1 00:00:14,840 --> 00:00:15,400 Speaker 1: What the hell? 2 00:00:15,600 --> 00:00:17,079 Speaker 2: What? 3 00:00:17,800 --> 00:00:19,600 Speaker 1: Everybody relaxed? 4 00:00:20,239 --> 00:00:20,840 Speaker 3: Touch that pain? 5 00:00:21,640 --> 00:00:22,919 Speaker 1: Is that a body? 6 00:00:24,320 --> 00:00:26,920 Speaker 4: It's Fandy, dang dog? 7 00:00:27,040 --> 00:00:34,560 Speaker 5: The bitch is dead, Disgustice, How are y'all a poof 8 00:00:34,560 --> 00:00:35,200 Speaker 5: when I'm nervous? 9 00:00:35,200 --> 00:00:36,440 Speaker 4: And I'm nervous, when a poof? 10 00:00:37,479 --> 00:00:38,000 Speaker 6: Just the way? 11 00:00:38,040 --> 00:00:38,360 Speaker 3: It is? 12 00:00:41,760 --> 00:00:46,560 Speaker 7: Welcome, dear listener, what you just heard was a murder. 13 00:00:47,120 --> 00:00:47,639 Speaker 1: That's right. 14 00:00:48,280 --> 00:00:51,199 Speaker 7: Death finds us all sooner or later. Oh yes, he 15 00:00:51,680 --> 00:00:56,600 Speaker 7: she they do. I should, however, correct myself. You did 16 00:00:56,640 --> 00:00:59,400 Speaker 7: not ear witness a murder, per se. What you heard 17 00:00:59,600 --> 00:01:03,680 Speaker 7: was the discovery of a body, and not just anybody, 18 00:01:04,080 --> 00:01:10,759 Speaker 7: mine Vandy Jeremiah Monroe, the third, your narrator from the beyond? 19 00:01:11,720 --> 00:01:15,039 Speaker 7: Who am I? You ask? Or rather who was? I? 20 00:01:16,000 --> 00:01:20,920 Speaker 7: A director? Philanthropist, lover, fighter, dreamer and very fucking gay? 21 00:01:21,920 --> 00:01:25,560 Speaker 7: My ouvra has been dissected in film schools and more importantly, 22 00:01:25,880 --> 00:01:30,000 Speaker 7: film blogs. My biggest success was Called Which, which a 23 00:01:30,080 --> 00:01:33,560 Speaker 7: sapphic love story set during the Salem Bitch Trials, and 24 00:01:33,680 --> 00:01:36,160 Speaker 7: my first film, Give a Dog a Boner, is about 25 00:01:36,160 --> 00:01:39,840 Speaker 7: a demonic Dashian who terrorizes the senior citizen community in 26 00:01:39,880 --> 00:01:43,800 Speaker 7: New Jersey. Recently, my work had fallen out of favor. 27 00:01:44,640 --> 00:01:46,800 Speaker 7: Oh who am I kidding? I haven't had a hit 28 00:01:46,840 --> 00:01:50,040 Speaker 7: since Veronica's Closet was on the air. But I had 29 00:01:50,040 --> 00:01:52,960 Speaker 7: a plan for my comeback, A movie musical called All 30 00:01:53,000 --> 00:01:56,680 Speaker 7: About Steve, a remake of All About Eve, only gayer 31 00:01:57,120 --> 00:02:01,240 Speaker 7: and with angel. People would respect me again. Jim Parsons 32 00:02:01,280 --> 00:02:04,400 Speaker 7: would return my calls. I could smell the oscars, or 33 00:02:04,440 --> 00:02:09,400 Speaker 7: at least the racist golden globes. Only in the weeks 34 00:02:09,440 --> 00:02:13,200 Speaker 7: before my demise, I started to receive threatening calls, emails, 35 00:02:13,240 --> 00:02:16,160 Speaker 7: and letters saying things like You're about to die, Andy, 36 00:02:16,720 --> 00:02:19,639 Speaker 7: sleep with your eyes open, peek a boo, I'm gonna 37 00:02:19,680 --> 00:02:20,440 Speaker 7: kill you, etc. 38 00:02:20,880 --> 00:02:21,400 Speaker 8: Et cetera. 39 00:02:22,160 --> 00:02:24,760 Speaker 7: Then the ante was upped. A bullet grazed me during 40 00:02:24,760 --> 00:02:27,800 Speaker 7: my morning stroll. A toxic mushroom made its way into 41 00:02:27,800 --> 00:02:32,520 Speaker 7: my darling dog's dinner bowl. R Ip, Jessica, that's not all. 42 00:02:32,880 --> 00:02:35,720 Speaker 7: A massacred rabbit and spooky photo of Glenn clothes were 43 00:02:35,800 --> 00:02:38,400 Speaker 7: left at my door, along with the original Broadway cast 44 00:02:38,480 --> 00:02:43,400 Speaker 7: recording of the musical Taboo. Shit was getting real, so 45 00:02:43,600 --> 00:02:48,560 Speaker 7: I invited my best friends aka my mortal enemies, each 46 00:02:48,600 --> 00:02:51,520 Speaker 7: of whom had a reason to want me. Disappeared to 47 00:02:51,600 --> 00:02:54,480 Speaker 7: my Hudson Valley home for the weekend. My plan was 48 00:02:54,520 --> 00:02:57,200 Speaker 7: to catch whoever was after me once and for all, 49 00:02:57,639 --> 00:03:03,000 Speaker 7: but clearly I failed. The question, dear listener, is not 50 00:03:03,160 --> 00:03:07,640 Speaker 7: who died like I said it me. No, the question 51 00:03:07,840 --> 00:03:12,640 Speaker 7: is why and by whom? And what were they wearing? 52 00:03:13,240 --> 00:03:16,320 Speaker 7: And who were they wearing? There's more confusion surrounding my 53 00:03:16,440 --> 00:03:19,360 Speaker 7: death than there is about Ryan Murphy's success. Is he 54 00:03:19,440 --> 00:03:26,080 Speaker 7: really that talented or just remarkably overpaid? Allegedly? In dissecting 55 00:03:26,080 --> 00:03:29,200 Speaker 7: my big gay murder, I have two goals. To name 56 00:03:29,280 --> 00:03:33,079 Speaker 7: my killer and to entertain. Do you know that song 57 00:03:33,120 --> 00:03:38,280 Speaker 7: from Gypsy? Let me entertain? Yell? It's sung by a 58 00:03:38,360 --> 00:03:41,880 Speaker 7: child who turns into a whore, and now by me. Well, 59 00:03:42,360 --> 00:03:45,560 Speaker 7: just a sample. We can't afford the rights moving on. 60 00:03:46,480 --> 00:03:51,240 Speaker 7: Every good murder has a suspect or ten. Mine is 61 00:03:51,280 --> 00:03:55,800 Speaker 7: no exception. Let me introduce you to the possibilities. First, 62 00:03:55,880 --> 00:04:00,920 Speaker 7: my husband, Reginald Divine, a part time artist, full time wiccan. 63 00:04:01,000 --> 00:04:05,840 Speaker 7: Who's really introducing No one knows how old Reginald is, 64 00:04:06,200 --> 00:04:09,720 Speaker 7: not even me. He just keeps getting younger. He credits 65 00:04:09,800 --> 00:04:13,600 Speaker 7: vampire facials and Kale's smoothies, but I'm not so sure. 66 00:04:14,240 --> 00:04:18,200 Speaker 7: Did I love him. Could he have murdered me? 67 00:04:18,839 --> 00:04:25,880 Speaker 3: Absolutely, I'm Reginald Divine, I'm here, I'm queer now past 68 00:04:25,920 --> 00:04:29,040 Speaker 3: the sunscreen. No, I'm not kidding. I'm like an SPM 69 00:04:29,160 --> 00:04:31,479 Speaker 3: seventy and that's at night. 70 00:04:32,240 --> 00:04:35,920 Speaker 7: Then we have my neighbor, Henry Jacobs, an award losing 71 00:04:36,000 --> 00:04:39,920 Speaker 7: interior designer. Henry has a passion for wallpaper and is 72 00:04:39,960 --> 00:04:42,599 Speaker 7: obsessed with Harry Potter books in a way that I 73 00:04:42,640 --> 00:04:45,560 Speaker 7: find unhealthy, especially these days. 74 00:04:45,960 --> 00:04:51,240 Speaker 9: I'm Henry Jacobs and I'm gay about a Cadavra Sweetheart. 75 00:04:51,880 --> 00:04:55,440 Speaker 7: Jacques Saint Cox, a British porn star with the dick 76 00:04:55,520 --> 00:04:57,640 Speaker 7: the size of an egg plant and the brain the 77 00:04:57,680 --> 00:05:02,080 Speaker 7: size of an egg Alla Mite, Jock Saint. 78 00:05:02,880 --> 00:05:03,760 Speaker 1: Butthole Dehey. 79 00:05:04,880 --> 00:05:08,760 Speaker 7: Madame Moon and Polly Barker, a cabaret duo who've been 80 00:05:08,800 --> 00:05:12,839 Speaker 7: performing together longer than both acts of the Inheritance. Polly's 81 00:05:12,839 --> 00:05:16,480 Speaker 7: preferred method of communication is the piano, while Moon can 82 00:05:16,520 --> 00:05:18,359 Speaker 7: be a bit dim bossy. 83 00:05:19,120 --> 00:05:24,320 Speaker 2: Introduce yourself, Polly, use your words. 84 00:05:25,200 --> 00:05:27,000 Speaker 4: I'm Polly Barker. 85 00:05:26,640 --> 00:05:31,720 Speaker 2: And I am Madam Moon, drag queen extraordinaire. I have 86 00:05:31,800 --> 00:05:35,279 Speaker 2: a voice like a siren, and not the kind on 87 00:05:35,480 --> 00:05:36,279 Speaker 2: cop cars. 88 00:05:37,560 --> 00:05:41,440 Speaker 7: My longtime chef tush Van Munch, a German Jew. He 89 00:05:41,640 --> 00:05:45,120 Speaker 7: escaped the Nazis by promising them blowjobs only once they 90 00:05:45,200 --> 00:05:48,040 Speaker 7: drop their tight Nazi pants. You bet their dicks off. 91 00:05:50,360 --> 00:05:50,880 Speaker 1: Shameya. 92 00:05:51,120 --> 00:05:51,560 Speaker 6: I'm gay. 93 00:05:52,400 --> 00:05:57,200 Speaker 7: Last and certainly least. Kelly Raymon and Flanagan Air other 94 00:05:57,279 --> 00:05:59,000 Speaker 7: Raymon and Flanagan Fortune. 95 00:05:59,320 --> 00:06:02,080 Speaker 4: I may be letter, pack a lot of punch and 96 00:06:02,240 --> 00:06:03,560 Speaker 4: the bottomise always on top. 97 00:06:04,200 --> 00:06:06,880 Speaker 7: Kelly is annoying and farts a lot. 98 00:06:08,120 --> 00:06:09,960 Speaker 4: Excuse me kill her er. 99 00:06:10,360 --> 00:06:13,640 Speaker 7: Do not let them fool you, dear listener. All these 100 00:06:13,680 --> 00:06:19,039 Speaker 7: homosexuals are suspects. Oh, I almost forgot. There's another voice. 101 00:06:19,080 --> 00:06:22,880 Speaker 7: You'll hear our series straight Man, except he's gay. He 102 00:06:22,960 --> 00:06:26,839 Speaker 7: lives it, or rather on my generous estate, in a 103 00:06:26,880 --> 00:06:30,159 Speaker 7: small cabin by the road, under the power lines, near 104 00:06:30,200 --> 00:06:36,360 Speaker 7: the septic tank. James Wilson, my caretaker and handyman, though 105 00:06:36,400 --> 00:06:40,440 Speaker 7: apparently he's gag a writer. He took the job to 106 00:06:40,480 --> 00:06:43,080 Speaker 7: pay off his student loans from Tish, which everyone knows 107 00:06:43,120 --> 00:06:48,560 Speaker 7: will never ever be paid off because NYU is crazy expensive. 108 00:06:49,160 --> 00:06:52,840 Speaker 7: I hired him to outfit my mansion with hidden recording devices. 109 00:06:53,320 --> 00:06:56,279 Speaker 7: Not only that, I left instructions on what to do 110 00:06:56,360 --> 00:06:59,080 Speaker 7: if I was murdered. He's to bring my killer to 111 00:06:59,320 --> 00:07:03,240 Speaker 7: justice like a cool Perrow or Miss Marple if they 112 00:07:03,279 --> 00:07:06,960 Speaker 7: were massive epic fags. Now that you know the players, 113 00:07:07,040 --> 00:07:11,080 Speaker 7: let's begin the game. Miss Sherlock Holmes once said, is 114 00:07:11,160 --> 00:07:18,440 Speaker 7: a foot and this bitch is wearing heels in a 115 00:07:18,560 --> 00:07:20,520 Speaker 7: house on him? 116 00:07:20,600 --> 00:07:21,080 Speaker 1: Who lives a. 117 00:07:21,160 --> 00:07:24,160 Speaker 4: Gay and his plans want him dead? 118 00:07:24,680 --> 00:07:30,440 Speaker 10: Ride wise, someone wants to kill him even though it's wrong. 119 00:07:31,360 --> 00:07:36,680 Speaker 10: Thinks the world is manner of many is born. It's 120 00:07:36,760 --> 00:07:42,720 Speaker 10: him very closely with your eas see if you can 121 00:07:43,000 --> 00:07:48,760 Speaker 10: gam so which one of his queens maybe is the killer? 122 00:07:49,840 --> 00:07:51,200 Speaker 4: Who is the killer? 123 00:07:52,960 --> 00:07:53,880 Speaker 1: Who did it? 124 00:07:55,560 --> 00:07:57,480 Speaker 4: Who wanted dead? 125 00:07:58,080 --> 00:07:58,800 Speaker 1: Who did he? 126 00:08:00,680 --> 00:08:01,480 Speaker 7: Who creptain? 127 00:08:01,720 --> 00:08:04,080 Speaker 4: Is bad? Who didn't? 128 00:08:05,680 --> 00:08:06,560 Speaker 1: Was it you? 129 00:08:07,280 --> 00:08:07,880 Speaker 7: Was it mean? 130 00:08:08,320 --> 00:08:11,880 Speaker 4: Who could it be? Who didn't? 131 00:08:13,640 --> 00:08:15,800 Speaker 7: They're drupping like flies? 132 00:08:16,120 --> 00:08:18,160 Speaker 4: Who didn't? 133 00:08:18,760 --> 00:08:22,920 Speaker 10: These guys are like guys who didn't? 134 00:08:23,720 --> 00:08:25,800 Speaker 1: Was it you? Wasn't me? 135 00:08:26,360 --> 00:08:27,200 Speaker 4: Who could it be? 136 00:08:28,800 --> 00:08:54,560 Speaker 11: Does this word make me look? 137 00:08:55,640 --> 00:09:02,960 Speaker 1: Hello? Hello? 138 00:09:04,120 --> 00:09:05,400 Speaker 4: Was lack of brother to me? 139 00:09:06,440 --> 00:09:08,000 Speaker 1: He decimated you at dinner? 140 00:09:08,320 --> 00:09:12,439 Speaker 5: I know his emotional abuse reminds me of home. 141 00:09:13,520 --> 00:09:21,439 Speaker 1: Someone please make shop brother? What should we do? Reginald? 142 00:09:21,880 --> 00:09:23,760 Speaker 1: Call the police? Excuse me? 143 00:09:24,640 --> 00:09:26,880 Speaker 5: Oh my god, it's the killer. 144 00:09:27,320 --> 00:09:31,079 Speaker 1: No I'm not. I'm James Wilson, caretaker of the estate. 145 00:09:31,440 --> 00:09:34,280 Speaker 9: Hmm, that job sounds homophobic. 146 00:09:34,559 --> 00:09:36,960 Speaker 1: I live in the house by the gate near the road. 147 00:09:37,600 --> 00:09:38,760 Speaker 9: Oh that's a house. 148 00:09:39,200 --> 00:09:41,920 Speaker 4: It's the size of a thimble. I thought it was 149 00:09:41,960 --> 00:09:43,239 Speaker 4: the church for spiders. 150 00:09:43,480 --> 00:09:44,920 Speaker 1: I used to live in the city, so to me, 151 00:09:45,000 --> 00:09:48,480 Speaker 1: it's an upgrade. I went to Nyu. Oh, you poor thing. 152 00:09:49,120 --> 00:09:52,000 Speaker 5: You must be up to your fat nipples and stint loans. 153 00:09:52,679 --> 00:09:56,839 Speaker 1: I am. That's why I work here, Reginald. Is this true? 154 00:09:57,320 --> 00:09:59,280 Speaker 7: I suppose he does look familiar. 155 00:09:59,440 --> 00:10:02,280 Speaker 12: I watch you change at night from my binoculars. I mean, 156 00:10:02,679 --> 00:10:04,560 Speaker 12: I've watched stars at night. 157 00:10:04,720 --> 00:10:08,160 Speaker 7: If you smile eyes, yes, you're the stable boy. 158 00:10:08,360 --> 00:10:10,800 Speaker 1: What did you say you did? I heard screaming, so 159 00:10:11,040 --> 00:10:11,640 Speaker 1: I ran over. 160 00:10:11,880 --> 00:10:13,280 Speaker 7: The is dead. 161 00:10:14,520 --> 00:10:17,200 Speaker 1: Dead The old man was right. 162 00:10:17,520 --> 00:10:19,719 Speaker 7: I beg your heart on, come again, I. 163 00:10:19,760 --> 00:10:21,800 Speaker 13: Can so soon after the first time. 164 00:10:22,840 --> 00:10:25,760 Speaker 1: Oh you weren't talking to me, were you? How did 165 00:10:25,800 --> 00:10:26,440 Speaker 1: Vandy die? 166 00:10:26,600 --> 00:10:27,200 Speaker 4: We don't know. 167 00:10:27,960 --> 00:10:33,080 Speaker 5: I saw hom in bed with blood everywhere, and did 168 00:10:33,160 --> 00:10:34,520 Speaker 5: Moon fall asleep? 169 00:10:35,360 --> 00:10:39,800 Speaker 4: Polly? Wake her up? 170 00:10:40,720 --> 00:10:42,040 Speaker 2: Where am I Moon? 171 00:10:42,600 --> 00:10:45,640 Speaker 4: There's been a murder. How can you retired at time 172 00:10:45,720 --> 00:10:46,079 Speaker 4: like this? 173 00:10:46,640 --> 00:10:52,400 Speaker 2: I'm an insomniac, so I take loads of pills at night. Hush, 174 00:10:52,440 --> 00:10:57,400 Speaker 2: I'm groggy, tush, Dear, make some coffee. 175 00:10:57,040 --> 00:11:01,120 Speaker 1: Got me right? Wait, no one move? Is everyone here 176 00:11:01,200 --> 00:11:05,600 Speaker 1: an accounting for I'm afraid so then it's probable, more 177 00:11:05,640 --> 00:11:10,199 Speaker 1: than probable. Actually, then, whoever killed Vandy is in this 178 00:11:10,760 --> 00:11:14,360 Speaker 1: very room. 179 00:11:14,480 --> 00:11:16,960 Speaker 4: Oh my god, storry about that? 180 00:11:17,720 --> 00:11:18,840 Speaker 1: Does anyone have reception? 181 00:11:19,200 --> 00:11:21,040 Speaker 4: Reception? Reception for what? 182 00:11:21,040 --> 00:11:22,160 Speaker 1: What about a landline? 183 00:11:22,440 --> 00:11:26,840 Speaker 3: We haven't had a landline since nineteen ninety seven, so 184 00:11:26,960 --> 00:11:27,960 Speaker 3: no fons. 185 00:11:27,840 --> 00:11:29,600 Speaker 1: Or no internet? How do you know? 186 00:11:30,000 --> 00:11:33,120 Speaker 12: Earlier I was trying to download one of Jacques's porndoflicks and. 187 00:11:33,200 --> 00:11:37,440 Speaker 9: Never mind, we believe you did move for all asleep again? 188 00:11:38,240 --> 00:11:40,520 Speaker 2: Ow who pinched me? 189 00:11:40,760 --> 00:11:44,040 Speaker 12: I've never met someone who can sleep for so much noise. 190 00:11:44,960 --> 00:11:46,160 Speaker 12: I survived the camps. 191 00:11:46,440 --> 00:11:50,960 Speaker 5: Oh, I went to summer camp too, all us boys 192 00:11:51,120 --> 00:11:55,120 Speaker 5: sharing a bunk a bathroom A bad man. 193 00:11:55,160 --> 00:11:56,720 Speaker 1: Am not talking about summer camp. 194 00:11:57,320 --> 00:12:01,680 Speaker 12: I am talking about bless you. 195 00:12:02,200 --> 00:12:06,320 Speaker 1: It's probably just the allergies. Reginalds, you must be in 196 00:12:06,360 --> 00:12:08,720 Speaker 1: a state of absolute shock. Not really. 197 00:12:09,200 --> 00:12:11,360 Speaker 3: You didn't know Vandy very well, did you? 198 00:12:11,840 --> 00:12:15,840 Speaker 1: I thought I did. Listen everyone I know, Reginald and Toush. 199 00:12:15,880 --> 00:12:17,440 Speaker 1: But maybe the rest of you can catch me up 200 00:12:17,480 --> 00:12:20,079 Speaker 1: to speed, tell me your names and your relationship. 201 00:12:20,160 --> 00:12:20,680 Speaker 6: It ish shit. 202 00:12:21,440 --> 00:12:24,240 Speaker 13: We're supposed to sit around and walk wait to get 203 00:12:24,320 --> 00:12:26,880 Speaker 13: killed too while we play some fucking name game. 204 00:12:27,040 --> 00:12:28,240 Speaker 4: Nah, I'm out. 205 00:12:28,480 --> 00:12:30,319 Speaker 9: I find that homophobic. 206 00:12:30,440 --> 00:12:34,000 Speaker 3: You can't go around accusing gay men of being homophobic. 207 00:12:34,240 --> 00:12:35,200 Speaker 1: Please can we get back. 208 00:12:35,240 --> 00:12:38,600 Speaker 5: I'm Kelly Raymor and Flanagan of the Raymre and Flanagan Empire. 209 00:12:38,880 --> 00:12:40,680 Speaker 5: I'm friends with Vandy from back in the day. 210 00:12:41,040 --> 00:12:43,680 Speaker 4: We used to go clubbing together. Oh not to the bars. 211 00:12:43,880 --> 00:12:46,400 Speaker 5: We'd bring actual clubs to the pier and hit straight 212 00:12:46,440 --> 00:12:49,320 Speaker 5: people with them. And honestly, there's no way the killer 213 00:12:49,400 --> 00:12:49,959 Speaker 5: is still here. 214 00:12:50,120 --> 00:12:50,560 Speaker 6: No theory. 215 00:12:50,679 --> 00:12:54,040 Speaker 1: Bob, who is Bob names? Please? 216 00:12:54,160 --> 00:12:59,199 Speaker 2: Madam Moon Chantus of the Stage Musical Contaret. 217 00:12:59,320 --> 00:13:02,640 Speaker 12: I've seen your in province down next to the lobster pot. 218 00:13:03,320 --> 00:13:08,200 Speaker 2: Fabular praise is a gift I kindly accept now. Like 219 00:13:08,280 --> 00:13:09,760 Speaker 2: I said, who's Bob? 220 00:13:10,080 --> 00:13:10,800 Speaker 4: Oh nobody? 221 00:13:10,960 --> 00:13:14,160 Speaker 5: It's an expression like he could eat corn through a 222 00:13:14,160 --> 00:13:16,719 Speaker 5: picket fence, or you can't make a silk purse out 223 00:13:16,720 --> 00:13:17,720 Speaker 5: of a sow's ear. 224 00:13:17,880 --> 00:13:23,760 Speaker 2: Silk purse corn picket fence? Can someone translate. 225 00:13:23,720 --> 00:13:28,000 Speaker 12: He's saying Vandy was probably attacked by an intruder who 226 00:13:28,120 --> 00:13:29,079 Speaker 12: already flies. 227 00:13:29,160 --> 00:13:32,319 Speaker 1: You think someone broke in during a storm, It does 228 00:13:32,360 --> 00:13:37,319 Speaker 1: seem unlikely. The snow is coming down hard. 229 00:13:38,559 --> 00:13:41,679 Speaker 2: I bet Jock knows a thing or two about coming 230 00:13:41,720 --> 00:13:42,400 Speaker 2: down hard. 231 00:13:42,679 --> 00:13:45,840 Speaker 13: Actually I do. I've won four a v and Awards 232 00:13:46,240 --> 00:13:49,560 Speaker 13: Adult Video News. It's basically the oscar is a fucking 233 00:13:50,240 --> 00:13:54,720 Speaker 13: I score best tease, best back of head, skanky aest vibe, 234 00:13:54,840 --> 00:14:00,120 Speaker 13: and weirdest tongue. Do you want to see. 235 00:14:02,400 --> 00:14:02,880 Speaker 3: Terrible? 236 00:14:03,040 --> 00:14:03,880 Speaker 7: Let me see that again. 237 00:14:04,040 --> 00:14:06,760 Speaker 5: An lgbt Q I a square to the tenth power 238 00:14:06,760 --> 00:14:08,200 Speaker 5: could not have committed this crime. 239 00:14:08,600 --> 00:14:12,720 Speaker 4: Queer people use words, not weapons when those don't work. 240 00:14:12,720 --> 00:14:14,640 Speaker 5: Maybe we do push people down the stairs, but never 241 00:14:14,760 --> 00:14:16,080 Speaker 5: knaves or guns. 242 00:14:16,360 --> 00:14:20,120 Speaker 7: What about Jeffrey Dahmer or Hitler? 243 00:14:20,480 --> 00:14:21,600 Speaker 4: Hitler was gay? 244 00:14:21,840 --> 00:14:25,120 Speaker 7: It's a grass green does Ben Platt's vibrado vabble. 245 00:14:25,520 --> 00:14:29,760 Speaker 1: I've had enough. I'm leaving. I can't allow you to 246 00:14:29,840 --> 00:14:32,800 Speaker 1: do that. So on what a prisoner? 247 00:14:33,240 --> 00:14:35,800 Speaker 6: He played one before I saw it. 248 00:14:35,960 --> 00:14:37,720 Speaker 1: I can't remember the title though. 249 00:14:38,040 --> 00:14:41,320 Speaker 13: It's a hardcock life that stuffun Oh. 250 00:14:41,120 --> 00:14:44,400 Speaker 12: Yes, it's all coming back to me now. You have 251 00:14:44,480 --> 00:14:47,400 Speaker 12: a real very thrusting you're a fan. 252 00:14:47,840 --> 00:14:52,280 Speaker 6: It's impossible to choose between West Side hoary and pulp function, 253 00:14:52,880 --> 00:15:02,280 Speaker 6: Oh and all that, Jez, don't cry. 254 00:15:03,520 --> 00:15:11,360 Speaker 2: It's just so sad about Vandy, isn't it, Polly? I said, 255 00:15:12,080 --> 00:15:13,000 Speaker 2: isn't it? Polly? 256 00:15:13,400 --> 00:15:13,640 Speaker 1: Yes? 257 00:15:13,920 --> 00:15:15,640 Speaker 4: Awful, horrible. 258 00:15:16,160 --> 00:15:17,760 Speaker 1: I'm sorry you are. 259 00:15:18,480 --> 00:15:23,000 Speaker 2: He's my accompanimist, Polly. He doesn't talk much. 260 00:15:24,360 --> 00:15:28,200 Speaker 4: Say something, Polly Moon, I don't. 261 00:15:28,600 --> 00:15:29,360 Speaker 7: I don't enjoy it. 262 00:15:29,800 --> 00:15:32,240 Speaker 1: I don't have anything to wait. 263 00:15:33,800 --> 00:15:36,240 Speaker 4: Is that Broadway and Disney legend? 264 00:15:36,480 --> 00:15:37,360 Speaker 7: Lay us a long? 265 00:15:38,440 --> 00:15:39,680 Speaker 4: Did someone leave a record on? 266 00:15:39,840 --> 00:15:42,400 Speaker 3: No, it's just the pipes, you know, these old houses 267 00:15:42,400 --> 00:15:45,680 Speaker 3: are upstairs. Toilet sounds like Bernadette Peterson smells like it 268 00:15:45,800 --> 00:15:46,360 Speaker 3: in a turn. 269 00:15:46,200 --> 00:15:49,960 Speaker 1: Black as thrilling as this conversation is, I'd like to 270 00:15:50,040 --> 00:15:51,760 Speaker 1: question you all. What are you? 271 00:15:51,520 --> 00:15:53,040 Speaker 3: Are you a cop? 272 00:15:53,480 --> 00:15:55,760 Speaker 1: No? But someone has to get to the bottom of this. 273 00:15:56,120 --> 00:15:57,960 Speaker 4: Me I'm a bottom. 274 00:15:58,200 --> 00:15:58,560 Speaker 1: We know. 275 00:15:59,640 --> 00:16:00,880 Speaker 4: Why should we trust you? 276 00:16:01,000 --> 00:16:01,480 Speaker 1: James? 277 00:16:02,000 --> 00:16:06,120 Speaker 9: You live in an art house, which I find deeply homophobic. 278 00:16:06,720 --> 00:16:07,800 Speaker 9: What of you're the killer? 279 00:16:09,320 --> 00:16:12,680 Speaker 1: I wasn't going to do this, but here. 280 00:16:13,400 --> 00:16:16,200 Speaker 7: If you're listening to this, then my greatest fear has 281 00:16:16,240 --> 00:16:19,480 Speaker 7: come to pass. And no, it's not winning a second 282 00:16:19,560 --> 00:16:22,239 Speaker 7: Razzie Award or McDonald's running out of cheese. 283 00:16:22,800 --> 00:16:23,720 Speaker 1: I've been murdered. 284 00:16:24,040 --> 00:16:27,760 Speaker 3: Wait a minute, I don't believe this. Vandy left that 285 00:16:27,880 --> 00:16:29,440 Speaker 3: voice memo for. 286 00:16:29,560 --> 00:16:32,120 Speaker 1: You more than one actually. 287 00:16:32,040 --> 00:16:36,120 Speaker 4: So Vandy knew he'd get off. That doesn't mean that 288 00:16:36,160 --> 00:16:37,160 Speaker 4: one of us did it. 289 00:16:37,560 --> 00:16:42,440 Speaker 7: Keep listening, murdered by one of you who was invited 290 00:16:42,480 --> 00:16:44,960 Speaker 7: to my home for the weekend, who was already living 291 00:16:45,000 --> 00:16:48,040 Speaker 7: here on staff. If you cared about me at all, 292 00:16:48,400 --> 00:16:49,600 Speaker 7: do what James asks? 293 00:16:50,040 --> 00:16:53,400 Speaker 1: No questions? Now do you believe I'm trustworthy? 294 00:16:53,640 --> 00:16:56,240 Speaker 3: Okay, Colombo? Who do you want to see first? 295 00:16:56,680 --> 00:16:59,120 Speaker 1: Actually, Reginald, I'd like to start with you. 296 00:17:06,040 --> 00:17:09,639 Speaker 7: And so James began his questioning with Reginald in the 297 00:17:09,680 --> 00:17:14,680 Speaker 7: library outside the wind howled harder than Dreamgirls fans when 298 00:17:14,680 --> 00:17:17,960 Speaker 7: it lost the Best Musical Tony back in nineteen eighty two. 299 00:17:22,880 --> 00:17:25,400 Speaker 7: Oh that taste god. Ah. 300 00:17:25,600 --> 00:17:30,840 Speaker 3: You know people think smoking's bad for them, for stivolute people. 301 00:17:31,680 --> 00:17:35,919 Speaker 1: They're wrong, you know, No, they're right. Smoking kills people. 302 00:17:37,040 --> 00:17:40,240 Speaker 3: Loneliness kills people, and old age. 303 00:17:40,760 --> 00:17:42,720 Speaker 1: Do you like this record? It's one of my favorites 304 00:17:43,160 --> 00:17:47,760 Speaker 1: for someone whose husband just died. You don't seem that upset. 305 00:17:47,640 --> 00:17:51,600 Speaker 3: And what exactly are you accusing me of? 306 00:17:51,920 --> 00:17:52,240 Speaker 1: Nothing? 307 00:17:52,359 --> 00:17:52,560 Speaker 3: Yet? 308 00:17:52,960 --> 00:17:53,360 Speaker 14: I just. 309 00:17:54,800 --> 00:17:58,800 Speaker 3: Nothing. I just good because when you accuse people without evidence, 310 00:17:59,200 --> 00:18:01,760 Speaker 3: you are no better than the DJ. 311 00:18:02,800 --> 00:18:04,440 Speaker 1: I'm sorry, Are you Republican? 312 00:18:05,040 --> 00:18:05,080 Speaker 15: No? 313 00:18:06,119 --> 00:18:09,480 Speaker 1: Why are you attacking me? I feel judged. All I 314 00:18:09,520 --> 00:18:12,399 Speaker 1: want to know is where you were when Vandy was killed, 315 00:18:12,440 --> 00:18:14,120 Speaker 1: since you clearly weren't in bed with them. 316 00:18:15,240 --> 00:18:19,520 Speaker 3: Correct. Vandy has his bedroom and I have mine. A 317 00:18:19,600 --> 00:18:24,399 Speaker 3: marriage was a marriage was very Victorian. 318 00:18:25,320 --> 00:18:28,200 Speaker 1: So that's where you were your bedroom. 319 00:18:27,880 --> 00:18:32,000 Speaker 3: Yes, and before that I was in my art studio. 320 00:18:32,480 --> 00:18:34,840 Speaker 1: You're an artist. I've never seen any of your work. 321 00:18:35,119 --> 00:18:39,080 Speaker 3: Yes, well, I'm very private and selective about my models. 322 00:18:39,480 --> 00:18:44,040 Speaker 3: It's something I do for myself myself alone. Painting soothes 323 00:18:44,119 --> 00:18:47,879 Speaker 3: me because life can be very stressful, especially at my age. 324 00:18:49,080 --> 00:18:51,159 Speaker 3: How old do you think I am? 325 00:18:51,520 --> 00:18:54,680 Speaker 1: Honestly, I have no idea. Based on your skin, I'd 326 00:18:54,720 --> 00:18:57,040 Speaker 1: say sixteen. 327 00:18:57,400 --> 00:19:02,439 Speaker 3: Really, battle do you have any idea how hard it 328 00:19:02,480 --> 00:19:04,199 Speaker 3: is to be a gay man these days? 329 00:19:04,320 --> 00:19:06,560 Speaker 1: I'm a gay man, a respected. 330 00:19:06,040 --> 00:19:09,920 Speaker 3: Gay man, someone in the spotlight. I don't come from 331 00:19:09,920 --> 00:19:12,320 Speaker 3: old money like Vandy. I grew up in a shack 332 00:19:12,359 --> 00:19:15,199 Speaker 3: below the Mason Dixon line. The second I came to 333 00:19:15,240 --> 00:19:18,320 Speaker 3: New York and sounded like Kelly Well, no one. 334 00:19:18,160 --> 00:19:20,920 Speaker 1: Took me seriously. I got a voice coach. 335 00:19:21,800 --> 00:19:27,119 Speaker 3: I couldn't afford nice clothes, but I studied up on designers, 336 00:19:27,760 --> 00:19:31,119 Speaker 3: kept myself trimmed. Some people are good conversationalists, others are 337 00:19:31,119 --> 00:19:37,440 Speaker 3: smart with money. I had my looks, have my looks. 338 00:19:38,320 --> 00:19:41,679 Speaker 3: I envy you you you children. You have no idea 339 00:19:41,720 --> 00:19:44,000 Speaker 3: what it was like growing up queer from my generation. 340 00:19:44,960 --> 00:19:46,480 Speaker 3: Do you know what happened to those of us who 341 00:19:46,520 --> 00:19:49,119 Speaker 3: survived the eighties? We had to live through the nineties 342 00:19:49,240 --> 00:19:51,879 Speaker 3: almost made me yearn for the thirties. Nobody had it 343 00:19:51,920 --> 00:19:55,560 Speaker 3: tougher than the gays, and I mean nobody. That's why 344 00:19:55,720 --> 00:20:02,159 Speaker 3: I'm a witch. Sorry, you heard right, A witch, wicked 345 00:20:03,119 --> 00:20:07,959 Speaker 3: part of the occultist Western esotericism. I worshiped the Triple 346 00:20:08,000 --> 00:20:09,560 Speaker 3: Goddess and the horn God. 347 00:20:10,520 --> 00:20:12,760 Speaker 1: I do think we're getting off track here. Someone in 348 00:20:12,840 --> 00:20:16,480 Speaker 1: this house was threatening Vandy, he told me before he died. 349 00:20:17,359 --> 00:20:19,360 Speaker 1: I'm guessing it's the same person who killed him. 350 00:20:19,680 --> 00:20:22,200 Speaker 7: Some people view death as a release. 351 00:20:22,920 --> 00:20:24,880 Speaker 1: I'm not sure Vandy saw it that way. 352 00:20:25,320 --> 00:20:28,920 Speaker 7: Listen, I believe an attempt in my life will be made, 353 00:20:29,240 --> 00:20:32,400 Speaker 7: and I intend to defend myself with everything in my power. 354 00:20:32,600 --> 00:20:36,280 Speaker 7: But if you're listening, to this, then sadly I have failed. 355 00:20:37,080 --> 00:20:38,040 Speaker 1: What do you make of that? 356 00:20:38,560 --> 00:20:42,160 Speaker 3: Poor Vandy? It's hard to believe he's gone. He hadn't 357 00:20:42,200 --> 00:20:45,600 Speaker 3: been himself lately, jumpy, erratic. Some moments he'd be high, 358 00:20:45,600 --> 00:20:48,600 Speaker 3: others he'd be low. It is almost like you, yes, 359 00:20:48,960 --> 00:20:52,600 Speaker 3: like he was falling in love. What a silly thing 360 00:20:52,640 --> 00:20:55,640 Speaker 3: to say, What a silly thing to say. I don't 361 00:20:55,640 --> 00:20:58,719 Speaker 3: know why that popped into my The only strange thing 362 00:20:58,760 --> 00:21:00,960 Speaker 3: I saw all day was Kelly and doing poppers in 363 00:21:01,000 --> 00:21:04,000 Speaker 3: the library. And the poppers part isn't strange, but either 364 00:21:04,000 --> 00:21:07,960 Speaker 3: of them in a library, Yeah, that felt a little unsettling. 365 00:21:08,359 --> 00:21:12,080 Speaker 1: Kelly seems quite torn up about Vandy. Were they close? 366 00:21:12,520 --> 00:21:17,520 Speaker 3: He was helping Vandy finances come back. But then Kelly 367 00:21:17,640 --> 00:21:20,199 Speaker 3: has for a role in the film, and not a cameo, 368 00:21:20,640 --> 00:21:23,919 Speaker 3: a lead. Can you imagine that southern trimp on screen? 369 00:21:24,600 --> 00:21:26,760 Speaker 3: And they had it out at dinner a volcano of 370 00:21:26,800 --> 00:21:27,160 Speaker 3: a fight. 371 00:21:27,720 --> 00:21:29,920 Speaker 1: Really, what exactly did Vandy say? 372 00:21:30,080 --> 00:21:30,320 Speaker 7: Well? 373 00:21:31,680 --> 00:21:32,720 Speaker 1: What the fuck? 374 00:21:32,880 --> 00:21:33,520 Speaker 4: What was that? 375 00:21:34,160 --> 00:21:34,560 Speaker 1: I don't know. 376 00:21:34,800 --> 00:21:41,760 Speaker 7: Come on, Wilmer, what the hell are you doing here? 377 00:21:42,359 --> 00:21:48,960 Speaker 5: You're so I'm I'm there's an arrow sticking out of 378 00:21:48,960 --> 00:21:51,399 Speaker 5: that hot young man. 379 00:21:52,119 --> 00:21:52,840 Speaker 6: Praise yourself. 380 00:21:53,880 --> 00:21:56,720 Speaker 4: Is this all hurt? 381 00:21:57,240 --> 00:21:58,040 Speaker 1: What the fuck? 382 00:21:58,600 --> 00:22:00,400 Speaker 4: You just ripped that arrow out of my arm? 383 00:22:00,840 --> 00:22:04,240 Speaker 6: Better out and in, darling. Now hold still by a bandage. 384 00:22:04,560 --> 00:22:08,040 Speaker 1: Don't worry. I'm used to handling large slabs of bee. 385 00:22:08,480 --> 00:22:10,800 Speaker 9: Am I the only one who wants to know why 386 00:22:10,840 --> 00:22:13,440 Speaker 9: this man has been used for target practice? 387 00:22:13,760 --> 00:22:17,440 Speaker 1: You must be Wilmer Munroe Fandy's adopted son. 388 00:22:18,119 --> 00:22:18,560 Speaker 14: That's right. 389 00:22:19,160 --> 00:22:22,119 Speaker 1: Once Tush finishes wrapping up your arm, I'll need you 390 00:22:22,200 --> 00:22:25,320 Speaker 1: to follow me the Bandy's study so I can tie 391 00:22:25,359 --> 00:22:26,960 Speaker 1: you up sexy. 392 00:22:26,960 --> 00:22:29,720 Speaker 4: But why the hell would I let you do that? 393 00:22:30,480 --> 00:22:33,040 Speaker 1: Because I believe that you murdered your father. 394 00:22:33,600 --> 00:22:39,639 Speaker 12: Gay ghast, gay Ghast film up kill Bandy never, not 395 00:22:39,760 --> 00:22:40,760 Speaker 12: in a million years. 396 00:22:41,000 --> 00:22:43,800 Speaker 1: Here's the thing. I helped Vandy prepare the house because 397 00:22:43,840 --> 00:22:46,720 Speaker 1: he suspected one of you would try to murder him. 398 00:22:46,880 --> 00:22:49,760 Speaker 1: His bedroom was triggered with a crossbow set to launch 399 00:22:49,800 --> 00:22:53,320 Speaker 1: when someone entered. Hence Wilmer's the killer. 400 00:22:53,480 --> 00:22:54,680 Speaker 7: Not so fast, Matt Cock. 401 00:22:55,240 --> 00:22:57,360 Speaker 4: I didn't touch my father. 402 00:22:57,840 --> 00:23:03,200 Speaker 2: A crossper in his bedroom. That is majorly fucked up. 403 00:23:03,600 --> 00:23:05,280 Speaker 3: Bendy always did like a long. 404 00:23:05,119 --> 00:23:08,840 Speaker 1: Piece of wood. Were you even invited? Wilmer, Vandy never 405 00:23:08,880 --> 00:23:11,040 Speaker 1: mentioned you were coming, which would mean that you're snuck 406 00:23:11,080 --> 00:23:15,359 Speaker 1: inside once everyone went to bed in order to murder yours. 407 00:23:15,440 --> 00:23:16,800 Speaker 1: I just wanted to talk to him. 408 00:23:16,960 --> 00:23:21,520 Speaker 14: Is that a crime? Daddy cut me off. He thinks 409 00:23:21,520 --> 00:23:23,440 Speaker 14: I'm not responsible, but I so am. 410 00:23:23,920 --> 00:23:27,159 Speaker 2: If you have to say you're responsible, you probably not. 411 00:23:27,800 --> 00:23:29,760 Speaker 14: I wanted to tell him that I got a job. 412 00:23:30,080 --> 00:23:30,879 Speaker 1: You did that. 413 00:23:30,960 --> 00:23:32,200 Speaker 4: I almost got a job. 414 00:23:32,240 --> 00:23:37,280 Speaker 14: I'm looking for one. I'm thinking about possibly looking for one. 415 00:23:37,520 --> 00:23:40,639 Speaker 1: Did a gun just fall out of your pants? No? 416 00:23:41,200 --> 00:23:44,840 Speaker 1: It literally did give me that pure James ketch a 417 00:23:45,000 --> 00:23:46,200 Speaker 1: glock G nineteen. 418 00:23:47,080 --> 00:23:50,320 Speaker 4: No, how could you want to murder your father? 419 00:23:51,000 --> 00:23:55,240 Speaker 14: I wanted to reason with him when I was ready 420 00:23:55,280 --> 00:23:58,399 Speaker 14: to do whatever it took to get back my allowance. 421 00:23:58,840 --> 00:24:01,520 Speaker 14: Only as soon as I open the door, I was 422 00:24:01,560 --> 00:24:05,000 Speaker 14: shot by the effing cross bow and I ran. I 423 00:24:05,080 --> 00:24:07,320 Speaker 14: tried to reach the road, but the storm is too strong, 424 00:24:07,680 --> 00:24:09,920 Speaker 14: so I came back. 425 00:24:10,600 --> 00:24:16,919 Speaker 9: If Wilma never went inside Bandy's room, then who killed him? 426 00:24:17,040 --> 00:24:22,000 Speaker 1: I want to examine Vandy's bedroom, but first let's deal 427 00:24:22,040 --> 00:24:25,160 Speaker 1: with Wilmer. We can use these handcuffs. 428 00:24:25,200 --> 00:24:28,600 Speaker 4: I'll always keep a seat on me for fun. You 429 00:24:28,600 --> 00:24:28,920 Speaker 4: don't know. 430 00:24:32,560 --> 00:24:35,199 Speaker 1: Everyone stay here, Henry come with me. 431 00:24:35,400 --> 00:24:39,439 Speaker 9: Should I bring my wand never mind, let's go. 432 00:24:41,000 --> 00:24:44,280 Speaker 7: Moments later, James and Henry arrived at my bedroom door 433 00:24:44,400 --> 00:24:46,240 Speaker 7: and flicked on the light to see. 434 00:24:46,840 --> 00:24:51,040 Speaker 1: Eh, it's worse than I imagined. Look at Vandy's body, 435 00:24:51,880 --> 00:24:53,240 Speaker 1: all that blood. 436 00:24:53,280 --> 00:24:56,120 Speaker 9: Like when Lily Potter sacrificed herself so Harry could live. 437 00:24:56,520 --> 00:24:59,200 Speaker 1: What why are you talking about, Harry Potter. We have 438 00:24:59,280 --> 00:24:59,560 Speaker 1: to be. 439 00:24:59,560 --> 00:25:02,760 Speaker 4: Able to separate the art from the artist. We have to. 440 00:25:03,680 --> 00:25:06,760 Speaker 1: I'm not going to have this conversation with you. 441 00:25:09,680 --> 00:25:09,920 Speaker 3: Hmm. 442 00:25:11,280 --> 00:25:14,840 Speaker 1: Now that I'm seeing Vandy in the light, something's off. 443 00:25:15,920 --> 00:25:20,720 Speaker 1: This looks like him, but his skin seems weird, waxy. 444 00:25:20,880 --> 00:25:23,000 Speaker 9: Well, don't touch him. 445 00:25:23,040 --> 00:25:24,959 Speaker 1: This isn't bandy, of course it is. 446 00:25:25,400 --> 00:25:28,679 Speaker 9: I'm staring at Vandy in the world's gaudiest sleigh bed 447 00:25:28,760 --> 00:25:29,720 Speaker 9: with his neck slip. 448 00:25:30,080 --> 00:25:33,760 Speaker 1: That's what someone wants us to think. This looks like Vandy, 449 00:25:34,240 --> 00:25:38,919 Speaker 1: but it's a doll, well made doll, super lifelike. What on? 450 00:25:39,320 --> 00:25:41,080 Speaker 4: Don't put your fingers in his blood. 451 00:25:42,760 --> 00:25:47,280 Speaker 1: It's not blood to sugary. And look on his foot. 452 00:25:47,359 --> 00:25:49,119 Speaker 9: The toenails do look overgrown? 453 00:25:49,640 --> 00:25:55,280 Speaker 1: No, the stamp, it says dapper cadavers. I don't understand. 454 00:25:56,160 --> 00:25:58,480 Speaker 4: This is a fake Bandy. 455 00:25:58,720 --> 00:26:03,160 Speaker 1: What does it all mean? It means Vandy isn't dead, 456 00:26:04,720 --> 00:26:05,280 Speaker 1: He's alive. 457 00:26:08,000 --> 00:26:13,720 Speaker 4: Why God, James, your legging is blood? You're madder than 458 00:26:13,720 --> 00:26:17,399 Speaker 4: a wet pan. Also, what's it taste like? 459 00:26:17,680 --> 00:26:20,679 Speaker 1: Why is everyone in Vandy's bedroom? Who's watching Wilmer? 460 00:26:20,920 --> 00:26:23,560 Speaker 3: Toosha's downstairs with him? You were taking too long? 461 00:26:23,600 --> 00:26:26,680 Speaker 1: We got bored, Henry and I discovered something strange. The 462 00:26:26,680 --> 00:26:31,280 Speaker 1: body we thought was Vandy's isn't. Does the phrase dapper 463 00:26:31,320 --> 00:26:32,840 Speaker 1: cadavers mean anything to anyone? 464 00:26:33,040 --> 00:26:35,240 Speaker 3: That's the company Bandy uses to make bodies for his 465 00:26:35,320 --> 00:26:36,040 Speaker 3: horror films. 466 00:26:36,600 --> 00:26:39,320 Speaker 4: Where's that walkin coming from? 467 00:26:39,800 --> 00:26:43,560 Speaker 3: Meet the most Annoying Bird on the planet? Ladies and Gentlemen, 468 00:26:44,480 --> 00:26:51,880 Speaker 3: Angela Len's fairy teban Jeet Jetbian jew a Rainbow Cockatoo, 469 00:26:53,040 --> 00:26:55,400 Speaker 3: Vandy's Pride and Joy too bad? 470 00:26:55,960 --> 00:26:59,040 Speaker 4: I wish it wasn't out, pieb and Gee, Bibi and Git? 471 00:27:00,600 --> 00:27:01,919 Speaker 5: Does it say anything else? 472 00:27:02,119 --> 00:27:07,439 Speaker 1: Angry, pirate, Kentucky plumblike Pap Tony denzil Rud? What do 473 00:27:07,960 --> 00:27:11,920 Speaker 1: those mean? There? Sex positions? 474 00:27:12,119 --> 00:27:15,000 Speaker 2: Tony Denza is A sex position. 475 00:27:16,200 --> 00:27:18,520 Speaker 4: Is when you're fucking a girl and ask her, oh's 476 00:27:18,560 --> 00:27:19,040 Speaker 4: the boss? 477 00:27:19,400 --> 00:27:21,840 Speaker 13: And she turns around all confused, and then you tickle 478 00:27:21,880 --> 00:27:23,000 Speaker 13: over with a feather duster. 479 00:27:24,600 --> 00:27:28,320 Speaker 6: Or so are gin, Pip and je Pip and jee? 480 00:27:29,240 --> 00:27:32,639 Speaker 1: All right, it's late. Everyone is exhausted. Let's try and 481 00:27:32,720 --> 00:27:33,320 Speaker 1: get some sleep. 482 00:27:33,520 --> 00:27:37,840 Speaker 4: With a murderer in the house and a bird. If 483 00:27:37,880 --> 00:27:41,280 Speaker 4: Bandy isn't dead, there might not be a murderer at all. 484 00:27:41,760 --> 00:27:44,239 Speaker 1: I have the master key. I'll lock everyone in their 485 00:27:44,359 --> 00:27:45,200 Speaker 1: rooms for the night. 486 00:27:45,520 --> 00:27:47,399 Speaker 7: What about the gun, I'll take it. 487 00:27:47,920 --> 00:27:49,680 Speaker 3: I shot muskets back in the day. It can't be 488 00:27:49,720 --> 00:27:50,200 Speaker 3: too different. 489 00:27:50,400 --> 00:27:52,440 Speaker 1: No way, it won't be safe with anyone but me. 490 00:27:53,800 --> 00:27:55,960 Speaker 1: Hopefully by morning the roads will be cleared and we 491 00:27:56,040 --> 00:27:56,840 Speaker 1: can call the police. 492 00:27:56,960 --> 00:28:00,920 Speaker 4: Him joy, who's going asleep with the bird? 493 00:28:01,119 --> 00:28:01,280 Speaker 2: Nay? 494 00:28:01,680 --> 00:28:05,200 Speaker 4: I've always wanted a cock to What about Wilmer? 495 00:28:06,119 --> 00:28:11,000 Speaker 3: I have an idea. There's a broom closet under the stairs. 496 00:28:11,760 --> 00:28:12,800 Speaker 3: He could stay there for the. 497 00:28:12,880 --> 00:28:14,840 Speaker 4: Night, just like the boy who lived. 498 00:28:15,560 --> 00:28:23,960 Speaker 1: I mean, sounds like a plato. Okay, good night, sleep tight, 499 00:28:24,600 --> 00:28:28,000 Speaker 1: don't let the bedbugs bite. Try not to get murdered. 500 00:28:33,880 --> 00:28:38,520 Speaker 1: James Wilson. Here, it's three seventeen am on Friday, well 501 00:28:38,840 --> 00:28:42,480 Speaker 1: Saturday morning. I'm recording my thoughts to keep track of 502 00:28:42,560 --> 00:28:46,040 Speaker 1: what's happening. When I rushed over to the main house, 503 00:28:46,200 --> 00:28:51,280 Speaker 1: I feared Vandy was dead. But is he or is 504 00:28:51,320 --> 00:28:55,880 Speaker 1: he alive somewhere hiding. I'm in Vandy's library, where I 505 00:28:55,960 --> 00:28:58,960 Speaker 1: set up the feeds for the hidden microphones, even though 506 00:28:59,000 --> 00:29:01,480 Speaker 1: we lost power. There's a small generator here, good for 507 00:29:01,600 --> 00:29:04,240 Speaker 1: one room. I'm not sure how long it'll last, but 508 00:29:04,880 --> 00:29:07,200 Speaker 1: fingers crossed now. 509 00:29:07,160 --> 00:29:07,760 Speaker 7: I have to. 510 00:29:09,960 --> 00:29:13,120 Speaker 1: There we go. Let's take a listen to what these 511 00:29:13,240 --> 00:29:16,040 Speaker 1: homos are saying behind closed doors. 512 00:29:17,280 --> 00:29:23,000 Speaker 15: Dear Jesus, please forgive me for my sins, specifically for 513 00:29:23,120 --> 00:29:29,960 Speaker 15: what I did tonight, which was very, very bad, so 514 00:29:31,120 --> 00:29:31,880 Speaker 15: fucking bad. 515 00:29:32,080 --> 00:29:38,440 Speaker 7: Jesus, come Angela, lads, very get over here. 516 00:29:39,040 --> 00:29:45,000 Speaker 1: What why the fuck? Come on, it'll be fun. I 517 00:29:45,080 --> 00:29:48,360 Speaker 1: don't want to poor Paully. 518 00:29:49,000 --> 00:29:50,840 Speaker 15: I'm worried I may have. 519 00:29:52,520 --> 00:29:55,320 Speaker 4: We don't know who's listening. 520 00:30:00,400 --> 00:30:01,360 Speaker 15: Take that jokes and. 521 00:30:04,120 --> 00:30:04,840 Speaker 2: Careful now. 522 00:30:06,440 --> 00:30:07,280 Speaker 15: Avoid the vein. 523 00:30:12,360 --> 00:30:16,480 Speaker 12: Not thing's gonna harm you, not while I'm around. 524 00:30:19,000 --> 00:30:20,200 Speaker 1: Where are you, Fandy? 525 00:30:21,120 --> 00:30:22,920 Speaker 4: Where the hell are you. 526 00:30:27,880 --> 00:30:28,480 Speaker 1: Next time? 527 00:30:29,440 --> 00:30:31,080 Speaker 7: Does this murder make me look gay? 528 00:30:32,280 --> 00:30:34,880 Speaker 1: You want me to install hidden cameras in your house. 529 00:30:35,200 --> 00:30:38,480 Speaker 7: Exactly like what parents do when they spy on their nanny. 530 00:30:38,760 --> 00:30:40,880 Speaker 7: Can you pick some up at the home depot. 531 00:30:41,000 --> 00:30:43,400 Speaker 5: Oh, Mississippi. Bird bats all the rage in the South. 532 00:30:43,880 --> 00:30:46,120 Speaker 5: It's when you fill a girl's mouth with kool aid. 533 00:30:46,560 --> 00:30:49,239 Speaker 5: Then she gets on her knees and you dip your 534 00:30:49,320 --> 00:30:53,360 Speaker 5: balls inside like a like a little baby bird wetness, 535 00:30:54,040 --> 00:30:54,720 Speaker 5: little bait. 536 00:30:55,200 --> 00:30:59,720 Speaker 1: Not to pick partners. Let's draw straws. They don't you fraws. 537 00:31:00,440 --> 00:31:01,840 Speaker 1: It's terrible for the environment. 538 00:31:02,720 --> 00:31:06,040 Speaker 12: But recrudraw from the house stealdog collection. 539 00:31:06,400 --> 00:31:08,720 Speaker 4: You have a house dildo collection. 540 00:31:09,280 --> 00:31:11,240 Speaker 1: We need to search every inch of this place and 541 00:31:11,400 --> 00:31:13,400 Speaker 1: find vandy before the killer does. 542 00:31:15,360 --> 00:31:18,160 Speaker 8: Does this murder make me look gay? Stars Michael Ury 543 00:31:18,360 --> 00:31:23,040 Speaker 8: as James Wilson, Douglas Sills as Reginald Divine, Robin de 544 00:31:23,120 --> 00:31:27,720 Speaker 8: Jessus as Wilmer Munroe, Sienne Jackson as Jacques Saint Cox, 545 00:31:28,600 --> 00:31:32,440 Speaker 8: Sean Patrick Doyle as Madame Moon, Brad Oscar as Tush 546 00:31:32,520 --> 00:31:37,160 Speaker 8: von Munch, Nathan Lee Graham as Henry Jacobs, Frankie Grande 547 00:31:37,400 --> 00:31:41,400 Speaker 8: as Kelly Raymore, and Flanagan, Seth Radetsky as Polly Barker, 548 00:31:42,120 --> 00:31:46,520 Speaker 8: Leah Delaria as TJ featuring Kate McKinnon as Angela Lansferry 549 00:31:46,920 --> 00:31:50,840 Speaker 8: with Leah Salanga as herself and Jonathan Freeman as Vandy 550 00:31:50,960 --> 00:31:56,520 Speaker 8: Jeremiah Munroe the Third. Additional performances by Ryan Steele, Mallory Portnoy, 551 00:31:57,040 --> 00:32:01,560 Speaker 8: Emily Lynn, Nacho, Tam Bonting written and directed by Ted Mallower. 552 00:32:02,280 --> 00:32:06,960 Speaker 8: Executive producer Ted Mallower. Executive producers for Ninth Planet Audio 553 00:32:07,240 --> 00:32:11,320 Speaker 8: Elizabeth Baquitt and Jimmy Miller. Hank Woodard served as story editor. 554 00:32:12,080 --> 00:32:16,160 Speaker 8: Original score composed by Peter Lherman. Original score produced and 555 00:32:16,320 --> 00:32:20,080 Speaker 8: mixed by Alex Banoff. Theme song performed by Ted Mallower, 556 00:32:20,680 --> 00:32:24,280 Speaker 8: written by Ted Mallower and Peter Lerman. Piano accompaniment for 557 00:32:24,360 --> 00:32:28,360 Speaker 8: Madame Moon by Jacob Yates. Casting by Adam Caldwell, Karen 558 00:32:28,440 --> 00:32:32,040 Speaker 8: Cassel and Rachel Hoffman at Telsey and Company. Audio post 559 00:32:32,120 --> 00:32:37,120 Speaker 8: production by One Thousand Birds Principal recording, Dialogue, editing, sound 560 00:32:37,160 --> 00:32:41,520 Speaker 8: design and mixing by Torren Geller, Andrew Tracy and Haley Livingston. 561 00:32:41,960 --> 00:32:46,480 Speaker 8: Audio post executive producers Gwen Frailing and Kiera McKnight. Production 562 00:32:46,560 --> 00:32:52,560 Speaker 8: coordinators Hannah Dickinson, Gillian Langanelli, Isabella Danzy and Rose kelso Key. 563 00:32:52,680 --> 00:32:56,400 Speaker 8: Art by Ben Wiseman, Production accounting by Dill pret singh 564 00:32:57,280 --> 00:33:02,440 Speaker 8: Special thanks to Jordan Serf, Daniella Fetterman, Morgan Gould, Eric Harper, 565 00:33:03,120 --> 00:33:09,040 Speaker 8: Aaron Jenkin, Chelsea Crepps, Will O'Donnell, Don Saltzman, Michael Stearns 566 00:33:09,280 --> 00:33:11,960 Speaker 8: and Josh Pultz. Does This Murder Make Me Look Gay? 567 00:33:12,200 --> 00:33:15,000 Speaker 8: Is a production of Ninth Planet Audio in association with 568 00:33:15,120 --> 00:33:18,840 Speaker 8: iHeart Podcasts. This podcast was recorded under a SAG after 569 00:33:18,920 --> 00:33:20,240 Speaker 8: a collective bargaining agreement. 570 00:33:24,560 --> 00:33:27,320 Speaker 1: Is Dona milverlanding Rentro, I don't know, I know. 571 00:33:28,080 --> 00:33:32,200 Speaker 8: No, Ninth Planet Audio Capcom. 572 00:33:32,280 --> 00:33:33,120 Speaker 3: We're overlanding. 573 00:33:33,520 --> 00:33:34,520 Speaker 1: You're blaming no