WEBVTT - Harmony Samuels

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<v Speaker 1>And money. Well, thank take valiche. We are the authorities

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<v Speaker 1>all things, and ladies and gentlemen, what's going on? My

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<v Speaker 1>name is Tank and this is the Army Money Podcast.

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<v Speaker 1>The authority. Oh all things are and b yes, yes,

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<v Speaker 1>because we have a man in the building, a prolific

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<v Speaker 1>human being, well studied, well first, successful as well as gifted.

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<v Speaker 1>He's a monster and he getting to the money ladies

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<v Speaker 1>and gentlemen. Army producer, hip hop producer, dance hall producer,

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<v Speaker 1>AfroB producer, a super producer and songwriter. I think he

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<v Speaker 1>got vocal suit in the building. How many eight money? Sam?

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<v Speaker 1>What's kind of what's that? Listen? Actually sound like the drop?

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<v Speaker 1>I got to talk to him about this. Remember how

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<v Speaker 1>publish people fall out about this kind of stuff. Um,

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<v Speaker 1>first of all, I don't like you. Let's start there.

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<v Speaker 1>We're gonna start right there. I mean, the first time

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<v Speaker 1>I heard about you, I heard these two Chris Brown songs.

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<v Speaker 1>Who did that? Who did that? And why did you

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<v Speaker 1>do that? Why did you do all of that? I

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<v Speaker 1>could have left some of that shot out, could have

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<v Speaker 1>left some room for other people to produce more songs

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<v Speaker 1>on the album. Your songs clearly by far stood out

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<v Speaker 1>on that album as something completely different and something we

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<v Speaker 1>hadn't heard before. I was upset because I only get

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<v Speaker 1>upset when it's some ship I wish I could have done.

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<v Speaker 1>I wish I would have done. I listened to it

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<v Speaker 1>and it was so so much information. I said, funk,

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<v Speaker 1>I just gotta find I can't do it. Snow wouldn't

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<v Speaker 1>bear to do it. I gotta I gotta find him.

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<v Speaker 1>That's crazy. You are super, super duper appreciate that gifted.

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<v Speaker 1>You know what I'm saying. This is a flowers this

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<v Speaker 1>is a flowers pod, this is a flowers space. So

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<v Speaker 1>I had to get the hate out of my heart first.

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<v Speaker 1>Remember when I first met you, I had the same

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<v Speaker 1>kind of expression, but for a reasons though, so prior

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<v Speaker 1>to my success. Chris Brown, he was standing outside I've

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<v Speaker 1>been in l a maybe like a month, and he

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<v Speaker 1>was standing outside the rucks. He had just tore the

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<v Speaker 1>rucksy down and he was just standing outside and I'm

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<v Speaker 1>looking at I'm gonna side out there after he does

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<v Speaker 1>it show Yeah. So I'm looking at I'm like, why

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<v Speaker 1>is type just standing out here? Like yeah? So I like, yo, bro,

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<v Speaker 1>He's like, oh it's that man, You're good, and I

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<v Speaker 1>was like, I don't like you. So it's the same

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<v Speaker 1>kind of ine, all right, so so and he's like

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<v Speaker 1>what I said, not in a bad way, but in

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<v Speaker 1>a bad way. Sex, love and pain too messed up

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<v Speaker 1>my relationship. And he's like, what do you mean? He said?

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<v Speaker 1>My eggs girlfriend said she used to feel uncomfortable when

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<v Speaker 1>I would play the album in the house. I said,

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<v Speaker 1>my nigg you'd be sucking my go that. You know,

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<v Speaker 1>I'm sorry, And I was like, I can't play the

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<v Speaker 1>album no more. I would play every once in a

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<v Speaker 1>while when I needed to try and get freaky. Yeah,

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<v Speaker 1>but yeah, I didn't like him for that because I

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<v Speaker 1>was like, every time I would play, I was right,

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<v Speaker 1>you get in there, you work that, you change positions. Now,

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<v Speaker 1>this is a good time in between songs. Yeah, get it.

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<v Speaker 1>Like the porn start announcer, that's what my music done.

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<v Speaker 1>Do they have, No, they don't, But that's what my

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<v Speaker 1>music done. I'm gonna be real. I'm would be real.

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<v Speaker 1>Your records are the records that people I go to anyway.

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<v Speaker 1>Just you, my homie. It's about pregnancy. My music. My

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<v Speaker 1>music is about skin on skin relationships. You understand what

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<v Speaker 1>I'm saying, if you are putting anything between you and

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<v Speaker 1>that other body, you are disrespecting the music completely. Just

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<v Speaker 1>skin on skin whatever could roll the dice when my

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<v Speaker 1>music come on. Okay, this podcast is not brought to

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<v Speaker 1>you by whatever kind of what are though? No, no

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<v Speaker 1>listen I kind of brands. I'll promote you, Okay, I'm not.

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<v Speaker 1>I will not. You will not suffocate me. What people

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<v Speaker 1>gotta breathe. He should be breathing. Man, man, it's to

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<v Speaker 1>be here now I've listen. It's a blessing. I'm on

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<v Speaker 1>you both a decade plus easy and I would say

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<v Speaker 1>some of the most uh influential mentoring. You both mentored

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<v Speaker 1>me in different ways. We used to share studio grounds.

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<v Speaker 1>We would each other's room all the time. Um, I

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<v Speaker 1>think I think certain relationships UH off for a season,

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<v Speaker 1>and in certain relationships they last forever. Whether we talk

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<v Speaker 1>every day or we don't talk at all, it's like

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<v Speaker 1>it's like we never left. And and you know, I've

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<v Speaker 1>learned so much from your both your careers and your relationship.

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<v Speaker 1>Because that's another thing. Y'all been tight friends, brothers, business partners.

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<v Speaker 1>It's hard to find people who can stick together through

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<v Speaker 1>it all. You know what I'm saying, and uh, and

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<v Speaker 1>I think that that's been a big, big influence on

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<v Speaker 1>me man, both of you all. He he he made

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<v Speaker 1>a play in my life that to this day, I

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<v Speaker 1>sold up. I was able to sell a million records

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<v Speaker 1>independently because this man made a phone call. You know

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<v Speaker 1>what I'm saying, which was Major's why I love you

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<v Speaker 1>and I always appreciate you for that to a million

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<v Speaker 1>shout out anything anything that's hard, especially with R and B. Listen,

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<v Speaker 1>R and B and a person no one knew, absolutely

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<v Speaker 1>for you to have a platinum record with a new

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<v Speaker 1>artist in R and B music, amazing, amazing, amazing. But

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<v Speaker 1>he and you made that call. He came to the studio.

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<v Speaker 1>That record was the first Leston. That record was the

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<v Speaker 1>first lesson. I couldn't leave the studio without being some

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<v Speaker 1>part of something, you know what I mean. You knew

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<v Speaker 1>he said what you want to do? He's like, how

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<v Speaker 1>can I help you? I said, I've been to every

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<v Speaker 1>record executive. They don't want it. They don't want him here,

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<v Speaker 1>you don't they loved the records. They want him, you

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<v Speaker 1>know what I mean? And I was like this this

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<v Speaker 1>guy called Gazi, he was like that's my boy. You

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<v Speaker 1>drinking called in shout the juice friends, shouting out everybody. Yeah,

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<v Speaker 1>oh yeah, shout out. Today is today's promo. Yeah, I

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<v Speaker 1>got I have a juice bar. Man. It's called Urban Juice.

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<v Speaker 1>Shot juice. Congratulations, brother, I had. There's a juice called

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<v Speaker 1>the Valentine. Yeah, it's the one is you know you

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<v Speaker 1>want to get you so back to hold my juice.

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<v Speaker 1>He really got his own juice on man um. You know,

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<v Speaker 1>flowers was gonna get you flowers keep flowers. I heard

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<v Speaker 1>there with gifts for us, you know, I heard that

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<v Speaker 1>some form of a flower. Yeah. I think it's disrespectful

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<v Speaker 1>to come into the homes of people I look up

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<v Speaker 1>to without gifts. And so just like he got your

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<v Speaker 1>juice bar. You know, God bless me to you know,

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<v Speaker 1>invest in some things. And now we own a tequila

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<v Speaker 1>cool Willow Willow f v U E l o UM.

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<v Speaker 1>I pondered up with them about three years ago. We've

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<v Speaker 1>been working on this brand for a few years and

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<v Speaker 1>now we were killing it. We're killing it. We just

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<v Speaker 1>won one of the biggest competitions in California and I'll

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<v Speaker 1>REPRESENTO and yeah hoo for you. Ye give it in. Okay,

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<v Speaker 1>check out the brand switch because one is light. I

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<v Speaker 1>don't want to say it. I'm gonna give it the

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<v Speaker 1>Compson in. You give it up. Let me just look

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<v Speaker 1>at it. Yeah, just so thank you guys for having

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<v Speaker 1>me on this. You know what I'm saying, Guys, go check.

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<v Speaker 1>I don't know what does that help? That's a real

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<v Speaker 1>that's I'm gonna. You know what's phony tequila. It's we're gonna,

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<v Speaker 1>We're gonna, We're gonna, yeah crack that one tank is

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<v Speaker 1>the kind of source. So I'm whatever he I'm rolling

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<v Speaker 1>with y'all. I'm rolling with y'all. Yeah. No, But but

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<v Speaker 1>back to back to our homie man, back to back

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<v Speaker 1>to major, back to major, and you believing in that,

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<v Speaker 1>you know what I mean, in his project and believing

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<v Speaker 1>in him as an artist and fighting for him because

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<v Speaker 1>that that just doesn't happen all the time in this

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<v Speaker 1>industry where you know, we get to a point right

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<v Speaker 1>where we all have to deal with a lot of nose.

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<v Speaker 1>But then we get to a level in this game

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<v Speaker 1>where it's more yes than though. This guy's crazy, where

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<v Speaker 1>it's more yes than though. So once you get to

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<v Speaker 1>that level, a lot of executives and producers walk away

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<v Speaker 1>from things that they that they get told no on

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<v Speaker 1>because they don't want to be associated with the no.

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<v Speaker 1>You know what I mean, you want to be that

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<v Speaker 1>guy that can walk anything through at anybody. You know,

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<v Speaker 1>whatever you bring through the rolling where sir? So, what

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<v Speaker 1>was what for you? What was the motivation uh to

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<v Speaker 1>keep you going with an artist that you were being

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<v Speaker 1>told no about? Um? Firstly, I'm a builder like uh,

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<v Speaker 1>as a creative. Everything I own I built, you know

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<v Speaker 1>what I mean. I built my studio, I build beat,

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<v Speaker 1>I build records. And because I'm a builder, that means

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<v Speaker 1>I have to find things that need building, right, I

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<v Speaker 1>have to find artists that need help being built. You

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<v Speaker 1>know your d M is about to go crazy. Build me,

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<v Speaker 1>build me your blood, um and so, but that's always

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<v Speaker 1>been my thing. You know what I mean? I mean

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<v Speaker 1>your company b O E Empire. But show you let

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<v Speaker 1>me get let me get on this. I mean, shout

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<v Speaker 1>out to this beautiful last Lord Mercy and put some

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<v Speaker 1>ice in that. I mean, yes, sir, And this is

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<v Speaker 1>a nice podcasting, nice glasses to look out for. Vibe

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<v Speaker 1>is so beautiful, it's all beat something say that again,

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<v Speaker 1>that's R and B and everything R and B is

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<v Speaker 1>like differently, I'm not doing this at you. I'm just

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<v Speaker 1>I'm just in your direction. No, I got you, Bros.

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<v Speaker 1>R and B. And that's what got me into R

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<v Speaker 1>and B. You know what I mean, just the flyness

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<v Speaker 1>of it all, you know, I mean it were the

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<v Speaker 1>coolest genre. Yeah, it is the coolest genre. Other people

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<v Speaker 1>might be, they might be more shiny to the point

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<v Speaker 1>where hip hop has now turned R and B. But

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<v Speaker 1>that's a conversation for later. We can talk about you.

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<v Speaker 1>You're burst and all of it. You do all of it.

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<v Speaker 1>That's a conversation there. But we've major back to major

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<v Speaker 1>when I met him, right, I got some on it. Yeah, Alien,

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<v Speaker 1>give it to me, give it to come on, come on,

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<v Speaker 1>what you're talking about? It all is what we do. Yeah,

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<v Speaker 1>I got extra one for you in the car. I

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<v Speaker 1>got you, got in the car, got you and it's well, well,

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<v Speaker 1>look at me learning Spanish. That's not even that's not

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<v Speaker 1>even the big one. Extra and my brother, yes, sir,

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<v Speaker 1>my brother, yes, sir, this is exceptional Tequi. We appreciate it.

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<v Speaker 1>To my boy Breven, he's the brains behind this is exceptional, sir. Tequila.

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<v Speaker 1>It stands in line. This is the sits at the

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<v Speaker 1>table with the tequilas with the mine that I drink. Yes, sir, okay, alright,

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<v Speaker 1>and listen. It's not a big table. I don't know

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<v Speaker 1>about to keep it. But it's a drink that tastes

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<v Speaker 1>good to me. It's a small taste, not that big.

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<v Speaker 1>Of only three tequilas, not that big. Yours is number three.

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<v Speaker 1>It's up there, Bro, it's up there. That's a big

0:13:17.679 --> 0:13:20.079
<v Speaker 1>that's a big. Doors is up there with a five

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<v Speaker 1>hundred dollar tequila. Sir. The only sits about this big, Sir.

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<v Speaker 1>I know exactly what we're not showing out. I don't

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<v Speaker 1>know those I don't know those people. I'm not shouting.

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<v Speaker 1>Yeah yeah, let's get it, bro, appreciate that. Oh my god,

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<v Speaker 1>don't endorsement money, Like, what are we doing? Do you

0:13:42.160 --> 0:13:45.280
<v Speaker 1>need brand ambassadors? Of course we do. That's why I

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<v Speaker 1>brought the buttloover so we can have that conversation after

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<v Speaker 1>the podcast. Like it. I like it. Back to the music,

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<v Speaker 1>Back to music, back major. You know. One of the

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<v Speaker 1>things about so, me and Tank, we all we all

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<v Speaker 1>three of us come from the church background, so we

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<v Speaker 1>understand how okay, you give me church vibes differ just tabna,

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<v Speaker 1>that's right. Church. I don't even know what that means.

0:14:13.000 --> 0:14:16.679
<v Speaker 1>But give me God vibes. I believe in. Give me God.

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<v Speaker 1>Believe there's a there's a thing that that works with God,

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<v Speaker 1>faith and what you believe in right when you're working.

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<v Speaker 1>And so when I met Major, I had no desire

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<v Speaker 1>to sign him as an artist because we were just

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<v Speaker 1>I was playing at one church that was the music

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<v Speaker 1>director there and Major was on the washer team. But

0:14:37.320 --> 0:14:41.560
<v Speaker 1>he would sing his butt off and sing like he

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<v Speaker 1>would sing and I would just see people like emotional,

0:14:44.120 --> 0:14:46.080
<v Speaker 1>and I was just like, I'm the one that you

0:14:46.120 --> 0:14:49.600
<v Speaker 1>playing the piano, thinking this can't be where it ends

0:14:49.640 --> 0:14:51.880
<v Speaker 1>for him on on the church stage. He got it,

0:14:51.920 --> 0:14:55.160
<v Speaker 1>there's more to this. And God was like, yeah, you're

0:14:55.200 --> 0:14:58.320
<v Speaker 1>gonna help him get there. And I was like, I

0:14:58.400 --> 0:15:01.240
<v Speaker 1>was like, I that was a me requesting. I was

0:15:01.280 --> 0:15:08.200
<v Speaker 1>just saying and so and then I was like, no,

0:15:08.320 --> 0:15:10.760
<v Speaker 1>it's on you. And so he put me on that

0:15:10.800 --> 0:15:13.800
<v Speaker 1>path and then you know, we started working together. Yeah,

0:15:13.880 --> 0:15:16.280
<v Speaker 1>we got knows from everybody. I mean it was like

0:15:16.320 --> 0:15:19.160
<v Speaker 1>there was people who play games with us. There's people

0:15:19.240 --> 0:15:22.200
<v Speaker 1>who you know. It was like, we'll take the songs,

0:15:22.240 --> 0:15:25.240
<v Speaker 1>but it was just always something. And the worst part

0:15:25.320 --> 0:15:27.840
<v Speaker 1>was I was succeeding as a music producer, so I

0:15:27.880 --> 0:15:32.040
<v Speaker 1>was doing on the grand day, I'm working with Christal. Yeah,

0:15:33.000 --> 0:15:35.400
<v Speaker 1>I was working with a lot of people, and so

0:15:35.520 --> 0:15:38.480
<v Speaker 1>it was weird for me that I couldn't, you know,

0:15:38.600 --> 0:15:43.119
<v Speaker 1>cross him into that space. And then then I realized

0:15:43.160 --> 0:15:45.840
<v Speaker 1>like we had a problem. The problem was we needed

0:15:45.840 --> 0:15:48.880
<v Speaker 1>a song that would identify him because he was new

0:15:49.560 --> 0:15:51.560
<v Speaker 1>and the one powerful thing that Major has, as we

0:15:51.600 --> 0:15:54.080
<v Speaker 1>all know, is his voice. So I was like, we

0:15:54.160 --> 0:15:58.080
<v Speaker 1>gotta find and a year prior to that, John Legend

0:15:58.080 --> 0:16:00.400
<v Speaker 1>had just gone number one with all of me m M,

0:16:01.040 --> 0:16:03.560
<v Speaker 1>and I said, we gotta do something like this that

0:16:03.680 --> 0:16:10.280
<v Speaker 1>highlights your voice and nothing else. Right, think you're sexy

0:16:10.920 --> 0:16:13.400
<v Speaker 1>because you think he's said sometimes be doing that. He

0:16:13.520 --> 0:16:19.280
<v Speaker 1>been trying to highlight the ship. Me, Sean, my brother,

0:16:19.960 --> 0:16:28.240
<v Speaker 1>my brother met Hey listen, listen when when he started

0:16:28.320 --> 0:16:31.640
<v Speaker 1>getting R and B money yeah came out no, no,

0:16:32.640 --> 0:16:37.160
<v Speaker 1>but everybody almost we're gonna amost see your belly. Bro.

0:16:37.280 --> 0:16:44.000
<v Speaker 1>He's like made was like when get up from Man,

0:16:44.040 --> 0:16:51.920
<v Speaker 1>I got that made Major. You can send me a

0:16:51.920 --> 0:16:55.080
<v Speaker 1>customer shirt man helped send me a customer shop. Right,

0:16:55.080 --> 0:16:58.280
<v Speaker 1>you should get a customer sho custom You got the plan,

0:16:58.400 --> 0:16:59.720
<v Speaker 1>got him, he's got to get a new one. I

0:16:59.720 --> 0:17:01.520
<v Speaker 1>gotta black, they gotta give me. I got to go plan.

0:17:01.600 --> 0:17:04.760
<v Speaker 1>You got the platinum plack now, all right, so let

0:17:04.800 --> 0:17:08.600
<v Speaker 1>me let's do this. And I think that this the

0:17:08.640 --> 0:17:12.360
<v Speaker 1>major story, um, along with the building of your empire,

0:17:12.600 --> 0:17:16.040
<v Speaker 1>is going to play a big part in this conversation.

0:17:17.000 --> 0:17:19.240
<v Speaker 1>But I really want to go all the way back

0:17:19.280 --> 0:17:25.879
<v Speaker 1>to the beginning, right, Um. I hate your accent, but um,

0:17:26.000 --> 0:17:28.199
<v Speaker 1>I just wanted his accent, like you know, you know

0:17:28.240 --> 0:17:37.360
<v Speaker 1>what I could do with that accent aition in the world.

0:17:36.280 --> 0:17:45.159
<v Speaker 1>I'm scared of you. I think you too confident a

0:17:45.160 --> 0:17:47.480
<v Speaker 1>little bit, just smell just a little bit. I don't

0:17:47.480 --> 0:17:50.000
<v Speaker 1>think you would even live in You don't think I

0:17:50.080 --> 0:18:03.199
<v Speaker 1>would know. I don't know where you would live. He

0:18:03.320 --> 0:18:08.560
<v Speaker 1>tired me already. We just started many h money, Samuel's

0:18:08.640 --> 0:18:10.639
<v Speaker 1>We like to go back to the beginning, Yes, like

0:18:10.720 --> 0:18:13.879
<v Speaker 1>where it started? Where did what was the moment? We

0:18:13.960 --> 0:18:16.240
<v Speaker 1>also like the snack and ship. Yeah, you can eat snacks.

0:18:16.240 --> 0:18:20.080
<v Speaker 1>You don't one to Mike Ruben hate that all right? Um,

0:18:20.200 --> 0:18:22.000
<v Speaker 1>We want to go back to the beginning, to where

0:18:22.680 --> 0:18:26.879
<v Speaker 1>you said to yourself, oh shoot, I got something, or

0:18:26.960 --> 0:18:29.600
<v Speaker 1>somebody said to you, I got something, boy, you got

0:18:29.640 --> 0:18:33.520
<v Speaker 1>something something. There's a few, there's a few moments. But

0:18:34.480 --> 0:18:39.200
<v Speaker 1>um born and raised in London by Nigerian parents who

0:18:39.200 --> 0:18:41.879
<v Speaker 1>were strict to ship. I mean they were so strict, bro,

0:18:42.080 --> 0:18:46.040
<v Speaker 1>Like I had bad checks in the morning, you know

0:18:46.040 --> 0:18:48.480
<v Speaker 1>what I'm saying, And like when y'a was leaving to

0:18:48.480 --> 0:18:52.840
<v Speaker 1>go to school, everything's in here, what's in your back?

0:18:53.080 --> 0:18:56.080
<v Speaker 1>And if there was anything outside of what was supposed

0:18:56.080 --> 0:18:59.040
<v Speaker 1>to be in there, it's my ass. Like my dad

0:18:59.119 --> 0:19:01.760
<v Speaker 1>was a discipline arean man. He was a strong dude.

0:19:01.920 --> 0:19:05.879
<v Speaker 1>And my mama didn't play anither. So when they found

0:19:05.880 --> 0:19:08.440
<v Speaker 1>out I had a musical gift, they freaked out immediately

0:19:08.480 --> 0:19:10.720
<v Speaker 1>because there was like, oh hell no, no, no, no,

0:19:10.720 --> 0:19:13.280
<v Speaker 1>no, no no, no, no, you're not doing that. You go

0:19:13.400 --> 0:19:17.280
<v Speaker 1>into school because we immigrants and we ain't got we

0:19:17.320 --> 0:19:20.120
<v Speaker 1>ain't got a portupis in you ben to figure this out.

0:19:21.000 --> 0:19:23.919
<v Speaker 1>And they were on me and so and I'm the

0:19:23.920 --> 0:19:28.240
<v Speaker 1>oldest of four and so as I got to y'all

0:19:28.280 --> 0:19:30.040
<v Speaker 1>called high school, we called the secondary school. I'm like

0:19:30.080 --> 0:19:32.679
<v Speaker 1>thirteen years old. I'm playing four or five instruments at

0:19:32.680 --> 0:19:37.480
<v Speaker 1>this point, so I'm playing piano, drums, bassed keys. No,

0:19:37.920 --> 0:19:41.240
<v Speaker 1>it's at church the only place I could touch him.

0:19:41.400 --> 0:19:43.760
<v Speaker 1>So I had to learn. Now. My parents were broke

0:19:44.160 --> 0:19:46.280
<v Speaker 1>trying to figure out. My dad had too three jobs.

0:19:46.359 --> 0:19:49.000
<v Speaker 1>My mother was looking after the kids at home because

0:19:49.000 --> 0:19:52.320
<v Speaker 1>it's you know, just three of us and at the time,

0:19:53.280 --> 0:19:56.320
<v Speaker 1>and um, the only time they would allow me near

0:19:56.359 --> 0:20:00.320
<v Speaker 1>the instrument is in church. Now my dream. My school teachers, yo,

0:20:00.440 --> 0:20:04.200
<v Speaker 1>your son is gifted. He he was singing. He would

0:20:04.200 --> 0:20:05.960
<v Speaker 1>I would sing harmonies. They were like, how do you

0:20:06.000 --> 0:20:07.359
<v Speaker 1>know how to do this? And I mean, I'm not

0:20:07.400 --> 0:20:11.040
<v Speaker 1>even five six at this point, I'm playing drums on

0:20:11.119 --> 0:20:13.960
<v Speaker 1>the table, and then I'm even playing drums in church.

0:20:14.040 --> 0:20:16.119
<v Speaker 1>My parents just woke up one morning. We go to

0:20:16.200 --> 0:20:19.280
<v Speaker 1>church and then there's no drummer on the at the drums.

0:20:19.880 --> 0:20:21.760
<v Speaker 1>So it's kind of weird because like there's a whole

0:20:21.800 --> 0:20:23.760
<v Speaker 1>band playing but no drums, and then they just see

0:20:23.800 --> 0:20:26.600
<v Speaker 1>me going to drums and start playing along. I began

0:20:26.640 --> 0:20:37.320
<v Speaker 1>a drummer and that's how I started playing. And so

0:20:37.359 --> 0:20:41.360
<v Speaker 1>I have this thing about learning by sight. And by

0:20:41.400 --> 0:20:43.800
<v Speaker 1>twelve years thirteen years old, I'm going to secondary school

0:20:44.040 --> 0:20:46.280
<v Speaker 1>and I could play five instruments, and my music teachers like,

0:20:46.320 --> 0:20:48.960
<v Speaker 1>how you you know I had to do that? Like,

0:20:49.840 --> 0:20:53.160
<v Speaker 1>and I was like, I don't know. It's just a gift.

0:20:53.200 --> 0:20:55.639
<v Speaker 1>I can hear and see like I hear it and

0:20:55.680 --> 0:20:58.040
<v Speaker 1>I see it like or wherever it is. If I

0:20:58.040 --> 0:21:00.439
<v Speaker 1>see you playing an instrument, I'm learning and how you

0:21:00.480 --> 0:21:03.679
<v Speaker 1>are you playing? Saying I'm downloading everything and once I

0:21:03.720 --> 0:21:06.440
<v Speaker 1>get my hand on it, I'm gonna figure it out. Um.

0:21:06.480 --> 0:21:08.960
<v Speaker 1>And once I figured out the number system, it was

0:21:09.000 --> 0:21:13.639
<v Speaker 1>cutains for everybody, um, and you know that. So thirteen

0:21:13.720 --> 0:21:17.400
<v Speaker 1>years old, I go, it's my first year in secondary

0:21:17.400 --> 0:21:20.560
<v Speaker 1>school or high school, and I walked into my music

0:21:20.560 --> 0:21:23.119
<v Speaker 1>class and I'm like I'm excited, just like, yes, I

0:21:23.119 --> 0:21:25.040
<v Speaker 1>got what's my music? She you're gonna have me do? So.

0:21:25.080 --> 0:21:27.800
<v Speaker 1>She has this computer and it was called the notator.

0:21:27.920 --> 0:21:32.080
<v Speaker 1>Remember that, yes right now, it's actually cooled logic now

0:21:32.840 --> 0:21:35.400
<v Speaker 1>in the in the nineties was called notator. I've never

0:21:35.440 --> 0:21:37.520
<v Speaker 1>seen it before. There was a notator and they had

0:21:37.520 --> 0:21:41.200
<v Speaker 1>floppy disks and she had like this, she had a

0:21:41.200 --> 0:21:45.400
<v Speaker 1>cassio keyboard in front of it, and she started programming like.

0:21:45.600 --> 0:21:47.320
<v Speaker 1>She showed me how you're like, oh, you know, you

0:21:47.320 --> 0:21:49.959
<v Speaker 1>can compose your own songs and close your music and

0:21:49.960 --> 0:21:53.919
<v Speaker 1>she started playing each instrument, you know, recording as we do.

0:21:54.880 --> 0:21:56.800
<v Speaker 1>I stood there because I had never seen it before.

0:21:57.080 --> 0:22:00.080
<v Speaker 1>I stood there in amazement for at least thirty men this.

0:22:01.000 --> 0:22:05.560
<v Speaker 1>I said, Miss Ryan, how the hell did you do that? Said?

0:22:05.640 --> 0:22:07.800
<v Speaker 1>You know, you just you select the track you want,

0:22:08.080 --> 0:22:10.399
<v Speaker 1>you press record. You played the instrument and I said,

0:22:11.200 --> 0:22:13.600
<v Speaker 1>so I can be my own band. She said yeah.

0:22:13.960 --> 0:22:20.439
<v Speaker 1>I said, Nick, I'm sure you didn't say that, but no,

0:22:23.840 --> 0:22:29.320
<v Speaker 1>and I'm sure yeah, yeah, school bro. It was like

0:22:30.000 --> 0:22:33.399
<v Speaker 1>a crackhead with a bag of coke. Ye. I lost

0:22:33.480 --> 0:22:37.520
<v Speaker 1>my freaking mind, I said, okay. It went from me

0:22:37.600 --> 0:22:40.200
<v Speaker 1>being at every lunch time to being at every lunch

0:22:40.280 --> 0:22:42.680
<v Speaker 1>time and off the school. Then she started giving me

0:22:42.760 --> 0:22:46.159
<v Speaker 1>the key. I was in that room for two years straight,

0:22:46.240 --> 0:22:49.400
<v Speaker 1>so I've gone from year to year. And she came

0:22:49.400 --> 0:22:51.119
<v Speaker 1>in one day and it was like eight in the morning.

0:22:51.160 --> 0:22:53.240
<v Speaker 1>She was like, why are you here so early? I said,

0:22:53.280 --> 0:22:55.679
<v Speaker 1>I just had to get this idea, said you've been

0:22:55.720 --> 0:22:58.639
<v Speaker 1>here a lot, play me something, and I play her

0:22:58.720 --> 0:23:00.960
<v Speaker 1>one of my ideas. She looked at me. She said,

0:23:01.359 --> 0:23:05.199
<v Speaker 1>you made this, and I play another one. She's like,

0:23:05.440 --> 0:23:09.560
<v Speaker 1>you made this, She said, Harmony, you need to really

0:23:09.560 --> 0:23:13.199
<v Speaker 1>go to school for this, said you may have the

0:23:13.200 --> 0:23:17.160
<v Speaker 1>ability to be a great composer or producer. I was like,

0:23:17.240 --> 0:23:20.959
<v Speaker 1>who's that? And what is that? Who's there? Because I'm like,

0:23:22.119 --> 0:23:24.600
<v Speaker 1>are your parents on board at this point? Now? My

0:23:24.640 --> 0:23:28.679
<v Speaker 1>parents were never on board until I broke So my

0:23:28.720 --> 0:23:31.040
<v Speaker 1>parents they never were at this point. At this point,

0:23:31.119 --> 0:23:33.919
<v Speaker 1>they just think I'm going to school. They don't they

0:23:33.960 --> 0:23:37.119
<v Speaker 1>don't know what I'm doing in school. And because my

0:23:37.240 --> 0:23:40.640
<v Speaker 1>I had heard my teacher as a ally, she would

0:23:40.640 --> 0:23:46.680
<v Speaker 1>always value for me. He's because so just that's all

0:23:46.720 --> 0:23:51.000
<v Speaker 1>I needed, Bro, she said, go look at what the

0:23:51.080 --> 0:23:54.359
<v Speaker 1>producer was. The first person I looked up was Quincy Jones.

0:23:55.119 --> 0:23:58.760
<v Speaker 1>I mean it starts there and like, I'm off to

0:23:58.840 --> 0:24:01.760
<v Speaker 1>the flame. Man. It's just it became my mission and

0:24:01.840 --> 0:24:04.879
<v Speaker 1>in my brain, I mean, I lied to every person

0:24:04.920 --> 0:24:06.840
<v Speaker 1>because I didn't want them to know that was what

0:24:06.880 --> 0:24:10.440
<v Speaker 1>I was going to become a music producer. And Bro,

0:24:10.680 --> 0:24:13.159
<v Speaker 1>I made track off the track and then I was like,

0:24:13.240 --> 0:24:17.960
<v Speaker 1>I can put melody and lyrics. So I was just like, oh,

0:24:18.000 --> 0:24:21.320
<v Speaker 1>I'm doing a hundred per centers. At this point, I'm

0:24:21.400 --> 0:24:25.400
<v Speaker 1>twenty years old and I'm like, I finally someone just

0:24:25.640 --> 0:24:27.560
<v Speaker 1>someone out there blue in my church. And you know

0:24:27.600 --> 0:24:36.800
<v Speaker 1>I always tell people from yeah, because I mean, like,

0:24:37.720 --> 0:24:43.120
<v Speaker 1>from thirteen to twenty, all I could do was create, create,

0:24:43.720 --> 0:24:47.159
<v Speaker 1>because what people don't understand about London is one of

0:24:47.160 --> 0:24:50.520
<v Speaker 1>the most creative places in the world, one of the

0:24:50.560 --> 0:24:53.720
<v Speaker 1>only places where I see genres being made over and

0:24:53.800 --> 0:24:56.600
<v Speaker 1>over again, you know what I mean, like like in

0:24:56.680 --> 0:24:58.439
<v Speaker 1>my face, like oh, this is a new genre. This,

0:24:59.280 --> 0:25:03.840
<v Speaker 1>you know, I mean, like from beats me so for me.

0:25:05.520 --> 0:25:08.200
<v Speaker 1>But it's a trap too. It was very It was

0:25:08.320 --> 0:25:10.720
<v Speaker 1>very trapped because there was no outlets for us. Like

0:25:11.560 --> 0:25:15.760
<v Speaker 1>one thing you have in America is black Americans have

0:25:16.240 --> 0:25:19.440
<v Speaker 1>fought to have a voice in in in the UK,

0:25:19.800 --> 0:25:22.280
<v Speaker 1>we fought, but we didn't have that voice. No matter

0:25:22.320 --> 0:25:24.240
<v Speaker 1>how much we tried to get one, they would shut

0:25:24.280 --> 0:25:26.199
<v Speaker 1>it down. It was very systemic because it was a

0:25:26.200 --> 0:25:29.879
<v Speaker 1>lot smaller too. And so we let's think about how

0:25:29.960 --> 0:25:32.520
<v Speaker 1>many R and B X we had those times, how

0:25:32.520 --> 0:25:35.879
<v Speaker 1>many R and B superstars. We didn't have that many.

0:25:36.000 --> 0:25:38.439
<v Speaker 1>It was very limited, and that's because we didn't have

0:25:38.440 --> 0:25:45.400
<v Speaker 1>an outlet. And whenever you know. But you know the

0:25:45.400 --> 0:25:48.800
<v Speaker 1>craziest part, not even British people didn't know he was American.

0:25:49.160 --> 0:25:52.560
<v Speaker 1>He was. He was British for the longest because he

0:25:52.640 --> 0:26:00.320
<v Speaker 1>sounded so American to y'all, was like, yeah, we we

0:26:00.480 --> 0:26:02.600
<v Speaker 1>just knew that he was. We just knew that this

0:26:02.680 --> 0:26:06.200
<v Speaker 1>isn't regular British records, right, do you what the sand

0:26:06.240 --> 0:26:08.720
<v Speaker 1>I mean? And you know I worked with even Uncle

0:26:08.800 --> 0:26:12.000
<v Speaker 1>mar Markey b you know so too soul. Like I've

0:26:12.000 --> 0:26:15.320
<v Speaker 1>been around all of them, and there was we were

0:26:15.359 --> 0:26:18.399
<v Speaker 1>influenced by American music heavily, but we didn't have an outlet.

0:26:18.480 --> 0:26:21.280
<v Speaker 1>We didn't have out so all I could do is

0:26:21.359 --> 0:26:25.359
<v Speaker 1>create and hold these hold these these feelings inside. And

0:26:25.440 --> 0:26:27.159
<v Speaker 1>I was like, one day I'm gonna crack this. I'm

0:26:27.160 --> 0:26:29.840
<v Speaker 1>gonna crack this colde. I'm gonna figure it out how

0:26:29.920 --> 0:26:34.080
<v Speaker 1>to balance between being from here and affecting the States,

0:26:34.240 --> 0:26:36.840
<v Speaker 1>because crack in America was the most important thing for

0:26:36.920 --> 0:26:40.520
<v Speaker 1>any British artist if you were black, Cracking America from

0:26:40.560 --> 0:26:45.080
<v Speaker 1>Craig David all the way down to Sho MAXI Priest,

0:26:45.240 --> 0:26:48.800
<v Speaker 1>these are British guys, you know what I mean? Like,

0:26:49.000 --> 0:26:52.200
<v Speaker 1>Cracking America was important if you cracked America. I feel

0:26:52.240 --> 0:27:01.439
<v Speaker 1>like he keeps saying crackhead America, cracking America, breaking, and

0:27:01.480 --> 0:27:03.600
<v Speaker 1>so so what I could do for for the longest.

0:27:03.720 --> 0:27:05.880
<v Speaker 1>And then I interned for years, you know what I mean,

0:27:05.960 --> 0:27:10.359
<v Speaker 1>at studios, cleaning floors, laying on the floor in the UK,

0:27:10.520 --> 0:27:14.640
<v Speaker 1>and I would watch you know, Selene, Selene Dion's producer,

0:27:14.920 --> 0:27:20.680
<v Speaker 1>Chris neil Um, Marqui b Um, so many different producers

0:27:20.680 --> 0:27:23.880
<v Speaker 1>that I was like in the background, Nilly Hooper, gen Stefani,

0:27:24.119 --> 0:27:26.480
<v Speaker 1>and I would just be watching him and trying to

0:27:26.480 --> 0:27:29.199
<v Speaker 1>get as much information because I learned by sight. So

0:27:29.280 --> 0:27:31.560
<v Speaker 1>one day they were like, hey, you play pile all right,

0:27:31.600 --> 0:27:34.639
<v Speaker 1>and I'll play a little something. Hey you played bass right,

0:27:34.760 --> 0:27:37.280
<v Speaker 1>or I sing something. So I was young, so I

0:27:37.320 --> 0:27:39.920
<v Speaker 1>started kind of getting my my, my, my, my foot

0:27:39.960 --> 0:27:43.680
<v Speaker 1>in that way. And then young young guy in the church,

0:27:43.880 --> 0:27:45.760
<v Speaker 1>you know, he's a little money man, you know, a

0:27:45.800 --> 0:27:49.639
<v Speaker 1>little hustling the hood. Was like, yo, you really be

0:27:49.720 --> 0:27:51.440
<v Speaker 1>doing this music thing? Huh. He's like, you know, I

0:27:51.480 --> 0:27:53.879
<v Speaker 1>got some bread, like what you need. I was like

0:27:53.920 --> 0:27:57.240
<v Speaker 1>a studio and he gave me My first studio was

0:27:58.560 --> 0:28:01.200
<v Speaker 1>three times more than this room. But it was that

0:28:01.200 --> 0:28:04.600
<v Speaker 1>that was the day, I became a monster because now

0:28:04.640 --> 0:28:08.160
<v Speaker 1>I had my own outfit, like I could do anything.

0:28:08.480 --> 0:28:11.000
<v Speaker 1>I helped him build his career. Shout out to my

0:28:11.040 --> 0:28:15.199
<v Speaker 1>man Stephen. Uh. Helped him build his little business company

0:28:15.280 --> 0:28:19.800
<v Speaker 1>he was building, supplying the hoods and beats, supplying the

0:28:19.840 --> 0:28:25.160
<v Speaker 1>hood beats. Stephen the top boy. Yeah he had Steve.

0:28:25.359 --> 0:28:30.600
<v Speaker 1>Stephen had to pe. He hustled and made show, kept

0:28:30.600 --> 0:28:33.119
<v Speaker 1>the studio open for like five years. I never had

0:28:33.119 --> 0:28:36.439
<v Speaker 1>to pay for it. And you know, I always respect

0:28:36.480 --> 0:28:38.280
<v Speaker 1>him for him because that's when I learned how to

0:28:38.360 --> 0:28:44.719
<v Speaker 1>become a real producer. I learned to sing, record, vocal, produce,

0:28:44.960 --> 0:28:48.160
<v Speaker 1>and I was watching y'all. That's what you don't understand.

0:28:48.320 --> 0:28:50.680
<v Speaker 1>I had all your CDs in my room, in my

0:28:50.720 --> 0:28:55.480
<v Speaker 1>studio room, and we played uh, Sex, Love and and Pain,

0:28:55.880 --> 0:28:59.600
<v Speaker 1>or we'll play Maybe I Deserve, or we'll play Rodney Jack.

0:29:00.040 --> 0:29:05.080
<v Speaker 1>Lot of Rodney, A lot of thoughts, always a lot

0:29:05.120 --> 0:29:07.800
<v Speaker 1>of timberling, shots of Roddy because he talked. Y'all gave

0:29:07.840 --> 0:29:10.080
<v Speaker 1>me my opportunity to a lot of timberling, a lot

0:29:10.120 --> 0:29:13.760
<v Speaker 1>of I was studying, I mean, bro and then one

0:29:13.840 --> 0:29:16.960
<v Speaker 1>day I just said I gotta get out of because

0:29:16.960 --> 0:29:19.000
<v Speaker 1>I tried. I was broke, you know what I mean,

0:29:19.720 --> 0:29:23.520
<v Speaker 1>my girls leaving, you know what I'm saying, Yeah, my

0:29:23.560 --> 0:29:26.600
<v Speaker 1>girls leaving me. At the time, I couldn't pay rent,

0:29:26.840 --> 0:29:29.959
<v Speaker 1>you know what I'm saying. And she actually really believed

0:29:30.000 --> 0:29:33.600
<v Speaker 1>in me. She just knew that I wasn't gonna work here,

0:29:33.800 --> 0:29:35.640
<v Speaker 1>you know what I mean. We just bro The most

0:29:35.680 --> 0:29:37.720
<v Speaker 1>I got paid in eight years and making music was

0:29:37.760 --> 0:29:41.800
<v Speaker 1>like three thousand dollars in eight years and eight years

0:29:41.840 --> 0:29:44.360
<v Speaker 1>because it was such a hard hustle, you know what

0:29:44.400 --> 0:29:48.000
<v Speaker 1>I'm saying. And so by the time by the time

0:29:48.040 --> 0:29:53.200
<v Speaker 1>I got to like my mid twenties, Um, there's this

0:29:53.360 --> 0:29:55.640
<v Speaker 1>young kid in in the UK that was blowing up

0:29:55.680 --> 0:29:57.560
<v Speaker 1>and music had changed again. It was not this new

0:29:57.640 --> 0:30:02.600
<v Speaker 1>genre cool grime, because they had gone from garage, you

0:30:02.640 --> 0:30:04.760
<v Speaker 1>know what I mean, we call the garage, and went

0:30:04.800 --> 0:30:06.800
<v Speaker 1>from garage which was like this upbeat we don't call

0:30:06.920 --> 0:30:11.520
<v Speaker 1>him garge garage you said, you said two different names

0:30:11.520 --> 0:30:19.160
<v Speaker 1>that we don't so we called a garage. It changed

0:30:19.240 --> 0:30:22.400
<v Speaker 1>and you know, it became grime. And there's a whole

0:30:22.480 --> 0:30:26.480
<v Speaker 1>history that you know. I think the the UK grime

0:30:26.560 --> 0:30:28.760
<v Speaker 1>scene and R and B scene and just the music

0:30:28.800 --> 0:30:31.560
<v Speaker 1>scene has to explain for the world to get But

0:30:31.600 --> 0:30:35.080
<v Speaker 1>this kid called Chip, we called him Chip then. Yeah,

0:30:35.280 --> 0:30:39.479
<v Speaker 1>so that's how I meant from the hood. That's how

0:30:39.480 --> 0:30:42.800
<v Speaker 1>I met. Were in the hood, same studio. I end

0:30:42.880 --> 0:30:46.280
<v Speaker 1>up working with him and he's like, yo, man, Um,

0:30:46.400 --> 0:30:48.840
<v Speaker 1>I need you to do my album. And he just

0:30:48.960 --> 0:30:50.959
<v Speaker 1>cracked the case. In the UK, he was like the

0:30:51.000 --> 0:30:53.560
<v Speaker 1>first he was like sixteen years old. It's like, I

0:30:53.600 --> 0:30:55.840
<v Speaker 1>need you to work on my album because he wanted

0:30:55.880 --> 0:30:59.920
<v Speaker 1>to transition from the UK sound to a global sound.

0:31:00.000 --> 0:31:03.040
<v Speaker 1>He wanted to penetrate America. I said, I'm your guy.

0:31:04.280 --> 0:31:06.800
<v Speaker 1>So we started working. I was transitioning to l A

0:31:06.880 --> 0:31:10.360
<v Speaker 1>because Um, I was taking these interesting trips. I was

0:31:10.400 --> 0:31:12.240
<v Speaker 1>like getting on the plane, just come to New York

0:31:13.040 --> 0:31:14.600
<v Speaker 1>and New York was popping at the time. When it

0:31:14.640 --> 0:31:19.200
<v Speaker 1>came to like industry stuff and Craig calman Um heard

0:31:19.240 --> 0:31:21.520
<v Speaker 1>my music and was like, can you fly to l A.

0:31:22.360 --> 0:31:26.360
<v Speaker 1>I was like, uh yeah, he said fly to l

0:31:26.360 --> 0:31:29.440
<v Speaker 1>A tomorrow. I wanted to meet another executive of mine.

0:31:29.560 --> 0:31:33.200
<v Speaker 1>If he liked you, then we money. So I said cool,

0:31:33.920 --> 0:31:36.480
<v Speaker 1>flying to l A. I go to see the executive

0:31:36.560 --> 0:31:40.760
<v Speaker 1>and the executive just he just was like get out,

0:31:41.440 --> 0:31:43.880
<v Speaker 1>like it was like, why are you hit? And I

0:31:43.920 --> 0:31:46.120
<v Speaker 1>was like, damn, think I just flew six hours wait

0:31:46.200 --> 0:31:48.480
<v Speaker 1>so that the executive wants you to meet. It wasn't

0:31:48.480 --> 0:31:52.480
<v Speaker 1>working with you, bro, wasn't Listen. First we're in the

0:31:52.560 --> 0:31:56.120
<v Speaker 1>studio and listened to my beats on headphones. That's disrespect one.

0:31:57.000 --> 0:31:58.680
<v Speaker 1>I know who this guy is. I just even though

0:31:58.680 --> 0:32:01.000
<v Speaker 1>you've never told me, I already know, right you listen

0:32:01.560 --> 0:32:05.800
<v Speaker 1>if you want to start, alright, listen, But I'm like, okay,

0:32:08.600 --> 0:32:11.440
<v Speaker 1>phones in the music studio. That was like, oh my god.

0:32:12.160 --> 0:32:16.200
<v Speaker 1>And then secondly, I flew six hour or six hours

0:32:16.600 --> 0:32:20.000
<v Speaker 1>to meet with you for six minutes six minutes and

0:32:20.120 --> 0:32:22.440
<v Speaker 1>say yeah, so yeah, give me these beats. And there

0:32:22.520 --> 0:32:24.320
<v Speaker 1>I talked to you. You know, we'll call you or

0:32:24.400 --> 0:32:27.080
<v Speaker 1>email you. And I was like, what am I supposed?

0:32:27.480 --> 0:32:33.600
<v Speaker 1>The US business? And so I'm standing outside the studio

0:32:33.720 --> 0:32:36.480
<v Speaker 1>like in tis because I'm like, firstly, I was in

0:32:36.520 --> 0:32:39.520
<v Speaker 1>New York and it was like October, so it was

0:32:39.640 --> 0:32:43.600
<v Speaker 1>coldest boots and now I'm in l a the same

0:32:43.600 --> 0:32:52.360
<v Speaker 1>outfit and the green weever. I'm confused, Bro, I'm crying

0:32:52.400 --> 0:32:58.840
<v Speaker 1>and so and I'm broke because I'm trying to figure

0:32:58.880 --> 0:33:01.520
<v Speaker 1>this out. So, and I'm sure you want to choke

0:33:01.560 --> 0:33:04.080
<v Speaker 1>that white bro. I wanted to say everything under the

0:33:04.120 --> 0:33:13.200
<v Speaker 1>sun about his nostrils. But but you know, I thank

0:33:13.240 --> 0:33:16.000
<v Speaker 1>God for grace. And you know the guy that had,

0:33:16.280 --> 0:33:18.480
<v Speaker 1>you know, been around me at the time was my

0:33:18.520 --> 0:33:21.640
<v Speaker 1>managing Matt. He ended up managing me after this whole situation.

0:33:22.480 --> 0:33:24.320
<v Speaker 1>He was like, Yo, I met with this guy and

0:33:24.320 --> 0:33:26.200
<v Speaker 1>he keeps talking about you. And I was like, what's

0:33:26.200 --> 0:33:29.240
<v Speaker 1>his name? He said, r J r J. He said

0:33:29.240 --> 0:33:31.080
<v Speaker 1>we should meet. He was like a big time producer man.

0:33:31.120 --> 0:33:33.200
<v Speaker 1>I said, funk that I ain't coming over the way

0:33:33.200 --> 0:33:38.840
<v Speaker 1>to me, no punk cast r J so podcast, Like

0:33:38.920 --> 0:33:42.120
<v Speaker 1>I said, you needn't see like everybody like mad, like

0:33:42.160 --> 0:33:44.320
<v Speaker 1>you can't see this thing. Just disrespect me. You even

0:33:44.320 --> 0:33:49.480
<v Speaker 1>say nothing, say nothing like you know what I'm saying.

0:33:50.160 --> 0:33:54.200
<v Speaker 1>I'm standing around two white people like he white. What

0:33:54.200 --> 0:34:00.479
<v Speaker 1>I'm saying, No, baby, y'all seeing the jumping on me. Now,

0:34:00.520 --> 0:34:06.560
<v Speaker 1>I do nothing. Just let the white man. So I

0:34:06.600 --> 0:34:09.319
<v Speaker 1>was just so it hurt, and so he said, I said. So,

0:34:09.360 --> 0:34:11.040
<v Speaker 1>I kept saying, He's like, no, I really think we

0:34:11.080 --> 0:34:13.879
<v Speaker 1>should go see him. And I was like, man, what's

0:34:13.920 --> 0:34:21.880
<v Speaker 1>this nigger's name? He said, Rodney Jack. I said. I said,

0:34:22.160 --> 0:34:26.640
<v Speaker 1>I'm sorry. I said dark child, Ruddy jack is. He's like,

0:34:26.640 --> 0:34:29.200
<v Speaker 1>that's it, that's it. I said, Nick, do you know

0:34:29.239 --> 0:34:33.520
<v Speaker 1>who that is? You should have left. He was like,

0:34:33.880 --> 0:34:38.520
<v Speaker 1>I think he's I said, you think he's wait, yeah,

0:34:38.680 --> 0:34:42.080
<v Speaker 1>let's go. Yeah, you know what I'm saying. And then

0:34:42.239 --> 0:34:44.000
<v Speaker 1>as soon as I walked in and they were doing

0:34:44.040 --> 0:34:46.640
<v Speaker 1>puff at the puff at the TV show, I find

0:34:46.640 --> 0:34:49.120
<v Speaker 1>it making a star making it was making a star.

0:34:49.400 --> 0:34:51.400
<v Speaker 1>It was like the It was like American Idol, but

0:34:51.719 --> 0:34:54.400
<v Speaker 1>there was like a and Rodney was a judge on it. Okay,

0:34:54.600 --> 0:34:58.160
<v Speaker 1>so I've gone over to that show and Ronnie walked

0:34:58.160 --> 0:35:01.200
<v Speaker 1>out and he called me immediately he was like Harms.

0:35:01.880 --> 0:35:04.399
<v Speaker 1>I was like, okay, you're gonna change my name to Hars.

0:35:05.440 --> 0:35:08.399
<v Speaker 1>He's like, yeah, your beat cause harm, it's causing harm.

0:35:08.440 --> 0:35:09.680
<v Speaker 1>And I was like, where do you hear my beats?

0:35:09.719 --> 0:35:12.040
<v Speaker 1>He said yo? I was so head a joke while

0:35:12.160 --> 0:35:15.719
<v Speaker 1>this dude is disrespecting me in the studio. He was

0:35:15.760 --> 0:35:18.440
<v Speaker 1>at Jimmy's office and my beats. I don't know how

0:35:18.520 --> 0:35:20.960
<v Speaker 1>I tape got in there was being played. Tell him

0:35:20.960 --> 0:35:27.120
<v Speaker 1>who Jimmy is, because you know Jimmy so while while

0:35:27.400 --> 0:35:29.359
<v Speaker 1>he's having to meet with Jimmy. He said he could

0:35:29.400 --> 0:35:32.880
<v Speaker 1>hear my beats in the room next door, and he

0:35:32.960 --> 0:35:36.279
<v Speaker 1>said he was knocking so hard. He was like he had.

0:35:36.520 --> 0:35:38.400
<v Speaker 1>He's like, Jimmy killing I'm just to go to bathroom,

0:35:38.440 --> 0:35:40.719
<v Speaker 1>give me a second. And so he's going to the bathroom.

0:35:40.880 --> 0:35:42.759
<v Speaker 1>He walks in the rooms like, Yo, whoever this little

0:35:42.840 --> 0:35:47.200
<v Speaker 1>nigga is, find him and bring him to me. So

0:35:47.280 --> 0:35:50.560
<v Speaker 1>that's how Matt got the email saying, Yo, Ronnie's looking

0:35:50.600 --> 0:35:53.200
<v Speaker 1>for y'all. He wants to meet with y'all and so

0:35:53.239 --> 0:35:55.319
<v Speaker 1>I shouldn't. He was like, yeah, my name, my name

0:35:55.400 --> 0:35:57.000
<v Speaker 1>is Harmony. Was like Harms and I'm gonna call you

0:35:57.040 --> 0:36:00.560
<v Speaker 1>Harms from now and and said, uh. He said you

0:36:01.000 --> 0:36:03.359
<v Speaker 1>when you leaving? I said tomorrow. He's like, no, you're not.

0:36:04.600 --> 0:36:07.960
<v Speaker 1>You canceled that flight. Come to see you tomorrow. And

0:36:08.560 --> 0:36:12.600
<v Speaker 1>the rest is history. Man. He basically was like yeah, yeah.

0:36:13.200 --> 0:36:16.000
<v Speaker 1>He opened that door and was like, yeah, you're with me,

0:36:17.080 --> 0:36:19.880
<v Speaker 1>and uh. It's probably the biggest life changing experience I've

0:36:19.920 --> 0:36:22.200
<v Speaker 1>ever had in my life. Mind you. He was the

0:36:22.280 --> 0:36:24.160
<v Speaker 1>next day I go to see him. He's working on

0:36:24.719 --> 0:36:31.080
<v Speaker 1>the Devil Wears product, so I'm just like, you know

0:36:31.080 --> 0:36:36.080
<v Speaker 1>what man for giving you an opportunity. Listen, I'm a

0:36:36.120 --> 0:36:41.440
<v Speaker 1>stranger from nowhere. When that when that other man phones off, listen,

0:36:42.440 --> 0:36:44.839
<v Speaker 1>I did so head the thing about that's why you

0:36:44.880 --> 0:36:49.279
<v Speaker 1>know full circle. A few years goes by, I'll break

0:36:49.320 --> 0:36:51.960
<v Speaker 1>an artists, a new artist that no one ended up

0:36:51.960 --> 0:36:56.560
<v Speaker 1>heard of, and they Craig. Craig actually calls me back

0:36:56.600 --> 0:37:00.640
<v Speaker 1>into the studio and says, yo, come like I want

0:37:00.640 --> 0:37:02.840
<v Speaker 1>to meet you. I was like, Craig, you met me before,

0:37:03.080 --> 0:37:05.959
<v Speaker 1>I say I did. I was like, yeah, a seven years,

0:37:06.000 --> 0:37:09.120
<v Speaker 1>six years ago, you flew me to l A to

0:37:09.200 --> 0:37:12.879
<v Speaker 1>meet with the other dude. And he's like, I did

0:37:13.719 --> 0:37:18.800
<v Speaker 1>I remember you? He said, whatever happened with that dude?

0:37:18.840 --> 0:37:24.800
<v Speaker 1>Walk in? And Craig was like, you don't remember harmony.

0:37:25.000 --> 0:37:27.600
<v Speaker 1>He's the guy that I sent here six years ago,

0:37:28.600 --> 0:37:34.200
<v Speaker 1>Look look what happened. And I was just like we

0:37:34.320 --> 0:37:37.799
<v Speaker 1>love that moment. It was one of them ones where

0:37:37.800 --> 0:37:41.440
<v Speaker 1>it's just like, Okay, thank you, I'm glad that I

0:37:41.440 --> 0:37:45.160
<v Speaker 1>didn't have to be a nigger that day. God got

0:37:45.200 --> 0:37:48.959
<v Speaker 1>my back. Absolutely, what are your parents saying as you're

0:37:49.000 --> 0:37:54.920
<v Speaker 1>saying no, not now, even though as you're saying R

0:37:55.040 --> 0:38:02.359
<v Speaker 1>J p j J says, first of all, to stay

0:38:02.400 --> 0:38:07.000
<v Speaker 1>a few more days. Secondly, I'm going to l A.

0:38:07.880 --> 0:38:10.920
<v Speaker 1>So this is, this is, this this is is gonna get a

0:38:10.960 --> 0:38:13.520
<v Speaker 1>little spiritual at this point. So there was things that

0:38:13.600 --> 0:38:22.359
<v Speaker 1>I learned about making your moves in silence. So they

0:38:22.360 --> 0:38:25.799
<v Speaker 1>didn't know a lot of my moves. They didn't like

0:38:25.800 --> 0:38:28.759
<v Speaker 1>I hadn't seen my dad in publicly five years, because

0:38:28.800 --> 0:38:30.600
<v Speaker 1>at this point you're grown man. Well I was. I've

0:38:30.640 --> 0:38:34.160
<v Speaker 1>definitely grown man um. But me and I really had problems.

0:38:34.440 --> 0:38:37.600
<v Speaker 1>Like when I was younger, he was like physical, you

0:38:37.600 --> 0:38:41.320
<v Speaker 1>know what I'm saying, and so uh, I had a

0:38:41.400 --> 0:38:43.920
<v Speaker 1>lot of anger issues towards him, and so he just

0:38:43.960 --> 0:38:47.160
<v Speaker 1>wanted to me to be the best. Now understand the nigga.

0:38:47.200 --> 0:38:49.640
<v Speaker 1>The nigga you know when you realize, damn pop. He

0:38:49.719 --> 0:38:53.359
<v Speaker 1>was under some different stress, but as a young man,

0:38:53.400 --> 0:38:56.439
<v Speaker 1>I wasn't. And it was just it was too much.

0:38:56.440 --> 0:38:58.280
<v Speaker 1>I mean, I was going home school with black guys

0:38:58.360 --> 0:39:01.560
<v Speaker 1>and well happen said I fell over and playing both

0:39:01.600 --> 0:39:04.520
<v Speaker 1>soccer or whatever, and I grew I grew up with

0:39:04.560 --> 0:39:08.520
<v Speaker 1>a resentment. So too. To prove my point, that became

0:39:08.520 --> 0:39:12.160
<v Speaker 1>my driving force. I was like, I'm gonna show you pop,

0:39:13.239 --> 0:39:16.560
<v Speaker 1>who the funk I really am? And so that thing

0:39:16.680 --> 0:39:18.600
<v Speaker 1>used to see in my eye where it was like

0:39:19.080 --> 0:39:23.040
<v Speaker 1>just monstrous. It was him because every time he told

0:39:23.040 --> 0:39:26.320
<v Speaker 1>me no, I would have it was it just became

0:39:26.360 --> 0:39:28.440
<v Speaker 1>like a battering ram in my hand that I was

0:39:28.480 --> 0:39:31.839
<v Speaker 1>just like, so I disappeared. I didn't tell him, And

0:39:32.120 --> 0:39:34.120
<v Speaker 1>what I realized was I had to tell her. I

0:39:34.160 --> 0:39:36.719
<v Speaker 1>had to keep it a secret because if I told

0:39:36.760 --> 0:39:40.040
<v Speaker 1>him I was trying to do, they would emotionally get

0:39:40.080 --> 0:39:43.920
<v Speaker 1>in my head and kind of pull me away from

0:39:44.040 --> 0:39:46.040
<v Speaker 1>the opportunity that was in front of me. Yes, I

0:39:46.040 --> 0:39:48.239
<v Speaker 1>didn't know what was gonna happen, and it was like

0:39:48.360 --> 0:39:51.560
<v Speaker 1>You're going twelve hours away on a plane to a

0:39:51.680 --> 0:39:55.520
<v Speaker 1>land that nobody knows yet. On TV, the story is

0:39:55.680 --> 0:39:59.240
<v Speaker 1>go gain drugs, rock star life Michael Jackson got killed.

0:40:00.480 --> 0:40:02.520
<v Speaker 1>So England had you know, in London, there was a

0:40:02.520 --> 0:40:06.040
<v Speaker 1>perception of what Los Angeles was. You know in London

0:40:06.200 --> 0:40:09.280
<v Speaker 1>at one time you said Los Angeles, they called it Babylon. Yeah,

0:40:09.440 --> 0:40:11.360
<v Speaker 1>you know what I'm saying. That was the perception. And

0:40:11.400 --> 0:40:13.440
<v Speaker 1>I was like, so I can't tell nobody. I literally

0:40:13.440 --> 0:40:15.600
<v Speaker 1>moved to l A and lived in l A for

0:40:15.640 --> 0:40:20.480
<v Speaker 1>a year. Before I told him, wow, that's wow. I

0:40:20.520 --> 0:40:23.319
<v Speaker 1>lived in l a fourth and I made sure that

0:40:23.440 --> 0:40:27.160
<v Speaker 1>I popped off. So when I called him, I was like, yeah,

0:40:27.160 --> 0:40:31.399
<v Speaker 1>the under made it. Yeah. So when they came over,

0:40:31.480 --> 0:40:36.560
<v Speaker 1>it was like, nigg, so what's your what's the your son?

0:40:36.600 --> 0:40:40.200
<v Speaker 1>They made a moment? What is that? What? What? What

0:40:40.719 --> 0:40:44.400
<v Speaker 1>milestone had you reached that you felt like this is

0:40:44.560 --> 0:40:47.319
<v Speaker 1>enough to let them know that I'm good. This is

0:40:47.360 --> 0:40:50.520
<v Speaker 1>my career. There's a couple of about that. The one

0:40:50.560 --> 0:40:52.680
<v Speaker 1>that really did was when I paid their house off,

0:40:54.320 --> 0:40:57.880
<v Speaker 1>when I was like, you ain't got got that A

0:40:57.920 --> 0:41:02.040
<v Speaker 1>lot of the Irianna Grande about it. That was the

0:41:02.120 --> 0:41:07.200
<v Speaker 1>life changing experience of my career. Like I was like,

0:41:07.400 --> 0:41:10.920
<v Speaker 1>I went from he's adult producer, he's a he's a

0:41:10.960 --> 0:41:14.080
<v Speaker 1>great producer to super produce. After I did that and

0:41:15.760 --> 0:41:19.640
<v Speaker 1>ire on the ground Ate the way feature mcmiller gad

0:41:20.640 --> 0:41:23.000
<v Speaker 1>right there, big Sean, how long has you been out

0:41:23.040 --> 0:41:26.480
<v Speaker 1>here before you get that? Three years? So I moved

0:41:26.520 --> 0:41:31.360
<v Speaker 1>here officially two thousand and ten, January two thousand and

0:41:31.400 --> 0:41:34.799
<v Speaker 1>ten and two thousand and eleven, I was cutting those

0:41:34.840 --> 0:41:36.600
<v Speaker 1>records on that in two thousand twelve. It blew up,

0:41:38.440 --> 0:41:44.879
<v Speaker 1>Oh my god, and so Chris shot first. I'm gonna

0:41:44.880 --> 0:41:48.839
<v Speaker 1>shot out my bro Chris Brown, because when I say,

0:41:49.040 --> 0:41:54.160
<v Speaker 1>outside of Tank and y'all, he's probably the most authentic

0:41:54.200 --> 0:41:57.399
<v Speaker 1>individual I've ever met in the music business. This man

0:41:57.440 --> 0:41:59.319
<v Speaker 1>didn't know me from a kind of paint. He just

0:41:59.400 --> 0:42:02.160
<v Speaker 1>heard a record that I had produced for Juwan Harris

0:42:02.880 --> 0:42:05.520
<v Speaker 1>and he was in the video and he kept saying, Yo,

0:42:05.560 --> 0:42:08.160
<v Speaker 1>who the hell made this record? And they go this

0:42:08.239 --> 0:42:10.960
<v Speaker 1>kid harmony and he walked up to me, didn't know

0:42:11.080 --> 0:42:13.279
<v Speaker 1>me from acount of paint. He was like, he made

0:42:13.320 --> 0:42:15.160
<v Speaker 1>this record. Bro. I was like yeah, He's like, yeah,

0:42:15.160 --> 0:42:19.360
<v Speaker 1>we gotta work. I'm scratching my head like you, Chris Brown.

0:42:19.560 --> 0:42:22.440
<v Speaker 1>And not only did he say we gotta work, he

0:42:22.719 --> 0:42:26.439
<v Speaker 1>made sure we worked. And those records changed my life.

0:42:26.440 --> 0:42:28.400
<v Speaker 1>Save with me and all my love, those same records

0:42:28.400 --> 0:42:34.000
<v Speaker 1>that you heard and even that session numb years ten. Bro,

0:42:34.840 --> 0:42:36.879
<v Speaker 1>I just moved in. So it's like ending the two

0:42:36.920 --> 0:42:40.839
<v Speaker 1>thousand ten, so January two, ending the two So I've

0:42:40.840 --> 0:42:42.800
<v Speaker 1>been in nine months. I'm in the room with Chris Brown.

0:42:43.480 --> 0:42:47.040
<v Speaker 1>And so the reason why it sounded so crazy a

0:42:47.040 --> 0:42:49.000
<v Speaker 1>couple of things. The fact that I was about to

0:42:49.320 --> 0:42:53.120
<v Speaker 1>prove to my dad I made it that angle was

0:42:53.160 --> 0:42:59.080
<v Speaker 1>all over there. That was there was a lot of rage.

0:42:59.400 --> 0:43:02.560
<v Speaker 1>But Chris was so confused me because he walked in. Firstly,

0:43:02.600 --> 0:43:04.080
<v Speaker 1>we do you know what it is with Chris Brown

0:43:04.080 --> 0:43:09.040
<v Speaker 1>the studio. He's gonna play ninety records, a hundred and nineties.

0:43:09.880 --> 0:43:13.760
<v Speaker 1>It's more now. Yes, I mean Chris was playing records

0:43:13.840 --> 0:43:17.279
<v Speaker 1>from his childhood, but they really work from last week

0:43:17.600 --> 0:43:20.200
<v Speaker 1>because just how much he works, that's just how much

0:43:20.200 --> 0:43:24.399
<v Speaker 1>he wants songs or not. So, so this is first

0:43:24.440 --> 0:43:28.040
<v Speaker 1>something to move Chris. He's played like a hundred songs.

0:43:28.239 --> 0:43:32.000
<v Speaker 1>We've been there. Like, have you placed anything before, like

0:43:32.000 --> 0:43:34.560
<v Speaker 1>like a major place you had? I had one placement

0:43:34.600 --> 0:43:39.120
<v Speaker 1>with Maroo five No curtain call, that's a that's Maroo five. Ye,

0:43:39.239 --> 0:43:42.160
<v Speaker 1>that was the first. That was your first placement. And

0:43:42.719 --> 0:43:45.799
<v Speaker 1>I'm gonna be honest with you so fact. But it's

0:43:45.840 --> 0:43:48.120
<v Speaker 1>a guy in that group named James Valentine. Shout out

0:43:48.160 --> 0:43:56.680
<v Speaker 1>to James Valentine, James Valencize. Some relations, relations, relations relations,

0:43:56.840 --> 0:43:59.600
<v Speaker 1>no relations with our names are very similar. That's pretty

0:43:59.600 --> 0:44:02.280
<v Speaker 1>cool cut and call. So I was I was actually

0:44:02.320 --> 0:44:05.279
<v Speaker 1>one of the first producers to actually work with because

0:44:05.320 --> 0:44:07.760
<v Speaker 1>basically Maroon Fight was like a like a real band.

0:44:08.400 --> 0:44:10.640
<v Speaker 1>So they only had like one producer. So when I

0:44:10.760 --> 0:44:14.720
<v Speaker 1>made the record, they Broodi pick up the phone. Was like, Adam,

0:44:14.760 --> 0:44:17.440
<v Speaker 1>I got something for you. It's crazy. Is my young

0:44:17.480 --> 0:44:19.840
<v Speaker 1>producer just produced it and sent it to him and

0:44:20.800 --> 0:44:25.759
<v Speaker 1>came back. I was like nigger Marion vibe. And then

0:44:25.960 --> 0:44:28.279
<v Speaker 1>you know, so that was my first placement. I didn't

0:44:28.320 --> 0:44:30.800
<v Speaker 1>really see any success from it, but it was to

0:44:31.200 --> 0:44:34.480
<v Speaker 1>let me know that a conversation, conversation in the room.

0:44:34.560 --> 0:44:37.520
<v Speaker 1>I mean, so, what have you done? You know? I got. Well,

0:44:37.520 --> 0:44:40.160
<v Speaker 1>that's how b came to find me. He was like,

0:44:44.280 --> 0:44:49.640
<v Speaker 1>always there, always there, there's somewhere that Big John has

0:44:49.760 --> 0:44:54.640
<v Speaker 1>been in your life something. Yeah, Big John came over

0:44:54.719 --> 0:45:00.520
<v Speaker 1>and was like maon five. So I guess that kind

0:45:00.560 --> 0:45:02.800
<v Speaker 1>of had people looking at like, what's this kid about?

0:45:03.400 --> 0:45:06.719
<v Speaker 1>And then creates we're doing Chris Brown. We had just

0:45:06.840 --> 0:45:08.840
<v Speaker 1>done Chipmunk and Chris Brown Champion. Because I was just

0:45:08.880 --> 0:45:11.680
<v Speaker 1>about to ask you, from my understanding, you did that

0:45:11.800 --> 0:45:15.200
<v Speaker 1>Chris Brown, and because that's how I met you. Yes,

0:45:15.800 --> 0:45:19.399
<v Speaker 1>basically I did Jowan Harris And I always tell people,

0:45:19.880 --> 0:45:22.680
<v Speaker 1>do not be afraid to work with people who aren't known.

0:45:23.080 --> 0:45:26.320
<v Speaker 1>Humble beginnings can lead to bigger doors. Like I always

0:45:26.360 --> 0:45:28.800
<v Speaker 1>tell people that Jawan Harris was a new kid, but

0:45:28.880 --> 0:45:31.680
<v Speaker 1>he sounded like Michael jack And I had this song

0:45:31.800 --> 0:45:36.320
<v Speaker 1>that had this motown field. Mark Pitts was like, I

0:45:36.440 --> 0:45:39.160
<v Speaker 1>need this for this kid. So I'm like, I'm like

0:45:40.040 --> 0:45:42.640
<v Speaker 1>your Mark Pitts, I don't know you are have it.

0:45:43.640 --> 0:45:46.080
<v Speaker 1>So we end up making the record with the kid

0:45:47.400 --> 0:45:49.440
<v Speaker 1>sung the song down like I was just looking at

0:45:49.520 --> 0:45:51.359
<v Speaker 1>me like you're about to be the next Michael Jackson.

0:45:51.440 --> 0:45:57.040
<v Speaker 1>You have to be. There's no way, um benomest to me. Uh,

0:45:57.440 --> 0:45:59.160
<v Speaker 1>we go mix the record. This is how so this

0:45:59.239 --> 0:46:01.080
<v Speaker 1>record actually was the start off for a lot of things.

0:46:01.320 --> 0:46:03.080
<v Speaker 1>We end up going to Jason Joshua to mix it.

0:46:03.239 --> 0:46:05.439
<v Speaker 1>So that's how I met Jason Joshua. And they putting

0:46:05.480 --> 0:46:09.680
<v Speaker 1>you in all the right so I'm like, who is he?

0:46:09.880 --> 0:46:12.680
<v Speaker 1>He's amazing And he started mentoring me out the gate

0:46:13.840 --> 0:46:15.200
<v Speaker 1>this is what you gotta because he's looking at me

0:46:15.280 --> 0:46:17.440
<v Speaker 1>like where have you been? Like where did you come from?

0:46:17.920 --> 0:46:20.120
<v Speaker 1>Like and he said this record gonna change your life

0:46:20.239 --> 0:46:21.840
<v Speaker 1>and I'm like, big bro, you finger So he's like,

0:46:21.920 --> 0:46:24.880
<v Speaker 1>I promise you is gonna change I'm like, ohn't no,

0:46:25.200 --> 0:46:27.719
<v Speaker 1>big bro, this is a cool record, but I'm not

0:46:27.800 --> 0:46:30.719
<v Speaker 1>gonna change my life. This nigga was prophes signed into

0:46:30.760 --> 0:46:34.200
<v Speaker 1>my future. I go to the video shoot, marks like,

0:46:34.320 --> 0:46:36.040
<v Speaker 1>as at least we could do is come to the

0:46:36.160 --> 0:46:38.920
<v Speaker 1>video shoot. So I was like, okay, cool, who's doing

0:46:38.960 --> 0:46:41.960
<v Speaker 1>backflips in the video shoot? Chris Chris Brown? And Chris

0:46:42.120 --> 0:46:44.480
<v Speaker 1>is like, I need to work with you. And I'm like,

0:46:46.680 --> 0:46:49.680
<v Speaker 1>from that song, that song and that unknown artist and

0:46:49.760 --> 0:46:53.200
<v Speaker 1>now and now my life change and the record never

0:46:53.320 --> 0:46:56.239
<v Speaker 1>did well by my life change. And Chris is in

0:46:56.320 --> 0:46:58.800
<v Speaker 1>the studio, so this is the scariest part. He plays

0:46:59.680 --> 0:47:02.520
<v Speaker 1>Yes three X look at Me now, the song with

0:47:02.640 --> 0:47:09.120
<v Speaker 1>Bieber uh no bullshit, like the song we did on

0:47:09.280 --> 0:47:11.919
<v Speaker 1>the Door, Like I'm like and he's like, yeah, so Harms,

0:47:11.960 --> 0:47:14.520
<v Speaker 1>I need you to this. I said, I said this

0:47:14.600 --> 0:47:22.680
<v Speaker 1>is your album, this one right here. I'm like okay, yeah.

0:47:23.040 --> 0:47:25.520
<v Speaker 1>And Chris is a genius, like he's he's practicing in

0:47:25.640 --> 0:47:29.080
<v Speaker 1>one room, he's playing basketball in another room. He's got

0:47:29.120 --> 0:47:33.160
<v Speaker 1>a video being in the level room. But like the

0:47:33.239 --> 0:47:36.680
<v Speaker 1>baddest chicks in the room, every executive is walking in

0:47:36.719 --> 0:47:39.759
<v Speaker 1>it out, every producer from Dr Luke, Like, I'm just like,

0:47:39.920 --> 0:47:42.000
<v Speaker 1>this is like this is my first Yeah, I'm like,

0:47:42.120 --> 0:47:45.960
<v Speaker 1>this is it's too much, that's wild, that's actually insane,

0:47:46.200 --> 0:47:48.520
<v Speaker 1>And so walk into until you explain it to it

0:47:48.800 --> 0:47:51.400
<v Speaker 1>like the way you just have. I've never looked at

0:47:51.440 --> 0:47:54.960
<v Speaker 1>it that way because yeah, so you know, we a

0:47:55.000 --> 0:47:56.600
<v Speaker 1>honey of years in with Chris, so it's it's like

0:47:56.719 --> 0:48:00.320
<v Speaker 1>we're just used to that's just Chris. But you playing

0:48:00.360 --> 0:48:03.839
<v Speaker 1>it as a new producer coming from a whole another

0:48:03.960 --> 0:48:09.360
<v Speaker 1>country and walking into that. Yeah, and you know, and

0:48:09.440 --> 0:48:14.840
<v Speaker 1>the seven Street is there, k Max there. I'm like,

0:48:14.920 --> 0:48:28.359
<v Speaker 1>this is overwhelming. H your money, Yes, sir, Top five song,

0:48:28.920 --> 0:48:31.759
<v Speaker 1>R and B song. I'm gonna say things your man

0:48:31.840 --> 0:48:36.880
<v Speaker 1>won't do. Jesus Christ by Joe. Let me tell you

0:48:36.960 --> 0:48:42.759
<v Speaker 1>why amazing. Let me tell you why. Firstly, I mean

0:48:42.960 --> 0:48:45.520
<v Speaker 1>that song has lost it how many years and probably

0:48:45.560 --> 0:48:48.919
<v Speaker 1>when we've left the Stay be Here. Yeah, that red

0:48:49.000 --> 0:48:55.239
<v Speaker 1>is the all time that pre chorus I talked to

0:48:55.320 --> 0:49:02.120
<v Speaker 1>Joe about. I say, you're so disrespectful that don't see.

0:49:03.000 --> 0:49:05.280
<v Speaker 1>I don't think I will ever hear another B section

0:49:05.480 --> 0:49:10.800
<v Speaker 1>that great. I wouldn't argue with you because it almost

0:49:11.200 --> 0:49:15.279
<v Speaker 1>was bigger than the hook. Oh that is that is

0:49:15.840 --> 0:49:20.040
<v Speaker 1>very great. It was almost almost I think it was right.

0:49:20.680 --> 0:49:23.400
<v Speaker 1>And when you see when you see it in concert,

0:49:23.920 --> 0:49:26.359
<v Speaker 1>which we've had to do so many shows with him,

0:49:26.880 --> 0:49:30.879
<v Speaker 1>I understand exactly what you're saying. And remember the first

0:49:31.360 --> 0:49:34.040
<v Speaker 1>I just remember going, are we allowed to even do that?

0:49:35.640 --> 0:49:38.319
<v Speaker 1>He did it like I was like huh, And then

0:49:38.400 --> 0:49:44.000
<v Speaker 1>he does it so effortlessly. Is it magic by Stevie?

0:49:45.560 --> 0:49:50.759
<v Speaker 1>Somebody else just yea, yeah, yeah, just put us on.

0:49:50.920 --> 0:49:53.479
<v Speaker 1>When he just put me on that song I didn't

0:49:53.520 --> 0:49:58.960
<v Speaker 1>know about that song, is like like I cried to

0:49:59.120 --> 0:50:02.560
<v Speaker 1>that song because that song was just like when I like,

0:50:02.719 --> 0:50:05.480
<v Speaker 1>I don't know when he just played it for me,

0:50:05.560 --> 0:50:08.600
<v Speaker 1>I was like, what is that? And he produced that

0:50:08.680 --> 0:50:17.520
<v Speaker 1>by himself blind He stop saying Stevie, let not get

0:50:17.560 --> 0:50:24.279
<v Speaker 1>out of here. Stop this Stevie is magic. Stevie. Oh

0:50:24.360 --> 0:50:28.879
<v Speaker 1>my god, um, come and talk to me, boy Joe

0:50:28.960 --> 0:50:32.760
<v Speaker 1>to see boy you're talking to talk today you listening

0:50:32.760 --> 0:50:36.040
<v Speaker 1>to it's between Come and talk to me a further

0:50:36.120 --> 0:50:38.359
<v Speaker 1>of my lady them to kind of like the same

0:50:39.080 --> 0:50:40.600
<v Speaker 1>that that came at me. At the same time, I

0:50:40.680 --> 0:50:42.759
<v Speaker 1>was kind of mad, we'll come and talk to me.

0:50:42.840 --> 0:50:47.759
<v Speaker 1>Got the remix come and talk to me. Just was like, yeah,

0:50:48.480 --> 0:50:51.080
<v Speaker 1>are we allowed to do that? I kept asking like

0:50:51.840 --> 0:50:55.080
<v Speaker 1>is this allowed? And it was just like the remix

0:50:55.120 --> 0:51:02.360
<v Speaker 1>as well, with no music. Goto talk to me and

0:51:02.440 --> 0:51:06.360
<v Speaker 1>it was just like these dudes from the street dressed

0:51:06.400 --> 0:51:11.560
<v Speaker 1>like it was screaming harmonies at you, like come and

0:51:11.800 --> 0:51:16.560
<v Speaker 1>talk to me. What can I talk to you? And

0:51:16.640 --> 0:51:22.000
<v Speaker 1>they looked like the home I talked to me, How

0:51:22.000 --> 0:51:23.840
<v Speaker 1>are you yelling at me like that? I'm gonna go

0:51:24.000 --> 0:51:34.680
<v Speaker 1>to the king human nature? Uh, I'm sorry, dog like

0:51:35.040 --> 0:51:38.600
<v Speaker 1>I'm sorry, I'm sorry, I'm sorry like that that I mean,

0:51:38.680 --> 0:51:41.719
<v Speaker 1>there was five hooks in that one song. It had

0:51:41.760 --> 0:51:45.080
<v Speaker 1>a musical hook. It was five foots in that one

0:51:45.160 --> 0:51:48.840
<v Speaker 1>song on my musical hook and ends with on some

0:51:49.160 --> 0:51:56.080
<v Speaker 1>musical cinematic like that. Everybody tries to do you know,

0:51:56.200 --> 0:51:59.439
<v Speaker 1>do you know? Do you know as soon as it's

0:51:59.680 --> 0:52:02.560
<v Speaker 1>soon as it happens, you know what the hell is

0:52:02.600 --> 0:52:08.319
<v Speaker 1>going on? It's unmatched? Why why I just tell him

0:52:08.880 --> 0:52:13.759
<v Speaker 1>it's just human nature? Nature? Why? Why are you doing

0:52:13.800 --> 0:52:15.759
<v Speaker 1>me that way? Are you doing me that way? Does

0:52:15.840 --> 0:52:19.759
<v Speaker 1>he do me? Now? I try to preach this all

0:52:19.800 --> 0:52:26.160
<v Speaker 1>the time. We are not perfect. Ladies are here, We're

0:52:26.200 --> 0:52:31.440
<v Speaker 1>not here, We're not no, no, Michael said it best.

0:52:32.680 --> 0:52:38.840
<v Speaker 1>It is just human nature. We are flawed by nature.

0:52:39.440 --> 0:52:56.560
<v Speaker 1>Nature didn't nature is, Nature isn't perfect whenever Maxwell, Yeah, yeah, Max,

0:52:57.080 --> 0:53:00.239
<v Speaker 1>you're hot. You're hot. Yeah, you're hot right now. That

0:53:00.400 --> 0:53:07.160
<v Speaker 1>song you're hot right now, that song we ain't gonna

0:53:07.200 --> 0:53:09.520
<v Speaker 1>be here, that song gonna be here. Song is going

0:53:09.600 --> 0:53:13.960
<v Speaker 1>to be here forever. Max was still towing off that motherfucker.

0:53:14.520 --> 0:53:17.040
<v Speaker 1>Just a different kind of monster. It's a different kind

0:53:17.080 --> 0:53:21.520
<v Speaker 1>of monster. All right, your money, go go in the building.

0:53:22.120 --> 0:53:24.640
<v Speaker 1>Shout out to go go in the building. Um eh, money,

0:53:24.719 --> 0:53:26.120
<v Speaker 1>thank you for having her. By the way, come on,

0:53:26.200 --> 0:53:31.480
<v Speaker 1>absolutely anytime we're gonna build. We're gonna build an R

0:53:31.480 --> 0:53:33.400
<v Speaker 1>and B artist. But it called this the R and

0:53:33.440 --> 0:53:39.439
<v Speaker 1>B Voltrin. Okay, where you're gonna get the vocals, where

0:53:39.440 --> 0:53:41.920
<v Speaker 1>you're gonna get the performance style, where are you going

0:53:42.000 --> 0:53:44.759
<v Speaker 1>to get the styling, and where you're gonna get the

0:53:44.800 --> 0:53:50.759
<v Speaker 1>passion female male hold on, that's up to you and

0:53:50.840 --> 0:53:53.400
<v Speaker 1>you can mix and match up however you want to.

0:53:54.120 --> 0:53:56.920
<v Speaker 1>All right, so let's start with the vocals. Who you

0:53:57.000 --> 0:54:01.920
<v Speaker 1>want to get the vocals from? Brandy m Well, I

0:54:01.960 --> 0:54:06.520
<v Speaker 1>don't waste no time then, I mean, if I'm gonna

0:54:07.320 --> 0:54:15.280
<v Speaker 1>I mean, I mean yeah, but it's understood the vocal

0:54:15.360 --> 0:54:18.640
<v Speaker 1>bible does not have to be for me, my generation

0:54:18.760 --> 0:54:26.600
<v Speaker 1>and our generation I mean ship. So yeah, definitely Brandy

0:54:26.640 --> 0:54:31.200
<v Speaker 1>on the vocal especially rest in peace Lashawn on that

0:54:31.560 --> 0:54:38.000
<v Speaker 1>magic magic um. Who are you getting the performance style from?

0:54:43.560 --> 0:54:48.680
<v Speaker 1>Queen Bee? I mean Beyonce? Who can I say, who

0:54:48.760 --> 0:54:52.560
<v Speaker 1>can entertain them? I mean the stadium Queen Bee? I mean,

0:54:52.760 --> 0:54:55.719
<v Speaker 1>I mean fifteen years, twenty years? Does it get any

0:54:55.760 --> 0:54:59.960
<v Speaker 1>crazier to that? No drop off? None, no drop off?

0:55:00.080 --> 0:55:02.560
<v Speaker 1>You know what I mean? And I put Queen Bee

0:55:02.680 --> 0:55:05.400
<v Speaker 1>because she sings that ship live for real though you

0:55:05.440 --> 0:55:08.400
<v Speaker 1>know what I'm saying, You know what I mean. So

0:55:09.560 --> 0:55:12.160
<v Speaker 1>I just think it's one thing to sing in the studio,

0:55:12.320 --> 0:55:15.560
<v Speaker 1>but then you perform it live and do it exactly

0:55:15.600 --> 0:55:20.960
<v Speaker 1>like the studio. Get on my nerves, all right? Who

0:55:21.040 --> 0:55:25.279
<v Speaker 1>are you getting the styling frou you want your artist

0:55:25.360 --> 0:55:35.680
<v Speaker 1>to look? That's a wide one styling yeh in R

0:55:35.760 --> 0:55:39.279
<v Speaker 1>and B anyone, I'm gonna say Army, I'm gonna say

0:55:39.440 --> 0:55:48.160
<v Speaker 1>Janet translates. Janet translates in all genres at all times.

0:55:48.640 --> 0:55:51.040
<v Speaker 1>Or it doesn't matter what time of the year we are,

0:55:51.719 --> 0:55:55.040
<v Speaker 1>what decade, she's showing up. I don't think it matters

0:55:55.400 --> 0:55:58.239
<v Speaker 1>what time of the year it is. You gonna roll

0:55:58.360 --> 0:56:01.560
<v Speaker 1>with whatever she got on five years old, Janet will

0:56:01.640 --> 0:56:04.359
<v Speaker 1>layer up on you in the middle of the something

0:56:04.480 --> 0:56:11.080
<v Speaker 1>still be flying and fine, fine with you, okay, I

0:56:11.120 --> 0:56:13.960
<v Speaker 1>mean you're doing really good at that I wanted as

0:56:14.000 --> 0:56:16.879
<v Speaker 1>your brother. You really shine it. Press my legs. Yeah,

0:56:17.880 --> 0:56:21.960
<v Speaker 1>it's fine, it's fine. Who are you getting the passion

0:56:22.080 --> 0:56:29.240
<v Speaker 1>from the heart of your artists? The heart that's different.

0:56:35.280 --> 0:56:38.080
<v Speaker 1>I would say a name and she just takes me there.

0:56:38.120 --> 0:56:45.600
<v Speaker 1>Every time fantager m m with are shoes off? Yeah,

0:56:45.719 --> 0:56:48.680
<v Speaker 1>across the stage. That's a woman that I've seen. He's

0:56:48.680 --> 0:56:52.759
<v Speaker 1>going to sweat like every like she does not. I

0:56:52.840 --> 0:56:57.000
<v Speaker 1>mean that one has had me in tears outside of

0:56:57.080 --> 0:57:00.800
<v Speaker 1>working with a just seeing her just see my songs

0:57:00.880 --> 0:57:06.320
<v Speaker 1>back loose to win again, and she said, I'll be like,

0:57:06.560 --> 0:57:09.640
<v Speaker 1>that's that's that's not how we did it. She putting

0:57:09.640 --> 0:57:12.720
<v Speaker 1>in a whole another level work, like I'm talking worship

0:57:12.840 --> 0:57:16.640
<v Speaker 1>in the student where Mike the Microsoft set up people,

0:57:16.720 --> 0:57:19.400
<v Speaker 1>was like, thank you Jesus, hallelujih. I'm like, yeah, you're

0:57:19.480 --> 0:57:24.120
<v Speaker 1>you're different, different, different passions. That's that's a co vote.

0:57:24.200 --> 0:57:32.000
<v Speaker 1>Run about your mind that that might be right there.

0:57:32.040 --> 0:57:37.640
<v Speaker 1>That's a terminator right there? Are you about to break

0:57:37.680 --> 0:57:40.040
<v Speaker 1>the other one open? I'm just showing the people. Come on,

0:57:40.120 --> 0:57:42.200
<v Speaker 1>come on, come on with the promo, come on with

0:57:44.880 --> 0:57:48.760
<v Speaker 1>my people love you. Yeah yeah, I'm rocking with it.

0:57:49.960 --> 0:57:55.000
<v Speaker 1>And I mean, since we've had a beverage, yea trving

0:57:55.040 --> 0:57:58.200
<v Speaker 1>a good good time to get to this segment. What's

0:57:58.240 --> 0:58:01.240
<v Speaker 1>this segment? You know, since you watched the show, I'm

0:58:01.240 --> 0:58:03.760
<v Speaker 1>sure you know it's becoming the thing he's kind of

0:58:03.800 --> 0:58:07.040
<v Speaker 1>known around these streets a little bit. Card I ain't

0:58:07.080 --> 0:58:11.560
<v Speaker 1>saying no names. Yeah yeah, I got the good enough

0:58:11.640 --> 0:58:14.000
<v Speaker 1>saying you actually said he already tell some stories. We

0:58:14.120 --> 0:58:16.160
<v Speaker 1>need to say no names earlier. But you know, I

0:58:16.240 --> 0:58:20.520
<v Speaker 1>need you know the story funnier, fucked up, are funny

0:58:20.600 --> 0:58:22.479
<v Speaker 1>and fucked up? I got. We got a lot of those,

0:58:22.960 --> 0:58:26.200
<v Speaker 1>we all do, even though Tank tried to tell one

0:58:26.480 --> 0:58:29.520
<v Speaker 1>that he told on somebody else's show, and I damn there,

0:58:29.600 --> 0:58:33.120
<v Speaker 1>cust my my co ho, that's crazy, it's crazy. I'm

0:58:33.160 --> 0:58:34.560
<v Speaker 1>gonna look at you. I know he's looking at me,

0:58:34.680 --> 0:58:36.560
<v Speaker 1>but I'm gonna looking at you while he looking at me,

0:58:36.600 --> 0:58:40.120
<v Speaker 1>because I don't understand why he would do that. I

0:58:40.280 --> 0:58:43.800
<v Speaker 1>understand it don't make sense to me. But today we're

0:58:43.800 --> 0:58:46.160
<v Speaker 1>here with AH money people, I'm still not looking at tank.

0:58:47.040 --> 0:58:49.840
<v Speaker 1>We're here with AH money today, and we would need

0:58:50.600 --> 0:58:56.800
<v Speaker 1>harmony aged money. We need your I ain't saying no names.

0:58:58.280 --> 0:59:02.120
<v Speaker 1>I got some plus more like man whatever, you won't

0:59:02.280 --> 0:59:06.040
<v Speaker 1>just the only rule is you can't say that name. Yeah,

0:59:06.120 --> 0:59:08.560
<v Speaker 1>that's fine, that's easy for me. Here I don't like

0:59:08.640 --> 0:59:15.000
<v Speaker 1>say people didn't anyway, um ah damn. We just wanting

0:59:15.000 --> 0:59:19.600
<v Speaker 1>to do that. Where do I go? Says you know

0:59:19.680 --> 0:59:23.440
<v Speaker 1>a lot, I say no names. Here we go. There

0:59:23.520 --> 0:59:26.120
<v Speaker 1>was a song I made for artists. I took an artist.

0:59:26.640 --> 0:59:28.680
<v Speaker 1>I took an artist she was also a songwriter to

0:59:28.760 --> 0:59:35.360
<v Speaker 1>this session. And um, this artist was a good friend

0:59:35.400 --> 0:59:38.360
<v Speaker 1>of mine and the artist was a good friend of mine,

0:59:38.920 --> 0:59:44.520
<v Speaker 1>and one of them was successful already, the other one

0:59:44.680 --> 0:59:49.200
<v Speaker 1>was trying to make it, and uh, I got caught

0:59:49.200 --> 0:59:51.720
<v Speaker 1>in the middle of a situation. So we go to studio.

0:59:52.280 --> 0:59:54.160
<v Speaker 1>I said, y'all come to studio. And it's like, m

0:59:54.600 --> 0:59:56.600
<v Speaker 1>I want to come to studio do that session because

0:59:56.600 --> 0:59:58.080
<v Speaker 1>you know, I'm trying to be an artist right now,

0:59:58.880 --> 1:00:01.240
<v Speaker 1>and so I'm scared I'm gonna write a record that

1:00:01.280 --> 1:00:05.240
<v Speaker 1>I'm gonna want to keep m And I was like, man,

1:00:05.360 --> 1:00:07.800
<v Speaker 1>just came, trust me. You never know, like connections like me,

1:00:07.920 --> 1:00:09.840
<v Speaker 1>I like bringing people in. They takes a village, like

1:00:10.440 --> 1:00:11.760
<v Speaker 1>you know what I mean, like you come to the

1:00:11.800 --> 1:00:16.080
<v Speaker 1>studio or whatever. Like. So she comes and she write,

1:00:16.120 --> 1:00:21.080
<v Speaker 1>we write a monthster well, a couple of months go by.

1:00:21.280 --> 1:00:24.200
<v Speaker 1>Look six seven months go by. In the session. She

1:00:24.280 --> 1:00:27.160
<v Speaker 1>looked at me, She's like, I knew it, and I

1:00:27.280 --> 1:00:33.240
<v Speaker 1>was like, you can't keep it. So a couple I

1:00:33.320 --> 1:00:36.080
<v Speaker 1>like like, I'm never like a year plus goes by

1:00:36.920 --> 1:00:41.720
<v Speaker 1>and this other artists, established artists, you know, had gone ghosts.

1:00:41.920 --> 1:00:44.480
<v Speaker 1>So everybody would be like, what's going on. I was like,

1:00:44.520 --> 1:00:47.200
<v Speaker 1>I don't know, and you know they're doing that thing

1:00:47.920 --> 1:00:55.520
<v Speaker 1>they got there. So they the writer artists called me

1:00:55.560 --> 1:00:58.240
<v Speaker 1>and was like, yo, let's going on the record. I said,

1:00:58.240 --> 1:01:00.440
<v Speaker 1>I don't know. I ain't spoken to me for a minute,

1:01:00.480 --> 1:01:03.600
<v Speaker 1>so I don't know what. She's like. She's like, man,

1:01:03.760 --> 1:01:05.920
<v Speaker 1>I'm gonna try to use it. And I was like,

1:01:06.880 --> 1:01:10.840
<v Speaker 1>well you should say something. I don't know, you know,

1:01:10.960 --> 1:01:12.760
<v Speaker 1>they might want to. It's like now I want to

1:01:12.880 --> 1:01:16.240
<v Speaker 1>use it and I was like, all you, so I said,

1:01:16.280 --> 1:01:20.480
<v Speaker 1>let me at least find out. So that's why managers

1:01:20.560 --> 1:01:27.120
<v Speaker 1>can be dangerous. So management had conversations and they they

1:01:27.600 --> 1:01:30.400
<v Speaker 1>the conversation was, and I think it was a front, Yeah,

1:01:30.480 --> 1:01:32.280
<v Speaker 1>we don't know if you want the record? Da da

1:01:32.360 --> 1:01:36.200
<v Speaker 1>da da da, because they didn't want to pay, because

1:01:36.200 --> 1:01:37.840
<v Speaker 1>it was like, yo, if you want to record us, no,

1:01:37.960 --> 1:01:41.120
<v Speaker 1>because we could picture somewhere else. So I was like, hey,

1:01:41.360 --> 1:01:43.960
<v Speaker 1>I got an email saying that your good money, so

1:01:44.160 --> 1:01:48.000
<v Speaker 1>go do the thing. So all this goes to do

1:01:48.120 --> 1:01:51.960
<v Speaker 1>the thing, go a deal off one record that I did,

1:01:53.000 --> 1:01:56.880
<v Speaker 1>and that was supposed to be the next single. So

1:01:57.320 --> 1:02:01.520
<v Speaker 1>it turns out the established WRO came back. It was

1:02:01.560 --> 1:02:03.440
<v Speaker 1>wrapping up the pun. It was like, no, I want

1:02:03.520 --> 1:02:06.640
<v Speaker 1>this to be my single. And so now I'm in

1:02:06.720 --> 1:02:11.200
<v Speaker 1>a funk because I got both people trying to use

1:02:11.280 --> 1:02:18.560
<v Speaker 1>the record of a single and it's up to me. Yeah,

1:02:18.960 --> 1:02:28.600
<v Speaker 1>pretty right, And unfortunately, you know, you know how it goes.

1:02:28.720 --> 1:02:30.520
<v Speaker 1>I know the rules. So the one thing I goes

1:02:30.520 --> 1:02:35.080
<v Speaker 1>to the playbook, how's the song written, who was the

1:02:35.120 --> 1:02:38.720
<v Speaker 1>song written for? Does that person have publishing or then

1:02:38.800 --> 1:02:42.320
<v Speaker 1>that person has more say regardless of whether they den

1:02:42.880 --> 1:02:45.960
<v Speaker 1>the record or not. I gotta go with the person

1:02:46.080 --> 1:02:49.720
<v Speaker 1>who we did the record for because they own the

1:02:49.880 --> 1:02:53.720
<v Speaker 1>recording at that point. That's how it goes. I had

1:02:53.720 --> 1:02:56.880
<v Speaker 1>to go to the playbook actually paid for the session. Nigga.

1:02:57.200 --> 1:03:00.840
<v Speaker 1>When I say they cussed me the work out, I

1:03:00.960 --> 1:03:06.160
<v Speaker 1>mean it destroyed a relationship that was dear to me

1:03:06.280 --> 1:03:08.480
<v Speaker 1>because it was someone else that was connected and it

1:03:08.760 --> 1:03:11.680
<v Speaker 1>really kind of like damaged relationship for a period of time.

1:03:12.800 --> 1:03:14.880
<v Speaker 1>And but I had to do the right thing, and

1:03:15.120 --> 1:03:18.240
<v Speaker 1>you know, I let it. I let it go. Fast

1:03:18.320 --> 1:03:20.640
<v Speaker 1>forward later they end up doing a record together. Anyway,

1:03:20.760 --> 1:03:23.160
<v Speaker 1>So did your record ever come out? On either one?

1:03:23.320 --> 1:03:25.240
<v Speaker 1>It came out. It came out, and it did good.

1:03:25.400 --> 1:03:28.320
<v Speaker 1>It did good, um and they both ended up doing

1:03:28.440 --> 1:03:33.600
<v Speaker 1>very well. But I got cast the funk out for

1:03:33.760 --> 1:03:36.440
<v Speaker 1>something that had nothing to do with me. It's a great,

1:03:37.760 --> 1:03:41.360
<v Speaker 1>that's a great. We want to know later. I'm gonna

1:03:41.360 --> 1:03:43.480
<v Speaker 1>take a sip. I'm gonna take a sip. I'm very fancy.

1:03:47.560 --> 1:03:53.000
<v Speaker 1>Thank you for having my beautiful sister endorsement deal with.

1:03:53.320 --> 1:03:56.720
<v Speaker 1>I'm just throwing out wild number any any time anybody

1:03:56.760 --> 1:03:58.080
<v Speaker 1>said you want to do something, you just throw out

1:03:58.080 --> 1:04:02.680
<v Speaker 1>a wild number. Five times okay million. Um, you are

1:04:02.680 --> 1:04:06.200
<v Speaker 1>a brother. Um, you are a loved one. You are

1:04:06.240 --> 1:04:09.560
<v Speaker 1>special to us. Um most of all you are you are.

1:04:09.680 --> 1:04:14.400
<v Speaker 1>It's extremely special to this universe and everything that you

1:04:14.520 --> 1:04:19.400
<v Speaker 1>have to offer, from from your struggles to your successes.

1:04:20.360 --> 1:04:24.120
<v Speaker 1>And we hear the Army Money. We love you, ladies

1:04:24.120 --> 1:04:27.760
<v Speaker 1>and gentlemen. I am Tank and this is the arm

1:04:27.800 --> 1:04:31.360
<v Speaker 1>by Money podcast, the authority on all things R and B.

1:04:31.840 --> 1:04:37.640
<v Speaker 1>And this has been our brother Harmony, H Money, Don't Go,

1:04:38.040 --> 1:04:49.440
<v Speaker 1>Don't Go, put up, dot Go Beautiful, R and by Money.

1:04:50.280 --> 1:04:52.440
<v Speaker 1>Arm by Money is a production of the Black Effect

1:04:52.520 --> 1:04:56.600
<v Speaker 1>Podcast Network. For more podcasts from I Heart Radio, is

1:04:56.640 --> 1:04:59.920
<v Speaker 1>it the I Heart Radio app. Apple podcasts are wherever

1:05:00.000 --> 1:05:02.720
<v Speaker 1>where you listen to your favorite shows, don't forget to

1:05:02.800 --> 1:05:05.880
<v Speaker 1>subscribe to and rate our show and you can connect

1:05:05.920 --> 1:05:09.240
<v Speaker 1>with us on social media at Jay Valentine and at

1:05:09.280 --> 1:05:13.600
<v Speaker 1>the Real Tank. For the extended episode, subscribe to YouTube

1:05:13.720 --> 1:05:16.640
<v Speaker 1>dot com, forward Slash, R and B Money