1 00:00:05,200 --> 00:00:07,520 Speaker 1: Hey, this is Annie and Samantha. I'm welcome to Steffon 2 00:00:07,560 --> 00:00:19,319 Speaker 1: Never told you a predictive of iHeartRadio, and we're back 3 00:00:19,480 --> 00:00:22,599 Speaker 1: with our spinty fiction, which, as a reminder, is a 4 00:00:22,640 --> 00:00:25,320 Speaker 1: once a month thing that we do. Christina makes them amazing. 5 00:00:25,720 --> 00:00:28,440 Speaker 1: It's on going. The story has been ongoing for quite 6 00:00:28,480 --> 00:00:31,600 Speaker 1: a while now. We are in part two of a trilogy, 7 00:00:32,120 --> 00:00:36,560 Speaker 1: the Terminus Chilogy. This is technically called Big Things Start Small, 8 00:00:36,600 --> 00:00:40,600 Speaker 1: but that's my confuse people. So but I like reminding 9 00:00:40,600 --> 00:00:43,400 Speaker 1: you because I was fond of the Dame and this 10 00:00:43,560 --> 00:00:46,559 Speaker 1: is something that I wrote, I believe in twenty eleven 11 00:00:47,159 --> 00:00:49,760 Speaker 1: as part of National Novel Writing Month, as the sequel 12 00:00:50,320 --> 00:00:53,520 Speaker 1: that to the previous one I had written during twenty 13 00:00:53,520 --> 00:00:56,240 Speaker 1: ten National Novel Writing Months, which by the way, is 14 00:00:56,320 --> 00:00:59,400 Speaker 1: right when I got this job as an intern twenty ten. 15 00:01:00,120 --> 00:01:02,480 Speaker 1: And I don't edit them too much. I have to 16 00:01:02,480 --> 00:01:06,720 Speaker 1: say I did edit this chapter a bit just because it, 17 00:01:06,920 --> 00:01:13,520 Speaker 1: like I don't wanna it was intense. This chapter really 18 00:01:13,720 --> 00:01:16,039 Speaker 1: like goes up a notch in terms of what it's 19 00:01:16,080 --> 00:01:22,480 Speaker 1: been and I just didn't want to really disturb is 20 00:01:22,560 --> 00:01:24,319 Speaker 1: too strong a word, but I didn't want people to 21 00:01:24,319 --> 00:01:26,759 Speaker 1: be listening like, WHOA wait a minute. So I did 22 00:01:26,880 --> 00:01:29,720 Speaker 1: edit this chapter a little bit, and this is part 23 00:01:30,240 --> 00:01:32,200 Speaker 1: This is the second part of the last chapter. Because 24 00:01:32,200 --> 00:01:34,960 Speaker 1: my chapters are so long, too short, I never get 25 00:01:34,959 --> 00:01:39,480 Speaker 1: it right. But yeah, I will admit I edited this 26 00:01:39,520 --> 00:01:45,120 Speaker 1: one a little That being said, content warning for violence, disease, 27 00:01:45,200 --> 00:01:51,200 Speaker 1: threats of violence, violence against children, death, just the same 28 00:01:51,960 --> 00:01:54,040 Speaker 1: that is always there, but I would say it's actually 29 00:01:54,240 --> 00:02:02,440 Speaker 1: more explicit in this chapter. So that being said, Also 30 00:02:02,880 --> 00:02:08,280 Speaker 1: the recap, briefly, we've got this disease that's really killing 31 00:02:08,360 --> 00:02:11,079 Speaker 1: off the human population, and it has to do with pregnancy. 32 00:02:11,600 --> 00:02:15,440 Speaker 1: And there's this the government and the religious organization that's 33 00:02:15,480 --> 00:02:19,400 Speaker 1: controlling all aspects of getting pregnant and having children. Our 34 00:02:19,440 --> 00:02:22,240 Speaker 1: main character, Tilda, has run away with her son Madison, 35 00:02:22,400 --> 00:02:26,840 Speaker 1: has been illegally like on the run with her child, 36 00:02:26,880 --> 00:02:28,560 Speaker 1: has met a bunch of people along the way, including 37 00:02:28,560 --> 00:02:31,359 Speaker 1: a resistance that wasn't what she thought it would be, 38 00:02:31,960 --> 00:02:36,040 Speaker 1: and then has found out that the leaders of arm 39 00:02:36,320 --> 00:02:42,160 Speaker 1: the religious organization are her son's grandparents, his paternal grandparents, 40 00:02:42,880 --> 00:02:48,440 Speaker 1: and that they have basically made it impossible for anybody 41 00:02:48,480 --> 00:02:53,360 Speaker 1: to get the vaccine that does exist, but they did 42 00:02:53,440 --> 00:02:58,880 Speaker 1: give it to Madison. However, Tilda was able to escape 43 00:02:58,880 --> 00:03:01,760 Speaker 1: with him and brought cast out on their system what 44 00:03:01,840 --> 00:03:06,520 Speaker 1: they've done, and everybody's going to DC to fight, and 45 00:03:07,400 --> 00:03:10,320 Speaker 1: Tilda and Madison are running in the opposite direction, and 46 00:03:11,240 --> 00:03:14,359 Speaker 1: Madison is having these real questions of wait, what does 47 00:03:14,400 --> 00:03:18,200 Speaker 1: it mean I could help people? That? Could I help 48 00:03:18,400 --> 00:03:22,239 Speaker 1: other people make a vaccine? And Tilda's really wrestling with 49 00:03:22,800 --> 00:03:26,600 Speaker 1: wanting to protect her son and not trusting anybody with 50 00:03:26,680 --> 00:03:31,399 Speaker 1: the fact that yeah, maybe, So they're having big conversations 51 00:03:31,440 --> 00:03:36,080 Speaker 1: about that while they have nowhere really to go and 52 00:03:36,120 --> 00:03:40,480 Speaker 1: they don't really have any supplies, and bad weather's coming in. 53 00:03:41,600 --> 00:03:43,560 Speaker 1: They're on the run from a mysterious man on the 54 00:03:43,560 --> 00:03:47,880 Speaker 1: horse who they stole the horse, and horse's name is Scout. 55 00:03:50,160 --> 00:03:54,480 Speaker 1: Now they're making their way south, but something, it seems 56 00:03:54,520 --> 00:04:00,360 Speaker 1: like something or someone is following them. So that is 57 00:04:00,360 --> 00:04:16,160 Speaker 1: where we are. Let's get into it. At the sign 58 00:04:16,240 --> 00:04:19,240 Speaker 1: that read Roanoke eight miles, they could see it through 59 00:04:19,279 --> 00:04:23,000 Speaker 1: the gaps left by the pines and leafless trees. It 60 00:04:23,080 --> 00:04:25,760 Speaker 1: was nestled in a valley surrounded by purple mountains and 61 00:04:25,839 --> 00:04:29,120 Speaker 1: rolling foothills. On one of these hills was the Star, 62 00:04:29,240 --> 00:04:32,200 Speaker 1: composed of white metal and industrial lights, captioned in large 63 00:04:32,279 --> 00:04:34,760 Speaker 1: enough letters that they could read it. Once they approached 64 00:04:34,800 --> 00:04:40,320 Speaker 1: the outskirts world's largest man made star. Now, why in 65 00:04:40,360 --> 00:04:44,840 Speaker 1: the world would you want that? Czar? They veered away 66 00:04:44,880 --> 00:04:47,960 Speaker 1: from Roanoke and its giant star, even though it pained 67 00:04:48,040 --> 00:04:51,719 Speaker 1: Tilted to leave all of that civilization. But surely there 68 00:04:51,760 --> 00:04:54,479 Speaker 1: were people who still inhabited the city that was close 69 00:04:54,600 --> 00:04:56,760 Speaker 1: enough to be in the shadow of the capitol, an 70 00:04:56,760 --> 00:05:00,120 Speaker 1: electron and the first level of orbit around the nucleus, 71 00:05:00,760 --> 00:05:03,400 Speaker 1: and people needed to be avoided until they put a 72 00:05:03,480 --> 00:05:07,360 Speaker 1: much greater distance between them and DC. The road they 73 00:05:07,360 --> 00:05:10,520 Speaker 1: were on tracked alongside the border of Roanoke, following a 74 00:05:10,600 --> 00:05:12,680 Speaker 1: river on the outskirts that they could look across and 75 00:05:12,720 --> 00:05:17,080 Speaker 1: see into buildings and houses, gas stations, and schools. Tilda 76 00:05:17,120 --> 00:05:19,520 Speaker 1: didn't see any signs of life, but if there were 77 00:05:19,600 --> 00:05:23,279 Speaker 1: people living here, and there most likely were, they'd be 78 00:05:23,320 --> 00:05:27,520 Speaker 1: nearer to town center in a more fortified location. At least, 79 00:05:28,000 --> 00:05:31,320 Speaker 1: she hoped. She really didn't want to be seen passing 80 00:05:31,320 --> 00:05:34,760 Speaker 1: by much less on a horse. As the buildings became 81 00:05:34,839 --> 00:05:37,760 Speaker 1: less dense, the road curved to the right, taking them 82 00:05:37,760 --> 00:05:41,560 Speaker 1: in a more southwesterly direction, which suited Tilda. There were 83 00:05:41,600 --> 00:05:45,159 Speaker 1: signs for bigger interstate highways, but Tilda ignored them. That's 84 00:05:45,200 --> 00:05:47,600 Speaker 1: what the people journeying to the capital would take, at 85 00:05:47,680 --> 00:05:51,239 Speaker 1: least those knew to life on the road. They passed 86 00:05:51,279 --> 00:05:54,480 Speaker 1: another town called Salem, which Tilda assumed to be the 87 00:05:54,560 --> 00:05:57,760 Speaker 1: suburbs of Roanoke with how close together they were, and 88 00:05:57,800 --> 00:05:59,480 Speaker 1: then a couple of hours of nothing apart from a 89 00:05:59,520 --> 00:06:02,560 Speaker 1: single guy station along the road shuttered long before the 90 00:06:02,600 --> 00:06:06,320 Speaker 1: onset of HSV five. The rivers sneaked back their way 91 00:06:06,360 --> 00:06:09,000 Speaker 1: to be parallel with the road. Tilda kept an eye 92 00:06:09,040 --> 00:06:11,080 Speaker 1: on the bank until she found a break in the steep, 93 00:06:11,120 --> 00:06:13,600 Speaker 1: slippery mud and a slope that was easy to navigate, 94 00:06:13,680 --> 00:06:16,080 Speaker 1: and guided Scout down it, allowing her to take a 95 00:06:16,160 --> 00:06:19,480 Speaker 1: drink of slushy water. The entire time, Tilda keeping an 96 00:06:19,480 --> 00:06:22,520 Speaker 1: eye out for anything out of the ordinary. When Scout 97 00:06:22,520 --> 00:06:25,560 Speaker 1: had finished, Tilda directed her back onto the asphalt and 98 00:06:25,600 --> 00:06:29,039 Speaker 1: they resumed their trek. Tilda looked up at the sky 99 00:06:29,120 --> 00:06:31,640 Speaker 1: and couldn't help but think of that pocket watch ticking 100 00:06:31,680 --> 00:06:34,880 Speaker 1: away in her pouch. She wondered what time it was. 101 00:06:37,200 --> 00:06:40,119 Speaker 1: A large abandoned red train car in an empty field 102 00:06:40,120 --> 00:06:42,640 Speaker 1: appeared on their left across the river, Winding along the 103 00:06:42,720 --> 00:06:45,239 Speaker 1: road next to them through the dense forest of trees. 104 00:06:45,279 --> 00:06:47,520 Speaker 1: On the other side, Tilda could make out what appeared 105 00:06:47,560 --> 00:06:50,039 Speaker 1: to be a larger highway parallel to their smaller one, 106 00:06:50,320 --> 00:06:54,040 Speaker 1: which made Tilda nervous. A couple of times they passed people, 107 00:06:54,200 --> 00:06:57,039 Speaker 1: usually in small groups, that were seemingly too focused on 108 00:06:57,080 --> 00:07:00,440 Speaker 1: their destination to take notice of Tilda and Madison. At 109 00:07:00,440 --> 00:07:02,719 Speaker 1: one point, the two highways were so close together they 110 00:07:02,760 --> 00:07:05,360 Speaker 1: could have easily cut over to the other road, but 111 00:07:05,400 --> 00:07:09,039 Speaker 1: then they peeled apart again. After another hour or so, 112 00:07:09,200 --> 00:07:12,200 Speaker 1: four sixty led them into a small town called Lafayette. 113 00:07:12,840 --> 00:07:16,000 Speaker 1: While it was tiny, its emptiness made it seem vast. 114 00:07:16,720 --> 00:07:19,800 Speaker 1: The road took them right through the main square, passed 115 00:07:19,880 --> 00:07:24,720 Speaker 1: whitewashed antique shops, specialty stores, and petite restaurants, strings of 116 00:07:24,760 --> 00:07:29,840 Speaker 1: traffic lights sagging between iron lampposts. Tilda considered their options. 117 00:07:30,440 --> 00:07:32,720 Speaker 1: They could explore the houses for food, but that usually 118 00:07:32,720 --> 00:07:34,320 Speaker 1: took a while, and she didn't want to spend a 119 00:07:34,320 --> 00:07:37,320 Speaker 1: lot of time in one place, especially one still relatively 120 00:07:37,320 --> 00:07:40,560 Speaker 1: close to people. It would take some time to leave 121 00:07:40,600 --> 00:07:43,480 Speaker 1: the more populated eastern part of the country behind, though, 122 00:07:43,840 --> 00:07:45,720 Speaker 1: and they weren't really in a position to not take 123 00:07:45,720 --> 00:07:48,800 Speaker 1: a chance to find more supplies. A few blocks over 124 00:07:48,840 --> 00:07:51,800 Speaker 1: to their left, Tilda spotted a decently sized grocery store 125 00:07:51,840 --> 00:07:56,160 Speaker 1: called Big Owls and bright yellow letters. She navigated them 126 00:07:56,160 --> 00:07:59,200 Speaker 1: to it through blocks of empty stores and passed one 127 00:07:59,240 --> 00:08:02,600 Speaker 1: looming church sh of Gothic design into the parking lot 128 00:08:02,640 --> 00:08:05,800 Speaker 1: of Big Owls. Hopping down onto concrete outside the glass 129 00:08:05,840 --> 00:08:09,520 Speaker 1: doors and helping Madison down as well. She fastened scouts 130 00:08:09,600 --> 00:08:12,360 Speaker 1: reins to a bike rack outside, telling Madison that they 131 00:08:12,400 --> 00:08:14,800 Speaker 1: needed to be quick and that he needed to stay 132 00:08:14,840 --> 00:08:19,480 Speaker 1: close to her. The doors had been automatic, but without electricity, 133 00:08:19,520 --> 00:08:23,560 Speaker 1: they failed to slide open when Tilda and Madison approached them. Instead, 134 00:08:23,640 --> 00:08:26,960 Speaker 1: she pried them open aggravatingly slowly, just enough for the 135 00:08:27,000 --> 00:08:30,720 Speaker 1: two of them to slip through the gap. Big Owls 136 00:08:30,800 --> 00:08:33,720 Speaker 1: was shaped like a large rectangle, much wider than it 137 00:08:33,840 --> 00:08:37,400 Speaker 1: was long. Tilda went left down a row of shelves, 138 00:08:37,520 --> 00:08:40,400 Speaker 1: checking both sides as they made their way past rotten 139 00:08:40,440 --> 00:08:44,080 Speaker 1: produce and cheese and bread and bottles of wine. The 140 00:08:44,240 --> 00:08:47,040 Speaker 1: entire back wall of the store was dedicated to frozen foods, 141 00:08:47,120 --> 00:08:51,200 Speaker 1: so nothing useful there. The next aisle, Snacks and cereals, 142 00:08:51,240 --> 00:08:54,360 Speaker 1: yielded a couple of packages of pop tarts, some reasins, 143 00:08:54,559 --> 00:08:57,760 Speaker 1: snack bars, one hundred gallery packs of cookies and chips, 144 00:08:57,960 --> 00:09:02,160 Speaker 1: canned fruit, sun butter, dried banana chips, and some pumpkin seas, 145 00:09:02,640 --> 00:09:04,920 Speaker 1: which was more than they'd bagged at one place in 146 00:09:04,960 --> 00:09:08,160 Speaker 1: a long time, probably a place like the sof the 147 00:09:08,240 --> 00:09:11,280 Speaker 1: main highway, and with a tiny population. People had taken 148 00:09:11,320 --> 00:09:15,240 Speaker 1: what they could carry and that was it. The following 149 00:09:15,280 --> 00:09:18,280 Speaker 1: few aisles, Tilda picked up some canned vegetables and beans, 150 00:09:18,679 --> 00:09:21,240 Speaker 1: some more nuts, a couple of bottles of carbonated water 151 00:09:21,280 --> 00:09:27,079 Speaker 1: and juice, and some disposable toothbrushes. Her pack heavier than ever, 152 00:09:27,679 --> 00:09:29,960 Speaker 1: they checked behind the register, but all they found was 153 00:09:29,960 --> 00:09:35,679 Speaker 1: an overturned register and some stamps. All right, let's go, 154 00:09:36,280 --> 00:09:38,760 Speaker 1: She hoisted her pack for the upper shoulders, the cans 155 00:09:38,760 --> 00:09:41,840 Speaker 1: clanking together as they exited the store, Tilda having a 156 00:09:41,880 --> 00:09:44,760 Speaker 1: more difficult time maneuvering through the gap between the sliding 157 00:09:44,760 --> 00:09:48,080 Speaker 1: doors now that her pack was bigger. After wedging herself 158 00:09:48,120 --> 00:09:51,920 Speaker 1: through and back outdoor, she blinked rapidly, adjusting to the light. 159 00:09:52,040 --> 00:09:54,320 Speaker 1: After the dim grocery store and stopped short, hoping she 160 00:09:54,360 --> 00:09:58,600 Speaker 1: was hallucinating. Madison bumped into her and she felt him 161 00:09:58,600 --> 00:10:02,800 Speaker 1: go still behind her, there were two men standing in 162 00:10:02,840 --> 00:10:05,760 Speaker 1: the parking lot, only a couple of yards away. Both 163 00:10:05,800 --> 00:10:08,959 Speaker 1: of them were tall and large, wearing boots and jackets. 164 00:10:09,360 --> 00:10:11,320 Speaker 1: One of them had a rifle slung over his back, 165 00:10:11,400 --> 00:10:14,040 Speaker 1: a ball cap, and a graying beard. The other had 166 00:10:14,080 --> 00:10:16,480 Speaker 1: a pistol and a holster attached to his belt, and 167 00:10:16,559 --> 00:10:20,680 Speaker 1: brown hair and stubble on his face. Fine looking horse. 168 00:10:20,720 --> 00:10:23,000 Speaker 1: She got there, the man with the rifle called, and 169 00:10:23,080 --> 00:10:25,560 Speaker 1: what she could tell he thought was a non threatening voice. 170 00:10:26,600 --> 00:10:28,880 Speaker 1: Tilda didn't know what to say, so she just nodded, 171 00:10:29,040 --> 00:10:32,280 Speaker 1: wondering if they'd been following them, waiting for them to dismount. 172 00:10:32,840 --> 00:10:35,199 Speaker 1: She thought of the gun in her waistband, but there 173 00:10:35,240 --> 00:10:37,160 Speaker 1: was no way to get to it without drawing attention, 174 00:10:37,320 --> 00:10:40,400 Speaker 1: not to mention the obstacle presented by her now much 175 00:10:40,440 --> 00:10:44,640 Speaker 1: heavier pack. And look at that a little boy, he 176 00:10:44,679 --> 00:10:50,160 Speaker 1: continued in his gravely tone. He's yours, I reckon, he gestured, 177 00:10:50,200 --> 00:10:54,240 Speaker 1: vaguely to the sores on her face. She nodded again, 178 00:10:54,360 --> 00:10:56,360 Speaker 1: her eyes darting to the other man when he took 179 00:10:56,400 --> 00:11:02,240 Speaker 1: a step closer, bit young, ain't you The question flirted 180 00:11:02,240 --> 00:11:05,120 Speaker 1: the line of threatening. He was implying that he knew 181 00:11:05,160 --> 00:11:07,880 Speaker 1: they must be on the run. Tilda said, in the 182 00:11:07,880 --> 00:11:11,120 Speaker 1: calmest voice she could muster, I'm older than I look. 183 00:11:12,720 --> 00:11:15,280 Speaker 1: That drew a grating chuckle out of the man. His 184 00:11:15,400 --> 00:11:17,960 Speaker 1: partner inch closer and til to fault the urge to 185 00:11:18,080 --> 00:11:21,959 Speaker 1: inch back. What are you two doing out here by yourselves? 186 00:11:23,440 --> 00:11:26,120 Speaker 1: Tilda deemed not to answer, turning to look outright at 187 00:11:26,160 --> 00:11:29,200 Speaker 1: the man that was advancing on them. She wondered if 188 00:11:29,200 --> 00:11:31,000 Speaker 1: giving them Scott would be enough for them, but she 189 00:11:31,120 --> 00:11:36,120 Speaker 1: doubted it. Don't worry, We're not gonna hurt you, the 190 00:11:36,160 --> 00:11:38,720 Speaker 1: man with the rifle said, drawing her attention back to him. 191 00:11:40,440 --> 00:11:45,120 Speaker 1: Let's introduce ourselves. I'm Ellis and this is Jake. We've 192 00:11:46,840 --> 00:11:50,800 Speaker 1: got a bit of a proposition for you. Tilda waited, 193 00:11:51,120 --> 00:11:53,040 Speaker 1: preparing a bluff in her head about how they had 194 00:11:53,080 --> 00:11:55,000 Speaker 1: a big group to get back to, but she wanted 195 00:11:55,040 --> 00:11:57,040 Speaker 1: to see how much these two men knew about her 196 00:11:57,040 --> 00:12:00,280 Speaker 1: and Madison before she tried to pull it off. His 197 00:12:00,320 --> 00:12:04,960 Speaker 1: next words rendered that plan inert. We've been following you 198 00:12:05,000 --> 00:12:07,440 Speaker 1: for a while now, that's the look on our face. 199 00:12:07,679 --> 00:12:10,160 Speaker 1: He raised his hands, jostling the rifle hanging by the 200 00:12:10,160 --> 00:12:12,320 Speaker 1: strap on his shoulder a little bit, and back pedaled. 201 00:12:14,000 --> 00:12:16,400 Speaker 1: Nothing creepy. We just wanted to get a sense of 202 00:12:16,400 --> 00:12:18,600 Speaker 1: what kind of people you are and the way you 203 00:12:18,640 --> 00:12:21,320 Speaker 1: take care of that boy and that horse, He pointed 204 00:12:21,320 --> 00:12:24,800 Speaker 1: to each in turn, Especially when I know you must 205 00:12:24,840 --> 00:12:28,560 Speaker 1: not have much in the way of supplies. He gestured 206 00:12:28,559 --> 00:12:32,520 Speaker 1: to big owls behind them. Well, we can tell you're 207 00:12:32,559 --> 00:12:35,000 Speaker 1: good folks, and we'd like to offer you a place 208 00:12:35,040 --> 00:12:38,760 Speaker 1: to stay by all. Rose untiled his throat, her heart 209 00:12:38,800 --> 00:12:43,480 Speaker 1: twisted uncomfortably. We got a place not too far from here. 210 00:12:44,080 --> 00:12:46,080 Speaker 1: It used to be a campgrounds for kids to go 211 00:12:46,200 --> 00:12:49,120 Speaker 1: around and learn to build buyers and tie knots, but 212 00:12:49,160 --> 00:12:52,200 Speaker 1: we've turned it into a little village. We grow our 213 00:12:52,200 --> 00:12:55,360 Speaker 1: own food, We have some livestock. Everyone's got a house. 214 00:12:55,920 --> 00:13:00,199 Speaker 1: It's a nice little place. He looked at Madison. Be 215 00:13:00,240 --> 00:13:04,720 Speaker 1: a nice little place to grow up. Madison shifted further 216 00:13:04,760 --> 00:13:09,000 Speaker 1: behind Tilda. And it's safe too, Ellis as shure. Tilda 217 00:13:10,040 --> 00:13:12,840 Speaker 1: pretty well off the highways. We got a fence all around. 218 00:13:13,280 --> 00:13:17,640 Speaker 1: We've never had a problem with enforcers or marauders. Tilda 219 00:13:17,840 --> 00:13:20,880 Speaker 1: highly suspected they were part of a group of marauders. 220 00:13:22,520 --> 00:13:25,200 Speaker 1: We don't offer this lightly. We're a tight knit group. 221 00:13:25,640 --> 00:13:29,600 Speaker 1: We take care of each other like family, and we're 222 00:13:29,640 --> 00:13:34,120 Speaker 1: offering you a chance to be part of that. In 223 00:13:34,200 --> 00:13:36,920 Speaker 1: what she hoped was a nonchalant way. She sidled over 224 00:13:36,920 --> 00:13:39,520 Speaker 1: to Scout's reins and undid the knot in one quick motion. 225 00:13:40,360 --> 00:13:43,080 Speaker 1: Jake took several steps closer to them, his hand hovering 226 00:13:43,080 --> 00:13:46,160 Speaker 1: over his pistol. Tilda snapped her gaze up his Scout 227 00:13:46,200 --> 00:13:51,200 Speaker 1: stamped nervously a gunshot wild scare her off. Ellis shot 228 00:13:51,280 --> 00:13:54,439 Speaker 1: Jacob look. Tilda said, in a voice with minimal quaver. 229 00:13:55,800 --> 00:14:01,400 Speaker 1: We appreciate the offer, but we're not interested. Ellis gave 230 00:14:01,400 --> 00:14:05,520 Speaker 1: her a toothy smile, a predators smile, parading us something harmless. 231 00:14:06,960 --> 00:14:10,960 Speaker 1: Why not? The cold months are upon us. It would 232 00:14:10,960 --> 00:14:15,560 Speaker 1: surely be safer for you, for your son. We have 233 00:14:15,600 --> 00:14:19,240 Speaker 1: plenty of women. Get along just fine. You'll fit right in. 234 00:14:21,160 --> 00:14:24,880 Speaker 1: Tilda fought back a shudder at the phrasing. Jake covered near, 235 00:14:25,440 --> 00:14:30,760 Speaker 1: hawk eyed, ready to draw his weapon. We're not interested, 236 00:14:31,640 --> 00:14:36,680 Speaker 1: Tilda repeated firmly. We're meeting up with some people. Ellis's 237 00:14:36,720 --> 00:14:42,240 Speaker 1: eyes darkened there aren't any more people. He practically spat out, 238 00:14:43,000 --> 00:14:46,200 Speaker 1: You ain't meeting up with no one. Jake took another 239 00:14:46,240 --> 00:14:49,760 Speaker 1: step forward. Well you got a real nice setup, real nice, 240 00:14:50,280 --> 00:14:53,560 Speaker 1: Alice told her, his breath hard and steely. But we 241 00:14:53,760 --> 00:14:59,200 Speaker 1: don't have any kids. We don't have enough people, tilt, 242 00:14:59,280 --> 00:15:03,680 Speaker 1: his breath quickened. If we're going to survive past this generation, 243 00:15:04,800 --> 00:15:07,640 Speaker 1: if we want what built to continue, and we do, 244 00:15:08,640 --> 00:15:14,120 Speaker 1: he shured her darkly, we need more people, people like 245 00:15:14,160 --> 00:15:20,200 Speaker 1: your son, people who weren't infected with HSV five. Tilda 246 00:15:20,240 --> 00:15:24,520 Speaker 1: felt dizzy. Madison clutched at her pack behind her. Ellis 247 00:15:24,640 --> 00:15:29,560 Speaker 1: switched tracks once again, reiterating kindly, we'll take care of you. 248 00:15:29,560 --> 00:15:34,800 Speaker 1: You'll be happy and safe, thinking quickly til the volleyed back. 249 00:15:35,480 --> 00:15:39,800 Speaker 1: You say, enforcers have never been a problem, Else agreed, clearly, 250 00:15:39,840 --> 00:15:43,320 Speaker 1: thinking he'd almost want her over. Who do you think 251 00:15:43,400 --> 00:15:46,800 Speaker 1: we're running from? If you take us to your camp, 252 00:15:46,840 --> 00:15:51,040 Speaker 1: the enforcers will find you, believe me. Ellis shook his 253 00:15:51,120 --> 00:15:54,160 Speaker 1: head with his two wide smile marred with blackened teeth. 254 00:15:55,440 --> 00:15:58,840 Speaker 1: I don't believe you, you said yourself. I look too 255 00:15:58,880 --> 00:16:01,480 Speaker 1: young to have a child. She pointed out, her eyes 256 00:16:01,520 --> 00:16:04,480 Speaker 1: darting back and forth between Ellis and Jake. Well, guess what, 257 00:16:04,680 --> 00:16:07,880 Speaker 1: You're correct. They are looking for us, and they will 258 00:16:07,920 --> 00:16:12,960 Speaker 1: not stop. Ellis clearly didn't buy it, he said, unconcernedly, 259 00:16:14,280 --> 00:16:17,040 Speaker 1: that's a risk we'll have to take. I guess been 260 00:16:17,080 --> 00:16:18,920 Speaker 1: a long time since we've seen a kid out here. 261 00:16:20,400 --> 00:16:22,640 Speaker 1: He watched Tilda for a minute, keeping his gaze on 262 00:16:22,680 --> 00:16:25,680 Speaker 1: her as he informed her, Now, Jake here is going 263 00:16:25,760 --> 00:16:28,240 Speaker 1: to take your horse. He slung his rifle off his 264 00:16:28,280 --> 00:16:31,160 Speaker 1: shoulder and into his hands, aiming it at them. And 265 00:16:31,240 --> 00:16:33,000 Speaker 1: the two of you are going to walk in front 266 00:16:33,040 --> 00:16:38,320 Speaker 1: of me, nice and so sound good? Is this how 267 00:16:38,320 --> 00:16:42,400 Speaker 1: you treat family? Tilda asked derisively before she could stop herself, 268 00:16:43,520 --> 00:16:47,479 Speaker 1: but Ellis just smiled at her insolence. When they misbehave, 269 00:16:48,880 --> 00:16:50,840 Speaker 1: he indicated with the barrel of his gun for them 270 00:16:50,880 --> 00:16:55,000 Speaker 1: to step forward, as Jake grabbed scouts reins. Us gonna 271 00:16:55,040 --> 00:16:58,400 Speaker 1: move on. Daylight is wastin'. There's nothing out there for you. 272 00:16:58,840 --> 00:17:04,160 Speaker 1: Trust me, you'll be happier with us. Tilda barely heard him, 273 00:17:04,240 --> 00:17:08,680 Speaker 1: her mind whirring with possible escape plans. Ellice chuckled, apparently 274 00:17:08,720 --> 00:17:12,119 Speaker 1: taking glee and seeing her reduced to a helpless powerless state. 275 00:17:12,920 --> 00:17:16,040 Speaker 1: She took slow steps closer to Ellis, stalling her approach 276 00:17:16,080 --> 00:17:18,439 Speaker 1: to him until a plan would hopefully fall into place. 277 00:17:19,240 --> 00:17:24,200 Speaker 1: Madison gripped her jacket tightly. Ah let me see the lad, 278 00:17:25,000 --> 00:17:27,560 Speaker 1: Ellis cooed, in an awkward and creepy way that made 279 00:17:27,560 --> 00:17:30,240 Speaker 1: Tilda wonder if he'd ever seen a child in real life. 280 00:17:31,080 --> 00:17:35,080 Speaker 1: Possibly he hadn't. Tilda halted a mere foot or so away, 281 00:17:35,200 --> 00:17:39,080 Speaker 1: unsure of what Ellis wanted her to do. Come out, 282 00:17:39,600 --> 00:17:43,000 Speaker 1: let me get a look at you. Madison did not move, 283 00:17:43,200 --> 00:17:47,760 Speaker 1: instead huddling closer behind her. Something pushed her forward and 284 00:17:47,800 --> 00:17:51,960 Speaker 1: she choked, surprised, almost losing her footing. Madison screamed and 285 00:17:52,000 --> 00:17:55,840 Speaker 1: Tilda spun so quickly her spine cracked. Jake had Madison 286 00:17:55,880 --> 00:17:57,840 Speaker 1: by the arms and was lifting him off the ground, 287 00:17:57,880 --> 00:18:00,439 Speaker 1: holding him like he would a plank of wood, moving 288 00:18:00,480 --> 00:18:03,880 Speaker 1: him from out behind the safety of tilda scout watch. 289 00:18:04,000 --> 00:18:09,000 Speaker 1: Stamping her foot. Tilda didn't think, she just reacted a 290 00:18:09,080 --> 00:18:11,480 Speaker 1: lightning fast. Her hand was in her jean's pocket and 291 00:18:11,560 --> 00:18:14,639 Speaker 1: lashed around her hunting knife, the one she dishonestly promised 292 00:18:14,680 --> 00:18:18,240 Speaker 1: herself she intended to use only for hunting. She flipped 293 00:18:18,240 --> 00:18:21,080 Speaker 1: out the blade and lunch forward, bearing it into Jake's back. 294 00:18:22,119 --> 00:18:25,680 Speaker 1: It was harder than she thought. It pierced the skin easily, 295 00:18:25,760 --> 00:18:28,879 Speaker 1: but then it took some muscle to push it past bones, scraping. 296 00:18:30,080 --> 00:18:32,879 Speaker 1: Jake jerked as though shocked by an electric wire, a 297 00:18:32,920 --> 00:18:36,960 Speaker 1: throaty gasp escaping his lips. Madison fell to his butt 298 00:18:37,000 --> 00:18:39,800 Speaker 1: on the concrete and immediately began crab crawling away, his 299 00:18:39,920 --> 00:18:43,600 Speaker 1: eyes wide and horror, Jake Ellis called out as the 300 00:18:43,640 --> 00:18:46,399 Speaker 1: man collapsed to his knees. Tilda barely managed him to 301 00:18:46,480 --> 00:18:48,400 Speaker 1: keep a hold of her knife as it tore out 302 00:18:48,400 --> 00:18:51,199 Speaker 1: of his skin. The body that had been blocking Tilda's 303 00:18:51,280 --> 00:18:54,439 Speaker 1: view of Ellis fell from view, revealing the stark, gaunt 304 00:18:54,480 --> 00:18:56,879 Speaker 1: face of the grief stricken man as he stared down 305 00:18:56,920 --> 00:19:01,160 Speaker 1: at the body of Jake, who was still alive and gasping. 306 00:19:02,200 --> 00:19:05,200 Speaker 1: Elis's face quickly morphed from one of grief to one 307 00:19:05,240 --> 00:19:07,400 Speaker 1: of rage, and Tilda ran at him as he raised 308 00:19:07,440 --> 00:19:09,880 Speaker 1: the barrel of his rifle, tackling him to the hard 309 00:19:09,920 --> 00:19:13,160 Speaker 1: concrete before he could take aim. He shouted in surprise, 310 00:19:13,280 --> 00:19:16,000 Speaker 1: losing his grip on his weapon. It clattered to the 311 00:19:16,000 --> 00:19:18,760 Speaker 1: pavement and Tilda's grip almost dropped on her knife, but 312 00:19:18,880 --> 00:19:22,000 Speaker 1: she readjusted and prepared to drive it into Elis's chest, 313 00:19:22,040 --> 00:19:25,080 Speaker 1: but he caught her wrist. Dark eyes swirling with an 314 00:19:25,080 --> 00:19:28,960 Speaker 1: insane rage, Tilda struggled against him, but his holed around 315 00:19:28,960 --> 00:19:32,040 Speaker 1: her wrist, tight and painfully, forcing her to release her knife. 316 00:19:32,320 --> 00:19:35,639 Speaker 1: It dropped dully to the pavement with a cry of rage. 317 00:19:35,640 --> 00:19:37,680 Speaker 1: He grabbed her hair and yanked it to the side, 318 00:19:37,880 --> 00:19:40,439 Speaker 1: causing her to cry out in pain. He used the 319 00:19:40,480 --> 00:19:43,240 Speaker 1: momentum of her body jerking to the side to flip 320 00:19:43,240 --> 00:19:46,160 Speaker 1: her over onto her back and effectively reverse their positions 321 00:19:46,200 --> 00:19:48,680 Speaker 1: so that she was pressed into the cold asphalt as 322 00:19:48,680 --> 00:19:52,399 Speaker 1: he was straddling her waist with bruising force. She flailed 323 00:19:52,440 --> 00:19:54,959 Speaker 1: her legs and hit at his face, but he captured 324 00:19:54,960 --> 00:19:59,360 Speaker 1: her other wrist, locking it in one hand. Tilda struggled wildly, 325 00:19:59,400 --> 00:20:01,440 Speaker 1: thinking of men Madison and what they would do to him. 326 00:20:02,760 --> 00:20:07,160 Speaker 1: Stupid Ellis spat out, closing his free hand around her throat. 327 00:20:07,480 --> 00:20:10,080 Speaker 1: We would have accepted you, We would have treated you 328 00:20:10,160 --> 00:20:12,760 Speaker 1: like one of our own, spots danced in front of 329 00:20:12,760 --> 00:20:16,240 Speaker 1: her eyes as she gasped ruthlessly for oxygen. He removed 330 00:20:16,280 --> 00:20:18,440 Speaker 1: his hand from her throat and hit her soundly in 331 00:20:18,480 --> 00:20:21,480 Speaker 1: the face. With a resounding smack. Tilda drew in a 332 00:20:21,480 --> 00:20:24,639 Speaker 1: tortured breath, not having time to think anything coherent before 333 00:20:24,640 --> 00:20:27,760 Speaker 1: she was hit again and again. I'm going to make 334 00:20:27,800 --> 00:20:32,359 Speaker 1: you suffer, Elice promised. We're to make you beg The 335 00:20:32,400 --> 00:20:36,000 Speaker 1: pressure lessened suddenly, and Ellis shouted, falling forward on top 336 00:20:36,040 --> 00:20:40,359 Speaker 1: of her. Madison stood over him, gasping heavily, his face 337 00:20:40,440 --> 00:20:43,720 Speaker 1: dark with terror, the blue handle of the pocket knife 338 00:20:43,760 --> 00:20:46,840 Speaker 1: she'd given him earlier that day sticking out from Elis's 339 00:20:46,920 --> 00:20:51,000 Speaker 1: lower back for a moment. Elis was reduced to a 340 00:20:51,119 --> 00:20:54,840 Speaker 1: primal animal sound as Tilda worked to shove him off, 341 00:20:55,400 --> 00:20:59,280 Speaker 1: but he was a dead weight despite this and desperate 342 00:21:00,200 --> 00:21:02,760 Speaker 1: in the side, and he gasped following off of her. 343 00:21:03,640 --> 00:21:05,960 Speaker 1: Her hand darted around the asphalt like a spider until 344 00:21:06,000 --> 00:21:08,199 Speaker 1: she brushed it against the cold steel of the blade, 345 00:21:08,480 --> 00:21:11,920 Speaker 1: and she closed her fingers around the handle. Ellis coughing, 346 00:21:12,200 --> 00:21:14,639 Speaker 1: rolling back up to his knees and lunging forward towards 347 00:21:14,720 --> 00:21:18,399 Speaker 1: Tilda again. She rammed her blade upward, bearing it in 348 00:21:18,480 --> 00:21:22,600 Speaker 1: his side. Ellis choked again, blood dribbling out of his mouth. 349 00:21:22,720 --> 00:21:26,120 Speaker 1: The warm red liquid pooling in the valley of Tilda's neck. 350 00:21:26,880 --> 00:21:29,360 Speaker 1: She wrinkled her face in disgust and shoved him off 351 00:21:29,400 --> 00:21:32,880 Speaker 1: of her. He landed heavily on his back, arching off 352 00:21:32,880 --> 00:21:35,240 Speaker 1: the pavement with an airy streak. When the contact buried 353 00:21:35,240 --> 00:21:38,200 Speaker 1: the small knife Madison had planted between his kidneys even 354 00:21:38,240 --> 00:21:41,600 Speaker 1: deeper into his flesh. He flopped to his other side, 355 00:21:41,640 --> 00:21:44,960 Speaker 1: curling in, and Tilda coughed rough one hand at her throat. 356 00:21:45,680 --> 00:21:48,080 Speaker 1: She pushed herself up, her throat, burning as she drew 357 00:21:48,119 --> 00:21:51,840 Speaker 1: in wild breaths. The asphalt pressed into her knees as 358 00:21:51,880 --> 00:21:54,400 Speaker 1: the world's great in and out around her, choking as 359 00:21:54,440 --> 00:21:57,280 Speaker 1: she regained a life giving oxygen, while Ellis choked as 360 00:21:57,359 --> 00:22:00,800 Speaker 1: life left him. Madison was on his knee's at her side, 361 00:22:00,880 --> 00:22:04,040 Speaker 1: watching Ellis and Jake alternately, his eyes dancing with fear. 362 00:22:04,920 --> 00:22:09,280 Speaker 1: Tilda's gloves were wet with blood. Her fingers twitched. She 363 00:22:09,400 --> 00:22:12,080 Speaker 1: turned her head to watch Ellis's back, the heaving of 364 00:22:12,119 --> 00:22:16,120 Speaker 1: her chest easing her vision clearing, she couldn't tear her 365 00:22:16,160 --> 00:22:18,520 Speaker 1: eyes from their rapid and uneven rise and fall of 366 00:22:18,520 --> 00:22:22,919 Speaker 1: Ellis's back. Frozen in decision, blood erupted out of his 367 00:22:22,960 --> 00:22:25,600 Speaker 1: wound with every pump of his heart, the beating growing 368 00:22:25,680 --> 00:22:28,600 Speaker 1: more and more erratic and far apart. The knife she 369 00:22:28,680 --> 00:22:31,679 Speaker 1: shoved into his side taunted her. Should she pull it 370 00:22:31,720 --> 00:22:33,520 Speaker 1: out and stab him again, just to be on the 371 00:22:33,560 --> 00:22:36,560 Speaker 1: safe side, to speed up the process and grant him 372 00:22:36,600 --> 00:22:40,560 Speaker 1: some form of mercy. She couldn't use the gun for 373 00:22:40,600 --> 00:22:44,520 Speaker 1: fear of startling scout. She half glanced behind her and 374 00:22:44,560 --> 00:22:47,480 Speaker 1: immediately jerked her head away when she caught the blank, dead, 375 00:22:47,560 --> 00:22:50,919 Speaker 1: condemning gaze of Jake, but she could still feel his 376 00:22:51,040 --> 00:22:56,120 Speaker 1: empty eyes boring into her. Ellis was muttering something incoherent 377 00:22:56,240 --> 00:23:00,360 Speaker 1: under his breath. If he was right, and they from 378 00:23:00,359 --> 00:23:02,760 Speaker 1: a village not far from here, pretty soon someone would 379 00:23:02,760 --> 00:23:05,160 Speaker 1: come looking for Ellis and Jake and find them dead. 380 00:23:05,800 --> 00:23:08,320 Speaker 1: There was no way she and Madison could cover this up. 381 00:23:08,960 --> 00:23:12,840 Speaker 1: They'd be out for revenge. With jittery hand, she shakily 382 00:23:12,880 --> 00:23:16,560 Speaker 1: grabbed the handle of her knife. Ellis shuddered, crying out. 383 00:23:17,680 --> 00:23:21,399 Speaker 1: Madison whimpered. She pushed the blade back into its housing, 384 00:23:21,480 --> 00:23:25,399 Speaker 1: promising to clean it later, and pulled out Madison's pocket knife. 385 00:23:26,160 --> 00:23:29,919 Speaker 1: No reaction from Ellis. She retracted it and passed it 386 00:23:29,960 --> 00:23:33,359 Speaker 1: back to him. He took it mostly out of reflex, shocked, 387 00:23:33,359 --> 00:23:36,560 Speaker 1: the only emotion registering on his face, his eyes still 388 00:23:36,560 --> 00:23:40,120 Speaker 1: glued to Ellis, who had gone quite still. She picked 389 00:23:40,200 --> 00:23:43,160 Speaker 1: up Ellis's rifle and shouldered it. Too afraid to search 390 00:23:43,200 --> 00:23:46,280 Speaker 1: through his pockets for anything else, she pulled Madison to 391 00:23:46,320 --> 00:23:50,240 Speaker 1: his feet, words stuck behind clenched teeth. She stooped to 392 00:23:50,240 --> 00:23:52,480 Speaker 1: pick up Jake's handgun and stowed it in her pack 393 00:23:52,600 --> 00:23:56,639 Speaker 1: side pocket. Scout shuffled anxiously as she approached, and Tilda 394 00:23:56,680 --> 00:23:59,680 Speaker 1: held out her hands. The horse steadied, and she practically 395 00:23:59,720 --> 00:24:02,800 Speaker 1: threw Madison on the saddle and climbed up hastily after him, 396 00:24:03,119 --> 00:24:06,560 Speaker 1: barely seated before she snapped the reins, goading Scout out 397 00:24:06,560 --> 00:24:09,120 Speaker 1: of Big Owl's parking lot and back onto the highway, 398 00:24:09,760 --> 00:24:32,120 Speaker 1: pushing Scout to a slow gallop. And that brings us 399 00:24:32,240 --> 00:24:37,600 Speaker 1: to the end of this chapter. I hope everyone's okay. Also, 400 00:24:39,240 --> 00:24:45,840 Speaker 1: I apologize for the Southern accent that I did. It's 401 00:24:45,880 --> 00:24:48,840 Speaker 1: such a trope and I had to grapple with this 402 00:24:48,880 --> 00:24:50,760 Speaker 1: when I was editing over it. I was like, this 403 00:24:50,840 --> 00:24:53,600 Speaker 1: is such the trope of kind of the creepy southern 404 00:24:53,720 --> 00:24:59,560 Speaker 1: backwoods man that's appearing and is trying to quote help 405 00:24:59,640 --> 00:25:07,080 Speaker 1: you right, but definitely is not. And yeah, I this 406 00:25:07,240 --> 00:25:12,440 Speaker 1: was a rough chapter in terms of Madison as a 407 00:25:12,560 --> 00:25:20,080 Speaker 1: child having to attack someone, try to kill someone to 408 00:25:20,119 --> 00:25:27,760 Speaker 1: save his mom. It was just really intense. And I 409 00:25:27,800 --> 00:25:33,960 Speaker 1: think this is almost every apocalypse thing has this moment 410 00:25:34,040 --> 00:25:36,840 Speaker 1: of you know, the child loses their innocence in some way, 411 00:25:38,160 --> 00:25:41,840 Speaker 1: and the fallout of that is going to going to 412 00:25:41,840 --> 00:25:43,880 Speaker 1: come because in the first one it was he saw 413 00:25:44,440 --> 00:25:52,920 Speaker 1: Tilda kill someone, and now he's been involved, and so 414 00:25:53,000 --> 00:25:57,480 Speaker 1: that is definitely going to be dealt with. Also, again, 415 00:25:59,600 --> 00:26:02,640 Speaker 1: the name games, I'm telling you, when I read this, 416 00:26:02,800 --> 00:26:07,880 Speaker 1: I'm like, I know exactly who I was talking, and 417 00:26:07,920 --> 00:26:09,800 Speaker 1: I do. I am somebody who looks up like meanings 418 00:26:09,800 --> 00:26:13,520 Speaker 1: of names and things like that. But yeah, I hope 419 00:26:13,600 --> 00:26:18,480 Speaker 1: I hope that this met the hype that I was 420 00:26:18,520 --> 00:26:21,840 Speaker 1: building up and or you're just okay and not too 421 00:26:22,680 --> 00:26:26,159 Speaker 1: stressed out by it because it was just it was 422 00:26:26,240 --> 00:26:29,160 Speaker 1: kind of intense. But I also hope that you're enjoying 423 00:26:29,160 --> 00:26:31,480 Speaker 1: this because we do love doing this. Christina makes them amazing, 424 00:26:31,960 --> 00:26:34,720 Speaker 1: And if there's any suggestions in this realm of something 425 00:26:34,720 --> 00:26:38,560 Speaker 1: we could do like this, please let us know. You 426 00:26:38,600 --> 00:26:42,399 Speaker 1: can email us at Stephanie and momstuff atiheartmedia dot com. 427 00:26:42,560 --> 00:26:44,800 Speaker 1: You can find us on Twitter at momstaff podcast, or 428 00:26:44,840 --> 00:26:46,959 Speaker 1: on Instagram and TikTok at stuff When Never Told You. 429 00:26:48,040 --> 00:26:52,160 Speaker 1: We also have a YouTube page you prefer like that. 430 00:26:53,000 --> 00:26:55,080 Speaker 1: We have a deep public, and we have a book 431 00:26:55,080 --> 00:26:57,040 Speaker 1: you can get wherever you get your books. Thanks as 432 00:26:57,040 --> 00:27:00,919 Speaker 1: always too our super producer Christina, execut producer Maya, and 433 00:27:01,040 --> 00:27:03,959 Speaker 1: her contributor Joey. Thank you and thanks to you for listening. 434 00:27:04,280 --> 00:27:06,040 Speaker 1: Stuff I Ever Told You is production of iHeart Radio. 435 00:27:06,040 --> 00:27:07,679 Speaker 1: For more podcasts from my heart Radio, you can check 436 00:27:07,680 --> 00:27:09,600 Speaker 1: out the iHeart Radio app, Apple Podcasts, or where you 437 00:27:09,680 --> 00:27:10,840 Speaker 1: listen to your favorite shows