1 00:00:00,720 --> 00:00:04,080 Speaker 1: I am all in again. 2 00:00:06,559 --> 00:00:17,279 Speaker 2: Oh that's just you. H. 3 00:00:17,280 --> 00:00:22,320 Speaker 1: I am all in again with Scott Patterson and iHeartRadio Podcast. 4 00:00:22,680 --> 00:00:25,360 Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast, one 5 00:00:25,400 --> 00:00:29,840 Speaker 1: of them productions. iHeartRadio Media. iHeart Podcast, Nick and Norris, 6 00:00:29,880 --> 00:00:34,120 Speaker 1: Sid and Nancy. Season two, Episode five, special guest Adam 7 00:00:34,200 --> 00:00:38,720 Speaker 1: Wiley Air Day, October thirty, two thousand and one. Adam welcome, 8 00:00:39,280 --> 00:00:40,239 Speaker 1: How are you hey? 9 00:00:40,400 --> 00:00:42,600 Speaker 2: I'm well. How are you look? I did this for 10 00:00:42,680 --> 00:00:43,640 Speaker 2: you and you're. 11 00:00:43,479 --> 00:00:46,080 Speaker 1: A fantastic Yeah, I see it. 12 00:00:46,159 --> 00:00:46,360 Speaker 3: Man. 13 00:00:46,400 --> 00:00:48,479 Speaker 1: You look like you got a Walmart hat on. There 14 00:00:48,520 --> 00:00:49,919 Speaker 1: you go nice, There we go. 15 00:00:50,080 --> 00:00:51,680 Speaker 2: Now we're good. Now we're hem. 16 00:00:51,840 --> 00:00:54,760 Speaker 1: Adam's known for his role in Picket Fences, The Swan Princess, 17 00:00:54,840 --> 00:00:58,560 Speaker 1: the Broadway play Into the Woods, in which was actually 18 00:00:58,600 --> 00:01:01,800 Speaker 1: incorporated into the script. We will tell you about that later. 19 00:01:02,360 --> 00:01:07,200 Speaker 1: We see Adam first in season two, episode nine, Runaway 20 00:01:07,240 --> 00:01:11,440 Speaker 1: little Boy, as Brad Langford, a student at Chilton who 21 00:01:11,520 --> 00:01:15,240 Speaker 1: is absolutely terrified of Paris. So we know that his 22 00:01:15,440 --> 00:01:19,880 Speaker 1: character is mentally healthy. You were going to We're going 23 00:01:19,959 --> 00:01:23,200 Speaker 1: to talk about all about you, but first let's recap 24 00:01:23,240 --> 00:01:28,000 Speaker 1: this episode. Luke takes in his wild seventeen year old 25 00:01:28,040 --> 00:01:32,399 Speaker 1: nephew Jess, ignoring laws well intentioned advice, and Rory is 26 00:01:32,520 --> 00:01:35,840 Speaker 1: drawn to the new guy in Town, directed by the 27 00:01:35,880 --> 00:01:42,440 Speaker 1: Great Michael Cattleman and written by the Great Amy Sherman Palladino. 28 00:01:42,640 --> 00:01:46,600 Speaker 1: Jess is in town. Adam Luke gets called from his 29 00:01:46,680 --> 00:01:49,440 Speaker 1: sister Liz and her son Jess is going to stay 30 00:01:49,480 --> 00:01:52,960 Speaker 1: with Luke, so Luke puts Jess on the floor in 31 00:01:53,000 --> 00:01:55,160 Speaker 1: a blow up raft next to his bed. Luke has 32 00:01:55,200 --> 00:01:58,520 Speaker 1: a hard time managing Jeff Jess, to say the least, 33 00:01:58,600 --> 00:02:03,560 Speaker 1: and his antics around town are many. Most likely with 34 00:02:03,760 --> 00:02:08,440 Speaker 1: push from Laurel I, Luke eventually takes charge of Jess 35 00:02:08,520 --> 00:02:12,440 Speaker 1: and and set some boundaries for all of his wrongdoings. 36 00:02:12,800 --> 00:02:14,560 Speaker 1: What's your first impression of Jess? 37 00:02:15,000 --> 00:02:16,960 Speaker 3: I mean, my first impression of Jess is that he's 38 00:02:17,000 --> 00:02:20,079 Speaker 3: a troubled kid. I think as soon as he comes 39 00:02:20,080 --> 00:02:22,480 Speaker 3: off that bus, you feel the energy that he's been 40 00:02:22,520 --> 00:02:26,120 Speaker 3: tossed around, that he doesn't want to be there, and 41 00:02:26,760 --> 00:02:29,000 Speaker 3: that he's just you know, this is this is just 42 00:02:29,040 --> 00:02:32,120 Speaker 3: his life now, this is another day, and he's angry. 43 00:02:32,440 --> 00:02:35,799 Speaker 3: He's angry at the world and feels like he's been 44 00:02:35,800 --> 00:02:38,800 Speaker 3: his own parent for so long that that's the just 45 00:02:39,680 --> 00:02:41,480 Speaker 3: the way it is, there is no structure. He is 46 00:02:41,520 --> 00:02:44,800 Speaker 3: the structure. He hates it, right and he hates everyone 47 00:02:44,800 --> 00:02:45,359 Speaker 3: because of it. 48 00:02:46,040 --> 00:02:49,680 Speaker 1: Right, Well, right out of the gate, you see that, 49 00:02:50,600 --> 00:02:54,880 Speaker 1: you know Luke and Jess. Is there chemistry right away? 50 00:02:54,880 --> 00:02:57,080 Speaker 1: What do you think ken feeling getting? What do we 51 00:02:57,080 --> 00:02:58,320 Speaker 1: get in between Luke and Jess? 52 00:02:58,600 --> 00:02:59,880 Speaker 2: You like it? 53 00:03:00,200 --> 00:03:01,760 Speaker 3: Here's the thing I think with Luke and Jess, you 54 00:03:01,760 --> 00:03:06,200 Speaker 3: can tell they're related, right. The energies are so similar 55 00:03:07,320 --> 00:03:11,200 Speaker 3: with the two characters, you definitely know that they are family. 56 00:03:11,919 --> 00:03:16,520 Speaker 3: I think I think Luke is excited for the opportunity. 57 00:03:16,520 --> 00:03:18,160 Speaker 3: I don't think Luke knows how to handle it, and 58 00:03:18,200 --> 00:03:20,560 Speaker 3: I think that's pretty obvious. I think it's obvious from 59 00:03:20,560 --> 00:03:23,680 Speaker 3: the cold open that Luke doesn't know how to handle children. 60 00:03:24,080 --> 00:03:25,760 Speaker 2: And that just I mean. 61 00:03:27,200 --> 00:03:30,120 Speaker 3: That may with with the just the whole interaction with 62 00:03:30,120 --> 00:03:33,359 Speaker 3: with the with the Scout troop, you can see that, 63 00:03:33,600 --> 00:03:35,800 Speaker 3: you know, and it's just and maybe that's because he 64 00:03:35,800 --> 00:03:39,680 Speaker 3: doesn't like Taylor, but that's that's a whole, that's a 65 00:03:39,720 --> 00:03:41,760 Speaker 3: whole nother like can of worms, and you. 66 00:03:41,800 --> 00:03:45,120 Speaker 1: Got to think and the whole, you know, hierarchy of 67 00:03:45,200 --> 00:03:49,560 Speaker 1: the Danes family. Luke is a successful one. He's absolutely, 68 00:03:49,720 --> 00:03:51,680 Speaker 1: he's like the one that went off and you know, 69 00:03:51,840 --> 00:03:55,960 Speaker 1: created a huge business and he's super successful. So I 70 00:03:56,000 --> 00:03:58,840 Speaker 1: mean if if you know he's got the diner, he 71 00:03:58,960 --> 00:04:01,480 Speaker 1: works his butt off, he's a successful one. 72 00:04:02,040 --> 00:04:02,680 Speaker 2: Absolutely. 73 00:04:02,880 --> 00:04:06,440 Speaker 1: Imagine what a sister's like, because just seeing Luke at 74 00:04:06,480 --> 00:04:10,800 Speaker 1: the Pinnacle and Jess getting off the bus, it's like, whoa. 75 00:04:11,280 --> 00:04:15,960 Speaker 3: There's a few panicked phone calls by Luke's sister too, right, 76 00:04:16,040 --> 00:04:20,240 Speaker 3: and so that causes a lot of alarm, going ooh, 77 00:04:20,800 --> 00:04:23,599 Speaker 3: if this is what Jess has had to grow up with. 78 00:04:24,240 --> 00:04:28,440 Speaker 3: He's always in chaos, and so he's got to find 79 00:04:28,480 --> 00:04:30,520 Speaker 3: some kind of calm, which you know he turns to 80 00:04:30,560 --> 00:04:32,880 Speaker 3: reading and the big one. 81 00:04:32,839 --> 00:04:34,800 Speaker 1: Magic mm hmmmm hm. 82 00:04:35,160 --> 00:04:38,640 Speaker 2: Just great. I don't know why, but I'm a big fan. 83 00:04:39,520 --> 00:04:43,239 Speaker 1: I loved this. I loved I love the Rory's line 84 00:04:43,279 --> 00:04:45,719 Speaker 1: if you ever doing a if you ever do another 85 00:04:45,800 --> 00:04:48,679 Speaker 1: magic trick again and pull something out of an area 86 00:04:48,760 --> 00:04:50,600 Speaker 1: that I don't want you to, I'll never speak to you. 87 00:04:50,680 --> 00:04:54,200 Speaker 1: I guess it's like stop with the stick. You know, 88 00:04:54,240 --> 00:04:56,120 Speaker 1: it's not that you're not impressing me. 89 00:04:56,640 --> 00:04:58,479 Speaker 3: Yeah, I think I think my favorite line in the 90 00:04:58,600 --> 00:05:05,480 Speaker 3: entire episode, though, is is Lorelai talking to Luke and saying, 91 00:05:06,279 --> 00:05:08,200 Speaker 3: you want to get him something inflatable, get him up, 92 00:05:08,240 --> 00:05:09,040 Speaker 3: get him up, blonde. 93 00:05:11,160 --> 00:05:15,440 Speaker 2: I was dying. Oh good. 94 00:05:15,560 --> 00:05:18,800 Speaker 3: That's like he has some good equips in that one, 95 00:05:19,320 --> 00:05:21,200 Speaker 3: some just good one liners. 96 00:05:21,560 --> 00:05:27,440 Speaker 1: So you know, and Milo couldn't be more opposite to 97 00:05:27,560 --> 00:05:30,880 Speaker 1: this character is the amazing part about it. I mean, 98 00:05:30,920 --> 00:05:34,200 Speaker 1: he's just you know, he came on set and just 99 00:05:34,400 --> 00:05:38,960 Speaker 1: ingratiated himself right away with everybody, never acted like, you know, 100 00:05:39,040 --> 00:05:41,720 Speaker 1: he was the man or that you know, he he 101 00:05:42,279 --> 00:05:45,520 Speaker 1: didn't try to. I mean, he understood that he was 102 00:05:45,560 --> 00:05:50,760 Speaker 1: coming into a situation that was established. He had respect, 103 00:05:51,320 --> 00:05:53,080 Speaker 1: so and we like that. 104 00:05:53,640 --> 00:05:57,720 Speaker 3: I never got to work with him, unfortunately, but I 105 00:05:57,760 --> 00:06:00,760 Speaker 3: feel like we've done this for a very long long time. 106 00:06:01,040 --> 00:06:04,919 Speaker 1: Uh huh yeah, well maybe one day, just circling. Maybe 107 00:06:04,920 --> 00:06:06,600 Speaker 1: one day, maybe one day. 108 00:06:06,560 --> 00:06:08,200 Speaker 2: Maybe I'll get to push him into a lake. 109 00:06:08,600 --> 00:06:11,039 Speaker 1: And I'm yes, and I'm very proud of work we 110 00:06:11,080 --> 00:06:14,520 Speaker 1: did together. We did some iconic work together, the lake push, 111 00:06:14,600 --> 00:06:17,560 Speaker 1: you know, the relationship there. I really thought that relationship 112 00:06:18,160 --> 00:06:21,440 Speaker 1: elevated the show somewhat because now we see Luke in 113 00:06:21,480 --> 00:06:26,120 Speaker 1: a different type of situation. We'ren't expecting to see it 114 00:06:26,200 --> 00:06:28,599 Speaker 1: really is, I mean, and I think the fans really 115 00:06:28,920 --> 00:06:30,880 Speaker 1: receive received it very very well. 116 00:06:31,560 --> 00:06:33,040 Speaker 2: Mm hmmm. I would agree. 117 00:06:33,360 --> 00:06:36,560 Speaker 1: Again, it's like the writing. He got to do that writing, 118 00:06:37,360 --> 00:06:40,520 Speaker 1: Like I always comment on how lucky I feel to 119 00:06:40,520 --> 00:06:42,640 Speaker 1: be able to do that writing and be in the 120 00:06:44,120 --> 00:06:47,960 Speaker 1: imagine this. So this is a starm the just rolls 121 00:06:48,000 --> 00:06:51,680 Speaker 1: of star making role right an anybody who's lucky enough 122 00:06:51,680 --> 00:06:55,080 Speaker 1: to get that role. It's so well written right away, 123 00:06:55,279 --> 00:06:58,680 Speaker 1: right off the bat. It's like it's like James Dean 124 00:06:58,800 --> 00:07:02,240 Speaker 1: and Rebel Out cause it's it's all of those great 125 00:07:02,320 --> 00:07:06,400 Speaker 1: care it's it's it's Brando. It's it's right in the 126 00:07:06,680 --> 00:07:10,200 Speaker 1: uh in on the waterfront, or or there was a 127 00:07:10,240 --> 00:07:13,040 Speaker 1: movie he did, a motorcycle movie he did before called 128 00:07:13,080 --> 00:07:14,920 Speaker 1: the what was it? What was the Brando film he 129 00:07:14,960 --> 00:07:17,400 Speaker 1: did when the early Brando films. Yeah, I don't know, 130 00:07:17,560 --> 00:07:21,480 Speaker 1: Motorcycle Leader. What was it called? Anyway, But it's that 131 00:07:21,560 --> 00:07:24,760 Speaker 1: kind of a role where it's just like it's it's incendiary. 132 00:07:24,800 --> 00:07:27,320 Speaker 1: It just it hits like a bomb and it's like boom, 133 00:07:27,800 --> 00:07:31,480 Speaker 1: this guy has arrived. This actor has arrived in this role. 134 00:07:31,640 --> 00:07:35,520 Speaker 1: That is so far afield from what the Wild One? 135 00:07:35,960 --> 00:07:39,400 Speaker 1: The wild One? Yes, right, and that's it. That's the perfect, perfect, 136 00:07:39,480 --> 00:07:42,760 Speaker 1: perfect description. Yeah, and it just it just you know, 137 00:07:42,840 --> 00:07:45,400 Speaker 1: a bomb detonates and star stars hollow. 138 00:07:45,520 --> 00:07:49,920 Speaker 2: Oh right, but what's it going to do. 139 00:07:50,120 --> 00:07:52,520 Speaker 1: It's gonna scramble everybody's eggs. 140 00:07:52,720 --> 00:07:54,600 Speaker 3: Yeah, I mean he's looking for a night out and 141 00:07:54,640 --> 00:07:58,000 Speaker 3: it stars hollow. There's there's that line that that Rory 142 00:07:58,120 --> 00:08:00,680 Speaker 3: says that even the twenty four hour can nvenience store 143 00:08:00,720 --> 00:08:05,120 Speaker 3: closed at nine, which is also such a such a 144 00:08:05,120 --> 00:08:08,400 Speaker 3: great line. But if you also look at Luke through 145 00:08:08,440 --> 00:08:11,720 Speaker 3: the relationship of Jess, you know, at first he's like 146 00:08:11,800 --> 00:08:14,840 Speaker 3: he can handle himself. I mean, he's not a he's 147 00:08:14,880 --> 00:08:17,080 Speaker 3: not a baby, he's not a child. And then he 148 00:08:17,200 --> 00:08:20,040 Speaker 3: realizes immediately, oh he is a child. Oh he does 149 00:08:20,120 --> 00:08:22,880 Speaker 3: need structure. Oh I can do this. I can figure 150 00:08:22,920 --> 00:08:27,960 Speaker 3: it out. And it does force Luke to kind of go, Okay, 151 00:08:28,160 --> 00:08:30,240 Speaker 3: I'm a parent, now I gotta I gotta do this. 152 00:08:30,480 --> 00:08:35,160 Speaker 3: And it's really kind of awesome to not only see 153 00:08:35,200 --> 00:08:38,160 Speaker 3: the structure happen, but to see it work immediately. 154 00:08:38,360 --> 00:08:41,679 Speaker 2: It just works, and it's so good to see that. 155 00:08:41,760 --> 00:08:43,199 Speaker 2: I think it's good. I think this. 156 00:08:43,240 --> 00:08:47,520 Speaker 3: Relationship in particular, and this move by Jess is great 157 00:08:47,559 --> 00:08:48,679 Speaker 3: for both characters. 158 00:08:48,960 --> 00:08:52,760 Speaker 1: Oh made me very sad, you know, made me very sad. 159 00:08:52,880 --> 00:08:55,200 Speaker 1: You know, this kid has so much potential. 160 00:08:55,720 --> 00:08:57,240 Speaker 2: Absolutely, he's smart. 161 00:08:57,480 --> 00:09:00,439 Speaker 1: It's gonna take years. It's gonna take years for him 162 00:09:00,440 --> 00:09:02,720 Speaker 1: to get out of this. It's not just a quick fix. 163 00:09:02,760 --> 00:09:06,760 Speaker 1: It's not just Luke, you know, tough loving him into 164 00:09:06,920 --> 00:09:11,080 Speaker 1: a discipline, into a new dawn and a new realization 165 00:09:11,240 --> 00:09:13,880 Speaker 1: his eyes open in six months. Now, this is years. 166 00:09:14,160 --> 00:09:18,840 Speaker 1: This is yeah, totally, this is years of you know whatever, abuse, 167 00:09:18,960 --> 00:09:22,120 Speaker 1: bad parenting, and it's gonna take it's going to take 168 00:09:22,160 --> 00:09:23,520 Speaker 1: that much time for him to come out of it. 169 00:09:23,559 --> 00:09:25,440 Speaker 1: And it just it just breaks my heart to see it. 170 00:09:25,480 --> 00:09:27,000 Speaker 1: And I think that's really the point. 171 00:09:27,120 --> 00:09:27,720 Speaker 2: Absolutely. 172 00:09:27,960 --> 00:09:30,760 Speaker 1: I love the fact how he plays it like he's 173 00:09:30,800 --> 00:09:34,559 Speaker 1: not aware of it, where it's just a super confidence. 174 00:09:35,480 --> 00:09:38,760 Speaker 3: Yeah, And I think that does make him aware of it. 175 00:09:38,840 --> 00:09:43,120 Speaker 3: I actually think that that is the bravado he has 176 00:09:43,200 --> 00:09:46,480 Speaker 3: to have to survive. He's in pure survival mode at 177 00:09:46,480 --> 00:09:49,160 Speaker 3: that point and he knows nothing else. That's how he's 178 00:09:49,200 --> 00:09:53,120 Speaker 3: parenting himself is by being overconfident. So I actually do 179 00:09:53,160 --> 00:09:55,320 Speaker 3: think he is aware of it. I think that that's 180 00:09:55,360 --> 00:09:58,880 Speaker 3: the way he's learned to cope with himself. 181 00:10:00,080 --> 00:10:01,640 Speaker 2: He hates he hates the situation. 182 00:10:02,280 --> 00:10:05,439 Speaker 1: You know, it's a big, big changes everything for Laurel 183 00:10:05,480 --> 00:10:07,920 Speaker 1: I too, because the alarm bells are going off inside her. 184 00:10:08,200 --> 00:10:11,160 Speaker 1: It's like, boy, and how close is she gonna let 185 00:10:11,240 --> 00:10:14,960 Speaker 1: him near her daughter, who's like, you know, this perfect 186 00:10:15,080 --> 00:10:18,040 Speaker 1: China doll who's going off to Harvard or yet you 187 00:10:18,080 --> 00:10:18,959 Speaker 1: know what I'm saying. 188 00:10:18,960 --> 00:10:20,480 Speaker 2: And the influence starts. 189 00:10:20,720 --> 00:10:23,360 Speaker 1: Oh man, oh man, that's that's when you're begin the work. 190 00:10:23,360 --> 00:10:27,800 Speaker 1: All right, Let's let's go to the family dinner. Okay. 191 00:10:27,960 --> 00:10:31,560 Speaker 1: That that Laurel I invites everybody over for dinner to 192 00:10:31,559 --> 00:10:32,040 Speaker 1: meet Jess. 193 00:10:32,320 --> 00:10:33,120 Speaker 2: What a nice quart? 194 00:10:33,240 --> 00:10:36,040 Speaker 1: What what? What an exceptionally nice thing? And he is 195 00:10:36,160 --> 00:10:38,920 Speaker 1: so very nice. He's so rude to Laurel I. 196 00:10:39,520 --> 00:10:42,280 Speaker 2: He is, and he just wants to bail. Yeah, he 197 00:10:42,360 --> 00:10:44,040 Speaker 2: just wants to bail. He's like, I'm grabbing a beer 198 00:10:44,080 --> 00:10:45,040 Speaker 2: him out right. 199 00:10:45,280 --> 00:10:47,960 Speaker 1: So Rory just meets Jess and we immediately see they 200 00:10:48,000 --> 00:10:51,520 Speaker 1: have chemistry. Right, we learned he likes books. We see 201 00:10:51,520 --> 00:10:53,719 Speaker 1: the look on Rory's face and I think it's a. 202 00:10:53,679 --> 00:11:01,200 Speaker 4: Collective uh oh in the audience, right, does not appreciate 203 00:11:02,559 --> 00:11:06,280 Speaker 4: the help and tells Laurel ies she should she wouldn't 204 00:11:06,320 --> 00:11:10,360 Speaker 4: give the best advice because she was pregnant at sixteen. 205 00:11:10,400 --> 00:11:11,080 Speaker 1: That was harsh. 206 00:11:11,400 --> 00:11:17,920 Speaker 2: That was that comment was harsh. It was harsh when 207 00:11:17,960 --> 00:11:20,040 Speaker 2: I when I actually heard it, I was like, Oh, 208 00:11:20,080 --> 00:11:21,040 Speaker 2: we're going to talk about that. 209 00:11:21,679 --> 00:11:25,760 Speaker 3: Oh and no, wonder they're fighting. 210 00:11:27,559 --> 00:11:31,160 Speaker 1: Let's let's stick into this, Okay. Yes, tell me, Adam, 211 00:11:31,240 --> 00:11:37,360 Speaker 1: do you think Laurel is overstepping with Jess or is 212 00:11:37,400 --> 00:11:38,480 Speaker 1: she helping Luke? 213 00:11:40,000 --> 00:11:40,720 Speaker 2: Helping Luke? 214 00:11:40,800 --> 00:11:48,240 Speaker 3: Because if you, especially because of that interaction in the 215 00:11:48,360 --> 00:11:50,520 Speaker 3: very beginning in that cold open with the with the 216 00:11:50,559 --> 00:11:54,960 Speaker 3: Scout troupe, I really think that she is Like, this 217 00:11:55,000 --> 00:11:57,680 Speaker 3: guy's clueless and he needs all the help he can get. 218 00:11:58,200 --> 00:12:03,360 Speaker 2: You know, I've been a mother for obviously. 219 00:12:04,600 --> 00:12:08,480 Speaker 3: Sixteen years or whatever it is, and I can really 220 00:12:08,840 --> 00:12:09,520 Speaker 3: help this guy. 221 00:12:09,559 --> 00:12:10,600 Speaker 2: And he's a good dude. 222 00:12:10,800 --> 00:12:15,200 Speaker 3: He's just he's a little clumsy in how he deals 223 00:12:15,200 --> 00:12:17,520 Speaker 3: with people. And I can help. You know, I've got 224 00:12:17,559 --> 00:12:18,920 Speaker 3: I've got a good demeanor. I know how to deal 225 00:12:18,960 --> 00:12:20,880 Speaker 3: with with kids. I know how to deal with actually 226 00:12:20,960 --> 00:12:22,160 Speaker 3: troubled and rebellous kids. 227 00:12:22,200 --> 00:12:24,760 Speaker 1: Why is he so defensive? Why would he say that 228 00:12:24,800 --> 00:12:25,120 Speaker 1: to her? 229 00:12:25,440 --> 00:12:27,920 Speaker 2: Why would Luke say that to her? Yeah, you're pregnant 230 00:12:27,920 --> 00:12:28,440 Speaker 2: at sixteen? 231 00:12:28,480 --> 00:12:31,280 Speaker 1: What the hell do you know? I mean, what a blow? 232 00:12:31,320 --> 00:12:32,640 Speaker 1: What tell me? Why say that? 233 00:12:33,080 --> 00:12:35,720 Speaker 3: Hereious, here's why I think you'd say that. And obviously 234 00:12:35,760 --> 00:12:37,640 Speaker 3: you know this character inside and out. I have no 235 00:12:37,679 --> 00:12:40,480 Speaker 3: idea why you think you'd say that. But from an 236 00:12:40,520 --> 00:12:46,440 Speaker 3: audience point of view, Luke has proven, especially thus far 237 00:12:46,920 --> 00:12:50,480 Speaker 3: in the show, to not be good with his emotions. 238 00:12:50,800 --> 00:12:55,000 Speaker 3: And when, in my experience, when people aren't wonderful with 239 00:12:55,040 --> 00:12:58,520 Speaker 3: their emotions, the first thing when they feel threatened. 240 00:12:58,280 --> 00:13:01,360 Speaker 2: Is to bite. So he tries to bite his way 241 00:13:01,440 --> 00:13:02,480 Speaker 2: out of the situation. 242 00:13:02,720 --> 00:13:04,520 Speaker 1: It's a deep insecurity one. 243 00:13:04,440 --> 00:13:06,720 Speaker 3: Hundred percent, And I feel he tries to bite his 244 00:13:06,800 --> 00:13:10,280 Speaker 3: way out of the situation and it comes across hurting 245 00:13:10,320 --> 00:13:12,520 Speaker 3: somebody that he really cares about. 246 00:13:12,920 --> 00:13:15,440 Speaker 2: Right, And that's tough, That's really tough. 247 00:13:15,880 --> 00:13:18,640 Speaker 1: She he interprets like, she doesn't have confidence in me. 248 00:13:18,720 --> 00:13:23,800 Speaker 1: She doesn't think I'm smart enough or capable enough to 249 00:13:23,840 --> 00:13:25,840 Speaker 1: deal with the situation. So she feels she has to 250 00:13:25,880 --> 00:13:28,320 Speaker 1: intervene and overstep without talking to me first. 251 00:13:28,400 --> 00:13:30,840 Speaker 3: Right, one hundred percent? One hundred percent? Which is is 252 00:13:30,880 --> 00:13:32,600 Speaker 3: that the right way to handle it. No, I think 253 00:13:32,600 --> 00:13:35,280 Speaker 3: it should have been a very I think it should 254 00:13:35,280 --> 00:13:36,840 Speaker 3: have been a plan for sure. 255 00:13:37,280 --> 00:13:43,240 Speaker 1: Do you think he's moving the goalpost to suit his insecurities? Right? 256 00:13:43,280 --> 00:13:43,920 Speaker 1: You know what I mean? 257 00:13:44,240 --> 00:13:46,439 Speaker 2: I got it? I got it. Why are you doing that? 258 00:13:46,520 --> 00:13:49,400 Speaker 2: You know? I appreciate you doing this. I didn't really 259 00:13:49,440 --> 00:13:49,760 Speaker 2: need it. 260 00:13:49,880 --> 00:13:53,319 Speaker 3: He'll be fine, He's okay, right, Okay, you're gonna tell 261 00:13:53,320 --> 00:13:55,120 Speaker 3: me what to do. Now, I'm gonna now I'm gonna 262 00:13:55,120 --> 00:13:57,600 Speaker 3: come at you. Oh I'm really sorry for coming at you. 263 00:13:57,960 --> 00:14:00,760 Speaker 1: It does seem like he values her opinion, right, and 264 00:14:00,800 --> 00:14:02,240 Speaker 1: he's quick to course that right. 265 00:14:02,520 --> 00:14:05,520 Speaker 2: Yeah, of course he cares about her a lot at 266 00:14:05,559 --> 00:14:05,760 Speaker 2: the end. 267 00:14:05,800 --> 00:14:07,679 Speaker 1: So this kind of back and forth, right, this kind 268 00:14:07,679 --> 00:14:10,040 Speaker 1: of back and forth, it's good for a relationship. 269 00:14:10,080 --> 00:14:11,760 Speaker 5: What do you think? What do you think? 270 00:14:12,640 --> 00:14:16,920 Speaker 3: I think with I think especially Lorelei and Luke's back 271 00:14:16,960 --> 00:14:22,080 Speaker 3: and forth, they have such a good chemistry. The quips 272 00:14:22,240 --> 00:14:27,000 Speaker 3: to be able to humble people, especially people you really 273 00:14:27,040 --> 00:14:29,400 Speaker 3: care about, I think are a good thing. If you 274 00:14:29,480 --> 00:14:31,920 Speaker 3: have somebody in your life that doesn't challenge you and 275 00:14:32,000 --> 00:14:34,280 Speaker 3: help you grow, then what are you doing with that person? 276 00:14:34,360 --> 00:14:35,760 Speaker 2: That's how I feel personally. 277 00:14:35,920 --> 00:14:40,200 Speaker 1: Yeah, you nailed it. I agree hundred percent. You think 278 00:14:40,240 --> 00:14:42,440 Speaker 1: Laurel I was right. I think Laurel has got really 279 00:14:42,480 --> 00:14:46,640 Speaker 1: good instincts. Yes, and it's really easy to see that 280 00:14:46,880 --> 00:14:53,760 Speaker 1: character Jess and go oh oh. 281 00:14:51,680 --> 00:14:56,400 Speaker 2: Totally totally. It's red Flag City, like, there's no there's 282 00:14:56,440 --> 00:14:57,520 Speaker 2: no tub about it. 283 00:14:57,760 --> 00:14:58,720 Speaker 1: It's obvious. 284 00:14:58,800 --> 00:15:03,280 Speaker 2: Man, yeah, sure, crazy. 285 00:15:11,160 --> 00:15:14,200 Speaker 1: All right, let's get into Rory Jess. We immediately see 286 00:15:14,200 --> 00:15:16,360 Speaker 1: their chemistry with the books. The writers know what they're 287 00:15:16,400 --> 00:15:19,640 Speaker 1: doing bringing in Jess to break apart the Dean and 288 00:15:19,760 --> 00:15:25,400 Speaker 1: Rory relationship. Do we like what they are doing? Do 289 00:15:25,520 --> 00:15:29,440 Speaker 1: we want Dean to go? Do we want Jess to 290 00:15:29,480 --> 00:15:31,520 Speaker 1: step in? Now? How do you feel? 291 00:15:32,120 --> 00:15:35,400 Speaker 3: I think that's an audience member to audience member question, 292 00:15:35,600 --> 00:15:38,040 Speaker 3: because this is a huge question. 293 00:15:38,080 --> 00:15:39,840 Speaker 1: All right, let's get them all on the phone, guys, 294 00:15:39,920 --> 00:15:41,440 Speaker 1: let's get all the fans on the phone right now. 295 00:15:41,520 --> 00:15:43,360 Speaker 2: Let's ask one at a time. Here we go, Yes, 296 00:15:44,200 --> 00:15:45,480 Speaker 2: first caller, you're on. 297 00:15:47,120 --> 00:15:52,240 Speaker 3: In my personal opinion, no, I'm not rooting for her 298 00:15:52,520 --> 00:15:56,480 Speaker 3: to explore a wild side with Jess. 299 00:15:56,640 --> 00:15:59,760 Speaker 1: What are the chances of success with Jess in your opinion? 300 00:16:00,160 --> 00:16:00,600 Speaker 5: Oh? 301 00:16:00,680 --> 00:16:05,200 Speaker 3: Man, right now? Chances negative four, negative five. 302 00:16:05,800 --> 00:16:07,240 Speaker 2: I think it's pretty slim. 303 00:16:07,320 --> 00:16:11,440 Speaker 3: To none that Rory is going to be some incredibly 304 00:16:11,880 --> 00:16:16,160 Speaker 3: good influence on Rory. I think it's so much more 305 00:16:16,320 --> 00:16:20,040 Speaker 3: likely that Jess is going to be the worst influence 306 00:16:20,400 --> 00:16:21,080 Speaker 3: Rory can have. 307 00:16:21,720 --> 00:16:24,320 Speaker 1: Yeah, but he's literate. He reads books. 308 00:16:24,520 --> 00:16:29,080 Speaker 2: Great, awesome, so many people who read books. If he 309 00:16:29,120 --> 00:16:31,120 Speaker 2: can read a book, then he can read a book 310 00:16:31,120 --> 00:16:34,440 Speaker 2: to understand. Hey, man, maybe I need therapy and. 311 00:16:34,360 --> 00:16:37,560 Speaker 3: Not bite everybody's head off because my situation sucks. 312 00:16:38,480 --> 00:16:38,720 Speaker 1: Right? 313 00:16:38,920 --> 00:16:39,520 Speaker 2: Read that well? 314 00:16:39,560 --> 00:16:42,640 Speaker 1: I mean, at seventeen, you know who's introspective? At seventeen, 315 00:16:43,000 --> 00:16:45,680 Speaker 1: you know nobody nobody, no, no. 316 00:16:45,480 --> 00:16:47,400 Speaker 2: Not even introspectives are introspective. 317 00:16:47,560 --> 00:16:50,160 Speaker 1: They certainly are. They think they are, but they're not. 318 00:16:50,680 --> 00:16:53,760 Speaker 3: Everybody thinks they are. At seventeen, we had it made. 319 00:16:54,720 --> 00:16:56,480 Speaker 3: We were in control of life. 320 00:16:57,360 --> 00:17:00,720 Speaker 1: So how was that Ginsburg Owl? 321 00:17:00,880 --> 00:17:01,400 Speaker 2: Yeah? 322 00:17:02,040 --> 00:17:06,240 Speaker 1: Great? The masterpiece of the beat generation. M boy, I'll 323 00:17:06,280 --> 00:17:11,280 Speaker 1: tell you that's uh. That's the one book you don't 324 00:17:11,320 --> 00:17:13,480 Speaker 1: want your daughter reading if. 325 00:17:13,320 --> 00:17:18,000 Speaker 2: She had it to r That's fair, It's very fair. 326 00:17:18,160 --> 00:17:22,760 Speaker 1: I remember when I was fifteen, my older sister gave 327 00:17:22,800 --> 00:17:25,320 Speaker 1: me a book and my mom was like, you really 328 00:17:25,359 --> 00:17:27,680 Speaker 1: don't want to read that to you? You don't want 329 00:17:27,720 --> 00:17:30,199 Speaker 1: to do that and it was. It was a Season 330 00:17:30,240 --> 00:17:35,440 Speaker 1: in Hell and a very good translation of it, Rambo's 331 00:17:35,480 --> 00:17:39,400 Speaker 1: The Season in Hell, and it blew my mind. Some 332 00:17:39,520 --> 00:17:44,480 Speaker 1: things should not be read until you're of age, right, yeah, absolutely, 333 00:17:44,840 --> 00:17:48,000 Speaker 1: But the impact books can make on the young mind 334 00:17:48,080 --> 00:17:49,640 Speaker 1: is it's extraordinary. 335 00:17:50,520 --> 00:17:54,840 Speaker 3: Books are the biggest influence that I think one can have, 336 00:17:55,400 --> 00:18:00,480 Speaker 3: and that's mainly because you can you say your own 337 00:18:00,520 --> 00:18:02,960 Speaker 3: reality inside your head. 338 00:18:02,960 --> 00:18:06,560 Speaker 2: Of what that means exactly. 339 00:18:06,080 --> 00:18:12,359 Speaker 1: The imagination is engaged. You build your future inside your head. 340 00:18:12,640 --> 00:18:13,040 Speaker 2: Totally. 341 00:18:13,359 --> 00:18:15,560 Speaker 1: I don't know how kids are doing it today by 342 00:18:15,600 --> 00:18:18,800 Speaker 1: looking at the screen. TikTok, that's it, I think, right, 343 00:18:18,920 --> 00:18:22,639 Speaker 1: I mean, where's the imagination? Where? Where? Where are the 344 00:18:22,640 --> 00:18:26,720 Speaker 1: worlds that you're creating inside your head? I don't know that. Well, 345 00:18:26,880 --> 00:18:29,399 Speaker 1: we can get that's that's another podcast. 346 00:18:29,840 --> 00:18:30,280 Speaker 2: Totally. 347 00:18:30,520 --> 00:18:32,399 Speaker 3: I think the only world you can create inside your 348 00:18:32,400 --> 00:18:34,919 Speaker 3: head with a digital age and a digital generation is 349 00:18:35,640 --> 00:18:37,680 Speaker 3: how do I want to come across in these videos? 350 00:18:37,760 --> 00:18:40,200 Speaker 3: And I think there's some very creative people that are 351 00:18:40,280 --> 00:18:43,840 Speaker 3: editing inside their head going on there we goicklick click 352 00:18:44,040 --> 00:18:46,680 Speaker 3: click click click, and that's how they think now because 353 00:18:46,680 --> 00:18:49,439 Speaker 3: there's no words to read, you know, how do I 354 00:18:49,480 --> 00:18:49,679 Speaker 3: do this? 355 00:18:49,720 --> 00:18:52,720 Speaker 2: In under a minute. And there there, there there you. 356 00:18:52,760 --> 00:18:55,919 Speaker 1: Have right, right, But I, but I The thing that 357 00:18:56,160 --> 00:19:00,240 Speaker 1: is so romantic to me and so intriguing hooks is 358 00:19:00,240 --> 00:19:04,199 Speaker 1: that there's this intellectual connection between Rory and Jess. That 359 00:19:04,240 --> 00:19:05,160 Speaker 1: she doesn't have a Dean. 360 00:19:05,720 --> 00:19:08,840 Speaker 2: That's true. That's where Dean is from a small town 361 00:19:09,320 --> 00:19:10,679 Speaker 2: and he is a small town minded. 362 00:19:11,800 --> 00:19:16,800 Speaker 1: So so you know, now we've got this art is involved. Now, 363 00:19:17,440 --> 00:19:22,159 Speaker 1: art is going to take over now and you know, 364 00:19:22,320 --> 00:19:26,879 Speaker 1: aesthetics are at play, so interesting, interesting dynamic. All right, 365 00:19:27,520 --> 00:19:31,480 Speaker 1: Rory in Paris Chilton, Wow, the conflict is real. 366 00:19:32,440 --> 00:19:32,600 Speaker 3: Yeah. 367 00:19:32,720 --> 00:19:34,800 Speaker 1: Paris is the editor of the school paper, The Franklin, 368 00:19:34,840 --> 00:19:36,879 Speaker 1: does everything in her power to punish Rory because she 369 00:19:36,960 --> 00:19:40,520 Speaker 1: is holding a grudge against her from her date with Tristan, 370 00:19:40,560 --> 00:19:45,240 Speaker 1: her quote unquote imaginary date with T. PJ. Harvey. She's 371 00:19:45,280 --> 00:19:50,600 Speaker 1: still harping on this and it never happened. Paris tells 372 00:19:50,680 --> 00:19:54,720 Speaker 1: Rory the wrong meeting time for the first meeting of 373 00:19:54,720 --> 00:19:59,880 Speaker 1: The Franklin that year and gives her story accoun but Rory, 374 00:20:00,640 --> 00:20:04,680 Speaker 1: Rory knocks it out of the park right what she does, 375 00:20:04,880 --> 00:20:08,639 Speaker 1: and then Paris intentionally assigns Rory an uncomfortable piece about 376 00:20:09,280 --> 00:20:15,160 Speaker 1: Max Medina, and that's just we have to concede. Paris 377 00:20:15,280 --> 00:20:16,840 Speaker 1: is an evil genius, right. 378 00:20:17,280 --> 00:20:19,679 Speaker 3: Listen, Paris is my is one of my favorite characters 379 00:20:19,720 --> 00:20:21,960 Speaker 3: in the entire show. And I've said this for a 380 00:20:22,160 --> 00:20:28,439 Speaker 3: very long time. I think that she is a gem 381 00:20:29,240 --> 00:20:31,840 Speaker 3: of a human when she allows herself to be. 382 00:20:33,400 --> 00:20:35,560 Speaker 2: So I do. I do agree with you. She's she's 383 00:20:35,600 --> 00:20:37,200 Speaker 2: absolutely an evil genius. 384 00:20:37,640 --> 00:20:41,600 Speaker 1: So we see that she's going to force her to 385 00:20:41,680 --> 00:20:46,520 Speaker 1: talk to mister Medina about her piece. That's it's very awkward, 386 00:20:46,720 --> 00:20:48,600 Speaker 1: you know, and I love how it was handled, and 387 00:20:48,640 --> 00:20:51,560 Speaker 1: I love that they both confess to each other. I 388 00:20:51,600 --> 00:20:53,920 Speaker 1: wish you I wanted to be your stepdad and I 389 00:20:53,960 --> 00:20:55,560 Speaker 1: wish you were going to be my stepdad. 390 00:20:55,600 --> 00:20:58,000 Speaker 3: And that was very so cute that she goes off 391 00:20:58,040 --> 00:21:01,960 Speaker 3: the record to do that. Yes, pauses the recorder and 392 00:21:01,960 --> 00:21:04,639 Speaker 3: it's like, I just want you to know. Can we 393 00:21:04,760 --> 00:21:09,800 Speaker 3: just also stay that Like you can really see Laura 394 00:21:09,920 --> 00:21:14,000 Speaker 3: Lai in Rory all the time and kind of vice versa. 395 00:21:14,280 --> 00:21:17,159 Speaker 3: You can understand exactly why they are two peas in 396 00:21:17,200 --> 00:21:20,960 Speaker 3: a pod. They both have the same tendencies and they 397 00:21:20,960 --> 00:21:25,400 Speaker 3: both have such great hearts, and you really see it there. 398 00:21:25,400 --> 00:21:26,320 Speaker 2: It's such a good moment. 399 00:21:26,320 --> 00:21:29,680 Speaker 1: You're right, But but Rory has that softer candy shell. 400 00:21:30,560 --> 00:21:35,640 Speaker 3: Yeah that's true now because she wasn't raised with Laurie's parents, right. 401 00:21:35,720 --> 00:21:39,200 Speaker 3: I mean that has a lot to do with how 402 00:21:39,720 --> 00:21:42,240 Speaker 3: you know, she was in survival mode as well her 403 00:21:42,480 --> 00:21:45,639 Speaker 3: entire childhood, and everyone thought, oh, this rich girl hasn't 404 00:21:45,640 --> 00:21:51,720 Speaker 3: made and she's like, yeah, sure, emotionally I don't right, right, But. 405 00:21:51,640 --> 00:21:55,439 Speaker 1: It doesn't seem like it doesn't seem like Rory can't 406 00:21:55,480 --> 00:21:59,520 Speaker 1: stand up for herself. In fact, she displays a real 407 00:21:59,560 --> 00:22:03,720 Speaker 1: emotional maturity here. And some games she can play. She 408 00:22:03,720 --> 00:22:06,040 Speaker 1: can play Paris's games and beat her. 409 00:22:06,680 --> 00:22:07,960 Speaker 2: We see that so good. 410 00:22:08,040 --> 00:22:10,879 Speaker 3: That is so good when she takes the piece and 411 00:22:11,040 --> 00:22:15,280 Speaker 3: just gets those kudos and finds that she finds the good. 412 00:22:15,600 --> 00:22:19,679 Speaker 3: I think Rory ultimately is really great about finding the 413 00:22:19,760 --> 00:22:24,080 Speaker 3: good in the situation and really exposes the good instead 414 00:22:24,080 --> 00:22:27,399 Speaker 3: of being mad, instead of biting back, she punches back 415 00:22:28,160 --> 00:22:30,159 Speaker 3: with good. It's very cool. 416 00:22:30,600 --> 00:22:33,120 Speaker 1: Yeah, she's a wolf in sheep's clothing sometimes, isn't she. 417 00:22:33,400 --> 00:22:37,199 Speaker 2: Totally She's unexpected. She's very unexpected. She will say that, 418 00:22:37,960 --> 00:22:38,640 Speaker 2: all right, see. 419 00:22:38,440 --> 00:22:43,439 Speaker 6: Your character, Brad, Yes, hi, Brad, you left chilting for 420 00:22:43,480 --> 00:22:46,199 Speaker 6: a bit because of Paris. Okay, do you think he 421 00:22:46,359 --> 00:22:49,960 Speaker 6: could have ever stood up to Paris like Rory does? 422 00:22:50,560 --> 00:22:53,760 Speaker 1: No, absolutely not, kind of melt melted like a puddle. 423 00:22:54,040 --> 00:22:57,840 Speaker 3: Right, Yeah, I don't think No matter how confident Brad 424 00:22:57,880 --> 00:23:00,800 Speaker 3: ever got, I think it would have birded. 425 00:23:00,840 --> 00:23:03,880 Speaker 2: Those triggers, no matter. 426 00:23:03,640 --> 00:23:05,879 Speaker 3: What he would have been like, I got this, I 427 00:23:05,920 --> 00:23:09,640 Speaker 3: can stand up to everybody in my life on Paris. 428 00:23:10,240 --> 00:23:13,840 Speaker 3: I think Paris would have always been the I'm too 429 00:23:13,880 --> 00:23:16,560 Speaker 3: scared to deal with life moment, no matter what. 430 00:23:17,520 --> 00:23:20,040 Speaker 1: Right, All right, now we move on to the iconic 431 00:23:20,600 --> 00:23:24,680 Speaker 1: push that we'll call it the the push. Luke picked 432 00:23:24,720 --> 00:23:27,200 Speaker 1: Jess up from school and confronts him about Taylor, accusing 433 00:23:27,280 --> 00:23:30,720 Speaker 1: Jess being a thief stealing that donation money for the bridge. 434 00:23:31,359 --> 00:23:35,119 Speaker 1: Jess once Luke to essentially stopped caring for him, he 435 00:23:35,200 --> 00:23:38,320 Speaker 1: tells him, as they walk and talk across the bridge 436 00:23:38,400 --> 00:23:41,679 Speaker 1: until Luke shoves him in. Now this is one of 437 00:23:41,720 --> 00:23:47,520 Speaker 1: the you know it was a we did thirty God, 438 00:23:47,600 --> 00:23:50,239 Speaker 1: we did something like we did so many takes of 439 00:23:50,240 --> 00:23:54,600 Speaker 1: that walk and talk? Really yeah, we did like thirty Wow, 440 00:23:54,880 --> 00:23:56,320 Speaker 1: Wait a minute, wait a minute, but I thought it 441 00:23:56,359 --> 00:24:00,040 Speaker 1: was a different director because this was Michael Cattleman. So 442 00:24:00,440 --> 00:24:02,720 Speaker 1: maybe it was a different scene with a walk and 443 00:24:02,760 --> 00:24:04,720 Speaker 1: talk with Jess that we did so many takes. I 444 00:24:04,760 --> 00:24:05,920 Speaker 1: think it was a different director. 445 00:24:06,119 --> 00:24:09,239 Speaker 2: I feel like this is all one shot of the 446 00:24:09,280 --> 00:24:10,040 Speaker 2: walk and talk. 447 00:24:10,440 --> 00:24:12,840 Speaker 1: Yeah, right, it is one shot. I think it took 448 00:24:12,840 --> 00:24:15,840 Speaker 1: a few takes. But that that push off the off 449 00:24:15,840 --> 00:24:20,119 Speaker 1: the bridge, that's one take. Because yeah, had had we 450 00:24:20,240 --> 00:24:24,720 Speaker 1: to do it again, it would have required Milo to go, 451 00:24:25,080 --> 00:24:28,359 Speaker 1: you know, into his trail, change his clothes into dry clothes, 452 00:24:28,440 --> 00:24:30,280 Speaker 1: and then redo his makeup and the thing, and it 453 00:24:30,280 --> 00:24:32,440 Speaker 1: would take would have taken an hour, hour and a half. 454 00:24:32,560 --> 00:24:34,760 Speaker 2: Right, totally, it would have been a long day. 455 00:24:35,600 --> 00:24:37,359 Speaker 1: That would have been a long day. So they know 456 00:24:37,400 --> 00:24:39,520 Speaker 1: they told they told us, hey, you got one shot 457 00:24:39,520 --> 00:24:41,280 Speaker 1: at this. 458 00:24:41,280 --> 00:24:44,640 Speaker 3: This is also it was. It was perfectly shot, and 459 00:24:44,720 --> 00:24:47,080 Speaker 3: you guys nailed it. I have to say, you guys 460 00:24:47,080 --> 00:24:50,600 Speaker 3: really nailed it. Because when you see that argument and 461 00:24:50,680 --> 00:24:55,840 Speaker 3: walking off, you guys walk off with the exact same cadence. Right, 462 00:24:55,880 --> 00:25:02,240 Speaker 3: It's hilarious. Luke getting so much mad that nothing is said, 463 00:25:02,280 --> 00:25:06,520 Speaker 3: he just what pushes him. It's like it's one of 464 00:25:06,520 --> 00:25:09,600 Speaker 3: those moments where like, oh, like it's so funny. 465 00:25:09,880 --> 00:25:12,800 Speaker 2: And then you're like, it's not gonna it's not gonna end. 466 00:25:12,840 --> 00:25:15,760 Speaker 1: Well, but the dialogue leading up to it was like 467 00:25:17,200 --> 00:25:19,560 Speaker 1: you would have expected Luke to walk in the opposite direction. 468 00:25:20,880 --> 00:25:23,960 Speaker 1: Those should walk walk in opposite directions, because he said, 469 00:25:24,080 --> 00:25:26,800 Speaker 1: leave me alone, get stop following me, stop doing this, 470 00:25:27,040 --> 00:25:28,920 Speaker 1: get out of you know, get out of my life basically. 471 00:25:28,920 --> 00:25:33,000 Speaker 1: So then yeah, instead they walk together in unison, in harmony. 472 00:25:33,119 --> 00:25:33,919 Speaker 2: Yeah. 473 00:25:33,960 --> 00:25:37,040 Speaker 3: Absolutely, And I think that's the moment where Luke figures 474 00:25:37,040 --> 00:25:39,760 Speaker 3: it out, where he goes, leave me alone, blah blah blah. 475 00:25:39,800 --> 00:25:41,600 Speaker 2: This kid clearly can't be alone. 476 00:25:41,640 --> 00:25:44,280 Speaker 3: This is what got you here, right, And so no, 477 00:25:45,240 --> 00:25:49,120 Speaker 3: you know, you little I'm gonna walk next to you, right, 478 00:25:49,480 --> 00:25:51,600 Speaker 3: and we're gonna do this whether you like it or not. 479 00:25:51,960 --> 00:25:55,040 Speaker 2: And then he's just like, you know what, screw this kid. 480 00:25:54,960 --> 00:25:59,360 Speaker 1: You know what. I missed this show. I really too. 481 00:25:59,600 --> 00:26:04,119 Speaker 1: What a great experience that was working with the yeah 482 00:26:04,200 --> 00:26:08,240 Speaker 1: and working in these situations. What a gift, What a gift. 483 00:26:08,920 --> 00:26:12,400 Speaker 3: What I have to say watching back and rewatching all 484 00:26:12,440 --> 00:26:15,600 Speaker 3: of the episodes is that I wish I would have 485 00:26:15,680 --> 00:26:20,560 Speaker 3: appreciated it as much when it was happening as I 486 00:26:20,720 --> 00:26:24,160 Speaker 3: do watching it, because it's one of those shows that's 487 00:26:24,160 --> 00:26:26,760 Speaker 3: so classic that no matter how you're feeling, it's going 488 00:26:26,840 --> 00:26:27,160 Speaker 3: to help. 489 00:26:27,560 --> 00:26:29,560 Speaker 2: It's one of those shows. It's a comfort show. 490 00:26:29,800 --> 00:26:32,320 Speaker 1: Every day I was there, it felt like, you know, 491 00:26:32,400 --> 00:26:34,080 Speaker 1: I was on stage in New York and we were 492 00:26:34,119 --> 00:26:37,919 Speaker 1: doing theater and it was challenging every day, and it 493 00:26:38,040 --> 00:26:40,600 Speaker 1: was you get to work with great actors every day 494 00:26:40,680 --> 00:26:44,720 Speaker 1: with these great words, and what a treat that was 495 00:26:44,760 --> 00:26:45,840 Speaker 1: that job, man. 496 00:26:45,960 --> 00:26:49,960 Speaker 2: It's so amazing. What I also love is the subtleties. 497 00:26:50,240 --> 00:26:53,520 Speaker 3: There's a lot of things where you can watch an 498 00:26:53,520 --> 00:26:57,520 Speaker 3: episode three or four times and catch something different because 499 00:26:57,600 --> 00:27:00,960 Speaker 3: there's a lot of hidden subtleties and every single episode. 500 00:27:01,200 --> 00:27:04,520 Speaker 3: This one didn't have any, but usually if you watch 501 00:27:06,800 --> 00:27:12,800 Speaker 3: the seasons as a whole. It's funny because Amy loves 502 00:27:12,880 --> 00:27:17,399 Speaker 3: to reference music Man specifically throughout the entire show. She 503 00:27:17,400 --> 00:27:19,680 Speaker 3: has a lot of musical theater references, but music Man 504 00:27:19,760 --> 00:27:21,399 Speaker 3: is the one that comes up the most. And I 505 00:27:21,760 --> 00:27:24,959 Speaker 3: and I figured out why. It kind of just clicked 506 00:27:25,080 --> 00:27:27,280 Speaker 3: that stars Hollow is river City, Iowa. 507 00:27:27,480 --> 00:27:28,280 Speaker 1: Huh. 508 00:27:28,320 --> 00:27:31,840 Speaker 3: So if you really look, there's so many music Man 509 00:27:31,960 --> 00:27:34,439 Speaker 3: references and it makes me crack up as a musical 510 00:27:34,440 --> 00:27:39,560 Speaker 3: theater nerd watching it because I'm like wow, because they're 511 00:27:39,560 --> 00:27:42,359 Speaker 3: in River City, Iowa. Like I get all of these clips. 512 00:27:42,440 --> 00:27:45,879 Speaker 3: There wasn't any in this particular episode, but it happens 513 00:27:46,440 --> 00:27:51,000 Speaker 3: so much, right, so much right right right. 514 00:27:51,240 --> 00:27:54,639 Speaker 1: Closing scene just runs into roy Intown, does a couple 515 00:27:54,680 --> 00:27:58,399 Speaker 1: of magic tricks. Right, we've talked about these stolear book, yes, 516 00:27:58,520 --> 00:28:02,080 Speaker 1: owl put some No, it's in the margins. Oh gosh, 517 00:28:02,480 --> 00:28:06,800 Speaker 1: he's really she he's really smart. And the coin trick, 518 00:28:07,440 --> 00:28:08,320 Speaker 1: the coin tricks. 519 00:28:08,800 --> 00:28:11,359 Speaker 2: Yeah, he shows how smart he is for sure. 520 00:28:11,440 --> 00:28:15,400 Speaker 1: Yes, right. What's her level of interest in him? 521 00:28:16,040 --> 00:28:18,600 Speaker 2: I think he's very intriguing because there's things to know. 522 00:28:18,760 --> 00:28:20,520 Speaker 1: What is her level of Oh it's her. 523 00:28:20,680 --> 00:28:22,879 Speaker 2: I thought you said mine that. 524 00:28:23,000 --> 00:28:23,280 Speaker 5: Was like. 525 00:28:25,200 --> 00:28:28,840 Speaker 1: You know, it started out at kind of like zero, right, Yeah. 526 00:28:28,840 --> 00:28:30,439 Speaker 2: I think it was a zero or one, and I 527 00:28:30,440 --> 00:28:31,600 Speaker 2: think now it's like an eight. 528 00:28:32,240 --> 00:28:34,960 Speaker 1: Yeah, it's probably sticks to eight. 529 00:28:35,200 --> 00:28:35,880 Speaker 2: Yeah. 530 00:28:36,160 --> 00:28:40,800 Speaker 1: Total. You think Jess already sees the potential and Rory 531 00:28:40,880 --> 00:28:42,560 Speaker 1: right away? What do you think? What do you how 532 00:28:42,600 --> 00:28:43,920 Speaker 1: do you think he sees her? 533 00:28:44,800 --> 00:28:47,880 Speaker 3: I mean I think he sees her as a cute 534 00:28:47,880 --> 00:28:51,000 Speaker 3: girl that he can just kind of corrupt right away. 535 00:28:51,040 --> 00:28:54,200 Speaker 2: I think he's like, ah, you'll do let's go. Yeah, 536 00:28:54,280 --> 00:28:54,560 Speaker 2: let's go. 537 00:28:54,760 --> 00:28:57,160 Speaker 3: No, we're we're doing this thing. And I think he's 538 00:28:57,200 --> 00:29:00,000 Speaker 3: testing her, you know what, I think, Yeah, go ahead. 539 00:29:00,360 --> 00:29:02,360 Speaker 1: I think he thinks she's the one. 540 00:29:02,760 --> 00:29:04,000 Speaker 2: Really, you think that. 541 00:29:04,200 --> 00:29:08,600 Speaker 1: I think he knows that right away that she's the 542 00:29:08,640 --> 00:29:12,440 Speaker 1: one and he's never gonna be good enough for I 543 00:29:12,480 --> 00:29:16,600 Speaker 1: think he's in love observation right away. Yeah, but he 544 00:29:16,720 --> 00:29:19,440 Speaker 1: knows he can't touch her or can't have her, but 545 00:29:19,520 --> 00:29:24,960 Speaker 1: he's gonna try like hell, because he's she's gonna save him. 546 00:29:25,640 --> 00:29:26,840 Speaker 2: That's how he sees her. 547 00:29:27,200 --> 00:29:28,680 Speaker 1: Yeah, you can save me. 548 00:29:28,920 --> 00:29:33,920 Speaker 3: There's nothing worse in life than relying on somebody to 549 00:29:34,040 --> 00:29:38,040 Speaker 3: save you or thinking you can save somebody else. And 550 00:29:38,120 --> 00:29:44,520 Speaker 3: it happens all the time daily. It's heartbreaking to see 551 00:29:44,520 --> 00:29:46,560 Speaker 3: because I think, I think you're absolutely right, And I 552 00:29:46,600 --> 00:29:50,520 Speaker 3: think Jess just doesn't have confidence in himself in that moment, 553 00:29:50,840 --> 00:29:53,800 Speaker 3: because he could he could be there is a world 554 00:29:53,840 --> 00:29:56,120 Speaker 3: where he could be with Rory and be incredibly happy, 555 00:29:56,280 --> 00:29:58,680 Speaker 3: but he knows that the changes that he would have 556 00:29:58,680 --> 00:30:01,480 Speaker 3: to make are so significant, doesn't He doesn't see even 557 00:30:01,960 --> 00:30:03,440 Speaker 3: a step to be able to. 558 00:30:03,360 --> 00:30:09,080 Speaker 2: Get to that floor. There's no way. Yeah, that's an. 559 00:30:08,960 --> 00:30:13,600 Speaker 3: Interesting take that that he thinks that she's the one 560 00:30:13,640 --> 00:30:15,840 Speaker 3: right away. That's that's a good observation. 561 00:30:16,360 --> 00:30:20,040 Speaker 1: Yeah, he can recognize that. He knows why, it's why 562 00:30:20,120 --> 00:30:32,520 Speaker 1: is there. He's thunderstruck right away. Boom. All right, Adam Wiley. 563 00:30:32,600 --> 00:30:36,160 Speaker 1: Fan questions here we go. Fans want to know, they 564 00:30:36,240 --> 00:30:40,600 Speaker 1: want to know, Adam. Let's talk about Into the Woods. Okay, okay, yeah, okay. 565 00:30:40,680 --> 00:30:45,120 Speaker 1: So your character had to leave to star in Broadway. Okay, 566 00:30:45,320 --> 00:30:48,480 Speaker 1: that is a fact. Brad had to leave. No more, Brad. 567 00:30:48,560 --> 00:30:52,160 Speaker 1: But because we're going a Broadway now, yes, well, you 568 00:30:52,240 --> 00:30:55,840 Speaker 1: were actually in that same Broadway production with the role 569 00:30:55,880 --> 00:30:57,960 Speaker 1: of Jack. What was it like to have your time 570 00:30:58,000 --> 00:30:59,120 Speaker 1: on the show referenced? 571 00:30:59,520 --> 00:31:00,320 Speaker 2: Oh my god, gosh. 572 00:31:00,760 --> 00:31:04,840 Speaker 3: When I got back from New York and moved home 573 00:31:04,920 --> 00:31:10,960 Speaker 3: after however long and got the script for Gilmore Girls, 574 00:31:11,160 --> 00:31:16,560 Speaker 3: cracked it open and saw that my Broadway career was referenced, 575 00:31:17,160 --> 00:31:20,800 Speaker 3: I died laughing. I thought that there was nothing more 576 00:31:20,880 --> 00:31:28,560 Speaker 3: genius than this, and it was almost like Laura I 577 00:31:28,880 --> 00:31:33,960 Speaker 3: herself teasing me in a sense, and I loved every 578 00:31:34,000 --> 00:31:36,680 Speaker 3: second of it. I thought it was the biggest honor 579 00:31:36,720 --> 00:31:38,680 Speaker 3: that I could possibly have, especially that there was an 580 00:31:38,720 --> 00:31:41,480 Speaker 3: actual New York Times review in the script. 581 00:31:43,160 --> 00:31:49,280 Speaker 2: There was nothing that was cooler in that moment in time. 582 00:31:49,240 --> 00:31:51,840 Speaker 3: And I don't know if I've experienced much that's cooler since, 583 00:31:52,120 --> 00:31:52,920 Speaker 3: to be honest with you. 584 00:31:53,200 --> 00:31:56,240 Speaker 1: So tell us about your own relationship with Broadway. You 585 00:31:56,280 --> 00:32:00,840 Speaker 1: did TV as a kid and Broadway. Yeah, what were 586 00:32:00,840 --> 00:32:01,920 Speaker 1: you more passionate about. 587 00:32:02,640 --> 00:32:05,000 Speaker 3: I was passionate about what would hire me. I'm gonna 588 00:32:05,040 --> 00:32:09,120 Speaker 3: be honest with you. I feel like I have severe ADHD. 589 00:32:09,400 --> 00:32:15,080 Speaker 3: So pulling myself into a million different directions is something 590 00:32:15,120 --> 00:32:18,160 Speaker 3: that I'm really really good at and become accustomed to, 591 00:32:18,160 --> 00:32:20,680 Speaker 3: to be honest, and if I'm not doing one thing, 592 00:32:20,760 --> 00:32:22,640 Speaker 3: I kind of miss doing it. So when I wasn't 593 00:32:22,640 --> 00:32:26,480 Speaker 3: filming TV, I was doing Broadway, I missed it, but 594 00:32:26,680 --> 00:32:28,280 Speaker 3: it was happening at the same time. So when I 595 00:32:28,360 --> 00:32:32,400 Speaker 3: first started, I was doing Beauty in the Beast in 596 00:32:32,560 --> 00:32:35,560 Speaker 3: LA and I was filming picket Fences, So I was 597 00:32:35,560 --> 00:32:37,360 Speaker 3: doing pick offences during the day Beauty and the Beast 598 00:32:37,360 --> 00:32:40,240 Speaker 3: at night, and they were across the street from one another, 599 00:32:40,960 --> 00:32:44,080 Speaker 3: so I could see the theater from the studio and 600 00:32:44,160 --> 00:32:48,800 Speaker 3: vice versa, and it was just it was like, this 601 00:32:49,000 --> 00:32:52,400 Speaker 3: is living. I get to do both. So I never 602 00:32:52,440 --> 00:32:55,520 Speaker 3: really had that choice of I had to choose. Even 603 00:32:55,560 --> 00:32:57,360 Speaker 3: when I was doing Into the Woods, I was on 604 00:32:57,440 --> 00:33:03,440 Speaker 3: another TV show, So I never have that choice, And 605 00:33:03,480 --> 00:33:06,680 Speaker 3: I think nowadays it's become so seamless to do both 606 00:33:07,320 --> 00:33:08,840 Speaker 3: that it's just a different world. 607 00:33:08,920 --> 00:33:11,160 Speaker 2: If I had to choose, I don't know if I could. 608 00:33:11,560 --> 00:33:13,160 Speaker 2: I'm gonna be honest with you, but. 609 00:33:13,120 --> 00:33:16,000 Speaker 3: I think ultimately I would pick TV because Broadway is 610 00:33:16,000 --> 00:33:18,760 Speaker 3: the hardest work you can possibly do, in my opinion, 611 00:33:18,800 --> 00:33:21,120 Speaker 3: as an actor in your life, you have to be 612 00:33:21,680 --> 00:33:23,800 Speaker 3: It's a twenty four hour a day job. People think, oh, 613 00:33:23,800 --> 00:33:25,400 Speaker 3: you're just doing a two and a half hour show. 614 00:33:25,520 --> 00:33:26,400 Speaker 2: No, no, you're not. 615 00:33:26,960 --> 00:33:29,920 Speaker 3: You have to prep every single day to be so consistent. 616 00:33:30,040 --> 00:33:32,760 Speaker 3: Especially if you're singing. You have to be vocally in 617 00:33:32,800 --> 00:33:34,600 Speaker 3: tiptop shape all the time. You have to be aware 618 00:33:34,600 --> 00:33:36,240 Speaker 3: of what you're the food you're taking in. You have 619 00:33:36,280 --> 00:33:37,600 Speaker 3: to be aware of how much sleep you're getting. Do 620 00:33:37,640 --> 00:33:39,520 Speaker 3: you have as reflux so you need to sleep with 621 00:33:39,560 --> 00:33:42,760 Speaker 3: a humidifier, is your bed propped or you're getting enough sleep. 622 00:33:43,600 --> 00:33:45,480 Speaker 3: You have to check in to see if your voice 623 00:33:45,520 --> 00:33:48,360 Speaker 3: is still there. You know what notes are you hitting? 624 00:33:48,640 --> 00:33:51,040 Speaker 3: Can you even speak that day? There's so much to 625 00:33:51,120 --> 00:33:55,440 Speaker 3: worry about. It is a constant battle. It's a constant, 626 00:33:55,560 --> 00:34:00,400 Speaker 3: constant maintenance. Whereas with TV it's not that. It's not 627 00:34:00,400 --> 00:34:03,960 Speaker 3: that at all. Right, right, You've got takes, it doesn't matter. 628 00:34:04,320 --> 00:34:11,080 Speaker 3: Just just keeping your voice in shape alone, is there? Yeah, 629 00:34:11,120 --> 00:34:11,879 Speaker 3: I know, I did all. 630 00:34:11,760 --> 00:34:14,759 Speaker 1: Those exercise Yeah, it's singing is. 631 00:34:14,760 --> 00:34:15,960 Speaker 2: Hard, it is. 632 00:34:16,160 --> 00:34:18,080 Speaker 1: And to do it, and to do it every day 633 00:34:18,480 --> 00:34:21,759 Speaker 1: form every day, that's that's man, that's hard. 634 00:34:22,320 --> 00:34:24,200 Speaker 3: It's a lot. Eight shows a week is no joke. 635 00:34:24,280 --> 00:34:26,680 Speaker 3: It's it's a it's a war, especially when you're doing 636 00:34:26,680 --> 00:34:28,799 Speaker 3: it for a nine month contractor or more. 637 00:34:28,840 --> 00:34:32,279 Speaker 1: Yeah, a lot, it's a lot. What's your favorite Broadway show? 638 00:34:32,880 --> 00:34:36,440 Speaker 3: My personal favorite Broadway show is Big River And I 639 00:34:36,480 --> 00:34:42,040 Speaker 3: got to play Huck Finn in North Carolina, and I 640 00:34:42,080 --> 00:34:44,640 Speaker 3: was I've done the show three times, but the time 641 00:34:44,640 --> 00:34:47,680 Speaker 3: that I got to play Huck was like obviously my favorite. 642 00:34:47,719 --> 00:34:49,880 Speaker 3: He never leaves the stage. You know, the singing in 643 00:34:49,920 --> 00:34:54,720 Speaker 3: it is is insane. For Huck, he just never stops talking. 644 00:34:54,880 --> 00:34:59,359 Speaker 3: He does magic in it, which is great, and he's 645 00:34:59,400 --> 00:35:04,000 Speaker 3: just singing and dancing and narrating the story. So for me, 646 00:35:04,440 --> 00:35:07,200 Speaker 3: that was my dream role and I and I got 647 00:35:07,239 --> 00:35:09,040 Speaker 3: to play it. That was my ultimate dream role. So 648 00:35:09,120 --> 00:35:11,560 Speaker 3: that's my favorite show. That's my favorite show because of 649 00:35:11,560 --> 00:35:15,520 Speaker 3: the relationship between Huck and Jim. It's an incredible story. 650 00:35:16,560 --> 00:35:20,120 Speaker 3: I love that Relationshob Did you have any on set crushes? 651 00:35:22,000 --> 00:35:24,919 Speaker 3: Did I have any? I think if you didn't have 652 00:35:25,120 --> 00:35:28,320 Speaker 3: a crush on Alexis, you weren't human if you were. 653 00:35:29,680 --> 00:35:35,000 Speaker 2: My age to be as to a few, So yeah, 654 00:35:35,040 --> 00:35:36,320 Speaker 2: of course, of course. 655 00:35:36,800 --> 00:35:40,640 Speaker 1: Okay the song cherish, yes, pick for you to sing 656 00:35:40,640 --> 00:35:41,919 Speaker 1: a graduation in the show. 657 00:35:42,120 --> 00:35:43,600 Speaker 2: Yes, how was that? 658 00:35:44,200 --> 00:35:50,200 Speaker 3: So? I listened to that style of music every single 659 00:35:50,239 --> 00:35:53,759 Speaker 3: day of my life, mostly because when I was in 660 00:35:53,760 --> 00:35:56,160 Speaker 3: my younger years, my mom was transporting me and she 661 00:35:56,239 --> 00:35:59,600 Speaker 3: was in control of the radio, which means that Krona 662 00:35:59,640 --> 00:36:03,440 Speaker 3: one and ninety nine point nine were constantly on the radio. 663 00:36:04,000 --> 00:36:06,160 Speaker 2: So the oldies but goodies. 664 00:36:05,880 --> 00:36:07,799 Speaker 1: That was a massive song in its day. 665 00:36:08,239 --> 00:36:09,120 Speaker 2: It was huge. 666 00:36:09,560 --> 00:36:12,239 Speaker 1: Everybody in my generation learned a slow dance to that song. 667 00:36:13,080 --> 00:36:14,200 Speaker 2: Oh so good. 668 00:36:14,640 --> 00:36:16,919 Speaker 3: And so when I first heard I was like, oh, 669 00:36:17,040 --> 00:36:21,480 Speaker 3: the cherish is the word I used to describe bong bong. Okay, 670 00:36:21,640 --> 00:36:23,120 Speaker 3: I got I got it, I got it, I got it. 671 00:36:23,560 --> 00:36:26,600 Speaker 3: So we go and we we do the rehearsal and 672 00:36:26,719 --> 00:36:30,000 Speaker 3: I sing the bong bong and everyone's like, what are 673 00:36:30,000 --> 00:36:30,560 Speaker 3: you doing there? 674 00:36:31,640 --> 00:36:34,319 Speaker 2: That's how the song goes. And I was completely oblivious 675 00:36:34,760 --> 00:36:36,920 Speaker 2: that the supposed to see these bong bongs. 676 00:36:36,960 --> 00:36:40,600 Speaker 3: I was just following the music, like in my head, going, no, 677 00:36:40,760 --> 00:36:42,480 Speaker 3: that's that is that is how this goes. 678 00:36:42,560 --> 00:36:43,360 Speaker 2: That is that is it? 679 00:36:43,560 --> 00:36:45,719 Speaker 3: And it does this bong bong and then you you 680 00:36:45,760 --> 00:36:49,920 Speaker 3: go uh and it was funny and they were like 681 00:36:49,960 --> 00:36:51,759 Speaker 3: heye bit and I was like, oh okay, Like I 682 00:36:51,800 --> 00:36:54,319 Speaker 3: didn't get it at the time. I didn't get why 683 00:36:54,360 --> 00:36:57,840 Speaker 3: it was funny. I just did it right right, But 684 00:36:57,880 --> 00:36:59,560 Speaker 3: I love that song. The song is incredible. 685 00:37:00,280 --> 00:37:04,000 Speaker 2: Do you get recognized for being on Gilmore Girls? Every 686 00:37:04,440 --> 00:37:09,080 Speaker 2: single day of my life? Isn't an amazing it's Mezls. 687 00:37:09,520 --> 00:37:13,480 Speaker 3: I will be anywhere, especially when I'm performing at the 688 00:37:13,480 --> 00:37:18,160 Speaker 3: Magic Castle. People are you that guy from Gilmore Girls 689 00:37:18,360 --> 00:37:22,680 Speaker 3: the graduation right, Brad? You're the Paris Brad. And it's 690 00:37:22,760 --> 00:37:27,560 Speaker 3: amazing how many people also know the trivia and are like, 691 00:37:27,840 --> 00:37:29,839 Speaker 3: I know you actually went to Broadway and I'm like. 692 00:37:29,920 --> 00:37:31,719 Speaker 2: Whoa, this is crazy. 693 00:37:32,640 --> 00:37:36,360 Speaker 3: It's it's shocking every time that the show it really 694 00:37:36,560 --> 00:37:39,200 Speaker 3: is just as popular now as it was. 695 00:37:39,520 --> 00:37:41,479 Speaker 2: Oh more so, you think so, more. 696 00:37:41,440 --> 00:37:44,640 Speaker 1: So, more so, more people are a Netflix. The numbers 697 00:37:44,680 --> 00:37:47,680 Speaker 1: are creaty, the streaming numbers are nuts. Yeah, I mean, 698 00:37:47,920 --> 00:37:49,799 Speaker 1: I mean it's like been off the air for you know, 699 00:37:50,280 --> 00:37:53,320 Speaker 1: eighteen years, and it's still number six and number seven 700 00:37:53,360 --> 00:37:59,040 Speaker 1: on Nielsen Raiding. Yes, streaming numbers, yes, what a. 701 00:37:59,040 --> 00:38:01,279 Speaker 2: What a blessing for us as actors to have that 702 00:38:01,320 --> 00:38:01,839 Speaker 2: show man. 703 00:38:02,880 --> 00:38:06,520 Speaker 3: I still walk into like random spots where you can 704 00:38:06,520 --> 00:38:08,759 Speaker 3: buy T shirts and I'll see a Luke's T shirt 705 00:38:09,520 --> 00:38:12,680 Speaker 3: or a mug and I'm just like, it's so awesome. 706 00:38:13,000 --> 00:38:17,520 Speaker 1: They're ubiquitous. They're everywhere. That logo is everywhere. 707 00:38:17,520 --> 00:38:19,720 Speaker 2: The Luke's logo is everywhere. 708 00:38:20,200 --> 00:38:24,839 Speaker 1: Oh my goodness, Adam. A joy to reconnect. 709 00:38:25,239 --> 00:38:27,680 Speaker 3: Absolutely, thank you for having me. I would love to 710 00:38:27,800 --> 00:38:28,799 Speaker 3: you have me anytime. 711 00:38:29,200 --> 00:38:31,239 Speaker 1: We have so many more questions to ask you. We 712 00:38:31,280 --> 00:38:33,719 Speaker 1: didn't get to all of them. Apologize to fans for that, 713 00:38:33,760 --> 00:38:37,600 Speaker 1: but we're running out of time here. Please come back. 714 00:38:37,760 --> 00:38:39,960 Speaker 1: All the best to you. Thank you for your time. 715 00:38:40,560 --> 00:38:43,320 Speaker 2: Absolutely, thank you for having me. I praraazy gentlemen, mister. 716 00:38:43,160 --> 00:38:47,800 Speaker 1: Adam Wiley, and thank you all for all your cards 717 00:38:47,800 --> 00:38:51,120 Speaker 1: and letters and your downloads. Best fans on the planet, 718 00:38:51,160 --> 00:38:54,680 Speaker 1: and remember where you lead, we will follow and Adam 719 00:38:54,760 --> 00:39:13,440 Speaker 1: is going to be there too. Stay safe, everyone. 720 00:39:05,640 --> 00:39:27,200 Speaker 5: Dot everybody off again. 721 00:39:27,280 --> 00:39:31,359 Speaker 1: Follow us on Instagram at i Am all In podcast 722 00:39:31,440 --> 00:39:44,440 Speaker 1: and email us at Gilmore at iHeartRadio dot com.