WEBVTT - I Am All In…Again: Hello Jess: Season 2, E5 “Nick & Nora/Sid & Nancy”

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<v Speaker 1>I am all in again.

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<v Speaker 2>Oh that's just you. H.

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<v Speaker 1>I am all in again with Scott Patterson and iHeartRadio Podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I am all in Podcast, one

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<v Speaker 1>of them productions. iHeartRadio Media. iHeart Podcast, Nick and Norris,

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<v Speaker 1>Sid and Nancy. Season two, Episode five, special guest Adam

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<v Speaker 1>Wiley Air Day, October thirty, two thousand and one. Adam welcome,

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<v Speaker 1>How are you hey?

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<v Speaker 2>I'm well. How are you look? I did this for

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<v Speaker 2>you and you're.

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<v Speaker 1>A fantastic Yeah, I see it.

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<v Speaker 3>Man.

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<v Speaker 1>You look like you got a Walmart hat on. There

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<v Speaker 1>you go nice, There we go.

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<v Speaker 2>Now we're good. Now we're hem.

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<v Speaker 1>Adam's known for his role in Picket Fences, The Swan Princess,

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<v Speaker 1>the Broadway play Into the Woods, in which was actually

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<v Speaker 1>incorporated into the script. We will tell you about that later.

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<v Speaker 1>We see Adam first in season two, episode nine, Runaway

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<v Speaker 1>little Boy, as Brad Langford, a student at Chilton who

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<v Speaker 1>is absolutely terrified of Paris. So we know that his

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<v Speaker 1>character is mentally healthy. You were going to We're going

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<v Speaker 1>to talk about all about you, but first let's recap

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<v Speaker 1>this episode. Luke takes in his wild seventeen year old

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<v Speaker 1>nephew Jess, ignoring laws well intentioned advice, and Rory is

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<v Speaker 1>drawn to the new guy in Town, directed by the

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<v Speaker 1>Great Michael Cattleman and written by the Great Amy Sherman Palladino.

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<v Speaker 1>Jess is in town. Adam Luke gets called from his

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<v Speaker 1>sister Liz and her son Jess is going to stay

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<v Speaker 1>with Luke, so Luke puts Jess on the floor in

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<v Speaker 1>a blow up raft next to his bed. Luke has

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<v Speaker 1>a hard time managing Jeff Jess, to say the least,

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<v Speaker 1>and his antics around town are many. Most likely with

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<v Speaker 1>push from Laurel I, Luke eventually takes charge of Jess

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<v Speaker 1>and and set some boundaries for all of his wrongdoings.

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<v Speaker 1>What's your first impression of Jess?

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<v Speaker 3>I mean, my first impression of Jess is that he's

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<v Speaker 3>a troubled kid. I think as soon as he comes

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<v Speaker 3>off that bus, you feel the energy that he's been

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<v Speaker 3>tossed around, that he doesn't want to be there, and

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<v Speaker 3>that he's just you know, this is this is just

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<v Speaker 3>his life now, this is another day, and he's angry.

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<v Speaker 3>He's angry at the world and feels like he's been

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<v Speaker 3>his own parent for so long that that's the just

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<v Speaker 3>the way it is, there is no structure. He is

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<v Speaker 3>the structure. He hates it, right and he hates everyone

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<v Speaker 3>because of it.

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<v Speaker 1>Right, Well, right out of the gate, you see that,

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<v Speaker 1>you know Luke and Jess. Is there chemistry right away?

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<v Speaker 1>What do you think ken feeling getting? What do we

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<v Speaker 1>get in between Luke and Jess?

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<v Speaker 2>You like it?

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<v Speaker 3>Here's the thing I think with Luke and Jess, you

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<v Speaker 3>can tell they're related, right. The energies are so similar

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<v Speaker 3>with the two characters, you definitely know that they are family.

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<v Speaker 3>I think I think Luke is excited for the opportunity.

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<v Speaker 3>I don't think Luke knows how to handle it, and

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<v Speaker 3>I think that's pretty obvious. I think it's obvious from

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<v Speaker 3>the cold open that Luke doesn't know how to handle children.

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<v Speaker 2>And that just I mean.

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<v Speaker 3>That may with with the just the whole interaction with

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<v Speaker 3>with the with the Scout troop, you can see that,

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<v Speaker 3>you know, and it's just and maybe that's because he

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<v Speaker 3>doesn't like Taylor, but that's that's a whole, that's a

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<v Speaker 3>whole nother like can of worms, and you.

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<v Speaker 1>Got to think and the whole, you know, hierarchy of

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<v Speaker 1>the Danes family. Luke is a successful one. He's absolutely,

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<v Speaker 1>he's like the one that went off and you know,

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<v Speaker 1>created a huge business and he's super successful. So I

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<v Speaker 1>mean if if you know he's got the diner, he

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<v Speaker 1>works his butt off, he's a successful one.

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<v Speaker 2>Absolutely.

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<v Speaker 1>Imagine what a sister's like, because just seeing Luke at

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<v Speaker 1>the Pinnacle and Jess getting off the bus, it's like, whoa.

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<v Speaker 3>There's a few panicked phone calls by Luke's sister too, right,

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<v Speaker 3>and so that causes a lot of alarm, going ooh,

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<v Speaker 3>if this is what Jess has had to grow up with.

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<v Speaker 3>He's always in chaos, and so he's got to find

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<v Speaker 3>some kind of calm, which you know he turns to

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<v Speaker 3>reading and the big one.

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<v Speaker 1>Magic mm hmmmm hm.

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<v Speaker 2>Just great. I don't know why, but I'm a big fan.

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<v Speaker 1>I loved this. I loved I love the Rory's line

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<v Speaker 1>if you ever doing a if you ever do another

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<v Speaker 1>magic trick again and pull something out of an area

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<v Speaker 1>that I don't want you to, I'll never speak to you.

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<v Speaker 1>I guess it's like stop with the stick. You know,

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<v Speaker 1>it's not that you're not impressing me.

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<v Speaker 3>Yeah, I think I think my favorite line in the

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<v Speaker 3>entire episode, though, is is Lorelai talking to Luke and saying,

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<v Speaker 3>you want to get him something inflatable, get him up,

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<v Speaker 3>get him up, blonde.

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<v Speaker 2>I was dying. Oh good.

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<v Speaker 3>That's like he has some good equips in that one,

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<v Speaker 3>some just good one liners.

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<v Speaker 1>So you know, and Milo couldn't be more opposite to

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<v Speaker 1>this character is the amazing part about it. I mean,

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<v Speaker 1>he's just you know, he came on set and just

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<v Speaker 1>ingratiated himself right away with everybody, never acted like, you know,

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<v Speaker 1>he was the man or that you know, he he

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<v Speaker 1>didn't try to. I mean, he understood that he was

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<v Speaker 1>coming into a situation that was established. He had respect,

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<v Speaker 1>so and we like that.

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<v Speaker 3>I never got to work with him, unfortunately, but I

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<v Speaker 3>feel like we've done this for a very long long time.

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<v Speaker 1>Uh huh yeah, well maybe one day, just circling. Maybe

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<v Speaker 1>one day, maybe one day.

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<v Speaker 2>Maybe I'll get to push him into a lake.

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<v Speaker 1>And I'm yes, and I'm very proud of work we

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<v Speaker 1>did together. We did some iconic work together, the lake push,

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<v Speaker 1>you know, the relationship there. I really thought that relationship

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<v Speaker 1>elevated the show somewhat because now we see Luke in

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<v Speaker 1>a different type of situation. We'ren't expecting to see it

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<v Speaker 1>really is, I mean, and I think the fans really

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<v Speaker 1>receive received it very very well.

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<v Speaker 2>Mm hmmm. I would agree.

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<v Speaker 1>Again, it's like the writing. He got to do that writing,

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<v Speaker 1>Like I always comment on how lucky I feel to

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<v Speaker 1>be able to do that writing and be in the

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<v Speaker 1>imagine this. So this is a starm the just rolls

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<v Speaker 1>of star making role right an anybody who's lucky enough

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<v Speaker 1>to get that role. It's so well written right away,

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<v Speaker 1>right off the bat. It's like it's like James Dean

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<v Speaker 1>and Rebel Out cause it's it's all of those great

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<v Speaker 1>care it's it's it's Brando. It's it's right in the

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<v Speaker 1>uh in on the waterfront, or or there was a

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<v Speaker 1>movie he did, a motorcycle movie he did before called

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<v Speaker 1>the what was it? What was the Brando film he

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<v Speaker 1>did when the early Brando films. Yeah, I don't know,

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<v Speaker 1>Motorcycle Leader. What was it called? Anyway, But it's that

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<v Speaker 1>kind of a role where it's just like it's it's incendiary.

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<v Speaker 1>It just it hits like a bomb and it's like boom,

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<v Speaker 1>this guy has arrived. This actor has arrived in this role.

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<v Speaker 1>That is so far afield from what the Wild One?

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<v Speaker 1>The wild One? Yes, right, and that's it. That's the perfect, perfect,

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<v Speaker 1>perfect description. Yeah, and it just it just you know,

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<v Speaker 1>a bomb detonates and star stars hollow.

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<v Speaker 2>Oh right, but what's it going to do.

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<v Speaker 1>It's gonna scramble everybody's eggs.

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<v Speaker 3>Yeah, I mean he's looking for a night out and

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<v Speaker 3>it stars hollow. There's there's that line that that Rory

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<v Speaker 3>says that even the twenty four hour can nvenience store

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<v Speaker 3>closed at nine, which is also such a such a

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<v Speaker 3>great line. But if you also look at Luke through

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<v Speaker 3>the relationship of Jess, you know, at first he's like

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<v Speaker 3>he can handle himself. I mean, he's not a he's

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<v Speaker 3>not a baby, he's not a child. And then he

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<v Speaker 3>realizes immediately, oh he is a child. Oh he does

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<v Speaker 3>need structure. Oh I can do this. I can figure

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<v Speaker 3>it out. And it does force Luke to kind of go, Okay,

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<v Speaker 3>I'm a parent, now I gotta I gotta do this.

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<v Speaker 3>And it's really kind of awesome to not only see

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<v Speaker 3>the structure happen, but to see it work immediately.

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<v Speaker 2>It just works, and it's so good to see that.

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<v Speaker 2>I think it's good. I think this.

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<v Speaker 3>Relationship in particular, and this move by Jess is great

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<v Speaker 3>for both characters.

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<v Speaker 1>Oh made me very sad, you know, made me very sad.

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<v Speaker 1>You know, this kid has so much potential.

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<v Speaker 2>Absolutely, he's smart.

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<v Speaker 1>It's gonna take years. It's gonna take years for him

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<v Speaker 1>to get out of this. It's not just a quick fix.

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<v Speaker 1>It's not just Luke, you know, tough loving him into

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<v Speaker 1>a discipline, into a new dawn and a new realization

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<v Speaker 1>his eyes open in six months. Now, this is years.

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<v Speaker 1>This is yeah, totally, this is years of you know whatever, abuse,

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<v Speaker 1>bad parenting, and it's gonna take it's going to take

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<v Speaker 1>that much time for him to come out of it.

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<v Speaker 1>And it just it just breaks my heart to see it.

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<v Speaker 1>And I think that's really the point.

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<v Speaker 2>Absolutely.

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<v Speaker 1>I love the fact how he plays it like he's

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<v Speaker 1>not aware of it, where it's just a super confidence.

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<v Speaker 3>Yeah, And I think that does make him aware of it.

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<v Speaker 3>I actually think that that is the bravado he has

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<v Speaker 3>to have to survive. He's in pure survival mode at

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<v Speaker 3>that point and he knows nothing else. That's how he's

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<v Speaker 3>parenting himself is by being overconfident. So I actually do

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<v Speaker 3>think he is aware of it. I think that that's

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<v Speaker 3>the way he's learned to cope with himself.

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<v Speaker 2>He hates he hates the situation.

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<v Speaker 1>You know, it's a big, big changes everything for Laurel

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<v Speaker 1>I too, because the alarm bells are going off inside her.

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<v Speaker 1>It's like, boy, and how close is she gonna let

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<v Speaker 1>him near her daughter, who's like, you know, this perfect

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<v Speaker 1>China doll who's going off to Harvard or yet you

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<v Speaker 1>know what I'm saying.

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<v Speaker 2>And the influence starts.

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<v Speaker 1>Oh man, oh man, that's that's when you're begin the work.

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<v Speaker 1>All right, Let's let's go to the family dinner. Okay.

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<v Speaker 1>That that Laurel I invites everybody over for dinner to

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<v Speaker 1>meet Jess.

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<v Speaker 2>What a nice quart?

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<v Speaker 1>What what? What an exceptionally nice thing? And he is

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<v Speaker 1>so very nice. He's so rude to Laurel I.

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<v Speaker 2>He is, and he just wants to bail. Yeah, he

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<v Speaker 2>just wants to bail. He's like, I'm grabbing a beer

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<v Speaker 2>him out right.

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<v Speaker 1>So Rory just meets Jess and we immediately see they

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<v Speaker 1>have chemistry. Right, we learned he likes books. We see

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<v Speaker 1>the look on Rory's face and I think it's a.

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<v Speaker 4>Collective uh oh in the audience, right, does not appreciate

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<v Speaker 4>the help and tells Laurel ies she should she wouldn't

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<v Speaker 4>give the best advice because she was pregnant at sixteen.

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<v Speaker 1>That was harsh.

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<v Speaker 2>That was that comment was harsh. It was harsh when

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<v Speaker 2>I when I actually heard it, I was like, Oh,

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<v Speaker 2>we're going to talk about that.

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<v Speaker 3>Oh and no, wonder they're fighting.

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<v Speaker 1>Let's let's stick into this, Okay. Yes, tell me, Adam,

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<v Speaker 1>do you think Laurel is overstepping with Jess or is

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<v Speaker 1>she helping Luke?

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<v Speaker 2>Helping Luke?

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<v Speaker 3>Because if you, especially because of that interaction in the

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<v Speaker 3>very beginning in that cold open with the with the

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<v Speaker 3>Scout troupe, I really think that she is Like, this

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<v Speaker 3>guy's clueless and he needs all the help he can get.

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<v Speaker 2>You know, I've been a mother for obviously.

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<v Speaker 3>Sixteen years or whatever it is, and I can really

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<v Speaker 3>help this guy.

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<v Speaker 2>And he's a good dude.

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<v Speaker 3>He's just he's a little clumsy in how he deals

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<v Speaker 3>with people. And I can help. You know, I've got

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<v Speaker 3>I've got a good demeanor. I know how to deal

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<v Speaker 3>with with kids. I know how to deal with actually

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<v Speaker 3>troubled and rebellous kids.

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<v Speaker 1>Why is he so defensive? Why would he say that

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<v Speaker 1>to her?

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<v Speaker 2>Why would Luke say that to her? Yeah, you're pregnant

0:12:27.920 --> 0:12:28.440
<v Speaker 2>at sixteen?

0:12:28.480 --> 0:12:31.280
<v Speaker 1>What the hell do you know? I mean, what a blow?

0:12:31.320 --> 0:12:32.640
<v Speaker 1>What tell me? Why say that?

0:12:33.080 --> 0:12:35.720
<v Speaker 3>Hereious, here's why I think you'd say that. And obviously

0:12:35.760 --> 0:12:37.640
<v Speaker 3>you know this character inside and out. I have no

0:12:37.679 --> 0:12:40.480
<v Speaker 3>idea why you think you'd say that. But from an

0:12:40.520 --> 0:12:46.440
<v Speaker 3>audience point of view, Luke has proven, especially thus far

0:12:46.920 --> 0:12:50.480
<v Speaker 3>in the show, to not be good with his emotions.

0:12:50.800 --> 0:12:55.000
<v Speaker 3>And when, in my experience, when people aren't wonderful with

0:12:55.040 --> 0:12:58.520
<v Speaker 3>their emotions, the first thing when they feel threatened.

0:12:58.280 --> 0:13:01.360
<v Speaker 2>Is to bite. So he tries to bite his way

0:13:01.440 --> 0:13:02.480
<v Speaker 2>out of the situation.

0:13:02.720 --> 0:13:04.520
<v Speaker 1>It's a deep insecurity one.

0:13:04.440 --> 0:13:06.720
<v Speaker 3>Hundred percent, And I feel he tries to bite his

0:13:06.800 --> 0:13:10.280
<v Speaker 3>way out of the situation and it comes across hurting

0:13:10.320 --> 0:13:12.520
<v Speaker 3>somebody that he really cares about.

0:13:12.920 --> 0:13:15.440
<v Speaker 2>Right, And that's tough, That's really tough.

0:13:15.880 --> 0:13:18.640
<v Speaker 1>She he interprets like, she doesn't have confidence in me.

0:13:18.720 --> 0:13:23.800
<v Speaker 1>She doesn't think I'm smart enough or capable enough to

0:13:23.840 --> 0:13:25.840
<v Speaker 1>deal with the situation. So she feels she has to

0:13:25.880 --> 0:13:28.320
<v Speaker 1>intervene and overstep without talking to me first.

0:13:28.400 --> 0:13:30.840
<v Speaker 3>Right, one hundred percent? One hundred percent? Which is is

0:13:30.880 --> 0:13:32.600
<v Speaker 3>that the right way to handle it. No, I think

0:13:32.600 --> 0:13:35.280
<v Speaker 3>it should have been a very I think it should

0:13:35.280 --> 0:13:36.840
<v Speaker 3>have been a plan for sure.

0:13:37.280 --> 0:13:43.240
<v Speaker 1>Do you think he's moving the goalpost to suit his insecurities? Right?

0:13:43.280 --> 0:13:43.920
<v Speaker 1>You know what I mean?

0:13:44.240 --> 0:13:46.439
<v Speaker 2>I got it? I got it. Why are you doing that?

0:13:46.520 --> 0:13:49.400
<v Speaker 2>You know? I appreciate you doing this. I didn't really

0:13:49.440 --> 0:13:49.760
<v Speaker 2>need it.

0:13:49.880 --> 0:13:53.319
<v Speaker 3>He'll be fine, He's okay, right, Okay, you're gonna tell

0:13:53.320 --> 0:13:55.120
<v Speaker 3>me what to do. Now, I'm gonna now I'm gonna

0:13:55.120 --> 0:13:57.600
<v Speaker 3>come at you. Oh I'm really sorry for coming at you.

0:13:57.960 --> 0:14:00.760
<v Speaker 1>It does seem like he values her opinion, right, and

0:14:00.800 --> 0:14:02.240
<v Speaker 1>he's quick to course that right.

0:14:02.520 --> 0:14:05.520
<v Speaker 2>Yeah, of course he cares about her a lot at

0:14:05.559 --> 0:14:05.760
<v Speaker 2>the end.

0:14:05.800 --> 0:14:07.679
<v Speaker 1>So this kind of back and forth, right, this kind

0:14:07.679 --> 0:14:10.040
<v Speaker 1>of back and forth, it's good for a relationship.

0:14:10.080 --> 0:14:11.760
<v Speaker 5>What do you think? What do you think?

0:14:12.640 --> 0:14:16.920
<v Speaker 3>I think with I think especially Lorelei and Luke's back

0:14:16.960 --> 0:14:22.080
<v Speaker 3>and forth, they have such a good chemistry. The quips

0:14:22.240 --> 0:14:27.000
<v Speaker 3>to be able to humble people, especially people you really

0:14:27.040 --> 0:14:29.400
<v Speaker 3>care about, I think are a good thing. If you

0:14:29.480 --> 0:14:31.920
<v Speaker 3>have somebody in your life that doesn't challenge you and

0:14:32.000 --> 0:14:34.280
<v Speaker 3>help you grow, then what are you doing with that person?

0:14:34.360 --> 0:14:35.760
<v Speaker 2>That's how I feel personally.

0:14:35.920 --> 0:14:40.200
<v Speaker 1>Yeah, you nailed it. I agree hundred percent. You think

0:14:40.240 --> 0:14:42.440
<v Speaker 1>Laurel I was right. I think Laurel has got really

0:14:42.480 --> 0:14:46.640
<v Speaker 1>good instincts. Yes, and it's really easy to see that

0:14:46.880 --> 0:14:53.760
<v Speaker 1>character Jess and go oh oh.

0:14:51.680 --> 0:14:56.400
<v Speaker 2>Totally totally. It's red Flag City, like, there's no there's

0:14:56.440 --> 0:14:57.520
<v Speaker 2>no tub about it.

0:14:57.760 --> 0:14:58.720
<v Speaker 1>It's obvious.

0:14:58.800 --> 0:15:03.280
<v Speaker 2>Man, yeah, sure, crazy.

0:15:11.160 --> 0:15:14.200
<v Speaker 1>All right, let's get into Rory Jess. We immediately see

0:15:14.200 --> 0:15:16.360
<v Speaker 1>their chemistry with the books. The writers know what they're

0:15:16.400 --> 0:15:19.640
<v Speaker 1>doing bringing in Jess to break apart the Dean and

0:15:19.760 --> 0:15:25.400
<v Speaker 1>Rory relationship. Do we like what they are doing? Do

0:15:25.520 --> 0:15:29.440
<v Speaker 1>we want Dean to go? Do we want Jess to

0:15:29.480 --> 0:15:31.520
<v Speaker 1>step in? Now? How do you feel?

0:15:32.120 --> 0:15:35.400
<v Speaker 3>I think that's an audience member to audience member question,

0:15:35.600 --> 0:15:38.040
<v Speaker 3>because this is a huge question.

0:15:38.080 --> 0:15:39.840
<v Speaker 1>All right, let's get them all on the phone, guys,

0:15:39.920 --> 0:15:41.440
<v Speaker 1>let's get all the fans on the phone right now.

0:15:41.520 --> 0:15:43.360
<v Speaker 2>Let's ask one at a time. Here we go, Yes,

0:15:44.200 --> 0:15:45.480
<v Speaker 2>first caller, you're on.

0:15:47.120 --> 0:15:52.240
<v Speaker 3>In my personal opinion, no, I'm not rooting for her

0:15:52.520 --> 0:15:56.480
<v Speaker 3>to explore a wild side with Jess.

0:15:56.640 --> 0:15:59.760
<v Speaker 1>What are the chances of success with Jess in your opinion?

0:16:00.160 --> 0:16:00.600
<v Speaker 5>Oh?

0:16:00.680 --> 0:16:05.200
<v Speaker 3>Man, right now? Chances negative four, negative five.

0:16:05.800 --> 0:16:07.240
<v Speaker 2>I think it's pretty slim.

0:16:07.320 --> 0:16:11.440
<v Speaker 3>To none that Rory is going to be some incredibly

0:16:11.880 --> 0:16:16.160
<v Speaker 3>good influence on Rory. I think it's so much more

0:16:16.320 --> 0:16:20.040
<v Speaker 3>likely that Jess is going to be the worst influence

0:16:20.400 --> 0:16:21.080
<v Speaker 3>Rory can have.

0:16:21.720 --> 0:16:24.320
<v Speaker 1>Yeah, but he's literate. He reads books.

0:16:24.520 --> 0:16:29.080
<v Speaker 2>Great, awesome, so many people who read books. If he

0:16:29.120 --> 0:16:31.120
<v Speaker 2>can read a book, then he can read a book

0:16:31.120 --> 0:16:34.440
<v Speaker 2>to understand. Hey, man, maybe I need therapy and.

0:16:34.360 --> 0:16:37.560
<v Speaker 3>Not bite everybody's head off because my situation sucks.

0:16:38.480 --> 0:16:38.720
<v Speaker 1>Right?

0:16:38.920 --> 0:16:39.520
<v Speaker 2>Read that well?

0:16:39.560 --> 0:16:42.640
<v Speaker 1>I mean, at seventeen, you know who's introspective? At seventeen,

0:16:43.000 --> 0:16:45.680
<v Speaker 1>you know nobody nobody, no, no.

0:16:45.480 --> 0:16:47.400
<v Speaker 2>Not even introspectives are introspective.

0:16:47.560 --> 0:16:50.160
<v Speaker 1>They certainly are. They think they are, but they're not.

0:16:50.680 --> 0:16:53.760
<v Speaker 3>Everybody thinks they are. At seventeen, we had it made.

0:16:54.720 --> 0:16:56.480
<v Speaker 3>We were in control of life.

0:16:57.360 --> 0:17:00.720
<v Speaker 1>So how was that Ginsburg Owl?

0:17:00.880 --> 0:17:01.400
<v Speaker 2>Yeah?

0:17:02.040 --> 0:17:06.240
<v Speaker 1>Great? The masterpiece of the beat generation. M boy, I'll

0:17:06.280 --> 0:17:11.280
<v Speaker 1>tell you that's uh. That's the one book you don't

0:17:11.320 --> 0:17:13.480
<v Speaker 1>want your daughter reading if.

0:17:13.320 --> 0:17:18.000
<v Speaker 2>She had it to r That's fair, It's very fair.

0:17:18.160 --> 0:17:22.760
<v Speaker 1>I remember when I was fifteen, my older sister gave

0:17:22.800 --> 0:17:25.320
<v Speaker 1>me a book and my mom was like, you really

0:17:25.359 --> 0:17:27.680
<v Speaker 1>don't want to read that to you? You don't want

0:17:27.720 --> 0:17:30.199
<v Speaker 1>to do that and it was. It was a Season

0:17:30.240 --> 0:17:35.440
<v Speaker 1>in Hell and a very good translation of it, Rambo's

0:17:35.480 --> 0:17:39.400
<v Speaker 1>The Season in Hell, and it blew my mind. Some

0:17:39.520 --> 0:17:44.480
<v Speaker 1>things should not be read until you're of age, right, yeah, absolutely,

0:17:44.840 --> 0:17:48.000
<v Speaker 1>But the impact books can make on the young mind

0:17:48.080 --> 0:17:49.640
<v Speaker 1>is it's extraordinary.

0:17:50.520 --> 0:17:54.840
<v Speaker 3>Books are the biggest influence that I think one can have,

0:17:55.400 --> 0:18:00.480
<v Speaker 3>and that's mainly because you can you say your own

0:18:00.520 --> 0:18:02.960
<v Speaker 3>reality inside your head.

0:18:02.960 --> 0:18:06.560
<v Speaker 2>Of what that means exactly.

0:18:06.080 --> 0:18:12.359
<v Speaker 1>The imagination is engaged. You build your future inside your head.

0:18:12.640 --> 0:18:13.040
<v Speaker 2>Totally.

0:18:13.359 --> 0:18:15.560
<v Speaker 1>I don't know how kids are doing it today by

0:18:15.600 --> 0:18:18.800
<v Speaker 1>looking at the screen. TikTok, that's it, I think, right,

0:18:18.920 --> 0:18:22.639
<v Speaker 1>I mean, where's the imagination? Where? Where? Where are the

0:18:22.640 --> 0:18:26.720
<v Speaker 1>worlds that you're creating inside your head? I don't know that. Well,

0:18:26.880 --> 0:18:29.399
<v Speaker 1>we can get that's that's another podcast.

0:18:29.840 --> 0:18:30.280
<v Speaker 2>Totally.

0:18:30.520 --> 0:18:32.399
<v Speaker 3>I think the only world you can create inside your

0:18:32.400 --> 0:18:34.919
<v Speaker 3>head with a digital age and a digital generation is

0:18:35.640 --> 0:18:37.680
<v Speaker 3>how do I want to come across in these videos?

0:18:37.760 --> 0:18:40.200
<v Speaker 3>And I think there's some very creative people that are

0:18:40.280 --> 0:18:43.840
<v Speaker 3>editing inside their head going on there we goicklick click

0:18:44.040 --> 0:18:46.680
<v Speaker 3>click click click, and that's how they think now because

0:18:46.680 --> 0:18:49.439
<v Speaker 3>there's no words to read, you know, how do I

0:18:49.480 --> 0:18:49.679
<v Speaker 3>do this?

0:18:49.720 --> 0:18:52.720
<v Speaker 2>In under a minute. And there there, there there you.

0:18:52.760 --> 0:18:55.919
<v Speaker 1>Have right, right, But I, but I The thing that

0:18:56.160 --> 0:19:00.240
<v Speaker 1>is so romantic to me and so intriguing hooks is

0:19:00.240 --> 0:19:04.199
<v Speaker 1>that there's this intellectual connection between Rory and Jess. That

0:19:04.240 --> 0:19:05.160
<v Speaker 1>she doesn't have a Dean.

0:19:05.720 --> 0:19:08.840
<v Speaker 2>That's true. That's where Dean is from a small town

0:19:09.320 --> 0:19:10.679
<v Speaker 2>and he is a small town minded.

0:19:11.800 --> 0:19:16.800
<v Speaker 1>So so you know, now we've got this art is involved. Now,

0:19:17.440 --> 0:19:22.159
<v Speaker 1>art is going to take over now and you know,

0:19:22.320 --> 0:19:26.879
<v Speaker 1>aesthetics are at play, so interesting, interesting dynamic. All right,

0:19:27.520 --> 0:19:31.480
<v Speaker 1>Rory in Paris Chilton, Wow, the conflict is real.

0:19:32.440 --> 0:19:32.600
<v Speaker 3>Yeah.

0:19:32.720 --> 0:19:34.800
<v Speaker 1>Paris is the editor of the school paper, The Franklin,

0:19:34.840 --> 0:19:36.879
<v Speaker 1>does everything in her power to punish Rory because she

0:19:36.960 --> 0:19:40.520
<v Speaker 1>is holding a grudge against her from her date with Tristan,

0:19:40.560 --> 0:19:45.240
<v Speaker 1>her quote unquote imaginary date with T. PJ. Harvey. She's

0:19:45.280 --> 0:19:50.600
<v Speaker 1>still harping on this and it never happened. Paris tells

0:19:50.680 --> 0:19:54.720
<v Speaker 1>Rory the wrong meeting time for the first meeting of

0:19:54.720 --> 0:19:59.880
<v Speaker 1>The Franklin that year and gives her story accoun but Rory,

0:20:00.640 --> 0:20:04.680
<v Speaker 1>Rory knocks it out of the park right what she does,

0:20:04.880 --> 0:20:08.639
<v Speaker 1>and then Paris intentionally assigns Rory an uncomfortable piece about

0:20:09.280 --> 0:20:15.160
<v Speaker 1>Max Medina, and that's just we have to concede. Paris

0:20:15.280 --> 0:20:16.840
<v Speaker 1>is an evil genius, right.

0:20:17.280 --> 0:20:19.679
<v Speaker 3>Listen, Paris is my is one of my favorite characters

0:20:19.720 --> 0:20:21.960
<v Speaker 3>in the entire show. And I've said this for a

0:20:22.160 --> 0:20:28.439
<v Speaker 3>very long time. I think that she is a gem

0:20:29.240 --> 0:20:31.840
<v Speaker 3>of a human when she allows herself to be.

0:20:33.400 --> 0:20:35.560
<v Speaker 2>So I do. I do agree with you. She's she's

0:20:35.600 --> 0:20:37.200
<v Speaker 2>absolutely an evil genius.

0:20:37.640 --> 0:20:41.600
<v Speaker 1>So we see that she's going to force her to

0:20:41.680 --> 0:20:46.520
<v Speaker 1>talk to mister Medina about her piece. That's it's very awkward,

0:20:46.720 --> 0:20:48.600
<v Speaker 1>you know, and I love how it was handled, and

0:20:48.640 --> 0:20:51.560
<v Speaker 1>I love that they both confess to each other. I

0:20:51.600 --> 0:20:53.920
<v Speaker 1>wish you I wanted to be your stepdad and I

0:20:53.960 --> 0:20:55.560
<v Speaker 1>wish you were going to be my stepdad.

0:20:55.600 --> 0:20:58.000
<v Speaker 3>And that was very so cute that she goes off

0:20:58.040 --> 0:21:01.960
<v Speaker 3>the record to do that. Yes, pauses the recorder and

0:21:01.960 --> 0:21:04.639
<v Speaker 3>it's like, I just want you to know. Can we

0:21:04.760 --> 0:21:09.800
<v Speaker 3>just also stay that Like you can really see Laura

0:21:09.920 --> 0:21:14.000
<v Speaker 3>Lai in Rory all the time and kind of vice versa.

0:21:14.280 --> 0:21:17.159
<v Speaker 3>You can understand exactly why they are two peas in

0:21:17.200 --> 0:21:20.960
<v Speaker 3>a pod. They both have the same tendencies and they

0:21:20.960 --> 0:21:25.400
<v Speaker 3>both have such great hearts, and you really see it there.

0:21:25.400 --> 0:21:26.320
<v Speaker 2>It's such a good moment.

0:21:26.320 --> 0:21:29.680
<v Speaker 1>You're right, But but Rory has that softer candy shell.

0:21:30.560 --> 0:21:35.640
<v Speaker 3>Yeah that's true now because she wasn't raised with Laurie's parents, right.

0:21:35.720 --> 0:21:39.200
<v Speaker 3>I mean that has a lot to do with how

0:21:39.720 --> 0:21:42.240
<v Speaker 3>you know, she was in survival mode as well her

0:21:42.480 --> 0:21:45.639
<v Speaker 3>entire childhood, and everyone thought, oh, this rich girl hasn't

0:21:45.640 --> 0:21:51.720
<v Speaker 3>made and she's like, yeah, sure, emotionally I don't right, right, But.

0:21:51.640 --> 0:21:55.439
<v Speaker 1>It doesn't seem like it doesn't seem like Rory can't

0:21:55.480 --> 0:21:59.520
<v Speaker 1>stand up for herself. In fact, she displays a real

0:21:59.560 --> 0:22:03.720
<v Speaker 1>emotional maturity here. And some games she can play. She

0:22:03.720 --> 0:22:06.040
<v Speaker 1>can play Paris's games and beat her.

0:22:06.680 --> 0:22:07.960
<v Speaker 2>We see that so good.

0:22:08.040 --> 0:22:10.879
<v Speaker 3>That is so good when she takes the piece and

0:22:11.040 --> 0:22:15.280
<v Speaker 3>just gets those kudos and finds that she finds the good.

0:22:15.600 --> 0:22:19.679
<v Speaker 3>I think Rory ultimately is really great about finding the

0:22:19.760 --> 0:22:24.080
<v Speaker 3>good in the situation and really exposes the good instead

0:22:24.080 --> 0:22:27.399
<v Speaker 3>of being mad, instead of biting back, she punches back

0:22:28.160 --> 0:22:30.159
<v Speaker 3>with good. It's very cool.

0:22:30.600 --> 0:22:33.120
<v Speaker 1>Yeah, she's a wolf in sheep's clothing sometimes, isn't she.

0:22:33.400 --> 0:22:37.199
<v Speaker 2>Totally She's unexpected. She's very unexpected. She will say that,

0:22:37.960 --> 0:22:38.640
<v Speaker 2>all right, see.

0:22:38.440 --> 0:22:43.439
<v Speaker 6>Your character, Brad, Yes, hi, Brad, you left chilting for

0:22:43.480 --> 0:22:46.199
<v Speaker 6>a bit because of Paris. Okay, do you think he

0:22:46.359 --> 0:22:49.960
<v Speaker 6>could have ever stood up to Paris like Rory does?

0:22:50.560 --> 0:22:53.760
<v Speaker 1>No, absolutely not, kind of melt melted like a puddle.

0:22:54.040 --> 0:22:57.840
<v Speaker 3>Right, Yeah, I don't think No matter how confident Brad

0:22:57.880 --> 0:23:00.800
<v Speaker 3>ever got, I think it would have birded.

0:23:00.840 --> 0:23:03.880
<v Speaker 2>Those triggers, no matter.

0:23:03.640 --> 0:23:05.879
<v Speaker 3>What he would have been like, I got this, I

0:23:05.920 --> 0:23:09.640
<v Speaker 3>can stand up to everybody in my life on Paris.

0:23:10.240 --> 0:23:13.840
<v Speaker 3>I think Paris would have always been the I'm too

0:23:13.880 --> 0:23:16.560
<v Speaker 3>scared to deal with life moment, no matter what.

0:23:17.520 --> 0:23:20.040
<v Speaker 1>Right, All right, now we move on to the iconic

0:23:20.600 --> 0:23:24.680
<v Speaker 1>push that we'll call it the the push. Luke picked

0:23:24.720 --> 0:23:27.200
<v Speaker 1>Jess up from school and confronts him about Taylor, accusing

0:23:27.280 --> 0:23:30.720
<v Speaker 1>Jess being a thief stealing that donation money for the bridge.

0:23:31.359 --> 0:23:35.119
<v Speaker 1>Jess once Luke to essentially stopped caring for him, he

0:23:35.200 --> 0:23:38.320
<v Speaker 1>tells him, as they walk and talk across the bridge

0:23:38.400 --> 0:23:41.679
<v Speaker 1>until Luke shoves him in. Now this is one of

0:23:41.720 --> 0:23:47.520
<v Speaker 1>the you know it was a we did thirty God,

0:23:47.600 --> 0:23:50.239
<v Speaker 1>we did something like we did so many takes of

0:23:50.240 --> 0:23:54.600
<v Speaker 1>that walk and talk? Really yeah, we did like thirty Wow,

0:23:54.880 --> 0:23:56.320
<v Speaker 1>Wait a minute, wait a minute, but I thought it

0:23:56.359 --> 0:24:00.040
<v Speaker 1>was a different director because this was Michael Cattleman. So

0:24:00.440 --> 0:24:02.720
<v Speaker 1>maybe it was a different scene with a walk and

0:24:02.760 --> 0:24:04.720
<v Speaker 1>talk with Jess that we did so many takes. I

0:24:04.760 --> 0:24:05.920
<v Speaker 1>think it was a different director.

0:24:06.119 --> 0:24:09.239
<v Speaker 2>I feel like this is all one shot of the

0:24:09.280 --> 0:24:10.040
<v Speaker 2>walk and talk.

0:24:10.440 --> 0:24:12.840
<v Speaker 1>Yeah, right, it is one shot. I think it took

0:24:12.840 --> 0:24:15.840
<v Speaker 1>a few takes. But that that push off the off

0:24:15.840 --> 0:24:20.119
<v Speaker 1>the bridge, that's one take. Because yeah, had had we

0:24:20.240 --> 0:24:24.720
<v Speaker 1>to do it again, it would have required Milo to go,

0:24:25.080 --> 0:24:28.359
<v Speaker 1>you know, into his trail, change his clothes into dry clothes,

0:24:28.440 --> 0:24:30.280
<v Speaker 1>and then redo his makeup and the thing, and it

0:24:30.280 --> 0:24:32.440
<v Speaker 1>would take would have taken an hour, hour and a half.

0:24:32.560 --> 0:24:34.760
<v Speaker 2>Right, totally, it would have been a long day.

0:24:35.600 --> 0:24:37.359
<v Speaker 1>That would have been a long day. So they know

0:24:37.400 --> 0:24:39.520
<v Speaker 1>they told they told us, hey, you got one shot

0:24:39.520 --> 0:24:41.280
<v Speaker 1>at this.

0:24:41.280 --> 0:24:44.640
<v Speaker 3>This is also it was. It was perfectly shot, and

0:24:44.720 --> 0:24:47.080
<v Speaker 3>you guys nailed it. I have to say, you guys

0:24:47.080 --> 0:24:50.600
<v Speaker 3>really nailed it. Because when you see that argument and

0:24:50.680 --> 0:24:55.840
<v Speaker 3>walking off, you guys walk off with the exact same cadence. Right,

0:24:55.880 --> 0:25:02.240
<v Speaker 3>It's hilarious. Luke getting so much mad that nothing is said,

0:25:02.280 --> 0:25:06.520
<v Speaker 3>he just what pushes him. It's like it's one of

0:25:06.520 --> 0:25:09.600
<v Speaker 3>those moments where like, oh, like it's so funny.

0:25:09.880 --> 0:25:12.800
<v Speaker 2>And then you're like, it's not gonna it's not gonna end.

0:25:12.840 --> 0:25:15.760
<v Speaker 1>Well, but the dialogue leading up to it was like

0:25:17.200 --> 0:25:19.560
<v Speaker 1>you would have expected Luke to walk in the opposite direction.

0:25:20.880 --> 0:25:23.960
<v Speaker 1>Those should walk walk in opposite directions, because he said,

0:25:24.080 --> 0:25:26.800
<v Speaker 1>leave me alone, get stop following me, stop doing this,

0:25:27.040 --> 0:25:28.920
<v Speaker 1>get out of you know, get out of my life basically.

0:25:28.920 --> 0:25:33.000
<v Speaker 1>So then yeah, instead they walk together in unison, in harmony.

0:25:33.119 --> 0:25:33.919
<v Speaker 2>Yeah.

0:25:33.960 --> 0:25:37.040
<v Speaker 3>Absolutely, And I think that's the moment where Luke figures

0:25:37.040 --> 0:25:39.760
<v Speaker 3>it out, where he goes, leave me alone, blah blah blah.

0:25:39.800 --> 0:25:41.600
<v Speaker 2>This kid clearly can't be alone.

0:25:41.640 --> 0:25:44.280
<v Speaker 3>This is what got you here, right, And so no,

0:25:45.240 --> 0:25:49.120
<v Speaker 3>you know, you little I'm gonna walk next to you, right,

0:25:49.480 --> 0:25:51.600
<v Speaker 3>and we're gonna do this whether you like it or not.

0:25:51.960 --> 0:25:55.040
<v Speaker 2>And then he's just like, you know what, screw this kid.

0:25:54.960 --> 0:25:59.360
<v Speaker 1>You know what. I missed this show. I really too.

0:25:59.600 --> 0:26:04.119
<v Speaker 1>What a great experience that was working with the yeah

0:26:04.200 --> 0:26:08.240
<v Speaker 1>and working in these situations. What a gift, What a gift.

0:26:08.920 --> 0:26:12.400
<v Speaker 3>What I have to say watching back and rewatching all

0:26:12.440 --> 0:26:15.600
<v Speaker 3>of the episodes is that I wish I would have

0:26:15.680 --> 0:26:20.560
<v Speaker 3>appreciated it as much when it was happening as I

0:26:20.720 --> 0:26:24.160
<v Speaker 3>do watching it, because it's one of those shows that's

0:26:24.160 --> 0:26:26.760
<v Speaker 3>so classic that no matter how you're feeling, it's going

0:26:26.840 --> 0:26:27.160
<v Speaker 3>to help.

0:26:27.560 --> 0:26:29.560
<v Speaker 2>It's one of those shows. It's a comfort show.

0:26:29.800 --> 0:26:32.320
<v Speaker 1>Every day I was there, it felt like, you know,

0:26:32.400 --> 0:26:34.080
<v Speaker 1>I was on stage in New York and we were

0:26:34.119 --> 0:26:37.919
<v Speaker 1>doing theater and it was challenging every day, and it

0:26:38.040 --> 0:26:40.600
<v Speaker 1>was you get to work with great actors every day

0:26:40.680 --> 0:26:44.720
<v Speaker 1>with these great words, and what a treat that was

0:26:44.760 --> 0:26:45.840
<v Speaker 1>that job, man.

0:26:45.960 --> 0:26:49.960
<v Speaker 2>It's so amazing. What I also love is the subtleties.

0:26:50.240 --> 0:26:53.520
<v Speaker 3>There's a lot of things where you can watch an

0:26:53.520 --> 0:26:57.520
<v Speaker 3>episode three or four times and catch something different because

0:26:57.600 --> 0:27:00.960
<v Speaker 3>there's a lot of hidden subtleties and every single episode.

0:27:01.200 --> 0:27:04.520
<v Speaker 3>This one didn't have any, but usually if you watch

0:27:06.800 --> 0:27:12.800
<v Speaker 3>the seasons as a whole. It's funny because Amy loves

0:27:12.880 --> 0:27:17.399
<v Speaker 3>to reference music Man specifically throughout the entire show. She

0:27:17.400 --> 0:27:19.680
<v Speaker 3>has a lot of musical theater references, but music Man

0:27:19.760 --> 0:27:21.399
<v Speaker 3>is the one that comes up the most. And I

0:27:21.760 --> 0:27:24.959
<v Speaker 3>and I figured out why. It kind of just clicked

0:27:25.080 --> 0:27:27.280
<v Speaker 3>that stars Hollow is river City, Iowa.

0:27:27.480 --> 0:27:28.280
<v Speaker 1>Huh.

0:27:28.320 --> 0:27:31.840
<v Speaker 3>So if you really look, there's so many music Man

0:27:31.960 --> 0:27:34.439
<v Speaker 3>references and it makes me crack up as a musical

0:27:34.440 --> 0:27:39.560
<v Speaker 3>theater nerd watching it because I'm like wow, because they're

0:27:39.560 --> 0:27:42.359
<v Speaker 3>in River City, Iowa. Like I get all of these clips.

0:27:42.440 --> 0:27:45.879
<v Speaker 3>There wasn't any in this particular episode, but it happens

0:27:46.440 --> 0:27:51.000
<v Speaker 3>so much, right, so much right right right.

0:27:51.240 --> 0:27:54.639
<v Speaker 1>Closing scene just runs into roy Intown, does a couple

0:27:54.680 --> 0:27:58.399
<v Speaker 1>of magic tricks. Right, we've talked about these stolear book, yes,

0:27:58.520 --> 0:28:02.080
<v Speaker 1>owl put some No, it's in the margins. Oh gosh,

0:28:02.480 --> 0:28:06.800
<v Speaker 1>he's really she he's really smart. And the coin trick,

0:28:07.440 --> 0:28:08.320
<v Speaker 1>the coin tricks.

0:28:08.800 --> 0:28:11.359
<v Speaker 2>Yeah, he shows how smart he is for sure.

0:28:11.440 --> 0:28:15.400
<v Speaker 1>Yes, right. What's her level of interest in him?

0:28:16.040 --> 0:28:18.600
<v Speaker 2>I think he's very intriguing because there's things to know.

0:28:18.760 --> 0:28:20.520
<v Speaker 1>What is her level of Oh it's her.

0:28:20.680 --> 0:28:22.879
<v Speaker 2>I thought you said mine that.

0:28:23.000 --> 0:28:23.280
<v Speaker 5>Was like.

0:28:25.200 --> 0:28:28.840
<v Speaker 1>You know, it started out at kind of like zero, right, Yeah.

0:28:28.840 --> 0:28:30.439
<v Speaker 2>I think it was a zero or one, and I

0:28:30.440 --> 0:28:31.600
<v Speaker 2>think now it's like an eight.

0:28:32.240 --> 0:28:34.960
<v Speaker 1>Yeah, it's probably sticks to eight.

0:28:35.200 --> 0:28:35.880
<v Speaker 2>Yeah.

0:28:36.160 --> 0:28:40.800
<v Speaker 1>Total. You think Jess already sees the potential and Rory

0:28:40.880 --> 0:28:42.560
<v Speaker 1>right away? What do you think? What do you how

0:28:42.600 --> 0:28:43.920
<v Speaker 1>do you think he sees her?

0:28:44.800 --> 0:28:47.880
<v Speaker 3>I mean I think he sees her as a cute

0:28:47.880 --> 0:28:51.000
<v Speaker 3>girl that he can just kind of corrupt right away.

0:28:51.040 --> 0:28:54.200
<v Speaker 2>I think he's like, ah, you'll do let's go. Yeah,

0:28:54.280 --> 0:28:54.560
<v Speaker 2>let's go.

0:28:54.760 --> 0:28:57.160
<v Speaker 3>No, we're we're doing this thing. And I think he's

0:28:57.200 --> 0:29:00.000
<v Speaker 3>testing her, you know what, I think, Yeah, go ahead.

0:29:00.360 --> 0:29:02.360
<v Speaker 1>I think he thinks she's the one.

0:29:02.760 --> 0:29:04.000
<v Speaker 2>Really, you think that.

0:29:04.200 --> 0:29:08.600
<v Speaker 1>I think he knows that right away that she's the

0:29:08.640 --> 0:29:12.440
<v Speaker 1>one and he's never gonna be good enough for I

0:29:12.480 --> 0:29:16.600
<v Speaker 1>think he's in love observation right away. Yeah, but he

0:29:16.720 --> 0:29:19.440
<v Speaker 1>knows he can't touch her or can't have her, but

0:29:19.520 --> 0:29:24.960
<v Speaker 1>he's gonna try like hell, because he's she's gonna save him.

0:29:25.640 --> 0:29:26.840
<v Speaker 2>That's how he sees her.

0:29:27.200 --> 0:29:28.680
<v Speaker 1>Yeah, you can save me.

0:29:28.920 --> 0:29:33.920
<v Speaker 3>There's nothing worse in life than relying on somebody to

0:29:34.040 --> 0:29:38.040
<v Speaker 3>save you or thinking you can save somebody else. And

0:29:38.120 --> 0:29:44.520
<v Speaker 3>it happens all the time daily. It's heartbreaking to see

0:29:44.520 --> 0:29:46.560
<v Speaker 3>because I think, I think you're absolutely right, And I

0:29:46.600 --> 0:29:50.520
<v Speaker 3>think Jess just doesn't have confidence in himself in that moment,

0:29:50.840 --> 0:29:53.800
<v Speaker 3>because he could he could be there is a world

0:29:53.840 --> 0:29:56.120
<v Speaker 3>where he could be with Rory and be incredibly happy,

0:29:56.280 --> 0:29:58.680
<v Speaker 3>but he knows that the changes that he would have

0:29:58.680 --> 0:30:01.480
<v Speaker 3>to make are so significant, doesn't He doesn't see even

0:30:01.960 --> 0:30:03.440
<v Speaker 3>a step to be able to.

0:30:03.360 --> 0:30:09.080
<v Speaker 2>Get to that floor. There's no way. Yeah, that's an.

0:30:08.960 --> 0:30:13.600
<v Speaker 3>Interesting take that that he thinks that she's the one

0:30:13.640 --> 0:30:15.840
<v Speaker 3>right away. That's that's a good observation.

0:30:16.360 --> 0:30:20.040
<v Speaker 1>Yeah, he can recognize that. He knows why, it's why

0:30:20.120 --> 0:30:32.520
<v Speaker 1>is there. He's thunderstruck right away. Boom. All right, Adam Wiley.

0:30:32.600 --> 0:30:36.160
<v Speaker 1>Fan questions here we go. Fans want to know, they

0:30:36.240 --> 0:30:40.600
<v Speaker 1>want to know, Adam. Let's talk about Into the Woods. Okay, okay, yeah, okay.

0:30:40.680 --> 0:30:45.120
<v Speaker 1>So your character had to leave to star in Broadway. Okay,

0:30:45.320 --> 0:30:48.480
<v Speaker 1>that is a fact. Brad had to leave. No more, Brad.

0:30:48.560 --> 0:30:52.160
<v Speaker 1>But because we're going a Broadway now, yes, well, you

0:30:52.240 --> 0:30:55.840
<v Speaker 1>were actually in that same Broadway production with the role

0:30:55.880 --> 0:30:57.960
<v Speaker 1>of Jack. What was it like to have your time

0:30:58.000 --> 0:30:59.120
<v Speaker 1>on the show referenced?

0:30:59.520 --> 0:31:00.320
<v Speaker 2>Oh my god, gosh.

0:31:00.760 --> 0:31:04.840
<v Speaker 3>When I got back from New York and moved home

0:31:04.920 --> 0:31:10.960
<v Speaker 3>after however long and got the script for Gilmore Girls,

0:31:11.160 --> 0:31:16.560
<v Speaker 3>cracked it open and saw that my Broadway career was referenced,

0:31:17.160 --> 0:31:20.800
<v Speaker 3>I died laughing. I thought that there was nothing more

0:31:20.880 --> 0:31:28.560
<v Speaker 3>genius than this, and it was almost like Laura I

0:31:28.880 --> 0:31:33.960
<v Speaker 3>herself teasing me in a sense, and I loved every

0:31:34.000 --> 0:31:36.680
<v Speaker 3>second of it. I thought it was the biggest honor

0:31:36.720 --> 0:31:38.680
<v Speaker 3>that I could possibly have, especially that there was an

0:31:38.720 --> 0:31:41.480
<v Speaker 3>actual New York Times review in the script.

0:31:43.160 --> 0:31:49.280
<v Speaker 2>There was nothing that was cooler in that moment in time.

0:31:49.240 --> 0:31:51.840
<v Speaker 3>And I don't know if I've experienced much that's cooler since,

0:31:52.120 --> 0:31:52.920
<v Speaker 3>to be honest with you.

0:31:53.200 --> 0:31:56.240
<v Speaker 1>So tell us about your own relationship with Broadway. You

0:31:56.280 --> 0:32:00.840
<v Speaker 1>did TV as a kid and Broadway. Yeah, what were

0:32:00.840 --> 0:32:01.920
<v Speaker 1>you more passionate about.

0:32:02.640 --> 0:32:05.000
<v Speaker 3>I was passionate about what would hire me. I'm gonna

0:32:05.040 --> 0:32:09.120
<v Speaker 3>be honest with you. I feel like I have severe ADHD.

0:32:09.400 --> 0:32:15.080
<v Speaker 3>So pulling myself into a million different directions is something

0:32:15.120 --> 0:32:18.160
<v Speaker 3>that I'm really really good at and become accustomed to,

0:32:18.160 --> 0:32:20.680
<v Speaker 3>to be honest, and if I'm not doing one thing,

0:32:20.760 --> 0:32:22.640
<v Speaker 3>I kind of miss doing it. So when I wasn't

0:32:22.640 --> 0:32:26.480
<v Speaker 3>filming TV, I was doing Broadway, I missed it, but

0:32:26.680 --> 0:32:28.280
<v Speaker 3>it was happening at the same time. So when I

0:32:28.360 --> 0:32:32.400
<v Speaker 3>first started, I was doing Beauty in the Beast in

0:32:32.560 --> 0:32:35.560
<v Speaker 3>LA and I was filming picket Fences, So I was

0:32:35.560 --> 0:32:37.360
<v Speaker 3>doing pick offences during the day Beauty and the Beast

0:32:37.360 --> 0:32:40.240
<v Speaker 3>at night, and they were across the street from one another,

0:32:40.960 --> 0:32:44.080
<v Speaker 3>so I could see the theater from the studio and

0:32:44.160 --> 0:32:48.800
<v Speaker 3>vice versa, and it was just it was like, this

0:32:49.000 --> 0:32:52.400
<v Speaker 3>is living. I get to do both. So I never

0:32:52.440 --> 0:32:55.520
<v Speaker 3>really had that choice of I had to choose. Even

0:32:55.560 --> 0:32:57.360
<v Speaker 3>when I was doing Into the Woods, I was on

0:32:57.440 --> 0:33:03.440
<v Speaker 3>another TV show, So I never have that choice, And

0:33:03.480 --> 0:33:06.680
<v Speaker 3>I think nowadays it's become so seamless to do both

0:33:07.320 --> 0:33:08.840
<v Speaker 3>that it's just a different world.

0:33:08.920 --> 0:33:11.160
<v Speaker 2>If I had to choose, I don't know if I could.

0:33:11.560 --> 0:33:13.160
<v Speaker 2>I'm gonna be honest with you, but.

0:33:13.120 --> 0:33:16.000
<v Speaker 3>I think ultimately I would pick TV because Broadway is

0:33:16.000 --> 0:33:18.760
<v Speaker 3>the hardest work you can possibly do, in my opinion,

0:33:18.800 --> 0:33:21.120
<v Speaker 3>as an actor in your life, you have to be

0:33:21.680 --> 0:33:23.800
<v Speaker 3>It's a twenty four hour a day job. People think, oh,

0:33:23.800 --> 0:33:25.400
<v Speaker 3>you're just doing a two and a half hour show.

0:33:25.520 --> 0:33:26.400
<v Speaker 2>No, no, you're not.

0:33:26.960 --> 0:33:29.920
<v Speaker 3>You have to prep every single day to be so consistent.

0:33:30.040 --> 0:33:32.760
<v Speaker 3>Especially if you're singing. You have to be vocally in

0:33:32.800 --> 0:33:34.600
<v Speaker 3>tiptop shape all the time. You have to be aware

0:33:34.600 --> 0:33:36.240
<v Speaker 3>of what you're the food you're taking in. You have

0:33:36.280 --> 0:33:37.600
<v Speaker 3>to be aware of how much sleep you're getting. Do

0:33:37.640 --> 0:33:39.520
<v Speaker 3>you have as reflux so you need to sleep with

0:33:39.560 --> 0:33:42.760
<v Speaker 3>a humidifier, is your bed propped or you're getting enough sleep.

0:33:43.600 --> 0:33:45.480
<v Speaker 3>You have to check in to see if your voice

0:33:45.520 --> 0:33:48.360
<v Speaker 3>is still there. You know what notes are you hitting?

0:33:48.640 --> 0:33:51.040
<v Speaker 3>Can you even speak that day? There's so much to

0:33:51.120 --> 0:33:55.440
<v Speaker 3>worry about. It is a constant battle. It's a constant,

0:33:55.560 --> 0:34:00.400
<v Speaker 3>constant maintenance. Whereas with TV it's not that. It's not

0:34:00.400 --> 0:34:03.960
<v Speaker 3>that at all. Right, right, You've got takes, it doesn't matter.

0:34:04.320 --> 0:34:11.080
<v Speaker 3>Just just keeping your voice in shape alone, is there? Yeah,

0:34:11.120 --> 0:34:11.879
<v Speaker 3>I know, I did all.

0:34:11.760 --> 0:34:14.759
<v Speaker 1>Those exercise Yeah, it's singing is.

0:34:14.760 --> 0:34:15.960
<v Speaker 2>Hard, it is.

0:34:16.160 --> 0:34:18.080
<v Speaker 1>And to do it, and to do it every day

0:34:18.480 --> 0:34:21.759
<v Speaker 1>form every day, that's that's man, that's hard.

0:34:22.320 --> 0:34:24.200
<v Speaker 3>It's a lot. Eight shows a week is no joke.

0:34:24.280 --> 0:34:26.680
<v Speaker 3>It's it's a it's a war, especially when you're doing

0:34:26.680 --> 0:34:28.799
<v Speaker 3>it for a nine month contractor or more.

0:34:28.840 --> 0:34:32.279
<v Speaker 1>Yeah, a lot, it's a lot. What's your favorite Broadway show?

0:34:32.880 --> 0:34:36.440
<v Speaker 3>My personal favorite Broadway show is Big River And I

0:34:36.480 --> 0:34:42.040
<v Speaker 3>got to play Huck Finn in North Carolina, and I

0:34:42.080 --> 0:34:44.640
<v Speaker 3>was I've done the show three times, but the time

0:34:44.640 --> 0:34:47.680
<v Speaker 3>that I got to play Huck was like obviously my favorite.

0:34:47.719 --> 0:34:49.880
<v Speaker 3>He never leaves the stage. You know, the singing in

0:34:49.920 --> 0:34:54.720
<v Speaker 3>it is is insane. For Huck, he just never stops talking.

0:34:54.880 --> 0:34:59.359
<v Speaker 3>He does magic in it, which is great, and he's

0:34:59.400 --> 0:35:04.000
<v Speaker 3>just singing and dancing and narrating the story. So for me,

0:35:04.440 --> 0:35:07.200
<v Speaker 3>that was my dream role and I and I got

0:35:07.239 --> 0:35:09.040
<v Speaker 3>to play it. That was my ultimate dream role. So

0:35:09.120 --> 0:35:11.560
<v Speaker 3>that's my favorite show. That's my favorite show because of

0:35:11.560 --> 0:35:15.520
<v Speaker 3>the relationship between Huck and Jim. It's an incredible story.

0:35:16.560 --> 0:35:20.120
<v Speaker 3>I love that Relationshob Did you have any on set crushes?

0:35:22.000 --> 0:35:24.919
<v Speaker 3>Did I have any? I think if you didn't have

0:35:25.120 --> 0:35:28.320
<v Speaker 3>a crush on Alexis, you weren't human if you were.

0:35:29.680 --> 0:35:35.000
<v Speaker 2>My age to be as to a few, So yeah,

0:35:35.040 --> 0:35:36.320
<v Speaker 2>of course, of course.

0:35:36.800 --> 0:35:40.640
<v Speaker 1>Okay the song cherish, yes, pick for you to sing

0:35:40.640 --> 0:35:41.919
<v Speaker 1>a graduation in the show.

0:35:42.120 --> 0:35:43.600
<v Speaker 2>Yes, how was that?

0:35:44.200 --> 0:35:50.200
<v Speaker 3>So? I listened to that style of music every single

0:35:50.239 --> 0:35:53.759
<v Speaker 3>day of my life, mostly because when I was in

0:35:53.760 --> 0:35:56.160
<v Speaker 3>my younger years, my mom was transporting me and she

0:35:56.239 --> 0:35:59.600
<v Speaker 3>was in control of the radio, which means that Krona

0:35:59.640 --> 0:36:03.440
<v Speaker 3>one and ninety nine point nine were constantly on the radio.

0:36:04.000 --> 0:36:06.160
<v Speaker 2>So the oldies but goodies.

0:36:05.880 --> 0:36:07.799
<v Speaker 1>That was a massive song in its day.

0:36:08.239 --> 0:36:09.120
<v Speaker 2>It was huge.

0:36:09.560 --> 0:36:12.239
<v Speaker 1>Everybody in my generation learned a slow dance to that song.

0:36:13.080 --> 0:36:14.200
<v Speaker 2>Oh so good.

0:36:14.640 --> 0:36:16.919
<v Speaker 3>And so when I first heard I was like, oh,

0:36:17.040 --> 0:36:21.480
<v Speaker 3>the cherish is the word I used to describe bong bong. Okay,

0:36:21.640 --> 0:36:23.120
<v Speaker 3>I got I got it, I got it, I got it.

0:36:23.560 --> 0:36:26.600
<v Speaker 3>So we go and we we do the rehearsal and

0:36:26.719 --> 0:36:30.000
<v Speaker 3>I sing the bong bong and everyone's like, what are

0:36:30.000 --> 0:36:30.560
<v Speaker 3>you doing there?

0:36:31.640 --> 0:36:34.319
<v Speaker 2>That's how the song goes. And I was completely oblivious

0:36:34.760 --> 0:36:36.920
<v Speaker 2>that the supposed to see these bong bongs.

0:36:36.960 --> 0:36:40.600
<v Speaker 3>I was just following the music, like in my head, going, no,

0:36:40.760 --> 0:36:42.480
<v Speaker 3>that's that is that is how this goes.

0:36:42.560 --> 0:36:43.360
<v Speaker 2>That is that is it?

0:36:43.560 --> 0:36:45.719
<v Speaker 3>And it does this bong bong and then you you

0:36:45.760 --> 0:36:49.920
<v Speaker 3>go uh and it was funny and they were like

0:36:49.960 --> 0:36:51.759
<v Speaker 3>heye bit and I was like, oh okay, Like I

0:36:51.800 --> 0:36:54.319
<v Speaker 3>didn't get it at the time. I didn't get why

0:36:54.360 --> 0:36:57.840
<v Speaker 3>it was funny. I just did it right right, But

0:36:57.880 --> 0:36:59.560
<v Speaker 3>I love that song. The song is incredible.

0:37:00.280 --> 0:37:04.000
<v Speaker 2>Do you get recognized for being on Gilmore Girls? Every

0:37:04.440 --> 0:37:09.080
<v Speaker 2>single day of my life? Isn't an amazing it's Mezls.

0:37:09.520 --> 0:37:13.480
<v Speaker 3>I will be anywhere, especially when I'm performing at the

0:37:13.480 --> 0:37:18.160
<v Speaker 3>Magic Castle. People are you that guy from Gilmore Girls

0:37:18.360 --> 0:37:22.680
<v Speaker 3>the graduation right, Brad? You're the Paris Brad. And it's

0:37:22.760 --> 0:37:27.560
<v Speaker 3>amazing how many people also know the trivia and are like,

0:37:27.840 --> 0:37:29.839
<v Speaker 3>I know you actually went to Broadway and I'm like.

0:37:29.920 --> 0:37:31.719
<v Speaker 2>Whoa, this is crazy.

0:37:32.640 --> 0:37:36.360
<v Speaker 3>It's it's shocking every time that the show it really

0:37:36.560 --> 0:37:39.200
<v Speaker 3>is just as popular now as it was.

0:37:39.520 --> 0:37:41.479
<v Speaker 2>Oh more so, you think so, more.

0:37:41.440 --> 0:37:44.640
<v Speaker 1>So, more so, more people are a Netflix. The numbers

0:37:44.680 --> 0:37:47.680
<v Speaker 1>are creaty, the streaming numbers are nuts. Yeah, I mean,

0:37:47.920 --> 0:37:49.799
<v Speaker 1>I mean it's like been off the air for you know,

0:37:50.280 --> 0:37:53.320
<v Speaker 1>eighteen years, and it's still number six and number seven

0:37:53.360 --> 0:37:59.040
<v Speaker 1>on Nielsen Raiding. Yes, streaming numbers, yes, what a.

0:37:59.040 --> 0:38:01.279
<v Speaker 2>What a blessing for us as actors to have that

0:38:01.320 --> 0:38:01.839
<v Speaker 2>show man.

0:38:02.880 --> 0:38:06.520
<v Speaker 3>I still walk into like random spots where you can

0:38:06.520 --> 0:38:08.759
<v Speaker 3>buy T shirts and I'll see a Luke's T shirt

0:38:09.520 --> 0:38:12.680
<v Speaker 3>or a mug and I'm just like, it's so awesome.

0:38:13.000 --> 0:38:17.520
<v Speaker 1>They're ubiquitous. They're everywhere. That logo is everywhere.

0:38:17.520 --> 0:38:19.720
<v Speaker 2>The Luke's logo is everywhere.

0:38:20.200 --> 0:38:24.839
<v Speaker 1>Oh my goodness, Adam. A joy to reconnect.

0:38:25.239 --> 0:38:27.680
<v Speaker 3>Absolutely, thank you for having me. I would love to

0:38:27.800 --> 0:38:28.799
<v Speaker 3>you have me anytime.

0:38:29.200 --> 0:38:31.239
<v Speaker 1>We have so many more questions to ask you. We

0:38:31.280 --> 0:38:33.719
<v Speaker 1>didn't get to all of them. Apologize to fans for that,

0:38:33.760 --> 0:38:37.600
<v Speaker 1>but we're running out of time here. Please come back.

0:38:37.760 --> 0:38:39.960
<v Speaker 1>All the best to you. Thank you for your time.

0:38:40.560 --> 0:38:43.320
<v Speaker 2>Absolutely, thank you for having me. I praraazy gentlemen, mister.

0:38:43.160 --> 0:38:47.800
<v Speaker 1>Adam Wiley, and thank you all for all your cards

0:38:47.800 --> 0:38:51.120
<v Speaker 1>and letters and your downloads. Best fans on the planet,

0:38:51.160 --> 0:38:54.680
<v Speaker 1>and remember where you lead, we will follow and Adam

0:38:54.760 --> 0:39:13.440
<v Speaker 1>is going to be there too. Stay safe, everyone.

0:39:05.640 --> 0:39:27.200
<v Speaker 5>Dot everybody off again.

0:39:27.280 --> 0:39:31.359
<v Speaker 1>Follow us on Instagram at i Am all In podcast

0:39:31.440 --> 0:39:44.440
<v Speaker 1>and email us at Gilmore at iHeartRadio dot com.