1 00:00:00,400 --> 00:00:01,520 Speaker 1: The Michael Berry Show. 2 00:00:02,040 --> 00:00:05,240 Speaker 2: Our archive podcast. If you notice that in the title 3 00:00:05,800 --> 00:00:08,880 Speaker 2: means this is something we've done in the past that 4 00:00:09,360 --> 00:00:12,800 Speaker 2: usually comes back to our attention because a listener has 5 00:00:12,840 --> 00:00:18,000 Speaker 2: requested a link to it, or when it came out, 6 00:00:18,400 --> 00:00:21,680 Speaker 2: or something happened on a this day in history, or 7 00:00:21,720 --> 00:00:24,079 Speaker 2: that person has popped back up in the news or 8 00:00:24,280 --> 00:00:28,440 Speaker 2: has died or is running for office or whatever else. 9 00:00:29,480 --> 00:00:32,680 Speaker 2: That's when we go back into the vault, pull something out, 10 00:00:32,760 --> 00:00:34,880 Speaker 2: and we figure if we go to the trouble to 11 00:00:34,920 --> 00:00:38,280 Speaker 2: go find it, then why not share it with folks? 12 00:00:38,760 --> 00:00:43,080 Speaker 2: And so that's where the archive podcasts come from on 13 00:00:43,120 --> 00:00:49,440 Speaker 2: this particular exciting edition. Greg Fitzimmons is an American stand 14 00:00:49,479 --> 00:00:55,120 Speaker 2: up comedian, writer, producer, podcast host celebrated for his sharp wit, 15 00:00:55,360 --> 00:01:00,040 Speaker 2: observational humor, and often self deprecating style. He's also he 16 00:01:00,080 --> 00:01:04,600 Speaker 2: made notable contributions as a writer and producer. He was 17 00:01:04,600 --> 00:01:06,880 Speaker 2: a writer for The Ellen DeGeneres Show, where he earned 18 00:01:06,920 --> 00:01:11,240 Speaker 2: four Daytime Emmys. He's also been involved with Louis and 19 00:01:11,360 --> 00:01:16,560 Speaker 2: Crashing on HBO. He posts. He hosts a very popular 20 00:01:16,600 --> 00:01:21,360 Speaker 2: podcast called Fitzdog Radio. He interviews fellow comedians and covers 21 00:01:21,600 --> 00:01:24,040 Speaker 2: a lot of topics. Comedians like to talk about comedy, 22 00:01:24,080 --> 00:01:26,400 Speaker 2: you know. Movie actors like to talk about the movie industry. 23 00:01:26,440 --> 00:01:28,840 Speaker 2: Singers like to talk about singing, and he does a 24 00:01:28,880 --> 00:01:32,480 Speaker 2: lot of that. He also co hosts the podcast Sunday 25 00:01:32,480 --> 00:01:36,800 Speaker 2: Papers with comedian Mike Gibbons. We had him on this 26 00:01:36,880 --> 00:01:39,560 Speaker 2: is how far back it was. This was before Ramone 27 00:01:40,560 --> 00:01:46,120 Speaker 2: was even running the board. Ramone was not our producer yet. 28 00:01:46,360 --> 00:01:46,959 Speaker 3: Chad was. 29 00:01:48,920 --> 00:01:51,960 Speaker 2: How do we remember that? Because Chad is a huge 30 00:01:51,960 --> 00:01:56,640 Speaker 2: fan of Greg Fitzimmons, and he reminded Jim Mudd when 31 00:01:56,680 --> 00:01:59,720 Speaker 2: Jim Mudd went into the vault to find this. Chad said, oh, yeah, 32 00:02:00,080 --> 00:02:02,160 Speaker 2: I set that up because I think he's very funny. 33 00:02:02,320 --> 00:02:04,040 Speaker 1: Greg fit Simmons is our guest. 34 00:02:04,520 --> 00:02:06,400 Speaker 2: I'm gonna play a quick bit. I'm gonna burn a 35 00:02:06,400 --> 00:02:08,160 Speaker 2: minute and a half of our time because I want 36 00:02:08,240 --> 00:02:14,880 Speaker 2: him to comment on it. Yeah we uh, wasn't too loud, Yeah, 37 00:02:16,000 --> 00:02:17,440 Speaker 2: because I want him to comment on this. 38 00:02:18,360 --> 00:02:22,080 Speaker 3: Welcome everyone to comedy Night at University College. 39 00:02:22,360 --> 00:02:26,480 Speaker 2: Let's be very considerate to our first comedian, Jason Berkleman. 40 00:02:27,639 --> 00:02:30,560 Speaker 1: All Right, what a good looking crowd we have tonight. 41 00:02:32,200 --> 00:02:35,960 Speaker 1: Don't judge us based on any prevailing oppressive beauty norms. 42 00:02:36,120 --> 00:02:39,560 Speaker 4: Oh, okay, sorry for that anyway, I just broke up 43 00:02:39,600 --> 00:02:40,480 Speaker 4: with my girlfriend. 44 00:02:42,120 --> 00:02:46,160 Speaker 5: Your reteronormative relationship is exclusionary, a bridget did. 45 00:02:46,720 --> 00:02:51,720 Speaker 4: Okay, So I just flew in, guys, and the snacks 46 00:02:51,760 --> 00:02:52,440 Speaker 4: on airplane? 47 00:02:53,720 --> 00:02:56,200 Speaker 1: What are you allergic to? Pedos? Fear a flying was 48 00:02:56,240 --> 00:02:58,639 Speaker 1: on a list of trigger warnings we sent you. Who 49 00:02:58,639 --> 00:03:02,080 Speaker 1: are these people? You're the victims of your hate speech. 50 00:03:02,160 --> 00:03:05,359 Speaker 1: You'll need to secure a safe place for our protesters. 51 00:03:05,400 --> 00:03:10,240 Speaker 4: They seem angry, And here we go with the tone policing, acknowledge. 52 00:03:09,720 --> 00:03:12,160 Speaker 1: Your white privilege. I was going to with some of 53 00:03:12,200 --> 00:03:13,760 Speaker 1: my jokes like this one. 54 00:03:13,880 --> 00:03:19,240 Speaker 4: I went on vacation in Jamaica, racist with my dad, patriarchist. 55 00:03:19,840 --> 00:03:24,000 Speaker 1: He smoked pot. Guys, it's funny, man, explained the Big Jason. 56 00:03:24,200 --> 00:03:27,040 Speaker 1: There's at least eight different genders in the audience right now. 57 00:03:27,040 --> 00:03:29,800 Speaker 1: They're not all guys. Well, now I feel like I 58 00:03:29,840 --> 00:03:30,760 Speaker 1: can't say anything. 59 00:03:31,160 --> 00:03:32,800 Speaker 2: Of course you can, Jason. 60 00:03:33,040 --> 00:03:35,120 Speaker 5: This is a free speech zone. 61 00:03:36,120 --> 00:03:39,760 Speaker 1: Okay, huh all right? So uh what else is going 62 00:03:39,800 --> 00:03:42,920 Speaker 1: on here? 63 00:03:46,520 --> 00:03:49,360 Speaker 2: Recently, Chris Rock came out greg and said he doesn't 64 00:03:49,360 --> 00:03:53,640 Speaker 2: perform on college campuses anymore because of this political correctness moved. 65 00:03:53,720 --> 00:03:57,320 Speaker 2: Jerry Seinfeld has said the same Amy Schumer's being attacked 66 00:03:57,480 --> 00:04:01,640 Speaker 2: by these types of folks as a comedian. Is it 67 00:04:01,680 --> 00:04:04,360 Speaker 2: harder to be a comic these days for fear of 68 00:04:04,360 --> 00:04:05,160 Speaker 2: offending people? 69 00:04:06,320 --> 00:04:07,080 Speaker 1: Well, I think that. 70 00:04:09,200 --> 00:04:11,480 Speaker 4: There's the first wave of people you can offend, which 71 00:04:11,560 --> 00:04:13,920 Speaker 4: is the ones in the crowd, and that's pretty rare. 72 00:04:14,440 --> 00:04:17,760 Speaker 4: I find that, you know, the people that are in 73 00:04:17,839 --> 00:04:20,160 Speaker 4: the audience, get the context of what you're doing. You've 74 00:04:20,200 --> 00:04:22,839 Speaker 4: already you've already told some jokes, maybe you've sort of 75 00:04:22,839 --> 00:04:25,320 Speaker 4: defined your voice a little bit. People get that you're 76 00:04:25,320 --> 00:04:28,360 Speaker 4: being a little bit ironic, you know, like you might 77 00:04:28,400 --> 00:04:30,520 Speaker 4: say something that you don't mean, but it's in a 78 00:04:30,640 --> 00:04:33,760 Speaker 4: character of what you're doing on stage. The problem is 79 00:04:33,760 --> 00:04:35,800 Speaker 4: when it then gets lifted and put on the internet 80 00:04:35,880 --> 00:04:38,159 Speaker 4: and then people judge it based on just that one 81 00:04:38,240 --> 00:04:41,440 Speaker 4: bit standalone. It's like when they when you quote somebody 82 00:04:41,480 --> 00:04:43,680 Speaker 4: in the newspaper and you grab, you know, one sentence. 83 00:04:43,760 --> 00:04:47,920 Speaker 4: That's so I think it's it's worrisome, and I think 84 00:04:47,920 --> 00:04:50,400 Speaker 4: comics are to try to really keep an eye out 85 00:04:50,400 --> 00:04:52,800 Speaker 4: that you don't see a red light on somebody's phone 86 00:04:53,160 --> 00:04:56,160 Speaker 4: while you're performing, because you look what happened to Kramer, 87 00:04:56,520 --> 00:04:56,719 Speaker 4: you know. 88 00:04:57,040 --> 00:04:59,680 Speaker 1: And I know I used to watch Kramer in LA. 89 00:04:59,640 --> 00:05:02,080 Speaker 4: And he to do these things and he would go 90 00:05:02,120 --> 00:05:05,440 Speaker 4: screaming about Jews and the Holocaust and all this stuff. 91 00:05:05,480 --> 00:05:06,520 Speaker 3: But he was. 92 00:05:06,560 --> 00:05:09,360 Speaker 4: Clearly doing a character. He was doing a guy who 93 00:05:09,400 --> 00:05:10,200 Speaker 4: was outrageous. 94 00:05:11,040 --> 00:05:13,440 Speaker 1: Did he go too far that night? Yeah? 95 00:05:13,440 --> 00:05:17,120 Speaker 4: But you know, comedy's experimental, you know, and you've got 96 00:05:17,120 --> 00:05:19,359 Speaker 4: to give it some room to cross the line. Otherwise, 97 00:05:19,400 --> 00:05:21,120 Speaker 4: how are you ever gonna find the line? You can 98 00:05:21,240 --> 00:05:22,679 Speaker 4: just always come up short of the line. 99 00:05:24,080 --> 00:05:27,359 Speaker 2: Yeah, taking leaving a side by the way. Greg Fitzsimmons 100 00:05:27,400 --> 00:05:29,680 Speaker 2: will be at the Houston Improv two shows tonight eight 101 00:05:29,720 --> 00:05:32,800 Speaker 2: and ten thirty two shows tomorrow night Saturday night, seven 102 00:05:32,839 --> 00:05:36,520 Speaker 2: and nine to thirty pm. Improv Houston dot com. It's 103 00:05:36,520 --> 00:05:37,320 Speaker 2: a great place to watch. 104 00:05:37,320 --> 00:05:39,880 Speaker 1: It's gonna be really f in offensive, very. 105 00:05:39,720 --> 00:05:42,000 Speaker 2: Offensive, and you're gonna scream the D word at people 106 00:05:42,000 --> 00:05:42,640 Speaker 2: who heck will you? 107 00:05:42,680 --> 00:05:44,279 Speaker 4: I don't have to scream it. I find when I 108 00:05:44,279 --> 00:05:46,080 Speaker 4: whisper it, I get even more of a reaction. 109 00:05:46,560 --> 00:05:47,599 Speaker 2: It's creepier that way. 110 00:05:47,760 --> 00:05:47,960 Speaker 3: Yes. 111 00:05:48,760 --> 00:05:51,120 Speaker 1: Now, I do a lot of jokes about race, you know. 112 00:05:51,200 --> 00:05:54,960 Speaker 4: I do stuff where we talk about you know, I say, 113 00:05:54,960 --> 00:05:57,640 Speaker 4: you know, the Irish, we get offended on Saint Patrick's 114 00:05:57,680 --> 00:06:00,200 Speaker 4: Day because everybody, everybody's got to get drunk and row 115 00:06:00,279 --> 00:06:02,279 Speaker 4: up so they can be Irish. I say, we don't 116 00:06:02,279 --> 00:06:04,960 Speaker 4: do that to you guys in your holidays like on Russia, Shana. 117 00:06:04,960 --> 00:06:06,320 Speaker 4: I don't like, go, hey, let's go down to the 118 00:06:06,360 --> 00:06:08,680 Speaker 4: bank and check our balances, or you. 119 00:06:08,600 --> 00:06:11,160 Speaker 1: Know, hey, how was your Chinese New Year? It was awesome. 120 00:06:11,200 --> 00:06:14,640 Speaker 4: I got into a senseless automobile accident. How was your 121 00:06:14,640 --> 00:06:17,279 Speaker 4: Black History Month? I showed up late, missed the whole 122 00:06:17,320 --> 00:06:21,159 Speaker 4: goddamn thing, and people laugh. But if you were to 123 00:06:21,160 --> 00:06:23,360 Speaker 4: put that on paper and you put it out there, 124 00:06:23,400 --> 00:06:25,039 Speaker 4: then you don't know how people are going to react 125 00:06:25,080 --> 00:06:25,240 Speaker 4: to that. 126 00:06:25,839 --> 00:06:29,880 Speaker 2: Well, to me, and you understand what you're doing better 127 00:06:29,960 --> 00:06:32,880 Speaker 2: than I do to me. If we can laugh about something, 128 00:06:32,880 --> 00:06:35,719 Speaker 2: we can conquer it. You're the best. Comedy is about 129 00:06:35,720 --> 00:06:41,599 Speaker 2: the things that make us most awkward, right, sex, race, growing, old, dying. 130 00:06:41,680 --> 00:06:43,080 Speaker 2: I mean, that's what comedy's supposed to be. 131 00:06:43,080 --> 00:06:46,800 Speaker 4: About, right And you know there, Look, there are examples 132 00:06:46,800 --> 00:06:49,320 Speaker 4: of comedy that I would call racist. You know that's 133 00:06:49,360 --> 00:06:52,200 Speaker 4: just because I think that you can start to draw 134 00:06:52,279 --> 00:06:57,000 Speaker 4: your own crowd and the crowd you draw may not. 135 00:06:57,080 --> 00:06:58,960 Speaker 1: Be in on the irony of what you're doing. 136 00:06:59,040 --> 00:07:01,880 Speaker 4: Sometimes, like like with Dice Clay, I don't think he 137 00:07:01,960 --> 00:07:04,560 Speaker 4: was being racist, but I think he started to draw 138 00:07:04,600 --> 00:07:07,600 Speaker 4: a crowd of people that really were misogynistic and start 139 00:07:07,680 --> 00:07:09,880 Speaker 4: and we're really cheering some of the stuff that he 140 00:07:09,920 --> 00:07:12,280 Speaker 4: was saying that was woman bashing. I didn't find it 141 00:07:12,320 --> 00:07:15,880 Speaker 4: to be woman bashing, but there is a line, Like 142 00:07:15,960 --> 00:07:18,240 Speaker 4: you know, with Jeff Dunham, some people would argue that 143 00:07:18,280 --> 00:07:21,640 Speaker 4: some of the stuff he does really doesn't encourage intolerance 144 00:07:21,680 --> 00:07:24,560 Speaker 4: towards Muslims. Is that his intention? No, I think the 145 00:07:24,600 --> 00:07:27,760 Speaker 4: guy's doing a character. But then you can start to 146 00:07:27,840 --> 00:07:28,760 Speaker 4: judge the crowd. 147 00:07:28,520 --> 00:07:31,800 Speaker 2: A little bit. Yeah, yeah, I don't know. I kind 148 00:07:31,800 --> 00:07:33,600 Speaker 2: of feel like art is art and people will do 149 00:07:33,640 --> 00:07:37,160 Speaker 2: with it what they want exactly right. But I do 150 00:07:37,160 --> 00:07:41,120 Speaker 2: miss the Hickory dickery doc intro. Can you know there 151 00:07:41,200 --> 00:07:43,880 Speaker 2: was a time when I wasn't sure if I was 152 00:07:43,920 --> 00:07:46,760 Speaker 2: laughing at with him or at him right, but his 153 00:07:46,880 --> 00:07:48,600 Speaker 2: stick was it wasn't long. 154 00:07:49,200 --> 00:07:51,040 Speaker 1: Well Kennison, who was the greatest. 155 00:07:51,080 --> 00:07:53,960 Speaker 4: I mean, he was screaming crazy stuff and to me, 156 00:07:54,040 --> 00:07:55,520 Speaker 4: it's like I don't have to agree with what a 157 00:07:55,520 --> 00:07:57,960 Speaker 4: comedian says like Nick Depolo, I think is one of 158 00:07:57,960 --> 00:08:00,480 Speaker 4: the greatest comics in the country. I don't agree with 159 00:08:00,520 --> 00:08:01,720 Speaker 4: most most of what he says. 160 00:08:02,160 --> 00:08:04,840 Speaker 1: I don't have to. I have to just think that 161 00:08:05,000 --> 00:08:05,360 Speaker 1: here's a. 162 00:08:05,360 --> 00:08:08,480 Speaker 4: Guy who's got an opinion, and he's and he's passionate 163 00:08:08,520 --> 00:08:09,880 Speaker 4: about it, and that's funny. 164 00:08:10,720 --> 00:08:15,600 Speaker 2: Yeah, I uh yes, And I believe in the marketplace 165 00:08:15,800 --> 00:08:19,280 Speaker 2: of every different kind of type of comic, from Chappelle 166 00:08:19,320 --> 00:08:22,320 Speaker 2: to a Kinnison to an Amy Schumer. I think it's important. 167 00:08:22,720 --> 00:08:24,520 Speaker 2: The important thing being it doesn't matter if you like 168 00:08:24,560 --> 00:08:24,920 Speaker 2: him or not. 169 00:08:25,520 --> 00:08:28,400 Speaker 4: Comedy, right, right, That's that's the whole Yeah, I mean, 170 00:08:28,520 --> 00:08:29,920 Speaker 4: do we like Archie Bunker. 171 00:08:30,000 --> 00:08:30,640 Speaker 1: I mean the guy. 172 00:08:31,040 --> 00:08:35,160 Speaker 4: The guy was obviously a racist, but you got the character. 173 00:08:35,240 --> 00:08:36,520 Speaker 4: You got that he was a guy who was a 174 00:08:36,520 --> 00:08:39,760 Speaker 4: working classman from a place who wasn't exposed to race 175 00:08:39,800 --> 00:08:42,240 Speaker 4: and it was at a certain time period where things 176 00:08:42,240 --> 00:08:44,800 Speaker 4: weren't is evolved and it's and he was funny. 177 00:08:45,280 --> 00:08:46,959 Speaker 2: Yeah. 178 00:08:47,080 --> 00:08:47,360 Speaker 3: Yeah. 179 00:08:47,400 --> 00:08:50,000 Speaker 2: It's interesting to go back and see how that stuff 180 00:08:50,080 --> 00:08:53,040 Speaker 2: doesn't hold up very well. Right, It's it's almost a 181 00:08:53,080 --> 00:08:55,760 Speaker 2: parody or a caricature of a time. When you go 182 00:08:55,840 --> 00:08:59,200 Speaker 2: back and look at it. Greg fitz Simmons, host of 183 00:08:59,240 --> 00:09:03,720 Speaker 2: the Fitzdog podcast, also heard on Sirius XM on. 184 00:09:03,600 --> 00:09:05,680 Speaker 1: Twitter, Greg Fits Show. 185 00:09:06,080 --> 00:09:08,440 Speaker 2: He'll be at the Improv tonight two shows eight and 186 00:09:08,520 --> 00:09:11,520 Speaker 2: ten thirty Tomorrow night seven and nine thirty. You can 187 00:09:11,559 --> 00:09:14,760 Speaker 2: find out more at improvuston dot com. I'll play you 188 00:09:14,800 --> 00:09:16,520 Speaker 2: more of his stuff come up the next hour from 189 00:09:16,559 --> 00:09:19,400 Speaker 2: our archives. Big fan, glad to have you in town, buddy, 190 00:09:19,400 --> 00:09:23,080 Speaker 2: Thank you. Greg fitz Simmons. Chad's not a fan boy 191 00:09:23,120 --> 00:09:27,520 Speaker 2: of very many things, but he's a huge Greg Fitzsimmons fan. 192 00:09:28,880 --> 00:09:32,319 Speaker 2: He loves anything in the kind of Joe Rogan world. 193 00:09:33,360 --> 00:09:35,319 Speaker 2: Here is more Greg Fitzimmons. 194 00:09:35,520 --> 00:09:36,800 Speaker 1: I wish I was a black guy. If you're a 195 00:09:36,800 --> 00:09:38,080 Speaker 1: black guy, I just shave your head. 196 00:09:38,320 --> 00:09:38,640 Speaker 2: All right. 197 00:09:38,720 --> 00:09:41,200 Speaker 5: Hey, this guy, any black guy, he'll be the ugliest 198 00:09:41,200 --> 00:09:42,120 Speaker 5: black guy in California. 199 00:09:42,120 --> 00:09:44,000 Speaker 1: You shave your head. Every woman's like. 200 00:09:44,080 --> 00:09:52,080 Speaker 5: Mm yeah, hever see a white guy shave his head. 201 00:09:52,559 --> 00:10:07,880 Speaker 1: Everybody's like leukemia. Black guy's getting laid. I'm getting chemotherapy. 202 00:10:07,920 --> 00:10:14,360 Speaker 2: It's not fair, all right. This is inside baseball for you, 203 00:10:14,440 --> 00:10:17,640 Speaker 2: Andy Kaufman, folks. So I'll make this quick. But several 204 00:10:17,679 --> 00:10:21,360 Speaker 2: months ago on Greg Fitzsimmons' podcast. He had Bob Zamuda, 205 00:10:21,640 --> 00:10:25,240 Speaker 2: who was supposedly Andy Kaufman's best friend and his behind 206 00:10:25,240 --> 00:10:28,960 Speaker 2: the scenes partner in crime. Zimuda's promoting a new book 207 00:10:29,120 --> 00:10:33,120 Speaker 2: that otherwise nobody would buy. So he's claiming that Kaufman 208 00:10:33,200 --> 00:10:37,240 Speaker 2: faked his own death and is going to reappear so 209 00:10:37,840 --> 00:10:41,480 Speaker 2: that he can get people to buy his book. And 210 00:10:44,760 --> 00:10:48,920 Speaker 2: there is some doubt even as to whether this was 211 00:10:49,880 --> 00:10:52,880 Speaker 2: this was staged, but I'm told it wasn't. It's just 212 00:10:52,920 --> 00:10:54,760 Speaker 2: fun to watch Bob's MOODA blow up here. 213 00:10:55,120 --> 00:10:57,359 Speaker 3: You want to stop the sale of this book tomorrow, 214 00:10:58,080 --> 00:11:03,120 Speaker 3: take a damn hoe and go over to Bethel Cemetery 215 00:11:03,120 --> 00:11:08,000 Speaker 3: where Andy is supposedly in a coffin, and in twenty 216 00:11:08,080 --> 00:11:12,160 Speaker 3: minutes with a backo, pop that open with a certified corner. 217 00:11:13,040 --> 00:11:19,319 Speaker 3: Take some blood, take some hair samples. 218 00:11:15,320 --> 00:11:19,720 Speaker 4: And seriously, I have all this respect for you, and 219 00:11:19,760 --> 00:11:22,000 Speaker 4: I'm glad you come over, but you get into the 220 00:11:22,320 --> 00:11:24,160 Speaker 4: and it's just like it's it. 221 00:11:24,240 --> 00:11:28,760 Speaker 3: Because I'm sick of idiots like you, And well, you 222 00:11:28,800 --> 00:11:32,320 Speaker 3: walk me in here, excuse me, you walk me in 223 00:11:32,440 --> 00:11:34,680 Speaker 3: here and say, oh, I'm a big fan of yours, 224 00:11:34,720 --> 00:11:37,160 Speaker 3: and build me up and all this stuff, and underneath 225 00:11:37,200 --> 00:11:39,760 Speaker 3: your waiting to say you're making this up. 226 00:11:39,840 --> 00:11:43,320 Speaker 4: No, I'm just saying I listened to it the entire 227 00:11:43,880 --> 00:11:45,640 Speaker 4: and everything's normal, and you get. 228 00:11:45,480 --> 00:11:48,520 Speaker 2: Into this I got high blood sound. 229 00:11:48,679 --> 00:11:51,960 Speaker 4: You think it's stupid and you're better than that, And 230 00:11:52,040 --> 00:11:53,000 Speaker 4: where are you in here? 231 00:11:53,120 --> 00:11:54,800 Speaker 3: Why don't you just listen to what I am saying. 232 00:11:55,679 --> 00:11:58,439 Speaker 3: Go to John Mara, go to Universal Studio and I'll 233 00:11:58,440 --> 00:12:01,720 Speaker 3: dig up the video you okay, Yeah, my attitude is 234 00:12:01,760 --> 00:12:02,360 Speaker 3: I walked up. 235 00:12:02,520 --> 00:12:06,080 Speaker 2: God, it don't give you that. Yeah, that's how it ends. 236 00:12:06,600 --> 00:12:09,840 Speaker 1: That's greats great? 237 00:12:11,760 --> 00:12:11,880 Speaker 3: Right? 238 00:12:12,000 --> 00:12:16,640 Speaker 4: I don't. 239 00:12:20,400 --> 00:12:23,000 Speaker 2: You have no release to use an interview that I 240 00:12:23,120 --> 00:12:27,280 Speaker 2: just sat down for. Yeah? Yeah, actually you do. You don't. 241 00:12:27,360 --> 00:12:30,080 Speaker 2: You don't need a release for that. If you like 242 00:12:30,160 --> 00:12:34,000 Speaker 2: The Michael Berry Show and Podcast, please tell one friend, 243 00:12:34,640 --> 00:12:38,000 Speaker 2: and if you're so inclined, write a nice review of 244 00:12:38,040 --> 00:12:42,840 Speaker 2: our podcast. Comments, suggestions, questions, and interest in being a 245 00:12:42,920 --> 00:12:46,840 Speaker 2: corporate sponsor and partner can be communicated directly to the 246 00:12:46,880 --> 00:12:53,040 Speaker 2: show at our email address, Michael at Michael Berryshow dot com, 247 00:12:53,160 --> 00:12:57,920 Speaker 2: or simply by clicking on our website, Michael Berryshow dot com. 248 00:12:58,200 --> 00:13:02,400 Speaker 2: The Michael Berry Show and Podcast is produced by Ramon Roeblis, 249 00:13:02,760 --> 00:13:12,440 Speaker 2: the King of Ding. Executive producer is Chad Nakanishi. Jim 250 00:13:12,520 --> 00:13:18,480 Speaker 2: Mudd is the creative director. Voices Jingles, Tomfoolery, and Shenanigans 251 00:13:18,920 --> 00:13:24,280 Speaker 2: are provided by Chance McLean. Director of Research is Sandy Peterson. 252 00:13:24,840 --> 00:13:30,720 Speaker 2: Emily Bull is our assistant listener and superfan. Contributions are 253 00:13:30,920 --> 00:13:36,280 Speaker 2: appreciated and often incorporated into our production. Where possible, we 254 00:13:36,360 --> 00:13:39,679 Speaker 2: give credit, Where not, we take all the credit for ourselves. 255 00:13:40,280 --> 00:13:45,000 Speaker 2: God bless the memory of Rush Limbaugh. Long live Elvis, 256 00:13:46,000 --> 00:13:49,839 Speaker 2: be a simple man like Leonard Skinnard told you, and 257 00:13:50,000 --> 00:13:54,800 Speaker 2: God bless America. Finally, if you know a veteran suffering 258 00:13:54,840 --> 00:14:00,439 Speaker 2: from PTSD, call Camp Hope at eight seven seven seven 259 00:14:00,520 --> 00:14:05,400 Speaker 2: one seven PTSD and a combat veteran will answer the 260 00:14:05,400 --> 00:14:07,440 Speaker 2: phone to provide free counseling.