, But something about that, I'm like, Pixar,

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<v Speaker 1>what go for it?

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<v Speaker 2>I know there is still not going on.

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<v Speaker 1>You are right, mainly a rat cooks and he is

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<v Speaker 1>on the head of a man. Mm hmmm, well, Leanna,

0:13:11.080 --> 0:13:12.440
<v Speaker 1>shall we get the heck into our phone notes because

0:13:12.440 --> 0:13:13.320
<v Speaker 1>we have a heart out today.

0:13:13.520 --> 0:13:16.480
<v Speaker 2>Oh, let's get the heck in there. This is our

0:13:16.640 --> 0:13:20.439
<v Speaker 2>segment entitled phone notes, where we read the notes the

0:13:20.480 --> 0:13:26.200
<v Speaker 2>other person took on their phone while watching the film.

0:13:26.559 --> 0:13:32.360
<v Speaker 2>Ah see, you know, your first two notes are okay,

0:13:32.360 --> 0:13:37.080
<v Speaker 2>I forgot. Oh no, your first four notes are oh,

0:13:37.160 --> 0:13:40.680
<v Speaker 2>I love Emial, I love food. Okay, I forgot. This

0:13:40.800 --> 0:13:43.199
<v Speaker 2>movie is really good, not a gun.

0:13:45.520 --> 0:13:48.360
<v Speaker 1>That was my entire first feelings on the movie. You're like,

0:13:48.440 --> 0:13:51.959
<v Speaker 1>oh my gosh, there is delicious food here, all the vibes.

0:13:51.960 --> 0:13:54.200
<v Speaker 1>It's just really well paced. It's it's just a very

0:13:54.240 --> 0:14:00.079
<v Speaker 1>fun movie, fun cuts, fun everything. Emil, his brother love love.

0:14:00.120 --> 0:14:01.959
<v Speaker 2>Round so round in.

0:14:02.160 --> 0:14:07.000
<v Speaker 1>Such a sweetie, such a cutie. Yeah, so funny and

0:14:07.280 --> 0:14:10.400
<v Speaker 1>h Then they start stealing food from the house of

0:14:10.440 --> 0:14:12.840
<v Speaker 1>this old lady and she takes out a shotgun and

0:14:12.920 --> 0:14:14.600
<v Speaker 1>really tries to shoot them.

0:14:15.000 --> 0:14:17.880
<v Speaker 2>She goes after them, she gets to keep bullet suing them.

0:14:18.360 --> 0:14:21.680
<v Speaker 2>She's wearing a gas mask. She tries to.

0:14:21.640 --> 0:14:29.240
<v Speaker 1>Gas them down the river. It's crazy. Whoa If you'll

0:14:29.280 --> 0:14:33.600
<v Speaker 1>excuse me, okay, the little podcast producer in my head

0:14:33.760 --> 0:14:37.040
<v Speaker 1>is it looks it looks like they're hungry. Whoa. But

0:14:37.080 --> 0:14:48.640
<v Speaker 1>nothing to be suspicious of about whoa. I'll be right back. Leona.

0:14:48.680 --> 0:14:51.840
<v Speaker 1>Your first note is French national anthem.

0:14:52.600 --> 0:14:58.840
<v Speaker 2>Yes, there's uh whatever the music term is for clips

0:14:58.880 --> 0:15:03.360
<v Speaker 2>from the national anthem in the opening score of what

0:15:03.520 --> 0:15:12.800
<v Speaker 2>is the French national anthem again alone de la patritte? Oh,

0:15:12.800 --> 0:15:15.720
<v Speaker 2>it's the one at the beginning of Lati Honey.

0:15:16.120 --> 0:15:29.520
<v Speaker 1>Is the one at the beginning of the Beatles song Yeah, Yeah,

0:15:29.920 --> 0:15:34.080
<v Speaker 1>Love Love Love, We're just gonna.

0:15:36.520 --> 0:15:38.480
<v Speaker 2>Ok yeah? Which is in love?

0:15:38.560 --> 0:15:42.600
<v Speaker 1>How thing you can do? The campy don nothing? You

0:15:42.600 --> 0:15:44.280
<v Speaker 1>can sing the campus sound?

0:15:45.560 --> 0:15:47.720
<v Speaker 2>You know, I'm starting to understand how you feel when

0:15:47.720 --> 0:15:49.560
<v Speaker 2>I write yeah, you're.

0:15:49.360 --> 0:15:52.080
<v Speaker 1>Like, okay, okay, can't speak yet.

0:15:52.480 --> 0:15:55.720
<v Speaker 2>Move on? Is she gonna do the whole song?

0:15:58.400 --> 0:15:58.640
<v Speaker 3>Wow?

0:15:58.840 --> 0:16:00.000
<v Speaker 1>My first glimpse of empathy.

0:16:00.480 --> 0:16:03.080
<v Speaker 2>Ah, baby's first empathy.

0:16:04.000 --> 0:16:07.400
<v Speaker 1>Leona, You said Saffron, This rat is fancy.

0:16:08.800 --> 0:16:11.880
<v Speaker 2>He was sniffing around the old violent Ladies home for

0:16:12.000 --> 0:16:16.120
<v Speaker 2>specifically Saffron, the violent woman. Yes, that violent woman.

0:16:16.200 --> 0:16:17.960
<v Speaker 1>Did he find it? I forget? Yeah?

0:16:18.000 --> 0:16:23.120
<v Speaker 2>It was Italian Saffron. Wow. Wait, can I ask you. Yeah,

0:16:23.160 --> 0:16:25.680
<v Speaker 2>this is a film basically about puppetry.

0:16:26.280 --> 0:16:29.920
<v Speaker 1>It kind of is. I also experienced that. I experienced

0:16:29.960 --> 0:16:32.320
<v Speaker 1>that watching at this time, I went, wow, he is

0:16:32.360 --> 0:16:36.000
<v Speaker 1>a puppeteer. Yeah, he is puppeteering this young man.

0:16:36.760 --> 0:16:40.080
<v Speaker 2>Did this change your viewing having a puppeteer lens?

0:16:40.600 --> 0:16:43.120
<v Speaker 1>It was different this time, Yes, I went wow. This

0:16:43.240 --> 0:16:49.680
<v Speaker 1>is also referencing the uh, the France's long relationship with

0:16:49.720 --> 0:16:51.280
<v Speaker 1>the marionette.

0:16:51.480 --> 0:16:55.400
<v Speaker 2>Now a net oh okay.

0:16:54.560 --> 0:16:58.080
<v Speaker 1>That's apparently their word for puppet. Altogether, I believe that,

0:16:58.160 --> 0:16:59.720
<v Speaker 1>but I think that they're a big one in the

0:17:00.120 --> 0:17:02.280
<v Speaker 1>the history of that, so it probably is sort of

0:17:02.280 --> 0:17:05.720
<v Speaker 1>a reference. They know, these big ones, these cartoon guys

0:17:05.720 --> 0:17:09.680
<v Speaker 1>of that. These cartoon guys are always referencing stuff, referencing

0:17:09.760 --> 0:17:14.679
<v Speaker 1>all sorts of images and like friends, really the food whatever,

0:17:14.800 --> 0:17:18.879
<v Speaker 1>the mello Leona you have said, this is your type

0:17:19.119 --> 0:17:20.440
<v Speaker 1>actually about all free of my.

0:17:20.440 --> 0:17:25.600
<v Speaker 2>God, I was so offended. Actually saw this like a

0:17:25.680 --> 0:17:28.280
<v Speaker 2>spindly man. But he seems a little bit too low

0:17:29.080 --> 0:17:32.520
<v Speaker 2>because you love blond guys. Who is a tall and

0:17:32.640 --> 0:17:35.800
<v Speaker 2>haunted boy with a bit of substance to him. You

0:17:35.920 --> 0:17:38.560
<v Speaker 2>like him hold onto something that are slown away in

0:17:38.600 --> 0:17:39.440
<v Speaker 2>a hurricane.

0:17:39.800 --> 0:17:41.040
<v Speaker 1>I disagree you.

0:17:41.280 --> 0:17:43.840
<v Speaker 2>I disagree with your disagreement.

0:17:46.680 --> 0:17:50.880
<v Speaker 1>Certain cartoonish shapes that are spindly. You will, you will

0:17:50.920 --> 0:17:54.159
<v Speaker 1>forgive in ways that others won't. But I understand that

0:17:54.240 --> 0:17:56.800
<v Speaker 1>the emotion behind it is very specific.

0:17:57.520 --> 0:18:01.560
<v Speaker 2>M This one was certainly too bumbling. Yeah, for my taste.

0:18:01.600 --> 0:18:04.760
<v Speaker 1>He's not. He doesn't have the confidence that comes with

0:18:05.359 --> 0:18:07.560
<v Speaker 1>absolute distress.

0:18:06.840 --> 0:18:07.960
<v Speaker 2>Having served in the war.

0:18:08.160 --> 0:18:14.160
<v Speaker 1>Yeah, exactly, having seen things. He's seen nothing. The whole point,

0:18:14.200 --> 0:18:18.919
<v Speaker 1>he's seen nothing. He's an idiot, Leanna.

0:18:18.960 --> 0:18:22.119
<v Speaker 2>You've also said I'm upset that you didn't didn't completely

0:18:22.160 --> 0:18:22.720
<v Speaker 2>disagree with.

0:18:22.760 --> 0:18:25.679
<v Speaker 1>Actually, I understand where actually is coming from, and I

0:18:25.720 --> 0:18:28.280
<v Speaker 1>also completely understand how he's not at all your type.

0:18:29.040 --> 0:18:33.280
<v Speaker 2>Thank you, Okay, but unfortunately he is the shape of

0:18:33.320 --> 0:18:39.960
<v Speaker 2>your type. Leon changed so much about myself. Yeah, you've said,

0:18:40.000 --> 0:18:45.600
<v Speaker 2>what a rat seasoning your soup? And you wrote Linguini

0:18:45.680 --> 0:18:48.159
<v Speaker 2>nervously throwing spices into a pot is me trying to

0:18:48.160 --> 0:18:50.720
<v Speaker 2>make dinner. This is the scene where Remy decides to

0:18:50.720 --> 0:18:54.840
<v Speaker 2>try to fix the soup that Linguini has colonized.

0:18:54.960 --> 0:18:57.120
<v Speaker 1>My. I.

0:18:57.119 --> 0:18:59.919
<v Speaker 2>I love that imagery of you, and I just was like,

0:19:00.200 --> 0:19:04.400
<v Speaker 2>imagine you are in your home, you are preparing a dish.

0:19:04.920 --> 0:19:07.240
<v Speaker 2>You'd step away for a moment, and you come back

0:19:07.280 --> 0:19:10.000
<v Speaker 2>to see at the corner of your pot a rat

0:19:11.560 --> 0:19:13.639
<v Speaker 2>having the time of It's like, no, no, no, this

0:19:13.680 --> 0:19:16.280
<v Speaker 2>is wrong. The rat makes direct eye contact with you,

0:19:16.720 --> 0:19:19.919
<v Speaker 2>and let's go of a handful of herbs that go

0:19:20.040 --> 0:19:20.840
<v Speaker 2>into your soup.

0:19:22.600 --> 0:19:27.120
<v Speaker 1>What would you do? What would you do? Yeah, if

0:19:27.119 --> 0:19:29.360
<v Speaker 1>a rat is I wonder how long it would take

0:19:29.400 --> 0:19:34.000
<v Speaker 1>for me too, I kind of fast. I feel like

0:19:34.040 --> 0:19:43.240
<v Speaker 1>you wouldn't notice it. I certainly wouldn't. It's I certainly wouldn't.

0:19:43.280 --> 0:19:45.800
<v Speaker 1>There's a lot I don't notice for a long time.

0:19:46.280 --> 0:19:47.080
<v Speaker 1>It concerns me.

0:19:49.640 --> 0:19:51.760
<v Speaker 2>Do you ever have a delicious meal that you didn't

0:19:51.880 --> 0:19:53.359
<v Speaker 2>expect to be that delicious?

0:19:53.560 --> 0:19:56.920
<v Speaker 1>Huh? You mentioned it? Where I go somebody, it feels

0:19:56.920 --> 0:19:59.800
<v Speaker 1>like something added some seasonings in here. Someone seasoned this,

0:20:00.000 --> 0:20:01.760
<v Speaker 1>almost as if I have sort of a guardian angel

0:20:01.800 --> 0:20:08.639
<v Speaker 1>of sorts. That's very small. Also, can one someone's pause

0:20:08.680 --> 0:20:10.760
<v Speaker 1>we're in this, Can we talk about also how we

0:20:10.880 --> 0:20:13.360
<v Speaker 1>always think about how there's a rat controlling that man

0:20:13.400 --> 0:20:15.200
<v Speaker 1>in ratitue, but we don't think about how there is

0:20:15.240 --> 0:20:18.600
<v Speaker 1>a ghost influencing the rat who is controlling the man.

0:20:20.200 --> 0:20:22.680
<v Speaker 2>I forgot it's just Remy's imagination.

0:20:22.920 --> 0:20:26.639
<v Speaker 1>But I forgot how omnipresent he is, how consistently he

0:20:26.760 --> 0:20:32.360
<v Speaker 1>is there at the conscience. But I thought he likes

0:20:32.480 --> 0:20:35.800
<v Speaker 1>or twice, But he's there, really is the whole time

0:20:35.840 --> 0:20:38.280
<v Speaker 1>being like, do it, do it?

0:20:38.800 --> 0:20:42.159
<v Speaker 2>Doing gogle, He's either going do it or don't do that.

0:20:42.640 --> 0:20:47.360
<v Speaker 1>Don't do that? Come on, come are they're both being puppeteered.

0:20:48.160 --> 0:20:51.159
<v Speaker 2>Wow, that's an interesting analysis. Thank you.

0:20:52.400 --> 0:20:55.200
<v Speaker 1>Okay, here's some notes from Leona. As the movie begins,

0:20:55.200 --> 0:21:00.640
<v Speaker 1>you said, yes, Remy bite him. Yes, this is when

0:21:00.640 --> 0:21:02.600
<v Speaker 1>they were doing their first before they'd figured out the hair.

0:21:03.440 --> 0:21:06.199
<v Speaker 2>Yeah, when you slapping at Remy and Remy bites him

0:21:06.200 --> 0:21:08.160
<v Speaker 2>every time, I said, sleigh.

0:21:07.680 --> 0:21:10.760
<v Speaker 1>Okay, Leoni, you've also said yeap. First of all, yep, yep, agreed.

0:21:10.920 --> 0:21:13.400
<v Speaker 1>But before that, you said, the beginning of the end

0:21:13.480 --> 0:21:15.280
<v Speaker 1>for this guy, demise imminent.

0:21:16.160 --> 0:21:20.920
<v Speaker 2>Oh my gosh. The chef, the head chef of the restaurants,

0:21:21.000 --> 0:21:26.280
<v Speaker 2>truly in a different film from everyone else in a

0:21:26.440 --> 0:21:31.800
<v Speaker 2>horror film. He's being gas lit and haunted by the

0:21:31.840 --> 0:21:33.800
<v Speaker 2>specter of a rat.

0:21:35.280 --> 0:21:38.280
<v Speaker 1>Oh my gosh. Later too, when the health inspector gets

0:21:38.280 --> 0:21:41.600
<v Speaker 1>tied up in a bunch of rats storm like a wave. Yeah,

0:21:41.640 --> 0:21:42.680
<v Speaker 1>they storm his car.

0:21:43.160 --> 0:21:48.000
<v Speaker 2>I was like this January horror of his vehicle. It

0:21:48.040 --> 0:21:50.600
<v Speaker 2>was nuts.

0:21:52.640 --> 0:21:54.600
<v Speaker 1>Yeah, that was a horror film as well. But yeah,

0:21:54.640 --> 0:21:58.119
<v Speaker 1>the skinner chef Skinner, chef skinner. Yeah, he has to

0:21:58.119 --> 0:22:00.760
<v Speaker 1>deal with a lot. Okay, Leoni, you've also said American

0:22:00.800 --> 0:22:04.000
<v Speaker 1>man fails upward. Yes, this film is about a man

0:22:04.040 --> 0:22:05.840
<v Speaker 1>failing upward. I'm sorry. I know we all end up

0:22:05.840 --> 0:22:07.439
<v Speaker 1>happy for him too when he ends up taking over

0:22:07.520 --> 0:22:09.960
<v Speaker 1>the restaurant. But this guy comes in, starts cooking well

0:22:09.960 --> 0:22:12.960
<v Speaker 1>because the rat is able to control his arms, only

0:22:13.119 --> 0:22:15.680
<v Speaker 1>learns how to do kitchen stuff correctly because a woman

0:22:15.720 --> 0:22:20.120
<v Speaker 1>teaches him. Yeah, and then he just gets the restaurant

0:22:20.160 --> 0:22:22.959
<v Speaker 1>because turns out he's the spawn of the owner literal

0:22:23.040 --> 0:22:27.040
<v Speaker 1>nepo baby, terrible, terrible. I know that she ends up

0:22:27.080 --> 0:22:29.119
<v Speaker 1>falling for him, but it would be really hard to

0:22:29.119 --> 0:22:30.400
<v Speaker 1>be in the same kitchen as this man.

0:22:30.840 --> 0:22:35.000
<v Speaker 2>Oh my god, I hate him so much. Like the

0:22:35.160 --> 0:22:37.879
<v Speaker 2>intern who are like the pa who gets the job

0:22:38.520 --> 0:22:43.320
<v Speaker 2>because he's the son of Yeah, he's the war he's

0:22:43.320 --> 0:22:44.080
<v Speaker 2>a Warner brother.

0:22:44.880 --> 0:22:48.320
<v Speaker 1>Leanna, you said it's fucked up to make the only

0:22:48.359 --> 0:22:50.240
<v Speaker 1>woman in the kitchen train the man.

0:22:50.480 --> 0:22:54.360
<v Speaker 2>I know, I don't like this dynamic at all.

0:22:54.560 --> 0:22:58.000
<v Speaker 1>And then you've also said, yes, queen stab him.

0:22:58.320 --> 0:22:59.680
<v Speaker 2>I was going that as well.

0:23:00.760 --> 0:23:02.960
<v Speaker 1>This movie, I love it so much and it's from

0:23:03.720 --> 0:23:06.040
<v Speaker 1>a wonderful time, but it does feel like I don't

0:23:06.040 --> 0:23:07.800
<v Speaker 1>remember when this came out, but it felt like the

0:23:07.920 --> 0:23:12.119
<v Speaker 1>Obama years where we were like everything is good, everything,

0:23:12.160 --> 0:23:15.800
<v Speaker 1>we figured everything out, and we know we understand life.

0:23:15.920 --> 0:23:18.639
<v Speaker 1>It's that, yeah, you need to understand people who are

0:23:18.680 --> 0:23:21.600
<v Speaker 1>different than you as long as they're a rat who's

0:23:21.640 --> 0:23:24.800
<v Speaker 1>exactly like a human, which is to say it's this

0:23:24.880 --> 0:23:26.960
<v Speaker 1>person's exactly like us, but different in a way we

0:23:26.960 --> 0:23:31.280
<v Speaker 1>can understand. It's very cute and accessible, non threatening, and

0:23:31.320 --> 0:23:35.320
<v Speaker 1>then you know, like it just it just speaks to

0:23:35.359 --> 0:23:37.600
<v Speaker 1>sort of the way the world was seen at the time,

0:23:38.200 --> 0:23:39.560
<v Speaker 1>and so it's like the woman still has to do

0:23:39.640 --> 0:23:42.280
<v Speaker 1>all the work. There's still a few racial moments where

0:23:42.320 --> 0:23:46.960
<v Speaker 1>you go, wait, very very very slight ones.

0:23:47.320 --> 0:23:49.120
<v Speaker 2>Yeah, yeah, but.

0:23:49.240 --> 0:23:51.800
<v Speaker 1>Like certain positions that people are filling in the kitchen

0:23:51.800 --> 0:23:53.440
<v Speaker 1>and those who are famous, it's like the white guy

0:23:53.440 --> 0:23:56.840
<v Speaker 1>fails upward and then like the rat is the one

0:23:56.960 --> 0:24:00.159
<v Speaker 1>other we can truly accept because we've created him and

0:24:00.200 --> 0:24:01.440
<v Speaker 1>he's cute.

0:24:02.920 --> 0:24:06.600
<v Speaker 2>They're like, anyone can cook, not women, but certainly thought,

0:24:06.920 --> 0:24:07.879
<v Speaker 2>yeah exactly.

0:24:08.760 --> 0:24:10.960
<v Speaker 1>The woman actually doesn't really know what she's talking about.

0:24:10.960 --> 0:24:12.680
<v Speaker 1>She keeps having these ideas, but the rat is right.

0:24:12.840 --> 0:24:15.880
<v Speaker 1>And by the way, the rat is white.

0:24:16.920 --> 0:24:21.720
<v Speaker 2>Yeah, the rat is paton Oswalt. So yeah, anyway, it

0:24:21.920 --> 0:24:27.400
<v Speaker 2>really it really got my goat that she's taking Alfredo

0:24:27.800 --> 0:24:30.680
<v Speaker 2>that and also that Remy and Alfredo are both American accents,

0:24:31.560 --> 0:24:33.879
<v Speaker 2>Like why just do the lame is thing where the

0:24:33.920 --> 0:24:38.040
<v Speaker 2>French people are English but a very inclassive, right, Yeah,

0:24:38.600 --> 0:24:40.480
<v Speaker 2>and I guess Lanquini's supposed to be Italian.

0:24:41.440 --> 0:24:44.000
<v Speaker 1>I don't know. I don't know why they look like that.

0:24:44.840 --> 0:24:47.600
<v Speaker 1>They made Linguini whatever they wanted, and then they were like, oh,

0:24:47.600 --> 0:24:49.040
<v Speaker 1>he's also going to be the son of this guy,

0:24:49.480 --> 0:24:51.320
<v Speaker 1>and we'll just say there's no resembl and also will

0:24:51.359 --> 0:24:54.560
<v Speaker 1>make him Italian. So his name is Linguini, Alfredo Linguini,

0:24:55.000 --> 0:25:00.000
<v Speaker 1>even though he's just some guy from America, a random guy.

0:24:59.720 --> 0:25:02.200
<v Speaker 1>He's guy from in your comedy class in America.

0:25:02.760 --> 0:25:05.600
<v Speaker 2>Oh my god, Siena, you wrote, imagine you keep seeing

0:25:05.640 --> 0:25:10.359
<v Speaker 2>your least favorite coworker being secretive with a rat. This

0:25:10.560 --> 0:25:15.040
<v Speaker 2>poor head chef is genuinely in a film. He's in gaslight.

0:25:15.840 --> 0:25:18.720
<v Speaker 1>He's like, dude, I swear I saw you talking to

0:25:18.800 --> 0:25:20.000
<v Speaker 1>a rat just a second ago.

0:25:20.240 --> 0:25:20.960
<v Speaker 2>Oh my god.

0:25:21.040 --> 0:25:23.480
<v Speaker 1>No one believes him. But like, what would you do?

0:25:23.560 --> 0:25:26.400
<v Speaker 1>You imagine true, imagine your least favorite coworker, the most

0:25:26.400 --> 0:25:27.119
<v Speaker 1>annoying person.

0:25:27.880 --> 0:25:29.680
<v Speaker 2>Yeah, gosh, I won't say anything.

0:25:29.720 --> 0:25:30.960
<v Speaker 1>But the other day I was on a set with

0:25:30.960 --> 0:25:33.920
<v Speaker 1>somebody who bothered me so much, and if I turned

0:25:34.000 --> 0:25:41.480
<v Speaker 1>the corner and I saw this person plotting with a rat, scheming, scheming. Yeah,

0:25:41.520 --> 0:25:43.280
<v Speaker 1>no one believes me. And also I'm like, are you

0:25:43.359 --> 0:25:46.320
<v Speaker 1>kidding me? Of course, you're only here because you're friends

0:25:46.320 --> 0:25:48.159
<v Speaker 1>with some rodent, right.

0:25:50.760 --> 0:25:55.439
<v Speaker 2>Yeah. In a lot of ways, I do wish my

0:25:55.520 --> 0:25:58.199
<v Speaker 2>body could be controlled by a rat, Like when I

0:25:58.240 --> 0:25:59.840
<v Speaker 2>have to get ready for bed and I don't know,

0:26:00.480 --> 0:26:03.000
<v Speaker 2>oh my god, could just scamper up and use my

0:26:03.040 --> 0:26:04.879
<v Speaker 2>hair to go get me to brush my teeth and

0:26:05.000 --> 0:26:05.560
<v Speaker 2>wash my face.

0:26:05.880 --> 0:26:07.800
<v Speaker 1>This guy gets to go to work and literally turn

0:26:07.840 --> 0:26:09.400
<v Speaker 1>on autopilot. He just sits there.

0:26:09.480 --> 0:26:11.879
<v Speaker 2>And to me, this is the plot of Severance, a

0:26:11.880 --> 0:26:12.760
<v Speaker 2>show I have not seen.

0:26:12.760 --> 0:26:24.200
<v Speaker 1>It is kind of like that. Yeah, oh yeah, yeah,

0:26:24.200 --> 0:26:25.720
<v Speaker 1>I haven't seen Severance. But it sounds good. I mean,

0:26:25.760 --> 0:26:26.960
<v Speaker 1>I've seen ratittuy, so you.

0:26:26.880 --> 0:26:30.280
<v Speaker 2>Know, yeah, I've pretty much seen it. I've got it.

0:26:30.480 --> 0:26:32.400
<v Speaker 1>Leanna, this is a great point. You said, sorry, they

0:26:32.400 --> 0:26:34.679
<v Speaker 1>could do DNA testing in the fifties.

0:26:35.560 --> 0:26:36.120
<v Speaker 2>What year?

0:26:37.200 --> 0:26:38.680
<v Speaker 1>The year is confusing.

0:26:40.880 --> 0:26:45.760
<v Speaker 2>It's cute the fifties, yeah, but then when but it's

0:26:45.760 --> 0:26:48.320
<v Speaker 2>also still open tottle of wine. He says, it's a

0:26:48.359 --> 0:26:50.199
<v Speaker 2>sixty one.

0:26:51.280 --> 0:26:54.800
<v Speaker 1>It's so hard to tell in Oh yeah, m hm,

0:26:55.280 --> 0:26:57.960
<v Speaker 1>great point. Okay, thank you, Well, that would be the

0:26:58.280 --> 0:27:02.280
<v Speaker 1>thirty one. And then also and then they're doing DNA

0:27:02.359 --> 0:27:07.560
<v Speaker 1>testing anytime things are in the in Europe, you go, well,

0:27:07.560 --> 0:27:13.280
<v Speaker 1>maybe it's just European, right, especially like an American take

0:27:13.320 --> 0:27:16.359
<v Speaker 1>on Europe. We're like, well, it's just charming. It's charming, right,

0:27:16.480 --> 0:27:18.080
<v Speaker 1>the fifties. But then some of my type.

0:27:18.480 --> 0:27:19.800
<v Speaker 2>Years ago, it could be European.

0:27:20.080 --> 0:27:25.480
<v Speaker 1>Yeah, then they're the typewriter, and you're like, maybe European,

0:27:25.760 --> 0:27:28.280
<v Speaker 1>old old money British. And I don't know when that

0:27:28.400 --> 0:27:30.560
<v Speaker 1>Vespa's from, but the idea of this woman in the

0:27:30.600 --> 0:27:33.159
<v Speaker 1>countryside being on a TV of that sort is like,

0:27:33.200 --> 0:27:34.879
<v Speaker 1>that could literally be from any year. We don't know,

0:27:34.920 --> 0:27:36.720
<v Speaker 1>because she's like an old one his code.

0:27:36.560 --> 0:27:39.400
<v Speaker 2>In his apartment as well. Right, it's like maybe he's

0:27:39.440 --> 0:27:40.639
<v Speaker 2>just got an old TV.

0:27:41.000 --> 0:27:44.280
<v Speaker 1>Yeah, they get they keep it vague, they keep it.

0:27:44.359 --> 0:27:47.320
<v Speaker 2>But the DNA testing was a bit I'm sorry, damning.

0:27:47.240 --> 0:27:49.680
<v Speaker 1>Linguini does not exist in any year, but twenty ten.

0:27:50.200 --> 0:27:53.240
<v Speaker 1>He has the vibe of a twenty ten loser. Yeah,

0:27:53.320 --> 0:27:54.040
<v Speaker 1>maybe the.

0:27:54.080 --> 0:27:56.200
<v Speaker 2>Who will be just fine.

0:27:56.440 --> 0:28:01.000
<v Speaker 1>Yeah, Leoni, you said my favorite meal bread cheese and

0:28:01.080 --> 0:28:03.040
<v Speaker 1>red grapes. Do you like that?

0:28:04.280 --> 0:28:04.840
<v Speaker 2>I love that?

0:28:05.440 --> 0:28:06.440
<v Speaker 1>It is delightful.

0:28:06.560 --> 0:28:09.880
<v Speaker 2>That's most of what my family eats. Really, we're kind

0:28:09.920 --> 0:28:11.960
<v Speaker 2>of like a colony of rats in that way.

0:28:12.600 --> 0:28:16.640
<v Speaker 1>Oh wait, I forgot to do something press record. I'm sorry,

0:28:16.840 --> 0:28:21.240
<v Speaker 1>my no, no, but good question.

0:28:21.720 --> 0:28:22.560
<v Speaker 2>My biggest fear.

0:28:23.840 --> 0:28:27.399
<v Speaker 1>I I tried to include this photo, but I forgot

0:28:27.440 --> 0:28:29.280
<v Speaker 1>to make sure that I got it onto the Google doc.

0:28:29.440 --> 0:28:31.560
<v Speaker 1>Hold on one second.

0:28:32.400 --> 0:28:40.160
<v Speaker 3>Oh ah, I laugh every time this happens.

0:28:41.000 --> 0:28:42.520
<v Speaker 1>It's really fun.

0:28:42.560 --> 0:28:45.680
<v Speaker 2>My god. Okay, So what Sienna has sent everyone is

0:28:45.760 --> 0:28:46.360
<v Speaker 2>a still.

0:28:49.840 --> 0:28:52.440
<v Speaker 1>Some of the frames of this movie are crazy.

0:28:53.080 --> 0:28:55.520
<v Speaker 2>From the film, it's the scene in which all of

0:28:55.560 --> 0:28:57.760
<v Speaker 2>the rats are in the kitchen. Remy is stealing for them,

0:28:57.800 --> 0:29:00.320
<v Speaker 2>but Alfredo comes in to apologize to Remy, not being

0:29:00.360 --> 0:29:03.960
<v Speaker 2>able to regulate his emotions. And Remy's brother Emil is

0:29:04.080 --> 0:29:09.760
<v Speaker 2>hiding in a bouquet of asparagus, a band around his belly,

0:29:10.160 --> 0:29:12.840
<v Speaker 2>and he keeps reaching out to swallow more grapes hole

0:29:13.400 --> 0:29:15.959
<v Speaker 2>and then he falls off and a wheel of cheese

0:29:16.000 --> 0:29:21.760
<v Speaker 2>lands on and every grape shoots out of him and

0:29:21.960 --> 0:29:24.520
<v Speaker 2>pelts Alfredo in the back of.

0:29:24.520 --> 0:29:28.760
<v Speaker 1>The Kelsey described it to me before we even watched it,

0:29:28.800 --> 0:29:30.880
<v Speaker 1>and then it's exactly what happened as even though I'd

0:29:30.880 --> 0:29:32.840
<v Speaker 1>say it, but he's like, yeah, there's that part of

0:29:32.880 --> 0:29:36.000
<v Speaker 1>the movie that's sort of a climactic moment where Emial

0:29:36.520 --> 0:29:39.040
<v Speaker 1>swallows a comical number of grapes and then a wheel

0:29:39.040 --> 0:29:41.480
<v Speaker 1>of cheese falls on him and all the grapes shoot

0:29:41.480 --> 0:29:49.440
<v Speaker 1>out of his mouth like a gun. That's silly. Photo

0:29:49.560 --> 0:29:55.440
<v Speaker 1>is unbelievable. They really took a moment. Look at his

0:29:55.480 --> 0:30:06.680
<v Speaker 1>little hands body, he's so full of grapes, covered in

0:30:06.760 --> 0:30:12.560
<v Speaker 1>a halo of asparagus, and then a giant wheel of cheese.

0:30:13.200 --> 0:30:18.960
<v Speaker 1>It's really quite when I make a mistake, I feel.

0:30:20.240 --> 0:30:22.280
<v Speaker 2>Like a rat filled with grapes.

0:30:23.200 --> 0:30:26.640
<v Speaker 1>Everyone's fallen off the shelves and it's a wheel of

0:30:26.720 --> 0:30:30.280
<v Speaker 1>cheese has fallen on me, and I'm bringing disgrace onto

0:30:30.280 --> 0:30:30.640
<v Speaker 1>my f.

0:30:32.160 --> 0:30:35.440
<v Speaker 2>By shooting grapes out of my mouth at the back.

0:30:35.240 --> 0:30:40.080
<v Speaker 1>Of a weak idiot. This picture is with a skirt

0:30:40.120 --> 0:30:45.480
<v Speaker 1>of a spara. This picture is the the portrait of disgrace,

0:30:48.480 --> 0:30:59.840
<v Speaker 1>A portrait of disgrace. You know, if they were to

0:30:59.840 --> 0:31:02.440
<v Speaker 1>do another, if they were to do another inside out movie,

0:31:02.800 --> 0:31:14.000
<v Speaker 1>this would be disgrace. I can't even look at it.

0:31:14.120 --> 0:31:23.640
<v Speaker 1>Oh my god, he's so big. Pass he ate the

0:31:23.680 --> 0:31:31.960
<v Speaker 1>most grapes, every grape in the kitchen anyway, So that's

0:31:31.960 --> 0:31:36.520
<v Speaker 1>sort of your family cheese and red grapes.

0:31:39.120 --> 0:31:42.000
<v Speaker 2>Honestly, that is how I feel when I've filled up

0:31:42.000 --> 0:31:45.360
<v Speaker 2>on bread, cheese and red grapes before dinner, like at

0:31:45.440 --> 0:32:00.560
<v Speaker 2>Christmas times. Because he's already round to begin with, and

0:32:00.560 --> 0:32:05.040
<v Speaker 2>then he's filled with little round objects and the giant

0:32:05.080 --> 0:32:10.200
<v Speaker 2>round object lands on him. Little round object shoot out

0:32:10.200 --> 0:32:13.200
<v Speaker 2>of the medium round rat to hit the round head

0:32:14.560 --> 0:32:27.440
<v Speaker 2>of the weak idiot. Oh, it's all I see when

0:32:27.480 --> 0:32:32.760
<v Speaker 2>I close my eyes. Did you just turn around and

0:32:33.080 --> 0:32:38.680
<v Speaker 2>a rat is seasoning your suit? Take a few minutes

0:32:38.720 --> 0:32:41.160
<v Speaker 2>to stretch because you're about to be moving around a lot.

0:32:42.240 --> 0:32:48.640
<v Speaker 2>We'll be right back Oh my gosh.

0:32:48.680 --> 0:32:52.880
<v Speaker 1>Yea Leanna who said anyone saying my documents sounds unhinged.

0:32:53.960 --> 0:32:56.960
<v Speaker 1>I love that. Actually one of my documents a rat

0:32:57.040 --> 0:33:01.480
<v Speaker 1>running off with your documents? Hey, rat stone document? What

0:33:01.680 --> 0:33:04.880
<v Speaker 1>story my documents get that rat rat? He has my document?

0:33:06.920 --> 0:33:09.440
<v Speaker 2>Just stop saying my documentary rattattoo.

0:33:10.360 --> 0:33:13.320
<v Speaker 1>Remy the Ratitude.

0:33:12.640 --> 0:33:15.480
<v Speaker 2>Is about to ask if you watched the TikTok musical

0:33:15.720 --> 0:33:19.640
<v Speaker 2>The Radical, My dream My Dreams. I only know that

0:33:19.840 --> 0:33:23.120
<v Speaker 2>part of that song. Of the rest of it, Okay,

0:33:24.120 --> 0:33:25.320
<v Speaker 2>Rey the.

0:33:25.560 --> 0:33:32.160
<v Speaker 1>Reatitude, we made the world remember your name?

0:33:33.760 --> 0:33:34.280
<v Speaker 2>Are you sure?

0:33:34.360 --> 0:33:37.400
<v Speaker 1>That's all I know. I'm I don't know.

0:33:37.400 --> 0:33:41.200
<v Speaker 2>I feel like you're about to burst out with a remytitude.

0:33:42.040 --> 0:33:45.040
<v Speaker 1>That's all I know. Siena.

0:33:45.120 --> 0:33:48.240
<v Speaker 2>You wrote the Life of a Rat is a perilous one.

0:33:48.760 --> 0:33:50.760
<v Speaker 1>That's what I kept thinking. I'm like, there make no

0:33:50.920 --> 0:33:54.240
<v Speaker 1>good points about how this Life of a Rat, because

0:33:54.320 --> 0:33:56.520
<v Speaker 1>it is one reason that this movie is very fun

0:33:56.560 --> 0:33:58.000
<v Speaker 1>is that it is an action film, and it is

0:33:58.080 --> 0:34:02.480
<v Speaker 1>necessarily an action film. What did you I was thinking

0:34:02.480 --> 0:34:07.920
<v Speaker 1>about how as far as Pixar movies go, this one

0:34:08.000 --> 0:34:09.960
<v Speaker 1>is really like, it's like running, he's running, he's running,

0:34:09.960 --> 0:34:13.600
<v Speaker 1>He's he's he's swooping, he's avoiding. That's so much of it.

0:34:13.880 --> 0:34:18.759
<v Speaker 1>Chase scene, multiple and guns. Yes, and it's because we

0:34:18.880 --> 0:34:21.560
<v Speaker 1>understand that as a rat, he is in danger all

0:34:21.600 --> 0:34:24.239
<v Speaker 1>the time. He's on the run. He is simply on

0:34:24.280 --> 0:34:25.680
<v Speaker 1>the run because he is a rat.

0:34:26.520 --> 0:34:30.640
<v Speaker 2>Okay, so Skinner, So Alfredo is in the film Ratitui

0:34:31.080 --> 0:34:33.920
<v Speaker 2>Skinner is in the film Gaslight, and Remy is in

0:34:33.960 --> 0:34:36.600
<v Speaker 2>the film The Bourne Ultimatum.

0:34:37.239 --> 0:34:38.279
<v Speaker 1>Wait what happens in that?

0:34:39.080 --> 0:34:42.720
<v Speaker 2>I don't know. I just know it's an action film.

0:34:43.239 --> 0:34:46.239
<v Speaker 1>Then, exactly, there are so many there are so many

0:34:46.239 --> 0:34:49.840
<v Speaker 1>genres happening. We have French movie. We have French love story,

0:34:49.880 --> 0:34:51.920
<v Speaker 1>which is that you're going with the wrong man. Want

0:34:51.920 --> 0:34:54.040
<v Speaker 1>to shoot he want to shoot him, he want.

0:34:53.880 --> 0:34:55.839
<v Speaker 2>To shoot at him, but you keep kissing him.

0:34:56.600 --> 0:34:59.839
<v Speaker 1>We have action film Slash the Bourne. What is it again?

0:35:00.440 --> 0:35:03.400
<v Speaker 2>It's it's a trilogy. Actually, so there's the Born Identity,

0:35:04.239 --> 0:35:10.719
<v Speaker 2>the Born Ultimatum and one other the Born Documents. Oh yeah, do.

0:35:10.719 --> 0:35:11.480
<v Speaker 1>I know that? I don't know.

0:35:11.520 --> 0:35:12.239
<v Speaker 2>I think that's right.

0:35:12.600 --> 0:35:18.080
<v Speaker 1>Oh my god, that our rat is in an absolute

0:35:18.120 --> 0:35:24.359
<v Speaker 1>horror film. Mm hmmm, psychological thriller, psychological horror for anyone else.

0:35:28.080 --> 0:35:32.080
<v Speaker 1>Hanna you've said if I don't love it, I don't swallow,

0:35:32.320 --> 0:35:33.960
<v Speaker 1>and then you've done I emoji.

0:35:36.280 --> 0:35:38.279
<v Speaker 2>I could not believe that line made it in.

0:35:39.560 --> 0:35:43.680
<v Speaker 1>I didn't even think about it that way, but definitely

0:35:43.719 --> 0:35:46.279
<v Speaker 1>many a tween boy seeing this film was not gonna want.

0:35:46.200 --> 0:35:49.560
<v Speaker 2>That go only thing I thought about, if I don't

0:35:49.640 --> 0:35:54.399
<v Speaker 2>love it, I don't swallow. He didn't even say swallow it.

0:35:54.560 --> 0:35:55.520
<v Speaker 2>He said swallow.

0:35:56.719 --> 0:35:59.240
<v Speaker 1>I was like, my dude, it's why he's so skinny.

0:36:00.320 --> 0:36:04.040
<v Speaker 2>Yeah s guiney legend, Skuy legend, Guinea legend. Did you know?

0:36:04.120 --> 0:36:05.560
<v Speaker 2>Do you know who voices him?

0:36:05.920 --> 0:36:13.879
<v Speaker 1>No, Peter O'Toole, Petro toool, Oh, I guess Laurence.

0:36:15.200 --> 0:36:16.360
<v Speaker 2>Is anton Ego.

0:36:16.600 --> 0:36:20.000
<v Speaker 1>We've now seen him twice. Lorens of Arabia and star

0:36:20.120 --> 0:36:27.000
<v Speaker 1>Dust Wait Star Yeah Dust, which was obviously not on

0:36:27.080 --> 0:36:28.440
<v Speaker 1>AFI's list, but was.

0:36:28.400 --> 0:36:30.040
<v Speaker 2>On Star.

0:36:31.280 --> 0:36:31.560
<v Speaker 1>Dust.

0:36:32.520 --> 0:36:36.719
<v Speaker 2>Patreon toon Peter O'Toole, great voice.

0:36:37.000 --> 0:36:41.160
<v Speaker 1>Leanna, you said rata tui it's a peasant dish okay.

0:36:41.239 --> 0:36:45.719
<v Speaker 2>Collette is classiest. She was being a bit problematic here.

0:36:45.760 --> 0:36:48.200
<v Speaker 2>Towards the end she goes to slap her partner. I

0:36:48.239 --> 0:36:51.400
<v Speaker 2>was like, oh my god, you can slap.

0:36:51.160 --> 0:36:54.520
<v Speaker 1>Them before, but now you're dating and that is domestic yikes.

0:36:55.040 --> 0:36:58.040
<v Speaker 2>And then she's classist about ratatui. Uh huh No, I

0:36:58.080 --> 0:37:02.279
<v Speaker 2>just don't trust her opinions. Yeah, I worry about her worldview.

0:37:02.560 --> 0:37:06.879
<v Speaker 1>Yeah it's true, But you did.

0:37:07.000 --> 0:37:09.919
<v Speaker 2>You made a good point here. You wrote, imagine the ick.

0:37:10.480 --> 0:37:12.759
<v Speaker 2>You've been dating this guy for months and I just

0:37:12.840 --> 0:37:14.520
<v Speaker 2>found out about his rat thing.

0:37:15.719 --> 0:37:18.160
<v Speaker 1>Like, I'm sorry. You know that they've they've been dating

0:37:18.200 --> 0:37:20.759
<v Speaker 1>long enough that they've had like nights of real like

0:37:21.560 --> 0:37:26.839
<v Speaker 1>emotional intimacy and like discussing their past and his mom.

0:37:27.800 --> 0:37:30.160
<v Speaker 2>He didn't know his controlling him during that.

0:37:33.920 --> 0:37:37.319
<v Speaker 1>Okay, I never taught. She's like, you've been wearing your

0:37:37.400 --> 0:37:37.920
<v Speaker 1>chef hat.

0:37:37.800 --> 0:37:38.319
<v Speaker 2>All this time.

0:37:43.840 --> 0:37:48.800
<v Speaker 1>Oh my god. It's just like, this is a big

0:37:48.840 --> 0:37:52.080
<v Speaker 1>part of your experience is that you have this whole

0:37:52.200 --> 0:37:54.360
<v Speaker 1>rat thing going on, and you haven't talked to me

0:37:54.360 --> 0:37:56.560
<v Speaker 1>about it. Like we've been talking about working here. You

0:37:56.600 --> 0:38:00.120
<v Speaker 1>haven't been working. You've been just getting controlled by a

0:38:00.160 --> 0:38:03.520
<v Speaker 1>magical rat. Yeah, by this gifted rodent.

0:38:04.760 --> 0:38:05.040
<v Speaker 2>Leono.

0:38:05.040 --> 0:38:06.799
<v Speaker 1>Your final note is makes me want to go to

0:38:06.880 --> 0:38:11.560
<v Speaker 1>a yep, to a potisserie real bad. I would love

0:38:11.640 --> 0:38:13.919
<v Speaker 1>some amazing bread right now.

0:38:14.120 --> 0:38:17.520
<v Speaker 2>Yeah, yeah, it makes me want a hot dog real bad.

0:38:18.320 --> 0:38:20.920
<v Speaker 2>I wanted to go to a potisserie so bad at

0:38:20.920 --> 0:38:23.640
<v Speaker 2>the end of this because even the credits are stunding

0:38:24.080 --> 0:38:27.960
<v Speaker 2>and there's one one sort of screen of them where

0:38:29.320 --> 0:38:30.719
<v Speaker 2>it's just cakes.

0:38:31.040 --> 0:38:35.279
<v Speaker 1>I want a delicious I want to put four four.

0:38:35.880 --> 0:38:39.040
<v Speaker 2>Yes, I want to honk and slice of cake. I

0:38:39.080 --> 0:38:44.200
<v Speaker 2>really do. Mm hmm, well the honor.

0:38:44.200 --> 0:38:48.120
<v Speaker 1>Should we move on to our next segment? Yeah, because

0:38:48.360 --> 0:38:50.720
<v Speaker 1>I really can't wait to eat some bread. Oh.

0:38:50.800 --> 0:38:56.960
<v Speaker 2>I love that. Oh I'm made here as anonymous bad oh. Oh,

0:38:57.000 --> 0:39:01.040
<v Speaker 2>welcome everyone to Badges and Tragy is where we award

0:39:01.160 --> 0:39:09.400
<v Speaker 2>badges for bread that looks delicious and tradges for taking

0:39:09.400 --> 0:39:12.760
<v Speaker 2>your frustration out on your tiny adorable rat friend.

0:39:13.239 --> 0:39:14.520
<v Speaker 1>Ah.

0:39:14.920 --> 0:39:19.320
<v Speaker 2>Yes, I have a badge for I love a specific font.

0:39:20.719 --> 0:39:24.240
<v Speaker 1>Oh. The style in this movie was great, really good.

0:39:24.760 --> 0:39:27.200
<v Speaker 1>I have a badge for food, food, food, food, food.

0:39:27.280 --> 0:39:29.400
<v Speaker 1>This is a food movie. This is a food movie,

0:39:29.440 --> 0:39:33.880
<v Speaker 1>and it's big time, excellent, the whole time, huge food film.

0:39:34.120 --> 0:39:35.720
<v Speaker 2>Badge for it. These rats are so cute.

0:39:36.480 --> 0:39:38.400
<v Speaker 1>Yeah, they are really cute. I love the design of

0:39:38.440 --> 0:39:44.400
<v Speaker 1>the rats as well. I have a badge for windows sitting.

0:39:44.440 --> 0:39:48.600
<v Speaker 1>We even noted this during Paddington too, but he also

0:39:48.680 --> 0:39:50.640
<v Speaker 1>has a little nook by the window where he gets

0:39:50.640 --> 0:39:52.520
<v Speaker 1>to look at everything, and he sleeps on a little

0:39:52.560 --> 0:39:53.880
<v Speaker 1>oven mid and then later.

0:39:53.719 --> 0:39:57.480
<v Speaker 2>He that is something I love for the oven so much.

0:39:57.560 --> 0:40:01.000
<v Speaker 1>Yes, having a life made of little thing plus food,

0:40:01.200 --> 0:40:03.960
<v Speaker 1>it really makes this movie a movie for somebody like me.

0:40:05.160 --> 0:40:07.800
<v Speaker 2>Who would you most want to be in the film? Ratitude?

0:40:07.960 --> 0:40:09.160
<v Speaker 2>And is it the rat?

0:40:09.320 --> 0:40:12.280
<v Speaker 1>I think so? Yeah, Yeah, I think it'd be remy.

0:40:12.400 --> 0:40:13.359
<v Speaker 2>Yeah, I get that.

0:40:13.400 --> 0:40:13.960
<v Speaker 1>What about you?

0:40:15.880 --> 0:40:20.080
<v Speaker 2>Probably Linguini again, just to have somebody else controlling my movement? Okay,

0:40:20.280 --> 0:40:25.799
<v Speaker 2>we can fully seed control, yield control. A badge for

0:40:25.880 --> 0:40:30.359
<v Speaker 2>a skeleton outline when struck by lightning. I love I

0:40:30.400 --> 0:40:31.600
<v Speaker 2>always think that's fun.

0:40:31.480 --> 0:40:37.560
<v Speaker 1>Perfect bit uh badge for oh, like I was saying,

0:40:37.600 --> 0:40:40.200
<v Speaker 1>the tiny items having a tiny world, like later when

0:40:40.239 --> 0:40:42.440
<v Speaker 1>they're drinking out of a cute and when you go

0:40:42.480 --> 0:40:44.480
<v Speaker 1>to the rat colony and they're like drinking out of

0:40:45.120 --> 0:40:48.160
<v Speaker 1>toothpaste cap and stuff like that, and when all the

0:40:48.239 --> 0:40:50.320
<v Speaker 1>rats get washed in the dishwasher and they're all fluffy

0:40:50.320 --> 0:40:50.920
<v Speaker 1>when they come out.

0:40:51.000 --> 0:40:55.320
<v Speaker 2>I freaking loved that. I love you so much. A

0:40:55.480 --> 0:40:58.680
<v Speaker 2>badge for his little smile when he presents the omelet.

0:40:59.400 --> 0:41:06.319
<v Speaker 3>Oh, oh my god, badge for here's one thing I

0:41:06.320 --> 0:41:08.880
<v Speaker 3>didn't remember from the movie so well that I really

0:41:08.920 --> 0:41:13.840
<v Speaker 3>really loved badge for the strong rat, the extra strong

0:41:13.960 --> 0:41:14.760
<v Speaker 3>buff rat.

0:41:15.520 --> 0:41:20.960
<v Speaker 2>Actually literally was like, why is that right hot? I said, no, I.

0:41:20.960 --> 0:41:23.440
<v Speaker 1>Wouldn't say that. My perspective was that that rat was

0:41:23.480 --> 0:41:24.040
<v Speaker 1>so hot.

0:41:24.680 --> 0:41:26.680
<v Speaker 2>But no, I was that would be your type.

0:41:26.800 --> 0:41:27.000
<v Speaker 1>Yeah.

0:41:27.040 --> 0:41:30.240
<v Speaker 2>Yeah, he's burly for sure. When he's tenderizing the steak

0:41:30.280 --> 0:41:31.160
<v Speaker 2>by punching.

0:41:30.880 --> 0:41:35.399
<v Speaker 1>It, so funny. I laughed every time I saw him.

0:41:36.239 --> 0:41:37.520
<v Speaker 1>He stands so funny.

0:41:37.600 --> 0:41:41.680
<v Speaker 2>He's so big, he's so big, he's so big.

0:41:41.640 --> 0:41:42.320
<v Speaker 1>He has an earring.

0:41:43.280 --> 0:41:46.359
<v Speaker 2>Yeah, that was really funny. Badge for I love when

0:41:46.400 --> 0:41:50.360
<v Speaker 2>he squeaks Whenever Remy was like bumped into something or

0:41:50.400 --> 0:41:53.360
<v Speaker 2>somebody grabbed him or something, and he made a squeak sound.

0:41:53.680 --> 0:41:54.400
<v Speaker 1>Uh huh.

0:41:54.520 --> 0:41:58.000
<v Speaker 2>Yeah, so funny. So a squeaky toy.

0:42:00.239 --> 0:42:06.400
<v Speaker 1>I guess my final badge, which is surprising but final

0:42:06.440 --> 0:42:11.279
<v Speaker 1>specific badges At the end, ego has community. Now it's

0:42:11.360 --> 0:42:13.640
<v Speaker 1>cute that it ends with like and the bad guy

0:42:13.960 --> 0:42:17.759
<v Speaker 1>just needed a little community. He wasn't really a bad guy,

0:42:17.800 --> 0:42:19.879
<v Speaker 1>but the scary guy.

0:42:20.520 --> 0:42:25.680
<v Speaker 2>Yeah. Yeah, A badge for the score the music. Yeah,

0:42:25.719 --> 0:42:26.560
<v Speaker 2>it's beautiful.

0:42:27.040 --> 0:42:29.920
<v Speaker 1>It's just really really If I were to give another

0:42:30.480 --> 0:42:32.400
<v Speaker 1>general badge, it would just be for how beautiful it

0:42:32.560 --> 0:42:35.600
<v Speaker 1>was by the end when they're talking about they're just

0:42:35.640 --> 0:42:38.240
<v Speaker 1>like having that dreamy sequence at the very end where

0:42:38.600 --> 0:42:42.279
<v Speaker 1>Remy kind of goes his own way. It was so

0:42:42.320 --> 0:42:48.720
<v Speaker 1>beautiful I almost started to cry, Oh, nighttime. A badge

0:42:48.760 --> 0:42:51.200
<v Speaker 1>for the line keep your station clear or I will

0:42:51.280 --> 0:42:55.880
<v Speaker 1>kill you. Great badge for I love the phrase hork

0:42:55.960 --> 0:42:58.840
<v Speaker 1>it down. Yeah, can I tell you something eats it

0:42:58.880 --> 0:43:01.080
<v Speaker 1>too fast? I say that a lot, and I didn't

0:43:01.120 --> 0:43:04.080
<v Speaker 1>know it down so much. I didn't know it was

0:43:04.080 --> 0:43:04.600
<v Speaker 1>a phrase.

0:43:05.239 --> 0:43:06.520
<v Speaker 2>I knew it was from Raditui.

0:43:06.719 --> 0:43:09.600
<v Speaker 1>That's specifically I also say honk it down. But I

0:43:09.600 --> 0:43:12.160
<v Speaker 1>think I've been trying to say hork it down, hork

0:43:12.200 --> 0:43:15.240
<v Speaker 1>it I didn't know hork it down perfect.

0:43:16.520 --> 0:43:19.000
<v Speaker 2>A badge for Colette's delivery of the line what do

0:43:19.040 --> 0:43:24.840
<v Speaker 2>you mean? She was like, just spit it out. What

0:43:24.840 --> 0:43:27.400
<v Speaker 2>are you talking about? A badge for his little bed

0:43:27.640 --> 0:43:34.359
<v Speaker 2>in the new apartment apartment. A badge for it this

0:43:34.400 --> 0:43:38.600
<v Speaker 2>movie is fun. It is fun, fun because for a film,

0:43:38.880 --> 0:43:42.280
<v Speaker 2>fun sequence. And then my final badge is a badge

0:43:42.280 --> 0:43:44.840
<v Speaker 2>for I love that Remy washes his hands with a

0:43:44.880 --> 0:43:48.120
<v Speaker 2>dew drop, so there's one little drop of water.

0:43:50.800 --> 0:43:56.799
<v Speaker 1>So cute, so cute to trages, Yes, trag is My

0:43:56.840 --> 0:43:59.240
<v Speaker 1>first tradge is not getting to eat the delicious bite.

0:43:59.400 --> 0:44:01.319
<v Speaker 1>I hate cartoons to do this.

0:44:02.000 --> 0:44:03.800
<v Speaker 2>I have a trage for. I hate when the character

0:44:03.840 --> 0:44:05.279
<v Speaker 2>doesn't get to eat what they wanted to.

0:44:05.200 --> 0:44:09.759
<v Speaker 1>Eat the omelet moment, and then he's hungry later.

0:44:09.840 --> 0:44:13.719
<v Speaker 2>Yes, unacceptable, unacceptable.

0:44:16.200 --> 0:44:18.440
<v Speaker 1>Uh, this is a trage. But it was quite enjoyable,

0:44:18.440 --> 0:44:21.000
<v Speaker 1>I said, trag for the accents. I don't think anyone

0:44:21.040 --> 0:44:23.000
<v Speaker 1>had an actual French accent, which is funny I had.

0:44:23.840 --> 0:44:26.040
<v Speaker 1>I do enjoy when actors do things in just an

0:44:26.080 --> 0:44:28.880
<v Speaker 1>okay way. But mm.

0:44:30.440 --> 0:44:33.320
<v Speaker 2>Trage for all the times that Remy was sad or scared.

0:44:34.440 --> 0:44:36.200
<v Speaker 1>Oh yeah, I hated that.

0:44:36.320 --> 0:44:37.560
<v Speaker 2>Could not could not deal.

0:44:37.760 --> 0:44:41.960
<v Speaker 1>I hate feeling sad for characters like that. I have

0:44:42.000 --> 0:44:43.400
<v Speaker 1>a trage for How do I put this?

0:44:45.320 --> 0:44:47.360
<v Speaker 2>Uh?

0:44:47.600 --> 0:44:52.759
<v Speaker 1>I wrote racially unclear moments? Lol. Here's some things that

0:44:52.840 --> 0:44:56.239
<v Speaker 1>I noticed. For example, we were laughing at the They

0:44:56.239 --> 0:44:59.120
<v Speaker 1>have all the different versions of Gusta. I don't think

0:44:59.200 --> 0:45:02.440
<v Speaker 1>anything was part reticularly crazy offensive. They do have Mexican

0:45:02.440 --> 0:45:05.839
<v Speaker 1>Gusto talk. They make a point not to have Chinese Gusta.

0:45:06.000 --> 0:45:08.799
<v Speaker 2>I was watching. I was like, oh, boys, and I'm like,

0:45:08.840 --> 0:45:09.920
<v Speaker 2>that's gonna know.

0:45:10.160 --> 0:45:13.439
<v Speaker 1>This is a perfect way to embody this era where

0:45:13.440 --> 0:45:15.719
<v Speaker 1>they're like, Okay, we're figuring out which ones to do

0:45:15.760 --> 0:45:17.360
<v Speaker 1>and which ones not to, but we're.

0:45:17.200 --> 0:45:18.920
<v Speaker 2>Gonna put it here anyway.

0:45:19.239 --> 0:45:24.919
<v Speaker 1>And then the one black chef uh says something about

0:45:25.040 --> 0:45:28.440
<v Speaker 1>juju and it was just like, Oh, I don't know,

0:45:28.480 --> 0:45:31.279
<v Speaker 1>you guys. You you didn't put any you didn't put

0:45:31.400 --> 0:45:34.200
<v Speaker 1>enough people in this to make us feel confident about

0:45:34.200 --> 0:45:36.520
<v Speaker 1>your choices such that I would just steer clear of

0:45:36.560 --> 0:45:37.160
<v Speaker 1>stuff like that.

0:45:37.880 --> 0:45:38.919
<v Speaker 2>Yeah, you know what I mean.

0:45:39.040 --> 0:45:42.120
<v Speaker 1>It's like the one character. The two characters who get

0:45:42.160 --> 0:45:46.239
<v Speaker 1>to be raised up in this are Linguini. Yeah you said,

0:45:46.239 --> 0:45:49.320
<v Speaker 1>like the most American guy and then an American rat.

0:45:49.640 --> 0:45:52.000
<v Speaker 2>An American rat, you know what I mean.

0:45:52.320 --> 0:45:54.319
<v Speaker 1>So anyway, Yeah, I'd say that it's more of like

0:45:54.360 --> 0:45:57.560
<v Speaker 1>a relic or a perfect encapsulation of its time, which

0:45:57.600 --> 0:45:59.839
<v Speaker 1>is a time where we're like, we figured race out,

0:46:00.080 --> 0:46:00.840
<v Speaker 1>don't worry about it.

0:46:00.920 --> 0:46:03.400
<v Speaker 2>Yeah, we've got it, you guys. Yeah. I have a

0:46:03.440 --> 0:46:06.640
<v Speaker 2>trage for a gas at Gusta doing a Mexican accent.

0:46:08.360 --> 0:46:12.880
<v Speaker 1>That's so funny and then uh, I think my biggest

0:46:12.920 --> 0:46:17.799
<v Speaker 1>trage is I did not before this watch notice Linguini's

0:46:17.880 --> 0:46:18.719
<v Speaker 1>little goateea.

0:46:19.600 --> 0:46:20.280
<v Speaker 2>I hate it.

0:46:20.280 --> 0:46:25.239
<v Speaker 1>It's so gross, but terrible amount of little hairst.

0:46:25.360 --> 0:46:29.840
<v Speaker 2>Very related trage for Linguini is punching hard. Do you

0:46:29.880 --> 0:46:33.880
<v Speaker 2>know this phrase? Punching? No, it's very like that person

0:46:33.960 --> 0:46:34.480
<v Speaker 2>is out.

0:46:34.280 --> 0:46:34.920
<v Speaker 1>Of your league.

0:46:35.239 --> 0:46:41.080
<v Speaker 2>Oh yeah, yeah, and oh my god, he knows out

0:46:41.080 --> 0:46:45.359
<v Speaker 2>of his depth? What is called that doing with him? No?

0:46:45.360 --> 0:46:47.799
<v Speaker 1>No, girl, no, it's hard to meet people when you

0:46:47.840 --> 0:46:48.759
<v Speaker 1>have a job like that.

0:46:51.040 --> 0:46:55.919
<v Speaker 2>Terrible, I think an overall trage for I will never

0:46:56.440 --> 0:46:58.280
<v Speaker 2>eat the food that is in this film.

0:46:59.600 --> 0:47:03.200
<v Speaker 1>Yeah, I want to try a bite of that hot ratitui. Also,

0:47:03.200 --> 0:47:04.680
<v Speaker 1>why didn't they bring him more food while he was

0:47:04.680 --> 0:47:06.680
<v Speaker 1>waiting there? They gave him like three bites of vegetables

0:47:06.680 --> 0:47:08.240
<v Speaker 1>and then he has to sit there drinking two bottles

0:47:08.239 --> 0:47:09.919
<v Speaker 1>of wine until the sham can come out.

0:47:10.880 --> 0:47:13.440
<v Speaker 2>Yeah, he was fine with that. I think that's a

0:47:13.480 --> 0:47:14.399
<v Speaker 2>normal day for him.

0:47:14.920 --> 0:47:19.000
<v Speaker 1>He's a foodie. He only eats the good things. If

0:47:19.000 --> 0:47:23.239
<v Speaker 1>I don't like it, I don't don't swa, don't love it.

0:47:23.320 --> 0:47:26.960
<v Speaker 2>He can't don't say that. He cannot just say, oh

0:47:27.000 --> 0:47:29.480
<v Speaker 2>my gosh, well that's rollerblade. Yeah, let's roller blade into

0:47:29.480 --> 0:47:32.279
<v Speaker 2>our next segment. How to pretend you've seen this film?

0:47:32.600 --> 0:47:37.080
<v Speaker 2>This is for you are at a restaurant perusing the menu.

0:47:37.120 --> 0:47:45.560
<v Speaker 2>You're at Gusta's French gourmet restaurant, perusing the menu and linguini.

0:47:46.320 --> 0:47:51.920
<v Speaker 2>Alfredo roller blades up to you and says, good evening everyone.

0:47:53.600 --> 0:47:53.799
<v Speaker 3>You know.

0:47:53.920 --> 0:47:57.439
<v Speaker 2>I'm sorry to share this, but I have to say

0:47:57.480 --> 0:48:01.360
<v Speaker 2>this really reminds me of a film. And before I

0:48:01.360 --> 0:48:03.400
<v Speaker 2>get you started with your starters, I'd love to start

0:48:03.400 --> 0:48:08.440
<v Speaker 2>by actually speaking with you about the film. It's called Ratitude.

0:48:08.480 --> 0:48:11.920
<v Speaker 1>And in order to stop uh, which word dog you

0:48:11.960 --> 0:48:16.920
<v Speaker 1>linqueni Alfredo? Oh, and in order to stop Alfredo uh

0:48:17.360 --> 0:48:21.359
<v Speaker 1>from serving you things you don't need to know. Yeah,

0:48:21.400 --> 0:48:23.720
<v Speaker 1>here are a few things you can say to pretend

0:48:23.760 --> 0:48:30.840
<v Speaker 1>you've seen the film Ratatui. Okay, here's some rat facts. Yes, Alfredo,

0:48:30.880 --> 0:48:33.760
<v Speaker 1>I have seen the film Ratatui. Some facts about this film.

0:48:33.920 --> 0:48:36.040
<v Speaker 1>First of all, pet rats were kept at the studio

0:48:36.440 --> 0:48:38.040
<v Speaker 1>in the hallway for more than a year so that

0:48:38.040 --> 0:48:42.560
<v Speaker 1>animators could study their movements and for noses, ears, pause, tales,

0:48:42.600 --> 0:48:47.960
<v Speaker 1>et cetera. And also, marketing tie ins were difficult for

0:48:48.000 --> 0:48:51.080
<v Speaker 1>this movie because no food company wanted to be associated

0:48:51.120 --> 0:48:51.680
<v Speaker 1>with the rat.

0:48:52.080 --> 0:49:00.879
<v Speaker 2>Oh that's dang. Yes, Alfredo, I've seen rad Towy and

0:49:01.080 --> 0:49:04.759
<v Speaker 2>I would strongly advise you don't keep talking to me.

0:49:05.840 --> 0:49:07.920
<v Speaker 2>You're not you don't know what I'm capable of.

0:49:09.239 --> 0:49:10.040
<v Speaker 1>And he's like, what do you mean?

0:49:10.280 --> 0:49:12.960
<v Speaker 2>And I say, I killed a man with this dumb

0:49:15.640 --> 0:49:16.400
<v Speaker 2>best line.

0:49:16.880 --> 0:49:20.640
<v Speaker 1>Yes, this is interesting. Yes, Alfredo, I have seen the

0:49:20.680 --> 0:49:26.520
<v Speaker 1>film ratitouey Here's This was apparently Anthony Bourdain's favorite food

0:49:26.560 --> 0:49:28.640
<v Speaker 1>centric movie. And some of the things he says are

0:49:28.719 --> 0:49:31.640
<v Speaker 1>things that I think we probably both we were trying

0:49:31.680 --> 0:49:36.319
<v Speaker 1>to put about how spot on there about food, how

0:49:36.400 --> 0:49:39.319
<v Speaker 1>real it feels. He says, they got the food, the

0:49:39.360 --> 0:49:42.319
<v Speaker 1>reactions to food, and tiny details, right down to the

0:49:42.320 --> 0:49:45.320
<v Speaker 1>barely noticeable pink burns on one of the character's forearms.

0:49:45.520 --> 0:49:48.600
<v Speaker 1>I noticed that this time. Did you notice that Colette

0:49:48.640 --> 0:49:52.719
<v Speaker 1>has burns on her arms? I did not. Yeah, I

0:49:52.719 --> 0:49:55.560
<v Speaker 1>did not notice that any other time. I thought it

0:49:55.640 --> 0:49:57.920
<v Speaker 1>captured a passionate love of food in a way that

0:49:58.040 --> 0:50:01.880
<v Speaker 1>very few other films have. True. Oh, I also forgot

0:50:01.880 --> 0:50:03.880
<v Speaker 1>to put in my badges. Oh, I wonder where I

0:50:03.920 --> 0:50:09.160
<v Speaker 1>wrote it. That. Uh, the sparks around Remy's head when

0:50:09.160 --> 0:50:09.760
<v Speaker 1>he's eating.

0:50:10.320 --> 0:50:11.800
<v Speaker 2>I love that symphony moment.

0:50:12.239 --> 0:50:14.360
<v Speaker 1>Yeah, the symphony moment and then showing it when his

0:50:14.480 --> 0:50:16.319
<v Speaker 1>brother like can't get it as much. I just thought

0:50:16.360 --> 0:50:18.120
<v Speaker 1>that was so artful and cool. Hmmm.

0:50:19.040 --> 0:50:21.400
<v Speaker 2>I forgot to put a badge for I think this

0:50:21.560 --> 0:50:26.040
<v Speaker 2>is the best the animation has been. I think animation

0:50:26.160 --> 0:50:28.239
<v Speaker 2>has not been this good since, and it wasn't this

0:50:28.320 --> 0:50:28.920
<v Speaker 2>good before.

0:50:29.320 --> 0:50:33.000
<v Speaker 1>Yeah, they got they had fire water animals, like everything's

0:50:33.040 --> 0:50:36.600
<v Speaker 1>so difficult to animate food and perfectly.

0:50:36.080 --> 0:50:38.520
<v Speaker 2>The fur of the animals was so perfect.

0:50:38.600 --> 0:50:40.279
<v Speaker 1>This is a movie too where you're like, oh, it's

0:50:40.280 --> 0:50:44.040
<v Speaker 1>really benefited from being in this style versus it just

0:50:44.120 --> 0:50:47.240
<v Speaker 1>being like, I don't know, it's kind of the default

0:50:47.280 --> 0:50:48.360
<v Speaker 1>to do this CGI style.

0:50:48.440 --> 0:50:48.640
<v Speaker 2>Now.

0:50:48.960 --> 0:50:50.920
<v Speaker 1>Yeah, this is one where it's like, oh wow, it's

0:50:50.960 --> 0:50:53.279
<v Speaker 1>really amazing because it's a lot of people and then

0:50:53.320 --> 0:50:55.200
<v Speaker 1>a lot of rat and cartoonishness.

0:50:55.239 --> 0:50:56.080
<v Speaker 2>It's beautiful.

0:50:56.160 --> 0:50:56.880
<v Speaker 1>It's beautiful.

0:50:56.880 --> 0:50:59.160
<v Speaker 2>And then I hop out of that conversation I'm having

0:50:59.160 --> 0:51:01.480
<v Speaker 2>with my woman friend and I turned to Alfredo and

0:51:01.520 --> 0:51:04.840
<v Speaker 2>I say, yes, that's right, Alfredo, two women talking about

0:51:04.880 --> 0:51:07.439
<v Speaker 2>film Welcome to Hell.

0:51:09.480 --> 0:51:12.520
<v Speaker 1>Yes, Alfredo, I have seen the film Ratitu et fun fact,

0:51:13.280 --> 0:51:16.400
<v Speaker 1>and this is how it's written on the trivia site.

0:51:17.080 --> 0:51:19.360
<v Speaker 1>To find out how to animate the scene where the

0:51:19.400 --> 0:51:23.799
<v Speaker 1>head chef is wet, they dressed someone, just someone, they

0:51:23.800 --> 0:51:26.600
<v Speaker 1>don't say who. They dressed someone in a chef suit

0:51:26.880 --> 0:51:28.840
<v Speaker 1>and put him in a swimming pool to see what

0:51:28.960 --> 0:51:31.920
<v Speaker 1>parts of the clothing stuck to his body and which

0:51:31.960 --> 0:51:37.480
<v Speaker 1>parts you could see through. Imagine being the guy that

0:51:37.520 --> 0:51:39.840
<v Speaker 1>they dress up and then being completely unnamed. Even in

0:51:39.880 --> 0:51:43.759
<v Speaker 1>the trivia of court. It's some like Pa or something's assistant.

0:51:43.960 --> 0:51:45.319
<v Speaker 1>We put someone in a chef suit.

0:51:45.320 --> 0:51:47.200
<v Speaker 2>They're like, we need you to go buy a fit,

0:51:47.480 --> 0:51:49.000
<v Speaker 2>and then we need you to put on the chef's

0:51:49.000 --> 0:51:50.160
<v Speaker 2>outfit and get in the pool.

0:51:52.560 --> 0:51:57.359
<v Speaker 1>Oh my gosh. This was in France. This movie broke

0:51:57.400 --> 0:51:59.920
<v Speaker 1>the record for the biggest debut for an animated movie.

0:52:00.520 --> 0:52:02.920
<v Speaker 1>That's cute. I'm happy they like it in France.

0:52:03.320 --> 0:52:05.360
<v Speaker 2>This little rat is so cute.

0:52:05.560 --> 0:52:06.960
<v Speaker 1>Yeah, this rat is so cute.

0:52:07.480 --> 0:52:08.520
<v Speaker 2>So just a little guy.

0:52:11.320 --> 0:52:11.680
<v Speaker 1>Yeah.

0:52:12.719 --> 0:52:15.279
<v Speaker 2>In order to stop Alfredo from speaking further at me,

0:52:15.360 --> 0:52:18.040
<v Speaker 2>I just show him the photo of a meal with

0:52:18.760 --> 0:52:23.920
<v Speaker 2>full of grapes and he laughs and hard to the conversation.

0:52:26.120 --> 0:52:28.800
<v Speaker 2>He has to rollerblade back into the kitchen to collect himself.

0:52:29.880 --> 0:52:35.839
<v Speaker 1>Now that you have finished with Linguini, now that you've

0:52:35.840 --> 0:52:38.719
<v Speaker 1>finished with Alfredo and dumped him in the trash, we

0:52:38.719 --> 0:52:40.759
<v Speaker 1>can move on to our next segment, which is, of course,

0:52:40.840 --> 0:52:42.400
<v Speaker 1>should you watch this or where we tell you if

0:52:42.400 --> 0:52:43.800
<v Speaker 1>you should watch this film or if you should do

0:52:43.840 --> 0:52:47.960
<v Speaker 1>something else with your time. Leanna, what do you think, honestly?

0:52:48.920 --> 0:52:52.319
<v Speaker 2>Have at it? You can watch Ratititui. But what you're

0:52:52.320 --> 0:52:55.440
<v Speaker 2>gonna need to make sure you also do is have

0:52:55.600 --> 0:52:59.400
<v Speaker 2>something very delicious on hand. And I would recommend a

0:52:59.440 --> 0:53:03.760
<v Speaker 2>fresh I get and some cheese and red grapes because

0:53:03.800 --> 0:53:06.040
<v Speaker 2>those are so featured in the film that you're gonna

0:53:06.040 --> 0:53:09.400
<v Speaker 2>want to eat them at some point soon after. But really,

0:53:09.600 --> 0:53:12.359
<v Speaker 2>whatever floats your tummy boat, I need.

0:53:12.280 --> 0:53:13.600
<v Speaker 1>To figure out what I'm gonna eat after this.

0:53:13.800 --> 0:53:16.520
<v Speaker 2>Oh, I'm so excited for you. I have leftovers from

0:53:16.560 --> 0:53:17.000
<v Speaker 2>my roast.

0:53:17.040 --> 0:53:20.120
<v Speaker 1>I'm gonna I really walk it down, work it out.

0:53:20.160 --> 0:53:25.840
<v Speaker 1>I really want that Gino Alfredo, Betechini, Alfredo, I love that, Sianna.

0:53:25.880 --> 0:53:26.480
<v Speaker 2>What would you say?

0:53:26.960 --> 0:53:31.640
<v Speaker 1>I would say, you can watch this movie. To be honest,

0:53:31.920 --> 0:53:35.520
<v Speaker 1>I really remembered liking it, but I wasn't like so

0:53:35.520 --> 0:53:37.120
<v Speaker 1>so excited to watch it just because I'm like, oh,

0:53:37.120 --> 0:53:41.239
<v Speaker 1>I've seen it before and it's cute, but you know,

0:53:41.320 --> 0:53:43.400
<v Speaker 1>it might be kind of long. And it was just

0:53:43.440 --> 0:53:46.160
<v Speaker 1>like so much more magical and entertaining than I even

0:53:46.200 --> 0:53:48.600
<v Speaker 1>remembered it. So I would recommend it. It's a really

0:53:48.640 --> 0:53:51.600
<v Speaker 1>really nice little watch. It's very beautiful and yeah, and

0:53:51.640 --> 0:53:54.200
<v Speaker 1>I agree with Leanna that it's it's a kind of

0:53:54.239 --> 0:53:56.880
<v Speaker 1>amazing moment of animation that still holds on.

0:53:57.680 --> 0:54:01.799
<v Speaker 2>Mmmm hmmm, Sianna, what would you rate the film? Rataituey?

0:54:01.920 --> 0:54:08.040
<v Speaker 1>Oh gosh mmmm, ratituy is so good. I guess I'm

0:54:08.040 --> 0:54:14.120
<v Speaker 1>gonna give it like this movie is really good. Yeah,

0:54:14.280 --> 0:54:14.880
<v Speaker 1>I don't know.

0:54:14.880 --> 0:54:16.040
<v Speaker 2>I guess i'll give it like.

0:54:22.760 --> 0:54:27.880
<v Speaker 1>I'm going to give this film. I'm gonna give it

0:54:31.160 --> 0:54:39.120
<v Speaker 1>four point eight buff rats out of five. I love it.

0:54:39.160 --> 0:54:40.719
<v Speaker 1>I love every second. I don't even know why I'm

0:54:40.760 --> 0:54:44.080
<v Speaker 1>giving it not perfect. It's like there were some things

0:54:44.120 --> 0:54:46.480
<v Speaker 1>like I don't know, that's that's what because that's what

0:54:46.520 --> 0:54:50.880
<v Speaker 1>my heart feels. Yeah, Leanna, h what would you rate it?

0:54:51.000 --> 0:54:55.839
<v Speaker 2>I I will give Ratituey four point five little clasped

0:54:56.000 --> 0:54:59.680
<v Speaker 2>pause out of five. Whenever he clasped. His pause was

0:54:59.760 --> 0:55:04.480
<v Speaker 2>so cute. It's so cute, it's beautiful, the food is

0:55:04.520 --> 0:55:08.279
<v Speaker 2>so delish. It loses that half point just because that

0:55:08.360 --> 0:55:10.840
<v Speaker 2>woman is not ending up with that man in real life,

0:55:11.120 --> 0:55:13.960
<v Speaker 2>and that man failing upward is so annoying.

0:55:15.760 --> 0:55:20.040
<v Speaker 1>Oh my god, it feels too real. Hmm.

0:55:20.239 --> 0:55:24.160
<v Speaker 2>I think that's it. Yeah, yeah, and I just it's

0:55:24.239 --> 0:55:26.520
<v Speaker 2>I don't want to watch an animal be sad for

0:55:26.600 --> 0:55:30.279
<v Speaker 2>even a second. Yeah, not even for one second ever.

0:55:31.640 --> 0:55:32.960
<v Speaker 2>But oh fantastic.

0:55:33.680 --> 0:55:38.600
<v Speaker 1>Well, everybody that has been ratatouey, we watched ratatuwey and

0:55:38.719 --> 0:55:40.480
<v Speaker 1>it was really good.

0:55:40.960 --> 0:55:44.040
<v Speaker 2>Yeah, freaking slapped slap a too.

0:55:45.320 --> 0:55:47.320
<v Speaker 1>Thank you so much for listening. We are Toss Popcorn.

0:55:47.360 --> 0:55:50.640
<v Speaker 1>You can find us at Toss Popcorn on Instagram and

0:55:50.880 --> 0:55:53.439
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0:55:53.520 --> 0:55:55.760
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0:55:55.800 --> 0:55:57.640
<v Speaker 1>We always appreciate the support. Thank you for all new

0:55:57.640 --> 0:56:01.279
<v Speaker 1>supporters and uh join us next week when we will

0:56:01.320 --> 0:56:02.240
<v Speaker 1>be watching.

0:56:03.000 --> 0:56:06.239
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0:56:21.560 --> 0:56:24.040
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0:56:42.120 --> 0:56:46.279
<v Speaker 2>Oh I want them to be my phone background. I

0:56:46.280 --> 0:56:47.400
<v Speaker 2>love it so much.

0:56:48.080 --> 0:56:57.360
<v Speaker 1>It's really Crael. Okay, Oh my god, he looks like

0:56:57.400 --> 0:57:01.439
<v Speaker 1>a batwhere else.

0:57:01.560 --> 0:57:03.800
<v Speaker 2>Oh he looks like a ceremonial bat.

0:57:04.080 --> 0:57:05.040
<v Speaker 1>Oh it's amazing.

0:57:09.080 --> 0:57:14.640
<v Speaker 2>I'm sorry, I'm still looking at it. I zoomed in.

0:57:15.120 --> 0:57:19.160
<v Speaker 1>Also the the fact that the caption is the most

0:57:19.240 --> 0:57:20.720
<v Speaker 1>honorable Terrible Friend